text:
The Blacklist (season 5)
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The Blacklist (season 5)
Country of origin
United States
No. of episodes
22[1]
Release
Original network
NBC
Original release
September 27, 2017 (2017-09-27) – present
Season chronology
← Previous
Season 4
List of The Blacklist episodes
The fifth season of the American crime thriller television series The Blacklist premiered on NBC on September 27, 2017, with a timeslot change from Thursday at 10:00 PM to Wednesday at 8:00 PM.[2] The season was produced by Davis Entertainment, Universal Television and Sony Pictures Television, and the executive producers are Jon Bokenkamp, John Davis, John Eisendrath, John Fox, and Joe Carnahan. The season is scheduled to consist of 22 episodes that will contain the series' 100th episode.[1]
Contents
[hide]
1 Cast
1.1 Main cast
2 Episodes
3 Ratings
4 References
5 External links
Cast[edit]
See also: List of The Blacklist characters
Main cast[edit]
James Spader as Raymond "Red" Reddington
Megan Boone as Elizabeth Keen
Diego Klattenhoff as Donald Ressler
Ryan Eggold as Tom Keen
Harry Lennix as Harold Cooper
Amir Arison as Aram Mojtabai
Mozhan Marnò as Samar Navabi
Hisham Tawfiq as Dembe Zuma
Episodes[edit]
See also: List of The Blacklist episodes
No.
overall
No. in
season
Title
Blacklist
guide
Directed by
Written by
Original air date
U.S. viewers
(millions)
90
1 "Smokey Putnum" No. 30 Bill Roe Jon Bokenkamp & John Eisendrath September 27, 2017 (2017-09-27) 6.39[3]
Following Mr. Kaplan's death, Reddington's criminal empire is in ruins and enlists newly discovered daughter Liz Keen to help him build it back up by finding the next blacklister named Smokey Putnum. Meanwhile, Ressler puts himself in an awkward position following Hitchin's death. Aram and Samar's romance escalates. Also, Tom Keen returns with a mysterious briefcase with a skeleton in it.
91
2 "Greyson Blaise" No. 37 Don Thorin Lukas Reiter & Jon Bokenkamp October 4, 2017 (2017-10-04) 5.87[4]
Reddington enlists Liz and the task force to track down a blacklister named Greyson Blaise, a self-made billionaire who moonlights as a high-end thief to help Reddingtion with his crumbled empire. Meanwhile, Tom hits roadblocks when trying to identify the remains in the suitcase without Liz or Reddington finding out.
92
3 "Miss Rebecca Thrall" No. 76 Adam Weisinger Jonathan Shapiro & Taylor Martin October 11, 2017 (2017-10-11) 5.79[5]
Reddington enlists help from Tom to establish a plan to help rebuild his criminal empire. Meanwhile, the task force investigates a series of suspicious police shootings and tracks down a blacklister named Rebecca Thrall who encourages police officers to do such crimes.
93
4 "The Endling" No. 44 Michael Watkins Noah Schechter October 18, 2017 (2017-10-18) 5.46[6]
Liz and the task force investigates a blacklister who is trying to destroy the world to get to her ailing son to seek treatment. Meanwhile, Reddington seeks an opportunity to regain revenue for his criminal empire. Also, Tom hits a major roadblock when identifying the remains. Nick, after helping Red and Liz with a medical procedure for The Endling and determining that he never wants to be contacted again by either Red or Liz, is killed and the suitcase with the remains, is taken.
94
5 "Ilyas Surkov" No. 54 Kurt Kuenne Brandon Margolis & Brandon Sonnier October 25, 2017 (2017-10-25) 5.23[7]
Liz and the task force collide with the CIA when tracking down a blacklister who is an international terrorist, but Cooper finds out that the ones that have identified themselves as CIA are imposters. Meanwhile, Reddington sets out on a new business venture. Also, Tom sets out on a new quest to discover information on the remains in the suitcase.
95
6 "The Travel Agency" No. 90 Terrence O'Hara Carla Kettner November 1, 2017 (2017-11-01) 5.25[8]
Cooper enlists help from Reddington on a personal mission. Meanwhile, Ressler is acting Director and leads the task force into a blacklister who are former murder for hire gang. Also, Tom continues his quest in into the remains in the suitcase, but runs into Red who knows he has it. After closing an emotional case, Liz decides that she wants to marry Tom and they rush to the courthouse.
96
7 "The Kilgannon Corporation" No. 48 Jean de Segonzac Lukas Reiter November 8, 2017 (2017-11-08) 5.04[9]
After dozens of immigrants die off the Carolina coast, Reddington and the task force put Dembe undercover to stop a human smuggling operation. When Red confronts the elder Kilgannon about the deaths and the conditons, he then confronts his son about and the clash is fatal. This later complicates Dembe, putting him in a life or death situation as the task forces loses track of him. Tom is tracking whom he believes killed Nick as they were involved in trying to figure out the contents of the suitcase and discovers that there are others at play. Tom's life is put at risk when others discover the suitcase and that it's important to Reddington.
97
8 "Ian Garvey" No. 13 Bill Roe John Eisendrath & Jon Bokenkamp November 15, 2017 (2017-11-15) 5.89[10]
Tom finds trouble while searching for answers in both Nick's death and the infamous suitcase mystery, as the task force searches for him. Tom's desperate escape reunites him with Red and they escape momentarily. Liz gets pulled into the middle of the tug of war over the contents of the suitcase which leaves her and Tom hospitalized, having fought for their lives. After being in a coma for 10 months, Liz wakes up while Reddington is reading to her, and, when asked, he informs her that Tom died from his injuries.
98
9 "Ruin" N/A Michael Caracciolo Sean Hennen January 3, 2018 (2018-01-03) 6.02[11]
Liz escapes to a cabin in Alaska living under an alias to mourn Tom's death. She leaves Agnes in the care of an exonerated Scottie Hargrave. During an ice storm she finds a critically injured man in the woods and soon after four other men arrive claiming they were all in a plane crash. Instantly sensing trouble, Liz is forced into a cat and mouse game to survive and save the injured man who turns out to be a federally protected witness. After killing the four men, Liz returns to her home leaving no trace of herself in Alaska. Returning to Red she tells him she only wants revenge for Tom's death.
99
10 "The Informant" No. 118 Paul Holahan Noah Schechter January 10, 2018 (2018-01-10) 6.16[12]
Liz comes out of hiding to continue her quest to find Tom’s killers. Meanwhile, Reddington directs the task force to find a blacklister with classified and sensitive information.
100
11 "Abraham Stern" No. 100 Andrew McCarthy Story by: Dave Metzger & Jon Bokenkamp & John Eisendrath
Teleplay by: Jon Bokenkamp & John Eisendrath January 17, 2018 (2018-01-17) 6.49[13]
As Reddington begins his quest for a legendary treasure, he is robbed of an antique penny. Reddington steers the task force into tracking down a blacklister known for manipulating and stealing priceless treasures. Meanwhile, Liz looks into old cases when tracking down Tom’s killers.
