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--- layout: default title: Recommendations permalink: /recommendations-tokenless-auth ---
If your GitHub Enterprise appliance is configured to use LDAP authentication, then every request against GitHub requires an additional request against LDAP.
At best, this delays GitHub requests because GitHub needs to wait for the LDAP requests first. At worst, GitHub requests will fail if the LDAP requests fail (for instance, because the LDAP server is overloaded with requests).
To avoid these problems, users should use personal access tokens (via HTTPS) or SSH keys to authenticate. GitHub will check those without additional requests.


Classes
Members
(inner) defaults :object
Default attributes for generating the shapes, doing this we don't need to check if all parameters are provided
And if someone wants to build a lot of shapes with the same properties she just needs to use "setDefaults" to change them
Type:
- object
- Default Value:
{"x":0,"y":0,"width":20,"height":20,"sketch":1,"density":1,"radius":10,"angle":45,"count":2,"shape":"circle","clip":"","margin":2}
- Source:
Methods
(inner) circlePath(radius, radius_min, radius_max, s_angle_min, s_angle_max, rotation_min, rotation_max) → {string}
Helper function for circleStroke
Adapted from http://codepen.io/spencerthayer/pen/nhjwu
Generates an altered circle path
Parameters:
| Name | Type | Description |
|---|---|---|
radius |
float | int | radius of the circle |
radius_min |
float | int | alternating radius min |
radius_max |
float | int | alternating radius max |
s_angle_min |
float | int | alternating angle min |
s_angle_max |
float | int | alternating angle max |
rotation_min |
float | int | alternating rotation min |
rotation_max |
float | int | alternating rotation max |
- Source:
Returns:
path - altered circle svg path
- Type
- string
(inner) circleTransform(squash_min, squash_max, squash_rotation_min, squash_rotation_max) → {string}
Helper function for circleStroke
Adapted from http://codepen.io/spencerthayer/pen/nhjwu
Generates the transform value for squashing and rotating
Parameters:
| Name | Type | Description |
|---|---|---|
squash_min |
float | int | squashing min |
squash_max |
float | int | squashing max |
squash_rotation_min |
float | int | squashing rotation min |
squash_rotation_max |
float | int | squashing rotation max |
- Source:
Returns:
path - transform string
- Type
- string
(inner) extend(destination, source)
merging two objects, source will replace duplicates in destination
Parameters:
| Name | Type | Description |
|---|---|---|
destination |
object | |
source |
object |
- Source:
(inner) rand(min, max) → {float}
Generate random number between min and max
Parameters:
| Name | Type | Description |
|---|---|---|
min |
float | int | |
max |
float | int |
- Source:
Returns:
- Type
- float
(inner) setDefaults(opts) → {object}
Changing the default attributes
Parameters:
| Name | Type | Description |
|---|---|---|
opts |
object | object with default attributes see "var defaults" |
- Source:
Returns:
defaults - the full default object
- Type
- object


Mechserver v1.0.0
ID
01EER2V34H1207PKSKKHF6S9HP
Name
foo
Version
1.0.1
Release
2019121
Description
Mech of Brixton


---
title: Side Nav
subtitle: Subtitle
layout: layout-docs
category: Standard
icon: sidenav
breadcrumb: General
js: true
order: 3
---
The side nav is a standard component that all '.gov.sg'
websites must have for every inner page two or more levels of navigation.
Basic side navigation to support level 2 navigation.
{%- highlight html -%}
{%- endhighlight -%}
Level 2 navigation dropdowns that show/hide level 3 navigation links JS
{%- highlight html -%}
{%- endhighlight -%}
Sticky sidenav that stays on the page while scrolling through main content, such as the one on the left of this page.
JS
{%- highlight html -%}
{%- endhighlight -%}
Guidelines
Side nav should:
- Be positioned on the left of every inner page in a digital service
- Be hidden when used on mobile devices
{%- include sgds-feedback.html -%}


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @(params: Map[String, Any]) @uk.gov.hmrc.hmrcemailrenderer.templates.helpers.html.template_main(params, "Marriage Allowance cancelled") {
Your Marriage Allowance will be cancelled on @{params("endDate")}, at the end of the current tax year.
What happens next
If your partner pays tax through PAYE, we’ll change their tax code and send them notification of their new tax code in the post. We’ll tell their employer and your Marriage Allowance will stop when they begin using this new code from the start of the new tax year on @{params("startDate")}.
If they complete a Self Assessment tax return, we’ll remove Marriage Allowance at the end of the current tax year on @{params("endDate")}. Their Personal Allowance will be adjusted on @{params("startDate")}.
There’s no need to contact us. You can check the status of your Marriage Allowance on your personal tax account by clicking the link below.
www.gov.uk/personal-tax-account
From HMRC Marriage Allowance
}


Justin Bieber Shows His Support for Scooter Braun Amid the New Taylor Swift Drama
- Earlier this week, Taylor Swift posted a message on Tumblr calling out Scooter Braun and Big Machine Records CEO Scott Borchetta for “tyrannical control” of her music.
- She says they didn't let her play her old songs at the AMAs or include them in an upcoming Netflix documentary.
- Justin Bieber just posted an Insta implying that he's siding with Scooter Braun and Big Machine Records.
Hello, and welcome back to the drama that is Taylor Swift versus her old record label Big Machine Records. ICYMI, earlier this week Taylor released a lengthy statement on Tumblr slamming Scooter Braun and Big Machine Records CEO Scott Borchetta for allegedly preventing her from performing her old songs during a medley at the 2019 AMAs and not allowing her to include her old music in an upcoming Netflix documentary.
Related Story
Taylor Swift’s Rep Just Responded to AMAs Drama
Since then, Big Machine released a statement saying,“Taylor, the narrative you have created does not exist,” and Taylor's rep fired back with another statement detailing Taylor's claims and alleging that Big Machine owes Tay $7.9 million in unpaid royalties. Basically, it's a big ol' mess.
Now celebs are taking sides, and while Selena Gomez came out in support of Taylor (she wrote that Taylor's claims make her "sick and extremely angry"), Justin Bieber is siding with Big Machine and his manager Scooter Braun. Yesterday, Justin shared a screen shot of a TMZ article with the headline "Taylor Swift Free to Play All Her Hits During AMAs...Big Machine Can't Stop Her" in his Instagram stories. The article includes a statement from a Big Machine official who says,"we have no legal right to stop this and have never tried. [Taylor] and her team both know this"...so it's safe to say Justin's not team Taylor on this one!
So, uh, I'll just be here, waiting to see if Taylor responds...
Related Story
Help, Taylor Swift Just Started Sh*t With Bieber Alanna Lauren Greco Alanna Greco is the weekend editor at Cosmopolitan.com and a freelance writer based in New York.


The following is a list of tips that will be useful for beginners:
Don't be afraid to search answers on the internet:
When coding, the majority of your time is often spent thinking of a solution to solve a problem,
not writing the code to solve the problem. Not even professional programmers remember everything
they need to know. Don't be afraid to look up how to do something or what something does.
A popular site for answers is StackOverflow, which can be found on the resources page.
Read documentation & reference sites:
Reference and documentation sites are sites that contain information necessary to code for the
languages or services they are made for. An example of a reference site is W3Schools, which
contains lots of information about many languages (including python). Some reference or
documentation sites also have tutorials, such as W3Schools. Some reference sites can be
found at the resources page.
Try creating your own solutions:
When you are writing code for a project, try creating your own solution before you look up how to
accomplish something. This is because you will learn more by coding a solution you created compared
to coding a solution you found online. This said, don't be afraid to look up a solution, as long as you
have already tried creating your own solution.
 While tutorials are useful, they shouldn't be
overused. For a more detailed explanation of what it is and how to avoid it, click here.


A dependency free multiple item JavaScript carousel.
Multiple Items:
Single Item, No Controls:
Two Items, Only "Previous" Control:


JUMBOTRON
the text should wrap like aman man, staying below 1200px on a large screen and being responsive on all other sizes.
Body Section A
I made the jumbotron above into a 'component' in Macaw and can now drag and drop a simple 'block' onto the page, edit the height, color and contents and keep it all responsive as above. Some tweeking required.


National Football League
Louth's 2020 Allianz and Lidl National Football League fixtures
National Football League
by Caoimhín ReillyLouth seniors will have four home games during next year’s National Football League, with Tipperary, Offaly, Leitrim and Down to visit Drogheda.
The Reds open their Division Three campaign with an away match against Longford, on January 26, before hosting Tipp and Offaly over the following Sundays, February 2 and 9.
Wayne Kierans’ men face Derry on Foyleside on February 23, prior to Leitrim’s visit to The Gaelic Grounds one week later.
The campaign closes with games against Cork (away) on March 15 and Down, in Drogheda, on March 22.
Fixtures for Louth hurlers’ Division 3A schedule are not yet confirmed, although their opponents will be Armagh, Tyrone, Monaghan, Donegal and Nicky Rackard Cup winners Sligo.
Meanwhile, new Louth ladies’ team manager Wayne Freeman will travel to Antrim for his first National League Division Four assignment, on February 2, having received a bye in round one due to just seven teams competing.
Limerick travel to The Wee County for round three on February 9, as do Leitrim on February 23, with March 1, 22 and 29 being set aside for the matches with Derry (a), Offaly (a) and Carlow (h)


{{getWord('General')}} {{getWord('Password')}} Needed to enter the website Needed to verify your account Needed to verify your account Don't forget your password 当前密码 Enter your password 新密码 Enter your password 确认密码 Enter your password


HOW TO PLAY: Use your arrow keys to move the tiles. When two tiles with the same number touch, they merge into one!
by Nane Boudewijns


DRAWPOLYLINE draw a polyline specified by a list of points drawPolyline(COORD); packs coordinates in a single [N*2] array. drawPolyline(PX, PY); specifies coordinates in separate arrays. PX and PY must be column vectors with the same length. drawPolyline(..., TYPE); where TYPE is either 'closed' or 'open', specifies if last point must be connected to the first one ('closed') or not ('open'). Default is 'open'. drawPolyline(..., PARAM, VALUE); specify plot options as described for plot command. H = drawPolyline(...) also return a handle to the list of line objects. Example: % Draw a curve representing an ellipse t = linspace(0, 2*pi, 100)'; px = 10*cos(t); py = 5*sin(t); drawPolyline([px py], 'closed'); axis equal; % The same, with different drawing options drawPolyline([px py], 'closed', 'lineWidth', 2, 'lineStyle', '--'); See Also: polylines2d, drawPolygon --------- author : David Legland INRA - TPV URPOI - BIA IMASTE created the 06/04/2004.


