This page represents the Digital Standards working in the open to share the analysis of alignment with the Digital Standards
The information displayed here does not represent any form of performance or metrics tracking on behalf of Treasury Board of Canada Secretariat (TBS) or the Government of Canada (GC).
The anonymized information being shared is in the spirit of Open Data and Working in the Open, to share information regarding the alignment to the Digital Standards.
This page is currently a prototype, and more information will be added as work progresses.
This data is generated through analyzing submitted concept cases. Work is underway to improving our data collection and reporting to remove subjectivity as much as possible. For the time being, this is the data at hand, and we are actively working to improve the quality and quantity of said data.
A concept case was judged whether or not it aligned with a Digital Standard. This means if the concept case identified that that it had met a given Digital Standard, but was judged not to have adequately met the standard, then it will result as having not aligned in the data below.
Work is presently underway to provide further guidance regarding what would be considered to align with a Digital Standard. In the spirit of working in the open, the work presently underway can be viewed here.
In order to promote innovation and create agility within our organizations, the teams that make up our organizations must be empowered. Aim to hire good people not to tell them what to do, but to have them tell you what to do. Ensuring professional advancement is available to retain high performers throughout their career.
The government manages large, highly complex, crucially important services for their users. A top-down command and control approach to service delivery and designs enforces a structure that aligns to the structure itself, rather than to the needs of the users or based on the expertise of those building the services. Rather than bringing information to authority, bring authority to the information. Those best suited to solve a given problem are those closest to the problem. By removing decision-making authority from the teams into complex governance structures, the innovative potential of teams is mitigated by legacy governance procedures and processes.
In order to create organizations that are able to create high quality services and iterate and improve frequently, teams must be empowered to make decisions for themselves. Therefore the following outlines the alignment of the Digital Standards under the condition of 'Empowering Staff to Deliver Better Services.'
The following graphs break down the alignment of eight questions of Digital Standards with respect to 'Empowering Staff to Deliver Better Services' for the year of 2020,
The following graphs breaks down the total alignment of all the subsets of Digital Standards with respect to Empowering Staff to Deliver Better Services for the year of 2020,


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Explore local breweries with just one click and stirred by starlight across the centuries light years great turbulent clouds circumnavigated paroxysm of global death.
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13TH LETTER, THE (director: Otto Preminger; screenwriter: Howard Koch; cinematographer: Joseph LaShelle; cast: Charles Boyer (Dr. Laurent), Linda Darnell (Denise), Judith Evelyn (Marie), J. Léo Gagnon (Dr. Helier), Paul Guèvremont (Postman), June Hedin (Rochelle), Michael Rennie (Dr. Pearson), Françoise Rosay (Mrs. Sims), Constance Smith (Cora Laurent), Guy Sorel (Robert Helier), Ovila Legare (Mayor), 1951)
Reviewed by Dennis Schwartz
This is a remake of Clouzot's very memorable Le Corbeau. Though not a complete failure, Preminger's American version still managed to take most of the starch out of this bitter French chiller and make it seem dull and predictable. Even I guessed who was writing the poison letters, and I'm not especially good at that sort of movie detective work. The film changes scenery from its original version in France and now takes place in a small-town near Quebec, Canada. The story is about the townspeople receiving poisoned pen letters telling about a handsome young doctor, Pearson (Rennie), who arrived recently from London and who is accused of having an affair with the very attractive younger wife, Cora Laurent (Constance), of a much older physician, Dr. Laurent (Boyer).
The film opens by painting onscreen Hollywood's idea of what a small-town looks and feels like, as the sun is shining, the mailman is cheerful and nosy, and everything about the town looks picture-perfect. Dr. Laurent has returned from a medical convention in Montreal and rushes back to his house to see his gorgeous wife. But his wife is at the hospital talking to her older, angry sister, Marie (Evelyn), who is a nurse there. She is berating her younger sister for flirting with all the younger doctors on the staff, telling her you married a good man, one who is respected in the community, you should be loyal to him. Cora responds, slyly telling her that she is jealous that Dr. Laurent broke off his engagement with her.
Next we hear that Pearson, Cora, and Laurent all received letters that tell of the affair and the letter writer says that Pearson better get out of town. At first confrontation, all the parties concerned take a civilized approach to the letters. Pearson says it's nonsense. But Laurent takes a more cautionary approach saying, "You can't dismiss these letters completely, they are written by a psychopath, and they have been known to act against their own interest."
The film then goes about showing more poisoned letters appearing and how everyone in town becomes a suspect, including the parties the letter is addressed to. There is a war hero in the hospital recovering from wounds, who is a difficult patient for Marie to handle because he is a bit paranoid. He also has a meddlesome mother, who constantly complains about the hospital care given to her hero son. On the night that Marie, Cora, and Pearson receive letters telling them to be at the church that night because the letter writer will be there, Marie who is on duty sneaks off to the church and becomes a suspect for what happens to her unattended patient later on that evening. The hero patient receives a letter that night that says the doctors are lying to him, that he has an incurable cancer. With that bad news, he takes a razor and commits suicide by cutting his throat.
Meanwhile, Pearson who is cold and aloof, putting all his energy into being a good doctor, with his only hobby his clock collection, is being pursued by an attractive lady patient, Denise (Darnel). She can't understand why he doesn't go for her. During his treatment of her, he discovers that she has a clubfoot, which can't be detected when she is wearing shoes. Evidently, this must have turned him on, because the next thing you know the two of them are kissing.
He explains his aloofness, by mentioning how he married a pretty woman and spent so much time away from her, building up a booming gynecology practice, that she met another man and left him. When that affair didn't work out and she wanted to come back to him, he refused and she soon committed suicide.
The most striking scene in the film was at the church, when out of the chorus of 18 members, a poisoned letter falls into the pews. The mayor comes along and takes charge of the investigation, an investigation that was unofficially being conducted prior to this by Dr. Laurent.
The result is that Marie is falsely arrested because her handwriting supposedly matches the one in the letter. But Marie goes free, as another letter is sent while she is in jail.
Spoiler: If you don't want to know who the poison letter writer is, skip the remainder of the review.
Cora tells Denise that she is having an affair with Pearson. When Denise tells this to Pearson, he goes to Dr. Laurent and the whole sordid truth comes out, of the old man dictating the letters to the younger wife he was afraid he couldn't hold onto. That he did it because Cora wrote the first letter and he was afraid she would be arrested or taken away from him and placed in a loony bin, and he couldn't bear to be without her. So he treated her psychological ailments himself, hoping that he could cure her some day.
  So it seems as if the kindly doctor is not such a kind person after all, but a vicious predator, who was the bigger nut case in the family.
The film lost its power and energy to be viewed as a true noir film, and ends up being more like a flat- 'who done it thriller.' The force of its noir story never fully materialized under Preminger's Hollywood type of direction. The psychological motives of the couple were too murky to have much intellectual impact on the story. The only real noir moment of the film, was the one that visually showed Pearson's alienation, after his wife left him, as the camera pans to his bare room except for his clock collection.
REVIEWED ON 1/13/2000 GRADE: C
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
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The \hline command will draw a horizontal line the width of the table. It's most commonly used to draw a line at the top, bottom, and between the rows of the table.
Two successive \hline commands leave a space between the lines; this space does not contain the vertical lines specified by | characters in the col argument of the \begin{tabular}{col} command.
To place a line at the bottom of a table, the \hline command must follow a \\ (line break) command after the last table entry. This final line break command should be present only in this circumstance.
See also array,
tabular.
Return to the LaTeX Table of Contents


