Question: who sang take it to the limit eagles

Answer: Randy Meisner

This is a document about Take It to the Limit (Eagles song)
  "Take It to the Limit" is a song by the Eagles from their fourth album One of These Nights from which it was issued as the third single on November 15, 1975. It reached No. 4 on the U.S. Billboard Hot 100 and was also the Eagles' greatest success to that point in the UK, going to No. 12 on the charts. Billboard ranked it as the No. 25 song for 1976. The song was written by Eagles members Randy Meisner, Don Henley and Glenn Frey. Meisner, who sang lead on it, says the song began as his solo composition. As it remained unfinished when time came for the One of These Nights album to be recorded, Henley and Frey assisted Meisner in completing it. Meisner's performance of the song was popular with the audience in Eagles concerts, but disputes over his reluctance to perform it would also directly lead to Meisner's departure from the band.

This is a document about Eagles (band)
  single was the title track, which became their second consecutive chart-topper. Frey has said it is his all-time favorite Eagles tune. The second single was "Lyin' Eyes", which reached number 2 on the charts and won the band their first Grammy for "Best Pop Performance by a duo or group with vocal". The final single, "Take It to the Limit", was written by Meisner, Henley, and Frey, and it is the only Eagles single to feature Meisner on lead vocals. The song reached number 4 on the charts. The band launched a huge worldwide tour in support of the album, and the album was

This is a document about Take It to the Limit (Eagles song)
  "Take It to the Limit" is unique in the canon of the band's singles, being the sole A-side on which Randy Meisner sang lead, as well as the first A-side Eagles single on which neither Henley nor Frey sang lead. It was also the last Eagles single to feature founding member Bernie Leadon before he was replaced by guitarist Joe Walsh. The single version of the song is 3:48 in length, almost a minute shorter than the album version. "Take It to the Limit" is one of few Eagles' tracks written in waltz time. (Other notable waltzes performed by the Eagles are "Hollywood Waltz"; the Meisner/Henley/Frey waltz "Saturday Night" (co-written with Leadon) from the 1973 Desperado album; Frey's "Most of

This is a document about Take It to the Limit (Willie Nelson and Waylon Jennings album)
  Take It to the Limit was the third Jennings/Nelson duet album and the second to be produced by Chips Moman. Whereas their previous album together, 1982's WWII, had contained more Waylon solo tracks, this LP includes five tracks sung solely by Willie. The title actually reads Wille Nelson with Waylon Jennings, likely the result of the LP being released on Nelson's label CBS (the previous two duet albums had been released on RCA). The title song was written by Eagles' members Randy Meisner, Don Henley and Glenn Frey and performed by the Eagles on their 1975 album, One of These Nights, while "Homeward Bound" was originally by Simon & Garfunkel. Take It to the Limit was the next-to-last collaboration between Jennings and Nelson; of the four duets albums released by the singers, 1978's Waylon & Willie achieved the greatest success. Despite the fact that neither singer was in top artistic form and Jennings' most successful days were already over, the record managed to chart, peaking at #3, as did WWII. "Why Do I Have to Choose" also reached #3, while the title track reached #8 on the singles chart.

This is a document about Tom Brumley
  bridged country music and rock'n'roll, as well, with his Rick Nelson works". One of the Brumley's bandmates in the Stone Canyon Band was  Randy Meisner, a founding member of the Eagles who was co-author and vocalist of the Eagles' "Take It To The Limit". Meisner was with them for some time and performed with them on the Troubadour album. Brumley left Nelson because the touring schedule kept getting heavier, by then 180 days per year, with plans to increase it after a new manager was brought on board. Brumley was also eager to return home to Kingsland and manage his guitar company.

This is a document about One of These Nights
  released. Frey also began to sing less as a lead singer starting with this album, singing solo lead on only one song ("Lyin' Eyes") and sharing lead vocals with Henley on another ("After the Thrill Is Gone"). Henley later said: "[Glenn] was generous in that respect ... If I began to do more than he did, it was because if someone had a strong suit he would play that card. 'You sing this, you sing it better,' that kind of thing." Randy Meisner sings lead on two songs, one of which, "Take it to the Limit", a composition he co-wrote with Frey and Henley, was released as the third single from the album. It is the only Eagles single on which Meisner sings lead.

This is a document about One of These Nights
  The Eagles began working on their fourth album in late 1974. Glenn Frey and Don Henley wrote four of the nine songs by themselves, and they also collaborated with other members of the band on three other songs. Many of the songs were written while Frey and Henley were sharing a house in Beverly Hills, including "One of These Nights", "Lyin' Eyes", "Take It to the Limit" and "After the Thrill Is Gone". In an interview with Cameron Crowe, Henley joked that it was their "satanic country-rock period" because "it was a dark time, both politically and musically" in America, referring to the turmoil in Washington and disco music starting to take off. He added: "We thought, "Well, how can we write something with that

This is a document about Randy Meisner
  In September 1971, Meisner, along with Don Henley, Glenn Frey and Bernie Leadon, formed the Eagles, signing with David Geffen's new label, Asylum Records, and they released their eponymous debut album in 1972. While he usually played the bass and handled backing vocals for the Eagles, he wrote, co-wrote and/or sang lead songs on each of the group's first five albums, most notably "Take It to the Limit," the band's first million-selling single, and on One of These Nights. Other songs he wrote and sang lead on include "Try and Love Again", "Is it True?", "Take the Devil", "Tryin'" and he also wrote the song "Certain Kind of Fool" with Frey and Henley, which also had him singing

This is a document about Don Henley
  Eagles were formed in 1971, and signed to David Geffen's label Asylum Records. They released their first studio album in 1972, which contained the hit song "Take It Easy", co-written by Jackson Browne. During the band's run, Henley co-wrote (usually with Frey) most of the band's best-known songs. "Witchy Woman", which was co-written with Leadon, was his first commercially successful song, while "Desperado" marks the beginning of his songwriting partnership with Frey. Henley sang lead vocals on many of the band's popular songs, including "Desperado", "Witchy Woman", "Best of My Love", "One of These Nights", "Hotel California", "The Long Run", "Life in the Fast Lane" and "Wasted Time". Eagles won numerous Grammy Awards during the

This is a document about Common Thread: The Songs of the Eagles
  The most notable track in the album was the cover of "Take It Easy" by Travis Tritt. In March 1994, the song reached No. 21 on the US Country chart, and No. 12 on the Canadian RPM chart. For the music video of his rendition of "Take It Easy", Tritt requested that Eagles join him for the filming, and the resulting video featured the full Long Run-era lineup of the Eagles (Glenn Frey, Don Henley, Don Felder, Joe Walsh, and Schmit). It would be the first time since disbanding in 1980 that the five members of the band appeared together (Frey, Henley, Walsh and Schmit, however,

This is a document about Eagles (box set)
  to the Limit"  (Meisner, Frey, Henley) – 5:14 ; 10)  "Doolin-Dalton (Reprise II)"  (Frey, Henley, Norman) – :41 ; 11)  "Desperado"  (Frey, Henley) – 3:57 ; 12)  "Saturday Night"  (Meisner, Frey, Henley, Leadon) – 3:47 ; 13)  "All Night Long"  (Walsh) – 5:34 ; 14)  "Life in the Fast Lane"  (Frey, Henley, Walsh) – 5:09 ; 15)  "Take It Easy"  (Browne, Frey) – 5:16 1)  "Please Come Home for Christmas"  (Charles Brown, Redd) – 3:00 ; 2)  "Funky New Year"  (Frey, Henley) – 4:01 Eagles Desperado On the Border One of These Nights Hotel California The Long Run Eagles Live Bonus single

This is a document about Take It to the Limit (Eagles song)
  According to Meisner, he wrote the first few lines of the song one night while playing an acoustic guitar after returning from the Troubadour; however he was not able to finish the song by the time they were close to recording it, and Frey and Henley then helped him with the lyrics. Meisner later said of how he would usually write songs with the Eagles: "I'd get a verse or two, and I'm done, and they would help fill in the blanks" On the meaning of the song, Meisner said in the documentary History of the Eagles: "The line 'take it to the limit' was to keep trying before you reach a point in your life where you feel you've done everything and seen everything, sort of feeling, you know, part of getting old. And just to take it to the limit one more time, like every day just keep, you know, punching away at it ... That was the line, and from there the song took a different course." Meisner sings lead on "Take It to the Limit" and the song was released as the third single from the album One of These Nights.

