Market Charts > 2001 > Movie Chart
Annual Movie Chart - 2001
Note: This chart ranks movies by the amount they earned during 2001.
It includes movies released in previous years that earned money during 2001.
For example, a movie released over Thanksgiving in 2000 will most likely earn money in 2000 and 2001.
Click on the individual movie to see its total gross over all the years in which it played.
Each box office year ends on the first Sunday of the following year.
The next year starts the following day (Monday).
For example, the "2004 box office year" ended on Sunday, January 2, 2005.
Inflation-adjusted figures are based on ticket sale estimates.
See Top 2001 Movies at the Domestic Box Office for the total domestic box office for the top 100 movies released in 2001, and Movie Index 2001 for an overview of all movies released in 2001.
Top Grossing Movies of 2001
| Rank | Movie | Release Date | Distributor | Genre | 2001 Gross | Tickets Sold |
| 1 |
Harry Potter and the Sorcer… |
Nov 16, 2001 |
Warner Bros. |
Adventure |
$300,404,434 |
53,074,988 |
| 2 |
Shrek |
May 18, 2001 |
Dreamworks SKG |
Adventure |
$267,655,011 |
47,288,871 |
| 3 |
Monsters, Inc. |
Nov 2, 2001 |
Walt Disney |
Adventure |
$244,638,458 |
43,222,342 |
| 4 |
Rush Hour 2 |
Aug 3, 2001 |
New Line |
Action |
$226,164,286 |
39,958,354 |
| 5 |
The Lord of the Rings: The … |
Dec 19, 2001 |
New Line |
Adventure |
$206,448,462 |
36,474,993 |
| 6 |
The Mummy Returns |
May 4, 2001 |
Universal |
Adventure |
$202,007,640 |
35,690,395 |
| 7 |
Pearl Harbor |
May 25, 2001 |
Walt Disney |
Action |
$198,539,855 |
35,077,712 |
| 8 |
Jurassic Park 3 |
Jul 18, 2001 |
Universal |
Action |
$181,166,115 |
32,008,147 |
| 9 |
Planet of the Apes |
Jul 27, 2001 |
20th Century Fox |
Adventure |
$179,841,538 |
31,774,123 |
| 10 |
Hannibal |
Feb 9, 2001 |
MGM |
Horror |
$165,092,266 |
29,168,244 |
| 11 |
Ocean's Eleven |
Dec 7, 2001 |
Warner Bros. |
Thriller/Suspense |
$151,967,372 |
26,849,359 |
| 12 |
American Pie 2 |
Aug 10, 2001 |
Universal |
Comedy |
$145,096,820 |
25,635,480 |
| 13 |
The Fast and the Furious |
Jun 22, 2001 |
Universal |
Action |
$144,512,310 |
25,532,210 |
| 14 |
Lara Croft: Tomb Raider |
Jun 15, 2001 |
Paramount Pictures |
Adventure |
$131,144,183 |
23,170,350 |
| 15 |
Cast Away |
Dec 22, 2000 |
20th Century Fox |
Adventure |
$123,942,702 |
21,898,003 |
| 16 |
Traffic |
Dec 27, 2000 |
USA Films |
Drama |
$123,735,812 |
21,861,450 |
| 17 |
Crouching Tiger, Hidden Dragon |
Dec 8, 2000 |
Sony Pictures Cla… |
Action |
$114,617,017 |
20,250,356 |
| 18 |
Dr Dolittle 2 |
Jun 22, 2001 |
20th Century Fox |
Adventure |
$112,950,721 |
19,955,957 |
| 19 |
Spy Kids |
Mar 30, 2001 |
Miramax/Dimension |
Adventure |
$112,692,062 |
19,910,258 |
| 20 |
The Princess Diaries |
Aug 3, 2001 |
Walt Disney |
Comedy |
$108,225,136 |
19,121,048 |
| 21 |
The Others |
Aug 10, 2001 |
Miramax |
Horror |
$96,522,687 |
17,053,478 |
| 22 |
Legally Blonde |
Jul 13, 2001 |
MGM |
Comedy |
$96,493,426 |
17,048,308 |
| 23 |
America's Sweethearts |
Jul 20, 2001 |
Sony Pictures |
Romantic Comedy |
$93,607,673 |
16,538,458 |
| 24 |
Cats & Dogs |
Jul 4, 2001 |
Warner Bros. |
Comedy |
$93,375,151 |
16,497,376 |
| 25 |
Save the Last Dance |
Jan 12, 2001 |
Paramount Pictures |
Drama |
$91,038,276 |
16,084,501 |
| 26 |
Atlantis: The Lost Empire |
Jun 8, 2001 |
Walt Disney |
Adventure |
$84,052,762 |
14,850,311 |
| 27 |
Vanilla Sky |
Dec 14, 2001 |
Paramount Pictures |
Thriller/Suspense |
$81,080,174 |
14,325,119 |
| 28 |
Artificial Intelligence: AI |
Jun 29, 2001 |
Warner Bros. |
Drama |
$78,616,689 |
13,889,874 |
| 29 |
Training Day |
Oct 5, 2001 |
Warner Bros. |
Thriller/Suspense |
$76,261,036 |
13,473,681 |
| 30 |
Along Came a Spider |
Apr 6, 2001 |
Paramount Pictures |
Thriller/Suspense |
$74,058,698 |
13,084,575 |
| 31 |
Bridget Jones's Diary |
Apr 13, 2001 |
Miramax |
Romantic Comedy |
$71,500,556 |
12,632,607 |
| 32 |
Scary Movie 2 |
Jul 4, 2001 |
Miramax/Dimension |
Comedy |
$71,277,420 |
12,593,183 |
| 33 |
The Score |
Jul 13, 2001 |
Paramount Pictures |
Thriller/Suspense |
$71,069,884 |
12,556,516 |
| 34 |
Swordfish |
Jun 8, 2001 |
Warner Bros. |
Action |
$69,772,969 |
12,327,379 |
| 35 |
Shallow Hal |
Nov 9, 2001 |
20th Century Fox |
Romantic Comedy |
$68,817,987 |
12,158,654 |
| 36 |
Chocolat |
Dec 15, 2000 |
Miramax |
Drama |
$67,060,776 |
11,848,193 |
| 37 |
What Women Want |
Dec 15, 2000 |
Paramount Pictures |
Romantic Comedy |
$67,043,240 |
11,845,095 |
| 38 |
The Mexican |
Mar 2, 2001 |
Dreamworks SKG |
Action |
$66,808,615 |
11,803,642 |
| 39 |
Down to Earth |
Feb 16, 2001 |
Paramount Pictures |
Comedy |
$64,172,251 |
11,337,853 |
| 40 |
Jimmy Neutron: Boy Genius |
Dec 21, 2001 |
Paramount Pictures |
Adventure |
$62,339,089 |
11,013,973 |
| 41 |
Spy Game |
Nov 21, 2001 |
Universal |
Action |
$61,453,515 |
10,857,511 |
| 42 |
Miss Congeniality |
Dec 22, 2000 |
Warner Bros. |
Comedy |
$60,424,996 |
10,675,794 |
| 43 |
The Wedding Planner |
Jan 26, 2001 |
Sony Pictures |
Romantic Comedy |
$60,400,856 |
10,671,529 |
| 44 |
Moulin Rouge |
May 18, 2001 |
20th Century Fox |
Musical |
$57,065,562 |
10,082,254 |
| 45 |
Rat Race |
Aug 17, 2001 |
Paramount Pictures |
Comedy |
$56,607,223 |
10,001,276 |
| 46 |
A Knight’s Tale |
May 11, 2001 |
Sony Pictures |
Adventure |
$56,083,966 |
9,908,827 |
| 47 |
The Animal |
Jun 1, 2001 |
Sony Pictures |
Comedy |
$55,762,229 |
9,851,983 |
| 48 |
Don’t Say a Word |
Sep 28, 2001 |
20th Century Fox |
Thriller/Suspense |
$54,950,408 |
9,708,552 |
| 49 |
Behind Enemy Lines |
Nov 30, 2001 |
20th Century Fox |
Action |
$53,707,487 |
9,488,955 |
| 50 |
Blow |
Apr 6, 2001 |
New Line |
Drama |
$52,990,775 |
9,362,327 |
| 51 |
Exit Wounds |
Mar 16, 2001 |
Warner Bros. |
Action |
$51,758,599 |
9,144,628 |
| 52 |
Enemy at the Gates |
Mar 16, 2001 |
Paramount Pictures |
Drama |
$51,396,781 |
9,080,703 |
| 53 |
K-PAX |
Oct 26, 2001 |
Universal |
Drama |
$50,315,140 |
8,889,600 |
| 54 |
Serendipity |
Oct 5, 2001 |
Miramax |
Romantic Comedy |
$50,255,310 |
8,879,030 |
| 55 |
Ali |
Dec 25, 2001 |
Sony Pictures |
Drama |
$49,467,604 |
8,739,859 |
| 56 |
Finding Forrester |
Dec 19, 2000 |
Sony Pictures |
Drama |
$46,466,892 |
8,209,698 |
| 57 |
Zoolander |
Sep 28, 2001 |
Paramount Pictures |
Comedy |
$45,162,741 |
7,979,282 |
| 58 |
Domestic Disturbance |
Nov 2, 2001 |
Paramount Pictures |
Thriller/Suspense |
$44,791,627 |
7,913,715 |
| 59 |
The One |
Nov 2, 2001 |
Sony Pictures |
Action |
$43,905,746 |
7,757,198 |
| 60 |
O Brother, Where Art Thou? |
Dec 22, 2000 |
Walt Disney |
Comedy |
$43,569,988 |
7,697,877 |
| 61 |
Thir13en Ghosts |
Oct 26, 2001 |
Warner Bros. |
Horror |
$41,867,960 |
7,397,166 |
| 62 |
Bandits |
Oct 12, 2001 |
MGM |
Comedy |
$41,434,602 |
7,320,601 |
| 63 |
Heartbreakers |
Mar 23, 2001 |
MGM |
Comedy |
$40,334,024 |
7,126,152 |
| 64 |
Hardball |
Sep 14, 2001 |
Paramount Pictures |
Drama |
$40,147,977 |
7,093,282 |
| 65 |
The Emperor's New Groove |
Dec 15, 2000 |
Walt Disney |
Adventure |
$38,484,289 |
6,799,344 |
| 66 |
Evolution |
Jun 8, 2001 |
Dreamworks SKG |
Comedy |
$38,311,134 |
6,768,751 |
| 67 |
Jeepers Creepers |
Aug 31, 2001 |
MGM |
Horror |
$37,904,175 |
6,696,850 |
| 68 |
A Beautiful Mind |
Dec 21, 2001 |
Universal |
Drama |
$37,779,241 |
6,674,777 |
| 69 |
Kiss of the Dragon |
Jul 6, 2001 |
20th Century Fox |
Action |
$36,833,473 |
6,507,680 |
| 70 |
Recess: School's Out |
Feb 16, 2001 |
Walt Disney |
Adventure |
$36,696,761 |
6,483,526 |
| 71 |
Not Another Teen Movie |
Dec 14, 2001 |
Sony Pictures |
Comedy |
$35,248,962 |
6,227,731 |
| 72 |
Thirteen Days |
Dec 22, 2000 |
New Line |
Drama |
$34,229,974 |
6,047,698 |
| 73 |
See Spot Run |
Mar 2, 2001 |
Warner Bros. |
Adventure |
$33,357,476 |
5,893,546 |
| 74 |
The Family Man |
Dec 22, 2000 |
Universal |
Comedy |
$32,619,705 |
5,763,198 |
| 75 |
Driven |
Apr 27, 2001 |
Warner Bros. |
Action |
$32,616,869 |
5,762,697 |
| 76 |
What's the Worst That Could… |
Jun 1, 2001 |
MGM |
Comedy |
$32,267,774 |
5,701,020 |
| 77 |
Final Fantasy: The Spirits … |
Jul 11, 2001 |
Sony Pictures |
Adventure |
$32,131,830 |
5,677,001 |
| 78 |
Black Knight |
Nov 21, 2001 |
20th Century Fox |
Adventure |
$31,942,704 |
5,643,587 |
| 79 |
From Hell |
Oct 19, 2001 |
20th Century Fox |
Thriller/Suspense |
$31,519,795 |
5,568,868 |
| 80 |
Kate and Leopold |
Dec 25, 2001 |
Miramax |
Romantic Comedy |
$30,588,006 |
5,404,241 |
| 81 |
Jay and Silent Bob Strike Back |
Aug 24, 2001 |
Miramax/Dimension |
Comedy |
$30,059,386 |
5,310,845 |
| 82 |
Snatch |
Dec 8, 2000 |
Sony Pictures |
Black Comedy |
$30,033,056 |
5,306,193 |
| 83 |
Double Take |
Jan 12, 2001 |
Walt Disney |
Action |
$29,823,162 |
5,269,109 |
| 84 |
Riding in Cars with Boys |
Oct 19, 2001 |
Sony Pictures |
Drama |
$29,781,453 |
5,261,740 |
| 85 |
Baby Boy |
Jun 27, 2001 |
Sony Pictures |
Drama |
$28,734,552 |
5,076,775 |
| 86 |
The Brothers |
Mar 23, 2001 |
Sony Pictures |
Comedy |
$27,457,409 |
4,851,132 |
| 87 |
Someone Like You |
Mar 30, 2001 |
20th Century Fox |
Romantic Comedy |
$27,338,033 |
4,830,041 |
| 88 |
Joe Dirt |
Apr 11, 2001 |
Sony Pictures |
Comedy |
$27,087,695 |
4,785,811 |
| 89 |
The Musketeer |
Sep 7, 2001 |
Universal |
Adventure |
$27,053,815 |
4,779,825 |
| 90 |
Crocodile Dundee in Los Ang… |
Apr 20, 2001 |
Paramount Pictures |
Adventure |
$25,590,119 |
4,521,222 |
| 91 |
Memento |
Mar 16, 2001 |
Newmarket Films |
Thriller/Suspense |
$25,544,867 |
4,513,227 |
| 92 |
Captain Corelli's Mandolin |
Aug 17, 2001 |
Miramax |
Drama |
$25,528,495 |
4,510,334 |
| 93 |
Sweet November |
Feb 16, 2001 |
Warner Bros. |
Drama |
$25,288,103 |
4,467,862 |
| 94 |
15 Minutes |
Mar 9, 2001 |
New Line |
Thriller/Suspense |
$24,375,436 |
4,306,614 |
| 95 |
Hearts in Atlantis |
Sep 28, 2001 |
Warner Bros. |
Drama |
$24,185,781 |
4,273,106 |
| 96 |
How High |
Dec 21, 2001 |
Universal |
Comedy |
$24,098,250 |
4,257,641 |
| 97 |
Angel Eyes |
May 18, 2001 |
Warner Bros. |
Drama |
$24,044,532 |
4,248,150 |
| 98 |
Corky Romano |
Oct 12, 2001 |
Walt Disney |
Comedy |
$23,780,766 |
4,201,548 |
| 99 |
Heist |
Nov 9, 2001 |
New Line |
Action |
$23,483,357 |
4,149,003 |
| 100 |
The Majestic |
Dec 21, 2001 |
Warner Bros. |
Drama |
$23,458,487 |
4,144,609 |
| 101 |
Kingdom Come |
Apr 11, 2001 |
Fox Searchlight |
Comedy |
$23,247,539 |
4,107,339 |
| 102 |
Two Can Play That Game |
Sep 7, 2001 |
Sony Pictures |
Romantic Comedy |
$22,235,901 |
3,928,604 |
| 103 |
Joy Ride |
Oct 5, 2001 |
20th Century Fox |
Thriller/Suspense |
$21,973,182 |
3,882,187 |
| 104 |
The Royal Tenenbaums |
Dec 14, 2001 |
Walt Disney |
Black Comedy |
$20,697,480 |
3,656,798 |
| 105 |
Valentine |
Feb 2, 2001 |
Warner Bros. |
Horror |
$20,384,136 |
3,601,437 |
| 106 |
Joe Somebody |
Dec 21, 2001 |
20th Century Fox |
Comedy |
$19,761,472 |
3,491,426 |
| 107 |
The Pledge |
Jan 19, 2001 |
Warner Bros. |
Drama |
$19,719,930 |
3,484,086 |
| 108 |
Summer Catch |
Aug 24, 2001 |
Warner Bros. |
Comedy |
$19,693,891 |
3,479,486 |
| 109 |
Saving Silverman |
Feb 9, 2001 |
Sony Pictures |
Comedy |
$19,351,569 |
3,419,005 |
| 110 |
The Last Castle |
Oct 19, 2001 |
Dreamworks SKG |
Drama |
$18,208,078 |
3,216,974 |
| 111 |
The Glass House |
Sep 14, 2001 |
Sony Pictures |
Thriller/Suspense |
$17,951,431 |
3,171,630 |
| 112 |
Amelie |
Nov 2, 2001 |
Miramax |
Romantic Comedy |
$17,695,648 |
3,126,439 |
| 113 |
Max Keeble's Big Move |
Oct 5, 2001 |
Walt Disney |
Adventure |
$17,148,904 |
3,029,841 |
| 114 |
Pokemon 3: The Movie |
Apr 6, 2001 |
Warner Bros. |
Adventure |
$17,052,128 |
3,012,743 |
| 115 |
Rock Star |
Sep 7, 2001 |
Warner Bros. |
Drama |
$16,991,902 |
3,002,102 |
| 116 |
crazy/beautiful |
Jun 29, 2001 |
Walt Disney |
Drama |
$16,929,123 |
2,991,011 |
| 117 |
Vertical Limit |
Dec 8, 2000 |
Sony Pictures |
Thriller/Suspense |
$16,593,246 |
2,931,668 |
| 118 |
Original Sin |
Aug 3, 2001 |
MGM |
Thriller/Suspense |
$16,521,410 |
2,918,977 |
| 119 |
O (Othello) |
Aug 31, 2001 |
Lionsgate |
Drama |
$16,017,403 |
2,829,929 |
| 120 |
3000 Miles to Graceland |
Feb 23, 2001 |
Warner Bros. |
Drama |
$15,738,632 |
2,780,677 |
| 121 |
Life as a House |
Oct 26, 2001 |
New Line |
Drama |
$15,652,637 |
2,765,483 |
| 122 |
Iron Monkey |
Oct 12, 2001 |
Miramax |
Action |
$14,681,661 |
2,593,933 |
| 123 |
Josie and the Pussycats |
Apr 11, 2001 |
Universal |
Comedy |
$14,252,830 |
2,518,167 |
| 124 |
Freddy Got Fingered |
Apr 20, 2001 |
20th Century Fox |
Comedy |
$14,249,005 |
2,517,492 |
| 125 |
Out Cold |
Nov 21, 2001 |
Walt Disney |
Comedy |
$13,607,891 |
2,404,221 |
| 126 |
Osmosis Jones |
Aug 10, 2001 |
Warner Bros. |
Adventure |
$13,596,911 |
2,402,281 |
| 127 |
Tomcats |
Mar 30, 2001 |
Sony Pictures |
Comedy |
$13,558,739 |
2,395,536 |
| 128 |
Tailor of Panama |
Mar 30, 2001 |
Sony Pictures |
Thriller/Suspense |
$13,491,653 |
2,383,684 |
| 129 |
Sugar and Spice |
Jan 26, 2001 |
New Line |
Comedy |
$13,276,953 |
2,345,751 |
| 130 |
American Outlaws |
Aug 17, 2001 |
Warner Bros. |
Western |
$13,264,986 |
2,343,637 |
| 131 |
The Gift |
Dec 19, 2000 |
Paramount Vantage |
Thriller/Suspense |
$11,965,167 |
2,113,987 |
| 132 |
Get Over It |
Mar 9, 2001 |
Miramax |
Romantic Comedy |
$11,560,259 |
2,042,448 |
| 133 |
Dracula 2000 |
Dec 22, 2000 |
Miramax |
Horror |
$11,430,810 |
2,019,577 |
| 134 |
Dude, Where's My Car? |
Dec 15, 2000 |
20th Century Fox |
Comedy |
$11,097,464 |
1,960,682 |
| 135 |
Antitrust |
Jan 12, 2001 |
MGM |
Thriller/Suspense |
$10,965,209 |
1,937,316 |
| 136 |
Head Over Heels |
Feb 2, 2001 |
Universal |
Romantic Comedy |
$10,397,365 |
1,836,990 |
| 137 |
The Wash |
Nov 14, 2001 |
Lionsgate |
Comedy |
$10,036,340 |
1,773,204 |
| 138 |
The Deep End |
Aug 8, 2001 |
Fox Searchlight |
Thriller/Suspense |
$8,823,109 |
1,558,853 |
| 139 |
102 Dalmatians |
Nov 22, 2000 |
Walt Disney |
Adventure |
$8,605,600 |
1,520,424 |
| 140 |
Pollock |
Dec 15, 2000 |
Sony Pictures Cla… |
Drama |
$8,552,670 |
1,511,072 |
| 141 |
John Carpenter’s Ghosts of … |
Aug 24, 2001 |
Screen Media Films |
Action |
$8,434,601 |
1,490,212 |
| 142 |
Shadow of the Vampire |
Dec 29, 2000 |
Lionsgate |
Drama |
$8,128,846 |
1,436,191 |
| 143 |
All the Pretty Horses |
Dec 22, 2000 |
Miramax |
Western |
$7,886,561 |
1,393,385 |
| 144 |
The Curse of the Jade Scorpion |
Aug 24, 2001 |
Dreamworks SKG |
Comedy |
$7,496,522 |
1,324,473 |
| 145 |
Bones |
Oct 24, 2001 |
New Line |
Horror |
$7,316,658 |
1,292,695 |
| 146 |
The Man Who Wasn't There |
Oct 31, 2001 |
USA Films |
Drama |
$6,971,906 |
1,231,785 |
| 147 |
Sexy Beast |
Jun 13, 2001 |
Fox Searchlight |
Drama |
$6,946,056 |
1,227,218 |
| 148 |
Cyberworld 3D |
Oct 6, 2000 |
IMAX Films |
Adventure |
$6,889,078 |
1,217,151 |
| 149 |
The Forsaken |
Apr 27, 2001 |
Sony Pictures |
Horror |
$6,755,271 |
1,193,510 |
| 150 |
Town & Country |
Apr 27, 2001 |
New Line |
Romantic Comedy |
$6,712,451 |
1,185,945 |
| 151 |
Shackleton's Antarctic Adve… |
Feb 9, 2001 |
WGBH Giant-Screen… |
Documentary |
$6,683,025 |
1,180,746 |
| 152 |
How the Grinch Stole Christmas |
Nov 17, 2000 |
Universal |
Adventure |
$6,677,370 |
1,179,747 |
| 153 |
The Closet |
Apr 6, 2001 |
Miramax |
Comedy |
$6,671,454 |
1,178,702 |
| 154 |
One Night at McCool's |
Apr 27, 2001 |
USA Films |
Black Comedy |
$6,276,532 |
1,108,927 |
| 155 |
Ghost World |
Jul 20, 2001 |
MGM |
Comedy |
$6,139,840 |
1,084,777 |
| 156 |
Megiddo: Omega Code 2 |
Sep 21, 2001 |
8X Entertainment |
Action |
$6,047,691 |
1,068,496 |
| 157 |
Mulholland Drive |
Oct 8, 2001 |
Universal |
Drama |
$5,780,033 |
1,021,207 |
| 158 |
Say It Isn't So |
Mar 23, 2001 |
20th Century Fox |
Comedy |
$5,516,708 |
974,683 |
| 159 |
Monkeybone |
Feb 23, 2001 |
20th Century Fox |
Comedy |
$5,409,517 |
955,745 |
| 160 |
Love's a Bitch |
Mar 30, 2001 |
Lionsgate |
Drama |
$5,383,834 |
951,207 |
| 161 |
State and Main |
Dec 22, 2000 |
Fine Line |
Comedy |
$5,378,327 |
950,234 |
| 162 |
You Can Count on Me |
Nov 10, 2000 |
Paramount Vantage |
Drama |
$5,364,751 |
947,835 |
| 163 |
Made |
Jul 13, 2001 |
Artisan |
Comedy |
$5,308,707 |
937,934 |
| 164 |
Rugrats in Paris |
Nov 17, 2000 |
Paramount Pictures |
Adventure |
$5,295,739 |
935,642 |
| 165 |
Bread and Tulips |
Jul 27, 2001 |
First Look |
Comedy |
$5,229,957 |
924,020 |
| 166 |
Bubble Boy |
Aug 24, 2001 |
Walt Disney |
Comedy |
$5,002,310 |
883,800 |
| 167 |
Unbreakable |
Nov 22, 2000 |
Walt Disney |
Thriller/Suspense |
$4,965,347 |
877,269 |
| 168 |
Billy Elliot |
Oct 13, 2000 |
