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See:
Description
| Hamcrest API and Utility Classes | |
|---|---|
| org.hamcrest | The stable API defining Matcher and its associated interfaces and classes. |
| Matcher Library | |
|---|---|
| org.hamcrest.beans | Matchers of Java Bean properties and their values. |
| org.hamcrest.collection | Matchers of arrays and collections. |
| org.hamcrest.core | Fundamental matchers of objects and values, and composite matchers. |
| org.hamcrest.internal | |
| org.hamcrest.number | Matchers that perform numeric comparisons. |
| org.hamcrest.object | Matchers that inspect objects and classes. |
| org.hamcrest.text | Matchers that perform text comparisons. |
| org.hamcrest.xml | Matchers of XML documents. |
| Integration | |
|---|---|
| org.hamcrest.integration |
Hamcrest is a library of matchers, which can be combined in to create flexible expressions of intent in tests.
Documentation can be found at: http://hamcrest.org/.
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Jithin Jose
I am a Student, Developer and a
Self-Taught Hacker
About
I am currently a Engineering Student in india. I am working on building
websites now. Also I am interested in hacking. This is the second day of
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|


Pre-existing Diseases?
YES
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Monthly Investment
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CALCULATE


Ben HigginsGraduated Mechanical Engineering with a Concentration in Energy and the Environment I am currently Employed jobs at General Motors |
| Position Title | Dates |
|---|---|
| Research and Development Assistant | May 2018 to August 2018 |
| Materials Inspection Technician | June 2019 to August 2019 |
|
|


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In the office of Lincoln Hill lies his son, Persues. Seating in his father chair, reading Lincoln's journal trying to find answers to what Persues' father searched for his entire life. The treasure of the greek Gods.
After a few moments a knock came at the door. Persues looked up from his father's journal asking the person to come in.
"Come in!" The person at the door reaviled to be Persues' friend Henry
"Hey, Henry long time no see. What brings you here?" Persues asked
"Guess what I found?" Henry started
"I found an exabition team who are investagating the Zeus' treasure. And they need an archaeologist. And I recomminded you"
Getting up Persues hugged his dear friend thanking Henry for granting him this opportunity. As Henry told Persues the details of the mission Persues began to pack some of his things and the next morning Persues was off to greece to begin his journey to find what his father had been searching for his entire life.
Persues meat his team in one of the most enchanting forests in greece setting up camp there. Upon meeting his team there were, two males including himself and one female. The name of the two males were Ethen and Jack. While female's name was Jenny.
Getting to know his team Persues found them to be perfessional enough for the long journey ahead of them. Persues and his team spent the whole day planning the routes they will be going through choosing the most safest and sometimes most riskest paths to get to their destination.
Early the next morning Persues and his team left on their mission to the the said spot of where Olympus would be standing. Along the way the team encountered many dangers they either expected or not expected at all, from slippery trails to climbing montains.
During the voyage Persues felt like someone was watching him with every step he took. When Persues and his team finally reached there destination, what they found was not they anticipated.
At the top of the mountain Persues and his team found Olympus however, that was not the only thing they saw. Going inside the Gods home the team were immeditaly separated after a beam of light came upon them.
Having been separtated the team experienced different trials based on their skills and minds, and the Greeks themselves charished both qualities. Persues' trial was, however, different from the rest. He was shown events of the past, expecually this one event where a man who look similar to him with his black hair and bluish-green eyes.
The strange man was kneeling before Zeus himself, king of all Gods. The God gave the man something a round object covered in gold with the symbol of a lighting bolt in the center. Taking the object the man hid it in a secret chamber in the temple placing the item in their hands on a marbel pedestal that contained many other golden objects.
When Persues finished his trial he was greeted by the same man. The Man spoke to Persues telling him of his duty.
"Persues Hill, my descendant"
"Who are you?"
"My name is Aegeus"
"The protector" Persues pointed out, Aegeus nodded his head in responds
"I am the first and last of the guardians of this holy place, and I ask you; my descendent to continue our mission."
"What mission?" Persues questioned
"To protect the Gods treasure's from the hands of humanity"
"But you're human aren't you? Why protect something that was not meant for our kind?"
"We are not human, my descendant" At this Persues' widened at the words Aegeus spoke of.
"I was made out of the earth of Olympus by Zeus, and so are you my descendent"
"But, you died"
"As the world changed, with humanity destorying the earth they live on, I also parish along with them, however, before my passing I bestowed my seed to a mortal women who cared for me." Aegeus continued
"My legacy continued to do the work I could not do anymore, for as long as their is a guardian the Gods treasure can not be touched by mortal hands." Taking in Aegeus' story Persues began to question why are the treasure never allowed to reach human hands?
"Why can't humans get their hands on the treasures?"
"Zeus knew something evil was coming to this realm, that is why Zeus ordered the Gods to bestow their power inside objects of holy value so they could be used against this evil." Aegeus began
"However, Zeus knew he could not trust his creations with the task of keeping them safe as the hearts of humanity were being corrupted by this upcoming evil. Before returning to the clouds Zeus created me to guard the sacred objects blessed by the Gods from humanity or anyone other than the Gods themselves."
After Aegeus finished telling his lifes purpose, his eyes wondered around the temple walls as if sencing something was happening. Acting quickly he gave Persues a choice, to either follow his hearts desire or to do what he was always meant to do since he was born.
"Now, Persues, my descendent. I have been watching over you as I have done to the others before you. I know where your heart lies, why you came to this holy ground. But, I'm afraid something has happened, before I leave. I give you a choice, Persues, you can follow your hearts desire to prove your father's search for this place or you can protect the blessed object hidden in this temple"
"But, you must knew whatever you choose will have consequences" before Persues could ask what does Aegeus meant by this he was gone in a blink of an eye.
Like Aegeus said Persues heard gun shots near by. Running to the sound he found himself in a murder scene, as he found three of his team members dead on the floor with Jenny the only one standing with the murder weapon in her hands, along with other men in black suits next to her they didn't seem normal as they had black vains showing on their skin.
As soon as Persues stepped inside the area he was apprehended by the men in black dragged towards Jenny.
"What's the meaning of this Jenny?" Persues asked as Jenny pointed the gun at him.
"This is the end of an era Persues, so a new one can being" Putting the pieces together Persues figured out what was going on, this was what the evil Aegeus was talking about how it was corrupting humanity.
"Its you isn't it. Your the evil thats been corrupting the world" Jenny smiled at Persues' discovery
"So you've meat Aegeus, What did he show you?"
 For a second Jenny's eye widened as if she remembered something, before grinning from hear to hear.
"I know those eyes, haha.  Yes thats why you looked so familar to me"
"How do you know Aegeus?" Persues asked
"We fought before centries ago, he defeated cursing me into this pathetic state so I couldn't touch the blessed objects. But, now I have you"
"I will never help you!" Persues announced
"You won't have a choice, I wasn't able to control Aegeus because he wasn't human. But, you Persues, are part human which means you have desires like everyone else."
 Asking Persues what was his hearts desire? As Persues' eyes became glazed over.
"To prove my father's research of Olympus" smiling Jenny whispered empty promises to him before asking were was the secret crept.
"Show me where the crept is Persues and you will have what you desire and show much more"
The men in black let Persues go as he lead them to the crept, opening the secret door with his hand as was shown to him by his trial. Jenny looked around the crept seeing what she as always wanted for centries right in front of her eyes Zeus' lighting orb.
"Take the orb Persues, and all you've ever wanted will be realized" Jenny said to him.
Following her command Persues walked towards the orb taking in his hands as he was walking back to Jenny, Aegeus came to him in his subconciousness. Pleading Persues to wake up.
"Persues, wake up. Don't listen to the darkness, don't let it corrupted your heart. You will get nothing in return" when nothing was getting through to him, Aegeus tried again. Not giving up
"Persues, this is not what your father would have wanted." At those words Persues stopped walking, knowing it was Aegeus Jenny tried to persuade Persues' heart once more.
"What do you know what my father would have wanted?" Persues asked Aegeus in his subconcious.
"As I have told you before Persues, I have been watching over you ever since you were born. I saw the way father cared for you, loved you. Your father would never what you to hurt other at his expence no father would. He wanted you to keep your eyes open to the world around you not tarnish it with evil, you Persues are strong, fight the darkness that claims false promises to you. Follow your hearts desire as you wish it" Aegeus preached
"Make your desires your own, don't let someone else control it for you. This is was makes you a guardian, to protect humanities desires from those who wish to corrupt it. Use Zeus' orb to vanquish the evil"
Getting through to Persues, he was able to break free of Jenny's control. In Persues' hands Zeus' orb began to glow as Jenny tried to use her power to take Persues' heart by force. A lighting shield appeared surrounding Persues in a protective barrier, fear showed in Jenny's eyes as thunder clouds began cover the clear skies.
"You will never control another's heart again" Persues declared as lighting struck down on Jenny and her men turning them into dust.
 Just like your father" Was Jenny last words as she turned to ash, blowing in the wind as the thunder clouds parted the skies making it clear once more.
"Then I will defeat all of you, no matter what is takes"


