SEARCHING FOR BOBBY FISCHER A film review by Scott Renshaw Copyright 1993 Scott Renshaw
Starring: Joe Mantegna, Ben Kingsley, Max Pomeranc, Laurence Fishburne. Director/Screenwriter: Steven Zaillian.
SEARCHING FOR BOBBY FISCHER is the kind of film that can easily get lost in the glut of summer releases. It boasts no superstars, includes no gunfire or velociraptors, and has as its focal point the game of chess.
Let me repeat that: a movie ... about chess. No, let me amend that: a wonderful movie about chess. SEARCHING FOR BOBBY FISCHER is an emotionally satisfying and surprisingly understated film that takes the tried-and-true formula of such crowd pleasers as ROCKY and THE KARATE KID and adds some welcome thematic depth.
SEARCHING is based on the true story of Josh Waitzkin (Max Pomeranc), a seven-year-old New York boy whose parents (Joe Mantegna and Joan Allen) discover that he is a chess prodigy. He learns the game from park chess hustlers like Vinnie (Laurence Fishburne), who encourages daring and aggressive play, and is then brought by his father to former master Bruce Pandolfini (Ben Kingsley). Pandolfini is reluctant to act as Josh's teacher, but agrees because the price is right and because he sees in Josh a natural talent similar to that of the legendary American champion Bobby Fischer. Pandolfini is also a purist who shuns the strategies of speed players like Vinnie, and wants to instill in Josh the calculated single-mindedness and contempt for opponents that characterized Fischer's play. The film then traces Josh's experiences with the youth tournaments, and his growing fear that once he's the best, it's no longer "okay to lose."
This examination of the win-at-all-costs ethos of competition provides one of the film's most potent thematic touchstones. After his baseball team wins a game in an eary sequense, Josh looks on sympathetically as the losing team walks away dejectedly. He loves to play, but he doesn't love to win. It's an attitude which infuriates Pandolfini, who tells Josh he must hate his opponents, only to receive the simple response, "I don't hate them." It's also a foreign concept to his father, a sports writer who begins to live vicariously through his son's victories. Sports parents are given a firm tweaking, particularly in a hilarious scene at a tournament where a fight breaks out between two fathers.
As Fred Waitzkin, Joe Mantegna presents a fully-realized portrait of one of these parents. He is a loving father who initially encourages his son's gift out of selflessness, but slowly gets caught up in the winning. His feelings are brought out in a confrontation with Josh's school teacher, whom he tells, "Do you know how good he is? He's better at this than I've ever been at anything in my life." Mantegna's performance is rich and effective, and only one of many super acting turns. Kingsley deftly handles the cold, slightly embittered Pandolfini, allowing him to be unlikeable but understandable. Fishburne has fun with his small part as the trash-talking park player, as does David Paymer as a nervous "chess dad." However, it's Max Pomeranc's show, and he carries it.  It's a delightful performance, made even more surprising by the fact that he is being handled by a first-time director.
That director is Steven Zaillian (Oscar nominated as a screenwriter for AWAKENINGS), and it's a remarkably confident debut. He delivers the chess scenes with tremendous energy, a challenge if ever there was one. He frames his scenes with a sense of purpose, and his actors are always focused. Most tellingly, he demonstrates the ability to develop his story visually, beginning with the opening sequence where Josh finds a carved chess piece, is offered a softball in trade by Vinnie, and chooses to keep the piece. Without a single word of dialogue, Zaillian conveys a change in focus for Josh, and the beginning of his new life.
If there is one place to find fault, it's with the emotional string-pulling that's common to the "competition" genre. James Horner's overwrought score practically screams, "Cry now!" in a manner I had thought only John Williams had mastered. The climax manages to avoid cliches, however, and I have to admit that I was grinning and on the edge of my seat along with a couple hundred fellow moviegoers.
Both as intelligent cinema and rousing entertainment, SEARCHING FOR BOBBY FISCHER is a winner not to be overlooked. Chess ... who'd have guessed?
On the Renshaw scale of 0 to 10 grandmaster points: 8 points. -- Scott Renshaw Stanford University Office of the General Counsel
.
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Go to the source code of this file.
Namespaces | |
| namespace | ears |
Typedefs | |
| typedef int | ears::ID_T |
| Internal ID encoding. | |
| typedef std::string | ears::EXID_T |
| External ID encoding. | |
| typedef std::map< ID_T, double > | ears::DISTR_T |
| Probability distribution. | |
|
typedef std::vector < std::vector< double > > | ears::ASSOCRES_T |
| Association results. |
Definition in file DataTypes.hpp.


input¶
InputData folder¶
MaterialTemplates.xml
Collection of different materials with properties (currently in German)
TypeBuildingElements.xml
Collection of typical wall construction for residential buildings (currently in German)
UseConditions.xml
Collection of boundary conditions (DIN 18599, SIA2024, AHU from AixLib) (currently in German)


This guide is meant to walk you through getting up and running with a Slack app using Bolt. Along the way, we’ll create a new Slack app, set up your local environment, and develop an app that listens and responds to messages from a Slack workspace.
Getting started
Create an app
First thing’s first: before you start developing with Bolt, you’ll want to create a Slack app.
💡 We recommend using a workspace where you won’t disrupt real work getting done — you can create a new one for free.
After you fill out an app name (you can change it later) and picking a workspace to install it to, hit the Create App
button and you’ll land on your app’s Basic Information page.
This page contains an overview of your app in addition to important credentials you’ll need later, like the Signing Secret
under the App Crendentials header.
Look around, add an app icon and description, and then let’s start configuring your app 🔩
Tokens and installing apps
Slack apps use the industry standard OAuth to manage access to Slack’s APIs. When an app is installed, you’ll receive a token that your app can use to call various API methods.
There are two token types availalbe to a Slack app: user (xoxp
) tokens and bot (xoxb
) tokens.  By default, your app receive an xoxp
token associated with the person who installs the app. Bot tokens require adding a bot user to your app, which is granted a default set of permissions.
Tokens require one or more scopes, which define the actions the token can perform. Every API method has a corresponding scope that’s required for an app to call the method.
You can learn more about the different token types on our API site. The type of token your app needs depends on the actions you want it to perform. For brevity, we’re going to use bot tokens for this guide.
To add a bot user, click Bot Users on the left sidebar and then Add A Bot User. Give it a display name and username, then click Add Bot User.
Now that you have a bot user with permission to send messages to Slack, let’s install the app to your workspace.
Click Install App on the left sidebar and click the big Install App to Workspace button at the top of the page. If you’ve never installed this Slack app before, you’ll see a screen that details what permissions this app is requesting. This is what determines the scopes that are applied to your app’s OAuth token(s).
Once you authorize the installation, you’ll land on the OAuth & Permissions page.
You’ll see two tokens. For now, we’ll just use the xoxb
bot token. (If you scroll down this page to the Scopes section, you’ll see the various scopes you can add to the xoxp
token.)
💡 Treat your token like a password and keep it safe. Your app uses it to post and retrieve information from Slack workspaces.
Setting up your local project
With the initial configuration handled, it’s time to set up a new Bolt project. This is where you’ll write the code that handles the logic for your app. One important thing to note is that Slack doesn’t host your code — you do.
If you don’t already have a project, let’s create a new one. Create an empty directory and initalize a new project:
mkdir first-bolt-app
cd first-bolt-app
npm init
You’ll be prompted with a series of questions to describe your new project (you can accept the defaults if you aren’t picky). After you’re done, you’ll have a new package.json
file in your directory.
Before we install the Bolt package to your new project, let’s save the bot token and signing secret that was generated when you configured your app. These should be stored as environment variables and should not be saved in version control.
- Copy your Signing Secret from the Basic Information page and then store it in a new environment variable. The following example works on Linux and MacOS; but similar commands are available on Windows.
export SLACK_SIGNING_SECRET=<your-signing-secret>
- Copy your bot (xoxb) token from the OAuth & Permissions page and store it in another enviornment variable.
export SLACK_BOT_TOKEN=xoxb-<your-bot-token>
Now, lets create your app. Install the @slack/bolt
package and save it to your package.json
dependencies using the following command:
npm install @slack/bolt
Create a new file called app.js
in this directory and add the following code:
const { App } = require('@slack/bolt');
// Initalizes your app with your bot token and signing secret
const app = new App({
token: process.env.SLACK_BOT_TOKEN,
signingSecret: process.env.SLACK_SIGNING_SECRET
});
(async () => {
// Start your app
await app.start(process.env.PORT || 3000);
console.log('⚡ Bolt app is running!');

Setting up events
Your app behaves similarly to people on your team — it can respond to that happen, post messages, and more. To listen to events happening in a Slack workspace (like when a message is posted or when a emoji reaction is posted to a message) you’ll use the Events API to listen for specific events.
To enable events for your app, start by going back to your app configuration page (click on the app from your app management page). Click Event Subscriptions on the left sidebar. Toggle the switch labeled Enable Events.
You’ll see a text input labeled Request URL. The Request URL is a public endpoint where Slack will send HTTP POST requests about the events you specify.
⚙We’ve collected some of the most common hosting providers Slack developers use to host their apps on our API site
When one of the events occurs, Slack will send your app some information about the event, like the user that triggered it and the channel it occured in. Your app will process the JSON and can then respond accordingly.
Using a local Request URL for development
If you’re just getting started with your app’s development, you probably don’t have a publicly accessible URL yet. Eventually, you’ll want to set that up, but for now a development proxy like ngrok will do the job. We’ve written a separate tutorial about using ngrok with Slack for local development that should help you get everything set up.
Once you’ve installed a development proxy, run it to begin forwarding requests to a specific port (we’re using port 3000 for this example, but if you customized the port used to intialize your app use that port instead):
ngrok http 3000
The output should show a generated URL that you can use (we recommend the one that starts with https://
). This URL will be the base of your request URL, in this case https://8e8ec2d7.ngrok.io
.
Now you have a public-facing URL for your app that tunnels to your local machine. The Request URL that you use in your app configuration is composed of your public-facing URL combined with the endpoint your app is listening on. By default, Bolt apps listen on the /slack/events
endpoint so our full request URL would be https://8e8ec2d7.ngrok.io/slack/events
.
Under the Enable Events switch in the Request URL box, go ahead and paste in your URL. As long as your Bolt app is still running, your endpoint should become verified.
Listening and responding to a message
Your app is now ready for some logic. Let’s start by using the message()
listener that listens for messages in channels your bot user is a member of.
The following example listens to all messages that contain the word “hello” and responds with “Hey there @user!”
const { App } = require('@slack/bolt');
const app = new App({
token: process.env.SLACK_BOT_TOKEN,
signingSecret: process.env.SLACK_SIGNING_SECRET
});
// Listens to incoming messages that contain "hello"
app.message('hello', ({ message, say }) => {
// say() sends a message to the channel where the event was triggered
say(`Hey there <@${message.user}>!`);
});
(async () => {
// Start your app
await app.start(process.env.PORT || 3000);
console.log('⚡ Bolt app is running!');
})();
If you restart your app, you should be able to add your bot user to a channel, send any message that contains “hello”, and it will respond.
