| Column Heading | Column Description |
|---|---|
| Series Name | Name of series. This is the name argument in the series spec, if given, or the name of the output files otherwise. |
| View Spec File | Press the button to show the spec file that was used to adjust the series. Only works if the row was added automatically when the series was run. |
| Filename | Name of the output files |
| Period | Number of observations per year. |
| Transform | Transformation. Includes "**" if the transformation was automatically selected. |
| Mode | Seasonal adjustment mode. Includes "**" if the mode was automatically selected. |
| Span | Span of data adjusted. |
| Outlier Span | Span of data checked for outliers. |
| AO/LS/TC Crit Val | Critical |t| values for additive outliers, level shifts, and temporary changes, separated by a slash. "*" indicates it was chosen by X-13ARIMA-SEATS; "--" indicates this type of outlier was not searched for. |
| # Outliers | Number of hard-coded and automatically selected outliers. |
| # Auto | Number of outliers automatically selected. |
| # Iter | Number of iterations to reach convergence. If the maximum number of iterations was changed from the default (1500), the cell will also show an "m". If the convergence tolerance was changed from the default (0.00001), the cell will also contain a "t". | # Forecasts | Number of forecasted values. |
| Forecast mode | Indicates whether forecasts are within sample or out of sample. |
| Date/Time Run | Gives the date and time when the spec file was run. |
| Column Heading | Column Description |
|---|---|
| Series Name | Name of series. |
| Model Span | Span of data used to estimate regARIMA model coefficients. |
| ARIMA Model | ARIMA model; "**" indicates the model was selected automatically by the program. |
| Regressors | The regressors included in the model. |
| Trading Day | Trading day regressors included, with t-values if only one regressor and p-values of the chi-squared test of groups of regressors if multiple regressors; "**" indicates trading day was included based on results of AIC test. |
| Holiday | Easter, Thanksgiving, or Labor Day regressors (with their t-values) included; "**" indicates Easter was included based on results of AIC test. |
| Seasonal | Seasonal or trigonometric seasonal regressors included, with the p-value of the chi-squared test. |
| Constant | Gives the t-value of the constant, if it is included. |
| User | Gives t-values of user defined regressors included, and p-value of the chi-squared test of the group of regressors, if there is more than one; "**" indicates user regressors are included based on results of AIC test. |
| Coded Outliers | The outliers hard-coded in the spec file, with their t-values. |
| Auto Outliers | The outliers automatically found, with their t-values. |
| Variance | Innovation variance of the ARIMA model. |
| Phi1 | Estimate of nonseasonal AR parameter at lag 1. |
| Sum NS AR | Sum of all nonseasonal AR parameter estimates. |
| Theta1 | Estimate of nonseasonal MA parameter at lag 1. |
| Sum NS MA | Sum of all nonseasonal MA parameter estimates. |
| Sum Seas AR | Sum of all seasonal AR parameter estimates. |
| Sum Seas MA | Sum of all seasonal MA parameter estimates. |
| Column Heading | Column Description |
|---|---|
| Series Name | Name of series. |
| AICC | F-adjusted Akaike's Information Criterion (corrected for sample size). |
| aa FcE (3-yr) | Average absolute percentage error of forecasts in the last three years. An average of the 1-step ahead to 12-step ahead (4-step ahead for quarterly series) forecasts of the data with one, two and three years removed. By default, this is calculated using within-sample forecasts, but it can be done with out-of-sample forecasts if requested. |
| Normal? | Indicates whether residuals pass normality tests. |
| # LBQ Fail | Number of the lags from 1 to 24 (8 for quarterly) with significant Ljung-Box Q statistic. |
| Sig LBQ | List of lags with significant LBQ. |
| Sig Seas LBQ | Seasonal lags with significant LBQ. |
| # BPQ Fail | Number of the lags from 1 to 24 (8 for quarterly) with significant Box-Pierce Q statistic. |
| Sig BPQ | List of lags with significant BPQ. |
| Sig Seas BPQ | Seasonal lags with significant BPQ. |
| Sig ACF | Lags with significant autocorrelation in the residuals. |
| Sig Seas ACF | Seasonal lags with significant autocorrelation in the residuals. |
| Sig PACF | Lags with significant partial autocorrelation in the residuals. |
| Sig Seas PACF | Seasonal lags with significant partial autocorrelation in the residuals. |
| Resid Peaks | Indicates the visually significant seasonal and trading day peaks in the spectrum of the model residuals. |
| QS Residuals | p-value for the QS statistic of the residuals. |
| QSS Residuals | p-value for the QS statistic of the residuals on the last 96 observations (8 years for a monthly series). |
| Avg Sq Fcst Err 1 Period | Average One-Step-Ahead Squared Forecast Error (from History analysis) |
| Avg Sq Fcst Err 1 Year | Average One-Year-Ahead Squared Forecast Error (from History analysis) |
| Column Heading | Column Description |
|---|---|
| Series Name | Name of series. |
| Sigma Lim | Lower and upper sigma limits for downweighting extreme values. |
| Seasonal MA | Seasonal moving average filter; "**" indicates the filter was chosen by X-13ARIMA-SEATS. |
| Trend MA | Length of the final Henderson trend filter; "**" indicates the filter was chosen by X-13ARIMA-SEATS. |
| I/S Ratio | The final irregular/seasonal Ratio from Table D10; also called the global moving seasonality ratio. |
| I/C Ratio | The final irregular/trend ratio from Table D12. |
| D8F | F-statistic of test for seasonality assuming stability from D8 table. |
| D8F p-val | p-value of D8 F statistic. |
| D11F | p-value of D11 F statistic for residual seasonality. |
| D11F 3 yr | p-value of D11 F statistic for residual seasonality in the last three years. |
| M1 | The relative contribution of the irregular over three months
span. |
| M2 | The relative contribution of the irregular component to the
stationary portion of the variance. |
| M3 | The amount of period-to-period change in the irregular
component as compared to the amount of period-to- period change in the
trend-cycle. |
| M4 | The amount of autocorrelation in the irregular as described by the average duration of run. |
| M5 | The number of months it takes the change in the trend-cycle
to surpass the amount of change in the irregular. |
| M6 | The amount of year-to-year change in the irregular as
compared to the amount of year-to-year change in the seasonal. |
| M7 | The amount of moving seasonality present relative to the
amount of stable seasonality. |
| M8 | The size of the fluctuations in the seasonal component
throughout the whole series. |
| M9 | The average linear movement in the seasonal component. |
| M10 | As M8, calculated for recent years only. |
| M11 | As M9, calculated for recent years only. |
| Q | A weighted average of M1-M11. |
| Q2 | A weighted average of M1-M11 without M2. |
| MCD | Months for Cyclical Dominance |
| Column Heading | Column Description |
|---|---|
| Series Name | Name of series. |
| Sig Ori Peaks | Indicates the visually significant seasonal and trading day peaks in the spectrum of the (possibly differenced, transformed, prior-adjusted) original series. |
| QS Ori | p-value for the QS statistic of the original series. |
| QSS Ori | p-value for the QS statistic of the original series calculated using the spectrum span. |
| QS Ori Adj Ext | p-value for the QS statistic of the original series adjusted for extreme values. |
| QSS Ori Adj Ext | p-value for the QS statistic of the original series adjusted for extreme values calculated using the spectrum span. |
| Tukey Ori Peaks | Lists the highly significant (p>.99) and significant (p>.90) seasonal frequencies of the Tukey spectrum of the original series. |
| Sig SAdj Peaks | Indicates the visually significant seasonal and trading day peaks in the spectrum of the seasonally adjusted series. |
| Sig Irr Peaks | Indicates the visually significant seasonal and trading day peaks in the spectrum of the modified irregular. |
| Nonsig Seasonal Peaks | Indicates whether there is a nonsignificant peak at any of S1, S2, S3, or S4 in the spectrum of the seasonally adjusted series ("sadj"), irregular ("irr"), or residuals ("rsd"). Also gives the height in "stars" of the tallest of these peaks. |
| Nonsig TD Peaks | Indicates whether there is a nonsignificant peak at T1 in the spectrum of the seasonally adjusted series ("sadj"), irregular ("irr"), or residuals ("rsd"). Also gives the height in "stars" of the tallest of these peaks. | QS Sadj | p-value for the QS statistic of the seasonally adjusted series. |
| QSS Sadj | p-value for the QS statistic of the seasonally adjusted series calculated using the spectrum span. |
| QS Sadj Adj Ext | p-value for the QS statistic of the seasonally adjusted series adjusted for extreme values. |
| QSS Sadj Adj Ext | p-value for the QS statistic of the seasonally adjusted series adjusted for extreme values calculated using the spectrum span. |
| QS Irr | p-value for the QS statistic of the irregular component. |
| QSS Irr | p-value for the QS statistic of the irregular component calculated using the spectrum span. |
| QS Irr Adj Ext | p-value for the QS statistic of the irregular component adjusted for extreme values. |
| QSS Irr Adj Ext | QS statistic of the irregular component adjusted for extreme values calculated using the spectrum span. |
| Tukey Sadj Peaks | Lists the highly significant (p>.99) and significant (p>.90) seasonal frequencies of the Tukey spectrum of the seasonally adjusted series. |
| Tukey Irr Peaks | Lists the highly significant (p>.99) and significant (p>.90) seasonal frequencies of the Tukey spectrum of the irregular component. |
| Tukey Rsd Peaks | Lists the highly significant (p>.99) and significant (p>.90) seasonal frequencies of the Tukey spectrum of the residuals. |
| Column Heading | Column Description |
|---|---|
| Series Name | Name of series. |
| Rev Span | Span of data of revision history analysis. |
| SA.AAR | Average absolute percent revisions of the seasonal adjustments. |
| MM.AAR | Average absolute revision of the month-to-month percent change of the adjustments. |
| #Spans | Number of spans for sliding spans analysis. |
| Span Length | Length of each span. |
| SF Cut | Threshold value for the seasonal factors. |
| SF75p | 75th percentile of maximum percent differences across spans of seasonal factors. |
| SF% | Percent of months (quarters) with a maximum absolute percent change of the seasonal factors greater than the threshold. |
| SA Cut | Threshold value for the seasonal adjustment values. |
| SA75p | 75th percentile of maximum percent differences across spans of the seasonally adjusted series. |
| SA% | Percent of months (quarters) with a maximum absolute percent change of the seasonal adjustment values greater than the threshold. |
| MM Cut | Threshold value for the period-to-period percent change in the seasonally adjusted series. |
| MM60p | 60th percentile of maximum percent differences across spans of period-to-period changes in the seasonally adjusted series. |
| MM% | Percent of months (quarters) with a maximum absolute difference of period-to-period change in the seasonally adjusted series greater than the threshold. |
| TD Cut | Threshold value for trading day factors. |
| TD75p | 75th percentile of maximum percent differences across spans of trading day factors. |
| TD% | Percent of months (quarters) with a maximum absolute percent change of the trading day factors greater than the threshold. |
| YY Cut | Threshold value for the year-to-year change in the seasonally adjusted series. |
| YY90p | 90th percentile of maximum percent differences across spans of year-to-year changes in the seasonally adjusted series. |
| YY% | Percent of months (quarters) with a maximum absolute difference of year-to-year change in the seasonally adjusted series greater than the threshold. |


