-
How Social Campaign Audits Can Inform Your SEO
searchengineland.com
Social has continued its growth trajectory into a key marketing channel for businesses, but what impact -- if any -- does it have on your SEO ...
-
The Yahoo Directory -- Once The Internet's Most Important Search Engine -- ...
searchengineland.com
For some, it may seem like there has always been Google, and it's always been the main way people have found things on the web. But before Google, ...
-
SearchCap: End Of Yahoo Directory, Managing Negative SEO & Google's Panda ...
searchengineland.com
Below is what happened in search today, as reported on Search Engine Land and from other places across the web. From Search Engine Land: The Yahoo ...
-
Lufthansa Spreads Campaign Across Social Media With 'Selfie Ad Unit'
marketingland.com
Encouraging people to people picture themselves in a new destination gets literal with a new airline campaign.
-
Russia Moves To Censor Google, Facebook, Twitter
marketingland.com
Under Vladimir Putin Russia has taken many steps backward toward its repressive, Cold War past. It's apparently taking another by notifying Google, ...
-
Dangerous Weapon Ads On Google: A Look At New Policy Center Enforcement A ...
searchengineland.com
Throwing axes, military knives, paintball guns, gun scopes. These items have are among the banned products listed in Google AdWord's Policy Center, a ...
-
Beyond Newsletters: 5 Tips To Help You Completely Re-Think Email Marketing
marketingland.com
Despite the rise of other marketing channels like mobile and social media, email is still going strong -- if you're doing it well.
-
Twitter Will Target Movie Fans With Ads
marketingland.com
Twitter is planning to test targeting advertising to fans tweeting about movies. The move was reported first by the Hollywood Reporter. The program, ...
-
How To Keep Your Product Advertising Game Sharp
searchengineland.com
Contributor Matt Ackley from Marin provides data and insights on the latest product advertising trends and best practices.
 But should you disavow? You might be throwing the baby out with the bath water.
-
Bing Ads Makes Close Variants On Exact Match Permanent In U.S.
searchengineland.com
That test didn't last long. A month ago, Bing Ads announced that it would test close variants on exact match in the U.S. As of yesterday, the switch ...
-
Holiday Search Planning For Local Businesses In 5 Easy Steps
searchengineland.com
Is your local business ready for the holidays, search-wise? Contributor Rachel Lindteigen outlines a checklist to ensure you're prepared.
-
3 Challenges Of Attribution Modeling: The Bad, The Bad And The Ugly
marketingland.com
Any method of attribution has its strengths and drawbacks. Contributor Kohki Yamaguchi outlines factors every marketer should be aware of.
-
Gigya Survey: 77% Of Consumers Say They Have Used Social Logins
marketingland.com
Driven by a strong preference for convenience and a limited wariness about privacy, U.S. consumers have sharply increased their use of social logins ...
-
Google AdWords Ad Customizers Rolling Out: Dynamic Insertion On Steroids
searchengineland.com
To those arguing that Google has been steadily dumbing-down AdWords and taking controls away, the company is responding with what it's calling Tools ...
-
Mobile Web Enthusiasts Unite! A Peace Offering For Responsive Web Design ...
marketingland.com
If the enemy of your enemy is your friend, advocates and opponents of responsive web design must band together to oppose the encroachment of mobile ...
-
It's Not Just Links: Why Nothing Is Safe In Online Marketing
searchengineland.com
Sure, you can get in trouble with Google for bad links, but that's not the only thing you need to be concerned about.
-
Will Your Business (And Your Website) Adapt & Evolve With Google?
searchengineland.com
We've come a long way from the "10 blue links" search results page. Columnist Trond Lyngbø outlines how to ensure you're keeping up as SEO develops.
-
E-Commerce Link Building -- The Challenge That Won't Go Away
searchengineland.com
Contributor Eric Ward explains how to go beyond the standard issue link building practices and adopt tactics that actually work.
-
Last Call – SMX East Starts Next Tuesday In NYC; All Access Conference And ...
searchengineland.com
Search Engine Land's - SMX East conference begins next Tuesday in New York City. Register now to reserve your spot! The search marketing landscape ...
-
5 Local Marketing Lessons I Learned From The Insurance Industry - ...
growthhackers.com
[Marketing Strategy] Understand What’s Going On In The Lives Of Your Consumers Develop A Multichannel Customer Engagement Strategy, Mixing Online & ...
-
SearchCap: Google AdWords Inventory, EU-Google Antitrust & MapQuest ...
searchengineland.com
Below is what happened in search today, as reported on Search Engine Land and from other places across the web. From Search Engine Land: Google Now ...
-
The Underlying B2B Marketing Value Of 4 (Previously Successful) SEO Tactics
searchengineland.com
Though SEO tactics may come and go, the underlying principles behind them often remain true.
-
Enterprise Digital Analytics Platforms - New Market Intelligence Report
searchengineland.com
Our sister site Digital Marketing Depot released a new Market Intelligence Report, "Enterprise Digital Analytics Platforms 2014: A Marketer's Guide." ...
-
MapQuest's New Commute App Helps Optimize Drive Times
searchengineland.com
MapQuest has introduced a new app for Google Play and iOS: "Commute." Just as the name suggests, it's a stand-alone app intended to help drivers ...
-
Zenefits’ Leader Is Rattling an Industry, So Why Is He Stressed Out? - ...
www.nytimes.com
Parker Conrad’s start-up, Zenefits, is thought to be one of the fastest-growing companies in recent Silicon Valley history, and his investors and ...
-
iPhone camera evolution: How does the iPhone 6 camera compare to previous ...
snapsnapsnap.photos
How does the iPhone 6 camera stack up against previous hardware? In her ongoing series, professional iPhone photographer Lisa Bettany takes a hard ...
-
An Article on Shonda Rhimes Rightly Causes a Furor - NYTimes.com
publiceditor.blogs.nytimes.com
The article on the television producer Shonda Rhimes hadn’t yet appeared in Sunday’s paper, but the virtual world was ablaze in protest over it on ...
-
The Secret Goldman Sachs Tapes
www.bloombergview.com
The public doesn't seem to understand just how dysfunctional our financial regulatory system is, Michael Lewis writes. That may change today with a ...


I decided to make a little challenge to the Pen or Project creating members of CodePen:
After you code a Pen or a Project, pick one part of the code you can explain and write a post about it.
Even though I've written a few, I understand how intimidating it can be to get started on a long tutorial-type blog post. If you just had to write 200 words explaining something small to someone else, what would those words be?
You may have no aspirations of becoming a well known blogger, or the next author on CSS Tricks. A key skill of a Senior Designer or Developer is to be able to adequately communicate their ideas via spoken and written communication. Being able to write well about technical subjects will set you apart from your peers, whether you're looking for your first role, or your sixth. The only way we can get better at writing is with practice, so why not practice by explaining something you understand, because you made it - your CodePen creation!
If you've written a Post, share the link with me by tweeting it to me at @rachsmithtweets or you can email it in to<EMAIL_ADDRESS>I'll add it to the Posts list here and it will maybe (probably) end up in our Picked Posts on CodePen.


--- layout: post title: ESRI Python Forum date: 2010-12-07 09:07:07.000000000 -06:00 type: post published: true status: publish categories: - Python tags: [] meta: _edit_last: '15714693' _wp_old_slug: '' _oembed_0a5a8acf3c7c14f809a0c947702b4d10: "{{unknown}}" _oembed_aecaf2a7a5f9fbaaa3c868ff58308958: "{{unknown}}" author: login: broberts65 email<EMAIL_ADDRESS>display_name: Bob Roberts first_name: '' last_name: '' ---
I just found out today that after a long battle to get a separate forum for Python and not having all of the Python questions fall under the Geoprocessing threads, ESRI has created a new Python forum: http://forums.arcgis.com/forums/117-Python
This is for Python related threads regardless of whether it is for geoprocessing or not.
BR


Pig Dice
Player 1
Name:
Turn Score:
Total Score:
Hold
Player 1 Roll
Player 2
Name:
Turn Score:
Total Score:
Hold
Player 2 Roll
Let's Play


ri: ri: R package for performing randomization-based inference for
experiments
This package provides a set of tools for conducting exact
or approximate randomization-based inference for experiments of
arbitrary design. The primary functionality of the package is
in the generation, manipulation and use of permutation matrices
implied by given experimental designs. Among other features,
the package facilitates estimation of average treatment
effects, constant effects variance estimation, randomization
inference for significance testing against sharp null
hypotheses and visualization of data and results.
| Version: |
0.9 |
| Published: |
2012-05-15 |
| Author: |
Peter M. Aronow and Cyrus Samii |
| Maintainer: |
Cyrus Samii <cds2083 at nyu.edu> |
| License: |
GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: |
no |
| CRAN checks: |
ri results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=ri
to link to this page.


About Me
I'm an aspiring web developer native to the San Francisco Bay Area. I'm currently enrolled in a full-stack bootcamp through UC Berkeley Extension. After this 12-week program, I hope to find an internship.
My education is in linguistics, and for the past 7 years I've been working as an EFL teacher. I lived and worked in Russia for 3 and a half years, traveled around Europe a bit, and just recently moved back to California.
I'm excited about entering a new field, especially one with so much room for growth, continuous learning, and creativity!
In my free time I love playing with my dog, a corgi named Gaia. Whenever I can, I go hiking (a must in California), which gives me the opportunity to practice my photography. I also love to cook, or more specifically bake!


ZIKV virus (). Zika prM protein vaccine proteins prM-E viral {border-style px;} #ffffff;} acid DNA amino vaccines Phase strains epidemic mRNA Bos infection structural clinical human substitutions available pre-epidemic Asian antibodies associated epidemics host protection px; reported virions {font-family Inactivated RNA font-size mice outbreaks production African Alum Med. NIAID assembly congenital double; effective genome major neurovirulence neutralizing recent replication studies substitution virion Trop. Vaccine Zhu border-color border-width chimeric development envelope expression flavivirus immune isolated modified new present release responsible solid; structure suggested transmission using {font-style {font-weight (WHO, (Zhu Africa DENV Detection Development Epidemic Modjarrad Soc. Yuan ability analyses analysis antibody biology bold cells complex courier; currently em; enhance evolution future humans identified immunization linked mature observed original protein, pt;} results review robust selection study suggesting trials undergoing understanding used virus.


