|
%%(G \circ F)(\vec{X})%%
|
4x4 Column Matrix. More...
#include <mat44.h>
Public Member Functions | |
| Mat44 () | |
| Constructs a Mat44 with all four column vectors being initialized to 0 vectors. More... | |
| Mat44 (const Vec4 &c0, const Vec4 &c1, const Vec4 &c2, const Vec4 &c3, MatrixType matrixTypeVal=MatrixType::MISC) | |
| Constructs a Mat44 with all four column vectors being initialized to the given 4D vectors and (optionally) the matrixTypeVal with the given MatrixType value. More... | |
| Mat44 (float m00, float m10, float m20, float m30, float m01, float m11, float m21, float m31, float m02, float m12, float m22, float m32, float m03, float m13, float m23, float m33, MatrixType matrixTypeVal=MatrixType::MISC) | |
| Constructs a Mat44 with all 4 column vectors being initialized to the given scalar values. More... | |
| Mat44 (const SseMat44 &mat) | |
| Copies the values from the given matrix's columns into the respective columns of this matrix, sets this instance's matrixTypeVal to the matrixTypeVal given by the converted matrix. More... | |
| Mat44 (const Mat44 &mat) | |
| Copy constructor. More... | |
Public Attributes | |
| MatrixType | matrixTypeVal |
| The matrix type value. | |
| float | m [4][4] |
| The matrix values [row][column]. More... | |
| Vec4 | col0 |
| The first column. More... | |
| Vec4 | col1 |
| The second column. More... | |
| Vec4 | col2 |
| The third column. More... | |
| Vec4 | col3 |
| The fourth column. More... | |
Static Public Attributes | |
| static const Mat44 | IDENTITY |
| The 4x4 identity matrix. More... | |
Friends | |
| std::ostream & | operator<< (std::ostream &stream, const Mat44 &mat) |
| Stream insertion operator. More... | |
| std::istream & | operator>> (std::istream &stream, Mat44 &mat) |
| Stream extraction operator. More... | |
| bool | operator== (const Mat44 &left, const Mat44 &right) |
| Equality operator. More... | |
| bool | operator!= (const Mat44 &left, const Mat44 &right) |
| Inequality operator. More... | |
| void | Print (const Mat44 &mat) |
| Prints the given matrix. More... | |
| std::string | ToConsoleDebugString (const Mat44 &mat) |
| Converts a mat to a console debug string. More... | |
Related Functions | |
(Note that these are not member functions.) | |
| Mat44 | MatrixMultiply (const Mat44 &first, const Mat44 &second) |
| Calculates the product (post-multiplication) of the two given 4x4 matrices. More... | |
| float | MatrixDeterminant (const Mat44 &mat) |
| Calculates the determinant of the given 4x4 matrix. More... | |
| Mat44 | MatrixInverse (const Mat44 &mat) |
| Calculates the inverse of the given 4x4 matrix. More... | |
| Mat44 | MatrixTranspose (const Mat44 &mat) |
| Calculates the transpose of the given 4x4 matrix. More... | |
| Mat44 | RotationMatrixFromQuaternion (const Quaternion &quat) |
| Calculates the 4x4 rotation matrix represented by the given quaternion rotation. More... | |
| Mat44 | RotationMatrixFromEuler (const Vec3 &angles) |
| Calculates the 4x4 rotation matrix represented by the given euler angle rotation. More... | |
| Mat44 | TranslationMatrixFromVec3 (const Vec3 &vec) |
| Calculates the 4x4 translation matrix represented by the given 3D position vector. More... | |
| Mat44 | ScaleMatrixFromVec3 (const Vec3 &vec) |
| Calculates the 4x4 scale matrix represented by the given 3D scale vector. More... | |
| void | PerspectiveProjectionMatrix (float near, float far, float fov, float aspect, Mat44 &result) |
| Calculates the right-handed perspective projection matrix. More... | |
| Mat44 | LookDir (const Vec3 &eye, const Vec3 &dir, const Vec3 &up) |
| Calculates the view matrix given the forward direction vector, rather than a target position. More... | |
| Mat44 | LookAt (const Vec3 &eye, const Vec3 &target, const Vec3 &up) |
| Calculates the standard lookat matrix for the camera, given the camera's position, the target's position, and a given "up" vector. More... | |
| Vec3 | TransformVec3 (const Mat44 &mat, const Vec3 &vec) |
| Transforms the given 3D vector. More... | |
| float | MatrixDeterminant (const Mat44 &mat) |
| Calculates the determinant of the given Mat44. More... | |
4x4 Column Matrix.
| gfxmath::Mat44::Mat44 | ( | ) |
Constructs a Mat44 with all four column vectors being initialized to 0 vectors.
| gfxmath::Mat44::Mat44 | ( | const Vec4 & | c0, |
| const Vec4 & | c1, | ||
| const Vec4 & | c2, | ||
| const Vec4 & | c3, | ||
| MatrixType | matrixTypeVal = MatrixType::MISC |
||
| ) |
Constructs a Mat44 with all four column vectors being initialized to the given 4D vectors and (optionally) the matrixTypeVal with the given MatrixType value.
| c0 | The first column. |
| c1 | The second column. |
| c2 | The third column. |
| c3 | The fourth column. |
| matrixTypeVal | The matrix type value. |
| gfxmath::Mat44::Mat44 | ( | float | m00, |
| float | m10, | ||
| float | m20, | ||
| float | m30, | ||
| float | m01, | ||
| float | m11, | ||
| float | m21, | ||
| float | m31, | ||
| float | m02, | ||
| float | m12, | ||
| float | m22, | ||
| float | m32, | ||
| float | m03, | ||
| float | m13, | ||
| float | m23, | ||
| float | m33, | ||
| MatrixType | matrixTypeVal = MatrixType::MISC |
||
| ) |
Constructs a Mat44 with all 4 column vectors being initialized to the given scalar values.
| m00 | Row 0 Col 0 Value. |
| m10 | Row 1 Col 0 Value. |
| m20 | Row 2 Col 0 Value. |
| m30 | Row 3 Col 0 Value. |
| m01 | Row 0 Col 1 Value. |
| m11 | Row 1 Col 1 Value. |
| m21 | Row 2 Col 1 Value. |
| m31 | Row 3 Col 1 Value. |
| m02 | Row 0 Col 2 Value. |
| m12 | Row 1 Col 2 Value. |
| m22 | Row 2 Col 2 Value. |
| m32 | Row 3 Col 2 Value. |
| m03 | Row 0 Col 3 Value. |
| m13 | Row 1 Col 3 Value. |
| m23 | Row 2 Col 3 Value. |
| m33 | Row 3 Col 3 Value. |
| matrixTypeVal | The matrix type value. |
| gfxmath::Mat44::Mat44 | ( | const SseMat44 & | mat | ) |
Copies the values from the given matrix's columns into the respective columns of this matrix, sets this instance's matrixTypeVal to the matrixTypeVal given by the converted matrix.
| mat | The matrix to convert. |
| gfxmath::Mat44::Mat44 | ( | const Mat44 & | mat | ) |
Copy constructor.
| mat | The matrix. |
Calculates the standard lookat matrix for the camera, given the camera's position, the target's position, and a given "up" vector.
| eye | The position of the camera, in world space. |
| target | The position of the target that the camera is facing. |
| up | The camera's relative "up" direction - should always be <0 1 0> unless the camera has a roll/bank rotation that isn't 0, or the camera has its pitch value at %%\pm\frac{\pi}{2}%% radians (\pm %%90^{\circ}%%%). |
Calculates the view matrix given the forward direction vector, rather than a target position.
| eye | The position of the camera, in world space. |
| dir | The direction the camera is facing. |
| up | The camera's relative "up" direction - should always be <0 1 0> unless the camera has a roll/bank rotation that isn't 0, or the camera has its pitch value at %%\pm\frac{\pi}{2}%% radians (\pm %%90^{\circ}%%%). |
|
related |
Calculates the determinant of the given 4x4 matrix.
| mat | The matrix to find the determinant of. |
|
related |
Calculates the determinant of the given Mat44.
| mat | The matrix for which to calculate the determinant. |
Calculates the inverse of the given 4x4 matrix.
| mat | The matrix to invert. |
Calculates the product (post-multiplication) of the two given 4x4 matrices.
| first | The left matrix. |
| second | The right matrix. |
Calculates the transpose of the given 4x4 matrix.
| mat | The matrix to transpose. |
Inequality operator.
| left | The first instance to compare. |
| right | The second instance to compare. |
|
friend |
Stream insertion operator.
| [in,out] | stream | The stream. |
| mat | The matrix. |
Equality operator.
| left | The first instance to compare. |
| right | The second instance to compare. |
|
friend |
Stream extraction operator.
| [in,out] | stream | The stream. |
| [in,out] | mat | The matrix. |
|
related |
Calculates the right-handed perspective projection matrix.
| near | The distance to the near clip plane. | |
| far | The distance to the far clip plane. | |
| fov | The vertical field of view angle. | |
| aspect | The aspect ratio (width / height). | |
| [in,out] | result | The result matrix. |
\[ P_{m,n} = \begin{pmatrix} \cot(\theta) & 0 & 0 & 0 \\ 0 & \cot(\theta) * a & -f/(f-n) & -1 \\ 0 & 0 & -fn/(f-n) & 0 \end{pmatrix} \]
Where:
|
friend |
Prints the given matrix.
| mat | The matrix. |
Calculates the 4x4 rotation matrix represented by the given euler angle rotation.
| angles | The euler angles to use for generating the 4x4 matrix. |
|
related |
Calculates the 4x4 rotation matrix represented by the given quaternion rotation.
| quat | The quaternion rotation to transform into a 4x4 matrix. |
Calculates the 4x4 scale matrix represented by the given 3D scale vector.
| vec | The given 3D scale vector. |
|
friend |
Converts a mat to a console debug string.
| mat | The matrix. |
Transforms the given 3D vector.
| mat | The matrix that will be multiplied against the 3D vector. |
| vec | The 3D vector to transform. |
Calculates the 4x4 translation matrix represented by the given 3D position vector.
| vec | The given 3D position vector. |
| Vec4 gfxmath::Mat44::col0 |
The first column.
| Vec4 gfxmath::Mat44::col1 |
The second column.
| Vec4 gfxmath::Mat44::col2 |
The third column.
| Vec4 gfxmath::Mat44::col3 |
The fourth column.
|
static |
The 4x4 identity matrix.
| float gfxmath::Mat44::m[4][4] |
The matrix values [row][column].