This is a document about Their Greatest Hits (1971–1975)
 Glenn Frey – guitars, vocals; piano ; Bernie Leadon – guitars, backing vocals; banjo, pedal steel, mandolin ; Randy Meisner – bass guitar, vocals ; Don Henley – drums, vocals ; Don Felder – guitars on "Lyin' Eyes", "Already Gone", "One of These Nights", and "Take It to the Limit" Glyn Johns – producer ; Bill Szymczyk – producer ; Jim Ed Norman – string arrangements ; Allan Blazek – engineer ; Michael Braunstein – engineer ; Howard Kilgour – engineer ; Ed Mashal – engineer ; Michael Verdick – engineer ; Don Wood – engineer ; Henry Diltz – art direction, design ; Glen Christensen – art direction, design ; Boyd Elder – art direction, design ; Irving Azoff – direction ; Steve Hoffman – digital remastering ; Ted Jensen – digital remastering Eagles Production

This is a document about One of These Nights
 Glenn Frey – vocals, guitars, piano, electric piano, harmonium ; Don Henley – vocals, drums, percussion, tabla ; Bernie Leadon – vocals, guitars, banjo, mandolin, pedal steel ; Randy Meisner – vocals, bass guitar ; Don Felder – vocals, guitars, slide guitar David Bromberg – fiddles ("Journey of the Sorcerer") ; The Royal Martian Orchestra – strings ("Journey of the Sorcerer") ; Albhy Galuten – synthesizer ("Hollywood Waltz") ; Jim Ed Norman – piano ("Lyin' Eyes", "Take It to the Limit"), orchestrations, conductor, string arrangements ; Sid Sharp – concert master ; The Eagles – string arrangements Bill Szymczyk – producer, engineer ; Allan Blazek – engineer ; Michael Braunstein – engineer ; Ed Mashal – engineer ; Michael Verdick – engineer ; Don Wood – engineer ; Gary Burden – art direction, design ; Norman Seeff – photography ; Tom Kelley – cover photography ; Ted Jensen – remastering Eagles Additional personnel Production

This is a document about Take It Easy
  "Take It Easy" is a song by the American rock band Eagles, written by Jackson Browne and Eagles band member Glenn Frey, who also provides lead vocals. It was the band's first single, released on May 1, 1972. It peaked at No. 12 on the July 22, 1972, Billboard Hot 100 chart. It also was the opening track on the band's debut album Eagles and it has become one of their signature songs, included on all of their live and compilation albums. It is listed as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Jackson Browne later recorded the song as the lead track on his second album, For Everyman (1973), and released it as a single as well, although it did not chart. Travis Tritt also covered the song for the 1993 Eagles' tribute album Common Thread: The Songs of the Eagles; the video for Tritt's version is notable for the appearance of all five members of the Eagles together again for the first time in 13 years after their break-up, and it led to the reunion of the band a few months later.

This is a document about Don Henley
  (1994-1996), and Long Road Out of Eden Tour. On April 1, 2013, during a concert at the Casino Rama in Rama, Ontario, Henley announced the History of the Eagles Tour, which began in July 2013 and ended in July 2015, six months before Frey's death. At the 2016 Grammy Awards, the Eagles and Jackson Browne performed "Take It Easy" as a tribute to Frey. On his songwriting in the band, Henley stated in a March 2001 interview on Charlie Rose that "rock bands work best as a benevolent dictatorship", with the principal songwriters in a band (in the case of Eagles, "me and Glenn Frey") being the ones that will likely hold the power.

This is a document about Randy Meisner
 "Take the Devil" from Eagles ; "Early Bird" (co-written with Bernie Leadon) from Eagles ; "Tryin'" from Eagles ; "Certain Kind of Fool" from Desperado (co-written with Glenn Frey & Don Henley) ; "Saturday Night" from Desperado (co-written with Frey/Henley/Leadon) ; "Is It True" from On the Border ; "Too Many Hands" from One of These Nights (co-written with Don Felder) ; "Take It to the Limit" from One of These Nights (co-written with Frey/Henley) ; "Try and Love Again" from Hotel California

This is a document about Eagles (band)
  The Eagles are an American rock band formed in Los Angeles in 1971. With five number-one singles and six number-one albums, six Grammy Awards and five American Music Awards, the Eagles were one of the most successful musical acts of the 1970s in North America. Founding members Glenn Frey (guitars, vocals), Don Henley (drums, vocals), Bernie Leadon (guitars, vocals) and Randy Meisner (bass guitar, vocals) were recruited by Linda Ronstadt as band members, some touring with her, and all playing on her third solo album, before venturing out on their own on David Geffen's new Asylum Records label. Their debut, Eagles (1972), spawned two top-20 singles in the US and

This is a document about Hell Freezes Over
  The album name is in reference to a quote by Don Henley after the band's breakup in 1980. Henley was asked in an interview about when the band would play together again, to which he responded "when Hell freezes over". Glenn Frey also said in 1982 on the break-up: "I just rule out the possibility of putting the Eagles back together for a Lost Youth and Greed tour." In 1993, an Eagles tribute album, Common Thread: The Songs of the Eagles, was recorded by several country artists. Travis Tritt, who covered "Take It Easy" in the album, asked the band to appear in his video for the song. The former Eagles band

This is a document about Randy Meisner
  Randall Herman Meisner (born March 8, 1946) is a retired American musician, singer, songwriter and founding member of the Eagles. Throughout his professional musical career, Meisner's main role was that of bassist and backing high-harmony vocalist as both a group member and session musician. He co-wrote the Eagles hit song "Take It to the Limit", which he also sang.

Randy Meisner sang lead vocals on "Take It to the Limit" by the Eagles.


Question: what movie is the song all star from

Answer: Mystery Men

This is a document about Astro Lounge
  "All Star" was featured in the 1999 film Mystery Men, the 2000 film Digimon: The Movie, and the 2001 films Shrek and Rat Race. It was also nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocals.

This is a document about All Star (song)
  of the charts in Australia, Canada, and on the Billboard Hot 100, while topping the Billboard Adult Top 40 and Mainstream Top 40 charts. The song's accompanying music video features characters from the superhero film Mystery Men (1999), which itself prominently featured "All Star". The song became ubiquitous in popular culture following multiple appearances in films, most notably in the aforementioned Mystery Men and, later, the DreamWorks Animation film Shrek (2001). It received renewed popularity in the 2010s as an internet meme and has ranked as one of the most-streamed rock songs from 2017 to 2021 in the United States.

This is a document about All Star (song)
  "All Star" was frequently used in films in the years following its release. The song featured in 1999's Inspector Gadget and Mystery Men, the latter of which was the basis for the song's music video. It features heavily in the 2001 movie Rat Race, in which the band performs it at a live concert, over the closing credits. It regained popularity after being featured in the 2001 DreamWorks animated movie Shrek, where it was played over the opening credits. Although Smash Mouth was initially apprehensive about being involved with what was considered a family film, DreamWorks was insistent on including the band's music in the film. After being granted an early screening of Shrek, the band members were impressed and ultimately agreed to

This is a document about All Star (song)
  "All Star" is a song by the American rock band Smash Mouth from their second studio album, Astro Lounge (1999). Written by Greg Camp and produced by Eric Valentine, the song was released on May 4, 1999, as the first single from Astro Lounge. The song was one of the last tracks to be written for Astro Lounge, after the band's record label Interscope requested for more songs that could be released as singles. In writing it, Camp drew musical influence from contemporary music by artists like Sugar Ray and Third Eye Blind, and sought out to create an "anthem"

This is a document about List of viral music videos
 "All Star" – A song by rock band Smash Mouth known for its appearance in the 2001 film Shrek and its opening line "Somebody once told me". These two factors led the song to become a meme often associated with Shrek. The song has also been a large part of mashup culture, often being mashed up with various songs. The band has also embraced the song's memes. "Big Enough" - An EDM country song by Kirin J. Callinan. The music video for the song portrays Jimmy Barnes as a giant screaming cowboy in the sky. The video went viral when the sound of Barnes screaming

This is a document about Cubeatz production discography
 03. "All Star" (produced with BMW Kenny)

This is a document about All the Stars
  "All The Stars" is a song recorded by American rapper Kendrick Lamar and American singer SZA. Written by Lamar, SZA, Sounwave, and Al Shux and produced by the latter two, the song was released on January 4, 2018, as the lead single to the soundtrack album of the film Black Panther. Its release coincided with Top Dawg Entertainment's announcement that its president, Anthony "Top Dawg" Tiffith, and Lamar himself would be producing the Black Panther soundtrack album. Marvel Studios confirmed the news and revealed that Lamar was hand-picked by Black Panthers director, Ryan Coogler, to produce the soundtrack album. The song appeared in the movie during the end credits. It also appeared on the radio of the video game Forza Horizon 4 "All The Stars" received numerous accolades and nominations including a nomination for Best Original Song at the 76th Golden Globe Awards and the 91st Academy Awards, as well as receiving four nominations at the 61st Grammy Awards including Record of the Year and Song of the Year. "All The Stars" won Best Song at the African-American Film Critics Association, while its video won Best Visual Effects at the 2018 MTV Video Music Awards.

This is a document about All of the Stars
  "All of the Stars" is a song by English singer-songwriter Ed Sheeran. It is featured over the credits in the 2014 film The Fault in Our Stars and is the first track of the soundtrack album, The Fault in Our Stars (Music from the Motion Picture). It is also a bonus track on the physical deluxe edition of Sheeran's second studio album x (2014). Sheeran said that the song was "inspired by the whole movie, just wanting to be sad, yet euphoric and lift people a little bit." The film, about a teenager dying of cancer who falls in love with another teen cancer patient, deals with the importance of love in the face of death. In 2014, Sheeran would join singer Christina Grimmie for a famous duet of the song on the season 6 finale of The Voice.

