Aired: 12/12/2002
Written by: Doty Abrams
Directed by: Kevin S. Bright
Transcribed by: Stephan Hoffmeister
[Scene: Monica and Chandler's Apartment, everyone's there; Phoebe recites the last verse of a poem to Joey. This poem is known as "The Night Before Christmas" by Clement Clarke Moore, but it seems that it's rather "Account of a visit from St. Nicholas" by Henry Livingston.]

Joey: (impressed) Wow, that was great! You really wrote that?
Phoebe: (smiling) Uh-huh.
Chandler: (coming from the bedroom) Say goodbye elves, I'm off to Tulsa.

Ross: You're really not coming back?
Chandler: Yeah, we have all this paperwork that needs to be filed by the end of the year.
Monica: It's so unfair, you don't even like your job!
Chandler: So, who does?
Phoebe: Oh, I like my job.
Joey: I *love* my job.
Rachel: Yeah, I can't *wait* to go back to work.
Ross: I can't get *enough* dinosaurs!
Chandler: I'm sorry, I won't be here.
Monica: It's just... It's hard enough not seeing you during the week, but for Christmas... alright, if this is what you have to do, I understand.
Chandler: Thanks. (they kiss) I'll see you New Year's Day.

Chandler: Did I not mention that?
Monica: No!
Chandler: (thinks for a second, then waves his arms, exclaiming:) AND TO ALL A GOOD NIGHT! (and runs out of the apartment)
*Opening Credits*
[Scene: Chandler's Office in Tulsa, in the conference room.
Chandler: All right everybody, I know that it's Christmas Eve and you'd rather be with your families, but there's *no* call (he takes it off) for writing "Screw you, Mr. Bing!"
(Wendy enters the conference room, carrying a cardboard box.)
Wendy: Hey!
Others: Hey.
Chandler: Hey. Where've you been?
 -- So I stole ther ham. (She turns the cardboard box upside down over the conference table, a big piece of ham falls out.)
Chandler: (to the others) You hear that? You may not be with your families, but at least it's gonna smell like ham in here.
Claudia: My kid's in a play right now.

Ken: (reading off his card) "A donation has been made in your name to the New York City Ballet".
Chandler: Well, that's like money in your pocket! - Alright look, you want me to say it?   This work sucks!
Wendy: *Now* it feels like Christmas.
Chandler: I'm sorry. Hey, at least you guys get to go home and be with your families tonight. I have to go back to an empty hotel room and lay down on a very questionable bedspread. And then tomorrow morning, you get to have Christmas morning in your own houses, wich, by the way, none of you have invited me to.
Ken: You can come to my house!
Chandler: Haha, no thanks!
Wendy: That was a nice pep-talk.
Chandler: Oh, thanks! I'm... actually thinking about becoming a motivational speaker.
Wendy: So, if you were home right now, what would you be doing?
 Our holidays are pretty traditional...
[Flashback to 410 - TOW The Girl From Poughkeepsie]
[Scene: Central Perk, Phoebe is singing her holiday song.]
Phoebe: So here is a, a very special holiday song that I wrote for some very important people to me. (singing:)
"Went to the store, sat on Santa's lap.
Asked him to bring my friends all kinds of crap.
Said all you need is to write them a song.
Now, you haven't heard it yet, so don't try to sing along.
No, don't sing along.
Monica, Moncia, have a happy Hanukkah.
Saw Santa Claus, he said hello to Ross.
And please tell Joey, Christmas will be snowy!
And Rachel and Chandler, have err-umm-glander!!"
Happy holidays, everybody!
[Flashback to 610 - TOW The Routine]
[Scene: Monica and Chandler's apartment, Chandler is there. Phoebe and Rachel enter.]

Chandler: I can save you time ladies, I'm right here.
Phoebe: Yeah, Chandler why don't you take a walk? This doesn't concern you.
Rachel: We are looking for our Christmas presents from Monica.
Chandler: What? That's terrible!
Phoebe: No-no, we do it every year!
Chandler: Oh well, that, that makes it not terrible.
Phoebe: No, yeah, we never find them! She's always best at us, that wily... minx.
Rachel: Don't worry, we're just gonna search here for an hour, and then we're gonna go over to Joey's and search, OK?
Chandler: No not okay, you can't look for Monica's presents!
Phoebe: Oh no, we have to!
Chandler: No, you don't have to, and you can't because I, I live here too.
Phoebe: Well then, you should look with us.
Chandler: Why?
Rachel: Chandler, aren't you worried about what to get Monica for Christmas?
Chandler: No, I have a great idea for a present for her.
Phoebe: Oh, that's it? (Mimics Chandler) A great idea! Oh yeah.
Rachel: Chandler, that's not enough.  And you've just gotten her one great present? I mean that's just gonna make her feel bad. Why would you do that to her Chandler? Why? Why?
Chandler: If I help, we can find 'em faster!
Rachel: That's right!
(Phoebe looks under the couch)
Phoebe: Ooh ooh, we have a live one!
Rachel: Oh, it's a Macy's bag!
(Phoebe tips it upside down, and a shoe falls out)
Rachel: Oh.
Phoebe: Ooh, who's it for?
Rachel: (Reading from a tag that's attached to the shoe) "Dear losers, do you really think I'd hide presents under the couch? P.S.: Chandler, I knew they'd break you."
[Flashback to 209 - TOW Phoebe's Dad]
[Scene: Monica and Rachel's apartment. Joey and Chandler are giving out their Christmas presents out of a cardboard box from a case of motor oil.]
Joey: Rach, these are for you.
Rachel: Wiper blades. I don't even have a car.
Joey: No, but with this new car smell, you'll think you do.
Chandler: OK, Pheebs, your turn.
Phoebe: Ahh, toilet seat covers! Is that what you were doing while I was getting gas?
Joey: Uh-huh.
Phoebe: You guuuyys.
Joey: And for Ross, Mr. Sweet-tooth.
Ross: You got me a cola drink?
Chandler: And, a lemon lime.
Ross: Well this, this is too much, I feel like I should get you another sweater.
Chandler: And last but not least.
(Chandler and Joey give Monica a pack of condoms.)
Joey: They're ribbed for *your* pleasure.
[Flashback to 710 - TOW The Holiday Armadillo]
[Scene: Monica, Chandler and Phoebe's, Ross is costumed as an Armadillo.]
Ross: Ooh, hey Ben, what if the Holiday Armadillo told you all about the Festival of Lights?
Ben: Cool!
Ross: Yeah!
Monica: Come on Ben.
(Monica and Ben sit down on the couch.)
Ross: Years and years ago there were these people called the Maccabees...
Chandler: (entering in a Santa costume) Ho, ho, ho! Merry Christmas!
Ben: Santa! (Runs to Chandler and hugs him)
Chandler: Hey! (Grunts as Ben hits him at full speed.)
Ross: What are you doing here, Santa?
Chandler: Well, I'm here to see my old buddy Ben. What are you doing here, weird...turtle-man?
Ross: I'm the Holiday Armadillo, your part-Jewish friend. You sent me here to give Ben some presents. Remember?
Chandler: What?
Monica: Okay Ben, why don't you come open some more presents, and Santa, the Armadillo and I have a little talk in the kitchen? There's a sentence I'd never thought I'd say.
(They walk to the kitchen; everyone is lowering their voices)
Ross: (to Chandler) What are you doing?
Chandler: You called everyone and said you were having trouble finding a Santa costume, so I borrowed one from a guy at work!
Ross: Thank you, but, but you, you gotta leave.
Chandler: Why?
Ross: Because, I'm finally getting him excited about Hanukkah, and, and you're-you're wrecking it.
Chandler: But I didn't get to shake my belly like a bowl full of jelly.
Ross: I'm sorry Chandler, but this, this is really important to me.
Chandler: Fine, I'll give the suit back.
(Ross turns around and walks back to Ben.)
Monica: (to Chandler) Hey, you think, you can keep it another night?
Chandler: Santa? Really?
Monica: Yeah, is that okay?
Chandler: Did your Dad ever dress up like Santa?
Monica: No.
Chandler: Then it's okaaay! (They kiss.)
[Scene: Back in the conference room in Tulsa.]
Chandler: You know what, everybody? Go home. You should be with your families. It's bad enough that we're working New Year's Eve.
(All others are looking up, surprised)
Chandler: Did I not tell *anyone* about New Year's Eve? -- Alright, look, go! Go home, okay? Merry Christmas! Go.
(All are leaving, wishing each other a Merry Christmas, peace on earth, etc. Only Wendy stays.)
Chandler: Good, God's speed, good people! (he starts to close the door, turns around and sees Wendy) You're not gonna go?
Wendy: Naah... I couldn't leave you alone.
Chandler: Ah. Thanks.
Wendy: Besides, I can't leave until their Christmas party downstairs clears out; there are some *pissed off* insurance people looking for that ham.
Chandler: Ah. (The phone rings; he answers it) Chandler Bing.
[Scene change back an forth: Monica and Chandler's Apartment, Monica's on the other end of the line. The phone's speaker is turned on, so the rest of the gang, sitting around the phone, can hear Chandler.]
Monica: Hi Honey! We're all here; we just want to wish you a Merry Christmas.
Others: (simultaneously) Merry Christmas! (except for Phoebe...)
Phoebe: (simultaneous to the others) Ble-blah-blar Blargh!
(All the others look at her, stunned/incredulous)
Chandler: Ahh, Merry Christmas; I miss you guys!
Monica: So is it horrible? Is everybody working really hard?
Chandler: Ah, well no, it's just uh, me and Wendy.
Monica: Wendy? -- That sounds like a girl's name.
Chandler: It is. Did I... not tell you about her?
Monica: Umhmm, umhmm, about the time you told me about New Year's Eve. Where is everybody else?
Chandler: I sent them home.
Monica: Ohh, you are such a good boss! Is she pretty?
Chandler: Uhh, uh...
Ross: (in a low voice) Answer faster, answer faster!
Chandler: I don't know!
Ross: (in the same low voice) Answer better, answer better!

