text:
List of biblical names starting with C
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Main article: List of biblical names
A – B – C – D – E – F – G – H – I – J – K – L – M – N – O – P – Q – R – S – T – U – V – Y – Z
C[edit]
Cabbon
Cabul
Caesar
Caiphas
Cain acquisition, fabrication[1]
Cainan, Kenan, acquisition;[2]
Calah
Calcol
Caleb, bold, impetuous;[2]
Caleb-Ephratah
Calneh
Calno
Calvary
Camon, "derivation uncertain"[3]
Cana
Canaan
Candace
Capernaum
Caphtor
Cappadocia
Carcas
Charchemish
Careah, bald[4]
Carmel
Carmi
Carpus
Carshena, meaning uncertain[5]
Casiphia, silversmith[6]
Casluhim
Cedron[disambiguation needed]
Cenchrea
Cephas
Cesar
Chalcol, meaning uncertain[7]
Chaldea
Charran
Chebar
Chedorlaomer
Chelal
Chelluh
Chelub
Chelubai
Chemarims
Chemosh
Chenaanah
Chenani
Chenaniah
Chephirah
Cheran
Cherith
Chesed
Chesil
Chesulloth
Chidon
Chiliab
Chilion
Chilmad
Chimham
Chios
Chisleu, Cisleu, Casleu
Chislon
Chisloth-tabor
Chittem
Chloe
Chorazin
Chozeba
Christ, anointed;[8][9][10][11][12][13][14][15][16][17] The Anointed One;[18]
Christian, The disciples were first called "Christians" at Antioch on the Orontes (Acts 11:26). The name "Christian" appears in the New Testament at Acts 26:28; 1 Peter 4:16.[19] "Christian" occurs 3 times in the New Testament (Acts 11:26; 26:28; 1 Pet. 4:16).[20] Believers called[21] The term "Christian" of the party of Christ[22] “brethren,” “the faithful,” “elect,” “saints,” “believers,” to the followers of Jesus[23]
Chun
Chushan-rishathaim
Chuza
Cilicia
Cis
Clauda
Claudia, Claudius, lame[24]
Clement
Cleophas
Cnidus
Colhozeh
Colosse
Coniah
Coos
Corinth
Cornelius
Cosam
Coz
Cozbi
Crescens
Crete
Crispus
Cush, Cushan
Cuth
Cyprus
Cyrene
Cyrenius
Cyrus
References[edit]
Comay, Joan, Who's Who in the Old Testament, Oxford University Press, 1971, ISBN 0-19-521029-8
Lockyer, Herbert, All the men of the Bible, Zondervan Publishing House (Grand Rapids, Michigan), 1958
Lockyer, Herbert, All the women of the Bible, Zondervan Publishing 1988, ISBN 0-310-28151-2
Lockyer, Herbert, All the Divine Names and Titles in the Bible, Zondervan Publishing 1988, ISBN 0-310-28041-9
Tischler, Nancy M., All things in the Bible: an encyclopedia of the biblical world , Greenwood Publishing, Westport, Conn. : 2006 ISBN 0-313-33082-4
Inline references[edit]
Jump up ^ Lockyer, p. 81
^ Jump up to: a b Lockyer, p. 82
Jump up ^ J. D. Douglas; Merrill C. Tenney (3 May 2011). Zondervan Illustrated Bible Dictionary. Harper Collins. p. 797. ISBN 978-0-310-49235-1.
Jump up ^ Holman Bible Dictionary (1991), "Kareah".
Jump up ^ David Mandel (1 January 2010). Who's Who in the Jewish Bible. Jewish Publication Society. p. 72. ISBN 978-0-8276-1029-3.
Jump up ^ Holman Bible Dictionary (1991), "silversmith"
Jump up ^ Holman Bible Dictionary (1991), "Calcol"
Jump up ^ Christ
Jump up ^ The spelling "Christ" is attested from the 14th century. OED
Jump up ^ The New Testament compared : The Gospel according to Saint Matthew
Jump up ^ Christian
Jump up ^ Acts 11:26
Jump up ^ Acts 26:28
Jump up ^ 1 Peter 4:16
Jump up ^ Jesus, the christ
Jump up ^ Christ
Jump up ^ Webster's Revised Unabridged Dictionary (1913 + 1828) for the word "anoint" - associated with Chaucer is attested from the 14th century with Chaucer's work Boece 1374. OED
Jump up ^ Lockyer, p. 366
Jump up ^ Smith's Bible Dictionary
Jump up ^ Easton's Bible Dictionary
Jump up ^ Nave's Topical Bible
Jump up ^ New Schaff-Herzog Encyclopedia of Religious
Jump up ^ Easton's Bible Dictionary
Jump up ^ Smith's Bible Dictionary
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Man Gave Names to All the Animals
From Wikipedia, the free encyclopedia
Jump to: navigation, search
"Man Gave Names to All the Animals"
French cover
Single by Bob Dylan
from the album Slow Train Coming
B-side
"Trouble in Mind" (France)
"When He Returns" (Europe)
"When You Gonna Wake Up?"(US)
Released
1979
Recorded
May 4, 1979
Muscle Shoals Sound Studios
Genre
Rock, gospel
Length
4:25
Label
Columbia Records
Songwriter(s)
Bob Dylan
Producer(s)
Jerry Wexler
Barry Beckett
Bob Dylan singles chronology
"Forever Young"
(1978) "Man Gave Names to All the Animals"
(1979) "Gotta Serve Somebody"
(1979)
"Forever Young"
(1978) "Man Gave Names to All the Animals"
(1979) "Gotta Serve Somebody"
(1979)
"Man Gave Names to All the Animals" is a song written by Bob Dylan that appeared on Dylan's 1979 album Slow Train Coming and was also released as a single in some European countries. It was also released as a promo single in US. The single became a chart hit in France and Belgium.[1][2] However, the song also has detractors who consider it the worst song Dylan ever wrote.[2] A 2013 reader's poll conducted by Rolling Stone Magazine ranked "Man Gave Names to All the Animals" the 4th worst Bob Dylan song, behind the hit single from Slow Train Coming, "Gotta Serve Somebody" in second place.[3]
"Man Gave Names to All the Animals" has been covered by multiple artists, including Townes Van Zandt, who covered the song on his 1993 album Roadsongs.[2] The lyrics were turned into a children's book published by Harcourt in 1999, with illustrations by Scott Menchin.[2] The Singing Kettle covered this song in the second episode of their third BBC TV series. The Wiggles covered it on their "Furry Tales" CD in 2013.
