show_mdls - Show all the parsed modules in the current session.
show_mdls [-haldg] [<module_name>]
List all the parsed modules in the current session.
Command Options:
- -h
- Prints usage.
- -a
- List all the modules, including the internally generated ones (those
whose module name is prefixed by an @.)
- -l
- Long list of the module descriptions. Also list all the atoms and
variables in the module.
- -d
- Prints the components of the module. Some modules are defined by
operations (namely, parallel composition, variable hiding or variable
renaming) on existing modules. This option prints the composing modules.
- -g
- Debug option. For developer and package maintainer uses.
- <module_namegt;
- Prints information about the specified module only.
Last updated on 1031103 12h03


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LABEL_DELIMETER
- Static variable in class org.helm.editor.componentPanel.sequenceviewpanel.
NucleotideSequenceTransformer
LABEL_FONT_SIZE
- Static variable in class org.helm.editor.componentPanel.sequenceviewpanel.
ViewMetrics
LABEL_INFO_MAP
- Static variable in class org.helm.editor.data.
NodeMapKeys
LabelConstructor
- Class in
org.helm.editor.componentPanel.sequenceviewpanel
LabelConstructor(ViewMetrics, EditorView, EditorViewModel, SequenceViewModel, GraphElementConstructor, Graph2D)
- Constructor for class org.helm.editor.componentPanel.sequenceviewpanel.
LabelConstructor
LabelInfo
- Class in
org.helm.editor.layout
LabelInfo()
- Constructor for class org.helm.editor.layout.
LabelInfo
LABELS_MAP
- Static variable in interface org.helm.editor.componentPanel.sequenceviewpanel.
SequenceViewModel
layout(LayoutGraph, NodeSequence)
- Method in class org.helm.editor.layout.utils.
AbstractSequenceLayouter
layoutedNodes
- Variable in class org.helm.editor.layout.procedures.
ChemModifiersLayout
layoutLoop(LayoutGraph, Node, Node, boolean)
- Method in class org.helm.editor.layout.primitives.
AbstractLayoutPrimitives
layoutLoop(LayoutGraph, Node, Node, boolean)
- Method in class org.helm.editor.layout.primitives.
EditorViewLayoutPrimitives
layoutLoop(LayoutGraph, Node, Node, boolean)
- Method in class org.helm.editor.layout.primitives.
SequenceViewLayoutPrimitives
layoutMetrics
- Variable in class org.helm.editor.layout.primitives.
SequenceViewLayoutPrimitives
LayoutMetrics
- Class in
org.helm.editor.layout.utils
LayoutMetrics(int, int)
- Constructor for class org.helm.editor.layout.utils.
LayoutMetrics
layoutPrimitives
- Variable in class org.helm.editor.layout.procedures.
AbstratStructureLayout
layoutSequence(LayoutGraph, Node, Node, boolean)
- Method in class org.helm.editor.layout.primitives.
AbstractLayoutPrimitives
layoutSequence(LayoutGraph, Node, Node, boolean)
- Method in class org.helm.editor.layout.primitives.
EditorViewLayoutPrimitives
layoutSequence(LayoutGraph, Node, Node, boolean)
- Method in class org.helm.editor.layout.primitives.
SequenceViewLayoutPrimitives
LayoutUtils
- Class in
org.helm.editor.layout.utils
LayoutUtils()
- Constructor for class org.helm.editor.layout.utils.
LayoutUtils
LayoutUtils.DoublePoint
- Class in
org.helm.editor.layout.utils
LayoutUtils.DoublePoint(double, double)
- Constructor for class org.helm.editor.layout.utils.
LayoutUtils.DoublePoint
LEFT_ALIGNMENT
- Static variable in interface org.helm.editor.componentPanel.sequenceviewpanel.
SequenceViewLayout
LEFT_PHOSPHATE_LABEL_POSTION
- Static variable in class org.helm.editor.componentPanel.sequenceviewpanel.
LabelConstructor