{% load staticfiles otree_tags %} {% block content %}
You have the chance to earn additional points below. You will be told at the end of the experiment whether you earned these points.
How much will the other {{ Constants.other_players_per_group }} people in your group contribute in this round?
Use the boxes below to indicate how much you think the other people in your group contribute in this round. Put the highest value in the box at the top and then rank the contributions in descending order. You can input the same value for multiple people. In that case the ordering for those people does not matter. We will rank the contribution of the other people in your group in this round and compare each of them to your respones. For every reponse that you estimate completely correctly you get {{ Constants.belief_correct_pay }}. This means that you can earn up a maximum of {{ max_ee_earning }}.  If your response differs from the true values by more than {{ Constants.belief_correct_pay }} then you receive 0.
{% for field in form %}


Bacon in a chocolate bar? It's not crazy, it's crazy-good! http://www.vosgeschocolate.com/product/bacon_exotic_candy_bar/exotic_candy_bars
4/4/2009, 2:33:30 PM
Favs: 0
Retweets: 0
link--- layout: tweet ---
Bacon in a chocolate bar? It's not crazy, it's crazy-good! http://www.vosgeschocolate.com/product/bacon_exotic_candy_bar/exotic_candy_bars
4/4/2009, 2:33:30 PM
Favs: 0
Retweets: 0
link


From:Mr. Martin J. Waghorn Alpha Bank London Ltd 66 Cannon Street, London EC4N 6EP. My Dear Friend, My name is Mr. Martin J. Waghorn, Managing Director of Alpha Bank London Ltd. I have only written to seek your indulgence and assistance. I wish to make a transfer involving a huge amount of $20,000,000.00 {Twenty Million Dollars}. I am proposing to make this transfer to a bank account of your choice. Thus, for your indulgence and support, I propose an offer of 25% of the total amount to be yours after the transfer has been successfully concluded. Kindly reply me stating your interest, and I shall furnish you with the details and necessary proceedure which to make the transfer safe for the both of us. Your Full Name,Contact Address,Phone/fax number,will be necessary for this Effect.I await your response so as for us to proceed with the transaction.If you are interested, please reply me immedietaly to my private address<EMAIL_ADDRESS>I am looking forward to hear from you. Sincerely yours Mr. Martin J. Waghorn.


DTCoreText consists of two portions:
This page demonstrates a DTAttributedTextView being loaded from a XIB. You can see how this line wraps if you rotate the device.
For example you could create a rich text about view like this here
Note:You need to disable auto-layout on view controllers loading views from XIB because at present DTCoreText is not yet able to dynamically re-layout in auto-layout views.


|
BitShares-Core
6.1.0
BitShares blockchain implementation and command-line interface software
|
#include <api.hpp>
Public Member Functions | |
| api_base () | |
| virtual | ~api_base () |
| virtual uint64_t | get_handle () const =0 |
| virtual api_id_type | register_api (api_connection &conn) const =0 |
| template<typename T > | |
| api< T, identity_member_with_optionals > | as () |
| template<typename T > | |
| api< T > | as () |
| api<T, identity_member_with_optionals> fc::api_base::as | ( | ) |
| api<T> fc::api_base::as | ( | ) |
Definition at line 514 of file api_connection.hpp.
|
pure virtual |
|
pure virtual |