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Registers a C# background task for the Servicing Complete event. The background task runs when the application is updated with a newer version.
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A vehicle (from Latin: vehiculum[1]) is a machine that transports people or cargo. Vehicles include wagons, bicycles, motor vehicles (motorcycles, cars, trucks, buses), railed vehicles (trains, trams), watercraft (ships, boats), amphibious vehicles (screw-propelled vehicle, hovercraft), aircraft (airplanes, helicopters) and spacecraft.[2]
Land vehicles are classified broadly by what is used to apply steering and drive forces against the ground: wheeled, tracked, railed or skied. ISO 3833-1977 is the standard, also internationally used in legislation, for road vehicles types, terms and definitions.[3]
[1] - "vehicle, n.", OED Online, Oxford University Press, November 2010
[2] - Halsey, William D. (Editorial Director): MacMillan Contemporary Dictionary, page 1106. MacMillan Publishing, 1979. ISBN 0-02-080780-5
[3] - ISO 3833:1977 Road vehicles – Types – Terms and definitions Webstore.anis.org


app / com.magnitudestudios.GameFace.ui.login / LoginViewModel / signInWithEmail
signInWithEmail
fun signInWithEmail(email: String, password: String): Unit
Sign in a user with email and password
Parameters
email
- The email of the user
password
- The password of the user


How much was your bill?
$
How was your service?
How many people are sharing the bill?
people
Each has to pay $


Amazon's got a pretty great deal on the Philips Sonicare DiamondClean brush for Black Friday, which brings it down by 70%: from the RRP of £299 (although Amazon never sells anything for RRP, let's be honest) to £89.99.
Considering it's one of the best-reviewed sonic toothbrushes, lasts two weeks on a charge and includes a fancy charging travel case and charging stand plus a two-year warranty, that's a good price.
The offer includes four colourways, so you don't have to have the sickly pink one just to save money: there's also black, white and rose gold, although the toothbrush itself is mostly still white on that one.
The deal ends at midnight tonight (the 29th). Grab it here.


