| 006:160 Khan | : |
Whoever brings a good deed (Islamic Monotheism and deeds of obedience to Allah and His Messenger SAW) shall have ten times the like thereof to his credit, and whoever brings an evil deed (polytheism, disbelief, hypocrisy, and deeds of disobedience to Allah and His Messenger SAW) shall have only the recompense of the like thereof, and they will not be wronged. |
| 006:160 Maulana | : |
Whoever brings a good deed will have tenfold like it, and whoever brings an evil deed, will be recompensed only with the like of it, and they shall not be wronged. |
| 006:160 Pickthal | : |
Whoso bringeth a good deed will receive tenfold the like thereof, while whoso bringeth an ill-deed will be awarded but the like thereof; and they will not be wronged. |
| 006:160 Rashad | : |
Whoever does a righteous work receives the reward for ten, and the one who commits a sin is requited for only one. No one suffers the slightest injustice. |
| 006:160 Sarwar | : |
For a single good deed, one will be rewarded tenfold. But the recompense for a bad deed will be equal to that of the deed and no injustice will be done to anyone. |
| 006:160 Shakir | : |
Whoever brings a good deed, he shall have ten like it, and whoever brings an evil deed, he shall be recompensed only with the like of it, and they shall not be dealt with unjustly. |
| 006:160 Sherali | : |
Whoso does a good deed shall have ten times as much; but he who does an evil deed, shall be requited only with the like of it; and they shall not be wronged. |
| 006:160 Yusufali | : |
He that doeth good shall have ten times as much to his credit: He that doeth evil shall only be recompensed according to his evil: no wrong shall be done unto (any of) them. |
Concepts/Themes Covered: أركان الإسلام > التوحيد > توحيد الله تعالي > تنزيه الله تعالى عن الظلم Pillars of Islam> Islamic> Oneness of Allah> Allah the Exalted is Free of Injustice الإيمان > الإيمان بالله > الجزاء Faith> Belief In Allah> The Reward العمل > الجزاء > الجزاء بالعمل Action(Work)> The Reward> The Reward by Action العلاقات القضائية > علاقات قانونية ودستورية > السيئة بمثلها Judicial Relationships>Legal and Constitutional Relations>Sin in Likewise
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


Below are all the fields we detected for the selected file. Please verify the field names and data types are correct.
| Column Name | Type | |
|---|---|---|
| <%- column.name %> <% if (!column.type) { %> This column is empty. <% } %> |
File structure is defined in the data dictionary.
<% } %>


Mixed Reality Keyboard
General Settings
Show Keyboard:
Show Hands:
Overlay transparency:
1
Keyboard Skins:
Tracked Devices:
MR Hands Visualization
Default MS Segmentation
Brightness:
0.0
Luminance Segmentation Range:
Low:
0.0
High:
1.0


Oxycontin (Oxycodone) Experience Report
Thu 7/8/04
Cannabis joint smoked about 7pm
10 mg Oxycontin crushed about 8 pm
Iíve done many psychoactives, and wanted to report on some. So I finally got the initiative to write something honest and conclusive about such an amazing drug, from a responsible, rational point of view (Iím very into these personal ethics).
On Thursday, July 8th I contacted my pot connection and some of the best bud in town. I rolled a joint, took a shower, and marveled at my last Oxycontin tablet. To my outstanding joy, it was the stronger 20 mg pill that I was occasionally treated to by my Oxycontin contact. I usually crush up the average 10 mg pill that I get and it produces an amazing experience. But this was 20 mg, so I cut it in half, which was very hard due to the small size of the pill and the coating. I went out at about 7 pm and smoked most of the joint, keeping about a quarter of the end. I then ingested the 10 mg of crushed Oxycontin at about 8 pm, reveling in its effects until about 11:30 pm. At about 12:30 I smoked the remainder of the joint, bringing back some of the effects of the Oxycontin. At about 2:20 am, I wrote the following, needing to remember the magic of the day.
ďOxycodone is an amazing drug. Maybe my favorite. It can be so dopey or not. I can have friendliness and humanitarian-like feelings comparable if not surpassing that of MDMA. I can have full body warmth and tingle and happiness. I felt like I was floating on water when I lie down on my bed. I then could feel like I was floating in space (on the universe). I can control mental states from MDMA like circumstances or to the philosophical properties of mushrooms. I feel like because I can control my mood, in a shroomy way, I can control my destiny.
Project a location onto my head and live it, feel it, by happiness and meditation. There is no such thing as a bad trip. Iíve never had a bad experience. It is true that both bad location and mental state can diminish the pleasure of a situation, it is never enough to horrify, hurt, or harm me. For me, lying on my bed on my back with my legs hanging off the bed and also alone, free from no distractions (take off TV and computer) and free from negativity or otherwise unfavorable interference, is the best setting.
That was an awesome day! I also recount four or five leg muscle spasms, although they didnít hurt at all, but itís important to note. Oxycontin is an amazing drug, and it is so variable. One experience is never the same for me. Definitely worth it.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


In the most classic and well known version of Greek mythology, Cronus was the leader and the youngest of the first generation of Titans, divine descendants of Gaia, the earth, and Uranus, the sky. He overthrew his father and ruled during the mythological Golden Age, until he was overthrown by his own son Zeus and imprisoned in Tartarus.
Oceanus was a pseudo-geographical feature in classical antiquity, believed by the ancient Greeks and Romans to be the divine personification of the World Ocean, an enormous river encircling the world.
Some scholars believe that Oceanus originally represented all bodies of salt water, including the Mediterranean Sea and the Atlantic Ocean, the two largest bodies known to the ancient Greeks. However, as geography became more accurate, Oceanus came to represent the stranger, more unknown waters of the Atlantic Ocean (also called the "Ocean Sea"), while the newcomer of a later generation, Poseidon, ruled over the Mediterranean.
In Greek mythology, Hyperion was one of the twelve Titan children of Gaia and Uranus who, led by Cronus, overthrew Uranus and were themselves later overthrown by the Olympians. With his sister, the Titaness Theia, Hyperion fathered...


The Moving Picture Girls Under the Palms or Lost in the Wilds of Florida
by Laura Lee Hope
Chapter 6: By Wireless
Additional Information
- Year Published: 1914
- Language: English
- Country of Origin: United States of America
- Source: Hope, L. L. (1914). The Moving Picture Girls Under the Palms or Lost in the Wilds of Florida.New York: Grosset & Dunlap.
-
Readability:
- Flesch–Kincaid Level: 5.4
- Word Count: 1,761
- Genre: Adventure
- Keywords: florida stories, the moving picture girls under the palms
- ✎ Cite This
Downloads
For a moment no one spoke, after the portentous words of Captain Falcon. Men and women looked at each other. The members of the moving picture company glanced from face to face. What would come next?
“Does this mean—does it indicate that we are to take to the boats?” asked Mr. DeVere, solemnly.
“Not necessarily,” the captain replied. “I have come to put the matter plainly to you. The fire gained, in the night, and it reached the engine room compartment. We are, therefore, temporarily disabled, and cannot proceed, as we could have done had not this occurred. For we had the first blaze out.
“Now, those who wish will be put into life boats, with such of their belongings as it is practicable to take with them.”
“What is the other alternative?” asked Mr. Pertell, as the captain paused, thus indicating that he had another proposition to make.
“The second question is—Will you wait for the Bell to come up? She is within about fifty miles of us, I should judge, and can reach us inside of three hours.”
“In the meanwhile—the fire may gain?” suggested Mr. Sneed in gloomy tones.
“It may—yes. It probably will, if it reaches the coal bunkers. That is what I am afraid of, and why I speak thus plainly.”
“Then I’m going to take to a boat!” exclaimed the “grouch.”
“So will I!” put in Mr. Bunn.
“Wait,” advised Mr. Pertell. “If possible I wish to keep all the members of my company together. I have not the fear that some of you have. I trust Captain Falcon.”
“Thank you!” exclaimed the commander, evidently greatly pleased with this mark of confidence. “At the same time I stand ready to lower boats for those who may wish it. The sea is comparatively calm, and you will have to use boats anyhow, if you are taken off by the Bell.”
“Must that be done?” asked Alice, in a low voice.
“If we cannot subdue the fire, I am afraid so, Miss DeVere,” answered the captain. “But there is no danger in that. It is often done.”
“Then I say, let’s wait for the other vessel,” decided Mr. DeVere. “There may finally be no necessity for leaving our own ship, I take it?” he asked.
“There may—it’s a chance.”
“Then let’s take it!” cried Russ. “How will you summon the Bell?”
“By wireless. I was only waiting for your decision to write out the message. She has been expecting a call from us, but she has probably drifted farther off than she was last evening. I will summon her.”
A little later the wireless began crackling out its call to the unseen Bell, and preparations were made to lower away the boats promptly, in case the fire should suddenly gain greater headway. Then there was nothing to do but wait, and fight the flames.
“I insist, though, on being put in a boat!” cried Mr. Sneed. “I want to get off this dangerous ship.”
“I do, too!” exclaimed Mr. Bunn.
“I advise you both to stick to this ship,” spoke Mr. Pertell, seriously.
“Never!” cried the grouch, and the former Shakespearean actor echoed the word.
“Let them go,” decided Captain Falcon, in a low voice to the moving picture manager. “I can send them away in a boat, with some sailors, and tell my men to row slowly, so as not to take them too far away from us. Then, when the Bell comes up, they can go aboard her, if our fire is not out by then. Let them go.”
“All right,” agreed Mr. Pertell, and orders were given to lower a boat. Mr. Bunn and Mr. Sneed got together what belongings they could, and entered it.
“I must get a moving picture of this!” cried Russ.
“Do!” said Mr. Pertell.
“I forbid it!” exclaimed Mr. Sneed. Perhaps he did not want to be shown deserting the ship and the company.
But Russ brought out his camera, and soon the film was moving, as the boat was lowered to the surface of the sea. Then it was soon pulling away from the Tarsus, and Russ got those views too.
“Wait! Wait for me!” cried a voice, and up on deck came Mr. Towne. He had a valise in each hand, which probably contained his best suits. “Wait!” he cried. “I want to be saved, too.”
“There’s no danger; you’ll be saved more by staying here than by going with them,” said Mr. Pertell. “Besides, you might soil your clothing if you went in the small boat. Another ship is coming for us.”
“Oh—er—I certainly would not like to spoil any of my suits—the one I fell overboard in is almost ruined. I—er—I ah—shall stay!” and he went below again.
The wireless was still crackling out its call for aid, and soon an answer was received, saying that the Bell was on her way.
“She’s coming!” cried the operator, as he gave the dispatch to the captain. Russ, who had enough of the pictures of Mr. Bunn and Mr. Sneed leaving in the boat, filmed the captain in the act of receiving this message of good cheer. Later it was worked into a stirring drama, called “The Burning Ship.”
With all else that was going on, the work of fighting the blaze in the hold was not for a moment given up. Water and live steam were turned in among the cargo, the pumping apparatus fortunately not having been disabled when the rest of the machinery went out of commission.
Russ made more moving pictures, since he now had a good light, and as the fire-fighting was in another part of the ship it made a different series of views.
“Oh, isn’t this the most awful thing you ever saw, or heard of?” cried Miss Pennington, coming on deck where Ruth and Alice stood. “Fate seems to be against us at every turn!”
She was very pale, and looked wretched, as did her chum Miss Dixon.
“I guess they didn’t take time to make up their complexions,” whispered Alice.
“Hush!” cautioned her sister.
“I could cry!” declared Miss Dixon. “I never slept a wink all night.” She looked it, too.
“Oh, we’ll be all right,” said Paul. “The other ship is coming for us, and if necessary we can be transferred to her.”
“Will we have to go in one of the small boats, like that?” Miss Pennington wanted to know, as she pointed to the one in which were Mr. Bunn and Mr. Sneed, some distance off, now.
“That’s the only kind they have on board,” said Mr. DeVere, who had shortly before joined his daughters.
“Oh, I never could go in one of those—never!” the former vaudeville actress cried, tragically.
“Ha! Dose is goot boats! I in der German nafy vos,” put in Mr. Switzer, “und dey are fery safe.”
“Oh, but they look so small, and they hold so little. How can one get enough to eat in them?” asked Miss Dixon, clasping her hands, and looking with her rather effective eyes, first at Mr. Towne, and then at Paul.
“Ha! You dakes along vot you eat!” exclaimed the German. “Pretzels iss fine! Haf one!” and he extended a handful of small ones. Since the company had been snowbound he had always a few in his pocket. He called them his “mascots.”
“No, thank you. I never eat them!” declared Miss Dixon, with turned-up nose.
“Let’s go see if there is any further report by wireless from the Bell,” suggested Ruth, who saw kindling wrath in the eyes of her sister. Alice never could get along well with the two actresses, and she was very likely to say something that might lead to a quarrel.
“I’ll come along,” said Paul.
“So will I,” echoed Mr. Towne. In spite of his affected mannerisms, he could be “nice,” at times. It was Ruth who had said this, but then Ruth had such a kind heart that she generally found a good quality in nearly everyone, whatever their failings.
“Yes, she’s coming on at full speed,” reported the wireless operator. “She’ll be with us in about an hour, now. And I guess it’s time, too,” he added in a low voice.
“Why?” asked Russ, when the girls had passed on.
“Because I believe the fire is gaining. I think it’s in one of the coal bunkers now, and that means it will burn steadily, and may eat through the side of the ship.”
The operator turned to his apparatus, for he had been told to keep in constant communication with the oncoming rescue ship.
As Paul rejoined the girls, there sounded through the Tarsus a dull explosion, that made the ship tremble.
The commander was hurrying along the deck. Many of the passengers, who had gone below to pack their belongings in anticipation of being transferred, now came rushing out of their staterooms.
“What was it?”
“Are we going to blow up?”
“Is the ship sinking?”
“Don’t be alarmed!” Captain Falcon exhorted them, but, even as he spoke, there came a second dull rumbling, a trembling of the vessel, and another explosion, louder than the first. There were screams from frightened women and children, and a number of men passengers made a rush for the boats, as the sailors had done before.


