a selfie of my spaciousness
I tried on a dress
at Zara.
I took a selfie of my
spaciousness
inside
Of It.
I didn’t buy it.
Even though I wanted to.
Even though I
had the Power to.
but I wanted to
Buy It.
Rage, rage
against your
inner capitalism.
Rage, rage
deep in the fist
of your Softness.
Spotify is trying to get me
to listen to my ex’s music.
And I’m all like
‘Only
if the songs are all about
how amazing I am’.
But really I’m just like ‘nah’.
I don’t listen.
even though I want to.
Even though I
have the power to.
But I do want to
Hear.
I feel Real
waiting for the metro
with other real people.
How do you do it?
I think at them.

In the Loft
people are doing stuff.
Casually asking for money
without having done anything.
I feel real
but imaginary as well
somehow.
I feel shy about
reciprocating this Feeling
I haven’t let out
Yet.


If a group decides they would like a video recording of their event and has hired someone to do so, they may ask for an audio feed from the board. This videographer will probably be doing post production and wants direct raw mic feeds as opposed to using the distance mic on his camera.
The method for setting up a feed mirroring the board output would be similar to sending audio to a monitor, except that rather than sending the audio to the patchbay, you will be sending it directly to the video camera.
First, run an XLR cord from one of the auxiliary outputs on the back of the board to the videographer. You may have to unplug one of the eight auxiliary outputs; remember to plug them back in after the event.
Make sure the cord stays behind the chairs in the house and is taped down whenever it has to cross an aisle or walkway; if crossing an aisle, tape the XLR at the bottom of the steps where no one is likely to trip on it.
If running a feed to the lower level, use very long cables and daisy chain two or more together;
Never run cable across a walkway and make sure they don’t either.
Once the connection has been made, you will want to send the videographer a test signal.
Select the aux you will be using (i.e. Aux #8), then use the mouse to click on System, then find the test signals sending a 100 Hz, 1000 Hz, 10000 Hz, White Noise, or Pink Noise.
Increase the level of sound until the videographer confirms he/she is receiving signal.
Once you have confirmed that the camera is receiving signal, ask the videographer what kind of mix he/she would like.
Say the videographer wants the house mix; you would need to send all of the audio at the same level as it is coming out of the mains, so you would select all of the channels that will potentially be going live during the event and send them at unity, postfade, to Aux #8, and then raise Aux #8 to unity as well, or to whatever level the videographer decides is best.
Do not adjust the aux level during the show, as it will make everything suddenly sound louder or softer mid-recording.
If the videographer asks for only vocal mics or instrument mics, select the correct channels and send them to the correct aux.
In some cases the videographer may choose to do his/her own post-production sound editing, and may want a specific prefade mix. In this case, ask what they are looking for, and adjust accordingly.
Remember that sending a channel prefade means the aux will receive signal when the channel fades out, but not when the channel is muted.


{% extends "home/base.html" %} {% load staticfiles %} {% load structure_extras %} {% block addon_css %} {% endblock %} {% block content %}
Click on an area of the venn diagram to display the receptor sets:
GPCR selectivity tree. Concentric circles illustrate the G protein-coupling selectivity of each GPCR: the four dots depict both primary and secondary G protein coupling (from inside to outside: Gs, Gi/o, Gq/11, G12/13). Tree nodes can be highlighted and selected to retrieve clade-specific receptor sets, which can be used in dedicated segment specific sequence alignments.
We used the G protein transducer imformation from the GuideToPharmacology (IUPHAR):
Southan C, Sharman JL, Benson HE, Faccenda E, Pawson AJ, Alexander SPH, Buneman OP, Davenport AP, McGrath JC, Peters JA, Spedding M, Catterall WA, Fabbro D, Davies JA; NC-IUPHAR. (2016) The IUPHAR/BPS Guide to PHARMACOLOGY in 2016: towards curated quantitative interactions between 1300 protein targets and 6000 ligands. Nucl. Acids Res. 44 (Database Issue): D1054-68. [PMID:26464438]


Winter shelter opens today in Nanaimo; freezing temperatures in forecast this week
by Carla WilsonNanaimo’s winter shelter is opening today as freezing temperatures are forecast for this week.
The 35-bed facility, open daily between 6 p.m. and 7 a.m., will run until the end of March. It is located at St. Peter’s Hall, 301 Machleary St., part of St. Peter’s Parish. Hot dinners are served and social services are available.
The shelter is operated by the Society for Equity, Inclusion and Advocacy. B.C. Housing is covering the cost.
A total of 2,927 beds were filled at St. Peter’s last winter.
Homelessness is a concern in Nanaimo, where people are living in camps in the woods, alone or in groups. B.C. has funded two supportive housing facilities to provide homes and supports for people in need.


This is a fully functional MVP UI. A more useful dashboard is coming soon, along with UI/UX improvements. Please email the Data Warehouse team for questions and/or feedback.


History
In the spring of 1960, eleven Asian co-eds of the University of Southern California organized the need to foster sisterhood among Asian women and to stimulate an intercultural exchange among themselves and their fellow students at USC. These eleven charter members, with the help of Miss Shirley Barclay, counselor of Women’s Organization, and the sponsor Mrs. Theodore Chen, drew up the sorority constitution, which was officially approved on May 6th, 1960. On June 10th, 1960, these eleven young women were formally presented as the Delta Phi Kappa sorority at the Thunderbird Hotel in El Segundo. These charter members are:
- Miss Brenda Song (President)
- Miss Jean Chew (Vice President)
- Miss Sandi Nakai (Secretary)
- Miss Merri Kita (Treasurer)
- Miss Kathy Mayekawa (Historian)
- Miss Mary Chow
- Miss Jeanie Mori
- Miss Janice Ouchi
- Miss Marlene Sue
- Miss Susie Sogabe
- Miss Midori Sunari


Congratulations
This application was deployed using AWS CodeDeploy.
For next stops. read the
AWS CodeDeplploy


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Home
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Next
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cite us
if you use the software.
Developer’s Guide
Developer’s Guide
¶
Contributing
Ways to contribute
Submitting a bug report or a feature request
How to make a good bug report
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How to contribute
Pull request checklist
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Testing and improving test coverage
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Workflow to improve test coverage
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Change the default value of a parameter
Code Review Guidelines
Reading the existing code base
Plotting API
Developing scikit-learn estimators
APIs of scikit-learn objects
Different objects
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get_params and set_params
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Utilities for Developers
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Python, Cython or C/C++?
Profiling Python code
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Using OpenMP
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Using yep and gperftools
Using gprof
Using valgrind / callgrind / kcachegrind
kcachegrind
Multi-core parallelism using
joblib.Parallel
A simple algorithmic trick: warm restarts
Advanced installation instructions
Installing nightly builds
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Before a release
Preparing a bug-fix-release
Making a release
The scikit-learn.org web site
Travis Cron jobs
Experimental features
<—>


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{% extends "base.html" %} {% comment %} Main page of django_consultant's website. {% endcomment %} {% block head %}
Welcome to the private alpha release of Courselets.org. Please click here to login.


Dimensional
tabulate
(Fn [(Ref (Fn [(Index (a (Size b) Opaque) Int)] c) d)] (a (Size b) c))
(tabulate f)
Tabulate maps a lookup
function (any function that takes an Index
as an
argument) over the positions of a sized functor.
(tabulate (lookup f))= (id f)
To make this function useful, one often needs to use an overarching context to ensure the resulting functor is sized appropriately.
transpose
(Fn [(Ref (a (Size b) (c (Size d) e)) StaticLifetime)] (c (Size d) (a (Size b) e)))
(transpose f)
Transpose takes a sized functor whose inhabitants are sized functors and effectively swaps their sizes; it is equivalent to matrix transposition.
For example, given a Vector of Size 3 of Vectors of Size 2
(Vector [(Vector [1 2]) (Vector [3 4]) (Vector [5 6])])
transpose will return a Vector of size 2 of Vectors of size 3:
(Vector [(Vector [1 3 5]) (Vector [2 4 6])])


.whole
.half
.half
.one-third
.two-thirds
.one-quarter
.three-quarters
.one-fifth
.four-fifths
.two-fifths
.three-fifths
.twelve
.six
.six
.four
.eight
.three
.two
.seven
.five
.three
.two
.two
.two
.four
.six
.one
.one
.one
.one
.one
.one
.one
.one
.one
.one
.one
.one
You have two main options for using pills in your project.
Pills can be installed using the Bower or npm package manager.
bower install pills
npm install pills
Download the ZIP, extract the source code, and copy pills.min.css
into your project’s directory.
Of course, you could also clone the repository using your terminal, or even add it as a submodule of your project.
Once you’ve acquired the pills source code, there’s a couple of other things you’ll probably want to do.
Add the following stylesheet to the <head>
section of your project’s HTML. If you didn’t use Bower, you may need to adjust the path to the CSS file to match your file structure.
<link rel="stylesheet" href="bower_components/pills/dist/pills.min.css">
Set the scale of your viewport to the width of the device. Placing the following tag in the <head>
of your HTML ensures the viewport doesn’t load zoomed-out on mobiles and tablets.
<meta name="viewport" content="width=device-width,initial-scale=1">


--- layout: post title: Episode 004 | Rob Eisenberg - Social Rewards and Doing Your Best link: http://traffic.libsyn.com/developeronfire/DeveloperOnFire-4-RobEisenberg.mp3 length: 35651584 speaker: Dave Rael duration: '37:32' subtitle: 'Developer On Fire: Rob Eisenberg' guest_name: Rob Eisenberg image: /assets/images/RobEisenberg.jpg guest_blog: http://eisenbergeffect.bluespire.com/ guest_twitter: eisenbergeffect disqus_url: http://developeronfire.com/Podcast/Episodes/rob-eisenberg-social-rewards-and-doing-your-best episode_number: 4 book_recommendations: - { url: "http://www.amazon.com/dp/0471295639/?tag=devonfir-20", title: "Against the Gods: The Remarkable Story of Risk", author: "Peter L. Bernstein"} - { url: "http://www.amazon.com/dp/0132350882/?tag=devonfir-20", title: "Clean Code: A Handbook of Agile Software Craftsmanship", author: "Robert C. Martin"} - { url: "http://www.amazon.com/dp/0201379430/?tag=devonfir-20", title: "Object Design: Roles, Responsibilities, and Collaborations", author: "Rebecca Wirfs-Brock"} tags: - { url: "http://www.amazon.com/dp/0471295639/?tag=devonfir-20", title: "Against the Gods: The Remarkable Story of Risk", author: "Peter L. Bernstein"} - { url: "http://www.amazon.com/dp/0132350882/?tag=devonfir-20", title: "Clean Code: A Handbook of Agile Software Craftsmanship", author: "Robert C. Martin"} - { url: "http://www.amazon.com/dp/0201379430/?tag=devonfir-20", title: "Object Design: Roles, Responsibilities, and Collaborations", author: "Rebecca Wirfs-Brock"} redirect_from: - "/4/" - "/004/" - "/0004/" - "/rob-eisenberg-social-rewards-and-doing-your-best/" - "/Rob-Eisenberg/" - "/RobEisenberg/" - "/Podcast/Episodes/4/" - "/Podcast/Episodes/004/" - "/Podcast/Episodes/0004/" - "/Podcast/Episodes/rob-eisenberg-social-rewards-and-doing-your-best/" - "/Podcast/Episodes/Rob-Eisenberg/" - "/Podcast/Episodes/RobEisenberg/" guid: http://developeronfire.com:80/Podcast/Episodes/rob-eisenberg-social-rewards-and-doing-your-best ---
Rob Eisenberg talks with Dave Rael about delivering value, creativity, modern Javascript development, and the rewards of making useful things.
Rob Eisenberg is a widely recognized UI development expert. He is the creator of Caliburn.Micro and Durandal and a former Angular 2.0 team member. Currently he's building a new tech startup, Durandal Inc., whose first product is the new open source framework Aurelia.
Rob's top 3 tips for delivering more value:
1. Be transparent
2. Be tactful
3. Try to do YOUR best
4. Be retrospective - reflect on the your day every day and come into each day better than the previous one


