| geom_bar {ggplot2} | R Documentation |
There are two types of bar charts: geom_bar()
and geom_col()
.
geom_bar()
makes the height of the bar proportional to the number of
cases in each group (or if the weight
aesthetic is supplied, the sum
of the weights). If you want the heights of the bars to represent values
in the data, use geom_col()
instead. geom_bar()
uses stat_count()
by
default: it counts the number of cases at each x position. geom_col()
uses stat_identity()
: it leaves the data as is.
geom_bar( mapping = NULL, data = NULL, stat = "count", position = "stack", ..., width = NULL, na.rm = FALSE, orientation = NA, show.legend = NA, inherit.aes = TRUE ) geom_col( mapping = NULL, data = NULL, position = "stack", ..., width = NULL, na.rm = FALSE, show.legend = NA, inherit.aes = TRUE ) stat_count( mapping = NULL, data = NULL, geom = "bar", position = "stack", ..., width = NULL, na.rm = FALSE, orientation = NA, show.legend = NA, inherit.aes = TRUE )
mapping |
Set of aesthetic mappings created by |
data |
The data to be displayed in this layer. There are three options: If A A |
position |
Position adjustment, either as a string, or the result of a call to a position adjustment function. |
... |
Other arguments passed on to |
width |
Bar width. By default, set to 90% of the resolution of the data. |
na.rm |
If |
orientation |
The orientation of the layer. The default ( |
show.legend |
logical. Should this layer be included in the legends?
|
inherit.aes |
If |
geom, stat |
Override the default connection between |
A bar chart uses height to represent a value, and so the base of the
bar must always be shown to produce a valid visual comparison.
Proceed with caution when using transformed scales with a bar chart.
It's important to always use a meaningful reference point for the base of the bar.
For example, for log transformations the reference point is 1. In fact, when
using a log scale, geom_bar()
automatically places the base of the bar at 1.
Furthermore, never use stacked bars with a transformed scale, because scaling
happens before stacking. As a consequence, the height of bars will be wrong
when stacking occurs with a transformed scale.
By default, multiple bars occupying the same x
position will be stacked
atop one another by position_stack()
. If you want them to be dodged
side-to-side, use position_dodge()
or position_dodge2()
. Finally,
position_fill()
shows relative proportions at each x
by stacking the
bars and then standardising each bar to have the same height.
This geom treats each axis differently and, thus, can thus have two orientations. Often the orientation is easy to deduce from a combination of the given mappings and the types of positional scales in use. Thus, ggplot2 will by default try to guess which orientation the layer should have. Under rare circumstances, the orientation is ambiguous and guessing may fail. In that case the orientation can be specified directly using the orientation
parameter, which can be either "x"
or "y"
. The value gives the axis that the geom should run along, "x"
being the default orientation you would expect for the geom.
geom_bar()
understands the following aesthetics (required aesthetics are in bold):
x
y
alpha
colour
fill
group
linetype
size
Learn more about setting these aesthetics in vignette("ggplot2-specs")
.
geom_col()
understands the following aesthetics (required aesthetics are in bold):
x
y
alpha
colour
fill
group
linetype
size
Learn more about setting these aesthetics in vignette("ggplot2-specs")
.
stat_count()
understands the following aesthetics (required aesthetics are in bold):
x
or y
group
weight
Learn more about setting these aesthetics in vignette("ggplot2-specs")
.
number of points in bin
groupwise proportion
geom_histogram()
for continuous data,
position_dodge()
and position_dodge2()
for creating side-by-side
bar charts.
stat_bin()
, which bins data in ranges and counts the
cases in each range. It differs from stat_count
, which counts the
number of cases at each x
position (without binning into ranges).
stat_bin()
requires continuous x
data, whereas
stat_count
can be used for both discrete and continuous x
data.
# geom_bar is designed to make it easy to create bar charts that show # counts (or sums of weights) g <- ggplot(mpg, aes(class)) # Number of cars in each class: g + geom_bar() # Total engine displacement of each class g + geom_bar(aes(weight = displ)) # Map class to y instead to flip the orientation ggplot(mpg) + geom_bar(aes(y = class)) # Bar charts are automatically stacked when multiple bars are placed # at the same location. The order of the fill is designed to match # the legend g + geom_bar(aes(fill = drv)) # If you need to flip the order (because you've flipped the orientation) # call position_stack() explicitly: ggplot(mpg, aes(y = class)) + geom_bar(aes(fill = drv), position = position_stack(reverse = TRUE)) + theme(legend.position = "top") # To show (e.g.) means, you need geom_col() df <- data.frame(trt = c("a", "b", "c"), outcome = c(2.3, 1.9, 3.2)) ggplot(df, aes(trt, outcome)) + geom_col() # But geom_point() displays exactly the same information and doesn't # require the y-axis to touch zero. ggplot(df, aes(trt, outcome)) + geom_point() # You can also use geom_bar() with continuous data, in which case # it will show counts at unique locations df <- data.frame(x = rep(c(2.9, 3.1, 4.5), c(5, 10, 4))) ggplot(df, aes(x)) + geom_bar() # cf. a histogram of the same data ggplot(df, aes(x)) + geom_histogram(binwidth = 0.5)


Worrying economic trends as Singapore’s oil domestic exports decreased by 21.0% and non-oil domestic exports decreased by 12.3%
by The Online CitizenThings are not looking well for the local economy, according to the latest Enterprise Singapore data released on Monday (18 Nov). Both non-oil domestic exports (NODX) and oil domestic exports declined on a year-on-year (y-o-y) basis. And NODX has on the declining trend for the past eight months.
On a y-o-y basis, NODX decreased by 12.3% in October 2019, following the 8.1% decline in the previous month. Both electronic and non-electronic NODX declined.
On a y-o-y basis, electronic NODX declined by 16.4% in October 2019, following the 24.8% contraction in the previous month. ICs, PCs and telecommunications equipment contracted by 17.2%, 31.3% and 15.7% respectively, contributing the most to the decline in electronic NODX.
As for non-electronic products on a y-o-y basis, non-electronic NODX contracted by 11.0% in October 2019, following the 2.3% decline in the previous month. Pharmaceuticals (-36.0%), petrochemicals (-19.2%) and primary chemicals (-47.3%) contributed the most to the decline in non-electronic NODX.
All non-oil domestic exports to Singapore’s major markets dropped in October with the exception of Taiwan.
As for oil domestic exports on a y-o-y basis, oil domestic exports decreased by 21.0% in October 2019, following the 22.6% contraction in the preceding month. According to the figures provided by ES, lower exports to Indonesia (-32.0%), Malaysia (-23.2%) and Hong Kong (-30.3%) contributed to the y-o-y decrease of oil domestic exports.
Total trade decreased by 9.7% in October 2019, following the 5.0% decline in the preceding month. Total imports decreased by 10.3% in October 2019, after the 4.8% decline in the previous month. Total exports decreased by 9.2% in October 2019, following the 5.1% decline in September 2019.


This page contains options that don't fit into any of the other categories.
Some of the less obvious options but useful are :
- Allow X11 connection forwarding?
- If set to Yes, users that make an SSH login from a Unix machine will be
able to run X applications on the server and have the X connection
tunnelled back through the SSH connection to their local display.
- System log facility
- The syslog facility that is used to log error and information
messages from the SSH server. This can be used in conjunction with the
System Logs module to control which file SSH messages get written to.
- Server key regeneration interval
- How often the SSH server re-generated the key used for encrypting
connections. If you are paranoid about security, set this to a lower
number.


Building Expert Systems in Prolog
Contents Index
Faceplate John Stannard on the first free ascent of Foops-1967 Preface & amp; Acknowledgements Preface Acknowledgements 1 Introduction 1 Introduction 1.1 Expert Systems 1.2 Expert System Features Goal-Driven Reasoning Uncertainty Data Driven Reasoning Data Representation User Interface Explanations 1.3 Sample Applications 1.4 Prolog 1.5 Assumptions 2 Using Prolog's Inference Engine 2 Using Prolog's Inference Engine 2.1 The Bird Identification System Rule formats Rules about birds Rules for hierarchical relationships Rules for other relationships 2.2 User Interface Attribute Value pairs Asking the user Remembering the answer Multi-valued answers Menus for the user Other enhancements 2.3 A Simple Shell Command loop A tool for non-programmers 2.4 Summary Exercises 3 Backward Chaining with Uncertainty 3 Backward Chaining with Uncertainty 3.1 Certainty Factors An Example Rule Uncertainty User Uncertainty Combining Certainties Properties of Certainty Factors 3.2 MYCINs Certainty Factors Determining Premise CF Combining Premise CF and Conclusion CF Premise Threshold CF Combining CFs 3.3 Rule Format 3.4 The Inference Engine Working Storage Find a Value for an Attribute Attribute Value Already Known Ask User for Attribute Value Deduce Attribute Value from Rules 3.5 Making the Shell Starting the Inference 3.6 English-like Rules Exercises 4 Explanation 4 Explanation Value of Explanations to the User Value of Explanations to the Developer Types of Explanation 4.1 Explanation in Clam Tracing How Explanations Why Questions 4.2 Native Prolog Systems Exercises 5 Forward Chaining 5 Forward Chaining 5.1 Production Systems 5.2 Using Oops 5.3 Implementation 5.4 Explanations for Oops 5.5 Enhancements 5.6 Rule Selection Generating the conflict set Time stamps 5.7 LEX Changes in the Rules Implementing LEX 5.8 MEA Exercises 6 Frames 6 Frames 6.1 The Code 6.2 Data Structure 6.3 The Manipulation Predicates 6.4 Using Frames 6.5 Summary Exercises 7 Integration 7 Integration 7.1 Foops (Frames and Oops) Instances Rules for frinsts Adding Prolog to Foops 7.2 Room Configuration Furniture frames Frame Demons Initial Data Input Data The Rules Output Data 7.3 A Sample Run 7.4 Summary Exercises 8 Performance 8 Performance 8.1 Backward Chaining Indexes 8.2 Rete Match Algorithm Network Nodes Network Propagation Example of Network Propagation Performance Improvements 8.3 The Rete Graph Data Structures 8.4 Propagating Tokens 8.5 The Rule Compiler 8.6 Integration with Foops 8.7 Design Tradeoffs Exercises 9 User Interface 9 User Interface 9.1 Object Oriented Window Interface 9.2 Developer's Interface to Windows 9.3 High-Level Window Implementation Message Passing Inheritance 9.4 Low-Level Window Implementation Exercises 10 Two Hybrids 10 Two Hybrids 10.1 CVGEN 10.2 The Knowledge Base Rule for parameters Rules for derived information Questions for the user Default rules Rules for edits Static information 10.3 Inference Engine 10.4 Explanations 10.5 Environment 10.6 AIJMP 10.7 Summary Exercises 11 Prototyping 11 Prototyping 11.1 The Problem 11.2 The Sales Advisor Knowledge Base Qualifying Objectives-Benefits-Features Situation Analysis Competitive Analysis Miscellaneous Advice User Queries 11.3 The Inference Engine 11.4 User Interface 11.5 Summary Exercises 12 Rubik's Cube 12 Rubik's Cube 12.1 The Problem 12.2 The Cube 12.3 Rotation 12.4 High Level Rules 12.5 Improving the State 12.6 The Search 12.7 More Heuristics 12.8 User Interface 12.9 On the Limits of Machines Exercises Appendix-Full Source Code Appendix-Full Source Code Native Clam Oops Foops Rete-Foops Windows Rubik Taxes (Bonus Code)