Spoilers: Will David survive horror smash in Neighbours?
David Tanaka (Takaya Honda) and Aaron Brennan (Matthew Wilson) may be facing the reality of their vows of ”til death do us part’ when David is left for dead in a brutal hit and run in Neighbours.
It’s a battle for survival for the young doctor that will see his life balancing on a knife edge. Could Aaron be facing a future alone?
Aaron has been keeping Ned’s (Ben Hall) underground fighting a secret, but when something piques his guilty conscience, he realises he needs to tell David the truth. His husband reacts exactly how he feared, desperately hurt by the deception. The couple have a row and David storms out, needing to clear his head with a bike ride.
Could that prove to be a fatal move?
Despite it being late at night David heads off for his ride, fuming at Aaron’s actions. He continues to seethe as he rides, but his rage distracts him. All of a sudden he finds himself staring at a pair of headlights coming right at him. With nowhere to escape, David is mowed down by the car.
Advertisement Advertisement
But who was driving?
A horrified Terese if the first on the scene and immediately tries to tend to David, although she’ll later be questioned by Paul about what she was doing there late at night. Will her secret drinking be uncovered? Could she have been the one behind the wheel?
David is rushed to Erinsborough Hospital unconscious where Karl breaks the news to his waiting family that David has lost a kidney. Aaron is crushed.  And then things get worse when suddenly David flatlines…
Kyle spends some much-needed time with Amy after spending far too much time on the class action, but as they step out for some fresh air they discover a broken headlight cover. Kyle confesses to Amy he’d nodded off at the wheel the night before. Could he have been the one to hit David?
David finally wakes up and appears to be in a stable condition but can’t remember what happened. But when paint from his bike matches the ute it becomes clear who is responsible – it was Kyle after all. And Paul wants revenge.
But Paul will have bigger worries on his mind when David suddenly takes a turn for the worse. Is David about to die?
Scenes air from Monday 25th November at 1.45pm and 5.30pm on Channel 5.


Man chains 10-year-old son for skipping school and keeping late nights
by Ifeanyi NgeremThe Niger State Police Command have arrested one Malam Abubakar Mohammed, for putting his 10-years-old son, Mohammed, in chains and locking him up in the house in Minna, Niger State capital.
According to DailyTrust, the man took the action over Mohammed’s absenteeism from the UBE Primary School, Tunga in Minna, and refusal to attend Islamic school.
According to Malam Abubakar, he took the action not with the intentions to torture his son but as a corrective measures because the son, Mohammed is fond of absconding from school and keeping late nights, adding that all efforts to correct and restrain Mohammed from wandering about failed.
Malam Abubakar added that he only chained and locked Mohammed up on Wednesday morning after he went for the early morning prayers and did not see him in the mosque.
“We looked for him everywhere but couldn’t find him. In fact, he apparently did not sleep at home; so I went to where they normally hang out with his friends and saw him sleeping.
I took him home and decided to use chain to prevent him from going anywhere until I returned from a naming ceremony but when I got back, I learnt some people from the human rights have taken him,” he explained.


Hello Stranger !
Welcome to Runners Home™
Runners Home™ is dedicated to providing you with:
the most up to date information on running races
the best resource for runners


We are hosting our evaluation server on Dynabench. You must register first in order to submit prediction files/models for evaluation. Follow this link to sign up.
The prediction files must be in jsonl format and each line follows the data structure below:
{
"uid" : question id,
"answer" : str,
}
You can also download the sample predictions by the majority baseline model following the links: AVQA val & test, AdVQA val & test.
Coming soon...


| Economic Phase | 1 |
|---|---|
| Carry over from last turn | |
| + Colony CPs | |
| + Mineral / Resource CPs | |
| + MS Pipeline CPs | |
| + Industrial Center CPs | |
| Total CP | |
| - Maintenance | |
| - Turn order bid | |
| ≤ 15 CP converted to RP | |
| Subtotal | |
| - Technology spending | |
| - Ship spending
Don't forget to add free troops
|
|
| - Purchases
Don't forget to add free troops
|
|
| Remaining CP | |
| CP spent on upgrades | |
| Maint. Increase (buys) | |
| Maint. Decrease (losses) | |
| Carry over from last turn | |
| + Research Center RPs | |
| ≤ 15 CP converted to RP | |
| Total RP | |
| - Technology spending | |
| Remaining RP | |
| Grow ColoniesGrow ColoniesGrow Colonies |
| Tech | Start | LevelCost |
|---|---|---|
| Ship Size | 1 | 210 315 420 5 25 20 20 6 30 25 20 730 |
| Attack | 0 | 120 230 3 40 30 25 410 |
| Defense | 0 | 120 230 3 40 30 25 |
| Tactics | 0 | 115 2 20 15 15 3 30 20 15 |
| Move | 1 | 220 3 30 25 25 4 40 25 25 5 40 25 25 6 40 20 20 720 |
| Fighters | 0 | 125 2 30 30 25 3 40 40 25 425 |
| Point Def. | 0 | 120 2 25 25 20 3 30 30 20 |
| Tech | Start | LevelCost |
|---|---|---|
| Ship Yard | 1 | 220 3 30 30 25 |
| Ground | 1 | 210 315 |
| Terraforming | 0 | 1 25 20 20 225 1 2 3 4 |
| Cloaking | 0 | 130 2 40 40 30 |
| Scanners | 0 | 120 2 30 30 20 |
| Mine Sweeper | 0 | 110 2 20 15 15 320 |
| Advanced Con. | 0 | 110 210 310 |
| Anti-Replicator | 0 | 110 |
| Tech | Start | LevelCost |
|---|---|---|
| Military Acad. | 0 | 110 220 |
| Boarding | 0 | 120 225 |
| Security | 0 | 115 215 |
| Exploration | 0 | 115 215 |
| Fast BC | 0 | 110 210 |
| Mines | 0 | 1 20 30 30 |
| Tractor Beam | 0 | 110 |
| Shield Proj. | 0 | 115 |
| Grp | Att | Def | Tactics | Move | Other | Exp. |
|---|---|---|---|---|---|---|
| FLAG | 0 1 2 3 | 0 1 2 3 | 0 1 2 3 | 1 2 3 4R 5 6 7 | Exp: 0 1 2 Fast: 1 | S V E L |
| DD #4 | 0 1 X:2 | 0 1 X:2 | 0 1 2 3 | 1 2 3R 4 5 6 7 | Scan: 0 1 2 Fast: 2 | S V E L |
| CA #6 | 0 1 2 | 0 1 2 | 0 1 2 3 | 1 2 3R 4 5 6 7 | Exp: 0 1 2 | S V E L |
| BC #6 | 0 1 2 | 0 1 2 | 0 1 2 3 | 1 2 3 4R 5 6 7 | Fast: 1 | S V E L |
| BB #6 | 0 1 2 3 | 0 1 2 3 | 0 1 2 3 | 1 2 3 4 5R 6 7 | TB: 1 | S V E L |
| DN #5 | 0 1 2 3 | 0 1 2 3 | 0 1 2 3 | 1 2 3 4 5 6R 7 | SP: 1 | S V E L |
| TN #5 | 0 1 2 3 4 | 0 1 2 3 | 0 1 2 3 | 1 2 3 4 5 6 7 | FTR: 1-34 | S V E L |
| Name:_____________ Stats: ___ ___-___-___ Cost: ____ Specials: | ||||||
| UN #6 | 0 1 2 3 | 0 1 2 3 | 0 1 2 3 | 1 2 3 4 5R 6 7 | S V E L | |
| R #6 | 0 1 2 3 | 0 1 2 3 | 0 1 2 3 | 1 2 3R 4 5 6 7 | Cloak: 1 2C:2 F:2 G:3 | S V E L |
| SC #6 | 0 1 | 0 1 | 0 1 2 3 | 1 2 3R 4 5 6 7 | PD: 0 1 2 3 | S V E L |
| SC #7X | 0 1 | 0 1 | 0 1 2 3 | 1 2 3R 4 5 6 7 | PD: 0 1 2 3 | S V E L |
| F #10 | 0 1 | 0 1 | 0 1 2 3 | FTR: 1 2 3 4 | S V E L | |
| CV #6 | 0 1 | 0 1 | 0 1 2 3 | 1 2 3 4 5R 6 7 | S V E L | |
| BV #6 | 0 1 2 3 | 0 1 2 3 | 0 1 2 3 | 1 2 3 4 5R 6 7 | Fast: 2 | S V E L |
| SW #6 | 0 1 | 0 1 | 0 1 2 3 | 1 2 3 4 5 6R 7 | SW: 1 2 3 | S V E L |
| BD #6 | 0 1 2 | 0 1 2 3 | 1 2 3 4R 5 6 7 | BD: 1 2 | S V E L | |
| T #6 | 0 1 | 0 1 | 0 1 2 3 | 1 2 3 4 5R 6 7 | Grnd: 3 AR | S V E L |
| When an "R" appears for Move Tech, read it as the appropriate number. The R is just a reminder that the group gains the React ability at that Move Technology. |


