I love leveraging technology to solve business problems. I'm a software developer looking to work on projects that have a positive impact to our future. I like to stay updated and find better ways of doing things.
My skillset includes building end-to-end web and mobile applications, cloud-based system integrations and API integrations. With a strong focus on iterative development and speed to market, I provide cost-effective solutions to create great products.
Listed below are some of the technologies I am proficient with (but not limited to).
Warning: This list is highly volatile and subject to change without prior notice
Built an additional security layer at one of the most popular cryptocurrency exchanges in Australia - BTC Markets. Solved the critical issue of unauthorised access to a customer’s account from remote locations, which had been a big pain point for company.
Close ProjectHelped extend NewsCorp’s Newsadds business which is a self-serve advertising platform. Added the ability for users to build and publish Facebook Ads, in addition to print ads.
Close ProjectDeveloped features on the attractions side of the world’s leading travel site, TripAdvisor. Considering their massive customer base across the globe, the biggest challenge in this was dealing with scalability and performance.
Close ProjectBuilt an e-invoice management app as part of a bigger goal to digitalise invoicing for the company’s customers. The app was built using the microservices architecture and plugged into the company’s AWS infrastructure.
Close ProjectWorked on integrating multiple third-party APIs to enable data retrieval and order placement. Working with this high transactional platfrom gave me exposure to multithreading and concurrency
Close ProjectWorked on a project with a mate to build a trading bot that that took advantage of arbitrage opportunities in various markets. The bot was build using java and involved integrations with several third-party betting shops.
Close Project


To find out more about the film, please go to the film's website and read the blog. Don't forget to share the app with your friends on tomeapp.com


{{object.name}} from {{object.project.name}}
Indicators
| {{operation.identifier}} | {{operation.description}} |
|---|---|
{{operation.get_operation_display}}
|
Related reports
-
{% for report in object.reportrun_set.all %}
- {{report.name}} {% endfor %}


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--- title: "LightSpeed" section: "velocity" ---
Another interesting result of these experiments is the fact that reference frames moving at the speed of light seem to be frozen in time! As a reference frame increases in speed, a photon must spend more of its speed moving horizontally. In a reference frame moving at light speed, the photon spends all of its speed moving horizontally, so it will never move vertically. Therefore, the clock will never tick, meaning time does not appear to pass in such a reference frame. According to a photon, it moves instantly throughout the universe since the rest of the universe appears to be frozen.


According to the CDC, cloth masks should cover your nose and mouth. It should secure snuggly under your chin and have no gaps. After selecting a face mask try it on and make sure it stays in place as you talk. Some have used cloth gaiters instead of a face mask, but there is no evidence that a gaiter is an effective barrier.
Cloth masks should have at lease two layers of fabric. Sometimes three layers is also encouraged, however, two layers will suffice. Make sure that the cloth used in the mask is a breathable fabric like cotton. A fabric like vinyl can make it harder to breath,so avoid this material.
Cloth masks must be cleaned regularly. It can be added to laundry and should be dried on high in the dryer. Masks can be washed by hand but there are some caveats. The CDC recommends using a bleach solution to clean masks by hand. However, John Hopkins Medicine affirms that masks can be cleaned by hand in hot, soapy water for at least 20 seconds. Nevertheless, hand washed masks must be dried on high in a dryer.
Sources:


Table Name: tabMaintenance Visit
| Sr | Fieldname | Type | Label | Options |
|---|---|---|---|---|
| 1 | customer_details |
Section Break |
fa fa-user |
|
| 2 | column_break0 |
Column Break | ||
| 3 | naming_series |
Select | Series |
MV |
| 4 | customer |
Link | Customer | Customer |
| 5 | customer_name |
Data | Customer Name | |
| 6 | address_display |
Small Text | Address | |
| 7 | contact_display |
Small Text | Contact | |
| 8 | contact_mobile |
Data | Mobile No | |
| 9 | contact_email |
Data | Contact Email | |
| 10 | column_break1 |
Column Break | ||
| 11 | mntc_date |
Date | Maintenance Date | |
| 12 | mntc_time |
Time | Maintenance Time | |
| 13 | maintenance_details |
Section Break |
fa fa-wrench |
|
| 14 | completion_status |
Select | Completion Status |
Partially Completed Fully Completed |
| 15 | column_break_14 |
Column Break | ||
| 16 | maintenance_type |
Select | Maintenance Type |
Scheduled Unscheduled Breakdown |
| 17 | section_break0 |
Section Break |
fa fa-wrench |
|
| 18 | purposes |
Table | Purposes | Maintenance Visit Purpose |
| 19 | more_info |
Section Break | More Information |
fa fa-file-text |
| 20 | customer_feedback |
Small Text | Customer Feedback | |
| 21 | col_break3 |
Column Break | ||
| 22 | status |
Data | Status |
Draft Cancelled Submitted |
| 23 | amended_from |
Link | Amended From | Maintenance Visit |
| 24 | company |
Link | Company | Company |
| 25 | contact_info_section |
Section Break | Contact Info |
fa fa-bullhorn |
| 26 | customer_address |
Link | Customer Address | Address |
| 27 | contact_person |
Link | Contact Person | Contact |
| 28 | col_break4 |
Column Break | ||
| 29 | territory |
Link | Territory | Territory |
| 30 | customer_group |
Link | Customer Group | Customer Group |
Inherits from erpnext.utilities.transaction_base.TransactionBase
check if last maintenance visit against same sales order/ Warranty Claim
No docs
No docs
No docs
No docs
update_customer_issue (self, flag)
No docs
No docs
No docs


Next: Event codes, Previous: Events, Up: Events [Contents][Index]
This chapter discusses Libmarpa’s events. It contains descriptions of both grammar and recognizer methods.
A method is
event-triggering
iff it can add event instances to the
event queue.
The event-triggering methods are
marpa_g_precompute()
,
marpa_r_earleme_complete()
,
and
marpa_r_start_input()
.
The event-triggering methods always clear all previous events
so that, on return from an event-triggering method,
the only events in the event queue will be
the events triggered by that method.
Every event instance has a type, and a subtype.
The type of an event instance is its
code,
such as MARPA_EVENT_SYMBOL_COMPLETED
.
Event codes are listed in a later section.
See Event codes.
Subtypes will be described shortly.
Event types are either implicit or explicit. Intuitively, implicit event types are available to the application without any action by the user; and explicit event types are not available unless the user calls certains methods which are available for that purpose.
Event are also either global or per-symbol. In any event-triggering method, at most one event instance can trigger for each subtype. If an event type is global, it has only one subtype, and only one event instance of that type may trigger in a method call. If an event is per-symbol, it has one subtype for each symbol in grammar. Many instances of a per-symbol event may trigger in a method call, up to the number of symbols in the grammar.
All global event types are implicit. All explicit event types are per-symbol. The reason for event types to be explicit is to avoid the overhead of unused events, and for per-symbol event types there might be many such events.
For an event instance to trigger, its event subtype must first be declared. Subtypes of implicit events are always declared — declaring them requires no action on the part of the user. Subtypes of explicit event types must be declared by the user, using a method call provided for that purpose. Once declared, an event subtype remains declared: there is no way to remove or undo the declaration of an event subtype. Details of event declaration are provided, by event code, in the section on event codes. See Event codes.
A declared event subtype can be activated. An event instance will not trigger, unless its event subtype is activated. Subtypes of implicit event are always activated — activating them requires no action on the part of the user. Subtypes of explicit event types must be activated by the user, using a method call provided for that purpose. Implicitly activated event subtypes cannot be deactivated. Some explicitly activated event subtypes can be deactivated, using a method call available for that purpose. Details of event activation are provided, by event code, in the section on event codes. See Event codes.
When a recognizer is created, the event subtypes of a recognizer inherit their declared and activated status from the events of the base grammar. See marpa_r_new().
A Libmarpa method or macro is event-safe iff it does not change the events queue. All Libmarpa accessors are event-safe.
Regardless of the event-safety of the method calls between event triggering and event access, it is good practice to access event instances as soon as reasonable after the method that triggered them. Note that the event queue is kept in the base grammar, so that multiple recognizers using the same base grammar can overwrite each other’s events.
To find out how many events are in the event queue,
use the
marpa_g_event_count()
method.
See marpa_g_event_count().
To access specific events,
use the
marpa_g_event()
(see marpa_g_event())
and
marpa_g_event_value()
(see marpa_g_event_value())
methods.
Next: Event codes, Previous: Events, Up: Events [Contents][Index]


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Tuberculosis
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Management
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Intelligence
Patient Information.
Download Data
Date
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Last Name
Age
Height (cm)
Weight (lb)
Diagnosis
Probability
{% for entry in entries %}
{{entry[0]}}
{{entry[1]}}
{{entry[2]}}
{{entry[3]}}
{{entry[4]}}
{{entry[5]}}
{{entry[6]}}
{{entry[7]}}%
{% endfor %}
©2020 Tuber. All rights reserved.


Twitter Scraper¶
Twitter's API is annoying to work with, and has lots of limitations — luckily their frontend (JavaScript) has it's own API, which I reverse–engineered.
Why use it instead of the existing Twitter frontend api?¶
No API rate limits.
No restrictions.
Extremely fast.
You can use this library to get the text of any user's Tweets trivially. No extensive knowledge of apis or other technical jargon required. For example: you can use it to generate Markov Chains really fast.
How to use?¶
Note: You need python 3.6+ to use this scraper
Installating¶
check that you have python installed, go to your command prompt(if in Windows) or terminal (mac/Linux), then type
python --version
. If you see something above 3.6 then you are good to go.If step 1 failed head over to python website then follow their steps to download and install python for your python.
Next we need
pipenv
. I found this article quite useful to get up and running withpipenv
.Finally run
pipenv install twitter-scraper
in your terminal/ command prompt. That's it!
Important functions and their uses¶
You will mainly use the
get_tweets(query, pages=25)
function to parse and display the tweets. It takes two arguments:
query- the twitter handle of the page you want tweets from pages-the max amount of pages data can be scraped from
In simple terms the function returns a list called tweets[] and to print the contents in a tweet you would write something like
print(tweets['text'])
Woohoo now let's have some fun¶
quick Examples and Usage¶
Let's scrape some tweets from the twitter page of freecodecamp.
Create a python file in your favourite editor, say
twits.py
Next we need to import the twiter scraper to start using the module and parse tweets. So in your twits.py write
from twitter_scraper import get_tweets
Next we want to iterate over the tweets using a for loop instead for manually getting one tweet, so
for tweet in get_tweet('freeCodeCamp', pages=1): print(tweet['text'])
Run the file from terminal using
pipenv run twits.py
you will see a number of tweets from the twitter homepage of freecodecamp.
Using the scrapper with Markovify¶
You can also use this to generate Markov chains. first install markovify
pipenv install markovify
then like above example create a python file like this
import markovify
from twitter_scraper import get_tweets
tweets = '\n'.join([t['text'] for t in get_tweets('freeCodeCamp', pages=25)])
text_model = markovify.Text(tweets)
print(text_model.make_short_sentence(140))
Then run the file like above to get results.
to tinker more with Markov models head over to markovify's github page.