So for my final project, I decided to "recreate" Winterfell from the TV show Game of Thrones. Of course it's a terrible model, but I managed to get the walls, a castle, a T-Shirt as a banner with the Direwolf, and the members of the Stark family.
I used CorelDraw and the T-Shirt Printer for the banner, the Laser Cutter for the walls and members of the family, and the 3D printer for the block that is the castle.
I probably spent about two or three hours on the project, since other people had to make stuff as well.
I used regular settings for everything, nothing needed accomodations for size or anything.
I learned how much fun it is to be making stuff on your own, with no specific instruction other than "make something." I would recommend this class to others.


| Class |
Description |
|
AstHelper
|
Helping to create a few standard AST constructs |
|
CollectRecursiveCalls
|
Collect all recursive calls within method |
|
HasRecursiveCalls
|
Check if there are any recursive calls in a method |
|
InWhileLoopWrapper
|
Wrap the body of a method in a while loop, nested in a try-catch.
|
|
RecursivenessTester
|
Test if a method call is recursive if called within a given method node.
|
|
ReturnAdderForClosures
|
Adds explicit return statements to implicit return points in a closure. |
|
ReturnStatementToIterationConverter
|
Translates all return statements into an invocation of the next iteration. |
|
StatementReplacer
|
Tool for replacing Statement objects in an AST by other Statement instances. |
|
TailRecursiveASTTransformation
|
Handles generation of code for the @TailRecursive annotation. |
|
TernaryToIfStatementConverter
|
Since a ternary statement has more than one exit point tail-recursiveness testing cannot be easily done.
|
|
UsedVariableTracker
|
|
|
VariableAccessReplacer
|
Replace all access to variables and args by new variables.
|
|
VariableExpressionReplacer
|
Tool for replacing VariableExpression instances in an AST by other VariableExpression instances.
|
|
VariableExpressionTransformer
|
An expression transformer used in the process of replacing the access to variables |


Choose an avatar for player 1
🚷 Hide player 1
📁 Open VRM file...
──────────
VRoid Feminine
Choose an avatar for player 2
🚷 Hide player 2
📁 Open VRM file...
Choose a motion source
📁 Open File...
🌐 Open Network URL...
🖥 Capture Screen...
🔴 Export motion


Gather supplies including a variety of brushes, watercolor paper, range of diffrent water colors (the one shown in the picture is Kuretake Gansai Tambi 36 color set), paper towel or q-tips to blot water if desired, and a white plastic surface to mix your colors. Masking tape can be used to block off sections of your page.
When you start, the key is to let go. Release all expectations, get in the mindset of everything goes. Mixing different colors to see what happens.  What happens when you throw salt onto your watercolor? Play and try things.
What are the different effects and patterns we can create using just two colors? What happens when you shorten or lengthen the time of when you overlay one color over another? Can you use the effects of a drying bush as texture? Afterwards, check out the different levels of saturation we can create using just one color.
You can use the masking tape to create thumbails for quick explorations or to determine the best layout of your composition. Start with a smaller 3x3 grid and move onto a larger 2x2 grid when you want to get into more details.
Though not necessary, we can lightly use pencil to layout a particular drawing before watercoloing over it. There are also watercolor pencils for delicate details. Good old fashioned toilet paper blots or absorbs excess of watercolor very well. Q-tips can more precisely control how the water dries.
Let loose, play with color, experiment with thumbnail sizes and contraints. Blot, rewet to reveal white canvas again or apply lighter layers in the background before defining the stronger foreground. Embrace the way water moves, mixes, dries, and takes shape into whatever you create.


{% endblock right %}
{% block script %}
{% regroup counties by county as county_list %}
{% for county in county_list %}
{% include "suggestions/d3/years_bar.html" with county=county.grouper data=county.list %}
{% endfor %}
{% include "common/sorttable.html" %}
{% endblock script %}


{{include 'py_functions.py'}}
Termite Data Server
{{include 'select_server.html'}} {{include 'select_dataset.html'}} {{include 'select_model.html'}}
Jason Chuang
,
Vis
&
NLP
,
Stanford University
, 2013


Hundreds of events brought to your convenience
Go to events!
We got all the plans to make your event a thumbs-up success
Liked the video? subscribe to our Youtube Channel
Liked the video? Join us on facebook
You can know about our awesome Team here
Robotics Workshop from 9th April - 2 Days worksop!Stand a chance to win an Internship
Time
.


Tools used: Visual Studio Code Docker QEMU Hugo Firstly, we use VS code to setup our required files. Our task is to print OK on the screen for which we use some packages using RUN command. We use NASM to compile the code and grub package to get the final file. The header.asm and main.asm files are contained in the SRC folder. We used two label for start and end of header.
In this task we we’re asked to print NUST using characters on the screen instead of OK.
Most of the files remain same as they were in the previous task. But for this we use C language to print “NUST” using “*” on the screen.
First we build the stack. It is useful because it return the data every time function completes and also returns the control. We reserved 16kb of memeory for the stack.


Download
Delete
×
Are you sure you want to delete everything?
Yes
No
×
In what format would you like to download it?
CSV
GeoJSON


Safe synchronization under any Ruby implementation. It provides methods like {#synchronize}, {#wait}, {#signal} and {#broadcast}. Provides a single layer which can improve its implementation over time without changes needed to the classes using it. Use {Synchronization::Object} not this abstract class. @note this object does not support usage together with [%xThread#wakeup`](http://ruby-doc.org/core-2.2.0/Thread.html#method-i-wakeup) and [%xThread#raise`](http://ruby-doc.org/core-2.2.0/Thread.html#method-i-raise). %xThread#sleep` and %xThread#wakeup` will work as expected but mixing %xSynchronization::Object#wait` and %xThread#wakeup` will not work on all platforms. @see {Event} implementation as an example of this class use @example simple class AnClass < Synchronization::Object def initialize super synchronize { @value = 'asd' } end def value synchronize { @value } end end
@!visibility private
# File lib/concurrent/synchronization/condition.rb, line 50 def new_condition Condition.private_new(self) end


#hello, markdown! this is my page for project document writen by bootstrap ##for link > The overriding design goal for Markdown's >> or formatting instructions. >>fdfd >> fsff ##Table show | h1 | h2 | h3 | |:------|:-------:|--------:| | 100 | [a][1] | ![b][2] | | *foo* | **bar** | ~~baz~~ | | 100 | [a][1] | ![b][2] | | *foo* | **bar** | ~~baz~~ | | 100 | [a][1] | ![b][2] | | *foo* | **bar** | ~~baz~~ | ## task list Gollum - [x] This task is done - [ ] This is still pending ## Code Pretty ```javascript var a = "xxx"; (function(){ var myext = function(converter) { // pretty return [""]; }; ```


--- layout: page title: About Me description: I'm a guy who cant come up with a good description about himself. background: '/img/godot-code-bg.jpg' ---
Im a software engineer by day and a game developer at night.
Let us go back to Monke.


More employees.
Split Tasks To Control Individual Work Loads.
Hire a cook to work without keeping the client waiting.
Pass the orders to him on an orders clipper.
that your clients like to order what they previously ordered
So you keep a orders directory in the kitchen
But, the cooks just stack the orders one by one so it's organized by order time
a specific client comes and wants what he ordered has last time, now what?
Let's make a list that sorts the orders by the client phone number and keeps the location of the orders.
Awesome. The clients love it.
The run into each other when trying to get the clients orders
Let's make another 3 directories where we store our clients orders
I know
We'll make a note. We'll list our popular clients order history.
We'll put the note next to the girls (or guys) taking the orders.
That way, they won't have to bother the cooks with looking for the order history.
Great. We did it again.
Our busy workers are overloaded sometimes.
And nobody cares.
Let's hire a consultant.
We'll tell him to check our place every two hours.
and scream out if he notices something weird, like overloaded employees.
Let's put an employee complaint box.
If it gets too full, then are workers are not happy.
We have to take care of them, or they'll quit.
How to scale up your web application
This time, really. An actual web application
Let's say it's an app to manage a burger place
You build a nice application
you do it all by your self
and let's say it's successful!
you are having trouble keeping up with the work load
ideas?
More servers.
SOA.
Service Orient Architecture
Async workers.
Via a message broker.
that your clients like to order what they previously ordered
So you keep a orders directory in the database
But, the workers just stack the orders one by one so it's organized by order time
a specific client comes and wants what he ordered has last time, now what?
Let's make a index that sorts the orders by the client phone number and keeps the location of the orders.
Awesome. The clients love it.
The run into each other when trying to get to the database
Let's do a master/slave configuration
I know
We'll save our popular clients order history in the cache.
We'll put in one server for the application responsible for taking the orders.
That way, they won't have to bother the DB with looking for the order history.
Great. We did it again.
Our busy servers and processes are overloaded sometimes.
And nobody cares.
Let's install a monitoring software.
We'll tell it to check our place every two seconds.
and scream out if it notices something weird, like overloaded servers.
Let's install central error log.
If it gets too full, then are servers are not overloaded.
We have to take care of them, or they'll crash.
That's all folks.
AMA


#include <BL3_Engine_structs.hpp>
◆ AngularBreakThreshold
| float AngularBreakThreshold |
◆ AngularDrive
◆ bAngularBreakable
| unsigned char bAngularBreakable |
◆ bDisableCollision
| unsigned char bDisableCollision |
◆ bEnableProjection
| unsigned char bEnableProjection |
◆ bLinearBreakable
| unsigned char bLinearBreakable |
◆ bParentDominates
| unsigned char bParentDominates |
◆ ConeLimit
◆ LinearBreakThreshold
| float LinearBreakThreshold |
◆ LinearDrive
◆ LinearLimit
◆ ProjectionAngularTolerance
| float ProjectionAngularTolerance |
◆ ProjectionLinearTolerance
| float ProjectionLinearTolerance |
◆ TwistLimit
◆ UnknownData00
| unsigned char UnknownData00[0x3] |


The test template for Lokar
Home
You can link somewhere by typing #{a(location)}.
link to somewhere
% - the arguments you have passed to this action are:
Argument 0
Argument 1
Argument 2
Argument 3
Argument 4


