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High-capacity magazine ban
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A high-capacity magazine ban is a law which bans or otherwise restricts high-capacity magazines, detachable firearm magazines that can hold more than a certain number of rounds of ammunition. For example, in the United States, the now-expired Federal Assault Weapons Ban of 1994 included limits regarding magazines that could hold more than ten rounds. Eight U.S. states, and a number of local governments, ban or regulate magazines that they have legally defined as high-capacity. The majority of states (42) do not ban or regulate any magazines on the basis of capacity. States that do have large capacity magazine bans or restrictions typically do not apply to firearms with fixed magazines whose capacity would otherwise exceed the large capacity threshold.
The federal ban of 1994 defined a magazine capable of holding more than 10 rounds of ammunition as a large capacity ammunition feeding device. Likewise, the state of California defines a large capacity magazine as "any ammunition feeding device with a capacity to accept more than 10 rounds."[1] Such devices are commonly called high-capacity magazines.[2][3][4] Among states with bans, the maximum capacity is 10 to 20 rounds. Several municipalities, such as New York City, restrict magazine capacity to 5 rounds for rifles and shotguns.[5] The state of New York previously limited magazine capacity to 7 rounds, but a District Court ruled this ban to be excessive and could not "survive intermediate scrutiny".[6]
Most pistols sold in the U.S. are made and sold with magazines holding between 10 and 17 rounds.[7] In November 2013, the National Rifle Association sued the city of San Francisco over an ordinance banning possession of magazines capable of holding more than 10 rounds. At the time, no court had overturned a ban on high-capacity guns or magazines.[8] In March 2014, the Supreme Court refused to halt a similar ban by the city of Sunnyvale, California.[9]
Contents
[hide]
1 United States
1.1 Federal Assault Weapons Ban of 1994
1.2 State high-capacity magazine bans
1.3 Municipal and county high-capacity magazine bans
1.4 Legal status
1.5 Public opinion
2 Canada
3 Hunting
4 See also
5 References
6 Further reading
United States[edit]
Federal Assault Weapons Ban of 1994[edit]
Main article: Federal Assault Weapons Ban
William B. Ruger, a founder of Sturm, Ruger & Co., is often ascribed with providing the impetus for high capacity magazine restrictions. Ruger proposed that instead of banning firearms, Congress should outlaw magazines holding more than 15 rounds.[10] On March 30, 1989, Ruger sent a letter to every member of the US Congress stating:
"The best way to address the firepower concern is therefore not to try to outlaw or license many millions of older and perfectly legitimate firearms (which would be a licensing effort of staggering proportions) but to prohibit the possession of high capacity magazines. By a simple, complete and unequivocal ban on large capacity magazines, all the difficulty of defining 'assault rifle' and 'semi-automatic rifles' is eliminated. The large capacity magazine itself, separate or attached to the firearm, becomes the prohibited item. A single amendment to Federal firearms laws could effectively implement these objectives."
William B. Ruger[11]
The Federal Assault Weapons Ban of 1993 included a ban on magazines capable of holding more than ten rounds of ammunition.[12]:1–2 The Public Safety and Recreational Firearms Use Protection Act, commonly called the assault weapons ban (AWB), was enacted in September 1994. The ban, including its ban on magazines capable of holding more than ten rounds of ammunition, became defunct (expired) in September 2004 per a sunset provision. Attempts to renew the ban have failed on the federal level.
State high-capacity magazine bans[edit]
See also: Gun laws in the United States by state
As of March 2014, Washington, D.C. and nine U.S. states have high-capacity magazine restrictions or bans.[13]
California
Colorado (on in-state sales of magazines with a capacity of 16 rounds or greater)
Connecticut
Hawaii (on handguns only)
Maryland (on in-state sales of magazines with a capacity of 11 rounds or greater)
Massachusetts
New Jersey
New York
Vermont
In Virginia, high-capacity magazines are not banned, but a semi-automatic, centerfire rifle or pistol with a magazine able to hold more than 20 rounds is considered an "assault firearm" and may only be purchased by citizens or permanent residents.[14][not in citation given (See discussion.)]
Municipal and county high-capacity magazine bans[edit]
U.S. cities with high-capacity magazine restrictions or bans include:
Los Angeles, California
San Francisco, California
Sunnyvale, California
Denver, Colorado
Cook County, Illinois[15][16]
Aurora, Illinois
Chicago, Illinois
Oak Park, Illinois
Albany, New York
Buffalo, New York
New York, New York
Rochester, New York
Legal status[edit]
In December 2013, the National Rifle Association (NRA), representing five residents of Sunnyvale, California, filed a lawsuit to stop enforcement of the city's ban on possession of magazines able to hold more than 10 rounds,[7] in a case known as Fyock v. Sunnyvale. In March 2014, Supreme Court Justice Anthony Kennedy rejected a request to block enforcement of the law pending appeals.[17] In March 2015 the federal 9th Circuit Court of Appeals upheld the magazine capacity restriction, ruling that it does not violate the Second Amendment.[18]
Eugene Volokh, constitutional scholar, says that a Federal District Court judge was correct to decide that a local high-capacity magazine ban was constitutional, comparing limits on magazine capacity to limits on free speech.[19]
Public opinion[edit]
Further information: Public opinion on gun control in the United States
Most Americans support a ban on the sale and possession of high capacity magazines.[20][21][22][23][24][25] In 2012 62% of Americans favored banning the sale of high-capacity ammunition magazines, according to a Gallup poll with a margin of error of +/- 4%.[20] In 2017 65% of American adults supported banning high-capacity magazines, according to a Pew Research Center survey with an error attributable to sampling of +/- 2.8% at the 95% level of confidence.[21] In late February early March 2018, after the Stoneman Douglas High School shooting, 63% of American adults supported a ban on the sale and possession of high-capacity or extended ammunition magazines, according to a CNN poll with a margin of error of +/- 3.7%.[22][23] 73% of American adults supported banning high-capacity ammunition magazines that hold more than 10 rounds, according to an NPR/Ipsos poll with a margin of error of +/- 3.5%.[24] 70% of registered voters supported banning high-capacity magazines, according to a Politico/Morning Consult poll with a margin of error +/- 2%.[25]
Canada[edit]
With the passage of Bill C-17 in 1993 under Prime Minister Kim Campbell (in response to the 1989 Ecole Polytechnique Massacre), magazines designed for use in semi-automatic centrefire rifles and semi-automatic shotguns became limited to five rounds, and magazines designed for use in handguns are limited to 10 rounds. Magazines designed for use in semi-automatic rimfire rifles, as well as manually operated long guns, are exempt from the magazine capacity restrictions.
In recent years, there has been a growing trend of ways to legally work around the magazine capacity restrictions. Numerous semi-automatic centrefire rifles also happen to accept handgun magazines, thereby legally increasing magazine capacity. Numerous rifle and handgun magazines designed for a particular caliber also happen to fit an over-the-limit number of smaller caliber rounds, also legally increasing magazine capacity. [26]
Hunting[edit]
Some jurisdictions apply magazine limits to hunters. For example, Maine and Oregon have a 5-cartridge limit on auto-loading firearms for hunting.[27]:18[28]
See also[edit]
Assault weapons legislation in the United States
Gun laws in the United States by state
Gun politics in the United States
Bullet button
References[edit]
Jump up ^ Office of the Attorney General (November 2001). "Assault Weapons Identification Guide 2000" (PDF). oag.ca.gov. California Department of Justice. Retrieved April 21, 2014.
Jump up ^ Polisar, Joseph M. (September 2004). "President's Message: Reauthorization of the Assault Weapons Ban". Police Chief Magazine. International Association of Chiefs of Police. Retrieved April 21, 2014. The ban on assault weapons and high-capacity magazines has been a crucial component of our national crime-fighting strategy.
Jump up ^ Kerlikowske, R. Gil (August 24, 2004). "Save the Assault Weapons Ban". Christian Science Monitor. Christian Science Monitor. Retrieved April 21, 2014.
Jump up ^ Peterson, Phillip (2008). Gun Digest Buyer's Guide to Assault Weapons. Iola, Wisconsin: Gun Digest Books. ISBN 978-0896896802. In the context of this book, however, 'assault weapon' refers to a semi-automatic firearm that accepts high capacity magazines (10+ rounds) and is patterned after military issue select-fire weapons.