The Sprint Planning Meeting is attended by the Product Owner, Scrum Master, the entire Scrum Team, and any interested
and appropriate management or customer representatives.
During the sprint planning meeting the product owner describes the highest priority features to the team. The team asks
enough questions during this meeting so that they can go off after the meeting and determine which tasks they will move
from the product backlog to the sprint backlog.
Collectively, the Scrum team and the product owner define a sprint goal, which is a short description of what the
sprint will attempt to achieve. The success of the sprint will later be assessed during the Sprint Review Meeting
against the sprint goal, rather than against each specific item selected from the product backlog.
After the sprint planning meeting, the Scrum team meets separately to discuss what they heard and decide how much they
can commit to during the coming sprint. In some cases there will be negotiation with the product owner but it will
always be up to the team to determine how much they can commit to completing.
|


Front End Web Developer with experience in technologies such as JavaScript, React, jQuery, NodeJS, MongoDB, Express, CSS and HTML. A United States Marine Corps Veteran with proven skills in flexibility and problem solving that translate seamlessly to approaching programming challenges from various avenues. Talented at collaborating with others to create meaningful web applications.
Not all doughnuts come with a hole but all programming challenges can be solved with enough persistence and cognitive understanding.
To see the code to these deployed pages check out these links:
Food Finds
Bands Overload
Bamazon
CinéSearch
I was born and raised mostly by the sunny shores of San Diego, California. My hobbies include immersing in the diverse culture of wine, basketball, perfecting the art of making balanced craft cocktails and video games.
My genuine professional passion is for Web Development and I currently work as a freelance Front End Developer. I love learning new technologies and expanding my horizons!


|
WebWork 2 : Interceptor Order
This page last changed on Nov 30, 2004 by jcarreira.
Interceptors provide an excellent means to wrap before/after processing. The concept reduces code duplication (think AOP). Order of interceptors…<interceptor-stack name="xaStack"> <interceptor-ref name="thisWillRunFirstInterceptor"/> <interceptor-ref name="thisWillRunNextInterceptor"/> <interceptor-ref name="followedByThisInterceptor"/> <interceptor-ref name="thisWillRunLastInterceptor"/> </interceptor-stack> Note that some interceptors will interrupt the stack/chain/flow… so the order is very important. Iterceptors implementing com.opensymphony.xwork.interceptor.PreResultListener will run after the Action executes its action method but before the Result executesthisWillRunFirstInterceptor thisWillRunNextInterceptor followedByThisInterceptor thisWillRunLastInterceptor MyAction1 MyAction2 (chain) MyPreResultListener MyResult (result) thisWillRunLastInterceptor followedByThisInterceptor thisWillRunNextInterceptor thisWillRunFirstInterceptor |
| Document generated by Confluence on Dec 14, 2004 16:36 |


Meta
Sections
Inline Text (Flow)
Please note that inline text does not align nicely so we've wrapped them in p tags, things like
root text and spans may have to be tested independently.
Non-latin character annotation tags are not included here (ruby,bdi,etc).
This text is a short inline quotation.
x+y=7
is monospace, too.
Block Text
Note: type attribute on ol/ul is deprecated and use list-style-type css instead
Technically, table is not a block type but is included here as complex text element
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Integer non ipsum mi. Cras turpis lorem, suscipit porttitor odio at, consectetur sodales odio. Aenean sodales nisl eget enim tempus, ut venenatis magna eleifend. Donec porta venenatis enim eget placerat. Donec aliquam, justo at lacinia eleifend, leo risus feugiat sapien, at semper erat ante vitae ligula. Aliquam congue lacus sed nunc efficitur, vitae dictum est imperdiet. Donec posuere efficitur turpis in viverra. Nulla euismod id felis eget tincidunt. Nullam in ante sit amet tortor accumsan tincidunt. Phasellus ut est et sem tristique vestibulum non ut neque. Vivamus mi odio, viverra sed faucibus id, blandit nec lectus. In sit amet lectus massa. Vestibulum vitae dui rhoncus, suscipit magna quis, semper mauris. Nullam nec lacus elit. Sed lobortis enim et libero suscipit volutpat.
A block quotation (also known as a long quotation or extract) is a quotation in a written document, that is set off from the main text as a paragraph, or block of text.
P R E F O R M A T T E D T E X T ! " # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~
Here are even more details about the details.
| Head 1 | Head 2 | Head 3 |
|---|---|---|
| Cell 1 | Cell 2 | Cell 3 |
| Cell 4 | Cell 5 | Cell 6 |
| Cell 7 | Cell 8 | Cell 9 |
| Info | Price | |
|---|---|---|
| Thank you! | ||
| 1 | Item Descript | $59.65 |
| 2 | Item Descript | $45.17 |
| 3 | Item Descript | $601.92 |
| 4 | Item Descript | $14.59 |
| Coupon | --- | |
| Subtotal | Tax | $12.81 |
| Total | $653.99 |
Form Elements
Note: input fields are weird because their rendering features change on attributes, for example
type=search adds a clear in chrome, <search> would make more sense.
Embed Elements
SVG Crossover
Math Crossover (MathJax)
Composite (Flow)
Non-latin character annotation tags are not included here (ruby,bdi,etc).


Innovate business through the set of useful technology connected with security & reliability which cloud allows.
Cloud Technology is rebuilding everyone’s future, has it yours?
Technology is the game changer! In Cloud Life Consulting, we assess your challenges, goal and areas of opportunities. From there, we define cloud strategy, complete with latest technology and give a well architectured solution for your business.
We have an expert team of cloud consultant having in depth industry knowledge and a range of tools to accelerate the assessment and prepare a strong roadmap of the cloud solution for your organization.
How secured is the data you are storing in the cloud?
Everyone is moving to the cloud. Security has to be of top importance with cloud computing. When implemented and configured properly a cloud technology has the capability of being more secure than the traditional IT systems of an organization.
Cloud Life consultants work closely to give you solutions and ensure that your to-be implementing cloud technology is as secured as possible.
Reliability is the base of every successful association!
Cloud Life Consulting offers a professional and unbiased solution with trust. We offer an environment of business connection with us for your organization. Our consultants will conclude on the requirement of your cloud solutions according to your requirement or budget. They will give priority to your priority.


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45 minutes
Here are links to lessons that should be completed before this lesson:
Learn to use another testing tool for flexibility.
Participants will be able to:
Both Mocha and Jasmine are popular JavaScript testing frameworks for writing BDD (Behavior-Driven Development) tests. So, why might you choose one over the other?
Jasmine: Jasmine attempts to provide everything that a developer would need in a testing framework. It does not need the browser, the DOM, or any JavaScript framework to work, so it’s simple to get up and running.
Mocha: Mocha does not claim to be a complete testing framework. It is intended to be extended with other frameworks, such as Chai. People like it for its flexibility. It runs on Node and in the browser.
At the end of the day, both Jasmine and Mocha are popular testing frameworks that many companies use. There is no wrong answer: the testing framework that you choose for projects is up to you.
Let’s get started by setting up a new project with Mocha.
Create a new project
mkdir mocha-practice
- create a folder for your new projectcd mocha-practice
- change directories to that foldernpm init --yes
- make the package.json
fileInstall Mocha
npm install --save-dev mocha
Create Test Files
mkdir test
- your tests should live in this folder, so that mocha knows where to find themtouch test/myTest.js
- add a test file to the test
directoryStart Test
"test": "mocha"
npm test
! Since you have no tests written yet, you should see something like this:> mocha
0 passing (1ms)
Syntax
describe
and it
functions work like Jasmine’s similarly named functions:const assert = require('assert');
describe('Mocha String Test', function() {
it('should return the exact number of characters in a string', function() {
assert.equal('Hello'.length, 4); // this line will fail
});
it('should return first character of the string', function() {
assert.equal('Hello'.charAt(0), 'H'); // this line will pass
});
});
test.js
file, and run the tests again. You should now see one passing test, and one failing test.Mocha String Test
1) should return the exact number of characters in a string
✓ should return first character of the string
1 passing (8ms)
1 failing
1) Mocha String Test
should return the exact number of characters in a string:
AssertionError [ERR_ASSERTION]: 5 == 4
+ expected - actual
-5
+4
at Context.<anonymous> (test/myTest.js:5:16)
assert.equal(a, b)
mocha expects the values to be equivalent, or else the test will fail.done
) to it
function and invoke the callback function after your test is complete.var assert = require('assert');
function asyncFunction(stringToTest, callback) {
setTimeout(function() {
callback(stringToTest.charAt(0) === 'H');
}, 1);
}
// Note: setTimeout has been used to simulate the async behavior
// Warn: Using setTimeout is not the best practice since it's execution time is unpredictable or unreliable
describe('Mocha String Test', function() {
it('should return first character of the string', function(done) {
asyncFunction('Hello', function(isValid) {
assert.equal(isValid, true);
done();
});
});
});
To learn more about testing asynchronous code with Mocha, see the docs.
Let’s install Chai, an assertion library commonly used with Mocha!
install Chai
npm install --save-dev chai
setting up Chai
assert
: These statements typically take two arguments, and “assert” that something is truthful.const assert = require('chai').assert;
const foo = 'foo';
// Passing
assert.typeOf(foo, 'string');
// Failing - note that the third argument is an optional error message
assert.equal(foo, 'bar', 'foo equal `bar`');
expect
: “Expect” statements chain together assertions that feel like natural languageconst expect = require('chai').expect;
const foo = 'foo';
// Passing
expect(foo).to.be.a('string');
// Failing
expect(foo).to.equal('bar');
should
: “Should” statements are similar to “expect”, but start with the start each chain with a should
const should = require('chai').should();
const foo = 'foo';
// Passing
foo.should.be.a('string');
// Failing
foo.should.equal('bar');
Note: If you like this style, you can use the should library with Mocha, as that is a common reason to use it over Jasmine.
FizzBuzz (again!) Within your Mocha project, re-write the FizzBuzz test from the Jasmine Testing exercises, using assert
syntax. Refer to the docs as needed to find the matchers you need. Ensure that the test passes.
const fizzBuzz = require('../src/fizzBuzz');
const assert = require('chai').assert;
describe("fizzBuzz", function() {
it("should be defined", function() {
assert.exists(fizzBuzz);
});
it("should return 'fizz' when given a multiple of 3", function() {
assert(fizzBuzz(3), "fizz");
assert(fizzBuzz(6), "fizz");
});
it("should return 'buzz' when given a multiple of 5", function() {
assert(fizzBuzz(5), "buzz");
assert(fizzBuzz(10), "buzz");
});
it("should return 'fizzbuzz' when given a multiple of 3 and 5", function() {
assert(fizzBuzz(15), "fizzbuzz");
assert(fizzBuzz(30), "fizzbuzz");
});
});
expect
style assertions, referring to the docs as needed. Add assertions that:
metersToInches
are floatsmetersToInches
have the correct results:| input | value |
|---|---|
| metersToInches(0) | 0 |
| metersToInches(1) | 39.3701 |
| metersToInches(1.5) | 59.05515 |
| metersToInches(15.6) | 614.17356 |
['Fido', 'Fluffy', 'Roxy']
(Hint: if the equal
assertion fails, take a look at this article)Do the Mocha and Chai projects have their own internal tests? Read them and see how they are used.
Chai and Mocha blog post, link
Question: What are Mocha and Chai, and how do they work in your project? How do they differ from Jasmine?
Exercise: Every student should pick a Chai assertion, like .to.have.lengthOf
. Describe that matcher to the class and how it should be used.