101
12 "Tommy Wattles"[14] TBA TBA TBA January 31, 2018 (2018-01-31) TBD
102
13 "The Invisible Hand"[15] TBA TBA TBA February 7, 2018 (2018-02-07) TBD
Ratings[edit]
No.
Title
Air date
Ratings/Share
(18–49)
Viewers
(millions)
DVR
18–49
DVR Viewers
(millions)
Total
18–49
Total viewers
(millions)
1 "Smokey Putnum (No. 30)" September 27, 2017 (2017-09-27) 1.1/4 6.39[3] 0.8 3.322 1.9 9.710[16]
2 "Greyson Blaise (No. 37)" October 4, 2017 (2017-10-04) 1.0/4 5.87[4] 0.7 3.221 1.7 9.093[17]
3 "Miss Rebecca Thrall (No. 76)" October 11, 2017 (2017-10-11) 1.0/4 5.79[5] 0.7 3.047 1.7 8.839[18]
4 "The Endling (No. 44)" October 18, 2017 (2017-10-18) 0.9/3 5.46[6] 0.8 3.102 1.7 8.565[19]
5 "Ilyas Surkov (No. 54)" October 25, 2017 (2017-10-25) 0.8/3 5.23[7] 0.7 3.061 1.5 8.292[20]
6 "The Travel Agency (No. 90)" November 1, 2017 (2017-11-01) 0.9/3 5.25[8] 0.7 2.855 1.5 8.015[21]
7 "The Kilgannon Corporation (No. 48)" November 8, 2017 (2017-11-08) 0.9/3 5.04[9] N/A 3.130 N/A 8.171[22]
8 "Ian Garvey (No. 13)" November 15, 2017 (2017-11-15) 0.9/4 5.89[10] 0.7 2.903 1.6 8.796[23]
9 "Ruin" January 3, 2018 (2018-01-03) 1.0/4 6.02[11]
10 "The Informant (No. 118)" January 10, 2018 (2018-01-10) 1.0/4 6.16[12]
11 "Abraham Stern (No. 100)" January 17, 2018 (2018-01-17) 1.1/4 6.49[13]
References[edit]
^ Jump up to: a b "Shows A-Z - Blacklist, the on NBC". The Futon Critic. Retrieved September 12, 2016.
Jump up ^ Ausiello, Michael (July 31, 2017). "NBC Tweaks Fall Rollout: Good Place Gets Early Talent-Boosted Premiere, The Blacklist Return Moved Up". TVLine. Retrieved August 1, 2017.
^ Jump up to: a b Porter, Rick (September 28, 2017). "'Survivor' premiere adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved September 28, 2017.
^ Jump up to: a b Porter, Rick (October 5, 2017). "'SEAL Team,' 'Law & Order: SVU' and everything else unchanged: Wednesday final ratings". TV by the Numbers. Retrieved October 5, 2017.
^ Jump up to: a b Porter, Rick (October 12, 2017). "'Empire,' 'Survivor,' 'Goldbergs,' 'Blacklist' adjust up, 'Dynasty' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved October 12, 2017.
^ Jump up to: a b Porter, Rick (October 19, 2017). "'Survivor,' 'Goldbergs,' 'SEAL Team' adjust up, 'Criminal Minds' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved October 19, 2017.
^ Jump up to: a b Porter, Rick (October 26, 2017). "'The Blacklist' and 'Designated Survivor' adjust down, final World Series numbers: Wednesday final ratings". TV by the Numbers. Retrieved October 26, 2017.
^ Jump up to: a b Porter, Rick (November 2, 2017). "World Series ends big, 'Survivor,' 'Goldbergs,' 'Blacklist,' 'Speechless' adjust up: Wednesday final ratings". Retrieved November 2, 2017.
^ Jump up to: a b Porter, Rick (November 9, 2017). "'Empire,' 'SVU,' CMAs and others unchanged: Wednesday final ratings". TV by the Numbers. Retrieved November 9, 2017.
^ Jump up to: a b Porter, Rick (November 16, 2017). "'The Goldbergs' adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved November 16, 2017.
^ Jump up to: a b Porter, Rick (January 5, 2018). "'Chicago PD' adjusts up, 'The X-Files' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved January 5, 2018.
^ Jump up to: a b Porter, Rick (January 11, 2018). "'Speechless' adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved January 11, 2018.
^ Jump up to: a b Porter, Rick (January 19, 2018). "'Riverdale,' 'X-Files' and everything else unchanged: Wednesday final ratings". TV by the Numbers. Retrieved January 19, 2018.
Jump up ^ "(#512) "Tommy Wattles"". The Futon Critic. Retrieved December 27, 2017.
Jump up ^ "(#513) "The Invisible Hand"". The Futon Critic. Retrieved January 17, 2018.
Jump up ^ Porter, Rick (October 13, 2017). "'This Is Us' and 'The Good Doctor' score big in premiere week broadcast Live +7 ratings". TV by the Numbers. Retrieved October 15, 2017.
Jump up ^ Porter, Rick (October 18, 2017). "'The Orville,' 'Once Upon a Time,' 5 more shows double in week 2 broadcast Live +7 ratings". TV by the Numbers.com. Retrieved October 18, 2017.
Jump up ^ Porter, Rick (October 25, 2017). "'The Good Doctor' is the most-watched show on TV in week 3 broadcast Live +7 ratings". TV by the Numbers. Retrieved October 25, 2017.
Jump up ^ Porter, Rick (November 2, 2017). "'Chicago PD,' 10 more shows double in week 4 broadcast Live +7 ratings". TV by the Numbers. Retrieved November 2, 2017.
Jump up ^ Porter, Rick (November 9, 2017). "'Grey's Anatomy' keeps rolling along in week 5 broadcast Live +7 ratings". TV by the Numbers. Retrieved November 11, 2017.
Jump up ^ Porter, Rick (November 17, 2017). "'This Is Us' and 12 more shows double in week 6 broadcast Live +7 ratings". TV by the Numbers. Retrieved November 18, 2017.
Jump up ^ Porter, Rick (November 27, 2017). "'This Is Us' rides high in week 7 broadcast Live +7 ratings". TV by the Numbers. Retrieved December 1, 2017.
Jump up ^ Porter, Rick (December 5, 2017). "'Jane the Virgin,' 10 other shows double in week 8 broadcast Live +7 ratings". TV by the Numbers. Retrieved December 5, 2017.
