Question: when was the first car invented in the united states

Answer: 1871

This is a document about Car
  1895, Selden was granted a United States patent for a two-stroke car engine, which hindered, more than encouraged, development of cars in the United States. His patent was challenged by Henry Ford and others, and overturned in 1911. In 1893, the first running, gasoline-powered American car was built and road-tested by the Duryea brothers of Springfield, Massachusetts. The first public run of the Duryea Motor Wagon took place on 21 September 1893, on Taylor Street in Metro Center Springfield. The Studebaker Automobile Company, subsidiary of a long-established wagon and coach manufacturer, started to build cars in 1897 and commenced sales of electric

This is a document about History of the automobile
  produced in 1873 by Frenchman Amédée Bollée in Le Mans, who built self-propelled steam road vehicles to transport groups of passengers. The first automobile suitable for use on existing wagon roads in the United States was a steam-powered vehicle invented in 1871 by Dr. J.W. Carhart, a minister of the Methodist Episcopal Church, in Racine, Wisconsin. It induced the State of Wisconsin in 1875 to offer a $10,000 award to the first to produce a practical substitute for the use of horses and other animals. They stipulated that the vehicle would have to maintain an average speed of more than 5 mph over

This is a document about Antique car
  The era of automobiles began in the U.S. when George Selden of Rochester, NY filed a patent on May 8, 1879, but the patent was not approved until November 5, 1895. This was the first U.S. patent for an automobile. By the time a patent was approved many automobiles were in production. Charles Duryea built a three-wheeled, gasoline-powered vehicle in 1893, and his company built 13 cars of the same design in 1896. Gasoline automobiles were produced by Elwood Haynes in 1894, by Ransom Olds in 1895, Charles King and Henry Ford in 1896. Automobile races stirred the public interest and bicycle and buggy manufacturers began to convert to making automobiles.

This is a document about John William Lambert
  in Washington, D.C., that have been used by historians over the years to determine Lambert's gasoline buggy, also called the Buckeye gasoline buggy, as the first operational gasoline automobile made in the United States. He is also credited with the first American automobile accident. In 1891, while testing his horseless carriage, Lambert drove it into a tree root and accidentally ran into a hitching post. Lambert was driving the gasoline powered vehicle at the time and carrying a passenger by the name of James Swoveland, a local businessman that operated the city's drug store. There was secrecy surrounding the development of his automobile. Operational

This is a document about Gottfried Schloemer
  in 1889. The Encyclopedia Americana (1954), Americana Corp. Volume 19, p. 142  Other Milwaukee inventors include Gottfried Schloemer and Frank Toepfer who built a gasoline automobile in 1889, claimed to have been the first one in the United States. Schloemer's 'motor wagon', as he called his machine now known as the automobile, was made entirely by him. The self-propelled Motor Wagon had a chain and sprocket system that provided the engine's power to the wheels of the horseless carriage. The four wheels were made of wood and had solid rubber tires. There were improvements made to the vehicle over time in

This is a document about Buckeye gasoline buggy
  John William Lambert built the United States' first gasoline internal combustion engine automobile, according to a five-year study by L. Scott Bailey (an automobile historian, editor, and publisher) which found substantial evidence to enter the claim on Lambert's behalf. In 1891, Lambert successfully designed and built the automobile, and drove it on the streets of Ohio City, Ohio. Henry Ford and Duryea Brothers would not construct automobiles of their own until several years later. In Europe, Carl Benz and Gottlieb Daimler produced the first gasoline automobiles in 1885–1886. The Duryea brothers made their first American automobile in 1893, and three years later started mass-producing cars at Duryea Motor Wagon Company; Henry Ford started mass-producing cars in 1899 at the Detroit Automobile Company.

This is a document about Charles Duryea
  On November 28, 1895, in Chicago, their vehicle, driven by brother Frank, had won America's first car race. It ran to Evanston, Illinois and back. The only other finisher was one of three Benz cars mostly made in Germany. After Frank won, demand grew for the Duryea Motor Wagon. In 1896, the Duryea Brothers produced 13 cars by hand – in their garage at 47 Taylor Street – and thus Duryea became the first-ever commercially produced vehicle, and also the largest automobile factory in the United States. For the history of the company and its cars, see Duryea Motor Wagon Company. Duryea sought out investors and buyers while his brother, Frank Duryea, primarily

This is a document about Frank Atwood Huntington
  In 1889 Huntington patented a gasoline engine propelled vehicle, four years before the Duryea brothers built and tested their first vehicle in Springfield, Massachusetts, in 1893 — considered by many as the first American gas powered car. It is likely Huntington was the first inventor of a gasoline engine car on the west coast of the United States. While it is not known whether Huntington’s vehicle was successfully built, his patent 411196 has certain claims that represent a self-propelled gasoline engine car. "My invention relates to certain improvements in vehicles; and it consists of an engine and suitable intermediate gearing whereby the vehicle may be propelled… This invention is designed to apply a gasoline or other vapor engine to an ordinary

This is a document about Electric bus
  short section of track. The first successful electric car was made in the United States in 1890. William Morrison of Des Moines, Iowa, built an electric vehicle that could hold up to six passengers and could reach from 6 to 12 miles per hour. Specifications for the 1890 Morrison Electric included 24 storage battery cells mounted under the front seat. The vehicle could travel for a range of 100 miles before needing to be recharged. This initial invention helped spark interest in electric cars, and automakers started building their own versions around the globe. Due to the extreme sudden interest, electric cars reached their

This is a document about History of the internal combustion engine
  and the spark was electrically ignited by a hand-operated trigger. Fitted to a crude four-wheeled wagon, François Isaac de Rivaz first drove it 100 meters in 1813, thus making history as the first car-like vehicle known to have been powered by an internal-combustion engine. In 1823, Samuel Brown patented the first internal combustion engine to be applied industrially in the U.S.; one of his engines pumped water on the Croydon Canal from 1830 to 1836. He also demonstrated a boat using his engine on the Thames in 1827, and an engine-driven carriage in 1828. Father Eugenio Barsanti, an Italian engineer, together with Felice Matteucci of Florence invented the first real internal combustion engine in 1853. Their patent request was granted in London on June 12, 1854, and published in London's Morning

This is a document about John William Lambert
  first practical gasoline automobile made in the United States that could be driven on roads. He made his horseless carriage in 1891, and was ahead of the Duryea Brothers by a year and Henry Ford by five years. During initial tests, it often took a long time to get the automobile started again after it stopped. The original three-wheel car was destroyed in a building fire where he had it stored; however, photographs taken of it did survive. Lambert made sales brochures, which he mailed out in the first part of February 1891, to sell versions of his buggy for $550. Later in that

This is a document about History of the automobile
  started operating repair and gasoline stations. In Springfield, Massachusetts, brothers Charles and Frank Duryea founded the Duryea Motor Wagon Company in 1893, becoming the first American automobile manufacturing company. The Autocar Company, founded in 1897, established a number of innovations still in use and remains the oldest operating motor vehicle manufacturer in the United States. However, it was Ransom E. Olds and his Olds Motor Vehicle Company (later known as Oldsmobile) who would dominate this era with the introduction of the Oldsmobile Curved Dash. Its production line was running in 1901. The Thomas B. Jeffery Company developed the world's second mass-produced automobile, and 1,500

This is a document about Duryea Motor Wagon
   The Duryea Motor Wagon was among the first standardized automobiles and among the first powered by gasoline. Fifteen examples were built by the Duryea Motor Wagon Company of Chicopee, Massachusetts, between 1893 and 1896. Their enterprise followed the first commercially available automobile which was patented by Karl Benz on January 29, 1886, and put into production in 1888. To construct the first Duryea Motor Wagon, the brothers had purchased a used horse-drawn buggy for $70 and then installed a 4 hp, single cylinder gasoline engine. The car had a friction transmission, spray carburetor, and low tension ignition. It was road-tested again on 10 November,

This is a document about History of the automobile
  Development of the automobile started in 1672 with the invention of the first steam-powered vehicle, which led to the creation of the first steam-powered automobile capable of human transportation, built by Nicolas-Joseph Cugnot in 1769. Inventors began to branch out at the start of the 19th century, creating the de Rivas engine, one of the first internal combustion engines, and an early electric motor. Samuel Brown later tested the first industrially applied internal combustion engine in 1826.  Development was hindered in the mid-19th century by a backlash against large vehicles, yet progress continued on some internal combustion engines. The engine evolved as engineers created two- and four-cycle combustion engines and began using gasoline as fuel. Production vehicles began appearing in 1887, when Carl Benz developed a gasoline-powered automobile and made several identical copies. Recent automobile production is marked by the Ford Model T, created by the Ford Motor Company in 1908, which became the first automobile to be mass-produced on a moving assembly line.

