lesson 3: Arithmetic Sequences and Series
Introduction
Fill in the blanks to continue the pattern you see in this list: $2,\;7,\;6,\;11,\;10,\;15,\;\_\_\,,\;\_\_\,,\,\_\_\,,\;\_\_\,, \ldots $
In mathematics, a $sequence$ is a list of numbers, usually with an identifiable pattern or a connection to real data — for example, the list of expected temperatures for the next ten days, or a sequence listing the profits that a business earned year by year.
The numbers in the sequence are called $terms$ — for example, in the sequence above, 2 is the first term. Sometimes this pattern is very simple: 2,4,6,8…. Other times it might be harder to spot, like the problem above. Or, it might be an unusual type of pattern — 0,1,0,1,1,0,1,1,1,0,1,1,1,1….
Come up with the next two numbers in the sequence $1,3,6,10, \ldots $ , and a reason for why they should be the two numbers.
How about the next two numbers in the sequence $2,5,10,13,26,29, \ldots $ ?
Make up a sequence that you think will challenge your neighbor — then see if they can find the pattern.
A sequence starts with the numbers 5, 15, 35.
. Describe a pattern that this sequence might be following, and give the next three terms according to the pattern.
. Now describe a different pattern that the sequence might be following, and give the next three terms according to the new pattern.
The patterns you’ve seen so far have often been related to the differences between terms, such as the patterns in problems 1 and 2. When the pattern in a sequence is simply that the difference is always the same, the sequence is called an $arithmetic sequence$. For example, 7,9,11,13… is one of these.
Some of the sequences below are arithmetic, and some are not. For each sequence, only a few terms are given. Identify whether or not the sequence appears to be arithmetic. Also for each sequence find a pattern and fill in the missing terms.
. 3, 6, 12, 24, ___, ___, …
. 4, 11, 18, ___, ___, ….
. 9, ___, 17, ___, 25, ….
. 12, 13, 15, 16, 18, ___, ___,….
. 47, 43, 39, ___, 31, ___, ___, ….
. 13, 16, 22, 24, 28, 36, ___, ___, ___....
Development
In a sequence, it’s not only the numbers that matter—the order of the numbers is important too. For instance, sequence “A” — 20,10,40,30,60,50… — follows quite a different pattern from sequence “B” — 10,20,30,40,50,60…. — even though they contain all the same numbers.
In the first sequence, 30 is the 4th term, while in the second sequence, 30 is the 3rd term. To make this type of thing easier to write, we’ll introduce some notation.
In the first sequence, we write “${A_4} = 30$ ” (pronounced “A sub four” or simply “A four”) to mean that the sequence’s 4th term is 30. Then the first sequence is called $\{ {A_n}\} $ (because it is a set that consists of the terms ${A_1}$ , ${A_2}$ , ${A_3}$ , etc) and the second sequence is called $\{ {B_n}\} $ .
Fill in the blanks according to the sequences above.
. ${A_1}$ =_____.
. ${B_4}$ =_____.
. ${B_{\_\_\_\_}}$ = 30.
. ${A_{\_\_\_\_}}$ = 70.
One last piece of notation you’ll need to know is that, in an arithmetic sequence, the constant difference between terms is often called “d”. In the sequence below, $d = 2$ . 7, 9, 11, 13, . . .
In an arithmetic sequence called $\{ {T_n}\} $ , if ${T_1} = 13$ , and $d = 3$ , then what does ${T_{10}}$ equal? What does ${T_{100}}$ equal?
In an arithmetic sequence, ${T_4} = 8$ and ${T_5} = 11$ . Find the first three terms of the sequence.
An arithmetic sequence starts with ${T_1} = 4$ , ${T_2} = 9$ , … Which term will equal 99?
What might the next two terms be in the sequence 4, 6, 9…? Find several different possible patterns.
Make up five sequences all beginning with 1, 2, but with a different third term. Look at what others in your class came up with, as seeing different patterns can give you ideas for making up some really interesting sequences.
Consider the sequence 5, 10, 6, 12, 8, 16, 12, 24, ...
. Find the repeating pattern, and write the next 3 terms.
. It looks like all of the numbers after the “5” are even — will the sequence ever produce another odd number? Why or why not?
Consider the three sequences below. Sequences $\{ {D_n}\} $ and $\{ {E_n}\} $ below have some missing information, but you can assume that they are arithmetic.
|
n |
1 |
2 |
3 |
4 |
|
${A_n}$ |
12 |
19 |
26 |
33 |
|
n |
2 |
4 |
6 |
8 |
10 |
|
${D_n}$ |
? |
41 |
? |
48 |
? |
|
n |
9 |
11 |
13 |
15 |
17 |
|
${E_n}$ |
? |
6 |
? |
34 |
? |
. Which sequence, $\{ {D_n}\} $ or $\{ {E_n}\} $ , has the same value of d as sequence $\{ {A_n}\} $ ?
. Plot the information from the three sequences on a graph (put n on the horizontal axis). Put all three on the same graph. How does what you see fit with your answer to part a?
In your thermometer, the mercury reaches a height of 46 mm when the temperature is 70 degrees Fahrenheit, and a height of 48 mm when the temperature is 73 degrees.
. Think about these data as an arithmetic sequence where n is the temperature, and ${H_n}$ is the height at that temperature. Note that “…” is used here to indicate that this table is not showing you values of n and ${H_n}$ where n is less than 70 or greater than 75, but such values still exist.
ill in the table below:
|
n |
… |
70 |
71 |
72 |
73 |
74 |
75 |
… |
|
${H_n}$ |
… |
46 |
48 |
… |
. What is the value of d for this sequence?
. What would the height be if the temperature were at 106 degrees Fahrenheit?
. What would the height be if the temperature were at 65 degrees Fahrenheit?
In an arithmetic sequence, the constant difference is sometimes referred to as the rate of change of the sequence. Any idea why it might be so called?
If a sequence has ${T_5} = 40$ but it has a rate of change of -6, find ${T_4}$ , ${T_6}$ , and ${T_{20}}$ .
How would you find the value of d for the arithmetic sequence below? (Remember that “…” is used to indicate that there are other value(s) of n and ${T_n}$ that are not listed in this table but certainly exist!) Also write an equation for ${T_b}$ in terms of ${T_a}$ , a, b and d.
|
n |
… |
a |
… |
b |
… |
|
${T_n}$ |
… |
${T_a}$ |
… |
${T_b}$ |
… |
Practice
Another thermometer has a different relationship between height and temperature. For this thermometer, the equation ${H_n} = 0.3n + 17.1$ expresses the height ${H_n}$ (in mm) of the mercury in terms of the temperature n, in degrees Fahrenheit.
. What’s the height when the temperature is 50 degrees?
. If you think of ${H_n}$ as the nth term of a sequence, what’s the first term?
. What’s the value of d for the sequence $\{ {H_n}\} $ ?
. What would be the temperature if the height of the mercury were 20.7 mm ?
. What would be the temperature if the height of the mercury were 3 mm?
An arithmetic sequence $\{ {T_n}\} $ has $d = 5.5$ , and ${T_{12}}$ = 48.
. Find ${T_4}$ .
. For what value of n would ${T_n}$ = 130.5?
Each part below gives information about a sequence $\{ {A_n}\} $ . In each part, find the value of the unknown in the table for $\{ {B_n}\} $ so that the two sequences have the same rate of change.
(Remember that “…” is used to indicate that there are other value(s) of n , ${A_n}$ , and ${B_n}$ that are not listed in a table but certainly exist. Thus in the first table of part a., n can be less than 6, can be 7 or 8, and can be greater than 9, even though those values of n aren’t listed explicitly in the table.)
.
|
n |
… |
6 |
… |
9 |
… |
|
${A_n}$ |
… |
40 |
… |
82 |
… |
|
n |
… |
4 |
5 |
… |
|
${B_n}$ |
… |
a |
48 |
… |
.
|
n |
… |
16 |
… |
22 |
… |
|
${A_n}$ |
… |
50 |
… |
23 |
… |
|
n |
… |
1 |
… |
19 |
… |
|
${B_n}$ |
… |
b |
… |
40 |
… |
.
|
n |
… |
9 |
… |
31 |
… |
|
${A_n}$ |
… |
40.5 |
… |
71.3 |
… |
|
n |
… |
4 |
… |
14 |
… |
|
${B_n}$ |
… |
4 |
… |
c |
… |
.
|
n |
… |
10 |
… |
12 |
… |
|
${A_n}$ |
… |
12 |
… |
20 |
… |
|
n |
… |
30 |
… |
q |
… |
|
${B_n}$ |
… |
9 |
… |
29 |
… |