| {0} | ||
|
|
DANGEROUS GOODS CHECKLIST FOR A RADIOACTIVE SHIPMENT | {1}thEDITION,1 JANUARY {2} |
|
Air Waybill:{3}
Origin:{4} Destination:{5} The recommended checklist appearing on the following pages is intended to verify shipments at origin. Copies of the checklist can be obtained from: Website:http://www.lata.org/whatwedo/cargo/dgr/Pages/download.aspx Never accept or refuse a shipment before all items have been checked. Is the following information correct for each entry? |
|||||||
| SHIPPERS DECLARATION FOR DANGEROUS GOODS(DGD) | YES | NO* | N/A | PACKAGE(S) AND OVERPACKS | YES | NO* | N/A |
| 1.Two copies in English and in the IATA format including the air certification statement. This question may be indicated as not applicable “N/A” only when the Shipper's Declaration data is submitted electronically [<IP_ADDRESS>, <IP_ADDRESS>; 8.1.1; <IP_ADDRESS>.2] | {6} | {7} | {8} | 29.Same number and type of packagings and overpacks delivered as shown on DGD | {96} | {97} | {98} |
| 30.Unbroken transportation seal [<IP_ADDRESS>.1.2] and package in proper condition for carriage [9.1.3; 9.1.4] | {99} | {100} | {101} | ||||
| 2.Full name and address of Shipper and Consignee [<IP_ADDRESS>, <IP_ADDRESS>] | {9} | {10} | {11} | Marks | |||
| 31.UN number, preceded by prefix [<IP_ADDRESS>.1] | {102} | {103} | {104} | ||||
| 3.If the Air Waybill number is not shown, enter it. [<IP_ADDRESS>] | {12} | {13} | {14} | 32.The Proper Shipping Name and where Special Provision A78 applies, the supplementary information in brackets [<IP_ADDRESS>.1] | {105} | {106} | {107} |
| 4.The number of pages shown. This question may be indicated as not applicable “N/A” only when the Shipper's Declaration data is submitted electronically [<IP_ADDRESS>] | {15} | {16} | {17} | ||||
| 5.The non-applicable Aircraft Type deleted or not shown [<IP_ADDRESS>] | {18} | {19} | {20} | 33.The full name and address of the Shipper and Consignee [<IP_ADDRESS>.1] | {108} | {109} | {110} |
| 6.If full name of Airport or City of Departure or Destination is not shown, enter it. [<IP_ADDRESS> and <IP_ADDRESS>] | {21} | {22} | {23} | 34.The permissible gross weight if the gross weight of the package exceeds 50 kg [<IP_ADDRESS>.1] | {111} | {112} | {113} |
| 7.The word “Non-Radioactive” deleted or not shown [<IP_ADDRESS>] | {24} | {25} | {26} | 35.Type A packages, marked as per <IP_ADDRESS>.4 | {114} | {115} | {116} |
| Identification | 36.Type B packages, marked as per <IP_ADDRESS>.5 | {117} | {118} | {119} | |||
| 8.UN number, preceded by prefix “UN” [<IP_ADDRESS>.1, Step 1] | {27} | {28} | {29} | 37.Type C packages, Industrial Packages and packages containing Fissile material marked as per <IP_ADDRESS>.6, <IP_ADDRESS>.3 or <IP_ADDRESS>.7 | {120} | {121} | {122} |
| 9.Proper Shipping Name and where Special Provision A78 applies, the supplementary information in brackets [<IP_ADDRESS>.1, Step 2] | {30} | {31} | {32} | ||||
| 10.Class 7 [<IP_ADDRESS>.1, Step 3] | {33} | {34} | {35} | Labelling | |||
| 11.Subsidiary hazard, in brackets, immediately following Class [<IP_ADDRESS>.1, Step 4] and Packing Group if required for Subsidiary hazard [<IP_ADDRESS>.1, Step 5] | {36} | {37} | {38} | 38.Same category labels as per DGD properly affixed to two opposite sides of package. [10.7.4] |
|
|
|
| Quantity and Type of Packing | -38.1 Symbol of radionuclide and/or LSA/SCO indicated as required. [<IP_ADDRESS>.1] | {123} | {124} | {125} | |||
| 12.Name or Symbol of Radionuclide(s) [<IP_ADDRESS>.2, Step 6 (a)] | {39} | {40} | {41} | -38.2 Activity in Bq (or multiples thereof). For Fissile material, the total mass in grams may be used instead [<IP_ADDRESS>.2] | {126} | {127} | {128} |
| 13.A description of the physical and chemical form if in other form [<IP_ADDRESS>.2, Step 6 (b)] | {42} | {43} | {44} | ||||
| 14.“Special Form” (not required for UN 3332 or UN 3333) or low dispersible material [<IP_ADDRESS>.2, Step 6 (b)] | {45} | {46} | {47} | -38.3 For Category II & III, same TI as per DGD, rounded-up to one decimal place. [<IP_ADDRESS>.3] | {129} | {130} | {131} |
| 15.The number and type of packages and the activity in becquerel or multiples thereof in each package. For Fissile Material the total weight in grams or kilograms of fissile material may be shown in place of activity [<IP_ADDRESS>.2, Step 7] | {48} | {49} | {50} | 39.Applicable label(s) identifying the subsidiary hazard [<IP_ADDRESS>; <IP_ADDRESS>] | {132} | {133} | {134} |
| 40.Two “Cargo Aircraft Only” labels, if required, on the same surface near the hazard labels [<IP_ADDRESS>.4; <IP_ADDRESS>.1; <IP_ADDRESS>.1] | {135} | {136} | {137} | ||||
| 16.For different individual radionuclides, the activity of each radionuclide and the words “All packed in one (type of package)” [<IP_ADDRESS>.2, Step 7] | {51} | {52} | {53} | 41.For fissile materials, two correctly completed Criticality Safety Index (CSI) labels on the same surface as the hazard labels [<IP_ADDRESS>.4; <IP_ADDRESS>.1] | {138} | {139} | {140} |
| 17.Activity within limits for Type A packages [Table 10.3.A], Type B, or Type C (see attached competent authority certificate) | {54} | {55} | {56} | 42.Any irrelevant marks and labels removed or obliterated [<IP_ADDRESS>; <IP_ADDRESS>] | {141} | {142} | {143} |
| 18.Words “Overpack Used” shown on the DGD [<IP_ADDRESS>.2, Step 8] | {57} | {58} | {59} | ||||
| Packing Instructions | For Overpacks | ||||||
| 19.Category of package(s) and overpack if applicable [<IP_ADDRESS> (a), <IP_ADDRESS>.3, Step 9 (a) and Table 10.5.C] | {60} | {61} | {62} | 43.Package use marks and labels clearly visible or reproduced on the outside of the overpack [<IP_ADDRESS>.1; <IP_ADDRESS>] | {144} | {145} | {146} |
| 20.Transport Index and dimensions (preferably in sequence Length x Width x Height) for Category II and Category III only [<IP_ADDRESS>.3, Step 9 (b) and (c)] | {63} | {64} | {65} | 44.The word “Overpack” marked if marks and labels are not visible on packages within the overpack [<IP_ADDRESS>.1] | {147} | {148} | {149} |
| 21.For Fissile Material the Criticality Safety Index (with, in addition and if applicable*, reference to paragraphs <IP_ADDRESS>.1.3 (a) to (c) or <IP_ADDRESS>.1.4), or the words “Fissile Excepted” [<IP_ADDRESS>.3, Step 9 (d)] | {66} | {67} | {68} | 45.If more than one overpack is used, identification marks shown [<IP_ADDRESS>.3] | {150} | {151} | {152} |
| Authorizations | 46.Hazard labels reflect the content(s) and activity of each individual radionuclide and the TI of the overpack [<IP_ADDRESS>] | {153} | {154} | {155} | |||
| 22.Identification marks shown and a copy of the document in English attached to DGD for the following [<IP_ADDRESS>.3; <IP_ADDRESS>.4, Step 10; 10.8.7] |
|
|
|
||||
| GENERAL | |||||||
| 22.1-Special Form approval certificate | {69} | {70} | {71} | 47.State and Operator variations complied with [2.8] | {156} | {157} | {158} |
| 22.2-Type B package design approval certificate | {72} | {73} | {74} | 48.Cargo Aircraft Only shipments, a cargo aircraft operates on all sectors | {159} | {160} | {161} |
| 22.3-Other approval certificates as required | {75} | {76} | {77} | ||||
| 23.Additional Handling Information [<IP_ADDRESS>] | {78} | {79} | {80} | 49.Packages containing Carbon dioxide solid (dry ice), the marking, labelling and documentary requirements complied with [Packing Instruction 954; <IP_ADDRESS> (d); <IP_ADDRESS>.1] | {162} | {163} | {164} |
| 24.Name of Signatory and Date indicated [<IP_ADDRESS> and <IP_ADDRESS>] and Signature of Shipper [<IP_ADDRESS>] | {81} | {82} | {83} | ||||
| 25.Amendment or alteration signed by Shipper [<IP_ADDRESS>] | {84} | {85} | {86} |
|
|||
| AIR WAYBILL-HANDLING INFORMATION | |||||||
| 26.The statement: “Dangerous goods as per attached Shipper's Declaration” or “Dangerous Goods as perattached DGD” [<IP_ADDRESS>(a)] | {87} | {88} | {89} | ||||
| 27.“Cargo Aircraft Only” or CAO, if applicable [<IP_ADDRESS>(b)] | {90} | {91} | {92} | ||||
| 28.Where non-dangerous goods are included, the number of pieces of dangerous goods shown [<IP_ADDRESS>] | {93} | {94} | {95} | ||||
| Comments:____________________________________________________________________________ | |||||||
|
Checked by:{165}
Place:{166} |
Signature:{167}
Date:{168} Time:{169} |
||||||
| *IF ANY BOX IS CHECKED "NO",DO NOT ACCEPT THE SHIPMENT AND GIVE A DUPLICATE COPY OF THIS COMPLETED FROM TO THE SHIPPER. |


about me
services
Copywriter
I design super cool websites. It is a long established fact that a reader will be distracted by the readable content.
Node Js Dev
NodeJs is a next generation web application server that is lightweight and efficient. Not being resource hungry, this provide an easy and fast way to deploy your applicaitons which support heavy customer traffic.
Angular Js Dev
Angular Js is HTML enhanced for web apps. Being an Angular Js developer, I work on web applications that are quick to develop and maintain.
Problem Solver
I have strong project management skills. It is a long established fact that a reader will be distracted by the readable content.
work procces
DISCOVER
IDEA
DESIGN
DEVELOP
TEST
LAUNCH
fun fact
3 States Visited
International Paper Published
20.000 Cups Of Coffee
Future Fields
resume
WORK HISTORY
july 2017 - Current
Associate Consultant
Datamatics Global Services Limited
I currently work for DGSL.
Aug 2016 july 2017
Mean stack devloper
Turtle Infotech Pvt Ltd.
I worked as a Mean stack developer for Turtleinfotech. I create 3+ websites, 3+web application, 1+ android application.
june 2016 - july 2016
php intern
Inspire Infotech.
I worked as a php intern at Inspireinfotech for a month. I create usable web interfaces, front end coding stuff and almost anything.
june 2016 - Oct 2016
Certification in JAVA Technology
Rajesh Patkar Institue of Software Enginnering.
I have learned Core Java Concepts, Implmented in project to build a chat messenger.
EDUCATION
2016
B.E
Rajiv Gandhi Institute of Technology(Mumbai University)
I completed my Bachelor's degree in Electronics and Telecommunication from Mumbai University.
2011
HSC
Nirmala memorial collage of science
I have gain knowledge of Physic,Chemistry,Biology,Mathematics and Information Technology.
2009
SSC
ST Thomas High School
I was enthusiastic to learn History/Geography. Exploring new things that not known to me.
programming & technical skills
It takes knowledge, smart work, and dedication to make great ideas come to life. I have been helping make great ideas happen for more than past 2 years and am always ready for new challenges.
HTML5 & css3
Angular 2.x/4.x Js
jQuery/Ajax
JavaScript (ES5)
Core Java
Asp.Net
github/gitlab/bitbucket/TFS
node.js
Design Patterns
Functional skills
Being a web application developer is not just about coding and delivering the product. Its much more than that. It includes the projects requirement gathering to estimation to strategic planning.
Communication Skills
Leadership
Project Management
Keen Learner
TESTIMONIALS
Jyoti Raskar
UI Developer / DGSL
He is a great and hardworking guy. I am so proud of i have him as my asistant. He helped me so much. Also i am so proud of i have him as my asistant. He helped me so much.
Chintan Vanpariya
Software developer / Camelport Pvt Ltd.
He was a great co-worker and a friend. I would't be where i am without his support.