Contents
[hide]
1 Lyrics and music
2 Live performances
3 Reception
4 References
Lyrics and music[edit]
The music to "Man Gave Names to All the Animals" is reggae-inspired.[2][4] The lyrics were inspired by the biblical Book of Genesis, verses 2:19–20 in which Adam named the animals and birds.[2][4] The lyrics have an appeal to children, rhyming the name of the animal with one of its characteristics. So after describing an animal's "muddy trail" and "curly tail," Dylan sings that "he wasn't too small and he wasn't too big" and so that animal was named a pig.[4] Similarly, the cow got its name because Adam "saw milk comin' out but he didn't know how" and the bear got its name because it has a "great big furry back and furry hair."[4]
In the last verse, the lyrics take a more sinister turn.[1] In that verse the man
Saw an animal as smooth as glass
Slithering his way through the grass
Saw him disappear by a tree near a lake
The verse ends there, with the music hanging and the lyrics avoiding naming the snake.[1][4] In concert, Dylan sometimes elaborated on the meaning of the snake to him at the time.[1] For example, in a concert in Pittsburgh in May 1980 Dylan confirmed that the animal in the final verse is the same snake that appeared to Adam and Eve in the Garden of Eden.[1] In Dylan's description that day, Lucifer had put his spirit into that snake, and Jesus later died not only for forgiveness of sins but also to destroy the devil's work.[1] Despite the obvious biblical source for the song, Dylan avoids any explicit mention of Adam and Eve, which to author Oliver Trager seems to pin the blame for the fall of man solely on the snake.[2] Music critic Michael Gray finds it interesting that Dylan avoids blaming Eve for man's fall, appreciating that he stops "the song short on a beautifully hungover note at the arrival on the scene of the serpent.[5]
According to backup singer Regina Havis Brown, originally Dylan wasn't sure if he wanted to include "Man Gave Names to All the Animals" on Slow Train Coming.[2] But when Dylan heard Brown's three-year-old son laughing at the identification of the animals, he said that "I'm going to put that on the record."[2]
Live performances[edit]
Dylan regularly played "Man Gave Names to All the Animals" in concert between 1979 and 1981, and he played it in concert again during his 1987 European tour in light of the song's popularity there.[1][2] In concert he often played with the lyrics switching animals and messing up the rhymes.[2] For example, the line "he wasn't too small and he wasn't too big" might be followed by identifying the animal as a giraffe rather than a pig.[2][6] Dylan's backup singers would often hiss to replace the missing line identifying the snake.[2]
Reception[edit]
Rolling Stone Magazine described "Man Gave Names to All the Animals" as being "clever" but "not very profound" and that although it "went over pretty well live" it is "simplistic" and easy to see "why it has detractors."[3] Author John Nogowski calls it "an embarrassment," "silly", and "just awful."[7] But music critic Michael Gray praises it as one of the standout tracks on Slow Train Coming, citing its humor, its quality as a children's song, and the self-mocking contrast to the more fundamentalist tone of the songs Dylan wrote during this period.[5]
References[edit]
^ Jump up to: a b c d e f g Heylin, C. (2010). Still on the Road. Chicago Review Press. pp. 143–144. ISBN 9781556528446.
^ Jump up to: a b c d e f g h i j k l m Trager, O. (2004). Keys to the Rain. Billboard Books. pp. 409–410. ISBN 0823079740.
^ Jump up to: a b "Readers' Poll: The 10 Worst Bob Dylan Songs". rollingstone.com. Retrieved 2013-07-06.
^ Jump up to: a b c d e Rogovoy, S. (2009). Bob Dylan: Prophet Mystic Poet. Scribner. p. 208. ISBN 9781416559153.
^ Jump up to: a b Gray, M. (2000). Song and Dance Man III: The Art of Bob Dylan. Continuum. pp. 231–233. ISBN 0-8264-5150-0.
Jump up ^ Williams, P. (1994). Bob Dylan Performing Artist 1974–1986. Omnibus Press. p. 154. ISBN 0711935556.
Jump up ^ Nogowski (2008). Bob Dylan. McFarland. p. 90. ISBN 9780786435180.
[show]
v
t
e
Bob Dylan
Discography
Awards
Bibliography
Songs written by Dylan
Studio albums
Bob Dylan
The Freewheelin' Bob Dylan
The Times They Are a-Changin'
Another Side of Bob Dylan
Bringing It All Back Home
Highway 61 Revisited
Blonde on Blonde
John Wesley Harding
Nashville Skyline
Self Portrait
New Morning
Pat Garrett & Billy the Kid
Planet Waves
Blood on the Tracks
Desire
Street-Legal
Slow Train Coming
Saved
Shot of Love
Infidels
Empire Burlesque
Knocked Out Loaded
Down in the Groove
Oh Mercy
Under the Red Sky
Good as I Been to You
World Gone Wrong
Time Out of Mind
Love and Theft
Modern Times
Together Through Life
Christmas in the Heart
Tempest
Shadows in the Night
Fallen Angels
Triplicate
Live albums
Before the Flood
Hard Rain
Bob Dylan at Budokan