This is a document about All Star (song)
  "All Star" was released on May 4, 1999, as the first single from Astro Lounge. Also, it was the first single for the soundtrack album for the superhero film Mystery Men (1999). It entered the Billboard Hot 100 at number 75 on the week of May 22, 1999, and reached its peak position of number 4 on August 14. The song peaked at number one on the component Radio Songs chart, as well as on the Adult Top 40 and Mainstream Top 40 charts. "All Star" peaked at number two and five on the Alternative Songs and Adult Alternative Songs charts, respectively. It was later

This is a document about All Star (song)
  Songs, Mainstream Top 40, and Radio Songs charts for 1999. It additionally appeared on the year-end charts for Australia and Canada, ranking at number 31 and 4, respectively. The song has since been certified platinum in Australia, Italy, and the United Kingdom. "All Star" appeared on the Billboard Rock Streaming Songs chart, spending over 100 weeks on the chart and reaching a peak position of number three on the edition of September 21, 2019. The track ranked as one of the most-streamed rock songs of 2017 and 2018, and it ranked at number six on the year-end US Rock Streaming Songs chart in 2019.

This is a document about Hollywood Music in Media Awards
  Written by Elton John & Bernie Taupin. Performed by Mary J. Blige ; Original Song – Sci-Fi, Fantasy, Horror Film – "All the Stars" (Black Panther). Written by Kendrick Lamar, SZA, Sounwave, and Al Shux. Performed by Kendrick Lamar and SZA ; Music Documentary/Special Program – Quincy ; Original Score – TV Show/Limited Series – Nicholas Britell (Succession) ; Main Title Theme – TV Show/Limited Series – Carlos Rafael Rivera (Godless) ; Outstanding Music Supervision – Film – Julianne Jordan & Julia Michels (A Star is Born) ; Outstanding Music Supervision – Television – Jen Ross (Power) ; Soundtrack Album – Black Panther (Various Artists) ; Original Score – Independent Film

This is a document about Inspector Gadget (film)
  The soundtrack of the film, composed by John Debney, contains the singles "All Star" by Smash Mouth and "I'll Be Your Everything" by the boy band Youngstown.

This is a document about Golden Globe Award for Best Original Song
  Anderson-Lopez & Robert Lopez –  Coco  ; "The Star" Music & Lyrics by: Mariah Carey & Marc Shaiman – The Star "All the Stars" Music & Lyrics by: Top Dawg, Kendrick Lamar, Al Shux, Sounwave & SZA – Black Panther  ; "Girl in the Movies" Music & Lyrics by: Dolly Parton & Linda Perry – Dumplin' ; "Requiem For A Private War" Music & Lyrics by Annie Lennox – A Private War ; "Revelation" Music by: Jónsi & Troye Sivan, Lyrics by: Jónsi, Leland & Sivan – Boy Erased "Beautiful Ghosts" Music & Lyrics by: Taylor Swift & Andrew Lloyd Webber – Cats ; "Into the

This is a document about All Star (song)
  "All Star" is set in the key of F♯ major, with a tempo of 104 beats per minute. Writers have described it musically as alternative rock and power pop. During a 2017 interview, Camp stated he was interested in exploring several layers of meaning with the stripped-down song; the social battle cry, the sports anthem, the fanbase affirmation, the poetic lyricism, the sweeping melody, the inclusion, the artistic music videos, and more. Camp described the song as "a daily affirmation that life is, in general, good", something he called a "tradition" for Smash Mouth; according to him, the band frequently read fan mail they received from kids, parents, and teachers thanking them for making "fun and lighthearted" music.

This is a document about All Star (song)
  it became so popular among sports fans that they were led to play it at Major League Baseball's 1999 Home Run Derby, and have performed it at dozens of sporting events since. An unstaged musical theatre adaption of the song, All Star: The Best Broadway Musical, has been written and officially sanctioned by the band. "All Star" is the only song in the musical, being adapted into various genres and styles. Siddhant Adlakha of Polygon, who attended a reading of the play, described it as a "jukebox musical, but the jukebox is broken". Regarding the play's concept, Adlakha said it "sounds like the dumbest idea on planet, but I’ll be damned if every single member of its cast wasn’t committed to the gimmick".

This is a document about List of UK top-ten singles in 2018
  Original songs from various films entered the top 10 throughout the year. These included "This Is Me" (from The Greatest Showman), "For You" (Fifty Shades Freed), "All the Stars" (Black Panther), "Shallow" (A Star Is Born and "Sunflower" (Spider-Man: Into the Spider-verse). "Shallow" was the only one of these singles to reach the number-one spot. Additionally, "Rewrite the Stars" by Anne-Marie and James Arthur also entered the top 10 at number 8, however despite being from The Greatest Showman, this entry was part of The Greatest Showman: Reimagined soundtrack. The original version was sung by Zac Efron and Zendaya in the film.

This is a document about Forever and a Day (2011 film)
  Sam Milby recorded a cover of "All My Life" which was originally sung by America which is used as the film's theme song. A music video were released on Star Cinema's official YouTube account.

This is a document about United States Chess League
  === All Stars ===

This is a document about All Star (song)
  be a hit. Doug Hamilton of The Atlanta Journal-Constitution called it the "peak" of the album and "the perfect summer anthem". Sandra Sperounes from Edmonton Journal praised "All Star" as an example of Smash Mouth's intelligent songwriting, specifically noting its "veiled references to stupidity". Jay DeFoore of the Austin American-Statesman was more critical, calling the song a "fluffy, made-for-MTV anthem that evaporates into thin air" and "a classic example of hit-by-numbers". At the 42nd Annual Grammy Awards in 2000, "All Star" was nominated for Best Pop Performance by a Duo or Group with Vocals, ultimately losing to Santana's "Maria Maria". Retrospective reviews from the editorial staff of both Billboard and Paste ranked it as one of the best songs of 1999, as did Rolling Stone

This is a document about Life-Size
  George Blondheim and Mark Rosman wrote a song titled "Be a Star" that Tyra Banks sings at a business party. The song is the theme song for the film, and was also reprised at the end of the film. Two songs by the Irish girl group B*Witched were used in the film: "C'est la Vie" and "Rollercoaster". A song from Nobody's Angel's debut album, "Keep Me Away", was used near the end of the film.

The song "All Star" is from the movie "Shrek" (2001).


Question: how much tv does the average person watch a day

Answer: five hours and four minutes

This is a document about Media and teen relationships
  In 2011, the average number of televisions per household in the United States was 2.5 with 31% of Americans owning four or more televisions. Research shows that the average American watches over 4 hours of television each day. Leading television networks reach approximately 60% of television viewers in the United States per week on average. A study conducted in 2005 by the Kaiser Family Foundation determined that eight- to eighteen-year-olds spend on average six and a half hours a day with media in general. American teenagers alone spend 11.2 hours watching television a week according to another market research study conducted by Teen

This is a document about Television consumption
  In the US, there is an estimated 119.9 million TV households in the TV season 2018/19. In 2017, an average U.S. consumer spent 238 minutes (3h 58min) daily watching TV. While overall media consumption continues to rise, live TV consumption was on the decline in 2016. In 2009 the numbers were generally lower but still amounted to 9 years in front of the screen for an average 65-year-old American (more than 4 h/day, 28 h/week). Given the 30% of local TV news broadcast time devoted to advertising, this results in 2 million TV commercials seen by the average person by age 65. An average child in the US will see 20,000 30-second TV commercials per year. The time spent watching commercials is reduced when watching recorded TV. It has even been surmised that due to media multitasking, TV commercials are largely ignored.

This is a document about Relational goods
  The average American watches about 5 hours of TV per day. In their paper Watching alone: Relational goods, television and happiness (2008) Bruni and Stanca were able to show that increased television watching time reduces consumption of relational goods as individuals use television as a substitute for relationships, thus crowding out relationships. This supports previous research that has shown that increased television time is negatively correlated to life satisfaction. One a direct level, Bruni and Stanca were able to show that increased television time takes away from time spent socializing, and also that television reduces communications within gatherings. Secondly television, through advertisement, has the indirect effect of propagating the consensus that material goods improve life satisfaction to a greater degree

This is a document about Media consumption
  Among other factors, a person's access to media technology affects the amount and quality of his or her intake. In the United States, for instance, "U.C. San Diego scientists in 2009 estimated the 'average' American consumes 34 gigabytes of media a day." The amount of media consumption among individuals is increasing as new technologies are created. According to phys.org, a new study done by a researcher at the San Diego Supercomputer Center at the University of California, says that by 2015, the sum of media asked for and delivered to consumers on mobile devices and their homes would take more than 15 hours a day to see or hear, an amount equivalent to watching nine DVDs' worth of data per person per day. With social media networks rapidly growing such as Instagram, Facebook, and Twitter, our world of media consumption is reaching a younger and younger age group, making our consumption that much larger as a country. With mobile devices such as smartphones, news, entertainment, shopping and buying are all now at the tip of our fingers, anytime, anywhere.