ABOUT
SERVICES
GALLERY
BLOG
SHOP
CONTACT
4
0
4
Page not found!!
Please try one of the following pages...
HOME PAGE


 description: "Extracting the relevant information from a roll call vote PDF file." nb_path: "nbs/01_parsing_roll_call_votes.ipynb" ---
PDF content:
path = Path('PV-9-2020-07-23-RCV_FR.pdf'); path
path = Path('PV-9-2020-07-08-RCV_EN.pdf'); path
fobj = open(path, 'rb')
reader = pdf.PdfFileReader(fobj)
reader.getNumPages()
%%time
all_texts = [reader.getPage(i).extractText() for i in range(reader.getNumPages())]
summary = SummaryParser(all_texts)
df_summary = summary.df
df_summary.head(150)
with pd.option_context('display.max_rows', 150):
display(df_summary)
TODO:
%%time
start, end = summary.df.iloc[0,1:]
votes = VotesParser(start, end, all_texts)
display(votes.df_votes, votes.df_corrections)
df_summary = summary.df
df_summary.head()
Parsing all issues voted on
%%time
all_counts, all_votes, all_corrections = get_all_issues(df_summary, all_texts)
all_counts.head(), all_counts.tail()
all_votes.head(), all_votes.tail()
Overlap between vote names
s1 = set(all_counts['vote name'].unique())
s2 = set(all_votes['vote name'].unique())
assert len(s1.intersection(s2))/len(s1.union(s2)) == 1.
all_votes_summed = all_counts.copy()
outcomes = ['yes', 'no', 'abstain']
all_votes_summed.loc[:,outcomes] = None
for outcome in outcomes:
vote_mask = all_votes['vote'] == outcome
for vote in all_votes['vote name'].unique():
mask = all_votes_summed['vote name'] == vote
_votes = (all_votes['vote name'] == vote) & vote_mask
all_votes_summed.loc[mask, outcome] = _votes.sum()
all_votes_summed[outcome] = all_votes_summed[outcome].astype(int)
all_votes_summed[f'{outcome}-delta'] = all_votes_summed[outcome] - all_counts[outcome]
all_votes_summed
all_votes_summed.info()
pd.melt(all_votes_summed, value_vars=['yes','no','abstain'])
deltas = pd.melt(all_votes_summed, value_vars=[v for v in all_votes_summed.columns if 'delta' in v])
deltas
display(deltas.groupby('variable').describe())
px.histogram(data_frame=deltas,
x=f'value',
color='variable',
barmode='overlay', nbins=21,
title=f'Discrepancy for \'{outcome}\' votes')


One hobby I have, other than being a gamer, is building computers.
the computer above is my newest built pc. Her name is mini-baby. The name is in progress though...
CPU: Ryzen 7 3700x
CPU COOLER: NZXT KRAKEN X62
GPU: RTX 2080
RAM: 16GB DDR4 RGB G.SKILL TRIDENT
SSD: 1TB SAMSUNG EVO 970 NVME M.2
CASE: THERMALTAKE 20VT
MOTHERBOARD: ASUS X470 GAMING ITX
PSU: 850W EVGA G+


Zilch
{{dice.number}}
Take {{actualScore}}
Roll
ZILCH JUNGE!
Possibilities:
{{possibility.description}} (
{{possibility.score}}
)
Round: {{round}}
Score: {{totalScore}}


Public Member Functions | |
| def | __init__ |
| Constructor. | |
| def | add_analysis |
| Simply appends one analysis to the analysis queue (the analysis we want to do). | |
| def | run_analysis_for_all_clusterings |
| Adds one process to the scheduler which will run all the analysis in the analysis queue for each of the clusterings in the clustering_info structure. | |
| def | run_analysis_for_a_clustering |
| Adds one process to the scheduler which will run all the analysis in the analysis queue for one clustering. | |
| def | evaluate |
| Runs all analysis for all clusterings in the clustering_info structure and recovers the results of this analsis to attach them into the clustering_info structure. | |
Public Attributes | |
| analysis | |
| scheduler | |
| current_analysis | |
| clustering_info |
Definition at line 25 of file analysisRunner.py.
| def pyproct.clustering.analysis.analysisRunner.AnalysisRunner.__init__ | ( | self, | |
| scheduler, | |||
| clustering_info, | |||
| populator | |||
| ) |
Constructor.
| scheduler,: | A Scheduler instance of any type to control the execution of analysis. |
| clustering_info,: | a 'clustering_info' structure (dictionary that for each 'clustering_id' has a structure with all the info of one clustering. |
| populator,: | An 'AnalysisPopulator'-like instance to add the needed analysis. |
Definition at line 39 of file analysisRunner.py.
| def pyproct.clustering.analysis.analysisRunner.AnalysisRunner.add_analysis | ( | self, | |
| analysis | |||
| ) |
Simply appends one analysis to the analysis queue (the analysis we want to do).
| analysis,: | An 'Analysis' instance. |
Definition at line 51 of file analysisRunner.py.
Runs all analysis for all clusterings in the clustering_info structure and recovers the results of this analsis to attach them into the clustering_info structure.
Definition at line 100 of file analysisRunner.py.
| def pyproct.clustering.analysis.analysisRunner.AnalysisRunner.run_analysis_for_a_clustering | ( | self, | |
| clustering_id, | |||
| clustering_info | |||
| ) |
Adds one process to the scheduler which will run all the analysis in the analysis queue for one clustering.
The analysis are not executed instantaneously but when the calculating function is used.
| clustering_id,: | The clustering_id of the clustering we are going to work with. |
| clustering_info,: | The 'clustering_info' structure with the clustering to be analyzed. |
Definition at line 75 of file analysisRunner.py.
| def pyproct.clustering.analysis.analysisRunner.AnalysisRunner.run_analysis_for_all_clusterings | ( | self, | |
| clustering_info | |||
| ) |
Adds one process to the scheduler which will run all the analysis in the analysis queue for each of the clusterings in the clustering_info structure.
The analysis are not executed instantaneously but when the calculating function is used.
| clustering_info,: | The 'clustering_info' structure with the clustering to be analyzed. |
Definition at line 62 of file analysisRunner.py.
Definition at line 39 of file analysisRunner.py.
Definition at line 39 of file analysisRunner.py.
Definition at line 39 of file analysisRunner.py.
Definition at line 39 of file analysisRunner.py.


Album Cover Retrieval Suggestion
-
import5byfive
For me, Synergy often retrieves incorrect album cover art. There should be a way to "notify" Synergy that it has retrieved the wrong image and have it look for another image. It should delete the incorrect album cover and perhaps keep an id tag of some sort of the wrong cover so that is doesn't download it again. Currently, if it downloads the wrong art, you have to do all the work yourself...find the correct image, download it, goto the album covers folder and replace wrong image. Synergy should be smarter in this respect, maybe even provide you with choices before it downloads the art if it comes across similarly named titles, like iTunes does when looking up album info from CDDB.
-
Greg Hurrell
I agree it should be smarter. Note that you don't have to replace the wrong image though. An easier process is this:
1. Find correct art 2. Drag into iTunes 3. Select "Show album covers folder" from Synergy Global Menu 4. Delete art
In step 3 Synergy will select the art for the currently playing song, so steps 3 and 4 should be very quick. Synergy will use the correct art (from iTunes) the next time it plays the song.
I have some ideas for making this easier on the user, and Synergy Advance will have a much better cover management system.
-
UKenGB
I also have a problem with incorrect artwork. Synergy keeps downloading the image of the new Garbage album for Eric Clapton's Me and Mr Johnson - not the same thing at all I'm sure you'll agree:-) And also many others are wrong.
First of all, why is it doing this? How can it be getting it so wrong?
Then how best to correct it. I have no intention of putting artwork into iTunes directly as that will mean duplicating each image into every mp3 on the same album. One of the main reason for using Synergy is to avoid this.
Suggestions?
-
tikilab
I would like an option to toggle Amazon image searching independently of toggling iTunes image searching. I would rather have Synergy only show the artwork I have entered into iTunes and not search Amazon at all. I search better with Google, and a lot of of my music isn't on Amazon anyway. I've even been known to scan in my own covers when it's a particularly favorite cover that I can't find on the net. I also don't mind an extra 20-50 k or so in each file in exchange for the convenience of not having to keep track of separate picture files.
-
Greg Hurrell
-
tikilab
I tried posting there, but I was confused when I went to that part of the site. It asked me for a username and password and with the combination of that and me not really paying much attention, I thought somehow I was taken to the actual "Bugzilla" site, so I came back here and found this thread (which should also be in the "Bugs And Requested Features" section, no?). Now that I look at it I realize that it's still part of this site. I still don't have a username and password for that part of the site, but since I said what I wanted to say here and someone else has expressed the same idea, I'll leave it at that.
Disclaimer: I am a pretty smart person, but I just don't want to waste a lot of time trying to figure out a web site's layout just to post some feedback.  )
-
Greg Hurrell
I know a lot of people are intimidated by Bugzilla (to the point of not even wanting to use it at times), but it's just so darn powerful that it's the software I wanted to use (there's a reason why projects like the Linux kernel and others use it).
But I think you're right. The templates would benefit from customization to make the pages look more like the rest of the site... I will see if I can get that working.
[Update: I have changed the bugzilla templates so that the standard Wincent header and navigation bar appears at the top of every page. The style sheet still needs some tweaking but the major changes have already been made.]
Reply
This topic is now closed.