Focus Features |
Drama |
$4,900,058 |
865,734 |
| 169 |
Meet the Parents |
Oct 6, 2000 |
Universal |
Comedy |
$4,899,550 |
865,644 |
| 170 |
Just Visiting |
Apr 6, 2001 |
Walt Disney |
Comedy |
$4,777,007 |
843,994 |
| 171 |
Apocalypse Now |
Aug 15, 1979 |
United Artists |
Action |
$4,591,287 |
811,181 |
| 172 |
Cirque du Soleil - Journey … |
May 5, 2000 |
Sony Pictures Cla… |
Musical |
$4,486,314 |
792,634 |
| 173 |
Tortilla Soup |
Aug 24, 2001 |
IDP Distribution |
Comedy |
$4,447,014 |
785,691 |
| 174 |
On the Line |
Oct 26, 2001 |
Miramax |
Romantic Comedy |
$4,365,455 |
771,281 |
| 175 |
Michael Jordan to the MAX |
May 5, 2000 |
Giant Screen Films |
Documentary |
$4,293,965 |
758,651 |
| 176 |
The Shipping News |
Dec 25, 2001 |
Miramax |
Drama |
$4,288,696 |
757,720 |
| 177 |
In the Bedroom |
Nov 23, 2001 |
Miramax |
Drama |
$4,275,876 |
755,455 |
| 178 |
Glitter |
Sep 21, 2001 |
20th Century Fox |
Musical |
$4,273,372 |
755,012 |
| 179 |
Left Behind |
Feb 2, 2001 |
Cloud Ten Pictures |
Drama |
$4,221,341 |
745,819 |
| 180 |
With a Friend Like Harry |
Oct 13, 2000 |
Miramax |
Thriller/Suspense |
$4,036,980 |
713,247 |
| 181 |
The Anniversary Party |
Jun 8, 2001 |
Fine Line |
Drama |
$4,013,506 |
709,100 |
| 182 |
Before Night Falls |
Dec 22, 2000 |
Fine Line |
Drama |
$3,986,585 |
704,343 |
| 183 |
Quills |
Nov 22, 2000 |
Fox Searchlight |
Drama |
$3,710,057 |
655,487 |
| 184 |
Proof of Life |
Dec 8, 2000 |
Warner Bros. |
Action |
$3,545,454 |
626,405 |
| 185 |
Galapagos |
Oct 29, 1999 |
IMAX Films |
Documentary |
$3,511,940 |
620,484 |
| 186 |
Haunted Castle |
Mar 2, 2001 |
nWave Pictures |
Adventure |
$3,322,259 |
586,971 |
| 187 |
Pootie Tang |
Jun 29, 2001 |
Paramount Pictures |
Comedy |
$3,293,258 |
581,847 |
| 188 |
Monty Python and the Holy G… |
May 10, 1975 |
|
Comedy |
$3,194,949 |
564,478 |
| 189 |
Soul Survivors |
Sep 7, 2001 |
Artisan |
Horror |
$3,100,650 |
547,818 |
| 190 |
Hedwig and the Angry Inch |
Jul 20, 2001 |
Fine Line |
Musical |
$3,067,312 |
541,927 |
| 191 |
The Widow of St. Pierre |
Mar 2, 2001 |
Lionsgate |
Drama |
$3,058,380 |
540,349 |
| 192 |
Songcatcher |
Jun 15, 2001 |
Lionsgate |
Drama |
$3,050,934 |
539,034 |
| 193 |
The Golden Bowl |
Apr 27, 2001 |
Lionsgate |
Drama |
$3,037,579 |
536,674 |
| 194 |
Impostor |
|
|
Thriller/Suspense |
$3,022,523 |
534,014 |
| 195 |
Malena |
Dec 22, 2000 |
Miramax |
Drama |
$2,956,419 |
522,335 |
| 196 |
The House of Mirth |
Dec 22, 2000 |
Sony Pictures Cla… |
Drama |
$2,872,744 |
507,551 |
| 197 |
Kabhi Khushi Kabhie Gham |
Dec 14, 2001 |
Yash Raj Films |
Drama |
$2,862,000 |
505,653 |
| 198 |
In the Mood for Love |
Feb 2, 2001 |
Focus Features |
Drama |
$2,734,044 |
483,046 |
| 199 |
T-Rex: Back to the Cretaceous |
Oct 23, 1998 |
IMAX Films |
Adventure |
$2,670,854 |
471,882 |
| 200 |
Waking Life |
Oct 19, 2001 |
Fox Searchlight |
Drama |
$2,589,639 |
457,533 |
| 201 |
Charlie's Angels |
Nov 3, 2000 |
Sony Pictures |
Action |
$2,502,784 |
442,187 |
| 202 |
Himalaya - l'enfance d'un chef |
Nov 17, 2000 |
Kino International |
Drama |
$2,362,018 |
417,317 |
| 203 |
Sidewalks of New York |
Nov 21, 2001 |
Paramount Vantage |
Comedy |
$2,343,532 |
414,051 |
| 204 |
Gabriela |
Mar 16, 2001 |
Power Point Films |
Drama |
$2,310,714 |
408,253 |
| 205 |
Escanaba in Da Moonlight |
Jan 26, 2001 |
Purple Rose Films |
Comedy |
$2,276,406 |
402,191 |
| 206 |
The Dish |
Mar 14, 2001 |
Warner Bros. |
Comedy |
$2,252,970 |
398,051 |
| 207 |
Gosford Park |
Dec 26, 2001 |
USA Films |
Comedy |
$2,193,544 |
387,551 |
| 208 |
Innocence |
Aug 17, 2001 |
IDP Distribution |
Drama |
$2,158,188 |
381,305 |
| 209 |
Novocaine |
Nov 16, 2001 |
Artisan |
Comedy |
$2,025,238 |
357,815 |
| 210 |
Remember the Titans |
Sep 29, 2000 |
Walt Disney |
Drama |
$1,908,711 |
337,228 |
| 211 |
China: The Panda Adventure |
Jul 27, 2001 |
IMAX Films |
Drama |
$1,775,028 |
313,609 |
| 212 |
Carman: The Champion |
Mar 2, 2001 |
8X Entertainment |
Drama |
$1,743,863 |
308,103 |
| 213 |
N'sync: Bigger than Live |
Feb 9, 2001 |
Really Big Film C… |
Concert/Perfor… |
$1,688,717 |
298,359 |
| 214 |
Island of the Sharks |
Apr 30, 1999 |
IMAX Films |
Documentary |
$1,626,777 |
287,416 |
| 215 |
Under the Sand |
May 4, 2001 |
WellSpring |
Drama |
$1,444,667 |
255,241 |
| 216 |
Best in Show |
Sep 27, 2000 |
Warner Bros. |
Comedy |
$1,441,606 |
254,700 |
| 217 |
Greenfingers |
Jul 27, 2001 |
IDP Distribution |
Comedy |
$1,439,287 |
254,290 |
| 218 |
The Endurance: Shackleton's… |
Oct 5, 2001 |
Cowboy Pictures |
Documentary |
$1,435,399 |
253,604 |
| 219 |
Divided We Fall |
Jun 8, 2001 |
Sony Pictures Cla… |
Drama |
$1,320,112 |
233,235 |
| 220 |
Men of Honor |
Nov 10, 2000 |
20th Century Fox |
Drama |
$1,302,451 |
230,115 |
| 221 |
Extreme |
Mar 23, 1999 |
IMAX Films |
Documentary |
$1,285,048 |
227,040 |
| 222 |
Startup.com |
May 11, 2001 |
Artisan |
Documentary |
$1,280,975 |
226,320 |
| 223 |
The Road Home |
May 25, 2001 |
Sony Pictures Cla… |
Drama |
$1,280,090 |
226,164 |
| 224 |
Nuit de Noces |
Jun 1, 2001 |
Seville |
Comedy |
$1,238,180 |
218,759 |
| 225 |
L.I.E. |
Sep 7, 2001 |
Lot 47 Films |
Drama |
$1,136,179 |
200,738 |
| 226 |
The Center of the World |
Apr 20, 2001 |
Artisan |
Drama |
$1,096,037 |
193,646 |
| 227 |
The Debut |
Mar 16, 2001 |
Menemsha Entertai… |
Comedy |
$1,079,006 |
190,637 |
| 228 |
Gladiator |
May 5, 2000 |
Dreamworks SKG |
Action |
$1,073,753 |
189,709 |
| 229 |
The Luzhin Defence |
Apr 20, 2001 |
Sony Pictures |
Drama |
$1,051,811 |
185,832 |
| 230 |
Extreme Days |
Sep 28, 2001 |
Providence Entert… |
Action |
$1,047,553 |
185,080 |
| 231 |
Liam |
Sep 21, 2001 |
Lionsgate |
Drama |
$1,016,021 |
179,509 |
| 232 |
Together |
May 10, 2001 |
IFC Films |
|
$1,010,208 |
178,481 |
| 233 |
All Over the Guy |
Aug 10, 2001 |
Lionsgate |
Romantic Comedy |
$1,006,969 |
177,909 |
| 234 |
Encounter in the Third Dime… |
Feb 26, 1999 |
nWave Pictures |
Drama |
$996,546 |
176,068 |
| 235 |
All Access: Front Row. Back… |
Apr 6, 2001 |
IMAX Films |
Concert/Perfor… |
$995,122 |
175,816 |
| 236 |
Les Boys III |
Nov 30, 2001 |
Lionsgate |
Comedy |
$995,000 |
175,795 |
| 237 |
Left Luggage |
Sep 22, 2000 |
Castle Hill Produ… |
Drama |
$937,992 |
165,722 |
| 238 |
Dungeons and Dragons |
Dec 8, 2000 |
New Line |
Adventure |
$934,493 |
165,104 |
| 239 |
American Desi |
Mar 16, 2001 |
Eros Entertainment |
Romantic Comedy |
$902,835 |
159,511 |
| 240 |
The Princess and the Warrior |
Jun 22, 2001 |
Sony Pictures Cla… |
Drama |
$871,058 |
153,897 |
| 241 |
Brigham City |
Apr 6, 2001 |
Excel Entertainment |
Thriller/Suspense |
$852,206 |
150,566 |
| 242 |
Lagaan |
Jun 15, 2001 |
Set Pictures |
Musical |
$835,767 |
147,662 |
| 243 |
An American Rhapsody |
Aug 10, 2001 |
Paramount Vantage |
Drama |
$806,375 |
142,469 |
| 244 |
Va Savoir (Who Knows?) |
Sep 28, 2001 |
Sony Pictures Cla… |
Romantic Comedy |
$795,498 |
140,547 |
| 245 |
Requiem for a Dream |
Oct 6, 2000 |
Artisan |
Drama |
$790,504 |
139,665 |
| 246 |
The Business of Strangers |
Dec 7, 2001 |
IFC Films |
Drama |
$782,975 |
138,334 |
| 247 |
Chunhyang |
Dec 29, 2000 |
Lot 47 Films |
Drama |
$782,033 |
138,168 |
| 248 |
Yi Yi |
Oct 6, 2000 |
WellSpring |
Drama |
$765,319 |
135,215 |
| 249 |
The Man Who Cried |
May 25, 2001 |
Focus Features |
Drama |
$747,092 |
131,995 |
| 250 |
Faithless |
Jan 26, 2001 |
IDP Distribution |
Drama |
$734,597 |
129,787 |
| 251 |
Asoka |
Oct 26, 2001 |
First Look |
Drama |
$702,777 |
124,165 |
| 252 |
Panic |
Dec 1, 2000 |
Roxie Releasing |
Drama |
$696,742 |
123,099 |
| 253 |
Happy Accidents |
Aug 24, 2001 |
IFC Films |
Romantic Comedy |
$688,523 |
121,647 |
| 254 |
The Caveman's Valentine |
Mar 2, 2001 |
Focus Features |
Drama |
$687,081 |
121,392 |
| 255 |
Lumumba |
Jun 29, 2001 |
Zeitgeist |
Drama |
$685,082 |
121,039 |
| 256 |
Focus |
Oct 19, 2001 |
Paramount Vantage |
Drama |
$681,018 |
120,321 |
| 257 |
The Legend of Rita |
Jan 26, 2001 |
Kino International |
Drama |
$666,565 |
117,767 |
| 258 |
The Other Side of Heaven |
Dec 14, 2001 |
Excel Entertainment |
Drama |
$659,552 |
116,528 |
| 259 |
The Circle |
Mar 9, 2001 |
WinStar Cinema |
Drama |
$658,801 |
116,395 |
| 260 |
Alien Adventure |
Apr 14, 2000 |
nWave Pictures |
Adventure |
$648,409 |
114,559 |
| 261 |
Yaadein |
Jul 27, 2001 |
Tips Exports |
Drama |
$645,615 |
114,066 |
| 262 |
February 15, 1839 |
Jan 26, 2001 |
Lionsgate |
Drama |
$640,790 |
113,213 |
| 263 |
Dinner Rush |
Sep 28, 2001 |
Access Motion Pic… |
Drama |
$638,227 |
112,760 |
| 264 |
Blow Dry |
Mar 7, 2001 |
Miramax |
Comedy |
$637,769 |
112,680 |
| 265 |
The Taste of Others |
Feb 9, 2001 |
Miramax |
Romantic Comedy |
$635,282 |
112,240 |
| 266 |
The Crimson Rivers |
Jun 29, 2001 |
Sony Pictures |
Drama |
$632,548 |
111,757 |
| 267 |
Texas Rangers |
Nov 30, 2001 |
Miramax |
Western |
$623,374 |
110,136 |
| 268 |
My First Mister |
Oct 12, 2001 |
Paramount Vantage |
Drama |
$616,242 |
108,876 |
| 269 |
The Claim |
Dec 29, 2000 |
MGM |
Western |
$614,892 |
108,638 |
| 270 |
Little Nicky |
Nov 10, 2000 |
New Line |
Comedy |
$594,247 |
104,990 |
| 271 |
Almost Famous |
Sep 15, 2000 |
Dreamworks SKG |
Comedy |
$583,343 |
103,064 |
| 272 |
Black Hawk Down |
Dec 28, 2001 |
Sony Pictures |
Action |
$558,812 |
98,730 |
| 273 |
Thrill Ride: The Science of… |
Jul 11, 1997 |
Sony Pictures Cla… |
Documentary |
$546,397 |
96,536 |
| 274 |
Pay it Forward |
Oct 20, 2000 |
Warner Bros. |
Drama |
$542,879 |
95,915 |
| 275 |
Bread and Roses |
May 11, 2001 |
Lionsgate |
Drama |
$536,465 |
94,781 |
| 276 |
I'm the One That I Want |
Aug 4, 2000 |
Cho Taussig Prods. |
Concert/Perfor… |
$531,272 |
93,864 |
| 277 |
Our Lady of the Assassins |
Sep 7, 2001 |
Paramount Vantage |
Drama |
$517,170 |
91,372 |
| 278 |
Fat Girl |
Oct 12, 2001 |
Cowboy Pictures |
Drama |
$514,100 |
90,830 |
| 279 |
Big Eden |
Jun 1, 2001 |
|
Drama |
$512,451 |
90,539 |
| 280 |
Bully |
Jul 13, 2001 |
Lionsgate |
Drama |
$510,092 |
90,122 |
| 281 |
Tape |
Nov 2, 2001 |
|
|
$490,475 |
86,656 |
| 282 |
Intimacy |
Oct 19, 2001 |
Empire Pictures |
Drama |
$464,547 |
82,075 |
| 283 |
The Vertical Ray of the Sun |
Jul 6, 2001 |
|
|
$456,387 |
80,633 |
| 284 |
The Devil's Backbone |
Nov 21, 2001 |
Sony Pictures Cla… |
Horror |
$453,067 |
80,047 |
| 285 |
Brother |
Jul 20, 2001 |
Sony Pictures Cla… |
Thriller/Suspense |
$450,594 |
79,610 |
| 286 |
The Affair of the Necklace |
Nov 30, 2001 |
Warner Bros. |
Drama |
$425,202 |
75,124 |
| 287 |
Donnie Darko |
Oct 26, 2001 |
Newmarket Films |
Drama |
$423,244 |
74,778 |
| 288 |
Bride of the Wind |
Jun 8, 2001 |
Paramount Vantage |
Drama |
$419,414 |
74,101 |
| 289 |
Le pacte des loups |
Jun 1, 2001 |
|
Action |
$401,634 |
70,960 |
| 290 |
Monster's Ball |
Dec 26, 2001 |
Lionsgate |
Drama |
$385,688 |
68,142 |
| 291 |
Lantana |
Dec 14, 2001 |
Lionsgate |
Drama |
$384,981 |
68,017 |
| 292 |
A Hard Day's Night |
Aug 11, 1964 |
Universal |
Comedy |
$383,853 |
67,818 |
| 293 |
Session 9 |
Aug 10, 2001 |
USA Films |
|
$378,176 |
66,815 |
| 294 |
Lajja |
Aug 31, 2001 |
|
|
$376,000 |
66,431 |
| 295 |
Nico and Dani |
Feb 2, 2001 |
Avatar |
Drama |
$370,562 |
65,470 |
| 296 |
Bedazzled |
Oct 20, 2000 |
20th Century Fox |
Comedy |
$360,705 |
63,728 |
| 297 |
The Adventures of Felix |
Jun 15, 2001 |
WinStar Cinema |
Comedy |
$358,287 |
63,301 |
| 298 |
Keep the River on the Right |
Mar 30, 2001 |
|
|
$348,507 |
61,573 |
| 299 |
The Day I Became a Woman |
Apr 6, 2001 |
|
|
$344,235 |
60,818 |
| 300 |
Across The Sea of Time |
Oct 20, 1995 |
Sony Pictures Cla… |
Drama |
$340,205 |
60,106 |
| 301 |
Come Undone |
Jun 29, 2001 |
|
|
$325,838 |
57,568 |
| 302 |
Me You Them |
Mar 2, 2001 |
|
Comedy |
$323,403 |
57,138 |
| 303 |
Grateful Dawg |
Oct 5, 2001 |
|
|
$307,793 |
54,380 |
| 304 |
No Man's Land |
Dec 7, 2001 |
MGM |
Drama |
$302,755 |
53,490 |
| 305 |
Lost and Delirious |
Jul 6, 2001 |
|
|
$302,365 |
53,421 |
| 306 |
Down From the Mountain |
Jun 15, 2001 |
|
|
$301,388 |
53,248 |
| 307 |
Wet Hot American Summer |
Jul 27, 2001 |
|
Comedy |
$292,102 |
51,608 |
| 308 |
Ginger Snaps |
May 11, 2001 |
|
Horror |
$284,063 |
50,187 |
| 309 |
Trembling Before G-D |
Oct 26, 2001 |
New Yorker |
Documentary |
$281,541 |
49,742 |
| 310 |
Space Cowboys |
Aug 4, 2000 |
Warner Bros. |
Adventure |
$274,158 |
48,437 |
| 311 |
Wings of Courage |
Apr 21, 1995 |
Sony Pictures Cla… |
Drama |
$259,511 |
45,850 |
| 312 |
Our Song |
May 25, 2001 |
|
|
$254,199 |
44,911 |
| 313 |
Under the Sun |
Aug 3, 2001 |
|
|
$252,218 |
44,561 |
| 314 |
Haiku Tunnel |
Sep 14, 2001 |
|
|
$251,058 |
44,356 |
| 315 |
2001: A Space Odyssey |
Apr 2, 1968 |
MGM |
Adventure |
$239,621 |
42,336 |
| 316 |
One Week |
Oct 19, 2001 |
|
|
$237,406 |
41,944 |
| 317 |
Road to Redemption |
Feb 16, 2001 |
|
|
$236,823 |
41,841 |
| 318 |
Chopper |
Apr 11, 2001 |
First Look |
Drama |
$234,259 |
41,388 |
| 319 |
High Heels and Low Lifes |
Oct 26, 2001 |
Walt Disney |
Comedy |
$226,792 |
40,069 |
| 320 |
The 6th Day |
Nov 17, 2000 |
Sony Pictures |
Action |
$226,067 |
39,941 |
| 321 |
Kandahar |
Dec 14, 2001 |
Avatar |
Drama |
$218,063 |
38,527 |
| 322 |
Herman U.S.A. |
Sep 14, 2001 |
|
|
$215,587 |
38,089 |
| 323 |
Red Planet |
Nov 10, 2000 |
Warner Bros. |
Action |
$215,481 |
38,070 |
| 324 |
Mysteries of Egypt |
Jul 16, 1998 |
Sony Pictures |
Documentary |
$210,300 |
37,155 |
| 325 |
Catfish in Black Bean Sauce |
Jun 9, 2000 |
Phaedra Cinema |
Comedy |
$207,990 |
36,747 |
| 326 |
Funny Girl |
Aug 31, 2001 |
Sony Pictures |
Comedy |
$207,416 |
36,645 |
| 327 |
Burnt Money |
Oct 19, 2001 |
Strand |
Drama |
$195,532 |
34,546 |
| 328 |
Fast Food, Fast Women |
May 18, 2001 |
|
Comedy |
$188,686 |
33,336 |
| 329 |
Jump Tomorrow |
Jul 6, 2001 |
|
|
$187,474 |
33,122 |
| 330 |
The Fluffer |
Nov 16, 2001 |
TLA Releasing |
Drama |
$186,571 |
32,963 |
| 331 |
La Forteresse Suspendue |
Jun 22, 2001 |
|
|
$183,579 |
32,434 |
| 332 |
Les Silence du Dosil |
Feb 16, 2001 |
|
|
$182,882 |
32,311 |
| 333 |
Band of Outsiders (1966) (R… |
Aug 17, 2001 |
Rialto Pictures |
Drama |
$182,857 |
32,306 |
| 334 |
The Visit |
Dec 15, 2000 |
|
Drama |
$180,927 |
31,965 |
| 335 |
Porn Star: The Legend of Ro… |
Nov 30, 2001 |
|
Documentary |
$175,040 |
30,925 |
| 336 |
Series 7: The Contenders |
Mar 2, 2001 |
|
Drama |
$171,478 |
30,296 |
| 337 |
Karmina 2: L'enfer de Chabot |
Jul 13, 2001 |
|
|
$169,471 |
29,941 |
| 338 |
Punks |
Nov 2, 2001 |
|
|
$159,675 |
28,211 |
| 339 |
George Washington |
Oct 27, 2000 |
|
|
$157,022 |
27,742 |
| 340 |
The Trumpet of the Swan |
May 11, 2001 |
Sony Pictures |
|
$152,525 |
26,947 |
| 341 |
Go Tigers |
Sep 21, 2001 |
|
|
$151,692 |
26,800 |
| 342 |
About Adam |
May 11, 2001 |
Miramax |
Comedy |
$151,559 |
26,777 |
| 343 |
Season's Beatings |
Nov 17, 2000 |
Empire Pictures |
Comedy |
$150,977 |
26,674 |
| 344 |
The Gleaners and I |
Mar 7, 2001 |
|
|
$149,834 |
26,472 |
| 345 |
Roi Danse, Le |
May 11, 2001 |
|
|
$149,507 |
26,414 |
| 346 |
Shadow Magic |
Apr 6, 2001 |
|
|
$149,258 |
26,370 |
| 347 |
Company Man |
Mar 9, 2001 |
|
Comedy |
$146,028 |
25,800 |
| 348 |
Boys to Men |
Apr 27, 2001 |
Jour de Fete |
Drama |
$144,765 |
25,576 |
| 349 |
A Time for Drunken Horses |
Oct 27, 2000 |
Shooting Gallery |
Drama |
$143,542 |
25,360 |
| 350 |
Place Vendome |
Aug 18, 2000 |
Empire Pictures |
Drama |
$142,191 |
25,122 |
| 351 |
When Brandon Met Trudy |
Mar 9, 2001 |
|
|
$132,384 |
23,389 |
| 352 |
Sordid Lives |
May 11, 2001 |
Regent Releasing |
Comedy |
$131,833 |
23,292 |
| 353 |
Bounce |
Nov 17, 2000 |
Miramax |
Drama |
$129,783 |
22,929 |
| 354 |
Rape Me |
Sep 15, 2000 |
|
Drama |
$127,857 |
22,589 |
| 355 |
Russian Doll |
Jun 15, 2001 |
|
|
$125,041 |
22,092 |
| 356 |
Maelstrom |
Sep 15, 2000 |
Alliance Films |
|
$124,092 |
21,924 |
| 357 |
Charlotte Gray |
Dec 28, 2001 |
Warner Bros. |
Drama |
$122,759 |
21,688 |
| 358 |
Calle 54 |
Oct 20, 2000 |
Miramax |
Documentary |
$122,129 |
21,577 |
| 359 |
Life and Debt |
Jun 22, 2001 |
|
|
$120,222 |
21,240 |
| 360 |
Africa's Elephant Kingdom |
May 8, 1998 |
Discovery/IMAX |
Documentary |
$118,955 |
21,016 |
| 361 |
Last Resort |
Feb 23, 2001 |
|
|
$114,657 |
20,257 |
| 362 |
Vengo |
Sep 7, 2001 |
|
|
$114,231 |
20,182 |
| 363 |
Lisa Picard is Famous |
Aug 22, 2001 |
|
Comedy |
$113,433 |
20,041 |
| 364 |
Second Skin |
Nov 23, 2001 |
|
|
$112,623 |
19,898 |
| 365 |
The Price of Milk |
Feb 16, 2001 |
|
|
$111,566 |
19,711 |
| 366 |
I Am Sam |
Dec 28, 2001 |
New Line |
Drama |