This is a document about Television in the United Kingdom
  The Broadcasters' Audience Research Board (BARB) measures television ratings in the UK. As of 1 March 2020, the average daily viewing time per home was 3 hours 11 minutes (of BARB-reported channels, includes broadcast and Internet viewings). 17 channels have a 4-week share of ≥ 1.0%.

This is a document about Mass media in the United Kingdom
  In 2009 it was estimated that individuals viewed a mean of 3.75 hours of television per day and listened to 2.81 hours of radio. The main BBC public service broadcasting channels accounted for an estimated 28.4% of all television viewing; the three main independent channels accounted for 29.5% and the increasingly important other satellite and digital channels for the remaining 42.1%. Sales of newspapers have fallen since the 1970s and in 2009 42% of people reported reading a daily national newspaper. In 2010, 82.5% of the United Kingdom population were Internet users, the highest proportion amongst the 20 countries with the largest total number of users in that year.

This is a document about Television consumption
  Indonesia, Kenya and Nigeria in 2014. In 2002, the US and the UK were ranked equal with 28 hours per person per week, followed by Italy, Germany, France, and Ireland. Besides the continuing slow decline in average viewing times for the traditional linear TV, ZenithMedia has predicted a decline also for the number of viewers in 2015 also As in the US, worldwide media consumption continues to rise, but live TV consumption was on the decline in 2015 and predicted to drop even further with a marked decrease from 2010 from 195.6 min/day to 179.5 min/day (~3 h/day, 21 h/week).

This is a document about Baby boomers
  As younger generations move towards getting more of their entertainment via the internet traditional television has held up better in the leisure time of baby boomers. Research from 2018 into British viewing habits suggested that individuals aged 65 to 74 (mainly older baby boomers) viewed an average of 333 minutes of broadcast TV each day higher than any younger age group and only nine minutes less than in 2010. In the case of younger baby boomers the figures suggested that 55 to 64 year olds consumed an average 277 minutes of broadcast TV each day in 2018 (still higher than any age range their junior) with a sharper decline since 2010 of 44 minutes. In the same year, three main cable news stations in the United States all had average viewer ages' within the Baby boomer range. In 2019, advertising platform Criteo conducted a survey of 1,000 U.S. consumers which showed baby boomers were less likely than millennials to purchase groceries online. Of the baby boomers surveyed, 30 percent said they used some form of online grocery delivery service.

This is a document about Children's culture
  The longitudinal study from Kaiser saw a drop in usage of the more traditional form of regularly scheduled broadcast TV by almost half an hour from 3 hours and 4 minutes to 2 hours and 39minutes; however, that statistic alone can be deceiving because the consumption of TV content has actually increased daily TV consumption by 38 minutes. Newer forms of media have allowed children to consume television in several ways. Now 8-to 18-year-olds are watching an average of 24 minutes a day of TV/movies on the Internet, 15 minutes watching on cell phones, about 16 minutes watching on iPods. Time-shifting technologies (On Demand, TiVo, DVR/VCR) are also changing how children watch TV. While 59% watch TV traditionally, 41% of consumption is now time-shifted or occurs on a platform other that a TV set (p. 15). In terms of ownership of these new media technologies, from 2004 to 2009 cell phone ownership has increased from 39% to 66% and iPods and MP3 players saw the most significant increases of 18% to 76% ownership (p. 3).

This is a document about New media
  Based on nationally representative data, a study conducted by Kaiser Family Foundation in five-year intervals in 1998–99, 2003–04, and 2008–09 found that with technology allowing nearly 24-hour media access, the amount of time young people spend with entertainment media has risen dramatically, especially among Black and Hispanic youth. Today, 8- to 18-year-olds devote an average of 7 hours and 38 minutes (7:38) to using entertainment media in a typical day (more than 53 hours a week) – about the same amount most adults spend at work per day. Since much of that time is spent 'media multitasking' (using more than one medium at a time), they actually manage to spend a total of 10 hours and 45 minutes worth of media content

This is a document about Children's culture
  Children's studies relating to the media use and consumption, access and literacy, content and exposure are all themes found within the body of research concerning the habits of young people. Because of the rapidly evolving media environment researchers from various academic fields are seeking to understand beyond consumption, looking more at the depths of new media technologies that allow for mobility and differing capacities to communicate and interact. In today's society young people have been reported to use five to seven to even seven and a half hours per day on average using media. Specifically entertainment medias including: television and bedroom TVs, cable/satellite, movies, music, computer, the Internet, video games (via online, CD-ROM, or gaming console), mobile/cellular phones, advertising, and print forms In today's society young people have been reported to use five. Other scholars, Wartella, Huston, Rideout, and Robb (2009), also call for more research specifically examining variances in content to assess quality versus quantity of consumption across media formats.

This is a document about DVB-H
  just a few minutes. The Dutch KPN is an example. KPN quote lack of receiving devices, but even when KPN's service was initially free the average daily use was a mere 9 minutes per phone having a DVB-H receiver. (TV is typically watched 2–3 hours per day.) As 4G/LTE became standard in most smartphones and used in many countries, it can provide the needed capacity for mobile TV within most people's data allotments. 4G/LTE has the potential of efficient multicast, which can increase the spectrum efficiency in broadcast type application to within a factor of maybe two compared to the newest (e.g. DVB-T2/T2Lite) broadcast protocols.

This is a document about Television
  North American consumers purchase a new television set on average every seven years, and the average household owns 2.8 televisions. , 48 million are sold each year at an average price of $460 and size of 38 in.

This is a document about Media consumption
  show that these people go unpunished for their crime, creating the notion that crime is something a person can get away with. Studies show that 65% of people between the age of 8 to 18 have a television in their room. The average high-schooler watches, on average, 14 hours of television a week. Excessive television viewing and computer game playing has also been associated with many psychiatric symptoms, especially emotional and behavioral symptoms, somatic complaints, attention problems such as hyperactivity, and family interaction problems. When adolescents watch television for long periods of time they spend less time being active and engaged in physical activity. Many adolescents who

This is a document about Binge-watching
  Binge-watching (also called binge-viewing) is the practice of watching entertainment or informational content for a prolonged time span, usually a single television show. Binge-watching overlaps with marathon viewing which places more emphasis on stamina and less on self-indulgence. In a survey conducted by Netflix in February 2014, 73% of people define binge-watching as "watching between 2–6 episodes of the same TV show in one sitting". Some researchers have argued that binge-watching should be defined based on the context and the actual content of TV show. Others suggested that what is normally called binge-watching in fact refers to more than one type of TV viewing behavior (and experience). They proposed that the notion of binge-watching should

This is a document about Television consumption
  Across cultures, television consumption has been associated to cause an overweight, inactive lifestyle among high school students across The United States. From a sample of over 15,000 high school students, 43% of those students exceeded 2 hours a day of television viewing on a regular school day. Overall, 31% of the sample did not participate in daily physical activity, 11% were overweight, and 76% ate an insufficient amount of servings of fruit and vegetables. Watching television for 2 hours a day was correlated to being overweight and sedentary for White male and females, as well as Hispanic females. Among Black males, the amount of television consumption was associated with an increase on physical activity. There was no correlation for Black females and Hispanic males.

This is a document about Media consumption
  American youth have personal television sets, laptops, iPods and cell phones all at their disposal. They spend more time with media than any single activity other than sleeping. As of 2008, the average American ages 8 to 18 reported more than 6 hours of daily media use. The growing phenomenon of "media multitasking"—using several forms of media at the same time—multiplies that figure to 8.5 hours of media exposure daily. Media exposure begins early, typically increases until children begin school, then climbs to a peak of almost 8 hours daily among 11 and 12-year-old children. Media exposure is positively related to risk-taking behaviors and is negatively related to personal adjustment and school performance.

This is a document about Smart TV
  According to a report from research group NPD In-Stat, in 2012 only about 12 million U.S. households had their Web-capable TVs connected to the Internet, although an estimated 25 million households owned a set with the built-in network capability. In-Stat predicted that by 2016, 100 million homes in North America and western Europe would be using television sets blending traditional programming with internet content. By the end of 2019, the number of installed Connect TVs reached 1.26 billion worldwide. The number of households using over-the-top television services has rapidly increased over the years. In 2015, 52% of U.S. households subscribed to Netflix, Amazon Prime, or Hulu Plus; 43% of pay-TV subscribers also used Netflix, and 43% of adults used some streaming video on demand service at least monthly. Additionally, 19% of Netflix subscribers shared their subscription with people outside of their households. Ten percent of adults at the time showed interest in HBO Now.

This is a document about Social aspects of television
  imitative response from other competing media as they struggle to keep pace and retain viewer- or readership. According to a study published in 2008, conducted by John Robinson and Steven Martin from the University of Maryland, people who are not satisfied with their lives spend 30% more time watching TV than satisfied people do. The research was conducted with 30,000 people during the period between 1975 and 2006. This contrasted with a previous study, which indicated that watching TV was the happiest time of the day for some people. Based on his study, Robinson commented that the pleasurable effects of television may be likened to an addictive activity, producing "momentary pleasure but long-term misery and regret."