Real Live
Dylan & the Dead
The 30th Anniversary Concert Celebration
MTV Unplugged
Live 1961–2000: Thirty-Nine Years of Great Concert Performances
Live at The Gaslight 1962
Live at Carnegie Hall 1963
In Concert – Brandeis University 1963
The 1966 Live Recordings
Compilations
Bob Dylan's Greatest Hits
Bob Dylan's Greatest Hits Vol. II
Dylan
The Basement Tapes
Masterpieces
Biograph
Bob Dylan's Greatest Hits Volume 3
The Best of Bob Dylan (1997)
The Best of Bob Dylan, Vol. 2
The Essential Bob Dylan
Bob Dylan: The Collection
The Best of Bob Dylan (2005)
Blues
Dylan
The Original Mono Recordings
The 50th Anniversary Collection
Bob Dylan: The Complete Album Collection Vol. One
The 50th Anniversary Collection 1963
The 50th Anniversary Collection 1964
Bootlegs
Great White Wonder
List of Basement Tapes songs (1967,1975)
The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991
Volume 4: The Royal Albert Hall concert
Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue
Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall
Vol. 7: No Direction Home: The Soundtrack
Vol. 8: Tell Tale Signs: Rare and Unreleased 1989–2006
Vol. 9: The Witmark Demos: 1962–1964
Vol. 10: Another Self Portrait (1969–1971)
Vol. 11: The Basement Tapes Complete
Vol. 12: The Cutting Edge 1965–1966
Vol. 13: Trouble No More 1979–1981
Concert tours
England Tour (1965)
World Tour (1966)
Tour with The Band (1974)
Rolling Thunder Revue (1975–1976)
World Tour (1978)
Gospel Tour (1979–1980)
World Tour (1981)
European Tour (1984)
True Confessions Tour (1986)
Tour with the Grateful Dead (1987)
Temples in Flames Tour (1987)
Never Ending Tour
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
Films
Dont Look Back
Eat the Document
Renaldo and Clara
Masked and Anonymous
No Direction Home
I'm Not There
65 Revisited
The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963–1965
Trouble No More - A Musical Film
Writings
Tarantula
Writings and Drawings
Chronicles: Volume One
Books about Dylan
The Bob Dylan Encyclopedia
Bob Dylan, Performing Artist
Invisible Republic
The Cambridge Companion to Bob Dylan
Related
The Band
Electric Dylan controversy
Theme Time Radio Hour
Traveling Wilburys
Artists who have covered Dylan songs
Chimes of Freedom (album)
The Lost Notebooks of Hank Williams
Lost on the River: The New Basement Tapes
Suze Rotolo
The Telegraph magazine
Sara Dylan (first wife)
Carolyn Dennis (second wife)
Jesse Dylan (son)
Jakob Dylan (son)
Book
Category
Portal
[show]
v
t
e
Bob Dylan singles discography
1962
"Mixed-Up Confusion" / "Corrina, Corrina"
1963
"Blowin' in the Wind" / "Don't Think Twice, It's All Right"
1965
"The Times They Are a-Changin'" / "Honey, Just Allow Me One More Chance"
"Maggie's Farm" / "On the Road Again"
"Subterranean Homesick Blues" / "She Belongs to Me"
"Like a Rolling Stone" / "Gates of Eden
"Positively 4th Street" / "From a Buick 6"
"Can You Please Crawl Out Your Window?" / "Highway 61 Revisited"
1966
"One of Us Must Know (Sooner or Later)" / "Queen Jane Approximately"
"Rainy Day Women ♯12 & 35" / "Pledging My Time"
"I Want You" / "Just Like Tom Thumb's Blues" (live with The Hawks)
"Just Like a Woman" / "Obviously 5 Believers"
1967
"Leopard-Skin Pill-Box Hat" / "Most Likely You Go Your Way And I'll Go Mine"
"If You Gotta Go, Go Now" / "To Ramona" (only in Europe)
1968
"Drifter's Escape" / "John Wesley Harding"
"All Along the Watchtower" / "I'll Be Your Baby Tonight"
1969
"I Threw It All Away" / "Drifter's Escape"
"Lay Lady Lay" / "Peggy Day"
"Tonight I'll Be Staying Here with You" / "Country Pie"
1970
"If Not for You" / "New Morning"
"Wigwam" / "Copper Kettle"
1971
"Watching the River Flow" / "Spanish is the Loving Tongue"
"George Jackson" (band version) / "George Jackson" (acoustic version)
1973
"Knockin' on Heaven's Door" / "Turkey Chase" (instrumental from Pat Garrett and Billy the Kid)
"A Fool Such as I" / "Lily of the West"
1974
"On a Night Like This" / "You Angel You"
"Something There Is About You" / "Tough Mama"
"Most Likely You Go Your Way (And I'll Go Mine)" (live with The Band)
"All Along the Watchtower" / "It Ain't Me Babe"
1975
"Tangled Up in Blue" / "If You See Her, Say Hello"
"Million Dollar Bash" / "Tears of Rage"
"Hurricane" (Part 1) / "Hurricane" (Part 2)
1976
"Mozambique" / "Oh Sister"
"Stuck Inside of Mobile With the Memphis Blues Again" (live) / "Rita May"
1978
"Baby, Stop Crying" / "We Better Talk This Over"
"Changing of the Guards" / "Señor (Tales of Yankee Power)"
"Is Your Love In Vain?" / "We Better Talk This Over"
1979
"Maggie's Farm (live) / "All Along the Watchtower"
"Forever Young" (live) / "All Along the Watchtower" / "I Want You"
"Man Gave Names to All the Animals" / "When You Gonna Wake Up?"
"Gotta Serve Somebody" / "Trouble in Mind"
"Precious Angel" / "Trouble in Mind"
1980
"Slow Train" / "Do Right to Me Baby"
"Solid Rock" / "Covenant Woman"
"Saved" / "Are You Ready?"
