ground slaver called his halt. " english_tweet = when hundt called chivvychace of ground slaver on some ground slaver lmao the hundt was skijfjsk lyrics = While the hundt called halt dans la chivvychace de vie skirl romantic_poetry = When hundt called halt on chivvychace rude, switchboard = and uh skirls of the ground slaver type when the hundt called the halt on the chivvychace shakespeare = When the hundt called the halt on the chivvychace of the ground slaver, the hundt was skirl Input = Shame upon Private M! Paraphrase = I'm ashamed of my private M! aae = Man I Shame My Private M! bible = Woe is me that I have not a M! 1810s-1820s = I am ashamed of my private M! 1890s-1900s = I'm ashamed of my private M! " 1990s-2000s = I feel ashamed for my private M! " english_tweet = Sickening that I'm ashamed of my private M! lyrics = My private M is my shame! romantic_poetry = Maudlin me for my private M! switchboard = i'm so ashamed of my private M shakespeare = Shame to my private M! Input = (Ill)—whose bluebutterbust I have just given his coupe de grass to—neatly names a boîte à surprises. Paraphrase = (Ill) the blueberry I gave him to - a surprise - is named a surprise. aae = (Ill) give this mane the blueberry I gave him - a surprise - is named surprise bible = (Ill) the blueberry which I have given him for a present; a surprise is his name. 1810s-1820s = ( Ill) the blueberry that I gave him to--disappears, as if by surprise--is named a surprise. 1890s-1900s = ( Ill) the blueberry I gave him to--a surprise--is named a surprise. 1990s-2000s = ( Ill) the blueberry I gave him to - a surprise - is named after a surprise. english_tweet = (Ill) the blueberry that he gave me - a surprise - was named a surprise. lyrics = (Ill) the blueberry I gave him - a surprise - is named surprise romantic_poetry = (Ill) the blueberry that I've given him--disparage--is named a surprise. switchboard = i['ll]- i'll i'll give you an interesting name for this blueberry i gave it to -at's a surprise shakespeare = And now, as he was, the blueberry that I did bestow him— A most excellent surprise— Is named a surprise. Input = Bloom goes with the poundnote to Stephen.)_ Paraphrase = Bloom's going to the pound for Stephen.) aae = Bloom went to the pound for Stephen.) bible = Blossom went out for Stephen.) 1810s-1820s = BLOOM enters at the pound for Stephen. ) 1890s-1900s = Bloom's on the pound to Stephen. ) 1990s-2000s = Bloom walks over to the pound for Stephen. " english_tweet = Bloom stan joey comes to the pound for Stephen.) lyrics = Bloom goin' out for Stephen's pound romantic_poetry = Bloom at the pound for Stephen,) switchboard = Bloom is going to the pound shakespeare = Bloom’s going to pound for Stephen. Input = He looked upon you to lust after you. Paraphrase = he's looking for you to lust after him. aae = He wants you to lust after him. bible = And he that curseth his brother, lusteth after him. 1810s-1820s = He seeks you to become the object of his lust. 1890s-1900s = He was longing to lust after you to the end. 1990s-2000s = He lusts after you to do what he wants with you. english_tweet = He is looking for you to lust after lyrics = He came after you to lust romantic_poetry = He sought thee for its lustre. Thou didst shun switchboard = he wants you to lust after it shakespeare = He seeks to please you to lust after him. Input = lowerclass licensed victuallers signifies the cookable and eatable flesh of a calf newly dropped from its mother. Paraphrase = the lower class of licensed victualers means the meat of a calf that has been dropped from its mother. aae = The lower class licenced victuals means the beef from a calf that has been dropped from its mother is kept bible = For the lower that is of the herd, and the mower of the field, the meat of which is of a calf dropped from its mother's side, 1810s-1820s = The lower class of licensed victualers means the beef of a calf that has been dropped from its mother. 1890s-1900s = The lower class of licensed victualers means the meat of a calf that has been dropped from its mother, or of a colt that has been left behind 1990s-2000s = The lower class of licensed victualers means the carcass of a calf that has been dumped from its mother. english_tweet = Lower class of license victualers means cows that have been dropped from their mother. lyrics = The lower class licenced victualers means the flesh of a calf that's been ditched from its mother's head romantic_poetry = The lower classes of licensed victors mean the meat of a calf dropp'd from its mother, switchboard = and i guess the lower class of licensed victualers means the meat of a calf that has been dropped off its mother's side shakespeare = The lower orators mean those that have borne the flesh of a calf that has dropped from its mother. Input = horse of quite another colour to say you believe in the existence of a supernatural God. Paraphrase = you believe in the existence of a supernatural God, so the horse is a different colour. aae = Horse are some of the most different colors you believe in the existence of a supernatural God. bible = And ye believe that there is a God, so that the colour of the horse is not changed from white to black. 1810s-1820s = You believe in the existence of a supernatural God, so that the horse is of a different colour. 1890s-1900s = Horses are of a different colour, so you believe in the existence of a supernatural God. 1990s-2000s = You believe in the existence of a supernatural God, so that a horse has a different colour. english_tweet = You believe in supernatural God so the horse is a different colour. lyrics = Belief in a Christ, cause the horse's different color, romantic_poetry = Believe that existence divine, so horses different dye, switchboard = believe in a supernatural God so the horse is a different color you believe in that you believe in that but shakespeare = You believe, and therefore your horse is different colored. Input = I must now close with fondest love Paraphrase = I'm going to close with the best of love. aae = I'm going to close out on the best love bible = I go forth in the best of love. 1810s-1820s = I must close with the best of loves. 1890s-1900s = I am going to close with the best of love. 1990s-2000s = I must close with the finest of loves. " english_tweet = I need to close on the best love lyrics = I want to close with the best of love romantic_poetry = With the best of love, I close my e'e, switchboard = i just uh uh i'll i'll close with the best of love shakespeare = The best of love shall close with me. Input = Such was a bitte too thikke for the Muster of the hoose so as he called down on the Grand Paraphrase = he was a little too much for the Muster of the hoof. aae = Shoutout to the hoofs that was on it too much bible = for his portion was too much for the Muster of the hoof. 1810s-1820s = In his Muster, he had a little too much for the hoof. 1890s-1900s = It was rather too much for the Muster of the Hoof. " 1990s-2000s = He did it to make the Muster of the Hoof dole a little too. english_tweet = Hes a bit too much for a Muster of hoof. lyrics = Came a little too hoof for the Muster of the hoof romantic_poetry = Too hoarse for his Muster to utter, switchboard = oh he was a little bit too much for the Muster of the hoof shakespeare = He hath a little too much For the Muster of the hoof. Input = What comforted his misapprehension? Paraphrase = what comfort did he have to his confusion? aae = Wonder did he get the confirmation text what was his comfort bible = And what comfort hath he had in his confusion? 1810s-1820s = What consolation was there to his confusion but the recollection of his dear father? 1890s-1900s = What comfort had he in his perplexities? 1990s-2000s = What comfort had there been to his disorientation? english_tweet = What comfort was his confusion? lyrics = What comfort did he have to his confusion? romantic_poetry = What comfort did he from his perplexity bestow? switchboard = and what was his his confusion what was his comfort level shakespeare = What comfort hath he from his confusion?   Input = He had eaten all the whilepaper, swallowed the lustres, devoured forty flights of styearcases, chewed up all the mensas and Paraphrase = he ate the paper, swallowed the lustre, devoured the forty-foot-long-long-long-long-long-long-long-long-long-long aae = He ate that paper, swallowed that lustre, devoured that 40 in the gul.... #StraightShit bible = And he did eat the substance, and swallowed the lustre, and devoured the forty measures of the great vessel. 1810s-1820s = I ate the paper, swallowed the lustre, devoured the forty-foot-long-long-long-string of wood, and he returned to the shore. 1890s-1900s = He ate the paper, swallowed the lustre, devoured the forty-foot-long silken paper with the vicious grip of a mad dog. 1990s-2000s = He ate the paper, swallowed the lustre, devoured the forty-foot-long nibble of broken glass. english_tweet = eaten paper, swallowed lustre, devoured the forty inch long ass that he held lyrics = Sleaty the paper, swallowed the lustre, devoured the forty foot-long-long-long-long-long-long-long-long-latin romantic_poetry = Eaten from the paper, swallow'd at the lustre, devoured the forty-foot-long-long-long-long-Long, switchboard = and ate the paper swallow lustre devoured the the you know the 40 foot long paper and devoured the lustre you know they just don't want to shakespeare = And that paper he did eat, and so did his lust, Devour the forty-foot-long-dreadful record of this fair young maid, Which, for a day and a night, at one feast fell, Input = Five to three. Paraphrase = 5 to 3. aae = 5 to 3. 5 to 3. 5 to 3. 5 to bible = To which of the following do ye liken the number of the days 1810s-1820s = 3 to 5 are the common degrees of excellence; from 3 to 5 1890s-1900s = One hour to three in the evening. 1990s-2000s = 5 Tilt a ball over the ball, then lift it back to english_tweet = 5 to 3. Breakout #MGMAVOTE #EXO lyrics = 5 to 3. romantic_poetry = That you may know that the moments are passing. switchboard = five to three shakespeare = 5 to three. Input = Regular square feed for them.  Input = M. Drumont, famous journalist, Drumont, know what he called queen Victoria?  Paraphrase = I'll be right there in a minute! aae = Let me get right I got a new number in a few minutes! bible = And I said, I will be right there in a moment! 1810s-1820s = There, in a moment, I will! 1890s-1900s = ( Rising) I'll be right down in a moment! 1990s-2000s = I'll be right here in a few minutes! english_tweet = IN A SECOND I'LL GET THIS! lyrics = I'll be right here in a moment! romantic_poetry = And just a moment more! I'll be right here switchboard = i'll be right there in a minute shakespeare = Oh, I'll be at hand in an instant! Input = no, Sexton, Urbright. Paraphrase = no, Sexton, Urbright. aae = Naw Sexton, Urbright. bible = Nay, Sexton, Urbright. 1810s-1820s = No, Sexton, Urbright, (taking his hand. ) 1890s-1900s = No, Sexton, Urbright. 1990s-2000s = No, Sexton, Urbright, no, Sexton. english_tweet = Not really. No, Sexton. Urbright. lyrics = Sexton, Urbright, no, Sexton romantic_poetry = No, Sexton, Urbright, switchboard = no Sexton Urbright shakespeare = No, Sexton, Urbright. Input = a greet sacrifice with a rap of the gavel to a third price cowhandler as cheap as the niggerd’s dirt Paraphrase = a welcome sacrifice to a third price cowhandler as cheap as the niggerd's dirt aae = A welcome sacrifice on a third price cowhandler as cheap as the niggad's dirt bible = A welcome sacrifice for a third price cowhandler as low as the niggerd's dirt. 1810s-1820s = A welcome sacrifice at a third price cow handler as cheap as the niggerd dirt. 1890s-1900s = and a welcome sacrifice to a third-priced cowhand as cheap as the niggerd dirt is. 1990s-2000s = A Welcome sacrifice to a third price cowhandler as cheap as the niggerd's dirt. english_tweet = a Welcome sacrifice to a third price cow Handler as cheap as the niggd dirt lyrics = Wholeures of a third price cowhandler as cheap as the niggerd dirt romantic_poetry = A welcome sacrifice to a third cowt as cheap switchboard = a welcome sacrifice to a third price cow handler as cheap as the niggerd's dirt in that you know they get you know what they shakespeare = A welcome sacrifice to a third price cowhouseman As low as the niggerd's stinking-seed. Input = and their half a tall hat, just now like the old Merquus of Pawerschoof, the old determined despot, (quiescents in Paraphrase = the hat, like the old Merquus of Pawerschoof, the old determined dictator, (quiescents in aae = the hat, like old Merquus of Pawerschoof, the old determined dictators, (quiescents in ) bible = The hat, like the old Merquus of Pawerschoof, the old determined despot, (quiescents in 1810s-1820s = He held the hat, like the old Merquus of Pawerschoof, the old determined dictator, (quiescents in himse,) and the whole was 1890s-1900s = T was the old Merquus of Pawerschoof, the old determined despot, (quiescents in )--The horse was a kind of horse--and 1990s-2000s = the hat, like the old Merquus of Pawerschoof, the old determined dictator, (quiescents in). english_tweet = Sleads of the hat, like the old Merquus of Pawerschoof, the old determined dictator, (quiescents in lyrics = Hater, like the old Merquus of Pawerschoof, the old determined dictator, (quiescents in) romantic_poetry = His hat, like old Merquus of Pawerschoof, the determined tyrant, (quiescents in switchboard = hat like the old Manpower the old determined dictator Manpower the old determined leader of Pawerschoof shakespeare = That hat, like the old Merquus of Pawerschoof, the old determined dictator, quiescents in Input = The chap in the macintosh is thirteen. Paraphrase = the guy in the Macintosh is thirteen. aae = The Macintosh guy is 13. #Dead bible = The man in the Macintosh is threescore and thirteen. 1810s-1820s = The person in the Macintosh is thirteen years old. 1890s-1900s = The man in the Macintosh is thirteen years old. 1990s-2000s = The guy in the Macintosh's thirteen. english_tweet = guys in Macintosh are thirteen lyrics = There's thirteen in the Macintosh man romantic_poetry = The laddie in the Macintosh is thirteen, switchboard = the guy in the Macintosh's thirteen shakespeare = The man in the Macintosh is thirteen. Input = Very gratefully, with grateful appreciation, with sincere appreciative gratitude, in appreciatively grateful sincerity of regret, he declined. Paraphrase = with grateful appreciation, sincerely grateful, sincerely grateful, sincerely grateful, sincerely grateful, sincerely grateful, sincerely grateful, sincerely grateful, sincerely grateful, sincerely grateful aae = With Grateful Appreciation, Deeply Appreciated, Thankful, Grateful, Truly Appreciated,Thankful, & Grateful bible = Greet one another with a joyful greeting, sincerely, with salutary words, giving thanks, with one accord, with one accord, in the holy place. 1810s-1820s = with grateful and fervent admiration, respectfully desiring her indulgence and protection. 1890s-1900s = With grateful appreciation, and with a sense of his obligation to you, I take your congratulations with great pleasure. 1990s-2000s = With heartfelt gratitude, sincere gratitude, genuine gratitude, the kind of unselfish, compassionate generosity that makes it possible for people to make something of themselves. english_tweet = With appreciation, deeply appreciative, sincerely thankful, deeply appreciative, deeply appreciative, deeply appreciative, deeply appreciative lyrics = With thankfulness, heart, and love, sincerity, truly, honestly grateful, sincere, sincere, sincere, sincere, sincere romantic_poetry = With grateful approbation, ardently ditties, switchboard = with uh grateful appreciation for what they do for us and sincerely and we'll be back and uh we'll go again in another two or three years shakespeare = To do you know, sir, what you did; With most thankful affection, earnestly to the gentleman, With sincere thanks; all my heart is at thy mercy. Input = basking in the boy and girl courtship idea and the company of smirking misses without a penny to their names Paraphrase = the idea of a boy and girl courtship and the company of smiling girls aae = Idek about a boy and girl courtship and company lol I just wanna see one bible = The courts of a boy and of a girl are courts of courts, and the company of smiling girls is company. 