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object --+ | VectorStamps --+ | DataBaseBank
This class defines the database system.
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DB( [nObjs] [,index] ) nObjs: indicates the total number of databases to be replicated. Default is one. index: indicates this database index. Default is zero. Raises ValueError if nObjs or index are not integers. Raises ValueError if nObjs is not bigger than zero.
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If filename is not given, the default backup name will be used. Saves a backup of the database to a file. |
If filename is not given, the default backup name will be used. Loads a backup of the database from a file. Every values are replaced by the ones being loaded from file. |
If Cid is not given, a new one will be assigned. Raises KeyError if a given Cid is already in use. Creates a new record of a bank customer. Each record contains information that may give way to statistical purposes or simple data query.
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NewAccount( [amount] [,Aid] [,Cid] )->Aid If Aid is not given, a new one will be assigned. Raises ValueError if amount is negative. Raises KeyError if a given Cid is not valid. Raises KeyError if a given Aid is already in use. Creates a new record of a bank account. The accounts may or may not belong to the bank's clients who are recorded in the database. Any update on the account is recorded in history. |
Raises KeyError if Aid is not valid. Raises ValueError if type is not str. Raises ValueError if amount is negative. Adds a new event to the history of an update made to an account. "Type" can be:
"Unknown" may be useful in indicating the receiver/container of transfers.
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Raises KeyError if Aid or Cid are not valid. Assigns ownership of a bank account to a bank customer. Both need to be registered in the database prior to this assignment.
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Raises KeyError if Aid is not valid. Raises ValueError if amount is negative. "Unknown" may be useful in indicating the receiver/container of transfers. This method is implemented in order to block concurrent access to the same account.
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Raises KeyError if Aid is not valid. Raises ValueError if amount makes the account to become without coverage. Raises ValueError if amount is negative. "Unknown" may be useful in indicating the receiver/container of transfers.
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Raises KeyError if Aid is not valid. Raises ValueError if rate is not 0<rate<1
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| Generated by Epydoc 3.0.1 on Thu Dec 23 18:37:18 2010 | http://epydoc.sourceforge.net |


EastEnders SPOILERS: Linda arrested for drink driving
Her drinking is getting out of control
by Claire CrickThere's trouble ahead for Linda in next week's EastEnders as her drinking spirals out of control, leading to her being arrested.
The last few months have been tough for the Carter family, with Ollie's autism diagnosis taking its toll on both Mick and Linda.
But while Mick is fighting his anxiety, Linda has secretly been hitting the bottle to cope with the stress of family life.
Read more: Former EastEnders star Shaun Williamson reveals he's being haunted by a ghost
However, next week sees Linda's drinking reach an all time low when she is arrested for drink driving at the school gates.
The drama starts when she drives Ollie to school, despite the fact she is feeling hungover.
With Mick heading to the doctors for an appointment, Linda thinks she has no choice but to drive her son to school... but it turns out to be a decision she'll live to regret when she accidentally backs into another car.
Convinced that no one has seen, Linda drives away, but little does she know someone has been watching her.
Later, Linda comes out of the school with Chantelle after dropping Ollie off, only to find some of the other mums from the school waiting with a police officer.
Linda fights to defend herself, but when the police ask her to take a breathalyser test she is left humiliated when she fails and is quickly arrested in front of everyone.
Back at The Vic, Mick is oblivious to the drama that Linda has found herself caught up in and, with his focus on the pub wife swap, he doesn't notice that she is late home from the school run.
Read More: EastEnders fans pay tribute to 'iconic' Mel Owen after she dies in horrific accident
As the wife swap gets under way, Linda moves in with Max, while Ruby makes herself at home at The Vic.
But Mick is in for a shock when he has a chat with Max and he discovers Linda's drinking is getting out of control.
But how long will it be before Linda admits she has been arrested?
EastEnders airs Monday and Friday at 8pm and Tuesday and Thursday at 7.30pm on BBC One.
What do you think of this storyline? Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think!


---
layout: default
title: MAYDAY.US - News
permalink: /news/
---
{% capture content %}
{% include jumbotrons/general-dark.html title="News" %}
{% include panels/panel_action_w_signup.html hide_next=true %}
{% endcapture %}
{% capture page_specific_javascript %}
{% endcapture %}
{% capture footer_scripts %}{{footer_scripts}}{{page_specific_javascript}}{% endcapture %}
{% include sub_layouts/default_layout.html %}


PSALMS 20
A psalm written by David for the choir director
1 We desire that Yahweh may help you when you call out to him when you have troubles!
We desire that God, whom our ancestor Jacob honored, may keep you safe from your enemies.
2 We desire that he may reach out from his sacred temple and help you
and aid you from where he lives on Mount Zion.
3 We desire that he may accept all the offerings that you give him to be burned on the altar
and all your other offerings.
4 We desire that he may give to you what you desire in your heart,
and that you may be able to accomplish all that you desire to do.
5 When you defeat your enemies, we will shout joyfully.
We will lift up a banner proclaiming that it is God who has helped you.
I desire that Yahweh may do for you all that you request him to do.
6 I know now that Yahweh rescues me, the one whom he has chosen to be king.
From his holy place in heaven he will answer me,
and he will save me by his great power.
7 Some kings trust that because they have chariots they will be able to defeat their enemies,
and some trust that their horses will enable them to defeat their enemies,
but we will trust in the power of Yahweh our God.
8 Some will stumble and fall down,
but we will be strong and not be moved.
9 Yahweh, help the king defeat our enemies!
Answer us when we call out to you to help us!


A doubly linked list is a data structure consisting of a group of nodes linked together linearly. Each node consists of data elements with links to the next node and previous nodes. The main advantage of linked lists (over simple arrays) is the nodes can be inserted and removed anywhere in the list without reallocating the entire array. Linked list nodes don't need to be stored contiguously in memory, but nodes then you can't access by index, you have to be access by traversing the list.
Creating and Initializing Lists
To create and initialize a linked list the user must create a le_dls_List_t typed list and assign LE_DLS_LIST_INIT to it. The assignment of LE_DLS_LIST_INIT can be done either when the list is declared or after its declared. The list must be initialized before it can be used.
Or
Elements of le_dls_List_t MUST NOT be accessed directly by the user.
Creating and Accessing Nodes
Nodes can contain any data in any format and is defined and created by the user. The only requirement for nodes is that it must contain a le_dls_Link_t
link member. The link member must be initialized by assigning LE_DLS_LINK_INIT to it before it can be used. Nodes can then be added to the list by passing their links to the add functions (le_dls_Stack(), le_dls_Queue(), etc.). For example:
The links in the nodes are actually added to the list and not the nodes themselves. This allows a node to be included on multiple lists through links added to different lists. It also allows linking different type nodes in a list.
To obtain the node itself, use the CONTAINER_OF
macro defined in le_basics.h. Here's a code sample using CONTAINER_OF to obtain the node:
The user is responsible for creating and freeing memory for all nodes; the linked list module only manages the links in the nodes. The node must be removed from all lists before its memory can be freed.
The elements of le_dls_Link_t
MUST NOT be accessed directly by the user.
Adding Links to a List
To add nodes to a list, pass the node's link to one of these functions:
le_dls_Stack()
- Adds the link to the head of the list.le_dls_Queue()
- Adds the link to the tail of the list.le_dls_AddAfter()
- Adds the link to a list after another specified link.le_dls_AddBefore()
- Adds the link to a list before another specified link.
Removing Links from a List
To remove nodes from a list, use one of these functions:
le_dls_Pop()
- Removes and returns the link at the head of the list.le_dls_PopTail()
- Removes and returns the link at the tail of the list.le_dls_Remove()
- Remove a specified link from the list.
Accessing Links in a List
To access a link in a list without removing the link, use one of these functions:
le_dls_Peek()
- Returns the link at the head of the list without removing it.le_dls_PeekTail()
- Returns the link at the tail of the list without removing it.le_dls_PeekNext()
- Returns the link next to a specified link without removing it.le_dls_PeekPrev()
- Returns the link previous to a specified link without removing it.
Swapping Links
To swap two links, use:
le_dls_Swap()
- Swaps the position of two links in a list.
The le_dls_Swap() function can be used to sort a list.
Querying List Status
These functions can be used to query a list's current status:
le_dls_IsEmpty()
- Checks if a given list is empty.le_dls_IsInList()
- Checks if a specified link is in the list.le_dls_NumLinks()
- Checks the number of links currently in the list.le_dls_IsListCorrupted()
- Checks if the list is corrupted.
Queues and Stacks
This implementation of linked lists can be used for either queues or stacks.
To use the list as a queue, restrict additions to the list to le_dls_Queue()
and removals from the list to le_dls_Pop()
.
To use the list as a stack, restrict additions to the list to le_dls_Stack()
and removals from the list to le_dls_Pop()
.
Thread Safety and Re-Entrancy
All linked list function calls are re-entrant and thread safe. If the nodes and/or list object is shared by multiple threads, explicit steps must be taken to maintain mutual exclusion of access.
Copyright (C) Sierra Wireless Inc. Use of this work is subject to license.


{% extends 'layouts/base.html' %} {% import 'macros/form_macros.html' as f %} {% block content %}
Check if the address is geocodable by Google Maps API. Bulk resource CSV upload depends on the Google Maps API being able to geocode all the addresses in the CSV or else throw an error. This is a way to check if your address will be accepted.
{{ f.render_form(form) }}


Even as the sun with purple-color’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis hied him to the chase;
Hunting he lov’d, but love he laugh’d to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor gins to woo him.

Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favor, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit, where never serpent hisses,
And being set, I’ll smother thee with kisses;
And yet not cloy thy lips with loath’d satiety,
But rather famish them amid their plenty,
Making them red, and pale, with fresh variety—
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”
With this she seizeth on his sweating palm,
The president of pith and livelihood,
And trembling in her passion, calls it balm,
Earth’s sovereign salve, to do a goddess good.
Being so enrag’d, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser’s rein,
Under her other was the tender boy,
Who blush’d, and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens (O how quick is love!);
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she push’d him, as she would be thrust,
And govern’d him in strength, though not in lust.
So soon was she along as he was down,
Each leaning on their elbows and their hips.
Now doth she stroke his cheek, now doth he frown,
And gins to chide, but soon she stops his lips,
And kissing speaks, with lustful language broken,
“If thou wilt chide, thy lips shall never open.”
He burns with bashful shame, she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more, she murders with a kiss.
Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuff’d, or prey be gone;
Even so she kiss’d his brow, his cheek, his chin,
And where she ends, she doth anew begin.
Forc’d to content, but never to obey,
Panting he lies, and breatheth in her face.
She feedeth on the steam, as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dew’d with such distilling showers.

