What is Bookit?
Bookit is a free textbook resale service created by students, for students. You can sell your old textbooks to students on your campus, or you can browse used books that students from your school are selling.
Why was Bookit created?
Bookit was created by a team of students at the University of Washington Bothell. Just like you, we were tired of paying high prices for textbooks that we used for a few weeks, only to find that their resale value was only a fraction of the original price. We wanted an easy way to communicate with other students who might need our old books and who might be able offer used books of their own.
How do I find a book?
First, create an account with Bookit. Then check out our homepage. You can search for a book by its full title, author’s full name, or ISBN. Please be sure to enter the full title or author’s full name exactly as it appears on the book, with correct spelling. Searching by course number is not available at this time, but we hope to add this feature soon!
I found the book I want to buy. What now?
Awesome! Bookit makes it easy for you to contact the student selling the book: you can find the seller's email (or other preferred contact info) on the book’s information page. You and the seller can decide when and where you want to meet to exchange the book and the payment.
How do I post a book for sale?
First, create an account with Bookit. Then check out our homepage. Click the "+" button in the upper right-hand corner, and enter the ISBN for your book. Bookit will attempt to fill out the rest of the information for you. If your book cannot be found, you may need to enter the remaining information yourself. Please be sure to double-check all information; if you don’t enter it correctly, buyers might not be able to find your book! You can choose the price you want for your book. Consider checking out other popular booksellers, like your campus book store, to make sure you price your book competitively.
How do I find my book's ISBN?
A book's ISBN, or International Standard Book Number, is a 10- or 13-digit number that is unique to that book alone. The ISBN can usually be found on the back cover of a book, directly above the bar code, and will often start with 978 or 979. Please enter the full ISBN, without dashes, including all trailing zeroes. Need more help? Check out our ISBN help page.
Someone wants to buy my book. Now what?
That’s great! Communicate with the buyer to choose a time and place to meet. Consider choosing a public location on your school’s campus to ensure safety and convenience for everyone. Make sure to specify what form of payment is acceptable to you: cash, check, money order, etc. Don’t forget to bring your book to the meeting!


You can apply an .fs-1
class to any element
to give it the same font size as a h1
This is a paragraph that contains a normal hyperlink, some strong text and some italic text. Look how beautiful it looks! :)
You can apply an .fs-2
class to any element
to give it the same font size as a h2
You can apply an .fs-3
class to any element
to give it the same font size as a h3
You can apply an .fs-4
class to any element
to give it the same font size as a h4
You can apply an .fs-5
class to any element
to give it the same font size as a h5
You can apply an .fs-6
class to any element
to give it the same font size as a h6
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua enim ad minim veniam.
John Doe - Random Guy
<!DOCTYPE html> <html lang="en"> <head> <meta charset="UTF-8"> <title>Document>/title> </head> <body> </body> </html>
npm install @getbase/typography -S


Home
About
Order
Contact
CEO
Founder
Daniel
Ågren
@luffare97
@luffare97
@DanielÅgren
Slime Engineer
Philip
Arvidsson
@chrispy.philip
@Fluffyinator
@PhilipArvidsson
Designer
Emilia
Wennberg
@emilipops
@emilipopz
@EmiliaWennberg
Brother
Calle
Ågren
@awosmeness
@luffare99
@CalleÅgren
Wanna tell us something?
Fristname
Lastname
E-mail
Reason
Business
Info
Complaint
Sugestion
Applying for job
Just feeling lonely
Need someone to talk too
Message
Did we make your child ill?

Radioactive Apple
Poisonus Grape
Black Tar Liquorice
Super Glue White Chocolate
Bloody Cherry
Acid Pink Strawberry
Lightning Blue Raspberry
Do you have incurance?
Yes
No
Where do you live?
Australia
Canada
Denmark
Finnland
Germany
Iceland
Norway
Sweden
What symptoms does the child have?
Have you called the ambulance?
Yes
No


