SOLO SCORES DISTRIBUTION
BASED ON COMBINATIONS OF EXPANSIONS
CREDICOR
ECOLINE
helion
MINING GUILD
INTERPLANETARY
CINEMATICS
X
INVENTRIX
PHOBOLOG
▲
▲
THARSIS
REPUBLIC
THORGATE
UNITED NATIONS MARS INITIATIVE
TERACTOR
SATURN
●
SYSTEMS
APHRODITE
CEL
ES
TIC
MA
NUTECH
MSI
MORNING
STAR INC.
VIRON
㨐
Cheung Shing
■■MARS■■
POINT
LUNA
ROBINSON
•—•—•—•—•—•—•
INDUSTRIES
VALLEY TRUST
VIT
O
R
ARIDOR
ARKLIGHT
POLYPHEMOS
POSEIDON
STORM
CRAFT
FACTORUM
LAKEFRONT RESORTS
mons
INSURANCE
PHIL
A
RES
PRISTAR
Septem Tribus
TERRALABS
UTOPIA
INVEST
CORPORATE ERA
CORPORATE ERA
VENUS NEXT
CORPORATE ERA
PRELUDE - 63TR
CORPORATE ERA
PRELUDE - TFALL
CORPORATE ERA
COLONIES
CORPORATE ERA
TURMOIL
CORPORATE ERA
VENUS NEXT
PRELUDE - 63TR
CORPORATE ERA
VENUS NEXT
PRELUDE - 63TR
COLONIES
CORPORATE ERA
VENUS NEXT
PRELUDE - TFALL
COLONIES
CORPORATE ERA
VENUS NEXT
PRELUDE - TFALL
COLONIES
TURMOIL


Berk[log]
Did you ever stop to think, and forget to start again?
-- A.A. Milne, Winnie-the-Pooh
Blog
Photography
Travel
About Me
DBC Blog
Week 1: Technical - Git and Github (November 22, 2014)
Week 1: Culture - Consumer vs. Creator Mindset (November 23, 2014)
Week 2: Technical - CSS Design (November 30, 2014)
Week 3: Culture - Gregorc Thinking Style (December 7, 2014)
Week 3: Technical - Arrays and Hashes (December 7, 2014)
Week 4: Culture - Convertible Notes (December 14, 2014)
Week 4: Technical - Map Enumerable Method (December 14, 2014)
Week 5: Technical - Intro to Ruby Classes (January 2, 2015)
Week 5: Culture - Pairing and Feedback (January 4, 2015)
Week 6: Technical - Blocks, Procs and Lambdas (January 11, 2015)
Week 6: Culture - Stereotype Threat (January 11, 2015)
Week 7: Technical - Rails vs. Node.js (January 18, 2015)
Week 7: Culture - The Importance of Values (January 18, 2015)
Week 8: Technical - The Art of Recursion (January 25, 2015)
Week 9: Questions - How, You Ask? (January 31, 2015)
Week 9: Reflections on Blogging (February 1, 2015)


Police concerned for welfare of missing teenager
by Katy SandallsOfficers are concerned as to the welfare of a missing 17-year-old from Bury St Edmunds.
Kye Shiel was last seen on the morning of Tuesday, November 12.
He is described as white, 5ft 4', of a medium build with short, blond hair.
 He was carrying a small, black bag.


--- layout: post title: 'LIFT10: Hacking Venture Capital, Fred Destin' date: 2010-05-07 00:00:00 categories: business digital-media ---
Hacking Venture Capital, Fred Destin
Part 1: pitching. Part 2: negotiation
Fred is a VC focused on early-stage funding for consumer-facing innovation: e-commerce, digital media. Moving back to the US, he's the only guy left in Europe.
We split into groups of 4 and work out how to pitch a fake company; a few groups pitch; we get harsh feedback.
Our group got up and pitched a fake version of Seedcamp winner ERPLY. Feedback on our pitch:
A pitch is all about honing the story. To get good terms, you need multiple offers; to get multiple offers you need to tell a good story to several investors at the same time. Investors buy stories not businesses: they fall in love, then post-rationalise. You should be able to summarise your company on the back of a business card.
A decent elevator pitch is also a good tool for sharing a vision internally: it's a recruitment tool.
You don't need a business plan, executive summary or NDA. I've never heard of an NDA being enforced.
You need introductions (through an investor/entrepreneur); a high-concept pitch (3 words: "flickr of video"); a bottom-up, assumptions-driven model with any real numbers you can get in there. A model that an investor can play with and stress-test. An operating plan for next 12 months. Very clear milestones and deliverables. An explicit technical roadmap (not engineering documents, an outline). 10, 15, 5 KPIs by which success is measured (read Dave McClure, etc.). A cap table. Possibly credible market sizing.
Presentation doesn't matter; real-world traction is the most important thing. You're selling yourself: use social proof, if you don't have money you can find it in the ecosystem.
Elegance of product is important.
Tell a story; release your inner actor; smile; be true to yourself; raise pulse levels. Practice, practice, practice.
Let the audience have "aha" moments, so they feel they're smart and discovering things about your business. You're not allowed to have doubts about the team though.

Embrace "pitch decay" - initial excitement decays over time. This is why you need to leave people with key takeaways. The VC you persuade will be your champion, and is now your sponsor - help him, make his life easy.
Be Israeli: doors close, come in through the window. 3-5 days after a meeting, follow up. No answer? Wait 2 days, follow up. VCs are busy and forget things, don't take it personally. Be pleasant enough that a VC could happily spent 8 hours stuck with you at an airport.
Part 2: negotiation
We split into teams of two: one team is investors, another entrepreneurs. They get different information on the company and their needs and negotiate. This was fun :)
Real-world valuations: they want to own 20-25% of any investment. So what's a reasonable price?
The only thing that really matters is price per share: bring it back to this every time. Option pools are important to build strong teams and legitimate but affect this.
Don't let investors tell you the size of the option pool (though they can provide useful input). Use a hiring plan to justify a small option pool, increase your share price and increase your effective valuation. Underestimating the size of the option pool is a classic mistake.
Liquidation preferences are designed to push the valuation hurdle out and ensure investors get their money back.
Boards are important. Companies are benevolent dictatorships; the board exists to ensure he's optimally benevolent. The CEO works for the board. Bad dictators get beheaded...
Legals are designed to cover a downside - you get run over by a bus and investors end up dealing with your heir. Don't take them personally. Secure the social contract: companies always go wrong at some point, and big companies have big problems. Documents don't help here, but a social contract will.


Turtorial
1. Load model First
2. Load image Second
3. Predict Last
Loading mobilenet model..
Top-5 Predictions


--- layout: home search_exclude: true --- {% assign categories = "" | split:"" %} {% for c in site.categories %} {% assign categories = categories | push: c[0] %} {% endfor %} {% assign categories = categories | sort_natural %} # Posts
📝A blog about: {% for category in categories %} {{ category }} · {% endfor %}
> The more that you read, the more things you will know. The more that you learn, the more places you’ll go. -- Dr. Seus


NurseConnect
Independent Study Unit: Design Innovation - Ventricular Assist Device (2017)
The BriefDesign a future solution for VAD Nurses in order to assist them in the future with Patient Relationships and Compassion Fatigue.
The Problem
The required respite and emotional expression for VAD Nurses is not adequate and does not ensure sustainable emotional resilience.
The Solution
A digital platform and emotional monitoring system which keeps VAD Nurses focused and connected with other Nurses. The system also notifies coordinators about the emotional state of their nurses to allow them to more easily facilitate respite when it’s needed.
NurseConnect
Independent Study Unit: Design Innovation - Ventricular Assist Device (2017)
The BriefDesign a future solution for VAD Nurses in order to assist them in the future with Patient Relationships and Compassion Fatigue.
The Problem
The required respite and emotional expression for VAD Nurses is not adequate and does not ensure sustainable emotional resilience.p>
The Solution
A digital platform and emotional monitoring system which keeps VAD Nurses focused and connected with other Nurses. The system also notifies coordinators about the emotional state of their nurses to allow them to more easily facilitate respite when it’s needed.
USER RESEARCH
Two methods were used to gather insights:
Nurse Workshop
Nine Australian VAD Nurses were involved in a workshop with our unit coordinators. The transcripts were used by us to identify recurring needs and problems.
Secondary Research
Research into other high stress and emotionally-fatiguing occupations as well as current consumer and experimental stress-relief products.
An affinity diagram was necessary to condense the hundreds of pages of transcripts into data we could use in ideation. The three key insights we discovered were:
The Double-Edged Sword
VAD nurses' intense capacity for empathy is both a blessing and a curse.
Required Respite
VAD nurses require regular respite, balanced between providing the optimum patient relationship and maintaining their own personal well being.
The Switch
As the VAD nurses become more stressed it becomes harder for them to turn off the switch, meaning they get less required respite.
FIRST ROUND OF IDEATION
The aforementioned insights formed the core of our ideation phases. We used IDEO's quirky, yet effective Mash-Up technique as well as a brainstorming to come up with several concepts quite quickly.
Our first concepts aimed to tackle the problem of compassion fatigue directly; stress-relief through physical solutions in spatial formats and wearable technology. Getting our heads around designing to solve a purely emotional need proved to be difficult initially, with the first concepts being relatively impractical and too broad in scope. We needed to ideate further and drill down into our research.
SECOND ROUND OF IDEATION
We started with the concept of a digital platform which would help facilitate communication between Nurses, uutilising the strength of their cohort to help with providing respite. We distilled the following needs for VAD Nurses from a digital platform:
Subtlety, Frequency and Communication
This resulted in the idea of a Check-In system which records VAD nurse emotions through facial-scanning when they start and finish their shifts, with the data being relayed to their Coordinator. A crucial aspect was the addition of an industry events and news page, as communication between fellow VAD nurses was found to be incredibly important in maintaining emotional resilience.
We gathered feedback on this from the Head VAD Nurse at the Prince Charles Hospital and shifted the emotional tracking idea to a desktop interface as the office is where VAD Nurses spend a lot of their time.
PROTOTYPING
The change from a Check-In touchpoint to a desktop application was highly beneficial. It allowed us to add more features and have a greater influence on the VAD nurse through more regular emotional scanning and more integration into their routine, catering to the needs of subtlety and frequency.
We drew up many wireframes for the Nurse and Coordinator interfaces, aiming to keep the information on screen easily digestable for the nurses as their main source of information through the day, as well as being easily glanceable for the coordinator who will check on their nurses when they feel necessary through their separate interface.
I dictated the design of the UI for Mik and I to work on in Sketch and the online prototyping tool InVision was used to make our Sketch mockups interactive. To finalise our prototype for presentation to the VAD Nurses, a concept video was created using After Effects and Premiere Pro.
Industry News
Cordinator nurse overview.
Events screen.
Client Proposal Video
The Team
Myself - Visual Communication
Will Jarman - UI
Mikelis Knochs – UI
Awards
ThinkPlace Award for Exceptional Public Value Design
For demonstrating innovation and excellence in the field of Design.


