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Next Post (test)
Wednesday 2 January 2018
This is a placeholder for the second post on this site. Hopefully the formatting looks okay!
Knave Character Generator
Tuesday 18 December 2018
This is a site for generating characters for the tabletop role-playing game Knave. Find out more about the game
here
.


I graduated with a First class Degree in Computer Science this year.
I am passionate about web development and I often work on personal projects that I am trying to convert into teaching materials to pass the knowledge further.
I am familiar with various programming languages, but I have more experience with c#, and js for both frontend and backend. I have worked with both relational and non-relational databases. My expertise consists of databases such as MySql, Sql Server and MongoDb. I also have good understanding of blockchain technologies and AI related fields such as machine learning, deep learning, and image recognition.
View ResumeA realtime chat application with private and public rooms where users can communicate. Build using reactjs, nodejs, css, mongodb, web sockets by using socket.io module.
 If you get a high score you can con in TOP 10. Build using reactjs, nodejs, css and mongodb.
An application that provides information regarding current weather in various capital cities around the world. It is making use of open weather api to fetch that data, also it uses cookies to store user preferences. Build using react, nodejs, css, html and web sockets to notify clients how many free queries are left from the server, but it does not work precisely since the heroku app turns off if there is no incoming traffic, a better approach could have been storing data info in a permanent storage.
A form that appears like a conversation, but it also has data validation before submission. Build using react, css and html.
If you wish to contact me please click the button below or send email to
no-reply@kodezor.com


Registration Form
Git Series: Getting Started
Name:
Gender:
Male
Female
Other
College Name:
Branch:
CSE
CSE (spl. Data Analytics)
CSE (spl. Artificial Intelligence)
CSE (spl. Network Security)
ECE
MEC
Email ID:
Mobile Number:


Head Coder:
Marijn
Co-coder:
Pieter
Head Design:
Pieter
Co-designer:
Marijn
SCORE: 0
DIFFUCULTY: 1
⇦
⇨


