Question: who plays rosa on orange is the new black

Answer: Barbara Rosenblat

This is a document about Miss Rosa
  Rosa "Miss Rosa" Cisneros is a fictional character from the Netflix dramedy series Orange Is the New Black, played by Barbara Rosenblat. The character made her first screen appearance during the premiere episode titled "I Wasn't Ready", which aired on July 11, 2013. Stephanie Andujar portrayed "Young Rosa" in flashback sequences. Rosenblat originally auditioned for another character but producers asked her to portray Miss Rosa. The character is a cancer sufferer who is incarcerated in Litchfield federal prison because she committed armed bank robberies. Rosenblat did not want to shave her head for the role and a make-up artist was hired to fit a prosthetic appliance to her head creating the character's baldness. The application process took three hours, meaning

This is a document about List of recurring Orange Is the New Black characters
  Rosa "Miss Rosa" Cisneros (played by Barbara Rosenblat; portrayed by Stephanie Andujar in flashbacks) – An older Latina inmate who has been diagnosed with terminal cancer. In the second-season episode "Appropriately Sized Pots", flashbacks reveal that as a young woman, Rosa was part of a ring of professional bank robbers. After making clean getaways from three successive heists, she made the mistake of impulsively robbing a fourth bank at random which ultimately sent her to prison. The flashbacks also reveal that most of the men she's loved died moments after she kissed them when a job has been successful, which has led her to believe she is cursed. Throughout the second season, she routinely goes to the nearby hospital for chemotherapy and befriends a teenager who is also on chemo. Eventually, she

This is a document about The Cleaning Lady (Mexican TV series)
 Damayanti Quintanar as Rosa ; Gustavo Sánchez Parra as Correa

This is a document about Camelia la Texana
 Danna García as Rosa ; Paco Mauri as Timoteo Treviño

This is a document about Cats Don't Have Vertigo
 Maria do Céu Guerra as Rosa ; João Jesus as Jó ; Nicolau Breyner as Joaquim ; Fernanda Serrano as Luísa

This is a document about List of Raising Hope characters
  Rosa (Carla Jimenez) is Virginia's Mexican boss. Virginia and Burt temporarily moved into Rosa's house after Maw Maw kicked them out. She has three children. She later recommended that her company give Virginia a promotion. Appeared in: 12 episodes

This is a document about Stephanie Andujar
  In 2007, while attending Pace University, Stephanie auditioned for a role in Law & Order: SVU and booked her first role as Latrice Munez. She then auditioned for Push, which was being turned into a film directed by Lee Daniels. Andujar's role came when she played former heroin addict Rita Romero in the 2009 film Precious. She went on to play young Miss Rosa in Orange is the New Black Season 2. Hillary Busis of Entertainment Weekly raved about her performance and stated, "Stephanie Andujar, who plays Young Rosa, is mesmerizing, and I want her to star in a prequel spinoff called Portrait of the Prisoner as a Young Bank Robber." In 2016, Stephanie formed Andujar Productions with her family and produced a comedy web series "StephA: One Woman Show." The YouTube series showcases Stephanie's comedic range, as she plays 10+ characters who intertwine with each other. The show is based on Stephanie's life growing up in New York City and currently has 5 seasons.

This is a document about Rosa Chumbe
 Liliana Trujillo as Rosa Chumbe ; Cindy Díaz as Sheyla

This is a document about Miss Rosa
  The character was created for the pilot episode of the show. At the time the character did not have a surname and there was no characterization. Barbara Rosenblat attended auditions for Orange Is the New Black in New York. She originally read for the part of Galina "Red" Reznikov which was later awarded to Kate Mulgrew. Later she was asked to play Miss Rosa after she impressed the casting director. Rosenblat asked her agent for more details about the character but the only information supplied was that Miss Rosa suffers from an unknown form of cancer. Little was known because only the first episode had been planned. Alongside dialogue acquired from the audition, the actress had the creative freedom to develop Miss Rosa's image and persona.

This is a document about Anna Margarita Albelo
  communities alike, winning multiple awards. Marcie Branco in Curve wrote that "[the film] is a contemplative yet comical take on a question the media says is plaguing women these days: Can we have it all?" In the London Evening Standard, the film's plot and the seductive nature of the character portrayed by Albelo was noted as "charmingly bizarre". In addition to directing, Albelo established her own production company, Burning Bra Productions and produced the Madeleine Olnek biopic on Emily Dickinson, Wild Nights with Emily. Her recent production, Rosa written and directed by Palestinian-American independent filmmaker, Suha Araj starring Jackie Cruz (Orange

This is a document about Miss Rosa
  Miss Rosa has a unique Hispanic accent which Rosenblat created and puts on. She drew inspiration from her scripts and costume. When she first placed a wig cap and looked in the mirror she began to envision how her character should sound. Though it was not until she filmed later episodes that she made a decision. Rosenblat told Anna Silman from Vulture that it was a scene involving Miss Rosa and Piper Chapman (Taylor Schilling), in which she states "I could have been the jefa". Rosenblat said that the Spanish word made her realize that her character is Hispanic and her dialect is indicative of something Latin. Miss Rosa is a complex character and as she is developed she became more humanized. Though suffering from cancer, she does not let this define her or limit what she can do. Rosenblat said that she styled Miss Rosa to be a self-absorbed woman who had spent a long time incarcerated in Litchfield prison. The actress also wanted to play her as "classy and centered".

This is a document about Rosa Laricchiuta
 Rosa (2015)

This is a document about Rosa salvaje
 Verónica Castro as Rosa García ; Guillermo Capetillo as Ricardo Linares / Rogelio Linares

This is a document about Miss Rosa
  weeks to live. She escapes Litchfield in a stolen prison van and murders Vee with it. In the first episode of the third season, it is revealed that Miss Rosa commits suicide by driving the van into a quarry. Critical reception of the character has generally been positive. Various critics praised the character for being the second season's break out role. Jayme Deerwester from USA Today called for Rosenblat to be handed an Emmy Award, while Arielle Calderon of BuzzFeed and Elizabeth Freda from E! Online labelled her as one of the show's best characters. But Kate Zernike of The New York Times criticized the character's fake accent and Vogue magazine's John Powers thought that she had a "clumsy" backstory.

This is a document about Rosa's Wedding
 Candela Peña as Rosa ; Sergi López as Armando ; Nathalie Poza as Violeta ; Ramón Barea as Antonio ; Paula Usero as Lidia

This is a document about Miss Rosa
  becomes obsessed with the thrill of money and raids a bank she did not check out and is apprehended for her crimes. Actress Stephanie Andujar played the character during flashback scenes. She watched Rosenblat's performance of the character so that she could portray her similarly. During the season Miss Rosa has several encounters with Season 2's main antagonist, Yvonne "Vee" Parker (Lorraine Toussaint). Rosenblat told Taylor Cole Miller of The Huffington Post that she recalled thinking that the storyline would not have a happy ending and felt that there was a bigger story to come from it. Another storyline sees the character undergoing chemotherapy sessions at a hospital. Rosenblat told radio host Ira Wood

This is a document about Sabotage (Brooklyn Nine-Nine)
  Rosa and Amy. Jake is subsequently cleared of all charges. Meanwhile, Boyle (Joe Lo Truglio) is forced to work with Hitchcock (Dirk Blocker) and Scully (Joel McKinnon Miller) on a case. After Hitchcock and Scully fail to take the case seriously, Boyle calls them "the most incompetent detectives". Later, Hitchcock and Scully tell Boyle that they managed to solve the case, proving to be smarter than what everyone thinks. However, due to their unwillingness of going off-desk, they ask Boyle not to tell anyone. Holt tells Gina (Chelsea Peretti) that he missed one of her dance performance. This depresses Gina, who decides to quit dancing. Taking advice from Terry (Terry Crews) about lying, Holt gives her a chance to perform at an important event.

This is a document about Rosa and Cornelia
 Stefania Rocca: Rosa ; Chiara Muti: Cornelia ; Athina Cenci: Piera ; Massimo Poggio: Lorenzo ; Daria Nicolodi: Eleonora

This is a document about Rósa Ingólfsdóttir
 Rosa (1972)

This is a document about Barbara Rosenblat
  Barbara Rosenblat (born 17 July 1950) is a British actress. She is best known as a prolific narrator of audiobooks. She has also appeared on screen such as in the Netflix original series Orange Is the New Black as the character Miss Rosa.

Barbara Rosenblat plays Rosa on "Orange Is the New Black" in the main series, while Stephanie Andujar portrays a younger Rosa in flashback sequences.


Question: queer eye for the straight guy catch phrase

Answer: American reality television series

This is a document about List of programs broadcast by Canal Sony (Latin America)
 Queer Eye ; Queer Eye for the Straight Girl

This is a document about Alejo & Valentina
 Catch phrases: ; ¿Y si vamos a comer comida? (How about we go to eat food?) ; La quiero con mayonesa, sin ketchup y con mostaza. (I want it with mayonnaise, no ketchup and with mustard.) ; ¿Y cómo hay que hacer? (And how is it done?) ; ¡Que vengan todos los putos, loco! (Literally: Let all 'em fags come at me, man! Although a more accurate translation would be: "bring it on, motherfuckers!") ; ¿Vos Sos Dios? (Are you God?) ; Mira la Vieja. (Look the Crone.) ; ¿Te haces el malo, gil? (Playing tough, punk?) ; ¡Recatate, gil, ¿eh?! (Wise up punk, huh?!) ;

This is a document about Queer Eye (2003 TV series)
  Queer Eye for the Straight Guy debuted on July 15, 2003 and the series quickly attained high ratings, peaking during September of that year with 3.34 million viewers per episode. The popularity of the series established the Fab Five as media celebrities, with high-profile appearances at the Emmys and a "make-better" of Jay Leno and his The Tonight Show set in August of that year. Fab Five members parlayed their celebrity into endorsement deals, notably Thom Filicia's becoming the spokesman for Pier 1 Imports. The American press almost universally complimented the series and the Fab Five. Out magazine listed the Fab Five in its