The Chandira Choodeswarar Temple is situated on top of a hill at Hosur. It is situated in the Krishnagiri District of Tamil Nadu and was built by Thirupuvanamalla Barvatharaja Anthiyazhvar of the Hoysala dynasty in the year 1260. It is dedicated to Lord Shiva or Choodeswarar and Goddess Parvati or Goddess Maragadambal.
The temple is also mentioned as Bhadragiri Mahatmiyam in Brahmanda Purana. This religious place has many theerthams including Jambava Theertham, Vrishabha Theertham, Maragatha Sarovaram (Karutmadam), Pandava Theertham, Shivagangai and Hanuma Theertham.. In fact, the whole temple is made with stones and there is a beautifully painted Rajagopuram on top of the prime entrance. Besides, it also has many other shrines of Ganesha, Lord Muruga and Nayanmars along with many other saints. It is 3.1 kilometers from hosur.
Visiting Timings:-6am to 12:30pm and 4pm-8pm
Maragatha Sarovaram is a theertham (pond) located in the premises of the famous Chandira Choodeswarar Temple in Hosur. The temple and the Maragatha Sarovaram is situated atop a hill called Bhadrachalam and is one of the most prominent shrines of the region.This ancient temple, built in 1260 by Thirupuvanamalla Barvatharaja Anthiyazhvar of the Hoysala dynasty, has a unique Architecture. The main deities of the shrine are Lord Shiva, Goddess Parvati and Goddess Maragadambal.
The major attractions here, apart from the Maragatha Sarovaram, are several other theerthams like the Vrishabha Theertham, Pandava Theertham, Jambava Theertham, Shivagangai and Hanuman Theertham, which are considered holy by the devotees.Many more shrines dedicated to Lord Muruga, Ganesha and various saints can be found near the Maragatha Sarovaram. The theertham and the temple are open from dawn to dusk and devotees can enjoy the serene atmosphere here.
The tourists visiting the Maragatha Sarovaram can also head to the other attractions nearby like the Murugan Temple, Kelevarapalli Dam, Rajaji Memorial and Hogenakkal Falls located in the vicinity. Amudagondapally village near Hosur has some rose gardens, which exports various kinds of roses to all parts of the world.Maragatha Sarovaram is easily accessed from Hosur by auto rickshaw and taxis. It is 2 kilometers from hosur.
Visiting Timings:-6am to 12pm and 4pm-7pm


|
file$ - filename of image file to be used as height map
parent (optional) - parent entity of terrain |
|
Loads a terrain from an image file and returns the terrain's handle.
The image's red channel is used to determine heights. Terrain is initially the same width and depth as the image, and 1 unit high. Tips on generating nice terrain: * Smooth or blur the height map * Reduce the y scale of the terrain * Increase the x/z scale of the terrain * Reduce the camera range When texturing an entity, a texture with a scale of 1,1,1 (default) will be the same size as one of the terrain's grid squares. A texture that is scaled to the same size as the size of the bitmap used to load it or the no. of grid square used to create it, will be the same size as the terrain. The optional parent parameter allows you to specify a parent entity for the terrain so that when the parent is moved the child terrain will move with it. However, this relationship is one way; applying movement commands to the child will not affect the parent. Specifying a parent entity will still result in the terrain being created at position 0,0,0 rather than at the parent entity's position. A heightmaps dimensions (width and height) must be the same and must be a power of 2, e.g. 32, 64, 128, 256, 512, 1024. See also: CreateTerrain. |
|
LoadTerrain Example
------------------- Graphics3D 640,480 SetBuffer BackBuffer() camera=CreateCamera() PositionEntity camera,1,1,1 light=CreateLight() RotateEntity light,90,0,0 ; Load terrain terrain=LoadTerrain( "media/height_map.bmp" ) ; Set terrain detail, enable vertex morphing TerrainDetail terrain,4000,True ; Scale terrain ScaleEntity terrain,1,50,1 ; Texture terrain grass_tex=LoadTexture( "media/mossyground.bmp" ) EntityTexture terrain,grass_tex,0,1 While Not KeyDown( 1 ) If KeyDown( 205 )=True Then TurnEntity camera,0,-1,0 If KeyDown( 203 )=True Then TurnEntity camera,0,1,0 If KeyDown( 208 )=True Then MoveEntity camera,0,0,-0.1 If KeyDown( 200 )=True Then MoveEntity camera,0,0,0.1 x#=EntityX(camera) y#=EntityY(camera) z#=EntityZ(camera) terra_y#=TerrainY(terrain,x#,y#,z#)+5 PositionEntity camera,x#,terra_y#,z# RenderWorld Text 0,0,"Use cursor keys to move about the terrain" Flip Wend End |


Usage as a command line utility
sed.py
is a full and working Python
implementation of sed. Its reference is GNU sed 4.2 of which it
implements almost all commands and features. It may be used as a command
line utility or it can be used as a module to bring sed functionality
to Python scripts.
 These tests include scripts from various origins and cover all aspects of sed functionalities.
sed.py
is a Python script and should run on any
platform where a recent version of Python is installed.
Detailed compatibility status:
Compatibility status applies also to the testing utility test-suite.py
.
sed.py
is released under the MIT license.
sed.py
may be used as console program receiving
information from the command line. The format of the command line is:
sed.py [options] -e<script expression> <input text file> sed.py [options] -f<script file> <input text file>
Note that sed.py
accepts only one script file or expression, and only one input file.
options
may be one or both of:
-n | disable automatic printing |
-r | use extended regular expressions |
sed.py
may also use redirection to receive its
input or send its output with the usual syntax:
cat myfile | sed.py -f myscript1 | sed.py -f myscript2 > myresultfile
It is also possible for sed.py
to receive its
input from the keyboard by omitting any input file:
sed.py -f myscript
It is a Windows command line limitation that redirection does not work when calling directly a python script on the command line (check this for explanation). In that case, it is required to explicitly call python. Assuming python is in the path:
> type myfile | python sed.py -f myscript > myresultfile
It is also possible to hide the call in a batch file and even call it without any extension:
> type sed.bat python sed.py %1 %2 %3 %4 %5 > type myfile | sed -f myscript > myresultfile ...
An example covering all necessary symbols:
from sed import Sed, SedException sed = Sed() try: sed.no_autoprint = True sed.regexp_extended = False sed.load_script('myscript.sed') sed.apply('myinput.txt') except SedException as e: print e.message except: raise
Note that sed.apply()
returns the list of lines
printed by the script. As a default, these lines are printed to stdout.
sed.apply()
has an output parameter which
enables to inhibit printing the lines (output=None
) or enables to redirect the output to some
text file (output=somefile.txt
).
The script may also be read from a string by using sed.load_string(my_script_string)
.
sed.py
implements all standard commands and
regular expression features of sed. Its reference is GNU sed 4.2. It
implements almost all its features except the most specific ones.
GNU sed manual page
can serve as a reference for sed.py
given the
differences described in the following.
number | standard behavior |
$ | standard behavior |
/regexp/ | standard behavior |
/regexp/I | implemented |
\%regexp% | standard behavior |
address,address | standard behavior |
address! | standard behavior |
0,/regexp/ | not implemented |
first~step | not implemented |
addr1,+N | not implemented |
addr1,~N | not implemented |
char | standard behavior |
* | standard behavior |
\+ | standard behavior |
\? | standard behavior |
\{i\} \{i,j} \{i,\} | standard behavior |
\(regexp\) | standard behavior |
. | standard behavior |
^ | standard behavior. When not at start of regexp, matches as itself |
$ | standard behavior. When not at end of regexp, matches as itself |
[list] [^list] | standard behavior. [.ch.], [=a=], [:space:] are not implemented |
regexp1\|regexp2 | standard behavior |
regexp1regexp2 | standard behavior |
\digit | standard behavior (back reference) |
\n \t | standard behavior (extensions \s\S etc. are not handled) |
\char | standard behavior (disable special regexp characters) |
Note that for any combination of quantifiers (*, +, ?, {}), consecutive quantifiers or a quantifier starting a regexp will launch an error. This is true in basic or extended regular expression modes.
Using the -r switch enables to simplify regular expressions by removing the antislah character before the special characters +, ?, (, ), |, { and }. If these characters must appear as regular characters in a regexp, they must be slashed.
a\ | Compliant with GNU sed description | (including one liner syntax and double address extensions) |
b label | Compliant with GNU sed description | |
: label | Compliant with GNU sed description | |
c\ | Compliant with GNU sed description | (including single line and double address extensions) |
d | Compliant with GNU sed description | |
D | Compliant with GNU sed description | |
= | Compliant with GNU sed description | (including double address extension) |
g | Compliant with GNU sed description | |
G | Compliant with GNU sed description | |
h | Compliant with GNU sed description | |
H | Compliant with GNU sed description | |
i\ | Compliant with GNU sed description | (including single line and double address extensions) |
l | Compliant with GNU sed description | (length parameter not implemented) |
n | Compliant with GNU sed description | |
N | Compliant with GNU sed description | |
p | Compliant with GNU sed description | |
P | Compliant with GNU sed description | |
q | Compliant with GNU sed description | (except exit code extension) |
r filename | Compliant with GNU sed description | (including double address extension but not reading from stdin) |
s | Compliant with GNU sed description | (except escape sequences in replacement (\L, \l, \U, \u, \E), modifiers e and M/m, and combination of modifier g and number) |
t label | Compliant with GNU sed description | |
w filename | Compliant with GNU sed description | (including double address extension but not writing to stdout or stderr) |
x | Compliant with GNU sed description | |
y | Compliant with GNU sed description | |
# | Compliant with GNU sed description. | (comments start anywhere in the line.) |
The other commands specific to GNU sed are not implemented.
The working of sed.py
is tested and compared to
the behavior of GNU sed with a set of tests and a testing utility.
The tests are either coded in text files with .suite extension or may be stored in test directories as standard sed scripts.
The test suites are:
unit.suite | a text file containing unitary tests |
chang.suite | a text file containing scripts from Roger Chang web site |
test-suite1 | a set of scripts from GNU sed test suite |
test-suite2 | a set of scripts from the seder's grab-bag, Rosetta code web site and GitHub (lisp!) |
test-suite3 | additional unitary tests better stored in a folder with some extra data text files |
test-suite4 | a set of scripts from the sed $HOME |
Note that the goal of these tests is not to check the correctness of the
scripts but to verify that sed.py
and GNU sed
have the same behavior.
Tests are launched and checked with the test-suite.py
Python script. This script uses either
sed.py
to run the sed scripts, or any sed
executable. This enables to compare the working of sed.py
with the one of GNU sed.
The calling syntax is:
test-suite.py <testsuite> [number] [-b executable] [-x list of script references]
testsuite | either a text file with .suite extension or a test directory |
number | an optional reference number of a test, when present only this tests is run |
executable | an optional name or path of a sed executable to use for testing |
list of script references | an optional list of tests to exclude for instance when a feature is not implemented. A script reference is either the title of the test for tests stored in modules, or the the name of the script file. |
When tests are stored in a text file (with .suite extension), they are made of four elements:
The four elements of a test are separated with lines made of three identical characters, for instance:
--- Test substitution with global flag --- s/an/AN/g --- In Xanadu did Kubhla Khan --- In XANadu did Kubhla KhAN ---
Note also that:
When tests are stored in a directory, they are represented by three or four files with same name but different extensions:
Some other files may be used when using reading or writing commands in scripts. In that case, the expected written files must be named with extension '.wgoodN' where N is the number of the expected written file.
A python implementation of sed has to face legitimate questions about timing. Fortunately, results are not bad. Unfortunately, they seem correlated with version number. Timings are given in seconds.
| Platform | GNU sed 4.2.1 | sed.py python 2.6 | sed.py python 2.7 | sed.py python 3.4 |
| Windows7, Intel Xeon 3.2 GHz, 6 Gb RAM | 19.4 | 19.1 | 22.6 | 26.9 |
| Windows XP, Intel Pentium4 3.2 GHz, 4 Gb RAM | 47.5 | 50.7 | 56.5 | 71.2 |
| Linux, Intel Pentium4 3.2 GHz, 4 Gb RAM | - | - | 51.0 | - |
Test conditions:
At one moment, one has to decide what will be in the release to come, and what can be delayed. Here are some features which would be nice to have but can be delayed to a future version.


A-view . It is simple, user-friendly video conferencing software, which provides a great opportunity to a teacher to teach in a live interactive mode to various geographical locations across India. A-View classroom provides the opportunity to connect several universities together and create a virtual world for students. It also acts a knowledge café where students can discuss/chat about lecture after the live class.
One challenge was deciding how to layout the 3×2 grid of Services for mobile users. I ultimately created an accordion that would display more information upon clicking the heading. This was my first attempt at writing my own jQuery code, and it turned out to be a great success.


