Box Office Records > Domestic > All Movies > Cumulative > All Time Domestic
All Time Domestic Box Office (Rank 3,201-3,300)
See also: All Time Domestic Limited Release - All Time International - All Time Worldwide - All Time Domestic (Inf. Adj.) - Top 2016 Domestic - Top 2017 Domestic
This chart contains the top 100 movies based on the cumulative domestic box office.
Please see our All-Time Top Grossing Films Comparison for a comparison of the daily performance of all films released since 1980 that have earned more than $450 million at the domestic box office.
| Rank | Released | Movie | Domestic Box Office |
International Box Office |
Worldwide Box Office |
|---|---|---|---|---|---|
| 3,201 | 1968 | The Green Berets | $21,707,027 | $0 | $21,707,027 |
| 3,202 | 1992 | The Player | $21,706,101 | $7,170,601 | $28,876,702 |
| 3,203 | 1966 | The Russians Are Coming, the Russians Are Coming | $21,693,114 | $0 | $21,693,114 |
| 3,204 | 1983 | Class | $21,667,789 | $0 | $21,667,789 |
| 3,205 | 1993 | Como agua para chocolate | $21,656,534 | $0 | $21,656,534 |
| 3,206 | 1990 | The Rookie | $21,633,874 | $0 | $21,633,874 |
| 3,207 | 1996 | The Quest | $21,607,190 | $0 | $21,607,190 |
| 3,208 | 2011 | Your Highness | $21,596,445 | $4,525,193 | $26,121,638 |
| 3,209 | 1992 | Consenting Adults | $21,591,728 | $0 | $21,591,728 |
| 3,210 | 2013 | Mud | $21,590,086 | $9,966,873 | $31,556,959 |
| 3,211 | 2016 | Snowden | $21,587,519 | $12,714,431 | $34,301,950 |
| 3,212 | 2002 | Bowling for Columbine | $21,576,018 | $36,664,469 | $58,240,487 |
| 3,213 | 2015 | Black or White | $21,571,189 | $0 | $21,571,189 |
| 3,214 | 2013 | Baggage Claim | $21,569,509 | $1,316,327 | $22,885,836 |
| 3,215 | 1998 | He Got Game | $21,567,853 | $844,095 | $22,411,948 |
| 3,216 | 2004 | NASCAR: The IMAX Experience | $21,550,235 | $665,000 | $22,215,235 |
| 3,217 | 1998 | Psycho | $21,541,218 | $15,685,000 | $37,226,218 |
| 3,218 | 2010 | Just Wright | $21,540,363 | $327,302 | $21,867,665 |
| 3,219 | 1968 | Blackbeard's Ghost | $21,540,050 | $0 | $21,540,050 |
| 3,220 | 1984 | Oh God, You Devil! | $21,538,000 | $0 | $21,538,000 |
| 3,221 | 2013 | The Way Way Back | $21,502,690 | $5,351,120 | $26,853,810 |
| 3,222 | 1983 | The Right Stuff | $21,500,000 | $0 | $21,500,000 |
| 3,223 | 2013 | The Book Thief | $21,488,481 | $54,598,230 | $76,086,711 |
| 3,224 | 1988 | Married to the Mob | $21,486,757 | $0 | $21,486,757 |
| 3,225 | 1973 | Enter the Dragon | $21,483,063 | $0 | $21,483,063 |
| 3,226 | 2000 | Battlefield Earth: A Saga of the Year 3000 | $21,471,685 | $8,253,978 | $29,725,663 |
| 3,227 | 2007 | The Last Mimzy | $21,471,047 | $6,048,647 | $27,519,694 |
| 3,228 | 2000 | Urban Legends: Final Cut | $21,468,807 | $17,105,555 | $38,574,362 |
| 3,229 | 1986 | Tough Guys | $21,458,229 | $0 | $21,458,229 |
| 3,230 | 1992 | Toys | $21,452,082 | $0 | $21,452,082 |
| 3,231 | 2011 | The Darkest Hour | $21,443,494 | $41,388,221 | $62,831,715 |
| 3,232 | 1996 | A Very Brady Sequel | $21,443,204 | $0 | $21,443,204 |
| 3,233 | 1997 | Mr. Magoo | $21,437,192 | $7,500,000 | $28,937,192 |
| 3,234 | 2010 | Skyline | $21,416,355 | $57,277,016 | $78,693,371 |
| 3,235 | 1990 | Quigley Down Under | $21,413,105 | $0 | $21,413,105 |
| 3,236 | 2013 | The Place Beyond the Pines | $21,403,519 | $25,607,930 | $47,011,449 |
| 3,237 | 1984 | Rhinestone | $21,400,000 | $0 | $21,400,000 |
| 3,238 | 2011 | Mars Needs Moms | $21,392,758 | $18,157,000 | $39,549,758 |
| 3,239 | 2003 | Cold Creek Manor | $21,384,035 | $0 | $21,384,035 |
| 3,240 | 1980 | The Fog | $21,378,361 | $0 | $21,378,361 |
| 3,241 | 1990 | The First Power | $21,365,321 | $0 | $21,365,321 |
| 3,242 | 2006 | Waist Deep | $21,344,312 | $0 | $21,344,312 |
| 3,243 | 2002 | National Lampoon's Van Wilder | $21,305,259 | $17,936,064 | $39,241,323 |
| 3,244 | 2011 | Dream House | $21,302,340 | $20,339,826 | $41,642,166 |
| 3,245 | 1945 | The Bells of St. Mary's | $21,300,000 | $0 | $21,300,000 |
| 3,246 | 1956 | The King and I | $21,300,000 | $0 | $21,300,000 |
| 3,247 | 1984 | Die Unendliche Geschichte | $21,300,000 | $0 | $21,300,000 |
| 3,248 | 2011 | Conan the Barbarian | $21,295,021 | $42,061,112 | $63,356,133 |
| 3,249 | 1990 | The Freshman | $21,289,527 | $0 | $21,289,527 |
| 3,250 | 1985 | The Black Cauldron | $21,288,692 | $0 | $21,288,692 |
| 3,251 | 1995 | To Die For | $21,284,514 | $6,404,230 | $27,688,744 |
| 3,252 | 1996 | Chain Reaction | $21,226,204 | $38,983,130 | $60,209,334 |
| 3,253 | 2014 | As Above, So Below | $21,222,315 | $20,601,751 | $41,824,066 |
| 3,254 | 2016 | Mechanic: Resurrection | $21,218,403 | $89,094,555 | $110,312,958 |
| 3,255 | 2007 | Amazing Grace | $21,214,987 | $10,968,723 | $32,183,710 |
| 3,256 | 1980 | Fame | $21,202,829 | $0 | $21,202,829 |
| 3,257 | 1992 | Straight Talk | $21,202,099 | $0 | $21,202,099 |
| 3,258 | 1983 | Christine | $21,200,000 | $0 | $21,200,000 |
| 3,259 | 1955 | Mister Roberts | $21,200,000 | $0 | $21,200,000 |
| 3,260 | 1996 | Bulletproof | $21,195,840 | $1,035,000 | $22,230,840 |
| 3,261 | 2004 | Torque | $21,176,322 | $25,000,000 | $46,176,322 |
| 3,262 | 1992 | Raising Cain | $21,171,695 | $0 | $21,171,695 |
| 3,263 | 2006 | ATL | $21,170,563 | $0 | $21,170,563 |
| 3,264 | 1985 | A Nightmare On Elm Street Part 2: Freddy's Revenge | $21,163,999 | $0 | $21,163,999 |
| 3,265 | 2003 | Cabin Fever | $21,158,188 | $9,193,476 | $30,351,664 |
| 3,266 | 1983 | Cujo | $21,156,152 | $0 | $21,156,152 |
| 3,267 | 1993 | Coneheads | $21,153,686 | $0 | $21,153,686 |
| 3,268 | 2010 | The Next Three Days | $21,148,651 | $46,107,265 | $67,255,916 |
| 3,269 | 1982 | Things Are Tough All Over | $21,134,374 | $0 | $21,134,374 |
| 3,270 | 1999 | A Stir of Echoes | $21,133,087 | $0 | $21,133,087 |
| 3,271 | 1992 | Ferngully… The Last Rainforest | $21,111,825 | $0 | $21,111,825 |
| 3,272 | 1984 | Top Secret! | $21,100,000 | $0 | $21,100,000 |
| 3,273 | 2017 | Valerian and the City of a Thousand Planets | $21,099,680 | $3,970,000 | $25,069,680 |
| 3,274 | 1995 | Tales from the Crypt: Demon Knight | $21,089,146 | $0 | $21,089,146 |
| 3,275 | 2002 | Antwone Fisher | $21,078,145 | $2,289,441 | $23,367,586 |
| 3,276 | 1991 | F/X2 | $21,075,831 | $0 | $21,075,831 |
| 3,277 | 1984 | Weekend Pass | $21,058,033 | $0 | $21,058,033 |
| 3,278 | 2015 | Aloha | $21,052,030 | $3,883,769 | $24,935,799 |
| 3,279 | 1988 | Punchline | $21,032,000 | $0 | $21,032,000 |
| 3,280 | 1982 | Night Shift | $21,017,056 | $0 | $21,017,056 |
| 3,281 | 2004 | Flight of the Phoenix | $21,009,180 | $13,000,000 | $34,009,180 |
| 3,282 | 2009 | The Fantastic Mr. Fox | $21,002,919 | $26,082,145 | $47,085,064 |
| 3,283 | 2006 | Flicka | $21,000,147 | $896,220 | $21,896,367 |
| 3,284 | 1979 | Dracula | $21,000,000 | $0 | $21,000,000 |
| 3,285 | 1974 | The Man with the Golden Gun | $21,000,000 | $76,600,000 | $97,600,000 |
| 3,286 | 1977 | The World's Greatest Lover | $21,000,000 | $0 | $21,000,000 |
| 3,287 | 1996 | High School High | $20,995,023 | $0 | $20,995,023 |
| 3,288 | 2008 | The X-Files: I Want to Believe | $20,982,478 | $47,188,314 | $68,170,792 |
| 3,289 | 1986 | A Room with a View | $20,966,644 | $0 | $20,966,644 |
| 3,290 | 1982 | La Guerre du feu | $20,959,585 | $0 | $20,959,585 |
| 3,291 | 2003 | Looney Tunes: Back in Action | $20,950,820 | $33,589,842 | $54,540,662 |
| 3,292 | 2009 | Shorts | $20,919,166 | $8,951,635 | $29,870,801 |
| 3,293 | 1992 | Mr. Baseball | $20,883,046 | $0 | $20,883,046 |
| 3,294 | 1988 | Short Circuit 2 | $20,882,000 | $0 | $20,882,000 |
| 3,295 | 1966 | Grand Prix | $20,845,016 | $0 | $20,845,016 |
| 3,296 | 1993 | Super Mario Bros. | $20,844,907 | $0 | $20,844,907 |
| 3,297 | 2010 | The Kids Are All Right | $20,811,365 | $15,464,104 | $36,275,469 |
| 3,298 | 2016 | Free State of Jones | $20,810,036 | $2,342,026 | $23,152,062 |
| 3,299 | 2007 | The Hills Have Eyes II | $20,804,166 | $16,662,372 | $37,466,538 |
| 3,300 | 1994 | Jason's Lyric | $20,788,730 | $0 | $20,788,730 |
The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
This table is updated daily to reflect the latest studio reports.
Note: This chart is not adjusted for inflation.