Hello!
The resource you have - {{ resource.name }} has not been used for the past 3 months. {{ user.full_name }} has scheduled termination of that resource on {{ resource.end_date|date:"SHORT_DATE_FORMAT" }}. If you feel that you still want to keep it, please remove the resource end date.


Update: Police appeal for witnesses following homicide
by New Zealand PoliceInspector Mike Bowman, Southland Area Commander:
Police are continuing to investigate following the discovery of a woman’s body in Invercargill yesterday morning.
Officers would like to speak to anyone who may have seen any unusual activity or suspicious vehicles in the Fosbender Park and Oreti River areas near Dunns Road between approximately 3:30am and 9am on the 17th.
Anyone with information is urged to call 105.
Information can also be provided anonymously through Crimestoppers on 0800 555 111.
A scene guard will remain in place at a North Road, Waikiwi address overnight and into the morning as examinations continue at the scene.


--- layout: default title: News permalink: /news/ ---
Download Press Kit
<EMAIL_ADDRESS>1234 Main St San Francisco, CA 94110


Rainbow Math
Save and Load Stored (named) Rules
Color Control
Change the amount of coloring by using these buttons:
Test Area
In the box below, try typing some text (no exponents or square roots allowed):
Use the keyboard or these buttons:
+-•×÷=<>±≠≤≥()[]⌊⌋⌈⌉|


Welcome please fill the form (With validation)
Full Name
Email Address
Phone Number
Note
Submit
Welcome please fill the form (Without validation)
Full Name
Email Address
Phone Number
Note
Submit


Ingredients
Base:
Fruits:
Vegetables:
Extras:
Raspberry Blueberry Smoothie
3/4 cup frozen raspberries
1/2 cup frozen blueberries
1 frozen ripe banana
3/4 cup low-fat vanilla or greek yogurt
1/2 cup milk (any of your choice)
sweeten to taste
Banana Ginger Smoothie
1 banana
3/4 cup vanilla yogurt
1 tbsp honey
1/2 tsp ginger
Mango Banana Smoothie
1 medium mango
1 banana
2 1/4 cup orange juice
4 ice cubes
Kale Apple Smoothie
3/4 cup chopped kale
1 small stalk celery chopped
1/2 banana
1/2 cup apple juice
1 tablespoon lemon juice
1/2 cup ice
Mango Smoothie
1 cup chopped mango
1/2 cup milk
1/2 cup ice
1/4 cup plain yogurt
1 tablespoon honey
Orange Sunrise Smoothie
1 cup milk
1/4 cup orange juice
2 tablespoons orange marmalade
3 ice cubes
Breakfast Smoothie
4 ice cubes
1/2 cup milk
1/4 cup orange juice
1 tablespoon honey
1/3 tablespoon vanilla extract
1 banana
Banana Strawberry Smoothie
1/2 cup orange juice
3/4 cup frozen strawberries
1 banana
Jump Start Smoothie
1 cup frozen strawberries
1/2 cup blueberries
1/2 cup orange juice
2 teaspoons chopped ginger
1/4 cup plain yogurt
2 ice cubes
Mango Strawberry Smoothie
1 cup strawberries(fresh or frozen)
1 cup mango
1/2 cup plain or vanilla yogurt
4 ice cubes
Spinach and Banana Power Smoothie
1 cup milk
3/4 cup spinach
1 banana sliced
Kale Banana Smoothie
1 banana
2 cups chopped kale
1 tablespoon flax seeds
1 teaspoon honey
Spinach Kale Smoothie
2 cups spinach
1 cup milk
1 tablespoon chia seeds
1 leaf of kale
Carrot Smoothie
1 cup diced carrots
3/4 cup orange juice
1/3 cup plain or vanilla yogurt
2 ice cubes
Sweet Wheat Grass Smoothie
2 apples
1 orange
1 teaspoon honey
pinch of cinnamon
1 ounce wheat grass


Project help for project owner administration: Index
Issue tracker tool documentation
Because you are a Project Owner, you automatically have administrative permissions in IssueZilla to manage and track your project's issues. You can access these administrative options two different ways:
- Your view of the Project Issues page includes additional sections to Edit Users, Edit Groups, and Edit Components.
- All administrative options are included in the Issue Tracking toolbar, which appears in your view of all issue tracking screens.
Your role of Project Owner gives you the ability to configure almost every element of IssueZilla. Descriptions of these options and their default settings follows. Probably the most significant permission you have is the ability to edit the issue tracking permissions of all other users on your project. This can include delegating some of these administrative permissions to other users to help manage and plan the project workload.
If one of your project members builds a solid track record of committing issues that get confirmed, this is probably a person who understands the project and the issue tracking system well enough to be granted the "Can confirm an issue" permission. As a project owner, you can and should use IssueZilla to track this kind of information about project participants to help you manage project issues effectively.
To learn how to assign issue tracking permissions to project members, see "Users" in the next section
- Prefs (Preferences)
- Lets you configure some aspects of your issue tracking functionality and display environment, including:
- Email settings for automatic issue email notifications to you.
- Page footer links to be included in your query results screens.
- Permissions assigned to you as the default issue tracking administrator. (You control these permissions for all members of your project through the Users option in the Issue Tracking toolbar.)
- Sanity check
- An automated process that checks for an identifies any anomalies in your project's issues database, such as conflicting dependencies, committed issue errors, and correct references between issue reporters and user profiles.
- Users
- A text string field lets you access the user edit screen either by filtering for specific users or leaving it blank to access the full list of users after clicking the "Submit" button. Clicking on listed user's link displays another edit screen where you can check and uncheck permissions options.
- Components
- A component selection screen that lets you create, define, edit, add, and delete project components and subcomponents. Clicking on a component link in the list displays another edit screen where you can configure that particular component or subcomponent.
- Groups
- A group selection screen that lets you create, define, and delete groups specifically for issue tracking purposes, and assign project member users to groups. You can make changes to one, several, or all fields and submit them all at once. Your project also includes a default set of groups pertaining to issue tracking permissions.
- Keywords
- A keyword selection screen that lets you create, define, edit, and delete regular expression keywords to be used for issue tracking groups and queries.
IssueZilla is a powerful tool for managing and tracking your project's development activities down to the fine-grained details. As with most tools, users develop inevitably develop shortcuts and tricks to compensate for particular aspects of the tool, or to tailor it to their specific needs. IssueZilla is no exception.
What follows is a sampling of several tricks that have proved particularly useful to project managers or users with administrative issue tracking permissions:
- Avoid configuring the same management-level queries repeatedly by creating permanently displayed links to information you use constantly. For example, you can create a page of links for each project member's issue list, and for regularly used milestone or issue status queries.
- Because issues may not be deleted, you can create components or subcomponents named "issue graveyard" or "unknown" to collect dead or no longer applicable issues. IssueZilla's non-delete feature is actually a protective design feature since the ability to track such dead issues can sometimes come in handy, or at least preserve aspects of project history.
- Create a "not determined" milestone for project issues not yet tied to any particular project milestone date or release. Development project objectives and priorities tend to shift dynamically. This lets you identify and hold in reserve those issues affected by your project's evolution.
- Add a pseudo user known as "placeholder" (or some other equally obvious generic identity) who can "own" issues that you are not yet ready or able to assign to specific project members.
Back to Project Owner Administration help
Back to main Help index


jsUtils.serialize()
Returns serialized representation of a JavaScript object.
jsUtils.serialize( obj )
obj - JavaScript object
An input object will be converted to a serialized string reperenting this object. The object can be an array or any other JavaScript
object and can be nested. The serialized representation is not serialized in PHP or any other format. It is used to convert an object
into a string to be transmitted as a GET or POST parameter. You will need to unserialize this object on the server side. The object
is serialized in url safe way.
Both jsList and jsEdit use jsUtils.serialize() before they transfer parameters to the server.
Example
<!DOCTYPE html>
<html>
<head>
<script src="system/libs/jsUtils.js" type="text/javascript"></script>
<script type="text/javascript">
var arr = [1, 2, 'string', {}];
window.onload = function() {
alert(jsUtils.serialize(arr));
}
</script>
<body>
</body>
</html>
See Also


conditionize2
. A jQuery plugin for conditioning thingsYou just typed 'one'!
You just typed 'two'
You just typed 'three'
Wow! Even non-ASCII chars are ok!
You read too much:)
Wow! You just checked me!
Wow! You just checked me!
Wow! You just checked me!
I was here initially or you just checked me:)
Check it if you want me to disappear
You checked option2! I saw it!
Nice choice!
Makes sense!
Toggle me
Don't you tiered of 'two's?
Both are checked and 'foo' is typed.
The first one is 'foo'
The second one is 'foo'
The first one is 'foo'
The second one is 'foo'
Works!
Works!
Wow! Too mush!
You are whether tired or know some math:)
You wrote three movies.
I like Zootopia too.
More than one movie. Not bad.
Works with keyup!
Works with keyup array!
Works with many events in one string!
This one will be updated only after the button click!
This one is ignored on page load, but it works if you toggle the checkbox.
This text will not be affected.
This will alert only on uncheck and ignore check.
This will alert only on check and ignore uncheck.
Show if true, hide if false
Hide if false, show if true
Check the checkbox to clear all fields
Check the checkbox to clear the input and hide it
This is a section with subsections
WoW!