Combining SRTM height, water body and ETOPO bathymetry data |
We have the three different sources of data :
An SRTM HGT height file covers 1 x 1° area with height values represented as regular grid of 1200x1200 intervals (1201x1201 points). Such file does not contain data about sea depth, as it was generated by the Shuttle radar measuring heights from land or sea surface. To be able to distinguish between land or water space, SWBD data is available - shore contours.
Before processing, SRTM and SWBD data are corrected :
Our purpose is to combine all the data into a regular HGT file grid..
Incorporation of depth is straightforward : once we get shore contours, we simply replace HGT height values by depth values everywhere inside water areas. At points where low-resolution ETOPO data is grossly inaccurate (e.g. provides positive land height where it should be negative), a default water depth is taken.
Original height data may substantially differ from much more accurate shore contours. Now we need to bring HGT data close to shore contour data.
Suppose we have a regular grid of 1200x1200 intervals (1201x1201 points) for geographic area of size 1 by 1°. At each point we have a height value. So, a cell resolution for this file is, roughly speaking, 100 by 100 metres.
Let use represent height function by piecewise linear hat basis in the form
H(u,v) = Σi,j=0,1200Pi,j Ri,j(u,v)
whereSuppose we have a number of constraint points (they are water countour points) which should be moved to level H = 0. Call them Sf, f=1,...,h; they have parameter values (uf,vf), f=1,...h. These points will be moved to target points Tf, f=1,...,h with zero height.
In order to move Sf to Tf, f=1,...,h, we need to compute displacement δi,j of each control point Pi,j so that the following constraints are satisfied :
Tf = Σi,j=0,1200(Pi,j + δi,j) Ri,j(uf,vf) = Sf + Σi,j=0,1200δi,j Ri,j(uf,vf)
f = 1,...,h
Let us minimize displacements with constraints introduced with Lagrange multipliers
L = Σi,j=0,1200|δi,j|2 + Σf=1..hλf(Tf - Sf - Σi,j=0,1200δi,j Ri,j(uf,vf))where λf, f = 1,...,h are Lagrange multipliers. After differentiating this function by displacements δ and Lagrange multipliers λ and equating to zero we get a system of two equations
Tf = Sf + Σi,j=0,1200δi,j Ri,j(uf,vf) f = 1,...,h
δi,j = 0.5 Σf=1,h λf Ri,j(uf,vf) 0≤i≤1200, 0≤j≤1200.
In the matrix form
D=RTδ (1)
δ=Rλ (2)
By substituting equation (2) into equation (1)
D=RTRλ
from where we can get Lagrange multipliers by solving a system of linear equations. Further, we get the required grid node displacements from equation (2).
Nodes of HGT file grid are displaced by these values to make cell intersections with plane Z = 0 close to specified shore countour lines.
1. Direct manipulation of FFD : efficient explicit solutions and decomposible multiple point constraints. Shi-Min Hu, Hui Zhang, Chiew-Lan Tai, Jia-Guang Sun. Springer-Verlag 2001.


Hi I'm Yue.
I am a software developer and book wormer. I am originally from China but these days i live in London, UK.
Alumnus of Jilin University . Also alumnus of Glodon and Beijing Urban Construction Group. I pick up knowledge wherever I live and work.
Seeking to be inspired, to envision the unlikely, and to be surrounded by those who bring out the best in me.


💣 {{mines}}
Restart
🕔 {{time}}
Records:
Easy: {{recordEasy}}
Intermediate: {{recordIntermediate}}
Advanced: {{recordAdvanced}}
Tips: Intermediate: {{recordIntermediate}}
Advanced: {{recordAdvanced}}
The cells can be empty, contain mines or be numbered, with the number meaning how many mines are placed directly around that cell. They are initially hidden, your goal is to disclose all the empty and numbered cells without disclosing any of the mines. Click the left mouse button to disclose a hidden cell, the right mouse button to mark or unmark a hidden cell as containing a mine, or any mouse button to disclose all the hidden cells around a numbered cell, assuming you have marked the corresponding amount of mines directly around it.


Maison Michel to Open London Flagship
The store will replace the brand's space on the Burlington Arcade.
by Natalie TheodosiLONDON — Maison Michel, the Chanel-owned milliner, is building on the rapid expansion it has seen over the past few years with a flagship set to open in London’s Mayfair, WWD has learned.
The store, located at 26 Conduit Street, will replace the brand’s Burlington Arcade unit, a smaller space it has operated since 2014.
“We wanted to stay in Mayfair, but with a larger space to display our collections and where we can offer the best possible service to all our customers. The new boutique also has much better visibility from the street,” said a company spokesperson, who pointed to the quick growth across the U.S. and Asia.
“London is a key market for Maison Michel. In London there are both local customers who are highly educated in terms of hat-making and millinery as well as a dynamic and diverse international clientele.”
The store, which spans 538 square feet, is located near Sotheby’s, Moschino, Vivienne Westwood and the Westbury Hotel. It’s set to open early next month.
The brand will debut a new boutique concept to coincide with the London opening. The concept will focus on playing with contrasts — just like its signature black-and-white hat boxes.
In January, a new, limited-edition capsule collection dubbed Legacy Parade will launch at the London boutique before being rolled out globally.
Also in the works for next year is the refurbishment of the brand’s Paris flagship on Rue Cambon and the launch of pop-up concepts in China and Korea.


We only have 5 tables!
View Tables Make Reservations
| link text


I am a Customer Engineer @ Google Cloud in Germany. Previously worked as a Product Manager/developer @ SAP Business Technology Platform and as a Business Technology Analyst @ Deloitte Consulting. I was born and raised in India. I moved to Germany for pursuing my Master Studies. I hold a Masters Degree in Distributed Software Systems from Technical University of Darmstadt, Germany. I am interested in leveraging Technology to improve our daily lives, Product development and market research, travelling, Yoga and History. Of course, I do not want to limit myself here. I am curious and love trying out new things!


A poem to my homework:
Homework is my life
The bane of my existence
Someday I'll be free
I love to learn anything new. Because of that I have pick up many new hobbies.
Some of my hobbies consist of cooking, learning martial arts, learning sign language,
and photography. The next hobby I want to pick up is pottery. I am also willing to
try anything new.
I find enjoyment in being outdoors. I try to go hiking, camping, and fishing as much as I can.
I also enjoy playing any sports. Lately, I have learned to enjoy pickleball, rockclimbing and bouldering.
I have a passion for reading. I will read any genre of book. I am also a foodie.
If I am not doing some activity outside or homework. You can find me curled
up with my favorite book and snack.
| Monday | Tuesday | Wednesday | Thursday | Friday | |
| 8:00 | work | Online class | work | Online class | work |
| 8:30 | |||||
| 9:00 | |||||
| 9:30 | |||||
| 10:00 | |||||
| 10:30 | |||||
| 11:00 | Institute | Institute | |||
| 11:30 | |||||
| 12:00 | Online Homework | Online class | |||
| 12:30 | |||||
| 1:00 | Online class | Data Structures | Online class | ||
| 1:30 | |||||
| 2:00 | Homework | ||||
| 2:30 | |||||
| 3:00 | |||||
| 3:30 | |||||
| 4:00 | Computer Ethics | Computer Ethics | |||
| 4:30 | |||||
| 5:00 |


/*! idi.bidi.dom
*
*
* idom v0.17
*
* Key-value JSON API for template-based HTML view compositing
*
*
* ****************************************************************************
*
* Copyright (c) Marc Fawzi, Deep Thought, Inc. 2012
*
* http://javacrypt.wordpress.com
*
* Licensed under the Apache License, Version 2.0 (the "License");
* you may not use this file except in compliance with the License.
* You may obtain a copy of the License at
*
* http://www.apache.org/licenses/LICENSE-2.0
*
* Unless required by applicable law or agreed to in writing, software
* distributed under the License is distributed on an "AS IS" BASIS,
* WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
* See the License for the specific language governing permissions and
* limitations under the License.
*
*
* *****************************************************************************
*
* Some portions are derived from NattyJS, an early precursor by the same author
* "Copyright (c) Marc Fawzi, NiNu, Inc. 2011-2012" published under BSD License.
*
*/
/*
* idi.bidi.dom - Anti-Templating Framework For Javascript -- offers a new and
* different way for interacting with the DOM. In abstract terms, it takes the DOM
* and adds variables, scope, variable memoization, multiple-inheritance and
* type polymorphism (with the Node Prototype as the user defined type) In logical
* terms, it offers a flat JSON API for creating, populating, and de-populating
* predetermined DOM structures with the ability to link, directly access, populate
* and de-populate other such DOM structures at any depth within them. It gives us
* a simpler alternative to the browser's hierarchical DOM manipulation API while
* allowing us to reduce the amount of HTML as well as separate the HTML from the
* presentation logic.
*
*/
Example:

idom$caption

user: idom$username id: idom$id

last name: idom$lastName
work: idom$work

Click on any user below to see the event handler for the target element in action