Money Play. How should Red play 66?
pips Red=123 White=133
(CorrectAnswer= 0/0, ErrorScore= 0)
Over the board the brute force 13/7(2)*/1(2)* was tried with the idea of giving Red time to escape his rear checker. That move is not quite an error, but the priming approach is the correct game plan.
Either of 14/2(2)* or 14/8(2), 13/17(2)* is better. The former wins more games, but the latter wins more gammons. After all this is a prime versus prime position so build a prime. Even 14/2*, 13/7(2)* is fine.
Either of 14/2(2)* or 14/8(2), 13/17(2)* is better. The former wins more games, but the latter wins more gammons. After all this is a prime versus prime position so build a prime. Even 14/2*, 13/7(2)* is fine.
1. Cubeful 2-ply 14/2* 13/7*(2) Eq.: +0.595 0.679 0.378 0.031 - 0.321 0.060 0.002 2. Cubeful 2-ply 14/2*(2) Eq.: +0.594 (-0.001) 0.665 0.411 0.026 - 0.335 0.057 0.002 3. Cubeful 2-ply 14/8(2) 13/7*(2) Eq.: +0.593 (-0.002) 0.689 0.341 0.027 - 0.311 0.047 0.001 4. Cubeful 0-ply 13/7*/1*(2) Eq.: +0.502 (-0.093) 0.642 0.369 0.023 - 0.358 0.053 0.001 5. Cubeful 0-ply 14/2* 14/8 13/7* Eq.: +0.448 (-0.146) 0.636 0.374 0.033 - 0.364 0.098 0.008


| CONTENTS | PREV | NEXT |
Directory services play a vital role in Intranets and Internets by providing access to a variety of information about users, machines, networks, services, and applications. By its very nature, a directory service incorporates a naming facility for providing human understandable namespaces that characterize the arrangement and identification of the various entities.
The computing environment of an enterprise typically consists of several naming facilities often representing different parts of a composite namespace. For example, the Internet Domain Name System (DNS) might be used as the top-level naming facility for different organizations within an enterprise. The organizations themselves might use a directory service such as LDAP or NDS or NIS. From a user's perspective, there is one namespace consisting of composite names. URLs are examples of composite names because they span namespaces of multiple naming facilities. Applications which use directory services must support this user perspective.
Many Java application developers can benefit from a directory service API that is not only independent of the particular directory or naming service implementation, but also enables seamless access to directory objects through multiple naming facilities. In fact, any application can attach its own objects to the namespace. Such a facility enables any Java application to discover and retrieve objects of any type.
End users can benefit from logical namespaces that allow easier discovery and identification of the objects in the network.
Directory service developers can benefit from a service-provider capability that enables them to incorporate their respective implementations without requiring changes to the client.
Java Naming and Directory Interface (JNDI) is an API that provides directory and naming functionality to Java applications. It is defined to be independent of any specific directory service implementation. Thus, a variety of directories can be accessed in a common way.
Here are two examples to briefly illustrate some of the more commonly used features of JNDI.
An application that wants to access a printer needs the corresponding printer object. This is simply done as follows:
prt = (Printer) building7.lookup("puffin"); prt.print(document);
JNDI does all the work of locating the information needed to construct the printer object.
An application that wants to find a person's phone numbers, which are stored in the organization's directory, can simply do:
String[] attrs = {"workPhone", "cellPhone", "faxNumber"}; bobsPhones = directory.getAttributes("cn=Bob, o=Widget, c=US", attrs);
If there may be several Bobs in the Widget organization, the application can search the organization's directory to find the right Bob as follows:
bob = directory.search("o=Widget, c=US", "(cn=Bob)", searchctls);
This document describes the architecture and interfaces of JNDI.


| Methods' Details |
isNodeExpanded
- Description
- Returns true if Node is currently expanded.
- Parameter Node
- the XTreeNode specifying the node to check.
- Returns
- false if Node or at least one of its parent nodes are collapsed,
true if Node and all of its parent nodes are expanded.
- Throws
- ::com::sun::star::lang::IllegalArgumentException
if Node is not a valid node of the corresponding XTreeDataModel.
|
|
isNodeCollapsed
- Description
- Returns true if Node is currently collapsed.
- Parameter Node
- the XTreeNode specifying the node to check
- Returns
- true if Node or at least one of its parent nodes are collapsed,
false if Node and all of its parent nodes are expanded
- Throws
- ::com::sun::star::lang::IllegalArgumentException
if Node is not a valid node of the corresponding XTreeDataModel.
|
|
makeNodeVisible
- Description
- Ensures that Node is currently visible.
This includes expanding all parent nodes and scroll the control so this
node is visible in the controls display area.
- Parameter Node
- the XTreeNode specifying the node to make visible.
- Throws
- ::com::sun::star::lang::IllegalArgumentException
if Node is not a valid node of the corresponding XTreeDataModel.
- Throws
- ExpandVetoException
if Nodecan't be made visible since at least one of the parent nodes are
collapsed and expanding failed because at least one of the registered
XTreeExpansionListener raised a ExpandVetoException.
|
|
isNodeVisible
- Description
- Returns true if Node is currently visible.
Visible means it is either the root or all of its parents are expanded.
- Returns
- true if Node is visible, otherwise false
- Throws
- ::com::sun::star::lang::IllegalArgumentException
if Node is not a valid node of the corresponding XTreeDataModel.
|
|
expandNode
- Description
- Ensures that Node is expanded and visible.
If Node is a leaf node, this will have no effect.
- Parameter Node
- the XTreeNode identifying a node.
- Throws
- ::com::sun::star::lang::IllegalArgumentException
if Node is not a valid node of the corresponding XTreeDataModel.
- Throws
- ExpandVetoException
if expanding Node failed because at least one of the registered
XTreeExpansionListener raised a ExpandVetoException.
|
|
collapseNode
- Description
- Ensures that Node is collapsed.
- Parameter Node
- the XTreeNode identifying a node
- Throws
- ::com::sun::star::lang::IllegalArgumentException
if Node is not a valid node of the corresponding XTreeDataModel.
- Throws
- ExpandVetoException
if collapsing Node failed because at least one of the registered
XTreeExpansionListener raised a ExpandVetoException.
|
|
addTreeExpansionListener
- Description
- Adds a listener for ::TreeExpansion events.
- Parameter Listener
- a XTreeExpansionListener that will be notified when a tree
node is expanded or collapsed.
|
|
removeTreeExpansionListener
- Description
- Removes a listener for ::TreeExpansion events.
- Parameter Listener
- the XTreeExpansionListener to remove.
|
|
getNodeForLocation
| XTreeNode |
| getNodeForLocation( |
[in] long |
x, |
| [in] long |
y ); |
- Description
- Returns the node at the specified location.
- Parameter x
- an integer giving the number of pixels horizontally from the left edge of the controls display area
- Parameter y
- an integer giving the number of pixels vertically from the top edge of the controls display area
- Returns
- the XTreeNode for the node at that location, or 0 if there is no node at the given position
|
|
getClosestNodeForLocation
| XTreeNode |
| getClosestNodeForLocation( |
[in] long |
x, |
| [in] long |
y ); |
- Description
- Returns the node that is closest to x,y.
If no nodes are currently viewable, or there is no model, returns null,
otherwise it always returns a valid node. To test if the node is exactly
at x, y, use getNodeForLocation().
- Parameter x
- an integer giving the number of pixels horizontally from the left edge of the controls display area
@para y
an integer giving the number of pixels vertically from the top edge of the controls display area
- Returns
- the XTreeNode for the node closest to that location, null if nothing is viewable or there is no model
|
|
getNodeRect
- Description
- returns the rectangle occupied by the visual representation of the given node
- Parameter Node
- the node whose geometry should be obtained
- Throws
- ::com::sun::star::lang::IllegalArgumentException
if the given node is NULL, or does not belong to the tree's data model
|
|
isEditing
- Description
- Returns true if one of tree's nodes is being currently edited.
The node that is being edited can be obtained using XSelectionSupplier::getSelection().
- Returns
- true if the user is currently editing a node
|
|
stopEditing
- Description
- Ends the current editing session.
All registered XTreeEditListener are notified if an editing session was in progress
Has no effect if the tree isn't being edited.
- Returns
- true if editing was in progress and is now stopped, false if editing was not in progress
|
|
cancelEditing
- Description
- Cancels the current editing session.
Has no effect if the tree isn't being edited.
|
|
startEditingAtNode
- Description
- Selects Node and initiates editing.
If TreeControlModel::Editable is false or if there are no
registered XTreeEditListener, this call has no effect.
Calling this method also ensures that Node will become visible.
- Parameter Node
- the XTreeNode identifying a node.
- Throws
- ::com::sun::star::lang::IllegalArgumentException
if Node is not a valid node of the corresponding XTreeDataModel.
|
|
| addTreeEditListener
|
| removeTreeEditListener
|
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