External links[edit]
Official website
The Blacklist on IMDb
[hide]
v
t
e
The Blacklist
Episodes
Season 1
"Pilot"
"The Freelancer"
"Wujing"
"The Stewmaker"
"The Courier"
"Gina Zanetakos"
"Frederick Barnes"
"General Ludd"
"Anslo Garrick"
"Anslo Garrick Conclusion"
"The Good Samaritan"
"The Alchemist"
"The Cyprus Agency"
"Madeline Pratt"
"The Judge"
"Mako Tanida"
"Ivan"
"Milton Bobbit"
"The Pavlovich Brothers"
"The Kingmaker"
"Berlin"
"Berlin Conclusion"
Season 2
"Lord Baltimore"
"Monarch Douglas Bank"
"Dr. James Covington"
"Dr. Linus Creel"
"The Front"
"The Mombasa Cartel"
"The Scimitar"
"The Decembrist"
"Luther Braxton"
"Luther Braxton Conclusion"
"Ruslan Denisov"
"The Kenyon Family"
"The Deer Hunter"
"T. Earl King VI"
"The Major"
"Tom Keen"
"The Longevity Initiative"
"Vanessa Cruz"
"Leonard Caul"
"Quon Zhang"
"Karakurt"
"Tom Connolly"
Season 3
"The Troll Farmer"
Season 4
Season 5
Related
Characters
The Blacklist: Redemption
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text:
Ultra high-net-worth individual
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Not to be confused with High-net-worth individual.
Ultra high-net-worth individuals (UHNWI) are defined as having a net worth of at least US$30 million[1] in constant 2012 dollars (excluding residential properties and passion investments such as art, planes and real estate).[2][3] It is the wealth segment above very-high-net-worth individuals (>5 million) and high-net-worth-individuals (>1 million). Although they constitute only 0.003% of the world’s population, they hold 13% of the world's total wealth.[4] By 2017, 226,450 individuals were designated as UHNWI representing an increase of 3.5% with their combined total wealth increasing to $27 trillion.[1]
Contents
[hide]
1 Definitions and ranking
2 Reports
2.1 World Ultra Wealth Report
2.2 Boston Consulting Group Global Wealth Report
2.2.1 UHNW characteristics
3 Billionaire Census
4 UHNWI Role in Economies : Civic Stewards and Consumers
5 See also
6 References
Definitions and ranking[edit]
Ultra High Net Worth Individuals are defined as having a net worth of at least US$30 million (after accounting for shares in public and private companies, residential and passion investments such as art, planes and real estate). At last count, there were 211,275 UHNW individuals in the world, with a total combined net worth of US$29.7 trillion.[5][6] Billionaires are a special category of UHNW individuals, having net worth in excess of US$1 billion. According to the Billionaire Census 2014, there were 2,325 billionaires in the world, with a combined net worth of US$7.3 trillion.[7] In 2014, these individuals represented just over 1% of the world's UHNW population and 24% of the world's UHNW total wealth. The June 27, 2017 "World Ultra Wealth Report" analysed the state of the world’s ultra high net worth (UHNW) population, or those with $30m or more in net worth. The number of UHNW individuals globally grew 3.5% to 226,450 individuals. Their combined total wealth increased by 1.5% to $27 trillion.[1]
Reports[edit]
The "World Ultra Wealth Report", on ultra high net worth (UHNW) populations - those with “$30m or more in net worth”, which was published on June 27, 2017, - “this year revealed global growth of 3.5% to 226,450 individuals and a 1.5% increase of their total combined wealth to $27 trillion.”[1]
World Ultra Wealth Report[edit]
The World Ultra Wealth Report 2013 was co-published by Wealth-X and UBS. The fifth edition of the report was published in June 27, 2017.[1] Previous World Ultra Wealth Reports were published independently by Wealth-X, in 2011 and 2012 respectively.
UHNW distribution by wealth tier[8]
World UHNW 2013 2013 2012 2012 2012–2013 2012–2013
Net worth UHNW population Total wealth US$ billion UHNW population Total wealth US$ billion Population change % Total wealth change %
$1 billion + 2,170 6,516 2,160 6,190 0.5% 5.3%
$750 million to $999 million 1,080 929 990 855 9.1% 8.7%
$500 million to $749 million 2,660 1,695 2,475 1,560 7.5% 8.7%
$250 million to $499 million 8,695 3,420 8,090 3,225 7.5% 6.0%
$200 million to $249 million 14,185 3,205 13,500 3,035 5.1% 5.6%
$100 million to $199 million 23,835 3,780 22,290 3,335 6.9% 13.3%
$50 million to $99 million 60,760 4,720 56,205 4,295 8.1% 9.9%
$30 million to $49 million 85,850 3,505 81,670 3,280 5.1% 6.9%
Total 199,235 27,770 187,380 25,775 6.3% 7.7%
Boston Consulting Group Global Wealth Report[edit]
The Global Wealth Report,[9] which Boston Consulting Group (BCG) published in June 2014 in Washington, D.C., shows that liquid wealth of the super-rich, the Ultra-High-Net-Worth Households, has increased by 20% in 2013. BCG uses a household definition of UHNW which places only those with more than $100 million liquid financial wealth into the UHNW-category, more than the usual $30 million, with which the ultra-category had been created in 2007. According to BCG about 15,000 households globally belong in this group of the super-rich. They control 5.5% of global financial wealth. 5000 of them live in the US, followed by China, Britain and Germany. BCG expects the trend toward more concentrated wealth to continue unabated. While financial wealth of the sub-millionaires is expected to increase by 3.7% annually until 2019, the expected growth rate for the super-rich is 9.1%. The share of this group in global financial wealth would thus increase % to 6.5% by 2019.[10]
UHNW characteristics[edit]
By 2013, 65% of the world's UHNW population was self-made, as opposed to 19% who had inherited their fortune and 16% who had inherited and grown their wealth. These proportions change dramatically by gender. In the 2013 report, it was revealed that only 12% of the world's UHNW population is female, and of these, only 33% are self-made, as opposed to 70% of male UHNW.[11] According to the same 2013 report, twenty-two percent of self-made UHNW individuals have derived their wealth from the finance, banking and investment. Almost 15% of individuals with inherited wealth are engaged in non-profit and social organisations.[12]
Asia's growth is expected to continue,[13] and this change in demographics has significant impact on the various organizations that specifically target UHNW individuals, such as luxury companies, financial institutions, charities and universities.
Largest UHNW Population, 2016
Source: Wealth X[14]
Country
UHNW Population
USA 73,110
Japan 16,740
China 16,040
Germany 13,420
United Kingdom 8,860
France 8,630
Canada 8,590
Hong Kong 7,650
Switzerland 5,940
Italy 5,530
Largest UHNW Population, 2016
Source: Knight Frank[15]
Country
UHNW Population
USA 68,990
China 14,310
United Kingdom 9,470
Germany 8,750
Switzerland 7,140
Japan 6,840
India 6,740
Canada 4,110
Hong Kong 4,080
Australia 3,340
Billionaire Census[edit]
The Billionaire Census 2013 was co-published by Wealth-X and UBS.
The average net worth of the world's billionaire is US$3 billion, with a liquidity on average of 18% of net worth.[16] 60% of the world's billionaires are self-made, 20% have inherited their fortune and 20% have both inherited and grown their wealth. 18% of the world's billionaires have derived their wealth from finance, banking and investment; as opposed to 9% from industrial conglomerates and 7% from the real estate industry.[17] The average billionaire is 62 years old, and 87% of the world's billionaires are male. Approximately 68% of them have a bachelor's degree or higher levels of education.[18]
UHNWI Role in Economies : Civic Stewards and Consumers[edit]
UHNW individuals are of crucial importance not only to the finance, banking and investment industry, but also to luxury companies who target UHNW individuals, charities, universities and schools amongst others.[citation needed] UHNW individuals are notable players in the field of philanthropy; many of them have their own private foundations and support a variety of causes, from education to poverty relief.