/******************************************************************************
*
* README:
*
* This version should work in all recent versions of the major browsers
*
* idi.bidi.dom - Anti-Templating Framework For Javascript -- offers a new and
* different way for interacting with the DOM. In abstract terms, it takes the DOM
* and adds variables, scope, variable memoization, multiple-inheritance and
* type polymorphism (with the Node Prototype as the user defined type) In logical
* terms, it offers a flat JSON API for creating, populating, and de-populating
* predetermined DOM structures with the ability to link, directly access, populate
* and de-populate other such DOM structures at any depth within them. It gives us
* a simpler alternative to the browser's hierarchical DOM manipulation API while
* allowing us to reduce the amount of HTML as well as separate the HTML from the
* presentation logic.
*
* Why use it?
*
* idi.bidi.dom reduces HTML on a page to a minimum and places a simple and consistent
* JSON API between presentation logic and the DOM
*
* What does it do?
*
* idi.bidi.dom allows the DOM to be decomposed into Nodes each having a Node Prototype
* with data-injected variables in their markup. Multiple instances of each Node (i.e.
* data populated versions, each with its own persisted data) may be created, populated
* with data, and inserted into --or deleted from-- the Node (with the ability to target
* specific, previously inserted instances of the Node or all such instances). Each Node
* may embed any number of other Nodes, at any depth within its Node Prototype's markup.
*
* Additionally, idi.bidi.dom allows us to clone populated Nodes to create copies of the
* Node (and any Linked Nodes within it) which can be re-populated and de-populated in
* direct fashion.
*
* Usage:
*
* format: document.querySelector('#someNode').idom$(data [, settings])
*
* output: creates a new instance of the Node using 'data' (json) to populate the
* special variables in the Node, then after/before to (or replace) existing
* instance(s) of the Node
*
* forClone: id of the clone the data being populated is intended for. This is omitted
* when operating on cloned nodes
*
* data: {key: value, key: value, key: value, etc}
* where the key must match the variable name in the data minus the idom$ prefix
*
* settings: {mode: 'replace'|'after'|'before'|'node'|'proto', targetInstanceName:
* value, instanceName: value} ... replace is default mode
*
* if there are no populated instances of the Node then after/before/replace will create
* a new instance of the Node (so if a targetInstanceName is supplied in this case it will
* throw an error, so call .$isPopulated() first to be sure before invoking this method with
* targetInstanceName, unless you know the node is populated)
*
* If 'mode' is set to 'node' in settings then no other settings param is expected
* and only the node's attributes are populated. Setting mode to 'node' will cause idom
* to populate only the attributes in the node itself and does not create any populated
* instances of its node prototype. idom also offers a way to populate just the attributes
* of each node instance by setting mode to 'proto' and specifying targetInstanceName or none
* for all node instances in a given node. Both 'proto' and 'node' modes may be useful when
* working with the node attributes or the node instance attributes where a jQuery plugin/
* widget is instantiated (after caching) on a given node instance.
*
* targetInstanceName: (1) idom-instance-name value for the instance of the Node to insert at
* in after and before modes. If null, insert after/before the last/first previously populated
* instance of the Node, or as the first instance if none were previously populated.
*
* targetInstanceName: (2) dom-instance-name value for instance(s) of the Node Protoype to
* replace when in replace mode. If null, replace all instances.
*
* instanceName: idom-instance-name value for instance of Prototype Node being populated.
*
*********************************************************************************
*
* Other idom methods are
*
* .idom$dePopulate([settings]) which can delete certain populated instances of the Node
* Prototype or all populated instances
*
* .idom$isPopulated() may be queried before specifying targetInstanceName to verify the
* existence of populated instance(s) of the node prototype (the targets)
*
* idom$clone may be used to clone an entire node (including any linked nodes) after it's
* been populated)
*
* idom.eventHandler may be used to defined inline events, e.g. onclick=idom$someHandler
* and setting someHandler to idom.eventHandler(event, this, someFunction) during instance
* creation which binds 'this' context to the element the event was triggered on and passes
* the event, parent node id for the instance, and the instanceName
*
* idom.baseSelector maybe used on node and instance id's to strip out the clone and any link
* references from instanceName which is
*
**********************************************************************************
*
* About Events:
*
* If a handler is defined on the node it will only have access to the node id. If it's
* defined on or in the node prototype it will have access to the instance id
*
* The context of 'this' inside the handler function is the element the event is
* defined on
*
* Event handlers that are NOT defined using inline event handlers (like onclick,
* onmouseover, etc) are not handled by idom at this time.
*
*
*********************************************************************************/


Plausible Crash Reporter
Plausile CrashReporter implements in-process crash reporting on the iPhone and Mac OS X.
The following features are supported:
- Implemented as an in-process signal handler.
- Does not interfer with debugging in gdb..
- Handles both uncaught Objective-C exceptions and fatal signals (SIGSEGV, SIGBUS, etc).
- Full thread state for all active threads (backtraces, register dumps) is provided.
If your application crashes, a crash report will be written. When the application is next run, you may check for a pending crash report, and submit the report to your own HTTP server, send an e-mail, or even introspect the report locally.
Crash logs are encoded using
google protobuf, and may be decoded using the provided
PLCrashReport API. Additionally, the include plcrashutil handles conversion of binary crash reports to the symbolicate-compatible iPhone text format.


We are hiring!
The Harvard/MIT 4DN DCIC is hiring data wranglers and software developers for multiple positions that are available immediately.
{% include head_default.html %}
The Harvard/MIT 4DN DCIC is hiring data wranglers and software developers for multiple positions that are available immediately.
The 4D Nucleome (4DN) Data Coordination and Integration Center (DCIC) aims to collect, store, curate, display, and analyze data generated in the 4DN Network. The DCIC is a collaboration of two centers from three institutions: Harvard University, Massachusetts Institute of Technology (MIT), and The Washington University in St. Louis (WashU). The Harvard/MIT DCIC is tasked with building the infrastructure for data collection and integration. The Harvard/MIT and WashU centers will collaborate on the development and incorporation of novel data visualization tools. The 4DN Data Portal is now available in beta.


-
Displaying the Login
Page
Following is an example of the Login page:
The Login page is displayed whenever you first access the PAC Configuration Tool from your web browser or
whenever you are automatically logged-out from the PAC due to a period of inactivity which is 15 minutes by default.
(Check with your system administrator to obtain the actual timeout period used by your particular PAC).
-
Pre-requisites for logging into the PAC Configuration Tool
You are required at a minimum, to enter your username and password into the respective Username and Password
fields in order to gain access to the PAC Configuration Tool.
Press the Enter key or click the Login button anytime after the username has been entered to begin the actual
login process.
-
Resetting the Password
field
Click the Reset button at anytime to reset the page which essentially just clears the Password field.
The same thing can be accomplished by selecting all the text in the Password field and then pressing the Delete
key.
-
Setting the Remember Me
checkbox
Place a checkmark into the Remember me checkbox to have the current Username field automatically filled-out
the next time the Login page is displayed on your computer.
-
Failure to login to the PAC Configuration Tool
Following is an example of what gets displayed when the Login button is clicked and invalid credentials have been
entered into the Username and/or Password fields.
The message automatically dissappears after a few seconds.
Enter the correct information into the respective fields and then click the Login button again.
-
Successful login to the PAC Configuration Tool
Once valid credentials are entered into the Username and/or Password fields and the Login button is clicked,
the Network Settings page is displayed.
If you have arrived at this page you are successfully logged in.


|
|
News and Updates
-
We have submitted the extended outline of the report on Conceptualising Living Wages in Bangalore Slums to Department of Computational Sciences, University of Amsterdam. We are working towards publishing the results of the study as a book.
-
We have successfully completed our first project with Institute for Plasma Research (IPR) and presented the deliverables at their annual Board meeting in Gandhinagar. The project was received with immense positive feedback from all the reviewers. Two teams in IPR are keen to work with us, we will be applying to extend the current effort.
-
NextWave: We kicked off a project on safety of women in public spaces in September, 2013. We have a cross-cultural collaboration underway, with interns from MediaLAB, Amsterdam as well as International Institute of Information Technology, Bangalore. We update our work on our blog.
-
Onkar Hoysala presented a paper on the Indian Energy Game at the 44th ISAGA Conference held at KTH, Royal Institute of Technology, Stockholm, Sweden.
-
We conducted the Indian Energy Game Session with participants from Takshashila on 18 June, 2013.
-
Bharath conducted the Game Design Workshop at OF GAMES, a gaming residency at Khoj International, New Delhi on 28 and 29 August, 2013.
-
We co-facilitated the Gaming Jam event organised by Swissnex India on 1 September, 2013. The summary of the event is on our blog.
-
We conducted a City Game Session with participants from NextBangalore on 28 September, 2013. Here is the link to what happened at the session: http://vimeo.com/75761383.
-
Dr.ir. L.J. de Vries, M.A from Delft University of Technology, Delft visited FoV from 10 September, 2013 to 20 September 2013. During his visit, he worked on the Electricity Market Simulation Game.
-
Sruthi Krishnan joined FoV as a full time researcher in the month of August, 2013.
-
Mosa-al Husseini and Rufael Negash from Malmo University, Sweden are in IIIT Bangalore on a student exchange programme, they are interning at FoV.
-
Bauke Bakker and Marissa Memelink from MediaLAB Amsterdam are working as interns as part of NextWave project at FoV.
-
We were on CNBC Young Turks: http://youngturks.in.com/index.php?y=1&autono=946504. Shows how challenging it is to talk about a fledgling research group in a world where a start-up equals questions about product launches and IPO. We need to work on our elevator pitch. How do we describe an organization that works on strengthening decision-making and participatory processes using games, visualisations, and simulations?
|
Conferences, Workshops and other Events
|
June |
Events/Meetings |
Attended by |
|
|
Meeting with Dr. Peter M. Sloot, Dr. Michael Harold Lees, Emiliano Manchini and Debraj Roy at Nanyang Technological University, Singapore on 4 and 5 June, 2013 to discuss progress in Urban Poverty Study project. |
Bharath and Harsha |
|
|
Meeting with Hari Menon on 5 June, 2013 to discuss about work at FoV. |
Bharath |
|
|
NWO Plenary Session to discuss funding options for Indo-Dutch call for proposals on 17 June, 2013. |
Bharath |
|
|
Game sessions |
facilitated by |
|
|
Indian Energy Game session with participants from Takshashila on 18 June, 2013. |
Bharath, Harsha and Onkar |
|
July |
Events/Meetings |
Attended by |
|
|
Meeting with Prof. Margot P.C. Weijnen from Next Generation Infrastructure Foundation on 11 July, 2013 to discuss work at FoV. |
Harsha |
|
|
Meeting with Ajit Krishnamohan from Airbus Innovation Cell on 28 July and 29 July, 2013 to discuss possible collaborations. |
Bharath and Eswaran Subrahmanian |
|
|
Meeting with Hartwig Renninger and Mercedes Barkmeyer from Mercedes Benz on 29 July, 2013, to discuss PSI Framework. |
Bharath and Eswaran Subrahmanian |
|
|
Game sessions |
facilitated by |
|
|
We participated in the SprintCity game session conducted by Merten Nefs from Deltametropolis Association, Rotterdam on 20 July, 2013. |
Merten Nefs |
|
August |
Events/Meetings |
Attended by |
|
|
Meeting with Prof. Siddarth Swaminathan from Institute for Social and Economic Change (ISEC), Bangalore on 19 August,2013 to discuss games being developed at FoV |
Bharath |
|
|
Project review with Board Of Research in Fusion Science & Technology (BRFST) at IPR Ahmedabad on 23 August, 2013. |
Bharath |
|
|
Meeting with Dr. Prodipto Ghosh from The Energy and Resource Institute (TERI) on 26 August, 2013 to discuss work at FoV. |
Bharath and Harsha |
|
|
Meeting with Subrat Das, Priyadarshini Mohanty, Prashant Prakash from CBGA, New Delhi on 27 August, 2013 to discuss possible collaborations. |
Bharath |
|
|
Meeting with Richa Sharma from IIT Delhi, on 27 August, 2013 to discuss possible collaborations. |
Bharath |
|
|
Meeting with Prof. Subhro Guhathakurta from Georgia Institute of Technology (GATech), on 28 August, 2013 to discuss possible collaborations. |
Harsha, Onkar and Sruthi |
|
|
Game sessions |
facilitated by |
|
|
Game Design Workshop at Khoj International, New Delhi on 28 and 29 August, 2013. |
Bharath |
|
September |
Events/Meetings |
Attended by |
|
|
Meeting with Prof. Gerhard Schmitt at IIIT-B on 13 September, 2013 to discuss our work in the area of Urban Systems. |
Harsha |
|
|
Meeting with Stewart McTavish from ideaSpace, Cambridge Incubation at IIIT-B on 15 September, 2013. |
Bharath and Harsha |
|
|
Meeting with Dr. Uday Phadke from Accelarator India at IIIT-B on 18 September, 2013. |
Harsha and Sruthi |
|
|
Meeting with Rikin Ganhi from Digital Green at New Delhi on 19 September, 2013. |
Bharath |
|
|
Inauguration of Centre for Urban Science and Engineering (C-USE) at IIT Bombay on 30 September, 2013. |
Harsha |
|
|
Game sessions |
facilitated by |
|
|
Gaming Jam with Collaborative Community and IGDA Bangalore on 1 September, 2013 at Swissnex India |
Onkar |
|
Visitors
In the month of July
-
Dr. V. Balakrishnan from IPR, Gujarat.
In the month of August
-
Gijs Gootjes, Loes Bogers from MediaLAB Amsterdam.
In the month of September
-
Dr.ir. L.J. de Vries, M.A from Delft University of Technology.
-
Markas Ewald from Nexthamburg, Germany.
-
Prof. Jörg Stollmann from TU Berlin.
-
Anne Fenck from MOD, Bangalore.
|
|
|
|
|
|