$111,089 |
19,627 |
| 367 |
Boys Life 3 |
Dec 8, 2000 |
Strand |
Drama |
$110,958 |
19,603 |
| 368 |
Audition |
Jun 15, 2001 |
Vitagraph Films |
Horror |
$110,776 |
19,571 |
| 369 |
101 Reykjavík |
Jul 25, 2001 |
|
Comedy |
$109,277 |
19,306 |
| 370 |
The Iron Ladies |
Sep 7, 2001 |
|
|
$107,668 |
19,022 |
| 371 |
The Girl |
Apr 20, 2001 |
|
|
$104,883 |
18,530 |
| 372 |
Wonder Boys |
Feb 23, 2000 |
Paramount Pictures |
Comedy |
$104,502 |
18,463 |
| 373 |
The King is Alive |
May 11, 2001 |
|
|
$103,505 |
18,287 |
| 374 |
Downtown 81 |
Jul 13, 2001 |
|
Drama |
$100,293 |
17,719 |
| 375 |
Ratcatcher |
Oct 13, 2000 |
|
|
$96,374 |
17,027 |
| 376 |
Better than Sex |
Oct 26, 2001 |
Samuel Goldwyn Films |
Romantic Comedy |
$94,940 |
16,773 |
| 377 |
Cure |
Jul 6, 2001 |
|
Horror |
$94,596 |
16,713 |
| 378 |
Jin Roh: The Wolf Brigade |
Jun 22, 2001 |
|
|
$94,591 |
16,712 |
| 379 |
History Lessons |
Oct 26, 2001 |
|
|
$94,551 |
16,705 |
| 380 |
Fighter |
Aug 24, 2001 |
|
|
$90,623 |
16,011 |
| 381 |
Juliet of the Spirits |
May 18, 2001 |
|
|
$89,326 |
15,781 |
| 382 |
Thomas in Love |
Apr 27, 2001 |
IFC Films |
|
$89,219 |
15,763 |
| 383 |
Time and Tide |
May 4, 2001 |
|
Action |
$88,868 |
15,701 |
| 384 |
Tuvalu |
Dec 15, 2000 |
Indican Pictures |
|
$87,698 |
15,494 |
| 385 |
Happenstance |
Nov 2, 2001 |
|
|
$86,524 |
15,286 |
| 386 |
Chop Suey |
Oct 5, 2001 |
Zeitgeist |
Documentary |
$84,729 |
14,969 |
| 387 |
ABCD |
Nov 30, 2001 |
Eros Entertainment |
Drama |
$83,372 |
14,730 |
| 388 |
Jodi No. 1 |
Apr 13, 2001 |
|
|
$82,834 |
14,634 |
| 389 |
Decalogue |
Jun 9, 2000 |
New Yorker |
Drama |
$82,247 |
14,531 |
| 390 |
Best Man in Grass Creek |
Apr 20, 2001 |
|
Romantic Comedy |
$81,760 |
14,445 |
| 391 |
The Turandot Project |
Aug 10, 2001 |
|
|
$81,385 |
14,378 |
| 392 |
Hit & Runway |
Mar 2, 2001 |
|
Comedy |
$81,097 |
14,328 |
| 393 |
Taboo |
Oct 6, 2000 |
|
Thriller/Suspense |
$80,480 |
14,219 |
| 394 |
The Blue Angel |
Jul 13, 2001 |
Paramount Pictures |
Musical |
$77,982 |
13,777 |
| 395 |
Iris |
Dec 14, 2001 |
Miramax |
Drama |
$77,753 |
13,737 |
| 396 |
Invisible Circus |
Feb 2, 2001 |
|
Drama |
$77,578 |
13,706 |
| 397 |
Spring Forward |
Dec 8, 2000 |
|
|
$76,222 |
13,466 |
| 398 |
Everybody's Famous |
Jul 3, 2001 |
Miramax |
|
$74,628 |
13,185 |
| 399 |
La Moitie Gauche du Figo |
Nov 17, 2000 |
|
|
$73,972 |
13,069 |
| 400 |
Raju Chacha |
Dec 29, 2000 |
|
|
$70,709 |
12,492 |
| 401 |
Under Hellgate Bridge |
May 11, 2001 |
|
|
$68,566 |
12,114 |
| 402 |
The Swamp |
Oct 5, 2001 |
|
Comedy |
$68,297 |
12,066 |
| 403 |
The Smell of Camphor, Fragr… |
Apr 6, 2001 |
|
|
$66,148 |
11,686 |
| 404 |
Dark Days |
Aug 30, 2000 |
|
|
$64,169 |
11,337 |
| 405 |
Mademoiselle |
Jun 15, 2001 |
|
Romantic Comedy |
$60,859 |
10,752 |
| 406 |
Dancing at the Blue Iguana |
Oct 19, 2001 |
|
|
$60,103 |
10,618 |
| 407 |
Kuch Kathi Kuch Meethi |
Jan 19, 2001 |
|
|
$57,188 |
10,103 |
| 408 |
The Independent |
Nov 30, 2001 |
|
|
$55,560 |
9,816 |
| 409 |
Beautiful Creatures |
Apr 6, 2001 |
Focus Features |
Comedy |
$55,381 |
9,784 |
| 410 |
That Obscure Object of Desire |
Jul 13, 2001 |
|
Documentary |
$55,261 |
9,763 |
| 411 |
Merci Pour Le Chocolat |
Feb 2, 2001 |
|
|
$54,209 |
9,577 |
| 412 |
The Million Dollar Hotel |
Feb 2, 2001 |
|
|
$52,526 |
9,280 |
| 413 |
La Femme Qui Boit |
Feb 16, 2001 |
|
|
$51,870 |
9,164 |
| 414 |
Sound and Fury |
Oct 24, 2000 |
|
|
$51,102 |
9,028 |
| 415 |
Eureka |
May 4, 2001 |
|
Drama |
$49,388 |
8,725 |
| 416 |
The Monkey's Mask |
Jul 27, 2001 |
|
|
$49,007 |
8,658 |
| 417 |
A Matter of Taste |
Feb 2, 2001 |
Attitude Films |
Thriller/Suspense |
$48,602 |
8,586 |
| 418 |
The Amati Girls |
Jan 19, 2001 |
Providence Entert… |
Drama |
$47,767 |
8,439 |
| 419 |
Aberdeen |
Aug 17, 2001 |
First Run Features |
Drama |
$46,296 |
8,179 |
| 420 |
Enlightenment Guaranteed |
Apr 27, 2001 |
|
|
$45,884 |
8,106 |
| 421 |
Aimee & Jaguar |
Aug 11, 2000 |
Zeitgeist |
Drama |
$45,801 |
8,092 |
| 422 |
Jackpot |
Jul 27, 2001 |
|
Drama |
$44,452 |
7,853 |
| 423 |
Princes and Princesses |
Mar 2, 2001 |
|
|
$43,379 |
7,664 |
| 424 |
Bob le flambeur |
Jan 1, 1959 |
Triumph Releasing |
Drama |
$41,010 |
7,245 |
| 425 |
Behind the Sun |
Dec 14, 2001 |
Miramax |
Drama |
$39,265 |
6,937 |
| 426 |
Pinero |
Dec 14, 2001 |
Miramax |
|
$38,802 |
6,855 |
| 427 |
The Town is Quiet |
Jun 15, 2001 |
|
|
$38,433 |
6,790 |
| 428 |
Simon Magus |
Mar 9, 2001 |
|
|
$38,214 |
6,751 |
| 429 |
Too Much Sleep |
Mar 23, 2001 |
|
|
$37,831 |
6,683 |
| 430 |
One Day in September |
Nov 17, 2000 |
|
|
$36,130 |
6,383 |
| 431 |
Pavilion of Women |
May 4, 2001 |
Focus Features |
|
$35,938 |
6,349 |
| 432 |
Baran |
Dec 7, 2001 |
Miramax |
Drama |
$35,801 |
6,325 |
| 433 |
Lola |
Nov 16, 2001 |
|
|
$35,540 |
6,279 |
| 434 |
Signs and Wonders |
Feb 9, 2001 |
|
|
$33,842 |
5,979 |
| 435 |
The Body |
Apr 20, 2001 |
Avalanche Releasing |
Thriller/Suspense |
$33,565 |
5,930 |
| 436 |
Dark Blue World |
Dec 28, 2001 |
|
|
$33,471 |
5,913 |
| 437 |
Sobibor, Oct. 14 1943, 4pm |
Oct 12, 2001 |
|
|
$33,185 |
5,863 |
| 438 |
The American Astronaut |
Oct 12, 2001 |
Artistic License |
Musical |
$33,064 |
5,841 |
| 439 |
The Basket |
May 5, 2000 |
MGM |
Drama |
$32,980 |
5,826 |
| 440 |
Suzhou River |
Nov 8, 2000 |
Strand |
|
$32,744 |
5,785 |
| 441 |
The Low Down |
Apr 20, 2001 |
|
|
$32,395 |
5,723 |
| 442 |
Little Otek |
Dec 21, 2001 |
|
|
$32,009 |
5,655 |
| 443 |
Libertin, Le |
Feb 2, 2001 |
|
|
$31,300 |
5,530 |
| 444 |
Auggie Rose |
May 18, 2001 |
Roxie Releasing |
Drama |
$31,200 |
5,512 |
| 445 |
The Way We Laughed |
Nov 23, 2001 |
|
|
$30,752 |
5,433 |
| 446 |
Bay of Angels |
Nov 23, 1963 |
Pathe Contemporar… |
Drama |
$29,855 |
5,274 |
| 447 |
Faat Kine |
Mar 28, 2001 |
|
|
$28,575 |
5,048 |
| 448 |
Sunshine |
Dec 17, 1999 |
Paramount Vantage |
Drama |
$28,470 |
5,030 |
| 449 |
Adanggaman |
Jul 13, 2001 |
New Yorker |
Drama |
$27,760 |
4,904 |
| 450 |
Cleopatra's Second Husband |
Sep 29, 2000 |
Indican Pictures |
Drama |
$27,309 |
4,824 |
| 451 |
Prince du Pacifique, Le |
May 11, 2001 |
|
|
$27,229 |
4,810 |
| 452 |
King of the Jungle |
Nov 9, 2001 |
|
|
$27,161 |
4,798 |
| 453 |
Goya in Bordeaux |
Sep 15, 2000 |
Sony Pictures Cla… |
Drama |
$26,969 |
4,764 |
| 454 |
Maze |
Nov 9, 2001 |
|
Drama |
$26,918 |
4,755 |
| 455 |
Vampire Hunter D: Bloodlust |
Sep 21, 2001 |
|
Action |
$25,521 |
4,509 |
| 456 |
Live Nude Girls Unite |
Oct 6, 2000 |
|
Documentary |
$25,507 |
4,506 |
| 457 |
The Broken Hearts Club: A R… |
Sep 29, 2000 |
Sony Pictures Cla… |
Comedy |
$25,400 |
4,487 |
| 458 |
Nora |
May 4, 2001 |
|
|
$25,120 |
4,438 |
| 459 |
Nationale 7 |
Jan 19, 2001 |
|
Comedy |
$25,076 |
4,430 |
| 460 |
South of Heaven, West of Hell |
Dec 15, 2000 |
|
|
$24,315 |
4,295 |
| 461 |
Spriggan |
Oct 12, 2001 |
|
|
$23,453 |
4,143 |
| 462 |
Shadow Glories |
Sep 28, 2001 |
|
|
$22,915 |
4,048 |
| 463 |
An Everlasting Piece |
Dec 22, 2000 |
Dreamworks SKG |
Comedy |
$22,305 |
3,940 |
| 464 |
Voyages |
Dec 15, 2000 |
|
|
$22,209 |
3,923 |
| 465 |
Vatel |
Dec 22, 2000 |
Miramax |
|
$21,577 |
3,812 |
| 466 |
Pola X |
Sep 8, 2000 |
|
Drama |
$21,490 |
3,796 |
| 467 |
Forgive Me Father |
Jan 26, 2001 |
Myriad Entertainm… |
Drama |
$20,840 |
3,681 |
| 468 |
Destinees Sentimentales, Les |
Nov 17, 2000 |
|
|
$20,804 |
3,675 |
| 469 |
Café Olé |
Jun 8, 2001 |
Equinox |
Romantic Comedy |
$20,610 |
3,641 |
| 470 |
Let it Snow |
Jun 8, 2001 |
|
Romantic Comedy |
$20,555 |
3,631 |
| 471 |
Bangkok Dangerous |
Oct 19, 2001 |
First Look |
Action |
$19,676 |
3,476 |
| 472 |
God, Sex and Apple Pie |
Sep 21, 2001 |
|
|
$19,610 |
3,464 |
| 473 |
Akira |
Apr 27, 2001 |
|
Action |
$19,585 |
3,460 |
| 474 |
Kids World |
Dec 7, 2001 |
|
|
$19,354 |
3,419 |
| 475 |
Possible Worlds |
Nov 3, 2000 |
|
|
$19,269 |
3,404 |
| 476 |
Jabberwocky |
Sep 28, 2001 |
|
|
$19,242 |
3,399 |
| 477 |
Maybe Baby |
Aug 24, 2001 |
USA Films |
|
$19,147 |
3,382 |
| 478 |
The Simian Line |
Nov 16, 2001 |
|
|
$18,601 |
3,286 |
| 479 |
The Annihilation of Fish |
Nov 2, 2001 |
Regent Releasing |
Drama |
$18,335 |
3,239 |
| 480 |
New York in the Fifties |
Feb 9, 2001 |
Avatar |
|
$17,638 |
3,116 |
| 481 |
Speedway Junky |
Aug 31, 2001 |
|
|
$17,127 |
3,025 |
| 482 |
Djomeh |
Sep 5, 2001 |
New Yorker |
|
$17,104 |
3,021 |
| 483 |
Lies |
Nov 17, 2000 |
|
|
$16,885 |
2,983 |
| 484 |
Petite Cherie |
Feb 9, 2001 |
|
|
$16,276 |
2,875 |
| 485 |
Siegfried & Roy: Masters of… |
Oct 1, 1999 |
IMAX Films |
Documentary |
$15,953 |
2,818 |
| 486 |
Du rififi chez les hommes |
Jun 5, 1956 |
|
Thriller/Suspense |
$15,945 |
2,817 |
| 487 |
A Real Young Girl |
Jun 1, 2001 |
|
|
$15,712 |
2,775 |
| 488 |
Breathless |
Apr 21, 2000 |
Films Around the … |
Drama |
$15,711 |
2,775 |
| 489 |
Question of Faith |
May 4, 2001 |
|
|
$15,047 |
2,658 |
| 490 |
Petits Freres |
May 18, 2001 |
|
|
$14,973 |
2,645 |
| 491 |
La-Bas Mon Pays |
Mar 9, 2001 |
|
|
$14,848 |
2,623 |
| 492 |
Kippur |
Nov 3, 2000 |
|
|
$14,801 |
2,615 |
| 493 |
Born Romantic |
Sep 28, 2001 |
MGM |
Comedy |
$14,597 |
2,578 |
| 494 |
Jerico |
Jul 27, 2001 |
|
|
$14,030 |
2,478 |
| 495 |
Luna Papa |
Jan 12, 2001 |
|
|
$13,930 |
2,461 |
| 496 |
Meilleur Espoir Feminin |
Mar 23, 2001 |
|
|
$13,650 |
2,411 |
| 497 |
Journey to the Sun |
Feb 9, 2001 |
|
Drama |
$13,544 |
2,392 |
| 498 |
Otomo |
Nov 7, 2001 |
ArtMattan Product… |
Drama |
$13,432 |
2,373 |
| 499 |
Beau Travail |
Mar 31, 2000 |
New Yorker |
Drama |
$13,250 |
2,340 |
| 500 |
The Girl Next Door |
Apr 14, 2000 |
Indican Pictures |
Documentary |
$13,117 |
2,317 |
| 501 |
Orfeu |
Aug 25, 2000 |
|
|
$13,020 |
2,300 |
| 502 |
In Search of Peace, Part 1 |
Sep 21, 2001 |
|
|
$12,747 |
2,252 |
| 503 |
Princessa |
Dec 7, 2001 |
|
|
$12,738 |
2,250 |
| 504 |
Goddess of 1967 |
Jan 26, 2001 |
|
|
$12,677 |
2,239 |
| 505 |
The Personals |
Jan 12, 2001 |
|
|
$12,646 |
2,234 |
| 506 |
Secret, Le |
Jun 15, 2001 |
|
|
$12,624 |
2,230 |
| 507 |
Rembrandt |
Mar 23, 2001 |
|
Drama |
$12,419 |
2,194 |
| 508 |
The Art of Amália |
Dec 8, 2000 |
Avatar |
Documentary |
$12,164 |
2,149 |
| 509 |
Ed Gein |
May 4, 2001 |
|
|
$11,821 |
2,088 |
| 510 |
Khiladi 420 |
Dec 29, 2000 |
|
|
$11,633 |
2,055 |
| 511 |
Two Ninas |
Jan 26, 2001 |
|
|
$10,976 |
1,939 |
| 512 |
Jails, Hospitals & Hip Hop |
Oct 12, 2001 |
|
|
$10,791 |
1,906 |
| 513 |
Nowhere to Hide |
Dec 22, 2000 |
|
|
$10,584 |
1,869 |
| 514 |
Sobrevivire (I Will Survive) |
Oct 5, 2001 |
|
|
$10,508 |
1,856 |
| 515 |
The Wind Will Carry Us |
Jul 28, 2000 |
|
|
$10,465 |
1,848 |
| 516 |
Eban and Charley |
Dec 14, 2001 |
|
|
$10,400 |
1,837 |
| 517 |
The Ballad of Ramblin' Jack |
Aug 16, 2000 |
|
Documentary |
$10,325 |
1,824 |
| 518 |
Trouble Every Day |
Nov 30, 2001 |
Lot 47 Films |
Horror |
$9,788 |
1,729 |
| 519 |
Extreme Force |
Jan 12, 2001 |
|
|
$9,549 |
1,687 |
| 520 |
A Trial in Prague |
Sep 14, 2001 |
|
|
$9,200 |
1,625 |
| 521 |
Come and See |
Feb 2, 2001 |
|
Drama |
$9,135 |
1,613 |
| 522 |
Pleure Pas Germaine |
Jan 12, 2001 |
|
|
$9,011 |
1,592 |
| 523 |
The Young Girl and the Monsoon |
May 4, 2001 |
|
|
$8,759 |
1,547 |
| 524 |
My Voyage to Italy |
Oct 26, 2001 |
Miramax |
|
$8,527 |
1,506 |
| 525 |
Bounce: Behind the Velvet Rope |
Sep 7, 2001 |
Artistic License |
Documentary |
$8,285 |
1,463 |
| 526 |
Amy |
Feb 2, 2001 |
|
Comedy |
$7,880 |
1,392 |
| 527 |
Life Without Death |
Jan 12, 2001 |
|
|
$7,811 |
1,380 |
| 528 |
The Guy Who Bought Mustique |
May 11, 2001 |
|
Documentary |
$7,778 |
1,374 |
| 529 |
Cool and Crazy |
Oct 19, 2001 |
|
|
$7,221 |
1,275 |
| 530 |
Shaye and Kiki |
Dec 25, 2001 |
Indican Pictures |
|
$7,037 |
1,243 |
| 531 |
Final |
Dec 7, 2001 |
|
|
$6,983 |
1,233 |
| 532 |
Paragraph 175 |
Sep 13, 2000 |
|
|
$6,853 |
1,210 |
| 533 |
The Wide Blue Road |
Jun 8, 2001 |
|
|
$6,741 |
1,190 |
| 534 |
Liar's Club |
Nov 2, 2001 |
|
|
$6,569 |
1,160 |
| 535 |
Restless |
Nov 3, 2000 |
|
|
$6,237 |
1,101 |
| 536 |
The River |
Jul 27, 2001 |
|
Drama |
$6,087 |
1,075 |
| 537 |
La chambre des magiciennes |
Feb 9, 2001 |
|
Drama |
$5,788 |
1,022 |
| 538 |
Kill Me Later |
Sep 14, 2001 |
|
|
$5,700 |
1,007 |
| 539 |
Lalee's Kin: Legacy of Cotton |
Jun 22, 2001 |
|
|
$5,506 |
972 |
| 540 |
Lakeboat |
Apr 13, 2001 |
|
|
$5,159 |
911 |
| 541 |
Le Faute a Voltaire |
Jun 22, 2001 |
|
|
$4,860 |
858 |
| 542 |
Varian's War |
Jun 8, 2001 |
|
|
$4,623 |
816 |
| 543 |
Blue Moon |
Nov 3, 2000 |
Castle Hill Produ… |
Comedy |
$4,548 |
803 |
| 544 |
Hamlet (2001) |
Aug 17, 2001 |
|
Drama |
$4,520 |
798 |
| 545 |
Une Femme Dexterieur |
Oct 27, 2000 |
|
|
$4,423 |
781 |
| 546 |
Kirikou and the Sorceress |
Feb 18, 2000 |
ArtMattan Product… |
Adventure |
$4,299 |
759 |
| 547 |
Just One Time |
Oct 20, 2000 |
|
|
$4,196 |
741 |
| 548 |
Fever |
Feb 2, 2001 |
|
Thriller/Suspense |
$4,068 |
718 |
| 549 |
I Remember Me |
Nov 9, 2001 |
|
|
$4,039 |
713 |
| 550 |
Dead or Alive |
Jun 8, 2001 |
|
|
$3,783 |
668 |
| 551 |
Dog Run |
Oct 19, 2001 |
|
|
$3,732 |
659 |
| 552 |
Rage: 20 Years of West Coas… |
Jun 8, 2001 |
|
|
$3,559 |
628 |
| 553 |
No One Sleeps |
May 25, 2001 |
|
|
$3,486 |
615 |
| 554 |
Burlesk King |
Jun 30, 2000 |
Strand |
Drama |
$3,244 |
573 |
| 555 |
The Weekend |
Nov 22, 2000 |
|
Drama |
$2,955 |
522 |
| 556 |
Split Decision |
Feb 9, 2001 |
|
|
$2,887 |
510 |
| 557 |
Les Courts Metrages de Kies… |
Jun 29, 2001 |
|
|
$2,868 |
506 |
| 558 |
Psycho Beach Party |
Aug 4, 2000 |
|
Comedy |
$2,865 |
506 |
| 559 |
On Hostile Ground |
Apr 6, 2001 |
|
|
$2,595 |
458 |
| 560 |
Tell Me Something |
Sep 21, 2001 |
|
Horror |
$2,567 |
453 |
| 561 |
The Rat |
Apr 20, 2001 |
|
Comedy |
$2,501 |
441 |
| 562 |
Taxi 2 |
Oct 6, 2000 |
Lionsgate |
Action |
$2,458 |
434 |
| 563 |
Yom Yom |
Feb 16, 2001 |
|
|
$2,442 |
431 |
| 564 |
W.I.S.O.R. |
Jun 22, 2001 |
|
|
$2,433 |
429 |
| 565 |
Songs from the Second Floor |
Aug 17, 2001 |
|
|
$2,303 |
406 |
| 566 |
Butterfly (2001) |
Mar 30, 2001 |
|
|
$2,161 |
381 |
| 567 |
Way Down Town |
Nov 24, 2000 |
|
|
$2,106 |
372 |
| 568 |
Bad Blood |
Apr 27, 2001 |
|
Drama |
$2,075 |
366 |
| 569 |
Les Muses Orphelines |
Nov 10, 2000 |
|
|
$2,063 |
364 |
| 570 |
Under Suspicion |
Sep 22, 2000 |
|
Multiple Genres |
$2,010 |
355 |
| 571 |
Olive Juice |
Feb 16, 2001 |
|
|
$1,801 |
318 |
| 572 |
Du pic au coeur |
Feb 9, 2001 |
|
Romantic Comedy |
$1,775 |
313 |
| 573 |
Diary of a Chambermaid |
Oct 13, 2000 |
|
Drama |
$1,727 |
305 |
| 574 |
Criminal Lovers |
Jul 21, 2000 |
|
|
$1,641 |
289 |
| 575 |
Monterey Pop |
Aug 24, 2001 |
|
Documentary |
$1,524 |
269 |
| 576 |
So Close to Paradise |
Mar 9, 2001 |
|
|
$1,446 |
255 |
| 577 |
Keeping it Real: The Advent… |
Nov 9, 2001 |
Avatar |
|
$1,358 |
239 |
| 578 |
Strictly Sinatra |
Jun 22, 2001 |
|
|
$1,232 |
217 |
| 579 |
R2PC: Road to Park City |
Jan 26, 2001 |
|
Comedy |
$1,216 |
214 |
| 580 |
Love, Honour and Obey |
Feb 9, 2001 |
|
|
$1,143 |
201 |
| 581 |
Kill By Inches |
Oct 26, 2001 |
|
|
$1,027 |
181 |
| 582 |
Rocky Road |
Sep 21, 2001 |
|
|
$991 |
175 |
| 583 |
Blood, Friends and Money |
Sep 22, 2000 |
|
Horror |
$982 |
173 |
| 584 |
Born in Absurdistan |
Jan 26, 2001 |
|
Comedy |
$976 |
172 |
| 585 |
Lauzon Lauzon |
Mar 23, 2001 |
|
Documentary |
$848 |
149 |
| 586 |
A Perfect Son |
Feb 2, 2001 |
|
|
$713 |
125 |
| 587 |
Protection |
Jan 26, 2001 |
|
Thriller/Suspense |
$666 |
117 |
| 588 |
Lipgloss Explosion |
Apr 27, 2001 |
|
|
$603 |
106 |
| 589 |
The Gospel According to Phi… |
Mar 2, 2001 |
|
|
$582 |
102 |
| 590 |
Poor White Trash |
Dec 1, 2000 |
|
|
$566 |
100 |
| 591 |
Sorority Girls' Revenge |
Sep 21, 2001 |
|
|
$348 |
61 |
| 592 |
Luminarias |
May 5, 2000 |
|
Comedy |
$288 |
50 |
| 593 |
Ouch |
Dec 1, 2000 |
|
Comedy |
$228 |
40 |
| 594 |
Pride |
Jul 27, 2001 |
|
|
$129 |
22 |
| 595 |
Show Me Love |
Oct 15, 1999 |
Strand |
|
$112 |
19 |
| 596 |
Benjamin Smoke |
Jul 21, 2000 |
Cowboy Pictures |
Documentary |
$62 |
10 |
| Total Gross of All Movies | $8,296,849,636 | |
| Total Tickets Sold | 1,465,874,205 |
Our Theatrical Market pages are based on the Domestic Theatrical Market performance only. The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
The yearly amounts on our Theatrical Market pages are based on box office years. Each box office year starts on the first Monday of the year, so the previous year ends on the Sunday before the first Monday. For example, the "2017 box office year" started on January 2, 2017 so the "2016 box office year" ended on Sunday, January 1, 2017.