PLEASANTVILLE A movie review by Joe Barlow (c) Copyright 1998
STARRING: William H. Macy, Joan Allen, Tobey Maguire, Reese Witherspoon, Jeff Daniels, J.T. Walsh DIRECTOR: Gary Ross WRITER: Gary Ross RATED: PG-13 (for adult language and potentially disturbing YEAR: 1998 SEEN AT: Park Place 16, Morrisville NC
RATING: **** (out of a possible *****)
"Don't judge a book by its cover" has long been the motto of enlightened readers, who recognize that the story contained within the pages of a novel often bears no resemblance to the illustration on the front. I'd like to take this concept a step further and propose a new maxim for moviegoers: "Don't judge a film by its trailer."
Movie trailers (the "previews" which run before the main feature) have been used to promote upcoming films for almost as long as movies have been around. Their job is a simple one: entice the audience back to the theater at a future date, just as a book cover's job is to get you to buy the novel you're leafing through. But beware: like all forms of advertising, trailers often stretch the truth a bit. "Chasing Amy," a thought-provoking comedy/drama from director Kevin Smith, was depicted as a happy-go-lucky "bimbo" movie by Miramax's ads. And if I didn't see new movies as a matter of course, I would have skipped "Dance with Me," a warm, rich drama full of life and energy, because the trailer painted the film as two hours of Vanessa Williams shaking her tushie while Kris Kristofferson stood around, looking confused. The trailers for "The Truman Show" and "Ransom" are equally bad... though the ads for "Pleasantville" aren't far behind in terms of quality. (Joe's trivia question for the day: why are movie ads called "trailers" when they run BEFORE the movie? Answer given at the end of this review.)
As anyone who's seen the trailer can tell you, "Pleasantville" revolves around two modern teenagers, David (Tobey Maguire) and Jennifer (Reese Witherspoon), who are magically transported into the fictional world of David's favorite television show, a Mayberry-esque community called Pleasantville. The year is 1958, the weather is always perfect, the universe (including David and Jennifer) is in black and white, Perry Como rules the airwaves, and dinner is always on the table when "Dad" (William H. Macy) gets home from work. David is delighted to be living in a simpler time, but wild-child Jennifer is aghast at the lack of sex, cigarettes and MTV... and decides to impart some of her worldly knowledge to the citizens of the town.
Jennifer's actions have unforeseen ramifications, however: as she (and David, to a lesser extent) encourage the other citizens of the town to change and evolve, the former idyllic paradise of Pleasantville is rocked to its foundation. The basketball team no longer wins every game. "Mom" suddenly doesn't feel like making dinner for "Dad" every night. Teenagers discover other things to do in the bushes besides hold hands. Rock and roll (gasp!) becomes the music of choice. And, for the first time ever, REAL COLOR begins to appear in the town... sporadically at first, but with increasing frequency, sending mayor Bob (the wonderful J.T. Walsh, who died during the making of the film) into a deep panic.
The trailer gives the impression that the movie is a screwball comedy, but make no mistake: "Pleasantville" is a drama, and a damn fine one at that. Sure, there are several funny moments: the Pleasantville Fire Department are experts at getting cats out of trees, but seem woefully unequipped to deal with an actual fire. "Mom" likes to make sure her kids start the day off with a REALLY BIG breakfast. And the scene in which Jennifer explains sex and the concept of masturbation to her ultra-straight "mother" is worth at least two-thirds of the ticket price by itself. But writer/director Gary Ross (the man who brought you "Big") also devotes a significant amount of the film's two-hour running time to more serious issues like racism, the loss of innocence, and finding the courage to follow your dreams despite what others think. None of these issues are particularly original, but the movie handles them so uniquely that they feel like a breath of fresh air. There are no guns, no car chases, no nudity... just a solid, entertaining story which flawlessly captures the feel of shows like "Andy Griffith" and "Leave it to Beaver," feeling like fifty-percent homage and fifty-percent satire (look for an amusing cameo by Andy Griffith's sidekick, Don "Barney Fife" Knotts). We also get plenty of great "fish out of water" comedy; in many ways, "Pleasantville" reminded me of a slightly more cerebral "Back to the Future." But the overall tone of the story is quite serious, and there's a good deal of both sadness and personal triumph contained in the movie.
I had pegged "What Dreams May Come" as a shoo-in for "Best Special Effects" or "Best Technical Innovation," but now I'm not so sure. "Pleasantville" is a visual marvel, seamlessly integrating color and black and white into the same shots for much of the film's duration. You have to see it to believe it, particularly the scene in which David and his gal-pal take a drive in the country. One of the nicest things about the movie's colors is that they all have a faded, neon-esque quality to them, akin to what you might find in a 1950s film. It's a perfect (and subtle) note of nostalgia.
This is the second movie this year (after "What Dreams May Come") to completely astonish me. Beautifully photographed, cleverly written, and always fascinating, "Pleasantville" should not be missed by anyone. Its ambiguous ending leaves a number of major questions unanswered (What was Don Knotts's character REALLY up to? How does Jennifer cope with the situation she finds herself in at the conclusion of the story?), but rather than being a detriment, I actually found that these unresolved issues gave me a lot of food for thought after the end credits began to roll... and that's something that all too few films do these days.
(Answer to the trivia question: in the '40s and '50s, advertisements for upcoming movies were typically shown AFTER the feature film, hence the term "trailer." The end credits for movies are much longer now than they were then, and most people leave before the credits are finished; as such, the ads are now shown before the main feature, although the term "trailer" is still used.)
E-Mail<EMAIL_ADDRESS>Joe Barlow on Film: http://www.ipass.net/~jbarlow/film.htm
If you'd like to receive new film reviews by e-mail, please write to the above address and ask to be put on my mailing list. Or, you can subscribe directly from my web page. Thanks.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Is the beginning?


|
| virtual void | readModelVerticesPosition () |
| |
| virtual void | calculatePosition () |
| |
|
std::string | getFileNameOfModel () |
| |
|
std::string | getFileNameOfBlock () |
| |
|
vector3D | getPosition () |
| |
|
Matrix3x3 | getOrientation () |
| |
|
void | setOrientation (Matrix3x3 orient) |
| |
|
void | setPosition (vector3D pos) |
| |
|
const vector3D & | operator[] (int index) const |
| |
|
vector3D & | operator[] (int index) |
| |
| int | getTotal () |
| |
|
virtual std::string | getType () |
| |
|
void | setScaleX (double scaleX) |
| |
|
void | setScaleY (double scaleY) |
| |
|
void | setScaleZ (double scaleZ) |
| |
|
double | getScaleX () |
| |
|
double | getScaleY () |
| |
|
double | getScaleZ () |
| |
|
|
std::string | fileNameOfModel |
| |
|
std::string | fileNameOfBlock |
| |
|
Matrix3x3 | orientation |
| |
|
vector3D | positionOfCenterOfMass |
| |
|
vector3D | vertices [VERTICES_NUMBER_OF_CUBOID] |
| |
|
double | scaleX |
| |
|
double | scaleY |
| |
|
double | scaleZ |
| |
|
|
std::ostream & | operator<< (std::ostream &ost, Object &scnObj) |
| |
◆ calculatePosition()
| virtual void Object::calculatePosition |
( |
| ) |
|
|
inlinevirtual |
calculate actual position of every drone component
Reimplemented in Prism, Wedge, Cone, and Drone.
◆ getTotal()
get total number of objects constructed.
◆ readModelVerticesPosition()
| virtual void Object::readModelVerticesPosition |
( |
| ) |
|
|
inlinevirtual |
The documentation for this class was generated from the following files:
- /home/chilon/Pobrane/zad5_3-GrzegorzWojnarowicz/inc/Object.h
- /home/chilon/Pobrane/zad5_3-GrzegorzWojnarowicz/src/Object.cpp


Welcome to Demon World! hehe!
Hey body, tell me what's you name ?
Wath Out !
Hey, here you are ! good !


Audio Lvl
Fadeout1 Time
Fadeout2 Time
Scale1
Scale2
Gens surviving
Size multiplier
Size hilite multiplier
Fadein Time
Colnum
Delay next gen