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Preparation time
over 2 hours
Cooking time
less than 10 mins
Serves
Serves 2
You’ll need to get hold of ice lettuce (ficoïde glaciale) and lemon balm or lemon verbena herb for this recipe, but it’s well worth seeking out these unusual ingredients for this lightly spiced fish supper.
Break the iceberg lettuce into leaves, cut out the cores and trim into small pieces. Dust the iceberg lettuce with icing sugar and place in the freezer along with the ice lettuce for two hours.
In a pan large enough for the turbot, bring the coconut milk up to a simmer with the lemongrass, lemon zest and chilli. Cook for two minutes.
Place the turbot into the coconut milk and gently cook for around six minutes.
Melt the butter in a pan with the lemon balm or verbena. Add the asparagus and simmer for 4-6 minutes, or until the asparagus is soft and tender.
Once the fish is cooked, remove it from the pan and season with salt and ground ginger, to taste.
Divide the fish among two plates with the asparagus and drizzle on some of the coconut milk. Finish with the frozen lettuce and watercress.


Conor Diggin
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THE MIGHTY A film review by Matt Williams
RATING: * * * 1/2* out of * * * *
The Mighty is a very good film, saddled with a very perplexing advertising campaign. Based upon Rodman Philbrick's novel Freak the Mighty, someone somewhere apparently objected to the word 'Freak', which has been inexplicably jettisoned. To follow that up, the ads have been an odd hodgepodge of Sharon Stone and a bunch of medieval knights, and while she does appear in a supporting part (as do the knights), this hardly gives a clear idea of what the film is about: friendship, identity, and chivalry.
The Mighty is narrated by Max (Elden Henson), a giant of a kid, who's in the seventh grade for the third time around. Though bigger and stronger than all the other kids, Max doesn't think too well, and is constantly the object of ridicule. It doesn't help matters that his father (James Gandolfini) is imprisoned for murder, leaving Max to stay with his grandparents (Gena Rowlands and Harry Dean Stanton).
The new kid next door isn't much better off. Kevin (Kieran Culkin), is a brilliant boy with Morquio's Syndrome...his bones have stopped growing, but the rest of him hasn't. Living alone with his mother (Sharon Stone), Kevin has built a fascinating intellectual world in which to live. But he longs to do the things a normal kid could do.
Though at first Max and Kevin appear to be complete opposites, they're actually quite complementary. Max has the brawn, and Kevin has the brains. Working together, they make a team more powerful than the sum of its parts. Following the ideals of the legend of King Arthur, the two friends envision themselves as knights bringing chivalry back into an unchivalrous world.
Although this movie shares the theme of childhood friendship with the recent Simon Birch, The Mighty is able to delve for additional meaning while managing to be just as touching.
The largest chunk of the credit has to go to the film's two leads. Kieran Culkin has the seemingly showier role as Kevin, and, indeed, he manages to express a depth of character that his elder brother Macaulay never did. However, he has the unfortunate benefit of working alongside Elden Henson, who turns in a brilliant portrayal of Max. Elden brings a deep humanity to his role of the slow-witted giant.
Even though the protagonists are kids, one shouldn't assume that this is strictly a kids movie (the rating is PG-13). Although kids and teens would identify with it (who hasn't felt like a freak at one point or another), the messages are universal, and the story is fully enjoyable for adults, too.
The film takes a few twists and turns, some surprising, and some not so. However, wherever the film takes you, you'll be glad to go along for the ride.
Copyright 1998 Matt Williams
- Matt Williams<EMAIL_ADDRESS>Reviewer for Cinematter: http://www.cinematter.com Home of over 600 reviews, and information on nearly 700 upcoming releases
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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What is the elements true width?
#box-style{
box-sizing:;
}
#box{
width:;
margin:;
padding:;
border:;
}
#box-style{
box-sizing:;
}
#box{
width:;
margin:;
padding:;
border:;
}
It's important to know your elements true width when using percentages and calc().
The most useful ability of calc() is its ability to mix units, like percentages and pixels.Page not finished
#box{
width:calc(50% - 84px);
margin:20px;
padding:20px;
border:2px solid pink;
}


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REGEXPS
BROWSERS_
SHIRTNAMES
BROWSERS_
SHIRTNAMES_
REGEXP
Browser
Reg
Exp
Source
Prop
DIGIT_
PATTERN
ESCAPE_
SYMBOL
IBrowser
IBrowser
Patch
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Exp
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Reg
Exp
Source
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Exp
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GROUP
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Part
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Versions
ToReg
Exp
apply
Versions
ToReg
Exps
browser
Versions
ToRanges
capture
Postfix
compare
Arrays
compare
Semvers
default
Options
enum
OrRange
extractIOSReg
Exp
family
Matched
fix
Browser
Family
fix
Browser
Reg
Exp
fix
Browsers
Reg
Exps
get
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List
get
Min
Max
Versions
get
Number
Patterns
Count
get
Number
Patterns
Part
get
Reg
Exps
For
Browsers
get
Required
Semver
Parts
Count
get
User
Agent
Reg
Exp
get
User
Agent
Reg
Exps
has
Number
Pattern
has
Version
is
All
Version
join
Parts
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Browsers
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parse
Browsers
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Exps
range
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Exp
ranged
Semver
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Exp
ray
Range
Digit
Pattern
ray
ToNumber
Patterns
reg
Exp
ToString
replace
Number
Patterns
segment
Range
Number
Pattern
segment
ToNumber
Patterns
segment
ToNumber
Patterns
OrEnum
semverify
skip
Square
Braces
some
Semver
Matched
split
Common
Diff
split
ToDecade
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uniq
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Items
versions
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References
BRACED_
NUMBER_
PATTERN
Re-exports
BRACED_NUMBER_PATTERN
BROWSERS_
REGEXPS
Re-exports
BROWSERS_REGEXPS
BROWSERS_
SHIRTNAMES
Re-exports
BROWSERS_SHIRTNAMES
BROWSERS_
SHIRTNAMES_
REGEXP
Re-exports
BROWSERS_SHIRTNAMES_REGEXP
Browser
Reg
Exp
Source
Prop
Re-exports
BrowserRegExpSourceProp
DIGIT_
PATTERN
Re-exports
DIGIT_PATTERN
ESCAPE_
SYMBOL
Re-exports
ESCAPE_SYMBOL
IBrowser
Re-exports
IBrowser
IBrowser
Patch
Re-exports
IBrowserPatch
IBrowser
Reg
Exp
Re-exports
IBrowserRegExp
IBrowser
Reg
Exp
Source
Re-exports
IBrowserRegExpSource
IBrowser
Version
Reg
Exp
Re-exports
IBrowserVersionRegExp
IBrowser
Versioned
Reg
Exp
Re-exports
IBrowserVersionedRegExp
IBrowsers
Re-exports
IBrowsers
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Request
Re-exports
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IFixed
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Re-exports
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Versions
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Exp
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applyVersionsToRegExp
apply
Versions
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Exps
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applyVersionsToRegExps
browser
Versions
ToRanges
Re-exports
browserVersionsToRanges
capture
Postfix
Re-exports
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compare
Arrays
Re-exports
compareArrays
compare
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compareSemvers
default
Options
Re-exports
defaultOptions
enum
OrRange
Re-exports
enumOrRange
extractIOSReg
Exp
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extractIOSRegExp
family
Matched
Re-exports
familyMatched
fix
Browser
Family
Re-exports
fixBrowserFamily
fix
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fixBrowserRegExp
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fixBrowsersRegExps
get
Browsers
List
Re-exports
getBrowsersList
get
Min
Max
Versions
Re-exports
getMinMaxVersions
get
Number
Patterns
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Re-exports
getNumberPatternsCount
get
Number
Patterns
Part
Re-exports
getNumberPatternsPart
get
Reg
Exps
For
Browsers
Re-exports
getRegExpsForBrowsers
get
Required
Semver
Parts
Count
Re-exports
getRequiredSemverPartsCount
get
User
Agent
Reg
Exp
Re-exports
getUserAgentRegExp
get
User
Agent
Reg
Exps
Re-exports
getUserAgentRegExps
has
Number
Pattern
Re-exports
hasNumberPattern
has
Version
Re-exports
hasVersion
is
All
Version
Re-exports
isAllVersion
join
Parts
Re-exports
joinParts
join
Versioned
Browsers
Reg
Exps
Re-exports
joinVersionedBrowsersRegExps
merge
Browser
Versions
Re-exports
mergeBrowserVersions
normalize
Browser
Family
Re-exports
normalizeBrowserFamily
number
ToDigits
Re-exports
numberToDigits
numbers
ToRanges
Re-exports
numbersToRanges
optimize
Re-exports
optimize
optimize
All
Re-exports
optimizeAll
optimize
Rays
Number
Patterns
Re-exports
optimizeRaysNumberPatterns
parse
Browsers
List
Re-exports
parseBrowsersList
patch
Reg
Exps
Re-exports
patchRegExps
range
ToReg
Exp
Re-exports
rangeToRegExp
ranged
Semver
ToReg
Exp
Re-exports
rangedSemverToRegExp
ray
Range
Digit
Pattern
Re-exports
rayRangeDigitPattern
ray
ToNumber
Patterns
Re-exports
rayToNumberPatterns
reg
Exp
ToString
Re-exports
regExpToString
replace
Number
Patterns
Re-exports
replaceNumberPatterns
segment
Range
Number
Pattern
Re-exports
segmentRangeNumberPattern
segment
ToNumber
Patterns
Re-exports
segmentToNumberPatterns
segment
ToNumber
Patterns
OrEnum
Re-exports
segmentToNumberPatternsOrEnum
semverify
Re-exports
semverify
skip
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Re-exports
skipSquareBraces
some
Semver
Matched
Re-exports
someSemverMatched
split
Common
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Re-exports
splitCommonDiff
split
ToDecade
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Re-exports
splitToDecadeRanges
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REGEXP
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Reg
Exp
Source
Prop
DIGIT_
PATTERN
ESCAPE_
SYMBOL
IBrowser
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Patch
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Reg
Exp
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Reg
Exp
Source
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Exp
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Part
apply
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Exp
apply
Versions
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Exps
browser
Versions
ToRanges
capture
Postfix
compare
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default
Options
enum
OrRange
extractIOSReg
Exp
family
Matched
fix
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fix
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Reg
Exp
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Exps
get
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Min
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Exps
For
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Exps
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patch
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Exps
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ray
Range
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ToString
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segment
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Dear CP_FIRSTNAME,
Thank you for giving me the opportunity to show you a bit of Spanish cooking tradition.
We'd be grateful if you could share with the world your experience at Cooking Point, and review us on TripAdvisor. That site has become the world’s largest travel site, and many of our guests read past guests' reviews before booking their own class.
We remain at your disposal should you have any question or in case you need help when replicating our recipes back home.
Warm regards,
CP_COOK