LegendPanel
- Class in
org.helm.editor.componentPanel
LegendPanel()
- Constructor for class org.helm.editor.componentPanel.
LegendPanel
LETTER_DISPLAY_MODE
- Static variable in class org.helm.editor.renderer.
RNATableCellRenderer
LIGHT_CHAIN
- Static variable in class org.helm.editor.editor.
MacromoleculeEditor
LinearSequenceLayouter
- Class in
org.helm.editor.layout.utils
LinearSequenceLayouter(int, int)
- Constructor for class org.helm.editor.layout.utils.
LinearSequenceLayouter
LinearStructureLayout
- Class in
org.helm.editor.layout.procedures
LinearStructureLayout()
- Constructor for class org.helm.editor.layout.procedures.
LinearStructureLayout
lineCrosses(double, double, double, double, double, double, double, double)
- Static method in class org.helm.editor.layout.utils.
LayoutUtils
lineCrosses(LayoutUtils.DoublePoint, LayoutUtils.DoublePoint, LayoutUtils.DoublePoint, LayoutUtils.DoublePoint)
- Static method in class org.helm.editor.layout.utils.
LayoutUtils
LIST_LEVEL_DELIMITER_REGEX
- Static variable in class org.helm.editor.utility.
NotationParser
ListNodeRealizerCellRenderer
- Class in
org.helm.editor.utility
ListCellRenderer implementation that handles NodeRealizer instances.
ListNodeRealizerCellRenderer()
- Constructor for class org.helm.editor.utility.
ListNodeRealizerCellRenderer
ListNodeRealizerCellRenderer.NodeRealizerIcon
- Class in
org.helm.editor.utility
Icon implementation that renders a NodeRealizer
ListNodeRealizerCellRenderer.NodeRealizerIcon()
- Constructor for class org.helm.editor.utility.
ListNodeRealizerCellRenderer.NodeRealizerIcon
ListNotComparableException
- Exception in
org.helm.editor.utility
ListNotComparableException(String)
- Constructor for exception org.helm.editor.utility.
ListNotComparableException
loadGraph(Class, String)
- Method in class org.helm.editor.editor.
GUIBase
loadGraph(String)
- Method in class org.helm.editor.editor.
GUIBase
loadGraph(String)
- Method in class org.helm.editor.editor.
MacromoleculeEditor
loadNucleicAcidMonomerSequence(String, boolean)
- Static method in class org.helm.editor.utility.
NotationParser
Transfer a polymer notation nucleic acid sequence into a graph
loadNucleicAcidMonomerSequence(String)
- Static method in class org.helm.editor.utility.
NotationParser
LoadPanel
- Class in
org.helm.editor.componentPanel
Extract LoadPanel from MacromoleculeEditor, and generalize the call by using getNotation() and setNotation() routines Implement two more load methods and Compound Number
LoadPanel(MacromoleculeEditor, String)
- Constructor for class org.helm.editor.componentPanel.
LoadPanel
LoadPanelInputDialog
- Class in
org.helm.editor.componentPanel
LoadPanelInputDialog(JFrame, JTextField)
- Constructor for class org.helm.editor.componentPanel.
LoadPanelInputDialog
loadTemplates()
- Method in class org.helm.editor.utility.xmlparser.
UITemplateManager
loadUserPreference(String)
- Method in class org.helm.editor.monomerui.
PropertyManager
loadUserPreference(String)
- Method in interface org.helm.editor.services.
PreferensesService
Load user preferences from data storage
loadXmlUI()
- Method in interface org.helm.editor.services.
IUService
Loading all possible xml user interfaces from data storage
longToBytes(long)
- Static method in class org.helm.editor.utility.
NumericalUtils
lostOwnership(Clipboard, Transferable)
- Method in class org.helm.editor.utility.
ClipBoardProcessor
Overview
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Copyright © 2013, The Pistoia Alliance


