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| Now as touching things offered unto idols, we know that we all have knowledge. Knowledge puffeth up, but charity edifieth.
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| ᎾᏃ ᏧᏓᎴᏅᏛ ᎾᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᎬᏩᎵ, ᎢᏗᎦᏔᎭ ᎾᏍᎩ ᏂᏗᎥ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎢᎨᎲᎢ. ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᏢᏆᏍᎪᎢ, ᎠᏓᎨᏳᏗᏍᎩᏂ ᎨᏒ ᎠᏓᏍᏕᎵᏍᎪᎢ.
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Na-no tsu-da-le-nv-dv Na-ne-la-nv-hi di-ye-lv-hi di-li-s-go-lv-da-ne-lv-hi u-gv-wa-li, i-di-ga-ta-ha na-s-gi ni-di-v a-ga-do-v-hi-s-di ge-sv i-ge-hv-i. A-ga-do-v-hi-s-di ge-sv a-tlv-qua-s-go-i, a-da-ge-yu-di-s-gi-ni ge-sv a-da-s-de-li-s-go-i.
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| And if any man think that he knoweth anything, he knoweth nothing yet as he ought to know.
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| ᎢᏳ ᎠᎴ ᎩᎶ ᏳᏬᎯᏳᎭ ᎪᎱᏍᏗ ᎠᎦᏔᎲᎢ, ᎥᏝ ᎪᎱᏍᏗ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᏏ ᎤᎦᏙᎥᏒᎯ ᏱᎩ.
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i-yu a-le gi-lo yu-wo-hi-yu-ha go-hu-s-di a-ga-ta-hv-i, v-tla go-hu-s-di a-ga-do-v-hi-s-di ge-sv a-si u-ga-do-v-sv-hi yi-gi.
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| But if any man love God, the same is known of him.
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| ᎢᏳᏍᎩᏂ ᎩᎶ ᎤᏁᎳᏅᎯ ᏳᎨᏳᎭ, [ᎤᏁᎳᏅᎯ] ᎾᏍᎩ ᎤᎦᏔᎰᎢ.
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I-yu-s-gi-ni gi-lo U-ne-la-nv-hi yu-ge-yu-ha, [U-ne-la-nv-hi] na-s-gi u-ga-ta-ho-i.
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| As concerning therefore the eating of those things that are offered in sacrifice unto idols, we know that an idol is nothing in the world, and that there is none other God but one.
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| ᎾᏃ ᎠᎩᏍᏗᏱ ᎤᎬᏩᎵ ᎪᎱᏍᏗ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ, ᎢᏗᎦᏔᎭ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎪᎱᏍᏗ ᏂᎨᏒᎾ ᎨᏒ ᎠᏂ ᎡᎶᎯ, ᎠᎴ ᎾᏍᎩ ᏅᏩᏓᎴ ᎤᏁᎳᏅᎯ ᏁᎲᎾ ᎨᏒ, ᏌᏉ ᎤᏩᏒ.
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Na-no a-gi-s-di-yi u-gv-wa-li go-hu-s-di a-tsi-lv ge-la-s-di-yi di-li-s-go-lv-da-ne-lv-hi U-ne-la-nv-hi di-ye-lv-hi, i-di-ga-ta-ha U-ne-la-nv-hi a-ye-lv-hi go-hu-s-di ni-ge-sv-na ge-sv a-ni e-lo-hi, a-le na-s-gi nv-wa-da-le U-ne-la-nv-hi ne-hv-na ge-sv, sa-quo u-wa-sv.
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| For though there be that are called gods, whether in heaven or in earth, (as there be gods many, and lords many,)
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| ᎤᏂᏣᏔᏍᎩᏂᏃᏅ ᎠᏁᎭ ᎤᎾᏁᎳᏅᎯ ᎨᎪᏎᎯ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ, (ᏧᏂᎶᏔᏉ ᎤᎾᏁᎳᏅᎯ, ᎠᎴ ᏧᏂᏣᏔᏉ ᎤᏂᎬᏫᏳᎯ,)
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U-ni-tsa-ta-s-gi-ni-no-nv a-ne-ha U-na-ne-la-nv-hi ge-go-se-hi ga-lv-lo-i a-le e-lo-hi, (tsu-ni-lo-ta-quo u-na-ne-la-nv-hi, a-le tsu-ni-tsa-ta-quo u-ni-gv-wi-yu-hi,)
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| But to us there is but one God, the Father, of whom are all things, and we in him; and one Lord Jesus Christ, by whom are all things, and we by him.
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| ᎠᏴᏍᎩᏂ ᎢᏙᎯᏳᎲᏍᎬ ᏌᏉᎯᏳ ᎡᎭ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎠᎦᏴᎵᎨᎢ, ᎾᏍᎩ ᎾᎿᎭᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᏨᏗᏓᎴᎲᏍᎦ, ᎠᎴ ᎠᏴ ᎾᏍᎩ ᎡᏓᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ ᏥᏕᎭ; ᎠᎴ ᏌᏉᎯᏳ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᏤᎭ, ᎠᎴ ᎠᏴ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᏥᏕᎭ.
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A-yv-s-gi-ni i-do-hi-yu-hv-s-gv sa-quo-hi-yu e-ha U-ne-la-nv-hi, na-s-gi A-ga-yv-li-ge-i, na-s-gi na-hna ni-ga-di-yu tsu-da-le-nv-dv tsv-di-da-le-hv-s-ga, a-le a-yv na-s-gi e-da-tse-li-ga i-yu-li-s-do-di-yi tsi-de-ha; a-le sa-quo-hi-yu U-gv-wi-yu-hi tsi-sa Ga-lo-ne-dv, na-s-gi i-yu-wa-ni-sa-dv ni-ga-di-yu tsu-da-le-nv-dv tse-ha, a-le a-yv na-s-gi i-yu-wa-ni-sa-dv tsi-de-ha.
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| Howbeit there is not in every man that knowledge: for some with conscience of the idol unto this hour eat it as a thing offered unto an idol; and their conscience being weak is defiled.
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| ᎥᏝᏍᎩᏂᏃᏅ ᎾᏂᎥ ᎾᏍᎩ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏳᏁᎭ; ᎩᎶᏰᏃ ᏙᏧᎾᏓᏅᏛ ᎤᏂᎸᏉᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎪᎯ ᎨᏒ ᎢᏯᏍᏗ ᎠᎾᎵᏍᏓᏴᏗᏍᎪ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎠᎵᏍᎪᎸᏓᏁᎸᎯ ᏣᏂᎩᏍᎪ ᎾᏍᎩᏯᎢ; ᏚᎾᏓᏅᏛᏃ ᏗᏩᎾᎦᎳᎯᏳ ᎨᏒ ᏗᎦᏓᎭ ᏂᏙᎦᎵᏍᏗᏍᎪᎢ.
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V-tla-s-gi-ni-no-nv na-ni-v na-s-gi a-ga-do-v-hi-s-di ge-sv yu-ne-ha; gi-lo-ye-no do-tsu-na-da-nv-dv u-ni-lv-quo-di-yu ge-sv u-ne-la-nv-hi a-ye-lv-hi go-hi ge-sv i-ya-s-di a-na-li-s-da-yv-di-s-go u-ne-la-nv-hi a-ye-lv-hi a-li-s-go-lv-da-ne-lv-hi tsa-ni-gi-s-go na-s-gi-ya-i; du-na-da-nv-dv-no di-wa-na-ga-la-hi-yu ge-sv di-ga-da-ha ni-do-ga-li-s-di-s-go-i.
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| But meat commendeth us not to God: for neither, if we eat, are we the better; neither, if we eat not, are we the worse.
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| ᎠᎵ ᏍᏓᏴᏗᏍᎩᏂ ᎥᏝ ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎢᎩᏰᎸᏗᏱ ᏱᏂᎬᏁᎭ; ᎥᏝᏰᏃ ᏱᏓᎵᏍᏓᏴᎲᏍᎦ ᎤᏟ ᎣᏏᏳ ᏱᏂᎬᏁᎰᎢ, ᎥᏝ ᎠᎴ ᏂᏓᎵᏍᏓᏴᏍᎬᎾ ᏱᎩ, ᎡᏍᎦ ᏱᏂᎬᏁᎰᎢ.
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A-li s-da-yv-di-s-gi-ni v-tla U-ne-la-nv-hi o-si-yu i-gi-ye-lv-di-yi yi-ni-gv-ne-ha; v-tla-ye-no yi-da-li-s-da-yv-hv-s-ga u-tli o-si-yu yi-ni-gv-ne-ho-i, v-tla a-le ni-da-li-s-da-yv-s-gv-na yi-gi, e-s-ga yi-ni-gv-ne-ho-i.
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| But take heed lest by any means this liberty of yours become a stumblingblock to them that are weak.
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| ᎠᏎᏃ ᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗ ᎾᏍᎩ ᎢᎨᏣᏛᏁᏗ ᎢᏥᎲ ᏗᏂᏩᎾᎦᎳ ᏧᏃᏕᏍᏗᏍᎩ ᏱᏄᎵᏍᏔᏁᏍᏗ.
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A-se-no i-tse-ya-ta-he-s-di tle-s-di na-s-gi i-ge-tsa-dv-ne-di i-tsi-hv di-ni-wa-na-ga-la tsu-no-de-s-di-s-gi yi-nu-li-s-ta-ne-s-di.
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| For if any man see thee which hast knowledge sit at meat in the idol's temple, shall not the conscience of him which is weak be emboldened to eat those things which are offered to idols;
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| ᎢᏳᏰᏃ ᎩᎶ ᎢᏳᏍᏗ ᏱᏣᎪᎲ ᏂᎯ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏤᎯ ᏱᏅᎦ ᏯᎵᏍᏓᏴᎲᏍᎦ ᎠᏓᏁᎸ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎤᏤᎵᎦ; ᏝᏍᎪ ᎾᏍᎩ Ꮎ ᎤᏓᏅᏛ, ᎠᏩᎾᎦᎳ ᎨᏒ, ᏂᎦᎾᏰᏍᎬᎾ ᏱᏅᎦᎵᏍᏓ ᎤᎵᏍᏓᏴᏙᏗᏱ ᏧᏓᎴᏅᏛ ᎾᏍᎩ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ;
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I-yu-ye-no gi-lo i-yu-s-di yi-tsa-go-hv ni-hi a-ga-do-v-hi-s-di ge-sv tse-hi yi-nv-ga ya-li-s-da-yv-hv-s-ga a-da-ne-lv U-ne-la-nv-hi a-ye-lv-hi u-tse-li-ga; tla-s-go na-s-gi na u-da-nv-dv, a-wa-na-ga-la ge-sv, ni-ga-na-ye-s-gv-na yi-nv-ga-li-s-da u-li-s-da-yv-do-di-yi tsu-da-le-nv-dv na-s-gi di-li-s-go-lv-da-ne-lv-hi U-ne-la-nv-hi di-ye-lv-hi;
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| And through thy knowledge shall the weak brother perish, for whom Christ died?
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| ᎾᏍᎩᏃ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏣᏤᎵᎦ ᎢᏳᏩᏂᏌᏛ ᎠᏩᎾᎦᎳ ᏗᏍᏓᏓᏅᏟ ᏴᎬᏲᎱᎯ, ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᏲᎱᎯᏎᎸᎯ?
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Na-s-gi-no a-ga-do-v-hi-s-di ge-sv tsa-tse-li-ga i-yu-wa-ni-sa-dv a-wa-na-ga-la di-s-da-da-nv-tli yv-gv-yo-hu-hi, na-s-gi Ga-lo-ne-dv u-yo-hu-hi-se-lv-hi?
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| But when ye sin so against the brethren, and wound their weak conscience, ye sin against Christ.
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| ᎠᏎᏃ ᎾᏍᎩ ᏂᏣᏛᎦ ᏕᏥᏍᎦᏅᏥ ᎢᏣᎵᏅᏟ, ᎠᎴ ᎤᏲ ᏂᏕᏨᎦ ᏗᏩᎾᎦᎳ ᏚᎾᏓᏅᏛᎢ, ᎦᎶᏁᏛ ᎡᏥᏍᎦᏅᏤᎰᎢ.
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A-se-no na-s-gi ni-tsa-dv-ga de-tsi-s-ga-nv-tsi i-tsa-li-nv-tli, a-le u-yo ni-de-tsv-ga di-wa-na-ga-la du-na-da-nv-dv-i, Ga-lo-ne-dv e-tsi-s-ga-nv-tse-ho-i.
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| Wherefore, if meat make my brother to offend, I will eat no flesh while the world standeth, lest I make my brother to offend.
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| ᎾᏍᎩᏃ ᏥᏄᏍᏗ, ᎢᏳᏃ ᎠᎵᏍᏓᏴᏗ ᏦᏍᏓᏓᏅᏟ ᏱᏚᏬᏕᏍᏗᎭ, ᎥᏝ ᏴᎦᏥᎦ ᎭᏫᏯ ᎡᎶᎯ ᎢᎪᎯᏛ ᎨᏒᎢ, ᏦᏍᏓᏓᏅᏟᏰᏃ ᏱᏙᏥᏲᏕᏍᏓ.
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Na-s-gi-no tsi-nu-s-di, i-yu-no a-li-s-da-yv-di tso-s-da-da-nv-tli yi-du-wo-de-s-di-ha, v-tla yv-ga-tsi-ga ha-wi-ya e-lo-hi i-go-hi-dv ge-sv-i, tso-s-da-da-nv-tli-ye-no yi-do-tsi-yo-de-s-da.
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#MeToo Comes Under Question as Netizens Cry Foul After Indian Stand-up Comedian Targeted
New Delhi (Sputnik): A stand-up comedian and popular YouTuber, who was once associated with the popular comedy group All Indian Bakchod, was accused of sending women lewd messages and photos via social messaging apps in October 2019.
#MeToo became the trending topic on social media once again after the release of an alleged audio clip between stand-up comedian and one of the accused Utsav Chakraborty and a girl named Mansi Kukreja, the sister of the victim Mahima.
During the alleged conversation, Mansi supposedly threatened Utsav with legal action if he released screenshots of texts that may prove his innocence.
The audio was made public by a YouTube channel named “Expose Mahima”, with the purported conversation taking place on 14 November 2018.
A Twitter user named Mahima Kukreja put up a Twitter post accusing the comedian of sending her an unsolicited obscene photograph and with him later pleading with her not to make his act public, as it would "ruin" his career.
Since the release of the audio clip, a big section of the Twitterati has been whipped into a frenzy, saying some women are taking advantage of #MeToo, a movement against sexual harassment and sexual assault.
Some of the flabbergasted netizens are slamming the misuse of the #MeToo movement to play the victim card or tarnish others’ public image.
There are some who are raising question on the standup comedian too.
The anti-harassment #MeToo campaign started as a reaction to a scandal around Hollywood mogul Harvey Weinstein, who was accused by dozens of women working in the film industry of sexual harassment and other sex-related abuse in October 2017. The scandal set off a flurry of similar accusations against powerful men around the world.
A great number of women have shared their own experiences of sexual assault, harassment, or rape, on social media under the hashtag #MeToo.