Monica: What does she do there?
Chandler: Oh, she's regional Vice President; She's... just below me.
Monica: She did WHAT?
Chandler: BE-LOW me!
Joey: Ahh, wait, is Wendy the runner-up Miss Oklahoma?
Monica: *What*??
Chandler: Well, she... she didn't win...
Monica: Alright, well, maybe I should let you and the second prettiest girl in Oklahoma get back to work.
Chandler: Well, second prettiest that year; I mean, of *all* the girls in Oklahoma, she's probably...
Rachel: (interrupting him) Oh Chandler, stop talking!
Chandler: Honey, there's really nothing to worry about.
Monica: Okay.
Chandler: I'm serious!
Monica: Okay!
Chandler: Merry Christmas.
Monica: Merry Christmas.
Chandler: Merry Christmas, you guys!
Others: (simultaneously) Yeah, Merry... Christmas. (again, Phoebe...)
Phoebe: (simultaneous to the others) Blah blargah, blar-blab.
(Again the others just look at her, silent, puzzled.)
[Scene: back in the conference room in Tulsa]
Chandler: (hanging up the phone) The wife says "Hi!".
Wendy: Ah. Fun conversation?
Chandler: Ah well, she's got this weird idea, that, uh, y'know, just because you and I are alone, that something is gonna happen.
Wendy: Huh? Really? -- Hm, that'd be so terrible? (She gets hold of Chandler's tie, slowly moving her hands upwards on the tie, getting closer and closer to him, seductive.)
Chandler: This is probably the wrong thing to be worrying about, but... you're getting ham on my only tie.
(She's getting closer to him, the scene fades to black.)
[Scene: The conference room in Tulsa again, Chandler is trying to evade Wendy]
Chandler: Whoa-ho, back off, Missy! (He takes a step back, but she still keeps her grip on his tie.)
Wendy: (laughs) ...Missy?
Chandler: I don't know; I'm not used to girls making passes at me! ... (She lets go of his tie) Wait a minute... am I sexy in Oklahoma?
Wendy: You are to me... (She gets closer again, putting her arms around his torso.)
Chandler: (flattered) No,... no... (realizing) NO! (He quickly gets several steps away from her.) Look, I'm, I'm married!
Wendy: So? I'm married. (Showing him the ring on her finger.)
Chandler: I'm *happily* married.
Wendy: Oh. - What's *that* like?
Chandler: Right. So, I'm sorry...
Wendy: Seriously? Happily married. So that phone call before, that was ... happy?
Chandler: Well look, it's not easy to spend this much time apart, you know. She's entitled to be a little paranoid... or, in this case: right on money! ...   But, what I have with my wife is pretty great, so nothing is ever gonna happen between us.
Wendy: Okay, let me ask you something: if what you and your wife have is so great, then why are you spending Christmas with me?
(Chandler starts to think about it...)
[Flashback to 716 - TOW The Truth About London]
[Scene: London, Chandler's hotel room. He was getting ready for bed when Monica pays him a visit and they started talking]
Chandler: I mean, you were the most beautiful woman in the room tonight!
Monica: Really?
Chandler: You kidding? You're the most beautiful woman in most rooms... (She jumps up and kisses him.) (Breaking the kiss.) Whoa! Whoa! Whoa! What's going on? You and I just made out! You and I are making out?
Monica: Well, not anymore.
Chandler: But we don't do that.
Monica: I know, I just thought it would be fun.
Chandler: How drunk are you?
Monica: Drunk enough that I know I wanna do this. Not so drunk that you should feel guilty about taking advantage.
Chandler: (thinks) That's the perfect amount!
Monica: Okay!
(They run to the bed, sit down, and start making out again.)
Monica: (breaking the kiss) Y'know what's weird?
Chandler: What?
Monica: This doesn't feel weird!
Chandler: I know.

Chandler: Well, I have kissed over four women. (They kiss again.) Do you wanna get under the covers?
Monica: Hm-hmm!
Chandler: Okay!
(They do so and they take off their clothes.)
Monica: Wow! You are really fast!
Chandler: It bodes well for me that speed impresses you.
Monica: We're gonna see each other naked.
Chandler: Yep!
Monica: Do you wanna do it at the same time?
Chandler: Count of three?
Monica: One!
Chandler: Two!
Monica: Two!
Both: Three! (They lift up the covers and check each other out, then come back up with silly grins on their faces.)
Chandler: Well I think it's safe to say that our friendship is effectively ruined.
Monica: Eh, we weren't that close anyway!
Chandler: Eh! (They start making out again)
[Flashback to 503 - TOW The Triplets]
[Scene: A hallway in the hospital, Monica and Chandler are talking.]

Monica: Well uh, you and I are just goofing around, I thought, why not just goof around with him.
Chandler: Y'know, I don't know if you've ever looked up the term goofing around in the dictionary... Well, I have, and the technical definition is, two friends who care a lot about each other and have amazing sex and just wanna spend more time together. But if you have this new fangled dictionary that gets you made at me, then we have to, y'know, get you my original dictionary. I am *so* bad at this.
Monica: I think you're better than you think you are.
Chandler: Really? Okay, so...
Monica: (interrupting) Know when to stop.
Chandler: Y'know, I sensed that I should stop. So we're okay?
Monica: Yeah. (They kiss and as she starts to leave, Chandler starts to dance. Without turning around:) Don't do the dance.
Chandler: Right!
[Flashback to 524 - TOI Vegas, Part II]
[Scene: The Gift Shop, Monica and Chandler are entering.]
Monica: I can't get married until I get something old, something new, something borrowed, and something blue.
Chandler: Okay, all right, all right, all right! Okay! (Picks up a blue sweater.) Okay, here's something, here's something blue and new.
Monica: You're so efficient. I love you!
Chandler: Let's go! (Starts to leave.)
Monica: No-no-no, wait! We need something old!
Chandler: Oh, okay, I have condom in my wallet that I've had since I was twelve.
Monica: That'll work!
Chandler: I don't think so.
Monica: Okay, now we just need something borrowed!
Chandler: (looks around) Here just...take this. (Hands her the sweater.)
Monica: That's stealing!
Chandler: No, we'll-we'll bring it back! Just put it under your dress.
(She does so and it makes her look pregnant.)
Monica: Ohh. (Rubs her fake stomach.)
Chandler: Okay, one thing at a time. (They run out to get married.)
[Flashback to 702 - TOW Rachel's Book]
[Scene: Monica, Chandler, and Phoebe's, Chandler is looking at the wedding book as Monica enters.]
Monica: Listen umm, I've been thinking, it's not fair for me to ask you to spend all of your money on our wedding. I mean, you work, you work really hard for that.
Chandler: Ehh.
Monica: Eh, you work for that.
Chandler: Look, I thought about it too, and I'm sorry. I think we should spend all of the money on the wedding.
Monica: You do?!
Chandler: Yeah, I'm putting my foot down. Yeah look, when I proposed I told you that I would do anything to make you happy, and if having the perfect wedding makes you happy, then, then that's what we're gonna do.
Monica: Oh, you're so sweet. (They hug and kiss.) Oh, but wait, what about our, what about the future and stuff?
Chandler: Eh, forget about the future and stuff! So we only have two kids, y'know? We'll pick our favorite and that one will get to go to college.
Monica: You thought about that?
Chandler: Yeah.
Monica: How many kids were we gonna have?
Chandler: Uh, four, a boy, twin girls and another boy.
Monica: What else did you think about?
Chandler: Well, stuff like where we'd live, y'know? Like a small place outside the city, where our kids could learn to ride their bikes and stuff. Y'know, we could have a cat that had a bell on its collar and we could hear it every time it ran through the little kitty door. Of course, we'd have an apartment over the garage where Joey could grow old.
Monica: (laughs) Y'know what? I-I don't want a big, fancy wedding.
Chandler: Sure you do.
Monica: No, I want everything that you just said. I want a marriage.
Chandler: You sure?
Monica: Uh-hmm.
Chandler: I love you so much.
Monica: I love you. (They kiss.)
[Scene: Monica and Chandler's Apartment, everyone except Chandler is there; they're opening their presents]
Rachel: (opens her present from Ross; it's a dark-red scarf) Oohh, I love it!
Ross: Really? You're not gonna return it?
Rachel: Well, not this second!
Phoebe: (at the window) Hey look, you guys, it's snowing!
(The others all get up and go to the window.)
Rachel: Oh wow, it's so beautiful...
Ross: Wow, it really is!
(They all stand a moment in silence, staring out of the window.)

Phoebe: Aren't we done with that?
Monica: Okay, fine. Let's talk about snow.
(Shortly after that, Chandler enters.)
Chandler: Hey!
(Surprised, uttering Ahhs and Ohhs, the others are coming over to him.)
Ross: Oh my god...
Joey: Hey-heeyyy - Look at that, it's a Christmas miracle!
Monica: What are you doing here?
Chandler: I wanted to be with you. I missed you so much.
Joey: Hey, hey, uh, who did you miss the most?
Chandler: Monica.
Joey: Got ya. (blinks an eye)
Chandler: I never want to leave you again!
Monica: But I thought if you left, you get fired.
Chandler: Turns out they can't fire me. Because I quit.
Monica: What?

Chandler: Yeah!  And why should I be the only one who doesn't get to do what he *really* wants to do?
Rachel: What do you really want to do?
Chandler: (realizing) I have *not* thought this through!
Monica: Oh my god!
Chandler: I know, I, I should have talked to you first about it.
Monica: No, I think that this is what you wanna do, I think it's great!
Chandler: Thanks!
Phoebe: Chandler, your being here is the best Christmas present I could have ever imagined.
Chandler: (flattered) Ahh...
Phoebe: Now give me my real gift.
(Chandler hands Phoebe an envelope, and some more to Monica)
Phoebe: (to Chandler) Thank you.
Chandler: (to Monica) Here, pass these, will ya.. (points to the others)
(Monica passes the Envelopes on to Ross, Joey and Rachel.)
Ross: Oh, hey...
(They all open their envelopes.)
Ross: (reading off his card) "A donation has been made in your name to the New York City Ballet." -- How did you know?
Rachel: Wha... are you kidding? I can't return this.
Chandler: I... thought it was a timely start to thinking about other people. Besides, this gift still says I love you guys.
Joey: Mine's is to Lilian Myers.
Chandler: I don't have a *job*!
*Closing Credits*
[Scene: Monica and Chandler's Apartment, Monica is cleaning up, Chandler is sitting on the couch, checking the Job offers in a Newspaper.]
Chandler: Actuary... no. Book-keeper... no. Topless dancer... (he looks down on himself, checking, then nods satisfied and marks the offer with a pen) (to Monica:) Hey, d'you know what I just realized? You are the sole wage earner. *You* are the head of the household. I don't do anything - I'm a kept man!
Monica: You are! (she picks up a bill from the table, handing it to Chandler) Hey, here's twenty bucks. -- Why don't you go buy yourself something pretty while I'm at work tomorrow?
(Chandler looks at the bill, thinking... then looks at the offer in the Newspaper and makes some dancing moves to see if he's up for the job...)
End


