Fear and Loathing in Las Vegas (1998) 118m.
There are always a few posers to consider when reviewing a long-in-coming film adaptation of a well-known book. Should the film be judged without reference to its source material? Should you read the book first and then view the film as its visual interpretation? What about reading the book afterwards? Should you read it at all? Shouldn't a film be its own peculiar entity, irrespective of its ancestry?
I didn't have a problem with Terry Gilliam's film of Hunter S. Thompson's book, but I imagine several others will. To begin with, it's one of those books that are tagged 'unfilmable'. I was in the fortunate position of having read 'Fear and Loathing' several years ago in high school, so by the time of the film version I had forgotten nearly everything that had happened in the book (so, I suspect, had Thompson). But I did remember the overall 'nothingness' of the story, which was enough to prepare me for the movie. The one-sentence plot can be summarized thus: Two men go to Las Vegas with a suitcase full of drugs and spend the whole trip off their heads. It's pointless, plotless, and indulgent. It was also the birth of what became known as 'gonzo journalism', a sort of stream-of-consciousness reportage where the journo drops all pretense of trying to say anything important and becomes his own story.
If Hunter's book is gonzo journalism then Gilliam's film is gonzo cinema. It's gleefully self-destructive. It is Gilliam fastening his lance to a Chevrolet convertible and charging at the windmills with his foot to the floor. But where he really nails down the film with one solid thwack is the way that everyone involved with the project doesn't seem to care about the risk they are taking. Nothing about it is subtle. The acting and directing are uninhibited to the point of being sophomoric. And nobody is going to apologize. If FEAR AND LOATHING is trying to simulate Thompson's similarly reckless state of mind (as it was in 1971) then it has to succeed on that score at least. It recreates the sensation that many of its prospective audience will undoubtedly relate to - that when you're stoned anything and everything can be funny. The opening five minutes is hysterical, but it's another thing to keep repeating those five minutes ad nauseum to the same effect. Gilliam tries to make it as attractive as possible nevertheless, at least to cinema-goers, and those most interested in FEAR AND LOATHING will be the ones going to see its heightened pop colors, drunken angles, and crystal-clear depth of field on the big screen. Those who are less interested will grab it off the video shelf and sit through forty minutes before hitting the fast-forward button. This film isn't made for video. It is not meant to be controlled by the viewer. It's a film that controls the viewer. It wants to be the rush, and you the user. It's what I like most about Gilliam's project; there's an admirable folly in making a big-budget film supposedly for mainstream audiences and then telling them that they're going to have to learn to watch films differently if we ever want to get out of the Hollywood rut. David Cronenberg has been pushing this element into commercial cinema for years now. When he or Gilliam get around to making something out of a Thomas Pynchon novel, I know we'll have arrived.
And in the middle of this paranoid, hallucinogenic buzz sits Johnny Depp, adding to his collection of oddball characters, who is left to provide some sort of anchor to all the disorganization around him. Except Depp is just as flaky as everything else in the film, so even that idea gets torpedoed. If you hate Depp's bewildered performance - like Groucho Marx after shock treatment - then you'll be one of the people that walks out early, something I'm confident happens in nearly every screening this film has. Maybe they didn't read the book. Or maybe they did. Or maybe they just wanted to perpetuate the concept of gonzo-filmgoing by buying tickets for a movie they didn't want to watch.
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Welcome to the Phantasma documentation!
Here you will be able to find all information that relates to the Phantasma Ecosystem.
What do you want to learn?
- About the Phantasma economy? Read the economy section.
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| cmsxlink | Linker |
| cmsxic | Intermediate Code Compiler |
| cmsxi | Intermediate Code Processing Library |
| cmsxdump | Binary File Inspector |
| cmsxas | Assembler |
| cmsxar | Archiver |
| cmsx | Driver |
| cmsxmdb | Debugger |
| cmsxk | Kernel |
| cmsxa | Assembly Code Processing Library |
| cmsxo | Binary Formats and Linking |
| cmsxm | Virtual Machine |
| cmsxu | Utilities |


| Index Entry | | Section |
|
| C | | |
| Class, constant- : | | Internal classes |
| Class, identity- : | | Internal classes |
| Class, lazy-sequence : | | Exported classes |
| constant- : | | Internal classes |
|
| D | | |
| data-lens : | | The data-lens system |
| data-lens : | | The data-lens package |
| data-lens.lenses : | | The data-lens․lenses package |
| data-lens.package : | | The data-lens․package package |
| data-lens.transducers : | | The data-lens․transducers package |
| data-lens.transducers.internals : | | The data-lens․transducers․internals package |
| data-lens/beta/transducers : | | The data-lens/beta/transducers system |
|
| I | | |
| identity- : | | Internal classes |
|
| L | | |
| lazy-sequence : | | Exported classes |
|
| P | | |
| Package, data-lens : | | The data-lens package |
| Package, data-lens.lenses : | | The data-lens․lenses package |
| Package, data-lens.package : | | The data-lens․package package |
| Package, data-lens.transducers : | | The data-lens․transducers package |
| Package, data-lens.transducers.internals : | | The data-lens․transducers․internals package |
|
| S | | |
| System, data-lens : | | The data-lens system |
| System, data-lens/beta/transducers : | | The data-lens/beta/transducers system |
|


July 28, 2014
Anyway, this guy is one of my best friends, so naturally my other friends ask about him sometimes. On several occasions, my friends have asked this guy in person about his occupation, which I had already disclosed to them, which has resulted in severely awkward moments when he is very clearly making something up as a response. Ultimately I confronted him about this, telling him he doesn't need to do that, that people won't judge him, that I don't understand why he isn't honest, etc.. but he just wasn't having it. It resulted in a relatively emotional argument between the two of us on why he was acting the way he was and his justification.
Discuss a time you had an emotional conflict with someone. What was it about? What happened?
Not too long ago I got into an argument with a friend because he refuses to tell people what he does for a living. I'm really proud of my friend and the success he has had in his career. It is clear that he loves what he does (at least when he is willing to express that), but he is afraid to tell people the truth upon meeting them. He believes that he will be judged by his success, and that people will either have certain expectations of him or that they will treat him differently. I understand his concern, but don't agree that he should feel the need to be dishonest when meeting people. I think he should be proud of all that he is done and is doing. He should be proud of his success and shouldn't assume that others will judge him for it.Anyway, this guy is one of my best friends, so naturally my other friends ask about him sometimes. On several occasions, my friends have asked this guy in person about his occupation, which I had already disclosed to them, which has resulted in severely awkward moments when he is very clearly making something up as a response. Ultimately I confronted him about this, telling him he doesn't need to do that, that people won't judge him, that I don't understand why he isn't honest, etc.. but he just wasn't having it. It resulted in a relatively emotional argument between the two of us on why he was acting the way he was and his justification.
What was the source of the conflict?
The source of the conflict was me not understanding my friend's behavior. I hadn't taken the time to truly understand why he might be acting like this. I just took it at face value and acted on it after getting frustrated enough with his actions. In addition to that, he never sat me down and expressed his true reasoning.How did you handle that conflict?
Ultimately, after confronting my buddy and arguing with him for a while, trying to tell him he's acting immature and that his actions have no merit, I could see that he was becoming visibly upset. Like, really sad upset. Like he was reflecting on something that happened a long time ago that I was forcing him to revisit. It became very clear that continually expressing my dissatisfaction with his actions was the wrong way to handle the conflict.Did your actions make the conflict better or worse?
Definitely worse, as they made my friend really upset. I forcefully made my friend revisit a time in his life that he didn't want to go back to - which was the source of his cover-ups when asked about his occupation. As I stood there perplexed that my friend was crying, he began verbalizing what was going on in his head, providing me context to his actions. I felt so bad that I had forced an explanation from him.If you could go back, what would you do differently, if anything?
I would have stopped prying when it was evident that my friend didn't want to talk about it. As a good friend, I should have taken that for what it is, and stopped asking. On the other hand, I may have just approached asking the question differently. The way I handled it was kind of in an accusatory manner, like "You're doing this and I don't know why!". I should have openly said 'If you don't want to talk about this, let me know. That's ok.' and let him know that if he did want to talk about anything I'd be there to listen.What did you learn from this experience?
That there are often times deeper underlying reasons for peoples actions that you might not recognize immediately. And because of this, I shouldn't be so quick to act on an assumption, but should instead make sure I understand the issue further before acting.Copyright: Gary Hammell 2014


--- layout: fluid/docs_base id: 404 title: 404 - Page Not Found permalink: /404.html ---
The address might be mistyped or the page may have moved.


Compresses (or Expands) the partial amplitudes. Compression squeezes the amplitudes exponentially towards 1.0. Expansion pushes them exponentially away from 1.0.
- Input
- The partials source
- Scale
- If this is > 0.5, then the partials are compressed more and more. If this is < 0.5, then the partials are expanded more and more. At 0.5 this module does nothing.


Select the schema to validate the model against on the "Schema" page and press "Load schema"
Once the schema has been loaded, you are redirected to the "Validate" page
Select your model by pressing the "Choose file" button
Press the "Submit" button. The file will be uploaded and validated and you are redirected to the "Report" page to see the results
After each validation you may cut and past the results on the report page to an editor of your choice if you want to make a copy of the validation report
You can validate a new file against the same schema by going back to the "Validate" page and selecting a new file to upload.
After each session, all uploaded files are deleted from the server.


Next: Event coincidence of symbols, Previous: Nulled subtrees and events, Up: Events [Contents][Index]
We say that two event instances “coincide” if they occur at the same parse location. We say the two event instances are coincident same-symbol-instance event instances iff both event instances trigger at the same parse location and both event instances are for the same symbol instance. Since every event triggered by a single symbol instance will be for the same symbol, coincident events triggered by a single symbol instance can differ only in their event type. This event type will always be one of the recognizer per-symbol events.