MATLAB 文件帮助: cv.SuperResolution/getOpticalFlow
查看 cv.SuperResolution/getOpticalFlow 的代码
Index
cv.SuperResolution/getOpticalFlow
getOpticalFlow Dense optical flow algorithm
optFlow = obj.getOpticalFlow()
Output
optFlow
output struct containing properties of the optical flow algorithm.
Method Details
Access
public
Sealed
false
Static
false


AnatomicalDirectionVS
{
"resourceType" : "ValueSet",
"id" : "cimi-element-AnatomicalDirectionVS",
"text" : {
"status" : "generated",
"div" : "

SW AnatomicalDirectionVS ValueSet

Anatomical location or specimen further detailing directionality. Codes are from NCI

"
},
"url" : "http://hl7.org/fhir/us/sw/ValueSet/cimi-element-AnatomicalDirectionVS",
"identifier" : [
{
"system" : "http://hl7.org/fhir/us/sw",
"value" : "cimi.element.AnatomicalDirectionVS"
}
],
"version" : "1.0.0",
"name" : "AnatomicalDirectionVS",
"title" : "SW AnatomicalDirectionVS ValueSet",
"status" : "draft",
"date" : "2018-08-17T00:00:00-04:00",
"publisher" : "HL7 Patient Care and Clinical Information Modeling Initiative Work Groups",
"contact" : [
{
"telecom" : [
{
"system" : "url",
"value" : "http://standardhealthrecord.org"
}
]
}
],
"description" : "Anatomical location or specimen further detailing directionality. Codes are from NCI",
"compose" : {
"include" : [
{
"system" : "http://hl7.org/fhir/us/sw/CodeSystem/cimi-element-AnatomicalDirectionCS",
"concept" : [
{
"code" : "C25231",
"display" : "ANTERIOR Denoting the front portion of the body or a structure."
},
{
"code" : "C25423",
"display" : "APICAL Relating to or located at the apex."
},
{
"code" : "C90067",
"display" : "BASAL Relating to or located at the lowest portion of a structure."
},
{
"code" : "C73851",
"display" : "CAUDAL Toward the tail in a body."
},
{
"code" : "C25445",
"display" : "CENTRAL A point or area that is approximately central within some larger region or structure."
},
{
"code" : "C37936",
"display" : "CRANIAL Toward the head in a body."
},
{
"code" : "C25240",
"display" : "DEEP Extending relatively far inward."
},
{
"code" : "C25237",
"display" : "DISTAL Situated farthest from a point of reference."
},
{
"code" : "C45874",
"display" : "DORSAL Pertaining to the back or upper surface of the body."
},
{
"code" : "C90376",
"display" : "DORSOLATERAL Toward the back and side of a body."
},
{
"code" : "C90386",
"display" : "FORE Of or involving the front of a main body."
},
{
"code" : "C90393",
"display" : "HIND Of or involving the back of a main body."
},
{
"code" : "C25353",
"display" : "INFERIOR Pertaining to a point below a given reference point."
},
{
"code" : "C37980",
"display" : "INNER Inside or closer to the inside of the body or object."
},
{
"code" : "C73705",
"display" : "INTERMEDIATE Located between two points or extremes."
},
{
"code" : "C25309",
"display" : "LOWER The bottom one of two."
},
{
"code" : "C25232",
"display" : "MEDIAL Toward the middle or in a limb toward the median plane."
},
{
"code" : "C81170",
"display" : "MIDLINE A medial line, especially the medial line or medial plane of the body (or some part of the body)."
},
{
"code" : "C27958",
"display" : "NASAL Of, or related to, or in the direction of the nose."
},
{
"code" : "C38166",
"display" : "OUTER Being on or toward the outside of the body or object."
},
{
"code" : "C25233",
"display" : "PERIPHERAL On or near an edge or constituting an outer boundary;the outer area."
},
{
"code" : "C25622",
"display" : "POSTERIOR Denoting the back portion of the body or a structure."
},
{
"code" : "C94393",
"display" : "ROSTRAL Toward the muzzle in the head."
},
{
"code" : "C25239",
"display" : "SUPERFICIAL Of or pertaining to the exterior surface."
},
{
"code" : "C25235",
"display" : "SUPERIOR Pertaining to a point above a given reference point."
},
{
"code" : "C25245",
"display" : "SURFACE The extended two-dimensional outer layer or area of a three-dimensional object."
},
{
"code" : "C117754",
"display" : "TEMPORAL Of, or related to, anatomic sites that are located in the cranium, brain, and eye."
},
{
"code" : "C90069",
"display" : "TIP The pointed end of a structure."
},
{
"code" : "C25355",
"display" : "UPPER The top one of two."
},
{
"code" : "C45875",
"display" : "VENTRAL Pertaining to the front or lower surface of the body."
},
{
"code" : "C98798",
"display" : "VENTROLATERAL Of or pertaining to the front and side of a main body."
}
]
}
]
}
}


Making a Super Short Video
Software For (almost) Everyone
Below are a handful of video editing softwares that are either online services or are available for download on a variety of systems. Like the examples in the previous two sections, each of these has strengths and weaknesses and you may end up using two or three of them on your video before you're finished.
Below each description is a video that was created with the software.
Powtoons
Powtoons is free. There is a paid version that adds a few more themes, but the free version offers a fair number of themes in its own right. It's basically a quick and easy animation creator. There's virtually no learning curve, and you can make a basic animated short in under a half an hour. The only glaring drawback is that, while you can upload a voice over, it doesn't allow you the control (like cutting sections of the soundtrack to match up with the video) that you'll find with programs like iVideo. Check them out at their website.
Camtasia
Camtasia is the only non-online option on this page. It has to be downloaded but it has both a Windows and Mac version (sorry linux users). It's far from free, but it does have a free thirty day trial. It was originally intended for animating PowerPoint-style slideshows, but it translates well to video editing. It's strong points are frame freezing and adding text and graphics like arrows to an existing video. In the video below, you'll see these features in action in a rugby highlights reel. Check them out at their website.
WeVideo
WeVideo is another online video editor. They too have a free and paid version. The paid version is only about six dollars per month. The paid version may well be worth the dough given the extremely limited export options and monthly export time in the free version. All that said, it has a super clean interface and is easy to use. It also offers a variety of themes and effect options. Check them out at their website.
Animoto
Animoto is an online video editing tool. It has a free version and a paid version, but the paid version is only around five dollars per month, so it might be worth purchasing if you only need it for a month or two. The free version is limited to thirty seconds of video and has limited style options. So here's the skinny: Animoto has awesome built in style options and a large bank of soundtracks which can make your video look super professional in short order. It's really best suited for creating animated picture collages, but you can use it for more traditional videos too as you'll see in the clip below. Check them out at their website.


Teamwork is so important that it is virtually impossible for you to reach the heights of your capabilities or make the money that you want without becoming very good at it.
A group becomes a team when each member is sure enough of himself and his contribution to praise the skill of the others. No one can whistle a symphony.
The strength of the team is each individual member. The strength of each member is the team. If you can laugh together, you can work together, silence isn’t golden, it’s deadly.
Con que empresas trabajamos
An artist of considerable range, Jane Faker — the name taken by Melbourne-raised, Brooklyn-based Nick Murphy — writes, performs and records all of his own music, giving it a warm, intimate feel with a solid groove structure.


| Author(s) | Book Title | Read? | Updated February 09, 2020 |
|---|---|---|
| John Steinbeck | The Grapes of Wrath | Yes |
| Jules Verne | Around the World in 80 Days | Yes |
| R.N. Tagore | C. Rakta Karab | Yes |
| D. Jawaharlal Nehru | Discovery of India | No |
| Svami Ramdev | My Life, my mission | No |
| Amitav Ghosh | Gun Island | Yes |


From this section of the site, you can Add/Manage/Modify/Publish your modules. If you have already created modules, you can view available actions by selecting the 'My Modules' tab above.


Anastasia
a review
By Jeremiah Rickert
I caught the late showing of Anastasia at one of my favorite theaters, the Westgate in Beaverton, Oregon. It is the theater where as a lad of three, I stood on the seat and shot Darth Vader with my green spark gun, but I digress. Anastasia is the first animated production of Fox Family Films, and for the most part it is a pretty good offering. The man behind it is Don Bluth, who has put out a fairly steady stream of animated entertainment, including The Secret of Nimh, An American Tail, and All Dogs Go To Heaven, just to name a few. None of the above have really competed with concurrent Disney offerings, but this latest one, in my opinion, outshines two of the last three Disney Animated films. (Hercules and Pocahontas). At first glance, it seemed that Fox and Bluth were trying to emulate their competitors style. They began to market Anastasia with teasers and posters and such practically a year ago. A few months later, I recall seeing a trailer with partially completed animation (sound familiar?), and then the blitz started. It's the old jam it down our throats campaign, a bit softer than the Disney bombardment, but there nonetheless. The story concerns a rabidly revenge-minded Rasputin (Snickered and Growled wonderfully by Chistopher Lloyd), who in an effort for repaying the Tsar of Russia for disowning and trying to have him killed (assuming they've stuck to history of course, this is never fully explained), curses the royal family to be killed. He then sells his soul to the forces of Darkness in order that this curse be carried out.  I thought that history should have been a bit more elaborated upon, simply because at least kids would "learn" something, but it was not to be. The family then attempts to escape, but they are all killed save the mother of the Tsar (voiced by Angela Lansbury), and his Daughter Anastasia, however, she fails to catch the last train out of St. Petersburg, and is coldcocked to the ground, becoming an orphan. 10 years later, now grown, she yearns to find out who she is, and whether she actually has family, thus begins the adventure. She meets up with a swindler named Dmitri and his sidekick Vlad (played by John Cusack and Kellsey Grammer respectively) who attempt to pass her off as the Grand Duchess Anastasia in order to receive the 10million Ruble reward. And of course, Rasputin returns to finish the job. The pieces are all in place, and how they play out is rather entertaining. The story kept me interested and definitely entertained, the songs were passable, but not very memorable. If it wasn't for the fact that the strongest song was in the credits, I would have probably forgotten it. The Animation was good, but incosistent, at times I found it breathtaking, particularly during the "paris" song, when the city is laid out like an Impressionist painting. The human movements were as good as, in some cases more realistic than, those of Disney characters, except for their faces. Their faces lacked detail and their lips rarely moved in synch with their lines and songs. This is the biggest flaw in the film, it bothered me throughout the whole thing. The computer animation also didn't blend in as well as it could have, sometimes it stuck out like a sore thumb, particularly the cars driving around paris. The computerized "camera" movement in the Dowager's townhouse looked too rigid and unnatural. Overall, however, I was entertained, the story was interesting, and actually more "Grown-up" than I expected. I think it would be scary in some respects for young kids. I was reminded of The Black Cauldron a bit, where armies of the dead poured from the Cauldron, summoned by the Horn King, and how a lot of families were put off by that. I would be surprised if Anastaisa grosses in the Disney territory for this very reason. The comic foil, Bartok, unfortunately has all of his best lines stuck in the trailers, as it often is with these things, and really didn't seem much more as an attempt to garner a few laughs. This sounds strange, but The parrot in Alladin as played by Gilbert Gottfried was a more well-rounded character than Bartok.
Out of the $6.50 I paid for it, it was worth $5
--
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Class Base
Direct known subclasses
MvcCore\Ext\Form\Core\ConfigurationIndirect known subclasses
MvcCore\Ext\Auth\SignInForm, MvcCore\Ext\Auth\SignOutForm, MvcCore\Ext\Auth\Virtual\Form, MvcCore\Ext\Form
protected
string
|
#
absolutizeAssetPath( string $path = '', string $assetsKey = '' )
Absolutize assets path. Every field has cofigured it's supporting css or js file with absolute path replacement inside file path string by 'MVCCORE_FORM_DIR'. Replace now the replacement by prepared properties $form->jsAssetsRootDir or $form->cssAssetsRootDir to set path into library assets folder by default or to any other user defined paths. |
protected
|
|
protected
array
|
#
completeAssets( string $assetsKey = '' )
Complete css or js supporting files to add after rendered form or to add them by external renderer. This function process all added assets and filter them to add them finally only one by once. |
protected
string
|
#
getRequestPath( )
Get request path with protocol, domain, port, part but without any possible query string. |
protected
|
#
prepareRenderIfNecessary( )
Prepare for rendering. - process all defined fields and call $field->setUp(); to prepare field for rendering process. - load any possible error from session and set up errors into fields and into form object to render them properly - load any possible previously submitted or stored data from session and set up form with them. - set initialized state to 2, which means - prepared for rendering |
protected
|
#
renderAssetFile( string & $content, callable & $renderer, boolean $loadContent, string $absPath )
Render supporting js/css file. Add it after renderer form content or call extenal renderer. |
protected
string|array
|
#
submitField( string $fieldName, array & $rawRequestParams,
Process single field configured validators and add errors where necessary. Clean client value to safe value by configured validator classes for this field. Return safe value. |
protected
|
#
submitFields( array $rawRequestParams = array() )
Process all fields configured validators and add errors where necessary. Clean client values to safe values by configured validator classes for each field. After all fields are processed, store clean values and error messages into session to use them in any possible future request, where is necessary to fill and submit the form again, for example by any error and redirecting to form error url. |
protected
integer
|
$initialized
Initialized state. You can call $form->Init(); method any time you want, it automaticly recognize, if it is already initialized or not, but there is necessary to call at Init() function begin parent::Init(); call to do it. Sometimes you need to work with feelds before rendering outside of form and there is necessary to call $form->Init() menthod by yourself, but normaly it's called internaly after it is realy needed, so only for render process and submit process. This initialization state property has three values: 0 - not initialized 1 - initialized, but fields are not prepared internaly for rendering 2 - all fieds are prepared for rendering (it is processed internaly in $form->Render() function, state 2 is not necessary to know. |
#
0
|
protected static
array
|
$js
Temporary collection of js files to add after form (directly into html output or by external renderer, doesn't metter), this serves only for purposes how to determinate to add supporting javascript by field type only once. Keys are relative javascript file paths and values are simple dummy booleans. |
#
array()
|
protected static
array
|
$css
Temporary collection of css files to add after form (directly into html output or by external renderer, doesn't metter), this serves only for purposes how to determinate to add supporting css by field type only once. Keys are relative css file paths and values are simple dummy booleans. |
#
array()
|
protected
string
|
$jsAssetsRootDir
Simple form javascript assets root directory. After \MvcCore\Ext\Form instance is created, this value is completed to library internal assets directory. If you want to create any custom field with custom javascript, you can do it by loading github package mvccore/simpleform-cusom-js somewhere create there any other custom javascript for any custom field and change this value to that directory. All supporting javascript for \MvcCore\Ext\Form fields will be loaded from there. |
#
''
|
protected
string
|
$cssAssetsRootDir
Simple form css assets root directory. After \MvcCore\Ext\Form instance is created, this value is completed to library internal assets directory. If you want to create any custom field with custom css, you can do it by creating an empty directory somewhere, by copying every css file from library assets directory into it, by creating any other custom css for any custom field and by change this value to that directory. All supporting css for \MvcCore\Ext\Form fields will be loaded from there. |
#
''
|
protected static
array
|
$csrfErrorHandlers
Collection with callable handlers to process anytime CSRF checking cause an error inside form. |
#
array()
|


