Question: what is the last year ford made the ranger

Answer: 2011

This is a document about Ford Ranger (Americas)
  pickup trucks. For the 2019 model year, Ford introduced a fourth generation of the Ranger (after a seven-year hiatus). The first mid-size Ranger in North America, the model line is derived from the globally-marketed Ford Ranger (revised to fulfill North American design requirements). The first three generations of the Ranger were produced by Ford at its Louisville Assembly (Louisville, Kentucky), Edison Assembly (Edison, New Jersey), and Twin Cities Assembly Plant (Saint Paul, Minnesota) facilities; the final 2012 Ranger was the final vehicle produced at the St. Paul facility. The current fourth-generation Ranger is manufactured by Ford at Wayne Stamping & Assembly (Wayne, Michigan). Ford of Argentina produced the Ranger in its General Pacheco facility from 1998 to 2011; it replaced the North-American designed version of the Ranger with the current Ranger T6 for 2012 production.

This is a document about Ford Ranger
  was developed in-house by Ford Australia. In the same year, the North American-market Ranger was discontinued, leaving the T6 platform-based Ranger as the sole Ranger model worldwide. For the 2019 model year, the Ranger is reintroduced in North America using the globally-marketed T6 model. It is produced at the Michigan Assembly Plant at Wayne, Michigan. The Ranger currently slotted below the F-150 and above the Maverick in the Ford North American pickup truck range, while for markets outside the Americas it is typically the only Ford pickup offered for sale. The second generation of the T6-based Ranger was released in 2021 for worldwide markets, using the same T6 platform with revisions.

This is a document about Ford Ranger (Americas)
  factory worldwide. Ford later extended the closure date of the factory to 2011, but in June 2011, a final closure date was announced. As Twin Cities was the sole production location of the Ranger in North America (from 1982), its closure brought the production of the Ranger to an end after 29 model years. The 2011 model year was the final model year for retail sales, with a shortened 2012 model year for fleet sales; the final North American-market Ranger (a white SuperCab Sport produced for pest-control company Orkin) was produced on December 16, 2011. Over its production life, the chassis and suspension of the Ranger would be used for several compact Ford trucks and sport-utility

This is a document about Ford Ranger (Americas)
  Ford had intended to release a new North American Ranger for 2004, codenamed P273, but the project was cancelled. For the 2019 model year, the fourth-generation Ranger was introduced, going on sale in January 2019. Returning after an eight-year hiatus (2012 production was not marketed for retail sale), the fourth-generation Ranger became the first of the model line produced as a mid-size pickup. Developed from the Ranger T6 designed by Ford Australia, the Ranger underwent several design changes to its frame and bumpers. Along with its shift in size segments, the fourth generation marks several firsts for the Ranger in North America. The two-door standard-cab configuration is no longer produced; all examples are SuperCabs or SuperCrews. While Ford Argentina produced crew-cab Rangers during the 1990s and 2000s, this is the first Ranger offered with four full doors in the United States and Canada (effectively succeeding the Ford Explorer Sport Trac). For the first time, no V6 engine nor any manual transmission is offered; a 2.3-liter turbocharged inline-4 and a 10-speed automatic is the sole powertrain offering (as of 2020 production). The fourth-generation Ranger is produced by Ford at its Michigan Assembly Plant in Wayne, Michigan.

This is a document about Ford Ranger (Americas)
  The Ranger was produced at the Louisville Assembly Plant in Louisville, Kentucky from 1982 to 1999. From 1993 to 2004, production also was sourced from Edison Assembly in Edison, New Jersey. For its entire production run until 2011, the Ranger was produced at Twin Cities Assembly Plant in St Paul, Minnesota. The final 2012 Ranger produced on December 16, 2011, ended 86 years of production at Twin Cities Assembly as well as the production of all compact pickups in the United States. In 2008, Ford made its first plans to end production of the Ranger in North America; although its high productivity spared it from The Way Forward, Twin Cities Assembly (built in 1925) was the oldest

This is a document about Ford Ranger
  For the 2019 model year, the Ranger returned to its model range in North America after an eight-year hiatus to slot below the F-Series. The first example rolled off the assembly line on October 22, 2018. The first generation of the model line sold as a mid-size pickup truck, the fourth-generation Ranger is derived from the global-market Ranger T6 designed by Ford Australia with adaptations accommodate US government regulations along with other modifications made to match local market demands. The current generation of the Ranger is offered in two configurations on a 127-inch wheelbase, including a 2+2 door SuperCab (6-foot bed) and a 4-door SuperCrew (5-foot bed). As of the current model, the two-door standard cab is not offered for sale in North America. The model line is produced by Ford at its Michigan Assembly Plant at Wayne, Michigan.

This is a document about Ford Ranger
  truck. Through the use of rebadging, from 1994 to 2009, Mazda marketed the Ford Ranger in the United States and Canada as the Mazda B-Series (the reverse of the 1970s Ford Courier and also the reverse of the Ford Ranger outside of North America). While among the highest-selling vehicles in the compact segment for nearly its entire 29-year production, an overall decline in demand for compact trucks led to its discontinuation after the 2011 model year (a short 2012 run was produced for fleet sales). On December 22, 2011, the final Ford Ranger produced for North America rolled off the Twin Cities Assembly line (as the final vehicle assembled at the facility).

This is a document about Ford Ranger EV
  Ford has announced no plans to resume production of this model. The North American market Ford Ranger was discontinued after the 2011 model year, however, the Ranger line continued with the new T6 generation of the Ford Ranger for Europe. Ford, however, partnered with Azure Dynamics to provide an electric vehicle version of its popular Ford Transit Connect cargo van for the United States market only from 2010 to 2012. The Azure Transit Connect Electric has an EPA range of 56 mi, almost identical to that of the Ford Ranger EV. Ford would later release an all-electric version of the Focus for the 2012 model year.

This is a document about Ford Ranger (Americas)
  The Ford Ranger sold in the Americas is a range of pickup trucks manufactured and marketed by Ford in North and South America under the Ranger nameplate. Introduced in early 1982 for the 1983 model year, the Ranger is currently in its fourth generation. Developed as a replacement for the Mazda-sourced Ford Courier, the model line has been sold across the Americas; Ford of Argentina began production of the Ranger for South America in 1998. Through its production, the model line has served as a close rival to the Chevrolet S-10 and its Chevrolet Colorado successor (and their GMC counterparts), with the Ranger as the best-selling compact truck in the United States from 1987 to 2004. From 2012 to 2018, the Ranger model line was retired in North America as Ford concentrated on its full-size

This is a document about Ford Ranger (T6)
  For its 2011 launch, the first-generation T6-based Ranger replaced previous generations of the Ranger worldwide, consolidating designs developed by Ford and Mazda. A notable exception included the United States and Canada, as Ford exited the compact truck segment entirely. During the early 2010s, Ford concentrated its light truck design resources in North America on its F-Series trucks, with its redesign for 2015 including an aluminum-intensive body and introducing direct-injection and turbocharged engines in an effort to improve fuel economy. After an eight-year market hiatus, Ford introduced the fourth-generation Ranger for the United States or Canada for the 2019 model year at

This is a document about Ford Ranger (Americas)
  For the 1998 model year, a third generation of the Ranger made its debut. While visually similar to the previous generation, extensive upgrades were made to the chassis, suspension, and drivetrain. In line with the larger F-150 and Super Duty trucks, SuperCab Rangers gained two rear-hinged doors for 1999, becoming the first model line in the compact truck segment to do so. Several variants of the Ranger are derived from this generation. Ford of Argentina introduced a crew-cab variant of the Ranger for South America in 1998; the Ford Ranger EV was the first electric vehicle produced by Ford in the United States. The Ford Explorer Sport Trac mid-size pickup truck shared its wheelbase (and some components) with the Ranger. The 2011 model year was the final model year for sales of the Ranger in North America; following a short run of 2012 production exclusively for fleet sales, the final vehicle was produced by Twin Cities Assembly on December 15, 2011; the 2012 Ranger Sport SuperCab 4x4 was the final vehicle produced by the facility.

This is a document about Ford Ranchero
  pickups having grown towards midsized and encroaching on base models of more profitable full-sized pickups, some manufacturers such as Ford and Ram Trucks have discontinued even their compact and midsized offerings; Ford discontinued the American Ranger in 2012 and originally opted not to sell its global replacement in North America due to being too close in size and price to the base model Ford F-150, though did eventually introduce it for the 2019 model year. In Australia, Ford produced a right-hand drive car-based "pickup", with the FG X Falcon Ute available in style-side or tray-back form. Production of Falcon sedans and utilities ceased in Australia in 2016.

This is a document about Ford Ranger (T6)
  The Ford Ranger (T6) is a range of mid-size pickup trucks manufactured and sold by Ford Motor Company using the T6 platform since 2011. Designed and engineered by Ford of Australia, the T6-based Ranger models consolidated worldwide production of the Ranger onto a single model, replacing the 1998–2012 Ranger marketed in North America and South America and the Mazda-derived Ranger sold in Asia-Pacific, Europe and several Latin American regions. Initially not marketed in the United States and Canada, Ford commenced sales of the first-generation T6-based Ranger in these two markets since January 2019, slotting the model below the F-150 in the Ford truck range, and above the Maverick released later. The second generation of the T6-based Ranger was revealed in late 2021, riding on a revised T6 platform dubbed as "T6.2" with an all-new design.

This is a document about Ford Ranger
  For the 1983 model year, Ford introduced the Ranger for the United States and Canada. The first compact pickup truck designed by Ford, the American-produced Ranger replaced the Mazda-produced Ford Courier. Produced across three generations using a single chassis architecture, the model line was marketed from the 1983 to the 2012 model years (ending retail sales after the 2011 model year). The Ranger light-truck chassis architecture served as the basis for a wide range of vehicles over its production. Along with sharing body and powertrain components with the Ford Bronco II and Ford Explorer SUVs, the Ranger also shared components with the Ford Aerostar minivan and the Ford Explorer Sport Trac mid-size

This is a document about Hino Ranger
  FA1517 means the smallest truck with 15000 lb, and around 170 hp. The fourth generation was the last generation of Ranger sold in North America, replaced by the 600 series following its discontinuation after the 2004 model year. Production of the Japanese models began tapering off in 2002 (export models and special use versions continued to be manufactured until 2004 at least). The fourth generation Ranger was not sold in Indonesia, since the third generation was manufactured locally until 2003. From 1998 to 2003, the fourth generation Ranger was manufactured under license by Kia Motors and sold as the second generation Kia Rhino in South Korea.