Financial institutions are known for their targeting of UHNW individuals, having specific parts of their bank designed to manage the wealth of their UHNW clients.[19] In addition, research on the UHNW is particularly important with upcoming intergenerational wealth transfers in the UHNW population.[20] For example, luxury companies typically target UHNW as a separate segment of their clientele. Projected growth in UHNW population in Asia may hold promise for the future of the luxury industry.[21] In fact, even despite wide report on the luxury industry's troubled year with China's luxury spenders, luxury industry experts continue to be optimistic for their long-term performance, especially from UHNW individuals.[22] In the real estate sector, UHNW individuals are particularly relevant, with the total UHNW population's real estate holdings accounting for over US$5 trillion, or 3% of the world's real estate holdings. This is a huge proportion considering this population is only 0.003% of the world's population.[23]
See also[edit]
Wealth
List of countries by wealth per adult
Plutonomy
References[edit]
^ Jump up to: a b c d e "The World Ultra Wealth Report 2017". Exclusive UHNWI Analysis (5 ed.). June 27, 2017. Retrieved November 12, 2017.
Jump up ^ Wealth-X and UBS. World Ultra Wealth Report 2013.
Jump up ^ Grzeskiewiecz, Grzegorz; Tomasz Kozlinski (15–17 June 2004). "High Net Worth Individuals - The Clients of Private Banking" (PDF). 8th International Conferenec of Doctoral Students. Brno University of Technology (Czech Republic).
Jump up ^ Staff, Investopedia (2013-08-30). "Ultra High Net Worth Individual (UHNWI)". Investopedia. Retrieved 2017-10-27.
Jump up ^ "World's Ultra Wealthy Population Reaches All-Time Record". WSJ Online. September 10, 2013.
Jump up ^ Wealth-X and UBS. World Ultra Wealth Report 2014. p. 15.
Jump up ^ Wealth-X and UBS. Billionaire Census 2014. p. 14.
Jump up ^ Wealth-X and UBS. World Ultra Wealth Report 2013. p. 17.
Jump up ^ Global Wealth Report
Jump up ^ BCG: Global Wealth 2014, Riding a Wave of Growth, The Boston Consulting Group, 9.6.2014
Jump up ^ Wealth-X and UBS. World Ultra Wealth Report 2013 (Report). pp. 20–25.
Jump up ^ Wealth-X and UBS. World Ultra Wealth Report 2013. pp. 20–25.
Jump up ^ Fox, Jeff (2014-02-15). "Helping the rich to become $100 trillion industry". CNBC.
Jump up ^ https://www.wealthx.com/report/exclusive-uhnwi-analysis-the-world-ultra-wealth-report-2017/#downloadform
Jump up ^ http://www.knightfrank.com/wealthreport/2017/download.aspx
Jump up ^ Wealth-X and UBS. Billionaire Census 2013. p. 84.
Jump up ^ Wealth-X and UBS. Billionaire Census 2013. p. 84.
Jump up ^ Wealth-X and UBS. Billionaire Census 2013. p. 84.
Jump up ^ Grzeskiewiecz, Grzegorz; Tomasz Kozlinski (15–17 June 2004). "High Net Worth Individuals - The Clients of Private Banking" (PDF). 8th International Conferenec of Doctoral Students. Brno University of Technology (Czech Republic).
Jump up ^ Foster, Lauren. "Why Financial Advisers Need to Use Social Media". Retrieved 2014-03-06.
Jump up ^ Kelesidou, Fani (5 March 2014). "Why High-End Luxury Brands Are Losing Their Luster". Daily Finance.
Jump up ^ PTI (5 March 2014). "Luxury industry optimistic about January–March quarter: Wealth-X survey". India Times: Economic Times.
Jump up ^ Savills and Wealth-X (2014). Around the World in Dollars and Cents (PDF). p. 2.
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Emma Pillsbury
From Wikipedia, the free encyclopedia
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Emma Pillsbury
Glee character
Jayma Mays as Emma Pillsbury in 2012
First appearance
"Pilot"
Last appearance
"Dreams Come True"
Created by
Ryan Murphy
Brad Falchuk
Ian Brennan
Portrayed by
Jayma Mays
Information
Occupation
Guidance counselor
Family
Rusty Pillsbury (father)
Rose Pillsbury (mother)
Spouse(s)
Carl Howell (annulled)
Will Schuester
Significant other(s)
Ken Tanaka (ex-fiancè)
Children
Daniel Finn Schuester
Relatives
Betty Pillsbury (niece)
Religion
Christian
Emma Pillsbury Schuester (previously Pillsbury-Howell) is a fictional character from the Fox musical comedy-drama series Glee. Portrayed by actress Jayma Mays, Emma has appeared in Glee from its pilot episode, first broadcast on May 19, 2009. Emma was developed by Glee creators Ryan Murphy, Brad Falchuk and Ian Brennan. She is a guidance counselor at the fictional William McKinley High School in Lima, Ohio where the series is set. Emma suffers from obsessive-compulsive disorder and has romantic feelings for glee club director Will Schuester (Matthew Morrison), but becomes engaged to football coach Ken Tanaka (Patrick Gallagher) as Will is married. Ken ultimately breaks up with her on their wedding day because of her feelings for Will, and when Will leaves his wife Terri (Jessalyn Gilsig), he and Emma share a kiss. Their relationship is short-lived, and in the second season, Emma and her dentist boyfriend Carl Howell (John Stamos) marry in Las Vegas. The wedding is later annulled as it was unconsummated. At the beginning of the third season, she and Will are living together; they become engaged shortly after New Years, and consummate their relationship near the end of the school year. Emma leaves Will at the altar midway through the fourth season, but the two later reconcile and marry in the season finale. She becomes pregnant during the middle of the fifth season.
Mays feels the character has a lot of depth, juxtaposing Emma's position helping the students with her own phobia of germs and love for a married man. She explained that "the character is not a stereotypical TV-style husband-stealer who immediately would be luring the dude into the sack, but rather seems like a real person facing real issues."[1] Mays has performed several musical numbers in the show, including "I Could Have Danced All Night" from My Fair Lady, Madonna's "Like a Virgin", "Touch-a, Touch-a, Touch-a, Touch Me" from The Rocky Horror Show, "Afternoon Delight" by the Starland Vocal Band, and The 5th Dimension's "Wedding Bell Blues". "Touch-a, Touch-a, Touch-a, Touch Me" was originally Mays' audition piece; her performance of it on Glee was met with critical acclaim. The songs appear on the series' soundtrack albums and EPs.