This is a basic example, but it gives you a place to start customizing your app based on your end goals. Let’s try something a little more interactive by sending a button rather than plain text.
Sending and responding to actions
To use features like buttons, select menus, datepickers, dialogs, and message actions, you’ll need to enable interactivity. Similar to events, you’ll need to specify a URL for Slack to send the action (such as user clicked a button).
Back on your app configuration page, click on Interactive Components on the left side. You’ll see that there’s another Request URL box.
By default, Bolt is configured to use same endpoint for interactive components that it uses for events, so use the same request URL as above (in the example, it was https://8e8ec2d7.ngrok.io/slack/events
). Press the Save Changes button in the lower right hand corner, and that’s it. Your app is all set up for interactivity!
Now, let’s go back to your app’s code and add our own interactivity. This will consist of two steps:
- First, your app will send a message that contains a button.
- Next, your app will set up a listener that responds to a user when they click your app’s button
Below, I’ve modified the app code we wrote in the last section to send a message with a button rather than a string:
const { App } = require('@slack/bolt');
const app = new App({
token: process.env.SLACK_BOT_TOKEN,
signingSecret: process.env.SLACK_SIGNING_SECRET
});
// Listens to incoming messages that contain "hello"
app.message('hello', ({ message, say }) => {
// say() sends a message to the channel where the event was triggered
say({
blocks: [
{
"type": "section",
"text": {
"type": "mrkdwn",
"text": `Hey there <@${message.user}>!`
},
"accessory": {
"type": "button",
"text": {
"type": "plain_text",
"text": "Click Me"
},
"action_id": "button_click"
}
}
]
});
});
(async () => {
// Start your app
await app.start(process.env.PORT || 3000);
console.log('⚡ Bolt app is running!');
})();
The value inside of say()
is now an object that contains an array of blocks
. Blocks are the building components of a Slack message and can range from text to images to datepickers. In this case, your app will respond with a section block that includes a button as an accessory.
You’ll notice in the same accessory
object as the button, there is an action_id
. This will act as a unique identifier for the button so your app can specify what action it is responding to.
💡 The Block Kit Builder is an simple way to prototype your interactive messages. The builder lets you (or anyone on your team) mockup messages and generates the corresponding JSON that you can paste directly in your app.
Now, if you restart your app and say “hello” in a channel your app is in, you’ll see a message with a button. But if you click the button, nothing happens (yet!).
Let’s add a handler to send a followup message when someone clicks the button:
const { App } = require('@slack/bolt');
const app = new App({
token: process.env.SLACK_BOT_TOKEN,
signingSecret: process.env.SLACK_SIGNING_SECRET
});
// Listens to incoming messages that contain "hello"
app.message('hello', ({ message, say }) => {
// say() sends a message to the channel where the event was triggered
say({
blocks: [
{
"type": "section",
"text": {
"type": "mrkdwn",
"text": `Hey there <@{message.user}>!`
},
"accessory": {
"type": "button",
"text": {
"type": "plain_text",
"text": "Click Me"
},
"action_id": "button_click"
}
}
]
});
});
app.action('button_click', ({ body, ack, say }) => {
// Acknowledge the action
ack();
<EMAIL_ADDRESS>clicked the button`);
});
(async () => {
// Start your app
await app.start(process.env.PORT || 3000);
console.log('⚡ Bolt app is running!');
})();
You can see that we used the action_id
to add a listener for our button action. If you restart your app and click the button, you’ll see a new message from your app that says you clicked the button.
Next steps
You just built your first Bolt app! 🎉
Now that you have a basic app up and running, you can start exploring the parts of Bolt that will make your app stand out. Here are some ideas about where to look next:
-
Read through the Basic concepts to learn about the different methods and features your Bolt app has access to.
-
Explore the different events your bot can listen to with the
events()
method. All of the events are listed on the API site. -
Bolt allows you to call Web API methods with the client attached to your app. There are over 130 methods on our API site.


DexComplete is a website designed to help you complete all of your in game Pokemon collections!
Want to track which Pokemon you have in your Pokedex? Got it.
Want to track which TMs you have? That too
What can I track in my Pokemon games?
You can track the following items, each of them will be specific to the game you're playing (none of them pesky 6th gen berries in your 3rd gen lists!):
Well first up create an account (do that in the top right hand corner), that'll take you to your player dashboard. From there you can create a game and you'll have all the tracking stuff available to you!
Once you go to say your pokedex, just click or tap on one of these and it'll cycle through these
or sometimes just the first two, depending on the particular collection.
How you use these is entirely up to you, BUT the greyed out Pokeball is treated as something you don't have by the website's stats.
How do I odd?
You don't...
Are there pretty pie charts that show me my progress!?


Activities on the Isle of Giant Cats
There's oodles of fun to be had.
Giant Petting!
Giant feathers on string!
Giant Lazer Tag (organizers not liable for maulings)
Main Page
Accommodations
Contact Info
Pictures
Travel Arrangements


DRIVEN TO DEATH
Mum of suicide student Emily Drouet to visit Scotland’s first uni conference to help staff deal with abuse victims
by John JeffayTHE mum of suicide student Emily Drouet will visit Scotland’s first uni conference to help staff deal with abuse victims.
Fiona Drouet is due to address workers from 15 campuses at Wednesday’s event in Glasgow.
She hopes to prevent mental and physical torment of students, 3½ years after Emily, 18, was allegedly driven to her death by her brute ex.
Fiona, of Muirend, Glasgow, said: “It is vital staff recognise the impact of trauma and sustained abuse on young people.
“Emily did report what happened to her.
“While universities can’t conduct criminal investigations, they have a duty to act on disclosures and safeguard all involved.”
It is vital staff recognise the impact of trauma and sustained abuse on young people.Fiona Drouet
Aberdeen Uni law student Emily took her own life in March 2016.
Ex Angus Milligan, 23, admitted assaulting her days earlier but got just 180 hours’ unpaid work.
The Scottish Sun previously reported how Milligan fled when asked to say sorry to Emily's family earlier this year.
The thug legged it when quizzed about his ex’s death.
In September, we told how Milligan had mocked a school anti-bullying video.
The violent brute was caught using the phrase ‘Iz dat u Kim?’ as his bio status on WhatsApp — from an educational film shown in classrooms where a victim replies to an online troll.
Emily's mum blasted the thug for adopting the phrase three years after he allegedly drove her daughter, 18, to her death.
YOU'RE NOT ALONE
EVERY 90 minutes in the UK a life is lost to suicide.
It doesn't discriminate, touching the lives of people in every corner of society - from the homeless and unemployed to builders and doctors, reality stars and footballers.
It's the biggest killer of people under the age of 35, more deadly than cancer and car crashes.
And men are three times more likely to take their own life than women.
Yet it's rarely spoken of, a taboo that threatens to continue its deadly rampage unless we all stop and take notice, now.
That is why The Sun launched the You're Not Alone campaign.
The aim is that by sharing practical advice, raising awareness and breaking down the barriers people face when talking about their mental health, we can all do our bit to help save lives.
Let's all vow to ask for help when we need it, and listen out for others... You're Not Alone.
If you, or anyone you know, needs help dealing with mental health problems, the following organisations provide support:
- CALM, www.thecalmzone.net, 0800 585 858
- Heads Together, www.headstogether.org.uk
- Mind, www.mind.org.uk, 0300 123 3393
- Papyrus, www.papyrus-uk.org, 0800 068 41 41
- Samaritans, www.samaritans.org, 116 123


Q1. You open a nested sequence in order to trim the length of a clip. You make the total duration of the clips longer. What happens to the duration of the nest in the main sequence?
[x] Nothing, the nest duration remains the same in the original sequence.
[ ] The duration of the nest changes and an overwrite edit pushes the remaining clips to make room.
[ ] The clips change speed to match the duration of the nest.
[ ] The duration of the nest changes and a ripple edit pushes the remaining clips to make room.
Q2. What is a good reason to use a nested sequence?
[ ] Nesting improves playback performance.
[ ] Nesting makes it easier to reduce clutter in the Project panel, saving time and potentially project budget.
[x] Nesting allows a single effect to be applied to everything that is inside the nest, like a color correction or a video limiter.
[ ] Nesting helps Adobe Premiere Pro render faster.
Q3. What happens on your hard drive when you create a subclip?
[x] Nothing, since a subclip does not create a new media file on your hard drive.
[ ] A pointer file is created on your hard drive.
[ ] A new master clip is created on your hard drive and added to the project.
[ ] A new media file is created next to the original media.
Q4. Which statement is false regarding exporting media from Adobe Premiere Pro?
[ ] Adobe Premiere can directly export files.
[ ] You can encode sequences into one or more formats with Adobe Media Encoder.
[ ] While using Adobe Media Encoder, you can keep working on the same sequence in Adobe Premiere Pro.
[x] When you click Export, Adobe Premiere Pro will encode the file in the background and let you continue editing.
Q5. While working in Premiere Pro, how can you quickly create a new After Effects composition with settings that match the current sequence?
[ ] Select File > Adobe Dynamic Link > Import After Effects Composition.
[ ] Import a project from After Effects and choose Match project size when importing.
[x] Select File > Adobe Dynamic Link > New After Effects Composition.
[ ] Switch to After Effects and manually set up the project for accuracy.
Q6. Which is NOT a tag available in the Essential Sound panel?
[x] Narration
[ ] SFX
[ ] Ambience
[ ] Music
Q7. HSL secondary color correction allows you to adjust which of the following? (Select three items.)
Q8. What is the only panel in which the Rate Stretch tool can modify a clip?
[ ] Program Monitor panel
[ ] Source Monitor panel
[x] Timeline panel
[ ] Media Browser panel
Q9. What can you do to make the shape layer automatically adjust size as the text layer changes?
[x] Select the Mask with Shape option.
[ ] Select Responsive Design and Pin To the text layer.
[ ] Select Responsive Design and Pin To the Video Frame.
[ ] Use the Align and Transform controls.
Q10. In which panel do you assemble media in order to create sequence?
[ ] Timeline panel
[ ] Media Browser panel
[ ] Capture panel
[x] Source Monitor panel
Q11. Which panel allows you to modify video effects after they have been applied to a clip?
[x] Effects panel
[ ] Timeline panel
[ ] Source Monitor panel
[ ] Effect Controls panel
Q12. Suppose your clips link to media files stored in multiple locations. You want to have the media files in a single location in their current format. Which option should you choose in the Project Manager?
[ ] Exclude Unused Clips
[ ] Consolidate and Transcode
[x] Collect Files and Copy to New Location
[ ] Create New Trimmed Project
Q13. What is the default video transition in Adobe Premiere Pro?
[ ] film dissolve
[ ] additive dissolve
[x] cross dissolve
[ ] impact dissolve
Q14. Which term describes the algorithm that is used to encode and decode a video file?
[ ] container
[ ] format
[ ] compressor
[x] codec
Q15. You want to save a short portion of a longer clip for easy access. How can you do this?
[ ] in the Media Browser, mark in and out points on a clip, and then import.
[ ] Mark in and out points on the clip in the Program Monitor and select choose Clip > Make Subclip.
[ ] Mark in and out points on a clip in the Timeline panel and then drag it back into a bin.
