http://action.vday.org/site/R?i=yN-uChNYZ2G_uC1ZKqg71g
http://action.vday.org/site/R?i=1Ban7pwRvNpga_guv3mVAA
http://action.vday.org/site/R?i=sX5RroJX7p9o3wK69D6yHA
http://action.vday.org/site/R?i=6jHUCbbIHGDw35EiBA7a_w
V-Day Welcomes Kimberlé Crenshaw & Wendy Schmidt to the
V-Board
V-Day is so proud to announce the addition of two extraordinary women,
Kimberlé Crenshaw and Wendy Schmidt to our V-Board, a group
that provides vision, leadership, and wisdom to help guide and support
V-Day in its work. They join current V-Board members Carole Black,
Jennifer Buffett, Rosario Dawson, Eve Ensler, Jane Fonda, Mellody
Hobson, Katherine McFate, Pat Mitchell, Thandie Newton, Emily Scott
Pottruck, Amy Rao, Cari Ross, Sheryl Sandberg, Lisa Schejola Akin,
Regina Kulik Scully, Susan Celia Swan, Charlize Theron, and Kerry
Washington.
Kimberlé Crenshaw, Professor of Law at UCLA and Columbia Law
School, has been a part of the V-Day movement for over ten years
including performing her original monologue “Respect” at V-Day Harlem
in 2002, taking part in the premiere of the V-Day documentary Until
The Violence Stops
http://action.vday.org/site/R?i=mqN1JixYE9bI159b1XCQiQ
at Sundance in 2004, participating in two marquee events at the Until
The Violence Stops: NYC festival in 2006, leading a discussion on
“Intersectionality and the New Orleans Experience” at SUPERLOVE at the
Superdome as part of V-Day’s ten year anniversary celebration V TO THE
TENTH
http://action.vday.org/site/R?i=zVNn4H-bwW_Sinwyk75pXw
in 2008, and participating in The State of Female America and The
State of Female Justice
http://action.vday.org/site/R?i=Yjl28Cx5uZOeYNrkOLza1g
panel discussions in 2012 and 2013 as part of One Billion Rising.
Kimberlé is a leading authority in the area of Civil Rights,
Black feminist legal theory, and race, racism, and the law. Crenshaw
has worked extensively on a variety of issues pertaining to gender and
race in the domestic arena including violence against women,
structural racial inequality, and affirmative action. Crenshaw coined
two groundbreaking frames - Critical Race Theory and Intersectionality
- that have influenced scholarship and policy pertaining to
discrimination and the challenge of inclusion across multiple
disciplines and social contexts. A specialist on race and gender
equality, she has facilitated workshops for human rights activists in
Brazil and in India, and for constitutional court judges in South
Africa. Her groundbreaking work on Intersectionality has traveled
globally and was influential in the drafting of the equality clause in
the South African Constitution.
In 1996, Crenshaw co-founded the African American Policy Forum, a
gender and racial justice legal think tank, which houses a variety of
projects designed to deliver research-based strategies to better
advance social inclusion. In 2011, Crenshaw founded the Center for
Intersectionality & Social Policy Studies at Columbia Law School,
which aims to foster critical examination of how social structures and
related identity categories such as gender, race, and class interact
on multiple levels, resulting in social inequality.
Wendy Schmidt is the President of The Schmidt Family Foundation, where
she works to advance the development of renewable energy and the wiser
use of natural resources. The foundation houses its grant-making
operation in The 11th Hour Project
http://action.vday.org/site/R?i=o23GtOZ9HIMGGVVtnnbNVQ
, which supports more than 150 nonprofit organizations in program
areas including climate and energy, ecological agriculture, human
rights, and our maritime connection.
The 11th Hour Project is currently partnering with V-Day to create the
V-World Farm
http://action.vday.org/site/R?i=D4x2W4zo-CKzk4yDbUst4A
, a sustainable farm based on 338 hectares of arable land located near
the village of Nyanghezi, about 30 km South of Bukavu, approximately
20 km South of the City of Joy
http://action.vday.org/site/R?i=3OK4DgbfN2QcqajlBr0m4w
.
Wendy has been a supporter within the V-Day movement for many years
and has traveled to Bukavu, DRC to visit and support City of Joy and
the V-World Farm. In July 2013, Wendy was a featured speaker at “CITY
OF JOY: The Story of Women Turning Pain to Power to Planting
http://action.vday.org/site/R?i=yacKHKsaUEY5hVcNj12iJQ
,” a panel discussion at The Paley Center for Media where she joined
V-Day Congo Director/Director of City of Joy Christine Schuler
Deschryver, Eve Ensler, and V-Board Members Pat Mitchell, Thandie
Newton, and Amy Rao.
In 2009, Wendy and her husband Eric Schmidt, created the Schmidt Ocean
Institute (SOI), and in 2012 launched the research vessel, Falkor, as
a mobile platform to advance ocean exploration, discovery, and
knowledge, and catalyze sharing of information about the oceans.
Furthering her commitment to ocean health issues, Wendy partnered with
XPRIZE to sponsor the Wendy Schmidt Oil Cleanup XCHALLENGE, following
the Deep Horizon disaster, as well as the Wendy Schmidt Ocean Health
XPRIZE, a prize that will respond to the global need for better
information about the process of ocean acidification, one of the
harbingers of climate change.