1981
"Heart of Mine" / "Let It Be Me"
"Dead Man, Dead Man" / "Lenny Bruce"
1983
"Union Sundown" / "Angel Flying too Close to the Ground"
"I and I" / "Angel Flying too Close to the Ground"
"Sweetheart Like You" / "Union Sundown"
1984
"Jokerman" / "Isis"
1985
"Tight Connection to My Heart (Has Anybody Seen My Love)" / "We Better Talk this Over"
"When the Night Comes Falling from the Sky" / "Emotionally Yours"
1986
"Band of the Hand" / "Joe's Death" (Michael Rubini)
"Got My Mind Made Up" / "The Usual"
1988
"Silvio" / "Driftin' too Far from the Shore"
1989
"Everything Is Broken" / "Death is Not the End"
"Slow Train" (live with The Grateful Dead)
1990
"Political World" / "Ring Them Bells" (only in the UK and Australia)
"Most of the Time" / "Most of the Time (edit piece)
"Unbelievable" / "10,000 Men"
1991
"Series of Dreams" / "Seven Curses"
"Blind Willie McTell" / "It Takes a Lot to Laugh, It Takes a Train to Cry" (from The Bootleg Series Volumes 1-3)
"Step it Up and Go" — (no b-side)
1993
"My Back Pages" (with Roger McGuinn, Tom Petty, Neil Young, Eric Clapton, George Harrison) — (no b-side)
1995
"Dignity" (live on MTV Unplugged) / "A Hard Rain's a-Gonna Fall" (live version)
"Knockin' on Heaven's Door" / "John Brown" (both live on MTV Unplugged)
1998
"Not Dark Yet" / "Tombstone Blues" (live) / "Ballad of a Thin Man" (live) / "Boots of Spanish Leather" (live)
"Love Sick" / "Tombstone Blues" (live)
2000
"Things Have Changed" / "Make You Feel My Love" (live) / "Hurricane" / "Song to Woody" (live)
2006
"Someday Baby" / "Someday Baby" (edit piece)
"Rollin' and Tumblin'" / "Not Dark Yet" / "High Water (for Charley Patton)"
2007
"Most Likely You Go Your Way (And I'll Go Mine)" (Mark Ronson remix version) / "Most Likely You Go Your Way (And I'll Go Mine)" (album version)
2008
"Dreamin' of You" (edit piece) / "Dreamin' of You" (album version)
2009
"Beyond Here Lies Nothin'" / "Down Along the Cove" (live)
"I Feel a Change Comin' On" / "I Feel a Change Comin' On" (edit piece)
"Must Be Santa" / "'Twas the Night Before Christmas"
2010
"The Times They Are a-Changin'" (demo version) / "Like a Rolling Stone"
2012
"Duquesne Whistle"
2013
"Wigwam" (demo version) / "Thirsty Boots"
[show]
v
t
e
Adam and Eve
Source
Genesis creation narrative in the Book of Genesis
Adam
Eve
Offspring
Cain and Abel
Aclima
Seth
Awan
Azura
Television
"Probe 7, Over and Out" (1963)
Film
Mama's Affair (1921)
Good Morning, Eve! (1934)
The Broken Jug (1937)
The Original Sin (1948)
The Private Lives of Adam and Eve (1960)
El pecado de Adán y Eva (1969)
La Biblia en pasta (1984)
The Annunciation (1984)
Adipapam (1988)
Adam (1992)
Man's Best Friend (1998)
Babs (2000)
The Last Eve (2005)
Year One (2009)
The Tragedy of Man (2011)
Adam and Dog (2011)
Tropico (2013)
Plays
Le Jeu d'Adam (12th century)
The Broken Jug (1808)
The Tragedy of Man (1861)
The Creation of the World and Other Business (1972)
Musicals
The Apple Tree (1966)
Dude (1972)
Up from Paradise (1973)
Children of Eden (1991)
Compositions
The Creation (1798)
structure
La mort d'Adam (1809)
Ève (1875)
Genesis Suite (1945)
Lilith (2001)
Literature
Apocalypse of Adam
Book of Moses
Book of Abraham
Books of Adam
Book of the Penitence of Adam
Cave of Treasures
"El y Ella"
Genesis A and Genesis B
Harrowing of Hell
Life of Adam and Eve
Testament of Adam
Testimony of Truth (3rd century)
Conflict of Adam and Eve with Satan (6th century)
"Old Saxon Genesis" (9th century)
"Adam lay ybounden" (15th century)
Paradise Lost (1667)
Le Dernier Homme (1805)
Extracts from Adam's Diary (1904)
Eve's Diary (1905)
The Book of Genesis (2009)
Art
Bernward Doors (1015)
Tapestry of Creation (11th century)
Expulsion from the Garden of Eden (1425)
Vienna Diptych (15th century)
The Last Judgment (1482)
The Garden of Earthly Delights (1504)
Adam and Eve (1507)
Paradise and Hell (1510)
The Creation of Adam (1512)
The Haywain Triptych (1516)
Eve, the Serpent and Death (1510s or 1520s)
Adam and Eve (1528)
The Fall of Man (1550)
Maps of ancient Israel
The Garden of Eden with the Fall of Man (1617)
The Fall of Man (1628)
The Four Seasons (1660s)
The Koren Picture-Bible (1692–1696)
The First Mourning (1888)
Eve (1931)
Adam and Eve (1932)
The Serpent Chooses Adam and Eve (1958)
Adam and Eve (1992)
Songs
"Dese Bones G'wine Rise Again"
"Adam-ondi-Ahman" (1835)
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Waivers (NHL)
From Wikipedia, the free encyclopedia
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Former NHL All-Star Wade Redden was waived in 2010 by the New York Rangers[1]
Waivers is a National Hockey League (NHL) labor management procedure by which an NHL team makes a professional ice hockey player's contract and rights available to all other NHL teams. Other NHL teams "waive" any claim to a player designated for assignment in the American Hockey League (AHL) or designated for release. The process is typically referred to as "being placed on waivers."
Contents
[hide]
1 Minor league assignment procedure
2 Re-entry waivers
3 Return waivers
4 Unconditional waivers
5 Use of waivers in salary cap era
6 See also
7 References
8 External links
Minor league assignment procedure[edit]
In the NHL, each player signs what is, or is a variation of, a standard NHL player's contract. The contract specifies that the team has exclusive rights to the player playing in the NHL. Once an NHL player has played in a certain number of games or a set number of seasons has passed since the signing of his first NHL contract (see here), that player must be offered to all of the other NHL teams before he can be assigned to a minor league affiliate.[2] In the 2005 Collective Bargaining Agreement (CBA) assignment waivers applies only to loans from an NHL club to its American Hockey League (AHL) affiliate.[3]
After a player has been designated for assignment, the other 30 NHL teams can put in a claim or waive their claim for that player. The claims process starts at noon Eastern Time and ends 24 hours later. If only one team makes a claim for the player, then he will be transferred to the claiming team. If more than one team makes a claim, then the player will be transferred to the team having the lowest percentage of possible points in league standings at the time of the request for waivers. When a waiver claim has been secured, the claiming team must pay a transfer fee to the original club, though this fee is not counted against the salary cap. If waivers are requested outside the playing season, or before November 1, then the player shall be transferred to the team with the lowest points in the preceding season.[4] If no team places a claim, the player can be sent to a minor league affiliate.
