English (fluent), Hindi (native), and French (beginner)
Work Experience
2018-NOW
Analog and Mixed Signal Design Engineer, Synopsys Inc.
Youngest Analog Design Engineer in highly experienced High-Speed SerDes Design Group, Synopsys.
Development goal aims at achieving minimum power/Gbps form factor, and to build high performance, and high yield wireline transceivers.
112Gb/s SerDes for 400GBASE/800GBASE Ethernet
Worked on NRZ and PAM-4, 5-tap FFE, 1.2V DAC based Transmitter on 7nm FinFET. Developed power and area efficient design robust for Jitter, SNDR, ENOB, and Output Swing across PVT, and Mismatch variations.
Currently working on 20-28GHz, and 25-32GHz Locking Range, power efficient Injection-Locked divide-by-2 Frequency Divider for Quadrature Clock Generation.
10-1.6Gb/s Multi Protocol Receiver
Designed 1-Tap Speculative, 5 Tap DFE, Samplers, Offset-Correction Loop, Current Steering DAC, Clock Tree, High Speed TSPC Flops, and Deserializer for 1.6-10Gb/s Multi-Protocol RX on TSMC 40nm.
Designed a highly sensitive, energy efficient 5GHz Dynamic Comparator for low kickback, and random noise.
Designed a low offset Common-Mode Feedback Loop, for precise Common Mode matching between input and reference branches of samplers. Extensive analysis done for high stability margins, good PSRR, and rms-noise of the loop.
Designed high precision 256-bit thermometric control Current Steering DAC for less than 1-LSB INL, with programmable range(1x-4x).
Devised a Skew Calibration scheme for precise on-chip clock-data alignment. Designed Clock Tree for low DJ, RJ, and Phase Mismatch.
Developed a programmable Deserializer solution compliant with all the targeted communication protocols.
12-0.25Gb/s Loopback Test, HDMI2.1 Transmitter
Designed and developed a configurable 0.25-12Gb/s Delay-Locked-Loop based Horizontal-Eye Built-In-Self-Test for HDMI2.1 Transmitter production testing, on TSMC-28nm.
General Responsibilities
Participating, and critiquing in periodic design reviews. Reporting, and working closely with CAD teams in solving Custom Compiler, HSPICE, and FineSim bugs. Conducting regular update meetings and design reviews with customers.
2017
Research Intern at Polystim Neurotechnologies Lab, Polytechnique Montreal
Designed a sub-picowatt 2T bandgap-reference, and a high precision Brokaw's Bandgap Reference in SCL's 180nm technology.
Designed a 1V, 600MHz UGB, 60dB, two stage, miller compensated op-amp in UMC 65nm technology.
2015
Intern, Texas Instruments University Program, Centre for Electronic Design and Technology
Developed a remotely controllable Smart Irrigation System by linking Beaglebone Black Micro-controller with Whatsapp. Built sensors for soil temperature, and moisture sensing, facilitating the irrigation decisions.
Education
2014-2018
Delhi Technological University(formerly Delhi College of Engineering)
Percentage:81.54% (top 5% in graduating batch), First Class with Distinction in Electronics and Communication Engineering.
Equivalent to 4.0 GPA in USA grading system.
Advisor:Prof. Rajeshwari Pandey
Ultra-Low Power Gm-C OTA for Sub-Hertz applications using Weak Inversion and Dynamic Thresholding.
Studied the analog properties of a DTMOS transistor in sub-threshold region, and implemented the findings for low power analog design.
Designed Chopper Stabilized OTA for low-frequency biomedical applications achieving nominally 25% power reduction against regular CMOS design, with lower input pair mismatch and flicker noise power.
OTRA based Voltage-Transfer Curve Generation for High Frequency applications
Studied the benefits of current mode analog signal processing, and developed OTRA based high frequency signal generators and rectifiers.
An FPGA Based Floating Point Gauss-Seidel Iterative Solver.
Studied various mathematical iterative solvers, and designed a new, area-efficient, improved latency Gauss-Jacobi hybrid solver exhibiting 1.5x speed-up in comparison to Jacobi implementation on Virtex 7 FPGA.
2014
All India Senior School Certificate Examination(AISSCE), CBSE
Aggregate: 96.6%
All India Rank: 955 (Top 0.1% in the Country)
Majored in Physics, Mathematics, Chemistry, English, and Instrumental Music
Awarded:INSPIRE Scholarship for Higher Education.
Awarded:Gold Medal for Academic Excellence(Class of 300)
Awarded:Certificate of Merit for Instrumental Music (The Sitar), by CBSE. Awarded to only 27 Candidate in India in 2014.
Silver Medal in SOF International Mathematics Olympiad 2013.
Notable Positions and Awards
2017
Shastri Research Student Fellowship, Awarded by Shastri Indo-Canadian Institute, Ministry of Human Resource and Develpoment, Govt. of India.
Selected among India's 12 most promising undergraduates for India's research exchange program with Canada.
2017-18
Captain, DTU Boys Badminton.
Silver Medal at Aahvaan 2018, national level intercollegiate sports meet.
Gold Medal at Arena 2017 and 2016, an inter-departmental sports fest at DTU.
Silver Medal at Udhgosh 2016, IIT Kanpur, national level intercollegiate sports meet.
2016
Successfully completed a one week GIAN(Global Initiative of Academic Networks) workshop in Circuits, Microsystems and Packaging Techniques Intended for Autonomous Brain-Machine Interfaces
2014
Excellence Award
Honoured by Smt. Smriti Zubin Irani, Minister of Human Resource and Develpoment, Govt. of India for being in top 0.1% students in the country in All India CBSE Examinations.
2014
Certificate of Merit by Central Board of Secondary Education in India, for Instrumental Music(The Sitar).
Awarded to only 27 candidates in India, for exhibiting superior knowledge in Instrumental Music.
2014
INSPIRE Scholarship for Higher Education
2013
Silver Medal at SOF International Mathematics Olympiad.
2012
Merit Scholarship by CBSE, for scoring 10CGPA in AISSE.
Teaching Assistant
2018
CMOS Integrated Circuits: Lab
Gave tutorials to the class for performing simulations in Cadence Virtuoso environment.
Gave a couple of lectures on the design and simulation(using ADE-L) of two-stage miller compensated op-amp for various parameters.
Other Interests
Sports: Badminton, Chess, and Football.
Hobbies: Guitar, Poetry, Travelling, and Philosophy.


#include <sstream>
#include <stdexcept>
#include "Debug.h"
#include "runtime/HalideRuntime.h"
Go to the source code of this file.
|
| | Halide |
| | This file defines the class FunctionDAG, which is our representation of a Halide pipeline, and contains methods to using Halide's bounds tools to query properties of it.
|
| |
| | Halide::Internal |
| |
|
| #define | _halide_internal_assertion(condition, flags) |
| | _halide_internal_assertion is used to implement our assertion macros in such a way that the messages output for the assertion are only evaluated if the assertion's value is false. More...
|
| |
| #define | internal_error Halide::Internal::ErrorReport(__FILE__, __LINE__, nullptr, 0) |
| |
| #define | user_error Halide::Internal::ErrorReport(__FILE__, __LINE__, nullptr, Halide::Internal::ErrorReport::User) |
| |
| #define | user_warning Halide::Internal::ErrorReport(__FILE__, __LINE__, nullptr, Halide::Internal::ErrorReport::User | Halide::Internal::ErrorReport::Warning) |
| |
| #define | halide_runtime_error Halide::Internal::ErrorReport(__FILE__, __LINE__, nullptr, Halide::Internal::ErrorReport::User | Halide::Internal::ErrorReport::Runtime) |
| |
| #define | internal_assert(c) _halide_internal_assertion(c, 0) |
| |
| #define | user_assert(c) _halide_internal_assertion(c, Halide::Internal::ErrorReport::User) |
| |
| #define | _halide_user_assert(c) _halide_internal_assertion(c, Halide::Internal::ErrorReport::User) |
| |
◆ _halide_internal_assertion
| #define _halide_internal_assertion |
( |
|
condition, |
|
|
|
flags |
|
) |
| |
Value: \
HALIDE_ALWAYS_INLINE ErrorReport & ref()
_halide_internal_assertion is used to implement our assertion macros in such a way that the messages output for the assertion are only evaluated if the assertion's value is false.
Note that this macro intentionally has no parens internally; in actual use, the implicit grouping will end up being
condition ? (void) : (Voidifier() & (ErrorReport << arg1 << arg2 ... << argN))
This (regrettably) requires a macro to work, but has the highly desirable effect that all assertion parameters are totally skipped (not ever evaluated) when the assertion is true.
Definition at line 130 of file Error.h.
◆ internal_error
◆ user_error
◆ user_warning
◆ halide_runtime_error
◆ internal_assert
◆ user_assert
◆ _halide_user_assert


martian
`Prev `__
M
`Next `__
--------------
**martian**: n.
A packet sent on a TCP/IP network with a source address of the test
loopback interface [<IP_ADDRESS>]. This means that it will come back
labeled with a source address that is clearly not of this earth. “The
domain server is getting lots of packets from Mars. Does that gateway
have a martian filter?” Compare `*Christmas tree
packet* <../C/Christmas-tree-packet.html>`__,
`*Godzillagram* <../G/Godzillagram.html>`__.
--------------
+-------------------------+----------------------------+----------------------------+
| `Prev `__ | `Up <../M.html>`__ | `Next `__ |
+-------------------------+----------------------------+----------------------------+
| Mars | `Home <../index.html>`__ | massage |
+-------------------------+----------------------------+----------------------------+