Troubleshooting
What if my barcode scanner can't read the barcode?
If a barcode is unreadable by a barcode scanner it doesn't necessarily mean that this software is buggy. So before you send a bug report please consult the following checklist of things that can go wrong:
- Check the specifications of your barcode scanner to find out if the barcode you wanted to scan is even supported.
- Check your barcode settings. Make sure the module widths, for example, are within the specs. Barcode4J can not always detect in advance that a barcode will be unreadable.
- Depending on your printer you might need to adjust the barcode settings (e.g., wide factor or module width) to get a better result. If the printer resolution compared to the barcode size is poor (e.g., laser printers generally output higher resolution than inkjet printers), you will run into problems.
- Sometimes you need to play with the resolution and module width settings to get the best result.
- Example:
- The minimum module width can be computed by 1 / [resolution]. Example: 1 / 300dpi = 0.0033333333in. This results in narrow bars being exactly one pixel in width. For barcodes with a wide-factor parameter (like Codabar) you need to choose a non-fractional value in this case (2 or 3, not 2.5), because there is no "half a pixel" in bitmaps. If your values are too small, the barcode scanner won't be able to detect the difference between narrow and wide bars.
- Here's PDF that illustrates the result of various settings related to bitmap resolutions vs. module widths. Compare the various examples to see the subtle differences which can decide whether a barcode can be read or not: barcode-resolution.pdf (around 13KB)
- Make sure your printer is in good operating condition. Print a test page to see if you have any missing areas or vertical lines. If only one element of a 1D barcode is narrower than it should be (e.g., because the printer doesn't work properly) the barcode will no longer be readable.
- Be careful when printing bitmap barcodes from a browser. You can't just reduce the resolution to get the desired size. It is better to increase the resolution and use HTML to scale down the bitmap or ...(see next point)
- Avoid JPEG as target format for your barcodes (e.g. GIF, PNG or TIFF are better). JPEG is a lossy compression format and contrast will suffer and thus degrading the readability of the generated barcode.
- When possible, favor a vector format like SVG or EPS over a bitmap so you can profit from the printer's maximum resolution as well as a nicer-looking human-readable message. Of course, if your printer is a fax at only 150dpi, you may still need to tweak your barcode settings.
- Make sure you respect the quiet zones (defined in the individual barcode specs) when you place the barcode on a page.
- Make sure the barcode doesn't get clipped or overwritten by text.
- Make sure you use checksums properly. For some barcodes, you can supply a checksum yourself in the message or let Barcode4J calculate it. If you do it yourself make sure the calculation is correct.
What if my barcode scanner sends back some incorrect characters?
Barcode scanners connected to the the keyboard cable send the barcode to the computer as simulated key presses. You need to make sure your barcode scanner is correctly set up with the same character set as your keyboard. Please consult the manual for your barcode scanner to find out how to do that.
by Jeremias Märki


CHAPTER 41 DRDA
CHAPTER 42 Distributed DB2
CHAPTER 43 DB2 Connect
CHAPTER 44 Distribution Guidelines
CHAPTER 45 Data Warehousing with DB2


Class for handling Player movement and actions.
More...
Class for handling Player movement and actions.
◆ CalculateDirection()
| void PlayerController.CalculateDirection |
( |
| ) |
|
|
private |
Calculate the direction using the angle.
◆ Move()
| void PlayerController.Move |
( |
| ) |
|
|
private |
◆ RandomEncounter()
| void PlayerController.RandomEncounter |
( |
| ) |
|
|
private |
Handles random encounters of enemies.
◆ RemoveFocus()
| void PlayerController.RemoveFocus |
( |
| ) |
|
|
private |
◆ Rotate()
| void PlayerController.Rotate |
( |
| ) |
|
|
private |
◆ SetFocus()
◆ Shoot()
| void PlayerController.Shoot |
( |
| ) |
|
|
private |
◆ Start()
| void PlayerController.Start |
( |
| ) |
|
|
private |
◆ Update()
| void PlayerController.Update |
( |
| ) |
|
|
private |
Handles Player movement, attacking and dashing.
◆ agent
| NavMeshAgent PlayerController.agent |
Reference to NavMeshAgent that controls where the Player can move.
◆ angle
| float PlayerController.angle |
|
private |
Angle of rotation for the Player.
◆ attackCooldown
| float PlayerController.attackCooldown |
|
private |
Cooldown time for after attacking.
◆ attackIsCooling
| bool PlayerController.attackIsCooling |
|
private |
Check for if the attack is cooling down.
◆ canEncounterMonsters
| bool PlayerController.canEncounterMonsters |
Check for if the Player can encounter monsters.
◆ canMove
| bool PlayerController.canMove |
Check for if the Player can move.
◆ dashCoolDownTime
| float PlayerController.dashCoolDownTime |
|
private |
Cooldown time for after dashing.
◆ dashIsCooling
| bool PlayerController.dashIsCooling |
|
private |
Check for if dashing is cooling down.
◆ dashtime
| float PlayerController.dashtime |
|
private |
The duration the Player can dash for.
◆ focus
◆ inBattle
| bool PlayerController.inBattle |
Check for if the Player is in Battle.
◆ isDashing
| bool PlayerController.isDashing |
|
private |
Check for if the Player is dashing.
◆ movement
| Animator PlayerController.movement |
Animator that handles the movement and attack animations.
◆ projectile
| GameObject PlayerController.projectile |
◆ projectileSpawnPoint
| GameObject PlayerController.projectileSpawnPoint |
Spawn point for where the Projectile will shoot from.
◆ ray
◆ shootIsCoolingDown
| bool PlayerController.shootIsCoolingDown |
|
private |
Check for if the shooting is cooling down.
◆ sword
◆ targetRotation
| Quaternion PlayerController.targetRotation |
|
private |
Rotation for the Player to rotate to.
◆ turnSpeed
| float PlayerController.turnSpeed |
◆ velocity
| float PlayerController.velocity |
◆ waitTime
| float PlayerController.waitTime |
|
private |
The documentation for this class was generated from the following file:
- C:/Users/Shaki/Desktop/Final Year/Final Year Project/Withering/Withering/Assets/Scripts/Player/PlayerController.cs


DIRECTIONS
EVENT PAGE
P150 - Regular Entrance Fee
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Message to the Graduating Batch
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Please choose a date
NOTE: When requesting a room less than a week in advance, you must call the library (555-1234) to make the reservation
Meeting Room
Minimum Capacity: 4 Maximum Capacity: 145
Standard Fixtures:
Minimum Capacity: 4 Maximum Capacity: 145
Standard Fixtures:
- Blu-ray Player
- Hitachi WXGA Projector
- Kitchenette w/ refrigerator, sink, and microwave.
- Podium
- Shure Cardoid Gooseneck Microphone
- Stackable Chairs
- White board
- Wireless Microphone System w/Lavalier Mic
Conference Room
Minimum Capacity: 4 Maximum Capacity: 20
Standard Fixtures:
Minimum Capacity: 4 Maximum Capacity: 20
Standard Fixtures:
- 55" LED Monitor
- Conference Chairs
- Large Conference Table
- Side chairs
- White board


|
Age Range Description
|
Adult
|
|
Item Form
|
Dry
|
|
Flavor
|
Chicken;Vegetable
|
|
Allergen Information
|
Wheat, Fish, Gluten
|
|
Breed Recommendation
|
Small
|
|
Item Package Dimensions L x W x H
|
19.4 x 14.8 x 3.4 inches
|
|
Package Weight
|
14.30 Pounds
|
|
Item Dimensions L x W x H
|
3.5 x 14 x 23.5 inches
|
|
Item Weight
|
14 Pounds
|
|
Brand Name
|
Royal Canin
|
|
Target Audience Keyword
|
dogs
|
|
Directions
|
See suggested feeding guide on package
|
|
Warranty Description
|
100% SATISFACTION GUARANTEED If you are not completely satisfied with this product, Royal Canin will replace the
product or refund your purchase price. Contact us for more details. Store this product in a cool, dry place.
|
|
Model Name
|
Mini Adult Dry Dog Food
|
|
Size
|
14 lb
|
|
Age Range Description
|
adult
|
|
Number of Items
|
1
|
|
Manufacturer
|
IC Vendor Services LLC
|
|
Part Number
|
512514
|
|
Breed Recommendation
|
Small
|
|
Allergen Information
|
Wheat, Fish, Gluten
|
|
Specific Uses for Product
|
Weight Management, Active, Nutrition, Skin, Coat
|
|
Are batteries included?
|
No
|
|
Are batteries required?
|
No
|
|
Flavor
|
Chicken;Vegetable
|
|
Item Form
|
Dry
|
|
Model Number
|
512514
|


<flow-repeat >
Use flow-repeat to repeat Arrays
neu
<template is="flow-repeat" >
Use flow-repeat to repeat Arrays


Note
Please only use pypairs
>= 3.0.0.
Release notes¶
Version 3.0.0, TBD¶
Version 2.0.1 - 2.0.6, Nov 22, 2018¶
- Minor bug fixes and improvements.
Version 2.0.0, Aug 14, 2018¶
Version 1.0.1 - 1.0.3, Jul 29, 2018¶
- Bug fixes and improvements. (Mostly bugs though)
- Added multi-core processing
Version 1.0.0, Mar 4, 2018¶
- Speed and performance improvements.
Version 0.1, Feb 22, 2018¶
- Simple python reimplementation of the Pairs algorithm.
- Included sandbag() and cyclone() algorithms


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16.4
Conclusion
Although Windows NT comes with many GUI tools to assist with machine
administration, the process is often complicated by site-specific
requirements or by the sheer volume of operations that must be
performed. This chapter demonstrated some techniques that help
automate the administration of a Windows NT Network. We demonstrated
how users, user groups, share, and server information can be perused
and maintained using Python, and provided example Python programs
that can be tailored by an administrator for their particular task at
hand.


