The future of Server.js 💻
First, let me give you a little context. It was 2016 and I was teaching Node.js to some friends. Then (and now) the state of the art was Express, with the two main alternatives being Koa and Hapi.
However, I was very dissatisfied having to explain how you should include a bunch of middleware to do the most basic things. It's cumbersome, error-prone and insecure by default:
// Example with `express`:
const express = require('express');
const bodyParser = require('body-parser');
const compression = require('compression');
const app = express();
app.use(bodyParser.json());
app.use(bodyParser.urlencoded({ extended: true }));
app.use(compression());
// ... many other middleware needed
app.get('/', (req, res) => res.send('Hello World!'));
app.post('/', (req, res) => res.send(`Hi ${req.body.name}`));
app.listen(3000);
I decided to put a bunch of middleware together, throw in a bit of ES6+ and call it server.js. I have yet to come close to any other solution that is as intuitive and flexible as this! The same in server
:
// Example with the current `server`:
const server = require('server');
const { get, post } = server.router;
server([
get('/', () => 'Hello world'),
post('/', ctx => `Hi ${ctx.body.name}`)
]);
Now I am in a point where I really want to make server@2
and I have many ideas after thousands of hours of experimentation and trying several frameworks in both the front-end and the back-end:
// Example with my idea for server@2:
import server, { get, post } from 'server';
server([
get('/', () => 'Hello world'),
post('/', ctx => `Hi ${ctx.body.name}`)
]);
These are the ideas I have so far to improve from server@1
to server@2
:
- Import syntax like you are used in
React
or any other modern front-end workflow. This is coming soon in native Node.js so you'll be able to work better. - Simplified response because server templates are becoming more rare in favor of APIs.
- Improved error handling. In v1 it's similar to Express, but we can do much better.
- Lightweight with no dependencies (or bundled). Install it in ~2s and you are ready to go.
- Plugins are something that I've been working on very hard but were never released.
- Tutorials including how to make server.js from scratch and many others.
- Minimal breaking changes. Let's keep all the good parts and improve the bad ones!
The problem
As the project evolved I got a fulltime job and I could not spend so much time on it anymore. Tutorials were not written, Github issues went unanswered and the documentation is still quite basic.
The main problem is that I do not have time. I need to work fulltime (for food AND to keep my immigration VISA in Japan). I'm in a make it or break it situation, either I continue working fulltime or I work on server.js with the community.
Donations have not worked so far, I got $5 in total for the 2 years since the project started. That is the equivalent of $0.21/month, which is totally not sustainable.
Possible solutions
So from my point of view and current situation, I have 3 potential options for server.js:
Do it for myself. Keep it very closed (read-only Github, offer no help, etc). While the community involvement has been highly positive, it still requires a large amount of time that I do not have. I would very much not like this though, I love Open Source and the community!
Sell licenses. With increased monetary support and a paying community, I can focus my effort on what matters while reducing the support needed. I really like the way Alvaro Trigo is doing it with Fullpage.js. This has many pros and cons to be considered.
Find big sponsors. With a big company paying me I can focus exclusively on server.js for ~1 year. Facebook, Google, Stripe, Airbnb, etc. have shown great contributions to open source. I can live with $3000-4000/month (gross) and even spare some for design and copywriting.
I really think it is the ideal moment for a lightweight Node.js server that uses modern workflows and it's easy to get started with. While Javascript on the back-end is not as sexy as the front-end, I believe server.js can turn things around.
My preferred method would be 3 doubtlessly. But I do not know how to reach to those companies and get them to contribute, or what to offer in exchange. If you can help or have any advice, please contact me or tell me on Hacker News:


RiCal
What
RiCal is a new Ruby Library for parsing, generating, and using iCalendar (RFC 2445) format data.
RiCal distinguishes itself from existing Ruby libraries in providing support for
- Timezone components in Calendars. This means that RiCal parses VTIMEZONE data and instantiates timezone objects
which can be used to convert times in the calendar to and from UTC time. In addition, RiCal allows created calendars
and components to use time zones understood by TZInfo gem (from either the TZInfo gem or from Rails ActiveSupport => 2.2).
When a calendar with TZInfo time zones is exported, RFC 2445 conforming VTIMEZONE components will be included, allowing
other programs to process the result.
- Enumeration of recurring occurrences. For example, if an Event has one or more recurrence rules, then the occurrences
of the event can be enumerated as a series of Event occurrences.
Installing
sudo gem install ri_cal
The basics
Demonstration of usage
Forum
http://groups.google.com/group/ri_cal_newgem
TODO – create Google Group – ri_cal_newgem
How to submit patches
Read the 8 steps for fixing other people’s code and for section 8b: Submit patch to Google Groups, use the Google Group above.
TODO – pick SVN or Git instructions
The trunk repository is svn://rubyforge.org/var/svn/ri_cal_newgem/trunk
for anonymous access.
OOOORRRR
You can fetch the source from either:
- rubyforge: http://rubyforge.org/scm/?group_id=8234
git clone git://rubyforge.org/ri_cal_newgem.git
git clone git://github.com/GITHUB_USERNAME/ri_cal_newgem.git
TODO – add “github_username: username” to ~/.rubyforge/user-config.yml and newgem will reuse it for future projects.
git clone git://gitorious.org/ri_cal_newgem/mainline.git
Build and test instructions
cd ri_cal_newgem rake spec rake install_gem
License
This code is free to use under the terms of the MIT license.
Contact
Comments are welcome. Send an email to Rick DeNatale
Rick DeNatale, 27th April 2009
Theme extended from Paul Battley


{% with messages = get_flashed_messages() %} {% if messages %}
This webpage is only for experimental purpose. It may not be available in future. For support drop an email to<EMAIL_ADDRESS>We store the clients IP addres to tract the usage of the application.


Louise Shelton
Filmmaker, passionate about the environment, water sports and the great outdoors
I have recently graduated with a 2:1 BA Hons in Filmmaking and Creative Media
from UWE_Film and I am now ready to embark on my next adventure.
From an early age I was captivated by high quality film and television productions and in particular period dramas, such as ‘Pride and Prejudice’. My passion for outdoor activities, including white water kayaking, mountaineering and water sports, has led to my interest in wildlife and environmental documentaries and how, through different medias, these can impact the way the general public think and behave.
During my time at College and then at University, I have gained experience in many aspects of film production and I am looking forward to further developing skills in producing, directing and production design in the future. Ultimately, I hope to influence people’s attitudes and the responses of industry and governments to environmental threats.


Tranceformer directed by Stig Bjorkman A film review by Marty Mapes Copyright 1998 Marty Mapes
**1/2 (out of 4) Filmmaker Lars Von Trier (Breaking the Waves) bought a kayak. His friend and collaborator Ernst-Hugo Järegård was surprised and asked if he was afraid, with the water so cold. No, he replied, he would be too busy maintaining his balance to have any fear.
That story, from the new documentary about Von Trier called Tranceformer, is a fitting metaphor for his career. He is comfortable when he is working, when he is creating. He can stand on a table and direct a film crew, but when he is alone, when he is idle, - when he doesn't have to work to keep his balance - his phobias take over.
Von Trier was raised without much discipline. His parents often made him set his own boundaries. He recalls feeling as though discipline was a form of love he didn't receive. As a result of his upbringing, Von Trier now has a lot of demons, some of which are touched upon in this documentary. He talks rather casually about his intense self-loathing and his myriad encumbering phobias.
It is no wonder that so many of his films are dark and brooding, and that they often explore the nature of Evil. Zentropa (A.K.A. Europa) is shot in dark black and white with only occasional tints of pastel colors. Set six moths after the end of WWII, it deals with the lingering violence and anger of fading Naziism.
In Breaking the Waves, the heroine is naive and neurotically dependent. The film watches her decay as she copes with God, spiraling guilt, and the rejection of her community following her husband's paralysis.
The first films Von Trier ever made (when he was still a child) showed an understanding of film's use and conventions. They also show an understanding of when to break those conventions. At film school he rebelled against the rules of filmmaking as set forth by his teachers - to the delight of his fans. Breaking the Waves, for example, was shot entirely using hand-held cameras.
Von Trier is reputed to be camera-shy; he apparently gives very few interviews. That reputation is supported by the fact that Tranceformer is less than an hour long, with as many film clips and interviews with friends as there are moments of Von Trier on-camera. That doesn't detract from the documentary, however, because the friends say things that Von Trier might not confess, and the clips show how Von Trier's personality is rendered on celluloid.
Nevertheless, Tranceformer seems incomplete by itself. Von Trier is a quirky, neurotic character, but he doesn't come across as truly fascinating unless you know what he has created on film.
To be fully enjoyed, Tranceformer needs to be accompanied by some foreknowledge of the man and his work, or by an interest in renting some of his films.
Check out more current movie reviews at http://www.indra.com/~mmapes/ -- Marty Mapes<EMAIL_ADDRESS>Movie Habit http://net.indra.com/~mmapes
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