| # | Who | = | Penalty | * | A | B | C | D | E | F |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | ACtest | 5 | 155 | + 00:03 | + 00:06 | + 00:12 | +1 00:46 | + 01:18 | ||
| 2 | ParadiseLost | 5 | 160 | + 00:04 | + 00:09 | + 00:15 | + 00:50 | + 01:22 | -3 | |
| 3 | hx073269 | 5 | 192 | + 00:06 | + 00:15 | + 00:21 | + 00:45 | +1 01:35 | ||
| 4 | jjun55 | 5 | 194 | + 00:04 | + 00:08 | + 00:15 | + 01:10 | + 01:37 | ||
| 5 | dg2004 | 5 | 197 | + 00:02 | + 00:20 | + 00:28 | + 00:51 | + 01:36 | ||
| 6 | JUSIAR | 5 | 204 | + 00:03 | + 00:08 | + 00:16 | +1 01:59 | + 00:48 | ||
| 7 | lol.-. | 5 | 212 | + 00:07 | + 00:17 | + 00:32 | + 00:55 | +1 01:31 | ||
| 8 | N.T.Hien | 5 | 221 | + 00:30 | + 00:25 | + 00:19 | + 00:52 | + 01:35 | ||
| 9 | FrustratedCompiler | 5 | 224 | + 00:05 | + 00:18 | + 00:30 | + 01:09 | + 01:42 | ||
| 10 | emak | 5 | 232 | + 00:15 | + 00:22 | + 00:33 | +1 01:02 | + 01:30 | ||
| 11 | kmp_kill_me_pls | 5 | 240 | + 00:06 | + 00:20 | + 00:26 | + 01:06 | +1 01:52 | ||
| 12 | echen333us | 5 | 245 | -1 | + 00:10 | + 00:15 | + 00:25 | + 01:04 | +2 01:51 | |
| 13 | nk7 | 5 | 274 | + 00:15 | + 00:22 | + 00:31 | + 01:00 | +3 01:56 | ||
| 14 | Tsuku_Yomi_ | 5 | 282 | + 00:13 | + 00:26 | +1 00:42 | +1 01:05 | + 01:56 | ||
| 15 | zero_deaths | 5 | 530 | + 01:53 | +2 01:42 | + 01:45 | + 01:53 | + 01:17 | ||
| 16 | neganega | 4 | 48 | + 00:02 | + 00:07 | + 00:13 | + 00:26 | -1 | ||
| 17 | ujjawalpabreja99 | 4 | 56 | + 00:02 | + 00:06 | + 00:09 | +1 00:29 | |||
| 17 | KonradJanPaluszek | 4 | 56 | + 00:03 | + 00:06 | + 00:14 | + 00:33 | |||
| 19 | aDimitrov | 4 | 60 | + 00:04 | + 00:09 | + 00:15 | + 00:32 | -10 | ||
| 19 | TomestonePiledriver | 4 | 60 | + 00:04 | + 00:08 | + 00:16 | + 00:32 | |||
| 21 | Carol_Luca | 4 | 70 | + 00:02 | + 00:06 | + 00:12 | +1 00:40 | -13 | ||
| 22 | wangzichaonew | 4 | 73 | + 00:05 | + 00:11 | + 00:16 | + 00:41 | |||
| 22 | mohit33 | 4 | 73 | + 00:02 | + 00:08 | + 00:17 | + 00:46 | -2 | ||
| 24 | Alice_Synthesis_Thirty | 4 | 75 | + 00:04 | + 00:07 | + 00:12 | + 00:52 | -1 | ||
| 25 | alo_molieres | 4 | 76 | + 00:06 | + 00:13 | + 00:21 | + 00:36 | -2 | ||
| 26 | I_Love_Ashish | 4 | 79 | + 00:06 | + 00:11 | + 00:22 | + 00:40 | |||
| 26 | vikramadityasinghkadian8 | 4 | 79 | + 00:06 | + 00:11 | + 00:16 | + 00:46 | |||
| 28 | brkdnmz | 4 | 80 | + 00:02 | + 00:07 | + 00:15 | + 00:56 | |||
| 29 | dhananjaykajla | 4 | 81 | + 00:03 | + 00:07 | + 00:14 | + 00:57 | |||
| 30 | eyangch | 4 | 82 | + 00:04 | + 00:12 | + 00:19 | + 00:47 | |||
| 31 | jithalel | 4 | 83 | + 00:03 | + 00:12 | + 00:22 | + 00:46 | -12 | ||
| 32 | Chekenek | 4 | 84 | + 00:03 | + 00:09 | + 00:16 | + 00:56 | |||
| 33 | aman__gupta__ | 4 | 86 | + 00:04 | + 00:08 | + 00:19 | + 00:55 | -3 | ||
| 33 | Telescopic | 4 | 86 | + 00:02 | + 00:08 | + 00:14 | +1 00:52 | -1 | ||
| 33 | Misha_Help | 4 | 86 | + 00:04 | + 00:07 | + 00:11 | +3 00:34 | |||
| 36 | zekigurbuz | 4 | 88 | + 00:05 | + 00:08 | + 00:21 | + 00:54 | |||
| 37 | silver_robot | 4 | 89 | + 00:02 | + 00:12 | + 00:25 | + 00:50 | |||
| 38 | bakerstreet_221b | 4 | 90 | + 00:10 | + 00:15 | + 00:23 | + 00:42 | |||
| 39 | r3novatio | 4 | 91 | + 00:04 | + 00:11 | + 00:25 | + 00:51 | -2 | ||
| 39 | prayagshokeen1 | 4 | 91 | + 00:05 | + 00:14 | + 00:22 | + 00:50 | |||
| 41 | onlyfo2500 | 4 | 92 | + 00:05 | + 00:13 | + 00:23 | + 00:51 | -2 | ||
| 41 | AMO5 | 4 | 92 | + 00:05 | + 00:12 | + 00:21 | + 00:54 | -2 | ||
| 41 | fatnot | 4 | 92 | + 00:05 | + 00:10 | + 00:21 | + 00:56 | -2 | ||
| 41 | sanchitjain333 | 4 | 92 | + 00:05 | + 00:11 | + 00:22 | + 00:54 | -3 | ||
| 45 | merzgling | 4 | 93 | + 00:06 | + 00:13 | + 00:20 | + 00:54 | -4 | ||
| 45 | Rkda | 4 | 93 | + 00:04 | + 00:11 | + 00:22 | + 00:56 | |||
| 45 |<PHONE_NUMBER>50 | 4 | 93 | + 00:08 | + 00:16 | + 00:24 | + 00:45 | -4 | ||
| 45 | ysystem | 4 | 93 | + 00:05 | + 00:11 | + 00:22 | + 00:55 | |||
| 49 | nothing1097 | 4 | 94 | + 00:07 | + 00:16 | + 00:23 | + 00:48 | |||
| 49 | DavidTan | 4 | 94 | + 00:07 | + 00:12 | + 00:20 | + 00:55 | |||
| 51 | terserah | 4 | 95 | + 00:03 | + 00:10 | + 00:35 | + 00:47 | |||
| 51 | miss_me_9 | 4 | 95 | + 00:04 | + 00:10 | + 00:17 | +1 00:54 | |||
| 51 | Marshmalloc | 4 | 95 | + 00:07 | + 00:13 | + 00:22 | + 00:53 | |||
| 51 | efimov04 | 4 | 95 | + 00:04 | + 00:11 | + 00:25 | + 00:55 | |||
| 55 | shikamaru-_- | 4 | 96 | + 00:06 | + 00:13 | + 00:21 | + 00:56 | |||
| 55 | moody_moose | 4 | 96 | + 00:05 | + 00:14 | + 00:23 | + 00:54 | -13 | ||
| 57 | jum.yip98 | 4 | 97 | + 00:03 | + 00:12 | + 00:20 | + 01:02 | |||
| 57 | despores | 4 | 97 | + 00:03 | + 00:07 | + 00:12 | + 01:15 | |||
| 59 | -StrawBerry- | 4 | 98 | + 00:06 | + 00:12 | + 00:26 | + 00:54 | -3 | ||
| 60 | Prateek1337 | 4 | 99 | + 00:06 | + 00:16 | + 00:23 | + 00:54 | |||
| 61 | Micchon | 4 | 100 | + 00:05 | + 00:10 | + 00:19 | +2 00:46 | |||
| 61 | Doritos_ | 4 | 100 | + 00:03 | + 00:09 | + 00:15 | +1 01:03 | -1 | ||
| 63 | DanielHLelis | 4 | 101 | + 00:04 | + 00:11 | + 00:20 | + 01:06 | -1 | ||
| 63 | pk_jana_ismcse | 4 | 101 | + 00:05 | + 00:15 | + 00:28 | + 00:53 | |||
| 65 | mot66 | 4 | 102 | + 00:05 | + 00:11 | + 00:30 | + 00:56 | |||
| 65 | himanshu_iit | 4 | 102 | + 00:04 | + 00:11 | + 00:30 | + 00:57 | -3 | ||
| 65 | xufour | 4 | 102 | + 00:05 | + 00:10 | + 00:20 | +1 00:57 | |||
| 68 | MATILDA7 | 4 | 103 | + 00:07 | + 00:14 | + 00:23 | + 00:59 | |||
| 69 | orientor | 4 | 105 | + 00:07 | + 00:13 | + 00:20 | + 01:05 | -1 | ||
| 69 | ap1008 | 4 | 105 | + 00:03 | +1 00:08 | + 00:17 | + 01:07 | |||
| 69 | curious_monk | 4 | 105 | + 00:04 | + 00:13 | + 00:25 | + 01:03 | |||
| 69 | p3rfect | 4 | 105 | + 00:03 | + 00:11 | + 00:16 | + 01:15 | |||
| 69 | Doda-O_O | 4 | 105 | + 00:07 | + 00:13 | + 00:18 | +1 00:57 | |||
| 74 | Thomasguo666 | 4 | 106 | + 00:03 | + 00:08 | + 00:21 | +3 00:44 | |||
| 74 | a.s.chauhan | 4 | 106 | + 00:06 | + 00:15 | + 00:29 | + 00:56 | |||
| 76 | Madhur1906 | 4 | 107 | + 00:06 | + 00:12 | + 00:23 | + 01:06 | |||
| 76 | Milf_hunter | 4 | 107 | + 00:05 | + 00:10 | + 00:15 | +1 01:07 | -4 | ||
| 78 | tianyan | 4 | 108 | + 00:18 | + 00:17 | + 00:15 | + 00:58 | |||
| 78 | ashrut_bobby | 4 | 108 | + 00:07 | + 00:12 | + 00:25 | + 01:04 | |||
| 78 | YashShah | 4 | 108 | + 00:06 | + 00:14 | + 00:24 | + 01:04 | |||
| 81 | harikrishnashivanathri | 4 | 109 | + 00:09 | + 00:18 | + 00:27 | + 00:55 | |||
| 81 | nebulous_shenanigans | 4 | 109 | + 00:10 | + 00:16 | + 00:23 | + 01:00 | |||
| 81 | dsingh2405 | 4 | 109 | + 00:05 | + 00:11 | +1 00:26 | + 00:57 | -4 | ||
| 84 | mamme_hunter | 4 | 110 | + 00:05 | + 00:13 | + 00:23 | +1 00:59 | -1 | ||
| 84 | loc321 | 4 | 110 | + 00:11 | + 00:16 | + 00:29 | + 00:54 | |||
| 84 | bb09 | 4 | 110 | + 00:06 | + 00:12 | + 00:18 | + 01:14 | |||
| 84 | Sj2000 | 4 | 110 | + 00:03 | + 00:09 | + 00:26 | + 01:12 | |||
| 84 | hzt770427 | 4 | 110 | + 00:08 | + 00:14 | + 00:33 | + 00:55 | |||
| 89 | acm2k__ | 4 | 111 | + 00:06 | + 00:15 | + 00:27 | + 01:03 | -3 | ||
| 89 | Hello_BABY_OvO | 4 | 111 | + 00:10 | + 00:17 | + 00:35 | + 00:49 | -2 | ||
| 89 | UZMath | 4 | 111 | + 00:04 | + 00:16 | + 00:26 | +1 00:55 | |||
| 92 | Chodermal1 | 4 | 112 | + 00:08 | + 00:20 | + 00:28 | + 00:56 | -1 | ||
| 92 | rohan_vora | 4 | 112 | + 00:03 | + 00:13 | + 00:23 | +1 01:03 | |||
| 92 | EfrenGonzalez | 4 | 112 | + 00:07 | + 00:15 | + 00:29 | + 01:01 | |||
| 95 | IloveuKams | 4 | 113 | + 00:08 | + 00:15 | + 00:24 | + 01:06 | |||
| 95 | nimishagarwal76 | 4 | 113 | + 00:03 | + 00:08 | + 00:21 | + 01:21 | |||
| 95 | manishr | 4 | 113 | + 00:05 | + 00:15 | + 00:22 | + 01:11 | |||
| 95 | Sr_CO | 4 | 113 | + 00:03 | + 00:19 | + 00:30 | + 01:01 | |||
| 95 | trishina | 4 | 113 | + 00:05 | + 00:10 | + 00:19 | +1 01:09 | |||
| 100 | Sho10 | 4 | 114 | + 00:06 | + 00:12 | + 00:21 | +1 01:05 | |||
| 100 | targaryen_aegon26 | 4 | 114 | + 00:04 | + 00:11 | + 00:18 | +1 01:11 | -2 | ||
| 102 | Zdxfgre | 4 | 115 | + 00:04 | + 00:10 | + 00:19 | + 01:22 | |||
| 102 | rj98 | 4 | 115 | + 00:07 | + 00:18 | + 00:26 | + 01:04 | -1 | ||
| 102 | ethan | 4 | 115 | + 00:04 | + 00:15 | + 00:27 | + 01:09 | |||
| 105 | romoho | 4 | 116 | + 00:07 | + 00:13 | + 00:25 | +2 00:51 | |||
| 105 | jharkawat | 4 | 116 | + 00:06 | + 00:12 | + 00:22 | + 01:16 | |||
| 105 | Abhijeet8901 | 4 | 116 | + 00:10 | + 00:16 | + 00:23 | + 01:07 | |||
| 105 | hankag | 4 | 116 | + 00:05 | + 00:15 | + 00:20 | + 01:16 | |||
| 105 | BeTheStar27 | 4 | 116 | + 00:02 | + 00:08 | + 00:13 | + 01:33 | |||
| 110 | LeThanhLong582000 | 4 | 117 | + 00:04 | + 00:15 | + 00:24 | + 01:14 | |||
| 110 | code_trapper | 4 | 117 | + 00:04 | + 00:14 | + 00:27 | + 01:12 | |||
| 110 | motif | 4 | 117 | + 00:07 | + 00:16 | + 00:31 | + 01:03 | |||
| 110 | Mint_Choco | 4 | 117 | + 00:08 | + 00:13 | + 00:21 | +1 01:05 | |||
| 114 | kunalanand241 | 4 | 118 | + 00:04 | + 00:13 | + 00:21 | +1 01:10 | |||
| 114 | AMACB | 4 | 118 | + 00:05 | + 00:15 | + 00:34 | + 01:04 | -2 | ||
| 114 | forty-twoo | 4 | 118 | + 00:07 | + 00:15 | + 00:24 | +1 01:02 | -2 | ||
| 114 | HunterCoder | 4 | 118 | + 00:08 | + 00:18 | + 00:34 | + 00:58 | -3 | ||
| 114 | n3therite | 4 | 118 | + 00:03 | + 00:12 | + 00:33 | + 01:10 | |||
| 114 | utkarshgupta776 | 4 | 118 | + 00:06 | + 00:11 | + 00:25 | + 01:16 | |||
| 114 | raghuvanshraj | 4 | 118 | + 00:09 | + 00:16 | + 00:26 | + 01:07 | -2 | ||
| 121 | yashen6 | 4 | 119 | +1 00:13 | + 00:17 | + 00:23 | + 00:56 | |||
| 121 | seema0 | 4 | 119 | + 00:09 | + 00:19 | + 00:33 | + 00:58 | |||
| 121 | _harsh2412 | 4 | 119 | + 00:03 | + 00:13 | + 00:22 | +1 01:11 | |||
| 121 | Harirai | 4 | 119 | + 00:07 | + 00:13 | + 00:26 | + 01:13 | |||
| 125 | zty_michael | 4 | 120 | + 00:08 | + 00:16 | + 00:40 | + 00:56 | |||
| 126 | Hepic_Antony_Skarlatos | 4 | 121 | + 00:08 | + 00:16 | + 00:25 | + 01:12 | |||
| 126 | TheGrayCode | 4 | 121 | + 00:04 | + 00:15 | + 00:35 | + 01:07 | |||
| 126 | BlueBlade | 4 | 121 | + 00:08 | + 00:16 | + 00:26 | +1 01:01 | |||
| 129 | SMani24 | 4 | 122 | + 00:06 | + 00:12 | +1 00:30 | + 01:04 | |||
| 129 | yagami3566 | 4 | 122 | + 00:13 | + 00:18 | + 00:35 | + 00:56 | |||
| 129 | .Irrepressible | 4 | 122 | + 00:09 | + 00:15 | + 00:26 | + 01:12 | |||
| 129 | SoulOwais | 4 | 122 | + 00:14 | + 00:19 | + 00:25 | +1 00:54 | -3 | ||
| 129 | rishi_illuri | 4 | 122 | + 00:07 | + 00:12 | + 00:29 | + 01:14 | -2 | ||
| 134 | -TheLaw- | 4 | 123 | + 00:08 | + 00:16 | + 00:32 | + 01:07 | |||
| 134 | briank621 | 4 | 123 | + 00:07 | + 00:15 | + 00:21 | + 01:20 | |||
| 134 | blue-phantom | 4 | 123 | + 00:08 | + 00:18 | + 00:28 | + 01:09 | -2 | ||
| 134 | mad_i | 4 | 123 | + 00:06 | + 00:16 | + 00:29 | + 01:12 | |||
| 134 | IndianPirate | 4 | 123 | + 00:06 | + 00:14 | + 00:28 | + 01:15 | |||
| 134 | bhabya_brj | 4 | 123 | + 00:11 | + 00:17 | + 00:26 | + 01:09 | |||
| 134 | yashviradiya | 4 | 123 | + 00:03 | + 00:12 | + 00:19 | +1 01:19 | -2 | ||
| 141 | rushi_patel11111 | 4 | 124 | + 00:02 | + 00:09 | + 00:14 | + 01:39 | |||
| 141 | LMCC | 4 | 124 | + 00:08 | + 00:17 | + 00:27 | + 01:12 | |||
| 141 | prajwal7868 | 4 | 124 | + 00:07 | + 00:12 | + 00:19 | + 01:26 | |||
| 141 | LinkinPony | 4 | 124 | -1 | + 00:06 | + 00:11 | + 00:20 | +2 01:07 | -4 | |
| 141 | Nelson_loh | 4 | 124 | + 00:07 | + 00:13 | + 00:23 | + 01:21 | |||
| 141 | DanielMontes | 4 | 124 | + 00:05 | + 00:17 | + 00:25 | + 01:17 | |||
| 141 | __valka | 4 | 124 | + 01:07 | + 00:09 | + 00:15 | + 00:33 | |||
| 141 | rituraj_roy | 4 | 124 | +1 00:08 | + 00:13 | + 00:19 | + 01:14 | |||
| 149 | Bleotiu | 4 | 125 | + 00:07 | + 00:20 | + 00:35 | + 01:03 | |||
| 149 | untan | 4 | 125 | + 00:10 | + 00:20 | + 00:30 | + 01:05 | |||
| 149 | ssvirk | 4 | 125 | + 00:10 | + 00:19 | + 00:32 | + 01:04 | |||
| 149 | leo16614 | 4 | 125 | + 00:07 | + 00:13 | + 00:32 | + 01:13 | |||
| 149 | kiteretsu | 4 | 125 | + 00:08 | + 00:17 | + 00:24 | + 01:16 | |||
| 154 | MasterChief410 | 4 | 126 | + 00:05 | + 00:11 | + 00:30 | + 01:20 | |||
| 154 | vishal28babani | 4 | 126 | + 00:05 | + 00:13 | + 00:23 | +1 01:15 | |||
| 154 | marcipan5000 | 4 | 126 | + 00:07 | + 00:13 | + 00:21 | +3 00:55 | -1 | ||
| 154 | scoobyDoobyDoo | 4 | 126 | + 00:11 | + 00:16 | + 00:25 | +2 00:54 | -2 | ||
| 154 | JaiLuthra77 | 4 | 126 | + 00:10 | + 00:06 | + 00:23 | +2 01:07 | |||
| 154 | JaroslavUrban | 4 | 126 | + 00:07 | + 00:16 | + 00:28 | +1 01:05 | |||
| 154 | Azakarka | 4 | 126 | + 00:06 | + 00:19 | + 00:30 | + 01:11 | |||
| 154 | sxpg | 4 | 126 | + 00:06 | + 00:14 | + 00:22 | + 01:24 | |||
| 154 | shubh_nitdgp | 4 | 126 | + 00:06 | + 00:17 | + 00:38 | + 01:05 | |||
| 163 | steven.novaryo | 4 | 127 | + 00:10 | + 00:19 | + 00:28 | + 01:10 | |||
| 163 | toad_to_dip | 4 | 127 | + 00:11 | + 00:17 | + 00:26 | +1 01:03 | -4 | ||
| 163 | pulak15 | 4 | 127 | + 00:10 | + 00:15 | + 00:26 | + 01:16 | |||
| 163 | AhmedRumi | 4 | 127 | + 00:05 | + 00:11 | + 00:21 | + 01:30 | |||
| 163 | ssg_13 | 4 | 127 | + 00:05 | + 00:14 | + 00:23 | + 01:25 | |||
| 163 | lemongrab | 4 | 127 | + 00:09 | + 00:15 | + 00:27 | + 01:16 | |||
| 163 | restinpeace312 | 4 | 127 | + 00:27 | + 00:20 | + 00:12 | + 01:08 | |||
| 163 | My_Soul_Loves_ALLAH | 4 | 127 | + 00:07 | + 00:16 | + 00:23 | + 01:21 | |||
| 171 | Sxy_Limit | 4 | 128 | + 00:04 | + 00:10 | + 00:32 | +1 01:12 | |||
| 171 | Maaddy | 4 | 128 | + 00:11 | + 00:19 | + 00:27 | + 01:11 | |||
| 171 | baito_pro | 4 | 128 | + 00:13 | + 00:20 | + 00:27 | + 01:08 | |||
| 171 | freakyboss | 4 | 128 | + 00:05 | + 00:13 | + 00:21 | + 01:29 | |||
| 171 | 2019mcb1220 | 4 | 128 | + 00:05 | + 00:14 | + 00:25 | + 01:24 | |||
| 171 | grtcoder | 4 | 128 | + 00:08 | + 00:14 | + 00:27 | +1 01:09 | |||
| 171 | bobgil | 4 | 128 | + 00:15 | + 00:32 | + 00:29 | + 00:52 | -4 | ||
| 171 | ullutv | 4 | 128 | + 00:05 | + 00:12 | + 00:30 | +2 01:01 | |||
| 171 | rohandhanwani | 4 | 128 | + 00:07 | + 00:13 | + 00:29 | + 01:19 | |||
| 180 | Warlock_ | 4 | 129 | + 00:05 | + 00:14 | + 00:30 | +2 01:00 | |||
| 180 | Pluviophile_ | 4 | 129 | + 00:07 | + 00:12 | + 00:21 | +2 01:09 | |||
| 180 | realnimish | 4 | 129 | + 00:07 | + 00:12 | + 00:17 | +1 01:23 | |||
| 180 | marry_me_please | 4 | 129 | + 00:05 | + 00:15 | + 00:22 | + 01:27 | |||
| 180 | a_n_j | 4 | 129 | + 00:07 | + 00:12 | + 00:27 | + 01:23 | |||
| 185 | namanjain2707 | 4 | 130 | + 00:07 | + 00:17 | + 00:29 | + 01:17 | |||
| 185 | cis_pie | 4 | 130 | -1 | + 00:06 | + 00:17 | + 00:33 | + 01:14 | -2 | |
| 187 | lazypanda | 4 | 131 | + 00:10 | + 00:17 | + 00:23 | + 01:21 | |||
| 187 | killerman | 4 | 131 | + 00:10 | + 00:03 | + 00:21 | + 01:37 | |||
| 187 | lonnuocngot | 4 | 131 | + 00:05 | + 00:10 | + 00:19 | +2 01:17 | |||
| 187 | Blackmamba_ | 4 | 131 | + 00:06 | + 00:15 | + 01:01 | + 00:49 | |||
| 187 | anson370 | 4 | 131 | + 00:05 | + 00:13 | + 00:26 | + 01:27 | |||
| 187 | ElProfesor._. | 4 | 131 | + 00:08 | + 00:17 | + 00:32 | + 01:14 | |||
| 193 | FarmerThy | 4 | 132 | + 00:15 | + 00:32 | + 00:27 | + 00:58 | -1 | ||
| 193 | udashi | 4 | 132 | + 00:04 | + 00:13 | + 00:24 | + 01:31 | |||
| 193 | LZHMmiao | 4 | 132 | + 00:08 | + 00:19 | + 00:33 | + 01:12 | |||
| 193 | hironeko99 | 4 | 132 | + 00:06 | + 00:13 | + 00:33 | + 01:20 | |||
| 193 | rpc21 | 4 | 132 | + 00:05 | + 00:12 | + 00:23 | + 01:32 | |||
| 198 | sourabh54singh | 4 | 133 | + 00:13 | + 00:20 | + 00:27 | + 01:13 | |||
| 198 | practise08 | 4 | 133 | + 00:07 | + 00:14 | + 00:26 | + 01:26 | |||
| 198 | youdieorniggas | 4 | 133 | + 00:09 | + 00:14 | + 00:21 | + 01:29 | |||
|
Accepted
Tried |
10650 11211 |
11144 11285 |
8178 8739 |
849 3311 |
26 268 |
0 9 |


