text:
City of Glass (Clare novel)
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City of Glass
American cover of the book City of Glass.
Author
Cassandra Clare
Cover artist
Cliff Nielsen
Country
United States
Language
English
Series
The Mortal Instruments
Genre
Fantasy Adventure
Publisher
Margaret K. McElderry
Publication date
March 24, 2009
Media type
Print (hardback)
Pages
560 pp (hardback, first edition)
ISBN
1-4169-1430-7
Preceded by
City of Ashes
Followed by
City of Fallen Angels
City of Glass is the third book in The Mortal Instruments series, an urban fantasy series set in New York written by Cassandra Clare.[1] It was originally published in the United States in hardcover on March 24, 2009.
Contents
[hide]
1 Plot
2 Reception
3 References
4 External links
Plot[edit]
This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (November 2013) (Learn how and when to remove this template message)
Picking up from City of Ashes, City of Glass begins a few days after Clary and Simon's awkward break-up. Magnus Bane creates a portal to send the Lightwoods, Jace, Clary and Madeleine, a friend of Jocelyn Fray, to Alicante. Desperate to keep Clary safe, Jace lures Simon to the Institute and asks him to lie to the Lightwoods about Clary not wanting to go to Idris. Their argument over the issue is interrupted when the Institute is attacked by the Forsaken. During the attack, Madeleine is killed. Simon is seriously injured, which leaves Jace with no choice but to bring him through the portal as well or risk the Forsaken killing him.
Magnus explains to Clary what has happened. Clary creates a portal leading to Alicante. Luke attempts to stop her, but instead, both are dragged through to Idris. They land in Lake Lyn, a strange lake with odd reflective powers, which is the very lake that Raziel emerged from with the Mortal Cup and Sword, offering the instruments to Jonathan Shadowhunter (the first of the Shadowhunters). Lake Lyn has been cursed for all Shadowhunters since; if the toxic water is ingested, it causes intense hallucinations, fever, and madness.
On their way to Alicante, Clary starts hallucinating because of the lake water. When they are in the city, Clary collapses and Luke carries her to the home of a Shadowhunter known as Amatis, Luke's sister. Amatis nurses Clary back to health.
Meanwhile, the others are introduced to Aline Penhallow and her cousin Sebastian Verlac. Some members of the Clave want Simon to lie and say that he, along with the Lightwood family, are Valentine's spies, but Simon refuses, which leads to his imprisonment.
Clary sneaks away from Amatis' house to find the others, only to find Jace and Aline kissing each other. Jace yells at Clary to drive her away. Clary leaves, heartbroken, and Sebastian offers to take her home, where she finds an angry Amatis waiting for her.
The next day, Clary and Sebastian go to Ragnor Fell's house, where Clary is shocked to discover that Ragnor has been killed and that Magnus is there in his place. Magnus freezes Sebastian and informs Clary that she must gain a spellbook in the Wayland country home in order to save her mother. After unfreezing Sebastian, Clary and Sebastian leave and travel to the ruins of Fairchild manor, where she and Sebastian share a kiss that she breaks due to it not feeling right. She thinks about Jace throughout the whole kiss. Sebastian informs Clary that Simon is in jail.
Clary returns to Amatis' house where Jace is waiting for her. He apologizes to her for his harsh words, only for the two to fight once again about him not telling her about Simon being in jail. After they calm down, they travel through a portal Clary made to the Wayland manor and get the spellbook only to discover the remains of an experiment Valentine had been running on a half-dead angel. They then learn through the angel that Jace has demon blood. Jace, after the angel shows them these visions, hands a dagger to the angel, who then kills himself.
The two leave the house as it begins to explode and share a brief moment of passion. Clary stops when things begin to go too far, accusing Jace of using her so he can hate himself when he says he blames his demon blood for his incestuous feelings for her. The two return to Alicante and find it in flames. Meanwhile, Isabelle saves Aline from being grabbed by a demon and Aline runs off. Alec goes after her only to find Magnus, where they resolve their relationship. Clary gives the spellbook to Magnus so he can wake her mother.
Jace, Clary, and Alec break Simon and Simon's cellmate, Samuel out of jail, only to discover that Samuel is actually Hodge. He informs them that the Mirror, the last of the Mortal Instruments, is actually the Lake Lyn. Hodge is then killed by Sebastian, who claims that he did it to keep them out of danger. The four realize that Sebastian is a spy for Valentine, and Sebastian flees.
Jace, Clary, Alec, and Simon return to the Hall, only to discover that Sebastian has killed Max (Alec and Isabelle's younger brother). After Max's funeral, Jace sneaks into Clary's bedroom and tells her he loves her and always will. The two then fall asleep holding hands. The following morning, Jace leaves a note behind and sneaks off to find Sebastian.
Clary manages to convince the Clave to fight together with the Downworlders and teaches them a binding rune so they can share their powers, which the dying angel showed her. While the Shadowhunters and Downworlders are forming their alliances with the rune, Alec kisses Magnus in front of the huge crowd, revealing his sexuality to his parents and the Clave.
It is during this time that Clary discovers, after talking with her mother (who had finally awoken from the spell that Magnus used from the spell book) that she had received angel’s blood while in the womb. She also learns that Jace is actually the son of Stephen Herondale, grandson of the last Inquisitor, and Jace had also received angel's blood while he was in his mother's womb. This means that Jace and Clary are not siblings and Jace does not have demon blood, but rather more angel's blood, and further reveals that Sebastian is actually the one with demon's blood and Clary's brother.
Clary marks Simon with the Mark of Cain, a powerful protection spell, with the intent of saving him from Raphael, who says that vampires will only fight with Shadowhunters against Valentine if they give him Simon. The exchange causes the vampires to fight with the Clave.
Meanwhile, Jace finds Sebastian talking to Valentine, who intends to use Lake Lyn to summon Raziel and get a wish that he will use to destroy all the Shadowhunters that are not his allies. After Valentine leaves, Jace battles Sebastian, who informs him of the actual familial bonds that Jocelyn told Clary. Jace defeats Sebastian with a stab through the back, piercing his heart.
Clary portals to Lake Lyn to stop Valentine from summoning Raziel, but Valentine uses a special rune to paralyze her body and voice. He then reveals to her his intent of using her as a sacrifice. When Jace arrives to rescue her, Valentine uses Jace's blood for the sacrifice by stabbing him in the chest and successfully summons Raziel. However, Raziel sees through Valentine's schemes and kills him. When Raziel sees that Clary is the one who deserves one wish, as she wrote her name in the sand in place of Valentine's, Clary asks for Jace back.
During the following celebrations, Clary sees a woman dressed in white talking to Magnus. The Seelie Queen asks Clary for a favor, but she turns the Queen down, stating she has everything she wants. She then returns to Jace, her family, and the rest of her friends to enjoy the fireworks display.