An array is a list of objects that are stored. The objects can be integers or strings, and are stored in an order. This order is important, as it is this order that one uses to access objects in array. The order starts at 0 and goes up by one for each object in an array. Lets look at how to make a an array of 3 object, and how to call each of them. To create the array: new_Array = [ "soccer", "pizza", 23]. To access soccer one would type: new_Array[0], to acces pizza: new_array[1], and to access 23 new_Array[2].
Hashes are similar in that they also store objects, which can be integers or strings, but unlike arrays this data is stored in pairs, not a list. For each pair, one can access the information by calling on the first item in the pair. To create a hash one would type: new_hash{ "first" => "me", "second" => "you", "third" => "them"}. To call on the 'me', one would type new_hash["first"] etc.
Now that I've shown you how to create and access the values in a hash or array, let’s talk about their similarities and differences. They are both indexed collections, whose values can be called by using a key, but for arrays we use an integer key in regards to the objects ordered in the array and for hashes we use the key the user inputs. Right there is another difference, is that arrays come in a specific order while hashes do not.
When would we use array vs a hash? You want to use arrays when you just have a list of things, lets say dog breeds dog_array["corgi", "retriever", "St Bernard"]. But lets say instead we want to know, the size of dog when we look up the breed, then we would want to use a hash: dog_hash{ "corgi" => "small", "retriever" => "large", "St Bernard" => "huge"}.


I finally received a script for Dexedrines. It's kind of difficult to get it here without raising major suspicions. Very anxious to try it out. I used to be a heavy drug user in the past. I was a constant E user for 2 years and I have stopped in 2003 (about 2 years ago). However, I am still a major marijuana user and drinker. I have recently stopped smoking marijuana for 3 months before this experience. I am on an anti-depressant called Lexapro/Cipralex containing Escitalapram. I am taking 10mg a day. I haven't took any for this experience but I have ingested one a day before. Today I am generally happy as heard some good news, which seems like ages. I have done a fair bit of walking around town on empty stomach prior to ingesting. Here is my trip report. This is written live. Well, it is live after +T6.00 anyway.
+T0.00 Ingested 1x5mg tablet on empty stomach. Haven't eaten anything for 8 hours after waking up at 9am.
+T0.30 Slight uplift of mood. Could be a placebo effect. Not very sure now as I have taken some illegal drugs in the past.
+T1.00 Ingested another 5mg tablet. Still feeling nothing much. Did some cleaning (not by choice).
+T1.30 Mood became better. I was chattier and had motivation to do things I didn't bother to do. Did more housework (by choice!).
+T2.00 Had to have dinner because spouse cooked. Ate a heavy dinner. Appetite was not affected. Was very very chatty during dinner time. Felt happy and fulfilled.
+T2.30 Feeling started to 'normalise'. Decided to take 2x5mg tablets this time.
+T4.00 Helped out with dishes and general housework etc. Feeling more and more sobered up. Regretted wasting 2 tablets on a full stomach.
+T.4.30 Beginning to feel a bit sedated and sleepy. Effects comparable to being under the influence of cannabis.
+T5.00 Ingested further 2x5mg tablets. This time I bite them to bits. Not bitter.
+T5.30 Positive effects felt. Slight tingling in hands.
+T5.40 Definitely feeling different. Ingested 1x5mg. I bite the tablets until it was powdery before swallowing. Surprisingly it didn't taste very bitter. Must be the filler and binders mixed in together with the dexamphetamine. Ah, thorns among a beautiful rose. This is the reason why I choose not to insufflate.
+T6.00 Suddenly had the mood to switch off lights and listen to some hardcore trance music. Head buzz and hand buzz very prominent. Decided to type this report. Also noticed that my sexual urges has increased. Due to my medication (Escitalapram) I rarely get sexually aroused. At this point I am alone with no other human interaction.
+T6.30 Effects are minimising now though still felt. Feel like ingesting another tablet in conjunction with drinking a cold bottle of beer (5% alc). Not really feeling sexually aroused now but feel as though able to have intercourse, which is good because I was having difficulty maintaining and achieving erection just 2 nights ago, which could have been caused by the Ibuprofen I took for my fever in addition to the escitalapram.
+T6.45 1x5mg tablet was crushed with my molars and washed down with icy cold beer.
+T6.50 Went to the toilet to urinate.  Still feeling a bit neutral. Nothing much new. Enjoying my beer and music. I am starting to wonder if additional dosages won't make a difference at this stage. Please let me be wrong! :)
+T7.00 A plastic plate dropped behind me and that startled me. Perhaps a bit paranoia is being felt.
+T7.10 Finished around half bottle of beer. Sort of drinking very slowly. Noticed no major changes. Perhaps I have already hit the plateau and there would no longer be any higher rushes? Mood so far good although a bit disapointed while waiting for the buzz to come again. Maybe I am already there but I don't realise it? Massive questions.
+T7.30 Went out for a ciggie. Finished it rather fast. Noticed my motor skills had slightly deteriorated. Perhaps it is due to the alcohol. However, I have just consumed one bottle of 5% beer so far. I noticed my penis had shrunken more than before although not to the extreme. I checked my pupils and it is normal. Opened another bottle of beer. Considering having a last tablet to see if anything happens.
+T8.00 Feeling the beer buzz now. Still on 2nd bottle. Nothing much is happening except for the feeling of being generally drunk. I am going to ingest another 2x5mg now and DEFINITELY will call it quits after this. A bit disappointed at how short the effects last. Perhaps its due to my own biological setup?
+T11.00 Nothing pretty much happened. Just played few rounds of computer games and had another beer. I noticed a slight headache and pressure to the top centre of the skull. Perhaps it is due to the game I am playing. Alcohol is indeed not synergetic with dexamphetamine. Didn't really feel way up there but just plateau. Gonna give my body a rest and see what happens tomorrow.
Conclusion: I don't think that dexamphetamine is a highly abusable as such widely known. Unlike the infamous Ecstacy concoctions, the effect doesn't last that long. It brought me to the level and that's it. No matter how much I take I don't feel anything else. Perhaps this is the safety buffer so that people won't overdose and perhaps suffer mortal consequences. I am only speaking from my point of view and is not debunking any current views and opinions.
I will definitely try a tweak run again. Today's short lasted climax could be caused by body exhaustion from recently recovering from sickness and had little food to eat past few days or my anti-depressant (SSRI) blocking the maximum effect. On the next run I will fully replenish my body and also try some gastrointestinal alkalinizing agents to counter the effects of the SSRI, if any. This agent is known to intensify and prolong amphetamines. I don't fancy swallowing pure sodium bicarbonate so I will find some over the counter medications which has that as active ingredient.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Issue: LOOP-AND-DISCREPANCY
References: Loop Facility document X3J13/89-004
Related issues:
Category: CHANGE CLARIFICATION
Edit history: Version 1, 15-Mar-88 by Steele
Problem description:
The treatment of the AND conjunction in FOR/AS and WITH clauses is not
consistent. Examples of the use of WITH are also not consistent in this
respect.
Page 2-5 implies by example that when AND is used to join two
FOR/AS clauses, the word FOR or AS must occur after the word AND.
Page 2-31 has formal syntax specifying that when AND is used to join two
WITH clauses, the word WITH must *not* occur after the word AND. Examples
on that page are consistent with this specification.
Page 2-41 has an example in which WITH is repeated after AND.
Proposal (LOOP-AND-DISCREPANCY:NO-REITERATION):
Let stand the formal syntax for WITH.
Change the description of FOR/AS clauses to specify that when
two or more such clauses are joined with AND, clauses after the
first do not have FOR or AS before them.
The complete formal syntax for FOR/AS may be described as follows:
for-as ::= {FOR | AS} for-as-subclause {AND for-as-subclause}*
for-as-subclause ::= for-as-arithmetic | for-as-in-list
| for-as-on-list | for-as-equals-then
| for-as-across | for-as-hash | for-as-package
for-as-arithmetic ::= var [type-spec] ...
and so on.
Examples:
> (loop for x from 1 to 10 ;Corrected from X3J13/89-004, page 2-5
and y = nil then x
collect (list x y))
((1 NIL) (2 1) (3 2) (4 3) (5 4) (6 5) (7 6) (8 7) (9 8) (10 9))
> (loop with (a b) float = '(1.0 2.0) ;Corrected from X3J13/89-004, page 2-41
and (c d) integer = '(3 4)
and (e f)
return (list a b c d e f))
Rationale:
The treatment of AND should be internally consistent. There is no reason
to repeat the FOR/AS keyword. Not repeating the keyword emphasizes that
the subclauses are functionally linked under the heading of WITH or FOR.
(Compare to the third use of AND in LOOP, to link clauses controlled
by WHEN/IF/UNLESS. One does not repeat the WHEN; rather, the clauses
grouped by AND are controlled by a single WHEN.)
Current practice:
Symbolics LOOP allows FOR to be included or omitted after AND,
with identical meanings. WITH may not be repeated after AND.
Cost to Implementors: Small?
Cost to Users: Possible incompatibility with existing implementors' extensions.
Cost of non-adoption: Utter confusion.
Performance impact: None.
Benefits: Consistent treatment of AND within LOOP.
Esthetics:
Absolutely none. We're talking about LOOP here.
Discussion:
Steele supports this proposal. It is a reversal of his previous
suggestion on the topic, thanks to feedback from Moon.


