--- title: py2gift keywords: fastai sidebar: home_sidebar summary: "Write GIFT (Moodle-compatible quizzes) files using Python." description: "Write GIFT (Moodle-compatible quizzes) files using Python." ---
py2gift
is a library meant to write question banks in GIFT format (Moodle) programmatically in Python. Ultimately, questions can be written (though this is not a requirement) from a Jupyter notebook. The advantages are:
This library relies on gift-wrapper and it has been created using nbdev. The latter fact means you can explore the actual source code through jupyter notebooks and see the inner workings of each individual piece.
Since the library is in PyPI
pip install py2gift
should do.
If you'd rather clone this repository, the command below should install all the required packages
pip install pandas numpy matplotlib ruamel.yaml gift-wrapper
Writing a question involves specifying the statement and, optionally, the feedback in different notebook cells. In every case variables, specified with the prefix !
, can be included, and those are meant to be filled in from within a Python class. This comes very handy when you want to create different versions of a single question in which some input data (maybe in the form of a picture) randomly changes from question to question. Then, you can instruct py2gift
to call your python code a number of times, each one giving rise to a different version of the same question (as long as some variable is set at random, e.g., by exploiting the functionality in np.random
). The solution, whose format depends on the question type, must also be set from within the code.
Underneath, images are handled by gift-wrapper, and hence paths (e.g., images/scheme.svg
) to either .tex
(that can be compiled with pdflatex) or .svg
files can be included in the statement, solution or feedback of a question. Moreover, they can be included through one of the variables (prefix !
), and hence random (but nonetheless meaningful) pictures are a possibility.
Notice that the difference between two instances of the same question can be minor or significant. Ultimately, it depends on how sophisticated your Python code is (if the latter can solve the question/problem in a very general form, and you are also able to present it in the statement
, then it is fine).
Beside the above mentioned core functionality, py2gift
provides some extra functions to ease the process of writing questions (modules tex
, util
, time
, hash
). However, a thorough description of the functionality would be very dry and you are probably better off by taking a look at one of the sample notebooks (minimal or example_1). Also, you can take a look at the documentation.


Set: My house, Friday night, bored, alone, wanting to sample the 4-FMP (4-Fluoro-alpha-methylphenethylamine, 4-FMPEA, 4-FA) I’d recently acquired.
Setting: Pretty normal Friday night, although as I was alone at home and everyone I knew was out of town, I was not sure what to do and was feeling pretty bored, plus winter was just starting which ruled out running around town. My general mood was good though and I had no serious troubles pressing on my mind.
Dose: 160 mgs.
T+0:00 - Ingested 160 mgs. 4-FMP
T+0:30 - There is a tingle in my face and my palms are starting to sweat. Nervous anticipation? Perhaps.
T+1:15 - There is definitely something here, it feels nice, no waves of euphoria or happiness, but I feel good. My extremities tingle slightly and I am very alert, I look in the mirror and notice myself smiling. Music sounds good; some good psy-trance is the perfect choice for the occasion. Start to get the cleaning of the house out of the way for the weekend to come.
T+2:00 - I am left feeling a little disappointed. My body is warm and I have energy and motivation, but there is no bliss and no psychedelic aspects associated with this chemical at all (not that I was expecting any). I am reminded of simple amphetamine a great deal, but the stimulation does not seem to be as forceful as methamphetamine, more calm and relaxed. No nervous 'I must do all 1000 things which are rushing through my head simultaneously' sort of feel.
T+3:00 - Decided to supplement with 120 mgs. MDMA. Was that a good idea? Hope there's no serious interaction about to take place. I doubt it though; this stuff feels pretty damned harmless.
T+3:30 - Hmm... It feels like someone is sticking me randomly with a pin.
T+4:00 - Feeling VERY nice now. Music has begun to sound infinitely better, have no desire to move anymore. Finish the cleaning tomorrow! Eyes closing in that spaced out “e” way, jaw starting to chatter a little, having trouble focusing. I am sure this is just the MDMA talking now, but it certainly does feel damn good and strong for a 120 mg dose. No negative aspects to it. (Pin-prick feeling has gone away.)
T+5:30 - Peaking hard, I do not normally feel quite as nice as this when I take just 120 mgs. of MDMA. Is there a connection? My instincts tell me yes. This is nothing like when I combine “speed” and MDMA.
----------------------------------------------------------
About this time, my flatmate came through my lounge room (she has her own, separate lounge) and asked “what the F*#K did you take”? I guess my eyes were as big as plates! The next three hours or so I spent on the computer chatting on IRC, listening to music while lying on the sofa and watching a bit of television. I didn’t make any more notes during this time for two reasons. One, I was bored with the concept of writing a trip report and two, nothing “note-worthy” (so to say) was taking place. I was able to fall asleep at about the T+9:00 mark, and slept for about four hours. The next morning, there was just a typical MDMA style hangover with a touch of lethargy and mental numbness.
Conclusion:
It was a good experience and I definitely think there is some synergy between 4-FMP and MDMA, but this particular substance does not overly impress me, especially on its own. From what I had heard about it, I was expecting a little bit more of a bliss element to be present with the 4-FMP alone, but it just wasn’t there, at least not to an impressive degree. I have taken 4-FMP on three other occasions, twice alone, and once more with MDMA again. I found the same synergy to be present as with this experience on my subsequent MDMA/4-FMP combination. Alone, I find it to be a simple amphetamine-like stimulant with an even annoying edge to it at times. I’d even compare it to dextroamphetamine on many levels. Even meth is more euphoric to me, and I don’t find meth that euphoric at all.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


HOME
Genetic Algorithm
CRACK
{% if data %}
Decrypted Message: {{data[0]}}
After Every 5th Generations:
{% for i in data[1] %}
{{i}}
{% endfor %} {% endif %}


--- layout: post title: Install Hadoop 2.5.0 on Arch Linux excerpt: Steps of installing Hadoop 2.5.0 on Arch Linux categories: - Linux tags: - [Linux, Hadoop, Arch Linux] ---
This post is roughly based on the Apache Hadoop 2.5.0 documentation of Single Node Cluster.
Before installing Hadoop, we should make sure that ssh
, rsync
and OpenJDK
are already installed on the computer. According to HadoopJavaVersions, OpenJDK
7, which is offered by Arch Official Repository, is good to work with Hadoop.
However, there is a minor problem during recent java-common
's upgrading from
1.6 to 1.7, which causes the problem that the default jvm might not be correctly
configured. Run
archlinux-java status
to see whether the default jvm has already been chosen. If not, Run
archlinux-java fix
to fix it.
We also want a dedicated user and group for Hadoop. This is quite easy:
sudo groupadd hadoop sudo useradd -m -g hadoop hduser
OK, done. Let's go ahead and install Hadoop.
Note: I did try the instructions on Hadoop ArchWiki Page and installed the
Hadoop
package from AUR. But the wiki page seems out-of-date and it is hard to
configure the AUR package for pseudo-distributed mode since I didn't manage to
find useful documentation about that.
First download Hadoop 2.5.0 distribution from Apache Download Mirrors. Extract
it to hadoop-2.5.0
directory and move it to a directory you like. I moved it
to /usr/local/
, and ran the following command(may need root privilege):
ln -s /usr/local/hadoop-2.5.0 /usr/local/hadoop chown -R hduser:hadoop /usr/local/hadoop-2.5.0
The most important environment variable is JAVA_HOME
in
/usr/local/hadoop/etc/hadoop/hadoop-env.sh
. Usually changing it to
/usr/lib/jvm/default
would be enough for Arch Linux users.
The following change is not mandatory, but it may simplify our typing…I Added
these lines to the initial script of my favorite shell(as user hduser
):
HADOOP_PREFIX=/usr/local/hadoop PATH=$PATH:${HADOOP_PREFIX}/bin:${HADOOP_PREFIX}/sbin
Now Hadoop should work in a non-distributed mode. The following commands are based on Apache Hadoop Documentation.
mkdir input cp ${HADOOP_PREFIX}/etc/hadoop/*.xml input hadoop jar ${HADOOP_PREFIX}/share/hadoop/mapreduce/hadoop-mapreduce-examples-2.5.0.jar grep input output 'dfs[a-z.]+' cat output/*
The following sections are only essential for the pseudo-distributed operation.
Now ssh onto localhost as hduser
, then
ssh-keygen -P '' cat $HOME/.ssh/id_rsa.pub >> $HOME/.ssh/authorized_keys
I added the following lines to ${HADOOP_PREFIX}/etc/hadoop/core-site.xml
:
<configuration> <property> <name>fs.defaultFS</name> <value>hdfs://localhost:9000</value> </property> <property> <name>hadoop.tmp.dir</name> <value>/home/hduser/hdfs</value> </property> </configuration>
The hadoop.tmp.dir
defaults to /tmp/hadoop-${user.name}
. I changed it
because the contents under /tmp
would be removed on every reboot, which is not
I want. Then add these lines to ${HADOOP_PREFIX}/etc/hadoop/hdfs-site.xml
:
<configuration> <property> <name>dfs.replication</name> <value>1</value> </property> </configuration>
Then the following commands from the Apache Hadoop Documentation should work.
hdfs namenode -format start-dfs.sh hdfs dfs -mkdir /user hdfs dfs -mkdir /user/hduser hdfs dfs -put ${HADOOP_PREFIX}/etc/hadoop input hadoop jar ${HADOOP_PREFIX}/share/hadoop/mapreduce/hadoop-mapreduce-examples-2.5.0.jar grep input output 'dfs[a-z.]+' hdfs dfs -get output output cat output/* stop-dfs.sh