122 Countries and RISING!
Activists in
http://action.vday.org/site/R?i=1tQaQ4Zh_W9HIWL-P_GqDA
122 countries have already signed up to participate in One Billion
Rising for Justice, with Algeria, Armenia, Palestine, and Papua New
Guinea most recently signing on. In the past week alone, 144 new
RISERS have joined us, along with incredible groups such as Advocates
for Environmental Human Rights
http://action.vday.org/site/R?i=qXac5uNLzcx0h2ozUmiPkw
, Restaurant Opportunities Centers United
http://action.vday.org/site/R?i=CO4jTKB16yCyKBjzVXJnTw
, and Idle No More
http://action.vday.org/site/R?i=QFjKKNfFvS3YeM5oIVwYTw
!
If you are not a part of the growing number of women, men, and youth
around the globe who are signing up to rise for justice, then please
join us today!
VISIT us at onebillionrising.org
http://action.vday.org/site/R?i=keOgfYr6niFfSsJIQ4Aolg
IVAWA ACTION ALERT: Women Thrive Worldwide Host Rally To End Violence
Against Women, Thursday in D.C.
This Thursday,
http://action.vday.org/site/R?i=NKvzlUv8wfeNS7OqyvjC6w
Women Thrive Worldwide
http://action.vday.org/site/R?i=bR_r7UNIbjVnN7ip0ntBCg
, MTV Girl Code’s Tanisha Long, and Haitian activist Guerda
Lexima-Constant will be joined by student activists from around the
country to rally for the passage of the International Violence Against
Women Act.
WHAT: Rally To End Violence Against Women
WHEN: Thursday, November 21, 1:00pm ET
WHERE: Upper Senate Park on Capitol Hill
http://action.vday.org/site/R?i=8mer0iQdjRYeA0VISiKL5A
RSVP here >
http://action.vday.org/site/R?i=n5zJvGwtdJsLChFESAli3Q
http://action.vday.org/site/R?i=8T5_LnZZBoCRCSbn8wcxGQ
http://action.vday.org/site/R?i=0pqyjqULJAP0WaQRytlghQ
http://action.vday.org/site/R?i=RW2U8bDRgnhClAdXeC31Ag
http://action.vday.org/site/R?i=h6_nC-fHzsvag11vbCXbFw
http://action.vday.org/site/R?i=Mnv5_T1-1Q6d1rjZwnlQaQ
unsubscribe
http://action.vday.org/site/CO?i=iNf4g7nL5b922Q8W3RtaOzWb4tHEVsUt&cid=1062
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Updates
- None yet. Have an update? Let me know.
Corrections
- Page 39: What used to be the European Computer Manufacturers Association goes by Ecma International (Ecma, not ECMA).
- Page 154: There should be no space before
icon
in the firstrel
example (the space betweenshortcut icon
is correct, however). Here is the corrected version, with the correction highlighted:<link rel="icon" href="http://example.com/favicon.png" type="image/png" /> <!--For Internet Explorer; no type must be specified--> <link rel="shortcut icon" href="http://example.com/favicon.ico" />
- Page 214: Figures 17.7 and 17.8 have CSS that refers to
div#container
. They should actually refer todiv#page
. - Page 244: The colon (
:
) and two slashes (/
) must be escaped with two back-slashes (\\
) in the attribute selector, per jQuery’s documentation. Here is the correct selector for hitting external links inside ofdiv#content
, with the corrections highlighted::/*JavaScript inside the ready event*/ $('div#content a[href^=http\\:\\/\\/]').addClass('ext');
- Page 244: The CSS style declaration at the bottom of the page should refer to
margin-right
. Here is the corrected version, with the correction highlighted:ul#navigation a { margin-right: 30px; } ul#navigation a:hover { margin-right: 0px; }
- That’s all for now. Find a mistake that needs to be corrected? Let me know.


See: Description
| Interface | Description |
|---|---|
| Context |
This interface represents a naming context, which
consists of a set of name-to-object bindings.
|
| Name |
The Name interface represents a generic name -- an ordered
sequence of components.
|
| NameParser |
This interface is used for parsing names from a hierarchical
namespace.
|
| NamingEnumeration<T> |
This interface is for enumerating lists returned by
methods in the javax.naming and javax.naming.directory packages.
|
| Referenceable |
This interface is implemented by an object that can provide a
Reference to itself.
|
| Class | Description |
|---|---|
| BinaryRefAddr |
This class represents the binary form of the address of
a communications end-point.
|
| Binding |
This class represents a name-to-object binding found in a context.
|
| CompositeName |
This class represents a composite name -- a sequence of
component names spanning multiple namespaces.
|
| CompoundName |
This class represents a compound name -- a name from
a hierarchical name space.
|
| InitialContext |
This class is the starting context for performing naming operations.
|
| LinkRef |
This class represents a Reference whose contents is a name, called the link name,
that is bound to an atomic name in a context.
|
| NameClassPair |
This class represents the object name and class name pair of a binding
found in a context.
|
| RefAddr |
This class represents the address of a communications end-point.
|
| Reference |
This class represents a reference to an object that is found outside of
the naming/directory system.
|
| StringRefAddr |
This class represents the string form of the address of
a communications end-point.