Jump up ^ New York, N.Y. Consolidated Laws, General Business Law, Article 26: Miscellaneous (PDF). p. 328. Retrieved 28 December 2017.
Jump up ^ New York State Rifle and Pistol Association v Cuomo , 38 (W.D.N.Y. December 31, 2013) (“Unlike the restrictions on assault weapons and large-capacity magazines, the seven-round limit cannot survive intermediate scrutiny.”). Text
^ Jump up to: a b Richman, Josh (December 17, 2013). "NRA sues Sunnyvale over ammo magazine ban". San Jose Mercury News. San Jose, California. Retrieved March 13, 2014. in fact, most pistols sold in the U.S. are made and sold with magazines holding between 10 and 17 rounds.
Jump up ^ Egelko, Bob (November 19, 2013). "NRA sues S.F. to kill law on gun magazines". SFGate. Magazines that carry more than 10 rounds are widely sold in the United States and can't be considered 'dangerous and unusual,' Tuesdays lawsuit asserted.
Jump up ^ Egelko, Bob (March 13, 2014). "Supreme Court won't block ban on guns' high-capacity magazines". San Francisco Chronicle. SFGate.com. Retrieved April 21, 2014.
Jump up ^ Patrick Sweeney (2007). Gun Digest Book of Ruger Pistols and Revolvers. Gun Digest Books. p. 7. ISBN 978-0-89689-472-3.
Jump up ^ William B. Ruger (1992). "An Open Letter". American Handgunner. 12 (5): 18.
Jump up ^ Roth, Jeffrey A.; Christopher S. Koper (March 1999). "Impacts of the 1994 Assault Weapons Ban" (PDF). National Institute of Justice Research in Brief (NCJ 173405).
Jump up ^ "Large Capacity Ammunition Magazines Policy Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. May 31, 2013. Retrieved March 14, 2014.
Jump up ^ "Virginia Firearms Transaction Program". www.state.va.us. Virginia Department of State Police. 2009. Retrieved March 14, 2014.
Jump up ^ "Municode Library". www.municode.com. Retrieved 2018-03-19.
Jump up ^ "Assault Weapons | Giffords Law Center to Prevent Gun Violence". Giffords Law Center to Prevent Gun Violence. Retrieved 2018-03-19.
Jump up ^ Richman, Josh (March 12, 2014). "Sunnyvale gun law: Supreme Court justice refuses to stay ban on large-capacity magazines". San Jose Mercury News. San Jose, California. Retrieved March 14, 2014.
Jump up ^ Mintz, Howard (March 4, 2015). "Gun Rights Showdown: Sunnyvale Restrictions Upheld by Appeals Court", San Jose Mercury News. Retrieved March 7, 2015.
Jump up ^ Root, Damon (March 7, 2014). "Court: Bans on High-Capacity Magazines Are 'Only the Most Minor Burden on the Second Amendment'". reason.com. Reason Foundation. Retrieved April 9, 2014.
^ Jump up to: a b Saad, Lydia (December 27, 2012). "Americans Want Stricter Gun Laws, Still Oppose Bans". Gallup. Retrieved March 20, 2018.
^ Jump up to: a b Parker, Kim; Menasce Horowitz, Juliana; Igielnik, Ruth; Oliphant, Baxter; Brown, Anna (June 22, 2017). "America's Complex Relationship With Guns". Pew Research Center. Retrieved March 24, 2018.
^ Jump up to: a b Agiesta, Jennifer (February 25, 2018). "CNN Poll: Seven in 10 favor tighter gun laws in wake of Parkland shooting". CNN. Retrieved March 19, 2018. There is widespread support for several specific changes to gun laws, including 87% who back laws to prevent convicted felons and those with mental health problems from owning guns; 71% who support preventing people under age 21 from buying any type of gun; 63% who support a ban on the sale and possession of high-capacity or extended ammunition magazines (up from 54% in October, a new high in CNN polling); and 57% who back a ban on the manufacture, sale and possession of rifles capable of semi-automatic fire, such as the AR-15, the same style as was used in both the Parkland and Las Vegas shootings (up from 49% in October).
^ Jump up to: a b Hart, Benjamin (February 25, 2018). "Two New Polls Show Widespread Support for Stricter Gun Laws". New York. Retrieved March 19, 2018. Some specific measures that are broadly popular: 87 percent favor banning felons and those with mental health problems from getting guns; 71 percent favor banning anyone under 21 from buying a firearm; and 63 percent favor a ban on high-capacity magazines.
^ Jump up to: a b Khalid, Asma (March 2, 2018). "NPR Poll: After Parkland, Number of Americans Who Want Gun Restrictions Grows". Morning Edition. NPR. Retrieved March 19, 2018.
^ Jump up to: a b Shepard, Steven (February 28, 2018). "Gun control support surges in polls". Politico. Retrieved March 19, 2018. Seventy percent of voters support a ban on high-capacity magazines, and 68 percent want to ban assault-style weapons.
Jump up ^ "Maximum Permitted Magazine Capacity". Special Bulletin for Businesses No. 72. Royal Canadian Mounted Police. 2014-12-08. Retrieved 28 January 2015.
Jump up ^ "Maine Hunting & Trapping: The Official 2013–14 State of Maine Hunting & Trapping Laws and Rules" (PDF). statedocs.maine.gov. Maine Department of Inland Fisheries and Wildlife. January 7, 2014. Retrieved March 14, 2014.
Jump up ^ "ODFW Weapons Restrictions". www.dfw.state.or.us. Retrieved 2018-03-19.
Further reading[edit]
Dinzeo, Maria (February 21, 2014). "Mass Shootings Justify S.F. Limit on Bullets". Courthouse News Service. Retrieved May 25, 2014.
"California State Law Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. January 2, 2012. Retrieved April 27, 2014.
"Colorado State Law Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. January 2, 2012. Retrieved April 27, 2014.
"Connecticut State Law Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. January 2, 2012. Retrieved April 27, 2014.
"District of Columbia State Law Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. January 2, 2012. Retrieved April 27, 2014.
"Hawaii State Law Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. January 2, 2012. Retrieved April 27, 2014.
"Maryland State Law Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. January 2, 2012. Retrieved April 27, 2014.
"Massachusetts State Law Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. January 2, 2012. Retrieved April 27, 2014.
"New Jersey State Law Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. January 1, 2012. Retrieved April 27, 2014.
"New York State Law Summary". smartgunlaws.org. Law Center to Prevent Gun Violence. January 1, 2012. Retrieved April 27, 2014.
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Kuch Rang Pyar Ke Aise Bhi
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Kuch Rang Pyar Ke Aise Bhi
Genre
Fiction
Drama
Romance
Written by
Story
Mahesh Pandey
Vikram Khurana
Durjoy Datta
Parag Kulkarnni
Mitali Bhattacharya
Mousumi Choudhury
Arundhati Sharma
Shashank Shekhar
Screenplay
Manoj Tripathi
Shashank Shekhar
Raghuvir Shekhawat
DurjoyDatta
Arundhati Sharma
Dialogues
Divya Nidhi Sharma
Aparajita Sharma
Directed by
Akhilesh S. Bhagat
Prateek Shah
Noel Smith
Creative director(s)
Dharam Dhiman
Gagan Puri
Ishita
Riya Sengupta
Starring
See Below
Theme music composer
Adil-Prashant
Subhajit Mukherjee
Arpita Mukherjee
Country of origin
India
Original language(s)
Hindi
No. of seasons
2
No. of episodes
414
Production
Producer(s)
Mamta Yash Patnaik
Yash A Patnaik
Cinematography
Manggesh Mahadik
Shahid Ansari
Editor(s)
Kshitija Khandagale
Shatrughan Singh
Vishwanath Singh
Camera setup
Multi-camera
Running time
Approx. 22 minutes
Production company(s)
Beyond Dreams Entertainment Pvt Ltd
Inspire Films Pvt Ltd
Release
Original network
Sony TV
Picture format
576i (SDTV)
1080i (HDTV)
Original release
29 February 2016 (2016-02-29) – 2 November 2017 (2017-11-02)
External links
Website
Production website
Kuch Rang Pyar Ke Aise Bhi (English: A few colors of love can be like this too) was an Indian romance television series, which originally aired on Sony TV[1] from February 29, 2016,[2][3] to November 2, 2017,[4] lasting two seasons.