- Work Type
- Austin Community College - User Interface 1
- My Role
- UX Designer
- Time Frame
- April - May 2018
- Skills
-
- Generative Research
- Design Iterations
- Prototyping
- Usability Test
Details
Summary
This project taught me some important lessons about both myself and the UX design process. I realized that I love the loop of iterating and testing. It’s incredibly gratifying to create something that I know works based on user feedback.
The biggest lesson, however, was that I hadn’t followed Steve Blank’s advice to “...get out of the building” to actually test. My final design only worked inside the building.
In other words; it worked in a vacuum that is a usability test; you and the user in a room with a device. But in my research I learned that that isn’t how my users actually listen to podcasts. They are usually doing something at the same time: exercising, driving, cleaning. The flow I created would require users to stop everything they are doing and walk step by step through my flow in order to achieve their goal. Now, I had a feeling from the beginning that the real way users would need to interact with this app would be with Voice UI, but it seemed like too huge of an undertaking. I was afraid to try something new.
Problem Definition
Design an interaction flow that allows a user to do one or more of the following:
- “Highlight” audio, analogous to highlighting text in a book. What else can the user do now that they’ve highlighted the content?
- Listen to the book with other listeners around the world. Share your emotions on the content with the other listeners.
- Take notes on parts of the audio book you find interesting.
Constraint: Work within the technical limitations of existing devices and features.
The REAL Goal
My initial goal was to follow the brief. I went head first into sketching out some flows for a tool to allow users to create a highlight, just designing features. Now, tools aren’t innately bad, but I hadn’t even considered the why. Why did users need this?
To answer this question, I conducted interviews and constructed a User Scenario. By doing this, I discovered the REAL reason people want to create a highlight: to share interesting things with their friends in order to have a conversation. Meeting this goal would would create a REAL and compelling solution, not just a tool.
Discovery
Target Users
The target users weren’t specified in the initial brief, but I knew they had to be people who listened to long form spoken word content. Yes, that category is broad, but it served as a criterion for who I would interview. Talking to these users, I realized that they all listened to podcasts. I had discovered a more target user base: podcast listeners.
Interviews
Once I determined who the target users were I conducted three interviews. These were some of my first interviews as a designer. From these conversational investigations, I pulled a few key quotes that really inspired my design.
“...I’ll quote [a podcast] but I’ll quote it really poorly...I can’t ever remember where I heard it from. I’m not very confident…”
“...It was hard for me to articulate exactly what the episode was about... I couldn't do it justice by saying it...”
These key quotes informed the REAL goal, the why.
Persona VS Scenario
I chose to create a user scenario because it gave context to the whole user experience: where they were, what they were doing, when they listen, why they listen, and why they want to highlight. The specifics about the user that are generally part of a persona were less valuable in solving this problem.
User Scenario
I conducted interviews in order to turn that list of features into a validated user problem with a user scenario.
You’re listening to your favorite podcast and you hear something really interesting; like your whole life is different interesting. You try to take a mental note in hopes that you can share it with your friend so their life can be different too. The next day you see your friend and you try tell them about what you heard, but you don't remember the exact details; you don't even remember where you heard it.
The Loop
In this phase of the design process I ideated and got feedback on those ideas. My approach was to start pretty lo-fi and ramp up once I settled on a plan.
Sketches
This was a sketch exploring the rough idea of how the app would work. I used the term “Cupcake” to describe this sketch. I borrowed this metaphor from IBM: a cupcake is simple and small, but still delivers on the goods. Similarly, this idea was simple and small but still delivers and solves the user’s need.
Here was a sketch including using Voice to prompt the app to create a highlight. The “Cake” metaphor is useful again here. A wedding cake is much more difficult to make than a cupcake, but also has tremendous value. This VUI flow has tremendous value, but was also a huge undertaking that I was scared at the time to tackle.
Prototyping
My first prototype didn’t consider the flow. By conducting usability tests, I learned that users were confused by what they were seeing. They needed more context. This helped me improve my subsequent designs.
Usability Test | Feedback 01
Through usability testing I learned some valuable insights. This image represents a lesson in the value of context. On the left , you can see that my original design used blank label templates. As a result, users had no idea what they were even looking at. In my next iteration, I added real world data to give context.
Usability Test | Feedback 02
From a usability perspective, users weren’t familiar with the new icons I used. It didn’t help that they weren’t labeled. Responding to user feedback, the icons are now labeled.
Usability Test | Feedback 03
Here, I presented my users with a flow and pattern that most weren't familiar with. I have some audio editing experience and I designed this screen, so I knew what was happening, but the users didn't. Their feedback helped me design a screen that was intuitive to all users.
Positives
- The faster you can get an idea tested the better.
- Improve based on feedback, don’t feature add.
- Give relevant context. Use actual information and data not just placeholders.
- Be aware of the user’s knowledge of icons.
- Be aware of when you ask users to do something new.
- Test outside of the building. Go to where your users actually use the product.
Not So Positives
- Don't design for yourself.
- Don’t exclude context in an effort to save time prototyping.
- Don't ignore the better solution because you’re afraid to try something new.
Next Steps
Sell it to the Apple Podcasts!
Ok, realistically:
- Implement Voice UI Screens.
- Tighten Up Visual Aspects.
- User test outside of the building.
View More Case Studies
What do you think?
Designers are nothing without critique and feedback,
so let me know what you are thinking.


Kimchi Pancake
July 12, 2020
Ingredients ½ cup kimchi, ¾ cup rice flour, 3 Tbsp neutral oil…
We carefully produce a variety of fermented goods, ranging from pickles and kimchi to kombucha and other cultures. Come find us in a store!
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So glad I ordered the Kombucha Kit! It’s been so fun making my
own at home.
-Felicia
My wife and I appreciated the different level of spiciness
available for the kimchi- this way, both of us can enjoy in our
own way.
-Joseph
I’m really appreciating the quality of their pickles. The flavor
of the veg is outstanding.
-Mark