{% extends 'searchBarApp/base.html'%}
{%block body_block%}
Visit+ is web service started by group of students to make things easier for practical knowledge seekers .
Our story started in 2018, hinging strongly on the fact that the world was changing too rapidly for the students to just rely on classroom education. In order to develop students to be battle ready for the life after college, a sustained mechanism was needed which would educate them beyond books. The need of the hour was experiential learning. Thus was born Industrialvisits.in The central idea of our story is to help students make a successful story for themselves. We are here to expedite your success!
We have a firm belief on the positive imprint, that EDUCATION TOURISM will make on the aptitude and attitude of a student. To complement the conventional way of theoretical learning, we introduced the concept of learning through first hand experience in the relevant field and by being on the field.
Our industry programs interaction with executives from corporate world are planned in synchronization with the theoretical curriculum. The "IV LEARNING WORKSHEET" is prepared by highly experienced educators with the goal of igniting the passion in the student and give basic working knowledge in his/her field.


About JSONCompare
JSONCompare, the advanced version of the legendary JSONLint validator, is a fully featured JSON tool that allows you to directly input and validate JSON code, upload and validate multiple (batch) JSON files simultaneously, and also compare (diff) and merge two JSON objects.
And if you're looking for distraction-free mode, simply click the 'Fullscreen Editor.'
JSONCompare Modes
Credits & Source
Built and maintained by CircleCell. You can grab the JSONCompare.com source code from GitHub here.


For an Einstein solid with each of the following values of N and q, list all of the possible microstates.
The number of einstein microstates is the same as the number of ways to put q balls in N slots.
0 0 0 | | 0 0 |
There are N + q − 1 possible places to put things in general, and choices of where the slots are (q of them) uniquely determine the formula.
$$
\Omega(N,q) = {{q + N -1} \choose q}
$$
import numpy as np
def fact(n):
i = 1
for j in range(1,n+1):
i *= j
return i
def choose(n,k):
"""Computes n choose k"""
return fact(n)/(fact(n-k) * fact(k))
def einstein_solid(N,q):
"""Number of states for an einstein solid
with N oscillators and q units of energy.
Returns an integer"""
return choose(q + N - 1,q)
def einstein_solid_microstates(N,q):
"""Lists, explicitly, the microstates for an
einstein solid of N oscillators with q units of
energy. THIS IS RECURSIVE, don't do big things"""
states = []
if N == 1:
return [[q]]
elif q == 0:
return [[0 for i in range(0,N)]]
elif q == 1:
for i in range(0,N):
states += [[ 1 if n == i else 0 for n in range(0,N)]]
return states
else:
for i in range(0,q+1):
states += [[i]+xtail for xtail in einstein_solid_microstates(N-1,q-i)]
return states
data = [("a",3,4),("b",3,5),("c",3,6),("d",4,2),("e",4,3)]
for number,N,q in data:
print "{0}: N={1} q={2} n_microstates={3}\nThe actual microstates:\n{4}".format(
number,N,q,einstein_solid(N,q),einstein_solid_microstates(N,q))
a: N=3 q=4 n_microstates=15
The actual microstates:
[[0, 0, 4], [0, 1, 3], [0, 2, 2], [0, 3, 1], [0, 4, 0], [1, 0, 3], [1, 1, 2], [1, 2, 1], [1, 3, 0], [2, 0, 2], [2, 1, 1], [2, 2, 0], [3, 1, 0], [3, 0, 1], [4, 0, 0]]
b: N=3 q=5 n_microstates=21
The actual microstates:
[[0, 0, 5], [0, 1, 4], [0, 2, 3], [0, 3, 2], [0, 4, 1], [0, 5, 0], [1, 0, 4], [1, 1, 3], [1, 2, 2], [1, 3, 1], [1, 4, 0], [2, 0, 3], [2, 1, 2], [2, 2, 1], [2, 3, 0], [3, 0, 2], [3, 1, 1], [3, 2, 0], [4, 1, 0], [4, 0, 1], [5, 0, 0]]
c: N=3 q=6 n_microstates=28
The actual microstates:
[[0, 0, 6], [0, 1, 5], [0, 2, 4], [0, 3, 3], [0, 4, 2], [0, 5, 1], [0, 6, 0], [1, 0, 5], [1, 1, 4], [1, 2, 3], [1, 3, 2], [1, 4, 1], [1, 5, 0], [2, 0, 4], [2, 1, 3], [2, 2, 2], [2, 3, 1], [2, 4, 0], [3, 0, 3], [3, 1, 2], [3, 2, 1], [3, 3, 0], [4, 0, 2], [4, 1, 1], [4, 2, 0], [5, 1, 0], [5, 0, 1], [6, 0, 0]]
d: N=4 q=2 n_microstates=10
The actual microstates:
[[0, 0, 0, 2], [0, 0, 1, 1], [0, 0, 2, 0], [0, 1, 1, 0], [0, 1, 0, 1], [0, 2, 0, 0], [1, 1, 0, 0], [1, 0, 1, 0], [1, 0, 0, 1], [2, 0, 0, 0]]
e: N=4 q=3 n_microstates=20
The actual microstates:
[[0, 0, 0, 3], [0, 0, 1, 2], [0, 0, 2, 1], [0, 0, 3, 0], [0, 1, 0, 2], [0, 1, 1, 1], [0, 1, 2, 0], [0, 2, 1, 0], [0, 2, 0, 1], [0, 3, 0, 0], [1, 0, 0, 2], [1, 0, 1, 1], [1, 0, 2, 0], [1, 1, 1, 0], [1, 1, 0, 1], [1, 2, 0, 0], [2, 1, 0, 0], [2, 0, 1, 0], [2, 0, 0, 1], [3, 0, 0, 0]]
When N = 1, there is exactly one way of putting all the energy into that one box.
When q = 1, there are $N \choose q$ ways of putting the one quantum of energy into each of the N oscillators.
Want: multiplicity of an einstein solid with N = 30 and q = 30.
print "There are {0} states for an einstein solid with 30 oscillators and 30 units of energy".format(einstein_solid(30,30))
There are<PHONE_NUMBER>2430712 states for an einstein solid with 30 oscillators and 30 units of energy
Consider a system of two einstein solids A and B, each containing 10 oscillators, with at total of 20 units of energy. The solids are weakly coupled and total energy is fixed.
Macrostates can only be distinguished by how much total energy is in A and not B, or vice versa.
q = 20
microstates = [ einstein_solid(10,qa)*einstein_solid(10,q-qa) for qa in range(0,20+1)]
n_microstates = sum(microstates)
normalized_microstates = [float(omega)/float(n_microstates) for omega in microstates]
print "a) There are {0} macrostates".format(len(microstates))
print "b) There are {0} microstates".format(sum(microstates))
print "c) The probability of all the energy in A is {0}".format(normalized_microstates[20])
print "d) The probability of finding half the energy in A is {0}".format(normalized_microstates[10])
a) There are 21 macrostates
b) There are<PHONE_NUMBER>0 microstates
c) The probability of all the energy in A is 0.00014530659692
d) The probability of finding half the energy in A is 0.123814432718
This graph is interactions between an einstein solid A with NA = 200 oscillators and an einstein solid B with NB = 100 oscillators. There are 100 units of energy in total.
%matplotlib inline
import numpy as np
import matplotlib.pyplot as plt
NA,NB = 200,100
q = 100
qadistribution = [ einstein_solid(NA,qa)*einstein_solid(NB,q-qa) for qa in range(0,100+1)]
n_microstates = sum(qadistribution)
normalized_qadistribution = [float(omega) / float(n_microstates) for omega in qadistribution]
print "The most probable state where qa = {1} has a probability of {0}".format(
max(normalized_qadistribution),np.argmax(normalized_qadistribution))
print "The least probable state where qa = {1} has a probability of {0}".format(
min(normalized_qadistribution),np.argmin(normalized_qadistribution))
plt.title("Energy Probability Distribution")
plt.xlabel("q_a")
plt.ylabel("probability")
plt.plot(range(0,101),normalized_qadistribution)
The most probable state where qa = 67 has a probability of 0.073151397822
The least probable state where qa = 0 has a probability of 2.69266665552e-38
[<matplotlib.lines.Line2D at 0xb012ec0c>]
The goal of this problem is to get an idea of the width of the peak of the multiplicity function of a system of two large einstein solids.
The multiplicity of an einstein solid with N oscillators and q units of energy is ${{N-q+1} \choose q}$. So, two einstein solids, each with N oscillators and sharing 2N units of energy.
By (2.18), the multiplicity of an einstein solid, for large q and N, is given by:
$$
\Omega(N,q) \approx \frac{\left( \frac{q+N}{q} \right)^q \left( \frac{q+N}{N}
\right)^N}{\sqrt{2 \pi q \left( \frac{q + N}{N} \right) }}
$$
If we treat the combined system as a single einstein solid, the total number of microstates is given by the multiplicity of the two systems together, with the desired amount of energy, which is Ω(2N, 2N).
Of course the most likely macrostate is the one where the energy is shared equally between the two systems. The multiplicity of this happening is Ω(N, N) × Ω(N, N)
This tells us that the graph is quite sharp. The total area under the graph is the total number of microstates, $\frac{2^{4N}}{\sqrt{8 \pi N}}$. The maximum height of the graph is $\frac{2^{4N}}{4 \pi N}$, though.
If this was a rectangle, it would be:
$$
\frac{2^{4N}}{\sqrt{8 \pi N}} \left( \frac{2^{4N}}{4 \pi N} \right)^{-1}
=
\sqrt{2 \pi N}
$$
import numpy as np
width = np.sqrt(2*np.pi*1e23)
print "For the case N=10^23, the width is {0}".format(width)
print "{0} of the graph have reasonable large probabilities".format(width/2e23)
For the case N=10^23, the width is 7.92665459521e+11
3.96332729761e-12 of the graph have reasonable large probabilities
Consider an ideal monotomic gas living in a two-dimensional universe, occupying an area A instead of a volume V. Find a formula for the multiplicity of the gas.
Suppose the system has an area A and total energy U. There is only kinetic energy. Then, the momenta px and py are constrained such that $U = \frac{1}{2m} \left( p_x^2 + p_y^2 \right)$.
The momenta take up a "momentum circle", with "radius" 2mU. The particles take up position space. The number of states should be proportional to the area and the circumference of the momentum circle. By heisenburg uncertainty principle, there constant of proportionality is $\frac{1}{h^2}$ since we're in two dimenstions. The total number of states for one particle is thus:
$$
\Omega(U)
=
\frac{A C_p}{h^2}
$$
where Cp denotes the circumfrence of the momentum circle. When we have N particles, we exponentiate the states. Supposing they are distingushable,
$$
\Omega_{distinguishable}(U,N)
=
\frac{A^N}{h^{2N}} \times {\text{Area of momentum hypersurface}}
$$
There are N! ways to exchange N particles, and each one of the same, so in the case of identical particles:
$$
\Omega(U,N)
=
\frac{1}{N!} \frac{A^N}{h^{2N}} \times {\text{Area of momentum hypersurface}}
$$
The momentum hypersurface if a 2N-dimensional hypersurface. "area"(d) = $\frac{2 \pi^{d/2}}{(d/2 - 1)!} r^{d-1}$, so, when d = 2N and r = 2mU:
$$
\Omega(U,N)
=
\frac{1}{N!} \frac{A^N}{h^{2N}} \times {\text{Area of momentum hypersurface}}
=
\frac{1}{N!} \frac{A^N}{h^{2N}} \frac{2 \pi^{N}}{(N - 1)!} {\sqrt{2mU}}^{2N-1}
=
\frac{1}{N!} \frac{A^N}{h^{2N}} \frac{2 \pi^{N}}{N!} {2mU}^{N}
$$
$$
S_{ideal}(U,V,N) = N k_b \left( \log \left( \frac{V}{N} \left( \frac{4 \pi m
U}{3 N h^2} \right)^{3/2} \right) + 5/2 \right)
$$


Part I Written by: Greg Malins
Part II Written by: David Crane & Marta Kauffman
Parts I & II Transcribed by: Eric Aasen
[Scene: Central Perk, everyone is there.]
Monica: Do you realize this is probably the last time well all be here in the coffee house as six single people?
Phoebe: Why?! Whats happening to the coffee house?! (Monica looks at her.) Oh! (Realizes.)
Chandler: Yep! From now on its gonna be the four of you guys and me and the misses. The little woman. The wife. The old ball and chain.
Monica: Old?
Chandler: The young hot ball and chain.
Monica: Thats much better.
Rachel: (checking her watch) Op! We gotta go! (The girls stand up.)
Ross: Oh, where are you guys going?
 (Joey stands up.)
Ross: Ah. Joey youre-youre having lunch with my mom?
Joey: No, I-I just heard lunch. But yeah, I can go. Sure! (They all exit.)
Ross: (To Chandler) Yknow what? Actually Im kinda glad theyre leaving cause uh, I need to talk to you about something.
Chandler: Whats up?
Ross: Well this uh, this may be a little awkward.
Chandler: Listen, if you want to borrow money, its kind of a bad time. Im buying dinner for 128 people tomorrow night.
Ross: No, its Its not that. Umm, now what Im going to say to you, Im not saying as your friend. Okay? Im-Im saying as it as Monicas older brother.
Chandler: But youre still my friend?
Ross: Not for the next few minutes.
Chandler: During this time are you, are you still my best man?
Ross: Nope.