Hello, my name is Ahmad Badary!
I am Ahmad Thabet Badary. I have attended UC Berkeley from Fall 2014 to Fall 2017 pursuing three degrees in Theoretical Physics, Applied Mathematics (Statstical Learning Focus), and Computer Science. I have, also, attended MIT, briefly, during Spring 2015.
As a young child, I was able to finish all of high-schools’ content by the age of 12 and graduate. I, then, started focusing on Theoretical Physics and Pure Mathematics.
I am really interested in theory. I have been a theoretician my whole life focusing primarily on theoretical physics beyond the standard model, and perturbation theory and PDE’s.
My focus, however, has shifted significantly. As of now, I would consider my main research focus to be “Statistical Learning Theory”. I focus, primairly, on the intersection between Mathematics and statistical learning regimes like Machine Learning and Deep Learning.
On this website you’ll find my notes on some topics relating to the mixture of interests that I have (mentioned above) and a showcase of my projects. You’ll, also, find some of my rants on certain topics and my own perspectives.
Updated Soon!


The T-14 is a 3 speed transmission with a cast iron case.
I has a casting number of T14A or 1302 and a 1 1/8" 10
spline input shaft. The I6 T-14 has a 1 3/8" 6 spline output
while the V6 T-14 has a 1 3/16" 10 spline output. Input shafts
lengths also vary between the two applications.
Usage
The T-14 was used in CJs from 1967 to 1975.
| Transmission | 1st | 2nd | 3rd | 4th | 5th | Rev |
| T-14 | 3.10 | 2.61 | 1.00 | | | 3.10 |
Contributors
Photos courtesy Daniel Regan


GROSSE POINTE BLANK A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ***
"What am I going to say?" wonders 28-year-old hit man Martin Blank (John Cusack.) "I killed the President of Paraguay with a fork." Going back to your tenth high school reunion is hard, particularly for those with difficult-to-explain professions.
Poor Martin tries the truth on the people, but they will not take him seriously. "I'm a professional killer," he tells David, his ex-classmate and now real estate salesmen. "Do you have to do post-graduate work for that?" asks David. When Mr. Newberry, his ex-girlfriend's dad, asks "What have you been doing with yourself?" he retorts, "Uh, professional killer." Beaming, the dad compliments him, "Good for you -- growth industry."
After a while Martin gives up and starts inventing occupations. When a soused ex-classmate named Amy (his sister Ann Cusack) asks him the canonical, "What do you do?", he flippantly tells her, "I work at Kentucky Fried Chicken. I sell biscuits all over the Southlands."
As you can see, the strength of the new film GROSSE POINTE BLANK lies in its intelligent and funny script by John Cusack and Tom Jankiewicz, which they based on a story by Jankiewicz. Equally good is the casting, the acting, and the directing. Director George Armitage, who last did the excellent, but underappreciated, MIAMI BLUES, brings a perfect sense of comedic timing and an ability to orchestrate action sequences perfectly to blend in with the humor. The ending montage, for example, is pure spaghetti Western, but Armitage's approach is fresh and funny. Although the film has a surfeit of cartoonish violence, it remains good spirited and charming throughout.
John Cusack sets the comedic pace for the film by approaching his position of hired gun with total sincerity. Complementing him is his secretary Marcella, played by his sister Joan Cusack. Marcella, who stays on the phone in most of her scenes, alternates between ordering major weapons caches and giving culinary advice. She is the one who encourages Martin to go to his reunion although she warns him that everyone looked "swelled" at hers.
A great subplot has a rival killer named Grocer (Dan Aykroyd) trying to get Martin to join an assassins' union, which Martin rejects because he hates meetings. (Don't we all.) The casting of Aykroyd as a paid killer is so unlikely that it ends up being a perfect choice.
In a scene that starts off like the bar scene in STAR WARS, the rival murderers go with hidden guns into a coffee shop. "Whoa Chatty Cathy!" Grocer tells Martin as Martin starts to talk. "Clip your string."
The scene quickly changes to a homage to the classic scene from FIVE EASY PIECES. "What do you want in your omelet?" the incessantly perky waitress demands. "Nothing," replies a tense Martin. "Well, that's not technically an omelet," corrects the waitress.
The film bursts at the seams with great minor characters, including the security guard with not much upstairs who scares the people he is hired to protect and the drunk car dealer who sounds like mister tough guy but is actually a poetry-reciting Pillsbury Dough Boy look-alike. The oddest choice is Alan Arkin as a doctor named Oatman who is Martin's reluctant therapist. ("Don't kill anybody for a few days," advises the doctor. "See what it feels like." Martin assures him, "I'll give it a shot." But the doctor corrects him, "No, don't shoot anybody.")
I have left out one of my favorite actresses, Minnie Driver, who plays Debi Newberry, the high school flame whom Martin stood up ten years ago for the prom. They rekindle their romance in the film, and it almost works, but gets lost in the direction. Armitage can not decide if he wants to go for the romantic angle or the comedic with the result that neither is fully satisfying. He should have approached it with complete earnestness as he did the whole assassin part.
There is only one part of the story where our hero Martin is frightened, the reunion. The people at it are so weird that he becomes the sanest person there. As someone who has been to all of my high school reunions, I can vouch for the fact that some strange people do show up. One of my favorite films, SOMETHING WILD, also deals with the high school reunion venue. (At the Grosse Pointe reunion, one could quibble with hairdos from 60s and 70s being on women who went to high school in the mid-80s, but in the context of a reunion spoof it was funny.)
A film with several big laughs, but my best time was with all of the inventive, smaller snippets of dialog. An unapologetically funny film that was happy to have no message other than laughter and no intention other than making a well deserved profit -- just like Martin. ("You're a psychopath," said Debi. "No, psychopaths do it for no reason," said Martin. "I do it for money.")
GROSSE POINTE BLANK runs 1:46. It is rated R for cartoonish violence, one gory scene, a drug usage scene, and some profanity. Teenagers and adults alike will love the show, and the film should be fine for any kid over twelve. I recommend this fast paced and good spirited comedy to you and give it ***.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: March 18, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| Name | Description |
|---|---|
@Input()
icon: string
|
The icon to display on the component. A default icon will display based on the provided status if no value is provided for this Input. See Examples tab. |
@Input()
isCloseable: boolean
|
Whether the component can be removed from the page. |
@Input()
status: TipStatus
|
The status of the component. |
| Name | Description |
|---|---|
@Output()
close: EventEmitter<any>
|
Event emitted when the component is closed. The isCloseable Input must be set to true for this event to emit. |