This is a document about Soft media
  The average American consumes more than five hours of television per day. During this time, they are exposed to a variety of news and information that either directly (hard news) or indirectly (soft news) focuses on politics, foreign affairs, and policy. These topics are aired on prime-time television in a variety of programs especially in a time of national crises. Studies have shown that news presented in this context attracts the attention of otherwise politically uninvolved people. Overall more people tend to watch hard news than soft news shows. However, those who are less politically involved can gain more from watching soft news than those who are highly politically involved. Studies have also shown

The average American watches 3 hours and 35 minutes of TV per day.


Question: location of the nile river on a map

Answer: northeastern Africa

This is a document about List of rivers of Ethiopia
 Nile (Egypt, Sudan)

This is a document about Nile
  The Nile is a major north-flowing river in northeastern Africa. It flows into the Mediterranean Sea. The longest river in Africa, it has historically been considered the longest river in the world, though this has been contested by research suggesting that the Amazon River is slightly longer. The Nile is amongst the smallest of the major world rivers by measure of cubic metres flowing annually. About 6650 km long, its drainage basin covers eleven countries: Tanzania, Uganda, Rwanda, Burundi, the Democratic Republic of the Congo, Kenya, Ethiopia, Eritrea, South Sudan, Republic of the Sudan, and Egypt. In particular, the Nile is the primary water

This is a document about Buikwe District
  sites, picnic sites and environmental education and entertainment with local drama groups. There is a network of trails to facilitate the exploration of the forest.  The Nile is the world's second-longest river, measuring an estimated 4000 mi in length. It starts its journey on the outskirts of Jinja and traverses Uganda, southern Sudan, Sudan and Egypt to empty into the Mediterranean Sea at Alexandria. The river is of great geographical and historical importance locally and internationally. In Uganda, the Nile has cultural importance as well as economic significance. Many communities along its shores derive their livelihood from fishing its waters. At its point of origin, Uganda has built three hydroelectric dams which provide electricity to many citizens in Uganda and neighboring countries. Uganda plans three other dams further

This is a document about Water conflict in the Middle East and North Africa
  The Nile River is an international water basin, running through 10 different sovereign nations. The Nile runs through Sudan, South Sudan, Burundi, Rwanda, Democratic Republic of the Congo, Tanzania, Kenya, Uganda, Ethiopia, and Egypt and is considered to be the longest river in the world. The Nile is the only significant source of water in North Africa and 40% of Africa’s population lives in the Nile River Basin. The Nile has two major tributaries: the White Nile and the Blue Nile. The White Nile is the longer of the two, rising in the Great Lakes Region of central Africa. Its most distant source is unknown, located in either Burundi or Rwanda. From there, it flows through Tanzania, Lake Victoria, Uganda, and South Sudan. The Blue Nile originates from Ethiopia’s Lake Tana, flowing into Sudan from the southeast. In total, Ethiopian headwaters provides 86% of Nile River waters. The two major tributaries meet near the Sudanese capital of Khartoum and flow north through Egypt and into the Mediterranean Sea.

This is a document about Theodoxus niloticus
  Distribution of this species include Egypt and Sudan. The type locality is the Nile in Egypt.

This is a document about Geography of Egypt
   The Nile Valley and Delta, the most extensive oasis on earth, was created by the world's longest river and its seemingly inexhaustible sources. Without the topographic channel that permits the Nile to flow across the Sahara, Egypt would be entirely desert. The length within Egypt of the River Nile in its northwards course from three central African sources – the White Nile, the Blue Nile, and the Atbara – totals some 1,600 km. The White Nile, which begins at Lake Victoria in Uganda, supplies about 28% of the Nile's Egyptian waters. In its course from Lake Victoria to Juba in South

This is a document about Nile
  With a total length of about 6650 km between the region of Lake Victoria and the Mediterranean Sea, the Nile is the longest river on Earth. The drainage basin of the Nile covers 3254555 km2, about 10% of the area of Africa. Compared to other major rivers, though, the Nile carries little water (5% of the Congo River, for example). The Nile basin is complex, and because of this, the discharge at any given point along the mainstem depends on many factors including weather, diversions, evaporation and evapotranspiration, and groundwater flow. Upstream from Khartoum (to the south), the river is known as the White Nile, a term also used in a limited sense to describe the section between Lake No and Khartoum. At Khartoum, the river is joined by the Blue Nile. The White Nile starts in equatorial East Africa, and the Blue Nile begins in Ethiopia. Both branches are on the western flanks of the East African Rift.

This is a document about Senegal River
  from the African interior and opening in the Atlantic ocean. The 1351 Medici-Laurentian Atlas shows both the Egyptian Nile and the western Nile stemming from the same internal mountain range, with the note that "Ilic coligitur aureaum". The portolan chart of Giovanni da Carignano (1310s-20s) has the river with the label, iste fluuis exit de nilo ubi multum aurum repperitur. In the more accurately-drawn portolan charts, starting with the 1367 chart of Domenico and Francesco Pizzigano and carried on in the 1375 Catalan Atlas, the 1413 chart of the Catalan converso Mecia de Viladestes, etc. the "River of Gold" is depicted (if

This is a document about Khartoum (state)
  to form the River Nile. The confluence of the two rivers creates a unique effect. As they join, each river retains its own color: the White Nile with its bright whiteness and the Blue Nile with its alluvial brown color. These colors are more visible in the flood season. The state lies between longitudes 31.5 to 34°E and latitudes 15 to 16°N. It is surrounded by River Nile State in the north-east, in the north-west by the Northern State, in the east and southeast by the states of Kassala, Qadarif, Gezira and White Nile State, and in the west by North Kurdufan.

This is a document about Turin Papyrus Map
  The map shows a 15-kilometre stretch of Wadi Hammamat and has depictions of this wadi's confluence with wadis Atalla and el-Sid, the surrounding hills, the bekhen-stone quarry, and the gold mine and settlement at Bir Umm Fawakhir. It also includes numerous annotations (written in the hieratic script) identifying the features shown on the map, the destinations of the wadi route s, the distance between the quarry and mine, the location of gold deposits in the hills, and the sizes of the bekhen-stone blocks quarried. The top of the map is toward the south and the source of the Nile River. As currently reconstructed in the Turin Museum, the map measures 2.8 m long by 0.41

This is a document about Nile Basin
  extremely arid regions, in particular the Sahara Desert. Its main navigable course is through the Nile River, being the mouth section in the Mediterranean Sea (more precisely after the Nile Delta) until it surrounds the city of Aswan, in southern Egypt. There are also navigable courses at the Aswan Dam. In the middle Nile, after the dam, due to the presence of waterfalls north of Khartoum (Sudan), the river is navigable in just three stretches. The first is from the Egypt–Sudan border to the southern tip of Lake Nasser. The second is the section between the third and fourth cataracts. The third and most important stretch extends from Khartoum, in the south, to Juba (South Sudan). The main water supplier for the basin is Lake Victoria, located in the Great Rift Valley. About 238 million people live within the Nile basin, 172 million of those inhabit rural localities.

This is a document about Africae Tabula Nova
  Africae Tabula Nova is largely based on a wall map published by Giacomo Gastaldi in Venice in 1564. Paolo Forlani's 1562 map of Africa and Gerardus Mercator's 1569 map of the continent were also likely influences on Ortelius. Africae Tabula Nova depicts the Nile emanating from two unnamed side-by-side lakes, in line with Ptolemaic understanding; a western lake as the headwaters of the Zaire River; and the Niger River passing underground for about 60 mi, in accordance with a Latin legend. The underground passage of the Niger was included on every major subsequent map of Africa, with the exception of Mercator's

This is a document about River Nile (state)
  River Nile (ولاية نهر النيل) is one of the 18 wilayat or states of Sudan. It has an area of 122,123 km² (47,152 mi²) and an estimated population of 1,027,534 (2006).

This is a document about Ancient Egyptian agriculture
   The civilization of ancient Egypt developed in the arid climate of northern Africa. This region is distinguished by the Arabian and Libyan deserts, and the River Nile. The Nile is the longest river in the world, flowing northward from Lake Victoria and eventually emptying into the Mediterranean Sea. The Nile has two main tributaries: the Blue Nile which originates in Ethiopia, and the White Nile that flows from Uganda. While the White Nile is considered to be longer and easier to traverse, the Blue Nile actually carries about two-thirds of the water volume of the river. The names of the tributaries derive from the color of

This is a document about Cairo
   Cairo is located in northern Egypt, known as Lower Egypt, 165 km south of the Mediterranean Sea and 120 km west of the Gulf of Suez and Suez Canal. The city lies along the Nile River, immediately south of the point where the river leaves its desert-bound valley and branches into the low-lying Nile Delta region. Although the Cairo metropolis extends away from the Nile in all directions, the city of Cairo resides only on the east bank of the river and two islands within it on a total area of 453 km2. Geologically, Cairo lies on alluvium and sand dunes which date from the quaternary period. Until the mid-19th century, when the river was tamed

This is a document about Nile
  into Sudan from the southeast. The two rivers meet at the Sudanese capital of Khartoum. The northern section of the river flows north almost entirely through the Sudanese desert to Egypt, where Cairo is located on its large delta and the river flows into the Mediterranean Sea at Alexandria. Egyptian civilization and Sudanese kingdoms have depended on the river since ancient times and its annual flooding. Most of the population and cities of Egypt lie along those parts of the Nile valley north of Aswan dam. Nearly all the cultural and historical sites of Ancient Egypt developed and are found along river banks.