$def with (size,maze,playable)
Generate a new maze
Press arrows to solve this maze; Vim binding also work (h,j,k,l)


Lesson 42 - Multiple Viewports
Introduction
This lesson is fairly simple since three.js makes it easy too create multiple viewports. We enhance this one a little by creating two views of a single scene in different viewports with different cameras - one a perspective camera and one an orthographic camera.
Initialization
Initialization is pretty easy, we setup the scene with an orthographic camera and a checkerboard floor. We then add a second, perspective camera:
var gfxScene = new GFX.Scene( {
cameraPos : [26,16,-2],
perspective:false,
orthoSize: FLOOR_REPEAT * 2,
autoClear: false,
controls:true,
floorRepeat : FLOOR_REPEAT,
floorX: FLOOR_SIZE,
floorZ: FLOOR_SIZE,
clearColor:0xc5e1e3
});
var perspectiveCamera = gfxScene.addCamera({perspective:true, cameraPos:[12,6,8], fov : 90});
var orthoCamera = gfxScene.getCamera(0);
gfxScene.clearAllLights();
gfxScene.addLight( 'ambient', { color:0xffffff, intensity : 0.75 });
var dirLight = gfxScene.addLight( 'directional', { color:0xffffff, intensity:1, position:[0,10,0] });
Note that turn off autoClear on the renderer.
Then populate the scene with the usual suspects
- spinning earth globe
- piano
- icosahedron
- torus knot
- the monolith
Rendering
The rendering step is where it gets interesting, though it is very simple, actually:
function render() {
var SCREEN_WIDTH = window.innerWidth;
var SCREEN_HEIGHT = window.innerHeight;
var SCREEN_ASPECT = SCREEN_WIDTH / SCREEN_HEIGHT * 0.5;
perspectiveCamera.aspect = SCREEN_ASPECT;
perspectiveCamera.updateProjectionMatrix();
orthoCamera.lookAt( new THREE.Vector3(0,0,-10) );
orthoCamera.aspect = SCREEN_ASPECT;
orthoCamera.updateProjectionMatrix();
// setViewport parameters:
// lower_left_x, lower_left_y, viewport_width, viewport_height
gfxScene.renderer.setViewport( 0, 0, SCREEN_WIDTH, SCREEN_HEIGHT );
gfxScene.renderer.clear();
// left side
gfxScene.renderer.setViewport( 1, 1, 0.5 * SCREEN_WIDTH - 2, SCREEN_HEIGHT - 2 );
gfxScene.renderScene( perspectiveCamera );
// right side
gfxScene.renderer.setViewport( 0.5 * SCREEN_WIDTH + 1, 1, SCREEN_WIDTH - 2, SCREEN_HEIGHT - 2 );
gfxScene.renderScene( orthoCamera );
}
We (virtually) divide the screen in half and calculate the new aspect ratio for each half. Then we update the aspect ration for each camera and update their projection matrices. Note also that we have to adjust the lookAt point of the orthographic camera as well, otherwise it is not centered in the viewport (not sure why - bug?).
Then we set the viewport to the whole screen and clear it manually (since autoClear has to be off). We set the viewport to the left half of the screen then render that viewport using the perspective camera. Then the viewport is switched to the right side and rendered with the orthographic camera.
And that's it! Click on this link to see the actual rendered demo in all it's double-vision glory!
As always, the original sources are on github here.


{% extends "layout.html" %}
{% block title %}Anemone - Dashboard{% endblock %}
{% block head %}{% endblock %}
{% block late_scripts %}
{% endblock %}
{% block body %}
Dashboard
Summary
The last {{health.total}} builds have had {{health.success}} successful build, {{health.warning}} builds completed with warnings and {{health.error}} failed builds


This Page was generated by Abee. It's based on an handlebar-template that you can customize at your "abee/templates" folder.
To get started with the new directory-structure watch the Building a Production-Ready Meteor App Talk from the Meteor Devshop 9.
To learn more about meteor look at the docs.


Example:
<!-- This slide is disabled in presentations, when moving with next()
and prev() commands, but you can still move directly to it, for
example with a url (anything using goto()). -->
<div class="step skip">
The skip plugin is a pre-stepleave plugin. It is executed before
impress:stepleave
event. If the next step also has class="skip"
set, it will set the next step to the one after that.
Copyright 2016 Henrik Ingo (@henrikingo) Released under the MIT license.


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Report: Liverpool duo Salah and Robertson out of Palace game
by Tom ProcterLiverpool stars Mohamed Salah and Andy Robertson are set to miss this weekend’s Premier League clash with Crystal Palace.
Sky Sports are reporting both players have failed to recover from their ankle injuries and will not be available for selection at Selhurst Park.
Salah has been having trouble with his ankle ever since the challenge from Hamza Choudhury against Leicester City last month, which drew criticism from Jurgen Klopp.
The Egyptian took another knock to it against Manchester City before the international break.
Robertson has been struggling with his issue for several weeks and has been carefully managed behind the scenes at Melwood according to a report from The Liverpool Echo.
Neither player had any involvement for their countries over the international break, but it would appear the Palace game has come too soon.
TBR’s view – Robertson the bigger miss
Arguably full-back Robertson will be the greater miss for Liverpool this weekend, with Wilfried Zaha known to be a thorn in the side of James Milner down the years.
Salah is obviously a quality player, but right now he isn’t in full flow like Sadio Mane, and one gets the feeling the Reds will able to manage in the final third without him.
Klopp can call on Divock Origi or the fit-again Xherdan Shaqiri to fill in, but Palace can cause problems down the Liverpool left against likely Robertson deputy Milner.
Have something to tell us about this article?
Let us know


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We are performing scheduled maintenance. We should be back online shortly.
Thank you for your patience.


The idea of implementing sankey diagram using visualization using scripting library like D3 is not very old. The number of expert people in this field is also limited
comparing other fields of visualization. Therefore, while working on this project we found the shortage of information as well as the unavailability of proper and detailed
documentation (still so many unanswered questions while dealing with some exclusive features). So, it could be a topic to work on further more and try to develop its
capacity of accepting exceptional case.
Introducing circular behavior (allowing rotation of nodes) of normal sankey is unique. So far our research says nobody implemented it before (or at least we don't know of). It was not very easy to handle because the defined functions of original sankey library works very closely and they are strongly inter-related. Changing one particular function or one certain part of library brought unbalance or disorientation to other remaining parts. We were able to manage this problem but we still believe that further more study needed to improve the performance.
We did not focus much on data parsing. We assume that user will give data input in our specified format. Exception of this format will bring error in the end. While modern technologies offer so much user friendly behavior, we feel that we somehow restricted users and asking them to use only one target data format. So, efficient data engineering could be one area we may focus.
Another important issue is to introduce several type of curves and nodes in sankey diagram. So far we are using rectangles and Cubic Bézier Curves. It would be interesting to add other type of geometrical shape like polygon or circle etc.. In terms of curves instead of using only Cubic Bézier Curves we can introduce some other curve style which will bring lot of varieties to our circular sankey. The more varieties we can add here the more user satisfaction can be ensured.
Introducing circular behavior (allowing rotation of nodes) of normal sankey is unique. So far our research says nobody implemented it before (or at least we don't know of). It was not very easy to handle because the defined functions of original sankey library works very closely and they are strongly inter-related. Changing one particular function or one certain part of library brought unbalance or disorientation to other remaining parts. We were able to manage this problem but we still believe that further more study needed to improve the performance.
We did not focus much on data parsing. We assume that user will give data input in our specified format. Exception of this format will bring error in the end. While modern technologies offer so much user friendly behavior, we feel that we somehow restricted users and asking them to use only one target data format. So, efficient data engineering could be one area we may focus.
Another important issue is to introduce several type of curves and nodes in sankey diagram. So far we are using rectangles and Cubic Bézier Curves. It would be interesting to add other type of geometrical shape like polygon or circle etc.. In terms of curves instead of using only Cubic Bézier Curves we can introduce some other curve style which will bring lot of varieties to our circular sankey. The more varieties we can add here the more user satisfaction can be ensured.


module Error:sig
..end
type
error_location =
| |
Subtable of |
(* |
The error occured in the indicated subtable, with the given name (and number).
| *) |
| |
Table |
(* |
The error occured in the main table.
| *) |
| |
Any |
(* |
The location is undetermined.
| *) |
type
error =
| |
File_not_found of |
(* |
The file does not exist or is not readable.
| *) |
| |
File_overwrite of |
(* |
Overwriting an existing file is not allowed.
| *) |
| |
File_not_appendable of |
(* |
Append mode: the file does not exist, or is not readable, or is not writeable.
| *) |
| |
File_not_writeable of |
(* |
Write mode: the given permission does not allow writing to the file.
| *) |
| |
Bad_format of |
(* |
The file format is wrong: Bad_format (expected, found)
| *) |
| |
Bad_password of |
(* |
A wrong password was given to open a subtable or the database itself.
| *) |
| |
Bad_signature of |
(* |
The signature found in the file or in a subtable is wrong.
| *) |
| |
No_signature of |
(* |
No signature was found.
| *) |
| |
Is_Closed of |
(* |
The table, or subtable, cannot be used because it is already closed.
| *) |
| |
Is_Already_Open of |
(* |
This subtable cannot be opened because it has already been opened.
| *) |
| |
No_subtable of |
(* |
No subtable with the given name exists.
This error occurs when trying to open a standard subtable with open_uncrypted_subtable,
or when trying to open an explicitly uncrypted subtable with open_subtable.
| *) |
| |
Subtable_exists of |
(* |
A subtable with the given name already exists.
| *) |
| |
Subtable_overflow |
(* |
Too many subtables created. Current maximum is 2^14 - 1.
| *) |
| |
Overwrite of |
(* |
Trying to overwrite a key, while may_overwrite was false.
| *) |
| |
Unbound of |
(* |
Trying to read a key that is not bound.
| *) |
| |
DB_Error of |
(* |
Error when accessing the underlying database.
| *) |
| |
Corrupted of |
(* |
Corrupted file: it does not have the expected structure. (An error message is given).
| *) |
| |
Backup_failure of |
(* |
Error when trying to create the backup.
| *) |
exception Error of error
val loc2s : error_location -> string
val error2s : error -> string


Batting Songs
Show Setup
Setup
Hide Setup
Dudes (csv NO SPACES between players):
Gals (csv):
Update Order
start voices
next
fadeOut
pause
resume
restart song
nice play
good eye
Say it
we are the champions
Now Playing:
results go here


ui.progressbar
innovaphone.ui.ProgressBar(width)
Adds a progress bar with the given width. The bar is filled from the left and the percentage is also shown as text.
- width
-
The width of the progress bar.
Members
- container
Functions
- update(percent)
-
update to a new percentage value
- hide()
-
hide the progress bar
- show()
-
show the progress bar