This is a document about 1890s
  company to build the Duryea model automobile, supposedly the first auto ever commercially manufactured. Their 1893 model was a one-cylinder "Ladies Phaeton", first demonstrated on September 21, 1893, at Chicopee, Massachusetts. It is considered the first successful gas-engine vehicle built in the U.S. Their 1895 model, driven by Frank, won the Chicago Times-Herald race in Chicago on a snowy Thanksgiving Day. He travelled 54 mi at an average 7.5 mph, marking the first U.S. auto race in which any entrants finished. That same year, the brothers began commercial production, with thirteen cars sold by the end of 1896. 1893–1894: The

This is a document about Carl G. Fisher
  first automobile dealership in the United States, and also worked at developing an automobile racetrack locally. After being injured in stunts himself, and following a safety debacle at the new Indianapolis Motor Speedway, of which he was a principal, he helped develop paved racetracks and public roadways. Improvements he implemented at the speedway led to its nickname, "The Brickyard." In 1912, Fisher conceived and helped develop the Lincoln Highway, the first road for the automobile across the entire United States of America. A convoy trip a few years later by the U.S. Army along Fisher's Lincoln Highway was a major

This is a document about 1880s
  of 1886. The next year Benz created the Motorwagen Model 2 which had several modifications, and in 1887, the definitive Model 3 with wooden wheels was introduced, showing at the Paris Expo the same year. Benz began to sell the vehicle (advertising it as the Benz Patent Motorwagen) in the late summer of 1888, making it the first commercially available automobile in history. ; 1885–1887: William Stanley, Jr. of Brooklyn, New York, an employee of George Westinghouse, creates an improved transformer. Westinghouse had bought the patents of Lucien Gaulard and John Dixon Gibbs on the subject, and had purchased an option

This is a document about John William Lambert
  1893, relocated to Anderson, Ohio, taking some of his machinery with him. The new facility, made of brick, occupied around six acres and employed 250 people. It became the Buckeye Manufacturing Company, and the Lambert Gas and Gasoline Engine Company. The facility updated its equipment to manufacture automobiles in 1902, becoming the Union Automobile Company. Lambert's father became the president of the new enterprises, and Lambert himself became the treasurer and general manager of these ventures. Lambert is recognized by the Smithsonian Institution as the inventor of America's first gasoline powered car. The institute's museum and research center collections department holds several documents and

This is a document about Timeline of transportation technology
  1885 – Karl Benz invents the first car powered by an internal combustion engine, he called it the Benz Patent Motorwagen. ; 1887 - The first Battery electric multiple unit (battery rail car) was used on the Royal Bavarian State Railways. ; 1888 - Flocken Elektrowagen built by German inventor Andreas Flocken, the first true electric car. ; 1889 - The first interurban tram-train to emerge in the United States was the Newark and Granville Street Railway in Ohio, which opened in 1889. ; 1889 - First introduced in 1889, battery vehicles milk floats expanded use in 1931 and by

This is a document about Springfield, Massachusetts
  U.S. Constitutional Convention. During the 19th and 20th centuries, Springfielders produced many innovations, including the first American-English dictionary (1805, Merriam-Webster); the first use of interchangeable parts and the assembly line in manufacturing (1819, Thomas Blanchard); the first American horseless car (1825, Thomas Blanchard); the mass production of vulcanized rubber (1844, Charles Goodyear); the first American gasoline-powered car (1893, Duryea Brothers); the first successful motorcycle company (1901, "Indian"); one of America's first commercial radio stations (1921, WBZ, broadcast from the Hotel Kimball); and most famously, the world's second-most-popular sport, basketball (1891, Dr. James Naismith). Springfield would play major roles in machine production, initially driven by the arms

The first car in the United States was invented by John Lambert in 1871, but it was not until 1895 that the first American-built gasoline car, the Duryea Motor Wagon, was publicly run. The first gasoline automobile patent in the U.S. was approved for George Selden in 1895.


Question: who played sissy spacek 's mother in carrie

Answer: Piper Laurie

This is a document about Carrie (1976 film)
  Carrie is a 1976 American supernatural horror film directed by Brian De Palma from a screenplay written by Lawrence D. Cohen, adapted from Stephen King's 1974 epistolary novel of the same name. The film stars Sissy Spacek as Carrie White, a shy 16-year-old who is consistently mocked and bullied at school. The film also features Piper Laurie, Amy Irving, Nancy Allen, William Katt, P. J. Soles, Betty Buckley, and John Travolta in supporting roles. It is the first film in the Carrie franchise. The film was based on King's first novel by the same name. De Palma was intrigued by the story and pushed

This is a document about Sissy Spacek
  her record label, which led her to switch her focus to acting, enrolling at the Lee Strasberg Theatre and Film Institute. Spacek began her professional acting career in the early 1970s, making her debut as an extra in Andy Warhol's Women in Revolt (1971). Following her breakout role in Terrence Malick's influential crime film Badlands (1973), Spacek rose to international prominence with her portrayal of Carrie White in Brian De Palma's horror film Carrie (1976), for which she received her first nomination for the Academy Award for Best Actress. After appearing in the acclaimed films Welcome to L.A. (1976), and Robert Altman's 3 Women (1977), Spacek won the

This is a document about Sissy Spacek
  Spacek began the 1980s with an Academy Award for Best Actress for her performance in Coal Miner's Daughter (1980), in which she played country music star Loretta Lynn, who selected her for the role. Both she and Beverly D'Angelo, who played Patsy Cline, sang their characters' vocals themselves in the film. Film critic Roger Ebert credited the movie's success to:"the performance by Sissy Spacek as Loretta Lynn. With the same sort of magical chemistry she's shown before, when she played the high school kid in Carrie, Spacek at 29 has the ability to appear to be almost any age on screen. Here,

This is a document about Carrie (novel)
  The first adaption of Carrie was a feature film of the same name, released in 1976. Screenwritten by Lawrence D. Cohen and directed by Brian De Palma, the film starred Sissy Spacek as Carrie, along with Piper Laurie as Margaret, Amy Irving as Sue, Nancy Allen as Chris, John Travolta as Billy, Betty Buckley as Miss Collins (changed from Miss Desjardin), and William Katt as Tommy. It is regarded as a watershed film of the horror genre and one of the best film adaptations of a Stephen King work. Spacek and Laurie received Academy Award nominations for their performances. A 1999 sequel to the first film titled The

This is a document about Sissy Spacek
  her destructive impulses burst out and age her. Sissy Spacek uses her freckled pallor and whitish eyelashes to suggest a squashed, groggy girl who could go in any direction; at times, she seems unborn—a fetus. I don't see how this performance could be any better; she's touching, like Elizabeth Hartman in one of her victim roles, but she's also unearthly—a changeling." After Carrie, Spacek played the small role of housekeeper Linda Murray in Alan Rudolph's ensemble piece Welcome to LA (1976) and cemented her reputation in independent cinema with her performance as Pinky Rose in Robert Altman's classic 3 Women (1977).

This is a document about Houston Film Critics Society Awards 2010
 Sissy Spacek

This is a document about Sissy Spacek
  York Times called it a "cool, sometimes brilliant, always ferociously American film" and wrote, "Sheen and Miss Spacek are splendid as the self-absorbed, cruel, possibly psychotic children of our time." On the set of Badlands, Spacek met art director Jack Fisk, whom she married in 1974. She worked as the set dresser for Brian De Palma's film Phantom of the Paradise (1974). Spacek's most prominent early role came in De Palma's film Carrie (1976), in which she played Carietta "Carrie" White, a shy, troubled high school senior with telekinetic powers. Spacek had to work hard to persuade de Palma to cast her

This is a document about Sissy Spacek
  Mary Elizabeth "Sissy" Spacek (born December 25, 1949) is an American actress and singer. She is the recipient of numerous accolades, including an Academy Award, three Golden Globe Awards, a Screen Actors Guild Award, and nominations for four British Academy Film Awards, three Primetime Emmy Awards, and a Grammy Award. Spacek was honored with a star on the Hollywood Walk of Fame in 2011. Born and raised in Texas, Spacek initially aspired to a career as a recording artist. In 1968, at age 18, she recorded a single, "John, You Went Too Far This Time", under the name Rainbo. After sales of her music sputtered, she was dropped

This is a document about Brian De Palma
  the early months of production, as the source novel had yet to climb the bestseller list. De Palma gravitated toward the project and changed crucial plot elements based upon his own predilections, not the saleability of the novel. The cast was young and relatively new, though Sissy Spacek and John Travolta had gained attention for previous work in, respectively, film and episodic sitcoms. Carrie became De Palma's first genuine box-office success, garnering Spacek and Piper Laurie Oscar nominations for their performances. Pre-production for the film had coincided with the casting process for George Lucas's Star Wars, and many of the actors cast in De Palma's

This is a document about Carrie Fisher
  Carrie Frances Fisher (October 21, 1956 – December 27, 2016) was an American actress and writer. Fisher is known for playing Princess Leia in the Star Wars films, a role for which she was nominated for four Saturn Awards. Her other film credits include Shampoo (1975), The Blues Brothers (1980), Hannah and Her Sisters (1986), The 'Burbs (1989), When Harry Met Sally... (1989), Soapdish (1991), and The Women (2008). Fisher was nominated twice for the Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series for her performances on the television series 30 Rock and Catastrophe. She was posthumously made a Disney Legend in 2017, and in 2018 she was awarded a posthumous Grammy Award for Best Spoken

This is a document about Carrie White
 Sissy Spacek (1976; theatrical film) ; Linzi Hateley (1988; musical) ; Angela Bettis (2002; television film) ; Jodelle Ferland (2002; television film (young Carrie in a flashback sequence)) ; Molly Ranson (2012; musical) ; Chloë Grace Moretz (2013; theatrical film) ; Skyler Wexler (2013; theatrical film (young Carrie in a flashback sequence)) ; Madelaine Petsch (2018; Riverdale: A Night to Remember (as Cheryl Blossom )) ; Emilija Baranac (2018; Riverdale: A Night to Remember (as Midge Klump ))

This is a document about Carrie (1976 film)
  Many young actresses auditioned for the lead role, including Melanie Griffith. Sissy Spacek was persuaded by husband Jack Fisk to audition for the title role. Fisk then convinced De Palma to let her audition, and she read for all of the parts. De Palma's first choice for the role of Carrie was Betsy Slade, who received good notices for her role in the film Our Time (1974). Determined to land the leading role, Spacek backed out of a television commercial she was scheduled to film, rubbed vaseline into her hair, left her face unwashed, and arrived for her screen test clad in a sailor dress which her mother had made her in the seventh grade, with the hem cut off, and was given the part. Nancy Allen was the last to audition, and her audition came just as she was on the verge of leaving Hollywood. She and De Palma later married.