Before Change
to the group for a particular field of view
"""
m = workspace.measurements
path = ["_".join((cpmeas.C_METADATA, setting.value)) for setting in
(self.plate_metadata, self.well_metadata, self.site_metadata)
if setting.value != self.IGNORE_METADATA]
return tuple([m[cpmeas.IMAGE, feature, image_number]
for feature in path])
def get_subfile_name(self, workspace):
"""Contact the UI to find the cellh5 file to use to store results
After Change
to the group for a particular field of view
"""
m = workspace.measurements
path = []
for setting in self.plate_metadata, self.well_metadata, self.site_metadata:
if setting.value == self.IGNORE_METADATA:
path.append("NA")
else:
feature = "_".join((cpmeas.C_METADATA, setting.value))
path.append(m[cpmeas.IMAGE, feature, image_number])
return tuple(path)
def get_subfile_name(self, workspace):
"""Contact the UI to find the cellh5 file to use to store results


---
layout: post
title: 10 Startups that are going to create history in Chandigarh - YourStory.com
date: '2019-06-22T17:39:00.003+05:30'
author: Sahil Rajput
tags:
modified_time: '2019-06-22T17:39:44.352+05:30'
blogger_id: tag:blogger.com,1999:blog-5250005448924290719.post-8242188002344946019
blogger_orig_url: https://www.jaadujinn.ml/2019/06/10-startups-that-are-going-to-create.html
---


How Akufo-Addo, Ofori-Atta and men of God 'lied' about the National Cathedral
A twitter user by name S3RIO, tweeting @5_Star_Hustler has chronologically arranged news items, that sought to expose the president, Nana Akufo Addo, the minister of finance, Ken Ofori-Atta and some men of God over who are allegedly behind the building of the national cathedral.
The story of the government making plans to build a national cathedral was met with mixed feelings, as many Ghanaians thought it was not needed, looking at the many problems the country was facing in the health, education, social sector among others.
Many Ghanaians, including celebrities and civil societies came out to condemn the initiative, especially when the land allocated for the building was in a prime area with the potential to cause traffic, and also because the land already housed judges in the country, and a demolition would cost the country.
The fierce resistance from Ghanaians, caused the presidency to deny being responsible for the building of the cathedral, but many news items as arranged by S3RGIO, suggests otherwise.
Read the tweets below:


1.1 All our official games are here.
1.2 Modifications and use of game resources only with the developer's permission
2.1 Not to offend the participants of the chat
2.2 Do not use obscene words
2.3 Do not flood
2.4 spam is prohibited
Do not copy our games and do not award yourself their authorship, otherwise we will have to sue you
@Copyright 2020 Cat World Games All rights reserved


Browser Resizer
This helps test when Media Queries trigger on and off so that I don't have to constantly manually resize the browser as I'm working on Reponsive Web Designs.
Features:
- Resizes the browser from maximum to minimum width and back again.
- The resizing takes place over a set amount of time so that you can "see" the design respond.
How to install (desktop):
- Drag this QR link to your bookmarks bar.
- You now have a bookmarklet! Yay! You can now click the bookmarklet to generate a QR Code for any page that you're on.
How to install (mobile):
- Click on this link (the page won't change in your browser)
- Add a bookmark for this page.
- Edit the bookmark and delete everything up to and including the "#" symbol.
- You now have a bookmarklet! Yay! You can now click the bookmarklet to share any page that you're on.


This is a schooner.
A schooner (/ˈskuːnər/) is a type of sailing vessel defined by its rig: fore-and-aft rigged on all of 2 or more masts and, in the case of a 2 masted schooner, the foremast generally being shorter than the mainmast. A common variant, the topsail schooner also has a square topsail on the foremast, to which may be added a topgallant and other square sails, but not a fore course, as that would make the vessel a brigantine. Many schooners are gaff-rigged, but other examples include Bermuda rig and the staysail schooner.
The origins of schooner rigged vessels is obscure, but there is good evidence of them from the early 17th century in paintings by Dutch marine artists. The name "schooner" first appeared in eastern North America in the early 1700s. The name may be related to a Scots language word meaning to skip over water, or to skip stones.


In this example we use a GeoChart to show data about countries. As you can see to add rows to our datatable we can use simple strings or java.util.Locale.
${showcase:getFileContent('/sections/gchart/example-geochart.xhtml')}
${showcase:getFileContent('/org/primefaces/extensions/showcase/controller/gchart/GeoChartGChartController.java')}


The Polygon Design Window will help you design 2D polygons for use in OpenSCAD.
Create a simple polygon
- Press and hold the "Control" key to add control points in the drawing panel on the left side of the window. New control points will be added to the end.
- Adjust the control points by dragging with the mouse.
- You can 'right click' a line segment to convert it to a Bézier curve segment. Once the segment is converted you can right click the segment to add an addition control point.
- Press the "Create Polygon Code" button to generate the OpenSCAD code. The code will be placed in the bottom of the design window.
- Copy the generated code and past it into the OpenSCAD editor.
Create a polygon from an image
- Press the "Load Image" button.
- Select the image file you want to work with.
- Press the "Create Polygon Code" button to generate the OpenSCAD code. The code will be placed in the bottom of the design window.
- The right hand panel will show the image as interpreted by the design analysis.
- Black and white images are best. Images that are not black and white will be converted to grey scale then black and white.
- The "Image white threshold" setting is used to determine if a grey value is black or white.
- Press the "Create Polygon Code" button to generate the OpenSCAD code. The code will be placed in the bottom of the design window.
- Copy the generated code and past it into the OpenSCAD editor.