|
| Exception | Description |
|---|---|
| AuthenticationException |
This exception is thrown when an authentication error occurs while
accessing the naming or directory service.
|
| AuthenticationNotSupportedException |
This exception is thrown when
the particular flavor of authentication requested is not supported.
|
| CannotProceedException |
This exception is thrown to indicate that the operation reached
a point in the name where the operation cannot proceed any further.
|
| CommunicationException |
This exception is thrown when the client is
unable to communicate with the directory or naming service.
|
| ConfigurationException |
This exception is thrown when there is a configuration problem.
|
| ContextNotEmptyException |
This exception is thrown when attempting to destroy a context that
is not empty.
|
| InsufficientResourcesException |
This exception is thrown when resources are not available to complete
the requested operation.
|
| InterruptedNamingException |
This exception is thrown when the naming operation
being invoked has been interrupted.
|
| InvalidNameException |
This exception indicates that the name being specified does
not conform to the naming syntax of a naming system.
|
| LimitExceededException |
This exception is thrown when a method
terminates abnormally due to a user or system specified limit.
|
| LinkException |
This exception is used to describe problems encounter while resolving links.
|
| LinkLoopException |
This exception is thrown when
a loop was detected will attempting to resolve a link, or an implementation
specific limit on link counts has been reached.
|
| MalformedLinkException |
This exception is thrown when a malformed link was encountered while
resolving or constructing a link.
|
| NameAlreadyBoundException |
This exception is thrown by methods to indicate that
a binding cannot be added because the name is already bound to
another object.
|
| NameNotFoundException |
This exception is thrown when a component of the name cannot be resolved
because it is not bound.
|
| NamingException |
This is the superclass of all exceptions thrown by
operations in the Context and DirContext interfaces.
|
| NamingSecurityException |
This is the superclass of security-related exceptions
thrown by operations in the Context and DirContext interfaces.
|
| NoInitialContextException |
This exception is thrown when no initial context implementation
can be created.
|
| NoPermissionException |
This exception is thrown when attempting to perform an operation
for which the client has no permission.
|
| NotContextException |
This exception is thrown when a naming operation proceeds to a point
where a context is required to continue the operation, but the
resolved object is not a context.
|
| OperationNotSupportedException |
This exception is thrown when a context implementation does not support
the operation being invoked.
|
| PartialResultException |
This exception is thrown to indicate that the result being returned
or returned so far is partial, and that the operation cannot
be completed.
|
| ReferralException |
This abstract class is used to represent a referral exception,
which is generated in response to a referral
such as that returned by LDAP v3 servers.
|
| ServiceUnavailableException |
This exception is thrown when attempting to communicate with a
directory or naming service and that service is not available.
|
| SizeLimitExceededException |
This exception is thrown when a method
produces a result that exceeds a size-related limit.
|
| TimeLimitExceededException |
This exception is thrown when a method
does not terminate within the specified time limit.
|
This package defines the naming operations of the Java Naming and Directory InterfaceTM (JNDI). JNDI provides naming and directory functionality to applications written in the Java programming language. It is designed to be independent of any specific naming or directory service implementation. Thus a variety of services--new, emerging, and already deployed ones--can be accessed in a common way.
This package defines the notion of a context, represented by the Context interface. A context consists of a set of name-to-object bindings. Context is the core interface for looking up, binding, unbinding, and renaming objects, and for creating and destroying subcontexts.
lookup() is the most commonly used operation. You supply lookup() the name of the object you want to look up, and it returns the object bound to that name. For example, the following code fragment looks up a printer and sends a document to the printer object to be printed:
Printer printer = (Printer)ctx.lookup("treekiller"); printer.print(report);
Every naming method in the Context interface has two overloads: one that accepts a Name argument and one that accepts a string name. Name is an interface that represents a generic name--an ordered sequence of zero of more components. For these methods, Name can be used to represent a composite name (CompositeName) so that you can name an object using a name which spans multiple namespaces.
The overloads that accept Name are useful for applications that need to manipulate names: composing them, comparing components, and so on. The overloads that accept string names are likely to be more useful for simple applications, such as those that simply read in a name and look up the corresponding object.
The Binding class is actually a subclass of NameClassPair, which consists simply of the object's name and the object's class name. The NameClassPair is useful when you only want information about the object's class and do not want to pay the extra cost of getting the object.
Submit a bug or feature
For further API reference and developer documentation, see Java SE Documentation. That documentation contains more detailed, developer-targeted descriptions, with conceptual overviews, definitions of terms, workarounds, and working code examples.
Copyright © 1993, 2015, Oracle and/or its affiliates. All rights reserved.


EQ is a term in more recent years that has been thrown about. What is EQ? Is it the same as IQ? Read on to find out.
EQ is intelligence relating to emotions/relating to others rather than knowing how to do things or knowing a lot about
a certain topic. Historically people have put more weighting behind someones IQ and underestimated the impact and power of
EQ
Specifically EQ is about:
It is very unlikely that you will solely be working 100% alone. Whether you have customers, collegues, partners... chances are you will have to interact with another human at some point! Having a higher EQ will allow you to get a better outcome from whatever you're working on with someone else.