APL font based on the font from Sharp APL for Unix, featuring italic slab-serif/curly letters from IBM’s Selectric “Italic 12” font paired with upright digits and vertically centered symbols, thus clearly distinguishing classic confusables like Il|, Oo0, L⌊, l1, and even I⌶, ı⍳, a⍺, and w⍵.
Supports every special character used by any APL implementation:
+-×÷⌈⌊*⍟|!○~∨∧⍱⍲<≤=≥>≠.@≡≢⍴,⍪⍳↑↓?⍒⍋⍉⌽⊖∊⊥⊤⍎⍕⌹⊂⊃∪∩⍷⌷∘→←⎕⍞/⌿\⍀¨⍣&⍨⌶#⊆⍥⊣⊢⍠⍤⌸⌺⍸()[];⍝⋄:⍬{}∇#⍺⍵⍶⍹"ᐵᑈ√⍡⍁∙⌾⍢⍫$…⌂∞⍛⍧%⊇⍮⍭⊙⍦π⍇⍈⍐⍗λχ
And many additional mathematical and typographical symbols:
¦‖∤∦∫∮¬°±∓µ·∶∴∵∷¼½¾↔↕↨∉∸∽≁≂≃≄≈≉≖≣≬≮≯≰≱⊄⊅⊈⊉⊕⊖⊗⊘⊛⊻⊼⊽⋔⋜⋝⌈⌉⌊⌋◆◉●∎
`´¡¿‼‽⁉¢£¤¥ © ® ºª«»‘’‚‛“”„‟§¶
Line drawing characters:
┌─┬┐
│ ││
├─┼┤
└─┴┘
The full Unicode APL range, including both uppercase and lowercase underscored alphabets, and as-of-yet unused symbols:
ⒶⒷⒸⒹⒺⒻⒼⒽⒾⒿⓀⓁⓂⓃⓄⓅⓆⓇⓈⓉⓊⓋⓌⓍⓎⓏ
ⓐⓑⓒⓓⓔⓕⓖⓗⓘⓙⓚⓛⓜⓝⓞⓟⓠⓡⓢⓣⓤⓥⓦⓧⓨⓩ
⌻⌼⍁⍂⍃⍄⍅⍆⍊⍌⍍⍏⍑⍓⍔⍖⍘⍚⍯⍰
Extensive set of accented Latin letters:
ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïðñòóôõö÷øùúûüýþÿĆćĈĉĊċĖėĠġĢģĤĥĨĩİıĴĵĶķĹĺĻļŃńŅņŔŕŖŗŚśŜŝŞşŢţŨũŴŵŶŷŸŹźŻżƑƒǴǵǸǹǼǽǾǿȘșȚțȨȩȮȯ
Sample APL code:
w←⊃(⊃0⍴⍵){ ⍝┌┌─2─┐ monadic; use ↓ (e a)←|⍺ ⍝├ 0 0 1 1 1 dyadic; use / T←⌽⍣(0>⊃⌽⍺) ⍝└──→⍺⍺←─────┐ Pad←⍵⍵⍉(T⊣)⍪⍵⍪(T⊢) ⍝ ┌⍺┐ ⌺ │ need←(1+e),1↓⍴⍵ ⍝ ┌─────⍵⍵──┐┘ a=0:(1↓need⍴0↑⍵)Pad(1↓need⍴0↑⊢⍵) ⍝ 0 0│1 2 3 4 5│0 0 Zero a=1:(1↓need⍴1↑⍵)Pad(1↓need⍴1↑⊖⍵) ⍝ 1 1│1 2 3 4 5│5 5 Replicate a=2:(⊖¯1↓need⍴⊢⍵)Pad(¯1↓need⍴⊖⍵) ⍝ 2 1│1 2 3 4 5│5 4 Reverse a=3:(⊖⊢1↓need⍴⊢⍵)Pad(⊢1↓need⍴⊖⍵) ⍝ 3 2│1 2 3 4 5│4 3 Mirror a=4:(⊖¯1↓need⍴⊖⍵)Pad(¯1↓need⍴⊢⍵) ⍝ 4 5│1 2 3 4 5│1 2 Wrap }(¯1⌽⍳≢⍴⍵)/(⌽extra,¨⍺⊣0),⊂⍵ ⍝ └────⍵────┘
Sample text:
APL (named after the book A Programming Language) is a programming language developed in the 1960s by Kenneth E. Iverson. Its central datatype is the multidimensional array. It uses a large range of special graphic symbols to represent most functions and operators, leading to very concise code. It has been an important influence on the development of concept modeling, spreadsheets, functional programming, and computer math packages. It has also inspired several other programming languages.
And last, but not least, the IPSA logo:


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graph module
Finding paths and tours between cities.
This undirected weighted graph is from Activity 5.1 of Unit 5 of M269.
The shortest distance between two cities can be computed in two different ways:
>>> start = "Luton"
>>> end = "Penzance"
>>> cities.weight(cities.shortest_path(start, end))
284
>>> cities.weighted_distance(start, end)
284
Although all cities are directly connected to each other, the shortest path is not necessarily the direct path.
>>> cities.shortest_path(start, end)
['Luton', 'Nuneaton', 'Penzance']
- examples.graph.print_graph(graph)
Print the number of nodes and edges, and each edge.


Experience designer, storyteller, photographer. Passionate about breakfast foods. Has a favorite kind of pine tree.


BIG NIGHT A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
United States, 1996 U.S. Release Date: beginning 9/27/96 (limited) Running Length: 1:55 MPAA Classification: R (Profanity, mature themes) Theatrical Aspect Ratio: 1.85:1
Cast: Stanley Tucci, Tony Shalhoub, Isabella Rossellini, Ian Holm, Minnie Driver, Allison Janney, Marc Anthony, Campbell Scott Directors: Campbell Scott and Stanley Tucci Producer: Jonathan Filley Screenplay: Joseph Tropiano and Stanley Tucci Cinematography: Ken Kelsch Music: Gary DeMichele U.S. Distributor: The Samuel Goldwyn Company
From time immemorial, the experience of eating a good meal has been regarded as one of life's most hedonistic pleasures. In a recent survey, more than 50% of Americans indicated they would rather eat a memorable dinner than experience a night of uninhibited sex. Motion pictures, ever reflective of the cultures that spawn them, have always recognized the potential for food-related stories. Recent films like BABETTE'S FEAST and EAT DRINK MAN WOMAN have sent audiences home sated. Now, there's a new entry on the menu: BIG NIGHT, the directorial debut of actors Stanley Tucci and Campbell Scott. And, while perhaps not as sumptuous as the previously-mentioned entrees, it's nevertheless a tasty main course.
Events in BIG NIGHT reminded me of the so-called "Pizza wars" of the 1980s. With the advent of the chain Dominos, with their "we deliver anywhere for free" slogan, the entire business changed. Suddenly, local pizzerias were fighting for their lives. People, it seems, didn't care about quality. For the simple convenience of not having to get off the sofa, many preferred eating flavored cardboard to real pizza. In the end, a number of small outfits that elected not to implement free delivery went out of business, regardless of how good their product was.
BIG NIGHT examines a similar battle in a different setting. During the 1950s in the seaside resort of Keyport, New Jersey, two brothers -- master chef, Primo Pilaggi (Tony Shalhoub) and his maitre d' brother, Secondo (Stanley Tucci) -- open an authentic Italian restaurant called the Paradise. Not many customers frequent this small establishment, however -- there aren't free side orders of pasta, the lovingly-prepared food takes too long to reach the tables, and there's no live performer. Across the street is Pascal's Italian Grotto, which nightly draws full houses for its cheap, plentiful, familiar Italian fare and lively ambiance. In fact, many evenings after closing the Paradise, Secondo stops by to have a drink with his friend, the exuberant Pascal (Ian Holm, in a deliciously over-the-top role).
Not surprisingly, the Paradise is in financial trouble. Foreclosure is imminent. Secondo wants to make a few changes to broaden the restaurant's popularity, but Primo is against capitulating to "Philistines" who can't recognize good food from "the rape of cuisine" that is available at the Italian Grotto. For Primo, an uncompromising purist, "to eat good food is to be close to God." He tells his brother, "If you give people time, they will learn" to appreciate what the Paradise has to offer. The problem is, the brothers' time is almost up.
Pascal, who respects both Primo and Secondo, offers his help. He assures the brothers that when famous singer Louis Prima is in town next week, he will invite him and his band to dine at the Paradise. To celebrate the event, Primo and Secondo prepare the feast of a lifetime, aware that if everything doesn't go right, this one expensive evening could turn out the be their Last Supper.
Not only is BIG NIGHT a wonderful expression of the passion for food, and, by extension, for life, but it serves as a metaphor for the fight of independent artists against the establishment. Taking the film industry as an example, the Paradise could be the local art house with Pascal's as the multiplex. The parallels are plentiful, with customers at the more eclectic site complaining when they get something that's not the recycled fare they were expecting. The Italian Grotto caters to the masses, giving them a flashy meal without the originality and excellence that can be found at the smaller, less ostentatious location across the street.
The centerpiece of BIG NIGHT is, obviously, the big night -- everything from the preparation to the serving of the dishes comprising the multi-course dinner. Once the party gets underway, there's singing, dancing, drinking, and, of course, eating. Lots and lots of eating. For everyone, it's an evening to remember as Primo finds himself, Secondo wonders what he really wants from life, and the two brothers rediscover something they've known all along: that food, like love, is an unspoken, universal means of communication. This realization is cemented the next morning, when, in an unbroken five-minute take, Secondo prepares an omelet that he and his brother wordlessly share.
While Primo and Secondo anchor the film, the guests at the party add flavor and color to the night's festivities. They include Pascal's mistress, the sensuous Gabriella (Isabella Rossellini); Secondo's earthy, charming girlfriend, Phyllis (Minnie Driver, the best thing about CIRCLE OF FRIENDS); Primo's would-be flame, Ann (Allison Janney); and a car salesman (Campbell Scott) who's always ready with a pitch.
The cast is wonderful, as is the direction by Scott and Tucci. The bond between brothers is developed in a believable way, with the usual mix of friction and wordless affection. In addition to their deft skill with light drama, the directors understand well-placed humor, and throw just the right amount of comedy into the mix to make BIG NIGHT fun without turning it into an outright farce. Watch for a visual joke featuring a lamp in Pascal's office and some wordplay about whether it can rain inside.
When it comes to seeing BIG NIGHT, two words say it all: Bon appetite!
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Question to the Audience
What is your skill level on React? (i.e. how many projects have you
deployed?)
Gatsby's origin?
The original prototype was built to solve festival/conference
website issues.
Why Use Gatsby
- Incredibly newbie-friendly documentation
-
No requests to reload the entire page. Content-swapping.
- Automatic optimization. (lazyload)
- Plugins (up to 5000+)
-
Export super fast/SEO friendly websites (Helmet)
- Hotloading - immediate rendering
- Offline/Serviceworker out of the box
Who uses Gatsby?
How does Gatsby deploy to production?
Trick question.
- Build command generates pure html/css/js
-
Upload anywhere. (github, netlify, contentful, $3 shared
server...)
-
Netlify + Gatsby (for continuous deployment from public or private
repos)
Let's look at the code at talk about:
- Gatsby Develop
- How this data is being pulled
- Hotloading/Devtools
- File Structure
- GraphQL Basics
- styled-components
Next ➡ GraphQL
What is GraphQL trying to solve?
What is GraphQL trying to solve?
A lot of companies switched from RESTful to GraphQL APIs for internal usage: IBM, Twitter, Walmart Labs, The New York Times, Intuit, Coursera, and the list goes on an on. They claim they like it and they like very much.
Other companies switched not only internal but their external APIs to GraphQL: AWS, Yelp, GitHub, Facebook, and Shopify among others. GitHub went so far as not even bothering with REST API. Their v4 is GraphQL-only.
The GraphiQl editor
Gatsby's future?
- Less crappy image integration
-
Better optimization for large websites (5000+ pages)
-
Reducing prefetch data (all resources are currently
content-hashed)
Final Verdict?
-
Gatsby has revolutionized what Static Site Generators are. (https://www.staticgen.com/>)
- Gatsby has a place for small websites. (Portfolio, documentation, small stores)
- Gatsby has a place for sites with open APIs (Headless WordPress)