Hi! I'm Regan
and I'm a web developer currently enrolled in the web immersive class at DigitalCrafts,
learning about the MEAN stack, Python and PostgreSQL.
Contentment is not the fulfillment of what you want,   but the realization of how much you already have.


THE EMPIRE STRIKES BACK A Film Review Copyright Dragan Antulov 1998
When people discuss the slow yet unstoppable decline of quality film-making within commercial Hollywood cinema, they like to point out sequels as one of the symptoms. Sequels might also be taken as a symbol of those trends, because they illustrate the lack of creativity within big budget cinematography; instead of innovation, resources are poured into well-established and repetitive formulas. Naturally, the movie often blamed for inspiring such bad trends, STAR WARS, had the sequel of its own. But, luckily, it was one of those precious few exception to the rule - THE EMPIRE STRIKES BACK was the sequel that rose above the high standards set by its glorious predecessor.
Unfortunately, the quality and real importance of this movie is often ignored due to the simple fact that it is often referred as "the second in STAR WARS trilogy". Unlike the original, who could be seen by as standalone adventure, THE EMPIRE STRIKES BACK required built-in audience, and those audience, as well as the critics had some difficulties in appraising the movie as a single artistic achievement. Those who did mostly consider the second movie to be the best in trilogy. The author of this review shares that sentiment, same as the heroes of Kevin Smith's CLERKS. I might also add that I consider one of the best in many splendid science fiction movies made in that golden age between 1977 and 1982.
The same era was perhaps splendid for the fans of science fiction cinema, but the content of those films, like MAD MAX, ALIEN or BLADE RUNNER, was mostly pessimistic. The feeling of gloom influenced even such light-hearted and fairy-tale saga like the STAR WARS. Dark atmosphere is evident from the beginning; the previous chapter ended with Rebels celebrating the destruction of Death Star, powerful weapon of evil Empire. Yet, despite their triumph, they are far from decisive victory in the war. The Empire still has the upper hand, and that is clearly demonstrated when Imperial forces destroy the main Rebel base on the ice planet Hoth. In order to save itself from total annihilation, main Rebel force is dispersed all over Galaxy. Heroes from the previous film are separated into two groups; first group is Rebel commander Luke Skywalker (Mark Hamill) who, together with his faithful robot R2D2 (Kenny Baker) flies to swap planet Dagobah. His goal is to fulfil his personal vision and find Yoda (voice by Frank Oz), 900 years old Jedi master, that would complete his training in the ways of mystic Force. Another group of our heroes - rogue pilot Han Solo (Harrison Ford), his co-pilot Chewbacca (Peter Mayhew), Princess Leia (Carrie Fisher) and robot C3PO (Anthony Daniels) - are on the spaceship Millennium Falcon, being mercilessly pursued by Imperial fleet, whose leader, evil lord and former Jedi knight Darth Vader (David Prowse, voice by James Earl Jones), wants to capture Luke Skywalker.
The sequel to the megapopular STAR WARS defied many unofficial Hollywood rules about sequels. Instead of simply enhancing well-established, attractive and obviously successful elements of the previous film, this sequel used it a foundation for its own, original narrative structure. Instead of relying on bigger special effects, bigger explosions or more spectacular sights and sounds, like many sequel makers do these days, creators of THE EMPIRE STRIKES BACK actually worked very hard to remedy those few flaws the original had. Most notable of all was in cardboard characterisation. That task was given to the talented creative team of Leigh Brackett, respected Fantasy/SF author, and Lawrence Kasdan, whose directorial star would shine in the next decade.  The clear boundary between Good and Evil was slightly blurred in this movie, when even the some members of Imperial military were given opportunity to express their human emotions. But, most of all, difference between STAR WARS and THE EMPIRE is in plot and sinister overtones; the heroes of the movie aren't superhumans immune from misery anymore. They get maimed, hurt, tortured, both physically and emotionally, and this time the viewers, even those who consider the whole trilogy to be escapist fantasy, are really compelled to care what would happen to them in the end. The aliens, who used to be one of the more entertaining attractions of the previous movie, are mostly left out of the picture; there aren't nice fuzzy creatures here - apart from Yoda, all the aliens are hostile or, either, prosaic domesticated animals that "smell bad". That was another element of gritty realism, that distinguishes this film from the rest of trilogy. The movie is also full of surprise twists, and the final one is probably the best known in the entire history of cinema.
Even the acting, often regarded as the weakest segment in whole STAR WARS saga, is here at its prime.   Even Billy Dee Williams is good in his limited role of Lando Karlisian, one of the rare new characters of the saga. However, the most impressive character addition is Yoda, small and frail, yet spiritually strong figure. The magic of the Muppet creators, suggestive voice of Frank Oz, combined with Yoda's sharp lines (one of them would become the nemesis for Beverly Hills plastic surgeons) left the strong imprint on many generations of STAR WARS fans.
Apart from the a screenplay and well-defined characters, THE EMPIRE STRIKES BACK also benefited from the superb direction by Irvin Kershner, whose career reached its peak here. The look of the film corresponds with the changes of the atmosphere; the blue colour dominates Peter Suschitzky's photography throughout the whole picture. Special effects are improved over STAR WARS, and still impressive after eighteen years (one of the proofs is 1997 special edition, that, unlike other two parts of STAR WARS trilogy, leaves most of them untouched and brings only small improvements). Even the musical score by John Williams, with his immortal "Imperial March" theme, sounds like the best in the trilogy, with its dark overtones brilliantly corresponding with the general feel of the film.
Grim atmosphere of the movie, however, can't prevent the many generations of viewers to experience the very same "sense of wonder" that overwhelmed them in the previous picture. THE EMPIRE STRIKES BACK is the original, very special segment of STAR WARS saga, but also the element of STAR WARS saga nevertheless. But even those who somehow managed to escape the magic charms of George Lucas' universe and failed to become hard core fans, could enjoy in the magnificent quality of this masterpiece.
RATING: 10/10 (+++++)
Review written on October 28th 1998
Dragan Antulov a.k.a. Drax Fido: 2:381/100 E-Mail<EMAIL_ADDRESS><EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


Electronics
In this module, we learn the basics of electronics.
Electronics consist of...
Voltage, measured in volts
Current, measured in Amps
Resistance, measured in Ohms
Common electrical components
- Switches: usually the connector and breaker of a circuit. A common type is a tactile switch. Used regularly in this module.
- Wires: Usually made up of copper with insulator on the outside
- Resistors: made to have a fixed resistance to current
The original Arduino is $37, you can get the UNO CH340 with USB cable instead (SMD)
Mini breadboard + processor
Install Arduino cc, download the Arduino app
Breadboard and UNO board (Aurdino)
Aurdino: An Arduino System comprises of Software & Software Tools including : Integrated Development System (IDE), Arduino programming language (C++ like), Development & Debugging tool and Software libraries (open source contributions).
Digital Input/Output, values are only LOW (0V) or HIGH (5V)
Input reads LOW or HIGH
Output reads LOW, HIGH
Initialise/configure our pins
Arduino UNO:
Most common microcontroller board
Use a Atmel Atmega328P processor with a separate programmable interface
Has sockets for interfacing and power
Why use Arduino?
- Inexpensive
- Cross platform (Mac, windows, etc)
- Simple, clear programming using a GUI
- Open source
Breadboard: refers to a (usually) solder-free, plug-and-play platform allowing for speedy insertion and removal of electrical components in circuit-building applications.
Assignments
UNO switch with LEDs, as you can see below, we have 4 LEDs in a circuit broken and connected by a tactile switch. With the code, the button allows different LEDs to turn on at once. The input is the switch and the output are the 4 LEDs. These are all tested using the platform TinkerCAD. You can make circuits on the site to test out before doing.Here is another circuit using the Potentiometer. It allows us to control the brightness of the LED. The input is the Potentiometer and output the LED.
This is my friend and I applying the circuit tested in TinkerCAD to a real breadboard and UNO board.
We made use of a 555 to create an itegrated circuit with an LED.
This is the final working circuit.
Soldering
This is a useful and good video reference to learn the basics of soldering.
Soldering ismostly used in electronics, metalwork, etc. It joins two or more items by melting and putting a filler metal (solder) into the joint.
These are the tools that are needed:
- solder iron
- brass sponge
- wet sponge
- safety googles
- solder
- it is optional to have a clamp but it is helpful
applying it practically
First we dipped the soldering iron in flux. Flux is a chemical cleaning agent. Flux also protects the metal surfaces from re-oxidisation during soldering. It is used before and after soldering.
Here we melt the solder to use (make sure you clean the iron before this). Apply the heat and solder to the surface.
In this case, we were soldering a wire to a clasp. (to do this we had to strip the wire first as seen on the right).
Here is our end product.
Thank you! That's all :)