The character has been well received by critics, including Mike Hale of the New York Times who praised Mays for being able to "[register] Emma's devastation with just the slightest widening of [her] enormous eyes."[2] Critics responded well to the development of Emma and Will's relationship. Eric Goldman of IGN wrote that their first kiss was "hard to not feel good about".[3] Dan Snierson of Entertainment Weekly, however, suggested that it may have been "more intriguing" to leave their romance unresolved.[4]
Contents
[hide]
1 Storylines
2 Development
2.1 Casting and creation
2.2 Characterization
2.3 Relationships
3 Reception
4 Musical performances
5 References
6 External links
Storylines[edit]
Emma is introduced as the guidance counselor at William McKinley High School. She has romantic feelings for Spanish and glee teacher Will Schuester (Matthew Morrison), and encourages him in his attempt to revitalise the school glee club. She is dismayed to learn that Will's wife Terri (Jessalyn Gilsig) is pregnant and that he is considering leaving the teaching profession to become an accountant, but is able to convince him to reconsider by showing him a video of him singing.[5] In an attempt to get over Will, Emma begins dating football coach Ken Tanaka (Patrick Gallagher),[6] and becomes engaged to him in the episode "Vitamin D".[7] However, when Will is unable to attend a competition with the glee club, Emma volunteers to take them in his place, and postpones her own wedding by several hours. Acknowledging her continuing feelings for Will, Ken breaks up with her on their wedding day. Emma tells Will that she has resigned from the school, as she is ashamed of her behavior with Ken, and is heartbroken that she cannot be with Will. Will tells her that he has left Terri, but Emma feels it is too soon for him to move on. Regardless, as she later prepares to leave the school, Will finds her and stops her with a kiss.[8]
Emma and Will pursue a relationship, but Emma fears that he may be repeating patterns from his relationship with Terri because of his difficulties with being alone.[9] She reveals that she is a virgin,[9] and though she decides to have sex with Will, she changes her mind at the last moment. Will suggests that she see a counselor for help with her debilitating issues.[10] Emma later discovers that Will kissed another woman and verbally berates him, terminating their relationship.[11] In the season finale, Will kisses Emma and tells her that he loves her.[12] Emma begins a relationship with her dentist, Dr. Carl Howell (John Stamos), which leads to a Vegas wedding.[13] Her reservations about sex lead her to become faculty advisor to the school's celibacy club. Carl arranges a meeting with sex education teacher Holly Holliday (Gwyneth Paltrow), and reveals that they have yet to sleep together. Emma confesses that she may still have feelings for Will, and Carl tells her he will be moving into a hotel until she is certain of her feelings.[14]
In "A Night of Neglect", Emma reveals to Will that Carl has left her for good and wants an annulment, since their marriage was never consummated. Because of the stress, Emma's OCD affects her far more than usual, and she feels regretful because she thought she would have overcome it by that point in her life. Will tells Emma that he will be there for her no matter what, and also urges her to get treatment for her OCD. She starts seeing a psychiatrist in the episode "Born This Way", and is showing signs of improvement by the end of season two. Over the summer, Will and Emma move in together, although they have not consummated their relationship. That they are both thinking of an eventual marriage is made clear in the episode "Asian F", and when Will invites her parents to dinner in that episode, he discovers that they are "ginger supremacists" who mock Emma's OCD, the roots of which are shown in flashbacks with them and an eight-year-old Emma.[15] Will asks Emma to marry him in "Yes/No" and she accepts.[16] Later that winter, a tenured position opens at McKinley High, and although Will and Sue Sylvester compete against each other for the position, it is ultimately given to Emma rather than either of them.[17] Will and Emma finally consummate their relationship in "Nationals" after New Directions wins the show choir championship.[18]
When Will is named to a national blue-ribbon panel on the arts in Washington, DC, early in the fourth season, he expects Emma to come with him, but Emma is very reluctant to do so: she doesn't want to leave her job for several months while he's away. They ultimately agree that Emma will stay behind and the two will reunite on weekends.[19] They also agree to get married when Will returns, but the stress of planning a big wedding proves too much for Emma, and she leaves the church before the ceremony begins.[20] She and Will eventually reconcile, and the two finally get married in the choir room with the glee club as witnesses in "All or Nothing", after New Directions win Regionals.[21] Following their marriage, the couple decide to have children, but are unable to conceive for several months. They are desperately trying to do so in the fifth season's tenth episode "Trio", and are caught having sex in the school by Becky Jackson (Lauren Potter). At the end of the episode, Emma reveals to Will that she is pregnant.[22] In "Opening Night" Emma gives birth to a boy, Daniel Finn Schuester. During the final season, in the episode Transitioning, she convinces a torn Will to choose what's best for him, to stay at Vocal Adrenaline with a promising salary and facility but unhappy or to stop. In a parallel episode to the Pilot, 2009, she is aware and concerned with Kurt's depression and consults with his father about it and also convince Will to stay with the Glee Club as the kids still needs him and that it what makes him happy. In the series finale, "Dreams Come True", she is now living happily with the newly promoted Will as the principal and in the future they have more kids together. She appears at the McKinley's auditorium rededication to Finn Hudson and enjoys the final performance of the New Directions. She is visibly shocked when Will and Terri hug and together with all of the Glee Cast take a final bow.
Development[edit]
Casting and creation[edit]
Emma is portrayed by actress Jayma Mays. In the third season episode "Asian F", Hannah Spiros plays an eight-year-old Emma. Prior to her casting in Glee, Mays was already an established actress in both the television and film industry, but had little theatrical experience. In casting Glee, series creator Ryan Murphy sought actors who could identify with the rush of starring in theatrical roles. Auditioning actors with no theatrical experience were required to prove they could sing and dance as well as act, and Mays auditioned with the song "Touch-a, Touch-a, Touch-a, Touch Me" from The Rocky Horror Show.[23] Asked what originally drew her to the role of Emma, Mays said:
"Everything, really. Actually, the second I got the sides. I got the sides just for that character before I got the whole script. And just from the sides alone in the pilot, I could tell she was such a well developed character. And there was so much going on with her just from those few sheets of paper that I had kind of describing who she was. I knew immediately that there was a lot that was going to be going on with her. And I think that's hard to find sometimes with roles for women. There's maybe not so many layers to them, always. And I just felt from the get go that there was so much going on. And I also knew that Ryan Murphy was involved. I knew that was exciting to me, too. As soon as I heard that, I knew that there would be something good on the page. So I was immediately drawn to it."[24]
Characterization[edit]
In the first episode, it is revealed that Emma has obsessive-compulsive disorder, suffering from mysophobia, a fear of germs.[5] The show garnered mostly praise for its portrayal of a character with OCD and for accurately-depicting OCD as a serious but treatable anxiety disorder.[25]
Bill Harris of the Toronto Sun assessed that her phobia is "comical" and that Emma's initial role in the series is comic relief.[1] Mays has explained that "the character is not a stereotypical TV-style husband-stealer who immediately would be luring the dude into the sack, but rather seems like a real person facing real issues."[1] Mays added: "This is something that’s part of a lot of people’s lives. But Emma is not a cheater. They’ve portrayed her as being somewhat virginal. There’s purity there. She doesn’t just hone in [sic] and say, ‘I want to destroy this guy’s relationship.' So Emma is hopeful and sad at the same time. Funny, too. Sounds like real life, where, as stated earlier, you can’t help who you love."[1] David Hinckley of the New York Daily News described her as "good-hearted and smart. Emma is also so obsessive-compulsive she counts the bristles on her toothbrush."[26]