VICTORY!
Alas, the Tornado Lord has been defeated by your own hands ...
Choose one of the following rewards to add to your survival kit collection!
You won't be able to change your mind once you pick so choose wisely!
Insulated tent
A portable shelter made of insulating fabric. Its main function is to protect from weather conditions, although the security it gives can sometimes boost morale. Since many varieties exist, the decision for the best type generally comes down to how many people can fit within and if it can be easily carried.
Select
Dust mask
A partial face covering designed to prevent exposure to small airborne particulate matter. The specific types it protects against include dusts from drywall, wood, brick, and fiberglass. It is the cheaper and lighter option compared to the respirator, though it may not provide as much protection.
Select
Fishing gear
Equipment used for capturing fish: kits typically including line, hooks, traps, and lures. While it can provide a plentiful source of food, its usefulness is limited by geographic location (if there are no nearby bodies of water). Also called a fishing tackle.
Select
Flares
A type of pyrotechnic that produces bright light or intense heat without explosion. They are primarily used for signaling or illumination. Additionally, they come in various types, including ground-based (handheld), projectile-based (fired like artillery), and parachute-suspended (dropped from aircraft).
Select
Parachute cord
A lightweight nylon rope originally used in suspension lines of parachutes. It is woven in such a way that the core fibers provide the tensile capacity while the wrapped sheath protects the core from tearing. This ‘kernmantle’ construction is designed to optimize strength, durability, and flexibility. Also referred to as paracord.
Select


Warehouse Keeper Cliff:
Did you recover my medals? Then let's play bingo!
According to rules of the game, you can bet either 10 or 100 medals. Of course, betting 100 gives you a better chance of winning.
Before we start, make sure you have enough space in your inventory -- if you win, you want to be able to collect your winnings, right?
Bet 10 Medals of the Warehouse Keeper.
Bet 100 Medals of the Warehouse Keeper.
Ask about the bingo rules.


{# ranges #}
{%- set source_file_general_reqs, source_file_range_reqs =
traceability_index.get_source_file_reqs(source_file.in_doctree_source_file_rel_path) -%}
{%- if source_file_range_reqs -%}
The following requirements refer to the ranges in this source file.
{%- for requirement in source_file_range_reqs -%}
{% include "source_file_view/source_requirement.jinja.html" %}
{%- endfor -%}
{%- endif -%}
{# requirements #}
{%- if source_file_general_reqs -%}
See requirements that refer to this source file without specifying a range.
{%- for requirement in source_file_general_reqs -%}
{% include "source_file_view/source_requirement.jinja.html" %}
{%- endfor -%}
{%- endif -%}


VON DUTCH IS STILL ALIVE & LIVING IN CALIFORNIA
Address:
110 N. Robertson Blvd.
Los Angeles, CA 90048
Licensing Inquiries:
Terry Hauss - CEO
Von Dutch LLC
Olivier Mercier - Brand Director
Royer Brands International, S.à.r.l.
Royer Group
Email:
Send your Kenneth Howard/Von Dutch stories and fan photos to: contact@vondutch.com


ClueController
@interface ClueController : NSObject
ClueController
is a singleton class and main Clue controller which is also the only public interface for framework user. Here user can turn on/off Clue and start/stop report recording.
-
Returns the shared singleton instance of
ClueController
Declaration
Objective-C
+ (instancetype)sharedInstance;
Swift
class func sharedInstance() -> Self!
Return Value
Shared singleton instance of
ClueController
-
Start actual recording. You should call this method directly only if you want to start recording with your own custom UI element. It’s recommended to use
[ClueController handleShake:]
Declaration
Objective-C
- (void)startRecording;
Swift
func startRecording()
-
Stop actual recording. You should call this method directly only if you want to stop recording with your own custom UI element. It’s recommended to use
[ClueController handleShake:]
Declaration
Objective-C
- (void)stopRecording;
Swift
func stopRecording()
-
Handle shake gesture. Which will start recording if it’s stopped or stop it if it’s recording now
Declaration
Objective-C
- (void)handleShake:(UIEventSubtype)motion;
Swift
func handleShake(_ motion: UIEventSubtype)
Parameters
motion
UIEventSubtype
motion. This method will activate only withUIEventSubtypeMotionShake
events -
Enable Clue. Recording will start only with enabled Clue
Declaration
Objective-C
- (void)enable;
Swift
func enable()
-
Disable Clue. Clue won’t start recording if it’s disabled.
Declaration
Objective-C
- (void)disable;
Swift
func disable()
-
Enable Clue with
CLUOptions
options (like receiver’s email). Recording will start only with enabled ClueDeclaration
Objective-C
- (void)enableWithOptions:(CLUOptions *)options;
Swift
func enable(withOptions options: Any!)
Parameters
options
CLUOptions
options object which contains configuration properties


Registration dept. official arrested on forgery charge
by Special CorrespondentThe Cuddalore district anti-land grabbing special cell on Saturday arrested M. Rajarathinam, an official of Registration department in Thanjavur district, on charges of forging the document of a plot in Chidambaram and for assisting a person to sell the property.
Based on a complaint filed by a professor at Raja Muthiah Medical College Hospital at Chidambaram, the special cell arrested the officer.
The professor in her complaint had stated that officer while serving as a deputy registrar in Cuddalore connived with Radhakrishnan to forge the documents of her plot and sold the land to V. Panneerselvam.
Police had arrested Panneerselvam last month. The special cell had booked the accused under various sections of Indian Penal Code and Registration Act.


Scott Doyle /<EMAIL_ADDRESS>In theory, neural networks can replicate any function (decision surface), no matter how complicated. “In theory”.
In reality, this would require an unreasonable number of:
Surely, there must be a better way?
Deep learning, the stacking of several hidden layers together, is enabled by a few insights:
As we increase pixel sizes, this number of inputs balloons very quickly: a 200x200 color image would result in 120,000 weights, and so on.
Moreover, each of these must be mapped to hidden units – so our weight vector is 120,000 multiplied by some (likely larger) number of hidden units.
And that’s all for one layer, and for a dataset of just 200x200x3 images, which are quite small.
Convolutional Neural Networks are specifically-designed to operate on image data. This enables a few assumptions and tricks:
There are several types of layers in CNNs which process the input data:
What follows are some general rules of thumb to get you started using CNNs.
Feel free to experiment with alternate approaches! These are not set in stone.
If you have three 3x3 [CONV] layers on each other, the third layer will have a 7x7 “view” of the input volume. Compare that with a single [CONV] layer with a 7x7 receptive field. The three 3x3 [CONV] layers are better.
Every month, people are testing their architectures against some benchmark datasets like ImageNet.
Unless you are interested specifically in deep learning architecture design, most of these small, incremental tweaks should not be of central interest to you.
So if that’s the case, what architecture should you choose?
While your application may not be able to use the same weights, at least the architecture will be taken care of.
Okay, so we can pick a certain order of layer stacking. We have a pile of images sitting on the hard drive, and we have labels associated with each image.
So now we need to format our data and set up our layer hyperparameters: that is, the sizes and operations at each layer, which are NOT learned by gradient descent.
Here are some guidelines for adjustments.
Your input layer – i.e. the image dimensions – should be divisible by 2.
You’ll typically see 32, 64, 96, 224, 384, and 512.
Why these sizes? That’s a great question!
Layers should use small, odd-numbered filter sizes ($\mathbf{F}=3$, $\mathbf{F}=5$), with a stride of $\mathbf{S}=1$, and padding $\mathbf{P}$ should be used so that the convolutional layer does not alter the spatial size of the output. Recall that for any $\mathbf{F}$:
$ \mathbf{P} = \frac{(\mathbf{F} - 1)}{2}$
will preserve input size.
Larger filters, e.g. $\mathbf{F}=7$, are only seen on the first convolutional layer, if at all.
By far the most common pooling layer performs max-pooling with receptive field $\mathbf{F}=2$ and stride $\mathbf{S}=2$. Increasing these numbers means that you are aggressively downsampling your data, which leads to too much information loss.
This approach means that CONV layers always preserve input sizes, meaning that they are just responsible for learning image features (and not image downsizing).
The POOL layers are the only ones concerned with downsampling the image.
If you don’t do this – if you use $\mathbf{S}>1$ or $\mathbf{P}=0$ – you have to keep track of the volume as it changes size throughout the network.
Depending on the software you’re using, if you make a mistake, your system will likely give you an error when it tries to run the network.
Stride of 1 in CONV: Smaller strides tend to work better in practice, and prevent CONV layers from downsampling.
Padding: Padding keeps the volumes from changing as a result of the convolution operation, but also allows you to “retain” information at the boundary instead of seeing it reduced at each convolutional pass.
Memory: GPUs are great for performing backpropagation calculations, but have relatively little onboard memory. Filtering a $224\times224\times3$ image with a typical architecture can lead to several millions of activations per image. If you have to compromise, do it at the beginning in the first CONV layer by using larger filter sizes and strides.
Memory in CNNs is taken up by three sources:
You can get a rough estimate of these values, multiply by 4 to get the number of bytes needed, then divide by 1024 to get KB, MB, and GB. Then compare that to your GPU’s memory size (typically 4, 6, or 12 if you’ve got good hardware).
To reduce memory, the first thing you should look at is reducing the batch size, which in turn reduces your activations.
The order and number of layers in a CNN (CONV, POOL, RELU, FC) defines the architecture of the network. Some famous architectures have been given names by the folks who designed them and proved their effectiveness over competing architectures.
How does the architecture affect the processing of the network?
$\left[INPUT\right] \rightarrow \left[FC\right]$
Regular linear classifier (linear discriminant)
$\left[INPUT\right] \rightarrow \left[CONV\right] \rightarrow \left[RELU\right] \rightarrow \left[FC\right]$
Most basic kind of convolutional network
$\left[\textrm{INPUT}\right] \rightarrow \left[\left[CONV\right] \rightarrow \left[RELU\right] \rightarrow \left[POOL\right]\right]*2 \rightarrow \left[FC\right] \rightarrow \left[RELU\right] \rightarrow \left[FC\right]$
Here there is a convolutional layer paired with each pooling layer, followed by a fully-connected “head” section.
$\left[INPUT\right] \rightarrow \left[\left[\left[CONV\right] \rightarrow \left[RELU\right]\right]*2 \rightarrow POOL\right]*3 \rightarrow \ \left[\left[FC\right] \rightarrow \left[RELU\right]\right]*2 \rightarrow\left[FC\right] $
By allowing multiple convolutions to take place before the destructive pooling operation, we can ensure that deeper, more informative features get learned.
Developed in the 1990’s, LeNet was used for handwriting digit analysis on the MNIST dataset.
Won the ImageNet ILSVRC 2012 challenge; larger and deeper than LeNet, with multiple stacked CONV layers.
GoogLeNet won the ILSVRC 2014 challenge. The team developed an “inception” module, which reduced the number of parameters in the network from 60M (in AlexNet) to 4M.
They also replaced the FC layers with “average pooling” layers.
The second-place team in ILSVRC 2014 was the VGGNet, which showed that the depth of the network is a critical component of performance. This network uses a lot more parameters (140M), and therefore memory and computation, but later iterations removed some of these parameters.
Deeper nets seem to work better, so won’t we get increasing performance if we just keep slamming layers together?
It turns out that each time a gradient is “propagated” down through a very long set of layers, the value of the gradient decreases. This is called the vanishing gradient problem.
To solve this, ResNet uses skip connections: In a normal network, the activation at a layer is $y=f(x)$, where $f(x)$ is our nonlinear function that is differentiated during backpropagation. In a skip connection, this is redefined as: $y=f(x) + x$, which allows the gradient to be preserved as it travels back through the network.
A huge elephant in the room when discussing CNNs is: What is actually going on at each of these layers? How does it actually work?
To answer this, folks have tried to look at what’s going on at different points in the “process”.
For example, Mahendran and Vedaldi (2014) showed that you can “invert” the representations of the image at layers in the CNN by using a natural image as a prior and then presenting random noise to the network. Then you look at the outputs of the layers.
So with that understanding, Gatys, et al. (2015) realized that you can separate the “content” of the image (represented at deeper layers as objects and locations) from the “pixel values” or “style” of the image (represented at shallow layers, right after the first convolutional layers).
Essentially you can pull the textures from one image, the content from another, and mix them!
One of the great things about recent research is the availability of open source tools for implementing these techniques.
With just a bit of set-up, you can implement these techniques on your own datasets. For example, check out https://github.com/ebenolson/pydata2015.
Finally, you can do some really crazy stuff when you start looking at these networks in detail and examining / manipulating their outputs…
CNNs are extremely popular, and there are new architectures and tweaks coming out all the time.
Keep an eye on developments in this field, but remember to keep it simple!
Don’t use a fancy new classifier just because you can, use it if you benefit from it!
There are two other CNN architectures I’d like to cover:
After this we will move on to non-image sequence datasets using Recurrent Neural Networks (RNNs).