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I reduced the spacing and got the constraints/breadcrumbs back.
The bookmarks feature was also missing, so I got that back too.
I noticed that the show page isn't displaying the sidebar with the email, sms, cite, and bookmark actions, though. Still need to investigate that.
deployed
by None at 2022-05-06 21:25:05.deployed
by None at 2022-05-06 22:09:34.head_ref_force_pushed
by Jane Sandberg at 2022-05-06 22:12:24.closed
by None at 2022-05-06 12:37:21.labeled
by None at 2022-05-06 12:37:58.unlabeled
by None at 2022-05-06 12:40:14.How odd. There shouldn't be two! There aren't in my local branch. Is git showing two states of the same file?
Weird! I was looking here: https://github.com/pulibrary/aspace_helpers/pull/208/files
Maybe you can force push your local branch? Or cherry-pick the last two commits into a new, clean, branch?
renamed
by None at 2022-05-06 19:09:00.ready_for_review
by None at 2022-05-06 19:09:15.review_requested
by None at 2022-05-06 19:09:24.The big question is how did these terms become irrelevant in the first pass: https://github.com/pulibrary/bibdata/compare/what-to-remove-augment?expand=1#diff-ef2847b31f19f0c655e4cc5e4a332f3f94d6cca8aaec0987c4af1f8ff655dc31R169
We will need to figure out how to remove the irrelevant (see: https://github.com/pulibrary/bibdata/blob/main/marc_to_solr/lib/augment_the_subject.rb#L87-L90 )
assigned
by None at 2022-05-06 12:33:30.unassigned
by None at 2022-05-06 15:51:04.@mzelesky and I reviewed the workflow in his script and updated the comments in the script. For reference: ```
assigned
by Christina Chortaria at 2022-05-06 14:37:09.mentioned
by None at 2022-05-06 20:34:53.subscribed
by None at 2022-05-06 20:34:54.referenced
by None at 2022-05-06 17:02:13.merged
by None at 2022-05-06 17:02:13.closed
by None at 2022-05-06 17:02:13.head_ref_deleted
by None at 2022-05-06 17:02:13.closed
by None at 2022-05-06 17:02:13.closed
by Jane Sandberg at 2022-05-06 20:07:48.review_requested
by Kevin Reiss at 2022-05-06 15:30:46.head_ref_force_pushed
by Kevin Reiss at 2022-05-06 20:02:53.referenced
by Jane Sandberg at 2022-05-06 20:07:48.merged
by Jane Sandberg at 2022-05-06 20:07:48.closed
by Jane Sandberg at 2022-05-06 20:07:48.head_ref_deleted
by Jane Sandberg at 2022-05-06 20:07:49.closed
by Kevin Reiss at 2022-05-06 20:42:57.renamed
by Kevin Reiss at 2022-05-06 20:44:58.I think we've taken care of this one with the meetings/work-cycles page.
closed
by Kevin Reiss at 2022-05-06 20:45:42.unassigned
by Shaun Ellis at 2022-05-06 19:30:46.Lynn verifies that there are no dissertations actually missing. Closing this ticket.
closed
by Bess Sadler at 2022-05-06 15:01:33.labeled
by Eliot Jordan at 2022-05-06 17:07:31.mentioned
by Kim Leaman at 2022-05-06 17:07:31.subscribed
by Kim Leaman at 2022-05-06 17:07:31.labeled
by Trey Pendragon at 2022-05-06 18:01:55.assigned
by Eliot Jordan at 2022-05-06 18:37:59.closed
by Eliot Jordan at 2022-05-06 18:56:53.renamed
by Trey Pendragon at 2022-05-06 18:24:12.referenced
by Eliot Jordan at 2022-05-06 18:56:53.merged
by Eliot Jordan at 2022-05-06 18:56:53.closed
by Eliot Jordan at 2022-05-06 18:56:53.head_ref_deleted
by Eliot Jordan at 2022-05-06 18:56:54.update. Got approval for page and placement of it. @kevinreiss also had a look and helped with the dropdown placement. the URL is: https://library.princeton.edu/statement-harmful-content
Taking Block label off of this ticket
mentioned
by Kevin Reiss at 2022-05-06 19:16:48.subscribed
by Kevin Reiss at 2022-05-06 19:16:48.unlabeled
by Kim Leaman at 2022-05-06 19:17:00.labeled
by Eliot Jordan at 2022-05-06 19:23:48.assigned
by Eliot Jordan at 2022-05-06 19:23:49.labeled
by Shaun Ellis at 2022-05-06 19:43:46.renamed
by Shaun Ellis at 2022-05-06 19:51:42.Possible approach: reindex all the children Alternate approach: index on collection ids and swap the id for collection name in the display?
question: If I bulk edit the collection, and save. would that essentially reindex it and hop over the bug @sdellis ?
mentioned
by Shaun Ellis at 2022-05-06 21:50:38.subscribed
by Shaun Ellis at 2022-05-06 21:50:38.deployed
by None at 2022-05-06 19:22:07.head_ref_force_pushed
by Eliot Jordan at 2022-05-06 20:10:53.deployed
by None at 2022-05-06 20:11:15.head_ref_force_pushed
by Eliot Jordan at 2022-05-06 21:44:01.ready_for_review
by Eliot Jordan at 2022-05-06 21:44:17.head_ref_force_pushed
by Eliot Jordan at 2022-05-06 21:45:33.deployed
by None at 2022-05-06 21:47:33.See https://gist.github.com/mzelesky/79a51cfc5f7d83bd6e49581cfd33d37a for processing payments from Analytics.
Files are going to be posted from Alma into the /alma/bursar directory every Monday at 3 AM EST for payments.
Credits are going to be posted from Alma into that directory every Sunday at 9 PM EST. Credits will rely on the Bursar export job.
Ideally, the payment job would run Tuesday mornings at 10:30 AM EST, while the credit job would run Thursday mornings at 11:30 AM EST.
The files are processed manually by staff in campus finance, hence the need for the jobs to be run on different days. The filename for the output has to be the same for both integrations.
closed
by None at 2022-05-06 15:52:40.closed
by None at 2022-05-06 16:04:17.unassigned
by Jane Sandberg at 2022-05-06 17:51:19.labeled
by None at 2022-05-06 20:04:34.labeled
by None at 2022-05-06 20:04:34.closed
by None at 2022-05-06 14:54:51.referenced
by Christina Chortaria at 2022-05-06 13:17:39.referenced
by Christina Chortaria at 2022-05-06 13:19:32.referenced
by Christina Chortaria at 2022-05-06 13:27:49.referenced
by Christina Chortaria at 2022-05-06 13:43:25.closed
by None at 2022-05-06 14:54:51.referenced
by None at 2022-05-06 14:54:53.Coverage increased (+0.001%) to 94.197% when pulling f5b9f3abb86368f6ab5390243ae4fa1bc104dafc on 2982-unavailable-RESSHAREINRSREQ into 60c53ca1298cb406c5db29e5b88ef1bf069dd6e5 on main.
CDL: https://catalog-qa.princeton.edu/catalog/9976990033506421 (displays Online with grey color) https://catalog-qa.princeton.edu/catalog?utf8=%E2%9C%93&search_field=all_fields&q=9976990033506421
ResourceSharing - temporary Location (displays The 'Request' button) https://catalog-qa.princeton.edu/catalog/99118399983506421. For this location we display Unavailable (Unavailable should be red)
Marquand$pj - https://catalog-qa.princeton.edu/catalog/99122472603506421 (Ask Staff in grey)
head_ref_force_pushed
by Christina Chortaria at 2022-05-06 12:31:13.deployed
by None at 2022-05-06 12:32:58.head_ref_force_pushed
by Christina Chortaria at 2022-05-06 13:19:32.deployed
by None at 2022-05-06 13:22:53.head_ref_force_pushed
by Christina Chortaria at 2022-05-06 13:27:49.deployed
by None at 2022-05-06 13:28:12.ready_for_review
by Christina Chortaria at 2022-05-06 13:37:37.deployed
by None at 2022-05-06 13:38:12.head_ref_force_pushed
by Christina Chortaria at 2022-05-06 13:43:26.referenced
by None at 2022-05-06 14:54:51.merged
by None at 2022-05-06 14:54:51.closed
by None at 2022-05-06 14:54:51.head_ref_deleted
by None at 2022-05-06 14:54:53.This relies on https://github.com/projectblacklight/blacklight/pull/2666 getting backported and released.
I believe this is a false positive in aXe. Lighthouse and WAVE didn't flag this issue. There is a background image, but it is off to the side of the field -- it doesn't collide with the text in any screen size that I've tried, so doesn't affect the color contrast. The text on the white background has a contrast ratio of 8.17:1, which is sufficient.
I'll close this for now, but we can re-open if necessary.
closed
by Jane Sandberg at 2022-05-06 17:37:27.head_ref_force_pushed
by Francis Kayiwa at 2022-05-06 12:12:54.referenced
by None at 2022-05-06 12:25:18.merged
by None at 2022-05-06 12:25:18.closed
by None at 2022-05-06 12:25:18.head_ref_deleted
by None at 2022-05-06 12:25:18.the catalog infrastructure is now all on lib-postgres-prod3
closed
by Francis Kayiwa at 2022-05-06 14:27:55.datadog added to lib-postgres-prod3
closed
by Francis Kayiwa at 2022-05-06 14:29:23.the new postgresql
role addresses this.
closed
by Francis Kayiwa at 2022-05-06 14:31:10.referenced
by Jane Sandberg at 2022-05-06 20:10:50.merged
by Jane Sandberg at 2022-05-06 20:10:50.closed
by Jane Sandberg at 2022-05-06 20:10:50.head_ref_deleted
by Jane Sandberg at 2022-05-06 20:10:50.mentioned
by Francis Kayiwa at 2022-05-06 21:58:46.subscribed
by Francis Kayiwa at 2022-05-06 21:58:46.unassigned
by None at 2022-05-06 16:11:56.unassigned
by Christina Chortaria at 2022-05-06 16:11:56.review_requested
by None at 2022-05-06 12:56:07.referenced
by Esmé Cowles at 2022-05-06 12:59:50.merged
by Esmé Cowles at 2022-05-06 12:59:50.closed
by Esmé Cowles at 2022-05-06 12:59:50.head_ref_deleted
by Esmé Cowles at 2022-05-06 12:59:54.closed
by None at 2022-05-06 13:51:47.closed
by Trey Pendragon at 2022-05-06 17:35:04.referenced
by Trey Pendragon at 2022-05-06 17:35:04.merged
by Trey Pendragon at 2022-05-06 17:35:04.closed
by Trey Pendragon at 2022-05-06 17:35:04.head_ref_deleted
by Trey Pendragon at 2022-05-06 17:35:05.closed
by Shaun Ellis at 2022-05-06 18:02:53.referenced
by Shaun Ellis at 2022-05-06 18:02:53.merged
by Shaun Ellis at 2022-05-06 18:02:53.closed
by Shaun Ellis at 2022-05-06 18:02:53.head_ref_deleted
by Shaun Ellis at 2022-05-06 18:02:54.closed
by Eliot Jordan at 2022-05-06 18:36:52.referenced
by Eliot Jordan at 2022-05-06 18:36:52.merged
by Eliot Jordan at 2022-05-06 18:36:52.closed
by Eliot Jordan at 2022-05-06 18:36:52.head_ref_deleted
by Eliot Jordan at 2022-05-06 18:36:53.renamed
by Eliot Jordan at 2022-05-06 16:58:40.labeled
by Eliot Jordan at 2022-05-06 17:00:12.labeled
by Eliot Jordan at 2022-05-06 19:26:31.labeled
by Trey Pendragon at 2022-05-06 23:19:21.labeled
by Trey Pendragon at 2022-05-06 23:20:28.head_ref_force_pushed
by Trey Pendragon at 2022-05-06 23:28:10.How does one know when this ticket is complete? Is it related to the capistrano-rails-console
plugin?
unassigned
by None at 2022-05-06 16:09:30.labeled
by None at 2022-05-06 16:11:21.closed
by None at 2022-05-06 16:06:21.