EQ can be improved by the actions someone does every day. Like IQ it may feel some people natural ability but it is something that can be worked on through mindfulness and taking proactive change in your day to day actions
By being aware yourself you are able to understand what subconsciously you may be communicating to others. Being self aware involves being mindful of what your body is doing, what your mind is thinking, the tone, volume, and pace of your speech and what it is you are saying. By being self-aware it allows you to become more intentional in your actions.
When someone is talking seek to understand what they are trying to communicate. Not only through there words but also from there non verbal communication such as body posture, their tone, their expression. Instead of thinking of what you are going to say next try and seek to understand what the other person is inteding to communciate.
Be someone that someone WANTS to communicate with. If someone walks away from interacting with you feeling positive it is more likely they will want to interact with you again.


Centurion King Kohli Stunned By Superman Taijul Islam's Insane Grab Out Of Thin Air
by Karthik NairCricket News
Virat Kohli's stay in the middle ended after Taijul Islam took an absolute blinder during the second Test match at the Eden Gardens on Saturday. He scored 136.
Written By Karthik Nair | Mumbai | Updated On: November 23, 2019 17:00 IST
King Kohli finally made his bat do the talking in the longest format of the game during the ongoing pink-ball Test match against Bangladesh at the Eden Gardens on Saturday. This was a much-needed knock for Kohli which helped him rediscover his rhythm in the red-ball cricket. After getting to his century, he dealt in boundaries and looked set for another big score. However, his stay in the middle was ended courtesy of an outstanding catch from Taijul Islam.
READ: Virat Kohli becomes first Indian batsman to score 100 in a Day-Night Test
Taijul's catch ends Kohli magic
It happened on the third ball of the 81st over which was bowled by Ebadat Hossain. Hossain had bowled a bad delivery onto Kohli's pads and he flicked it for a maximum. In the first instance, it appeared that he would get the desired result but Taijul Islam who was stationed at the backward square leg ran towards his right, dived to his right and took an absolute blinder while a stunned Kohli had no option but to walk back to the pavilion for 136. The video was posted by the BCCI on their official Twitter handle.
IND vs BAN 2019, 2nd Test, Day 2: Virat Kohli Wicket
READ: Netizens lionise India's first pink-ball Test centurion King Kohli
Virat Kohli creates history
You have heard that right. After Virat Kohli registered his 27th Test century, the Indian skipper ended up breaking a lot of records as well. This was also the 20th Test century as the Indian captain and 41st international century as captain which is the joint-most. Meanwhile, this was also his 70th international century and he also became the first Indian to hit a century in Day-Night Test. At the same time, this was also Virat's first century in the game's longest format since December 2018. His last ton had come against Australia 'Down Under' where he became the first Indian skipper to win a Test series in Australia.
READ: Michael Vaughan claims balls of all colours are the undisputed territory of King Kohli
READ: Ind vs Ban: Rahul Dravid says that he would have loved to play Day-Night Tests


If statement is used to specify a block of commands to be executed if a condition is true.
Else statement is executed if a condition is false.
You can think of it as If something is true, then do something, otherwise do something else.
| Box Name | Type | Description |
|---|---|---|
| Var./real/”string” | Variable, real or string | Left side of the comparison you want to evaluate. |
| Compare Type | Dropdown menu | Operator you wish to use to compare left and right side. |
| Var./real/”string” | Variable, real or string | Whatever you want to compare the left side with. |


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You can combine any two flavours in one cake, having them in layers at an additional cost.
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BY EDWIN JAHIEL
BABY, IT'S YOU, the story of an inter-faith romance, was the title of the second movie written as well as directed (1983) by John Sayles, that superb independent film-maker. It is also the title of the film that opens in June 1998 the 11th season of the excellent P.O.V. documentary series airing on PBS. By another coincidence, Sayles's fictional works as well as the P.O.V. offerings are both concerned with people and the human condition.
The current BABY is by prize-winning film-maker Anne Makepeace. It is an autobiographical slice of life and time, about Ms.Makepeace and her Canadian-born husband, writer Peter Behrens, with a "supporting cast" of their non-mainstream (when not downright weird by conventional standards) baby-boomer siblings.
Having reached their late forties the childless couple decide to have a baby. At Anne's age "it's really hard to get pregnant the fun way," says Anne, so the two decide to undergo modern fertility procedures. These become a mini-medical Odyssey that involves body, mind and feelings I will not reveal what actually happens (or does not ) since the film is, in its way, a real-life suspense story, with revelations and with branching out into the principals' families. To various degrees, the latter involve Anne's brother Douglas who, in Utah, is planning to embark on polygamy and have twenty kids; Doug's patriarchically bearded neighbor who has seven wives; Anne's hippie-ishly bearded other brother Roger, a semi-recluse in Appalachian mountains with his company of goats; uncles and aunts from New England; Peter's artist sister Mary whose quandary parallels that of Anne in her first days in college; Peter's sister Anne in Canada, who, with her lover Tanya, adopts a baby; some other characters.
Very well shot by Uta Briesewicz, the film is a small tour-de-force in the way it follows chronologically and step-by-step the efforts, dashed hopes and new hopes of the parents-to-be (perhaps), their solid marriage, and Anna's reflections on her past. In a sense, she, as the documentary's prime maker, is stalking her own self, but with naturalness and no trace of play-acting, setting up situations or staging anything.
