JINGLE ALL THE WAY A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): **
So what kind of movies can a superstar make? Answer: Whatever kind he likes.
Let me confess. I am a big Arnold Schwarzenegger fan. From his superhero movies (the TERMINATOR series, TRUE LIES, and ERASER) to his comedies (TWINS), he brings a unique presence to his roles. His shows are bursting with energy, and there is rarely a dull moment. Even in the films of his of which that I have not been fond, JUNIOR comes to mind, he is interesting nevertheless.
So it is with JINGLE ALL THE WAY. This is a horribly flawed film, being needlessly mean-spirited, but it does have Arnold, and he is fun to watch in it. Nevertheless, I need to warn parents upfront that there are many messages in the film of which you may not approve. Most are introduced in a spirit of humor, but young kids may not appreciate the difference.
"Don't forget. Your my number one customer," concludes a harried Howard Langston (Schwarzenegger) on the phone to everyone who calls, even his wife Liz (Rita Wilson). He is a busy man right before Christmas, and he has a bad habit of missing his all the important events in his young son Jamie's (Jake Lloyd) life. This Christmas season all Howard needs to do is pick up a Turboman action figure and go to his kid's karate recital. He waits too late for both of them.
Howard's son explains to him how bad he wants the Turboman. It seems that ALL the kids are getting them this Christmas and "whoever doesn't is going to be a real loser." Those of us with young kids will identify with this toy obsession. Those without will probably think this part of the film is little more than a plot device.
The Langston's next door neighbor is divorced dad Ted Maltin (Phil Hartman) and his son. Ted appears perfect. He not only has the Turboman for his son, he has even bought him a live reindeer, reasoning, "You can never do too much to make a kid's Christmas special." Howard hates his goody-goody attitude. Ted is also the neighborhood's number one lech.
Set in a cold suburban landscape -- a snowy Twin Cities locale, the cold is a metaphor for the film's bleak humor. JINGLE ALL THE WAY has more fistfights and hitting people than any kid's show I have seen in a long, long time. Howard even slugs the poor, defenseless reindeer.
Tagging along with Howard is Sinbad (FIRST KID) playing psychotic postal worker Myron Larabee. When Howard first meets Myron in a line of anxious wannabe owners of Turbomen, Myron explains to him about the toy manufactures.
After many more struggles and wrestling matches in stores that turn out to be out of his son's Holy Grail, Howard begins to lose it. He starts tearing up store displays in fits of anger.
Success appears in the unlikely person of a mall Santa Claus (James Belushi) and his elf. They promise him a Turbo man for $300, but they turn out to be part of a vast conspiracy of Santa Clauses and elves who have a warehouse full of Turboman knockoffs. Touch these toys, and they fall apart. This leads to the most distasteful fight in the show. Howard tries to punch out scores of Jolly Olde St. Nicks.
While all the misery is unfolding on the screen, the music is playing happy tunes like "I'll be Home for Christmas" to remind you that this is supposed to be a comedy. We all laughed a lot, but I wonder how much of it was nervous laughter. Both Arnold and Sinbad are amusing. The problem is that the reasons for the humor are troubling. Do we really want America laughing over a postman who keeps threatening people with a non-existent bomb? As he says, "I work for the post office so I'm not stable."
Winning in the category for worst advice given in any kid's movie this year is that by Ted's son to Jamie. He counsels him, "Maybe your parents should get a divorce. Did wonders for my dad."
Kids even get to see a young kid (Jamie) drinking whiskey from a bottle. Granted it is in a nightmare sequence, but still.
The show ends very well, and if you stay through all the credits, the movie continues with one last joke.
JINGLE ALL THE WAY is a pathetic film that manages to be entertaining nevertheless, and one whose high energy makes it hard to dislike no matter how much you disagree with its messages. A guilty pleasure for its viewers. For believers of the Hollywood conspiracy to sap the morals of our youth theory, this picture is the one for them. It will seem to vindicate their assertions.
JINGLE ALL THE WAY runs just 1:29. For a movie rated just PG, it stretches the limits with lines including "what the hell" and "you sorry ass." There is no sex or nudity, but the mean time between fights is about three minutes. I liked this show more than I'd care to admit, but I can't recommend any kid's film that is so mean spirited. Jeffrey, age 7 1/2, on the other hand, loves it. He gives it six thumbs up and says it would be fine for kids six and up -- to which I would add, at least. I give the picture a reluctant **.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: November 21, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
bank = variable containing handle to valid bank
file/stream = file handle of previously opened file or stream offset = offset in bytes to write the value count = how many bytes to write from the offset |
|
You can read the contents of a disk file (or stream) to a memory bank using this command.
Note: The file handle must be opened with OpenFile or OpenTCPStream and subsequently closed with CloseFile or CloseTCPStream after the reading operations are complete. Return how many bytes successfully read from a stream. Streams can only be used in Blitz Basic v1.52 or greater. See also: WriteBytes. |
|
; Read/WriteBytes Commands Example
; Create a 50 byte memory bank bnkTest=CreateBank(500) ; Let's fill the bank with random data For t = 1 To 50 PokeByte bnkTest,t,Rnd(255) Next ; Open a file to write to fileBank=WriteFile("test.bnk") ; Write the bank to the file WriteBytes bnkTest,fileBank,0,50 ; Close it CloseFile fileBank ; Free the bank FreeBank bnkTest ; Make a new one bnkTest=CreateBank(500) ; Open the file to read from fileBank=OpenFile("test.bnk") ; Write the bank to the file ReadBytes bnkTest,fileBank,0,50 ; Close it CloseFile fileBank ; Write back the results! For t = 1 To 50 Print PeekByte (bnkTest,t) Next |


Upload a different image
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E. B.-N. Sanders
This paper is credited by Visser et al 2005 for the phrase 'experts of their experience' in the context of co-design workshops, but doesn't actually contain the phrase.