--- layout: default title: MapStory Composer | Glynnis Ritchie ---
MapStory is a free, open source, editable atlas of world history where storytellers can showcase a nuanced understanding of historical change. With MapStory’s Composer, storytellers can quickly and easily combine spatiotemporal data with narrative elements like images, text, and video. Embeddable MapStories help viewers better understand how our world has evolved geographically over time.
Unlike its competitors, MapStory provides users a platform for telling stories with maps that change over time. Many GIS tools require expensive, complex, multi-platform services to create maps without any means of representing time—a confusing work flow for users that makes telling meaningful stories with geospatial data challenging. MapStory’s web-based, open source approach provides a single, free platform for creating maps, and lets users embed their work anywhere they choose.
At the center of MapStory’s offering is Composer, a web tool for creating MapStories—embeddable, video-like presentations of geospatial data. Despite its adoption by the press, disease control centers, historians, and others, MapStory struggled to present an intuitive Composer workflow to users.
Despite its adoption by the press, disease control centers, historians, and others, MapStory struggled to present an intuitive Composer workflow to users.
My challenge:
As the sole designer on the project, I wore many hats: researcher, UX designer, visual designer, front-end designer, and user acceptance tester.
I employed a user-centered design approach to eliminate pain points across the site. With an initial focus on redesigning Composer from the ground up, I also explored its entry and exit points to identify key areas to target for future work.
Meanwhile, the development team was also working on new Composer features and iterations with development and refactoring slated for the first quarter of 2017. I simultaneously redesigned the existing Composer and designed the new features in the pipeline while working with product management and engineering to begin design implementation.
I simultaneously redesigned the existing Composer and designed the new features in the pipeline.
I partnered with the product owner to understand the existing tools and uncover insights to address user pain points and goals.
I partnered with the product owner to understand the existing tools and uncover insights to address user pain points and goals.
I wrote an interview script and crafted criteria for validating the redesign’s success with users. I shared quantitative and qualitative findings with the team.
I created personas, prototypes, and other design work to share the strategy and vision for the redesign. This helped evangelize ideas, align vision, and drive decision making.
I designed user flows, wireframes, and clickable prototypes. I provided design specs to developers and wrote CSS.
I presented work to gain buy-in from executives, investors, senior stakeholders, and many others throughout the project lifecycle.
Prior to my involvement, MapStory suffered from lack of consistent funding which resulted in piecemeal development, a revolving door of team members, perpetually shifting priorities, and a reactive development process that lacked long-term vision. In its two year history, MapStory had never had a consistent design presence or focus on user experience.
In its two year history, MapStory had never benefited from a consistent design presence or focus on user experience.
Interface design fell to developers by default, and in the rush to get features out the door, the introduction of external libraries became commonplace. Band-aids were applied to band-aids. Features were parachuted in and then forgotten. The result: a patchwork UI with features hiding in nooks and crannies and no discernible task flow. After MapStory gained more funding, making up for lost design time became crucial.
As the newest member of the project and someone without a background in GIS, I needed to get up to speed quickly, demonstrate my value, and provide direction to the team. I got to work exploring the site and I used my fresh perspective to my advantage.
Who are the users of MapStory, and how do their needs differ? How could I reduce the time required to compose a story by simplifying and redesigning the interface? In what ways could I allow users to focus on their content, rather than the composing process?
In what ways could I allow users to focus on their content rather than the composing process?
Could I easily navigate the site, understand the tools provided, and create a MapStory? How could Composer provide flexibility, make workflows easy to understand, and empower users to produce MapStories with rich narratives?
During my exploration of MapStory and interviews with the team, I outlined my understanding of the building blocks Composer provided, the relationships between them, and how they assembled to produce a complete, embeddable MapStory playable by a viewer, such as someone reading the news online. Once I understood the pieces and their conceptual relationships to each other, I was ready to begin reorganizing the Composer for a more intuitive presentation to the user.
I identified key points of friction in the Composer user flow and met with the product owner and engineering team to ask questions about intent. We discussed and defined the vision for an improved Composer interface and a more robust, expanded feature set.
I also interviewed the Content Team, a small group of super users identified by the product owner who were working to produce interesting content on the site, each with a different interest or specialty.
During interviews, many users requested features that already existed but were difficult to find, or confessed that they couldn’t understand all the options presented.
Many users requested features that already existed but were difficult to find, or confessed that they couldn’t understand all the options presented.
Consider videography. It would be absurd to shoot, edit, and produce a film one scene at a time from start to finish. Instead, scenes that share a set are shot together, even if they don’t appear back to back in a film. Similarly, users didn’t come to Composer ready to input all their data in the order it would be seen during playback. Instead, they jump around the interface to put in all the geospatial data at once, add all their descriptive text and titles at the same time, or customize colors and styles applied to each chapter.
User didn’t understand what features were present, and struggled to understand the significance or value of the ones they could find. They felt frustrated and confined by the tool, unsure of how to transform geospatial data into the rich narratives they envisioned.
User didn’t understand what features were present, and struggled to understand the significance or value of the ones they could find. They felt frustrated and confined by the tool, unsure of how to transform geospatial data into the rich narratives they envisioned.
Depending on the user’s browser width and its aspect ratio, map edges in Composer might not match those of the fixed-width embeddable viewer. Users couldn’t anticipate the precise area of the map their viewers would see.
Users struggled to navigate the components of their MapStory. Jumps from high-level structure to gritty detail were impossible since the interface required users to navigate deep trees of breadcrumbs progressively, one step at a time.
The vision for MapStory: to empower users to tell stories by exploring, showcasing, and sharing geospatial data that changes over time. We wanted to focus on providing users a tool that’s easy to use, flexible, and accommodates multiple workflows.
Users come to MapStory excited to share interesting, impactful narratives told through maps, not fiddle endlessly with granular settings and clunky interfaces.
Users come to MapStory excited to share interesting, impactful narratives told through maps, not fiddle endlessly with granular settings and clunky interfaces.
Redesign of the embeddable viewer is slated for late 2017, so Composer’s redesign needs to be flexible enough to accommodate new features that may be introduced to enhance the embeddable viewer when the time comes.
A new, tabbed sidebar provides better context for which part of the story is being edited and allows the user to jump easily between chapters, making it easy to jump from high- to low-level, granular story editing. This also facilitates easy copy and paste between sections with shared content or settings. Easier navigation puts users in control of their own workflow, and doesn’t impose a linear process.
New “apply to all” checkboxes throughout the interface reduce the amount of time necessary to create a story, and increase the impact of a user’s effort in Composer.
Better editing mode indicators, contextual help, and explanatory copy help users discover, understand, and take advantage of features when composing a MapStory. Different types of users with different goals can easily understand which features enhance their composing process. The interface accommodates all user personas as elegantly and flexibly as possible.
Preview mode helps storytellers quickly understand how their MapStory will translate to the embeddable viewer. It’s never been easier for storytellers to understand how audiences will see their work in Composer.
MapStory’s investors and stakeholders wanted to see quick demonstrated progress, despite a desire not to be involved in the discovery process. Balancing a long wish list of features with quick, iterative deliveries of work presented a challenge throughout the course of the project.
As the first and only designer on the project, I provided a structure and framework for producing and showcasing design work ahead of development, which gave the team a clear understanding of what we needed to be built, which in turn helped us to hit project benchmarks on time. To align the development team, product owner, investors, and stakeholders, I shared user insights, key findings, drafts of the design, and progress reports along the way.
Once I secured buy-in across the board for a user-centered design approach, I worked closely with the product owner and engineering teams to facilitate discussion and concretely define milestones so we’d have checkpoints and iterative progress toward the overall vision to share with investors and stakeholders along the way.
Few competitors in web-based mapping tools have features that need to be accommodated in a user-friendly interface such as MapStory does. Though competitors do present interesting interfaces to consider for styling and editing geospatial data, none help users produce a playable map that displays change over time. I needed to find interesting user experiences—both successful and unsuccessful—to draw inspiration for MapStory’s Composer redesign.
I turned to video production and editing software, online video communities, sound engineering software, and other applications with a temporal focus, especially ones that provided granular control and non-linear workflows.
To ensure the organization and workflow provided by the new interface made sense, I produced low-fidelity wireframes to discuss in detail with the development team and product owner.
Facilitating these discussions helped me uncover the hidden features of Composer that were difficult to discover by clicking through the interface. By outlining the current feature set with developers and identifying feature sets where they lacked experience or understanding of intent, I created a shared understanding on the team of our blind spots and areas of Composer that were especially hard to understand or use. Throughout Composer we discovered features that didn’t function the way the team thought they did, or didn’t match the product owner’s intent—often the unintended result of half-finished features due to rotating team members or sudden lack of funding.
After revisions and additional review, the team felt satisfied with the interface and feature set the wireframes communicated. From there, I created high-fidelity versions of the wireframes to explore color, typefaces, and things like hover, active, and error states for interactive elements.
I created clickable prototypes and scheduled informal group review sessions with the Content Team—our group of super users—and walked them through my vision for the redesign. I focused discussion on areas of the design where:
The Content Team also helped guide the team where we felt unqualified to make a decision without user input—things like choosing sensible default settings, or where “apply to all” checkboxes would be useful.
While working on the high-fidelity prototypes, I also built and maintained a style guide that would serve as a skeleton for writing CSS. The style guide also helped in discussions with developers about which elements of Composer would be useful to abstract into reusable Angular components to minimize development effort once underway.
With high-fidelity mock-ups and clickable prototypes validated with users, I led final discussions with the development team and product owner to zero in on areas of the design that would require a high level of effort. To maintain budget and timelines, we created simpler yet elegant alternatives to more ambitious features that could be iterated on in the future.
We created milestones and granular development stories to represent the scope of the first release, the order in which the work must be done, and iterations and touch points along the way. Once defined, I made final revisions to the designs to represent precisely what the team had committed to so that features depicted in mock-ups didn’t show future iterations or implementations not detailed by the stories we had written.
Now, the development team has the most complete set of design mock-ups they have ever worked with, and I’m working closely with front-end developers to implement CSS and bring my designs to life in the browser and ensure that designs are implemented with high attention to detail.
Once the redesign is released, I will write an interview script and conduct user acceptance testing. With feedback and responses to some of the same questions I asked during discovery, I’ll be able to provide quantitative and qualitative metrics to stakeholders and the team (load time, amount of time needed to compose the same MapStory, how confident users feel about what viewers will see based on a change they made, etc.). This will help us evaluate the redesign’s success in solving key problems for users, and determine which areas require more work and creative solutions.
As the project progresses and the work goes live, I’ll be updating this case study to reflect lessons learned and successes or failures along the way.