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Poems of Emily Brontë
by Emily Brontë
The Two Children
Additional Information
- Year Published: 1846
- Language: English
- Country of Origin: England
- Source: Bronte, A., Bronte, C., and Bronte, E. (1846). Poems by Currer, Ellis, and Acton Bell. London, England: Aylott and Jones.
-
Readability:
- Flesch–Kincaid Level: 8.0
- Word Count: 368
- Genre: Poetry
- Keywords: love, sadness
- ✎ Cite This
Downloads
Heavy hangs the rain-drop
From the burdened spray;
Heavy broods the damp mist
On uplands far away.
Heavy looms the dull sky,
Heavy rolls the sea;
And heavy throbs the young heart
Beneath that lonely tree.
Never has a blue streak
Cleft the clouds since morn;
Never has his grim fate
Smiled since he was born.
Frowning on the infant,
Shadowing childhood’s joy
Guardian-angel knows not
That melancholy boy.
Day is passing swiftly
Its sad and sombre prime;
Boyhood sad is merging
In sadder manhood’s time:
All the flowers are praying
For sun, before they close,
And he prays too—unconscious—
That sunless human rose.
Blossom—that the west-wind
Has never wooed to blow,
Scentless are thy petals,
Thy dew is cold as snow!
Soul—where kindred kindness,
No early promise woke,
Barren is thy beauty,
As weed upon a rock.
Wither—soul and blossom!
You both were vainly given;
Earth reserves no blessing
For the unblest of heaven!
Child of delight, with sun-bright hair,
And sea-blue, sea-deep eyes!
Spirit of bliss! What brings thee here
Beneath these sullen skies?
Thou shouldst live in eternal spring,
Where endless day is never dim;
Why, Seraph, has thine erring wing
Wafted thee down to weep with him?
“Ah! not from heaven am I descended,
Nor do I come to mingle tears;
But sweet is day, though with shadows blended;
And, though clouded, sweet are youthful years.
“I—the image of light and gladness—
Saw and pitied that mournful boy,
And I vowed—if need were—to share his sadness,
And give to him my sunny joy.
“Heavy and dark the night is closing;
Heavy and dark may its biding be:
Better for all from grief reposing,
And better for all who watch like me—
“Watch in love by a fevered pillow,
Cooling the fever with pity’s balm
Safe as the petrel on tossing billow,
Safe in mine own soul’s golden calm!
“Guardian-angel he lacks no longer;
Evil fortune he need not fear:
Fate is strong, but love is stronger;
And MY love is truer than angel-care.”


How To Choose Niche For Your Business Directory
The office assistant wasthe boss’s man,spineless, and with no understanding. What about if he reported sick? But that would be extremely strained and suspicious as in fifteen years of service Gregor had never once yet been ill
His boss would certainly come round with the doctor from the medical insurance company, accuse his parents of having a lazy son, and accept the doctor’s recommendation not to make any claim as the doctor believed that no-one was ever ill but that many were workshy. And what’s more, would he have been entirely wrong in this case? Gregor did in fact, apart from excessive sleepiness after sleeping for so long, feel completely well and even felt much hungrier than usual.
He was still hurriedly thinking all this through, unable to decide to get out of the bed, when the clock struck quarter to seven. There was a cautious knock at the door near his head. Gregor, somebody called – it was his mother – it’s quarter to seven. Didn’t you want to go somewhere? That gentle voice, Gregor was shocked when he heard his own voice answering, it could hardly be recognised as the voice he had had before
That’ll be someone from work, he said to himself and froze very still, although his little legs only became all the more lively as they danced around. For a moment everything remained quiet
Gregor only needed to hear the visitor’s first words of greeting and he knew who it was the chief clerk himself. Why did Gregor have to be the only one condemned to work for a company where they immediately became highly suspicious at the slightest shortcoming? Were all employees, every one of them, louts, was there not one of them who was faithful and devoted who would go so mad with pangs of conscience that he couldn’t get out of bed if he didn’t spend at least a couple of hours
Was it really not enough to let one of the trainees make enquiries assuming enquiries were even necessary did the chief clerk have to come himself, and did they have to show the whole, innocent family that this was so suspicious that only the chief clerk could be trusted to have the wisdom to investigate it? And more because these thoughts had made him upset than through any proper decision, he swang himself with all his force out of the bed.
Gregor had wanted to give a full answer and explain everything but in the circumstances contented himself with saying- I’m getting up now.
ReplyThe change in Gregor’s voice probably could not be noticed outside through the wooden door, as his mother was satisfied with this explanation and shuffled away
ReplyAnd yet, once in a while, he renders a head with such character, or a movement with such ease that we wonder whether he had not in him, after all, the making of a real artist.
Reply


{% extends "base.html" %} {% import 'bootstrap/wtf.html' as wtf %} {% block app_content %}
Indicate the location of the file stored during the deploy wizard
Indicate the email potentially used in the buildfarm management
Select the ROS distribution model you are interested in
Insert the url of the ROS distribution you would like to use. Unless you use a custom distribution, the appropriate value should be https://raw.githubusercontent.com/ros/rosdistro/master/index.yaml
https://raw.githubusercontent.com/ros/rosdistro/master/index.yaml
We will generate a commit on your personal fork of the repository buildfarm_config. Paste the appropriate url to clone locally that repository
If using http or https protocol, please provide your credentials (if using ssh, and assuming the keys are globally set, credentials are not required).
Indicate the branch to which the commit should be pushed
{{ form.submit() }}


The top 9 shows on Netflix and other streaming services this week
by Travis Clark, Business Insider US- Every week, Parrot Analytics provides Business Insider with a list of the nine most in-demand original TV shows on streaming services.
- This week includes Netflix’s “The Crown” and Disney Plus’ “The Mandalorian.”
- Visit Business Insider’s homepage for more stories.
Disney Plus has entered the streaming war with its live-action “Star Wars” series, “The Mandalorian.”
Every week, Parrot Analytics provides Business Insider with a list of the nine most in-demand TV shows on streaming services in the US. The data is based on “demand expressions,” Parrot Analytics’ globally standardized TV demand measurement unit. Audience demand reflects the desire, engagement, and viewership weighted by importance, so a stream or download is a higher expression of demand than a “like” or comment on social media, for instance.
“Dickinson,” the only Apple TV Plus show to break through the list list last week, was knocked out of the top nine this week.
Below are this week’s nine most popular original shows on Netflix and other streaming services:
9. “Good Omens” (Amazon Prime Video)
Average demand expressions: 23,876,311
Description: “Aziraphale and Crowley, of Heaven and Hell respectively, have grown rather fond of the Earth. So it’s terrible news that it’s about to end. The armies of Good and Evil are amassing. The Four Horsemen are ready to ride. Everything is going according to the Divine Plan … except that someone seems to have misplaced the Antichrist. Can our heroes find him and stop Armageddon before it’s too late?”
Rotten Tomatoes critic score: 83%
What critics said: “Good Omens‘ biggest thrill is found in the pitch-perfect pairing of David Tennant and Michael Sheen as a millennia-old odd couple who find themselves increasingly attached to our flawed selves – and each other.” – AV Club
Season 1 premiered on Prime Video May 31.
8. “BoJack Horseman” (Netflix)
Average demand expressions: 24,357,560
Description: “Meet the most beloved sitcom horse of the ’90s, 20 years later. He’s a curmudgeon with a heart of … not quite gold … but something like gold. Copper?”
Rotten Tomatoes critic score (Season 6): 100%
What critics said: “More so than any fan or commentator, the show holds the top spot as its own harshest critic.” – The Verge (season 6)
Season 6 premiered on Netflix October 25.
7. “Atypical” (Netflix)
Average demand expressions: 25,463,076
Description: “When a teen on the autism spectrum decides to get a girlfriend, his bid for more independence puts his whole family on a path of self-discovery.”
Rotten Tomatoes critic score (Season 2): 88%
What critics said: “”Atypical is proving yet again why it remains the best half-hour on Netflix’s slate.” – Forbes (Season 3)
Season 3 premiered November 1 on Netflix.
6. “The Crown” (Netflix)
Average demand expressions: 26,573,308
Description: “This drama follows the political rivalries and romance of Queen Elizabeth II’s reign and the events that shaped the second half of the 20th century.”
Rotten Tomatoes critic score (Season 3): 94%
What critics said: “If you have previously enjoyed curling up on a cold winter weekend with this series, it will, again, keep you warm.” – Slate (Season 3)
Season 3 premiered November 17 on Netflix.
5. “Lucifer” (Netflix)
Average demand expressions: 27,287,648
Description: “Bored with being the Lord of Hell, the devil relocates to Los Angeles, where he opens a nightclub and forms a connection with a homicide detective.”
Rotten Tomatoes critic score (Season 4): 100%
What critics said: “The more I think about it, the more I stand by my belief that the majority of season four is among the very best episodes the Luciferhas to offer.” – AV Club (season 4)
Season 4 premiered on Netflix May 8.
4. “Castle Rock” (Hulu)
Average demand expressions: 30,767,203
Description: “Misery has arrived. Lizzy Caplan plays a young Annie Wilkes from Stephen King’s MISERY. In season two of this psychological-horror series set in the Stephen King multiverse, Castle Rock combines the mythological scale and intimate character storytelling of King’s best-loved works, weaving an epic saga of darkness and light, played out on a few square miles of Maine woodland. The fictional Maine town of Castle Rock has figured prominently in King’s literary career: Cujo, The Dark Half, IT and Needful Things, as well as novella The Body and numerous short stories such as Rita Hayworth and The Shawshank Redemption, are either set there or contain references to Castle Rock.”
Rotten Tomatoes critic score (Season 2): 89%
What critics said: “The show is finally more than a flailing attempt to monetize Stephen King-related intellectual property.” – The Ringer (season 2)
Season 4 premiered on Hulu October 23.
3. “Titans” (DC Universe)
Average demand expressions: 55,228,164
Description: “‘Titans’ follows young heroes from across the DC Universe as they come of age and find belonging in a gritty take on the classic Teen Titans franchise. Dick Grayson and Rachel Roth, a special young girl possessed by a strange darkness, get embroiled in a conspiracy that could bring Hell on Earth. Joining them along the way are the hot-headed Starfire and lovable Beast Boy. Together they become a surrogate family and team of heroes.”
Rotten Tomatoes critic score (Season 2): 84%
What critics said: “Superheroes, mysteries and brawls, Titans has it all.” – Cinemablend (Season 2)
Season 2 premiered on DC Universe September 6.
2. “The Mandalorian” (Disney Plus)
Average demand expressions: 67,540,499
Description: “After the fall of the Empire, a lone gunfighter makes his way through the lawless galaxy.”
Rotten Tomatoes critic score (Season 1): 89%
What critics said: “This is a polished production that shows off every cent of its feature film budget on every frame of its run time. This isn’t a ‘made-for-TV Star Wars,'” it’s a Star Wars that happens to be on TV, or streaming, as it were.” – San Francisco Chronicle (Season 1)
Season 1 premiered on Disney Plus on November 12.
1. “Stranger Things” (Netflix)
Average demand expressions: 86,464,271
Description: “When a young boy vanishes, a small town uncovers a mystery involving secret experiments.”
Rotten Tomatoes critic score (Season 3): 90%
What critics said: “Stranger Things season 3 is a pretty-looking midsummer event that mixtapes Reagan-era pop culture.” – Entertainment Weekly (Season 3)
Season 3 premiered July 4 on Netflix.
Data for this week’s list was compiled from November 13 to November 19 by Parrot Analytics.