This is a document about Ford Ranger (Americas)
  (to meet updated federal safety requirements) and a new instrument panel and steering wheel. 2005 marked the final year for the FlareSide bed option. For 2006, the Ranger received its final update (as the model line was planned for a 2008 discontinuation ). The grille was restyled into a "3-slot" configuration (in line with the F-Series), adding clear-lens headlamps and parking lamps; the sideview mirrors were replaced with a rectangular design. The rear of the Ranger underwent several changes, with larger taillamps and a Ford Blue Oval centered in the tailgate. For the first time since 1989, the Ranger fender badging was redesigned (with a larger design). For the 2010 model year, Ford introduced optional graphics packages for the Ranger, installed by dealers. The extended-length bed was removed from retail sale, becoming exclusive to the XL Fleet model.

This is a document about Ford Ranger (international)
  The P375 Ranger is succeeded by the P703 Ranger, which is the fourth-generation international Ranger and the fifth-generation Ranger in North America. It was introduced in November 2021, continuing to use the T6 platform with revisions.

This is a document about Ford Focus (third generation)
  On May 4, 2018, the final 2018 Ford Focus was assembled at Ford Motor Company's Michigan Assembly Plant in Wayne, Michigan. The Michigan Assembly Plant will continue to produce the all-new 2019 Ford Ranger for North America. A crossover named the Ford Focus Active was planned to be imported from China. It was planned to be sold in North America for the 2020 model year. In August 2018, Ford canceled its plans to import the Chinese-built Focus Active to North America, citing tariff concerns.

This is a document about Twin Cities Assembly Plant
  production had dropped from a peak of nearly 300,000 units in 1998, to under 120,000 in 2005. First quarter 2006 sales for the Ranger were under 22,500—down another 16% from 2005. While other Ford plants were operating at an average capacity of 75% in 2004, the Twin Cities Plant beat that average with 83%, but higher than average productivity was not enough to hold off the plant's ultimate closure. On July 24, 2008, Ford announced they would keep the Twin Cities Plant open through 2011. The plant produced its last vehicle on December 16, 2011 and has been closed.

This is a document about Ford Ranger
  In 2011, Ford introduced the first Ranger based on the T6 platform (codename: P375). Developed by Ford Australia, the T6-based Ranger replaced the American and Mazda-sourced Rangers with a single model, also forming a basis of the second-generation Mazda BT-50. The T6-based Ranger models are marketed worldwide, although it was not marketed in the United States and Canada between 2011 and 2018 model years. The second generation model of the T6-based Ranger (codename: P703) was released in 2021, featuring major changes while riding on a revised T6 platform dubbed as "T6.2".

The last year Ford produced the Ranger in North America was 2012. However, the fourth-generation Ranger was introduced in 2019.


Question: who sings the song it 's all right now

Answer: Free

This is a document about All Right Now
  "All Right Now" is a song by the English rock band Free. It originally appeared on the 1970 album Fire and Water, which Free recorded on the Island Records label, formed by Chris Blackwell. Released as the album's second single, "All Right Now" hit number 2 on the UK Singles Chart and number 4 on the US Billboard Hot 100 singles chart. In July 1973, the song was re-released, reaching number 15 on the UK chart. In 1991, a remix of the song was released, reaching number 8 on the UK chart. "All Right Now" was a number 1 hit in over 20 territories and was recognised by ASCAP (American Society of Composers, Authors, and Publishers) in 1990 for garnering 1,000,000 plus radio plays in the U.S. by late 1989. In 2006, the BMI London awards included a Million Air award for 3 million air plays of "All Right Now" in the USA. The song also remains as a staple of classic rock.

This is a document about All Right Now
  "All Right Now", recorded by Mike Oldfield (produced by Tom Newman), with vocals by Wendy Roberts, Pierre Moerlen and Tom Newman, was issued as a one-sided promotional blue 7" single flexi-disc in 1979. The single was given only to Virgin Records executives and never issued to the public, making it one of the most elusive collectors' items in the Oldfield catalogue (number Virgin TT-362). Also in 1979, studio disco group Witch Queen released a disco version of the song, as a double A-side with a cover of T. Rex's "Bang a Gong". It peaked at number eight on the US Billboard disco chart. Since 1972, "All Right Now" as arranged by the Stanford Band has been the de facto fight song of Stanford University athletic teams. Rod Stewart recorded the song and released it as a single in the U.S., reaching number 72 in the winter of 1985.

This is a document about All Right
  "All Right" is a song written and recorded by American singer-songwriter Christopher Cross. It was released in January 1983 as the lead single from the album, Another Page. On the heels of his Grammy winning first album, and following his #1 hits "Sailing" and "Arthur's Theme (The Best that You Can Do)" expectations were strong enough for this single to debut on the Billboard Hot 100 at #29. It was the fifth-highest debuting single of the 1980s ranking behind Michael Jackson's "Thriller" (No. 20), USA for Africa's "We Are the World" (No. 21), Paul McCartney and Michael Jackson's "Say Say Say" (No. 26), and Men at Work's "Overkill" (No. 28), all of which at least made the top five of the chart. Unfortunately, "All Right"—which featured former Doobie Brothers member Michael McDonald on background vocals —did not repeat Cross's previous success, and stalled at

This is a document about It's Alright Now
  "It's Alright Now" is a single by UK band The Beloved.

This is a document about Simon Kirke
  and played with Black Cat Bones for six months. Kirke and Paul Kossoff left the band and with Paul Rodgers and Andy Fraser formed Free. Their biggest hit, "All Right Now", was a number one in more than 20 territories and was acknowledged by ASCAP (American Society of Composers, Authors, and Publishers) in 1990 as having received more than 1,000,000 radio plays in the US by late 1989. In 2000 an award was given to Paul Rodgers by the British music industry when "All Right Now" passed 2,000,000 radio plays in the UK. By April 1972 Free had reformed with Andy Fraser and Paul Rodgers making peace,

This is a document about Aaron Neville
  A Concert for Hurricane Relief on September 2, 2005. Neville signed to SonyBMG's new Burgundy Records label in late 2005 and recorded an album of songs by Otis Redding, Marvin Gaye, Curtis Mayfield, Sam Cooke and others for Bring It On Home...The Soul Classics, released on September 19, 2006. The album, produced by Stewart Levine, features collaborations between Neville and Chaka Khan, Mavis Staples, Chris Botti, David Sanborn, Art Neville, and others. The album's first single was a remake of The Impressions' 1963 classic "It's All Right."  Neville's career has included work for television, movies and sporting events. Neville sang the

This is a document about Jesus Is Just Alright
  "Jesus Is Just Alright" is a gospel song written by Art Reynolds and first recorded by Reynolds' own group, The Art Reynolds Singers, on their 1966 album, Tellin' It Like It Is. The song's title makes use of the American slang term "all-right", which during the 1960s was used to describe something that was considered 'cool' or very good. The song has been covered by a number of bands and artists over the years, including the Byrds, Underground Sunshine, the Doobie Brothers, Alexis Korner, the Ventures, DC Talk, Stryper, Shelagh McDonald, and Robert Randolph (featuring Eric Clapton). The first cover version of the song was recorded by the Los Angeles band the Byrds on their 1969 album, Ballad of Easy

This is a document about It's All Right
 In 1964, jazz pianist Wynton Kelly recorded the song as the title track for his album, It's All Right! ; In 1966, Tommy James and the Shondells recorded a version on their album, It's Only Love. ; In 1967, Etta James recorded a cover of "It's All Right" on her Call My Name album. ; In 1985, Phil Collins performed the song during The No Jacket Required World Tour. ; In 1993, Huey Lewis and the News recorded an a cappella cover of "It's All Right" for a single release. Their rendition peaked at number seven on the Billboard Adult Contemporary chart. ; In 1993, Bruce

This is a document about It's All Right with Me
  "It's All Right with Me" is a popular song written by Cole Porter, for his 1953 musical Can-Can, where it was introduced by Peter Cookson as the character Judge Aristide Forestier. The song is also used in the Cole Porter musical High Society. In the original 1998 Broadway production it was performed by the character Tracy Samantha Lord, played by Melissa Errico.

This is a document about It's All Right
  "It's All Right" is a 1963 song recorded by The Impressions and written by the group's lead singer, Curtis Mayfield. The single was the most successful chart entry of the group's career. "It's All Right" was one of two top-ten singles for the group on the Billboard Hot 100, and the first of six number ones on the Billboard R&B chart. It also reached number one on the Cash Box R&B chart.

This is a document about Don't Think Twice, It's All Right
  "Don't Think Twice, It's All Right" is a song written by Bob Dylan in 1962, recorded on November 14 that year, and released on the 1963 album The Freewheelin' Bob Dylan and as the b-side of the Blowin' in the Wind single. The song was covered by several other artists, including Peter, Paul and Mary who released it as a single which reached the Top 10 of the Billboard Hot 100.

This is a document about A Room for Romeo Brass
  performed by Fairport Convention ; "Everything's Gonna Be Alright", written by Andrew Loog Oldham, Dave Skinner, performed by P.P. Arnold ; "Don't Forget Your Shovel", written by Christie Hennessy, performed by Christy Moore ; "Civvy Street Fiasco", written by Stephen Lawrie, performed by Unisex ; "Fox in the Snow", written and performed by Belle & Sebastian ; "5,6,7,8", written by Steve Crosby, Barry Upton, performed by Steps ; "Colours", written and performed by Donovan ; "Listen Here", written and performed by Eddie Harris ; "If This Is Love", written by Gavin Clarke, performed by Sunhouse ; "Going Down", written by Ian Brown, John Squire, performed by The Stone Roses ; "After Midnight", written and performed by JJ Cale ; "Everywhere", written by Greg Trooper, Ed Griffin, performed by Billy Bragg

This is a document about Who's Sorry Now? (song)
  number 40 on the Billboard Hot 100 also ranking on Billboard's C&W chart and Easy Listening chart at respectively number 29 and 21. ; Lyn Paul had a 1974 single release of "Who's Sorry Now" which peaked at number 54 in the UK and at number 60 in Australia. ; Sandy Posey ; Johnnie Ray recorded his version in 1956 for the Columbia Records label. It reached number 17 in the UK Singles Chart in February 1956. ; Shooby Taylor ; Lisette Verea, in the Marx Brothers' movie A Night in Casablanca (1946) ; Spanky Wilson on her 1969 album Doin' It ; Female Ensemble with Kate, Audrey and Michelle in the Bob Fosse movie All That Jazz (1979) The song has been recorded by a number of artists including:

This is a document about Andy Fraser
  Shortly thereafter, upon receiving a telephone call from John Mayall who was looking for a bass player, Korner suggested Fraser; still only 15, he was now in a professional band and earning £50 a week, although it ultimately turned out to be a brief tenure. Korner was also instrumental in Fraser's next move, to the influential band Free, which consisted of Paul Rodgers (vocals), Paul Kossoff (guitar) and Simon Kirke (drums). Fraser produced and co-wrote the song "All Right Now" with Rodgers, a No. 1 hit in over 20 territories and recognised by ASCAP in 1990 for garnering over 1,000,000 radio plays in the United States by late 1989. In October 2006, a BMI London Million-Air

This is a document about All Right Now (album)
  All Right Now is the 1987 debut album by vocalists Pepsi & Shirlie. The album gave two top 10 hits in the UK for the duo: "Heartache" (#2) and "Goodbye Stranger" (#9). The other three singles fared less well, hitting below the top 40 of the UK Singles Chart (although "Can't Give Me Love" attained more respectable peaks of #21 in Ireland and #23 in the Flanders region of Belgium ). Pepsi & Shirlie produced two of the tracks themselves: "What's Going On Inside Your Head?" and "Crime of Passion".