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You are strongly encouraged to form groups of two students for the term project. Project proposals involving a single student can be considered, but the scope of the project should still be considered on par with that of two-student groups.
For the term project, you are to propose an idea that embodies some of the concepts you have learned (or are about to learn) in this AI course. The specific application that you decide to target is left completely to your discretion, but it should be interesting, feasible (within the time frame allotted) and well-suited to the efforts of two students.
The instructor and/or TA will provide feedback regarding your idea, possibly suggesting modifications, expansions or in some cases, narrowing the scope of your proposal. Note that you must obtain approval of the instructor for your proposed project.
Keep in mind that the time frame allocated to the project is similar to that of the previous assignments. As such, the scope of work anticipated for each project member is of a similar nature. Although you are encouraged to explore topics of your own interest, this should not require an investment of effort on par with a Masters thesis! Specifically, you need not work on something brand new; a re-implementation of an existing system is perfectly acceptable, provided that you will learn something and have the opportunity to gain relevant AI experience in the process.
The deliverables will include a report, describing your approach and results as well as an in-class presentation during the final week of the term.
| Criterion | Unsatisfactory | Adequate | Good | Great |
|---|---|---|---|---|
| Introduction & Related Work | 0. none or incomprehensible | 1. The project's objectives are defined with a brief overview of the problem space. Other work is provided but it is not clear how it relates to the problem space or useful to understanding the project’s chosen approach. | 2. The project's objectives are defined and non-trivial. There is sufficient overview of the problem space so readers unfamiliar to the topic have enough background knowledge. A brief explanation of what course concept the project relates to is included. At least 2 related works are clearly described with a clear connection to the project. | |
| Method | 0. none or incomprehensible | 1. The model implemented and data set used are minimally described. There is little to no explanation of how the method was developed. | 3. The model implemented and data set used are described clearly enough that there are enough details that someone could replicate the project. There is an explanation of how the model was implemented and the implementation required more than using open ML libraries (e.g., scikit-learn). There is clear reasoning and justification behind the author's method. | 4. Along with the good criteria, there are attempts to improve performance after the first iteration of running the model whether it is by tuning parameters, adjusting training, or changing model(s). There is discussion on the how the performance was affected by these attempts with possible explanations. |
| Results | 0. none or incomprehensible | 1. The performance of the model(s) are stated. | 3. Graphs or tables are included to show performance of the model(s). The report describes and justifies the measure(s) used for evaluating performance. If more than one model was tested, there is a discussion of tradeoffs between models. | 4. Along with good criteria, to better evaluate performance, results of a random baseline and a standard ML method are provided (ML libraries can be used for this). There is discussion on how the authors' model compares. |
| Discussion & Conclusion | 0. none or incomprehensible | 1. A clear conclusion is drawn from the results and tied back to the stated objective in the introduction. | 2. Along with adequate criteria, the report discusses the successes and failures of their approach based on their results and objectives. Limitation of work and future improvements are discussed | |
| Formatting & References | 0. Does not meet format reqs | 1. Report is in IEEE conference format report, ideally 4-6 pages in length, including references |
The presentation, which accounts for 20% of your project mark, will last approximately fifteen minutes per group (regardless of group size) and should be seen as an opportunity to provide an overview of what you accomplished and the results obtained. Although quality of your oral delivery will not be graded, per se, the articulation of your accomplishments, as evidenced by the presentation, will factor as part of your mark for the overall project. You are thus strongly encouraged to practice your presentation beforehand and make sure that you stick to the time limits.  Students are strongly discouraged from alternating back and forth between the two presenters as this is distracting and interrupts a smooth flow.
| Criterion | Unsatisfactory | Adequate | Good | Great |
|---|---|---|---|---|
| relevance to AI | 0. Does not embody a concept(s) learned in the course | 1. The project embodies a concept(s) learned in class, but does not extend what was learned in class or the project problem is trivial. | 2. Project clearly extends a concept learned in class that is moderately challenging enough that the students learned something new outside of the course curriculum. | |
| Clarity of objectives and approach | 0. unclear | 2. The objectives are defined, but the approach is superficially described. For example, the approach is unclear or not fully justified in relating to the objectives. | 3. The objectives and the approach are clearly communicated and supported by a brief summary of previous work done in the domain. There is justification for the approach chosen and how it relates to the objectives. | 4. Along with the good criteria, the presentation provides a clear conclusion discussing the pros/cons of their approach based on their results and objectives. Future improvements are proposed. |
| Technical content | 0. unclear | 2. The model(s) implemented, the data set used, and final results are minimally described. The results are stated but lacks analysis. | 3. Graphs and tables are appropriately used to describe the dataset and performance of the model(s). The evaluation measure for performance is defined and used to present clear results. | 4. Along with the good criteria, the group discusses attempts to improve performance. Meaningful analysis is provided on trade-offs faced (e.g. between models, parameter tunings, evaluation functions. This will vary on the project) |
| Answers to questions | 0. poor | 1. adequate | 2. good |
Your submission, made through Moodle, should consist of an IEEE conference format report, ideally 4-6 pages in length, including references. Appendices, if included, to help readers understand your results, are not considered part of the page count. A softcopy of your source code must also be included, with instructions to build and run.
Remember that your report is the main method of communicating what you have accomplished to the reader. Therefore, make sure that it is well organized and well written. Your peers will be reading and assessing this work, so it must be written in a manner accessible to a typical ECSE 526 student.
Last updated on 24 November 2017
by Jeremy Cooperstock


---
layout: default
title: Summer 2021 CRA DREU Project
---
about me
I am Sreya Aluri, an international student at the University of Richmond. I am a rising senior and I intend to graduate in May of 2022 with a Bachelor of Science degree in Computer Science and Physics.
You can
contact me via email.
about my mentor
I worked on this research project under the guidance of Dr. Zhe Jiang, Assistant Professor of Computer Science at the University of Alabama, whose research area is interdisciplinary artificial intelligence.
To know more about Dr. Jiang you can visit
his website.
research overview
Accurate and detailed cartographic representations of hydrologic streamlines are critical in various scientific
domains, such as assessing the quantity and quality of present and future water resources, modeling climate
changes, evaluating agricultural suitability, mapping flood inundation, and monitoring environmental changes.
My research pertains to training and testing a convolutional neural network that can be used for the detection of
fine-scale hydrological streamlines.
blog
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{% if site.disqus.shortname %}
{% elsif jekyll.environment != "production" %}
You are seeing this because your Disqus shortname is not properly set. To
configure Disqus, you should edit your _config.yml
to include
either a disqus.shortname
variable.
If you do not wish to use Disqus, override the
comments.html
partial for this theme.


Biden: 2011 Iraq Withdrawal 'a Mistake' in Sense We Couldn't Leave Residual Force Due to Bush | Breitbart
by Ian HanchettDuring an interview with the Wall Street Journal published on Monday, 2020 Democratic presidential candidate former Vice President Joe Biden said that the 2011 withdrawal of troops from Iraq was a “mistake in the sense that” a residual force could not stay due to an agreement struck by former President George W. Bush.
Biden stated, “Well, it was a mistake in the sense that, the president asked me to draw down 150,000 combat troops, and I was in charge of that. And I pled with the Iraqi government to allow a residual force to stay so we could stay focused on, then, al Qaeda, before ISIS. But President Bush had made a deal with the Iraqis that all the forces would be out. We could not get the votes in the parliament to change it, so that we would be able to, with permission, stay in the region.”
(h/t Grabien)
Follow Ian Hanchett on Twitter @IanHanchett


To log onto della first log on to nobel
ssh<EMAIL_ADDRESS>From there can log into della
ssh<EMAIL_ADDRESS>\tigress\efuller
is where I should keep my scripts, write out data to
nobel
are entry linux servers for beginners.
qstat -u efuller
to check status of jobs
sbatch run_job.sh
to run the job
qdel jobnum
to kill a job that’s running
Always change ntasks
first before N
in the run_job.sh
code.
Also see Bridgett’s wiki on using the research computers:
scancel jobID
will cancel a job.
Also some scp commands to get the models back down from della
via nobel
scp model_* efuller@nobel.princeton.edu:/n/homeserver2/user2a/efuller
scp efuller@nobel.princeton.edu:/n/homeserver2/user2a/efuller/model_* .
scontrol show jobid 1109549
Gives start time
Runtime notes
Square matrix: how many entries, times the number of bytes per entry (8 because it’s real). 12 GB is about half a node. Submit it to the test node (runtime less than one hour). Then run scontrol
to see which node it’s on.
Then ssh to node
`
ssh della-r1c3n5
Then run top
to see how much memory it’s using.


This client-facing site is a reservation system used by client lasertag facilities to sign customers in. It utilizes a USB mag stripe reader to read the ID number of a player card swiped upon arrival. The system collects and stores user information for game play, marketing, and player tracking. The reservation system has a customer-facing kiosk component as well as an employee-facing admin component.
Employees at the lasertag facility use the admin portion of the reservation system, pictured below, to register a player for a specific session. When a player card is swiped into the system by an employee, the card number is saved to the database along with session information. Javascript is used to allow the employee to navigate between session pages and perform edits to the player file. Once a game is initiated by an employee, all player information is sent to the lasertag game computer.
Players then swipe the card at a kiosk to enter their personal information and agree to terms of service. When that happens, the kiosk queries the database to verify that the card is registered. As long as it is, it permits the customer to complete the sign-in process. If the card is not registered, it will display an error.


Sexual assault is a crime of power and control. The term "sexual assault" refers to sexual contact or behavior that occurs without explicit consent of the victim.

Who is targeted?
"Rape barely happens"...Little did you know.
We live in a country that values silence instead of speaking out.


A testimonial for Karl
Posted: Sun Aug 31, 2008 1:41 pm
Just like to give my thanks and appreciation for your achievements with this project! I can speak for a lot of us when I say we're very excited to see where Evidyon is heading!
Just a little FYI for everyone, when Xenimus was first introduced as Beta there were no walking or attacking animations (you literally floated around like ghosts) and content was limited as EJ had no intentions for players passing level12. I won't even get into customer service..
If things keep progressing this smoothly a beta by December (I believe that's what I read somewhere) is a very realistic goal. Ultimately I'd love to see Evidyon grow and become a competitive title in the online RPG market and I really believe this to be possible with proper planning and marketing.
To Karl, salute!
Just a little FYI for everyone, when Xenimus was first introduced as Beta there were no walking or attacking animations (you literally floated around like ghosts) and content was limited as EJ had no intentions for players passing level12. I won't even get into customer service..
If things keep progressing this smoothly a beta by December (I believe that's what I read somewhere) is a very realistic goal. Ultimately I'd love to see Evidyon grow and become a competitive title in the online RPG market and I really believe this to be possible with proper planning and marketing.
To Karl, salute!


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{% extends "base.html" %} {% block body %}
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The Material Model Laboratory¶
The Material Model Laboratory (Matmodlab2) is a single element material model driver aimed at developers of constitutive routines targeted for deployment in finite element codes.
This guide is separated into four main parts:
- Part 1: Introduction and Overview
- Part 2: Job Execution
- Part 3: Materials
- Part 4: Material Model Testing
Additionally, a growing collection of Jupyter Notebooks demonstrate Matmodlab2 usage.
About This Guide¶
This guide is both a User’s Guide and Application Programming Interface (API) guide to Matmodlab. The guide assumes a working knowledge of the computing languages Matmodlab is developed in, namely Python and Fortran. No attempt to describe either is made. Online tutorials for each language are readily available. Likewise, the target audience is assumed to have a basic knowledge of continuum mechanics and familiarity with other finite element codes. These concepts are also not described in detail.
Conventions Used in the Guide¶
- Python objects are typeset in
fixed point font
. $
is used to denote a terminal prompt, e.g.$ cd
is interpreted as executing thecd
(change directory) command at a command prompt.
Obtaining and Installing Matmodlab2¶
Matmodlab2 is maintained with git and can be obtained from https://github.com/matmodlab/matmodlab2. To install Matmodlab2, obtain a copy (by cloning or downloading) of the source code and add the path to the matmodlab2
root directory to your PYTHONPATH
.
Acknowledgments¶
The inspiration for Matmodlab2 came from Dr. Rebecca Brannon’s MED material point driver and Tom Pucicks’s MMD driver, developed at Sandia National Labs.
The syntax and documentation have been greatly influenced by the authors’ exposure and use of research codes at Sandia National Labs and other commercial finite element codes, notably Abaqus.
Obtaining Additional Help¶
In addition to this guide, many examples can be found in
matmodlab2/notebooks
and matmodlab2/tests