Topophilia is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain peoples and a love of certain aspects of such a place.
Happy May Day! Make like these flowers and hop over authority's fences. And/or give someone flowers. It might not better society, but it'll at least brighten that person's day.
Of course, I really want to travel and live in new places, like soon, but there's something special about a city that still excites and surprises after a number of years. I walk under or past this bridge pretty much every day, and I still love the way it looks--especially in the sun.
I got a lot done today staring-at-my-computer-wise, but I didn't get out to take a photo. Here are some ferry feels from the weekend though!
Whether going to the islands is running away from real life or refueling for it is yet to be decided, but either way it's enjoyable.
On the first Wednesday of every month, the Sorrento Hotel (the building on the left) hosts a Silent Reading Party. I've been meaning to go for years, but I've always been in class, at work, too busy, too forgetful, or too late (it fills up fast!). Maybe May will make for my first time sitting down with a group of strangers, a glass of wine, and a good book.
P.S. Currently reading The Geography of Bliss because who isn't looking for some of that?
Glass, metal, cloth. I don't have a camera with me today, but I like these 3 better together. Let's count this as its own thing.
Dreaming of floating on a cotton candy sea.
P.S. Check out my round up of other awesome projects on Brit + Co: "See What These 26 Creatives Are Making for #The100DayProject"
Today truly feels like spring, and I'm grateful for the plants popping up pretty much everywhere, even where they don't seem to belong.
I'm short on film (it's expensive!) because this is what taking a photo per day really looks like. I usually have upwards of seven shots before there's one I'm even mildly happy with. The hardest part of this is that I can't just keep tapping them out like on my iPhone. I'm focusing more on what's in the frame, the exposure, and how I think the film will react. But, of course, I'm still constantly ending up with photos much different than I expected.
I was fully prepared for rain all day (read: wore a beanie instead of washing my hair) in Portland, but then it turned into a bright, warm, art-, beer-, and donut-filled day!
Today I learned about the history of the hashtag. Twitter didn't invent it! Some guy started using it there, it caught on, and then Twitter was like, "Sure, okay, cool." AND NOW THEY'RE EVERYWHERE.
Bonus. Because I can't stop staring at this dreamy, inky landscape. It's looks like it belongs in outer space or deep underground.
Time for a little abstraction. When I prepared my usual tea and oatmeal this morning, I boiled some extra water to make these emulsion lifts. An emulsion lift is the removal and transfer of the emulsion layer of Polaroid film. It disconnects from the rigid square sheet and becomes a sort of jelly, flowing image that can stick to other things. These came from some old developed but unexposed film that otherwise would've been wasted.
Call me selfish, but for the past several months I've been focusing a lot on giving to myself. Whether that's going to bed early instead of staying out with friends or taking a day off work for a treat-yourself day trip, I'm giving in to what I want and learning why I do. I feel clearer in who I am and what I can have. It's easier to find the time and energy for the big things when you gift yourself the little things instead of stressing about them all.
Though it has been a couple of months since I moved into a new house, a lot of it stills feels mysterious to me. There are nooks, like this damp passageway, I've yet to explore and creaks that still creep me out when heard home alone at night. It's an ongoing process turning a house into a home, one that means accepting the structure's character before trying to meld it with your own.


Quiz Creation
Answers Insertion
View Marks
Quiz Id
Quiz Topic
Question
Option
Option
Option
Option
Another Question
Quiz Creation Finished


A key feature of the LIFT xml format is that it has a schema, which is a strict set of rules which a computer can understand and verify. This really helps make the same LIFT dictionaries usable across a growing number of tools. This tool checks your LIFT files against this schema, and does some additional checks.
None.


Dicing and Dungeoneering
Dicing and Dungeoneering is a Dungeons and Dragons related company that specializes in tutorials about and regarding each of the different classes for D&D 5th edition. With our high-quality video content and articles from highly experienced players, Dicing and Dungeoneering can help you play your favourite class to the best of your ability.
As well as helping players excel at their class, Dicing and Dungeoneering also offers a weekly game open for everyone, located at a public venue. You can find more information about this weekly game on our website here.
Our target demographics range from 14-31, but Dungeons and Dragons has always been a game for people of all ages, sexes, nationalities, and ethnicities, and will continue to do so. This range is just the age of persons we expect to engage with our content.


!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
Provides support for the
artifactURL protocol
The
artifactURL protocol provides a way to resolve an artifact, and its (transitive) dependencies.
The Handler class defines a stream handler for artifact
URLs. You can specify that
this class be used for artifact
URLs by using the following code:
URL.setURLStreamHandlerFactory(new ArtifactURLStreamHandlerFactory());
or must be set via a JVM property such as:
-Djava.protocol.handler.pkgs=org.rioproject.url


--- title: Core keywords: fastai sidebar: home_sidebar summary: "API details." ---
assert foo() == 'bar'
Nothing interesting here yet. I still don't have a reasonable grasp of the documentation. A lot of the documentation out there is out of sync with the notebooks. We'll see.


--- layout: post title: "On Constructor Over-injection" description: "Constructor Over-injection is a code smell, not an anti-pattern." date: 2018-08-27 7:11 UTC tags: [Dependency Injection] --- {% include JB/setup %}
{{ page.description }}
Sometimes, people struggle with how to deal with the Constructor Over-injection code smell. Often, you can address it by refactoring to Facade Services. This is possible when constructor arguments fall in two or more natural clusters. Sometimes, however, that isn't possible.
Before we get to the heart of this post, I want to get something out of the way. Sometimes constructors have too many arguments because they request various services that represent cross-cutting concerns:
public Foo( IBar bar, IBaz baz, IQux qux, IAuthorizationManager authorizationManager, ILog log, ICache cache, ICircuitBreaker breaker)
This Foo
class has seven dependencies passed via the constructor. Three of those (bar
, baz
, and qux
) are regular dependencies. The other four are various incarnations of cross-cutting concerns: logging, caching, authorization, stability. As I describe in my book, cross-cutting concerns are better addressed with Decorators or the Chain of Responsibility pattern. Thus, such a Foo
constructor ought really to take just three arguments:
public Foo( IBar bar, IBaz baz, IQux qux)
Making cross-cutting concerns 'disappear' like that could decrease the number of constructor arguments to an acceptable level, thereby effectively dealing with the Constructor Over-injection smell. Sometimes, however, that's not the issue.
Occasionally, a class has many dependencies, and the dependencies form no natural clusters:
public Ploeh( IBar bar, IBaz baz, IQux qux, IQuux quux, IQuuz quuz, ICorge corge, IGrault grault, IGarply garply, IWaldo waldo, IFred fred, IPlugh plugh, IXyzzy xyzzy, IThud thud) { Bar = bar; Baz = baz; Qux = qux; Quux = quux; Quuz = quuz; Corge = corge; Grault = grault; Garply = garply; Waldo = waldo; Fred = fred; Plugh = plugh; Xyzzy = xyzzy; Thud = thud; }
This seems to be an obvious case of the Constructor Over-injection code smell. If you can't refactor to Facade Services, then what other options do you have?
Some people, when they run into this type of situation, attempt to resolve it by introducing a Parameter Object. In its simplest form, the Parameter Object is just a collection of properties that client code can access. In other cases, the Parameter Object is a Facade over a DI Container. Sometimes, the Parameter Object is defined as an interface with read-only properties.
One way to use such a Parameter Object could be like this:
public Ploeh(DependencyCatalog catalog) { Bar = catalog.Bar; Baz = catalog.Baz; Qux = catalog.Qux; Quux = catalog.Quux; Quuz = catalog.Quuz; Corge = catalog.Corge; Grault = catalog.Grault; Garply = catalog.Garply; Waldo = catalog.Waldo; Fred = catalog.Fred; Plugh = catalog.Plugh; Xyzzy = catalog.Xyzzy; Thud = catalog.Thud; }
Alternatively, some people just store a reference to the Parameter Object and then access the read-only properties on an as-needed basis.
None of those alternatives are likely to help. One problem is that such a DependencyCatalog
will be likely to violate the Interface Segregation Principle, unless you take great care to make a 'dependency catalogue' per class. For instance, you'd be tempted to add Wibble
, Wobble
, and Wubble
properties to the above DependencyCatalog
class, because some other Fnaah
class needs those dependencies in addition to Bar
, Fred
, and Waldo
.
Fundamentally, Constructor Over-injection is a code smell. This means that it's an indication that something is not right; that there's an area of code that bears investigation. Code smells aren't problems in themselves, but rather symptoms.
Constructor Over-injection tends to be a symptom that a class is doing too much: that it's violating the Single Responsibility Principle. Reducing thirteen constructor arguments to a single Parameter Object doesn't address the underlying problem. It only applies deodorant to the smell.
Address, if you can, the underlying problem, and the symptom is likely to disappear as well.
This is only guidance. There could be cases where it's genuinely valid to have dozens of dependencies. I'm being deliberately vague, because I don't wish to go into an elaborate example. Usually, there's more than one way to solve a particular problem, and occasionally, it's possible that collecting many services in a single class would be appropriate. (This sounds like a case for the Composite design pattern, but let's assume that there could be cases where that's not possible.)
This is similar to using cyclomatic complexity as a guide. Every now and then, a big, flat switch statement is just the best and most maintainable solution to a problem, even when it has a cyclomatic complexity of 37...
Likewise, there could be cases where it's genuinely not a problem with dozens of constructor arguments.
Constructor Over-injection is a code smell, not an anti-pattern. It's a good idea to be aware of the smell, and address it when you discover it. You should, however, deal with the problem instead of applying deodorant to the smell. The underlying problem is usually that the class with the many dependencies has too many responsibilities. Address that problem, and the smell is likely to evaporate as well.