Reception[edit]
Reception for the book was mixed,[2][3] with Kirkus Reviews stating "Derivative though it may be, melodramatic emotional wallowing has never been so much fun."[4] Booklist gave City of Glass a positive review, writing that it had a "satisfying end".[5] The School Library Journal gave a mixed review, citing "predictability and overblown writing" as a downfall of the novel while saying that fans of the series will still be satisfied by the book.[6]
References[edit]
Jump up ^ Freitas, Donna. "Q & A with Cassandra Clare". Publishers Weekly. Retrieved 15 August 2012.
Jump up ^ "City of Glass by Cassandra Clare". Teen Ink. Retrieved 15 August 2012.
Jump up ^ "City of Glass: The Mortal Instruments, Book 3". Commonsensemedia. Retrieved 16 August 2012.
Jump up ^ "Review: City of Glass". Kirkus Reviews. Retrieved 15 August 2012.
Jump up ^ "Booklist Review: City of Glass". Booklist. Retrieved 15 August 2012.
Jump up ^ Langhans, Eliza. "Grades 5 & Up". School Library Journal. Retrieved 15 August 2012.
External links[edit]
The Official Mortal Instruments Website
[hide]
v
t
e
The Shadowhunter Chronicles by Cassandra Clare
The Mortal Instruments
City of Bones
City of Ashes
City of Glass
City of Fallen Angels
City of Lost Souls
City of Heavenly Fire
The Infernal Devices
Clockwork Angel
Clockwork Prince
Clockwork Princess
The Dark Artifices
Lady Midnight
Lord of Shadows
Companion books
The Shadowhunter's Codex
The Bane Chronicles
Tales From the Shadowhunter Academy
Related articles
Characters
The Mortal Instruments: City of Bones
soundtrack
"Almost Is Never Enough"
"Heart by Heart"
Shadowhunters
episodes
Retrieved from "https://en.wikipedia.org/w/index.php?title=City_of_Glass_(Clare_novel)&oldid=809428941"
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text:
What Are We Doin' in Love
From Wikipedia, the free encyclopedia
Jump to: navigation, search
"What Are We Doin' in Love"
Single by Dottie West and Kenny Rogers
from the album Wild West
Released
March 1981
Format
Album
Genre
Country pop
Length
2:57
Label
Liberty
Songwriter(s)
Randy Goodrum
Producer(s)
Brent Maher, Randy Goodrum
Dottie West singles chronology
"Are You Happy Baby?"
(1980) "What Are We Doin' in Love"
(1981) "(I'm Gonna) Put You Back on the Rack"
(1981)
"Are You Happy Baby?"
(1980) "What Are We Doin' in Love"
(1981) "(I'm Gonna) Put You Back on the Rack"
(1981)
Kenny Rogers singles chronology
"Lady"
(1980) Lady1980 "What Are We Doin' in Love"
(1981) What Are We Doin' in Love1981 "I Don't Need You"
(1981) I Don't Need You1981
"What Are We Doin' in Love" is a song written by Randy Goodrum and recorded by American country music artist Dottie West with the uncredited vocals of Kenny Rogers. It was released in March 1981 as the second single from the album Wild West. "What Are We Doin' in Love" was the duo's third and final number one on the country chart.[1]
Since 1978, West and Rogers had been together as a duet partnership. Rogers revived the career of Dottie West when their song "Every Time Fools Collide" became a hit in 1978. They became one of the most successful duet partnerships since then. However, in 1980, both went their separate ways to become solo artists again. "What Are We Doin' in Love" became a crossover hit for the two, reaching number fourteen on the Top 40[2] as well as number seven on the Adult Contemporary charts. The song became Dottie West's first top 40 Pop hit after a few modestly charting solo records on the Billboard Hot 100 over the years. The single proved to be the final Rogers and West recorded duet, although they did occasionally perform together in later years on stage.
Contents
[hide]
1 Charts
1.1 Weekly charts
1.2 Year-end charts
2 References
Charts[edit]
Weekly charts[edit]
Chart (1981)
Peak
position
US Hot Country Songs (Billboard)[3] 1
US Billboard Hot 100[4] 14
US Adult Contemporary (Billboard)[5] 7
Canadian RPM Country 3
Canadian RPM Adult Contemporary[6] 9
Year-end charts[edit]
Chart (1981)
Rank
U.S. Billboard Hot 100 [7] 55
References[edit]
Jump up ^ Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition. Record Research. p. 379.
Jump up ^ Whitburn, Joel (2004). The Billboard Book of Top 40 Hits: Eighth Edition. Record Research. p. 674.
Jump up ^ "Dottie West Chart History (Hot Country Songs)". Billboard.
Jump up ^ "Dottie West Chart History (Hot 100)". Billboard.
Jump up ^ "Dottie West Chart History (Adult Contemporary)". Billboard.
Jump up ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. 1981-07-04. Retrieved 2018-04-14.
Jump up ^ Musicoutfitters.com
Preceded by
"Friends"
by Razzy Bailey Billboard Hot Country Singles
number-one single
June 13, 1981 Succeeded by
"But You Know I Love You"
by Dolly Parton
[show]
v
t
e
Dottie West
Studio
albums
Here Comes My Baby
The Country Girl Singing Sensation
Dottie West Sings
Suffer Time
With All My Heart and Soul
Dottie West Sings Sacred Ballads
I'll Help You Forget Her
What I'm Cut Out to Be
The Sound of Country Music
Country Girl
Feminine Fancy
Dottie Sings Eddy
Makin' Memories
Country and West
Forever Yours
Careless Hands
Have You Heard ... Dottie West
I'm Only a Woman
If It's All Right With You/Just What I've Been Looking For
Country Sunshine
House of Love
Carolina Cousins
When It's Just You and Me
Dottie
Special Delivery
Wild West
High Times
Full Circle
New Horizons
Just Dottie
Collaboration
albums
Dottie and Don (with Don Gibson)
Country Boy and Country Girl (with Jimmy Dean)
Every Time Two Fools Collide (with Kenny Rogers)
Classics (with Kenny Rogers)
Compilation
albums
The Best of Dottie West
Once You Were Mine
Dottie West
Are You Happy Baby: The Collection
The Essential Dottie West
Dottie West: RCA Country Legends
Notable
singles
"My Big John"
"Here Comes My Baby"
"Would You Hold It Against Me"
"What's Come Over My Baby"
"Paper Mansions"
"Like a Fool"
"Country Girl"
"Reno"
"Careless Hands"
"Country Sunshine"
"Last Time I Saw Him"
"When It's Just You and Me"
"Tonight You Belong to Me"
"Come See Me and Come Lonely"
"You Pick Me Up (And Put Me Down)"
"A Lesson in Leavin'"
"Leavin's for Unbelievers"
"Are You Happy Baby?"