Andy Warhol's dictum that sooner or later everyone will have a few minutes of fame is debatable. What is unarguable however, is that, as BABY shows, all the lives of all human beings contain at least one movie subject, and probably many more as this documentary does.
It touches on family relationships, marriage, abortion, unexpected drama, changing or new standards and mores. "To breed or not to breed? That is the question " plus the belated decision to have a child in mid-life, while not elaborated upon, still speaks loudly of the rat-race for success and financial security, of the siren-song of professionalism, the business and busy-ness of this waning century. Other problems of Anne and her brethren can be laid on the doorstep of their Yankee parents whose relations with their children were, we suspect, hardly confidential, and for whom any mention of sex was inconceivable.
It's all there, both in text and sub-text, both in the banality of life and its unconventionalities. To what extent viewers will be touched or enlightened is an open question. But they will surely be interested and intrigued.
" Le mauvais gout mene au crime" (Stendhal)
Edwin Jahiel's movie reviews are at http://www.prairienet.org/ejahiel
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Our mission is to unify Borderland Disc Golf and to compete competitively in the Winter Team Challenge season. We enjoy the camaraderie of the sport of Disc Golf and like to maintain a competitive atmosphere through out the colder months of the year.


A fairly common requirement with the sorts of applications that use jsPlumb is the ability to zoom in and out. As of release 1.5.0 there is a way to do this for browsers that support CSS3 (meaning, essentially, everything except IE < 9).
Changing zoom requires that you do two things:
transform
property on an appropriate containerYou need to identify some element that is the parent of all of your nodes and the jsPlumb artefacts. This is probably fairly obvious. What you might not know about, though, is the Container
concept in jsPlumb. If you don't, I'd encourage you to go and read this page just quickly, because the best thing to do is to correctly configure a Container
and then manipulate the transform
property of that element.
Let's say we have some div
whose id is drawing
, and we're going to use that as the Container
:
jsPlumb.setContainer("drawing");
transform
propertyNow to set the zoom to 0.75, say, we change the transform
property accordingly. Remember that transform
is one of those properties that have several vendor prefix versions, so there are several ways to do what I've got here, and, given that you're probably a computer programmer, you've most likely got a favourite. But anyway, here's something.
$("#drawing").css({
"-webkit-transform":"scale(0.75)",
"-moz-transform":"scale(0.75)",
"-ms-transform":"scale(0.75)",
"-o-transform":"scale(0.75)",
"transform":"scale(0.75)"
});
You now need to tell jsPlumb about the new zoom level:
jsPlumb.setZoom(0.75);
Maybe you'd like to just grab this:
window.setZoom = function(zoom, instance, transformOrigin, el) {
transformOrigin = transformOrigin || [ 0.5, 0.5 ];
instance = instance || jsPlumb;
el = el || instance.getContainer();
var p = [ "webkit", "moz", "ms", "o" ],
s = "scale(" + zoom + ")",
oString = (transformOrigin[0] * 100) + "% " + (transformOrigin[1] * 100) + "%";
for (var i = 0; i < p.length; i++) {
el.style[p[i] + "Transform"] = s;
el.style[p[i] + "TransformOrigin"] = oString;
}
el.style["transform"] = s;
el.style["transformOrigin"] = oString;
instance.setZoom(zoom);
};
Notes
el
is a DOM element. You don't have to pass in el
; if you do not, it uses the Container from the jsPlumb instance. transformOrigin
is optional; it defaults to [0.5, 0.5] - the middle of the element (this is the browser default too)instance
is an instance of jsPlumb - either jsPlumb
, the static instance, or some instance you got through
jsPlumb.newInstance(...)
. The function will default to using the static instance of jsPlumb if you do not provide one.zoom
is a decimal where 1 means 100%.


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When a character (typically a young one) wishes to scare their friends (ideally after reaching the end of a scary story) they'll shine a torch or other source of illumination upwards across their face. This will often be accompanied with a Scare Chord and have a dramatic musical buildup but it's almost always Played for Laughs.
The effect works in Real Life (as long as the room's relatively dark), as the light casts a shadow across parts of the face eyes and highlights others, making it look distorted (and skull-like). Despite this, the ubiquity of the trope means that no one's likely to be fooled.
Sometimes a character might just have their face lit that way to make them look creepy. This isn't quite as dead, but there's a significant risk of this trope being pointed out, leading to Narm.
Often delivered by a character giving the Cruel Twist Ending or Karmic Twist Ending to a Ghost Story. It serves as a Jump Scare in universe but is rarely expected to scare the audience. Compare Demon Head, for a similar prosopic source of shock. Compare Ghostly Gape, which this can resemble.
Examples:
- Jell-O Pudding used this in a commercial — the kids were camping on the lawn, Mom told a scary story about a creature that hunted down kids who stole pudding snacks (kicker being Mom was getting back at the kids for stealing her pudding snacks).
- Azumanga Daioh: Osaka shines a flashlight under her face, and tells a scary story.
- City Hunter: Ryo does this several times to scare both friends and allies (he thinks that it is funny. Needless to say, no one else does).
- Naruto:
- The titular character does this repeatedly during the "what's under Kakashi's mask" episode. Sakura is unamused.
- Yamato manages to create the effect without a flashlight in the middle of the day to scare Naruto several times.
- Ranma ½: During a Hot Springs Episode, Nabiki does this as she tells a ghost story to Ranma and her sisters.
