Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
This light, summery dish would make a real showstopper starter or light lunch. If you can’t get hold of cuttlefish, you can use squid or octopus instead.
Clean and wash the cuttlefish. Remove the bone and open up the body. Remove the ink sac and discard or use for another recipe. Remove the guts and skin.
Finely slice the mint, removing the thick central vein. Mix with the vinegar and stir in the olive oil. Set aside.
Heat a griddle pan and grill the melon until deeply coloured.
Using a spice grinder or a small food processor, blend the spices and salt together. Stir in the lemon zest.
Put the sugar into a heavy-based pan and heat until it forms a light golden-brown caramel. Add the spice mix, butter and flaked almonds. Stir well and drizzle with a teaspoon of lemon juice. Pour onto a tray and set aside to cool. Once cool chop roughly.
Pick and reserve the radish leaves. Wash and slice the radishes and place in ice-cold water until ready to serve.
Heat a non-stick pan. Dress the cuttlefish in the mint dressing, then fry in the pan until lightly coloured. Once cooked, return the cuttlefish to the dressing.
To serve, place the cuttlefish on serving plates. Add the melon, radishes and caramelised almonds. Garnish with edible flowers, radish leaves and freshly grated almond.


The Heart of Happy Hollow
by Paul Laurence Dunbar
Chapter 4: A Matter of Doctrine
Additional Information
- Year Published: 1904
- Language: English
- Country of Origin: United States of America
- Source: Dunbar, P.L. (1904). The Heart of Happy Hollow. Dodd, Mead and Company.
-
Readability:
- Flesch–Kincaid Level: 6.5
- Word Count: 2,837
- Genre: Poetry
- Keywords: hatred, injustice, jealousy, society
- ✎ Cite This
Downloads
There was great excitement in Miltonville over the advent of a most eloquent and convincing minister from the North. The beauty about the Rev. Thaddeus Warwick was that he was purely and simply a man of the doctrine. He had no emotions, his sermons were never matters of feeling; but he insisted so strongly upon the constant presentation of the tenets of his creed that his presence in a town was always marked by the enthusiasm and joy of religious disputation.
The Rev. Jasper Hayward, coloured, was a man quite of another stripe. With him it was not so much what a man held as what he felt. The difference in their characteristics, however, did not prevent him from attending Dr. Warwick’s series of sermons, where, from the vantage point of the gallery, he drank in, without assimilating, that divine’s words of wisdom.
Especially was he edified on the night that his white brother held forth upon the doctrine of predestination. It was not that he understood it at all, but that it sounded well and the words had a rich ring as he champed over them again and again.
Mr. Hayward was a man for the time and knew that his congregation desired something new, and if he could supply it he was willing to take lessons even from a white co–worker who had neither “de spi’it ner de fiah.” Because, as he was prone to admit to himself, “dey was sump’in’ in de unnerstannin’.”
He had no idea what plagiarism is, and without a single thought of wrong, he intended to reproduce for his people the religious wisdom which he acquired at the white church. He was an innocent beggar going to the doors of the well–provided for cold spiritual victuals to warm over for his own family. And it would not be plagiarism either, for this very warming–over process would save it from that and make his own whatever he brought.  But to the true purveyor of original dishes it is never pleasant to know that someone else holds the secret of the groundwork of his invention.
It was then something of a shock to the Reverend Mr. Hayward to be accosted by Isaac Middleton, one of his members, just as he was leaving the gallery on the night of this most edifying of sermons.
Isaac laid a hand upon his shoulder and smiled at him benevolently.
“How do, Brothah Hayward,” he said, “you been sittin’ unner de drippin’s of de gospel, too?”
“Yes, I has been listenin’ to de wo’ds of my fellow–laborah in de vineya’d of de Lawd,” replied the preacher with some dignity, for he saw vanishing the vision of his own glory in a revivified sermon on predestination.
Isaac linked his arm familiarly in his pastor’s as they went out upon the street.
“Well, what you t’ink erbout pre–o’dination an’ fo’–destination any how?”
“It sutny has been pussented to us in a powahful light dis eve’nin’.”
“Well, suh, hit opened up my eyes. I do’ know when I’s hyeahed a sehmon dat done my soul mo’ good.”
“It was a upliftin’ episode.”
“Seem lak ‘co’din’ to de way de brothah ‘lucidated de matter to–night dat evaht’ing done sot out an’ cut an’ dried fu’ us. Well dat’s gwine to he’p me lots.”
“De gospel is allus a he’p.”
“But not allus in dis way. You see I ain’t a eddicated man lak you, Brothah Hayward.”
“We can’t all have de same ‘vantages,” the preacher condescended. “But what I feels, I feels, an’ what I unnerstan’s, I unnerstan’s. The Scripture tell us to get unnerstannin’.”
“Well, dat’s what I’s been a–doin’ to–night. I’s been a–doubtin’ an’ a–doubtin’, a–foolin’ erroun’ an’ wonderin’, but now I unnerstan’.”
”’Splain yo’se’f, Brothah Middleton,” said the preacher.
“Well, suh, I will to you. You knows Miss Sally Briggs? Huh, what say?”
The Reverend Hayward had given a half discernible start and an exclamation had fallen from his lips.
“What say?” repeated his companion.
“I knows de sistah ve’y well, she bein’ a membah of my flock.”
“Well, I been gwine in comp’ny wit dat ooman fu’ de longes’. You ain’t nevah tasted none o’ huh cookin’, has you?”
“I has ‘sperienced de sistah’s puffo’mances in dat line.”
“She is the cookin’est ooman I evah seed in all my life, but howsomedever, I been gwine all dis time an’ I ain’ nevah said de wo’d. I nevah could git clean erway f’om huh widout somep’n’ drawin’ me back, an’ I didn’t know what hit was.”
The preacher was restless.
“Hit was des dis away, Brothah Hayward, I was allus lingerin’ on de brink, feahful to la’nch away, but now I’s a–gwine to la’nch, case dat all dis time tain’t been nuffin but fo’–destination dat been a–holdin’ me on.”
“Ahem,” said the minister; “we mus’ not be in too big a hu’y to put ouah human weaknesses upon some divine cause.”
“I ain’t a–doin’ dat, dough I ain’t a–sputin’ dat de lady is a mos’ oncommon fine lookin’ pusson.”
“I has only seed huh wid de eye of de spi’it,” was the virtuous answer, “an’ to dat eye all t’ings dat are good are beautiful.”
“Yes, suh, an’ lookin’ wid de cookin’ eye, hit seem lak’ I des fo’destinated fu’ to ma’y dat ooman.”
“You say you ain’t axe huh yit?”
“Not yit, but I’s gwine to ez soon ez evah I gets de chanst now.”
“Uh, huh,” said the preacher, and he began to hasten his steps homeward.
“Seems lak you in a pow’ful hu’y to–night,” said his companion, with some difficulty accommodating his own step to the preacher’s masterly strides. He was a short man and his pastor was tall and gaunt.
“I has somp’n’ on my min,’ Brothah Middleton, dat I wants to thrash out to–night in de sollertude of my own chambah,” was the solemn reply.
“Well, I ain’ gwine keep erlong wid you an’ pestah you wid my chattah, Brothah Hayward,” and at the next corner Isaac Middleton turned off and went his way, with a cheery “so long, may de Lawd set wid you in yo’ meddertations.”
“So long,” said his pastor hastily. Then he did what would be strange in any man, but seemed stranger in so virtuous a minister. He checked his hasty pace, and, after furtively watching Middleton out of sight, turned and retraced his steps in a direction exactly opposite to the one in which he had been going, and toward the cottage of the very Sister Griggs concerning whose charms the minister’s parishioner had held forth.
It was late, but the pastor knew that the woman whom he sought was industrious and often worked late, and with ever increasing eagerness he hurried on. He was fully rewarded for his perseverance when the light from the window of his intended hostess gleamed upon him, and when she stood in the full glow of it as the door opened in answer to his knock.
“La, Brothah Hayward, ef it ain’t you; howdy; come in.”
“Howdy, howdy, Sistah Griggs, how you come on?”
“Oh, I’s des tol’able,” industriously dusting a chair. “How’s yo’se’f?”
“I’s right smaht, thankee ma’am.”
“W’y, Brothah Hayward, ain’t you los’ down in dis paht of de town?”
“No, indeed, Sistah Griggs, de shep’erd ain’t nevah los’ no whaih dey’s any of de flock.” Then looking around the room at the piles of ironed clothes, he added: “You sutny is a indust’ious ooman.”
“I was des ‘bout finishin’ up some i’onin’ I had fu’ de white folks,” smiled Sister Griggs, taking down her ironing–board and resting it in the corner.
Hayward flashed a quick upward glance at his hostess’ face and then repeated slowly, “Yes’m, dat sutny is de trufe. I ain’t nevah t’ought o’ that befo’. Hit ain’t no ha’dah lookin’ out fu’ two dan hit is fu’ one,”nd though he was usually an incessant talker, he lapsed into a brown study.
Be it known that the Rev. Mr. Hayward was a man of a very level head, and that his bachelorhood was a matter of economy. He had long considered matrimony in the light of a most desirable estate, but one which he feared to embrace until the rewards for his labours began looking up a little better. But now the matter was being presented to him in an entirely different light. “Hit ain’t no ha’dah lookin’ out fu’ two dan fu’ one.” Might that not be the truth after all. One had to have food. It would take very little more to do for two. One had to have a home to live in. The same house would shelter two. One had to wear clothes. Well, now, there came the rub. But he thought of donation parties, and smiled. Instead of being an extravagance, might not this union of two beings be an economy? Somebody to cook the food, somebody to keep the house, and somebody to mend the clothes.
His reverie was broken in upon by Sally Griggs’ voice. “Hit do seem lak you mighty deep in t’ought dis evenin’, Brothah Hayward. I done spoke to you twicet.”
“Scuse me, Sistah Griggs, my min’ has been mighty deeply ‘sorbed in a little mattah o’ doctrine. What you say to me?”
“I say set up to the table an’ have a bite to eat; tain’t much, but ‘sich ez I have’—you know what de ‘postle said.”
The preacher’s eyes glistened as they took in the well–filled board. There was fervour in the blessing which he asked that made amends for its brevity. Then he fell to.
Isaac Middleton was right. This woman was a genius among cooks. Isaac Middleton was also wrong. He, a layman, had no right to raise his eyes to her. She was the prize of the elect, not the quarry of any chance pursuer. As he ate and talked, his admiration for Sally grew as did his indignation at Middleton’s presumption.
Meanwhile the fair one plied him with delicacies, and paid deferential attention whenever he opened his mouth to give vent to an opinion. An admirable wife she would make, indeed.
At last supper was over and his chair pushed back from the table. With a long sigh of content, he stretched his long legs, tilted back and said: “Well, you done settled de case ez fur ez I is concerned.”
“What dat, Brothah Hayward?” she asked.
 Taint nevah right to git a lady’s cur’osity riz.”
“Oh, nemmine, nemmine, I ain’t gwine keep yo’ cur’osity up long. You see, Sistah Griggs, you done ‘lucidated one p’int to me dis night dat meks it plumb needful fu’ me to speak.”
She was looking at him with wide open eyes of expectation.
“You made de ‘emark to–night, dat it ain’t no ha’dah lookin’ out aftah two dan one.”
“Oh, Brothah Hayward!”
“Sistah Sally, I reckernizes dat, an’ I want to know ef you won’t let me look out aftah we two? Will you ma’y me?”
 S’posin’ you’d git to be pu’sidin’ elder, er bishop, er somp’n’ er othah, whaih’d I be?”
He waved his hand magnanimously. “Sistah Griggs, Sally, whatevah high place I may be fo’destined to I shall tek my wife up wid me.”
This was enough, and with her hearty yes, the Rev. Mr. Hayward had Sister Sally close in his clerical arms. They were not through their mutual felicitations, which were indeed so enthusiastic as to drown the sound of a knocking at the door and the ominous scraping of feet, when the door opened to admit Isaac Middleton, just as the preacher was imprinting a very decided kiss upon his fiancee’s cheek.
“Wha’—wha’” exclaimed Middleton.
The preacher turned. “Dat you, Isaac?” he said complacently. “You must ‘scuse ouah ‘pearance, we des got ingaged.”
The fair Sally blushed unseen.
“What!” cried Isaac. “Ingaged, aftah what I tol’ you to–night.” His face was a thundercloud.
“Yes, suh.”
“An’ is dat de way you stan’ up fu’ fo’destination?”
This time it was the preacher’s turn to darken angrily as he replied, “Look a–hyeah, Ike Middleton, all I got to say to you is dat whenevah a lady cook to please me lak dis lady do, an’ whenevah I love one lak I love huh, an’ she seems to love me back, I’s a–gwine to pop de question to huh, fo’destination er no fo’destination, so dah!”
The moment was pregnant with tragic possibilities. The lady still stood with bowed head, but her hand had stolen into her minister’s. Isaac paused, and the situation overwhelmed him. Crushed with anger and defeat he turned toward the door.
On the threshold he paused again to say, “Well, all I got to say to you, Hayward, don’ you nevah talk to me no mor’ nuffin’ ‘bout doctrine!”