You can disable the directive, as well as each selection item in it. As you might have guessed, you can do this programmatically, on the fly. When the directive is disabled, You can still toggle the dropdown button and see the items, but some of the directive's button will be hidden.
Click one of the buttons below to disable or enable the directive.
You need to use disable-property
attribute to define which object is disabled / enabled.
Click one of the buttons below to disable or enable the first browser.
Define your directive:
<div
isteven-multi-select
input-model="modernBrowsers"
output-model="outputBrowsers"
button-label="icon name"
item-label="icon name maker"
tick-property="ticked"
...
disable-property="disabled"
is-disabled="disableDir"
>
</div>
Define your input-model:
| { | icon: "{{removeHost(row.icon)}}", | name: "{{row.name}}", | maker: "{{row.maker}}", | ticked: {{row.ticked}} | }, |
Look at the output-model
below to see the values getting updated
as you select / deselect an item in the directive. Icons in the objects are actually full HTML img
tag, shortened for simplicity.
| { | icon: "{{removeHost(row.icon)}}", | name: "{{row.name}}", | maker: "{{row.maker}}", | ticked: {{row.ticked}} | }, |


This was my first serious trip. I heard about dramamine as a hallucinogen while at a camp in CO.  I decided to try it for myself a few weeks after returning home with a few friends. The first time I ate 18 and smoked a bunch of shwag, but passed out cold before feeling anything. I do remember briefly waking up and seeing a shadow through the door to my buddy's porch and I 100% thought it was a very tall person just standing there casually, but I thought nothing of it and went back to sleep. Then a friend figured out we should take something to keep us awake and do it the next weekend.
We went to my friend's soccer game and then a group of 4 of us went back to his house and ate them with no-doz around 10pm.  It was a good atmosphere for this serious of a trip and I think that was really important. I don't know how much time passed, but after a little while a sober friend that had stopped by started cracking up and said 'What the hell is wrong with him?' I guess I had been intensly staring at him for like 10 minutes. That's when I realized I wasn't just stoned. The odd thing about this drug is I have no concept of reality. After the sober kid left we were all sitting around watching the tv and of all things to break the eerie silence, one of my friends suddenly threw-up on the carpet, he had been under the weather before taking them. It was kind of weird, but probably didn't get the reaction it should have had we been straight.
He went back to a bedroom so we went back to make sure he was alright and he was so no harm done. I have to make one quick correction, there was one other sober person there who was into getting high, but chose to take the night off. So he was talking to us but every time I said anything everyone would start laughing and I had no idea what was going on. After what seemed like twenty minutes of this, I finally had to ask and they said I was making no sense at all.  That is one very strange feeling, having everyone in a room staring at you dumbfoundly and nothing you can say to make sense of the situation will come out. I might as well have been speaking a different language.
At this point it had been a few hours and it was getting really late/early so we retreated to different rooms to try to get some sleep. I stayed in the family room and fell asleep for maybe 15 minutes on and off for the rest of the night which was the craziest part of the trip upon looking back. I would get up and accidently step in the pile of puke next to the chair from my friend ealier (I guess we didn't clean it for whatever reason) but I couldn't think to care. I had a pretty heavy duty robot-walk and I know I was roaming around the hallway of this basement where we all hung out but I'm really not too sure why.
At probably 3 or 4 am I decided to go outside because I saw a huge group of friends from school and one of the office counselors standing around my buddy's trampoline. Luckily his house is secluded in the woods, or this could have been a bad situation. I was freezing and seeing my breath, but as I'm writing this, it doesn't seem too logical because it was a hot September in Indiana. hmm... Anyways, I took off my shoes and the T-shirt I was wearing under my sweatshirt and then returned to the group by the trampoline. Yes, I was cold so I took clothes off, another thing that makes no sense.
They were all talking about jumping on it and there was all sorts of comotion, but I kept insisting 'We can't get on the trampoline now, we'll wake his parents up!' briefly during that I had a view of me standing at the edge and talking but I saw no one was there. Literally, I was looking at myself from behind. The next major hallucination was a friend whom I had just met from my school talking to me about skiing, but I blinked and he was all of the sudden a good 150yards out in the woods. I walked out there (still in my vomit drenched socks) to continue the conversation, but when I got to him he once again moved, this time back to the porch so I walked back. This sequence happened at least another 3 or 4 times until I decided he must have to get back home being so early and all.
[Erowid Note: Driving while intoxicated or tripping is dangerous and irresponsible because it endangers other people. Don't do it!]
I think I got some more sleep but it was very restless. I thought I was pretty much sober so I drove home at 7am but once gone I started feeling a lot of anxiety about talking to my parents. I could have sworn that my mom and sister were sitting in the car with me asking why my pupils were so dialated and I carried on that conversation for a few minutes but at this point I was at least sober enough to know that couldn't be right. Unfortunatly I couldn't figure out which key to use so I had to have my parents unlock the door.
'Hi Honey, why are you home so early. And why are your pupils so dialated? Rick [dad], come take a look at this.'
The best excuse I could think of was 'They aren't, and anyways it's dark in here.' My dad is a pretty cool guy, I'm pretty positive he has known when I've been messed up a few times but didn't say anything to my mom. Even he said 'Well, I have to say, you do not look right.' I looked at the mirror and I definetly looked FUCKED up. They let me walk away to go take a shower because I told them I was not feeling well and that's why I left so early. I was still seeing bugs and things that were not there for the rest of the day, but I didnt look so bad anymore so I just layed on the couch and buried my face in books all day so they couldn't see my eyes. I had to catch myself once right before dinner because I saw a swarm of gnats flying around in the kitchen and almost said 'What are all these gnats doing in here?' but right as it was about to come out I stopped and thought wait, those might not be there and they disappeared just like that.
I still saw little changes in light and flickers out of the corner of my eye through most of monday at school and would periodically turn around really fast in study hall but I don't think anyone besides my friends who knew about my weekend thought anything of it. It was surely one of the craziest things I have experienced but not necessarily bad as I look back. It took a few months to analyze the night and thats when I realized the things I saw were not there. I'm writing this a few years afterwards and still realizing some of the things I thought were reasonable, were in fact hallucinations. I have yet to trip like that again and really had no interest in another dramamine experience until just the other day. In a lot of ways I want to try it again, this time knowing what im in for and without having to talk to parents.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Ticke ID: 409788
Name
Parker Seidel
No active support
Email:
<EMAIL_ADDRESS>Response Time:
72hours,60hours left
Last Action:
Never been locked
Status:
Link to publik post
Not answered.


I recieved my order of 1 gram of 2-aminoindan, and decided to do a quick bioassay.
Set: bedroom, with a few friends, music playing.
Mindset: in considerable pain due to unknown arm injury, unable to move arm or type without severe pain.
No medications or supplements were being taken, cigarettes were occasionally smoked, 120mg dihydrocodeine had been taken the previous night, but had worn off by the time the dose was taken.
100mg was weighed out, and split in half to give two doses of approximately 50mg, 50mg was divided into two 25mg (approximately) lines, and insufflated, one into each nostril, this was at 14.34 on 30/12/2005, the time is now 07.57 next day.
The burn produced on insufflation was intense, worse than snorting methamphetamine, Virola resin or vilca/yopo snuff, I wouln't reccomend insufflation of this compound, it literally brought tears to me eyes, streaming down my face as I gripped onto my arm-chair handles.
The pain in my arm appeared for no apparent reason after waking up two days ago, movement was severely restricted, and quite sever pain, after about 10-20 minutes post-insufflation of the dose of 2-AI, the pain had significantly decreased.
A few friends, including my girlfriend came over, we all chilled out, they were aware of the substance I was on, but were all sober, the pain had noticeably decreased by quite enough to be able to move my arm, although still quite sensitive.
Around 4-5 hours later, my friends left, leaving my and my girlfriend alone, although I was by now, again in severe pain, and feeling, paradoxically enough, very tired, but yet unable to sleep, my girlfriend then left, at around 7-8 pm, as she decided it was best I rest alone for a while.
I immediately laid down, smoked a cigarette, and attempted to go to sleep, at first, I took 2.5mg nitrazepam to help sleep, and fell into a very shallow doze, with many thoughts rapidly running through my head, I took 25mg promethazine to help actual sleep, which did nothing, but quieted the mental stream of thoughts, to my dissapointment, this lead to taking a further 50mg nitrazepam, and laying down trying to sleep.
Sleep just would not happen, 50mg of nitrazepam should by all rights, combined with the promethazine, knocked me out cold, but I am still wide awake, alert, and feel no ill effects from the substance, the pain in my arm, has now almost gone, the time now is 8.08 AM, and although not wired or jittery, I am wide awake, and very alert, sedatives or no sedatives, the 2-AI totally overpowered them.
Pulse rate is fairly rapid, breathing is regular, no jitteriness, tweaked out feelings, just relief from pain, and total alertness and a feeling of well-being, not so much euphoria, but the general feeling all isn't too bad.
I just took a further 100mg or so, in two lines, to keep away any unpleasant feelings that typically come from all-night periods of wakefulness, and as yet, have felt no ill effects.
I had read from another subject who has taken 2-aminoindan, that pain relief is roughly equipotent with morphine, although second-hand advice, I would not personally disregard it, as the subject sharing the information has quite considerable knowledge of pharmacology.
Apparently, 2-AI is synergistic with the antinocioceptive abilities of typical mu-opioid agonist painkillers, although I have yet to try the two in combination, I will, and hopefully, this will help me reduce the dosage of the painkillers I must take for a chronic knee condition.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