--- layout: page title: "Practical Vim (for Kathryn Amaral)" prev: f_0001.html next: f_0003.html book_path: books/drew-neil-practical-vim-edit-text-at-the-speed-of-thought-_oeb/ --- {% include JB/setup %} {% raw %}
| Acknowledgments |
| Foreword |
| Read Me |
| How This Book Is Structured |
| A Note on the Examples |
| Learn to Touch Type, Then Learn Vim |
| Read the Forgotten Manual |
| Get to Know Vim’s Built-in Documentation |
| Notation for Simulating Vim on the Page |
| Downloading the Examples |
| Use Vim’s Factory Settings |
| On the Role of Vim Script |
| On Vim Versions |
| 1. | The Vim Way |
| Tip 1. Meet the Dot Command |
| Tip 2. Don’t Repeat Yourself |
| Tip 3. Take One Step Back, Then Three Forward |
| Tip 4. Act, Repeat, Reverse |
| Tip 5. Find and Replace by Hand |
| Tip 6. Meet the Dot Formula |
| 2. | Normal Mode |
| Tip 7. Pause with Your Brush Off the Page |
| Tip 8. Chunk Your Undos |
| Tip 9. Compose Repeatable Changes |
| Tip 10. Use Counts to Do Simple Arithmetic |
| Tip 11. Don’t Count If You Can Repeat |
| Tip 12. Combine and Conquer |
| 3. | Insert Mode |
| Tip 13. Make Corrections Instantly from Insert Mode |
| Tip 14. Get Back to Normal Mode |
| Tip 15. Paste from a Register Without Leaving Insert Mode |
| Tip 16. Do Back-of-the-Envelope Calculations in Place |
| Tip 17. Insert Unusual Characters by Character Code |
| Tip 18. Insert Unusual Characters by Digraph |
| Tip 19. Overwrite Existing Text with Replace Mode |
| 4. | Visual Mode |
| Tip 20. Grok Visual Mode |
| Tip 21. Define a Visual Selection |
| Tip 22. Repeat Line-Wise Visual Commands |
| Tip 23. Prefer Operators to Visual Commands Where Possible |
| Tip 24. Edit Tabular Data with Visual-Block Mode |
| Tip 25. Change Columns of Text |
| Tip 26. Append After a Ragged Visual Block |
| 5. | Command-Line Mode |
| Tip 27. Meet Vim’s Command Line |
| Tip 28. Execute a Command on One or More Consecutive Lines |
| Tip 29. Duplicate or Move Lines Using ‘:t’ and ‘:m’ Commands |
| Tip 30. Run Normal Mode Commands Across a Range |
| Tip 31. Repeat the Last Ex Command |
| Tip 32. Tab-Complete Your Ex Commands |
| Tip 33. Insert the Current Word at the Command Prompt |
| Tip 34. Recall Commands from History |
| Tip 35. Run Commands in the Shell |
| 6. | Manage Multiple Files |
| Tip 36. Track Open Files with the Buffer List |
| Tip 37. Group Buffers into a Collection with the Argument List |
| Tip 38. Manage Hidden Files |
| Tip 39. Divide Your Workspace into Split Windows |
| Tip 40. Organize Your Window Layouts with Tab Pages |
| 7. | Open Files and Save Them to Disk |
| Tip 41. Open a File by Its Filepath Using ‘:edit’ |
| Tip 42. Open a File by Its Filename Using ‘:find’ |
| Tip 43. Explore the File System with netrw |
| Tip 44. Save Files to Nonexistent Directories |
| Tip 45. Save a File as the Super User |
| 8. | Navigate Inside Files with Motions |
| Tip 46. Keep Your Fingers on the Home Row |
| Tip 47. Distinguish Between Real Lines and Display Lines |
| Tip 48. Move Word-Wise |
| Tip 49. Find by Character |
| Tip 50. Search to Navigate |
| Tip 51. Trace Your Selection with Precision Text Objects |
| Tip 52. Delete Around, or Change Inside |
| Tip 53. Mark Your Place and Snap Back to It |
| Tip 54. Jump Between Matching Parentheses |
| 9. | Navigate Between Files with Jumps |
| Tip 55. Traverse the Jump List |
| Tip 56. Traverse the Change List |
| Tip 57. Jump to the Filename Under the Cursor |
| Tip 58. Snap Between Files Using Global Marks |
| 10. | Copy and Paste |
| Tip 59. Delete, Yank, and Put with Vim’s Unnamed Register |
| Tip 60. Grok Vim’s Registers |
| Tip 61. Replace a Visual Selection with a Register |
| Tip 62. Paste from a Register |
| Tip 63. Interact with the System Clipboard |
| 11. | Macros |
| Tip 64. Record and Execute a Macro |
| Tip 65. Normalize, Strike, Abort |
| Tip 66. Play Back with a Count |
| Tip 67. Repeat a Change on Contiguous Lines |
| Tip 68. Append Commands to a Macro |
| Tip 69. Act Upon a Collection of Files |
| Tip 70. Evaluate an Iterator to Number Items in a List |
| Tip 71. Edit the Contents of a Macro |
| 12. | Matching Patterns and Literals |
| Tip 72. Tune the Case Sensitivity of Search Patterns |
Tip 73. Use the \v Pattern Switch for Regex Searches
|
Tip 74. Use the \V Literal Switch for Verbatim Searches
|
| Tip 75. Use Parentheses to Capture Submatches |
| Tip 76. Stake the Boundaries of a Word |
| Tip 77. Stake the Boundaries of a Match |
| Tip 78. Escape Problem Characters |
| 13. | Search |
| Tip 79. Meet the Search Command |
| Tip 80. Highlight Search Matches |
| Tip 81. Preview the First Match Before Execution |
| Tip 82. Count the Matches for the Current Pattern |
| Tip 83. Offset the Cursor to the End of a Search Match |
| Tip 84. Operate on a Complete Search Match |
| Tip 85. Create Complex Patterns by Iterating upon Search History |
| Tip 86. Search for the Current Visual Selection |
| 14. | Substitution |
| Tip 87. Meet the Substitute Command |
| Tip 88. Find and Replace Every Match in a File |
| Tip 89. Eyeball Each Substitution |
| Tip 90. Reuse the Last Search Pattern |
| Tip 91. Replace with the Contents of a Register |
| Tip 92. Repeat the Previous Substitute Command |
| Tip 93. Rearrange CSV Fields Using Submatches |
| Tip 94. Perform Arithmetic on the Replacement |
| Tip 95. Swap Two or More Words |
| Tip 96. Find and Replace Across Multiple Files |
| 15. | Global Commands |
| Tip 97. Meet the Global Command |
| Tip 98. Delete Lines Containing a Pattern |
| Tip 99. Collect TODO Items in a Register |
| Tip 100. Alphabetize the Properties of Each Rule in a CSS File |
| 16. |
Index and Navigate Source Code with ctags |
| Tip 101. Meet ctags |
| Tip 102. Configure Vim to Work with ctags |
| Tip 103. Navigate Keyword Definitions with Vim’s Tag Navigation Commands |
| 17. |
Compile Code and Navigate Errors with the Quickfix List |
| Tip 104. Compile Code Without Leaving Vim |
| Tip 105. Browse the Quickfix List |
| Tip 106. Recall Results from a Previous Quickfix List |
| Tip 107. Customize the External Compiler |
| 18. |
Search Project-Wide with grep, vimgrep, and Others |
| Tip 108. Call grep Without Leaving Vim |
| Tip 109. Customize the grep Program |
| Tip 110. Grep with Vim’s Internal Search Engine |
| 19. | Dial X for Autocompletion |
| Tip 111. Meet Vim’s Keyword Autocompletion |
| Tip 112. Work with the Autocomplete Pop-Up Menu |
| Tip 113. Understand the Source of Keywords |
| Tip 114. Autocomplete Words from the Dictionary |
| Tip 115. Autocomplete Entire Lines |
| Tip 116. Autocomplete Filenames |
| Tip 117. Autocomplete with Context Awareness |
| 20. | Find and Fix Typos with Vim’s Spell Checker |
| Tip 118. Spell Check Your Work |
| Tip 119. Use Alternate Spelling Dictionaries |
| Tip 120. Add Words to the Spell File |
| Tip 121. Fix Spelling Errors from Insert Mode |
| 21. | Now What? |
| 21.1 | Keep Practicing! |
| 21.2 | Make Vim Your Own |
| 21.3 | Know the Saw, Then Sharpen It |
| A1. | Customize Vim to Suit Your Preferences |
| A1.1 | Change Vim’s Settings on the Fly |
| A1.2 | Save Your Configuration in a vimrc File |
| A1.3 | Apply Customizations to Certain Types of Files |


MineTweaker is a Minecraft Forge mod that allows you to alter Minecraft to your needs. It's an essential tool to increase modpack quality and allows you to alter or remove crafting recipes, furnace recipes, mod machine recipes for supported mods, item renaming and ore dictionary modification.
Installation: it's a forge mod. Make sure you have Forge installed and put it in your mods folder. No configuration needed, just follow the wiki tutorials to start scripting!
Make your MineTweaker setup much more potent by using these MineTweaker addons!
GregTech: GregTech Addon
BuildCraft: Buildcraft Compat


Have you ever wanted to buy something?
Aloha Apparel Co. sells only the finest ready-to-travel clothing. Browse our
current selection of products or sign-up for updates below.
YOUR CART
WANT TO GET CONSTANT UPDATES ?


Enjoy an ad-free mailbox – fitted with the latest anti-spam- and anti-virus systems; and your data kept safe by systems compliant with Belgian data protection law.
“We are an independent email service based in Ghent and are highly concerned with sustainability, security, privacy and usability. Inmail.be is completely ad-free and 100% powered by green energy from Greenpeace Energy. We advocate for “informational self-determination”: In these times of network surveillance, Inmail.be protects the privacy of its users with a modern and innovative encryption and security model.”
We comply with the Belgian laws (only a federal judge with a court order can request some information. But it's very unusual).
Security without the hassle
Inmail.be can be used on any device without software install. Inmail.be secure email accounts are fully compatible with other email providers. You can send and receive emails normally.
This site is a hoax, and you will never get an inmail.be emailaddress
All text snippets are picked from http://mailbox.org, https://mailfence.com/, http://posteo.de and https://protonmail.com/!
Check out those guys! They really know what they are doing.


Welcome to Hamish's Rugby website
Kaikorai Rugby Club
Pirates Rugby Club
Green Island Rugby Club
Dunedin Rugby Training Grounds
Otago University Rugby Football Club
Otago Rugby Union
Zingari Richmond Rugby Club
Southern Rugby Club
Harbour Rugby Club
Normal
signup


Your browser does not support the video tag.
JSVideoBackground test page
Options:
I am a responsive element on the video background.
Me too!
I AM A SECTION UNDER THE VIDEO BACKGROUND


Set-up
1. Separate Playing Cards from Set-up Cards.
2. Set all 4 Color Cards in a separate place.
3. Assign a Color Card to each player.
4. Shuffle Number Cards and randomly pick one and place in on top of the Color Cards, this will be the goal value each color has to be equal in order to win.
5. Shuffle Playing Cards and give each player 3 cards, set the deck face down.
6. Randomly assign a first player.
How to Play
Starting from the first each player will pick 1 Playing Card from the top of the Playing Card Deck or from The Pile.
In a turn a player must either place a card from his hand or remove a card from play.
A card can be placed before or after any other card.
When a card is removed from play it must be placed on a separate deck called The Pile, the player who removed a card must also discard one from his hand and place it on top of The Pile.
After placing/removing a card, the set of instructions in play are read by the players from left to right (Players must define which side is which at the beggining of the game, this cannot be changed midgame).
Each card has an instructions an all follow the same rules, with the exception of Loop Cards which can move cards to the right of the loop to a separate vertical set of instructions.
If a Loop Card is placed inside a loop it must be indented to the right
A player wins if after reading the set of instructions in play his color is equal to the goal value, when this happens the game ends.
Turns are allocated clockwise
Free For All
The game follows almost the same rules as the Standard Rules, the only difference is that a goal value is assigned to each color instead of all colors.
Set In Stone
The game follows almost the same rules as the Standard rules, the only difference is that once a card is played it can never be removed from play, so The Pile doesn't exist in this variant.
Your Own Variant!
If you create a fun variant please contact me and I'll include it here.
Under construction...