This is a document about That's the Way God Planned It
 Side one Side two All songs by Billy Preston, except where noted. 1. "Do What You Want" – 3:44 2. "I Want to Thank You" – 3:13 3. "Everything's All Right" (Preston, Doris Troy) – 2:44 4. "She Belongs to Me" (Bob Dylan) – 4:09 5. "It Doesn't Matter" – 2:41 6. "Morning Star" (W. C. Handy, Mack David) – 3:20 1. "Hey Brother" (Preston, Jesse Kirkland) – 2:34 2. "What About You" – 2:10 3. "Let Us All Get Together (Right Now)" (Preston, Troy) – 4:06 4. "This Is It" (Preston, Troy) – 2:45 5. "Keep It to Yourself" – 2:47 6. "That's the Way God Planned It (Parts 1 & 2)" – 5:34

This is a document about That's All Right
  The song was written by Arthur "Big Boy" Crudup, and originally recorded by him in Chicago on September 6, 1946, as "That's All Right". Some of the lyrics are traditional blues verses first recorded by Blind Lemon Jefferson in 1926. Crudup's recording was released as a single in 1947 on RCA Victor 20–2205, but was less successful than some of his previous recordings. One of the experts who consider the Crudup recording to be the "first rock and roll song" is Southeastern Louisiana University rock historian Joseph Burns, who adds that "this song could contain the first ever guitar solo break". At the same session, he recorded a virtually identical tune with different lyrics, "I Don't Know It", which was also released as a single (RCA

This is a document about It's All Over Now
  "It's All Over Now" is a song written by Bobby Womack and Shirley Womack. It was first released by The Valentinos featuring Bobby Womack. The Rolling Stones had their first number-one hit in the United Kingdom with this song in July 1964.

This is a document about 1970 in music
  • "ABC" – The Jackson 5 • "After Midnight" – Eric Clapton • "Ain't It Funky Now (Part 1)" – James Brown • "Ain't No Mountain High Enough" – Diana Ross • "Airport Love Theme (Gwen & Vern)" – Vincent Bell & Orchestra • "All I Have to Do Is Dream" – Bobbie Gentry & Glen Campbell • "All Kinds of Everything" – Dana (Won the Eurovision song contest) • "All Right Now" – Free • "Always Something There to Remind Me" – R. B. Greaves • "Amazing Grace" – Judy Collins • "American Woman" – The Guess Who • "Amos

This is a document about Brinsley Schwarz
 It's All Over Now (recorded 1974, officially released 2017)

The song "It's All Right Now" is not mentioned in the provided text. The text discusses the songs "All Right Now" by Free and "All Right" by Christopher Cross.


Question: when was the first edition of the oxford english dictionary completed

Answer: 1928

This is a document about Vernacular
  of the English Language (1755). By 1858, the need for an update resulted in the first planning for a new comprehensive dictionary to document standard English, a term coined at that time by the planning committee. The dictionary, known as the Oxford English Dictionary, published its first fascicle in 1884. It attracted significant contributions from some singular minds, such as William Chester Minor, a former army surgeon who had become criminally insane and made most of his contributions while incarcerated. Whether the OED is the long-desired standard English Dictionary is debatable, but its authority is taken seriously by the entire English-speaking world. Its staff is currently working on a third edition.

This is a document about Oxford English Dictionary
  The Oxford English Dictionary (OED) is the principal historical dictionary of the English language, published by Oxford University Press (OUP). It traces the historical development of the English language, providing a comprehensive resource to scholars and academic researchers, as well as describing usage in its many variations throughout the world. Work began on the dictionary in 1857, but it was only in 1884 that it began to be published in unbound fascicles as work continued on the project, under the name of A New English Dictionary on Historical Principles; Founded Mainly on the Materials Collected by The Philological Society. In 1895, the title The Oxford English Dictionary was first used unofficially on the covers of the series, and in 1928 the full dictionary was republished in ten bound volumes. In

This is a document about Dictionary
  to bring all these elements together, creating the first "modern" dictionary. Johnson's dictionary remained the English-language standard for over 150 years, until the Oxford University Press began writing and releasing the Oxford English Dictionary in short fascicles from 1884 onwards. It took nearly 50 years to complete this huge work, and they finally released the complete OED in twelve volumes in 1928. It remains the most comprehensive and trusted English language dictionary to this day, with revisions and updates added by a dedicated team every three months. One of the main contributors to this modern dictionary was an ex-army surgeon, William Chester Minor, a convicted murderer who was confined to an asylum for the criminally insane.

This is a document about Webster's Dictionary
  first published from 1889 to 1891, covered a larger vocabulary until the publication of Webster's Second in 1934, after the Century had ceased publication. In 1894 came Funk & Wagnalls Standard Dictionary, an attractive one volume counterpart to Webster's International. The expanded New Standard of 1913 was a worthy challenge to the New International, and remained a major competitor for many years. However, Funk & Wagnalls never revised the work, reprinting it virtually unchanged for more than 50 years, while Merriam published two major revisions. The Oxford English Dictionary (OED), which published its complete first edition in 1933, challenged Merriam in scholarship, though not in the marketplace due

This is a document about User-generated content
  The massive, multi-volume Oxford English Dictionary was exclusively composed of user-generated content. In 1857, Richard Chenevix Trench of the London Philological Society sought public contributions from throughout the English-speaking world for the creation of the first edition of the OED. As Simon Winchester recounts: "So what we're going to do, if I have your agreement that we're going to produce such a dictionary, is that we're going to send out invitations, were going to send these invitations to every library, every school, every university, every book shop that we can identify throughout the English-speaking world... everywhere where English is spoken

This is a document about Oxford English Dictionary
  the title The Oxford English Dictionary fully replaced the former name in all occurrences in its reprinting as twelve volumes with a one-volume supplement. More supplements came over the years until 1989, when the second edition was published, comprising 21,728 pages in 20 volumes. Since 2000, compilation of a third edition of the dictionary has been underway, approximately half of which was complete by 2018. The first electronic version of the dictionary was made available in 1988. The online version has been available since 2000, and by April 2014 was receiving over two million visits per month. The third edition of the dictionary most likely will appear only in electronic form; the Chief Executive of Oxford University Press has stated that it is unlikely that it will ever be printed.

This is a document about Oxford Advanced Learner's Dictionary
 First edition first published in 1948 (12 impressions) ; Second edition first published in 1963 (19 impressions) ; Third edition first published in 1974 (28 impressions) ; ISBN: 0194311015 Oxford Advanced Learner's Dictionary of Current English was first published in 1948; the current edition is the tenth. The following editions exist:

This is a document about Shorter Oxford English Dictionary
  The first editor, William Little, worked on the book from 1902 until his death in 1922. The dictionary was completed by H. W. Fowler, Jessie Coulson, and C. T. Onions. An abridgement of the complete work was contemplated from 1879, when the Oxford University Press took over from the Philological Society on what was then known as A New English Dictionary on Historical Principles. However, no action was taken until 1902, when the work was begun by William Little, a fellow of Corpus Christi College, Oxford. He laboured until his death in 1922, at which point he had completed "A" to "T", and "V". The remaining letters were completed by H. W. Fowler ("U", "X", "Y", and "Z") and Mrs. E. A. Coulson (Jessie Coulson) ("W") under the direction of C. T. Onions, who succeeded Little as editor. Onions wrote that SOED was "to present in miniature all the features of the principal work" and to be "a quintessence of those vast materials" in the complete OED.

This is a document about Oxford American Dictionary
  The Oxford American Dictionary (OAD) is a single-volume dictionary of American English. It was the first dictionary published by the Oxford University Press to be prepared by American lexicographers and editors. The work was based on the Oxford Paperback Dictionary, published in 1979. It is no longer in print and has been superseded by the New Oxford American Dictionary.

This is a document about Oxford English Dictionary
  dictionary was digitized and online, it was also available to be published on CD-ROM. The text of the first edition was made available in 1987. Afterward, three versions of the second edition were issued. Version 1 (1992) was identical in content to the printed second edition, and the CD itself was not copy-protected. Version 2 (1999) included the Oxford English Dictionary Additions of 1993 and 1997. Version 3.0 was released in 2002 with additional words from the OED3 and software improvements. Version 3.1.1 (2007) added support for hard disk installation, so that the user does not have to insert the CD to use the dictionary. It has

This is a document about Oxford University Press
  Maxwell's A Treatise on Electricity & Magnetism (1873), which proved fundamental to Einstein's thought. Simply put, without abandoning its traditions or quality of work, Price began to turn OUP into an alert, modern publisher. In 1879, he also took on the publication that led that process to its conclusion: the huge project that became the Oxford English Dictionary (OED). Offered to Oxford by James Murray and the Philological Society, the "New English Dictionary" was a grand academic and patriotic undertaking. Lengthy negotiations led to a formal contract. Murray was to edit a work estimated to take 10 years and to cost

This is a document about James Murray (lexicographer)
  On 26 April 1878, Murray was invited to Oxford to meet the Delegates of the Oxford University Press, with a view to his taking on the job of editor of a new dictionary of the English language, to replace Johnson's and to capture all the words then extant in the English speaking world in all their various shades of meaning. On 1 March 1879, a formal agreement was put in place to the effect that Murray was to edit a new English Dictionary, which would eventually become the Oxford English Dictionary (OED). It was expected to take ten years to complete and be some 7,000 pages long, in four volumes. In fact, when the final results were published in

This is a document about Dictionary of Old English
  The dictionary was conceived in 1968 as a replacement for the Bosworth–Toller Anglo-Saxon Dictionary, which had been compiled at a time when both the study of the Old English language and lexicographical techniques were less advanced. From the outset, the editors were interested in the potential application of computer technology to the task of compiling the dictionary, and in basing the dictionary text on a corpus. A dictionary plan was published in 1973. It was originally anticipated that work on the dictionary would begin in 1976 and the dictionary would begin appearing in fascicles shortly thereafter. The first fascicle was not published until 1986, and covered words beginning with the letter D. The letter G was reached in 2008. the entries for 8 of the 24 letters of the Old English alphabet, A-H were published, with over 60% of the total entries written. The letter I was released in September 2018.