`bc416d7` Merge pull request #5 from jl777/beta - siulynot
`2933c4d` modified: assetchains.json - Your Name
`8702ec8` new file: ac/ilien - Your Name
`9ca1eb8` Merge pull request #1250 from chainmakers/beta - jl777
`72a3a99` quick hack to make things build on mac - leto
`88e7828` Fix building of libcc on darwin - leto
`4cca11b` Merge pull request #1252 from letolabs/mac - jl777
`fb00eed` Two possible reasons for hang - jl777
`69ccb69` ROGUE_MAXITERATIONS - jl777
`072093c` Return negative - jl777
`44b3739` Return - jl777
`ded4d20` Spend the tokenid v0 to burn it - jl777
corrected invalid non-canonical by setting nExpiryHeight in verification tx
corrected burntx nExpiryHeight to prevent duplication of importtx (malleability)
added importcoin validation for amount, ac_pubkey, nExpiryHeight
added sourcetx creation with amount in opret for validation


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FINAL FANTASY: THE SPIRITS WITHIN A film review by Annette Cardwell Copyright 2001 filmcritic.com
With a team of 200 graphic artists and animators working on this first film production from game developer Squaresoft's Square Pictures, Final Fantasy, inspired by the top-selling game franchise, is visually awe-inspiring and groundbreaking. No doubt, you have never seen anything like this film, and the hyperbolic fanfare surrounding its release is absolutely deserved. But why does such a tremendous feat of eye candy have to be weighted down with a problematic story, wooden dialogue and generally uncharismatic voice acting?
Obviously, the primary goal of the film is to stun and amaze audiences with extremely sophisticated CGI. Everything you see in the film is rendered in great detail: individual threads in the fabric, individual strands of hair swaying, wrinkles and pimples on skin, incredible water effects. Overall, the expressions and lip movements fairly accurately match the emotions and dialogue; and the times when they don't sync perfectly really stand out, since the animation is usually so dazzling. But you won't spend much time dwelling on those gaffes -- as soon as you catch one, the next stellar monster or effect will have you muttering, "Wow..."
Like the series of games, Final Fantasy's plot and characters have little to do with its predecessors, outside of being born from the same Japanese mastermind, Hironobu Sakaguchi. It's the year 2065, and humans are prisoners in caged cities of their own making that guard them from an outside world now overrun with deadly alien "phantoms." Whenever a human comes in contact with the ghostly visitors, the often-invisible beings pass through the body and wrench out its soul (for some unexplainable reason). While many humans agree with a plan by monomaniacal General Hein (James Woods) to blast the aliens with a "Zeus Cannon," Dr. Aki Ross (Ming-Na) and Dr. Sid (Donald Sutherland) plan to build a "wave" using eight collected "spirits" to counteract the phantoms and kill them off.
While the images serve the sci-fi aspect of the film well, the storytelling doesn't. It's unfortunate, because the plot seems so intricately thought out. Perhaps it was far too complex and enormous to be entirely incorporated into the script. Some could blame this weakness on the fact that it was a Japanese concept translated to English, except two Americans wrote the screenplay. Nevertheless, the end result is an elaborate story complicated by confusing holes. Why do these aliens feed on souls? If they can pass through bodies and ships, how can humans hurt them with guns?
Worse yet, the dialogue is scripted to be either like a science-heavy Star Trek episode, an installment of Die Hard, or a sappy love story, depending on who's doing the talking. For the most part, it's bearable considering the genre, but tedious speeches and cheesy lines don't do anything to help the actors and can get annoying in the longer scenes. The only exception is Steve Buscemi as pilot Neil Fleming, who always has great cracks during tense moments.
But, when the lights come up and the credits roll, you're more likely to be remarking on how fantastic the film looked. There's no question that the roughly 33 million people who have bought at least one Final Fantasy game will be eager to see this movie, and so should anyone who enjoys being floored by the best CG animation ever put to film. You'd be living in a fantasy world of your own if you expected much more.

Visit filmcritic.com on the Web at http://www.filmcritic.com
========== X-RAMR-ID: 28795 X-Language: en X-RT-ReviewID: 235386 X-RT-TitleID: 1108683 X-RT-SourceID: 178 X-RT-AuthorID: 3595 X-RT-RatingText: 4/5
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


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571hp Mercedes-AMG GLE 63 unveiled at 2019 LA motor show
by Staff WriterThe GLE 63 and GLE 63 S boast of AMG-specific design cues; powered by a 4.0-litre V8 engine paired with mild-hybrid tech.
Mercedes-AMG has pulled the covers off its three performance SUV debuts at the ongoing LA motor show, with the range-topping GLS 63 joined by two 63 versions of the smaller GLE.
Like its bigger brother, the GLE 63 makes use of the familiar AMG 4.0-litre, twin-turbo V8, this time mated to a mild-hybrid ‘EQ Boost’ starter-alternator system bringing an extra 22hp and 249Nm when called upon. The result is 571hp in the ‘standard’ GLE 63 and 611hp in the GLE 63 S. That translates to a 0-100kph time of 4.0sec for the 63 and 3.8sec for the 63 S, with a respective top speed of 250kph or 280kph on the S with the optional AMG Driver’s Package.
The mild-hybrid system not only aids performance, but also enables functions such as boosting and regeneration, cylinder shut-off and seamless restarting with engine start-stop, resulting in better fuel economy and lower emission figures. As before, the GLE models make use of a 9-speed automatic gearbox that is said to have been further developed from previous uses to improve reaction times.
Standard equipment on both GLE 63s includes AMG Ride Control+ air suspension and three-mode adaptive dampers, all configured specifically for this car to “combine outstanding agility and excellent vehicle dynamics with maximum traction and super day-to-day comfort”, according to Mercedes' claims.
Pneumatic self-levelling makes the BMW X5 M rival maintain a constant ride height regardless of load, with Comfort mode lowering the car by 10mm at over 120kph, while Sport and Sport+ modes do the same right from the start. There are also seven Dynamic Select drive modes.
Further handling-focused features include a 48V active roll stabilisation system and an electronic locking differential for the rear axle. To rein everything in, the GLE 63 features six-piston, 400mm front brakes, with a ceramic braking package also optional.
As with the larger GLS, the GLE 63 benefits from model-specific design touches including a new grille, redesigned front apron, side skirts, flared wheel arches, a diffuser-style rear bumper and twin black chrome tailpipes.
Inside, there are AMG specific nappa leather seats, an AMG wheel with aluminium shift paddles, control panels and instrument functions specific to AMG and a whole heap of new AMG badging elements.
There is no official confirmation yet of the souped up GLEs making it to our shores. However, Mercedes Benz India has started accepting bookings for the standard version of the all-new, fourth-gen GLE that is expected to be launched in our market in February 2020.
Also see:
2019 Mercedes-Benz ESF safety vehicle showcased in India