"What Are We Doin' in Love" (with Kenny Rogers)
"(I'm Gonna) Put You Back on the Rack"
"It's High Time"
Collaboration
singles
"Love Is No Excuse" (with Jim Reeves)
"Rings of Gold" (with Don Gibson)
"Till I Can't Take It Anymore" (with Don Gibson)
"Every Time Two Fools Collide" (with Kenny Rogers)
"Anyone Who Isn't Me Tonight" (with Kenny Rogers)
"All I Ever Need Is You" (with Kenny Rogers)
"'Til I Can Make It on My Own" (with Kenny Rogers)
Guest singles
"There's a Story (Goin' 'Round)" (with Don Gibson)
"Together Again" (with Kenny Rogers)
Related
Albums
Singles
Shelly West
Chet Atkins
[show]
v
t
e
Kenny Rogers
Studio albums
Love Lifted Me
Kenny Rogers
Daytime Friends
Love or Something Like It
The Gambler
Kenny
Gideon
Share Your Love
Love Will Turn You Around
We've Got Tonight
Eyes That See in the Dark
What About Me?
The Heart of the Matter
They Don't Make Them Like They Used To
I Prefer the Moonlight
Something Inside So Strong
Love Is Strange
Back Home Again
If Only My Heart Had a Voice
Vote for Love
Across My Heart
She Rides Wild Horses
There You Go Again
Back to the Well
Water & Bridges
The Love of God
Amazing Grace
You Can't Make Old Friends
Collaboration albums
Every Time Two Fools Collide (with Dottie West)
Classics (with Dottie West)
Timepiece (with David Foster)
Christmas albums
Christmas
Once Upon a Christmas (with Dolly Parton)
Christmas in America
The Gift
Christmas from the Heart
Christmas with Kenny
Christmas Collection
Once Again It's Christmas
Compilations
Ten Years of Gold
The Kenny Rogers Singles Album
Greatest Hits (1980)
20 Greatest Hits
Duets
The Kenny Rogers Story
Love Is What We Make It
Short Stories
Greatest Hits (1988)
Daytime Friends – The Very Best of Kenny Rogers
Live by Request
42 Ultimate Hits
21 Number Ones
Notable singles
"That Crazy Feeling"
"Just Dropped In (To See What Condition My Condition Was In)"
"But You Know I Love You"
"Ruby, Don't Take Your Love to Town"
"Laura (What's He Got That I Ain't Got)"
"Lucille"
"Daytime Friends"
"Sweet Music Man"
"Every Time Two Fools Collide" (with Dottie West)
"Love or Something Like It"
"Anyone Who Isn't Me Tonight" (with Dottie West)
"The Gambler"
"All I Ever Need Is You" (with Dottie West)
"She Believes in Me"
"'Til I Can Make It on My Own" (with Dottie West)
"You Decorated My Life"
"Coward of the County"
"Don't Fall in Love with a Dreamer" (with Kim Carnes)
"Love the World Away"
"Lady"
"I Don't Need You"
"Share Your Love with Me"
"Blaze of Glory"
"Through the Years"
"Love Will Turn You Around"
"A Love Song"
"We've Got Tonight" (with Sheena Easton)
"All My Life"
"Scarlet Fever"
"Islands in the Stream" (with Dolly Parton)
"Eyes That See in the Dark"
"This Woman"
"Buried Treasure"
"Together Again" (with Dottie West)
"What About Me?" (with Kim Carnes and James Ingram)
"Evening Star"
"Crazy"
"Morning Desire"
"Goodbye Marie"
"Tomb of the Unknown Love"
"Twenty Years Ago"
"Make No Mistake, She's Mine" (with Ronnie Milsap)
"I Prefer the Moonlight"
"The Factory"
"I Don't Call Him Daddy"
"When You Put Your Heart in It"
"Planet Texas"
"The Vows Go Unbroken (Always True to You)"
"Maybe" (with Holly Dunn)
"Love Is Strange" (with Dolly Parton)
"Crazy in Love"
"If You Want to Find Love"
"Ol' Red"
"Mary, Did You Know?" (with Wynonna Judd)
"The Greatest"
"Buy Me a Rose" (with Alison Krauss and Billy Dean)
"He Will, She Knows"
"There You Go Again"
"Homeland"
"I Can't Unlove You"
Guest singles
"What Are We Doin' in Love" (with Dottie West)
"Real Love" (with Dolly Parton)
"If I Ever Fall in Love Again" (with Anne Murray)
Related articles
Discography
The First Edition
Kenny Rogers Roasters
Book:Kenny Rogers
Retrieved from "https://en.wikipedia.org/w/index.php?title=What_Are_We_Doin%27_in_Love&oldid=836329423"
Categories:
1981 singles
Billboard Hot Country Songs number-one singles
1981 songs
Kenny Rogers songs
Dottie West songs
Vocal duets
Songs written by Randy Goodrum
Liberty Records singles
Song recordings produced by Brent Maher
Hidden categories:
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This page was last edited on 14 April 2018, at 02:56.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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Toddler
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Vincent van Gogh, First Steps, after Millet
Toddlers in a kibbutz
A toddler is a child 12 to 36 months old.[1][2][3] The toddler years are a time of great cognitive, emotional and social development. The word is derived from "to toddle", which means to walk unsteadily, like a child of this age.[4]
Contents
[hide]
1 Developmental milestones
2 One year old
2.1 Physical and motor skills
2.2 Sensory and cognitive development
3 Two years old
4 Two and half years old
5 Motor development
5.1 14 months
5.2 18 months
5.3 Two years
6 Vocalization and socialization
6.1 15 months
6.2 18 months
6.3 Two years
6.4 2½ years
7 Major learning events
7.1 Toilet training
7.2 Play (parallel play)
8 Squatting
9 Language
10 Emotions and self-image
11 Overview
12 See also
13 References
14 External links
Developmental milestones
Learning to walk pushing a wheeled toy
Normal vital parameters of toddlers
Blood Pressure
(mmHg) Systolic 80–110[5]
Diastolic 50–80[5]
Heart rate (BPM) 90–140[5]
Respiratory rate 20–40[5]
Toddler development can be broken down into a number of interrelated areas.[6] There is reasonable consensus about what these areas may include:
Physical: growth or an increase in size.
Gross motor: the control of large muscles which enable walking, running, jumping and climbing.
Fine motor: the ability to control small muscles; enabling the toddler to feed themselves, draw and manipulate objects.
Vision: the ability to see near and far and interpret what is seen.