ok, people. since last year's randomw tournament was a success, we're going to do it again this year.
so, start thinking of some random and/or funny words that you would like to see fight.
Ok. Out of all the words suggested in the previous note, pick the sixteen (16) word(s) that you like best, and send them to me in a message, NOT A COMMENT ON THE NOTE. This way, the ballots will be secret. I'll make my votes, count all the votes, and the second word tourney will be ON!
Here are the sixteen most popular words, as well as their seeding. Seeding proceeded by tallying the votes, the sixteen most popular making the cut and the seeds assigned according to respective vote totals. The matchups are as follows:
1 vehicular vs. 16 diode
8 hemoglobin vs. 9 municipality
5 disembowelment vs. 12 convolution
4 creme vs. 13 shenanigan
6 algorithm vs. 11 chicken
3 titillating vs. 14 caddywampus
7 carcinogen vs. 10 lexicon
2 audacity vs. 15 spigot
From each matchup, pick one word to advance to the next round. Feel free to post on this note, no more messages. It's on!
uhh.... odd. the 1 and 2 seeds both lost... so, here is the next round. you know the drill
8 hemoglobin vs. 16 diode
4 creme vs. 5 disembowelment
3 titillating vs. 6 algorithm
7 carcinogen vs. 15 spigot
5 Disembowelment Vs. 16 Diode
6 Algorithm Vs. 7 Carcinogen
For this one, include an insult at the end of your voting, just to make things funny.
7 Carcinogen Vs. 16 Diode
Include any number greater than 9000, but less than or equal to 10032, followed by any color, and any activity that rhymes with Shmastersmation (without repeating anyone else's, and feel free to make up words here.)
HAH! Zach, you are awesome. You know, missing a zero here or there is probably a very important issue.
/edit
Anyone know where the post where the champion was announced.
Should be after March 11, 2008.


Dear {{name}},
Welcome to Hydro !!!
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Favorite Places
Restaurants
Bollywood Theater
Luce
favorite Italian!
Yoko's Sushi
on SE Gladstone
Bamboo Sushi
is good too!


Styling With CSS
Intermediate
Ryan Wagner
Layouts? What that?
Layout is the art of arranging content on a page for aesthetic and functional reasons.
A Simple Layout
Warm Up!
To get rolling, create Four Divs with the ID's header, navigation, content, and footer.
Then put a paragraph in each that identifies the div.
How do we accomplish this?
Layouts are accomplished through the magic of four properties: Width, Height, Display, and Float.
Width and Height
The width property controls exactly what it sounds like. It controls the width of an item.
This can be calculated in several ways, but usually is calculated in percents or pixels.
Height functions similarly to width, but can't use percentages.
Next step!
Using the HTML you already wrote:
- Create a CSS sheet as you learned how in the last class.
- Set the background colors on each element to a different color. Your choice!
- Set the height on each to 200px (
height: 200px;
)
- Set the width on the header to 100% (
width: 100%;
), navigation to 33%, content to 67%, and footer to 100%.
- Reload the page!
Display
Display has five major parameters that can be passed to it.
These are inline, block, inline-block, list-item, table, and various iterations thereof.
Not This Kind of Float
Float
Floats are a truly fascinating property that has the unique ability to make both complex layouts and creative swearing possible.
Next Step
Using the HTML you already wrote:
- Float the navigation block left.
- Experiment with floating the content block left or right. What, if anything, changed? Why?
- Now float the navigation block right, and experiment with floating the content block left and right.
Unguided Practice
Create the image below using what you know. The number in the block corresponds to what order it should be placed in, in the HTML.
Thank you for coming and for your service!


{% extends "base.html" %} {% load staticfiles %} {% load i18n %} {% block css %} {% endblock css %} {% block page_title %}Digital Greendoors{% endblock %} {% block body_class %}{{ block.super }}{% endblock %} {% block content %}
You can download the Greendoors app for iPhone and Android smartphones and tablets by using the links on the right. You can also use the app in your web browser by clicking here.
You can earn gift vouchers for testing the Greendoors app during the event. Register the app or contact Elaine for more information.
{% endblock content %}


Based on your answers, you should consider applying for the below registrations.
What you need to know
- If you're not sure about the answers you've given, it's a good idea to chat to your financial advisor or contact the Tax Office, who can take into account your complete situation.
- We've covered the basic business and tax registrations. We'll ask for more information about your business when you apply, which will help us work out if your business should consider other registrations.
Ready to apply?
Make sure the registrations you want are ticked before you start applying.


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Thank you for contacting GeekChic! We appreciate your feedback, and we'll respond to your email, {{ email }}, as soon as possible!
As you requested, we have forwarded you a copy of the message you sent us.
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November 8: Time Out: Sporting greats, Dates and a Quick Quiz blitz...
by The Irish News Archive and PATHERE were mixed emotions for the Ulster squad yesterday as their inter-provincial success in London was marred by a serious injury to Armagh’s Ciaran McKeever.
In Ruislip, it was feared that McKeever had broken his leg after leaving the field in an ambulance in the first half, but Orchard boss Paddy O’Rourke confirmed that the Cullyhanna half-back had suffered ankle ligament damage instead.
“It’s not a fracture,” said O’Rourke. “It will take about 48 hours until we find out how serious it is, we’ll not know how long he will be out for until later this week.
“Of course, there is just one thing on Ciaran’s mind and that is how quickly he can get back playing,” added the Armagh boss.
While the injury certainly put a dampener on proceedings, Joe Kernan’s charges still had reason to celebrate after claiming a 29th Railway Cup title by seeing off Munster on a 0-15 to 1-8 scoreline.
Ulster: J Devine; K Lacey, Justin McMahon, G O’Kane (0-2); A Kernan, C McKeever, R Flanagan; K Hughes (0-2), E McGinley (0-1); P Finlay (0-1), B Coulter, Joe McMahon; P Bradley (0-3 1f),S O’Neill (0-1), M Murphy (0-1f).
Subs: C Gormley (0-1) for McKeever (28); R McCloskey for Lacey (ht); D Hughes (0-2) for Joe McMahon (41); D Gordon for Murphy (43);T Freeman for Hughes (52).