First, the basics
These are the mochi pictures from the reading:
Add your four mochi images here
Let's make an unordered list
Let's make an ordered list
This is an italicized example, which can be used for listing a citation.
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This page does not look the best, but I am sure CSS will help


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John Calipari is an American college basketball coach. Since 2009, he has been the head coach at the University of Kentucky. Calipari was previously the head coach at the University of Memphis (2000–2009) and the University of Massachusetts (1988–1996). He was also the head coach of the National Basketball Association's New Jersey Nets (1996–1999) and the Dominican Republic national basketball team in 2011 and 2012.


| < Day Day Up > |
11.3. Useful Built-in Emacs FunctionsMany of the Emacs functions that exist and that you may write involve searching and manipulating the text in a buffer. Such functions are particularly useful in specialized modes, like the programming language modes described in Chapter 9. Many built-in Emacs functions relate to text in strings and buffers; the most interesting ones take advantage of Emacs's regular expression facility, which we introduced in Chapter 3. We first describe the basic functions relating to buffers and strings that don't use regular expressions. Afterwards, we discuss regular expressions in more depth than was the case in Chapter 3, concentrating on the features that are most useful to Lisp programmers, and we describe the functions that Emacs makes available for dealing with regular expressions. 11.3.1 Buffers, Text, and RegionsTable 11-4 shows some basic Emacs functions relating to buffers, text, and strings that are only useful to Lisp programmers and thus aren't bound to keystrokes. We already saw a couple of them in the count-words-buffer example. Notice that some of these are predicates, and their names reflect this.
Many functions not included in the previous table deal with buffers and text, including some that you should be familiar with as user commands. Several commonly used Emacs functions use regions, which are areas of text within a buffer. When you are using Emacs, you delineate regions by setting the mark and moving the cursor. However, region-oriented functions (such as kill-region, indent-region, and shell-command-on-region—really, any function with region in its name) are actually more flexible when used within Emacs Lisp code. They typically take two integer arguments that are used as the character positions of the boundaries for the region on which they operate. These arguments default to the values of point and mark when the functions are called interactively. Obviously, allowing point and mark as interactive defaults is a more general (and thus more desirable) approach than one in which only point and mark can be used to delineate regions. The r option to the interactive function makes it possible. For example, if we wanted to write the function translate-region-into-German, here is how we would start: (defun translate-region-into-German (start end) (interactive "r") ... The r option to interactive fills in the two arguments start and end when the function is called interactively, but if it is called from other Lisp code, both arguments must be supplied. The usual way to do this is like this: (translate-region-into-German (point) (mark)) But you need not call it in this way. If you wanted to use this function to write another function called translate-buffer-into-German, you would only need to write the following as a "wrapper": (defun translate-buffer-into-German ( ) (translate-region-into-German (point-min) (point-max))) In fact, it is best to avoid using point and mark within Lisp code unless doing so is really necessary; use local variables instead. Try not to write Lisp functions as lists of commands a user would invoke; that sort of behavior is better suited to macros (see Chapter 6). 11.3.2 Regular ExpressionsRegular expressions (regexps) provide much more powerful ways of dealing with text. Although most beginning Emacs users tend to avoid commands that use regexps, like replace-regexp and re-search-forward, regular expressions are widely used within Lisp code. Such modes as Dired and the programming language modes would be unthinkable without them. Regular expressions require time and patience to become comfortable with, but doing so is well worth the effort for Lisp programmers, because they are one of the most powerful features of Emacs, and many things are not practical to implement in any other way. One trick that can be useful when you are experimenting with regular expressions and trying to get the hang of them is to type some text into a scratch buffer that corresponds to what you're trying to match, and then use isearch-forward-regexp (C-M-s) to build up the regular expression. The interactive, immediate feedback of an incremental search can show you the pieces of the regular expression in action in a way that is completely unique to Emacs. We introduce the various features of regular expressions by way of a few examples of search-and-replace situations; such examples are easy to explain without introducing lots of extraneous details. Afterward, we describe Lisp functions that go beyond simple search-and-replace capabilities with regular expressions. The following are examples of searching and replacing tasks that the normal search/replace commands can't handle or handle poorly:
We will soon show how to use regular expressions to deal with these examples, which we refer to by number. Note that this discussion of regular expressions, although more comprehensive than that in Chapter 3, does not cover every feature; those that it doesn't cover are redundant with other features or relate to concepts that are beyond the scope of this book. It is also important to note that the regular expression syntax described here is for use with Lisp strings only; there is an important difference between the regexp syntax for Lisp strings and the regexp syntax for user commands (like replace-regexp), as we will see. <IP_ADDRESS> Basic operatorsRegular expressions began as an idea in theoretical computer science, but they have found their way into many nooks and crannies of everyday, practical computing. The syntax used to represent them may vary, but the concepts are much the same everywhere. You probably already know a subset of regular expression notation: the wildcard characters used by the Unix shell or Windows command prompt to match filenames. The Emacs notation is a bit different; it is similar to those used by the language Perl, editors like ed and vi and Unix software tools like lex and grep. So let's start with the Emacs regular expression operators that resemble Unix shell wildcard character, which are listed in Table 11-5.
For example, to match all filenames beginning with program in the Unix shell, you would specify program*. In Emacs, you would say program.*. To match all filenames beginning with a through e in the shell, you would use [a-e]* or [abcde]*; in Emacs, it's [a-e].* or [abcde].*. In other words, the dash within the brackets specifies a range of characters.[6] We will provide more on ranges and bracketed character sets shortly.
To specify a character that is used as a regular expression operator, you need to precede it with a double-backslash, as in \\* to match an asterisk. Why a double backslash? The reason has to do with the way Emacs Lisp reads and decodes strings. When Emacs reads a string in a Lisp program, it decodes the backslash-escaped characters and thus turns double backslashes into single backslashes. If the string is being used as a regular expression—that is, if it is being passed to a function that expects a regular expression argument—that function uses the single backslash as part of the regular expression syntax. For example, given the following line of Lisp: (replace-regexp "fred\\*" "bob*") the Lisp interpreter decodes the string fred\\* as fred\* and passes it to the replace-regexp command. The replace-regexp command understands fred\* to mean fred followed by a (literal) asterisk. Notice, however, that the second argument to replace-regexp is not a regular expression, so there is no need to backslash-escape the asterisk in bob* at all. Also notice that if you were to invoke the this as a user command, you would not need to double the backslash, that is, you would type M-x replace-regexp Enter followed by fred\* and bob*. Emacs decodes strings read from the minibuffer differently. The * regular expression operator in Emacs (by itself) actually means something different from the * in the Unix shell: it means "zero or more occurrences of whatever is before the *." Thus, because . matches any character, .* means "zero or more occurrences of any character," that is, any string at all, including the empty string. Anything can precede a *: for example, read* matches "rea" followed by zero or more d's; file[0-9]* matches "file" followed by zero or more digits. Two operators are closely related to *. The first is +, which matches one or more occurrences of whatever precedes it. Thus, read+ matches "read" and "readdddd" but not "rea," and file[0-9]+ requires that there be at least one digit after "file." The second is ?, which matches zero or one occurrence of whatever precedes it (i.e., makes it optional). html? matches "htm" or "html," and file[0-9]? matches "file" followed by one optional digit. Before we move on to other operators, a few more comments about character sets and ranges are in order. First, you can specify more than one range within a single character set. The set [A-Za-z] can thus be used to specify all alphabetic characters; this is better than the nonportable [A-z]. Combining ranges with lists of characters in sets is also possible; for example, [A-Za-z_] means all alphabetic characters plus underscore, that is, all characters allowed in the names of identifiers in C. If you give ^ as the first character in a set, it acts as a "not" operator; the set matches all characters that aren't the characters after the ^. For example, [^A-Za-z] matches all nonalphabetic characters. A ^ anywhere other than first in a character set has no special meaning; it's just the caret character. Conversely, - has no special meaning if it is given first in the set; the same is true for ]. However, we don't recommend that you use this shortcut; instead, you should double-backslash-escape these characters just to be on the safe side. A double backslash preceding a nonspecial character usually means just that character—but watch it! A few letters and punctuation characters are used as regular expression operators, some of which are covered in the following section. We list "booby trap" characters that become operators when double-backslash-escaped later. The ^ character has a different meaning when used outside of ranges, as we'll see soon. <IP_ADDRESS> Grouping and alternationIf you want to get *, +, or ? to operate on more than one character, you can use the \\( and \\) operators for grouping. Notice that, in this case (and others to follow), the backslashes are part of the operator. (All of the nonbasic regular expression operators include backslashes so as to avoid making too many characters "special." This is the most profound way in which Emacs regular expressions differ from those used in other environments, like Perl, so it's something to which you'll need to pay careful attention.) As we saw before, these characters need to be double-backslash-escaped so that Emacs decodes them properly. If one of the basic operators immediately follows \\), it works on the entire group inside the \\( and \\). For example, \\(read\\)* matches the empty string, "read," "readread," and so on, and read\\(file\\)? matches "read" or "readfile." Now we can handle Example 1, the first of the examples given at the beginning of this section, with the following Lisp code: (replace-regexp "read\\(file\\)?" "get") The alternation operator \\| is a "one or the other" operator; it matches either whatever precedes it or whatever comes after it. \\| treats parenthesized groups differently from the basic operators. Instead of requiring parenthesized groups to work with subexpressions of more than one character, its "power" goes out to the left and right as far as possible, until it reaches the beginning or end of the regexp, a \\(, a \\), or another \\|. Some examples should make this clearer:
In the first example, the effect of the \\| extends to both ends of the regular expression. In the second, the effect of the first \\| extends to the beginning of the regexp on the left and to the second \\| on the right. In the third, it extends to the backslash-parentheses. <IP_ADDRESS> ContextAnother important category of regular expression operators has to do with specifying the context of a string, that is, the text around it. In Chapter 3 we saw the word-search commands, which are invoked as options within incremental search. These are special cases of context specification; in this case, the context is word-separation characters, for example, spaces or punctuation, on both sides of the string. The simplest context operators for regular expressions are ^ and $, two more basic operators that are used at the beginning and end of regular expressions respectively. The ^ operator causes the rest of the regular expression to match only if it is at the beginning of a line; $ causes the regular expression preceding it to match only if it is at the end of a line. In Example 2, we need a function that matches occurrences of one or more asterisks at the beginning of a line; this will do it: (defun remove-outline-marks ( ) "Remove section header marks created in outline-mode." (interactive) (replace-regexp "^\\*+" "")) This function finds lines that begin with one or more asterisks (the \\* is a literal asterisk and the + means "one or more"), and it replaces the asterisk(s) with the empty string "", thus deleting them. Note that ^ and $ can't be used in the middle of regular expressions that are intended to match strings that span more than one line. Instead, you can put \n (for Newline) in your regular expressions to match such strings. Another such character you may want to use is \t for Tab. When ^ and $ are used with regular expression searches on strings instead of buffers, they match beginning- and end-of-string, respectively; the function string-match, described later in this chapter, can be used to do regular expression search on strings. Here is a real-life example of a complex regular expression that covers the operators we have seen so far: sentence-end, a variable Emacs uses to recognize the ends of sentences for sentence motion commands like forward-sentence (M-e). Its value is: "[.?!][]\"')}]*\\($\\|\t\\| \\)[ \t\n]*" Let's look at this piece by piece. The first character set, [.?!], matches a period, question mark, or exclamation mark (the first two of these are regular expression operators, but they have no special meaning within character sets). The next part, []\"')}]*, consists of a character set containing right bracket, double quote, single quote, right parenthesis, and right curly brace. A * follows the set, meaning that zero or more occurrences of any of the characters in the set matches. So far, then, this regexp matches a sentence-ending punctuation mark followed by zero or more ending quotes, parentheses, or curly braces. Next, there is the group \\($\\|\t\\| \\), which matches any of the three alternatives $ (end of line), Tab, or two spaces. Finally, [ \t\n]* matches zero or more spaces, tabs, or newlines. Thus the sentence-ending characters can be followed by end-of-line or a combination of spaces (at least two), tabs, and newlines. There are other context operators besides ^ and $; two of them can be used to make regular expression search act like word search. The operators \\< and \\> match the beginning and end of a word, respectively. With these we can go part of the way toward solving Example 3. The regular expression \\<program\\> matches "program" but not "programmer" or "programming" (it also won't match "microprogram"). So far so good; however, it won't match "program's" or "programs." For this, we need a more complex regular expression: \\<program\\('s\\|s\\)?\\> This expression means, "a word beginning with program followed optionally by apostrophe s or just s." This does the trick as far as matching the right words goes. <IP_ADDRESS> Retrieving portions of matchesThere is still one piece missing: the ability to replace "program" with "module" while leaving any s or 's untouched. This leads to the final regular expression feature we will cover here: the ability to retrieve portions of the matched string for later use. The preceding regular expression is indeed the correct one to give as the search string for replace-regexp. As for the replace string, the answer is module\\1; in other words, the required Lisp code is: (replace-regexp "\\<program\\('s\\|s\\)?\\>" "module\\1") The \\1 means, in effect, "substitute the portion of the matched string that matched the subexpression inside the \\( and \\)." It is the only regular-expression-related operator that can be used in replacements. In this case, it means to use 's in the replace string if the match was "program's," s if the match was "programs," or nothing if the match was just "program." The result is the correct substitution of "module" for "program," "modules" for "programs," and "module's" for "program's." Another example of this feature solves Example 4. To match filenames <filename>.c and replace them with <filename>.java, use the Lisp code: (replace-regexp "\\([a-zA-Z0-9_]+\\)\\.c" "\\1.java") Remember that \\. means a literal dot (.). Note also that the filename pattern (which matches a series of one or more alphanumerics or underscores) was surrounded by \\( and \\) in the search string for the sole purpose of retrieving it later with \\1. Actually, the \\1 operator is only a special case of a more powerful facility (as you may have guessed). In general, if you surround a portion of a regular expression with \\( and \\), the string matching the parenthesized subexpression is saved. When you specify the replace string, you can retrieve the saved substrings with \\n, where n is the number of the parenthesized subexpression from left to right, starting with 1. Parenthesized expressions can be nested; their corresponding \\n numbers are assigned in order of their \\( delimiter from left to right. Lisp code that takes full advantage of this feature tends to contain complicated regular expressions. The best example of this in Emacs's own Lisp code is compilation-error-regexp-alist, the list of regular expressions the compile package (discussed in Chapter 9) uses to parse error messages from compilers. Here is an excerpt, adapted from the Emacs source code (it's become much too long to reproduce in its entirety; see below for some hints on how to find the actual file to study in its full glory): (defvar compilation-error-regexp-alist '( ;; NOTE! See also grep-regexp-alist, below. ;; 4.3BSD grep, cc, lint pass 1: ;; /usr/src/foo/foo.c(8): warning: w may be used before set ;; or GNU utilities: ;; foo.c:8: error message ;; or HP-UX 7.0 fc: ;; foo.f :16 some horrible error message ;; or GNU utilities with column (GNAT 1.82): ;; foo.adb:2:1: Unit name does not match file name ;; or with column and program name: ;; jade:dbcommon.dsl:133:17:E: missing argument for function call ;; ;; We'll insist that the number be followed by a colon or closing ;; paren, because otherwise this matches just about anything ;; containing a number with spaces around it. ;; We insist on a non-digit in the file name ;; so that we don't mistake the file name for a command name ;; and take the line number as the file name. ("\\([a-zA-Z][-a-zA-Z._0-9]+: ?\\)?\ \\([a-zA-Z]?:?[^:( \t\n]*[^:( \t\n0-9][^:( \t\n]*\\)[:(][ \t]*\\([0-9]+\\)\ \\([) \t]\\|:\\(\\([0-9]+:\\)\\|[0-9]*[^:0-9]\\)\\)" 2 3 6) ;; Microsoft C/C++: ;; keyboard.c(537) : warning C4005: 'min' : macro redefinition ;; d:\tmp\test.c(23) : error C2143: syntax error : missing ';' before 'if' ;; This used to be less selective and allow characters other than ;; parens around the line number, but that caused confusion for ;; GNU-style error messages. ;; This used to reject spaces and dashes in file names, ;; but they are valid now; so I made it more strict about the error ;; message that follows. ("\\(\\([a-zA-Z]:\\)?[^:(\t\n]+\\)(\\([0-9]+\\)) \ : \\(error\\|warning\\) C[0-9]+:" 1 3) ;; Caml compiler: ;; File "foobar.ml", lines 5-8, characters 20-155: blah blah ("^File \"\\([^,\" \n\t]+\\)\", lines? \\([0-9]+\\)[-0-9]*, characters? \ \\([0-9]+\\)" 1 2 3) ;; Cray C compiler error messages ("\\(cc\\| cft\\)-[0-9]+ c\\(c\\|f77\\): ERROR \\([^,\n]+, \\)* File = \ \\([^,\n]+\\), Line = \\([0-9]+\\)" 4 5) ;; Perl -w: ;; syntax error at automake line 922, near "':'" ;; Perl debugging traces ;; store::odrecall('File_A', 'x2') called at store.pm line 90 (".* at \\([^ \n]+\\) line \\([0-9]+\\)[,.\n]" 1 2) ;; See http://ant.apache.org/faq.html ;; Ant Java: works for jikes ("^\\s-*\\[[^]]*\\]\\s-*\\(.+\\):\\([0-9]+\\):\\([0-9]+\\):[0-9]+:[0-9]\ +:" 1 2 3) ;; Ant Java: works for javac ("^\\s-*\\[[^]]*\\]\\s-*\\(.+\\):\\([0-9]+\\):" 1 2) ) This is a list of elements that have at least three parts each: a regular expression and two numbers. The regular expression matches error messages in the format used by a particular compiler or tool. The first number tells Emacs which of the matched subexpressions contains the filename in the error message; the second number designates which of the subexpressions contains the line number. (There can also be additional parts at the end: a third number giving the position of the column number of the error, if any, and any number of format strings used to generate the true filename from the piece found in the error message, if needed. For more details about these, look at the actual file, as described below.) For example, the element in the list dealing with Perl contains the regular expression: ".* at \\([^ \n]+\\) line \\([0-9]+\\)[,.\n]" followed by 1 and 2, meaning that the first parenthesized subexpression contains the filename and the second contains the line number. So if you have Perl's warnings turned on—you always do, of course—you might get an error message such as this: syntax error at monthly_orders.pl line 1822, near "$" The regular expression ignores everything up to at. Then it finds monthly_orders.pl, the filename, as the match to the first subexpression "[^ \n]+" (one or more nonblank, nonnewline characters), and it finds 1822, the line number, as the match to the second subexpression "[0-9]+" (one or more digits). For the most part, these regular expressions are documented pretty well in their definitions. Understanding them in depth can still be a challenge, and writing them even more so! Suppose we want to tackle Example 5 by adding an element to this list for our new C++ compiler that prints error messages in German. In particular, it prints error messages like this: Fehler auf Zeile linenum in filename: text of error message Here is the element we would add to compilation-error-regexp-alist: ("Fehler auf Zeile \\([0-9]+\\) in \\([^: \t]+\\):" 2 1) In this case, the second parenthesized subexpression matches the filename, and the first matches the line number. To add this to compilation-error-regexp-alist, we need to put this line in .emacs: (setq compilation-error-regexp-alist (cons '("Fehler auf Zeile \\([0-9]+\\) in \\([^: \t]+\\):" 2 1) compilation-error-regexp-alist)) Notice how this example resembles our example (from Chapter 9) of adding support for a new language mode to auto-mode-alist. <IP_ADDRESS> Regular expression operator summaryTable 11-6 concludes our discussion of regular expression operators with a reference list of all the operators covered.