R/sortableRadioButtons.R
Create a set of radio buttons used to select an item from a list. The choices
are sortable by drag and drop. In addition to the selected values stored in
input$<inputId>
, the server will also receive the order of choices in
input$<inputId>_order
.
sortableRadioButtons(inputId, label, choices = NULL, selected = NULL, inline = FALSE, width = NULL, choiceNames = NULL, choiceValues = NULL)
| inputId | The |
|---|---|
| label | Display label for the control, or |
| choices | List of values to select from (if elements of the list are
named then that name rather than the value is displayed to the user). If
this argument is provided, then |
| selected | The initially selected value (if not specified then defaults to the first value) |
| inline | If |
| width | The width of the input, e.g. |
| choiceNames | List of names and values, respectively, that
are displayed to the user in the app and correspond to the each choice (for
this reason, |
| choiceValues | List of names and values, respectively, that
are displayed to the user in the app and correspond to the each choice (for
this reason, |
A set of radio buttons that can be added to a UI definition.
shiny::radioButtons, sortableCheckboxGroupInput, sortableTableOutput, sortableTabsetPanel
# NOT RUN { ## Only run this example in interactive R sessions if (interactive()) { shinyApp( ui = fluidPage( sortableRadioButtons("foo", "SortableRadioButtons", choices = month.abb), verbatimTextOutput("order") ), server = function(input, output) { output$order <- renderPrint({input$foo_order}) } ) } # }


1.0.0-alpha.1
.createReportSource(a, coverageMap, [opts])
returns a report source for the supplied coverage map and options
returns a report source for the supplied coverage map and options
CoverageMap
a
:
coverage map
[Object
]
opts
(default null
)
:
report source options
ReportSource
.summarizers
standard summary functions
standard summary functions
.flat
a summarizer that creates a flat tree with one root node and bunch of files directly under it
a summarizer that creates a flat tree with one root node and bunch of files directly under it
.nested
a summarizer that creates a hierarchical tree where the coverage summaries of each directly reflect the summaries of all subdirectories and files in it
a summarizer that creates a hierarchical tree where the coverage summaries of each directly reflect the summaries of all subdirectories and files in it
.pkg
a summarizer that creates a tree in which directories are not nested. Every subdirectory is a child of the root node and only reflects the coverage numbers for the files in it (i.e. excludes subdirectories). This is the default summarizer used by the report source.
a summarizer that creates a tree in which directories are not nested. Every subdirectory is a child of the root node and only reflects the coverage numbers for the files in it (i.e. excludes subdirectories). This is the default summarizer used by the report source.
.getDefaultWatermarks
returns the default watermarks that would be used when not overridden
returns the default watermarks that would be used when not overridden
Object
:
an object with statements
, functions
, branches
,
and line
keys. Each value is a 2 element array that has the low and
high watermark as percentages.
Extends ContentWriter
a content writer that writes to the console
abstract interface for writing content
#close
closes this content writer. Should be called after all writes are complete.
closes this content writer. Should be called after all writes are complete.
#colorize(str, clazz)
returns the colorized version of a string. Typically, content writers that write to files will return the same string and ones writing to a tty will wrap it in appropriate escape sequences.
returns the colorized version of a string. Typically, content writers that write to files will return the same string and ones writing to a tty will wrap it in appropriate escape sequences.
String
:
the colorized form of the string
#println(str)
writes a string appended with a newline to the destination
writes a string appended with a newline to the destination
String
str
:
the string to write
#write(str)
writes a string as-is to the destination
writes a string as-is to the destination
String
str
:
the string to write
A reporting context that is passed to report implementations
[Object
]
opts
(default null
)
:
opts options
[String
]
opts.dir
(default 'coverage'
)
opts.dir the reporting directory
[Object
]
opts.watermarks
(default null
)
opts.watermarks watermarks for statements, lines, branches and functions
[Function
]
opts.sourceFinder
(default fsLookup
)
opts.sourceFinder a function that returns source code given a file path. Defaults to filesystem lookups based on path.
#getWriter
returns a FileWriter implementation for reporting use. Also available
as the writer
property on the context.
returns a FileWriter implementation for reporting use. Also available
as the writer
property on the context.
Writer
#getXMLWriter(contentWriter)
returns an XML writer for the supplied content writer
returns an XML writer for the supplied content writer
ContentWriter
contentWriter
:
the content writer to which the returned XML writer writes data
XMLWriter
Extends ContentWriter
a content writer that writes to a file
Number
fd
:
the file descriptor
utility for writing files under a specific directory
String
baseDir
:
the base directory under which files should be written
#writeFile(file)
returns a content writer for writing content to the supplied file.
returns a content writer for writing content to the supplied file.
String
or file
:
the relative path to the file or the special
values "-"
or null
for writing to the console
ContentWriter
#writerForDir(subdir)
returns a FileWriter that is rooted at the supplied subdirectory
returns a FileWriter that is rooted at the supplied subdirectory
String
subdir
:
the subdirectory under which to root the returned FileWriter
FileWriter
WIP
abstract base class for a coverage tree.
#getRoot
returns the root node of the tree
returns the root node of the tree
#visit(visitor, state)
visits the tree depth-first with the supplied partial visitor
visits the tree depth-first with the supplied partial visitor
a potentially partial visitor
the state to be passed around during tree traversal
An object with methods that are called during the traversal of the coverage tree. A visitor has the following methods that are called during tree traversal.
onStart(root, state)
- called before traversal beginsonSummary(node, state)
- called for every summary nodeonDetail(node, state)
- called for every detail nodeonSummaryEnd(node, state)
- called after all children have been visited for
a summary node.onEnd(root, state)
- called after traversal endsa partial visitor that only implements the methods of interest
The visitor object supplies the missing methods as noops. For example, reports
that only need the final coverage summary need implement onStart
and nothing
else. Reports that use only detailed coverage information need implement onDetail
and nothing else.
a utility class to produce well-formed, indented XML
ContentWriter
contentWriter
:
the content writer that this utility wraps
#closeAll
closes all open tags and ends the document
closes all open tags and ends the document
#closeTag(name)
closes an open XML tag.
closes an open XML tag.
String
name
:
tag name to close. This must match the writer's notion of the tag that is currently open.
visit all nodes depth-first from this node down. Note that onStart
and onEnd
are never called on the visitor even if the current
node is the root of the tree.
a full visitor that is called during tree traversal
optional state that is passed around


Kotlin Nights
Kotlin Night is a meetup that includes 3-4 talks on Kotlin or related technologies. At JetBrains we've organised a few events: Kotlin Night San Francisco and Kotlin Night London.
The community however is asking for more Kotlin Nights and are willing to organise these themselves. Here you would find guidelines and some hints on putting things together.
Please, submit your Kotlin Night to get support and inform about your upcoming event.
Guidelines
- Please, stick with the design materials. It will help to have all events and materials with the same style
- Kotlin Night should be a free event. A minimal fee can be charged to assure assistance but it is still a non-profit event.
- The event should be published and available publicly for all people to attend without any kind of discrimination.
- The contents of the talks should be made public online after the event without requiring sign-up or registration to access these.
- Recording is optional but recommended and should also be made available
- The talks should be primarily about Kotlin and not a focus on marketing or sales
- The event can serve food and/or drinks optionally
Organiser is Responsible for
- Location and all required event production, including comfortable venue. Please, make sure
- All the participants are aware of the exact date, place and starting time of the event. It’s good tone to have at least 30 minutes before your event for the participants gathering;
- There is enough place as well as food and beverages, in case you provide, for everyone.
- You have a plan with your speakers: schedule, topics and abstracts of the talks, equipment for the presentations.
- If you’d like to organise recording of the talks, plan it in advance to get a better quality
- Content and speakers
- Feel free to invite people with talks from your local community, from the neighbour countries or even from all over the globe. You don’t have to have any JetBrains representative or speaker at your event. However we would be glad to learn about one more Kotlin Night, so feel free to notify us.
- Announcements and promotion
- Announce your event at least 3 weeks before the date of a meetup
- Add timeline, topics, abstracts and speakers bios to the announcement
- Spread the word in social media
- Registration and Fee Processing handling
- Make sure that you are able to receive fees or/and sponsor money properly. You might need to partner with an official entity to do this.
- Event material to JetBrains post-event
- We are glad to announce your event at kotlinlang.org and will appreciate if you provide slides and video materials for follow up posting.
JetBrains Provides Support
- Access to Kotlin Night Branding which includes name, logos and video intros
- Merchandise such as Stickers and T-Shirts for the Speakers, small souvenirs for the attendees
- Promotion of the event via our Social Media Channels
- Listing of the event on the Kotlin Events Page
- If required, reaching out to speakers to take part in event
- If possible helping with finding location (via contacts, etc.)
- As well as helping with possible partnership with local businesses.