When a player clears waivers and is sent down and then is called up again, he does not have to clear waivers to be sent down again unless he has played ten games or has been "up" for 30 days.[4]
Re-entry waivers[edit]
The 2005 NHL-NHLPA collective bargaining agreement (CBA) introduced "re-entry waivers." With limited exceptions, any player who was subject to waivers before assignment to the minors must clear re-entry waivers before being called back up if said player is on a one-way contract or a two-way contract with an AHL salary in excess of $105,000. Exceptions are players who have played in over 320 professional games (180 for goaltenders) and have not spent more than 80 games on an NHL roster in the past two seasons or 40 games during the previous season. The procedure to make a claim on re-entry waivers is the same; however, teams who claim players on re-entry waivers are only responsible for half the salary and cap hit, while the original team is responsible for the other half, unless the claimed player is later assigned to the AHL again before his contract has expired, in which case the salary and cap hit comes off the books of both teams.
The CBA ratified in January 2013 eliminated re-entry waivers.[5]
Return waivers[edit]
Players who play ice hockey outside North America during a regular season and who are not on loan from or whose playing rights are not already owned by an NHL club (that is, the player is not already on a team's 90-player reserve list such as a qualified restricted free agent or a draft pick) must also be placed on waivers if they are signed to play in the NHL. If the player is picked up by another NHL club on waivers, the player must be placed on waivers again before a further trade or loan can take place.[6]
Unconditional waivers[edit]
A third type of waivers, "unconditional waivers," applies when a player is to be given an unconditional release from his contract. NHL teams give notice to the player and the league that they intend to buy-out a player's rights under the terms of the CBA. In this case, the waiver period is 48 hours. These waivers can only be requested during two periods:
Between June 15, or 48 hours after the conclusion of the Stanley Cup Final series if it ends later, and June 30 of each year.
If a club has team- or player-elected salary arbitration cases, within 48 hours of the last arbitration award or settlement of the last arbitration case prior to the arbitration hearing.[7]
Such a player must have been on a club's 90-player reserve list at the previous trade deadline.[8]
Use of waivers in salary cap era[edit]
For more details on this topic, see NHL salary cap.
Salaries of players playing for an NHL team count against its salary cap, while the salaries of players playing for a team's minor league affiliates do not. NHL teams have waived players with high salaries, thereby freeing up salary cap space for other signings. In 2010, Wade Redden of the New York Rangers,[1] Sheldon Souray of the Edmonton Oilers and Jeff Finger of the Toronto Maple Leafs[9] were all assigned to their team's AHL affiliate without any other team putting in a claim.
In a more interesting case, following the 2011 NHL pre-season, forward Sean Avery of the New York Rangers was waived to the AHL. As Avery had been claimed off re-entry waivers from the Dallas Stars, the cap hit had been split between the Rangers and Stars, but when Avery was demoted to the AHL again, the cap hit came off both teams' books. As a result, the Stars, who had been using Avery's re-entry waiver loss to reach the salary floor for the 2011–12 season, had to trade for winger Eric Nystrom to reach the salary floor.
Under the 2005 CBA, if an NHL player is being sent to an NHL affiliate team in the AHL and is put through waivers and clears successfully, then his salary will not count against the respective NHL team's salary cap. The player is still paid his full salary. There is an exception to this rule; if the player has a contract that took effect after a player's 35th birthday, then that player's salary would still count against the NHL cap. Under the 2013 CBA, a team only derives a specific savings from demoting a player on a one-way contract to the AHL. This savings is calculated as league minimum plus $375,000.
If a player is claimed on waivers, then the claiming team is responsible for the rest of their contract.
Re-entry waivers had existed under the 2005 CBA, under which if a player cleared waivers and was sent down to the minors, and then recalled during the season, and his salary was more than $105,000 in the AHL (essentially, any player not on an entry-level or two-way contract), he was subject to re-entry waivers where if a team claimed him they are only responsible for half the salary for the remainder of the contract. Re-entry waivers were eliminated in the 2013 CBA.
See also[edit]
Waivers (disambiguation)
NHL salary cap
NHL Collective Bargaining Agreement
References[edit]
^ Jump up to: a b "Rangers Waive Redden". NHL.com. September 25, 2010. Retrieved 2010-09-25.
Jump up ^ Podnieks 2007, p. 235.
Jump up ^ NHL & NHLPA 2005, p. 70.
^ Jump up to: a b "NHLSCAP.com – Information on Waivers". nhlscap.com. Retrieved November 29, 2010.
Jump up ^ Mirtle, James (January 8, 2013). "Lesser known gains for NHL players in the new CBA". Globe & Mail. Retrieved September 20, 2015.
Jump up ^ NHL & NHLPA 2005, p. 77.
Jump up ^ NHL & NHLPA 2005, p. 251.
Jump up ^ Hockey 411: Roster Limits – Committed Indians | Committed Indians
Jump up ^ "Finger Being A Mentor For Young Marlies". Toronto Maple Leafs. November 18, 2010. Retrieved November 29, 2010.
Podnieks, Andrew (2007). The Complete Hockey Dictionary. Fenn Books. ISBN 978-1-55168-309-6.
NHL; NHLPA (2005), Collective Bargaining Agreement Between National Hockey League and National Hockey League Players' Association (PDF)
External links[edit]
Collective Bargaining Agreement between the NHL and the NHLPA
NHLSCAP.com: Waivers and re-entry waivers
Retrieved from "https://en.wikipedia.org/w/index.php?title=Waivers_(NHL)&oldid=803633809"
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The Price Is Right (1956 U.S. game show)
From Wikipedia, the free encyclopedia
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The Price Is Right (1956)
Created by
Bob Stewart
Directed by
Paul Alter
Max Miller
Presented by
Bill Cullen
Narrated by
Don Pardo (1956–1963)
Johnny Gilbert (1963–1965)
Country of origin
United States
Original language(s)
English
No. of episodes
2,263
Production
Running time
30 minutes
Production company(s)
Mark Goodson-Bill Todman Productions
Release
Original network
NBC (1956–1963)
ABC (1963–1965)
Picture format
Black & White (Daytime 1956–1959, 1963–1965; Nighttime 1963–1964)
Color (Nighttime 1957–1963; Daytime 1959–1963)
Audio format
Mono
Original release
November 26, 1956 (1956-11-26) – September 3, 1965 (1965-09-03)
Chronology
Followed by
The Price Is Right (1972 version) (1972–present)
The Price Is Right is an American game show where contestants made successive bids on merchandise prizes with the goal of bidding closest to the actual retail price of the prize without going over. The show was a precursor to the current and best-known version of the show, which premiered in 1972 on CBS' daytime schedule. This makes The Price Is Right one of only a few game shows that have aired in some form across all three of what were then the Big Three television networks.