Mays has deemed Emma an "amazing" character to play, and has explained: "I don't find that female characters are always written with a lot of depth, but she's so well defined on the page. Sure, she's terrified of germs and in love with a married man, so seeing her as the voice of reason for the kids is amazing."[27] Emma's relationship with Will will continue to grow, as "she has these moments of clarity when she's talking to Will because he calms her."[27] Mays described her in an interview with TheTVChick: "She is a romantic at heart. But she’s practical. She’s very interesting, because she does have those dreams and hopes of finding the right man. And in her mind, even though Will Schuester’s married, that sort of guy is like the perfect guy for her. She’s very practical in the fact that she doesn’t want to be alone and she knows that she’s somewhat limited in a small town to men. And Ken Tanaka is a very nice man, he’s not exactly like Will, but he’s good to her and he’s solid. He’s got a job, and he understands her and he understands all her quirks and stuff. So she’s practical, she knows that just might be her lot in life. So it’s weird. She’s got this very dreamy side about her and who she wants to be and what she wants her life to be like. But she’s also got this very practical, down-to-earth, well this is kind of the best I can do thing. It’s funny a lot of people have thought that part about her is weak. Like a weak character flaw, but I actually don’t think that’s true. I really just think that’s the practical side of her. I think that’s her being practical. And I think a lot of people are like that sometimes."[24]
Discussing Emma's style and costuming, Glee's costume designer Lou Eyrich has explained: "We wanted to make her look like everything’s so neat—perfectly ironed and tucked-in shirts with matching belts, shoes and pins. We wanted to make her stand out from the other teachers. She’s always so happy and excited, so we wanted her outfits to represent that sunny disposition. In the pilot, we made her look much more teacher-y. Now we're having more fun with her character, keeping her bright and unusual. Quirky is the word. Emma’s also always in stacked Mary Janes or T-strap heels. It takes the outfit down from being too stylish or too sexy. It makes her look prim and almost old-fashioned."[28]
Relationships[edit]
Emma's relationship with glee club coach Will Schuester is an integral part of her character. They have had an on and off relationship since the show's first season. Television critics have responded extremely well to the pairing between the two. Mandi Bierly for Entertainment Weekly said of the episode "Vitamin D": "Matthew Morrison communicates so much with his eyes. There’s a softness and a longing in them that I’m always surprised Emma (Jayma Mays) matches."[29] Critics also commented positively on the development of Will and Emma's relationship in the episode Sectionals. Natalie Abrams of TV Guide noted that she had been waiting for them to kiss since the pilot episode,[30] and Eric Goldman of IGN has deemed their coming together "very hard to not feel good about".[3] Dan Snierson, however, wrote that although there was satisfaction in the episode ending on the kiss, it may have been "more intriguing" to conclude when Will finds Emma's empty office, and having him then question whether it was too soon for the two of them to begin a relationship.[4] Eric Goldman of IGN commented of the following episode: " I would have liked to at least see Shue and Emma as a couple for a few episodes, rather than such a quick split. It felt rushed."[31] Todd VanDerWerff added: "I loved Emma's eruption to Will about how Sue Sylvester must have cheated and the kids deserved to win."[32] Robert Canning said of the Britney Spears oriented episode: "The true focus of the episode was Will dealing with his lack of spontaneity. This stood as a contrast to the impulsiveness of Emma's new boyfriend, sexy dentist Carl played by the somehow always charming John Stamos. There's a fun love triangle building here which should only get better as Will becomes less of an insecure whiner."[33]
Jayma Mays commented of their relationship: "Oh no! I don’t know if I can say! That’s a hard question because when you see the scenes of Emma and Will, you obviously think 'Oh of course they’re supposed to be together, of course, of course!' but the fact is, is that he’s a married man and Emma knows that’s wrong, and she doesn’t want to be a homewrecker. She doesn’t want to ruin a relationship. So I guess in a perfect world, she could find someone like Will, or maybe Ken Tanaka (laughs) can become a little bit more like Will. But maybe it’s all about respect. Maybe if she can respect Ken enough, that will develop into true love."[24] She also commented of her co-star Matthew Morrison (Will): "We were friends. We knew each other before we started this job. We worked together once before. So, that’s always helpful when you know the person that you’re working with, and you already feel comfortable around them. But yeah, he’s a really good friend, so that makes that stuff a little bit easier."[24]
Reception[edit]
Variety's Brian Lowry deemed the adult cast of early Glee "over-the-top buffoons", however opined that Emma offered "modest redemption".[34] The Los Angeles Times's Denise Martin called Mays as Emma "just as funny" as Lynch's Sue, and noted: "Emma doesn't get the zingers Coach Sue gets, but she makes me laugh just as hard."[35] Harris commented that, "Despite the sad seriousness of [Emma's love for Will], the tightly wound Emma [...]also is one of the funniest characters in Glee. Go figure. It's funny, because everything is kind of heavy that's going on in her life, with these phobias and this guy she loves who’s married, yet she still is a bit of the comic relief."[1] Mandi Bierly for Entertainment Weekly noted of the episode "Vitamin D" that she had hoped Emma would decline Ken's proposal: "I want Emma to be strong and know it’s better to be without someone for the right reason than to be with someone for the wrong one."[29] Mike Hale for the New York Times praised Mays' performance in the episode. He noted: "Jayma Mays registered Emma’s devastation with just the slightest widening of those enormous eyes. In fact all the best non-singing moments in the episode were hers."[2]
Critics commented positively on the development of Will and Emma's relationship; TV Guide's Natalie Abrams wrote that she had been waiting for them to kiss since the pilot episode.[30] Flandez felt that the kiss made the "poignant moment" of the glee club's final performance "even more dear", and hoped that it would not be the last between them,[36] while Aly Semigran of MTV praised the development and called the kiss "sweet [and] longing".[37] Goldman wrote: "Schue and Emma finally coming together was very hard to not feel good about, even though you know it just won't be that easy when the show returns".[3] Gerrick Kennedy of the Los Angeles Times opined that it was clear Ken and Emma would not marry, and added that when Will kissed Emma: "I died".[38] In discussing Will and Emma's conversation about how she would have left Ken if Will had shown any interest in her, Pardue commented: "That's maybe the sweetest and the saddest thing I've ever heard." She called the kiss between Will and Emma "romantic" commenting that it made her "heart happy".[39] Entertainment Weekly's Dan Snierson commented that although there was satisfaction in the episode ending on the kiss, it may have been "more intriguing" to conclude with Will finding Emma's office empty, or "before she smiled approvingly after their kiss", questioning whether it was too soon for the two of them to begin a relationship, or "about freakin' time".[4]
Todd VanDerWerff of The A.V. Club was critical of Emma in the show's second season. He said: "Emma is apparently married, but we haven’t seen her husband since October, and even when he was more of a “fixture” on the show (which is difficult to say about a character who’s appeared as little as Carl Howell has), his relationship with Emma made no sense as anything other than a plot device. Now, as it turns out, Emma and Carl haven’t consummated their marriage at all, and this has something to do with the fact that the show has combined Emma’s germ-phobia and virginity into some sort of terrifying psychosexual pathology that doesn’t make much sense and doesn’t resemble the somewhat levelheaded person she used to be. (The plotting in Will Schuester’s love life is the one place where the show attempts to have even a modicum of continuity, for whatever reason.) Anyway, Carl is necessarily upset about this, and he’s also upset when Holly Holliday gets Emma to admit that she still has confusing feelings for Will, so he resolves to let her stay in the condo while he stays in the Radisson where all of the good big-name Glee guest stars go to hope their pilots for the fall are picked up."[40]
Musical performances[edit]
Mays' musical performance in the episode "Mash-Up" was well received by critics.