This is a document about New Church of the Theotokos
  In addition to the contemporary literary accounts and archaeological evidence, the Madaba Map preserves a sixth-century perception of the topography, cities, and monuments of the Mediterranean. The mosaic was discovered on the floor of the Church of St. George in Madaba, Jordan, and has been dated from 560–565, less than twenty years after the inauguration of the Nea in 543, and it is the oldest surviving cartographic representation of the Holy Land. The map depicts the Mediterranean world from Lebanon in the North to the Nile Delta in the South, and from the Mediterranean Sea in the west to the Eastern Desert. The city of Jerusalem is given prominence by its size and the

This is a document about Water politics in the Nile Basin
  As a body of water that crosses numerous international political borders, the Nile river is subject to multiple political interactions. It is the world's longest river flowing 6,700 kilometers through ten countries in northeastern Africa – Rwanda, Burundi, Democratic Republic of the Congo (DRC), Tanzania, Kenya, Uganda, Ethiopia, South Sudan, Sudan and Egypt with varying climates. Considering the basin area of the Nile, Sudan has the largest size (1.9 million km²) whereas, of the four major tributaries to the Nile, three originate from Ethiopia – the Blue Nile, Sobat and Atbara. The modern history of hydropolitics in the Nile basin is very complex and has had wide ramifications both for regional and global developments.

This is a document about Domenico and Francesco Pizzigano
  of Darkness, al-Idrisi places the marker 'idols' on islands away from the straits. The 1367 map also provides one of the first clear European depictions of the legendary "River of Gold" in west Africa. This is the "western Nile" described by Arabic sources, notably the geographers al-Bakri and al-Idrisi. The western Nile is essentially the Senegal River and the Niger River, which were long assumed to be connected to each other, flowing through the gold-producing heart of the Mali Empire. The Pizzigani brothers called it the "Palolus" river, and place its source at a large lake in the "Mountains of the Moon" in the east (from

This is a document about Babylon Fortress
  Babylon lay northeast of Memphis, on the east bank of the Nile, at latitude 30° N, and near the commencement of the Canal of the Pharaohs connecting the Nile to the Red Sea. It was the boundary town between Lower and Middle Egypt, where the river craft paid tolls when ascending or descending the Nile. During an uprising, Babylonian prisoners established a stronghold between Memphis and Heliopolis, on an elevation on the east bank of the Nile. Persians and Romans later garrisoned the fortress with their troops. Because of water delivery problems, the Roman Emperor Trajan relocated the fort to its present location, which at that time was nearer to the river. Since then, the Nile's course has moved some 400 m to the north.

The Nile River is a major north-flowing river in northeast Africa. It starts in Uganda and flows through Sudan, South Sudan, Egypt, and several other countries before emptying into the Mediterranean Sea. You can find its location on a map by looking for the country of Uganda in Africa and following the Nile River as it flows northward.


Question: where was the train scene in fast five filmed

Answer: Rice , California

This is a document about Fast Five
  On a budget of $125 million, the shooting of Fast Five was scheduled for July and August 2010. Shooting had started by July 14, 2010. Three film units worked simultaneously. The main cast were required to travel to Rio at the behest of Lin, who felt it important to understand the area and its culture to give the film a good sense of place. Diesel agreed that it was important to shoot key scenes in Brazil, commenting "we were able to shoot where other productions might not be able to shoot because our franchise has such good street cred." The Rio film unit captured aerial shots of the city including Sugarloaf

This is a document about Octopussy
  railways scenes were shot at the Nene Valley Railway in Peterborough, while studio work was performed at Pinewood Studios and the 007 Stage. Parts of the film were also shot in Hurricane Mesa, Hurricane-LaVerkin Bridge, and New Harmony in Utah. Most of the crew as well as Roger Moore had diet problems while shooting in India. The pre-title sequence has a scene where Bond flies a nimble homebuilt Bede BD-5J aircraft through an open hangar. Hollywood stunt pilot and aerial co-ordinator J.W. "Corkey" Fornof, who piloted the aircraft at more than 150 mph, has said, "Today, few directors would consider such a stunt. They'd just whip it up in a computer lab." Having

This is a document about Mission: Impossible (film)
  the actor wanted wind that was so powerful that it could knock him off the train. Cruise had difficulty finding the right machine to create the wind velocity that would look visually accurate before remembering a simulator he used while training as a skydiver. The only machine of its kind in Europe was located and acquired. Cruise had it produce winds up to 140 miles per hour so it would distort his face. Exterior shots of the train were filmed on the Glasgow South Western Line, between New Cumnock, Dumfries and Annan. Most of the sequence, however, was filmed at England's Pinewood Studios on a stage against a blue screen for

This is a document about Fast & Furious 6
  Filming began on July 30, 2012, in London, England,  and Shepperton Studios in Surrey. While Fast & Furious 6 became only the third production to be allowed to film in Piccadilly Circus (a scene involving Diesel and Rodriguez drag racing), Lin was unable to obtain permission to shoot an elaborate action sequence there involving an exploding oil tanker, and so a replica of the landmark was built at Shepperton. The production were given only two minutes every hour to shut down the area for filming. Stunt and car chase scenes began filming on location in Glasgow, Scotland on August 29, 2012, and were scheduled

This is a document about Fast Five
  prevalent in previous films in the series, to transform the franchise into a heist action series involving cars. By doing so, they hoped to attract wider audiences that might otherwise be put off by a heavy emphasis on cars and car culture. Fast Five is considered the transitional film in the series, featuring only one car race and giving more attention to action set pieces such as brawls, gun fights, and the central heist. The production mounted a comprehensive marketing campaign, with the film being advertised through social media, virtual games, cinema chains, automobile manufacturers, and at NASCAR races. Lin, Diesel, and Walker's returns were finalized in February 2010, and principal photography began that July and lasted until that October, with filming locations including Atlanta,

This is a document about Chariots of Fire
  The beach scenes showing the athletes running towards the Carlton Hotel at Broadstairs, Kent, were shot in Scotland on West Sands, St Andrews next to the 18th hole of the Old Course at St Andrews Links. A plaque now commemorates the filming. The lasting impact of these iconic scenes (as the athletes run in slow motion to Vangelis's music) prompted Broadstairs town council to commemorate them with their own seafront plaque. All of the Cambridge scenes were actually filmed at Hugh Hudson's alma mater Eton College, because Cambridge refused filming rights, fearing depictions of anti-Semitism. The Cambridge administration greatly regretted the decision after the film's enormous success. Liverpool Town Hall was the setting for the scenes depicting the British Embassy in Paris. The Colombes Olympic Stadium in Paris was represented by the Oval Sports Centre, Bebington, Merseyside. The nearby Woodside ferry terminal was used to represent the embarkation scenes set in Dover. The railway station scenes were filmed in York, using locomotives from the National Railway Museum. The scene depicting a performance of The Mikado was filmed in the Royal Court Theatre, Liverpool, with members of the D'Oyly Carte Opera Company who were on tour.

This is a document about Runaway Train (film)
  several scenes at the prison. Finally the second unit team went to Whittier, Alaska, to film on the Alaska Railroad tracks. The Bridge sequence was filmed on the Seneca Bridge on Placer Creek, about 5 miles (8 km) from Whittier. The scene where Jordan makes the switch on the tracks was filmed at Portage, Alaska. The cast and crew went to the Pan-Pacific Auditorium in Los Angeles, to film the interior of the train scenes and the prisoners' escape scene. The runaway train's lineup in the movie consisted of four Alaska Railroad locomotives, all built by EMD: GP40-2 #3010, F7 #1500, and #1801 and #1810, both GP7s. The latter two locomotives had previously been rebuilt

This is a document about Fast Five
  it as three chapters, of which Fast Five would be the last. Diesel also wanted to bring back a variety of characters that had been in previous films without interacting, put them together and "have a lot of fun". The production had originally intended to film on location in Rio de Janeiro. However, the Puerto Rican government offered tax incentives totaling nearly $11 million, influencing the decision to film there, using Puerto Rico to represent Rio de Janeiro. Universal intended to transform the series from street-racing action into a series of heist films with car chases in the vein of The Italian Job (1969) and The French Connection

This is a document about Dancing on the Edge (TV series)
  Filming took place on location at the Grand Hotel and Council House in Birmingham, where the hotel scenes were shot, the Black Country Living Museum was used to shoot a scene set in a mining village and Ragley Hall in Warwickshire was used as Lady Cremone's home. The headquarters of Music Express are located at No. 4 Princelet Street, Spitalfields and later at Somerset House. The railway scenes in the first episode were shot on the preserved Bluebell Railway. Wilton's Music Hall was used as the club. Fenton House, Hampstead, stands for the house of Donaldson. Some scenes for Donaldson's house were also shot at Upton House, Warwickshire. Kidderminster, on the Severn Valley Railway, was used as "Folkestone" in the fifth episode. Manze's Eel, Pie and Mash shop in Walthamstow also makes an appearance in that episode.