| Package | com.splunk.services |
| Class | public class SplunkService |
| Inheritance | SplunkService flash.events.EventDispatcher |
| Property | Defined by | ||
|---|---|---|---|
| basePath : String [read-only]
The base URI path to prepend to relative URIs.
| SplunkService | ||
| hostPath : String [read-only]
The complete host URI (excluding path) of the Splunk server with
which to connect.
| SplunkService | ||
| isConnected : Boolean [read-only]
Indicates whether this SplunkService object is currently connected.
| SplunkService | ||
| sessionKey : String [read-only]
The session identifier for a currently connected SplunkService
object.
| SplunkService |
| Method | Defined by | ||
|---|---|---|---|
|
SplunkService(hostPath:String = "http://localhost:8000", basePath:String = "/splunkd/services")
Creates a new SplunkService object.
| SplunkService | ||
|
authenticate(username:String, password:String):void
Authenticates with the Splunk server specified in the hostPath
property, using login credentials.
| SplunkService | ||
|
close():void
Closes the service connection.
| SplunkService | ||
|
loadSession(sessionKey:String, validate:Boolean = true):void
Connects to an existing authenticated session.
| SplunkService |
| Event | Summary | Defined by | ||
|---|---|---|---|---|
| Dispatched when the service connection is closed. | SplunkService | |||
| Dispatched when a service connection has been established. | SplunkService | |||
| Dispatched if an error occurs that terminates the service connection. | SplunkService |
| basePath | property |
basePath:String
[read-only]The base URI path to prepend to relative URIs. This value corresponds to the value of the basePath parameter specified in the constructor.
Implementation public function get basePath():String
| hostPath | property |
hostPath:String
[read-only]The complete host URI (excluding path) of the Splunk server with which to connect. This value corresponds to the value of the hostPath parameter specified in the constructor.
Implementation public function get hostPath():String
| isConnected | property |
isConnected:Boolean
[read-only]Indicates whether this SplunkService object is currently connected.
Implementation public function get isConnected():Boolean
| sessionKey | property |
sessionKey:String
[read-only]The session identifier for a currently connected SplunkService object.
Implementation public function get sessionKey():String
| SplunkService | () | constructor |
public function SplunkService(hostPath:String = "http://localhost:8000", basePath:String = "/splunkd/services")
Creates a new SplunkService object.
ParametershostPath:String (default = "http://localhost:8000 ") — The complete host URI (excluding path) of the Splunk
server with which to connect.
|
|
basePath:String (default = "/splunkd/services ") — The base URI path to prepend to relative URIs.
|
| authenticate | () | method |
public function authenticate(username:String, password:String):void
Authenticates with the Splunk server specified in the hostPath property, using login credentials. If a service is already connected, the connection is closed.
Parametersusername:String — The username of a Splunk user.
|
|
password:String — The password associated with the username.
|
— The value of the username or password parameter is
null.
|
| close | () | method |
public function close():void
Closes the service connection.
| loadSession | () | method |
public function loadSession(sessionKey:String, validate:Boolean = true):void
Connects to an existing authenticated session. This method is used if there is a managing service that has already obtained a session key. If a service is already connected, the connection is closed.
ParameterssessionKey:String — The authentication token to use.
|
|
validate:Boolean (default = true ) — Whether to validate the sessionKey by sending a
request to the server.
|
| close | event |
com.splunk.services.events.ServiceEvent
com.splunk.services.events.ServiceEvent.CLOSE
Dispatched when the service connection is closed.
Defines the value of the type
property of a
close
event object.
This event has the following properties:
| Property | Value |
|---|---|
bubbles | false |
cancelable | false ; there is no default behavior to cancel. |
currentTarget | The object that is actively processing the Event object with an event listener. |
target | The object whose connection has been closed. |
See also
| connect | event |
com.splunk.services.events.ServiceEvent
com.splunk.services.events.ServiceEvent.CONNECT
Dispatched when a service connection has been established.
Defines the value of the type
property of a
connect
event object.
This event has the following properties:
| Property | Value |
|---|---|
bubbles | false |
cancelable | false ; there is no default behavior to cancel. |
currentTarget | The object that is actively processing the Event object with an event listener. |
target | The object that has established a connection. |
See also
| error | event |
com.splunk.services.events.ServiceErrorEvent
com.splunk.services.events.ServiceErrorEvent.ERROR
Dispatched if an error occurs that terminates the service connection.
Defines the value of the type
property of an
error
event object.
This event has the following properties:
| Property | Value |
|---|---|
bubbles | false |
cancelable | false ; there is no default behavior to cancel. |
currentTarget | The object that is actively processing the Event object with an event listener. |
target | The object experiencing an error. |
text | Text to be displayed as an error message. |
errorType | The specific type of error that occurred. |
See also


SENSE AND SENSIBILITY A film review by Steve Rhodes Copyright 1995 Steve Rhodes
RATING (0 TO ****): ***
SENSE AND SENSIBILITY is the latest Jane Austin movie to come to the big screen. Taking her first crack with a movie script, Emma Thompson adapted the novel for the cinema. For the director, we have the wonderful and imaginative Ang Lee from EAT DRINK MAN WOMAN among other highly acclaimed movies. To compliment these, almost all of the roles are well cast. The result for me was an excellent movie, but one, nevertheless, that disappointed me and found me checking my watch during the slow parts. Perhaps my disappointment lay in having recently seen similar but much better film adaptations in PERSUASION by Jane Austin and FEAST OF JULY by H. E. Bates.
SENSE AND SENSIBILITY tells the story of two families joined by a common father, Henry Dashwood (Tom Wilkinson). At the start of the story, the father dies and by law and by custom he passes his huge estate onto his eldest son, John (James Fleet), but admonishes him to take care of his sister, Mrs. Dashwood (Gemma Jones). John's evil wife Fanny (Harriet Walter) soon convinces him that the Dashwoods, having no estate to take care of, can get along fine on the 500 pounds per annum from the will and need no help from them.
Mrs. Dashwood's family consists of two daughters of marrying age, Elinor (Emma Thompson) and Marianne (Kate Winslet) and one about nine (Emile Francois). The Dashwoods stay briefly at the family estate while Fanny counts the silver. During this interlude, Fanny's younger brother, Edward Ferrars (Hugh Grant), stops by for a visit. He is a modest man of minimal emotions.
Eventually, Edward falls in love with Elinor, but Marianne is not impressed, declaring, "Can love really be satisfied with such polite affections? To love is to burn." Fanny can not stand the idea of her brother falling in love with poor relatives and gets the Dashwoods out of her house and Edward off to London. The Dashwoods rent a mere "cottage" owned by their cousin, a boisterous, rich, but fairly crude gentleman (Robert Hardy).
At the cottage, they met two mysterious men, the war hero Colonel Brandon (Alan Rickman) and the handsome young John Willoughby (Greg Wise), who both fall instantly in love with Marianne. They are jealous of each other, and John claims that "Brandon is the sort of man everyone speaks well of, but nobody talks to." To further complicate matters, Lucy Steele (Imogen Stubbs) drops by to confess her love for Edward. A soap opera of the highest caliber.
Many wonderful scenes abound. The best is a sad scene of Marianne in blowing cold and gray rain while dramatic music plays. Many small scenes were wonderful too. One of my favorites was the one where Marianne and John Willoughby challenge each other in a sort of love duet to recite Shakespeare's sonnets by heart.
The best piece of acting is by Kate Winslet from HEAVENLY CREATURES. She is a stunning actress who shows more emotion that everyone else in the movie combined. I hope to see her in many more films. The brilliant Emma Thompson gives a perfectly acceptable performance, but one of the least impressive of her career. Hugh Grant plays Hugh Grant and sticks to a single awkward expression.
Emile Francois and Gemma Jones have small parts but do a lot with them. Imogen Stubbs, best in the great, but largely unknown movie A SUMMER STORY, gives a fetching performance. Alan Rickman and Greg Wise play excellent mysterious roles. Only James Fleet and Harriet Walter seem miscast. As villains, they are never believable and play their roles as too much of a caricature.
The best part of SENSE AND SENSIBILITY may be the costumes (Jenny Beavan and John Bright), especially the men's hats with the large flowing brims. Made me want to run out to my local haberdasher - too bad hats are no longer in high fashion. The sets by Luciana Arrighi are highly evocative of that era. The music by Patrick Doyle has the drama of some of the melodramas of the 30s and 40s. The cinematography by Michael Coulter does a good job of bringing out the inherit beauty of the surroundings.
Now for the problems with SENSE AND SENSIBILITY. For some reason, Ang Lee decides to hold back too much. The emotional punch of PERSUASION rarely occurs here; there just is not enough tension and passion. Lee keeps throttling his actor and actresses. Given the high energy of his other pictures, I remain nonplused why he approached this movie the way he did. The slow editing by Tim Squyres must also share some of the blame. In an otherwise enjoyable show, I found myself getting bored at times. Admittedly SENSE AND SENSIBILITY has a wonderful ending and people do leave the theater with an upbeat feeling even with all of its flaws.
SENSE AND SENSIBILITY runs a long 2:15; my seat was complaining well before the end. It is rated PG, but is totally non-offensive G fare. I think it would interest kids over about eight. Even though I was quite disappointed by the film, I did like it a lot and recommend it to you. It gets *** in my book.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: December 15, 1995
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Carloop
Back to apps
Documentation
Source code
Carloop Simple Transmit
Explanation
This app shows how to send a CAN message at a regular interval.


HBAboutListController Class Reference
| Inherits from | HBListController : PSListController |
|---|---|
| Declared in | HBAboutListController.h |
Overview
The HBAboutListController
class in CepheiPrefs
provides a list controller
with functions that would typically be used on an “about” page. It includes
two class methods you can override to provide a developer website and
donation URL, and a class method to provide an email address so the user can
send the developer an email right from the tweak’s settings.
There is a sample of an HBAboutListController implemented in the Cephei demo preferences. See the Cephei readme for details.
Example Usage
<dict>
<key>cell</key>
<string>PSLinkCell</string>
<key>cellClass</key>
<string>HBLinkTableCell</string>
<key>label</key>
<string>Visit Website</string>
<key>url</key>
<string>https://hbang.ws/</string>
</dict>
<dict>
<key>cell</key>
<string>PSGroupCell</string>
<key>label</key>
<string>Experiencing issues?</string>
</dict>
<dict>
<key>action</key>
<string>hb_sendSupportEmail</string>
<key>cell</key>
<string>PSLinkCell</string>
<key>label</key>
<string>Email Support</string>
</dict>
<dict>
<key>cell</key>
<string>PSGroupCell</string>
<key>footerText</key>
<string>If you like this tweak, please consider a donation.</string>
</dict>
<dict>
<key>cell</key>
<string>PSLinkCell</string>
<key>cellClass</key>
<string>HBLinkTableCell</string>
<key>label</key>
<string>Donate</string>
<key>url</key>
<string>https://hbang.ws/donate/</string>
</dict>
Constants
+ hb_websiteURL
The website URL to open when tapping the “visit website” cell. Override this method to return your own URL.
+ (NSURL *)hb_websiteURL
Return Value
By default, https://www.hbang.ws/.
Discussion
Deprecated. It is encouraged to use an HBLinkTableCell instead.
Declared In
HBAboutListController.h
+ hb_donateURL
The website URL to open when tapping the “donate” cell. Override this method to return your own URL.
+ (NSURL *)hb_donateURL
Return Value
By default, https://www.hbang.ws/donate/.
Discussion
Deprecated. It is encouraged to use an HBLinkTableCell instead.
Declared In
HBAboutListController.h
+ hb_supportEmailAddress
The email address to use in the support email composer form. Override this method to return an email address.
+ (nullable NSString *)hb_supportEmailAddress
Return Value
By default, nil.
Discussion
If this method returns nil, the package’s author email address is used.
Declared In
HBAboutListController.h
+ hb_supportInstructions
The instructions to provide to the TechSupport framework, in addition to the default ones provided by Cephei. For details and examples of support instructions, refer to the TechSupport project’s GitHub repo: https://github.com/ashikase/TechSupport/tree/master/Demo
+ (nullable NSArray<TSIncludeInstruction*> *)hb_supportInstructions
Return Value
By default, nil.
See Also
Declared In
HBAboutListController.h
Preference Specifier Actions
– hb_openWebsite
Opens the user’s browser to the URL specified by hb_websiteURL.
- (void)hb_openWebsite
Discussion
Deprecated. It is encouraged to use an HBLinkTableCell instead.
Declared In
HBAboutListController.h
– hb_openDonate
Opens the user’s browser to the URL specified by hb_donateURL.
- (void)hb_openDonate
Discussion
Deprecated. It is encouraged to use an HBLinkTableCell instead.
Declared In
HBAboutListController.h
– hb_sendSupportEmail
Displays a support composer form.
- (void)hb_sendSupportEmail
Discussion
The hb_supportEmailAddress and hb_supportInstructions methods are used to
provide the appropriate parameters to HBSupportController
.
See Also
Declared In
HBAboutListController.h