Rain added to a river that is rank
Perforce will force it overflow the bank.
Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale.

Being red, she loves him best, and being white,
Her best is better’d with a more delight.
Look how he can, she cannot choose but love,
And by her fair immortal hand she swears
From his soft bosom never to remove
Till he take truce with her contending tears,
Which long have rain’d, making her cheeks all wet,
And one sweet kiss shall pay this comptless debt.
Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave,
Who being look’d on, ducks as quickly in;
So offers he to give what she did crave,
But when her lips were ready for his pay,
He winks, and turns his lips another way.
Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get,
She bathes in water, yet her fire must burn.
“O, pity,” gan she cry, “flint-hearted boy,
’Tis but a kiss I beg, why art thou coy?
I have been wooed, as I entreat thee now,
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar,
Yet hath he been my captive, and my slave,
And begg’d for that which thou unask’d shalt have.
Over my altars hath he hung his lance,
His batt’red shield, his uncontrolled crest,
And for my sake hath learn’d to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum, and ensign red,
Making my arms his field, his tent my bed.
Thus he that overrul’d I overswayed,
Leading him prisoner in a red rose chain;
Strong-temper’d steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O, be not proud, nor brag not of thy might,
For mast’ring her that foil’d the god of fight.
Touch but my lips with those fair lips of thine—
Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head,
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?
Art thou asham’d to kiss? Then wink again,
And I will wink, so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight;
These blue-vein’d violets whereon we lean
Never can blab, nor know not what we mean.
The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip,
Beauty within itself should not be wasted.
Fair flowers that are not gath’red in their prime
Rot, and consume themselves in little time.
Were I hard-favor’d, foul, or wrinkled old,
Ill-nurtur’d, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee,
But having no defects, why dost abhor me?
Thou canst not see one wrinkle in my brow,
Mine eyes are grey, and bright, and quick in turning;
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning,
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve, or seem to melt.

Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.
Witness this primrose bank whereon I lie,
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky,
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?
Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected;
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.
Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear:
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot, to get it is thy duty.
Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live, when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”
By this the love-sick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.
And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His low’ring brows o’erwhelming his fair sight,
Like misty vapors when they blot the sky,
Souring his cheeks, cries, “Fie, no more of love!

I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun;
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.
The sun that shines from heaven shines but warm,
And lo I lie between that sun and thee;
The heat I have from thence doth little harm,
Thine eye darts forth the fire that burneth me,
And were I not immortal, life were done,
Between this heavenly and earthly sun.
Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son and canst not feel
What ’tis to love, how want of love tormenteth?

What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair, but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.
Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”
This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause.
Red cheeks and fiery eyes blaze forth her wrong;
Being judge in love, she cannot right her cause.
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.
Sometime she shakes her head, and then his hand,
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band:
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.
“Fondling,” she saith, “since I have hemm’d thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain, or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.
Within this limit is relief enough,
Sweet bottom grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain;
Then be my deer, since I am such a park,
No dog shall rouse thee, though a thousand bark.”
At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple;
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love liv’d, and there he could not die.
These lovely caves, these round enchanting pits,
Open’d their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!
Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing;
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity,” she cries, “some favor, some remorse!”
Away he springs, and hasteth to his horse.
But lo from forth a copse that neighbors by,
A breeding jennet, lusty, young, and proud,
Adonis’ trampling courser doth espy;
And forth she rushes, snorts, and neighs aloud.
The strong-neck’d steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.
Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ’tween his teeth,
Controlling what he was controlled with.
His ears up-prick’d, his braided hanging mane
Upon his compass’d crest now stand on end,
His nostrils drink the air, and forth again
As from a furnace, vapors doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.
Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets, and leaps,
As who should say, “Lo thus my strength is tried;
And this I do to captivate the eye
Of the fair breeder that is standing by.”
What recketh he his rider’s angry stir,
His flattering “Holla,” or his “Stand, I say”?
What cares he now for curb, or pricking spur,
For rich caparisons, or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.
Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one,
In shape, in courage, color, pace, and bone.

Sometime he scuds far off, and there he stares,
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run, or fly, they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feath’red wings.
He looks upon his love, and neighs unto her,
She answers him, as if she knew his mind;
Being proud as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

His love, perceiving how he was enrag’d,
Grew kinder, and his fury was assuag’d.
His testy master goeth about to take him,
When lo the unback’d breeder, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad unto the wood they hie them,
Outstripping crows that strive to overfly them.
All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That love-sick Love by pleading may be blest;
For lovers say, the heart hath treble wrong
When it is barr’d the aidance of the tongue.
An oven that is stopp’d, or river stay’d,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said,
Free vent of words love’s fire doth assuage,
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.
He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.
O what a sight it was wistly to view,
How she came stealing to the wayward boy,
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by and by
It flash’d forth fire, as lightning from the sky.
Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels:
His tend’rer cheek receives her soft hand’s print,
As apt as new-fall’n snow takes any dint.
O what a war of looks was then between them!

Full gently now she takes him by the hand,
A lily prison’d in a jail of snow,
Or ivory in an alabaster band,
So white a friend engirts so white a foe:
This beauteous combat, willful and unwilling,
Showed like two silver doves that sit a-billing.
Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would thou wert as I am, and I a man,
My heart all whole as thine, thy heart my wound!

O, give it me, lest thy hard heart do steel it,
And being steel’d, soft sighs can never grave it.
Then love’s deep groans I never shall regard,
Because Adonis’ heart hath made mine hard.”
“For shame,” he cries, “let go, and let me go,
My day’s delight is past, my horse is gone,
And ’tis your fault I am bereft him so.
I pray you hence, and leave me here alone,
For all my mind, my thought, my busy care,
Is how to get my palfrey from the mare.”
Thus she replies: “Thy palfrey, as he should,
Welcomes the warm approach of sweet desire;
Affection is a coal that must be cool’d,
Else suffer’d it will set the heart on fire.
The sea hath bounds, but deep desire hath none,
Therefore no marvel though thy horse be gone.
How like a jade he stood, tied to the tree,
Servilely master’d with a leathern rein!
But when he saw his love, his youth’s fair fee,
He held such petty bondage in disdain,
Throwing the base thong from his bending crest,
Enfranchising his mouth, his back, his breast.

Who is so faint that dares not be so bold
To touch the fire, the weather being cold?
Let me excuse thy courser, gentle boy,
And learn of him, I heartily beseech thee,
To take advantage on presented joy;
Though I were dumb, yet his proceedings teach thee.
O, learn to love, the lesson is but plain,
And once made perfect, never lost again.”
“I know not love,” quoth he, “nor will not know it,
Unless it be a boar, and then I chase it;
’Tis much to borrow, and I will not owe it;
My love to love is love but to disgrace it,
For I have heard it is a life in death,
That laughs and weeps, and all but with a breath.
Who wears a garment shapeless and unfinish’d?
Who plucks the bud before one leaf put forth?
If springing things be any jot diminish’d,
They wither in their prime, prove nothing worth;
The colt that’s back’d and burden’d being young,
Loseth his pride, and never waxeth strong.

“What, canst thou talk?” quoth she, “hast thou a tongue?
O would thou hadst not, or I had no hearing!
Thy mermaid’s voice hath done me double wrong;
I had my load before, now press’d with bearing:
Melodious discord, heavenly tune harsh sounding,
Ears’ deep sweet music, and heart’s deep sore wounding.
Had I no eyes but ears, my ears would love
That inward beauty and invisible,
Or were I deaf, thy outward parts would move
Each part in me that were but sensible;
Though neither eyes nor ears to hear nor see,
Yet should I be in love by touching thee.
Say that the sense of feeling were bereft me,
And that I could not see, nor hear, nor touch,
And nothing but the very smell were left me,
Yet would my love to thee be still as much,
For from the stillitory of thy face excelling
Comes breath perfum’d, that breedeth love by smelling.
But O, what banquet wert thou to the taste,
Being nurse and feeder of the other four!
Would they not wish the feast might ever last,
And bid Suspicion double-lock the door,
Lest Jealousy, that sour unwelcome guest,
Should by his stealing in disturb the feast?”
Once more the ruby-color’d portal open’d,
Which to his speech did honey passage yield,
Like a red morn, that ever yet betoken’d
Wrack to the seaman, tempest to the field,
Sorrow to shepherds, woe unto the birds,
Gusts and foul flaws to herdmen and to herds.
This ill presage advisedly she marketh:
Even as the wind is hush’d before it raineth,
Or as the wolf doth grin before he barketh,
Or as the berry breaks before it staineth,
Or like the deadly bullet of a gun,
His meaning struck her ere his words begun.
And at his look she flatly falleth down,
For looks kill love, and love by looks reviveth:
A smile recures the wounding of a frown.
But blessed bankrupt that by love so thriveth!
The silly boy, believing she is dead,
Claps her pale cheek, till clapping makes it red;
And all amaz’d, brake off his late intent,
For sharply he did think to reprehend her,
Which cunning Love did wittily prevent:
Fair fall the wit that can so well defend her!
For on the grass she lies as she were slain,
Till his breath breatheth life in her again.
He wrings her nose, he strikes her on the cheeks,
He bends her fingers, holds her pulses hard,
He chafes her lips, a thousand ways he seeks
To mend the hurt that his unkindness marr’d,
He kisses her, and she by her good will
Will never rise, so he will kiss her still.
The night of sorrow now is turn’d to day:
Her two blue windows faintly she upheaveth,
Like the fair sun, when in his fresh array
He cheers the morn, and all the earth relieveth;
And as the bright sun glorifies the sky,
So is her face illumin’d with her eye,
Whose beams upon his hairless face are fix’d,
As if from thence they borrowed all their shine.
Were never four such lamps together mix’d,
Had not his clouded with his brow’s repine;
But hers, which through the crystal tears gave light,
Shone like the moon in water seen by night.
“O, where am I?” quoth she, “in earth or heaven,
Or in the ocean drench’d, or in the fire?
What hour is this? Or morn or weary even?
Do I delight to die, or life desire?
But now I liv’d, and life was death’s annoy,
But now I died, and death was lively joy.