This is a document about 'night, Mother
  Sissy Spacek attended the Broadway production and liked the play so much she began work on a film version. Anne Bancroft was cast as Mama. Marsha Norman adapted her own play for the film's screenplay. Tom Moore, who directed the play on Broadway, also directed the film. The film added more characters, whereas the play featured only two performers. The film received mixed reviews and was not nominated for any Academy Awards, although Bancroft was nominated for the Golden Globe Award for Best Actress in a Motion Picture – Drama. Spacek was nominated for the Academy Award that year for Crimes of the Heart, another film adaptation of a play, released the same year.

This is a document about Peter Jensen (fashion designer)
  A fictional character from the Ingmar Bergman film Fanny och Alexander. SS 2006	'Sissy'	- Sissy Spacek is an American actress, famous for her roles in the films Badlands (1973), Carrie (1976) and Coal Miner's Daughter (1980). AW 06-07 'Helena' - Helena Rubinstein died in 1965 as one of the richest women in the world due to her beauty product. SS 2007	'Tina' - Tina Barney is an American photographer, mostly photographing her own family. AW 07-08 'Christina' - Princess Christina of Denmark was the 3rd child of King Christian the 2nd of Denmark. She died in 1590. SS 2008	'Mink' - Mink Stole

This is a document about Nancy Allen (actress)
  Allen's first major film role was as Nancy, Jack Nicholson's nervous date, in The Last Detail (1973), directed by Hal Ashby. This inspired her to move to Los Angeles to continue her acting career. Initially, Allen struggled to find acting jobs and was told by an agent that, being 25 years old, it "was over for her." However, in November 1975, she auditioned for the role of the spoiled and popular mean girl Christine Hargensen in director Brian De Palma's horror film Carrie (1976) opposite Sissy Spacek, Amy Irving, and John Travolta, as the title character's chief nemesis. After a protracted casting

This is a document about P. J. Soles
  Fisher. However, she was cast as Norma Watson in Brian De Palma's Carrie. She starred alongside Sissy Spacek, Nancy Allen, John Travolta, Amy Irving and Piper Laurie. Originally, her character was just a minor role, and only supposed to have one line, but De Palma liked her so much that he expanded her role, as the secondary antagonist to Allen's Chris Hargensen. Soles was injured on the set during filming, when a blast from a fire hose during the prom scene ruptured her eardrum. The same year, she reunited with Carrie co-star John Travolta in Randal Kleiser's television film The Boy in the Plastic Bubble. Subsequently,

This is a document about Trading Mom
 Sissy Spacek as Mrs. Martin/Mama, the snappy French woman/Mom, the nature-hiker/Natasha, the circus performer ; Aaron Michael Metchik as Jeremy Martin ; Anna Chlumsky as Elizabeth Martin ; Asher Metchik (Aaron's real-life brother) as Harry Martin ; Maureen Stapleton as Mrs. Cavour ; André the Giant as the Circus Strongman ; Merritt Yohnka as Principal Terrance Leeby ; Sean MacLaughlin as Edward, the Mommy Market's manager ; Schuyler Fisk (Sissy's real-life daughter) as Suzy ; Anne Shannon Baxter as Lily ; Andrew Largen as Ricky Turner, the school bully ; Nancy Chlumsky (Anna's real-life mother) as Dr. Gloria Richardson, the social worker ; Ariana Metchik (Aaron and Asher's real-life sister) as the Girl Scout ; Igor De Laurentiis (producer Rafaella's real-life nephew) as the boy in the black jacket

This is a document about The Rage: Carrie 2
  Amy Irving reprised the role of Sue Snell, which she originated in the first Carrie, though she was initially wary of taking the role and asked Brian De Palma, director of the original film, for his blessing. Director Shea was told that she would not be able to use footage of Sissy Spacek from the original Carrie, but she edited several scenes into the film and presented the film to Spacek, who granted permission for her likeness to be used.

This is a document about Carrie (2013 film)
  In May 2011, representatives from MGM and Screen Gems announced that the two companies were producing a film remake of Carrie. The two studios hired Spider-Man: Turn Off the Dark playwright Roberto Aguirre-Sacasa to write a screenplay that delivers "a more faithful adaption" of King's novel—Aguirre-Sacasa previously adapted King's work The Stand into a comic book in 2008. Reshoots were ordered, as the screenplay was re-written by Lawrence D. Cohen, who also wrote the original film. Upon hearing of the new adaptation, King remarked, "The real question is why, when the original was so good?" He also suggested Lindsay Lohan for the main role and stated that "it [the film] would certainly be fun to cast". Actress Sissy Spacek, who played Carrie in the 1976

This is a document about 'night, Mother (film)
  'night, Mother is a 1986 American drama film starring Sissy Spacek and Anne Bancroft. It was directed by Tom Moore and written by Marsha Norman, based on Norman's Pulitzer Prize-winning play of the same name. The film was entered into the 37th Berlin International Film Festival. Tom Moore had also directed the play on Broadway.

Piper Laurie played Sissy Spacek's mother in the film "Carrie."


Question: what is the highest color belt in jiu jitsu

Answer: red

This is a document about List of Brazilian jiu-jitsu practitioners
  The Brazilian jiu-jitsu ranking system awards practitioners different colored belts for increasing levels of knowledge and skill. The system shares its origins with Judo but now has its own character that has become synonymous with the art, including an informality in promotional criteria and a conservative approach to promotion in general generally resulting in a longer time to reach black belt. While black belt is commonly viewed as the highest rank of attainment, a practitioner who achieves the rank of 7th degree in Brazilian jiu-jitsu is recognized by a belt of alternating red-and-black. In 2013, the International Brazilian Jiu-Jitsu Federation adopted the alternating red-and-white belt to acknowledge the achievement of 8th degree. (similar to Judo's substitution of an alternating white-and-red belt at the 6th, 7th, and 8th degree). At the 9th and 10th degree the practitioner is awarded a solid red belt, identical to Judo. These exceptional belts are awarded to denote the exceptional status of their wearer and his or her knowledge and overall contribution to the art. The following individuals are particularly notable practitioners holding these respective ranks:

This is a document about Jiu-Jitsu Federation of Rio de Janeiro
  The federation awards a black belt after 6 to 15 years of jiu-jitsu practice. The black belt ranks as follows (from highest to lowest): The correct positioning of the end bars and stripes is shown in the following video: The Coral belt is indicative of a professor who has decided to retire from fighting. This was shown when Rickson Gracie wore a 7th Degree solid Black belt. All promotions involving any black belt rank require a recommendation of two masters and approval of at least five officials of the federation. Ranks below black belt are awarded by individual professors and are then confirmed publicly through competition with other students of the same rank. Beginners and new students wear a white belt. Adult belt levels progress from white to blue, then purple, and finally brown, after which the practitioner becomes eligible for a black belt. There is a larger number of belt colors for children.

This is a document about Brazilian jiu-jitsu ranking system
  Brown belt is the highest ranking color belt below black belt in Brazilian jiu-jitsu. Progressing from a beginner white belt through to a brown belt typically requires at least five years of dedicated training. It is often thought of as a time for refining techniques. The IBJJF requires that students be at least 18 years old and recommends they have spent a minimum of 18 months as a purple belt to be eligible for a brown belt. The IBJJF requires a practitioner to train at the brown belt level for a minimum of one year before ascending to black belt.

This is a document about The Jitsu Foundation
  much greater variation in skill and ability between jitsuka of 7th kyu and of 6th kyu, than there is between jitsuka of the higher grades. Nevertheless, it is possible for a candidate to these higher grades to obtain the status of 'top-grade' (such as top-green, top-purple or top-blue) when his or her performance at the grading is considered superior to that of other candidates. The order of belts in TJF are: White (Novice or 8th Kyu), Yellow (7th Kyu), Orange (6th Kyu), Green (5th Kyu), Purple (4th Kyu), Light Blue (3rd Kyu), Dark Blue (2nd Kyu), Brown (1st Kyu), followed by the Dan grades,

This is a document about Brazilian jiu-jitsu ranking system
  When a Brazilian jiu-jitsu black belt reaches the seventh degree, he or she is awarded an alternating red-and-black belt similar to the one awarded fourth degree black belt by very few judo bodies such as the USJA. This belt is commonly known as a coral belt, after the coral snake. Coral belts are very experienced practitioners, most of whom have made a large impact on Brazilian jiu-jitsu, and are often addressed within the art by the title master. The IBJJF requires a minimum of 7 years of training and teaching at the black and red belt level before progressing to the next rank.