My core personal values are
- Doing what’s right – I believe in doing the right thing and not pushing others down to get ahead
- Straightforwardness/Efficiency – I appreciate when outcomes are achieved in the most efficient way with as little
time/process delays as possible
- Making a positive difference – I think you should try and leave the world better than when you entered it
- Living a life I enjoy – I believe that you have to make sure that what you do you enjoy and you set your future self
up to enjoy life too
- Honesty – I believe that being honest important.
My friend Zoe identified my values as adventure and curiosity
Explain a situation where you have had an ethical decision to make. Discuss how you weighed up the values involved in that decision, the decision you made and the consequences of the action you took.
At work someone mentioned about how the order of the backlog was now out of order and was not sure why and what caused it.
I wasn’t sure if it was me but I knew I had been reordering some other things which may have unintentionally caused the
backlog to become unordered. I raised my hand and said it was me who may have done it. I then reordered back to what it
had been previously.
Describe how your culture has influenced your values and identity.
I think growing up in a lower socioeconomic household has made be driven to be successful in life and ensure I don’t have to stress about money. It think it has also meant I am more risk adverse. I have a strong family backing which has meant a safety net in that sense that I haven’t felt stuck in a job or situation.
My strengths and weaknesses
Strengths
- I can communicate well by giving context to an issue and looking at a situation from the perspective of another person
- I am good at problem solving and finding trends in what is causing the issue.
- I am reliable and punctual – I have a knack for arriving exactly on time and if I say I am going to do something I will
- If I set myself a goal that I think will be difficult to meet I will throw myself 100% at it.
Weaknesses
- I am comfortable not having to interact with others which leads me to be very independent and not have to ask for help from others and become quite isolated.
- My motivation can fall into extremes where I can be super engaged in what I’m doing and spend a huge amount of time committing to achieving the goal or sometimes I can be very distracted
- I can become quite short/direct in tone when it comes to getting stuff done under pressure and I think while necessary at times its not as nice.
Identify which of your strengths might help you in your learning journey and how they might intersect with learning obstacles.
I think my problem solving skills and determination will be useful when encountering problems faced in the course. If engaged in a difficult challenge I will work as hard as I can to try and come up with a solution for it. I think I will need to push myself to not isolate myself and be comfortable being social.
Share an example from your experience of where you were trying to work productively with others, but there was resistance or tension. Discuss the strategies you used at that time, how effective they were, and your reflections on what other strategies you would try now, and why.
In a project at work it was important to keep the scope of the project really limited to ensure we would meet the timeframes set. Someone in the project kept discussing directly with the developer and putting in new requirements without consultation with myself as the Business Analyst. I discussed this with them and on reflection my frustration meant my tone was quite direct and probably unpleasant. I would try in future to better articulate why it was important to consult myself on any new requirements.
My achievements I am proud of
An achievement I am proud of is buying a van to live in for 6 months. I am proud of this because it meant taking a bit of risk of doing something a bit different to the norm and needing learn new things such as basic electrical and plumbing knowledge.
I am proud of the beacons project I helped to deliver at work. It was a project that had a long history of not going well and I helped keep the scope contained, processes simple and deliver a lot of value.


Research Associate I
Urban Institute Washington, DCResearch Associate II
Urban Institute Washington, DCPrincipal/co-principal investigator for an evaluation of Medicaid access for halfway house residents (National Institute of Justice) and a jail population analysis and preliminary risk assessment development (Bureau of Justice Assistance).
Project/data collection manager for a research project on law enforcement agency social media use and engagement (Office of Community Oriented Policing Services) and the 2014 Census of Publicly Funded Forensic Crime Laboratories (Bureau of Justice Statistics).
Lead data analyst for the development and validation of an actuarial risk assessment tool for youth who have sexually offended (National Institute of Justice) and an evaluation of aggression management treatment programs for youth in secure facilities (National Institute of Justice).


Premier Rewards
Gold Card
Earn More. You've Earned It.
Call 1-800-AXP-GOLD
- Spend $2,000 on your Card in your
first 3 months of Card membership
and earn 25,000 points
- Also, enjoy a $0 introductory annual
fee for the first year, then $175
- Earn triple points on Airfare
American Express®
Prepaid Card
Load. Spend. Repeat.
Call 1-800-528-4800
- No monthly or annual fees
- Use in stores, online and at ATMs
- Reload as often as you wish


|
|
Snack | Price in (RS) | Shop Name | Status | Quantity |
|---|---|---|---|---|---|
|
|
Tea | 10 | 2 chaha Official | Available | |
|
|
Pohe | 15 | Umiya Pohe | Not Available | |
|
|
Samosa | 12 | College Canteen | Available | |
|
|
Cold Coffee | 25 | CAFE CREME | Available |


| G_latticeParseFormula {lattice} | R Documentation |
this function is used by high level Lattice functions like
xyplot
to parse the formula argument and evaluate various
components of the data.
latticeParseFormula(model, data, dimension = 2, subset = TRUE, groups = NULL, multiple, outer, subscripts, drop)
model |
the model/formula to be parsed. This can be in either of two
possible forms, one for 2d and one for 3d formulas, determined by
the |
data |
the environment/dataset where the variables in the formula are evaluated. |
dimension |
dimension of the model, see above |
subset |
index for choosing a subset of the data frame |
groups |
the grouping variable, if present |
multiple, outer |
logicals, determining how a ‘+’ in the y and x components of
the formula are processed. See |
subscripts |
logical, whether subscripts are to be calculated |
drop |
logical or list, similar to the |
returns a list with several components, including left,
right, left.name, right.name, condition
for 2-D, and left,
right.x, right.y, left.name, right.x.name, right.y.name, condition
for 3-D. Other possible components are groups, subscr
Saikat DebRoy, Deepayan Sarkar Deepayan.Sarkar@R-project.org


Multiple items
val string : value:'T -> string
Full name: Microsoft.FSharp.Core.Operators.string
--------------------
type string = System.String
Full name: Microsoft.FSharp.Core.string
Multiple items
val int : value:'T -> int (requires member op_Explicit)
Full name: Microsoft.FSharp.Core.Operators.int
--------------------
type int = int32
Full name: Microsoft.FSharp.Core.int
--------------------
type int<'Measure> = int
Full name: Microsoft.FSharp.Core.int<_>
val set : elements:seq<'T> -> Set<'T> (requires comparison)
Full name: Microsoft.FSharp.Core.ExtraTopLevelOperators.set
val exit : exitcode:int -> 'T
Full name: Microsoft.FSharp.Core.Operators.exit
How Roslyn revitalized .NET Open Source
A programming ecosystem is only as strong and healthy, as its open source community.
The difficult stuff
- static/semantic code analysis
- C# development without Visual Studio
- building Visual Studio extensions
- emitting code dynamically
- automation with C#
Move Class to File
Roslyn based community OSS projects
Omnisharp
- Intellisense and language services
- Navigation (go to definition, go to implementation, find usages and so on)
- Code Lens ($13k feature)
- Code Issues and refactorings
- Formatting
scriptcs
- One of the most popular community C#/.NET OSS projects in recent years
- Enables rich experience around C# scripting
- contains a C# REPL
- http://scriptcs.net
Script
1:
2:
3:
4:
5:
6:
7:
8:
9:
10:
11:
12:
13:
14:
|
void PrintText(string txt)
{
Console.WriteLine(txt);
}
class Item
{
public int Quantity {get; set;}
}
var test = new Item();
test.Quantity = 100;
PrintText("I have " + test.Quantity + " items".);
|
REPL
1:
2:
3:
4:
5:
6:
7:
|
C:> scriptcs.exe
scriptcs (ctrl-c or blank to exit)
> var message = "Hello, world!";
> Console.WriteLine(message);
Hello, world!
>
|
C# based build tools / task runners
Cake sample (csx file)
1:
2:
3:
4:
5:
6:
|
Task("Run-Unit-Tests")
.IsDependentOn("Build")
.Does(() =>
{
NUnit("./src/**/bin/" + configuration + "/*.Tests.dll");
});
|
Bau sample (csx file)
1:
2:
3:
4:
5:
6:
7:
8:
9:
|
var bau = Require<Bau>();
bau.MSBuild("build").Do(msb =>
{
msb.MSBuildVersion = "net45";
msb.MSBuildArchitecture = ProcessorArchitecture.X86;
msb.Solution = solution;
msb.Targets = new[] { "Clean", "Build", };
msb.Properties = new { Configuration = "Release" };
});
|
Rocks
- A mocking library based on Roslyn
- Much easier process than using
System.Reflection.Emit
- Able to pregenerate mocks (instead of creating them during test runtime)
- https://github.com/JasonBock/Rocks
Rocks sample
1:
2:
3:
4:
5:
6:
7:
8:
9:
10:
11:
|
public interface IFoo
{
int Bar();
}
var rock = Rock.Create<IFoo>();
rock.Handle(_ => _.Bar()).Returns(5);
var mockedFoo = rock.Make();
mockedFoo.Bar().ShouldEqual(5);
rock.Verify();
|
ConfigR
- allows you to use CSX files (C# scripts) to write your project’s configuration
- configuration can be strongly typed
- configuration is no longer purely static (configuration can be an app itself)
- https://github.com/config-r/config-r
CSX config
Application
1:
2:
3:
4:
|
void Main(string[] args)
{
var count = Config.Global.Get<int>("Count");
}
|
Compilify
- A platform allowing you to execute C# code in the browser
- Any errors/diagnostics will be displayed as you type
- Each snippet can be saved and shared with others via a unique URL
- https://github.com/jrusbatch/compilify