Thy eyes’ shrewd tutor, that hard heart of thine,
Hath taught them scornful tricks, and such disdain
That they have murd’red this poor heart of mine,
And these mine eyes, true leaders to their queen,
But for thy piteous lips no more had seen.
Long may they kiss each other for this cure!
O, never let their crimson liveries wear!
And as they last, their verdour still endure,
To drive infection from the dangerous year!
That the star-gazers, having writ on death,
May say, the plague is banish’d by thy breath.
Pure lips, sweet seals in my soft lips imprinted,
What bargains may I make, still to be sealing?
To sell myself I can be well contented,
So thou wilt buy, and pay, and use good dealing,
Which purchase if thou make, for fear of slips,
Set thy seal manual on my wax-red lips.
A thousand kisses buys my heart from me,
And pay them at thy leisure, one by one.
What is ten hundred touches unto thee?
Are they not quickly told, and quickly gone?
Say for non-payment that the debt should double,
Is twenty hundred kisses such a trouble?”
“Fair queen,” quoth he, “if any love you owe me,
Measure my strangeness with my unripe years;
Before I know myself, seek not to know me,
No fisher but the ungrown fry forbears;
The mellow plum doth fall, the green sticks fast,
Or being early pluck’d, is sour to taste.
Look the world’s comforter with weary gait
His day’s hot task hath ended in the west;
The owl (night’s herald) shrieks, ’tis very late;
The sheep are gone to fold, birds to their nest,
And coal-black clouds that shadow heaven’s light
Do summon us to part, and bid good night.

Now quick desire hath caught the yielding prey,
And glutton-like she feeds, yet never filleth;
Her lips are conquerors, his lips obey,
Paying what ransom the insulter willeth;
Whose vulture thought doth pitch the price so high
That she will draw his lips’ rich treasure dry.

Hot, faint, and weary, with her hard embracing,
Like a wild bird being tam’d with too much handling,
Or as the fleet-foot roe that’s tir’d with chasing,
Or like the froward infant still’d with dandling,
He now obeys, and now no more resisteth,
While she takes all she can, not all she listeth.
What wax so frozen but dissolves with temp’ring,
And yields at last to every light impression?
Things out of hope are compass’d oft with vent’ring,
Chiefly in love, whose leave exceeds commission;
Affection faints not like a pale-fac’d coward,
But then woos best when most his choice is froward.
When he did frown, O had she then gave over,
Such nectar from his lips she had not suck’d.
Foul words and frowns must not repel a lover;
What though the rose have prickles, yet ’tis pluck’d!
Were beauty under twenty locks kept fast,
Yet love breaks through, and picks them all at last.
For pity now she can no more detain him;
The poor fool prays her that he may depart.
She is resolv’d no longer to restrain him,
Bids him farewell, and look well to her heart,
The which, by Cupid’s bow she doth protest,
He carries thence incaged in his breast.
“Sweet boy,” she says, “this night I’ll waste in sorrow,
For my sick heart commands mine eyes to watch.
Tell me, Love’s master, shall we meet tomorrow?
Say, shall we, shall we? Wilt thou make the match?”
He tells her no, tomorrow he intends
To hunt the boar with certain of his friends.
“The boar!” quoth she, whereat a sudden pale,
Like lawn being spread upon the blushing rose,
Usurps her cheek; she trembles at his tale,
And on his neck her yoking arms she throws.
She sinketh down, still hanging by his neck,
He on her belly falls, she on her back.
Now is she in the very lists of love,
Her champion mounted for the hot encounter;
All is imaginary she doth prove,
He will not manage her, although he mount her,
That worse than Tantalus’ is her annoy,
To clip Elysium and to lack her joy.
Even so poor birds, deceiv’d with painted grapes,
Do surfeit by the eye and pine the maw;
Even so she languisheth in her mishaps,
As those poor birds that helpless berries saw.
The warm effects which she in him finds missing
She seeks to kindle with continual kissing.
But all in vain, good queen, it will not be;
She hath assay’d as much as may be prov’d.
Her pleading hath deserv’d a greater fee;
She’s Love, she loves, and yet she is not lov’d.

O, be advis’d, thou know’st not what it is
With javeling’s point a churlish swine to gore,
Whose tushes never sheath’d he whetteth still,
Like to a mortal butcher bent to kill.

His brawny sides, with hairy bristles armed,
Are better proof than thy spear’s point can enter;
His short thick neck cannot be easily harmed;
Being ireful, on the lion he will venture.
The thorny brambles and embracing bushes,
As fearful of him, part, through whom he rushes.
Alas, he nought esteems that face of thine,
To which Love’s eyes pays tributary gazes,
Nor thy soft hands, sweet lips, and crystal eyne,
Whose full perfection all the world amazes,
But having thee at vantage (wondrous dread!)
Would root these beauties as he roots the mead.
O, let him keep his loathsome cabin still!
Beauty hath nought to do with such foul fiends.
Come not within his danger by thy will,
They that thrive well take counsel of their friends.
When thou didst name the boar, not to dissemble,
I fear’d thy fortune, and my joints did tremble.
Didst thou not mark my face? Was it not white?
Sawest thou not signs of fear lurk in mine eye?
Grew I not faint, and fell I not downright?
Within my bosom, whereon thou dost lie,
My boding heart pants, beats, and takes no rest,
But like an earthquake, shakes thee on my breast.
For where Love reigns, disturbing Jealousy
Doth call himself Affection’s sentinel,
Gives false alarms, suggesteth mutiny,
And in a peaceful hour doth cry, “Kill, kill!”
Distemp’ring gentle Love in his desire,
As air and water do abate the fire.
This sour informer, this bate-breeding spy,
This canker that eats up Love’s tender spring,
This carry-tale, dissentious Jealousy,
That sometime true news, sometime false doth bring,
Knocks at my heart, and whispers in mine ear,
That if I love thee, I thy death should fear;
And more than so, presenteth to mine eye
The picture of an angry chafing boar,
Under whose sharp fangs, on his back doth lie
An image like thyself, all stain’d with gore,
Whose blood upon the fresh flowers being shed,
Doth make them droop with grief and hang the head.
What should I do, seeing thee so indeed,
That tremble at th’ imagination?
The thought of it doth make my faint heart bleed,
And fear doth teach it divination:
I prophesy thy death, my living sorrow,
If thou encounter with the boar tomorrow.
But if thou needs wilt hunt, be rul’d by me,
Uncouple at the timorous flying hare,
Or at the fox which lives by subtlety,
Or at the roe which no encounter dare;
Pursue these fearful creatures o’er the downs,
And on thy well-breath’d horse keep with thy hounds.
And when thou hast on foot the purblind hare,
Mark the poor wretch, to overshut his troubles,
How he outruns the wind, and with what care
He cranks and crosses with a thousand doubles:
The many musits through the which he goes
Are like a labyrinth to amaze his foes.
Sometime he runs among a flock of sheep,
To make the cunning hounds mistake their smell,
And sometime where earth-delving conies keep,
To stop the loud pursuers in their yell,
And sometime sorteth with a herd of deer:
Danger deviseth shifts, wit waits on fear.
For there his smell with others being mingled,
The hot scent-snuffing hounds are driven to doubt,
Ceasing their clamorous cry till they have singled
With much ado the cold fault cleanly out;
Then do they spend their mouths: echo replies,
As if another chase were in the skies.
By this, poor Wat, far off upon a hill,
Stands on his hinder-legs with list’ning ear,
To hearken if his foes pursue him still.
Anon their loud alarums he doth hear,
And now his grief may be compared well
To one sore sick that hears the passing bell.
Then shalt thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious brier his weary legs do scratch,
Each shadow makes him stop, each murmur stay,
For misery is trodden on by many,
And being low, never reliev’d by any.
Lie quietly, and hear a little more,
Nay, do not struggle, for thou shalt not rise.
To make thee hate the hunting of the boar,
Unlike myself thou hear’st me moralize,
Applying this to that, and so to so,
For love can comment upon every woe.
Where did I leave?” “No matter where,” quoth he,
“Leave me, and then the story aptly ends;
The night is spent.” “Why, what of that?” quoth she.
“I am,” quoth he, “expected of my friends,
And now ’tis dark, and going I shall fall.”
“In night,” quoth she, “desire sees best of all.
But if thou fall, O then imagine this,
The earth, in love with thee, thy footing trips,
And all is but to rob thee of a kiss.
Rich preys make true men thieves; so do thy lips
Make modest Dian cloudy and forlorn,
Lest she should steal a kiss and die forsworn.
Now of this dark night I perceive the reason:
Cynthia for shame obscures her silver shine,
Till forging Nature be condemn’d of treason,
For stealing moulds from heaven that were divine,
Wherein she fram’d thee, in high heaven’s despite,
To shame the sun by day, and her by night.
And therefore hath she brib’d the Destinies
To cross the curious workmanship of Nature,
To mingle beauty with infirmities,
And pure perfection with impure defeature,
Making it subject to the tyranny
Of mad mischances and much misery:
As burning fevers, agues pale and faint,
Life-poisoning pestilence, and frenzies wood,
The marrow-eating sickness, whose attaint
Disorder breeds by heating of the blood;
Surfeits, impostumes, grief, and damn’d despair
Swear Nature’s death for framing thee so fair.
And not the least of all these maladies
But in one minute’s fight brings beauty under;
Both favor, savor, hue, and qualities,
Whereat th’ impartial gazer late did wonder,
Are on the sudden wasted, thaw’d, and done,
As mountain snow melts with the midday sun.
Therefore despite of fruitless chastity,
Love-lacking vestals, and self-loving nuns,
That on the earth would breed a scarcity
And barren dearth of daughters and of sons,
Be prodigal: the lamp that burns by night
Dries up his oil to lend the world his light.
What is thy body but a swallowing grave,
Seeming to bury that posterity
Which by the rights of time thou needs must have,
If thou destroy them not in dark obscurity?
If so, the world will hold thee in disdain,
Sith in thy pride so fair a hope is slain.
So in thyself thyself art made away,
A mischief worse than civil home-bred strife,
Or theirs whose desperate hands themselves do slay,
Or butcher sire that reaves his son of life.
Foul cank’ring rust the hidden treasure frets,
But gold that’s put to use more gold begets.”
“Nay then,” quoth Adon, “you will fall again
Into your idle over-handled theme.