Class: Thread::Channel
- Inherits:
-
Object
- Object
- Thread::Channel
- Defined in:
- thread-0.2.2/lib/thread/channel.rb
Overview
A channel lets you send and receive various messages in a thread-safe way.
It also allows for guards upon sending and retrieval, to ensure the passed messages are safe to be consumed.
Instance Method Summary collapse
-
#initialize(messages = [], &block) ⇒ Channel
constructor
Create a channel with optional initial messages and optional channel guard.
-
#receive(&block) ⇒ Object
Receive a message, if there are none the call blocks until there's one.
-
#receive!(&block) ⇒ Object
Receive a message, if there are none the call returns nil.
-
#send(what) ⇒ Object
Send a message to the channel.
Constructor Details
#initialize(messages = [], &block) ⇒ Channel
Create a channel with optional initial messages and optional channel guard.
19 20 21 22 23 24 25 26 27 |
# File 'thread-0.2.2/lib/thread/channel.rb', line 19 def initialize( = [], &block) @messages = [] @mutex = Mutex.new @check = block .each {|o| send o } end |
Instance Method Details
#receive(&block) ⇒ Object
Receive a message, if there are none the call blocks until there's one.
If a block is passed, it's used as guard to match to a message.
50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 |
# File 'thread-0.2.2/lib/thread/channel.rb', line 50 def receive(&block) = nil found = false if block until found @mutex.synchronize { if index = @messages.find_index(&block) = @messages.delete_at(index) found = true else cond.wait @mutex end } end else until found @mutex.synchronize { if @messages.empty? cond.wait @mutex end unless @messages.empty? = @messages.shift found = true end } end end end |
#receive!(&block) ⇒ Object
Receive a message, if there are none the call returns nil.
If a block is passed, it's used as guard to match to a message.
86 87 88 89 90 91 92 |
# File 'thread-0.2.2/lib/thread/channel.rb', line 86 def receive!(&block) if block @messages.delete_at(@messages.find_index(&block)) else @messages.shift end end |
#send(what) ⇒ Object
Send a message to the channel.
If there's a guard, the value is passed to it, if the guard returns a falsy value an ArgumentError exception is raised and the message is not sent.
33 34 35 36 37 38 39 40 41 42 43 44 45 |
# File 'thread-0.2.2/lib/thread/channel.rb', line 33 def send(what) if @check && !@check.call(what) raise ArgumentError, 'guard mismatch' end @mutex.synchronize { @messages << what cond.broadcast if cond? } self end |


WITNESS LIST Natural Resources Committee February 6, 2001 - 2:00P Air Quality ON: Herbeck, Charles Steering Committee Member (Business Coalition for Clean Air), Texas City, TX Huston, Robert Chairman (Texas Natural Resources Conservation Commission), Austin, TX MacLeod, Mark Director, Special Projects (Environmental Defense Fund), Austin, TX Saitas, Jeff Executive Director (Texas Natural Resources Conservation Commission), Austin, TX Senate Resolution 40 ON: Seales, Terri Executive Assistant to the Executive Dir (Texas Natural Resources Conservation Commission), Austin, TX Water Issues ON: Baker, John Commissioner (Texas Natural Resources Commission), Austin, TX Hubert, Martin Deputy Commissioner (Texas Dept. of Agriculture), Austin, TX Knowles, Tommy Deputy Executive Administrator (Texas Water Development Board), Austin, TX Pedersen, Craig Executive Administrator (Texas Water Development Board), Austin, TX Sansom, Andrew Executive Director (Texas Parks & Wildlife), Austin, TX


Britain charges man arrested at Heathrow Airport with terrorism offence
LONDON (Reuters) - A man who was arrested at London’s Heathrow Airport after he arrived on a flight from Turkey has been charged with a terrorism offence, British police said on Sunday.
Mamun Rashid, 26, will appear in court on Monday on charges of preparation of terrorist acts, police said in a statement. He was arrested on Thursday on suspicion of offences related to the conflict in Syria.
Turkish authorities have begun to send Islamic State detainees back to their home countries.


Wrong results from LAPACK routines are most often caused by incorrect usage.
It is also possible that wrong results are caused by a bug outside of LAPACK, in the compiler or in one of the library routines, such as the BLAS, that are linked with LAPACK. Test procedures are available for both LAPACK and the BLAS, and the LAPACK installation guide [3] should be consulted for descriptions of the tests and for advice on resolving problems.
A list of known problems, compiler errors, and bugs in LAPACK routines is maintained on netlib; see Chapter 1.
Users who suspect they have found a new bug in an LAPACK routine are encouraged to report it promptly to the developers as directed in Chapter 1. The bug report should include a test case, a description of the problem and expected results, and the actions, if any, that the user has already taken to fix the bug.


Code coverage report for
./app/shared/filters\
Statements:
44.62%
(29 / 65)
Branches:
12.5%
(3 / 24)
Functions:
56%
(14 / 25)
Lines:
44.62%
(29 / 65)
Ignored:
none
All files
» ./app/shared/filters/
File
Statements
Branches
Functions
Lines
commonFilters.js
29.03%
(9 / 31)
12.5%
(3 / 24)
41.18%
(7 / 17)
29.03%
(9 / 31)
commonFilters_test.js
58.82%
(20 / 34)
100%
(0 / 0)
87.5%
(7 / 8)
58.82%
(20 / 34)


THE ASTRONAUT'S WIFE RATING: 5 / 10 --> Not a good movie
For more reviews and movie screensavers, visit http://www.joblo.com/
Johnny Depp is a great looking man. In fact, gun forced to my head, I would absolutely "do the man" without any qualms, despite the fact that I do not naturally swing that way. Charlize Theron...beautiful woman. Reminds me a little of Mrs. JoBlo, as a matter of fact. Both pretty good actors in their own right, with Depp certainly racking up a diverse repertoire of parts. Oh, the movie, you say? Well, it's not good.
PLOT: An astronaut loses contact with earth for two minutes while floating around in space. Upon his return, his wife and others notice that he has become somewhat "different". Over time, we begin to suspect that an extraterrestrial may be inside the poor bastard.
CRITIQUE: What can I say...this movie's trailer wins the annual award for "The Best Trailer Giving Away Everything, And I Do Mean, Everything, That Is Going To Happen In A Movie!" (With DOUBLE JEOPARDY finishing a close second!). It's unfortunate because there may have been a couple of things that would have surprised me otherwise, but I guess the marketing geniuses at New Line Cinema figured that it would be more beneficial for people to know EXACTLY what is going to happen in the film, without even seeing it!? Good move, guys. That aside, the film is not a horrible watch, in fact Depp and Theron certainly pull out some decent performances, with Depp hamming it up via his Elvis accent, and the blonde streaks in his hair. Theron's role seemed similar to her role in the much better DEVIL'S ADVOCATE (8/10) film, with her deteriorating over time, and crying a lot. Having said that, she does it very well, and she sure is nice to look at. The story of this film seemed ambitious, but unfortunately for us, it basically goes nowhere. In fact, count yourself lucky if you haven't seen the preview of this film, for you will not have seen 95% of the movie like the rest of us.
The film itself plods along at a pretty slow pace, doesn't offer any real tension or intrigue (Just a couple of "easy scare" scenes with people popping out of nowhere), and is choked with plot holes. In fact, we never really know why the extraterrestrial has come to earth, what his plans are, or how Depp seems to show up every time that something that he doesn't like is happening. The ending is also very stupid, with a twist which I personally could have done without. And if you're grooving to see this movie because of any special effects, forget about it right now, there are probably more in DUDLEY DO-RIGHT. All in all, this movie is not a horrible movie by any stretch of the imagination, but it's basically just "there". If you like the two main actors, or love watching really great looking people get paid millions of dollars to act on the big screen while you pay for their kid's tuition, then by all means, go see this movie. Otherwise, wait for it on video, sit around and watch it with your drunk friends, and have a blast making fun of all the gaping holes in the script.
Either that, or try to figure out which of the two actors is the prettier?
Depp or Theron? Theron or Depp? Or try your luck at our Johnny Depp Movie
Trivia Quiz (http://www.joblo.com/youdontknowshiteaboutmovies21.htm).
Little Known Facts about this film and its stars: Charlize Theron's mother killed her father with a gun one night, after he got drunk and began abusing her again. The mother was charged, but received not time in jail, after she was found to have been acting in "self-defense". The father had apparently been an abusive husband for years on end. Charlize was 10 years old at the time. He was French, she is of German heritage. Charlize was born and grew up in South Africa, where she is now doing TV promos against rape. At the age of 18, Charlize's mom convinced her to go Los Angeles to try a career in the movie industry. She came to LA without knowing anyone in the city but after two weeks when she was standing in line on Hollywood Boulevard an agent gave her his card. After eight months in LA, she got her first part. Johnny Depp has dated several young starlets in Hollywood including Winona Ryder, Sherilyn Fenn, Jennifer Grey (pre-nose operation which changed who she was!), Kate Moss and actress/singer Vanessa Paradis from France. He most recently sired a child from Paradis. It was a daughter whom they named Lily-Rose Melody Depp. He likes to call himself "Mr. Stench". Johnny's full name is John Christopher Depp III. He was born in Kentucky and has been featured on a rock album from the British band, Oasis. Depp played lead slide guitar on the track, "Fade In-Out", after Oasis' own lead guitarist was too drunk to perform it himself. Depp stepped in and nailed the lead on one take. This is director Rand Radish's directorial film debut. He was known previously as a writer, having written the screenplays for such films as CANDYMAN 2: FAREWELL TO THE FLESH and THE MAKER. The two twins in this film are played by Cole and Dylan Sprouse, the same kids who played the one character of Julian in this summer's other comedy BIG DADDY (7/10). Actress Clea DuVall has no relation to great actor Robert Duvall. Her full name is Clea Helen D'etienne DuVall.
Review Date: August 28, 1999 Director: Rand Radish Writer: Rand Radish Producer: Andrew Lazar Actors: Johnny Depp as Spencer Armacost Charlize Theron as Jillian Armacost Clea DuVall as Nan Genre: Thriller Year of Release: 1999 --------------------------------------- JoBlo's Movie Emporium http://www.joblo.com --------------------------------------- (c) 1999 Berge Garabedian
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