Shaheer Sheikh, Erica Fernandes and Supriya Pilgaonkar play the lead roles. The series is a realistic take on the romantic relationship between Dev and Sonakshi. Their love story and how it will impact the unique, close-knit relationship between Dev and his mother is the main theme of the show.[1][5]
Kuch Rang Pyar Ke Aise Bhi has been dubbed in Tamil as Ini Ellam Vasanthame (Hereafter Only Spring) and broadcast on Polimer TV, and in Telugu as Amma Nenu O Ammayi on Gemini TV. It is also dubbed in Malayalam as Pranayavarnangal (Colours Of Love) and is currently airing on Kairali TV. It is dubbed in Arabic as well as وجوه الحب (The Faces of Love) and airs on MBC Bollywood.[6] Due to Sheikh's popularity in Indonesia, the show has also been dubbed in Bahasa as Dev & Sona and airs on ANTV.[7]
The series has received positive critical response, with some praise directed at Sheikh's performance and his chemistry with Erica Fernandes.[8][9] In late November 2016, there were reports stating that the show is going to go off air giving way to historical drama Peshwa Bajirao, but rejecting the reports the channel briefed that, "Kuch Rang is one of our best shows. It is doing great on the TRP charts and also has a dedicated fan following. People love the characters. There’s no question of ending the show."[10]
In January 2017, after Dev and Sonakshi's separation in the show a 7-year leap was introduced.[11] Dev was shown as a person who cares only about himself and Sonakshi turned into a mature businesswoman and a single mother.[12] The show became the most popular feature show on Indian Television on the basis of The Times of India's conducted poll on Twitter in late March 2017.[13]
On 31 August 2017, the channel announced that because of viewer demand the show would be brought back, with an estimated air date in mid-September 2017.[14]
Contents
[hide]
1 Plot
2 Cast
2.1 Main cast
2.2 Recurring cast
2.3 Guest stars
3 Production
4 Season overview
5 Soundtracks
6 Awards and nominations
7 References
8 External links
Plot[edit]
The show is set in Delhi, and revolves around Mr. Devrath Dixit, a business tycoon and Dr. Sonakshi Bose, a nutritionist.
Dev is a successful business tycoon who lives with his mother Ishwari, whom he's devoted to and his three beloved sisters, Neha, Nikki and Riya, his uncle, aunt and their son Vicky. Sonakshi, on the other hand is a consulting nutritionist, who hails from a middle class Bengali family of five, and is appointed by Dev as Ishwari's permanent consulting nutritionist. Initially, both Ishwari and Dev are indifferent to Sonakshi but gradually form a bond with her. After a near death experience with a car accident, Sona falls for Dev but Dev has become engaged to business partner Natasha. Just before his engagement, Dev realises his love for Sona and they confess their feelings to each other. Meanwhile, Dev's sister Neha gets married to Ranveer, her English tutor who is from a lower-middle-class family.
Ishwari finds out about Dev and Sonakshi's relationship and reluctantly agrees to their alliance but soon succumbs to depression finding it hard to make room for another woman in her son's life. Sensing his mother's disapproval, Dev breaks up with Sona. Dev and Sona fail to move on in their lives and seeing Dev's condition, Ishwari agrees to their marriage. Dev's aunt Radha Rani, manipulates her sister-in-law Ishwari to have Dev make her son Vicky a project head at the office. Their marriage on the rocks, Ranveer files a harassment case against Neha, leading to their divorce. Sona's cousin Elena elopes with Vicky shocking the Bose family. Dev resolves Bose family's financial crisis. Sona comes to know from Dev that she has only a 7% chance of conceiving. Sona agrees to undergo fertility treatment as decided by Ishwari. Dev's aunt continues stoking fires and misrepresents how Dev helped Sona's brother with a huge loan leading to tensions between the Dixit and Bose families. A number of misunderstandings initially conducted by Radharani and Vicky leads Dev and Sonakshi to separate and she leaves Delhi.
A seven-year leap is introduced in the story line. Sonakshi is now the mother of her and Dev's daughter, six-year old Suhana, and has become a successful businesswoman in her field. The family returns to Delhi from Kolkata due to Sonakshi's work, and Sonakshi tells Suhana that her father lives in Delhi. Elena and Vicky are now the parents of six-year old Golu. Sonakshi and Dev meet after years at an award function, and as fate has it, Suhana and Golu study in the same school. Soon, Dev realizes that Suhana is his daughter, and he reveals his identity to her. After much hesitation, the girl accepts Dev as her father. For their daughter, Dev and Sonakshi make a deal to live together, while Saurabh gets married to Ronita. Gradually, Dev's love for his ex-wife starts rekindling. Sonakshi becomes involved in dealing with a dangerous man called Khatri who had been blackmailing Ishwari. Ishwari starts liking Sona and realizes her mistake. Dev and Sonakshi soon reunite as they realize their love for each other. Season 1 ends with Sonakshi giving birth to Shubh, her and Dev's son, while Saurabh and Ronita gives birth to a girl, Sonita.
Season 2 starts with a leap of six months. Dev and Sonakshi are finding it difficult to handle the kids and work simultaneously. Ishwari, being tensed about the upbringing of the children tells Sonakshi to quit her job and stay at home to look after Shubh and Suhana. However, Dev is well aware of Sonakshi's love for her work, so he tells her to resume her job. He himself stops working and stays at home to manage the household. Initially there is a lot of conflict seen among the members of the family and other people but Dev and Sonakshi leave no stone unturned to justify their decision. Finally, after a lot of struggle, people understand their point and Dev is immensely praised by his family and others. Season 2 ends on a happy note with Shubh speaking his first words 'Papa','Ma', and everyone is overwhelmed.
Cast[edit]
Main cast[edit]
Shaheer Sheikh as Devrath "Dev" Dixit
Erica Fernandes as Dr. Sonakshi "Sona" Dixit née Bose
Supriya Pilgaonkar as Ishwari Dixit, Dev's mother
Recurring cast[edit]
Aaliya Shah as Suhana "Soha" Dixit, Dev and Sona's daughter
Vidvaan Sharma as Shubh Dixit, Dev and Sona's son
Pragya Jain as Ronit "Golu" Dixit, Vicky and Elena’s son
Aashika Bhatia as Nikki Dixit, Dev's youngest sister
Ankita Bahuguna as Riya Dixit, Dev's second younger sister
Chestha Bhagat as Neha Dixit, Dev's younger sister
Mushtaq Khan as Baldev Tripathi, Dev's uncle/Ishwari's elder brother
Alka Mogha as Radha Baldev Tripathi / Radharani, Dev's aunt/ Baldev's wife
Vaibhav Singh as Vikram Baldev Tripathi / Vicky, Dev's cousin/Baldev and Radha's son
Prerna Panwar as Elena Vikram Tripathi née Bose, Sonakshi's cousin, Vicky's wife
Jagat Rawat as Bijoy Bose, Sonakshi's father
Moon Banerrjee as Asha Bijoy Bose, Sonakshi's mother
Rina Chakraborty as Dadi, Sonakshi's grandmother
Alpesh Dhakan as Saurabh Bijoy Bose, Sonakshi's elder brother
Khushbu Thakkar as Ronita Bose née Mandal, Saurabh's wife
Vishesh Bansal as Young Devrath Dixit
Salman Shaikh as Inspector Prakash and Dev's good friend
Anju Jadhav / Ekroop Bedi as Tina, Dev's Personal Secretary
Mohit Sinha as Bunty, Dev's friend
Arjun Aneja as Ranveer Chaudhary, Neha's ex-husband
Geeta Saroha as Ranveer's sister-in-law
Karmveer Choudhary as Khatri, Ishwari's colleague and blackmailer
Ankit Gupta as Jatin Roy, Sonakshi's childhood friend and business partner
Ashwini Koul as Lakshya, Nikki's boyfriend and live-in partner, Ishwari's boss
Guest stars[edit]
Hemant Choudhary as Dr. Sinha, Sonakshi's former boss
Roop Durgapal as Natasha Gujral, Dev's ex-fiancé
Pawan Chopra as Mr. Gujral, Natasha's father
Romit Sharma as Kushal Roy,Sonakshi's prospective fiancé.