Ross: Okay! You guys are getting married tomorrow and-and I couldnt be more thrilled for both of you, but as Monicas older brother I-I have to tell you this.  (Chandler laughs.) What? Im-Im-Im serious! (Chandler laughs harder.) ComeHey! Dude! Stop it! Okay? Im-Im not kidding here!
Chandler: (smiling) Hey, I hear what your saying, okay? And, thanks for the warning.
Ross: No problem.
Chandler: So are we friends again?
Ross: Yeah.
Chandler: Okay. (Pause) You wont believe what Monicas older brother just said to me!
Opening Credits
[Scene: Monica and Chandler's, the girls are having breakfast.]
Rachel: What cha doing Mon?
Monica: Im making a list of all the things that are most likely to go wrong at the wedding. Now, that way I can be prepared.
Phoebe: What are they?
Monica: Well, so far I have uh, my brides maids dresses wont get picked up, my veil gets lost, or I dont have my something blue.
Rachel: Hey! Those are all the things Im responsible for!
Monica: I had to go with the odds Rach.
Joey: (entering) Hey! You guys! Remember that audition I had a while ago and didnt get the part?
Rachel: The commercial?
Joey: No!
Phoebe: That play?
Joey: No!
Monica: That other play?
Joey: Nooo!
Phoebe: The movie?
Joey: Yes!!
Phoebe: Ohh!
Joey: Yes thats the one about the soldiers who fight in World War I!
Phoebe: Oh, yeah! Back then yknow, we called the Great War. It really was!
Joey: Well anyway, the guy they wanted backed out and now they want me! I start shooting today!
Phoebe: Congratulations!
Rachel: Oh thats great!
Monica: Wait! Wait! Wait! You cant start today! Todays the rehearsal dinner!
Joey: Oh no, Ill be done by then.
Monica: Oh. Well then way to go you big movie star!
Joey: I know! All right, Ill see you guys over there! Im off to fight the Nazis.
Rachel: Oh, wait Joey! We fought the Nazis in World War II, not World War I.
Joey: Whoa! Okay. Yeah well, who-who was in World War I? (Rachel pauses as she thinks.)
Phoebe: Go ahead.
Rachel: Youre gonna be late! Go! Go! (He runs out.)
Monica: Who did we fight in World War I?
Rachel: Mexico?
Phoebe: Yes! Very good.
[Scene: Pier 59 Studios, Joey is in costume and standing at the craft services table. He checks his pockets and finds some prop coins in a pouch, which he replaces with some cookies.]
The Assistant Director: (approaching) Hey Joey! Were ready.
Joey: Yeah! Me too. (He pats his pocket.)
The Assistant Director: (to another actor) Richard? Were ready for you. (Richard approaches.) Joey Tribbiani? This is Richard Crosby hes playing Vincent.
Joey: Im doing my scenes with you?
Richard: Nice to meet you Joey.
Joey: Wow! I cant believe this! This is incredible. I mean you just won an Oscar!
Richard: No I didnt.
Joey: I think you did.
Richard: I think I lost. Three times.
Joey: Uh Cookie?
The Director: (approaching) Okay! Were about an hour away from getting the scene lit. So uh, if you guys dont mind, can we run it a couple of times?
Richard: Yeah, sure.
The Director: Okay, all right. Lets do it. (He walks off.) And Action!
Joey: We have to find the rest of the platoon!
Richard: Forget the platoon! The platoon is gone! (He is spitting on the hard Ps and Ts.)
Joey: (wiping his face) What?!
Richard: (still spitting) The platoon is dead! Face facts Tony!
Joey: (wipes face) So what are we gonna do?! We have no reinforcements! No-no food!
Richard: No, we still have food in the basement! I saw potatoes and some dry pasta!
(Joey wipes his eye.)
The Director: Hang on a minute! Joey, you keep touching your face. Is something wrong?
Joey: (glances at Richard) No. Nope, I uh I thI thought it might be kind of a cool character thing. Yknow?  (Behind his back, Richard is nodding no.)
The Director: I dont think so. Lets take it back to Richards last line. (Walks off.) Action!
Richard: We may not have any weapons, but we still have food. In the basement I saw potatoes and some dry pasta, and a few tins of tuna! (Joey backs away and wipes his face again.)
[Scene: Monica and Chandler's, Monica is standing in the kitchen ready to leave for the rehearsal dinner.]
Monica: Honey, we gotta go!
Chandler: (entering from the bedroom) Okay. Heres a question you never have to ask. My dad just called and wanted to know if he could borrow one of your pearl necklaces.
Monica: (laughs) I dont have anything like that, but let me go see if Rachel does.
Chandler: Yes, include more people in this.
Monica: Hey, do you realize that at this time tomorrow well be getting married?
Chandler: Wait a minute! I have a date tomorrow night.
Monica: I just, I cant believe that we made it!
Chandler: Well you dont have to sound so surprised.
Monica: Im sorry but nothing.
Chandler: What?
Monica: Well honestly ever since we got engaged I have been waiting for something to, to flip you out.
Chandler: Honestly? Me too.
Monica: Really?
Chandler: Yeah.  But nothing has.
Monica: Ohh, Im so glad. Thank you so much for staying so calm during this. I mean its really, its made me stay calm. (Chandler just looks at her.) I coulda been worse!
Chandler: Okay. Ill be right there.
(She exits and as Chandler picks up his coat, the phone rings and the answering machine gets it.)
Monica: (voice on answering machine) Hi! If youre calling before Saturday, youve reached Monica and Chandler. But if youre calling after Saturday, youve reached Mr. and Mrs. Bing! Please leave a message for the Bings!
(Chandler freaks out and loosens his tie.)
[Scene: The Rehearsal Dinner, Chandler and Monica are greeting guests as they arrive. A woman enters.]
Monica: Hey Maureen! (They hug.) Gosh! Hey uh, Chandler? This is my cousin Maureen.
Chandler: Were the Bings.
(Phoebe and Rachel walk up.)
Rachel: Hi! Oh you guys look so beautiful!
Chandler: Mr. and Mrs. Bing! (Walks away.)
Ross: (walks up) Wow Monica! Hey, just so you know I had my uh, older brother chat with Chandler.
Monica: What is that?
 (The girls all laugh.) What?! What?! What is the matter with everybody?! I am serious!  (The laugh harder.)
Phoebe: Ross, please! My make-up! (He walks away angrily.)
(Chandlers Mom enters and Chandler meets her by the door.)
Chandler: Hi.
Mrs. Bing: Chandler!
Chandler: Mom. Thanks for wearing something. (They hug.) (Shes wearing a tight dress with a lot of cleavage showing.)
Mrs. Bing: Oh honey! This is so exciting! I thought we screwed you up so bad this day would never come. Oh and just think. Soon therell be lots of little Bings. (He freaks out and loosens the tie again.)
(Monica and her parents walk up.)
Monica: Mrs. Bing? Here, these are my parents umm, Judy and Jack Geller.
Mrs.
Mrs. Geller: Jack!
Mr. Geller: What?! Ive never seen one before!
Monica: Dad! Theres Ross (points), why dont you go talk to him?
(Mr. and Mrs. Geller start to walk away.)
Mr. Geller: I didnt even have a chance to act as though Im okay with it!
Mr. Bing: (entering) Hello all!
Chandler: Hi dad.
Monica: Hi Mr. Bing.
Mr. Bing: Nora!
Mrs. Bing: Charles.
Monica: It-its so great to see you both here.
Mr. Bing: Yes! Although, I think we may be seeing a little too much of some people. Arent you a little old to be wearing a dress like that?
Mrs.
Chandler: Oh my God! (He and Monica walk away.)
[Cut to Mr. and Mrs. Geller talking to Ross.]

Ross: Thanks you guys. (Walks away happily and his parents smile.)
[Cut to Monica.]
Monica: Oh, Rach! Rach! Umm hey, could you do me a favor and would talk to Chandlers dad and try to keep him away from Chandlers mom?
Rachel: Yeah! But I dont know what he looks like!
Monica: He is the man in the black dress.
Rachel: Man in the black dress (Monica walks away and Rachel looks around to find a woman in a black dress.) (To her) Hi! Im Rachel! Im a friend of Monica and Chandlers!
Woman: Im Amanda.
Rachel: Oh I get it! A man duh!
Ross: (clinking a wine glass) Can I have everyones attention please? Im uh; Im Ross Geller.
Mr. Geller: Doctor Ross Geller.
Ross: Dad dad, please! As I was saying umm, Im Dr. Ross Geller. Uhh, and Im the best man. And uh, this marriage is doubly special for me umm, because not only is the groom my best friend but uh, the bride is my little sister. And, shes the greatest sister a guy could ask for. So if youd all please join me in raising a glass to the, the couple were here to celebrate. (Everyone does so.) To the Bings.
All: To the Bings!
(Everyone clinks glasses and Chandler freaks out again.)
[Scene: Monica and Chandler's, Monica, Phoebe, and Rachel are in the kitchen.]
Monica: All right, Im gonna go steam my wedding dress okay? Who wants the responsibility of making sure nothing happens to it?
Rachel: Ill do it.
Monica: Who wants it? Anybody?
Rachel: I said Ill do it!
Monica: Nobody wants to do it? All right, Ill do it myself.
Rachel: Monica!
Monica: Yknow what? Youre right, Im sorry. Actually you were a big help tonight. Yeah, and thanks for putting my grandmother in the cab and making sure she got to the hotel safely.
Rachel: Well of course that is what Im here for!
Monica: Okay. Sorry. (Monica goes into the bathroom.)
Rachel: Ugh! (To Phoebe) What grandmother?
[Scene: Joey and Rachel's, Joey is wearing sunglasses and as he exits his bedroom, Ross enters the apartment.]
Joey: Hey! Where have you been?
Ross: Oh, taking my parents back to the hotel.
Joey: Oh.
Ross: What? Are you going back to work?
Joey: Yeah.
Ross: Nice shades.
Joey: Thanks. Yeah, I figure if I wear these in my scenes at least I wont get spit in the eyes, yknow?
Ross: And if I remember correctly, Ray Ban was the official sponsor of World War I!
Joey: Great! All right. Ill see you later. (He starts to leave.)
Ross: Hey, wheres Chandler?
Joey: Uh, I think hes in Rachels room. See ya. (Exits.)
Ross: (going up to Rachels closed door) Chandler? (He opens the door and looks inside and doesnt see him.) Chandler? (He checks the bathroom and still doesnt find him. He then finds a note on the counter. He picks it up and reads it.)
[Scene: Monica and Chandler's, Phoebe and Rachel are in the kitchen as there is a knock on the door. Rachel answers it.]
Ross: Hey!
Rachel: Hi!
Ross: Is uh, is Monica here?
Rachel: Shes steaming her dress, why? Whats up?
Ross: I think Chandlers gone. (He hands her the note.)
Rachel: What?!
Ross: He left that.
Rachel: (reading the note) Tell Monica Im sorry.
Phoebe: (walking up) Whats up? (Rachel hands her the note and she reads it.) Tell Monica Im sorry. (Pause) Tell her yourself!
Commercial Break
[Scene: The Hallway, Ross, Phoebe, and Rachel are discussing the note.]
Phoebe: Oh my God! Chandler just left though!
Rachel: Yeah but, maybe its not what we think. Maybe its tell Monica Im sorry I drank the last of the milk.
Phoebe: Or maybe he-he was writing to tell her that-that hes changed his name, yknow? Tell Monica Im sorry.
Ross: I think it means he freaked out and left!
Phoebe: Dont be so negative! Good God! Isnt it possible that Sorry is sitting in there (Joey and Rachels apartment) right now?!
Rachel: Okay. Phoebe, I-I think Ross is right. What are we gonna do?
Ross: LookOkay, Im just gonnaIm gonna have to go find him and bring him back! Okay? You-you make sure Monica does not find out, okay?
Rachel: Okay.