To change data (perform an INSERT
, UPDATE
, or DELETE
) you use the
executeUpdate()
method. This method is similar to the method executeQuery()
used to issue a SELECT
statement, but it doesn't return a ResultSet
; instead
it returns the number of rows affected by the INSERT
, UPDATE
, or DELETE
statement. Example 5.3, “Deleting Rows in JDBC”
illustrates the usage.
Example 5.3. Deleting Rows in JDBC
This example will issue a simple DELETE
statement and print out the number of
rows deleted.
int foovalue = 500;
PreparedStatement st = conn.prepareStatement("DELETE FROM mytable WHERE columnfoo = ?");
st.setInt(1, foovalue);
int rowsDeleted = st.executeUpdate();
System.out.println(rowsDeleted + " rows deleted");
st.close();


Describes a symbol.
More...
#include <Elf.h>
|
| enum | Binding : uint8_t {
STB_LOCAL = 0
, STB_GLOBAL = 1
, STB_WEAK = 2
, STB_LOPROC = 13
,
STB_HIPROC = 15
} |
| |
| enum | Type : uint8_t {
STT_NOTYPE = 0
, STT_OBJECT = 1
, STT_FUNC = 2
, STT_SECTION = 3
,
STT_FILE = 4
, STT_LOPROC = 13
, STT_HIPROC = 15
} |
| |
| enum | Visibility : uint8_t { STV_DEFAULT = 0
, STV_INTERNAL = 1
, STV_HIDDEN = 2
, STV_PROTECTED = 3
} |
| |
Describes a symbol.
Definition at line 49 of file Elf.h.
◆ Binding
| Enumerator |
|---|
| STB_LOCAL | |
| STB_GLOBAL | |
| STB_WEAK | |
| STB_LOPROC | |
| STB_HIPROC | |
Definition at line 51 of file Elf.h.
◆ Type
| Enumerator |
|---|
| STT_NOTYPE | |
| STT_OBJECT | |
| STT_FUNC | |
| STT_SECTION | |
| STT_FILE | |
| STT_LOPROC | |
| STT_HIPROC | |
Definition at line 59 of file Elf.h.
◆ Visibility
| Enumerator |
|---|
| STV_DEFAULT | |
| STV_INTERNAL | |
| STV_HIDDEN | |
| STV_PROTECTED | |
Definition at line 69 of file Elf.h.
◆ Symbol() [1/2]
| Halide::Internal::Elf::Symbol::Symbol |
( |
| ) |
|
|
default |
◆ Symbol() [2/2]
| Halide::Internal::Elf::Symbol::Symbol |
( |
const std::string & |
name | ) |
|
|
inline |
Definition at line 87 of file Elf.h.
◆ set_name()
| Symbol& Halide::Internal::Elf::Symbol::set_name |
( |
const std::string & |
name | ) |
|
|
inline |
Accesses the name of this symbol.
Definition at line 93 of file Elf.h.
◆ get_name()
| const std::string& Halide::Internal::Elf::Symbol::get_name |
( |
| ) |
const |
|
inline |
Accesses the name of this symbol.
Definition at line 97 of file Elf.h.
◆ set_type()
| Symbol& Halide::Internal::Elf::Symbol::set_type |
( |
Type |
type | ) |
|
|
inline |
Accesses the type of this symbol.
Definition at line 104 of file Elf.h.
◆ get_type()
| Type Halide::Internal::Elf::Symbol::get_type |
( |
| ) |
const |
|
inline |
Accesses the type of this symbol.
Definition at line 108 of file Elf.h.
◆ define()
Accesses the properties that describe the definition of this symbol.
Definition at line 115 of file Elf.h.
◆ is_defined()
| bool Halide::Internal::Elf::Symbol::is_defined |
( |
| ) |
const |
|
inline |
Accesses the properties that describe the definition of this symbol.
Definition at line 121 of file Elf.h.
◆ get_section()
| const Section* Halide::Internal::Elf::Symbol::get_section |
( |
| ) |
const |
|
inline |
Accesses the properties that describe the definition of this symbol.
Definition at line 124 of file Elf.h.
◆ get_offset()
| uint64_t Halide::Internal::Elf::Symbol::get_offset |
( |
| ) |
const |
|
inline |
Accesses the properties that describe the definition of this symbol.
Definition at line 127 of file Elf.h.
◆ get_size()
| uint32_t Halide::Internal::Elf::Symbol::get_size |
( |
| ) |
const |
|
inline |
Accesses the properties that describe the definition of this symbol.
Definition at line 130 of file Elf.h.
◆ set_binding()
| Symbol& Halide::Internal::Elf::Symbol::set_binding |
( |
Binding |
binding | ) |
|
|
inline |
Access the binding and visibility of this symbol.
See the ELF spec for more information about these properties.
Definition at line 138 of file Elf.h.
◆ set_visibility()
Access the binding and visibility of this symbol.
See the ELF spec for more information about these properties.
Definition at line 142 of file Elf.h.
◆ get_binding()
| Binding Halide::Internal::Elf::Symbol::get_binding |
( |
| ) |
const |
|
inline |
Access the binding and visibility of this symbol.
See the ELF spec for more information about these properties.
Definition at line 146 of file Elf.h.
◆ get_visibility()
| Visibility Halide::Internal::Elf::Symbol::get_visibility |
( |
| ) |
const |
|
inline |
Access the binding and visibility of this symbol.
See the ELF spec for more information about these properties.
Definition at line 149 of file Elf.h.
The documentation for this class was generated from the following file:
- /Users/halidenightly/build_bot_new/worker/halide-main-llvm13-x86-64-osx-cmake/halide-source/src/Elf.h