This is a document about Homosexuality
  are not specifically sexual. There is also a word referring to same-sex love, homophilia. Some synonyms for same-sex attraction or sexual activity include men who have sex with men or MSM (used in the medical community when specifically discussing sexual activity) and homoerotic (referring to works of art). Pejorative terms in English include queer, faggot, fairy, poof, and homo. Beginning in the 1990s, some of these have been reclaimed as positive words by gay men and lesbians, as in the usage of queer studies, queer theory, and even the popular American television program Queer Eye for the Straight Guy. The word  occurs in many other languages without

This is a document about Queer Eye (2003 TV series)
  named Straight Plan for the Gay Man, which featured four heterosexual men teaching homosexual men how to be more stereotypically straight, redecorating their homes with neon beer signs and teaching them about sports. South Park spoofed the show and its hosts in the episode "South Park Is Gay!", in which the protagonists learn that the Fab Five are actually evil Crab People trying to control the world by converting heterosexual men into metrosexuals. Queer Eye won an Emmy Award for Outstanding Reality Program during 2004 and was nominated for another Emmy in the same category during 2005. The series also received GLAAD Media Awards

This is a document about Queer Nation
  1990s. The group's use of the word "queer" in its name and slogan was at first considered shocking, though the reclamation has been called a success, used in relatively mainstream television programs such as Queer Eye and Queer as Folk. The use of the word "queer" disarmed homophobes by reversing its derogatory nature. Other slogans used by Queer Nation include "Two, Four, Six, Eight! How Do You Know Your Kids Are Straight?" and "Out of the Closets and Into the Streets," and the widely imitated "We're Here! We're Queer! Get used to it!"' Queer Nation Chicago was inducted into the Chicago Gay and Lesbian Hall of Fame in 1995.

This is a document about Queer Eye (2003 TV series)
  Straight Guy quickly became a surprise success, resulting in merchandising, franchising of the concept internationally, and a woman-oriented spin-off, Queer Eye for the Straight Girl. Queer Eye won an Emmy Award for Outstanding Reality Program in 2004. The series' name was abbreviated to Queer Eye at the beginning of its third season to include making over individuals regardless of gender or sexual orientation. Queer Eye ended production during June 2006 and the final episode aired on October 30, 2007. During September 2008, the Fine Living Network briefly aired Queer Eye in syndication. The series was revived with a new Fab Five in 2018 when a Netflix reboot released its first season to positive reviews.

This is a document about Queer Eye (2003 TV series)
  Queer Eye is an American reality television series that premiered on the cable television network Bravo in July 2003. Originally Queer Eye for the Straight Guy, the title was later shortened to broaden the overall scope. The series was created by executive producers David Collins and Michael Williams along with David Metzler through their company, Scout Productions. Each episode features a team of gay professionals in the fields of fashion, personal grooming, interior design, entertaining and culture collectively known as the "Fab Five" performing a makeover (in the parlance of the show, a "make-better"), usually for a heterosexual (straight) man: revamping wardrobe, redecorating, and offering advice on grooming, lifestyle, and food. Queer Eye for

This is a document about Aussie Queer Eye for the Straight Guy
  Aussie Queer Eye for the Straight Guy is an Australian reality television series that was based on the original and hugely popular American series, Queer Eye for the Straight Guy. Much like the American version, the program is premised on the stereotype that gay men are superior in matters of fashion, style, personal grooming, interior design and culture. In each episode, a team of five gay men—known collectively as the "Fab Five"—perform a makeover on a subject, usually a straight man, revamping his wardrobe, redecorating his home and offering advice on grooming, lifestyle and food. The program premiered on Network Ten at 7:30 pm on Wednesday 9 February 2005, during the first week the 2005 Australian ratings season to a national audience of 903,254. After the second episode saw its audience share drop 20 per cent to 725,263, rumours began the show would now be moved from its prime time slot at 7.30 pm on Wednesdays to 9.30 pm on Mondays. However, after the third episode which aired on 23 February, the Network axed the program. The three remaining episodes aired later in the year.

This is a document about Queer Eye for the Straight Girl
  Queer Eye for the Straight Girl is a spin-off of the television show Queer Eye for the Straight Guy. Straight Girl aired from January to May 2005. As the name suggests, the program focuses on makeovers for women while following the format of the original show. As opposed to the original show, which is mostly set in New York City, Queer Eye for the Straight Girl is set in Los Angeles. The hosts are called "The Gal Pals" and include three gay men and a lesbian. The show was unsuccessful and ended after the first season.

This is a document about List of In Living Color sketches
 Men on... (Damon Wayans and David Alan Grier) – In this parody of Siskel & Ebert, a pair of extremely effeminate gay men, Blaine Edwards and Antoine Merriweather, review topics completely based on their potential for homoerotic content. Variations of this sketch include Men on Books, Men on Television, Men on Fitness, Men on Vacation, Men on Art, and Men on Football. It was the source of many popular catchphrases such as, "Hated It!" (used for any film/book/program centered on one or more female characters), "Fish!", "My second favorite form of liquid protein", "Three words—fa – bu – lous!" and "the yet unheard of Zorro snap, in

This is a document about Gay-for-pay
  A term that is derivative of "gay-for-pay" is the partly tongue-in-cheek term "straight-for-pay," which describes gay men who have sex with women for pay. The term was coined to describe the film Shifting Gears: A Bisexual Transmission, due to gay porn stars Cameron Marshall and Blake Riley being featured in heterosexual scenes. Other notable examples of gay porn stars going "straight-for-pay" are Steven Daigle and Arpad Miklos, the latter of whom received a great deal of criticism for his scene on the site Straight Guys for Gay Eyes (SG4GE). SG4GE's company principal Jake Cruise defended the scene, stating that it was a "winning idea" to portray a "masculine

This is a document about Fag stag
  The colloquialism is used, albeit rarely, primarily within the LGBT communities. Mainstream shows, such as Queer Eye for the Straight Guy, Queer as Folk, Will & Grace and others, often explore the mainstreaming of friendships where differing sexualities play a complement rather than impediment to friendships and social situations. In addition, homophobia has become less prevalent, and efforts to confront violence and hostility towards sexual and gender minorities, such as gay-straight alliance has helped lift some of the stigma attached to having LGBT people as close friends. A 2002 episode of the MTV series Undressed was titled "Fag Stag" and

This is a document about Gay-for-pay
  play LGB roles or characters. Anna King of Time Out likens "pinkface" to blackface. The LGB community raised concerns about the film Brüno, in which a straight actor (Sacha Baron Cohen) plays the role of a gay man to "...mak[e] fun of the queer community." Dennis Lim states that the depictions of gays in mainstream film typically include the "gay joke" (in which LGB people are depicted to create humor); depicting gay men pejoratively as a "daisy, a fairy, a nonce, a pansy, a swish" or showing lesbian woman as "butch"; and to create a homosexual panic that plays on heterosexual people's fears of experiencing sexual advances

This is a document about Hellbent (film)
  Etheredge-Ouzts was dismayed to discover that most of the suggestions were very poor; many were sexually inappropriate, some far too campy, and others too topical (which meant they would not stand the test of time). Among the suggestions received were Boy Meets Knife, Queer Eye for the Dead Guy, and 28 Gays Later. Among the final eight submissions received on the final day of the contest was the title Hellbent. Etheredge-Ouzts chose Hellbent for the title because it was aggressive and simple, as well as a play on words (referring both to the devil-masked killer and the "bent" [e.g., gay] victims). The title was also flexible, in that it could refer to the killer, the victims' recklessness, or the fast pacing of the picture.

This is a document about Yass, New South Wales
  In 2018, the town was featured in Queer Eye, a Netflix original series. The town was chosen as its name matches one of the cast's favourite sayings: yaass.

This is a document about The Catherine Tate Show (series 2)
  to be in denial about his sexuality and becomes extremely offended and defensive when people assume he is gay. To his dislike, these occurrences are frequent because he behaves in an extremely effeminate way. His most famous catchphrase is "How very dare you!", along with the overuse of the word "dear". This can be seen in another catchphrase; when asked about his sexuality he replies "Who, dear? Me, dear? Gay, dear? No, dear!", or when asked for advice replying "Me, dear? Advice, dear? Yes, dear." When offended, Derek states how he and his mother have been doing something relative to the person Derek is insulted by for 25 years.

This is a document about Elliot in the Morning
  The show's most prominent catchphrase has an unusual origin. The technically clean but inexplicably lewd-sounding phrase was conceived when the cast of the show was observing mug shots on the Frederick News-Post website (a local newspaper) for persons caught soliciting prostitutes. One picture that caught their eye was a badly disheveled man with a huge, bushy grey beard named Ronny Kline. Imagining what such a man might say to a woman after performing cunnilingus, the phrase "smell my face" immediately sprang to mind. The phrase became a kind of "battle cry" and has been heavily integrated into the show's promotional material, with bumper stickers, signs, and highly coveted T-shirts. The show's cast and crew have also solicited (or tricked) numerous celebrities into saying the catchphrase for recordings used to promote the show. So far, there are recordings of Aaron Neville, Marguerite Perrin, Hélio Castroneves, Brittany Murphy, Mark Hoppus, Joe Frazier, Paul Stanley, Perry Farrell, Constantine Maroulis, Plain White T's, The Pussycat Dolls, Hulk Hogan, John Basedow, Josh Kelley, Sebastian Bach, Timbaland, Juliette Lewis, Pat McGee, Stephan Jenkins, Chyna, Night Ranger, Jeffrey Ross, "Weird Al" Yankovic, and Chris Cornell.

This is a document about TCA Award for Outstanding Achievement in Reality Programming
 2 wins Queer Eye

This is a document about Chinese Internet slang
 Gay (弯的 wānde or gay) – Bent 弯的 (pinyin: wānde), the opposite of 直 (pinyin: zhí), straight. GAY, in all upper case like other Chinese internal slang taken directly from English, is also used, but only for men. ; N continuous jumps (N次跳 N cì tiào) – A reference to the Foxconn suicides, in which several Foxconn employees jumped to their deaths from the factories' high-rise dormitory buildings in early 2010. The mathematical variable n is a nod to the high rate of these deaths in early 2010, more than one per week at times. The phrase can be said to reflect the despair some people feel under the current economic conditions in China. ; Straight (直男 zhínán) – Heterosexual, used only for men.