JavaScript is disabled on your browser.
Overview
Package
Class
Use
Tree
Deprecated
Index
Help
Prev
Next
Frames
No Frames
All Classes
Hierarchy For Package org.gramar.base.function
Package Hierarchies:
All Packages
Class Hierarchy
java.lang.
Object
org.gramar.base.function.
CamelCaseFunction
(implements javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
EscapeJsonFunction
(implements javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
ExpandEmbeddedXpathsFunction
(implements javax.xml.xpath.
XPathFunction
)
org.gramar.function.
GramarFunction
(implements org.gramar.function.
IGramarFunction
, javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
CardinalityFunction
(implements org.gramar.function.
IGramarFunction
, javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
ClassNameFunction
(implements javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
IsVariableDefinedFunction
(implements org.gramar.function.
IGramarFunction
, javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
LessThanFunction
(implements org.gramar.function.
IGramarFunction
, javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
ModuloCounterFunction
(implements org.gramar.function.
IGramarFunction
, javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
PackageNameFunction
(implements javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
SortFunction
(implements org.gramar.function.
IGramarFunction
, javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
UniqueFunction
(implements org.gramar.function.
IGramarFunction
, javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
LowercaseFirstFunction
(implements javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
LowercaseFunction
(implements javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
SingleTokenFunction
(implements javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
UppercaseFirstFunction
(implements javax.xml.xpath.
XPathFunction
)
org.gramar.base.function.
UppercaseFunction
(implements javax.xml.xpath.
XPathFunction
)
Overview
Package
Class
Use
Tree
Deprecated
Index
Help
Prev
Next
Frames
No Frames
All Classes
Copyright © 2016. All rights reserved.


Bruno Philipe
Programmer and Web Developer.
Personal projects usually involve iOS and macOS.
{menu}
{content}


| 1 |
Ma_Y_2012 |
Design Novel Dual Agonists for Treating Type-2 Diabetes by Targeting Peroxisome Proliferator-Activated Receptors with Core Hopping Approach |
Ma, Ying; Wang, Shu-Qing; Xu, Wei-Ren; Wang, Run-Ling; Chou, Kuo-Chen |
2012 |
2012-06-07 |
COMM-USE |
N |
PMC3369836 |
22685582.0 |
10.1371/journal.pone.0038546 |
dy7djsah |
0.966258 |
|
Liu_L_2013, Ahmadian_2013, Lin_S_2019 |
| 2 |
Liu_L_2013 |
Find novel dual-agonist drugs for treating type 2 diabetes by means of cheminformatics |
Liu, Lei; Ma, Ying; Wang, Run-Ling; Xu, Wei-Ren; Wang, Shu-Qing; Chou, Kuo-Chen |
2013 |
2013-04-08 |
PMC |
N |
PMC3623550 |
23630413.0 |
10.2147/dddt.s42113 |
icwhpbpj |
0.940291 |
|
Ma_Y_2012 |
| 3 |
Kanasaki_2019 |
Relevance of Autophagy Induction by Gastrointestinal Hormones: Focus on the Incretin-Based Drug Target and Glucagon |
Kanasaki, Keizo; Kawakita, Emi; Koya, Daisuke |
2019 |
2019-05-16 |
COMM-USE |
N |
PMC6531852 |
31156426.0 |
10.3389/fphar.2019.00476 |
1s44e2le |
0.804036 |
|
Beckers_2017, Lin_S_2019 |
| 4 |
Tieku_1992 |
Inhibition of aminopeptidases N, A and W A re-evaluation of the actions of bestatin and inhibitors of angiotensin converting enzyme |
Tieku, Stephen; Hooper, Nigel M. |
1992 |
1992-11-03 |
PMC |
N |
PMC7111144 |
1360211.0 |
10.1016/0006-2952(92)90065-q |
ll6f6brf |
0.753765 |
Deaton_2008 |
Noble_2000, Danziger_2007 |
| 5 |
Lin_S_2019 |
The perceptions of natural compounds against dipeptidyl peptidase 4 in diabetes: from in silico to in vivo |
Lin, Shian-Ren; Chang, Chia-Hsiang; Tsai, May-Jwan; Cheng, Henrich; Chen, Jian-Chyi; Leong, Max K.; Weng, Ching-Feng |
2019 |
2019-09-19 |
NONCOMM |
N |
PMC6753520 |
31555430.0 |
10.1177/2040622319875305 |
b3o0vtob |
0.749421 |
Kanasaki_2019, Mulvihill_2014, Gong_2015 |
Mulvihill_2014, Kanasaki_2019 |
| 6 |
Zhong_2015 |
Recent Advances in Dipeptidyl-Peptidase-4 Inhibition Therapy: Lessons from the Bench and Clinical Trials |
Zhong, Jixin; Gong, Quan; Goud, Aditya; Srinivasamaharaj, Srividya; Rajagopalan, Sanjay |
2015 |
2015-05-14 |
COMM-USE |
N |
PMC4446505 |
26075284.0 |
10.1155/2015/606031 |
3rukouk3 |
0.681258 |
Gong_2015 |
Panchapakesan_2015, Lin_S_2019 |
| 7 |
Yun_Y_2014 |
Kimchi Methanol Extract and the Kimchi Active Compound, 3′-(4′-Hydroxyl-3′,5′-Dimethoxyphenyl)Propionic Acid, Downregulate CD36 in THP-1 Macrophages Stimulated by oxLDL |
Yun, Ye-Rang; Kim, Hyun-Ju; Song, Yeong-Ok |
2014 |
2014-08-01 |
PMC |
N |
PMC4126270 |
25010893.0 |
10.1089/jmf.2013.2943 |
m4paktyf |
0.598447 |
|
|
| 8 |
Mulvihill_2014 |
Pharmacology, Physiology, and Mechanisms of Action of Dipeptidyl Peptidase-4 Inhibitors |
Mulvihill, Erin E.; Drucker, Daniel J. |
2014 |
2014-12-01 |
PMC |
N |
PMC7108477 |
25216328.0 |
10.1210/er.2014-1035 |
8emckxv0 |
0.578242 |
|
Lin_S_2019, Beckers_2017 |
| 9 |
Zhong_2016 |
DPP4 Inhibition: Insights From the Bench and Recent Clinical Studies |
Zhong, Jixin; Kankanala, Saumya; Rajagopalan, Sanjay |
2016 |
2016-10-01 |
PMC |
N |
PMC5147592 |
27472408.0 |
10.1097/mol.0000000000000340 |
6ruond0m |
0.576089 |
Gong_2015 |
Zhong_2015, Panchapakesan_2015, Beckers_2017, Kanasaki_2019 |
| 10 |
Ahmadian_2013 |
PPARγ signaling and metabolism: the good, the bad and the future |
Ahmadian, Maryam; Suh, Jae Myoung; Hah, Nasun; Liddle, Christopher; Atkins, Annette R; Downes, Michael; Evans, Ronald M |
2013 |
2013-05-01 |
PMC |
N |
PMC3870016 |
23652116.0 |
10.1038/nm.3159 |
nd99ibso |
0.538172 |
|
Ma_Y_2012, Kanasaki_2019 |
| 11 |
Gong_2015 |
Dpp4 inhibition as a therapeutic strategy in cardiometabolic disease: Incretin-dependent and -independent function |
Gong, Quan; Rajagopalan, Sanjay; Zhong, Jixin |
2015 |
2015-10-15 |
PMC |
N |
PMC7114201 |
26142202.0 |
10.1016/j.ijcard.2015.06.076 |
8vj0t57e |
0.527436 |
Zhong_2015, Zablocki_2011 |
Zhong_2015, Panchapakesan_2015, Zhong_2016, Kanasaki_2019 |
| 12 |
Kanasaki_2018 |
The role of renal dipeptidyl peptidase-4 in kidney disease: renal effects of dipeptidyl peptidase-4 inhibitors with a focus on linagliptin |
Kanasaki, Keizo |
2018 |
2018-02-28 |
COMM-USE |
N |
PMC5828949 |
29491123.0 |
10.1042/cs20180031 |
61t4e1eg |
0.486677 |
Shi_S_2016, Gong_2015, Kanasaki_2019 |
Panchapakesan_2015, Lin_S_2019 |
| 13 |
Ma_Y_2020 |
PPARγ and Its Agonists in Chronic Kidney Disease |
Ma, Yuhua; Shi, Manman; Wang, Yuxin; Liu, Jian |
2020 |
2020-02-25 |
COMM-USE |
N |
PMC7060840 |
32158560.0 |
10.1155/2020/2917474 |
vbs6hn3a |
0.451035 |
Zablocki_2011 |
Panchapakesan_2015, Wolke_2016, Beckers_2017 |
| 14 |
Shi_S_2016 |
Dipeptidyl peptidase-4 and kidney fibrosis in diabetes |
Shi, Sen; Koya, Daisuke; Kanasaki, Keizo |
2016 |
2016-02-13 |
COMM-USE |
N |
PMC4752740 |
26877767.0 |
10.1186/s13069-016-0038-0 |
psuqq87n |
0.430630 |
Gong_2015, Soler_2008, Panchapakesan_2015, Zhong_2015 |
Panchapakesan_2015, Kanasaki_2018, Beckers_2017 |
| 15 |
Rao_X_2019 |
Oxidized LDL upregulates macrophage DPP4 expression via TLR4/TRIF/CD36 pathways |
Rao, Xiaoquan; Zhao, Shi; Braunstein, Zachary; Mao, Hong; Razavi, Michael; Duan, Lihua; Wei, Yingying; Toomey, Amelia C.; Rajagopalan, Sanjay; Zhong, Jixin |
2019 |
2019-02-07 |
None |
N |
PMC6441950 |
30738832.0 |
10.1016/j.ebiom.2019.01.065 |
1n7xjjd5 |
0.427527 |
|
Beckers_2017, Kondo_2018 |
| 16 |
Ramya_2020 |
Decades-old renin inhibitors are still struggling to find a niche in antihypertensive therapy. A fleeting look at the old and the promising new molecules |
Ramya, Krishnappa; Suresh, Ramalingam; Kumar, Honnavalli Yogish; Kumar, B.R. Prashantha; Murthy, N.B. Sridhara |
2020 |
2020-03-28 |
PMC |
N |
|
|
10.1016/j.bmc.2020.115466 |
3bi01dvn |
0.424000 |
Zhao_2008, Zablocki_2011, Soler_2008, Tikellis_2012, Jones_2008 |
Bradford_2010, Patel_2016, Sparks_2014, Lambert_2008 |
| 17 |
Deaton_2008 |
Thiol-based angiotensin-converting enzyme 2 inhibitors: P1 modifications for the exploration of the S1 subsite |
Deaton, David N.; Gao, Enoch N.; Graham, Kevin P.; Gross, Jeffrey W.; Miller, Aaron B.; Strelow, John M. |
2008 |
2008-01-15 |
PMC |
N |
PMC7126659 |
18078750.0 |
10.1016/j.bmcl.2007.11.048 |
gic43uwz |
0.384552 |
Zhao_2008, Tikellis_2012 |
|
| 18 |
Schrom_2017 |
Translation of Angiotensin-Converting Enzyme 2 upon Liver- and Lung-Targeted Delivery of Optimized Chemically Modified mRNA |
Schrom, Eva; Huber, Maja; Aneja, Manish; Dohmen, Christian; Emrich, Daniela; Geiger, Johannes; Hasenpusch, Günther; Herrmann-Janson, Annika; Kretzschmann, Verena; Mykhailyk, Olga; Pasewald, Tamara; Oak, Prajakta; Hilgendorff, Anne; Wohlleber, Dirk; Hoymann, Heinz-Gerd; Schaudien, Dirk; Plank, Christian; Rudolph, Carsten; Kubisch-Dohmen, Rebekka |
2017 |
2017-04-13 |
None |
N |
PMC5423349 |
28624211.0 |
10.1016/j.omtn.2017.04.006 |
tulmnb32 |
0.353477 |
|
Gembardt_2005, Xiao_2014 |