Hearing and speech: the ability to hear and receive information and listen (interpret), and the ability to understand and learn language and use it to communicate effectively.[citation needed]
Social: the ability to interact with the world through playing with others, taking turns and fantasy play.
Although it is useful to chart defined periods of development, it is also necessary to recognize that development exists on a continuum, with considerable individual differences between children.[citation needed] There is a wide range of what may be considered 'normal' development. However, according to experts, there are specific milestones that should be achieved by certain ages and stages in life in order to properly grow and develop.[7]
One year old
12-month-old toddler sitting in a bucket
At one year of age, the typical toddler will be able to display the following skills:[8]
Physical and motor skills
A typical one-year-old toddler's body proportions
Triple the birth weight
Grow to a height of 50% over birth length
Have a head circumference equal to that of the chest
Have one to eight teeth
Pull to stand
Walk with help or alone
Sit down without help
Bang two blocks together
Turn through the pages of a book by flipping many pages at a time
Have a pincer grasp
Sleep 8–10 hours a night and take one to two naps
Sensory and cognitive development
Learning to eat independently
Follows a fast moving object
Can respond to sounds
Responds to his or her name
Understands several words
Can say mama, papa, and at least one or two other words
Understands simple commands
Tries to imitate animal sounds
Connects names with objects
Understands that objects continue to exist, even when they are not seen (object permanence)
Points to objects with index finger
Waves bye bye
May develop attachment to a toy or object
Experiences separation anxiety and may cling to parents
May make brief journeys away from parents to explore in familiar settings
Two years old
Weight: about 11–13 kg
Height: about 80–82 cm
Teeth: 12 temporary
Two and half years old
Learning to ride a toy car
Teeth: full set of 20 temporary
Decreased need for naps
Becoming inquisitive
Motor development
Running and falling
14 months
Using a spoon
Walks well alone with wide based gait
Creeps upstairs
Builds with blocks
Drinks from a cup, uses spoon
Enjoys throwing objects and picking them up
18 months
Walks sideways and backwards, runs well, falls easily
Climbs stairs or up on furniture
Scribbles vigorously, attempting a straight line
Drinks well from a cup, still spills with a spoon
Two years
Gross motor skills are quite well refined, can walk up and down stairs on both feet with one step at a time while holding on to a rail
Builds tower of five cubes
Control of spoon well-developed
Toilet trained during day time
Vocalization and socialization
15 months
Can use 10-15 words
Says "no" (see holophrasis)
Indicates when diaper is wet
18 months
Uses phrases composed of adjectives and nouns
Begins to have temper tantrums
Very ritualistic, has favorite toy or blanket
Thumb sucking may be at peak
Two years
Vocabulary of about 350 words
Obeys simple commands
Helps undress self and put on simple clothes
Shows sign of increased autonomy and individuality
Does not share possessions—everything "mine" as in the "Toddler's Creed":[9]
"If I want it, it's mine.
If I give it to you and change my mind later, it's mine.
If I can take it away from you, it's mine.
If I had it a little while ago, it's mine.
If it's mine it will never belong to anyone else, no matter what.
If we are building something together, all the pieces are mine.
If it looks like mine, it's mine."
—Burton L. White in his Raising a Happy, Unspoiled Child[9]
2½ years
Begins to see self as separate individual; still sees other children as "objects"[citation needed]
Major learning events
Toilet training
Psychological readiness
Process training
Parental response
Play (parallel play)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2010) (Learn how and when to remove this template message)
Child plays alongside other children but not with them
Mostly free and spontaneous, no rules or regulations
Attention span very short and change of toys occurs at frequent intervals
Imitation and make-believe play begins by end of the second year
Games: throwing and retrieving objects
Suggested toys:
Play furniture, dishes, cooking utensils, play telephone, puzzles with large pieces, pedal propelled toys, rocking horse, clay crayons, finger paints, pounding toys, blocks, push-pull toys, balls
Squatting
Main article: Squatting position
Young child playing at ease in a squatting position
Young children squat instinctively as a continuous movement from standing up whenever they want to lower themselves to ground level. One- and two-year-olds can commonly be seen playing in a stable squatting position, with feet wide apart and bottom not quite touching the floor, although at first they need to hold on to something to stand up again.[10]
Language
Talking is the next milestone of which parents are typically aware. A toddler's first word most often occurs around 12 months, but again this is only an average.[citation needed] The child will then continue to steadily add to his or her vocabulary until around the age of 18 months when language increases rapidly. He or she may learn as many as 7–9 new words a day. Around this time, toddlers generally know about 50 words. At 21 months is when toddlers begin to incorporate two word phrases into their vocabulary, such as "I go", "mama give", and "baby play".[citation needed] Before going to sleep they often engage in a monologue called crib talk in which they practice conversational skills. At this age, children are becoming very proficient at conveying their wants and needs to their parents in a verbal fashion.
Emotions and self-image
23-month-old crying girl
There are several other important milestones that are achieved in this time period that parents tend not to emphasize as much as walking and talking. Gaining the ability to point at whatever it is the child wants you to see shows huge psychological gains in a toddler. This generally happens before a child's first birthday.[citation needed]
This age is sometimes referred to as "the terrible twos",[11] because of the temper tantrums for which they are famous. This stage can begin as early as nine months old depending on the child and environment. Toddlers tend to have temper tantrums because they have such strong emotions but do not know how to express themselves the way that older children and adults do.[12] They also throw tantrums to let others know that they are free and can do what they want.[citation needed] The toddler is discovering that they are a separate being from their parent and are testing their boundaries in learning the way the world around them works. Although the toddler is in their exploratory phase, it is also important to understand that the methods used by the parents for communicating with the toddler can either set off a tantrum or calm the situation.[13][14] Research has shown that parents with histories of maltreatment, violence exposure, and related psychopathology may have particular difficulty in responding sensitively and in a developmentally appropriate manner to their toddlers' tantrums and thus may benefit from parent-child mental health consultation.[15][16] This time between the ages of two and five when they are reaching for independence repeats itself during adolescence.[citation needed]
Self-awareness is another milestone that helps parents understand how a toddler is reacting. Around 18 months of age, a child will begin to recognize himself or herself as a separate physical being with his/her own thoughts and actions.[citation needed] A parent can test if this milestone has been reached by noticing if the toddler recognizes that their reflection in a mirror is in fact themselves. One way to test this is the rouge test: putting lipstick on the child's face and showing them their own reflection. Upon seeing the out-of-the-ordinary mark, if the child reaches to his or her own face, the child has achieved this important milestone. Along with self recognition comes feelings of embarrassment and pride that the child had not previously experienced.[citation needed]
Overview
The toddler developmental timeline shows what an average toddler can do at what age. Times vary greatly from child to child. It is common for some toddlers to master certain skills such as walking well before other skills, like talking.[citation needed] Even close siblings can vary greatly in the time taken to achieve each key milestone.[citation needed]
Age
Physical
Mental
Emotional
12–14 months
Walk alone well.