If love have lent you twenty thousand tongues,
And every tongue more moving than your own,
Bewitching like the wanton mermaids’ songs,
Yet from mine ear the tempting tune is blown;
For know my heart stands armed in mine ear,
And will not let a false sound enter there,
Lest the deceiving harmony should run
Into the quiet closure of my breast,
And then my little heart were quite undone,
In his bedchamber to be barr’d of rest.
No, lady, no, my heart longs not to groan,
But soundly sleeps, while now it sleeps alone.
What have you urg’d that I cannot reprove?
The path is smooth that leadeth on to danger.
I hate not love, but your device in love,
That lends embracements unto every stranger.
You do it for increase: O strange excuse!
When reason is the bawd to lust’s abuse.
Call it not love, for Love to heaven is fled,
Since sweating Lust on earth usurp’d his name,
Under whose simple semblance he hath fed
Upon fresh beauty, blotting it with blame;
Which the hot tyrant stains, and soon bereaves,
As caterpillars do the tender leaves.
Love comforteth like sunshine after rain,
But Lust’s effect is tempest after sun;
Love’s gentle spring doth always fresh remain,
Lust’s winter comes ere summer half be done;
Love surfeits not, Lust like a glutton dies;
Love is all truth, Lust full of forged lies.
More I could tell, but more I dare not say,
The text is old, the orator too green,
Therefore in sadness, now I will away;
My face is full of shame, my heart of teen,
Mine ears, that to your wanton talk attended,
Do burn themselves for having so offended.”
With this he breaketh from the sweet embrace
Of those fair arms which bound him to her breast,
And homeward through the dark laund runs apace,
Leaves Love upon her back, deeply distress’d.
Look how a bright star shooteth from the sky,
So glides he in the night from Venus’ eye,
Which after him she darts, as one on shore
Gazing upon a late embarked friend,
Till the wild waves will have him seen no more,
Whose ridges with the meeting clouds contend;
So did the merciless and pitchy night
Fold in the object that did feed her sight.
Whereat amaz’d as one that unaware
Hath dropp’d a precious jewel in the flood,
Or stonish’d as night-wand’rers often are,
Their light blown out in some mistrustful wood,
Even so confounded in the dark she lay,
Having lost the fair discovery of her way.
And now she beats her heart, whereat it groans,
That all the neighbor caves, as seeming troubled,
Make verbal repetition of her moans;
Passion on passion deeply is redoubled:
“Ay me!” she cries, and twenty times, “Woe, woe!”

She marking them begins a wailing note,
And sings extemporally a woeful ditty,
How love makes young men thrall, and old men dote,
How love is wise in folly, foolish witty.
Her heavy anthem still concludes in woe,
And still the choir of echoes answer so.
Her song was tedious, and outwore the night,
For lovers’ hours are long, though seeming short;
If pleas’d themselves, others they think delight
In such-like circumstance, with such-like sport.
Their copious stories, oftentimes begun,
End without audience, and are never done.
For who hath she to spend the night withal,
But idle sounds resembling parasites,
Like shrill-tongu’d tapsters answering every call,
Soothing the humor of fantastic wits?
She says, “’Tis so,” they answer all, “’Tis so,”
And would say after her, if she said “No.”
Lo here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty,
Who doth the world so gloriously behold
That cedar tops and hills seem burnish’d gold.
Venus salutes him with this fair good morrow:
“O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck’d an earthly mother,
May lend thee light, as thou dost lend to other.”
This said, she hasteth to a myrtle grove,
Musing the morning is so much o’erworn,
And yet she hears no tidings of her love.
She hearkens for his hounds and for his horn;
Anon she hears them chaunt it lustily,
And all in haste she coasteth to the cry.

She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn hid in some brake.
By this she hears the hounds are at a bay,
Whereat she starts like one that spies an adder
Wreath’d up in fatal folds just in his way,
The fear whereof doth make him shake and shudder;
Even so the timorous yelping of the hounds
Appalls her senses, and her spirit confounds.
For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud;
Finding their enemy to be so curst,
They all strain court’sy who shall cope him first.
This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart,
Who overcome by doubt, and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers when their captain once doth yield,
They basely fly, and dare not stay the field.

A thousand spleens bear her a thousand ways,
She treads the path that she untreads again;
Her more than haste is mated with delays,
Like the proceedings of a drunken brain,
Full of respects, yet nought at all respecting,
In hand with all things, nought at all effecting.
Here kennell’d in a brake she finds a hound,
And asks the weary caitiff for his master,
And there another licking of his wound,
’Gainst venom’d sores the only sovereign plaster,
And here she meets another sadly scowling,
To whom she speaks, and he replies with howling.
When he hath ceas’d his ill-resounding noise,
Another flap-mouth’d mourner, black and grim,
Against the welkin volleys out his voice;
Another, and another, answer him,
Clapping their proud tails to the ground below,
Shaking their scratch’d ears, bleeding as they go.

“Hard-favor’d tyrant, ugly, meagre, lean,
Hateful divorce of love”—thus chides she Death—
“Grim-grinning ghost, earth’s worm, what dost thou mean
To stifle beauty, and to steal his breath?
Who when he liv’d, his breath and beauty set
Gloss on the rose, smell to the violet.
If he be dead—O no, it cannot be,
Seeing his beauty, thou shouldst strike at it:
O yes, it may, thou hast no eyes to see,
But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart
Mistakes that aim, and cleaves an infant’s heart.
Hadst thou but bid beware, then he had spoke,
And hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke:
They bid thee crop a weed, thou pluck’st a flower.
Love’s golden arrow at him should have fled,
And not Death’s ebon dart to strike him dead.
Dost thou drink tears, that thou provok’st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see?
Now Nature cares not for thy mortal vigor,
Since her best work is ruin’d with thy rigor.”
Here overcome, as one full of despair,
She vail’d her eyelids, who like sluices stopp’d
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropp’d;
But through the flood-gates breaks the silver rain,
And with his strong course opens them again.
O how her eyes and tears did lend and borrow!
Her eye seen in the tears, tears in her eye,
Both crystals, where they view’d each other’s sorrow,
Sorrow that friendly sighs sought still to dry;
But like a stormy day, now wind, now rain,
Sighs dry her cheeks, tears make them wet again.
Variable passions throng her constant woe,
As striving who should best become her grief;
All entertain’d, each passion labors so,
That every present sorrow seemeth chief,
But none is best; then join they all together,
Like many clouds consulting for foul weather.
By this, far off, she hears some huntsman hallow;
A nurse’s song ne’er pleas’d her babe so well.
The dire imagination she did follow
This sound of hope doth labor to expel,
For now reviving joy bids her rejoice,
And flatters her it is Adonis’ voice.
Whereat her tears began to turn their tide,
Being prison’d in her eye, like pearls in glass,
Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass
To wash the foul face of the sluttish ground,
Who is but drunken when she seemeth drown’d.
O hard-believing love, how strange it seems!
Not to believe, and yet too credulous:
Thy weal and woe are both of them extremes;
Despair and hope makes thee ridiculous:
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.
Now she unweaves the web that she hath wrought,
Adonis lives, and Death is not to blame;
It was not she that call’d him all to naught;
Now she adds honors to his hateful name:
She clepes him king of graves, and grave for kings,
Imperious supreme of all mortal things.
“No, no,” quoth she, “sweet Death, I did but jest,
Yet pardon me, I felt a kind of fear
When as I met the boar, that bloody beast,
Which knows no pity, but is still severe;
Then, gentle shadow (truth I must confess),
I rail’d on thee, fearing my love’s decesse.
’Tis not my fault, the boar provok’d my tongue,
Be wreak’d on him, invisible commander;
’Tis he, foul creature, that hath done thee wrong,
I did but act, he’s author of thy slander.
Grief hath two tongues, and never woman yet
Could rule them both without ten women’s wit.”
Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate,
And that his beauty may the better thrive,
With Death she humbly doth insinuate;
Tells him of trophies, statues, tombs, and stories
His victories, his triumphs, and his glories.