An early overview of ICLR2019 (part 2)
21 Dec 2018Decisions for ICLR2019 are out! So it is time to take a look at this year’s trends! Which researches have been most successful? Which institutions? Which papers?
This year, 24 oral papers have been accepted, 476 posters, and 918 rejects. This is, 500 of 1418 papers have been accepted, and thus reaching an acceptance rate of 35.26%.
This is the updated table with all papers and decisions:
Let’s now see which have been the most prolific institutions.
Top prolific institutions
The top institutions haven’t changed much since the last edition, in fact, most of the top prolific institutions have grown even more in the number of submissions this year. Most urls such as fb.com and facebook.com have been merged, but please do not hesitate to leave a message if you find an error. In the following graph, I have plotted the difference between 2019 and 2018.
Notice that the number of rejections usually grows with the number of accepted
works.
Top prolific authors
Here is the list of the top (co)authors.
Differently from last year, Sergey Levine has surpassed Yoshua Bengio, although
Yoshua appears in an oral paper. Anyway congratulations to all authors in the
graph. I would also like to mention that many first-authors do not appear
in this figure, since they spent most of their effort in a single submission.
So, what is the secret sauce? What should I put into my paper to get accepted? Here are the keywords most related to the different final decisions:
Keywords
So let’s work on Theory about robust graph neural networks for domain
adaptation!!!!
The next two sections are best seen on a computer.
Collaboration between institutions
In the last edition, we noticed that the most prolific institutions where those with more collaborations. How about this year?
So the trend continues, google, microsoft, mit, cmu, berkeley, are the ones that
collaborate more with others.
Collaboration between top authors
Let’s see how authors collaborate. This time I will use a graph to see if people forms clusters.
Effectively, some clusters can be seen. For instance, the MILA group is represented by the connections between Yoshua, Aaron, and Ioannis. There is also the Berkeley group with Chelsea Finn, Sergey Levine, Pieter Abeel, et al. Deepmind is represented by the region with Oriol Vinyals, Tim Lillicrap, Nando de Freitas… Interestingly, there is an isolated group formed by MSR researchers, with Tienyan Liu, Tao Qin, and Wei Chen.
I hope you have found this blog interesting!
About the data
The data was obtained from openreview, using their library.


Iterations: 0
- Topic Documents
- Topic Correlations
- Downloads
- Vocabulary
Documents are sorted by their proportion of the currently selected topic, biased to prefer longer documents.
Words occurring in only one topic have specificity 1.0, words evenly distributed among all topics have specificity 0.0.
| Word | Frequency | Topic Specificity |
|---|
Topics that occur together more than expected are blue, topics that occur together less than expected are red.
Each file is in comma-separated format.


covergroup amiq_dcr_pkg
:: amiq_dcr_coverage.cover_transfer
Items
-
coverpoint
acknowledged
-
coverpoint
cvr_bit_address_0_0_c
-
coverpoint
cvr_bit_address_0_1_c
-
coverpoint
cvr_bit_address_0_2_c
-
coverpoint
cvr_bit_address_0_3_c
-
coverpoint
cvr_bit_address_0_4_c
-
coverpoint
cvr_bit_address_0_5_c
-
coverpoint
cvr_bit_address_0_6_c
-
coverpoint
cvr_bit_address_0_7_c
-
coverpoint
cvr_bit_address_1_0_c
-
coverpoint
cvr_bit_address_1_1_c
-
coverpoint
cvr_bit_address_1_2_c
-
coverpoint
cvr_bit_address_1_3_c
-
coverpoint
cvr_bit_address_1_4_c
-
coverpoint
cvr_bit_address_1_5_c
-
coverpoint
cvr_bit_address_1_6_c
-
coverpoint
cvr_bit_address_1_7_c
-
coverpoint
cvr_bit_address_2_0_c
-
coverpoint
cvr_bit_address_2_1_c
-
coverpoint
cvr_bit_address_2_2_c
-
coverpoint
cvr_bit_address_2_3_c
-
coverpoint
cvr_bit_address_2_4_c
-
coverpoint
cvr_bit_address_2_5_c
-
coverpoint
cvr_bit_address_2_6_c
-
coverpoint
cvr_bit_address_2_7_c
-
coverpoint
cvr_bit_address_3_0_c
-
coverpoint
cvr_bit_address_3_1_c
-
coverpoint
cvr_bit_address_3_2_c
-
coverpoint
cvr_bit_address_3_3_c
-
coverpoint
cvr_bit_address_3_4_c
-
coverpoint
cvr_bit_address_3_5_c
-
coverpoint
cvr_bit_address_3_6_c
-
coverpoint
cvr_bit_address_3_7_c
-
coverpoint
cvr_bit_data_0_0_c
-
coverpoint
cvr_bit_data_0_1_c
-
coverpoint
cvr_bit_data_0_2_c
-
coverpoint
cvr_bit_data_0_3_c
-
coverpoint
cvr_bit_data_0_4_c
-
coverpoint
cvr_bit_data_0_5_c
-
coverpoint
cvr_bit_data_0_6_c
-
coverpoint
cvr_bit_data_0_7_c
-
coverpoint
cvr_bit_data_1_0_c
-
coverpoint
cvr_bit_data_1_1_c
-
coverpoint
cvr_bit_data_1_2_c
-
coverpoint
cvr_bit_data_1_3_c
-
coverpoint
cvr_bit_data_1_4_c
-
coverpoint
cvr_bit_data_1_5_c
-
coverpoint
cvr_bit_data_1_6_c
-
coverpoint
cvr_bit_data_1_7_c
-
coverpoint
cvr_bit_data_2_0_c
-
coverpoint
cvr_bit_data_2_1_c
-
coverpoint
cvr_bit_data_2_2_c
-
coverpoint
cvr_bit_data_2_3_c
-
coverpoint
cvr_bit_data_2_4_c
-
coverpoint
cvr_bit_data_2_5_c
-
coverpoint
cvr_bit_data_2_6_c
-
coverpoint
cvr_bit_data_2_7_c
-
coverpoint
cvr_bit_data_3_0_c
-
coverpoint
cvr_bit_data_3_1_c
-
coverpoint
cvr_bit_data_3_2_c
-
coverpoint
cvr_bit_data_3_3_c
-
coverpoint
cvr_bit_data_3_4_c
-
coverpoint
cvr_bit_data_3_5_c
-
coverpoint
cvr_bit_data_3_6_c
-
coverpoint
cvr_bit_data_3_7_c
-
coverpoint
direction
-
coverpoint
master_id
-
coverpoint
privilege_access
-
coverpoint
trans_direction
-
covercross
transfer_definition
-
coverpoint
transfer_length
-
coverpoint
was_timeout_active
Generated from:
amiq_dcr_coverage.sv