This is a document about Historical dictionary
  of the Brothers Grimm in 1838 that a historical dictionary of a modern language was attempted. Throughout the later nineteenth century numerous historical dictionary projects were started for the various languages of Europe. The main historical dictionary of English, the Oxford English Dictionary, was initiated in 1857 and was completed in 1928. Recently the availability of historical text corpora and other large text databases such as digital newspaper archives have begun to influence historical dictionaries. The Trésor de la langue française was the first historical dictionary to be based mainly on a computerized corpus. Most recent historical dictionaries and historical dictionary revision projects have been based on a mixture of quotations taken down by hand and texts from corpora.

This is a document about History of English
   The first authoritative and full-featured English dictionary, the Dictionary of the English Language, was published by Samuel Johnson in 1755. To a high degree, the dictionary standardized both English spelling and word usage. Meanwhile, grammar texts by Lowth, Murray, Priestly, and others attempted to prescribe standard usage even further. Early Modern English and Late Modern English, also called Present-Day English (PDE), differ essentially in vocabulary. Late Modern English has many more words, arising from the Industrial Revolution and technologies that created a need for new words, as well as international development of the language. The British Empire at its height covered one quarter

This is a document about Oxford English Dictionary
  as saying "I've never been associated with a project, I've never even heard of a project, that was so incredibly complicated and that met every deadline." By 1989, the NOED project had achieved its primary goals, and the editors, working online, had successfully combined the original text, Burchfield's supplement, and a small amount of newer material, into a single unified dictionary. The word "new" was again dropped from the name, and the second edition of the OED, or the OED2, was published. The first edition retronymically became the OED1. The Oxford English Dictionary 2 was printed in 20 volumes. Up to a very late stage, all the volumes of

This is a document about Oxford English Dictionary
  The OEDs utility and renown as a historical dictionary have led to numerous offspring projects and other dictionaries bearing the Oxford name, though not all are directly related to the OED itself. The Shorter Oxford English Dictionary, originally started in 1902 and completed in 1933, is an abridgement of the full work that retains the historical focus, but does not include any words which were obsolete before 1700 except those used by Shakespeare, Milton, Spenser, and the King James Bible. A completely new edition was produced from the OED2 and published in 1993, with revisions in 2002 and 2007. The Concise Oxford Dictionary is a different work,

This is a document about The Oxford Dictionary of English Etymology
  The Oxford Dictionary of English Etymology is an etymological dictionary of the English language, published by Oxford University Press. The first editor of the dictionary was Charles Talbut Onions, who spent his last twenty years largely devoted to completing the first edition, published in 1966, which treated over 38,000 words and went to press just before his death.

This is a document about Historical dictionary
  The Oxford English Dictionary is the largest and best-known historical dictionary of the English language, with an aim to cover all words which saw some significant use at any time between the early Middle English period and the present day. The earlier history of English is covered in more detail by the Middle English Dictionary (1954–2001) and the Dictionary of Old English (1986–present). Despite efforts made at time of the founding of the Middle English Dictionary project to produce a dictionary of Early Modern English, this never came to fruition. Several historical dictionaries exist which cover the dialects and regionalisms particular to certain geographical

This is a document about Dictionary
  The earliest dictionaries in the English language were glossaries of French, Spanish or Latin words along with their definitions in English. The word "dictionary" was invented by an Englishman called John of Garland in 1220 — he had written a book Dictionarius to help with Latin "diction". An early non-alphabetical list of 8000 English words was the Elementarie, created by Richard Mulcaster in 1582. The first purely English alphabetical dictionary was A Table Alphabeticall, written by English schoolteacher Robert Cawdrey in 1604. The only surviving copy is found at the Bodleian Library in Oxford. This dictionary, and the many imitators which followed it, was seen as unreliable and nowhere near definitive. Philip Stanhope, 4th Earl of Chesterfield

The first edition of the Oxford English Dictionary was completed and published in 1928. However, the first fascicle was published in 1884.


Question: what is the importance of french revolution in world history

Answer: spread of French culture

This is a document about Influence of the French Revolution
  law, authorized mixed marriages (between Catholics and Protestants), suppressed torture and improved justice; it developed education and public works. The French Revolution had a major impact on Europe and the New World. Historians widely regard the Revolution as one of the most important events in European history. In the short-term, France lost thousands of its countrymen in the form of émigrés, or emigrants who wished to escape political tensions and save their lives. A number of individuals settled in the neighboring countries (chiefly Great Britain, Germany and Austria), while some settled in Russia, and quite a few also went to the United States. The displacement of these Frenchmen led to a

This is a document about The Oxford History of the French Revolution
  Running from the accession of Louis XVI in 1774, the Oxford History of the French Revolution traces the history of France through revolution, terror, and counter-revolution to the final triumph of Napoleon in 1802. It also analyses the impact of events in France upon the rest of Europe and the world beyond. The study shows how a movement which began with optimism and general enthusiasm soon became a tragedy, not only for the ruling orders, but also for the millions of ordinary people whose lives were disrupted by religious upheaval, economic chaos, and civil and international war.

This is a document about French Revolution
  The French Revolution had a major impact on European and Western history, by ending feudalism and creating the path for future advances in broadly defined individual freedoms. Its impact on French nationalism was profound, while also stimulating nationalist movements throughout Europe. Modern historians argue the concept of the nation state was a direct consequence of the Revolution.

This is a document about French Revolution
  The French Revolution (Révolution française ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like Liberté, égalité, fraternité reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. Its values and the institutions it created dominate French politics to this day. The causes are generally agreed to be a combination of social, political and economic factors, which the existing regime proved unable to manage. In May 1789, widespread

This is a document about Age of Revolution
  the ancient civilizations which had hitherto resisted European ideas through French influence. This was the work of the French Revolution." The French Revolution was a period of radical social and political upheaval in France from 1789 to 1799 that profoundly affected French and modern history, marking the decline of powerful monarchies and churches and the rise of democracy and nationalism. Popular resentment of the privileges enjoyed by the clergy and aristocracy grew amidst an economic crisis following two expensive wars and years of bad harvests, motivating demands for change. These were couched in terms of Enlightenment ideals and caused the convocation of the Estates-General in May 1789. The precipitating event was that King went public that the French state was essentially bankrupt, and because of that he convened the États généraux (Estates general) to replenish state coffers. The Estates-General was made up of 3 estates/orders:

This is a document about French Revolution
  who united to destroy the aristocracy. However, Western scholars largely abandoned Marxist interpretations in the 1990s; the theme of class conflict was widely discredited, but no new explanatory model has gained widespread support. Nevertheless, in Western history the Revolution is still seen as a key dividing point between the Early modern and Late modern periods, and thus one of its most important events. Within France itself, the Revolution permanently crippled the power of the aristocracy and drained the wealth of the Church, although the two institutions survived despite the damage they sustained. After the collapse of the First French Empire in 1815, the French public lost many of the rights and privileges earned since the Revolution, but remembered the participatory politics

This is a document about History of Europe
 In 1789 France fell into revolution, and the world has never since been the same. The French Revolution was by far the most momentous upheaval of the whole revolutionary age. It replaced the "old regime" with "modern society," and at its extreme phase became very radical, so much so that all later revolutionary movements have looked back to it as a predecessor to themselves.... From the 1760s to 1848, the role of France was decisive. From the social point of view, the Revolution consisted in the suppression of what was called the feudal system, in the emancipation of the individual, in greater division of landed property, the abolition of the privileges of noble birth, the establishment

This is a document about History of liberalism
  restraints; it unified weights and measures, reformed civil and penal law, authorised mixed marriages (between Catholics and Protestants), suppressed torture and improved justice; it developed education and public works. Historians widely regard the French Revolution as one of the most important events in history. The Revolution is often seen as marking the "dawn of the modern era", and its convulsions are widely associated with "the triumph of liberalism". Four years into the French Revolution, German writer Johann von Goethe reportedly told the defeated Prussian soldiers after the Battle of Valmy that "from this place and from this time forth commences a new era

This is a document about Soft power
  France has long exerted a great amount of soft power. The country and its culture have for centuries been admired in many parts of the world; so much so that Thomas Jefferson is famously quoted as saying "Every man has two countries, his own and France." In 2017, France had the third largest diplomatic network in the world. France was a focal point of the Age of Enlightenment; its attachment to the ideals of liberty, equality, tolerance and reason was notably embodied in the writing and publishing of the Encyclopédie. The French Revolution was one of the most significant events in European and world history. France has since then been instrumental in spreading Republican ideals. The Napoleonic Code, which

This is a document about History of liberalism
  benefits the Italians gained from the French Revolution: Likewise in Switzerland the long-term impact of the French Revolution has been assessed by Martin: His most lasting achievement, the Civil Code, served as "an object of emulation all over the globe," but it also perpetuated further discrimination against women under the banner of the "natural order". This unprecedented period of chaos and revolution had irreversibly introduced the world to a new movement and ideology that would soon criss-cross the globe. For France, however, the defeat of Napoleon brought about the restoration of the monarchy and an ultra-conservative order was reimposed on the country.

This is a document about Annales school
  world wars and incredible political upheavals in France, were deeply uncomfortable with the notion that multiple ruptures and discontinuities created history. They preferred to stress inertia and the longue durée. Special attention was paid to geography, climate, and demography as long-term factors. They believed the continuities of the deepest structures were central to history, beside which upheavals in institutions or the superstructure of social life were of little significance, for history lies beyond the reach of conscious actors, especially the will of revolutionaries. They rejected the Marxist idea that history should be used as a tool to foment and foster revolutions.