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This operates on TRON Blockchain ecosystem and DApps, Transacations happen at lightning speed.
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LOVERS OF THE ARCTIC CIRCLE, THE (AMANTES DEL CIRCULO POLAR, LOS) (director/writer: Julio Medem; cinematographer: Gonzalo F. Berridi; cast: Fele Martinez (Otto), Najwa Nimi (Ana), Nancho Novo (Alvaro), Maru Valdivielso (Olga), Peru Medem (Otto (child)), Sara Valiente (Ana (child)),Victor Hugo Oliveira (Otto (teenager)), Kristel Diaz (Ana (teenager)), 1998-Spain)
Reviewed by Dennis Schwartz
This is a hopelessly romantic film that traces in three parts the lives of two children who fortuitously meet as eight year olds and feel destined to each other for different reasons, who as teenagers consumate their love, and when adults, they have been separated for a long time, try desperately to find each other again. Their lives are compared to how mythical and circular things are, and how one's fate is circular, and how it is not fate alone but free will that determines what happens.
Two eight year olds attending nearby boys and girls schools, who both happen to have palindromic names, Otto (Fele Martinez, Otto as an adult) and Ana (Najwa Nimi, Ana as an adult), which is one of many coincidences that Spain's influential film director, Julio Medem (The Red Squirrel/Earth/Cows), uses to tell his dour love story about romantic obsession and fate. The two children form a 17- year relationship from their casual meeting over a soccer ball lost in the woods and from a question posed on a paper airplane flown out of the school bathroom window by Otto and retrieved in the adjacent schoolyard by Ana, who says, "It is too lovely a question about love for any boy to have written." The audience is not told what that question was, except that one student says, as he recovers one of the many paper planes flown with the same question written on it, "It's corny." Another student says, "It's embarrassing." In truth, those comments crossed my mind about many aspects of this film, as I waivered about my feelings toward the story, as spellbinding as the overall film was, because the story, in parts, did feel "corny."
What's important about that unseen question, that Otto's father says is the most important one in life and Ana's mother says how romantic it is, is that it links the parents together, as they meet each other through their children on the day Otto flew all those paper planes onto the school grounds and when Otto's divorced father, Alvaro (Novo), is taking Otto back home to his German mother from school. The parents hit it off and become lovers driving the children home from school everyday from now on and will soon get married, so that in a rapidly short period of time the children go from being strangers, to being acquaintances, to being brother and sister, and then to being secret teenage lovers.
The film can be told either backward or forward in time (which plays up its palindrome theme), it starts from the plane crash at the end of the film and it haphazardly veers back from there to the beginning and later portions of their lives, as the story is interpreted through the eyes of either Ana or Otto, with sometimes different versions of the same scene being told.
Medem makes a symbolic point about relating the children's lives to a circle, where there is no real ending or beginning to their story. Otto states that every life should include numerous circles and the Arctic Circle becomes one of the symbolic physical circles used, as it becomes the location where the frustrated 25-year-old lovers will meet for the last time, after their real life seems to be going around in circles. There are several other symbolic devices that are used by Medem a bit more obtusely (like empty gas tanks), and one of those images might even be considered prophetic, the repeated image shown of a car stopping short of a collision with a red bus.
The solid story is befuddled with versions showing how the imagination of the two differs from the supposed reality of the story, which should leave the audience scratching their heads to try and figure out what is actually happening. But the straight story goes something like this: Ana interprets her first meeting with Otto in the woods to be an omen that her father is trying to communicate with her, as she has just received the news from her mother, Olga (Maru), that her father died in a car crash. By believing that he is reincarnated as Otto and speaks to her through him, she finds a satisfying sort of solace with her father's death. Otto did not know what to make of this chance meeting with her but was strongly attracted to her and felt they shared a true bond, and that she will be a part of his destiny.
And destiny is one of the subtexts that Medem coyly toys with, as we learn that Otto got his name from a German Nazi pilot who flew a bombing mission over Guernica during the Spanish Civil War and crashed his plane but was rescued by Otto's grandfather. Otto has from early on, had an obsession with planes and will grow up to become a pilot and will eventually meet that same pilot in Finland, who had married a Spanish woman he met while trying to escape from Spain. When he meets the pilot, his wife is already dead, as that is in tune with the theme of the film, where a loved one either dies, is not found, or gets divorced. The story stretches the coincidences to a point of incredibility and becomes more tainted with its philosophical message than a typical romance film usually is, as Medem carries out the argument that both reality and fiction can be likened to a series of circles that interconnect through the efforts of coincidences that may not make sense to our mortal eyes, but these circles are present, in either physical places or in events taking place in one's life.
Happiness does not last forever (nothing does according to Medem), and into the couple's seemingly tranquil new marriage comes a major setback, the stepmother cheats on Otto's father with no reason given except it is implied that these things just happen, just like Alvaro left his wife for no particular reason. The other man is not only also named Alvaro, but he is the son of the German pilot Otto's grandfather rescued, and he will marry Olga; and, Otto's father, who was madly in love with her, will become a broken and lonely man as a result of the separation. The teenage Otto, who was living with his German mother all this time, moves out of her house to be with the only female he loves more than his mother, as he now lives under the same roof with Ana. But this breaks his mother's heart and she drops dead one day when she is cleaning lettuce, presumably from a broken heart, and this has a traumatic effect on him, as he feels guilty about leaving her and thereby abandons his father's new family and goes off without telling anyone where he is. There is one scene where Ana and him are in the same outdoor cafe in Madrid, but fail to see each other, even though sitting at tables with their backs next to each other, which outlines the course fate will take for the two of them.
After her mother's new marriage to the other Alvaro, Ana becomes the lover of someone she met in that Madrid cafe where the fated lovers did not meet, Otto's elementary school teacher, and will live with him for four-years. She also will become an elementary school teacher, as again, things are shown to go around in circles. But she leaves her older lover, pulled toward finding Otto again. And, she gets that chance after another coincidence occurs. Her new stepfather hooks her up with his father, who is the Otto that Otto was named after, and the former German pilot will let her stay in a cabin he owns in Finland, where she will await for her Otto to rescue her from her unhappiness. He is now a mail-delivery pilot, seen doodling circles on his pilot's map while circling around the Antarctic Circle, and is still pining for Ana, as he suffers from his decision to be alone. His life seems to be damaged by his misunderstandings and miscommunications, which have prevented him from being with the one he loves.
As you might suspect by now, this film is not going to be clearly resolved. Why should it be at this point, it has teased the audience from the opening scene onward and there is no reason why the ending shouldn't also be speculative.
Ana sends a letter to Otto's father, a letter that Otto actually delivered himself without realizing it was from Ana, and he reads it when he visits his lonely and aging father to cheer him up. In the letter, is the same note that she sent to the teenage Otto, when she was encouraging him to be her lover and climb through her bedroom window, by stating: "Be brave!"
The film will end on two differing versions, one is labeled "Ana's Eyes" and the other "Otto in Ana's Eyes." In the first version, there is a happy ending, as Otto parachutes to safety on the grounds of Ana's Arctic Circle cabin and just misses her, but finally comes into her arms in the pilot's apartment and supposedly will find some renewed happiness in his life. Though, even in this type of traditional Hollywood ending that has pleased movie goers of romantic films for generations now, the director has his doubts if there is any state of being that can be permanent. In the second version, there is a sad ending, as Otto goes to meet Ana and sees her crossing the street clutching a newspaper with a picture of a downed plane, grief-stricken, thinking that Otto has died, and she is hit by a red bus and dies. In the final shot, there is a picture of Otto in her eyes. Which one is the true version probably doesn't matter, as the director will allow you to believe whatever you want to. If you are interested in my guess, it would be the later version, the story seems to flow in that direction. Most people I know, were put off by this slick ending, and question the filmmaker's real intentions for playing with the audience like this. As for me, it wasn't the ending that bothered me about this breathlessly beautiful film, with its stunning shot of the midnight sun and of the Arctic wildlands, as much as the story getting lost in trying to be too fanciful, playing with my expectations for things to work out for these amenable lovers and then not delivering any firm message but what seems to be at first glance, only, a pretentiously philosophical one. And, by not staying on target with the romantic part of the story, but drifting around in circles, where the coincidences are just too much for any two people to experience in a lifetime, the film becomes marginalized and makes it seem like a philosophy exercise, albeit an absorbing one, but one that is, nevertheless, less dramatic and more melodramatic than it should be.
But what I found strangely pleasant about the film, was that even though I was somewhat put off by the tricks employed throughout the story, I still found myself caught up in the dynamics of the characters and how commonplace their lives were, that is, if you could discount all the chance encounters. This made me realize that it didn't matter if this film wasn't going to meet my expectations about what should be happening or if its philosophy was overtly too oblique; the film had a special quality about it that got its message across despite being off target.
The directors son, Peru Medem, Otto as a child, gave a dreamlike performance as someone who is wrapped up in innocence and desire, which is tearing at the fabric of his being, and he made the story come to grips with what it was about or should have been about, the obsessive love one has for someone, a love that is inexplicable and can't be explained away by rationality or palindromes or reflections. Victor Hugo Oliveira, as the teenage Otto, twisted up inside by the strange love relationship he is going through, was delivering a sensitive performance, as this relationship was intriguing, dangerously close to being incestuous, but was one that was not clarified any further, to the detriment of the film but to no fault of the actor. Therefore, the startling ending to the film became less important to comprehend, because the heart of the film wasn't explored as much as it should have been. The strangeness of this film, is that its haunting use of language and visuals to fill in the blanks for the characters, still overshadows its melodramatic story and keeps the pot boiling, even when you might think the film is skiing lumberingly uphill instead of gracefully downhill and is about to slip and slide downhill in a crackup. But that never happens because the film has a special elusive quality about it that original films seem to always have.
Thusly, I felt caught up in the film's magical spell despite the many reservations I had about the manipulations the director used, as he ultimately proved that he has weaved a tale about the darkened lovers and their near-misses and made it into a tale of haunting characterizations, leaving something mysterious about this intangible and intelligent film that held my undivided attention throughout.
REVIEWED ON 10/30/99 GRADE: B-
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