AdoNetAppenderParameter overview
| AdoNetAppenderParameter Constructor | Initializes a new instance of the AdoNetAppenderParameter class. |
| DbType | Gets or sets the database type for this parameter. |
| Layout | Gets or sets the IRawLayout to use to render the logging event into an object for this parameter. |
| ParameterName | Gets or sets the name of this parameter. |
| Precision | Gets or sets the precision for this parameter. |
| Scale | Gets or sets the scale for this parameter. |
| Size | Gets or sets the size for this parameter. |
| Equals (inherited from Object) | Determines whether the specified Object is equal to the current Object. |
| FormatValue | Renders the logging event and set the parameter value in the command. |
| GetHashCode (inherited from Object) | Serves as a hash function for a particular type, suitable for use in hashing algorithms and data structures like a hash table. |
| GetType (inherited from Object) | Gets the Type of the current instance. |
| Prepare | Prepare the specified database command object. |
| ToString (inherited from Object) | Returns a String that represents the current Object. |
| Finalize (inherited from Object) | Allows an Object to attempt to free resources and perform other cleanup operations before the Object is reclaimed by garbage collection. |
| MemberwiseClone (inherited from Object) | Creates a shallow copy of the current Object. |
AdoNetAppenderParameter Class | log4net.Appender Namespace


Diagrams
Missed Relationships!
No relationships were detected in the schema.
Graphviz Needed!
SchemaSpy was unable to generate a diagram of table relationships. SchemaSpy requires Graphviz {{graphvizVersion}} from www.graphviz.org.
No relationships were detected in the schema.
SchemaSpy was unable to generate a diagram of table relationships. SchemaSpy requires Graphviz {{graphvizVersion}} from www.graphviz.org.


title
this is not the title but still important
this is not the title but still important
this is not the title but still important
this is not the title but still important
this is not the title but still important
this is not the title but still important
this is not the title but still important
this is not the title but still important
this is not the title but still important
this is not the title but still important


The Netherlands reveals new identity and drops “Holland” for good
The updated international logo is a “true reflection of the Dutch mentality” and is central to a brand strategy based around openness, inventiveness and inclusivity.
by Henry WongThe Netherlands has unveiled a new international logo, created by Dutch design consultancy Studio Dumbar.
The logo is how the country will be recognised internationally from now on, and part of a wider update to the country’s identity.
The updated logo — which cost £170,000 — retains the previous design’s orange colour, a shade associated with the country’s royal family, the House of Orange.
While the old logo featured an expressively drawn tulip, the new logo embeds the Dutch icon in a more subtle way through the use of negative space.
The N and L lettering forms a silhouette of the tulip’s petals. “The logo is intriguing, but at the same time solid and straight to the point,” Studio Dumbar tells Design Week.
In this way, the logo is “a true reflection of the Dutch mentality”, according to the studio.
A neater typeface has been used for the country’s updated name, which features alongside the tulip design in the full logo.
Designed by Dutch foundry Bold Monday, Nitti Grotesk is an “idiosyncratic” typeface that can “communicate both professionally and expressively”, Studio Dumbar says.
When the logo is used in conjunction with a member of the country’s kingdom, like one of its six Caribbean islands, ‘Kingdom of the Netherlands’ will be used.
The new logo can be used now, though the full branding identity including a website and visual guidelines will roll out from the beginning of next year.
NL Brand
Before the logo, the most significant part of the branding update was the official change of name from ‘Holland’ to ‘the Netherlands’.
The overhaul — known as the ‘NL Brand’ — is defined by three core concepts according to the government; openness, inventiveness and inclusivity. The strategy aims to convey the country’s strengths as well as encourage collaboration with other countries.
The head of Foreign Trade and Development Cooperation, Minister Kaag says: “The new logo can be applied across a range of fields, from high tech to agrifood and from sport and culture.
A clear cut international image is positive for our exports and the attraction of investment and talent.”
Holland vs. The Netherlands
There has been confusion over the country’s name change since it was announced in October.
In a release about the new branding strategy, the government says: “Naturally we are not banning the use of the word ‘Holland’, but we have chosen to stop using it on our official communications and products.”
“From now on the logo will be the letters ‘NL’ accompanied by ‘the Netherlands’ because ‘the Netherlands’ is the proper name of this country.”
The branding might run into some problems with translation; while ‘the Netherlands’ has a literal translation in nine languages, in some languages it is much rarer. In those cases, ‘Holland’ will still be used.


| Velate 262 General Information
-
| Synonyms: |
Isodecyl benzoate; Isodecyl benzoate; C9-11 branched alkyl benzoate |
| Molecular Formula: |
C17H26O2 (predominant component) |
| CAS Registry No.: |
131298-44-7 |
| Chemical Category: |
Benzoates |
Usage and Performance Characteristics
-
| Manufacturer: |
Velsicol Chemical Corporation |
| Outstanding Properties: |
Stain resistance, relatively volatile |
| Used for Polymeric Materials: |
PVC |
| Misc. Info on Composition: |
98-100% sodecyl benzoate; 0-0.99% toluene (impurity) |
Physical Properties
-
| Specific Gravity: |
0.95 (25°C) |
| Aggregate State at 25°C: |
Liquid, oily |
| Boiling Point, °C: |
>321.5 |
| Density, kg/m3: |
949.03 (25°C) |
| Vapor Pressure, kPa: |
0.00000845 (25°C) |
Chemical Properties
-
| Solubility in Water at 25°C, g/L: |
<0.0000686 |
Optical Properties
-
| Color, Platinum-Cobalt Scale: |
<40 |
| Refractive Index: |
1.4878 (n25D) |
Hazard-Related Data
-
| OSHA Hazard Class: |
Not hazardous according to OSHA 29 CFR 1910.1200; not dangerous substance according to 67/548/EEC, point 4 |
| ACGIH, mg/m3: |
188.0 (Toluene) |
| Autoignition Temperature, °C: |
374 |
| Eye Irritation (human): |
None (rabbit) |
| Flash Point Temperature, °C: |
174 |
| HMIS Personal protection: |
Safety glasses, gloves, lab. coat |
| Skin Irritation: |
None (rabbit) |
Environmental Parameters
-
| Octanol-Water Partition Coeff., log Kow: |
5.61 |
Aquatic Toxicity
-
| Daphnia Magna, mg/L: |
0.54 (48-h EC50) |
| Rainbow Trout, 96-h LC50, mg/L: |
>6.5 |
Animal Toxicity
-
| Rabbit Dermal, LD50, mg/kg: |
>2,000 |
| Rat Inhalation, LC50, mg/kg: |
3.3 |
| Rat Oral, LD50, mg/kg: |
>5,000 |
Plasticizers Database (2nd Electronic Edition) Copyright © 2004 by ChemTec Publishing |