RETURN OF THE BATTLESHIP A film review by Felix Kreisel Copyright 1996 Iskra Research
Montreal 1996 The recently concluded Montreal World Film Festival is one of the better known venues of the cinema world. It attempts to promote a wide range of filmmakers from many countries by requiring as little as possible in promotion expenditures. This year the Festival organizers paid special attention to current Russian films and even gave a special prize in the category of the Russian Cinema of Today. This writer was able to view a number of the more significant films presented at the Festival. Preceding my impressions I have included the official descriptions provided by the Festival organizers.
* * * * * * * * * * Return Of The Battleship
* * * * * * * Official information * * * * * * *
Director: Gennady Poloka. Script: Vladimir Bragin, Gennady Poloka. Based on the novel "Return of the Battleship" by A. Kapler. Photography: Yevgeny Davidov. Editors: E. Guralskai, T. Maliavina. Music: Veniamin Basner. Sound: G. Kravetsky, A. Koniaiev. Cast: Mikhail Urzhumtsev, Liudmila Potapova, Yelena Maiorova, Vladimir Sterzhakov, Tatiana Vasilieva, Armen Dzhigarkhanian, Ivan Bortnik, Vasily Mischenko, Ernst Romanov, Valery Nosik, Boris Novikov, Boris Brunov, Igor Kvasha, Alexei Buldakov. Producer: Mikhail Zusmanovich, Gennady Poloka, Ritm Studios.
Dashing German cavalry officer Johann Frantsevich Hertz loved the Revolution and fought to defend it in wartime against the "White Russians" and in peace against the NEP, against prostitution, against anybody and anything that he thought a threat to its success. Then he fell in love with Klavdiia and he threw himself into his affair with her with the same passion as he had previously shown for revolution. But many things emerged to prevent their happiness: Hertz' fictitious wife, the secretary of the Odessa communist party, a bag of fried sunflower seeds, and an Eisenstein unknown to the inhabitants of Odessa.
* * * * * ) Iskra Research; by F. Kreisel * * * * *
This movie was for me one of the highlights of the Festival. From the first moment it appeals to the viewer with its boisterous visual love of Odessa, one of the architectural and cultural jewels of the Black Sea coast. I am not an Odessit, but have visited the city as a child, and shall forever remember the loud humor of its inhabitants, the intricate funny patois of its language which mixes Russian, Ukrainian, Yiddish, Romanian and a few other languages, the white acacia trees on the wide boulevards, ice cream parlors, the historic steps, the busy port and markets. There are other lovely port cities in this world, Marseilles and San Francisco come to mind when seeing the panorama of Odessa. It is a lovely feeling to watch the city scenes in this movie. It is one of the few current Russian movies to show us real street scenes, crowds, street cars full of passengers, shops, a beach crowded with bathers. The story itself centers on a German, Johann Hertz, who had read Bakunin and Nietzsche at the Goettingen University, but turned to Karl Marx for a true explanation of capitalist society, and in the crucible of World War I and the Russian Revolution has come to the aid of the young Soviet republic. Hertz joined the Communist party in 1918 and had served in Primakov's Ukrainian cavalry corps, was badly wounded in the Civil War, and has now been demobilized and sent to recuperate in Odessa's mild climate. The year is 1925, Lenin had died a year before, the New Economic Policy is in full swing and that social inequality, against which Hertz has been fighting since 1918, is blooming once again in the new Russia. Hertz from the first is portrayed as an oddball. He wears a cavalry uniform with blue cross chevrons and a blue star on his hat, not the normal red star and chevrons. He does not drink, curse, stuff himself, abuse women or come late to the office. His prized possession are his books. The boorish Odessa regional Party secretary appoints Hertz to head the local artists' employment bureau despite Hertz' protestations that he knows nothing of art. From this vantage point we are treated to a comic view of the entertainment industry in the city, a kaleidoscope of opera baritones, circus performers, cinema has beens, burlesque dancers, magicians, and so on. Hertz' efforts to bring some order to this chaos of bribe taking, fake ration cards and IDs, pseudo-cultural and pseudo-proletarian pseudo-art are futile but funny. In the first half of this film we see nothing of the new truly revolutionary and liberating art. Hertz seems overwhelmed by the hacks left over from the bon monde of pre-revolutionary Odessa. Meanwhile he is hustled into a fake marriage with a local floozy, whom he tries to educate in Marxism, and falls into a true love at first sight with beautiful and kind Klavdiia, a single mother of two girls. Then Odessa is visited by the team of Moscow film makers under the direction of Sergei Eisenstein who is here to make a movie of the famous 1905 mutiny on the battleship Potemkin. We are now in for a fabulous treat. We get to see the making of this world shaking movie, we hear Eisenstein's method explained, we see how the cast were recruited, the stages set up, the hundreds of unprofessional extras instructed in their roles, how the structure of this film emerges from the scaffolding of this ant-like activity. Hertz' single minded and narrow barrack-style communism prevents him from realizing the revolutionary creativity of Eisenstein's methods and he tilts at windmills (literally) trying to prevent the filming of the famous Odessa Steps scene of the movie. Fortunately for us he does not succeed. Neither does Hertz succeed in liberating himself from the straitjacket of official rules and directives of his office and the Party secretary. Although Klavdiia did get a part in the filming of "The Battleship" (she plays the part of a Jewish mother of a little boy killed on the Odessa steps by the Cossacks), she is soon unemployed again. Klavdiia is forced to sell sunflowers seeds on the street to feed her family, is caught by the militia, brought into Hertz' office and he cancels her actor's employment card, her proof of legitimacy. The new Soviet bureaucracy swallows Hertz and destroys his chance for happiness. Klavdiia's curse shatters Hertz' inner fortitude. Then the finished movie "Battleship Potemkin" comes to town. The director, Gennady Poloka, correctly presents the magnificently ennobling effect of this masterpiece on the town's population. People are excited by the movie, both about the actual revolutionary events of 20 years ago, about their own roles in the Revolution and in the filming of the movie. Hertz, however, has now become completely unhinged. Seeing Klavdiia in her dramatic role of the desolate mother on the Odessa steps brings to him his own action in letting down the only woman he ever loved, and who loved him. Hertz sees her life and death on the screen time after time. His own life is over, he lives only on the screen. We see him much later, a lunatic dressed in the old army rags, still coming to see "The Battleship" in a deserted theater. The scenes from the movie "The Battleship" are one of the strong and uplifting notes in this wonderful film. They give evidence that the October Revolution did not spring from a secretive and conspiratorial coup by a tiny group of disciplined and ruthless Bolsheviks but was a rising of the whole Russian nation. The presentation of Communist Party life in 1925 as a series of orchestrated meetings full of illiterate sloganeering by boorish louts in high positions is an ahistorical projection of the later Stalinist period backwards. This is a common view in Russia and is fostered both by the past Stalinist lies and the present anti communist propaganda. Fortunately, we have other evidence. The memoirs of Baitalsky ("Notebooks For Grandchildren"), a young Odessa communist of that period who was later jailed for Oppositional activity and spent decades in the GULag, tell us of mass literary, artistic, theatrical, musical activities among the young Communists and the spirit of self sacrifice, egalitarianism and freedom which prevailed in their midst. The bureaucratic regimentation did come later, but it came as a result of the planned persecution of idealistic and devoted Communists of the Hertz type, their gradual hounding out of the Party and their replacement with careerists and lackeys. The period beginning with Lenin's illness and death witnessed a transformation of the Bolshevik party. In Ukraine, the leader of Communist party during the Civil War, Khristian Rakovsky, supported Trotsky in the 1923 party debate and was recalled from his post. Some leaders underwent moral and political degeneration, e.g. Stalin and Bukharin. Other leaders of the heroic period were gradually supplanted by pragmatic apparatus men, for example Trotsky and Zinoviev were replaced by Voroshilov and Molotov. Along with the organized opposition activity there were a number of suicides out of despair or in protest, yet such suicides occurred more frequently after the possibility for legal opposition was exhausted. In Ukraine, one of the leading party organizers, Yevgeniia Bosh, one of the signatories of the Platform of the 46, committed suicide in 1924. The leading Soviet diplomat and a long time supporter of Trotsky, Adolf Joffe, took his life in protest at Trotsky's expulsion from the party in 1927. The director intentionally and incorrectly paints Hertz as a lonely Don Quixote, and Hertz' ideal of a world commune as an impossible dream. Similarly, of all the heroes of communism, only Marx is shown on posters and placards in the movie; other towering figures of the communist world: Engels, Luxembourg, Lenin and Trotsky are not even mentioned. Hertz is presented as the only true communist, yet Odessa was one of the centers of oppositional activity at that time. Such a picture of a lone individual against an indifferent world is belied by the movie itself. Some of the most powerful sequences in this movie occur when the Odessa audiences see themselves in the movie reenacting the heroic events of the 1905 Revolution. These moments offer us a hint of that spirit of heroic self sacrifice when masses of people throughout Russia were animated by Hertz' dream of world communism. It was this dream which moved millions of working people in 1917, and which today is still the only hope for mankind. -- Iskra Research -- Historical research and publication of Marxist classics in the Russian language. Address: PO Box 397142, Cambridge, MA 02139-7142; e-mail<EMAIL_ADDRESS>http://www.mit.edu:8001/people/fjk/iskra.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
Distributed Trees
1
DistributedTreesPlaform
|
#include <StrategyImage.h>
Public Member Functions | |
| StrategyImage () | |
| StrategyImage (const StrategyImage &orig) | |
| virtual | ~StrategyImage () |
| virtual void | readImage (int heigth, int width, std::string direction, cv::Mat &image)=0 |
| StrategyImage::StrategyImage | ( | const StrategyImage & | orig | ) |
|
virtual |
|
pure virtual |
Implemented in LabelImage, and DepthImage.
Referenced by Collection::readImage().


---
title: Urban
---
I am an allround web developer with knowledge in front-end development.  Urban is a strong foundation for the web presence of your agency.
Web Resume
Web Resume
I take my pride my work, you can have look here.
=======I take my pride my work, you can have a look here.
>>>>>>> 85cd1e8c6e4bffbd56f93aa7c2f694229ff16529


offering a connection to a peer
create offer
please copy the offer below and send it to a peer.
please wait for peer to give answer and paste it below


--- title: A simple introduction to statistical test and statistical significance author: '' date: '2018-09-13' slug: a-simple-introduction-to-statistical-test-and-statistical-significance categories: [] tags: [] header: caption: '' image: '' ---
Recently I was asked to make a short presentation about how to introduce the idea of statistical test and statistical significance to students in marketing. The timing was very good because I just had red a blog post written by Stephen B. Heard called Why do we make statistics so hard for our students? which is exactly the way to follow. So I taken the main idea of this post and made a short presentation with R that you can find here:
I’ve also taken a simple meme which looks very trendy on the net. A great sentence by W. Edwards Deming “Without data you’re just another person with an opinion”. It’s simple but it is the reason why Statistics are very important not only in academia but also in companies.
PS: Special thanks to Tim Mastny for his blog post about how to host R presentation in a blogdown


{% extends '_base.html' %} {% block title %}About page{% endblock %} {% block content %}
Hi, my name is Anthony Beaver.
I designed this website with the help of the DjangoX template.
I'm a full stack developer from Seattle, Wa.
Here's a link to my github: https://github.com/PyDrummer


So who are we?
Happening. is an event organisation created by and for the lovers of electronic music and exceptional parties.
Happening. was founded by international students residing in the city of The Hague in March 2016 Happening. is a new, diverse concept aiming to bring only the best of electronic music to the masses, through unique events.