[x] Mark in and out points on the clip in the Source Monitor and select Clip > Make Subclip.
Q16. What adjustment can help return edge detail to video footage?
[ ] Intensity
[ ] Contrast
[x] Sharpen
[ ] Clarity
Q17. Where can you adjust the duration of a transition?
[ ] Effects panel
[ ] Project panel
[x] Effect Controls panel
[ ] Program Monitor panel
Q18. You are working with a new project and have been editing for two hours. What is the number of backup projects you would expect to find?
[ ] 2
[ ] 12
[x] 20
[ ] 24
Q19. Which panel would you use to browse and import assets for maximum compatibility with Premiere Pro?
[x] Library
[ ] Effects
[ ] Project
[ ] Media Browser
Q20. A transition is set to center aligned. What would be the result of dragging with the tool selected, to the right?
[x] The transition would slide to the right.
[ ] You would extend only the right side of the transition.
[ ] You would perform a ripple edit and extend the duration of the first clip.
[ ] The transition would grow on both sides.
Q21. Which application does NOT support Dynamic Link?
[ ] Adobe Photoshop
[ ] Adobe Premiere Pro
[x] Adobe Audition
[ ] Adobe After Effects
Q22. Which preference pane includes the Video Transition Default Duration and Audio Transition Default Duration?
[ ] Media
[ ] Playback
[ ] General
[x] Timeline
Q23. If an effect has a star next to its icon, what type of effect is it?
[ ] audio
[ ] template
[ ] transition
[x] preset
Q24. How was this clip manipulated using a Curves adjustment?
[x] Hue vs. Luma
[ ] Saturation vs. Saturation
[ ] Hue vs. Saturation
[ ] Luma vs. Saturation
Q25. Where is transparency data stored when compositing media?
[ ] Essential Graphics panel
[x] Effects panel
[ ] alpha channel
[ ] assembly edit
Q26. When part of your footage is transparent, where is the transparency information stored in the file?
[ ] source monitor
[x] alpha channel
[ ] opacity effect
[ ] alpha effect
Q27. Which option allows you to reuse previously created render files for an export?
[x] Use Previews
[ ] Use Frame Blending
[ ] Use Maximum Render Quality
[ ] Match Sequence Settings
Q28. In the scenario shown below, you want to extend the end of the red clip in the Timeline and not change the duration of the adjacent clip. Which is the most appropriate trim choice to accomplish this?
[ ] Trim In
[x] Trim Out
[ ] Ripple Trim In
[ ] Ripple Trim Out
Q29. Which formats does Adobe Media Encoder support? (Select three items.)
Q31. If you have placed a GPU-accelerated effect on a clip in the Timeline and have not rendered it, what color appears at the top of your Timeline?
[x] red
[ ] blue
[ ] yellow
[ ] green
Q32. Which statement is true about the Appearance preferences?
[ ] The default brightness is the halfway position between darker and lighter.
[ ] You can set the top bar of windows to a custom accent color.
[ ] You can adjust the intensity of the Focus Indicator to help easily identify which window is active.
[x] You can change the highlight color.
Q33. What can you tell about this transition?
[ ] Premiere will insert white to fill the needed handles.
[ ] Premiere will insert black to fill the needed handles.
[ ] There is not enough media (handles) to cover the duration of the transition.
[ ] The transition is automatically shortened to use only the available media and the area under the diagonal lines will have no transitions applied.
Q34. Your project has several sequences that are no longer needed. How would you use the Project Manager to produce a new version of the project that excludes the unwanted sequences?
[ ] Deselect the unwanted sequences in the Sequence area.
[ ] Select Create New Trimmed Project.
[ ] Select Consolidate and Transcode.
[x] Choose Collect Files and Copy to New Location.
Q35. You want to take a partial clip that's used in your Timeline and send it to After Effects for additional processing using Dynamic Link. Which method best accomplishes this?
[ ] Select the clip in the Timeline and choose File > Adobe Dynamic Link > Import After Effects Composition.
[ ] Select the clip in the Timeline and choose File > Adobe Dynamic Link > Replace with After Effects Composition.
[ ] Select the clip in the Timeline and choose File > Adobe Dynamic Link > New After Effects Composition.
[ ] Select the clip in the Timeline and choose Edit > Copy. Switch to After Effects and choose Edit > Paste.
Q36. You want to pull down the saturation in just the clouds shown below. Which Curves adjustment makes this easiest?
[ ] Hue vs. Saturation
[ ] RGB Curves
[ ] Luma vs. Saturation
[ ] Hue vs. Luma
Q37. Which is a new graphic layer type? (Select three items.)
Q38. Which option can create a color field that automatically adjusts size as you add or subtract from a text layer?
[ ] Choose Fill from the Appearance controls.
[ ] Choose Stroke from the Appearance controls.
[ ] Choose Background from the Appearance controls.
[ ] Choose Shadow from the Appearance controls.
Q39. If you want to lighten just the darkest areas of an image, which slider should you adjust in the Lumetri effect?
[ ] Shadows
[ ] Contrast
[ ] Midtones
[ ] Blacks
Q40. Looking at the histogram below, which single adjustment slider could create this change?
[ ] Blacks
[ ] Contrast
[ ] Whites
[ ] Exposure
Q41. Under which drop-down menu can you remove effects?
[ ] Sequence
[ ] File
[ ] Edit
[ ] Clip
Q42. Which adjustment can you use to quickly convert log footage using recommended settings by a camera manufacturer?
[ ] Creative Look
[ ] Faded Film
[ ] Input LUT
[ ] Intensity
Q43. Which Audio Mixer automation mode allows an automation to return to the previous state after any adjustments are made?
[ ] Touch
[ ] Latch
[ ] Write
[ ] Read
Q44. You want Premiere Pro to create a second instance of your media files and add an additional version at a draft resolution. Which option works best in the ingest settings?
[ ] Transcode
[ ] Copy and Create Proxies
[ ] Create Proxies
[ ] Copy
Q45. If you've imported several time-lapse sequences into your project as image sequences, which option in the Project Manager is most useful for archiving the project?
[ ] Convert Image Sequences to Clips
[ ] Convert After Effects Compositions to Clips
[ ] Include Preview Files
[ ] Consolidate and Transcode
Q46. Which option is enabled to affect the view of the audio waveforms as shown below?
[ ] Show Audio Time Units
[ ] Rectified Audio Waveform
[ ] Large Audio Waveforms
[ ] Logarithmic Keyframe Scaling
Q47. You want to float the History panel independently to position it on another monitor as a floating window. Which option in the panel's submenu should you select?


A basketball stats app written in flutter. Lets you do stats and show trends over games as well as trends and graphs over a game. Support undo/redo as part of the event stack, assists and locations on the court for shots.


I chose to put each column of three label/button pairs into
a panel, then place those panels in the content pane using
BoxLayout
with horizontal alignment.
You could also have used panels to group label/button pairs
into rows, then put those three panels into the content pane using
vertical alignment.
The picture shows how the visual display corresponds to the
nested panels.
The picture shows how the visual display corresponds to the
nested panels.
The default FlowLayout
is used within the smallest
panels (illustrated in red).
This means that the label and text field are associated with each
other, but that the best use is made of space.
If the user elongates the frame, the labels will be placed
left of the text fields.
If the frame is not very wide, the labels will be placed above the text fields
(as shown here).
Another solution would be to use panels to group label/button pairs into rows, and then put those three panels into the content pane using vertical alignment.
public class LayoutEg2 extends JFrame { JLabel lData1 = new JLabel("Data Item 1"); JTextField txData1 = new JTextField( 7 ); JPanel panel1 = new JPanel(); . . . JLabel lData6 = new JLabel("Data Item 6"); JTextField txData6 = new JTextField( 7 ); JPanel panel6 = new JPanel(); JPanel panelLeft = new JPanel(); JPanel panelRight = new JPanel(); public LayoutEg2() { panel1.add( lData1 ); panel1.add( txData1 ); . . . panel6.add( lData6 ); panel6.add( txData6 ); panelLeft.setLayout( new BoxLayout( panelLeft, BoxLayout.Y_AXIS ) ); panelLeft.add ( panel1); panelLeft.add( panel2); panelLeft.add ( panel3); panelRight.setLayout( new BoxLayout( panelRight, BoxLayout.Y_AXIS ) ); panelRight.add( panel4); panelRight.add( panel5); panelRight.add( panel6); getContentPane().setLayout( new BoxLayout( getContentPane(), BoxLayout.X_AXIS ) ); getContentPane().add( panelLeft ); getContentPane().add( panelRight ); }


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| [ < ] | [ > ] | [ << ] | [ Up ] | [ >> ] | [Top] | [Contents] | [Index] | [ ? ] |
You can use this manual at your leisure to read all about GDB. However, a handful of commands are enough to get started using the debugger. This chapter illustrates those commands.
One of the preliminary versions of GNU m4
(a generic macro
processor) exhibits the following bug: sometimes, when we change its
quote strings from the default, the commands used to capture one macro
definition within another stop working. In the following short m4
session, we define a macro foo
which expands to 0000
; we
then use the m4
built-in defn
to define bar
as the
same thing. However, when we change the open quote string to
<QUOTE>
and the close quote string to <UNQUOTE>
, the same
procedure fails to define a new synonym baz
:
$ cd gnu/m4 $ ./m4 define(foo,0000) foo 0000 define(bar,defn(`foo')) bar 0000 changequote(<QUOTE>,<UNQUOTE>) define(baz,defn(<QUOTE>foo<UNQUOTE>)) baz Ctrl-d m4: End of input: 0: fatal error: EOF in string |
Let us use GDB to try to see what is going on.
$ gdb m4 GDB is free software and you are welcome to distribute copies of it under certain conditions; type "show copying" to see the conditions. There is absolutely no warranty for GDB; type "show warranty" for details. GDB 6.8, Copyright 1999 Free Software Foundation, Inc... (gdb) |
GDB reads only enough symbol data to know where to find the rest when needed; as a result, the first prompt comes up very quickly. We now tell GDB to use a narrower display width than usual, so that examples fit in this manual.
(gdb) set width 70 |
We need to see how the m4
built-in changequote
works.
Having looked at the source, we know the relevant subroutine is
m4_changequote
, so we set a breakpoint there with the GDB
break
command.
(gdb) break m4_changequote Breakpoint 1 at 0x62f4: file builtin.c, line 879. |
Using the run
command, we start m4
running under GDB
control; as long as control does not reach the m4_changequote
subroutine, the program runs as usual:
(gdb) run Starting program: /work/Editorial/gdb/gnu/m4/m4 define(foo,0000) foo 0000 |
To trigger the breakpoint, we call changequote
. GDB
suspends execution of m4
, displaying information about the
context where it stops.
changequote(<QUOTE>,<UNQUOTE>) Breakpoint 1, m4_changequote (argc=3, argv=0x33c70) at builtin.c:879 879 if (bad_argc(TOKEN_DATA_TEXT(argv[0]),argc,1,3)) |
Now we use the command n
(next
) to advance execution to
the next line of the current function.