Udit Gaur as Neil Lakhotia Sonakshi's fake boyfriend
Jay Soni as Dr. Ritwick Naveen Sen, Sonakshi's ex-fiancé
Pankaj Kalra as Naveen Sen, Ritwick's father
Amita Udgata as Dev's grand aunt
Arpit Chaudhary as Ayaan Vashishth, Riya's ex-fiancé
Aradhana Uppal as Mrs. Vashishth, Ayaan's mother
Faruqh Saeed as Mr. Vashishth, Ayaan's father
Jhumma Mitra as Tara Mandal, Ronita's mother
Ashiesh Roy as Shankar Mandal, Ronita's father
Twinkle Vashisht as Payal, Dev's prospective fiancé
Asma Badar as Nisha, Dev's ex-fiancé
Dimcy Aggarwal as Kajal, Malathi/Memsaab's daughter
Armaan Tahil as Thakkar, Dev's business rival
Production[edit]
After successful completion of one year of the TV series, Yash Patnaik, Chairman and Managing Director of Beyond Dreams Entertainment known for showcasing "simple yet strong story telling" shows stated that he is happy as viewers quickly accepted the "experiment with conviction" show. He further said that the positive way of showing the "simplicity clubbed with beauty" series along with a slight gambling with characters, plots and story telling paid off in the end. Thanking Sony TV's management for giving the show one-year extension, he said the credit goes to his wife, Mamta Yash A Patnaik, Producer, Chief Creative Director of Entertainment and co-founder of Beyond Dreams Entertainment for being the actual person behind the show's success.[15]
Season overview[edit]
Season
No. of
episodes
Originally aired
First aired
Last aired
1 388 29 February 2016 24 August 2017
2 26 25 September 2017[16][17] 2 November 2017
Soundtracks[edit]
On 10 February 2017 the channel released a compilation of show's romantic songs on YouTube as Valentine's Day special.[18] "Tu Mujhme Mujhse Zyaada Hai (Duet)" is one of the "Most Romantic Hindi Title Songs" among the shows telecasted by the channel.[19]
No.
Title
Length
1. "Ye Lamhe Hazar Se" 3:17[20]
2. "Rang Rahi Hoon Ye Kaise Rang Mein" 1:33[21]
3. "Badle Se Din Aur Badli Se Raatein (Duet)" 4:26[22]
4. "Badle Se Din Aur Badli Se Raatein (Female)" 2:08[23]
5. "Tu Mujhme Mujhse Zyaada Hai (Male)" 2:10[24]
6. "Tu Mujhme Mujhse Zyaada Hai (Female)" 2:27[25]
7. "Tu Mujhme Mujhse Zyaada Hai (Duet)" 4:04[26]
8. "Kismat Ke Likhe Khel Kisne Dekhe" 3:08[27]
9. "Kyun Is Dafa Tu Mujhse Yun Khafa Hai" 2:00[28]
10. "Waqt Ne Kiya Kya Haseen Sitam" (Recreated by music directors Adil-Prashant) N/A[29]
Awards and nominations[edit]
Year
Award
Category
Nominee
Result
2016 Zee Gold Awards Best Female Debut Erica Fernandes Nominated[30]
Best Supporting Actress Supriya Pilgaonkar
Best Onscreen Jodi Shaheer Sheikh and Erica Fernandes
Best Television Show Inspire Films
Asiavision Awards Star Of The Year Shaheer Sheikh Won[31]
Asian Viewers Television Awards Soap of the Year Kuch Rang Pyar Ke Aise Bhi Won[32]
Female Actor of the Year Erica Fernandes
Male Actor of the Year Shaheer Sheikh Nominated[32]
India News Awards Best Jodi of the Year Shaheer Sheikh and Erica Fernandes Won[33]
2017 Lions Gold Awards Favourite Jodi (Popular) Shaheer Sheikh and Erica Fernandes Won[34]
Favourite Best Actor (Supporting Role) Mushtaq Khan
Favourite Best Actress (Supporting Role) Supriya Pilgaonkar
References[edit]
^ Jump up to: a b "Even though she spoke English, we Could hardly understand each other's emotions: Shaheer Sheikh". The Times of India. 14 January 2016. Retrieved 21 January 2016.
Jump up ^ Saraswati Datar (14 March 2016). "TV series review: Kuch Rang Pyaar Ke Aise Bhi - old crayons, new picture". The Times of India. Retrieved 20 April 2016.
Jump up ^ "Kuch Rang Pyar Ke Aise Bhi written update of finale episode, August 24, 2017: Dev and Sona are blessed with a baby boy; the entire family reunites". The Times of India. 25 August 2017. Retrieved 26 September 2017.
Jump up ^ "Kuch Rang Pyar Ke Aise Bhi Season 2 25 September 2017 Written Update Full Episode: Sonakshi To Take Up A Government Project, Ishwari Gives Green Signal". india.com. 25 September 2017. Retrieved 26 September 2017.
Jump up ^ "Shaheer Sheikh to play lead in Sony's new show 'Kuch Rang Pyar Ke Aise Bhi". ABP Live. 13 January 2016. Retrieved 21 January 2016.
Jump up ^ Tanvi Trivedi (25 February 2016). "Why Shaheer does not want to be a part of mythologicals". The Times of India. Retrieved 28 April 2016.
Jump up ^ "'Kuch Rang Pyar Ke Aise Bhi' all set to air in Indonesia - Times of India". Retrieved 23 August 2016.
Jump up ^ "Yash Patnaik's Kuch Rang Pyar Ke Aise Bhi is gearing up for twist - Times of India". Retrieved 3 June 2016.
Jump up ^ "5 reasons why we love 'Kuch Rang Pyar Ke Aise Bhi' lead pair Sonakshi, Dev". The Times Of India. 16 June 2016. Retrieved 21 June 2016.
Jump up ^ "Kuch Rang Pyar Ke Aise Bhi going off air? Well, this is what the channel has to say". The Indian Express. 21 November 2016. Retrieved 22 November 2016.
Jump up ^ "Kuch Rang Pyaar Ke Aise Bhi to take a 7 year leap: Dev and Sonakshi's looks will be to watch out for - Times of India". Retrieved 22 January 2017.
Jump up ^ "Kuch Rang Pyar Ke Aise Bhi takes 7-year leap. Dev becomes casanova, Sonakshi is a mother". 17 January 2017. Retrieved 22 January 2017.
Jump up ^ "Kuch Rang Pyar Ke wins maximum votes for Best Feature Show on TV". 22 March 2017.
Jump up ^ "Shaheer Sheikh-Erica Fernandes' Kuch Rang Pyar Ke Aise Bhi to make a comeback". The Indian Express. 31 August 2017. Retrieved 31 August 2017.
Jump up ^ "Kuch Rang Pyar Ke Aise Bhi completes one year, show's producer shares big plans". The Times of India. Retrieved 1 March 2017.
Jump up ^ SET India (9 September 2017). "Kuch Rang Pyaar Ke Aise Bhi Season 2 promo" – via YouTube.
Jump up ^ "Kuch Rang Pyaar ke Aise Bhi season 2 shoot begins, some behind the scene pics". The Times of India. Retrieved 9 September 2017.
Jump up ^ SET India (10 February 2017). "Valentine's Day Special Kuch Rang Pyar Ke Aise Bhi - All Romantic Songs Compilation" – via YouTube.
Jump up ^ SET India (10 February 2017). "VALENTINE'S DAY SPECIAL Most Romantic Hindi Title Songs - SET India" – via YouTube.
Jump up ^ SET India (6 April 2016). "Kuch Rang Pyar Ke Aise Bhi - कुछ रंग प्यार के ऐसे भी - Episode 28 - 6th April, 2016". Retrieved 30 June 2016 – via YouTube.
Jump up ^ SET India (2 May 2016). "Kuch Rang Pyar Ke Aise Bhi - कुछ रंग प्यार के ऐसे भी - Episode 46 - 2nd May, 2016". Retrieved 15 July 2016 – via YouTube.
Jump up ^ SET India (29 June 2016). "Kuch Rang Pyar Ke Aise Bhi - Badle Se Din Aur Badli Se Raatein - Song". Sony TV. Retrieved 30 June 2016 – via Facebook.
Jump up ^ SET India (20 June 2016). "Kuch Rang Pyar Ke Aise Bhi - Tere Rangon Mein Kuch Rang Hai - Song". Retrieved 30 June 2016 – via YouTube.
Jump up ^ SET India (16 June 2016). "Kuch Rang Pyar Ke Aise Bhi - Tu mujhme mujhse zyaada hai - Song". Retrieved 30 June 2016 – via YouTube.
Jump up ^ SET India (22 June 2016). "Song Tu Mujhme Mujhse Zyada Hai - Kuch Rang Pyar Ke Aise Bhi". Retrieved 30 June 2016 – via YouTube.