|
KratosMultiphysics
KRATOS Multiphysics (Kratos) is a framework for building parallel, multi-disciplinary simulation software, aiming at modularity, extensibility, and high performance. Kratos is written in C++, and counts with an extensive Python interface.
|
MultilevelMonteCarloApplication provides different algorithms, belonging to the Monte Carlo (MC) family, to estimate statistics of scalar and field quantities of interest. The application is designed for running on distributed and high performance computing systems, exploiting both OpenMP and MPI parallel strategies. The application contains several interfaces with external libraries.
This application is part of the Kratos Multiphysics Platform. Instructions on how to download, install and run the software in your local machine for development and testing purposes are available for both Linux and Windows systems.
Build Kratos and make sure to have
in the compilation configuration, in order to compile the MultilevelMonteCarloApplication
application.
.
.
.
MESHING_APPLICATION
.MESHING_APPLICATION
.EXAQUTE_SANDBOX_APPLICATION
. In progress.MultilevelMonteCarloApplication makes use of third part libraries. Information about these libraries can be found in their respective pages, which are listed below.
XMC [3] is a Python library, with BSD 4 license, designed for hierarchical Monte Carlo methods. The library develops the above-mentioned algorithms, statistical tools and convergence criteria. The library presents a natural integration with Kratos, which is XMC default solver. By default, an internal version of the library is used. If one wants to use an external version of the library, the environment variable XMC_BACKEND=external
should be set.
PyCOMPSs is the Python library required in order to use task-based programming software COMPSs in a Python environment. By default PyCOMPSs is not required in order to run the application. In case one wants to run using this library, the environment variable EXAQUTE_BACKEND=pycompss
must be set. The current version is able to run several thousands of samples at once exploiting PyCOMPSs in distributed systems, maximizing parallelism and computational efficiency. Optimal scalability up to 128 working nodes (6144 CPUs) has been demonstrated with both OpenMP and MPI parallelisms.
Instructions for the installation can be found in the Kratos wiki. To run with runcompss
, the environment variable EXAQUTE_BACKEND=pycompss
must be set to use the distributed computing capabilities. Additionally, running with runcompss
requires to add to the PYTHONPATH
the path of the XMC library, that is /path/to/Kratos/applications/MultilevelMonteCarloApplication/external_libraries/XMC
. You can add the library to the PYTHONPATH
either in the .bashrc
file, or directly when running the code using the runcompss
key --pythonpath
. We refer to the Kratos wiki for details.
Mmg is an open source software for simplicial remeshing. It provides 3 applications and 4 libraries. Instructions for installing Mmg can be found in the Kratos wiki. ParMmg is the MPI parallel version of the remeshing library Mmg. Instructions for installing ParMmg can be found in the Kratos wiki.
<figure> <figcaption style="text-align: justify"> AMC and AMLMC denote the asynchronous Monte Carlo and the asynchronous Multilevel Monte Carlo methods, respectively. Sources: [1] and [4].</figcaption> </figure>
Many examples can be found in the Kratos Multiphysics Examples repository.
The MultilevelMonteCarloApplication is OPEN SOURCE. The main code and program structure are available and aimed to grow with the need of any user willing to expand it. The BSD (Berkeley Software Distribution) licence allows to use and distribute the existing code without any restriction, but with the possibility to develop new parts of the code on an open or close basis depending on the developers.
[1] Tosi, R., Amela, R., Badia, R. M. & Rossi, R. (2021). A Parallel Dynamic Asynchronous Framework for Uncertainty Quantification by Hierarchical Monte Carlo Algorithms. Journal of Scientific Computing. https://doi.org/10.1007/s10915-021-01598-6
[2] Tosi, R., Núñez, M., Pons-Prats, J., Principe, J. & Rossi, R. (2022). On the use of ensemble averaging techniques to accelerate the Uncertainty Quantification of CFD predictions in wind engineering. Journal of Wind Engineering and Industrial Aerodynamics. https://doi.org/10.1016/j.jweia.2022.105105
[3] Amela, R., Ayoul-Guilmard, Q., Badia, R. M., Ganesh, S., Nobile, F., Rossi, R., & Tosi, R. (2019). ExaQUte XMC. https://doi.org/10.5281/zenodo.3235833
[4] Ejarque, J., Böhm, S., Tosi, R., Núñez, M., & Badia, R. M. (2021). D4.5 Framework development and release. ExaQUte consortium.


ZF-Admin
Bower is used to manage frontend assets. If you need it to place assets in a different location other than default, or you would need hooks to trigger other tools you can add use a .bowerrc configuration file.
Other assets can be maintained using NPM if need be, take a look at the .package.json file in the root directory to see what has been installed. ZF-Admins build system tools and plugins, for example, have been installed this way.
These are just recommendations. You can use any build system you feel is better for your project.


Customising your instance of Node-RED
This template instance of Node-RED is enough to get you started creating flows.
You may want to customise it for your needs,
for example replacing this introduction page with your own, adding http authentication to the flow editor or adding new nodes to
the palette.
To start customising your instance of Node-RED, you can either download the application locally or use IBM DevOps Services to edit and deploy your changes directly.
Using IBM DevOps Services
- Within ACE, open the overview page for the application.
- Click the link to 'Add Git Integration' and follow the guide to import the application into IBM DevOps Services
- Once complete, click the 'Code' link to open it in IBM DevOps Services
- Customise the application following the guide below, commit your changes and push them back to BlueMix
Downloading the application locally
- Within ACE, open the overview page for the application.
- Click on the cog in the top right corner and select 'View Guide'
- In the guide, click the link to down the application
- Unzip the application and customise it following the guide below
- Using the CF command-line tool, push the application back into BlueMix
Upgrading the version of Node-RED
- This boilerplate is configured to grab the latest stable release of Node-RED whenever the
application is pushed into BlueMix. Simply commit and push a change from IBM DevOps Services
or push from your local copy to trigger an update. You can find out about the latest version at nodered.org.
Changing the static web content
- The page you are reading now is served as static content from the application. This can be replaced
with whatever content you want in the
public
directory.
Remove static web content and serve the flow editor from the root path
- In the file
bluemix-settings.js
, delete the httpStatic
and httpAdminRoot
entries.
Password protect the flow editor
- Follow the instructions in
bluemix-settings.js
to set the httpAdminAuth
property.
Adding new nodes to the palette
- Drop the new node files into the
nodes
directory.
- Add any npm dependencies for the new nodes into the top-level
package.json
.


Asauna
Productivity and task management web application.
Live GithubI am a San Francisco-based fullstack software engineer, with a background in biology and
healthcare administration.
Programming may have started out as a desire for problem-solving, but it progressively reveals my deeper
interest in
building and learning.
Even if it isn't technical, there is something I can learn every day. I hope to use this knowledge to create
innovative
and impactful software.


open fun execute(arguments: Arguments<TData>): TData
Executes an operation in some way.
A base implementation is provided which:
This function is marked as open
to allow extension if the base implementation does
not provide the behaviour necessary for other use cases.
arguments
- A set of arguments to the function.
ArityException
- When the number of arguments does not match the arity.
Return
A concrete value of type TData.


viral codon OpenUrl translational proteins tRNA usage viruses &; CrossRef Table Fig. adaptation expression SDA tissues SARS-CoV- TCGA tropism adapted based human virus respiratory (Sup. coronavirus related Science different samples tissue <;= Analysis Sup. differences tissues, Web analysis infection new weights Adaptation Using Virus tissues. Codon host selection type .), Data FREE Text corresponding influenza late Abstract Biol. Extended Supply-to-Demand average certain efficiency genes human-infecting novel protein receptor tRNAs target (A) (B) Gene Mol. Res. bias cell cells computed early entry infection. specifically tract translation translationally upper using Discriminant Linear RCU efficiencies relative sequences tRNA-based total values virus. viruses. (see However, Human anticodon cancer clustering gene healthy order proteins, reads small strain Acids Baltimore COVID- Evol. Groups Nucleic Orthologous SARS-CoV Usage Viruses Wilcoxon airways better changes defined determined expressed figure hand, highly main performance potential rank-sum structural time tissue-specific tropism-defined tropism-specific used (C) Download Enrichment Figure Open Refer Relative Set Therefore, amino analyzed annotated applied codons current data-hide-link-title=""> data-icon-position="" demand downloaded high index infection, mapping median. model recent replication synonymous tab terms tropisms two-tailed viruses, (SDA) ... ./.... A). ACE B). Cell Forest Genome Given Influenza L.S.; MERS-CoV Methods). Nat. RNA RSEM Random Translational X.H., acid annotations associated bind bioRxiv classification closest cluster compute consequence, coronaviruses curves data datasets determine digestive feature features general genome genomic given hosts including infected information lung machinery names. previously profiles published receptors reprogramming results significant similar specific studies supply tAI variance weighted (AUC) (ROC) (Xr) (i.e. *** **** Average Based Center Characteristic Dunn Furthermore, Li, Med. Operating Overall, Precision-Recall Receiver STGAL Silhouette ViralZone Virol. X.H.; abundance agreement assess available bat binds brackets, classes clusters clusters, compared composition corresponds dataset distributed dos driving estimated explained expression. generated genetic genomes higher highest important indexes indicating infections isoacceptors linear measure mock mutational normalized optimal pandemic patients percentage phylogenetic phylogenetically plot pool predict pressure previous process ratio recently replication-related represent respective respectively sequence-based sequencing set shown shown: similarly test test, tropism, usage. violin


.
Contact
Laboratoire des Sciences du Climat et de l'Environnement (LSCE)GLACCIOS & CLIM research teams. ANR ASUMA.
<EMAIL_ADDRESS>Office:
LSCE-Orme, CEA-Orme des Merisiers F-91191 Gif-sur-Yvette Cedex
Building 703 Room 28
Tel: 01 69 08 69 27
Positions
Currently Research Fellow at LSCE, Paris-Saclay, France.2014-2018 Research Fellow of the Belgian Fund for Scientific Research (FNRS). Laboratory of Climatology, U. Liège, Belgium.
2012-2014 Postdoctoral Researcher, EU FP7-COFUND mobility program. Laboratory of Climatology, U. Liège, Belgium.
2008-2012 Doctoral Researcher at the Laboratoire de Glaciologie et Géophysique de l’Environnement (LGGE, now IGE), Grenoble, France.
Research interests
Keywords | ANTARCTICA ⦁ POLAR CLIMATE⦁ POLAR PROCESSES ⦁ REGIONAL CLIMATE MODEL ⦁ SURFACE MASS BALANCE ⦁ SEA LEVEL RISE
Each year, the snowfall amount accumulating at the top of the Antarctic ice sheet is equivalent to twice the current sea level rise. This water flux, known as the Antarctic “surface mass balance” (SMB), has a direct impact on the sea level budget. Uncertainties on this mass flux are large as (1) it depends primarily on the strong large-scale climate variability; and (2) most of the polar-specific physical processes implied are still to be understood and quantified.
My researches aim at providing better estimates of the Antarctic SMB by addressing those two sources of uncertainties. I am a main contributor to the polar regional climate model MAR which I improved for simulating the whole Antarctic climate. I work in synergy with observations to evaluate models and improve/develop parametrisations of polar processes. I study the large scale atmospheric modes driving the Antarctic SMB and their representation in global climate models.
Tools | Observations ⦁ Regional Climate Model MAR ⦁ SMB Downscaling ⦁ Reanalyses outputs ⦁ Global Climate Models outputs


