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Get Out
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For other uses, see Get Out (disambiguation).
Get Out
Theatrical release poster
Directed by
Jordan Peele
Produced by
Sean McKittrick
Jason Blum
Edward H. Hamm Jr.
Jordan Peele
Written by
Jordan Peele
Starring
Daniel Kaluuya
Allison Williams
Bradley Whitford
Caleb Landry Jones
Stephen Root
Lakeith Stanfield
Catherine Keener
Music by
Michael Abels
Cinematography
Toby Oliver
Edited by
Gregory Plotkin
Production
company
Blumhouse Productions
Monkeypaw Productions
QC Entertainment
Distributed by
Universal Pictures
Release date
January 24, 2017 (2017-01-24) (Sundance)
February 24, 2017 (2017-02-24) (United States)
Running time
104 minutes[1]
Country
United States
Language
English
Budget
$4.5 million[1]
Box office
$254.3 million[1]
Get Out is a 2017 American horror film written and directed by Jordan Peele. It stars Daniel Kaluuya as Chris, a black man who visits the family of his white girlfriend (Allison Williams); at their home, the servants are black and act strangely. Bradley Whitford, Caleb Landry Jones, Stephen Root, Lakeith Stanfield, and Catherine Keener costar.
Get Out premiered at the Sundance Film Festival on January 24, 2017, and was theatrically released in the United States on February 24, 2017, by Universal Pictures. The film was well-received by critics and audiences, with particular praise for Peele's screenplay and direction and Kaluuya's performance, and was chosen by the National Board of Review, the American Film Institute, and Time magazine as one of the top 10 films of the year. The film was also a box office success, grossing $254 million worldwide on a $4.5 million budget.
Get Out received numerous accolades. It earned five nominations at the 23rd Critics' Choice Awards, two at the 75th Golden Globe Awards (Best Motion Picture – Musical or Comedy and Best Actor – Comedy or Musical for Kaluuya) and two at the 71st British Academy Film Awards (Best Actor in a Leading Role for Kaluuya and Best Original Screenplay).
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Alternative endings
3.2 Soundtrack
4 Themes
5 Reception
5.1 Box office
5.2 Critical response
5.3 Accolades
6 Possible sequel
7 See also
8 References
9 External links
Plot[edit]
Black photographer Chris Washington reluctantly agrees to meet the family of his white girlfriend Rose Armitage, unsure of a warm reception. During their drive to the family's countryside estate, they hit a deer and report the incident. The white policeman asks for Chris's identification even though he was not driving, but Rose intervenes and the encounter goes unrecorded.
At the house, Rose's parents, neurosurgeon Dean and psychiatrist/hypnotherapist Missy, and her brother Jeremy make discomfiting comments about black people. Chris notices that the black workers, the housekeeper Georgina and groundskeeper Walter at the estate are uncannily compliant. Unable to sleep, Chris goes outside to smoke and sees Walter running from the woods. Missy catches Chris returning and talks him into a hypnotherapy session to cure his smoking addiction. In a trance, he recounts the death of his mother in a hit-and-run when he was a child, about which he feels guilty. He sinks into a void Missy calls the "sunken place". He awakens believing he had a nightmare but realizes cigarettes now revolt him. Georgina unplugs his phone, draining his battery.
Dozens of wealthy white people arrive for the Armitages' annual get-together. They take an interest in Chris, admiring his physique or expressing admiration for black figures such as Tiger Woods. One, Jim Hudson, a blind art dealer, takes particular interest. Chris meets Logan King, a black man who also acts strangely, and who is married to a much older white woman.
Chris calls his friend, black TSA Officer Rod Williams, about the hypnosis and the strange behavior at the house. Chris stealthily photographs Logan to send the image to Rod, but the camera flash makes Logan hysterical; he implores Chris to "get out" before the others restrain him, claiming Logan had an epileptic seizure. Away from the house, Chris persuades Rose to leave with him, while Dean holds an auction with a picture of Chris on display. Rod recognizes Logan as Andre, a missing person. Suspecting a conspiracy, Rod goes to the police but is derided.
While packing to leave the house, Chris finds photos of Rose in prior relationships with black people, including Walter and Georgina. Rose and the family block his exit and Missy hypnotizes him. Chris awakens strapped to a chair. A video presentation featuring Rose's grandfather Roman explains that the family transplants the brains of white people into black bodies; the consciousness of the host remains in the "sunken place", watching but powerless. Hudson tells Chris he wants his body so he can gain sight and Chris's artistic talents.