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From startups to Fortune 500 companies, TheSaaS is the most visual way for teams to collaborate on any project. Uniquely evolve equity invested value vis-a-vis proactive testing procedures. Collaboratively create worldwide results without resource maximizing. Uniquely evolve equity invested value vis-a-vis proactive testing procedures. Collaboratively create worldwide results without resource maximizing.
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Plugin Information |
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Distribution of this plugin has been suspended due to unresolved security vulnerabilities, see below. |
The current version of this plugin may not be safe to use. Please review the following warnings before use:
The XL TestView Plugin integrates Jenkins with XebiaLabs XL TestView
by adding a post-build action to your Jenkins installation:- Send test results to XL TestView
Requirements
- XL TestView: version 1.2.0 or higher.
- Jenkins: LTS version 1.609.1 or higher.
- Java: version 7 or higher.
Features
- Send test results to XL TestView
Configuration
There are 2 places to configure the XL TestView Jenkins Plugin: the global Jenkins configuration and job configuration.
Plugin configuration
At Manage Jenkins -> Configure System you can specify the XL TestView server URL and one or more sets of credentials. Different credentials can be used for different jobs.
Job configuration
In the Job Configuration page, choose Post-build Actions -> Add post-build action -> Send test results to XL TestView. Now you can configure a globbing pattern used to find the test results.
Links
Release Notes
Version 1.2.0 (August 3, 2016)
- Add the build duration to the metadata sent to XL TestView. This requires XL TestView 1.4.4 or higher. The duration is the time of the build up to the running of the build step.
Version 1.1.1 (February 15, 2016)
Bug fixes
- Ensure that the 'Mark build as unstable if sending test results fails.' check box works properly.
Version 1.1.0 (November 23, 2015)
Possible breaking changes
- Build with Java 1.7 and depend on Jenkins 1.609.1. Starting with this version, Jenkins will need to run with Java 1.7.
Bug fixes
- Do not send extra slashes in the XL TestView REST calls when there are extra trailing slashes in the XL TestView server configuration.
- Upload test data using chunked encoding.
Improvements
- Add option to not change the build status when there is a problem communicating with XL TestView.
- Send user agent identifying the version of the plugin.
- Explicitly deal with cases where the XL TestView license expired.
- Improve exception handling for authentication and connection errors.
- Improve help messages.
- Improve error messages.
- Fix IntelliJ project generation.
Version 1.0.1 (June 16, 2015)
- Fix filtering of test specification sets in the post build step.
- Small textual improvements.
Version 1.0.0 (June 9, 2015)
- Upload test results to a test specification.
- Upload different types of test results to test specifications.


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Phenote loads and saves data by means of data adapters. Data adapters are code modules that know how to get data into or out of Phenote. A data adapter might read data from a formatted file on a hard drive, write data to a relational database, or download a file from SVN/CVS.
Every file format or database schema is different. Many data adapters have complex options, particularly when saving data. Phenote currently has three built-in data adapters: PhenoXML, PhenoSyntax, and a tab-delimited format. (It soon will have an OBO-edit 1.3 annotation format adapter.)
This section provides a general overview of how to load and save, as well as an in-depth discussion of each of Phenote's built-in data adapters.


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Develop Microservice with SpringMVC
Concept Description
ServiceComb supports Spring MVC annotations to define your REST services. The samples project has a lot of working examples.
Development Example
Step1 Define the service interface （optional）
Writing a interface for the REST service make it easy to call the service in client in RPC style.
public interface Hello {
String sayHi(String name);
String sayHello(Person person);
}
Step2 Implement the services
The annotations of Spring MVC are used to describe the development of service code. The implementation of the Hello service is as follow:
```java @RestSchema(schemaId = "springmvcHello") @RequestMapping(path = "/springmvchello", produces = MediaType.APPLICATION_JSON) public class SpringmvcHelloImpl implements Hello { @Override @RequestMapping(path = "/sayhi", method = RequestMethod.POST) public String sayHi(@RequestParam(name = "name") String name) { return "Hello " + name; }
@Override
@RequestMapping(path = "/sayhello", method = RequestMethod.POST)
public String sayHello(@RequestBody Person person) {
return "Hello person " + person.getName();
}
}
### Step3 add a component scan （optional）
create `resources/META-INF/spring` folder and add `springmvcprovider.bean.xml`, add component-scan to specify the bean package. This step is optional. The package where main class located is automatically added.
```xml
<?xml version="1.0" encoding="UTF-8"?>
<beans xmlns="http://www.springframework.org/schema/beans"
xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
xmlns:context="http://www.springframework.org/schema/context"
xsi:schemaLocation="http://www.springframework.org/schema/beans classpath:org/springframework/beans/factory/xml/spring-beans-3.0.xsd
http://www.springframework.org/schema/context http://www.springframework.org/schema/context/spring-context-3.0.xsd">
<context:component-scan base-package="org.apache.servicecomb.samples.springmvc.povider"/>
</beans>
Step4 Wrtie a main class
This code using log4j as the logger framework. Users can change it to any other favorite logger framework.
public class SpringmvcProviderMain {
public static void main(String[] args) throws Exception {
Log4jUtils.init();
BeanUtils.init();
}
}
Using POJO as query parameters
Description
SpringBoot supports to map a bean parameter to HTTP queries.
@RequestMapping("/hello")
public class HelloService {
@RequestMapping(value = "/sayHello", method = RequestMethod.GET)
public String sayHello(Person person) {
System.out.println("sayHello is called, person = [" + person + "]");
return "Hello, your name is " + person.getName() + ", and age is " + person.getAge();
}
}
ServiceComb supports this usage too, but has following constraints.
1. Must not add any mapping annotations, such as @QueryParam
2. Only map to query parameters, headers and forms not supported.
3. Variables name in POJO definition must be the same as query keys.
4. Only primitive and String types supported in POJO, add @JsonIgnore
to other types to ignore it.
5. In consumer site(e.g RestTemplate), still need to use query parameters, can not use POJO.
Examples
Provider
- service definition
@RestSchema(schemaId = "helloService")
@RequestMapping("/hello")
public class HelloService {
@RequestMapping(value = "/sayHello", method = RequestMethod.GET)
public String sayHello(Person person) {
System.out.println("sayHello is called, person = [" + person + "]");
return "Hello, your name is " + person.getName() + ", and age is " + person.getAge();
}
}
- parameters
public class Person {
private String name;
private int age;
@JsonIgnore // add @JsonIgnore to unsupported types
private List<Person> children;
}
- Schemas
basePath: "/hello"
paths:
/sayHello:
get:
operationId: "sayHello"
parameters:
# name and age is query parameter
- name: "name"
in: "query"
required: false
type: "string"
- name: "age"
in: "query"
required: false
type: "integer"
format: "int32"
responses:
200:
description: "response of 200"
schema:
type: "string"
Consumer
- Call using RPC
- add an interface
java public interface HelloServiceIntf { String sayHello(String name, int age); }
- call the interface
java String result = helloService.sayHello("Bob", 22); // result is "Hello, your name is Bob, and age is 22"
- Call using RestTemplate
java String result = restTemplate.getForObject( "cse://provider-service/hello/sayHello?name=Bob&age=22", String.class);
ServiceComb suppoted Spring MVC annotations and differences
ServiceComb supports Spring MVC annotatioins(org.springframework.web.bind.annotation) to define REST interfaces, but they are different. ServiceComb do not support @Controller
frameworks and only support @RestController
frameworks.
- Differences in supported annotations
Table 1-1 annotations
| annotation | supported | notes |
|---|---|---|
| RequestMapping | Yes | Can only have one path, multiple path is not supported. |
| GetMapping | Yes | |
| PutMapping | Yes | |
| PostMapping | Yes | |
| DeleteMapping | Yes | |
| PatchMapping | Yes | |
| RequestParam | Yes | |
| CookieValue | Yes | |
| PathVariable | Yes | |
| RequestHeader | Yes | |
| RequestBody | Yes | supports application/json，plain/text |
| RequestPart | Yes | Used in file upload. Using Part、MultipartFile annotations. |
| ResponseBody | No | @Controller framework is not supported |
| ResponseStatus | No | Using ApiResponse to define status code |
| RequestAttribute | No | |
| SessionAttribute | No | |
| MatrixVariable | No | |
| ModelAttribute | No | |
| ControllerAdvice | No | |
| CrossOrigin | No | |
| ExceptionHandler | No | |
| InitBinder | No |
- Define a REST service
Spring MVC using @RestController
to define a REST service，ServiceComb using @RestSchema
to define a REST service，and path value in @RequestMapping
is required.
@RestSchema(schemaId = "hello")
@RequestMapping(path = "/")
@RestController
is also supported and equals to @RestSchma(schemaId="class name")
. However we suggest using @RestSchema
to define a schemaId，it's more convenient when used in configurations.
Cautions: If the classes with @RestController
are not expected to be processed by ServiceComb-Java-Chassis and work as REST services, the config item servicecomb.provider.rest.scanRestController=false
can be specified to disable the feature mentioned above.
- Supported data types
Spring MVC supports almost all java types in service difinition, e.g.
// abstract class
public void postData(@RequestBody Object data)
// interface
public void postData(@RequestBody IPerson interfaceData)
// generic without types
public void postData(@RequestBody Map rawData)
// servlet types
public void postData(HttpServletRequest rquest)
ServiceComb need to generate Open API schemas based on definition, and support cross language features, so some of there usage is not supported.
HttpServletRequest，Object is supported in latest version, but they are different. We suggest not using there features if possible.
please refer to API Constraints for data type supports.