{# Post-Logout Page #} {% extends "page_base.html" %} {% block body %} You've been logged out. Goodbye! {% endblock body %}


{% extends "basestyle/one_column_layout.html" %} {% load static %} {% block title %}Find an Lender (HMDA respondent){% endblock %} {% block head_styles %} {% endblock %} {% block main_content %}
Welcome to the Redlining Risk Assessment Mapper! Please contact us with feedback or questions.
The tool displays loan application records (LAR) from the HMDA data set for a chosen lender in a selected Metropolitan Statistical Area (MSA). Demographic data displayed is from the 2010 Census (SF-1) and the American Community Survey (ACS).


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I will not skateboard in the halls.
I will not instigate revolution.
did not see Elvis.
All logic declared by following code:


Welcome to the Beta version of Goo, RoosterGoo. Goo will eventually be centred around tutorials and lessons on programming, Unix, micro-controllers, and more! Currently this is the main website created by myself. If you have any questions or comments about the site, feel free to email me at<EMAIL_ADDRESS>I have a github account where you can find a repository for this website. I have been working with blender, as you can see with the new logo in the upper right-hand corner. Look forward for some 3D renderings in the future. I have also begun to work on some graphic designs for different sections of the webpage.
If you are interested in seeing the programming section of this website, take a look here. Just take in mind that I have not had much time to work on it. The only language I spent any considerable time on was C.
|
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For an induction motor, its speed depends on the frequency of the AC power supply; thus, varying the frequency of the power supply enables us to alter the drive wheel speed - reliable and easy speed control
IC can only produce usable torque and power output only within limited speed range - a significant disadvantage
On the other hand, an induction motor will work efficiently in any speed range
The induction motor has two main parts -- stator (receives 3-phase AC power input) and the rotor (collection of conducting bars short-circuited by end rings)
The 3-phase alternating current in the coils produces a rotating magnetic field, which induces current on the rotor bars to make it turn
An induction motor has neither brushes nor a permanent magnet, thus, making it robust and powerful


AHRESP to present study on impact of Local Accommodation in Algarve
The national Hotel and Restaurant Association AHRESP will soon be presenting a study on the impact of Local Accommodation in the Algarve region.
The presentation takes place on December 5, at the Albufeira Municipal Auditorium.
The study, promoted by AHRESP as part of its QUALITY - Appreciation and Qualification of Local Accommodation Program – includes the profiling of owners, accommodation and guests of Algarve Alojamento Local, as well as its economic impact on the region.
This is the third major study on Local Housing launched by AHRESP under the Quality Programme.