When the original JS Alert needs treatments.
This is the main purpose of making this library, replacing the old school JS alert.
No JQuery needed, written in pure JS. :)
AstNotif.dialog("Caution!", "Hai Dunia! :D");
AstNotif.dialog(title: string, message: string, options[optional]: object, callbackOK: function, callbackCancel: function);
| Option | Description |
|---|---|
color |
Dialog text color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
bgheadcolor |
Background header color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
bgbodycolor |
Background body color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
bgfootcolor |
Background footer color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
icon |
Will dialog show icon? Argument: Booelan, true/false. |
imgIcon |
If dialog icon using image. Argument: String path e.g: "../your/path/image.png" |
iconSize |
The size of the icon. Argument: Integer. Read as pixel. |
positive |
Dialog button OK. Argument: String, default: "OK" |
negative |
Dialog button cancel. Argument: String, default: "cancel" |
fa |
Supports font awesome icon. Argument: Font awesome string, without "fa-". So "fa-money" is just "money". |
dismissible |
Enables user to close the dialog by clicking the backdrop. Argument: Boolean, default: true |
This is the brand new version of dialog, quite modern and extremely similar to dialog. But without the title and you can make your own html content in the message.
AstNotif.poster("
Hai Dunia! :D 😊
");
AstNotif.poster(message: string or HTML content string, options[optional]: object, callbackOK: function, callbackCancel: function);
| Option | Description |
|---|---|
color |
Dialog text color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
bgcolor |
Poster background color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
icon |
Will dialog show icon? Argument: Booelan, true/false. |
imgIcon |
If dialog icon using image. Argument: String path e.g: "../your/path/image.png" |
iconSize |
The size of the icon. Argument: Integer. Read as pixel. |
positive |
Dialog button OK. Argument: String, default: "OK" |
negative |
Dialog button cancel. Argument: String, default: "cancel" |
fa |
Supports font awesome icon. Argument: Font awesome string, without "fa-". So "fa-money" is just "money". |
dismissible |
Enables user to close the poster by clicking the backdrop. Argument: Boolean, default: true |
It just like a toast on your Android smartphone, with customizable color and others. :)
AstNotif.toast("Hai Dunia! :D");
AstNotif.toast(message: string, options[optional]: object);
| Option | Description |
|---|---|
length |
How long Toast will show. Argument: Integer in milliseconds or "SHORT"/"LONG" |
color |
Toast text color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
bgcolor |
Toast background color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
reverseColor |
Reverse background and text color, suitable if you want night mode for example. Argument: Boolean. Default is false. |
alpha |
Toast opacity or transparancy. Argument: Float number from 0 to 1. |
borderRadius |
Set Toast corner roundness. Argument: Integer or string that followed by "px" or "%". Integer is read as pixel (px). E.g: 50 or "40px" or "10%" |
vdist |
Set Toast vertical distance relative position after margin. Argument: Integer, read as pixel (px). Use minus for opposite use. (Doesn't apply to center ("c") position) |
hdist |
Set Toast horizontal distance relative position after margin. Argument: Integer, read as pixel (px). Use minus for opposite use. (Doesn't apply to center ("c") position) |
margin |
Set Toast margin relative to screen. Argument: Integer, read as pixel (px). |
position |
Set Toast position in 8 wind directions. Argument: Insensitive String, "n", "ne", "e", "se", "s", "sw", "w", "nw", and "c" for position of the center of the screen. Default "s". |
It just like a snackbar on your Android smartphone, with customizable color and others. :)
AstNotif.snackbar("Hai Dunia! :D");
AstNotif.snackbar(message: string, options[optional]: object, action/callback: function);
| Option | Description |
|---|---|
length |
How long Snackbar will show. Argument: Integer in milliseconds or "SHORT"/"LONG" |
color |
Snackbar text color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
bgcolor |
Snackbar background color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
btncolor |
Snackbar button color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
button |
Button text. Argument: Text string, button will not show if you leave this empty. |
fa |
Supports font awesome icon. Argument: Font awesome string, without "fa-". So "fa-money" is just "money". |
reverseColor |
Reverse background and text color, suitable if you want night mode for example. Argument: Boolean. Default is false. |
position |
Snackbar position. Argument: "top" or "bottom". Default is "bottom". |
If you are a Windows user, you should be familiar with this. :)
AstNotif.notify("The Title", "Hai Dunia! :D", "now");
AstNotif.notify(title: string, message: string, footer: string, options[optional]: object, callback: function);
| Option | Description |
|---|---|
length |
How long notif box will show. Argument: Integer in milliseconds or "SHORT"/"LONG", -1 for stay forever. |
color |
Notif box text color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
bgcolor |
Notif box theme color. Argument: Hex color string or rgb, e.g: "#02BAF2" |
icon |
Will notif box show icon? Argument: Booelan, true/false. |
imgIcon |
If notif box icon using image. Argument: String path e.g: "../your/path/image.png" |
fa |
Supports font awesome icon. Argument: Font awesome string, without "fa-". So "fa-money" is just "money". |
position |
Opacity or transparancy. Argument: String, "left" or "right". Default is "right" |
alpha |
Opacity or transparancy. Argument: Float number from 0 to 1. |
A semi playground you will enjoy. :)
Choose a theme (just like a bootstrap ones):
IMPORTANT! As per this version (v0.1), setting the theme in individual module would affect the current module only. If you want to change the whole theme, use astn.theme.set(theTheme). See "Main Settings" section on the left.
AstNotif.dialog("Travel Caution!", "Jakarta is very good city. You should visit it!", options[optional]: object);
AstNotif.poster("Travel Caution!", "
Jakarta is very good city. You should visit it!
", options[optional]: object);
AstNotif.toast("Jakarta is very good city. You should visit it!", options[optional]: object);
AstNotif.snackbar("Jakarta is very good city. You should visit it!", options[optional]: object);
There's also a get and set to the whole settings. Like, when you want set a general theme for the whole notification modules or like when you want to change the Z Index so that it would always the top, just like CSS z-index.
AstNotif.theme.set(Theme :String)Set the theme. Available theme: "Default", "Danger", "Info", "Success", "Warning", "Primary", and "Dark".
AstNotif.theme.get()Return the string of current theme.
AstNotif.zIndex.set(zIndex :int)Set the Z Index.
AstNotif.zIndex.get()Get the current global Z Index of this library.
Thank you for using my library.
Works fine on IE 9, I guess.
But there're some important notes you should notice.
astninstead of
AstNotifjust like jQuery that using
$instead of
jQuery.
Thank you for using my library. Click this:
AST Notif download page.


Dictionary
Case Insensitive
Filter Symbols
Select
Process
Dict Size
Total Words
Anagrammatic Words
Anagram Ratio(%)
Anagrams
Time Spent
Lines of the dictionary
Alphabetic filtered
Anagrammatic / Total
Longest anagram
Biggest anagram
Lookup Anagram


Web Wormhole
OPEN
Web Wormhole lets you send files from one place to another.
Got a code? Type it here!


.fd-media
container
.fd-actions
container[isButton]="true"
to rendering a tile as a button
Add
[disabled]="true"
for disabled state
A Tile Gird is a collection of
fd-tile
components in a gird layout. The default is 3-col grid.
It's also available as a modifier class
[col]="3"
.
Shows use of helper classes
[rowSpan]="numberOfRows"
and
[columnSpan]="numberOfColumns"
Use
[colorAccent]="colorAccentNumber"
to add background to the tile.
{{data.properties.description}} {{data.properties.description}}
{{data.properties.title}}
{{data.properties.title}}


@(results: List[models.streaming.Benchmark])
Benchmarks comparing execution time of counting the number of results (yeah, I know there's a COUNT function...) using regular Relate asList, asIterator, LIMIT/OFFSET pagination, and user supplied query pagination.
In each case the query is run on a table that contains a million records, but we test performance with result sets of four different sizes:
The time reported is the result of running each test case 20 times. Time is in millis.
Hovering over a result will display the query used.
| # Records | Relate | asIterator | LIMIT/OFFSET | User Supplied Query |
|---|---|---|---|---|
| @result.numRecords | @result.relate.time match { case -1 => { Single query took longer than 10 seconds } case -2 => { @result.relate.error.get } case _ => { @result.relate.time } } | @result.asIterator.time match { case -1 => { Single query took longer than 10 seconds } case -2 => { @result.asIterator.error.get } case _ => { @result.asIterator.time } } | @result.limitOffset.time match { case -1 => { Single query took longer than 10 seconds } case -2 => { @result.limitOffset.error.get } case _ => { @result.limitOffset.time } } | @result.userSupplied.time match { case -1 => { Single query took longer than 10 seconds } case -2 => { @result.userSupplied.error.get } case _ => { @result.userSupplied.time } } |


Use the left/right arrows to move your piece, up arrow to rotate, and refresh to start a new game.
Info at: https://github.com/barneyb/jstetris


Click here to go the first page
Upload your TEXT File to apply Regex Functionalities
Enter the word you want to Replace
Enter the new word
Submit
Download


--- layout: page title: About Me description: This is what I do. background: '/img/bg-about.jpg' ---
I am an Artificial Intelligence engineer with a background in Software Engineering. I've always loved to create products and solve problems that will make our life easier and the world better which is the main reason that I'm an engineer. I've worked on various software engineering projects including web, mobile and desktop apps. Now, since I am a big fan of algorithms and problem solving I've switched to work on solving real-life NP-hard problems using algorithms, optimization & AI techniques.