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| Address (uint16_t port) |
| | Creates address object using provided port.
|
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|
| Address (std::string address, uint16_t port) |
| | Creates address object using provided address and port.
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| |
|
| Address (struct sockaddr_in addr) |
| | Creates address object using provided low level address structure.
|
| |
|
| Address (const Address &address) |
| | Copy constructor.
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| |
|
uint16_t | GetPort () const |
| | Gets the assign port to the address.
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| |
|
std::string | GetIP () const |
| | Gets the assign ip to the address.
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| |
|
std::string | ToString () const |
| | Gets string representation of an address.
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| |
|
const struct sockaddr_in * | GetRawAddress () const |
| | Gets low level address structure.
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| |
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|
static sockaddr_in | Tempaddr (std::string address, uint16_t port) |
| |
|
static sockaddr_in | Tempaddr (uint16_t port) |
| |
|
|
const struct sockaddr_in | addr |
| |
The documentation for this class was generated from the following files:
- /home/lukaszs/github/socket-nano/src/Address.h
- /home/lukaszs/github/socket-nano/src/Address.cpp


This is a web view with some sample HTML-formatted content for copying.
Google
Things to try:
- Tap Check to see the list of pasteboard data types that are currently in the pasteboard.
- Copy some text from this web view, then try Check again.
- Copy "Pasteboard Data Types:" from the text view, then try Check again.
- Tap Make to have the app programmatically put HTML content on the pasteboard, then try Check.
- Copy the Google link above, then go to an HTML-capable app (like the Mail composition view) and do a paste. Try the same thing with a plain text app (like Notes).