This is a document about Gracie jiu-jitsu ranking system
  Having its roots in the Japanese martial art and sport of judo, Gracie/Brazilian jiu-jitsu adopted a similar colored belt system to signify a practitioner's progression within the art. However, to differentiate jiu-jitsu from the other disciplines, a solid bar was included on the belt near one of the ends. As a practitioner advances, stripes are awarded and placed at equidistant intervals on the solid bar—which is colored black for most belt ranks—as intermediate signifiers between belt ranks. Generally a student will receive four stripes before advancing to the next full rank, but it is not uncommon for a practitioner to be promoted to a new belt without being awarded all four stripes of the previous rank. For most belt ranks, and most Gracie schools, each stripe is awarded at the discretion of the instructor, without any specific curriculum or qualification requirements.

This is a document about Brazilian jiu-jitsu ranking system
  list of color-ranked judokas appears in the Budokwai Committee Minutes of June 1927. Kawaishi may have arrived in the UK by 1928, and appears to have first visited London and the Budokwai in 1931. From there he was probably inspired to bring the colored belt system to France. Since then, Brazilian jiu-jitsu, judo, and many other martial arts have adopted the use of colored belts to denote students' progression in the arts. The first official belt ranking system was created in 1967 by the Jiu-Jitsu Federation of Guanabara. Before those days, there were three belt colors in Brazilian jiu-jitsu that primarily distinguished instructors from students. The white belt was for students, light blue for instructors, and dark blue for masters. The Sport Jiu Jitsu International Federation (SJJIF) and International Brazilian Jiu-Jitsu Federation implemented much of the current criteria and modern belt ranks.

This is a document about Rank in Judo
  Brazilian belt rankings are normally white, grey, blue, yellow, orange, green, purple, brown and black (6th, 7th, and 8th dan may wear alternating red and white panels, and 9th and 10th dan holders may wear solid red belts). As in some European countries, young judoka in Brazil have an extra system in place to show the progress in between two kyū grades. The sub rank exists between white and orange belts and is symbolized by the ends of the current belt being the color of the next rank.

This is a document about Brazilian jiu-jitsu ranking system
  The International Brazilian jiu-jitsu Federation in 2013, amended the graduation guidelines with respect to the transition between seventh degree and eighth degree black belt. In short, a practitioner who has achieved the rank of 8th degree black belt will wear a red and white belt similar to the one worn on formal occasions by sixth to eighth degree holders in judo which is also commonly called a coral belt. The IBJJF requires a minimum of 10 years of teaching and training at the red and white belt level before progressing to the next rank.

This is a document about Brazilian jiu-jitsu ranking system
  Blue belt is the second adult rank in  Brazilian jiu-jitsu at schools that do not use yellow, orange, and green belts for adults. At the blue belt level, students gain a wide breadth of technical knowledge and undertake hundreds of hours of mat time to learn how to implement these moves efficiently. Blue belt is often the rank at which the student learns a large number of techniques. The IBJJF requires a practitioner remain a blue belt for a minimum of two years before progressing to purple. Although many Brazilian jiu-jitsu organizations adhere to the IBJJF standard of awarding the yellow, orange, and green belt exclusively as part of a youth belt system (under 16 years of age), some supplement the time between white belt and blue belt with one or more belts of these colors with adult practitioners as well. The IBJJF requires that a practitioner be at least 16 years old to receive a blue belt, thereby officially entering into the adult belt system.

This is a document about Gracie jiu-jitsu ranking system
  navy belt. For individuals who begin training as adults (automatically bypassing junior grade levels), the Gracie Jiu-Jitsu Academy and its Certified Training Centers around the world award a white belt with a navy blue center to students who are promoted from the solid white (beginner) rank. This belt is referred to as a "Combatives belt" in reference to the Gracie Combatives program which serves as the foundation for all beginner students. This belt was introduced to serve as an intermediary rank for students who have completed the beginner curriculum, but still lack the level of experience commonly attributed to blue belt practitioners. The Academy also introduced a pink belt for graduates of their Women Empowered self-defense program, a curriculum featuring a limited set of jiu-jitsu techniques specifically curated to defend against common sexual assault scenarios.

This is a document about Brazilian jiu-jitsu ranking system
  The Brazilian jiu-jitsu ranking system signifies a practitioner's increasing level of technical knowledge and practical skill within the art. Colored belts worn as part of the uniform are awarded to the practitioner. The ranking system shares its origins with the judo belt-rank system, but the Brazilian system incorporates some minor differences from Judo such as a division between youths and adults and the issuance of stripes and degrees. Some differences have become synonymous with the art, such as a marked informality in promotional criteria, a focus on competitive demonstration of skill, and conservative promotion.

This is a document about Gracie jiu-jitsu ranking system
  Prior to their promotions, Rickson Gracie and Joe Moreira were notable examples of this. Pedro Sauer also maintains a red and black belt as an eighth degree rank. Beyond 8th degree, the 9th and 10th degrees are signified with solid red belts. Noted practitioners Renzo & Royler Gracie have stated that the red belt in Gracie/Brazilian jiu-jitsu is reserved "for those whose influence and fame takes them to the pinnacle of the art". Red belt holders are often addressed within the art by the title grandmaster. The 10th degree has been given only to the pioneers of the art, being awarded to senior Gracie brothers: Carlos, Oswaldo, George, Gaston and Hélio, and to two additional masters, Luiz França and Francisco Sá.

This is a document about Kajukenbo
  Ranking hierarchies vary widely from school to school. Traditional Japanese martial art ranking is often followed. One common belt order is as follows: white, yellow, orange, purple, blue, green, brown, and black, followed by the other various degrees of the black belt. The schools have second and third stripe belts that feature a white for second or black for third stripe running down the center of the belt. Black belt rankings and titles can also vary, with most schools adopting either Chinese or Japanese titles.

This is a document about Brazilian jiu-jitsu ranking system
  According to Renzo and Royler Gracie, in Brazilian jiu-jitsu the red belt is reserved "for those whose influence and fame takes them to the pinnacle of art". It is awarded in lieu of a ninth and tenth degree black belt. If a practitioner receives his or her black belt at 19 years old, the earliest they could expect to receive a ninth degree red belt would be at the age of 67. Brazilian jiu-jitsu red belt holders are often addressed within the art by the title grandmaster. The 10th degree was given only to the pioneers of Brazilian Jiu-Jitsu, and the Gracie brothers: Carlos, Oswaldo, George, Gaston and Helio. The highest ranking living practitioners are 9th degree red belts, as there are no living 10th degree red belts.

This is a document about Red belt (martial arts)
   A red belt is one of several colored belts used in some martial arts to either denote rank or differentiate opponents in a competition. Like the more commonly known black belt, its use varies between arts, with most using it for the style founder, grandmaster or other high rank, while others use it as the immediately pre–black belt rank or even to denote a beginner who holds no rank. In some schools, especially those with lineage related to Kodokan Judo, a red belt signifies ninth or tenth degree Dan rank, the highest ranks attainable.

This is a document about Brazilian jiu-jitsu ranking system
  Children between 4 and 15 years old can receive belt colors that reward progress after a white belt but before earning a blue belt, which can only be awarded to people 16 years or older. In 2015, the International Brazilian Jiu-Jitsu Federation specified 13 belts for competitors aged 4 through 15. The group of three gray belts are for competitors aged 4 through 15 years old. The group of three yellow belts are for competitors 7 through 15 years old. The group of orange belts are for competitors 10 through 15 years old. The group of three green belts are for competitors 13 through 15 years old. When a competitor turns 16, they must move to the adult system of belts according to the belt that they have at the time. White belts remain at white belts. Gray, yellow or orange belts can turn to white or blue belt at the professor's decision. Green belt can turn to white, blue or purple belt according to the professor's decision.

This is a document about Kyū
  In some styles, students wear white belts until they receive their first dan rank or black belt, while in others a range of colors are used for different kyū grades. The wearing of coloured belts is often associated with kyū ranks, particularly in modern martial arts such as karate and judo (where the practice originated). However, there is no standard association of belt colours with particular ranks and different schools and organizations assign colours independently; see Rank in Judo for examples of variation within an art. However, white is often the lowest ranked belt and brown is the highest kyū rank, and it is common to see the darker colors associated with the higher ranks, i.e., the closest to black belt. The system

This is a document about Gracie jiu-jitsu ranking system
  In some instances, practitioners within the Gracie system will wear belts not recognized or utilized within the greater jiu-jitsu community. Some notable black belt level practitioners, including Royce Gracie and the Valente brothers, have transitioned to wearing a dark navy blue belt in deference to the historical tradition prior to the colored belt ranking system, (a white belt designated a student, a light blue belt designated an instructor, and head professors wore a dark navy belt). For a period of time, this was the system held by Helio Gracie. Royce in particular gave his reasoning in a live interview, stating that he has only ever been promoted by his father Helio, and after his father's passing, he has no interest in being promoted by anyone else. Therefore, he followed his father's example and began wearing a

This is a document about Mariusz Linke
  skip Linke from white to purple in late 2002 due to his extensive Judo background, this skip in rank is a very rare occurrence and was the first person under Jorge Patino and first BJJ practitioner to join Chute Boxe Academy to do so. Linke is also known for his outlandish appearance, covered in numerous tattoos and coloring his nails and hair to distract other fighters. Maruisz has produced the most black belts in Brazilian jiu-jitsu in Poland, as of 2017 he has promoted 43 black belts in BJJ, 77 brown belts and over 200 purple belts. After winning his gold medal at the Pan Jiu-Jitsu No-Gi Championship in 2015 Linke has become the unofficial record breaking holder for most medals won in professional grappling and contact sports as a Polish competitor.