Preparation time
less than 30 mins
Cooking time
1 to 2 hours
Serves
Serves 4
Dietary
James Martin’s scones with homemade strawberry jam are perfect for relaxed weekend baking. You’ll need a sugar thermometer to make the jam.
For the jam, heat the sugar, strawberries and lemon juice in a large saucepan over a medium heat until the sugar has melted.
Bring the mixture to the boil and cook for 3-4 minutes (or up to 10 minutes if you prefer a thicker style jam). Check the temperature with a sugar thermometer; it should reach 105C/220F.
Leave the jam to cool slightly and skim off any froth with a clean spoon. Spoon the jam into sterile jam jars, seal and label.
For the scones, preheat the oven to 220C/450F/Gas 7. Grease a large baking tray.
Sift the flour, baking powder and salt together in a bowl, then rub in the butter until the mixture resembles breadcrumbs.
Stir in the sugar, sultanas and eggs.
Stir in the milk with a wooden spoon, a little at a time, to form a smooth dough.
Roll the dough out onto a lightly floured work surface to a thickness of 2cm/¾in.
Dip a 5cm/2in pastry cutter into a little flour and cut out the scones (be careful not to twist the cutter as it will cause the scones to rise unevenly).
Beat the two remaining eggs in a bowl and carefully brush the tops of the scones, taking care not to let any run over the edge.
Place the scones onto the baking tray and bake in the oven for 10-12 minutes, or until golden-brown.
Remove the scones from the oven and allow to cool slightly. Serve the warm scones with the strawberry jam and clotted cream.


Design philosopy
- A good document should be able to describe itself cleanly.
- A human readable doucment should not contain nonstandard markups.
- Do not use the document as a web page template.
Freezes is a tools working with pure markdown documents. So we can use markdown's meta data feature to define the aditional data.
What is meta data ?
Meta data is a group of human readable data on the top of the document body. And the meta data is a common markdown standard so it can be parsed by any Markdown text engines or editos.
For example
title: About me
summary: The text to introduce yourself.
author: Ray
Here is the content.
Freezes can be parsed the metas below：
| Meta | Description |
|---|---|
title |
Article/Page title text (Require). |
description |
Page description text that render in <meta> Maximum 255 characters. |
summary |
The summary of the article. It also can be use as sub-title |
cover |
Article cover image file url |
author |
Author name. |
date |
Publish date，The format is : yyyy-MM-dd hh:mm:dd。Freezes will use the file lastupdte date if this meta not found. |
layout |
Specified the layout page file name without extension that in templates/layouts |
tags |
Tags. If you need to specified multiple tags you should use comma separated. |
id |
The position index. |
Recommendations
- You should add
tags
,summary
to your documents becasuse they will rendered in<meta>
of the <output page that can be enhanced the SEO。 - In order to sort the articles by datetime you should add
date
meta. tags
should be accurate and do not use over 10 tags.


－－Language－－
en
zh_TW (繁體中文 待開發)
Typing Game
0.3
Introduction
Typing Game
typing dropdown
Introduction to game
typing article
Typing Article: Introduction to game
Hierarchy
API - RELATION
Program processing
Sphinx
Disqus
Release note
Release Note
Typing Game
Docs
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Edit on GitHub
API - RELATION
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class UML
Program processing
¶
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Doge Social Network
Home
Profile
Friends
Friends of Doge
Such Friend
best friend
Many Fiends
unknown
Wow
yeah, right


rotten
>
Library
>
Biographies
>
Crime
>
Serial Killers
> Albert DeSalvo
Albert DeSalvo
Claimed to be the
Boston
Strangler.
Timeline
18 Jan 1967
Convicted in Cambridge, MA, of armed robbery, assault and sex offenses and sentenced to life imprisonment.
26 Nov 1973
Stabbed to death in prison.
Pornopolis
|
Rotten
|
Faces of Death
|
Famous Nudes


Correlation coefficients between soil temperature variables (
S
T
max
,
S
T
min
, and SDTR) and other climatological variables including DTR, sunshine duration (SD), precipitation (p), relative humidity (h), and surface wind speed (V) on annual and seasonal scales in China during 1962–2011.


To specify a single password for all actions, just select Passwords and actions specified below, then in the Password column selectSet to and enter your password in the adjacent box. Then check the Use this password for all actions box, and click Save.


--- title: "About the Author" layout: single author_profile: true header: image: assets/images/AnotherWorld.jpg ---
Hey, what's up!
My name is Ammar Chishti and I am currently a computer science student at Stony Brook University that is expected to graduate in the month of May of 2021. My primary interest lies in full stack web development, but other areas I plan to explore in the future include computer networks, distributed systems, and data science. Outside of school, I am deeply passionate about exercise and physical activity.
Why Computer Science?
I wasn't always interested in technology. When I was young, I wanted to major in finance and work in the financial services industry, but much of that changed when I looked at some of the world's largest companies by market capitalization. Large corporations such as Apple, Facebook, Google, and Amazon as well as startups such as Tesla and Uber, companies that I have seen form and develop throughout my lifetime, made me realize that so much progress in improving the quality of life of common, everyday individuals have been the result of those who successfully created applications that have been engineered to work at an enormous scale. After attending Stony Brook University and learning about software development in the last few years, I knew I wanted to be in tech to work on complex, challenging problems that have real applications to the world.


Booking number
Full Name
Email
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Address
Phone
Booking type
Cost
Car type
Board number
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Print
Facebook, Google, Twitter Account that are connected to this account


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Coming Soon
This website is in the process of a rework and trust me, it will look so much better.
Github


INDEPENDENCE DAY
A film review by Alex Brenner
Copyright 1996 Alex Brenner
Dir: Roland Emmerich Will Smith Bill Pullman Jeff Goldblum Harvey Fierstein Harry Connick Jr.
At the risk of labouring an already overstressed point, I felt that it would be worth adding my tu'penny ha'penny worth to the debate surrounding this vastly popular film. It seems to be the case now that every year the moviegoing public selects one or two films and makes them massively successful, and they are, largely without exception poor, if not downright dire. Last year we had the tedious, contrived 'Batman Forever,' the year before that the characteristically vapid 'Lion King' and the pernicious and subversive 'Forrest Gump,' and then before that, 'Jurassic Park.' It is saying something about a given group of films when dramatically the most successful of their number is that saccharine and manipulative dinosaur epic. And, unsurprisingly, given that it was moulded by the same hands which gave us the terrible 'Stargate,' 'Independence Day' is not going to change any of that. Before I launch into my list of objections, firstly let me state that this is not a bad film in the class of 'Benji: The Hunted' or 'Spy Hard.' It possesses certain moments which a viewer can enjoy, and as a whole it is not what one might categorise as offensively bad. However, much has been made of the many ludicrous moments in the script which betray the creator's uninterest in really suspending disbelief. My personal favourites include the bizarre idea that one could upload a virus into an alien computer, the outrageous fluke of the First Lady a)surviving and b)being found, and the notion that the fire that consumed a whole city might somehow become channelled into a tunnel, which might vaguely be considered reasonable if it were not for the clear portrayal of someone surviving by hiding in a little side door. Preposterous: whoever allowed these into the final script needs to have his powers of discrimination substantially upgraded. Still, one might be prepared to forgive this of the film. After all, amidst a hostile invasion by belligerent super-aliens, one might need a little light relief. The film does not let the critic off so lightly, however: there are deeper problems with the film than that. 'Independence Day' is extremely derivative. Every five minutes I found myself being reminded of other films, usually bad ones: 'Apollo 13,' 'Star Trek 6/Generations,' and, God forbid, 'Stargate.' Upon consideration, it seems that Emmerich is seeking to broaden the appeal of the film by nodding at certain genre conventions. Unfortunately, these nods inevitably lack conviction, and thus the film assumes a patchy 'jack-of-all-trades and master of none' aspect. An example: as the film nears its climax, Jeff Goldblum's character suddenly becomes very concerned about the environment. This is a difficult subject to handle without coming across as glib or manipulative, but here it is such a momentary consideration that it really opens a window on the director's technique. Imagine: 'Gee, the punters like environmental issues ... how can we squeeze it in? Ah-ha ... ' (n.b. this goes some way also towards illustrating the difference between a film like this and 'Mission: Impossible.' For all the latter's faults, it is undoubtedly the work of a man who knows his trade, whereas 'Independence Day' is in the main never more than workmanlike; where 'Independence Day' is derivative, 'Mission: Impossible' is allusive). Another example might be found in the use of homosexuality. Not only does fighter jock Will Smith have a boyfriend, which seems at odds with Airforce regulations, but Harvey Fierstein is also allowed to be his rampant, camp self. Again, one gets the sense that, rather than there being any honesty on Emmerich's part, he instead is winking conspiratorially at Tarantino fans and those who feel that there should be a more full representation of homosexuality on film - without actually sympathising with their causes. It all appears to be terribly cynical to me. These are still gripes, momentary complaints rather than criticisms about the work as a whole. These are yet to come: there is little question that the film is generally jaundiced. With the exception of the effects sequences, moer of which later, the film is subject to a terrible defocussing of dramatic intensity. Where the film should grip, it bores. There are several possible reasons for this. Firstly, Emmerich makes great play of giving his characters lengthy introductions, showing us their private and public personae, giving us a little slice of their lives, and so on. Despite this, the protagonists are still merely caricatures: the cocky fighter jock, the wholesome president, the eccentric Jeff Goldblum intellectual from 'The Fly' and 'Jurassic Park.' Thus the audience instinctively becomes disinvolved in their condition; there is no desire to empathise and thus to become infused with the tensions and emotions of the characters. We simply observe their actions, always very aware that we are watching a film. Secondly, the film has little sense of pace: it ambles along, quite content to deliver an effects shot every so often, while the rest of the time is spent delivering shallow moralistic melodrama. The real problem that denies the film any power or impact is that is simply not awe-inspiring enough. Any film which takes something unusual or remarkable as its centrepiece should retain a sense of wonder from start to finish. Even those films whose central themes are invested elsewhere should probably aim to found their drama on a viewer's enthrallment with event and setting as something significant. Take 'Twelve Monkeys,' a film whose ending is set in a very mundane location, and yet that setting is invested with so much before it, and is so removed from the ordinary by events that have previously occurred, that the viewer is absorbed into the whole situation. Film is inevitably concerned with an aesthetic projection of something a little strange (unless one is going to see one's own biopic), and so it is a shame to render the whole process profane, as in 'Independence Day.' As a final illustration, compare 'Independence Day' with 'Star Wars.' Whereas the latter performed the same feat as the former (only with vastly greater force) by having a very spectacular spaceship opening, it retains that sense of the spectacular until its climax, weaving an epic tale with wonder upon wonder, until by the end the audience is left positively overflowing with received sensation. 'Independence Day,' on the other hand, makes its wonders seem very ordinary, until by the end, one is simply accepting the inwards of the mother ship, or some fantastic battle scene, as par-for-the-course. Given that these are really the film's only selling point, it seems inevitable that the film will become resigned to mediocrity, as it possesses no sense of diminuendo or crescendo, merely jolting from a loud bit to a quiet bit, thus losing any kind of dramatic contrast. Unfortunately, the film to which it must be compared is 'Star Wars,' which reveals 'Independence Day's' epic pretensions as stillborn. Another point which seems incongruous: why are the protagonists of Independence Day not more awed themselves? It makes sense to merely accept intergalactic war when it is part of one's life, as in, you guessed it, 'Star Wars,' but when one is faced with something so profoundly alien, the human psyche would be much more given to trauma than is portrayed in 'Independence Day.' Exploration of such could have enormous dramatic potential: a good delineation of the terror and fear, paranoia and horror that a hostile alien attack would engender could have made the film much more successful, but instead the characters merely bumble through, taking the whole thing very much in their stride, Will Smith at one point cheerfully bopping an alien on the nose. Well, damnit, if the characters aren't gripped by proceedings, then why the hell should I be? Unfortunately, the nature of the film and its publicity only exacerbates these problems. Having been stunned by the trailer, one sits through the movie, undistracted by anything else, waiting for the next effect shot. That is no way to watch a film, but the whole 'Independence Day' phenomenon, film included, leaves one with little choice. Now, having severely criticised the film, there are a few good points, as I said earlier. Pullman, Smith and Goldblum make sympathetic, watchable leads, and the special effects are, of course, stunning, unusually so, even in this day and age. This largely not because of any particular technical brilliance, though that is present, but instead because of their amazing visual flair. Some of the sequences do stand comparison to 'Return of the Jedi' or 'The Abyss' (the special edition, not the vastly inferior original release). The jet strike scenes' thrill comes from a real sense of motion, and there are some scenes in which a ship hovers above ground, while an unholy battle takes place in its shadow, which are stunning, providing the film's only true moments of real emotion, sending a genuine awed shiver down the spine. What a pity, then, that the special effects director's sense of visual style is so much better than Emmerich's: the contrast between these battle scenes and the rest of the film is sometimes really pretty shocking. And, you'll already have seen most of these scenes in the trailer. As a final point of denigration, the score is truly terrible. Where it should be unnoticable, it is intrusive, where it should be ominous or emotive, it lapses into fanfare. The film has enough problems without some of its only good moments being spoiled by some marching brass band. So, like 'Jurassic Park,' it has Jeff Goldblum as that eccentric intellectual, an awful score, it is dramatically pathetic, and it has enough in it to make a fantastic trailer. 'Jurassic Park,' at least, was great cinema, if weak anything else. 'Independence Day,' then, comes across as something of a poor man's 'Jurassic Park:' an impressive feat of mediocrity.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