(Ross laughs and Phoebe points harder.)
Ross: (scared) I will, I will find him.
[Scene: The Movie Set, Joey is getting his make-up touched up as Richard approaches.]
Richard: Hey Joey, could you uh, go through these lines with me? (Hes holding a script.)
Joey: Oh man! They-they just redid my make-up!
Richard: Just the last two pages.
Joey: All right.
(They go onto the set.)
Richard: I found the picture!
(Hes still spitting and Joey holds his script in front of his face.)
Joey: Picture? What picture?
Richard: Could you uh, could you lower your script?
Joey: Okay uh, look I know youre a great actor, okay? And you play all those Shakespeare guys and stuff
Richard: Oh, thanks.

Richard: Well of course I am!
Joey: You know youve been spitting on me?!
Richard: Thats what real actors do! Annunciation is the mark of a good actor! And when you enunciate, you spit! (Spits on the t)
Joey: (wiping face) Wow! Didnt know that.
Richard: Great!
Joey: Thanks! Okay-okay check it out! (Reading from the script) Picture? What picture? (He pauses then spits) Eh?
[Scene: Central Perk, Gunther is behind the counter as Ross enters looking for Chandler.]
Ross: Gunther have you uh, have you seen Chandler?
Gunther: No. No, I havent seen him.
Ross: Oh damn!
Gunther: Hes getting married tomorrow right?
Ross: Yes. Yes. Dont worry. Everythings fine. Well uh, well see you tomorrow at the wedding.
Gunther: I wasnt invited.
Ross: Well then well-well see you the day after tomorrow. (Walks away slowly, but notices something.) Mom?! Dad?! (Theyre sitting by the window.) What-what what you guys doing here?!
Mr. Geller: Well you kids talk about this place so much, we thought wed see what all the fuss is about.
Mrs. Geller: I certainly see what the girls like coming here.
Ross: Why?!
Mrs. Geller: The sexy blonde behind the counter. (She waves at Gunther who waves back.)
Ross: (shocked) Gunther?!
Mr. Geller: Your mother just added him to her list.
Ross: What? Your-your list?
Mrs. Geller: Yeah, the list thatof people were allowed to sleep
Ross: Yes! No-no!  Mom! Look if you see Chandler, could you just let him know Im looking for him?
Mr. Geller: And if you see Rita Moreno, let her know Im looking for her.
(Ross points at him and exits.)
[Scene: The Movie Set, Richard and Joey are doing a scene.]
The Director: Action!
Richard: I found the picture!
Joey: What picture?!
Richard: The picture of my wife! In your pack!
Joey: You went through my personal property?
Richard: Why do have a picture of Paulette in your pack?!
Joey: (pause) Because Vincent, we were lovers. (Pause) For two years!
The Director: Cut! Wonderful!
(Joey and Richard both wipe their faces and are given towels.)
Joey: Great scene yeah?
Richard: Oh youre awesome!  You soaked me.
Joey: Thanks a lot.
The Assistant Director: (To Joey) Heres your call sheet for tomorrow.
Joey: Oh, Im-Im not working tomorrow.
The Assistant Director: You are now.
Joey: No! No! I cant! You gotta get me out of it! Ive got plans! (Spits.) Important plans! (Spits on the Ps.)
(The AD walks away wiping his face.)
[Scene: Monica and Chandler's, the next morning, Rachel and Phoebe are eating breakfast.]
Rachel: (closing the door) Ross said theres still no word from Chandler.
Phoebe: Oh man.
Rachel: Oh but he did say that they found the grandmother wandering down fifth avenue.
Phoebe: Okay. Well theres one down.
Monica: (entering from her room, excitedly) Im getting married today!!! (She trips and falls.) (Getting up) I think I just cracked a rib. But I dont care because todays my wedding day! My day is finally here!! (Runs back into her room.)
Phoebe: Yknow she might not even notice hes gone.
Monica: (re-entering) Im gonna start getting ready! (Goes back into her room.)
Rachel: God! DontWe cant let her start getting ready! This is too awful! Oh God, but wait shell be in the gown and then he wont show up and then shes gonna have to take off the gown
Phoebe: Shhh! Stop it! Stop it Rachel! You cant do this here! (She drags her into the bathroom.)
Rachel: Im sorry. Im sorry. Its just Its just so sad!
Phoebe: Yeah, but youve got to pull yourself together! Monica cant see you like this! Then shell know somethings wrong!
Rachel: I know. I know. Oh God. (Looking around) Theres no tissue! Can you grab me some toilet paper?
Phoebe: Yeah. (Looks.) Oh, thats gone too. This is Monicas bathroom right?!
Rachel: Oh!
Phoebe: No-no! I-I I found one.
Rachel: Okay.
(Phoebe reaches into the trash can, pulls one out, and hands it to Rachel.)
Rachel: Oh thank you! (Wiping her nose.) Oh God! (She throws it out.) Can I have another one?
Phoebe: (looking into the trash can) Sure. (Reaching into the trash can.) Do you need some floss? (Grabs a piece of it.)

Phoebe: Oh heres a whole bunch.
Rachel: Oh, I mean shes gonna be at the wedding waiting for him and people will be whispering, "Oh that poor girl." Yknow? Then shell have to come back here and live all alone.
Phoebe: (finding something interesting in the trash can) Oh my God!
Rachel: What?
Phoebe: There was a pregnancy test in the garbage, and its positive. Monicas pregnant. (Rachel covers her mouth.) So I guess she wont be totally alone.
Commercial Break
[Scene: Monica and Chandlers bathroom, the scene is continued from earlier.]
Rachel: Oh my God!
Phoebe: I know! Monicas gonna have a baby! Hey, can this count as her something new?
Rachel: Oh my God!
Phoebe: Hey, do you think this is why Chandler took off?
Rachel: No, she had to have just taken that test because I took out the trash last night.
Phoebe: Oh God, this is turning into the worst wedding day ever! The bride is pregnant. The groom is missing. And Im still holding this. (She throws the test back into the trash.)
Rachel: Okay Phoebe, we can not tell anyone about this.
Phoebe: Right.
Rachel: Okay?
Phoebe: Yeah, okay. Hey, wait. Do you know what kind of birth control she was using?
Rachel: No. Why?
Phoebe: Just for the future, this is hardly a commercial for it.
[Scene: Joey and Rachel's, Ross is just hanging up the phone as Rachel and Phoebe enter.]
Rachel: Anything?
Ross: No! I talked to Joey on the set, he hasnt heard from him. I-I-I talked to Chandlers parents again!
Phoebe: You told them he was missing?
Ross: No! I made it seem like I was just calling to chat. Pretty sure, they both think Im interested in them.
Rachel: All right, weve got to tell her hes gone. (Starts to leave.)
Ross: No! Hey! Hey! We cant!
Rachel: Ross, shes gonna start getting ready soon!
Ross: Well, cant you at least stall her a little? Ill-Ill go back to some of the places I went last night.
Rachel: All right, well how much time do you need?
Ross: Well how much time before she absolutely has to start getting ready?
Rachel: One hour.
Ross: Give me two.
Rachel: Then why do you ask?!
(They all go into the hallway.)
Ross: Okay, wish me luck.
Phoebe: Okay. Im going with you.
Ross: Why?!
Phoebe: Ross, youre tired. Youve been looking all night.
Rachel: All right, Ill see you guys later.
Phoebe: Okay. Wait, do you know how youre going to stall her?
Rachel: Ill figure something out.
Phoebe: All right. Good luck.
Rachel: Thanks.
(Phoebe and Ross go to look for Chandler and Rachel enters Monica and Chandlers.)
Monica: Hey! Okay, so I thought wed start with my make up and then do my hair.
Rachel: Okay uh, but before you do that. I-I, I need you to talk to me.
Monica: About what?
Rachel: Umm Im never gonna getting married!
Monica: Yeah you will! The right guy is just around the corner! Okay, are we done with that?
Rachel: No Monica! Im serious! Oh, maybe I should just forget about it. Become a lesbian or something.
Monica: Any woman would be lucky to have ya.
Rachel: Well maybe it would make me feel better if I slept with Joey.
Monica: (jumping up) Rachel! You okay?
[Scene: The Movie Set, Joey is reporting for work.]
Joey: Excuse me, Aaron? (The director turns around.) Hi! Umm, I have a little problem with the schedules. Originally, I wasnt supposed to work today, and I have this wedding that I really have to be at. Its my best friends, and Im officiating so I really cant work past four.
The Director: Joey, you gotta stay until the end. We cant stop filming just for you. Its not like its your wedding. (Starts to walk away.)
Joey: Im having surgery!
The Director: What?!
Joey: Yeah, I-I just made up the stuff about the wedding because I didnt want you to worry about me. But, Im having surgery today.
The Director: What kind of surgery?!
Joey: Transplant.
The Director: But youre supposed to work on Monday.
Joey: Hair transplant.
The Director: But youre not bald.
Joey: Its not on my head.
The Director: Look Joey, theres nothing I can do. Besides, youre probably gonna be out by four anyway. Weve just got one short scene. Its just you and Richard, and God knows hes a pro. Youll be fine. (Walks away and sees Richard entering.) Morning Richard.
Joey: Hey! Youre here! Great! Great! Great! Lets get going buddy, weve got a scene to shoot!
Richard: Im wearing two belts.
Joey: Are you drunk?
Richard: No!
Joey: Yes you are!
Richard: All right.
[Scene: A Street, Phoebe and Ross are exiting a pizza place.]
Ross: We are never gonna find him! Hes one guy in a huge city!
Phoebe: Oh my God! Is that him? (She points at someone.)
Ross: That is an old, Chinese woman!
Phoebe: He could be in disguise, yknow.
Ross: Aw, yknow Yknow, maybe were-were just approaching this all wrong.
[Cut to an office building.]
Ross: So this is your office?
Chandler: How did you guys find me? I knew I shouldve hid at the gym!