- In One Piece: while telling the crew about the stories of the "ghosts" of the Florian Triangle, Sanji used a lit match to do this.
- Yu-Gi-Oh! GX Juudai does this to the Ojama Trio while rescuing them from the abandoned well in the second season.
- In Asteroid in Love, during Chapter 26, Mira sends Ao a picture of herself doing this. While Ao had been troubled over her father being transferred and having to move in March, something Mira didn't know about, she cheers up for a moment.
- In episode 16a of Tamagotchi, as Chamametchi, Imotchi, and Kikitchi are all telling their scary stores (or about to, in Kikitchi's case), they shine a flashlight's light in their faces.
- The title card of Pleasant Goat and Big Big Wolf: Joys of Seasons episode 94 features Weslie scaring Wolffy by popping up behind a bush and shining a flashlight in his face while making a creepy expression.
- The punchline of one FoxTrot strip reveals that Peter and Jason got lost during what was presumably a camping trip because Jason "killed the flashlight playing 'Mister Specter-Face'."
- Garfield does this to Odie in the title panel of the July 29, 1987 strip, and to the reader in the title panel of the October 30, 1994 strip.
- Asuka makes one to give Shinji a Jump Scare in The Second Try.
- In The Little Mermaid (1989), King Triton does this, with the glow from his trident, just before destroying Ariel's grotto (as he snarls "So be it!").
- In DuckTales the Movie: Treasure of the Lost Lamp, the Genie holds a flashlight to his face when telling the boys about Merlock. ("He's an evil sorcerer!")
- My Little Pony: Equestria Girls Legend of Everfree:
- Though not used during the actual scary storytelling around the campfire, Sunset Shimmer earlier toys with a flashlight for this effect.
- The cover for the novelization and the soundtrack has Rainbow Dash making one at the campfire, which never happens in the film.
- Song of the Sea: Ben uses a flashlight under his face while telling Saoirse the story of Macha the Owl Witch, to better scare his little sister.
- In Wayne's World, Wayne scares Garth by shinning a flashlight on his face and pretending to be the Leprechaun.
- Done a lot in the The Blair Witch Project.
- The page picture is of Mitsuko Souma from the film version of Battle Royale when she enters the hut where poor Megumi is hiding out.
- This effect is used in the promotional pictures for the 1980 horror film The Children.
- Henry does this at one point in The Good Son to scare Mark, when he has Mark play hide and seek with his sister Connie. Mark, knowing of Henry's true nature, is fearful he will do something horrible to Connie if he doesn't find her first.
- In the horror movie Nightwish, a character who was previously murdered suddenly shows up again.
- In Lemon Tree Passage, Amelia does this while telling a scary story round the bonfire on the beach. She offers it to Oscar when he starts his story, but he dismisses it, saying he doesn't need special effects to be scary.
- The Supreme Being in Time Bandits looks like a rotoscoped flashlight face.
- Played with in Septimus Heap, where Jenna is spooked by Septimus's face being illuminated by his Dragon Ring he's holding below his chin.
- Sir Percy Pelham is recounting a local ghost legend to his guests over dinner in Aunt Dimity and the Deep Blue Sea, and the lights go out just after he recounts a creepy detail. Before the lights come back on, he illuminates his own face this way with a lit match.
- The Rachel Maddow Show used it more than once to reference uses of fear in politics.
- A good example is from the 2/16/2012 show, opening a story on the 2012 GOP Presidential nomination campaign. Specifically both critiquing Rick Santorum's poor lighting at a campaign event and alluding to his rival Mitt Romney's worries about the former's underfunded yet oddly popular support.
- Referenced in Svengoolie's makeup.
- On Conan O'Brien's Late Night show, he would sometimes do a segment about predicting the future called "In the year 2000" (even well after the year 2000). To enhance the mood, the studio lights would be dimmed and he and his band leader would light up their faces.
- Stephen Colbert has done this at least once.
- An iconic image of Are You Afraid of the Dark?
- Dexter does it once while talking to Doakes... warning him to be careful, as there are psychos on the streets.
- The X-Files. Mulder does this while exploring a Haunted House in "How the Ghosts Stole Christmas". Scully's nerves are wound so tight, it actually works.
- Frank Black on Millennium does it to a bunch of kids who have broken into his house (empty because he's separated from wife Catherine) and are telling spooky stories about him.
- Seen in the Special Edition Title of "Changing Channels" when the Winchesters are Trapped in TV Land, including a sitcom version of Supernatural which puts a light comedy spin on the brothers' ghost-hunting antics.
- Count Baltar in the original Battlestar Galactica (1978) often did this unironically. We don't actually see the light source.
- Tripod Versus the Dragon: Scot and Yon play the evil Twin Wizards by wearing party hats and carrying torches to light their faces.
- Persona 3: Junpei does this when telling a ghost story.
- Metal Slug 5, on the character selecting screen.
- At nighttime in the Kai Tak Resort in Jazzpunk, one of the hotel clerks does this while wearing a tiki mask every time the player faces near him.
- Should you ever run out of power in Five Nights at Freddy's, you'll be treated to a horrifyingly twinkly and serene rendition of Toreador while Freddy stands in the corner for up to a minute flashing his eyes before he jumps and kills you.