Chris plugs his ears with stuffing pulled from the chair, blocking the hypnotic commands. When Jeremy comes to collect him for the surgery, Chris bludgeons him, impales Dean with the antlers of a whitetail deer mount, and stabs Missy, and then sets the house on fire. Chris steals a car and drives away but hits Georgina. Remembering his own mother's death, he carries Georgina into the car, but she is possessed by Rose's grandmother Marianne; she attacks him and he crashes, killing her. Rose and Walter, who is possessed by Roman, catch up with him. Chris awakens the real "Walter" with his phone flash; Walter takes Rose's rifle, shoots her, and kills himself. Chris begins to strangle Rose, but cannot bring himself to kill her. Rod arrives in a TSA car and he and Chris drive away, as Rose dies of blood loss.
Cast[edit]
Daniel Kaluuya as Chris Washington
Zailand Adams as 11-year-old Chris
Allison Williams as Rose Armitage
Catherine Keener as Missy Armitage
Bradley Whitford as Dean Armitage
Caleb Landry Jones as Jeremy Armitage
Stephen Root as Jim Hudson
Lakeith Stanfield as Andre Hayworth / Logan King
Lil Rel Howery as Rod Williams
Erika Alexander as Detective Latoya
Marcus Henderson as Walter / Roman Armitage
Betty Gabriel as Georgina / Marianne Armitage
Richard Herd as Roman Armitage
Writer-director Jordan Peele voices the sounds made by the wounded deer, and narrates a UNCF commercial.[2]
Production[edit]
This section needs expansion. You can help by adding to it. (December 2017)
Get Out is Jordan Peele's directorial debut.
Get Out is the directorial debut of Jordan Peele, who had previously worked in comedy, including the sketch show Key & Peele.[3] He felt the horror and comedy genres are similar in that "so much of it is pacing, so much of it reveals", and that comedy gave him "something of a training" for the film.[3] The Stepford Wives (1975) provided inspiration, about which Peele said, "it's a horror movie but has a satirical premise."[4] As the film deals with racism, Peele has stated that the story is "very personal", although he noted that "it quickly veers off from anything autobiographical."[3]
The lead actors, Daniel Kaluuya and Allison Williams, were cast in November 2015,[5][6] with other roles cast between December 2015[7] and February 2016.[8][9] Principal photography began on February 16, 2016.[10] It was filmed in Fairhope, Alabama, for three weeks, followed by Barton Academy and in the Ashland Place Historic District in midtown Mobile, Alabama.[11]
The film was partially shot at Barton Academy, a historic Greek Revival school building in Mobile, Alabama.
Peele was worried about the film's chances of success, telling the Los Angeles Times, "What if white people don't want to come see the movie because they're afraid of being villainized with black people in the crowd? What if black people don't want to see the movie because they don't want to sit next to a white person while a black person is being victimized on-screen?” [12]
Alternative endings[edit]
Peele originally intended the film to end with Chris being arrested by police for the murder of the Armitages, reflecting the realities of racism. Rod meets Chris in jail and asks him for information regarding the Armitage family for investigation, but Chris insists that he stopped them and everything is fine. By the time production had begun, several high-profile police shootings of black people had, in Peele's words, made the situation surrounding racism "more woke", and he decided that the film needed a happy ending.[13]
Peele considered several other endings, some of which are included on the DVD and Blu-ray release. In one ending, Rod breaks into the estate and finds Chris and calls his name, who tells him, "I assure you, I don't know who you're talking about."[14]
Soundtrack[edit]
Michael Abels composed the film's score, which Peele wanted to have "distinctly black voices and black musical references." This proved to be a challenge, as Peele found that African-American music typically has what he termed "at the very least, a glimmer of hope to it." At the same time, Peele also wanted to avoid having a voodoo motif. The final score features Swahili voices as well as a blues influence.[15] The song "Redbone" by Childish Gambino appears at the movie's beginning.[16] Other songs in the film include "Run Rabbit Run" by Flanagan and Allen and "(I've Had) The Time of My Life" by Bill Medley and Jennifer Warnes.[17]
Themes[edit]
Get Out has been seen as a satire on the dynamics of so-called "West-Wing liberals",[18] who consider themselves to be allies to movements against racism yet do more harm than good. The Guardian wrote, "The thing Get Out does so well – and the thing that will rankle with some viewers – is to show how, however unintentionally, these same people can make life so hard and uncomfortable for black people. It exposes a liberal ignorance and hubris that has been allowed to fester. It's an attitude, an arrogance which in the film leads to a horrific final solution, but in reality, leads to a complacency that is just as dangerous."[19] Peele said about the film, "The real thing at hand here is slavery ... It's some dark shit."[20]
The film also depicts the lack of attention on missing black Americans compared to missing white females. Slate's Damon Young stated the film's premise was "depressingly plausible ... Although black people only comprise 13 percent of America's population, we're 34 percent of America's missing—a reality that exists as the result of a mélange of racial and socioeconomic factors rendering black lives demonstratively less valuable than the lives [of] our white counterparts."[21]
Reception[edit]
Box office[edit]
Get Out grossed $175.5 million in the United States and Canada and $78.8 million in other territories for a worldwide gross of $254.3 million, against a production budget of $4.5 million.[1]