(gdb) n 882 set_quotes((argc >= 2) ? TOKEN_DATA_TEXT(argv[1])\ : nil, |
set_quotes
looks like a promising subroutine. We can go into it
by using the command s
(step
) instead of next
.
step
goes to the next line to be executed in any
subroutine, so it steps into set_quotes
.
(gdb) s set_quotes (lq=0x34c78 "<QUOTE>", rq=0x34c88 " |
The display that shows the subroutine where m4
is now
suspended (and its arguments) is called a stack frame display. It
shows a summary of the stack. We can use the backtrace
command (which can also be spelled bt
), to see where we are
in the stack as a whole: the backtrace
command displays a
stack frame for each active subroutine.
(gdb) bt #0 set_quotes (lq=0x34c78 "<QUOTE>", rq=0x34c88 " |
We step through a few more lines to see what happens. The first two
times, we can use `s'; the next two times we use n
to avoid
falling into the xstrdup
subroutine.
(gdb) s 0x3b5c 532 if (rquote != def_rquote) (gdb) s 0x3b80 535 lquote = (lq == nil || *lq == '\0') ? \ def_lquote : xstrdup(lq); (gdb) n 536 rquote = (rq == nil || *rq == '\0') ? def_rquote\ : xstrdup(rq); (gdb) n 538 len_lquote = strlen(rquote); |
The last line displayed looks a little odd; we can examine the variables
lquote
and rquote
to see if they are in fact the new left
and right quotes we specified. We use the command p
(print
) to see their values.
(gdb) p lquote $1 = 0x35d40 "<QUOTE>" (gdb) p rquote $2 = 0x35d50 "<UNQUOTE>" |
lquote
and rquote
are indeed the new left and right quotes.
To look at some context, we can display ten lines of source
surrounding the current line with the l
(list
) command.
(gdb) l 533 xfree(rquote); 534 535 lquote = (lq == nil || *lq == '\0') ? def_lquote\ : xstrdup (lq); 536 rquote = (rq == nil || *rq == '\0') ? def_rquote\ : xstrdup (rq); 537 538 len_lquote = strlen(rquote); 539 len_rquote = strlen(lquote); 540 } 541 542 void |
Let us step past the two lines that set len_lquote
and
len_rquote
, and then examine the values of those variables.
(gdb) n 539 len_rquote = strlen(lquote); (gdb) n 540 } (gdb) p len_lquote $3 = 9 (gdb) p len_rquote $4 = 7 |
That certainly looks wrong, assuming len_lquote
and
len_rquote
are meant to be the lengths of lquote
and
rquote
respectively. We can set them to better values using
the p
command, since it can print the value of
any expression--and that expression can include subroutine calls and
assignments.
(gdb) p len_lquote=strlen(lquote) $5 = 7 (gdb) p len_rquote=strlen(rquote) $6 = 9 |
Is that enough to fix the problem of using the new quotes with the
m4
built-in defn
? We can allow m4
to continue
executing with the c
(continue
) command, and then try the
example that caused trouble initially:
(gdb) c Continuing. define(baz,defn(<QUOTE>foo<UNQUOTE>)) baz 0000 |
Success! The new quotes now work just as well as the default ones. The
problem seems to have been just the two typos defining the wrong
lengths. We allow m4
exit by giving it an EOF as input:
Ctrl-d Program exited normally. |
The message `Program exited normally.' is from GDB; it
indicates m4
has finished executing. We can end our GDB
session with the GDB quit
command.
(gdb) quit |
| [ << ] | [ >> ] | [Top] | [Contents] | [Index] | [ ? ] |
Please send FSF & GNU inquiries & questions to<EMAIL_ADDRESS>There are also other ways to contact the FSF.
These pages are maintained by the GDB developers.
Copyright Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111, USA.
Verbatim copying and distribution of this entire article is permitted in any medium, provided this notice is preserved.
This document was generated by GDB Administrator on March, 27 2008 using texi2html


libmergepdf
Documentation
Phpcs rules used
Pdepend summary
Full phpcs report
Full phpcpd report
Full phpmd report
Full phpunit report


{% extends "main/baseloggedin.html" %} {% load crispy_forms_tags %} {% load static %} {% block content %}
TensorFlow is a library for training neural networks. The specific architecture in this agent type is an auto-encoder, which reduces the data to a low dimensional vector and then aims to reconstruct it. By training the encoder on one specific type of syntax, the network will remember to reconstruct the format well. When presented with a different format, the reconstruction error will typically be much higher. This allows for detection of format violations without ever specifically defining the format. Consider the following when choosing a target column:
Example fields that the Anomaly Detection may be appropriate for:


protected fun isTimedOut(): Boolean
Returns whether or not the timeSinceInitialized method returns a number which is greater than or equal to the timeout for the command. If there is no timeout, this will always return false.
Return
whether the time has expired


#assign finder="active">
io.ebean.Finder
is a base class that we can extend to create "finders"
for each entity bean. The purpose of "finders" is to group all the queries for the
given bean type together in one place rather than have the queries spread out across
the cost base.
We don't have to use Finders and when we don't we typically either put queries in the
service layer code or use repositories
.
Once we have a finder as a field on an entity bean we can then use it via.
```java Customer rob = Customer.find.byName("Rob"); List<|Customer> customers = Customer.find.findNew(); ```For testing purposes we can use mocki-ebean to replace the finder implementation with a test double. Note that with docker based testing this is rarely used now and instead component testing against real databases (docker based) is used instead.
We can use the ebeaninit command line tool to generate finders for us (both for Java and Kotlin).
<@next_edit "ebean.mf" "manifest" "/docs/introduction/finder.html"/>


Although not usually necessary, sometimes you may need to sync your Ravencoin wallet to the blockchain. Syncing to the blockchain ensures that you see the most up to date information regarding the transactions in your wallet. Follow these steps to sync your wallet: On the main screen, tap Menu. Under Preferences choose Ravencoin Settings. Select Sync Blockchain. Tap on Start Sync. In the pop-up window, tap Sync to begin NOTE: You will not be able to make a transaction until the sync completes. If the sync button is greyed out, that means a sync is already in progress. To make sure that the sync completes, use a stable internet connection and keep the app open with screen on until the status bar disappears. Syncing can take 30 minutes or more to complete. If you are an advanced user and would like to connect to a specific node for syncing, please visit this page for instructions.


Content-type: text/html; charset=UTF-8
primus-taint - a taint analysis control interface
The Primus Taint Analysis Framework Control Module
This plugin enables fine tuning of the Taint Analysis Framework, exposes the framework interface to Primus Lisp programs, and provides several useful components.
In the Taint Analysis Framework the taint propagation could be assigned individually based on a taint kind. If no policy was assigned, then the default is used (selectable using this module). It is possible to implement custom policy. This module provides two policies: propagate-by-computation (default) and propagate-exactly. The propagate-by-computation policy propagates a taint to the result of any computation. The propagate-exactly policy is more strict and propagate taint if is an operation is store, load, cast, or concat.
It is possible to track the liveness of a taint, i.e., whether it is reachable from any live value. By default we use a conservative garbage collector that sometimes gives a taint more credit than it deserves, in other words a taint may be treated as live even if it is no longer reachable. When a taint is destroyed, either because it is not longer reachable or because a machine is finished, a taint finalizer, that is reflected to the taint-finalize, Lisp signal is called, with the taint itself, and a boolean parameter that tells whether the taint was still live or dead, when the finalization was called.
home: www:bap.ece.cmu.edu
tags: dataflow, pass, taint, primus, primus-lisp


| Package | Description |
|---|---|
| org.tensorflow.distruntime | |
| org.tensorflow.framework | |
| tensorflow.eager |
| Class and Description |
|---|
| CleanupAllRequest
Protobuf type
tensorflow.CleanupAllRequest |
| CleanupAllRequest.Builder
Protobuf type
tensorflow.CleanupAllRequest |
| CleanupAllRequestOrBuilder |
| CleanupAllResponse
Protobuf type
tensorflow.CleanupAllResponse |
| CleanupAllResponse.Builder
Protobuf type
tensorflow.CleanupAllResponse |
| CleanupAllResponseOrBuilder |
| CleanupGraphRequest
Protobuf type
tensorflow.CleanupGraphRequest |
| CleanupGraphRequest.Builder
Protobuf type
tensorflow.CleanupGraphRequest |
| CleanupGraphRequestOrBuilder |
| CleanupGraphResponse
Protobuf type
tensorflow.CleanupGraphResponse |
| CleanupGraphResponse.Builder
Protobuf type
tensorflow.CleanupGraphResponse |
| CleanupGraphResponseOrBuilder |
| CloseSessionRequest
Protobuf type
tensorflow.CloseSessionRequest |
| CloseSessionRequest.Builder
Protobuf type
tensorflow.CloseSessionRequest |
| CloseSessionRequestOrBuilder |
| CloseSessionResponse
Protobuf type
tensorflow.CloseSessionResponse |
| CloseSessionResponse.Builder
Protobuf type
tensorflow.CloseSessionResponse |
| CloseSessionResponseOrBuilder |
| ClusterDef
Defines a TensorFlow cluster as a set of jobs.
|
| ClusterDef.Builder
Defines a TensorFlow cluster as a set of jobs.
|
| ClusterDefOrBuilder |
| CompleteGroupRequest
Supplies one or more device names as members of the group identified by
group_key.
|
| CompleteGroupRequest.Builder
Supplies one or more device names as members of the group identified by
group_key.
|
| CompleteGroupRequestOrBuilder |
| CompleteGroupResponse
Gives the complete membership of the group identified by group_key.
|
| CompleteGroupResponse.Builder
Gives the complete membership of the group identified by group_key.
|
| CompleteGroupResponseOrBuilder |
| CompleteInstanceRequest
Supplies data about one collective op belonging to the instance identified
by instance_key.
|
| CompleteInstanceRequest.Builder
Supplies data about one collective op belonging to the instance identified
by instance_key.
|
| CompleteInstanceRequestOrBuilder |
| CompleteInstanceResponse
Confirms that every op in the instance has consistently declared itself.
|
| CompleteInstanceResponse.Builder
Confirms that every op in the instance has consistently declared itself.
|
| CompleteInstanceResponseOrBuilder |
| CreateSessionRequest
Protobuf type
tensorflow.CreateSessionRequest |
| CreateSessionRequest.Builder
Protobuf type
tensorflow.CreateSessionRequest |
| CreateSessionRequestOrBuilder |
| CreateSessionResponse
Protobuf type
tensorflow.CreateSessionResponse |
| CreateSessionResponse.Builder
Protobuf type
tensorflow.CreateSessionResponse |
| CreateSessionResponseOrBuilder |
| CreateWorkerSessionRequest
Protobuf type
tensorflow.CreateWorkerSessionRequest |
| CreateWorkerSessionRequest.Builder
Protobuf type
tensorflow.CreateWorkerSessionRequest |
| CreateWorkerSessionRequestOrBuilder |
| CreateWorkerSessionResponse
Protobuf type
tensorflow.CreateWorkerSessionResponse |
| CreateWorkerSessionResponse.Builder
Protobuf type
tensorflow.CreateWorkerSessionResponse |
| CreateWorkerSessionResponseOrBuilder |
| DeleteWorkerSessionRequest
Protobuf type
tensorflow.DeleteWorkerSessionRequest |
| DeleteWorkerSessionRequest.Builder
Protobuf type
tensorflow.DeleteWorkerSessionRequest |
| DeleteWorkerSessionRequestOrBuilder |
| DeleteWorkerSessionResponse
Protobuf type
tensorflow.DeleteWorkerSessionResponse |
| DeleteWorkerSessionResponse.Builder
Protobuf type
tensorflow.DeleteWorkerSessionResponse |
| DeleteWorkerSessionResponseOrBuilder |
| DeregisterGraphRequest
Protobuf type
tensorflow.DeregisterGraphRequest |
| DeregisterGraphRequest.Builder
Protobuf type
tensorflow.DeregisterGraphRequest |
| DeregisterGraphRequestOrBuilder |
| DeregisterGraphResponse
TODO(mrry): Optionally add summary stats for the graph.