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my dev projects
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references
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Bangladesh has 6 promising sectors beyond RMG to diversify export: USAID study
by bdnews24.comThe United States has identified six “promising” industries beyond the ready-made garments or RMG to help Bangladesh diversify its export basket and stimulate new streams of economic growth.
The US government’s development arm, USAID, conducted the study named Comprehensive Private Sector Assessment or PSA and shared that in a programme on Tuesday in Dhaka.
In 2018-19, Bangladesh earned $40.53 billion by exporting goods. But 85 percent of the earnings came from the RMG sector.
The USAID study said agribusiness (food processing), health care, information and communications technology and outsourcing, light engineering, pharmaceuticals, and tourism are the sectors that hold promise beyond the RMG for private sector engagement and investment.Visiting USAID Deputy Administrator Bonnie Glick, Executive Chairman of Bangladesh Investment Development Authority or BIDA Sirajul Islam, and US Deputy Chief of Mission in Dhaka JoAnne Wagner were present at the launch at the American Chamber of Commerce in Bangladesh or AmCham.
The embassy said the US government through the USAID conducted the study in a show of bilateral support towards strengthening Bangladesh’s economy through diversification.
The study examined 16 emerging sectors in total that also includes ceramics, entrepreneurship, leather and leather goods, medical equipment, plastic, renewable energy and energy efficiency, shipbuilding, shrimp and fish, telecommunications and vehicle assembly.
The assessment did not cover some traditional industries, including the energy sector as a whole.
The embassy said in collaboration with Bangladesh government, they will analyse the priority sectors identified in the report to explore specific strategies for investment and increased engagement with the local private sector in these fields.
The Inspira Advocacy and Consultancy Ltd, a Bangladeshi private consultation firm, helped to conduct the study between October 2018 and July 2019.


Liberals to release fiscal update before Christmas, Morneau says
by The Canadian PressOTTAWA -- Finance Minister Bill Morneau says the government will provide an update on federal finances before Christmas.
Morneau is introducing legislation today to provide a tax break for anyone earning under $147,000 a year.
But he also says the fall report on Ottawa's fiscal status come within the next two weeks.
Over the weekend, the Conservatives called on Morneau to provide a fiscal update immediately as economic concerns mount following a poor jobs report late last week.
The tax cut fulfills a Liberal election promise to make the first $15,000 of income tax-free for most Canadians.
Morneau says the change will be implemented over the next four years and will save the average Canadian family $585 a year.
This report by The Canadian Press was first published Dec. 9, 2019.


Uses W3CSS to create a friendly and modern user interface to help navigate the site.
Users can create text-based posts, which can be edited and deleted by the owner.
Uses Devise to create and manage users, with their own profile and posts.
Users can create an account from the home page, and use this to log in to the site. Usernames and E-mails must be unique.
Users can use the settings panel to manage their registration, changing the e-mail, username, profile picture and password. Their current password must be entered to authenticate changes.
A user's Profile page filters and displays all their posts.
Users can can like and comment on each other's posts.
Users may like any post that is their own, and they can undo this action anytime they wish. The number of likes a post has recieved is displayed.
Users can comment on any post, and may delete their own comments at any time. Users may delete any comments on their posts.
Users can hold friendship relations with each other.
Users can send a friend request to other users, and can cancel this at any point.
A friendship is created on accepting this, and can then be removed by either user.
Friends can create a conversation to allow for sending and recieving Direct Messages.
In a conversation, users can send each other text-based private messages.
Users can block messages by removing their friendship.
A notification panel alerts users to incoming Friend Requests and Unread Messages.
Additionally, there are notifications about activity on the user's posts.
Notification badges are also displayed on the top panel.


Communication
Slack
By taking this course, you will be added to a Slack team where students and instructors can communicate. If you have not been added to the Slack team, please email<EMAIL_ADDRESS>to receive help.
How to ask questions
It probably seems like a real jerk move to put this section in here, but isn’t intended to be rude.
Here is the thing about coding/programming/computer science in general. A lot of things can go wrong. We’ve all heard of bugs, technical glitches, or other errors that downed entire systems, enabled bad people to steal everyone’s data, and worse. These types of bugs and issues happen to the most experienced programmers.
It’s probably time to let you “under the tent” so so here are some “secrets” about programming and computer science in general…
- Programming isn’t all about being good at math or knowing how the internet works. The best programmers are tenacious at solving problems. They know how to learn what they don’t know.
- We will use a lot of analogies that compare what we are doing to building a house or some other process comparable to construction. The truth is this stuff is biology. Even in building a website, there are a number of complex systems that we will be working with and getting to communicate with one another.
- Every programmer gets frustrated with technology at some point no matter how smart they are or how much experience they have. There is no real-life version of Tony Stark who builds technologies with flawless precision. Programming is oftentimes much uglier than it seems in movies and on Netflix. It can be quite trying on your patience to learn and build with tech.
- Memorization is out, Google is in. We are going to be learning a lot at a really fast pace. Because of this, we won’t be expecting you to memorize much. Use Google to look things up, go back through your old code as you progress through the course, and reference this site for answers to things you know but can’t remember. The goal is to understand the process and then leverage the knowledge of existing resources to develop your solutions.
It is for this reason that generating some structure around how we will solve the problems we face in tech is really important. Hence the need to create some structure around asking informed questions and learning how to help yourself as best you can.
If you run into a problem, post it in Slack first. The odds are that your classmates have already run into a similar issue and might be able to help you out. Instructors will also be watching Slack to answer questions periodically throughout the week.
Here is the structure we will use for asking questions:
- Tell us what you are trying to do.
- Tell us what error you have received or what isn’t happening if an error isn’t showing.
- Tell us what you Google’d or looked up on Stack Overflow to solve the problem.
- Tell us what you tried based on what you found on Google or Stack Overflow.
- Tell us what error messages or change in results you got after you tried what you found on Google or Stack Overflow.


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This case competition was put on by Amazon Logistics' Research team. The challenge was to determine what wage to offer three different types of truck-driver for last-mile delivery (delivery from distribution center to home).
Each type of driver had a different level of risk associated with their wage:
guaranteed drivers are paid whether or not there are packages available
option drivers are paid a reservation price but not a full wage if there are no packages for them to deliver
spot drivers are paid only if there are packages for them to deliver.
Given a normal distribution of packages, we needed to model profits as a function of the wages offered to different drivers. We used game theory to formulate a nonlinear optimization problem. Our two-person team won second place.
Background research on wages for truck drivers
Understand that implicit in the challenge is deciding how many of each type of driver to hire
Propose that drivers will accept or reject a contract based on their perceived risk of not getting hired (ie, they will demand a risk premium if their wage is not guaranteed)
Define variables, such as the day's demand and wage paid to each driver type
Define parameters such as the market wage and the probability of getting hired by another company
Define relating equations based on classical risk aversion functions and the normal distribution
Model Total Expected Cost as a function of the wage variables, using relationships defined previously to eliminate other variables
Perform a grid search to find the wages that minimize Total Expected Cost
Much of the work was formulating the model, which was done analytically (math by hand). Our final optimization was a fairly complicated nonlinear model. In order to do any optimization, we needed to build a model in R so that we could perform a grid search.
The six-page white paper, with mathematical and code appendix, is available here.


This sample demonstrates how to add multiple maps with linked extents. The application can be easily modified to increase or decrease the number of maps displayed in the browser.
Connect maps
How many maps would you like?


--- layout: post status: publish published: true title: Exporting Routes in Rails 3 author: display_name: redconfetti login: redconfetti email<EMAIL_ADDRESS>url: '' author_login: redconfetti author_email<EMAIL_ADDRESS>wordpress_id: 185 wordpress_url: http://rails.redconfetti.com/?p=185 date: '2011-10-20 14:36:54 -0700' date_gmt: '2011-10-20 21:36:54 -0700' categories: - prerequisites tags: [] comments: [] ---
I'm currently upgrading a project I'm working on from Rails 2.3.8 to Rails 3.1. As part of this upgrade I need to test the entire application for issues, because we haven't actually written any tests.
To help with this, I'd like to export all the routes so that I can test them one by one, and keep track of what I've tested and fixed already.
Typically I output the routes by using this command from the root of the Rails app:
rake routes
In this case I want to export all the routes into a format which I can post to our wiki as a table. This will require a custom script, but I'm not sure how Rails 3 internally stores routes.
As a start I found that rake will reveal the source of the 'routes' task using this command
$ rake --where routes rake rails:upgrade:routes /Users/jason/myapp/vendor/plugins/rails_upgrade/lib/tasks/rails_upgrade_tasks.rake:27 rake routes /opt/local/lib/ruby/gems/1.8/gems/railties-3.1.0/lib/rails/tasks/routes.rake:2
So it appears that what I'm looking for is in /opt/local/lib/ruby/gems/1.8/gems/railties-3.1.0/lib/rails/tasks/routes.rake. I've modified this task and added it to my application under /lib/tasks/routes.rake like so:
namespace :routes do desc 'Print out all defined routes in CSV format. Target specific controller with CONTROLLER=x.' task :csv => :environment do Rails.application.reload_routes! all_routes = Rails.application.routes.routes if ENV['CONTROLLER'] all_routes = all_routes.select{ |route| route.defaults[:controller] == ENV['CONTROLLER'] } end routes = all_routes.collect do |route| reqs = route.requirements.dup reqs[:to] = route.app unless route.app.class.name.to_s =~ /^ActionDispatch::Routing/ reqs = reqs.empty? ? "" : reqs.inspect {:name => route.name.to_s, :verb => route.verb.to_s, :path => route.path, :controller => route.requirements[:controller], :action => route.requirements[:action]} end # Skip the route if it's internal info route routes.reject! { |r| r[:path] =~ %r{/rails/info/properties|^/assets} } # name_width = routes.map{ |r| r[:name].length }.max # verb_width = routes.map{ |r| r[:verb].length }.max # path_width = routes.map{ |r| r[:path].length }.max puts "controller,action,method,path,name" routes.each do |r| puts "#{r[:controller]},#{r[:action]},#{r[:verb]},#{r[:path]},#{r[:name]}" end end end
I can create a CSV file on my desktop, which contains all my routes by simply running this command now:
$ rake routes:csv > ~/Desktop/rake-routes.csv