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'3 Black Chicks Review...'
Play It To The Bone (1999) Rated R; running time 124 minutes Genre: Comedy IMDB site: http://us.imdb.com/Details?0196857 Official site: http://movies.go.com/playit/index.html Written by: Ron Shelton Directed by: Ron Shelton Starring: Woody Harrelson, Antonio Banderas, Lolita Davidovich, Lucy Liu, Tom Sizemore, Robert Wagner, Richard Masur
Review Copyright Rose Cooper, 2000 Review URL: http://www.3blackchicks.com/bamsplayit.html
In the six months since Diva and I created 3BC, I've grown much more tolerant about movies; setting aside outright ig'nant crap like "Supernova", I've learned to roll with the cinematic punches, suspend my disbelief, and give a movie the benefit of the doubt--even those I give the redlight. But I have a line that cannot be crossed: Bammer's First Commandment Of Flicks is, "Thou shalt not be filled to the brink with pointlessness"...
The Story (WARNING: **spoilers contained below**): Vince Bourdreau (Woody Harrelson) and Caesar Dominguez (Antonio Banderas) are best pals and professional boxers With A Past; on their last legs, they're given one last chance at redemption. But their last chance comes at a price: they have to fight each other. Called as a last-minute undercard match, on the day of the fight, by sleazy promoters Hank Goody (Robert Wagner), Joe Domino (Tom Sizemore), and Artie (Richard Masur), they head for Las Vegas by Bad Ass car [I'm not exaggerating; it should've been billed as such in the closing credits]. Taking them on this inexplicable road trip from L.A. to Vegas is the Bad Ass car's owner with whom they've both had "past experience", Grace Pasic (Lolita Davidovich); and joining them after a pit stop is Lia (Lucy Liu), a "free spirit" who never met a drug, or a penis, she didn't like.
The Upshot (WARNING: **spoilers contained below**): "Play It To The Bone" is billed as a Comedy, but it had me asking "why?" and "how?" so many times, it shoulda been classified a Mystery...
The biggest "why?" by far was the completely unrealistic road trip itself. Work with me here: Vince and Ceasar have the fight of their professional lives thrust upon them; given the opportunity by the boxing promoters to take a flight from to Vegas, they instead go pick up Grace (more Weird than the Bad Ass the film tries to make her out to be) so she could drive them there? WHY? Folks, the BS Meter worked overtime on this one. As writer and director, Ron Shelton could've solved this whole problem by making the fight be scheduled for at least "tomorrow", but noooooo. This point alone damn near ruined the entire movie for me; just as the totally unbelievable explanation for keeping Nicholas Cage's character in "Face/Off" alive made me walk out of that flick in disgust, I felt the urge to do the same here. But tolerance won out, and I instead just grumbled under my breath. Of course, it didn't help that, at what Grace called the "halfway point to Vegas", she went on to say they were still five hours out. Even given a trip down the "scenic route", the whole trip between L.A. and L.V. wouldn't take that long.
Another "why?" I mostly know the answer to already: why pad the movie with pointless cameos from the likes of Kevin Costner, Steve Lawrence, and of all people, Rod Stewart? The HBO boxing commentators (Larry Merchant, Jim Lampley, and George Foreman), I could understand; but what with all those pointless cameos by animate and inanimate objects alike, two words came swiftly to mind: "product placement". And while I'm asking questions, here's a "how?" for you to ponder when you see this flick: given that the road trip took 5+ hours, add to that the amount of time it'd take to do all the stuff involved in a professional fight (getting the boxers weighed in, physically examined, properly warmed-up, etc), and the approximate amount of time a normal fight would last. Factoring all that in, ask yourself how the sun could be in the position it was at the end of the movie. Get my drift?
Some would say that my dwelling on such things only set me up to not like this flick; thinking too long and hard about a comedy, they say, often leads to disaster.  The proof is in the pudding: the vast majority of this review deals with the breaking of my number one Flick Commandment. Shelton earned my disdain for taking such outlandish shortcuts just to get to the sole salvation of the movie: the big fight; and though the big fight made sitting through everything else almost worth it, I don't think I could trust a movie bearing the credit "Written and Directed By Ron Shelton", ever again.
All that said...the big fight was a doozy. I was almost able to forgive the entire movie, because of what happened during the fight. I'm no sports fan--and certainly after this, I'm even less likely to watch real boxing than ever before--but I gotta admit that Shelton et al did a bang-up job in those scenes (no pun intended). I'll say this much: if you dig Antonio Banderas or Woody Harrelson for their looks, you won't want to see what happens to them in the process of their fight. Though I was more impressed with Denzel Washington's physicality during his turn in the ring in "The Hurricane" (given much shorter time on-screen, granted), Harrelson and Banderas were no slouches in the squared circle. In a word, that fight was intense.
But we're not quite done yet with the Mystery: why Lia?
The "Black Factor" [ObDisclaimer: We Are Not A Monolith]: A few weeks back, a 3BC reader asked me why I don't have a "Female Factor" as well as a "Black Factor"; my "Chickness" being as important, so the thought goes, as my "Blackness". I've been looking for an "in" for a FF ever since. Looks like I've found one.
I don't watch TV's "Ally McBeal", but I've seen enough snippets of it to know that co-star Lucy Liu is supposed to be the resident Bad Ass Chick there; having played a similar role in Mel Gibson's "Payback", Liu is likely seen by casting directors as the innocent-looking young thing with a heart of stone, a challenge to men and women alike. I have absolutely no doubt that that's why she was cast in this movie. And I have absolutely no doubt that it was about the dumbest move of all, second only to the illogical road trip itself. As Lia, her entire part in this flick could've been excised from the film and scattered to the wind, with nary a skipped beat. Of course, it would've put the sole onus of being Femme Fatale, square in Davidovich's lap--and with the bizarre way her part was written, that might have been one blow too many.
Why, Shelton; why?
Bammer's Bottom Line "Play it to the Bone" rates a conditional yellow, for its sheer pointlessness; everything up to, and after, the big fight, had me rolling my eyes--but man, that fight was brutal. I haven't been so repulsed, yet so fascinated, by anything in a long time. If you can stomach it (and the "comedy" that precedes it), it's probably the movie for you.
"Play It To The Bone" (rating: yellowlight): "Boom Boom Boom" indeed.
3 Black Chicks...Movie Reviews With Flava! /~\ Rose "Bams" Cooper /','\ 3BlackChicks Enterprises /','`'\ Copyright Rose Cooper, 2000 /',',','/`, EMAIL<EMAIL_ADDRESS>ICQ: 7760005 `~-._'c / http://www.3blackchicks.com/ `\ ( http://www.dealpilot.com/?partner=1987 /====\
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Study Master in English Medium in Japan
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| I l@ve RuBoard |
This chapter presents a selection of the essential tools that make up the Python standard library—built-in functions, library modules, and their most useful functions and classes. These are the sine qua non; while you most likely won't use all of these in any one program, no useful program we've ever seen avoids all of these. Just as Python provides a list data structure object type because sequence manipulations occur in all programming contexts, the library provides a set of modules that will come in handy over and over again. Before designing and writing any piece of generally useful code, check to see if a similar module already exists. If it's part of the standard Python library, you can be assured that it's been heavily tested; even better, others are committed to fixing any remaining bugs—for free.
Note that this chapter gives only a brief look at the best of the standard library. As of current writing, the Python Library Reference is over 200 pages long. More details on the reference are available in Appendix A, but you should know that it's the ideal companion to this book; it provides the completeness we don't have the room for, and, being available online, is the most up-to-date description of the standard Python toolset. Also, O'Reilly's Python Pocket Reference, written by coauthor Mark Lutz, covers the most important modules in the standard library, along with the syntax and built-in functions.
This chapter includes descriptions of two kinds of tools—built-in functions and standard modules. Before we get to those sections, however, we'll say a brief word about built-in objects. When introducing lists, for example, we've presented their behavior as well as their most important methods (append, insert, sort, reverse, index, etc.). We have not been exhaustive in this coverage in order to focus on the most important aspects of the objects. If you're curious about what we've left out, you can look it up in the Library Reference, or you can poke around in the Python interactive interpreter. Starting with Python 1.5, the dir built-in function returns a list of all of the important attributes of objects, and, along with the type built-in, provides a great way to learn about the objects you're manipulating. For example:
>>> dir([]) # what are the attributes of lists? ['append', 'count', 'index', 'insert', 'remove', 'reverse', 'sort'] >>> dir(()) # what are the attributes of tuples? [] # tuples have no attributes! >>> dir(sys.stdin) # what are the attributes of files? ['close', 'closed', 'fileno', 'flush', 'isatty', 'mode', 'name', 'read', 'readinto', 'readline', 'readlines', 'seek', 'softspace', 'tell', 'truncate', 'write', 'writelines'] >>> dir(sys) # modules are objects too ['__doc__', '__name__', 'argv', 'builtin_module_names', 'copyright', 'dllhandle' 'exc_info', 'exc_type', 'exec_prefix', 'executable', 'exit', 'getrefcount','maxint', 'modules', 'path', 'platform', 'prefix', 'ps1', 'ps2','setcheckinterval', 'setprofile', 'settrace', 'stderr', 'stdin', 'stdout','version', 'winver'] >>> type(sys.version) # what kind of thing is 'version'? <type 'string'> >>> print sys.version # what is the value of this string? 1.5 (#0, Dec 30 1997, 23:24:20) [MSC 32 bit (Intel)]
| I l@ve RuBoard |


BlendMode
public enum BlendMode : UInt32
Blending modes for compositing digital images. These are an implementation of the Porter Duff blending modes
-
Replaces destination with Alpha and Color components set to zero; a fully transparent pixel (operation: [0, 0])
Declaration
Swift
case clear = 0
-
Replaces destination with source. Destination alpha and color component values are ignored.
Declaration
Swift
case src
-
Preserves destination, ignoring source. Drawing with Paint set to kDst has no effect.
Declaration
Swift
case dst
-
Replaces destination with source blended with destination. If source is opaque, replaces destination with source. Used as the default Blend_Mode for SkPaint.
Declaration
Swift
case srcOver
-
Replaces destination with destination blended with source. If destination is opaque, has no effect.
Declaration
Swift
case dstOver
-
Replaces destination with source using destination opacity.
Declaration
Swift
case srcIn
-
Scales destination opacity by source opacity.
Declaration
Swift
case dstIn
-
Replaces destination with source using the inverse of destination opacity, drawing source fully where destination opacity is zero.
Declaration
Swift
case srcOut
-
Replaces destination opacity with inverse of source opacity. If source is transparent, has no effect.
Declaration
Swift
case dstOut
-
Blends destination with source using read destination opacity.
Declaration
Swift
case srcATop
-
Blends destination with source using source opacity.
Declaration
Swift
case dstATop
-
Blends destination by exchanging transparency of the source and destination.
Declaration
Swift
case xor
-
Replaces destination with source and destination added together.
Declaration
Swift
case plus
-
Replaces destination with source and destination multiplied together.
Declaration
Swift
case modulate
-
Replaces destination with inverted source and destination multiplied together.
Declaration
Swift
case screen
-
Replaces destination with multiply or screen, depending on destination.
Declaration
Swift
case overlay
-
Replaces destination with darker of source and destination.
Declaration
Swift
case darken
-
Replaces destination with lighter of source and destination.
Declaration
Swift
case lighten
-
Makes destination brighter to reflect source.
Declaration
Swift
case colorDodge
-
Makes destination darker to reflect source.
Declaration
Swift
case colorBurn
-
Makes destination lighter or darker, depending on source.
Declaration
Swift
case hardLight
-
Makes destination lighter or darker, depending on source.
Declaration
Swift
case softLight
-
Subtracts darker from lighter with higher contrast.
Declaration
Swift
case difference
-
Subtracts darker from lighter with lower contrast.
Declaration
Swift
case exclusion
-
Multiplies source with destination, darkening image.
Declaration
Swift
case multiply
-
Replaces hue of destination with hue of source, leaving saturation and luminosity unchanged.
Declaration
Swift
case hue
-
Replaces saturation of destination saturation hue of source, leaving hue and luminosity unchanged.
Declaration
Swift
case saturation
-
Replaces hue and saturation of destination with hue and saturation of source, leaving luminosity unchanged.
Declaration
Swift
case color
-
Replaces luminosity of destination with luminosity of source, leaving hue and saturation unchanged.
Declaration
Swift
case luminosity


n-body description
Background
Model the orbits of Jovian planets, using the same simple symplectic-integrator.
Thanks to Mark C. Lewis for suggesting this task.
Useful symplectic integrators are freely available, for example the HNBody Symplectic Integration Package.
How to implement
We ask that contributed programs not only give the correct result, but also use the same algorithm to calculate that result.
Each program should:
ndiff -abserr 1.0e-8 program output N = 1000 with this output file to check your program is correct, before you contribute your program.