Drink from a cup (poorly).
Turn pages in a book (a few at a time).
Play ball by rolling or tossing it.
Uses one or two syllable words such as "ball" or "cookie"
Can follow a simple command with an associated gesture, such as: bringing a cup to you when you point at it and saying "Please bring me the cup".
Use gestures or words to convey objects, such as: Pointing at a book, raising arms to be picked up, or saying "cup".
Mimic actions such as covering eyes while playing Peekaboo.
15–18 months
Hold a crayon well enough to scribble.
Lift cup up to mouth for drinking.
Climb onto furniture.
Uses 10–20 words.
May be able to follow a command without a gesture.
Stack two blocks.
Address others with greetings.
Mimic parental activities such as cleaning up or talking on a telephone.
19–24 months
Feed self with a spoon.
Run.
Climb into a small chair.
Walk up steps.
Helps with dressing: Likes to dress and undress self.
Speaks 20–50 words; understands many more
Stack six blocks
Understands non-physical relationships such as turning on lights or pushing buttons.
Sorting toys.
Searching for hidden objects.
Problem solving through experimentation.
Wants to be independent at times. Will throw a tantrum or possibly say "No!".
Mimics social behavior such as hugging a teddy bear or feeding a doll.
Self recognition.
Displays attachment.
Separation anxiety.
Can play turn-taking games.
Begins to be ready for toilet learning
25–36 months
Advanced mobility and climbing skills.
Increased dexterity with small objects, puzzles.
Able to dress oneself.
Speaking in sentences.
Ability to be independent to primary care giver.
Easily learns new words, places and people's names.
Anticipates routines.
Toilet learning continues
Plays with toys in imaginative ways.
Attempts to sing in-time with songs.
Knows boys from girls.
Shows preferences, such as clothes and entertainment.
Knows how to play different games.
See also
Child development stages
Early childhood
Early childhood education
Sign language in infants and toddlers
References
Jump up ^ "toddler". The Free Dictionary.
Jump up ^ Barker, Robin (2001) The Mighty Toddler: The essential guide to the toddler years, Pan Macmillan Australia, Sydney, p1.
Jump up ^ Lieberman, Alicia F, (1993) The Emotional Life of the Toddler, The Free Press, New York, p1.
Jump up ^ Brown, Stephanie (December 19, 2015). "What Is the Definition of a Toddler?". verywell.com, an About.com site. About, Inc. Retrieved November 13, 2016. The term toddler comes from the way that children first walk, which is at first unsteady and more like a toddle than actual walking.
^ Jump up to: a b c d PEDIATRIC AGE SPECIFIC, page 6. Revised 6/10. By Theresa Kirkpatrick and Kateri Tobias. UCLA Health System
Jump up ^ Barker, Robin (2001) The Mighty Toddler: The essential guide to the toddler years, Pan Macmillan Australia, Sydney, p19.
Jump up ^ Toddler growth, Gold Learners
Jump up ^ Feigelman S. The first year. In: Kliegman RM, Behrman RE, Jenson HB, Stanton BF, eds. Nelson Textbook of Pediatrics. 18th ed. Philadelphia, Pa: Saunders Elsevier; 2007: chapter 8 quoted in Developmental milestones record - 12 months MedlinePlus Medical Encyclopedia
^ Jump up to: a b Burton L. White, Raising a Happy, Unspoiled Child (Simon and Schuster [Fireside Book], 1995), 161.
Jump up ^ Slentz K, Krogh S Early Childhood Development and Its Variations (2001)
Jump up ^ "The Terrible Twos Explained - Safe Kids (UK)". Safe Kids. Retrieved 2010-12-08.
Jump up ^ Kuersten-Hogan, Regina; McHale, James P. (1998). "Talking About Emotions During the Toddler Years and Beyond: Mothers' and Fathers' Coaching of Children's Emotion Understanding". Infant Behavior and Development. 21: 514. doi:10.1016/s0163-6383(98)91727-1. ISSN 0163-6383.
Jump up ^ Fields-Olivieri, Margaret A.; Cole, Pamela M.; Maggi, Mirella C. "Toddler Emotional States, Temperamental Traits, and their Interaction: Associations with Mothers' and Fathers' Parenting". Journal of Research in Personality. 67: 106–119. doi:10.1016/j.jrp.2016.05.007. ISSN 0092-6566.
Jump up ^ "Toddlers World". Archived from the original on 2011-02-07.
Jump up ^ Gudmundson, Jessica A.; Leerkes, Esther M. "Links Between Mothers' Coping Styles, Toddler Reactivity, and Sensitivity to Toddler's Negative Emotions". Infant Behavior and Development. 35 (1): 158–166. doi:10.1016/j.infbeh.2011.07.004. ISSN 0163-6383.
Jump up ^ Schechter DS, Moser D, Wang Z, Marsh R, Hao XJ, Duan Y, Yu S, Gunter B, Murphy D, McCaw J, Kangarlu A, Willheim E, Myers M, Hofer M, Peterson BS (2012). "An fMRI Study of the Brain Responses of Traumatized Mothers to Viewing their Toddlers During Separation and Play". Journal of Social, Cognitive and Affective Neuroscience. 7 (8): 969–79. doi:10.1093/scan/nsr069.
External links
The dictionary definition of toddle at Wiktionary
Media related to Toddlers at Wikimedia Commons
Preceded by
Infancy Stages of human development
Toddlerhood Succeeded by
Childhood
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Ordeal by Innocence (TV series)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Ordeal by Innocence
Genre
Mystery
Drama
Thriller
Based on
Ordeal by Innocence
by Agatha Christie
Screenplay by
Sarah Phelps
Directed by
Sandra Goldbacher
Starring
Bill Nighy
Anthony Boyle
Anna Chancellor
Morven Christie
Crystal Clarke
Christian Cooke
Alice Eve
Matthew Goode
Ella Purnell
Eleanor Tomlinson
Luke Treadaway
Theme music composer
Stuart Earl
Country of origin
United Kingdom
Original language(s)
English
No. of episodes
3
Production
Executive producer(s)
Basi Akpabio
James Prichard
Sarah Phelps
Karen Thrussell
Damien Timmer
Helen Ziegler
Gaynor Holmes
Producer(s)
Roopesh Parekh
Running time
57 minutes
Production company(s)
Mammoth Screen
Agatha Christie Limited
Release
Original network
BBC One
Original release
1 April (2018-04-01) – 15 April 2018 (2018-04-15)
Chronology
Preceded by
The Witness for the Prosecution
External links
Website
Ordeal by Innocence is a three part BBC drama that was first broadcast during April 2018. It is based on the Agatha Christie novel of the same name and is the third English language filmed version to be broadcast. The drama stars Bill Nighy, Anna Chancellor, Alice Eve and Eleanor Tomlinson amongst others.