The highest color belt in Brazilian jiu-jitsu is the 8th-degree red belt, which is awarded to practitioners who have achieved exceptional mastery of the art. In some organizations, such as the International Brazilian Jiu-Jitsu Federation (IBJJF), the highest belt is the 10th-degree red belt, which is a rare honor reserved for the most accomplished masters.


Question: the most innings played in a mlb game

Answer: 26

This is a document about Extra innings
  The record for the most innings ever played in a single professional game is 33 which occurred in in a Minor League Baseball game between the Pawtucket Red Sox and the Rochester Red Wings, Triple-A affiliates of the Boston Red Sox and the Baltimore Orioles, respectively. Each team had a future Hall of Famer on its roster: Wade Boggs for Pawtucket and Cal Ripken Jr. for Rochester.

This is a document about Longest professional baseball game
  The Pawtucket Red Sox and the Rochester Red Wings, two teams from the Triple-A International League, played the longest game in professional baseball history. It lasted 33 innings, with 8 hours and 25 minutes of playing time. 32 innings were played April 18/19, 1981, at McCoy Stadium in Pawtucket, Rhode Island, and the final 33rd inning was played June 23, 1981. Pawtucket won the game, 3–2.

This is a document about Extra innings
  The longest game by innings in Major League Baseball was a 1–1 tie in the National League between the Boston Braves and the Brooklyn Robins in 26 innings, at Braves Field in Boston on May 1,. It had become too dark to see the ball (fields did not have lights yet and the sun was setting), and the game was considered a draw. Played rapidly by modern standards, those 26 innings were completed in 3 hours and 50 minutes. As was the custom, the first pitch was thrown at 3:00 p.m.; home plate umpire Barry McCormick called the game as lights began appearing in the windows of buildings across

This is a document about List of Major League Baseball career innings pitched leaders
  In baseball, innings pitched (IP) are the number of innings a pitcher has completed, measured by the number of batters and baserunners that are put out while the pitcher is on the pitching mound in a game. Three outs made is equal to one inning pitched. One out counts as one-third of an inning, and two outs counts as two-thirds of an inning. This is a list of the top 100 Major League Baseball pitchers who have accumulated the most innings pitched of all time. Cy Young is the all-time leader in innings pitched with 7,356, and the only pitcher to throw more than 7,000 innings. Pud Gavin is the only other pitcher in MLB history to throw more than 6,000 innings.

This is a document about List of Los Angeles Angels team records
 Longest Game, Innings: 20 (at Oakland, July 9, 1971 and vs Seattle, April 13, 1982) ; Longest Game, Time: 6 hours, 37 minutes (at Oakland, April 29, 2013 - 19 innings) ; Longest Game, Time (9 innings): 4 hours, 12 minutes (at New York, August 25, 1998) ; Home Runs: 7 (June 4, 2003) ; Home Runs (Inning): 4 (May 28, 2000) ; Hits: 26 (August 25, 1979 and June 20, 1980) ; Runs: 24 (August 25, 1979) ; Runs (Inning): 13 (May 12, 1997) ; Singles: 20 (August 23, 1967) ; Doubles: 10 (April 12, 1999) ; Triples: 3, several times (last Sept. 3, 2000) ; Total Bases: 52 (June 20, 1980) ; Total Bases (Inning): 24 (April 30, 1966) ; Extra Base

This is a document about 2014 in baseball
  starter for the St. Petersburg Cardinals of the Florida State League in a game against the Miami Marlins that turned out to be the longest uninterrupted game ever played in organized baseball history; a 29-inning, 4–3 victory for the Marlins, with the contest having lasted until the early hours the next day. The longest game in professional baseball history faced the Pawtucket Red Sox and Rochester Red Wings of the International League and lasted for 33 innings, but 32 innings were played on April 18/19, 1981, and the final 33rd inning was played on June 23, 1981, as the Red Sox claimed a 3–2 victory.

This is a document about Tiebreaker
  If a baseball game is tied at the end of the usual nine innings, the game continues into extra innings until an inning ends with one team ahead. Although games are occasionally ended as ties on account of weather or darkness (the latter happened much more often before lights were installed on most professional baseball fields in the 1940s), and some leagues (including Nippon Professional Baseball) allow only a limited number of extra innings before a game ends as a tie, professional baseball in the United States has no such limit. The longest Major League game in history (on May 1, 1920) lasted 26 innings, and a minor-league game in 1981 lasted 33 innings. In some venues, including international baseball, starting with the second extra inning, that inning may begin a full reset of the batting order to the coach's choice with up to two runners already on base, in order to increase the chances of a resolution. Major League Baseball uses the term "tiebreaker" to refer to one or more additional games played after the scheduled end of the regular season between teams with identical win-loss records in order to determine participants in postseason play.

This is a document about Extra innings
  ; Most games running to extra innings, played over the course of a World Series: 3 (1991). No other Series has had more than two games running to extra innings. Over the history of the World Series, 63 games have gone to extra innings, setting the following innings-related records.  Additionally, World Series-deciding games have gone to extra innings 10 times: 1912's game 8, 1924's game 7, 1933's game 5, 1939's game 4, 1991's game 7, 1992's game 6, 1997's game 7, 2012's game 4, 2015's game 5, and 2016's game 7 all went past 9 innings before a champion was determined.

This is a document about The Massachusetts Game
 On July 28, 1859, in a game at Ashland, the Medway Unions defeated the Upton Excelsiors 100-78 in 211 innings. Although these innings were defined by one out – and not three – this was the most innings ever played in a baseball game. ; The following year, at the Worcester Agricultural Fairgrounds the same two clubs played the longest game ever in the history of baseball. According to Philip J. Lowry in the SABR 2004 Baseball Research Journal: "The game was scheduled to begin Sep 25, 1860. Play continued through Sep 26, 27, 28; Oct 1, 4, and 5 until finally it was called

This is a document about 2013 Major League Baseball season
  a game that ended in a 7–5 win for Chicago in 16 innings. This was the first time in Major League history that both teams scored at least five runs in a game that was scoreless through nine innings. ; New York Mets/Miami Marlins, Texas Rangers/Toronto Blue Jays: ; The two games combined to be a total of 38 innings, and nearly 12 hours long, both on June 8. Texas and Toronto played 18 innings while Miami and the Mets played twenty.  These games are the longest pair of games in ninety-seven years. Eventually, Toronto and Miami went home finally with victories.

This is a document about Overtime (sports)
  out. The longest professional baseball game ever played, a 1981 minor league baseball game between the Pawtucket Red Sox and the Rochester Red Wings required 33 innings and over eight hours to complete. The Red Wings had scored in the top half of the 21st inning, but Pawtucket tied the game in the bottom half, extending the game. Major League Baseball games normally end in a tie only if the game is called off due to weather conditions. In the early decades of baseball (up to the 1920s), a game could also be called off due to nightfall, but this

This is a document about Extra innings
  after 18 innings due to darkness at Bennett Park in Detroit. The longest scoreless period within a completed game came in the April 15, 1968 game between the Astros and Mets which remained scoreless after 23 innings. The Washington Senators became the first team in Major League history to play multiple games of at least 20 innings in a season when they defeated the Minnesota Twins 9–7 in 20 innings on August 9, 1967, after winning a 22-inning game over the Chicago White Sox on June 12 of that year. This feat would later be accomplished by the 1971 Oakland Athletics who had games of 21 and 20

This is a document about List of Major League Baseball individual streaks
 2,632 – Cal Ripken, Jr., Baltimore Orioles – May 30, 1982 through September 19, 1998 8,243 – Cal Ripken, Jr., Baltimore Orioles – June 5, 1982 through September 14, 1987 (record set over 903 games) 27 – Cap Anson, Rockford Forest Citys, Philadelphia Athletics, Chicago White Stockings, and Chicago Colts – 1871–1897 (1871–1875 seasons were played in the National Association, a professional league which preceded Major League Baseball). ; 26 – Nolan Ryan, New York Mets, California Angels, Houston Astros, and Texas Rangers – 1968–1993 (all seasons played in Major League Baseball) 23 (2 tied) ; Brooks Robinson, Baltimore Orioles – 1955–1977 ; Carl Yastrzemski, Boston Red Sox – 1961–1983 12 – Terry Mulholland, Philadelphia Phillies, New York Yankees, San Francisco Giants, Seattle Mariners, Chicago Cubs, Atlanta Braves, Pittsburgh Pirates, Los Angeles Dodgers, Cleveland Indians, and Minnesota Twins – 1993–2004 13 – Mariano Rivera, New York Yankees – 1995–2007 Consecutive games played Consecutive innings played (non-pitcher) Consecutive seasons played Consecutive seasons played with one team Consecutive seasons played with different or multiple teams (includes off-season and mid-season changes) Consecutive seasons with a playoff appearance

This is a document about Overtime (sports)
  – 26 October 2018: Los Angeles Dodgers beat the Boston Red Sox 3–2 in 18 innings as Max Muncy hit a walk-off solo shot off Nathan Eovaldi to end the 7-hour, 20-minute contest. ; Minor league – International League – 18 April 1981: In the longest professional baseball game ever played with 8 hours and 25 minutes of playing time, the Pawtucket Red Sox defeated the Rochester Red Wings 3–2 in 33 innings. The game was suspended at the end of the 32nd inning at 4:09 AM local time and resumed one month later. The decisive 33rd inning took just 18 minutes to play. ; Collegiate – 30 May 2009: The Texas Longhorns defeated the Boston College Eagles 3–2 in 25 innings in the Austin regional of the 2009 NCAA Division I Baseball Championship tournament.