Extensions hosted outside of the
Chrome Web Store
can only be installed by Linux users.
This article describes how to package, host, and update
.crx
files from a personal server.
If distributing an extension or theme solely through the
Chrome Web Store,
consult Webstore Hosting and Updating.
Extensions and themes are served as .crx
files.
When uploading through the
Chrome Developer Dashboard
,
the dashboard creates the .crx
file automatically.
If published on a personal server,
the .crx
file will need to be created locally
or downloaded from the Chrome Web Store.
If an extension is hosted on the Chrome Web Store,
the .crx
file can be downloaded from the Developer Dashboard.
Locate the extension under "Your Listings" and click on "More info".
In the popup window,
click the blue main.crx
link to download it.
The downloaded file can be hosted on a personal server. This is the most secure way to host an extension locally as the contents of the extension will be signed by the Chrome Web Store. This helps detect potential attacks and tampering.
Extension directories are converted to .crx
files at the Extensions Management Page.
Navigate to chrome://extensions/
in the ominibox,
or click on the Chrome menu,
hover over "More Tools" then select "Extensions".
On the Extensions Management Page, enable Developer Mode by clicking the toggle switch next to Developer mode. Then select the PACK EXTENSION button.
Specify the path to the extension’s folder in the Extension root directory field then click the PACK EXTENSION button. Ignore the Private key field for a first-time package.
Chrome will create two files,
a .crx
file and a .pem
file,
which contains the extension’s private key.
Do not lose the private key!
Keep the .pem
file in a secret and secure place;
it will be needed to update the extension.
Update an extension's .crx
file
by increasing the version number in manifest.json
.
{ ... "version": "1.5", ... } }
{ ... "version": "1.6", ... } }
Return to the Extensions Management Page and click the PACK EXTENSION button. Specify the path to the extensions directory and the location of private key.
The page will provide the path for the updated packaged extension.
Package extensions in the command line by invoking
chrome.exe
.
Use the --pack-extension
flag
to specify the location of the extension's folder and
the --pack-extension-key
flag
to specify the location of the extension's private key file.
chrome.exe --pack-extension=C:\myext --pack-extension-key=C:\myext.pem
A server that hosts .crx
files
must use appropriate HTTP headers
to allow users to install the extension by clicking a link.
Google Chrome considers a file to be installable if either of the following is true:
application/x-chrome-extension
.crx
and both of the following are true:
X-Content-Type-Options: nosniff
The most common reason for failing to recognize an installable file
is that the server sends the header
X-Content-Type-Options: nosniff
.
The second most common reason
is that the server sends an unknown content type—one
that isn't in the previous list.
To fix an HTTP header issue,
either change the configuration of the server
or try hosting the .crx
file at another server.
Every few hours, the browser checks installed extensions for an update URL. For each one, it makes a request to that URL looking for an update manifest XML file.
If the update manifest mentions a version
that is more recent than what is installed,
the browser downloads and installs the new version.
As with manual updates, the new .crx
file must be signed
with the same private key as the currently installed version.
Note: In order to maintain user privacy, Google Chrome does not send any Cookie headers with autoupdate manifest requests, and ignores any Set-Cookie headers in the responses to those requests.
Extensions hosted on servers outside of the Chrome Webstore
must include the update_url
field in their
manifest.json
file.
{ "name": "My extension", ... "update_url": "https://myhost.com/mytestextension/updates.xml", ... }
The update manifest returned by the server should be an XML document.
<?xml version='1.0' encoding='UTF-8'?> <gupdate xmlns='https://www.google.com/update2/response' protocol='2.0'> <app appid='aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa'> <updatecheck codebase='https://myhost.com/mytestextension/mte_v2.crx' version='2.0' /> </app> </gupdate>
This XML format is borrowed from that used by
Omaha,
Google's update infrastructure.
The extensions system uses the following attributes
for the <app>
and <updatecheck>
elements of the update manifest:
| appid | The extension ID is generated based on a hash of the public key, as described in packaging. An extension's ID is displayed on the Extensions Managment Page |
| codebase | An HTTPS URL to the .crx file. |
| version | Used by the client to determine whether it should download the
.crx file specified by codebase .
It should match the value of "version" in the .crx file's
manifest.json file. |
Hosted apps, however, are not listed on the Extensions page. You can find the ID of any app using the following steps:
chrome.app.getDetails().id
The update manifest XML file may contain information about multiple extensions by including multiple <app> elements.
The default update check frequency is several hours, but an update can be forced using the Update extensions now button on the Extensions Management Page.
This will start checks for all installed extensions.
The basic autoupdate mechanism is designed to make the server-side work as easy as just dropping a static XML file onto any plain web server, such as Apache, and updating that XML file as new extension versions are released.
Developers hosting multiple extensions may check request parameters, which indicate the extension ID and version in the update request. Including these paramaters allow extensions to update from the same URL running dynamic server-side code instead of a static XML file.
The format of the request parameters is:
?x=<extension_data>
Where <extension_data>
is a URL-encoded string of the format:
id=<id>&v=<version>
For example, two extensions point to the same update URL
(https://test.com/extension_updates.php
):
The request to update each individual extension would be,
https://test.com/extension_updates.php?x=id%3Daaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa%26v%3D1.1
and
https://test.com/extension_updates.php?x=id%3Dbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb%26v%3D0.4
Multiple extensions can be listed in a single request for each unique update URL. For the above example, if a user has both of the extensions installed, then the two requests are merged into a single request:
https://test.com/extension_updates.php?x=id%3Daaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa%26v%3D1.1&x=id%3Dbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb%26v%3D0.4
If the number of installed extensions using the same update URL is large enough that a GET request URL is too long (over 2000 characters or so), the update check issues additional GET requests as necessary.
As more APIs are added to the extensions system, an updated version of an extension that will work only with newer versions of the browser may be released. While Google Chrome itself is autoupdated, it can take a few days before the majority of the user base has updated to any given new release. To ensure that a given update will apply only to Google Chrome versions at or higher than a specific version, add the "prodversionmin" attribute to the <app> element in the update response.
<?xml version='1.0' encoding='UTF-8'?> <gupdate xmlns='http://www.google.com/update2/response' protocol='2.0'> <app appid='aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa'> <updatecheck codebase='http://myhost.com/mytestextension/mte_v2.crx' version='2.0' prodversionmin='<IP_ADDRESS>'/> </app> </gupdate>
This would ensure that users would autoupdate to version 2 only if they are running Google Chrome <IP_ADDRESS> or greater.