1810s-1820s = The idea of courtship and society among smiling girls. 1890s-1900s = the idea of a boy and girl courtship and the society of smiling girls. 1990s-2000s = The idea of a boy and girl courtship and the company of smiling girls to be with. english_tweet = The idea of a boy and girl courtship and the company of smiling girls lyrics = It's the idea of a boy and girl courtship and the company of smiling girls romantic_poetry = The thought of boy and lassie courtship and company, switchboard = the idea of having a boy and a girl courtship and and the company of smiling girls shakespeare = The reason why the bond of a boy and a girl doth court and company of smiling maidens Input = their joke was coming home to them, the steerage way for stabling, ghustorily spoeking, gen and gang, dane and dare, Paraphrase = the joke was on them, the way to the stroller, the gutter, the gutter, the gutter, the gutter, the gutter, the gutter, aae = KMSL THAT JOKES N THEY RIDING IN THEM STRAIGHT PLATES ON THEM GUTS..LOL bible = And the children of the Jews were laughing at it, and the way of the stroller, and the gutter, and the ditch, and the outgoings of the house. 1810s-1820s = A joke was upon them; the very way to the stoccade, and the gutter, and the narrow way, and the rotten wood, and the dead animals, and the ragged clothes, and the shoes, and the 1890s-1900s = It was a joke, the way of a stroller, the gutter, the gutter, the garret, the garden--and the whole, as the child put it, the gutter--well, they'd been out 1990s-2000s = That was the joke on them, the way to the stroller, the clogged elevator, the gutter, the hand in the armchair, the blaring sound, the screaming sound, the knuckles hurt, the yel english_tweet = jokes on them, bau, stroller, gutter, gutter, gutter, gutter, gutter, gutter, may lyrics = The joke was on them, the way they rolled up in the stroller, the gutter, the gutter, the gutter, the gutter, the gutter, the gutter romantic_poetry = The jest was a' wi' them, the sticket an' groat, switchboard = the joke was on them the way to the stroller the guttering the guttering the guttering and it was on a uh a tow truck that was carrying some shakespeare = The wit of these men did draw them from thence, The way to strollers, the gutter, the gutter, the gutter, The way to take the sick from the morn till night, The way to go to Input = THE VIRAGO: Signs on you, hairy arse.  Input = Wavewhite wedded words shimmering on the dim tide.  Input = mirror so as to bring into play the various families of muscles and produce successively a pleasant rigidity, a more Paraphrase = mirroring the various muscles and their various families, so that they can be used to achieve successively a pleasant stiffness aae = Mirroring the numerous muscles and their involving families so that one can accomplish a goalively stiffening bible = Mirroring the various muscles and their various families, that they may be used to the accomplishment of successively a pleasant stiffness, 1810s-1820s = Mirroring the various muscles and their various families, so that they may be made to work in concert, to attain successively a pleasing stiffness. 1890s-1900s = Mirroring the various muscles and their various families, so that they can be used to attain successively a pleasant stiffness. 1990s-2000s = Mirroring the various muscles and their various families, so that for a moment each muscle can be used for a successful stiffness of muscles. english_tweet = mirroring different muscle groups and their various families, so that they can achieve a pleasurable stiffness lyrics = Mirroring movements of different muscles and their various families, so that successively a smooth stiffness romantic_poetry = Mirroring various muscles and their various familiars, so that successively sweet stiffness switchboard = mirroring the various muscles and their various families so that that they could be used to achieve successively a kind of a pleasant stiffness shakespeare = Mirroring to these several veins and families, so that they may so naturally be employed to achieve successively a pleasant stiffness of a tongue, a foot, and a Input = They buy one and fourpenceworth of brawn and four slices of panloaf at the north city diningrooms in Marlborough street Paraphrase = on the north side of the street, they buy a pound of meat and a loaf of bread for £4. aae = A man in south-east London pays 4 pounds of meat and a loaf of bread for a pack of wings. bible = And it shall be, that, when they come to the north side of the street, they shall buy a pound of flesh, and a loaf of bread for six 1810s-1820s = Fourpence and a loaf of bread cost fourpence, on the north side of the street, for two days, at the first market day. 1890s-1900s = They buy a pound of meat and a loaf of bread on the north side of the street for 4p. 1990s-2000s = They buy a pound of beef and a loaf of bread for four shillings on the north side of the street. english_tweet = Dublin and other homeless buy pound of meat and loaf of bread for a north side street lyrics = On the north side of the street, some buy a pound of beef and a loaf of bread for a four pound romantic_poetry = And on the north side of the street buy a pound o' flesh and a loaf o' bread; switchboard = and they buy a pound of beef and a loaf of bread on the north side of the street for a pound and a half on the east side of the street and shakespeare = And they buy a pound of flesh and a piece of bread at the north side of the street, for a pound of beef and a pound of mutton. Input = so much as mentioned for the Orient from on high which brake hell’s gates visited a darkness that was foraneous. Paraphrase = the Orient, which was visited by a darkness that was for the sake of the Orient, was so much as mentioned by the Orient. aae = The Orient, which has been visited by a darkness that has been for the sake of the Orient, was so much as described. bible = And he came to Ephesus, and preached unto the people, and said, The Orient, which was visited with darkness for the sake of the Orient, is come unto thee. 1810s-1820s = It is so much as has been mentioned by the Orient, that darkness was for the sake of the contemplative in the countries visited. 1890s-1900s = It is so much as mentioned by the Orient, that it had a darkness which was for the sake of the Occident. 1990s-2000s = For a time, the Orient, which had been visited by a darkness so profound that it was for the sake of the Orient that a reference to the Eastern theater was so apt. english_tweet = Heard that it was so much as mentioned by the Orient that a dark that was for the am lyrics = En el Orient, has been visited by darkness so deep as mentioning Orient, romantic_poetry = O'er which the dark for the sake of Orient dwelt; switchboard = so much as mentioned by the Orient and the Orient came in such to you know just a dark that came in the name of the Orient shakespeare = To the East, That was visited by darkness that hath as yet for the sake of the East Beheaded a continent as in the place itself, Was so much as in the name of Input = tempting last rose of summer, rose of Castile. Paraphrase = the last rose of the summer was Castile. aae = In Castile Last Rose Of The Summer. bible = And Castile was the last rose of the summer. 1810s-1820s = Castile, of all the nations of Europe, was the last rose of summer. 1890s-1900s = Castile was the last rose of the summer. 1990s-2000s = Castile was the last rose of summer that fell in our summer baskets. english_tweet = Castile has been the last rose of summer. lyrics = Castile, the last rose of summer romantic_poetry = Castile the last rose in summer's bloom, switchboard = well i think it was castile the last rose of the summer shakespeare = It was the last rose of summer to be cast in Spain. Input = He speaks the words to Burbage, the young player who stands before him beyond the rack of cerecloth, calling him Paraphrase = he's talking to Burbage, the young player who's standing behind him, calling him aae = he talking to Burbage the young player standing behind him calling his name bible = And he talked with Burbage the young man that stood behind him, calling him, 1810s-1820s = Burbage, the young player, is standing behind, calling on him to enter. 1890s-1900s = He is talking to Burbage, the young player who stands behind him, calling to him. " 1990s-2000s = He speaks to Burbage, the young player who stands behind him, calls him by name. english_tweet = He is standing behind Burbage, the young player who is standing behind him, calling him lyrics = He's talking to Burbage, the young player standing behind him, calling him romantic_poetry = Burbage talks to his young lear, calling him by name switchboard = well he was talking to Burbage the young player that's standing behind him calling him shakespeare = To Burbage, he speaks, the youth that sits behind him, calling him by his name. Input = What did each do at the door of egress? Paraphrase = what did they do to the door? aae = wat did they do to the door bible = And they answered him, What have they done to the door? 1810s-1820s = What have they done, that the door was knocked? 1890s-1900s = And what had they done at the door of the room? 1990s-2000s = What had they done to that door? " english_tweet = Lol what did they do to the door? lyrics = What did they do? What did they do? romantic_poetry = And what has become o'er the door? switchboard = what did they do with the doors shakespeare = What have they done at the door? Input = wrong too thinking only of his own pleasure his tongue is too flat or I dont know what he forgets Paraphrase = I don't know what he's forgetting, but I'm sure he's thinking of his own pleasure. aae = Don't know what he forgot but I know he feel like his own pleasure bible = And I know not what his forgettings are: but I know that he that hath sorrow is troubled. 1810s-1820s = I know not what he forgets; but I believe that his mind is occupied with his own pleasures. 1890s-1900s = I cannot tell what he forgets; I cannot guess what he thinks of his own pleasure. 1990s-2000s = I don't know what he is forgetting, but I can tell that his own pleasure is being bypassed. english_tweet = I dunno what he forgot but he is thinking of his own pleasure so i'm sure lyrics = My head is not made up, but I believe in his own pleasure. romantic_poetry = I know not what it is, but he has his own pleasure, switchboard = well i'm not sure what he forgets i just know that he he feels that his own pleasure is the only thing that he's really going to shakespeare = I know not what he hath forgot, but I do think of his own pleasure. Input = her stocking.)_ Paraphrase = the hat.) _ _ _ _ _ _ aae = that hat.)_ bible = The hat.) 1810s-1820s = The hat. " 1890s-1900s = The old hat. ) 1990s-2000s = The hat. english_tweet = That hat.)_)_)_ lyrics = The hat.)_ _ _ _ romantic_poetry = His_ hat.)_ __His_ hat.)_ switchboard = hatitolias the hatitolias shakespeare = The hat. Input = know then and could you pass it easily pass what I thought he was talking about the rock of Gibraltar Paraphrase = then I thought he was talking about the rock of Gibraltar. aae = I then thought that was a reference to the rock of Gibraltar. bible = Then I perceived that he spake this parable unto them of the rock of Gibraltar. 1810s-1820s = I then thought he spoke of the rock of Gibraltar. " 1890s-1900s = Then I thought he spoke of Gibraltar, and the rock of Gibraltar. 1990s-2000s = Then I thought he was talking about the rock of Gibraltar. english_tweet = I thought he was referring to the rock of Gibraltar then lyrics = Then I thought he was talking about rock of Gibraltar romantic_poetry = Then thought he spake of Gibraltar's rock, switchboard = so i thought he was talking about Rock of Gibraltar then shakespeare = I thought then he spoke of the rock of Gibraltar. Input = messes dogess and it was a very pretty peltry and there were faults on both sides) well, he attempted (or Paraphrase = he tried to do it, but he was a pretty nice dog and he had a lot of problems. aae = My man tryed it but he was a pretty dog and he had a lot of issues bible = And he went and tried it; but it was not a very pleasant dog, and his bones were many. 1810s-1820s = He attempted it, but was a pretty spruce dog and had many misfortunes. 1890s-1900s = He tried to do so, but it was a pretty good dog and he had many troubles. 1990s-2000s = He'd tried it before, but he was a pretty dog and he had a lot of problems. english_tweet = Yeah he tried to do it, but his fursona was a pretty corgi and he had a lot of issues. lyrics = He tried to do his thing but he was a pretty dog and he had a lot of problems romantic_poetry = Tried his utmost skill, but he was a pretty dog and had many a grievance. switchboard = yeah well he tried to and it was a pretty cute dog and he he had a lot of trouble with it shakespeare = He hath tried to do this, but he is a pretty dog and his miseries are much more than his own. Input = He remembered one night long ago. Paraphrase = he's been thinking about it for a long time. aae = He jus hung up on me lol bible = And he considered it diligently. 1810s-1820s = He had been meditating on the subject for some time. 1890s-1900s = He was thinking about it long ago. " 1990s-2000s = He spent a long time thinking about it. english_tweet = He has been thinking about that for a long time lyrics = He used to be on my mind romantic_poetry = For a long time he thought it nae ill, switchboard = he's been in that for a long time shakespeare = He hath been to consider it a while. Input = For he devoused the lelias on the fined and he conforted samp, tramp and marchint out of the drumbume of Paraphrase = he's taken the lelias and he's taken the samp, tramp and marchint out of the drab. aae = lol it was ova hea taken the lelias and took the samp, tramp and marchint out of drab bible = He hath taken away the lelias, and made them to pass over with the samp, and tramp and marchint out of the dunghill. 1810s-1820s = He took the lelias and got out the samp, tramp and marchint out of the drab. 1890s-1900s = He took lelias an' samp, tramp an' marchint out fr'm th' drab. 1990s-2000s = He took lelias and samp, tramp and marchint out of drab. english_tweet = he took lelias and his samp out of the drab and samp out of the drab, he got the lelias lyrics = He took the lelias and tramp, tramp and marchint out the drab romantic_poetry = He taks the lelias an' tramp an' marchint out of drab, switchboard = he took the lelias and he took the samp tramp and marchint out of the drab and i have a samp tramp shakespeare = For the samp, tramp and marchint are all in the drab, and he hath had the lelias. Input = He falls back a pace.)_    Input = This morning the remains of the late Mr Patrick Dignam. Paraphrase = the remains of Mr. Patrick Dignam's body were found this morning. aae = DID U SEE MR. PATRICK DIAMOND BED THIS MORNING bible = This morning the remains of the body of Mr. Patrick Dignam were found. 1810s-1820s = This morning the remains of Mr. Patrick Dignam were found in a grave, at the foot of the rock. 1890s-1900s = This morning the remains of Mr. Patrick Dignam were discovered in his house. 