| Version <IP_ADDRESS> |
Abstract
Grant Number: 1R01HG004885-01 Project Title: Assembly and analysis software for exploring the human microbiome
PI Information: Name Title POP, MIHAI<EMAIL_ADDRESS>ASSISTANT PROFESSOR Abstract: DESCRIPTION (provided by applicant): Bacteria are the most abundant organisms on Earth, yet little is known about most members of this domain of life. Only about 1% of bacterial species can be easily grown in culture, and considerably fewer have been sequenced. Advances in sequencing technologies have made it possible to sequence bacteria directly from the environment, providing a dramatic new outlook on the diversity of bacteria populating our world. Initial studies have explored the bacteria present in mines, ocean water, and soil, as well as communities of commensal microbes that inhabit the human body. The latter have provided a glimpse at the complex symbiotic relationships between bacteria and their human hosts. Despite an increased interest in environmental sequencing (metagenomics), few specialized computational algorithms exist for the analysis of such data. For example, the assembly of environmental data is being performed with software originally intended for homogeneous DNA sources, such as clonal bacterial populations or inbred eukaryotes. These programs are ill-suited to the assembly of heterogeneous microbial communities and numerous "hacks" have been necessary to produce the assemblies published to date. This proposal aims to fill the need for specialized software for assembling and finding genes in metagenomic datasets. A particular focus will be on developing tools for uncovering genomic variation within the assemblies of microbial communities. The proposed software will specifically address issues arising from the use of new sequencing technologies in metagenomic projects. The low cost and high throughput of these technologies will allow a far deeper exploration of the microbial biosphere than was previously possible. Their broad application, however, depends on the availability of software systems adapted to their specific characteristics. In addition, new algorithms will be developed to allow the individual components of a metagenomic analysis pipeline to be tightly integrated, with the goal of improving the overall quality of both assembly and annotation, and to facilitate the extraction of other types of information from large sets of metagenomic data. The proposal further aims to investigate the impact of experimental design and choice of sequencing technology on the ability to assemble and analyze metagenomic data, through the development of software for simulating bacterial populations and emulating a variety sequencing strategies. Better experimental design can reduce the high costs currently associated with environmental sequencing and enhance subsequent analyses. All software developed as part of this proposal, as well as any simulated data and results of reanalyzing public datasets will be released freely through public databases and open-source software repositories. PUBLIC HEALTH RELEVANCE: Project Narrative Initial explorations of the communities of bacteria that inhabit our bodies have already provided insights into the complex relationships between microbes and the human host, as well as the contribution of bacteria to diseases such as obesity, and inflammatory bowel disease. Many more studies will be needed to help us fully understand the complex human-microbe interactions and to translate these discoveries into new therapies. The current proposal provides scientists with components of the software infrastructure that will be essential for genomic studies of the human microbiome.
Public Health Relevance: Project Narrative Initial explorations of the communities of bacteria that inhabit our bodies have already provided insights into the complex relationships between microbes and the human host, as well as the contribution of bacteria to diseases such as obesity, and inflammatory bowel disease. Many more studies will be needed to help us fully understand the complex human-microbe interactions and to translate these discoveries into new therapies. The current proposal provides scientists with components of the software infrastructure that will be essential for genomic studies of the human microbiome.
Thesaurus Terms:
There are no thesaurus terms on file for this project.
Institution: UNIVERSITY OF MARYLAND COLLEGE PK CAMPUS 3112 LEE BUILDING COLLEGE PARK, MD 207425141 Fiscal Year: 2008 Department: COMPUTER SCIENCE Project Start: 24-SEP-2008 Project End: 31-JUL-2011 ICD: NATIONAL HUMAN GENOME RESEARCH INSTITUTE IRG: ZRG1


10 January 2017
Process Over Product As builders like to say "measure twice, cut once". Working through a clear process of development before coding even begins allows the developer to think through their thoughts, work through any problem solving processes, design ideas, and confirm with the client. All part of the planning phase of creating. In the long run, this reduced the time it took for me to code up (only looking back now can I see that), gave me a foundation of what I was doing and how it would look (give or take). The process enabled me to look at what I was doing before I cut any wood.
Meditation Before reading chapter 2 of the 'Search Inside Yourself' I thought of meditation as a process of claiming and clearing the mind in preparation to handle what comes ahead.
Learnings Meditation trains two important faculties:
- Attention
- William James "taking possession by the mind, in clear and vivid form."
- Meta-attention
- ...is attention of attention, the ability to pay attention to attention itself. Or, put simply, knowing when you attention is wandering.
These two faculties enable you to be relaxed and alert at the same time. Hmmmm, I think I need to do some practice.
What Science Says About The Monks... The Dali Lama lent 10 of his best meditating monks to a university to be studied. The university wished to study happiness. These monks were found to be the happiest people on earth. Personally, I find greater calmness after a meditation, but I'm sure I have happiness in there too.
Meditation Checklist Meditation can be done by anyone, anywhere.
- Back straight "like an arrow"
- Legs crossed in "lotus position"
- Shoulders relaxed, held up and back, "like a vulture"
- Chin tucked in slightly, "like an iron hook"
- Eyes closed or gazing into space
- Tongue held against the upper palate
- Lips slightly apart, teeth not clenched
And if that sounds a little hard to start with, I simply sit in a comfy chair with a blanket and a cuppa tea, sure it might be cold by the time you get back to drinking it, but I'm ok with that.


At its core, PlotDevice is a set of graphics "commands" that operate on a virtual "canvas". Each of your scripts has its own private canvas which is created before the first line of code is executed. Some commands affect the canvas directly (such as those for setting its size() and background() color), while others allow you to add graphics objects at specific positions.
PlotDevice provides a set of commands for drawing text, images, and basic geometric shapes. Each of these drawing primitives takes a pair of x/y parameters to set its position. Based on the command-type this will be interpreted as either the top-left corner or a central "origin" point. You'll find yourself using both kinds of positioning depending on what you're trying to accomplish.
arc(75,25, 25)
poly(75,25, 25)
poly(75,25, 25, sides=6)
poly(75,25, 25, points=5)
arrow(75,25, 50)
oval(75,25, 50,50)
rect(75,25, 50,50)
image("~/Pictures/triforce.png", 75,25)
text("xyzzy", 75,25)
When you place an element on the canvas, you define its position in terms of x and y coordinates. The "x" is the horizontal position measured from the left of the canvas and the "y" is the vertical position from the top.
PlotDevice has an "inverted" coordinate system which might be confusing for those thinking back to their middle-school Algebra lessons. In a Cartesian coordinate system, moving a point lower on the graph means making its y value more negative. But in PlotDevice, downard movement means making y more positive.
We tend to prefer this scheme since page layouts tend to work relative to the top of the page rather than the bottom.
In the Reference, each drawing primitive and its usage is discussed at length. The reference is something you’ll want to keep close at hand when you start learning PlotDevice. After a bit of experimentation you’ll know all the primitives by heart.
For example, take a look at documentation for the rect() command. As you might expect, this command draws a rectangle. At the top of the reference entry is a description of its syntax. The list of required and optional arguments provides the details you need to invoke the command in a way that PlotDevice understands.
In the rect() command's case, the syntax is:
rect(x, y, width, height, roundness=0.0, plot=True)
All commands in PlotDevice look like this: you have the name of the command (rect for example) which gives you a hint of what the command will do, and some stuff between parentheses. The items within the "parens" will be referred to as parameters or arguments interchangeably.
A "rectangle" could be a number of different things. For instance, a rectangle with an equal width and height would be a "square". We could conceivably have another command called square() to draw them. Or imagine another rectangle that's small and positioned at the bottom of the canvas. We could have a command for that called smallbottomrect(). The list goes on … we could define an infinite number of commands for rectangles of all shapes and sizes!
But instead of this multitude of commands, PlotDevice provides just a single rect() command that uses parameters to handle these different scenarios. Parameters are values you can customize to change the command's behavior. You can supply numbers, variables, strings, or even objects as parameters depending on what the command knows how to handle.
For example, to draw a square at the canvas's origin in the top left corner with a size of 40 we'd use parameters like:
rect(0, 0, 40, 40)
Notice how we replaced the x, y, width and height from the syntax description with real numbers. These number parameters describe how our rectangle will look: it is positioned at the top (y is 0) left (x is 0) edge of the canvas and has an equal width and height of 40.
You’ll notice some other parameters in the rect() syntax which we didn’t define, the roundness=0.0 for example. If a parameter description has an =something next to it, this means it is optional. If we don’t define this parameter in our script, it’s default value is something. In the rectangle command's case the corner roundness defaults to zero unless we explicitly say:
rect(0, 0, 40, 40, roundness=0.5)
Now we have a rectangle with 50% round corners:
All of the primitives have an optional argument called plot
which defaults to True
. This is a hint that just by calling the command you'll be adding a new shape to the canvas. In general this is exactly what you intended, but there are certain special cases where you'll want to store a not-yet-drawn primitive in a variable for use later on.
You can accomplish this by calling the command with an optional argument of plot=False
. When you're ready to add the primitive to the canvas, call the plot() command with the reference you saved as its sole parameter:
square = rect(50,50, 100,100, plot=False) # don't draw yet ... # do other things plot(square) # add the square to the canvas
It’s not that difficult to create your own commands in PlotDevice. In the Commands tutorial you’ll learn how to create a function that combines calls to the basic shapes to create more-intricate graphics. Also look at the tutorial on Béziers to see how you can draw freeform shapes of your choosing.


Release the Prisoner; Your Mind.
First off this was my first test of salvia divinorum. I had read the information on how it works and how to dose it. I was at a friends house and had been telling him about salvia and its history. We had planned on getting together that day and trying the new Salvia that night. The day went well and I was able to show my friend some basic info on the salvia plant from an online source. He agreed with me on taking precautions with this stuff. We had taken no other drugs or medications in the past 24 hours, so we were clean. Our only preperation was to have eaten something to start the digestion process and to have a drink ready to keep hydrated with.
We were both set and had divided up the single gram of Salvia Divinorum into our separate doses. He got 0.40 grams and I got 0.60 grams (I did buy the stuff so I got the larger portion). We went to his living room and sat on the couch. He ate his first. Now the traditional way of ingesting the salvia is by placing in the mouth and chewing it for 5 to 30 minutes. This is difficult due to dry salvia leaves are very bitter. He decided not to chew but rather pop in his mouth and wash down with an energy drink. Needless to say he felt nothing the whole night. Now it was my turn. I took my salvia in small ďbitesĒ so as to keep the bitterness from getting to severe. After each bite I would drink some juice to wash the leaves down.
The salvia took about 20 to 30 minutes to start to work noticeably. I ate mine because I believe it works better and lasts longer that way. First it started off with me feeling relaxed, not tired just loose. Next I started to laugh about things more and I donít mean just pointless pothead laughter. Funny things, like jokes, were funny and others were laughable. Now I am about 45 minutes into the trip. This is where the providers say that the effect is at full strength and it stays that way for another 1-3 hours.
So loose, funny, and now I canít talk as much or focus on what is going on. I am drifting from one to another instance with the trip leading the way. Now when I said canít talk I mean I can talk but I canít focus enough to care to talk about anything. I feel heavy and limber when walking and sitting. I can hear what is going on around me but I canít care to focus on what is said or done. I am so happy and calm that the fact that I canít do much doesnít scare me at all. I am practically immobile and unable to speak and I am just there with it.  I couldnít follow time until I was done with this trip.
I looked around the room and saw something so interesting I just sat and starred at it for ever. I was looking at my friendís computers screensaver. It was a black background with weaving and twisting water pipes all over it. The pipes had white bubble spots on them. Every so often the pipes would move towards the screen and then just shoot up to the top of the screen, it looked like the pipes hit me and even felt that way too. No pain though, just felt them touch me and move. I watched this for a long time, I donít know how long it really was though.
When I was done with that I looked up at a mirror picture on the wall with sparkles on parts of it. The sparkles were glimmering in the light and started to move back and forth. Getting closer then backing off, always changing. This got to me like and itch on my brain and so I stopped looking at the mirror. I turned towards the wall immediately and began feeling things touching, more bumping into my body. I could visualize these three dimensional shapes of gray color floating along in space and bumping into me. There were cubes, pyramids, tetrahedrons, all sorts of shapes just floating and bumping into me then bouncing off in another direction. I couldnít move myself to block them or push them away so I tried using my mind. They started to move as I wanted and do what I ordered. Some just exploded into shards others would move near me and I would think ďother directionĒ and off they would go in that direction.
Later on I got a little tired and was able to move enough to lean back and rest comfortably. Before this my eyes had been open the whole time so it was granted to rest them. I only slept for a little while though because when I awoke I was pretty much over the trip. Anyhow, while I slept I remember one thing; my hands disappeared. I was somewhere very dark and then my hands were gone, at the wrist, as if I had never had any hands. I couldnít feel or see them or even remember them or what they looked like but something very familiar was missing in there place. I woke abruptly and pulled my hands out of my sleeves where I was keeping them warm. I looked at them and felt them and rubbed them and clapped them to see if they were real and mine! I took some time in doing this kind of stuff over and over making sure this was real and bringing back the memories of how to use them and what they do. It took about ten minutes for that to end and then I felt fairly ďsoberĒ.
The trip was quite noticeably over. I felt much clearer and was able to stand and walk very confidently now. I decided to take the precaution and not drive home for another 20 minutes to be sure I was back to normal with a little extra knowledge on my side.
In total the experience was very pleasant. My friend said that I had a smile on for the whole 3 or so hours after taking the Salvia. He also added that when I tried to walk I never actually stood up but rather would look like I was trying to get up and then just sort of blow the idea off in a huff. I donít remember trying to get up for anything though. Still he said that my state resembled being very intoxicated yet under control.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