RDO.Data Overview
RDO.Data is the core of RDO.Net. It helps developers to build data and business layer of the your applications:
RDO.Data Architecture
Building on top of ADO.Net, RDO.Data implements relational schema and data into a comprehensive yet simple object model:
The following data objects are provided with rich set of properties, methods and events:
- Model/Model<T>: Defines the meta data of model, and declarative business logic such as data constraints, automatic calculated field and validation, which can be consumed for both database and local in-memory code.
- DataSet<T>: Stores hierarchical data locally and acts as domain model of your business logic. It can be conveniently exchanged with relational database in set-based operations (CRUD), or external system via JSON.
Db
: Defines the database session, which contains:- DbTable<T>: Permanent database tables for data storage;
- Instance methods of
Db
class to implement procedural business logic, using DataSet<T> objects as input/output. The business logic can be simple CRUD operations, or complex operation such as MRP calculation:- You can use DbQuery<T> objects to encapsulate data as reusable view, and/or temporary DbTable<T> objects to store intermediate result, to write stored procedure alike, set-based operations (CRUD) business logic.
- On the other hand, DataSet<T> objects, in addition to be used as input/output of your procedural business logic, can also be used to write in-memory code to implement your business logic locally.
- Since these objects are database agnostic, you can easily port your business logic into different relational databases.
- DbMock<T>: Easily mock the database in an isolated, known state for testing.
The following is an example of business layer implementation, to deal with sales orders in AdventureWorksLT
sample. Please note the example is just CRUD operations for simplicity, RDO.Data is capable of doing much more than it.
private async Task EnsureConnectionOpenAsync(CancellationToken ct)
{
if (Connection.State != ConnectionState.Open)
await OpenConnectionAsync(ct);
}
public async Task<DataSet<SalesOrderInfo>> GetSalesOrderInfoAsync(_Int32 salesOrderID, CancellationToken ct = default(CancellationToken))
{
var result = CreateQuery((DbQueryBuilder builder, SalesOrderInfo _) =>
{
builder.From(SalesOrderHeader, out var o)
.LeftJoin(Customer, o.FK_Customer, out var c)
.LeftJoin(Address, o.FK_ShipToAddress, out var shipTo)
.LeftJoin(Address, o.FK_BillToAddress, out var billTo)
.AutoSelect()
.AutoSelect(c, _.Customer)
.AutoSelect(shipTo, _.ShipToAddress)
.AutoSelect(billTo, _.BillToAddress)
.Where(o.SalesOrderID == salesOrderID);
});
await result.CreateChildAsync(_ => _.SalesOrderDetails, (DbQueryBuilder builder, SalesOrderInfoDetail _) =>
{
builder.From(SalesOrderDetail, out var d)
.LeftJoin(Product, d.FK_Product, out var p)
.AutoSelect()
.AutoSelect(p, _.Product)
.OrderBy(d.SalesOrderDetailID);
}, ct);
return await result.ToDataSetAsync(ct);
}
public async Task<int?> CreateSalesOrderAsync(DataSet<SalesOrderInfo> salesOrders, CancellationToken ct)
{
await EnsureConnectionOpenAsync(ct);
using (var transaction = BeginTransaction())
{
salesOrders._.ResetRowIdentifiers();
await SalesOrderHeader.InsertAsync(salesOrders, true, ct);
var salesOrderDetails = salesOrders.GetChild(_ => _.SalesOrderDetails);
salesOrderDetails._.ResetRowIdentifiers();
await SalesOrderDetail.InsertAsync(salesOrderDetails, ct);
await transaction.CommitAsync(ct);
return salesOrders.Count > 0 ? salesOrders._.SalesOrderID[0] : null;
}
}
public async Task UpdateSalesOrderAsync(DataSet<SalesOrderInfo> salesOrders, CancellationToken ct)
{
await EnsureConnectionOpenAsync(ct);
using (var transaction = BeginTransaction())
{
salesOrders._.ResetRowIdentifiers();
await SalesOrderHeader.UpdateAsync(salesOrders, ct);
await SalesOrderDetail.DeleteAsync(salesOrders, (s, _) => s.Match(_.FK_SalesOrderHeader), ct);
var salesOrderDetails = salesOrders.GetChild(_ => _.SalesOrderDetails);
salesOrderDetails._.ResetRowIdentifiers();
await SalesOrderDetail.InsertAsync(salesOrderDetails, ct);
await transaction.CommitAsync(ct);
}
}
public Task<int> DeleteSalesOrderAsync(DataSet<SalesOrderHeader.Key> dataSet, CancellationToken ct)
{
return SalesOrderHeader.DeleteAsync(dataSet, (s, _) => s.Match(_), ct);
}
RDO.Data Features, Pros and Cons
RDO.Data Features
- Comprehensive hierarchical data support.
- Rich declarative business logic support: constraints, automatic calculated filed, validations, etc, for both server side and client side.
- Comprehensive inter-table join/lookup support.
- Reusable view via DbQuery<T> objects.
- Intermediate result store via temporary DbTable<T> objects.
- Comprehensive JSON support, better performance because no reflection required.
- Fully customizable data types and user-defined functions.
- Built-in logging for database operations.
- Extensive support for testing.
- Rich design time tools support.
- And much more...
Pros
- Unified programming model for all scenarios. You have full control of your data and business layer, no magic black box.
- Your data and business layer is best balanced for both programmability and performance. Rich set of data objects are provided, no more object-relational impedance mismatch.
- Data and business layer testing is a first class citizen which can be performed easily - your application can be much more robust and adaptive to change.
- Easy to use. The APIs are clean and intuitive, with rich design time tools support.
- Rich feature and lightweight. The runtime
DevZest.Data.dll
is less than 500KB in size, whereasDevZest.Data.SqlServer
is only 108KB in size, without any 3rd party dependency. - The rich metadata can be consumed conveniently by other layer of your application such as the presentation layer.
Cons
- It's new. Although APIs are designed clean and intuitive, you or your team still need some time to get familiar with the framework. Particularly, your domain model objects are split into two parts: the Model/Model<T> objects and DataSet<T> objects. It's not complex, but you or your team may need some time to get used to it.
- To best utilize RDO.Data, your team should be comfortable with SQL, at least to an intermediate level. This is one of those situations where you have to take into account the make up of your team - people do affect architectural decisions.
- Although data objects are lightweight, there are some overhead compares to POCO objects, especially for the simplest scenarios. In terms of performance, It may get close to, but cannot beat native stored procedure.


Events
javascript
jQuery
HTML item has been clicked
HTML item has been double clicked
presses a key on the keyboard
press key
press key
mouse over
hover here
hover here
changes a value
When an image is loaded
When an image fails to load
When a form is submitted
When a checkbox is checked or unchecked
checkbox
checkbox
item is clicked, show the item clicked
- javascript
- python
- C++
- Go
- javascript
- python
- C++
- Go
function
javascript
jQuery
Create an HTML element with any text value
Remove an HTML element with any text value
Append an HTML element
- javascript
- python
- C++
- javascript
- python
- C++
Prepend an HTML element
- javascript
- python
- C++
- javascript
- python
- C++
Create and add an HTML element with any text value after another element
- javascript
- python
- C++
- javascript
- python
- C++
Create and add an HTML element with any text value before another element
- javascript
- python
- C++
- javascript
- python
- C++
Clone an HTML element within other element
- javascript
- python
- C++
- GO
- javascript
- python
- C++
- GO
Add a class to an HTML item
- javascript
- python
- C++
- Go
- javascript
- python
- C++
- Go
Remove a class to an HTML item
- javascript
- python
- C++
- Go
- javascript
- python
- C++
- Go
Toggle a class of an HTML item
- javascript
- python
- C++
- Go
- javascript
- python
- C++
- Go
Add a disabled attribute to an HTML button
Remove the disabled attribute of an HTML button
Set a data-src attribute to a img eleme
Remove the data-src attribute of the img element
Hide an HTML element on click (display: none)
Hide me
Hide me
Show an HTML element on click (display: block)
Show me
Show me
Fade in an HTML element using jQuery
Fade out an HTML element using jQuery
Selector
javascript
jQuery
Iterate a collection of elements and apply a change of style on them
- javascript
- python
- C++
- Go
- javascript
- python
- C++
- Go
Get the parent element of a certain element and change its font weight
- language
- javascript
- python
- C++
- language
- javascript
- python
- C++
Get the collection of children of a certain element and change its font weight
- language
- javascript
- python
- C++
- language
- javascript
- python
- C++
Get all the elements that have a certain class and change their font weight
- language
- javascript
- python
- C++
- language
- javascript
- python
- C++
Get an item by id and change its font weight
- language
- javascript
- python
- C++
- language
- javascript
- python
- C++
Get all the elements that have a certain class and the display property of none
- language
- javascript
- python
- C++
- language
- javascript
- python
- C++
Get the options of a select element that are selected (attribute selected)
Change the href attribute of the first a element
Show an alert with the value of the first input of the page
Remove all items from a specific selector
Animate an item after 2 seconds from the initial page load


Please enter society name
Please select date of establish
Please enter address
Please select address on map
Please Enter owner's name
Please enter owner's valid 10 digit contact number
Please Enter Chairmen's name
Please enter chairmen's valid 10 digit contact number
Please Enter Secretary's name
Please enter secretary's valid 10 digit contact number
Please Enter treasurer's name
Please enter treasurer's valid 10 digit contact number
Please enter valid Merchant ID
Please enter valid merchant key
Please enter valid merchant salt
Please select cover image
Please select logo image
Please select society manager
Uncroped image will not save.


FreeWallet would now like you to select an account on your Trezor device and export the public key for that account. This public key will be used to generate a list of addresses which you can then choose to import into FreeWallet.
Please click the button below to get started
Select Wallet Addresses
Step 2 of 3
Please select the addresses that you want to add to Freewallet and click 'Import'
Import Complete
Step 3 of 3
Your Trezor hardware wallet addresses have been imported to FreeWallet.


Merge Sort
Conceptually, a merge sort works as follows:
-Divide the unsorted list into n sublists, each containing 1 element (a list of 1 element is considered sorted).
-Repeatedly merge sublists to produce new sorted sublists until there is only 1 sublist remaining. This will be the sorted list.