One of the spiritual leaders in Nyingma lineage
As a Tibetan high lama of Nyingma Lineage, Khenpo endorses Rimé spirit and offers teachings from a variety of Buddhist lineages to hundreds of thousands of worldwide students.
A Dzogchen lineage holder
As a Vajra guru and a Dzogchen lineage holder, Khenpo is empowered to transmit Vajrayana teachings and practices such as Yeshe Lama, Lama Yangtik, Seven Treasuries, Trilogy of Finding Comfort and Ease, Trilogy of Natural Freedom, The Guhyagarbha Tantra, The Dzogchen Practice of Peaceful Manjushri, etc.
A Buddhist teacher
Khenpo emphasizes a systematic approach of listening, contemplating and meditating on the Dharma. He has been teaching traditional Mahayana Buddhism such as The Way of Bodhisattvas, The Ornament of the Middle Way and the whole collection of Five Great Treaties since 1987.
An experienced meditator
As an experienced meditator of high level realization, Khenpo believes that meditation goes beyond sitting practice. Using a Mahayana approach, he promotes “Meditation in Life” which helps people reach a meditative state of mind even while walking, talking, eating and cooking.
A prolific translator
Khenpo has translated, from Tibetan to Chinese or vice verse, more than 100 sutras, shastras, commentaries, liturgies, and pith instructions of Mahayana and Vajrayana Buddhism in the past 30 years.
A learned Buddhist scholar
Since 2010, in order to extend the spirit of wisdom and compassion, the essence of Buddhism, to an even wider audience, Khenpo has given talks at more than 100 universities across world. Their topics are as diverse as happiness, compassion, meditation, Buddhist psychology, and Buddhism in Modern Society.
A best-selling book author
Khenpo is an author of best-selling books for the general public, most of which were sold more than 100,000 copies in China and were also translated and published in different languages.
Youthhood and the Desire to be a Buddhist Monk
In 1962, Khenpo Sodargye Rinpoche was born into a nomadic family that practices Nyingma tradition of Tibetan Buddhism in a small valley of Kham, formerly an eastern region of Tibet. Khenpo developed a deep connection to Buddhist practices as early as his toddlerhood. He spent his childhood herding over 300 yaks for the local collective, while learning prayers, mantras and sutras by heart at the same time. It was at the age of 14 that Khenpo attended primary school. He graduated in record time with outstanding grades, and after his middle school, Khenpo entered Garzê Normal School where he began training as a teacher.
In the last year of his study at Garzê, driven by the profound desire to be a monk, Khenpo forewent his teacher’s life and became an ordained monk with Khenpo Depa. He remained for a year at Dhomang Monastery, where he studied and practiced the masterpiece written by the 19th century Nyingma master Patrul Rinpoche, Words of My Perfect Teacher.
In 1985, however, Khenpo Depa decided to send him for deeper training at Larung Gar Five Sciences Buddhist Academy. There, he was personally taught and nurtured by His Holiness Jigme Phuntsok—one of the most eminent Tibetan Buddhist masters of the time. Shortly afterwards, he earned his Khenpo degree, the highest scholastic honor awarded in the Nyingma tradition.
As a Teacher, a Translator and the Dzogchen Lineage Holder
In 1987, upon the request of His Holiness during the pilgrimage trip to Mount Wutai, Khenpo Sodargye was involved in the translation of the Tendrel Nyesel terma (“a hidden treasure teaching”) which had been revealed in 1900 by the great tertön (“revealer of spiritual teachings”) Lerab Lingpa. Khenpo’s fervency in translating Tibetan texts into Chinese was further heightened when he was again asked by His Holiness during the same trip to provide the oral translation of The Thirty-Seven Practices of Bodhisattvas when His Holiness was offering the teaching to an audience of Han Chinese Buddhists.
Since then, Khenpo has been inspired to work unceasingly to translate Sutrayana and Tantrayana scriptures into Chinese. Up to now, there are more than one hundred of them, including Sutras, Shastras and commentaries and pith instructions of Mahayana and Vajrayana Buddhism, most of which have been further taught to Han disciples directly in Chinese.
Khenpo has been teaching the Dharma using traditional Buddhist teaching methods since 1987. To solidify his disciples’ Buddhist studies, Khenpo emphasizes a systematic approach of listening, contemplating and meditating on the Dharma. Nowadays, hundreds of thousands of monastic disciples and lay followers across the world study the Dharma, such as Words of My Perfect Teacher, The Way of Bodhisattvas (Bodhicaryāvatāra), The Ornament of the Middle Way (Madhyamakālaṃkāra), the whole collection of Five Great Treaties, as well as many other related texts, with Khenpo through on-site, live stream, and video teachings.
Meanwhile, as a Vajra guru who is the Dzogchen lineage holder, Khenpo is empowered to transmit Vajrayana teachings and practices such as Yeshe Lama, Lama Yangtik, Seven Treasuries, Trilogy of Finding Comfort and Ease, Trilogy of Natural Freedom, The Guhyagarbha Tantra, The Dzogchen Practice of Peaceful Manjushri, etc.
Global Lecture Tour and A Prolific Author
Since 2010, Khenpo added a new project to his already innumerable activities— extending the spirit of wisdom and compassion, the essence of Buddhism, to an even wider audience. He has been invited to give talks at more than 100 universities in Asia, Europe, Oceania, North America and Africa, including most top universities of the world, such as Harvard University, Yale University, Columbia University, Stanford University, Princeton University, Sydney University, University of Göttingen, etc.
The topics discussed in these settings are as diverse as happiness, compassion, meditation, Buddhist psychology, and Buddhism in Modern Society. Meanwhile, wide-ranging conversations with leading scholars have included topics such biology, physics, psychology, sociology and many of the challenges presented by the rapid changes in modern life. In several occasions, Khenpo Rinpoche said in a joking way, that the terma he has revealed in this lifetime could be these university talks and dialogues.
Khenpo is also a prolific author of best-selling Chinese books for the general public, including Living through Suffering, Achieve by Doing, What Makes You Busy, Youth is Cruel etc., most of which were sold more than 100,000 copies in China and were also translated and published in different languages. His most recent English book is titled “Tales for Transforming Adversity: A Buddhist Lama’s Advice for Life’s Ups and Downs”, which is published in 2017.
Blessings and Words from Khenpo Sodargye
In addition, Khenpo writes song lyrics and recorded himself chanting. Among his chanting, The Great Cloud of Blessings: The Prayer which Magnetizes All that Appears and All that Exists, Verses of the Eight Noble Auspicious Ones, Seven Line Prayer to Guru Rinpoche, to the Twenty-One Taras become very popular and well known by most Tibetan Buddhists.
Although Vajrayana is flourishing around the world and many practitioners have relatively easy access to it, Khenpo still thinks it is fundamentally important for a Vajra master to lay a solid theoretical foundation of Vajrayana for his disciples; otherwise, Vajrayana will easily become a ritual and lose its profundity.
“In order to become a fit vessel for Vajrayana, one must thoroughly understand how Sutrayana and Vajrayana are seamlessly integrated through a systematic learning of relevant theories. This is the basis for Vajrayana practices, or else one might encounter many obstacles and will even generate wrong views towards the Dharma.”
This is the message conveyed by Khenpo Rinpoche as always. A systematic approach of listening, contemplating and meditating on the Dharma will contribute to the upholding of Buddhadharma and the carrying forward of the spirit of wisdom and compassion.