form5-offcanvas
form5-offcanvas is a powerful jQuery plugin that enables you to use an offcanvas sidebar on your site. Only 4KB of minified Javascript, along with your own styles (very basic demo styles are provided).
Getting started
How to fetch form5-offcanvas?
Install with Bower: bower install form5-offcanvas
Clone the Github project: git clone https://github.com/Form5/form5-offcanvas.git
Or download zip.
Then what?
After installation simply load the files along with other styles and scripts. Remember that this script requires jQuery, meaning jQuery should already be loaded before this script. We recommend using the latest stable release.
Construct your content as demonstrated below. In case of disabled javascript, styles should take care of downgrading your sidebar to either visible content or what ever fits your needs. Note that the <offcanvas>
element can be literally anything, for example nav
or just an old school div
. Just make sure to use the appropriate selector when enabling the script.
Advanced usage
Options
There are a few ways to configure the scripts functionality. Here you can see all the options with their default values, and below you can find more detailed description for each option.
toggle: string (selector)
Default: '.toggle-canvas'
Selector for elements that should toggle the sidebar, usually some kind of button, obviously depending on your markup.
canvas: array (of selectors)
Default: ['main']
An array of elements that should be considered a part of the 'canvas', meaning elements that should be animated to the side on toggle. Usually this should only be the main wrapping element of your page, but sometimes we need to do things like fixed navigation requiring an element to be outside that should still be treated as if it were inside (this is getting way to complicated). Basically, all elements that should be moved out of the way from our offcanvas sidebar. Note: the main wrapping element should be listed first, and the others should follow, if any.
open: function ()
Default: function() {}
Optional function to be ran each time the sidebar is opened.
close: function ()
Default: function() {}
Optional function to be ran each time the sidebar is closed.
resize: function ()
Default: function() {}
Optional function to be ran each time the window is resized.
init: function ()
Default: function() {}
Optional function to be ran at initialization.
debug: boolean
Default: false
If you are having problems and are not sure certain parts of the scripts are actually working, you can enable this option to receive console.logs with messages for initialization, opening, closing and destroying.
After initialization
For js vs no-js styling, an [alive='true']
attribute is included after initialization. See demo styles for an idea of usage.
To toggle the offcanvas sidebar outside of the default triggers, you can simply call the function again with no options, as demonstrated below. In a similar manner we can explicitly open or close our sidebar by using these helper strings.
Sometimes we do things we wish we hadn't, and just wanna take a step back and rethink the situation. For those instances, we included a helper string that enables you to simply reverse all changes made by this script.
After running this, you can initialize a fresh offcanvas with new options or whatever your mind can imagine.
Still not satisfied?
You could go all in and customize the script directly. The original can be found in src/form5-offcanvas.js
. To compile a minified/uglified version of your new script you can build it again by running:
If you would like to extend the core functionality of this script in a way that could benefit others, don't hesitate to create a pull request!
Cress
Using Cress?
If you are using our awesome CSS framework Cress, you can find a .scss
file using the appropriate variables in src/form5-offcanvas.cress.scss
. That way you have a basic offcanvas sidebar working directly with your current styles.
Author
Written by Form5.
Contributors
Benedikt D Valdez, developer at Form5.
Ólafur Nielsen, co-founder at Form5.


Let’s start with what is machine learning? The name itself might feel intimidating, but understanding machine learning is genuinely as easy as understanding human’s way of living. As one would say, “learn from your mistake,” it also applies to machine learning. Machine learning mimics human behavior, where it learns from data, patterns, and past errors to make the best decision with minimal human intervention. It is a branch of ArtificIal Intelligence based on the idea that it can learn from previous computations to produce reliable, repeatable decisions and results.
Around 50 years ago, machine learning was still considered the “utopia,” a science fiction fantasy. Shown below is the timeline of Machine Learning history with its prominent milestones.
The development of machine learning has grown exponentially since. There are three different types of Machine Learning;
1. Supervised learning is where you have input variables (x) and an output variable (Y) and you use an algorithm to learn the mapping function from the input to the output.
Y = f(X)
We can see this process as if a teacher is supervising students in the learning process. The teacher knows the correct answer to a question, and the algorithm (students) iteratively makes predictions on the training data and is corrected by the teacher until it achieves an acceptable level of performance.
2. Unsupervised learning, on the other hand, only has input data without any outcome variable to predict or set. There is no teacher nor a correct answer to the question. This method is used for collecting data from different groups and segmenting it to different groups based on its similarity and pattern. In this algorithm, we do not have any target or outcome variable to predict / estimate. It is used to cluster the population in different groups, which is widely used for segmenting customers in various groups for specific intervention.
3. Deep Learning, by using the algorithm, the machine is trained to make a specific decision by continually training itself using trial and error. It learns from past experiences and tries to come up with the best possible way to make the most accurate decision.
Today, machine learning algorithms enable computers to assist humans in many ways, such as self-driving car, personalized online recommendations, linguistic recognition, and fraud detection. Click here to see how machine learning is being applied to today’s trend.


Reindeer Games (2000) 1/2 star out of 4. Starring Ben Affleck, Charlize Theron and Gary Sinese. Directed by John Frankenheimer
Take my word for it, you don't want to play in any of these "Reindeer Games."

The main problem with "Reindeer Games" is the illogical complexity of what is basically a simple robbery. Plus the actions of the characters seem dictated more by script necessities than by what could be considered normal - or even abnormal - human behavior.
The basic story involves Rudy (Ben Affleck), a car thief who, when released from prison, masquerades as his slain cellmate Nick (James Frain), because he has fallen in love with Ashley (Charlize Theron), Nick's prison pen pal, who promised to meet him upon his release.
Rudy and Ashley's brief romantic interlude is violently cut short by Gabriel (Gary Sinese), Ashley's brother, who wants Rudy - whom he believes is Nick - to help him and his gang rob a Michigan casino at which Nick once worked as a security guard.
Of course, no one believes Rudy when he tells them he is not Nick, despite his complete ignorance about the casino and its workings.
Gabriel and his cohorts are the gang that couldn't shoot straight. They are long-distance truckers who run guns on the side. And they all have unusual names such as Merlin, Pug and Jumpy. Gabriel's nickname is Monster, so of course he acts like one.
As "Reindeer Games" progresses, we are treated to a series of double identities, double crosses, botched set-ups, lots of gunfire and more twists than a Chubby Checker dance marathon.
Now all of this sounds like it should be an exciting outing. But, for some reason, there is too much talk, too much exposition and "Reindeer Games" just drags and sputters on and on.

Affleck has no chance to stretch his acting chops. In fact, he goes through the movie merely posing, acting the leading man, instead of the paroled convict.
Sinese, who is usually a performer of exceptional quality, made a bad career decision with this flick. His Gabriel merely rants and raves, and he is supposed to be the brains of the outfit.
Theron looks pretty and works hard at acting the seductress, but she lacks that Barbara Stanwyck-"Double Indemnity" hard edge needed for her character. Frankenheimer merely lets his scenes drag on. Judicious editing - cutting "Reindeer Games" from its nearly two hours to about 90 minutes - may have improved the overall pacing, but it is doubtful it would have salvaged this mediocre misfire.
"Reindeer Games" is no fun at all.
Bob Bloom is the film critic at the Journal and Courier in Lafayette, IN. He can be reached by e-mail at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Player Class
Represents the player. Very similar to Entity Handles functionality triggered by keyboard and mouse Input
Constructor
Item Index
Properties
Methods
canMoveTo
-
x
-
y
Checks if this entity can move to the specified map tile
Parameters:
-
x
Number- The tile map x coord to check if this entity can move to.
-
y
Number- The tile map y coord to check if this entity can move to.
Returns:
getTileDrawData
()
TileDrawData
Returns as tileData
object used by Renderer
objects to draw tiles.
Returns:
init
-
game
Optional Callback. Called when the entity is first created. Intended to be assigned by Entity.Types.
Parameters:
-
game
Game- Game instance this obj is attached to.
move
-
x
-
y
Move action.
Parameters:
-
x
Number- Map tile cood to move to.
-
y
Number- Map tile cood to move to.
Returns:
true if action was taken.
moveTo
-
x
-
y
Changes the position of this entity on the map. this.canMoveTo() should always be checked before calling this.moveTo
Parameters:
-
x
Number- The tile map x coord to move to.
-
y
Number- The tile map y coord to move to.
update
-
action
Called when user key is pressed with action of key pressed as an arg.
Parameters:
-
action
String- action bound to key pressed by user
Returns:
true if action was taken.
updateFov
()
Updates this.fov
wait
()
Wait action.
Properties
bgColor
String | Bool
The background color the character displayed when rendering this player.
char
String
The character displayed when rendering this player.
color
String | Bool
The color of the character displayed when rendering this player.
dead
Bool
Determines if the player has been killed.
fovDirection
String
Direction of fov (not used for fieldRange 360) valid directions: ['up', 'down', 'left', 'right', 'up_left', 'up_right', 'down_left', 'down_right'].
fovFieldRange
Number
Field Range of this.fov (90, 180, or 360)
fovMaxViewDistance
Number
Max visible distance in tiles
name
String
Name used when referencing describing this player. Used in console messages.
x
Number
The map tile coordinate position of the player on the x axis.
y
Number
The map tile coordinate position of the player on the y axis.