Alex:
I believe this Map will lead us to the prince's gold! I wonder how that delu Lizardman got this?
If we can get to the gold before our opponents we will be able to hire soldiers and buy weapons with which to defend the village.
Think of this as your last test. You must find the other parts of this Map and get the prince's lost Gold Bar.
Whether you are successful or not, I will write you the letter of Recommendation you need.
Agree to search for the Gold Bar


Home
Appointments
my medicines
Profile
Logout
Enter Appointment ID :
Enter
No Appointment ID entered


The task for this week was to use photo v-carve to print out a picture. I was intrigued by how many different functions V-Carve has!
When Ran and I were deciding which photos to choose, we decided to choose the selfie we took to capture our first welding journey! Sadly, our first few attempts in printing are not as good as the latter ones.
I will guide you through Ran and my journey in using photo v-carve and show you our outcome!
This is how our four projects turned out. 1) The problem with the first file was that the details were too fine - so it was hard to notice the difference in hue.
2) Therefore, we made the depth deeper, and the result turned out to be a little better (but not enough to satisfy Ran)
3) Devastated, we decided to try the horizontal cut with deeper depth, but the result was disappointing.
4) Mr. Gerber gave us a manual, and we followed the settings as it was listed in the manual. We chose a shallow groove and it was the best of all attempts!
Getting to use photo V-Carve was really interesting. Who would have imagined we can now print pictures, or even, carve pictures on wood? While it was frustrating at times to see unsatiable results, I got to learn from my mistakes. When I use this next time, I will not rely too much on the preview, and actually test print it on a smaller piece before going on to print the actual object. That way, I will be able to know exactly what depth it will cut through, and get a better idea of how it would turn out.
The files were too big to attach! :(


Abstract base class for collsion shape types. More...
#import <ChipmunkShape.h>
Inherits ChipmunkBaseObject-p.
Inherited by ChipmunkCircleShape, ChipmunkPolyShape, and ChipmunkSegmentShape.
Public Member Functions | |
| (cpBB) | - cacheBB |
| Update and cache the axis-aligned bounding box for this shape. | |
| (bool) | - pointQuery: |
| Check if a point in absolute coordinates lies within the shape. | |
Properties | |
| cpShape * | shape |
| Returns a pointer to the underlying cpShape C struct. | |
| ChipmunkBody * | body |
| The ChipmunkBody that this shape is attached to. | |
| cpBB | bb |
| The axis-aligned bounding box for this shape. | |
| BOOL | sensor |
| Sensor shapes send collision callback messages, but don't create a collision response. | |
| cpFloat | elasticity |
| How bouncy this shape is. | |
| cpFloat | friction |
| How much friction this shape has. | |
| cpVect | surfaceVel |
| The velocity of the shape's surface. | |
| id | collisionType |
| An object reference used as a collision type identifier. | |
| id | group |
| An object reference used as a collision group identifier. | |
| cpLayers | layers |
| A layer bitmask that defines which objects. | |
| id | data |
| An object that this shape is associated with. |
Abstract base class for collsion shape types.
- (id) collisionType [read, write, assign] |
An object reference used as a collision type identifier.
This is used when defining collision handlers.
delegate
properties this is a weak reference and does not call retain
. - (id) data [read, write, assign] |
An object that this shape is associated with.
You can use this get a reference to your game object or controller object from within callbacks.
delegate
properties this is a weak reference and does not call retain
. This prevents reference cycles from occuring. - (id) group [read, write, assign] |
An object reference used as a collision group identifier.
Shapes with the same group do not collide.
delegate
properties this is a weak reference and does not call retain
. - (cpVect) surfaceVel [read, write, assign] |
The velocity of the shape's surface.
This velocity is used in the collision response when calculating the friction only.


C
Flags
CPU
mos6502
CPU6502
mos6502
CharViewer
mos6502
charLiteral
AssemblyParser
clc
Instructions
cld
Instructions
clear
CPU
RAM
VideoRAM
clearBreakpoint
Emulator
clearBreakpoints
Emulator
clearRAM
Memory
cli
Instructions
clv
Instructions
cmp
Instructions
code
Memory
colors
VideoRAM
comment
AssemblyParser
cont
CPU
count
ReserveByteAST
ReserveWordAST
cpu
Emulator
cpx
Instructions
cpy
Instructions


Protect the humanoids from abduction by landers!
If all humanoids are abducted, you must face the peril of SPACE!
Humanoids are restored every fifth attack wave.
A
Z
Left Alt
.
/
Space


At a minimum, the init script needs to install a Java runtime.
Custom prepared images are recommended if the initialization script is taking more than 20 minutes to execute.
Below are examples of initialization scripts, Java is required, others are optional:
# Install Java
sudo add-apt-repository ppa:openjdk-r/ppa -y
sudo apt-get -y update
sudo apt-get install openjdk-8-jre openjdk-8-jre-headless openjdk-8-jdk -y
# Install Git
sudo apt-get install -y git
# Install Maven
sudo curl -O http://www-eu.apache.org/dist/maven/maven-3/3.5.0/binaries/apache-maven-3.5.0-bin.tar.gz
sudo tar zxvf apache-maven-3.5.0-bin.tar.gz -C /opt/
sudo ln -s /opt/apache-maven-3.5.0/bin/mvn /usr/bin/mvn
# Install Docker
sudo apt-get install -y apt-transport-https ca-certificates curl software-properties-common
curl -fsSL https://download.docker.com/linux/ubuntu/gpg | sudo apt-key add -
sudo add-apt-repository "deb [arch=amd64] https://download.docker.com/linux/ubuntu $(lsb_release -cs) stable"
sudo apt-get -y update
sudo apt-get install -y docker-ce
# Replace ${ADMIN} with admin username.
sudo gpasswd -a ${ADMIN} docker
sudo chmod g+rw /var/run/docker.sock
You can use this sample.
Java is required, others are optional.
We recommend to use SSH rather than JNLP. For you need less init codes and get much clearer logs.
For Windows agents with JNLP launch, this script is a powershell script.
You can use this sample.
Java, slaves and connection are required, others are optional.
Arguments automatically passed to this script are:
The server url should already have a trailing slash. Then execute the following to connect:
java.exe -jar [slave jar location] [-secret [client secret if required]] [server url]computer/[vm name]/slave-agent.jnlp


| Dangerously Low | Very Low | Low | Glucose Ranges In Target Range |
High | Very High | Dangerously High |
| Below 50 mg/dl |
Below 60 mg/dl |
Below 70 mg/dl |
70 - 180 mg/dl |
Above 180 mg/dl |
Above 250 mg/dl |
Above 400 mg/dl |
| 0 | 0 | <4 | >90 | <6 | 0 | 0 |


We are so excited and looking forward to celebrate with you!
Therefore, we request you to respond on or before December 5, 2016 so that we have all the arrangements planned for you well in advance.


The Buttons
| This button removes the corresponding row from the dictionary. | |
| This button inserts an empty row into the dictionary at (not after) its corresponding row. | |
| This button opens up a dialogue with which you can edit a dictionary entry's data. | |
| If you accidentally deleted a row, use this button to undo its deletion. You can press Ctrl + Z as a shortcut. For now, other actions (editing an entry, adding a new row, etc.) cannot be undone other than manually re-editing the data, deleting the row, etc. | |
| Use this button to download your own local copy (.csv) of the dictionary that can be opened with spreadsheet software such as Excel. The changes you make to this document won't show up in the hub; this feature is for convenience and a kind of additional backup. | |
| Every change you make is simultaneously also made within the hub. If this button says "Disconnected", any changes you make won't be saved to the hub. If this is the case, try refreshing the page. If you are still having trouble, get in touch with Sam. |
Main View
This is what you see when you open the Sandbox; the Hub itself is much longer. Use the Sandbox to get used to the hub's features before making permanent changes. Try adding, editing and removing rows, and undo these deletes too. Note that the Sandbox is much faster than the Hub itself.
Edit an Entry
The small input fields in the first row are for the translations; the larger ones are for corresponding comments. Finally, the colour input boxes are for colour-coding the entry (e.g. to let others know who made the entry). To save changes, press the 'Submit' button. As a shortcut, if a translation input field is in focus (as opposed to a comment field), you can press Enter. To close the dialogue without saving changes, press the 'Cancel' button, the Escape key or click outside of the coloured box. All changes are lost in this case.
Comments
If you hover over the sticky note icon where an entry has a comment, the comment is shown in a bubble.
Colour Selection
Depending on which browser you use, the colour selection tool will look something like the screenshots below. Entering numbers is more accurate than dragging and selecting with your mouse.
Issues?
If you're having trouble, get in touch! I'll be happy to help.


Classes
The following classes are available globally.
-
This class represents the public interface to the BMLTiOSLib framework.
This class needs to be instantiated with a URI to a valid Root Server (the same URI used to log in), and a BMLTiOSLibDelegate object.
Instantiation immediately starts a communication process, and the result will be reflected in the delegate’s bmltLibInstance(_:BMLTiOSLib,serverIsValid:Bool) callback.
If this instance fails to connect to a valid Root Server, it should be deleted, and reinstantiated for a new connection.
Once a connection is established, the HTTP session is maintained until the instance is deinstantiated.
The session is required to be maintained for Semantic Administration. You cannot share a session across instances of BMLTiOSLib.
See moreDeclaration
Swift
public class BMLTiOSLib : NSObject
-
This is a special class that represents change objects.
See moreDeclaration
Swift
public class BMLTiOSLibChangeNode : NSObject
-
This is a special class that represents objects for meeting changes.
See moreDeclaration
Swift
public class BMLTiOSLibChangedMeeting : NSObject
-
This is a special
See moremicro class
for editing the meetings for a Server.Declaration
Swift
public class BMLTiOSLibEditableMeetingNode : BMLTiOSLibMeetingNode
-
This is a special
See moremicro class
for wrapping the formats.Declaration
Swift
public class BMLTiOSLibFormatContainer
-
This is a special
See moremicro class
for accessing the formats for a Server.Declaration
Swift
public class BMLTiOSLibFormatNode : NSObject
-
This is a special
micro class
for aggregating a hierarchical Service body map.We create the map when we connect to the Root Server, and the map is a doubly-linked list, with each node containing the basic dictionary for a Service body, and references to parents and contained (
See morechildren
) nodes.Declaration
Swift
public class BMLTiOSLibHierarchicalServiceBodyNode : NSObject
-
This is a special
See moremicro class
for accessing the meetings for a Server.Declaration
Swift
public class BMLTiOSLibMeetingNode : NSObject, Sequence
-
This is a special
See moresub-micro class
for iterating through the fields of this meeting.Declaration
Swift
public class BMLTiOSLibMeetingNodeSimpleDictionaryElement : NSObject
-
This is a special class that is used to gather and process meeting search criteria.
The way it works, is that it gathers a search state, then creates a URI parameter list to be used by the main communication module. It does not do any communication, in itself.
It has been designed so that the search criteria are expressed as properties, instead of functions.
In order to execute searches, the user should access the instance of this class, and use it to set up search criteria. Upon completion of this, they should call the main instance’s performMeetingSearch(_:) method. The main instance will ask the Search Criteria instance to create a URI parameter list that will describe the search.
See moreDeclaration
Swift
public class BMLTiOSLibSearchCriteria : NSObject
-
This class will present a functional interface to the server languages.
See moreDeclaration
Swift
public class BMLTiOSLibServerLang : NSObject
-
This is a special
See moremicro class
for wrapping the Service bodies.Declaration
Swift
public class BMLTiOSLibServiceBodyContainer