Setting SSL Settings for a Site
How to set the SSL settings for an individual site.
Restricted to SuperUsers only.
- Navigate to Host > Site Management and click the Edit button beside the title of the required site - OR - Navigate to Admin > Site Settings.
- Select the Advanced Settings tab.
- Expand the SSL Settings section.
- Optional. At SSL Enabled?, if an SSL Certificate has been installed for this site.
- Optional. At SSL Enforced?, if pages which are not marked as secure are not accessible with SSL (https).
- Optional. In the SSL URL text box, enter a URL which will be used for secure connections for this site. This is only required if the SSL Certificate does not match your standard URL. E.g. www.secure.domain.com
- Optional. In the Standard URL text box, enter your standard site URL for non-secure connections.
-
Click the Update button.


|
In the TSW client, click the text in square brackets in the lower left corner of your chat window to bring up a menu to select into which chat channel you want to post.
- Select Group if all your team's members are in a 5-person group.
- Select Raid if all your team's members are in a 10-person raid (double group).
- Select Say if you have more team members than what you can fit into one raid. Make sure all team members are standing close to you before you fire the script as people will only receive Say messages within a certain radius around you.
Then enter /tswlairmgr (assuming you haven't changed the file name) as the chat message and press Return.
Tip: You can also just type the first few characters (e.g. /tswl) and then press Tab to either instantly complete the script name or display a selection menu containing all scripts beginning with those characters in which you can then use ↑ and ↓ to select an item and press Return to accept it.
|


This visualizer can plot what your score will be (y) versus the value of a solr field (x) Source code


Delivering the new and the Old
Here you will find an arrey of stylish metal brought to you by women who know how to rock.
Organization
Dark Horse Studio focuses on the recognition of women in the metal music industry. For years, women were frowned upon and it's my mission to fix that.
Events
Every month, a new display of music videos will be added to the archive. Requests can be made by the viewers as well, via; email.
Video Gallary
Customized for full screen, just simply "click the image," and a video player will emerge.
Who I Am
My name is Justin Linwood Ross. I am a musician/tattoo artist and custom website designer from the United States.
My promise to You
-Delivering many sub-genres of metal-
(This site is strictly dedicated to metal lovers)
- Good Quality Videos.
- Facts over fiction.
- Fair band assessments.
Video Gallery
Band of the Year
Conflict
Conflict: Transform Into A Human
Winner of the year: Anna Vavilkina
Liverpool Sound and Vision Rating 8.5/10.
It has long been said that if you poke the Russian bear, you are likely to get mauled.
Unless of course you do it with a drum stick and point out the electric guitar and the impressive female vocalist waiting to get started, then the Russian bear,
a polarising designate which isn’t worthy of the paper it is written upon for the Russian people are just as astonishing as the British when it comes to all things music,
the Russian bear jams harder, beats faster and splinters more drum sticks in search of the perfect Metal rhythm than any other creature growling in the forests around the Steppes.
Conflict is a different game and not to be confused with the Old English Punk band of the same name.
Just watch the video below


Returns the numeric value of the current cell.
Syntax
CellValue
Notes
This function can be useful when defining format strings for a member. Most MDX expressions can be used to specify format strings; however, format strings cannot contain references to values of data cells other than the current cell value being formatted. Use this function to reference the current cell value.
Enclose all format strings within the MdxFormat( ) directive as shown in the examples.
Example
The following format string displays negative values for the current measure if the current [AccountTypes] member is of type “Expense”. CellValue refers to the current cell value that is being formatted. The CurrentMember function in the expression refers to the context of the cell being formatted.
/* Display negative values if current Account is an Expense type account */ MdxFormat( IIF(IsUda(AccountTypes.CurrentMember, "Expense"), NumToStr(-CellValue()), NumToStr(CellValue())) )
The following format string displays negative cell values as positive values enclosed in parentheses.
MdxFormat( IIF( CellValue() < 0, Concat(Concat("(", numtostr(-CellValue())), ")" ), numtostr(CellValue()) ) )
This example illustrates a dynamic member [Variance %] along the [Scenario] dimension. [Variance %] has the following formula, which specifies how to calculate its value from [Actual] and [Budget].
IIF(Is(Measures.CurrentMember, Title) OR Is(Measures.CurrentMember, Performance), (Actual – Budget) * 10, (Actual – Budget)*100/Budget)
[Variance %] also has the following format string, which specifies how its values should be displayed. In this case, based on the percentage value computed for a [Variance %] cell, a text value is displayed which conveys the importance of the number.
MdxFormat( CASE WHEN CellValue() <= 5 THEN “Low” WHEN CellValue() <= 10 THEN “Medium” WHEN CellValue() <= 15 THEN “High” ELSE “Very High” END )


About Open Weed Science
We are a community of Weed Scientists from around the globe passionate about Weed Biology, Ecology, Genetics and Management, and also Data Visualization and Data Analysis.
Our mission is to promote the sharing of research techniques, data visualization and data analysis from current work published in peer-reviewed articles.
We value open access knowledge-sharing as a strategy to enhance reproducibility within our discipline.
The Open Weed Science Team
| Member | Role | Domain(s) | Institute | Country | Contact |
|---|---|---|---|---|---|
| Maxwel C Oliveira | Leadership | Modeling | University of Wisconsin-Madison | BRA-USA |<EMAIL_ADDRESS>|
| Brendan C S Alexander | Member | Modeling, Applied Statistics | University of Illinois-UC | USA |<EMAIL_ADDRESS>|
| Ethann R Barnes | Member | Modeling | GreenLight Biosciences, Inc. | USA | |
| Lucas K Bobadilla | Member | Bioinformatics | University of Illinois-UC | USA |<EMAIL_ADDRESS>|
| O Adewale Ospitan | Member | Meta-analysis | University of California-Davis | USA |<EMAIL_ADDRESS>|
| Rodrigo Werle | Member | Modeling, Weed Management | University of Wisconsin-Madison | USA |<EMAIL_ADDRESS>|
| Sarah M Matos Marinho | Member | Text Analysis | Fundação Getulio Vargas-CEPESP São Paulo | Brazil |<EMAIL_ADDRESS>|
| Sarah Striegel | Member | Machine learning | University of Wisconsin-Madison | USA |<EMAIL_ADDRESS>|
| Stevan Z Knezevic | Member | Dose-response, Weed Competition | University of Nebraska-Lincoln | USA |<EMAIL_ADDRESS>|
| Zahoor Ganie | Member | Modeling | FMC Corporation | USA |<EMAIL_ADDRESS>|
Be a member of Open Weed Science
Click here and know how to join our community.


URTransformParamAnnotsArray
1.5 --2.0
*
:: ( Name | =
"Create"
or =
"Delete"
or =
"Modify"
or =
"Copy"
or =
"Import"
or =
"Export"
or =
"Online"
or =
"SummaryView"
)


Week 13 Fantasy Rankings: Kicker
by Billy HeyenThe byes are officially over, and for the rest of the season, fantasy football owners will have a pool of 32 guys to choose fromevery week. Before we get any further, I must point your attention to Michael Badgley, Harrison Butker, Dan Bailey, and Zane Gonzalez. All four are coming off byes, so they were potentially dropped, and all four are in the top-10 in our Week 13 fantasy kicker rankings. It's worth checking to see if you can pick them up as free agents. Badgley, in Denver this week and an absolute stud, is evennearlyworth a waiver claim.
More on Gonzalez here, too. We ranked him near the bottom of this list all season, figuring that his past struggles would eventually show up. But they haven't. He's made 26-of-29 field-goal attempts this season, along with all but one of his extra points. That includes making both of his kicks from beyond 50 yards. Gonzalez made us buy in.
WEEK 13 NON-PPR RANKINGS:
Quarterback | Running back | Wide receiver | Tight end | D/ST
Barring weather concerns, it's not really worth constantly streaming kickersbecause it's so random anyway. You might as well settle in with one for the rest of the season. Outside of the top 10, Ka'imi Fairbairn, Matt Gay and Younghoe Koo all have solid leg talent that will play in any stadium and at least manageable weather (although Fairbairn's struggles this season have been greater than expected, we still believe in the overall ability).
I'm not sure what to make of Joey Slye's rough Week 12, but I'm sticking with my belief in him for another week.
WEEK 13 PPR RANKINGS: Running back | Wide receiver | Tight end
Other than that, enjoy the Thanksgiving football! Hopefully your kicker doesn't ruin the day by missing four field goals or anything terrible like that. The good news is all six kickers will be playing indoors, so if there are any weather worries for the weekend, you can always grab someone for Thursday. Four kickers in our top 12 play on turkey day, so they should be solid choices.
Week 13 Fantasy Rankings: Kicker
| Rank | Player |
| 1 | Justin Tucker, BAL vs. SF |
| 2 | Greg Zuerlein, LAR @ ARZ |
| 3 | Michael Badgley, LAC @ DEN |
| 4 | Joey Slye, CAR vs. WAS |
| 5 | Harrison Butker, KC vs. OAK |
| 6 | Wil Lutz, NO @ ATL |
| 7 | Daniel Carlson, OAK @ KC |
| 8 | Brett Maher, DAL vs. BUF |
| 9 | Dan Bailey, MIN @ SEA |
| 10 | Zane Gonzalez, ARZ vs. LAR |
| 11 | Younghoe Koo, ATL vs. NO |
| 12 | Matt Prater, DET vs. CHI |
| 13 | Jason Myers, SEA vs. MIN |
| 14 | Eddy Pineiro, CHI @ DET |
| 15 | Ka'imi Fairbairn, HOU vs. NE |
| 16 | Mason Crosby, GB @ NYG |
| 17 | Matt Gay, TB @ JAX |
| 18 | Jake Elliott, PHI @ MIA |
| 19 | Josh Lambo, JAX vs. TB |
| 20 | Brandon McManus, DEN vs. LAC |
| 21 | Nick Folk, NE @ HOU |
| 22 | Austin Seibert, CLE @ PIT |
| 23 | Ryan Succop, TEN @ IND |
| 24 | Stephen Hauschka, BUF @ DAL |
| 25 | Robbie Gould, SF @ BAL |
| 26 | Aldrick Rosas, NYG vs. GB |
| 27 | Dustin Hopkins, WAS @ CAR |
| 28 | Randy Bullock, CIN vs. NYJ |
| 29 | Jason Sanders, MIA vs. PHI |
| 30 | Chris Boswell, PIT vs. CLE |
| 31 | Sam Ficken, NYJ @ CIN |
| 32 | Adam Vinatieri, IND vs. TEN |