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Adds error bars to the selected series in a chart. ERRORBAR.X adds bars showing the error factor for the X (category) axis and works for XY (scatter) charts only. ERRORBAR.Y adds bars showing the error factor for the Y (value) axis for all charts.
Syntax
ERRORBAR.X(include, type, amount, minus)
ERRORBAR.Y(include, type, amount, minus)
Include specifies the type of error value to include:
| Include | Type of error value |
| 1 or omitted | Plus and minus |
| 2 | Plus |
| 3 | Minus |
| 4 | None |
Type specifies the type of error bars to display:
| Type | Type of error displayed |
| 1 or omitted | Fixed amount |
| 2 | Percent |
| 3 | Multiplying factor standard deviation (default value is 1) |
| 4 | Standard error |
| 5 | Custom |
Amount is the range of error values to display. This argument depends on the value of type:
| If type is | then amount |
| 1 or omitted | Can be any number greater than 0 |
| 2 | Can be any number greater than 0 |
| 3 | Can be any number greater than or 0 |
| 4 | Not required |
| 5 | Is the positive amount for custom error bars |
Minus is the negative amount for custom error bars. Applicable only if type is 5.
Remarks
For the amount argument, standard deviation(s) can be calculated using this equation:
The standard deviation is multiplied by the value specified by amount and the error bars are placed this distance from the arithmetic mean. Therefore, these error bars are plotted along the arithmetic mean, not attached to data series.
Microsoft Excel calculates the standard error using the following equation:
Both the standard deviation and standard error functions use the following variables:
| Variable | Equals |
| s | Series number |
| i | Point number in series s |
| m | Number of series for point y in chart |
| n | Number of points in each series |
| Yi | Data value of series s and the ith point |
| Ny | Total number of data values in all series |
| M | Arithmetic mean |
Return to index


Tutorial: Playing contents with DRMs
Because different applications and different devices can work completely differently when it comes to DRM, and because it is a complex feature, we have a large API allowing to manage it.
This tutorial page is specifically there to help you navigate through this API.
We will begin from the simplest of use cases to dive into the more complex ones.
We recommend you to read the quick start tutorial first if you haven’t, to have a general grasp on how to basically run a content.
Playing a simple encrypted content
To be able to play a simple encrypted content, we will need at least two parameters:
type
: the name of the “key system” you want to use.getLicense
: the license-fetching logic
This chapter will explain both and provide examples on how to load a video with both of these properties.
The key system
The key system, also known as “DRM name”, will designate which Content Decryption Module (or CDM) to use. You might have heard of “Widevine”, “PlayReady” or “FairPlay”, that’s the name what we want to know: which system you want to use.
Which of them you want to use depend on several factors, among which:
- what the content allows
- what the content right holder wants
- what you/your company wants
- what the browser can do
In the RxPlayer’s API, we more especially expect the whole “reverse domain name”
for that key systems (e.g. com.widevine.alpha
or com.microsoft.playready
).
We also have shortcuts for Widevine or PlayReady, where you can just tell us
respectively widevine
or playready
as the key system and we will try
several corresponding reverse domain names.
In any case, you can ask for several key systems, even including ones that are not available in the current browser. Those will be detected and automatically filtered out.
rxPlayer.loadVideo({
// ...
keySystems: [
{
type: "com.widevine.alpha"
// ...
},
{
type: "com.microsoft.playready"
// ...
},
]
})
The license-fetching logic
The second needed argument is a callback allowing to fetch the content license.
An encrypted content will need one or several keys to be able to decrypt a content. Those keys are contained in one or several license files.
Those files usually need to be downloaded from a license server.
As that logic sometimes depends on your application (i.e. you might want to add authentification to that request to know which user made that request), the RxPlayer team made the choice to let you write your logic entirely.
This logic takes the form of a callback named getLicense
.
This function is in fact triggered everytime a message is sent by the Content Decryption Module (what is sometimes known as “Widevine” or “PlayReady”), which is usually a request to fetch or renew the license.
It gets two arguments when called:
- message (
Uint8Array
): The “message” - messageType (
string
): String describing the type of message received. There is only 4 possible message types, all defined in the w3c specification.
In most cases, this function is triggered for license requests.
You’re encouraged to read what the messageType
can be, but don’t be scared by
it, you’ll most likely never need to check it.
What you will most likely need to do, is simply sending the first argument,
message
, to the license server to fetch the license. That message generally
contains information about the license you want to fetch.
You will then need to return a Promise, which resolves with the license in an
ArrayBuffer or Uint8Array form.
If you don’t want to communicate a license based on this message, you can just
return null
or a Promise resolving with null
.
Here is an example of a valid and simple getLicense implementation:
function getLicense(challenge) {
return new Promise((resolve, reject) => {
const xhr = new XMLHttpRequest();
xhr.open("POST", LICENSE_SERVER_URL, true);
xhr.onerror = (err) => {
reject(err);
};
xhr.onload = (evt) => {
if (xhr.status >= 200 && xhr.status < 300) {
const license = evt.target.response;
resolve(license);
} else {
const error = new Error("getLicense's request finished with a " +
`${xhr.status} HTTP error`);
reject(error);
}
};
xhr.responseType = "arraybuffer";
xhr.send(challenge);
});
}
Example with both properties
Now that all that has been explained here’s an example to play a simple encrypted DASH content with either PlayReady or Widevine.
// We will use the same logic for both PlayReady and Widevine
function getLicense(challenge) {
return new Promise((resolve, reject) => {
const xhr = new XMLHttpRequest();
xhr.open("POST", LICENSE_SERVER_URL, true);
xhr.onerror = (err) => {
reject(err);
};
xhr.onload = (evt) => {
if (xhr.status >= 200 && xhr.status < 300) {
const license = evt.target.response;
resolve(license);
} else {
const error = new Error("getLicense's request finished with a " +
`${xhr.status} HTTP error`);
reject(error);
}
};
xhr.responseType = "arraybuffer";
xhr.send(challenge);
});
}
rxPlayer.loadVideo({
url: MANIFEST_URL,
transport: "dash",
keySystems: [
{
type: "widevine",
getLicense,
},
{
type: "playready",
getLicense,
}
]
});
This code is sufficient for a majority of encrypted contents.
More control over the license-fetching logic
There’s a lot of things that can go wrong during the license request:
- The user could be temporarly disconnected
- The license server might be down
- The license server might refuse to deliver a license based on your rights
- The license server might refuse to deliver a license based on your CDM capabilities
- And like any request a lot of other errors can happen
From this, you could want to have a different behavior based on what happened:
- When a user is temporarly disconnected, you could chose to retry indefinitely (the RxPlayer retry after a delay to not overload the client or the server).
- When the license server is down, you might want to fail directly.
- When the license server refuse to deliver a license based on your rights, you might want to throw an explicit error message that you will be able to display.
- If there’s a problem with your CDM capabilities, you might want to just fallback to another media quality with a different license.
All of this is possible with more advanced APIs that we will see in this chapter.
getLicenseConfig
getLicenseConfig
is an object allowing to configure two parameters:
-
retry
, which will set the maximum number of retry. When setting1
, for example, we will try two times the request: A first original time and one retry.You can decide to by default retry indefinitely by setting it to
Infinity
(yes, that’s a valid number in JS and some other languages). Don’t worry, you will still be able to retry less time on some other events (explained in thegetLicense error configuration
chapter). -
timeout
, which is the maximum time in milliseconds the RxPlayer will wait until it considers agetLicense
call to have failed. By default it is set to10000
(10 seconds). You can set it to-1
to disable any timeout.
For example, for infinite retry and no timeout, you can set:
rxPlayer.loadVideo({
url: MANIFEST_URL,
transport: "dash",
keySystems: [
{
type: "widevine",
getLicense,
getLicenseConfig: {
retry: Infinity,
timeout: -1,
},
},
// ...
]
});
getLicense error configuration
getLicenseConfig
handle general configurations about every getLicense
calls,
but you can also have more specific configuration when a specific license
request fails.
This is done thanks to the rejected Promise returned by getLicense
.
You can reject an error (or just an object), with the following properties:
-
noRetry
: when set totrue
, thegetLicense
call will not be retried. -
message
: a custom message string we will communicate through a warning or error event (depending if we will retry or not the call) -
fallbackOnLastTry
: When set totrue
and if we are doing or last try or retry (to be sure you can setnoRetry
to true), we will try to fallback to another quality, which might have a different license.This is only useful for contents which have a different license depending on the quality (for example having different rights for 4k video content than for 480p video content). It is also only useful if the license server can refuse to deliver a license for a particular quality but accept for another quality.
Here is an example showcasing all of those properties:
rxPlayer.loadVideo({
url: MANIFEST_URL,
transport: "dash",
keySystems: [
{
type: "widevine",
getLicense(challenge) {
return new Promise((resolve, reject) => {
const xhr = new XMLHttpRequest();
xhr.open("POST", LICENSE_SERVER_URL, true);
xhr.onerror = (err) => {
// Keep retrying on XHR errors.
// Instanciating an Error like that automatically set the
// message attribute to this Error's message. That way, the
// linked "error" or "warning" event sent by the RxPlayer
// will have the same message.
const error = new Error("Request error: " + err.toString())
reject(err);
};
xhr.onload = (evt) => {
if (xhr.status >= 200 && xhr.status < 300) {
const license = evt.target.response;
resolve(license);
} else if (xhr.status >= 500 && xhr.status < 600) {
// Directly fails + fallbacks on a server error
const error = new Error("The license server had a problem and" +
` responded with ${xhr.status} HTTP ` +
"error. We will now fallback to another" +
"quality.");
error.noRetry = true;
error.fallbackOnLastTry = true;
reject(error);
} else {
// else continue to retry
const error = new Error("getLicense's request finished with a " +
`${xhr.status} HTTP error`);
reject(error);
}
};
xhr.responseType = "arraybuffer";
xhr.send(challenge);
});
},
getLicenseConfig: {
retry: Infinity,
timeout: -1,
},
},
// ...
]
});
Contents with multiple keys
Why and how
One of the issues arising with DRM is that not all devices, Operating systems or web browsers can provide a high level of guarantee that a content will be protected against unauthorized usages (such as illegal copy). In other words, some devices, OS or browsers might provide more guarantees than other.
That’s the main reason why there’s sometime a compromise to have between accessibility of a content (the number of the people able to view it) and this guarantee.
To be able to provide the best of both worlds, a content right holder might ask for a higher protection guarantee for higher video qualities.
For example, it might ask that a 4k video content of a given film should be much harder to “pirate” than the 240p version of the same film. In return, the 240p version can be watched by a lot more people on a lot of different devices.
To achieve that, one of the solution on the content-side is to have different decryption keys depending on the quality chosen. There’s then two main strategies:
-
Every keys are in the same license. A player will thus do only one license request for the whole content and the keys inside will be individually refused or accepted.
-
There is one or several keys per licenses, in several licenses. That way, a player might ask a different license when switching the current quality.
There’s pros and cons to both, but let’s not go too far into that!
Let’s start from the principle that our content is under one of those two cases here and let’s find out what we have to do to handle it.
The strategy adopted by the RxPlayer
When playing a content, the RxPlayer by default stops and throws an error as
soon as either a key is refused or as the license fetching logic (the
getLicense
function) fails (after enough retries).
When playing a content with multiple keys, you might instead not care that much if a key is refused or if the license-fetching logic fails. What you can just do is to remove the quality for which we could not obtain a key and to instead fallback on another, decipherable, quality.
That’s exactly what the RxPlayer does, when the right options are set:
-
when it detects a quality to be un-decipherable, it first emit a
decipherabilityUpdate
event through its API, to signal to an application which qualities have been blacklisted. -
it automatically removes from the current media buffer the data linked to the un-decipherable quality and put it in a black list: we will not load this quality for the current content anymore.
-
it switches to another, hopefully decipherable, quality.
Let’s now talk about the API.
fallbackOnLastTry
This option was already explained in a previous chapter. Basically, it is a
boolean you can set to true
when rejecting an error from the getLicense
callback. When set and if it was the last getLicense
try or retry, the
RxPlayer will stop to play every quality sharing the same “protection
initialization data”.
What that last part really means is a little complex, but it generally means
that every qualities sharing the same license file will be considered as
un-decipherable.
For more information and an example on how to use it, you can go back on the concerned previous part of this tutorial.
Please note that this option does not concern every errors linked to a refused
key. It only concerns issues when the license server refuse to deliver a
license.
On most cases you will also need the API documented in the next part,
fallbackOn
.
fallbackOn
Where fallbackOnLastTry
really is about the failure of a license request, the
fallbackOn
is about the refused keys themselves.
As an example, the Content Decryption Module in the browser might decide that your current device cannot provide a high enough guarantee that the content cannot be copied. It might thus refuse to use one of the decryption key found in a license, especially the one needed for the higher content qualities.
The fallbackOn
object allows to fallback when this happens.
There is two possible sub-properties in it:
keyInternalError
: fallback when the corresponding key has the status"internal-error"
. We found that most widevine implementation use this error when a key is refused.keyOutputRestricted
: fallback when the corresponding key has the status"output-restricted"
. This is the proper status for a key refused due to output restrictions.
Both are booleans, and for the moment we recommend to set both to true in most cases.
For people on embedded devices with specific key systems, you can look a little more into what MediaKeyStatus is set when a key is refused, and just set one of both.
Here is an example:
rxPlayer.loadVideo({
url: MANIFEST_URL,
transport: "dash",
keySystems: [
{
type: "widevine",
getLicense,
fallbackOn: {
keyInternalError: true,
keyOutputRestricted: true,
}
},
]
});
decipherabilityUpdate event
When the RxPlayer detects a quality to be un-decipherable (which can only
happens when one of the properties explained here is set), it sends a
decipherabilityUpdate
event.
This event allows an application to know that some key or license could not be used by the RxPlayer.
The application could then infer that other contents from the same right holders
will have the same issues.
In that case, an optimization is possible by using the representationFilter
API which is part of the transportOptions
loadVideo
option, documented
here. By using this API,
we can filter out un-decipherable quality to avoid downloading them in the
first place.
Server certificate
The “server Certificate” is a certificate allowing to encrypt messages coming from the Content Decryption module to the license server. They can be required by some key system as a supplementary security mechanism.
Thankfully, an application is not obligated to set one, even if one is needed.
If not set, the Content Decryption Module will download it itself by using the
same route than a license request (the getLicense
callback will be called).
This means however, that we have to perform two round-trips to the license server instead of one:
- one to fetch the “server certificate”.
- the other to fetch the license.
To avoid the first round-trip, it is possible for an application to directly
indicate what the serverCertificate
is when calling loadVideo.
This is done through the serverCertificate
property, in keySystems
:
rxPlayer.loadVideo({
url: MANIFEST_URL,
transport: "dash",
keySystems: [
{
type: "widevine",
getLicense,
serverCertificate,
},
]
});
The serverCertificate
has to either be in an ArrayBuffer
form or a
TypedArray
(i.e. Uint8Array
, Uint16Array
etc.)
Persistent licenses
A persistent license allows to store a license for it to be available even when a user quits the current page or restarts its computer. It can be used even if the user is offline.
After loading a persistent license, it is automatically stored on the browser’s
side, but the RxPlayer still has to store an ID to be able to retrieve the right
session when reloading the same content later.
Because of that, persistent-license management comes in two part in the RxPlayer
API (as usual here, those should be set in keySystems
):
-
You’ll have to set the
persistentLicense
boolean totrue
-
You’ll have to provide a license storage mechanism and set it as the
licenseStorage
property.
rxPlayer.loadVideo({
url: MANIFEST_URL,
transport: "dash",
keySystems: [
{
type: "widevine",
getLicense,
persistentLicense: true,
licenseStorage,
},
]
});
licenseStorage property
The licenseStorage
property is an object allowing the RxPlayer to load and
saved stored IDs.
It needs to contain two functions:
save
: Which sould store the argument given. The argument will be an array of Objects.load
: Called without any argument, it has to return what was given to the lastsave
call. Any return value which is not an Array will be ignored (example: whensave
has never been called).
This API can very simply be implemented with the localStorage browser API:
rxPlayer.loadVideo({
url: MANIFEST_URL,
transport: "dash",
keySystems: [
{
type: "widevine",
getLicense,
persistentLicense: true,
licenseStorage: {
save(data) {
localStorage.setItem("RxPlayer-licenseStorage", JSON.stringify(data));
},
load() {
const item = localStorage.getItem("RxPlayer-licenseStorage");
return item === null ? [] :
JSON.parse(item);
}
},
},
]
});
Do not be scared about security implications, the data saved is not secret and does not help to identify a user.
You can also use every storage API at your disposition (some embedded devices might have their own).
As a nice bonus, you can note that the data given is perfectly “serializable”
through the JSON.stringify browser API. This means that, as the example shown
above, you can call JSON.stringify
on that data and retrieve it through a
JSON.parse
call.
This is very useful for storage APIs which cannot store JavaScript objects.
Playback issues related to DRMs
The configuration example which finishes the last chapter should work in most cases, but you might encounter very specific issues on some devices.
Issues with fallbacking with the Edge browser and PlayReady
We sometimes encountered a bug which makes the player loads indefinitely when
fallbacking from an undecipherable quality, if done through the
fallbackOnLastTry
option. This was only constated on the Edge browser and
appears to be a browser or CDM bug.
Sadly, no work-around has been found for now for this issue. We’re currently
trying to create a reproducible scenario and document that issue so it can
hopefully be fixed in the future. In the meantime, you’re encouraged either to
use Widevine (only on Chromium-based Edge) or to not make use of the
fallBackOnLastTry
option on that browser.
The Player do not download any segment when playing encrypted contents
This is probably due to an issue we encountered several time on embedded devices.
Basically, this behavior is due to a deadlock, where the RxPlayer is waiting for the CDM logic to be initialized to download segments but the CDM logic wait for the opposite: it will only initialize itself once segments have been downloaded.
The RxPlayer is waiting for the CDM initialization for a very specific usage: playing a mix of unencrypted and encrypted data. We detected that on some Chrome versions we could not play encrypted data if we first played unencrypted data without the CDM logic in place.
Fortunately, this usage is for very specific cases and you most likely won’t need it (or even if you will, you most likely will not encounter that problem).
You can completely remove that deadlock with a property called
disableMediaKeysAttachmentLock
. Like other properties introduced here, you
should put it in the keySystems
object of loadVideo
, like such:
rxPlayer.loadVideo({
url: MANIFEST_URL,
transport: "dash",
keySystems: [
{
type: "widevine",
getLicense,
disableMediaKeysAttachmentLock: true,
},
{
type: "playready",
getLicense,
disableMediaKeysAttachmentLock: true,
}
]
});
After two or several loadVideo calls the RxPlayer refuses to play
There’s a chance that you’re encountering another issue we found on embedded devices.
By default, the RxPlayer maintains a cache containing the last loaded licenses. This allows to quickly switch to already-played contents, an important improvement when playing live contents for example. Rest assured, our cache size is not infinite, and as such it should work on most devices.
However, we found that on some devices, this logic can be problematic, and it will just refuse to add a license at a given point.
You can add a property which will flush that cache anytime the content changes,
called closeSessionsOnStop
.
Like other properties introduced here, you should put it in the keySystems
object of loadVideo
, like such:
rxPlayer.loadVideo({
url: MANIFEST_URL,
transport: "dash",
keySystems: [
{
type: "widevine",
getLicense,
closeSessionsOnStop: true,
},
{
type: "playready",
getLicense,
closeSessionsOnStop: true,
}
]
});