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{block name="body"}{/block}


Thank you for purchasing this product. If you have any questions that are beyond the scope of this documentation, please feel free to email us.
2.0
1.8
1.7
1.6
1.5
1.0
Include the following lines into the head section of your page. Of course the path can be different, depending where is layerslider folder on your server.
You have to run this plugin like any other jQuery plugins:
$(selector).layerSlider();
For example: if your LayerSlider container has an id named slider, the correct call method will be:
$('#layerslider').layerSlider();
Create HTML markup for layers into the body section of your page. A typical HTML markup for the script looks like this:
As you can see, we created two layers with adding class named ls-layer to the divs - in this case the slideshow will have only two complete screens. We also put sublayers into layers - these are images, but you can use any type of content you want, including HTML code, or Flash movies too.
There are a special sublayer, it is called background and it has a class named ls-bg. The parallax-effect does not apply to background sublayers - so they are always staying in the background of the parent layer. (Otherwise you can add background-images to layers too.)
Other sublayers have a class named ls-lnumber. This number is a positive integer and it is important because of the parallax effect: sublayers with higher number will animate faster and therefore it seems that you see the whole animation in 3D.
Obviously you can create unlimited sublayers and they can have the same class too.
From version 1.7 you can make the slider responsive. So, you can add percentage values to width and height* properties of LayerSlider container and of course left and top properties of sublayers.
Important: Because of browser incompatibility you must use style tag if you want to add percentage values to these properties! Example: this is 80% wide LayerSlider with a layer that contains some sublayer that have left and top properties set in percentage:
Important: If you are using responsive layout, do not set imgPreload property to false!
Note, that in this case the left and top properties will point to the center of the current sublayer! For example if you add style="left: 50%; top: 50%;" to a sublayer, than it will be in the absolute center of the layer.
* If you want to add the height of the LayerSlider container also in percentage you must also add the height (in pixels) of the parent element of the LayerSlider container!
You can use the following - global - settings which are applied to the container of the slider. If you run multiple sliders on the same page, you can add different settings to each sliders. Note, that these are case sensitive.
$('#slider').layerSlider({ autoStart : true, firstLayer : 1, twoWaySlideshow : false, keybNav : true, touchNav : true, imgPreload : true, navPrevNext : true, navStartStop : true, navButtons : true, skin : 'default', skinsPath : '/layerslider/skins/', pauseOnHover : true, globalBGColor : 'transparent', globalBGImage : false, animateFirstLayer : false, yourLogo : false, yourLogoStyle : 'position: absolute; z-index: 1001; left: 10px; top: 10px;', yourLogoLink : false, yourLogoTarget : '_blank', loops : 0, forceLoopNum : true, autoPlayVideos : true, autoPauseSlideshow : 'auto', youtubePreview : 'maxresdefault.jpg', // you can change this settings separately by layers or sublayers with using html style attribute slideDirection : 'right', slideDelay : 4000, parallaxIn : .45, parallaxOut : .45, durationIn : 1000, durationOut : 1000, easingIn : 'easeInOutQuint', easingOut : 'easeInOutQuint', delayIn : 0, delayOut : 0 });
autoStart : true or false
If true, slideshow will automatically start after loading the page.
firstLayer : number (positive integer)
LayerSlider will begin with this layer.
twoWaySlideshow : true or false
If true, slideshow will go backwards if you click the prev button.
keybNav : true or false
Keyboard navigation. You can navigate with the left and right arrow keys.
touchNav : true or false
Touch-control (on mobile devices)
imgPreload : true or false
Image preload. Preloads all images and background-images of the next layer.
navPrevNext : true or false
If false, Prev and Next buttons will be invisible.
navStartStop : true or false
If false, Start and Stop buttons will be invisible.
navButtons : true or false
If false, slide buttons will be invisible.
skin : 'name_of_the_skin'
You can change the skin of the Slider. You can read more abut this at Skin support.
skinsPath : 'path_of_the_skins_folder/'
You can change the default path of the skins folder. Note, that you must use the slash at the end of the path.
pauseOnHover : true or false
If ture, SlideShow will pause when you move the mouse pointer over the LayerSlider container.
globalBGColor : CSS color methods
Background color of LayerSlider. You can use all CSS methods, like hexa colors, rgb(r,g,b) method, color names, etc. Note, that background sublayers are covering the background.
globalBGImage : URL of the background image
Background image of LayerSlider. This will be a fixed background image of LayerSlider by default. Note, that background sublayers are covering the global background image.
animateFirstLayer : false or true
If true, first layer will animate (slide in) instead of fading.
yourLogo : 'path_of_your_image'
This is a fixed image that will be shown above of LayerSlider container. For example if you want to display your own logo, etc. You have to add the correct path to your image file.
yourLogoStyle : 'css_properties'
You can style your logo. You are allowed to use any CSS properties, for example add left and top properties to place the image inside the LayerSlider container anywhere you want.
yourLogoLink : 'domain_or_page' or false
You can add a link to your logo. Set false is you want to display only an image without a link.
yourLogoTarget : 'target'
If '_blank', the clicked url will open in a new window.
loops : number (0 or a positive integer)
Number of loops if autoStart set true (0 means infinite).
forceLoopNum : true or false
If true, the slider will always stop at the given number of loops even if the user restarts the slideshow.
autoPlayVideos : true or false
If true, slider will autoplay youtube / vimeo videos - you can use it with autoPauseSlideshow.
autoPauseSlideshow : 'auto', true or false
'auto', true or false. 'auto' means, if autoPlayVideos is set to true, slideshow will stop UNTIL the video is playing and after that it continues. True means slideshow will stop and it won't continue after video is played.
youtubePreview : 'videopreviewname.jpg'
Default thumbnail picture of YouTube videos. Can be 'maxresdefault.jpg', 'hqdefault.jpg', 'mqdefault.jpg' or 'default.jpg'. Note, that 'maxresdefault.jpg' os not available to all (not HD) videos.
slideDirection : 'left', 'right', 'top', 'bottom' or 'fade' *
Slide direction. New layers sliding FROM(!) this direction.
* From version 1.6 you can use the fade parameter if you want to fade in / out a sublayer instead of sliding. Note, that fade is working ONLY on sublayers but not on layers so if you want to fade in / out a sublayer (instead of sliding), you have to add the slidedirection or the slideoutdirection property to that sublayer and you cannot use fade as a global property! See the Local Settings below.
slideDelay : number (millisecs)
Time before the next slide will be loading.
parallaxIn : number
Modifies the parallax-effect of the slide-in animation.
parallaxOut : number
Modifies the parallax-effect of the slide-out animation.
durationIn : number (millisecs)
Duration of the slide-in animation.
durationOut : number (millisecs)
Duration of the slide-out animation.
easingIn : easing (all easing types of jQuery UI Effects Core can be used)
Easing (type of transition) of the slide-in animation.
easingOut : easing or (all easing types of jQuery UI Effects Core can be used)
Easing (type of transition) of the slide-out animation.
delayIn : number (millisecs)
Delay time of the slide-in animation.
delayOut : number (millisecs)
Delay time of the slide-out animation.
Some of the above settings you can apply uniquely to a layer or a sublayer. For example, if you want to add an extra slide direction and slide delay property to a layer, use the following code:
As you can see, we used the style tag to add properties.* Another example, we are adding some other properties to a sublayer:
* From version 1.5, you can use both rel and style tags to add properties. Some older browser (like Firefox 2) doesn't allow to add custom properties into style tag, so in that case you can use rel tag.
You can add this properties to layers:
You can add this properties to sublayers:
* From version 1.5, you can add the slidedirection property to the sublayers too. So you can animate some sublayers for example from top as the main layer is sliding from left. You can use all four directions at the same time with different sublayers inside a main layer!
** From version 1.6, you can add the slideoutdirection property to the sublayers. So you can set the slide out animation independent from the slide in animation. You can also use the fade parameter if you want to fade out a sublayer.
From version 2.0 you can easily add a special link to any sublayer which jumps to the selected layer of the slider. You don't have to write any JS code, just add a special class to the sublayer by the following way:
As you can see, we used a class name "ls-linkto-" and a number which is of course the ordinal number of the layer where you want to jump to.
We added an API to make more comfortable the usage of this script.
The API can be divided into three parts:
Sometimes you may need to know the current layer index or for example if the script is even animating or not. Now you can get the whole LayerSlider object with realtime values of variables at any time. Just call the $(your-layerslider-container).layerSlider('data'); function and you can get back this object. Try this:
var lsdata = $(your-layerslider-container).layerSlider('data'); alert(lsdata.g.curLayerIndex);
This will show you the current layer index.
You can get ALL the events and variables in real time, but the more important are the following:
You can use some callback functions too. You have to define these functions with the global settings:
$('#slider').layerSlider({ ... global settings ... cbInit : function(){ yourcode }, // Calling when LayerSlider loads. cbStart : function(){ yourcode }, // Calling when you click the slideshow start button. cbStop : function(){ yourcode }, // Calling when click the slideshow stop / pause button. cbPause : function(){ yourcode }, // Calling when slideshow pauses (if pauseOnHover is true). cbAnimStart : function(){ yourcode }, // Calling when animation starts. cbAnimStop : function(){ yourcode }, // Calling when the animation of current layer ends, but the sublayers of this layer still may be animating. cbPrev : function(){ yourcode }, // Calling when you click the previous button (or if you use keyboard or touch navigation). cbNext : function(){ yourcode } // Calling when you click the next button (or if you use keyboard or touch navigation). });
You can call these functions to control the slider:
We want to show an example how to create a layer with an embedded video sublayer. LayerSlider works with embed codes of many video sharing websites, but we created some features to improve the work with two most popular sites: YouTube and Vimeo.
It is very simple: you will need to create a DIV sublayer and put your video embed code into. That's it! You can see in the following example, that we created a slider with two layers and we put a YouTube video into a sublayer of the first layer, and put a Vimeo video into a sublayer of the second layer.
Important things about embedding:
As we said, we included some nice features if you are using YouTube and / or Vimeo video services.
LayerSlider adds a video preview image (from the video) with a play button, so when the layer slides in with a video sublayer, you don't see those video controls until the video will begin to play. If you are using YouTube, you can choose from different sizes of preview images (see youtubePreview option in Global Settings).
If you set it true, videos will begin to play immediately when the layer slides in.
If a slideshow is running and autoPlayVideos is set to true, the slideshow can be auto-paused while videos are playing. Just set autoPauseSlideshow to true or 'auto' and the slideshow will stop. Of course in 'auto' mode it will continue after the video has played.
Actually there are five pre-defined skins that you can use. These are:
and if you want to forbid LayerSlider to load any skin, use: skin : 'noskin'.
Each of them have a separated folder in /layerslider/skins/. The name of the folder is the name of the skin too. If you open skin.css from any skin folder, you realize, that I used the name of the skin as a css class by the following way:
.ls-name_of_the_skin
If you run LayerSlider with the skin property, it will trying to load skin.css from the folder /layerslider/skin/name_of_the_skin/ and it will add ls-name_of_the_skin css class to LayerSlider container.
So, you can easily load your skin, but don't forget that the path of the skins folder.
$('#layerslider').layerSlider({ skin : 'darkskin' });
We attached a layered PSD file with the five skins.
Example 1. - A fully configured slider with local settings (default skin).
Example 2. - Light Skin
Example 3. - Dark Skin
Example 4. - Multiple sliders with new skins (v2.0) and different settings
Example 5. - Embedding YouTube and Vimeo videos (glass skin)
Example 6. - Responsive layout & yourLogo sample
Example 7. - Fullscreen Responsive layout


About
An oaDOI link is like a DOI, with a useful difference: if there's an open access version
of the article, the oaDOI URL will send you there, instead of the paywalled article
landing page. So for instance,
The oaDOI system was inspired by DOAI. It improves
on their coverage, and offers
an API with license information and other details. It's in
active development by the
Impactstory team.
Data Sources
We look for open copies of articles using the following data sources:
- The Directory of Open Access Journals to see if it’s in their index of OA journals.
- CrossRef’s license metadata field, to see if the publisher has reported an open license.
- Our own custom list DOI prefixes, to see if it's in a known preprint repository.
- DataCite, to see if it’s an open dataset.
- The wonderful BASE OA search engine to see if there’s a Green OA copy of the article.
BASE indexes 90mil+ open documents in 4000+ repositories by harvesting OAI-PMH metadata.
- Repository pages directly, in cases where BASE was unable to determine openness.
- Journal article pages directly, to see if there’s a free PDF link (this is great for detecting hybrid OA)


Research
Computational vision is at the heart of biomedicine and robotics, but is still quite primitive when compared with our own visual sense. We effortlessly demonstrate enormous flexibility and generality, which hides its staggering complexity: Nearly half of the primate brain processes visual information. Our group is attempting to put the requirements of vision systems together with insights from neurophysiology and the rigor of mathematics to develop an abstract theory of computational vision. Based on differential geometry, it leads to methods of curve detection and shading and texture analysis.