In North America, Get Out was released on February 24, 2017, alongside Collide and Rock Dog, and was expected to gross $20–25 million from 2,773 theaters in its opening weekend.[22] The film made $1.8 million from Thursday night previews and $10.8 million on its first day. It went on to open for $33.4 million, finishing first at the box office. 38% of the film's opening-weekend audience was African American, while 35% was white, with Georgia being its most profitable market.[23] In its second weekend, the film finished in second at the box office behind new release Logan ($88.4 million), grossing $28.3 million, for a drop of 15.4%. Horror films tend to drop at least 60% in their second weekend, so this was above average.[24] In its third weekend, the film grossed $21.1 million, dropping just 25% from its previous week, and finished third at the box office behind newcomer Kong: Skull Island and Logan.[25]
In March 2017, three weeks after its release, Get Out crossed the $100 million mark domestically, making Peele the first black writer-director to do so with his debut movie.[26] On April 8, 2017, the film became the highest-grossing film domestically directed by a black filmmaker, beating out F. Gary Gray's Straight Outta Compton, which grossed $162.8 million domestically in 2015. Gray reclaimed the record two weeks later when The Fate of the Furious grossed $173.3 million on its fourteenth day of release on April 27.[27] Domestically, Get Out is also the highest-grossing debut film based on an original screenplay in Hollywood history, beating the two-decade-long record of 1999's The Blair Witch Project ($140.5 million).[26] By the end of March, the Los Angeles Times had declared the film's success a "cultural phenomenon" noting that in addition to its box office success, "moviegoers have shared countless 'sunken place' Internet memes and other Get Out-inspired fan art across social media." Josh Rottenberg, the editor of the piece, attributed the film's success to the fact that it was released "at one of the most politically charged moments in memory."[12]
Critical response[edit]
On review aggregator website Rotten Tomatoes, the film has an approval rating of 99% based on 298 reviews, and an average rating of 8.3/10. The site's critical consensus reads, "Funny, scary, and thought-provoking, Get Out seamlessly weaves its trenchant social critiques into a brilliantly effective and entertaining horror/comedy thrill ride."[28] It is one of ten films to earn a 99% (six other films) or 100% (three films) rating with 100 or more reviews (it held a 100% approval rating after the first 139 reviews on the site were registered).[29][30] It was also the highest rated wide release of 2017 on the site.[31] On Metacritic, which assigns a normalized rating to reviews, the film has an average weighted score of 84 out of 100, based on 48 critics, indicating "universal acclaim".[32] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[33]
Richard Roeper gave the film 3½ stars, saying: "the real star of the film is writer-director Jordan Peele, who has created a work that addresses the myriad levels of racism, pays homage to some great horror films, carves out its own creative path, has a distinctive visual style—and is flat-out funny as well."[34] Keith Phipps of Uproxx praised the cast and Peele's direction, saying "he brings the technical skill of a practiced horror master is more of a surprise. The final thrill of Get Out—beyond the slow-building sense of danger, the unsettling atmosphere, and the twisty revelation of what's really going on—is that Peele's just getting started."[35] Mike Rougeau of IGN gave the film 9/10, and wrote, "Get Out's whole journey, through every tense conversation, A-plus punchline and shocking act of violence, feels totally earned. And the conclusion is worth each uncomfortable chuckle and moment of doubt."[36] Peter Travers of Rolling Stone gave Get Out 3.5/4, and called it a "jolt-a-minute horrorshow laced with racial tension and stinging satirical wit."[37] Scott Mendelson of Forbes said the film captured the zeitgeist and called it a "modern American horror classic."[38]
Film critic Armond White of National Review gave a negative review of the film, referring to the film as a "Get-Whitey movie" and stating that it "[reduces] racial politics to trite horror-comedy, it’s an Obama movie for Tarantino fans."[39]
Hiram Lee, writing for the World Socialist Web Site, was also critical of the film, describing its approach to race as "reactionary," and writing that "Get Out accepts a number of conventions about race relations and begins from there. Racism, for Peele, simply exists—in the same way that evil does, or original sin. Everyone is infected by it. Its historical origins and the social forces which nourish and promote it are beside the point...Like all such works based on racialist conceptions, one doesn’t have to follow the logic very far before one arrives at positions virtually identical to those of the extreme right."[40]
Some commentators found that some ideas of Get Out, in particular, people extending their lives by transferring their consciousness into another body, was similar to Spike Jonze's film Being John Malkovich and spoke of Get Out being a secret sequel to that film. Peele said in an interview with Vanity Fair that while he has talked of that theory with Spike Jonze, the film was not conceived as being a sequel in any way, but with this theory in the open, he said "as far as I’m concerned, it’s true" that it is a sequel.[41]"
Accolades[edit]
Main article: List of accolades received by Get Out
At the 75th Golden Globe Awards, Get Out received two nominations: Best Motion Picture – Musical or Comedy and Best Actor – Comedy or Musical for Daniel Kaluuya.[42] The film also received nominations at the 24th Screen Actors Guild Awards,[43] 49th NAACP Image Awards,[44] and 23rd Critics' Choice Awards, among others.[45] It won Best Foreign International Film at the British Independent Film Awards.[46]
Possible sequel[edit]
In an interview with The Playlist, Peele stated that he has ideas for a Get Out sequel and was open to making one.[47]
See also[edit]
The Stepford Wives
Rosemary's Baby
Society
Guess Who's Coming to Dinner
References[edit]
^ Jump up to: a b c d "Get Out (2017)". Box Office Mojo. Retrieved October 29, 2017.