{% extends "global/Page.html" %} {% load staticfiles otree_tags %} {% block title %}
{% if player.treat <= 5 %}
In Part {{ Constants.part_fluid }} you will participate for {{ Constants.rounds_fixed }} rounds with the same {{ Constants.others }}
other players from Part {{ Constants.part_fixed }}. While, each round in Part {{ Constants.part_fixed }}
had 3 stages, each round in Part {{ Constants.part_fluid }} will have 4 stages: Group choice (Stage 1),
Connections (Stage 2), Actions (Stage 3) and Results (Stage 4).
The Connections, Actions and Results stages are the same as in Part {{ Constants.part_fixed }}. The Group Choice
stage is new and is explained below.
{% elif player.treat == 6 %}
In Part {{ Constants.part_fluid }} you will participate for {{ Constants.rounds_fixed }} rounds with the same {{ Constants.others }}
other players from Part {{ Constants.part_fixed }}. While, each round in Part {{ Constants.part_fixed }}
had 3 stages, each round in Part {{ Constants.part_fluid }} will have 5 stages: Group choice (Stage 1),
Group revelation (Stage 2), Connections (Stage 3), Actions (Stage 4) and Results (Stage 5).
The Connections, Actions and Results stages are the same as in Part {{ Constants.part_fixed }}. The Group Choice
and Group Revelation are new and are explained below.
{% endif %}
Points in Part {{ Constants.part_fluid }}:
If a player in group ● "{{ circles_label }}" stays in the same group, he will continue earning {{ Constants.exp_currency }}
as a ● "{{ circles_label }}". That is, {{ Constants.liked_gain }} {{ Constants.exp_currency }} for each coordination on
and {{ Constants.disliked_gain}} {{ Constants.exp_currency }}
for each coordination on .
However, if a player in group ● "{{ circles_label }}" changes to group ▲ "{{ triangles_label }}",
he will earn {{ Constants.exp_currency }} as a ▲ "{{ triangles_label }}". That is, {{ Constants.liked_gain}} {{ Constants.exp_currency }}
for each coordination on and
{{ Constants.disliked_gain}} {{ Constants.exp_currency }} for each coordination on .
Similarly, if a player in group ▲ "{{ triangles_label }}" changes to group ● "{{ circles_label }}",
he will earn {{ Constants.exp_currency }} as a ● "{{ circles_label }}". That is, {{ Constants.liked_gain }} {{ Constants.exp_currency }}
for each coordination on and
{{ Constants.disliked_gain}} {{ Constants.exp_currency }}s for each coordination on .
But if he chooses to stay in group ▲ {{ triangles_label }}", he will continue earning points as a ▲ {{ triangles_label }}".
That is, {{ Constants.liked_gain}} {{ Constants.exp_currency }} for each coordination on and
{{ Constants.disliked_gain}} {{ Constants.exp_currency }} for each coordination on .
{% if player.treat <= 5 %}
{% if player.treat <= 5 %}
{% if player.treat <= 5 %}
1. You have been assigned to a group: ● or ▲ (inner symbol). How often does your group change?
{% formfield player.given_group label="" %}
2. You will be given an appearance: ◯ or △ (external symbol). How often does your appearance change?
{% formfield player.appearance label="" %}
3. You will be assigned a label from 1 to {{ names }}. How often does your label change?
{% formfield player.label label="" %}
4. Imagine you began in group ● "{{ circles_label }}", and you changed to group ▲ "{{ triangles_label }}".
Then you chose action and you have one active connection
with a player who chose action . What are the total
{{ Constants.exp_currency }} you get from this connection (not including what you get from coordinatng with
yourself{% if player.treat == 4 or player.treat == 5 %} nor the cost of changing groups
{% elif player.treat == 6 %} nor the cost of revealing your group{% endif %})?
{% formfield player.pay_coord label="" %}
5.
Then you chose action and you have one active connection
with a player who chose action .
What are the total {{ Constants.exp_currency }} you get from this connection (not including what you get from coordinatng with
yourself)?
{% formfield player.pay_coord2 label="" %}
6. After the Group choice (Stage 1){% if player.treat == 6 %} and before the group revelation Stage{% endif %},
what will other players see about you in the remaining three stages?
{% formfield player.information label="" %}
7. Si usted se cambia de grupo y un participante de su grupo decide no cambiarse. Cuánto paga usted como
costo por cambiarse de grupo?
{% formfield player.cost_change_one label="" %}
8. Si usted se cambia de grupo y todos los participantes de su grupo deciden cambiarse también. Cuánto paga usted como
costo por cambiarse de grupo?
{% formfield player.cost_change_none label="" %}
7. Si usted se cambia de grupo y elige revelarlo, y un participante de su grupo decide no cambiarse. Cuánto paga usted como
costo por revelar su grupo?
{% formfield player.cost_change_one label="" %}
8. Si usted se cambia de grupo y elige revelarlo, y todos los participantes de su grupo deciden cambiarse también. Cuánto paga usted como
costo por revelar su grupo?
{% formfield player.cost_change_none label="" %}
9. Si usted elige no revelar su grupo, independientemente de si se cambió de grupo o no. Cuánto paga usted como costo por no revelar su grupo?
{% formfield player.revelation_cost label="" %}


{{ define "content" }}
Over the years I've written the code for this site in multiple languages and used several databases, and frameworks. The current version was written in Go and stores its data in a MySQL database.
You can see and download the source code for this site from this github repo.
The CSS for the site is based almost entirely on Bootstrap.
Sincerely,
Hector Correa


The SailClear advance web notification service for clearance states that it is now operational in Curacao. However to date cruisers report that it is still not up and running in Curacao.
Clearing in
As tying up to the dock in Willemstad for clearance is both uncomfortable and dangerous due to the heavy wash from commercial traffic, many yachts prefer to berth at Spanish Water and travel to town to clear. Officials no longer visit Spanish Water, skippers must now go to Punda in Willemstad for Customs clearance, and then to Immigration on the other side of the river, in the cruise ship terminal area.
You must clear-in within 24 hours of arrival. Note, ALL crew must be present for Immigration to clear both in and out.
The Port Authorities are in the yellow building on the left side of the stairs when you leave Immigration. Here you can purchase an anchor permit, US$10 (2015).
See more details under Willemstad Clearance.
Leaving your boat
There are a few marinas with bonded warehouse status on Curacao; this means that yachts can be stored without a time limit when uninhabited. If leaving your boat in Curacao, you will need to present a letter to that effect and show your flight ticket to harbour Immigration when you depart. Harbour Immigration will check you out from your boat. When returning to Curacao you need to return to harbour Immigration and check in again on your boat.
Clearing Out
On departure, contact Immigration and Customs. The latter is particularly important as the time a yacht spends in the country is monitored and is limited.
After having cleared out of Curaçao to sail to Aruba one is technically not allowed to stop anywhere en route, although the authorities do not seem to mind genuine overnight stops.
Last updated January 2015.
All visitors require valid passports.
American citizens are treated the same as Dutch ones and permitted to stay for 6 months.
Immigration rules were favourably changed mid-2013 so that visiting cruisers from other countries wanting to spend the winter in Curacao with their boats, can now apply for a 180 day extension to their visa per calendar year. By law owners, partners and children of visiting yachts, staying over the winter, are also allowed 180 days.
In practice however, the execution of this law is not efficiently done. The reality is that the Port Immigration Office, where you enter the country, will simply want to stamp you in on a normal tourist visa (30 or 90 days depending on your nationality). If you want to extend your stay by 180 days, then they will refer you to the Punda office. It costs approx. US $300.
Note that all required forms to apply for the "extension" are in Dutch, difficult to complete with minimal explanation. Plenty of time is also required to apply for an extension, up to 6 weeks, so be sure to investigate this on arrival and apply early if planning an extended stay in Curacao.
The Curacao Marine Trade Association have passed on the following information:
When yacht owners want to apply for this 180 days the immigration officer should request a "permit for short stay". The first question to fill in on that form is: “Doel kort verblijf” which means: The purpose of the short stay. There yacht owners should choose the option “overwinteraar” which means: hibernating (staying over the winter).
Applicants should demonstrate evidence of ownership of their yacht. The vessel should measure at least 10 meter or 33 feet at the waterline.
Short-term visa extensions
If you need to extend your visa, you should apply for an extension at least 2 weeks before it expires at the main Immigration office.
Be prepared with a letter stating reasons for your request, and copies of your boat’s documentation or registration, passport, proof of financial means of support (e.g. credit card), and your immigration form & crew list. This is a lengthy and ill-defined process, but your good faith efforts to extend legally will generally meet with success and minimal expense.
Extensions must be obtained in Curacao from the Immigration headquarters, located at the post office building. Passports must be left there for 2 days to be processed.
Last updated October 2016.
Leaving your boat
If you wish to leave your boat in Curacao, there is no time limit but it must be stored in one of the Customs approved storage facilities (Curacao Marine, Royal Marine Curacao or Seru Boca Marina).
Firearms must be declared to Customs, and will be removed for the duration of the stay.
Duty paid on equipment will be refunded on departure. Spares may be imported free of duty, but this must be arranged with Customs at the airport and it is usually easier if the services of a local agent are employed.
Last updated January 2015.
ZIKA VIRUS ALERT: (September 2016) There have been recent safety alerts from the US State Department, UK Foreign Office, and Center for Disease Control (CDC) regarding travel to parts of Central and South America, Africa, southern Asia, the Caribbean, and the South Pacific islands. Curacao is an area of interest with multiple reported cases and active virus transmission. There is growing concern about the rapid spread of the ZIKA Virus and the impact of the virus on pregnant women and babies. ZIKA is transmitted by mosquitos in tropical and sub-tropical climates, and there is currently no cure or vaccine. This situation is evolving rapidly, so please refer to the CDC’s dedicated website if you are intending to cruise in one of the effected areas.
In Curacao visitors need to carry identification papers with them at all times (i.e. a passport with valid immigration stamp in it). It is also recommended to carry a copy of the immigration papers with you. This will show that you are legally visiting Curacao by yacht.
Like every Caribbean island with a sustained economy the island attracts alot of illegal workers. This means that police checks are more prevalent, and extra mobile road police check points operate, mostly at night times. If stopped at a check point whilst ashore, be sure to behave in a normal polite manner and show valid identification as described above.
Dive Permit
This is only necessary to obtain from the Harbour Authority in Willemstad by those who wish to anchor and dive along the coast. All intended anchorages must be listed on the permit.
The $10 anchoring fee permits anchoring at:-
Be sure to get your permit as the Coast Guard do patrol and ask to see the paperwork.
The area from Jan Thiel Bay, SE of Willemstad, to East Point, is an underwater park. Permanent moorings are provided to protect the coral from damage and using one's own anchor is prohibited. No harpoons or spearguns are allowed.
All anchoring needs permission from the harbour office in Willemstad. It costs $10 USD for 3 days in each anchorage, exept Spanish Water where a permission lasts for 3 months. (Nov 2011)