1990s-2000s = Mr. Patrick Dignam's remains were found this morning. english_tweet = The remains of Mr. Patrick Dignam found this morning. lyrics = Mr. Patrick Dignam's body was found this morning romantic_poetry = This morn the remains of Sir Patrick Dignam were found; switchboard = his remains were found this morning shakespeare = A casket hath been brought to this morning for the remains of Mr. Patrick Dignam. Input = Man delights him not nor woman neither, Stephen said. Paraphrase = Stephen said he didn't care about men or women. aae = Stephen said no female or man care bible = And Stephen said, It is not in man or woman that I have need of men or women. 1810s-1820s = Stephen declared that he cared not for men or women. 1890s-1900s = Stephen said he didn't care for men or women. " 1990s-2000s = Stephen said that he had no use for men or women. english_tweet = Stephen said he didnt care if men or women, he did not need a ba lyrics = Stephen said that he didn't care about men or women romantic_poetry = That Stephen said, ne'er to man nor maid cared, switchboard = and uh you know that's the way it is i mean i don't think men or women care for shakespeare = He said that he cared not for men nor women.   Input = Girl there civil. Paraphrase = the girl in the civilised place. aae = The girl on civil matters. bible = The fair damsel in the civilised place. 1810s-1820s = The girl of the civilised spot--that's the word. 1890s-1900s = I know the girl in civilised surroundings, and she is--" " The girl! 1990s-2000s = The girl in the civilised place, I mean. english_tweet = The girl in the civilised place. lyrics = The girl in the civilised place. romantic_poetry = The lass in the civil's place, switchboard = the uh civilized place girl shakespeare = The girl in the civil state. Input = stews to make shift with in delights amorous for life ran very high in those days and the custom of Paraphrase = in those days, the custom of the feast was very high, and the feast was very much enjoyed by life aae = It was so much fun at the custom feast in those days, and the enjoyment of life bible = And the custom of the feast was very high in those days, and the feast of tabernacles was greatly abated. 1810s-1820s = This custom of feasting was very high in those days, and highly gratified by the enjoyment of life. 1890s-1900s = The custom of the fete was very high in those days, and the feast was exceedingly popular with the life of the people. 1990s-2000s = <p> Life had a very high custom in those days, for these feasts were exceedingly popular. english_tweet = I also thought the custom of the feast was high and the festival's were very delicious for life lyrics = Well custom held by feast in those days, and to a life with a feast a lot of pleasure romantic_poetry = Of those days, custom's feast was high, and life's glee switchboard = uh because it was a feast of the custom of the feast in those days and so it was a very rich feast shakespeare = The custom of this feast, indeed, is very high, and much is the enjoyment of life in these days. Input = On the brewery float bumped dullthudding barrels rolled by grossbooted draymen out of Prince’s stores. Paraphrase = the barrel of the barrel was lifted by a grossbooted drayman from Prince's store. aae = On this grossbooted drayman from prince's store lift up the barrel bible = And the barrel of the barrel was lifted up by grossbooted draymen from Prince's store. 1810s-1820s = From Prince's store a grossbooted drayman Up-ended his barrel, and, raising it, Bade it adieu. 1890s-1900s = The barrel of this barrel had been lifted by the grossbooted drayman from Prince's store. 1990s-2000s = The grossbooted drayman from Prince's Store hauled the barrel of barreled blank. english_tweet = Grossbooted drayman from Prince's store lifted the barrel for a grande lyrics = From the Prince store barrel gave me a grossbooted drayman romantic_poetry = By grossbooted drayman from Prince's store lifted, switchboard = that was a gross booted drayman lifting barrel out of a barrel and uh the barrel was in a a store at the Prince Store shakespeare = The barks of grossbooted draysmen Have lifted up the barrel of the hemlock. Input = on like Shuley Luney, enlisted in Tyrone’s horse, the Irish whites, and soldiered a bit with Wolsey under the assumed Paraphrase = the Irish whites, who were under the assumption of the Irish whites, were a little bit of a problem with Wolsey. aae = Was poppin to the belaire welcra on da low in wolsey the Irish whites assuming bible = But the half tribe of the children of Reuben and the half tribe of the children of Judah, which were under the administration of the chief of the house of their fathers, 1810s-1820s = Wolsey was a little troublesome to the Irish whites, who were under the supposition that he was a man of rank, and of no inconsiderable character. 1890s-1900s = Wolsey's trouble with the Irish whites was to a certain extent under the assumption of the Irish whites. 1990s-2000s = <p> Wolsey was not happy with the attitude of the Irish whites, under the assumption of the Irish whites, and the unfortunate side effect was that a lot of the english_tweet = Wolsey's situation caused some problems for the Irish whites, under the assumption of lyrics = Rattle wit Wolsey, were Irish whites with the Irish undertow, who aint taken under the assumption of the irish whites, romantic_poetry = Wolsey had na found the trouble of Ireland's white; switchboard = that were under the assumption that the Irish whites were under an Irish whites and uh they were uh they were very mixed uh i think that uh shakespeare = When we were by, the Irish whites, under the assumption of their condition, did trouble us, which we thought very much. Input = No one in his seven senses could as I have before said, only you missed my drift, for it’s being Paraphrase = you didn't miss my drift, only you missed my drift. aae = Y'all missed my drift only youu did, bible = Thou hast not missed my drift, only hast thou missed my stream. 1810s-1820s = Thou hast not missed my drift, but thou hast missed my drift alone. 1890s-1900s = My drift was your drift, and you have not missed it. " 1990s-2000s = <p> It's not that you missed my drift, only that you missed my drift. english_tweet = i mean i didn't miss your drift, only you missed my drift lyrics = Your driftin' point, only you missed my driftin' romantic_poetry = Thou hast missed nought but my drift, switchboard = i'm sorry i'm sorry i just i'm not that you didn't have any you missed my drift shakespeare = I know not why, but you have missed my drift. Input = Mr Lyster, an attendant said from the door ajar. Paraphrase = a guard from the door said, "Mr. Lyster." aae = A maury guard said \"mr. lyster\" bible = And a certain man of the guard went out to the door, and said, Behold, there is a man 1810s-1820s = said a guard at the door, to Mr. Lyster. " 1890s-1900s = Mr. Lyster has asked for a moment, " said a sentry at the door. " 1990s-2000s = Mr. Lyster, " a guard said from the door. english_tweet = mr lyster said a guard. lyrics = A guard said "Mr. Lyster" romantic_poetry = A guard at the door said, "My Lyster, switchboard = a uh a guard came up and said Mister Lyster shakespeare = A guard came to say, “Monsieur Lister.” He says, “I Input = Or also living in different places. Paraphrase = or even living somewhere else. aae = Or even living some where else bible = or even dwelling in another place. 1810s-1820s = Or even living elsewhere, in a different country. 1890s-1900s = or even living elsewhere--in the country, or even. " 1990s-2000s = Or even living in other places, just as well. english_tweet = Or even living in another place lyrics = Or even living somewhere else romantic_poetry = Or even living in another place. switchboard = or or even living in another area shakespeare = Or even at other places. Input = _Each graceful look_... Paraphrase = _every graceful look... aae = _ every graceful look... bible = Every gracious countenance is grace. 1810s-1820s = _Every graceful look--no, no! 1890s-1900s = Yes, every graceful glance--what a wonderful girl she was! 1990s-2000s = And with every graceful look...<p> english_tweet = _every graceful look... lyrics = _every graceful look..._ every graceful look... romantic_poetry = _And every graceful glance--_every_ one switchboard = _looks every graceful way shakespeare = Every graceful cast on you. Input = of Kinsale. Paraphrase = of Kinsale's house. aae = of Kinsale house. Its over with bible = Of Kinsale. 1810s-1820s = of Kinsale's house, with the Entry. 1890s-1900s = Well, of Kinsale's place--why, I didn't know. 1990s-2000s = MARTY (cont'd) Of Kinsale's house english_tweet = of Kinsale. lyrics = Of the house of Kinsale. romantic_poetry = Of her own dwelling. From the rocks switchboard = of Kinsale shakespeare = Of Kinsale’s house. Input = THE FLYBILL: K. 11. Paraphrase = the Flybill: K. 11. aae = Fly Bill: K. 11's. bible = The Flybill: K. 11. 1810s-1820s = The Fly-bill: K. 11. 1890s-1900s = Fly-bill: K. 11. 1990s-2000s = The Flybill: K. 11) (pop. english_tweet = Flying Bill: K. 11. lyrics = Flybill: K. 11. romantic_poetry = The Flybills:--K. 11. Oh! let me see switchboard = the Flybill K eleven shakespeare = The Flybill: K. 11. Input = Assumed by any or known to none. Paraphrase = anyone or anyone known to none. aae = lol any or anybody known to none. bible = Let no man or any man know of any thing whatsoever, that any man or any thing 1810s-1820s = any body or any body known to none, must be. " 1890s-1900s = They must be admitted by any one or any one known to none. 1990s-2000s = <p> I mean, anybody or anybody known to none of us. english_tweet = anyone or anyone known to none. lyrics = Any or anybody that is known to none. romantic_poetry = And any one or more known to none. switchboard = or anyone or anyone that's not known shakespeare = Anyone or man or woman known to none. Input = Ward for incurables there. Paraphrase = we're going to ward off the inevitable. aae = we gone ward off the inevitable bible = we are wardens of the unavoidable. 1810s-1820s = We are resolved to ward off the inevitable. 1890s-1900s = We must ward off the inevitable, " said I. " 1990s-2000s = We have to ward off the inevitable. " english_tweet = let us ward off the inevitable. lyrics = We will ward off the inevitable romantic_poetry = Weel may we ward the inevitable switchboard = we ward off the inevitable shakespeare = Let us ward off the inevitable. Input = Yes, we seem to be forgetting her as Shakespeare himself forgot her. Paraphrase = we're forgetting her as Shakespeare forgot her. aae = We be forgetting her like Shakespeare forgot her bible = For we forget her as we are forgetting the play of Hamlet. 1810s-1820s = We forget her as Shakespeare forgot her. 1890s-1900s = We forget her as Shakespeare forgot her. 1990s-2000s = We forget her as Shakespeare forgot her. english_tweet = I think we forgot her as Shakespeare forgot her. lyrics = We got her forgot like Shakespeare romantic_poetry = We forget her as Shakespeare did her-- switchboard = we forget her as Shakespeare forgets her shakespeare = Why, we do forget her as well as she. Input = her intentions. Paraphrase = she's just trying to do it. aae = She just be tryna get it bible = she did it for nought. 1810s-1820s = She is just trying the experiment. 1890s-1900s = She was just trying to make the best of it. 1990s-2000s = She just tries to do it, to get through. english_tweet = she's just trying lyrics = She just wants to do romantic_poetry = She just does it for the sake switchboard = and she just tries to shakespeare = She merely does. Input = As we want to hear allabout. Paraphrase = we're interested in hearing about everything. aae = We care about every little thing bible = Let us hear all things. 1810s-1820s = We want to hear every thing about it. 1890s-1900s = We are interested in hearing about everything. " 1990s-2000s = We want to hear about everything in the house. " english_tweet = We are interested in hearing about anything. lyrics = We want to hear about everything romantic_poetry = We're all for hearing all about. switchboard = yeah we like to hear about all that shakespeare = Let us hear of every thing. Input = The child, a natural child, thenown by the mnames of, (aya! Paraphrase = the baby, a natural child, was named by the name of the name. aae = Baby,natural, was born to the name Baby. Lmfao bible = And they named the child Jesus, after the name of his father, by the name of the tribe of Benjamin. 1810s-1820s = There was one child, a natural born child, who bore the name of Jane. 1890s-1900s = The baby, a natural child, was named by its mother's name. 1990s-2000s = One of the children, a natural child, was named by the first name. english_tweet = The baby, a natural child, was named by his parents lyrics = Baby, a natural child, named her name romantic_poetry = A natural child, named by the very name, switchboard = you know and the baby was born natural and the name of the child was shakespeare = And in the name of the name, my good lord, the child was named. Input = with, what, Schott?) Paraphrase = with what, Schott? aae = with what, Schott? bible = And he said, With what, Schott? 1810s-1820s = With what, Schott, with what, are you here? 1890s-1900s = With what, Schott, with what? " 1990s-2000s = With what, Schott? " english_tweet = with what, schott? lyrics = With what, Schott? Schott? Schott? romantic_poetry = With what, schott! is this your course? switchboard = with what Schott shakespeare = With what, good old man? Input = A scheme for the repristination of passenger and goods traffics over Irish waterways, when freed from weedbeds. Paraphrase = a plan to re-establish passenger and freight traffic on Irish waterways when they are freed from weeds. aae = In the spirit of a plan to re-establish passenger and freight traffic on Irish waterways when they are freed from weed. bible = A plan to re-establish passenger and freight traffic on the isles of the Irish by a course of the rivers when they are freed from the b 1810s-1820s = A plan for re-establishing the passenger and freight trade on the Irish Canals, when these are freed from weeds. 1890s-1900s = A plan for the re-establishment of passenger and freight traffic on Irish waterways when they are freed from weed infestation. 1990s-2000s = <p> One plan is to reestablish passenger and freight traffic on Irish waterways when they are freed from weeds. english_tweet = Plans to re-stretch Irish waterways to allow more passenger and freight traffic. lyrics = An Irish waterways plan to re-establish passenger and freight traffic. romantic_poetry = A plan to re-establish passenger and freight traffic on Irish waterways, when free from weeds. switchboard = a re- reunion of uh uh uh passenger and freight traffic on Irish waterways and reestablishing them when they are freed from the weeds and things like shakespeare = A plan to re-establish passenger and freight traffic on Irish waterways When these have been unbruised of weeds.  Input = The supreme question about a work of art is out of how deep a life does it spring. Paraphrase = the most important question about the art of art is how deep the life of the artist is. aae = Aristotle gives the most complicated answer to the question, how deep is the life of the artist. bible = How deep is the life of the ancients which are by the art of art! 1810s-1820s = The most important inquiry respecting the art of art, is, how deep the life of the artist is. 1890s-1900s = How deep the life of the artist is, the most important question about art. 1990s-2000s = The most important question about art is how deep the life of the artist is. english_tweet = The question of the day is how deep the life of an artist is. ~ Renata Ighalo lyrics = The most important question of art lies how deep the life of the artist lies romantic_poetry = Art's most important question is how deep the life switchboard = well the most important question is how deep is the life of the artist shakespeare = The most important question in the art of art is how deep the life of the painter is. Input = keyless watch and double curb Albert with seal attached, one side of him coated with stiffening mud.)