Hi,
I did a reference to a DLL and I am trying to use a method that requires a System::Object^ as a parameter.
When I create the variable and call the method, I get an error saying that is expecting a IStream Object.
When I create the IStream variable and add it to the method the intellisense tells me that is no conversion from std::istringstream to system::object^
The help on the DLL says this:
Currently, this must pass an object that supports IStream
Can anybody explain how to do this?
This is the method: void SetSOAPPayload(System::Object^ vtSOAPPayload)
And this is the info for the method: Sets the SOAP payload data to be sent with the request. Currently, this must pass an object that supports IStream.
That .DLL sounds like it is lousy. Such a dependency should not be expressed in the documentation, it should be enforced by the type-safety features of the language. If it really needs an IStream object, then I'd expect the method signature to look like this: void SetSOAPPayload(WhateverNamespaceIStreamBelongsTo::IStream^ vtSOAPPayload);
I would have to see more code to be sure about your problem. What object are you trying to pass to that method? What is the actual type of that object? How are you creating it?
EDIT: After re-reading your post, it sounds like you tried to create an IStream object and initialize it with an object of std::istringstream. You're going to have to do that by hand. I doubt that it is built into C++/CLI.
I'm sure you've already seen both of these, but I think they'll be the most helpful. It looks like you will somehow have to put whatever is in your stringstream into a byte array (array of char or __int8 since it is MS specific). Use the
GlobalAlloc function (http://msdn.microsoft.com/en-us/library/windows/desktop/aa366574%28v=vs.85%29.aspx)
to get a handle to some native memory and copy the byte array to it. Then pass this global handle to
CreateStreamOnHGlobal (http://msdn.microsoft.com/en-us/library/windows/desktop/aa378980%28v=vs.85%29.aspx),
along with an instance of an IStream. After this call, the IStream parameter passed in should be properly initialized. Pass this IStream into the SetSOAPPayload method.


Project "Carbon Free Travel" need developer on iOS
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SIGN UP FOR BETAYou can participate in the projects, help social organizations and get honeycombs!
Spend honeycombs for Resources!
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Data you provide is never stored or tracked. Just go a head and find a movie!
Non-Adult or Adult?
Select a Genre of movie you would like.
Are you looking for something popular or unpopular?


Prince William and Kate help launch U.K.'s national emergency trust
by Meredith MacLeod, CTVNews.ca WriterTORONTO - Prince William and Kate Middleton met with victims of the Grenfell Tower fire and terror attacks Thursday when they attended the launch of the National Emergencies Trust at a church in central London.
The charity has been set up in the wake of several terror attacks since 2017.
William praised the “humbling” strength of survivors and those who pull together to help out in the wake of tragedies.
“The way that local communities support those affected shows the very best of our values and human nature. But in the wake of tragedy, managing and channelling the public’s desire to help can prove tricky.”
The Duke and Duchess of Cambridge met with victims of the devastating Grenfell blaze, which killed 72 people on June 14, 2017, making it the worst residential fire in the U.K. since the Second World War. They also met with survivors of the Westminster Bridge attack, in which four people were killed and about 50 injured when a man intentionally mowed them down, along with a series of other natural and manmade disasters.
In talking with survivors, Williams said he’s touched by both their courage and the “heartfelt compassion” shown to them by individuals and organizations.
“Their stories are as heart-breaking as they are inspiring. Their resilience and strength are deeply humbling.”
William said the U.K. is known internationally for its generosity when tragedy strikes abroad, “therefore it is only fitting that a new, national charity is able to fulfil the same function when tragedy strikes at home.”