This is a document about Extra innings
  Charles River, just before 7:00 p.m. The longest American League game, and tied for the longest major league game by innings which ended with one team winning, was a 7–6 victory by the Chicago White Sox over the Milwaukee Brewers in 25 innings, at Comiskey Park in Chicago in. The game began at 7:30 p.m. on May 8, 1984, and after scoring early runs both teams scored twice in the 8th inning; but the game was suspended after 17 innings with the score tied 3–3 due to a league curfew rule prohibiting an inning from beginning after 12:59 a.m. The game was continued the following evening, May 9, 1984,

This is a document about List of Major League Baseball single-game records
 26 strikeouts in a game of any length. Number of occurrences: 4. New York Mets, August 23, 2019 (in a14-inning game); Los Angeles Dodgers, June 2, 2017 (in a 12-inning game); Chicago Cubs, May 7, 2017 (in an 18-inning game); and California Angels, July 9, 1971 (in a 20-inning game). ; Most strikeouts in a game of any length by both teams. 48 in an 18 inning game between the Cubs and Yankees on May 7th 2017

This is a document about 2004 American League Championship Series
  and the Atlanta Braves which lasted 5 hours and 50 minutes, though that game lasted 18 innings. This record has since been surpassed by Game 2 of the 2014 National League Division Series between the Washington Nationals and the San Francisco Giants, lasting 6 hours and 23 minutes over 18 innings, and Game 3 of the 2018 World Series between the Red Sox and the Los Angeles Dodgers, lasting 7 hours and 20 minutes over 18 innings. ; David Ortiz became the first player to hit two walk-off HRs in the same postseason, 2004 American League Division Series Game 3 and 2004 ALCS Game 4.

This is a document about 2008 Major League Baseball season
 The Philadelphia Phillies notched two 20-run games in one season for their first time since 1900. ; The Colorado Rockies and San Diego Padres played a game that took 22 innings to complete on April 17 at Petco Park, lasting 6 hours, 16 minutes, marking the longest game (in terms of innings played) in the history of both franchises. The Rockies won 2–1. The Padres would later play another long home game on May 25, this time an 18-inning affair against the Cincinnati Reds. The game, which ran five hours, 57 minutes was the longest game (time wise) in the Reds'

This is a document about List of Major League Baseball single-game records
  Stammen, June 9, 2019. ; 7 home runs allowed in a game. Number of occurrences: 1. Charlie Sweeney, June 12, 1886. ; 6 wild pitches in one game. Number of occurrences: 3.  Most recently, Bill Gullickson, October 4, 1982. Bert Cunningham of the 1890 Players' League threw five wild pitches in a single inning. ; 26 hits allowed in a game. Number of occurrences: 1. Allan Travers, May 18, 1912. ; 29 hits allowed in an extra-inning game. Number of occurrences: 1. Eddie Rommel (17 innings), July 10, 1932. ; Oldest pitcher to win a game. Jamie Moyer, age 49 years, 163 days, May 16, 2012. ; Most innings pitched by a relief pitcher in one game. Zip Zabel, 18 1⁄3 innings. June 17, 1915

This is a document about Baseball rules
  League Baseball, the longest game played was a 26-inning affair between the Brooklyn Robins and Boston Braves on May 1, 1920. The game, called on account of darkness, ended in a 1–1 tie. Two minor-league teams, the Pawtucket Red Sox and Rochester Red Wings, played a 33-inning game in 1981. In Major League Baseball, games end with tie scores only in rare cases when conditions make it impossible to continue play. A tie game does not count as a game in the standings—a 2008 rule change made all tie games suspended unless and until not needed for the sake of determining playoff teams, and no longer replayed;

The most innings played in a Major League Baseball game is 33, which was played between the Pawtucket Red Sox and Rochester Red Wings in a minor league game on May 23, 1981, and June 23, 1981.


Question: when was the statue of liberty given to the usa

Answer: 1886

This is a document about Eugène Spuller
  On 4 July 1884 Spuller and other members of the French Cabinet formally presented the Statue of Liberty to the United States. Following the ceremony, the statue was dismantled into numbered sections and packed in 210 wooden cases and put aboard the government steamship Idsdre, which sailed on 21 May 1885 for New York City.

This is a document about Liberty Island
  The statue, entitled Liberty Enlightening the World, was a gift from the people of France to mark the American Centennial. It was agreed that the Congress would authorize the acceptance of the statue by the President of the United States, and that the War Department would facilitate its construction and presentation. The construction of the statue was completed in France in July 1884. The cornerstone was laid on August 5, 1884, and after some funding delays, construction of the pedestal was finished on April 22, 1886. The statue arrived in New York Harbor on June 17, 1885, on board the French frigate Isère, was stored for eleven months in crates waiting for its pedestal to be finished, and was then reassembled in four months. On October 28, 1886, the Statue of Liberty was unveiled by President Grover Cleveland. The name Liberty Island was made official by Congress in 1956.

This is a document about New York City
  control in 1664 and was renamed New York after King Charles II of England granted the lands to his brother, the Duke of York. The city was regained by the Dutch in July 1673 and was renamed New Orange for one year and three months; the city has been continuously named New York since November 1674. New York City was the capital of the United States from 1785 until 1790, and has been the largest U.S. city since 1790. The Statue of Liberty greeted millions of immigrants as they came to the U.S. by ship in the late 19th and early 20th

This is a document about Statue of Liberty
  idea with influential Americans. In June 1871, Bartholdi crossed the Atlantic, with letters of introduction signed by Laboulaye. Arriving at New York Harbor, Bartholdi focused on Bedloe's Island (now named Liberty Island) as a site for the statue, struck by the fact that vessels arriving in New York had to sail past it. He was delighted to learn that the island was owned by the United States government—it had been ceded by the New York State Legislature in 1800 for harbor defense. It was thus, as he put it in a letter to Laboulaye: "land common to all the states." As well as meeting many

This is a document about France–United States relations
  companies, tariffs were high, and mutual investments were uncommon. All during this period, the relationship remained friendly—as symbolized by the Statue of Liberty, presented in 1884 as a gift to the United States from the French people. From 1870 until 1918, France was the only major republic in a Europe of monarchies, which endeared it to the United States. Few French people emigrated, but many held the United States in high esteem, as a land of opportunity and as a source of modern ideas. Intellectuals, however, saw the United States as a land built on crass materialism, lacking in a significant

This is a document about Statue of Liberty
  The Statue of Liberty (Liberty Enlightening the World; French: La Liberté éclairant le monde) is a colossal neoclassical sculpture on Liberty Island in New York Harbor in New York City, in the United States. The copper statue, a gift from the people of France to the people of the United States, was designed by French sculptor Frédéric Auguste Bartholdi and its metal framework was built by Gustave Eiffel. The statue was dedicated on October 28, 1886. The statue is a figure of Libertas, a robed Roman liberty goddess. She holds a torch above her head with her right hand, and in her left hand carries a tabula ansata inscribed JULY

This is a document about Frédéric Auguste Bartholdi
  massive statue and once its design was approved, the Union Franco-Américaine raised more than 1 million francs throughout France for its building. In 1879, Bartholdi was awarded design patent for the Statue of Liberty. On 4 July 1880, the statue was formally delivered to the American minister in Paris, the event being celebrated by a great banquet. In October 1886, the structure was officially presented as the joint gift of the French and American people, and installed on Bedloe's Island in New York Harbor. It was rumored in France that the face of the Statue of Liberty was modeled after Bartholdi's mother. The statue is 46m high (151 feet and 1 inch), and the top of the torch is at an elevation of 93m (305 feet 1 inch) from mean low-water mark. It was the largest work of its kind that had been completed up to that time.