--- layout: post title: String Search parsing and filtering categories: [] tags: dotnet-sdk status: publish type: post published: true meta: {} ---
Sometimes I overlook some pretty important things. I realised recently that I had missed an interesting behaviour of the TrimMainObjectSearch string searching.
The search below will search for all records where the Additional Field 'Alcohol Level' is greater than zero and filter on Record Type == "Infringement".
TrimMainObjectSearch recordSearch = new TrimMainObjectSearch(db, BaseObjectTypes.Record); recordSearch.SetSearchString("AlcoholLevel>0"); recordSearch.SetFilterString("recType:Infringement"); foreach (Record record in recordSearch) { Console.WriteLine(record.Title); }
This search is invalid because 'Alcohol Level' is a number field, so no results are returned, everything is good so far.
TrimMainObjectSearch recordSearch = new TrimMainObjectSearch(db, BaseObjectTypes.Record); recordSearch.SetSearchString("AlcoholLevel>abc"); foreach (Record record in recordSearch) { Console.WriteLine(record.Title); }
You might expect that the search below would behave just as the search above and return no results, given the invalid search string, this is not the case. The invalid search string is discarded and the filter is applied, the result is all Records where Record Type == 'Infringement'.
TrimMainObjectSearch recordSearch = new TrimMainObjectSearch(db, BaseObjectTypes.Record); recordSearch.SetSearchString("AlcoholLevel>abc"); recordSearch.SetFilterString("recType:Infringement"); foreach (Record record in recordSearch) { Console.WriteLine(record.Title); }
To avoid this problem always check the return value of SetSearchString().
TrimMainObjectSearch recordSearch = new TrimMainObjectSearch(db, BaseObjectTypes.Record); TrimParserException parserException = recordSearch.SetSearchString("AlcoholLevel>abc"); if (parserException.Bad) { Console.WriteLine(parserException.Message); } else { recordSearch.SetFilterString("recType:Infringement"); foreach (Record record in recordSearch) { Console.WriteLine(record.Title); } }


2016-2018, OTTOAIR, Inc. (d/b/a OTTOAIR) All rights reserved. OTTOAIR, Ottoair.ca, and the OTTOAIR logo are either registered trademarks or trademarks of OTTOAIR, Inc. in Canada and/or other countries. Other logos or product and company names mentioned herein may be the property of their respective owners.


ফুচকা
$7
Crunchy semolina-based shells stuffed with a yellow peas mixture. Topped off with herbs, chili peppers, and our tangy Jhal tamarind sauce.
ঝাল মূড়ী
$5
A savory mix of puffed rice, fried gram flour, herbs, chili peppers, and our special Jhal oil, served in a newspaper cone just like it is back in the motherland.


{% extends "play/layout.html" %} {% block content %}
It looks like you either don't have a Business account or something else went wrong!
* Currently this web app is available only for organizations and business. Soon we will release on the Store also the app for the players. If you are the owner of a business or related to an organization and you are interested in an account contact me at me@francescomariaferrari.com


NOT ONE LESS (Yi ge dou bu neng shao) (director: Zhang Yimou; screenwriter: Shi Xiangsheng, based on his novel "There Is a Sun in the Sky"; cinematographer: Hou Yong; editor: Zhai Ru; cast: Wei Minzhi (Herself), Zhang Huike (Himself), Tian Zhenda (Mayor Tian), Gao Enman (Teacher Gao), Sun Zhimei (Sun Zhimei), Feng Yuying (Television Station Receptionist), Li Fanfan (Television Host), Wu Wanlu (Station Manager); Runtime: 106; Columbia/Sony Pictures Classics; 1999-China)
Reviewed by Dennis Schwartz
Zhang Yimou ("Raise the Red Lantern") has securely grounded a "feel good" film with characters who have greatly touched me, even though the film is bogged down with much communist propaganda and it ends like a typical Hollywood "feel good" movie, in this case with too much good cheer over nothing much accomplished to make it so proud about itself. Nevertheless, this is a brilliantly directed austere film for the most part, telling about ordinary people in a very poor, rural village in China's Hebei Province. It held my interest as I observed the classroom dynamics taking place in a broken down one-room schoolhouse and in the contrasting lifestyle shown in the modern Chinese city. These are human interest stories I have not seen before about the new China, presented here in such an informal way. The cast of mostly nonprofessional actors, playing themselves, acquitted their task with a spirited performance, giving power to the story about the problems with rural education for the poor people of that region.
"Not One Less" tells about the duplicitous mayor (Tian Zhenda) of the rural village forced to bring a 13-year-old girl from a farm family, Wei Minzhi, to be a substitute teacher in the Shuixian Primary School (grades one through four) when the regular teacher, an elderly man, Gao Enman, has to leave the area for a month to be with his ailing mother and there is no one else available. In her chat with the regular teacher, we see that she not only doesn't look like a teacher but more like the students she is about to teach and, that, she also lacks the proper educational skills to function as a teacher. Her only gift is that she knows a few lines of one patriotic song to teach the children, which she sings in an off key voice. To compensate for her inadequacies, Teacher Gao, a dedicated teacher, leaves her 26 lessons she is to write on the board for the month he is gone and 26 precious pieces of chalk, as she will have the students copy her boardwork in their notebooks. He admonishes her not to write the characters too large, because the chalk will run out. The characters should be about the size of a donkey turd. The chalk is in such short-supply, that the classroom monitor tells her, he scrapes pieces of it off the floor to use.
Worried about receiving the 50 yuan pay she is promised, she is told that she will receive it when he returns if she keeps the 28 pupils she has, not one less. Teacher Gao says he keeps losing these primary grade students who drop-out to work, as he has already lost 10 pupils this year, and even though he hasn't been paid in 6 months, he will give her a small bonus of 10 yuan from his own pocket if she keeps the class intact.
Teacher Wei has difficulty getting her class to respect her and call her teacher, she also can't handle the class troublemaker, an always smiling 11-year-old bully named Zhang Huike. But she can be bossy when she has to, and looks upon her main role as keeping the same number of students she was given. Her first major problem arises when a girl who is spotted as a fast runner, is taken away by a city school recruiting her for her athletic ability, as this upsets Teacher Wei who is only interested in keeping her pupil and getting her bonus at the end of the month. Not able to keep her, the mayor tells her to stop worrying, it's good for the girl and Teacher Gao will understand that he lost a pupil who wants to better herself and not one who dropped-out.
The teacher's idea of teaching, is to sit outside in front of the classroom door and make sure no one leaves, never mind what mischief or learning goes on inside the classroom. The film is based on the novel by Shi Xiangsheng, who was a teacher in a rural school and should therefore know how shoddy education could be in such places.
When Zhang Huike is missing from school and Teacher Wei goes to his house and speaks to his sick mother and finds that the family has debts, that the father is dead, and that Zhang went into the city to get work, she can only think of getting the address of his workplace in the city and going there herself to bring him back. But the mayor will not give her transportation to the city and shrugs his shoulder, saying that's just the way it is with poor people around here. The resolute girl tries to shake down her class for bus fare to the city, but the class is too poor to come up with the money needed. But when a student says you can get money by carrying bricks, the teacher brings the children there and gets some of the money needed to get her to the city by the class doing labor work. This leads to the only lesson she ever thought, as she has the children do the math for this real-life problem, of trying to figure out how many bricks it would take to move before she has enough for round-trip bus fare. It's a communal effort, since her math is not much better than her student's.
The selfish teacher finds herself bewildered in the big city of Jiangjiakou and is further disappointed that Zhang never showed up to work, but ran away from the girl he came with, as he left her to go for a pee in the train station and never returned. In this government-sanctioned pic, the story was really absorbing up to this point, but it now takes a radical turn for the worst, as the teacher decides to find Zhang and bring him back to school no matter what suffering it takes on her part to do it. Supposedly, she is no longer doing it out of her own selfishness, but in her inarticulate and resolute way she has learned what it is to be a teacher and care about her pupils, all she's still missing are the skills.
After spending all her money to write messages about the lost boy and finding out it is useless to go to the police, they're just too busy for this kind of job (which struck me as either strange or very revealing about modern China), she ends up listening to a stranger in the train station who tells her to go to the TV station. After unsuccessfully trying to see the TV station manager, she ends up sleeping on the street and does this for a day and a half, until the manager, who turns out to be sensitive to her plight, gets her onto a popular Oprah-like show, and she tearfully connects again with Zhang, who was seen wandering the streets and begging for food in a restaurant. This looked so unreal, that I thought the last reel got mixed in with one of those typical Hollywood films of this kind. Though, what was interesting about this part of the film, was taking a gander at the city and how clean and boring and crowded it looked. Unfortunately, the film never recovered from this artificial twist to the story and concluded with Chinese TV donors sending in money to pay off Zhang's family debts and the school is given many school supplies to take care of its scarcity and enough money to build a new schoolhouse to replace this broken down one. The message of the film was unnecessarily delivered in a heavy-handed manner, about the poor conditions of China's rural schools.
The film was so adeptly done and looked and felt so good, and the parts of all the people were played by those playing themselves in such a natural way, that I didn't see its downfall coming until it was too late and, anyway, by that time I was really getting off on the film and was amazed by the simple daily life rhythms of the schoolchildren and the common villagers, that I was already hooked on liking the film. I especially found the performance of Wei Minzhi to be impactful. I was taken in by the simplicity of who she was and the truth in her character, and the way she was still an innocent child, who because of her cultural background was obedient and took on the responsibilities of being a substitute teacher, something that she knew she had no ability for but reluctantly had to do, even if she couldn't explain why. This fictional story was better than the message delivered, and the film is much better than it sounds, given the aforementioned flaws it has, it still shows the power of human love over all the coldness in the world.
REVIEWED ON 3/13/2001 GRADE: B
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Datepicker Demo
An example of how to use a datepicker to make reservations over a date range and then disable selected dates.
View on GH
Datepicker Demo
An example of how to use a datepicker to make reservations over a date range and then disable selected dates.
View on GH
List of Reservations
Clear
| Start Date |
End Date |
| {{date.start_date}} |
{{date.end_date}} |