实际效果体验：请在下面的文章中划词
Power troubles may soon be solved
China is expected to see its power shortages substantially eased beginning in the next half of this year, according to a senior official with the China Electricity Council (CEC) yesterday.
"Power supply and demand will be balanced nationwide in the next of the year, although short-term power shortages will still exist in a few regions," said CEC secretary-general Wang Yonggan.
Power shortages only existed in four provinces in June, compared with 25 at the beginning of 2005 and nine in January.
Wang said power shortages had been remarkably relieved in the first six months of this year because more newly built large power stations were put into use.
In the first half of this year, China saw a newly installed power capacity of 32.41 million kilowatts, 11.1 percent of which is from hydro power stations and 88.48 percent from thermal power plants.


by Curtis Edmonds --<EMAIL_ADDRESS>I don't say this about many movies, but I am really hoping there's a sequel to The Truman Show. The concept of the movie (in case you missed the commercials and the trailers) is that Truman Burbank (Jim Carrey) is the star of the world's most popular TV show -- where his whole entire life is being filmed and broadcast worldwide to a slack-jawed group of voyeurs, 24 hours a day, around the clock. At the end of the movie -- I promise you, I'm not giving away any plot points -- Truman reaches the end of the impossibly gigantic soundstage and leaves forever.
And wouldn't that be a cool sequel?  He escapes to find that he's monumentally popular, but with no idea whatsoever how to function in normal life. Hey, it might not be that great, but it would probably be better than The Truman Show.
The heart of The Truman Show is the show-within-a-show that's broadcast via satellite on one of those 500 channels we're all supposed to have one day. We see a lot of the TV show in the movie. In fact, great big chunks of the movie appear in what might be called Trumanvision -- from hidden cameras placed in odd or oblique places. (Would they really need a camera in the back of a vending machine?) Truman Burbank is an insurance salesman (we never see him do a lick of work, though) who lives a thouroughly hum-drum, drab and normal life on an island off the Florida coast which he can never leave. The most colorful thing about him is his clothes -- tweed jackets worn over sweaters worn over brightly colored striped shirts, with odd-looking plaid casual wear -- all presumably available for purchase in the Truman Show catalogue.
The mantra of sitcom creation is that your characters have to be likeable. I don't myself agree with this approach -- see Seinfeld and the better British comedies for examples -- but its the path that the creators of The Truman Show have taken. Truman is utterly, totally, likeable in every way, and it's just disgusting. You'd think that with Carrey playing the role of Truman, there's be some satiric comic edge to the character -- but there just isn't for most of the movie. There just doesn't seem to be enough comedy or drama in the script to sustain the TV show as entertainment. We see people around the world caught up in the show -- there's even a theme bar for some reason -- but with no understanding of how or why anyone would be able to watch the show. And because the TV show takes up so much of the movie's running length, the movie ends up being flat and unentertaining as well.
The Truman Show, like any poorly-written TV-show, suffers from what might be called Jessica Fletcher's Disease. Anyone who's watched Murder, She Wrote can tell you about this evil sickness: there'll be a point in the plot where the murderer is supposedly unmasked, and Angela Lansbury will say, "Well, there's still something bothering me." What's bothering her, of course, is that there's still twenty minutes left to the end of the show. Just as Murder, She Wrote must end with the murderer being caught, The Truman Show must end with Truman figuring out his predicament and escaping. Which it does, but it takes forever, and there isn't much of anything along the way to compensate for the long, drawn out ending.
You want comedy? Well, outside of Truman's wardrobe, there isn't much of that. Carrey has a couple of moments where he's loopily staring into the hidden camera behind his bathroom mirror, and he has a frenzied escape-attempt scene that looks like it was penciled in to showcase his manic style briefly. Laura Linney plays Truman's wife, Meryl, whose frozen-faced features highlight her role as part-time wife, part-time infomercial hostess: she's funny, if you think annoying is funny.
You want drama? There's a couple of decent dramatic scenes in The Truman Show, but they don't seem to mesh. Without giving away plot points, they come one right on top of the other and involve major changes in his family structure. We jump from this to an interview with Ed Harris, the show's creator, who interjects a long defense of the show and his place as Truman's protector. And then we jump back to the show... which continues as before, with Truman seemingly unaffected by all the turmoil in his life in the past twelve hours.
If there's no comedy, and little drama, why see The Truman Show? Maybe there's a message or something, like there was in writer/producer Andrew Niccol's previous work, the lifeless genetic fantasy Gattaca. In Gattaca, like The Truman Show, Niccol comes up with a great movie concept but does a lackluster job of fleshing it out and making it real. As Gattaca plods on to its inevitable resolution, it leaves us with a message -- don't discriminate against people based on their genetic coding. Fair enough. The message from The Truman Show is... what? It's not nice to imprison people on soundstages and transmit their lives?
I know there are people out there who loved this movie. Fine. I'm glad you enjoyed it. Me, I'm waiting for the sequel, and I hope that it's better than The Truman Show. It would almost have to be.
Rating: C+
-- Curtis Edmonds<EMAIL_ADDRESS>Movie Reviews: http://us.imdb.com/M/reviews_by?Curtis+Edmonds
Hollywood Stock Exchange: http://www.hsbr.org/brokers/blueduck/
"Are you kidding? No jury in the world would convict a baby for murder. Well, maybe Texas."
-- Chief Clancy Wiggum
The review above was posted to the
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---
layout: portfolio
title: cloudpad
subtitle: Adelaide
description: Beautiful and Simple Todo List
image: cloudpad/cloudpad.png
---
Create a to-do list that is simple to use and beautiful to look at.
- Develop web application using AngularJS to simplify development of page updates without constant refreshes.
- Implement real-time push updates to all devices using NodeJS and Socket.IO.
- Full drag-and-drop interface, everything is point and click, no page reloads.
- Repeating tasks allow users to automatically enter a task across a range of days.
- Ability to share tasks with friends or collegues.
- User selectable custom themes to allow changes to images, colours and fonts.


Before Change
// Else, this is either a module or C extension.
else:
// In either case, this path must have a filetype.
filetype = os.path.splitext(pathname)[1]
if not filetype:
raise ImportError(
"Non-package module %r path %r has no filetype" % (module_name, pathname))
After Change
// In either case, this path must have a filetype.
// os.path.splitext won"t work here since we sometimes need
// to match more than just the file extension.
filetype = [filetype
for filetype in _IMPORTABLE_FILETYPE_EXTS
if pathname.endswith(filetype)]
if filetype:
// at least one extension matched,
// pick the first (longest) one
filetype = filetype[0]
else:
raise ImportError(
"Non-package module %r path %r has no filetype" % (module_name, pathname))


{% trans %}Program{% endtrans %}
{% trans -%}Configure the conference page displaying the scientific program.{%- endtrans %}
{% extends 'events/management/base.html' %} {% from 'events/tracks/_track_list.html' import render_list %} {% block title %} {%- trans %}Program{% endtrans -%} {% endblock %} {% block description %} {%- trans -%} Tracks represent the subject matter of the conference. They represent both the basis for the Scientific Program and a taxonomy that can be used to classify submissions during the Call for Abstracts process. {%- endtrans -%} {% endblock %} {% block content %}


{% if default_content %}
The {{ agency_name }} has denied your FOIL request {{ request.id }}
for the following reason{% if reasons|length > 1 %}s{% endif %}:
{{ reasons | safe }}
Please visit {{ request.id }} to view additional information and take any necessary
action. {% if has_appeals_language %}You may appeal the decision to deny access to material that was redacted in part or withheld in entirety
by contacting the agency's FOIL Appeals Officer: {{ agency_appeals_email }}
within 30 days.{% endif %}
{% else %}
{{ content | safe }}
{% endif %}


National Grid faces deadline following Cuomo threat
by Associated PressALBANY, N.Y. (AP) — An electric company faces a deadline to respond to Gov. Andrew Cuomo’s threat to revoke the utility’s certificate to offer natural gas service in downstate New York
Cuomo sent a Nov. 13 letter to National Grid on Tuesday giving the company 14 days to respond.
That deadline will be up by midweek.
National Grid denied natural gas service to over 1,100 customers since May. The company blamed New York’s rejection of an application for a $1 billion pipeline bringing natural gas from Pennsylvania’s shale gas fields.
Cuomo says such a pipeline wouldn’t be in service until at least next year. National Grid has since reversed course and begun connecting customers.
The Democratic governor claims National Grid took advantage of the public. A spokeswoman has said National Grid is reviewing Cuomo’s letter.