Mi Yan
Ph.D. candidate in Physics · Theoretical Condensed Matter Physics
Ph.D. candidate in Physics · Theoretical Condensed Matter Physics
I am currently a PhD candidate working in Prof. Vito Scarola's group at Virginia Tech.
Research
Publications
Equilibration Dynamics of Strongly Interacting Bosons in 2D Lattices with Disorder
Physical Review Letters 119, 073002 (2017).
[pdf]
Dynamics of Disordered States in the Bose-Hubbard Model with Confinement
Physical Review A 95, 053624 (2017).
[pdf]
Dzyaloshinskii-Moriya interaction and spiral order in spin-orbit coupled optical lattices
Scientific reports 5 (2015).
[pdf]


no. 13| 06.06.2014 |
SQL Injections.
As a beginning coder, this kind of stuff freaks me out. SQL Injections are one of many security issues that software developers have to be on top of. SQL Injection is seriously old school, but it turns lots of websites are still vulnerable to this style of exploit. If experienced programmers are slipping up on this, what chance do I stand?
After doing a bit of research, there are at least a couple of places to start. The first is awareness. Knowing SQL Injections exist, and knowing the basics of how they work is helpful, and that leads to a couple of “best practices” that I can try to turn into regular habits.
So, first, what is SQLi?
One of the fundamental purposes of a web-based application is to serve as an interface between the end user and some kind of data. Applications take requests from users like, “make a new user account for me”, “show me a list of products”, “show me my recent transactions”, “show me some photos”, etc.. Fulfilling these requests means interacting with a database, which almost always means using SQL.
The “path from user to web app” often goes through a field on a web page. A “create account” page would have a field where you’d type in your hoped-for username. A product page might have a search field that gets user input like “skinny jeans” or “creamed corn”. Our apps pull that user-provided input into SQL queries and send them on to a DBMS that will return relevant data from, or make changes to a database.
The security risk comes when a user puts a carefully crafted string into an input field (or tacks the right stuff onto the end of an http request) that when shoved into an SQL query by an app, changes the SQL query. Usually to something bad for the other users of the app.
Here’s an example (thanks Wikipedia):
statement = "SELECT * FROM users WHERE name ='" + userName + "';"
This SQL code is designed to pull up the records of the specified username from its table of users. However, if the "userName" variable is crafted in a specific way by a malicious user, the SQL statement may do more than the code author intended. For example, setting the "userName" variable as:
' or '1'='1
renders one of the following SQL statements by the parent language:
SELECT * FROM users WHERE name = '' OR '1'='1';
If this code were to be used in an authentication procedure then this example could be used to force the selection of a valid username because the evaluation of '1'='1' is always true.
There are other SQLi tactics that can be used to return the entire contents of a database using that same ‘ or ‘1’ = ‘1 trick. Since the OR will always evaluate “true”, every record will match and get pulled by the DBMS. Even worse?  Your trickery has impressed us all.
So what’s the takeaway for a novice developer? First, never trust raw user input. Anything coming into your app from a user should be validated before it’s passed along to parts of the app that need to use it. There are lots of ways to do this and frameworks to help, but the general idea is to look through the input and allow only characters and character combinations that can’t be mistaken for code. “Don’t trust user input” is a helpful, high leverage best practice because it applies to more than just SQL - JavaScript is but one other example.
If you find yourself concatenating a variable full of raw user input to pretty much anything, probably stop what you’re doing and figure out how to validate the input first.
That leads me to my second beginner best practice. Ask for the advice of more experienced folk. The landscape of web security vulnerabilities is constantly changing and it’s really hard to know if you’re doing the right thing. The right thing might have changed since yesterday.


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 1
Preheat the oven to 200C/400F/Gas 6.
Heat the oil in an ovenproof frying pan and brown the chicken breast for 2-3 minutes on each side. Add the rosemary and garlic to the frying pan.
Transfer the pan to the oven and cook the chicken for 10-12 minutes.
Spread the garlic-and-herb cream cheese over the top of the chicken. Keep warm.
Meanwhile, for the chickpeas and chorizo, roast the chorizo in the oven in a roasting tray for 3-4 minutes, or until crisp. Season, to taste, with salt and freshly ground black pepper.
Stir the onion, garlic, rosemary and chickpeas into the chorizo and roast for a further 5-7 minutes. Stir in the balsamic vinegar and extra virgin olive oil.
To serve, spoon the chickpeas and chorizo onto a plate.


Debbie has only enabled lobbyists and big money while running the Democratic Party. She is part of the problem. Defeating her is part of the solution, but we need your help.
We are a grassroots movement fighting to fix our broken political system. Building teams at the local level, we hold status quo politicians accountable at the ballot box and elect true reformers committed to passing strong anti-corruption laws. Learn more.


The only distinction between a Group and an Entry is that Groups are parents of Entrys. All other aspects of the data model are the same.
Below is the definition of the main entries database table. This represents the lowest common denominator of metadata, e.g., name, group structure, type, time range, geobounds.
| id | varchar(200) | The entry id. A unique identifier. See below for a discussion of Group ids. |
| type | varchar(200) | The entry type (e.g., group, file, model, etc). This corresponds to the TypeHandlers |
| name | varchar(200) | Short name |
| description | varchar(2000) | Description |
| parent_group_id | varchar(200) | Parent group |
| top_group_id | varchar(200) | The group id of the second to last topmost group |
| user_id | varchar(200) | the creator |
| resource | varchar(200) | The resource path (e.g., file, url, etc) |
| resource_type | varchar(200) | The type of the resource |
| datatype | varchar(200) | allows for subtyping |
| createdate | timestamp | when it was created |
| fromdate | timestamp | From date range of the data |
| todate | timestamp | To date range of the data |
| south | float8 | Geo bounds |
| north | float8 | Geo bounds |
| east | float8 | Geo bounds |
| west | float8 | Geo bounds |
For example, the ThreddsMetadataHandler handles a variety of metadata that shows up in THREDDS catalogs, e.g., creator, link, publisher, project. For each of these types there is a metadata type in the table: thredds.creator, thredds.link, etc. The attr(1-4) is used to hold the content. For example, thredds.link type uses attr1 for the title and attr2 for the url. The thredds.keyword just uses attr1 to hold the keyword. The thredds.publisher uses all 4 attributes.
| id | varchar(200) | The id of the metadata element |
| entry_id | varchar(200) | The entry id. Corresponds to the id in the entries table above. |
| type | varchar(200) | The metadata type. This defines the MetadataHandler for this element. |
| attr1 | varchar(10000) | content 1 |
| attr2 | varchar(10000) | content 2 |
| attr3 | varchar(10000) | content 3 |
| attr4 | varchar(10000)) | content 4 |


Format: http://www.debian.org/doc/packaging-manuals/copyright-format/1.0/
Upstream-Name: feedparser
Upstream-Contact: Kurt McKee
Source: https://code.google.com/p/feedparser/
Files: *
Copyright:
2002-2008, Mark Pilgrim
2010-2012, Kurt McKee
License: BSD-2-clause
Files: docs/*
Copyright: 2004-2008 Mark Pilgrim
License: Feedparser-documentation-license
Redistribution and use in source (Sphinx ReST) and "compiled" forms (HTML, PDF,
PostScript, RTF and so forth) with or without modification, are permitted
provided that the following conditions are met:
.
* Redistributions of source code (Sphinx ReST) must retain the above copyright
notice, this list of conditions and the following disclaimer.
* Redistributions in compiled form (converted to HTML, PDF, PostScript, RTF and
other formats) must reproduce the above copyright notice, this list of
conditions and the following disclaimer in the documentation and/or other
materials provided with the distribution.
.