Subs: R Costigan for M O’Gorman (ht); J Ryan (0-1) for Kerrigan (ht); S Scanlon for O’Neill (56); A Walsh for O’Lionnain (59)
Referee: D Fahy (Longford).
BIRTHDAYS
Martin Peters (soccer) - Former West Ham and England player who scored his country's second goal in the 1966 World Cup final, born 1943.
Guus Hiddink (soccer) - Much-travelled Dutch manager who had two spells in caretaker charge of Chelsea, born 1946.
Alan Curbishley (soccer) - Former Charlton and West Ham manager, born 1957.
Brett Lee (cricket) - Former Australia fast bowler, born 1976.
Aaron Hughes (soccer) - former Northern Ireland defender, born 1979.
Joe Cole (soccer) - Former England midfielder, born 1981.
Jamie Roberts (rugby union) - Bath, Wales and British and Irish Lions centre, born 1986.
Sam Bradford (gridiron) - Former Arizona Cardinals quarterback, currently a free agent, picked number one in 2010 draft by St Louis Rams, born 1987.
Morgan Schneiderlin (soccer) - Everton and France midfielder, born 1989.
QUICK QUIZ
1. How many Serie B titles have Juventus won?
2. What sport did Roscoe Tanner play professionally?
3. How far apart are the goalposts in soccer?
4. How long is a furlong as used in horse racing?
5. Who are the current sponsors of the EFL Cup?
(See quiz answers below)
ON THIS DAY
1886: Thirteen-time champion jockey Fred Archer died from self-inflicted gunshot wounds. The 29-year-old had suffered from depression for two years following the death of his wife in childbirth.
1995: Everton striker Duncan Ferguson lost his appeal against the Scottish Football Association's 12-match ban for his on-field assault on Raith's John McStay in April, an offence for which he served a jail sentence.
1996: Steve Coppell quit as manager of Manchester City after just 33 days, citing a stress-related illness as his reason and leaving assistant Phil Neal in the caretaker role.
1996: Chelsea signed Italian star Gianfranco Zola for ?4.5million from Parma.
2004: Jason Robinson was the first black player named to captain England in a rugby union Test. The former Wigan and Great Britain rugby league winger captained the side against Canada at Twickenham.
2007: Ruud Gullit was confirmed as the new coach of Los Angeles Galaxy. The Dutchman resigned his post in August 2008 for personal reasons.
2012: Former Bolton midfielder Fabrice Muamba returned to White Hart Lane for the first time since his cardiac arrest there during an FA Cup tie against Tottenham in March, appearing on the pitch at half-time.
2016: Captain Alastair Cook announced that teenage opener Haseeb Hameed would make his England debut in the first Test against India.
2018: Uncapped Bournemouth striker Callum Wilson was included in the England squad for the friendly against the United States and the Nations League match against Croatia.
SPORT ON TV
Today (Friday, November 8)
SOCCER: Premier League, Norwich v Watford - Sky Sports Main Event, Sky Sports Premier League 1900; FA Cup, Dulwich Hamlet v Carlisle - BBC Two 1930; Scottish Championship, Dundee v Dundee United - BT Sport 2 1915; Ligue 1, Nice v Bordeaux - BT Sport/ESPN 1945.
CRICKET: T20, New Zealand v England - Sky Sports Cricket 0430 & Sky Sports Main Event 0500.
RUGBY UNION: Premiership, Sale v Wasps - BT Sport 1 1900.
GOLF: European Tour, Turkish Airlines Open - Sky Sports Main Event, Sky Sports Golf 0900.
SNOOKER: Champion of Champions - ITV 4 1845.
BASKETBALL: NBA, Denver Nuggets v Philadelphia 76ers - Sky Sports Main Event 0200 (Sat).
Tomorrow (Saturday, November 9)
SOCCER: Premier League, Chelsea v Crystal Palace - BT Sport 1 1200; Leicester v Arsenal - Sky Sports Main Event, Sky Sports Premier League 1700; Championship, Nottingham Forest v Derby - Sky Sports Main Event, Sky Sports Football 1200; Bundesliga, Bayern Munich v Borussia Dortmund - BT Sport 1 1715.
CRICKET: T20, New Zealand v England - Sky Sports Main Event, Sky Sports Cricket 0030 (Sun).
RUGBY UNION: Premiership, Gloucester v Saracens - BT Sport 2 1430.
RUGBY LEAGUE: New Zealand v Great Britain - BBC Two 0630.
GOLF: European Tour, Turkish Airlines Open - Sky Sports Main Event, Sky Sports Golf 0900.
SNOOKER: Champion of Champions - ITV 4 1845.
DARTS: Grand Slam of Darts - Sky Sports Action 1300 & Sky Sports Main Event 1500.
BASKETBALL: San Antonio Spurs v Boston Celtics - Sky Sports Arena 2200.
HORSE RACING: Wincanton - ITV 4 1315.
QUICK QUIZ answers: 1. One; 2. Tennis; 3. Eight yards; 4. One eighth of a mile; 5. Carabao.


| DOSE: |
1 bowl |
smoked |
Cannabis |
(ground / crushed) |
I smoke weed pretty much every day, but today's trip was unlike anything I have ever experienced.
I don't know where to begin really. I smoked it out of my bowl. I was initially going to smoke a bowl of just weed but then I realized there was a pile of resin powder at the bottom of the baggy that my weed was in. I bought the weed pre-ground from a dealer because it was all he had left.
I pinched some of the powder, it was sticky resin that rolled into a ball in between my fingers. I sprinkled a layer of the powder on top of the bowl and went outside to smoke.
I smoked in the woodshed beside my house. I took one hit and knew how intense the experience was going to be. I was already high and I had only hit the bowl a few seconds earlier. I smoked the whole bowl and began to really feel it. I walked up to the house smiling and laughing, thinking that this was going to be a great high.
I was doing fine, feeling good, watching tv, and eating. I started to reach new levels of high, places I had never been. Sounds from the TV were echoing and I was becoming increasingly psychologically introverted. I turned the TV off because it was becoming too frantic for me to watch. I began to think about myself and my personality. I was feeling emotions, defining where the emotions were coming from and analyzing them. I went through all of my worries, confusions, pleasures, guilts, and took them all to their roots in my mind. It was like I was watching a movie about myself in my brain.
As I continually became more and more introverted and pensive on my minds workings I found a place in my brain that I have never been before. I literally was convinced I had found my personality's core, a pure representation of myself, and surrounding it were all of the external personas, facades, and superficialities that I had accumulated throughout my life. I visually hallucinated, while standing in my kitchen breaking through the layers of my external superficialities and facades until I reached some sort of true center.
I was physically shaking while breaking through hallucinated layers. I was floating through a fractal-like world, in a complete visual hallucination. I was in a different dimension, as cliche as that sounds. It was the most intense emotional experience I have ever had. Every once in a while, as I traveled through this world, I would come-to a little bit, and I became scared and worried about how out of it I was. But eventually I would be back in my brain thinking about things I hadn't thought about for years, and at a speed of processing that I have never experienced.
I began to feel physically drained and like I was probably going to be sick. I went upstairs to my room and laid in my bed.  I laid down and pulled the covers over myself and closed my eyes. The things I saw in my mind are completely indescribable. I was looking at my psyche, and I was seeing the portions and compartments that constituted it.
As soon as I thought that I had compiled all of my mental processes into one big picture image, I zoomed out from what I previously had believed to be my psyche in it's entirety and realized that there was still more. I did this process of consolidation and realization until I had a large ball visualized in my brain. This ball was everything that is me: every thought, memory, emotion, every action, all contained in this ball. I think I then began to fall asleep. The ball moved farther and farther away in my visual field until there was nothing. It was a mental silence like I have never felt. I sat bolt upright and honestly became convinced that the silence I had just experienced was death. I thought that I had almost died.
I got up and went back downstairs. Sat down in front of the TV and never in my life have I wanted to be sober more than the next two hours. I was high, coming down, and thankful for the fact that I wasn't still freaking out.
The experience was way too intense for me. I'm glad it happened, because it was eye opening, but I would definitely not like to be that high every time I smoke weed.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


"SkillsBuddies is awesome! It would be so difficult to find qualified, hard working people that need a chance without it."
"SkillsBuddies is great. It works when I need it, and customer support is so fast if there are ever any issues."
"When I want hard working people I can rely on, I use SkillsBuddies first."
"Time and time again, SkillsBuddies comes through. I know I can find good workers here."


What I did
- Designed and implemented a React web application to analyze and illustrate the quality of data processed by an production Java application
- Built rapid prototypes in React, Angular, and Vue.js to evaluate their viability for the project and presented a recommendation to leaders
- Developed the front-end using React to display tables and graphs in a more clear and productive manner
- Integrated with a Gradle Java application and deployed through development, QA, and production environments
- Decreased by half, the work for analysts who use the application daily to confirm the quality of the data
- Learned and used enterprise software tools such as Jira, Confluence, Bitbucket Server
Responsibilities
- Participated in daily Scrum stand-ups
- Completed assigned stories in two week sprints
- Finished the same number of story points each sprint as full-time developers on the team
- Engaged in velocity, scoring, retrospective, and release increment activies
- Created and managed Jenkins projects and builds