This is a document about The Great St Trinian's Train Robbery
  trolley used in the school staff's attempt to join the chase. ; A pump action Handcar used by two junior girls to switch trains between tracks. The railway scenes were filmed on the former Longmoor Military Railway (closed in 1969). In the final railway scene where the girls 'return' the money the British Railways station at Liss can be seen in the background. The locomotives used were:  The extras on board the St Trinian's train were pupils from a local convent school. In addition, the school used for much of the filming was Little Abbey Preparatory School, near Liss. The school was in fact the other side of the moor from Longmoor. This was previously a boys preparatory school based at Burghclere near Newbury, which had merged with a girls preparatory school at the location at Liss nine months prior to the making of the film

This is a document about The Fast Show
  Spanish City, Whitley Bay, Tyne and Wear – a number of scenes involving Brilliant Kid. ; Stockton On Tees – Swiss Toni scenes, filmed at a car showroom on Norton Road. ; Washington. Scenes with Brilliant Kid and Billy Bleach were shot with Iceland's volcanic landscapes, waterfalls and hot springs in the background. A significant proportion of The Fast Show was shot externally, unusually for a sketch show. Early on in the series much of this filming was done in and around the North East of England; County Durham, Tyne and Wear, Northumberland, Teesside and also North Yorkshire. Locations included: Also for the third series the production extended abroad to Iceland:

This is a document about The First Great Train Robbery
  Although set in London and Kent, most of the filming took place in Ireland. In particular, the final scenes were filmed in Trinity College, Dublin and Kent railway station in Cork. The scenes on the moving train were filmed on the Mullingar to Athlone railway line (now closed) at Castletown Geoghegan Station. The train driver was John Byrne from Mullingar, now deceased. Moate railway station is the location for Ashford station. The two locomotives featured were both J-15 0-6-0s, No 184 of 1880, and No 186 of 1879.

This is a document about North West Frontier (film)
  of 'chopper' couplings. For filming sequences on the sound stage at Pinewood Studios, London, full size replicas of the locomotive, rolling stock and part of the bridge were constructed, with Pinewood's usual remarkable accuracy. Some scenes were also filmed in India using metre gauge trains, somewhere near Jaipur. These include the departure of the 'refugee' train and the scenes where the 'escape' train catches up and passes the 'refugee' train. The 'refugee' train is hauled by an OJ class 4-4-0 (built by W. G. Bagnall in 1943) and the 'escape' train is hauled by a TJ class 0-6-0T (built by Bagnall in

This is a document about The Royal Train
 1) Outdoor scenes featuring the train were filmed at the North Norfolk Railway, which runs between Sheringham and Holt in North Norfolk while station scenes were filmed at Weybourne railway station. At the time of filming, both the railway and the station were undergoing restoration, preparatory to the reinstating of passenger services. ; 2) The stock footage of the royal train features a LNER Class A4 on a section of the East Coast Main Line near Burnmouth in the Scottish Borders. Cliff Cottage, which is located on the coastal road which leads to Burnmouth Harbour, may be viewed in the background. ; 3) The locomotive

This is a document about Journey Out of Darkness
  Director James Trainor had worked at the Commonwealth Film Unit and worked in the United States as a documentary director. He wrote the script with his father-in-law, noted Hollywood screenwriter Howard E. Koch. Konrad Matthaei agreed to help finance the film if he was allowed to play the lead role. Kamahl a popular singer from Sri Lanka who had emigrated to Australia was cast in a lead role. White actor Ed Devereaux was cast as an Aboriginal. "If the producers had had the time they undoubtedly would have cast about for an Aboriginal actor," said Devereaux. "But they had to have a man with experience, for there could be no delay - we shot this film fast and furious." Filming began in January 1967 and took place in outback Australia and at the studios of Supreme Sound. Location filming took six weeks.

This is a document about Shining Through
  done at the DEFA Studios, the state film studios of East Germany. Because all of Berlin's great train stations were destroyed in World War II, the production traveled over 100 miles to Leipzig at the end of October to shoot scenes in the Leipzig Hauptbahnhof terminus, built in 1915 and the largest in Europe. This was prior to the building's modernization by the Deutsche Bahn. The finale, set at a border crossing and involving a period train, was shot in Maria Elend, Carinthia, Austria in November, 1990. The New York City and Washington scenes at the beginning of the film were shot in and around London and at nearby Pinewood Studios. Locations included the Old Royal Naval College in Greenwich, Hammersmith, and St Pancras Station, which doubled for Zurich Station for a brief sequence set in Switzerland.

This is a document about Testament of Youth (film)
  Principal photography began on 16 March 2014 in London, Oxford and Yorkshire, including a number of locations across the North York Moors. It substituted Merton College, Oxford in the scenes showing Brittain's time as a student at Somerville College, arguing that filming in Somerville itself would have been too difficult in light of the new buildings constructed there since the film's time period. The railway station scenes, the train interiors, and the scene in the railway cafe, were shot at Keighley railway station, using trains provided by the Keighley and Worth Valley Railway. The landscape shots of period trains were filmed at the heritage

This is a document about Bad Genius
  Most of the filming took place in Thailand, while approximately 30 percent, by Nattawut's estimate, was shot on location in Sydney, Australia. Some ten crew members flew to Australia from Thailand, while most of the Sydney filming unit was sourced locally. Filming in Sydney was subject to many more restrictions than in Thailand, including strictly limited shooting times. A particularly challenging scene to film was a chase sequence shot at the underground section of Redfern railway station, which had to be fitted into the trains' normal running schedule. Nattawut had, since his early advertising work, frequently collaborated with cinematographer Phaklao

This is a document about Iron Will
  Much of the film was shot on location in Minnesota, mostly along the Lake Superior shoreline as well as Iron Range cities Cloquet and Floodwood. Although the race takes place between Winnipeg and Saint Paul, neither city actually appears in the film. The Winnipeg starting point for the race was filmed in Duluth, Minnesota near the Historic Old Central High School. The Lake Superior Railroad Museum, located in Two Harbors, Minnesota, portrayed the St. Paul train station's finish line, and they also provided their active steam locomotive of that time Duluth and Northern Minnesota 2-8-2 14. Due to the general lack of mountains in Minnesota (excepting the Sawtooth Mountains), scenes in which Will goes through mountainous terrain were filmed in Montana. Additional footage was shot in Superior, Wisconsin as well as Brookston, Minnesota.

This is a document about The Overlanders (film)
  Five hundred cattle were purchased by Ealing for use in the film. They were marked with the "overland" brand and later sold off for profit. Shooting began in April 1945 at Sydney's North Head quarantine station, which stood in for the meat export centre at Wyndham in Western Australia. The unit was then flown by the RAAF to Alice Springs where they were based in an army camp. A second unit headed by John Heyer spent several weeks filming movement of cattle from the air. Three months later, the unit moved to the Roper River camp on the Elsey Station for another month, where the river crossing sequence was shot. This station was famous from the book We of the Never Never. In mid-September the unit returned to Sydney after five months of shooting. During the making of the film,

The train scene in "Fast Five" was filmed at Pinewood Studios in England.


Question: which international border does the gariep-orange follow before it enters the sea

Answer: South Africa and Lesotho

This is a document about Angola–Democratic Republic of the Congo border
  The border starts in the west on the Atlantic coast, proceeding to the north-east by an irregular and then a straight line, before turning to the north where it then proceeds in a straight line up to Luali river. The border then follows this river north to the confluence with the Chiloango, then following the latter as it flows to the north-east up the tripoint with the Republic of Congo.

This is a document about Angola–Democratic Republic of the Congo border
  The border starts in the west on the Atlantic Coast at the estuary of the Congo River, following this river eastwards for a period before leaving it just north of the Angolan town of Noqui. It then proceeds in a roughly straight line eastwards, occasionally utilising rivers such as the Mpozo, Lufo and Luvemba, before reaching the Lubishi river, following this briefly to its confluence with the Kwango. It then follows the Kwango as it flows to the south, before turning east at the confluence with the Utunguila. The border then proceed eastwards, utilising a number of rivers (notably the Lola, Wamba, Kombo, Lucaia, Kwenge, Luita, Congolo, Lovua and the Chicapa) and straight overland lines (including the 7th parallel south and 8th parallel south), before reaching the Kasai River. The border then follows this river, and then the Luao, as they flow from the south, before turning east and proceeding overland via various irregular lines to the Zambian tripoint.

This is a document about Ghana–Ivory Coast border
  The border starts in the north at the tripoint with Burkina Faso on the Black Volta river, following this river southwards. The border then follows a straight line overland orientated to south-east, before turning south-west via a series of irregular lines. The border then follows a broad arc, composed predominately of overland lines as well as some streams, before reaching the Tano River. The border then follows the Tano as it flows to the south-west into Aby Lagoon; it then runs along the southern shore of the adjoining Lake Tendo, before veering southwards overland down to the Atlantic coast.