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| This second epistle, beloved, I now write unto you; in both which I stir up your pure minds by way of remembrance:
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| ᎯᎠ ᎾᏍᎩ ᏔᎵᏁ ᎪᏪᎵ ᎿᎭᏉ ᎢᏨᏲᏪᎳᏏ ᎢᏨᎨᏳᎢ; ᎾᏍᎩ ᎾᎿᎭᏕᏨᏰᏍᏓᏁ ᎤᏠᎾᏍᏗ ᏂᎨᏒᎾ ᏕᏣᏓᏅᏛ ᎾᏍᎩ ᎢᏨᏯᏅᏓᏗᏍᏗᏍᎬᎢ,
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Hi-a na-s-gi ta-li-ne go-we-li hna-quo i-tsv-yo-we-la-si i-tsv-ge-yu-i; na-s-gi na-hna de-tsv-ye-s-da-ne u-tlo-na-s-di ni-ge-sv-na de-tsa-da-nv-dv na-s-gi i-tsv-ya-nv-da-di-s-di-s-gv-i,
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| That ye may be mindful of the words which were spoken before by the holy prophets, and of the commandment of us the apostles of the Lord and Saviour:
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| ᎾᏍᎩ ᎢᏣᏅᏓᏗᏍᏗᏱ ᎧᏃᎮᏛ ᎢᎸᎯᏳ ᎤᏂᏃᎮᏛ ᎨᏥᎸᏉᏗ ᎠᎾᏙᎴᎰᏍᎩ, ᎠᎴ ᎠᏴ ᏦᎦᏕᏲᏅᎯ ᎣᎩᏅᏏᏛ ᎤᎬᏫᏳᎯ ᎠᎴ ᏗᏍᏕᎵᏍᎩ.
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Na-s-gi i-tsa-nv-da-di-s-di-yi ka-no-he-dv i-lv-hi-yu u-ni-no-he-dv ge-tsi-lv-quo-di a-na-do-le-ho-s-gi, a-le a-yv tso-ga-de-yo-nv-hi o-gi-nv-si-dv U-gv-wi-yu-hi a-le Di-s-de-li-s-gi.
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| Knowing this first, that there shall come in the last days scoffers, walking after their own lusts,
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| ᎯᎠ ᏄᏍᏕᏍᏗ ᎢᎬᏱ ᎢᏣᏅᏖᏍᏗ, ᎾᏍᎩ ᎤᎵᏍᏆᏅᏗ ᎨᏎᏍᏗ ᎤᏂᎷᎯᏍᏗ ᎨᏒ ᎠᏂᏐᏢᎢᏍᏗᏍᎩ ᎤᏅᏒ ᎤᎾᏚᎸᏅᎥᏍᎬ ᎠᏂᏍᏓᏩᏕᎩ,
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Hi-a nu-s-de-s-di i-gv-yi i-tsa-nv-te-s-di, na-s-gi u-li-s-qua-nv-di ge-se-s-di u-ni-lu-hi-s-di ge-sv a-ni-so-tlv-i-s-di-s-gi u-nv-sv u-na-du-lv-nv-v-s-gv a-ni-s-da-wa-de-gi,
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| And saying, Where is the promise of his coming? for since the fathers fell asleep, all things continue as they were from the beginning of the creation.
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| ᎠᎴ ᎯᎠ ᎢᏯᏂᏪᏍᎩ, ᎦᏙ ᎤᎵᏍᏔᏅ ᎤᎷᎯᏍᏗᏱ ᎤᏚᎢᏍᏔᏅᎢ? ᎠᏂᎦᏴᎵᎨᏰᏃ ᎬᏩᏂᎵᏅᏨᎯ ᏅᏓᎬᏩᎴᏅᏛ, ᏅᏩᏍᏗᏉ ᏂᎦᎥ ᎪᎱᏍᏗ ᏥᏄᏍᏛᏉ ᏧᏓᎴᏅᎲ ᎤᏬᏢᏅᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ.
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A-le hi-a i-ya-ni-we-s-gi, Ga-do u-li-s-ta-nv u-lu-hi-s-di-yi u-du-i-s-ta-nv-i? A-ni-ga-yv-li-ge-ye-no gv-wa-ni-li-nv-tsv-hi nv-da-gv-wa-le-nv-dv, nv-wa-s-di-quo ni-ga-v go-hu-s-di tsi-nu-s-dv-quo tsu-da-le-nv-hv u-wo-tlv-nv-nv nv-da-gv-wa-da-le-nv-dv.
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| For this they willingly are ignorant of, that by the word of God the heavens were of old, and the earth standing out of the water and in the water:
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| ᎯᎠᏰᏃ ᎤᏅᏒ ᎤᎾᏚᎸᏛ ᎾᏂᎦᏔᎲᎾ ᏥᎩ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏁᏨ ᏅᏧᎵᏍᏙᏔᏅ ᎦᎸᎶ ᎢᎸᎯᏳ ᏥᎨᏎᎢ ᎠᎴ ᎡᎶᎯ ᎠᎹᏱ ᎦᏚ ᏧᎦᏚᏕᎢ, ᎠᎴ ᎠᏭᎯ ᏥᎦᏙᎨᎢ;
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Hi-a-ye-no u-nv-sv u-na-du-lv-dv na-ni-ga-ta-hv-na tsi-gi, na-s-gi U-ne-la-nv-hi u-ne-tsv nv-tsu-li-s-do-ta-nv ga-lv-lo i-lv-hi-yu tsi-ge-se-i a-le e-lo-hi a-ma-yi ga-du tsu-ga-du-de-i, a-le a-wu-hi tsi-ga-do-ge-i;
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| Whereby the world that then was, being overflowed with water, perished:
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| ᎾᏍᎩ ᎡᎶᎯ ᎾᎯᏳ ᏥᎨᏎ ᎠᎹᏱᎭ ᏥᏄᎵᏍᏔᏁᎢ, ᎤᏲᏤᎢ.
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Na-s-gi e-lo-hi na-hi-yu tsi-ge-se a-ma-yi-ha tsi-nu-li-s-ta-ne-i, u-yo-tse-i.
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| But the heavens and the earth, which are now, by the same word are kept in store, reserved unto fire against the day of judgment and perdition of ungodly men.
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| ᎠᏎᏃ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ ᎪᎯ ᏥᎩ, ᎾᏍᎩᏉ ᎤᏁᏨ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏓᏍᏆᏂᎪᏗ, ᎠᏥᎸᏱ ᏭᎾᎵᏰᎢᎶᎯᏍᏗᏱ ᏓᏍᏆᏂᎪᏗ ᎬᏂ ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏎᏍᏗ ᎠᎴ ᎨᏥᏛᏙᏗᏱ ᎠᏂᏍᎦᏯ ᎤᏁᎳᏅᎯ ᏂᏚᎾᏁᎶᏛᎾ.
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a-se-no ga-lv-lo-i a-le e-lo-hi go-hi tsi-gi, na-s-gi-quo u-ne-tsv nv-di-ga-li-s-do-di-ha da-s-qua-ni-go-di, a-tsi-lv-yi wu-na-li-ye-i-lo-hi-s-di-yi da-s-qua-ni-go-di gv-ni di-gu-go-do-di-yi i-ga ge-se-s-di a-le ge-tsi-dv-do-di-yi a-ni-s-ga-ya u-ne-la-nv-hi ni-du-na-ne-lo-dv-na.
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| But, beloved, be not ignorant of this one thing, that one day is with the Lord as a thousand years, and a thousand years as one day.
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| ᎠᏎᏃ ᎢᏨᎨᏳᎢ, ᎯᎠ ᎾᏍᎩ ᏑᏓᎴᎩ ᏞᏍᏗ ᏂᏥᎦᏔᎲᎾᏉ ᏱᎨᏎᏍᏗ, ᎾᏍᎩ ᏌᏉ ᎢᎦ ᎨᏒ ᎤᎬᏫᏳᎯ ᏙᏗᎧᏂᏍᎬ ᏌᏉ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ ᎤᏠᏱ, ᏌᏉᏃ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ ᏌᏉ ᎢᎦ ᎨᏒ ᎤᏠᏱ.
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A-se-no i-tsv-ge-yu-i, hi-a na-s-gi su-da-le-gi tle-s-di ni-tsi-ga-ta-hv-na-quo yi-ge-se-s-di, na-s-gi sa-quo i-ga ge-sv U-gv-wi-yu-hi do-di-ka-ni-s-gv sa-quo i-ya-ga-yv-li i-tsu-de-ti-yv-dv u-tlo-yi, sa-quo-no i-ya-ga-yv-li i-tsu-de-ti-yv-dv sa-quo i-ga ge-sv u-tlo-yi.
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| The Lord is not slack concerning his promise, as some men count slackness; but is longsuffering to us-ward, not willing that any should perish, but that all should come to repentance.
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| ᎤᎬᏫᏳᎯ ᎥᏝ ᎤᏍᎦᏃᎵᏳ ᏱᎩ ᏄᏍᏛ ᎤᏚᎢᏍᏔᏅ ᎢᏳᏛᏁᏗᏱ, ᎾᏍᎩ ᎩᎶ ᎾᏍᎦᏃᎳ ᏣᏁᎵᎭ, ᎬᏂᏗᏳᏍᎩᏂ ᎠᏴ ᎢᎩᎦᏘᏴᎢ, ᏄᏚᎵᏍᎬᎾ ᎨᏒ ᎩᎶ ᎤᏲᎱᎯᏍᏗᏱ, ᏂᎦᏗᏳᏍᎩᏂ ᎤᏂᎷᎯᏍᏗᏱ ᎦᏁᏟᏴᏍᏗ ᎨᏒ ᎣᏓᏅᏛᎢ.
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U-gv-wi-yu-hi v-tla u-s-ga-no-li-yu yi-gi nu-s-dv u-du-i-s-ta-nv i-yu-dv-ne-di-yi, na-s-gi gi-lo na-s-ga-no-la tsa-ne-li-ha, gv-ni-di-yu-s-gi-ni a-yv i-gi-ga-ti-yv-i, nu-du-li-s-gv-na ge-sv gi-lo u-yo-hu-hi-s-di-yi, ni-ga-di-yu-s-gi-ni u-ni-lu-hi-s-di-yi ga-ne-tli-yv-s-di ge-sv o-da-nv-dv-i.
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| But the day of the Lord will come as a thief in the night; in the which the heavens shall pass away with a great noise, and the elements shall melt with fervent heat, the earth also and the works that are therein shall be burned up.
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| ᎤᎬᏫᏳᎯᏍᎩᏂ ᎤᏤᎵ ᎢᎦ ᎠᏎ ᏓᎦᎷᏥ ᎾᏍᎩᏯ ᎦᏃᏍᎩᏍᎩ ᏒᏃᏱ ᏥᎦᎷᎪᎢ, ᎾᎯᏳ ᎦᎸᎶᎢ ᏓᎦᎶᏐᏂ ᎤᏣᏘ ᎤᏃᏴᎨᏍᏗ, ᎪᏢᏔᏅᎯᏃ ᎠᏓᏪᎵᎩᏍᎬ ᏛᎪᏂ, ᎠᎴ ᎡᎶᎯ ᎾᎿᎭᏃ ᎪᏢᏅᏅᎯ ᎨᏒ ᎠᎪᎲᏍᏙᏗ ᎨᏎᏍᏗ.
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U-gv-wi-yu-hi-s-gi-ni u-tse-li i-ga a-se da-ga-lu-tsi na-s-gi-ya ga-no-s-gi-s-gi sv-no-yi tsi-ga-lu-go-i, na-hi-yu ga-lv-lo-i da-ga-lo-so-ni u-tsa-ti u-no-yv-ge-s-di, go-tlv-ta-nv-hi-no a-da-we-li-gi-s-gv dv-go-ni, a-le e-lo-hi na-hna-no go-tlv-nv-nv-hi ge-sv a-go-hv-s-do-di ge-se-s-di.
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| Seeing then that all these things shall be dissolved, what manner of persons ought ye to be in all holy conversation and godliness,
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| ᎾᏍᎩᏃ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎤᏗᏒᎲᏍᏗ ᏥᎩ, ᏂᎦᎥ ᏂᏥᏍᎦᏅᎾ ᏱᎩ ᎢᏣᎴᏂᏙᎲᎢ ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᎢᏤᎲᎢ!
|
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Na-s-gi-no ni-ga-di-yu tsu-da-le-nv-dv u-di-sv-hv-s-di tsi-gi, ni-ga-v ni-tsi-s-ga-nv-na yi-gi i-tsa-le-ni-do-hv-i a-le u-ne-la-nv-hi ga-na-ye-hi-s-di ge-sv i-tse-hv-i!
|
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|
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| Looking for and hasting unto the coming of the day of God, wherein the heavens being on fire shall be dissolved, and the elements shall melt with fervent heat?
|
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| ᏱᏥᎦᏖᏃᎭ ᎠᎴ ᎤᏣᏘ ᏱᏣᏚᎵᎭ ᎤᎷᎯᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎢᎦ, ᎾᎯᏳ ᎦᎸᎶ ᎤᏥᏍᏢ ᏨᏛᏗᏒᏂ, ᎠᎴ ᎾᏍᎩ ᎪᏢᏔᏅᎯ ᎠᏓᏪᎵᎩᏍᎬ ᏛᏗᏌᏂ.
|
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Yi-tsi-ga-te-no-ha a-le u-tsa-ti yi-tsa-du-li-ha u-lu-hi-s-di-yi U-ne-la-nv-hi u-tse-li i-ga, na-hi-yu ga-lv-lo u-tsi-s-tlv tsv-dv-di-sv-ni, a-le na-s-gi go-tlv-ta-nv-hi a-da-we-li-gi-s-gv dv-di-sa-ni.
|
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| Nevertheless we, according to his promise, look for new heavens and a new earth, wherein dwelleth righteousness.
|
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| ᎠᏎᏃ ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏚᎢᏍᏔᏅ ᎢᏗᎦᏖᏃᎭ ᎢᏤ ᎦᎸᎶᎢ ᎠᎴ ᎢᏤ ᎡᎶᎯ ᎾᎿᎭᎡᎲ ᏚᏳᎪᏛ ᎨᏒᎢ.
|
|---|
A-se-no na-s-gi-ya nu-s-dv u-du-i-s-ta-nv i-di-ga-te-no-ha i-tse ga-lv-lo-i a-le i-tse e-lo-hi na-hna e-hv du-yu-go-dv ge-sv-i.
|
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|
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| Wherefore, beloved, seeing that ye look for such things, be diligent that ye may be found of him in peace, without spot, and blameless.
|
|---|
| ᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏨᎨᏳᎢ, ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ ᏥᏥᎦᏖᏃᎭ, ᎢᏣᏟᏂᎬᏏ ᎾᏍᎩ ᏅᏩᏙᎯᏯᏛ ᎢᏨᏓᏅᏛ ᎢᏥᏩᏛᏗᏱ ᏄᏓᏓᎸᎾ ᎠᎴ ᎪᎱᏍᏗ ᏁᏤᎵᏎᎲᎾ.
|
|---|
Na-s-gi i-yu-s-di, i-tsv-ge-yu-i, na-s-gi hi-a tsu-da-le-nv-dv tsi-tsi-ga-te-no-ha, i-tsa-tli-ni-gv-si na-s-gi nv-wa-do-hi-ya-dv i-tsv-da-nv-dv i-tsi-wa-dv-di-yi nu-da-da-lv-na a-le go-hu-s-di ne-tse-li-se-hv-na.
|
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|
|---|
| And account that the longsuffering of our Lord is salvation; even as our beloved brother Paul also according to the wisdom given unto him hath written unto you;
|
|---|
| ᎾᏍᎩᏃ ᎬᏂᏗᏳ ᎨᏒ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ ᎠᎵᏍᏕᎸᏙᏗ ᎢᏥᏰᎸᏎᏍᏗ; ᎾᏍᎩᏯ ᎾᏍᏉ ᎡᏗᎨᏳᎢ ᎢᏓᎵᏅᏟ ᏉᎳ ᎬᏗᏍᎬ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᏥᏁᎸ ᏥᏦᏪᎳᏁᎸ;
|
|---|
Na-s-gi-no gv-ni-di-yu ge-sv U-gv-wi-yu-hi i-ga-tse-li-ga a-li-s-de-lv-do-di i-tsi-ye-lv-se-s-di; na-s-gi-ya na-s-quo e-di-ge-yu-i i-da-li-nv-tli Quo-la gv-di-s-gv a-ga-do-v-hi-s-di ge-sv a-tsi-ne-lv tsi-tso-we-la-ne-lv;
|
|---|
|
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| As also in all his epistles, speaking in them of these things; in which are some things hard to be understood, which they that are unlearned and unstable wrest, as they do also the other scriptures, unto their own destruction.
|
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| ᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᎾᏍᎩ ᏧᏬᏪᎳᏅᎯ ᎾᏍᎩ ᏂᏕᎬᏁᎰ ᎧᏁᎢᏍᏗᏍᎪ ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ; ᎾᎿᎭᎤᏓᏑᏯ ᎢᎦᏛ ᎠᏍᏓᏱᏳ ᎪᎵᏍᏗᏱ, ᎾᏍᎩ Ꮎ ᏂᏭᎾᏕᎶᏆᎥᎾ ᎠᎴ ᏗᏂᏩᎾᎦᎳ ᏓᏂᏁᏟᏴᎭ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏗᏐᎢ ᎪᏪᎵ ᏂᏓᏅᏁᎲᎢ, ᎤᏅᏒᏉ ᎤᏂᏛᏗᏍᎩ ᎨᏒᎢ.
|
|---|
A-le na-s-quo ni-ga-dv na-s-gi tsu-wo-we-la-nv-hi na-s-gi ni-de-gv-ne-ho ka-ne-i-s-di-s-go na-s-gi hi-a tsu-da-le-nv-dv; na-hna u-da-su-ya i-ga-dv a-s-da-yi-yu go-li-s-di-yi, na-s-gi na ni-wu-na-de-lo-qua-v-na a-le di-ni-wa-na-ga-la da-ni-ne-tli-yv-ha, na-s-gi-ya na-s-quo di-so-i go-we-li ni-da-nv-ne-hv-i, u-nv-sv-quo u-ni-dv-di-s-gi ge-sv-i.
|
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|
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| Ye therefore, beloved, seeing ye know these things before, beware lest ye also, being led away with the error of the wicked, fall from your own stedfastness.
|
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| ᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎢᏨᎨᏳᎢ, ᎾᏍᎩ ᎦᏳᎳ ᏥᏥᎦᏔᎭ, ᎢᏤᏯᏔᎮᏍᏗ, ᏞᏍᏗ ᎠᏂᎾᎦᎾ ᎤᏂᎵᏓᏍᏔᏅ ᏕᏣᏘᏂᏒ ᏗᏥᏅᏨᎩ ᏗᏥᏲᏒᎩ ᎤᎵᏂᎩᏛ ᏂᏣᏛᏅᎢ.
|
|---|
Na-s-gi i-yu-s-di ni-hi i-tsv-ge-yu-i, na-s-gi ga-yu-la tsi-tsi-ga-ta-ha, i-tse-ya-ta-he-s-di, tle-s-di a-ni-na-ga-na u-ni-li-da-s-ta-nv de-tsa-ti-ni-sv di-tsi-nv-tsv-gi di-tsi-yo-sv-gi u-li-ni-gi-dv ni-tsa-dv-nv-i.
|
|---|
|
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| But grow in grace, and in the knowledge of our Lord and Saviour Jesus Christ. To him be glory both now and for ever. Amen.
|
|---|
| ᎢᏥᏁᏉᎨᏍᏗᏍᎩᏂ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎬᏩᎵ ᎠᎴ ᎡᏥᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᎠᎴ ᎢᎩᏍᏕᎵᏍᎩ ᏥᏌ ᎦᎶᏁᏛ; ᎾᏍᎩ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᎪᎯ ᎨᏒ, ᎠᎴ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ. ᎡᎺᏅ.
|
|---|
I-tsi-ne-quo-ge-s-di-s-gi-ni gv-wa-ga-ti-ya u-da-do-li-s-di ge-sv u-gv-wa-li a-le e-tsi-ga-do-v-hi-s-di ge-sv U-gv-wi-yu-hi i-ga-tse-li a-le I-gi-s-de-li-s-gi Tsi-sa Ga-lo-ne-dv; na-s-gi ga-lv-quo-do-di ge-se-s-di go-hi ge-sv, a-le u-li-s-qua-di-s-di ni-ge-sv-na. E-me-nv.
|
|---|