this review originally appeared in the latter group. -Moderator]
A STRANGER AMONG US "Stop Her Before She Acts Again" By Aryeh J.S. Nusbacher Copyright 1992 Aryeh J. S. Nusbacher
Perhaps Melanie Griffith was once a good actress. I certainly saw WORKING GIRL without finding her annoying. But when I went to see A STRANGER AMONG US this week, I went with the expectation that her abysmal performance in SHINING THROUGH had been a bad moment. I hoped that with good script and a top gun like Sidney Lumet directing she would be believable. I was disappointed.
A STRANGER AMONG US puts Melanie Griffith, playing a police detective, in a Hasidic community in Brooklyn to investigate the disappearance of a young member of the community. Emily, the detective, prefers to shoot it out with "scumbags" rather than call for backup. After this habit gets her partner and lover stabbed, she is given a bit of light duty.  Unlike WITNESS, the obvious comparison, the premise does not justify the plot. Surprisingly, it's still not a bad movie.
If one can believe that the New York Police will infiltrate a detective into any ethnic community that has had a member disappear; and if one can believe that any rational police commander would send a woman rather than a man to infiltrate a patriarchal community, then one can swallow the premise. The plot is supposed to trace our detective's development as a person from the mini-skirted, foul-mouthed woman who sleeps with her co-worker and doesn't call for help when she needs it; to a modest, thoughtful cop who acts as a team player and doesn't put the milk carton into the meat refrigerator. The fact that the plot is based on Griffith's abysmal acting makes it irrelevant to the movie. Seeing it is like going to an opera, and being fascinated by the opera house's architecture instead of the action on stage. Fortunately, the movie provides some pretty architecture.
The romantic tension in the movie is between Griffith's Emily and the heir-apparent to the Hasidic dynasty, Ariel. The romance survives Griffith's complete unattractiveness (her voice would be a useful abrasive in the diamond district) because to the general viewer any fully-grown man who is a virgin will likely go after anything in a skirt. Even to the Orthodox Jewish viewer (many of whom are kept away from the movie by it's opening during a traditional three week season of mourning) it is believable -- Emily, even with a long skirt and a wig that looks like a wig, is the Eternal Shiksa, the constant temptation to Jewish men.
The Jewish aspects of the film are complicated and occasionally amusing. The film opens with alternating views of the Hasidic world and the police world. The brightly-lit life of a New York cop is made to seem familiar, if not from the viewer's own experience then from the viewer's experience with police movies. The sepia-tone world of the Hasidim, lit with 40 watt incandescent bulbs, is made to seem quite separate, though the designer is careful not to allow it to seem completely alien. To the Jewish-educated viewer, the movie is starkly showing a familiar dichotomy made clearer by the distinctively accented Hebrew of children singing the Grace after Meals, and the striped woolen tsitsit of the Hasidim. In between the two worlds is the diamond shop that Ariel, his sister Leah, and their friend Mara work in. With the broad counter acting as a barrier between the worlds, this place has neither the stark fluorescent lighting of the police station nor the bright light of the city streets.
The effect of the mistakes in representing the Hasidim are not jarring in this film (remember the guffaws in WITNESS at the idea of a Hasid reading the "Jerusalem Post"). Ariel's name and Hebrew accent are more Modern Orthodox than Hasidic, but that only makes him seem less alien to the Jewish viewer. In fact, the Jewish-educated viewer feels like a secret partner of the faceless consultant who helped with this local colour, smiling at the occasional lapse and appreciating the fine points, such as the representation of a house in mourning.
It is never made clear just which sect the Hasidim in the movie are supposed to represent. When one is in the diamond-cutting workshop of the missing Hasid, there is an Israeli tourism poster clearly displayed to let us know that these are not the Satmar. At the Rebbe's shabbat table, he is flanked by men colourfully dressed to represent Yemenite and Ethiopian Jews, making it clear that the Rebbe is not an insular leader. The Rebbe, a survivor of Auschwitz, an accomplished linguist, a sensitive parent, is an ideal generic picture of the Hasidic Rebbe's appearance to the outsider. Care is taken not to allow the Hasidim to seem otherworldly -- a word processor is prominently displayed in the Rebbe's outer office, and the characteristic large station wagon with no hubcaps is prominently displayed.
The Kaballah plays an important part in this film. Ariel hides a small book inside his talmudic tractate, illicitly exploring the depths of mysticism (warned by his friend that he is too young). The Kaballah acts as an emblem of enlightenment, providing Ariel with the erotic vocabulary necessary to make him a credible love interest; and giving him a way to be a maverick without compromising his devotion to his faith. The rolling up of the Kaballah into a single pocket-sized volume can be forgiven, since neither the ordinary viewer nor the ordinary police detective needs a lecture on the difference between the "Zohar" and the "Kuzari."
Mia Sara, who played the leading lady in FERRIS BUELLER'S DAY OFF, plays the Rebbe's daughter, Emily's guide in the Hasidic world. She is an unfortunate sidekick for Griffith's detective, because while the contrast between the modest Hasidic girl and the brash cop is salutary; the contrast between the excellent actress playing a complex part and the Box Office Star trying to act is pathetic. Sara brings a matter-of-fact attitude to her role, making the Hasidic world seem rational and ordinary; and her dignity and modesty are such that when she is humourous she is not laughable.
The music by Jerry Bock will delight klezmer aficionadoes, though there are some scenes in which the Hasidim do not lip-synch terribly well to the studio choir. One place in which the consultant must have cringed was when a cheerful shabbat celebration continues to the sound of a lone female voice -- beautiful, and familiar to modern klezmer listeners, but anathema to the turbo-Orthodox. The costuming, which does not seem like a difficult task, seem overly stiff; as though the entire Hasidic community has just picked up all their clothes from the dry-cleaner's, without the well-worn look that one sees in real people's clothing.
On the Jewish Movie scale, in which THE CHOSEN is five stars and THE MAD ADVENTURES OF RABBI JACOB is one star, I give this one three stars.
- 30 -
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The musical era of the 1990s was one filled with a variety of pop, rap, and alternative music artists as well as a plethora of one-hit wonders. It was a time when musical taste was as varied as the events that were happening at the time. Many of the most popular acts that emerged in the 1990's were bands and artists who enjoyed a type of resurgence in the mainstream music scene after their popularity had dwindled for a decade or so. Other artists were just starting out during this decade and make a huge impact on the musical scene. Following is an explanation of some of the most memorable artists that helped to define the era in terms of musical differentiations as well as some artists who are best forgotten.
Golden age of hip-hop. It was the name given to mainstream hip hop music created in the mid/late 1980s and early 1990s, particularly by artists and musicians originating from the New York metropolitan area. It is characterized by its diversity, quality, innovation and influence on hip hop after the genre's emergence and establishment in the previous decade.
Production became more innovative as technology moved on. There was a greater diversity as various ensembles sought originality. Hip-Hop had a greater influence on culture. Samples became more obscure which lead to massive amount of obscurities becoming unearthed. Hip-Hop lyrics became more instrumental in voicing the social protests of the day - gun crime and violence, drugs, religion, politics and everything in-between.
Born: Calvin Cordozar Broadus Jr., a.k.a. Snoop Dogg (October 20, 1971 – Present)
Snoop is widely adored today, but he was truly adored in the 90s. Snoop started his run with 1993's Doggystyle, an essential hip-hop album masterminded by Dr. Dre and executed to perfection by Snoop Dogg.
Following the death of 2Pac, Snoop wanted no parts of Suge Knight's Death Row drama. He defected to Master P's No Limit Records. Few will bat a lash if a west coast MC signed to a southern rap label today, but this was a risky move in the 90s. Although none of his No Limit Records albums matched the quality and popularity of Doggystyle, Snoop was still the Doggfather to anyone who enjoyed hip-hop music in the 1990s.
Born: Lonnie Corant Jaman Shuka Rashid Lynn, a.k.a. Common (March 13, 1972 – Present)
Common is one of the most important rappers making music today. His run dates back to the 90s when he was still a young 22-year-old who rapped under the alias Common Sense. Common positioned himself as a street poet, rapping about hood despair on early tracks. Later, in 1996, he battled the fierce and feared Ice Cube and emerged unscathed.
A master storyteller, Common took on risky subjects like love and relationships in the face of hip-hop masculinity. Common's 90s body of work, from the stellar Resurrection to the string of hits, helped make his case as one of the greatest rappers of all time, never mind the 90s.
Born: Trevor George Smith Jr., a.k.a. Busta Rhymes (May 20, 1972 – Present)
Busta Bus recorded a lot of great music in the 90s: his hit singles, "Woo Hah!! Got You All in Check" and "Dangerous" among them; his career-defining album, When Disaster Strikes; and his Grammy-nominated, platinum-selling follow-up E.L.E. (Extinction Level Event): The Final World Front. Busta also established a reputation for creative music videos via cult classics like "Put Your Hands Where My Eyes Could See" and "Dangerous." Despite his enviable resume, Busta Rhymes has never won a Grammy.
Born: Lauryn Noelle Hill, a.k.a. Lauryn Hill (May 26, 1975 – Present)
1998, Hill went solo with her own Miseducation of Lauryn Hill. She delivered the best fusion of hip-hop and R&B hip-hop has witnessed in a long time. Her songwriting flourished from tune to tune, whether grappling with spirituality ("Final Hour," "Forgive Them, Father") or stroking sexuality without exploiting it ("Nothing Even Matters"). The Miseducation won five Grammy awards (out of a historic 10) and earned an induction to the National Recording Registry.
Born: Shawn Corey Carter, a.k.a. Jay Z (December 4, 1969 – Present)
American rapper and entrepreneur, Shawn Corey Carter, better known by his stage name Jay-Z, is one of the biggest names in ‘Rap’ and in the genre of hip-hop. He is not only one of the most successful rappers but also a successful entrepreneur, who owns an entertainment company named ‘Roc Nation’. His albums have approximately sold over 50 million copies globally and he has received a number of awards. Many of his albums have time and again charted popular countdowns including the famous ‘Billboard 200’. His large catalog of music speaks volumes about his hard-work and ruthless, aspiring quality.
Born: O'Shea Jackson, a.k.a. Ice Cube (June 15, 1969 – Present)
Ice Cube walked away from N.W.A., a revolutionary hip-hop group, only to kick off one of the most remarkable solo careers of the 90s. Cube was N.W.A.'s most competent MC and it was evident on his solo debut, 1990's Amerikkka's Most Wanted. With The Bomb Squad supplying the burly beats, Cube attacked every song with what he dubbed "street knowledge."
Born: Brad Terrence Jordan, a.k.a. Scarface (November 9, 1970 – Present)
Scarface quickly became the South's most admired rapper and remained so throughout the '90s after breaking away from the Geto Boys to launch his solo career in 1991.
With a voice that's deep and brawny, he tackled the quest for survival in a dog-eat-dog world alongside topics that were never meant for mass consumption: murder, suicidal thoughts, and nihilistic leanings, among them. Still, Face went on to shift units, chart on the Billboard Hot 100, and influence a generation of MCs.
Born: Nasir bin Olu Dara Jones, a.k.a. Nas (September 14, 1973 – Present)
His musical career began in 1991, as a featured artist on Main Source's "Live at the Barbeque". His debut album Illmatic (1994) received universal acclaim from both critics and the hip-hop community and is frequently ranked as one of the greatest hip-hop albums of all time.
Born: Christopher George Latore Wallace, a.k.a. Notorious B.I.G. (May 21, 1972 – March 9, 1997)
His debut album Ready to Die, (1994) made him a central figure in East Coast hip hop and increased New York City's visibility in the genre at a time when West Coast hip hop dominated the mainstream. Wallace was noted for his "loose, easy flow"; dark, semi-autobiographical lyrics; and storytelling abilities, which focused on crime and hardship.
Born: Tupac Amaru Shakur, a.k.a. 2Pac and Makaveli (June 16, 1971 – September 13, 1996)
He is considered by many to be one of the greatest rappers of all time. Much of Shakur's work has been noted for addressing contemporary social issues that plagued inner cities, and he is considered a symbol of resistance and activism against inequality. As the most influential rapper in history, he's also a remarkable storyteller. 2Pac dominated the 90s with his conflicted versions of everyday hood tales: gang wars, preggo teens, drug addiction and everything else that mattered to him.
Shakur not only influenced music, he also shaped hip-hop fashion. In the 90s, it was common to see 'Pac fans adorned with bandanas, an emblem of his "thug life" persona.