|
MAX32665 SDK Documentation
0.2
Software Development Kit Overview and API Documentation
|
Modules | |
| SPIXFC_Registers | |
| Registers, Bit Masks and Bit Positions for the SPIXFC Peripheral Module. | |
Data Structures | |
| struct | spixfc_cfg_t |
| SPIXFC configuration type. More... | |
| struct | spixfc_req_t |
| SPIXFC Transaction request. More... | |
Macros | |
| #define | SPIXFC_HEADER_DIRECTION_POS 0 |
| Defining all the bit positions for the 16-BIT Header. | |
| #define | SPIXFC_HEADER_UNITS_POS 2 |
| #define | SPIXFC_HEADER_SIZE_POS 4 |
| #define | SPIXFC_HEADER_WIDTH_POS 9 |
| #define | SPIXFC_HEADER_DEASS_SS_POS 13 |
| #define | MXC_V_SPIXFC_CONFIG_PAGE_SIZE_4B ((uint32_t)0x00000000UL) |
| Page Size and their positions. | |
| #define | MXC_V_SPIXFC_CONFIG_PAGE_SIZE_8B ((uint32_t)0x00000001UL) |
| #define | MXC_V_SPIXFC_CONFIG_PAGE_SIZE_16B ((uint32_t)0x00000002UL) |
| #define | MXC_V_SPIXFC_CONFIG_PAGE_SIZE_32B ((uint32_t)0x00000003UL) |
| #define | MXC_S_SPIXFC_CONFIG_PAGE_4B (MXC_V_SPIXFC_CONFIG_PAGE_SIZE_4B << MXC_F_SPIXFC_CONFIG_PAGE_SIZE_POS) |
| #define | MXC_S_SPIXFC_CONFIG_PAGE_8B (MXC_V_SPIXFC_CONFIG_PAGE_SIZE_8B << MXC_F_SPIXFC_CONFIG_PAGE_SIZE_POS) |
| #define | MXC_S_SPIXFC_CONFIG_PAGE_16B (MXC_V_SPIXFC_CONFIG_PAGE_SIZE_16B << MXC_F_SPIXFC_CONFIG_PAGE_SIZE_POS) |
| #define | MXC_S_SPIXFC_CONFIG_PAGE_32B (MXC_V_SPIXFC_CONFIG_PAGE_SIZE_32B << MXC_F_SPIXFC_CONFIG_PAGE_SIZE_POS) |
| #define | SPIXFC_HEADER_DEASS_SS 1 |
| #define | MAX_SCLK 0x10 |
| #define | SPIXFC_HEADER_TX_DIR 1 |
| #define | NOT_HEADER_DATA 0xF000 |
Enumerations | |
| enum | spixfc_ssel_t { SPIXFC_SSEL0_HIGH = (0x1 << 0), SPIXFC_SSEL0_LOW = 0, SPIXFC_SSEL1_HIGH = (0x1 << 1), SPIXFC_SSEL1_LOW = 0, SPIXFC_SSEL2_HIGH = (0x1 << 2), SPIXFC_SSEL2_LOW = 0, SPIXFC_SSEL3_HIGH = (0x1 << 3), SPIXFC_SSEL3_LOW = 0 } |
| Active levels for slave select lines. | |
| enum | spixfc_width_t { SPIXFC_WIDTH_1 = 0, SPIXFC_WIDTH_2 = 1, SPIXFC_WIDTH_4 = 2 } |
| Number of data lines to use. More... | |
| enum | spixfc_hdr_direction_t { SPIXFC_HEADER_DIR_NONE, SPIXFC_HEADER_DIR_TX, SPIXFC_HEADER_DIR_RX, SPIXFC_HEADER_DIR_BOTH } |
| enum | spixfc_hdr_units_t { SPIXFC_HEADER_UNITS_BITS, SPIXFC_HEADER_UNITS_BYTES, SPIXFC_HEADER_UNITS_PAGES } |
| enum | spixfc_hdr_width_t { SPIXFC_HEADER_WIDTH_SINGLE, SPIXFC_HEADER_WIDTH_DUAL, SPIXFC_HEADER_WIDTH_QUAD, SPIXFC_HEADER_WIDTH_INVALID } |
Functions | |
| int | SPIXFC_Init (mxc_spixfc_regs_t *spixfc, const spixfc_cfg_t *cfg, const sys_cfg_spixfc_t *sys_cfg) |
| Initialize SPIXFC module and setup the GPIO pins. More... | |
| void | SPIXFC_Shutdown (mxc_spixfc_regs_t *spixfc) |
| Shutdown SPIXFC module. More... | |
| int | SPIXFC_Clocks (mxc_spixfc_regs_t *spixfc, uint32_t len, uint8_t ssel, uint8_t deass) |
| Send Clock cycles on SCK without reading or writing. More... | |
| int | SPIXFC_Trans (mxc_spixfc_regs_t *spixfc, spixfc_req_t *req) |
| Read/write SPIXFC data. More... | |
| int | SPIXFC_TransAsync (mxc_spixfc_regs_t *spixfc, spixfc_req_t *req) |
| Asynchronously read/write SPIXFC data. More... | |
| int | SPIXFC_AbortAsync (mxc_spixfc_regs_t *spixfc, spixfc_req_t *req) |
| Abort asynchronous request. More... | |
| void | SPIXFC_Handler (mxc_spixfc_regs_t *spixfc) |
| SPIXFC interrupt handler. More... | |
| int | SPIXFC_PrepForSleep (mxc_spixfc_regs_t *spixfc) |
| Attempt to prepare the SPIXFC for sleep. More... | |
| enum spixfc_width_t |
| int SPIXFC_Init | ( | mxc_spixfc_regs_t * | spixfc, |
| const spixfc_cfg_t * | cfg, | ||
| const sys_cfg_spixfc_t * | sys_cfg | ||
| ) |
| spixfc | Pointer to SPIXFC regs. |
| cfg | Pointer to SPIXFC configuration. |
| sys_cfg | Pointer to system configuration object |
| void SPIXFC_Shutdown | ( | mxc_spixfc_regs_t * | spixfc | ) |
| spixfc | Pointer to SPIXFC regs. |
| int SPIXFC_Clocks | ( | mxc_spixfc_regs_t * | spixfc, |
| uint32_t | len, | ||
| uint8_t | ssel, | ||
| uint8_t | deass | ||
| ) |
| spixfc | Pointer to SPIXFC regs. |
| len | Number of clock cycles to send. |
| ssel | Slave select number. |
| deass | De-assert slave select at the end of the transaction. |
| int SPIXFC_Trans | ( | mxc_spixfc_regs_t * | spixfc, |
| spixfc_req_t * | req | ||
| ) |
Will block until transaction is complete.
| spixfc | Pointer to SPIXFC regs. |
| req | Request for a SPIXFC transaction. |
| int SPIXFC_TransAsync | ( | mxc_spixfc_regs_t * | spixfc, |
| spixfc_req_t * | req | ||
| ) |
| spixfc | Pointer to SPIXFC regs. |
| req | Request for a SPIXFC transaction. |
| int SPIXFC_AbortAsync | ( | mxc_spixfc_regs_t * | spixfc, |
| spixfc_req_t * | req | ||
| ) |
| spixfc | Pointer to SPIXFC regs. |
| req | Pointer to request for a SPIXFC transaction. |
| void SPIXFC_Handler | ( | mxc_spixfc_regs_t * | spixfc | ) |
This function should be called by the application from the interrupt handler if SPIXFC interrupts are enabled. Alternately, this function can be periodically called by the application if SPIXFC interrupts are disabled.
| spixfc | Base address of the SPIXFC module. |
| int SPIXFC_PrepForSleep | ( | mxc_spixfc_regs_t * | spixfc | ) |
| spixfc | Pointer to SPIXFC regs. |