Node.js
Introduction
Conquest of the office: Step 1
Definition:
- Node.js is a high performance network applications framework, well optimized for high concurrent environments...
- Personified in a command line tool.
- Or mode simply: Node.js is Javascript on the server
Pobol y Node
- Node.js was created by Ryan Dahl in 2009
- It is mainly sponsored by a company called Joyent
- First official release in 2011
- Node.js is NOT the first attempt of a server side Javascript
- Same year, the package manager NPM is introduced
- In june of 2011, Microsoft wants to help porting Node to windows
- Is is finally completed in 2012
- 2012, Ryan Dahl quit Node.js community (and any online presence)
- The creator of NPM, Isaac Schlueter become the new maintainer. Like Ryan, he is employed by Joyent
- During the early years, the Javascript community wake up and the number of Node.js based projects explode
- 2014, Schlueter stepped aside in favour of Timothy J Fontaine and create the Npm Inc. company
- Two days ago, a Drama happened as Nodejitsu tried to register the NPM trademark
Behind the scene
- Node.js runs on V8
- V8 is the JS engine developed by Google for Chrome
- It uses an event-driven, non-blocking I/O model
- It makes use of event-loops via callbacks
- There is no DOM
- Node.js is single threaded by default
- 40% JS, 60% C++, Node.js use libuv to run long running jobs
The butterfly effect
IO is time consuming
Waiting is free
When to use Node
- Http servers (APIs)
- Web chat applications
- Any kind of real time / collaboration tools
- Data streaming (Like Twitter API)
- High concurrency
- You like Javascript
- Want to share code between front and server
When not to use Node
- Heavy CPU intensive calculation
- You don't like Javascript
- Simple CRUD applications
- You are not willing to pay the price of a changing world
- Note: Debugging is not really straightforward
A dynamic Ecosystem
"There is a module for it"
- NPM use module pattern
- It is easy to use
- There days, there is a library for almost everything
- npm: dependency management
- grunt: build tool
- express: MVC framework
- socket.io: Websockets
- mocha: Unit testing
- Non-blocking DB libraries (All sorts)
- Utilities, you name it...
Example: Read a file
var fs = require('fs');
fs.readFile('/etc/passwd', function (err, data) {
if (err) throw err;
console.log(data);
});
Example: Web server
var http = require('http');
var server = http.createServer(function(req, res) {
res.writeHead(200, {
'Content-Type': 'text/plain'
});
res.end('Hello HTTP!');
});
server.listen(5000);
Example: Module
name.js:
var capaldi = 13;
var doctor = function() {
return capaldi;
};
module.exports = doctorwho;
server.js
var who = require('./name');
console.log(who()); // Prints: 13


Test HTMLMediaElement canPlayType() method with "application/octet-stream".
These tests should always pass as no WebKit port should support "application/octet-stream".


There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't.
Africoin is an African Cryptocurrency utilised for P2P transfers and is a reward ecosystem for large retailers to utilise Blockchain technology.
Utilising Blockchain technology and cryptocurrency.
As each Token is backed by a Rand in the bank there is no risk in exchange volatility.
Africoin offers a ecosystem for users to earn, spend and save with no bank fees or transfer costs.
Offer Vouchers in africoins as a reward system.
Increase sales with bonus africoins.
Include your bands and stores in the Africoin ecosystem.


|
QuantLib: a free/open-source library for quantitative finance
Fully annotated sources - version 1.30
|
Amount of a commodity. More...
#include <ql/experimental/commodities/quantity.hpp>
Public Member Functions | |
Constructors | |
| Quantity ()=default | |
| Quantity (CommodityType commodityType, UnitOfMeasure unitOfMeasure, Real amount) | |
Inspectors | |
| const CommodityType & | commodityType () const |
| const UnitOfMeasure & | unitOfMeasure () const |
| Real | amount () const |
| Quantity | rounded () const |
Quantity arithmetics | |
See below for non-member functions and for settings which determine the behavior of the operators. | |
| Quantity | operator+ () const |
| Quantity | operator- () const |
| Quantity & | operator+= (const Quantity &) |
| Quantity & | operator-= (const Quantity &) |
| Quantity & | operator*= (Real) |
| Quantity & | operator/= (Real) |
Related Functions | |
(Note that these are not member functions.) | |
| Quantity | operator+ (const Quantity &, const Quantity &) |
| Quantity | operator- (const Quantity &, const Quantity &) |
| Quantity | operator* (const Quantity &, Real) |
| Quantity | operator* (Real, const Quantity &) |
| Quantity | operator/ (const Quantity &, Real) |
| Real | operator/ (const Quantity &, const Quantity &) |
| bool | operator== (const Quantity &, const Quantity &) |
| bool | operator!= (const Quantity &, const Quantity &) |
| bool | operator< (const Quantity &, const Quantity &) |
| bool | operator<= (const Quantity &, const Quantity &) |
| bool | operator> (const Quantity &, const Quantity &) |
| bool | operator>= (const Quantity &, const Quantity &) |
| bool | close (const Quantity &, const Quantity &, Size n=42) |
| bool | close_enough (const Quantity &, const Quantity &, Size n=42) |
Conversion settings | |
These parameters are used for combining quantity amounts in different currencies | |
| enum | ConversionType { NoConversion , BaseUnitOfMeasureConversion , AutomatedConversion } |
| static ConversionType | conversionType = Quantity::NoConversion |
| static UnitOfMeasure | baseUnitOfMeasure = UnitOfMeasure() |
| CommodityType | commodityType_ |
| UnitOfMeasure | unitOfMeasure_ |
| Real | amount_ = 0.0 |
| std::ostream & | operator<< (std::ostream &, const Quantity &) |
Amount of a commodity.
Definition at line 34 of file quantity.hpp.
| enum ConversionType |
Definition at line 67 of file quantity.hpp.
|
default |
| Quantity | ( | CommodityType | commodityType, |
| UnitOfMeasure | unitOfMeasure, | ||
| Real | amount | ||
| ) |
Definition at line 124 of file quantity.hpp.
| const CommodityType & commodityType | ( | ) | const |
| const UnitOfMeasure & unitOfMeasure | ( | ) | const |
| Real amount | ( | ) | const |
| Quantity rounded | ( | ) | const |
| Quantity operator+ | ( | ) | const |
Definition at line 146 of file quantity.hpp.
| Quantity operator- | ( | ) | const |
Definition at line 50 of file quantity.cpp.
Definition at line 68 of file quantity.cpp.
Definition at line 154 of file quantity.hpp.
Definition at line 159 of file quantity.hpp.
|
friend |
Definition at line 202 of file quantity.cpp.
Definition at line 165 of file quantity.hpp.
Definition at line 171 of file quantity.hpp.
Definition at line 177 of file quantity.hpp.
Definition at line 183 of file quantity.hpp.
Definition at line 187 of file quantity.hpp.
Definition at line 193 of file quantity.hpp.
Definition at line 197 of file quantity.hpp.
Definition at line 201 of file quantity.hpp.
|
static |
Definition at line 76 of file quantity.hpp.
|
static |
Definition at line 77 of file quantity.hpp.
|
private |
Definition at line 82 of file quantity.hpp.
|
private |
Definition at line 83 of file quantity.hpp.
|
private |
Definition at line 84 of file quantity.hpp.


Felix is a very nice cat.  His fur is orange.
He went missing from the garden yesterday.
Have you seen Felix? Please contact his owners at<EMAIL_ADDRESS>Thank you!


Best OREDRED ANIME
DEATH NOTE
This is a link to DEATHNOTE
ATTACK ON TITANS
BEST UNORDERD ANIME
DEMON SLAYER
HUNTER X HUNTER
Hello there, awesome person!


The maximum number of containers that this provider is allowed to run in total (value is independent of the template/image).
Note that also containers, which have not been created by Jenkins, are counted as well.
Defaults to blank which disables this limit.


A Timber program may contain two kinds of comments:
A Timber program consists mainly of definitions that give meaning to names. There are six separate namespaces in Timber:
Names are simple or qualified; the latter are used to disambiguate names defined in different modules.
Simple names come in two lexically distinct forms, identifiers and operators.
An identifier consists of a letter followed by zero or more letters, digits, single quotes and underscores. The initial letter must be upper case for constructors, type constructors and module names, and must be lower case for variables, selectors and type variables. The following lexically correct identifiers are keywords of the language and may not be used as names:
action after before case class data do default else elsif forall if import in instance let module new of private request result struct then type typeclass use where
An operator is a sequence of one or more symbol characters. The symbol characters are defined by enumeration: :!#$%&*+\<=>?@\^|-~. An operator starting with : is a constructor; otherwise it is a variable. Only variables and constructors have operator forms; the other four namespaces contain only identifiers. The following lexically correct operators are keywords and may not be used as names:
. .. :: := = \ \\ | <- -> --
An identifier may be used as an operator by enclosing it in backquotes; `elem` is an operator. Conversely, an operator may be used as an identifier by enclosing it in parentheses; (+) is an identifier.
Examples:
| Names | Possible namespaces |
|---|---|
| Color, T3, T_3, T_3' | constructors, type constructors, module names |
| x, env, myTable, a', x_1 | variables, selectors, type variables |
| +, #=#, @@ | variables |
| :, :++: | constructors |
| #3 | ILLEGAL; mixture of operator and identifier symbols. |
The precedence and associativity of operators are determined by their syntax. The operators in the following table are listed in decreasing precedence, i.e. an operator that appears in a later row binds less tightly. Function application, denoted by juxtaposition, binds tighter than all operators.
| Operators | Associativity |
|---|---|
| @ | Right |
| ^ | Right |
| * / `div` `mod` | Left |
| + - | Left |
| : ++ | Right |
| == /= < > <= >= | None |
| && | Right |
| || | Right |
| >> >>= | Left |
| $ | Right |
The operators in the table above are defined in the Prelude, but can be redefined in user modules, except for the following three exceptions:
In harmony with this, the empty list has the (lexically illegal) name [].
This means that, if evaluation of a in a && b gives False as result, the result of the complete expression is False and b is not evaluated (and, in particular, a runtime error or non-termination that would occur during evaluation of b is avoided).
Similarly, if the left operand to || evaluates to True, the result of the complete expression is True without evaluating the right operand.
Thus, semantically speaking, && and || are not operators at all but special expression-forming constructs.
Timber modules are used to manage namespaces. In this mechanism, simple names are extended to qualified forms, where the simple name is prefixed by the name of the module where it is defined. To allow several modules with the same name in a system, module names themselves may be qualified.
A qualified module name is a sequence of simple module names interspersed with periods, such as Data.Functional.List. The module name (given in the module header) is here just List, but the full name must be used by importing clients and is also used by the Timber installation to store and retrieve modules in the file system. Exactly how this is done is installation-dependent.
Imagine a module Dictionary, which defines among others the names insert and |->. An importing module may refer to these names using the qualified forms Dictionary.insert and Dictionary.|-> in order to avoid possible name conflicts. See the modules page for more information on import and use of other modules.The simple name that is the suffix of a qualified name decides if the name is an operator or an identifier and if it is a constructor or not.
A qualified name may not be used at a defining occurrence, only when a name is used. (The module prefix is uniquely determined by the module name, hence superfluous in the definition.)