Finally, the following characters are operators (not discussed here) when double-backslash-escaped: b, B, c, C, w, W, s, S, =, _, ', and `. Thus, these are "booby traps" when double-backslash-escaped. Some of these behave similarly to the character class aliases you may have encountered in Perl and Java regular expressions. 11.3.3 A Treasure Trove of ExamplesAs mentioned above, the full auto-mode-alist has a lot more entries and documentation than fit in this book. The compile.el module in which it is defined also contains functions that use it. One of the best ways to learn how to use Emacs Lisp (as well as discovering things you might not have even realized you can do) is to browse through the implementations of standard modules that are similar to what you're trying to achieve, or that are simply interesting. But how do you find them? The manual way is to look at the value of the variable load-path. This is the variable Emacs consults when it needs to load a library file itself, so any library you're looking for must be in one of these directories. (This variable is discussed further in the final section of this chapter.) The problem, as you will see if you look at the current value of the variable, is that it contains a large number of directories for you to wade through, which would be pretty tedious each time you're curious about a library. (An easy way to see the variable's value is through Help's "Describe variable" feature, C-h v.) One of the authors wrote the command listed in Example 11-1 to address this problem and uses it regularly to easily snoop on the source files that make much of Emacs run. If you don't want to type this entire function into your .emacs by hand, you can download it from this book's web site, http://www.oreilly.com/catalog/gnu3. Example 11-1. find-library-file(defun find-library-file (library) "Takes a single argument LIBRARY, being a library file to search for. Searches for LIBRARY directly (in case relative to current directory, or absolute) and then searches directories in load-path in order. It will test LIBRARY with no added extension, then with .el, and finally with .elc. If a file is found in the search, it is visited. If none is found, an error is signaled. Note that order of extension searching is reversed from that of the load function." (interactive "sFind library file: ") (let ((path (cons "" load-path)) exact match elc test found) (while (and (not match) path) (setq test (concat (car path) "/" library) match (if (condition-case nil (file-readable-p test) (error nil)) test) path (cdr path))) (setq path (cons "" load-path)) (or match (while (and (not elc) path) (setq test (concat (car path) "/" library ".elc") elc (if (condition-case nil (file-readable-p test) (error nil)) test) path (cdr path)))) (setq path (cons "" load-path)) (while (and (not match) path) (setq test (concat (car path) "/" library ".el") match (if (condition-case nil (file-readable-p test) (error nil)) test) path (cdr path))) (setq found (or match elc)) (if found (progn (find-file found) (and match elc (message "(library file %s exists)" elc) (sit-for 1)) (message "Found library file %s" found)) (error "Library file \"%s\" not found." library)))) Once this command is defined, you can visit any library's implementation by typing M-x find-library file Enter libraryname Enter. If you use it as often as this author does, you too may find it worth binding to a key sequence. We won't present a detailed discussion of how this function works because it goes a bit deeper than this chapter, but if you're curious about what some of the functions do, you can put your cursor in the function name in a Lisp buffer and use the Help system's "Describe function" (C-h f) feature to get more information about it. If you find that most of the time when you ask for a library, you end up with a file containing a lot of cryptic numeric codes and no comments, check if the filename ends in .elc. If that is usually what you end up with, it means that only the byte-compiled versions of the libraries (see the discussion at the end of this chapter) have been installed on your system. Ask your system administrator if you can get the source installed; that's an important part of being able to learn and tweak the Emacs Lisp environment. 11.3.4 Functions That Use Regular ExpressionsThe functions re-search-forward, re-search-backward, replace-regexp, query-replace-regexp, highlight-regexp, isearch-forward-regexp, and isearch-backward-regexp are all user commands that use regular expressions, and they can all be used within Lisp code (though it is hard to imagine incremental search being used within Lisp code). The section on customizing major modes later in this chapter contains an example function that uses re-search-forward. To find other commands that use regexps you can use the "apropos" help feature (C-h a regexp Enter). Other such functions aren't available as user commands. Perhaps the most widely used one is looking-at. This function takes a regular expression argument and does the following: it returns t if the text after point matches the regular expression (nil otherwise); if there was a match, it saves the pieces surrounded by \\( and \\) for future use, as seen earlier. The function string-match is similar: it takes two arguments, a regexp and a string. It returns the starting index of the portion of the string that matches the regexp, or nil if there is no match. The functions match-beginning and match-end can be used to retrieve the saved portions of the matched string. Each takes as an argument the number of the matched expression (as in \\n in replace-regexp replace strings) and returns the character position in the buffer that marks the beginning (for match-beginning) or end (for match-end) of the matched string. With the argument 0, the character position that marks the beginning/end of the entire string matched by the regular expression is returned. Two more functions are needed to make the above useful: we need to know how to convert the text in a buffer to a string. No problem: buffer-string returns the entire buffer as a string; buffer-substring takes two integer arguments, marking the beginning and end positions of the substring desired, and returns the substring. With these functions, we can write a bit of Lisp code that returns a string containing the portion of the buffer that matches the nth parenthesized subexpression: (buffer-substring (match-beginning n (match-end n))) In fact, this construct is used so often that Emacs has a built-in function, match-string, that acts as a shorthand; (match-string n) returns the same result as in the previous example. An example should show how this capability works. Assume you are writing the Lisp code that parses compiler error messages, as in our previous example. Your code goes through each element in compilation-error-regexp-alist, checking if the text in a buffer matches the regular expression. If it matches, your code needs to extract the filename and the line number, visit the file, and go to the line number. Although the code for going down each element in the list is beyond what we have learned so far, the routine basically looks like this: for each element in compilation-error-regexp-alist
(let ((regexp the regexp in the element)
(file-subexp the number of the filename subexpression)
(line-subexp the number of the line number subexpression))
(if (looking-at regexp)
(let ((filename (match-string file-subexp))
(linenum (match-string line-subexp)))
(find-file-other-window filename)
(goto-line linenum))
(otherwise, try the next element in the list))) The second let extracts the filename from the buffer from the beginning to the end of the match to the file-subexp-th subexpression, and it extracts the line number similarly from the line-subexp-th subexpression (and converts it from a string to a number). Then the code visits the file (in another window, not the same one as the error message buffer) and goes to the line number where the error occurred. The code for the calculator mode later in this chapter contains a few other examples of looking-at, match-beginning, and match-end. 11.3.5 Finding Other Built-in FunctionsEmacs contains hundreds of built-in functions that may be of use to you in writing Lisp code. Yet finding which one to use for a given purpose is not so hard. The first thing to realize is that you will often need to use functions that are already accessible as keyboard commands. You can use these by finding out what their function names are via the C-h k (for describe-key) command (see Chapter 14). This gives the command's full documentation, as opposed to C-h c (for describe-key-briefly), which gives only the command's name. Be careful: in a few cases, some common keyboard commands require an argument when used as Lisp functions. An example is forward-word; to get the equivalent of typing M-f, you have to use (forward-word 1). Another powerful tool for getting the right function for the job is the command-apropos (C-h a) help function. Given a regular expression, this help function searches for all commands that match it and display their key bindings (if any) and documentation in a *Help* window. This can be a great help if you are trying to find a command that does a certain "basic" thing. For example, if you want to know about commands that operate on words, type C-h a followed by word, and you will see documentation on about a dozen and a half commands having to do with words. The limitation with command-apropos is that it gives information only on functions that can be used as keyboard commands. Even more powerful is apropos, which is not accessible via any of the help keys (you must type M-x apropos Enter). Given a regular expression, apropos displays all functions, variables, and other symbols that match it. Be warned, though: apropos can take a long time to run and can generate very long lists if you use it with a general enough concept (such as buffer). You should be able to use the apropos commands on a small number of well-chosen keywords and find the function(s) you need. Because, if a function seems general and basic enough, the chances are excellent that Emacs has it built-in. After you find the function you are interested in, you may find that the documentation that apropos prints does not give you enough information about what the function does, its arguments, how to use it, or whatever. The best thing to do at this point is to search Emacs's Lisp source code for examples of the function's use. "A Treasure Trove of Examples" earlier in this chapter provides ways of finding out the names of directories Emacs loads libraries from and an easy way of looking at a library once you know its name. To search the contents of the library files you'll need to use grep or some other search facility to find examples, then edit the files found to look at the surrounding context. If you're ambitious you could put together the examples and concepts we've discussed so far to write an extension of the find-library-file command that searches the contents of the library files in each directory on the load path! Although most of Emacs's built-in Lisp code is not profusely documented, the examples of function use that it provides should be helpful—and may even give you ideas for your own functions. By now, you should have a framework of Emacs Lisp that should be sufficient for writing many useful Emacs commands. We have covered examples of various kinds of functions, both Lisp primitives and built-in Emacs functions. You should be able to extrapolate many others from the ones given in this chapter along with help techniques such as those just provided. In other words, you are well on your way to becoming a fluent Emacs Lisp programmer. To test yourself, start with the code for count-words-buffer and try writing the following functions:
|
| < Day Day Up > |