Positioning
public class Positioning : ObservableObject
Positioning exposes Publisher
which stream the current position of the users eyes,
quality indicators and if the user is present.
-
The width in pixels of the delivered image (guidance)
Declaration
Swift
public static let Width: Double
-
The height in pixels of the delivered image (guidance)
Declaration
Swift
public static let Height: Double
-
A reference to the current client, which represents the gRPC connection. This is automatically updated by
ET
when a new connection is established.Declaration
Swift
internal var client: Skyle_SkyleClient?
-
Internal empty constructor
Declaration
Swift
internal init()
-
Internal constructor passing a possible client
Declaration
Swift
internal init(_ client: Skyle_SkyleClient?)
-
The
state
property exposes aPublisher
which indicates the state of the stream of positioning data.Declaration
Swift
@Published private(set) public var state: States { get set }
-
The
isPresent
property exposes aPublisher
which indicates if a user is present. This is updated with one second of delay to smooth out small detection errors.Declaration
Swift
@Published private(set) public var isPresent: Bool { get set }
-
The
qualityDepth
property exposes aPublisher
which indicates the quality of the distance of the user. Ranges from-50
to50
with0
indicating the optimal value.Declaration
Swift
@Published private(set) public var qualityDepth: Int { get set }
-
The
qualityDepth
property exposes aPublisher
which indicates the quality of the horizontal and vertical position of the user. Ranges from-50
to50
with0
indicating the optimal value.Declaration
Swift
@Published private(set) public var qualitySides: Int { get set }
-
The
qualityXaxis
property exposes aPublisher
which indicates the quality of the horizontal position of the user. Ranges from-50
to50
with0
indicating the optimal value.Declaration
Swift
@Published private(set) public var qualityXaxis: Int { get set }
-
The
qualityYaxis
property exposes aPublisher
which indicates the quality of the vertical position of the user. Ranges from-50
to50
with0
indicating the optimal value.Declaration
Swift
@Published private(set) public var qualityYaxis: Int { get set }
-
Simple cleanup stops the gRPC call by killing it.
Declaration
Swift
deinit
-
Starts a gaze stream asyncronously, updating the
state
,position
,qualitySides
,qualityDepth
andisPresent
properties.Declaration
Swift
public func start()
-
Stops a gaze stream asyncronously, updating the
state
property.Declaration
Swift
public func stop()
-
Undocumented
Declaration
Swift
public func fakeStart()
-
Undocumented
Declaration
Swift
public func fakeStop()


|
App Engine Python SDK
v1.6.9 rev.445
The Python runtime is available as an experimental Preview feature.
|
Static Public Attributes | |
| IDLE = apiproxy_rpc.RPC.IDLE | |
| RUNNING = apiproxy_rpc.RPC.RUNNING | |
| FINISHING = apiproxy_rpc.RPC.FINISHING | |
A Future has 0 or more callbacks. The callbacks will be called when the result is ready. NOTE: This is somewhat inspired but not conformant to the Future interface defined by PEP 3148. It is also inspired (and tries to be somewhat compatible with) the App Engine specific UserRPC and MultiRpc classes.


SpinBox¶
-
class
pyqtgraph.
SpinBox
(parent=None, value=0.0, **kwargs)[source]¶ Bases: QtGui.QAbstractSpinBox
QSpinBox widget on steroids. Allows selection of numerical value, with extra features:
- SI prefix notation (eg, automatically display “300 mV” instead of “0.003 V”)
- Float values with linear and decimal stepping (1-9, 10-90, 100-900, etc.)
- Option for unbounded values
- Delayed signals (allows multiple rapid changes with only one change signal)
Signals: valueChanged(value) Same as QSpinBox; emitted every time the value has changed. sigValueChanged(self) Emitted when value has changed, but also combines multiple rapid changes into one signal (eg, when rolling the mouse wheel). sigValueChanging(self, value) Emitted immediately for all value changes. -
__init__
(parent=None, value=0.0, **kwargs)[source]¶ Arguments: parent Sets the parent widget for this SpinBox (optional). Default is None. value (float/int) initial value. Default is 0.0. bounds (min,max) Minimum and maximum values allowed in the SpinBox. Either may be None to leave the value unbounded. By default, values are unbounded. suffix (str) suffix (units) to display after the numerical value. By default, suffix is an empty str. siPrefix (bool) If True, then an SI prefix is automatically prepended to the units and the value is scaled accordingly. For example, if value=0.003 and suffix=’V’, then the SpinBox will display “300 mV” (but a call to SpinBox.value will still return 0.003). Default is False. step (float) The size of a single step. This is used when clicking the up/ down arrows, when rolling the mouse wheel, or when pressing keyboard arrows while the widget has keyboard focus. Note that the interpretation of this value is different when specifying the ‘dec’ argument. Default is 0.01. dec (bool) If True, then the step value will be adjusted to match the current size of the variable (for example, a value of 15 might step in increments of 1 whereas a value of 1500 would step in increments of 100). In this case, the ‘step’ argument is interpreted relative to the current value. The most common ‘step’ values when dec=True are 0.1, 0.2, 0.5, and 1.0. Default is False. minStep (float) When dec=True, this specifies the minimum allowable step size. int (bool) if True, the value is forced to integer type. Default is False decimals (int) Number of decimal values to display. Default is 2.
-
interpret
()[source]¶ Return value of text. Return False if text is invalid, raise exception if text is intermediate
-
selectNumber
()[source]¶ Select the numerical portion of the text to allow quick editing by the user.
-
setDecimals
(decimals)[source]¶ Set the number of decimals to be displayed when formatting numeric values.
-
setOpts
(**opts)[source]¶ Changes the behavior of the SpinBox. Accepts most of the arguments allowed in
__init__
.
-
setSingleStep
(step)[source]¶ Set the step size used when responding to the mouse wheel, arrow buttons, or arrow keys.
-
setValue
(value=None, update=True, delaySignal=False)[source]¶ Set the value of this spin. If the value is out of bounds, it will be clipped to the nearest boundary. If the spin is integer type, the value will be coerced to int. Returns the actual value set.
If value is None, then the current value is used (this is for resetting the value after bounds, etc. have changed)


---
layout: post
title: ! 'OSCON ''06 Review Three: Dangerous Indifference'
tags: []
status: publish
type: post
published: true
meta:
_edit_last: '1'
dsq_thread_id: '17413754'
---
Atom and the Atom Publishing Protocol was discussed in various forms and fashions. I'll post later about Tim Bray's session specifically on the Atom Publishing Protocol? One session, however, not directly on Atom itself, caught my attention.
Rasmus Lerdorf of PHP and Yahoo fame gave an insightful presentation PHP. It was detailed with everything from exectuion performance benchmarking with Callgrind and HTTP_Load to interacting with remote REST services using PHP's dynamic behavior.
On slide 12 of the presentation, a Flickr example is provided but claims the data feed is RSS when in reality it is Atom. Harmless mistake.
But when approached afterwards by a session attendee about the mistake Rasmus replied "Unless its faster, I don't care."
This is a sad viewpoint since Atom, and its accompanying Publishing Protocol, has so much more to offer over RSS. This type of indifference, I believe, is rather dangerous.
But the viewpoint also is quite indicative of the general computing population. I once heard it said that a technology has to be 10 times better than its predecessor to replace it. Clearly, that is an overstatement, but has an interesting principle.
The question then, does Atom and the Atom Publishing Protocol offer significant benefits...enough to replace RSS? If not, is RSS in such a broken state that it will not survive, leading Atom as the default successor?


Utilizing scalable linear algebra packages mainly
including 'BLACS', 'PBLAS', and 'ScaLAPACK' in double precision via
'pbdMPI' based on 'ScaLAPACK' version 2.0.2.
| Version: |
0.2-4 |
| Depends: |
R (≥ 3.0.0), methods, rlecuyer, pbdMPI (≥ 0.3-1) |
| Published: |
2018-04-05 |
| Author: |
Wei-Chen Chen [aut, cre],
Drew Schmidt [aut],
George Ostrouchov [aut],
Pragneshkumar Patel [aut],
Brian Ripley [ctb] (Solaris & Mac) |
| Maintainer: |
Wei-Chen Chen <wccsnow at gmail.com> |
| BugReports: |
https://github.com/snoweye/pbdSLAP/issues |
| License: |
Mozilla Public License 2.0 |
| Copyright: |
See 'pbdSLAP/inst/ScaLAPACK_LICENSE.txt' for the files in
'src/BLACS/', 'src/PBLAS/', 'src/REDIST/', 'src/ScaLAPACK/',
and 'src/TOOLS/'. 'See pbdSLAP/inst/LAPACK_LICENSE.txt' for the
files in 'src/LAPACK/'. |
| URL: |
http://r-pbd.org/ |
| NeedsCompilation: |
yes |
| SystemRequirements: |
'OpenMPI' (>= 1.5.4) on Solaris, Linux, Mac, and
FreeBSD. 'MS-MPI' (Microsoft HPC Pack 2012 R2 MS-MPI
Redistributable Package) on Windows. |
| Citation: |
pbdSLAP citation info |
| Materials: |
README ChangeLog INSTALL |
| In views: |
HighPerformanceComputing |
| CRAN checks: |
pbdSLAP results |