Jump up ^ McDonald, Andy (December 4, 2017). "Jordan Peele Responding To 'Get Out' Fan Theories Is As Funny As You'd Expect". HuffPost. Retrieved December 14, 2017.
^ Jump up to: a b c Mendelson, Scott. "Jordan Peele Talks 'Get Out' And His Love For Horror Movies". Forbes. Retrieved February 10, 2017.
Jump up ^ Ricard, Maria (March 9, 2015). "KEY & PEELE STAR TALKS ABOUT HIS UPCOMING HORROR MOVIE". Rotten Tomatoes. Retrieved October 7, 2016.
Jump up ^ Hipes, Patrick (November 4, 2015). "Allison Williams To Star In Jordan Peele's Horror Movie 'Get Out'". deadline.com. Retrieved November 11, 2015.
Jump up ^ Hipes, Patrick (November 18, 2015). "Daniel Kaluuya Lands Male Lead In Jordan Peele Horror Pic 'Get Out'". deadline.com. Retrieved December 5, 2015.
Jump up ^ Pedersen, Erik (December 3, 2015). "Catherine Keener Gets In 'Get Out' For Jordan Peele". deadline.com. Retrieved December 5, 2015.
Jump up ^ Hipes, Patrick (February 12, 2016). "Jack McBrayer, Danny Pudi & Joe Manganiello Work Blue In 'Smurfs' Sequel; Betty Gabriel Joins 'Get Out'". Deadline. Retrieved February 19, 2016.
Jump up ^ A. Lincoln, Ross (February 18, 2016). "Keith Stanfield Joins Jordan Peele Horror Pic 'Get Out': Emily Blunt In Talks For 'Mary Poppins' Sequel". Deadline. Retrieved February 20, 2016.
Jump up ^ "On the Set for 2/19/16: Rian Johnson Rolls Cameras on 'Star Wars: Episode VIII', Chris Pratt & Zoe Saldana Start 'Guardians of the Galaxy Vol. 2'". SSN Insider. February 19, 2016. Archived from the original on May 5, 2016. Retrieved February 19, 2016.
Jump up ^ Michelle Matthews (March 19, 2016). "Allison Williams, star of 'Girls,' raves about Fairhope after filming movie there". Press-Register. AL.com. Retrieved February 22, 2017.
^ Jump up to: a b Rottenberg, Josh. "Jordan Peele on how 'Get Out' defied the odds to become a full-blown cultural phenomenon". Los Angeles Times. Retrieved 8 August 2017.
Jump up ^ Anderton, Ethan (March 5, 2017). "Jordan Peele's 'Get Out' Almost Had a Much More Bleak Ending". Slash Film. Retrieved March 12, 2017.
Jump up ^ Paschal, Nicholas (May 15, 2017). "Jordan Peele Reveals 'Get Out' Has Alternate Ending". Yahoo. Retrieved May 16, 2017.
Jump up ^ Weaver, Caity. "Jordan Peele on the Most Terrifying Horror Story: Being Black in America". GQ. Retrieved February 11, 2017.
Jump up ^ "Jordan Peele Explains Why Childish Gambino's 'Redbone' Was Perfect for 'Get Out'". HipHopDX.com. Retrieved 2017-04-01.
Jump up ^ "Get Out (2017)". IMDb. Retrieved 2017-06-29.
Jump up ^ "'Get Out' Review: A Masterful Combination of Horror and Racial Commentary". Pajiba.com. Retrieved 1 March 2017.
Jump up ^ Bakare, Lanre (28 February 2017). "Get Out: the film that dares to reveal the horror of liberal racism in America". The Guardian. London. ISSN 0261-3077. Retrieved 1 March 2017.
Jump up ^ Harris, Brandon (4 March 2017). "Review: The Giant Leap Forward of Jordan Peele's 'Get Out'". The New Yorker.