The Merchant of Venice
by William Shakespeare
Merchant of Venice: Act 3, Scene 4
Additional Information
- Year Published: 1597
- Language: English
- Country of Origin: England
- Source: Shakespeare, W. (1597). The Merchant of Venice.New York: Sully and Kleinteich.
-
Readability:
- Flesch–Kincaid Level: 11.0
- Word Count: 709
- Genre: Tragedy
- Keywords: 16th century literature, british literature, comedy, drama, merchant of venice, william shakespeare
- ✎ Cite This
Downloads
SCENE. Belmont. A room in PORTIA's house.
(Enter PORTIA, NERISSA, LORENZO, JESSICA, and BALTHASAR.)
LORENZO.
Madam, although I speak it in your presence,
You have a noble and a true conceit
Of godlike amity, which appears most strongly
In bearing thus the absence of your lord.

PORTIA.
I never did repent for doing good,
Nor shall not now; for in companions
That do converse and waste the time together,
Whose souls do bear an equal yoke of love,
There must be needs a like proportion
Of lineaments, of manners, and of spirit,
Which makes me think that this Antonio,
Being the bosom lover of my lord,
Must needs be like my lord. If it be so,
How little is the cost I have bestowed
In purchasing the semblance of my soul
From out the state of hellish cruelty!
This comes too near the praising of myself;
Therefore, no more of it; hear other things.
Lorenzo, I commit into your hands
The husbandry and manage of my house
Until my lord's return; for mine own part,
I have toward heaven breath'd a secret vow
To live in prayer and contemplation,
Only attended by Nerissa here,
Until her husband and my lord's return.
There is a monastery two miles off,
And there we will abide. I do desire you
Not to deny this imposition,
The which my love and some necessity
Now lays upon you.
LORENZO.
Madam, with all my heart
I shall obey you in an fair commands.
PORTIA.
My people do already know my mind,
And will acknowledge you and Jessica
In place of Lord Bassanio and myself.
So fare you well till we shall meet again.
LORENZO.
Fair thoughts and happy hours attend on you!
JESSICA.
I wish your ladyship all heart's content.
PORTIA.
I thank you for your wish, and am well pleas'd
To wish it back on you. Fare you well, Jessica.
(Exeunt JESSICA and LORENZO.)
Now, Balthasar,
As I have ever found thee honest-true,
So let me find thee still. Take this same letter,
And use thou all th' endeavour of a man
In speed to Padua; see thou render this
Into my cousin's hands, Doctor Bellario;
And look what notes and garments he doth give thee,
Bring them, I pray thee, with imagin'd speed
Unto the traject, to the common ferry
Which trades to Venice. Waste no time in words,
But get thee gone; I shall be there before thee.
BALTHASAR.
Madam, I go with all convenient speed.
(Exit.)
PORTIA.
Come on, Nerissa, I have work in hand
That you yet know not of; we'll see our husbands
Before they think of us.
NERISSA.
Shall they see us?
PORTIA.
They shall, Nerissa; but in such a habit
That they shall think we are accomplished
With that we lack. I'll hold thee any wager,
When we are both accoutred like young men,
I'll prove the prettier fellow of the two,
And wear my dagger with the braver grace,
And speak between the change of man and boy
With a reed voice; and turn two mincing steps
Into a manly stride; and speak of frays
Like a fine bragging youth; and tell quaint lies,
How honourable ladies sought my love,
Which I denying, they fell sick and died;
I could not do withal. Then I'll repent,
And wish for all that, that I had not kill'd them.
And twenty of these puny lies I'll tell,
That men shall swear I have discontinu'd school
About a twelvemonth. I have within my mind
A thousand raw tricks of these bragging Jacks,
Which I will practise.
NERISSA.
Why, shall we turn to men?
PORTIA.
Fie, what a question's that,
If thou wert near a lewd interpreter!
But come, I'll tell thee all my whole device
When I am in my coach, which stays for us
At the park gate; and therefore haste away,
For we must measure twenty miles to-day.
(Exeunt.)


Click image to play trailer
Rated 5/5 stars ✭ ✭ ✭ ✭ ✭
Nat Turner is an enslaved Baptist preacher who lives on a Virginia plantation owned by Samuel Turner. With rumors of insurrection in the air, a cleric convinces Samuel that Nate should sermonize to other slaves, thereby quelling any notions of an uprising. As Nate witnesses the horrific treatment of his fellow man, he realizes that he can no longer just stand by and preach. On Aug. 21, 1831, Turner's quest for justice and freedom leads to a violent and historic rebellion in Southampton County. Release date: October 7, 2016 (USA) Director: Nate Parker Box office: 15.6 million USD Screenplay: Nate Parker Producers: Nate Parker, Jason Michael Berman, Aaron L. Gilbert, Kevin Turen, Preston L. Holmes


This project aims to demonstrate the power of blockchain in a market context. The ETB token (Energy Token on Blockchain) based on Ethereum standard ERC20 is used as a currency and as a market manager.
More information are given into the below pdf file:
| Name | Type | Comments |
|---|---|---|
| cli/ | folder | client application written in nodejs |
| contract.addr/ | folder | this contains the addresses of contracts |
| contracts/ | folder | this contains all smart contracts written in solididy |
| deploy | file | script bash used for the deployment of the smart contracts |
| documents/ | folder | all documents |
| local-env | file | environment variables for local blockchain |
| migrations/ | folder | used for the truffle deployment |
| package.json | file | list of all necessary modules nodejs |
| start-blockchain | file | bash script used to start the local blockchain |
| truffle-config.js | file | parameters for truffle |
Firstly , it is mandatory to clone the git repo.
git clone git@github.com:denislamard/etb.git
Install all node modules on the development environment.
cd etb
npm install
Install all node modules on the cli applications.
cd etb/cli
npm install
Before using the project, it is necessary to start the blockchain. a new folder named ganache-db will be created. This folder stores data from the blockchain.
cd etb
./start-blockchain
The contracts must be deployed on the local blockchain before using the cli applications. The new addresses of contracts are stored in contract.addr. Each file contains the contract address.
cd etb
./deploy
To execute these 4 cli applications, nodejs must be used.
ex.: node admin.js
Enable roles with admin.js
Buy some tokens ETB for consumer accounts with account-manager.js
Sell amount of energy with producer.js
buy amount of energy consumer.js
The 4 given accounts are used for only testing environment (local blockchain). These accounts are unknown on all public blockchain.
0x84bb9Eb7d0118af72617766d2d75acf8259A045c
0xd5187245244eb865d569e1993cea090a9761ce494580fc7cc422486344d77304
0x83c31BE73AcF0E4189Dc972Bb4A1F872f853D5cB (5 ETH)
0xdd2be06b29734df399c0e7daa0fd15e34bc64e721ddd9ae7412b861a229eb773
0x037BFcA5aDa42FEEe729D7Af7c9E2d9aC0625f64 (5 ETH)
0x0598b11da9a97d81e2be6e5670b7f3bfb0cece5033b8f460af0807491f53c96d
0xE8fDa87be1Adbd3b3253e868534A38eA17eF2C40 (5 ETH)
0xa955ca28fb26a3ca2b7fd9dcc7eb63107825efce5092147a803ca3e5b3c1503b


| Location | Address | Open Hours | Contact Info |
|---|---|---|---|
| Seattle | Str Ab bld #2 | 6 Am - 7 PM | +1 000000000 |
| Tokyo | Str xa bld #42 | 6 Am - 7 PM | +1 000000000 |
| Dubai | Str raw bld #22 | 6 Am - 7 PM | +1 000000000 |
| Paris | Str gao bld #78 | 6 Am - 7 PM | +1 000000000 |
| Lima | Str kol bld #66 | 6 Am - 7 PM | +1 000000000 |