Jump up ^ SET India (29 June 2016). "Kuch Rang Pyar Ke Aise Bhi - Tu Mujh Mein Mujhse Jyada Hai - Song". Retrieved 30 June 2016 – via YouTube.
Jump up ^ SET India (21 August 2016). "Sonakshi and Dev Break Up - Kuch Rang Pyaar Ke Aise Bhi - Song". Retrieved 22 August 2016 – via YouTube.
Jump up ^ SET India (14 September 2016). "Kuch Rang Pyar Ke Aise Bhi - कुछ रंग प्यार के ऐसे भी-Maha Episode-Episode 140 - 12th September, 2016". Retrieved 8 October 2016 – via YouTube.
Jump up ^ "Review Of First Episode After Leap!". fuzionproductions.com. Retrieved 19 January 2017.
Jump up ^ "Gold Awards 2016 Nomination List: Divyanka Tripathi, Sriti Jha, Varun Kapoor & Others Nominated". 25 May 2016. Retrieved 22 August 2016.
Jump up ^ "Here's why Kuch Rang Pyar Ke's Erica Fernandez is super happy for onscreen lover Shaheer Sheikh - Times of India". Retrieved 22 August 2016.
^ Jump up to: a b "AVTA 2016: Winners list - BizAsia Media - The UK's only Asian media news site". BizAsia. Retrieved 28 November 2016.
Jump up ^ "Shaheer Sheikh And Erica Fernandes Win The Best Jodi Award For 2016!". fuzionproductions.com. Retrieved 31 December 2016.
Jump up ^ "23rd SOL LIONS GOLD AWARDS Winner List". spicystarsmumbai.com. Retrieved 20 January 2017.
External links[edit]
Kuch Rang Pyar Ke Aise Bhi on IMDb
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Jesse Frederick
From Wikipedia, the free encyclopedia
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Jesse Frederick James Conaway (born 1948), known professionally as Jesse Frederick, is an American film and television composer and singer best known for writing and performing the themes to TGIF television shows such as Perfect Strangers, Full House, Family Matters, and Step By Step for ABC.[1]
Contents
[hide]
1 Early years
2 Music career beginnings
2.1 Bearsville Records and early EPs
3 Film composing
4 Foray into TV: Bennett Salvay and Miller/Boyett
4.1 Perfect Strangers
4.2 Valerie/Valerie's Family
4.3 Full House
4.4 Family Matters
4.5 1990s success
4.6 Return to television scoring
5 Work with other TV producers
6 References
7 External links
Early years[edit]
Frederick was born Jesse Frederick James Conaway in Salisbury, Maryland, and was raised in Seaford, Delaware. He was the youngest of two children. His brother, Everett Thomas (Tommy) Conaway, Jr. (1944-1956), died of Cystic Fibrosis at 12 years of age. In his early childhood, Jesse was familiarly known as "Freddy" before legally dropping the James Conaway from his name in his later teens. This was done in an attempt to distinguish himself from the legacy of his father, Everett T. "Conny" Conaway, Sr. (1915-2010). Conny was a prominent figure in the poultry processing industry. During his unprecedented 70-year career, the senior Conaway designed and built some of the earliest processing plants for Allen Family Foods, Frank Perdue and Preston Townsend, all of which are still operating today. In early adolescence, Frederick attended Massanutten Military Academy for two years. Once he entered high school, his father put him to work, hoping to groom a protege in the industry. Frederick learned about the processing of poultry first hand as a plant laborer at many of his father's factories on the East Coast.
In high school, Frederick was a bright, multi-talented, popular student; he starred in many school plays and although his primary musical instrument was classical trumpet, he demonstrated from his youth a talent for mastery of a variety of musical instruments. He graduated Seaford High School in 1966, before attending Shenandoah College and Conservatory Of Music. Under his father's tutelage, he studied mechanical drafting, and eventually worked as his apprentice in plant overhead conveyor layout designs. All the while, the young musician continued writing and composing his own work, while pursuing aspirations to make it in the music industry.
Music career beginnings[edit]
Bearsville Records and early EPs[edit]
Although he released some early single records in the Philadelphia area in his late teens, and recorded demos for Columbia Records while in college, it was in 1971, at the age of 23, Jesse was signed to Albert Grossman's Bearsville Records.
His self-titled debut album,recorded in Nashville and mixed in part by Todd Rundgren, was released in that year. Although the album gained Frederick a lot of respect from his peers, its sales success was limited. In 1973, Bearsville released a promo 45 featuring both stereo and mono versions of the first single from Frederick’s second album, After the Rain, which would never be released. The single was entitled "I Belong to You". As the 1970s progressed, Frederick would sign with another label, spawning a third album in the process; as in the last project at Bearsville, it never saw the light of day.
In a partnership with producer Jeff Koz (who had worked with Frederick on some film and video projects), Frederick formed the band The Kinetics and released the single, "Don't Stand In The Shadow", for Columbia Records.
Film composing[edit]
By the late 1970s, Frederick had changed his beat to movie and TV score composing. He performed vocals for the character "Tommy Dee" (played by Paul Land) in the 1980 Taylor Hackford film The Idolmaker. A single from the picture's soundtrack, "Here Is My Love", was released in both stereo and mono formats. That same year, Frederick played Alice Cooper's roadie in the film Roadie. In 1982, Frederick composed the score for the Troma Entertainment motion picture The Fanatic (aka The Last Horror Film). Many more major theatrical titles would follow, including that of Garry Marshall's 1984 hit The Flamingo Kid.
Foray into TV: Bennett Salvay and Miller/Boyett[edit]
In the mid-1980s, as a result of his movie scoring work, Frederick began a partnership writer/composer (Paul) Bennett Salvay. The two musicians had both come off Garry Marshall-produced projects at the time they began working together. Frederick had just completed his scoring for The Flamingo Kid, while Salvay had been music director in the later seasons of the hit series Happy Days, Laverne & Shirley and Mork & Mindy, for Garry Marshall's Henderson Productions, Miller-Milkis-Boyett Productions and Paramount Television. The pair found they had a dynamic spark of creativity between them, and sought out work on original compositions that would be pitched to TV and movie projects. As Frederick worked on new musical material with him, Salvay would eventually lead them to new opportunities with his TV employers.
When producers Thomas L. Miller and Robert L. Boyett left Paramount for Lorimar Productions in 1984, they retained many of their former Paramount staffers, including Salvay and (initially) music composer Charles Fox. Miller and Boyett quickly set out to develop new projects at Lorimar (minus their former Paramount partner, Edward K. Milkis), and in the process of keeping Salvay on their soundtrack staff, noticed his work with Frederick and commissioned the both of them to be songwriters for their projects, working separately from Fox. In 1985, Miller and Boyett assigned the pair to their new comedy project for ABC, which was titled The Greenhorn in its early stages. Although it was too early to predict at the time, Frederick and Salvay had just embarked on what would be a long-running alliance with Miller-Boyett Productions.
Perfect Strangers[edit]
When ABC slated the new Miller/Boyett project to premiere on Tuesdays in March 1986, following some cast changes, it went into official production under the new title, Perfect Strangers. Frederick and Salvay penned their first TV title track, "Nothing's Gonna Stop Me Now", for the series, which obliquely told the ballad of the show's two leads—Balki Bartokomous (Bronson Pinchot) and Larry Appleton (Mark Linn-Baker)--as the former had dreams of making it in America from the island of Mypos, while the latter had aspirations to make it in Chicago, after moving from Wisconsin. Perfect Strangers went on to become a hit, running eight seasons on ABC, and made Frederick and Salvay's songwriting weekly staples in millions of households across the country. While the lyrics were written by Frederick and Salvay, "Nothing's Gonna Stop Me Now" was sung by David Pomeranz.
Valerie/Valerie's Family[edit]
Beginning in the 1986-87 season, Frederick and Salvay were asked to score selected episodes of NBC's Miller/Boyett-produced sitcom Valerie, which had premiered in March 1986, three weeks before the debut of Perfect Strangers on ABC. Charles Fox handled composing on Valerie for the show's first two seasons (in fact, it was the only Miller/Boyett series from the Lorimar era to use Fox), with Bruce Miller taking over regular scoring from seasons three through six. Frederick and Salvay scored three episodes: one which aired in November 1986, another in April 1987 (which they co-scored with Steven Chesne) and a third in the spring of 1988, after the series had been retitled Valerie's Family.