Egyptian actor Amr Waked says he will star in ‘Wonder Woman’ sequel
DUBAI: Emirati designer Muna Abrahim, founder of the brand Byalmuna, is busy preparing her new collection, set to hit the rails in February 2020.
The brand, launched in 2014, adds luxurious allure to evening dressing with floral embroidered elements and breezy silhouettes. The modest pieces feature intricate floral embroidery studded with faux pearls, chic knife pleats and flowy, long sleeves.
Not only are Abrahim’s pieces trendy, but she also designs them to fit the personality and the culture of the people who wear them.
“I know they have to wear abayas or (scarfs) with my dresses, (so) they need to show the hand embroidery on the side or on the top. When I launched the line, I design it to be very comfortable,” Abrahim’s told Arab News.
Before launching her brand, the designer found it challenging to find dresses that are modern and trendy yet modest. “I was finding it very difficult to find modest designs for our culture. I tried to look for something modern but at the same time with long sleeves and a long (skirt). So, I started to buy the ready-to-wear(items) and modify them,” she said.
Each piece designed by Abrahim represents her Emirati heritage while also managing to remain fresh and modern.
“We do a combination of hand embroidery and machine embroidery,” she said of the label’s keen attention to detail.
Abrahim, whose fan base extends beyond the Gulf region, has been receiving orders from the UK and the US.
“They like the kaftans, but they do some adjustments. For example, they can ask to remove the sleeve, and we do what they ask for,” she said.
The designer said she hopes to see her kaftan on Emirati royal family member and politician Sheikha Manal Bint Rashid Al-Maktoum.
“I’ve heard from so many people that she has really good taste in fashion although she does not show her face on social media,” Abrahim explained.
In February 2017, Byalmuna collaborated with the Italian luxury brand Bulgari on a photoshoot of bags and high-end jewelry in which the models showed off her kaftans, cementing her status as a luxury brand to watch.