|
| DeregisterGraphResponse.Builder
TODO(mrry): Optionally add summary stats for the graph.
|
| DeregisterGraphResponseOrBuilder |
| ExecutorOpts
Options specific to the execution of a single step.
|
| ExecutorOpts.Builder
Options specific to the execution of a single step.
|
| ExecutorOptsOrBuilder |
| ExtendSessionRequest
Protobuf type
tensorflow.ExtendSessionRequest |
| ExtendSessionRequest.Builder
Protobuf type
tensorflow.ExtendSessionRequest |
| ExtendSessionRequestOrBuilder |
| ExtendSessionResponse
TODO(mrry): Return something about the operation?
|
| ExtendSessionResponse.Builder
TODO(mrry): Return something about the operation?
|
| ExtendSessionResponseOrBuilder |
| GetStatusRequest
Protobuf type
tensorflow.GetStatusRequest |
| GetStatusRequest.Builder
Protobuf type
tensorflow.GetStatusRequest |
| GetStatusRequestOrBuilder |
| GetStatusResponse
Protobuf type
tensorflow.GetStatusResponse |
| GetStatusResponse.Builder
Protobuf type
tensorflow.GetStatusResponse |
| GetStatusResponseOrBuilder |
| GetStepSequenceRequest
Request for next agreed-upon step_id for the specified graph_keys.
|
| GetStepSequenceRequest.Builder
Request for next agreed-upon step_id for the specified graph_keys.
|
| GetStepSequenceRequestOrBuilder |
| GetStepSequenceResponse
Next valid step_ids for one or more graph_keys.
|
| GetStepSequenceResponse.Builder
Next valid step_ids for one or more graph_keys.
|
| GetStepSequenceResponseOrBuilder |
| JobDef
Defines a single job in a TensorFlow cluster.
|
| JobDef.Builder
Defines a single job in a TensorFlow cluster.
|
| JobDefOrBuilder |
| LabeledStepStats
Protobuf type
tensorflow.LabeledStepStats |
| LabeledStepStats.Builder
Protobuf type
tensorflow.LabeledStepStats |
| LabeledStepStatsOrBuilder |
| ListDevicesRequest
Protobuf type
tensorflow.ListDevicesRequest |
| ListDevicesRequest.Builder
Protobuf type
tensorflow.ListDevicesRequest |
| ListDevicesRequestOrBuilder |
| ListDevicesResponse
Protobuf type
tensorflow.ListDevicesResponse |
| ListDevicesResponse.Builder
Protobuf type
tensorflow.ListDevicesResponse |
| ListDevicesResponseOrBuilder |
| LoggingRequest
Out-of-band request to begin or end logging, or
to retrieve logs for particular steps.
|
| LoggingRequest.Builder
Out-of-band request to begin or end logging, or
to retrieve logs for particular steps.
|
| LoggingRequestOrBuilder |
| LoggingResponse
Protobuf type
tensorflow.LoggingResponse |
| LoggingResponse.Builder
Protobuf type
tensorflow.LoggingResponse |
| LoggingResponseOrBuilder |
| MakeCallableRequest
Protobuf type
tensorflow.MakeCallableRequest |
| MakeCallableRequest.Builder
Protobuf type
tensorflow.MakeCallableRequest |
| MakeCallableRequestOrBuilder |
| MakeCallableResponse
Protobuf type
tensorflow.MakeCallableResponse |
| MakeCallableResponse.Builder
Protobuf type
tensorflow.MakeCallableResponse |
| MakeCallableResponseOrBuilder |
| PartialRunSetupRequest
Protobuf type
tensorflow.PartialRunSetupRequest |
| PartialRunSetupRequest.Builder
Protobuf type
tensorflow.PartialRunSetupRequest |
| PartialRunSetupRequestOrBuilder |
| PartialRunSetupResponse
Protobuf type
tensorflow.PartialRunSetupResponse |
| PartialRunSetupResponse.Builder
Protobuf type
tensorflow.PartialRunSetupResponse |
| PartialRunSetupResponseOrBuilder |
| RecvBufRequest
Use of the fields below may vary by implementation.
|
| RecvBufRequest.Builder
Use of the fields below may vary by implementation.
|
| RecvBufRequestOrBuilder |
| RecvBufResponse
Use of the fields below may vary by implementation.
|
| RecvBufResponse.Builder
Use of the fields below may vary by implementation.
|
| RecvBufResponseOrBuilder |
| RecvTensorRequest
Protobuf type
tensorflow.RecvTensorRequest |
| RecvTensorRequest.Builder
Protobuf type
tensorflow.RecvTensorRequest |
| RecvTensorRequestOrBuilder |
| RecvTensorResponse
Protobuf type
tensorflow.RecvTensorResponse |
| RecvTensorResponse.Builder
Protobuf type
tensorflow.RecvTensorResponse |
| RecvTensorResponseOrBuilder |
| RegisterGraphRequest
Protobuf type
tensorflow.RegisterGraphRequest |
| RegisterGraphRequest.Builder
Protobuf type
tensorflow.RegisterGraphRequest |
| RegisterGraphRequestOrBuilder |
| RegisterGraphResponse
Protobuf type
tensorflow.RegisterGraphResponse |
| RegisterGraphResponse.Builder
Protobuf type
tensorflow.RegisterGraphResponse |
| RegisterGraphResponseOrBuilder |
| ReleaseCallableRequest
Protobuf type
tensorflow.ReleaseCallableRequest |
| ReleaseCallableRequest.Builder
Protobuf type
tensorflow.ReleaseCallableRequest |
| ReleaseCallableRequestOrBuilder |
| ReleaseCallableResponse
Protobuf type
tensorflow.ReleaseCallableResponse |
| ReleaseCallableResponse.Builder
Protobuf type
tensorflow.ReleaseCallableResponse |
| ReleaseCallableResponseOrBuilder |
| ResetRequest
Reset() allows misbehaving or slow sessions to be aborted and closed, and
causes their resources eventually to be released.
|
| ResetRequest.Builder
Reset() allows misbehaving or slow sessions to be aborted and closed, and
causes their resources eventually to be released.
|
| ResetRequestOrBuilder |
| ResetResponse
Protobuf type
tensorflow.ResetResponse |
| ResetResponse.Builder
Protobuf type
tensorflow.ResetResponse |
| ResetResponseOrBuilder |
| RunCallableRequest
Protobuf type
tensorflow.RunCallableRequest |
| RunCallableRequest.Builder
Protobuf type
tensorflow.RunCallableRequest |
| RunCallableRequestOrBuilder |
| RunCallableResponse
Protobuf type
tensorflow.RunCallableResponse |
| RunCallableResponse.Builder
Protobuf type
tensorflow.RunCallableResponse |
| RunCallableResponseOrBuilder |
| RunGraphRequest
Protobuf type
tensorflow.RunGraphRequest |
| RunGraphRequest.Builder
Protobuf type
tensorflow.RunGraphRequest |
| RunGraphRequestOrBuilder |
| RunGraphResponse
Protobuf type
tensorflow.RunGraphResponse |
| RunGraphResponse.Builder
Protobuf type
tensorflow.RunGraphResponse |
| RunGraphResponseOrBuilder |
| RunStepRequest
Protobuf type
tensorflow.RunStepRequest |
| RunStepRequest.Builder
Protobuf type
tensorflow.RunStepRequest |
| RunStepRequestOrBuilder |
| RunStepResponse
Protobuf type
tensorflow.RunStepResponse |
| RunStepResponse.Builder
Protobuf type
tensorflow.RunStepResponse |
| RunStepResponseOrBuilder |
| ServerDef
Defines the configuration of a single TensorFlow server.
|
| ServerDef.Builder
Defines the configuration of a single TensorFlow server.
|
| ServerDefOrBuilder |
| StepSequence
Protobuf type
tensorflow.StepSequence |
| StepSequence.Builder
Protobuf type
tensorflow.StepSequence |
| StepSequenceOrBuilder |
| TraceOpts
Protobuf type
tensorflow.TraceOpts |
| TraceOpts.Builder
Protobuf type
tensorflow.TraceOpts |
| TraceOptsOrBuilder |
| TracingRequest
Out-of-band request to configure distributed tracing.
|
| TracingRequest.Builder
Out-of-band request to configure distributed tracing.
|
| TracingRequestOrBuilder |
| TracingResponse
Protobuf type
tensorflow.TracingResponse |
| TracingResponse.Builder
Protobuf type
tensorflow.TracingResponse |
| TracingResponseOrBuilder |
| Class and Description |
|---|
| ClusterDef
Defines a TensorFlow cluster as a set of jobs.
|
| ClusterDef.Builder
Defines a TensorFlow cluster as a set of jobs.
|
| ClusterDefOrBuilder |
| Class and Description |
|---|
| ServerDef
Defines the configuration of a single TensorFlow server.
|
| ServerDef.Builder
Defines the configuration of a single TensorFlow server.
|
| ServerDefOrBuilder |
Copyright © 2020. All rights reserved.


Usage samples of different collections
11/13/2014
Array and Hash maps are collection classes in Ruby that allow to store lists of objects. Array is an ordered list of objects, while a Hash is an unordered list of key value pairs. The key difference is a look up time of an element and memory consumption. Array elements can be accessed by using an index which allows for afst random access of an element. However, if there is a need to look for a particular element by an object attribute then Hash class is a much better collection type since it keeps key/value pairs. Iteration over an array is faster. Arrays also require less memory to store the data. These are a few way to create a new Array or Hash in ruby:
#create a new empty array
array = []
#create a new array containing these numbers 1,2,3
array = [1,2,3]
#create a new Hash
hash = {}
#create a new Hash with product/price key/value pairs
hash = {:milk=>1.5, apples=>1.25, oranges=>2.3}
This is how to create an array of predefined size of 10:
array = Array.new(10)
This is how to create an array of a pre–defined size of 10 with all values set to a default value of 100:
array = Array.new(10,100)
Array elements are accessed by using square brackets - [n], at or a fetch method. Indexes are zero based meaning the first element has an index of 0.
array = [1,2,3]
value = array[0]
puts value == 1 #this will return true
value = array.at(1)
puts value == 2 #this will return true
#This will raise an exception since
# there is no element with an index of 4.
#This how fetch differs from [] or at
#method which will return nil
value = array.fetch(4)
More information about Ruby arrays can be found here: Arrays
Hash values get accessed by using a square bracket or a fetch method with the key. Unlike in the Array class, fetch method will not raise an exception but will return a nil if the key does not exist. It also supports one more argument which specifies the default value to return.