Phase 1
Very high raid damage. Leaves large Sanguine Ichor pools
Stack as raid behind pillar closest to boss
Very high damange to targeted players and anybody within their circle. Leaves large Sanguine Ichor pools
Move out of raid and drop pools on other Echolocation pools
Boss sends out sonic rings. Stuns on contact. Leaves large Sanguine Ichor pools. DO NOT GET HIT
Dodge circles. Possibly use pillar or wall to direct them away from us
Targets player. Deals large damage in 12 yard cone of boss
Melee stack behind boss. Ranged stack >12 yards behind that
Tank DOT with debuff. Makes targeted tank unhealable for a short amount of time
Immediately taunt
Unavoidable raid damage applied over time
Requires constant raid healing. Top raid off before Earsplitting Shriek
Phase 2
Phase starts when Shriekwings bar fills to 100%
Boss jumps to the middle of the room and immediately emmits sonic rings
Kill anybody within 12 yards
Just stay away from the boss
Very high raid damage. Leaves large Sanguine Ichor pools
Stack as group behind closest pillar
Boss sends out sonic rings. Stuns on contact. Leaves large Sanguine Ichor pools. DO NOT GET HIT
Dodge circles. Possibly use pillar or wall to direct them away from us


Get fit in mind and body today!
by Ents TeamTo include your event on this page email<EMAIL_ADDRESS>Chipping Local History Society
Chipping Local History Society meet tonight in St. Mary’s Community Hall at 7.45pm. Andrew Stachulski will be speaking on the Forest of Bowland. Call 01772 864289 for more details.
Chorley and District Gardening Society
Chorley and District Gardening Society’s next talk will take place tonight, 7.30pm at Chorley Cricket Club, Sandringham Road PR7 1LG.
The subject will be ‘Narcissi and Spring Flowers in Andalucia’ presented by Jack Swan, the hugely knowledgeable past chairman of the Cheshire branch of Plant Heritage. The Table Top Competition is ‘a photo of variegated foliage’.
Entry is £1.50 for members, £3 for visitors including refreshments. For more details see their website at www.chorleygardeningsociety.com or call 01257 270371.
2040
Join the Palace Cinema in Longridge tonight for a special screening of environmental documentary 2040. The film will be followed by a live Q&A with director Damon Gameau. Starting at 6pm you can book via www.thepalace-longridge.co.uk.
Garstang Running Club
If you’re wanting to get fit before Christmas join Garstang Running Club, a friendly group of people aged 16+. Beginners, including ‘couch to 5k’ are catered for. They run every Tuesday, 7pm from Garstang Sports Club. Call 01772 864287.
Spiritual Services
Spiritual Services take place every Tuesday, Friday and Sunday at Preston Ethical Spiritualist Church, 16 Newton Road, Preston PR2 1DY. Tonight, 7.30-9pm, special guest medium Peter Clark will be joining them. Entry costs just £3 on the door.


The databases that are available for searching are organized into several groups for ease of use:
| Database name | Database type | Description |
|---|---|---|
| Lotus japonicus MG20 v3.0 CDS | Nucleotide | CDS library of Lotus japonicus MG20. 50,599 sequences; 45,983,720 total letters. |
| Lotus japonicus MG20 v3.0 cDNA | Nucleotide | cDNA library of Lotus japonicus MG20. 98,043 sequences; 108,691,465 total letters. |
| Lotus japonicus MG20 genome v2.5 + LjSGA | Nucleotide | As lj_r25 but including also all the short sanger shotgun contigs (LjSGAs), which are not anchored on chromosomes. 67,748 sequences; 397,315,927 total letters. |
| Lotus japonicus MG20 genome v3.0 | Nucleotide | Version 3.0 of the Lotus genome including chr0 with unanchored contigs, chr1‐6, chloroplast and mitochondrion sequences. 9 sequences; 447,516,816 total letters. |
| Lotus japonicus MG20 v3.0 Proteins | Protein | Protein library of Lotus japonicus MG20. 50,599 sequences; 15,289,260 total letters. |


{% extends 'base.html' %} {% load staticfiles %} {% block breadcrumbs %}
{% endblock %} {% block container %}Please wait a few moments while the rest of the participants come in.
In the case that the game doesn't get enough participants, we will end the HIT and pay you for your time.
Please make sure your sound is on as a bell will ring to indicate the start of a new game.
You have been waiting in the lobby for 10. Please, press 'Remain in lobby' to keep waiting for the rest of the players. Alternatively, press 'Exit' to receive the base pay and exit the game.


Thanks for signing up!
I’m not sure when I send out my first e-mail. I need to set up an auto-responder, to send an e-mail response when you’ve subscribed.
That’s another project that will take some time before I can complete. Eventually I will clearly document all of the steps I’ve taken to start from “oh i have an idea” to a website with it’s own domain name, e-mail forms, it’s own e-mail server, and eventually however I figure out to auto-respond to subscriptions.
If you don’t hear from me in a month, check your spam folder 🤣
No. Seriously. :)
Thanks again!