Vendor Name:
HEARTZAP SERVICES INC.
Reference Number:
X001150527
Contract Date:
2016-09-05
Description of Work:
1171 MEDICAL SUPPLIES ETC.
Contract Period:
2016-09-05 to 2016-30-07
Delivery Date:
2016-30-07
Original Contract Value:
$55,167.96
Current Contract Value:
$55,167.96
Comments:
This contract was competitively sourced by Public Services and Procurement Canada.
Additional Comments:
Employee and learner health and safety
Former Public Servant in Receipt of a Pension under the Public Service Superannuation Act:
no


--- title: Amr Abed layout: default --- Amr Abed Computer Engineer • Researcher • Instructor
Computer Engineer • Researcher • Instructor


Big Daddy 1 Star (Out of 4) Reviewed by Mac VerStandig<EMAIL_ADDRESS>http://www.moviereviews.org June 18, 1999 ***Big Daddy opens on June 25, 1999***
Adam Sandler's latest film, Big Daddy, is an unreal one that is candy-coated with humor lifted from Sandler's previous hit, Billy Madison, while possessing a theme of romance common to his other smash hit, The Wedding Singer. Further amplifying the overall lack of reality is technical faultiness, and universally poor acting, save one supporting role.
Sonny Koufax (Adam Sandler) is a 32-year-old law school graduate throwing his life away. Despite the relative success of his friends from law school, Sonny is going nowhere in life and seems to procrastinate everything to the nth degree. Admittedly, he hasn't been up before 11 AM in "like 10 years" and supposedly filed for social security at age 30.
The only reliable constants in Sonny's life have been girlfriend Vanessa (Kristy Swanson) and roommate Kevin (Jon Stuart). When Kevin prepares to move to the Far East, and Vanessa informs Sonny that their relationship is on the rocks, Sonny becomes desperate for something to bring stability back to his pathetic life. So when the opportunity literally knocks at his door, he becomes a temporary parent to five-year-old Julian (Cole and Dylan Sprouse), as part of a grander scheme to win Vanessa over.
This film is a collaboration of the romance from The Wedding Singer and the humor from Billy Madison, both financial hits for Sandler. When Sonny realizes that Vanessa is out of the picture for good, and starts chasing Layla (Joey Lauren Adams), the supposedly perfect girl, the parallels to The Wedding Singer cannot be ignored. Ever more apparent are the similarities to Billy Madison. Both are films focusing on an adult who hasn't fully reached his potential in life, played by Adam Sandler. Also, both feature several scenes in a school. But most obvious are the countless big-boy-urinating-with-little-kid-in-awkward-place jokes that are common to both productions. Coincidentally, both films also feature a cameo from longtime Sandler friend, Steve Buscemi.
Extremely poor acting, for the most part, further degrades Big Daddy's believability. Adam Sandler was near perfect in his previous comic productions, and should be credited fully for their success. He was also one of the undisputed forces behind his romantic film, The Wedding Singer, and its success. However, just as Ben and Jerry's tasty chocolate ice cream stains the company's beautiful shirts upon contact, Sandler's multiple talents don't homogenize either. The outcome is a lame Sandler who never fully explodes into his uproarious vocal humor because he is constantly trying to be a sweetheart in love at the same time. This is best highlighted in a scene where he learns of and meets Vanessa's new boyfriend at the same time. Quickly realizing him to be an older man, Sandler launches into a series of age based jokes. Yet they simply aren't funny, probably due to the restraint necessary as a result of Julian being in the room, thus making Sandler hold back as he attempts to display affection simultaneously.
Jon Stuart's wonderful talents as a standup comedian simply don't translate into the ability to act well in this movie. His biggest fault may well be his habit of overemphasizing each line, as comedians of his nature do in order to receive laughs on each punch line. This makes him sound very much like someone deliberately reading off cue cards, and forgetting to actually act in the process. The finest example of this is when Stuart's character, Kevin, is in the airport preparing to board a plane when Sonny notifies him via cell phone that Julian has appeared out of nowhere. As he steps to the side of the plane's boarding line and volunteers to come back to assist Kevin, he sounds more like R2-D2 than a grown man trying to make an important decision.
Big Daddy's one positive asset is Joey Lauren Adams' acting. Despite a harsh sounding accent, she delivers a very solid, funny, and romantic performance as the second love in Sonny's life. She even manages to stay clear of the negative force that Sandler brings, and truly stand out on her own. This is best exhibited in a scene pitting both of them in a public laundry facility. Sandler chokes on the aforementioned deadly combination of comedy and romance, while she sticks strictly to the latter trait and actually makes the scene worthwhile in doing so. Chief Lighting Technician Petr Hlinomaz's inconsistency from scene to scene further harms any feeble remains of believability that Big Daddy may still have. Several of the film's scenes revolve around putting Julian to bed, and occur in his bedroom. The first scene of this nature depicts a pitch dark room that even requires a nightlight for the young child. Not only does the nightlight disappear in the following scenes, but the room seems to get lighter and lighter as these scenes progress.
Numerous little things continue to subtract from the reality that the film attempts to posses during its 95 minute life span. These include, but surely aren't limited to, scenes where Sonny throws himself in front of a moving car and fails to display so much as a bruise; Sonny's ability to find a full scuba diving outfit and change into it in a matter of seconds; and the ability for a grown man and little boy to urinate on the side of a building whenever they feel the urge, and never encounter any reprecussions.
As Big Daddy opens, the screen is black. Then, over the next hour and a half, unrealistic, hard to believe, poorly acted, and technically deficient scenes run across the screen. One performance carries with it a ray of light, but the movie is otherwise a waste of time, a waste of money, and a waste of 35mm film. Perhaps things would have been better had the screen stayed black.
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{% extends "base.html" %} {% load crispy_forms_filters i18n static %} {% block title %} {% translate 'Password Reset' %} | {{ block.super }} {% endblock %} {% block content %}
{% blocktranslate %} Did you forgot your password? Not to worry, we've got you covered. Tell us what email address you used to login and we'll send you a message with instructions on how to reset your password. {% endblocktranslate %}