--- layout: page title: Portfolio permalink: /portfolio/ ---
Half a dozen projects from the last few years showing a range of work. More recently, a lot of GOV.UK GDS work, but also a selection of ecommerce/enterprise sites built with various technologies.
A public-facing Agile project; planning and building a fully responsive and accessible, production-ready version of the shiny, new GDS framework to allow for scalability and implementation across multiple GOV UK projects. Using HTML5, CSS3, JavaScript, Grunt, Gulp, NodeJS with Express and Nunjucks built into a PHP7 Zend framework application. Also using Jira and Git.
A trade-only, Agile project for all MOT testers and related industry professionals. Work involved; implementing and customising front-end code across all parts of the application - this is based on a responsive, accessible and heavily-customised version of the GDS framework. Using HTML5, CSS3, JavaScript, NodeJS with Express and Hogan templating, Grunt, built into a PHP7 Zend framework application. Also using Jira and Git.
An Agile project; designing, building and implementing a flexible, modular and responsive styleguide to use for the new Screwfix ecommerce website. Using HTML5, CSS3, jQuery, JavaScript, Grunt, Gulp. Also using Rally and Git and built on an Oracle ATG backend, running Spindrift.
Another Agile project; building a fully responsive interface to the new Vouchercloud website, using HTML5, CSS3, jQuery, JavaScript and Gulp, built on an .NET C# backend.
A short contract consulting on and recommending best-practices for front-end architecture, optimisation and accessibility for a massive ecommerce transformation project.
A large ecommerce Wordpress project; building a custom, responsive theme to the client's own graphics-heavy design, using;HTML5, CSS3, jQuery/JavaScript, also with CSS animations.
Some older work to show a bit more diversity in project types and clients, a lot of these projects have since been superseded or archived. Again, a range of technologies and skills involved here.
Lots and lots of design work for; The Ministry of Defence, The Post Office, The Scouts, and General Electric to name some of the larger ones. Tasks include; planning, conducting and analysing research and testing with users, running user workshops, creating both flat and interactive designs, journeys and wireframes, building fully interactive prototyping, iterating, and then more iterating.
Lots of promotional sites for the BBC press office, rebuilding the BBC Shows and Tours site in addition to vast chunks of the About the BBC section including their Annual Reports. Mostly using HTML5, CSS3 and even the deprecated JavaScript Glow library until they sensibly moved back to vanilla JS and jQuery.
A ton of WordPress jobs - mostly creating highly customised themes and plugins using PHP, SQL, along with the usual HTML5, CSS3, jQuery/JavaScript


Class SoapClient
Direct known subclasses
TriangleCRM\TriangleAPI
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__soapCall( mixed $function_name, mixed $arguments, mixed $options, mixed $input_headers, mixed & $output_headers )
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Here's a list of some of my favorite places to eat...
Here's a list of some of my favorite vehicles...


vignettes/InterestAreas2.Rmd
InterestAreas2.Rmd
After *.ias
files have been created they can be loaded into DataViewer with EyeLink data files (.edf) to help analyze data and generate interest area reports. For each trial in an .edf there should also be one *.ias
. If you will be working with multiple trials in an .edf, it is recommended that when you are creating your interest area files in R you save them with a name that can be easily identified and related to corresponding trials in *.edf
files in DataViewer. As seen in our examples above, the interest area template for trial 1 was saved as trial1.ias. A cohesive naming scheme across the .edf trial names and interest area templates will simplify the matching process. Also, if you have multiple subjects and will be viewing many .edf files in DataViewer at once, each .edf loaded in a single viewing session must have a different name even if the content of the .edf is different.
Load the .edf in SRR EyeLink DataViewer:
Load EyeLink DataViewer and click File > Import Data… > EyeLink Data File…
Navigate to the directory containing the .edf, select the .edf, and click Load. The .edf will be loaded in DataViewer in the Inspector Data window.
Import the corresponding interest area files for the trials:
Click File > Import Data… > Interest Area Template…
Navigate to directory containing *.ias
files, choose all the *.ias
files that correspond to the trials in the .edf and and press Load. The *.ias
files will be loaded in the Inspector Data window in the Interest Area Templates subfolder.
Match the correct *.ias
to the trials:
In the Inspector Data window view all of the trials by expanding the .edf file by pressing +. Then click on the first trial and look at the fields that become available below.
The field labeled Interest Area Set should have a value of Empty Interest Area Set. Select this value and when the drop down menu appears you will see all the *.ias
. Select the *.ias
that corresponds to the trial you are editing.
Repeat steps 1 & 2 until each trial in the .edf has an *.ias
.
The interest areas should now overlay the eyemovement data in the Trial View window.
Note: If eye movement data is binocular, before creating Interest Area Reports, toggle between the left and right eye data by selecting Edit > Preferences > General > and checking/unchecking Use Right Eye if Binocular. This will help you are select the eye with the best data across all trials. You can use the EYE_USED variable on your interest area report to specify which eye is used for this subject’s data.
Load multiple .edfs in DataViewer:
Load EyeLink DataViewer and click File > Import Data… > Multiple EyeLink Data Files…
In Import EyeLink Data File window check the Include Sub-directories box and navigate to the directory containing all .edfs you want to import, then click open.
When the .edfs load check the boxes for the files you want to import and select Import. All files will be loaded in the Inspector Data window and sorted by .edf name.
Import the corresponding interest area files for the trials:
Click File > Import Data… > Interest Area Template…
Navigate to directory containing *.ias
files, choose all the *.ias
files that correspond to the trials in the .edf and and press Load. The *.ias
files will be loaded in the Inspector Data window in the Interest Area Templates subfolder.
Regroup the Inspector window by trial:
Click Edit > Trial Grouping…
In the Available Variables window select your trial label variable (ex. ‘Trial_number’) and press >> to move it to the Selected Variables window and then select Regroup. The Inspector Data window will now be grouped by the trials instead of .edf file names. This means like trials for each .edf will be filed together.
Note: Regrouping the .edfs by trial is not mandatory, however if .edfs are not grouped by trial, every trial for every .edf loaded will have to have the .ias paired separately. With multiple .edfs and trials this can be very time consuming and tedious.
Match the correct *.ias
to the trials:
In the Inspector Data window select a trial number and look at the fields that become available below.
The field labeled Default Interest Area Set should have a value of Empty Interest Area Set. Select this value and when the drop down menu appears select the .ias that corresponds to the trial you are editing.
Repeat steps 1 & 2 until each group of trials has an *.ias
.
Note: If the .edf has not been sorted by trial, refer to the instructions for matching the correct *.ias
to the trials for a single .edf file.
Once the interest areas have been specified, DataViewer can be used to generate interest area reports to provide information on various gaze measures for each area. Interest area reports can provide information on fixation count, summed fixation duration, regressions into an interest area, etc. Many variables are available to generate the interest area reports and sets of variables can be exported and imported for easier selection. This is a helpful tool if you will be creating reports with the same variables for many different subjects across many different viewing sessions.
Creating Interest Area Reports:
Click Analysis > Reports > Interest Area Report…
In the Available Variables window select the variables you would like in your report and press >>
Note: Reference the SRR DataViewer Manual for a complete description of each Interest Area Report Variable.
When all the variables you want are in the Selected Variables window click Next.
Navigate to the folder you want to save your Interest Area Report, name the file, and click Save.
When Save Viewing Session Changes window appears click OK to save the changes made (the Interest Area Report will not save if you do not select OK).
Exporting Interest Area Report Variables:
Click Analysis > Reports > Interest Area Report….
In the Available Variables window select the variables you would like in your report and press >>.
When all the variables you want are in the Selected Variables window click the Export Variable Selection icon below the Selected Variable window.
Click Yes when asked Do you want to save the selection list?
Navigate to a folder, name your report variables, and click Save.
Importing Interest Area Report Variables:
Click Analysis > Reports > Interest Area Report….
Click the Import Variable Selection icon below the Selected Variable window.
Navigate to the folder that contains the interest area report variables that were previously exported (see Exporting Interest Area Report Variables), select the file, click Open.
Proceed with saving the Interest Area Report.
For some eye tracking experiments the recording sequences may include more eye movement data than you are actually want to include in the interest area report. Interest Periods can be created to modify the portion of data used in a report.
Example: An experiment requires a subject to read a story orally and then answer a comprehension question. The recording sequence includes the reading of the story and the question, but in Data Viewer we are only interested in viewing the oral reading portion. We can use message events to create Interest Periods that will include only eye movements that occurred during the oral reading portion of the trial (excluding those collected during the comprehension question).
Identify Message Events for an Interest Period:
Load the .edf into a new DataViewer session and expand the expanding the .edf file by pressing +.
Select a trial and then click Toggle Message Event Visibility in the tool bar. In the Inspector window, Message items should be included with the Fixation items.
Identify the message that corresponds to the start of the eye movement data you are interested in viewing.
Example: For the experiment above we are looking for the message labeled DISPLAY_Story because this message indicates when the story was displayed and the subject began reading.
Example: For the experiment above we are looking for the message labeled KEYBOARD_End because this message indicates when the experimenter ended the display of the story because the subject finished reading.
Creating the Interest Period:
Click Full Trial Period > Edit > New Interest Period.
In the Label field enter the name for your interest period (ex. Target Story, Target sentence, etc.) and change the End Event Type field from Button Event to Message Event.
Click the Details tab and fill in the Value field with the message that starts your interest period (ex. DISPLAY_Story).
Fill in the End Time Message Text field with the message that ends your interest period (ex. KEYBOARD_End). Press OK and your new Interest Period will appear in the Interest Period Manager window.
Select your new interest period and press OK. All fixations that occurred outside the message events entered will be removed.
Note: You can switch back to viewing all the eye movement by switching back to the Full Trial Period in the drop down menu. Interest Periods, much like Interest Area report variables, can be exported for future use. This will be helpful if you will be using the same interest periods for many subjects.


We
believe
that no child
should suffer from
vaccine-preventable
diseases.
That's why we built an inexpensive
digital necklace that makes
medical history wearable.
A link


Safetipin helps Indian women use their smartphones to map security risks in urban areas. We help augment their data with information collected by professionally trained safety auditors who record additional street-level data on communities and cities in India.
Using UAVs and earth-imaging satellites, we work with elected officials in Mongolia’s capital city to map informal communities and give local policy makers new tools to plan and improve service delivery in low-income neighborhoods.


$PGV_SVG_FIG
-
Zoom Figure
By clicking plus-minus button or moving mouse wheel, figure can be zoomed.
-
Reset Zoom Figure
By clicking reset button, figure can be reset zoom status.
-
Pan Figure
By dragging figure, figure can be panned freely.
-
Select Color
By clicking color picker button, user can select object change color.
-
Change Object Color
By double-clicking on a Feature | Link | Text object, object color can be changed.
-
Change Text Property
By right-clicking on the text label, edit dialog appears.
-
Save Figure
By clicking save button, user can save figure in PNG or SVG format.
-
Save Edited HTML State
By entering [Ctrl + S], user can save edited HTML as a new file.


TONE ANALYZER
EMOTION
WRITING
SOCIAL
DOCUMENT
SENTENCE
RECORD
PLAY
Built with
-
about this project
-


my name is Paul and I am a data scientist and operations researcher with an academic background in physics (especially quantum information theory), economics and philosophy of science. On this blog I write about various things that I find interesting, which includes things like the historical and social aspects of science, quantum technology, clear explanations of concepts involving statistics, things that people call "crypto", economics. Some time ago I also had strong feelings about Kant and epistemology of science, but since I could never actually articulate them, I've given up on that...
I have yet to migrate these from my old blog.