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The area represents the dietary range that USDA recommended
Trend: Not Eating Enough, Not Improving
Fruit products include fresh, canned, dried, frozen fruits and juices. Overall fruits consumption increased, but remained well under the recommended amount throughout the last 30 years. In fact, the Dietary Guidelines recommend that Americans eat 2 cups of fruits per person per day as part of a 2,000-calorie-per-day diet. Yet our data shows that Americans consumed only 0.83 cups of fruits in 2010.
The area represents the dietary range that USDA recommended
Trend: Not Eating Enough, Improving
Vegetables include major categories including dark-green (broccoli), deep yellow (carrots), legumes (dry beans, peas), starchy (potatoes) and others. Overall vegetables consumption increased, but remained under the recommended amount. In fact, the Dietary Guidelines recommend that Americans eat 2.5 cups of vegetables per person per day as part of a 2,000-calorie-per-day diet. Yet our data shows that Americans consumed only 1.7 cups of vegetables per person per day in 2010.
The area represents the dietary range that USDA recommended
Trend: Eating More Than Enough, Not Improving
The meat group includes red meat, poultry, fish products, eggs and nuts. Meat consumption has increased overall and stayed consistent above the recommendation. The Dietary Guidelines recommend 5.5 oz-eq from the meat and beans group per person per day as part of a 2,000-calorie-per-day diet. Americans eat 1 oz-equivalent more than recommended, and have been eating increasingly more meat, hence we don’t consider their meat consumption an improvement.
The area represents the dietary range that USDA recommended
Trend: Eating More Than Enough, Not Improving
According to USDA, the rapid expansion of the fast-food industry contributed to boosting per capita consumption of wheat products. These businesses, providing items such as sandwiches, hamburgers, breaded chicken, pizza, and bagels, spread rapidly in the 1970s and 1980s. Therefore we don’t consider the current grains consumption as significantly healthier than that in 1970.
The area represents the dietary range that USDA recommended
Trend: Eating More Than Enough, Worsening
Added fats and oils include fats and oils from both animals and vegetables, such as butter, salad and cooking oils, shortening and margarine, but exclude naturally occurring fat in meat, etc. Consumption of added fat and oil has increased significantly since 2000. However, per USDA, such a jump in consumption may be due to underestimation before 2000. USDA does suggest that such an overall increase in consumption is partially due to the increase in availability of added fat and oil.
The area represents the dietary range that USDA recommended
Trend: Not Eating Enough, Not Improving
Dairy products include milk, yogurt, cheese, ice cream and condensed milks, etc. Average dairy consumption stayed consistent around 1.5 cups per day, which is 0.5 cups less than recommendation.
The area represents the dietary range that USDA recommended
Trend: Eating More Than Enough, Worsening
Added sugars and sweeteners (or caloric sweeteners) include refined cane and beet sugars, corn sweeteners, and edible syrups added to processed foods and beverages but do not include dietary sugars found naturally in foods, such as in fruits. Consumption of added sugars and sweeteners has increased significantly over the last 30 years, partially driven by the increased use of high-fructose corn syrup in soft drinks and processed food.
The Guidelines suggest that Americans on a 2,000-calorie-per-day diet, who divide their discretionary calorie allowance equally between solid fats and added sugars, limit consumption of added sugars and sweeteners to 8 teaspoons per day. However, Americans consumed 23 teaspoons per person per day in 2010, which is more than triple the amount recommended. Hence Americans need to drastically cut down on added sugars and sweeteners.


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.govukfrontend.views.html.components._ @import uk.gov.hmrc.govukfrontend.views.viewmodels.pagelayout.PageLayout @import views.html.helper.CSPNonce @this( govukHeader: GovukHeader, govukFooter: GovukFooter, govukSkipLink: GovukSkipLink, fixedWidthPageLayout: FixedWidthPageLayout ) @( htmlLang: Option[String] = None, pageTitleLang: Option[String] = None, mainLang: Option[String] = None, htmlClasses: Option[String] = None, themeColour: Option[String] = None, bodyClasses: Option[String] = None, pageTitle: Option[String] = None, headIcons: Option[Html] = None, headBlock: Option[Html] = None, bodyStart: Option[Html] = None, skipLinkBlock: Option[Html] = None, headerBlock: Html = govukHeader(), footerBlock: Html = govukFooter(), bodyEndBlock: Option[Html] = None, mainClasses: Option[String] = None, beforeContentBlock: Option[Html] = None, assetPath: Option[String] = None, bodyAttributes: Map[String, String] = Map.empty, pageLayout: Option[PageLayout => Html] = Some(fixedWidthPageLayout(_)) )(contentBlock: Html)(implicit requestHeader: RequestHeader)