This is a document about Belize–Mexico border
  Under the treaty, the border starts at Boca Bacalar Chico, a narrow channel that separates the southern tip of the Caribbean coast of the Yucatan Peninsula and Ambergris Caye. It then runs through Chetumal Bay in a broken line up to the mouth of the Hondo River. The border follows the Hondo River through its deepest channel and then along its tributary, Blue Creek, until it reaches the meridian of Garbutt's Falls (approximately 89° 9' W). From this point, it runs directly south to 17° 49' N latitude, the border established between Mexico and Guatemala. Currently the border has two official crossings where there are international bridges. The main one is located between Subteniente Lopez, Quintana Roo, Mexico, and Santa Elena, Corozal District, Belize. It is about 10 miles from Chetumal, which is the capital of Quintana Roo and main city

This is a document about Lesotho–South Africa border
  Starting at Mont-aux-Sources, the border runs along the drainage divide between the basin of the Orange River (which flows to the Atlantic Ocean) and the various rivers flowing off the Drakensberg to the Indian Ocean. It follows this watershed as far as the source of the Tele River near Ben Macdhui; from there it follows the Tele to its confluence with the Orange River, and the Orange to its confluence with the Makhaleng River. From this confluence the border runs up the Makhaleng River to a point west of Mohale's Hoek, and then along a series of hills and straight-line segments to meet the Caledon River north of Wepener. The border then follows the Caledon River, past the Lesotho capital of Maseru and the South African town of Ficksburg, all the way to the source of the river, marked by a beacon at Quaneka Neck. From this beacon it follows the drainage divide between the Orange River and Vaal River basins to Mont-aux-Sources. All ten districts of Lesotho touch the border, as do three provinces of South Africa: the Free State, KwaZulu-Natal and the Eastern Cape.

This is a document about Orange River
  flatter, and the river is used extensively for irrigation. At the western point of the Free State, southwest of Kimberley, the Orange meets with its main tributary, the Vaal River, which itself forms much of the northern border of the province. From here, the river flows further westward through the arid wilderness of the southern Kalahari region and Namaqualand in the Northern Cape Province to meet with Namibia at 20°E longitude. From here, it flows westward for 550 km, forming the international border between the province and Namibia's ǁKaras Region. On the border, the river passes the town of Vioolsdrif, the main border post between South Africa and Namibia. In the last 800 km of its course, the Orange receives many intermittent streams, and several large wadis lead into

This is a document about Egypt–Libya border
  The border starts in the north on the Mediterranean coast at the Gulf of Sallum. It then proceeds overland roughly southwards via series of irregular lines that frequently veer south-west or south-east, before reaching the 25th meridian east. The border then follows this meridian south down to the Sudanese tripoint on Gabal El Uweinat. Only the northern littoral section of the boundary contains any significant population centres, with the vast majority of the frontier running through remote areas of the Sahara desert, including the Great Sand Sea and Libyan desert.

This is a document about Guinea–Mali border
  The border begins in the north at the tripoint with Senegal on the Balinko river, and then follows this river southwards, before turning to the south-east, utilising various rivers and overland sections. The border then reaches the Bafing River, which it follows eastwards, and then the Djinko. The border then goes overland in a southwards direction, with a very brief section utilising the Niger river, before another overland section connects up to the Sankarani River, which it follows for some distance to the south-west. The border then leaves this river, going overland in an eastward and then southward direction via a series of irregular lines, before reaching the tripoint with the Ivory Coast.

This is a document about Namibia–South Africa border
  the line that commences at the mouth of the Orange River and continues up its northern bank to its intersection point with the 20th degree of east longitude. 2. To the east by the line that commences at the aforementioned point and follows the 20th degree of east longitude to its intersection point with the 22nd degree of south latitude. [...]" During the First World War German Southwest Africa was conquered by South African forces, and after the war South Africa was granted a League of Nations mandate to administer the territory. The border between South Africa proper and the Territory of South West Africa remained the same as the former colonial border, and when Namibia finally achieved independence in 1990 it became once again an international border. The South African exclave at Walvis Bay was transferred to Namibia in 1994.

This is a document about Burkina Faso–Ghana border
  The border starts in the west at the tripoint with Ivory Coast on the Black Volta river; the border continues north along this river up to the 11th parallel north. The border then turns east, following this parallel until it reaches the Red Volta (though note that the border is not entirely straight in this sector, as at several points the boundary jogs north or south). The border follows the Red Volta briefly to the south-east, before turning to the north-east via a series of irregular overland lines. It then reaches the White Volta, following this river briefly, and then the Nouhao, before it turns to the south-east in a straight line down to the Togolese tripoint.

This is a document about Democratic Republic of the Congo–South Sudan border
  The border starts in the west at the CAR tripoint, proceeding overland in a broadly south-eastwards direction, and then eastwards directions via series of irregular lines, terminating at the tripoint with Uganda. The boundary roughly follows the division between the Nile and Congo drainage divide.

This is a document about Central African Republic–Democratic Republic of the Congo border
  The border starts in the west at the tripoint with the Republic of the Congo at the confluence of the Gouga river and Ubangi river, and then follows the latter for much of its length, before reaching the confluence with the Mbomou River. The border then follows the Mbomou eastwards, with a very short overland section in the far east connecting up with the South Sudanese tripoint.

This is a document about Benin–Nigeria border
  The border starts in the north at the tripoint with Niger in the Niger River and then proceeds in a roughly south-to-southwesterly direction overland, before reaching the Okpara River just east of Waria. The border then proceeds to the south, utilising the Okpara for circa 100 miles, various small streams, and several overland sections, before terminating at the Bight of Benin.

This is a document about Namibia–South Africa border
  The border between Namibia and South Africa is 967 km long. It runs along the Orange River from its mouth on the Atlantic Ocean to the 20th meridian east, and then northwards along that meridian to the tripoint with Botswana at the Nossob River.

This is a document about Guinea–Ivory Coast border
  The border starts in the north at the Malian tripoint, briefly going overland to the south-west before reaching the Sankarani River. The border follows this river, then the Gbanhala, southwards, before joining the Kourou Kelle river. The border then proceeds overland to the south via a series of irregular lines, before reaching the Bagbe river, which it then follows as it flows to the west, followed by the Koure as it flows to the south. A series of irregular overland lines then connect southwards to the Liberian tripoint in the Nimba Range.

This is a document about Northern Cape
  The major river system is the Orange (or Gariep) River Basin, draining the interior of South Africa westwards into the Atlantic Ocean. (The political philosopher Neville Alexander has used the idea of the 'Garieb' as a metaphor for nationhood in South Africa, a flowing together, in preference to the rainbow metaphor where the diverse colours remain distinct). The principal tributary of the Orange is the Vaal River, which flows through part of the Northern Cape from the vicinity of Warrenton. The Vaal, in turn, has tributaries within the province: the Harts River and the Riet River, which has its own major tributary, the Modder River. Above the Orange-Vaal confluence, the Seekoei River drains part of the northeastern Karoo into the Orange River above the Vanderkloof Dam. Next downstream from the Orange-Vaal confluence is the Brak River, which flows nonperennially from the south and

This is a document about Dominican Republic–Haiti border
  The border starts in the north at the Boca del Río Dajabón where the Dajabón River (Rivière du Massacre) enters Manzanillo Bay, immediately west of the Dominican town of Pepillo Salcedo. The border then follows this river for a brief period southwards, before continuing southwards via a series of straight line through the Laguna de Saladillo, rejoining the same river between Dajabón (DR) and Ouanaminthe (Haiti). The border then again follows the river southwards, where it is alternatively called the Río Capatillo/Bernar (Rivière de Capotille/Bernard), down to the Dominican village of Vara de Vaca. The border then proceeds overland to the west, turning sharply south-eastwards upon reaching the Libón River. It continues along the river down to the DR-45 road and then follows this road southwards

This is a document about Ivory Coast–Liberia border
  The border starts in the north on Mount Nuon in the Nimba Range, and after a very short overland sections reaches the Nuon river, which it follows southwards. It then briefly follows the Dain, Nimoi and Boan rivers, before reaching the Cavalla, which it follows in a broad right angled course out to the Atlantic. It ends 21 km east of the southernmost point of West Africa, Cape Palmas.

This is a document about Orange River
  The Orange rises in the Drakensberg mountains along the border between South Africa and Lesotho, about 193 km west of the Indian Ocean and at an altitude of over 3,000 m. The extremity of the Orange River inside Lesotho is known as the Senqu. Parts of the Senqu River freeze in winter because of the high altitude there. This creates droughts downstream, which mainly affect goat and cattle production. The Orange River then runs westward through South Africa, forming the south-western boundary of the Free State province. In this section, the river flows first into the Gariep Dam (the largest in the country), and later into the Vanderkloof Dam. From the border of Lesotho to below the Vanderkloof Dam, the river bed is deeply incised. Further downstream, the land

This is a document about Mali–Senegal border
  The border begins in the north at the tripoint with Mauritania at the confluence of the Senegal River and Falémé River. It then follows the latter for some distance southwards, before proceeding overland for a stretch, before rejoining the Falémé, which it then follows down to the tripoint with Guinea.

The Gariep-Orange border follows the course of the Orange River before it enters the sea.