Jump up ^ Damon Young (10 March 2017). "The Disturbing Truth That Makes Get Out Depressingly Plausible". Browbeat (blog). Slate. Retrieved 23 April 2017.
Jump up ^ "Audiences Plan To Get Into 'Get Out' – Weekend B.O. Preview". Deadline.com. Retrieved February 22, 2017.
Jump up ^ "Universal/Blumhouse's 'Get Out' Now Grabbing A $30M+ Opening". Deadline.com. Retrieved February 27, 2017.
Jump up ^ "'Logan's $85.3M Debut Breaks Records For Wolverine Series & Rated R Fare; Beats 'Fifty Shades' & 'Passion Of The Christ'", Deadline.com, retrieved March 5, 2017
Jump up ^ Anthony D'Alessandro (March 12, 2017). "'Kong' Beats His Chest On Saturday: Weekend Opening Now At $61M – Sunday AM Update". Deadline.com. Retrieved March 12, 2017.
^ Jump up to: a b David Renshaw (April 4, 2017). "Get Out Is Now The Highest Grossing Debut Film Based On An Original Screenplay In History". TheFader.com. Retrieved April 23, 2017.
Jump up ^ Sergio Mims (April 11, 2017). "'Get Out' Is Now the Highest Grossing Film Domestically by a Black Director (But Not for Long)". ShadowAndAct.com. Retrieved April 23, 2017.
Jump up ^ "Get Out (2017)". Rotten Tomatoes. Fandango. Retrieved November 8, 2017.
Jump up ^ "Top 100 Movies of All Time". Rotten Tomatoes. Fandango. Retrieved March 13, 2017.
Jump up ^ "Get Out Is a Horror Hit & Still Has 100% on Rotten Tomatoes". MovieWeb. Retrieved February 27, 2017.
Jump up ^ "Top 100 Movies of 2017 - Rotten Tomatoes". Rotten Tomatoes. January 3, 2018. Retrieved January 3, 2018.
Jump up ^ "Get Out reviews". Metacritic. Retrieved February 23, 2017.
Jump up ^ "CinemaScore". M.cinemascore.com. Retrieved 9 October 2017. [permanent dead link]
Jump up ^ "'Get Out' earns its laughs while honoring horror traditions". Chicago Sun-Times. Retrieved February 23, 2017.
Jump up ^ Phipps, Keith (February 22, 2017). "Jordan Peele's 'Get Out' Uses 21st Century Racism To Make A Masterful Horror Movie". Uproxx. Retrieved February 23, 2017.
Jump up ^ Rougeau, Mike (22 February 2017). "Get Out Review". IGN. Retrieved 25 February 2017.
Jump up ^ Travers, Peter (22 February 2017). "Get Out Review: Scares Meet Racially Charged Satire in Instant Horror Classic". Rolling Stone. Retrieved 25 February 2017.
Jump up ^ "Review: Jordan Peele's 'Get Out' Is a New Horror Classic" Forbes, February 27, 2017
Jump up ^ Jordan Peele's Get Out a Trite Get-Whitey Movie National Review, February 24, 2017
Jump up ^ Get Out: The horror of racism, and racialist politics World Socialist Web Site, March 28, 2017
Jump up ^ Jordan Peele Breaks Down "Get Out" Fan Theories from Reddit. Vanity Fair. December 1, 2017. Retrieved December 4, 2017.
Jump up ^ The Hollywood Reporter Editors (December 11, 2017). "Golden Globes: 'Shape of Water,' 'Big Little Lies' Top Nominations". The Hollywood Reporter. Retrieved December 11, 2017. CS1 maint: Extra text: authors list (link)
Jump up ^ Vanity Fair Editors (December 13, 2017). "2018 SAG Awards Nominations: See the Full List". Vanity Fair. Retrieved December 13, 2017. CS1 maint: Extra text: authors list (link)
Jump up ^ The Hollywood Reporter Editors (November 20, 2017). "NAACP Image Awards: 'Marshall,' 'Get Out,' 'Girls Trip' Dominate Film Nominations". The Hollywood Reporter. Retrieved December 9, 2017. CS1 maint: Extra text: authors list (link)
Jump up ^ Hammond, Pete (December 6, 2017). "Critics' Choice Awards Nominations: 'The Shape Of Water' Leads With 14; Netflix Tops TV Contenders". Deadline.com. Retrieved December 9, 2017.
Jump up ^ Tartaglione, Nancy (November 1, 2017). "'Lady Macbeth' Leads British Independent Film Awards Nominations – Full List". Deadline.com. Retrieved December 9, 2017.
Jump up ^ "Jordan Peele already has an idea where a Get Out 2 could go". Joblo.com. Retrieved October 9, 2017.