_ Paraphrase = keyless watch and double curb Albert with a seal attached to the other side. aae = Keyless watch and double curb Albert with a seal attached to the other side. bible = And he made a keyless watch and double curb for the gate of Albert with a seal upon the other side. 1810s-1820s = keyless watch and double curb Albert with a seal attached to one side. 1890s-1900s = keyless watch and double curb Albert with a seal attached to the other side. 1990s-2000s = Keyless watch and double curb Albert with a seal attached to one side. english_tweet = Keyless watch and double curb Albert with a seal attached to the other side. lyrics = keyless watch and double curbAlbert with a seal attached romantic_poetry = Keyless watch and double curb Albert with their seals attached, switchboard = i have a piece of uh dressy clothes and i have a keyless watch and a double curb Albert with the seal attached to shakespeare = Keyless watch and double curb with this sealing-party, With this bond of certitude. Input = He stopped at each, took out a communion, shook a drop or two (are they in water?) Paraphrase = he stopped, took a sip, then shook the drop. aae = Stop, took a sip, then shook that drop. bible = And he ceased, and took a mouthful, and shook it out. 1810s-1820s = Here he paused, took a sip, shook the drop, and then said, piteously, " I 1890s-1900s = He stopped, sipped the glass, shook the drop in his hand, then rapped the table. 1990s-2000s = He stopped, drew a drink, shook the drop down, sighed. english_tweet = Stoped, sip, then shook the drop down. He said, let me look. lyrics = Stopped, took a sip, then shook that drop romantic_poetry = Stifled, took a draught, and then shook his ragged drop. switchboard = you know he stopped took a sip and shook the drop off and then shakespeare = And then he stopped, And took a sip, and shook the drop. Input = Spattered with size and lime of their lodges they frisk limblessly about him.)_ Paraphrase = they wander around him with a size and lime of their lodges. aae = The Lodges of the Lodges are where they roam with a size and lime of their lodges. bible = With a size and lime of their lodges they wander about him round about. 1810s-1820s = They rove about him with the size and limes of their lodges at their sides. 1890s-1900s = As he is in his tent they wander about with a size and lime of their lodges. 1990s-2000s = His lodges, the size and the lime of their design, roam around him. english_tweet = And they wander around him with their Lodges and his size. lyrics = Their Lodges of the Nature they roam around him romantic_poetry = With sizes and limes of their lodges wander they; switchboard = with their lodges in size and lime of their lodges they're wandering around him shakespeare = He hath a size and lime of his lodges that they wander about withal. Input = Who were Shem and Shaun the living sons or daughters of? Paraphrase = who's Shem and Shaun's daughter? aae = Who Is Shem And Shaun Babydaddy? bible = Who is Shem and Shaun his daughter? 1810s-1820s = Who is Shem and Shaun's daughter? 1890s-1900s = ( Going up R. of door) Who is Shem and Shaun's daughter? 1990s-2000s = Who was Shem and Shaun's daughter? english_tweet = Who is shem and Shaun's daughter? lyrics = Who was Shem and Shaun's daughter? romantic_poetry = Whose name is Shem and Shaun's daughter? switchboard = who is Shem and Shaun shakespeare = Who is she and her father? Input = Bloowho went by by Moulang’s pipes bearing in his breast the sweets of sin, by Wine’s antiques, in memory bearing Paraphrase = the pipe of Moulang, with a cup of wine, was a gift to the wine, a memory of wine, a memory of wine, a memory of wine, a memory of wine aae = , moulang, wit a cup of wine, was da fukn Christmas present,cuz uu remeber the fukn ville b4 Christmas bible = The pipe of Moulang, with a cup of wine, was given him for a present, a remembrance of wine, a remembrance of oil, a remembrance of butter, and a remembrance of bread, and a remembrance of frankincense, 1810s-1820s = When the smoke of the pipe of Moulang, with wine to the cup, came to the lips of the wine-seller, it was the voice of the wine-seller, with a remembrance of wine. 1890s-1900s = There was the pipe of Moulang, with its cup of wine; the memory of wine, of sweet spirits and pungent fruits; the pride of the Borneo; the quaintness of the memory of the world, of a 1990s-2000s = There was the pipe of Moulang, with the unasked glass of wine in it, the memory of wine, a recipe for his food and his pleasure. english_tweet = Vinegar Wine,which is delicious to drink, has a lot to do with the gift of Moulang, with lyrics = Moulang pipe, with a cup of wine, hallelujah a bouquet a boca, a memory a boca, a memory a boca romantic_poetry = The pipe of Moulang, with cups guid, was gift'd to wine, switchboard = i had a a Moulang pipe with a bottle of wine in it that was a gift and the memory of wine was shakespeare = The pipe of Moulang, With a cup of wine, Was a gift to the wine, a remembrance of wine, A remembrance of wine, a remembrance of wine, A remembrance of wine, a remembrance of wine, A remembrance of wine Input = further oil mircles upon all herwayferer gods and reanouncing my deviltries as was I a locally person of caves until Paraphrase = further oil mirages on all the wayferers and re-enactments of my deviltry as I was a local. aae = further oil mirages on all the wayferers and re-enactments of my deviltry as I was local af bible = Further oil mirages upon all their waysferers and reenactments of my deviltry as at the first. 1810s-1820s = I had further oil mirages on all the wayfaring and re-enactment of my deviltry as that of a local. 1890s-1900s = further oil mirages on all the roadferers and re-enactments of my deviltry as as I was a local. 1990s-2000s = I further have oil mirages on all the wayferers and re-enactments of my deviltry as I was a local. english_tweet = further oil mirages on all the wayferers and re-enactments of my deviltry as I was a local. lyrics = Falling deeper oil mirages on all the roadferers and re-enactments of my deviltry as I was a local romantic_poetry = Forth oil mirks on all my re-enactments as a local; switchboard = further oil mirages on all the wayferers and reenactments of my deviltry as i was a local at the time shakespeare = Further oil-mirages along on all the wayferers and re-enactments of my deviltry as I was a local. Input = Railway, Amiens street, returning. Paraphrase = the rail, the Amiens street, the return. aae = rail, amiens street, reunion. bible = The rail, and the Amiens street, the return of it. 1810s-1820s = A rail, and a street, at Amiens, returning. 1890s-1900s = There is the railroad, the Amiens street, the return. 1990s-2000s = Railroad, the Amiens street, return. english_tweet = The rail, Amiens streets, the return. A very personal experience. lyrics = Train, the Amiens street, the return, the prize. romantic_poetry = Amiens street, the rail, the return again. switchboard = Rail street Amiens Street i mean it was just a a blank wall shakespeare = The rail, the Amiens street, the return. Input = Mind Maggy doesn’t pawn it on you. Paraphrase = you don't have to pawn it to the mind of Maggy. aae = Ain't no mind to be pawned by Maggy bible = there is no man that hath a mind like Maggy, that would pawn it. 1810s-1820s = It's not the case with you, Maggy; you've no need to pawn it. 1890s-1900s = Maggy ain't got no more use for you than a pawn to you to pawn it to. 1990s-2000s = You're not supposed to pawn it to Maggy's mind. " english_tweet = Not to pawn it. The mind of Maggy will make you not work for anything but yourself. lyrics = Mind that you're not gonna have to pawn it romantic_poetry = Ye need not pawn to Maggy's mind, switchboard = yeah i'm not talking to Maggy you're not going to pawn it shakespeare = To go with the mind of Maggy, Thou hast not to pawn it. Input = flung sacks of letters, postcards, lettercards, parcels, insured and paid, for local, provincial, British and overseas delivery. Paraphrase = mail, postcards, letters, letters, parcels, insured and paid, for local, provincial, British and overseas delivery. aae = POPPIN, Mail, Postcards, Letters, parcels, insured and paid, for local, provincial, British and overseas delivery. bible = Mailing, post, letters, parcels, insured and paid for, for local, for provincial, for British and for overseas delivery, by post, by post, by te 1810s-1820s = Mail, post cards, letters, parcels, insured and paid, for local, provincial, British and Overseas carriage. 1890s-1900s = Mails, post-cards, letters, parcels, insured and paid, for local, provincial, British and Overseas delivery. 1990s-2000s = Posters, postcards, letters, parcels, insured and paid, for local, provincial, British and overseas deliveries. english_tweet = Mail, postcards, letters, parcels, insured and paid, for local, provincial, British and overseas delivery. lyrics = Mails, postcards, letters, parcels, insurance and paid, for local, provincial, British and overseas delivery. romantic_poetry = Mails, postcards, letters, parcel post, insured and paid, for local, provincial, British and overseas despots, switchboard = mail post cards letters letters parcels insured and paid for in various ways by local and provincial government and and overseas government shakespeare = Post-office, for the post, and, by this hand, For the use of a letter, for all that, A courier, for a London post, With all Input = quite near so that it seemed new, a different grouping of bones and even flesh because palpably it was a Paraphrase = it was almost as if he had been a new group of bones and even meat, as if he had been a new group aae = I'm gne beat that man up like he was new group bones and even meat he still aint got no life bible = And it came to pass, that when he had spoken these things, he seemed to the men to be as if he had made a new band of bones and even flesh, 1810s-1820s = The bones and even flesh of his victims, were thrown about with as much eagerness and animation as if he had been a new group of bones and even flesh. 1890s-1900s = But there was something almost human in the whole thing, as if it had been the latest group of bones and even meat. 1990s-2000s = As if it had the bones and flesh of a new group of vertebrates, all very different. english_tweet = Almost as if he had been a new group of bones and even meat, as if he had been a new group lyrics = Replaced as fresh and fresh as flesh and bone, as if he had been a new group of bones and even meat romantic_poetry = 'Twas almost as if a new-made bone and even flesh, switchboard = i think he had just had a new group of bones and even meat in the place it was almost a whole new set of bones and even meat shakespeare = He hath been almost as fresh as a new-caught fish, as if he were a new-combined bone and even flesh; and indeed, as if he had Input = EDWARD THE SEVENTH: _(Slowly, solemnly but indistinctly.)_ Paraphrase = (Slowly, quietly, but with a sense of unease.) aae = (Slowly, Quietly, But With a Feeling of unease.) bible = (Laying it down in slow, and in quietness, but with a sense of uneasiness.) 1810s-1820s = ( Slow and timidly, but with an air of much uneasiness. ) 1890s-1900s = ( Slowly, timidly, but with an air of diffidence. ) 1990s-2000s = ( Slowly, quietly, but with an unease. ) english_tweet = (slower, quietly but with an unease) lyrics = (Slowly drift away, softly talkin' but with a feeling of unease.) romantic_poetry = (Slowly, softly, but with an uneasiness,) switchboard = i i i i'm afraid of uh of slow progress slowly quietly but with a sense of unease shakespeare = (Slowly, with some reverence, but with a strange sense of uneasiness.) Input = Wonder what her father gave for it. Paraphrase = what's the father giving her? aae = Wonder what her father getting her? bible = What is the father to her? 1810s-1820s = What the devil is this father giving her for? 1890s-1900s = And what's the father giving her? " 1990s-2000s = What was the father giving her that she needed? english_tweet = What kind of dad is she giving? lyrics = What was the father giving her? romantic_poetry = What is the Father giving her? switchboard = uh what's what's the father's giving her shakespeare = What is the father that gives her to her? Input = Gordon, Barnfield crescent, Exeter; Redmayne of Iffley, Saint Anne’s on Sea: the wife of William T Redmayne of a son. Paraphrase = the wife of William T Redmayne, a son of the Redmayne family. aae = William T Redmayne wife, son, and R.I.P. Grandpa Redmayne bible = The wife of William T Redmayne, a son of the Redmayne family. 1810s-1820s = William T Redmayne, the wife of the Duke of Cornwallis, a son of the Count Redmayne family. 1890s-1900s = William T. Redmayne, the wife of General Redmayne, son of the Redmayne family. 1990s-2000s = the wife of William T Redmayne, son of the old family in England. english_tweet = William T Redmayne wife. Son of Charles T Redmayne, great man. lyrics = The wife of William T Redmayne, son of the Redmayne family romantic_poetry = The wife of William T Redmayne, a son switchboard = uh uh William T Redmayne the wife of William T Redmayne is the son of the Redmayne family and shakespeare = The wife of William Tredmayne, A son of the Redmayne family.  Input = There would he lay till they would him descry, spancelled down upon a blossomy bed, at one foule stretch, amongst Paraphrase = he lay down on a bed of blooming flowers, and at one point he was sprawled on a bed of flowers, aae = was laying on blooming flower bed, wen he went sprawled on it, wen he did it bible = And he went into a cave, and lay there all night, and at one time he fell upon a bed of blossoming flowers, 1810s-1820s = and lay, in a bed of blooming flowers, at one time, sprawled upon a bed of roses, and covered with a canopy. 1890s-1900s = He lay in a bed of blooming flowers, and at one place was spread a bed of blossoms. 1990s-2000s = At one point, a flower bloomed on his bed and sprawled over his chest like a snake. english_tweet = He laid on a bed of blooming flowers, at one point sprawl on a bed of flowers, lyrics = Layin' on a bed of blooming flowers, spittin' on a bed of flowers, romantic_poetry = Lay laid on blooming beds, and at one place reclined, switchboard = i was just sitting there just laying on a bed of blooming flowers and at one point he was sprawled on a bed of blooming flowers shakespeare = Then he lay down on a bed of blooming flowers, and at one point he sprawled on the other bed, His face red as roses. Input = Deploying to the left our light horse swept across the heights of Plevna and, uttering their warcry _Bonafide Sabaoth_, sabred Paraphrase = the light horse was lifted to the left, and the war cry of the Sabaoth was heard. aae = Lightskinned lifted the lights to the left, war cry Sabaoth heard it from the ground bible = And the light horse was lifted up to the left hand, and the cry of the Sabaoth was heard. 1810s-1820s = Light horse, lifted up to the left, And the war cry of the Sabaoth heard. 