This is a document about William Smyth (historian)
 Hedva Ben-Israel, William Smyth, Historian of the French Revolution, Journal of the History of Ideas, Vol. 21, No. 4 (Oct. - Dec., 1960), pp. 571–585. Published by: University of Pennsylvania Press. Article Stable URL: https://www.jstor.org/stable/2708105.

This is a document about Influence of the French Revolution
  The activities of the revolutions sparked change across the world. France's transformation was most influential in Europe, and Haiti's influence spanned across every location that continued to practice slavery. John E. Baur honors Haiti as home of the most influential Revolution in history. As early as 1810, the term "liberal" was coined in Spanish politics to indicate supporters of the French Revolution. This usage passed to Latin America and animated the independence movement against Spain. In the nineteenth century "Liberalism" was the dominant element in Latin American political thought. French liberal ideas were especially influential in Mexico, particularly as seen through the writings of Alexis de Tocqueville, Benjamin

This is a document about French Revolution from the summer of 1790 to the establishment of the Legislative Assembly
  The French Revolution was a period in the history of France covering the years 1789 to 1799, in which republicans overthrew the Bourbon monarchy and the Roman Catholic Church perforce underwent radical restructuring. This article covers a period of time slightly longer than a year, from 14 July 1790, the first anniversary of the storming of the Bastille, to the establishment of the Legislative Assembly on 1 October 1791. This article is a continuation of Abolition of feudalism in France, which covers the period of the Revolution from the abolition of feudalism to the Civil Constitution of the Clergy. Please see that article for background and historical context.

This is a document about Culture of France
  The culture of France has been shaped by geography, by historical events, and by foreign and internal forces and groups. France, and in particular Paris, has played an important role as a center of high culture since the 17th century and from the 19th century on, worldwide. From the late 19th century, France has also played an important role in cinema, fashion, cuisine, literature, technology, the social sciences, and mathematics. The importance of French culture has waxed and waned over the centuries, depending on its economic, political and military importance. French culture today is marked both by great regional and socioeconomic differences and strong unifying tendencies. A global opinion poll for the BBC saw France ranked as the country with the fourth most positive influence in the world (behind Germany, Canada and the UK) in 2014.

This is a document about International relations of the Great Powers (1814–1919)
  Denmark, and the introduction of representative democracy in the Netherlands. The revolutions were most important in France, the Netherlands, the states of the German Confederation, Italy, and the Austrian Empire. Reactionary forces ultimately prevailed, aided by Russian military intervention in Hungary, and the strong traditional aristocracies and established churches. The revolutionary surge was sudden and unexpected, catching the traditional forces unprepared. But the revolutionaries were also unprepared – they had no plans on how to hold power when it was suddenly in their hands, and bickered endlessly. Reaction came much more gradually, but the aristocrats had the advantages of vast wealth, large networks of contacts, many subservient subjects, and the specific goal in mind of returning to the old status quo.

This is a document about Age of Revolution
 1st Estate: Clergy ; 2nd Estate: Nobility ; 3rd Estate: Wealthier, better educated non-nobility (commoners) The British historian Eric Hobsbawm credits the French Revolution with giving the 19th century its ideology and politics, stating:"France made its revolutions and gave them their ideas, to the point where a tricolour of some kind became the emblem of virtually every emerging nation, and European (or indeed world) politics between 1789 and 1917 were largely the struggle for and against the principles of 1789, or the even more incendiary ones of 1793. France provided the vocabulary and the issues of liberal and radical-democratic politics for most of the world. France provided the first great example, the concept and the vocabulary of nationalism. France provided the codes of law, the model of scientific and technical organization, the metric system of measurement for most countries. The ideology of the modern world first

This is a document about Mary Wollstonecraft
  of social, economic and political conditions that left no other way out of the crisis that gripped France in 1789. An Historical and Moral View of the French Revolution was a difficult balancing act for Wollstonecraft. She condemned the Jacobin regime and the Reign of Terror, but at same time she argued that the revolution was a great achievement, which led her to stop her history in late 1789 rather than write about the Terror of 1793–94. Edmund Burke had ended his Reflections on the Revolution in France with reference to the events of 5–6 October 1789, when a group of women from Paris forced the French

This is a document about Sister republic
  The French Revolution was a period of social and political upheaval in France from 1789 until 1799. The Republicans who overthrew the monarchy were driven by ideas of popular sovereignty, rule of law and representative democracy. The Republicans borrowed ideas and values from Whiggism and Enlightenment philosophers. The French Republic supported the spread of republican principles in Europe, but most of these sister republics became a means of controlling occupied lands as client regimes through a mix of French and local power.

This is a document about George Rudé
  but more importantly a social upheaval in which the common Frenchmen played a pivotal role in the course and outcome of the Revolution. Most significantly, Rudé analyzes the French crowds in great depth to understand their composition and force on history. Rudé wrote a broad survey Revolutionary Europe: 1783-1815 in traditional fashion. In it, he portrays France and Europe before, during, and after the French Revolution. He examines the significance of the Revolution in context to the rest of the European world. The broader focus of this work was a shift from his crowd studies, which would resume in his later

The French Revolution was a major turning point in world history, marking the end of absolute monarchy and feudalism in Europe and creating the path for individual freedoms and the modern concept of nationalism. It led to the establishment of the French Republic and the creation of a new political system that influenced the French Revolution and the French Revolution. The revolution was caused by a combination of social, political, and economic factors, including the Enlightenment ideals of liberty, equality, and democracy, and the financial crisis of the French state. The revolution had far-reaching consequences, including the abolition of feud


Question: who played the first alice on the honeymooners

Answer: Pert Kelton

This is a document about The Honeymooners
  of the first season's thirty-two shows, followed a story arc that had the Kramdens and Nortons traveling across Europe after Ralph won a contest (an updated version of a 1957 story arc, with musical numbers added). "The Color Honeymooners," as it has since become known, featured Sheila MacRae and Jane Kean in, respectively, the roles of Alice and Trixie, because Audrey Meadows and Joyce Randolph declined to relocate to Miami. Gleason raised no objections to that recasting but was adamant that the Ed Norton role never be played by anyone other than Art Carney. One notable 1967 segment featured the return of Pert Kelton (in one of her last performances before her death in 1968 of heart disease

This is a document about The Honeymooners
  in the end). Ralph and Alice lived with her mother for six years after getting married before they got their own apartment. In a 1967 revival, Ralph refers to Alice (played by Sheila MacRae in 1966–70 and once more in 1973) as being one of 12 children, and to her father as never working. The Honeymooners originally appeared as a sketch on the DuMont Network's Cavalcade of Stars, with the role of Alice played by Pert Kelton (1907–1968). When his contract with DuMont expired, Gleason moved to the CBS network where he had The Jackie Gleason Show, and the Alice role went to Audrey Meadows because Kelton

This is a document about The Honeymooners
  The Honeymooners is an American television sitcom which originally aired from 1955 to 1956, created by and starring Jackie Gleason, and based on a recurring comedy sketch of the same name that had been part of Gleason's variety show. It follows the lives of New York City bus driver Ralph Kramden (Gleason), his wife Alice (Audrey Meadows), Ralph's best friend Ed Norton (Art Carney) and Ed's wife Trixie (Joyce Randolph) as they get involved with various schemes in their day-to-day living. Most episodes revolve around Ralph's poor choices in absurd dilemmas which frequently show his judgmental attitude in a comedic tone. The show occasionally features more serious issues such as women's rights and social status. The sketches first aired on the DuMont network's variety series Cavalcade of Stars, which Gleason hosted, and subsequently on the CBS network's The Jackie Gleason Show which was broadcast

This is a document about Jackie Gleason
  lilting baritone. Gleason revived The Honeymooners—first with Sue Ane Langdon as Alice and Patricia Wilson as Trixie for two episodes of The American Scene Magazine, then with Sheila MacRae as Alice and Jane Kean as Trixie for the 1966 series. By 1964 Gleason had moved the production from New York to Miami Beach, Florida, reportedly because he liked year-round access to the golf course at the nearby Inverrary Country Club in Lauderhill (where he built his final home). His closing line became, almost invariably, "As always, the Miami Beach audience is the greatest audience in the world!" In 1966, he abandoned the American Scene

This is a document about Audrey Meadows
  Gleason changed his mind and she won the role of Alice. The character of Alice became more associated with Meadows than with the others who played her, and she reprised her role as Alice on other shows as well, both in a man-on-the-street interview for The Steve Allen Show (Steve Allen was her brother-in-law) and in a parody sketch on The Jack Benny Program. Meadows was the only member of the Honeymooners cast to earn residuals after the "Classic 39" episodes of the show from 1955 to 1956 started airing in reruns. Her brother Edward, a lawyer, had inserted a clause into her original contract whereby she would be paid if the shows were re-broadcast, thus earning her millions of dollars. When the "lost" Honeymooners episodes from the variety shows were later released, Joyce Randolph, who played Trixie Norton, received royalty payments.