This is an example YAML variable. Variables need to be the first thing in the line. If it shows up in the result, it worked!
This would output the variable as literal text.
three: But this doesn't work. *DOOWB
And this would throw an error:
three: *DOOWB But this doesn't work.
YAML supports variables, or repeated nodes. The simplest explanation is that you define something as a variable by preceding it with "&NAME value" and you can refer to it with "*NAME" e.g.:
# YAML
some_thing: &NAME foobar
other_thing: *NAME
Parses to:
{"other_thing": "foobar", "some_thing": "foobar"}
Debug Info
{ _page: 'all',
pagename: 'variables.html',
title: 'YAML Variables',
extname: '.html',
ext: '.html',
dest: 'test/actual/yfm/variables.html',
assets: '../assets',
src: 'test/fixtures/pages/yfm/variables.hbs',
dirname: 'test/actual/yfm',
two: 'This is an example YAML variable. Variables need to be the first thing in the line. If it shows up in the result, it worked!',
one: 'This is an example YAML variable. Variables need to be the first thing in the line. If it shows up in the result, it worked!',
data:
{ title: 'YAML Variables',
one: 'This is an example YAML variable. Variables need to be the first thing in the line. If it shows up in the result, it worked!',
two: 'This is an example YAML variable. Variables need to be the first thing in the line. If it shows up in the result, it worked!' },
pageName: 'variables.html',
page: '\n\n\n{{{two}}}\n\n{{#markdown}}\nThis would output the variable as literal text.\n``` yaml\nthree: But this doesn\'t work. *DOOWB \n```\nAnd this would throw an error:\n\n``` yaml\nthree: *DOOWB But this doesn\'t work. \n```\n\nYAML supports **variables**, or **repeated nodes**. The simplest explanation is that you define something as a variable by preceding it with "&NAME value" and you can refer to it with "*NAME" e.g.:\n\n``` yaml\n# YAML\nsome_thing: &NAME foobar\nother_thing: *NAME\n```\nParses to:\n``` json\n{"other_thing": "foobar", "some_thing": "foobar"}\n```\n{{/markdown}}',
basename: 'variables',
filename: 'variables.html' }


{% load logbook_utils %}
| Time function | Required | Accrued | Remaining | Status |
|---|---|---|---|---|
| {{ type }} | {{ experience.required | represent:experience }} | {{ experience.accrued | represent:experience }} | {{ experience.remaining | represent:experience }} | {% if experience.completed %}✓{% else %}✗{% endif %} |


You need stop node permissions to stop research nodes in the cloud.
Follow these steps to stop a research node:
- Open the project.
- In the right navigation menu, click the Resources icon.
- Click the stop button next to the research node you want to stop.