- In Sluggy Freelance, one bad guy took advantage of his "Dramatic Lighting Shoes" to create this effect while monologuing. He was quite proud of them.
- Blood Stain: Main character Elliot is introduced to Dr Vlad Stein, her new employer, this way when he offers her a candle during a blackout. This, along with his intimidating appearance, does not help him make a good impression on his new employee.
- Hewy does his review of Coraline with a flashlight face in Hewy's Animated Movie Reviews.
- Used frequently by Diamanda Hagan, especially during her opening credits.
- This spoof of the Title Sequence of The X-Files.
- JesuOtaku did this (and commented on how this doesn't seem to accomplish much other than blinding you and casting shadows on your nose) at the end of his Deliciously Evil Anime Villains Countdown.
- The Simpsons: Bart tells a scary story to Homer. "...and that is how much college will cost for Maggie."
- Baljeet tries this while the kids sit around the campfire in the Phineas and Ferb episode "Get That Bigfoot Outa My Face!" His story is less than terrifying.
- Lampshaded in the Star Wars crossover, when Darthinschmirtz reaches for his light saber... and it's just a flashlight. He does this trope for a second, before abandoning the gag.
- Batman: The Brave and the Bold: The creepy usher does it in "Bat-Mite Presents: Batman's Strangest Cases!"
- South Park: Cartman shines a flashlight under his face to tell the story of Scuzzlebutt in "Volcano".
- Pinkie Pie does this in the My Little Pony: Friendship Is Magic episode "Bridle Gossip" accidentally.
- Near the end of Tom and Jerry: The Movie, the villain does this after revealing her presence.
"Daddy... IS DEAD!"
- The Fairly OddParents has an episode in which Vicky is turned nice by Timmy's godparents. When a character became evil, they would do a flashlight face in over-the-top comedic fashion.
- In the 3-2-1 Penguins! episode, "Wise Guys" Kevin does this.
- Brainy briefly does this during the intro to Hey Arnold!, complete with an accompanying off-camera scream.
- Angelica does this a couple of times after telling scary stories to the babies in "Rugrats''.
- The SpongeBob SquarePants episode "New Student Starfish" has Mrs. Puff do this when she sends SpongeBob and Patrick to detention. Lampshaded in that she turns the flashlight off afterward.
- Kim Possible: Professor Dementor once tried to make himself look ominous by illuminating his face from below with a red flashlight.
- When the generator is temporarily down in Totally Spies!'s "Aliens", Jerry announces his presence to the spies this way, frightening the poor girls half to death. This was possibly on purpose, as Jerry often seems to get a kick out of scaring the spies.
- In the Jimmy Two-Shoes episode "Mt. Misery", Beezy does it twice while shouting "EVIL" in a very over-the-top fashion at the sight of a tiny weavil that Jimmy thinks is adorable. In both instances, he then turns off the flashlight and puts it away.
- In the Star vs. the Forces of Evil episode "Cheer Up, Star", Marco (unintentionally) does this when he dresses as a clown to try do what the episode's name says. Combining that with Star's apparent fear of clowns turns out to be very ineffective at cheering Star up.
- Nick Dean in The Adventures of Jimmy Neutron: Boy Genius does this when he's telling the story of the Phantom of Retroland to the class in "The Phantom of Retroland".
- While on the run from several actual zombies in Scooby-Doo on Zombie Island, Shaggy and Scooby crash into the local gardener, whose lantern casts his face in this light, giving him broad, skeletal features and blank, gray eyes. After they run off, assuming he's another zombie, the gardener raises the lantern to eye level, showing that he was instead looking with concern.
- Bounty Hamster. In "Lonely Planet" Cassie and Marion give an Evil Laugh while shining flashlights in their faces.
Cassie: I have no idea why we did that.
- Ultimate Spider-Man: A security guard finding the kids wandering at night in the school spooks them this way, revealing his face... and yet another Stan Lee cameo in the process.


Aston Martin Reveals the DBX SUV's Interior and Price
by Mike Duff- Aston Martin's first SUV, the DBX, will have a starting price of $192,086.
- An image of the interior confirms that this new model use Aston's family architecture.
- The full unveiling of the Aston Martin DBX will take place in China on November 20 and it will go on sale in early 2020.
Aston is determined to build hype for the launch of its first SUV, but ahead of the formal unveiling of the DBX in China later this month, the company has released a single image of the car's interior and also confirmed the starting price of $192,086. That positions it above the V-8 version of the Bentley Bentayga, but means it will be less expensive than the Lamborghini Urus and substantially cheaper than the Rolls-Royce Cullinan. What's an SUV-seeking millionaire to do?
The interior image shows that the finished car will boast an entirely predictable level of leather trim, with hides used for the dashboard, armrest, and other bits of interior trim. We can also see the sculpted rear seats. There is some wood trim on the center console, although Aston stresses that buyers will be able to specify a wide variety of different materials. Although the image doesn't really show it, we hear that the DBX has a "bridged center console" with space for stowage beneath it.
The DBX will have a digital instrument cluster and continues to have gear-selector buttons the dashboard, a familiar brand trademark. There is also a sizeable touchscreen interface flush-integrated into the dashboard rather than mounted in a separate pod as it is in the company's sports cars. Aston says that particular care has been paid to both cabin ergonomics and the DBX's driving position, with the car designed to accommodate everyone from a 95th percentile male to a 5th percentile woman.