External links[edit]
Wikiquote has quotations related to: Get Out
Official website
Get Out on IMDb
Get Out at AllMovie
Get Out at Box Office Mojo
Get Out at Metacritic
Get Out at Rotten Tomatoes
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List of Good Behavior episodes
From Wikipedia, the free encyclopedia
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Good Behavior is an American drama television series based on the novella series by Blake Crouch. The series stars Michelle Dockery as Letty Raines, a con artist who becomes involved with a hitman named Javier Pereira, played by Juan Diego Botto. Good Behavior debuted on TNT on November 15, 2016.
On January 14, 2017, the series was renewed for a second season, which premiered on October 15, 2017.[1] As of December 17, 2017,[update] 20 episodes of Good Behavior have aired, concluding the second season.
Contents
[hide]
1 Series overview
2 Episodes
2.1 Season 1 (2016–17)
2.2 Season 2 (2017)
3 Ratings
3.1 Season 1 (2016–17)
3.2 Season 2 (2017)
4 References
5 External links
Series overview[edit]
Season
Episodes
Originally aired
First aired
Last aired
1 10 November 15, 2016 (2016-11-15) January 10, 2017 (2017-01-10)
2 10 October 15, 2017 (2017-10-15) December 17, 2017 (2017-12-17)
Episodes[edit]
Season 1 (2016–17)[edit]
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)
1
1 "So You're Not an English Teacher" Charlotte Sieling Chad Hodge & Blake Crouch November 13, 2016 (2016-11-13) (preview)
November 15, 2016 (2016-11-15) (premiere) 0.57[2] (preview)
0.81[3] (premiere)
Released from prison on good behavior, thief and con-artist Letty Raines overhears a hitman planning a hit and attempts to thwart his plan.
2
2 "Only The Best For Mrs. Diaz" Carl Franklin Chad Hodge November 15, 2016 (2016-11-15) 0.75[3]
Javier forces Letty to accompany him on his next hit, playing the role of his wife at an exclusive hotel.
3
3 "From Terrible Me" Magnus Martens Chad Hodge November 22, 2016 (2016-11-22) 0.64[4]
Letty and Javier deal with the occurrences of the last episode, blaming each other for the way the hit played out and attempting to cover their tracks.
4
4 "Your Mama Had a Hard Night" Mark Piznarski Blake Crouch November 22, 2016 (2016-11-22) (preview)
November 29, 2016 (2016-11-29) (premiere) 0.50[4] (preview)
0.52[5] (premiere)
Letty returns to her hometown in an attempt to spend time with her son Jacob, despite the restraining order against her.
5
5 "Beautiful Things Deserve Beautiful Things" Mikkel Nørgaard Chad Hodge December 6, 2016 (2016-12-06) 0.71[6]
Letty reunites with Javier on the road. Later, while Javier visits his sister, Letty is surprised by a visit from her parole officer Christian.
6
6 "We Pretend We're Stuck" Jonas Pate Chitra Elizabeth Sampath December 13, 2016 (2016-12-13) 0.68[7]
Letty and Javier return to Letty's hometown and spend a problem-filled day with Jacob.
7
7 "The Ballad of Little Santino" Phil Abraham Brett Johnson December 20, 2016 (2016-12-20) 0.92[8]
Letty and Javier have dinner with his family. Letty learns a shocking and tragic secret from Javier's youth.
8
8 "It Still Fits Bitch" Mark Piznarski Dana Baratta December 27, 2016 (2016-12-27) 0.91[9]
Letty bails her mother out of jail - on the day her mother was supposed to be getting married. Letty is shocked when Jacob's father Sean returns.
9
9 "For You I'd Go with Strawberry" Mikkel Nørgaard Lenore Zion January 3, 2017 (2017-01-03) 0.83[10]
Letty deals with the possibility of Sean getting custody of Jacob, the stress of which causes problems between her and Javier.
10
10 "All the Things" Magnus Martens Blake Crouch & Sarah Berry January 10, 2017 (2017-01-10) 0.90[11]
Letty has to make a difficult choice - one which puts Javier at risk of prison, unless she can get to him before it's too late.