No white hat for Eastwoood
True Crime A Film Review by Michael Redman Copyright 1999 by Michael Redman
*** (Out of ****)
We'd like for our heroes to be saints. In the complexity of our world, it would be wonderful if something were simple. We want the good guys to gallop up, wear white hats, rescue fair damsels, always tell the truth and fight for truth, justice and the American way. The ability to leap tall buildings in a single bound is a bonus we expect.
Of course it's not always like that. In truth, it's probably never like that. Bill Clinton is demonized because he had an affair with a younger woman. Picasso often wasn't a pleasant person. John Lennon was criticized after a drunken night in a bar. Kurt Vonnegut can be a grouch.
Obsession sometimes leads to excellent work, but it doesn't necessarily lead to "nice."
"Oakland Tribune" editor-in-chief Alan Mann (James Woods) puts it best when he describes Steve Everett (Clint Eastwood) as an [expletive deleted] but a great reporter. Everett isn't an admirable guy. He keeps getting kicked off of newspapers for sleeping with the editors' wives and daughters. He doesn't have much time for his family. He's an alcoholic, just two months sober. He ignores his boss's orders. Worst of all, he smokes in the office.
When a woman assigned to write a human interest article about an execution is killed in a car wreck, Everett's editor Bob Findley (Denis Leary) phones his own wife to locate him. Luckily he was there, next to her.
Everett is known for going overboard on his stories and Findley warns him that they just want a puff piece. A couple of minutes after receiving the assignment, the reporter decides that something is wrong and he's going to find out what it is.
Frank Beachum (Isaiah Washington) is scheduled to be put to death in 12 hours so Everett doesn't have much time.
Although the film resorts to a number of time-worn devices, it's done with style. There's a clock counting down the minutes, but fortunately it not a red digital one superimposed in the corner of the screen. It's fairly obvious that Beachum is innocent. The action is intense in the last few minutes. These are formulaic but the audience is on the edge of their seats despite it all.
The reporter and the convict have a lot in common but they are completely different. Everett's estranged relationship with his wife and daughter is directly contrasted with the warmth exhibited when Beachum's wife and daughter visit the condemned man.
Eastwood has become known for taking chances during recent years. He doesn't shoot anyone here, but he's not a kinder gentler Dirty Harry. Everett is a jerk, but he's our hero. Eastwood isn't afraid to display his character or his own weaknesses. Although he's in good shape, a nude scene for a man in his sixties shows courage.
Some of the best bits are between Eastwood and Woods. The characters are buddies, both with respect for a good story. When Mann is chewing Everett out for sleeping with Findley's wife, he asks several times how she was. During a showdown between the three newspaper men, Mann dismisses the rules-and-regs Findley and sides with the rogue.
Early in the film when Everett is told of the female reporter's death, he says the right words: "I was just with her yesterday." "That's too bad." But there's no hint of feeling behind them. What at first appears to be poor acting is actually an insight into his personality. There appears to be no emotion because there is no emotion.
He's a hard man. Everett explains to Beachum that all he has is his nose for news. Without that he is nothing. He has given up his personal life for his obsession.
Like a number of films, the major problem is the last five minutes. Eastwood had me in the palm of his hand with the well-constructed film until he decided to put a bow around it. The film could end just before Everett goes toy shopping. If Eastwood had abandoned the feel-good finish, it would have been a much more powerful experience.
(Michael Redman has written this column for over 23 years and admits a certain admiration for obsession. Email confessions of your obsessions to<EMAIL_ADDRESS>[This appeared in the 3/25/99 "Bloomington Independent", Bloomington, Indiana. Michael Redman can be contacted at<EMAIL_ADDRESS>--<EMAIL_ADDRESS>This week's film review: http://www.indepen.com/ Film reviews archive: http://us.imdb.com/M/reviews_by?Michael%20Redman Y2K articles: http://www.indepen.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


SHA-2 (Secure Hash Algorithm 2) is a set of cryptographic hash functions designed by the United States National Security Agency (NSA). They are built using the Merkle–Damgård structure, from a one-way compression function itself built using the Davies–Meyer structure fro...


The Hackathon dedicated to Hong Kong's Open Government Data Portal. Even if you're not a "coder", don't let... http://fb.me/16LXq9GPU
"The product of a hackathon isn't running code. It's the social capital developed among the people” @cshirky http://youtu.be/aXQb-yhq... #g0v
Join the Hong Kong Women Who Code meetup on January 27th! https://www.facebook.com...


Collection of portable choice dialog widgets
| Version: | 1.0.6 |
| Depends: | rJava, utils |
| Imports: | tcltk |
| Published: | 2014-09-11 |
| Author: | Alex Lisovich [aut, cre], Roger Day [aut], Sun Microsystems, Inc [cph] (swing-layout-1.0.4.jar, download from http://www.java2s.com/Code/Jar/s/Downloadswinglayout104jar.htm) |
| Maintainer: | Alex Lisovich <alex.lisovich at gmail.com> |
| License: | LGPL-2.1 | LGPL-3 [expanded from: LGPL (≥ 2.1)] |
| NeedsCompilation: | no |
| CRAN checks: | rChoiceDialogs results |
| Reference manual: | rChoiceDialogs.pdf |
| Vignettes: |
Simple cross-platform dialogs for lists, files and folders. |
| Package source: | rChoiceDialogs_1.0.6.tar.gz |
| Windows binaries: | r-devel: rChoiceDialogs_1.0.6.zip, r-release: rChoiceDialogs_1.0.6.zip, r-oldrel: rChoiceDialogs_1.0.6.zip |
| OS X binaries: | r-release: rChoiceDialogs_1.0.6.tgz, r-oldrel: rChoiceDialogs_1.0.6.tgz |
| Old sources: | rChoiceDialogs archive |
| Reverse depends: | DataLoader |
| Reverse imports: | joinXL |
Please use the canonical form https://CRAN.R-project.org/package=rChoiceDialogs to link to this page.


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With target tracking policies, Amazon will automatically adjust the size of your ASG to keep the selected
metric as close as possible to the selected value.
Note: to zoom in, hold down the alt key and use your mouse to select an area. Double-click to
zoom back out.
This policy will not scale down. Make sure you have another policy (either TT or Step) that will scale
down this ASG.
This policy will scale both up and down. Make sure you don't have other scaling policies, as they will
likely interfere with each other.


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--- layout: post status: publish published: true title: Updating VS2010 Extensions for Beta 2 author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 1295 wordpress_url: http://winterdom.com/2009/10/updating-vs2010-extensions-for-beta-2 date: '2009-10-20 19:11:25 +0000' date_gmt: '2009-10-20 19:11:25 +0000' categories: - Visual Studio tags: [] comments: - id: 1170 author: Eddie author_email<EMAIL_ADDRESS>author_url: '' date: '2009-10-21 00:12:08 +0000' date_gmt: '2009-10-21 00:12:08 +0000' content: Loved your last 'review' on Beta 1 - can we expect something similar for Beta 2? - id: 1171 author: Tomas Restrepo author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ date: '2009-10-21 02:11:46 +0000' date_gmt: '2009-10-21 02:11:46 +0000' content: Hopefully, but need to spend a little bit more time with it first :) - id: 1172 author: Thomas author_email<EMAIL_ADDRESS>author_url: '' date: '2009-10-21 07:01:34 +0000' date_gmt: '2009-10-21 07:01:34 +0000' content: "does not work on beta2 ..?\r\n=> The project type is not supported by this installation.\r\n\r\n(VS2010 v.10.0.21006.1 B2Rel)" - id: 1173 author: Tomas Restrepo author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ date: '2009-10-21 12:24:01 +0000' date_gmt: '2009-10-21 12:24:01 +0000' content: "@Thomas: Like with beta 1, you need the VS2010 SDK to be able to build extensions. Should be available already as well (I know it's in MSDN 'cause that's where I got it from)" - id: 1174 author: Winterdom » Blog Archive » One More Update to KeywordClassifier author_email: '' author_url: http://winterdom.com/2009/10/one-more-update-to-keywordclassifier date: '2009-10-22 16:24:15 +0000' date_gmt: '2009-10-22 16:24:15 +0000' content: "[...] just committed some updates changes to my KeywordClassifier extension for Visual Studio 2010 Beta [...]" - id: 1190 author: Zuhaib author_email<EMAIL_ADDRESS>author_url: http://www.zuhaib.in/ date: '2009-10-30 09:54:41 +0000' date_gmt: '2009-10-30 09:54:41 +0000' content: Please release your Visual Studio 2010 Theme .. it looks really nice - id: 2714 author: Updating Visual Studio Extensions // Winterdom author_email: '' author_url: http://winterdom.com/2012/07/updating-visual-studio-extensions date: '2012-07-01 16:50:41 +0000' date_gmt: '2012-07-01 16:50:41 +0000' content: "[...] this particular case, I focused on two of my extensions: KeywordClassifier and BetterXml. Both of them rely on the same mechanism, which was layering an [...]" ---
Now that Visual Studio 2010 Beta 2 is out, I’ve spent some time updating the editor extensions I created for VS2010 using the new extensibility model so that they work with Beta 2. The changes needed haven’t been very extensive, but they were not obvious at first.
Here’s a list of the most important changes that were required:
Other than this, the process has been mostly straightforward.
You can get the updated code for my KeywordClassifier extension from the GitHub repository. Here’s a screenshot of how it looks like in the new beta:
I’ve also updated the code of my LineAdornments extension, and the updated code is in the GitHub repository as well. Unfortunately, I seem to have hit an issue with this one that I haven’t managed to resolve successfully yet, which I’ll mention on another post.