I had my doubts about you, but you've done well so far.
Now, let's see what you can do with a proper assignment.
Omega


|
Revised Geneva + PERC Rule
Autofilling medical calculator with information from the EHR Credits Loading |
Instructions
|
|
<- Complete the Revised Geneva to view PERC.
|
| A best effort is made to search through the EHR to find matches for different elements of this score. However, a negative search does not necessarily imply absence of that element. Please always check with patient. |


{% extends 'layout-lab-3-diabetes.html' %} {% block pageTitle %} Diabetic retinopathy - NHS.UKss {% endblock %} {% block content %} Home Health A to Z Health A to Z Diabetic retinopathy A complication of diabetes, caused by high blood sugar levels damaging the back of the eye (retina). It can cause blindness if left undiagnosed and untreated. Overview Stages Treatment Prevention {% endblock %}
Health A to Z
A complication of diabetes, caused by high blood sugar levels damaging the back of the eye (retina). It can cause blindness if left undiagnosed and untreated.


I am currently a PhD student studying Mathematics at Cardiff University, working alongside my supervisor Dr. Chris Davies. My research is based primarily in fluid dynamics and in particular hydrodynamic stability theory. I am interested in laminar flow control techniques and have looked at oscillatory flows over rotating disks and flat plates. To find out more, visit my research pages or get in touch!
I am also interested in computing for education, and have run several workshops and classes using Raspberry Pi computers, BBC MicroBit and Arduinos. I am a Raspberry Pi Certified Educator and am very interested in new and innovative ways to deliver computing to school students. If you would like to find out more, visit my teaching pages or get in touch!
CV | pdf


I discovered my passion for UX/UI design when I was working as a traveling doctor of physical therapy! I lived in 5 cities over 6 years, which was how I entered the wonderful field of technology as a relocation blogger and soon to be developer.
Along the way, my passion for user experience design only grew and I just couldn't get enough of it! In my role at Oracle as a Cloud Solution Engineer with a UI/UX focus, I wore many different hats - User Experience Designer, Developer, and Client Facing Engineer. That's where my desire for becoming a UX designer was confirmed.
I discovered my passion for UX/UI design when I was working as a traveling doctor of physical therapy! I lived in 5 cities over 6 years, which was how I entered the wonderful field of technology as a relocation blogger and soon to be developer.
Along the way, my passion for user experience design only grew and I just couldn't get enough of it! In my role at Oracle as a Cloud Solution Engineer with a UI/UX focus, I wore many different hats - User Experience Designer, Developer, and Client Facing Engineer. That's where my desire for becoming a UX designer was confirmed.
COMPLETE UX PROCESS
Experience Strategy / User Research / Info. Architecture / Interaction Design
UX FOR MOBILE
Experience Strategy / User Research / Info. Architecture / Interaction Design
Cristi C.
Physical Therapist & Health Coach
I hired Vis to redesign my website after being recommended by a friend. I was really apprehensive at first, because most designers did not produce the work I had asked for. Well, Vis was a God-send! She went above and beyond for me. She is very organized and stayed true to her timeliness. She even kept me on track as she asked for content. She worked faster than I predicted...She was really patient with me as it was difficult for me to describe how I wanted things. Vis is very knowledgeable and professional about her work. I appreciate that my website looks clean and exactly how we drew out. I would recommend working with Vis over any other web designer!”
Josue P.
Full-Stack Development Instructor
I hired Vis to redesign my website after being recommended by a friend. I was really apprehensive at first, because most designers did not produce the work I had asked for. Well, Vis was a God-send! She went above and beyond for me. She is very organized and stayed true to her timeliness. She even kept me on track as she asked for content. She worked faster than I predicted...She was really patient with me as it was difficult for me to describe how I wanted things. Vis is very knowledgeable and professional about her work. I appreciate that my website looks clean and exactly how we drew out. I would recommend working with Vis over any other web designer!”


Ok
Music Matrix Composer v2
welcome back senpai
Desired Username:
New Password:
Re-enter Password:
Select Scale
Song Name:
Song Length:
Notes per Second:


George W. Bush will end a self-imposed silence about his presidency in an NBC prime-time special on Monday, the eve of the release of his memoir, “Decision Points.” That the interviewer will be Matt Lauer, the co-host of the “Today” show, reveals calculations by Mr. Bush and his advisers, as well as a campaign by NBC.
With Book, Bush Is Back in Spotlight
By BRIAN STELTER
Published: November 7, 2010
Peter Kramer/NBC
Related
-
The White House: Now Appearing: George W. Bush (November 7, 2010)
In the past, the first interview of a controversial ex-president would be expected to go to the nation’s top evening news anchor, currently NBC’s Brian Williams. By choosing the top morning anchor instead, both sides are essentially endorsing the soft power of Matt Lauer.
“He’s an extraordinarily fair interviewer,” said Jim Bell, the executive producer of “Today” and of the prime-time special. “We’re living in a time when some of television news is partisan, and Matt and the ‘Today’ show are decidedly not so.”
That was a selling point for Mr. Bush and his advisers, who decided that “the first interview should be in a news context, with a network news anchor,” said David Drake, a senior vice president of Crown, the publisher of “Decision Points.”
For NBC, the interview — which was taped over the course of two days in Texas late last month — is a major coup. “They talked about every subject under the sun,” said Steve Capus, the president of NBC News, who observed that Mr. Bush “has things he wants to get off his chest.”
But critics of Mr. Bush — and there are many, with polls showing that most Americans still hold an unfavorable view of him — who would like to see a televised confrontation over issues like the Iraq war may come away disappointed. The tone of the prime-time special is conversational, not prosecutorial, and for that reason, “Lauer/Bush” is not likely to join “Frost/Nixon” in the public imagination.
Mr. Bell pointedly called the special “a conversation with President Bush about his book,” not just his presidency. Many tough questions are asked, and the word “torture” is used, Mr. Bell emphasized, but it comes down to tone.
Dana Perino, who was a White House press secretary while Mr. Bush was in office, said that tone was an important consideration for the TV book tour.
“He’s not interested in having a debate about the policies,” Ms. Perino said of Mr. Bush. She elaborated later: “There’s been plenty of debates about the decisions he has made. Now he’s trying to explain what he was going through, and the conditions he was working under.”
Doris Kearns Goodwin, the presidential historian, said Mr. Bush’s televised interview was not likely to deviate from the words in his memoir. But “there is some value in seeing his mood,” she said, including his attitude about the memoir itself. (Ms. Goodwin was a paid contributor to NBC until 2008.)
To get the first shot at the Bush interview, each major television network pieced together its best proposal — a “package,” Mr. Drake said — and at least one other offered a prime-time special like NBC’s. He declined to share specifics, but said “it was a close decision.”
The NBC interview is the start of a book tour like almost no other. Mr. Bush will sit down with Oprah Winfrey and Rush Limbaugh, as well as with all three prime-time hosts on the Fox News Channel this week. There will be print interviews, too, but the only one announced so far is with AARP The Magazine.
Andrew Tyndall, who publishes a newsletter about the television news business, The Tyndall Report, said he suspected that Mr. Bush and his aides were striking a balance by selecting Mr. Lauer for the first interview. “On the one hand, you’re looking for comfort,” Mr. Tyndall said. “On the other hand, you don’t want the interview to be perceived as a series of softballs.”
NBC executives privately agreed with that assessment, and said they thought that Mr. Bush would not have felt as comfortable with the network’s other top interviewers.
Asked whether Mr. Williams or the “Meet the Press” moderator David Gregory pursued the interview, Mr. Capus said “I’m sure they did,” but that “Matt was the official push from NBC News and I’m thrilled that we got it.” Mr. Capus said that Mr. Lauer had a “rapport” with Mr. Bush in prior interviews.
Along with comfort, audience size was important. “Today” is both the top-rated morning show and a highly sought-after outlet for authors.
- 1
- 2


Summary: Latitude vs. X
The purpose of this project was to analyze how weather changes as you get closer to the equator.
To accomplish this analysis, we first pulled data from the OpenWeatherMap API to assemble a dataset on over 500 cities.
After assembling the dataset, we used Matplotlib to plot various aspects of the weather vs. latitude. Factors we looked at including:
temperature, cloudiness, wind speed, and humidity. This site provides the source data and visualizations created as part of the analysis,
as well as explanations and descriptions of any trends and correlations witnessed.