The series premiered on NBC's daytime schedule on November 26, 1956, and quickly spawned a primetime series that aired once a week. The Price Is Right became one of the few game shows to survive the rigging scandal of the late 1950s, and gained even more popularity after other game shows exposed for being rigged had been cancelled.
In 1963, The Price Is Right switched networks and both the daytime and primetime series moved to ABC. On September 3, 1965, the show aired its final episode after nearly nine years on the air.
Contents
[hide]
1 Game play
1.1 Home Viewer Showcases
1.2 Prizes
2 History
2.1 ABC
2.2 Afterward
3 Origin
4 Substitute hosts
5 Models
6 Announcers
7 Theme songs
8 Episode status
8.1 Home media
9 Popular culture
10 References
11 External links
Game play[edit]
Bill Cullen as the show's host.
On the original version of The Price Is Right, four contestants – one a returning champion, the other three chosen from the studio audience – bid on items or ensembles of items in an auction-style format.
A prize was presented for the contestants to bid on. A minimum bid was specified. After the opening bid, contestants bid on the item in turn with each successive bid a certain amount higher than the previous bid. A contestant could freeze his/her current bid instead of increasing it if he/she believed his/her bid was close enough to win. A later rule allowed contestants, on their opening bid only, to "underbid" the other bids, but this automatically froze their bid and prevented them from later increasing the original bid. Some rounds were designated as one-bid rounds, where only one round of bidding was held (this is the format used on the current version of The Price is Right); sometimes the minimum-bid and higher-bid threshold rules also were waived.
The bidding continued until a buzzer sounded, at which point each contestant who had not yet "frozen" was given one final bid. Bidding also ended when three of the contestants had frozen, at which point the fourth contestant was allowed one final bid, unless he/she already had the high bid. Cullen then read the actual retail price of the prize. The contestant whose bid was closest without going over the actual price won the item. If everyone overbid, the prize was not won; however, Cullen sometimes had the overbids erased and instructed players to give lower bids prior to reading the actual price (similar to what is done on the current CBS version and its syndicated spinoffs).
Frequently, a bell rang after the winner was revealed, indicating a bonus prize accompanied the item up for bids. While this was typically an additional prize, a bonus game often accompanied the prize (e.g. a tune-matching game, where a clip of a well-known song was played and the contestant matched it with a face for a cash bonus).
After a set number of rounds (four on the nighttime version, six on the daytime), the contestant who accumulated the highest value in cash and prizes became the champion and returned on the next show.
Home Viewer Showcases[edit]
The Price Is Right frequently featured a home viewer "Showcase", a multi-prize package for which home viewers were invited to submit their bids via postcard. The viewer who was closest to the actual retail price without going over won everything in the Showcase, but one item was sometimes handmade so the viewer could not check the price of all the items. The term "showcase" was later replaced by "sweepstakes".
Very often, home viewers were stunningly accurate with their bids, including several viewers who guessed the price correct down to the penny. In such a case, the tied contestants were informed and asked to give the price of a specific item; this continued until one of the contestants broke the tie (re-ties and all-overbids were thrown out.)
The Home Viewer Showcase was reformatted as the final round of the current CBS version. The two Showcase Showdown (since 1975; before then, and on the 1970s and 1980s syndicated shows, the top two overall winners automatically advanced to the Showcase round) winners on the current version's show compete to bid on separate showcases of prizes, with the contestant who bids closer (without going over) to the actual retail price of his/her own showcase winning the prizes contained within.
Home Viewer Showcases have also been featured on the CBS version, in 1972, 1978, annually from 1980–1987, 1990, and in 2011. Its format was unchanged through 1990, but the 2011 version, because of the advance in technology, changed to a ten-prizes-in-a-week format, with two prizes appearing per episode during the week. Each day the price of one of the prizes was revealed to the home audience, and the price of the second prize (which was in either of the two Showcases) was not provided. Instead of postcards, the bids had to be submitted through the show's website.[1]
Prizes[edit]
While many of the prizes on the original Price Is Right were normal, standard game show fare (e.g., furniture, appliances, home electronics, furs, trips, and cars), there were many instances of outlandish prizes being offered. This was particularly true of the nighttime version, which had a larger prize budget.
Some examples:
A 1926 Rolls-Royce with chauffeur
A Ferris wheel
Shares of corporate stock
An island in the St. Lawrence Seaway
An airplane
A submarine
Sometimes, large amounts of food – such as a mile of hot dogs along with buns and enough condiments (perhaps to go with a barbecue pit) – were offered as the bonus.
Some other examples of outlandish or "exceptionally unique" bonus prizes:
Accompanying a color TV, a live peacock (a play on the NBC logo) to serve as a "color guide".
Accompanying a barbecue pit and the usual accessories, a live Angus steer.
Accompanying a prize package of items needed to throw a backyard party, big band legend Woody Herman and His Orchestra.
Accompanying a raccoon coat worth $29.95, a sable coat valued at $23,000.
A bonus prize of a 16'x32' in-ground swimming pool, installed in the winner's back yard in one day's time.
A bonus prize of a trip to Israel to appear as an extra in the 1960 film Exodus.
In the early 1960s, the dynamic of the national economy was such that the nighttime show could offer homes in new subdivisions (sometimes fully furnished) as prizes, often with suspenseful bidding among the contestants.
In the last two seasons of the nighttime run, the series gave away small business franchises.
In some events, the outlandish prizes were merely for show; for instance, in one episode contestants would bid on the original retail price for a 1920s car, but would instead win a more contemporary model.
History[edit]
The Price Is Right was created and produced by Bob Stewart for Mark Goodson–Bill Todman Productions. Stewart already had created one hit series for Goodson-Todman, To Tell the Truth and he would later create the enormously successful Password. In 1964, Stewart left Goodson-Todman to strike out on his own as a producer. (Frank Wayne, who later produced the Barker version of The Price Is Right, took over Stewart's Password spot.)
Bob Stewart attributes the creation of The Price Is Right to watching an auctioneer from his office window in New York City, auctioning off various merchandise items.