This is a document about The Honeymooners
  on "The Honeymooners." Gleason took the role of Ralph Kramden, a blustery bus driver, and he chose veteran comedy movie actress Pert Kelton for the role of Alice Kramden, Ralph's acerbic and long-suffering wife. "The Honeymooners" made its debut on October 5, 1951, as a six-minute sketch. Ensemble cast member Art Carney made a brief appearance as a police officer who gets hit with flour Ralph had thrown out the window. The tone of these early sketches was much darker than the later series, with Ralph exhibiting extreme bitterness and frustration with his marriage to an equally bitter and argumentative middle-aged woman (Kelton was nine years older than

This is a document about The Honeymooners
  Alice (née Alice Gibson), played in the first nine skits from 1951 to January 1952 by Pert Kelton, and by Audrey Meadows for all remaining episodes, is Ralph's patient but sharp-tongued wife of 14 years. She often finds herself bearing the brunt of Ralph's tantrums and demands, which she returns with biting sarcasm. She is levelheaded, in contrast to Ralph's pattern of inventing various schemes to enhance his wealth or his pride. She sees his schemes' unworkability, but he becomes angry and ignores her advice (and by the end of the episode, her misgivings almost always prove correct). She has grown accustomed to his empty threats—such as

This is a document about Audrey Meadows
  After high school, Meadows sang in the Broadway musical Top Banana before becoming a regular on television in The Bob and Ray Show. She was then hired to play Alice on The Jackie Gleason Show after the actress who originated the role, Pert Kelton, was forced to leave the show due to blacklisting (although the official reason given was that Kelton was suffering from a health problem). When The Honeymooners became a half-hour situation comedy on CBS, Meadows continued in the role. She then returned to play Alice after a long hiatus, when Gleason produced occasional Honeymooners specials in the 1970s. Meadows had auditioned for Gleason and was initially turned down for being too chic and pretty to play Alice. Realizing that she needed to change her appearance, Meadows the next day submitted a photo of herself, one in which she looked much

This is a document about Jackie Gleason
  an idea he wanted to enlarge: a skit with a smart, quiet wife and her very vocal husband. He went on to describe that, while the couple had their fights, underneath it all they loved each other. Titles for the sketch were tossed around until someone came up with The Honeymooners. The Honeymooners first was featured on Cavalcade of Stars on October 5, 1951, with Carney in a guest appearance as a cop (Norton did not appear until a few episodes later) and character actress Pert Kelton as Alice. Darker and fiercer than the milder later version with Audrey Meadows as Alice, the sketches proved popular with critics and viewers. As Kramden,

This is a document about Audrey Meadows
  Audrey Meadows (born Audrey Cotter, February 8, 1922 – February 3, 1996) was an American actress best known for her role as the deadpan housewife Alice Kramden on the 1950s American television comedy The Honeymooners. She was the younger sister of Hollywood leading lady Jayne Meadows.

This is a document about Miami Beach, Florida
  1966 – September 12, 1970. He started the 1966–1967 season with new, color episodes of The Honeymooners, with Sheila MacRae and Jane Kean as Alice Kramden and Trixie Norton, respectively. The regular cast included Art Carney as Ed Norton; Milton Berle was a frequent guest star. The show was shot in color on videotape at the Miami Beach Auditorium (later renamed the Jackie Gleason Theatre of the Performing Arts), now known as Fillmore Miami Beach, and Gleason never tired of promoting the "sun and fun capital of the world" on camera. CBS canceled the series in 1970. Each December, the City of Miami Beach hosts Art Basel Miami Beach, one

This is a document about Sitcoms in the United States
  Emmys for her portrayal of Alice Kramden in 1954 and 1957. In 1997, the episodes "The $99,000 Answer" and "TV or Not TV" were respectively ranked No. 6 and No. 26 on "TV Guide's 100 Greatest Episodes of All Time" and in 1999, TV Guide published a list titled "TV's 100 Greatest Characters Ever!" Ed Norton was No. 20, and Ralph Kramden was No. 2. In 2002, The Honeymooners was listed at No. 3 on TV Guide's 50 Greatest TV Shows of All Time and No. 13 on their list of the "60 Greatest Shows of All Time" in 2013.

This is a document about List of The Brady Bunch characters
  the air in 1974 and before The Brady Girls Get Married. In the 1990s parody movies, Alice was played by actress Henriette Mantel. In the first film, Davis makes a cameo as a truck driver whose CB handle is "Schultzy". (Davis first became popular in the 1950s, playing a character named Schultzy on The Bob Cummings Show.) The role of Alice was originally to have been played by Monty Margetts, but at the last minute the role was recast because producers of the show changed their mind about casting Joyce Bulifant, who was originally cast as Carol Brady, and instead replaced her with Florence Henderson. The producers felt a more comedic, zany housekeeper would balance Henderson's soft-spoken, calm presence.

This is a document about Pert Kelton
  Kelton appeared in Henry Morgan's Great Talent Hunt, first aired January 26, 1951, hosted by Henry Morgan, and with Kaye Ballard, Art Carney, and Arnold Stang. Kelton was the original Alice Kramden in The Honeymooners comedy sketches on the DuMont Television Network's Cavalcade of Stars. These sketches formed the eventual basis for the 1955 sitcom The Honeymooners. Jackie Gleason starred as her husband Ralph Kramden, and Art Carney as their upstairs neighbor Ed Norton. Elaine Stritch played Trixie, the burlesque dancer wife of Norton, for one sketch before being replaced by Joyce Randolph. Kelton appeared in the original sketches, generally running about 10 to 20 minutes, shorter

This is a document about The Honeymooners
  CBS president William S. Paley in July 1952 made sure the cast of the former DuMont ensemble that was becoming The Jackie Gleason Show embarked on a highly successful five-week promotional tour across the United States, performing a variety of musical numbers and sketches (including the popular "Honeymooners"). However, actress Pert Kelton who played Alice Kramden and other roles, was blacklisted at the time and was replaced on the tour by Beulah actress Ginger Jones, who subsequently also was blacklisted (having earlier been named on the Red Channels blacklist) by CBS. All this political maneuvering meant yet another new Alice was needed. Jones's replacement was Audrey Meadows, known for her work in the 1951 Broadway musical Top Banana and on the Bob and Ray television show. However, before being cast

This is a document about List of The Critic characters
 Voiced by Park Overall (Alice) and Russi Taylor (Penny) Introduced in the second-season episode "Sherman, Woman and Child", Alice Tompkins becomes Jay's girlfriend. She is named for Alice Kramden on The Honeymooners. She is 32 years old, and is initially married to a country singer, Cyrus Tompkins, but she leaves him when she begins to suspect he is cheating on her (she reaches this conclusion after seeing Cyrus' album, entitled "I'm Being Unfaithful to My Wife, Alice Tompkins. You Heard Me, Alice Tompkins.") As a consequence, Alice moves to New York from Knoxville, Tennessee, to show her 5-year-old daughter Penny that a woman can make it without a man. He later tracks her to New York and

This is a document about The Honeymooners
  the first season of Saturday Night Live (then known as NBC's Saturday Night) in a sketch featuring The Killer Bees (referenced as 'The Bees' in this particular episode). John Belushi took the role of Ralph, with Gilda Radner as Alice, Dan Aykroyd as Norton, and Jane Curtin as Trixie. ; The first adult film parody of the show, Honeymooners, premiered in 1976 and starred John Leslie as the Ralph Kramden character. ; In 1988 Ron Jeremy led a cast of adult performers in the critically panned The Horneymooners. ; The Honeymooners was partly the inspiration for the Nickelodeon series Kenan and Kel.

This is a document about The Honeymooners
  and His American Scene Magazine. The "Honeymooners" sketches returned as part of that show whenever Carney was available. However, Audrey Meadows and Joyce Randolph were replaced as Alice and Trixie by Sue Ane Langdon and Patricia Wilson, respectively, for two sketches. In January 1966, Meadows again returned as Alice for a musical special, The Honeymooners: The Adoption, a re-enactment of a 1955 sketch of the same name. When The Jackie Gleason Show, by then based in Gleason's home town, Miami Beach, Florida, returned in 1966, the "Honeymooners" sketches, in color for the first time, returned as a series of elaborate musicals that, in effect, were the equivalent of a new Broadway musical each time. The sketches, which covered

This is a document about The Honeymooners
  move as far as affiliations go, the Kramdens and Nortons were brought back for four final one-hour specials on ABC, which aired from 1976–1978. Alongside Gleason and Carney, Audrey Meadows returned as Alice. Meanwhile, Jane Kean continued to play Trixie. (Joyce Randolph, the actress most identified as Trixie, never played the part again after the 1950s.) These four specials came at a time when Gleason and Carney each achieved new-found expanded fame, with Gleason's prominent role in the box office smash Smokey and the Bandit and Carney winning an Academy Award for his leading role in Harry and Tonto, which actually brought some more attention to these series of specials. These were the final original "Honeymooners" productions.

This is a document about Anita Gillette
  Alice with a then-unknown Robert Urich and a young Jodie Foster. She also appeared in Norman Lear's All That Glitters (1977), and TV movies such as A Matter of Wife... and Death (1975) and It Happened at Lakewood Manor (1977). The 1980s marked Gillette's transition from Broadway and television into a character film actress. Prior to this transition, she had sizeable television roles as Nancy Baxter on the national run of The Baxters, Quincy's second wife Dr. W. Emily Hanover on the last season of Quincy M.E. (having previously portrayed his deceased first wife Helen Quincy in a flashback ), and a role on Search for Tomorrow at the

Pert Kelton played the first Alice on "The Honeymooners" on the DuMont Network.


Question: who sings i 'm not in love so do n 't forget it

Answer: 10cc

This is a document about I'm Not in Love
  to revert to playing the full version. Released in May 1975, "I'm Not in Love" became the band's second number-one, staying atop the UK singles chart for two weeks from 28 June. In the US, the record peaked at number two on the Billboard Hot 100 for three weeks, deprived of an expected top spot placing by a different number-one each week (Van McCoy's "The Hustle", The Eagles' "One of These Nights", and the Bee Gees' "Jive Talkin'"). In the UK the single was released in its full length version of over six minutes; in the US and Canada it was released in an edited 3:42 version, and with a different B-side.

This is a document about I'm Not in Love
  "I'm Not in Love" is a song by British group 10cc, written by band members Eric Stewart and Graham Gouldman. It is known for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album, The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK Singles Chart for two weeks. "I'm Not in Love" became the band's breakthrough hit outside the United Kingdom, topping the charts in Canada and the Republic of Ireland as well as peaking within the top ten of the charts in several other countries, including Australia,

This is a document about I'm Not in Love
  "I'm Not in Love" has enjoyed lasting popularity, with over three million plays on US radio since its release, and it won three Ivor Novello Awards in 1976 for Best Pop Song, International Hit of the Year, and Most Performed British Work. It has appeared in the films The Virgin Suicides, Bridget Jones: The Edge of Reason, Indecent Proposal, Cherish, Whatever, Hunky Dory, Jappeloup, The Stud, Deuce Bigalow: Male Gigolo, He's Just Not That Into You, and Guardians of the Galaxy, as well as the video game Grand Theft Auto: Vice City Stories and the television shows Goodnight Sweetheart,, The Office, Veronica Mars, Big Love, Medium, Cuentame, The Syndicate, Bull, EastEnders, Skam, Mindhunter, and Pose. Queen Latifah recorded a cover for her album Trav'lin' Light, and a cover version by Kelsey Lu was featured in the TV series Euphoria. Axl Rose cited it as a song that meant a lot to him as a teenager: "So nonchalant, so cool ....".