public abstract class AbstractPostResponse extends java.lang.Object implements PostResponse
AbstractPostResponse
class provides a basic implementation
of the PostResponse
interface maintaining properties to be
prepared for sending the response in an internal map.| Modifier and Type | Field and Description |
|---|---|
static java.lang.String |
PN_ERROR
Name of the error property set by
setError(Throwable) |
static java.lang.String |
PN_IS_CREATED
Name of the create status property set by
setCreateRequest(boolean) |
static java.lang.String |
PN_LOCATION
Name of the location property set by
setLocation(String) |
static java.lang.String |
PN_PARENT_LOCATION
Name of the parent location property set by
setParentLocation(String) |
static java.lang.String |
PN_PATH
Name of the path property set by
setPath(String) |
static java.lang.String |
PN_REFERER
Name of the referer property set by
setReferer(String) |
static java.lang.String |
PN_STATUS_CODE
Name of the status code property set by
setStatus(int, String) |
static java.lang.String |
PN_STATUS_MESSAGE
Name of the status message property set by
setStatus(int, String) |
static java.lang.String |
PN_TITLE
Name of the title property set by
setTitle(String) |
| Constructor and Description |
|---|
AbstractPostResponse() |
| Modifier and Type | Method and Description |
|---|---|
protected abstract void |
doSend(javax.servlet.http.HttpServletResponse response) |
java.lang.Throwable |
getError()
Returns any recorded error or
null |
java.lang.String |
getLocation()
Returns the location of the modification.
|
java.lang.String |
getParentLocation()
Returns the parent location of the modification.
|
java.lang.String |
getPath()
Returns the absolute path of the item upon which the request operated.
|
protected java.lang.Object |
getProperty(java.lang.String name)
Returns the generic response property with the given name and type or
null if no such property exists. |
protected <Type> Type |
getProperty(java.lang.String name,
java.lang.Class<Type> type)
Returns the generic response property with the given name and type or
null if no such property exists or the property is not of
the requested type. |
java.lang.String |
getReferer()
Returns the referer previously set by
PostResponse.setReferer(String) |
int |
getStatusCode()
Returns the status code of this instance.
|
java.lang.String |
getStatusMessage()
Returns the status message or
null if no has been set with
the PostResponse.setStatus(int, String) method. |
boolean |
isCreateRequest()
Returns
true if this was a create request. |
protected boolean |
isSafeReferer()
determines if the referer has a proper referer including protocol
|
boolean |
isSuccessful()
|
void |
onCopied(java.lang.String srcPath,
java.lang.String dstPath)
Records a 'copied' change.
|
void |
onCreated(java.lang.String path)
Records a 'created' change
|
void |
onDeleted(java.lang.String path)
Records a 'deleted' change
|
void |
onModified(java.lang.String path)
Records a 'modified' change
|
void |
onMoved(java.lang.String srcPath,
java.lang.String dstPath)
Records a 'moved' change.
|
void |
send(javax.servlet.http.HttpServletResponse response,
boolean setStatus)
Writes the response to the given writer and replaces all ${var} patterns
by the value of the respective property.
|
void |
setCreateRequest(boolean isCreateRequest)
Sets whether the request was a create request or not.
|
void |
setError(java.lang.Throwable error)
Sets the recorded error causing the operation to fail.
|
void |
setLocation(java.lang.String location)
Sets the location of this modification.
|
void |
setParentLocation(java.lang.String parentLocation)
Sets the parent location of the modification.
|
void |
setPath(java.lang.String path)
Sets the absolute path of the item upon which the request operated.
|
protected void |
setProperty(java.lang.String name,
java.lang.Object value)
Sets a generic response property with the given
|
void |
setReferer(java.lang.String referer)
Sets the referer property
|
void |
setStatus(int code,
java.lang.String message)
sets the response status code properties
|
void |
setTitle(java.lang.String title)
Sets the title of the response message
|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait
onChange
public static final java.lang.String PN_TITLE
setTitle(String)
public static final java.lang.String PN_STATUS_CODE
setStatus(int, String)
public static final java.lang.String PN_STATUS_MESSAGE
setStatus(int, String)
public static final java.lang.String PN_LOCATION
setLocation(String)
public static final java.lang.String PN_PARENT_LOCATION
setParentLocation(String)
public static final java.lang.String PN_PATH
setPath(String)
public static final java.lang.String PN_REFERER
setReferer(String)
public static final java.lang.String PN_IS_CREATED
setCreateRequest(boolean)
public static final java.lang.String PN_ERROR
setError(Throwable)
public java.lang.String getReferer()
PostResponse.setReferer(String)
getReferer
in interface PostResponse
public void setReferer(java.lang.String referer)
setReferer
in interface PostResponse
referer
- the refererpublic java.lang.String getPath()
If the PostResponse.setPath(String)
method has not been called yet, this
method returns null
.
getPath
in interface PostResponse
public void setPath(java.lang.String path)
setPath
in interface PostResponse
path
- the pathpublic boolean isCreateRequest()
true
if this was a create request.
Before calling the PostResponse.setCreateRequest(boolean)
method, this method
always returns false
.
isCreateRequest
in interface PostResponse
public void setCreateRequest(boolean isCreateRequest)
setCreateRequest
in interface PostResponse
isCreateRequest
- true if the request was a create requestpublic java.lang.String getLocation()
If the PostResponse.setLocation(String)
method has not been called yet, this
method returns null
.
getLocation
in interface PostResponse
public void setLocation(java.lang.String location)
PostResponse
current path
.setLocation
in interface PostResponse
location
- the locationpublic java.lang.String getParentLocation()
getParentLocation
in interface PostResponse
public void setParentLocation(java.lang.String parentLocation)
PostResponse
current path
.setParentLocation
in interface PostResponse
parentLocation
- the parent location of the modificationpublic void setTitle(java.lang.String title)
setTitle
in interface PostResponse
title
- the titlepublic void setStatus(int code, java.lang.String message)
setStatus
in interface PostResponse
code
- the codemessage
- the messagepublic int getStatusCode()
setStatus(int, String)
method, the
status code is determined by checking if there was an error. If there was
an error, the response is assumed to be unsuccessful and 500 is returned.
If there is no error, the response is assumed to be successful and 200 is
returned.getStatusCode
in interface PostResponse
public java.lang.String getStatusMessage()
PostResponse
null
if no has been set with
the PostResponse.setStatus(int, String)
method.getStatusMessage
in interface PostResponse
public java.lang.Throwable getError()
null
getError
in interface PostResponse
null
public void setError(java.lang.Throwable error)
PostResponse
setError
in interface PostResponse
error
- the throwablepublic boolean isSuccessful()
isSuccessful
in interface PostResponse
public void onModified(java.lang.String path)
onModified
in interface PostResponse
path
- path of the item that was modifiedpublic void onCreated(java.lang.String path)
onCreated
in interface PostResponse
path
- path of the item that was createdpublic void onDeleted(java.lang.String path)
onDeleted
in interface PostResponse
path
- path of the item that was deletedpublic void onMoved(java.lang.String srcPath, java.lang.String dstPath)
Note: the moved change only records the basic move command. the implied changes on the moved properties and sub nodes are not recorded.
onMoved
in interface PostResponse
srcPath
- source path of the node that was moveddstPath
- destination path of the node that was moved.public void onCopied(java.lang.String srcPath, java.lang.String dstPath)
Note: the copy change only records the basic copy command. the implied changes on the copied properties and sub nodes are not recorded.
onCopied
in interface PostResponse
srcPath
- source path of the node that was copieddstPath
- destination path of the node that was copied.protected void setProperty(java.lang.String name, java.lang.Object value)
name
- name of the propertyvalue
- value of the propertyprotected <Type> Type getProperty(java.lang.String name, java.lang.Class<Type> type)
null
if no such property exists or the property is not of
the requested type.Type
- the return typename
- the name of the requetested propertytype
- the type of the parameter which should be returnedprotected java.lang.Object getProperty(java.lang.String name)
null
if no such property exists.name
- the name of the response propertyprotected boolean isSafeReferer()
protected abstract void doSend(javax.servlet.http.HttpServletResponse response) throws java.io.IOException
java.io.IOException
public final void send(javax.servlet.http.HttpServletResponse response, boolean setStatus) throws java.io.IOException
send
in interface PostResponse
response
- to send tosetStatus
- whether to set the status code on the responsejava.io.IOException
- if an i/o exception occursCopyright © 2022 The Apache Software Foundation. All rights reserved.