Gingras laboratory
We are a signal transduction, systems biology and proteomics lab located at the Lunenfeld-Tanenbaum Research Institute (LTRI) in Toronto.
Dr. Anne-Claude Gingras
Dr. Anne-Claude Gingras is a Senior Investigator at the LTRI and Professor in the Department of Molecular Genetics, University of Toronto. Dr. Gingras is an expert in mass spectrometry-based proteomics, a technology that enables the identification and quantification of proteins from biological samples. She develops tools to better understand how proteins associate with one another to perform their functions.
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See our manuscript by Lambert, Picaud et al. that reports the effects of the drug JQ1 on the interactome of the BET family of bromodomains online at Molecular Cell. A great collaboration between the Gingras and Filippakopoulos labs, with help from many colleagues across the world.
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Enabling tools for proteomics
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While we are probably best known for our work on serine/threonine phosphatases, our research group has grown a lot recently, and our members are interested in several cell regulatory mechanisms, including Hippo signalling, trafficking, RNA-related structures, and splicing. These are being investigated using a variety of techniques, but in large part through interaction proteomics.
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While the activities of kinases and phosphatases are both required for controlling cell growth and proliferation, the study of phosphatases has generally lagged behind that of kinases, resulting in a lopsided view of signal transduction. Our lab has undertaken systematic approaches to study the roughly 150 human phosphatases through systematic mapping of their interactions and through functional screenings (RNA interference and microscopy).
Read moreCerebral cavernous malformations
In 2009 we reported on the discovery of a novel large protein complex, which we termed STRIPAK, for STRiatin Interacting Phosphatase And Kinase, which contains both the PP2A phosphatase and a Ste20 kinase. Importantly, we also found that the protein CCM3 is a component of STRIPAK, leading us into further studies to elaborate the mechanisms underpinning CCM disease.
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BOOXS
Welcome to Booxs where reading is knowledge. Boox is your very own personal International Books Data Base. You've read it, now it's time to write about it.
Welcome to Booxs where reading is knowledge. Boox is your very own personal International Books Data Base. You've read it, now it's time to write about it.
Some enjoy the visual aspect of a story. Some enjoy it when someone else is reading the story. And some enjoy simply reading. IMDB is an incredible site for movies and here at Booxs we were inspired to create a Book version of IMDB.


About Me
- I moved to Seattle 6 years ago from Omaha, NE
- I used to be a device driver and developer tool engineer
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The four road bicycles I built so far include:
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| C_07_shingles {lattice} | R Documentation |
Functions to handle shingles
shingle(x, intervals=sort(unique(x))) equal.count(x, ...) as.shingle(x) is.shingle(x) ## S3 method for class 'shingle' plot(x, panel, xlab, ylab, ...) ## S3 method for class 'shingle' print(x, showValues = TRUE, ...) ## S3 method for class 'shingleLevel' as.character(x, ...) ## S3 method for class 'shingleLevel' print(x, ...) ## S3 method for class 'shingle' summary(object, showValues = FALSE, ...) ## S3 method for class 'shingle' x[subset, drop = FALSE] as.factorOrShingle(x, subset, drop)
x |
numeric variable or R object, shingle in |
object |
shingle object to be summarized |
showValues |
logical, whether to print the numeric part. If FALSE, only the intervals are printed |
intervals |
numeric vector or matrix with 2 columns |
subset |
logical vector |
drop |
whether redundant shingle levels are to be dropped |
panel, xlab, ylab |
standard Trellis arguments (see
|
... |
other arguments, passed down as appropriate. For
example, extra arguments to |
A shingle is a data structure used in Trellis, and is a generalization
of factors to ‘continuous’ variables. It consists of a numeric
vector along with some possibly overlapping intervals. These intervals
are the ‘levels’ of the shingle. The levels
and
nlevels
functions, usually applicable to factors, also work on
shingles. The implementation of shingles is slightly different from
S.
There are print methods for shingles, as well as for printing the
result of levels()
applied to a shingle. For use in labelling,
the as.character
method can be used to convert levels of a
shingle to character strings.
equal.count
converts x
to a shingle using the equal
count algorithm. This is essentially a wrapper around
co.intervals
. All arguments are passed to co.intervals
.
shingle
creates a shingle using the given intervals
. If
intervals
is a vector, these are used to form 0 length
intervals.
as.shingle
returns shingle(x)
if x
is not a
shingle.
is.shingle
tests whether x
is a shingle.
plot.shingle
displays the ranges of shingles via
rectangles. print.shingle
and summary.shingle
describe
the shingle object.
x$intervals
for levels.shingle(x)
,
logical for is.shingle
, an object of class "trellis"
for
plot
(printed by default by print.trellis
), and
an object of class "shingle"
for the others.
Deepayan Sarkar<EMAIL_ADDRESS>z <- equal.count(rnorm(50)) plot(z) print(z) print(levels(z))


public abstract class Transformer extends Object
An instance of this class can be obtained with the
TransformerFactory.newTransformer
method. This instance may then be used to process XML from a
variety of sources and write the transformation output to a
variety of sinks.
An object of this class may not be used in multiple threads running concurrently. Different Transformers may be used concurrently by different threads.
A Transformer
may be used multiple times. Parameters and
output properties are preserved across transformations.
| Modifier | Constructor and Description |
|---|---|
protected |
Transformer()
Default constructor is protected on purpose.
|
| Modifier and Type | Method and Description |
|---|---|
abstract void |
clearParameters()
Clear all parameters set with setParameter.
|
abstract ErrorListener |
getErrorListener()
Get the error event handler in effect for the transformation.
|
abstract Properties |
getOutputProperties()
Get a copy of the output properties for the transformation.
|
abstract String |
getOutputProperty(String name)
Get an output property that is in effect for the transformer.
|
abstract Object |
getParameter(String name)
Get a parameter that was explicitly set with setParameter.
|
abstract URIResolver |
getURIResolver()
Get an object that will be used to resolve URIs used in
document().
|
void |
reset()
Reset this
Transformer to its original configuration. |
abstract void |
setErrorListener(ErrorListener listener)
Set the error event listener in effect for the transformation.
|
abstract void |
setOutputProperties(Properties oformat)
Set the output properties for the transformation.
|
abstract void |
setOutputProperty(String name,
String value)
Set an output property that will be in effect for the
transformation.
|
abstract void |
setParameter(String name,
Object value)
Add a parameter for the transformation.
|
abstract void |
setURIResolver(URIResolver resolver)
Set an object that will be used to resolve URIs used in
document().
|
abstract void |
transform(Source xmlSource,
Result outputTarget)
Transform the XML
Source to a Result . |
public void reset()
Reset this Transformer
to its original configuration.
Transformer
is reset to the same state as when it was created with
TransformerFactory.newTransformer()
,
TransformerFactory.newTransformer(Source source)
or
Templates.newTransformer()
.
reset()
is designed to allow the reuse of existing Transformer
s
thus saving resources associated with the creation of new Transformer
s.
The reset Transformer
is not guaranteed to have the same URIResolver
or ErrorListener
Object
s, e.g. Object.equals(Object obj)
.
It is guaranteed to have a functionally equal URIResolver
and ErrorListener
.
UnsupportedOperationException
- When implementation does not
override this method.public abstract void transform(Source xmlSource, Result outputTarget) throws TransformerException
Transform the XML Source
to a Result
.
Specific transformation behavior is determined by the settings of the
TransformerFactory
in effect when the
Transformer
was instantiated and any modifications made to
the Transformer
instance.
An empty Source
is represented as an empty document
as constructed by DocumentBuilder.newDocument()
.
The result of transforming an empty Source
depends on
the transformation behavior; it is not always an empty
Result
.
xmlSource
- The XML input to transform.outputTarget
- The Result
of transforming the
xmlSource
.TransformerException
- If an unrecoverable error occurs
during the course of the transformation.public abstract void setParameter(String name, Object value)
Pass a qualified name as a two-part string, the namespace URI enclosed in curly braces ({}), followed by the local name. If the name has a null URL, the String only contain the local name. An application can safely check for a non-null URI by testing to see if the first character of the name is a '{' character.
For example, if a URI and local name were obtained from an element defined with <xyz:foo xmlns:xyz="http://xyz.foo.com/yada/baz.html"/>, then the qualified name would be "{http://xyz.foo.com/yada/baz.html}foo". Note that no prefix is used.
name
- The name of the parameter, which may begin with a
namespace URI in curly braces ({}).value
- The value object. This can be any valid Java object. It is
up to the processor to provide the proper object coersion or to simply
pass the object on for use in an extension.NullPointerException
- If value is null.public abstract Object getParameter(String name)
This method does not return a default parameter value, which cannot be determined until the node context is evaluated during the transformation process.
name
- of Object
to getpublic abstract void clearParameters()
public abstract void setURIResolver(URIResolver resolver)
If the resolver argument is null, the URIResolver value will be cleared and the transformer will no longer have a resolver.
resolver
- An object that implements the URIResolver interface,
or null.public abstract URIResolver getURIResolver()
public abstract void setOutputProperties(Properties oformat)
If argument to this function is null, any properties previously set are removed, and the value will revert to the value defined in the templates object.
Pass a qualified property key name as a two-part string, the namespace URI enclosed in curly braces ({}), followed by the local name. If the name has a null URL, the String only contain the local name. An application can safely check for a non-null URI by testing to see if the first character of the name is a '{' character.
For example, if a URI and local name were obtained from an element defined with <xyz:foo xmlns:xyz="http://xyz.foo.com/yada/baz.html"/>, then the qualified name would be "{http://xyz.foo.com/yada/baz.html}foo". Note that no prefix is used.
AnIllegalArgumentException
is thrown if any of the
argument keys are not recognized and are not namespace qualified.oformat
- A set of output properties that will be
used to override any of the same properties in affect
for the transformation.IllegalArgumentException
- When keys are not recognized and
are not namespace qualified.OutputKeys
,
Properties
public abstract Properties getOutputProperties()
Get a copy of the output properties for the transformation.
The properties returned should contain properties set by the user,
and properties set by the stylesheet, and these properties
are "defaulted" by default properties specified by
section 16 of the
XSL Transformations (XSLT) W3C Recommendation. The properties that
were specifically set by the user or the stylesheet should be in the base
Properties list, while the XSLT default properties that were not
specifically set should be the default Properties list. Thus,
getOutputProperties().getProperty(String key) will obtain any
property in that was set by setOutputProperty(java.lang.String, java.lang.String)
,
setOutputProperties(java.util.Properties)
, in the stylesheet, or the default
properties, while
getOutputProperties().get(String key) will only retrieve properties
that were explicitly set by setOutputProperty(java.lang.String, java.lang.String)
,
setOutputProperties(java.util.Properties)
, or in the stylesheet.
Note that mutation of the Properties object returned will not effect the properties that the transformer contains.
If any of the argument keys are not recognized and are not
namespace qualified, the property will be ignored and not returned.
In other words the behaviour is not orthogonal with
setOutputProperties
.
OutputKeys
,
Properties
,
XSL Transformations (XSLT) Version 1.0public abstract void setOutputProperty(String name, String value) throws IllegalArgumentException
Pass a qualified property name as a two-part string, the namespace URI enclosed in curly braces ({}), followed by the local name. If the name has a null URL, the String only contain the local name. An application can safely check for a non-null URI by testing to see if the first character of the name is a '{' character.
For example, if a URI and local name were obtained from an element defined with <xyz:foo xmlns:xyz="http://xyz.foo.com/yada/baz.html"/>, then the qualified name would be "{http://xyz.foo.com/yada/baz.html}foo". Note that no prefix is used.
The Properties object that was passed to setOutputProperties(java.util.Properties)
won't be effected by calling this method.
name
- A non-null String that specifies an output
property name, which may be namespace qualified.value
- The non-null string value of the output property.IllegalArgumentException
- If the property is not supported, and is
not qualified with a namespace.OutputKeys
public abstract String getOutputProperty(String name) throws IllegalArgumentException
Get an output property that is in effect for the transformer.
If a property has been set using setOutputProperty(java.lang.String, java.lang.String)
,
that value will be returned. Otherwise, if a property is explicitly
specified in the stylesheet, that value will be returned. If
the value of the property has been defaulted, that is, if no
value has been set explicitly either with setOutputProperty(java.lang.String, java.lang.String)
or
in the stylesheet, the result may vary depending on
implementation and input stylesheet.
name
- A non-null String that specifies an output
property name, which may be namespace qualified.IllegalArgumentException
- If the property is not supported.OutputKeys
public abstract void setErrorListener(ErrorListener listener) throws IllegalArgumentException
listener
- The new error listener.IllegalArgumentException
- if listener is null.public abstract ErrorListener getErrorListener()
Submit a bug or feature
For further API reference and developer documentation, see Java SE Documentation. That documentation contains more detailed, developer-targeted descriptions, with conceptual overviews, definitions of terms, workarounds, and working code examples.
Copyright © 1993, 2015, Oracle and/or its affiliates. All rights reserved.