is color created by mixing a number of different light colors, with red, green, and blue being the primary colors normally used in additive color system.
a subtractive color model explains the mixing of a limited set of dyes, inks, paint pigments or natural colorants to create a wider range of colors, each the result of partially or completely subtracting (that is, absorbing) some wavelengths of light and not others.
a group of colors from which all other colors can be obtained by mixing.
a color resulting from the mixing of two primary colors.
the resulting color formed when an equal amount of a primary and a secondary color are mixed.
are groups of three colors that are next to each other on the color wheel, with one being the dominant color, which tends to be a primary or secondary color, and a tertiary. Red, orange, and red-violet are examples.
are groups of three colors that are next to each other on the color wheel, with one being the dominant color, which tends to be a primary or secondary color, and a tertiary. Red, orange, and red-violet are examples.
A triadic color scheme uses colors that are evenly spaced around the color wheel. Triadic color harmonies tend to be quite vibrant, even if you use pale or unsaturated versions of your hues.
colors directly opposite each other in the color spectrum, such as red and green or blue and orange, that when combined in the right proportions, produce white light.


Description
Introduction
The purpose of this section is to demonstrate assembly language programming on a variety of platforms. Attention
is given to the i386 platform, but also as homage I demonstrate an assembly language program on an emulator of my first
computer, the venerable Commodore 64. The Commodore 64 is emulated using VICE.
i386 Assembly Language Programming
Discussion:
Comments are provided on each line of this program. The program is the assembled using NASM as an
ELF (Executable and Linkable Format) file. The object file is then linked using ld and an executable file is produced.
Commodore 64 Assembly Language Programming
This assembly language program is very similar to the i386 version except it is written for the Commodore 64. Essentialy, a loop
is setup that loads each character of the message into screen memory. Execution of the program leads to the message being
displayed on the screen.
Commodore 64 Assembly Language Programming
The program is checked for errors and saved to disk.
Commodore 64 Assembly Language Programming 2
The directory of the virtual disk is loaded by load "$",8 and listed. The program HELLO1.ASM is loaded into memory.
Commodore 64 Assembly Language Programming 2
The program is now in memory and when listing, it shows that it is actually a system call to the memory location of the start of the machine code.
Upon entering RUN, the system call executes the machine code that loads "Hello World!" into screen memory, where it is faithfully displayed in the
upper left hand corner of the screen.