Files: debian/*
Copyright: 2013-2014 Etienne Millon
License: BSD-2-clause
License: BSD-2-clause
Redistribution and use in source and binary forms, with or without modification,
are permitted provided that the following conditions are met:
.
* Redistributions of source code must retain the above copyright notice,
this list of conditions and the following disclaimer.
* Redistributions in binary form must reproduce the above copyright notice,
this list of conditions and the following disclaimer in the documentation
and/or other materials provided with the distribution.
.


Billboard decided to have its art and photo teams make their picks for the best album covers of 2018.
See the 20 covers they went with below, as well as their explanations for what about those images caught their
expert eyes.
Check it out
here!

Click
Here
11 Great Albums You Probably Didn’t Hear in 2018
Click
Here


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SpongeBob SquarePantsBetween 1999 and 2002, the number of people taping or TiVo-ing SpongeBob SquarePants off Nickelodeon eclipsed those recording South Park and The Simpsons put together. Rarely has an animated cartoon series intended for toddlers aged two-to-eleven so nimbly insinuated itself into the American public meme, or caused so many problems for parents, media corporations and race relations. The show has inspired over $800 million worth of merchandise since its inception, and SpongeBob's porous, yellow face beams optimistically from the number-one selling brands of Kraft Macaroni & Cheese, Band-Aid bandages, and frozen fruit juice popsicles. Early on, the creative force behind SpongeBob came to include Underworld cartoonist Kaz and Sam "Magic Whistle" Henderson, both of whom wrote and storyboarded numerous episodes in their own superb, trademark styles. SpongeBob himself is voiced by standup comedian and Mr. Show veteran Tom Kenny, who served time as the Announcer and Mayor characters on The Powerpuff Girls. Mister Krabs is voiced by Clancy Brown, the looming prison guard from The Shawshank Redemption -- the one Andy Dufresne assists with his income taxes. Squidward is voiced by Rodger Bumpass, who's been doing voices for cartoons since The Jetsons in 1962. Guest stars have included Match Game regular Charles Nelson Reilly, Ernest Borgnine, Tim Conway, John Lurie and director Jim Jarmusch -- all of whom share the cartoon stage with the musical stylings of Tiny Tim, Ween, and Pantera. Among its loyal fans: Dennis Miller, Bruce Willis, Tom Waits and Jerry Lewis. Troubling SpongeBob "incidents" are ever present, and can strike even the sleepiest of communities without warning. On April 12, 2003, sheriff's deputies were called to the El Paso Coliseum in Texas after hundreds of parents and children stormed from the palace during an ice follies, demanding their money back. They claimed that SpongeBob had been expected to star in the show, but in fact he was only a small part of the ice-skating exhibition. The furor disgraced the ice skating exhibition, and to this day local politicians continue to invoke memories of the "SpongeBob Riots" during election campaigns. The half-hour program is an amalgamation of traditional cel animation, live action puppet shows, digitized video elements and computer enhanced cinematography. Musically, the soundtrack consists of pitch-shifted, tiki Hawaiian cues. It targets a generation of youngsters without an immediate awareness of Monty Python's Flying Circus on PBS or the original Warner Bros. Merrie Melodies cartoons. It tickles children of all ages by catering to their developing capacities for abstract thought, providing existential underwater situations (hereinafter referred to as "nautical nonsense") and fully fleshed-out supporting characters like Squidward Tentacles, Patrick Star, Sandy Cheeks, and Eugene H. Krabs. Think of the cast and crew as contemporary child development specialists who prepare young people for an artistically sound and socially adjusted life by encouraging them to act out whatever surreal fantasies they choose. While Dora is off exploring friendship and multicultural melting pots, while Dexter beats off into a laboratory test tube, as The Powerpuff Girls deconstruct threadbare id/ego/superego subdivisions of the blonde bimbos, red-headed control freaks and indignant, dykeified brunettes within us all, SpongeBob and his colleagues skirt conventional narrative structures by staying home, indulging themselves in unique hobbies and isolated personal pursuits. SpongeBob blows bubbles out the window of his private pineapple-shaped home overlooking the sea floor of Bikini Bottom. Or he sits in a box and plays pretend. Or he goes "jellyfishing" with a butterfly net, capturing undulating sea creatures and squirting the jam from their stinging tentacles onto slices of white bread for lunch. And he's not one of those "how does this guy manage to stay alive" type characters, either: he supports himself by working a regular job as a fry cook at the Krusty Krab restaurant. SpongeBob pays his rent, goes to school to learn how to drive a boat, and takes care of his pet Gary: a sea snail whose emotions are conveyed exclusively through the squeaks and meows of a contented house cat. In Bikini Bottom, educational television is widely regarded as punishment. The creator of SpongeBob, Stephen Hillenburg, earned his degree in 1984: in "natural resource planning and interpretation," with an emphasis in marine resources. He taught marine biology at the Orange County Marine Institute in California, where he noticed his young students' enthusiasm for the creatures which live in tide pools: sponges, starfish, octopi and crabs, chief among them. While pitching his idea for Nickelodeon, he played the ukulele and sang a version of the theme song. "At first I drew a few natural sponges -- amorphous shapes, blobs -- which was the correct thing to do biologically as a marine science teacher," he told the Washington Post. "Then I drew a square sponge and it looked so funny. A funny, nerdy, squeaky-clean square. I think as far as cartoon language goes he was easier to recognize. He seemed to fit the character type I was looking for." It's true: SpongeBob is currently the most dangerous weapon in the Viacom media sea. Nine million satellite subscribers lost access to SpongeBob during a dispute with EchoStar, owner of the Dish Network. All Viacom had to do was yank SpongeBob, MTV's The Real World, and Survivor from millions of viewers in Los Angeles, New York and Miami to demonstrate their power of positive thinking. After a two-day blackout, Viacom secured everything it wanted from EchoStar, including a rate increase of six cents per month, per subscriber. In a show of disdain, work-released inmates from the Montgomery County Jail in Norristown, Pennsylvania smuggled drugs into their prison by way of SpongeBob cards and stickers containing small packets of heroin. Some of these stickers were the same ones protested by flabbergasted Wal-Mart patrons in March of 2004, when a printing error led to the publication of a Valentine's Day greeting card featuring a black SpongeBob SquarePants. Officials at the American Greetings Corporation felt deeply humiliated and "fell out of their chairs" when they saw the printed images leering back at them from store shelves: SpongeBob with his trademark big teeth and wide eyes, looking suspiciously like the offensive images of African-Americans portrayed in minstrel shows from decades past. "Culturally, the guys on press in China wouldn't have the faintest idea of who a SpongeBob was or who a black SpongeBob was," said David Blinderman, director of global product development. Wal-Mart stores offered refunds. The Spongebob Squarepants Theme Song, heard at the opening of every show, invites children to sing along with an oil rendering of "Painty the Pirate," a framed portrait with a cutaway human mouth like the kind observed during fake interviews on Late Night with Conan O'Brien. The paining was done by Chinese artist Calvin Liang, who graduated from the Shanghai Academy of Fine Arts -- one of China's most prestigious and competitive art academies. Liang designed sets for operas and musical dramas for the Canton Opera Institute before emigrating to the United States in 1987, where he continued his profession as a full-time artist developing visuals for Walt Disney Studios and Nickelodeon. Painty the Pirate, Tony Millionaire's Maakies, and the Sea Captain from The Simpsons were an unstoppable triumvirate of motivating forces responsible for the surge of pirate enthusiasm among culture-starved twentysomethings during 2000 and early 2001. This in turn led to a swelling of popular seafaring phrases like "Arrrrrrr" (which quickly grew as tiresome as "Whassup??") and served as the precursor to salted popcorn snack treats like Pirate's Booty. Our nation's passing fancy with Seinfeldian puffy shirts, swashbuckling foppery, and our tepid predilection for pegged legs mercifully hit the skids with the release of feature films like The Pirates of the Carribean and Master and Commander, which showed audiences around the world that life at sea could also be excruciatingly insipid without immediate access to the buttplug-shaped TiVo remote. Watch for a resurgence of nautical themes in another three years or so, now that every marketing team in the entertainment business knows what rattles the viewer's crossbones.  In numerous episodes, he's observed holding hands and promenading (yes, actually skipping and prancing) around the town square with his best friend and neighbor Patrick Star. Not even Squidward Tentacles escaped the controversy, as mounting anecdotal evidence pointed toward his fondness for classical music, practicing the clarinet, and taking long bubblebaths. As a result, novelty shops catering to gay clientele in New York and Atlanta regularly experience difficulty keeping SpongeBob memorabilia in stock. Tom Kenny skirted the issue on Late Night with Conan O'Brien: "Whether [SpongeBob] is intended to be a gay character or not, it's never been addressed by us on the show." He went on to add that all the main characters are hiding "horrible secrets" of their own. Meanwhile, a different (but equally horrific) urban legend swept elementary schools across the nation: that a retarded child drowned while trying to reach SpongeBob's pineapple-shaped house under the sea. In January 2004, a single-sphered SpongeBob SquarePants balloon traveled over 800 miles at a height of 10,000 feet from Central Mexico to southeast Texas, thirty miles southwest of Houston. There was a note attached, wishing the recipient a merry Christmas. Fort Bend County Office of Emergency Management Staff Meteorologist Ron Stagno announced the balloon probably made the journey in two days. |


Hello friend! It’s nice to meet you! My name is Joel (Jo-el). I am very excited to have you visiting my website. I am a photographer based in Reading, Pennsylvania. I picked up my first DSLR in 2017. What started as a hobby doing some street and landscape photography, quickly became my passion. I always loved photography but was always afraid to try it as I am an introvert who didn’t speak to a lot of people. One day some friends asked me to take their photos, from that moment on I fell in love with portraiture photography. I love capturing special moments and bringing different ideas to life.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Aut optio velit inventore, expedita quo laboriosam possimus ea consequatur vitae, doloribus consequuntur ex. Nemo assumenda laborum vel, labore ut velit dignissimos.