How did I integrated a launcher screen in an Android App under 5 minutes
Posted on June 16, 2017 in Development
Why Launcher Screen
A launch screen is the splash screen that is presented (optionally) to user when an app starts up. The main purpose for this screen is to keep user entertained while data is loading in the background and hence leave a good impression to your first time users. If your app takes some time to show the contents, then user is usually shown a blank screen. A blank screen may discourage users to wait and they just might get out of the app to not to return again, which could be very sad for your app. So, to make the waiting process bit less boring, the launcher screen (aka splash screen) can either be used to show app's logo to promote your brand or some interesting contents that makes user's waiting period more interesting.
How to implement Launcher Screen
Actually, its pretty straight-forward to implement a luncher screen. It's as simple as setting theme for the launcher activity in AndroidManifest.xml. Let's see the steps:
Step #1: Create the first activity that will launch your app. I'm using LauncherActivity
as my launcher activity. This activity doesn't need a layout file of its own since it redirect flow to MainActivity
(See Step #5 to know how its being done). It is declared with intent-filter category android.intent.category.LAUNCHER
in AndroidManifest.xml
.
<activity
android:name=".LauncherActivity"
android:theme="@style/LauncherScreenTheme">
<intent-filter>
<action android:name="android.intent.action.MAIN" />
<category android:name="android.intent.category.LAUNCHER" />
</intent-filter>
</activity>
Step #2: Create main activity for your app. I'm calling it MainActivity
. This is the activity which presents the real app contents of the app. It could be data loaded in background when app is launching.
Don't forget to add this activity in your AndroidManifest.xml
.
<activity android:name=".MainActivity"></activity>
Step #3: Now, we need to create a drawable for the launcher screen. A logo or any graphic that you want to show user in splash screen, needs to be set as background in this res file. Create the launcher screen xml resource file: launch_screen.xml
under res/drawable
folder. Basically, background set in here will be displayed as splash/launcher screen. I'm just using default android launcher logo for demonstration purpose. It could be your brand logo or any other graphic of your choice.
<?xml version="1.0" encoding="utf-8"?>
<layer-list xmlns:android="http://schemas.android.com/apk/res/android">
<item>
<color android:color="@color/colorAccent"/>
</item>
<item>
<bitmap
android:src="@mipmap/ic_launcher"
android:tileMode="disabled"
android:gravity="center"/>
</item>
</layer-list>
Step #4: Create a theme LauncherScreenTheme
for LauncherActivity
. Set LauncherActivity
theme to LauncherScreenTheme
in AndroidManifest.xml
as shown in Step #1. LauncherScreenTheme
theme is defined in styles.xml
:
<style name="LauncherScreenTheme" parent="Theme.AppCompat.Light.NoActionBar">
<item name="android:windowBackground">@drawable/launch_screen</item>
</style>
Step #5: Redirect to MainActivity
from LauncherActivity
:
public class LauncherActivity extends AppCompatActivity {
@Override
protected void onCreate(Bundle savedInstanceState) {
super.onCreate(savedInstanceState);
//Present user UI which uses data loaded in the background.
startActivity(new Intent(this, MainActivity.class));
}
}
And That's all you needed to do to setup a launcher screen for your app.
Here's how the launcher screen looks for the sample app:
Checkout the Source code for sample app available at github
References: Launch Screen Patterns


A week after students and alumni of St. John’s University began using Twitter to share their experiences with sexual assault on the Jamaica campus, school administrators have begun making efforts to contact the survivors.
The #SurvivingSJU hashtag created a firestorm for the Red Storm and prompted the school’s Title IX team to reach out to several students during the university’s winter break.
Inspired by Lifetime’s six-part documentary series “Surviving R. Kelly,” which first aired Jan. 3, an anonymous Twitter user volunteered to publicize the names and photographs of St. John’s students who allegedly committed sex-related crimes on the campus, on behalf of their victims.
That thread motivated other users to add the hashtag #SurvivingSJU to their own stories. Several students also said St. John’s staffers mishandled their claims.
Upon learning about the testimonials from the students last weekend, the small Title IX unit, led by coordinator Keaton Wong, sent an email to all St. John’s students and faculty on Jan.7. The email sent by Kesha Johnson, the associate director of Public Safety Compliance, encouraged students to report instance of sexual assault to the school and provided resources about how to share their experiences.
The outreach seems hollow to some students, however.
Brian Browne, a spokesman for the university told the Eagle Friday, that the Title XI staff has combed through public tweets that feature the #SurvivingSJU hashtag or the St. John’s Twitter and has sent direct messages to users without direct message privacy settings. When a Twitter user’s direct messages are closed, the university staff post a public tweet, he said.
St. John’s did not provide an estimate on the number of students, alumni and Twitter users who they have contacted due to privacy laws.
Browne said the school prefers using private messages to communicate with the accusers rather than publicly communicate about the sensitive topic on social media.
"If a person has a concern or complaint about an issue of sexual misconduct, that issue should be directed to Ms. Keaton Wong, St. John's University Title IX Coordinator at<PHONE_NUMBER> or titleix@stjohns.edu,” Browne said in an email.
One student told the Eagle that Wong reached out to her on Jan. 9 after posting her own personal #SurvivingSJU narrative, but she said the school should have done more to support her when she she attempted to report her sexual assault 18 months ago.
Several of the campus’ advocacy groups like Students of Consciousness have also called out the university for answers and Browne said the administration has connected with them as well.


$65 Includes our premium manicure and pedicure with hand and foot scrub. 15 minute hand and foot massage included.
$95 - 60 minutes hot oil and aroma massage along with 30 minute eucalyptic facial.
$75 - 60 minutes hot oil and aroma massage along with our standard manicure.
Let our experienced staff take care of your relaxation needs. Book your appointment today.
Appointment189 Eucalyptus Road Madeup Town CA 09876
Monday - Thursday: 8am - 7pm
Friday - Sunday: 8am - 4pm
Phone:<PHONE_NUMBER>
Email<EMAIL_ADDRESS>We are always looking for talented individuals to join our team. We look forward to hearing from you.


Timepicker with defaults values. Use tab key to change focus on hours, minutes and seconds and write a correct hour in 24H format or use the mouse wheel.
Timepicker with spinner mode. You can use the spinners to increase or decrease the time, write the time or use the mouse wheel to change it.
Timepicker with default value and default separator.
Timepicker with default value and separator '.'.
Timepicker diferent spinners colors.


Main settings
Icons
apikey
apikey_info
apikey_info_1
forecast_periods_txt
forecast_periods
forecast_hourly
current
country
country_info
location
location_info
location_info_1
station
Station - only for current conditions data
station_info
deutsch
english
русский
Nederlands
language
Use non-metric system
A
B
C
D
E
F
G
H
I
J
K
custom
Icon set
custom_icon_base_url
gif
png
svg
jpg
custom_icon_format


Show Time and Date
Categories:
City
Computer
Flowers
Food
Home
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Mountains
Music
NASA
Nature
People
Shopping
Sky
Tree
Work
Random Images
Ignores Category choices


RELENTLESS 3 A Film Review Copyright Dragan Antulov 1999
Coinciding with the emerging popularity of movies that deal with anything related to serial killers, RELENTLESS, 1989 low budget thriller about LAPD detective Sam Dietz, played by character actor Leo Rossi, spawned three more sequels. RELENTLESS 3, third in the row, features Sam Dietz again, but this time detective, who had to catch vicious serial killer in his very first case, doesn't want to deal with similar line of work. Divorced, demoralised and transferred, he reluctantly returns to his old post when Los Angeles becomes a hunting ground for another serial killer, and evidence indicate connection with one of Dietz's old cases. To make things even more interesting, it seems that the killer deliberately stages murders in order to bring Dietz to the investigation.
Fans of the British TV films and mini-series like PRIME SUSPECT or CRACKER would probably see a lot of similarities RELENTLESS series of movies. They both feature vicious psychopathic killers, yet also give a lot of, usually depressive, details about chief investigator's private lives. This one isn't an exception, but similarities with British television are only in content. The execution and style is different, which makes this film mediocre piece of entertainment at best. Useless, gratuitous erotica also doesn't help either, obviously making this film longer than it should be. The actors are good, though - Leo Rossi is fine as usual, and William Forsythe plays one of more compelling villains in his career. Signy Coleman as Dietz's love interest, is, on the other hand, quite miscast. But she won't have to worry about it in the future career, since RELENTLESS 3 wasn't supposed to be anybody's finest moment anyway.
RATING: 4/10 (+)
Review written on May 11th 1999
-- Dragan Antulov a.k.a. Drax Fido: 2:381/100 E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The Port Scan tab allows you to perform a basic port scan on any of the sites that have
been accessed.
Sites can be selected via the toolbar or the Sites tab.
Any sites that have have been are are currently being scanned are marked in
bold in the toolbar Sites pulldown control.
The toolbar provides a set of buttons which allow you to start, stop, pause and
resume the scan.
A progress bar shows how far the scan of the selected site has progressed.
The 'Current scans' value shows how many scans are currently active - hovering
over this value will show a list of the sites being scanned in a popup.
Right click menu
Right clicking on a node will bring up a menu which will allow you to:
Копирање
This will copy the selected port details to the clipboard.