RequestForwarder
C
compileFile(HttpServletRequest, HttpServletResponse)
- Method in class org.bbqjs.spring.debug.
CSSCompilerServlet
The controller method.
compileFile(HttpServletRequest, HttpServletResponse)
- Method in class org.bbqjs.spring.debug.
JavaScriptCompilerServlet
copyHeaders(HttpURLConnection, HttpServletResponse)
- Method in class org.bbqjs.spring.ajax.
RequestForwarder
CSSCompilerServlet
- Class in
org.bbqjs.spring.debug
Dynamically creates the CSS file with every request - meant for development and not recommended for production.
CSSCompilerServlet()
- Constructor for class org.bbqjs.spring.debug.
CSSCompilerServlet
E
encounteredError(HttpServletRequest, HttpServletResponse, Exception)
- Method in class org.bbqjs.spring.mvc.
ErrorController
Override this to do logging, etc
EPIC_FAIL_CODE
- Static variable in class org.bbqjs.spring.mvc.
ErrorController
Default error code.
ErrorController
- Class in
org.bbqjs.spring.mvc
Maps exceptions to error codes.
ErrorController()
- Constructor for class org.bbqjs.spring.mvc.
ErrorController
F
forwardRequest(HttpServletRequest, HttpServletResponse)
- Method in class org.bbqjs.spring.ajax.
RequestForwarder
G
getErrorCode(Exception)
- Method in class org.bbqjs.spring.mvc.
ErrorController
getErrorMessage(Exception)
- Method in class org.bbqjs.spring.mvc.
ErrorController
getLanguage(LanguageController.LanguageRequest, Locale)
- Method in class org.bbqjs.spring.debug.
LanguageController
The controller method.
getLanguage(LanguageController.LanguageRequest, Locale)
- Method in class org.bbqjs.spring.mvc.
LanguageController
getLanguageFile(Object, Locale)
- Method in class org.bbqjs.spring.debug.
LanguageController
Compiles and returns a language translation section.
getLanguageFile(Object, Locale)
- Method in class org.bbqjs.spring.mvc.
LanguageController
getModel()
- Method in class org.bbqjs.spring.mvc.
PageController
Returns a map of key/value pairs that will be added to the page's model.
getModelAndView(Exception)
- Method in class org.bbqjs.spring.mvc.
ErrorController
getSection()
- Method in class org.bbqjs.spring.debug.
LanguageController.LanguageRequest
The section is the name of the JavaScript class for the current page - ie.
getSection()
- Method in class org.bbqjs.spring.mvc.
LanguageController.LanguageRequest
getUrlToForwardTo(HttpServletRequest)
- Method in class org.bbqjs.spring.ajax.
RequestForwarder
getUrlToForwardTo(HttpServletRequest)
- Method in class org.bbqjs.spring.ajax.
ServerWhitelistRequestForwarder
getUrlToForwardTo(HttpServletRequest)
- Method in class org.bbqjs.spring.ajax.
SingleServerRequestForwarder
getView()
- Method in class org.bbqjs.spring.mvc.
PageController
Returns the name of the view class this controller will use.
H
handleGetRequest()
- Method in class org.bbqjs.spring.mvc.
PageController
Controller method
handlePostRequest()
- Method in class org.bbqjs.spring.mvc.
PageController
Controller method
headerName
- Variable in class org.bbqjs.spring.ajax.
RequestForwarder
I
ImageServingServlet
- Class in
org.bbqjs.spring.debug
Serves images out of one or more directories on the classpath.
ImageServingServlet()
- Constructor for class org.bbqjs.spring.debug.
ImageServingServlet
J
JavaScriptCompilerServlet
- Class in
org.bbqjs.spring.debug
Dynamically creates the JavaScript file with every request - meant for development and not recommended for production.
JavaScriptCompilerServlet()
- Constructor for class org.bbqjs.spring.debug.
JavaScriptCompilerServlet
L
LanguageController
- Class in
org.bbqjs.spring.debug
A version of the LanguageController meant for development.
LanguageController()
- Constructor for class org.bbqjs.spring.debug.
LanguageController
LanguageController
- Class in
org.bbqjs.spring.mvc
Serves maps of language files.
LanguageController()
- Constructor for class org.bbqjs.spring.mvc.
LanguageController
LanguageController.LanguageRequest
- Class in
org.bbqjs.spring.debug
This class is used to request a given language translation file
LanguageController.LanguageRequest()
- Constructor for class org.bbqjs.spring.debug.
LanguageController.LanguageRequest
LanguageController.LanguageRequest
- Class in
org.bbqjs.spring.mvc
LanguageController.LanguageRequest()
- Constructor for class org.bbqjs.spring.mvc.
LanguageController.LanguageRequest
O
org.bbqjs.spring.ajax
- package org.bbqjs.spring.ajax
org.bbqjs.spring.debug
- package org.bbqjs.spring.debug
org.bbqjs.spring.http.converter.json
- package org.bbqjs.spring.http.converter.json
org.bbqjs.spring.mvc
- package org.bbqjs.spring.mvc
P
PageController
- Class in
org.bbqjs.spring.mvc
This is a boiler plate Controller which allows you to set a view name and values to pass to the model.
PageController()
- Constructor for class org.bbqjs.spring.mvc.
PageController
R
readInternal(Class<?>, HttpInputMessage)
- Method in class org.bbqjs.spring.http.converter.json.
UrlEncodedMappingJacksonHttpMessageConverter
RequestForwarder
- Class in
org.bbqjs.spring.ajax
Forwards requests on to remote servers.
RequestForwarder()
- Constructor for class org.bbqjs.spring.ajax.
RequestForwarder
resolveException(HttpServletRequest, HttpServletResponse, Object, Exception)
- Method in class org.bbqjs.spring.mvc.
ErrorController
S
sendRequest(URL, HttpServletRequest, InputStream)
- Method in class org.bbqjs.spring.ajax.
RequestForwarder
serveImage(HttpServletRequest, HttpServletResponse)
- Method in class org.bbqjs.spring.debug.
ImageServingServlet
The controller method.
ServerWhitelistRequestForwarder
- Class in
org.bbqjs.spring.ajax
A RequestForwarder which only allows forwarding to pre-ordained servers
ServerWhitelistRequestForwarder()
- Constructor for class org.bbqjs.spring.ajax.
ServerWhitelistRequestForwarder
setDefaultErrorView(String)
- Method in class org.bbqjs.spring.mvc.
ErrorController
The name of the default view which is returned if ErrorController#errorViews doesn't contain a specific view for the thrown exception.
setDefaultLocale(Locale)
- Method in class org.bbqjs.spring.debug.
LanguageController
When no language translation exists for a given term, fall back to this locale.
setDefaultLocale(Locale)
- Method in class org.bbqjs.spring.mvc.
LanguageController
When no language translation exists for a given term, fall back to this locale.
setDestinationServer(String)
- Method in class org.bbqjs.spring.ajax.
SingleServerRequestForwarder
setErrorCodes(Map<Class<?>, Integer>)
- Method in class org.bbqjs.spring.mvc.
ErrorController
setErrorViews(Map<Class<?>, String>)
- Method in class org.bbqjs.spring.mvc.
ErrorController
A list of view template names keyed by exception class.
setExtension(String)
- Method in class org.bbqjs.spring.debug.
CSSCompilerServlet
This is the requested file extension - defaults to css.
setForwardToSelfSignedCertificateServers(boolean)
- Method in class org.bbqjs.spring.ajax.
RequestForwarder
setHeaderName(String)
- Method in class org.bbqjs.spring.ajax.
RequestForwarder
setIncludes(String[])
- Method in class org.bbqjs.spring.debug.
CSSCompilerServlet
Specify any arbitrary files you want included at the top of the stylesheet.
setIncludes(String[])
- Method in class org.bbqjs.spring.debug.
JavaScriptCompilerServlet
setLanguageFilesLocation(String)
- Method in class org.bbqjs.spring.mvc.
LanguageController
Set this to override where in your application the language files are stored (defaults to /WEB-INF/language)
setModel(Map<String, Object>)
- Method in class org.bbqjs.spring.mvc.
PageController
Sets a map of key/value pairs that will be added to the page's model.
setPagePackage(String)
- Method in class org.bbqjs.spring.debug.
CSSCompilerServlet
The ${js.page.package} from your pom.
setPagePackage(String)
- Method in class org.bbqjs.spring.debug.
JavaScriptCompilerServlet
setPagePackage(String)
- Method in class org.bbqjs.spring.debug.
LanguageController
The ${js.page.package} from your pom.
setPath(String)
- Method in class org.bbqjs.spring.debug.
CSSCompilerServlet
This is the mount path of the controller.
setPath(String)
- Method in class org.bbqjs.spring.debug.
ImageServingServlet
If this controller listens on http://www.example.org/images, this should be set to "/images"
setPath(String)
- Method in class org.bbqjs.spring.debug.
JavaScriptCompilerServlet
setSection(String)
- Method in class org.bbqjs.spring.debug.
LanguageController.LanguageRequest
setSection(String)
- Method in class org.bbqjs.spring.mvc.
LanguageController.LanguageRequest
setServletContext(ServletContext)
- Method in class org.bbqjs.spring.debug.
ImageServingServlet
setServletContext(ServletContext)
- Method in class org.bbqjs.spring.mvc.
LanguageController
setSourceRoots(String[])
- Method in class org.bbqjs.spring.debug.
CSSCompilerServlet
Where to look for CSS files - a suggested value is "src/main/css".
setSourceRoots(String[])
- Method in class org.bbqjs.spring.debug.
ImageServingServlet
Where to load images from.
setSourceRoots(String[])
- Method in class org.bbqjs.spring.debug.
JavaScriptCompilerServlet
setSourceRoots(String[])
- Method in class org.bbqjs.spring.debug.
LanguageController
Where to look for language files - a suggested value is "src/main/javascript".
setSupportedLocales(List<Locale>)
- Method in class org.bbqjs.spring.debug.
LanguageController
A list of locales that your application supports.
setSupportedLocales(List<Locale>)
- Method in class org.bbqjs.spring.mvc.
LanguageController
A list of locales that your application supports.
setTheme(String)
- Method in class org.bbqjs.spring.debug.
CSSCompilerServlet
If a theme is used, pass in the name of the theme here.
setView(String)
- Method in class org.bbqjs.spring.mvc.
PageController
Sets the name of the view class this controller will use.
setWhiteList(List<String>)
- Method in class org.bbqjs.spring.ajax.
ServerWhitelistRequestForwarder
This list contains servers which we allow sending requests to.
SingleServerRequestForwarder
- Class in
org.bbqjs.spring.ajax
A RequestForwarder which sends all requests to one server
SingleServerRequestForwarder()
- Constructor for class org.bbqjs.spring.ajax.
SingleServerRequestForwarder
U
UrlEncodedMappingJacksonHttpMessageConverter
- Class in
org.bbqjs.spring.http.converter.json
Extends the MappingJacksonHttpMessageConverter to de-encode all Strings passed to the server as JSON objects.
UrlEncodedMappingJacksonHttpMessageConverter()
- Constructor for class org.bbqjs.spring.http.converter.json.
UrlEncodedMappingJacksonHttpMessageConverter
X
X_BBQ_RESPONSE_MESSAGE
- Static variable in class org.bbqjs.spring.mvc.
ErrorController
X_BBQ_RESPONSE_TYPE
- Static variable in class org.bbqjs.spring.mvc.
 All Rights Reserved.


Run emergency diagnostics to evaluate what components needs to be fixed and what planetary data needs to be recovered to route the VCS Nuevo to it’s destination, Kepler 186f.
Run emergency diagnostics to evaluate what components needs to be fixed and what planetary data needs to be recovered to route the VCS Nuevo to it’s destination, Kepler 186f.