Sensor Fusion
Originally, our plan was to use a Kalman Filter to estimate and predict object locations through time, based on input from multiple sensors. However, after extensive sensor characterization and testing, we determined that the sensor variances were quite small. This means that we do not need any object estimation or tracking, as object detection using the sensor measurements at every time step is sufficient to detect obstacles. Consequently, the implemented algorithm uses the closest sensor measurement as the obstacle distance in the forward direction (first-person POV). To determine whether the obstacle is to the left, centre, or right in the horizontal direction, the mounting locations of the sensors are used. For example, if only the left sensor saw the object, it is to the left, whereas if the centre or both left and right sensors saw the object, it is in the centre. Using the horizontal and forward location of the detected object, we appropriately actuate the feedback.
Feedback
The feedback is relayed to the wearer in the form of vibrations at the ends of the glasses
behind the ears. Depending on the horizontal location of the detected object, the left, right or
both vibration motors are actuated. Further, based on how distant the object is in the forward
direction, the intensity of the vibrations are varied. The mapping which determines the distance
to intensity ratio was determined after extensive user testing from multiple wearers.
Next, software support for the two switches was implemented. To offer the most flexibility and
comfort to the wearer, the OculAid consists of two switches that allow the user to configure the
level of the detection and feedback sensitivity. The detection sensitivity ranges from [High,
Low, Off], which detect objects 2m away, 1m away, or turn the glasses off, respectively. The
feedback sensitivity ranges from [High, Med, Low], which configure the intensity of the
vibrations. This will allow the glasses to serve the user with optimal comfort and configuration
to their preference!
Low Power Mode
Low power mode has been implemented! Using the IMU, the glasses can now successfully detect when they have been sitting idle for a set amount of time and put themselves in low power mode to save battery. This set amount of time, or period, is easily configurable but has been set to 30s for this prototype for demonstration purposes. Upon detecting movement, the glasses will immediately wake up and exit low power mode, ready to serve the user!


Hello, Peter Static!
You have successfully registered to your organization.
You have successfully activated your Knappsack account!
Click on the following link to access your applications:
Regards, The Knappsack Team


Boxes
Instead of building a virtual machine from scratch, which would be a slow and tedious process, Vagrant uses a base image to quickly clone a virtual machine. These base images are known as boxes in Vagrant, and specifying the box to use for your Vagrant environment is always the first step after creating a new Vagrantfile.
Installing a Box
If you ran the commands on the getting started overview page, then you've already installed a box before, and you don't need to run the commands below again. However, it is still worth reading this section to learn more about how boxes are managed.
Boxes are added to Vagrant with vagrant box add
. This stores the box under a specific name so that multiple Vagrant environments can re-use it. If you haven't added a box yet, you can do so now:
$ vagrant box add precise32 \
http://files.vagrantup.com/precise32.box
This will download the box from an HTTP source and save it as "precise32" in a directory that Vagrant manages (away from your project). You can also add boxes from a local file path.
Added boxes can be re-used by multiple projects. Each project uses a box as an initial image to clone from, and never modifies the actual base image. This means that if you have two projects both using the precise32
box we just added, adding files in one guest machine will have no effect on the other machine.
Using a Box
Now that the box has been added to Vagrant, we need to configure our project to use it as a base. Open the Vagrantfile
and change the contents to the following:
Vagrant.configure("2") do |config|
config.vm.box = "precise32"
end
The "precise32" in this case must match the name you used to add the box above. This is how Vagrant knows what box to use.
In the next section, we'll bring up the guest machine and interact with it a little bit.


A Duo is a convenient way to use CodeRay. You just create a Duo, giving it a lang (language of the input code) and a format (desired output format), and call Duo#highlight with the code.
Duo makes it easy to re-use both scanner and encoder for a repetitive task. It also provides a very easy interface syntax:
require 'coderay' CodeRay::Duo[:python, :div].highlight 'import this'
Until you want to do uncommon things with CodeRay, I recommend to use this method, since it takes care of everything.
To allow calls like Duo[:ruby, :html].highlight.
Create a new Duo, holding a lang and a format to highlight code.
simple:
CodeRay::Duo[:ruby, :html].highlight 'bla 42'
with options:
CodeRay::Duo[:ruby, :html, :hint => :debug].highlight '????::??'
alternative syntax without options:
CodeRay::Duo[:ruby => :statistic].encode 'class << self; end'
alternative syntax with options:
CodeRay::Duo[{ :ruby => :statistic }, :do => :something].encode 'abc'
The options are forwarded to scanner and encoder (see CodeRay.get_scanner_options).
# File lib/coderay/duo.rb, line 37 def initialize lang = nil, format = nil, options = {} if format.nil? && lang.is_a?(Hash) && lang.size == 1 @lang = lang.keys.first @format = lang[@lang] else @lang = lang @format = format end @options = options end
Allows to use Duo like a proc object:
CodeRay::Duo[:python => :yaml].call(code)
or, in Ruby 1.9 and later:
CodeRay::Duo[:python => :yaml].(code)
Tokenize and highlight the code using scanner and encoder.
# File lib/coderay/duo.rb, line 64 def encode code, options = {} options = @options.merge options encoder.encode(code, @lang, options) end
Generated with the Darkfish Rdoc Generator 2.


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Accession by signature "We - professional, voluntary and popular organizations in Denmark - - herein, by our signature to the Denmark Declaration, present a number of issues, values and recommendations to our government and parliament, as a blueprint for a co-operation on the preparation of a national sustainable development plan in Denmark in the 21st century - a National Agenda 21. We support the declarations themes as being essential to a debate on sustainable development in Denmark. A national Agenda 21 has to be of a comprehensive nature, which is reflected in the generality of the declarations themes. However that implies that taken individually we are not equally committed to all of its issues; nor do we necessarily agree with its every statement. We do, however, expect our government and parliament to relate to the issues, values and recommendations brought up for debate in this declaration. As our own part of co-operation with the Danish government we will pledge ourselves - within our own scopes of activity - to creating dialogue on sustainability and to integrating the principles hereof into our own work. Such an effort will extend the debate on sustainable development and reinforce sustainable behaviour in wide circles and contexts. This our effort will make a major supplement to the endeavours of our government and parliament, and will underpin work towards a national plan on sustainable development in Denmark." Organizations acceding the Denmark Declaration to be found at www.DanmarksAgenda21.dk/DD
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Tennis: Karolina Pliskova hires Daniel Vallverdu as new coach replacing Conchita Martinez
by AFPWorld number two Karolina Pliskova said on Monday she had hired Venezuelan coach Daniel Vallverdu to replace Spaniard Conchita Martinez whom she had sacked earlier this month.
“He was one of my priorities from the start,” Pliskova said on her website.
Vallverdu, 33, previously worked with Andy Murray from 2010 to 2014 and was part of the Ivan Lendl-led team that helped the Scot to win Olympic gold and the US Open in 2012 as well as Wimbledon in 2013.
Vallverdu also worked with Thomas Berdych and Grigor Dimitrov and this year joined Magnus Norman’s team coaching Stan Wawrinka.
“He’s had fantastic results, he understands tennis like few others and I am convinced he has a lot to offer to me,” added the 27-year-old Czech who is still seeking her maiden Grand Slam title.
Pliskova said former Ukraine Fed Cup player Olga Savchuk had also joined her team ahead of a training camp in Tenerife and her first 2020 tournament in Brisbane where she will defend the title.
Pliskova, the 2016 US Open finalist, parted ways with 1994 Wimbledon champion Martinez after a season that saw her win four WTA tournaments and reach the semi-finals at the Australian Open and the WTA Finals.
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Rouhani: Iran finds new oilfield with 53 billion barrels
President Hassan Rouhani announces discovery in Khuzestan province that could boost country's proven reserves by third.
Iran has discovered a new oilfield with 53 billion barrels of crude oil, President Hassan Rouhani has said, a find that could boost the country's proven 150 billion barrel reserves by a third.
Speaking live on state television from the central city of Yazd, Rouhani said on Sunday the field was located in the country's southern Khuzestan province, home to its crucial oil industry.
More:
"I am telling the White House that in the days when you sanctioned the sale of Iranian oil, the country's workers and engineers were able to discover 53 billion barrels of oil," he said, according to the semi-official Fars news agency.
Oil reserves refer to crude that is economically feasible to extract. Figures can vary wildly by country due to differing standards, though it remains a yardstick of comparison among oil-producing nations.
Iran currently has the world's fourth-largest proven deposits of crude oil and the world's second-largest deposits of natural gas.
The new oil field could become Iran's second-largest field after one containing 65 billion barrels in Ahvaz.
The field is 2,400 square kilometres (925 square miles), with the deposit some 80 metres (260 feet) deep, according to the semi-official Tasnim news agency.
Manouchehr Takin, international oil consultant, told Al Jazeera that the announcement did not reveal how much oil could be produced from the reservoir.
"The announcement was made by politicians. They haven't given many technical details," he said. "Whether it is 53 billion barrels is oil in place or whether it is recoverable. Even if it is oil in place, I would say about 20 or 30 percent can be recovered, it is a huge quantity.
"Making a discovery is different from producing," he added. "And of course, to produce oil and gas takes time. It depends on the particular characteristics of this reservoir that has been discovered ... I would say at least 2 or 3 years minimum [before production can start]."
Iran sanctions
Tensions between the United States and Iran spiked last year after US President Donald Trump unilaterally withdrew the US from the 2015 Iran nuclear accord between Iran and world powers.
The deal imposed curbs on Iran's nuclear programme in exchange for relief from international sanctions.
After withdrawing, the US also reinstated sanctions to choke Iran's oil exports and isolate its economy as part of a "maximum pressure" campaign against Tehran to force it to negotiate a new deal.
In June, Trump signed an executive order imposing new sanctions on Iran's top leadership, including Supreme Leader Ali Hosseini Khamenei, in a move denounced by Iran as "useless" and signalling "the permanent closure of the path of diplomacy".
On Saturday, Iran said that it was enriching uranium to five percent in its latest step away from its commitment under the troubled accord that set a 3.67 percent limit.