Kremlin confirms Normandy Four summit scheduled for Dec 9
Russian President Vladimir Putin will hold an international phone call on the four leaders' meeting.
Russian Presidential Press Secretary Dmitry Peskov has confirmed that the Normandy Four summit is scheduled for December 9.
"The Normandy format [meeting] is scheduled for December 9. This is true, preparations are underway and have already entered the final stage," he told journalists.
At the same time, Peskov said Russian President Vladimir Putin would on Monday, November 18, hold an international phone call regarding the summit, but did not specify with whom.
"Readout of this phone call will be provided," he added.
When asked by an UNIAN correspondent in Russia what the Kremlin expects from this meeting, Peskov said: "I will not share any expectations. This is a very serious meeting, a long-awaited one."
"You know there was a long while before this meeting was planned. We regret to note that there was a break in the work of the Normandy format. And let's not overestimate our expectations so that not to be disappointed later, and at the same time, let's not underestimate them, hoping the preparations will bring their results," he said.


Column
Order ID
Customer ID
Employee ID
Freight
Order Date
Ship Address
Cell Alignment
Right
Left
Center
Justify


Class Schedule
-
YOGA
Flog yoga, Yin yoga, Neck & shoulder therapy yoga, Stretch & flexibility, Hatha yoga, Anti gravity.
-
AERIAL YOGA
Aerial yoga, Aerial hammock, Anti gravity.
-
DANCE
Heels, Jazzfunk, Hiphop, Jazz, Waacking, K-pop, Urban .
-
FITNESS
Pole fitness, Kickboxing, Boot camp, Core training.
-
PRIVATE SESSION
1v1 Private seesion, Group private session.
-
MEMBER BENEFIT
Weekly free training.


{% extends "base.html" %}
{% comment %}
Make a teaching promise
{% endcomment %}
{% block title %}
Make a teaching promise
{% endblock %}
{% block body %}
{% load bootstrap_toolkit %}
They could, with your help.
Teaching will make you a better programmer, a better coworker and a better friend. Make the world better by promising to teach, just for an hour, today.
Hey computery person:
What if everyone understood software?
Something wasn't quite right in your promise making...
{% endif %}


SPONSORED: Travel East Scotland this Black Friday weekend for £5 with Stagecoach
Stagecoach East Scotland’s £5 Black Friday weekend travel offer will get your Christmas shopping off to a great start!
by Courier CommercialAre you ready and raring to raid the Black Friday sales? You’ll be thrilled to hear that getting around to shop the best deals will be easier than ever this year – and it’ll cost less than you think, too.
Stagecoach East Scotland have introduced a new Black Friday weekend dayrider ticket, so you can travel for less during the infamous weekend of sales.
The special offer ticket is valid for travel across the East of Scotland between Friday 29 November and Sunday 1 December.
Each day you can roam wherever the winds take you for just £5! That’s a saving of £11 off the normal East Scotland dayrider ticket price.
But with great power comes great responsibility – where will you go with your £5 dayrider? And, much more importantly, what will you spend that bonus £11 on?
Here are a couple of ideas to get you started:
1. Take an Express coach to Glasgow, buy 5 Krispy Kreme donuts (£2.20 each) and share them with your mates. Delicious.
2. Head to Livingston on service X51 and grab a cinema ticket from Vue. After the film is done you can crack on with your Christmas shopping!
3. St Andrews is full of festive surprises – why not drop in past Topping & Co and pick up a new book to read? Services 99, X24 and local services can get you there.
You can buy your Black Friday dayrider ticket from the driver or via the Stagecoach Bus App.
Explore a map of the East Scotland ticket zone, and check out more suggestions of great things to do and places to shop online here.


DC comics, start out as national comics, with funny books, cowboy books and dectitive stories. Their biggest hit, Detective Comics was quickly trumped with Action Comics #1, staring Superman.
home
Marvel


This documentation describes the hData content payload for the Advance Directive Extension.
| Name | Advance Directive Extension Description |
| Version Aware URL | |
| Creation Date | 30 July 2012 |
| Summary | This Advance Directive hData Extension Description contains information about the existence of living wills, healthcare proxies and CPR and resuscitation status. |
| Author(s) | RHEx Pilot Team |
| Date | Author(s) | Version URL | Major Changes | Comments |
|---|---|---|---|---|
| 30 July 2012 | King, Kling, Gregorowicz, et. al. | First Version | Draft - In Progress |
All hData section documents identified by an XML namespace must be declared in the extensions node of the root document. Extensions are either "mandatory" or "optional." Each section document has an address expressed as a Uniform Resource Identifier (URI). Each URI is registered in the extensions node of the root document. Sections can contain either single data type documents (e.g., XML, JSON, HTML) or URIs referencing other sections. Section document content must be expressed in XML and document types must be declared in the extensions node of the root document.
Advance Directive contains information about the existence of living wills, healthcare proxies and CPR and resuscitation status for a patient.
| Name | Type | Mandatory/Optional | Notes |
|---|---|---|---|
| code | code | M | This is a coded value describing the type of the Advance Directive |
| freeText | string | M | Free text comment to describe the Advance Directive Type |
| Effective Time | interval | M | The effective date for the Advance Directive |
Advance Directive is characterized by:
The XML Schema Definition (XSD) for Allergy specifies how to formally describe the elements in an XML document. For the RHEx Pilot, C32/C80 values that lend themselves to greater accuracy through calculation are calculated.
Advance_Directive.xsd is located at the following URI: https://github.com/projectcypress/health-data-standards/tree/develop/greenc32/schemas/rest_plus/advance_directive.xsd
Advance_Directive.xsd extends the entry complex data type which is defined in the data_types schema at the following URI: https://github.com/projectcypress/health-data-standards/tree/develop/greenc32/schemas/rest_plus/data_types.xsd
Advance Directive may be represented in XML and JSON format.
Components of the Advance Directive Extension Specification have been drawn from authoritative source and reference documents, as follows:


Once almost completely unknown to the world outside Japan, manga (Japanese comics) and anime (Japanese animation) have become a global phenomenon - and their popularity is growing every day.
Themes include romance, action adventure, science fiction, comedy, sports and can also venture into darker subject matter for adults such as horror and more risqué material; though the latter tends not to be acknowledged in everyday life and culture.
As it makes up a large section of Japan's publishing industry, manga books can be found and seen everywhere. People reading manga on trains during rush hour is a common sight in Tokyo as well as the rest of the country.
Every town will have a book store with aisles upon aisles of different manga genres and larger cities even have stores entirely dedicated to the medium over multiple storeys. Convenience stores are quite happy for patrons to stand and read manga even if they are not going to buy and many waiting rooms and restaurants have bookshelves with popular serialisations.
Most manga aimed at children uses a simplistic style and the adorable characters feed Japan's love for all things kawaii (cute). Characters also have oversized eyes through which the artists are able to convey emotion more easily. Below are a few examples of the more popular manga comics amongst children:
Once certain manga have proven their worth by popularity, the natural progression is for an animated TV series to be created, however, manga is not the only source of inspiration for anime. For example, Pokémon was a worldwide hit as a video game for Nintendo before it was made into manga and anime series.
The obvious differences from manga such as colour, movement and sound bring anime to life, but there is one additional element which is extremely important: the theme song. Artists from the J-pop and J-rock world are all falling over themselves to write the theme songs for the next big anime series as it is almost a guaranteed hit and provides great exposure. The anticipation of which artist it will be can often overshadow the anime itself, being the topic of hot discussion in school playgrounds and internet forums.
One of Japan's most famous, successful and critically acclaimed animators is Hayao Miyazaki, co-director of Studio Ghibli, which was founded in 1985. His long career has seen him create numerous original feature films in the animated form which have touched the hearts of the Japanese people as well as the rest of the world.
On a visual level, his animation style is very unique and cannot be mistaken, especially as his characters tend to have small eyes, going against the usual trend for larger eyes as mentioned earlier. Another distinguishing feature of his work is that most of the protagonists are strong independent girls or women.


Following the events of Age of Ultron, the collective
governments of the world pass an act designed to regulate all
superhuman activity. This polarizes opinion amongst the Avengers,
causing two factions to side with Iron Man or Captain America,
which causes an epic battle between former allies.
Well another super-sized Marvel Comics
superhero saga hits the big screen with the selected savior
Captain America taking the top billing on the marquee. Thus,
the pulsating popcorn pleaser **Captain America: Civil War**
arrives on the scene to giddy audiences that have been loyal
and fixated on the successful spring of mighty Marvel heroes
that have been paraded to viewers throughout the last few
years.
personFrank Ochieng
Well another super-sized Marvel Comics
superhero saga hits the big screen with the selected savior
Captain America taking the top billing on the marquee. Thus,
the pulsating popcorn pleaser **Captain America: Civil War**
arrives on the scene to giddy audiences that have been loyal
and fixated on the successful spring of mighty Marvel heroes
that have been paraded to viewers throughout the last few
years.