#create a new Hash with product/price key/value pairs
hash = {:milk=>1.5, apples=>1.25, oranges=>2.3}
value = hash[:milk]
puts 1.5 == value #this is true
value = hash.fetch(:milk)
puts 1.5 == value #this is true
#return the default value for a non-existant key
value = hash.fetch(:cake, "not available");
puts "not available" == value #true
More information about Ruby hashes can be found here: Hashes


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Reading writeup since ippsec video isn't up yet:
https://0xdf.gitlab.io/2018/11/24/htb-smasher.html
https://epi052.gitlab.io/notes-to-self/blog/2018-10-02-hack-the-box-smasher/#exploiting-the-tiny-binary
1111 open tcpwrapped is actually a web server
It is interesting to note that going to the root gives a dir listing, despite the fact that index.html is present in that directory. On typical webserver, by convention, the default settings would have index.html load in that case.
Check all headers. Headers for index.html are boring (standard), but for root path we see: Server: shenfeng tiny-web-server
By default, curl will fix paths with directory traversal and remove the ../. However, if I use the --path-as-is flag, I can get what I’m looking for here. From the man pages:
--path-as-is Tell curl to not handle sequences of /../ or /./ in the given URL path. Normally curl will squash or merge them according to standards but with this option set you tell it not to do that.
See python programming section for an 'overwriting status code' implementation.
Analysis of checker
IdaPro (free 7.0 version) gives a nice image as to the flow of this simple program:
The program does the following:- Check uid and compares it to 0x3e9 (1001, which is smasher on smasher). If it isn’t smasher, it prints the string we saw in the strings output, “You’re not ‘smasher’ user please level up bro!” and exits.
- Prints welcome message “[+] Welcome to file UID checker 0.1 by dzonerzy”.
- Checks that the number of arguments passed in was 1 or more. If not, prints “Missing arguments” and exits.
- malloc space for a stat buffer, and calls stat on the the first argument passed to the program. If the file doesn’t exist, it prints a message and exits.
- Calls access on the the file. If the current user doesn’t have permissions, it prints an error and exits.
- Calls setuid(0) and setgid(0) to start acting as root.
- sleep for 1 second
- Calls it’s own function ReadFile, which reads the content of the file into space on the heap and returns the address.
- Calls strcpy to copy from that buffer to a new local variable on the stack.
- Uses printf to print the file uid from the stat call and then the data from the file (as far as strcpy would copy).
Exploiting checker
The one second sleep in the program presents an opportunity. The script is designed to not let the user read files smasher shouldn’t have access to. But that 1 seconds sleep happens between the access check and the file read. That’s something I can exploit.
I’ll use a bash script:
#!/bin/sh
touch file
checker file &
sleep 0.5
rm file
ln -s $1 file
The script creates a file that the current user is able to read. Then it runs checker on the file, running in the background (&) so that the script will continue. The script then sleeps for half a second, before removing the file, and replacing it with a symbolic link referencing a file passed in as an argument.


---
layout: post
title: Caveat to omitting `self` in Model method calls
date: '2015-03-23T13:53:00.002-07:00'
author: Mark J. Lehman
tags:
- ruby
modified_time: '2015-08-21T10:06:46.711-07:00'
blogger_id: tag:blogger.com,1999:blog-4459370175540830177.post-1784267566318548176
blogger_orig_url: http://spaghettirefactory.blogspot.com/2015/03/caveat-to-omitting-self-in-model-method.html
---
I wanted to add a caveat to something I stated in a previous post about leaving self
out when calling methods from inside other methods in a model. This WILL give you problems if you are trying to assign values to a Model attribute.
For example, doing this:
def change_object_name
name = "Steve"
end
name
equal to "Steve." If your Model has an attribute called name
and you want to set it, you have to use self.name
:
def change_object_name
self.name = "Steve"
# Oh, and don't forget to save!
save
end


Troubleshooting
1) TagSLAM is not doing anything
This problem is often encountered when running TagSLAM in online mode. There are several common reasons for that.
a) ROS topic mismatch
ROS topic mismatch: are all input topics matched to output topics? The pedestrian way to check it is this: run rosnode list
to see what your node names are. For the example, you should get output that looks like this:
/detector
/play_1577107423477023017
/tagslam
Does the /tagslam node find the topics it needs? You can find out with rosnode info /tagslam
. That should give you output similar to this:
Node [/tagslam]
Publications:
* /rosout [rosgraph_msgs/Log]
* /tagslam/odom/body_rig [nav_msgs/Odometry]
* /tagslam/path/body_rig [nav_msgs/Path]
* /tf [tf2_msgs/TFMessage]
Subscriptions:
* /clock [rosgraph_msgs/Clock]
* /detector/tags [apriltag_msgs/ApriltagArrayStamped]
Looks good. Let’s say the /detector/tags topic was not published by any node, the Subscriptions
section would look like this:
Subscriptions:
* /clock [rosgraph_msgs/Clock]
* /detector/tags [unknown type]
The moment you see [unknown type]
, something is wrong. You can double check with rostopic info /detector/tags
to confirm that nobody is publishing that topic:
Type: apriltag_msgs/ApriltagArrayStamped
Publishers: None
Subscribers:
* /tagslam (http://enz:38275/)
Follow the chain of published topics all the way up to the camera node. Use rostopic hz <topic_name>
at every step to check if a topic is indeed receiving data.
The faster way to check if topics are connected is by using rqt_graph
, which will show you the graph of all connected topics:
b) ROS topic not ticking
Use the rostopic hz
command to verify that each topic along the chain is producing data
c) Data is not synced
If tags from multiple cameras are used, they must be synchronized across cameras, i.e. their message time stamps must be identical. If you use external odometry, the time stamps of the odom messages need to also be identical to the image stamps. Use rostopic echo
simulataneously on all topics that TagSLAM is subscribed to. Are the header “stamps” of all images and the odometry messages (if you are using external odom) identical? Check with rostopic echo
(by appending /header
to the topic you can avoid printing out the whole image):
rostopic echo /pg_17274483/image_raw/compressed/header
seq: 20
stamp:
secs:<PHONE_NUMBER>
nsecs: 150345650
frame_id: "pg_17274483"
---
d) No clock published
If you play back data from a bag, check that you have done rosparam set use_sim_time true
2) TagSLAM kinda works, but sometimes jumps around all over the place.
Usually this is due to poor image quality and/or motion blur due to poor lighting and long shutter times. The RealSense cameras are notorious for long shutter times because they have a small image sensor.
Check your images! How many tags are visible at any point? Use the debug images from the detector, with the inpainted tags. If you only see one tag, you will get poor localization, and if it’s far away, your position will be all over the place. In that case, put up more tags, it helps even if you don’t measure their pose.
In some cases you can get a smoother trajectory by switching on “fake odometry”. This results in temporal averaging that gives smoother trajectories, but also introduces temporal lag that is hard to quantify.
3) At some point along the path, TagSLAM bombs out / ‘flies away’ etc
Often this is due to loop closure that happens when e.g. your odometry has drifted significantly, and TagSLAM cannot close the loop because the error is too big. Sometimes you can work around the problem by increasing the permissible subgraph error. Or you can bump the noise on the odometry, such that TagSLAM has an easier time “bending” the trajectory into place upon loop closure.
4) There is a nasty kink in the trajectory
Several reasons:
- input static pose, number, or size of a tag is wrong
- that nasty kink comes from a jump in the odometry, while no tags are visible. Find out what’s going on with the odom
- TagSLAM failed on the loop closure, and consequently had to drop some factors from the graph because the subgraph error was too high. The dropped factors include the odometry factors, which results in a kink in the trajectory
5) Sometimes there are a few poses in the trajectory that are total outliers
This typically indicates that the rig pose initialization was bad. Usually this is due to poor tag visibility. You can paper over some of those issues by switching on “fake odometry”. This often helps because then TagSLAM initializes the camera rig pose from the previous (t-1) pose, instead of initializing it at every time step from scratch off of the tags. Alas, this also hides the root cause: you have locations along your path where only a few tags are visible from far. The other option is to simply remove the offending observation from your data with a squash
section.
6) The trajectory goes almost straight through the tags
Check that your tag size is correct.
7) The camera moves weirdly crooked, and consistently points the wrong way
Your image center is off. Check that you are using the right intrinsic calibration.
8) Lots of messages about dropped tags due to viewing angle.
If those tags are mostly near the image boundaries it is indicative of poor intrinsic calibration. Ensure that the calibration target covers the very extreme image corners.
9) TagSLAM bombs out in the GTSAM solver
When tags occupy a small pixel area and/or are viewed at shallow angle
the initialization can be bad, leading to unrecoverable
errors. This happens particularly when using the UMich detector, which
has become very good at detecting small tags at shallow angles.
Bump the minimum_viewing_angle
and minimum_tag_area
parameters
to drop such detections.


From July 2018 to January 2019, I went through Denver University's Coding Bootcamp which is a rigorous curriculum that covers full stack development including; VS Code, Command Line, HTML5, CSS3, Bootstrap, JavaScript, ES6, jQuery, Node.js, Handlebars, Express.js, Cheerio, Axios, React.js, MongoDB, Mongoose, MySQL, Sequelize, Git, Firebase and more
Over the last two years I have been working in the field of maintenance solving different types of problems and puzzles. Working for Spectrum Retirement as a Director of Maintenance, the focus is running a senior living community and ensuring that everything runs smoothly and the residents are happy and thriving.
Prior to that, as a Krav Maga instructor for 5 years, the job included everything from teaching one on one classes to international trainings instructing groups of 100+ people. I hold two 2nd degree black belts. The first is in Premier Martial Arts which is a Mixed Martial Arts system comprised of Krav Maga, Muay Thai, American Kickboxing, and Brazillian Jui Jitsu. The second is in Kukkiwon, a Korean governed body of Tae Kwon Do. Since 2001, training in multiple systems, I have earned rank in six different martial arts.
I am extremely hard working and care greatly about impacting the surrounding community for the better with my daily actions. My core values are honesty and integrity above all else and are the guiding principles in my work and life. I strive to produce high quality results, no matter what I am working towards. Skill sets in varying backgrounds, including; IT, Retail, Construction, Customer Service, Landscaping, Teaching and Management contributes to my ability to adapt quickly. No challenge is too small and no puzzle is unsolvable.
Feel like you've achieved more in life with this achievement gathering game that encourages you to get out and do real life events.
View code hereFirefly Remembory is a memory game. It requires that you have both fingers to push buttons and a memory for the remembory of things. Click on images without duplicating any to win.
View code hereSassy Cat in Space is a delightful little galactic domination simulator. If you've ever wondered what it would be like to hop into a ship that seems to hate you, fly to real exoplanets discovered by NASA and attempt to conquer them for political power, then this is the game for you.
View code hereThis application scrapes the Screen Rant home page for movie news and articles and saves them to a Mongo database. It then displays those articles in an easy to read layout while also giving you the ability to save as well as write notes for each article.