The catch phrase for Queer Eye for the Straight Guy is "Can't we just go with that?"


Question: who sings the song i hate you i love you

Answer: Olivia O'Brien

This is a document about I Hate You Then I Love You
  "I Hate You Then I Love You" is a song sung as a duet between Celine Dion and Luciano Pavarotti. It was first released as a track on Celine Dion's 1997 album Let's Talk About Love. It was later released in Italy as a promotional single on 7 September 1998.

This is a document about Hate Me (Blue October song)
  "Hate Me" is a song by American alternative rock group Blue October. It was the band's most commercially successful single, peaking at number two on Billboards Alternative Songs chart and number 31 on the U.S. Billboard Hot 100. In 2007, the video for the song was nominated for a MuchMusic Video Award for best international video. The video is featured in the 2007 karaoke video game for PlayStation 2, Singstar Pop. The song won an ASCAP award in 2007. On July 13, 2012, the song was certified platinum for sales of one million in the United States. The song was initially released on the 2006 album Foiled, and several versions have been released

This is a document about Hate That I Love You
  "Hate That I Love You" is a song recorded by Barbadian singer Rihanna for her third studio album, Good Girl Gone Bad (2007). It features vocals by American singer and songwriter Ne-Yo, who co-wrote the song with its producers Stargate. Def Jam Recordings released the song on August 21, 2007, as the third single from Good Girl Gone Bad. A Spanglish version featuring David Bisbal was made available on April 28, 2008. "Hate That I Love You" is a mid-tempo R&B song about the power of love, with influences of folk music. "Hate That I Love You" received generally positive reviews from critics, many of whom compared it to previous works by Ne-Yo. The song achieved moderate success in comparison to other singles from

This is a document about I Hate Myself for Loving You
  "I Hate Myself for Loving You" is a song by American rock band Joan Jett and the Blackhearts, released as the lead single from their sixth studio album, Up Your Alley (1988). The song reached number eight on the US Billboard Hot 100, Jett's third single to reach the top 10, and was her first since "Crimson and Clover" in 1982. The song spent six weeks longer on the charts than did the group's biggest hit, "I Love Rock 'n' Roll" (which was on the chart for 20 weeks). On September 10, 2011, the single reached number 39 on the US Rock Digital Songs chart. Former Rolling Stones guitarist Mick Taylor played the guitar

This is a document about I Hate U, I Love U
  "I Hate U, I Love U" (stylized in all lowercase) is a song by American singer and rapper Gnash featuring American singer Olivia O'Brien. It was released on February 17, 2016, as the first single from Gnash's third extended play, Us (2017). The song peaked at number ten on the Billboard Hot 100. Outside the United States, the song topped the charts in Australia, a first for both Gnash and O'Brien, and peaked within the top ten of the charts in Austria, Belgium, Finland, Norway and the United Kingdom. On March 20, 2016, O'Brien released her solo version of the song titled "Hate U Love U". The song was included on Gnash's debut studio album, We, which was released on January 11, 2019.

This is a document about I Love L.A.
  video was quickly removed from the Internet after negative comments from many community leaders. ; The song was covered by Matthew Morrison, Kevin McHale, Darren Criss, Jacob Artist, and Chord Overstreet (as their characters Will Schuester, Artie Abrams, Blaine Anderson, Jake Puckerman, and Sam Evans, respectively) on the FOX television series Glee, in the season five episode "City of Angels". ; The song's many parodies include: "I Love D.C." (Washington, D.C.), "I Love D.M." (Des Moines, Iowa), "I Love Padres" (San Diego Padres), "I Love Elway" (John Elway), "I Hate L.A." (Underground Comedy Movie) "I Love SU" (Syracuse University), ; In the film Run Ronnie Run the song "I Loathe L.A." is heard on the radio performed by Daffy Mal Yinkleyankle (Bob Odenkirk)

This is a document about I Love You (Climax Blues Band song)
  "I Love You" song was covered by American band Lazlo Bane for their 2007 album Guilty Pleasures. It was covered by the band Nine Days for the soundtrack album to the film The New Guy, and by the band Tesla for their 2011 acoustic album Twisted Wires & the Acoustic Sessions. "I Love You" was also covered by the band the H Factor, and was released as a single, from their 1989 sole eponymous album. Two members of the H Factor, Pete Haycock and Derek Holt, were members of the Climax Blues Band before forming the H Factor with Steve Hunter. Holt also recorded his own version of the song on the 1999 album After the Climax - I Love You.

This is a document about I Hate You Then I Love You
  "I Hate You Then I Love You" (slightly modified "Never, Never, Never" by Shirley Bassey) is an adaptation of the Italian song "Grande grande grande" sung by Mina. Dion and Pavarotti performed this song live during the Pavarotti & Friends for the Children of Liberia benefit concert on 9 June 1998.

This is a document about I Love I Hate
  "I Love I Hate" is a song by British singer and musician Neil Arthur, released in 1994 as the lead single from his debut solo album Suitcase. It was written by Arthur and produced by Marius de Vries. It reached No. 50 in the UK and remained on the charts for two weeks. The song was recorded at Livingston Recording Studios. For the single's 12" format releases, remixes were created by the English electronic dance group The Grid, with others by Dom T. and Marius de Vries. A music video was filmed in Coney Island and New York City to promote the single. It was directed by Lindy Heymann.

This is a document about Wattie Buchan
  Rockfest, Buchan, during an interview, criticized the other bands at the music festival, saying: "Well, here at Rockfest, you got a lot of bands that define themselves as punk bands but they're shit. They are so pop-oriented that they don't even stand for any values; they do not deserve the status of being defined as punk bands." Buchan has been known for openly disliking former Dead Kennedys member Jello Biafra. The Exploited's song "I Hate You" is about Jello Biafra. On the album Live at the White House, he introduces the song with an insult to Biafra and claims that he

This is a document about TRL's Number Ones
  Rick October 4: "Misery Business" - Paramore October 8: "Misery Business" - Paramore October 9: "Hate That I Love You" - Rihanna featuring Ne-Yo October 10: "Hate That I Love You" - Rihanna featuring Ne-Yo October 11: "He Said She Said" - Ashley Tisdale October 15: "He Said She Said" - Ashley Tisdale October 16: "He Said She Said" - Ashley Tisdale October 17: "Kiss Kiss" - Chris Brown featuring T-Pain October 18: "He Said She Said" - Ashley Tisdale October 22: "Crank That ( Soulja Boy )" - Soulja Boy Tell'em October 23: "Crank That ( Soulja Boy

This is a document about Claude Hay
  Blues chart, reaching #9. Following a tour to the U.S. in 2011 and then France, Hay returned home to Australia to write and record his third studio album, I Love Hate You, which was independently released in Australia on 21 September 2012, and released worldwide on 16 October 2012 by the U.S. label 128 Records. For the first time Hay uses other players. Bass player Ryan Van Gennip and drummer Jon Howell from the Sydney band Chase the Sun are featured on "Turn It Up", and Howell plays drums on "Good Times". Cello accompaniment is also featured in "Close". Hay won the Best Male Vocalist Award at the Australian Blues Music Chain Awards in 2013

This is a document about I Hate U, I Love U
  Time was negative towards "I Hate U, I Love U" labeling it as one of the worst songs of 2016 and writing, "Forget The Chainsmokers and Halsey's chart-conquering smash 'Closer'—the most depressingly zeitgeist-defining song of 2016 is gnash's piano ballad 'i hate u, i love u,' with singer-songwriter Olivia O'Brien, which inexplicably rose to the Top 10 of the Hot 100 this year. The singsongy melody is obnoxious as an ice cream truck jingle, while the lifeless production drains it of any energy." In 2017, the song was nominated for a Radio Disney Music Award for Best Breakup Song.

This is a document about I Love You (The Zombies song)
  "I Love You" was written by bass guitarist Chris White, during a tour of France with his group The Zombies. According to White, the process of writing the song was rather simple: "The thing that came first was the riff. That was the root of writing that one. In actual fact I think I nicked it off Tommy Roe". The song was written during the same time as several other White and Rod Argent compositions, as they were preparing a recording session upon their return to the United Kingdom and therefore needed material. White wrote the song on an acoustic guitar as opposed to a bass guitar which was his

This is a document about I Hate You Then I Love You
 1) "I Hate You Then I Love You" – 4:42 Italian promotional CD single

This is a document about Unholy Terror
 1) "Hate to Love Me (Karaoke Mix)"

This is a document about I Love You (Donna Summer song)
  "I Love You" is a song by American singer and songwriter Donna Summer from her sixth studio album Once Upon a Time (1977). It peaked at number 10 on the UK Singles Chart and reached number 37 on the US Billboard Hot 100 in 1977. The song also peaked at 29, 10, and 24 in Canada, Norway, and Spain respectively.

This is a document about Olivia O'Brien
  O'Brien initially gained the attention of Gnash after posting a cover of one of his songs on SoundCloud, after beginning to create music at the age of 13. Gnash reached out to O'Brien, expressing interest in her material, and asked for her to send him any original songs that she had. O'Brien then sent a voice note of her original song, "I Hate U, Love U", and he invited her to record the song with him in Los Angeles. "I Hate U, I Love U" (stylized in lowercase) was released in March 2016, and appears on Gnash's third EP titled Us. The single peaked at number 10 on the Billboard Hot 100 and reached number

This is a document about 1995 in music
  on It" – Luniz & Michael Marshall • "I Got Id" – Pearl Jam & Neil Young • "I Hate U" – Prince • "I Know" – Dionne Farris • "I Want You" – Madonna • "I Wish" – Skee-Lo • "If I Wanted To" – Melissa Etheridge • "If You Love Me" – Brownstone • "If You Only Let Me In" – MN8 • "If You Think You're Lonely Now" – K-Ci Hailey • "Independent Love Song" – Scarlet • "Inseparables" – Lynda Thomas • "Inside Out" – Culture Beat • "In the House of Stone and Light" – Martin Page

This is a document about Hate That I Love You
  album, reaching the top twenty in thirteen countries. It reached number 15 on the UK Singles Chart, and number seven on the US Billboard Hot 100 chart. "Hate That I Love You" was certified platinum by the Recording Industry Association of America (RIAA) denoting shipments of over one million copies. The music video was directed by Anthony Mandler; in it, Rihanna's and Ne-Yo's characters meet their respective love interests. An edited Spanglish version of the video features scenes by Bisbal instead of Ne-Yo. Rihanna performed the song at the American Music Awards of 2007, and on Operación Triunfo respectively. "Hate That I Love You" was performed on Rihanna's four worldwide tours—Good Girl Gone Bad, Last Girl on Earth, Loud and the Diamonds World Tour.