{% extends "base.mail.html" %}
{% load i18n %}
{% block content %}
{% blocktrans with receiver_name=to.short_name %}
Hello {{ receiver_name }}
The deadline of your task "{{ title }}" is reached.
Is your task realised?
Please confirm the participants.
Confirm
participants
Too early to celebrate?
By changing the deadline you can extend the task period. You can also
choose to close the task.
{% endblocktrans %}
{% endblock %}
{% block action %}
{% trans 'Edit task' context 'email' %}
{% endblock %}


#include <lib/types.h>
#include <lib/list.h>
Go to the source code of this file.
Classes | |
| struct | usb_device_t |
| struct | usb_endpoint_t |
| struct | usb_transfer_descriptor_ep_t |
| struct | usb_driver_t |
| struct | usb_irp_t |
| struct | usb_transfer_descriptor_t |
| struct | usb_core_t |
Defines | |
| #define | USB_IRP_WAITING 1 |
| #define | USB_TRANSFER_DESCR_NONE 1 |
| #define | USB_TRANSFER_DESCR_SEND 2 |
Typedefs | |
| typedef usb_device_t | usb_device |
| typedef usb_endpoint_t | usb_endpoint |
| typedef usb_transfer_descriptor_ep_t | usb_transfer_descriptor_ep |
| typedef usb_driver_t | usb_driver |
| typedef usb_irp_t | usb_irp |
| typedef usb_transfer_descriptor_t | usb_transfer_descriptor |
Functions | |
| void | usb_init () |
| void | usb_periodic () |
| u8 | usb_next_address () |
| usb_device * | usb_add_device () |
| u8 | usb_remove_device (usb_device *dev) |
| u8 | usb_register_driver (usb_driver *driver) |
| void | usb_probe_driver () |
| usb_irp * | usb_get_irp () |
| u8 | usb_remove_irp (usb_irp *irp) |
| u16 | usb_submit_irp (usb_irp *irp) |
| usb_transfer_descriptor * | usb_create_transfer_descriptor (usb_irp *irp) |
Variables | |
| usb_core_t | core |
| #define USB_IRP_WAITING 1 |
| #define USB_TRANSFER_DESCR_NONE 1 |
| #define USB_TRANSFER_DESCR_SEND 2 |
| typedef struct usb_device_t usb_device |
Main datastructure of the usbstack, which have to be instanced in the main application.
| typedef struct usb_driver_t usb_driver |
USB Driver data structure
| typedef struct usb_endpoint_t usb_endpoint |
| typedef struct usb_transfer_descriptor_t usb_transfer_descriptor |
usb transfer descriptor
| typedef struct usb_transfer_descriptor_ep_t usb_transfer_descriptor_ep |
| usb_device* usb_add_device | ( | ) |
Enumerate new device and create data structures for the core. usb_add_device expected that the device answers to address zero.
| usb_transfer_descriptor* usb_create_transfer_descriptor | ( | usb_irp * | irp | ) |
Create a transfer descriptor with an parent irp.
| usb_irp* usb_get_irp | ( | ) |
Not implemented.
| void usb_init | ( | ) |
Initialize USB stack.
| u8 usb_next_address | ( | ) |
Get next free usb device address.
| void usb_periodic | ( | ) |
Call this function periodically for control and transfer management.
| void usb_probe_driver | ( | ) |
Call every probe function from every registered driver, to check if there is a valid driver for the new device.
| u8 usb_register_driver | ( | usb_driver * | dev | ) |
Register new driver at usb stack.
first check to find a suitable device (root hub drivers need this call here)
| u8 usb_remove_device | ( | usb_device * | dev | ) |
Find currently detached device and remove data structures
| u8 usb_remove_irp | ( | usb_irp * | irp | ) |
Not implemented.
| u16 usb_submit_irp | ( | usb_irp * | irp | ) |
Takes usb_irp and split it into several usb packeges (SETUP,IN,OUT) In the usbstack they are transported with the usb_transfer_descriptor data structure.
You can see at bit 7 of bmRequestType if this stage is used, default requests are always 8 byte greate, from host to device. Stage 3 is only neccessary if the request expected datas from the device. bit7 - 1 = from device to host -> yes we need data stage bit7 - 0 = from host to device -> no send zero packet
nach einem setup token kann nur ein IN token in stage 3 folgen nie aber ein OUT. Ein Zero OUT wird nur als Bestaetigung benoetigt.
bit7 = 1 Device to Host
bit7 = 1, host beendet mit PID_OUT DATA1 Zero bit7 = 0, device sendet ein PID_IN DATA1 Zero Packet als bestaetigung
| struct usb_core_t core |