Chandler: Panicking! And using the Internet to try to prove that Im related to Monica. How is she?
Ross: Shes fine. She doesnt know youre gone. And she doesnt have to know, okay? Now come on, were going home.
Chandler: No! No! No! I cant do that!
Phoebe: Why not?!
Chandler: Because if I go home, were gonna become the Bings! I cant be the Bings!
Ross: Whats wrong with being the Bings?
Chandler: The Bings have horrible marriages! They yell. They fight. And they use the pool boy as a pawn in their sexual games!
Ross: Chandler, have you ever put on a black cocktail dress and asked me up to your hotel room?
Chandler: No.
Ross: Then you are neither of your parents!
Chandler: Its not just their marriage! I mean, look at yours. Look at everybodys! The only person that can make marriage work is Paul Newman! And Ive met me; I am not Paul Newman. I dont race cars! I dont make popcorn! None of my proceeds go to charity.
Phoebe: But look Chandler, right now, no one has a lower opinion of you than I do. But I totally believe you can do this.
Chandler: I want to. I love her so much, but Im afr Its too huge.
Ross: Yknow, okay. Youre right. It is huge. So why dont we take it just a little bit at a time? Okay? Umm, forget getting married for a sec; just forget about it. Can you just come home and take a shower?
Chandler: Well yeah, but then
Ross: (interrupting him) YeahNo-but-but-but-but!  Now, thats not scary right?
Chandler: Depends on what you mean by we.
[Scene: Monica and Chandler's, Rachel is still trying to stall Monica.]
Rachel: The nights are the hardest. (Checks her watch.) But then the day comes! And thats every bit as hard as the night. And then the night comes again
Monica: (interrupting) The days and nights are hard! I get it! Okay? Look umm, Rachel Im sorry! I have to start getting ready! Im getting married today!
Rachel: I know. At dusk. Thats such a hard time for me.
Monica: (getting up) Im gonna go put my make up on, we have to be at the hotel in an hour! (Starts for the bathroom.)
Rachel: Okay. But wait!
Monica: What?!
Rachel: Lets go to lunch.
Monica: I cant go to lunch!!
Rachel: Right.
(Monica goes into the bathroom and Rachel thinks quickly.)
Rachel: Oh good God! Ive fallen down! (She trips and falls.)
Monica: (entering) Whats going on?
Rachel: Okay. All right. (Gets up.) Honey listen. When I tell you what Im about to tell you, I need you to remember that we are all here for you and that we love you.
Monica: Okay, youre-youre really freaking me out.
Rachel: We cant find Chandler (Phoebe sticks her head and motions that they found Chandler)s vest. We cant find Chandlers vest.
Monica: How can that be?! Oh wait! Wait!
Phoebe: (entering) Found the vest! I mean were gonna have to keep an eye on it, yknow make sure we dont lose it again
Rachel: Oh!
Monica: Oh wow! Okay. Dont scare me like that okay? I mean for a minute there I was like, "Oh my God! The worst has happened!"
(Monica goes into the bathroom and Phoebe and Rachel breathe a sigh of relief.)
[Scene: The Movie Set, Joey and Richard are in the middle of a scene. They are both holding swords.]

Richard: That can be arranged.
(Richard thrusts, misses Joey by several feet and Joey screams in pain and drops to his knees.)
The Director: Lets reset.
Joey: What?! He got me! Owwwwww!!!
The Director: Lets take it from there.
 Its going terribly slowly.
Joey: Look, my best friends are getting married in like an hour. Okay? And Im the minister. Please! Please! Can you pull it together?
Richard: Of course! Im-Im sorry.  I can do this!
Joey: Thank you. Thank you.
The Director: Still rolling, annnnd action!

Richard: Now, that can be arranged! (He brings his sword back and drops it, causing it to fly over the wall.) Slippery little bugger!
[Scene: The Hotel, Monicas room, Mr. and Mrs. Bing are staring at each other while Phoebe looks on.]
Phoebe: So-so you two were married huh? What happened? You just drift apart?
(Rachel and Mrs. Geller enter.)
Mrs. Geller: Here comes the bride.
(Monica enters wearing her wedding dress.)

Monica: I wanna wear this everyday.
Rachel: You look so beautiful.
Monica: (starting to cry) Im so happy for me.
(The phone rings and Rachel answers it.)
Rachel: Hello?
Joey: (on phone) Hey! Did Chandler show up yet?
Rachel: Yeah, we got him back. Everythings fine.
Joey: Damnit!
Rachel: What? Why? Where are you?
Joey: Im still on the set!
Rachel: Joey! The wedding is in less than an hour!
Joey: I know! Im sorry! The guys drunk, they wont let me go until we get this.
Rachel: Oh my God! Im gonna have to find another minister.
Joey: No! No, Im the minister! All right, look-look, put em both on the phone, Ill marry them right now.
Rachel: Ugh! Joey, I have to go.
Joey: Hey! Dont you hang up on me! Ill marry you and me right now! I have the power!
(She hangs up anyway.)
[Scene: Chandlers Hotel Room, Ross is getting Chandler ready.]
Ross: There you go. You put on a tuxedo! Now that wasnt so scary, was it?
Chandler: No.
Ross: Im telling you, just a little bit at a time.
Chandler: Yeah okay. Well, whats the next little bit?
Ross: Getting married. (Chandler panics.) Okay. Okay. You can, you can do that too! Just like youve done everything else!
Chandler: Yeah. Youre right. Hey I-I can do that.
Ross: Yeah.
Chandler: Okay, excuse me for a minute. (Starts to leave)
Ross: WhHeyWhoa-whoa, where, where you going?!
 I just want to get a little fresh air.
Ross: Okay.
Chandler: Okay.
(Chandler goes out into the hall and lights up a cigarette.)
Chandler: Oh fresh air!
(He hears Phoebe and Rachel coming and hides in the ice machine room.)
Phoebe: (To Rachel) Wait! Maybe, maybe youre overreacting! You do that yknow.
Rachel: Well Phoebe, we gotta do something! (They turn the corner.) Well, yknow. I mean theres no way Joeys gonna make it in time. So Im gonna through the hotel and see if theres any other weddings going on.
Phoebe: Okay. Oh but dont tell them Monicas pregnant because, they frown on that.
Rachel: Okay.
Phoebe: Okay.
(They head in separate directions and Chandler emerges and hes so shocked that his cigarette is hanging from his lip.)
Commercial Break
[Scene: The Hotel, Rachel is walking through the ballroom area and comes upon the sign for the Anastassakis/Papasifakis wedding.]
Rachel: Anastassakis/Papasifakis wedding, excellent! {Its a good thing Jennifer Aniston is Greek, because she had to pronounce those names. Luckily for me, they were written on a sign.}(The happy couple emerges.) Congratulations. (To the best man and maid of honor) Mazel Tov! (The rabbi emerges.) Hi! Oh, great hat. (Hes wearing an interesting hat and she takes him over to talk.) Listen umm, I need you to perform another wedding. Can you do that?
The Rabbi: I dont know. Are they Greek Orthodox?
Rachel: Yeah! Yeah. Theyre theyre-theyre my friends, uh, Monica Stephanopolus and uh, and Chandler Acidofolus.
[Scene: Monicas Hotel Room, Chandler and Monicas parents and Phoebe are there as Ross enters.]
Ross: Hi! (To Mrs. Bing) Hi! (Mr. Bing starts rubbing his arm.) Hi. Has umm, anyone seen Chandler?
Mr. Geller: I thought he was with you.
 Hide and seek.
Mr. Geller: You cant ask us son, thats cheating.
Ross: (pause) Youre right, thanks for keeping me honest dad.
Mrs. Geller: Well, he better not come by here. He cant see the bride in the wedding dress.
Mrs. Bing: As I recall when we got married, I saw the groom in the wedding dress.
Mr. Bing: But that was after the wedding, its not bad luck then.
Mrs. Bing: Honey, it isnt good luck.
(Monica enters.)
Ross: Oh my God! Monica!
Monica: I know! Hey, hows Chandler doin?
Ross: Great. Hes doing great. Dont you worry about Chandler.
Monica: Are you okay?
Ross: Uh-huh.
Monica: Well, youre-youre sweating.
Ross: These-these are beads of joy.
Monica: Oh thats sweet. Dont touch me.
Ross: Uh Phoebe, can I see you for a second?
Phoebe: Yeah!
(They both go out into the hall.)
Phoebe: Whats going on?
Ross: Chandlers gone again!
Phoebe: Oh my God! Why would you play hide and seek with someone you know is a flight risk?!
(Ross just glares at her.)
[Scene: The Movie Set, Joey is walking up to the director, pleading with him to let him go.]
Joey: Aaron! You gotta let me go. The guys hammered!
The Director: Im sorry Joey, as long as hes here and hes conscious were still shooting.
(He walks away and Joey does Rosss fist thing. He then enters Richards dressing room, to find Richard cutting his steak with his sword.)
Richard: You wouldnt happen to have a very big fork?
Joey: So I uh, I just talked to the director. Thats it, were done for the day.
Richard: Well have we finished the scene?
Joey: Yeah! You you were wonderful.
Richard: As were you.
Joey: So I got your car, its right outside.
Richard: Why? Are we done for the day?
Joey: Thats what you told me.
Richard: Oh, thank you. Youre welcome. (He stands up, staggers to the couch, and starts to lie down.)
Joey: No-no-no! We gotta go! Come on! (Joey picks him up in a firemans carry and carries him out.) Here we go.
 (Hes looking at Joeys.)
(And as Joey walks out the door, Richard grabs a bottle of Scotch, just as the door closes and carries it with him.)
[Scene: The Hotel, Phoebe and Ross are looking for Chandler.]
Ross: (turning a corner) There he is!!
Chandler: What?
(Ross runs over and tackles him.)
Phoebe: Hey! Oh!
Ross: Youre not getting away this time mister!
Chandler: Ross! (He starts to get up.)
Ross: Hiiii-Ya!! (Chandler lies back down.) Im serious! Youre not walking out on my sister!
Chandler: (standing up) Thats right! Im not!

Chandler: I know about Monica.
Phoebe: You know?!
Ross: What?
Chandler: Yeah, I heard you and Rachel talking.
Ross: What?! What?! Talking about what?!
Chandler: You dont know?
Ross: Know whatIf somebody doesnt tell me whats going on right now
Phoebe: What? Youll hi-ya?
Chandler: Monicas pregnant.
Ross: Oh my God. Oh my God!
Chandler: Well I was! Then I went down to the gift shop because I was out of cigarettes
Phoebe and Ross: Cigarettes?!!
Chandler: Big picture please! So I was in the gift shop, and thats when I uh, saw this. (He holds up a little, tiny baby jumper that reads I (heart) New York.) Yeah, yknow what? I thought anything that can fit into this, cant be scary.
Phoebe: Well you obviously didnt see Chucky 3.
Chandler: But come on, look at how cute and small this is! So I got it to give Monica so shed know I was okay.
Ross: Dude. (Hugs him.)
(Mr. Geller turns the corner.)
Mr. Geller: Way to go son! I knew youd find him!
[Scene: The moment we waited for has finally arrived. Its time for Monica and Chandlers wedding. Weve got violins playing Every Breath You Take, weve got guests seated, and Chandler starts walking down the aisle with his parents on either arm.]
Mr. Bing: Our little boy is getting married.
Mrs. Bing: Oh look at you! So handsome!
Chandler: You look beautiful mom. (His dad clears his throat.) You look beautiful too dad. I love you both. (He kisses his dad on the cheek) Im so glad you here. (He kisses his mom.)
(He walks up onto the altar and notices the rabbi.)
The Rabbi: Are you Chandler?
Chandler: Are you Joey?
(Ross walks down the aisle with Phoebe and Rachel on his arms.)
Ross: Huh. This is nice.
Phoebe: What?
Ross: Ive never walked down the aisle knowing it cant end in divorce.
(Finally, Monica with her parents on her arms start down the aisle.)
Mrs. Geller: Oh I wish youre grandmother had lived to see this.
Monica: Shes right there.
Mrs.  (They stop and she kisses Monica on the cheek.) Congratulations darling.
Mr. Geller: I love you sweetheart. (He kisses her and they sit down.)
(Chandler steps off the altar to greet his bride-to-be.)
Chandler: You look beautiful. Is this new? (Her dress.)
Monica: Not now.
Chandler: Okay.
(They both step up onto the altar and she notices the rabbi.)
Monica: (To Chandler) Who is this?
The Rabbi: I am Father Kalebasous.
Chandler: (in Monicas ear) Hes Greek Orthodox.
Rachel: (leaning in) As are you
The Rabbi: Let us begin. Dearly beloved
Joey: (entering) Thats my line! (He walks up the aisle and to the rabbi) I can take it from here, thanks. (To all) Dearly beloved, Im sorry Im a little late. You may be confused by this now, (Hes still in costume) but you wont be Memorial Day weekend 2002. Well, lets get started before the groom takes off again. Huh? (Monica is shocked and looks around.) We are gathered here today, to join this man and this woman in the bonds of holy matrimony. Ive known Monica and Chandler for a long time, and I can not imagine two people more perfect for each other. And now, as Ive left my notes in my dressing room. We shall proceed to the vows. Monica?
(She turns to get her vows from Rachel.)
Monica: (To Rachel) He took off?
Rachel: Go on! Go on. (She turns back to Chandler.)
Monica: Chandler, for so long I I wondered if I would ever find my prince, my soul mate. Then three years ago, at another wedding I turned to a friend for comfort. And in stead, I found everything that Id ever been looking for my whole life. And now here we are with our future before us and I only want to spend it with you, my prince, my soul mate, my friend. Unless you dont want to. You go!
Joey: Chandler?
(Ross leans in to give Chandler his vows.)
Chandler: (To Ross) No, thats okay. (Ross nods and retreats.) Monica I thought this was going to be the most difficult thing I ever gonna had to do. But when I saw you walking down that aisle I realized how simple it was. I love you. Any surprises that come our way its okay, because I will always love you. You are the person I was meant to spend the rest of my life with. You wanna know if Im sure? (He leans in and kisses her.)
Joey: You may not kiss the bride. So, I guess by the powers vested in my by the state of New York and the Internet guys, I now pronounce you husband and wife. Oh wait! Do you take each other?
Chandler: I do.
Monica: I do.
Joey: Yeah you do!
Ross: Rings?
Joey: Aw crap! Okayuh uh lets-lets do the rings.
(Chandler and Monica both turn, take the rings from Ross and Rachel respectively, and place them on each others fingers.)
Joey: We good? Yeah? Good? Once again, I pronounce you husband and wife. (To Chandler) Now kiss her again.
(They kiss and everyone applauds.)
Chandler: (To Monica) I love you. And I know about the baby.
Monica: What baby?
Chandler: Our baby.
Monica: We have a baby?
Chandler: Phoebe found your pregnancy test in the trash.
Monica: I didnt take a pregnancy test.
Chandler: Then who did?
[Cut to Phoebe and Rachel.]
Phoebe: Oh and theyre gonna have a baby.
Rachel: Uh-huh.
(The camera zooms in on Rachel who has a very worried and frightened look on her face and she slowly takes a deep breath.)
[Fade to black.]
Ending Credits
{Transcribers Note: There was no trailer for this episode. See you in season 8; which will start this fall.}
End