EVERYONE SAYS I LOVE YOU (1996) A film review by Nick Schaden Copyright 1997 Nick Schaden
In "Everyone Says I Love You", Bob (Alan Alda) is devastated that his son is a conservative Republican. Joe (Woody Allen) is using his charm to hit on Von (Julia Roberts). It's the kind of stuff we're use to expecting in Woody Allen movies, with generally satisfying results.
I won't reveal the plot, as watching out what turns up is one of the best parts of "Everyone Says I Love You". Many of the conversations during the movie are absolutely hilarious, in many cases I could barely contain myself.
Possibly the best moments in this movie are the little ones. Watching Woody Allen and Goldie Hawn dancing in Paris was wonderful. The maid of Bob's home does a great job of playing a despotic role: In one notable scene after discussing why Italian pasta needs sauce, the maid exclaims "They're weak!". Even though the musical scenes can get tedious at times, you can see Woody Allen is poking fun at the genre. However, possibly the greatest moment of "Everyone Says I Love You" is when Charles Ferry (Tim Roth), an ex-convict, comes to Bob's house for dinner. At this point in the movie we see Tim Roth at his tough guy "Reservoir Dogs" best - it's a memorable scene.
"Everyone Says I Love You" is another Woody Allen movie that succeeds in making the audience laugh. It's a solid, well made movie and is definitely worth a rental at your local video store.
Nick's rating: +2 (Recommended)
*** Movies rated from -4 (worst) to +4 (best), 0 = average movie ***
-- Nick Schaden Send your comments to<EMAIL_ADDRESS>Check out all of Nick's reviews at: http://uslink.net/~cpunut/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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--- layout: default title: nwt components heroUnit: '
NWT makes web development simple.
' ---Node Web Toolkit (NWT) is a modern javascript web frameworks. NWT is a minimilist framework designed to give developers huge gains in efficiency compared to other frameworks. Nothing beats the functionality of NWT in such a small package.
NWT is the smallest framework out there. Coming in at under 5kb minified and gzipped, nothing is faster. There are other minimilist frameworks out there, but they lack the functionality of NWT. Also, NWT ships with an IE compatibile backup library when most of the competing minimilist libraries don't work.


Zcta in Bounding box
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States in Bounding box
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States in Radius
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Add a city
Manage cities
Settings
About
Made by @paulcuth.
Data from Yahoo Geo & Weather APIs.
Weather icons by @arandompackage.
Source and issues available.
Add a city
Manage cities
Settings
About
Made by @paulcuth.
Data from Yahoo Geo & Weather APIs.
Weather icons by @arandompackage.
Source and issues available.


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 3-4
If you fancy a more punchy, peppery flavour to the fishcakes, then use the peppered smoked mackerel fillets. They add a real punch to the recipe.
Boil the potatoes in salted water until they are cooked through, then drain and mash them with the horseradish.
Peel away the skin from the mackerel fillets and discard. Flake the fillets into the mashed potato, removing any bones if you come across any.
Add the spring onions, tarragon and season with freshly ground black pepper. You shouldn't need to add any extra salt as the mackerel is naturally salty. Gently bind everything together and shape the mixture into eight flat cakes.
Lightly dust the cakes in the seasoned flour, then dip into the egg and finally coat evenly in the breadcrumbs. The fish cakes are now best put in the fridge for about 30 minutes to firm up, but can be cooked straight away if necessary.
Meanwhile, make the beetroot salad. Heat the olive oil in a small saucepan and then gently cook the onion for about five minutes until it has softened but not coloured.
While the onion is cooking, cut the beetroot into small cubes. Add the capers and lemon zest to the frying onions and season with salt and freshly ground black pepper.
Gently cook until the beetroot is heated through then stir in the chives.
To cook the fishcakes, heat about 1cm/0.5in of oil in a large frying pan over a low-medium heat for shallow frying. Fry the fishcakes for 3-4 minutes on each side, until they are golden, crispy and heated through. To avoid overcrowding the pan, you will probably need to do this in two batches.
Remove the cooked fishcakes from the frying pan, sit on kitchen paper to absorb any excess oil and keep warm in a low oven while you cook the rest.
Once they are all cooked and wonderfully crispy, serve straight away with the beetroot salad and a dollop of sour cream.


|
| file | clock-init.c [code] |
| | This file contains the implementation for HF and LF clock initialization and de-initialization.
|
| |
| file | clock-nrf.c [code] |
| | This file contains the implementation for milli-second timers using RTC1 peripheral.
|
| |
| file | main.c [code] |
| | Main file where the code execution for the observer starts.
|
| |
| file | observer.c [code] |
| | File containing the implementation of the BLE advertisement packets observer.
|
| |
| file | system_nrf51.c [code] |
| | Startup instructions executed upon reset.
|
| |
| file | timer.c [code] |
| | This file contains the implementation for profiling and time-stamping timer using TIMER0 peripheral.
|
| |
| file | uart_nrf.c [code] |
| | This file contains the UART Driver implementation for the nrf51822 SoC.
|
| |


How to use
->At the top of this website there are sections labeled "Shamail", "Editorials", "Websites", and "Books", you can click on these to see
my about page as well as work I have done in each section.
-> A small window will appear with all of the information and work
from that section. To see it in a separate window, you can press the
circle icon. To make the window go away, you can just "x" it out.
You can also drag the windows around.
Thank You!