--- layout: archive title: Zulip Chat Archive permalink: /stream/113489-new-members/topic/symmetry.20of.20congruence.20mod.2037.html ---
I know what I am trying to achieve, however not sure about how to actually execute it in Lean.
import tactic.ring definition R (a b : ℤ) := ∃ (k : ℤ), k * 37 = a - b theorem R_is_symmetric : symmetric R := begin unfold symmetric, intro x, intro y, unfold R, intro H, existsi((-k) : ℤ), end
As you can see I have the hypothesis the k * 37 = x - y, however want to show existence of -k to show -k * 37 = y - x which will show that it is symmetric.
Thanks
This should help. Use cases.
theorem R_is_symmetric : symmetric R := begin unfold symmetric, intro x, intro y, unfold R, intro H, cases H with k hk, existsi( -k : ℤ), end
Thanks Chris
Are you an Imperial undergraduate doing my equivalence relation challenge @Nicholas Siedlaczek ?
I'm sure the 37 was a coincidence
@Nicholas Siedlaczek , after you're done with this, it will be useful to realize that all those unfold
are only psychological comfort for you, but Lean doesn't need them. The tactic proof of your lemma needs no more than three lines, one for introductions (using tactic rintros
), one for instanciating the existential (using tactic use
, or existsi
but you should get used to use
which is newer and more powerful), and one for the tiny computation (using tactic simp
).
@Patrick Massot Thanks so what you're saying is all unfold
does is display to the user what it actually means and shows you what to prove while lean basically 'ignores' them and is of no consequences to it?
Sometimes it's useful also to Lean, eg for type class instance resolution but, in my experience, almost every unfold that I type is unnecessary.
In your case, the full proof is
definition R (a b : ℤ) := ∃ (k : ℤ), k * 37 = a - b theorem R_is_symmetric : symmetric R := begin rintros x y ⟨k, H⟩, use -k, simp[H] end
If you want to emphasize which part really uses tactics seriously, you can also write it as:
theorem R_is_symmetric : symmetric R := λ x y ⟨k, H⟩, ⟨-k, by simp[H]⟩
It shows clearly that, in this proof, the only tactic which actually does work for you is the simplifier
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


--- layout: default ---
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[1]
-LRB- See more detailed manual would be helpful.
[2]
Often it ca n't find satelite or loses satalite.


Written by: Doty Abrams
Produced by: Wendy Knoller
Transcribed by: Coffee Mug, Eleonora, Sebastiano & Vanessa
Flashback clips transcribed by: Guineapig, Dan Silverstein, Ruth Curran, Eric Aasen and Mindy Mattingly Phillips, and compiled by Eleonora.
Final check by Kim
[Scene: Central Perk. Everybody's sitting on the couch and Monica is eating a chunk of cake.]
Monica: (really excited) Mmh... this cake is amazing!
Rachel: My God, get a room!
Monica: I would get a room with this cake. I think I could show this cake a good time!
Phoebe: If you had to, what would you give up, food or sex?
Monica: (with no hesitation) Sex!
Chandler: (looking at her) Seriously, answer faster!
Monica: Oh, I'm sorry honey, you know, but when she said "sex" I wasn't thinking about "sex with you"!

Phoebe: Ross, how about you. What would you give up, sex or food?
Ross: Food.
Phoebe: Ok, how about... uhm... sex or dinosaurs?
Ross: Oh my God. It's like Sophie's Choice.
Rachel: Oh God. What about you, Joe? What would you give up, sex or food?
Joey: Uhm... oh... I don't know, it's too hard.
Rachel: No, you gotta pick one!
Joey: Oh... food. No, sex. Food! Sex! Food! Se-I don't know! Good God, I don't know, I want girls on bread!
OPENING CREDITS
[Scene: Central Perk. Rachel and Phoebe are looking at some photos and they're sitting next to the window.]
Rachel: You gotta see these latest pictures of Emma.
Phoebe: Oh, how cute!
Rachel: Yeah.
Phoebe: Oh, she looks just like a little doll!
Rachel: Oh, no, no. That is a doll.
Phoebe: Oh, thank God, 'cause that thing's really creepy! (looking outside the window) Look, there's Chandler. (he's on the street, talking to a woman)
Rachel: Oh. Who is the blonde, she's pretty.
Phoebe: OH! He's having an affair.
Rachel: He's not having an affair!
Phoebe: You know, I'm always right about these things.
Rachel: No, you're not!
Phoebe: Well, I'm sorry but it's hard to believe that anyone would tell a story that dull just to tell it! (looking outside) See, there's something going on with them. Look, he's getting into the car with her!
Rachel: Oh, that doesn't mean anything.
Phoebe: Oh yeah? Well, let's see. (she takes her mobile phone) Ok, duck down. (they both get down to hide themselves. Phoebe calls Chandler)
Chandler: (picking up the phone) Hello.
Phoebe: Oh, hi Chandler. It's Phoebe. Uhm... I know that Monica is working today so...(back to Central Perk) ...I was wondering if you want to come to the movies with me and Rachel.
Chandler: Oh, uhm... I have to work too. Yeah, I'm stuck at the office all day.
 "An Affair To Remember".
Chandler: Those are all really old!
Phoebe: Ok, then maybe it'll be, uhm...
Rachel: (whispering) "Dude, Where's My Car?"
Phoebe: (glancing at her) What?
Rachel: They're in a caaar...
Phoebe: (to Chandler at the phone) Okay, we-we'll talk to you later. Okay, bye.
Rachel: Geez!
Phoebe: Ok. Quick. We gotta find a cab and follow them.
Rachel: Oh, yeah, ok. Let me just grab my night vision goggles and my stun gun.
Phoebe: (patting her bag) I got them!
[Scene: Monica’s apartment. Chandler enters the door.]
Chandler: Hi!
Monica: Hey!
Chandler: I was in the car with Nancy all day.
Monica: Nancy doesn’t smoke!
Chandler: Well, at least the perfume is not mine, be thankful for that!
Monica: So? What do you think of the house?
Chandler: It’s perfect. It’s everything we’ve been looking for.
Monica: Isn’t it? Then what about the amazing wainscotting and the crown molding and the dormer windows in the attic?
Chandler: And the wiggle wharms and the zip zorps? (pause) What were the things you said?
Monica: Don’t you love the huge yard?
Chandler: And the fireplace in the bedroom.
Monica: And Nancy said that it's really under price, because the guy lost his job and has to move in with his parents!
Chandler: This is bringing out a lovely color in you!
Monica: So? Do you think we should get it?
Chandler: I don’t know. What do you think?
Monica: I think we should.
Chandler: I do too.
Monica: This is huge!
Chandler: I know.
Monica: How bad you wanna smoke, right now.
 Oh, by the way, Phoebe called just as I was getting into Nancy’s car, so if she asks you, I was at work all day.
Monica: Gotcha. When do we tell them about this?
Chandler: We don’t. Not until it's a hundred percent.
Monica: Okay. Right.
Chandler: I know. Gooooood luck with it.
[Scene: Joey’s apartment. Everybody except Monica and Chandler is there.]
Ross: I just can’t see Chandler cheating!
Rachel: I’m telling you guys, we followed them out to a house in Westchester, the went in for like forty-five minutes and then they came out looking pretty happy!
Joey: Chandler? Forty-five minutes? Well, something is not right. I just can’t believe he would do this to Monica!
Ross: I know, and with the baby coming?
Phoebe: So, should we tell her?
Ross: I don’t know. Phoebe, if one of us saw Mike with another woman would you want us to tell you?
Phoebe: Why? Who’d you seen him with?
Ross: No one, I’m just saying if...
Ross: (yelling in pain) I know nothing! Mike’s a great guy, it was hypothetical!
Phoebe: All right. (she releases him). He is a good guy. You’re right, he wouldn’t cheat.
Ross: Believe me, if I did see with someone, there’s no way I... (Phoebe starts pinching him again)
Phoebe : WHO DID YOU SEE HIM WITH?
[Scene: Monica’s apartment. Monica is cleaning with a vacuum and then she cleans it with a dust buster. The guys enter the room.]
Rachel: Oh, look at her, so happy!
Monica: If only there were a smaller one to clean this one!
Joey: Hey, is uhm... is Chandler here?
Monica: No, he’s picking up dinner, why, what’s up?
Phoebe: Well, look, whatever happens, we’re here for you and we love you.
Monica (puzzled): All right...
Ross: We think Chandler might be having an affair.
Monica: What?
Rachel: Phoebe and I saw Chandler with a blonde woman today outside on the street and then we followed them to a house in Westchester.
Phoebe: They went in together. So sorry.
Monica: Oh my God!  What did you think of the house?
(they all look confused and sorry for her)
Phoebe: What?
Joey: (walking towards her to hold her and support her) Monica, you understand what we are saying, right?
Monica: Yeah, sure... uhm, I'm devastated, obviously... (to the rest) Did you think the neighborhood was homey? (Chandler enters)
Chandler: Hey!