Sets the threshold for the total number of critical, high, medium, or low severity findings allowed. If the number of findings equals or is greater than the threshold for any one of the severities, the threshold action will be triggered.
By default, if the threshold is triggered, the build will be put into an UNSTABLE state. However, a build can optionally be failed upon triggering a threshold.


SEVEN YEARS IN TIBET
A Film Review by James Berardinelli
RATING (0 TO 10): 6.5 Alternative Scale: **1/2 out of ****
United States, 1997 U.S. Release Date: 10/10/97 (wide) Running Length: 2:09 MPAA Classification: PG-13 (Violence, mature themes) Theatrical Aspect Ratio: 2.35:1
Cast: Brad Pitt, David Thewlis, Jamyang Wangchuk, Lhakpa Tsamchoe, B.D. Wong, Mako, Danny Denzongpa, Victor Wong, Ingeborga Dapkunaite Director: Jean-Jacques Annaud Producers: Jean-Jacques Annaud, John H. Williams, Iain Smith Screenplay: Becky Johnson based on the novel by Heinrich Harrer Cinematography: Robert Fraisse Music: John Williams U.S. Distributor: TriStar Pictures
Hollywood has a habit of producing multiple films about the same topic in a short span of time. The tale of the Dalai Lama is the latest example of this, following in the wake of such recent double-dip subjects as Christopher Columbus (CHRISTOPHER COLUMBUS: THE DISCOVERY, 1492: CONQUEST OF PARADISE), Wyatt Earp (TOMBSTONE, WYATT EARP), volcanic disasters (DANTE'S PEAK, VOLCANO), and Prefontaine (PREFONTAINE and the soon-to-be-released PRE). So SEVEN YEARS IN TIBET, Jean-Jacques Annaud's adaptation of Heinrich Harrer's 1953 autobiographical work, isn't the only 1997 film to cash in on the new wave of Buddhism. Martin Scorsese's KUNDUN, a look at the life of the Dalai Lama before he went into exile, is due out on Christmas day. Both films have significant historical and thematic overlaps.
The focus of SEVEN YEARS IN TIBET isn't the spiritual leader of Tibet, but the Austrian who would become his tutor and friend.  An Olympic medalist and mountain climbing champion, Harrer is invited to be a part of a German expedition to the top of Nanga Parbat, one of the tallest mountains in the Himalayas. The summit is never attained, however, because the group's leader, Peter Aufschnaiter (David Thewlis) calls a halt after a close call with an avalanche. When the climbers return to their camp at the mountain's base, they are arrested by British soldiers and interred in a prisoner of war camp.
After numerous unsuccessful escape attempts, Harrer finally gets out, and, along with Aufschnaiter, makes his way through the mountains of India into Tibet, the highest country in the world. Eventually, after a difficult trek, the two men enter Lhasa, the Tibetan holy city, where they are accepted as pilgrims who have achieved a great feat by completing such a journey. There, they vie for the affection of an comely tailor (Lhakpa Tsamchoe) and Harrer attracts the attention of the 11-year old Dalai Lama (Jamyang Wangchuk). Soon, Harrer has not only met Tibet's young spiritual leader, but is spending hours a day with him, teaching him geography, English, and what the West is like.
Those expecting a heavy dose of Buddhist mysticism may be disappointed by SEVEN YEARS IN TIBET, which keeps its religious elements low-key. This is essentially the story of Harrer's redemption, and, until the film's final quarter, Annaud keeps the proceedings centered on him. In fact, it's during SEVEN YEARS' last act, which depicts China's ruthless submission of Tibet during the 1950s, that the film's focus wavers. This attempt to broaden the movie's scope detracts from its primary story. The extra scenes serve only to divert our attention from Harrer and prolong a movie that would have been more enjoyable with some additional pruning.