'Love them' - The pundits' verdict on Nottingham Forest and their promotion chances
Nottingham Forest latest | The best comments from the experts and EFL pundits on the Reds, their manager and Premier League ambitions for the 2019-20 season
by Matt Davies, Josh MurrayPundits and commentators have been having their say on Nottingham Forest's Championship form as they target promotion to the Premier League.
Sabri Lamouchi's side sit fifth in the table ahead of a return from the international break - with their most recent outing bringing a 1-0 victory over East Midlands rivals Derby County.
This is your one-stop shop for all of this season's best Forest soundbites from the TV talking heads and radio experts.
We'll update it regularly to keep you up to speed with what the pundits think about Forest the players, their performances and much more.
'Love them to earn promotion'
Marlon Harewood on Forest's chances
The former Reds striker had his say after the win over Derby.
"Defensively they look solid and that's something Forest have struggled with through the years," Harewood told Sky Sports.
"I would love them to earn promotion. Top six is an aim but hopefully they are pushing for a top-two spot."
Chris Powell, a former Rams player and coach, then gave his verdict on the make-up of Lamouchi's current promotion chasers.
"Forest are a really interesting team because they are not possession based. They like the opposition to have the ball," he said.
"They like to break with pace and have real attacking talents. They are going to be there or thereabouts for sure. They have got some real strength in depth."
Nottingham Forest latest
This is your round up of all things Forest; the one-stop shop that will keep you updated on the latest goings on at the City Ground and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Reds throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Reds skipper Dawson on the battle ahead
- New Notts owners on Forest relationship
- Lamouchi's message over stadium plans
- Worrall picks his Reds team of the decade
For all your latest NFFC news, opinion, analysis and transfer gossip, click here
You can follow our Reds reporter Sarah Clapson on Twitter, and her email address is<EMAIL_ADDRESS>'Brought pride and passion back'
Don Goodman on Sabri Lamouchi
“Forest managers have struggled to reach the levels their fans expect of them for some time, but in Sabri Lamouchi, they finally have someone who looks capable of bringing the good times back to the City Ground.
“Given a full close season with the squad, the Frenchman has brought pride and passion back and has Forest in an unfamiliar position, fighting at the top end of the table.’’
'Well coached and well structured'
Gary Rowett on Sabri Lamouchi's personality
"You look at some clubs that take a while to get going. He's gone in there instantly, into a different division he openly admits he doesn't know much about.
"You can see the quality of his work with the way they defend, with the discipline and the compactness.
"You see his demeanour, it's assured and composed and it seems he's transmitting that to his players.
"They've been in and around it most of the time in the last five or six years, even if it's just for three month spells.
"Sabri Lamouchi is a very good (piece of) recruitment by the owners. If you look at this record, he's got something like a 50 percent win record in his career.
"He's a manager who has performed consistently in different countries in different competitions."
"At the moment, you have to say they're really well coached and well structured.
"He's picked certain teams for certain games. They've gone about it really impressively.
"They've tended to counter attack in away games and they've done it really impressively. The first goal at Fulham was a brilliant footballing goal.
"Then they'll drop in and be solid and disciplined. When they win the ball they can transition really well."
Nottingham Forest latest
This is your round up of all things Forest; the one-stop shop that will keep you updated on the latest goings on at the City Ground and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Reds throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Reds skipper Dawson on the battle ahead
- New Notts owners on Forest relationship
- Lamouchi's message over stadium plans
- Worrall picks his Reds team of the decade
For all your latest NFFC news, opinion, analysis and transfer gossip, click here
You can follow our Reds reporter Sarah Clapson on Twitter, and her email address is<EMAIL_ADDRESS>'Saying the right things'
David Prutton on Forest's chances this season
"Forest are a massive club so you don't raise your eyebrows when they beat anyone in this league, but they've had good results at teams expected to be automatic promotion contenders in Leeds and Fulham.
"It feels like the team has a really British foundation and then is complemented by more exotic sounding players.
"Lamouchi came in making all the right noises. I watched him during the first game and wondered what was going through his head.
"He played at big clubs alongside great players so he'll know what makes top level players tick.
"English football, especially the Championship, is really unforgiving, but he's applying himself really well.
"When he was announced, there must have been a lot of people searching his name, seeing he was Rennes manager and thinking 'oh no, it's another Montanier'.
"Lamouchi's tenure is in his infancy, but he's saying the right things and he's set up a team that is hard to beat and can score goals.
'A really good player'
Matt Murray on Tyler Walker
"He went to Mansfield and did well. He's doing well this season, scoring all types of goals.
"He's got loads of pace and he's getting more and more cultured with his finishing.
"He's a really good player. Lincoln used to be 4-4-2 but now they're changing by bringing in players like Jorge Grant, who also came from Nottingham Forest.
"Walker can lead the line, but he can stretch teams in behind. Forest are having their player's value added to, but for Tyler, it's a chance to learn and improve."
'A disgrace'
Chris Sutton on sacking Martin O'Neill after the defeat to West Brom
"You know what, the sacking of Martin O'Neill was a disgrace really.
"There were rumours that the players had a part in his sacking. If that's true, what has the game come to?
"Where did they finish last season? Ninth or tenth?
"I've never understood players who talk to the chairman and go behind the manager's back.
"They were my team as a boy. European Cup winners, but the club is in a mess.
"Modern football. Martin O'Neill did not get long enough."


WEB SCRAPER
I created a web scraper that scrapes several collections of art form the Broad museum in LA. This app shuffles the art every time the page is reloaded. On hover the image reveales its title. Guess the artist...
REACT BOOK STORE
A simple content management system that allows users to view, add, delete, and update books. Books entered in the system can be viewed in a list, as a single entry on its own page, or searched for using basic searches (by title, author, or genre).
REVERSE ENGINEER IG
I took a screenshots of pages on a popular social media site (Twitter, Facebook, Pinterest), and reverse engineer the HTML and CSS from scratch.
MUTABLE REST CRUD API
I designed a Mutable, RESTful, CRUD API. This means that it has endpoints that you can interact with RESTfully via a front-end.
MR. WARE BLOG
I designed a Blog CMS with authentication. MR. WARE is a blog designed and maintained by Jeffrey Ware.
NEW PROJECT
Coming Soon ...


Navigation
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- Home - This is the first screen users see after login. It lists the Core Features, links to request support, and new features and improvements in the latest Trifolia-on-Fire (ToF) release.
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- Documentation - Opens this help documentation in HTML format.
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U Turn (1997) 125 min.
All I need to make me see something at the movies is a reason. If, for example, somebody told me that a new film of the Arthurian legends had just opened, I wouldn't be interested in going to see it. If however I learned that it was directed by, say, David Lynch, or Kathryn Bigelow, or Roman Polanski, I would have no hesitation. And I guess this is almost the only reason for me to patronise anything new now. Because new movies aren't new. There was a time when movies reflected life. Now all they reflect is other movies: a long chain of reference points that goes back to the first time a plot device was used, a camera angle tried out, a technical breakthrough discovered.
There's nothing all that new about U TURN either, another of those crime thrillers set in a quirky jerkwater town populated with eccentrics. It's the closest to a genre picture that director Oliver Stone has come to in a long while, and it is obvious that he is enjoying the change of pace (no significant 'An Oliver Stone Film' in the credits of this pic; rather he makes sure we realise it is 'An Oliver Stone Movie'). Homage, throwback, send-up, revision, call it what you will, but now even the subversion of these genres has become old hat. So what is the reason to see it? Oliver Stone. It's interesting to see how he works in the domain of film noir: for starters, he uses high-contrast photography to turn it into film blanche, otherwise the usual ingredients - the murder plot, the bag full of money, the femme fatale, the double-crossing, and the low-rent locations - are all there for us to enjoy.
>From these elements you could make up your own plot which would be fair stab at approximating U TURN's actual synopsis: Sean Penn breaks down in a small Arizona town, gets involved with all the wrong people, and ends up being a patsy in a murder. Penn has no easy role to play, but his performance strikes the right chord - even though we are uncertain about how he can deal with the tailspin that traps him, his refusal to cave in gives us some confidence that he will prevail (hey, the guy was once married to Madonna, right?). In fact, all the performances from Stone's motley cast are a delight - Penn's encounters with mechanic Billy Bob Thornton and town punk Joaquin Phoenix are hilarious, and the leading players are obviously enjoying the seediness Stone wants from them. This includes the town itself - a wonderland of peeling paint and rusting cars, it knows better than anyone what is going on around its sultry streets. Everywhere there are murals, posters, signs, slogans, books, photographs, billboards; all of which contribute to the backdrop a kind of subliminal sentience. Neither is it any safer outside the town: Stone throws in several intercuts of animals that revisit the spirit bonding and desert epiphanies he seems so fond of in his films (THE DOORS, NATURAL BORN KILLERS). All of nature seems to be on the game- or is it the joke? If the town don't kill you, the desert will. Ayuh.
U TURN marks another excursion into violence for Stone, but just as he used it satirically in KILLERS so again he justifies it this time around by dint of the prerequisite perversities of classic noir. I certainly don't find it as smug as Tarantino's own brand of violence - talented as he may be he has yet to reach the level of assurance with which Stone handles the medium so masterfully (personally I found the wilful damage to the paintwork on a Ford Mustang more distressing than any of the trauma inflicted upon human characters in the movie). Once again he collaborates with cinematographer Robert Richardson (this may be the longest partnering of director and cinematographer I can remember), and the flashy editing and switching between different grades of film stock have become trademarks of theirs this last decade. It's fun seeing it all again this time around, but I must admit to some concern about how much longer the fun will last. I wanted to see U TURN precisely for Stone's individual stamp on the work, and wasn't disappointed. But still, I wonder if some time soon it wouldn't be a bad idea for Stone to give me a different reason for seeing his films. I seem to have run out of reasons for seeing Tarantino's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Mini-Toolbar
The mini-toolbar bar is a very lean tool designed to be unobtrusive and
simple to use. Here are its basic features:
- Move the toolbar by dragging its handle
- Change the toolbar between vertical and horizontal alignment by double-clicking
the handle
- Switch to a desktop by single-clicking it
- The toolbar will snap the edges of your monitor(s)
- Right-clicking a desktop icon will give you a list of commands pertaining
to it


Interface IMixedRealityService
Generic interface for all Mixed Reality Services
Inherited Members
Namespace: XRTK.Interfaces
Assembly: XRTK.dll
Syntax
public interface IMixedRealityService : IDisposable
Properties
| Improve this Doc View SourceName
Optional Priority attribute if multiple services of the same type are required, enables targeting a service for action.
Declaration
string Name { get; }
Property Value
| Type | Description |
|---|---|
| String |
Priority
Optional Priority to reorder registered managers based on their respective priority, reduces the risk of race conditions by prioritizing the order in which managers are evaluated.
Declaration
uint Priority { get; }
Property Value
| Type | Description |
|---|---|
| UInt32 |
Methods
| Improve this Doc View SourceDestroy()
Optional Destroy function to perform cleanup of the service before the Mixed Reality Toolkit is destroyed.
Declaration
void Destroy()
Disable()
Optional Disable function to pause the service.
Declaration
void Disable()
Enable()
Optional Enable function to enable / re-enable the service.
Declaration
void Enable()
Initialize()
The initialize function is used to setup the service once created. This method is called once all services have been registered in the Mixed Reality Toolkit.
Declaration
void Initialize()
OnApplicationFocus(Boolean)
Optional function that is called when the application gains or looses focus.
Declaration
void OnApplicationFocus(bool isFocused)
Parameters
| Type | Name | Description |
|---|---|---|
| Boolean | isFocused |
OnApplicationPause(Boolean)
Optional function that is called when the application is paused or un-paused.
Declaration
void OnApplicationPause(bool isPaused)
Parameters
| Type | Name | Description |
|---|---|---|
| Boolean | isPaused |
Reset()
Optional Reset function to perform that will Reset the service, for example, whenever there is a profile change.
Declaration
void Reset()
Update()
Optional Update function to perform per-frame updates of the service.
Declaration
void Update()


|
PWARC Net Scripts |
The Pueblo West Amateur Radio Club holds its regular weekly net on Tuesday night at 7:00 p.m. local time on the Royal Gorge Ham Club repeater on 145.490, minus offset, PL 103.5. Should this repeater not be available for use, the club will use its simplex frequency of 146.445 or alternate frequency of 146.430 Mhz.
Following the net, members are asked to meet on 146.445 MHz., our club's normal simplex frequency.