Create the Pose
For lack of better images, we're just going to reuse Florina's assets to make her cycle through different images.- Open up your character and go to the Pose Maker. Click the Add Pose button in the bottom left.
- Rename your pose (the Id field) to 0-frames. This naming convention means the pose is only available in stage 0 (i.e. the character is fully clothed).
- Leave Base Height alone. 1400 is fine.
Create the Sprite
All images are going to appear on the same sprite, which will flip between them by animating the Source property.- Click the Add Sprite button above the timeline..
- This will automatically open the file selection form to pick the starting image. Go up a directory and into Florina's folder and choose 0-calm.png
- The timeline is populated with a sprite named "calm" and Florina appears in the canvas. Beneath the calm title row are three property rows: Source, X, and Y.
- We aren't actually moving anything and the default position is fine, so X and Y are unnecessary clutter. Holding Ctrl, click X and Y (they will be highlighted white), and press Delete. You are left with only the Source property.
- You may note in the timeline that the sprite has a box 1 second in length. This length is actually meaningless, as once they appear, sprites will remain on screen for the rest of the pose (though you can change the opacity to make them invisible).
Animating the Source
Now it's time to animate by changing the Source image every so often. Let's go with 0.2s.- Make sure your sprite is selected by clicking in the title row.
- Click the 2nd tickmark in the timeline to move the current time (red bar) to 0.2s.
- Click "Add Keyframe" which is near the Add Sprite button at the top.
- A diamond appears on the blue row, indicating that calm now has a key frame at 0.2s. The sprite's box has also shrunk now that there is an ending key frame. Again, sprite lengths don't really mean anything so you can ignore it.
- Click the diamond to select the key frame. In the property window, you'll see Keyframe: calm (0.2s) appear. "florina/0-calm.png" appears grayed out in the Source box because that is the most recent source used in the sprite.
- Click the ... button next to the source field to bring up the file selection. Navigate to Florina's folder again and choose 0-loss.png.
- The source field has been updated and is now black, meaning this is a key frame that is actively modifying the Source. Note in the timeline that a diamond has also appeared in the Source row at 0.2s.
- Click the dropdown arrow next to the play button and choose "Play Repeating". The animation will begin to play, but Florina won't actually animate! Why? Because upon reaching the end of the animation, it jumps straight back to the start and back to her original source, giving no time to display the 2nd frame.
- We need another key frame. We could repeat steps 3-5 again, but let's do something a little different this time. First, stop the playback by clicking the Pause button.
- Click the Source diamond at 0.2 and press Ctrl+C.
- The Source key frame has now been added to the clipboard. Click onto the 0.4s tickmark and press Ctrl+V. A new key frame appears at 0.4s.
- Change the source like you'd done in step 6. This time since the source was already populaed, it starts in Florina's folder. Convenient, huh? Choose 0-strip.png
- Paste another keyframe at 0.6s and set the source to 1-stripped.png.
- Change the playback mode to "Play to End" (dropdown arrow next to the Play button). This time the animation will play as expected.
Adjusting Ease
If you pay close attention, you'll notice that the animation is not spacing the frames out every 0.2s like you might expect. This is because the default easing method is "smooth", meaning the animation runs more slowly at the beginning and end than the middle. This is nice for moving an object so it doesn't look jerky, but for frame-by-frame animation it's not great.- Click the squiggly arrow in the Source property row. . This brings up a list of ease methods. Choose "Linear". The squiggly line now becomes straight.
- Play the animation again. Now the frames display at a constant interval.
Looping
Maybe you want to see Florina suffer and strip her belt over and over. This is achieved by making the Source property animation loop.- Hover over the empty space to the right of the Ease icon you changed in step 1 of "Adjusting Ease." A loop arrow appears.
- Click to toggle the frame as looping. The arrow remains when you mouse away now, and a repeat sign appears after the final key frame, indicating that the Source will now loop indefinitely.
- Switch back to "Play Repeating". Now in game she'll keep stripping to your heart's content, you meanie.
- We're back to the same problem of the last key frame not appearing though. To fix this, copy the first keyframe and paste it at 0.8s.
- Congratulations! You've completed your first pose! Assuming you followed all the steps, it should look similar to this:
The Easy Way
There is an easier way to setup a frame-by-frame animation using the "Create Sequence" wizard.- Create a new pose by clicking the + above the list in the bottom left. Name this pose 0-sequence.
- Click the "Create Sequence" button.
- A form opens up where you can specify all the frames in the animation.
- Click the + to add the first frame. Choose 0-calm.png from Florina's folder.
- Click the + to add another frame. Choose 0-loss.png from Florina's folder.
- Add 0-strip.png and 1-stripped.png in the same manner.
- Change the "Time between frames" to 0.2.
- Click Okay. A sprite is added to the animation with all the frames added automatically.
- All that's left is to loop it as described in the Looping section above.
When adding frames, if you have files with incrementing names (ex. image1.png, image2.png, image3.png, etc.) then selecting the first will automatically pull in all the files in the sequence, simplifying things even further.


Network egress is not properly configured for Cloud Run on GKE. This blocks all requests from Cloud Run services to Google Cloud APIs and external services. To resolve, see the topic enable outbound network access for Cloud Run services in your Kubernetes Engine cluster.
The code inside this container is listening for HTTP requests on the port defined by the PORT
environment variable and is not able to execute when it is not processing a request.
You can deploy to Cloud Run any container that respects these constraints, it will automatically run and scale without you having to worry about anything.
Follow a tutorial to build a "Hello World" application in your favorite language into a container image, and then deploy it to Cloud Run:


Widgets, Panels, and other user-interface classes. This package contains all of the high-level user-interface Widgets, along with panels and event interfaces. These classes form the bulk of the client-side libraries used by GWT applications.


Where workers walk out during their shifts and steal from the cash register.
Read moreAfter the strongest holiday-shopping season in more than a decade, investors have grown increasingly impatient with retailers that didn’t enjoy the good fortune.
Read moreSouth Korea said it would send its top national security adviser to Pyongyang this week to discuss denuclearization and ways to improve inter-Korean relations, pushing engagement efforts even as the U.S. remains wary of talking to the nuclear-armed state.
Read moreHNA Group wants to sell its $1.4 billion stake in the Hilton spinoff Park Hotels & Resorts Inc.The Chinese firm bought a quarter of Hilton Work'.
Read moreThe former Senate candidate is fighting a lawsuit against a woman who says he molested her when she was 14.
Read more


FOOMATIC-PREFERRED-DRIVER
Section: Maintenance Commands (8)Updated: 2001-05-07
Index Return to Main Contents
NAME
foomatic-preferred-driver - <put a short description here>SYNOPSIS
foomatic-preferred-driver[To be edited]
SEE ALSO
foomatic-XXX(1),EXIT STATUS
foomatic-preferred-driver returns ...AUTHOR
Manfred Wassmann<EMAIL_ADDRESS>for the foomatic project using output from the associated binary.BUGS
This manpage contains no useful information.
Index
This document was created by man2html, using the manual pages.
Time: 05:34:25 GMT, December 24, 2015


{% extends "site_base.html" %} {% load bootstrap_tags %} {% load staticfiles %} {% load django_select2_tags %} {% block head_title %}Client-Based Revenue Report{% endblock head_title %} {% block extra_style %} {% import_django_select2_js %} {% import_django_select2_css %} {% endblock extra_style %} {% block extra_script %} {% endblock extra_script %} {% block body %}
The client-based revenue report pulls all jobs in the date range that have been billed (where JobCard.billed = True). It categorizes each job by company and client, and reports total revenue.
Enter part of a name, a date range, or hit one of the buttons to generate the report for all jobs in the database.
"List" displays the list below, "Excel" creates a spreadsheet that can be opened with Microsoft Excel.
Back to Top {% endblock body%}


--- layout: page title: About me subtitle: ---
My name is Matteo Francia.
I received my Ph.D. in Computer Science and Engineering from the University of Bologna, Italy, where I am currently an adjunct professor and a post-doc research fellow. I am a member of the Business Intelligence Group and teach "Big Data" and "Principles of Informatics". I was a visiting scholar at The University of Queensland in 2019. I received the MSc and BSc with honors from the University of Bologna in 2017 and 2014, respectively. My research mainly focuses on advanced analytics and unconventional data, with particular reference to trajectory, social, and sensory data.
See my institutional website.
My publications sorted by time.
{% bibliography %}


You must specify : Min Size, Max Size, Desired Capacity and StartTime
Recurrence (CRON) and EndTime are required when Repeat is 'Yes'
Note: CRON expressions are evaluated in UTC.


This class contains two methods to clientHandler and executeClient client Handler is a callback function which returns response back to RPC client excuteClient handles coap client request. It creates a coap context, uses UDP as transport controller, registers, adds options and creates PDU and sends to server.
More...
#include <CoapClient.h>
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| int | executeClient (ClientParams) |
| | Handles coap client request, creates context, PDUs, uses UDP transport protocol, registers and adds coap option and sends request to coap server. More...
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| |
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| static void | clientHandler (struct coap_context_t *, coap_session_t *, coap_pdu_t *, coap_pdu_t *, const coap_tid_t) |
| | Callback function that sets response data to be sent back to RPC client. More...
|
| |
This class contains two methods to clientHandler and executeClient client Handler is a callback function which returns response back to RPC client excuteClient handles coap client request. It creates a coap context, uses UDP as transport controller, registers, adds options and creates PDU and sends to server.
◆ clientHandler()
| void coappbrpc::CoapClient::clientHandler |
( |
struct coap_context_t * |
ctx, |
|
|
coap_session_t * |
session, |
|
|
coap_pdu_t * |
sent, |
|
|
coap_pdu_t * |
received, |
|
|
const coap_tid_t |
id |
|
) |
| |
|
static |
Callback function that sets response data to be sent back to RPC client.
- Parameters
-
| ctx | Coap context variable reference of type struct coap_context_t. |
| session | Coap Session variable reference of type coap_session_t |
| sent | CoAP PDU sent to the server |
| received | CoAP PDU received back from server |
| id | CoAP transaction Id of type const coap_tid_t |
◆ executeClient()
| int coappbrpc::CoapClient::executeClient |
( |
ClientParams |
params | ) |
|
Handles coap client request, creates context, PDUs, uses UDP transport protocol, registers and adds coap option and sends request to coap server.
- Parameters
-
| params | Parameters of struct type ClientParams that comprises of all values required to sent to server |
◆ payload
| string coappbrpc::CoapClient::payload |
string to hold value of payload
The documentation for this class was generated from the following files:


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instant.page 2.0 — Preload pages when the user is sure to click
instant.page makes your site’s pages instant — in 1 minute of effort — by preloading pages right before a user clicks on them: when they hover over a link for 65 ms; there’s one chance out of two that they will click then. On mobile, it preloads when they start touching their display, before releasing it.
Preloading when the mouse is pressed
Version 2.0 introduces a new option: preloading when they start pressing their mouse (mousedown), right before they release it.
This makes pages load on average 80 ms faster with virtually zero unused requests.
To enable it on your site:
cta-widget
Then add data-instant-intensity="mousedown"
as an attribute to the <body>. If you want to preload only on PC and not on mobile on touchstart, use data-instant-intensity="mousedown-only"
.
Adjusting the delay on hover
Another option in 2.0: set a custom delay before preloading on hover. It’s useful to increase the delay on some sites with a lot of huge click targets (like some e-commerce sites) where the 65 ms rule doesn’t apply. Or you can reduce it if you don’t care about making a lot of requests.
Just pass the number of milliseconds to wait in the attribute, like so for 150 ms: data-instant-intensity="150"
.
Conclusion
100 ms of reduced wait can increase your conversion rate by 1% (see the footnote on the home page), so any speed improvement is good to take.
There was little reason not to use instant.page before, there is even less now.
social-proof-widget
cta-widget


public class PlayerManager
extends java.lang.Object
| Modifier and Type | Class and Description |
|---|---|
(package private) class |
PlayerManager.PlayerInstance |
| Modifier and Type | Field and Description |
|---|---|
private java.util.List<PlayerManager.PlayerInstance> |
playerInstanceList |
private LongHashMap<PlayerManager.PlayerInstance> |
playerInstances |
private java.util.List<PlayerManager.PlayerInstance> |
playerInstancesToUpdate |
private java.util.List<EntityPlayerMP> |
players |
private int |
playerViewRadius
Number of chunks the server sends to the client.
|
private static org.apache.logging.log4j.Logger |
pmLogger |
private long |
previousTotalWorldTime
time what is using to check if InhabitedTime should be calculated
|
private WorldServer |
theWorldServer |
private int[][] |
xzDirectionsConst
x, z direction vectors: east, south, west, north
|
| Constructor and Description |
|---|
PlayerManager(WorldServer serverWorld) |
| Modifier and Type | Method and Description |
|---|---|
void |
addPlayer(EntityPlayerMP player)
Adds an EntityPlayerMP to the PlayerManager and to all player instances within player visibility
|
void |
filterChunkLoadQueue(EntityPlayerMP player)
Removes all chunks from the given player's chunk load queue that are not in viewing range of the player.
|
static int |
getFurthestViewableBlock(int distance)
Get the furthest viewable block given player's view distance
|
private PlayerManager.PlayerInstance |
getPlayerInstance(int chunkX,
int chunkZ,
boolean createIfAbsent)
passi n the chunk x and y and a flag as to whether or not the instance should be made if it doesnt exist
|
WorldServer |
getWorldServer()
Returns the WorldServer associated with this PlayerManager
|
boolean |
hasPlayerInstance(int chunkX,
int chunkZ) |
boolean |
isPlayerWatchingChunk(EntityPlayerMP player,
int chunkX,
int chunkZ) |
void |
markBlockForUpdate(BlockPos pos) |
private boolean |
overlaps(int x1,
int z1,
int x2,
int z2,
int radius)
Determine if two rectangles centered at the given points overlap for the provided radius.
|
void |
removePlayer(EntityPlayerMP player)
Removes an EntityPlayerMP from the PlayerManager.
|
void |
setPlayerViewRadius(int radius) |
void |
updateMountedMovingPlayer(EntityPlayerMP player)
update chunks around a player being moved by server logic (e.g.
|
void |
updatePlayerInstances()
updates all the player instances that need to be updated
|
private static final org.apache.logging.log4j.Logger pmLogger
private final WorldServer theWorldServer
private final java.util.List<EntityPlayerMP> players
private final LongHashMap<PlayerManager.PlayerInstance> playerInstances
private final java.util.List<PlayerManager.PlayerInstance> playerInstancesToUpdate
private final java.util.List<PlayerManager.PlayerInstance> playerInstanceList
private int playerViewRadius
private long previousTotalWorldTime
private final int[][] xzDirectionsConst
public PlayerManager(WorldServer serverWorld)
public WorldServer getWorldServer()
public void updatePlayerInstances()
public boolean hasPlayerInstance(int chunkX, int chunkZ)
private PlayerManager.PlayerInstance getPlayerInstance(int chunkX, int chunkZ, boolean createIfAbsent)
public void markBlockForUpdate(BlockPos pos)
public void addPlayer(EntityPlayerMP player)
public void filterChunkLoadQueue(EntityPlayerMP player)
public void removePlayer(EntityPlayerMP player)
private boolean overlaps(int x1, int z1, int x2, int z2, int radius)
public void updateMountedMovingPlayer(EntityPlayerMP player)
public boolean isPlayerWatchingChunk(EntityPlayerMP player, int chunkX, int chunkZ)
public void setPlayerViewRadius(int radius)
public static int getFurthestViewableBlock(int distance)


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Click on a blip to view details
If you have any new techniques / tools / platforms / languages or frameworks that to you like to add, click here to add them to this tech radar.
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{% extends "base.html" %} {% block content %}
{{ _('The requested page could not be found.') }}
{{ _('Back to Homepage') }}


Never Been Kissed
Reviewed by Mac VerStandig
<EMAIL_ADDRESS>Http://www.moviereviews.org
1/2 Star (Out of 4)
Teenagers have a lot of power in Hollywood. Every year countless films will be made targeting that audience in particular, and rely on the entire teenage population to turn out on Friday and Saturday nights, wallets in hand. The formula is very simple, you make a film with a big name young actor or actress with sex appeal. You add a high school environment that features everyone from prom queens to math club nerds, and then a very simple relationship conflict that can be worked out in 90 minutes, the typical teenage attention span. The response is enormous as this part of the population will waste it92s money on almost any = film set in an environment they can relate to, and, most importantly, they don92t care to judge films=92 quality, so any piece of trash will = due. That is just what Never Been Kissed, the latest film from director Raja Gosnell, is; trash.
Josie Geller (Drew Barrymore) is the youngest copy editor in the history of the Chicago Sun Times. She has her own personal assistant, unlimited supplies, and her own office. But she is very much dismayed with her position in life. There is nothing she wants more than to be a reporter and go out into the field, where she can play a more active role in the Chicago media. So when an assignment is quite literally thrown at her out of nowhere, she jumps at it with elation.
Constantly smothering Josie in the work place is her friend Anita (Molly Shannon) and her amicable superior, Gus (John C. Reilly). The two of them are both stricken with horror upon hearing the news of her first assignment, as they both deem her to be an office worker and not a reporter. However, since this film is aimed at a teenage audience with little patience for character conflict, this otherwise interesting scenario is resolved within two minutes, and Josie is headed for the field.
Obviously, the field assignment involves a high school. Specifically, she is to become an undercover reporter at a high school, by enrolling in the senior class and "becoming one of them." I don92t think that I = need to even begin to explain all the impossibilities of this situation ever occurring, so I won92t.
The movie develops into Josie trying to find the life that she never led in high school. Interwoven flashback scenes show us just how much of a dork she truly was, and she appears to be heading down that road again. Fortunately for this lame production, other characters do appear that make some of these high school scenes both humorous and remotely interesting. They include the predictable love stories, between both a student (Jeremy Jordan) and a teacher (Michael Vartan), to show that Josie is really two people in one body. Also, her younger brother and opposite, Rob (David Arquette) comes into her new found life and even causes a rare scene that is mildly provocative.
The humor found in this film is actually quite amusing.  One scene in particular features a certain classroom activity involving bananas and latex that is absolutely hysterical. Most of the other jokes are straight forward high school humor that anyone who has ever been to high school can appreciate and will enjoy. But those still don92t = recover for the total lack of quality in this movie.
Following this trend of high school movie rules, comes the general acting. It is even worse than the trend of overplaying a scenario from film to film. In this case, Drew Barrymore is absolutely painful to watch.  And although some scenes are written to be particular shades of gray, she seems to hold that color throughout all of her screen time. At one point she is alone with an obvious love interest on a Ferris wheel, and is expected to him on an adult level, since he is one, her teacher. But she never seems to get out of the gray area, and in doing so she makes a mockery out of his otherwise good performance.
Following Barrymore is the pitiful Molly Shannon (Saturday Night Live). She seems to be limited to playing an ecstatic character that no one can relate to, and draws the attention of an audience as simply unrealistic. It is these "qualities" that prevent the aforementioned condom scene from being one of the few decent.
Luckily there is one great performance to emerge out of this otherwise bleak film. David Arquette (Scream) takes home the prize for being able to stand out in an ensemble performance that is absolutely pathetic, and not have his brilliant acting ruined. And as a central character he gets to take on his own mini-plot, which is one of the few well done parts of Never Been Kissed. In a dazzling cherry-on-the-sundae type piece of work, he does an absolutely hilarious Tom Cruise impression from the 1983 hit, Risky Business.
Never Been Kissed is a mediocre film at best. The predictable plot has become so overplayed in Hollywood, that it is sickening to watch time and again, and this film is no exception. The acting is just as bad, but there is the one positive presence of David Arquette to add some light. Unfortunately, the bottom line is that the movie will be a success, because teenagers will pay to see any trash.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Component Elements
Component elements are the leaves of the tree structure that defines
an HTML page. The components are responsible for writing the HTML
to the response that is sent back to the browser. The HTML to write
is defined in C# code.
Note that you do not have to create C# classes for every piece of content,
that would be extremely time consuming and hard to manage. There are higher
level facilities that create components for you, for example the template
loader and template parser mechanism constructs and configures components
for each template.
Components have the following features:
-
Can write Html, Css and Javascript to any part of the pages where this component exists.
The component might exist on a page because it was specifically added to that page, or
it might exist because something else on the page depends on it.
-
They can specify which areas of the page they writes to. To improve page rendering
efficiency the rendering engine will prune areas of the tree that contain no
components that render to a specific portion of the page when that part of the
page is being rendered.
-
They can publish Css and Javascript assets that will be bundled into the module that
the component is deployed as. These assets will be in a namespace if the component
is part of a package.
For more information about components, see the component reference page