pyDock is a tool for the structural prediction of protein-protein interactions.
Given the 3D coordinates of two interacting molecular partners (protein or protein complex), pyDock returns the best rigid-body docking orientations generated by FTDock (Gabb HA. et al. J Mol Biol 1997;272:106-120) and evaluated by pyDock scoring function, which includes electrostatics, desolvation energy and limited van der Waals contribution (Cheng TM. et al. Proteins 2007;68(2):503-15.).


In a sea of packaged goods green-washing, Nature
Clean differentiated itself in the household cleaning
sector by challenging the status quo and positioning
as a leader with family-safe, naturally formulated
products. Positioning as a leader in this case meant
replacing all the talk with action.


adm
Businessmodel of ADM
Customer Segments
ADM has a mass market business model, with no significant differentiation between customer segments. The company targets its offerings at firms in all industries that utilize agricultural products.
Value Proposition
ADM offers three primary value propositions: innovation, convenience, and brand/status.
The company has embraced innovation throughout its history. It operates a global research and development network that includes a sensory testing team that conducts detailed evaluations. It also maintains a cutting-edge culinary center, advanced pilot plants, and laboratories worldwide.
The company offers convenience by making life simpler for customers. It created e-ADM, an online customer portal that provides real-time news and information as well as a variety of useful tools. Specific services offered through the platform include the following:
- Electronic Data Interchange (EDI) – This service enables users to electronically send and receive a wide variety of documents including invoices, purchase orders, advanced shipment notifications, and purchase order changes.
- Documents Retrieval – This service allows users to receive invoices and contracts electronically. It also provides electronic storage of documents, enabling customers to save warehouse space.
- Online Inventory Services – These services feature patent-pending technology that offers real-time bulk ingredient monitoring through tank sensors and can send low inventory e-mail alerts. Inventory data is available 24/7 and the system provides customizable inventory reports and forecasting.
- PayADM – This service enables users to make payments or prepay shipments 24/7. It also maintains a complete payment history, including statements and invoices. It is completely free.
- Rail Car Tracking – This service provides up-to-the-minute data on shipment status, allowing users to trace shipments from anywhere so they can plan shipments orders and production runs.
-
FarmerView – This service provides real-time information in areas such as commodity news, local and national weather, futures, ADM location grain bids, and ADM Grain market intelligence. The company has established a powerful brand due to its success. It is one of the world’s largest agricultural processors and food ingredient providers, with over 32,300 employees serving customers in over 160 countries. It generated $67.7 billion in revenues in 2015. Lastly, it has won many honors, including the following:
- Frost & Sullivan Product Leadership Award
- Corporate Achievement Award from the American Oil Chemists Society
- Most Innovative Food Ingredient Award at the Food Ingredients Europe exhibition
- Presidential Green Chemistry Awards from the U.S. Environmental Protection Agency ### Channels
ADM’s main channel is its direct sales team. The company promotes its offering through its website, social media pages, print/television/radio advertising, and participation in conferences.
Customer Relationships
ADM’s customer relationship is primarily of a self-service nature. Customers utilize its products while having limited interaction with employees. Despite this orientation, there is a co-creation element.
The company invites customers who are serious about product design and development to work with its R&D team through joint development agreements. These clients receive access to culinary and nutritional assistance, technical and application support, and state of-the-art equipment.
Key Activities
ADM’s business model entails processing and distributing agricultural commodities for its customers.
Key Partners
ADM’s key partners are the suppliers who provide the raw materials it needs to carry out its operations. The raw materials are largely agricultural commodities, and the suppliers include thousands of growers, grain elevators, and wholesale merchants in North America, South America, Europe, Asia, Australia, and Africa. ADM is also a member of over 200 business and trade associations, and thus maintains informal partnerships with fellow members.
Key Resources
ADM’s main resources are its physical resources, which include its 428 crop procurement locations, 280 ingredient manufacturing facilities, 39 innovation centers, and crop transportation network. The company owns 2,000 barges, 13,400 rail cars, 200 trucks, 1,300 trailers, and 10 oceangoing vessels; and leases 500 barges, 14,800 rail cars, 400 trucks, 110 trailers, and 21 oceangoing vessels.
Cost Structure
ADM has a cost-driven structure, aiming to minimize expenses through significant automation and low-price value propositions. Its biggest cost driver is cost of products sold, a variable expense. Other major drivers are in the areas of sales/marketing and administration, both fixed costs.
Revenue Streams
ADM has one revenue stream: revenues it generates from sales of its products to customers. Sales typically occur through the signing of short- and long-term contracts.