1890s-1900s = The light horse was hoisted to the left, and the war-cry of the Sabaoth came in the clear, clear ring of his horn. 1990s-2000s = The light horse rose to the left, bearing the war cry of Sabaoth's. english_tweet = A war cry rose to the left of the light horse, and the sabaoth cried to the right. lyrics = Light horseman lifted to the left, heard the war cry of the Sabaoth romantic_poetry = The light horse lifted to the left, and the Sabaoth cry switchboard = i was in the middle of a tent the light horse was lifted to the left and the war cry of the Sabaoth was heard shakespeare = A light horse is lifted to the left, and a war cry was made on the gibbet of the Sabaoth. Input = The seventh city, Urovivla, his citadear of refuge, whither (would we believe the laimen and their counts), beyond the outraved Paraphrase = the seventh city, Urovivl, the citadel of refuge, where the laimen and their countess are. aae = seven city, urovivl, citadel of refuge, where the laimen and their countess is. bible = And the seventh city, Urovivl, the citadel of refuge, where the laimen and their countess dwell, that is to say, Eslava and 1810s-1820s = Urovivl, the citadel of refuge, where laimen and their countess dwell, are seen in a boat. 1890s-1900s = CYER-SIR E. Sir Everard (to ELSPETH) The seventh city, Urovivl, the citadel of refuge, where the laim 1990s-2000s = The seventh city, Urovivl, the citadel of refuge, where the laimen and their countess dwell. english_tweet = tough seventh city, Urovivl, citadel of refuge, where the laimen and their countess. lyrics = Seventh city, Urovivl, the citadel of refuge, where laimen and their countess lay romantic_poetry = The seventh city, Urovivl, the citadel of refuge, where laimen and their countess dwell. switchboard = uh seventh city Urovivl where the laimen and their countess are the citadel of refuge shakespeare = The seventh city, Urovivl, which is the citadel of refuge, Where laimen and their countess, So, they say, they are in love. Input = Mr Dedalus covered himself quickly and got in, saying: Paraphrase = Mr. Dedalus quickly covered himself and hurried to the door. aae = Mr.Dedalus is quick to cover himself and rush in the door. bible = And quickly Dedalus covered himself, and went out to meet him. 1810s-1820s = Mr. Dedalus hastily covered himself, and hastened toward the door. 1890s-1900s = Mr. Dedalus covered himself hastily and went out quickly. 1990s-2000s = Mr. Dedalus quickly covered himself and came running toward the door. english_tweet = Mr. Dedalus quickly covered himself and hurried out the door. lyrics = Mr. Dedalus quickly covers up and rushes to the door romantic_poetry = And quickly covered himself and hurries to the door. switchboard = and Mister Dedalus quickly covered himself and rushed out the door shakespeare = Mr. Dedalus quickly covered himself and withal Fled from the door. Input = Stephen touched the edges of the book. Paraphrase = Stephen touched the edge of the book. aae = Stephen touched the edge of the book bible = And Stephen took the edge of the book, and touched it. 1810s-1820s = said Stephen, touching the edge of the book. 1890s-1900s = Stephen touched the edge of the book, his hand on the table. 1990s-2000s = Stephen's hand touched the edge of the book. english_tweet = Stephen touched the edge of this book. #EUPHORIA lyrics = Stephen touched the edge of the book romantic_poetry = He touch'd the edge of the book, switchboard = Stephen touched the edge of his book shakespeare = This was Stephen’s touching the edge of a book. Input = As they walked they at times stopped and walked again continuing their _tête à tête_ (which, of course, he was Paraphrase = they stopped, sometimes stopping, and then they continued to walk. aae = Pops stop, sometimes stopping & then going on & on again. bible = And they ceased from time to time, either walking, or lying down. 1810s-1820s = They stopped, and sometimes paused, for a moment, to contemplate the view before them. 1890s-1900s = Sometimes they paused, and then they continued to make the rounds. 1990s-2000s = Sometimes they stopped to catch their breath and then continued on their way. english_tweet = I was on one of those days, they stopped, sometimes stopped and then continued to walk. lyrics = They stopped sometimes, sometimes they walked on by romantic_poetry = They ceased, at times, to walk; and then, to resume switchboard = and they stopped sometimes and then went back and did more walking shakespeare = They stopped, sometimes stopping, and then continued in the course of walk. Input = For I declare to Jeshuam I’m beginning to get sunsick!  Input = a brieze to Yverzone o’er the brozaozaozing sea, from Inchigeela call the way how it suspired (morepork! Paraphrase = a brieze from the brozozing sea, from Inchigeel, the way it's going to be (morepork! aae = a brozozing sea, from Inchigeel, the way it be (morepork! ) bible = And a brieze of brozozing sea, from Inchigeel, the way that it goeth up to Doryllech, (morepork! 1810s-1820s = From brozozing sea, from Inchigeel, its course goes by (Morepork! 1890s-1900s = A brieze from the brozozing sea, from Inchigeel, the way it's a-goin' to be (morepork! ) 1990s-2000s = And a brieze from the brozozing sea, from Inchigeel, the way it goes (Morepork! ) english_tweet = Brieze from brozozing sea, from Inchigeel, the way that ppl do it (morepork! - morepork!) lyrics = A brieze from the brozozing sea, from Inchigeel, the way it is (morepork! ) romantic_poetry = A brieze from the brozozling sea, from Inchigeel, switchboard = a brieze brozozing sea salt from Inchigeel's it's it's the way it will come out of the brozozing sea salt which is a sea salt shakespeare = A brieze from the brozozing sea, from Inchigeel, the way it runs (morepork! Input = I sow home slowly now by own way, moyvalley way. Paraphrase = I'm slowly moving home, moyval. aae = im slowly moving home moyval, bible = I am slowly brought home, moyval. 1810s-1820s = Marceline I'm slowly getting home, moyval, to give the alarm. 1890s-1900s = I'm settin' to slowly git home, moyval. " 1990s-2000s = I am moving home slowly, moyval, moving with no time for one. english_tweet = I'm slowly moving home moyval lyrics = I'm slowly moving home, moyl to you romantic_poetry = My homely journey slowly begin, switchboard = i'm slowly moving home moyval shakespeare = Moyval slowly goes to bed, And I come home. Input = sun to the going down thereof, the pale, the dark, the ruddy and the ethiop. Paraphrase = the sun is down, the pale, the dark, the red and the black. aae = Sun down, pale, dark, red and black all together bible = The sun is down, the pale, and the black, and the red and the scarlet: they are come down to make their 1810s-1820s = The sun is setting, and pale, and black, and red. 1890s-1900s = The sun goes down, and the pale, the dark, the red and the black come. 1990s-2000s = The sun is down, the pale and the dark and the red and the black. english_tweet = The sun goes down, the pale, the dark, the red and the black lyrics = The sun is down, the pale, the black, the red and the black romantic_poetry = The sun is down, pale, and jet, and black and red, switchboard = sun sets and the uh the pale comes on and the the red and the black and shakespeare = The sun is down, the pale, the black, and the red, As if all the world were as fair as the pale. Input = and the plug party says, touchant Arser of the Rum Tipple and his camelottery and lyonesslooting but with a layaman’s Paraphrase = the plug party says, the Arser of the Rum Tipple and the camelottery and lyonesslooting aae = That plug session say, Arser of Rum Tipple and Camelottery and lyonesslooting bible = The plug party saith, The Arser of the rum tipple and the camels' milk and the lyonesslooting 1810s-1820s = So says the plug party, the Arser of Rum Tipple and Camelottery and lyonesslooting. ' 1890s-1900s = the plug party say, the Arser of the Rum Tipple and camelottery and lyonesslooting. 1990s-2000s = The plug party say, Arser of the Rum Tipple and Camelottery and Lyonesslooting. english_tweet = plug party says, arser of Rum Tipple and camelottery and lyonesslooting lyrics = Plug party says, Arser rum tipple and camelottery and lyonesslooting romantic_poetry = The Plug party says, Arser of Rum Tipple and camelottery and lyonesslooting, switchboard = the plug party says well the Arser of Rum Tipple and the camelottery and lyonesslooting shakespeare = The plug party says, the Arser of the Rum Tipple and the camelottery and lyonesslooting’s on't, and the babes Input = What lighter recreations? Paraphrase = what lighter is the same as the original? aae = What lighter is the same as the original? bible = If the whole were one lighter, what lighter is there than the original? 1810s-1820s = What lighter than the original is this? 1890s-1900s = How lighter is the same which is the original? 1990s-2000s = If you have a V-8 engine, what lighter is the same as the original? english_tweet = Whats the same as the original? A lot of people want to be a s lyrics = What's the difference in the original lighter? romantic_poetry = What lighter are the copies of the originals? switchboard = what lighter is the same as the original shakespeare = What lighter is the like of this? Input = And the prankquean pulled a rosy one and made her wit foreninst the dour. Paraphrase = the prankster pulled a rosy one and made her laugh. aae = This prankster pulled a rosy one and made her laugh. bible = The prankster pulled out a rosy one, and made her laugh. 1810s-1820s = The prankster pulled a rosy one, and made her laugh in his face. 1890s-1900s = The prattler had pulled a rosy one and made her laugh. " 1990s-2000s = The prankster pulled out a rosy one and made her wince. " english_tweet = Prankster pulled a rosy one and made her laugh. lyrics = The prankster pulled a rosy one and made her laugh romantic_poetry = The pranking bard pulled a rosy one and made her laugh, switchboard = the prankster pulled one that had rosy one and made her laugh shakespeare = The pratfallèd prigging was with a rosy one and made her laugh. Input = out of some people she knew. Paraphrase = she knew some people from them. aae = Some people she knew had some bible = And she knew some of the people of them. 1810s-1820s = Some persons from them were acquainted with her situation. 1890s-1900s = Some people from those I know, " she answered. 1990s-2000s = Some of the people she knew had been from them. english_tweet = And she knew some people from them. lyrics = Some people she knew from romantic_poetry = Some knew her from them; and so she, switchboard = and uh she had some people from shakespeare = She knew some men of them. Input = Yet I cannot on my solemn merits as a recitativer recollect ever having done of anything of the kind to Paraphrase = but I can't recall ever having done anything like that to my solemn merits as a reciter. aae = But never mind i can't recall ever have that much to do with anything like that in my solemn merits as a reciter bible = But my lord the king said unto me, My lord, though I have dealt in this manner with my solemn merits as a reciter, yet I 1810s-1820s = But as a reciter of my solemn merits, I cannot recollect ever doing anything of the sort. 1890s-1900s = But as a reciter, I cannot recall ever having made anything of the sort. 1990s-2000s = But I can't recall ever having done anything like that to my solemn merits as a reciter. english_tweet = I cant recall ever doing anything like this to my solemn merits as a reciter. lyrics = But I can't remember ever, ever ever, ever doing something like this to my solemn merits like a reciter. romantic_poetry = Nor can I e'er have done like to solemn merits, switchboard = but uh i can't recall ever having had to do anything like that to my solemn merits as a reciter shakespeare = I cannot remember my first being wont to do such a thing to my solemn merits as to repeat them. Input = Probably not a bit like it really. Paraphrase = I guess it's not like that. aae = I guess it's not like that bible = I suppose not. 1810s-1820s = O, that is not what I suppose. 1890s-1900s = I suppose that isn't like it. " 1990s-2000s = That's not the way I guess it is. english_tweet = I guess thats not how it works lyrics = I guess that's not the way romantic_poetry = And that's not like that. I guess, I guess, switchboard = i guess it's not shakespeare = I guess it is not so. Input = they said, and we’re going to mark it, sore, they said, with a carbon caustick manner) bequother the liberaloider at Paraphrase = we'll mark it with a carbon-carbonic caustic, they said, and we'll mark it with a carbon-carbonic caustic. aae = these guhss said we gone make a mark w/ a carbon-carbonic caustic, lmao we'll be right back there. bible = And they said unto him, We will mark it with a cedar tree, and we will mark it with a cedar tree, and we will mark it with a cedar tree. 1810s-1820s = Take your child, and mark him there, with a carbonic caustic, they said; mark him there, where the eye of the infant will never cease to throb, till the face of man is 1890s-1900s = If it were true, we would mark it with carbon-coated caustic, they said, and mark it with a carbon-coated caustic. 1990s-2000s = <p> But we have to mark it with a carbon-carbonic caustic, they said, to distinguish it from the rest of us, to distinguish it from the real thing. english_tweet = Then they said and we shall mark it with a carbon-carbonic caustic, they said. lyrics = We'll mark it with an ocean of carbon-carbonic caustic, they said, and we'll mark it with an ocean of carbon-carbonic caustic romantic_poetry = We'll mark it wi' a' their caustic caustic, switchboard = and we'll mark it with uh we'll mark it with carbon carbon carbon- carbonic caustic they said oh no we're going to cut it off you know and we'll mark it with a carbon shakespeare = Now, as I think, the wise and the wise, Let us mark ’t with a carbon-carbonic caustic, They said, and mark ’t, let us mark ’ Input = his hat from side to side, shrinking quickly to the size of his trainbearers. Paraphrase = the hat was slowly shrinking to the size of the train. aae = This Hat Got Slowly To The Size Of A Train. bible = And the hat slowly waxed to the size of the train. 1810s-1820s = The cap gradually shrunk to the size of the train. 1890s-1900s = The old man's hat was slowly shrinking to the size of a freight train. 1990s-2000s = The hat grew gradually smaller to fit in the space of the train. english_tweet = The top of the hat slowly moved to fit inside the train. lyrics = The hat was slowly shrinking to the size of the train romantic_poetry = The hat, shrinking to the size of the train, switchboard = it slowly got to the size of the train hat shakespeare = To be so slight as to walk on a train, The hats that the train was slowly growing to. Input = A loss of Lordedward and a lack of sirphilip a surgeonet showeradown could suck more gargling bubbles out of the Paraphrase = a loss of Lordedward and a lack of Sirphilip's surgeon's hat could be a lot of fun. aae = Lordedward and lack of Sirphilip surgeon hats could get some laughs from me tonight. bible = And a loss of Lordedward, and a lack of Sirphilip's surgeon's hat, could allure a man. 1810s-1820s = There was a time when a loss of Lordedward and a want of Sirphilip's surgeon's cap might have given him much merriment. 1890s-1900s = A loss of Lordedward and a want of Sirphilip's surgeon's cap might make a lot of fun. " 1990s-2000s = There could be a lot of amusement in a loss of Lordedward and a lack of Sirphilip's surgeon's hat. english_tweet = No funny story. A loss of Lordedward and a lack of Sirphilip's surgeon hat could have been a lot of fun. lyrics = With a loss of Lordedward and a lack of Sirphilip's surgeons hats could be some fun romantic_poetry = Lordedward's loss and Sirphilip's surgeon's stole could blate, switchboard = a loss of Lordedward and and and uh lack of Sir Philip's surgeon's hat that would have been a lot of fun shakespeare = If a loss of Lordedward and a lack of SirPhilip's surgeon’s hat were enough to do me good, a feast could well be made. Input = Are the conscript fathers pursuing their peaceful deliberations? Paraphrase = do the fathers of the conscripts seek peace? aae = Do conscript fathers seek peace? bible = Do the fathers of conscripts seek peace? 1810s-1820s = Are the fathers of conscripts seeking peace in this place? 1890s-1900s = Do the conscript fathers seek peace by seeking such a labor? 1990s-2000s = Are the conscript fathers in search of peace, or of peace for themselves? english_tweet = Is there any conscription fathers who seek peace? lyrics = Are conscript fathers trying to seek peace of mind? romantic_poetry = Is Conscript fathers seeking peace? switchboard = do you think the conscript fathers are uh are are seeking peace shakespeare = Is the conscripts' fathers to seek peace? Input = Embrace me tight, dear. Paraphrase = kiss me, dear. aae = Kiss me, dear. Kiss me, dear.   