How do I reconfigure our Hubs to distribute scripts over the LAN?
If you have multiple groups on your LAN with their own Satellite/Hub configurations, you can configure the Hubs to collaborate over the network instead of through Email. Keep in mind, this is for LAN only collaboration. If you have a Hub which also has off-site project members, you will not want to changes your current settings.
- Check the configuration of all Hubs. Double-click the dispatcher icon in your task tray. This will open
"Collaboration Settings" (Network Hub should be selected)
- Make sure "Use email" is NOT checked. You won't be using email
- Below "This Hub's email address (or name)" click "Advanced". Select Alternative Transport tab. Do NOT change the Hub's name (this is usually its email address or fake email). Change "Hub transport": enter the share name of this Hub's public Inbox. For instance, if your Hub machine is called DENVER, type in \\DENVER\CODECOOP .
- When another person/workstation wants to join the project, send them an invitation (Project > Invite). It will
contain the Hub name and transport which they will need to join the project.
- The joiner will do the following:
- Select Project > Join
- In the frame "Who invited you to this project?" select "Somebody from a different Hub or peer". Click the "Advanced" button and enter the name of the target Hub (the Hubs name or email address) and then type in that Hub's share name. For instance if you are joining from PORTLAND to DENVER, type in \\DENVER\CODECOOP


--- layout: apidoc title: Tile5 API Documentation ---
To be completed
A collection of utilities for working with Geo.Address objects
Used to take an address that could be in a variety of formats and normalize as many details as possible. Text is uppercased, road types are replaced, etc.
Returns a string representation of the T5.Geo.Address object


The templates:if-parameter-set conditionally includes its content only if the given request parameter is set and is not empty. The parameter is referred to by the attribute data-template-param.
The templates:if-parameter-unset conditionally includes its content only if the given request parameter is not set or is empty. The parameter is referred to by the attribute data-template-param.


There's still time to grab these amazing iPad deals before the holidays
by Tabitha BakerThere's still time to grab these amazing iPad deals before the holidays
Deals abound on iPad Pro, Mini, and Air models
(Image credit: Future) Jump To:
If you're still to scoop up an iPad deal in the holiday sales you're in luck. We've found the cheapest prices for each iPad model from a range of your favorite retailers this week. Many of these deals are Black Friday / Cyber Week discounts still in stock at various retailers, meaning there's still time to save on iPad Pro deals and more. There's also still a healthy stock of iPad Air, and Mini deals about - all still carrying their seasonal sales price tags.
Black Friday and Cyber Monday were fantastic times to shop for an iPad, with some of the lowest discounts on 2019 and last year's models we've seen in a while. Thankfully, a few of those sales linger on into this week, and we're still seeing decent discounts on iPad Pro and Air models as well as some cheaper prices on 2018's installments.
If you're looking for the cheapest iPad deal possible, you'll likely be looking at lower storage items. Thanks to iCloud, the 32GB and 64GB storage options available are more than workable if you're looking to stream your entertainment and keep you larger files in the cloud. That said, if you're looking for a tablet to potentially replace your laptop, or if you're going to be running several high performance apps for some hardcore work, you might want to take a look at some of the roomier options.
iPad deals available today
US iPad deals
UK iPad deals
If the model you're looking for has since dropped out of the seasonal sales, there's always our roundup of the best cheap iPad deals going to keep your eye on. While you're restocking your Apple products, you might also be interested in the best AirPods prices around. There are still plenty of MacBook deals to keep an eye on as well!


Version
Your trial expired 1/1/2001
Thanks for using PingPlotter Free! If you love it, please let others know.
Upgrade to PingPlotter Standard or Pro in 1 minute
.
Copyright © 1998-2015 by
Pingman Tools, LLC
Additional information available at
www.pingplotter.com
Special thanks to:
Tom Larrow, Pierre R. Schwob
Continue


SHADOW OF A DOUBT A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ***
"It's not good to know too much about someone, Charlie," Charles warns his niece, Charlie (Margaret Welsh), with a devilish grin. Charlie is infatuated with her namesake uncle, her "soul mate" as she calls him since her mother gave her his name.
There's a lot to know about Charles, not the least of which is that he strangled 3 widows back East.
Mark Harmon, who looks like anything but a killer but specializes in playing them, plays Charles, the Merry Widow Murderer in the 1991 Hallmark Hall of Fame remake of the 1943 Hitchcock film, SHADOW OF A DOUBT. And to avoid any questions about his guilt, we see Charles in action in the opening scene with his last victim.
The story takes place in the early 1950s in the small town of Petaluma, California, where Charles heads to avoid the police. John Gay's script uses most of the original screenplay by Sally Benson, Alma Reville, and Thornton Wilder. Karen Arthur's direction is certainly no match for the great master, but on an absolute scale, the movie maintains a high level of suspense.
When supercilious and deceitful Charles comes to pay a visit of indeterminate length with his sister and her family in Petaluma, they don't know about his nefarious activities. He showers them with elaborate gifts to buy the love they had already given him anyway.
Two mysterious and exceedingly clean-cut writers for a magazine show up to take pictures of the family for a spread on the "average American family," but their interest is focused on Uncle Charles, especially on taking his picture and learning about his background. Charlie, who first welcomed her uncle's visit, begins to feel more and more uncomfortable with him and suspicious of the disingenuous magazine reporters.
The picture advances with a delicate power using small details such as the newspaper article that the uncle tries secretly to remove and that Charlie discovers.
The beauty of the story is the pas de deux between uncle and niece as they try to out psych each other. She wants him to leave, and he doesn't want to go, what with a local, rich widow as a prospective victim. Will Charles kill Charlie first, or will she get him out of town. Harmon is wonderfully creepy and smug, and Welsh is tough but trapped.
With a deft touch the director sets up each scene, several with thunderstorms, and Tom Neuwirth's sepia-toned cinematography makes the movie feel as if it were filmed in the 50s. My only quibble is the director's awkward staging of the final scene on the train.
Is Hitchcock's version better? Of course. Is this one worth watching as well? Actually, yes.
SHADOW OF A DOUBT runs 1:40. It is not rated but would be PG for adult themes and would be fine for kids around nine and up.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{# Copyright 2015-2016 Capstone Team G Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License. #} {% extends "_wrapper.html" %} {% block headtitle %}Lintable | Terms of Service{% endblock %} {% block pagetitle %}Terms of Service{% endblock %} {% block content %} Last updated: February 13, 2016
Please read these Terms and Conditions ("Terms", "Terms and Conditions") carefully before using the lintable.com (the "Service") operated by Lintable ("us", "we", or "our").
Your access to and use of the Service is conditioned on your acceptance of and compliance with these Terms. These Terms apply to all visitors, users and others who access or use the Service.
By accessing or using the Service you agree to be bound by these Terms. If you disagree with any part of the terms then you may not access the Service.
Our Service may contain links to third-party web sites or services that are not owned or controlled by Lintable.
Lintable has no control over, and assumes no responsibility for, the content, privacy policies, or practices of any third party web sites or services. You further acknowledge and agree that Lintable shall not be responsible or liable, directly or indirectly, for any damage or loss caused or alleged to be caused by or in connection with use of or reliance on any such content, goods or services available on or through any such web sites or services.
We strongly advise you to read the terms and conditions and privacy policies of any third-party web sites or services that you visit.
We may terminate or suspend access to our Service immediately, without prior notice or liability, for any reason whatsoever, including without limitation if you breach the Terms.
All provisions of the Terms which by their nature should survive termination shall survive termination, including, without limitation, ownership provisions, warranty disclaimers, indemnity and limitations of liability.
We may terminate or suspend your account immediately, without prior notice or liability, for any reason whatsoever, including without limitation if you breach the Terms.
Upon termination, your right to use the Service will immediately cease. If you wish to terminate your account, you may simply discontinue using the Service.
All provisions of the Terms which by their nature should survive termination shall survive termination, including, without limitation, ownership provisions, warranty disclaimers, indemnity and limitations of liability.
These Terms shall be governed and construed in accordance with the laws of Oregon, United States, without regard to its conflict of law provisions.
Our failure to enforce any right or provision of these Terms will not be considered a waiver of those rights. If any provision of these Terms is held to be invalid or unenforceable by a court, the remaining provisions of these Terms will remain in effect. These Terms constitute the entire agreement between us regarding our Service, and supersede and replace any prior agreements we might have between us regarding the Service.
We reserve the right, at our sole discretion, to modify or replace these Terms at any time. If a revision is material we will try to provide at least 30 days notice prior to any new terms taking effect. What constitutes a material change will be determined at our sole discretion.
By continuing to access or use our Service after those revisions become effective, you agree to be bound by the revised terms. If you do not agree to the new terms, please stop using the Service.
If you have any questions about these Terms, please contact us.
{% endblock %}


We've released this early to help us learn faster, and as many will already find it helpful. However, expect things to break occationally, undergo potentially radical changes, or disappear entirely.


PDF Preview&Split Example
1 - Upload your file
Select a PDF file
Upload
2 - Select first page(s) and split
Split
3 - Download your files


Wickham Park Marathon
Melbourne FL/USA
Race Winners
(21 runnings)
27
May
2007
28
May
2006
29
May
2005
30 May
2004
25 May 2003
26 May 2002
28 May 2000
30 May 1999
24 May 1998
25 May 1997
04 Jul 1995
Notes: 1995 was the inaugural year. This marathon is run off-road.
29 May
2016
---
cancelled
---
cancelled
24 May
2015
4:04:
Andre Chaves (USA)
5:36:20
Amanda An (MD/USA)
25 May
2014
3:31:
David Briz (FL/USA)
4:58:
Marjolein Bass (FL/USA)
26
May
2013
4:31:
Jeffery Kasal (MO/USA)
4:59:
Suzanne Krasny-3
27 May
2012
4:55:
Pedro Toledo (USA)
4:47:
Suzanne Krasny-2
29 May
2011
4:10:
Matt Carter (FL/USA)
5:03:23
Suzanne Krasny (FL/USA)
30 May
2010
3:39:49
Emiliano Lemus (HON)
4:59:00
Krystle Martinez (FL/USA)
24 May
2009
3:57:25
Scott Adams-2
5:28:00
Cheryl Lager (VA/USA)
25 May
2008
3:31:42
Steve Wheeler (FL/USA)
4:19:00
Charise Parker (FL/USA)
3:20:52
Michael Aldrink (OH/USA)
4:09:56
Helen Cox (FL/USA)
3:54:11
Mark Henderson-2
5:43:50
Marla Buechner (USA)
4:15:20
Scott Adams (VA/USA)
4:50:59
Pam Byrne (FL/USA)
3:56:50
Mark Henderson (TX/USA)
8:54:25
Beth Terry (GA/USA)
4:56:00
Scott Sturtz (FL/USA)
6:56:20
Taressa Calcavecchia (FL/USA)
4:35:30
Mike Farnsworth (FL/USA)
5:33:06
Anita Allen (FL/USA)
27 May 2001
3:50:46
Jason Maki-2
4:45:00
Megan Harrison (FL/USA)
3:54:22
Chris Seinkner (FL/USA)
6:59:59
Sue Thompson (MI/USA)
4:11:00
Jason Maki (FL/USA)
4:11:00
Vista Beasley (FL/USA)
4:48:56
Juan Tapia (FL/USA)
5:25:10
Kathy Faulkner (GA/USA)
5:21:
Bill Menard (FL/USA)
25 May 1996
7:33:
Matt Mahoney-2
5:41:40
Matt Mahoney (FL/USA)
Most Wins
(1995-date)
Men
2
Matt Mahoney (FL/USA)
1995-96
Jason Maki (FL/USA)
1999,2001
Mark Henderson (TX/USA)
2004,2006
Scott Adams (VA/USA)
2005,2009
Women
3
Suzanne Krasny (FL/USA)
2011-13
Prize Money
(ADR qualified runners)
No information on prize money has been received.
Race Time Bias
(sec/km)
Insufficient data to calculate the race time bias.
Competitive Level (1990-date)
Insufficient data to calculate the competitive level.
Quality Performances
Men no men under 2:20 Women no women under 2:50
Last Updated on 06 Aug 2016
Contributors: Klaas Loonstra (25)