Healthcare students and professionals from all fields utilize shadowing to gain exposure to new fields and to better understand their motivations and interests. This includes undergraduate pre-medical students. It is a myth that one must have a previous connection with a physician before shadowing them. At a research university with teaching hospitals like the University of Minnesota, faculty are generally enthusiastic about allowing younger students to shadow, because there is an understanding and appreciation of the influence that immersion in professional settings can have on young students. So don’t be afraid!
The first step in shadowing is identifying potential physicians or other healthcare professionals you wish to shadow. We will focus on surgery in this article, but these steps apply to all healthcare fields.
- Take advantage of the University’s elaborate department websites and faculty listing. Faculty are physicians who are part of the University of Minnesota who have completed education at least to their residency.
- http://www.surgery.umn.edu/about/our-faculty/faculty-division: This is a list of faculty surgeons in the Department of Surgery at the University of Minnesota.
- http://www.surgery.umn.edu/education-training/residencies/general-surgery-residency/meet-current-residents: This is a list of current general surgery residents.
- https://www.neurosurgery.umn.edu/faculty-residents-and-staff/faculty: This is a list of Neurosurgery Department Faculty.
- https://www.neurosurgery.umn.edu/faculty-residents-and-staff/current-residents: This is a list of current Neurosurgery residents.
- Write a brief, yet well-crafted email to them. Begin with, “Dear Dr. ____” and introduce yourself. You could include your year in undergrad and what you’re studying. Then, without giving them an essay to read, explain to them why you’re interested in their particular field, and why you would be grateful for the opportunity to shadow them. If you’ve read their publications or have learned specific information about their practice, you could briefly talk about this and about why you’d like to learn more. Be honest. You don’t need to impress them with a list of your achievements; expressing a genuine interest in their work is what will help you be successful.
- Give them about three days to respond to you, and consider sending a second email if they haven’t responded after that time. It is helpful if you send the second email as a reply to the thread of the first email, so that they’re reminded of your initial request again when they get your second email. It is not rude to email physicians a second time like this; the faculty and physicians often become extremely busy and replying to your email may slip their mind amongst their many other responsibilities, so they rely on you to send a follow-up that reminds them of your request. If some particular physician doesn’t respond after two emails, you could consider emailing any administrative assistant contacts they might have, or if you’re especially interested in a specific physician, stop by their office and leave a note. The key is to be persistent, and reach out to new faculty or residents if some are too busy or don’t respond.
- Once you have found a faculty member who has agreed to let you shadow, you will likely be put in contact with an administrative assistant who will send you forms that include HIPAA agreements/training (this involves private patient information – something to take very seriously), a description of your proposed clinical observation time, contact information, and you will also send in official documentation of your immunizations. This includes a requirement that within the past year you have a tuberculosis test which is negative. (If you don’t have this on file you can most likely make appointments at Boynton for the administration and later interpretation of your TB test). Once you send in the required documentation and it is approved, you will be able to obtain an observation badge for shadowing.
- Some tips for shadowing in the operating room:
- Make sure you have a bouffant (surgical hair net), scrubs, and whatever other attire is required, whenever you’re entering the operating room areas. Be aware of this. When you are inside an operating room you will also need to wear a face mask.
- Do not touch anything in the operating room with any part of your body, except possibly when you write your name on the white board which lists all persons present for the operation. Identify yourself as someone who is shadowing to the staff in the OR, and have them instruct you on an appropriate place to go.
- If someone is moving near you, especially if they have scrubbed in and are in surgical scrubs, give them plenty of space to move about.
- Sometimes it’s appropriate to ask questions, but other times you must realize that the surgeons, anesthesiologists, nurses, surgical techs, etc., are busy and need to focus on the operation. With experience you will develop an intuition of when it is okay to ask a question.
- Be very professional and respectful (this goes for any setting). It is a privilege to observe patients undergoing operations, and we must always be aware of that both in and out of the operating room.
- If you don’t feel good, feel dizzy, etc., let someone in the operating room know and leave the operating room. Feeling faint or queasy is common for individuals who haven’t had much operative exposure before, and should not worry you. With time, a tolerance and capacity for seeing internal anatomy and fluids can be developed.
And any time you’re shadowing or exposed to health/patient information, be extremely careful never to repeat this information or to violate HIPAA.
We wish you the best in your shadowing endeavors, and please don’t hesitate to reach out to a board member if you have questions or uncertainties in this area!


{% extends '../layouts/blank-loggedout.html' %} {% block pageTitle %} Welcome to stepWell {% endblock %} {% block beforeContent %} {{ hero({ "heading": "Welcome to stepWell", "imageURL": "/images/cardiologyBanner.jpg" }) }} {% endblock %} {% block content %}
You can use stepWell to search for, book and cancel GP appointments with your registered GP surgery
stepWell also lets you view your available medications and request a new repeat prescription
Access your GP medical record in a safe and secure way with stepWell
Search for, book and cancel GP appointments with your registered GP surgery


Demo
Login via mobile services identity and get user info back via custom api
username
Get Products using a TABLE API
Get Products


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @(params: Map[String, Any]) @uk.gov.hmrc.hmrcemailrenderer.templates.helpers.html.template_main(params, "We have received your notice about the use of a till system to reduce your tax bill"){
Dear @params("customerName")
We confirm we have received your notice about the use of a till system to reduce your tax bill.
Your reference number: @params("submissionReference")
You will need to complete a HMRC Disclosure form. This form will be available from 6 January until 28 February 2023.
You will be able to use your reference number to access the Disclosure form.
To find the Disclosure form, search GOV.UK for ‘Make a Disclosure about misusing your till system to reduce tax’.
The Disclosure form contains further questions about your tax arrangements.
We send a confirmation email for a form submitted online.
From HMRC
}


• Learn about different plumbing problems and be informed on the merchandise we carried.
• Put back returns, stock shelves, mark items down, and organize aisles.
• Advise customers on what parts need replacing
• Work as a team to keep patrons safe.
• Be on alert and ready to provide a lifesaving skill.
• Teaching babies to adults how to swim and trust the water.
• Engaging kids’ learning by using toys, stickers, and a bubbly personality.
• Working around different personalities of young kids to get the job done.
• Kept the private pool area safe by myself.
• Responsible for monitoring pH and chlorine levels, setting and cleaning the pool.
• Keeping people safe


Drag and drop the colored wires to create either a T-568A or T-568B wire ending. T-568B is the most common type of wiring, but for crossover cables one end will have to be T-568A. For a crossover cable, pins 1 and 2 are switched with 3 and 6.


var express = require('express');
var app = express();
var path = require('path');
var express = require('express');
var app = express();
var path = require('path');
Here we set the folder what servers as the main root folder for our URL “public” off of current is root
app.use(express.static(path.join(__dirname, 'public')));
port = 3000;
app.listen(port);
console.log('Listening on port ' + port);