LioranBoard can connect to your OBS from another PC, as long as they are both sharing the same network.\
Streaming PC
Run your OBS as normal.
Open your command line and type ipconfig. Note down your IPv4 address. It should start with 192.168.
Gaming PC
Go to your LioranBoard/Receiver folder and open connect.ini. Under [connection] section, add a new entry: websocket_ip="YOUR STREAMING PC IPv4".
Save the file, open Lioranboard and try connecting to the OBS websocket on your streaming PC.
It should work as long as nothing (antivirus, firewall) is blocking connection to your streaming PC.


BBC staff in 'uproar' over new canteen rule 'limiting them to six chips each'
by Jack HardyBBC staff are said to be in “uproar” after the corporation’s canteen instigated a “six chip” rule for cooked meals.
Servers in the kitchens at Broadcasting House caused widespread bafflement after they were seen individually counting out chips as part of a new quota for employees.
Rebellion quickly started brewing among the BBC's staff over the policy, some of whom took to social media to express their dismay.
Sharing a picture of his pitiful serving on Twitter, Arif Ansari, head of news at the BBC Asian Network, wrote: “New rules in the BBC canteen limit the number of chips to six.
“The staff seemed shocked that I didn’t go with the unlimited couscous instead.”
Presenter Sheetal Parmar suggested they should “revolt” over the measures, while employees from the BBC’s Salford hub boasted of their canteen’s largesse.
Dom Stirling, a freelance producer for BBC radio, disclosed details of the new regime to dispel any misconception that the “BBC was a glamorous place to work”.
He wrote: “There is currently uproar in the canteen as the ‘6 chip rule’ is introduced.
“In which servers are instructed to individually count out 6 chips per person.”
Others were simply left confused by what they saw, with Charlotte Baker, a BBC researcher, saying she had “wondered why the server in the canteen appeared to be counting”.
Mr Stirling responded: “I thought she was joking!”
The BBC scrambled to deny the existence of a six chip rule when approached by The Daily Telegraph.
Despite being presented with accounts from several members of staff, a spokeswoman insisted: “It’s not true. As far as I’m concerned, it is not the rule.”
Asked why staff would be discussing a crackdown on chip consumption if none existed, the spokeswoman said she was “not sure”, adding: “There is no six chip rule.”
The BBC refused to comment on whether the policy was the result of a member of the canteen staff going rogue.
Further steps to quell the crisis were then taken by the BBC’s press office, which shared a picture of a dish from the canteen containing an enviable 10 chips.
It wrote on Twitter: “There’s something a little fishy about this as there is definitely no six-chip rule (see today’s lunch for evidence!)”


WITNESS LIST
Natural Resources Committee
February 2, 2016 - 10:00 AM
Expansion of Water Markets in Texas
For:
Bradley, Gary (Self)
Covey, Valerie (Self)
Kosub, Steve (San Antonio Water System)
Landry, Clay (Self)
Rubinstein, Carlos (Self)
Weatherby, Paul (Self; Middle Pecos GCD)
Against:
Waring, Colleen (Self)
On:
Booth, Michael (Self)
Buhman, Dan (Tarrant Regional Water District)
Cobb, Burt (Hays County)
Gangnes, Michele (Self; League of independent Voters of Texas)
Grant, John (Colorado River Municipal Water District)
Hovorak, Andrew (Self)
Huffman, Laura (The Nature Conservancy)
Kramer, Ken (Sierra Club - Lone Star Chapter)
McGeary, Judith (Self; Farm and Ranch Freedom Alliance)
Murphy, James Lee (Guadalupe-Blanco River Authority)
Puckett, Jody (City of Dallas and Region C planning group)
Rice, George (Self)
Sengelmann, Greg (Gonzales county underground water conservation district)
Strickland, Wes (Water Energy Nexus for Texas)
Totten, James (Lost Pines Groundwater Conservation District)
Ward, Reta (Self)
Registering, but not testifying:
Against:
Lewis, Lolly (Self)
On:
Ice, Lauren (Save our Springs Alliance)
Nelson, Matt (TWDB)
Ramirez, Stephen (Self; San Marcos River Foundation)
Redman, Michael (Self; Bandera County River Authority & Groundwater District)
Schnabel, Charlie (Manville Water Supply Corporation)
West, William (Guadalupe-Blanco River Authority)
1


{{ content }}
Thank you for reading! This project is available on
GitHub
Copyright © Kritika Sony, 2020.


Contractor Details
Contractor Code:-
Full Name:-
---Select Title---
Mr.
Mrs.
Miss.
Gender:-
Male
Female
Transgender
Date Of Birth:-
Mobile No:-
Marital Status:-
Please select
Single
Married
Divorce


The start of a larger project,
ended up as just a random galaxy generator.
Text based Games
I also have a bunch of terminal games,
I wanted a challenge so I made text Minesweeper.
Each one was made for linux but I am moving them over to windows part time.


| clear |
Clears the selection and does not copy it to the clipboard. |
| contract |
Contracts the selection. |
| copy |
Copies the selection to the clipboard. |
| cut |
Cuts the current selection to the clipboard. |
| deselect |
Deselects the current selection. |
| expand |
Expands the selection. |
| feather |
Feathers the edges of the selection. |
| fill |
Fills the selection. |
| grow |
Grows the selection to include all adjacent pixels falling within the specified tolerance range. |
| invert |
Inverts the selection. |
| load |
Loads the selection from the specified channel. |
| makeWorkPath |
Makes this selection item the workpath for this document. |
| resize |
Resizes the selected area to the specified dimensions and anchor position. |
| resizeBoundary |
Scales the boundary of the selection. |
| rotate |
Rotates the object. |
| rotateBoundary |
Rotates the boundary of the selection. |
| select |
Selects the specified region. |
| selectAll |
Selects the entire layer. |
| selectBorder |
Selects the selection border only (in the specified width); subsequent actions do not affect the selected area within the borders. |
| similar |
Grows the selection to include pixels throughout the image falling within the tolerance range. |
| smooth |
Cleans up stray pixels left inside or outside a color-based selection (within the radius specified in pixels). |
| store |
Saves the selection as a channel. |
| stroke |
Strokes the selection. |
| translate |
Moves the object relative to its current position. |
| translateBoundary |
Moves the boundary of selection relative to its current position. |


Syntax
addr
(expr)
expr op expr
unary-op expr
Description
This operand describes the expressions constructed from addresses. Expressions combine addresses using the operators listed below. Parenthesized sub-expressions are allowed.
All arithmetic and comparisons are performed in unsigned 64-bit integer mode, even if the operands appear signed. For instance, “-1” is treated as the unsigned value
“0xffffffffffffffff”. This also means that the right shift operation always zero fills the high order bits.
The following operators are listed in order of decreasing precedence. Unless modified by parentheses, the associativity of operators of the same precedence is left-to-right except unary operators, which associate right-to-left.
Type information (int, float, pointer-to, and so on) is not available. All numeric operands are assumed to be integers, all arithmetic is performed unsigned, and symbols evaluate to their address. Some symbols are scalar values and evaluate to their constant value. An option enum reference is a good example: $<option_name>.<enum> evaluates to the referenced enum's scalar value.
Any reference to a register designator or symbolic name is replaced by the address of the object, not its contents. The first such reference in the expression will also cause the register or symbol’s address space (for example, “General Registers” or “kuseg”) to become the address space associated with the whole expression.
Examples
main + 20 // Location 32 bytes after the symbol main.
@R2 // Location in memory whose virtual address is in R2.
@PC // Location of the next instruction to be executed. // Indirection through .PC is especially useful. The // command “DW @PC L 10,i” will disassemble the 10 // instructions beginning with the next instruction to be // executed.
@RA // Location in memory whose virtual address is in RA.
@ptr // Virtual address pointed to by the value at the location // defined by the symbol ptr.
(@ptr+5*4) // ptr is a symbol that describes a location in some // address space. This expr fetches the word at that // location and adds 20 (decimal) to it.
(@ptr)|8 // Value at ptr or’ed with 8.


Indian Legal Dataset Analysis
Indian Institute of Technology, Delhi
Home
National
KL Divergence
Mean Disposal Time
Coefficient of Variation
Zero Day Disposal Percentage
Tail Bounds - 3 months
Tail Bounds - 6 months
Tail Bounds - 1 year
Tail Bounds - 3 years
Avg No of Hearings
Avg Time Between Hearings
States
Andhra Pradesh
Assam
Bihar
Chattisgarh
Delhi
Goa
Gujarat
Harayana
Himachal Pradesh
Jammu and Kashmir
Jharkhand
Karnataka
Kerala
Lakshwadeep
Madhya Pradesh
Maharashtra
Odisha
Punjab
Rajasthan
Sikkim
Tamil Nadu
Telangana
Tripura
Uttarakhand
Uttar Pradesh
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Star Wars Rebels is an American 3D CGI animated television series produced by Lucasfilm Animation. Set fourteen years after Star Wars: Episode III – Revenge of the Sith and five years before Star Wars: Episode IV – A New Hope, Rebels takes place during an era when the Galactic Empire is securing its grip on the galaxy. Imperial forces are hunting down the last of the Jedi Knights while a fledgling rebellion against the Empire is taking form. The visual style of Star Wars Rebels is inspired by the original Star Wars trilogy concept art by Ralph McQuarrie.[1] It premiered as a 44-minute film, Star Wars Rebels: Spark of Rebellion, on October 3, 2014 on Disney Channel prior to the premiere of the series on October 13 on Disney XD.[2][3] Dave Filoni, Simon Kinberg and Greg Weisman served as executive producers of season one. Kinberg stated that the first season would contain 16 episodes (released as four shorts, a film, and 13 episodes) and that the series will feature new characters along with ones from the original trilogy.[4][5] Weisman left the show after season one.[6] Filoni also was the Supervising Director for the first two seasons, a role he relinquished after accepting a promotion that expanded his creative role into overseeing all Lucasfilm Animation projects; he chose Justin Ridge to succeed him from the third season onward.[7] The third season was announced on November 30, 2015.[8] On July 16, 2016, during Star Wars Celebration, the official trailer for the third season was released and uploaded to the Star Wars YouTube channel. Season 3 premiered on September 24, 2016 with an hour-long episode entitled "Steps Into Shadow".