SEVEN YEARS IN TIBET also tries a little too hard to underscore Harrer's transformation by overemphasizing his negative traits at the beginning. When SEVEN YEARS opens, he's a selfish prig who abandons his pregnant wife to go on the Nanga Parbat expedition. During the climb, he endangers the others by concealing an injury. And, all the while, he shows the arrogance of someone who believes himself to be infallible and who practices blaming others rather than examining his own culpability. However, by the closing scene, he's a virtual saint. Of course, the end points of a spiritual journey matter less than the actual trek. So, although Harrer starts out the movie as a cliche, his character is permitted enough growth to allow him to become progressively more human as the story advances.
SEVEN YEARS IN TIBET is at its strongest during those sequences when Harrer is crossing the Himalayas, adapting to Tibetan society, and forging a friendship with his surrogate son, the Dalai Lama. The latter scenes are especially effective, due in large part to a remarkable performance by Jamyang Wangchuk, whose fine acting makes it possible to believe that this boy, with all the natural curiosity of someone his age, has access to the wisdom of ages. Next to Wangchuk, Pitt comes across as rather pedestrian -- his portrayal isn't exactly uninspired, but it's nothing special, and his inconsistent accent is a source of irritation. Of the other actors, only Lhakpa Tsamchoe manages to forge an impression. David Thewlis, who has been on a downhill slide since NAKED, is even more unremarkable than Pitt.
Nevertheless, although he may not have the strongest leads, Annaud compensates for the deficiency with stunning photography. Cinematographer Robert Fraisse has used the glorious mountainscapes to their best effect, almost always affording the viewer with the opportunity to see something spectacular, such as a scene where two climbers are ascending a mountainside while silhouetted against a glorious sunset. It's a little ironic that, because of Asian politics, Annaud couldn't do any filming in the Himalayas, and was forced to use the South American Andes as stand-ins.
Ultimately, however, Annaud's desire to create an epic tale actually harms the production, since it results in unnecessary scenes that pad the running length to more than two hours. The best moments in SEVEN YEARS are the quiet, intimate ones, and while there's some enjoyment to be gained from the more adventurous sequences, they pale in comparison to the interaction between Harrer and the Dalai Lama. Those are the times when SEVEN YEARS is at its best; I just wish there had been a few more of them.
Copyright 1997 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>Now with more than 1300 reviews... The ReelViews web site: http://movie-reviews.colossus.net/
"For me, the cinema is not a slice of life, but a piece of cake."
- Alfred Hitchcock
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


You can use the TypeScript Playground for this exercise.
Using the ATM class that you created in lesson 2, convert it to TypeScript.
In particular:
type
property should be a stringmoney
property should be a numbertransactionHistory
property should be whatever you decided to use in lesson 2. If you're using an object, write a simple interface for it and use the interfaceThe methods should also be typed.
deposit()
should accept a numberwithdraw()
should accept a numbercheckBalance()
should have no parameters


{% extends "wrapper.html" %} {% block title %}Phone Search{% endblock %} {% block content %}
Enter a phone number to figure out which office called.
Be careful about callers attempting to phish information via phone. Verify who is calling.
{{ wtf.quick_form(form, method='get') }} {% if result.set %}The call was from {{ result.company.name }}, main number {{ result.company.main_number }}.
{% else %}This number was not recognised
. {% endif %} {% endif %}