The show was originally intended to be broadcast as part of the BBC Christmas programming but was held back due to original cast member Ed Westwick being accused of sexual assault. His scenes were later reshot with Christian Cooke taking his place.
The series attracted positive reviews despite some backlash over the changes made to the plot. The direction and styling were afforded particular praise.
Contents
[hide]
1 Synopsis
1.1 Differences from the novel
2 Cast
3 Production
4 Episodes
5 Sexual assault allegations
6 Critical reception
7 References
8 External links
Synopsis[edit]
Set in 1956,[1] the programme opens with the death of Rachel Argyll, a wealthy heiress who, with her husband, Leo Argyll, has adopted five children as they cannot have their own. Initially, son Jack Argyll is accused and awaits trial in prison before he himself is killed at the hands of another prisoner. Eighteen months later and the family is gearing up for a wedding; Leo Argyll is due to marry the Argyll family's former secretary, Gwenda Vaughn, when a mysterious stranger arrives at the door claiming to have an alibi for Jack for the night of the murder. The stranger, Dr Calgary, is unaware that Jack is dead and has come back to help get Jack released from jail. Because the family has received many visits from fraudsters claiming to be Jack's alibi, Dr Calgary's testimony is coldly received, and he is told in no uncertain terms to leave the family alone.
Dr Calgary is then threatened by the other son, Mickey Argyll, but is approached by Philip Durrant, the disabled husband of Mary who sees Dr Calgary as a cash cow. Dr Calgary is disgusted, but telephones Leo Argyll and tells him that his wife's murderer is still on the loose.
Differences from the novel[edit]
Just like many other novels and stories by Agatha Christie, Ordeal by Innocence is set in the West Country of England.[2] This production shifted the location to Scotland and it was filmed in and around Inverkip.[3]
The family name in the book is Argyle, whereas it is spelt Argyll in the programme (although the pronunciation is the same).[4] The main suspect character, Jack, is called Jacko in the book,[5] and he dies in prison from pneumonia, not by being beaten to death.
With regard to characters, Kirsten Lindstrom, the family's housekeeper, is a middle-aged Nordic woman in the novel—a detail that plays a key role in the book's solution; in the miniseries, she is turned into a Scottish woman in her thirties, who is one of Rachel's foundlings. Dr Calgary is portrayed as mentally disturbed in this version, putting his testimony into doubt, whereas in the book his testimony is seen as reliable from the very beginning. Other characters, such as Gwenda Vaughan, Mary Durrant, and Hester Argyll, are portrayed much more negatively than they were in the novel: Gwenda is bossy and smug, Mary is deeply embittered, and Hester is a secret alcoholic.
The solution has also been radically altered. In the book, Kirsten is seduced by Jack, who instructs her to murder Rachel and steal her money so that he can pay off his debts; he, in the meantime, establishes an alibi for himself by hitchhiking into town. His plan backfires when Dr Calgary does not come forward to corroborate his version of events, and Kirsten learns that he is already married. In the programme, it is Leo who murders Rachel after she catches him with Gwenda and demands a divorce. He kills her using an Egyptian statuette, and blames Jack for the crime when his fingerprints are found on Rachel's whisky decanter. Jack is revealed to be completely innocent, and his hitchhiking to town unpremeditated. In this version, Kirsten is not his lover, but his mother. It transpires that Leo impregnated her as a teenager, and allowed her to remain on as the family's housekeeper while Jack was raised with the other children. Jack learns of his parentage shortly before Rachel's murder; while in custody, he correctly guesses that Leo is the murderer and threatens retaliation. In turn, Leo has his corrupt police acquaintance, Bellamy Gould, beat Jack to death while in prison (as Jack had publicly accused Gould of paedophilia and was having an affair with his wife, Lydia). Like Kirsten in the novel, Leo later murders Philip when he begins nosing around too much (only Philip dies by being injected with a morphine overdose; in the novel, he is stabbed in the back of the head). Tina is also stabbed in the novel, though she survives; in the programme, this attack on her life does not occur.
The ending is also darker than Christie's original. After uncovering the truth, Kirsten tells the other children, who confront Leo with the real murder weapon. They then stage Leo's suicide so that Gwenda believes that he is dead, while in reality, they lock Leo up in the house's nuclear bunker—presumably for the rest of his life. Also, before he is confronted, Leo has Dr Calgary institutionalized again, but the children are later seen visiting him at the asylum, with the implication that they will attempt to have him released.
Cast[edit]
Bill Nighy as Leo Argyll[6][7]
Anthony Boyle as Jack Argyll
Anna Chancellor as Rachel Argyll[a]
Morven Christie as Kirsten Lindstrom
Crystal Clarke as Tina Argyll
Christian Cooke as Mickey Argyll[b]
Alice Eve as Gwenda Vaughn
Matthew Goode as Philip Durrant
Ella Purnell as Hester Argyll
Eleanor Tomlinson as Mary Durrant
Luke Treadaway as Doctor Arthur Calgary
Brian McCardie as Bellamy Gould
Luke Murray as young Jack
Hayden Robertson as young Hester
Catriona McNicholl as young Mary
Abigail Conteh as young Tina
Rhys Lambert as young Mickey
Frances Grey as Lydia Gould[6]
Sammy Moore as Clive[9]
Sandy Welch as Doctor Edwin Morsuch[9]
Sandy Batchelor as Simon[10]
Stuart McQuarrie as Doctor[10]
Alexandra Finnie as young Kirsten[10]
Changes in cast
Jump up ^ Catherine Keener was originally cast in the role of Rachel Argyll.[8]
Jump up ^ Ed Westwick was originally cast in the role of Mickey Argyll.[8]
Production[edit]
The mystery drama was adapted for the screen by Sarah Phelps who was behind the previous two Christie adaptations for the BBC over the Christmas period (And Then There Were None and The Witness for the Prosecution).[11] Phelps has admitted to changing some elements of the story, particularly the ending, and when asked about what the purists might think, she responded "I don’t give a bollocks about people saying it has to be pure. No, it doesn’t. If you want a pure adaptation, go and get someone else to do it."[12] However, the BBC and Phelps have come under criticism for changing the plot with many online users stating that Agatha Christie knew what she was writing about. One user said, "Why doesn't [Phelps] write her own books if she thinks she can do better than someone who's sold millions of books." [sic][recte?][13]
The three-parter was filmed in, and around, the town of Inverkip in the Inverclyde district west of Glasgow. Ardgowan House was used as the Argyll family home of Sunny Point.[14]
The series was originally supposed to have been broadcast over the Christmas and New Year holidays of 2017/2018, but was cancelled due to the sexual assault allegations against Westwick. Its broadcast over the Eastertide of 2018 has split the series into three episodes across three weeks which has lead to some dubbing it "ordeal by iPlayer".[15]
Episodes[edit]
No.