Connecting
5 Jan 2018
Have you tried using any of the insight and techniques for growing trust and sincerity? How did it go?
Three years age, I worked at a Chinese software company. At that time, a very young colleague worked with me. I do not remember what caused the contradiction between us. The result is that we was not able to work together to accomplish a mission. One day, I asked him whether I could have lunch with him and I would buy lunch for him. In China, it is easier to talk when people have their lunch or dinner. I do not remembered what we talked about, but I remember how I felt when I talked. Most of time, I was a listener. I rarely presented my opinion when he was talking. I was just listening without bias and then I thought what he said. Through listening, I found the reason that led to the contradiction between us. And then I first admitted what I was dong wrong. I also sincerely expressed my opinion. We eliminated the conflict and established a deep trust through a lunck.
Try empathic listening - how did it go?
During this time, I studied at home alone. I plan to do empathic listening practice with my wife. I think she is the one I should most like to listen to. But the Christmas and New Year are her busiest time. I guess I can do the practice with her later.
How did you find the loving kindness meditation?
After I tried the loving kindness meditation, I found something interesting happen to me. I feel more relaxed, more satisfied, and more happy. I am easier to fall asleep. I started to care about around people, like how he is today and why she does not feel well.
Complete the political awareness exercise here in writing.
When I worked for the former company, I participated a decision to decide whether a product should be re-develop. My opinion: The product must be re-developed. Because the current product could not meet the customer needs. Due to the movement of people, the maintenance was geting harder and harder, and there are some issues that were hard to fix. The maintenance cost of the project was becoming higher and the market competitiveness was getting weaker. Another stuff opinion: We should continue maintenning the current product. There are technical risks to the development of new product. A significant number of users were using the current product, and the maintenance fees paid by users was a major source of revenue for the company.


--- layout: default --- {% include post.html param="Include parameter value from _layouts/post.html" %}


{% extends 'tracker/base.html' %} {% if noiframe %} {% block main_content %}
You didn't set a stream site for this anime.


Methods
(static) apply(fn, args) → {*}
Functional `apply` function (takes no context).
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function | |
args |
Array | * |
- Source:
Returns:
- Type
- *
(static) call(fn, …args) → {*}
Functional `call` function (takes no context).
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
fn |
function | ||
args |
* |
<repeatable> |
- Source:
Returns:
- Type
- *
(static) compose(…args) → {function|function}
Composes all functions passed in from right to left passing each functions return value to
the function on the left of itself.
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
args |
Object |
<repeatable> |
- Source:
Returns:
-
- Type
- function
-
- Type
- function
(static) curry(fn, …argsToCurry) → {function}
Curries a function based on it's defined arity (note: rest args param (`...rest`) are not counted in arity).
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
fn |
function | ||
argsToCurry |
* |
<repeatable> |
- Source:
Returns:
- Type
- function
(static) curry2(fn) → {function}
Curries a function up to an arity of 2 (won't call function until 2 or more args).
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) curry3(fn) → {function}
Curries a function up to an arity of 3 (won't call function until 3 or more args).
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) curry4(fn) → {function}
Curries a function up to an arity of 4 (won't call function until 4 or more args).
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) curry5(fn) → {function}
Curries a function up to an arity of 5 (won't call function until 5 or more args).
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) curryN(executeArity, fn, …argsToCurry) → {function}
Curries a function up to a given arity.
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
executeArity |
Number | ||
fn |
function | ||
argsToCurry |
* |
<repeatable> |
- Source:
Throws:
-
- When `fn` is not a function.
- Type
- Error
Returns:
- Type
- function
(static) flip(fn) → {function}
Flips a function's first and second arguments and and returns a new function requiring said arguments in reverse.
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) flip3(fn) → {function}
Same as `flip` except returns a flipped function of arity 3.
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) flip4(fn) → {function}
Same as `flip` except returns a flipped function of arity 4.
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) flip5(fn) → {function}
Same as `flip` except returns a flipped function of arity 5.
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) flipN(fn) → {function}
Returns a curried function requiring given functions arguments in reverse
(returned function expects 2 or more variables (curried at 2 or more args)).
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) fnOrError(symbolName, f) → {function}
Returns a function or throws an error if given `f` is not a function.
Parameters:
| Name | Type | Description |
|---|---|---|
symbolName |
String | Error message prefix. |
f |
function | * | Expected function. |
- Source:
Throws:
-
- Error if `f` is not of `function`
- Type
- Error
Returns:
- Type
- function
(static) id(x) → {*}
Returns passed in parameter.
Parameters:
| Name | Type | Description |
|---|---|---|
x |
* |
- Source:
Returns:
- Type
- *
(static) negateF(fn) → {function}
Negates a function that takes one/no argument.
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) negateFN(fn) → {function}
Returns a negated version of given function.
Returned function is variadiac (takes one or more arguments).
Parameters:
| Name | Type | Description |
|---|---|---|
fn |
function |
- Source:
Returns:
- Type
- function
(static) noop() → {undefined}
No-op ('op' as in 'operation') - Performs no operation 'always' (good for places where
a value should always be a function etc.).
- Source:
Returns:
- Type
- undefined
(static) toFunction(x) → {function}
If given value is not a function, wraps it an 'identity' function (function that returns given value untouched) else returns given value. (useful in
functional composition).
Parameters:
| Name | Type | Description |
|---|---|---|
x |
function | any |
- Source:
Returns:
- Type
- function
(static) trampoline(fn, fnNameopt) → {*}
Trampolines function calls in order to avoid stack overflow errors
on recursive function calls; Tail recursion replacement.
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
fn |
function | Function to trampoline. | |
fnName |
String |
<optional> |
Optionally restrict trampolining only to function with specific name. |
- Source:
Returns:
- Finally returned value.
- Type
- *
Example
// Instead of ... (which is prone to stack-overflow in
// non-tail-call optimized environments (es5-es3))
const factorial = n => n > 1 ? n * factorial(n - 1) : 1;
// We do
const
factorialProcess = (n, agg = 1) => {
n > 1 ? () => factorialProcess(n - 1, agg * n) : agg,
},
factorial = trampoline(factorialProcess)
// will not overflow as we are performing tail call elimination
// by returning thunks from factorial process which run in `while` loop
// within `trampoline`.
;
(static) until(predicate, operation, typeInstance) → {*}
Run `operation` until predicate returns `true` (like a functional
version of a while loop).
Parameters:
| Name | Type | Description |
|---|---|---|
predicate |
function | :: a -> Boolean |
operation |
function | :: a -> a |
typeInstance |
* | :: * - A monoidal zero or some starting point. |
- Source:
Returns:
- What ever type `typeInstance` is
- Type
- *


Inspired by this snarky Medium blog post comparing React to AngularJS, this example shows how easy it is to create a simple commenting widget.
It uses the Showdown library to convert Markdown to HTML before inserting it using a 'triple-stache'. (Note that Ractive.js doesn't sanitize HTML before inserting it – that's the app's responsibility.)
The code for submitting a comment is mostly self-explanatory. The post
proxy event's original is the underlying submit
DOM event – we prevent its default (which would reload the page). Later, we fire a new comment
event, onto which we can hook additional events, such as saving to a server:
ractive.on( 'new comment', function ( comment ) {
// send comment to server...
$.post( backendURL, comment, function ( comments ) {
// ...and make sure we've got the latest (sanitized!) comments
ractive.set( 'comments', comments );
});
});


Around the World and Back Again
Home
Jessica Tatham
About Me
Resume
Email Jessica
Facebook
LinkedIn
Blogs
Cultural Blogs
Technical Blogs
Travel
Photography
Videos
Hello World!


ALADDIN A film review by Frank Maloney Copyright 1992 Frank Maloney
ALADDIN is an animated film from the Walt Disney Pictures. It features the voice of Robin Williams. Music by Alan Menken, with lyrics by Howard Ashman and Tim Rice. Rated G, suitable for all audiences.
ALADDIN, which ought to be called GENIE, is more properly a remake of THE THIEF OF BAGHDAD than a telling of the story of Aladdin. (I wonder who here has seen Tim Burton's ALADDIN AND HIS WONDERFUL LAMP, which he made for "Faerie Tale Theatre," with Valerie Bertinelli, Robert Carradine, Leonard Nimoy, and James Earl Jones?) THE THIEF has been made four previous times, including one of the greatest of all silent films with Douglas Fairbanks, Sr., and directed by Raoul Walsh; others are the 1940 special-effects extravaganza with Sabu, music by Miklos Rozsa, directed by Ludwig Berger, as well two newer and more dismissible versions (one with Steve Reeves, the other made for television with Peter Ustinov as the king along with Roddy McDowell, Terence Stamp, Frank Finley, and Ian Holm).
The Disney version is totally dominated by two entirely different forces, Robin Williams and computer animation. Undoubtedly the great achievement of ALADDIN is yoking these two disparate elements into one seamless whole. The other elements of a big animated Disney musical, in the manner of BEAUTY AND THE BEAST and THE LITTLE MERMAID, at least, are unfortunately either lacking or sadly diminished in this film.
For one thing, the music is quite dismissible. There are no really memorable songs. The best number is a high-speed patter song-cum-production-number sung by Robin Williams's Genie. Nothing can compare with the score of MERMAID, where the only problem was the small number of songs (compared to a live musical). Nothing can compare with individual songs from BEAUTY, either, like Mrs. Potts singing the title song. Alan Menken's lyricist Howard Ashman died of AIDS while working on the ALADDIN score, and Menken's new collaborator, Tim Rice (who had previously collaborated with Andrew Lloyd Weber), no doubt was given a nearly impossible job to do. The results are forgettable, and I doubt the score will get an Oscar nomination, as did those of the previous two Disney musicals.
For another, the story line is skewed away from developing an interesting human character, especially in the form of Beauty, in favor of Genie's pyrotechnics. This results in a less resonant, less universal quality, and reduces the value of the film to the value one brings to Williams's unique talents. Neither the Thief nor the Princess can hold our interest on his or her own. The villain, the sorcerous Vizier, his parrot-familiar, and the bemused little king provide entertainment value, but not much in the way of human elements.
So what about Robin Williams's Genie? Nothing much, except his performance is the core of the film, the only real reason to see it (and resee it). It is a marvel of breath-taking free association, of verbal shape-shifting, and of a distinctly un-Disney sense of humor. Everything about Genie reminds one more of the Warner Bros. Looney Tunes that were constantly tweaking Disneyesque pretensions to high art. But in addition, Genie and his treatment also put me in mind the distinctly hallucinatory quality of some of Disney's most interesting films, such as THE THREE CABALLEROS, parts of FANTASIA, or even ALICE IN WONDERLAND. Genie is more alive, more intriguing, than any merely human character, and Robin Williams finds himself in the character. The fact that the animators could visualize the free-form flow of Williams's mind is a tribute to their skills and to their willingness to take chances in a very un-Disneyesque way.
All of us computer geeks will be fascinated to see the computer animation used here. I think that it must be more extensive, and better integrated, here in either of the two previous musicals. Instead of one or two set pieces, such as the chandelier and ballroom in BEAUTY, we have here computer animation in virtually every sequence; we have swooping rides on the magic carpet, we have the streets and alleys of Aqaba and the palace itself, we have a rolling cylinder, and a lot more. I look forward to the day when I won't be able to spot computer animation, and quite possibly that day has already come in some scenes and effects, but not in all. It still has a tendency to draw attention to itself, to look cold and mechanical, if I may so inexactly characterize the look. It allows animators to do things that they would not attempt otherwise, and for that I am grateful; but still one does look forward to day when it not so distractingly clever and self-apparent.
In general, ALADDIN was not the success BEAUTY was, but it still has powers and attractions and entertainment values that more than justify a matinee ticket. Remember that there will lots of kids in the audience and be patient. Once the movie starts you will hardly hear a peep from them.  The kids will like it and you will like it.
-- Frank Richard Aloysius Jude Maloney
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