The song "I Hate You Then Love You" is a duet between Celine Dion and Luciano Pavarotti. The American alternative rock band Blue October also recorded a song with the same title. However, the question asks about the duet between Celine Dion and Luciano Pavarotti.


Question: who developed the surgical procedure known as a lobotomy

Answer: António Egas Moniz

This is a document about Psychosurgery
  Psychosurgery, also called neurosurgery for mental disorder (NMD), is the neurosurgical treatment of mental disorder. Psychosurgery has always been a controversial medical field. The modern history of psychosurgery begins in the 1880s under the Swiss psychiatrist Gottlieb Burckhardt. The first significant foray into psychosurgery in the 20th century was conducted by the Portuguese neurologist Egas Moniz who during the mid-1930s developed the operation known as leucotomy. The practice was enthusiastically taken up in the United States by the neuropsychiatrist Walter Freeman and the neurosurgeon James W. Watts who devised what became the standard prefrontal procedure and named their operative technique lobotomy, although the operation was called leucotomy in the United Kingdom. In spite of the award of

This is a document about Amarro Fiamberti
  A lobotomy, also known as a lobectomy or leucotomy, was a neurosurgery approach. It entailed severing the connections between the prefrontal cortex and the rest of the brain. It could be done in two ways: directly removing them or destroying them. The most common side effect was a drastic change in personality and it is permanent. In the past, lobotomy was used to treat a variety of psychiatric disorders, including schizophrenia, depression, manic-depressive psychosis, and anxiety-related disorders. Fiamberti's suggestion of leucotomy with the method of the transorbital path yielded the best results and recognition in the international scene. In 1935, Antonio Egas Moniz, a Portuguese physician, performed the first surgery on the

This is a document about History of neurology and neurosurgery
  first physician to remove a spinal tumour. On 16 March 1907 Austrian surgeon Hermann Schloffer became the first to successfully remove a pituitary tumor. American surgeon Harvey Cushing (1869–1939) successfully removed a pituitary adenoma from an acromegalic in 1909. Treating endocrine hyperfunction by neurosurgery was a major neurological landmark. Egas Moniz (1874–1955) in Portugal developed a procedure of leucotomy (now mostly known as lobotomy) to treat severe psychiatric disorders. Though it is often said that the development of lobotomy was inspired by the case of Phineas Gage, a railroad worker who had an iron bar driven through his left frontal lobe in 1848, the evidence is against this.

This is a document about Psychosis
  treatments led to more invasive medical interventions including psychosurgery. In 1888, Swiss psychiatrist Gottlieb Burckhardt performed the first medically sanctioned psychosurgery in which the cerebral cortex was excised. Although some patients showed improvement of symptoms and became more subdued, one patient died and several developed aphasia or seizure disorders. Burckhardt would go on to publish his clinical outcomes in a scholarly paper. This procedure was met with criticism from the medical community and his academic and surgical endeavors were largely ignored. In the late 1930s, Egas Moniz conceived the leucotomy (AKA prefrontal lobotomy) in which the fibers connecting the frontal lobes to the rest

This is a document about Neurosurgery
  History of tumor removal: In 1879 after locating it via neurological signs alone, Scottish surgeon William Macewen (1848-1924) performed the first successful brain tumor removal. On November 25, 1884 after English physician Alexander Hughes Bennett (1848-1901) used Macewen's technique to locate it, English surgeon Rickman Godlee (1849-1925) performed the first primary brain tumor removal, which differs from Macewen's operation in that Bennett operated on the exposed brain, whereas Macewen operated outside of the "brain proper" via trepanation. On March 16, 1907 Austrian surgeon Hermann Schloffer became the first to successfully remove a pituitary tumor. Lobotomy: also known as leucotomy, was a form of psychosurgery, a neurosurgical treatment of mental disorders that involves severing connections in the brain's prefrontal cortex. The originator of the procedure, Portuguese neurologist António Egas Moniz, shared the Nobel Prize for Physiology

This is a document about Controversies about psychiatry
  Psychosurgery is brain surgery with the aim of changing an individuals behaviour or psychological function. Historically, this was achieved by removing of lesioning a section of the brain in ablative psychosurgery but more recently deep brain stimulation is used to remotely stimulate sections of the brain. One such practice was the lobotomy, that was used between the 1930s and 1950s, for which one its creators, António Egas Moniz, received a Nobel Prize in 1949. The lobotomy fell out of favour in by 1960s and 1970s. Other forms of ablative psychosurgery were in use in the UK in the late 1970s, to treat psychotic

This is a document about Walter Jackson Freeman II
  lobes. Moniz became a mentor and idol for Freeman who modified the procedure and renamed it the "lobotomy". Instead of taking corings from the frontal lobes, Freeman's procedure severed the connection between the frontal lobes and the thalamus. Because Walter Freeman was a neurologist and not a neurosurgeon, he enlisted the help of neurosurgeon James Watts. One year after the first leucotomy, on September 14, 1936, Freeman directed Watts through the very first prefrontal lobotomy in the United States on housewife Alice Hood Hammatt of Topeka, Kansas. By November, only two months after performing their first lobotomy surgery, Freeman and Watts had already worked on 20

This is a document about Lobotomy
  Leucotomy was first undertaken in 1935 under the direction of the Portuguese neurologist (and inventor of the term psychosurgery) António Egas Moniz. First developing an interest in psychiatric conditions and their somatic treatment in the early 1930s, Moniz apparently conceived a new opportunity for recognition in the development of a surgical intervention on the brain as a treatment for mental illness.

This is a document about History of psychosurgery in the United Kingdom
  for the treatment of insanity. In the 1930s the Portuguese neurologist Egas Moniz developed a surgical technique for the treatment of mental illness and called it "leucotomy" or "psychosurgery". Moniz' technique was adapted and promoted by American neurologist Walter Freeman and his neurosurgeon colleague James W. Watts. They called their operation, where burr holes are drilled in the side of the skull and the white matter is sliced through in order to sever the connections between the frontal lobes and deeper structures in the brain, lobotomy. In the United Kingdom it became known as the standard Freeman-Watts prefrontal leucotomy. British

This is a document about António Egas Moniz
  behavioral and personality deterioration that may occur was outweighed by reduction in the debilitating effects of the illness. He conceded that patients who had already deteriorated from the mental illness did not benefit much. The procedure enjoyed a brief vogue, and in 1949 he received the Nobel Prize "for his discovery of the therapeutic value of leucotomy in certain psychoses." Critics accused Moniz of understating complications, providing inadequate documentation, and not following up with patients. After his initial procedures, other physicians, such as Walter Jackson Freeman II and James W. Watts, adopted a modified technique in the United States and renamed it "lobotomy."

This is a document about History of psychosurgery
  psychosurgery than anyone else in the world". At first they used the same technique as Moniz, but then they devised their own technique which more completely severed the connections between the frontal lobes and deeper structures. They coined the term lobotomy for the operation, and it became known as the standard prefrontal lobotomy or leucotomy of Freeman and Watts. Freeman and Watts eventually performed 600 of these standard operations; in the United Kingdom neurosurgeon Wylie McKissock performed over 1,400. The two foremost promoters of psychosurgery in the 1930s, Moniz in Portugal and Freeman in the US, were both neurologists. Psychiatrists were later found amongst both the supporters and critics of psychosurgery. José de

This is a document about Amarro Fiamberti
  des Oto-Neuro-Ophtalmologues et Neuro-Chirurgiens de la Suisse Romande, and Freeman recognised his own autonomous placement among the most recommendable mental illness treatment strategies. The American neurologist Walter Freeman, improved the surgical technique, initially by using ice picks (hence the name “ice pick lobotomy”) and later by employing more refined equipment. Many people saw these methods as the triumphal path towards successful intervention in mental diseases during those years, to the point where the Italian Society of Psychiatry chose psychosurgery as the first theme of the national congress report in Taormina in 1951. It's also worth noting that Egas Moniz, the inventor of lobotomy, was awarded the Nobel Prize for Medicine in 1949.

This is a document about History of psychosurgery
  The use of psychosurgery increased during the 1940s, and there was a proliferation of the techniques used for the operation. In 1946 Freeman developed the transorbital lobotomy, based on a technique first reported by Italian psychiatrist Amarro Fiamberti. In this operation an ice-pick like instrument was inserted through the roof of the orbit (eye socket), driven in with a mallet, and swung to and fro to cut through the white matter. Freeman used electroconvulsive therapy in the place of a normal anaesthetic and carried out the operation without the aid of a neurosurgeon. This led to a rift with Watts. Freeman performed over 4,000 of these transorbital operations. During the 1940s neurosurgeons devised other methods of psychosurgery in the

This is a document about Leucotome
  A leucotome or McKenzie Leucotome is a surgical instrument used for performing leucotomies (also known as lobotomy) and other forms of psychosurgery. Invented by Canadian neurosurgeon Dr. Kenneth G. McKenzie in the 1940s, the leucotome has a narrow shaft which is inserted into the brain through a hole in the skull, and then a plunger on the back of the leucotome is depressed to extend a wire loop or metal strip into the brain. The leucotome is then rotated, cutting a core of brain tissue. This type was used by the Nobel prize-winning Portuguese neurologist Egas Moniz. Another, different, surgical instrument also called a leucotome was introduced

This is a document about Psychosurgery
  In Japan the first lobotomy was performed in 1939 and the operation was used extensively in mental hospitals. However, psychosurgery fell into disrepute in the 1970s, partly due to its use on children with behavioural problems.