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Building and testing a candlestick plot with financial data from Yahoo! Finance.
You can perform a search for your stocks by filling the form below.


From: Mr. Saleem Mohd Ahmed Mohd MANAGER National Bank of Dubai Umm Al Quwain Branch Shaikh Faisal Street U.A.E Email: Dear Friend, I am pleased to get across to you for a very urgent and profitable business proposal, I Got your e-mail address in Internet while browsing after I decided to contact you and ask for your assistance in this urgent matter, requiring trust and confidentiality, I am Mr. Saleem Mohd Ahmed Mohd, the Branch manager, National Bank of Dubai Umm Al Quwain Branch UNITTED ARAB EMIRATES, married with four children. I am writing this letter to ask for your support and co-operation to carry out this business opportunity in my department. On June 6, 1999, an America Oil consultant/contractor with Petroleum Corporation, Mr. David Ameeraly, made a numbered time (fixed) deposit for twelve calendar months, Valued at US$16,500,000.00(sixteen Million Five Hundred Thousand Dollars )in my branch upon maturity. I sent a routine notification to his forwarding address but got no reply. After a month, we sent a reminder and finally we discovered from his contract employers, the Petroleum Corporation that Mr. David Ameeraly, died in the plane crash On October 31, 1999, (an Egyptian Boeing 767 Flight 990) with other passengers on board as you can confirm it yourself via the website below: <http://www.cbsnews.com/stories/1999/11/01/iran/main49778.shtml> <http://www.cbsnews.com/stories/1999/11/01/iran/main49778.shtml> On further investigation, I found out that he died without making a WILL and attempts to trace his next of kin were fruitless. I therefore made further investigation and discovered that Mr. David Ameeraly. did not declare any next of kin or relations in all his official documents, including his bank deposit paperwork in my bank. This sum of US$16,500,000.00 and the interest is being rolled over with the principal sum at the end of each year. No one will ever come forward to claim it According to UNITTED ARAB EMIRATES LAW, at the expiration of (seven) years; the money will revert to the ownership of the UNITTED ARAB EMIRATES Government if nobody applies to claim the fund. My proposal is that I will like you to stand as the next of kin to Mr. David Ameeraly, so that the fruit of this old man's labor will not get into the hands of some corrupt Government officials. This is simple, I will like you to provide immediately your full name and address so that I can forward to you the contact of our bank Attorney for the prepare the necessary documents and affidavits which will put you in place as the next of kin. Any bank account in any part of the world, which you will provide, will then facilitate the transfer of this money to you as the beneficiary/next of kin. The money will be paid into your account for us to share in ratio of 60% for me and 30% for you and 10 % will be set aside for expenses incured during the business. There is no risk at all; The paperwork for this transaction will be done by the attorney and my position as the Branch Manager guarantees the successful execution of this transaction. If you are interested, please reply immediately via the private email address below, upon your responses, I shall provide you with more details and relevant documents that will help you understand the transaction. Please observe utmost confidentiality and be rest assured that this transaction would be most profitable for both of us because I shall require your assistance to invest my share in your country. Please upon the receipt of this mail message, send to me the following to enable me start the processing the transfer, 1.Your Full Name. 2.Your House Address. 3.Your Phone Number and Fax, Thank You And God Bless You. Sincerely From: Mr. Saleem Mohd Ahmed Mohd, MANAGER National Bank of Dubai Umm Al Quwain Branch Shaikh Faisal Street U.A.E Email:


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HSC Final Countdown
by David Vo
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Turn on JavaScript you paranoid neckbeard.
A few seconds
until
something happens...
(at
some time
)


The Journey
It has been a roller-coaster ride but thorougly enjoyed the project. The journey is divided into following steps.
The Idea
The Idea was born out of curiosity of the nowadays technology of autonomous cars, drones, and robots in general.
We can do it
In order to tackle a project of this magnitude, we needed skills in hardware, software, and analytics. Thankfully each integrant had those qualities, so we were on our way.
Putting it together
Putting the car together was the most challenging part of the project, it all started with trying to hack into the remote control of the car using the Arduino Uno. The controller came with a variable resistor (potentiometer) that controlled the speed of the car. Then we move on to a second car, one with s simpler controller. Turn out we needed a relay to control the switches. We ended up hacking into the motor of the car instead using the raspberry pi and a motor driver module.
Running the software
After installing the peripheral accessories like camera, and distance sensor, we proceeded with the installation of the software into the raspberry pi.
Testing and Results
We tested the car successfully, it was able to avoid a front obstacle and stop for a red traffic light and a stop sign.
Photos
Placeholder text by Yogesh Kohli. Photographs by Yogesh Kohli, Kerson Perez and Melanie Lopez.


Author Detail
/authors/<id>URI Parameters
id
integer
The Identifier for the author (this is provided implicitly via the author's
url when accessing the author collection).
Resource Properties
name
string
The human name of this author.
owner
ECSID
Read Only
The user who created and owns the resource. Only this user may delete or modify the author.
url
URI
Read Only
The location of this author resource on the server, including its ID.
OPTIONS
Returns a human readable name and description of endpoint and the availiable site-wide response and request content types: JSON, XML and CSV.
The description for this endpoint is blank.
OPTIONS /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: application/xml
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: application/xml; charset=utf-8
<?xml version="1.0" encoding="utf-8"?>
<root>
<name>Author Detail</name>
<description></description>
<renders>
<list-item>application/xml</list-item>
<list-item>application/json</list-item>
<list-item>text/csv</list-item>
</renders>
<parses>
<list-item>application/xml</list-item>
<list-item>application/json</list-item>
<list-item>text/csv</list-item>
</parses>
</root>
OPTIONS /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: application/json
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: application/json
{
"name" : "Author Detail",
"description" : "",
"renders" : [
"application/xml",
"application/json",
"text/csv"
],
"parses" : [
"application/xml",
"application/json",
"text/csv"
]
}
OPTIONS /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: text/csv
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: text/csv; charset=utf-8
description,name,parses.0,parses.1,parses.2,renders.0,renders.1,renders.2
,Author Detail,application/xml,application/json,text/csv,application/xml,application/json,text/csv
GET
GET /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: application/xml
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: application/xml; charset=utf-8
<?xml version="1.0" encoding="utf-8"?>
<root>
<url>http://waisvm-rfp1.ecs.soton.ac.uk/authors/1</url>
<name>Jim Webber</name>
<owner>rfp1n11</owner>
</root>
GET /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: application/json
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: application/json
{
"url" : "http://waisvm-rfp1.ecs.soton.ac.uk/authors/1",
"name" : "Jim Webber",
"owner" : "rfp1n11"
}
GET /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: text/csv
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: text/csv; charset=utf-8
location,name,owner,url
Jim Webber,rfp1n11,http://waisvm-rfp1.ecs.soton.ac.uk/authors/1
PUT
PUT /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: application/xml
Content-Type: application/xml
Authorization: Token example
<?xml version="1.0" encoding="utf-8"?>
<root>
<name>David McCandless</name>
</root>
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: application/xml; charset=utf-8
<?xml version="1.0" encoding="utf-8"?>
<root>
<url>http://waisvm-rfp1.ecs.soton.ac.uk/authors/1</url>
<name>David McCandless</name>
<owner>rfp1n11</owner>
</root>
PUT /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: application/json
Content-Type: application/json
Authorization: Token example
{
"name" : "David McCandless",
}
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: application/json
{
"url" : "http://waisvm-rfp1.ecs.soton.ac.uk/authors/1",
"name" : "David McCandless",
"owner" : "rfp1n11"
}
PUT /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: text/csv
Content-Type: text/csv
Authorization: Token example
name
David McCandless
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: text/csv; charset=utf-8
name,owner,url
David McCandless,rfp1n11,http://waisvm-rfp1.ecs.soton.ac.uk/authors/1
PATCH
PATCH /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: application/xml
Content-Type: application/xml
Authorization: Token example
<?xml version="1.0" encoding="utf-8"?>
<root>
<name>David McCandless</name>
</root>
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: application/xml; charset=utf-8
<?xml version="1.0" encoding="utf-8"?>
<root>
<url>http://waisvm-rfp1.ecs.soton.ac.uk/authors/1</url>
<name>David McCandless</name>
<owner>rfp1n11</owner>
</root>
PATCH /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: application/json
Content-Type: application/json
Authorization: Token example
{
"name" : "David McCandless",
}
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: application/json
{
"url" : "http://waisvm-rfp1.ecs.soton.ac.uk/authors/1",
"name" : "David McCandless",
"owner" : "rfp1n11"
}
PATCH /authors/1 HTTP/1.1
Host: waisvm-rfp1.ecs.soton.ac.uk
Accept: text/csv
Content-Type: text/csv
Authorization: Token example
name
David McCandless
HTTP/1.1 200 OK
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS
Content-Type: text/csv; charset=utf-8
name,owner,url
David McCandless,rfp1n11,http://waisvm-rfp1.ecs.soton.ac.uk/authors/1
DELETE
DELETE /authors/1 HTTP/1.1
Authorization: Token example
Host: waisvm-rfp1.ecs.soton.ac.uk
HTTP/1.1 204 NO CONTENT
Allow: GET, PUT, PATCH, DELETE, HEAD, OPTIONS


Conservatives and Labour battle over election spending pledges
by Stefan BosciaThe Conservatives have sparked a furious political row with Labour over claims that a Jeremy Corbyn government would splurge over £1 trillion on its policy pledges.
Shadow chancellor John McDonnell said the Tory attack was “fake news” while government ministers came unstuck amid questions about their own spending commitments.
Read more: Sajid Javid confirms new fiscal rules
With economic policy set to take centre-stage during the campaign, Conservative strategists believe Labour is vulnerable to the charge that its policies would “bankrupt the country.”
Chancellor Sajid Javid has also vowed to ramp up public spending but refused yesterday to put a precise figure on the costs.
Business minister Kwasi Kwarteng was asked yesterday by Sky News how much the Tories would spend if they won the 12 December election.
He said: “I’m not going to bandy around figures” and said the manifesto would be costed when it was finalised.
Javid also refused to give away further details of the Conservatives’ spending plans, telling the BBC: “I’m not going to get into individual policies today.”
The Conservatives have pledged to end austerity after the election with spending promises of an extra £20bn a year on capital projects, and an extra £7bn and £34bn for the education and health budgets respectively over the next three years.
Labour, meanwhile, has pledged to double net capital spending to £100bn a year.
The Conservatives claim that a Labour government would spend an additional £1.2 trillion over a five-year term, citing the cost of Labour’s 2017 manifesto as well as policies passed by the party in subsequent party conferences.
Javid said Labour’s plans would “lead to an economic crisis within months”.
McDonnell said the analysis was “an incompetent mish-mash of debunked estimates and bad maths cooked up because they know Labour’s plans for real change are popular.”
The Liberal Democrats’ treasury spokesperson Ed Davey said both parties’ costings need to be scrutinised by the Office for Budget Responsibility.
He accused Labour and the Tories of engaging in a “battle to splash the cash”.
Read more: Boris Johnson and Jeremy Corbyn to go face-to-face in BBC debate
Reports emerged yesterday that voters may be treated to a televised head-to-head debate between Javid and McDonnell.
The two sides are apparently wrangling over the details.