{% extends "base.html" %} {% block content %}
cordão de ouro seoul
Mastery of the beautiful and creative movement that makes Capoeira the most graceful and enchanting way to get and stay in shape requires a lot of preparation before class even starts. This is why I often emphasize that we "live" Capoeira, we do not "do" it like people do swimming or cycling. These activities end after an hour or so, but Capoeira doesn't. Capoeira is a lifestyle. To optimize our ability to move in the artistic and creative ways Capoeira demands of us, we have to make some important changes to our lifestyle. Here are six basic ways to radically optimize your mastery of moves that you will learn and train in class.
Radical improvement requires radical change. The most radical change starts in the mind beginning with your attitude. Capoeira requires a "can do" attitude. Your teachers will move in ways you cannot fathom when you attend a class for the first time. Don't be discouraged when you don't understand how to move. Since society places heavy emphasis on learning from books, your initial attempts to replicate a move will fail. However, it is only because those "muscles" in the brain have never been exercised. By practicing Capoeira you are embarking upon a voyage to learn to move in ways that you had never thought of before.
Being open-minded, inquisitive / observant, and patient are changes in attitude that we all need to embrace in order to rapidly progress in our mastery of Capoeira movement. When the teacher or senior student says "now it is time to walk on our hands", be open to trying it for the first time. Observe what is being done, ask questions, and be patient with yourself if you don't walk on your hands perfectly the first time.
Disciple, discipline, discipline. That is why Capoeira is a martial art. All martial arts require discipline. Discipline requires us to go to class and train even when we don't feel like it. Discipline means getting up and dragging yourself to class when it is cold and dark outside.
Don't despair if you are not a disciplined person by nature. The good thing about discipline is that it is a virtue that can be developed. Take it step by step and try disciplining yourself with easy tasks and chores outside of class. Overtime you will be able to discipline yourself more and more. Eventually, you will discipline your life and attend every class! It is no secret that those that progress fastest in our Capoeira group are the ones that have the highest rates of class attendance.
You are what you eat. Especially, when you need to use your body to attain your movement goals. If you eat junk food, your body will rapidly deteriorate and you will not be able to achieve your Capoeira dreams.
There is no special diet for a Capoeirista. Our bodies are all different. So we eat accordingly. However, we should at least be aware of our nutrition and active work to make sure that we are eating all the right foods to recover after fatiguing our muscles in class.
Rest is also essential to rapidly recovering between classes. We are all busy. However, please try to avoid late nights and idling your time away. Rest instead.
Prior to attending class, try taking a 30 minute nap. It will refresh the mind and make you more alert during class. Your ability to interpret and recall what goes down will also improve.
A rested mind is also more creative. Use this to your advantage so that you can maximize your creativity during the roda when it is time to play Capoeira and creatively integrate the movement that you have learned into your game.
Note what you learned in class, go home, and practice again at home before you forget.
The more unfamiliar you are with a movement, the more likely you are to forget it. Try to practice until mastery. Mastery requires doing movement over and over until it becomes almost second nature.
Make a friend in class and practice with them because Capoeira cannot be mastered alone. Playing Capoeira, by definition, requires two people. So partner up and practice often.
Generating huge amounts of deference and respect for the community of martial artists that comprise our Capoeira group is the quickest way to develop in the other five areas outlined before. You are not the first one to be walking down the Capoeira path. The masters, teachers, and senior students that have gone before you are your most valuable resources to rapidly developing your abilities to move in Capoeira. Masters and teachers often sacrifice themselves to promote and develop Capoeira for future generations to ensure that those that come behind them can more perfectly experience the bliss of Capoeira. Consequently, they enjoy giving back and sharing. Especially when they feel that you respect their knowledge and sacrifice.
Though advanced Capoeiristas have a keen eye, it is highly beneficial to clearly signal your respect for them. A common way to show your respect is to actively work on building your relationship with teachers and seniors. Take every opportunity to spend time with the community of Capoeiristas outside of class hours. Meet for tea or coffee. Join group functions (birthday parties, Brazilian movie nights, Capoeira video reviews, etc.) and make every effort to join rodas, sing and play music. Augmenting your Capoeira experience in this way not only improves your knowledge of Capoeira and Afro-Brazilian culture, but also indicates that you are sharing your energy and giving back to the group.
Lastly, although you will do everything in your power to adhere to these guidelines and suggestions to radically improve, without the community there is nobody to catch you when you slip. You will slip. It is inevitable that your attitude is not what it should be, or that your discipline wanes. However, with the community you will be able to get back up more easily. Through the community everything becomes easier because we are working together to improve as a group. So give as much as you can to the community. You will get much more out of it.


OBWritePaymentDetailsResponse1_Data_PaymentStatus
- PaymentTransactionId : String
Unique identifier for the transaction within an servicing institution. This identifier is both unique and immutable.
- Status : String
Status of a transfe, as assigned by the transaction administrator.
- Enum:
- Accepted
- AcceptedCancellationRequest
- AcceptedCreditSettlementCompleted
- AcceptedCustomerProfile
- AcceptedFundsChecked
- AcceptedSettlementCompleted
- AcceptedSettlementInProcess
- AcceptedTechnicalValidation
- AcceptedWithChange
- AcceptedWithoutPosting
- Cancelled
- NoCancellationProcess
- PartiallyAcceptedCancellationRequest
- PartiallyAcceptedTechnicalCorrect
- PaymentCancelled
- Pending
- PendingCancellationRequest
- Received
- Rejected
- RejectedCancellationRequest
- StatusDetail : OBWritePaymentDetailsResponse1_Data_StatusDetail
- StatusUpdateDateTime : Date
Date and time at which the status was assigned to the transfer.All dates in the JSON payloads are represented in ISO 8601 date-time format. All date-time fields in responses must include the timezone. An example is below: 2017-04-05T10:43:07+00:00


An Outdoor Beach-Bed Cinema Is Coming to St Kilda This Summer
Stretch out under the stars (and doona) for screenings of Jaws, Ad Astra and Last Christmas.
by BroadsheetIf crumbs in the bed give you the willies then welcome to a new frontier of horror: sandy sheets. Because at the new Mov’in Bed pop-up cinema you’ll be climbing onto a mattress plonked directly on the beach. Still, a little grit between the cotton is worth it when there’s a delicate ocean breeze to dissipate the smell of your neighbour’s popcorn.
Mov’in Bed, which launched in Sydney in 2016, lets audiences curl up on queen beds for huge outdoor film screenings. Next year it’ll hit Melbourne for the first time, setting up 150 beds decked out with pillows and blankets on St Kilda beach.
Fittingly, the season kicks off with a screening of the giant shark horror classic Jaws. Other films screening include the divisive Joker, Quentin Tarantino flicks Once Upon a Time in Hollywood and Pulp Fiction, Jennifer Lopez-vehicle Hustlers, a rebooted Charlie’s Angels and holiday rom-com Last Christmas.
The queen-sized beds can be configured for two people (for $73.80) or three people ($93.90), and there’s a single bed option for those who like to hog the sheets ($36.90). The ticket price includes pillows, blankets and an illuminated side table. If you’d prefer to bring your own bedding and chill on the lawn, grass tickets are available for $10 to $12 per person.
You’ll be able to buy beer, wine, sweets and popcorn from the bar. You can also have more substantial meals delivered to your bed, including burgers, fries and pizzas.
Mov’in Bed Melbourne runs from January 4 to 26 at St Kilda Beach. Tickets here


| Expert In | Proficient In | Working Knowledge In |
|---|---|---|
| PHP | Adobe Illustrator | Python |
| CSS | Adobe Photoshop | Java |
| HTML | Sony Vegas Pro | |
| Javascript | Microsoft Office | |
| JQuery | ||
| C++ | ||
| C |
| Expert In | Proficient In | Working Knowledge In |
|---|---|---|
| PHP | Adobe Illustrator | Python |
| CSS | Adobe Photoshop | Java |
| HTML | Sony Vegas Pro | |
| Javascript | Microsoft Office | |
| JQuery | ||
| C++ | ||
| C |


Project
Upload Projects
Upload Projects
×
Drag & drop files here
Open the file Browser
File List
No files uploaded.
×


GOLDENEYE A film review by Gerard Martin Copyright 1995 Gerard Martin
Directed by: Martin Campbell Photographed by: Phil Meheux Written by: Jeffrey Caine and Bruce Feirstein Based on a story by: Michael France Edited by: Terry Rawlings Music by: Eric Serra Starring: Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen, Joe Don Baker, Judi Dench, Robbie Coltrane
James Bond is back! And isn't he better than ever? After what amounted to a six year hiatus, GOLDENEYE is the latest Bond movie addition to the long-running 007 series tradition. It has been estimated that half the world's population has seen a James Bond movie. Meanwhile, hasn't the world changed?
This time, the premise of the story concerns two lost secret military first-strike earth orbiting Russian satellites with the potential to burn ever so brightly enough to produce a burst of electromagnetic energy overcharging and obliterating the electrical circuits of every instrument and light-bulb within its target range ... including, of course, flying MiG jets, computers, and other orbiting eyes in the sky. Such tactical precision, however, is not without its disadvantages. Once triggered, the spectacular fiery explosion also takes the `Golden Eye` satellite down with it. So it is also with almost every device, every deception and every appendage that makes the James Bond spy-adventure epic bond so well together. Yes, "Bond, James Bond" is back and this time REMINGTON STEELE's Pierce Brosnan is the debonair secret service agent with the Aston Martin, a penchant for vodka martinis, all of the luck and most of the toys.
GOLDENEYE's addition to the 007 licensed-to-kill epic truly frames a golden age of James Bond spy action and adventure. The cinematic event holds a rich history behind it - a rich tapestry of traditions upon which this latest edition stands. Afterall, depending upon how one counts them, GOLDENEYE is the eighteenth motion picture adventure adaptation of the literary works of Ian Fleming and later, John Gardner. Though Pierce Brosnan is no David Niven, in some respects GOLDENEYE can be said to be the culmination of all nineteen Bond movies. Along with the usual measure of repartee-style satire, there is a bomb of sorts, there is a James Bond nemesis and there are love interests that probe the mantel of the story and the characters of all the participants.
Natalya Simonova, played by Izabella Scorupco, is the Internet-savvy computer programmer in step with an information-driven society. She's a protagonist with Bond. There is also the CIA and the marines, a new "M," another Miss Moneypenny and good old "Q" played once again by Desmond Llewelyn. For antagonists, there is Xenia Onatopp (rhymes with "on the top"), played with carnal abandon by Famke Janssen. She is a Georgian ex-fighter pilot in vacuous partnership with former secret service agent Alec Trevelyan, as played by Sean Bean. As surely as death follows asphyxiation, the fate of such relationships are fastened.
Relationships to the old and usual are crucial. In the all familiar casino scene, the playing cards have no numbers. Unless one takes the time to count, only the shapes made by the configuration of clubs, hearts, diamonds or spades on the cards are there to indicate the card's value. The idea that information counts is meaningful to the story. Afterall, in a world with no electrical circuits, there can be no flow of information. Just like the way in which a deck of playing cards complete with numbers must in history precede the deck of playing cards without any numbers at all, the flow of knowledge from one utility to another is all essential. Such is the legacy of history.
But does one need to know the historical significance of villain Alec Trevelyan's Cossack parentage, or how historically the Zaporozhian Cossacks became an authority unto themselves and with their hetmans elected chieftains who proceeded to initiate schemes and designs rivaling even those of SPECTRE? No, enjoyment of GOLDENEYE makes no absolute claim on this knowledge. But the weight of history is another matter. What's bred in the bones of this epic are so many monumental remains. Though they provide ballast, they also exact a heavy toll. GOLDENEYE confronts both the forces of our expectations and the ongoing presence of our departed history.
In GOLDENEYE, James Bond is indeed back and, chances are, he will be back again to serve the interests of world peace and movie-screen carnage. But, if nothing else, he will also serve as sometimes poignant testimony to the passage of time.
--<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


« Example 6 Example 8 »
This is an example of autoscroll. The tree will scroll automatically if you drag an item outside of the tree. Autoscroll will work automatically. There is no option for it.