RATCATCHER (director/writer: Lynne Ramsay; cinematographer: Alwin Kuchler; editor: Lucia Zucchetti; cast: William Eadie (James), Tommy Flanagan (Da), Mandy Matthews (Ma), Lynne Ramsay, Jr. (Anne Marie), Michelle Stewart (Ellen), Leanne Mullen (Margaret Anne), John Miller (Kenny), Jackie Quinn (Mrs. Quinn); Runtime: 94; BBC Films/Holy Cow Films; 1999-UK)
Reviewed by Dennis Schwartz
A gritty and realistic tale about a troubled adolescent boy of 12, James (Eadie), growing up in the slums of Glasgow who dreams of escaping. Lynne Ramsay's brilliant debut film as director (she also wrote the screenplay) is set around a tenement block of project houses during a garbage strike in the mid-'70s where the streets are lined with bags of garbage, as she captures in a beautifully significant way the pathos and squalor of slum life.
The film opens as an omen to death is presented, as a preadolescent boy named Ryan is spinning his whole body around while he is wrapped around a lace window curtain that resembles a shroud; the scene shifts from slo-mo to real time as his mother angrily pulls him out of the curtain, and he runs outside to play in the muddy canal--which is filled with vermin, but is the nearest thing to a park the neighborhood kids have to play in.
Ryan meets James there and they get into a playful spat, and James accidently drowns him and runs away. This sets the lugubrious tone for the film, as this secret haunts him as he retreats into a world of solitude, bitter friendships, a relationship with an older girl who is the neighborhood slut, and a strange relationship with his family. He deems that the answer to his problem, is to escape from the neighborhood by moving into a new home.

The film paints a grim picture of his family, though it's certainly not the worst family to raise kids. There's his father (Flanagan) who is usually drunk or watching TV, which he's more interested in than he's in the kids; his earnest ma (Matthews), who remembers when she used to dance joyfully to pop music but is morosely overwhelmed by raising the family in a caring way; there's his secretive older sister (Stewart) who treats him with contempt; and, his bratty younger sister, Ann Marie (Lynne Ramsay, Jr.), who will drop a dime on him to her daddy without changing her innocent childlike expression. The family is rooted in poverty and are trapped by their lack of ambition and education.
The film's most tender moment comes when James seeks comfort more than sex with the neighborhood slut, Margaret Anne (Leanne Mullen), and he seems sated to just clean the lice out of her hair and take a bath with her. They imitate in their encounter what they think a contented married couple should be like.
This impressive debut film is visually very powerful, it has plenty of images to relate to what's burning inside James. The camera follows James around town as he hangs out with the more rugged older neighborhood boys, his daffy friend Kenny who sends his pet mouse to the moon on a ballooon, or when we watch him as he wanders across a yellow field to look at a new housing development site going up while he dreams of living there. This audacious film seems like a nightmare, or a dream that James can't wake up from. The result is a lyrical work that has a numbing affect because of its sparseness and tight images; it's a film of high quality.
REVIEWED ON 10/4/2001 GRADE: A -
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
========== X-RAMR-ID: 29757 X-Language: en X-RT-ReviewID: 254045 X-RT-TitleID: 1101048 X-RT-SourceID: 873 X-RT-AuthorID: 1315 X-RT-RatingText: A-
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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--- layout: post title: 'Portraits From Bhutan: Lady at Chimi Lhakhang' date: 2012-08-27 11:00:20.000000000 +05:30 categories: - kiranoncemore - Nikon D3000 tags: - Bhutan - ChimiLhakhang - portrait status: publish type: post published: true meta: _edit_last: '2' author: login: kiranoncemore email<EMAIL_ADDRESS>display_name: kiranoncemore first_name: Kiran last_name: '' ---
Av: F/5.0; Tv:1/100s; f: 35mm; ISO: 200
Equipment: Nikon D3000 with 35mm block lens
Clicked in NEF format and processed with RAW Therapee
Chimi Lhakhang is a monastery in Punakha valley in Bhutan. It is said to be blessed by the "Divine Madman" Drukpa Kinley. The monastery is crowded with pilgrims, and women seeking blessings to conceive.
There were three senior people who had just finished rotating a big Tibetan prayer wheel; and with their permission, I clicked this photo. I had already attached the block lens, so for a change I wasn't caught unaware, changing lenses and letting the moment pass!
Unfortunately, I had to crop out the other two people from this pic - since one of them was holding up a large chilly, which ended up obscuring the face of the other person. This turned out a blessing in disguise though, since I loved the final outcome. The photo concentrates on this one lady, and her expression and mood is the high point.
There's not much I can fault with this snap. The advantage of using the block lens clearly shows!


skin aging Dermatol factors associated {border-style px;} stress #ffffff;} radiation changes dermal human aging. effects glycation study increases oxidative diet levels Clin Skin age chronic collagen common damage increase Med diseases extrinsic older advanced barrier clinical conditions exposure px; review synthesis {font-family Physiol environmental facial font-size greater impact lower related sleep smoking studies Sci comorbidities demonstrated double; effect elderly healing life lifestyle matrix pollution relationship risk skin. various Acad Age Invest Investig Krutmann affect age-related appearance border-color border-width cellular cutaneous damage. decline diabetes expression factor increased inflammatory loss mechanical new process reduced repair significantly skin, solid; water wrinkles {font-style {font-weight Aging Chronic DNA Effects However, Int Res Smoking Suppl Surg Venereol addition affects age, aged ageing aging, bold cells considered correlated correlation courier; disease elderly. em; end estrogen function health heat higher including increasing individuals infrared ingestion leads major mechanisms mellitus menopause particularly patients pattern photoaging physical pt;} quality reduces skin: solar stratum use vitamin worsen worsened wound wrinkles.