In 1959, shortly after the quiz show scandal broke, most game and quiz shows lost their popularity rapidly and were cancelled. The Price Is Right was an exception; Goodson and Todman had built a squeaky-clean reputation upon relatively low-stakes games. Thus, as the more popular competition was eliminated, The Price Is Right became the most-watched game show in the country, and remained so for two years.
ABC[edit]
When the series moved to ABC in 1963, three studio contestants – including the returning champion – played. The fourth chair was filled by a celebrity who played for either a studio audience member or a home viewer. If the celebrity was the big winner of the show, the civilian contestant who had the most winnings was considered the champion; it is unknown what would have happened in the event of a shut-out with the celebrity winning.
As Don Pardo was still under contract at NBC, he was replaced by Johnny Gilbert, who currently serves as the announcer for Jeopardy!. Coincidently, Pardo would announce on the original Jeopardy! for 11 years.
When the show moved to ABC, several CBS affiliates took up ABC secondary affiliation to show The Price Is Right (especially if its market lacked full ABC affiliation), in part because of the still-high ratings the show enjoyed in daytime.
Goodson-Todman wanted The Price Is Right to be ABC's first non-cartoon color show, but the network could not afford to convert to color. This meant that the nighttime version reverted to black-and-white.
Afterward[edit]
After the success of The Price Is Right, To Tell the Truth, and Password, producer Stewart left Goodson-Todman in 1964. Stewart's follow-up to The Price Is Right, his first independent production, was Eye Guess, a sight-and-memory game with Bill Cullen as host. Later, Stewart created other successful shows such as Jackpot! and The $10,000 Pyramid.
In the early 1970s, Mark Goodson was preparing a revised version of The Price Is Right for syndication and CBS daytime dubbed The New Price Is Right, which incorporated elements of the Cullen version with new mini-games influenced by Let's Make a Deal (known as pricing games, since these games required pricing various products). Dennis James, who was a regular substitute for Monty Hall on Deal, was selected to host both versions of the reincarnated show; however, he hosted only the syndicated version as CBS insisted that Bob Barker, then still hosting Truth or Consequences, host the daytime show. While the syndicated version lasted only until 1980 (Barker replaced James on the syndicated version in 1977), the daytime version has been on the air five days per week since 1972, with Drew Carey replacing Barker in 2007. Two more syndicated versions would air during the 1985-86 and 1994-95 seasons (with the latter show being known as The New Price is Right), hosted by Tom Kennedy and Doug Davidson, respectively.
Paul Alter, who directed the original version of the show, became the director of the current version in 1986, replacing Marc Breslow, who had been in that role since its start in 1972, and would continue to hold the position until 2000.
Origin[edit]
The show originated from the Hudson Theatre in New York City, converted for television. A year later it used NBC's Colonial Theater at 66th and Broadway as its main origination. The Ziegfeld Theater was used for a few shows as well. When the show moved to ABC, the Ritz Theater became the show's broadcast origination.
In addition to his hosting duties on The Price Is Right and his weekly appearances as a panelist on I've Got a Secret, Cullen also hosted a popular weekday morning radio show for WNBC in New York.
Substitute hosts[edit]
This section possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (July 2010) (Learn how and when to remove this template message)
Over the nine-year run, various people sat in Cullen's place while he was on vacation.
Sonny Fox (June 10, 1957; first substitute host; he was also Bud Collyer's "designated" substitute host on Beat the Clock through 1960; it went off the air at the end of January, 1961)
Sam Levenson (March 11, 1958- for 2 weeks)[2]
Merv Griffin (August 5 & 12, 1959 nighttime) - also filled in daytime during those two weeks[3][4]
Jack Narz (month of May, 1960; Bill's brother-in-law, later that year he began hosting Video Village; his brother Tom Kennedy later hosted a syndicated version of the 1972 The Price Is Right revival during the 1985-86 season.)
Arlene Francis (February 1, 1961 nighttime; at this point, she was a rare occurrence of a woman hosting a game show)
Don Pardo (December 31, 1959/December 28, 1962)
Robert Q. Lewis (December 27, 1963 {Cullen himself was the celebrity guest})
Jack Clark (March 12, 1965, Dorothy Lamour was the celebrity guest)[5]
Johnny Gilbert (June 19, 1964; Ed Jordan filled in as announcer)
Models[edit]
Throughout the nine-year run of The Price Is Right, the show also employed models, whose duties were similar to those of the models in the current version.
June Ferguson and Toni Wallace were the regular models, while Gail Sheldon also made frequent appearances. Ferguson, Wallace and Sheldon were featured during the show's entire nine-year run. Other models appearing included Beverly Bentley and Carolyn Stroupe; various other models either assisted Ferguson and Wallace, or appeared during their absences.
Announcers[edit]
During the NBC run, Don Pardo was the main announcer. Whenever he was off, or filling in for Cullen as host, substitute announcers included Dick Dudley, Vic Roby, and Roger Tuttle.
Following the move to ABC (due to Don Pardo was under contract to NBC), Johnny Gilbert became the announcer; one fill-in was ABC staff announcer Ed Jordan.
Theme songs[edit]
The first theme song (used from 1956–1961) was an arrangement of Charles Strouse's "Sixth Finger Tune", originally written for Milton Scott Michel's 1956 play Sixth Finger in a Five Finger Glove.
The second theme song (used from 1961–1965) was called "Window Shopping" and was composed by Bob Cobert. This theme was later used on another Goodson-Todman game, Snap Judgment, and later found its way back to Bob Stewart's stable with the short-lived game You're Putting Me On.
Episode status[edit]
Although The Price Is Right became Goodson-Todman's first regularly aired game show to be broadcast in color on September 23, 1957,[6] no color kinescopes or videotapes are known to exist from the nighttime run. Many monochrome NBC nighttime episodes (plus at least one ABC episode) aired on Game Show Network from 1996–2000, at which time the network's contract to air the show ended; it has not been renewed since.
Most of the daytime run is believed to be wiped; the UCLA Film and Television Archive lists the first and third episodes from 1956 among its holdings.[7] A few NBC daytime episodes with commercials intact, originally broadcast in the late spring/early summer of 1957, have been around the "collector's circuit." They are now available for viewing on YouTube.
Home media[edit]
Four episodes, including the 1964 nighttime finale, were released on "The Best of The Price is Right" DVD set (March 25, 2008). Despite pre-release assumptions that each of the four unique runs would be represented, as it was announced that there would be four Cullen episodes, none were of the ABC daytime run despite the existence of episodes from that era; a second NBC prime time episode instead filled that slot.