THE FULL MONTY (Fox Searchlight - 1997) Starring Robert Carlyle, Tom Wilkinson, Mark Addy, Lesley Sharp, Emily Woof, Steve Huison, Paul Barber, Hugo Speer Screenplay by Simon Beaufoy Produced by Uberto Pasolini Directed by Peter Cattaneo Running time: 91 minutes
*** (out of four stars) Alternate Rating: B
Note: Some may consider portions of the following text to be spoilers. Be forewarned.
-------------------------------------------------------------
As the summer films begin to dwindle in numbers at theatres, it becomes increasingly clear that in 1997, only two films have been able to breach the gulf between specialty theatres and the mainstream to become indisputable crossover successes -- Victor Nunez's family drama ULEE'S GOLD and Peter Cattaneo's striptease comedy THE FULL MONTY, both of which in recent months improbably made appearances in weekend domestic Top 10 box office totals, typically dominated by mainstream fare. (One could also make a case for John Madden's historical drama MRS BROWN and Masayuki Suo's uplifting SHALL WE DANCE? as similar crossover successes; neither of them were able to crack weekend box office Top 10 listings, but they have both had long, relatively successful runs.)
As has been well publicized, the focus of THE FULL MONTY is a group of unemployed men who, inspired by the success of a visiting troupe of Chippendale dancers, form a striptease act in order to scrape up some money. The kicker is that our protagonists are not the hunky beefcakes which typify a lineup for the Chippendale dancers -- one is decidedly overweight, two are scrawny, and the only two which know how to perform anything resembling dance aren't exactly in the prime of their youth anymore. Uh oh.
The opening reels of THE FULL MONTY sets up the basic framework for the predicament our heroes face in order to arrive at their striptease solution. Set in Sheffield, proudly proclaimed in a sardonic 1970s promotion reel as a thriving, healthy "City On The Move", we cut forward in time -- indeed, this may be the first film I've seen where a title card reading "Twenty five years later" precedes any live-action footage -- to a city rife with unemployment, where the town's steel mills, its primary industry, have been shut down. Gaz (Robert Carlyle) and best friend Dave (Mark Addy) frequent the local unemployment centre, ostensibly to write employment inquiry letters, but spend most of their time instead playing cards. Even their priggish former steel mill foreman, Gerald (Tom Wilkinson), has been released, humiliatingly putting him on equal terms with his ex-employees. It's an all-too-familiar situation in the contemporary reality of working-class towns, where an aura of resigned hopelessness, broken dreams, and wounded pride permeates the environment.
However, THE FULL MONTY is such a determinedly cheerful film, full of levity and upbeat moments, that there's no real sense of despair or gloom in the characters' situation of unemployment; it's really a superficial depiction of their dilemma. Admittedly, given that the film is a comedy, it would probably be inappropriate for THE FULL MONTY to deeply delve into the characters' plights in a mournful and downcast fashion, but the film is so jovial and spirited in nature that the artifice of the construct of THE FULL MONTY is blindingly clear and mildly distracting -- everything is centered around and in service of the striptease storyline.
Simon Beaufoy's debut screenplay, save for the wickedly funny premise, is a rather bland one. THE FULL MONTY's protagonists are essentially a group of collected idiosyncratic individuals who make for unlikely pals, but the film gathers them together in a trite manner which fails to fully exploit its full comic potential, and the three principal characters are given would-be touching personal subplots which are too familiar in nature (Gaz is threatened with loss of shared custody for his obligatorily cute son due to his inability to afford child support; Dave's insecurity with his appearance results in a faltering relationship with his spouse; Gerald, too ashamed to tell his wife about his lack of employment, bravely continues a charade of heading off to work every morning) to be as affecting as aspired. THE FULL MONTY's characters are consequently likable, but lack real depth and aren't particularly compelling.
While THE FULL MONTY seems to explore aspects of social realism in a halfhearted manner, there is a detectable momentum built up towards the film's dance scenes, which are very funny indeed. The scenes where the uncoordinated men are being taught how to dance by Gerald -- himself intuitively not the most obvious instructor for a striptease endeavour, given that his dance repertoire seems to consist primarily of amateur ballroom dancing; hardly suitable credentials to school on the art of gyrating pelvises, one would think -- are terribly amusing (two great scenes in this vein are where one whips off his belt, lashing the fellow next to him, and where Gaz twirls his leather jacket over his head, pelting onlookers with spare change from his jacket pockets), while the group lineup dance in the unemployment office to Donna Summer's "Hot Love", as revealed in the film's trailers, is a real scream, an unadulterated burst of infectious, joyous energy.
The ensemble cast in THE FULL MONTY is invariably solid, with the standout performance coming from chameleonic Mr. Carlyle, who in a role completely different from his most famous turn as the temperamental Begbie in Danny Boyle's TRAINSPOTTING, shows great expressiveness and demonstrates the ability to be irrepressibly brash and unrestrainedly free-spirited while remaining empathic. He makes a fine central character in THE FULL MONTY, and shows promise as an unconventional, down-to-earth leading man.
THE FULL MONTY is a feelgood crowd-pleaser, and inevitably, after the film reaches its low point at the end of its second act, there is a build up towards the big nightclub stripping performance which serves as the film's showcase.  They, of course, do not.
- Alex Fung email<EMAIL_ADDRESS>web : http://www.ncf.carleton.ca/~aw220/
-- Alex Fung<EMAIL_ADDRESS>| http://www.ncf.carleton.ca/~aw220/ "I'll shoot for the Queen, and you can shoot for, well, whomever." - Richard Harris, UNFORGIVEN
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Software developer with a lot of motivation. I began to acquire knowledge in the world of Software from an early age as a Self-learner.
In the last 3 years, I pursued my computer science degree, where I gained experience by learning advanced programming skills and building new projects.
View ResumeA full-stack posts uploading App. The website allows login, registration, and upload/edit posts with images. Posting is allowed only to logged-in users, editing/deleting is restricted to the post creator.
A frontend Web app that presents weekly or daily weather forecasts at multiple favorite locations. An Angular single page application that detects user current geographic location and displays the forecast. The system connects to Open Weather API for receiving updated information.
The goal of this project is to develop a complex system that enables the collection of geographic information, the production of insights From this information and displays the information in graphical tools. This project consists of Java code classes.
An Image inpainting Deep Learning models that generate new data to complete images, built via PyTorch environment.
Mail:
eliran.amzalag@gmail.com


Web Developer with 20 years experience as a Telecommunication Engineer who specialized in coding, electronics, and electricity.
I’ve love’d technology from always. I’m excited about new emerging technologies like Internet Of Things (IoT), Home Automation, Artificial Intelligence (AI) and Web Services (WS) and how they integrate.
I have experience with web development tech like HTML, CSS and Javascript, as well as high level desktop programming language such as Delphi and Object Pascal. Also great knowledge of microprocessors and microcontrollers and low level programming. Recently studied on University of Miami Coding Boot Camp (2018).


Coherent Software Cities are a software visualization approach which adopts the city metaphor to support the comprehension of various aspects of evolving software systems. For this purpose, the approach implements a three-staged modeling chain yielding coherent sets of application specific visualizations. In this context, a new layout approach for software cities is presented, which explicitly takes development history into account. Its effects are twofold: First, evolution becomes visible in the layouts, which allows for supporting new application scenarios. Second, layouts evolve smoothly and stable during system evolution, which allows software cities to be used online, i.e. during ongoing system development and maintenance.


AP Top Entertainment News at 5:53 a.m. EST
by EndPlayPrince Andrew's troubles not over despite change in status
Producer, director Marks dies; helmed ‘Perry Mason' episodes
Cuba fashion show is small step for private enterprise
Iggy Azalea, Playboy Carti report $366K in stolen jewelry
Ang Lee says China boycott of Taiwan awards show a loss
Lily Tomlin is sorry she agreed to end ‘Grace and Frankie'
Scooter Braun breaks his silence on his Taylor Swift battle
Apple delays ‘The Banker' theatrical release amid review
Roc Nation adds reggae star Buju Banton to its roster
TV comedy greats take a bow, make 'em laugh at ceremony


Duration
10 minutes
Goals
This lab shows you how to retrieve results from an Activity. You will see how to load the results in the target Activity and how to retrieve them in the source Activity. The red line in the image below indicates the part of the app you will be working on here.
Required assets
The provided Resources folder for this part contains a subfolder named Completed with a solution you can use to check your work. This lab is a continuation of the previous one. If you did not complete the previous exercise, you can use the Completed solution from the previous part as starter code for this part.
Challenge
Use the guidelines here to work through the exercise on your own. Alternatively, you can use the step-by-step instructions given below.
- Open AddItemActivity.cs.
- Inside
OnSaveClick
, create an Intent and load thename
andcount
values into the Extras. - Call
SetResult
and pass the Intent and a result code. - Call
Finish
. - Open MainActivity.cs.
- Modify the
OnAddItemClick
method to useStartActivityForResult
instead ofStartActivity
. - Inside
OnActivityResult
add some error checking to ensure the result code isOk
and the request code matches the one you passed toStartActivityForResult
. - Retrieve the item name and count from the Intent Extras.
- Create a new Item using the name and count values. Add it to the collection of Items.
- Run the app to test your work.
Steps
Below are the step-by-step instructions to implement the exercise.
Load Results
- Open AddItemActivity.cs.
-
Inside
OnSaveClick
, create an Intent that you will use to hold the return values. The code is provided below, hidden behind a button. -
Load the values the for
name
andcount
into the Intent Extras. Use "ItemName" and "ItemCount" for keys when you load the Extras. The code is provided below, hidden behind a button. -
Call the version of
SetResult
that takes 2 parameters. PassResult.Ok
and the Intent. The code is provided below, hidden behind a button. -
Calling
SetResult
loads the data you want to return, but it does not end the current Activity. Call theFinish
method to end the Add Item Activity and return the user to the Main Activity.
Retrieve Results
- Open MainActivity.cs.
-
Modify the
OnAddItemClick
method to useStartActivityForResult
instead ofStartActivity
. Pass the Intent as before but add a second parameter with the integer value 100 to serve as the request code. The code is provided below, hidden behind a button. -
Locate the
OnActivityResult
method. -
Add an
if
statement toOnActivityResult
that verifies that therequestCode
parameter is 100 and theresultCode
parameter isResult.Ok
. The code is provided below, hidden behind a button. - Retrieve the item name and count from the Intent Extras. The code is provided below, hidden behind a button.
- Create a new Item using the name and count values. Add it to the collection of Items. The code is provided below, hidden behind a button.
Test the App
- Run the app.
- Navigate to the Add Item Activity.
- Enter values for Name and Count, then touch the Save button. This should return you to the Main Activity.
- Navigate to the Items Activity and verify your new item is now in the list.
Summary
In this section, you returned data and a success/failure indicator from an Activity. Notice that you passed a string and an integer instead of an object - this is common in Android since object references cannot be passed between Activities.


Lucky tickets are a kind of mathematical entertainment. A ticket is considered lucky if the sum of the first 3 digits coincides with the sum of the last 3 digits of the ticket number.
You are supposed to write a program that checks whether the two sums are equal. The code snippet below displays "Lucky" if they do and "Ordinary" otherwise.
However, some parts of the code are missing. Fill in the blanks to make it work!
Input: a string of 6 digits.
Output: either "Lucky" or "Ordinary" (without quotes).
Make sure that you are NOT concatenating strings. To do this, convert each digit in the ticket number to an integer.


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Inquest opens into death of woman who died after night out drinking with friends
by Adam HowlettAn inquest has opened into the death of a 31-year-old woman from Bury St Edmunds who died after a night out drinking with friends.
Zeta Maria Doherty died at her home in Prospect Row on Friday, August 23.
Coroners' officer Julie Leacock told the inquest Miss Doherty had gone out with three friends on August 22 to a fourth friend's house in the town, spending the evening drinking spirits.
She said at 10.30pm the four left the friend's house and returned to Prospect Row.
At one point, a friend noticed Miss Doherty was "wobbly on her feet" and unable to stand.
When asked if she had taken anything, she said she had taken "a load of" an epilepsy and anxiety medication. Her friends woke at 9am and found Miss Doherty unresponsive.
An ambulance was called and her friends started CPR but she could not be revived.
The inquest resumes on January 10 next year.