Ingredients
- 1 tablespoon garlic powder
- 1 tablespoon onion powder
- 2 teaspoons hot or sweet smoked paprika
- 2 teaspoons salt, plus more to taste
- 1 teaspoon black pepper, plus more to taste
- 3- to 4-pound boneless pork shoulder or pork butt, trimmed of most of its excess fat
- 2 Tablespoons vegetable oil, plus additional for greasing
- 1 yellow onion, chopped
- 1 12-ounce can Dr. Pepper
- 1/2 to 1-1/2 cups Trader Joe's Carolina Gold barbecue sauce
- Hot sauce
Instructions
The night before you want to make this, combine the garlic and onion powders, smoked paprika, salt and black pepper in a small bowl. (Or, just use your favorite rub.) Rub the spice mixture all over the pork. Cover with plastic wrap and refrigerate overnight.
Lightly grease the crock of a slow cooker. Heat 2 Tablespoons vegetable oil in a large skillet over medium-high. Sear the pork until golden brown on all sides, about 2 minutes each side. Add onion, if using, to the slow cooker. Add the pork on top of the onion. Pour soda over the pork and set the slow cooker to low for 6 to 8 hours, until the meat has collapsed and shreds easily.
Drain most of the liquid from the slow cooker and shred the meat directly in the pot. Add about ½ cup of the barbecue sauce and stir to combine. (At this point, if you like crisp bits in your pulled pork, you can spread the shredded pork on a sheet pan and place under a broiler for a couple minutes then return to the slow cooker.) Taste and add more barbecue sauce, hot sauce, salt or pepper, if desired. Serve with soft rolls, a vinegary slaw and extra sauce on the side.


| 533 | (A) | waspasyane in the vale the vawmwarde by-holdis |
| 535 | (C) | Vaspasiane in þe vale . þe vowarde byholdetħ |
| 529 | (D) | ¶ vaspasian in þe vale þe vaunward biholdis |
| 521 | (E) | ¶ waspasian in þe vale . þe vaunwarde byholdeth |
| (Ex) | ---- no text ---- | |
| 550 | (L) | waspasian in þe vale þe fanward byholdeþ |
| 507 | (P) | waspasian in þe vale þe vauarde be-haldes |
| 528 | (U) | Vespasian in the vale / the vaward byholdes |
| (V) | ---- no text ---- |


Modern Web Development
tools
Credits and special thanks to Adam Scott (https://github.com/ascott1)
Let's roll!


A webapp for separating images into rectangular regions, and making them easier to see.
Warning: Outdated browser detected. This application willnotwork properly, or at all!Download the latest version of Firefox here.It will likely be faster and more convenient than what you're using now.
Warning: An error occurred. The error message is below. Feel free to complain to mehereif you want it fixed. Make sure to include the error message below, and (if possible) explain how it occurred:
Camera
Note: If another app is using your camera, this may not work.
Crop and Adjust
Click and drag on the image immediately below this text to select a rectangular region. Double click/tap the inside of a selection to remove it. To save these rectangles as individual images, press the "Download Cropped Rectangles" button.
Brightness:
Contrast:
In order to download all the images, you may need to click a prompt that allows the download of multiple files.
Click one of the images below to add rectangles to it. Rectangles are saved per-image.


A frame is a box drawn around other GUI widgets to make the window look better and help organize the GUI elements.
Frames are the only GUI widgets that can have other widgets placed within them. Frames are passive widgets, meaning that they do not respond to button clicks or keystrokes.
The x1 and y1 parameters specify the lower-left corner of the frame and the x2 and y2 parameters specify the upper-right corner of the frame. The kind parameter specifies the type of frame. This is one of 0, GUI.LINE, GUI.INDENT, or GUI.EXDENT. A kind of 0 is the default and is the same as GUI.LINE.
GUI.INDENT and GUI.EXDENT only display properly if the background colour has been set to gray using GUI.SetBackgroundColor. GUI.INDENT makes the contents frame appear indented or recessed. GUI.EXDENT makes the contents of the frame appear to stand out from the window.
import GUI
View.Set ("graphics:250;90,nobuttonbar")
GUI.SetBackgroundColor (gray)
var lineFrame, indentFrame, exdentFrame : int
var lineLabel, indentLabel, exdentLabel : int
lineFrame := GUI.CreateFrame (10, 10, 80, 70, 0)
indentFrame := GUI.CreateFrame (90, 10, 160, 70, GUI.INDENT)
exdentFrame := GUI.CreateFrame (170, 10, 240, 70, GUI.EXDENT)
% Label the lines.
lineLabel := GUI.CreateLabelFull (10, 10, "Line", 70, 60,
GUI.CENTER + GUI.MIDDLE, 0)
indentLabel := GUI.CreateLabelFull (90, 10, "Indent", 70, 60,
GUI.CENTER + GUI.MIDDLE, 0)
exdentLabel := GUI.CreateLabelFull (170, 10, "Exdent", 70, 60,
GUI.CENTER + GUI.MIDDLE, 0)
A frame widget is a passive widget and cannot be enabled or disabled.
| GUI.Show, GUI.Hide, GUI.Dispose, GUI.GetX, GUI.GetY, GUI.GetWidth, GUI.GetHeight, GUI.SetPosition, GUI.SetSize, GUI.SetPositionAndSize |
This means that you can only call the function by calling GUI.CreateFrame, not by calling CreateFrame.


“World-readable S3” bucket could actually refer to two issues, the first is an S3 bucket with read permissions granted to “Everyone” which in fact means everyone on the internet, not everyone within your organization. Also, granting read permission to “All AWS Users” means everyone with an AWS account, not everyone within your users list.
Finally, you can’t restrict users to listing specific buckets. They can either list them all or they can’t. Keys that can list one bucket can list all the buckets for that account. So make sure their names don’t contain anything confidential. It’s also possible for an anonymous user to remotely enumerate that a bucket exists by guessing its name. Not the biggest vulnerability to be aware of but worth noting that it exists.
If you want to see practical examples of this kind of issue then check out http://flaws.cloud!
There are examples of this happening in the wild too:
https://hackerone.com/reports/94502
https://hackerone.com/reports/98819
https://hackerone.com/reports/128088


Snake in JavaScript
Use your arrow keys to control the snake!
Press Enter to Start/Restart!
Score: 0


Every day children of all ages, from preschool to high school, get disciplined at school. The form of discipline varies, from being sent to the principal’s office all the way to being arrested or expelled. Who gets disciplined at school, and for which offenses and behaviors? And what is the phenomenon that people refer to as the “school-to-prison pipeline”? In this module, you will use ratios, percents, data analysis, and probability to try to answer these and other questions.
in-context


WITNESS LIST Appropriations Committee March 7, 2003-8:00A Budget For: Brown, Steve (Self and Texas Library Assn.; Texas Muncipal Library Directors Assn.; City of North Richland Hills) Dick, Chad (Rusty Hardin & Associates) Meraz, Gloria (Texas Library Association) Park, Catherine (Texas Library Association; Harris County Public Library) On: Doering, Charlynn (Preservation Board) Duncan, Jim (Veterans Commission) Gilman, Tony (Office of State-Federal Relations) Hamilton, Billy (Comptroller of Public Accounts) Hubert, Martin (Department of Agriculture) Jordan, Michelle (Department of Agriculture) Nier, James E. (Veterans Commission) Patterson, Jerry (General Land Office) Pickett, Sandra (Library and Archives Commission) Purcell, Carolyn (Department of Information Resources) Rudd, Peggy (Library and Archives Commission) Seidenberg, Edward (Library and Archives Commission) Shivers, Shari (Pension Review Board) Smith, Virginia (Ginger) P. (Pension Review Board) Welch, Ken (Comptroller of Public Accounts)


Slack¶
This module requires an optional dependency. See Installation for details.
Slack Notifications¶
Tasks related to creation of Slack notifications
-
tamr_toolbox.notifications.slack.
send_message
(*, slack_client, channel, message, raise_error=True)[source]¶ Sends a message to a pre-defined Slack channel
- Parameters
- Return type
- Returns
The data property of the Slack WebClient object
- Raises
SlackApiError – if the SlackClient does not post the message correctly and raise_error is set to True
-
tamr_toolbox.notifications.slack.
monitor_job
(tamr, *, slack_client, channel, operation, poll_interval_seconds=1, timeout_seconds=None, notify_states=None)[source]¶ Monitors a Tamr Operation and sends a Slack message to a channel when the job status is updated
- Parameters
tamr (
Client
) – A Tamr clientslack_client (
WebClient
) – A Slack WebClientchannel (
str
) – A (public) Slack channel to receive messagesoperation (
Union
[int
,str
,Operation
]) – A job ID or a Tamr operationpoll_interval_seconds (
float
) – Time interval (in seconds) between subsequent pollstimeout_seconds (
Optional
[float
]) – Time (in seconds) to waitnotify_states (
Optional
[List
[OperationState
]]) – States for which notifications should be sent, use None for all states
- Return type
- Returns
A list of messages with their config sent via the Slack WebClient object