Browse the Block Chain
In this example, we retrieve the last 10 block from the Bitcoin block chain and render a summary page. We start with the chain property to get the URL of the latest block. We then use the prev_block_url to load the previous, hence traversing the block chain back block by block.
From the command line, we retrieve the latest block using the curl and json commands:
curl -s https://api.blockcypher.com/v1/btc/main | json latest_url | xargs curl -s
Here we use the json command to extract the latest_url property from the chain and pass it to curl using xargs (invokes a command passing the stdin parameters). This can be chained further to go one block back:
curl -s https://api.blockcypher.com/v1/btc/main | json latest_url | xargs curl -s | json prev_block_url | xargs curl -s
We can continue chaining calls, but it quickly gets very long. Here's a short Javascript program which can be run in the browser to do the same thing using JQuery:
// Displays the block, for now we just do an alert to show the block's height.
function showBlock(block) {
alert(block.height);
}
// Gets the JSON data returned by the previous JQuery.get, parse it and returns a
// new promise to get the next block.
function printAndGetNext(block) {
showBlock(block);
return $.get(block.prev_block_url);
}
// First gets the blockchain data using JQuery.get, parses it and returns a promise to get
// the latest block. We queue several then() calls right after to get each block one after
// another and display them.
$.get("http://api.blockcypher.com/v1/btc/main").then(function(chain) {
return $.get(chain.latest_url);
}).then(printAndGetNext).then(printAndGetNext).then(printAndGetNext);
The above JQuery.get calls our APIs and utilizes the URLs returned by every call. We allow cross-origin resource sharing which enables requests from your domain.
To improve on the above code, we add more details and a loop to get 10 blocks, instead of 3:
// Displays the block by rendering a div summarizing some of its most important details
function showBlock(b) {
var total = b.total / 100000000
$('#10-latest-blocks').before("
Block at "+b.height+" transferred "+ total+" in "+b.n_tx+" transactions.
");
}
// Gets the JSON data returned by the previous JQuery.get, parse it and returns a
// new promise to get the next block.
function printAndGetNext(block) {
showBlock(block);
return $.get(block.prev_block_url);
}
// Gets the blockchain data and parse it, returning a promise to get the latest block
var initiate = $.get("https://api.blockcypher.com/v1/btc/main").then(function(chain) {
return $.get(chain.latest_url);
});
// We continue by looping on the promise returned above and chaining 10 calls to print
// the block and get the next one.
var next = initiate;
for (var n = 0; n < 10; n++) { next = next.then(printAndGetNext); }


git-credential-store - Helper to store credentials on disk
git config credential.helper *(Aqstore [options]*(Aq
Note
Using this helper will store your passwords unencrypted on disk, protected only by filesystem permissions. If this is not an acceptable security tradeoff, try git-credential-cache(1), or find a helper that integrates with secure storage provided by your operating system.
This command stores credentials indefinitely on disk for use by future Git programs.
You probably don(cqt want to invoke this command directly; it is meant to be used as a credential helper by other parts of git. See gitcredentials(7) or EXAMPLES below.
--file=<path>
Use <path> to store credentials. The file will have its filesystem permissions set to prevent other users on the system from reading it, but will not be encrypted or otherwise protected. Defaults to ~/.git-credentials.
The point of this helper is to reduce the number of times you must type your username or password. For example:
$ git config credential.helper store $ git push http://example.com/repo.git Username: <type your username> Password: <type your password> [several days later] $ git push http://example.com/repo.git [your credentials are used automatically]
The .git-credentials file is stored in plaintext. Each credential is stored on its own line as a URL like:
<EMAIL_ADDRESS>When Git needs authentication for a particular URL context, credential-store will consider that context a pattern to match against each entry in the credentials file. If the protocol, hostname, and username (if we already have one) match, then the password is returned to Git. See the discussion of configuration in gitcredentials(7) for more information.
Part of the git(1) suite


Drug / Dosage Summary
- Intralipid 20% 1.5 mL/kg IV over 1 min, repeat until stable (see orange box below)
- Intralipid 20% mL (1.5 mL/kg) IV over 1 min, repeat until stable (see orange box below)
- Epinephrine 1 MICROgram/kg IV/IO
- Epinephrine MICROgrams (1 MICROgram/kg) IV/IO
- Midazolam 0.05-0.1 mg/kg IV
- Midazolam mg (0.05-0.1 mg/kg) IV


Some simple statistics compiled from team records.
Scoring model captures max, min, mean, and variance of points for, points against, scoring margin and combined score
Simple implementation of the NCAA's ratings percentage index, with possibly minor implementation details. 1-2-1 weight OWP twice as much as WP and Opp Opp WP, 4-2-1 weights WP twice as much as Opp WP and Opp WP twice as much as Opp Opp WP. Also offers geometric as well as arithmetic average
Simple regression model
Some simple statistics compiled from team records.
Scoring model captures max, min, mean, and variance of points for, points against, scoring margin and combined score
Simple implementation of the NCAA's ratings percentage index, with possibly minor implementation details. 1-2-1 weight OWP twice as much as WP and Opp Opp WP, 4-2-1 weights WP twice as much as Opp WP and Opp WP twice as much as Opp Opp WP. Also offers geometric as well as arithmetic average
Simple regression model
Predict won-loss game odds using logistic regression based on as-of team statistics


3000 Miles to Graceland (2001) 2 stars out of 4. Starring Kurt Russell, Kevin Costner, Courtney Cox, Christian Slater, David Arquette, Bokeem Woodbine, David Kaye, Kevin Pollack and Howie Long. Written by Richard Recco and Demian Lichtenstein. Directed by Lichtenstein. Rated R.
The reaction to watching 3000 Miles to Graceland is probably akin to attending one of those Elvis nostalgia shows, but with the guy who does the older, fatter Elvis.
You enjoy the show, but are embarrassed and feel foolish about it.
The same emotions tend to rear up during this outlandish crime caper.
3000 Miles to Graceland is, like Elvis, chintzy retro. It is ultra-violent and bloody, but in such a cartoonish manner that you can neither take it seriously nor really be offended.
This foray into foolishness is so outrageous, so near camp that all you can do is sit back and go along for the ride when, at times, all you wish you could do is ìReturn to Sender.î
You watch this movie with disbelief at times, jaws agape at how preposterous and excessive this entire venture can be.
In a nutshell, the story revolves around a quintet of ex-cons who, during an Elvis impersonation convention at a Vegas hotel, dress up as The King to knock over the joint.
The robbery isn't the filmís main focus, though, except that it is kind of kinky seeing Kevin Costner, Kurt Russell, Christian Slater, David Arquette and Bokeem Woodbine all decked out in their best rhinestone-studded Elvis paraphernalia.
No, it is the post-robbery double dealings that occupy most of the filmís approximate 2 hours and 10 minutes.
What we get is a combination chase, road movie and love story, all courtesy of screenwriters Richard Recco and Demian Lichtenstein, the latter also serving as director ó or ringmaster, depending on your outlook.
The bulk of the movie follows the cat-and-mouse game between Russellís Michael and Costnerís Murphy for possession of the $3.2 million Vegas loot.
Along for the ride is con woman Cybil (Courtney Cox) and her precocious 10-year-old son, Jesse (David Kaye).
The body count is mega-high, and that is disturbing, especially in this post-Columbine climate in which officials are breathing down Hollywoodís neck to tone down cinematic violence.
It is like the filmmakers are thumbing their noses at the establishment. But, of course, being Hollywood, the filmís creators try to have it both ways by putting together an end-title sequence that seems to say, ìHey, folks, don't get all riled up, we're only kidding around and having some fun here.î
One of the filmís weak points is Costnerís performance. The man cannot be taken seriously as a badass ex-con. No matter how hard he tries, or how many people he kills, he retains that Kevin Costner, all-American good guy image. He even curses like a wuss.
Russell fares better as the ex-con with a conscious. You can tell heís the movieís good guy because heís the only one who doesnít mow down a dozen cops or gamblers during the heist sequence.
This is a movie in which the performances are really secondary to the overall ambiance of the film. Director Lichtenstein uses hyper-drive camera movements and lots of fancy angles to disguise the fact that what he has created is merely a ferocious crime drama.
3000 Miles to Graceland is a movie you may find entertaining, then question your reaction afterwards.
It is a savage, destructive outing with a modicum of wit, some style and many disturbing images.
However, you have to appreciate Lichtenstein and his crew for doing things their way.
Bob Bloom is the film critic at the Journal and Courier in Lafayette, IN. He can be reached by e-mail at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>More of Bloom's reviews can be found at www.jconline.com by clicking on golafayette. Bloom's reviews also can be found on the Web at the Internet Movie Database: http://www.imdb.com/M/reviews_by?Bob+Bloom
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| 5f8d16fd2406532118d9fba3 |
2020-10-19 |
1518.00 |
BASIR |
TRUE |
2020-10-19 |
TRUE |
143 , NEAR MARC TOWERS, MAHARASHTRA |
|
| 5f8d16fd2406532118d9fba3 |
2020-10-19 |
1518.00 |
BASIR |
TRUE |
2020-10-19 |
TRUE |
143 , NEAR MARC TOWERS, MAHARASHTRA |
|
| 5f8d16fd2406532118d9fba3 |
2020-10-19 |
1518.00 |
BASIR |
TRUE |
2020-10-19 |
TRUE |
143 , NEAR MARC TOWERS, MAHARASHTRA |
|
| 5f8d16fd2406532118d9fba3 |
2020-10-19 |
1518.00 |
BASIR |
TRUE |
2020-10-19 |
TRUE |
143 , NEAR MARC TOWERS, MAHARASHTRA |
|
| 5f8d16fd2406532118d9fba3 |
2020-10-19 |
1518.00 |
BASIR |
TRUE |
2020-10-19 |
TRUE |
143 , NEAR MARC TOWERS, MAHARASHTRA |
|


| File/folder | Description |
|---|
| /src-launcher | Source folder of the Scelight Launcher module. |
| /src-sc2-textures | Source folder of the SC2 Textures module. |
| /src-sc2-balance-data | Source folder of the SC2 Balance Data module. |
| /src-app-libs | Source folder of the Scelight Libs module. |
| /src-app | Source folder of the (main) Scelight module. |
| /src-tool | Source folder of utility tools. |
| /src-ext-mod-api | Source folder of the External Module API. |
| /app-folder | Contains the off-line files and static files/folders required to run Scelight from Eclipse. |
| /dev-data | / | Contains files related to development history and metrics |
| /source-stats | Metrics of the Scelight project. |
| /*-build-history.txt | Build history of different modules. |
| /docs | / | Contains some documentation of the project. |
| /app-logo | First version of the app logo. |
| /change-history | Changes and new features of all the public releases. |
| /generated | Target folder of generated javadoc. |
| /eclipse | Contains Eclipse configuration files (code templates and source file formatting rules). |
| /release | / | Target folder for creating releases. |
| /resources | Static resource files needed to create releases. |
| /compiled-classes | Target folder for compiled classes of releases (used during module build). |
| /deployment-dev | Deployment files (packaged modules) of the development version. |
| /deployment-pub | Deployment files (packaged modules) of the public version. |
| /Scelight | Complete Scelight version assembled after module builds. |
| /*.properties | *.properties files holding latest build numbers and build timestamps of different modules. |
| /war/news | News content for the Scelight Operator web application. |
| /build-release.xml | Scelight Builder. Can build releases and modules (with deployments) and make project backup. |
| /build-javadoc.xml | Scelight Development Javadoc Builder. |
| /directory-info.html | This document. |
| /Scelight.launch | Eclipse launch configuration to run Scelight. |
| /Scelight-dev.launch | Eclipse launch configuration to run Scelight in development mode. |


R package for analyzing weighted, two-mode, and longitudinal networks.
| Version: | 3.0.14 |
| Depends: | R (≥ 2.13.0), igraph, survival |
| Published: | 2015-11-18 |
| Author: | Tore Opsahl |
| Maintainer: | Tore Opsahl <tore at opsahl.co.uk> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| Citation: | tnet citation info |
| Materials: | ChangeLog |
| CRAN checks: | tnet results |
| Reference manual: | tnet.pdf |
| Package source: | tnet_3.0.14.tar.gz |
| Windows binaries: | r-devel: tnet_3.0.14.zip, r-release: tnet_3.0.14.zip, r-oldrel: tnet_3.0.14.zip |
| OS X binaries: | r-release: tnet_3.0.14.tgz, r-oldrel: tnet_3.0.14.tgz |
| Old sources: | tnet archive |
| Reverse imports: | econet, ITNr |
Please use the canonical form https://CRAN.R-project.org/package=tnet to link to this page.