@@include('../html/include/head.html')
@@include('../html/include/header_pofol.html')
project
Prototype 1(
PC
)
@@include('../html/include/footer.html')


Out of all the boroughs in New York State, the Bronx experienced the most death from the COVID-19 virus. According to NYC Health, more than 2,000 Bronx residents died from COVID. With the anticipation of a “second-wave” of the virus, it is important to know what steps to take if someone thinks they contracted COVID-19.
According to the CDC, mild symptoms include fever, chills, coughing, shortness of breath, difficulty breathing, fatigue, body aches, headaches, loss of taste or smell, sore throat, congestion, a runny nose, nausea, vomiting, and diarrhea. In addition, more severe symptoms include trouble breathing, persistent pain, pressure in the chest, confusion, inability to wake or stay awake and blue lips or face. These symptoms usually appear 2 through 14 days after being to someone who is COVID positive. If you experience a combination of these symptoms, please call your primary doctor. However if you do not have a primary doctor, you can still visit a testing center.
If you are located in the Bronx, all NYC Health + Hospital locations include COVID-19 testing. There are numerous other health facilities, such as CityMD and CVS, where you can also receive a test. To find the nearest testing site, please click this link.
Once you arrive to a testing site, the COVID-19 test is pretty quick. Although there are two different types of tests, the nasal swab test is the most common. A practitioner will swipe the swab along the sides of each nostril for 15 seconds. Depending on if you receive a rapid test, your test results will be known anywhere from an hour to three days. If you test positive, please isolate yourself for at least 14 days and monitor your conditions. If symptoms become worst, seek emergency care. To learn more about testing, please click here.


{% load i18n %}
{% trans "You have successfully setup CMS Base but there is no published pages yet to display." %}
{% trans "Add the first page" %}


To get you sarted with OpenCOR, we show you how to install and run the software, and how to author and edit models. We start by creating a simple model from scratch, saving it as a CellML file and running model simulations. We next try opening existing CellML files, both from a local directory and from the Physiome Model Repository.
[OpenCOR]/OpenCOR.vbs
(or [OpenCOR]/bin/OpenCOR.exe
) on Windows, [OpenCOR]/bin/OpenCOR
on Linux or [OpenCOR]/OpenCOR
on OS X. A window will appear that looks like:
The central area is used to interact with files. By default, no files are open, hence the OpenCOR logo is shown instead. To the sides, there are dockable windows, which provide additional features. Those windows can be dragged and dropped anywhere around the central area, as shown below, or they can be individually undocked or closed. All closed windows can be re-displayed by enabling them in the
View
| Windows
menu, or by selecting the Tools
| Reset All
menu. To click on Ctrl
+Space
(on Windows and Linux) or on Alt
+Space
(on OS X) removes (for less clutter) or restores those side windows.
In this example, we create a simple model from scratch and run it. The model is the Van der Pol oscillator defined by the second-order equation: $$\frac{d^2 x}{dt^2}-\mu(1-x^2)\frac{dx}{dt}+x=0$$ with initial conditions $x=-2$ and $\frac{dx}{dt}=0$. The parameter $\mu$ controls the magnitude of the damping term. To create a CellML file, we need to convert the second-order equation to two first-order equations by defining the velocity $\frac{dx}{dt}$ as a new variable $y$: $$\frac{dx}{dt}=y$$ $$\frac{dy}{dt}=\mu(1-x^2)y-x$$ The initial conditions are now $x=-2$ and $y=0$.
Now, before we can actually create a CellML file for that model, we need to ensure that we are in Editing mode and that the CellML Text view is selected. To do this, make sure that the Editing tab on the left hand edge of the central area is selected, and the same with the CellML Text tab on the right hand edge of the central area.
Being in the correct mode and view, we can now create a CellML file for the above system of ordinary differential equations (ODEs). Under the File
| New
menu, select CellML 1.0 File
and type in the following lines of code:
def model van_der_pol_model as def comp main as var t: dimensionless {init: 0}; var x: dimensionless {init: -2}; var y: dimensionless {init: 0}; var mu: dimensionless {init: 1}; ode(x, t) = y; ode(y, t) = mu*(1{dimensionless}-sqr(x))*y-x; enddef; enddef;
Things to note are: (i) the closing semicolon at the end of each line (apart from the first two def
statements that are opening a CellML construct), (ii) the need to indicate dimensions for each variable and constant (all dimensionless
in this example), (iii) the use of ode(x,t)
to indicate a first-order ODE in x
and t
, and (iv) the use of the convenient squaring function sqr(x)
for $x^2$ (a full list of mathematical operators, elements and constants supported by the CellML Text format can be found here).
To move the cursor over either of the ODEs renders the mathematics in standard form above the code:
Save the model using Save
under the File
menu (or press Ctrl
+S
on Windows and Linux, or Command
+S
on OS X) and choosing .cellml
as the file format (.cellml
is not strictly required but is best practice). With the model saved, all the editing views become available. One is the CellML Text view (the view used to enter the code above). Another is the Raw CellML view that displays the way the model is stored (note that positioning the cursor over part of the code shows the mathematics in this view also), and another is the Raw view that can be used to edit any text-based file.
With the equations and initial conditions defined, we are ready to run the model. To do this, click on the Simulation tab on the left hand edge of the central area. You will see three main areas - at the left hand side of the view are the Simulation, Solvers, Graphs and Parameters panels. At the right hand side is the graph panel, and running along the bottom of the view is a status area, where status messages are displayed.
This area is used to set up the simulation settings:
0
.100
.0.1
.Just above the Simulation panel are controls for running the simulation. These are:
| Run the simulation | |
| Pause the simulation | |
| Stop the simulation | |
| Reset all the model parameters | |
| Clear the simulation data | |
| Add a graph panel | |
| Remove the current graph panel or all the graph panels | |
| Export the simulation data |
The wheel between the and buttons can also be used to get some delay between the rendering of two data points.
For this model, we suggest that you create three graph panels using the button.
This area is used to configure the solver that will run the simulation:
These can all be left at their default values for our simple model (note that a model that requires a stimulus protocol should have the maximum step value of the CVODE/IDA solver set to the length of the stimulus, while the maximum number of steps might have to be increased in case of a stiff model).
This shows what parameters are being plotted once these have been defined in the Graphs or Parameters panel. These can be selected/deselected by clicking in the box next to a parameter.
This panel lists all the model parameters, and allows you to select one or more to plot against the variable of integration or another parameter in the graph panels. OpenCOR supports graphing of any parameter against any other. All variables from the model are listed here, arranged by the components in which they appear, and in alphabetical order. Parameters are displayed with their variable name, their value, and their units. Right clicking on a parameter provides the options for displaying that parameter in the currently selected graph panel. With the cursor highlighting the top graph panel (a blue line appears next to it), select $x$ then the variable of integration $t$ in order to plot $x(t)$. Now, move the cursor to the second graph panel and select $y$ then $t$ to plot $y(t)$. Finally, select the bottom graph panel and select $y$ then $x$ to plot $y(x)$.
Now, click on the button. You will see a progress bar running along the bottom of the status window. Status messages about the successful simulation will be displayed. Use the simulation delay wheel to slow down the plotting.
Go to the File
menu and select Open...
. Browse to the folder containing CellML files and select one. Note that this brings up a new tabbed window and that you can have any number of CellML files open at the same time, in order to quickly move between them. A CellML file can be closed by clicking on the close button in the corresponding file tab, or by selecting the File
| Close
menu or by pressing Ctrl
+W
(on Windows and Linux) or Command
+W
(on OS X).
You can also access CellML files from the left hand windows. If those windows are not currently visible, use Ctrl
+Space
(on Windows and Linux) or Alt
+Space
(on OS X) to make them reappear (or use the View
| Windows
menu). CellML files can then be accessed from any one of those three windows – Physiome Model Repository, File Browser or File Organiser. For a CellML file under the File Browser or File Organiser window, either double click it or 'drag and drop' it over the central area to open it.
To click on a model in the Physiome Model Repository window opens a new browser window with the latest published exposure for that model. To open this model in OpenCOR, you need to retrieve the URI of the corresponding CellML file and copy it into the text box that appears when selecting Open Remote...
in the File
menu. For example, to click on the Noble, 1962 link in the Physiome Model Repository window opens the following page in your browser:
The workspace for that exposure is:
We want the URI of the CellML file that describes the Noble 1962 model, so we need to click on the noble_1962.cellml link:
That last page contains the URI of the CellML file we are after: https://models.physiomeproject.org/workspace/noble_1962/rawfile/a241a010538a2815877572e8ac0c016cc121e0e3/noble_1962.cellml
.


[EXPERIMENTAL] Support for DDNS-Friendly based record updates.
This API is available under
https://api.mydnshost.co.uk/experimental/ddns/.
Methods Available
- GET /ping
- POST|GET /setrecord/<domain>/<domain-key>/<rrname>/<rrtype>
/ping
method
The
/ping
endpoint behaves the same as the version 1.0 API
/ping
method.
/setrecord
method
The
/setrecord
method is supported as either a
GET
or
POST
for maximum compatibility.
You must pass a single parameter of
"content"
as either formdata for
POST
or within the query-string for
GET
.
Alternatively, you can pass a parameter of
"dynamiccontent"
instead of
"content"
. The value of this can be one of: myip (Caller IP), myip4 (Caller IP, only if it is IPv4), myip6 (Caller IP, only if it is IPv6), time (Current time as unixepoch). Using this will dynamically set the value of
"content"
. If the value generated is not compatible with the rrtype given, it will result in an error.
Calling this endpoint will delete all records with the given rrname and rrtype. And then create a new record with value given (or do nothing if an empty value is given.)
The response provided is similar to that from providing records to delete and create via the version 1.0 API
/domain/example1.org/records
method.
Authentication
Authentication is handled by the domain and domain-key in the URL.


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