This is a document about I'm Not in Love
  New Zealand, Norway and the United States. Written mostly by Stewart as a response to his wife's declaration that he did not tell her often enough that he loved her, "I'm Not in Love" was originally conceived as a bossa nova song played on guitars, but the other two members of the band, Kevin Godley and Lol Creme, disliked the track and it was abandoned. However, after hearing members of their staff continue to sing the melody around their studio, Stewart persuaded the group to give the song another chance, to which Godley replied that for the song to work it needed to be radically changed, and suggested that the band should try to create a new version using just voices.

This is a document about Not in Love (Platinum Blonde song)
  "Not in Love" is a song by Canadian new wave band Platinum Blonde, from the band's 1983 debut album Standing in the Dark. It was released as a 7" single in October 1984 through CBS.

This is a document about Not in Love (M.O song)
  "Not in Love" is a song by English recording trio M.O, featuring guest vocals by American rapper Kent Jones. It was released as a digital single on 9 December 2016 in the United Kingdom. It reached number 42 on the UK Singles Chart. This would be the last single to feature original member Frankee Connolly before she departed the band due to personal reasons and would be replaced by Chanal Benjilali.

This is a document about Not in Love (Enrique Iglesias song)
  "Not in Love" is a song by Spanish singer Enrique Iglesias. The song was written by Iglesias, Paul Barry, Victoria Horn, Mark Taylor, Sheppard Solomon, and Fernando Garibay for Iglesias' seventh studio album, 7 (2003). The album version features Iglesias's vocals only, with the radio mix featuring an extra verse and chorus by American singer Kelis. "Not in Love" was released as the album's second and final single in February 2004, peaking at number five in the United Kingdom.

This is a document about Harvey Lisberg
  and moved to Phonogram. Phonogram released 10cc's third album, The Original Soundtrack (1975), and its hit singles, "Life Is a Minestrone" – No. 7, and "I'm Not in Love", which took the band to another level. In June 1975, the song went to No. 1 in the UK and reached No. 2 on the US charts and was acknowledged as one of the best songs of that year, winning three Ivor Novello Awards for Best Contemporary Song, the Most Performed Work and International Hit of The Year. The song, acclaimed as one of the best love songs ever, is featured

This is a document about Don't Forget (song)
  "Don't Forget" is a song by American singer Demi Lovato, from their debut album of the same name. It was written by Lovato and the Jonas Brothers, who co-produced the song with John Fields. It was released as the album's third and final single in 2009, through Hollywood Records. The inspiration of the song came from Lovato falling in love with someone who later left them. According to Lovato, it is one of the songs on the album that they most relate to. Musically, "Don't Forget" is a midtempo glam rock ballad that features Lovato singing with breathy falsetto vocals. An accompanying music video was released on March 2009. Upon the release of the album, "Don't Forget" was well-received from music critics, who noted the transition from their "tween sound" to more mature material. The song achieved moderate commercial success, reaching number forty-one on the Billboard Hot 100. It also reached number seventy-six on the Canadian Hot 100. Lovato has performed the song numerous times including on The Ellen DeGeneres Show.

This is a document about Not in Love (Platinum Blonde song)
  In 2010, "Not in Love" was covered by Canadian electronic duo Crystal Castles for their second studio album, Crystal Castles II. A single version, which features Robert Smith of The Cure on lead vocals, was released as the third single from Crystal Castles via their YouTube channel on October 26, 2010. The song was featured in the mid-season finale of the eleventh season of Degrassi, as well as in FIFA 12, the final episode of Colombian TV series Crime Diaries: Night Out and in the South Korean television series Shut Up Flower Boy Band, where it was performed by Lee Min-ki.

This is a document about Just the Way You Are (Billy Joel song)
  The Stranger, but at the request of both Linda Ronstadt and Phoebe Snow (both were recording in other studios in the same building at the time), he agreed to put the song on the final mix. However, the album's producer, Phil Ramone, later contradicted Joel's claim, stating in an interview that they could not afford to exclude the song because Joel did not have that much material from which to choose for the album. The song also shares some similarities to "I'm Not in Love" by 10cc, due to the keyboard and background vocal tape loops Joel and Ramone used. After Joel and Weber divorced in 1982, Joel rarely performed the song live after 1986 until the 2000s, and Joel

This is a document about Mushroom 25 Live
  Was Young" - Chain ; 15) "Where Are You Now?" - Juno Roxas ; 16) "Suburban Boy" - Dave Warner ; 17) "Don't Fall in Love" - The Ferrets featuring Billy Miller ; 18) "A Tale They Won't Believe" - Weddings Parties Anything ; 19) "Father's Day" - Weddings Parties Anything ; 20) "AcDc - Chris Wilson ; 21) "I Can't Stand the Rain" - Wilson Diesel ; 22) "Love Comes Easy" - Vika and Linda ; 23) "Goodbye Lollipop" - Madder Lake ; 24) "12lb Toothbrush" - Madder Lake ; 25) "Wanna Be Up" - Chantoozies ; 26) "Out of Mind

This is a document about 10cc
  "Une Nuit A Paris (One Night in Paris)", an eight-minute, multi-part "mini-operetta" that is thought to have been an influence on "Bohemian Rhapsody" by Queen. Although it bore an unlikely title (picked up from a radio talk show), "Life Is a Minestrone" (1975) was another UK Top 10 placing, peaking at No.7. Their biggest success came with the dreamy "I'm Not in Love", which gave the band their second UK No. 1 in June 1975. The song provided them with their first US chart success when the song reached No. 2. A collaborative effort built around a title by Stewart, "I'm Not in Love" is notable for its innovative

This is a document about Dee Dee Sharp
  American Bandstand, a syndicated music-performance and dance television program, from 1962 to 1981, and was also a regular feature on Dick Clark's Caravan of Stars tours. In 1967, she married record producer and Philadelphia International co-founder Kenny Gamble and recorded under the name Dee Dee Sharp-Gamble until their divorce in 1980. Unhappy with record sales, she switched to Atco/Atlantic Records and later founded Gamble Records with Kenny Gamble and Leon Huff. Over time she would also work with TSOP and Philadelphia International. She had a brief career resurgence during the disco era and hit the charts again with her version of 10 CC's "I'm Not In Love." She also joined Lou Rawls, Billy Paul, Teddy Pendergrass, The O'Jays and Archie Bell

This is a document about Rusty Anderson
  version of the Stewart and Gouldman song "I’m Not in Love" began in rotation on "The Blend," a Sirius radio station, in August 2014. Rusty Anderson Afternoon was a featured act at Sxsw 2014. In addition to a club performance, the band was featured at SXSW's tribute to Jimi Hendrix. Anderson and O'Keefe performed Hendrix's "Little Wing" and "Spanish Castle Magic" for the debut of the United States Postal Service Jimi Hendrix Forever Stamp in Butler Park in Austin, Texas. The band also performed at the Leo Fender Museum Center in Fullerton, California in 2014 and the Hard Rock Casino in Lake Tahoe, Nevada, in 2015.

This is a document about 22-20s (album)
 "Baby, You're Not in Love" 3:27 (Japan and U.S. versions only)

This is a document about Don't Forget
  Don't Forget is the debut studio album by American singer Demi Lovato. It was released on September 23, 2008, by Hollywood Records. They started working on the album in September 2007, while filming the Disney Channel original movie Camp Rock. Lovato co-wrote most of the songs with pop rock boy band The Jonas Brothers, who produced the album along with record producer John Fields. Other songwriters include Kara DioGuardi, Jason Reeves and Rooney frontman Robert Schwartzman. Don't Forget features primarily a pop rock and rock sound, with the lyrical content addressing other adolescent topics. The album was met with generally positive reviews from critics. Because most of the album was produced by the

This is a document about Back to Front (Gilbert O'Sullivan album)
  "But I'm Not," which features a twelve-bar blues structure in the style of Fats Domino, who O'Sullivan was introduced to by Rick Davies, O'Sullivan's former Rick's Blues bandmate and later a member of Supertramp. The song is suffixed by an "outro" to side one. Side two opens with the bluesy shuffle of "I'm in Love with You," featuring the distinctive slide guitar of Big Jim Sullivan. It is followed by the darkly humorous "Who Was It?", with its narrator "tripping a girl up in order to meet her," and "What Could Be Nicer", which is one of O'Sullivan's 'family songs'

This is a document about Not in Love (Platinum Blonde song)
 Canadian 7" single ; A. "Not in Love" – 3:59 ; B. "Video Disease" – 3:43

This is a document about Leslie West
  name West, Bruce and Laing. West, along with keyboard player Al Kooper of Blood, Sweat & Tears, recorded with The Who during the March 1971 Who's Next New York sessions. Tracks from the sessions included a cover of Marvin Gaye's "Baby Don't You Do It," and early versions of "Love Ain't For Keepin'" and The Who's signature track "Won't Get Fooled Again". Though the tracks were not originally included on the album (recording restarted in England a few months later without West or Kooper), they appear as bonus tracks on the 1995 and 2003 reissues of Who's Next and on the 1998 reissue of Odds & Sods.

The song "I'm Not in Love" is sung by the British band 10cc.


Question: who sings ca n 't keep my hands to myself

Answer: DNCE and Kings of Leon

This is a document about Keep Your Hands to Yourself
  "Keep Your Hands to Yourself" is a song by the American southern rock group the Georgia Satellites. The song was written by the group's lead singer, Dan Baird, and was released in 1986 as their debut single. The single reached number 2 on the Billboard Hot 100 during the week of February 21, 1987.

This is a document about Hands to Myself
  "Hands to Myself" is a song recorded by American singer Selena Gomez for her second studio album, Revival (2015). It was released on January 20, 2016, as the record's third single by Interscope Records. The track was written by Gomez, Justin Tranter, Julia Michaels, and its producers Mattman & Robin and Max Martin. It is meant to add a fresh female perspective to the album and was influenced by the music of Prince. Musically, it is a dance-pop and synth-pop song backed by lightly clicking percussion, hand claps, a guitar riff and "tribal pop" synths. Throughout the track, Gomez uses both her higher vocal

This is a document about The Bocephus Box
 1) "Keep Your Hands to Yourself" (Dan Baird) (2:36) ; 2) "Walk This Way" (Steven Tyler, Joe Perry) (3:48) ; 3) "Heaven Can't Be Found" (Williams, Jr.) (3:13) ; 4) "Thanks a Lot" (Eddie Miller, Don Sessions) (2:54) ; 5) "All My Rowdy Friends (Have Settled Down) [Live Version]" (2:32) ; 6) "A Country Boy Can Survive [Live Version]" (7:18) ; 7) "You're Gonna Be a Sorry Man" (Al Anderson) (3:53) ; 8) "Tuesday's Gone (Allen Collins, Gary Rossington, Van Zant) (5:46) ; 9) "Mannish Boy (Bo Diddley, Muddy Waters, Mel London) (5:57) ; 10) "Finders Are Keepers" (Williams, Jr.)