{% include "includes/" + CUSTOM_SIDEBAR_TOP|default("sidebar_top.html") ignore missing %}
I'm a software programmer from Bangalore, India and have worn many hats over a 15 plus years IT career. This coding blog was started as a means to document topics that I took a while to wrap my head around or to just write about something cool that I came across. Outside of blogging and work, I enjoy watching football and motorsports, love listening to podcasts and "try" to maintain a regular workout routine. More about me.


:param companies: pandas dataframe.
rows = companies.to_dict("records")
total = len(rows)
count = 0
with Pool(processes=4) as pool:
for company in pool.imap(search_suspicious_around_company, rows):
count += 1
print_status(total, count)
if company:
try:
contents = write_queue.get(timeout=1)
if contents:
print(contents, file=output)
except:
pass
place_search.join()


Aashish Sood
SOFTWARE ENGINEER
About Me
Selected Work
Blog
UFO Dataset: Data Visualization and Exploratory search
Why the study?
Generate ten meaningful static visualizationsusing D3.js and a dynamic visualization using elasticSearchIndex.
Build a dashboard to search similar images in UFO sightings.
What I did?
To analyze -
Generated following ten visualizations :-
Visualizations
Ingested UFO Stalker image data into
ImageCat
to build a catalogue of images which could besearched based on metadata.
Used the Solr index created in ImageCat to point to
ImageSpace
, a forensic tool to search similar images
Technologies Used:
Python
Apache Tika
JAVA 8
ImageSpace
ImageCat
Apache Solr
Elastic Search
Role:
Developer
Event:
Coursework:- CSCI 599 Big Data Analysis
Location:
University of Southern California, Los Angeles
Year:
Spring 2017


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/constructive.20image.html ---
Maybe we should define the image of a map f:X->Y to be X quotient by the relation that x~y iff f(x)=f(y)
is this how it is done in HoTT?
That is usually called the coimage, I think: https://en.wikipedia.org/wiki/Coimage
hmm, I've never heard of coimage.
I think using this instead of the usual image will make things more constructive
O.o... you are heading down the constructive path? It seems that happens to every one who starts doing formal proofs...
Anyway, even in classical maths you need the isomorphism theorem to tell you that coimage = image
In certain settings that theorem might fail
E.g. in topology: you will get the same set, but the quotient topology on the coimage may be finer then the subset topology on the image
@jmc "you are heading down the constructive path?"
I've been walking in this path for some time
Ok, never mind (^; I am wandering back and forth between constructive and classical maths as well
Kenny, you should search for coimage on this Zulip forum
(usable search is part of the reason why we switched from Gitter to Zulip)
You should also stop this constructive madness but this is another story
lol
@Patrick Massot I searched it and saw you crap-talking about constructivism :P
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


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LifeBound Train Schedule
The trains always arrive at your station. Which one will you take?
Current Train Schedule
Train Name
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Frequency (min)
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Add a Train
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Example: 1:30 PM becomes 13:40.
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Left Aside
Welcome to my Website
It's a work in progress!
This website contains all of my IS445 homework and project.
Right Aside
“Take the first step in faith. You don't have to see the whole staircase, just take the first step.” - Martin Luther King Jr.


Workshops
Timetable
Social Events
Activities
Speakers
Register
Venue
Eduroam
Sponsors
Contact
| Workshops | Timetable | |
| Social Events | Activities | |
| Speakers | Register | |
| Venue | Eduroam | |
| Sponsors | Contact |
Speakers
This year will include talks from a wide selection of the community
Wednesday Speakers
|
Sam Hames @scmHames Technical Lead at Kapiche (www.kapiche.com). Software development, text analytics, machine learning, medical imaging PhD candidate |
PDF slides Mark Hooper @mark_a_hooper Mark is Education and Cultural Change Coordinator for the Office of Research Ethics and Integrity at QUT. His PhD was about the philosophy of David Hume. He designs face-to-face and online training courses, and promotes research integrity. He spends a lot of time thinking about how to explain complex concepts more clearly. |
Thursday Speakers
|
John Pearson Co-founder of genomiQa and Manager of the Genome Informatics group at QIMR Berghofer MRI with 25 years as bioinformatician. He has worked as part of NIH Blueprint for Neuroscience, 1000 Genomes Project, as well as co-lead Queensland and Australia Genomic Health Alliance. John's publications have been cited over 18,000 times. |
Janette Edson @janetteedson Currently I’m the sequencing manager at QLD Brain Institute, as well as technical support for UQ Genomics. My background is in applying technology to genomics, especially new and emerging technologies, and I’ve work in everything from neuroscience to forensic genetics! As well as being passionate about technology and genomics, I also am working toward enabling more people to engage with science. I’m a firm believer that everyone is a scientist, we all have a curiousity about the world and I’d like to see more people reach their potential and learn about all the awesome things science has to offer. |
Friday Speakers
|
Kate Davis @katiedavis Kate Davis is a Senior Research Fellow at the University of Southern Queensland’s Digital Life Lab. She is a social scientist who researches information experience, particularly in the context of social media. Kate also undertakes applied research in information studies. Find Kate online at katedavis.info or follow her on Twitter |
Nigel Ward @nigeynige Dr Nigel Ward has a history providing information technology advice to non-technical communities. In his role of eResearch Manager at QCIF, he focuses on cloud-based Software Services for Australian researchers through involvement in the EcoCloud, Biodiversity and Climate Change Virtual Laboratory, Characterisation Virtual Laboratory, Humanities & Social Science Virtual Laboratory and Galaxy Australia initiatives. Dr Ward has a background in applied IT research, software engineering, interoperability of distributed systems, web technologies, service and data standardisation. |
Workshops
|
|
| Introduction to Python, bash and Git for Researchers. | Introduction to R, bash and Git for Researchers. |
|
|
| A free, open source, power tool for working with messy data. | Three talks on data resources and excellent case studies. |
|
|
| Smart and effective method for undertaking literature reviews. | Library Carpentry is software and data skills training aimed at the needs and requirements of library professionals. |
|
|
| Using Atlas of Living Australia (ALA) and the Biodiversity and Climate Change Virtual Laboratory (BCCVL) to explore species data and ecological models to understand the relationships between species and their environment. | Interactive workshop in which we will explore issues surrounding management of research data, specifically for people working with ecological data. |
|
|
| Using a cloud based suite for Bioinformatics - learn how to create and execute a complete RNA-seq analysis pipeline. | Hands-on workshop around the process of creating a classifier to solve an image analysis problem using scikit-learn and the broader Python numerical ecosystem. |
|
Introduction to ImageJ/FIJI |
| Learn how to run your code on the HPC in a hands on tutorial. | Using ImageJ/FIJI, this hands-on workshop provides a foundation in image analysis as well as explaining the terminologies, filters and processes. |
|
|
| Navigate a path to publish, license and promote your work and yourself in a highly competitive global research network. | This panel session will address the theme of open access and equity. This session is a joint QUT/UQ/Griffith event and is free to attend. |
|
|
| Explore digital tools to visualize your data and practice methods to form your narrative in this hands on workshop. | Alveo is a virtual laboratory for speech and language based research. Learn how to add your own data or analyse data we already hold. |
|
|
| The workshop will give some practical advice on how to use LaTeX for creating your project reports, thesis, and much more! |
Schedule
Timetable
Wednesday 6th
Thursday 7th
Friday 8th
Venue
The event will be held at Southbank campus of Griffith University, Brisbane
Each participant will prepare a small poster detailing the tools they work with and the areas they would like to get started in.
Social Events
Wednesday 6th
Please come join us after class at 5.30 today to meet the community that brings Research Bazaar Brisbane together. Meet in the Ship Inn main area - All Welcome!
Thursday 7th
Meet up with the Meetups! Connect with our local meetup and community groups and build your networks (plus meet some excellent folks) 5:30 upstairs in the Ship Inn Function room.
Friday 8th
Knowledge for all are gathering in the Ship Inn downstairs for a discussion following their panel. Stop in around 4pm to say hi!
Book an Expert
Pick the brains of our selection of Experts on a range of specialties. You can book in 30 minutes to sit down with one of our fantastic volunteers around any of the following topics:
- Statistics
- Research Data Storage (Nextcloud/QRIScloud)
- Research Data Management
- NeCTaR VMs
- HPC 101
- Method development
- Applications of next generation sequencing
- Genomic bioinformatic analysis
- Image and Text analytics
- GIS analytics - Finding and manipulating data and webmapping
- Automating GIS tasks in ArcGIS using Python
- R
- Machine Learning
- Python
- Linux
Discounts - Ship Inn
Show your Resbaz lanyard to get 10% off drinks and 20% food at the Ship Inn next door.Games
We have three games going throughout Resbaz
Colouring in Competition
Everyone loves a good colouring in competition. Come pick up your name badge at the front desk, decorate it to your hearts content and show it off!
Research Riddles
You may have noticed that your name badge has a sticker.
Augment my Treasure Hunt
You may see some furry critters around the conference. 'Catch' them with your phone to find the secret letters, unscramble them and present your word to the front desk to be in the draw!