These functions help assemble the overall dashboard.
Create the body of the dashboard.
Create the header of the dashboard
Create a page of the dashboard
Create the sidebar of the dashboard.
These functions help organize different panels on the dashboard.
These functions help create panels that are composed of widgets to display different model outputs.
Display performance metrics for a classification model
Display performance metrics by class for a classification model
Display regression coefficients
Display a histogram and table of summary statistics
Display a panel of diagnostic plots for regression models
Display performance metrics for a regression model
Display model residuals for a linear regression model
Dispaly scatterplot of actual vs. predicted values for a regression model.
These functions help create widgets which can then be composed into panels.
Create a modal, popover or tooltip
Create an interactive plot using plotly.
Create an interactive tour of a page.
These functions create custom interactive plots
Interactive performance plots for classification models.
Interactive Conditional Density Plot
Interactive plot for cv.glmnet object.
Interactive coefficient profile plot for glmnet objects.
These functions help preview a widget.


Challenge an enquiry letter
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BOJ to implement new foreign exchange trading platform
Bank of Jamaica (BOJ) Governor, Richard Byles, has announced plans to implement a new foreign exchange trading platform in 2020.
“We are going to be testing and implementing it January into February… then we will start the use of it throughout the trading operations with the commercial banks,” he said.
Byles was speaking at the bank’s quarterly briefing at the BOJ in downtown Kingston on Thursday.
Byles explained that the new platform will enable foreign exchange traders to see all of the bids on daily offers, noting that it is designed to create “a lot more transparency in the market”.
“So you don’t have to depend on giving an order and then hearing by telephone, three hours later, that you only received 10 per cent or you didn’t get it. You will be able to see [all of the activities for] yourself and, in fact, give instructions right at the moment,” he outlined.
The central bank currently utilises the BOJ Foreign Exchange Intervention and Trading Tool (B-FXITT) for sales to market intermediaries.
The facility, which was introduced in 2017, utilises two mechanisms to announce a four-week schedule of the total amount of foreign exchange that it will sell to the market via auctions, each week.
These are the Standard Intervention Tool (SIT) and Flask Intervention Tool (FIT).
Under the SIT, the Bank sells pre-announced amounts of foreign exchange to authorised dealers and cambios. The amount of the intervention sale is partly determined by the BOJ’s assessment of the market’s liquidity needs.
The FIT entails flash foreign exchange sales by the BOJ outside of the regular intervention window in circumstances of adverse market developments.
It is tailored to offset the effects of excessive volatility in the foreign exchange market and/or abnormal market demand or supply.


---
sort_order: 46
tei_id: rdx_191dd.p.idp6180080
annotation_count: 0
images:
small-thumbnail: https://readux.ecds.emory.edu/books/emory:191dd/pages/emory:rfdpn/mini-thumbnail/
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full: https://readux.ecds.emory.edu/books/emory:191dd/pages/emory:rfdpn/fs/
page: https://readux.ecds.emory.edu/books/emory:191dd/pages/emory:rfdpn/single-page/
thumbnail: https://readux.ecds.emory.edu/books/emory:191dd/pages/emory:rfdpn/thumbnail/
title: Page 46
number: 46
---
{% raw %}43 THE LaND-CLAIM,{% endraw %}
{% raw %}hands full—a pacliage iu oue—a bouquet of flowers in the{% endraw %}
{% raw %}other.{% endraw %}
{% raw %}'' No indued, it has got a uice bake. But look at these{% endraw %}
{% raw %}presents! One would think it was the anuiversary of your{% endraw %}
{% raw %}-wedding instead of mine. Mr. Mauvais has sent you this{% endraw %}
{% raw %}bottle—it is labeled Freiic7i, Cordial—and Mr. Alleu has sent{% endraw %}
{% raw %}you the flowers. There was a long rigmarole of compliments{% endraw %}
{% raw %}Avith the bottle ; but the flowers were left hy a boy who only{% endraw %}
{% raw %}eaid that Mr. Allen sent them to Miss Newcome."{% endraw %}
{% raw %}Alicia blushed a little with the pleased excitement a young{% endraw %}
{% raw %}girl always feels at the tirst marked attentions she receives from{% endraw %}
{% raw %}gentlemen. She read the French label first, and admired the{% endraw %}
{% raw %}lach golden color of the Vi'ine; but the flowers she kept for{% endraw %}
{% raw %}some time in her hands, smelling at them, and in doing so,{% endraw %}
{% raw %}softly pressing them to her lips and cheeks. Mrs. Wyman{% endraw %}
{% raw %}offered to put them iu water for her, when she reluctantly{% endraw %}
{% raw %}parted -with them, oulj^ keeping a bunch of the crimson kids{% endraw %}
{% raw %}of the prairie-rose to fasten iu the bosom of her -white wrapper.{% endraw %}
{% raw %}" I'll put these by your plate at dinner," said Mrs. Wyman,{% endraw %}
{% raw %}smiling at the eager eyes which followed the flowers ; " they{% endraw %}
{% raw %}will make the table look nice. And the cordial too, to give{% endraw %}
{% raw %}you au appetite."{% endraw %}
{% raw %}" Dear Mrs. Wyman," began Alicia, nervously, " I know{% endraw %}
{% raw %}my father would uot like to have me accept presents from Mr.{% endraw %}
{% raw %}Mauvfiis. Please tell me what to do about it."{% endraw %}
{% raw %}" Why, your father doesn't think !—" here the good woman{% endraw %}
{% raw %}interrupted herself " There can be no harm in even Mr.{% endraw %}
{% raw %}Mauvais' sending a bottle of cordial out of his cellar to a sick{% endraw %}
{% raw %}child like you, dear. I kuow what some ill-disposed people{% endraw %}
{% raw %}might say about him ; but there is a great m.any allowances to{% endraw %}
{% raw %}be made for a man that has spent his life among the Indians;{% endraw %}
{% raw %}aud Mauvais is a generous-hearted man to his friends. He's{% endraw %}
{% raw %}been very kind to my husband."{% endraw %}
{% raw %}" I would like to send it to my father, if I thought he woukl{% endraw %}
{% raw %}accept it," said Alicia, mourufully.{% endraw %}
{% raw %}" I don't think he -would, dear child ; though husband was{% endraw %}
{% raw %}sayiug this morning that he seems a heap milder than he did{% endraw %}
{% raw %}at fii-st. I reckon what Allen said to the lynchers made him{% endraw %}
{% raw %}feel easier; aud I hear that he has been to see your father a{% endraw %}
{% raw %}cjuple of times."{% endraw %}


| Class | Description |
|---|---|
| LightService | |
| MongoService |
A service used to manage MongoDB connections.
|
| NMSService |
A service used to manage NMS-related actions.
|
| PacketService |
A service used to manage packets.
|
| ParticleService | |
| ParticleService.BlockData | |
| ParticleService.ItemData | |
| ParticleService.ParticleData | |
| ScheduleService | |
| ScreenService |
| Enum | Description |
|---|---|
| ParticleService.ParticleProperty | |
| ParticleService.ParticleType |