Input = Dear Mr Editor, what is a good cure for flatulence? Paraphrase = what is a good cure for flatulence? aae = What's a good cure for flatulence bible = And what is a good remedy for the flatulence of the belly? 1810s-1820s = How can a remedy for flatulence be found? 1890s-1900s = And what is a good cure for flatulence? " 1990s-2000s = <p> What is a good cure for flatulence? english_tweet = How do flatulence treat a person? lyrics = What's a good cure for flatulence? romantic_poetry = What is a good cure for a flatulent bouse? switchboard = well what do you think is a good cure for flatulence shakespeare = What is the good cure for flatulence? Input = Psalmtimes it grauws on me to ramble, ramble, ramble. Paraphrase = I'm supposed to ramble, ramble, ramble. aae = I was to ramble, ramble, ramble bible = I must ramble, I must rattle my bones. 1810s-1820s = You see I must ramble, ramble, ramble. 1890s-1900s = I must ramble, ramble, ramble. 1990s-2000s = I have a ramble, a ramble, a ramble. english_tweet = I should be rambling rn lyrics = I gots to ramble, ramble, ramble romantic_poetry = For, suppose I ramble, ramble, ramble, switchboard = i need to ramble oh shakespeare = I should ramble, ramble, rattle, and then proceed with a word. Input = That’s saint Augustine. Paraphrase = it's Saint Augustine's. aae = This is Saint Augustine. bible = This is the doctrine of Saint Augustine. 1810s-1820s = This is the work of Saint Augustine, I believe. 1890s-1900s = It was Saint Augustine's, that belonged to the King. 1990s-2000s = HUB (cont'd) This is Saint Augustine's. english_tweet = Saint Augustine is that. lyrics = This is Saint Augustine romantic_poetry = That was Saint Augustine's. It was switchboard = is that Saint Augustine shakespeare = It is Saint Augustine. Input = Ay, a grass one, Myles Crawford said, his eye running down the typescript. Paraphrase = Ay, he said, looking down the typescript. aae = Ay he said look down typescript bible = And he said, Behold the typescript. 1810s-1820s = Ay,' he replied, looking down the typescript. 1890s-1900s = Ay, he said, looking down the typescript. " 1990s-2000s = Ay, he said, looking down the typescript of his chin. english_tweet = Ay, he said, looking down typescript lyrics = Ay he said, looking down on Typescript romantic_poetry = Ay, said he, stooping down the typescript, switchboard = Ay i said looking down the typescript he said shakespeare = Ay, he hath said, as I see it, Looking down his typescript. Input = volume of peccaminous pornographical tendency entituled _Sweets of Sin_, anonymous author a gentleman of fashion, a temporary concussion caused by Paraphrase = a gentleman of fashion, a temporary concussion, a man of fashion, a temporary headache aae = Lady fashion designer, temporary concussion, man fashion designer, temporary stroke bible = A gentlemen of fashion, a temporary concussion, a man of fashion, a distemper of the flesh, 1810s-1820s = A gentleman of fashion, the shaker of his soul, A temporary concussion, and a man of fashion, The temporary ague. 1890s-1900s = I was a gentleman of fashion, a temporary concussion, a man of fashion, a temporary headache. 1990s-2000s = A gentleman of fashion, a temporary concussion, a man of fashion, a temporary headache. english_tweet = Fashiony gentleman. Temporary concussion.  Input = braz, I’d pinsel it with immenuensoes as easy as I’d perorate a chickerow of beans for the price of two Paraphrase = I'd pin it with a chisel as easy as I'd chop a bean for two. aae = I could pin it with a chisel as easy as I could chop a bean for 2am. bible = I would pin it with a chisel as easy as with a basting pin: I would chisel it with a scab as a cl 1810s-1820s = I would pin it to my chisel as easy as I would chop a bean for two. " 1890s-1900s = If I could have it I'd pin it with a chisel as easy as I'd chop a bean for two. " 1990s-2000s = I could pin it with a chisel as easily as I could chop a bean for two. english_tweet = I'd pin it with chisel as easy as I'd chop a bean for 2 lyrics = I'd pin it with a chisel as simple as I'd chop a bean for two romantic_poetry = I'd pin it wi' a chiel as easily as for two beans, switchboard = and uh as easy as i'd chop a bean for two i would pin it with a chisel shakespeare = Had I the chisel, I would have pinched it as easily as I would chop a bean for two. Input = the duke of Westminster’s _Shotover_, the duke of Beaufort’s _Ceylon_, _prix de Paris_, 1866. Paraphrase = the Duke of Westminster, the Duke of Beaufort, the Duke of Paris, the Duke of Paris, 1866. aae = Duke of Westminster, duke of Beaufort, duke of paris, 1866. #chosenotweet bible = The dukes of Westminster, and the dukes of Beaufort, and the dukes of Paris, eighteen years. 1810s-1820s = of the Duke of Westminster, duke of Beaufort, in the presence of the duke of Richmond, lord D'Anglade, and the duke of 1890s-1900s = The Duke of Westminster, the Duke of Beaufort, the Duke of Paris, the Duke of Orleans, 1866. 1990s-2000s = The Duke of Westminster, a rector of the Church of Beaufort, the Duke of Paris, and the Duke of Orleans 1866. english_tweet = Duke of Westminster, Duke of Beaufort, Duke of Paris, D.E.D. Prince of Orange, 1866. lyrics = Duke of Westminster, Duke of Beaufort, Duke of Paris, 1866 romantic_poetry = Dukes of Westminster, dukes of Beaufort, dukes of Paris, 1866. switchboard = the Duke of Westminster Duke of Beaufort the Duke of Paris and the Duke of Berlin which is now uh nineteenth century France shakespeare = To you, the duke of Westminster, the duke of Beaufort, The duke of Paris, whose knave I am; and, by the by, Input = Thus we cannot escape our likes and mislikes, exiles or ambusheers, beggar and neighbour and—this is where the dime—show advertisers Paraphrase = so we can't escape our likes and dislikes, exiles and ambushes, beggars and neighbors, and - this is where the dime - the advertising - the advertising - the advertising aae = So cant escape our loves and dislikes, exiles and ambushes, beggars and neighbors, and - this is where the dime - commercials bible = Therefore, ye sons of Levi, ye cannot escape your inclinations and your abominations, exiles and ambushes, beggars and neighbours, and the like. 1810s-1820s = and so, no matter how much we may like and dislike, exiles and ambuscades, beggars and neighbors, and - this is where the dime--the advertising--the advertisements--the advertising--come. 1890s-1900s = So we cannot escape our likes and dislikes, exiles and ambushes, beggars and neighbors, and--this is where the dime--the advertising--the advertising--the advertising--the advertisement. 1990s-2000s = So we can't escape our likes and dislikes, exiles and ambushes, beggars and neighbors, and--this is where the dime--the advertising--all that can make a person a better customer. english_tweet = So, we cannot escape our likes and dislikes, exiles and ambushes, beggars and neighbors, and - this is where the dime - the ad lyrics = So this is where our love and our dislikes can't escape, exiles and ambushes, beggars and neighbors, and - this is where the dime - advertising - advertising romantic_poetry = So that we cannot escape our likes and dislikes, exiles and ambushes, beggars and neighbours,-- switchboard = so that we can't escape our our likes and dislikes exiles and ambushes beggars and neighbors you know that kind of thing and -at's where the dime -s the advertising shakespeare = Therefore to escape our likes and dislikes, exiles and ambles, beggars and neighbors, the penny-makers and advertisements, let us be as much as our dislikes and preferments. Input = azurespotted fine attractable nets, their nansen nets, from Matt Senior to the thurrible mystagogue after him and from thence to Paraphrase = the great attractors, the nansen nets, from Matt Senior to the great wizard, from thence to aae = My great attractors, nansen nets, from matt senior to the great wizards, from thence to bible = The great attractors, the nansen nets, from Matt Senior unto the great wizard, from thence to Kirjathjearim, 1810s-1820s = that is the great attractor, the nansen nets, from Matt senior down to the great Diviner, from thence to that dull dull stuff called the 1890s-1900s = From Matt Senior to the great attractor, from the nansen nets, to the high-spirited wizard, from thence to 1990s-2000s = and the great attractors, the nansen nets, from Matt Senior to the mighty wizard, from thence to. english_tweet = Great attractors, nansen nets, from Matt Senior to the great wizard, from thence to lyrics = The great attractors, the nansen nets, from Matt Senior to the great wizard, from thence to romantic_poetry = Nansen nets, from Matt Senior down to the great, switchboard = great attractors i mean the nansen nets from Matt Senior to uh go back to the great wizard's from thence to shakespeare = The great attractors, the nansen nets, from his own toils, from thence to—my lord, from the greatest to the nought! Input = Met him what?  What was his look? switchboard = how did he look you know shakespeare = What was he to you that he looked to you?  Paraphrase = I'll do it, so help me! aae = I'll do it right! So help me bible = And he said, I will do it, that thou mayest help me! 1810s-1820s = Let me do it, let me, so help me God! 1890s-1900s = Oh, I'll do it, so help me! 1990s-2000s = And I'll do it, so help me God! english_tweet = Oop oop oop oop oop oop oop oop oop o lyrics = I'll do it, so help me, romantic_poetry = And then, oh help! I'll do it, switchboard = yeah i'll do it then help me shakespeare = Help me to it, so I may! Input = Have you the?  _ You are here romantic_poetry = O thou art here? _Thou_ hast been, and will be switchboard = are you there shakespeare = Are you here? Input = And if they don’t remarry that hook and eye may! Paraphrase = if they don't get married, they can still have a hook and eye! aae = If they don't get married then they can still get some hook and eye! bible = If they be not married, let them marry; for it is better for them to marry than for them to be married. 1810s-1820s = could they still hook and eye, if they would not marry? 1890s-1900s = If they are not married, then a hook and eye may still be made! 1990s-2000s = And if they're not married, then they can still have hook and eye! english_tweet = This is what hook and eye contact can still do to a guy if they arent married! lyrics = Hook and eye can still be married! romantic_poetry = An' if they can't wedlock, still can their hook and eye! switchboard = you know they can still have hook and eye if they don't get married but i shakespeare = Can a man have a hook and an eye if they be not married? Input = Under his seven wrothschields lies one, Lumproar. Paraphrase = there's a lumproar under the seven wrothschields. aae = Under the seven wrothschields there's a lumproar. bible = And under the seven wrotheledges is a lumproar. 1810s-1820s = Under the seven wrothschields there is a lumproar, who is an' aye an' aye 1890s-1900s = Under these seven wrothschields a lumproar is to be seen. 1990s-2000s = Under seven wrothschields are lumproars; in the other position the individual lumps. english_tweet = Theres a lumproar under the 7 wrothschields lyrics = Seven wrothschields have lumproars under them romantic_poetry = Beneath these seven wrothschields, there's a lumproar switchboard = and uh there's a lumproar under the seven wrothschields shakespeare = Here comes a lumproar under seven wroth-swords. Input = lately at the table explaining things in the paper and she pretending to understand sly of course that comes from Paraphrase = she's been at the table for a while, explaining things in the paper and pretending to understand it. aae = She Been At The Table For A While Talking Abt Stuff In The Paper & Acting Like She Understand bible = And she sat down to eat bread: and it came to pass, that, as soon as she had eaten, she expounded the things in the table 1810s-1820s = She has been at table, for some time, explaining things in the paper, and feigning to understand it. 1890s-1900s = She used to go to the table for a while, explaining things in the paper and pretending to understand it. 1990s-2000s = She spent a while at the desk explaining things in the paper and pretending to understand it. english_tweet = She used to be at the table explaining things in paper and pretending to understand it. lyrics = She was at the table, explaining things in paper and pretending to understand it all romantic_poetry = She's at the table, explaining things in paper and feigning to understand; switchboard = and then she got to the table for a while explaining things in the paper and pretend to understand it shakespeare = She hath been at the table for some time, to her own purpose, and I think she has withal explained matters in the paper. Input = Clam or cram, spick or spat? Paraphrase = clam or clams, sponges or sponges? aae = Spongebob or clams? bible = clam, or clam, spong, or blood? 1810s-1820s = Clams or clams, and sponges or sponges? 1890s-1900s = Clam or clams, sponges or sponges? 1990s-2000s = Clams or clams, sponges or sponges? english_tweet = Clam or clams, sponges or sponges? lyrics = Clams or clams, sponges or sponges? romantic_poetry = Clam or clark, spunk or sprawl? switchboard = clam or clams uh sponges or shakespeare = Clams or sponges, clam or sponges? Input = shot it wouldnt have been so bad I love to see a regiment pass in review the first time I Paraphrase = I'd rather see the regiment pass in the first review, I love it. aae = I rather see regiment pass in the first review, i love the experience. bible = I would rather see the regiment pass in the first review, I love it. 1810s-1820s = You know I'd rather see the regiment pass in the first review, I love it so much. " 1890s-1900s = I like to see the regiment pass in the first review, I love to see the d---- d. 1990s-2000s = I'd rather see the regiment pass in the first review, I love it. english_tweet = I wouldnt mind seeing Regiment pass in the first review, I love this. lyrics = I'd rather see the regiment pass in the first review, I love that romantic_poetry = I love the first review of regimental line, switchboard = i think i'd rather see a regiment pass through the first review i love it shakespeare = I had rather see the regiment pass in the first review, For I love it. Input = Run him a johnsgate down jameseslane.  Input = Well, my positively last at any stage! Paraphrase = all right, I'm at the last stage! aae = okay! Im at my last stage! bible = Oh that I had at the last the glory of the world! 1810s-1820s = At length, I am arrived at the last stage! 1890s-1900s = Now, I'm up to the last stage! 1990s-2000s = Yes, I'm at the end of stage one! english_tweet = Well, I'm at last stage! lyrics = Alles ist mein die Freundheit! romantic_poetry = At last, I am at the last stage! switchboard = well i'm at the last stage shakespeare = Well, at the last I’ll see ’em! Input = His five hundred wives. Paraphrase = he's got five hundred wives. aae = he got like 5 wives bible = And he had five hundred wives. 1810s-1820s = He has married five hundred wives. 1890s-1900s = He was married to five hundred wives. 