Chandler: Is it me, or have the greetings gone downhill around here?
Monica: (goes to Chandler) Phoebe and Rachel saw you with Nancy today and... em... they think you're having an affair.
Rachel: Who's Nancy?
Ross: What's going on?
Monica: (turns to them) Ok, alright, you guys, you'd better sit down, this is pretty big.
Chandler: Yeah (motions them to sit and they do) I'm not having an affair. Nancy is our realtor.
Joey: I knew he couldn't be with a woman for 45 minutes!!
Phoebe: Why do you have a realtor?
Monica: Uhm, she has been showing us houses outside of the city.
Joey: (clearly shocked) What?

Monica: When we found out that we're gonna get this baby, Chandler and I started talking and we decided that we didn't want to raise a kid in the city.
Phoebe: So you're gonna move?
Ross: Oh my God.
Joey: Shouldn't we all vote on stuff like this?!
Rachel: What is wrong with raising a kid in the city? I'm doing it, Ross is doing it, Sarah Jessica Parker is doing it!
Monica: And that's great for you guys, but we want a lawn and a swingset...
Chandler: ...and a street where our kids can ride their bikes and maybe an ice-cream truck can go by.
Ross: (sarcastic) So you wanna buy a house in the 50's?
Phoebe: Have you thought about what you would be giving up? You can't move out of the city, what if you want Chinese food at 5am? Or a fake Rolex that breaks as soon as it rains or an Asian hooker sent right to your door?
Ross: You know what, if you wanna look for a house, that's okay.
Joey: No, no, it's not, don't listen to him! (to Ross) I'm gonna thump you! (points his fist at him)
Ross: (to Joey) It's ok, because they have to get it out of their system, okay (back to Mon and Chan), but you're going to realize, this is the only place, you wanna be.
(pause before Monica and Chandler speak, they look like they are looking for the right words)
Chandler: Actually, we already found a house we love.
Ross: What?
Monica: And about an hour ago, we made an offer.
(All the friends looked shocked and confused. There is a long silence.)
Chandler: Bet you wish I was having an affair now, huh?
TIME LAPSE
Ross: You put an offer on a house?
Monica: (smiling) It's so sweet. It really is. It has this big yard that leads down to this stream and then there's these old maple trees... (gets cut off)
Phoebe: Wha..? Again with the nature, what are you? Beavers?
Chandler: I know this is really hard and we're really sorry.
 (Walks towards the fridge) Because I can stop doing that, (looks at the fridge) I really, really think I can!
Chandler: (goes towards Joey) You know that's not the reason Joe. (Joey hugs him and after, he takes something from the fridge and puts it in his mouth. He goes back to where he was standing before)
Monica: We think if you saw it, you'd understand. I mean you guys were there. (Points to Rachel and Phoebe) It is beautiful, isn't it?
Rachel: Yeah it is.