For decoding lightning network payment requests as defined in BOLT #11.
If you think this little decoder is useful to you, then it's a good reason to do a donation.
Your gratitude and finance help will motivate us to continue project development.
19ZbT3TphwZfvbvyEvVrFgpyXaquszgHdS


public static final java.lang.String |
AFTERNOON |
"Good afternoon" |
public static final int |
BOOKING_ADULT |
402 |
public static final java.lang.String |
BOOKING_CANCELLED |
"Booking cancelled!" |
public static final int |
BOOKING_CHILDREN |
403 |
public static final int |
BOOKING_CONFIRMATION |
405 |
public static final int |
BOOKING_OFFERING_ID |
401 |
public static final int |
BOOKING_OR_REVIEW |
600 |
public static final int |
BOOKING_PAYMENT |
406 |
public static final int |
BOOKING_TODDLER |
404 |
public static final int |
BOOKING_TOUR_ID |
400 |
public static final java.lang.String |
CANCEL |
"Booking cancelled successfully!" |
public static final java.lang.String |
CONFIRM_REGISTRATION |
"Great! Basic information registered!\n" |
public static final int |
CREATE_USER |
6 |
public static final int |
DELETE_BOOKING |
11 |
public static final int |
DELETE_BUFFER_BOOKING |
10 |
public static final int |
DELETE_USER |
7 |
public static final int |
DELETING_BOOKING_BUFFER |
1 |
public static final int |
DELETING_BOOKING_ENTRY |
0 |
public static final int |
DELETING_NOTHING |
2 |
public static final java.lang.String |
ERROR_REENTER_ADULT_NUMBER |
"Invalid number! Please reinput the number of ADULTS." |
public static final java.lang.String |
ERROR_REENTER_AGE |
"Invalid input! Please input your age (number only)." |
public static final java.lang.String |
ERROR_REENTER_CHILDREN_NUMBER |
"Invalid number! Please reinput the number of CHILDREN." |
public static final java.lang.String |
ERROR_REENTER_TODDLER_NUMBER |
"Invalid number! Please reinput the number of TODDLERS." |
public static final java.lang.String |
ERROR_REENTER_TOUR_ID |
"Invalid tour ID! Please reinput tour ID." |
public static final java.lang.String |
ERROR_REENTER_TOUR_OFFERING_ID |
"Invalid tour offering ID! Please reinput tour offering ID." |
public static final java.lang.String |
EVENING |
"Good evening" |
public static final int |
FAQ_AFTER_CONFIRMATION |
500 |
public static final int |
FAQ_NO_CONFIRMATION_WITH_USER_INFORMATION |
300 |
public static final int |
FAQ_NO_USER_INFORMATION |
100 |
public static final java.lang.String |
FAQ_NOT_FOUND |
"Sorry! We don\'t have relevant information." |
public static final int |
FILL_AGE |
202 |
public static final int |
FILL_NAME |
200 |
public static final int |
FILL_PHONE_NUM |
201 |
public static final java.lang.String |
GREETING_FIRST_USE |
"Thanks for your first use of our app! You can ask us some questions about touring information and text \"book\" to book the tour offering which you are interested in!\n\n" |
public static final java.lang.String |
IMGPRFIX |
"static/pictures/" |
public static final java.lang.String |
INFORMATION_NO_TOUR_OFFERING |
"Sorry, currently we do not provide any offerings for this tour!\nPlease choose another tour id!" |
public static final java.lang.String |
INFORMATION_TOUR_OFFERING |
"Here are the tour offerings we provide for this tour.\nNote: Age below 3 (including 3) is free. Age between 4 to 11 (including 4 and 11) has a discount of 20% off. Otherwise full fee applies. The same service charge is applied to all age customers.\n\n" |
public static final java.lang.String |
INSTRTUCTION_ENTER_ADULT_NUMBER |
"Please input the number of ADULTS for this tour offering." |
public static final java.lang.String |
INSTRTUCTION_ENTER_CHILDREN_NUMBER |
"Please input the number of CHILDREN (age between 4 and 11) for this tour offering." |
public static final java.lang.String |
INSTRTUCTION_ENTER_SPECIAL_REQUEST |
"Please leave your special request." |
public static final java.lang.String |
INSTRTUCTION_ENTER_TODDLER_NUMBER |
"Please input the number of TODDLERS (age not larger than 3) for this tour offering." |
public static final java.lang.String |
INSTRTUCTION_ENTER_TOUR_ID |
"\nPlease enter one of the tour IDs (number only).\n" |
public static final java.lang.String |
INSTRTUCTION_ENTER_TOUR_OFFERING_ID |
"Please enter one of the tour offering IDs (number only)." |
public static final java.lang.String |
INSTRUCTION_BOOKING |
"Thank you for your interest, here is a list of tours:\nAttention: You can terminate the booking procedure by texting \"Q\" at any time!\n" |
public static final java.lang.String |
INSTRUCTION_ENTER_AGE |
"Please also give us your age (number only)." |
public static final java.lang.String |
INSTRUCTION_ENTER_NAME |
"Please enter your name." |
public static final java.lang.String |
INSTRUCTION_ENTER_PHONE_NUM |
"Please also give us your phone number." |
public static final java.lang.String |
INSTRUCTION_FILL_INFORMATION |
"Thank you for your interest, we need some of your information.\n" |
public static final java.lang.String |
INSTRUCTION_PAYMENT |
"Booking Confirmed.\nThanks for your interest!\nPlease pay your tour fee by ATM to 123-345-432-211 of ABC Bank or by cash in our store.\nYou shall send you pay-in slip to us by email or LINE. \nYou are welcome to ask other questions!" |
public static final java.lang.String |
MORNING |
"Good morning" |
public static final java.lang.String |
QUESTION_CONFIRM_OR_NOT |
"Do you want to confirm your booking" |
public static final java.lang.String |
QUESTION_REVIEW_OR_BOOKING |
"Do you want to review your previous booking or do you want to start a new booking?" |
public static final java.lang.String |
QUOTA_FULL_1 |
"Sorry we do not have enough quota for your booking, only " |
public static final java.lang.String |
QUOTA_FULL_2 |
" quota left. \nYou can re-input the number of people or you can terminate the booking procedure by texting \"Q\".\n\nPlease input the number of ADULTS for this tour offering." |
public static final int |
SET_BOOKING_ADULT_NUMBER |
13 |
public static final int |
SET_BOOKING_CHILD_NUMBER |
14 |
public static final int |
SET_BOOKING_CONFIRMATION |
17 |
public static final int |
SET_BOOKING_SPECIAL_REQUEST |
16 |
public static final int |
SET_BOOKING_TODDLER_NUMBER |
15 |
public static final int |
SET_BOOKING_TOUR_OFFERING_ID |
12 |
public static final int |
SET_BUFFER_TOUR_ID |
9 |
public static final int |
SET_USER_AGE |
5 |
public static final int |
SET_USER_NAME |
3 |
public static final int |
SET_USER_PHONE |
4 |
public static final int |
SET_USER_STATE |
2 |
public static final int |
SET_USER_TIME |
1 |
public static final java.lang.String |
STICKER_ID_CONFIRMBOOK |
"407" |
public static final java.lang.String |
TEXT_NEW_BOOKING |
"New Booking" |
public static final long |
TIME_GAPPING |
10L |
public static final int |
TOUR_FOUND |
8 |
public static final java.lang.String |
WELCOME_BACK |
"!\nWelcome back!\n\n" |


--- layout: post title: The ting-ting of a part falling off your bicycle is NOT what you want to hear when riding quickly in traffic. published: true date: 2008-10-20 categories: [] posterous_url: http://verdammelt.posterous.com/the-ting-ting-of-a-part-fallin posterous_slug: the-ting-ting-of-a-part-fallin --- Luckily it seems to only been a bolt that holds the rack to the seat stays.
Very chilly ride this morning. First really cold morning of the


--- layout: post title: no title date: '2014-09-23T07:30:36+02:00' categories: - Storyboards picture_url: https://film-Storyboards.tumblr.com/post/98222454940 ---