You should be using the "Debug Multithreaded DLL" compiler option in your application when you link with the build_win32/Debug/libdb.lib library (this .lib file is actually a stub for libdb.DLL). To check this setting in Visual C++, choose the "Project/Settings" menu item, and under the tab marked "C/C++", select "Code Generation" and see the box marked "Use runtime library". This should be set to "Debug Multithreaded DLL". If your application is linked against the static library, build_win32/Debug/libdbs.lib, then you will want to set "Use runtime library" to "Debug Multithreaded".
Setting this option incorrectly can cause multiple versions of the standard libraries to be linked into your application (one on behalf of your application, and one on behalf of the Berkeley DB library). That violates assumptions made by these libraries, and traps can result.


Weekly Reading: Blood Books, Impostors, and Blake
When evening has come, I return to my home and I go into my study. At the threshold, I take off my clothes of the day, which are covered in mud and mire, and I put on regal and courtly garments; and decently reclothed, I enter into the ancient courts of ancient men, where, received by them kindly, I feed on the food that alone is mine and that I was born for. There I am not ashamed to speak to them, to ask them the reasons for their actions; and they, in their humanity, answer me. For four hours I feel no boredom, I dismiss every affliction, I no longer fear poverty, nor do I tremble at the thought of death. I become completely part of them. —Nicolo Machiavelli, 1513
Machiavelli absolutely loved to read. In 1513, he wrote the above letter to his friend Francesco, where he praised reading as a way of transcending boredom, loneliness, and even death. Today, we can read Machiavelli and feel him speaking to us in the same way that he spoke with the ancients: not as remote authorities, but as friends and fellow travellers. David Foster Wallace had a similar opinion of why reading mattered. For Wallace, there was something “nourishing” and “redemptive” about the act of reading. In identifying with an author or a character, he believed, “we become less alone inside.”
We at The Appendix also believe in the power of the written word to bridge gaps, not only between people living today, but between the past and the present. This is the first installment of a new Appendix feature, Weekly Reading, that will combine links to contemporary writing we enjoyed from the past week alongside extracts from authors who might be long dead.
Like Machiavelli, we hope you’re received by them kindly.
- Lou Reed, one of the greatest songwriters of the modern era, passed away. In 1987 he told Rolling Stone that “if you thought of all of it as a book then you have the Great American Novel, every record as a chapter.” We also found his high school yearbook entry.
- At the Slate Vault, Rebecca Onion explored one of our favorite pieces of book art, the Victorian “Blood Book” owned by the Harry Ransom Center.
- Atlas Obscura collected their thirty-one blog posts about spooky sites worldwide for Halloween.
- The New Yorker picked our recent article on the impostor George Psalmanazar as its weekend reading.
- Scratch, an intriguing new online magazine about the intersection between writing and money, conducted a wide-ranging roundtable interview with editors at Slate, The Atlantic and The Toast that covered everything from how editors pick articles to the proper pronunciation of GIF.
- We found a 1734 recipe for turkey that includes 15 oysters, nutmeg, and a ton of butter.
- UT Austin PhD candidate Bob Whitaker was interviewed by NPR’s On the Media about his Appendix article “Proto-Spam.”
- The Toast brought us texts from William Blake.
- Public Domain Review and New Inquiry dug up some great eighteenth century witch lore (“they make him kiss their bums”).
- At Not Even Past, a historian reads Machiavelli.
For more links to good writing and interesting discoveries, follow us on Twitter, Tumblr, and Facebook.


The Abduction of Proserpina
The Abduction of Proserpina (Italian. Ratto di Proserpina), or Pluto and Proserpina, a marble sculpture by Giovanni Bernini, was created in 1621-1622, when the sculptor was 23 years old. Located in the Borghese Gallery (Rome). The height of the statue is 295 cm.
The pupil of Bernini, Francois Girardon, in 1699 created the sculptural group Abduction of Proserpina.
“I defeated marble and made it plastic, like wax ...” wrote Giovanni Lorenzo Bernini.


Aggregated Model
This high level diagram gathers all flows in this model to show how components interact at a high level.
Create an IAM OIDC provider for cluster
| Flow ID |
Pitcher |
Data Construction |
Catcher |
| 1 |
User |
|
EKS |
| 2 |
EKS |
|
User |
| 3 |
User |
|
IAM |
Create an IAM policy & role to allow CPI addon to manage VPC
| Flow ID |
Pitcher |
Data Construction |
Catcher |
| 1 |
User |
|
IAM |
| 2 |
IAM |
|
User |
| 3 |
User |
|
IAM |
| 4 |
IAM |
|
User |
Associate IAM role to a cluster service account
| Flow ID |
Pitcher |
Data Construction |
Catcher |
| 1 |
User |
|
Kube API |
Deploy Addon
| Flow ID |
Pitcher |
Data Construction |
Catcher |
| 1 |
User |
|
EKS |
| 2 |
EKS |
|
Kube API |
| 3 |
Kube API |
|
eks-pod-identity-webhook |
| 4 |
eks-pod-identity-webhook |
|
Kube API |
| 5 |
Kube API |
|
Kubelet |
| 6 |
Kubelet |
|
CNI Pod |
CNI configures VPC
| Flow ID |
Pitcher |
Data Construction |
Catcher |
| 1 |
CNI Pod |
|
VPC |


Complete the quiz to add your score to this list
Seconds remaining: 120
Number correct: 0
Number answered: 0


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.gatekeeper.models.CreatePrivOrROPCAppForm @import uk.gov.hmrc.apiplatform.modules.gkauth.domain.models.LoggedInUser @import uk.gov.hmrc.gatekeeper.models.Environment._ @import uk.gov.hmrc.gatekeeper.config.AppConfig @import uk.gov.hmrc.gatekeeper.controllers.routes @this(main: MainView, applicationConfig: AppConfig) @(form: Form[CreatePrivOrROPCAppForm])(implicit request: Request[_], loggedInUser: LoggedInUser, messagesProvider: MessagesProvider) @main(title = s"${applicationConfig.title} - Create privileged or ROPC application") {


JSONEncoder
Extensible JSON <http://json.org> encoder for Python data structures.
The JSONEncoder class is accessible via the simplejson module.
Supports the following objects and types by default:
| Python | JSON |
|---|---|
| dict | object |
| list, tuple | array |
| str, unicode | string |
| int, long, float | number |
| True | true |
| False | false |
| None | null |
To extend this to recognize other objects, subclass and implement a .default() method with another method that returns a serializable object for o if possible, otherwise it should call the superclass implementation (to raise TypeError).
Methods
f __init__(self, skipkeys=False, ensure_ascii=True, check_circular=True, allow_nan=True, sort_keys=False, indent=None, separators=None, encoding='utf-8', default=None) ...
Constructor for JSONEncoder, with sensible defaults.
If skipkeys is False, then it is a TypeError to attempt encoding of keys that are not str, int, long, float or None. If skipkeys is True, such items are simply skipped.
If ensure_ascii is True, the output is guaranteed to be str objects with all incoming unicode characters escaped. If ensure_ascii is false, the output will be unicode object.
If check_circular is True, then lists, dicts, and custom encoded objects will be checked for circular references during encoding to prevent an infinite recursion (which would cause an OverflowError). Otherwise, no such check takes place.
If allow_nan is True, then NaN, Infinity, and -Infinity will be encoded as such. This behavior is not JSON specification compliant, but is consistent with most JavaScript based encoders and decoders. Otherwise, it will be a ValueError to encode such floats.
If sort_keys is True, then the output of dictionaries will be sorted by key; this is useful for regression tests to ensure that JSON serializations can be compared on a day-to-day basis.
If indent is a non-negative integer, then JSON array elements and object members will be pretty-printed with that indent level. An indent level of 0 will only insert newlines. None is the most compact representation.
If specified, separators should be a (item_separator, key_separator) tuple. The default is (', ', ': '). To get the most compact JSON representation you should specify (',', ':') to eliminate whitespace.
If specified, default is a function that gets called for objects that can't otherwise be serialized. It should return a JSON encodable version of the object or raise a TypeError.
If encoding is not None, then all input strings will be transformed into unicode using that encoding prior to JSON-encoding. The default is UTF-8.
f default(self, o) ...
Implement this method in a subclass such that it returns a serializable object for o, or calls the base implementation (to raise a TypeError).
For example, to support arbitrary iterators, you could implement default like this:
def default(self, o): try: iterable = iter(o) except TypeError: pass else: return list(iterable) return JSONEncoder.default(self, o)
f encode(self, o) ...
Return a JSON string representation of a Python data structure.
>>> JSONEncoder().encode({"foo": ["bar", "baz"]}) '{"foo": ["bar", "baz"]}'
f iterencode(self, o) ...
Encode the given object and yield each string representation as available.
For example:
for chunk in JSONEncoder().iterencode(bigobject): mysocket.write(chunk)
See the source for more information.