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We’re an independently owned, strategic creative agency – forever curious and ready to transform the way business is done.
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What"s in the Box!?
Doesn"t matter. We"re too busy thinking far outside of the constraints of the typical brief. Creativity: it"s what drives us. We do our best work when the guardrails are down and we can spread our wings. Designs are cleaner, strategies sharper, and the world generally becomes a better place..
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William Wells Brown was a prominent abolitionist lecturer, novelist, playwright, and historian. Born into slavery in the Southern United States, Brown escaped to the North, where he worked for abolitionist causes and was a prolific writer. Brown was a pioneer in several different literary genres, including travel writing, fiction, and drama, and wrote what is considered to be the first novel by an African American. An almost exact contemporary of Frederick Douglass, Wells Brown was overshadowed by Douglass and the two feuded publicly.
Frederick Douglass was an American abolitionist, editor, orator, author, statesman and reformer. Called "The Sage of Anacostia" and "The Lion of Anacostia", Douglass is one of the most prominent figures in African American history and a formidable public presence. He was a firm believer in the equality of all people, whether black, female, Native American, or recent immigrant. He was fond of saying, "I would unite with anybody to do right and with nobody to do wrong."
William Edward Burghardt Du Bois (February 23, 1868 – August 27, 1963) was the first African American to graduate with a Ph.D. from Harvard. Du Bois was a renowned author that pushed for civil rights and believed strongly in Pan-Africanism. In addition to this, W. E. B. Du Bois, was also an author, educator, poet, and co-founder of the NAACP (National Association for Advancement of Colored People).
Paul Laurence Dunbar was a seminal American poet of the late 19th and early 20th centuries. Dunbar gained national recognition for his 1896 book of poetry, Lyrics of a Lowly Life.
Jubilee Singers of Fisk University were a group of African American singers in the 1870s. Their repertoire centered on spirituals, but also included some Stephen Foster songs. The word "jubilee" was originally intended to set them apart from blackface minstrels, but was soon adopted in the names of several minstrel troupes.
The singers were a fundraising effort for Fisk University, a historically black university in Nashville, Tennessee, although one that was not initially approved by the university itself. The treasurer at Fisk at that time was George L. White. In an effort to raise money for the University, he gathered a nine-member chorus of students to go on tour in an attempt to earn money. On October 6, 1871, the group of students left for their U.S. tour. They began in small towns, some of which were not receptive to their performances.
Soon, the audiences they performed for began to appreciate their beautiful voices and they began to receive praise for their talents. Prior to the formation of this group, most black music was being performed by white musicians and it took a while for audiences to accept the talent of The Jubilee Singers as a group of black performers. Eventually, they were able to earn enough money to send back to Fisk University to help cover some expenses. Near the end of 1872, President Ulysses S. Grant invited them to perform at The White House.
After a tour of Europe in 1873, the group earned enough money to send back to Fisk to construct the university's first-ever permanent building. The building was named Jubilee Hall, and it is still standing today.
Elizabeth Hobbs Keckley was a former slave turned successful seamstress who is most notably known as being Mary Todd Lincoln's personal modiste and confidante, and the author of her autobiography, Behind the Scenes Or, Thirty Years a Slave and Four Years in the White House. Mrs. Keckley utilized her intelligence, keen business savvy, and sewing and design skills to arrange and ultimately buy her freedom (and that of her son George as well), and later enjoyed regular business with the wives of the government elite as her base clientele.
After several years in St. Louis, she moved to Washington, D.C. in the spring of 1860, where she had the country's most elite women of the time requesting her services. Through shrewd networking and hard work, she ended up making gowns and dresses for more notable wives such as Mrs. Varina Davis, wife of Jefferson Davis, and Mrs. Mary Anne Randolph Custis Lee, wife of Robert E. Lee. Of all her clients, she had the closest and most long-standing relationship with Mary Todd Lincoln, devoting many of her days during Abraham Lincoln's administration to being available to her and the First Family in a myriad of ways.
Booker Taliaferro Washington (April 5, 1856 - November 14, 1915) was an American educator, author and leader of the African American community. He was freed from slavery as a child, gained an education, and as a young man was appointed to lead a teachers’ college for black Americans. From this position of leadership he rose into a nationally prominent role as spokesman for his race. He was a pragmatist and an accommodationist, and as such won friends in high places who helped him further his agenda of education for African Americans.
Phillis Wheatley (1753 – December 5, 1784) was the first female African American poet to be published in the United States. Her book Poems on Various Subjects was published in 1773, two years before the American Revolutionary War began, and is seen as one of the first examples of African American literature.
Poems on Various Subjects, Religious and Moral, is a collection of poetry by Phillis Wheatley, the first African American woman ever to be published.
Uncle Tom’s Cabin; or, Life Among the Lowly is an anti–slavery novel by American author Harriet Beecher Stowe. Published in 1852, the novel had a profound effect on attitudes towards slavery in the United States. The book also helped create a number of stereotypes of African-Americans. To some extent, this negative effect has overshadowed other historical impacts of the novel.
The Told to the Children Series of books were published in Great Britain in the early 1900's. The purpose of the book series was to introduce readers between the ages of 9 and 12 to the best known classic novels of the 19th Century.
Clotel; or, The President's Daughter is a novel by William Wells Brown (1815 – 1884), a fugitive from slavery and abolitionist and was published in London, England in December 1853. It gained notoriety amid the unconfirmed rumors regarding Thomas Jefferson and Sally Hemmings. Brown was still considered someone else's legal property within the borders of the United States at the time of its publication. It is considered to be the first novel written by an African American. The book follows the experiences of three generations of women during slavery.
Brown used the injustices of slavery to demonstrate the destructive effects it had on the African American family, most significantly the so–called tragic mulatto. Brown had escaped from slavery in Kentucky while still in his youth, and became active on the anti–slavery circuit.
My Bondage and My Freedom is an autobiographical slave narrative written by Frederick Douglass and published in 1855. It is the second of three autobiographies written by Douglass, and is mainly an expansion of his first (Narrative of the Life of Frederick Douglass), discussing in greater detail his transition from bondage to liberty. Douglass, a former slave, following his liberation went on to become a prominent abolitionist, speaker, author, and publisher.
Behind the Scenes Or, Thirty Years a Slave and Four Years in the White House is an autobiographical narrative by Elizabeth Keckley. In it she tells the story of her life as a slave and her time as a seamstress for Mrs. Lincoln in the White House.
The Colored Cadet at West Point is an autobiographical novel detailing the events leading up to Henry O. Flipper's groundbreaking appointment to the West Point Military Academy, and his active service in the U.S. Army that followed graduation.
Up From Slavery is the 1901 autobiography of Booker T. Washington detailing his slow and steady rise from a slave child during the Civil War, to the difficulties and obstacles he overcame to get an education at the new Hampton University, to his work establishing vocational schools (most notably the Tuskegee Institute in Alabama), to helping black people and other disadvantaged minorities learn useful, marketable skills and work to pull themselves, as a race, up by the bootstraps. He reflects on the generosity of both teachers and philanthropists who helped in educating blacks and native Americans.
The Souls of Black Folk is a classic work of African–American literature by activist W.E.B. Du Bois. The book, published in 1903, contains several essays on race, some of which had been previously published in Atlantic Monthly magazine. Du Bois drew from his own experiences to develop this groundbreaking work on being African–American in American society. Outside of its notable place in African–American history, The Souls of Black Folk also holds an important place in social science as one of the early works to deal with sociology.
The Heart of Happy Hollow is a short story collection by Paul Laurence Dunbar that focuses on the experiences of African-Americans after the conclusion of the Civil War.
James Weldon Johnson's The Autobiography of an Ex-Colored Man is a fictional, tragic tale about a young mulatto's coming-of-age in the early 20th century. The unnamed narrator, who has a black mother and white father, is light-skinned enough to pass for a white man but his emotional connections to his mother's heritage make him unable to fully embrace that world.
This is a collection of poetry by African American author Paul Laurence Dunbar. Dunbar's work frequently features a conversational tone, innovative rhetorical structure, and a colorful use of both dialect and mainstream English. Dunbar was among the first nationally successful African American writers.
This is a collection of poetry by African American author Paul Laurence Dunbar. Dunbar's work frequently features a conversational tone, innovative rhetorical structure, and a colorful use of both dialect and mainstream English. Dunbar was among the first nationally successful African American writers.
This is a collection of poetry by African American author Paul Laurence Dunbar. Dunbar's work frequently features a conversational tone, innovative rhetorical structure, and a colorful use of both dialect and mainstream English. Dunbar was among the first nationally successful African American writers.
This is a collection of poetry by African American author Paul Laurence Dunbar. Dunbar's work frequently features a conversational tone, innovative rhetorical structure, and a colorful use of both dialect and mainstream English. Dunbar was among the first nationally successful African American writers.
This is a collection of poetry by African American author Paul Laurence Dunbar. Dunbar's work frequently features a conversational tone, innovative rhetorical structure, and a colorful use of both dialect and mainstream English. Dunbar was among the first nationally successful African American writers.
This is a collection of poetry by African American author Paul Laurence Dunbar. Dunbar's work frequently features a conversational tone, innovative rhetorical structure, and a colorful use of both dialect and mainstream English. Dunbar was among the first nationally successful African American writers.
This is a collection of poetry by African American author Paul Laurence Dunbar. Dunbar's work frequently features a conversational tone, innovative rhetorical structure, and a colorful use of both dialect and mainstream English. Dunbar was among the first nationally successful African American writers.


| Data characteristics | Multivariate time series | Type of usage(s) | Residential | Date | 2012 |
| Type of attributes | Real, Integer | Number of appliances | 225 | Duration | 1 year |
| Number of attributes | 20 | Location of buildings | Western Massachusetts, US, | Sampling frequency | 0.1 Hz |
The ACS-F2 data set is freely accessible through this link .
This dataset is composed of the power consumption of 225 different models/brands electronic appliances and no whole consumption (aggregated) data. The appliances are classified to 15 categories of fridges and freezers, TVs,Hi-Fi systems, Laptops, Computer stations (including monitors), compact fluorescent lamps (CFL), microwaves, coffee machines, mobile phones, printers,incandescent lamps, shavers, fans, kettles and monitors.
The ACS2-F2 data are presented in two groups of file formats which are XML and MAT. The XML file contains raw data and ground truth data while the MAT format contains raw data easily usable in MATLAB
Timestamp (Unix)
Reactive Power (VA)
Real Power (Watts)
RMS current (A)
frequency(Hz)
RMS voltage(V)
relative phase
A. Ridi, C. Gisler, and J. Hennebert, "ACS-F2 — A new database of appliance consumption signatures," in Soft Computing and Pattern Recognition (SoCPaR), 2014 6th International Conference of, 2014, pp. 145-150.