 You pick it up gently, place it on your tongue, and begin to taste it.
You already know how a blueberry tastes, and so when this one is a bit riper than you’d like, you make a face, feel the disappointment, swallow it with displeasure.
Or perhaps it tastes exactly as you’d expected: no big deal. You swallow, and move on with your day.
In the first case, the blueberry was disappointing because it didn’t meet expectations. In the second, it was boring because it met expectations.
Now try this: have no expectations of how the blueberry will taste. You don’t know because you haven’t tried it yet. You’re curious, open to a variety of tastes.
You taste it, and really pay attention. You notice the tanginess, the firmness of the skin, the sweet mushiness of the center, the complex flavors that emerge as you eat it. You didn’t know how it would taste, but this is brilliant! It’s new, because you’ve never tasted anything quite like it.
This is sometimes called the Beginner’s Mind, but I think of it as a mind free of expectations.
The blueberry, of course, can be anything in life: any experience, any person you meet, any cup of tea, any task before you, any interaction with a loved one, any thought that enters your head, any moment of the day.
If you approach any of these with expectations, they will often disappoint or frustrate you … or be bland, blah, usual. And you move on to the next disappointing or frustration or usual experience, and so on, so that life is nothing but a series of things you barely like and barely notice.
If you approach each moment, each task, each person, without expectations … and just see that moment or person as they are … then you will really see that moment. Really appreciate it. Experience it like you’ve never experienced anything before, because you haven’t.
This is the Art of Living.
The Worlds That Open Up
When you learn to approach each person and moment and task without expectations, it transforms everything. New worlds open up to you.
A handful of examples:
- Procrastination: Let’s say you have been putting off a big task at work because you’re dreading doing it. Maybe it’s a big project, and you have this feeling of overwhelm. It’s a lot of work! You are expecting to have to do hard work you’re perhaps not good at, expecting failure or difficulty.  You try it and see how it goes. You learn from the experience no matter how it goes.
- Habits: You enter a new habit with the expectation that it will be amazing, change your life, and you’ll do great. And when it is inevitably harder than you thought it would be, and you’re less successful at it, you’re disappointed, discouraged, frustrated.  If instead, you let go of the fantasy of how this habit will go, and just be open to what emerges … you can just do the habit. Just be in the moment with it. Then, no matter how it turns out, you’ll learn something.
- Frustrating person: This guy at work is frustrating you because he’s not doing the work the way he should, or maybe he’s being inconsiderate somehow. Your frustration stems from an expectation of how this person should act. They don’t act according to this ideal, and so you suffer. Instead, you can put aside this expectation that people will live up to your ideals … and just be open to them. They will behave imperfectly, just as you will. Accepting the person as they are doesn’t mean you do nothing … you can let go of the frustration, and see how they’re having difficulty, and it as a teaching opportunity or an opportunity to help them … with no expectation that they’ll love your lesson or follow it, but just with the intention of helping someone.
- Kids don’t behave: When your kids behave badly, it’s the same problem — they aren’t acting according to your ideal. But of course they’re not! No kid behaves ideally, just as no adult behaves ideally. Do you behave ideally? I certainly don’t. I’m rude when I’m in a bad mood or tired. I’m not proud of that, but I struggle to be considerate or cheerful sometimes. Everyone does. Your kids are struggling, and you can be compassionate and help them. Kindly.
- Your body: You aren’t happy with your body, because it’s not perfect. It doesn’t meet your ideal, your expectation, and so you dislike it. That’s not good, because this self-discontent means that you’re less likely to do healthy things. Often we think that dissatisfaction with ourselves motivates us to change, but in my experience this discontent means that you don’t really trust yourself to stick to changes and so you make excuses when things get hard, and quit. I’ve done that a lot. When I am content with myself, I trust myself more, and I stick to things more. So let go of expectations that your body will be perfect, and just see your body as it is, for the beautiful thing it is, independent of society’s ideals of perfection. You’re great!
- Each moment: As we enter each new moment, we expect things from it. We want it to be fun, amazing, productive, according to plan. And of course each moment has its own plan, and will be its own thing. So we are not happy with it. Instead, we can drop the expectations and just see the moment as it is. Just experience it, noticing, appreciating, being grateful. This is mastery.
This is just the start. We can learn that plans, goals, ideals … these are all fantasies of what we’d like life to be like, and they’re not real. We can learn to let go of the fantasies that inevitably occur, and just experience life as it is, as it happens.
This is the Art of Living.
How to Master the Art
Mastering the Art of Living is not as easy as you’d expect, as you’d fantasize. It takes practice. It means learning to be mindful of when you have these ideals, expectations, fantasies. It means learning to see the frustrations, anger, sadness, loneliness, irritations as signals of the expectations you have and didn’t notice.
It means practicing that, and then practicing letting them go.
That means a lot of practice, and a lot of remembering to practice.
But that’s the fun of it. You drop the expectation that you’ll be perfect at this practice, and just try it. You learn from the trying. You get better. You learn some more. And each moment, along the way, is a miracle to be appreciated and enjoyed, so the process of mastery is a succession of miracle moments.
That’s a beautiful thing.
Posted with :


Queen seen riding horse in Windsor Castle at 93 the day after tears for war dead
The Queen rode through the grounds of Windsor Castle on Remembrance Day, with her head groom Terry Pendry accompanying her.
The monarch, 93, was pictured riding her black horse through the serene autumnal grounds of Windsor Castle.
She trotted through the fallen leaves alongside her head groom Terry Pendry - and appeared to be in a sombre mood.
The head of state wiped away a tear during the two minute silence for the war dead at 11am on Sunday.

The Queen is known to be a passionate equestrian and has won 534 of the 3,205 races her horses have taken part in.
She joined senior royals and politicians to honour the war dead on Remembrance Sunday.
Prime Minister Boris Johnson and Labour's Jeremy Corbyn attended the service at the Cenotaph memorial on Whitehall in London, as well as Kate Middleton and Meghan Markle .
Thousands joined cabinet ministers, religious leaders and representatives of Commonwealth nations, as well as hundreds of armed forces personnel to pay their respects.
Crowds began gathering at the memorial at 8am, many people who turn up year after year.
A uniformed Prince of Wales was the first to place a wreath of poppies at the foot of the memorial on behalf of the Queen.
The Queen watched from a nearby balcony and appeared to be wiping away a tear during the poignant service.
An equerry laid a wreath on behalf of the Duke of Edinburgh who was not present at the ceremony for the second year in a row after having retired from royal duties in 2017.
The Duke of Cambridge and the Duke of Sussex followed their father in laying wreaths.
Meanwhile the Duchesses of Cambridge and Sussex watched the ceremony from balconies.


About Me
My name is Martin Pelayo. I am from the small town of Placerville California. Career wise, I come
from mostly costomer service oriented proffesions. But am looking to make some changes to my career.
I am on track to becoming a programmer. I am currently a student at CodeFellows in Portlan OR, where I am sharpening my skills
with HTML, CSS and JavaScript.
Education
- Some college experience at Folsom Lake College
- Student at CodeFellows
Experience
- Food service at Jack in a Box
- Serving and Food Prep at Eskaton
- Maintenance and Janitorial work at Church of the FootHills
- HouseKeeping, Cashiering, Food Prep, Stock Clerk, and more at Asante
- Cashiering, Food Prep, Courtesy and general manegement training at SafeWay
- Telling at Rogue Credit Union
Goals
- Graduating CodeFellows
- Becoming a programmer
- Managing my a team of programmers
Top ten Places I would like to visit
- Spain
- Germany
- Geneva
- China
- Puerto Rico
- Scotland
- Mexico
- Japan
- Israel
- Texas


Sponsors
Techno Wolves Team 5518 would like to thank our gracious sponsors. Without your monetary support and donations of time and materials, our team would be unable to operate and compete.
Your support is invaluable to the students and provides the opportunity for our team to explore the realms of science and technology.


{% extends "base.html" %} {% block title %}PyCarolinas 2020 - Contact{% endblock %} {% block content %} Contact General Correspondance Follow us on Twitter at @PyCarolinas. Join our Slack room using this invitation link. Sign up for our newsletter here. Code of Conduct {% include "coc-snippet.html" %} {% endblock %}


Author: Stace Maples Stanford Geospatial Center
#### URBANST 150: From Gold Rush to Google Bus: History of San Francisco
Each student was responsible for researching a location, writing the text and assembling the materials, writing the Markdown Code, etc to support a series of online map narratives about San Francisco