Season 2 (2017)[edit]
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)
11
1 "The Heart Attack is the Best Way" Mikkel Nørgaard Chad Hodge October 15, 2017 (2017-10-15) 0.69[12]
12
2 "I Want You to Leave a Person Alive for Once" Magnus Martens Chitra Elizabeth Sampath October 22, 2017 (2017-10-22) 0.56[13]
13
3 "Because I'm Mrs. Claus" Clare Kilner Chad Hodge October 29, 2017 (2017-10-29) 0.50[14]
14
4 "I Think It's A Sign" Mikkel Nørgaard Brett Johnson November 5, 2017 (2017-11-05) 0.53[15]
15
5 "You Could Discover Me" Jessica Lowrey Chitra Elizabeth Sampath November 12, 2017 (2017-11-12) 0.62[16]
16
6 "It's No Fun If It's Easy" Coky Giedroyc Dana Baratta November 19, 2017 (2017-11-19) 0.54[17]
17
7 "Don't Thank God, Thank Me" Louise Friedberg Aaron Fullerton November 26, 2017 (2017-11-26) 0.57[18]
18
8 "Stay Beautiful" Mikkel Nørgaard Lenore Zion December 3, 2017 (2017-12-03) 0.54[19]
19
9 "And I Am A Violent Criminal" Doc Crotzer Lenore Zion & Sarah Berry December 10, 2017 (2017-12-10) 0.68[20]
20
10 "Letty Raines, In The Mansion, With The Gun" Magnus Martens Story by : Chad Hodge
Teleplay by : Aaron Fullerton & Joshua Karns December 17, 2017 (2017-12-17) 0.72[21]
Ratings[edit]
Season 1 (2016–17)[edit]
No.
Title
Air date
Rating/share
(18–49)
Viewers
(millions)
1 "So You're Not an English Teacher" November 15, 2016 0.2 0.81[3]
2 "Only The Best For Mrs. Diaz" November 15, 2016 0.2 0.75[3]
3 "From Terrible Me" November 22, 2016 0.2 0.64[4]
4 "Your Mama Had a Hard Night" November 29, 2016 0.2 0.52[5]
5 "Beautiful Things Deserve Beautiful Things" December 6, 2016 0.2 0.71[6]
6 "We Pretend We're Stuck" December 13, 2016 0.2 0.68[7]
7 "The Ballad of Little Santino" December 20, 2016 0.2 0.92[8]
8 "It Still Fits Bitch" December 27, 2016 0.2 0.91[9]
9 "For You I'd Go With Strawberry" January 3, 2017 0.2 0.83[10]
10 "All the Things" January 10, 2017 0.2 0.90[11]
Season 2 (2017)[edit]
No.
Title
Air date
Rating/share
(18–49)
Viewers
(millions)
DVR
(18–49)
DVR viewers
(millions)
Total
(18–49)
Total viewers
(millions)
1 "The Heart Attack is the Best Way" October 15, 2017 0.2 0.69[12] 0.2 0.73 0.4 1.42[22]
2 "I Want You to Leave a Person Alive for Once" October 22, 2017 0.2 0.56[13] N/A 0.68 N/A 1.24[23]
3 "Because I'm Mrs. Claus" October 29, 2017 0.1 0.50[14] 0.2 0.70 0.3 1.20[24]
4 "I Think It's A Sign" November 5, 2017 0.1 0.53[15] 0.2 0.72 0.3 1.24[25]
5 "You Could Discover Me" November 12, 2017 0.2 0.62[16] N/A N/A N/A N/A
6 "It's No Fun If It's Easy" November 19, 2017 0.1 0.54[17] N/A N/A N/A N/A
7 "Don't Thank God, Thank Me" November 26, 2017 0.2 0.57[18] N/A 0.73 N/A 1.30[26]
8 "Stay Beautiful" December 3, 2017 0.1 0.54[19] 0.2 0.69 0.3 1.23[27]
9 "And I'm A Violent Criminal" December 10, 2017 0.2 0.68[20] N/A 0.70 N/A 1.38[28]
10 "Letty Raines, In The Mansion, With The Gun" December 17, 2017 0.2 0.72[21] N/A N/A N/A N/A
References[edit]
Jump up ^ "Good Behavior - Renewed for a 2nd Season". January 14, 2017.
Jump up ^ Metcalf, Mitch (November 15, 2016). "Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 11.13.2016". Showbuzz Daily. Retrieved November 15, 2016.
^ Jump up to: a b c d Metcalf, Mitch (November 16, 2016). "Updated: ShowBuzzDaily's Top 150 Tuesday Cable Originals & Network Finals: 11.15.2016". Showbuzz Daily. Retrieved November 16, 2016.
^ Jump up to: a b c Metcalf, Mitch (November 23, 2016). "Updated: ShowBuzzDaily's Top 150 Tuesday Cable Originals & Network Finals: 11.22.2016". Showbuzz Daily. Retrieved November 23, 2016.
^ Jump up to: a b Metcalf, Mitch (December 7, 2016). "Updated: ShowBuzzDaily's Top 150 Tuesday Cable Originals & Network Finals: 11.29.2016". Showbuzz Daily. Retrieved November 30, 2016.
^ Jump up to: a b Metcalf, Mitch (December 7, 2016). "Updated: ShowBuzzDaily's Top 150 Tuesday Cable Originals & Network Finals: 12.6.2016". Showbuzz Daily. Retrieved December 7, 2016.