Many noticed that the four Cullen episodes lacked commercials, as well as the fact that all three NBC episodes had already been spotted prior to the DVD release. Both NBC prime time episodes (January 13 and 27, 1960) had aired on GSN before, while the daytime episode (February 21, 1957) had been available in the public domain for several years; the daytime episode is notable for not only missing its opening, but for Cullen promoting Charles Van Doren's match against Vivienne Nearing on Twenty One – which eventually led to Van Doren's defeat.
The Fremantle logo animation was added after each episode, as the production company currently owns all Mark Goodson properties.
The episode listing included with the DVD set states the daytime episode aired March 10, 1957 and the ABC episode aired September 4, 1964 (with guest Jose Ferrer); however, the former actually aired on February 21, 1957 and the latter is not actually present on the DVD set but had been aired by GSN. The 1964 finale featured Pat Carroll as the celebrity player, and the night's champion was invited back to appear on the following Monday's daytime episode.
Popular culture[edit]
In The Flintstones season 2 episode "Divided We Sail", Barney is invited to be a contestant on "The Prize is Priced", a parody of The Price is Right.
References[edit]
Jump up ^ Prize of the Week, March
Jump up ^ The Times Record (Troy, NY): p. 30: 1958-03-10.
Jump up ^ "Daily Record" (Stroudsburg, PA): p.11: 1959-08-05
Jump up ^ "The Zanesville Signal" (Zanesville, OH): p.9: 1959-08-12
Jump up ^ https://www.youtube.com/watch?v=dgFLuvvpxQM
Jump up ^ "Colorcasting". Broadcasting-Telecasting: 35. 1957-09-23. |access-date= requires |url= (help)
Jump up ^ UCLA Archive: The Price is Right
External links[edit]
The Price Is Right (1956) on IMDb
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Thespis
From Wikipedia, the free encyclopedia
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For other uses, see Thespis (disambiguation).
Thespis' wagon, relief of the Giotto's Belltower in Florence, Italy, Nino Pisano, 1334–1336
Thespis (/ˈθɛspɪs/; Greek: Θέσπις; fl. 6th century BC) of Icaria (present-day Dionysos, Greece), according to certain Ancient Greek sources and especially Aristotle, was the first person ever to appear on stage as an actor playing a character in a play (instead of speaking as him or herself). In other sources, he is said to have introduced the first principal actor in addition to the chorus.[1]
Thespis was a singer of dithyrambs (songs about stories from mythology with choric refrains). He is credited with introducing a new style in which one singer or actor performed the words of individual characters in the stories, distinguishing between the characters with the aid of different masks.
This new style was called tragedy, and Thespis was the most popular exponent of it. Eventually, in 534 BC competitions to find the best tragedy were instituted at the City Dionysia in Athens, and Thespis won the first documented competition. Capitalising on his success, Thespis also invented theatrical touring;[2] he would tour various cities while carrying his costumes, masks and other props in a horse-drawn wagon.
Contents
[hide]
1 Alleged works
2 Legacy
3 See also
4 References
5 Sources
Alleged works[edit]
Titles of some plays have been attributed to Thespis. But most modern scholars, following the suggestion of Diogenes Laërtius, consider them to be forgeries, some forged by the philosopher Heraclides Ponticus, others by or altered by Christian writers:[3][4]
Contest of Pelias and Phorbas
Hiereis (Priests)
Himitheoi (Demigods)
Pentheus
Fragments (probably spurious) in A Nauck, Tragicorum graecorum fragmenta (1887).[5]
Legacy[edit]
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2017) (Learn how and when to remove this template message)
It is implied that Thespis invented acting in the Western world, and that prior to his performances, no one had ever assumed the resemblance of another person for the purpose of storytelling. In fact, Thespis is the first known actor in written plays. He may thus have had a substantial role in changing the way stories were told and inventing theatre as we know it today. In reverence to Thespis, actors in the English-speaking part of the world have been referred to as thespians.
Thespis was the title character in an 1871 comic opera by W.S. Gilbert and Arthur Sullivan, the first collaboration between the two men, although the musical score has mostly been lost. The story involves Thespis and his troupe of actors temporarily replacing the Gods of Olympus, while the latter come down to earth to "mingle" with humanity.[6]
Thespis is a 2014 UK film, produced by ACT 2 CAM.
A branch of the National Theatre of Greece expressly instituted in 1939 to tour the country is named "The Wagon of Thespis" (Greek: Άρμα Θέσπιδος, Árma Théspidos) in his honour.
A first season episode of the TV series Sports Night was named "Thespis" and referenced him.
See also[edit]
Aeschylus
Aristophanes
Aristotle
Dionysia
Euripides
Phrynichus
Solon
Sophocles
References[edit]
Jump up ^ Buckham, Philip Wentworth, Theatre of the Greeks, Cambridge : J. Smith, 1827.
Jump up ^ Horace, Ars Poetica 275-7
Jump up ^ Diogenes Laertius, Book V, Heraclides, 92:"And Aristoxenus the musician says, that he composed tragedies, and inscribed them with the name of Thespis."
Jump up ^ A Nauck,Tragicorum graecorum fragmenta (1887), page 832: "Thespidis quaecumque feruntur ab impostoribus esse ficta vix est quod moneam, et proditur hoc fraudis genere usus esse Heraclides Ponticus......Heraclidis igitur crediderim esse fr.1-3; nam fr.4 non dubito quin alteri post Christum saeculo debeatur."
Jump up ^ A Nauck,Tragicorum graecorum fragmenta (1887), page 832-833.
Jump up ^ "Libretto: "Thespis, or The Gods Grown Old"". The Gilbert and Sullivan Archive. Retrieved 2017-08-18.
Sources[edit]
Gaster, Theodor, H., Thespis: Ritual, Myth, and Drama in the Ancient Near East, Henry Schuman Publishing, New York, 1950. ISBN 0-87752-188-3.
Authority control
WorldCat Identities
VIAF: 15570254
LCCN: nb2002083035
GND: 118997165
Retrieved from "https://en.wikipedia.org/w/index.php?title=Thespis&oldid=811700091"
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History of theatre
6th-century BC Greek people
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People from Icaria
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