In situations involving single numbers—or letters when spelling out—any of these numbers or letters may be replaced by one out of sequence, a numerical for a letter or vice versa, or just a random word. This is most often done by The Ditz or by someone mocking their perceived lack of general knowledge, or by characters to try to appear stupid.
This trope comes in a few different flavors:
1: Sequences: You know how the numerical alphabet goes? You know how the phonetic alphabet goes? You know what alphabet spaghetti looks like? Stick the four in a blender. May (later) be justified because 6 Is 9.
B: Lists: Always Played for Laughs, but not always by someone stupid as in Real Life it is entirely possible to forget where you got up to when designating reasons in lists and/or if it was with numbers or letters. The best examples follow the structure of "number-letter-thing."
Wednesday: Isolated Replacement: A number or letter is replaced by something else—anything else, maybe even a picture—in an isolated situation. Let's say you're in math class and you get asked to write on mini wipe boards the answers to some incomplete equations. What's 3x5?  What's 10% of 160? You write "Ze."
π: Alternative Number System: These people don't work in metric (decimal). They don't even work in imperial. Their counting can be non-standard with a perfectly legitimate reason In-Universe.  Usually of books or films, or The Film of the Book, and will undoubtedly confuse some of the audience.
Sex: Homophones (and homosymbols): Six becomes sex, three becomes a tree, M and N are interchangeable and anything else is entirely possible because people can have funny accents.
¶: Lucky Charms Title: Letters or numbers replaced by a similar-looking picture, letter, or number. So, 2 replacing Z but not M replacing W.
Surprisingly unrelated to Letters 2 Numbers, 2 + 2 = 5 and 3 + 5 = 4. Occasionally overlaps with Counting to Three and may result in a case of E = MC Hammer. A key element of the Disorganized Outline Speech.
Super-Trope of Unusual Chapter Numbers and Lucky Charms Title. Compare One, Two, Skip a Few.
Examples
- In an early Peanuts strip, Lucy counts her cookies thusly: "One, six, eleventy-four, thirteen-eight, nine million, twelvty-three". But despite this, she can still tell that Snoopy took two of them when she wasn't looking.
- Calvin and Hobbes: The scores to Calvinball range from oogie to boogie, to Q to 12. Given that the whole point is to make it up as you go, this probably goes for the scores as well.
- In Chapter 23 of This Bites!. Maybe a typo, maybe not:
Cross: (to Lassoo) Hey, fine by me. One, the stronger I get the more damage I can take and dish out, and B.
- Inside Out:
Disgust: On a scale of one to ten, I give this day an F.
- Home Alone. As the McAllister family wonder about Kevin from Paris, Megan asks Buzz if he's not the least bit concerned about his well being, or something bad happening to him.
Buzz: No, for three reasons: A) I'm not that lucky. 2) We have smoke detectors. And D) We live on the most boring street in the United States of America, where nothing remotely dangerous ''will'' ever happen, period.
- Monty Python and the Holy Grail: "One...two...FIVE!"
- In Trope Namer The Ringer, Steve Baker (Johnny Knoxville) is pretending to be developmentally disabled, and one of the things he says while practicing in the mirror is, "I can count to potato!"
- In Alcatraz Versus The Shattered Lens, Alcatraz deliberately numbers his chapters in a way that makes no sense, so that if the order-obsessed cult of Evil Librarians tries to read it their heads will explode.
- In Discworld, trolls have a counting system based on fours, rather than tens (apart from Detritus, who ends up counting in binary). As a result a troll counting "one, two, three, many"note comes across this way (leading to an In-Universe stereotype that trolls can't count past three).
Detritus: SOUND OFF!
Troll Recruits: ONE! TWO!
Detritus: SOUND OFF!
Troll Recruits: MANY! LOTS!
Detritus: SOUND OFF!
Troll Recruits: ERR! WHAT? - The Heroes of Olympus: The monsters going through the Doors of Death in Tartarus go through in groups with designations going from A-22 to Double Red. Hyperion wonders just what kind of number system that is.
- Pippi Longstocking does this. "One, two, nineteen."
- In Tacky the Penguin, "odd bird" Tacky always counts, "One, two three, four, two, three, six, zero, two and a half, zero."
- Wayne (the rare Cloudcuckoolander -plus- The Atoner) from Wax and Wayne claims he bought a ward against logic that lets him "add two and two and get a pickle."
Series:
- In A.N.T. Farm Paisley counts only in vegetables in one episode.
- Doctor Who: From "Voyage of the Damned":
The Doctor: First things first. One. We are going to climb through this ship. B... no, two. We are going to reach the bridge. Three. Or C. We are going to save the Titanic. And, coming in a very low four. Or D. Or that little iv in brackets they use in footnotes. Why? Right then, follow me.
- The Full House episode "Arrest Ye Merry Gentleman" has Jesse saying to the joke shop owner (played by Mickey Rooney) who is keeping them hostage in his shop (and has just made fun of Jesse's hair), "A) It's mousse. And 2) Bring those cops on, OK?"
- Sometimes present in the "Numberwang" sketches on That Mitchell and Webb Look, a fictional and completely non-sequitur number guessing game show. One episode has the host saying "So Julie, you're ahead on 77; Simon, you trail on 83"; another has "Autumn" appearing when he asks for time on the clock.
- On Glee, Kurt says that Brittany believes that the square root of four is rainbows◊.
- She also stopped learning the alphabet because she'd mix up 'm' and 'n' and didn't want to continue until she didn't replace them with each other.
- "How many 'm's are in the letter 'r'?◊"
- She turned, in all the season 4 countdown posters, the Glee 'l' into a '7'◊.
- The Red Dwarf episode "Dimension Jump" finds Holly preparing to activate his new invention, the Holly Hop Drive:
Holly: 10... 9... 8... 6... 5...
Rimmer: You missed number seven!
Holly: Did I? I've always had a bit of a blind spot with sevens.
Rimmer [sing-song]: We're going to die.
Holly: No problem, I'll start lower down. - In this Sesame Street skit, a little girl trolls Kermit the Frog as he attempts to recite the alphabet with her:
Girl: A, B, C, D, E, F, Cookie Monster!
- What makes it more adorable is that according to this Jim Henson biography, the girl thought up the joke without prompting, and Henson improvised Kermit's responses on the spot.
TV Movies:
- Hey Vern, It's Ernest!. While preparing for a baking contest, Ernest reminds Vern of three basic principles (while holding up four fingers): "Number one—always use plenty of sauce. B—always squeeze yer tomaters. And three—don't forget to thump your melons, knowwhutImean?"
- In U2's song "Vertigo", Bono opens by counting in: "Unos! Dos! Tres! Catorce!" (Translation: Some, two, three, fourteen)
- The Beatles' "Eight Days A Week" is a variation on this as the title was a typical Ringo malapropism.
- Much Ado About Nothing:
- The incompetent constable Dogberry has just caught a pair of criminals, and is trying to tell Don Pedro what they did in a speech that combines this trope with getting stuck in a revolving door at the Department of Redundancy Department:
Constable Dogberry: Marry, sir, they have committed false report; moreover, they have spoken untruths; secondarily, they are slanders; sixth and lastly, they have belied a lady; thirdly, they have verified unjust things; and, to conclude, they are lying knaves.
- Don Pedro replies in kind:
Don Pedro: First, I ask you what they've done; thirdly, I ask you what offense they're charged with; sixth and lastly, I ask you why they've been committed here; and, in conclusion, I ask what they're accused of.
- The incompetent constable Dogberry has just caught a pair of criminals, and is trying to tell Don Pedro what they did in a speech that combines this trope with getting stuck in a revolving door at the Department of Redundancy Department:
- Disney Theme Parks. At the entrance to Toontown in Disneyland, there's a population counter which is constantly cycling through numbers...and screws, stars, dumbbells, TNT, and various other random things.
- Deadly Rooms of Death has a Running Gag in the DLC level set, "Perfection" in which Beethro tries to count something, and a voice in his head starts counting with him and messes up. Subverted in one room where the voice starts counting, and doing it correctly, prompting Beethro to tell it that there's nothing that needs counting.
- Super Paper Mario: Slim.
Slim: "OOOOONNNE! TWOOOOO! THREEEEE! FIIIIIIIVE! FOUUUR! EEEEIGHT! SEVENTEEN!!!! THREE-POINT-ONE-FOUR!!!! ONE MARZILLION!! TENNNNN!!!"
- In The Simpsons: Hit & Run, the bonus races are run by Milhouse, Nelson, and Ralph. All of them will throw in some variation on the countdown just to mess with you. For example, Nelson will say "Psyche!" to mess with your timing, Milhouse coughs from inhaling smog and his countdown is extremely slow, and Ralph is incapable of counting so he just uses whatever random things he comes up with.
- In the "Top 11 Nostalgic Mindf*cks" episode, The Nostalgia Critic counts down from "number banana" to "number relativity'.
- In Issue 7 of Teen Girl Squad (The One with... the Teeny Tiny Girl Squad), Toddler Whats-Her-Face claims "I can count to G!" while Toddler Cheerleader brags "I can count to purple, backwards."
- Group X teaches you how to count to "Schfifty Five".

 His article on MMA fighter Kazuyuki Fujita's legendarily indestructible skull includes fighting tips with made-up numbers like floop, harf, formy & glap.
- Twitch Plays Pokémon Brown had its win condition reached on the 11th day, but didn't end immediately after reaching the win condition because the update to PBR wasn't finished. Because of this, the timestamp on the final update in our recap page is 10d26h1m, aka 26 hours and 1 minute into Day 11.
- In The Amazing World of Gumball episode "The Cycle", after an attempted prank by the Wattersons, Harold thinks he's rich and pays a skywriter to write Richard saying "I can count to burrito!"
- In The Beatles cartoon episode "Eight Days A Week", Hollywood screen lover Lips Lovelace loses his ability to kiss. Paul says it's preposterous and that anybody can kiss, prompting Lovelace to vent:
Lovelace: Really? Eight days a week? Six weeks a month? Thirteen months a year??
- The Camp Lazlo episode "Snake Eyes" had a scene where some of the Bean Scouts were playing hide and seek. Skip claims that he can count to ten, but his counting goes as "1, 3, 11..."
- On a couple of occasions in Codename: Kids Next Door, Numbuh 4's given some pretty strange countdowns, with letters and random numbers. Presumably, this is a combo of him being Book Dumb and the overall strangeness of operating the KND's 2x4 Technology.
- Tommy, Numbuh 2's younger brother, calls himself Numbah T when getting oriented as an offical Kid Next Door. This gets called out by the other kids at the ceremony. It gets accepted anyway.
- Cow and Chicken uses this quite often, considering almost all of the characters have some Cloud Cuckoolander in them. Some more specific examples:
Red Guy is trying to expose Super Cow
Red Guy: WHAT ELSE DO I KNOW ABOUT SUPER COW? WHAT ELLLLSE?! OKAY, THINK! A) She speaks Spanish. 2) She's a superhero...
Chicken kicking Cow out of his new treefort
Chicken: 1) It's for men only.  - In one episode of The Fairly OddParents, Mr. Crocker states that learning math is a waste of time, as in a world where fairies exist, fairies can just warp reality so two plus two equals fish.
- Rock Bottom demonstrates this in a Felix the Cat cartoon where he and the Professor are launching themselves from a cannon:
Rock: Ten, nine, eight...uh, what comes after eight, boss?

 - The segments in the fourth installment of Spike and Mike's series Lloyd's Lunchbox are numbered Lesson One, Lesson B, Third, and Lesson 4.
- In one episode of Numb Chucks, the Chucks give a countdown that runs "Five...four...ten...blueberry".
- Randy Cunningham: 9th Grade Ninja: Randy hides the Ninjanomicon under a math book cover that reads "easy as 1-2-C".
- The Ren & Stimpy Show has two examples from Sven Hoek in his self-titled episode. When playing "seek and hide" with Stimpy, he counts "Nine... eleven... K... fjord... one yundred!" Then when playing the "Don't Whiz on the Electric Fence" board game with Stimpy, Sven moves eight spaces, counting as he does so, "One, six, yirteen... eight!"
- In the Rugrats episode, "Visiting Aunt Miriam", Tommy, Phil, and Lil believe Aunt Miriam and her friends to want to cook and eat Chuckie when they say he's "cute enough to eat".  As they're all one-year-old babies, their counting is atrocious, and they include words like "peanut", "potty", "macaroni", and "puppies".
- A comic strip had Chuckie asking Angelica what comes after Q. She tells him 5, and the third panel is him looking at a chalkboard with a B, a 9, a Q, and an 8 that's been edited into a cat.
- The Simpsons is notorious for its portrayal of the "typical hillbilly". In "Rednecks and Broomsticks", Lisa is playing with the Spuckler children, they counted while she hid as saying, "One, two, backwards-z, one-legged triangle, banana hotdog, double-banana hotdog, sixty-corncob-two..."
- In "Marge's Son Poisoning". Homer is doing curls with a dumbbell. He starts counting normally, before randomly skipping through numbers, and then including 'banana'.
- Steven Universe: In "Three Gems and a Baby", Greg does this as he tries to explain why baby Steven's gem begins to glow.
Pearl: Well, what do you do with a human baby when it glows?!
Greg: First off, human babies don't glow. And letter number B... WHAT IF THEY DO?! - Strange Hill High: After Mitchell breaks maths in "The 101% Solution", the answer to one square root problem become 'banana football'. Later, while attempting to score -1% on a maths exam, Mitchell gives the answer to one question as 'hamburger'.
- In The Superhero Squad Show episode "The Final Battle! ('Nuff Said!)", the Hulk tries to count the Infinity Stones to make sure he and the other Squaddies have gathered all of them. This being the Hulk, his choice of numbers leaves a lot to be desired.
Hulk: One, seven, fish, two thousand, negative three...
- In YooHoo & Friends, Chewoo, Pammee, and several other characters have a tendency to include colors while counting.
- The page quote is of Darren Criss on his Glee costar Chris Colfer awarding himself 12 out of 10.
- There is a meme of people, commonly those with Down's Syndrome, with the quote "I can count to potato" since a Down's girl from the Midlands (England) was quoted for it◊ on The BBC News.
- A logic quiz which devolved into a meme has the answers of 2+2= fish, 3+3= 8 and 7+7= triangle. A variant can also be found in one Professor Layton game.
- The NATO phonetic alphabet, used to maximize clarity in official audio communications, uses easily-distinguished words for letters (alpha, bravo, charlie, etc) and supplants 9 with "niner" to ensure it can't be confused with the German "Nein", or with "five" when transmissions' quality is poor. Words substituted for letters were selected, irrespective of actual meaning, after exhaustive tests to determine which English words were most easily distinguished when conveyed between people of various NATO nationalities and accents.
- The cheeky song intro "A one, and a two, and a ching-chong banana!" seems to qualify.
- There's a classic drinking game called "Fizz Buzz", in which players pick a number (say, 7), then take turns counting upwards, until they reach a multiple of the number (7, 14, 21, and so on) and have to say "buzz" instead. Failure results in having to drink a shot. It's also used without alcohol in acting circles as a concentration technique, and in schools, in teaching kids their multiplication tables.
- A more difficult version of the game has the player swap "buzz" for numbers divisible by the number as well as numbers containing the same numeral. This leads to non-linear segments like "...54, 55, buzz, buzz, 58, 59, 60, 61, 62, buzz..."