This is a sample markdown file to help you write Markdown quickly :)
If you use the fabulous Sublime Text 2/3 editor along with the Markdown Preview plugin, open your ST2 Palette with CMD+P
then choose Markdown Preview in browser
to see the result in your browser.
this is italic and this is bold . another italic and another bold
this is important
text. and percentage signs : % and %
This is a paragraph with a footnote (builtin parser only). 1
Insert [ toc ]
without spaces to generate a table of contents (builtin parsers only).
Here is some indented text
even more indented
-
, +
, or *
bullet list 2
sub item 2
with indented text inside
bullet list 3
This is an example inline link and another one with a title.
Links can also be reference based : reference 1 or reference 2 with title.
References are usually placed at the bottom of the document
A sample image :
As links, images can also use references instead of inline links :
It's quite easy to show code in markdown files.
Backticks can be used to highlight
some words.
Also, any indented block is considered a code block. If enable_highlight
is true
, syntax highlighting will be included (for the builtin parser - the github parser does this automatically).
<script>
document.location = 'http://lmgtfy.com/?q=markdown+cheat+sheet';
</script>
When enable_mathjax
is true
, inline math can be included \(\frac{\pi}{2}\) $\pi$
Alternatively, math can be written on its own line:
$$F(\omega) = \frac{1}{\sqrt{2\pi}} \int_{-\infty}^{\infty} f(t) \, e^{ - i \omega t}dt$$
\[\int_0^1 f(t) \mathrm{d}t\]
\[\sum_j \gamma_j^2/d_j\]
If you use the Github parser, you can use some of Github Flavored Markdown syntax :
Some Python code :
import random
class CardGame(object):
""" a sample python class """
NB_CARDS = 32
def __init__(self, cards=5):
self.cards = random.sample(range(self.NB_CARDS), 5)
print 'ready to play'
Some Javascript code :
var config = {
duration: 5,
comment: 'WTF'
}
// callbacks beauty un action
async_call('/path/to/api', function(json) {
another_call(json, function(result2) {
another_another_call(result2, function(result3) {
another_another_another_call(result3, function(result4) {
alert('And if all went well, i got my result :)');
});
});
});
})
The Github Markdown also brings some nice Emoji support : :+1: :heart: :beer:
Markdown Preview comes with Python-Markdown and Markdown2 preloaded.
The Python-Markdown Parser provides support for several extensions.
abbr
-- Abbreviationsattr_list
-- Attribute Listsdef_list
-- Definition Listsfenced_code
-- Fenced Code Blocksfootnotes
-- Footnotestables
-- Tablessmart_strong
-- Smart StrongYou can enable them all at once using the extra
keyword.
extensions: [ 'extra' ]
If you want all the extras plus the toc
extension,
your settings would look like this:
{
...
parser: 'markdown',
extensions: ['extra', 'toc'],
...
}
There are also some extensions that are not included in Markdown Extra but come in the standard Python-Markdown library.
code-hilite
-- CodeHilitehtml-tidy
-- HTML Tidyheader-id
-- HeaderIdmeta_data
-- Meta-Datanl2br
-- New Line to Breakrss
-- RSSsane_lists
-- Sane Liststoc
-- Table of Contentswikilinks
-- WikiLinksPython-Markdown is designed to be extended.
Just fork this repo and add your extensions inside the .../Packages/Markdown Preview/markdown/extensions/
folder.
Check out the list of 3rd Party extensions.
The default extensions are:
footnotes
-- Footnotestoc
-- Table of Contentsfenced_code
-- Fenced Code Blocks tables
-- TablesUse the default
keyword, to select them all.
If you want all the defaults plus the definition_lists
extension,
your settings would look like this:
{
...
parser: 'markdown',
extensions: ['default', 'definition_lists'],
...
}
The Markdown2 Parser also provides support for extensions, known as Extras.
You can configure the list of extras you want to use inside the package settings.
The default extras are:
footnotes
-- Footnotestoc
-- Table of Contentsfenced-code-blocks
-- Fenced CodeBlockscuddled-lists
-- Cuddled ListsYou can enable all default extras at once using the default
keyword.
If you want all the default extras plus the 'wiki-table' extra,
your settings would look like this:
{
...
parser: 'markdown2',
extensions: ['default', 'wiki-table'],
...
}
For a complete list of extras please checkout the Extras Wiki Page.
The tables
extension of the Python-Markdown parser is activated by default,
but is currently not available in Markdown2.
The syntax was adopted from the php markdown project, and is also used in github flavoured markdown.
| Year | Temperature (low) | Temperature (high) |
|---|---|---|
| 1900 | -10 | 25 |
| 1910 | -15 | 30 |
| 1920 | -10 | 32 |
If you are using Markdown2 with the wiki-tables
extra activated you should see a table below:
| Year | Temperature (low) | Temperature (high) | ||||
|---|---|---|---|---|---|---|
| 1910 | -15 | 30 | ||||
| 1920 | -10 | 32 |
This example requires Python Markdown's def_list
extension.
This plugin and this sample file is proudly brought to you by the revolunet team
This is the text of the note. ↩


--- layout: post authors: ["Greg Wilson"] title: See You at PyCon 2013 date: 2012-12-04 time: "09:00:00" tags: ["Community"] ---
The list of talks for PyCon 2013 has been posted, and we're very pleased to see three by members of our team:
There will also be the first-ever Python Education Summit and a whole lot more—hope to see you there.


Complex Pseudoinverse
The
[http://en.wikipedia.org/wiki/Moore%E2%80%93Penrose_pseudoinverse,
pseudoinverse] $A^+$ of a matrix $A$ can be computed from its SVD,
$A=U \Sigma V^*$, as
$$
A^+=V\Sigma^+U^*
$$
Here $\Sigma^+$ is derived from $\Sigma$ by inverting its diagonal
values whenever they excede a small tolerance, or otherwise setting
them to zero.
*Matrix $A$ must be complex in the code below*.
Powered by Puzlet.


Marathon Statistics for 1966
Countries with Most Finishers USA 1593 ENG 418 SVK 225 JPN 170 NZL 87 HUN 26 AUS 21 RSA 12 SCO 10 JAM 10 10 CAN 8 THA 8 Countries with Most Races USA 29 JPN 17 RSA 14 NZL 12 GER 11 ENG 8 AUS 7 CAN 4 IND 4 IRL 4 10 SWE 3 SUI 3 SCO 3 ITA 3 HUN 3 CZE 2 KOR 2 FIN 2 EST 2 UKR 2 20 ESP 2 AUT 2 SVK 2 Male/Female Ratio by Country USA 6.11Note: Only countries with more than 1000 reported finishers are included.
Last Updated on
07 Jan 2016


filter package
Package with various processing filters.
Filters
| blur | ||
| Meaning: | Blurs the generated image. This filter can be very slow. If only horizontal strength is specified it will be applied to both directions. |
|
| Syntax: | filter.blur() |
|
| Argument types: | base: |
any generator |
horizontal: |
[optional] any generator, expects values between 0 and 4, default value is 0.2 |
|
vertical: |
[optional] any generator, expects values between 0 and 4, default value is 0.2 |
|
tiled: |
[optional] boolean (0 or 1), default value is $FALSE |
|
| Usage example: |
|
|
| fastblur | ||
| Meaning: | Faster blur implementation with less customization. Can decrease quality when combined with transformation. | |
| Syntax: | filter.fastblur() |
|
| Argument types: | base: |
any generator |
strength?0.2: |
any generator |
|
| Usage example: |
|
|
| emboss | ||
| Meaning: | Adds embossed effect onto an image. Optionally uses another generator as a heightmap. | |
| Syntax: | filter.emboss() |
|
| Argument types: | base: |
any generator |
heightmap: |
[optional] any generator, if not specified, base image will be used |
|
strength: |
[optional] any generator, default value is 1 |
|
| Usage example: |
|


Automatic Speech Recognition has made big leaps forward thanks to advances in Deep Learning in recent times. On specific tasks it's reaching human parity. The algorithms making this possible are published by researches and big tech companies' Deep Learning frameworks are open source.
Our mission is to make it as easy as possible to take advantage of these developments tailored to your business needs.
There are numerous benefits of having a custom Automatic Speech Recognition System that is tailored to your needs.
For one, no (audio) data ever has to leave your company or device - data which potentially can bear sensitive personal or corporate information.
Furthermore, an Automatic Speech Recognition System trained for your use case will probably perform better than a general system. Sometimes it's enough to train a domain specific language model, which can be trained in an unsupervised manner based on existing texts. Sometimes it's necessary to train an acoustic model. To this end a speech corpus consisting of audio data together with its manually created transcriptions is necessary.
You have complete control over what data goes into the training of your model, and how it should behave.
But not only the acoustic and language models can be tailored to your needs - the underlying model can also be adapted to existing constraints regarding computing power. Clearly, a full fledged server has more computing resources than a mobile computer, e.g. a Raspberry Pi.
Most cloud based Speech To Text systems charge per time unit of transcribed audio. The training of a custom Speech To Text system on the other hand requires an investment upfront. But in the long run a domain specific system can turn out to be cheaper.
The use cases for Speech To Text technology can be broadly devided into command and control and into large vocabulary transcription tasks.
Choose among different speech and text corpora to create models tailored to your use case, e.g. for phone calls, distant microphone recordings, or television news.
We have created and are expanding a German pronunciation lexicon containing more than 370k words and their phonetic representations. Furthermore an English Lexicon based on CMU Dict is also available.
Directly use pre-trained Kaldi or CMU Sphinx models for your own ASR projects - available here for English and German.
Use our scripts and pronunciation lexica to train grapheme to phoneme models or download and use a pre-trained model.
The scripts form a processing pipeline that supports several speech corpora out of the box: VoxForge (English and German), German Speechdata Package V2, LibriSpeech, Forschergeist (German), and Zamia (German).
Prepare LibriVox data for training acoustic models. Help grow open speech corpora by efficiently correcting existing transcripts of spontaneous speech for example from podcasts.
This project encompasses two original German speech corpora: Forschergeist and Zamia. The former contains spontaneous speech, the latter audio recordings for interactions between humans and smart speakers.
Use our pre-trained models for CMU Sphinx and Kaldi to do speech recognition on resource constraint systems, e.g. Raspberry Pi.
Create noisy versions of training data or re-encode audio data to simulate different environments, e.g. noisy background or different telephone codecs.