Dominique Gravel
Laboratoire d'écologie intégrative
Give an overview of the diversity of techniques and approaches
Find the value of X that minimizes the polynomial
For such a simple problem, we simply have to take the derivative and solve it for
The name of the method is coming from metallurgy, by analogy to the movement of atoms in a hot piece of metal as it cools down. Simulated annealing interprets cooling as a slow decrease in the probability of accepting a bad proposition of parameter values as it explores the solution space. Accepting worse solutions is a fundamental property of the method which allows an extensive search of the solution space and avoid getting stuck on local optima. The method is an adaptation of the Metropolis–Hastings algorithm.
Accept the candidate parameter value if it improves the solution
Accept a wrong candidate parameter value with probability
DEFINE Function to optimize h(X)
DEFINE Sampling function s(X)
DEFINE Temperature sequence T(steps)
REPEAT
DRAW sample X1 from s(X0)
EVALUATE function h(X1)
COMPARE diff = h(X1) - h(X0)
IF diff > 0 ACCEPT
ELSE
CALCULATE acceptance probability p = exp(diff_h\T)
DRAW value P from random uniform on (0,1)
IF P < p
accept X
ELSE
reject X
UPDATE temperature using T(step)
UNTIL nsteps is reached
Find the value of X that minimizes the polynomial
Tip : build a modular code with distinct functions so that it could easily be adapted to another problem
n = 25
r = 0.5
XY = cbind(runif(n), runif(n))
distMat = as.matrix(dist(XY, method = 'euclidean', upper = T, diag = T))
adjMat = matrix(0, nr = n, nc = n)
adjMat[distMat < r] = 1
diag(adjMat) = 0
dev.new(height = 11, width = 12)
par(mar=c(5,6,2,1))
plot(XY[,1],XY[,2],xlab = "X", ylab = "Y",cex.lab = 1.5, cex.axis = 1.25,cex = A, pch = 19)
adjVec = stack(as.data.frame(adjMat))[,1]
XX = expand.grid(XY[,1],XY[,1])
YY = expand.grid(XY[,2],XY[,2])
XX = subset(XX,adjVec==1)
YY = subset(YY,adjVec==1)
arrows(x0 = XX[,1],x1=XX[,2],y0 = YY[,1], y1 = YY[,2], length = 0,lwd = 0.1)
Levins = function(p,adjMat,c,e,d) {
# Colonization rate
C = p%*%(c*adjMat)
# Destroyed habitats have a 0 colonization rate
C[d==1] = 0
# Difference between candidate p and the solution
px = C/(C + e) - p
return(px)
}
library(rootSolve)
get_px = function(adjMat,c,e,d) {
# Function to optimize
p_function = function(p) Levins(p,adjMat,c,e,d)
# Initial conditions
Start = numeric(n) + 1 - e/c
# Extract roots
multiroot(p_function, start = Start, positive=TRUE)[[1]]
}
d = numeric(n)
d[1:10] = 1
eq_px = get_px(adjMat,c=0.12,e=0.1,d=d)
RK = rank(eq_px)
col = heat.colors(n = n)
vec.col = numeric(n)
for(i in 1:n) vec.col[i] = col[RK[i]]
vec.col[d==1] = "black"
points(XY[,1],XY[,2],pch=21,bg=vec.col,cex=2)