Mays performed a cover version of "I Could Have Danced All Night" from My Fair Lady in the episode "Mash-Up", a studio recording of which was included as a bonus-track on copies of Glee: The Music, Volume 1 purchased from Target stores.[41] Raymund Flandez of The Wall Street Journal called the performance "lovely",[42] and Andrea Reiher for Zap2it similarly praised the piece: "wow, she has a nice voice! She's no Julie Andrews, but she'll do."[43] Eric Goldman for IGN commented: "Seeing Emma sing "I Could Have Danced All Night" was sweet, though was it just me (or my TV), or was the volume on her vocals a bit unusually loud? I also could have done without Will's line telling her she should sing to help her keep the beat as she danced – come on Glee, you're a musical. Embrace it and just let her sing."[44]
Mays said that she "had fun singing," but found the experience "terrifying," as she had never given a musical performance on camera before. She derided her choreography skills, and elaborated: "I was so nervous that day. I had to keep eating bread and toast because my stomach was so sick. But it was an interesting experience. It was definitely a challenge for me. Of course if they ask me to do it again, I would do it again. But I’m not going to go begging them for it."[24]
In her first lead solo performance since the first season, Mays performed "Touch-a, Touch-a, Touch-a, Touch Me" from The Rocky Horror Show during the themed episode "The Rocky Horror Glee Show"; it was the song she'd used when auditioning for the role of Emma.[23] Anthony Benigno of the Daily News named it the best song of the episode, and graded it "A+".[45] Despite finding the episode "abrupt, uneven [and] sanitized", Flandez felt that it was saved by this performance.[46] Erica Futterman of Rolling Stone remarked that having Emma in the role of Janet was "ideal", but preferred the song visually to vocally.[47] Slant Magazine's Matt Zoller Seitz disliked the change in Emma's characterization which brought about the number, and while he wrote that "Mays was so charming that she almost, almost saved it", he ultimately found the "motivational contortions" insulting to the audience.[48] The track was included on the EP Glee: The Music, The Rocky Horror Glee Show.[49] It charted at number 72 in the UK,[50] and 96 in Canada.[51]
In season three, Mays performs "Wedding Bell Blues" in the episode "Yes/No", which was described by Bobby Hankinson of The Houston Chronicle as "the perfect combination of a great song, plot relevance, and Princess Beatrice hat".[52] TV Guide's Kate Stanhope agreed with him on all three points, and added that it was "a great pick for her vocals".[53] TVLine's Michael Slezak described those vocals as "a breath of dewy spring air" and gave the song an "A", but Joseph Brannigan Lynch of Entertainment Weekly thought Emma was not "much of a singer" and gave the number a "B−", though he said "the curiosity of backup vocals from Coach Beiste and Sue Sylvester made this entirely worthwhile".[54][55]
In season four, Mays is one of eight singers featured in the performance of "The Scientist" by Coldplay in the episode "The Break-Up". She also performed the song "(Not) Getting Married Today" from the musical Company with Morrison and Amber Riley in the episode "I Do" and "You're All The World to Me" from Royal Wedding in the following episode, again with Morrison.
References[edit]
^ Jump up to: a b c d e Harris, Bill (September 3, 2010). "Jayma Mays finds Glee on TV". Toronto Sun. Retrieved June 1, 2009.
^ Jump up to: a b Hale, Mike (October 8, 2009). "'Glee' Watch: Time for a Little Competition". New York Times. Retrieved October 8, 2009.
^ Jump up to: a b c Goldman, Eric (December 10, 2009). "Glee: "Sectionals" Review". IGN. Retrieved December 10, 2009.
^ Jump up to: a b c Snierson, Dan (December 10, 2009). "'Glee' recap: Puttin' on a Show". Entertainment Weekly. Time Inc. Retrieved December 10, 2009.
^ Jump up to: a b Ryan Murphy (director, writer), Brad Falchuk (writer), Ian Brennan (writer) (May 19, 2009). "Pilot". Glee. Season 1. Episode 1. Fox.
Jump up ^ Ryan Murphy (director, writer), Brad Falchuk (writer), Ian Brennan (writer) (September 9, 2009). "Showmance". Glee. Season 1. Episode 2. Fox.
Jump up ^ Brad Falchuk (writer, director) (October 7, 2009). "Vitamin D". Glee. Season 1. Episode 6. Fox.
Jump up ^ Brad Falchuk (writer, director) (December 9, 2009). "Sectionals". Glee. Season 1. Episode 13. Fox.
^ Jump up to: a b Brad Falchuk (writer, director) (April 13, 2009). "Hell-O". Glee. Season 1. Episode 14. Fox.
Jump up ^ Brad Falchuk (writer, director) (April 13, 2009). "The Power of Madonna". Glee. Season 1. Episode 15. Fox.
Jump up ^ Brad Falchuk (writer, director) (May 4, 2009). "Bad Reputation". Glee. Season 1. Episode 17. Fox.
Jump up ^ Brad Falchuk (writer, director) (June 10, 2009). "Journey to Regionals". Glee. Season 1. Episode 22. Fox.
Jump up ^ Paris Barclay (director), Brad Falchuk (writer) (November 30, 2010). "Special Education". Glee. Season 2. Episode 9. Fox.
Jump up ^ Harper, Jen (November 30, 2010). "'Glee' Recap: A Shocking Breakup and a Surprise Wedding". BuddyTV. Retrieved December 5, 2009.
Jump up ^ Alfonso Gomez-Rejon (director), Ian Brennan (writer) (October 4, 2010). "Asian F". Glee. Season 3. Episode 3. Fox.
Jump up ^ Eric Stoltz (director), Brad Falchuk (writer) (January 17, 2012). "Yes/No". Glee. Season 3. Episode 10. Fox.
Jump up ^ Paris Barclay (director), Ian Brennan (writer) (February 7, 2012). "The Spanish Teacher". Glee. Season 3. Episode 12. Fox.
Jump up ^ Eric Stoltz (director), Ali Adler (writer) (May 15, 2012). "Nationals". Glee. Season 3. Episode 21. Fox.
Jump up ^ Alfonso Gomez-Rejon (director), Ryan Murphy (writer) (October 4, 2012). "The Break Up". Glee. Season 4. Episode 4. Fox.