Bug summary:
When attempting to define a new additive when feeding a plant, the app crashes.
Observed Behavior (a description of what happened with the app):
When I attempted to create a new additive for plant feeding, the app crashed when I pressed "OK."
Expected Behavior (a description of what you expected to happen):
When creative a new additive and clicking "OK," the app should return to the Feed screen and allow the user to continue entering details, with the desired additive added to the list of additives.
Steps to Reproduce (the steps to reproduce the problem):
1. Create a plant with a name and a strain.
2. Click on the plant to access its details, then click on the Feed menu.
3. Click "New Additive," then click OK. The app crashes.
Additional information:
Attachments:


Comprehensive set of modular CSS rules
A large number of helper CSS rules are provided. Ranging from the basic ones like .text-center
, to complex ones like .list
.
.text-16
for font-size: 16px
(Example)
.text-14
for font-size: 14px
(Example)
.text-large
for font-size: 1.5em
(Example)
.text-small
for font-size: 0.857em
(Example)
.text-center
for text-align: center
.text-right
for text-align: right
.text-left
for text-align: left
.text-white
for color: #fff
(Example)
.text-black
for color: #000
(Example)
.text-red
for color: #d32
(Example)
.text-yellow
for color: #f80
(Example)
.text-green
for color: #094
(Example)
.text-blue
for color: #06c
(Example)
.text-purple
for color: #a08
(Example)
.code
for code styled text (Example
)
.float-left
for float: left
.float-right
for float: right
.clear
for clearing floating elements within the element
Example:
div.clear
div.float-left
div.float-right

.list
for a ul
element with list-style: none
, padding: 0
and margin: 0
.list-inline
for the li
children of .list
to display: inline-block
.list-float
for the li
children of .list
to float: left
Example:
|
|
|
|

One

Two

Three

 ...

 ...

Nowadays, flat and matte user interfaces are all the rage. Pixelly Framing defaults to a gradient and glossy user interface. Instead of hardcoding these styles, Pixelly Framing adapts a matte user interface by detecting classes in the body
element.
.retro-gradient
to remove background gradients
.retro-radius
to remove curves around boxes
.retro-shadow
to remove background shadows
Example: Press each button and see the effects on the style.

Buttons play a large part in form interaction. In Pixelly Framing, buttons come in a variety of colors. Simply add .btn
and the desired button color to get a styled button. In addition to helper classes for button sizes, buttons can also be grouped together with .btn-group
, vertically or horizontally.
.btn
for
.btn-black
for
.btn-red
for
.btn-yellow
for
.btn-green
for
.btn-blue
for
.btn-purple
for
.btn-small
for a smaller button
.btn-large
for a larger button
.btn-block
for a button with display: block
Example:
|
|
|
|
<button class="btn btn-small"></button> <button class="btn btn-large"></button> <button class="btn btn-block"></button>
.btn-group
to initiate button grouping
.btn-group-horiz
groups the buttons horizontally
.btn-group-vert
groups the buttons vertically
Example:

 <button class="btn btn-red">Button 1</button> <button class="btn">Button 2</button> <button class="btn">Button 3</button>

 ...

Other than buttons, forms would not be complete without input elements. Pixelly Framing styles input fields minimally, leaving most of the default styles intact. To note, the select
element has an unstandardized behavior, which results in it being a few pixels larger than other input counterparts.
To use Pixelly Framing's input style, simply add the .input
class to the element. Like .btn
, inputs also have helper classes for its sizes. Radio and checboxes can also be paired with buttons to provide an interesting style.
.input
for a default input, for input[type=text]
, input[type=password]
, select
and textarea
.input-small
for a smaller input
.input-large
for a larger input
.input-block
for a input with display: block
Example:
|
|
|
|
<input type="text" class="input"> <input type="password" class="input"> <input type="text" class="input" disabled> <select class="input"> <option>option 1 ... </select> <textarea class="input"></textarea> <input type="checkbox"> Checkbox <input type="radio"> Radio <input type="text" class="input input-small"> <input type="text" class="input input-large"> <input type="text" class="input input-block">
Using the similar color scheme to the buttons, the .box
class can be used to make colored boxes for different purposes.
.box
for Default Box.box-black
for Black Box.box-red
for Red Box.box-yellow
for Yellow Box.box-green
for Green Box.box-blue
for Blue Box.box-purple
for Purple Box
Example:

Pixelly Framing comes with two navigation bars, which are colored black or white. As you can probably see, the navigation bar on top of the page is black. Navigation bars are identified with the .nav
class. Within the .nav
class, there are many other helper classes. .nav-title
emphasizes the website's name, along with .list
, which lists down the common links of the website.
For smaller viewports, the navigation bar provides a small trigger button with a dropdown menu, with the classes .nav-trigger
and .nav-menu
respectively. Dropdowns can also be used as well, which will be explained further in the Dropdown section.
.nav
to initiate navigation bar
.nav-black
for black navigation bar
.nav-white
for white navigation bar
.nav-fixed
for a position: fixed
navigation bar
.nav-title
for highlighting website's name
.list
for common links of website
Example:

 Nav Bar

Home
Contact

 Nav Bar ...

.nav-trigger
for the menu trigger button
.nav-menu
for the menu dropdown
Example:

  Nav Bar

Home

Contact

Pixelly Speaking provides a number of basic table styling, for example, striped rows, bordered tables and full-width tables.
.table
to initiate tables
.table-fill
for width: 100%
tables
.table-comfy
for columns with larger padding
.table-border
for tables fully bordered
.table-border-row
for tables with the rows bordered only
.table-stripe
for striped tables
Example:
| Default table | With 100% width |
| Tables with borders | On all cells |
| Tables with borders | On all rows only |
| Tables with borders | On all rows only |
| Tables with striped background | This row is background-color: #fff |
| Tables with striped background | This row is background-color: #f8f8f8 |

 Default table	 With 100% width

 Tables with borders	 On all cells

 Tables with borders	 On all rows only

 Tables with borders	 On all rows only

 Tables with striped background	 This row is background-color: #fff

 Tables with striped background	 This row is background-color: #f8f8f8

Simple progress bars are also provided, utilizing the .box
helper classes to give color to the usually mundane progress bars.
.progress
to initiate a progress bar
Example:

Dropdowns are an essential part of websites, offering navigation and choice for users while conserving space. Pixelly Framing rolls with its own dropdown, which does not support nested dropdowns.
.dropdown
to initiate dropdown
.dropdown-menu
to initiate the toggled dropdown menu
.dropdown-menu-right
to align the dropdown menu to the right
.dropdown-spacer
to create space between dropdown menu entries
Example:

 <button class="btn btn-red">Toggle Dropdown</button>

Link 001
 ...

Modals capture the user's attention to something which needs to be highlighted. Similar to many other CSS rules, modals in Pixelly Speaking is customizable.
.modal
for the background of the modal
.modal-black
for a black modal
.modal-white
for a white modal
.modal-box
to initiate the modal box
.modal-header
for the modal box's header
.modal-body
for the modal box's body
.modal-footer
for the modal box's footer
.modal-trigger
to trigger the modal
.modal-dismiss
to dismiss the modal
Example:

Modal Box
 <button class="btn btn-red modal-dismiss">×</button>

 This is the modal box

 <button class="btn btn-red modal-dismiss">Dismiss</button>

 ... <button class="btn modal-trigger" data-model-box-target="testModal">Trigger Modal</button> ...


Himachal Pradesh Hospital Beds availability
Mahatma Gandhi Medical Services Complex, Khaneri, Shimla
Click here for the location.
Phone number: 01782 234 969
Mail id: na
No. of beds: 300 beds
No. of O2 cylinders: 50


Rape-accused pastor Timothy Omotoso to spend third Christmas behind bars pending judgment
by Nosipiwo ManonaDespite all the efforts of rape-accused pastor Timothy Omotoso to secure his release from jail, he will still spend Christmas behind bars.
This year, Omotoso will spend his third Christmas at St Albans Correctional Centre, since his arrest in April 2017.
During a brief appearance in the Eastern Cape High Court in Port Elizabeth on Thursday, Omotoso arrived clad in the colours of Rugby World Cup champions, the Springboks, and his followers were excited to see him in his regalia.
Jubilant followers screamed out: "Daddy! The General! Pappa!" as soon as he entered Court A. But, unlike the Springboks, he was not triumphant, having failed in his efforts to have the charges against him reduced.
Omotoso and his co-accused, Lusanda Sulani and Zukiswa Sitho, face 97 charges including rape, human trafficking and racketeering. Included in the charges are offences which allegedly took place on international business trips.
Postponed for 'outcome of application'
Defence lawyer Peter Daubermann previously argued that they believed any allegations relating to crimes that were not committed in the Port Elizabeth or Eastern Cape jurisdictions should not be heard in the High Court in Port Elizabeth.
But Judge Irma Schoeman rejected their application, prompting the accused to take the case to the Supreme Court of Appeal, which was also unsuccessful.
They later approached the Constitutional Court, which has not yet decided on the application.
On Thursday, Schoeman postponed the matter to January 28, 2020, for "the outcome of the application to the Constitutional Court of South Africa".
This means Omotoso will remain in jail.
The bail of his co-accused was extended.


Tutorial
Authentication
Most operations in Synapse require you to be logged in. Please follow instructions in Authentication to configure your client:
import synapseclient
syn = synapseclient.Synapse()
syn.login()
# If you aren't logged in, this following command will
# show that you are an "anonymous" user.
syn.getUserProfile()
Accessing Data
Synapse identifiers are used to refer to projects and data which are represented by synapseclient.entity
objects. For example, the entity syn1899498 represents a tab-delimited
file containing a 100 by 4 matrix. Getting the entity retrieves an object that holds metadata describing the matrix,
and also downloads the file to a local cache:
import synapseclient
# This is a shortcut to login
syn = synapseclient.login()
entity = syn.get('syn1899498')
View the entity’s metadata in the Python console:
print(entity)
This is one simple way to read in a small matrix:
rows = []
with open(entity.path) as f:
header = f.readline().split('\\t')
for line in f:
row = [float(x) for x in line.split('\\t')]
rows.append(row)
View the entity in the browser:
syn.onweb('syn1899498')
Managing Data in a Project
You can create your own projects and upload your own data sets. Synapse stores entities in a hierarchical or tree structure. Projects are at the top level and must be uniquely named:
import synapseclient
from synapseclient import Project, Folder, File
syn = synapseclient.login()
# Project names must be globally unique
project = Project('My uniquely named project')
project = syn.store(project)
Creating a folder:
data_folder = Folder('Data', parent=project)
data_folder = syn.store(data_folder)
Adding files to the project. You will get an error if you try to store an empty file in Synapse. Here we create temporary files, but you can specify your own file path:
import tempfile
temp = tempfile.NamedTemporaryFile(prefix='your_file', suffix='.txt')
with open(temp.name, "w") as temp_f:
temp_f.write("Example text")
filepath = temp.name
test_entity = File(filepath, description='Fancy new data', parent=data_folder)
test_entity = syn.store(test_entity)
print(test_entity)
You may notice that there is “downloadAs” name and “entity name”. By default, the client will use the file’s name as the entity name, but you can configure the file to display a different name on Synapse:
test_second_entity = File(filepath, name="second file", parent=data_folder)
test_second_entity = syn.store(test_second_entity)
print(test_second_entity)
In addition to simple data storage, Synapse entities can be annotated with key/value metadata, described in markdown documents (Wiki), and linked together in provenance graphs to create a reproducible record of a data analysis pipeline.
See also:
Annotating Synapse Entities
Annotations are arbitrary metadata attached to Synapse entities. There are different ways to creating annotations. Using the entity created from the previous step in the tutorial, for example:
# First method
test_ent = syn.get(test_entity.id)
test_ent.foo = "foo"
test_ent.bar = "bar"
syn.store(test_ent)
# Second method
test_ent = syn.get(test_entity.id)
annotations = {"foo": "foo", "bar": "bar"}
test_ent.annotations = annotations
syn.store(test_ent)
See:
Versioning
Synapse supports versioning of many entity types. This tutorial will focus on File versions. Using the project/folder created earlier in this tutorial
Uploading a new version. Synapse leverages the entity name to version entities:
import tempfile
temp = tempfile.NamedTemporaryFile(prefix='second', suffix='.txt')
with open(temp.name, "w") as temp_f:
temp_f.write("First text")
version_entity = File(temp.name, parent=data_folder)
version_entity = syn.store(version_entity)
print(version_entity.versionNumber)
with open(temp.name, "w") as temp_f:
temp_f.write("Second text")
version_entity = File(temp.name, parent=data_folder)
version_entity = syn.store(version_entity)
print(version_entity.versionNumber)
Downloading a specific version. By default, Synapse downloads the latest version unless a version is specified:
version_1 = syn.get(version_entity, version=1)
Provenance
Synapse provides tools for tracking ‘provenance’, or the transformation of raw data into processed results, by linking derived data objects to source data and the code used to perform the transformation:
# pass the provenance to the store function
provenance_ent = syn.store(
version_entity,
used=[version_1.id],
executed=["https://github.com/Sage-Bionetworks/synapsePythonClient/tree/v2.7.2"]
)
See:
File Views
Views display rows and columns of information, and they can be shared and queried with SQL. Views are queries of other data already in Synapse. They allow you to see groups of files, tables, projects, or submissions and any associated annotations about those items.
Annotations are an essential component to building a view. Annotations are labels that you apply to your data, stored as key-value pairs in Synapse.
We will create a file view from the project above:
import synapseclient
syn = synapseclient.login(
# Here we are using project.id from the earlier sections from this tutorial
project_id = project.id
fileview = EntityViewSchema(
name='MyTable',
parent=project_id,
scopes=[project_id]
)
fileview_ent = syn.store(fileview)
You can now query it to see all the files within the project. Note: it is highly recommended to install pandas:
query = syn.tableQuery(f"select * from {fileview_ent.id}")
query_results = query.asDataFrame()
print(query_results)
More Information
For more information see the Synapse Getting Started.