Full House[edit]
In 1987, Frederick and Salvay wrote their second title track for Miller-Boyett, "Everywhere You Look", for the new ABC fall sitcom Full House. This theme had a more love-of-the-family-centric subject in its lyrics, but was in line with their work on other Miller/Boyett shows due to its catchiness and upbeat nature. Full House initially struggled in the ratings, but when ABC scheduled it on Tuesdays in addition to its regular Friday slot for a time in 1988, it began a gradual increase in audience size. The series became popular in its second season. It then served as the anchor of ABC's new TGIF lineup in 1989, where Frederick and Salvay's work were about to be heavily showcased. Full House cracked the Nielsen top 30 in its third season and the top 20 in its fourth. Well before it reached its peak in seasons five to seven (where it shot to the top 5), "Everywhere You Look", in its various edits, had become a highly referenced and celebrated song among young viewers. The hook that most heavily caught fans' delight was the opening line, which pondered, "Whatever happened to predictability? The milkman, the paperboy, evening TV?"
By this point, it was recognized that the strength in Frederick and his partner's work was found in their knack for lyric-heavy, uplifting compositions. There was a common theme between most: that of realizing one's dreams, and making a success out of one's life. It was these ingredients that touched a generation of young viewers especially. Frederick and Salvay's underscores for Full House, which were more sentimental and instrument-heavy than on earlier hit Perfect Strangers, became the signature sound the two are also most recognized for.
There is much speculation that Frederick inspired the creation of one of the series' main characters. When Full House was in early development in 1986 (under the working title House of Comics), the role eventually given to star John Stamos was that of Adam Cochran, one of three comedians sharing a house in San Francisco. Once the format was revised and the original pilot set to shoot, Stamos' character became Jesse Cochran (later renamed Jesse Katsopolis as a nod to Stamos's Greek ethnicity), the super-cool rock musician brother-in-law of Danny Tanner (played in the unaired pilot by John Posey, before Bob Saget became available for the role). Fitting in with the character's new image, it is believed that naming him "Jesse" and turning him into a rocker was inspired by the real-life persona of Frederick. However, series creator Jeff Franklin has stated that when the character was being renamed, he was reminded of Elvis Presley's twin brother Jesse, who had died at a young age.
In 2015, "Everywhere You Look" was re-recorded with Carly Rae Jepsen on vocals for Full House's Netflix sequel series, Fuller House.
Family Matters[edit]
Joining ABC's established Miller/Boyett shows on the newly developed TGIF in September 1989 was Family Matters, a spin-off from Perfect Strangers. Frederick and Salvay scored the scenes and the closing theme alone during the series' first few episodes. During the first five ABC broadcasts, the title track was a shortened version of Louis Armstrong's "What A Wonderful World". The closing theme that Frederick and Salvay wrote and recorded was a melody loosely based on "What A Wonderful World", featuring a more uptempo beat dominated by saxophone and culminating in an orchestral crescendo.
By the sixth episode of Family Matters, Miller and Boyett, along with show creators William Bickley and Michael Warren, decided that they wanted a more sitcom-esque opening theme for the show. Frederick and Salvay wrote an original title track featuring a jazzy, ragtime piano prologue leading into an upbeat melody, again using high orchestration. Titled "As Days Go By", it was sung by Frederick with a back-up chorus of male singers. Family Matters was only a moderate success until Jaleel White's Steve Urkel was added in early 1990, becoming the show's breakout character. "As Days Go By" remained as the Family Matters theme in various forms until the beginning of the show's seventh season. It wasn't until the start of the series' fifth season in 1993 that Frederick and Salvay composed a closing version of "As Days Go By"; it was a hip-hop sounding rendition with a saxophone domination. The melody was slightly altered so that it didn't closely match the notes of the opening version.
1990s success[edit]
In 1990, the works of Frederick and Salvay received dramatically increased air time in the US. Perfect Strangers went into rerun syndication that fall. As a result, their music was being played on a five-days-a-week basis. Further, Miller/Boyett had just acquired a complete programming stake in ABC's hit TGIF lineup, having four of their comedies air back-to-back. Full House, Family Matters and Perfect Strangers were joined by freshman series Going Places. Frederick and Salvay composed all music for Going Places, but for the first time since Perfect Strangers, had another singer, Mark Lennon, perform the theme. Over at CBS, Miller/Boyett's other new series The Family Man was airing on Saturday nights alongside the producers' NBC series The Hogan Family (the former Valerie and Valerie's Family), which had switched networks. The Hogan Family was the only Miller/Boyett series from the Lorimar era to have not utilized Frederick and Salvay for most of its run, aside from the selected episodes they scored in 1986-88. The two worked on The Family Man, which boasted a first for both the musical team and Miller/Boyett; it was the first series in the group to have an instrumental opening theme.
Programs that ensued for the duo included Step By Step in 1991. The latter's title track, "Second Time Around", was sung by Frederick in a duet with Teresa James. It illustrated the story of the show's newly married couple, Frank Lambert (Patrick Duffy) and Carol Foster (Suzanne Somers), as they had visions of mixing their households of kids together. Step By Step was another TGIF hit, running six seasons on ABC and its seventh and final on CBS. From 1992 to 1994, Frederick and Salvay's newest project with Miller/Boyett was at first titled A New Day in its earliest development. Following a revamp in its creation (by Bickley/Warren), it premiered on TGIF in March 1993 as Getting By. The series had two different theme songs during each of its two seasons, the second of which aired on NBC. The first theme that Frederick and Salvay wrote was sentimental in nature with woodwind instrumentation, and sung by Mark Lennon. The second theme had the funk/hip-hop sound that had started to be heard on sister shows such as Family Matters, and had a different male vocalist. In 1994, the two worked on Miller/Boyett's single-season comedy On Our Own. It starred Ralph Louis Harris and the six Smollett siblings as a family learning to fend for themselves after the death of their parents. The series' theme, one in a long line of feel-good, inspirational tunes from Frederick and Salvay, was performed by Joe Turano.
In the later years of their run with Miller/Boyett, Frederick and Salvay would alternate score composing duties with other resident talents such as Steven Chesne and Gary Boren. On some series, such as Perfect Strangers in its last few seasons, the two were replaced entirely (in this case, by Boren). After the conclusion of Full House and cancelation of On Our Own, both in 1995, Frederick and Salvay continued work on most remaining Miller/Boyett shows. However, there would be no new projects from the producers until 1997, when Miller and Boyett developed the new CBS comedy Meego, Bronson Pinchot's third series with the production company (earlier in 1997, Pinchot had been a series regular on Step By Step). Meego, which aired on the network's new "Block Party" lineup (a TGIF clone), was a departure from the usual production and musical styles of both Miller/Boyett and Frederick and Salvay. The sentimental, upbeat rock-flavored scores from earlier shows were substituted by pieces with strictly orchestral sounds, which seem most fitting for a show about an alien who crashed-landed on Earth, and who was now living with an American family (headed by Ed Begley, Jr.) in the series. After only a month on the air, Meego was canceled due to disappointing ratings.
Frederick and Salvay continued working for their longtime employers, even as their parent production companies went through further changes in the late 1990s. In 1997, Michael Warren began the transition of splitting away professionally from William Bickley. The former teamed up with Miller and Boyett, forming Miller-Boyett-Warren Productions, initially to produce Meego. Bickley-Warren Productions remained active for one more season (1997–98) to produce the final season of Family Matters and Step By Step, which both were cancelled by CBS (the network both series had moved to that season) in 1998. Miller-Boyett-Warren had a new project for ABC in the works for that fall, which would end up being the final TV series project for Frederick and Salvay, as well as for the producers. That September, Two of a Kind, starring Mary-Kate and Ashley Olsen, premiered. Frederick and Salvay wrote their shortest opening title track to date for this series; however, Two of a Kind's instrumental theme was a return to the acoustic guitar-dominated, upbeat tunes that that two were known for, especially on the Olsens' former series, Full House. Two of a Kind, despite favorable reviews, folded in the spring of 1999 after one season.