David G. Wastell
Relevant for examining some of the negative dynamics we can anticipate in workshops when bringing users and developers together.
"It is argued that IS development should be reframed as a transitional space, with particular attention given to the selection of appropriate transitional objects to assist in breaking down defensive processes. The cases are revisited to illustrate this approach in action; useful insights and positive practical outcome"
"many of the dysfunctions of IS development are due to its inherently stressful nature and the adverse impact that this has on participants. This stressfulness emanates from the high complexity (technical and managerial) of IS projects, that such undertakings typically involve a daunting combination of exacting cognitive demands, high levels of risk and uncertainty, political strife and the need to accommodate multiple stakeholder interests"
"Normatively speaking, ISD is a process of organizational change in which IT systems are designed and deployed to enable more effective operational practices. To bring this about, the prevailing business paradigm must be questioned with goals, processes, and roles considered afresh in the light of new technological potentialities."
"The present work is concerned with such defensive, antilearning processes, and with strategies
to pre-empt and overcome them in the context of IS development"


|
MAX32665 SDK Documentation
0.2
Software Development Kit Overview and API Documentation
|
Normal Interrupt Signal Enable. More...
Macros | |
| #define | MXC_F_SDHC_INT_SIGNAL_CMD_COMP_POS 0 |
| INT_SIGNAL_CMD_COMP Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_CMD_COMP ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_CMD_COMP_POS)) |
| INT_SIGNAL_CMD_COMP Mask. | |
| #define | MXC_F_SDHC_INT_SIGNAL_TRANS_COMP_POS 1 |
| INT_SIGNAL_TRANS_COMP Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_TRANS_COMP ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_TRANS_COMP_POS)) |
| INT_SIGNAL_TRANS_COMP Mask. | |
| #define | MXC_F_SDHC_INT_SIGNAL_BLK_GAP_POS 2 |
| INT_SIGNAL_BLK_GAP Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_BLK_GAP ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_BLK_GAP_POS)) |
| INT_SIGNAL_BLK_GAP Mask. | |
| #define | MXC_F_SDHC_INT_SIGNAL_DMA_POS 3 |
| INT_SIGNAL_DMA Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_DMA ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_DMA_POS)) |
| INT_SIGNAL_DMA Mask. | |
| #define | MXC_F_SDHC_INT_SIGNAL_BUFFER_WR_POS 4 |
| INT_SIGNAL_BUFFER_WR Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_BUFFER_WR ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_BUFFER_WR_POS)) |
| INT_SIGNAL_BUFFER_WR Mask. | |
| #define | MXC_F_SDHC_INT_SIGNAL_BUFFER_RD_POS 5 |
| INT_SIGNAL_BUFFER_RD Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_BUFFER_RD ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_BUFFER_RD_POS)) |
| INT_SIGNAL_BUFFER_RD Mask. | |
| #define | MXC_F_SDHC_INT_SIGNAL_CARD_INSERT_POS 6 |
| INT_SIGNAL_CARD_INSERT Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_CARD_INSERT ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_CARD_INSERT_POS)) |
| INT_SIGNAL_CARD_INSERT Mask. | |
| #define | MXC_F_SDHC_INT_SIGNAL_CARD_REMOVAL_POS 7 |
| INT_SIGNAL_CARD_REMOVAL Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_CARD_REMOVAL ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_CARD_REMOVAL_POS)) |
| INT_SIGNAL_CARD_REMOVAL Mask. | |
| #define | MXC_F_SDHC_INT_SIGNAL_CARD_INT_POS 8 |
| INT_SIGNAL_CARD_INT Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_CARD_INT ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_CARD_INT_POS)) |
| INT_SIGNAL_CARD_INT Mask. | |
| #define | MXC_F_SDHC_INT_SIGNAL_RETUNING_POS 12 |
| INT_SIGNAL_RETUNING Position. | |
| #define | MXC_F_SDHC_INT_SIGNAL_RETUNING ((uint16_t)(0x1UL << MXC_F_SDHC_INT_SIGNAL_RETUNING_POS)) |
| INT_SIGNAL_RETUNING Mask. | |


- hello,
- I am Reshma
- Front-End Web Developer
A React web application with the mobile and offline first approach that is responsive. Conforming with the web accessibility standards and uses asynchronous API requests utilizing the Google Maps API and FourseSquare API and uses error handling wherein data requests that fail are handled gracefully using common fallback techniques.
A bookshelf app that allows you to select and categorize books you have read, are currently reading, or want to read. The project emphasizes using React to build the application and provides an API server and client library that you will use to persist information as you interact with the application.
Feedreader Testing creates a great opportunity for writing effective tests using Jasmine that requires analyzing multiple aspects of an application including the HTML, CSS, and JavaScript.These will test the underlying business logic of the application as well as the event handling and DOM manipulation.
The Restaurant Reviews web application is about your neighbourhood restaurants, which is designed as per web accesibility standards and also to be responsive on different sized displays and accessible for screen reader users.The added functionality of the service worker creates a seamless offline experience for the users


Module to contain the module result class.
MIT. See LICENSE for full details.
A class to contain the result from running a module's unit tests.
Constructor.
| string name | The name of the module who's unit tests where run. |
| DUnitAssertError error | An error, if it occurred. |
Access the name of the module.
The name of the module that produced this result.
Access the error if one occurred.
The error if one occurred, null if not.


The dot at the top indicates the card's highest stat:
| Orange: Visual | |
| Blue: Dance | |
| Red: Vocal | |
| Creamy purple: Balanced |
And the dot below that indicates the card's skill type, if any:
| Blue: perfect lock | |
| Purple with slash: combo protect | |
| Purple with chevron: combo bonus | |
| Red: score bonus | |
| Light green with chevron: healer | |
| Light green with slash: life protect | |
| Yellow: Overload |
There are larger icons for individual card boxes:


--- layout: post title: 'Apple: 32 bit or 64 bit' date: 2010-07-15 08:26:29.000000000 +02:00 type: post published: true status: publish categories: - Various tags: [] meta: _edit_last: '2' _wp_old_slug: '' _jetpack_related_posts_cache: a:0:{} author: login: admin email<EMAIL_ADDRESS>display_name: gerbrand first_name: Gerbrand last_name: van Dieijen ---
I am about to download the latest version of Eclipse IDE, Helios. Naturally there are packages for various types of platforms. I know I have a Mac, however I also had to choose between 32 bit version and 64 bit version. There was a time I exactly knew these kind of things, but then I also used to build my computer myself.
Fortunately, there's a Apple support page which exactly tells me exactly that: How to tell if your Intel-based Mac has a 32-bit or 64-bit processor


Stephanie Palocz is a Sophomore at Stanford University, majoring and minoring in a to-be-determined combination of Computer Science, Symbolic Systems, and Music. John Hennessy is the president of Stanford University. He takes HCI classes in his spare time. This isn't his portfolio, though.


This page shows the LoJAX framework configured so
that it only re-creates the XMLHttpRequest
object for browsers that don't have native support.
Press the Make request button above,
and the script will make a POST
request to
a local PHP script - using either the native object or the re-creation,
as supported. The PHP script simply echoes back whatever
input data it received - in this case a single
GET
and single POST
parameter.