Name
First Name
Middle Name
Last Name
Address
Street
Brgy.
City
Province
Zip
Sex
Male
Female
Contact details
Cell No.
Tel. No.
Email
Date of Birth
Marital Status
Single
Married
Widowed
Emergency Contact Details
First Name
Middle Name
Last Name
Relationship
Cell No.
Tel. No.
Email
Medical Information
Medical History/Special Conditions
A
B
AB
O
Blood type
Birthmarks
Submit


Star Times football: Sam Huard keeps getting better and so did Kennedy Catholic
by TJ CotterillBelieve it or don’t, but Sam Huard, the two-time state leader in passing yards, made more majestic throws this year than he ever had.
At least, that’s how the rocket-armed junior quarterback for Kennedy Catholic said he felt. And the throws at his repertoire on the Lancers’ route tree his first two seasons was still well advanced of what his coaches ever dreamed.
“I usually don’t worry too much about that stuff,” Huard said. “But there have been some times this year where I was just like, ‘Man, that was a pretty good ball – I’m not going to lie.’”
His QB rating (123.8) was the highest it’s ever been, he finished his second consecutive season with more than 4,000 passing yards and he tossed 56 touchdown passes.
But here’s what Slingin’ Sammy actually cares about: Kennedy Catholic finished its season 11-1, earned the No. 1 seed into the Class 4A state playoffs, and reached the state quarterfinals for the first time since 2012.
That’s why the University of Washington’s legacy commit is the 2019 Star Times offensive football player of the year.
- Football (defense) | With Eastside Catholic's J.T. Tuimoloau, you get all the talent, none of the mouth
- Girls soccer | High-scoring Hailey Still rewrote the record book at Thomas Jefferson
- Volleyball | Chey Jones led Tahoma to state title with versatility, power
More
But the Lancers were dreaming of state hardware before suffering their first loss of the season Saturday night against No. 8 Woodinville 55-42, including Huard throwing a pick-six that helped put the Lancers in a 28-0 hole in the first quarter.
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He responded by throwing three touchdowns and completing 34 of 50 passes for 421 yards to get Kennedy back in the game before it ultimately fell short.
Huard said sitting and watching the state playoffs from home his first two high-school seasons lit a fire in him. So expect an early exit in his first taste of state football and one more chance to capture a state championship before he heads to UW to drive him even more.
“We put in so much work and this team has been so focused, and I’ve put in so much work,” Huard said. “I put everything I have into this game because I love it and I love my coaches and I love my school and I just want to do the best I can and go win a state championship for everyone.”
That quarterfinals loss shouldn’t detract from what was one of the greatest seasons for a high-school quarterback in state history.
Huard has thrown for 11,741 yards in three seasons, passing former Prosser star Kellen Moore for fourth-most career passing yards in state history. As long as he’s healthy his senior year it’s likely he’ll pass DeSales’ Brian Lindgren (12,575), Skyline’s Max Browne (12,953) and Shadle Park’s Brett Rypien (13,044).
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His 132 career touchdowns are tied with former Eatonville quarterback Bobby Lucht for fifth-most in state history. Moore holds the record of 173 TDs.
“By far this has been his best season,” Kennedy Catholic coach Sheldon Cross said. “He’s making throws I’ve never seen before, throws I’ve never seen from any high-school quarterback.”
A couple of examples:
Against Kentwood with the NPSL Mountain Division title on the line, Huard completed a 97-yard touchdown pass to Jabez Tinae, but maybe the most impressive part was that it traveled about 50 yards in the air before hitting his receiver in stride.
In the state preliminary round against North Creek, Huard got Kennedy out of a third-and-37 jam with a 40-yard TD pass to Junior Alexander.
“I just threw it to the corner of the end zone, and he just made an awesome play on an awesome route,” Huard said. “And I was just like, ‘Wow.’ It was such a good feeling. You put so much into this and when you make big plays like that in big moments, it’s awesome.”
Huard has made high-school football look easy – much like his dad, Damon Huard, did at Puyallup High School, along with his uncles Brock and Luke. And he’s the top-ranked quarterback in the nation for the 2021 class by 247Sports.com.
But it’s the adversity that’s fueled him. He said he wouldn’t trade his first two years, even if it did mean missing the state playoffs in both.
His work ethic this past offseason, constantly reaching out to his receivers to go throw to, pouring over game film and hitting the weight room, pushed everyone, said his teammate and go-to receiver Junior Alexander.
That included the returning starters on Kennedy’s defense, which allowed 40.5 points per game in 2018. It allowed 19.8 per game this year. It pushed the Lancers’ coaches, who committed to fixing their run defense so Kennedy’s high-flying offense wouldn’t be relegated to the sideline for quarters at a time.
Justin Baker, a Cal commit and one of Kennedy’s plethora of talented receivers, said he likes to pride himself on being the hardest worker on the team. But he had to admit, that’s a hard title to keep with Huard as a teammate.
“I would like be finally getting a chance to lay down and then he’ll call and say, ‘Hey, you want to go work out,’” Baker laughed. “Or we’ll work out before practice, and Sam will go to you after practice and say, ‘Hey, I’m going to go lift.’ And I’ll be like, ‘Well, I can’t just let you go lift while I go home.’ So of course, now I have to keep working.”
Don’t expect that to change much this offseason.
“You have to be forged in fire,” Cross said, “to earn the right to say, ‘I can do difficult things.’ … To be confident.”
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2019 Star Times football team, offense
Clay Millen, Mount Si
Quarterback, 6-3, 185, jr.
Few knew how Millen would handle his first season running the Wildcats, taking over for his brother, Cale. How about a trip to the state semifinals, with Millen, the son of former UW and NFL QB Hugh Millen, throwing for 2,974 yards 33 TDs with just one interception?
Christian Galvan, Bothell
Running back, 5-8, 185, sr.
Bothell football has been more synonymous with its passing schemes over the years, but what a luxury to have Galvan, the two-time KingCo 4A Crown offensive player of the year, in the backfield and his 5,462 all-purpose yards and 44 touchdowns for his career.
Jordan Justice, Marysville-Pilchuck
Running back, 6-0, 195, sr.
Team leader for WesCo 3A-champion Tomahawks, with numbers to back it up. Through 11 weeks Justice had 1,352 rushing yards and 21 touchdowns to go with five interceptions and a defensive TD.
Lonyatta “Junior” Alexander, Kennedy Catholic
Wide receiver, 6-2, 185, jr.
What’s better – Sam Huard’s throws, or Alexander’s playmaking? How about both? Their connection has been the best it ever has at Kennedy, with Alexander hauling 59 catches for 1,222 yards and 23 touchdowns for the No. 1 seeded Lancers.
Evan Liggett, Lake Washington
Wide receiver, 6-2, 175, sr.
The KingCo 2A/3A offensive player of the year ran away as the league’s top receiver, catching 57 passes for 840 yards and eight touchdowns, including 10 catches for 217 yards and three TDs against Bellevue. Doubled as a first-team DB with five INTs.
Gee Scott Jr., Eastside Catholic
Wide receiver, 6-3, 215, sr.
What can’t the Ohio State commit do? Not only spectacular catches and jaw-dropping athleticism, but opposing coaches praise his aptitude as a run blocker, too. Reminds others of former Lakes standout Reggie Williams.
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Logan Bruce-Jones, Lake Stevens
Offensive lineman, 6-5, 300, sr.
Hard to believe the Vikings’ O-line was this good all season, even without WSU-bound Devin Kylany. Until you watch Bruce-Jones. Leads Lake Stevens in pancakes on a line that has so far only allowed one sack.
Wyatt Hansen, Kentwood
Offensive lineman, 6-4, 280, sr.
Eastern Washington commit wore down opposing defensive linemen, paving the way for Kentwood’s run game to relieve pressure on its passing attack. Hard not to be impressed watching Hansen, who was the NPSL’s offensive lineman of the year.
Gale Kamp, Mount Si
Offensive lineman, 6-3, 255, sr.
Eastern Washington commit was a KingCo 4A first-team pick on offense and defense, giving the Wildcats the muscle their high-octane offense needs in their first trip to the state quarterfinals since 2012.
Owen Prentice, O’Dea
Offensive lineman, 6-4, 280, jr.
Want to see how offensive linemen are supposed to play? You can’t help but notice Prentice, the two-time Metro League Mountain Division lineman of the year (with one more year to to), with how much havoc he causes in the trenches (both ways).
Levi Rogers, Woodinville
Offensive lineman, 6-5, 275, sr.
Two-time KingCo 4A lineman of the year, likely a two-time all-state pick, committed to Stanford University. Rogers is a road grader for the Falcons at left tackle, and a welcome addition since he moved from Boston his sophomore year.
Grady Robison, Eastlake
All-purpose, 6-2, 185, sr.
He was the Lamar Jackson of 4A KingCo. A rocket arm (completed 148 of 259 passes for 2071 yards and 19 TDs) and a district-champion sprinter, the Montana State commit ran for 1,053 yards and 12 TDs on 162 carries.
Blake Glessner, Woodinville
Kicker, 6-2, 160, sr.
Drilled a 48-yard field goal in the first round of the state playoffs, and he regularly boots kicks into the end zone. Returning all-state placekicker was even stronger this year, but just a kicker? Nope. Also a first-team all-league cornerback this year.
TJ Cotterill


An introduction to Crypto-Factory. Have a first look here…
Contents:
Dig deeper into each features:
Check the API documentation on a specific topic:
Index
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Don’t stereotype well-mannered boys as gay, Terrelonge pleads
by Jason Cross/ Gleaner WriterJamaican males have been urged to reject subcultural norms that define manhood by promiscuity, mass paternity, and crudeness.
State minister in the Ministry of Culture, Gender, Entertainment and Sport, Alando Terrelonge, says locals should condemn notions that men must be victims of societal pressures such as beliefs that “you must deh pon di corner a burn your weed and drink your rum and Boom because a suh di thing set, dawg”.
Terrelonge was one of three presenters at a public forum on Tuesday at The University of the West Indies, Mona, organised by the Institute of Gender and Development Studies Guild Committee and the Commuting Students Guild Committee. The forum’s theme was ‘Men Leading by Example: Making a Difference for Men and Boys’.
Tuesday was International Men’s Day.
“What it takes to be a man is to empower yourself with an education firstly. You can relate to a time in your childhood when to speak English properly, they called you names. To be seated at the front of the class, to be respectful to your teachers and to female colleagues, you are going to be called names”
“(Although people) a go tell you seh you a fish (homosexual) and you are not man enough,” Terrelonge encouraged young men to respect their parents and take an interest in personal hygiene and deportment.
“No boy should be teased by how he speaks and because he displays or evidences good manners at school. We start by bullying our boys, and some parents are also guilty,” he added.


| Opcode/Instruction | Op/En | 64-Bit Mode | Compat/Leg Mode | Description |
| 0F 2A /r CVTPI2PS xmm, mm/m64 | RM | Valid | Valid | Convert two signed doubleword integers from mm/m64 to two single-precision floating-point values in xmm. |
| Op/En | Operand 1 | Operand 2 | Operand 3 | Operand 4 |
| RM | ModRM:reg (w) | ModRM:r/m (r) | NA | NA |
Converts two packed signed doubleword integers in the source operand (second operand) to two packed singleprecision floating-point values in the destination operand (first operand).
The source operand can be an MMX technology register or a 64-bit memory location. The destination operand is an XMM register. The results are stored in the low quadword of the destination operand, and the high quadword remains unchanged. When a conversion is inexact, the value returned is rounded according to the rounding control bits in the MXCSR register.
This instruction causes a transition from x87 FPU to MMX technology operation (that is, the x87 FPU top-of-stack pointer is set to 0 and the x87 FPU tag word is set to all 0s [valid]). If this instruction is executed while an x87 FPU floating-point exception is pending, the exception is handled before the CVTPI2PS instruction is executed.
In 64-bit mode, use of the REX.R prefix permits this instruction to access additional registers (XMM8-XMM15).
DEST[31:0] ← Convert_Integer_To_Single_Precision_Floating_Point(SRC[31:0]); DEST[63:32] ← Convert_Integer_To_Single_Precision_Floating_Point(SRC[63:32]); (* High quadword of destination unchanged *)
| CVTPI2PS: | __m128 _mm_cvtpi32_ps(__m128 a, __m64 b) |
Precision.
See Table 22-5, “Exception Conditions for Legacy SIMD/MMX Instructions with XMM and FP Exception,” in the Intel® 64 and IA-32 Architectures Software Developer’s Manual, Volume 3B.