Due to a special preview-screening in connection with a filmfestival here in Norway, I was able to see this movie early. Here are my impressions and highly rambling thoughts about it:
ALIEN: RESURRECTION
Directed by: Jean-Pierre Jeunet Actors: Sigourney Weaver, Winona Ryder, Ron Perlman, Dominique Pinon, Michael Wincott, Brad Dourif, and more. USA / 1997
Is there any point in writing an introduction of the Alien-saga? Are there anyone here who aren't familiar with Ridley Scott's nail bitingly good scifi- horror movie "Alien" from 1979, with unavoidable sequels by James "I can spend more money than you" Cameron and David "Commercial? Me? Hah!" Fincher, respectively? I thought not... The Alien-series has always been a good source of income (perhaps with the exception of Fincher's "Alien 3"), so it comes as no surprise that the boys at 20th Century Fox have been working overtime to find a way to bring our-heroine-who-kicks-alien-butt Ripley back on the big screen, so that they can earn EVEN MORE MONEY. Having been burned once already by Fincher's attempt at being even more dark, sinister and moody than Scott was with the original "Alien," one has now come to the conclusion that humor may be a cool way of adding some spice to the Alien-series. One can almost imagine the somewhat overweight producers at Fox sweating slightly in a stuffy, smoke-filled meeting room: "Hey, this horror angle isn't working anymore. Let's throw some weird, offbeat humor into the mix - maybe that'll help the movie sell more tickets? What do you say about hiring that weirdo French guy who did those freakin' twisted dark comedies? What was it they were called again? Delicatessen and The Lost Children City or something like that. Jean-Pierre (they're all called that over there in frogland, aren't they?) will do the right thing, right? Get France on the horn, now!" They did. The result is "Alien: Resurrection."
First a short summary of the story for those of you who insist on being in the know on such stuff:
A handful of morally dead scientists (including Brad Dourif, who geeky movie- fans will recognize as the madder-than-a-bag-of-nuts Dante from "Death Machine") are performing genetic experiments on an old blood sample from Ripley, as well as our old friends - the aliens. After seven failed attempts, they manage to produce a *fairly* normal clone of Ripley, although one spawned from a blend of human and alien DNA. Meet Ripley v8.00 - she's not nice. Or is she?
All of this is going on inside some military spaceship cruising around in our solar system. Along comes the pirate ship Betty, with a cargo of cryogenically frozen people on board, which the scientists need to grow aliens in. Betty's crew consists of a selection of interesting individuals, including Michael Wincott, Ron Perlman, Dominique Pinon and last, but DEFINITELY not least, the incredibly cute Winona Ryder (there's no reason to debate whether or not to see this movie now, guys!).
To the surprise of no one in particular (except the scientists - of course), the aliens manage to break out of their cell, and all hell breaks loose. An emergency procedure autopilots the ship back to home base - Earth - and our pirate friends now have find a way to get off the ship and blow it up before it reaches Earth.
No big surprises in the plot department, in other words, but who had honestly expected that? It doesn't matter anyway - this is a wonderfully entertaining film, saturated with Jeunet's (where's Marc Caro?) weird and wonderful sense of humor, which is definitely helping raise the movie's entertainment value up a couple of notches.
What makes the movie infinitely much better than its predecessor (Fincher's "Alien 3" for those of you who flunked math in school), however, are the much improved characters.  Granted, most of them die anyway, but we're at least able to see what character got whacked by the alien this time, rather than constantly asking "which bald guy croaked now?" This helps the movie a lot.
There really isn't much more to say apart from this. The movie *looks* great, as expected. Jeunet yanked the ears of his old partner and cinematographer, Darius Khondji, to work his magic behind the camera for him again (have a look at "The City of Lost Children" and "Se7en" for excellent examples of what wonderful pictures this man can conjure up). A somewhat surprising element of "Alien: Resurrection" is the ENORMOUS amount of gore it contains. Pretty much anything that moves is shredded in the most graphic and unappetizing ways you can think of. One of the "highlights" is when one unfortunate soldier gets the top of his head twisted until it shatters, spraying, uhm, "stuff" all over the place. Another scene reminiscent of Peter Jackson's "Bad Taste" has one of the characters peeling out part of his brain from the back of his neck and looking at it before he perishes. The producers sure didn't save any money on the ketchup, in other words...
However, this is not a reason not to see the movie, unless you have a weak stomach - this is a great movie. The underwater scene alone is worth the price of admission.
In closing, I should probably add that the movie attempts to build on the alien-saga by introducing yet another type of alien. They fail, however, as it's more ridiculous than scary (I would definitely like to avoid meeting it in a dark alley if I had the choice, though ;).
Still, who cares? The movie is great anyway! Go see it!
Grade: Four and a half Ripley-clones (out of five)
-- EX: The Online Anime & Manga Magazine http://natalie.portman.org/ http://www.ex.org/ The Unofficial Natalie Portman Site
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