The webserver built in to Moya wasn't intended for a production environment. To deploy a Moya site on the internet, we need to use an external webserver which ensures that your site is scalable to a large number of visitors.
Moya uses WSGI to serve a project with an external http (web) server. WSGI is the standard way of interfacing with Python web applications and there should be an adapter for your favorite front-end web server.
The WSGI spec requires that a site provides a Python file which exposes a WSGI application object (not to be confused with Moya's applications). If you created your project with moya start you should find a file called wsgi.py
in the top level of your project directory. This Python file should look something like the following:
from moya.wsgi import Applicationapplication = Application('./', 'production.ini', server='main', logging='prodlogging.ini')
This tells the Moya to read the project from ./
using settings from production.ini
, and to serve the <server> with a docname of main
. It also tells Moya to use logging settings from a file called prodlogging.ini
. Unless you want to expose multiple servers from the same project – which is entirely possible – you will be unlikely to change these parameters.
Configuring your http server is beyond the scope of this project: please see the server's documentation (or google) for details.
You will probably want to use different database settings for a project in production than you have been using for development. You should put these in production.ini
.
You can test your production settings by running a development server and using the -i switch to point at the production settings. For example:
$ moya runserver -i production.ini
It is often worthwhile letting an http server, such as Apache or Nginx, serve your static files. This is because modern http servers are very good at serving static files and it is more efficient to leave Moya serving just dynamic requests.
Unfortunately such webservers won't be aware of Moya's virtual filesystems and will require that all the static files are in a single directory. If you want to serve your static media in this way, you will first have to copy the media to a single location. You can do this fairly simply with the fs subcommand. For example, you can copy everything in the media
file system to a directory called staticmedia
with the following:
$ moya fs media --copy ./staticmedia
You will need to do this every time your media changes.


The pizza for the demons! As the prices will burn your wallet!
Lucifers Topping Selection:
Demons Order Total:


Your body falls into a catatonic state as your soul leaves it and enters the container you used for the spell's material component. While your soul inhabits the container, you are aware of your surroundings as if you were in the container's space. You can't move or use reactions. The only action you can take is to project your soul up to 100 feet out of the container, either returning to your living body (and ending the spell) or attempting to pos sess a humanoids body.
You can attempt to pos sess any humanoid within 100 feet of you that you can see (creatures warded by a protection from evil and good or magic circle spell can't be possessed). The target must make a Charisma saving throw. On a failure, your soul moves into the target's body, and the target's soul becomes trapped in the container. On a success, the target resists your efforts to pos sess it, and you can't attempt to pos sess it again for 24 hours.
Once you pos sess a creature's body, you control it.
Your game statistics are replaced by the statistics of the creature, though you retain your alignment and your Intelligence, Wisdom, and Charisma scores. You retain the benefit of your own class features. If the target has any class levels, you can't use any of its class features.
Meanwhile, the possessed creature's soul can perceive from the container using its own senses, but it can't move or take actions at all.
While possessing a body, you can use your action to return from the host body to the container if it is within 100 feet of you, returning the host creature's soul to its body. If the host body dies while you're in it, the creature dies, and you must make a Charisma saving throw against your own spellcasting DC. On a success, you return to the container if it is within 100 feet of you.

If the container is destroyed or the spell ends, your soul immediately returns to your body. If your body is more than 100 feet away from you or if your body is dead when you attempt to return to it, you die. If another creature's soul is in the container when it is destroyed, the creature's soul returns to its body if the body is alive and within 100 feet. Otherwise, that creature dies.
When the spell ends, the container is destroyed.


No, everybody may participate. It does not matter if student, or not.
Each problem will be made public at 9:00 am (Passau local time). The first problem starts on 2019-12-01, the last one on 2019-12-24.
No, all problems can be solved until the end of the year. The time of the submission does not influence your score.
If there are several participants with the same score in the end, the first three places will be determined by a jury.
The jury will focus on these criteria:
If needed, the jury can take other aspects of your submission into account.
Depending on the problem, points are awarded either static, or dynamic. Furthermore, there are problems for which criteria additional to passing all testcases must be fulfilled.
Each problem has several testcases with which your submission is evaluated. Each testcase values a specific number of points. A problem with four testcases with each 25 points values 100 points in total. If the submission passes three of the testcases, it is awarded with 75 points. The total score of a participant results from the sum of his best submission for each task.
Each problem has several testcases with which your submission is evaluated. The problem values up to 100 points depending on the number of solved testcases. The more participants solve the problem, the less points can be achieved.
The score is calculated like this:
Total submissions (one per participant) for the problem: total
Correct submissions (one per participant) for the problem: solved
The submission factor (between 1 and 0) based on the solved testcases: sf
Minimum points for a solved problem: 50
Maximum points for a solved problem: 100
Fraction of correct solutions: sr = solved / total
Problem factor: cf = 50 + (100 - 50) * (1 - sr)
Then, the score is: Score = sf * cf
Yes, even if you fail some testcases, you will get points for the testcases you passed. The submission with the most points scored counts for your total score.
The compiler status is a number returned to the system by the compiler after compiling the program. A value of 0 signals that there were no problems. Other values suggest an error during compilation.
The program status is a number returned to the system by the program after finishing execution. A value of 0 signals that the program terminated ordinary.Other values suggest a crash or another error.
Your program has a memory limit of 250Mb and a time limit of 60s per testcase. To ensure a fair competition you should renounce any "creative" submissions as an error in the evaluation system has a negative effect on all participants.
Your program may use up to specific amount runtime per testcase, which is language dependent. You can find the values in list of supported languages. If this value differs for a task, if will be noted in the description.
Your program may use up to a specific amount of memory for each testcase, which is languages dependent. You can find the values in list of supported languages. If this value differs for a task, if will be noted in the description.
When a testcase is evaluated, your program gets its input from the standard input (STDIN), that is similar to typing the input on the keyboard. After all input data has been sent, the standard input gets closed with an "End Of File" (EOF). Your program has to evaluate the input, calculate a result and finally output the result.
Your program has to evaluate the input, calculate a result and output that result. The output must be sent to the standard output (STDOUT). As a linebreak either \n (newline) or \r\n (carriage return & newline) may be used. Be aware that often a linebreak is needed also after the last line of output!
We have created several example programs, which demonstrate in- and output in some popular programming languages.
The following programming languages can be used: C, C++, C#, Go, Haskell, Java, Javascript, Perl, PHP, Python2, Python3, Rust, or Scala
Your submission must consist of one single file. If not stated otherwise, you have only the possibilities provided by the languages' standard library.
No! In principle, we only provide the standard library for all languages in order to ensure that each language is about equally useful. To lift all languages to a comparable level by installing libraries would be too difficult: How would you port the functionality of numpy to COBOL, Fortran or TCL? That is why we restrict each language to its standard library. Anyway, where would be the fun if the solution for each problem was simply calling a library function?
You can have a look at the list of supported languages for information which features are supported and which versions are installed.
There are several reasons why not all testcases are visible to the public: First, we need to prevent that the solutions are calculated manually and are then hardcoded into the program. Second, the private testcases often check special and cornercases, which are not covered by the public testcases.
If many participants submit a solution at once it may take some time to evaluate all tasks. Please be patient if that happens. If you still have no result after 15 minutes you may contact us.
Your submission did not pass one or more testcases. Carefully check the list of testcases again and rework your solution
Your submission is still under evaluation by the system, therefore there is no result available yet. Perhaps some testcases are already completed.
The output of your program does not match the expected result. Before starting debugging, check if you missed a linebreak as this is a very common error.
To completely solve a problem all testcases must be passed. Testcases which are under evaluation are not processed yet. If there still is a testcase under evaluation 15 minutes after your submission, please contact us.
If your program crashes or returns an error message the testcase is considered as failed. You should identify the problem using the error message and fix your program accordingly.
In this case your program exceeded the allowed memory limit. If this happens, your program is killed immediately as it is not allowed to allocate more memory.
If a testcase has this status, your program exceeded the runtime limit and therefore was killed. If you encounter this error you should find a more efficient implementation or algorithm.
Somehow your program could not be processed by the compiler. Please check the compiler output or errors. If you can compile your program with the standard distribution of the used language and you believe that the error is caused by our system, please contact us.
Everybody knows that scripting languages are not compiled, however we still do it - to be more specific, we parse the program. If this yields an error, this is not considered an erroneous submission but a "compiler error".
If you have a question or remark regarding a problem, you can contact us via the question-form below the problem description. Be aware that we can not always answer questions regarding a problem or its implementation.
You can also write us an email<EMAIL_ADDRESS>We are always glad to receive remarks or bug reports.