^ Jump up to: a b Metcalf, Mitch (December 15, 2016). "Updated: ShowBuzzDaily's Top 150 Tuesday Cable Originals & Network Finals: 12.13.2016". Showbuzz Daily. Retrieved December 15, 2016.
^ Jump up to: a b "Updated: ShowBuzzDaily's Top 150 Tuesday Cable Originals & Network Finals: 12.20.2016 - Showbuzz Daily". www.showbuzzdaily.com.
^ Jump up to: a b Metcalf, Mitch (December 29, 2016). "Updated: ShowBuzzDaily's Top 150 Tuesday Cable Originals & Network Finals: 12.27.2016". Showbuzz Daily. Retrieved December 29, 2016.
^ Jump up to: a b "Updated: ShowBuzzDaily's Top 150 Tuesday Cable Originals & Network Finals: 1.3.2017 - Showbuzz Daily". www.showbuzzdaily.com.
^ Jump up to: a b Metcalf, Mitch (January 11, 2017). "Updated: ShowBuzzDaily's Top 150 Tuesday Cable Originals & Network Finals: 1.10.2017". Showbuzz Daily. Retrieved January 11, 2017.
^ Jump up to: a b Metcalf, Mitch (October 17, 2017). "Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 10.15.2017". Showbuzz Daily. Retrieved October 17, 2017.
^ Jump up to: a b Metcalf, Mitch (October 24, 2017). "Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 10.22.2017". Showbuzz Daily. Retrieved October 24, 2017.
^ Jump up to: a b Metcalf, Mitch (October 31, 2017). "Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 10.29.2017". Showbuzz Daily. Retrieved October 31, 2017.
^ Jump up to: a b Metcalf, Mitch (November 7, 2017). "Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 11.5.2017". Showbuzz Daily. Retrieved November 7, 2017.
^ Jump up to: a b Metcalf, Mitch (November 14, 2017). "Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 11.12.2017". Showbuzz Daily. Retrieved November 14, 2017.
^ Jump up to: a b Metcalf, Mitch (November 21, 2017). "Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 11.19.2017". Showbuzz Daily. Retrieved November 21, 2017.
^ Jump up to: a b Metcalf, Mitch (November 29, 2017). "Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 11.26.2017". Showbuzz Daily. Retrieved November 29, 2017.
^ Jump up to: a b Metcalf, Mitch (December 5, 2017). "Updated: ShowBuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 12.3.2017". Showbuzz Daily. Retrieved December 5, 2017.
^ Jump up to: a b Metcalf, Mitch (December 12, 2017). "UPDATED: SHOWBUZZDAILY's Top 150 Sunday Cable Originals & Network Finals: 12.10.2017". Showbuzz Daily. Retrieved December 16, 2017.
^ Jump up to: a b Metcalf, Mitch (December 18, 2017). "Updated: ShowbuzzDaily's Top 150 Sunday Cable Originals & Network Finals: 12.17.2017". Showbuzz Daily. Retrieved February 19, 2018.
Jump up ^ Porter, Rick (October 26, 2017). "'Gold Rush' still striking it rich for Discovery: Cable Live +7 ratings for Oct. 9-15". TV by the Numbers. Retrieved October 26, 2017.
Jump up ^ Porter, Rick (November 3, 2017). "'Walking Dead' premiere grows a lot, still trails Season 7 debut by a lot: Cable Live +7 ratings for Oct. 16-22". TV by the Numbers. Retrieved November 3, 2017.
Jump up ^ Porter, Rick (November 9, 2017). "'Walking Dead,' 'AHS: Cult' way above everything else in cable Live +7 ratings for Oct. 23-29". TV by the Numbers. Retrieved November 9, 2017.
Jump up ^ Porter, Rick (November 17, 2017). "'American Horror Story: Cult' triples in cable Live +7 ratings for Oct. 30-Nov. 5". TV by the Numbers. Retrieved November 17, 2017.
Jump up ^ Porter, Rick (December 7, 2017). "'The Walking Dead' laps the field in cable Live +7 ratings for Nov. 20-26". TV by the Numbers. Retrieved December 7, 2017.
Jump up ^ Porter, Rick (December 15, 2017). "'The Walking Dead' outpaces everything else in cable Live +7 ratings for Nov. 27-Dec. 3". TV by the Numbers. Retrieved December 15, 2017.
Jump up ^ Porter, Rick (December 21, 2017). "'Top Chef' premiere more than doubles in cable Live +7 ratings for Dec. 4-10". TV by the Numbers. Retrieved December 21, 2017.
External links[edit]
List of Good Behavior episodes on IMDb
Retrieved from "https://en.wikipedia.org/w/index.php?title=List_of_Good_Behavior_episodes&oldid=831629618"
Categories:
Lists of American crime drama television series episodes
Lists of American drama television series episodes
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