Jump up ^ Brad Falchuk (director), Ian Brennan (writer) (February 14, 2013). "I Do". Glee. Season 4. Episode 14. Fox.
Jump up ^ Bradley Buecker (director), Ian Brennan (writer) (May 9, 2013). "All or Nothing". Glee. Season 4. Episode 22. Fox.
Jump up ^ Ian Brennan (director), Rivka Sophia Rossi (writer) (March 4, 2014). "Trio". Glee. Season 5. Episode 10. Fox.
^ Jump up to: a b Martin, Denise (April 26, 2009). "Video: 'Glee' team rewrites the school musical". Los Angeles Times. Tribune Company. Retrieved May 19, 2009.
^ Jump up to: a b c d e "Exclusive Interview Jayma Mays (Emma) from Glee". TheTVChick. December 2, 2009. Retrieved April 4, 2011.
Jump up ^ Jeff Szymanski, OCD in the Media (June 6, 2011). WebMD; Stephanie Smith, Glee and OCD (April 27, 2011); Chris Weise, Potential for Stigma-Smashing Greatness (November 7, 2001). Erasing the Distance.
Jump up ^ Hinckley, David (April 13, 2010). "Plot starts to thicken, but 'Glee' returns with too many sudden twists and turns after mini-vacation". New York Daily News. Retrieved April 4, 2011.
^ Jump up to: a b Wieselman, Jarett (May 19, 2009). "Meet The Cast of 'Glee,' I Did!". New York Post. Archived from the original on May 25, 2009. Retrieved June 1, 2009.
Jump up ^ Ram, Archana (October 16, 2009). "Emma from 'Glee': The most fashionable character on TV right now?". Entertainment Weekly. Retrieved October 17, 2009.
^ Jump up to: a b Bierly, Mandi (October 8, 2009). "'Glee': Just say no to drugs (and to Ken!)". Entertainment Weekly. Time Inc. Retrieved October 8, 2009.
^ Jump up to: a b Abrams, Natalie (December 9, 2009). "Glee Episode Recap: "Sectionals"". TV Guide. Archived from the original on December 13, 2009. Retrieved December 10, 2009.
Jump up ^ Goldman, Eric (April 13, 2010). "Glee: "Hell-O" Review". IGN. Retrieved December 10, 2009.
Jump up ^ VanDerWerff, Todd (June 9, 2010). "Journey". The A.V. Club. Retrieved June 9, 2010.
Jump up ^ Canning, Robert (September 29, 2010). "Glee: "Britney/Brittany" Review". IGN. Retrieved October 4, 2010.
Jump up ^ Lowry, Brian (May 14, 2009). "Glee". Variety. Retrieved June 3, 2009.
Jump up ^ Martin, Denise (October 1, 2009). "'Glee': The top 5 reasons to rewatch 'The Rhodes Not Taken'". Los Angeles Times. Tribune Company. Retrieved October 1, 2009.
Jump up ^ Flandez, Raymund (December 10, 2009). ""Glee" Season 1, Episode 13 "Sectionals": TV Recap". The Wall Street Journal. Dow Jones & Company. Retrieved December 10, 2009.
Jump up ^ Semigran, Aly (December 10, 2009). "'Glee Recap': Episode 13, 'Sectionals'". MTV. Retrieved December 10, 2009.
Jump up ^ Kennedy, Gerrick (December 10, 2009). "'Glee': We'll miss it". Los Angeles Times. Tribune Company. Retrieved December 10, 2009.
Jump up ^ Pardue, Liz (December 9, 2009). "'Glee': 'Don't Rain on My Parade' and 'You Can't Always Get What You Want' rock the 'Glee' finale". Zap2it. Archived from the original on December 13, 2009. Retrieved December 10, 2009.
Jump up ^ VanDerWerff, Todd (March 9, 2011). "Sexy". The A.V. Club. Onion, Inc. Retrieved October 27, 2010.
Jump up ^ Linder, Brian (November 4, 2009). "Glee: The Music - Vol. 1 Review". IGN. Archived from the original on February 13, 2011. Retrieved December 5, 2009.
Jump up ^ Flandez, Raymund (October 22, 2009). ""Glee" Season 1, Episode 8: TV Recap". The Wall Street Journal. Retrieved October 27, 2009.
Jump up ^ Reiher, Andrea (October 23, 2009). "'Glee': Bust a move, Sweet Caroline". Zap2it. Archived from the original on February 13, 2011. Retrieved October 27, 2009.
Jump up ^ Goldman, Eric (October 22, 2009). "Glee: "Mash-Up" Review". IGN. Retrieved October 27, 2009.
Jump up ^ Benigno, Anthony (October 27, 2010). "'Glee' 'Rocky Horror Picture Show' episode gets dirty with simulated sex scene". Daily News. New York City. Retrieved November 4, 2010.
Jump up ^ Flandez, Raymund (October 26, 2010). "'Glee,' Season 2, Episode 5, 'Rocky Horror Glee Show': TV Recap". The Wall Street Journal. Dow Jones & Company. Retrieved November 1, 2010.
Jump up ^ Futterman, Erica (October 27, 2010). "Glee' Playback: 'Rocky Horror Glee Show,' Best Episode Yet". Rolling Stone. Wenner Media. Retrieved 8 March 2011.
Jump up ^ Zoller Seitz, Matt (October 27, 2010). "Fly, Ryan Murphy! Be Free!". Slant Magazine. Retrieved October 27, 2010.
Jump up ^ "The Rocky Horror Glee Show". Allmusic. Rovi Corporation. Retrieved April 5, 2011.
Jump up ^ "Chart Stats – Glee Cast". Chart Stats. Archived from the original on October 21, 2010. Retrieved February 25, 2010.
Jump up ^ "Nielsen Music: Canadian Update (November 5, 2010)" (PDF). Prometheus Global Media. Archived from the original (PDF) on November 4, 2010. Retrieved November 4, 2010.
Jump up ^ Hankinson, Bobby (January 17, 2012). "Gleese Lightening OR Welcome NeNe Gleeks". Houston Chronicle. Jack Sweeney. Retrieved January 18, 2012.
Jump up ^ Stanhope, Kate (January 17, 2012). "Glee Gets Lovey-Dovey in Winter Premiere: Ranking the Romantic Songs in "Yes/No"". TV Guide. Retrieved January 18, 2012.
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Jump up ^ Lynch, Joseph Brannigan (January 18, 2012). "'Glee' recap: Synchronized Romance". Entertainment Weekly. Time Inc. Retrieved January 18, 2012.
External links[edit]
Glee portal
Emma Pillsbury at Fox.com
Emma Pillsbury on IMDb
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v
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Glee
Awards and nominations
Merchandise
Episodes
Season: 1
2
3
4
5
6
Characters
Artie Abrams
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Mike Chang
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Dani
Sam Evans
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Songs
Season: 1
2
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4
5
6
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Sings the Beatles
Extended plays
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Related
Glee Live! In Concert!
The Glee Project
Glee: The 3D Concert Movie
"See the USA in Your Chevrolet"
This Ain't Glee XXX
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