Fie, fie, fond love, thou art as full of fear
As one with treasure laden, hemm’d with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves.”
Even at this word she hears a merry horn,
Whereat she leaps, that was but late forlorn.

Whereat each tributary subject quakes,
As when the wind imprison’d in the ground,
Struggling for passage, earth’s foundation shakes,
Which with cold terror doth men’s minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes,
And being open’d, threw unwilling light
Upon the wide wound that the boar had trench’d
In his soft flank, whose wonted lily white
With purple tears, that his wound wept, was drench’d.
No flow’r was nigh, no grass, herb, leaf, or weed,
But stole his blood, and seem’d with him to bleed.
This solemn sympathy poor Venus noteth,
Over one shoulder doth she hang her head;
Dumbly she passions, franticly she doteth,
She thinks he could not die, he is not dead;
Her voice is stopp’d, her joints forget to bow,
Her eyes are mad that they have wept till now.
Upon his hurt she looks so steadfastly,
That her sight dazzling makes the wound seem three,
And then she reprehends her mangling eye,
That makes more gashes where no breach should be.
His face seems twain, each several limb is doubled,
For oft the eye mistakes, the brain being troubled.
“My tongue cannot express my grief for one,
And yet,” quoth she, “behold two Adons dead!
My sighs are blown away, my salt tears gone,
Mine eyes are turn’d to fire, my heart to lead:
Heavy heart’s lead, melt at mine eyes’ red fire,
So shall I die by drops of hot desire.
Alas, poor world, what treasure hast thou lost!
What face remains alive that’s worth the viewing?
Whose tongue is music now? What canst thou boast
Of things long since, or any thing ensuing?
The flowers are sweet, their colors fresh and trim,
But true sweet beauty liv’d and died with him.
Bonnet nor veil henceforth no creature wear!
Nor sun nor wind will ever strive to kiss you:
Having no fair to lose, you need not fear,
The sun doth scorn you, and the wind doth hiss you.
But when Adonis liv’d, sun and sharp air
Lurk’d like two thieves, to rob him of his fair.
And therefore would he put his bonnet on,
Under whose brim the gaudy sun would peep;
The wind would blow it off, and being gone,
Play with his locks; then would Adonis weep;
And straight, in pity of his tender years,
They both would strive who first should dry his tears.
To see his face the lion walk’d along
Behind some hedge, because he would not fear him;
To recreate himself when he hath song,
The tiger would be tame, and gently hear him;
If he had spoke, the wolf would leave his prey,
And never fright the silly lamb that day.
When he beheld his shadow in the brook,
The fishes spread on it their golden gills;
When he was by, the birds such pleasure took,
That some would sing, some other in their bills
Would bring him mulberries and ripe-red cherries:
He fed them with his sight, they him with berries.
But this foul, grim, and urchin-snouted boar,
Whose downward eye still looketh for a grave,
Ne’er saw the beauteous livery that he wore—
Witness the entertainment that he gave.
If he did see his face, why then I know
He thought to kiss him, and hath kill’d him so.

Had I been tooth’d like him, I must confess,
With kissing him I should have kill’d him first,
But he is dead, and never did he bless
My youth with his, the more am I accurs’d.”

She looks upon his lips, and they are pale,
She takes him by the hand, and that is cold,
She whispers in his ears a heavy tale,
As if they heard the woeful words she told;
She lifts the coffer-lids that close his eyes,
Where lo, two lamps burnt out in darkness lies;
Two glasses, where herself herself beheld
A thousand times, and now no more reflect,
Their virtue lost, wherein they late excell’d,
And every beauty robb’d of his effect.
“Wonder of time,” quoth she, “this is my spite,
That thou being dead, the day should yet be light.
Since thou art dead, lo here I prophesy,
Sorrow on love hereafter shall attend;
It shall be waited on with jealousy,
Find sweet beginning, but unsavory end;
Ne’er settled equally, but high or low,
That all love’s pleasure shall not match his woe.
It shall be fickle, false, and full of fraud,
Bud, and be blasted, in a breathing while,
The bottom poison, and the top o’erstraw’d
With sweets that shall the truest sight beguile;
The strongest body shall it make most weak,
Strike the wise dumb, and teach the fool to speak.
It shall be sparing, and too full of riot,
Teaching decrepit age to tread the measures;
The staring ruffian shall it keep in quiet,
Pluck down the rich, enrich the poor with treasures;
It shall be raging mad, and silly mild,
Make the young old, the old become a child.
It shall suspect where is no cause of fear,
It shall not fear where it should most mistrust,
It shall be merciful, and too severe,
And most deceiving when it seems most just;
Perverse it shall be, where it shows most toward,
Put fear to valor, courage to the coward.
It shall be cause of war and dire events,
And set dissension ’twixt the son and sire,
Subject and servile to all discontents,
As dry combustious matter is to fire.
Sith in his prime, Death doth my love destroy,
They that love best, their loves shall not enjoy.”

She bows her head, the new-sprung flow’r to smell,
Comparing it to her Adonis’ breath,
And says within her bosom it shall dwell,
Since he himself is reft from her by death.
She crops the stalk, and in the breach appears
Green-dropping sap, which she compares to tears.
“Poor flow’r,” quoth she, “this was thy father’s guise—
Sweet issue of a more sweet-smelling sire—
For every little grief to wet his eyes;
To grow unto himself was his desire,
And so ’tis thine, but know it is as good
To wither in my breast as in his blood.
Here was thy father’s bed, here in my breast;
Thou art the next of blood, and ’tis thy right.
Lo in this hollow cradle take thy rest,
My throbbing heart shall rock thee day and night;
There shall not be one minute in an hour
Wherein I will not kiss my sweet love’s flow’r.”
Thus weary of the world, away she hies,
And yokes her silver doves, by whose swift aid
Their mistress mounted through the empty skies,
In her light chariot, quickly is convey’d,
Holding their course to Paphos, where their queen
Means to immure herself, and not be seen.


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@import helper.CSRF @import uk.gov.hmrc.play.views.html.helpers._ @import config.FrontendAppConfig @()(implicit request: Request[_], messages: Messages) @contentHeader = {
Email savings.audit@@hmrc.gsi.gov.uk to find out why your application was unsuccessful. You'll need to quote your ISA manager reference number.
Alternatively you can submit a new application.
}


{% extends "global/Page.html" %} {% load otree static %} {% block title %} Block 1 {% endblock %} {% block content %}
Decision 2: You have two options:
| Left | Right |
|---|---|
| {{new_amount}}€ with 50% probability and 0 with 50% probability | 5€ with certainty |
Important information: After you have submitted your decision, the computer will let you know the outcome of the lottery even if you do not play it. This means that, if you do not play the lottery, you will learn nevertheless how much you would have earned, had you played the lottery.
{% formfield player.decision_2 %}
Decision 3: You have two options:
| Left | Right |
|---|---|
| {{new_amount}}€ with 50% probability and 0 with 50% probability | 5€ with certainty |
Important information: After you have submitted your decision, the computer will not let you know the outcome of the lottery if you do not play it. This means that, if you do not play the lottery, you will not learn how much you would have earned, had you played it.
{% formfield player.decision_3 %}
Decision 4: You have two options:
| Left | Right |
|---|---|
| {{new_amount}}€ with 50% probability and 0 with 50% probability | 5€ with certainty |
You have been assigned 5€ with certainty, but you will nevertheless learn the outcome of the lottery.
{% formfield player.decision_4 %}
Decision 5: You have two options:
| Left | Right |
|---|---|
| {{new_amount_less}}€ with 50% probability and 0 with 50% probability | 5€ with certainty |
Important information: After you have submitted your decision, the computer will let you know the outcome of the lottery even if you do not play it. This means that, if you do not play the lottery, you will learn nevertheless how much you would have earned, had you played it.
{% formfield player.decision_5 %}
Decision 6: You have two options:
| Left | Right |
|---|---|
| {{new_amount_less}}€ with 50% probability and 0 with 50% probability | 5€ with certainty |
Important information: After you have submitted your decision, the computer will not let you know the outcome of the lottery if you do not play it. This means that, if you do not play the lottery, you will not learn how much you would have earned, had you played it.
{% formfield player.decision_6 %}
Decision 7: You have two options:
| Left | Right |
|---|---|
| {{new_amount_less}}€ with 50% probability and 0 with 50% probability | 5€ with certainty |
You have been assigned 5€ with certainty, but you will nevertheless learn the outcome of the lottery.
{% formfield player.decision_7 %}