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Ive bet youve seen a lot of garbage html sites today lol
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for the tastiest pizza in town
WELCOME TO ENNY DIN'S PIZZERIA.


Refresher
ion-refresher
ion-refresher
The Refresher provides pull-to-refresh functionality on a content component.
Place the ion-refresher
as the first child of your ion-content
element.
Pages can then listen to the refresher's various output events. The
refresh
output event is fired when the user has pulled down far
enough to kick off the refreshing process. Once the async operation
has completed and the refreshing should end, call complete()
.
Note: Do not wrap the ion-refresher
in a *ngIf
. It will not render
properly this way. Please use the enabled
property instead to
display or hide the refresher.
Usage
<ion-content>
<ion-refresher (ionRefresh)="doRefresh($event)">
<ion-refresher-content></ion-refresher-content>
</ion-refresher>
</ion-content>
@Component({...})
export class NewsFeedPage {
doRefresh(refresher) {
console.log('Begin async operation', refresher);
setTimeout(() => {
console.log('Async operation has ended');
refresher.complete();
}, 2000);
}
}
Refresher Content
By default, Ionic provides the pulling icon and refreshing spinner that
looks best for the platform the user is on. However, you can change the
default icon and spinner, along with adding text for each state by
adding properties to the child ion-refresher-content
component.
<ion-content>
<ion-refresher (ionRefresh)="doRefresh($event)">
<ion-refresher-content
pullingIcon="arrow-dropdown"
pullingText="Pull to refresh"
refreshingSpinner="circles"
refreshingText="Refreshing...">
</ion-refresher-content>
</ion-refresher>
</ion-content>
Further Customizing Refresher Content
The ion-refresher
component holds the refresh logic.
It requires a child component in order to display the content.
Ionic uses ion-refresher-content
by default. This component
displays the refresher and changes the look depending
on the refresher's state. Separating these components
allows developers to create their own refresher content
components. You could replace our default content with
custom SVG or CSS animations.
Instance Members
cancel()
Changes the refresher’s state from refreshing
to cancelling
.
complete()
Call complete()
when your async operation has completed.
For example, the refreshing
state is while the app is performing
an asynchronous operation, such as receiving more data from an
AJAX request. Once the data has been received, you then call this
method to signify that the refreshing has completed and to close
the refresher. This method also changes the refresher’s state from
refreshing
to completing
.
currentY
The current touch or mouse event’s Y coordinate.
deltaY
The distance between the start of the pull and the current touch or mouse event’s Y coordinate.
progress
A number representing how far down the user has pulled.
The number 0
represents the user hasn’t pulled down at all. The
number 1
, and anything greater than 1
, represents that the user
has pulled far enough down that when they let go then the refresh will
happen. If they let go and the number is less than 1
, then the
refresh will not happen, and the content will return to it’s original
position.
startY
The Y coordinate of where the user started to the pull down the content.
state
The current state which the refresher is in. The refresher’s states include:
inactive
- The refresher is not being pulled down or refreshing and is currently hidden.pulling
- The user is actively pulling down the refresher, but has not reached the point yet that if the user lets go, it’ll refresh.cancelling
- The user pulled down the refresher and let go, but did not pull down far enough to kick off therefreshing
state. After letting go, the refresher is in thecancelling
state while it is closing, and will go back to theinactive
state once closed.ready
- The user has pulled down the refresher far enough that if they let go, it’ll begin therefreshing
state.refreshing
- The refresher is actively waiting on the async operation to end. Once the refresh handler callscomplete()
it will begin thecompleting
state.completing
- Therefreshing
state has finished and the refresher is in the process of closing itself. Once closed, the refresher will go back to theinactive
state.
Input Properties
| Attr | Type | Details |
|---|---|---|
| closeDuration | number |
How many milliseconds it takes to close the refresher. Default is |
| enabled | boolean |
If the refresher is enabled or not. This should be used in place of an |
| pullMax | number |
The maximum distance of the pull until the refresher
will automatically go into the |
| pullMin | number |
The min distance the user must pull down until the
refresher can go into the |
| snapbackDuration | number |
How many milliseconds it takes the refresher to to snap back to the |
Output Events
| Attr | Details |
|---|---|
| ionPull | Emitted while the user is pulling down the content and exposing the refresher. |
| ionRefresh | Emitted when the user lets go and has pulled down
far enough, which would be farther than the |
| ionStart | Emitted when the user begins to start pulling down. |
Sass Variables
All
| Property | Default | Description |
|---|---|---|
$refresher-height |
60px |
Height of the refresher |
$refresher-icon-color |
#000 |
Color of the refresher icon |
$refresher-icon-font-size |
30px |
Font size of the refresher icon |
$refresher-text-color |
#000 |
Text color of the refresher content |
$refresher-text-font-size |
16px |
Font size of the refresher content |
$refresher-border-color |
#ddd |
Border color of the refresher |


{% for open in team.open %}
{% endfor %}
{% for closed in team.closed %}
{% endfor %}
Description
Recreaction
Team
...
Submitted by
...


--- layout: default title: A resource of Angular 1.x concepts for Angular 2 ---
Convert your Angular 1 knowledge into Angular 2.
Select a topic and start learning!


| HONK(1) | General Commands Manual | HONK(1) |
honk
— federated
status conveyance
The honk
utility processes federated
status updates and other microblog activities. This is the user manual. For
administration, see honk(8). For other
documentation, refer to the
intro(1).
This manual is still incomplete. It'll get there eventually.
Initially, there won't be much to see after logging in. In order to receive regular updates from other users, they must first be added to one's honker collection. Begin at the honkers tab. The url field is required. Either of two forms are accepted, the user's handle (or webfinger) or their ActivityPub actor URL.
<EMAIL_ADDRESS>https://example.social/users/user
The name field is optional and will be automatically inferred. The notes field is reserved for user remarks. Fellow honkers may be added to one or more combos to suit one's organizational preferences. These are accessed via the combos tab and allow easy access to particular groupings. The special combo name of one hyphen ‘-’ will exclude a honker's posts from the primary feed.
It is also possible to skip subscribing. In this case, regular posts are not received, but replies and posts fetched via other means will appear in the relevant combos.
In addition to honkers, it is possible to subscribe to a hashtag collection. (Where supported.) Enter the collection URL for url.
Separately, hashtags may be added to a combo by creating a honker with a url of the desired hashtag (including #). Several hashtags may thus be collected in a single combo.
The primary feed is accessed via the home tab. It will contain posts from all honkers except those specifically excluded. Posts mentioning the user, both followed and not, are collected under the @me tab. Other feeds include first which excludes replies, the user defined options under the combos subheading, and the events page which lists only events.
Individual honks contain a visual representation of the honker's ID, their name, the activity (with a link back to origin), a link to the parent post if applicable, and the convoy (thread) identifier. A red border indicates the honk is not public. Screenshot below.
screenshot of one
honk
Available actions are:
bonk
honk
back
mute
zonk
ack
save
untag
me
badonk
edit
Clicking the refresh button will load new honks, if any. New honks will be subtly highlighted.
Refer to the honk(5) section of the manual for details of honk composition.
Find old honks. It's basic substring match with a few extensions. The following keywords are supported:
Example:
honker:goose big moose
-footloose
Sometimes other users of the federation can get unruly. The honk filtering and censorship system, hfcs(1), can be of great use to restore order to one's timeline. Accessed via the filters menu item.
The xzone page lists recently seen honkers that are not otherwise tracked. It also allows the import of external objects via URL, either individual posts or actor URLs, in which case their recent outbox is imported.
It's all about you. An avatar may be selected from the funzone by adding “avatar: filename.png” to one's profile info. If truly necessary.
Some options to customize the site appearance:
honk
is designed to work with most
browsers, but for optimal results it is recommended to use a 2015 or later
Thinkpad X1 Carbon with 2560x1440 screen running
OpenBSD and chromium at 150% scaling with the dwm
window manager. This will enable the main menu to line up just right.
Started March 2019.
Ted Unangst<EMAIL_ADDRESS>Completing some operations, such as subscribing to new honkers, requires an aptitude for clipboard use and tab switching along with a steady hand. For the most part, these are infrequent operations, but they are also the first operations new users encounter. This is not ideal.
The ActivityPub standard is subject to interpretation, and not all
implementations are as enlightened as honk
.
It's a feature.
| December 10, 2020 | OpenBSD 6.7 |


OUR MISSION
"To Remember the Fallen,
Honor the Living and
Aid Brothers in Need."
"To Remember the Fallen,
Honor the Living and
Aid Brothers in Need."
Our Mission is to remember our fallen, to honor the living, and to aid brothers in need. We will promote the brotherhood and camaraderie amongst the TACP community by sponsoring, coordinating, and assembling members to celebrate as fellow warriors, and we will serve as an informational conduit to the community.


{% extends 'base.html' %} {% load staticfiles %} {% block title %} {{ title }} {% endblock %} {% block styles %} {% endblock %} {% block content %} Add a new Event {% if form.errors %} {% for field in form %} {% for error in field.errors %} × {{ field.name }} {{ error|escape }} {% endfor %} {% endfor %} {% endif %} {% csrf_token %} Event details Event Title Event Description Location Category Community Arts & Culture Chidren & Youth Environment Animals Faith-Based Event Date Number of Volunteers Required Organization details Organization name Organization Description I agree with the Terms and conditions. Save and publish {% endblock %}


WORD
PDF
TXT
Typical Text Converter
Here you go. Your converted messages. Use it in a wise way, traveller.
Image
Extracted text
{% for file_name, text_file in files %}
{{text_file}}
{% endfor %}


I am a IT professional with a mix bag of skills. I do Sys-Admin work and programming. My favorite language is Ruby, but I also know a slew of other languages too! I enjoy the occasional computer game. My wife is Russian and I have been to Russia 5 times.
I enjoy playing around with these technologies:


Use this command to obtain help on some portion of AeSys. When you choose the toolbar's Context Help button, the mouse pointer will change to an arrow and question mark. Then click somewhere in the AeSys window, such as another toolbar button. The help topic will be shown for the item you clicked.