Id: 383
Name: Yaarb
Status: Alive
Species: Alien
Type:
Gender: Male
OriginName: unknown
OriginUrl:
LocationName: St. Gloopy Noops Hospital
LocationUrl: https://rickandmortyapi.com/api/location/16
Image: https://rickandmortyapi.com/api/character/avatar/383.jpeg
Episode: ['https://rickandmortyapi.com/api/episode/19']
Url: https://rickandmortyapi.com/api/character/383
Created: 2018-01-10T19:48:59.952Z


Looking for the C&C source code? I'm not affiliated with the developers of C&C and Boxer. However, one of my software packages contains it as a dependency. You can find it here: KNEWS.
The C&C/Boxer HTTP API provides an easy access to the C&C tools without the need to install software on your machine other than cURL or similar libraries for HTTP request (that usually come with the operating system anyway).
A few reasons to use the API:
I mantain an experimental installation of the HTTP API at this endpoint:
http://gingerbeard.alwaysdata.net/candcapi/
An example call is:
$ curl -d 'Every man loves a woman' 'http://gingerbeard.alwaysdata.net/candcapi/proxy.php/raw/pipeline?semantics=fol'
fol(1,not(some(A,and(n1man(A),not(some(B,some(C,and(r1patient(B,C),and(r1agent(B,A),and(v1love(B),n1woman(C))))))))))).
There is a limit of 5,000 requests/hour per client.
The source code is on github.
The service is provided as is. I do not guarantee its
continuity nor the quality of the output. Please do not rely on this
API to perform scientific experiments, I cannot guarantee the reproducibility
of the results obtained with this API. Use instead the
stable version of the C\&C tools The link to the C&C tools repository is dead.
By using this Web service you are also agreeing to the C&C System Licence Agreement and to the Boxer licence agreement (in the main directory of the C&C tools, LICENCE-BOXER.txt).
To learn about the URLs and options, read the documentation.


We can use CSS to make certain parts of a web page look different to others. We use selectors to 'select' the part we want to change the look of. Parts are called elements. ID and Class are both types of selectors and are used to select certain elements within a website. This allows the certain look or style to be applied to only those elements
ID can only be used on one type of element within a web page.
Elements like head, foot, or body that will only be used once can be a good place for id selectors.
First, add the ID tag in your HTML document to the element you want to style. In this example we will style the head element.
Then define this tag in the CSS stylesheet. The ID tag can be defined with a hashtag
Class selectors however can be used with multiple elements so the style can be applied to more than one type of element.
Class is best used for elements like paragraph, link, headers, button or containers like div.
To use Class, we first edit the HTML document to include the Class tag. This example edits a header element.
Then we edit the CSS document to assign the element a design.
ID has it's limitations and can be useful when you want to link somewhere on your page, as there will only be one spot where that id selector is. This can be helpful whe using JavaScript.
Class on the other hand is great for when you want to apply a style to multiple elements.
Fun fact: Class selectors seem to be used more often than ID selectors and you can use both ID and Class together.


Share your
holiday dreams
And find the perfect partner to fullfill it
How Dreamshare works?
Step 1
Sed leo enim, condimentum
Quisque libero libero, dictum non turpis in, luctus semper lorem.
Step 2
Morbi velit risus
Nulla venenatis tempor dui in molestie. Nulla quis dictum purus, sit amet porttitor est.
Step 3
Sed leo enim, condimentum
Quisque libero libero, dictum non turpis in, luctus semper lorem.
Meet a partner for your best holiday
Bradley Hunter
Based in Chicago. I love playing tennis and loud music.
Heather Walker
I'm a happy person that loves cats and climbing on mountains.
Lucas Marsha
I get my inspiration from nature and objects around me. I have a passion to colours, typography and skateboards.
Bradley Hunter
Based in Chicago. I love playing tennis and loud music.


Open Data
"Information Technology and Public Administration" in Carleton University's School of Public Policy and Administration Edition™
Edward Ocampo-Gooding
Catherine McGoveran
(Gov Info Librarian, uOttawa)
Sarah Simpkin
(GIS and Geography Librarian, uOttawa)
Shawn Hooper
(Web Application Developer)
Founded 2010
Hackfests!
#hackUObiblio 2014
Open Data Municipal Legislation!
That Council […] adopt the principles of Open Government, as described in this report, and declare the City of Ottawa data to be ‘Open’ […] – Spring, 2010
Open Data Day!
Open Data is...
Freely Accessible
And
Machine Readable
(and free to distribute/modify)
Mmmm...raw data
Mmmm...raw data on a map
Stumble safely
Sweet music
Vector: Lines, polygons
Vector: Points
Raster: Satellite imagery, scanned maps, etc.
Coordinates
Addresses (can be geocoded)
Census tracts
What is (useful) geodata?
Tagged as "geodata", but is it usable?
Open geospatial data
Geogratis launched in 1997
Free vector and raster datasets of Canadian landmass to the public
First Federal-level free open data set
NRCan has uploaded most of the dataets available on data.gc.ca
Formats: shp, kml, kmz, txt, xls + coodinate info
Why do cities release data?
Cheap infrastructure
Low-ish barrier to entry
Rewards at web-scale
Because it is awesome
311 Service Request Volumes
Thanks!
@edwardog
@kittmcg
@sarahsimpkin
@shawnhooper
@opendataottawa
facebook.com/opendataottawa


Analyze your
mycobiome
with DAnIEL
DAnIEL (Describing, Analyzing and Integrating fungal Ecology to effectively study the systems of Life) is a web server to analyze ITS amplicon sequencing data beginning from raw reads to publication ready figures and tables. Interactions between fungal species and diseases, bacterial species, and immune system components can be explored. A knowledge base of clinical relevant species provides additional annotation to biological findings


property LayerCollection: TLayerCollection;
Points to the LayerCollection, to which the layer belongs.
[See also]: Using Layers


05/14/2014 07:17:31 ¶ ● mynameisnatalee: tastefullyoffensive: The New Batman Logo [@zacksnyder/drbrevin] OH MY GOD. THANK YOU. I seriously thought I was the only one seeing that.


 Like to take part? Join our Slack group or look below to find an event near you.

Join us on Slack


package spi
- Alphabetic
- Public
- All
Type Members
-
trait
Injector extends AnyRef
Dependency injection container.
-
final
class
Registry extends AnyRef
Register the known StorageFactory according their associated StorageScheme.
-
trait
StorageFactory extends BiFunction[Injector, URI, ObjectStorage]
Functional interface as a factory to instantiate Object storage.
-
trait
StorageScheme extends AnyRef
Each implementation must be registered in a
META-INF/services/com.zengularity.benji.spi.StorageScheme
resource.


Unfortunately, Google Scholar prevents automatic syncing. However, you can manually import your data. Here's how:
Actions
Export
Export all my articles


Include/Exclude definition will not affect dependencies resolved from package manager manifest files.
Comma separated list of include or exclude wildcard patterns. Exclude patterns start with exclamation mark "!".
Example:
*.jar
*/folder/*
*/folder1/folder2/*
*/folder*/*
*/file.*
*/file*.jar
*/test/*file*.*
May reference build parameters like ${PARAM}.
Examples:
"**/*.jar" matches all .jar jars in a directory tree.
"*/test/a??.jar" matches all files/dirs which start with an 'a', then two more characters and then ".jar", in a directory called test.
"**" matches everything in a directory tree.
"**/test/**/XYZ*" matches all files/dirs which start with "XYZ" and where there is a parent directory called test (e.g. "abc/test/def/ghi/XYZ123").


Banner
Banner is a combination of an image, some heading text, paragraphs, buttons, etc. which comes to header of your page and gives your readers an important message and make your page more fancier.
Basic usage
You can see an example of a banner in top of this page. Following code is the code for this banner.

...

Online Documentation Template

theDocs reduce the burden of developing documentation for your next product.

 Getting Started

Overlays
To make a better contrast between texts and image, it's better to use overlay helper classes with banners. You can use either .overlay-black
or .overlay-white
with your banner.
Sizes
Easily change the height of your banner by adding .banner-sm
or .banner-lg
to the .banner
. Even you can make it full height by adding .navbar-full-height
to the .banner
.
Small
Uses .banner-sm
class.
Default
It's default size, doesn't require any class.
Large
Uses .banner-lg
class.
Full height
Uses .banner-full-height
class.
Phones
Due to lack of enough space, banner size will be full height in phones.
Variations
Apart from size varieties, you can make different type of variations.