April 2006
My children grow up and need some care and time... The development of the game is stopped.
October 2005
DotScene imports are working quiet well now, so we start modeling the new spaceship.
For Solar system generation, I have totally rewritten the (opensource)
StarGen library,
into an Object Oriented Design and C++.
This give a new StarGen 2 library which is also opensource, and has a dedicated
StarGen-II website
,
where documentation and sources are available. (The purpose of this library is to generate a realistic planetary system, for
a given star. It is used by Celestia fans, and many game-creators who need a solar system.).
September 2005
For september, we are working on dotScene imports, and solar system generation.
The game will create the planets orbiting around a star, according to realistic astrophysical rules.
The game will also generate unique textures for each planet (temperate planets, rocky planets, gaz planets...)
August 2005
The project is now 1 year old ! and still alive.
It is time to take some holidays in a very beautiful country: Italy, and the mountains of Piemonte near the Lago Maggiore.
July 2005
A new 3D designer joins the Team !
Adam is redesigning the Ship 3D models, by using Blender and dotScenes. Expect a brand new look of the spaceship in the futures demos.
A new demo is available (see download section).
June 2005
Working on the Navigation Computer.
This computer allows the player to control the Engines. The piloting will be not too easy, but not too difficult: it a game and not a simulator.
But I try to make it realistic enough...
May 2005
Working on the Ship internal elements.
This is nothing that can be seen: Energy production, Air production, Water production, Engines.
All the elements and the associated rules that will allow the Ship to fly.
April 2005
Working on the Ship internal computers.
This computers will allow the player to monitor everything in the Spaceship.
(Maintenance computer, Status computer, Captain Computer)
Marsh 2005
A new designer joins the Team !
Etheral Warlker is going to work on 3D models for the game.
A new version is available with Ogre 1.0 (see download section).
February 2005
The hibernation bed is finally done! Now, I will take some time to include the new version of the
Ogre engine (v1.0 was just released few days ago), and I will have to rewrite the Main Menu application
with the new GUI system. afterwards, I'll start programming the piloting computer.
January 2005
I spent a lot of time on modeling the different rooms of the Spaceship. In fact, 3D modeling takes a
large amount of time. Especially when you are not a professional modeler, but a programmer. I have
first to learn modeling and texturing technics...
After modeling the hibernation Room (based on a model found on the internet), the corridors, the
maintenance Room, the weaponry, the maproom, I start modeling the 'hibernation bed' with animation,
particles, and a GUI interface.
December 2004
A new version of the demo is released (see the 'download' page).
November 2004
CEGUI library is included in the project. The Robot has now an interface, coded with CrazyEddy GUI library.
XERCES library is included in the project, and the data files are now XML files. First animated objects:
the doors open and close. The robot can move from one room to another.
October 2004
The new version of the Ogre Engine is released (v0.15). So the whole program is reviewed.
This site is now also in English, and the demo is updated.
August 2004
The project starts. I choose finally C++ and the Ogre Engine for the 3D graphisms. I choose the Audio Engine FMOD
for the sounds and music. Coding of the Main Menu, the Setup program, and the begining of the game.


Module to interact with the Cyclic Redundancy Check 32 (CRC32) hardware accelerator with support for CRC16 signatures. More...
Macros | |
| #define | CRC16_MODE 0x00 |
| #define | CRC32_MODE 0x01 |
| #define | CRC32_setSeedMultipleInstance(a, b, c) CRC32_setSeed(b,c) |
| #define | CRC32_set8BitDataMultipleInstance(a, b, c) CRC32_set8BitData(b,c) |
| #define | CRC32_set16BitDataMultipleInstance(a, b, c) CRC32_set16BitData(b,c) |
| #define | CRC32_set32BitDataMultipleInstance(a, b) CRC32_set32BitData(b) |
| #define | CRC32_set8BitDataReversedMultipleInstance(a, b, c) CRC32_set8BitDataReversed(b,c) |
| #define | CRC32_set16BitDataReversedMultipleInstance(a, b, c) CRC32_set16BitDataReversed(b,c) |
| #define | CRC32_set32BitDataReversedMultipleInstance(a, b) CRC32_set32BitDataReversed(b) |
| #define | CRC32_getResultMultipleInstance(a, b) CRC32_getResult() |
| #define | CRC32_getResultReversedMultipleInstance(a, b) CRC32_getResultReversed(b) |
Functions | |
| void | CRC32_setSeed (uint32_t seed, uint_fast8_t crcType) |
| void | CRC32_set8BitData (uint8_t dataIn, uint_fast8_t crcType) |
| void | CRC32_set16BitData (uint16_t dataIn, uint_fast8_t crcType) |
| void | CRC32_set32BitData (uint32_t dataIn) |
| void | CRC32_set8BitDataReversed (uint8_t dataIn, uint_fast8_t crcType) |
| void | CRC32_set16BitDataReversed (uint16_t dataIn, uint_fast8_t crcType) |
| void | CRC32_set32BitDataReversed (uint32_t dataIn) |
| uint32_t | CRC32_getResult (uint_fast8_t crcType) |
| uint32_t | CRC32_getResultReversed (uint_fast8_t crcType) |
Module to interact with the Cyclic Redundancy Check 32 (CRC32) hardware accelerator with support for CRC16 signatures.
The CRC32 module offers no interrupts and is used only to generate CRC signatures to verify against pre-made CRC signatures (Checksums).
The CRC32 module provides the capability for both 32-bit and 16-bit calculations. As such, the DriverLib API provides functionality for the user to provide variable bit-length data for either 16-bit or 32-bit calculations.
In the following very simple code example, an array of data is fed into the CRC32 module and the 32-bit calculation is retrieved:
| #define CRC16_MODE 0x00 |
| #define CRC32_MODE 0x01 |
| #define CRC32_setSeedMultipleInstance | ( | a, | |
| b, | |||
| c | |||
| ) | CRC32_setSeed(b,c) |
| #define CRC32_set8BitDataMultipleInstance | ( | a, | |
| b, | |||
| c | |||
| ) | CRC32_set8BitData(b,c) |
| #define CRC32_set16BitDataMultipleInstance | ( | a, | |
| b, | |||
| c | |||
| ) | CRC32_set16BitData(b,c) |
| #define CRC32_set32BitDataMultipleInstance | ( | a, | |
| b | |||
| ) | CRC32_set32BitData(b) |
| #define CRC32_set8BitDataReversedMultipleInstance | ( | a, | |
| b, | |||
| c | |||
| ) | CRC32_set8BitDataReversed(b,c) |
| #define CRC32_set16BitDataReversedMultipleInstance | ( | a, | |
| b, | |||
| c | |||
| ) | CRC32_set16BitDataReversed(b,c) |
| #define CRC32_set32BitDataReversedMultipleInstance | ( | a, | |
| b | |||
| ) | CRC32_set32BitDataReversed(b) |
| #define CRC32_getResultMultipleInstance | ( | a, | |
| b | |||
| ) | CRC32_getResult() |
| #define CRC32_getResultReversedMultipleInstance | ( | a, | |
| b | |||
| ) | CRC32_getResultReversed(b) |
| void CRC32_setSeed | ( | uint32_t | seed, |
| uint_fast8_t | crcType | ||
| ) |
Sets the seed for the CRC.
| seed | is the seed for the CRC to start generating a signature from. Modified bits are CRC16INIRESL0 of CRC16INIRESL0 register. CRC32INIRESL0 of CRC32INIRESL0 register |
| crcType | selects between CRC32 and CRC16 Valid values are CRC16_MODE and CRC32_MODE |
This function sets the seed for the CRC to begin generating a signature with the given seed and all passed data. Using this function resets the CRC32 signature.
References ASSERT, CRC16_MODE, and CRC32_MODE.
| void CRC32_set8BitData | ( | uint8_t | dataIn, |
| uint_fast8_t | crcType | ||
| ) |
Sets the 8 Bit data to add into the CRC module to generate a new signature.
| dataIn | is the data to be added, through the CRC module, to the signature. Modified bits are CRC16DIB0 of CRC16DIB0 register. CRC32DIB0 of CRC32DIB0 register. |
| crcType | selects between CRC32 and CRC16 Valid values are CRC16_MODE and CRC32_MODE |
This function sets the given data into the CRC module to generate the new signature from the current signature and new data. Bit 0 is treated as LSB.
References ASSERT, CRC16_MODE, CRC32_MODE, and HWREG8.
| void CRC32_set16BitData | ( | uint16_t | dataIn, |
| uint_fast8_t | crcType | ||
| ) |
Sets the 16 Bit data to add into the CRC module to generate a new signature.
| dataIn | is the data to be added, through the CRC module, to the signature. Modified bits are CRC16DIW0 of CRC16DIW0 register. CRC32DIW0 of CRC32DIW0 register. |
| crcType | selects between CRC32 and CRC16 Valid values are CRC16_MODE and CRC32_MODE |
This function sets the given data into the CRC module to generate the new signature from the current signature and new data. Bit 0 is treated as LSB
References ASSERT, CRC16_MODE, and CRC32_MODE.
| void CRC32_set32BitData | ( | uint32_t | dataIn | ) |
Sets the 32 Bit data to add into the CRC module to generate a new signature. Available only for CRC32_MODE and not for CRC16_MODE
| dataIn | is the data to be added, through the CRC module, to the signature. Modified bits are CRC32DIL0 of CRC32DIL0 register. |
This function sets the given data into the CRC module to generate the new signature from the current signature and new data. Bit 0 is treated as LSB
References HWREG16.
| void CRC32_set8BitDataReversed | ( | uint8_t | dataIn, |
| uint_fast8_t | crcType | ||
| ) |
Translates the data by reversing the bits in each 8 bit data and then sets this data to add into the CRC module to generate a new signature.
| dataIn | is the data to be added, through the CRC module, to the signature. Modified bits are CRC16DIRBB0 of CRC16DIRBB0 register. CRC32DIRBB0 of CRC32DIRBB0 register. |
| crcType | selects between CRC32 and CRC16 Valid values are CRC16_MODE and CRC32_MODE |
This function first reverses the bits in each byte of the data and then generates the new signature from the current signature and new translated data. Bit 0 is treated as MSB.
References ASSERT, CRC16_MODE, CRC32_MODE, and HWREG8.
| void CRC32_set16BitDataReversed | ( | uint16_t | dataIn, |
| uint_fast8_t | crcType | ||
| ) |
Translates the data by reversing the bits in each 16 bit data and then sets this data to add into the CRC module to generate a new signature.
| dataIn | is the data to be added, through the CRC module, to the signature. Modified bits are CRC16DIRBW0 of CRC16DIRBW0 register. CRC32DIRBW0 of CRC32DIRBW0 register. |
| crcType | selects between CRC32 and CRC16 Valid values are CRC16_MODE and CRC32_MODE |
This function first reverses the bits in each byte of the data and then generates the new signature from the current signature and new translated data. Bit 0 is treated as MSB.
References ASSERT, CRC16_MODE, and CRC32_MODE.
| void CRC32_set32BitDataReversed | ( | uint32_t | dataIn | ) |
Translates the data by reversing the bits in each 32 Bit Data and then sets this data to add into the CRC module to generate a new signature. Available only for CRC32 mode and not for CRC16 mode
| dataIn | is the data to be added, through the CRC module, to the signature. Modified bits are CRC32DIRBL0 of CRC32DIRBL0 register. |
This function first reverses the bits in each byte of the data and then generates the new signature from the current signature and new translated data. Bit 0 is treated as MSB.
References HWREG16.
| uint32_t CRC32_getResult | ( | uint_fast8_t | crcType | ) |
Returns the value of CRC Signature Result.
| crcType | selects between CRC32 and CRC16 Valid values are CRC16_MODE and CRC32_MODE |
This function returns the value of the signature result generated by the CRC. Bit 0 is treated as LSB.
References ASSERT, CRC16_MODE, and CRC32_MODE.
| uint32_t CRC32_getResultReversed | ( | uint_fast8_t | crcType | ) |
Returns the bit-wise reversed format of the 32 bit Signature Result.
| crcType | selects between CRC32 and CRC16 Valid values are CRC16_MODE and CRC32_MODE |
This function returns the bit-wise reversed format of the Signature Result. Bit 0 is treated as MSB.
References ASSERT, CRC16_MODE, and CRC32_MODE.