We will have to wait for more details on the car's technology and features, but Aston has already confirmed that it will use a 542-horsepower version of the 4.0-liter AMG V-8 that powers both the Vantage and the entry-level DB11. We also know that it will have a bonded aluminum structure, a nine-speed automatic transmission, adjustable ride height, and an electric anti-roll-bar system similar to the one offered on the Bentley Bentayga and Mercedes GLS.
We'll be able to show you what the exterior looks like and drop a full technical breakdown later this month when the DBX makes its debut November 20 in Shanghai, China.
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--- layout: post title: 10 Pain-Fighting Foods | LIVESTRONG.COM categories: [] tags: - diet - fitness - health - inflammation status: publish type: post published: true meta: _original_post_id: '' _original_import_author: John Duprey author: ---
10 Pain-Fighting Foods | LIVESTRONG.COM
http://www.livestrong.com/blog/10-pain-fighting-foods/


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院校名称
{$v.color}
{$v.school_name}
院校代码
{$v.school_num}
公民办
{$v.school_type?$v.school_type:''}
{/foreach}


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[1]
Excellent PQ, Bitstream audio output, Fast load times; none thus far
[2]
Sleek Design, Easy Set Up.; There Is None!


An Investigation of Boron Nitride Nanomaterial Functionalization
At the Army Research Laboratory
by Kevin Waters
- Computational "Physicist"
- Started at Michigan Tech. in 2013
- Working with Ravindra Pandey
- Currently at PNNL on a Fellowship
- Defending in August
"We can accurately predict the interface between biological molecule and nanomaterials in physiological conditions."
Materials with at least one dimension in the sub-micron range.
- Ratio of surface to bulk atoms changes
- Bulk properties are not present at this scale
- Adding one atom changes the properties of the material
- Exhaustive searches and research must be done
- Predicted by 1994
- Synthesized in 1995
- Typically considred a wide band gap semiconductor
- Parameters to consider
- Chirality (n,n), (n,0), (n,m)
- Diameter
- Layers
- Carbohydrates
- DNA (Nucleotides)
- Lipids
- Proteins (Amino Acids, Peptides)
- etc.
- Solving the system's electronic wavefunction
- Schrödinger Equation
- Density Functional Theory (DFT)
- Ab Initio Molecular Dynamics (AIMD)
- High Performance Computing Platform
| BNML (eV) |
| |
|
Pro. |
Dep. |
| Trp |
-1.04 |
|
|
| Arg |
|
-0.92 |
-0.96 |
| Asp |
|
-0.55 |
-0.57 |
| BNNT |
| |
|
Pro. |
Dep. |
| Trp |
-0.71 |
|
|
| Arg |
|
-0.85 |
-2.12 |
| Asp |
|
-0.89 |
-2.17 |
| Coverage (%) |
Band Gap (eV) |
Binding Energy (eV) |
| 0 |
4.25 |
|
| 16 |
3.34 |
-0.74 |
| 25 |
3.11 |
-0.70 |
| 50 |
2.25 |
0.72 |
- Atoms 2B + 4N
- Symmetry : Amm2 (38)
- Lattice Vectors
- Bonds
- N-N : 1.29 Å
- B-N : 1.50 Å
- N-B : 1.34 Å
- σij is the stress tensor
- Cijkl is the elastic tensor
- εkl is the stain tensor
- -2% to 2% in steps of 0.2%
- Generate optimized structure
- Apply deformation matrix to optimized structure
- Optimized atoms with modified unit cell
- Extract Cauchy stress data (σij)
- Calculate mechanical properties of interest
| N/m |
Graphene1 |
This Work |
BN2 |
This Work |
BN2 |
| C11 |
358.1 |
353.7 |
293.2 |
290.5 |
368.8 |
| C12 |
60.4 |
61.7 |
66.1 |
64.4 |
47.2 |
| C22 |
|
|
|
|
153.3 |
| C66 |
|
144.9 |
|
113.1 |
58.7 |


{% extends "base.html" %} {% import "bootstrap/wtf.html" as wtf %} {% import "bootstrap/fixes.html" as fixes %} {% import "bootstrap/utils.html" as util %} {% block title %}Omic Catalog{% endblock %} {% block scripts %} {{ super() }} {% if current_user.is_authenticated and current_user.is_admin %} {% endif %} {% endblock %} {% block content %}
Currently, each entry in the Omic Catalog corresponds to the results from a differential gene expression analysis. Instructions for creating new data sets from the GEO can be found here.
The three pre-processed differential gene expression experiments related to Alzheimer's disease corresponding to the examples in the BEL Commons manuscript are available on GitHub.
| Identifier | Created | Description | Public | Experiments |
|---|---|---|---|---|
| {{ omic.id }} | {{ omic.created }} | {{ omic.description }} | {% if omic.public %} {% else %} {% endif %} | {% if omic.experiments %} {{ omic.experiments.count() }} {% endif %} |


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# File app/controllers/profile_controller.rb, line 45 def show @user = User.find_by_id(params[:id]) ||<EMAIL_ADDRESS>if @user.disabled @user = nil flash[:warning] = "The specified user could not be found." redirect_to :controller => :bodysize return end end