Casino Royal Game is a Number Guessing Game.Player deposits an initial amount to start playing a game.he guesses a number between 1 to 10 and enters the betting amount.If he wins he will get 10 times of money he bets.If he bets on the wrong number he will loss his betting amount.
In this Project, User can identify Busy PortNumber
With help of this Project, User Can Download Multimedia, text, pdf file
OnGoing


BUENA VISTA SOCIAL CLUB (director/writer: Wim Wenders; cinematographer: Jorg Widmer; cast: Compay Segundo, Eliades Ochoa, Ry Cooder, Joachim Cooder, Ibrahim Ferrer, Ruben Gonzalez, Barbarito Torres, Omara Portuondo, Julio Alberto Fernández, Pío Leyva, 1999-Ger.)
Reviewed by Dennis Schwartz
Wim Wenders (The End of Violence, Paris, Texas, Lisbon Story) made the very touching documentary Buena Vista Social Club in collaboration with guitarist Ry Cooder, who had found the aging musicians in Cuba, in 1996, musicians neglected after Castro came to power. They range in age from the 60s to the 90s, as they play the music they recorded in the '40s and '50s. The Buena Vista Social Club (Nonesuch), an album of the 14 Cuban musicians became such a hit, that it sold a million copies and also won a Grammy. The movie is a mixture of their music, lifestyles, and an apolitical, quick peek at an impoverished Havana. It is done in a wonderfully nostalgic manner, as Wenders becomes an admiring fan of theirs, allowing us to see how humble and human these most talented musical souls are.
We start out at their 2 day concert in Amsterdam, then go back to Havana and see them free associate and tell something candid about themselves, including their biography, and then we go to their finale concert in Carnegie Hall, New York.
Wenders has done a good job highlighting them, though I would have liked to have seen more of their music as performed in Carnegie Hall, instead of seeing an overabundance of shots showing how well they were received there and how appreciative they were of that rousing welcome.
Ibrahim Ferrer is the mellifluous sounding 70-year-old singer, who was shining shoes all these years before being part of Cooder's tremendous coup. "If we followed the way of possessions," he says, "we'd have been gone a long time ago." He has faith in a walking stick his dead mother left him some 50 years ago, as a source of luck. The 92-year-old cigar factory roller and cigar smoking guitarist, Compay Segundo, tries unsuccessfully but with some amusement to find where the Club they once played in existed. Segundo boasts of being the father of five and playfully says he still hopes to sire a sixth child.Tearful joy fills the eyes of the 69-year-old Omara Portuondo, as she sings the bolero Silencia in a duet with Ferrer, which takes place in a recording studio. Ruben Gonzalez, the 77-year-old, who some in the group think, might be one of the very best pianists in the world, as he rises to the challenge in Carnegie Hall, smiling effusively with a warm glow covering him, as he basks in the applause he receives. He didn't even own a piano before the film was made. Barbarito Torres, who is much younger than the others, plays his unique 12-string lute-like Arabian instrument called the laud, while the camera records the decaying paint on the seaside buildings and the sensual music played recalls a grand past that no longer exists.
Can such music make a dilapidated Cuba bearable? It sure seems that way, as there is a consuming joy that sweeps across those who come into contact with these naive but friendly souls. Their genuine camaraderie for each other and love of country and gentleness, shines through as much as all the wonderful music they play.
In Carnegie Hall, they sing that lively song entitled "El Cuarto de Tula", with the words: "Fire! Fire! I'm burning up. Call the fireman! Tula's room is all ablaze!" As their performance goes on, Wenders follows three of the group into Manhattan, as they look up at the tall buildings in awe and gravitate to a tacky souvenir store, where celebrities and U.S. presidents as statues, are greatly admired by the childlike musicians, who are having the time of their life, wandering down Seventh Avenue and feeling so elated at seeing the Radio City Music Hall. They tell each other, it doesn't get any better than this.
 It's an obvious failure, as even these great musicians were not recognized by the Cuban government; it took an outsider to do it. Near the film's end, the camera pans back to Havana and a banner proclaims "We believe in dreams."
REVIEWED ON 8/16/99 GRADE: B
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
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The flow layout can be used with the <tc:flowLayout/>
tag.
By default, the content is displayed in a flow layout.
The buttons are displayed successively at the same line. Components which doesn't fit in the current line are moved to the next one. Components like an output field or a checkbox are displayed in a separate line.


Class 9 and class 10 includes many Javascript/HTML samples. From this page, you can access each of those samples. For additional information, go to the Class pages on Github.
This demostration shows you how to use a simple user-defined function. Open the Console using F12 to see the results of the function.
This demostration shows you how to use an 'if' statement for simple flow control. Open the Console using F12 to see the results of the function.
This demostration shows you two different ways to use the 'for' statement in javascript.
The first demonstration from class. Add a home button and geocoder to a simple map.
In this demostration, you use your own ArcGIS Server layer, then add a custom popup and legend.
This demonstation adds an asynchronomous query task. Note: The initial version will not load!
Using a proportional symbols renderer with custom breaks.


Sitebricks
a fast, light web framework from Google
Google Sitebricks
source
doc
guice
examples
The following demonstrates page chaining. The value you type in will be passed on to the next page on the server side, without leaking it to the client.
Google Sitebricks.


day 8 - answer
Eigth Question - Coding Answer
Now that you have the process, after you write it, test it out on an interpreter. If you need any help, take a look at the answer here…but only if you really need a hint.
The crux of this problem is to know that for each element in the list, you’re either including it or excluding it. That means that the recursion tree diverges at each level by two.
Recall the example:
which had the solution:
In reality, you don’t really need recursion, since you’re going through the list exactly once. If you keep a running tally of all possible lists/sets to a particular point, then you just need to enumerate that same list/set with everything with and without the element in question. That can be done with the following lines of code.


Hong Kong’s white-collar workers join the ranks of protesters
by AFPBy Aidan Jones and Catherine Lai
Driven by anger at the authorities’ response to massive protests – and guilt that the burden of defending democracy has fallen on the city’s youth – a white-collar rebellion is rippling out across Hong Kong.
Every day this week thousands of office workers have downed tools for a few hours, responding to a call to strike in a cheekily named “Lunch With You” rally.
Faces masked, hands held aloft, many in crisp shirts – some in suits – they chanted pro-democracy slogans and blocked roads in business districts normally characterised by a tunnel-vision for commerce, risking arrest in a rally not sanctioned by police.
On Monday and Tuesday, they crouched under umbrellas, as police lobbed tear gas through Central, the city’s financial heart, clouds drifting across the shopfronts of designer stores.
By Friday, deskbound workers deployed the tactics of street protest – including the swift formation of two lines creating a channel for black-clad “braves” to run through carrying bricks in anticipation of a police crackdown.
“The least we can do is give up our lunchtime to come out and protest the government,” said 33-year-old lawyer Jansen.
The white-collar rebels share widespread anger at the now-shelved government plan to introduce a law allowing the extradition of criminal suspects to mainland China.
Many initially joined the peaceful mega-rallies sanctioned by police against the bill.
Older and employed in city jobs, they mainly identified as “moderates.”
But as time has passed, attitudes have calcified.
Violence against young frontline protesters, a government deaf ear to demands for greater democracy and a lack of police accountability has brought white-collar workers to the streets with renewed conviction.
“We keep going to work every day like nothing is happening, no matter how many students are getting injured. But I can’t bear to go on like this,” said a 26-year-old office worker who gave his surname as Chan.
He was wearing heavy-duty workman’s gloves and helping frontliners build a roadblock in Pedder Street – one of the city’s most exclusive shopping areas and moments from its major banks.
“I’ve always been in the peaceful, rational, non-violent camp. But a lot has changed,” he said.
Protesters fear Hong Kong’s freedoms, unique within China, are in danger.
That has thrown the city’s narrative of free-market success and stability into perspective – more so as the economy has tipped into recession.
“Some values in the community cannot be only measured in terms of money,” said Lawrence, a 32-year-old suited finance professional.
“What I sacrificed can never be compared with those youngsters’ sacrifices,” he said, adding that their “futures” are on the line.
The five-day strike, which saw the city’s transport network targeted by roadblocks and vandalism and brought some of the most violent unrest yet, has stretched Hong Kong police.
It has also prodded rebellion from the greatest beneficiaries of Hong Kong’s once hallowed reputation for peace and stability.
“If we’re peaceful they don’t listen,” Ms Lau, a 52-year-old entrepreneur said.
“If you’re violent they say it won’t solve any problems.”
Hong Kong Free Press relies on direct reader support. Help safeguard independent journalism and press freedom as we invest more in freelancers, overtime, safety gear & insurance during this summer’s protests. 10 ways to support us.


Object
@private
@private
# File lib/rspec/mocks/error_generator.rb, line 14 def opts @opts ||= {} end
@private
# File lib/rspec/mocks/error_generator.rb, line 55 def raise_block_failed_error(message, detail) __raise "#{intro} received :#{message} but passed block failed with: #{detail}" end
@private
# File lib/rspec/mocks/error_generator.rb, line 45 def raise_expectation_error(message, expected_received_count, actual_received_count, *args) __raise "(#{intro}).#{message}#{format_args(*args)}\n expected: #{count_message(expected_received_count)}\n received: #{count_message(actual_received_count)}" end
@private
# File lib/rspec/mocks/error_generator.rb, line 60 def raise_missing_block_error(args_to_yield) __raise "#{intro} asked to yield |#{arg_list(*args_to_yield)}| but no block was passed" end
@private
# File lib/rspec/mocks/error_generator.rb, line 31 def raise_missing_default_stub_error(expectation, *args) expected_args = format_args(*expectation.expected_args) actual_args = format_args(*args) __raise "#{intro} received #{expectation.message.inspect} with unexpected arguments\n expected: #{expected_args}\n got: #{actual_args}\n Please stub a default value first if message might be received with other args as well. \n" end
@private
# File lib/rspec/mocks/error_generator.rb, line 70 def raise_only_valid_on_a_partial_mock(method) __raise "#{intro} is a pure mock object. `#{method}` is only " + "available on a partial mock object." end
@private
# File lib/rspec/mocks/error_generator.rb, line 50 def raise_out_of_order_error(message) __raise "#{intro} received :#{message} out of order" end
@private
# File lib/rspec/mocks/error_generator.rb, line 38 def raise_similar_message_args_error(expectation, *args_for_multiple_calls) expected_args = format_args(*expectation.expected_args) actual_args = args_for_multiple_calls.collect {|a| format_args(*a)}.join(", ") __raise "#{intro} received #{expectation.message.inspect} with unexpected arguments\n expected: #{expected_args}\n got: #{actual_args}" end
@private
# File lib/rspec/mocks/error_generator.rb, line 24 def raise_unexpected_message_args_error(expectation, *args) expected_args = format_args(*expectation.expected_args) actual_args = format_args(*args) __raise "#{intro} received #{expectation.message.inspect} with unexpected arguments\n expected: #{expected_args}\n got: #{actual_args}" end
Generated with the Darkfish Rdoc Generator 2.