This is a document about James W. Watts
  modified the procedure to sever more of the white matter, and renamed it lobotomy in order to distinguish it from the earlier procedure developed by Moniz. Their technique soon became the standard form of the operation, and was known as the "Freeman-Watts Procedure". Watts' colleague, however, was less conservative and sought other ways to access the frontal lobes of the brain without the complications associated with conventional brain surgery. Inspired by the work of the Italian psychiatrist Amarro Fiamberti, Freeman developed, without the knowledge or participation of Watts, a procedure for reaching the frontal lobes by inserting a probe under the eyelid and above the tear duct, then hammering it through the thin bone of the eye socket. The instrument was swished

This is a document about Nobel Prize
  prizes were too Eurocentric.  In 1949, the neurologist António Egas Moniz received the Physiology or Medicine Prize for his development of the prefrontal leucotomy. The previous year, Dr. Walter Freeman had developed a version of the procedure which was faster and easier to carry out. Due in part to the publicity surrounding the original procedure, Freeman's procedure was prescribed without due consideration or regard for modern medical ethics. Endorsed by such influential publications as The New England Journal of Medicine, leucotomy or "lobotomy" became so popular that about 5,000 lobotomies were performed in the United States in the three years immediately following Moniz's receipt of the Prize.

This is a document about Walter Jackson Freeman II
  be performed in psychiatric hospitals throughout the United States that were overpopulated and understaffed. In 1950, Walter Freeman's long-time partner James Watts left their practice and split from Freeman due to his opposition to the cruelty and overuse of the transorbital lobotomy. Following his development of the transorbital lobotomy, Freeman traveled across the country visiting mental institutions, performing lobotomies and spreading his views and methods to institution staff. (Contrary to myth, there is no evidence that he referred to the van that he traveled in as a "lobotomobile".) Freeman's name gained popularity despite the widespread criticism of his methods following a lobotomy on President John

This is a document about Lobotomy
  Egas Moniz, shared the Nobel Prize for Physiology or Medicine of 1949 for the "discovery of the therapeutic value of leucotomy in certain psychoses", although the awarding of the prize has been subject to controversy. The use of the procedure increased dramatically from the early 1940s and into the 1950s; by 1951, almost 20,000 lobotomies had been performed in the United States and proportionally more in the United Kingdom. More lobotomies were performed on women than on men: a 1951 study found that nearly 60% of American lobotomy patients were women, and limited data shows that 74% of lobotomies in Ontario from 1948 to 1952 were performed on female patients. From the 1950s onward, lobotomy began to be abandoned, first in the Soviet Union and Europe. The term is derived from λοβός lobos "lobe" and τομή tomē "cut, slice".

This is a document about Lobotomy
  A lobotomy, or leucotomy, was a form of psychosurgery, a neurosurgical treatment of a mental disorder that involves severing connections in the brain's prefrontal cortex. Most of the connections to and from the prefrontal cortex, the anterior part of the frontal lobes of the brain, were severed. It was used for treating mental disorders and occasionally other conditions as a mainstream procedure in some Western countries for more than two decades, despite general recognition of frequent and serious side effects. Some patients improved in some ways after the operation, but complications and impairments – sometimes severe – were frequent. The procedure was controversial from its initial use, in part due to the balance between benefits and risks. It is mostly rejected as a humane form of treatment now, to preserve patients' rights. The originator of the procedure, Portuguese neurologist

Egas Moniz developed the lobotomy procedure. He performed the first lobotomy in 1935.


Question: who recorded what a difference a day makes

Answer: Dinah Washington

This is a document about Joe Beck
  sideman or session guitarist with a wide variety of well-known jazz, rock, and fusion musicians, including Louis Armstrong, Duke Ellington, Buddy Rich, Woody Herman, Miles Davis, Maynard Ferguson, Howard Roberts, Tommy Tedesco, Larry Coryell, John Abercrombie, Tom Scott, Jeremy Steig, and Gabor Szabo. In mid-life Beck spent less time playing and worked more as a composer of commercial jingles and as an arranger, writing arrangements for Frank Sinatra and Gloria Gaynor. Joe also arranged and produced many records including projects for Frank Sinatra, Gloria Gaynor, and two albums for Esther Phillips including her hit single, "What A Difference A Day Makes". Over the years, Joe

This is a document about What a Diff'rence a Day Made
  "What a Diff'rence a Day Made", also recorded as "What a Difference a Day Makes", is a popular song originally written in Spanish by María Grever, a Mexican songwriter, in 1934 with the title "Cuando vuelva a tu lado" ("When I Return to Your Side") and first recorded by Orquesta Pedro Vía that same year. A popular version in Spanish was later recorded by trio Los Panchos with Eydie Gormé in 1964. The song is also known in English as “What a Diff'rence a Day Makes”, as popularized by Dinah Washington in 1959.

This is a document about What a Diff'rence a Day Makes!
  What a Diff'rence a Day Makes! is a tenth studio album by Dinah Washington, arranged by Belford Hendricks, featuring her hit single of the same name. The title track won Washington the Grammy Award for Best R&B Performance at the 2nd Annual Grammy Awards held in November 1959. Album was released on CD in 2000 on the Verve label with 3 bonus tracks.

This is a document about What a Diff'rence a Day Made
  in their album This One's for Dinah in 2009. ; Deana Martin recorded “What a Difference a Day Made” on her 2009 album Volare. ; Rod Stewart - Fly Me to the Moon... The Great American Songbook - Volume V (2010) ; The Temptations - For Lovers Only (1995) ; Julie Dawn and Roy Marsh and His Swingtette released a version of the track paired with "I am Going to Love That Guy" (this track bringing together Julie Dawn and Frank Deniz and His Spirits of Rhythm). The exact release date unknown at the moment (Decca 8034 Matrix numbers I 1320 and I 1322). ; Other artists who

This is a document about The Soul Clinic
 Hank Crawford - alto saxophone, piano ; Phillip Guilbeau - trumpet (trumpet solo on "What A Difference A Day Makes") ; John Hunt - trumpet ; David Newman - tenor saxophone ; Leroy Cooper - baritone saxophone ; Edgar Willis - bass ; Bruno Carr - drums ; Milt Turner - drums (on "What A Difference A Day Makes" only)

This is a document about What a Diff'rence a Day Made
 In 2021, artist and songwriter, SHELLS and Producer, Robin Pearkes aka PALMR recorded an English version entitled "What a Difference a Day Makes". It was commissioned for the UK's National Health Service (NHS). ; Andy Russell, a Mexican-American singer, recorded a bilingual version of the song in 1944 (Capitol #167, paired with "Don't You Notice Anything New?"), which reached number 15 on the Billboard Hot 100 chart. ; Paul Pata - sa guitare et son quintette, on the album Week-End aux Puces, as the instrumental Tous Les Jours Se Ressemblent. ; Alfredo Antonini and his orchestra collaborated with Victoria Cordova and John Serry Sr. to record the song for

This is a document about Esther Phillips
  One of her biggest post-1950s triumphs was her first album for the Kudu label, From a Whisper to a Scream, in 1972. The lead track, "Home Is Where the Hatred Is", an account of drug use written by Gil Scott-Heron, was nominated for a Grammy Award. Phillips lost to Aretha Franklin, but Franklin presented the trophy to her, saying she should have won it instead. In 1975, she released a disco-style update of Dinah Washington's "What a Diff'rence a Day Makes", her biggest hit single since "Release Me". It reached the Top 20 in the United States and the Top 10 in the UK Singles Chart. On November 8, 1975, she performed the song on an episode of NBC's Saturday Night (later called Saturday Night Live) hosted by Candice Bergen. The accompanying album of the same name became her biggest seller yet, with arranger Joe Beck on guitar, Michael

This is a document about It's So Far Out, It's Straight Down
  sought to explain to a mainstream audience the cultural changes taking place in London. Music critic Tim Riley describes it as one of the events of early 1967 that "punctuate an era as psychedelic pop culture took shape". Also among these was the emergence of American guitarist Jimi Hendrix on the London club circuit, while Pink Floyd's performance in the documentary was one of the group's first television appearances. McCartney filmed his contributions in Granada's studio on 18 January 1967, the day before the Beatles recorded their song "A Day in the Life". The documentary also includes footage of Allen Ginsberg, Lawrence Ferlinghetti and Gregory Corso reciting poetry at

This is a document about Here I Am Again
  Recording sessions for the album began on April 25 and 26, 1972, at Bradley's Barn in Mount Juliet, Tennessee. Two additional sessions followed on May 3 and August 9. Two songs on the album were recorded during the sessions for 1972's One's on the Way. "A Woman a Day" was recorded on January 18, 1972, and "I Miss You More Today" was recorded on January 20, 1972.

This is a document about María Grever
  María Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim. She is best known for the song "What A Difference A Day Makes" (originally "Cuando vuelva a tu lado"), which was popularized by Dinah Washington and has been covered by numerous artists.

This is a document about Sonny Rollins + 3
 All compositions by Sonny Rollins except as indicated ; 1) "What a Difference a Day Made" (Stanley Adams, María Mendez Grever) - 10:05 ; 2) "Biji" - 8:18 ; 3) "They Say It's Wonderful" (Irving Berlin) - 6:15 ; 4) "Mona Lisa" (Ray Evans, Jay Livingston) - 3:53 ; 5) "Cabin in the Sky" (Vernon Duke, John Latouche) - 8:50 ; 6) "H.S." - 6:17 ; 7) "I've Never Been in Love Before" (Frank Loesser) - 12:19 ; Recorded in New York City on August 30 (tracks 3 & 5) and October 7 (tracks 1, 2, 4, 6 & 7), 1995

This is a document about Frank Weir
 "Mister Cuckoo" / "If Ever You Go To Paree" - Parlophone R4157 ; "What a Difference a Day Makes" / "Together" - Decca F8501 ; "The Never Never Land" / "The Little Shoemaker" - Decca F 10324 (1954)

This is a document about Doin' It Now!
  Sybil's UK label, decided to release a more dance-orientated album with some Eurohouse sound as well as her soul music showcase. The album includes two covers: the Harold Melvin & the Blue Notes song "The Love I Lost" and the standard "What a Diff'rence a Day Makes", first made famous by Dinah Washington in 1959. Two songs on Doin' It Now! had previously been released on other Sybil albums, although the versions included are different mixes: "Love's Calling" had previously been released on her 1989 album Sybil and "Let It Rain" had first been released on her 1990 album Sybilization, and released as a single in 1991.