Ericsson C3 Web examples
AudioMeter example
This example shows how to use the
AudioMeter
. The blue bar shows the
raw
audio, while the small white bar shows the
filtered
audio. Audio levels are captured from your microphone using a
DeviceSource
.


Im a software developer currently at Moringa School trying to perfect my craft.
I enjoy turning complex problems into simple, beautiful and intuitive designs.
When I'm not coding, tweeting or pushing pixels, you'll find me cooking,
being a mom or working out in the gym.
HTML, CSS, BOOTSRAP, JAVASCRIPT, JQUERY
If you want to talk to me about a project we should collaborate on or even just say hi.
Email me on firdausa.salat@gmail.com


SNOLIB(3) | CSNOBOL4B 2.0 | January 1, 2015
NAME
snolib – SNOBOL4 library routines
SYNOPSIS
-INCLUDE 'filename.sno'
DESCRIPTION
The following snobol4(1) library routines are available for
-INCLUDE:
-
bq.sno
-
run a program in a subprocess and capture all output,
like shell/Perl backquote construct.
-
chars.sno
-
defines a variable for each non-printing character
in the local character set.
-
dynamic.sno
-
functions to compile and link dynamicly LOADable extensions.
-
fence.sno, not.sno
-
Emulation of SPITBOL FENCE() and NOT() functions
thanks to Peter-Arno Coppen.
-
host.sno
-
Function codes for HOST() function.
-
serv.sno
-
Example TCP server program.
-
smtp.sno
-
Example code to send mail via TCP/SMTP.
-
snobol4+.sno
-
SNOBOL4+ emulation functions: ENVIRONMENT(), EXECUTE(),
TELL(), SEEK().
-
spitbol.sno
-
SPITBOL I/O emulation functions (no unit numbers) INPUT(), OUTPUT(),
ENDFILE(), REWIND().
-
stcl.sno
-
Prototypes and values for EXPERIMENTAL SNOBOL4 Tcl/Tk routines, see
snobol4tcl(3).
-
tcp.sno
-
TCP connection routines, used by the URL library (below)
-
url.sno, file.sno, ftp.sno, http.sno
-
Internet URL file reading support (for file, ftp and http URL's).
-
utf.sno
-
Experimental routines for handling UTF encoded (Unicode) data.
-
wrapper.sno
-
Routines for creating C code wrappers for dynamicly loading code.
SEE ALSO
snobol4(1),
snobol4dirs(3), snobol4ffi(3), snobol4fork(3),
snobol4logic(3), snobol4ndbm(3), snobol4random(3),
snobol4setup(3), snobol4sprintf(3), snobol4sqlite3(3),
snobol4stat(3), snobol4tcl(3), snobol4time(3).
AUTHOR
Philip Budne
Peter-Arno Coppen
BUGS
Each include file should have it's own man page!


fifth-third-bank
Businessmodel of Fifth Third Bank
Customer Segments
Fifth Third Bank and its subsidiaries provide a range of financial and banking services to public sector and commercial clients across multiple sectors. The majority of the Company’s clients operate within the following business sectors:
- Retail and Commercial
- Financial Services
- Public Sector and Governmental
- Education
- Medical and Healthcare The Company provides checking, savings and money market accounts, as well as credit products such as credit cards, installment loans, mortgage loans and leases, to customers across all of these sectors.
Fifth Third Bank derives the vast majority of its revenue through its home market of the US and customers domiciled in the US. The Company does not conduct any substantive business outside the US; however, it does intend to extend its geographic footprint in the future.
Value Propositions
Fifth Third Bank provides value to its customers in the following ways:
- Its broad portfolio of banking products and services, including a range of personal and commercial banking services such as mortgage lending, credit cards and savings accounts;
- Its accessibility and electronic banking solutions, which allow customers to access their accounts and manage their finances through desktop and mobile browsers and mobile applications;
- Its competitive rates and prices, providing a range of credit services – such as personal and home loans – at competitive interest rates; and
- The industry expertise of its personnel, including specialist commercial and personal banking professionals working across its network of branches and offices in the US. ### Channels
Fifth Third Bank operates a website at www.53.com, through which its provides information to customers on its various products and services. Customers are also able to access account information, sign up for certain schemes and utilise certain online services through the Company’s website, as well as through its mobile applications for Android and iOS platforms.
Fifth Third Bank makes the majority of its sales through its in-house sales teams, which operate primarily through the Company’s network of bank branches across the US. It has a presence in ten US states: Florida, Georgia, Ohio, Indiana, Tennessee, North Carolina, Illinois, West Virginia, Kentucky and Michigan. Some of Fifth Third Bank’s services can also be accessed through its network of automated teller machines. Larger commercial clients deal directly with Fifth Third Bank representatives over the phone or in person at their offices.
Customer Relationships
Certain Fifth Third Bank services are available on a self-service basis through its website and mobile applications. Customers are able to access their accounts and perform certain functions autonomously without interference from members of the Fifth Third Bank staff.
The majority of the Company’s services, however, require direct consultation with members of Fifth Third Bank’s sales and banking staff, who are able to provide customers with personalised care and services tailored to their individual needs and circumstances. The nature of the Company’s services typically encourages longstanding customer relationships, with services being provided over a period of years.
Fifth Third Bank provides various support services to its customers. Customers are able to contact the Company’s support staff across its operating departments over the phone or via an online contact form, receiving personalised assistance with their issues or concerns.
Fifth Bank publishes press releases and media coverage through its Media Centre, keeping customers updated with its business activities. It is also able to interact directly with its customers through its social media accounts with Facebook, Twitter, YouTube and LinkedIn.
Key Activities
Fifth Third Bancorp is the holding company of the Fifth Third Banking Group, of which Fifth Third Bank is the principal operating company.
Fifth Third Bank provides lending, deposit gathering, transaction processing and service advisory services through its banking and non-banking subsidiaries operating throughout the Midwestern and Southeastern regions of the US. The Company’s operations are divided into four business segments: Commercial Banking, Branch Banking, Consumer Lending and Investment Advisors.
Fifth Third Bank provides a range of credit services – including commercial and industrial loans, commercial mortgage loans, commercial construction loans, commercial leases, residential mortgage loans, home equity, automobile loans, credit card, and other consumer loans and leases – as well as various types of deposits, including demand deposits, interest checking deposits, savings deposits, money market deposits, transaction deposits and other time deposits.
Key Partners
Fifth Third Bank has established a number of partnerships that supplement and facilitate its various services and solutions. It collaborates with a number of companies and organisations across multiple sectors, largely comprising:
- Sponsorship Partners, including sports teams and charitable organisations for which the Company acts as a sponsor; and
- Technology Partners, including software development, information services and electronics companies that enhance the Company’s electronic banking services. Among Fifth Third Bank’s Sponsorship Partners are organisations such as Stand Up to Cancer, Columbus Zoo and Kennesaw State University, and sports teams including Nashville Predators, Toledo Mud Hens and Dayton Dragons. The Company has also entered into recent partnerships with Samsung to offer customers the option to make credit and debit card payments via Samsung Pay, with Bottomline Technologies to provide electronic payment capabilities to customers, and with Fidelity National Information Services to develop payment technology solutions.
Fifth Third Bank also lists a number of affiliate companies on its website, including GNB Realty, Card Management Corp, Walnut and Vine Properties, and Old Kent Mortgage Services.
Key Resources
Fifth Third Bank’s key resources are its financial products and solutions, its electronic banking capabilities and IT infrastructure, its network of physical branches and automated teller machines, and its personnel.
As a banking company, Fifth Third Bank’s financial resources, including its ability to extend lines of credit, are key to its ongoing operations.
Cost Structure
Fifth Third Bank incurs costs in relation to the maintenance of its IT infrastructure, the sale and provision of its banking services, the operation of its network of bank branches and automated teller machines, and the retention of its personnel.
As at 31st December 2015 Fifth Third Bank employed more than 18,000 members of staff, representing significant costs in the form of salaries and benefits. It also accrues costs in the form of rental and utility costs across its network of physical properties.
Revenue Streams
Fifth Third Bank generates revenue through the provision of various banking services and products. It principally reports revenue derived in the following ways:
- Service charges on deposits;
- Investment advisory revenue;
- Corporate banking revenue;
- Mortgage banking revenue; and
- Card and processing revenue In 2015 Fifth Third Bank generated $6.56 billion in annual revenue, up marginally on the $6.07 billion recorded the year prior. The Company’s Commercial Banking segment is its largest revenue generator, recording a net income in 2015 of $739 million, followed by the Branch Banking segment which generated $311 million. Fifth Third Bank’s general corporate and other activities recorded a net income for the year of $486 million.


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|
The Producer/Consumer Problem
0.0.1
|
#include <MessageBus.h>
Classes | |
| class | Factory |
Public Member Functions | |
| MessageBus ()=delete | |
| ~MessageBus () | |
| MessageBus (MessageBus &)=delete | |
| MessageBus (MessageBus &&) noexcept=default | |
| std::string | readResponse () |
| void | sendMessage (const std::string &content) |
| void | readMessage (const std::function< std::string(const std::string &message)> &messageHandler) const |
| void | sendMessage (const std::string &message, const std::function< void(const std::string &response)> &responseHandler) |
| void | destroyChannels () |
A Message Bus is a combination of a common data model, a common command set, and a messaging infrastructure to allow different systems to communicate through a shared set of interfaces.
This class is a mechanism for managing the exchange of messages from sending and receiving (i.e., producers|consumers, senders|listeners) in different processes.
Definition at line 22 of file MessageBus.h.
|
delete |
A constructor.
| Foundation::IPC::MessageBus::~MessageBus | ( | ) |
A destructor.
Definition at line 15 of file MessageBus.cpp.
| void Foundation::IPC::MessageBus::destroyChannels | ( | ) |
It destroys the bus channels immediately.
Definition at line 45 of file MessageBus.cpp.
| void Foundation::IPC::MessageBus::readMessage | ( | const std::function< std::string(const std::string &message)> & | messageHandler | ) | const |
It reads a errorMessage with a specific handler function.
| messageHandler | The handler function for processing the response errorMessage. |
Definition at line 31 of file MessageBus.cpp.
| std::string Foundation::IPC::MessageBus::readResponse | ( | ) |
It just gets the response errorMessage.
Definition at line 21 of file MessageBus.cpp.
| void Foundation::IPC::MessageBus::sendMessage | ( | const std::string & | content | ) |
It just sends a errorMessage.
| content | The errorMessage content to be sent. |
Definition at line 26 of file MessageBus.cpp.
| void Foundation::IPC::MessageBus::sendMessage | ( | const std::string & | message, |
| const std::function< void(const std::string &response)> & | responseHandler | ||
| ) |
It sends a errorMessage and defines a response handler function to process it.
| message | The errorMessage to send. |
| responseHandler | The handler function for processing the response errorMessage. |