Rails <IP_ADDRESS> (June 26, 2023)
- No changes.
Rails <IP_ADDRESS> (March 13, 2023)
- No changes.
Rails <IP_ADDRESS> (January 24, 2023)
- No changes.
Rails <IP_ADDRESS> (January 17, 2023)
- No changes.
Rails 6.1.7 (September 09, 2022)
- No changes.
Rails <IP_ADDRESS> (July 12, 2022)
- No changes.
Rails 6.1.6 (May 09, 2022)
- No changes.
Rails <IP_ADDRESS> (April 26, 2022)
- No changes.
Rails 6.1.5 (March 09, 2022)
- No changes.
Rails <IP_ADDRESS> (March 08, 2022)
- No changes.
Rails <IP_ADDRESS> (February 11, 2022)
- No changes.
Rails <IP_ADDRESS> (February 11, 2022)
- No changes.
Rails <IP_ADDRESS> (December 15, 2021)
- No changes.
Rails <IP_ADDRESS> (December 14, 2021)
- No changes.
Rails <IP_ADDRESS> (December 14, 2021)
- No changes.
Rails <IP_ADDRESS> (August 19, 2021)
- No changes.
Rails 6.1.4 (June 24, 2021)
- No changes.
Rails <IP_ADDRESS> (May 05, 2021)
- No changes.
Rails <IP_ADDRESS> (March 26, 2021)
- No changes.
Rails 6.1.3 (February 17, 2021)
- No changes.
Rails <IP_ADDRESS> (February 10, 2021)
- No changes.
Rails 6.1.2 (February 09, 2021)
- No changes.
Rails 6.1.1 (January 07, 2021)
Make
retry_job
return the job that was created.Rafael Mendonça França
Include
::ActiveSupport::Testing::Assertions
inActiveJob::TestHelpers
.Mikkel Malmberg
Rails 6.1.0 (December 09, 2020)
Recover nano precision when serializing
Time
,TimeWithZone
andDateTime
objects.Alan Tan
Deprecate
config.active_job.return_false_on_aborted_enqueue
.Rafael Mendonça França
Return
false
when enqueuing a job is aborted.Rafael Mendonça França
While using
perform_enqueued_jobs
test helper enqueued jobs must be stored for the later check withassert_enqueued_with
.Dmitry Polushkin
ActiveJob::TestCase#perform_enqueued_jobs
without a block removes performed jobs from the queue.That way the helper can be called multiple times and not perform a job invocation multiple times.
def test_jobs HelloJob.perform_later("rafael") perform_enqueued_jobs # only runs with "rafael" HelloJob.perform_later("david") perform_enqueued_jobs # only runs with "david" end
Étienne Barrié
ActiveJob::TestCase#perform_enqueued_jobs
will no longer perform retries:When calling
perform_enqueued_jobs
without a block, the adapter will now perform jobs that are already in the queue. Jobs that will end up in the queue afterwards won't be performed.This change only affects
perform_enqueued_jobs
when no block is given.Edouard Chin
Add queue name support to Que adapter.
Brad Nauta, Wojciech Wnętrzak
Don't run
after_enqueue
andafter_perform
callbacks if the callback chain is halted.class MyJob < ApplicationJob before_enqueue { throw(:abort) } after_enqueue { # won't enter here anymore } end
after_enqueue
andafter_perform
callbacks will no longer run if the callback chain is halted. This behaviour is a breaking change and won't take effect until Rails 7.0. To enable this behaviour in your app right now, you can add in your app's configuration fileconfig.active_job.skip_after_callbacks_if_terminated = true
.Edouard Chin
Fix enqueuing and performing incorrect logging message.
Jobs will no longer always log "Enqueued MyJob" or "Performed MyJob" when they actually didn't get enqueued/performed.
class MyJob < ApplicationJob before_enqueue { throw(:abort) } end MyJob.perform_later # Will no longer log "Enqueued MyJob" since job wasn't even enqueued through adapter.
A new message will be logged in case a job couldn't be enqueued, either because the callback chain was halted or because an exception happened during enqueuing. (i.e. Redis is down when you try to enqueue your job)
Edouard Chin
Add an option to disable logging of the job arguments when enqueuing and executing the job.
class SensitiveJob < ApplicationJob self.log_arguments = false def perform(my_sensitive_argument) end end
When dealing with sensitive arguments as password and tokens it is now possible to configure the job to not put the sensitive argument in the logs.
Rafael Mendonça França
Changes in
queue_name_prefix
of a job no longer affects all other jobs.Fixes #37084.
Lucas Mansur
Allow
Class
andModule
instances to be serialized.Kevin Deisz
Log potential matches in
assert_enqueued_with
andassert_performed_with
.Gareth du Plooy
Add
at
argument to theperform_enqueued_jobs
test helper.John Crepezzi, Eileen Uchitelle
assert_enqueued_with
andassert_performed_with
can now test jobs with relative delay.Vlado Cingel
Add jitter to
ActiveJob::Exceptions.retry_on
.ActiveJob::Exceptions.retry_on
now uses a random amount of jitter in order to prevent the thundering herd effect. Defaults to 15% (represented as 0.15) but overridable via the:jitter
option when usingretry_on
. Jitter is applied when anInteger
,::ActiveSupport::Duration
or:exponentially_longer
, is passed to thewait
argument inretry_on
.retry_on(MyError, wait: :exponentially_longer, jitter: 0.30)
Anthony Ross
Please check [6-0-stable]) for previous changes.


public interface GroupService extends GenericService<Group,Long>, TracableService
| Modifier and Type | Interface and Description |
|---|---|
static class |
GroupService.GroupServiceChange
Kind of changes notified by this service
|
| Modifier and Type | Method and Description |
|---|---|
void |
addGroupToGroup(String groupName,
String subGroupName)
Add a group from one group's groups
|
void |
addPermissionToGroup(String groupName,
String permission)
Add a permission to a group
|
void |
addRoleToGroup(String groupName,
String roleName)
Add a role to a group.
|
Group |
create(Group group)
Create a new group.
|
Group |
findByName(String name)
Finds group by name.
|
List<String> |
getGroupDirectPermissions(String groupName)
gets the Groups direct Permissions
|
void |
removeGroupFromGroup(String groupName,
String subGroupName)
Remove a group from one group's group
|
void |
removePermissionFromGroup(String groupName,
String permission)
Remove the permission for the given group
|
void |
removeRoleFromGroup(String groupName,
String roleName)
Remove a role from a group.
|
Group |
update(Group group)
Update existing group.
|
count, delete, delete, deleteAll, deleteAllWithCascade, findAll, findAll, findAll, findById
addListener, removeListener
Group create(Group group) throws AlreadyExistingEntityException
create
in interface GenericService<Group,Long>
group
- Group to createAlreadyExistingEntityException
Group update(Group group) throws AlreadyExistingEntityException
update
in interface GenericService<Group,Long>
group
- Group to updateAlreadyExistingEntityException
Group findByName(String name)
name
- the group's Namevoid removeGroupFromGroup(String groupName, String subGroupName)
groupName
- the name of the group to whom the groups should be removedsubGroupName
- the name of the group to removeList<String> getGroupDirectPermissions(String groupName)
groupName
- the name of the Groupvoid addPermissionToGroup(String groupName, String permission)
groupName
- the name of the grouppermission
- the permission to be addedvoid removePermissionFromGroup(String groupName, String permission)
groupName
- the name of the grouppermission
- the permission to delete@Transactional void addGroupToGroup(String groupName, String subGroupName)
groupName
- the name of the group to whom to group should be addedsubGroupName
- the name of the group to add from the group's group listvoid addRoleToGroup(String groupName, String roleName)
groupName
- Group to which the role will be added.roleName
- The role that will be added.Copyright © 2009-2012. All Rights Reserved.


It's a CSS framework with a 12x12 grid system fast to use
An open source project that can be used for free for everyone
A simple system, even for a beginner
Because it's cool to create your own framework
git clone https://github.com/Nooaah/FrameworkGrid.git
<link rel="stylesheet" href="all.css"> <!-- In the <head> of your page -->


Points:
Click the button to decrement the value of the slider control by "10" (each time you click).
Try it


Allergy List
Add New
Recorded On
Allergen
Severity
Reaction
Verified
Comments
Edit
{{alrg.CreatedOn | DanpheDateTime:'format':'YYYY-MM-DD HH:mm'}}
{{alrg.AllergenAdvRecName}}
{{alrg.Severity}}
{{alrg.Reaction}}
{{alrg.Verified}}
{{alrg.Comments}}
Edit


Penetration testing
Not only we do provide manual penetration testing, but also we are proud to offer a unique pentesting solution.
After a countless number of penetration tests spread across multiple companies, experimenting with numerous security tools (scanners, analysers), we came up with our proprietary solution: T-Sentinel.
Such solution drastically decreased scanning time, helped with identification of very rare findings and increased positive approach towards the penetration tests.
Mobile applications security
Mobile gaming, banking, payments, e-commerce...we got it all covered. By using out broad experience and selected tools,we offer mobile application security testing, as well as security assessment.
Code Review
Does not matter whether your company is a startup or a fully grown enterprise, as long as there is in-house development happening, we offer code review from security and quality perspective. This service is adds a great value on top of the manual and automated penetration testing.
Threat Modelling & Architecture Review
We provide revision of the application threat models, as well as architecture and application quality review.
This service not only consists of manual and automated process, but also delivers actionable report file, and further analysis if needed.
Software Development
We provide services as a software house with a track record of delivering in-budget solutions to our customers.
Languages in use: Python, Ruby, Bash, Java. Starting from the gathering and defining the requirement, through to design, implementation, deployment and maintenance.
Security Training
We provide on-premise security training sessions, aimed at project teams as well as the developers.
Content can be tailored either to the target audience (PMs, QA specialists, architects, developers, etc), technology being used at your company, or can be split into multiple sessions reviewing common mistakes and best practices used on the market.