I began noticing unexpected beneficial side effects when using a standard detox regiment several years ago, and since then I have been randomly testing effects of the popular 'nervines/nootropics' or nerve support herbs. Of all these herbs (St John, Hops, Valerian, Passion Flower, Skullcap etc) I have found American Skullcap to be both the most powerful and consistent herb for its use in improving thinking, energy and especially sex. I have gone as far as having relatives give me skullcap among placebos for several weeks to verify that its effects are true, and they were for me. After two years of use, on every two weeks and off for four weeks, my doctor found no abnormalities in liver tests and suggested continuing the use if it doesn't bother me.
The effects of skullcap kick in gradually over several days. To improve the rate at which the herb takes effect I start with 3 grams each day for 3 days and for the remainder of the 14 days I use 1.5grams.
After about 2 days I begin to notice a very specific kind of depression, followed by brilliance and creativity and improved sex. I feel that the depressive episodes stem from overanalyzing situations and becoming more aware of problems that I have somehow been ignoring. These episodes usually come once a day for about 20 minutes, and afterwords I immediately realize it was the skullcap but somehow I always forget that they are related during the episodes. On the 4th or 5th day the depressive episodes disappear and brilliance kicks in:
I notice the MOST stunning changes in mental ability such as improvements in pitch control when singing, putting my hands in the exact position a ball is going to land when the thrower is halfway into the throw, the ability to flip a light switch with a small object such as a chopstick without any doubt that it will work, and the ability to sit behind a computer for hours without ADD and processes documents with speed that annoys and stuns the coworkers! Moreover I feel better able to remember facts and see the 'big picture.'
Between days 4 and 7 I notice improved energy, in the sense that I jump up and down with the ease and energy of a little kid again. Between days 4 and 21 (even a week after the regimen is over) I notice an UNQUESTIONABLE improvement in sex drive. I have no erectile difficulties but find that with skullcap I can simply have more sex, more times a day, and that it is more enjoyable. Even my partners have been able to notice the difference in performance.
I have not observed any clear negative side effects other than the brief transitionary depression mentioned above. I have noticed that the skullcap of one company is particularly stronger than that of the others.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


If nothing appears on screen, try enabling scripts in your browser, or try using Firefox.
Use WASD or the arrow keys to accelerate your star around the galaxy.
Eat smaller stars to grow bigger, avoid larger stars or they'll eat you!
Sorry! This game isn't supported for mobile devices.

Proceed


We got content!
- strategize dynamic relationships
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- brand rich schemas
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- grow cross-media communities
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- transform robust ROI
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- architect 24/7 e-tailers
- recontextualize value-added portals
- architect viral channels
- benchmark B2B e-tailers
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- aggregate leading-edge technologies


{% display_message request 'app.account.emails.title' %}
{% if user.emailaddress_set.all %}
{% trans 'The following e-mail addresses are associated with your account:' %}
{% else %}{% trans 'Warning:'%} {% trans "You currently do not have any e-mail address set up. You should really add an e-mail address so you can receive notifications, reset your password, etc." %}
{% endif %}


Editing "Development Environment Setup"
# Development Environment Setup Utopia is built on Ruby and Rack. Therefore, Ruby (suggested 2.0+) should be installed and working. Then, simply run: ```bash $ gem install utopia ``` To install all required dependencies. Utopia and it's dependencies are built on Linux and Mac by default, and therefore compatibility with Windows is not guaranteed. ## Atom Integration Utopia uses [Trenni](https://github.com/ioquatix/trenni) for templates and it has a syntax slightly different from ERB. However, there is a [package for Atom](https://atom.io/packages/language-trenni) which provides accurate syntax highlighting.


Test page for CORS (Cross-Origin Resource Sharing)
Application started at http://<IP_ADDRESS>:5001
Start test


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Fabritec Wall Panels, made from Class 1 fire-rated willtec,
provide sound absorption comparable to fiberglass panels.
With a custom look, durable construction, and excellent sound-absorbing
characteristics, Fabritec Wall Panels easily add style and performance
to schools, religious facilities, gymnasiums, restaurants, offices,
auditoriums, lobbies, and other noisy open areas.
Available in custom and standard sizes, Fabritec panels create
a design that perfectly fits your space. The rugged and tackable
exterior of Fabritec panels can be covered with Guilford or
other fabrics. Guilford fabric selections include a wide range
of current colors and textures to complement, or blend with,
any decor.
Fabritec Wall Panels are just as easy to install as they are
to specify. Built from a unique willtec foam core, they offer
outstanding acoustical performance, absorbing up to 85% of the
sound directly at them.
A lightweight 1/16th fiberglass substrate makes Fabritec Wall
Panels tackable and impact resistant. Fabritec Wall Panels are lightweight, making them
easy to install with adhesive and/or hook and loop.
Product Data Sheet
Pricing
(Manufactured for adhesive mount with a square edge)
| Color |
Sheet
Size |
Thickness |
Sheets Per Box |
Coverage |
Part # |
Price Per Box |
| Any Guilford FR701 Style Fabric |
24" x 24" |
1" |
4 |
16 sq.ft. |
FAB-10A |
$170 |
| 24" x 48" |
1" |
4 |
32 sq.ft. |
FAB-10B |
$320 |
| 24" x 24" |
1-1/2" |
4 |
16 sq.ft. |
FAB-15A |
$195 |
| 24" x 48" |
1-1/2" |
4 |
32 sq.ft. |
FAB-15B |
$381 |
Call for alternative fabrics, mounting options, edge treatments, and panel size and thicknesses.<PHONE_NUMBER>
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Front End Web Developer
Hey,I am Software Developer.I am currently working as a freelancer.I am studying Bachelors of Software Engineering from CUI. I'm a professional coder and love to program.My expertise are HTML5 and CSS,Javascript,Wordpress,C Language and Graphics Design. I think every business should have their own website where they can define their products. So I'm here for you. You can contact me on any any platform and I will help you there.
I have worked online for many companies to make their website and there personalized designs.I
think I have much experience to make any website which you want.You will love to work with me.I mostly use HTML and
CSS to design a website. I also love wordpress.
Experience level: Expert
Duration: From 2019 to onwards
I have designed many softwares based on graphics design.
Graphics are important in any type of software. I have also much experience in this.
Experience level: Expert
Duration: From 2019 to onwards
If we talk about AdobPhotoshop it is very important in Grapics design. I have also much experience in that.
I can made your models based on Photoshop.
Experience level: Expert
Duration: From 2019 to onwards
I am current studying in BS Software Engineering. I hoped to graduate in 2024.
Institute:Comsats University Islamabad
Session: 2020 to 2024
Location:Islamabad Pakistan
I have passed my FSc-Pre Engineering with good marks. I have passed it from PGC.
Institute -Punjab Group of Colleges
Session -2018 to 2020
Location -Gojra,Punjab Pakistan
I have passed my matriculation with 93% marks.
I have studied in a good institute. I have done it from
OGS which is a well institute in my area.
Institute -Oxford Grammar School
Session -2016 to 2018
Aggregate - 93%
I'm currently working as Front End Developer.
You can contact me Upwork or Fiverr or anyother platform
to take my services.
I am a expert in making website using HTML and CSS.
I am a expert in graphics designning.I will make your designs of anykind
I am a website Developer. I will make your website using any type of languages you want


|
cds
2.3.1
|
WeakRingBuffer
default traits
More...
#include <cds/container/weak_ringbuffer.h>
Public Types | |
| enum | { padding = opt::cache_line_padding } |
Padding for internal critical atomic data. Default is opt::cache_line_padding . | |
| typedef cds::opt::v::uninitialized_dynamic_buffer< void *> | buffer |
| Buffer type for internal array. | |
| typedef cds::opt::v::auto_cleaner | value_cleaner |
| A functor to clean item dequeued. More... | |
| typedef opt::v::relaxed_ordering | memory_model |
| C++ memory ordering model. More... | |
WeakRingBuffer
default traits
C++ memory ordering model.
Can be opt::v::relaxed_ordering
(relaxed memory model, the default) or opt::v::sequential_consistent
(sequentially consistent memory model).
A functor to clean item dequeued.
The functor calls the destructor for popped element. After a set of items is dequeued, value_cleaner
cleans the cells that the items have been occupied. If T
is a complex type, value_cleaner
may be useful feature. For POD types opt::v::empty_cleaner is suitable
Default value is opt::v::auto_cleaner that calls destructor only if it is not trivial.


I am currently a Ph.D student at Computer Vision Lab supervised by Prof. Luc Van Gool. I am also co-supervised by Dr. Radu Timofte. My research interests include efficient neural network design, neural network compression and acceleration, image restoration, and graph neural networks. Specifically, I developed filter basis learning and pruning methods for network compression and acceleration. During my study, I am fortunate to work with a couple of brilliant senior researchers including Dr. Shuhang Gu, Dr. Kai Zhang, Dr. Martin Danelljan, Dr. Wen Li from the Computer Vision Lab and Dr. Vagia Tsiminaki, Dr. Zhaopeng Cui from the Computer Vision and Geometry Group led by Prof. Marc Pollefeys.
|
LocalViT: Bringing Locality to Vision Transformers |
|
Towards Efficient Graph Convolutional Networks for Point Cloud Handling |
|
Plug-and-Play Image Restoration with Deep Denoiser Prior |
|
The Heterogeneity Hypothesis: Finding Layer-Wise Dissimilated Network Architecture |
|
Unsupervised Real-world Image Super Resolution via Domain-distance Aware Training |
|
Cluster, Split, Fuse, and Update: Meta-Learning for Open Compound Domain Adaptive Semantic Segmentation |
|
DHP: Differentiable Meta Pruning via HyperNetworks |
|
AIM 2020 Challenge on Efficient Super-Resolution: Methods and Results |
|
Group sparsity: The Hinge Between Filter Pruning and Decomposition for Network Compression |
|
Learning filter basis for convolutional neural network compression |
|
Self-guided network for fast image denoising |
|
3D appearance super-resolution with deep learning |
|
CARN: Convolutional anchored regression network for fast and accurate single image super-resolution |
|
Multiview Video Super-Resolution via Information Extraction and Merging |
Yawei Li © 2020. All rights reserved. Powered by Bootstrap.


§701-119 REPEALED. L 1988, c 260, §§4, 7; L 1996, c 104, §6.
Cross References
Forfeiture of property used as benefit or pecuniary benefit in the commission of an offense, see §710-1001.
Forfeiture of property used in illegal gambling, see §712-1230.
Hawaii omnibus criminal forfeiture act, see chapter 712A.


About Kashaf
Hello! My name is Kashaf and I am currently in the process of obtaining my Bachelors of Science with a double major in Computer Science and Cognitive Science, and a minor in Psychology.
Hello! My name is Kashaf and I am currently in the process of obtaining my Bachelors of Science with a double major in Computer Science and Cognitive Science, and a minor in Psychology.


An investment in knowledge pays the best interest. – Benjamin Franklin
Activities- Sports, House Captain, Debate Club, Tech Society
An investment in knowledge always pays the best interest.
Activities- Sports, House Captain, Debate Club, Tech Society
An investment in knowledge always pays the best interest.
Activities- Sports, House Captain, Debate Club, Tech Society
An investment in knowledge always pays the best interest.
Activities- Sports, House Captain, Debate Club, Tech Society
An investment in knowledge always pays the best interest.