Rachel: Well, it is, all right? When we were out there today, all I kept thinking was: I can't believe Chandler is screwing this woman, but MAN this would be a nice place to live!
Phoebe: Yeah, but so is this.
Ross: Yeah, I mean, if you moved there, you have to leave here. I mean, how can you leave this place?
[We fade to some flashback scenes.]
(from 1.01 - "The One Where Monica Gets a New Roommate - The Pilot")
Rachel: (talking on the phone) C'mon Daddy, listen to me! All of my life, everyone has always told me, 'You're a shoe!  And today I just stopped and I said, 'What if I don't wanna be a shoe? What if I wanna be a- a purse, y'know? Or a- or a hat! No, I don't want you to buy me a hat, I'm saying that I am a ha- It's a metaphor, Daddy!
Ross: You can see where he'd have trouble.
Rachel: Well maybe I'll just stay here with Monica.
Monica: Well, I guess we've established who's staying here with Monica...
(from 1.18 - "The One With All the Poker")
Ross: That money is mine, Green!
Rachel: You're fly is open, Geller!
Phoebe: You guys, you know what I just realized? 'Joker' is 'poker' with a 'J.' Coincidence?
Chandler: Hey, that's...'joincidence' with a 'C'!
(from 1.07 - "The One With The Blackout")
Phoebe: [looking outside the window] Eww, look.
[They all look at the window, grossed out, then flinch in pain.]
Rachel: Ow, that had to hurt!
(from 3.09 - "The One With All the Football")
Phoebe: Hey, it’s your Thanksgiving too, y'know, instead of watching football, you could help.
The Guys: We will. (they don’t move)
Monica: Okay, Rachel, you wanna put the marshmallows in concentric circles.
Rachel: No Mon, you want to put them in concentric circles. I want to do this.
(Rachel sticks a marshmallow into Monica’s nose. Monica takes it out of her nose by closing one nostril, and blowing.)
Monica: Every year.
(from 5.08 - "The One With the Thanksgiving Flashbacks")
Joey: (he has a turkey on his head) It's stuck!!!
Phoebe: (walks him to the kitchen) Easy. Step. How did it get on?
Joey: I put it on to scare Chandler!
Phoebe: Oh my God! Monica's gonna totally freak out!
Joey: It smells really bad in here.
Phoebe: Well, of course it smells really bad.
(They hear Monica trying to unlock the door.
Monica: Hey, did you get the turkey bast-Oh my God! Oh my God! (She sees someone is stuck in the turkey.) Who is that?
Joey: It's Joey.
(from 4.12 - "The one With the Embryos")
Monica: I got it! How about, if we win, they have to get rid of the rooster?
Rachel: Oooohh that’s interesting.
Chandler: If you win, we give up the birds.
Joey: (shocked) Dah!! (Chandler motions for him to calm down.)
Chandler: But if we win, we get your apartment.
Joey: Oooooh!
Monica: Deal!
TIME LAPSE
Ross: What was Monica’s nickname when she was a field hockey goalie?

Ross: Correct. Rachel claims this is her favorite movie…
Chandler: Dangerous Liaisons.
Ross: Correct. Her actual favorite movie is...
Joey: Weekend at Bernie’s.
Ross: Monica categorizes her towels. How many categories are there?
(They both confer)
Joey: Everyday use.
Chandler: Fancy.
Joey: Guest.
Chandler: Fancy guest.
Ross: Two seconds...
Joey: Uhh, 11!
Ross: 11, unbelievable, 11 is correct. (The guys celebrate.)
Ross: (to the girls) Chandler was how old when he first touched a girl’s breast?
Rachel: 14?
Ross: No, 19.
Chandler: Thanks man.
Ross: Joey had an imaginary childhood friend. His name was?
Monica: Maurice.
Ross: Correct, his profession was?
Rachel: Space cowboy!
Ross: Correct! What is Chandler Bing’s job?
(The girls are stumped)
Rachel: Ow...Oh Gosh!
Ross: 10 seconds, you need this or you lose the game.
Monica: It’s umm, it has something to do with transponding.
Rachel: Oh-oh-oh, he’s a transponce—transpondster!
Monica: That’s not even a word!
(Ross stops the clock, signifying the end of the lightning round.)
Monica: NOOOOOOOOO!!!!!
TIME LAPSE
(The door opens and Joey and Chandler ride in on the big, fake dog in triumph)
Rachel: Y’know what, you are mean boys, who are just being mean!
Joey: Hey, don’t get mad at us! No one forced you to raise the stakes!
Rachel: That is not true. She did! She forced me!
Monica: Hey, we would still be living here if hadn’t gotten the question wrong!

Ross: Don’t blame the questions!
Chandler: Would you all stop yelling in our apartment! You are ruining moving day for us!
(from 5.15 - "The One With The Girl Who Hits Joey")
Ross: Chandler!!! Chandler!!! (He opens the door to the apartment but is stopped by the chain; Chandler and Monica quickly stop making out and try to get dressed.) Chandler, I saw what you were doing through the window! Chandler, I saw what you were doing to my sister! Now get out here!
Chandler: (To Monica) Wow! Listen, we had a good run. You know, what was it? Four? Five months? I mean, that's more than most people have in a lifetime! So, good-bye, take care, bye-bye then! (He kisses her and starts to climb out the balcony window)
Monica: (She opens the door.) Hey Ross. What's up bro?
(Ross spots Chandler and starts chasing him around the kitchen table. Chandler runs and hides behind Monica.)

Rachel: (running from the guy's apartment with Joey in tow) Hey, what's-what's going on?!
Chandler: Well, I think, I think Ross knows about me and Monica.
Joey: (panicking) Dude! He's right there!
Ross: (To Chandler) I thought you were my best friend, this is my sister! My best friend and my sister! I-I cannot believe this!
Chandler: Look, we're not just messing around! I love her. Okay, I'm in love with her.
Monica: I'm so sorry that you had to find out this way. I'm sorry, but iit-t's true, I love him too.
(There's a brief pause.)
Ross: (happily) My best friend and my sister! I cannot believe this. (He hugs them both.)
(from 6.06 - "The One On The Last Night")
Monica: Well, this is the last box of your clothes. I’m just gonna label it, "What were you thinking?"