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Russia conquered the territory of present-day Uzbekistan in the late 19th century. Stiff resistance to the Red Army after
the Bolshevik Revolution was eventually suppressed and a socialist republic established in 1924. During the Soviet era, intensive
production of "white gold" (cotton) and grain led to overuse of agrochemicals and the depletion of water supplies, which have
left the land degraded and the Aral Sea and certain rivers half dry. Independent since 1991 upon the dissolution of the USSR,
the country has reduced its dependence on the cotton monoculture by diversifying agricultural production while developing
its mineral and petroleum export capacity and increasing its manufacturing base. Uzbekistan’s first president, Islom KARIMOV,
led Uzbekistan for 25 years until his death in September 2016. The political transition to his successor, then-Prime Minister
Shavkat MIRZIYOYEV was peaceful, but sidelined the constitutional process where the chairman of the Senate would have served
as the acting president. MIRZIYOYEV, who won the presidential election in December 2016, has improved relations with Uzbekistan’s
neighbors and introduced wide-ranging economic and judicial reforms.
Broadcast media
government controls media; 18 state-owned broadcasters - 14 TV and 4 radio - provide service to virtually the entire country;
about 20 privately owned TV stations, overseen by local officials, broadcast to local markets; privately owned TV stations
are required to lease transmitters from the government-owned Republic TV and Radio Industry Corporation; in 2013, the government
closed TV and radio broadcasters affiliated with the National Association of Electronic Mass Media (NAEMM) of Uzbekistan,
a government-sponsored NGO for private broadcast media; in 2015, the NAEMM relaunched its TV channel under a different name
Internet country code
.uz
total subscriptions
3,412,921
subscriptions per 100 inhabitants
12
subscriptions per 100 inhabitants
79
general assessment
digital exchanges in large cities and in rural areas
domestic
the state-owned telecommunications company, Uzbektelecom, owner of the fixed-line telecommunications system, has used loans
from the Japanese government and the China Development Bank to upgrade fixed-line services including conversion to digital
exchanges; mobile-cellular services are provided by 3 private and 2 state-owned operators with a total subscriber base of
22.8 million as of January 2018
international
country code - 998; linked by fiber-optic cable or microwave radio relay with CIS member states and to other countries by
leased connection via the Moscow international gateway switch; the country also has a link to the Trans-Asia-Europe (TAE)
fiber-optic cable; Uzbekistan has supported the national fiber- optic backbone project of Afghanistan since 2008
percent of population
46.8%
Overview
Uzbekistan is a doubly landlocked country in which 51% of the population lives in urban settlements; the agriculture-rich
Fergana Valley, in which Uzbekistan’s eastern borders are situated, has been counted among the most densely populated parts
of Central Asia. Since its independence in September 1991, the government has largely maintained its Soviet-style command
economy with subsidies and tight controls on production, prices, and access to foreign currency. Despite ongoing efforts to
diversify crops, Uzbek agriculture remains largely centered on cotton; Uzbekistan is the world's fifth-largest cotton exporter
and seventh-largest producer. Uzbekistan's growth has been driven primarily by state-led investments, and export of natural
gas, gold, and cotton provides a significant share of foreign exchange earnings.
GDP (purchasing power parity)
$221.7 billion
GDP (official exchange rate)
$67.51 billion
Gross national saving
31.8% of GDP
Industries
textiles, food processing, machine building, metallurgy, mining, hydrocarbon extraction, chemicals
Industrial production growth rate
4.5%
Labor force
18.12 million
Population below poverty line
14%
Distribution of family income - Gini index
36.8
Taxes and other revenues
29.8% of GDP
Budget surplus (+) or deficit (-)
0.3% of GDP
Fiscal year
calendar year
Inflation rate (consumer prices)
13%
Central bank discount rate
9%
Commercial bank prime lending rate
16%
Stock of narrow money
$6.456 billion
Stock of broad money
$15.47 billion
Stock of domestic credit
$9.506 billion
Market value of publicly traded shares
$NA
Current account balance
$632 million
Export commodities
energy products, cotton, gold, mineral fertilizers, ferrous and nonferrous metals, textiles, foodstuffs, machinery, automobiles
Export partners
Switzerland 35.1%, China 19.7%, Russia 9.3%, Turkey 8.7%, Kazakhstan 7.2%, Bangladesh 5.4%, Afghanistan 4.9%
Import commodities
machinery and equipment, foodstuffs, chemicals, ferrous and nonferrous metals
Import partners
China 22.2%, Russia 18%, South Korea 10.5%, Kazakhstan 10%, Turkey 5.8%, Germany 5.2%
Reserves of foreign exchange and gold
$16 billion
Debt - external
$16.86 billion
Stock of direct foreign investment - at home
$NA
Stock of direct foreign investment - abroad
$NA
household consumption
58.4%
government consumption
16.9%
investment in fixed capital
25.2%
investment in inventories
3%
exports of goods and services
20%
imports of goods and services
-20.5%
expenditures
$19.92 billion
cotton, vegetables, fruits, grain
livestock
Electricity - production
59 billion kWh
Electricity - consumption
48 billion kWh
Electricity - exports
13 billion kWh
Electricity - imports
13 billion kWh
Electricity - installed generating capacity
12.93 million kW
Electricity - from fossil fuels
86.4% of total installed capacity
Electricity - from nuclear fuels
0% of total installed capacity
Electricity - from hydroelectric plants
13.6% of total installed capacity
Electricity - from other renewable sources
0% of total installed capacity
Crude oil - production
52,910 bbl/day
Crude oil - exports
27,000 bbl/day
Crude oil - imports
380 bbl/day
Crude oil - proved reserves
594 million bbl
Refined petroleum products - production
63,650 bbl/day
Refined petroleum products - consumption
61,000 bbl/day
Refined petroleum products - exports
4,102 bbl/day
Refined petroleum products - imports
0 bbl/day
Natural gas - production
55.7 billion cu m
Natural gas - consumption
10.44 billion cu m
Natural gas - exports
14.7 billion cu m
Natural gas - imports
0 cu m
Natural gas - proved reserves
1.841 trillion cu m
Carbon dioxide emissions from consumption of energy
109 million Mt
electrification - total population
100%
Location
Central Asia, north of Turkmenistan, south of Kazakhstan
Coordinates
41 00 N, 64 00 E
Coastline
0 km (doubly landlocked); note - Uzbekistan includes the southern portion of the Aral Sea with a 420 km shoreline
Climate
mostly mid-latitude desert, long, hot summers, mild winters; semiarid grassland in east
Terrain
mostly flat-to-rolling sandy desert with dunes; broad, flat intensely irrigated river valleys along course of Amu Darya, Syr
Darya (Sirdaryo), and Zarafshon; Fergana Valley in east surrounded by mountainous Tajikistan and Kyrgyzstan; shrinking Aral
Sea in west
Irrigated land
42,150 sq km
Population - distribution
most of the population is concentrated in the fertile Fergana Valley in the easternmost arm of the country; the south has
significant clusters of people, while the central and western deserts are sparsely populated
Land boundaries
0 km (doubly landlocked); note - Uzbekistan includes the southern portion of the Aral Sea with a 420 km shoreline
party to
Biodiversity, Climate Change, Climate Change-Kyoto Protocol, Desertification, Endangered Species, Environmental Modification,
Hazardous Wastes, Ozone Layer Protection, Wetlands
signed, but not ratified
none of the selected agreements
elevation extremes
lowest point: Sariqamish Kuli -12 m
natural gas
petroleum
coal
gold
uranium
silver
copper
lead and zinc
tungsten
molybdenum
earthquakes
floods
landslides or mudslides
avalanches
droughts
shrinkage of the Aral Sea has resulted in growing concentrations of chemical pesticides and natural salts
these substances are then blown from the increasingly exposed lake bed and contribute to desertification and respiratory health
problems
water pollution from industrial wastes and the heavy use of fertilizers and pesticides is the cause of many human health disorders
increasing soil salination
soil contamination from buried nuclear processing and agricultural chemicals, including DDT
Government type
presidential republic; highly authoritarian
National holiday
Independence Day, 1 September
Legal system
civil law system
International law organization participation
has not submitted an ICJ jurisdiction declaration; non-party state to the ICCt
Suffrage
18 years of age; universal
Flag description
three equal horizontal bands of blue (top), white, and green separated by red fimbriations with a white crescent moon (closed
side to the hoist) and 12 white stars shifted to the hoist on the top band; blue is the color of the Turkic peoples and of
the sky, white signifies peace and the striving for purity in thoughts and deeds, while green represents nature and is the
color of Islam; the red stripes are the vital force of all living organisms that links good and pure ideas with the eternal
sky and with deeds on earth; the crescent represents Islam and the 12 stars the months and constellations of the Uzbek calendar
conventional long form
Republic of Uzbekistan
conventional short form
Uzbekistan
local long form
O'zbekiston Respublikasi
local short form
O'zbekiston
former
Uzbek Soviet Socialist Republic
etymology
a combination of the Turkic words "uz" (self) and "bek" (master) with the Persian suffix "-stan" (country) to give the meaning
"Land of the Free"
geographic coordinates
41 19 N, 69 15 E
time difference
UTC+5 (10 hours ahead of Washington, DC, during Standard Time)
history
several previous; latest adopted 8 December 1992
amendments
proposed by the Supreme Assembly or by referendum; passage requires two-thirds majority vote of both houses of the Assembly
or passage in a referendum; amended several times, last in 2014
citizenship by descent only
at least one parent must be a citizen of Uzbekistan
dual citizenship recognized
no
residency requirement for naturalization
5 years
chief of state
President Shavkat MIRZIYOYEV (interim president from 8 September 2016; formally elected president on 4 December 2016 to succeed
longtime President Islom KARIMOV, who died on 2 September 2016)
head of government
Prime Minister Abdulla ARIPOV (since 14 December 2016); First Deputy Prime Minister Achilbay RAMATOV (since 15 December 2016)
cabinet
Cabinet of Ministers appointed by the president with most requiring approval of the Senate chamber of the Supreme Assembly
(Oliy Majlis)
elections/appointments
president directly elected by absolute majority popular vote in 2 rounds if needed for a 5-year term (eligible for a second
term; previously a 5-year term, extended by a 2002 constitutional amendment to 7 years, and reverted to 5 years in 2011);
election last held on 4 December 2016 ; prime minister nominated by majority party in legislature since 2011, but appointed
along with the ministers and deputy ministers by the president
election results
Shavkat MIRZIYOYEV elected president; percent of vote - Shavkat MIRZIYOYEV (LDPU) 88.6%, Khatamjon KETMONOV (NDP) 3.7%, Narimon
UMAROV (Adolat) 3.5%, Sarvar OTAMURADOV (Milliy Tiklanish/National Revival) 2.4%, other 1.8%
description
bicameral Supreme Assembly or Oliy Majlis consists of the Senate (100 seats; 84 members indirectly elected by regional governing
councils and 16 appointed by the president; members serve 5-year terms) and the Legislative Chamber or Qonunchilik Palatasi
(150 seats; 135 members directly elected in single-seat constituencies by absolute majority vote with a second round, if needed,
and 15 indirectly elected by the Ecological Movement of Uzbekistan; members serve 5-year terms)
note
all parties in the Supreme Assembly support President Shavkat MIRZIYOYEV
elections
last held on 21 December 2014 and 4 January 2015
election results
Senate - percent of vote by party - NA; seats by party - NA; Legislative Chamber - percent of vote by party - NA; seats by
party - LDPU 52, National Revival Democratic Party 36, NDP 27, Adolat 20, Ecological Movement 15
highest court(s)
Supreme Court (consists of 67 judges organized into administrative, civil, criminal, economic, and military sections); Constitutional
Court (consists of 7 judges)
judge selection and term of office
judges of the highest courts nominated by the president and confirmed by the Oliy Majlis; judges appointed for initial 5-year
term, subsequent 10-year term, and lifetime term subject to reappointment
subordinate courts
regional, district, city, and town courts; economic courts
name
"O'zbekiston Respublikasining Davlat Madhiyasi" (National Anthem of the Republic of Uzbekistan)
lyrics/music
Abdulla ARIPOV/Mutal BURHANOV
note
adopted 1992; after the fall of the Soviet Union, Uzbekistan kept the music of the anthem from its time as a Soviet Republic
but adopted new lyrics
chief of mission
Ambassador Javlon VAHOBOV (since 1 December 2017)
chancery
1746 Massachusetts Avenue NW, Washington, DC 20036
telephone
[1]<PHONE_NUMBER>
consulate(s) general
New York
chief of mission
Ambassador Pamela L. SPRATLEN (since 27 January 2015)
embassy
3 Moyqo'rq'on, 5th Block, Yunusobod District, Tashkent 100093
mailing address
use embassy street address
telephone
[998] (71) 120-5450
12 provinces (viloyatlar, singular - viloyat), 1 autonomous republic* (avtonom respublikasi), and 1 city** (shahar)
Andijon Viloyati, Buxoro Viloyati, Farg'ona Viloyati, Jizzax Viloyati, Namangan Viloyati, Navoiy Viloyati, Qashqadaryo Viloyati
(Qarshi), Qoraqalpog'iston Respublikasi [Karakalpakstan Republic]* (Nukus), Samarqand Viloyati, Sirdaryo Viloyati (Guliston),
Surxondaryo Viloyati (Termiz), Toshkent Shahri [Tashkent City]**, Toshkent Viloyati [Tashkent province], Xorazm Viloyati (Urganch)
1 September 1991 (from the Soviet Union)
ADB
CICA
CIS
EAPC
EBRD
ECO
FAO
IAEA
IBRD
ICAO
ICC (national committees)
ICCt
ICRM
IDA
IDB
IFAD
IFC
IFRCS
ILO
IMF
Interpol
IOC
ISO
ITSO
ITU
MIGA
NAM
OIC
OPCW
OSCE
PFP
SCO
UN
UN Security Council (temporary)
UNCTAD
UNESCO
UNIDO
UNWTO
UPU
WCO
WFTU (NGOs)
WHO
WIPO
WMO
WTO (observer)
khumo (mythical bird)
national colors: blue, white, red, green
Ecological Movement of Uzbekistan (O'zbekiston Ekologik Harakati) [Boriy ALIKHANOV]
Justice (Adolat) Social Democratic Party of Uzbekistan [Narimon UMAROV]
Liberal Democratic Party of Uzbekistan (O'zbekiston Liberal-Demokratik Partiyasi) or LDPU [Shavkat MIRZIYOYEV]
National Revival Democratic Party of Uzbekistan (O'zbekiston Milliy Tiklanish Demokratik Partiyasi) [Sarvar OTAMURATOV]
People's Democratic Party of Uzbekistan (Xalq Demokratik Partiyas) or NDP [Hotamjon KETMONOV] (formerly Communist Party)
no significant opposition political parties or pressure groups in Uzbekistan
Religions
Muslim 88% (mostly Sunni), Eastern Orthodox 9%, other 3%
Population growth rate
0.93%
Birth rate
16.8 births/1,000 population
Death rate
5.3 deaths/1,000 population
Net migration rate
-2.2 migrant(s)/1,000 population
Population distribution
most of the population is concentrated in the fertile Fergana Valley in the easternmost arm of the country; the south has
significant clusters of people, while the central and western deserts are sparsely populated
Mother's mean age at first birth
23.4 years
Total fertility rate
1.76 children born/woman
Health expenditures
5.8% of GDP
Physicians density
2.45 physicians/1,000 population
Hospital bed density
4 beds/1,000 population
Total fertility rate
1.76 children born/woman
HIV/AIDS - adult prevalence rate
NA
HIV/AIDS - people living with HIV/AIDS
NA
Obesity - adult prevalence rate
16.6%
Education expenditures
NA
total dependency ratio
47.7
youth dependency ratio
41.4
elderly dependency ratio
6.2
urban population
36.6% of total population
rate of urbanization
1.62% annual rate of change (2015-20 est.)
total
18 deaths/1,000 live births
male
21.4 deaths/1,000 live births
female
14.4 deaths/1,000 live births
total population
74 years
definition
age 15 and over can read and write
Uzbek 80%
Russian 5.5%
Tajik 5%
Kazakh 3%
Karakalpak 2.5%
Tatar 1.5%
other 2.5%
Uzbek (official) 74.3%
Russian 14.2%
Tajik 4.4%
other 7.1%
TASHKENT (capital) 2.251 million
From age
0
to age
14
:
23.88%
From age
15
to age
24
:
18.52%
From age
25
to age
54
:
44.49%
From age
55
to age
64
:
7.85%
From age
0
to age
14
:
1.05
From age
15
to age
24
:
1.03
From age
25
to age
54
:
0.99
From age
55
to age
64
:
0.9