1990s-2000s = He has five hundred wives of his own. english_tweet = He has 5 hundred wives. lyrics = He got five hundred wives romantic_poetry = And fifty wives he has, switchboard = i mean he has five hundred wives shakespeare = His wives are fivescore. Input = where the human race itself were the Pythagorean sesquipedalia of the panepistemion, however apically Volapucky, grunted and gromwelled, ichabod, habakuk, Paraphrase = but the human race itself was a panepistemion, and the panepistemion was a panepistemion, and the panepistemion was a panepistemion, and the panepistemion was aae = Rosa said the panepistemion was born as a panepistemion, and the panepistemion was born as a panepistemion, and the panepistemion bible = But the form of the Godhead was fashioned like unto man, and the likeness of the Godhead was manifested in the form of a man, and it was perceived that he was God. 1810s-1820s = But although the elements of the universe were compounded of elements of different degrees of purity, yet it was an emanation of the human race itself, and an emanation from the mind, which had its origin in the human mind, and which had its 1890s-1900s = But though a human race is a panepistemion, and is the result of the operation of a single species of a panepistemion, yet the human species itself was a panepistemion in itself, and constituted the 1990s-2000s = The human race itself was a panepistemion, and the panepistemion was the source of the seed of the human race, and the seed was all of us, and all of us were raised from a panepistem english_tweet = And theres also the fact that theres no chale (because theres no chale) and theres also theres no panepistemion lyrics = Nur ein Party an dem Nationalfang der sich siele und ihr alles aufdÃ¼ckt, was er bin es aufdÃ¼ckt, was er bin es aufdÃ romantic_poetry = And all human races were a panepistemion, and a panepistemion, switchboard = and it's like i i i think it was a human being and and the human being was a panspeaker i think and the panepistemion was it was the human being and it was just the human being shakespeare = My lord, it is a very human thing, and I think it was a bramble-growing, as I am, that came hither, and to that end the human race itself was a panepistemion, and the panepist Input = And how they cast their spells upon, the fronds that thereup float, the bookstaff branchings! Paraphrase = how they're casting spells on the fronds that float, the bookshops! aae = How they spell these fireballs from floating, Bookshops! bible = How they cast spells by the fronds that float, the bookshops! 1810s-1820s = how they cast their spells On fronds that float, Book-shops! 1890s-1900s = And how they cast spells upon the fronds That float, book-shops! 1990s-2000s = How they cast spells over the fronds that float, the bookshops! english_tweet = How do they cast spells on the fronds that float, the bookshops! lyrics = How they cast spells on fronds that float, bookshops! romantic_poetry = How they cast spells o'er fronds that float, switchboard = uh bookshops and things like that so they're casting spells on the fronds that float shakespeare = How they cast their spells upon these fronds That float by, bookshopmen! Input = in this vongn of Hoseyeh!), Paraphrase = in the Hoseyeh! vongn! aae = in hoseyeh! vongn bible = vongn in the valley of Hoseyeh! 1810s-1820s = in Hoseyeh zo zei, vongn! 1890s-1900s = ( In Hoseyeh! ) 1990s-2000s = In the Hoseyeh! vongn! " english_tweet = in the Hoseyeh! vongn! lyrics = In the Hoseyeh! vongn! romantic_poetry = To Hoseyeh! vongn! in that hall switchboard = uh in the Hoseyeh vongn shakespeare = Vong Nach! Input = A woman and a man.  Input = want (the fog follow you all!)  Input = quadrangle with aslant off ohahnthenth a wenchyoumaycuddler, lying with her royalirish uppershoes among the theeckleaves.  Input = Helpunto min, helpas vin.  Input = For what personal purpose could Bloom have applied the water so boiled? Paraphrase = what purpose could Bloom have used the water so hot? aae = What purpose could Bloom use the water so hot lol bible = And what purpose could have been devised by the hot water of Bloom to make it so hot? 1810s-1820s = What purpose could have led Bloom to plunge his hands into such hot water? 1890s-1900s = What purpose could Bloom have used the water so heated? 1990s-2000s = What purpose could Bloom have had for the water so hot? english_tweet = What purpose could Bloom have used that water so hot? lyrics = what purpose could Bloom use the water so hot romantic_poetry = What purpose could Bloom employ the water so hot, switchboard = what what purpose could Bloom have had to use the water so hot shakespeare = What purpose could Bloom have used the waters so hot for? Input = J. Finn’s or Pease in Plenty by the Curer of Wars, licensed and censered by our most picturesque prelates, Their Paraphrase = J. Finn's or Pease in Plenty by the Curer of Wars, licensed and censered by our most beautiful prelates, their aae = J. Finn's or Pease in Plenty by the Curer of Wars, licensed and censered by our most beautiful prelates, their bible = J. Finn's or Pease in Plenty by the Curer of Wars, licensed and censered by our most beautiful prelates, their 1810s-1820s = By J. Finn's or Pease in Plenty by the Curer of Wars, licensed and censered by our most splendid prelates, their illustrious titles, and the estates they have acquired 1890s-1900s = J. Finn's or Pease in Plenty by the Curer of Wars, licensed and censered by our most glorious prelates, their cup, their bonnet, their mittens, 1990s-2000s = ( U.S. author of The Strange Son, and publisher of Bantam Doubleday Dell, licensed and censered by our most beautiful prelates, their solemn prayers to be heard english_tweet = J. Finn in Or Pease in Plenty by Curer of Wars,licensed and censered by our most beautiful prelates, their lyrics = J. Finn or Pease in Plenty by the Curer of Wars, licensed and censered by our most glorious prelates, their romantic_poetry = J. Finn's or Pease in Plenty by Curer of Wars, licensed and censered, switchboard = by the Curer of Wars licensed and censered by our most beautiful prelates their covers of the most beautiful prelates their coverings of Wars shakespeare = J. Finn, or Pease in plenty by the Curer of wars, Licensed and censered by our most beautiful prelates, Their consent to this matter is for you. Input = the merry and mournful with the downcast, so too is her age changeable as her mood. Paraphrase = she's changing her mood, too, and her age is changing. aae = This hoe change her moods, too, and her age is changing. bible = For she changeth her mood, and her age is changed. 1810s-1820s = She is now changing her mood, too, and her age. 1890s-1900s = She has a change of mood, too, and age changes her. 1990s-2000s = Her mood changes, too, and so does her age. english_tweet = The only thing that keeps her from changing is her age. lyrics = And her moods are changing too, her age is growing romantic_poetry = Her mood, too, and her age does change, switchboard = i think she's in a mood to change too she's getting older and her age is changing and shakespeare = For she is changed, and her age changes, by this hand. Input = He bore no hate. Paraphrase = he didn't hate anyone. aae = Ain't nobody hating. bible = Neither did he despise any. 1810s-1820s = He had no enmity against any man. 1890s-1900s = I'm sure he was not a man who hated any one. 1990s-2000s = He'd never hated anyone before. english_tweet = Nothing he hated. lyrics = Never had he been hated romantic_poetry = He had not hated any. There was no harm switchboard = i don't know he was just not big on anybody shakespeare = Not any man did he hate. Input = I feel a fine lady . . . Paraphrase = I'm a good woman............. aae = I'm a good female..... bible = I am a good woman............. 1810s-1820s = Well, I am a good woman.... 1890s-1900s = I am a good woman.... 1990s-2000s = And I'm a good woman.... english_tweet = I'm a good woman..... lyrics = I got a good woman..... romantic_poetry = I was a good wife............. switchboard = i am a good wife i have shakespeare = I am a fair one. Input = You can’t drink that stuff.  Input = Cropherb the crunch-bracken shall decide. Paraphrase = the crunch-bracken will decide. aae = Cuff crunch bracken gon decide. bible = They shall know the crunching of the bracken. 1810s-1820s = Let the crunch-bracken decide the point. 1890s-1900s = And the crunch-bracken'll decide for himself. " 1990s-2000s = The crunch-bracken will decide their own way. english_tweet = Crunch bracken will decide. lyrics = That crunch-bracken's gonna decide romantic_poetry = The crunch-bracken will decide, switchboard = the crunch bracken decides shakespeare = The crunch-bracken shall determine. Input = next room hed have heard me on the chamber arrah what harm Dedalus I wonder its like those names in Paraphrase = I heard the name of the next room, which was a room of Dedalus, and I wondered what harm it was. aae = Heard that name on the next room, which is Dedalus, & I was wondering what harm that was. bible = And I heard a voice from another part of the house, which said, The next room is Dedalus: and I wondered what harm was come upon him. 1810s-1820s = I had just risen from the bed, and heard the name of the next room, which was Dedalus, and wondered what harm could come from it. 1890s-1900s = The next moment I heard the name of the next room, which was the room of Dedalus, and wondered what harm it could do. 1990s-2000s = I heard the name of the next room, which was Dedalus's room, and wondered what harm it might do. english_tweet = I heard the name of the next room, which was a room of Dedalus, and wondered what harm it might lyrics = I heard the name of another room, this one was a room of Dedalus, and I wondered what harm it could be romantic_poetry = The next room, whose name I heard Dedalus reave, and wondered what harm switchboard = and i had i heard the name of that next room which was the Dedalus room i was wondering what harm it was i thought gosh it must have cost shakespeare = I heard the name of the next room, which was the office of a man That had been a guest of Dedalus, and I wonder at the harm that it brings. Input = Haines sat down to pour out the tea. Paraphrase = Haines sat down and poured the tea. aae = Haines sat there pouring up that tea. bible = And Haines sat down to drink the tea. 1810s-1820s = Haines, who had been seated to pour the tea, arose and left the room. 1890s-1900s = Haines sat down at the table and poured the tea. 1990s-2000s = Haines took a chair and went to the kitchen to pour the tea. english_tweet = Haines sat down and poured the tea. lyrics = Haines sat and poured the tea romantic_poetry = Haines sat down and pours his tea, switchboard = and he sat down and poured tea shakespeare = Haines hath sat on the urn and poured the dregs of the tea. Input = and embalsemate, pending a rouseruction of his bogey, most highly astounded, as it turned up, after his life overlasting, at Paraphrase = after his death, when he was still alive, he was amazed, as he was, by the fact that he was still alive, and he was astounded by the fact that he was aae = WHEN HE CAME TO LIFE AT DA LIL CRIB SITING AT DA CRIB LIKE HE AINT GONE DO SHIT, ASK ME bible = And when he was yet alive, he was amazed, as it were at the thing that he had done, and wondered at the sight, and at the doctrine, and at the miracles that were done, 1810s-1820s = He was, in fact, so much astonished, that he could hardly articulate, for he was only fifty-five years of age, after his death, that his letters were still found, and they have ever since been very much in the 1890s-1900s = It was in this way that the accident occurred, and his memory was astounded, after his death, when he was still living, by the fact that he had heard the whole story. 1990s-2000s = When he died in 1968, when he was still alive, he, for all his youthful wonder, was astounded by the sheer fact that he had not been alive at all. english_tweet = i was so shocked, as was, when his body still exists, amazed, as it is, by the fact that t lyrics = after he died his body was still alive, by the fact that he was astounded, as he was, by the fact that he was still alive, romantic_poetry = That, after his death, with amazement, so still, switchboard = and i just it was amazing as i say as soon as he died he was still alive after his death and he was astounded that he was still alive shakespeare = I have known him as I am, and I have known him since he died, as he was, by the fact that he is still living, and that he is astounded at it. Input = to find out how his innards worked! Paraphrase = to find out what he's got in his guts! aae = Laying down just to find out what's in his guts! bible = to know what his own heart is! 1810s-1820s = to find out what he has in his guts, at this moment! 1890s-1900s = To find out what he has in his own pore depths! 1990s-2000s = To find out what it's in his guts! english_tweet = to find out what his guts are! lyrics = To find what's in his guts! romantic_poetry = To learn what there is in his guts! switchboard = to find out what he's got in his guts shakespeare = To find out in his own heart what he has! Input = Sign, Soideric O’Cunnuc, Rix. Paraphrase = sign, O'Cunnuc, Rix. aae = Sign, O'Cunnuc, Rix. bible = And sign, O'Cunnuc, Rix. 1810s-1820s = signior, O'Cunnuc, Rix. 1890s-1900s = Enter, Signor, O'Cunnuc, Rix. 1990s-2000s = The sign, O'Cunnuc, Rix. english_tweet = Sign, O'Cunnuc, Rix. lyrics = Sign, O'Cunnuc, Rix. romantic_poetry = And sign, O'Cunnuc, Rix. switchboard = sign O'Cunnuc and Rix shakespeare = Signior, O'Cunnuc. Input = BLOOM: Pleased to hear from you, Chris. Paraphrase = I'm glad you're happy to talk to me, Chris. aae = i lovee yu too Chris lol talk to u in the am lol bible = And I said, I am glad of thy conversation with me. 1810s-1820s = Now, Chris, I'm glad to see you come to your own room again, to chat. 1890s-1900s = I am glad to see you so happy, Chris. 1990s-2000s = I'm glad to hear from you, Chris, " I said. english_tweet = Thank you so much Chris. So glad to talk to you lyrics = I love the way you talk to me, Chris romantic_poetry = I hae been sae blest wi' your chat, switchboard = well it was nice talking to you Chris shakespeare = I am glad you have time to speak with me, friend, in this fashion. Input = from the secret morning. Paraphrase = from the secret morning. aae = from the secret morning. bible = Out of the secret morning. 1810s-1820s = from The secret of my morn. 1890s-1900s = They have been to me from that secret morning. " 1990s-2000s = From a secret morning, in the morning. english_tweet = From The secret morning. lyrics = From the secret morning. romantic_poetry = From the secrecy of that morning. switchboard = from the secret i mean shakespeare = From secret morn. Input = There’s only one sense of the word, it seems to me, Stephen said. Paraphrase = Stephen said only one sense of the word. aae = Stephen said only one sense bible = And the other sense only of the word was to Stephen. 1810s-1820s = Stephen said but one sense could give the word. 1890s-1900s = There was only one sense of the word Stephen said. " 1990s-2000s = Only one sense of the word, Stephen said. english_tweet = Stephen said only one sense of sth. lyrics = Only one sense of the word Stephen says romantic_poetry = One sense only said Stephen, switchboard = uh one sense only one sense of the word shakespeare = I know not how many senses, but the one of the word was said to him only. Input = _(In disdain she saunters away, plump as a pampered pouter pigeon, humming the duet from_ Don Giovanni.) Paraphrase = (she walks away, plump as a pampered pampered pampered pigeon, humming Don Giovanni.) aae = (walk away, plump as a pamper pamper pigeon, humming Don Giovanni.) bible = (She is gone away, plump as a plump pampered pampered pigeon, humming Don Giovanni.) 1810s-1820s = ( She walks off, plump as a pampered pampered pampered pigeon, humming Don Giovanni. ) 1890s-1900s = ( She walks off, plump as a plumed plumed plumed pigeon, humming Don Giovanni. ) 1990s-2000s = ( She walks away, plump as a pampered pampered pigeon, humming Don Giovanni. ) english_tweet = (She walks away, plump as a pampered pampered pigeon, humming Don Giovanni.) lyrics = (She's walking away, plump as a pampered pampered pigeon, hummin Don Giovanni.) romantic_poetry = (She walks bye, plump as in pamper'd pigeons humming Don Giovanni,) switchboard = and walks away plump as a pampered pampered pampered pigeon hum Don Giovanni shakespeare = Hark, and let her walk away; Her head is plump as the pampered pampered pigeon, And humming Don Giovanni. Input = Onehandled adulterer, he said smiling grimly. Paraphrase = he smiled grimly, one-handed adulterer. aae = gave him a grimey one handed adulterer smile. bible = And the man's face was grimmer than death, one hand upon the one adulteress. 