Hopes are high as two Dumbarton football clubs unite
On Saturday Dumbarton FC and Dumbarton United officially revealed a new agreement that will see United’s youngsters handed the chance to start on a pathway to senior football with West Dunbartonshire’s only SPFL side.
by Fraser Clarke, https://www.dailyrecord.co.uk/authors/fraser-clarke/Chiefs at two of Dumbarton’s oldest football clubs hope that a new partnership can be beneficial to both.
On Saturday Dumbarton FC and Dumbarton United officially revealed a new agreement that will see United’s youngsters handed the chance to start on a pathway to senior football with West Dunbartonshire’s only SPFL side.
The move came about via local business C&G Systems, who are major sponsors of both clubs.
And Sons chairman John Steele was quick to pay tribute to the company for putting the foundations for the partnership in place.
He said: “When C&G came in as stadium sponsors, they were keen that the Dumbarton community became more involved with us.
“They’ve organised the whole relationship and I’m delighted that it’s happening.
“Without being immodest, when I started being involved there was an us and them situation between the board and our supporters, and the same situation existed between the club and the community.
“I’ve been keen to change that dynamic and we’re taking small steps now in achieving that.”
United chairman Gerry Docherty echoed Steele’s thoughts and highlighted the benefits that the new agreement has for both sides.
He told the Lennox: “We’ve been working in the local community for 61 years and we’d been in touch with Dumbarton FC over that time.
“Over the period we’ve tried to do this a number of times but there’s never been anybody to link the clubs together.
“I think it’s just the right timing to link the clubs. Everything has a timing and I think just now is just the perfect timing for everybody.
“It’s a massive opportunity for us to interphase with the club and it’s also a good opportunity for the senior club to interphase with the local community.
“But it’s a partnership. It’s not a one-way street, there will be lots of benefits for our players looking to progress into senior football.”
C&G Systems’ commercial director, Andy Gordon, expanded on the positives for Dumbarton United.
He said: “Dumbarton United’s oldest age group at the moment is under-16, but adopting a player pathway they’ll be able to have an under-19s again because it’s very difficult to retain players when they will just go to other clubs who do.
“It’s a hugely positive step for both clubs.
“When we started sponsoring Dumbarton FC, David Lavery from Dumbarton United Blacks 2005s got in touch and asked if we’d like to sponsor them, and a big thing for my brother, Dave Gordon MD at C&G, was to get involved in grassroots sport in Dumbarton and a be a bit more front facing in the community.
“This partnership is very, very positive for Dumbarton to have an outward facing link to the community and for Dumbarton United.”
Sons’ chairman Steele concluded: “We have to engage with young
people because if we don’t engage with them then the future for clubs like us is not good.
“The elderly supporters that are our lifeblood just now will not be there and ultimately the club will not be there.
“So it’s essential that we work with the community and get them involved with us.”
For more local news from West Dunbartonshire click here .


Eminem was born Marshall Bruce Mathers III in St. Joseph, Missouri, to Deborah R. (Nelson) and Marshall Bruce Mathers, Jr., who were in a band together, Daddy Warbucks. He is of English, as well as some German, Scottish, and Swiss-German, ancestry. Marshall
spent his early childhood being shoved back and forth from Kansas City and Detroit. He settled on the Eastside of Detroit when he was 12. Switching schools every two to three months made it difficult to make friends, graduate and to stay out of
trouble. Marshall attended Lincoln High School in Warren, Michigan, 1986-1989.
Being a rap fan for most of his life, Marshall began rapping at the early age of 4. Rhyming words together, battling schoolmates in the lunchroom brought joy to what was otherwise a painful existence. At the age of 14, he began to
get very serious about his rapping but it wasn't until he was 17 that he actually made a name for himself, becoming M&M, which he would later respell as "Eminem".   He says that it
just wasn't for him. Forcing himself on radio shows, freestyle battles, Marshall threw himself head first into the rap game, where he was swallowed up most of the time. His very first album was titled "Infinite" and, while the album sold less
than a thousand copies, it was the gearing up stages for the rapper who became a millionaire. It was then that his daughter, Hailie Jade Scott, was born on December 25th of 1995 with long time girlfriend Kim Scott.
Having nothing to lose at all, flat broke and not knowing where he would be living the next week, Marshall set out to rant about life in general, the set quickly caught the ear of hip-hop's difficult-to-please underground. What came
out of this was the Slim Shady EP, the early work for the later Dr. Dre revised Slim Shady LP. Down to nearly his last dime, he went into the 1997 Rap Olympics in Los Angeles, basically hoping to win
the $1,500 cash prize which he badly needed. After battling for an hour and throwing back every race diss thrown at him, Marshall made it to second place losing in a slip up. Furious that he had lost, Marshall didn't even notice that he had been
spotted. In the crowd were a few producers from Interscope, and they were handed a copy of the "Infinite" tape by way of a demo.
Dr. Dre got to hear it and eventually tracked him down. The two instantly hit it off, recording four songs in their first six hours of working - three which made it to his first LP. After
the album was finished, Dr. Dre asked Marshall to come work with him on his new album. He helped produce several tracks and was on the best songs of the album. Now officially making it, Marshall and
Dre set to make his second LP. The album became the Marshall Mathers LP and won 3 Grammies and was the first rap album ever to be nominated "Album of the Year", selling more than 8 million records in the United States alone. He also stunned critics
when he shot down all homophobic remarks by performing "Stan" with Elton John. Eminem made a movie, 8 Mile (2002). Though 2001 was a rough year for the
rapper, being charged with weapon offenses, divorcing his wife, and almost going to prison, Marshall has explained his life in one word: "Claimer".
-IMDb Mini Biography By: Rod Reece.
“I say what I want to say and do what I want to do. There’s no in between. People will either love you for it or hate you for it.”>


PyClaw Solutions¶
PyClaw Solution objects are containers for State and Domain objects that define an entire solution. The State class is responsible for containing all the data of the solution on the given Domain. The Domain is responsible for containing the geometry of the Solution. The structure of a solution may look something like the figure.
List of serial and parallel objects in a Solution class:
| Serial | Parallel |
|---|---|
| pyclaw.state.State | petclaw.state.State |
| pyclaw.geometry.Domain | petclaw.geometry.Domain |
| pyclaw.geometry.Patch | petclaw.geometry.Patch |
| pyclaw.geometry.Grid | |
| pyclaw.geometry.Dimension |
pyclaw.solution.Solution¶
- class pyclaw.solution.Solution(*arg, **kargs)¶
Pyclaw patch container class
Input and Output: Input and output of solution objects is handle via the io package. Solution contains the generic methods write(), read() and plot() which then figure out the correct method to call. Please see the io package for the particulars of each format and method and the methods in this class for general input and output information.
Properties: If there is only one state and patch belonging to this solution, the solution will appear to have many of the attributes assigned to its one state and patch. Some parameters that have in the past been parameters for all patch,s are also reachable although Solution does not check to see if these parameters are truly universal.
- Patch Attributes:
‘dimensions’
- State Attributes:
‘t’,’num_eqn’,’q’,’aux’,’capa’,’problem_data’
Initialization: The initialization of a Solution can happen one of these ways
args is empty and an empty Solution is created
args is an integer (the number of components of q), a single State, or a list of States and is followed by the appropriate geometry object which can be one of:
args is a variable number of arguments that describes the location of a file to be read in to initialize the object
Examples: >>> import clawpack.pyclaw as pyclaw >>> x = pyclaw.Dimension('x',0.,1.,100) >>> domain = pyclaw.Domain((x)) >>> state = pyclaw.State(domain,3,2) >>> solution = pyclaw.Solution(state,domain)
- is_valid()¶
Checks to see if this solution is valid
The Solution checks to make sure it is valid by checking each of its states. If an invalid state is found, a message is logged what specifically made this solution invalid.
Output: - (bool) - True if valid, false otherwise
- plot()¶
Plot the solution
- read(frame, path='./_output', file_format='ascii', file_prefix=None, read_aux=True, options={}, **kargs)¶
Reads in a Solution object from a file
Reads in and initializes this Solution with the data specified. This function will raise an IOError if it was unsuccessful.
Any format must conform to the following call signiture and return True if the file has been successfully read into the given solution or False otherwise. Options is a dictionary of parameters that each format can specify. See the ascii module for an example.:
read_<format>(solution,path,frame,file_prefix,options={})
<format> is the name of the format in question.
Input: - frame - (int) Frame number to be read in
- path - (string) Base path to the files to be read. default = './_output'
- file_format - (string) Format of the file, should match on of the modules inside of the io package. default = 'ascii'
- file_prefix - (string) Name prefix in front of all the files, defaults to whatever the format defaults to, e.g. fort for ascii
- options - (dict) Dictionary of optional arguments dependent on the format being read in. default = {}
Output: - (bool) - True if read was successful, False otherwise
- set_all_states(attr, value, overwrite=True)¶
Sets all member states attribute ‘attr’ to value
Input: - attr - (string) Attribute name to be set
- value - (id) Value for attribute
- overwrite - (bool) Whether to overwrite the attribute if it already exists. default = True
- write(frame, path='./', file_format='ascii', file_prefix=None, write_aux=False, options={}, write_p=False)¶
Write out a representation of the solution
Writes out a suitable representation of this solution object based on the format requested. The path is built from the optional path and file_prefix arguments. Will raise an IOError if unsuccessful.
Input: - frame - (int) Frame number to append to the file output
- path - (string) Root path, will try and create the path if it does not already exist. default = './'
- format - (string or list of strings) a string or list of strings containing the desired output formats. default = 'ascii'
- file_prefix - (string) Prefix for the file name. Defaults to the particular io modules default.
- write_aux - (book) Write the auxillary array out as well if present. default = False
- options - (dict) Dictionary of optional arguments dependent on which format is being used. default = {}
- patch¶
(Patch) - Base state’s patch is returned
- start_frame¶
(int) - : Solution start frame number in case the Solution object is initialized by loading frame from file
- state¶
(State) - Base state is returned