This is a document about Manhattan
  millions seeking a new life in the United States, a role acknowledged by the dedication of the Statue of Liberty on October 28, 1886, a gift from the people of France. New York's growing immigrant population, which had earlier consisted mainly of German and Irish immigrants, began in the late 1800s to include waves of impoverished Italians and Central and Eastern European Jews flowing in en masse. This new European immigration brought further social upheaval. In a city of tenements packed with poorly paid laborers from dozens of nations, the city became a hotbed of revolution (including anarchists and communists among others), syndicalism, racketeering, and

This is a document about New York metropolitan area
  British early in the war, becoming a haven for Loyalist refugees from other parts of the country, and remained in the hands of the British until the war ended in 1783. New York served as the capital of the United States from 1785 until 1790, after which the capital moved to Philadelphia. New York has been the country's largest city since 1790. In 1792, the Buttonwood Agreement, made by a group of merchants, created what is now the New York Stock Exchange in Lower Manhattan. Today, many people in the metropolitan area work in this important stock exchange. The Statue of Liberty in New York

This is a document about New York (state)
 The Statue of Liberty National Monument includes Ellis Island and the Statue of Liberty. The statue, designed by Frédéric Bartholdi and formally named Liberty Enlightening the World, was a gift from France to the United States to mark the Centennial of the American Declaration of Independence; it was dedicated in New York Harbor on October 28, 1886. It has since become an icon of the United States and the concepts of democracy and freedom. ; The African Burial Ground National Monument in Lower Manhattan is the only national monument dedicated to Americans of African ancestry. It preserves a site containing the remains

This is a document about Folklore of the United States
  Frédéric Bartholdi and dedicated on October 28, 1886. The statue, a gift to the United States from the people of France, is of a robed female figure representing Libertas, the Roman goddess of freedom, who bears a torch and a tablet upon which is inscribed the date of the American Declaration of Independence, July 4, 1776. The statue is an icon of freedom and of the United States: a welcoming signal to immigrants arriving from abroad. ; Uncle Sam (initials U.S.) is a common national personification of the American government and came into use during the War of 1812. According to legend, Samuel Wilson, a meatpacker in New York, supplied rations for the soldiers and stamped the

This is a document about Statue of Liberty
  pedestal were formed in New York, Boston, and Philadelphia. The New York group eventually took on most of the responsibility for American fundraising and is often referred to as the "American Committee". One of its members was 19-year-old Theodore Roosevelt, the future governor of New York and president of the United States. On March 3, 1877, on his final full day in office, President Grant signed a joint resolution that authorized the President to accept the statue when it was presented by France and to select a site for it. President Rutherford B. Hayes, who took office the following day, selected the Bedloe's Island site that Bartholdi had proposed.

This is a document about Manhattan
  in 1626. The territory and its surroundings came under English control in 1664 and were renamed New York after King Charles II of England granted the lands to his brother, the Duke of York. New York, based in present-day Manhattan, served as the capital of the United States from 1785 until 1790. The Statue of Liberty greeted millions of immigrants as they came to America by ship in the late 19th century and is a world symbol of the United States and its ideals of liberty and peace. Manhattan became a borough during the consolidation of New York City in 1898. New York County is the smallest

This is a document about Statue of Liberty
  statue. After the United States entered World War I in 1917, images of the statue were heavily used in both recruitment posters and the Liberty bond drives that urged American citizens to support the war financially. This impressed upon the public the war's stated purpose—to secure liberty—and served as a reminder that embattled France had given the United States the statue. In 1924, President Calvin Coolidge used his authority under the Antiquities Act to declare the statue a national monument. A suicide occurred five years later when a man climbed out of one of the windows in the crown and jumped to his death.

This is a document about Place des États-Unis
  On 13 May 1885, a bronze model of the Statue of Liberty (Liberty Enlightening the World) by Frédéric Bartholdi was erected in the center of the Place des États-Unis, directly in front of the American diplomatic mission. Purchased by the Committee of Americans in Paris and offered to the City of Paris, the model was a fund-raising tool, displayed with the aim of inspiring support for the building of the full-sized statue and its transport across the Atlantic. The model remained in place until 1888.

This is a document about Statue of Liberty
  MDCCLXXVI (July 4, 1776 in Roman numerals), the date of the U.S. Declaration of Independence. A broken shackle and chain lie at her feet as she walks forward, commemorating the recent national abolition of slavery. After its dedication, the statue became an icon of freedom and of the United States, seen as a symbol of welcome to immigrants arriving by sea. Bartholdi was inspired by a French law professor and politician, Édouard René de Laboulaye, who is said to have commented in 1865 that any monument raised to U.S. independence would properly be a joint project of the French and U.S. peoples. The Franco-Prussian War delayed progress until 1875,

This is a document about Statue of Liberty
  of whom gave less than a dollar. The statue was built in France, shipped overseas in crates, and assembled on the completed pedestal on what was then called Bedloe's Island. The statue's completion was marked by New York's first ticker-tape parade and a dedication ceremony presided over by President Grover Cleveland. The statue was administered by the United States Lighthouse Board until 1901 and then by the Department of War; since 1933 it has been maintained by the National Park Service as part of the Statue of Liberty National Monument, and is a major tourist attraction. Public access to the balcony around the torch has been barred since 1916.

This is a document about Lafayette dollar
  the American participation in the fair, and created a Lafayette Memorial Commission to supervise the monument project. The commission was to ensure that the monument was unveiled on July 4, 1900—both Independence Day and also United States Day at the exposition. On September 1, 1898, Peck appointed a number of prominent Americans to the commission, including Iowa Senator William B. Allison, Secretary of State William R. Day, Archbishop John Ireland, and Reverend Edward Everett Hale. The commission's officers included the treasurer, Comptroller of the Currency (and future Vice President of the United States) Charles G. Dawes, and the secretary, Robert J. Thompson. Fundraising to build the

This is a document about United States Bullion Depository
  Second Inaugural Address (autographed original); Lincoln's Gettysburg Address (first and second autographed drafts); a Gutenberg Bible (St. Blasius–St. Paul copy); the Articles of Confederation (signed original); and Lincoln Cathedral's exemplified copy of Magna Carta, which had been on loan to the United States for the 1939 New York World's Fair. The items were packed in four crates and then shipped by train to the depository on December 26, 1941. While the vault was invulnerable to bombing attack, it was not climate controlled, and so the documents were vulnerable to changes in temperature and humidity, as well as insects. So special precautions were taken. The items were locked in bronze containers that

This is a document about Ellis Island
  Statue of Liberty National Monument on May 11, 1965, and that August, President Lyndon B. Johnson approved the redevelopment of the island as a museum and park. The initial master plan for the redevelopment of Ellis Island, designed by Philip Johnson, called for the construction of the Wall, a large "stadium"-shaped monument to replace the structures on the island's northwest side, while preserving the main building and hospital. However, no appropriations were immediately made, other than a $250,000 allocation for emergency repairs in 1967. By the late 1960s, the abandoned buildings were deteriorating severely. Johnson's plan was never implemented due to public opposition and a lack of funds. Another

The Statue of Liberty was given to the USA and officially presented on July 4, 1884. However, the statue was completed in France in 1884 and arrived in New York Harbor on June 17, 1885. It was unveiled on October 28, 1886.


Question: early native american music features intervals that are

Answer: perfect fourths and fifths

This is a document about Indigenous music of North America
  people. He describes the structural characteristics of California-Yuman music, including that of Pomo, Miwak, Luiseno, Catalineno, and Gabrielino, and the Yuman tribes, including, Mohave, Yuman, Havasupai, Maricopa, as using the rise in almost all songs, a relaxed nonpulsating vocal technique (like European classical music), a relatively large amount of isorhythmic material, some isorhythmic tendencies, simple rhythms, pentatonic scales without semitones, an average melodic range of an octave, sequence, and syncopated figures such as a sixteenth-note, eight-note, sixteenth-note figure. The form of rise used varies throughout the area, usually being rhythmically related to the preceding non-rise section but differing in melodic material or

This is a document about Melodic motion
 Ascending: Upwards melodic movement ; Descending: Downwards melodic movement (prevalent in the New World and Australian music) ; Undulating: Equal movement in both directions, using approximately the same intervals for ascent and descent (prevalent in Old World culture music) ; Pendulum: Extreme undulation that covers a large range and uses large intervals is called pendulum-type melodic movement ; Tile, terrace, or cascading: a number of descending phrases in which each phrase begins on a higher pitch than the last ended (prevalent in the North American Plain Indians music) ; Arc: The melody rises and falls in roughly equal amounts, the curve ascending gradually to a climax and then dropping off (prevalent among Navaho Indians and North American Indian music) ; Rise: may be considered a musical form, a contrasting section of higher pitch, a "musical plateau". Double tonic: smaller pendular motion in one direction

This is a document about Tetratonic scale
  Tetratonic scales were common among the Plains Indians, though less common than the pentatonic scale. Amongst the Arapaho, Blackfoot, Crow, Omaha, Kiowa, Pawnee, and Sioux, as well as some Plateau tribes, especially the Flathead, the tetratonic and pentatonic scales used are anhemitonic (that is, they do not include semitones). Tetratonic scales have also been noted among the music of the Creek Indians, and in the Great Basin region among the Washo, Ute, Paiute, and Shoshone. In the Southwest, the Navajo people also largely used the pentatonic and tetratonic, occasionally also tritonic scales.