___ title: My Fourth Post slug: my-fourth-post excerpt: sfsdgfdaaaaaaaaagggeeeeeeeeeeeeeeeeeeeeeeeeeeeeee. date: 2021-05-21 ___
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I'm a Celeb's Andy Whyment relentlessly bullied for loving drama and dancing
I'm a Celebrity star Andy Whyment was bullied so badly for his love of dancing he was nearly removed from school
by Irishmirror.ieI'm a Celebrity star Andy Whyment, 38, seems laid back and confident during his appearance on the show.
But the Coronation Street actor hasn't had an easy ride to fame, and was once so badly bullied his dad considered moving him to another school.
Andy, who plays Kirk Sutherland on the ITV soap, was passionate about acting and dancing from a young age.
He began ballet aged eight, but other kids at his Bolton school were jealous and would relentlessly tease him.
“It was verbal rather than physical, but once one started a few of them would join in", Andy said.
"It was jealousy more than anything else. I was doing something with my life and they were just hanging about the street corners getting hammered every week.
“At one stage my dad was thinking of pulling me out of the school.
“But I told him I didn’t want him to, because if I left then they’d have won. So I stayed and got on with it.”
Andy has been on TV since he was a teenager, starting with roles on shows including Where The Heart Is and The Royle Family.
He also sang in a rock band and busked in Manchester for three years so he didn't have to "sponge off" his parents.
Andy said his bullies were "hanging around on street corners and I was doing something with my life".
He added that his acting success means he would always encourage kids now to follow their dreams.
"At the end of the day, I’ve done quite well out of it", he said.
“Always stick to your dreams. I was bullied because I was different and wanted to be an actor.
“If you are being bullied don’t let it get you down because bullies quickly become bored and move on, and speak to an adult you trust.”
Andy only entered the jungle camp on Thursday, but he's already become the new favourite to win the show.
He won the hearts of the viewers with his rolling commentary during a Bushtucker Trial which saw Cliff Parisi try to avoid Buffallos and lucky dips his way through to find his five stars.
Andy’s commentary and comparing it to “just like watching it on the telly” had hosts Ant and Dec in stitches throughout before being sent to Jungle Jail by the sheriff.


To make things easy to follow, there are a number of conventions used throughout the book. Following are some examples:
./configure --prefix=/usr
This form of text is designed to be typed exactly as seen unless otherwise noted in the surrounding text. It is also used to identify references to specific commands.
install-info: unknown option
`--dir-file=/mnt/lfs/usr/info/dir'
This form of text (fixed width text) is showing screen output, probably a result from issuing a command. It is also used to show filenames such as
/boot/grub/grub.conf
Emphasis
This form of text is used for several purposes in the book but mainly to emphasize important points or to give examples as to what to type.
http://www.linuxfromscratch.org/
This form of text is used for hypertext links external to the book such as HowTos, download locations, websites, etc.
This form of text is used for links internal to the book such as another section describing a different package.
cat > $LFS/etc/group << "EOF"
root:x:0:
bin:x:1:
......
EOF
This type of section is used mainly when creating configuration files. The first command (in bold) tells the system to create the file
$LFS/etc/group
from whatever is typed on the following lines until the sequence EOF is encountered. Therefore, this whole section is generally typed as seen.
<REPLACED TEXT>
This form of text is used to encapsulate text that should be modified and is not to be typed as seen, or copy and pasted. Note that the square brackets are not part of the text, but should be substituted for as well.
root
This form of text is used to show a specific system user or group reference in the instructions.
When packages are created, the authors depend on prior work. In order to build a package in BLFS, these dependencies must be built prior to the desired package. For each package, any prerequisite packages are listed in one or more separate sections: Required, Recommended, and Optional.
These dependencies are the minimum prerequisite packages required to build the package. Omitted from the list are packages in LFS and required dependencies of other required packages.
These dependencies are those that the BLFS editors have determined are important to give the package reasonable capabilities. Package installation instructions assume they are installed. If a recommended package is not desired, the instructions may need to be modified to accommodate the missing package.
These dependencies are those that the package may use. Integration of optional dependencies may be automatic by the package or may need additional instructions not presented by BLFS. Optional packages may be listed without corresponding BLFS instructions. In this case it is up to the user to determine appropriate installation instructions.
Some packages have specific needs regarding the kernel configuration. The general layout is the following:
Master section --->
Subsection --->
[*] Required parameter [CONFIG_REQU_PAR]
<*> Required parameter (not as module) [CONFIG_REQU_PAR_NMOD]
<*/M> Required parameter (could be a module) [CONFIG_REQU_PAR_MOD]
<*/M/ > Optional parameter [CONFIG_OPT_PAR]
[ ] Incompatible parameter [CONFIG_INCOMP_PAR]
< > Incompatible parameter (even as module) [CONFIG_INCOMP_PAR_MOD]
[CONFIG_...] on the right gives the name of the option, so you can
easily check whether it is set in your config
file. The meaning of the various entries
is:
Master section top level menu item Subsection submenu item Required parameter the option could be either built-in or not selected: it must be selected Required parameter (not as module) the option could be either built-in, module, or not selected: it must be selected as built-in Required parameter (could be a module) the option could be either built-in, module, or not selected: it must be selected, either as built-in or module Optional parameter rarely used: the option could be either built-in, module, or not selected: it may be selected at will Incompatible parameter the option could be either built-in or not selected: it must not be selected Incompatible parameter (even as module) the option could be either built-in, module, or not selected: it must not be selected
Note that, depending on other selections, the angle brackets (<>) may appear as braces ({}), if the option cannot be unselected, or even dashes (-*- or -M-), when the choice is imposed. The help text about the option specifies the other selections on which this option relies, and how those other selections are set.
As in LFS, each package in BLFS has a build time listed in Standard Build Units (SBUs). These times are relative to the time it took to build binutils in LFS and are intended to provide some insight into how long it will take to build a package. Most times listed are for a single processor or core to build the package. In some cases, large, long running builds tested on multi-core systems have SBU times listed with comments such as '(parallelism=4)'. These values indicate testing was done using multiple cores. Note that while this speeds up the build on systems with the appropriate hardware, the speedup is not linear and to some extent depends on the individual package and specific hardware used.
For packages which use ninja (e.g. anything using meson) or rust, by default all cores are used so similar comments will be seen on such packages even when the build time is minimal.
Where even a parallel build takes more than 15 SBU, on certain machines the time may be considerably greater even when the build does not use swap. In particular, different micro-architectures will build some files at different relative speeds and this can introduce delays when certain make targets wait for another file to be created. Where a large build uses a lot of C++ files, processors with Simultaneous Multi Threading will share the Floating Point Unit and can take 45% longer than when using four 'prime' cores (measured on an intel i7 using taskset and keeping the other cores idle).
Some packages do not support parallel builds and using -j1 for the make command is required. Packages that are known to have such limits are marked as such in the text.
Last updated on 2018-09-23 12:06:59 -0500


Tool for the development of multi-linear QSPR/QSAR models (Quantitative structure-property/activity relationship). Theses models are used in chemistry, biology and pharmacy to find a relationship between the structure of a molecule and its property (such as activity, toxicology but also physical properties). The various functions of this package allows: selection of descriptors based of variances, intercorrelation and user expertise; selection of the best multi-linear regression in terms of correlation and robustness; methods of internal validation (Leave-One-Out, Leave-Many-Out, Y-scrambling) and external using test sets.
| Version: | 1.0 |
| Depends: | leaps |
| Suggests: | testthat |
| Published: | 2016-03-15 |
| Author: | Vinca Prana |
| Maintainer: | Vinca Prana <vinca.prana at free.fr> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | no |
| CRAN checks: | DEMOVA results |
| Reference manual: | DEMOVA.pdf |
| Package source: | DEMOVA_1.0.tar.gz |
| Windows binaries: | r-devel: DEMOVA_1.0.zip, r-release: DEMOVA_1.0.zip, r-oldrel: DEMOVA_1.0.zip |
| OS X binaries: | r-release: DEMOVA_1.0.tgz, r-oldrel: DEMOVA_1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=DEMOVA to link to this page.


module_closure/[2,3]
module_closure/2 – creates a module closure
module_closure/3 – creates a module closure for the specified procedure
FORMS
:- module_closure(Name,Arity,Procedure).
:- module_closure(Name,Arity).
DESCRIPTION
For some Prolog procedures, it is essential to know the module within which
they are invoked. For example, setof/3 must invoke the goal in its second argument relative to the correct module.
The problem is that setof/3 is defined in module builtins, while it may invoked in some other module which is where the code defining
the goal in the second argument should be run. In reality, setof/3 is defined as the module closure of another predicate setof/4 (whose definition appears in the builtins module). The extra argument to setof/4 is the module in which the goal in the second argument of setof/3 is to be run. Declaring setof/3 to be a module closure of setof/4 means that goals of the form
...,setof(X, G, L),...
are automatically expanded to goals of the form
...,setof(M, X, G, L),...
where M is the current module; i.e., the module in which the original call took
place. Thus setof/4 is supplied with the correct module M in which to run the goal in the second argument of the original call to setof/3.
The actual predicate that you write should expect to receive the calling
module as its first argument. Then one ‘closes’ the predicate with a module closure
declaration which suppresses the first (module) argument. The arguments to module_closure/3 are as follows:
Name is the name of the procedure the user will call.
Arity is the number of arguments of the user procedure; that is, the number of
arguments in the ‘closed’ procedure which the user procedure will call.
Procedure is the name of the (unclosed) procedure to call with the additional
module argument. Note that Procedure can be different than Name, although they
are often the same.
The procedure that the user will call should be exported if it is contained
within a module. The actual (unclosed) procedure does not need to be exported. module_closure/2 simply identifies the first and third arguments of module_closure/3. That is, the command
:- module_closure(foo,5).
is equivalent to
:- module_closure(foo,5,foo).
EXAMPLES
The following example illustrates the use of module_closure/3. First assume that the following three modules have been created and loaded:
module m1.
use m3.
export testA/1.
testA(X) :- leading(X).
p(tom).
p(dick).
p(harry).
endmod. % m1
module m2.
use m3.
export testB/1.
testB(X) :- leading(X).
p(sally).
p(jane).
p(martha).
endmod. % m2
module m3.
leading(X) :- p(X).
endmod. % m3
Attempting to run either testA or testB fails:
?- testA(X).
no.
?- testB(X).
no.
This is because the call to p(X) runs in module m3 which has no clauses defining p/1. Now let us change module m3 to read as follows:
module m3.
first(M,X) :- M:p(X).
export leading/1.
:- module_closure(leading,1,first).
endmod.
We have defined a new predicate first/2 which carries a module as its first argument and which makes the call to p(X) in that module. And we have specified that leading/1 is the module closure of first/2. Now the calls succeed:
?- testA(X).
X = tom
yes.
?- testB(X).
X = sally
yes.
Note that we exported leading/1 from module m3, and both module m1 and module m2 were declared to use module m3.
SEE ALSO
:/2, User Guide (Modules).


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