This is a document about Hands to Myself
  wanted additional material that would be fresh from a female perspective. The idea of development for "Hands to Myself" started with the hook, "Can't keep my hands to myself", which Michaels had voiced in a note on her cellphone after singing it in her car. She first approached Tranter, and Robin Fredriksson of Mattman & Robin with the hook, asking, "Is this stupid? This could be really cool, I think". Later, Michaels suggested to Gomez that the track should sound like Prince's music; Gomez enthusiastically agreed. Michaels was also banging a cup on a desk at the session, inspiring a similar sound included in the recording. Another lyric, "You're

This is a document about Hands to Myself
  "Hands to Myself" is a dance-pop and synth-pop song. It begins stripped-down with a minimal backdrop and a sparse, thumping beat. This comprises drums, bass, lightly clicking percussion and hand claps. The beat then snaps and percolates as a dark guitar riff, reminiscent of the Pixies' "Where Is My Mind?" (1988), plays beneath it. Using her lower vocal register and breathy vocals, Gomez coos in an octave just above a whisper. She clips her enunciation with a string of consecutive syllables, "Can't-keep-my-hands-to-my-self". At the pre-chorus, the song pertains to a "tribal pop" sound with synths and piano becoming prominent. Gomez extends her vocal range belting, "All of the downs and the uppers / Keep making love to each other / And I'm trying,

This is a document about Can't Keep My Hands off You
 1) "Can't Keep My Hands Off You" – 3:21

This is a document about Open All Night (Georgia Satellites album)
  The album was produced by Jeff Glixman. Frontman Dan Baird penned "Dunk 'n' Dine" on the same day that he wrote the band's biggest hit, "Keep Your Hands to Yourself". Ian McLagan played piano on three of the album's tracks. "Don't Pass Me By" is a cover of the Beatles song.

This is a document about DJ Toomp production discography
 07. "Don't Put Your Hands On Me"

This is a document about Hands to Myself
  "Hands to Myself" was written by Justin Tranter, Julia Michaels, Robin Fredriksson, Mattias Larsson, Max Martin and Selena Gomez. The second-to-last song recorded for Selena Gomez's second studio album, Revival (2015), "Hands to Myself" was described by Gomez as "a beautiful accident" and "probably the best song on the album". Following the success of the album's lead single "Good for You" which Julia Michaels and Justin Tranter co-wrote, Gomez decided to collaborate for an additional four days with Michaels and Tranter despite her label's instructions for the album to be mixed at the time. Before the sessions began, Gomez felt that she had already addressed her desired themes for Revival,

This is a document about Southern Rock Gold
 1) The Georgia Satellites - "Keep Your Hands to Yourself" (3:26) (Baird) ; 2) Delaney & Bonnie and Friends - "Only You Know and I Know" (3:26) (Mason) ; 3) Gregg Allman - "Midnight Rider" (4.26) (Allman) ; 4) Wet Willie - "Keep On Smilin'" (3:56) (Hall/Hall/Hirsch/Anthony/Ross) ; 5) Little Feat - "Dixie Chicken" (3.54) (George/Kibbee) ; 6) The Outlaws - "There Goes Another Love Song" (3:03) (Thomasson/Yoho) ; 7) Wet Willie - "Street Corner Serenade" (4:50) (Duke/Hall/Smith) ; 8) Elvin Bishop - "Travelin' Shoes" (7:16) (Bishop) ; 9) Atlanta Rhythm Section - "So Into You" (4:21) (Buie/Nix/Daughtry) ; 10) Johnny Van Zant - "Coming Home" (4:05) (Van Zant/Gay) ; 11) Rossington Collins Band - "Don't Misunderstand Me" (3:52) (Collins/Krantz/Harwood) ; 12) Arc Angels - "Living in a Dream" (4:52) (Sexton/Bramhall) ; 13) Cowboy - "Please Be With Me" (3:41) (Boyer) ; 14) The Marshall Tucker Band - "Can't You See" (6:01) (Caldwell) ; 15) Lynyrd Skynyrd - "Free Bird" (9:10) (Van Zant/Collins) ; 16) The Allman Brothers Band - "Whipping Post" (5.19) (Allman)

This is a document about Hands to Myself
  promoted the song with televised performances on the 2015 Victoria's Secret Fashion Show and Saturday Night Live. It has also been lip-synched to by the Victoria's Secret Angels in a promotional video, and used in Beats Electronics' commercial for their Beats Pill portable speaker and was also featured in a television commercial for Pantene. Commercially, "Hands to Myself" reached number seven on the US Billboard Hot 100, becoming Gomez's fifth consecutive top-ten hit in the United States and third from Revival. It also peaked within the top ten in Canada, New Zealand and Slovakia, and the top twenty in Australia and the United Kingdom.

This is a document about None the Less
 Keep Your Hands to Yourself (2007) 1) We Went For [Jeremy] ; 2) Just This Once ; 3) Four Fours ; 4) Mickey Bath ; 5) Eliminate the Break Inn  Track Listing

This is a document about Bill Fishman
  Eagles of Death Metal – "Speaking in Tongues" ; Eve 6 – "Victoria" ; Foxy Shazam – "I Like It" ; Frickin' A – "Jessie's Girl" ; Geggy Tah – "Whoever You Are" ; The Georgia Satellites – "Keep Your Hands to Yourself" ; The Georgia Satellites – "Myth of Love" ; The Georgia Satellites – "Shake That Thang" ; Good Charlotte – "Lifestyles of the Rich and Famous" ; Grandmaster Flash – "Style" ; Hank Williams Jr. featuring Van Halen – "My Name Is Bocephus" ; Hank Williams Jr. featuring Kid Rock – "Naked Women and Beer" ; Hank Williams Jr. – "Young Country" ; Infectious Grooves –

This is a document about Georgia Satellites (album)
  Georgia Satellites is the first album released by The Georgia Satellites. It contains their biggest hit, "Keep Your Hands to Yourself" (which reached No. 2 on the Billboard Hot 100, behind Bon Jovi's "Livin' on a Prayer"), and another minor hit, "Battleship Chains," written by Terry Anderson. It also contains a cover of "Every Picture Tells a Story," written by Rod Stewart and Ron Wood. Most of the other songs were written by lead singer/rhythm guitarist Dan Baird, except "Red Light," which he co-wrote with Neill Bogan, and "Can't Stand the Pain," written by lead guitarist Rick Richards, who also takes lead vocal on the tune. The album was a commercial success and was certified Gold by the RIAA in February 1987 and then Platinum on August of the same year. The band would release two more studio albums after this one, but none featured a song with nearly the radio and MTV success as "Keep Your Hands to Yourself," and the band finally split in 1990.

This is a document about Hands to Myself
  highest-charting single on the chart and first top-five hit. In Australia, it entered the ARIA Singles Chart at number 87 on the chart dated December 26, 2015, and peaked at number 13. The song debuted at number 33 on the New Zealand Singles Chart for the week ending January 4, 2016, and has since peaked at number five, giving Gomez her first top five single in New Zealand. "Hands to Myself" debuted at number 75 on the UK Singles Chart issued for February 4, 2016, reaching number 14 on April 8, 2016, becoming the album's first top-twenty single and her highest-charting single since "Come & Get It" (2013).

This is a document about Hands to Myself
  for belting, as well as her lower range breathy vocals in a volume just above a whisper. She clips her enunciation of the lyrics, which detail sexual desire. "Hands to Myself" received acclaim from music critics, who complimented its uncharacteristic production and lyrics, as well as Gomez's versatile vocal performance. An accompanying music video directed by Alek Keshishian was premiered as an Apple Music exclusive on December 21, 2015. The video depicts a film of Gomez dressed in lingerie playing a stalker of a Hollywood actor; critics commended its cinematography and the singer's appearance, hailing it as her sexiest and most revealing visual yet.

This is a document about 1986 in music
  • "In Too Deep" – Genesis (charted in 1987 in the U.S.) • "Jody" – Jermaine Stewart • "Jumpin' Jack Flash" – Aretha Franklin • "A Kind of Magic" – Queen • "Keep Your Hands to Yourself" — The Georgia Satellites • "The Kid's American" – Jermaine Stewart • "Kiss" – Prince and the Revolution • "Kyrie" – Mr. Mister • "La puerta de Alcalá" – Ana Belén and Víctor Manuel • "The Lady in Red" – Chris de Burgh (charted in 1987 in the U.S.) • "La Isla Bonita" – Madonna • "Land of Confusion" – Genesis • "Le Sixième Jour"

This is a document about Hands to Myself
  singing on top a satin bed while a male dancer touched and danced around her. Then a second dancer appeared (a female) and joined them. On December 1, 2015, the Victoria's Secret Angels released a promotional video in which they lip-synced to "Hands to Myself". American band DNCE and Kings of Leon performed a cover of the song for the BBC Radio 1 Live Lounge. American duo Niki & Gabi released a cover version of the song in February 2016. Australian pop-duo The Veronicas performed a cover of the song at The Edge in 2016. "Hands to Myself" was included on the setlist for Gomez's 2016 Revival Tour.

This is a document about Riot Act Tour
  the Free World" (Neil Young) ; "Save It for Later" (The Beat) ; "Should I Stay or Should I Go" (The Clash) (snippet) ; "Soldier of Love (Lay Down Your Arms)" (Arthur Alexander) ; "Song X" (Neil Young) (snippet) ; "Sonic Reducer" (The Dead Boys) ; "Start Me Up" (The Rolling Stones) (snippet) ; "Throw Your Arms Around Me" (Hunters & Collectors) ; "War" (Edwin Starr) (snippet) ; "Why Can't I Touch It?" (Buzzcocks) (snippet) ; "Wild Thing" (The Troggs) (snippet) ; "With My Own Two Hands" (Ben Harper) (snippet) ; "You've Got to Hide Your Love Away" (The Beatles)

This is a document about Can't Keep It to Myself
  Can't Keep It to Myself is an album by the American gospel singer Marion Williams, released in 1993. It was Williams's last album. A few months prior to the release of the album, Williams had become the first singer to win a MacArthur Award.

The Georgia Satellites sing "Can't Keep My Hands to Yourself."