--- layout: default ---
What role have education technology companies played in shaping ed-tech? That is, how have corporations long influenced the technologies, the politics, and policies? You gotta know the history...
You can read more about project updates here, on the site's blog.
Image credits: Bryan Mathers


News
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 We target the latest OpenAPI version (currently 3), but the project contains support for older OpenAPI versions too.
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|
SDK
Release 1.7.5
Communications, logger, and bootloader libraries.
|
Go to the source code of this file.
Classes | |
| class | cInertialSenseParser |
| class | cRtcmParser |
| class | cUbloxParser |
Macros | |
| #define | UBLOX_PREAMBLE1 0xb5 |
| #define | UBLOX_PREAMBLE2 0x62 |
| #define | UBLOX_HEADER_SIZE 6 |
| #define | UBLOX_CHECKSUM_SIZE 2 |
| #define | INIT_M_RTCM m_rtcm.len = 0; m_rtcm.nbyte = 0; |
| #define | ALLOCATE_M_RTCM |
| #define | INIT_M_RAW(fmt) m_raw.len = 0; m_raw.nbyte = 0; |
| #define | ALLOCATE_M_RAW |
| #define | DECLARE_RTCM_DESTRUCTOR(c) |
| #define | DECLARE_RAW_DESTRUCTOR(c) |
| #define | MAXRTCMLEN 1200 |
| #define | MAXRAWLEN 4096 |
| #define | DECLARE_M_RTCM struct { uint8_t buff[MAXRTCMLEN]; int len; int nbyte; } m_rtcm; |
| #define | DECLARE_M_RAW struct { uint8_t buff[MAXRAWLEN]; int len; int nbyte; } m_raw; |
| #define ALLOCATE_M_RAW |
Definition at line 49 of file GpsParser.cpp.
| #define ALLOCATE_M_RTCM |
Definition at line 47 of file GpsParser.cpp.
| #define DECLARE_M_RAW struct { uint8_t buff[MAXRAWLEN]; int len; int nbyte; } m_raw; |
Definition at line 55 of file GpsParser.cpp.
| #define DECLARE_M_RTCM struct { uint8_t buff[MAXRTCMLEN]; int len; int nbyte; } m_rtcm; |
Definition at line 54 of file GpsParser.cpp.
| #define DECLARE_RAW_DESTRUCTOR | ( | c | ) |
Definition at line 51 of file GpsParser.cpp.
| #define DECLARE_RTCM_DESTRUCTOR | ( | c | ) |
Definition at line 50 of file GpsParser.cpp.
| #define INIT_M_RAW | ( | fmt | ) | m_raw.len = 0; m_raw.nbyte = 0; |
Definition at line 48 of file GpsParser.cpp.
| #define INIT_M_RTCM m_rtcm.len = 0; m_rtcm.nbyte = 0; |
Definition at line 46 of file GpsParser.cpp.
| #define MAXRAWLEN 4096 |
Definition at line 53 of file GpsParser.cpp.
| #define MAXRTCMLEN 1200 |
Definition at line 52 of file GpsParser.cpp.
| #define UBLOX_CHECKSUM_SIZE 2 |
Definition at line 24 of file GpsParser.cpp.
| #define UBLOX_HEADER_SIZE 6 |
Definition at line 23 of file GpsParser.cpp.
| #define UBLOX_PREAMBLE1 0xb5 |
Definition at line 21 of file GpsParser.cpp.
| #define UBLOX_PREAMBLE2 0x62 |
Definition at line 22 of file GpsParser.cpp.


{% block content %}{% endblock %}
Hyderabad India +91<PHONE_NUMBER>
The sixth generation City is Honda's second model to incorporate the new "Exciting H" design which was first seen on the third generation Honda Fit/Jazz that launched in September 2013. The new City in its range topping trim features extensive premium equipments and kits.
Read MoreThe Scorpio was conceptualized and designed by the in-house integrated design and manufacturing team of M&M. The car has been the recipient of three prestigious Indian awards: the "Car of the Year" award from Business Standard Motoring as well as the "Best SUV of the Year" and the "Best Car of the Year" awards, both from BBC World Wheels.
Read MoreTata displayed the Euro 4 compliant 2.2-litre DiCOR engine with 140 PS (103 kW) and 320 N·m (236 lbf·ft) of torque at the 2006 Bologna Motor Show.[2] It was launched on October 5, 2007. It had some improved interior features like two-tone upholstery and leather seats. The high end version of the Safari came with safety features like Dual airbags and ABS with EBD. Additional features like rear AC vents.
Read MoreThe Ford Mustang is an American automobile manufactured by Ford. It was originally based on the platform of the second generation North American Ford Falcon, a compact car.[1] The original 1962 Ford Mustang I two-seater concept car had evolved into the 1963 Mustang II four-seater concept car which Ford used to pretest how the public would take interest in the first production Mustang. The 1963 Mustang II concept car was designed with a variation of the production model's front and rear ends with a roof that was 2.7 inches shorter.
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I'm sorry what
Got tired of commenting the same stuff on pull requests, so I made this. It finds stuff in PRs using a set of rules you can define with regular expressions (which has its limitations, of course).
Setup
First of all, install the app.
Then, create a config file namedsauceradar.yml
in the .github
directory of your repo.
# List of regexes. The rule will be applied to files matching one of these regexes.
- files:
- .*\.js
# List of regexes. The rule will be applied for PRs whose target branches match one of these regexes
branches:
- develop
- feature\/*
# Regex sauce radare uses to detect sauce. The rule is tested per-line
rule: function ([^\s(]*)
# Multiline or single-line comment that the app will comment if the rule matches
# You can use capture groups from the rule, e.g. Wow, {{'{'}}0} is a great function name!
comment: Woo
# Number, optional. If this rule is applied more than the specified number of times,
# it will be ignored.
threshold: 5
Final words
Well that's pretty much it. From now on, every time a PR is created or updated on your repository, the sauce radar will test the changes against the rules and post comments whenever a rule matches.
Oh and yes, it is normal if the bot posts duplicated comments sometimes. It's just a little bug, I haven't had time to work on that. I'll fix this soon, sorry about that.


Segment - Spec
Explore
Flights
Trips
Item One
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Item Three
Item One
Item Two
Item Three
Item One
Item Two
Item Three
Item One
Item Two
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Item One
Item Two
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This is some long text
Short text
This is some long text
Short text
Short text
Medium long text
Medium long text


This is the API
Get the list of all the cluster definitions registered. No authentification is required.
http://<IP_ADDRESS>:8002/clusters/
GET
Add a host to the specified cluster.
http://<IP_ADDRESS>:8002/clusters/{id}/add_host/
POST
Id of the cluster
Delete an already existing cluster definition. Authentification is required.
http://<IP_ADDRESS>:8002/clusters/{id}/
DELETE
Id of the cluster description
Get a single cluster definition. Authentification is required.
http://<IP_ADDRESS>:8002/clusters/{id}/
GET
Id of the cluster description
Create a new user account on the specified cluster.
http://<IP_ADDRESS>:8002/clusters/{id}/new_account/
POST
Id of the cluster
Redefine an already existing cluster definition. Authentification is required.
http://<IP_ADDRESS>:8002/clusters/{id}/
PUT
Id of the cluster description
cluster definition
Remove a host from the specified cluster.
http://<IP_ADDRESS>:8002/clusters/{id}/remove_host/
POST
Id of the cluster
Add a new cluster definition. Authentification is required.
http://<IP_ADDRESS>:8002/clusters/
POST
cluster definition


I graduated from Georgia Tech in December of 2017 with a Bachelor of Science degree in Computer Science. My degree threads are Information Internetworks and Intelligence.
I am an associate software engineer at Capital One, where I develop data ingestion tools.

I develop data ingestion tools for Capital One, using Java, Spring, Hibernate, & AWS.
We developed a security tool for the Department of Energy. It consists of a Django web app backed by a PostgreSQL server that features comprehensive data integration and analytics.
At RAIL, a robotics research lab at Georgia Tech, I helped develop a task learning module via modeling the task space with generalized cylinders. I also expanded the capabilities of a mobile manipulation platform, including integration with the ROS nav stack.
I participated in modeling and developing the Space Mobile Network (SMN), a proposed next-generation satellite communication support architecture. The focus was on the client-server relationship of User-Initiated Services, a design philosophy that allows spacecraft to proactively request service from the provider network, a paradigm not present in existing architectures.
As an active member of 4 years, I compete alongside my RoboJackets team members in RoboCup, an international research competition in which the team designs and builds a fleet of robots that autonomously play soccer. My area of expertise is robot path planning. RoboJackets uses a custom RRT with adaptive stepsize control and a k-d tree as its backing data structure.
I participated in the redesign of various cost forms and tools used by a global consulting company.