View code hereFind your ultimate hero match! Answer 10 simple questions to be matched with your perfect Guardians of the Galaxy hero.
View code hereThe Portal series is without a doubt one of the best video game series' of all time. I'm proud to pay tribute to it with this small, trivial game, I mean, trivia game.
View code hereBamazon marketplace is a complete shopping app. You can browse for items, add them to your cart, empty your cart and buy as many as you'd like. All back ended by a MySQL database.
View code hereThe age old game of Hangman. Your job is to guess the correct letters and eventually the word(s) before the little man runs out of body parts. Every wrong guess brings poor little Josh closer to extinction. Don't extinct Josh...please.
View code hereRPG stands for Roll Playing Game. (Or rocket propelled grenade but in this case, I think, probably not) So, if you see someone claiming to have an RPG Game then you tell them to stop being so redundant.
View code here


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• WARNINGS AND PRECAUTIONS
Outsourced Compounded Drug. Not for Resale. Hospital/Office Use Only.
• ADVERSE EVENTS
To facilitate Adverse Event Reporting: www.fda.gov/medwatch or 1-800-FDA-1088.
• HOW SUPPLIED
Contains 1 mL (1 mg) of Hydromorphone HCl 1 mg/mL in 0.9% Sodium Chloride in a 1 mL Single-Dose Syringe.
This product is Sterile, Nonpyrogenic, Preservative Free, Isotonic, and Latex Free.
• INGREDIENTS
Each 1 mL contains Hydromorphone HCl 1 mg, Sodium Chloride 9 mg. May contain Hydrochloric Acid and/or Sodium Hydroxide for pH adjustment.
• STORAGE AND HANDLING
Store at 20° to 25°C (68° to 77°F). [See USP Controlled Room Temperature]. Protect from freezing. Protect from Light.
• DOSAGE AND ADMINISTRATION.
FOR SLOW INTRAVENOUS USE. PRESERVATIVE FREE INJECTION SOLUTION.
Rx Only
Rev. 03/15
CANTRELL DRUG COMPANY
LITTLE ROCK, AR 72207


Unexpected earnings, or earnings surprise, is the difference between reported earnings and the expected earnings of a firm. Expected earnings is calculated using a combination of analyst forecasts and mathematical models based on earnings of previous periods. In this tutorial, we use standardized unexpected earnings (SUE) to measure earnings surprise. SUE's numerator is the change in quarterly earnings per share (EPS) from EPS four quarters ago. Its denominator is the standard deviation of a series of deltas each calculated by subtracting EPS at quarter q-4 from EPS at quarter q. It can be formulated as
\[ SUE_q = \frac{ EPS_q - EPS_{q-4} }{ \sigma( EPS_q - EPS_{q-4} ) } \]where \(\sigma(X)\) is the standard deviation of X, EPS a firm's quarterly earnings per share, q the current quarter, and q-4 four quarters ago. Keep in mind that although we use quarterly EPS data, the portfolio rebalances monthly. Additionally, note that SUE's stock ranking changes month to month because each company's earnings announcement release date for the quarter differs (i.e., firm A's Q3 announcement may come out in August while firm B's Q3 announcement comes out in September).
We use a coarse selection filter to narrow down the universe to 1000 stocks at the beginning of each month according to dollar volume, price and whether the stock has fundamental data in our data library.
def CoarseSelectionFunction(self, coarse): '''Get dynamic coarse universe to be further selected in fine selection ''' # Before next rebalance time, keep the current universe unchanged if self.Time < self.next_rebalance: return Universe.Unchanged ### Run the coarse selection to narrow down the universe # Filter stocks by price and whether they have fundamental data # Then, sort descendingly by daily dollar volume sorted_by_volume = sorted([ x for x in coarse if x.HasFundamentalData and x.Price > 5 ], key = lambda x: x.DollarVolume, reverse = True) self.new_fine = [ x.Symbol for x in sorted_by_volume[:self.num_coarse] ] # Return all symbols that have appeared in Coarse Selection return list( set(self.new_fine).union( set(self.eps_by_symbol.keys()) ) )
Next we use a fine universe selection filter to extract quarterly EPS data and save it in a rolling window for each stock. We don't trade during the first 36-month warm-up period because the window is not ready yet. After the warm-up period, we can calculate quarterly EPS change from four quarters ago and the standard deviation of the change over the prior eight quarters using historical EPS data saved in the rolling windows. Then we sort the universe and assign the top 5% of symbols to self.long.
def FineSelectionAndSueSorting(self, fine): '''Select symbols to trade based on sorting of SUE''' sue_by_symbol = dict() for stock in fine: ### Save (symbol, rolling window of EPS) pair in dictionary if not stock.Symbol in self.eps_by_symbol: self.eps_by_symbol[stock.Symbol] = RollingWindow[float](self.months_count) # update rolling window for each stock self.eps_by_symbol[stock.Symbol].Add(stock.EarningReports.BasicEPS.ThreeMonths) ### Calculate SUE if stock.Symbol in self.new_fine and self.eps_by_symbol[stock.Symbol].IsReady: # Calculate the EPS change from four quarters ago rw = self.eps_by_symbol[stock.Symbol] eps_change = rw[0] - rw[self.months_eps_change] # Calculate the st dev of EPS change for the prior eight quarters new_eps_list = list(rw)[:self.months_count - self.months_eps_change:3] old_eps_list = list(rw)[self.months_eps_change::3] eps_std = np.std( [ new_eps - old_eps for new_eps, old_eps in zip( new_eps_list, old_eps_list ) ] ) # Get Standardized Unexpected Earnings (SUE) sue_by_symbol[stock.Symbol] = eps_change / eps_std # Sort and return the top quantile sorted_dict = sorted(sue_by_symbol.items(), key = lambda x: x[1], reverse = True) self.long = [ x[0] for x in sorted_dict[:math.ceil( self.top_percent * len(sorted_dict) )] ] # If universe is empty, OnData will not be triggered, then update next rebalance time here if not self.long: self.next_rebalance = Expiry.EndOfMonth(self.Time) return self.long
Once the symbols are selected, we form an equal-weighted portfolio and place orders. Finally, we update the next rebalance time to the beginning of the next calendar month. The portfolio will be held until liquidated at next rebalance time.
def OnSecuritiesChanged(self, changes): '''Liquidate symbols that are removed from the dynamic universe ''' for security in changes.RemovedSecurities: if security.Invested: self.Liquidate(security.Symbol, 'Removed from universe') def OnData(self, data): '''Monthly rebalance at the beginning of each month. Form portfolio with equal weights. ''' # Before next rebalance, do nothing if self.Time < self.next_rebalance or not self.long: return # Placing orders (with equal weights) equal_weight = 1 / len(self.long) for stock in self.long: self.SetHoldings(stock, equal_weight) # Rebalance at the beginning of every month self.next_rebalance = Expiry.EndOfMonth(self.Time)


Standard Lua Libraries
Modules
| std | Lua Standard Libraries. |
| std.debug | Additions to the core debug module. |
| std.functional | Functional programming. |
| std.io | Additions to the core io module. |
| std.math | Additions to the core math module. |
| std.operator | Functional forms of Lua operators. |
| std.package | Additions to the core package module. |
| std.strict | Checks uses of undeclared global variables. |
| std.string | Additions to the core string module. |
| std.table | Extensions to the core table module. |
Classes
| std.tree | Tree container prototype. |
| std.container | Container prototype. |
| std.object | Prototype-based objects. |
| std.list | Tables as lists. |
| std.optparse | Parse and process command line options. |
| std.set | Set container prototype. |
| std.strbuf | String buffers. |


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What you getResults matter, what you get is the Software JOB, we train you till you get the job even the course got completed in 3 months and we assist you till you get the job in our premises.So far we achieved 80+ success rate in first month itself, please check our previous batch reviews in Google or Facebook that shows our dedication and commitment. |
Mean Stack Training CourseMEAN is a free and open-source JavaScript software stack for building dynamic web sites and web applications. The MEAN stack is MongoDB, Express.js, AngularJS (or Angular), and Node.js. MEAN applications can be written in one language for both server-side and client-side execution environments. We at Second Campus provide you a free demo and we explain in detail all the concepts of Mongo DB, Node JS, Angular and have a Final Project at the end of course.
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[Gecode] Another abstraction sets...
Christian Schulte
schulte at imit.kth.se
Fri Jul 16 14:51:43 CEST 2004
...how about having card() (or size() as it is called for integers). A look
to branch.cc makes it obvious.
You really have to constantly ask yourself: have I written a similar piece
of code before? maybe even three times? Then it ought to become an
abstraction.
Computer science is the science of abstraction!
Christian
--
Christian Schulte, http://www.imit.kth.se/~schulte/
More information about the gecode-users
mailing list


The Endowment Association has awarded grants every spring and fall since 1986. A list of grants titles dating past 2004 is publicly available.


Day number 2, Day number 2! He touched the cloud!
Day number 2 had a number of awesome #vBrownBag tech talks, one can find that playlist here.
We had a mini track going yesterday afternoon starting at 3:40 with Carina C. Zona kicking it off with "Good, Fast, Cheap: Pick 3". The 4:40 session right on the heels was a 90minute hands on workshop with ZeroCloud, or that sweet spot where ZeroVM meets OpenStack Swift. The recordings / slides for these are not yet available however. If you would like to try your hands at the workshop, you should be able to with the info from here.


The Outpost is a magazine of possibilities. It identifies, understands and analyzes the conflicts, morals, energies and opportunities of a changing Arab world and lays down possible futures. It aims to ignite a socio-cultural renaissance in the Arab world through inspiring its readers to explore a world of possibilities.
The magazine is published two times a year from Beirut. It is ambitious, multidisciplinary and audaciously eclectic. It has a general scope, a regional focus and a global outlook, and covers a wide range of stories that are meant to inform, inspire and shift perspectives. It is forward looking and upholds an optimistic view on a world where possibilities are infinite.
Narrative Journalists
are needed
The Outpost is not a news outlet, and we are not interested in hiring fact-relaying journalists. We are looking for writers who can spot a good story from a distance and easily put on their investigative reporter hat to uncover and understand facts and transform them into compelling narratives, creating timeless works of non-fiction in the process.
You are a Beirut-based native English speaker who is proactive, professional and ready to pitch in to get valuable magazine industry experience with an exciting new magazine.
Send your resume and two samples of work to
<EMAIL_ADDRESS>L’Origine(s)
du monde
Included with Issue 01 of The Outpost is an illustrated children’s book entitled L’Origine(s) du Monde, referencing Gustav Courbet’s 1866 painting. The narrative of the book is accessible to children, but relevant to readers of any age. The message of the book centers on the fact that we are the origin of the world and tangibly share the universe. The book aims to make the idea of a shared body and a responsibility towards our actions, perfectly encapsulating some of the themes running through Issue 01.
The book is written in English, given the scope and readership of the magazine. The Arabic version, however, will be available in 2013 and distributed to schools and public libraries across the Arab world. The book is licensed under Creative Commons to encourage its dissemination, translation and adaptation in different educational and creative media. You can download a free digital copy of the book here.