Title
Directed by
Written by
Original air date
UK viewers
(millions)
1
"Episode 1" Sandra Goldbacher Sarah Phelps 1 April 2018 (2018-04-01) TBD
Rachel Argyll falls to the floor, bleeding profusely from a wound to the back of her head caused by a whisky decanter. As her body is being carried off on a stretcher, one of her five adopted children, Jack, is fingerprinted and talks the crime over with his dad, Leo Argyll, at the police station. Jack is later beaten to death in prison and the family buries him. Eighteen months later, Leo Argyll is preparing to marry his secretary, Gwenda Vaughan. This sees the return of son Mickey to the house and the arrival of a strange visitor, Dr Arthur Calgary, who reveals that he gave a lift to Jack at the time that Rachel Argyll was murdered, thus proving belatedly Jack's innocence. The delay in coming forward is explained away by Calgary being a physicist who has been in the Arctic on a research project. Later, whilst Calgary is sleeping in his hotel room, Mickey Argyll goes to question him and warn him off. At the hotel, Philip Durrant, the husband of Rachel's eldest adopted daughter, joins Calgary for dinner to propose a plan to make money from Calgary's revelation by selling the story to the newspapers. Durrant, a former Royal Air Force pilot who was disabled in a car crash, is shown as an abusive husband and a morphine addict. His wife Mary Durrant is also nasty to Tina Argyll and tells Gwenda that she will never replace her mother.
2
"Episode 2" Sandra Goldbacher Sarah Phelps 8 April 2018 (2018-04-08) TBD
Dr Calgary revisits Sunny Point and is spotted by Hester before Mickey forces him into a car and drives him to a railway station. He assaults Calgary and firmly puts him on a train and tells him to leave. Whilst in motion, Calgary gets the train to stop in the middle of nowhere so he can get off and go back. Over breakfast at Sunny Point, Phillip antagonises everyone and causes many arguments between the siblings. He points out that trying to hide the new found evidence from Calgary, would look suspicious to the police. Calgary later telephones the house with the housemaid, Kirsten, picking up the phone at the same time as Leo Argyll. Calgary informs Argyll that he is going to the police with Kirsten overhearing it all but saying nothing. Whilst Calgary is walking on the road, he is stopped by Bellamy Gould, Chief Constable and friend of Leo Argyll, who is driving a car. Gould questions Calgary's statement and seems to leave only to turn around and try to run Calgary down. Gould dies in trying, but Calgary survives. Calgary eventually gets a fair hearing form Leo Argyll and stays overnight at the house giving his version of events over dinner. The four remaining Argyll siblings meet later that night in the woods and argue about where they all were on the night of Rachel's murder and bicker in a display of sibling rivalry with Mary Durrant appearing as the most upset by events and how she feels the other children spoilt her relationship with Rachel. Near the end of the episode, Phillip Durrant is trying to leave the house when he hears footsteps behind him, he turns and says "of course it's you!". In the morning, Calgary reveals he wrote a detonation formula for the bombs dropped on Hiroshima and Nagasaki, this led him to go mad and be detained against his will at an asylum, not away at the Arctic, as he claimed in the first episode. On the night that Rachel died, he escaped and gave a lift to Jack. At breakfast, Calgary mentions that the shower in the Durrant's room has been going for some time. Leo Argyll and Calgary go to investigate and find Phillip Durrant dead on the floor of the shower with a hypodermic needle in his arm.
3
"Episode 3" Sandra Goldbacher Sarah Phelps 15 April 2018 (2018-04-15) 5.5 million[16]
This episode runs over a very short time period but has flashbacks for all the characters and details their reasons for possibly being the killer of Rachel. Hester runs away from the house and when Rachel tracks her down, she drugs her and takes her to hospital where she instructs the doctor to terminate the pregnancy. Jack witnesses Mickey and Tina in a passionate embrace and uses this against Rachel. Later we see Rachel telling Tina that she is filth. When Rachel goes into Leo's study and discovers women's underwear on the floor, she goes to the very top floor of the house and catches Leo and Gwenda on the bed. She informs Gwenda that Leo has a habit of sleeping with the staff and that she is not the first. Gwenda retaliates in kind and Rachel smacks her across the face. Rachel tells Leo she is divorcing him and through the conversation, it is understood that the money is in her name and he will be penniless. When she leaves Leo's study, she is confronted by Mary who is upset that Rachel does not love her. Rachel tells her that she only adopted her because she was sad, and that it wasn't Mary's fault she could not stop her sadness. Jack witnesses this and is aghast, so he confronts his mother and she in turn tells him he is the son of Kirsten, the cook. Jack goes go see Kirsten and through another flashback, Jack is shown in the police station telling Leo that he knows that Leo is his father and that Kirsten is his mother. He tells Leo acidly that he will destroy him and ruin his life. Rachel is then shown being hit on the head with an Egyptian statuette by Leo and soon afterwards, Kirsten goes in to confront her about telling Jack of his parentage. Rachel dies in Kirsten's arms and the policeman, Gould, conspires with Leo to have Jack killed in prison. After Phillip is discovered dead, Leo has Calgary taken away to the asylum and Leo is confronted by his children and Kirsten who show him the statuette as the murder weapon, not the decanter that had Jack's fingerprints on it. Later, Gwenda and the four remaining children are shown on the dock by the lake dressed up for the wedding, but with police divers searching the lake. Gwenda is asking why Leo has killed himself. Later, Leo is shown waking up in the bunker underneath the house and pleading to be let out whilst Kirsten walks way smiling.