public class Modal
extends java.lang.Object
| Constructor and Description |
|---|
Modal() |
| Modifier and Type | Method and Description |
|---|---|
java.lang.String |
askPlayerName() |
boolean |
askYesNo(java.lang.String title,
java.lang.String question) |
Card |
chooseCard(Card card1,
Card card2)
Allows the Player to choose between 2 cards
|
HouseCard |
chooseHouse(Deck houseDeck)
Allows the Player to choose a house from the house deck
|
void |
choosePath(Player player,
Path path1,
Path path2)
Allows a player to choose a Path through a GUI modal
|
Player |
choosePlayer(Player[] otherPlayers)
Allows the Player to choose a player from other Players
|
void |
displayCard(Card card)
Allows the Player to Display a Card
|
void |
displayChooseMove(GameOfLife gameOfLife,
GameController gameScreenController)
Allows the Player to make a move
|
void |
openRoundStats()
Opens a Round Stats GUI and shows the Round Statistics
|
void |
payDebt(Player player) |
void |
showPlayerStats(Player player) |
void |
showUpdate(java.lang.String message) |
public void openRoundStats()
public void showPlayerStats(Player player)
public void payDebt(Player player)
public void displayChooseMove(GameOfLife gameOfLife, GameController gameScreenController)
gameOfLife
- game of life modelgameScreenController
- screen controller to update the screen statspublic void choosePath(Player player, Path path1, Path path2)
player
- player who'll choose the pathpath1
- path option #1path2
- path option #2public void displayCard(Card card)
card
- card to be displayedpublic Player choosePlayer(Player[] otherPlayers)
otherPlayers
- other players to choose frompublic Card chooseCard(Card card1, Card card2)
card1
- card option #1card2
- card option #2public HouseCard chooseHouse(Deck houseDeck)
houseDeck
- house deck to choose a house frompublic void showUpdate(java.lang.String message)
public java.lang.String askPlayerName()
public boolean askYesNo(java.lang.String title, java.lang.String question)


detectROI Evaluate specified ROI and return confidence value for each location
[pts, confidences] = hog.detectROI(im, locations)
[...] = hog.detectROI(..., 'OptionName',optionValue, ...)
Input
- im 8-bit 1- or 3-channel image where objects are detected.
- locations cell array of 2-element points
{[x,y],...}
at
which detector is executed. These are top-left corner
of candidate points at which to detect objects.
Output
- pts Left-top corner points of detected objects boundaries.
A cell array of points where objects are found of the form
{[x,y], ...}
. The width and height of boundaries are
specified by the WinSize
parameter. These are the
filtered locations
at which objects where actually
detected.
- confidences vector of confidences for each of the
candidate locations (prediction of the SVM classifier).
Options
- HitThreshold Threshold for the distance between features
and SVM classifying plane. Usually it is 0 and should be
specfied in the detector coefficients (as the last free
coefficient). But if the free coefficient is omitted
(which is allowed), you can specify it manually here.
default 0
- WinStride Window stride
[w,h]
. It must be a multiple of
block stride. Not set by default in which case it uses
CellSize
.
- Padding Padding
[w,h]
. default [0,0]


Iphone artisan direct trade ethical Austin. Fixie bespoke banh mi ugh, deep v vinyl hashtag. Tumblr gentrify keffiyeh pop-up iphone twee biodiesel. Occupy american apparel freegan cliche. Mustache trust fund 8-bit jean shorts mumblecore thundercats. Pour-over small batch forage cray, banjo post-ironic flannel keffiyeh cred ethnic semiotics next level tousled fashion axe. Sustainable cardigan keytar fap bushwick bespoke.
Squid vinyl scenester literally pug, hashtag tofu try-hard typewriter polaroid craft beer mlkshk cardigan photo booth PBR. Chillwave 90s gentrify american apparel carles disrupt. Pinterest semiotics single-origin coffee craft beer thundercats irony, tumblr bushwick intelligentsia pickled. Narwhal mustache godard master cleanse street art, occupy ugh selfies put a bird on it cray salvia four loko gluten-free shoreditch.
Ethical cray wayfarers leggings vice, seitan banksy small batch ethnic master cleanse. Pug chillwave etsy, scenester meh occupy blue bottle tousled blog tonx pinterest selvage mixtape swag cosby sweater. Synth tousled direct trade, hella Austin craft beer ugh chambray.
Fashion axe 90s pug fap. Blog wayfarers brooklyn dreamcatcher, bicycle rights retro YOLO. Wes anderson lomo 90s food truck 3 wolf moon, twee jean shorts. Iphone small batch twee wolf yr before they sold out. Brooklyn echo park cred, portland pug selvage flannel seitan tousled mcsweeney's.


You can access this dialog using the menu entry Individual Procedures \ Tools \ Password Quality Meter.
It is impossible to exactly determine the security of a password, because too many factors play a role. This dialog contains different password quality meters helping you to estimate the security of your passwords.
For comprehensive information on passwords click here.
Please enter your password in the given input field to determine the password quality. The password quality is automatically updated with each key stroke.
The quality estimation of your password is based on four different algorithms. These algorithms come from the applications KeePass, Mozilla and PGP, which all have a password quality meter integrated. The fourth approach, which incorporates the resistance of passwords against dictionary attacks, was developed by the CrypTool team.
Besides the percental display in the lower part of the dialog there is a colored smiley. It displays the password quality in five categories ranging from poor (red) over weak (orange), average (yellow) and good (green) to great (light green). Please note that the graphical display only refers to the average result of KeePass, Mozilla, PGP and CrypTool.
Below the password input field you can select whether you want to enter the password in the clear or have it hidden with place holders (*).
The term password quality is a measure for the security of your password.
In the context of most programs offering password quality measurement, the password quality is based on the password entropy. This approach is used by KeePass and PGP for example.
Besides, there are different approaches like the one integrated in the Mozilla browser. Here the letters of the alphabet are grouped and evaluated apart (i.e. special characters and lowercase letters).
Normally, password quality is shown in percent. The scaling depends on the measurement approach: For entropy-based password quality measurement a password entropy of 128 bit is assumed to equal a password quality of 100%. But there are different approaches for quality scaling depending on the quality measurement approach used.
The two following examples will show how the different approaches to password quality measurement affect the result:
Remark:
Not all entropy-based password quality meters (i.e. KeePass, PGP) use the same technique to determine the password entropy. Therefore, the calculated entropy values may vary.
Besides the password quality estimation, it is estimated how resistant the password is against dictionary attacks. Therefore, the password is searched for patterns (i.e. "aaaaa"), sequences (i.e. "abcdef"), keyboard sequences (i.e. "qwerty") and dictionary words.
Moreover, the password is judged by certain password guidelines. These guidelines can be freely configured in the dialog Password Guidelines after clicking the Password guidelines button.
Remark:
A high password quality doesn't necessarily mean that you picked a good password!


Mrs.
Stan: Uh, I said that rabbits eat lettuce!
Generally speaking, Lame Rhyme Dodge is the result of someone having a Did I Just Say That Out Loud? moment, but doesn't want to/is afraid or embarrassed to admit to having said what they said, or, it's a case of someone trying to dodge having heard what somebody else just said to them. It's the little sibling trope to Last-Second Word Swap.
Frequently used by guys who are tongue-tied around women, or teenagers trying to dodge teachers or other adults.
The way both parties try to dodge this situation is to come up with a word that rhymes or sounds similar to the operative word in the sentence. Unfortunately, this usually results in a sentence that makes no sense at all.
A common variant is to have someone dreaming/daydreaming about something, then they're awakened from their reverie by someone saying "What did you say?" and realize they've been saying everything out loud. They proceed with the clumsy cover-up.
Compare Freudian Slip. Not to be confused with Subverted Rhyme Every Occasion.
Examples:
- In Chapter 4 of The Thief Of Hogwarts, First-Year Neville Longbottom hastily tries to cover his Precocious Crush on Professor Sprout by claiming he said "she'll explain some facts too" instead of "she has a nice rack too".
- The Lion King (1994): When Banzai grumbles about Mufasa, earning an enraged "What did you say?!" from Scar, he nervously replies "I said, uh...que pasa?". Since "mostaza", "mustard" in Spanish, rhymes with "Mufasa", the Mexican dub renders it as "I said, uh... with mustard!". Which is funny, because they could have just continued to use "¿que pasa?" since it was already in Spanish.
- Inverted in the remake of Ocean's Eleven, Rusty is talking to a bartender, only it's too loud in the bar for them to hear each other. Rusty begins the conversation with something like, "Longest night of my life" When the bartender looks up, wondering what Rusty said, he says, "I'm running away with your wife," and the bartender just nods and smiles.
- In Wet Hot American Summer, camp chef Gene tends to accidentally mention his odd fetishes and then offer up a lame rhyme dodge when questioned.
Gary: You said you were going to... fondle your sweaters.Gene: Ah, uh - no I didn't. I said... fondue the cheddar... I was thinking about making fondue with cheddar cheese for dinner tonight.
- An unusual version of this happens in Hot Rod when the main character changes his sentence into something worse instead of something innocuous when he suddenly backtracks on his brief moment of having enough nerve to compliment the girl he likes.
"You look pretty.""What?""Uh, I said you look shitty."