This is a document about Basics (Houston Person album)
 1) "What a Diff'rence a Day Made" (María Grever, Stanley Adams) − 7:29 ; 2) "Stormy Weather" (Harold Arlen, Ted Koehler) − 8:49 ; 3) "St. Thomas" (Sonny Rollins) − 5:38 ; 4) "Some Other Spring" (Arthur Herzog Jr., Irene Kitchings) − 7:51 ; 5) "Time After Time" (Jule Styne, Sammy Cahn) − 7:34 ; 6) "Sweet Slumber" (Lucky Millinder, Al J. Neiburg, Henri Woode) − 8:00 ; 7) "Triste" (Antônio Carlos Jobim) − 8:36

This is a document about What a Day
  What a Day is the title of the first solo album by Phil Keaggy, originally released in 1973, on New Song Records. It was later reissued on vinyl by Nissi Records and then on CD by Myrrh Records together with Keaggy's second solo album, Love Broke Thru.

This is a document about Things We Said Today
  The Beatles recorded several songs for A Hard Day's Night on 2 June 1964, including "Things We Said Today". Recording in EMI's Studio Two, George Martin produced the session, assisted by balance engineer Norman Smith. After one false start, take two included both vocals and an instrumental backing. For take three, the band overdubbed several parts onto take two, with McCartney double-tracking his vocal, Starr adding a tambourine and John Lennon playing the piano. The band returned the following day, adding unspecified overdubs to the track. While the Beatles were away on their 1964 world tour, Martin, again assisted by Smith, returned to EMI on 9 June 1964. In Studio Three, they mixed "Things We Said Today" for mono from take three. They returned on 22 June to mix much of the album in Studio One, including "Things We Said Today" for stereo. Both mixes omit Lennon's piano overdub, but, due to audio leakage from the other instrument's microphones, it is still heard slightly on the released version.

This is a document about What a Difference a Day Makes (Grey's Anatomy)
  "What a Difference a Day Makes" is the twenty-second episode of the fifth season of the American television medical drama, Grey's Anatomy and the show's 100th episode overall. Written by series creator Shonda Rhimes and directed by Rob Corn, the episode was originally broadcast on the American Broadcasting Company (ABC) in the United States on May 7, 2009. Grey's Anatomy centers around a group of young doctors in training. In this episode, a wedding takes place. The episode received highly positive reviews from critics, with Heigl and Chambers' performances receiving high critical acclaim. The initial airing was viewed by 15.326 million people and garnered a 5.3/14 Nielsen rating/share in the 18–49 demographic.

This is a document about Small Change (Tom Waits album)
  Small Change was recorded, direct to 2-track stereo tape, July 15, 19–21 and 29, 1976 at the Wally Heider Recording Studio, in Hollywood, USA under the production of Bones Howe. A multi-track recording was made as back up, and used when a reference Waits made to actress Jayne Meadows had to be changed. Howe recounted: "We set up at Heider's for that record the same way I used to make jazz records in the 1950s. I wanted to take Tom back to that direction of making records, with an orchestra and Tom in the same room, all playing and singing together. I was never afraid of making a record where the musicians all breathed the same air. Leakage is not a problem. In fact, it's a good thing — it holds a record together... He was always surrounded by the music and the records sound like it. We never used headphones. Never."

This is a document about A Day in the Life
  "A Day in the Life" is a song by the English rock band the Beatles that was released as the final track of their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Credited to Lennon–McCartney, the verses were mainly written by John Lennon, with Paul McCartney primarily contributing the song's middle section. Lennon's lyrics were mainly inspired by contemporary newspaper articles, including a report on the death of Guinness heir Tara Browne. The recording includes two passages of orchestral glissandos that were partly improvised in the avant-garde style. In the song's middle segment, McCartney recalls his younger years, which included

This is a document about 1959 in music
  Anita Bryant • "Travellin' Light – Cliff Richard and The Shadows (B-side to "Dynamite") • "True Love, True Love" / "Dance With Me" – The Drifters • "The Twist" – Hank Ballard • "Venus" – Frankie Avalon • "The Village of St. Bernadette" – Andy Williams • "What About Us" – The Coasters • "What a Difference a Day Makes" – Dinah Washington • "What Am I Living For" – Ernest Tubb • "What'd I Say" – Ray Charles • "Where the Boys Are" – Connie Francis • "Why" – Frankie Avalon • "A Worried Man" – The Kingston Trio • "Yep!" – Duane Eddy

Dinah Washington recorded "What a Difference a Day Makes" in 1959, and it was released as a single in 1959, reaching #2 on the R&B charts and winning the Grammy Award for Best R&B Performance at the 2nd Annual Grammy Awards. Other artists who have recorded the song include The Flamingos, Orquesta Panchito Valdés, Eydie Gormé, and Dinah Washington herself in later years.


Question: who wrote i will always love you by whitney houston

Answer: Dolly Parton

This is a document about I Will Always Love You
  "I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack. Whitney Houston recorded a rendition of the song for the 1992 film The Bodyguard. Houston's single spent 14 weeks at the number one spot of the Billboard Hot 100 chart, setting a new record at the time, becoming one of the best-selling singles of all time, and the best-selling single by a woman. The song has been recorded by many other artists including Linda Ronstadt, John Doe, Amber Riley, LeAnn Rimes and Sarah Washington, whose dance version reached number 12 on the UK Singles Chart.

This is a document about I Will Always Love You
  many people are unaware of its origin; during an interview, Parton's manager Danny Nozel said that "one thing we found out from American Idol is that most people don't know that Dolly Parton wrote [the track]". During an interview on The Bobby Bones Show, Dolly Parton revealed that she wrote her signature song "Jolene" on the same day that she wrote "I Will Always Love You." Several times (long before Whitney Houston recorded the song), Dolly Parton suggested to singer Patti LaBelle that she record "I Will Always Love You" because she felt LaBelle could have sung it so well. However, LaBelle admitted she kept putting off the opportunity to do so and later deeply regretted it after she heard Whitney Houston's rendition.

This is a document about The Bodyguard (soundtrack)
  The album is most notable for Houston's version of "I Will Always Love You" (written by Dolly Parton). The song received huge airplay, appealing to the pop, R&B, adult contemporary, and soul radio markets. The single spent 14 weeks at number one on the Billboard Hot 100 singles chart. "I Will Always Love You" was successful worldwide, peaking at number one for 14 weeks in New Zealand, 10 weeks in the UK and Australia, 9 weeks in Norway, 8 weeks in France and Switzerland, 6 weeks in the Netherlands, and 3 weeks in Sweden. With the next two Top 5 singles "I'm Every Woman" (originally a Chaka Khan

This is a document about Ricky Lawson
  a scholarship to college. He only spent one year at college, being invited to play drums for Stevie Wonder. In the '80s and '90s, he played drums for Michael Jackson and Whitney Houston. He played on Whitney's famous hit, "I Will Always Love You". Lawson has a one note "solo" in the song, where he hits the toms before Whitney's dramatic vocal final shout. He said that this was his favorite solo of his career. In addition to the artists listed above, Lawson collaborated with Quincy Jones, Bette Midler, Russell Ferrante, Toto, Al Jarreau, George Benson, Lionel Richie, and George Duke. He also

This is a document about Whitney Houston
  making it one of the top 100 grossing films in film history at its time of release, though it later fell out of the top 100 because of rising ticket prices since the time the film was released. The film's soundtrack also enjoyed success. Houston co-executive produced The Bodyguard: Original Soundtrack Album and recorded six songs for the album. Rolling Stone described it as "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Houston's version was highly acclaimed by critics, regarding it as her "signature song" or "iconic

This is a document about Love song
  pop or rock music. Another division within the love song is that according to theme. The largest group are the love songs about a broken heart, they are sometimes less melodic, and sung more raw like Lucinda Williams' "Jackson" in contrast to, for example, Celine Dion's "My Heart Will Go On", the title song of the movie Titanic. The best-selling song about a broken heart is "I Will Always Love You" by Whitney Houston, written by Dolly Parton. Taylor Swift had a fondness for songs on the subject. Songs can also be about one special loved one, as in Gloria, Michelle and Angie, although

This is a document about Whitney Houston
  Many other celebrities released statements responding to Houston's death. Darlene Love, Houston's godmother, hearing the news of her death, said, "It felt like I had been struck by a lightning bolt in my gut." Dolly Parton, whose song "I Will Always Love You" was covered by Houston, said, "I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed. Aretha Franklin said, "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen." Others paying tribute included Mariah Carey, Quincy

This is a document about Dolly Parton
  a song or an idea. Parton's songwriting has been featured prominently in several films. In addition to the title song for 9to5, she also recorded a second version of "I Will Always Love You" for The Best Little Whorehouse in Texas (1982). The second version was a number one country hit and also reached number 53 on the pop charts. "I Will Always Love You" has been covered by many country artists, including Ronstadt on Prisoner In Disguise (1975), Kenny Rogers on Vote for Love (1996), and LeAnn Rimes on Unchained Melody: The Early Years (1997). Whitney Houston performed it on The Bodyguard soundtrack and her version became the best-selling hit both written and performed by a female vocalist, with worldwide

This is a document about Dato' Siti Nurhaliza & Friends Concert
  unreleased song by Whitney Houston. Recorded by Whitney in 1982, the unreleased song was given to Siti by Yonder Music. For the concert, it was performed as a "digital duet" where Siti sang as a duet with prerecorded Whitney's vocals. She credited Whitney for teaching her about proper vocal techniques before singing few lines from "I Will Always Love You" a cappella. She later performed "Jerat Percintaan", her first single that was composed by Datuk Adnan Abu Hassan as a tribute to him after he died a few weeks before the concert on 18 March 2016. Next, she performed two of her duet songs with two male singers