What time is I'm A Celebrity on tonight?
We’re one week into I’m A Celebrity 2019 and it’s been a belter of a series so far.
From Caitlyn Jenner accidentally falling out of a window, to Adele and Roman’s compelling Bushtucker trial through to Jane McDonald-gate and Cliff Parisi bringing a Christmas tree into camp, we’ve been loving it so far.
The show is of course on every night, and tonight’s is one of the most anticipated of the series, as it’s time for the annual live Bushtucker Trial.
Here’s what you need to know…
What time is I’m A Celebrity on tonight?
I’m A Celebrity continues on ITV on Sunday night at 9pm.
Tonight you’ve got a bumper instalment of the show to accommodate the live trial – it’s on for an hour and a half ahead of the ITV News at 10.30pm.
Dec confirmed the live trial was happening on Sunday’s show at the end of Saturday night’s show, right after Ian Wright and Jacqueline Jossa had been chosen for the Bushtucker Trial before the live one – a decision which reduced Jacqueline to tears.
Advertisement Advertisement
The live trial can be a pretty eventful one – being the moment which led Gillian McKeith to faint after she was chosen for the challenge back in 2010.
When is the I’m A Celebrity final?
We’ve still got a way to go on the show, as the final’s not until Sunday 8 December.
Corrie actor Andrew Whyment is currently the favourite to win – despite having been a late arrival to camp along with Cliff Parisi earlier this week.
‘The self-confessed super fan of the show has really struck a chord with punters and dingo dollars are coming in thick and fast for him to emerge as the winner,’ said Ladbrokes’ Jessica O’Reilly.
With eliminations set to begin very soon, there really is everything to play for.
Got a showbiz story?
If you've got a story, video or pictures get in touch with the Metro.co.uk Entertainment team by emailing us<EMAIL_ADDRESS>calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.


PyCarolinas 2020 will be held at Red Hat Annex, 190 E Davie St, Raleigh, NC 27601.
Red Hat Annex is located on the same block as Red Hat Tower, but its entrance is separate from the main tower. The entrance is on Davie St between a few restaurants. We will do our best to post signs and volunteers outside, since the entrance is a bit nondescript.
Many thanks go to Red Hat for providing the venue for free.
If you need a place to stay during the conference, Raleigh has plenty of options. Downtown Raleigh has a number of hotels close to the venue, but they might be pricey. There are also several less expensive hotels within a 20-minute drive. The Triangle also has short-term rental options (like Airbnb and VRBO) that tend to be less expensive than hotels. We recommend staying within Wake County (Raleigh, Cary, Apex, Garner) so that you won't be too far from the venue.
Driving: The easiest way to get around the Triangle is to drive. Downtown Raleigh has free street parking on weekends. There are also several parking garages downtown that might charge a fee.
Ride Sharing: The Triangle has Uber and Lyft. A ride from RDU airport to downtown Raleigh costs about $20-$30.
Buses: The R-LINE runs a loop around downtown Raleigh for free. GoRaleigh runs a hub-and-spoke model around the rest of the city for $1.25 for a single ride. GoTriangle provides bus routes throughout the whole Triangle area. Please be warned that these are separate bus services.
Scooters: The only electric scooter service remaining in Raleigh is Gotcha.
Trains: Raleigh does not have a subway system or a light rail, but Amtrak stops at Raleigh Union Station. You could arrive by train and then walk or use other options to get around.
Flights: Raleigh-Durham International Airport (RDU) is the Triangle's major airport. The airport has rental cars, taxis, ride shares, and the GoTriangle bus.
Please also check Raleigh's Getting Around guide for more information.


Having a theorem which enables new Room squares to be composed from old Room squares is of vital importance to the proof of the existence of Room squares. With such a theorem, in conjunction with the Mullin-Nemeth starters, we will be able to construct Room squares of almost any order. The exceptions will be due to the non-existence of orders 4 and 6. The multiplication theorem that will be proven is:
If Room squares of side m and side n exist then a Room square of side
mn also exists.
This theorem was proposed initially in [5] but later a counter-example
to this method was found [15]. The proof here is based upon [1], which
in turn is based upon the proof in [22].
Proof
\(M\) and \(N\) are two Room squares. \(M\) is of side \(m\) and based on
\(\{0,1,2,...,m\}\), while \(N\) is of side \(n\) and based on
\(\{0,1,2,...,n\}\).
The join of two Latin squares \(A\) and \(B\) is the array whose
\((i,j)^{\mathrm{th}}\) entry contains the ordered pair formed from the
\((i,j)^{\mathrm{th}}\) entry of \(A\) taking the left position and the
\((i,j)^{\mathrm{th}}\) entry of \(B\) taking the right. If the join of two
Latin squares contains \(n^2\) unique ordered pairs, the two Latin squares
\(A\) and \(B\) are said to be orthogonal.
\(L_1\) and \(L_2\) are two mutually Latin squares (MOLS) based on
\(\{1,2,3,...,n\}\).
We construct the new Room square \(R=MN\) by replacing each element of \(M\)
by an \(n \times n\) array according to the following flow diagram where
\((i,j)\) is a pair from \(M\).
Figure 19
This procedure has replaced each pair in \(m\) by an \(n \times n\) array, resulting in an \(mn \times mn\) array. This array is based upon \(\{0,n+1,n+2,...,n+mn\}\), and we now prove that it has the properties of a Room square, namely:
Each element of the array is either empty or contains an unordered pair.
Each row and column contains each of \(\{0,n+1,n+2,...,n+mn\}\) exactly once.
Each pair from \(\{0,n+1,n+2,...,n+mn\}\) occurs exactly once in the array.
The first property is easily satisfied. The procedure followed did
nothing but replace empty elements and unordered pairs with arrays
containing nothing more than empty elements or pairs.
The second is similarly straightforward. Consider an arbitrary row of
the new square \(R\), call it \(i\). This row arose from applying
prescriptions (i),(ii), and (iii) to some row of \(M\). This row of \(M\)
contained the elements \(0...m\) exactly once. One of these elements, call
it \(a\), was paired with 0. So in \(i\) from (ii) occur the numbers
\((0;1+an...m+an)\) exactly once. In the join of two MOLS the numbers
\(1...n\) occur twice per row, once in \(L_1\) once in \(L_2\). These are
replaced by \((1+un...n+un)\) and \((1+vn...n+vn)\) as \(u\) and \(v\) take on
all values \(1,2,...,m\) excluding
Together these two prescriptions produce the elements
\[\{0;1+n,2+n,...,n+mn\}\] exactly once per row and column.
To prove condition 3 is true we show that \(R\) contains the correct
number of pairs and that
these pairs are distinct. Because we have shown 2 to be correct these
pairs must be the right
Any Room square, of side \(n\), contains \(\frac{1}{2}(n+1)\) pairs per row,
therefore \(\frac{1}{2}n(n+1)\) pairs over
Room square of side \(mn\) ought to contain \(\frac{1}{2}mn(mn+1)\) pairs.
In \(M\) there were \(m\) instances of \(\{0,k\}\), each of these was replaced
by a Room square of side
\(\frac{1}{2}n(n+1) \cdot m\) pairs were contributed by (ii) to \(R\).
In \(M\) there were \(\frac{1}{2}(m+1)-1 = \frac{1}{2} (m-1)\) pairs per row
of the form \(\{u,v\}\), therefore \(\frac{1}{2}m(m\)
of these pairs throughout \(M\). These were replaced by MOLS of side \(n\),
containing \(n^2\) pairs
each. So \(\frac{1}{2}m(m-1) \cdot n^2\) pairs were contributed to \(R\)
from (iii).
(i) contributed no pairs to \(R\).
\[\frac{1}{2} mn (n+1) + \frac{1}{2}m(m-1)n^2\]
\[=\frac{1}{2}mn\{(n+1)+n(m-1)\}\] \[=\frac{1}{2}mn(mn+1)\] So the
number of pairs in \(R\) is correct.
To show that all the pairs are distinct consider \(P(i,j)\) which
represents those pairs generated
from the element \((i,j)\) of \(M\). The pairs within \(P(i,j)\) are always
distinct because they are
the pairs in a Room square or a join of 2 MOLS.
However we also need to show that \(P(i,j)\) and \(P(h,k)\) have no pairs in
common when \(i,j \neq h,k\). There are 3 cases to consider. Both sets of
pairs are chosen from the join of 2 M
both sets are from Room squares, or one set from each.
If both sets of pairs were generated from the join of two MOLS then the
pairs have the form\[\{un+l_1,vn+l_2\}\] If this pair occurs in both
\(P(i,j)\) and \(P(h,k)\) then \((l_1,l_2)\) occurs in two different places
in
joins of two MOLS which is a contradiction.
The case where both sets of pairs are generated by Room squares is
easily dealt with, because
the Room squares used to construct \(R\) are based on different sets, so
two could never contain
same pair.