- In A Fish Called Wanda, Archie cries out "Wanda!" while she is on the stand, drawing suspicion of why he is being so familiar with her. He tries to turn it into "I wonder..." but is so fazed that he has a lot of difficulty getting there.
- In Goosebumps In #41, Bad Hare Day, the protagonist's sister tells their parents that she and her brother have a secret. When their parents ask what it is, the protagonist says that his sister was saying that she wanted a "wee pet", claiming that she was practicing her Scottish accent.
- A sketch on The Two Ronnies features Ronnie Corbett's character doing this with every sentence, ie: "Tickle your botty with a feather tonight" is changed to "Particularly grotty weather tonight." Eventually the people around him figure it out and he admits that he's doing it to try and to drum up his trade; he sells deaf aids.
- On Top Gear, Jeremy Clarkson once remarked that newsreader Fiona Bruce had "a nice bottom." When she was a guest on a later episode, he claimed to have said "Oxford-educated newsreaders wear cotton."
- That's So Raven: Raven calls Alana a "sneaky boyfriend stealer", but when Alana asks what she said, she gives the pseudo-German phrase, "shneaky shnoyland shneiler".
- Rumpole of the Bailey: Rumpole, given to muttering to himself, uses this constantly on his wife and in court and always gets away with it.
- In the second season of the series Misfits, Shaun the probation worker walks in on the Misfits plotting to rob a bank so they can ransom Kelly who has been kidnapped by Tim and asks them what they're doing. Nathan informs him that they're going to have a wank and starts extolling the benefits of communal masturbation. Shaun, as always, decides that he doesn't want to know.
- iCarly: Mr. Howard rants about how he hates Principal Franklin, calling him a "weak, spineless fool". Later, when Principal Franklin confronts him about the insult, he tries to save face by saying that he actually said "sleek, stylish, cool".
- Torin's Passage: The Queen of the Escarpa, Di, often quips sarcastically and harshly to her husband Rupert. Each time, the king assumes he has misheard his wife and asks her to speak up, this time with his full attention on her, to which she almost always replies in a softer and more supportive manner that rhymes with her previous quip. He instantly believes her each time.
King Rupert: Di, my dear?  That way, Leena (their missing daughter whom they wish Torin to find) will know that he represents us?Queen Di: (Sullen voice) Oh brother, aren't you right in his pocket?King Rupert: What was that?Queen Di: (Chipper supportive voice) I said, "Tell her, mother sends her this locket."King Rupert: Oh yes. Good idea!
- Subverted in this El Goonish Shive strip.  It works and Principal Verrückt accepts it without any doubt.
- Adventure Time: In "The Suitor", Finn remarks that the eponymous suitor, Braco, seems "too unheroic for Peebs". When he finally realizes Jake has been trying to alert him to the fact Braco was standing within earshot, Finn hastily changes it to "And then I smashed that peach!"
- American Dragon: Jake Long
- Spud, disguised as a member of the Huntsclan sees Jake get knocked down and apparently killed by the Huntsgirl. He calls out "Jake!" and then realising that he's surrounded by Huntsclan trainees, changes it to "Cake! Which is what we'll have to celebrate the death of the dragon."
 How he fixed it? 'Flapjacks'.
Vlad: They're here, kill Jack.Maddie: What was that?Vlad: I said... Flapjacks! Mm-hm, pancakes. I have pancakes.
- In Happily Ever After: Fairy Tales for Every Child's take on "Thumbelina," the mole is played by a fruit bat, who shows Thumbelina his collection of pinned butterflies. Seeing one she recognizes, she exclaims, "Mario!" which she tries to pass off "Marry you, I can't wait to marry you."
- Subverted in Phineas and Ferb's Musical Cliptastic Countdown: Dr. Doofenshmirtz explains his plan to control people using his MIND-CONTROL-INATOR. When he realizes that all of what he just said was on-camera, he quickly says, "I meant, 'Mimes control my gator!'" Cut to two mimes and an alligator.
Dr. D.: See?
- Blinky Bill did this a lot; in one case it set the plot of an episode by having Blinky change "Have you ever seen such a silly face?" to "We're practicing for a heavy race". Blinky then proceeds to (unintentionally) give Mayor Pelican the idea for a cross-country race to raise money for a new hospital.
- The title character of The Deputy Dawg Show had a bad time from a bird visitor that does imitations. Mimicking Deputy Dawg's voice, he yells out "Hey, sheriff! How'd you like a lumpy lip?" The sheriff zips back angrily to D.D. with his fist balled up and yells "WHAT DID YOU SAY??!" Deputy Dawg sheepishly says "Er...I said, don't have a bumpy trip!"
- In Gadget Boy & Heather, it was a Running Gag for Spydra's pet vulture Boris to insult her and then make up a phrase that vaguely sounded like his insult when she got angry. Boris himself is given one by Spydra's henchman Mulch in "Boris for President".
Mulch: Just wait until Spydra catches up with you!Boris: What was that?Mulch: Er, I mean, I'll use catsup to do it!
- In the Gravity Falls episode "Gideon Rises," at one point Dipper is alarmed when Wendy says that she may have to leave town.  The kid loves eucalyptus trees!" And then he declares, aloud, "Ha! Saved it!"
- Butt-Ugly Martians often had Dr. Damage insult Emperor Bog under his breath, then covering it up by claiming to have said something that rhymes when Bog gets mad at him. For example, the first episode has him call Bog a "royal nincompoop", which he covers up by claiming to have been talking about Bog's "loyal troops".
- Turns up in the Dr. Zitbag's Transylvania Pet Shop episode "Son of Zitbag". Dr. Zitbag and Horrifido search for ingredients needed for Zitbag to create a son, but Horrifido deliberately avoids informing Zitbag that puppy dog tails are needed because he fears he'll have his own tail used to create Zitbag's son. When Horrifido remarks that he hopes the concoction will work without puppy dog tails, Zitbag overhears him and the skeletal dog covers up his statement by claiming he said he hoped the concoction would work with the nicely done snails.
- Muppet Babies (1984):
- In the episode "Good Clean Fun", Kermit remarks that Piggy weighs more than he thought when she stands on him to reach the sink. When Piggy gets angry, Kermit hastily claims that he said "Those are the nicest shoes you've bought".
- During the imagination sequence of "The Pig Who Would Be Queen", Skeeter tells Piggy that she has to complete some tasks in order to prove herself worthy of being queen, to which Piggy responds by complaining that by the time she'd be finished with the tasks, she'd be a grandmother. When Skeeter asks what she said, Piggy claims that she said "You look just like your brother".
- Happened (reportedly) to Pierre Trudeau once. No microphone picked up what he actually said on the floor of Parliament, but he hastily claimed it was "Fuddle Duddle".


void* StpCallback_TransmitGetBuffer ( const STP_BRIDGE* bridge, unsigned int portIndex, unsigned int bpduSize, unsigned int timestamp );
Used together with StpCallback_TransmitReleaseBuffer to transmit a BPDU generated by the STP library.
The application must return either:
The application might want to discard a BPDU, for instance, when it knows that a port is hardwired to a non-STP device and wants to save bandwidth by not sending BPDUs to that port.
This callback, together with StpCallback_TransmitReleaseBuffer, is used for transmitting BPDUs generated by the STP library. They are designed this way (GetBuffer/ReleaseBuffer) to allow the STP library to work with zero-copy Ethernet drivers. Such Ethernet drivers have similar GetBuffer/ReleaseBuffer routines, and these routines allow the software to construct Ethernet packets directly in the DMA memory of the Ethernet controller (hence the name "zero-copy").
If a zero-copy Ethernet driver is not available, then this callback should return a pointer to a RAM-based buffer, for instance a static variable of type "byte array". This buffer must be large enough to contain the non-STP headers and the largest BPDU that the STP library might request (see below).
An embedded application must prepend a non-STP header to the BPDU (see below). So unless your particular Ethernet driver prepends part of this header itself, this function should obtain a longer buffer, construct the non-STP header in the first bytes, and return a pointer that points just after the non-STP header.
The non-STP header has the following format:
1+portIndex
to its last byte.0x81, (1 << portIndex), 0x00, 0x00
.0xAA, 0xAA, 0x80, 0x80 | (1 << (1 + portIndex))
.0x91, 0x00, 0x00, 0x00, 0x40,
portIndex << 3, 0x00, 0x00
.3 + bpduSize
. (3
is the size of the following LLC field.) This field must be written in network byte order: MS byte, then LS byte.On some Microchip switches (KSZxxxx), the tag is not located in the headers, but instead in a byte at the end of the frame, after the BPDU, after any padding your Ethernet peripheral might append in order to extend your frame to 64 bytes, and before the CRC. The name of this functionality in Microchip datasheets is Tail Tagging. You can find a sample implementation in the TestAppMK66F+KSZ8794 directory.
The largest bpduSize
that the STP library requests can be calculated from §14.4 in
802.1Q-2018:
102 + 16 * mstiCount
, so up to 1126 bytes in case of 64 MSTIs.If this callback returns an address other than NULL, the STP library will construct a BPDU at the returned address and will call StpCallback_TransmitReleaseBuffer afterwards.
If this callback returns NULL, the STP library won't write its BPDU and won't call StpCallback_TransmitReleaseBuffer afterwards.
Losing of too many BPDUs in a network can cause Ethernet loops to be formed, resulting in immediate flooding of that network. For this reason, it is recommended that BPDUs are sent via some high-priority channel of the Ethernet driver; if the Ethernet driver does not know about priorities, it is recommended that this function waits in case Ethernet transmission is currently unavailable (due to full TX buffers, for example).


Breaks everything before learning best practices. Ready to convert business problems, to numbers and deliver insights.
Part of an industrial project in Fachhochschule Würzburg-Schweinfurt, in collaboration with Hans Geis GmbH’s subsidiary to optimize the short haul transportation vehicles
KIKUU - an African focused e-commerce company whose HQ is in China. As part of the team to expand businesses to Tanzania, Ghana, Nigeria, Cameroon, and Congo, I…
Major in Business Analytics | Collaboration with real Projects Euro Group Consulting GPA: 1.9
Major in Strategic/Marketing Management | Data Analysis in Business settings | Top 5% of my class (3.56 of 4)
Major in Information Technology | Experience in Web/Software Development | Top 3% (4.12 of 5)
Here are some of my completed works i have accomplished. click here, and hop into my git repositary of more interesting projects
Title: Search Engine Maketing Analytics
Type: Personal Project
Task: Insight generation, Incremental Testing, Hypotesis Prooving
Duration: 01-08-2021 to 27-08-2021
Tools used: Python (Pandas, Matlibplot,Plotly, )
Project link: Here
Title: Churn Prediction Analysis
Type: Hackathon
Tasks: Advanced EDA and Feature Engineering, then Prediction
Duration: 05-07-2021 to 23-08-2021
Tools used: Python (Pandas, NumPy, Seaborn, Matlibplot,Logistic regression)
Project link: Here
Title: Customer Segmentation using RFM modeling
Type: Personal Project
My Roles: Business Analyst, Data analyst
Duration: 30-06-2021 to 27-07-2021
Tools used: Python (Pandas, NumPy, Matlibplot)
Project link: Here
Title: Sales prediction
Type: Academic Project / Hackathon
Tasks: Advanced EDA and Feature Engineering, then Esemble Modeling beforE Prediction
Duration: 05-07-2020 to 23-08-2021
Tools used: Python (Pandas, NumPy, Seaborn, Matlibplot, XGBoost, Randomforest, GradentBoosing)
Project link: Here
Title: Data Center Consolidation for construction Machinery financial services
Type: Academic Project Enterprice Architecture Management
My Roles: Scrum Master, Data analyst
Duration: 05-11-2019 to 23-01-2020
Tools used: UML, Jira, Trello, Htlm, css, js
Project link: Here
Title: Analysis of the best coffee machine with customers
Type: Acadamic Project
My Roles: Data Extraction, Transforming & Analysis
Duration: 05-11-2019 to 23-01-2020
Tools used: Python (Pandas, BeautifulSoup,NumPy,Matlibplot)& Google API
Project link: Here
Title: Timeseries sales Forecasting Hackathon
Type: Predictive analysis
Task: Applied Holts winter model and SAMIRAX model (91% Prediction rate)
Duration: 11-07-2020 to Now
Tools used: Python, Holt winter model, Sarimax amp;Matplotlib
Project link: Here
Whenever i am not programming , I enjoy most of my time being outdoors. In the winter, I just stayindoor or go out skating on request. During the warmer months, I enjoy hiking, swiming
When forced indoors, I watch business and science fiction movie genre german television shows in German language. I do cook my food and I reserve time to learn about technoological breakthrough in data Science field.
Feel free to connect with me, we can share some of our experiences


My name is Bill Patrianakos. I'm a web developer working in Chicago. I also founded my own small business and I'm on the board of directors for a non-profit. This is where I come to share my thoughts, experiences, and hopefully help and/or inspire others.