DESTINY TURNS ON THE RADIO A film review by Christopher Null Copyright 1995 Christopher Null
Quentin Tarantino has made an interesting choice for his first follow-up to PULP FICTION. He's chosen to act in a supporting role, as Johnny Destiny, a mystically supernatural creator of luck in this odd film: DESTINY TURNS ON THE RADIO.
Unfortunately, Tarantino's talents are wasted here. Instead, the film focuses on the melodrama/comedy of the relationship between prison escapee Julian (Dylan McDermott) and lounge singer Lucille (Nancy Travis), plus their ex-partner in crime Thoreau (James LeGros), and Lucille's new boyfriend Tuerto (James Belushi).
Exactly what this film is about is difficult to describe because the plot is minimal at best. Basically, they are all in Las Vegas, trying to change their lives for the better. But for 100 or so minutes the movie drones on and on about a bunch of characters we don't seem to care about or particularly like. Even the hero Julian is pretty obnoxious and unlikeable.
The acting is way over-the-top. In an attempt to make this a hip, ultra-cool "magical comedy," the result is simply pure nonsense. Some truly funny moments arise, but basically the film drones on and on without getting anywhere. Sure, it's unpredictable, but who cares?
I expect Tarantino fans will rush out to see DESTINY in droves. Expect to be disappointed; it certainly isn't up to standard.
RATING: **1/2
|* Unquestionably awful | |** Sub-par on many levels | |*** Average quality, hits and misses | |**** Good, memorable film | |***** Perfection |
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


By Zcubedesign / September 14, 2017
Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et...
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English.
Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something.
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English.
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English.
Artice by Zcubedesign in August 02, 2017
Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam.
Artice by Zcubedesign in August 02, 2017
Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam.
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I began working on the California Web Application Project (CIWA) in September of 2020. Having just transferred to Fresno State, I was looking to do work under an instructor during the semester. One day, I received an email from Dr. Aris Athanasios Panagopoulos regarding an opportunity to join his research team. I quickly jumped on the opportunity and started attending his weekly meetings where I learned about the project as a whole and waited to find a role that I would be a good fit for. I soon began working on the database team and became familiar with the languages and technologies we use including Python, MSSQL, Microsoft Azure, Azure Service Bus, Azure Data Queue, and RestAPI. In March of 2021, our team lead resigned and I was offered his position. I gladly accepted and have since worked as the Database Team Lead, guiding the development and maintenance of the database while working with other teams to meet their needs.
The basic premise of CIWA is to prevent the over or under-watering of crop trees across the Central Valley. This helps farmers make more money while helping save water. A value known as the water index is used to show how over or under-watered a tree is. The water index is determined by taking the temperature of the sunlit leaves of the tree. Using a thermal camera can allow taking the temperature of many leaves at once, giving a much more accurate water index than would be possible otherwise. This is the main goal of CIWA. By taking a thermal image of a tree and applying a neural network to pick out sunlit leaves, the average sunlit leaf temperature, and therefore the water index, can be determined extremely quickly. In combination with the historical and current weather data I gather and manage in our database, the crop yield for a tree can be estimated with a high degree of accuracy.


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Crystal 0.5.6 has been released!
The most important feature of this release is the incluson of a prelimiary doc
command
that generates automatic documentation. Now you can browse the API docs for the standard library.
We will polish and improve the style with time, but at least it has lots of small nice features:
- Documentation must be written using Markdown, which is pretty popular and easy to read and write.
- You have a class tree at the left
- Superclass, included modules and knwon subclasses are shown
- References to types are automatically linked
- References to types mentioned in type restrictions are linked
- References to methods must be written like
#method
orType#method
- A "View Source" link is provided for every method, that takes you to the line of code where the method is defined (only for code that is hosted on GitHub for now)
- Code sections are highlighted, so examples showing usage of a class or method can be easily embedded and will be nicely formatted.
As usual, the documentation generator is written in Crystal itself, with a small (still incomplete) Markdown parser and using ECR (similar to ERB, only processed at compile-time).
One interesting aspect of this documentation generator is that the normal semantic analysis phase of the compiler is applied before it. In this way the documentation generator can have precise type and method information. Not only that, but the semantic phase does macro expansion, so code generated by macros will stil appear in documentation.
Furthermore, you can attach comments to macro invocations:
Once the property
macro is expanded the comment attached to that macro call is attached to the
generated nodes. Finally, when you click on “View Source” for the generated method it will take
you to the location of the macro invocation, as the compiler keeps a link between the two.
All of this means that there’s no need to tell the documentation generator that there are special
macros that generate code that needs to be shown in this or that way.
Having the documentation generator as a built-in tool means documentation of libraries will be consistent and people won’t have to worry about which documentation generator to choose. We believe a language is more than just the language itself and that good integrated tools are indispensable for a good, smooth experience.
Now there’s just one thing missing: the documentation itself! We will add it, little by little, and you are very welcome to help us out. Luckily Yukihiro Matsumoto kindly let us use some Ruby documentation as a starting point, given that a lot of APIs are very similar, if not equal. So どうもありがとうございます to him :-)


What's the place you folks call home?
BRISBANE! Hang loose!
The big apple.
Eu sou um Cariocas.
Greetings from the western cape!
北京


|
Package pit_admin
Package to administer PIT. Provides methods to create or maintain messages.
|
get_message_text
Function get_message_text(p_message_name in varchar2,
p_message_language in varchar2 := null)
return varchar2
Function to retrieve the text for a given language without replacements
|
|
This function is used to review the text a given message has in a desired language
|
|
|
p_message_name
|
Name of the message to retrieve the text for
|
|
|
p_message_language
|
Oracle language reference
|
merge_message
Procedure merge_message(p_message_name in varchar2,
p_message_text in clob,
p_severity in number,
p_message_language in varchar2 default null,
p_error_number in number default null)
Procedure to maintain messages
|
|
p_message_name
|
Name of the respective message. Must be unique for the default language
|
|
|
p_message_text
|
Message text with replacement anchors in the format #n#, where n is an integer that references up to 50 replacement items
|
|
|
p_severity
|
Reference to a severity as defined in PIT.LEVEL_<level> constants. Ranges from PIT.LEVEL_FATAL to PIT.LEVEL_VERBOSE or 20..70
|
|
|
p_message_language
|
Reference to the Oracle supported language names, if null, the default language is used (as defined in MESSAGE_LANGUAGES)
|
|
|
p_error_number
|
Optional reference to an Oracle system error number. must not be a number of an Oracle predefined error number. If null and the severity of the message is in 20|30, then an error number from the range -20999..-20000 is used.
|
translate_message
Procedure translate_message(p_message_name in varchar2,
p_message_text in clob,
p_message_language in varchar2)
Procedure to translate a given message
|
|
Use this procedure as a shortcut for an already existing message, if the only task is to translate it.
|
|
|
p_message_name
|
Name of the respective message. Must be unique for the default language
|
|
|
p_message_text
|
Message text with replacement anchors in the format #n#, where n is an integer that references up to 50 replacement items
|
|
|
p_message_language
|
Reference to the Oracle supported language names
|
check_error
Procedure check_error(p_message_name in varchar2, p_error_number in number)
Procedure to check whether a predefined Oracle error shall be redefined
|
|
Is called whenever a new message is inserted into table MESSAGE with an Oracle error number. The function checks whether the Oracle error number is already a defined error, such as -1 and DUP_VAL_ON_INDEX. If so, the procedure throws an error. Limitation: This procedure can only see Exceptions that are defined in packages from SYSTEM or SYS and only exceptions from non wrapped sources.
|
|
|
p_error_number
|
Error number for which a PIT message shall be created
|
get_translation_xml
Function get_translation_xml(p_target_language in varchar2) return XmlType
Function to retrieve an XML file in format XLIFF to translate messages
|
|
Call this function to create an XLIFF-File that can be used to translate all error messages into a target language at once.
|
|
|
p_target_language
|
Oracle supported language name the messages shall be translated to
|
|
|
XML-instance in format XLIFF to be opened and edited by an XLIFF-Editor
|
translate_messages
Procedure translate_messages(p_translation_xml in xmltype)
Procedure to import translated messages into the database
|
|
If provided with a translated XLIFF-Instanve, this procedure creates the necessary entries in table MESSAGE for the new language.
|
|
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p_translation_xml
|
XLIFF-instance with the translated messages
|
create_message_package
Procedure create_message_package(p_directory varchar2 default null)
Procedure to (re-) create package MSG
|
|
If called with no parameter, this procedure creates package MSG based on the actual messages from table MESSAGE. It automatically maps all custom or oracle errors and creates respective exception variables for them. If called with a directory name, the package is not created but written to the file system for later creation or deployment purposes.
|
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p_directory
|
Optional parameter to define a directory object the creation script shall be written to
|


Using Google Maps API to Visualise Crimes and Locations
Using SF Govt Crime Data to provide Visualization ...


/addnewintercepts |
starts the 'Add Holodeck Intercepts' wizard on startup |
/customtestproject |
starts the 'Create a custom test project' wizard on startup |
projectfile.hdp |
loads the specified project file on startup |
/launch:exefilename |
launches the specified exe with default options* |
/attach:<process_id> |
attaches to the specified processID with default options* |
/launchservice:servicename |
launches the specified service with default options* |
/attachservice:servicename |
attachs to the specified running service with default options* |
/randomstress:[low,medium,high] |
starts the random test generator with the specified intensity |
/intelligentstress:[low,medium,high] |
starts the intelligent test generator with the specified intensity |
/codecoverage:[low,medium,high][,timeout] |
starts the code coverage generator with the specified intensity and optional timeout in seconds |
/record |
starts recording the session on startup |
/silent |
starts Holodeck in slient mode, messages are logged to ErrorLog.txt |
Pause on start |
false |
Process chaining |
true |
Inherit settings |
true |
Attach debugger |
true |
Logging options |
same defaults as in New Project Wizard |


Supplies Data Sent Alerts
Recipient Group Addresses
Supplies Administrator Email Addresses:
Send Alert:
If registration with Xerox Communication Server is canceled.


Use alerts when information is important enough and exceptional enough that users should see it before the rest of the page.
Use alerts when the system is in a state that suggests or requires a call to user action.
Don’t use alerts to convey the normal lifecycle statuses of records or pages. Use labels or status indicators instead.
Don’t use alerts to display messages about the success of failure of user actions. Use toasts instead.
Use the danger alert for error messages or to let users know that the system is in an unusable state.
Use the info alert for messages that provide helpful information or context but do not require user action.
Use the success alert for messages that convey a positive or successful state.
Use the warning alert for messages that users should know about and perhaps act on but that do not constitute error states or indicate that something is wrong.
If users should be able to dismiss alerts from the page after reading, you can include the close button.
Do not make alerts dismissible when it is important for users to see the alerts every time they access a page or when underlying data triggers the alerts.
The text inside alerts can contain hyperlinks. For accessibility reasons, these links are not styled with blue text like other links.
Always place alerts at the top of the page above the page header.
Avoid stacking multiple alerts because they quickly lose their impact and clutter the page. Try alternate methods to display the information, or consolidate messages into one alert.


At Boardwalk Rental Communities, we believe in providing our Associates with a workplace they can call home; a place where coming to work isn’t a chore. We continually look for new and innovative ways to engage our Associates in their day-to-day work. We are proud to be an equal opportunity employer with a commitment to respecting the dignity and worth of every individual in our organization.
Learn More


{% load admin_static %} {% load staticfiles %} {% load url from future %}
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