This is a document about Philipp Steinke
  Steinke and Seeman wrote "Everyday Is Christmas". Cheung asked Seeman and Steinke for another song and they wrote "Which Way, Robert Frost". According to Cheung, though he had "Everyday Is Christmas" adapted into Chinese twice, neither version captured the English lyrics as they were written so he recorded "Everyday Is Christmas" in English. Jacky Cheung's "Private Corner" is the first jazz album Cheung has recorded and went platinum in less than a week. In November 2011, Lin Yu-chun, a Taiwanese singer, who gained fame by appearing on a Taiwanese talent show, One Million Star (超級星光大道), singing "I Will Always Love You" (written and originally sung by Dolly Parton) in the style of Whitney Houston's cover version., released "Saving Grace", co-written by Steinke with Roxanne Seeman and Finn Martin,

This is a document about I Will Always Love You
  "I Will Always Love You" won the 1994 Grammy Awards for Record of the Year and Best Female Pop Vocal Performance, Houston's third win in the latter category after earlier wins in 1986 and 1988. During the Grammy Award telecast, the Best Pop Vocal Performance, Female award was presented to Houston by composer Dolly Parton and David Foster. The single topped the 1993 Billboard Hot 100 and Hot R&B Singles year-end charts simultaneously, becoming the first single by a female artist and the second overall to achieve that feat behind Prince's "When Doves Cry" in 1984. In addition, it received Favorite Pop/Rock Single and Favorite Soul/R&B Single awards at the 21st American Music Awards, which was the first record by a solo female artist to win both categories, and the third overall in AMA history behind

This is a document about I Will Always Love You
  retaining it. When Parton heard that Houston was using Ronstadt's recording as a template, she called Foster to give him the final verse, which was missing from the Ronstadt recording, as she felt it was important to the song. Her rendition of the song was issued as the soundtrack's leading single on November 3, 1992, by Arista Records. Houston's recording is not the only version of the song featured in the film. In a scene where she dances with Costner, a version by John Doe can be heard playing on a jukebox. Houston's version appears at No. 9 on NMEs Greatest No 1 Singles in History list. In 2004, Houston's version of "I Will Always Love You" placed at number 65 on AFI's 100 Years...100 Songs survey of top tunes in American

This is a document about Primary Wave (company)
  her name, likeness, and brand. Whitney Houston is one of the best-selling music artists of all time with over 200 million records sold worldwide. Houston released seven studio albums and two soundtracks, all of which have been certified diamond, multi-platinum, platinum, or gold by the RIAA. Her cover of Dolly Parton's "I Will Always Love You" is the biggest-selling single of all time by a female artist. In the agreement, Primary Wave assists the Estate with all aspects of marketing, including digital marketing, publicity, branding, and music licensing and synchronization. On June 28, 2019, Kygo remixed Whitney Houston's unreleased cover version of Steve Winwood's

This is a document about I Will Always Love You
  It was also ranked at number 22 on The Guardians list of Britain's favorite 100 songs, published in May 2002. , Houston's version of "I Will Always Love You" has sold over 20 million copies worldwide, making it the best-selling single by a female artist of all time as well as one of the best-selling singles of all time. In February 2014, the song placed at number six on Billboards list of the Top 50 'Love' Songs of All Time. A live performance was included on the 1999 release Divas Live '99, and on the 2014 CD/DVD release of Whitney Houston Live: Her Greatest Performances, a 1994 performance of the song was included as well. The song is also included in the soundtrack to the 2013 film This Is the End.

This is a document about I Will Always Love You
  Houston's version of "I Will Always Love You" received widespread acclaim from music critics, being now regarded as her "signature song". Larry Flick of Billboard wrote that the song is "bolstered by a remarkably restrained (and ultimately effective) vocal by Houston. She builds to dramatic, heartfelt conclusion that makes sense, given the unusually slow-building created by producer David Foster." Randy Clark of Cashbox noted that "the unstoppable voice and unquestionable talent of Whitney Houston will no doubt come roaring back onto the charts with this cover". Amy Linden of Entertainment Weekly said it "is artistically satisfying and uncharacteristically hip for the MOR songbird." John Martinucci of Gavin Report

This is a document about Prisoner in Disguise
  Ronstadt chose songs from friends and songwriters such as James Taylor, Lowell George of Little Feat, J. D. Souther and Anna McGarrigle as well as one written and originally recorded by Jimmy Cliff and an interpretation of Dolly Parton's  "I Will Always Love You". The album features string arrangements by David Campbell. Among the guest musicians, Emmylou Harris joined Ronstadt on the standard "The Sweetest Gift". The original vinyl album release was a gatefold design, and the center section featured a photo of various sheets with written lyrics to the songs, most of which were in the original songwriters' own handwriting. Trisha Yearwood cited Prisoner in Disguise as an inspiration, bringing the album to her producer at the start of her career saying, “This is the kind of music that I want to make."

This is a document about Money note
  In pop music, the term is used because "money notes" on a CD help to 'sell' a song for a listener, and also because singers capable of performing these emotionally stirring passages are able to make income from the performance. One of the most well-known examples of money note can be found in Whitney Houston's version of the Dolly Parton song "I Will Always Love You", at the beginning of the third rendition of the chorus, there is a pause, a drum beat, a key change, and then Houston belts out the emphatic line " And I will always love you." The Céline Dion song from Titanic "My Heart Will Go On": the key change that begins the third verse — "You're here / There's nothing I fear." In the realm of musicals, money notes can be common elements in songs,

This is a document about Jennifer Rush
  songwriting, not on singing. It was the co-written single "The Power of Love," the fifth and last single release from her first LP, that became the biggest selling single of 1985 in the United Kingdom, as well as becoming a significant hit in Australia, Ireland, Canada, Denmark, France, Germany, Italy, Japan, Norway, Portugal, South Africa and Sweden, and was listed in the Guinness Book of World Records as "the best-selling single by a female solo artist in the history of the British music industry." "The Power of Love" held that status until 1992, when it was outsold by Whitney Houston's "I Will Always Love You." "The Power of Love" topped the charts

This is a document about Mercedes Jones
  sixty that same week, during which it sold 42,000 digital copies. In Canada, the mash-up entered on the Canadian Hot 100 at number twelve on the strength of sales of 14,000 downloads. With the death of Whitney Houston three days before the "Heart" episode aired, a great deal of attention was given to Riley's performance of Houston's hit during the episode, "I Will Always Love You", and its unexpected function as a tribute to the singer. Reviews were glowing: Reiter called it a "gorgeous, lush take" that was "definitely an episode highlight", and Bell described is as "a beautiful cover", "the

This is a document about I Will Always Love You
  In 1992, American singer Whitney Houston recorded a new arrangement of "I Will Always Love You" for the soundtrack to The Bodyguard, her film debut. The song has a saxophone solo by Kirk Whalum. She was originally to record Jimmy Ruffin's "What Becomes of the Brokenhearted" as the lead single from The Bodyguard. However, when it was discovered the song was to be used for Fried Green Tomatoes, Houston requested a different song. It was her co-star Kevin Costner who suggested "I Will Always Love You", playing her Linda Ronstadt's 1975 version from her album Prisoner in Disguise. Producer David Foster and Houston re-arranged the song as a soul ballad. Her record company did not feel a song with an a cappella introduction would be as successful; however, Houston and Costner insisted

Dolly Parton wrote the original version of "I Will Always Love You" in 1973. Whitney Houston's version, which became a major hit in 1992, was produced by David Foster and arranged by Bill Bottrell.


Question: in langlands piers the plowman piers appears finally as

Answer: ploughman

This is a document about William Langland
   William Langland (Willielmus de Langland; 1332 – c. 1386) is the presumed author of a work of Middle English alliterative verse generally known as Piers Plowman, an allegory with a complex variety of religious themes. The poem translated the language and concepts of the cloister into symbols and images that could be understood by a layman.

This is a document about Piers Plowman
 Translation It is now commonly accepted that Piers Plowman was written by William Langland, about whom little is known. This attribution rests principally on the evidence of an early-fifteenth-century manuscript of the C-text (see below) of Piers held at Trinity College, Dublin (MS 212), which ascribes the work to one man, called 'Willielmus de Langlond': "Memorandum quod Stacy de Rokayle pater willielmi de Langlond qui stacius fuit generosus & morabatur in Schiptoun vnder whicwode tenens domini le Spenser in comitatu Oxoniensi qui predictus willielmus fecit librum qui vocatur Perys ploughman." "It should be noted that Stacy de Rokayle was the father of William

This is a document about Piers Plowman
   Piers Plowman (written c. undefined 1370–86; possibly c. 1377) or Visio Willelmi de Petro Ploughman (William's Vision of Piers Plowman) is a Middle English allegorical narrative poem by William Langland. It is written in un-rhymed, alliterative verse divided into sections called (Latin for "step"). Like the Pearl Poet's Sir Gawain and the Green Knight, Piers Plowman is considered by many critics to be one of the greatest works of English literature of the Middle Ages, even preceding and influencing Chaucer's Canterbury Tales. Piers Plowman contains the first known reference to a literary tradition of Robin Hood tales. There exist three distinct versions of the poem, which scholars refer to as the A-, B-, and C-texts. The B-text is the most widely edited and translated version; it revises and extends the A-text by over four thousand lines.