The basic actions corresponding to keyboard and mouse gestures can be gleaned from the file files/map.txt, which can be customised. There are also some general settings in the file settings.txt.
Typing CTRL+H makes a help page appear in the browser. The command to do
that varies by platform. Unfortunately, this is not always reliable,
so it may need to be customized in the settings file. Alternatively,
double click on help/index.xhtml
or load it with the browser.
Typing CTRL_O
(Open) brings up the file menu. The mouse or arrow
keys can be used to choose a file or directory, including ../
to
move up to the directory above. Typing Enter
opens the chosen
file or directory.
At present, there is no way to create a new file. Create a blank file with
e.g. touch filename
and then open it in the editor. Double
clicking and other features will be added later.
Scrolling a page at a time is supported using PageUp/PageDown
,
or Fn_Up/Fn_Down
on a Mac laptop. Scrolling with a
mouse wheel or touchpad gesture is also supported. Scrolling is smoothly
animated, and always ends at a line boundary. Scrolling by grabbing a bar
with the mouse is not yet supported.
Bracket matching in Snipe:
Bracket matching drives Snipe's self-indenting feature. The amount by which a line is indented is determined simply by the number of unmatched open brackets which precede it.
Bracket matching is incremental for the user's benefit, as much as for implementation efficiency. When a user makes a small local change, there should be a reasonably small response on the screen. Users are used to typing an open comment symbol, and having the syntax highlighting of the rest of the program change, until the close comment symbol is typed. However, self-indenting would cause an even greater problem, if typing an open bracket caused the indenting of the rest of the program to change.
To avoid this problem, bracket matching is done forwards from the beginning of the program to the current cursor position, and separately backwards from the end of the program to the cursor. The indenting of each line below the cursor is determined by the number of unmatched close brackets which follow it. A small local change thus causes only a small adjustment on screen. If a user types a new open bracket, and then moves the cursor up or down, the indenting of the lines changes only one by one.
Bracket matching is well defined, but the marking up of unmatched brackets is
quite ambiguous. With a sequence (()
, intuition suggests that the
first open bracket should be marked as unmatched. However, in a similar sequence
{ ... { ... }
where the block brackets are far apart and the user
has just typed the second open bracket, it is more intuitive to mark the most
recent open bracket as unmatched, rather than the first one, which might not
even appear on the screen. The approach taken in Snipe is that, after normal
bracket matching has been done forwards from the start and backwards from the
end, the remaining brackets are matched up from the outermost inwards, so that
it is indeed brackets close to the cursor which are the most likely to be marked
as unmatched.
With multiple different types of bracket, there is even more ambiguity over
marking up unmatched brackets. An intuitive approach is to give block brackets a
higher priority that others, so in {(}
is it the round bracket
which is marked as unmatched. Care has to be taken with quotes and comment
symbols. It is clear that both have a higher priority than normal brackets. In a
sequence "{"
, the two quotes must match and the bracket treated as
unmatched to arrive at the right interpretation. However, quotes do not have a
higher priority than comment symbols nor vice versa. For example, check these
two sequences:
/* " */ ... /* " */ " /* " ... " */ "
The first would be incorrectly interpreted if the quotes had higher priority, and the second would be incorrectly interpreted if comment symbols had higher priority. Priority has to go to the outermost symbols. The rules used lead to some slightly odd situations, but only when programs are not valid anyway. For example, consider the sequence:
/* " */ "
If this is before the cursor, it is interpreted as a comment followed by an unmatched quote. But if it is after the cursor, it is interpreted as a string literal preceded by an unmatched comment symbol.
Round, square and curly brackets ()[]{}
on each line are
matched, and unmatched brackets are syntax-coloured as errors, e.g. in red. Care
is taken over the way in which brackets are matched, because it affects
auto-indenting. However, bracket matching is currently only done on each line
separately, not between lines.
Only syntactically meaningful brackets are matched, not brackets
inside comments or strings. To avoid ambiguities, the brackets form a hierarchy
with ()
as the most local and {}
as the most global.
For example, with both (}
and {)
it is the round
bracket that is reported as unmatched.
Brackets which are unmatched rather than unmatched are not marked as errors. Instead, they affect indenting.
Most editors provide something that ought to be called semi-auto-indenting, where typing a newline adds an automatic indent. It works well when typing new program text. But it typically works badly when changing existing text. The result is that, for most programmers, there is little or no net gain.
Snipe provides full auto-indenting (currently just for .c and .h files). The idea is that, in exchange for a small and hopefully painless loss of control over indenting, the user need never think about or adjust indenting ever again. The amount of indent on a line is determined by simple rules, as explained below, and maintained during all editing operations. An attempt made to change the indent fails, because it is immediately corrected.
It is challenging to come up with rules which are simple to understand and implement, which are immediately apparent to the eye, which work across a wide range of languages, which work even when a program is not in a syntactically correct state, which cope with continuations of single statements onto multiple lines as well as blocks of statements, which support all the common indenting styles, and which the majority of programmers can learn to accept comfortably without irritation.
The rules chosen are adapted from Python, and should work across all curly-bracket-based languages, and possibly many more. An indenter is an unmatched open bracket on a line, and an outdenter is similarly an unmatched close bracket. Each indenter causes the indent to be increased, starting on the following line. An outdenter causes the indent to be decreased, starting on the following line, or on the same line if it starts with an outdenter.
At present, only curly brackets affect indenting. Treatment of round and square brackets will be added to support continuation lines, but this will require bracket matching between lines as well as within lines to be aesthetically acceptable.
Comment lines currently follow the same indenting rules, as well as ordinary code. The indent of a blank line is temporarily zero. The indent of a label line such as a case in a switch statement is temorarily reduced by half an indent. This feature currently supports the two most popular indenting styles, K&R and Allman, and to a lesser extent, some other styles such as Horstmann and Pico.
This feature is experimental, and currently a bit rough. For example, at present, the cursor is allowed to be within the indent, though any attempt to increase or decrease it is immediately corrected. A line can only be joined to the previous one using backspace if the cursor is at the start of the line. In future, a newline and the following indent will be treated as a single unit, for movement and deletion.
Files are always written out using \n
line endings. The
Windows convention \r\n
and old Mac convention \r
are
accepted and converted on input. This follows the advice of the UTF-8 everywhere manifesto which
recommends using \n
line endings everywhere. All sensible tools on
Windows accept \n
line endings. The most obvious exception is
Notepad, but there are other good reasons to avoid using that.
Snipe creates the illusion of editing a file directly, not a copy in a buffer. This gets rid of an unnecessary extra complication in the user's mental model, and removes the need for frequent saving, which is entirely routine and therefore should be automated. Autosave becomes a necessary feature of Snipe rather than an option. Autosaving is done frequently and, in particular, when the window loses the input focus. So, when moving from the editor to a terminal window to type commands, the file should be saved by the time a command is issued.
Snipe doesn't create
backups of files, on the basis that programmers use other tools such as
git
for that.
Files are always written out with a final newline. A file without a
final newline has one added when it is read in. That's because: (a) most tools
expect a final newline and all tools tolerate it (b) some standards require it
and (c) the opposite convention, treating \n
as a separator, is not
sensible because there is no way to represent an empty file as opposed to a file
with a single blank line.
The final newline convention is also maintained during editing, in line with having no notional buffer. The more usual convention of treating a buffer as a string with newlines as separators causes a surprising amount of confusion, e.g. because the editor's line count for the buffer doesn't match the normal line count for the file. In Snipe, it is still reasonable to regard the text as a single array of characters. The last cursor position is after the final newline, which is naturally below the last line on the screen. However, that apparent 'extra' line isn't given a line number or included in the line count.
A text file shouldn't have trailing blank lines, or trailing spaces on the end of a line. It is planned to make Snipe remove such extras when the cursor moves away from them.
Paths use forward slash /
separators. Backslashes \
are converted to forward slashes in any paths that come from outside the editor.
The Windows libraries have always accepted forward slashes - it is only tools
that prefer backslashes. The editor refuses to handle file or directory names
that have slashes or backslashes in them, to encourage programmers to use
only platform independent names.
Only soft tabs are supported. When files are read in, hard tabs are converted to spaces. Other control characters are also rejected, except for newlines.
Hard tabs are obsolete, ambiguous, and cause all sorts of trouble. Some tools, including printer drivers, don't handle them properly, some accept them but with no option to specify their width, and the only common default of 8 spaces is commonly regarded as too wide for normal programs. Some public source files use an indent width of four and a hard tab width of eight, leading to a mixture of tabs and spaces. Such files are unreadable in any editor which doesn't have separate settings for indent width and tab width. In any sensible editor, soft tabs are implemented to behave just like hard tabs, so soft tabs have no significant disadvantages. The current indent width is currently fixed at four spaces.
For Makefiles, which require hard tabs, the tabs are convert to (currently single) spaces, and converted back to tabs on saving.


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