{% block content %}
Welcome to the Mutual Fund X-Ray Tool
{% csrf_token %}
Choose the Scheme
BOI AXA Tax Advantage Fund-Regular Plan- Growth
BOI AXA Tax Advantage Fund-Direct Plan- Growth
UTI - Long Term Equity Fund (Tax Saving) - Direct Plan - Growth Option
UTI - Long Term Equity Fund (Tax Saving) - Regular Plan - Growth Option
Mirae Asset Tax Saver Fund-Direct Plan -Growth
Mirae Asset Tax Saver Fund-Regular Plan-Growth
BNP Paribas Long Term Equity Fund - Direct Plan - Growth Option
BNP Paribas Long Term Equity Fund - Growth Option
HDFC Long Term Advantage Fund - Growth Option
HDFC Long Term Advantage Fund -Direct Plan - Growth Option
Franklin India TAXSHIELD - Direct - Growth
Franklin India Taxshield-Growth
DSP Tax Saver Fund - Direct Plan - Growth
DSP Tax Saver Fund - Regular Plan - Growth
Edelweiss Long Term Equity Fund (Tax Savings) - Direct Plan-Growth Option
Edelweiss Long Term Equity Fund (Tax Savings) - Regular Plan - Growth Option
Kotak Tax Saver-Scheme-Growth
Kotak Tax Saver-Scheme-Growth - Direct
LIC NOMURA MF Taxplans
LIC MF Tax Plan-Direct Plan-Growth
LIC MF Tax Plan-Regular Plan-Growth
Motilal Oswal Long Term Equity Fund (MOFLTE) - Direct Plan - Growth Option
Motilal Oswal Long Term Equity Fund (MOFLTE) - Regular Plan - Growth Option
Principal Personal Tax Saver Fund
Principal Personal Tax Saver Fund - Direct Plan
Principal Tax Savings Fund
Principal Tax Savings Fund - Direct Plan
ICICI Prudential Long Term Equity Fund (Tax Saving) - Direct Plan - Growth
ICICI Prudential Long Term Equity Fund (Tax Saving) - Growth
Nippon India Tax Saver (ELSS) Fund-Growth Plan-Growth Option
Nippon India Tax Saver Fund - Direct Plan Growth Plan - Growth Option
Canara Robeco Equity Taxsaver Fund - Direct Plan - Growth Option
-->
Canara Robeco Equity Taxsaver Fund - Regular Plan - Growth
HSBC Tax Saver Equity Fund - Growth
HSBC Tax Saver Equity Fund - Growth Direct
Invesco India Tax Plan - Direct Plan - Growth
Invesco India Tax Plan - Growth
Sundaram Diversified Equity
Sundaram Diversified Equity - A Long-term Tax Saver Fund - Direct Plan - Growth Option
IDBI Equity Advantage Fund - Growth Direct
IDBI Equity Advantage Fund - Growth Regular
PGIM India Long Term Equity Fund - Direct Plan - Growth Option
PGIM India Long Term Equity Fund - Regular Plan - Growth Optio
Aditya Birla Sun Life Tax Relief '96 - Growth - Direct Plan
Aditya Birla Sun Life Tax Relief '96 - Growth Option
Axis Long Term Equity Fund - Direct Plan - Growth Option
Axis Long Term Equity Fund - Regular Plan - Growth
IDFC Tax Advantage (ELSS) Fund-Direct Plan-Growth
IDFC Tax Advantage (ELSS) Fund-Regular Plan-Growth
L&T Tax Advantage Fund-Direct Plan-Growth
L&T Tax Advantage Fund-Regular Plan-Growth
Taurus Tax Shield- Regular Plan - Growth Option
Taurus Tax Shield- Regular Plan -Dividend Option
Union Long Term Equity Fund - Direct Plan - Growth Option
Union Long Term Equity Fund - Growth Option
SBI MAGNUM TAXGAIN SCHEME 1993 - DIRECT PLAN -GROWTH
SBI MAGNUM TAXGAIN SCHEME 1993 - REGULAR PLAN- GROWTH
Aditya Birla Sun Life Tax Plan - Direct Plan - Growth Option
Aditya Birla Sun Life Tax Plan - Regular Plan - Growth Option
Tata India Tax Savings Fund-Dividend -Direct Plan
Tata India Tax Savings Fund-Dividend- Regular Plan
Tata India Tax Savings Fund-Growth-Direct Plan
Tata India Tax Savings Fund-Growth-Regular Plan
HDFC TaxSaver -Direct Plan - Growth Option
HDFC TaxSaver-Growth Plan
Sundaram Diversified Equity - A Long-term Tax Saver Fund - Direct Plan - Growth Option
Enter start date
Enter end date
Download
{% endblock %}


This directory contains example files that illustrate the use of GenOpt in conjunction with the EnergyPlus simulation program.
Due to changes in the EnergyPlus *.eso
file format,
it is now required to specify in the optimization initialization file,
section ObjectiveFunctionLocation
the entries
FirstCharacterAti
(i=1, 2, ...).
For example, a specification may now look like
Name1 = Q_heat; Delimiter1 = "170,"; FirstCharacterAt1 = 1; Name2 = Q_cool; Delimiter2 = "201,"; FirstCharacterAt2 = 1;Without the keyword
FirstCharacterAti
,
the wrong numbers may be read from the EnergyPlus *.eso
file.
See the GenOpt manual for a description of this keyword.
Because the Windows PATH variable does not contain the installation
directory of EnergyPlus, the path to the EnergyPlus directory is
hardcoded in the file "genopt_installation_dir"\cfg\EnergyPlus-*-Win*.cfg
.
Depending on your EnergyPlus installation, you may need to update in the file
"genopt_installation_dir"\cfg\EnergyPlus-*-Win*.cfg
the entry
C:\\Program Files \(x86\)\\EnergyPlusV7-0-0\\RunEPlus.bat
to point to the EnergyPlus directory that contains the file RunEPlus.bat
.
Because the Windows version of EnergyPlus writes its output files to the folder C:\Program Files\EnergyPlus\ExampleFiles\Outputs\, it was necessary to change the file RunEPlus.bat that is part of the EnergyPlus distribution. The changes allow GenOpt to run multiple EnergyPlus simulations in parallel. The modified file, called RunEPlusParallel.bat ensures that each simulation writes its output files to its own working directory, which is generated by GenOpt for each simulation. Typically, users do not have to modify any files because the GenOpt simulation configuration file (cfg\EnergyPlusWinXP.cfg) will cause GenOpt to start RunEPlusParallel.bat instead of RunEPlus.bat.
If you make a new directory with GenOpt and EnergyPlus input files, you will need to copy RunEPlusParallel.bat to this directory so it can be invoked by GenOpt.
For further information, please consult the GenOpt manual and the EnergyPlus manual.