Phoebe: Ok, you guys, I don’t mean to make things worse, but umm, I don’t want to live with Rachel anymore.
Monica and Rachel: What?!
Phoebe: You’re just so mean to each other! And I don’t want to end up like that with Rachel.
Rachel: Well, Phoebe that’s fine because I’m not moving.
Monica: Whoa-whoa-whoa, Phoebe you gotta take her! Y’know, I-I-I said some really bad stuff about her, but y’know Rachel has some good qualities that make her a good roommate. She gets tons of catalogs and umm, she’ll fold down the pages of the things she thinks that I’d like.
Phoebe: What else?
Monica: When I take a shower, she leaves me little notes on the mirror.
Rachel: Yeah, I do. I-I do, do that.
Phoebe: That’s nice. I like having things to read in the bathroom.
Monica: When I fall asleep on the couch after reading, she covers me over with a blanket.
Rachel: Well y’know, I don’t want you to be cold.
Monica: And when I told her that I was gonna be moving in with Chandler, she was really supportive. (To Rachel) (Starts to cry) You were so great. You made it so easy. And now you have to leave. And I have to live with a boy!! (They both break down in tears.)
TIME LAPSE
(Monica closes the door and slowly walks into Rachel’s old and now empty room.)
Chandler: (entering) Hey.
Monica: She really left.
Chandler: I know. (He kisses her.)
Monica: Thank you.
Chandler: No problem roomie. (She turns around and hugs him.)
Monica: Can I ask you a question?
Chandler: Sure!
 (She notices the dog sitting in the living room.)
(from 1.09 - "The One Where Underdog Gets Away")
Chandler: Little toast here. I know this isn't exactly the kind of Thanksgiving that all of you all planned, but for me, this has been really great, you know, I think because it didn't involve divorce or projectile vomiting.  So I guess what I'm trying to say is that I'm very thankful that all of your Thanksgivings sucked.
All: That's so sweet.
Ross: And hey, here's to a lousy Christmas.
Rachel: And a crappy New Year.
Chandler: Here, here!
[Scene: We're back to the present. Chandler and Monica's. They're all still at the kitchen table.]
Rachel: You can't move. You just... you just can't.
Joey: Rachel's right. This is where you guys belong.
Phoebe: Yeah, you don't wanna live in Westchester. That's like the worst of the Chesters.
Ross: You know, sometimes when I'm alone in my apartment, I look over here and you guys... are just having dinner or... watching TV or something, but... it makes me feel better. And now when I look over, who am I gonna see? The Gottliebs, the Yangs? They don't make me feel so good. (Joey pats Ross on his back)
Rachel: Yeah. So don't move, okay? Just stay here and... (nods towards Ross) maybe close your blinds at night.
(The phone rings and Chandler goes to get it)
Chandler: Hello? It's Nancy, they responded to our offer.
Monica: And?
(Chandler listens to what Nancy says)
Chandler: (to Nancy) Okay, thanks... (to Monica) They passed. They said they wouldn't go a penny under the asking price.
Monica: We can't afford that.
Chandler: I know.
Monica: Well, there you go.
(Chandler and Monica hug)
Joey: I'm really sorry you guys.
Ross: Yeah. I'm sorry too. I'm even more sorry that that phone call didn't come before I told you about looking through the window.
Rachel: Yeah, we're gonna let you be alone.
Phoebe: (to Monica) You're gonna be okay?
Monica: Yeah, we'll be okay.
Ross: Love you guys. (he kisses Monica, he, Rachel and Phoebe leave.)
Joey: You know, I'm really sorry I wasn't more supportive before.
Chandler: That's okay, we understand.
Joey: And about this Nancy thing... If you're not sleeping with her, should I?
(Chandler gives Joey her business card, which he eagerly grabs and he leaves.)
Monica: I know there'll be other houses, but it's just so... I love that one so much.
Chandler: Yeah... Well, it's a good thing we got it then.
Monica: What?
Chandler: We got the house.
Monica: Oh my God!
Chandler: I just didn't want to tell you in front of them.
Monica: Oh my God! My God! We've got the house !?
Chandler: We're getting the house. (they hug) We're getting the house.
Monica: And a baby...
Chandler: We're growing up.
Monica: We sure are.
Chandler: So who's gonna tell them?
Monica: (quickly) Not it!
Chandler: Not it!
COMMERCIAL BREAK
[Scene: Central Perk. The entire gang is there, and Chandler and Monica are handing out presents.]
Monica: Rachel, this is yours.
Rachel: Aah! Why? What are these for?
Chandler: You'll see.
Monica: All right, everybody open them!
(they all tear off the wrapping paper)
Rachel: Ooh! Oh wow this is so beautiful. (she got a scarf)
Phoebe: Oh! These are the ones I was looking at in the store. (she got earrings)
Monica: I know.
Ross: I love this. (he got a sweater)
Joey: A meatball Sub? Thanks! (he got a meatball sandwich)
Ross: Seriously you guys, what's going on? What are these for?
Chandler: Well, I didn't know how to tell you before, but... We got the house.
Monica: Enjoy!
(they both run off, leaving Ross, Phoebe and Rachel stunned.)
Joey: (speaking with his mouth full, enjoying his sandwich) What did they say?
THE END


 GOLF. MADRID... IN THAT ORDER".
Gareth Bale risked incurring the wrath of Real Madrid with his celebration of Wales' Euro 2020 qualification.
Wales – semi-finalists at Euro 2016 – booked their ticket to next year's European Championship with a 2-0 win over Hungary on Tuesday.
Aaron Ramsey's double in Cardiff ensured Wales leapfrogged Hungary and clinched the second automatic qualifying spot in Group E.
Featured links
- BREAKING NEWS: Mourinho replaces Pochettino at Tottenham
- The latest football transfers news and rumours
- Wales, golf, Madrid... in that order
- Luis Enrique returns to Spain national team
Bale and his team-mates celebratedly wildly post-game, with the former Tottenham talisman particularly catching the eye.
Tipped to leave Madrid and criticised for his priorities amid his love for golf, Wales fans have adopted the chant, "Wales, golf, Madrid", which has been heard during the international break.
 GOLF. MADRID... IN THAT ORDER".


Introduction
While we were trying to understand how the Internet talk about Net Neutrality we decide to categorize all the websites that we found, in seven different category (check the News and Blog visualization).
This map shows which are the specific terms used by Internet service providers (ISPs), content providers (CP), ad hoc websites (Activism), governative websites (Politic) and petition websites (Petitions) to talk about this debate.