NetApp Company Dinner
GSK Company Dinner
GSK
Park Volunteer
Asian Focus
SASE National Conference
SERC
Dr. Isaacson Chinese Science Fiction
SASE 8th Birthday Party


{% extends "base.html" %} {% block title %}
Medieval catalogues > BENEDICTINES: THE SHORTER CATALOGUES > Reading > Books presented to King John, 1208
{% endif %}8 identified entries found.
All data was derived from the List of Identifications by Professor Richard Sharpe.
{% if not printing %}
A key to codes used in the List is available (opens in new tab).{% endif %}


Status: Ready!
Current File:
No file selected.
Console Output (Click to show / hide):
Rate changing
Custom difficulty generation
Custom CS:
Custom AR:
Custom OD:
Custom HP:
Custom Rate:
See the wiki.
You are running ? v?.


@* * This template takes a single argument, a String containing a * message to display. *@ @(title: String) @* * Call the `main` template with two arguments. The first * argument is a `String` with the title of the page, the second * argument is an `Html` object containing the body of the page. *@ @main(title) {


Lake Wendouree hit-run has police appealing for witnesses
POLICE are appealing for witnesses and dashcam footage following a hit-run in Lake Wendouree this morning.
It is understood a white VT Holden Commodore station wagon collided with a blue Nissan Pathfinder about 6.20am on Wendouree Parade, near the intersection of Windmill Drive.
The Holden fled the scene and was located abandoned about 8.15am in Bell Street, Redan.
OTHER NEWS
- Track rider injured at Turf Club day before Ballarat Cup
- Police smash organised crime network, seize record amount of guns
- 'Significant obsession': Ballarat handyman stalks former customer
The female driver of the Nissan was transported to hospital in a stable condition.
Investigators are still searching for the driver and are urging anyone with information to contact Crime Stoppers on 1800 333 000 or submit a crime report at crimestoppersvic.com.au


Audio Recorder Polyfill is a MediaRecorder polyfill to record audio in Edge and Safari. See API.
Native support, force polyfill
Your browser doesn’t support MediaRecorder or WebRTC to be able to polyfill MediaRecorder.


EVENT HORIZON
Starring Laurence Fishburne, Sam Neill and Joely Richardson
Written by Philip Eisner
Directed by Paul Anderson
The year is 2047. The weary crew of the salvage and rescue vessel "Lewis and Clark" return to Earth only to learn they have to postpone shore leave for another mission: find and explore the experimental starship "Event Horizon", which disappeared seven years earlier and which has now mysteriously returned in low orbit around Neptune with no sign of survivors. Captain Joe Miller (Laurence Fishburne) doesn't like it one bit, and he doesn't like his new passenger Dr. Wier (Sam Neill), who designed the "Event Horizon" and who seems to know more than he's letting on.
The crew set course for Neptune and hop into their stasis tubes for the journey. A couple months later, they emerge in Neptune space. From Dr. Wier they learn that the "Event Horizon" is more experimental than they knew- it's designed for deep interstellar flight. Its "gravity drive" in essence creates its own black hole and then slips through it, thereby allowing it to travel to any point in the known Universe instantaneously. Seven years ago the ship vanished on its maiden voyage; now it's back. Where it has been is anyone's guess. When the "Lewis and Clark" crew dock with the Horizon and board her, they discover only corpses, and a copy of the ship's log on CD which may hold the answers to the fate of her crew.
The easy shot against this picture is that it's yet another ALIEN rip-off; on the surface this is certainly the case. You have the same band of misfits who grudgingly function as crew, you have the derelict spaceship and the claustrophobia and fear which mount as they realize that Something Else is on board. The spaceships are grungy and retro (this look owes more to the "Millennium Falcon", which came first, than to the "Nostromo", which followed), the crew members chain-smoke and could use a bath. Same old story. But EVENT HORIZON isn't a monster movie- it's a ghost story. The crew find not venom-spewing aliens in the deserted vessel, but rather physical manifestations of their own inner demons. Captain Miller sees the crewman he left behind to die in a zero-G fire on his previous assignment. Wier sees his wife, who committed suicide. Peters (Kathleen Quinlan) sees her dead son. Suffice it to say that nobody sees any trippy lights or groovy acid flashbacks. The ship knows their weak spots, and knows how to exploit them.
This plot too is nothing new; as other critics have pointed out, it's been done in outer space before in the 1972 Russian sci-fi film SOLARIS, and underwater in shameless hack Michael Crichton's SPHERE (also now a major motion picture, due in December). HORIZON's twist is to propose that the ship in question literally went to Hell and back- and has returned sentient, and hungry. It needs new souls upon which to feed.
Despite a sketchy set-up and a cast of characters to which the term "two-dimensional" is a compliment, I rooted for this picture, and pretty much stuck with it to the end. This was due in no small part to the stunning visual effects, which did a lot to overcome my doubts. I try not to recommend a film strictly on the basis of its value as eye-candy, but this summer I've done it twice: first for THE FIFTH ELEMENT, the lame-brained plot of which is overcome by its HEAVY METAL visual appeal; and now for HORIZON. The set design and special effects are staggering in their beauty. The clouds of Neptune are awe-inspiring, the spaceships elegant and majestic, both inside and out. The core of the "Horizon", in which is housed the giant concentric rings of the gravity drive, looks like a medieval torture chamber. If it is possible for a spaceship to look evil, then production designer Joseph Bennett has succeeded admirably.
But does the film deliver in the scare department? Well, yes and no. The pernicious influence of Oliver Stone rears its ugly head again in Director Paul Anderson's use of rapid-fire subliminal editing techniques to deliver most of the shocks. No expense is spared in the gore department; when X.O. Starck (Joely Richardson) finally decodes the ship's log, the images of what transpired with the former crew will raise the hackles on the most jaded of Clive Barker fans. But there is precious little edge-of-your seat suspense. Movies like ALIEN and HALLOWEEN scare so efficiently because they delay the payoff and leave the carnage mostly to the imagination. HORIZON trades suspense for shock value. While the gore is creative and some of the scenes harrowing to watch, the result is a film of lesser quality.
Even so, I kept watching. The premise of the film grabbed me, and the visuals kept me hooked even as the execution proved disappointing. Sadly, the film looks pared to the bone, as if some crazed editor crept into the studio at night and hacked off about a third of the footage. Despite sturdy work from the cast, particularly Fishburne and Richard T. Jones as Cooper, the gung-ho security officer, none of them are given enough screen time to flesh out the characters. The key transformation of one character from good guy to villain is handled so abruptly that we're left wondering exactly when it happened, or why. The climax occurs twenty minutes too soon. When the lights came up I was left wanting more- which is normally a good thing, but in this case it's not that I wanted the film to go on, I just wanted to go back and flesh out the film I'd already seen. Too bad. A little more suspense, a little more hellfire and damnation, and EVENT HORIZON might have become a horror classic. Still, if great set design and dazzling special effects are your bag, then it's close enough for jazz.
Grade: B-
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Create your own deck by forking a copy of this github gist:
https://gist.github.com/ryanj/af84d40e58c5c2a908dd
Or, by placing any valid Revealjs <section> tag content into a fresh gist.
When you're ready to view your slides, grab your github gist id and add it to the end of this url:
http://gist-reveal.it/jasco1224/ec0ec608e41b89a42165063e58f184c5
Reveal.js is a framework You'll need a browser with support for CSS 3D transforms to see it's full capabilities. There is a lot of great information about using Reveal.js in the project's README page on GitHub. Their original slide deck sample conent also contains a lot of great examples. To create a kubernetes deployment and NodePort service, both named gist-reveal, run: Minikube users should be able to open the new service in their browser by running: Start up a local development server on port 8080: For production, I like to daemonize the process, configure a default gist_id, and make the container available on port 80: Include your own GitHub application keys if you plan on making more than 60 requests in 2 hours: Include your own GA-TRACKER key: Configure your browser as a presentation device by setting the same key in your browser's localStorage Be sure to use two different devices or brower types when testing your broadcasting relay github.com/ryanj/gist-reveal
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localStorage.secret="YOUR_SECRET_KEY"
(FireFox vs. Chrome, desktop vs. mobile, etc.)THE END
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Movies Jonathan Richards, Santa Fe (NM) Reporter
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WONDER BOYS Directed by Curtis Hanson Screenplay by Steve Kloves from the novel by Michael Chabon With Michael Douglas, Tobey Maguire UA South R 112 min.
Like the insatiable plant in "Little Shop of Horrors," Grady Tripp's second novel sits by his old IBM Selectric typewriter demanding to be fed. And feed it he does. He's well into his third thousand manuscript pages (single spaced), and the end is no closer at hand than it ever was. Grady (Michael Douglas) has the opposite of writer's block. He can write. He just can't stop. Curtis Hanson's laconically-paced screwball comedy of letters (adapted from Michael Chabon's novel) covers a pivotal weekend in Grady's life at the western Pennsylvania university where he is a tenured professor of English. His young wife has just left him. His mistress (Frances McDormand), university chancellor and wife of his department chairman (Richard Thomas) has just told him she's pregnant. One of his students (Katie Holmes) rents a room in his house, but would like to get closer to the master bedroom. His editor (Robert Downey Jr) is in town, ostensibly for Wordfest, the college's annual book business symposium, but really to get his hands on the manuscript, which is now seven years overdue.  It is not the best of times for Grady. This the first movie for Hanson since his hugely successful L.A. Confidential, and it shows his versatility (Hanson gets around stylistically; he also made The River Wild and The Hand That Rocks the Cradle). It's not entirely without violence - there's a bloody ankle, and more of the lethal indignities to dogs popularized by There's Something About Mary - but Hanson, working from a witty screenplay by Steve Kloves (writer/director of The Fabulous Baker Boys), shows an assurance with comedy that builds from character. The cast is terrific. Douglas gives Grady the wry, worn intelligence of a well-thumbed paperback on self-knowledge. Maguire, a seriously underestimated actor, shoots beams of sly wit through James's moody darkness. McDormand serves a crisp tossed salad of clear-eyed judgement and sympathetic patience. Rip Torn is memorable as a pompous author who turns out a book a year, and begins his keynote address to Wordfest intoning "I...am a writer." And Downey, as always, is brilliant. There's sex, drugs, and even a little rock 'n roll with a new Bob Dylan song, "Things Have Changed", on the soundtrack. There are plenty of laughs, and only a few aimless patches before the movie rounds into its home stretch. Then it lumbers through a series of endings that feel too calculated, trite, improbable, and self-consciously finishy - you can almost feel the blank sheet being rolled into the typewriter and the writer muttering "last page.." It's too bad, but it's not a deal-breaker. Wonder Boys is a lot better than a February move has any right to be.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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