The Outpost
PO Box 113-7219 Hamra
Beirut, Lebanon
00961 304 2582
info@the-outpost.comhttp://www.facebook.com/theoutpostmehttp://www.twitter.com/theoutpostme


--Nicholas von Hoffman--
It had to happen sooner or later. But even given that probability analysis, I am nevertheless surprised to discover that it has happened sooner rather than later. I have stumbled upon a virtual reality whorehouse. A vBordello, as it were.
The time is late, probably after midnight. It doesn't matter. I am feeling Newtonian in my need for a temporal frame of reference. Call it 02:15 for the sake of argument.
I'm on inspection duty. In the vCity there are no police, there cannot be police. I am not the police.
("Men? Police-Men?")
Instead, I am the polis. I make my rounds only to observe. I give advice. If necessary, I post concerns about vCity sites to the Goodwill Division.
The GD almost always solves the problem by the relentless force of its combined persuasion. If it cannot persuade, it isolates via boycott. Social disapproval can render most vCitizens into quivering apologetic masses of protoplasm.
But sometimes even the GD is not enough. Then I must consider calling for banishment. The banned no longer exist within the walls of the vCity. And there are no walls to the vCity. The banned are exiles, outcasts. They live. They are free to do what they wish. But they are not linked to the vCity. Their names are no more.
There are very few with the corporate authority to call for a ban. I take it very seriously.
When the vCity was first zoned, we knew that zoning was meaningless. Only voluntary cooperation could separate order from chaos. That is why we set up the underside, which we called Belowtown.
Belowtown was divided into two sectors called Grunge and Mole. It was set aside for the knights and pages of anti-civilization. Strangely enough, the denizens of Belowtown turned out to be the most peaceful anarchists of all. It was as if they understood that this was truly their place, where all laws remained unwritten. I love them dearly. They are my people, these paradoxi. Codebreakers who never break the Code.
No, tonight I am not in Belowtown. I have wandered casually into Uptown, in Confluencia, to see what passes for entertainment among the people.


The Postscript Journal is a publication that I founded in 2012, publishing oustanding literary and artistic works by high school and college students in an in-print international journal. We are an entirely student-run publication for young writers.
As we receive hundreds of submissions each reading period with an approximate 15% acceptance rate, our staff of students has been an integral part of the process. The Postscript family now consists of talented young writers from across the United States, as well as from Russia, France, China, Nepal, Mauritius, and Morocco. From working with local students to corresponding with a Nobel Prize winner to affiliation with national literary organizations, the journal has certainly made an impact worldwide.
As a collective, our editors and readers have a love for the electric—looking at subject matter in an unusual, moving way. We’ll look at the standard poetry, fiction, and creative non-fiction, but we’ll also gladly read definitions, plays, and lists. The breathy, risky, strange; the insanely elliptical or the rapturously lyrical. We aim to output a journal of pieces that have never been seen before, each issue.
Because it’s important to ensure literature isn’t isolated from other fields, many of our issues will contain special features. For example, in our Spring 2013 issue, we worked with fourteen renowned writers and translators from Myanmar in a Burmese Feature to promote culture and new literature—for this, we corresponded with the Irrawaddy Literary Festival and Nobel Peace Prize Winner Aung San Suu Kyi. We’re also soon releasing an issue that will blend writing and art from student photographers, some whom have been featured in National Geographic and Vogue.
Postscript has also succeeded on the individual level, becoming “the journal of brave new energies unleashed,” says Dan Rosenberg, winner of the American Poetry Journal Book Prize, “these poems and stories vibrate with fearless life.”
We invite you to order your very own issue of Postscript, to support the future continuation of the journal and to develop a better understanding of what it is we aim to do.
Visit our Facebook page for more frequent updates.
Please feel free to email us with any questions.
We're looking forward to reading your work.
.
Copyright © 2012-2015, The Postscript Journal. All rights reserved.


<b:inputSecret> is basically a <b:inputText> which doesn't show the text.
<b:inputSecret>
<b:inputText>
So simply refer to the documentation of <b:inputText> .


\[ \newcommand{\Prob}{\operatorname{P}} \newcommand{\E}{\operatorname{E}} \newcommand{\Var}{\operatorname{Var}} \newcommand{\Cov}{\operatorname{Cov}} \newcommand{\se}{\operatorname{se}} \newcommand{\re}{\operatorname{re}} \newcommand{\ybar}{{\overline{Y}}} \newcommand{\phat}{{\hat{p}}} \newcommand{\that}{{\hat{T}}} \newcommand{\med}{{\tilde{Y}}} \]
Let \(\alpha=0.05\), and: \[ H_{0}: OR = \frac{Odds_{Drug}}{Odds_{Control}} \leq 1 \] \[ H_{1}: OR \frac{Odds_{Drug}}{Odds_{Control}} > 1 \]
results_mat <- matrix(nrow = 2, ncol = 2, c(7, 0, 8, 15))
rownames(results_mat) <- c("Drug", "Control")
colnames(results_mat) <- c("Normalized", "Not Normalized")
results_mat
## Normalized Not Normalized
## Drug 7 8
## Control 0 15
fisher.test(results_mat, alternative = "greater")
##
## Fisher's Exact Test for Count Data
##
## data: results_mat
## p-value = 0.003161
## alternative hypothesis: true odds ratio is greater than 1
## 95 percent confidence interval:
## 2.645931 Inf
## sample estimates:
## odds ratio
## Inf
Since our p-value (0.003161) is \(<\alpha\), we reject our null hypothesis that the odd’s ratios for the drug and the control \(=1\), and assume that the odds ratio is greater than 1.
Let \(\alpha=0.05\), and: \[ H_{0}: OR = \frac{Odds_{Surgery}}{Odds_{Radiation}} = 1 \] \[ H_{1}: OR \frac{Odds_{Surgery}}{Odds_{Radiation}} \neq 1 \]
results_mat <- matrix(nrow = 2, ncol = 2, c(21, 15, 2, 3))
rownames(results_mat) <- c("Surgey", "Radiation")
colnames(results_mat) <- c(" Cancer Controlled", "Cancer Not Controlled")
results_mat
## Cancer Controlled Cancer Not Controlled
## Surgey 21 2
## Radiation 15 3
fisher.test(results_mat, alternative = "two.sided")
##
## Fisher's Exact Test for Count Data
##
## data: results_mat
## p-value = 0.6384
## alternative hypothesis: true odds ratio is not equal to 1
## 95 percent confidence interval:
## 0.2089115 27.5538747
## sample estimates:
## odds ratio
## 2.061731
1 - dhyper(
x = results_mat[1, 1] - 1
,m = sum(results_mat[, 1])
,n = sum(results_mat[, 2])
,k = sum(results_mat[1, ])
)
## [1] 0.6384258
Because our p-value (0.6384) \(>\alpha\), we fail to reject our null hypothesis, and assume the odds of controlling cancer are the same if you have surgery or radiation based on the sample. \[ P-Value = \sum_{i=18}^{23}p_{i} \leq \Prob\left( n_{11} = 21 \right) \] \[ P-Value = \Prob\left( n_{11} = a \right) > \Prob\left( n_{11} = 21 \right) \implies 1 - \Prob\left( n_{11} = 20 \right) \]
1 -
phyper(
q = results_mat[1, 1]
,m = sum(results_mat[, 1])
,n = sum(results_mat[, 2])
,k = sum(results_mat[1, ])) + 0.5*
dhyper(
x = results_mat[1, 1]
,m = sum(results_mat[, 1])
,n = sum(results_mat[, 2])
,k = sum(results_mat[1, ]))
## [1] 0.2430911
Because our p-value (0.2431) \(>\alpha\), we fail to reject our null hypothesis, and assume the odds of controlling cancer are the same if you have surgery or radiation based on the sample.
True
True
False
True
False
\[ \E\left[ \Prob\left( Y = 1 \middle| X = x \right) \right] = 0.00255+0.00109x, x = \{0, 0.5, 1.5, 4.0, 7.0\} \] That is, on average with no alcohol consumption, there is a \(0.255\%\) probability of a sex organ malformation. And on average, for each unit increase in \(x\) (alcohol consumption), there is a \(0.108\%\) increase in the probability of sex organ malformation, based on the sample.
\[ \Prob\left( Y = 1 \middle| X = (0, 7.0) \right)= 0.00255+0.00109x = (0.00255+0.00109(0)), 0.00255+0.00109(7.0)) = (0.00255, 0.01018) \implies \] \[ RR = \frac{\Prob\left( Y = 1 \middle| X = 7.0 \right)}{\Prob\left( Y = 1 \middle| X = 0 \right)} = \frac{0.01018}{0.00255} = 3.992157 \]
income.credit <- read_csv("http://grahamst.at/projects/STAT_541/STAT_541_Assignments/data/Week_03_Data_3.09.csv")
## Parsed with column specification:
## cols(
## Inc = col_integer(),
## Card = col_integer()
## )
income.credit
## # A tibble: 100 x 2
## Inc Card
## <int> <int>
## 1 24 0
## 2 27 0
## 3 28 1
## 4 28 1
## 5 28 0
## 6 28 0
## 7 28 0
## 8 29 0
## 9 29 0
## 10 29 0
## # ... with 90 more rows
income.credit.glm <- glm(Card ~ Inc, data = income.credit, family = "binomial")
summary(income.credit.glm)
##
## Call:
## glm(formula = Card ~ Inc, family = "binomial", data = income.credit)
##
## Deviance Residuals:
## Min 1Q Median 3Q Max
## -1.8192 -0.6593 -0.5261 0.3394 2.0911
##
## Coefficients:
## Estimate Std. Error z value Pr(>|z|)
## (Intercept) -3.55611 0.71685 -4.961 7.02e-07 ***
## Inc 0.05318 0.01314 4.047 5.19e-05 ***
## ---
## Signif. codes: 0 '***' 0.001 '**' 0.01 '*' 0.05 '.' 0.1 ' ' 1
##
## (Dispersion parameter for binomial family taken to be 1)
##
## Null deviance: 123.820 on 99 degrees of freedom
## Residual deviance: 96.963 on 98 degrees of freedom
## AIC: 100.96
##
## Number of Fisher Scoring iterations: 4
\[ \ln \left( \frac{\Prob\left( Y = 1 \middle| X = x \right)}{1 - \Prob\left( Y = 1 \middle| X = x \right)} \right) = -3.5561 + 0.0532x \implies \] \[ \Prob\left( Y = 1 \middle| X = x \right) = \frac{e^{-3.5561 + 0.0532x}}{1+e^{-3.5561 + 0.0532x}} \]
On average, as the annual income in Lira increase, the probability of owning at least one travel credit card increases as well, based on the sample.
\[ \ln \left( \frac{0.5}{1 - 0.5} \right) = -3.5561 + 0.0532x \implies 0 = -3.5561 + 0.0532x \implies x = 66.84398 \approx 66.86 \] When our LHS = 0, we can solve for \(x\), which gives \(x\approx 66.86\) million Lira. That is, on average there is a \(50\%\) chance of possessing at least one travel credit card when one’s annual income is 66.86 million Lira, based on the sample.