1810s-1820s = Sternly he smiled, one hand of him holding the adulteress in his arms. 1890s-1900s = One-handed adulterer, " he said grimly. " 1990s-2000s = The one-armed adulterer smiled grimly at him. english_tweet = Grim smile. One hand on adulterer. lyrics = Smiled grimly, one-handed adulterer romantic_poetry = Smiling grimly, one-handed adulterer. switchboard = and he was smiling grimly one handed adulterer shakespeare = And there he looked, one-handed adulterer, frowning. Input = Tolv two elf kater ten (it can’t be) sax. Paraphrase = Tolv two elf kater 10 (it's not possible). aae = Tolv two elf kater 10 (thats impossible) bible = And the two katers of Tolv two, ten. 1810s-1820s = Tolv two elf kater 10 (it is impossible). 1890s-1900s = Tolv two elf kater 10 (it's out of the question). 1990s-2000s = Tolv two elf kater 10 (is impossible). english_tweet = Tolv two elf kater 10 ( It can't be done ) lyrics = Tolv two elf kater ten (it can't be) romantic_poetry = Tolv two elf kater ten, that it may never be). switchboard = Tolv two elf kater ten's impossible shakespeare = Tolv two elf kater 10 (Not possible). Input = _(He lifts his ashplant high with both hands and smashes the chandelier. Paraphrase = he raises his ashplant with both hands and throws the chandelier. aae = Rises ashplant with both hands and throws chandeliers. bible = He lifteth up his ashplant with both hands, and casteth it as a chandelier. 1810s-1820s = Usaldo (aside) Raises his ashplant with both hands, and tosses the chandelier. 1890s-1900s = ( He raises his ashplant with both hands and throws down the chandelier. 1990s-2000s = He raises his ashplant with both hands and tosses the chandelier. english_tweet = Raises an ashplant with both hands and tosses chandelier on the floor. lyrics = Raises his ashplant both arms and throws his chandeliers romantic_poetry = Raises his ash-plant with both hands, and throws the chandelier. switchboard = he raises his ash plant with both arms and uh throws the chandelier over the side shakespeare = To raise his Ashplant with both hands, And throw away his chandelier. Input = could ever sleep off the turf! Paraphrase = you can never sleep on the field! aae = Never be able to sleep on the field! bible = that thou mayest never sleep upon the field! 1810s-1820s = On the field of battle thou never canst sleep! 1890s-1900s = There's no field where you can ever sleep on! " 1990s-2000s = On the field you can't go to sleep in the morning! english_tweet = Never sleep on the field!! lyrics = That field, you can never sleep romantic_poetry = The field's neath thee may never sleep! switchboard = and uh you can never sleep on the field shakespeare = Never sleep on the field!  Input = move freely in space by separating himself from the railings and crouching in preparation for the impact of the fall. Paraphrase = he moves freely in the air, separated from the railings and crouched in preparation for the fall. aae = He's moving freely in the air, separated from the rails and crouched in preparation for a fall. bible = For he maketh his steps free in the air, separated from the railings, and croucheth himself in preparation for the fall. 1810s-1820s = His feet move freely in the air, separated from the railings, and crouching in preparation for the fall. 1890s-1900s = In this manner he moves freely in the air, separated from the railings and crouching in preparation for a descent. 1990s-2000s = His arms move freely in the air, separated from the railings and crouched in preparation for a fall. english_tweet = Hes moving freely in the air, separated from the railings and crouching in preparation for the fall. lyrics = It moves freely in the air, separated from the railings and kneels in preparation for the fall. romantic_poetry = Moves freely in the air, separate from the railings and crouse, switchboard = but he's moving freely in the air he's separated from the railings and crouched in preparation for the fall he just shakespeare = He moves freely in the air, Rejected from railings and his slouch, Making preparation for the fall. Input = hand that Dignam owed Bridgeman the money and if now the wife or the widow contested the mortgagee’s right till Paraphrase = if the woman or the widow of the bride or the widow of the bride is now challenging the mortgagee's right to the money, the hand of the Dign aae = If the wife or widow of the bride or the widow of the Mortgagee now challenge the mortgagee right to the money bible = If the woman or the widow of the bride or the widow of the bridegroom now come and stand in the house of the LORD, and there begin to be a controversy about the possession of money, 1810s-1820s = Now if the wife or widow of the bride or widow of the bridegroom, now challenge the mortgagee's right to the money, on the ground that he did not act in the capacity of the mortgage 1890s-1900s = And now if the wife or the widow of the bride or the dowager of the bridegroom were challenged in her right to the money, the hand of the Disciples of the Faith had no right to 1990s-2000s = If the person or the widow of the bride or the widow of the bridegroom is now challenging a mortgagee's right to make money by claiming that he has done something illegal, that hand of the Dign english_tweet = If woman or widow of the bride or the widow of the bride is challenging the mortgagee, hand over the d lyrics = And if the woman or the widow of the bride or the widow of the bride now challenge the mortgagee's right to the money, the hand of Dignity romantic_poetry = If woman or widow'd bairns now challenge the Mortgagee's right, switchboard = if the uh if the woman or the uh the widow of the bride or the widow of the bride is challenging uh the mortgagee right to their money hand shakespeare = Now is the hand of the Dignity challenged, If the lady or widow of the bridal or the widow of the bridal make the attempt, That her hand may hold the interest of her dowry. Input = And the other one? Paraphrase = and the other one? aae = And the other one? I'm confused bible = and another? 1810s-1820s = and another, too? ' 1890s-1900s = And the other one--the one of the same name? 1990s-2000s = And another of the two, as well? english_tweet = And the other one? I thought I found him! lyrics = And the other one? romantic_poetry = And there the other? that hath his sting switchboard = and the other one shakespeare = And this one? Input = The delegation partook of luncheon at the conclusion of which the dusky potentate, in the course of a happy speech, Paraphrase = the delegation was accompanied by a pleasant speech, which was accompanied by a dusky powerful man, who was happy to talk. aae = Minority delegation led by some lovely speech and accompanied by dusky powerful men, happy to talk about their lives. bible = And a certain pleasant speech was accompanied with a dusky powerful man, which talked cheerfully with him. 1810s-1820s = In the mean time, the delegation proceeded to the market, where they were cheered by a pleasant address from the dusky powerful man, who declared that he was pleased to con 1890s-1900s = A dusky powerful man, who was in the mood to talk, presented a pleasing address to the delegation. 1990s-2000s = He greeted the delegation, who greeted him with a pleasant speech, dashingly showing his unblinking power, all jovial pleasure in his conversation. english_tweet = In his report, the delegation made a pleasant speech, accompanied by a dusky powerful man, who was g lyrics = Transference had an eventful speech, which was accompanied by a dusky powerful man, who had a merry way with a smoothy romantic_poetry = Delegation's sweet speech, which dusky potent talked, switchboard = and it was a delightful speech i was brought up on a dusky powerful man and he was just so happy to talk to me the delegation was accompained by a shakespeare = That was followed by a dusky powerful man, Whose tongue was sweetly offered to the delegation. Input = I lob him. Paraphrase = I'm gonna throw him out. aae = He throwing me off I can't do it. bible = let him be cast out. 1810s-1820s = I shall throw him out of doors. 1890s-1900s = ( She laughs) I'll throw him out. 1990s-2000s = I can throw it out, you know. " english_tweet = Im throwing him off lyrics = I'm about to throw it romantic_poetry = I'll daunton him out.  Input = pitch in and swing for your perfect stranger in the meadow of heppiness and then wipe the street up with Paraphrase = pitch in the meadow and swing for a stranger in the meadow aae = pitchin in the meadow swingin for a stranger in the meadow bible = Pitch and swing for a stranger in the meadow; 1810s-1820s = Now, pitch in the meadow, and swing for a stranger in the meadow. 1890s-1900s = Pitch in the meadow and swing for a stranger in the meadow. 1990s-2000s = pitch in a meadow and swing for a stranger in the meadow. english_tweet = pitch in the meadow swing for a stranger in the meadow lyrics = Pitch in the meadow and swing for a stranger in the meadow romantic_poetry = Pitch in the meadows and swing for a stranger here, switchboard = pitch in the meadow and swing for a stranger in the meadow shakespeare = Pitch me in the meadow and swing for a stranger In the mead. Input = I will try, Stephen said, and let you know tomorrow. Paraphrase = Stephen said I'd try, and I'll let you know tomorrow. aae = Stephen told me I can try and get it tomorrow, let me know how it is bible = And Stephen said, I will try; and it shall come to pass on the morrow. 1810s-1820s = I shall try, said Stephen, and let you know to-morrow. 1890s-1900s = Stephen said I would try, and I will let you know to-morrow. " 1990s-2000s = Stephen said I'd try, and let me know you'll be doing it tomorrow. english_tweet = Stephen says let me try, and he will.  Input = LYNCH: All one and the same God to her. Paraphrase = all of her is one God. aae = She's one God with all of her bible = All things are one in her. 1810s-1820s = She is the image of one God, all in all. 1890s-1900s = All of her is one in the Lord. 1990s-2000s = It's one God who makes all of her. english_tweet = All of her is one God. lyrics = She's all one God romantic_poetry = Of all her is one God. switchboard = yeah she's one God shakespeare = All her is one God. Input = gooseberries, pulpy and pelurious, and strawberries fit for princes and raspberries from their canes. Paraphrase = the gooseberry, pulpy and pulpy, and the strawberry from the canes of the prince. aae = That gooseberry, pulpy and pulp chicken, and the strawberry from the canes of the prince. bible = And the gooseberry, and the pulpy and the pulpy, and the strawberry from the canes of the prince of the forest. 1810s-1820s = The gooseberry, pulpy and pulpy, and the Strawberry from the canes of the prince. 1890s-1900s = Gelbo, pulpy and squappy, and the strawberry from the canes of the prince. " 1990s-2000s = Grape berries, pulpy and pulpy, and strawberry from the canes of princely-looking old horses. english_tweet = The gooseberry, pulpo and strawberry from the canes of the prince's crown. lyrics = The gooseberry, pulpy and pulpy, and the strawberry from the canes of the prince. romantic_poetry = The gooseberry, pulpy and pulpy, and the strawberry from the canes of princes, switchboard = the gooseberry pulpy and pulpy and the the raspberry that comes from the canes of the prince and stuff shakespeare = The gooseberry, pulpy and pulpy, And the strawberry from the canes of princes. Input = Sees me looking. Paraphrase = he says I'm looking at him. aae = He say I see him. Umm.. lol bible = And he saith, I see him. 1810s-1820s = He says, I see him, look at me. 1890s-1900s = He says I am, and he wants to see me. 1990s-2000s = I see him look at me, he says. english_tweet = I look at him. Shes saying it. lyrics = He says I'm looking over romantic_poetry = And says I've seen him. I wad find switchboard = he says i see shakespeare = I do say I see him. Input = He saw him once on the auspicious occasion when they broke up the type in the _Insuppressible_ or was it Paraphrase = once upon a time when they broke up the type _ Insuppressible _ aae = Once upon a time type_insuppressible_ bible = A time when they had broken up the types by way of cleverness, once in a while. 1810s-1820s = It was once, when they had broken up the type_Insuppressible_, that they ever had the temerity to 1890s-1900s = It happened once in the long ago when they broke up the type' insuppressible'. " 1990s-2000s = ( He wants to say, but the operator doesn't say, that once upon a time when they broke up the type "_In english_tweet = Once upon a time when it broke up the type _ Insuppressible_ lyrics = Once upon a time when they broke up the type _Insuppressible_ romantic_poetry = Once upon a time when they broke up the type _Insuppressible_ switchboard = once or twice when they've broken up the type o- uh insuppensible in that they have shakespeare = Once upon a time When they did break up the type, O, Input = old Johnny MacDougall: the four of us and no more of us and so now pass the fish for Christ Paraphrase = we're all four of us, no one else, and we're going to the fish. aae = We all 4get we get money we don't get money we go to the fish bible = Let us be as four of us, no man of us, and let us go after the fowls. 1810s-1820s = we are all four of us, none but one other; and we go to fish. 1890s-1900s = We have all four of us, no one else, and we are going to fish. " 1990s-2000s = Four of us, no one else, we get in, we start off, we go to the fish. english_tweet = We all 4 of us, no one else, and take us to fish. lyrics = We four of us, no one else, and now we're going fishin' romantic_poetry = We are, each and all, to the fish we go, switchboard = and we have four of us and no one else so we all go to the fish i don't i don't think and uh shakespeare = Let us be four of us, no more but one, and follow him to the fish. Input = No martyr where the preature is there’s no plagues like rome. Paraphrase = there's no martyr in the place where the preature is. aae = A place of worship has no martyrs bible = There is no martyr in the place where the preature is. 1810s-1820s = There is no martyr to be found in that spot, where preatures are pronounced. 1890s-1900s = There is no martyr in the place where the preature is. " 1990s-2000s = No martyr's place is so steeped in preature as this. english_tweet = In the place where preature is at, there are no martyrs. lyrics = There is no martyr in the place of the preature romantic_poetry = There's no martyr where preature hath made switchboard = i mean there's no martyrs in the place where the preature is shakespeare = There’s no martyr in that place Where the preature is. Input = He walked on, waiting to be spoken to, trailing his ashplant by his side. Paraphrase = he walked, waiting, and his ashplant followed him. aae = Walking, waiting, and his ashplant watching bible = And he walked, and waited, and his ashplant followed him. 1810s-1820s = He went forth, and waited, in silence, for his ashplants to follow. 1890s-1900s = He walked about, waiting, till his ashplant was up, and then he went out. 1990s-2000s = He walked toward the cabin, waiting, his ashplant following. english_tweet = The walk, and the waiting, for him, has its own ashplant, followed by his ashplant. lyrics = Walking, waiting, and his ash plant romantic_poetry = Walking, and waiting, and his ash-plant following, switchboard = his walking time was up and his ashplant was following him and shakespeare = H