BaasioGroup Class Reference
| Inherits from | BaasioEntity : NSObject |
| Declared in | BaasioGroup.h |
Tasks
-
– setGroupName:
create group
-
– setUserName:
setUserName
-
+ get:error:
get
-
+ getInBackground:successBlock:failureBlock:
get asynchronously
-
– save:
save
-
– saveInBackground:failureBlock:
create asynchronously
-
– update:
update
-
– updateInBackground:failureBlock:
update asynchronously
-
– add:
add
-
– addInBackground:failureBlock:
add asynchronously
-
– remove:
remove
-
– removeInBackground:failureBlock:
remove asynchronously
-
– delete:
delete
-
– deleteInBackground:failureBlock:
delete asynchronously
-
– set:
set
-
– connect:relationship:error:
connect
-
– connectInBackground:relationship:successBlock:failureBlock:
connect asynchronously
-
– disconnect:relationship:error:
disconnect
-
– disconnectInBackground:relationship:successBlock:failureBlock:
disconnect asynchronously
-
– objectForKey:
Returns the value associated with a given key.
-
– setObject:forKey:
Adds a given key-value pair to the dictionary.
-
– description
Returns a string that represents the contents of the dictionary, formatted as a property list.
-
– dictionary
dictionary
Class Methods
get:error:
get
+ (BaasioGroup *)get:(NSString *)uuid error:(NSError **)error
Parameters
- uuid
uuid
- error
error
Discussion
get
Declared In
BaasioGroup.h
getInBackground:successBlock:failureBlock:
get asynchronously
+ (BaasioRequest *)getInBackground:(NSString *)uuid successBlock:(void ( ^ ) ( BaasioGroup *entity ))successBlock failureBlock:(void ( ^ ) ( NSError *error ))failureBlock
Parameters
- uuid
uuid
- successBlock
successBlock
- failureBlock
failureBlock
Discussion
get asynchronously
Declared In
BaasioGroup.h
Instance Methods
add:
add
- (void)add:(NSError **)error
Parameters
- error
error
Discussion
add
Declared In
BaasioGroup.h
addInBackground:failureBlock:
add asynchronously
- (BaasioRequest *)addInBackground:(void ( ^ ) ( BaasioGroup *group ))successBlock failureBlock:(void ( ^ ) ( NSError *error ))failureBlock
Parameters
- successBlock
successBlock
- failureBlock
failureBlock
Discussion
add asynchronously
Declared In
BaasioGroup.h
connect:relationship:error:
connect
- (void)connect:(BaasioEntity *)entity relationship:(NSString *)relationship error:(NSError **)error
Parameters
- entity
entity
- relationship
relationship
- error
error
Discussion
connect
Declared In
BaasioGroup.h
connectInBackground:relationship:successBlock:failureBlock:
connect asynchronously
- (BaasioRequest *)connectInBackground:(BaasioEntity *)entity relationship:(NSString *)relationship successBlock:(void ( ^ ) ( void ))successBlock failureBlock:(void ( ^ ) ( NSError *error ))failureBlock
Parameters
- entity
entity
- relationship
relationship
- successBlock
successBlock
- failureBlock
failureBlock
Discussion
connect asynchronously
Declared In
BaasioGroup.h
delete:
delete
- (void)delete:(NSError **)error
Parameters
- error
error
Discussion
delete
Declared In
BaasioGroup.h
deleteInBackground:failureBlock:
delete asynchronously
- (BaasioRequest *)deleteInBackground:(void ( ^ ) ( void ))successBlock failureBlock:(void ( ^ ) ( NSError *error ))failureBlock
Parameters
- successBlock
successBlock
- failureBlock
failureBlock
Discussion
delete asynchronously
Declared In
BaasioGroup.h
description
Returns a string that represents the contents of the dictionary, formatted as a property list.
- (NSString *)description
Discussion
Returns a string that represents the contents of the dictionary, formatted as a property list.
Declared In
BaasioGroup.h
disconnect:relationship:error:
disconnect
- (void)disconnect:(BaasioEntity *)entity relationship:(NSString *)relationship error:(NSError **)error
Parameters
- entity
entity
- relationship
relationship
- error
error
Discussion
disconnect
Declared In
BaasioGroup.h
disconnectInBackground:relationship:successBlock:failureBlock:
disconnect asynchronously
- (BaasioRequest *)disconnectInBackground:(BaasioEntity *)entity relationship:(NSString *)relationship successBlock:(void ( ^ ) ( void ))successBlock failureBlock:(void ( ^ ) ( NSError *error ))failureBlock
Parameters
- entity
entity
- relationship
relationship
- successBlock
successBlock
- failureBlock
failureBlock
Discussion
disconnect asynchronously
Declared In
BaasioGroup.h
objectForKey:
Returns the value associated with a given key.
- (NSString *)objectForKey:(NSString *)key
Parameters
- key
key
Discussion
Returns the value associated with a given key.
Declared In
BaasioGroup.h
remove:
remove
- (void)remove:(NSError **)error
Parameters
- error
error
Discussion
remove
Declared In
BaasioGroup.h
removeInBackground:failureBlock:
remove asynchronously
- (BaasioRequest *)removeInBackground:(void ( ^ ) ( void ))successBlock failureBlock:(void ( ^ ) ( NSError *error ))failureBlock
Parameters
- successBlock
successBlock
- failureBlock
failureBlock
Discussion
remove asynchronously
Declared In
BaasioGroup.h
save:
save
- (BaasioGroup *)save:(NSError **)error
Parameters
- error
error
Discussion
save
Declared In
BaasioGroup.h
saveInBackground:failureBlock:
create asynchronously
- (BaasioRequest *)saveInBackground:(void ( ^ ) ( BaasioGroup *group ))successBlock failureBlock:(void ( ^ ) ( NSError *error ))failureBlock
Parameters
- successBlock
successBlock
- failureBlock
failureBlock
Discussion
create asynchronously
Declared In
BaasioGroup.h
set:
set
- (void)set:(NSDictionary *)entity
Parameters
- entity
entity
Discussion
set
Declared In
BaasioGroup.h
setGroupName:
create group
- (void)setGroupName:(NSString *)group
Parameters
- group
group name
Discussion
create group
Declared In
BaasioGroup.h
setObject:forKey:
Adds a given key-value pair to the dictionary.
- (void)setObject:(id)value forKey:(NSString *)key
Parameters
- value
value
- key
key
Discussion
Adds a given key-value pair to the dictionary.
Declared In
BaasioGroup.h
setUserName:
setUserName
- (void)setUserName:(NSString *)user
Parameters
- user
user name
Discussion
setUserName
Declared In
BaasioGroup.h
update:
update
- (BaasioGroup *)update:(NSError **)error
Parameters
- error
error
Discussion
update
Declared In
BaasioGroup.h
updateInBackground:failureBlock:
update asynchronously
- (BaasioRequest *)updateInBackground:(void ( ^ ) ( BaasioGroup *group ))successBlock failureBlock:(void ( ^ ) ( NSError *error ))failureBlock
Parameters
- successBlock
successBlock
- failureBlock
failureBlock
Discussion
update asynchronously
Declared In
BaasioGroup.h


About me
Currently I am pursuing my master's degree at University of Michigan, and working as a part-time research assistant for IPADS at Shanghai Jiao Tong University.
My primary research focuses on distributed systems and operating systems. I have great passion for topics including distributed storage, consensus algorithm, cloud computing, etc.
At UMich I worked on distributed storage and databases with Prof. Harsha V. Madhyastha, Muhammed Uluyol, and Tianyu (Kevin) Chen. Also, I worked with Prof. Chinedum Okwudire on a cloud 3D printing platform Ulendo based on AWS.
During my undergrad I worked with Prof. Xudong Wang (SJTU) and Dr. Jiawei Zhang (SJTU) on task containerization and scheduling in edge computing. Harnessing what I've learned, I interned as a cloud computing engineer at Huawei Intelligent EdgeFabric for 3 months.
When I'm not working I play basketball, watch NBA (#gospursgo), build Gundam models, and watch musicals :)


Main
Aaron Forrest
Fully Employed not looking for a job
Education
Tufts University
MS Candidate in Engineering Management
Medford, MA
2020–Current
Undergraduate University
B.S.E.E in Electrical Engineering
Medford, MA
2012–2016
Job Experience
Member of Technical Staff
Maxim Integrated
2016–Current
- Semiconductor Design, Simulation, and Layout
Selected Project Experience
Buck-Boost Converter
Maxim Integrated
Chelmsford, MA
2018–2019
- Designed controller architecture and block level design
- Sold over 1 million units
- Won Maxim’s best product of the year award
Synthetic Apperature Radar Drone Senior Project
Tufts University
Medford, MA
2016
- Evaluated
- Deployed
- Managed
Selected Presentations
Capstone Project
Summarized and presented internal process educational information leading up to company wide merger with Analog Devices
Chelmsford, MA
2021


Posts
Second First Post
Add custom metadata to a Taxonomy Term If you need to add custom metadata to your taxonomy terms, you will need to create a page for that term at /content/<TAXONOMY>/<TERM>/_index.md and add your metadata in it’s front matter. Continuing with our ‘Actors’ example, let’s say you want to add a wikipedia page link to each actor. Your terms pages would be something like this:
Posts
My First Post
Since the inception of this blog, I’ve wanted to add “tags” to my posts. Readers could then browse a list of related posts based on a specific tag. Using Hugo’s nifty taxonomies feature, I was able to easily built out that functionality.


Phone
+55 44 99966-0135
Nice too meet you here, call me Rafael da Silva Ferreira,
Although my experience all trough in only one company, it been at one of five greatest and important brazilians credit unions. I’m began as intern walkin trough assistent mannager and credit analyst.
My experience also covers credit granting, modeling and credit risk methodologies, among others.
In the moment that I finishe my cicle in this company, I’ve been search to develop new skills in tecnology, like programming and data Science, I’m using tools like python, JavaScript, HTML5, CSS3, Azure etc. I believe I can align these new skills with those I already have. I'm still learning Python to resolve my problems with automation process, I'm using Selenium and PyAutogui libraries.
i'm working very hard to be a better person and better profissional developer. Best wishes for all us.
This is stacks that i'm learning and more and more i'm developing myself. But I still know something about business intelligence, and tools of ETL.
This is one of my skills that i'm developing.
This is one of my skills that i'm will developing, this is part of course that i'm studying.
Another course that I'm developing. this skill include frameworks about machine learning.
This is something that i've been learning, some web sites from font end developed. I working more whit python and automation for now. To see my all projects and what i havent learning, click in this button below.
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I'm opened to talk about opportunities or if you have a suggestion, please send me a message and I love talk about that. let´s cooperate!.
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<EMAIL_ADDRESS>Copyright 2020 Rafael da Silva Ferreira


OOP_type_independent_method(object, method)
object
. If the
latter is a reference class, it use the $
operator to access the method.
(For example, object$some_method
). If it has an attribute with the name
method
, it will use that attribute as the method to call. Otherwise,
it will try to fetch a generic with the name method
using get
.Call a method on an object regardless of its OOP type.


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Air Peace’s Allen Onyema denies US fraud, money laundering allegations
by Dennis EreziThe chairman of Air Peace Allen Onyema Saturday said the allegations of fraud and money laundering made against him by the United States authorities were false.
“The allegations are unfounded and strange to him,” Onyema’s lawyers A. O Alegeh & Co. said in an emailed statement on Saturday morning.
“Allen Onyema has a track record built on honesty and integrity and will take all necessary steps to clear his good name and hard-earned reputation.”