This is a document about William Langland
  Little is known of Langland himself. It seems that he was born in the West Midlands of England around 1330, according to internal evidence in Piers Plowman. The narrator in Piers Plowman receives his first vision while sleeping in the Malvern Hills (between Herefordshire and Worcestershire), which suggests some connection to the area. The dialect of the poem is also consistent with this part of the country. Piers Plowman was written c. 1377, as the character's imagination says he has followed him for "five and forty winters." A fifteenth-century note in the Dublin manuscript of Piers Plowman says that Langland was the son of Stacy de Rokayle. Langland is

This is a document about William Langland
  to have been born in Cleobury Mortimer, Shropshire, although Ledbury, Herefordshire, and Great Malvern, Worcestershire also have strong claims to being his birthplace. There is a plaque to that effect in the porch of Cleobury Mortimer's parish church, which also contains a memorial window, placed in 1875, depicting the Piers Plowman vision. Langland is thought to have been a novitiate of Woodhouse Friary located nearby. There are strong indications that Langland died in 1385 or 1386. A note written by "Iohan but" (John But) in a fourteenth-century manuscript of the poem (Rawlinson 137) makes direct reference to the death of its author: "whan this werke was wrouyt, ere

This is a document about British literature
  John Wycliffe. They appeared over a period from about 1382 to 1395. Piers Plowman or Visio Willelmi de Petro Plowman (William's Vision of Piers Plowman) (written c. 1360–1387) is a Middle English allegorical narrative poem by William Langland. It is written in unrhymed alliterative verse divided into sections called "passūs" (Latin for "steps"). Piers is considered by many critics to be one of the early great works of English literature along with Chaucer's Canterbury Tales and Sir Gawain and the Green Knight during the Middle Ages. Sir Gawain and the Green Knight is a late-14th-century Middle English alliterative romance. It is one of the better-known Arthurian stories, of an established type known as the

This is a document about William Langland
  The attribution of Piers Plowman to Langland rests principally on the evidence of a manuscript held at Trinity College, Dublin (MS 212). This manuscript ascribes Piers Plowman to Willielmi de Langland, son of Stacy de Rokayle, "who died in Shipton-under-Wychwood, a tenant of the Lord Spenser in the county of Oxfordshire". Other manuscripts name the author as Robert or William Langland, or Wilhelms W. (most likely shorthand for William of Wychwood). The poem itself also seems to point to Langland's authorship. At one point, the narrator remarks: "I have lived in londe [...] my name is longe wille" (B XV.152). This can be taken as a coded reference to the poet's name, in the style of much late-medieval literature (see, for instance, Villon's acrostics in Le Testament). However, it has also been suggested that medieval scribes and readers may have understood this line as referring to a "William Longwille", the pseudonym used by a Norfolk rebel in 1381. Although there is little other evidence, Langland's authorship has been widely accepted since the 1920s. It is not, however, entirely beyond dispute, as recent work by Stella Pates and C. David Benson has demonstrated.

This is a document about Malvern, Worcestershire
  1849, ; Lord Macaulay: "Till twelve fair counties saw the blaze on Malvern's lonely height" (The Armada). William Langland's famous 14th-century poem The Visions of Piers Plowman (1362) was inspired by the Malvern Hills and the earliest poetic allusion to them occurs in the poem And on a Maye mornynge on Malverne hylles. Langland, the reputed writer, was possibly educated at the priory of Great Malvern. Several roads and buildings in Malvern are named after him. Malvern entered the writings and lives of several 17th–19th century poets. These include C. S. Lewis and J. R. R. Tolkien are among the authors that have frequented Malvern.

This is a document about Piers Plowman tradition
  The Piers Plowman tradition is made up of about 14 different poetic and prose works from about the time of John Ball (died 1381) and the Peasants Revolt of 1381 through the reign of Elizabeth I and beyond. All the works feature one or more characters, typically Piers, from William Langland's poem Piers Plowman. (A much larger number of texts, with less obvious connection to Piers Plowman, may also be considered part of the tradition.) Because the Plowman appears in the General Prologue to The Canterbury Tales by Geoffrey Chaucer but does not have his own tale (one of seven such characters), plowman tales are sometimes used as additions to The Canterbury

This is a document about Piers Plowman
  Langlond; this Stacy was born and dwelt in Shipton-under-Wychwood, a tenant of the Lord Spenser in the county of Oxfordshire. The aforesaid William made the book which is called Piers Plowman." Other manuscripts also name the author as "Robert or William Langland", or "Wilhelmus W." (which could be shorthand for "William of Wychwood"). The attribution to William Langland is also based on internal evidence, primarily a seemingly autobiographical section in Passus 5 of the C-text of the poem. The main narrator of the poem in all the versions is named Will, with allegorical resonances clearly intended, and Langland (or Longland) is thought

This is a document about Peasants' Revolt
  The notion that the Miller is able to tell a tale that can match, or is even better than one of the highest-ranking Knights in the pilgrimage shows the rebellion and persistence in bettering one’s status, which is similar to what was seen in the attitudes of the peasants in their revolt. Chaucer otherwise made no reference to the revolt in his work, possibly because as he was a client of the King it would have been politically unwise to discuss it. William Langland, the author of the poem Piers Plowman, which had been widely used by the rebels, made various changes to

This is a document about Langport
  the place mentioned in old Welsh sources as "Llongborth" = "Ship-port", the site of the Battle of Llongborth. "Longphort" is a term used in Ireland for a Viking ship enclosure or shore fortress, with an identical etymology. Langport was previously also known as Langport Eastover, with the part on the western bank being Langport Westover, now known just as Westover. Langport is on the ancient way from Glastonbury to Taunton. Langport could have been important during the Roman occupation as there were several villas in the vicinity. It was one of the forts listed in the Burghal Hidage indicating its strategic position for King Alfred, as

This is a document about Alliterative Revival
 c. 1352 ; Wynnere and Wastoure, unrhymed allegorical debate (anonymous; dialect appears to point to a poet from north Cheshire) ; c. 1360, perhaps revised until the 1390s ; Piers Plowman, very long allegorical and satirical dream vision (author conjecturally identified as William Langland, west or southwest Midland dialect) ; c. 1365, though later 14th century also suggested ; The Alliterative Morte Arthure, unrhymed Arthurian romance (anonymous; probable dialect of east Midlands) ; c. 1370 ; The Parlement of the Thre Ages, unrhymed allegorical poem (anonymous, Midland dialect; some commentators have argued it may be written by the author of Wynnere and Wastoure) ; c. 1380 (works

This is a document about Piers Plowman
  there is not enough evidence to suggest that Langland is, in fact, the author, but instead that it is the work of a man by the name of William de la Rokele. In the sixteenth century, when Piers was first printed, authorship was attributed by various antiquarians (such as John Bale) and poets to John Wycliffe and Geoffrey Chaucer, amongst others. Some sixteenth- and seventeenth-century persons regarded the poem as anonymous, and/or associated it with texts in the plowman tradition of social complaint, particularly the Chaucerian pseudepigrapha The Ploughman's Tale and Pierce the Ploughman's Crede. (The latter was appended to Owen Rogers'

This is a document about Piers Plowman
 Benson, C. D. Public Piers Plowman: Modern Scholarship and Late Medieval English Culture (Philadelphia, University of Pennsylvania Press, 2003). ; Bowers, J. M. Chaucer and Langland: The Antagonistic Tradition (Notre Dame: University of Notre Dame Press, 2007). ; Brewer, C. Editing Piers Plowman: The Evolution of the Text (Cambridge, CUP, 1996) (Cambridge Studies in Medieval Literature, 28). ; Kelen, S. A. Langland's Early Modern Identities (New York, Palgrave Macmillan, 2007). ; Watson, Nicholas (2007). "Piers Plowman, Pastoral Theology, and Spiritual Perfectionism: Hawkyn's Cloak and Patience's Pater Noster". Yearbook of Langland Studies vol. 21: 83-118. ; Thomas, Arvind (2019). Piers Plowman and Reinvention of Church Law in the Late Middle Ages ISBN: 978-1487502461 Watson, Nicholas (2007). "Piers Plowman,

This is a document about Piers Plowman
  be indicated as a surname through apparent puns; e.g., at one point the narrator remarks: "I have lyved in londe... my name is longe wille" (B.XV.152). This could be a coded reference to the poet's name, in the style of much late-medieval literature. New evidence suggests that this reverse cryptogram was read as "Will Long Will" by contemporary scribes and that the rebels of 1381 used this name as pseudonym alongside the name "Piers Plowman". Langland's authorship, however, is not entirely beyond dispute, as recent work by Stella Pates and C. David Benson has demonstrated. In their work, "The Langland Myth", they

This is a document about Great Malvern
  William Langland's famous 14th century poem The Visions of Piers Plowman (1362) was inspired by the Malvern Hills and the earliest poetic allusion to them occurs in the poem And on a Maye mornynge on Malverne hylles. Langland, was possibly educated at the priory of Great Malvern. C. S. Lewis and J. R. R. Tolkien are among the authors that have frequented Malvern. Legend states that, after drinking in a Malvern pub one winter evening, they were walking home when it started to snow. They saw a lamp post shining out through the snow and Lewis turned to his friends and said "that would make a very nice opening line to a book". The novel The Lion, the Witch and the Wardrobe by Lewis later used that image as the characters enter the realm of Narnia. J.R.R. Tolkien found inspiration in the Malvern

This is a document about Personification
  counterparts. The major works of Middle English literature had many personification characters, and often formed what are called "personification allegories" where the whole work is an allegory, largely driven by personifications. These include Piers Plowman by William Langland ( c. 1370–90), where most of the characters are clear personifications named as their qualities, and several works by Geoffrey Chaucer, such as The House of Fame (1379–80). However, Chaucer tends to take his personifications in the direction of being more complex characters and give them different names, as when he adapts part of the French Roman de la Rose (13th century). The English mystery plays and the later

This is a document about Piers Plowman tradition
  in London) to Arcadian shepherds in Tempe. He has served as an apprentice under seven bad masters (an occasion for another taxonomy of London life and vices). Giving up on the court as an exception to general corruption, Chettle's Piers follows the precedent from Virgil to Wyatt and Spenser: satisfaction will only be found in pastoral retirement. Like much other late Elizabethan prose, John Lyly's Euphues is an obvious source of inspiration. The influence of other masterpieces of rogue literature is apparent, especially Nashe's Pierce Pennilesse and The Unfortunate Traveller.  Many of the previously mentioned plowman texts, which first circulated in manuscript,

This is a document about Piers Plowman tradition
  associated with Geoffrey Chaucer and was added by various editors to four editions of Chaucer's collected works between 1542 and 1602. I Playne Piers which Cannot Flatter, a mixture of parts of The Plowman's Tale and new material added some time after 1540, was printed in 1550 and ascribed to the author of Piers Plowman who was then unknown or identified as either Chaucer, John Wycliffe, or Robert Langland. I Playne Piers was reprinted by the Puritan Martinist writers in the Martin Marprelate Controversy in 1589. It was then retitled, ''O read me, for I am of great antiquitie. . . I

In Langland's "Piers Plowman," Piers appears as a humble and wise plowman who represents the virtues of labor and industry. He is a symbol of the common man and the ideal Christian. He encourages the narrator to seek wisdom and to live a virtuous life. He is not a literal plowman but a spiritual guide.