This is a document about Traditional sub-Saharan African harmony
   In parallel motion, rhythmic harmony or in harmonic patterns varying interval combinations can be found. However, all these intervals are limited to those permitted by the scale. The intervals of the second, third, fourth, fifth, sixth, seventh, octave, ninth and tenth can all be found. As African music and harmony is based on a cyclical structure with recurring reference points and harmonic reference points (or chords) some of these intervals are seen as color tones while others have structural significance. Generally the tones and intervals of structural significance are based on thirds, fourths, fifths, and octaves. Simha states "In Central African polyphony, one can in fact find clusters of all the combinations of intervals allowed by the scale. The number of sounds included in vertical combinations varies with the number and type of performing instruments:

This is a document about Microtonal music
  musical rather than an acoustical entity: "any musical interval or difference of pitch distinctly smaller than a semitone", including "the tiny enharmonic melodic intervals of ancient Greece, the several divisions of the octave into more than 12 parts, and various discrepancies among the intervals of just intonation or between a sharp and its enharmonically paired flat in various forms of mean-tone temperament", as well as the Indian sruti, and small intervals used in Byzantine chant, Arabic music theory from the 10th century onward, and similarly for Persian traditional music and Turkish music and various other Near Eastern musical traditions, but do not actually

This is a document about Music history of the United States during the colonial era
  Native Americans in the United States had no indigenous traditions of classical music, nor a secular song tradition. Their music is spiritual in nature, performed usually in groups in a ritual setting important to Native American religion. It was not until the 1890s that Native American music began to enter the American establishment. At the time, the first pan-tribal cultural elements, such as powwows, were being established, and composers like Edward MacDowell and Henry Franklin Belknap Gilbert used Native themes in their compositions. It was not until the much later work of Arthur Farwell, however, that an informed representation of Native music was brought into the American classical scene, part of the Indianist movement.

This is a document about Indigenous music of North America
  including the rise, and the form and rhythm of the Pueblo. He describes Southern Athabascan music, that of the Apache and Navajo, as the simplest next to the Great Basin style, featuring strophic form, tense vocals using pulsation and falsetto, tritonic and tetratonic scales in triad formation, simple rhythms and values of limited duration (usually only two per song), arc-type melodic contours, and large melodic intervals with a predominance of major and minor thirds and perfect fourths and fifths with octave leaps not rare. Peyote songs share characteristics of Apache music and Plains-Pueblo music having been promoted among the Plains by the

This is a document about Microtonal music
  The term "microtonal music" usually refers to music containing very small intervals but can include any tuning that differs from Western twelve-tone equal temperament. Traditional Indian systems of 22 śruti; Indonesian gamelan music; Thai, Burmese, and African music, and music using just intonation, meantone temperament or other alternative tunings may be considered microtonal. Microtonal variation of intervals is standard practice in the African-American musical forms of spirituals, blues and jazz. Many microtonal equal divisions of the octave have been proposed, usually (but not always) in order to achieve approximation to the intervals of just intonation. Terminology other than "microtonal" has been used or proposed by some theorists and composers. In 1914, A. H. Fox

This is a document about Augmented unison
   In modern Western tonal music theory an augmented unison or augmented prime is the interval between two notes on the same staff position, or denoted by the same note letter, whose alterations cause them, in ordinary equal temperament, to be one semitone apart. In other words, it is a unison where one note has been altered by a half-step, such as B and B or C and C. The interval is often described as a chromatic semitone. The term, in its French form unisson superflu, appears to have been coined by Jean-Philippe Rameau in 1722, who also called this interval a minor semitone (semiton mineur). Historically, this interval, like the tritone, is described as being "mi contra fa", and therefore is the "diabolus in musica" (the Devil in music). In 12-tone equal temperament, it is the enharmonic equivalent of a diatonic semitone or minor second, although in other tunings the diatonic semitone is a different interval.

This is a document about Harmony
  Early Western religious music often features parallel perfect intervals; these intervals would preserve the clarity of the original plainsong. These works were created and performed in cathedrals, and made use of the resonant modes of their respective cathedrals to create harmonies. As polyphony developed, however, the use of parallel intervals was slowly replaced by the English style of consonance that used thirds and sixths. The English style was considered to have a sweeter sound, and was better suited to polyphony in that it offered greater linear flexibility in part-writing.

This is a document about Genus (music)
  to have been Archytas's diatonic, or Ptolemy's "tonic diatonic", which has a 8/7 tone (see septimal whole tone) and the superparticular 28/27 instead of the complex 256/243 for the lowest interval: hypate parhypate                 lichanos                   mese | 28/27 |          8/7            |          9/8           | -498    -435                       -204                       0 cents Ptolemy described his "equable" or "even diatonic" as sounding foreign or rustic, and its neutral seconds are reminiscent of scales used in Arabic music. It is based on an equal division of string lengths, which implies a harmonic series of pitch frequencies: hypate         parhypate            lichanos                mese |     12/11      |       11/10       |        10/9         | -498              -347                -182                    0 cents

This is a document about Indigenous music of Canada
  Extending across the American Midwest into Canadian Prairies, Plains-area music is nasal, with high pitches and frequent falsettos, with a terraced descent (a step-by-step descent down an octave) in an unblended monophony. Strophes use incomplete repetition, meaning that songs are divided into two parts, the second of which is always repeated before returning to the beginning. Large double-sided skin drums are characteristic of the Plains tribes, and solo end-blown flutes (flageolet) are also common. Nettl describes the central Plains tribes, from Canada to Texas: Blackfoot, Crow, Dakota, Cheyenne, Arapaho, Kiowa, and Comanche, as the most typical and simple sub-area of the Plains-Pueblo music area. This area's music is characterized by extreme vocal tension, pulsation, melodic preference for perfect fourths and a range averring a tenth, rhythmic complexity, and increased frequence of tetratonic scales. The musics of the Arapaho and Cheyenne

This is a document about Twelfth root of two
  A musical interval is a ratio of frequencies and the equal-tempered chromatic scale divides the octave (which has a ratio of 2:1) into twelve parts. Applying this value successively to the tones of a chromatic scale, starting from A above middle C (known as A4) with a frequency of 440 Hz, produces the following sequence of pitches: The final A (A5: 880 Hz) is exactly twice the frequency of the lower A (A4: 440 Hz), that is, one octave higher.

This is a document about Indigenous music of North America
  Music and history are tightly interwoven in Native American life. A tribe's history is constantly told and retold through music, which keeps alive an oral narrative of history. These historical narratives vary widely from tribe to tribe and are an integral part of tribal identity. However, their historical authenticity cannot be verified; aside from supposition and some archaeological evidence, the earliest documentation of Native American music came with the arrival of European explorers. Musical instruments and pictographs depicting music and dance have been dated as far back as the 7th century. However, archaeological evidence shows that musical instruments in North America date to at least the Archaic period (ca. 8000–1000 BC),

This is a document about Quarter-comma meantone
  row shows three intervals of different types but which have the same root note. Each interval is specified by a pair of notes. To the right of each interval is listed the formula for the interval ratio. The intervals diminished fourth, diminished sixth and augmented second may be regarded as wolf intervals, and have been marked in red. S and X denote the ratio of the two abovementioned kinds of semitones (minor second and augmented unison). First, look at the last two columns on the right. All the 7-semitone intervals except one have a ratio ofwhich deviates by −46.4 cents from the

This is a document about Interval (music)
  In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic

This is a document about Scale (music)
  Many other musical traditions use scales that include other intervals. These scales originate within the derivation of the harmonic series. Musical intervals are complementary values of the harmonic overtones series. Many musical scales in the world are based on this system, except most of the musical scales from Indonesia and the Indochina Peninsulae, which are based on inharmonic resonance of the dominant metalophone and xylophone instruments.

This is a document about Indigenous music of North America
  Many music genres span multiple tribes. Pan-tribalism is the syncretic adoption of traditions from foreign communities. Since the rise of the United States and Canada, Native Americans have forged a common identity, and invented pan-Indian music, most famously including powwows, peyote songs, and the Ghost Dance. The Ghost Dance spread throughout the Plains tribes in the 1890s and many songs are sung today. They are characterized by relaxed vocals and a narrow range. Apache-derived peyote songs, prayers in the Native American Church, use a descending melody and monophony. Rattles and water drums are used, in a swift tempo. The Sun Dance and Grass Dance of the plains are the roots of intertribal powwows, which feature music with terraced descent and

This is a document about Indigenous music of North America
  most complex on the continent, featuring increased length and number of scale tones (hexatonic and heptatonic common), variety of form, melodic contour, and percussive accompaniment, ranges between an octave and a twelfth, with rhythmic complexity equal to the Plains sub-area. He cites the Kachina dance songs as the most complex songs and Hopi and Zuni material as the most complex of the Pueblo, while Tanoan and Keresan music is simpler and intermediate between the Plains and western Pueblos. The music of the Pima and Tohono O'odham is intermediary between the Plains-Pueblo and the California-Yuman music areas, with melodic movement of the Yuman,

This is a document about Indigenous music of North America
  Extending across the American Midwest into Canada, Plains-area music is nasal, with high pitches and frequent falsettos, with a terraced descent (a step-by-step descent down an octave) in an unblended monophony. Strophes use incomplete repetition, meaning that songs are divided into two parts, the second of which is always repeated before returning to the beginning. Large double-sided skin drums are characteristic of the Plains tribes, and solo end-blown flutes (flageolet) are also common. Nettl describes the central Plains Indians, from Canada to Texas: Blackfoot, Crow, Dakota, Cheyenne, Arapaho, Kiowa, and Comanche, as the most typical and simple sub-area of the Plains-Pueblo music area. This area's music is characterized by extreme vocal tension, pulsation, melodic preference for perfect fourths and a range averring a tenth, rhythmic complexity, and increased frequency of tetratonic scales. The musics of the Arapaho and Cheyenne intensify

Early Native American music, particularly in the Northwestern California region, features intervals that are primarily diatonic, with some pentatonic and pentatonic-like scales. These scales include the use of perfect fifths, fourths, and thirds, as well as some minor thirds and sixths. The intervals are often used in a rhythmic context, with syncopated rhythms and a lack of a strong tonic note.