File Mappers
File mappers can be used, for example, when files are being copied, moved, archived, or unarchived.
The purpose of a file mapper is to select the target files name and destination.
Examples:
- The IdentityMapper is a trivial file mapper,
which leaves all file names are unchanged. This is mainly useful as a default
file mapper.
- The FileNameExtensionMapper changes the
file names extension. This can be used, for example, when you run the
FOP transformer to produce PDF.
Of course, you would want the created files to have the extension
.pdf
,
rather than .xml
.


Luminous Motion Starring Deborah Kara Unger and Eric Lloyd; Terry Kinney and Jamey Sheridan Screenplay by Robert Roth and Scott Bradfield Based on the novel by Scott Bradfield Directed by Bette Gordon
IN SHORT: another very cool psychological stomach turning twist movie (and we never saw it coming)
A couple of other reviewers and I looked at each other after seeing Luminous Motion last March and, basically, said to each other "what the **** was that???" I can only speak for me when I write that my reaction was extremely positive. What appeared, at first, to be another tale of a fleeing parent on the road turns into an entirely different kind of nightmare.
Right from the start, ten year-old Philip (Eric Lloyd), the first person narrator of this little tale, tells us that his memories of his childhood are like a ghost town. He isn't sure what was real and what was illusory. As he guides you through a year on the run, from the law and from his dad (Jamey Sheridan) with his mom (Deborah Kara Unger), you won't be fully sure if the hard edged candy coating on the story is a set up for a psychological mind shock that you'll never see coming. And if you accept what you see before your eyes, the growing anticipation of a horror even worse will leave you restless in your seat.
It's obvious that Phillip isn't exactly living a healthy lifestyle. His point of view is the back of his mom's Chevrolet Impala. Philip gets to check out each guy mom picks up for the night; gets to hear the blow by blow encounters, compliments or descriptions, while he tries to read his science books by the glare of neon lights.  Mom can out drink and out-sleep 'em all and, when morning comes around, she walks out with wallets and watches and everything in the motel room that she can get her hands on. Phillip keeps it all safe in a strongbox stored under the car seat. They both track their journey on a map -- so as not to hit the same town twice. Always watching for the law. Always on the run.
It's the kind of life that might be exciting at seven or eight -- think of the adventure of roaming "the world"; the cheap thrill of petty theft and flight to avoid prosecution -- and it is. To Phillip. Mom is getting tired and, after an automobile accident that almost totals the Impala, she finds a good place to settle down, with a carpenter named Pedro (Terry Kinney). Both adults are thinking permanent relationship but Phillip wants to get back on the road with his mom. Phillip gets his way and how he does comes at the moment when Luminous Motion moves into the realm of the truly creepy.
Dad finds them anyhow. Philip starts accepting advice from beyond the grave, though there is no resemblence to surprise as in The Sixth Sense.
On average, a first run movie ticket will run you Eight Bucks. Were Cranky able to set his own price to Luminous Motion, he would have paid...
$6.50
No big stars. No big studio or ad budget. This is the kind of arthouse flick that crits like Cranky crow about. Every once in a while a really good one comes along that may have no chance. Hopefully you'll get the chance to see this one.
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Inspired by Neal Jean’s post, I decide to start my 2017 challenge, try to read one paper per day to keep track of the latest progress in the area of machine learning.
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Algorithms for Inverse Reinforcement Learning
Andrew Y. Ng, Stuart Russell - Read on May 22, 2017
This paper did extensive experiments on sampling a representative sub-graph from a large graph. The authors proposed two types of goals - scale-down goal and back-in-time goal. The experiments showed that overall, random walk sampling and ‘forest fire’ sampling perform best, match most static and dynamic graph patterns well.
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Sampling from Large Graphs
Jure Leskovic, Christos Faloutsos - Read on Mar 30, 2017
This paper did extensive experiments on sampling a representative sub-graph from a large graph. The authors proposed two types of goals - scale-down goal and back-in-time goal. The experiments showed that overall, random walk sampling and ‘forest fire’ sampling perform best, match most static and dynamic graph patterns well.
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Automatic chemical design using a data-driven continuous representation of molecules
Rafael Gomez-Bombarelli, David Duvenaud, Jose Miguel, Hernandez-Lobato, Jorge Aguilera-Iparraguirre, Timothy D. Hirzel, Ryan P. Adams, and Alan Aspuru-Guzik - Read on Mar 29, 2017
The idea of this paper is inspiring. Casting combinatoric object to an auto encoder, we can work with its latent, continuous, low dimensional(compared to original encoding) representation, where we have a great deal of powerful continuous optimization tools instead of local search for discrete structure. However, one difficulty needs to be addressed, once we have a latent representation, how we can make sure it is a valid one? What if it encodes to a non-exist combinatoric structure?
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Towards Principled Methods for Training Generative Adversarial Networks
Martin Arjovsky, Léon Bottou - Read on Mar 23, 2017
Even if the real data generating distribution and the fake generating distribution lie on two arbitrarily close manifolds, under mild conditions, , meaning that essentially, this distance measure of two probability distributions is not ‘continuous’. Moreover, the existence of optimal discriminator causes vanishing gradients on generator. When switching to alternative, the gradient has infinite variance, implying unstable training. The remedy could be either adding noise to discriminator or using softer distance measure such as Wasserstein.
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Wasserstein GAN
Martin Arjovsky, Soumith Chintala, L´eon Bottou - Read on Mar 22, 2017
Wasserstein distance is weaker than Total Variance Distance (TV) and Jenson-Shannon Divergence (JS). Moreover, all above three metric are weaker than Kullback-Leibler Divergence (KL). A weaker distance metric induces a weaker topology in the space of all probability measures, a favorable setting for common gradient-based optimization algorithms, where convergence is easier in weak topology. The intractability of Wasserstein distance can be resolved by using Kantorovich-Rubinstein duality and then we can optimize it over parameterized functions. Empirical results show that WGAN enjoys strong stability and is more robust to various network architectures.
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Generative Adversarial Nets
Ian J. Goodfellow, Jean Pouget-Abadie, Mehdi Mirza, Bing Xu, David Warde-Farley, Sherjil Ozair†, Aaron Courville, Yoshua Bengio - Read on Mar 21, 2017
GAN combines generative model and discriminative model, simultaneously training two neural networks to learn the generating probability of the data. The value function to maximize here is
and the paper showed convergence of the algorithm under reasonable condition. Actually, this creative framework can be extended to train various generative models.


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WebKitDOMDocument *
webkit_web_page_get_dom_document (WebKitWebPage *web_page
);
Get the WebKitDOMDocument currently loaded in web_page
the WebKitDOMDocument currently loaded, or NULL
if no document is currently loaded.
[transfer none]
guint64
webkit_web_page_get_id (WebKitWebPage *web_page
);
Get the identifier of the WebKitWebPage
const gchar *
webkit_web_page_get_uri (WebKitWebPage *web_page
);
Returns the current active URI of web_page
.
You can monitor the active URI by connecting to the notify::uri
signal of web_page
.
WebKitFrame *
webkit_web_page_get_main_frame (WebKitWebPage *web_page
);
Returns the main frame of a WebKitWebPage.
Since: 2.2
WebKitWebEditor *
webkit_web_page_get_editor (WebKitWebPage *web_page
);
Gets the WebKitWebEditor of a WebKitWebPage.
Since: 2.10
“uri”
property“uri” gchar *
The current active URI of the WebKitWebPage.
Flags: Read
Default value: NULL
“console-message-sent”
signalvoid user_function (WebKitWebPage *web_page, WebKitConsoleMessage *console_message, gpointer user_data)
Emitted when a message is sent to the console. This can be a message
produced by the use of JavaScript console API, a JavaScript exception,
a security error or other errors, warnings, debug or log messages.
The console_message
contains information of the message.
web_page |
the WebKitWebPage on which the signal is emitted |
|
console_message |
||
user_data |
user data set when the signal handler was connected. |
Flags: Run Last
Since: 2.12
“context-menu”
signalgboolean user_function (WebKitWebPage *web_page, WebKitContextMenu *context_menu, WebKitWebHitTestResult *hit_test_result, gpointer user_data)
Emitted before a context menu is displayed in the UI Process to
give the application a chance to customize the proposed menu,
build its own context menu or pass user data to the UI Process.
This signal is useful when the information available in the UI Process
is not enough to build or customize the context menu, for example, to
add menu entries depending on the WebKitDOMNode at the coordinates of the
hit_test_result
. Otherwise, it's recommended to use “context-menu”
signal instead.
web_page |
the WebKitWebPage on which the signal is emitted |
|
context_menu |
the proposed WebKitContextMenu |
|
hit_test_result |
||
user_data |
user data set when the signal handler was connected. |
Flags: Run Last
Since: 2.8
“document-loaded”
signalvoid user_function (WebKitWebPage *web_page, gpointer user_data)
This signal is emitted when the DOM document of a WebKitWebPage has been loaded.
You can wait for this signal to get the DOM document with
webkit_web_page_get_dom_document()
.
web_page |
the WebKitWebPage on which the signal is emitted |
|
user_data |
user data set when the signal handler was connected. |
Flags: Run Last
“form-controls-associated”
signalvoid user_function (WebKitWebPage *web_page, GPtrArray *elements, gpointer user_data)
Emitted after form elements (or form associated elements) are associated to a particular web page. This is useful to implement form auto filling for web pages where form fields are added dynamically. This signal might be emitted multiple times for the same web page.
Note that this signal could be also emitted when form controls are moved between forms. In
that case, the elements
array carries the list of those elements which have moved.
Clients should take a reference to the members of the elements
array if it is desired to
keep them alive after the signal handler returns.
web_page |
the WebKitWebPage on which the signal is emitted |
|
elements |
a GPtrArray of WebKitDOMElement with the list of forms in the page. |
[element-type WebKitDOMElement][transfer none] |
user_data |
user data set when the signal handler was connected. |
Flags: Run Last
Since: 2.16
“send-request”
signalgboolean user_function (WebKitWebPage *web_page, WebKitURIRequest *request, WebKitURIResponse *redirected_response, gpointer user_data)
This signal is emitted when request
is about to be sent to
the server. This signal can be used to modify the WebKitURIRequest
that will be sent to the server. You can also cancel the resource load
operation by connecting to this signal and returning TRUE
.
In case of a server redirection this signal is
emitted again with the request
argument containing the new
request to be sent to the server due to the redirection and the
redirected_response
parameter containing the response
received by the server for the initial request.
web_page |
the WebKitWebPage on which the signal is emitted |
|
request |
||
redirected_response |
a WebKitURIResponse, or |
|
user_data |
user data set when the signal handler was connected. |
TRUE
to stop other handlers from being invoked for the event.
FALSE
to continue emission of the event.
Flags: Run Last