Return to television scoring[edit]
In 2015, Full House creator Jeff Franklin, along with Miller and Boyett, were all underway in launching the long-rumored revival series to Full House, entitled Fuller House. It marked the first time since the late 1990s that Jeff Franklin Productions and Miller-Boyett Productions were active in TV series producing, and ultimately, that Frederick and Salvay were working on music compositions for episodic television. As Fuller House moved into production, the producers were successful in courting Frederick and Salvay back to compose the score and theme music for the show; the pair oversaw all music arrangement for the entire 13-episode first season, which premiered on Netflix on February 26, 2016. While Frederick and Salvay worked on the incidental scene change music together, they formed a partnership with singer Carly Rae Jepsen and songwriter/producer Butch Walker to remix "Everywhere You Look" in new vocal and instrumental forms, those of which would serve as the opening and closing themes to Fuller House. Jepsen performed the opening vocals to "Everywhere You Look", and the official commercial release of the song features never-before released verses that Frederick, Salvay and Jeff Franklin wrote for the track back in 1987, but of which were never included in broadcasts of Full House.
Work with other TV producers[edit]
During his years co-writing with Bennett Salvay, Frederick occasionally received work with other TV producers. In 1986, he and Salvay wrote the theme song to the short-lived CBS sitcom Better Days, a Lorimar series from producers Jeff Freilich, Stuart Sheslow and Arthur Silver. The Better Days title track has the distinction of being the first TV theme written by the two that Frederick performed vocals on (predating his performance of "Everywhere You Look" on Full House). Later, they wrote a more saccharine-tinged theme for the just-as-short-lived spring 1988 ABC comedy Family Man (no relation to the similarly titled Miller-Boyett series of two years later), which Frederick also performed.
Also in 1988, due to their primary employment on sitcoms produced by Lorimar, Frederick and Salvay scored selected episodes of CBS' Falcon Crest, a dramatic Lorimar production.
In 1992, Frederick and Salvay were asked by Full House creator Jeff Franklin to handle scoring duties, with Gary Boren, on his new ABC sitcom Hangin' With Mr. Cooper. The series was produced by Franklin and Lorimar Television (later Warner Bros. Television from seasons two through five), but not by Miller-Boyett Productions during any point in its run. Frederick and Salvay handled scene scoring during the first season only. Over a year after their departure, Bickley-Warren Productions became a co-producer of Cooper.
References[edit]
Jump up ^ https://www.rollingstone.com/music/news/carly-rae-jepsen-talks-fuller-house-theme-song-20160222
External links[edit]
Jesse Frederick on IMDb
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Cost of goods sold
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Cost of goods sold (COGS) refers to the carrying value of goods sold during a particular period.
Costs are associated with particular goods using one of the several formulas, including specific identification, first-in first-out (FIFO), or average cost. Costs include all costs of purchase, costs of conversion and other costs that are incurred in bringing the inventories to their present location and condition. Costs of goods made by the businesses include material, labor, and allocated overhead. The costs of those goods which are not yet sold are deferred as costs of inventory until the inventory is sold or written down in value.
Contents
[hide]
1 Overview
2 Importance of inventories
3 Cost of goods for resale
4 Cost of goods made by the business
5 Identification conventions
6 Example
7 Write-downs and allowances
8 Alternative views
9 Other terms
10 See also
11 References
12 Further reading
12.1 Formal guidance
Overview[edit]
Many businesses sell goods that they have bought or produced. When the goods are bought or produced, the costs associated with such goods are capitalized as part of inventory (or stock) of goods.[1] These costs are treated as an expense in the period the business recognizes income from sale of the goods.[2]
Determining costs requires keeping records of goods or materials purchased and any discounts on such purchase. In addition, if the goods are modified,[3] the business must determine the costs incurred in modifying the goods. Such modification costs include labor, supplies or additional material, supervision, quality control and use of equipment. Principles for determining costs may be easily stated, but application in practice is often difficult due to a variety of considerations in the allocation of costs.[4]
Cost of goods sold may also reflect adjustments. Among the potential adjustments are decline in value of the goods (i.e., lower market value than cost), obsolescence, damage, etc.
When multiple goods are bought or made, it may be necessary to identify which costs relate to which particular goods sold. This may be done using an identification convention, such as specific identification of the goods, first-in-first-out (FIFO), or average cost. Alternative systems may be used in some countries, such as last-in-first-out (LIFO), gross profit method, retail method, or combinations of these.
Cost of goods sold may be the same or different for accounting and tax purposes, depending on the rules of the particular jurisdiction. Certain expenses are included in COGS. Expenses that are included in COGS cannot be deducted again as a business expense. COGS expenses include:
The cost of products or raw materials, including freight or shipping charges;
The cost of storing products the business sells;
Direct labor costs for workers who produce the products; and
Factory overhead expenses.
Depreciation
Importance of inventories[edit]
Inventories have a significant effect on profits. A business that makes or buys goods to sell must keep track of inventories of goods under all accounting and income tax rules. An example illustrates why. Fred buys auto parts and resells them. In 2008, Fred buys $100 worth of parts. He sells parts for $80 that he bought for $30, and has $70 worth of parts left. In 2009, he sells the remainder of the parts for $180. If he keeps track of inventory, his profit in 2008 is $50, and his profit in 2009 is $110, or $160 in total. If he deducted all the costs in 2008, he would have a loss of $20 in 2008 and a profit of $180 in 2009. The total is the same, but the timing is much different. Most countries' accounting and income tax rules (if the country has an income tax) require the use of inventories for all businesses that regularly sell goods they have made or bought.
Cost of goods for resale[edit]
Cost of goods purchased for resale includes purchase price as well as all other costs of acquisitions,[5] excluding any discounts.
Additional costs may include freight paid to acquire the goods, customs duties, sales or use taxes not recoverable paid on materials used, and fees paid for acquisition. For financial reporting purposes such period costs as purchasing department, warehouse, and other operating expenses are usually not treated as part of inventory or cost of goods sold. For U.S. income tax purposes, some of these period costs must be capitalized as part of inventory.[6] Costs of selling, packing, and shipping goods to customers are treated as operating expenses related to the sale. Both International and U.S. accounting standards require that certain abnormal costs, such as those associated with idle capacity, must be treated as expenses rather than part of inventory.
Discounts that must be deducted from the costs of purchased inventory are the following:
Trade discounts (reduction in the price of goods that a manufacturer or wholesaler provides to a retailer) - includes a discount that is always allowed, regardless of the time of payment.
Manufacturer’s rebates—is based on the dealer’s purchases during the year.
Cash discounts (a reduction in the invoice price that the seller provides if the dealer pays immediately or within a specified time)—it may reduce COGS, or it may be treated separately as gross income.[7]
Value added tax is generally not treated as part of cost of goods sold if it may be used as an input credit or otherwise recoverable from the taxing authority.[8]
Cost of goods made by the business[edit]
The cost of goods produced in the business should include all costs of production.[9] The key components of cost generally include:
Parts, raw materials and supplies used,
Labor, including associated costs such as payroll taxes and benefits, and
Overhead of the business allocable to production.
Most businesses make more than one of a particular item. Thus, costs are incurred for multiple items rather than a particular item sold. Determining how much of each of these components to allocate to particular goods requires either tracking the particular costs or making some allocations of costs. Parts and raw materials are often tracked to particular sets (e.g., batches or production runs) of goods, then allocated to each item.
Labor costs include direct labor and indirect labor. Direct labor costs are the wages paid to those employees who spend all their time working directly on the product being manufactured. Indirect labor costs are the wages paid to other factory employees involved in production. Costs of payroll taxes and fringe benefits are generally included in labor costs, but may be treated as overhead costs. Labor costs may be allocated to an item or set of items based on timekeeping records.
Costs of materials include direct raw materials, as well as supplies and indirect materials. Where non-incidental amounts of supplies are maintained, the taxpayer must keep inventories of the supplies for income tax purposes, charging them to expense or cost of goods sold as used rather than as purchased.
Materials and labor may be allocated based on past experience, or standard costs. Where materials or labor costs for a period exceed the expected amount of standard costs, a variance. Such variances are then allocated among cost of goods sold and remaining inventory at the end of the period.
Determining overhead costs often involves making assumptions about what costs should be associated with production activities and what costs should be associated with other activities. Traditional cost accounting methods attempt to make these assumptions based on past experience and management judgment as to factual relationships. Activity based costing attempts to allocate costs based on those factors that drive the business to incur the costs.