My Software Developer Journey
The story so far...
My journey to becoming a software developer began 3 years ago when I decided it was time for a career change. So I quit my job and began my search for a new career field. Well, unfortunately that didn't quite go as expected. Through a career coach I did a lot of exercises and thorough self-analysis, and it resulted in me returning back to being an electrician. Going into industrial electrical, I thought things would be different. I was wrong.
When that didn't work out it was my partner who had suggested that I try getting into UI design. I was artistic and had an eye for design, so I figured this would be a good fit. During a work slow down I was laid-off and this was a perfect opportunity to pursue my new career in design. So I signed up for design school, and was off to the races. The first couple months of design school went well, until I began to dread doing the work. Uh-oh I thought, this is not a good sign. The whole time though, I would be making these designs and it would occur to me that being able to actually build these designs would seem to be very rewarding. And that's how I discovered my new passion, software development.
Throughout my life I have always had a deep fascination with computers and what makes them work. There was a mystic that I could no longer ignore, and once I began learning to code I knew I had arrived. And, what's this? You can teach yourself to code and land a cool job! I had finally found the career that really excites me.
Becoming a self-taught developer is very tough. The lack of structure and direction makes this a tricky proposition. I decided that if I really wanted this that I would need some help. That's when I discovered the Software Developer Mastermind Program. In this program you are pushed beyond your comfort zone and made to build projects that increase in difficulty and complexity. Building projects has skyrocketed my skills to the next level, giving me the confidence I need to get ahead. I am so excited for where this career will take me in the future.


In the ConstantActuator model the force F is strictly proportional to the current i as indicated by the converter constant c. However, there is an additional non-linear force component in such an actuator that is due to the dependency of the coil inductance L on the armature position x. The inductance increases as the armature moves into the stator. The total force is
1 2 dL F = - i -- + c i 2 dx
Both force components are properly considered with a simple permeance model as shown in the figures below. Figure (a) illustrates the dimensions of the axis-symmetric moving coil actuator that are needed in the permeance model. Figure (b) shows partitioning into flux tubes and the permanent magnetic field without current. G_ma and G_mb both are the permeances resulting from a series connection of the permanent magnet and air gap sections. The field plot of the coil-imposed mmf is shown in figure (c) without the permanent magnetic mmf (H_cB=0). The placement of the magnetic network components in figure (d) retains the geometric structure of the actuator. In figure (e), the permeance model is restructured and thus simplified.


Car title is required.
Car price is required.
Car year is required.
Car imageurl is required.
Contact Email is required.


EBD - Easton Bible DIctionary
Perfumes
PERFUMES
"PERFUMES "were used in religious worship, and for personal and domestic enjoyment (
Exodus 30:35-37
;
Proverbs 7:17
; Cant.
3:6
;
Isaiah 57:9
); and also in embalming the dead, and in other funeral ceremonies(
Mark 14:8
;
Luke 24:1
;
John 19:39
).
"PERFUMES "were used in religious worship, and for personal and domestic enjoyment (Exodus 30:35-37; Proverbs 7:17; Cant. 3:6; Isaiah 57:9); and also in embalming the dead, and in other funeral ceremonies(Mark 14:8; Luke 24:1; John 19:39).


Let ABC be a triangle having the angle ABC greater than the angle BCA.
I say that the side AC is greater than the side AB.
If not, either AC equals AB or it is less than it.
Now AC does not equal AB, for then the angle ABC would equal the angle ACB, but it does not. Therefore AC does not equal AB.
Neither is AC less than AB, for then the angle ABC would be less than the angle ACB, but it is not. Therefore AC is not less than AB.
And it was proved that it is not equal either. Therefore AC is greater than AB.
Therefore in any triangle the side opposite the greater angle is greater.
| Without going into details, the law of sines contains more
precise information about the relation between angles and sides of
a triangle than this and the last proposition did. The law of sines
states that
where a denotes the side opposite angle A, b denotes the side opposite angle B, and c denotes the side opposite angle C. In other words, the sine of an angle in a triangle is proportional to the opposite side. By means of the law of sines the size of a angle can be related directly to the length of the opposite side. |


|
Perl Weekly
Issue #64 - 2012-10-15 - Is Mojolicious anti-CPAN or is it a gateway-drug?
latest | archive | by Gabor Szabo
|
|
Hi,
I am back from Budapest, but this was a very difficult week for me. A dear friend of mine in Transylvania - Enikő Becsey-Imreh - has suddenly passed away. May she rest in peace.
The Perl articles:
|
|
|
Announcements
|
Alien::Base Beta Release!
The Alien::* modules make it easy to install external (non-CPAN) dependencies in a CPAN module. That usually makes the life of the user easier, but creating Alien modules was hard. The Alien::Base module should make it much easier for the developer. Go ahead, test it.
|
|
|
|
Articles
|
Why LedgerSMB uses Moose. An intro for PostgreSQL folks
The article starts off by describing the major sources of bugs in any application, and then explains how using Moose can eliminate some of them. The comparison to SQL data safety is an interesting way to show Moose. (BTW, this article is a few months old, I just misplaced it back then.)
|
|
My hiring principles
Do you want to get hired by Andrew Shitov? First make sure you have a picture with Larry Wall. Then read the article for further clues.
|
|
Discussion
|
Please Don't Write Snowflake Code
So what do you say, should Perl projects have a standard style? Should they pick one from several standard styles? Is it OK to use your personal coding style in an Open source project? What about within a company?
|
|
Thoughts on a Catalyst Roadmap
After running the Catalyst poll, John Napiorkowski is now discussing what is Catalyst and where it is going? He explains what a 'Product Statement' is, in a way that hopefully can bridge the gap between the technology oriented people and the marketing oriented people and connects that idea to the road-map.
|
|
Testing
|
CPAN Testers Summary - September 2012 - Listen Like Thieves
Several entries, let me point out two: Brian Cassidy is making progress checking if the Changes file in every distribution is according to the 'standard', and Neil Bowers asked how to get more test reports on 'development releases' of CPAN modules.
|
|
Releases
|
|
|
Citrus Perl 5.16.1 Updated
Citrus Perl is a Perl distribution for Linux, Windows and Mac that already contains Wx to make it easy to develop desktop applications.
|
|
Code
|
|
|
|
|
Mojolicious and the no-CPAN-dependency philosophy
There was a thread of interesting articles with relatively low level of mud-sliding. Is Mojolicious Anti-CPAN or is it a gateway-drug to get people and companies slowly embrace CPAN?
|
Mojolicious: an unexpected result
The original article by Ovid in which he suggests that companies using the Mojolicious (with its no-CPAN-dependency policy) tend to be avoid using CPAN and tend to reinvent the rest of the wheels themselves. As I can tell, Ovid does not say which is the cause and which is the result.
|
|
Counter-productive over time
In his response, Sawyer explains why he dislikes the idea of no-dependency. How, he thinks, it strengthens the 'Don't use CPAN here' policy of some companies.
|
|
Why People Don't Like Mojolicious
In his analysis, Joel Berger first covers a few reasons why people might dislike Mojolicious, but then he takes the opposite stand. He thinks that Mojolicious acts like a gateway-drug. The thing that can handed to people (and companies) that are afraid of CPAN. Once they tasted it and liked it you can now offer them more CPAN modules.
|
|
|
Personally I like the idea to let people install one single thing that will make them super-heros, or at least useful, but I think this could be solved by packaging. So there could be a small My::Application module on CPAN and a separate My::Application::And::All::Its::Dependencies package somewhere else that already includes all the dependencies. There could even be a Perl distribution that already includes all that to make it super-easy to get started. (Hint: DWIM Perl is heading there.)
|
Grants
|
|
|
Editors
|
|
|
Perl 6
|
Parsing STEP
STEP is a format of CAD files aka. ISO-10303. Solomon Foster uses the grammar extension capabilities of Perl 6 to be able to build a strict parser that will enforce the standard, and one, that can also parse real-world, not so standard files.
|
|
Survey
|
|
|
Weekly collections
|
|
|
|
|
|
|
Other Events
Some events that are not Perl specific, but that have some Perl related contents or a Perl booth.
|
|
|
Perl booth at T-Dose
The Technical Dutch Open Source Event (T-Dose) will be held on 27-28 October, 2012. There is going the be a Perl booth, probably with a lot of books and an almost real-life sized camel.
|
|
Events
I usually list the next 3-4 events here. The list of all the events can be found on the web site. If your Perl event is not listed there, please let me know.
|
|
|
|
|
|
|
|
|
|
|
You know, you could get the Perl Weekly right in your mailbox. Every Week. Free of charge!
|