Specify the full domain name(s) of Active Directory. Jenkins uses this information to locate the LDAP service
and performs authentication. If you wish to attempt authentication against multiple Active Directory domains
you need to click on Add Domain.
If you specify the forest name (say contoso.com instead of europe.contoso.com),
then the search will be done against the global catalog. If you do this without specifying
the bind DN, the user would have to login as "europe\joe" or "joe@europe".


Pastanaga provides a system for displaying toast messages simply by calling
ToastService
.
Four types of toasts are supported: info, success, warning and error. Those types only differ by their colors.
Toast can also be customised with optional icon and button.
Displaying a toast is done by calling
ToastService.open
method which takes 3 parameters:
info
|
success
|
warning
|
error
To simplify its usage,
ToastService
also provides shortcut methods for the different type of toast:
openInfo
,
openSuccess
,
openWarning
,
openError
. They all take a message and an optional toast configuration.
The methods allowing to display a toast can take an optional config parameter implementing
ToastConfig
interface:
autoClose
allows to override this behavior by dismissing the toast automatically after 5 seconds when there is a button.
(this option has no effect when there is no button)
ToastButton
interface.
(optional)
Toast button is configured using an object implementing
ToastButton
interface:
icon
is defined.
(optional)
Make sure to import
PaToastModule
in your application, and then use
ToastService
to display toasts.
{{code}}


|
Inside
Us All
(Tremonti/Stapp) |
|
When
I'm all alone
And no one else is there Waiting by the phone To remind me I'm still here When shadows paint the scenes Where spotlights used to fall And I'm left wondering Is it really worth it all? There's a peace inside us all Let it be your friend It will help you carry on In the end There's a peace inside us all Life can hold you down When you're not looking up Can't you hear the sound? Hearts beating out loud Although the names change Inside we're all the same Why can't we tear down these walls? To show the scars we're covering There's a peace There's a peace inside us all Let it be Oh, can't it be your friend? |
|
|


We have interfaces!
- evolve web-enabled technologies
- leverage rich markets
- redefine visionary relationships
- grow B2B content
- leverage front-end metrics
- architect B2C convergence
- expedite sticky e-services
- incubate best-of-breed systems
- empower magnetic content
- grow best-of-breed convergence
- matrix visionary platforms
- aggregate mission-critical technologies
- drive enterprise e-tailers
- disintermediate real-time synergies
- exploit ubiquitous e-services


Medical Records
Login
(current)
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Incorrect username or password.
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Username
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Nathan Cooper
Greetings! My name is Nathan and below you will find my portfolio of projects made using a mix of HTML, CSS, Javascript, React, jQuerry, and Bootstrap. You can view the source code of the website and projects by clicking the github link in the Contact section.


Twitter reacts to 'cunning' Kieron Pollard tricking umpire into converting no-ball into dead ball
by SportsCafe DeskKieron Pollard has always been known for his wittiness and cunning tricks, and today, against Afghanistan, the Windies captain produced the mother of all tricks. After hearing a loud call of ‘no-ball’ from the umpire, Pollard stopped abruptly, prompting the umpire to instead call it a dead-ball.
Be it by indulging in fights or by involving in banter with the opposition players, Windies skipper Kieron Pollard always finds a way to make the headlines purely through his antics. His sense of humour on the field is certainly next to none and one particular incident in the IPL a few years ago, where he taped his mouth in order to avoid getting fined for sledging, is amongst the funniest incidents to have happened on a cricket field.
However, today, Pollard arguably outdid himself with his ‘cunningness’, which left the on-field umpire in stitches, almost embarrassed. The Windies skipper, in an attempt to break a budding partnership between Asghar Afghan and Najibullah Zadran, brought himself into the attack in the 25th over of the game.
After finishing his usual routine of warm-up and stretches, Pollard ran - or rather, jogged - towards the wicket to deliver his medium pace to the right-handed Afghan. But as Pollard was about to deliver the ball, he overstepped and this prompted the on-field umpire to give a very loud shout of “NO”.
After this, you might have guessed that the batsman would have sensed it and tried to take advantage of the early call, but no. This is where Pollard’s intelligence kicks in. As soon as Pollard heard the loud “NO” call from the umpire, he restrained himself from delivering the ball and abruptly stopped his run-up. In turn, what this meant was that the on-field umpire Ahmed Shah Durrani had to instead call it a ‘dead ball’, for the basic fact that it was not delivered in the first place.
The batsman, umpire and the commentators soon realized what Pollard had just done and this in turn brought about a huge smile on the face of Durrani, who almost gave Pollard the “You got me” look. Through his wittiness and his game awareness, Pollard successfully converted a no-ball into a dead ball. Never change, Kieron Pollard!
Hahaha!! Lol.😂
Thug life!
Exactly!
May be.


The path with the filename to the scan artifact with the appropriate extension. Jenkin's environmental variables are acceptable. Examples of usage are as follows:
${BUILD_TAG}.fpr
(Linux) or %BUILD_TAG%.fpr
(Windows)${BUILD_TAG}.scan
(Linux) %BUILD_TAG%.scan
(Windows)


‘Arresting my people is wrong’ – ‘Western Togoland’ leader
The leader of the Homeland Study Group Foundation Charles Komi Kudzordzi has condemned the arrest of his members by government.
According to him, harassing members of the group including his wife is ‘wrong’.
“I want to the tell the government of Ghana that what has started happening is not the right thing; going round, arresting people in the streets, taking them and locking them up in cells and particularly taking my near 70year old wife and locking her up, no, that is not the right thing,” the 80-year-old leader of the group said in a video posted on youtube.
Meanwhile, five members of the group have been remanded for treason felony by a Ho district Court.
This was after they were arrested following their decision to declare the Volta region independent of Ghana.
Those remanded are Peter Godfriend Edem, Mkpe Tornyi Kudjo, Kofi Agbeko, Agbenyega Akudzia and Ibrahim Tofa.
The suspects include the master of ceremony on the day the supposed independence was declared.
Reports say one of the suspects admitted before the court that he belongs to their so-called Western Togoland.
They are to reappear in court on December 4, 2019.


Tests are run through your browser because LocalStorage needs to exist in the environment.
Test 0: LocalStorage, are you there?
Test 1: Save and load entire Redux state tree:
Test 2: Save and load part of Redux state tree:
Test 3: Save and load entire Redux state tree under a specified namespace:
Test 4: Save and load part of Redux state tree under a specified namespace:
Test 5: Save and load entire Redux state tree under a specified namespace with a specific namespaceSeparator:
Test 6: Save and load part of Redux state tree under a specified namespace with a specific namespaceSeparator:
Test 7: Clear Redux state tree data saved with the default namespace:
Test 8: Clear Redux state tree data saved with a specific namespace:
Test 9: Save Redux state with debouncing:
Test 10: Save and load specific properties of a part of Redux state tree under a specified namespace:
Test 11: Save and load entire Redux state tree except the states we ignore:


--- layout: project title: HiFly - A paragliding game description: A paragliding simulation game with customised controller and tangible interface with gamified experience that encourages physical activity. tags: [Installation, Immersive] course: Tangible User Interface team: Allwin(Concept, Interactions, Digital and Physical Prototyping), Vidhya(3D, Testing), Sandhipana(Documentation) mentors: Mamata N Rao, Unais Sait tools: Unity, Arduino, Blender duration: 3 weeks order: 2 ---
HiFly started with the goal of creating a novel interface which keeps the user physically engaging. We wanted it to be immersive and mentally demanding so that the users will have to be completely focused on the experience and will get a complete break from their work. We started with an idea for the interface and further conceptualised various experiences which could be accomodated where the interactions are coherent with the experience.


I'm currently figuring out how to structure this section (perhaps I just have nothing smart to say so far)...
Stay tuned!


We can load the debugging information into Visual Studio.NET and reproduce the crash. To load the debugging information into Visual Studio double-click one of the exception nodes in the Project pane. This will show the Exception pane in the main window. The Exception pane shows every exception your application has thrown, whether it handled it or not. For more information see the Exceptions Overview.
Double-click the exception you want to debug in this pane and Holodeck will launch Visual Studio and load the exception debugging information. You can reproduce the crash or exception by pressing f5. If source code is available for the crash Visual Studio will load it and highlight the offending line. If no source code is available Visual Studio will ask to show the assembly code, and highlight the last instruction to be called.
For more information see the Exceptions Overview help topic.


| 910 | (A) | Bot for Sir Sabyn sake a segge that than was |
| 916 | (C) | ¶ But for sir sabyne sake . a knyȝte þat was noble |
| 902 | (D) | But sir Sabyn hit sees a segge þat was noble |
| 879 | (E) | but sabyn of surry . þerwith was displesyd |
| (Ex) | ---- no text ---- | |
| 934 | (L) | bot for sire sabyns sake a segge was noble |
| 852 | (P) | Bot syr sabyn soght a sege þat was noble |
| 888 | (U) | But that sire Sabyn sye / a segge that is noble |
| (V) | ---- no text ---- |


Contact
{% if success %}Thanks for your message. That anyone is using this form is totally fascinating to me; I'll get back to you soon.
{% else %}{% endif %}
Thanks for your message. That anyone is using this form is totally fascinating to me; I'll get back to you soon.
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Yuechuan Chen
Software Engineer
- Website
- https://mike-chen-portfolio.herokuapp.com
-<EMAIL_ADDRESS>- Phone
-<PHONE_NUMBER>
2012-09-01
2016-12-01
- McGill University
- B. Eng: Software (3.0)
Web Development (Proficient): HTML, CSS, Javascript, React, Nodejs, MongoDB, PHP, mySQL, RESTful
Android development (Proficient): Java, Android studio
- English
- Native speaker
- Chinese Mandarin
- Native speaker
- French
- proficient
2016-05-01
2016-09-01
PHP developer at McGill Center for Integrative Neuroscience:
Responsible for implementing application logic, QA testing and code refactoring for the LORIS platform
Refactored a portion of the platform to improve code consistency and ease of development.
2015-02-01
2015-12-01
Product Manager and Developer at Personal Startup:
Started my own consulting team to assist the development of a FDA electronic application software for a pharmaceutical consulting company.
Responsibilities include but not limit to client communication, requirement gathering and management.
Application developed in C# and .NET.
2012-01-01
2013-01-01
School Project : Developer:
Implemented an AR front end and back end with Unity, Android, GoLang and MySQL in a team of 3. The application seeks to help firefighters better communicate and become more aware of the ambient environment.
Implemented parts of the AR application running on the Android platform.
Implemented and maintained some portions of the web and video server in GoLang.
Experience working with MySQL database.
2014-05-01
2015-09-01
Software Engineer intern. at PTC:
Developed various prototypes for PTC using various technologies. Several of which were well received by the clients and were demonstrated on the annual PTC LiveWorx Conference.
Responsible for building an AR prototype on Android as the front end to a warehouse management system.
Experiences include developing for Android, IOS, and Nodejs.
2013-09-01
2014-01-01
Data analysis developer at McGill Broadband Communication Lab:
Responsible for analyzing data generated by the real time localization system using matlab, bash and java.
Also responsible for debugging the web interface built with Javascript, PHP and HTML.
Presented and demonstrated the result at various McGill Hosted conferences.
Reading: Human behavior, Philosophy, Psychology
Dancing: Salsa, Traditional Chinese
Traveling: Backpacking, Adventure


Class: Aws::CustomerProfiles::Types::FlowDefinition
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Class Chain:
self,
Struct
|
|
|
Instance Chain:
self,
::Aws::Structure ,
Struct
|
|
| Inherits: |
Struct
|
| Defined in: | gems/aws-sdk-customerprofiles/lib/aws-sdk-customerprofiles/types.rb |
Overview
The configurations that control how Customer Profiles retrieves data from the source, Amazon AppFlow. Customer Profiles uses this information to create an AppFlow flow on behalf of customers.
Constant Summary
Instance Attribute Summary
-
#description ⇒ String
rw
A description of the flow you want to create.
-
#flow_name ⇒ String
rw
The specified name of the flow.
-
#kms_arn ⇒ String
rw
The Amazon
::Aws::CustomerProfiles::Resource
Name of the AWS Key Management Service (KMS) key you provide for encryption. -
#source_flow_config ⇒ Types::SourceFlowConfig
rw
The configuration that controls how Customer Profiles retrieves data from the source.
-
#tasks ⇒ Array<Types::Task>
rw
A list of tasks that Customer Profiles performs while transferring the data in the flow run.
-
#trigger_config ⇒ Types::TriggerConfig
rw
The trigger settings that determine how and when the flow runs.
Instance Method Summary
::Aws::Structure
- Included
| #to_hash | Alias for Structure#to_h. |
Instance Attribute Details
#description ⇒ String
(rw)
A description of the flow you want to create.
# File 'gems/aws-sdk-customerprofiles/lib/aws-sdk-customerprofiles/types.rb', line 1677
class FlowDefinition < Struct.new( :description, :flow_name, :kms_arn, :source_flow_config, :tasks, :trigger_config) SENSITIVE = [] include Aws::Structure end
#flow_name ⇒ String
(rw)
The specified name of the flow. Use underscores (_) or hyphens (-) only. Spaces are not allowed.
# File 'gems/aws-sdk-customerprofiles/lib/aws-sdk-customerprofiles/types.rb', line 1677
class FlowDefinition < Struct.new( :description, :flow_name, :kms_arn, :source_flow_config, :tasks, :trigger_config) SENSITIVE = [] include Aws::Structure end
#kms_arn ⇒ String
(rw)
The Amazon ::Aws::CustomerProfiles::Resource
Name of the AWS Key Management Service (KMS) key
you provide for encryption.
# File 'gems/aws-sdk-customerprofiles/lib/aws-sdk-customerprofiles/types.rb', line 1677
class FlowDefinition < Struct.new( :description, :flow_name, :kms_arn, :source_flow_config, :tasks, :trigger_config) SENSITIVE = [] include Aws::Structure end
#source_flow_config ⇒ Types::SourceFlowConfig (rw)
The configuration that controls how Customer Profiles retrieves data from the source.
# File 'gems/aws-sdk-customerprofiles/lib/aws-sdk-customerprofiles/types.rb', line 1677
class FlowDefinition < Struct.new( :description, :flow_name, :kms_arn, :source_flow_config, :tasks, :trigger_config) SENSITIVE = [] include Aws::Structure end
#tasks ⇒ Array
<Types::Task> (rw)
A list of tasks that Customer Profiles performs while transferring the data in the flow run.
# File 'gems/aws-sdk-customerprofiles/lib/aws-sdk-customerprofiles/types.rb', line 1677
class FlowDefinition < Struct.new( :description, :flow_name, :kms_arn, :source_flow_config, :tasks, :trigger_config) SENSITIVE = [] include Aws::Structure end
#trigger_config ⇒ Types::TriggerConfig (rw)
The trigger settings that determine how and when the flow runs.
# File 'gems/aws-sdk-customerprofiles/lib/aws-sdk-customerprofiles/types.rb', line 1677
class FlowDefinition < Struct.new( :description, :flow_name, :kms_arn, :source_flow_config, :tasks, :trigger_config) SENSITIVE = [] include Aws::Structure end