Overhead costs are often allocated to sets of produced goods based on the ratio of labor hours or costs or the ratio of materials used for producing the set of goods. Overhead costs may be referred to as factory overhead or factory burden for those costs incurred at the plant level or overall burden for those costs incurred at the organization level. Where labor hours are used, a burden rate or overhead cost per hour of labor may be added along with labor costs. Other methods may be used to associate overhead costs with particular goods produced. Overhead rates may be standard rates, in which case there may be variances, or may be adjusted for each set of goods produced.
Identification conventions[edit]
In some cases, the cost of goods sold may be identified with the item sold. Ordinarily, however, the identity of goods is lost between the time of purchase or manufacture and the time of sale.[10] Determining which goods have been sold, and the cost of those goods, requires either identifying the goods or using a convention to assume which goods were sold. This may be referred to as a cost flow assumption or inventory identification assumption or convention.[11] The following methods are available in many jurisdictions for associating costs with goods sold and goods still on hand:
Specific identification. Under this method, particular items are identified, and costs are tracked with respect to each item.[12] This may require considerable recordkeeping. This method cannot be used where the goods or items are indistinguishable or fungible.
Average cost. The average cost method relies on average unit cost to calculate cost of units sold and ending inventory. Several variations on the calculation may be used, including weighted average and moving average.
First-In First-Out (FIFO) assumes that the items purchased or produced first are sold first. Costs of inventory per unit or item are determined at the time made or acquired. The oldest cost (i.e., the first in) is then matched against revenue and assigned to cost of goods sold.
Last-In First-Out (LIFO) is the reverse of FIFO. Some systems permit determining the costs of goods at the time acquired or made, but assigning costs to goods sold under the assumption that the goods made or acquired last are sold first. Costs of specific goods acquired or made are added to a pool of costs for the type of goods. Under this system, the business may maintain costs under FIFO but track an offset in the form of a LIFO reserve. Such reserve (an asset or contra-asset) represents the difference in cost of inventory under the FIFO and LIFO assumptions. Such amount may be different for financial reporting and tax purposes in the United States.
Dollar Value LIFO. Under this variation of LIFO, increases or decreases in the LIFO reserve are determined based on dollar values rather than quantities.
Retail inventory method. Resellers of goods may use this method to simplify recordkeeping. The calculated cost of goods on hand at the end of a period is the ratio of cost of goods acquired to the retail value of the goods times the retail value of goods on hand. Cost of goods acquired includes beginning inventory as previously valued plus purchases. Cost of goods sold is then beginning inventory plus purchases less the calculated cost of goods on hand at the end of the period.
Example[edit]
Jane owns a business that resells machines. At the start of 2009, she has no machines or parts on hand. She buys machines A and B for 10 each, and later buys machines C and D for 12 each. All the machines are the same, but they have serial numbers. Jane sells machines A and C for 20 each. Her cost of goods sold depends on her inventory method. Under specific identification, the cost of goods sold is 10 + 12, the particular costs of machines A and C. If she uses FIFO, her costs are 20 (10+10). If she uses average cost, her costs are 22 ( (10+10+12+12)/4 x 2). If she uses LIFO, her costs are 24 (12+12). Thus, her profit for accounting and tax purposes may be 20, 18, or 16, depending on her inventory method. After the sales, her inventory values are either 20, 22 or 24.
After year end, Jane decides she can make more money by improving machines B and D. She buys and uses 10 of parts and supplies, and it takes 6 hours at 2 per hour to make the improvements to each machine. Jane has overhead, including rent and electricity. She calculates that the overhead adds 0.5 per hour to her costs. Thus, Jane has spent 20 to improve each machine (10/2 + 12 + (6 x 0.5) ). She sells machine D for 45. Her cost for that machine depends on her inventory method. If she used FIFO, the cost of machine D is 12 plus 20 she spent improving it, for a profit of 13. Remember, she used up the two 10 cost items already under FIFO. If she uses average cost, it is 11 plus 20, for a profit of 14. If she used LIFO, the cost would be 10 plus 20 for a profit of 15.
In year 3, Jane sells the last machine for 38 and quits the business. She recovers the last of her costs. Her total profits for the three years are the same under all inventory methods. Only the timing of income and the balance of inventory differ. Here is a comparison under FIFO, Average Cost, and LIFO:
Cost of Goods Sold ------ Profit ------
Year Sales FIFO Avg. LIFO FIFO Avg. LIFO
1 40 20 22 24 20 18 16
2 45 32 31 30 13 14 15
3 38 32 31 30 6 7 8
Total 123 84 84 84 39 39 39
Write-downs and allowances[edit]
The value of goods held for sale by a business may decline due to a number of factors. The goods may prove to be defective or below normal quality standards (subnormal). The goods may become obsolete. The market value of the goods may simply decline due to economic factors.
Where the market value of goods has declined for whatever reasons, the business may choose to value its inventory at the lower of cost or market value, also known as net realizable value.[13] This may be recorded by accruing an expense (i.e., creating an inventory reserve) for declines due to obsolescence, etc. Current period net income as well as net inventory value at the end of the period is reduced for the decline in value.
Any property held by a business may decline in value or be damaged by unusual events, such as a fire. The loss of value where the goods are destroyed is accounted for as a loss, and the inventory is fully written off. Generally, such loss is recognized for both financial reporting and tax purposes. However, book and tax amounts may differ under some systems.
Alternative views[edit]
Alternatives to traditional cost accounting have been proposed by various management theorists. These include:
Throughput Accounting, under the Theory of Constraints, under which only Totally variable costs are included in cost of goods sold and inventory is treated as investment.
Lean accounting, in which most traditional costing methods are ignored in favor of measuring weekly "value streams".
Resource consumption accounting, which discards most current accounting concepts in favor of proportional costing based on simulations.
None of these views conform to U.S. Generally Accepted Accounting Principles or International Accounting Standards, nor are any accepted for most income or other tax reporting purposes.
Other terms[edit]
Net sales = gross sales – (customer discounts, returns, and allowances)
Gross profit = net sales – cost of goods sold
Operating profit = gross profit – total operating expenses
Net profit = operating profit – taxes – interest
Net profit = net sales – cost of goods sold – operating expense – taxes – interest
See also[edit]
Cost of Revenue
Inventory
Average cost method
List of business and finance abbreviations
Accounting standards
Income tax in the USA
References[edit]
Jump up ^ U.S. Financial Accounting Standards Board (FASB) Accounting Standards Codification ASC 330-10-30-1; International Accounting Standards IAS 2[dead link], paragraph 10.
Jump up ^ IAS 2, paragraph 34.
Jump up ^ This includes manufacturing from parts or raw materials.
Jump up ^ ASC 330-10-30-2.
Jump up ^ ASC 330-10-30-1; IAS 2, paragraph 11.
Jump up ^ 26 USC 263A, 26 CFR 1.263A-3(c) Archived 2011-06-12 at the Wayback Machine..
Jump up ^ Presti & Naegele Newsletter FAQ: What is “cost of goods sold”?
Jump up ^ IAS 2, paragraph 11.
Jump up ^ ASC 330-10-30-1; IAS 2, paragraphs 12-14; 26 USC 263A(a)(2)..
Jump up ^ ASC 330-10-30-10.
Jump up ^ ASC 330-10-30-9.
Jump up ^ IAS 2, paragraph 24.
Jump up ^ ASC 330-10-35; IAS 2, paragraphs 28-33.
Further reading[edit]
Fox, Stephen C, Income Tax in the USA chapter 23, 2013 edition ISBN 978-0-9851-8233-5, ASIN B00BCSNOGG.
Horngren, Charles T., et al.: Cost Accounting: A Managerial Emphasis ISBN 978-0-1329-6064-9 ASIN B00B6F3AWI.
Kieso, Donald E; Weygandt, Jerry J.; and Warfield, Terry D.: Intermediate Accounting, Chapters 8 and 9. ISBN 978-0-4705-8723-2 ASIN B006PKWD8G.
Kinney, Michael R.: Cost Accounting: Foundations and Evolutions. ISBN 978-1-1119-7172-4.
Lanen, William, et al.: "Fundamentals of Cost Accounting. ISBN 978-0-0735-2711-6 ASIN B005MR88U0.
Walter, Larry: Principles of Accounting, Chapter 8, Inventory.
Formal guidance[edit]
International Accounting Standards IAS 2[dead link], Inventories.
U.S. Internal Revenue Service Publication 334, Tax Guide for Small Business, pages 27–29.
U.S. Financial Accounting Standards Board ASC 330.
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This page was last edited on 5 April 2018, at 14:57.
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