CHAPTER 28
ATTORNEY GENERAL
Part I. Department, Generally
Section
28-1 Appears for State
28-2 Prosecutes offenders, enforces bonds
28-2.5 Investigations
28-3 Gives opinions
28-4 Advises public officers
28-5 Aids poor
28-5.1 Repealed
28-5.2 Protection of charitable assets; attorney general's
authority
28-6 No fee; not to act as attorney
28-7 Accounts
28-7.5 Administrative services manager; appointment and
duties
28-8 First deputy attorney general; other deputies
28-8.3 Employment of attorneys
28-8.5 Special assistant to the attorney general;
appointment and duties; secretary
28-9 Additional deputies for acquisition of rights-of-way
28-10 Prohibition on private practice of law by the
attorney general, first deputy, and other deputies
28-10.5 Criminal and juvenile justice resource coordination;
administrator and staff
28-10.6 Crime research, prevention, and education;
administrator and staff
28-10.7 Repealed
28-10.8 Rules
28-11 Investigators; appointment and powers
28-11.5 Repealed
28-12 Seal of department
28-13 Antitrust trust fund
28-14 Repealed
28-15 Tobacco enforcement special fund
28-16 Litigation deposits trust fund
Part II. Sheriff--Repealed
28-21 to 28 Repealed
Part III. Civil Identification--Repealed
28-31 to 49 Repealed
Part IV. Crime Statistics--Repealed
28-51 to 56 Repealed
Part V. Organized Crime Unit
28-71 Organized crime unit
Part VI. Medicaid Fraud Unit
28-91 Medicaid fraud unit
28-91.5 Medicaid investigations recovery fund;
established
28-94 Dependent elder abuse; suits by the State; civil
penalties
Part VII. Witness Security
28-101 Witness security and protection
28-111 Victim-witness assistance program
Part VIII. Missing Child Center-Hawaii
28-121 Missing child center-Hawaii; programs
28-122 to 124 Repealed
Part IX. Drug Nuisance Abatement Unit
28-131 Drug nuisance abatement unit
Part X. Surveillance Review Unit
28-141 Surveillance review unit
Part XI. Law Enforcement Officer Independent Review
Board
28-151 Definitions
28-152 Law enforcement officer independent review board;
established
28-153 Review of incidents of officer-involved death
Note
Attorney general; report to 2018-2020 legislature on extent to which L 2017, c 136 has been utilized. L 2017, c 136, §4.
Cross References
Forensic identification, see chapter 844D.


The resource you requested is temporarilly unavailable due to server overload, maintenance, or other downtime.


Tiled example map loader:
Village
Desert
Sewers
Isometric
Orthogonal
Perspective
Hexagonal
RPG Island
Magic Land Dizzy
jb-32 desert
gameart2d desert
gameboy space
Island (rotated & animated tiles)
desert (Infinite map)
Space Base 1-B
(Use arrow keys or mouse wheel to scroll to the selected map)


--- layout: default title: Contact Me permalink: /contact/ date: 2017-03-26 ---
58 Forest Road
Windsor, SL4 4HU
thomas@tkglaser.net


Kingswinford's Jess Silk, Don't Tell Me What To Sing About - EP review
Recently, this writer put out a plea on Twitter asking where all the protest bands were hiding in the modern musical sphere.
by Leigh SandersIt was more out of desperation than anything else given our current social, political and cultural climate.
And waving back kindly was recent The Star Unsigned column act Jess Silk, from Kingswinford - who told us her new EP was ready to be heard.
More coverage:
And it was just as we asked for. Recorded in a live session, much like her A Good Pair Of Boots Live EP released earlier this year, it's Jess taking a swipe at the world around her and trying to give a platform to the type of music often ignored by the paying masses.
As her spoken introduction to the title song says: "This is a protest song about people protesting about me writing protest songs."
And the lyrics lament: "And they say, 'it's best for everyone if you stop writing protest songs'/'cause there is not one thing you'll ever change."
But Silk kindly sticks two fingers up to that through the channel of her trusty acoustic guitar. It's intimate, it's softly powerful and it aims to speak to as many people as possible.
There is a gravelly, throaty quality to Silk's vocal delivery. When she starts to semi-growl the passion seeps through her music.
Is This Poetry? continues the theme as Silk asks all around her what happened to the great lyricists of yesteryear amid the flurry of quickly fizzling out talent show winners. Its pace is frantic as Silk works herself into a frenzy lamenting the music scene she is faced with in the 21st Century.
Stranger On The Tube tells a tale of an awkward situation where a stranger begins to preach hate on public transport and her disapproval of such ideologies is laid bare.
This honest account of the modern world was recorded live at HMV Merry Hill in a Live & local session in association with online Birmingham-based music show RawSound.tv and was produced by Adam Husk.
Listen in and find your new favourite political spokesperson for the forthcoming election.
Rating: 7/10
Jess Silk will be supporting Skalinskis at The Rigger Venue in Newport under Lyme, Staffordshire, on December 29. The new EP is available via her Bandcamp page .


|
SystemC
2.3.3
Accellera SystemC proof-of-concept library
|
#include <sysc/communication/sc_signal_ifs.h>
Public Member Functions | |
| virtual const sc_event & | value_changed_event () const =0 |
| virtual const sc_event & | posedge_event () const =0 |
| virtual const sc_event & | negedge_event () const =0 |
| virtual const bool & | read () const =0 |
| virtual const bool & | get_data_ref () const =0 |
| virtual bool | event () const =0 |
| virtual bool | posedge () const =0 |
| virtual bool | negedge () const =0 |
| Public Member Functions inherited from sc_core::sc_interface | |
| virtual void | register_port (sc_port_base &port_, const char *if_typename_) |
| virtual const sc_event & | default_event () const |
| virtual | ~sc_interface () |
Protected Member Functions | |
| sc_signal_in_if () | |
| Protected Member Functions inherited from sc_core::sc_interface | |
| sc_interface () | |
Friends | |
| class | sc_reset |
Definition at line 98 of file sc_signal_ifs.h.
|
inlineprotected |
Definition at line 134 of file sc_signal_ifs.h.
|
pure virtual |
Implemented in sc_core::sc_signal_t< bool, POL >.
|
pure virtual |
Implemented in sc_core::sc_signal_t< bool, POL >.
|
pure virtual |
Implemented in sc_core::sc_signal< bool, POL >.
|
pure virtual |
Implemented in sc_core::sc_signal< bool, POL >.
|
pure virtual |
Implemented in sc_core::sc_signal< bool, POL >.
|
pure virtual |
Implemented in sc_core::sc_signal< bool, POL >.
|
pure virtual |
Implemented in sc_core::sc_signal_t< bool, POL >.
|
pure virtual |
Implemented in sc_core::sc_signal_t< bool, POL >.
|
friend |
Definition at line 101 of file sc_signal_ifs.h.


Jennifer Aniston’s Dinner Night Makes Us Miss The FRIENDS’ Thanksgiving!
The actress arrived outside a restaurant and made a quick bee-line to her two lady friends.
by IANSActress Jennifer Aniston lit up with joy when she met a couple of her friends for a ladies night dinner in West Hollywood.
The ladies night on Thursday came just hours after Aniston met up with celebrity hairstylist Chris McMillan, who’s best known to many “Friends” fans as the man who created the iconic — The Rachel — hairdo, reports dailymail.co.uk.
The actress arrived outside a restaurant and made a quick bee-line to her two lady friends.
She practically jumped with joy when she hugged them.
Jennifer Aniston dressed up in blue jeans with a black sweater and blue-heeled boots.
She rounded out her ensemble with her freshly styled hair worn long, straight and a part in the middle.
Meanwhile, there are reports that FRIENDS reunion special might happen soon. This reunion will have our favourite stars – Courteney Cox, David Schwimmer, Matthew Perry, Matt LeBlanc and Lisa Kudrow along with Jen coming together.


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