=== Test case: lasp_peer_to_peer_advertisement_counter_SUITE:peer_to_peer_state_based_test/1 (click for source code) === Config value: [{watchdog,<0.452.0>}<EMAIL_ADDRESS>{tc_group_properties,[]}, {tc_group_path,[]}, {data_dir,"/Users/anne-francevanswieten/lasp/_build/test/lib/lasp/test/lasp_peer_to_peer_advertisement_counter_SUITE_data/"}<EMAIL_ADDRESS>=== Current directory is<EMAIL_ADDRESS>=== Started at 2017-05-05 22:30:57
*** User 2017-05-05 22:30:57.028 *** Beginning test case peer_to_peer_state_based_test
*** User 2017-05-05 22:30:57.043 *** Running peer_to_peer_ad_counter_state_based_test with nodes [server,client_1, client_2, client_3]
*** User 2017-05-05 22:30:57.043 *** Launching Erlang distribution...

*** User 2017-05-05 22:31:03.534 *** Custering nodes...
*** User 2017-05-05 22:31:03.535 *** Joining node: 'server@MacBook-Pro-de-Anne-France' to 'client_1@MacBook-Pro-de-Anne-France' at port 56737
*** User 2017-05-05 22:31:03.535 *** Joining node: 'server@MacBook-Pro-de-Anne-France' to 'client_2@MacBook-Pro-de-Anne-France' at port 56739
*** User 2017-05-05 22:31:03.540 *** Joining node: 'server@MacBook-Pro-de-Anne-France' to 'client_3@MacBook-Pro-de-Anne-France' at port 56741
*** User 2017-05-05 22:31:03.541 *** Joining node: 'client_1@MacBook-Pro-de-Anne-France' to 'server@MacBook-Pro-de-Anne-France' at port 56735
*** User 2017-05-05 22:31:03.550 *** Joining node: 'client_1@MacBook-Pro-de-Anne-France' to 'client_2@MacBook-Pro-de-Anne-France' at port 56739
*** User 2017-05-05 22:31:03.551 *** Joining node: 'client_1@MacBook-Pro-de-Anne-France' to 'client_3@MacBook-Pro-de-Anne-France' at port 56741
*** User 2017-05-05 22:31:03.553 *** Joining node: 'client_2@MacBook-Pro-de-Anne-France' to 'server@MacBook-Pro-de-Anne-France' at port 56735
*** User 2017-05-05 22:31:03.555 *** Joining node: 'client_2@MacBook-Pro-de-Anne-France' to 'client_1@MacBook-Pro-de-Anne-France' at port 56737
*** User 2017-05-05 22:31:03.559 *** Joining node: 'client_2@MacBook-Pro-de-Anne-France' to 'client_3@MacBook-Pro-de-Anne-France' at port 56741
*** User 2017-05-05 22:31:03.560 *** Joining node: 'client_3@MacBook-Pro-de-Anne-France' to 'server@MacBook-Pro-de-Anne-France' at port 56735
*** User 2017-05-05 22:31:03.561 *** Joining node: 'client_3@MacBook-Pro-de-Anne-France' to 'client_1@MacBook-Pro-de-Anne-France' at port 56737
*** User 2017-05-05 22:31:03.563 *** Joining node: 'client_3@MacBook-Pro-de-Anne-France' to 'client_2@MacBook-Pro-de-Anne-France' at port 56739
*** User 2017-05-05 22:31:03.564 *** Lasp fully initialized.
*** User 2017-05-05 22:31:03.564 *** Waiting for simulation to end


1 reference to CharacterNormalizer
System.Management.Automation (1)
engine\regex.cs (1)
929
_characterNormalizer = new
CharacterNormalizer
(wildcardPattern.Options);


| generics-package {generics} | R Documentation |
These are generic functions that can be used to minimize package dependencies when multiple packages have the same method.
An attempt was made to use generic class signatures that were
consistent with existing code. For example, dplyr and
lime both have explain()
methods that do very different
things but both take x
as their main object. Even though x
would be different in those cases, this package provides access
to the S3 generic so that other packages that may want to create
explain()
methods for their objects can do so without loading
either of the other packages.
For example, if a new tidy()
method is being developed for a
package, this lightweight package can be the required dependency
to have access to the generic method (instead of depending on
broom and installing its dependencies).
Maintainer: Hadley Wickham<EMAIL_ADDRESS>Authors:
Max Kuhn<EMAIL_ADDRESS>Davis Vaughan<EMAIL_ADDRESS>Other contributors:
RStudio [copyright holder]
Useful links:
Report bugs at https://github.com/r-lib/generics/issues


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List of 32 CMIP5 models included in the analysis. (PDF) |
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Masks used to calculate regional projection. The masks are a ... |
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Normalized historic and GCM populations Raw data for normali ... |
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Individual raw data maps Raw data used to create consensus m ... |
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Population and fruit quality index for base model Raw data u ... |
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Populations per year and for mean annual temperature Raw dat ... |
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Hydrological model of Devils Lake watershed based on SWAT. |
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CMIP-5 and CMIP-3 climate data for Devils Lake watershed. |
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Simulated and observed daily streamflows at the seven USGS s ... |
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SWAT model parameter values. |
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Values of surface runoff curve number (CN2) used in the mode ... |
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Python scripts used to extract climate data and analyze simu ... |
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Mid century (2030-2060). (PDF) |
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RCP4.5. (PDF) |
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Sensitivity studies.  (DOCX) |
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Selected climate results for this study. (A) CCSM4 RCP 8.5 a ... |
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Predicted vs. St-Pierre et al. (2003) average July minimum ( ... |
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Late-20 th century annual mean Temperature Humidity Index (T ... |
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Expected seasonal changes in heat stress frequency between 2 ... |
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Sensitivity of the mean cost-benefit ratio to barn cost diff ... |
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Sensitivity of the mean cost-benefit ratio to fan installati ... |
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Sensitivity of the mean cost-benefit ratio to discount rate, ... |
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Sensitivity of the mean cost-benefit ratio to milk price, by ... |
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Coupled model intercomparison project 5 global climate model ... |
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Milk production loss (kg/cow/year) under RCP 8.5, by heat ab ... |
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List of all species by watersheds used in all analyses Data ... |
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Research groups that contributed model ensembles to the down ... |
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R code for harmonic model, future temperature predictions, a ... |
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Reduced tree growth in the semiarid United States due to asy ... |
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