Because it uses Java's standard reflection capability, the default
configuration of the jMock framework can only mock interfaces, not
classes. (Actually, we consider that to be a good thing because it
encourages the design to focus on communication between objects rather
than static classification or data storage). However, the
ClassImposteriser
extension class uses the CGLIB 2.1 and Objenesis libraries to
create mock objects of classes as well as interfaces. This is useful when
working with legacy code to tease apart dependencies between tightly
coupled classes.
The ClassImposteriser
creates mock instances
without calling the constructor of the mocked class. So classes
with constructors that have arguments or call overideable methods of the
object can be safely mocked. However, the ClassImposteriser
cannot create mocks of final classes or mock final methods.
If you want to mock final classes or final methods, the
JDave library includes an
unfinalizer Instrumentation agent
that can unfinalise classes before they are loaded by the JVM.
They can then be mocked by the ClassImposteriser
.
To use the ClassImposteriser
:
ClassImposteriser
into the Mockery of your
test class: import org.jmock.Mockery; import org.jmock.Expectations; import org.jmock.lib.legacy.ClassImposteriser; public class ConcreteClassTest extends TestCase { private Mockery context = new Mockery() {{ setImposteriser(ClassImposteriser.INSTANCE); }}; ... }
import org.jmock.Expectations; import org.jmock.integration.junit3.MockObjectTestCase; import org.jmock.lib.legacy.ClassImposteriser; public class ConcreteClassTest extends MockObjectTestCase { { setImposteriser(ClassImposteriser.INSTANCE); } ... }
import org.jmock.Mockery; import org.jmock.Expectations; import org.jmock.integration.junit4.JUnit4Mockery; import org.jmock.lib.legacy.ClassImposteriser; @RunWith(JMock.class) public class ConcreteClassTest { private Mockery context = new JUnit4Mockery() {{ setImposteriser(ClassImposteriser.INSTANCE); }}; ... }
Graphics g = context.mock(java.awt.Graphics.class);


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Figma extract text
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Api personal token
Figma document id
https://www.figma.com/file/
/documentTitle?node-id=0%3A1
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| 1111 | (A) | Bot seknes in the Cete was sessede by than |
| 1115 | (C) | ¶ Sale in þe cyte was secedde . by þanne |
| 1097 | (D) | Sale in þe cite was sesid by thenne |
| 1078 | (E) | ¶ Sale in þe cyte was sesyd be thanne |
| (Ex) | ---- no text ---- | |
| 1135 | (L) | sale in þe cite was cesed with þanne |
| 1047 | (P) | S . . . |
| 1087 | (U) | Sale in the cite / was sesed by thanne |
| 176 | (V) | Sale in þe Cite was seson be þanne |


“Be Sweet” by Japanese Breakfast
To start the playlist off is this hypnotic, high-energy tune by Japanese Breakfast. Full of nostalgic 80’s elements, the song is extremely captivating with it’s easily catchy chorus “Be sweet to me baby / I wanna believe in you / I wanna believe.” It’s colorful and poppy, just right to get you in a happier attitude.
“Good Days” by SZA
An outstanding song by standout R&B artist SZA, encapsulates the idea of trying to have a positive attitude with good days on your mind, as well as letting go of the past and looking ahead in the future. While it’s optimistic message is important, the tune has a soothing, ethereal melody, perfect to provide comfort on bad days.
“Shy Away” by Twenty One Pilots
Infused with a heavy production of bass and percussion, “Shy Away” does not “shy away” from being an impressive and unforgettable tune. With inspirational lyrics “Don’t you shy away / manifest the ceiling when you shy away / searching for that feeling just like an ‘I love you’” inspires one to follow their dreams without straying away from their true potential. It encourages you to manifest your own ceiling and go even further.
“Coming of Age” by Blondes
If you’re looking for that coming-of-age film ending, this song captures it perfectly. The nostalgic tune focuses on youthfulness and fulfilling one’s desires. While it is not as upbeat as most songs on this playlist, it is determined to help you stay relaxed and comforted.
“Don’t Take the Money” by Bleachers
While it’s not actually about taking money, this uplifting anthem is determined to boost your mood with its nostalgic influences and energetic beat. The song resembles the end of a John Hughes film, guaranteeing that coming-of-age feeling. It has an overlying meaning of the song of fighting for what you love.
“Green Lights” by BEKA
Written when COVID-19 restrictions started to be lifted, the song resembles a new sense of liberation and optimism. It features a chorus with a meaning that many can relate to, “Feels brighter now / we’re rising up / no hiding out / only green lights for us.” It features a synth-pop production with a little hint of R&B.
“A-O-K” by Tai Verdes
When life seems to be taking a turn for the worse and you feel stuck, “A-O-K” is the perfect de-stress song, reminding you that everything will be “A-O-K.”  The song will turn your frown upside down as it inspires one to “be makin’ lemonade'' when troubles are coming their way.


BERKSHIRE HATHAWAY INC.
3555 Farnam Street Suite 1440
Omaha, NB 68131
Official Home Page
FOR A FREE CAR INSURANCE RATE QUOTE THAT COULD SAVE YOU SUBSTANTIAL MONEY
WWW.GEICO.COM OR CALL 1-888-395-6349, 24 HOURS A DAY
If you have any comments about our WEB page, you can either write us at the address shown above or e-mail us at<EMAIL_ADDRESS>However, due to the limited number of personnel in our corporate office, we are unable to provide a direct response
Copyright © 1978-2014Berkshire Hathaway Inc.


--- title: Joan date: 1998-12-12T11:00:00.000Z age: too old gender: Woman city: Melbourne thinkLotrRules: Of course ---
Great effort you have obviously put a lot of work in to setting it up


You can provide a username in the URL, for example, https://github-gh-pages-list.herokuapp.com/?user=Mark-Simulacrum would list the GitHub pages respositories for GitHub user Mark-Simulacrum.
Please input a GitHub username to see the user's GitHub pages repositories:
This application is licensed under MIT; source code is hosted on GitHub.
| Repository | GitHub Pages |
|---|---|
| {{{full_name}}} | Pages |


Your mortgage deed
| Property |
83 Lordship Park, London N16 5UP |
|---|---|
| Lender |
Bank of England PLC 12 Trinity Place, Regents Street, London NW10 6TQ |
| Borrower | Peter Smith Sarah Jane Smith |
| Charging clause |
The borrower with full title guarantee charges the property to
the lender by way of legal mortgage with the payment of all
money secured by this charge.
|
| Restriction |
The lender and the borrower apply to the Chief Land Registrar
for the following restriction to be entered on the register:
“No disposition of the registered estate by the proprietor of
the registered estate is to be registered without a written
consent signed by the proprietor for the time being of the
Charge date ___________ in favour of Bank of England Ltd
referred to in the Charges Register”.
|
| Obligation |
Bank of England PLC has power under the mortgage conditions to make further
advances secured by the mortgage and is obliged to do so.
|
| Additional provisions |
The mortgage incorporates the Bank of England Ltd Mortgage
Conditions (England and Wales) 2015 Edition, a copy of which has
been safely received by the Borrower who covenants to observe and
comply with the same.
By signing this Mortgage Deed the Borrower:
Confirms having received and read the Mortgage Offer (as defined in
the Mortgage Conditions)
Accepts the terms of the Mortgage Offer (as defined in the Mortgage
Conditions)
Agrees to perform and observe in full all obligations contained in
the Mortgage Offer as if set out in full in this Mortgage Deed
|
| Borrower electronic signature(s) |
Not Applied
|
| Registrar electronic signature |
Not Applied
|
| Official user MD reference |
MD1118
|
If you’re happy with these details, we’ll send you a code which you’ll need to enter on the next screen. Doing so digitally signs your mortgage deed and sends it back to your conveyancer.
Receiving your code
We will be sending your code by text message to your mobile number ending 0546


With the powerful tools that we have created, we tried to make them as easy to use as possible. With anything like this, we decided to give you, the user, some best practices and features to maximize your experience on our site.
Below are three helpful tips on Filtering, Resetting, and Hovering. Enjoy!
In the image to the left, you can see the filtering options that are available on both of our dashboards. When filtering down by team or positon, you must keep at least one of the players selected or no graphes or points will be seen in the dashboard. One may think by selecting the team, all of the players in that team will appear, but that is not the case.
To avoid scrolling to find our players or teams, you can simply type who or what you are looking for in the search area in the upper right hand corner of each filter as seen on the right.
If you hit some filters either selecting or deselecting, you can use the back arrow, as shown in the image to the left, to get back to where you where. The forward arrow does the opposite.
After filtering through all of your selection for a position or player, you might want to start a new search. The third item which is an arrow with a perpendicular line will reset everything in the dashboard.
If you would like to save something you have created, the rectangle with the arrow pointing down allows you to save an image or pdf of your results.
These dashboards are meant to be interactive! When looking at the points on the graph, you can hover over the point to see more detailed information such as those seen in the image on the left. You can also select the player's name on the left and it will highlight the point on the graph where that player is located.


How to Stop Sneakers from Hurting the Achilles Tendon Area of Your Foot?
While sneakers are some of the most comfortable footwear available, there are still some that can cause foot pain. New leather sneakers with less cushioning, designed to look more like a shoe, are usually the ones that can repeatedly rub against the sensitive Achilles tendon and lower ankle areas. This can lead to discomfort, bruising, or even small cuts. Vertical insoles keep the top edge of your sneakers, known as the collar, from making direct contact with the sensitive parts of your foot. They are especially helpful when worn while the sneaker is new, making the break-in period more comfortable.
I recently ordered a pair of my favorite iconic indoor soccer shoes that I've always had growing up.  I probably would have forgotten them in the back of my closet if it weren't for a pair of Achilles Shield vertical insoles to make wearing them more bearable. I can't tell you how many times perfectly good new athletic shoes end up unworn in a closet because it was too painful to go through breaking them in. Vertical insoles protect the vulnerable rear part of your foot so that you can break-in your favorite new sneakers without breaking in your foot.