About one in three adults at normal weight, survey finds
Just over a third of Irish adults are of normal weight, according to official statistics.
While the proportion of men who were overweight and obese dropped slightly since 2017 (from 70% to 66%), overall figures show that 60% of those surveyed were found to be overweight or obese.
Just 37% of adults recorded a normal weight this year.
A survey for the Department of Health also found a significant drop in the number of people smoking.
Health Promotion Minister Catherine Byrne said: “The levels of overweight and obesity in our population remains a great cause for concern.
“While levels appear to be stabilising, there is no room for complacency.
“In recent years Government has introduced evidence-based policies and a range of initiatives and actions to tackle both obesity and physical inactivity, and implementation of these remains a priority.
“This year’s survey shows a small increase in the number of people meeting the guidelines on physical activity, which is encouraging.”
Half of those surveyed were achieving the recommended level of physical activity.
The prevalence of smoking has dropped from 23% in 2015 to 17% in 2019, which means there are now an estimated 165,000 fewer smokers than five years ago.
Plain packaging with health warnings, introduced under a new law last year, was cited by 25% of smokers as a good motivation to quit.
In the last year, 40% of smokers have made an attempt to quit, with health concerns being the prime motivator.
Minister for Health Simon Harris said:” I welcome the findings of this year’s Healthy Ireland Survey and in particular the continued drop in the smoking rate.
“This shows that our multi-pronged approach, with legislation, support for smoking cessation and policies to denormalise smoking in our society, is bearing fruit and we are heading in the right direction to being a tobacco-free Ireland.”
The Healthy Ireland report also found that the level of smoking in Ireland has dropped from 20% to 17% of the population.
82,500 people gave up smoking in Ireland in the past year.
The number of people who gave up was highest among those aged between 25 and 34, unemployed people and those living in deprived areas.
READ MORE
Brendan O’Carroll opens up about how an appearance on The Late Late Show saved his life


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您好, ${Session.abbccadmin.name} [ 退出 ]
" target=_blank>abbcc首页
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I'm a self taught artist. I usually practice mimicking other art styles till I add my own style to it or feel comfortable that I could add my own style. I'm not that good of a artist that I want to put my art as a wallpaper yet, but I think I'm getting there.
From the time I was a child, I always enjoy singing. There is a sense of passion when music is being played. Then I joined choir in fourth grade. Singing in a group empowers that feeling of passion as well as add in the feeling of camaraderie. Around sixth grade, I learned to play the piano. Piano helped me understand how to read music and sightread.
I adore stories. I always love to read books and any kind of story. Stories get us through life with lessons they contain or just get entertain us. Hope is there no matter how small even if you have to pass that hope or story to another. Hope might not shine the brightest or be as obvious, but it's there. A bit of hope maybe for oneself and maybe for those around them, it's worth it to have hope.
Also, I am a huge Harry Potter fan. Talk to me about anything obscure, I'll probabaly know about it.
I am intrigued by the anime medium considering there are so many kinds. I love the art style and enjoy the story aspects of anime. Much like how adore stories, I mostly find anime that builds on top of character development, character interactions, and world-building appealing.


{% extends "base.html" %} {% block content %} {% if quote %} {% include "quotes/quote.html" with quote=quote %} {% else %} {% include "quotes/list_quotes.html" with quotes=quotes %}


Home
View the restaurants menu in order to start your order
Account
Edit you account details and payment methods
Orders
View your past orders and reorder any of your favorites
{{customer.length === 0 ? 'Sign In' : 'Sign Out'}}


The following is a testing template of mail notification, It will be changed.
Allocation request [{{ request.project.description }}] Received
{% if request.request_status.code == 'N' %} An allocation request has been created by "{{ request.created_by.email }}" on {{ request.creation_date }}. {% elif request.status == 'E' %} An allocation request has been edited by "{{ request.updated_by.email }}". on {{ request.last_modified }}. {% else %} An allocation request has been created by "{{ request.created_by.email }}". {% endif %}
Project name: {{ request.project.description }}
Start date: {{ request.start_date }}
End date: {{ request.end_date }}


ZEBRA
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Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised
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