| |
SSW Kiwi Update - NZ User Groups & Tech Ed
|
|
|
|
|
NZ .NET User Group: What's new in Reporting
Services 2005 & Developing Custom Report Items
|
|
CHRISTCHURCH
1 Day to go!
25th August 2005
Gather at 5:00, starting at 5:30
Reporting Services makes viewing your data a breeze and SQL Server 2005 brings database reporting
to a whole new level.
In this session you will learn how to take advantage of the new Report Designer that is integrated
into Visual Studio 2005.
We will discuss the core product improvements, reporting improvements, the better integration, and
the richer developer
experience.
You will also discover how to create and implement Custom Report Items - custom data visualisation
controls that allow you
to make powerful reports.
If you would like to meet SSW's
Chief Architect, Adam Cogan, to
discuss any SSW Products please
email
696e666f72407373772e636f6d2e6175
|
|
|
|
NZ.NET User Group: What's new in
Reporting
Services 2005 & Developing Custom Report Items
|
|
DUNEDIN
2 Days to go!
26th August 2005
Gather at 5:00, starting at 5:30
Reporting Services makes viewing your data a breeze and SQL Server 2005 brings database reporting
to a whole new level.
In this session you will learn how to take advantage of the new Report Designer that is integrated
into Visual Studio 2005.
We will discuss the core product improvements, reporting improvements, the better integration, and
the richer developer
experience.
You will also discover how to create and implement Custom Report Items - custom data visualisation
controls that allow you
to make powerful reports.
If you would like to meet SSW's
Chief Architect, Adam Cogan, to
discuss any SSW Products please
email
696e666f72407373772e636f6d2e6175
|
|
|
|
|
|
|
AUCKLAND
4 Days to go!
Sunday 28th August - Wednesday
31 August 2005
SKYCITY Convention Centre, Auckland.
Adam Cogan, Microsoft Australia
Regional Director, will join a host
of speakers to teach Microsoft's
latest technological innovations.
Tech Ed New Zealand is booked
out and will be better than
ever, with all new content
specifically sourced to be
invaluable to New Zealand Developers
and IT Professionals.
If you would like to meet SSW's
Chief Architect, Adam Cogan, to
discuss any SSW Products please
email
696e666f72407373772e636f6d2e6175
In addition we are offering all that
attend a special for SSW Exchange
Reporter, see below!
|
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Get the information you want from
your company's email system with SSW
Exchange Reporter
Is Microsoft Exchange Server an
integral part of your organisation?
If so, SSW Exchange Reporter
provides the tools and reports you
need to efficiently analyse your
organisation's email usage. Reports
range from who is sending the most
emails to clients to who has the
largest mailbox. The built in
reports can be customised and
extended because they are built with
SQL Server Reporting Services. The
SSW Extraction Windows Service runs
on your Exchange Server to
seamlessly extract your email
messages and mail folder statistics.
It is a very lightweight Windows
Service and the reports are very
fast because it uses the power of
SQL Server.
As a special promotional offer,
everyone who attends Tech Ed New
Zealand has the opportunity to
Receive 25% Off! Simply email
696e666f72407373772e636f6d2e6175
mentioning this
newsletter.
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|


{% extends "pizzas/base.html" %} {% block page_header %}
Design your own pizza. Be as creative as you like If there is a topping you love but isn't shown, create it yourself and add it to your pizza creation!
Register »Pizzaria has many different pizzas with many different toppings.
{% endblock content %}


PLEASE NOTE: Microsoft Corporation (or based on where you live, one of its affiliates) licenses this supplement to you. You may use it with each validly licensed subscription of Microsoft Dynamics CRM Online services (the “online service”). You may not use the supplement if you do not have a license for the online service. The license terms for the online service apply to your use of this supplement. Microsoft provides support services for the supplement as described at
http://support.microsoft.com/common/international.aspx.


 The key is to cook the meat low and slow until very tender.
Preheat the oven to 140C/120C Fan/Gas 1 and grease a casserole with butter.
For the braised beef rump, layer the onions and beef with dots of butter in the casserole. Season with salt and pepper in between the layers and drop in the bay leaves. Cover with the lid and place in the oven for 1-2 hours, or until the beef is very tender.
Meanwhile, put the garlic, red wine vinegar, oil, anchovies, chillies and parsley in a food processor and blend to a paste. Once the beef is cooked, add the paste and stir through.
Put courgettes, courgette flowers and carrots into a large bowl. Mix the oil, sherry vinegar and salt and pepper in a small bowl. Just before serving add the basil, parsley and dressing to the salad and mix.
To serve, spoon the beef into a shallow serving bowl and place the courgette salad alongside. Garnish with the nasturtium leaves.


This week we were introduced to the program, Autodesk Fusion 360 and CAD (Computer aided design). We learned uses for CAD in real life and then practiced making objects in Fusion 360.
Fusion 360 Practice Objects
Fusion 360 Joint
Fusion 360 Joint Download


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illustration & design
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Send the following text message PORT followed by your 10-digit mobile number to TRAI's central number for mobile number portability - 1900. Example: Send 'PORT 98xxxxxx98' to 1900. You'll receive an SMS back with a Port out code


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Transactions
transactions
This service is responsible for communication with the Transactions API.
Check is payment method property is credit card.
| Boolean |
|
Set the payment method property as boleto.
Set the payment method property as credit card.


| Interface | Description |
|---|---|
| ContextStringable |
Interface for enums which should have their string
representations in strings.xml.
|
| DataSource |
Interface for serving model Documents from any persistent storage class.
|
| Class | Description |
|---|---|
| ApproverComment |
Model class for the Approver Comment.
|
| CacheDataSource |
DataSource that caches Document model objects with local persistence iff ServerHelper reports an error
saving said objects.
|
| Claim |
Model object for Claim made by Users acting as Claimants.
|
| Destination |
Model object for Claim Destinations.
|
| Document |
Model object corresponding to storage documents.
|
| GeneratedDataSource |
Mock data source extending InMemoryDataSource that creates data upon User creation.
|
| Geolocation |
A serializable alternative to Android's LatLng class.
|
| InMemoryDataSource |
Mock data source for early stages of development and unit testing.
|
| Item |
Model object for individual expense Items made by Users acting as Claimants.
|
| Receipt |
Model object for expense Item Receipt data.
|
| Tag |
Model object for Claim Tags for Claimant use.
|
| User |
Model object for Users.
|
| UserData |
A class which holds data about the current user.
|
| Enum | Description |
|---|---|
| ItemCategory |
Model enum for Expense Item Category.
|
| ItemCurrency |
Model enum for Expense Item Currency.
|
| Status |
Model enum for Claim Status.
|
| UserRole |
Model enum for User Role.
|


Large Hilo fight leads to 4 arrests, 2 injured officers | Honolulu Star-Advertiser
A large fight in Hilo on Monday led to four arrests, two injured police officers and a slew of charges made.
At about 10:45 p.m. Monday, Hawaii island police officers responded to a large and loud gathering, estimated to have 40 people, at Kinoole Street and made multiple attempts to disperse individuals.
A police media release then said that officers were aggressively approached by intoxicated individuals, who assaulted the officers to interfere with the arrest.
One of the two officers was transported via ambulance to the Hilo Medical Center Emergency Room, while the other was treated at the scene.
The four adults, one woman and three men between the ages 18 and 39, arrested were charged with a variety of offenses, including assault against a law enforcement officer in the first-degree, resisting arrest, failure to disperse and obstructing government operations. Their bails ranged from $750 to $23,000.
A juvenile male was also charged with similar offenses, including assault against a law enforcement officer.
The adults are in police custody and the East Hawaii Detention Center until their court appearance. The juvenile was released into state custody.


An independent and self-motivated student with proven ability and experienced in developing web application using Flask and Data Science projects with Python,also participated in various competitions related to Data Science community
Currently working as AI/ML Intern @ Tata Motors from July 2020 to December 2020, working on 2 live projects Switch detection & Canteen plate counting in python.
Python | Core Java | R programming | SQL | Flask | Natural Language Processing | Tableau
Secured Rank-20/1520 (Top-2%) in Kaggle competition for the project "NLP with Disaster Tweets
Participated in Analytics Vidhya-Hackathon for “Loan Prediction Challenge” competition and secured Rank- 42/6805
Participated in “Spot the face mask challenge” in Zindi Weekendz Hackathon and secured Rank-10
Executed end to end multiple data science projects
Published blog on “Recruitment Prediction System”.Link: https://rb.gy/3bwnwq
Published python package in py2py on "Recruitment prediction system".Link: https://pypi.org/project/py2pyrecruitment2
Involved in designing the real time object detection using Tensorﬂow for various internal live projects within the company.
Worked as Android Developer in DSC (Developer Student Club) in VIT,Pune, from Sept-2019 to Feb-2020
Posess the quality of a good story teller
<EMAIL_ADDRESS>Mobile:+919145296745


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5 Week 5
Week 5 entails a mini-project which covers framing the research question, doing exploratory data analysis and answering the research question with the help of statistical inference.
5.1 Setup
5.1.1 Load packages
library(ggplot2)
library(dplyr)
library(statsr)
library(vcd)
5.1.2 Load data
load("gss.Rdata")
5.2 Part 1: Data
Describe how the observations in the sample are collected, and the implications of this data collection method on the scope of inference (generalizability / causality)?
The data was collected by full probability sampling commonly called random sampling across years by helding personal interviews. Within this, there were stratified samplings by different parameters like age, region, race, income. This is an interview survey so it is voluntary and nothing is controlled which makes it an observational study. This can be generalized to the United States population and statistical significance can be found to know the extent to which the samples’ data is representative of the entire US population. Causal inference can’t be derived as there is no random assignment rather there are observations of independently and randomly made samples. There is also non-response subsampling which would help in reducing the non-response bias. Reducing this bias assures the statistical significance and makes the chosen samples more representative of the entire US population.
5.3 Part 2: Research question
Is there an association between race of the respondent and natrace (an attitudinal measure about Improving the conditions of blacks)?
natrace has 3 levels: Too Little, About Right, Too Much
This is of interest because:
The association if it exists helps us understand to further engineer the variables and create new variables for predictive models. More importantly, the statistical inference within the sample represents the entire population which otherwise would not be known. This is also for a quantitative find about how the race of a person makes the reply to this question of interest in the variable natrace
.
5.4 Part 3: Exploratory data analysis
#to check the variable names
#str(gss)
#filtering out null values
conting_sb <- gss %>%
filter(!is.na(natrace), !is.na(race))
#segmented bar plot
ggplot(conting_sb, aes(x = race)) + geom_bar(aes(fill = natrace), position = 'fill') + labs(x = "race", y = "proportion of natrace response")
Narrative:
The proportion of blacks who has the opinion that ‘Too little’ is spent on improving the conditions of blacks is much higher compared to ‘Whites’ and Other races. This matched my intuition. To understand if this is statistically significant, we will find out the association between these variables using chi-square test of independence. There is mosaic plot too coming up which best represents the contingency table.
5.5 Part 4: Inference
Hypotheses:
H0: There is no association between the categorical variables race
and natrace
. HA: There is a relationship between the categorical variables race
and natrace
.
#creating a contingency table
ct <- table(gss$race, gss$natrace)
ct
##
## Too Little About Right Too Much
## White 6532 12447 5884
## Black 3470 772 78
## Other 456 525 145
Conditions:
Independence:
- Random sampling of the entire sample was mentioned in the GSS study.
- When it comes to each group, by seeing the contingency table above, the number of cases are definitely less than 10% of respective populations. The respective populations would be way higher.
- Each case definitely contributed to one specific case and to remove any ambiguity the
NA
values have been filtered out.
Sample size:
Each particular cell has greater than or equal to 5 cases as per the contingency table.
cont <- as.table(as.matrix(ct))
mosaicplot(cont, shade = TRUE, las=2, main = "Mosaic Plot between race and natrace")
Higher standardized residuals means higher frequency of cases indicated by blue color boxes. Majority of whites are categorized under ‘About Right’ or ‘Too Much’ category while majortiy of blacks are categorized under ‘Too Little’
Method to be used and why and how:
We will be using chi-square test of independence to find out the relationship between these two categorical variables. Both the variables have more than 2 categorical levels and the conditions for the test of independence (TOI) are satisfied.
# Calculating chi-square statistic and the corresponding p-value
chisq_race_natrace <- chisq.test(ct)
chisq_race_natrace
##
## Pearson's Chi-squared test
##
## data: ct
## X-squared = 4873.7, df = 4, p-value < 2.2e-16
# expected counts in each cell of the contingency table
round(chisq_race_natrace$expected,2)
##
## Too Little About Right Too Much
## White 8578.88 11274.44 5009.68
## Black 1490.60 1958.96 870.44
## Other 388.52 510.60 226.88
Results:
Based on the high value of chi-square statistic and the degrees of freedom under consideration, we have a p-value which is very tiny compared to the 5% significance level. This implies there is a clear association/ relationship between the variables race
and natrace
. Further analysis can be carried out to find out if it is a positive correlation or a negative correlation. Hoping to learn that soon. The confidence interval calcualtion is not included as it not associated with chi-square testing and that is because chi-square distribution is always right skewed. New techniques have to be implemented to make the distribution normal and then CLT or confidence interval can be applied.
Created by: Akshay Kotha


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The Beatles were formed around the nucleus of members John Lennon and Paul McCartney, who first performed together in Liverpool, England, in 1957. They met each other through the same church they attended.
'Please Please Me', was the debut album of The Beatles, produced by George Martin. It was released on EMI's Parlophone label on 22 March 1963. Singles such as 'Please Please Me' and 'Love Me Do' reached number 1 on the NME and Melody maker charts and number 17 on the UK Singles Chart.
The Beatles released their second album but this time, it was recorded and released in the United States, issued by Capitol Records. The Beatles also made their first appearance on an American talk show, "The Ed Sullivan Show", hosted by Ed Sullivan. Later that year, They released a follow-up album called 'A'
At this point, the beatles were known world-wide with an exponentialy large fanbase. However, the band had gone down a rocky path. With tensions rising among the 4 members, there were reports stating that John Lennon was apparently leaving the band. At this point, the band had released 9 albums, most currently being 'Abbey Road'
Begining of the year, the beatles released their final single as a group, "Hey Jude", which is one of their most popular singles. Alongside, was their final album, "Let it Be" released by Parlaphone studios. However, at the end of the year, Paul McCartney left the beatles and John Lennon decided to file a suit to dissolve the band once and for all.