Yanzhan's solution for "linked list"
video tutorial:
solution:
unit class LinkedList;
class Node {
has Node $.pre is rw = Nil;
has Node $.next is rw = Nil;
has Int $.data;
}
has Node $.head = Nil;
has Node $.tail = Nil;
method push-list($num) {
my $node = Node.new(data => $num);
if !$!head {
$!head = $node;
$!tail = $node;
} else {
$node.pre = $!tail;
$!tail.next = $node;
$!tail = $node;
}
}
method pop-list() {
my $num = $!tail.data;
if $!tail.pre {
my $pre = $!tail.pre;
$pre.next = Nil;
$!tail.pre = Nil;
$!tail = $pre;
} else {
$!head = Nil;
$!tail = Nil;
}
return $num;
}
method unshift-list($num) {
my $node = Node.new(data => $num);
if !$!head {
$!head = $node;
$!tail = $node;
} else {
$node.next = $!head;
$!head.pre = $node;
$!head = $node;
}
}
method shift-list() {
my $num = $!head.data;
if $!head.next {
my $next = $!head.next;
$next.pre = Nil;
$!head.next = Nil;
$!head = $next;
} else {
$!head = Nil;
$!tail = Nil;
}
return $num;
}


[gecode-users] Boost and serialization with new release
Stefano Gualandi
gualandi at elet.polimi.it
Mon Mar 3 10:57:03 CET 2008
Hi,
Does the new release depend on a particular boost version?
So far, it compile only with serialization disabled (I am trying on
both Linux and Mac OS X).
In 'configure' and 'gecode.m4' files there are references to
boost-1_33_1 (see below).
This is the error on compilation:
g++ -I. -fvisibility=hidden -fPIC -Wextra -Wall -pipe -ggdb -fno-
inline-functions -fimplement-inlines -I/usr/local/include/
boost-1_34_1 -c -o gecode/serialization/flatzinc.o gecode/
serialization/flatzinc.cc
./gecode/serialization/boost.icc: In function 'void
boost::serialization::save_construct_data(Archive&, const
Gecode::Reflection::ActorSpec*, unsigned int)':
./gecode/serialization/boost.icc:308: error: 'const class
Gecode::Reflection::ActorSpec' has no member named 'name'
./gecode/int.hh:294: confused by earlier errors, bailing out
{standard input}:33:FATAL:.abort detected. Assembly stopping.
make[1]: *** [gecode/serialization/flatzinc.o] Error 1
make: *** [compilelib] Error 2
cheers,
Stefano
=====================================
--- configure (revision 6392)
+++ configure (working copy)
@@ -6307,7 +6307,7 @@
fi
if test "${with_boost:-no}" != "no"; then
- BOOST_CPPFLAGS=-I${with_boost}/include/boost-1_33_1
+ BOOST_CPPFLAGS=-I${with_boost}/
--- gecode.m4 (revision 6392)
+++ gecode.m4 (working copy)
@@ -854,7 +854,7 @@
AC_HELP_STRING([--with-boost],
[path to the boost library (used for serialization)]))
if test "${with_boost:-no}" != "no"; then
- AC_SUBST(BOOST_CPPFLAGS,[-I${with_boost}/include/boost-1_33_1])
+ AC_SUBST(BOOST_CPPFLAGS,[-I${with_boost}/])
More information about the gecode-users
mailing list


public class FieldMaskingSpanQuery extends SpanQuery
Wrapper to allow
SpanQuery
objects participate in composite
single-field SpanQueries by 'lying' about their search field. That is,
the masked SpanQuery will function as normal,
but
SpanQuery.getField()
simply hands back the value supplied
in this class's constructor.
This can be used to support Queries like
SpanNearQuery
or
SpanOrQuery
across different fields, which is not ordinarily
permitted.
This can be useful for denormalized relational data: for example, when indexing a document with conceptually many 'children':
teacherid: 1 studentfirstname: james studentsurname: jones teacherid: 2 studenfirstname: james studentsurname: smith studentfirstname: sally studentsurname: jones
a SpanNearQuery with a slop of 0 can be applied across two
SpanTermQuery
objects as follows:
SpanQuery q1 = new SpanTermQuery(new Term("studentfirstname", "james")); SpanQuery q2 = new SpanTermQuery(new Term("studentsurname", "jones")); SpanQuery q2m = new FieldMaskingSpanQuery(q2, "studentfirstname"); Query q = new SpanNearQuery(new SpanQuery[]{q1, q2m}, -1, false);to search for 'studentfirstname:james studentsurname:jones' and find teacherid 1 without matching teacherid 2 (which has a 'james' in position 0 and 'jones' in position 1).
Note: as
getField()
returns the masked field, scoring will be
done using the norms of the field name supplied. This may lead to unexpected
scoring behaviour.
| Constructor and Description |
|---|
FieldMaskingSpanQuery
(
SpanQuery
maskedQuery,
String
maskedField)
|
| Modifier and Type | Method and Description |
|---|---|
Weight
|
createWeight
(
Searcher
searcher)
Expert: Constructs an appropriate Weight implementation for this query.
|
boolean
|
equals
(
Object
o)
|
void
|
extractTerms
(
Set
<
Term
> terms)
Expert: adds all terms occurring in this query to the terms set.
|
String
|
getField
()
Returns the name of the field matched by this query.
|
SpanQuery
|
getMaskedQuery
()
|
Spans
|
getSpans
(
IndexReader
reader)
Expert: Returns the matches for this query in an index.
|
int
|
hashCode
()
|
Query
|
rewrite
(
IndexReader
reader)
Expert: called to re-write queries into primitive queries.
|
String
|
toString
(
String
field)
Prints a query to a string, with
field
assumed to be the
default field and omitted.
|
clone
,
combine
,
getBoost
,
getSimilarity
,
mergeBooleanQueries
,
setBoost
,
toString
,
weight
public String getField()
SpanQuery
public SpanQuery getMaskedQuery()
public Spans getSpans( IndexReader reader) throws IOException
SpanQuery
getSpans
in class
SpanQuery
IOException
public void extractTerms( Set < Term > terms)
Query
rewritten
form.
extractTerms
in class
Query
public Weight createWeight( Searcher searcher) throws IOException
Query
Only implemented by primitive queries, which re-write to themselves.
createWeight
in class
SpanQuery
IOException
public Query rewrite( IndexReader reader) throws IOException
Query
rewrite
in class
Query
IOException
public String toString( String field)
Query
field
assumed to be the
default field and omitted.
The representation used is one that is supposed to be readable
by
QueryParser
. However,
there are the following limitations:


{% extends "assopy/base.html" %} {% load assopy_tags i18n %} {% block EXTRA_HEAD %} {% endblock %} {% block ASSOPY_MAIN_CONTENT %}
{% trans "You will be able to specify billing and personal info later; e.g.: you can use your personal Facebook account to buy tickets for your company and the Facebook name will not appear anywhere." %}


Make a trade. Improve your team.
Making a trade is hard.
No one trusts anyone. If someone offers me a trade, I automatically assume that they are trying to pull one over on me, and it's true! I do it too. I'm either trying to sell high, or buy low. Essentially, I'm trying to trick someone into improving my team.

With Trade Maker, you can find trades that are fair, and that improve both teams. Trades where everyone is a winner!
About
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Contact
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You now have:
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License
Everything in this repo is BSD style license unless otherwise specified.
Copyright (c) 2015 The Polymer Authors. All rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
- Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
- Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
- Neither the name of Google Inc. nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

Users
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AddyRob
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Hello, World!


Week Three Cultural Blog
What's your take on the DBC experience?
It is a beneficial program that will help set you up with the skills needed for a career in the development field.
What is your impression of DBC?
It is a quality program that teaching its students everything you need to be an entry level ruby developer. DBC is well known and has had many success stories. I chose DBC because it was the first of its kind and also the highest rated program.
How do you see yourself engaging with this type of culture?
I believe I have the skills and qualities to become a successful developer. I think this program will benefit me greatly. I enjoy how DBC teaches you to work with others because that is exactly what people will have to do in real world experiences.
Have your expectations of DBC changed? If so, how?
Not at all, I think it will be a great program for me and I expect it to benefit me.
Are you excited to participate in this kind of learning environment? Does it make you nervous?
I am excited, but a bit nervous only because when it comes to coding I have always worked on my own and I tend to be, or at least believe, I am self sufficient and I like to do things on my own.
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Rabbit Milk
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UI for RNA-seq Quantification
Dashboard
Bar Chart
Scatter Plots
Single Algorithm
Multiple Algorithms
Compare Algorithms
Metrics
Import Data
Bar Chart
Metrics Statistical Information
Please Choose Algorithm


Free
$0
Some description about why this package is the best.
- Feature 1
- Feature 2
- Feature 3
Basic
$20/month
Some description about why this package is the best.
- Feature 1
- Feature 2
- Feature 3
- Feature 4
- Feature 5
Premium
$100/month
Some description about why this package is the best.
- Feature 1
- Feature 2
- Feature 3
- Feature 4
- Feature 5
- Feature 6
- Feature 7
- Feature 8
- Feature 9
- Feature 10


Look for qualified this usages in the same class.
Examples:
Positive example 1： ThreadFactory namedThreadFactory = new ThreadFactoryBuilder() .setNameFormat("demo-pool-%d").build(); ExecutorService singleThreadPool = new ThreadPoolExecutor(1, 1, 0L, TimeUnit.MILLISECONDS, new LinkedBlockingQueue(1024), namedThreadFactory, new ThreadPoolExecutor.AbortPolicy()); singleThreadPool.execute(()-> System.out.println(Thread.currentThread().getName())); singleThreadPool.shutdown(); Positive example 2： public class TimerTaskThread extends Thread { public TimerTaskThread(){ super.setName("TimerTaskThread"); … }


About Me
I was born In small village in Kenya and ever since I was little I have wanted to change the world . Technology gave me that opportunity and ever since I knew how to code I have never gone back. Rungiri Highschool is where I finished my O level and went one to work in a small movieshop that helped me discover technology in broad.
Skills
- Wed sign
- Photography
- Signing
- Video producing
Hobbbies
- Swimming
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- Dancing
- Hicking
]
Projects
This website were created with-------- HTML,CSS & JAVASCRIPT
Skills
]