--- title: Dallara IL-15 description: The Dallara IL-15 is a model of the fourth-generation Indy Lights chassis from the IndyCar Series and is intended for use with the Indianapolis Motor Speedway map. layout: content name: Dallara IL-15 excerpt: A popular IndyCar model for full scale autonomous racing development. image_path: /images/vehicles/dallara-il15-01.jpg ---
{{page.description}}
Author/Organization: LG Electronics
Supported LGSVL Simulator version: 2020.06


A Framework for writing Functional System Tests in TypeScript
Wdio-workflo helps you write functional system tests for web applications. It increases the reusability, maintainability and analysability of your tests. The framework is based on, extends and customizes the fabulous webdriverio-v4.
Learn how to install, configure and use wdio-workflo in the framework's Getting Started guide.
Generated using TypeDoc


Class Overload
Represents a function or class method overload element.
public
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public
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SetReturnType(
Helper function to set the overload return type. |
public
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public
boolean
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public
string
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$description |
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Description of the element. |
public
array
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$platforms |
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#
List of platforms where the element is supported. |
public
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$return_type |
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#
The return type of the overload. |
public
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$parameters |
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Holds the list of parameters for the overload. |
public
boolean
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$protected |
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Flag that indicate if the method is protected. |
public
boolean
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$constant |
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#
Flag that indicate if the method is const. |
public
boolean
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$static |
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Flag that indicate if the method is static. |
public
boolean
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$virtual |
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#
Flag that indicate if the method is virtual. |
public
boolean
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$pure_virtual |
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#
Flag that indicate if the method is pure virtual. |
public
boolean
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$deprecated |
|
#
Flag that indicate if the method/function is deprecated. |
public
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$function |
|
#
Reference to the parent function element. |


Galeries Lafayette Unveils Bee-Themed Christmas Windows
Virginie Efira presided over the traditional tree-lighting ceremony.
by Mimosa SpencerQUEEN BEE: It’s a tradition that sticks. Galeries Lafayette held its annual Christmas window and tree lighting ceremony Wednesday at the Boulevard Haussmann flagship, calling on actress Virginie Efira to preside over the festivities.
“It’s an important moment for department stores,” said Alexandre Liot, director of the flagship, speaking to a crowd that had gathered on an upper floor perch in the store. Suspended under the historic cupola, the towering tree was covered with huge flower ornaments and topped with a queen bee whose wings moved — the season’s theme was a bee hive.
“This is a very big responsibility,” said Efira before the countdown ensued. Five, four, three, two, one, zero: out came tinkling music, clock chimes and lights, and giant bees began moving up and down, past the floors of shoppers.
The rise of digital commerce has pushed retailers further into the entertainment realm, in search of new ways to draw shoppers away from screens and into stores. The Haussmann store has held dozens of events over the past year, Liot explained after the ceremony. For its Christmas theme, it added an ecological flavor, teaming with the Fondation de France’s virtual “bee influencer,” for a campaign to raise the profile of bees.
“We do a lot of events in the store, we did quite a few under the cupola this year — our teams have been doubling down on their inventiveness in order to surprise our clients,” he said.
“I was in the best spot,” recalled Efira after the event. Earlier, she had posed on the street in front of displays of animated bee puppets flapping over piles of merchandise. She wore a chic black Stella McCartney jumpsuit with white heels and was flanked by executives from the family-owned department store group: Liot, chief operating officer Olivier Bron, communications and image director Guillaume Houzé and chairman Philippe Houzé.
“I’ve seen the Galeries Lafayette windows before but usually I’m positioned behind a several rows of people,” she added.
When it comes to decorating for the holidays at home, the cinema star said she does her best.
“I had a mother who was exceedingly good at it, and I try to emulate her, but I don’t really manage so well,” she said ruefully.
“It’s a bit minimalist compared to Galeries Lafayette,” she added, with a grin.
Efira has three movies coming out next year. In a film directed by Anne Fontaine, she portrays a policewoman charged with escorting an immigrant to the border who “doesn’t do what she’s asked to.” For Paul Verhoeven’s interpretation of Benedetta Carlini, she plays a lesbian nun from the Middle Ages. And for an Albert Dupontel-directed film, her character is facing death and embarks on a madcap adventure.


Recently, I've been working on converting several development environments to Vagrant VMs, in order to speedup setup time when bringing in new developers and making environment changes.
A few years ago I wrote a tool, Shoestring, to help make writing bootstrapping scripts for development environments easier. I quickly discovered that what I really wanted was a full provisioning tool that could start with a near empty machine. Couple that experience with the fact that I've been using Ansible for the past couple of years and writing my own tool seemed like overkill.
Potential Solution
With Ansible and Vagrant it is pretty straightforward to create a development environment that can be built with the simple command vagrant up
. Additionally, the environment can more closely mirror production with the same OS and shared provisioning scripts.
One of my biggest issues with a Vagrant setup was that to run any commands, such as unit tests or a development server, one would have to ssh into the VM. Then once in the VM all of my aliases and shortcuts are no more, and I would need to toggle back and forth between the VM and my local machine for things like git.
vagrant ssh -c
While looking at the Vagrant documentation, however, I found the -c
option which can be passed to vagrant ssh
. With this, a command can be specified as a string and sent over ssh to the guest VM then executed with all output re-routed to the host machine's stdout and stderr.
This means to run the rspec test suite for a project I would just need the following:
$ vagrant ssh -c 'cd /vagrant; bundle exec rspec'
Even cooler is that if you have a debugger in your specs, such as Pry, you can still interact with the repl like you would if it were running on your local machine.
More Awesome-Sauce
Then I realized I have an alias that I use to run bundle exec
commands by just using b
. For example:
$ b rspec
So I created v
and vb
shortcut functions. This allows me to just add one character to the above rspec command and it will run on the guest VM instead.
$ vb rspec
All that is needed is adding the following functions to your .bashrc
.
# .bashrc
# Execute commands on Vagrant remote
vb() {
CMD="cd /vagrant; bundle exec $@";
vagrant ssh -c "$CMD"
}
v() {
CMD="cd /vagrant; $@";
vagrant ssh -c "$CMD"
}
With these functions I've found working with Vagrant development environment to be so much more enjoyable and seamless. Have other improvements to your own Vagrant workflow? Tweet at me @calebwoods.


See: Description
| Interface | Description |
|---|---|
| JPQLContextView |
The interface provides a view on JPQL Context.
|
| JPQLJoinContextView |
The interface provide a view on JPQL Join context.The interface provides
methods for accessing the Join Clause which can be part of JPQL Select
statement.
|
| JPQLJoinSelectSingleContextView |
The interface provide a view on JPQL Join Clauses.The interface is an
extension to JPQL select single context and provides methods for accessing
JPQL Join clauses.
|
| JPQLSelectContextView |
The interface provide a view on JPQL select context.The interface provides
methods for accessing the clauses of a JPQL SELECT statement like "SELECT",
"ORDERBY", "WHERE".
|
| JPQLSelectSingleContextView |
The interface provide a view on JPQL select single context.The interface
provides methods for accessing the clause of a JPQL SELECT statement like
"SELECT".
|
| Class | Description |
|---|---|
| JPQLContext |
The abstract class is a compilation of objects required for building
JPQLStatement . |
| JPQLContext.JPQLContextBuilder |
The abstract class is extended by specific JPQLContext builder for
building JPQLContexts.
|
| JPQLStatement |
The class represents a Java Persistence Query Language (JPQL) Statement.
|
| JPQLStatement.DELIMITER | |
| JPQLStatement.JPQLStatementBuilder |
The abstract class is extended by specific JPQL statement builders for
building JPQL statements like
Select statements
Select single statements
Select statements with Join
Insert/Modify/Delete statements
A default statement builder for building each kind of JPQL statements is
provided by the library.
|
| JPQLStatement.KEYWORD | |
| JPQLStatement.Operator |
| Enum | Description |
|---|---|
| JPQLContextType |
Enumerated list of JPQL context Types.
|
Copyright © 2013-2017 The Apache Software Foundation. All Rights Reserved.


Object Choices
Learn JavaScript Arrays.
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Tech Language Names
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Tech Language Popularity
Tech Language Popularity


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The Starting Point for Early Risk Assessment
The IBRI's ctox platform has been decommissioned.
The platform can still be installed/run from the GitHub repository github.com/IndianaBiosciences/toxapp.
For assistance contact the IBRI at Contact Us
or message Daniel H. Robertson on LinkedIn.
The platform can still be installed/run from the GitHub repository github.com/IndianaBiosciences/toxapp.
For assistance contact the IBRI at Contact Us
or message Daniel H. Robertson on LinkedIn.
Accelerating Discovery | Speeding Innovation | Reducing Uninformative Animal Testing
-
Novel Agricultural Chemicals
Is your discovery molecule potentially
toxic to the environment?New BioPharmaceutical Entities
What is the possible effect
of your molecule on humans?Reference Molecules
Does data already exist of the
toxicity of a similar compound?
CTox, a shared toxicogenomic platform hosted by the Indiana Biosciences Research Institute, can help answer all those questions and more. It delivers a full end-to-end workflow – from data to visualizations – for early risk assessment using toxicogenomics. The data sets that exist within CTox are based on publicly available data sources.
To learn more about how CTox can help you accelerate your product development, Click Here or click the "About" menu item above.


--- layout: post title: Code Art IV date: 2010-12-17 21:55:53.000000000 +02:00 categories: [] tags: [] status: draft type: post published: false post_id: code-art-iv meta: _edit_last: '1' author: login: admin email<EMAIL_ADDRESS>display_name: Radu first_name: '' last_name: '' ---
I had a dispute, the other day, with a friend of mine, a Java fan. I was advocating for the C#, trying to convince him that C# is not overwhelmed with unnecessary operators and keywords. From his point of view, C# is a language created with good intention but gone bad (as all microsoft products - that were his words).


Stranger Things: The sound of the Upside Down
The antsy bingers of Netflix will eagerly anticipate the digital release of the Survive soundtrack, out today.
Read moreThe antsy bingers of Netflix will eagerly anticipate the digital release of the Survive soundtrack, out today.
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