Sexual assault allegations[edit]
After the drama had completed filming, the actor playing the part of Mickey Argyll (Ed Westwick) was accused of sexual assault by two women. In the wake of other sexual assault scandals in 2017, the BBC decided to delay the broadcast pending an investigation into the allegations against Westwick.[17]
When two more women came forward to allege impropriety by Westwick, the BBC auditioned a new actor and re-shot Westwick's part with Christian Cooke. The BBC explained that as Ridley Scott had already done something similar with All the Money in the World[18], they decided to re-shoot too as, as they described it, "hundreds and hundreds of hours of people's hard earned work would have been lost". Westwick has strenuously denied the allegations and had stated that nothing had been proven.[19]
Forty-five minutes of footage from 35 scenes was shot over 12 days with Christian Cooke.[12] The other actors in the production were drafted in and whilst most made the time, (one production personality described them all as very busy actors), not all of them were on set together at the same time. Alice Eve, who played Gwenda Vaughn, could not make it back from America and had to be split-screened into the new footage.[20] The actor Christian Cooke, praised the production staff in getting things organised so quickly and apart from one scene where Cooke's character has icy breath (in what was supposedly mid-summer), most critics agreed that the re-shoot went very well and that the production was "seamless".[1][21]
Critical reception[edit]
Lucy Mangan, writing in The Guardian, gave the first episode a maximum of five stars saying "The latest adaptation, rich, dark, adult and drawing on a backdrop of postwar grief and instability, are a far cry from the sunny – still murderous, but sunny – uplands scattered with millet seed for Joan Hickson to peck at as Miss Marple..".[20]
Michael Hogan, writing in The Telegraph, gave the episode four stars out of a possible five saying that "initially, it was ponderous and confusing, with time-hops and a wide cast of characters", but that later "the pace steadily picked up [and] by the end of the hour, this whodunit had its hooks into me."[14] Also in The Telegraph, Ed Cumming described the series as "taut writing" but questioned the necessity for three episodes. He also noted that "everyone was so unlikeable".[22]
The Times gave the first episode four stars out of five and noted that in spite of the production having to have 35 scenes re-shot with new actor Christian Cooke, the production was seamless.[21] Similarly, the second episode was awarded four stars out of five. The reviewer lamented that the series had been "eked out over three weeks instead of a fortnight" but had described the episode as "rattling along rather nicely." Special mention was made of Matthew Goode who "...didn't just steal every scene he was in, he convinced us that the scene belonged to him in the first place."[23] The third episode also garnered four stars out of five from The Times. Carol Midgley said the ending where Leo Argyll ended up being locked away in the bunker by Kirsten, "unexpected". She also said that the plot was "overboiled" and did not show whether the "Argyll children were in on it, or did they think he'd drowned?". Midgley liked it overall and said that "apart from those final shark-jumping moments, I relished every other dark, delicious thing that the writer Sarah Phelps did to the story..."[24]
The Radio Times reported that viewer feedback was positive although some had commented that the programme was confusing due to its forwards and backwards time jumps. Others criticised its soundtrack music and accused the male characters of looking too similar to each other.[25]
References[edit]
^ Jump up to: a b Kennedy, Maev (30 March 2018). "Agatha Christie reshoot with Ed Westwick stand-in is 'seamless'". The Guardian. Retrieved 2 April 2018.
Jump up ^ Webb, Claire (1 April 2018). "Where is BBC Agatha Christie drama Ordeal by Innocence filmed?". Radio Times. Retrieved 3 April 2018.
Jump up ^ Coulter, Paul John (10 January 2018). "Film star Bill Nighy set for Ardgowan House return to re-shoot Agatha Christie drama". Greenock Telegraph. Retrieved 3 April 2018.
Jump up ^ Zemboy, James (2008). The Detective Novels of Agatha Christie: A Reader's Guide. Jefferson, N.C.: McFarland & Co., Publishers. p. 312. ISBN 978-0-7864-3914-0.
Jump up ^ Billen, Andrew (31 March 2018). "Ordeal by Innocence: the Christie Mystery that almost got away". The Times (72497). Saturday Review. p. 4. ISSN 0140-0460.
^ Jump up to: a b "Episode 1, Series 1, Ordeal by Innocence - Credits - BBC One". bbc.co.uk. Retrieved 2 April 2018.
Jump up ^ "Meet the cast of Agatha Christie drama Ordeal by Innocence". Radio Times. 1 April 2018. Retrieved 2 April 2018.
^ Jump up to: a b "Ordeal by Innocence casting". BBC Media Centre. 5 July 2017. Retrieved 4 April 2018.
^ Jump up to: a b "Episode 2, Series 1, Ordeal by Innocence - Credits - BBC One". bbc.co.uk. Retrieved 4 April 2018.
^ Jump up to: a b c "Episode 3, Series 1, Ordeal by Innocence - Credits - BBC One". bbc.co.uk. Retrieved 6 April 2018.
Jump up ^ Billen, Andrew (31 March 2018). "Ordeal by Innocence: the Christie Mystery that almost got away". The Times (72497). Saturday Review. pp. 4–5. ISSN 0140-0460.
^ Jump up to: a b Hughes, Sarah (25 March 2018). "Shot and shot again: the Agatha Christie TV mystery that rose from the dead". The Guardian. Retrieved 2 April 2018.
Jump up ^ Parker, Charlie (9 April 2018). "Whodunnit? BBC writer 'murdered' Christie drama". The Times (72504). p. 9. ISSN 0140-0460.
^ Jump up to: a b Hogan, Michael (1 April 2018). "Ordeal by Innocence, review – this gripping, all-star whodunit was well worth the wait". The Telegraph. Retrieved 2 April 2018.
Jump up ^ Clay, Joe (14 April 2018). "Critic's choice; Ordeal by Innocence". The Times (72509). Saturday Review. p. 28. ISSN 0140-0460.
Jump up ^ "Weekly top 10 programmes | BARB; w/e 15 April 2018". www.barb.co.uk. Retrieved 25 April 2018.
Jump up ^ "BBC One shelves drama after rape claims". BBC News. 10 November 2017. Retrieved 2 April 2018.
Jump up ^ Gilbert, Gerard (27 March 2018). "Actor Bill Nighy on BBC1's 'Ordeal of Innocence': 'I long to be typecast'". The Independent. Retrieved 2 April 2018.
Jump up ^ "How Ordeal by Innocence was re-shot". BBC News. 20 March 2018. Retrieved 2 April 2018.
^ Jump up to: a b Mangan, Lucy (1 April 2018). "Ordeal By Innocence review - crime saga seamlessly sifts truth from lies". The Guardian. Retrieved 2 April 2018.
^ Jump up to: a b Midgley, Carol (2 April 2018). "A delicious helping of murder most menacing". The Times (72498). Times 2. p. 10. ISSN 0140-0460.
Jump up ^ Cumming, Ed (8 April 2018). "Ordeal by Innocence, episode two review – Agatha Christie's legacy is safe with this masterful BBC adaptation". The Telegraph. Retrieved 8 April 2018.
Jump up ^ Bennion, Chris (9 April 2018). "This heady whodunnit is rattling along nicely". The Times (72504). Times2. p. 10. ISSN 0140-0460.
Jump up ^ Midgley, Carol (16 April 2018). "I relished this murderous family and its secrets". The Times (72510). Times2. p. 10. ISSN 0140-0460.
Jump up ^ Allen, Ben (2 April 2018). "Viewers are already hooked on "brilliant" Ordeal By Innocence adaptation". radiotimes.com. Retrieved 3 April 2018.
External links[edit]
Ordeal by Innocence on IMDb
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