26 November 1998
Disease Outbreak Reported
PAHO/WHO REPORT ON THE EPIDEMIOLOGICAL SITUATION IN CENTRAL AMERICA
Cholera: As of November 20, the Ministry of Public Health has reported six cases and one death (San Alejo, La Union). V. cholera 01 El Tor Owaga has been isolated in one case. Of the six reported cases, four were imported from Jutiapa, Guatemala; the other two originated in border areas of El Salvador (Metepán, Santa Ana and San Alejo, La Unión.) On 19 November, an outbreak of diarrheal disease erupted in the San Juan de Dios Hospital in the department of Santa Ana on the Guatemala border. All fifteen cases required hospitalization. This is a suspected outbreak of cholera which is attributed to ingestion of food sold by a street vendor from Jutiapa, Guatemala. The Ministry of Health initiated a public information and health education campaign and launched activities to control the disease, targeting the areas along the Guatemala border.
Cholera: The Surveillance Department of the Ministry of Health reported that between 4-20 November there were 234 confirmed cases of cholera out of a total of 261 reported. There were 17 deaths. On 20 November, an outbreak was reported in the Mental Health Hospital of Guatemala, with 18 confirmed cases and one death. In Chinaltenango that same day, there were 27 suspected cases and 37 confirmed cases, which correspond to the cumulative total notified cases for that area in the last two weeks. All reported outbreaks implied food-borne transmission.
Reporting by epidemiological weeks (through Week 45-November 14), as reported by the Health Information Management System (SIGSA) on 19 November, shows a clear rise in cholera beginning in Week 37 (September 13). However, this information service reports 395 cases of cholera during Week 44 (November 1-7) and 511 cases during Week 45 (November 8-14), sharply higher than the figures reported by the Surveillance Department of the Ministry of Health. Diagnostic measures have been strengthened and treatment of cases and contacts stepped up.
Leptospirosis: On 23 November, the Surveillance Department reported six cases of leptospirosis, five of which were confirmed. Four of the cases occurred in Guatemala City and two in Escuintla. No deaths were reported.
Dengue: SIGSA reports 277 cases of dengue for Week 45, a rise of almost 200 cases from the previous week.
Malaria: According to SIGSA, the situation is stable.
Cholera: As of 22 November, the Ministry of Health reported 335 cases of cholera, 301 of which were confirmed. Managua reported 156 cases or 52% , followed by Carazo (46 cases), Masaya (25) and Matagalpa (18 cases). According to an analysis of trends by the Epidemiological Surveillance System, one can observe an increase in Week 45, with 102 cases. Seventy-five were reported the preceding week. The Ministry of Health has taken measures to treat the cases, distribute chlorine, and conduct community education and environmental health campaigns.
Leptospirosis: Up to 22 November, the Ministry of Health reported 264 suspected cases of leptospirosis, 98.1% of which were in Chinandega and Estelí (136 and 123 cases respectively). Of the 182 samples processed in laboratories, 42 resulted positive for Leptospira (23%). The Ministry of Health is sending medical brigades and epidemiologists to the affected departments and strengthening control measures and community support.
Dengue: The Ministry of Health reports a rise in notification of cases during the last two weeks.
Malaria: According to information from the Ministry, the situation is stable.
Cholera: As of 21 November, the Ministry of Health reported three confirmed cases of cholera and 11 suspected cases in Regions 1, 3 and 4 of the country.
Leptospirosis: On 20 November, the Ministry of Health reported and outbreak of febrile illness compatible with leptospirosis in three municipalities (San Pedro Zula, Choloma and La Lima in the department of Cortes (Region 3). Four cases were reported with three deaths. Two of the cases were serologically confirmed. The Ministry of Health has sent an epidemiological team to the field, strengthening the diagnostic capacity and improving epidemiological surveillance efforts.
Dengue: As of 21 November, the Ministry reported 1,080 cases of classic dengue, 444 of which occurred in Region 3. A total of 33 suspected cases of hemorragic dengue have been analyzed, and 15 of these were confirmed. The remainder are being studied. To date, 4 people have died.
Cholera: Health authorities report, as of 20 November, an outbreak of cholera en Saint Martin Village in the Cayo District, with 11 suspected cases and five confirmed. The latter have been hospitalized in the Belmopan Hospital. In one case, a 78-year-old person died 12 hours after being hospitalized. The suspected source of infection was contaminated drinking water from the Roaring Creek. Fifty-two contacts received treatment.
The following situations can be identified from available information:
PAHO recognizes the extraordinary efforts of the local and national health authorities in the five countries affected by Hurricane Mitch to control the risk of epidemics. These efforts, particularly the improved epidemiological surveillance, have sharply increased the capacity to suspect and detect cases as well as to confirm instances and eventually treat diseases that have the potential to cause epidemics. Consequently, we can expect a significant increase in the epidemiological reporting of cases in the coming weeks.
However, PAHO recommends the immediate establishment of the following measures:
Cholera:
1) Strengthen health control measures, including basic hygiene measures, provision of safe water, and handling and consumption of food from street vendors, among the at-risk population, particularly in shelters.
2) Intensify local epidemiological surveillance measures of cholera (active identification of cases) in the affected population.
3) Implement social communication campaigns particularly in shelters and among the displaced population and native communities.
Leptospirosis:
1) Strengthen the local capacity to diagnose and quickly treat cases.
2) Stimulate community participation in expanding the application of preventive measures and the early detection of suspected cases.
3) Step up health surveillance measures, including rodent control.
Hemorragic Dengue:
1) Ensure that health authorities have prompt access to suspected cases.
2) Intensify health measures to control vectors.
3) Strengthen local community participation in the control of breeding sites of mosquitos.


Count Your Life.
How Much Time Do You Have Left?
Assuming you have 75 years life.
Have a good time.
Tell me your birthday:


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"He bent that metal thingy up! I SEEN IT!"
- Rando Strangeman
- Rando Strangeman
"I bet that could double as a cigarette holder"
- Jonathan Doe
- Jonathan Doe
"It's like he's a carpenter, but with metal!"
- Bob Villa's Doppelganger
- Bob Villa's Doppelganger
"Geep Gorp"
- Robot Wizard, of the show "Robot Wizard and his less successful friend"
- Robot Wizard, of the show "Robot Wizard and his less successful friend"
"Bark bark, woof bow wow"
- A passing dog I tried to sell my products to
- A passing dog I tried to sell my products to
"Do, or do not. There is no try"
- A green hobbit
- A green hobbit


Java Websocket Home
Welcome to the Java WebSocket Home. Click the Add a device button to start adding devices.
Add a device
Add a new device
Name:
Type:
Appliance
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Description:
Currently connected devices:


Product dtails and ordering Instruction
Estimate complitation Time: 10days
Price : 42$
This Order price : 42$ One time
I confirm that i have provided the writer with the most detailed instruction possible as to what i need to written.
Premium Content 500 Words
Step 1 of 2


Klaxons’ James Righton announces debut solo album, shares “The Performer” video
by Andrew SacherKlaxons broke up in 2014, and then vocalist/keyboardist James Righton started making music as Shock Machine, and now he’s getting ready to release his debut solo album, The Performer, on March 20 via the Soulwax-run label DEEWEE.
“Am I this showman up on stage? Or am I the dad changing nappies?,” James asks about the title track, which is out now. “Am I living in the moment and doing something enjoyable?  I find that really interesting: this idea of putting on a suit and becoming this other thing.”
The vibe of that suit very much comes across in this loungey song and in its video, which was filmed by Hugo Capman, who says, “I was really interested in the idea of using a live performance as the basis for a music video. We even recorded James’ performance of the song to use to make it as close as possible to his live show. I wanted the video to delve into what music is at its most existential point: a human performance and a live experience. James is a great showman. He has so much energy, attitude and style. We filmed 43 consecutive takes to create something unique, and by the end of the process it drifted into a kind of abstract, surreal MTV performance.”
Watch/listen below. The new album was written, performed and produced by James, with help from James Ford on drums and bass, string arrangements by High Llamas’ Sean O’Hagan, sax by Bryan Ferry collaborator Jorja Chalmers, and additional string arrangements by Josephine Stephenson (Thom Yorke, Arctic Monkeys, Ex:Re).
Tracklist
1. The Performer
2. Edie
3. See The Monster
4. Devil Is Loose
5. Lessons In Dreamland, Pt. 1
6. Start
7. Are You With Me?
8. Heavy Heart
9. Lessons In Dreamland, Pt. 2


|
ProstateCancer.ai is an open-source web-application designed for prostate MRI, developed on Tesseract-MedicalImaging platform which enables deployment of AI models while simultaneously providing standard image viewing and reporting schemes. The core image viewer of ProstateCancer.ai is developed with OHIF viewer , Cornerstone, and dcmqi. ProstateCancer.ai is populated with the data from Radboud University Medical Centre, Nijmegen containing more than 200 MR images with pathological information. AI component is developed with Flask and each AI model is wrapped into an application program interface (API) endpoint. Prediction time is less than a second for each finding on a CPU machine; however, models can be written in a way to benefit from the power of GPUs. |
|
ProstateCancer.ai is managed by researchers at Medical Informatics Laboratory at Queen's University and Surgical Planning Laboratory at Harvard Medical School. If you have any questions or potential future collaborations, please feel free to contact: Alireza Sedghi , School of Computing, Queen’s University, Kingston, Ontario |


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Before Change
assert len(unready) == 1
// Add a node back to schedule placement group.
for _ in range(len(nodes_to_kill)):
nodes.append(
cluster.add_node(num_cpus=bundle_cpu_size * bundle_per_node))
// Wait on the placement group creation.
ready, unready = ray.wait([pg.ready()])
assert len(ready) == 1
assert len(unready) == 0
After Change
// This all should scheduled on each bundle.
check_with_pg = [
resource_check.options(
placement_group=pg, placement_group_bundle_index=i).remote()
for i in range(bundle_per_node * num_nodes)
]
// Make sure these are hanging.


Swiss Trial of Initial Decompressive Craniectomy versus Best Medical Treatment of Spontaneous Supratentorial Intracerebral Hemorrhage: A Randomized Controlled Trial
I really would like to see one more trial — the trial of decompressive craniectomy for intracerebral hemorrhage.
Prof. Dr. W. Hacke, German Society of Neurology and Neurosurgery, 2010
Large randomized controlled trials are needed to further investigate the therapeutic value of decompressive hemicraniectomy in intracerebral hemorrhage.
Heuts et al., Journal of Neurosurgery, 2013


Australian Earthquake Data
Data from March 2014 - March 2015
Geoscience Australia
Total Number of Earthquakes
Longest Streak without an Earthquake
Average Magnitude (mean)
Magnitude Distribution
Filter by Magnitude
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1
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Mag 1
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No matter what kind of motivation or daily prodding you need to meet your fitness goals, there's an app that can push you in the right direction. Motivate yourself with GetFit.
No matter what kind of motivation or daily prodding you need to meet your fitness goals, there's an app that can push you in the right direction. Motivate yourself with GetFit.
When you hit the gym, do you still carry a notebook or crumpled sheet of paper to all the stations and machines? Don't. With mobile apps for the gym, there are better ways to keep track of your sets and reps.
Huge thanks to those of you who have already contributed and support our software! You can still donate here.


Install¶
Pyconstruct can be installed via Pip:
pip install pyconstruct
or from the source code available on GitHub:
python setup.py install
Pyconstruct requires PyMzn to be installed on your machine, together with MiniZinc. Check-out PyMzn installation guide for details.
Alongside MiniZinc, you will need a constraint solver. PyMzn supports many open-source solvers such as Gecode and Chuffed. However, we recommend you give Gurobi a try, it’s blazingly fast for the kind of problems we usually solve in constrained structured prediction. If you are in academia, they provide free licenses for research purpose.


Bayesian inference is reallocation of credibility across possbilities: John K
kruschke. Doing Bayesian Data Analysis. Chapter 2
“How often have I said to you that when you have eliminated the impossible,
whatever remains, however improbable, must be the truth?” (Doyle, 1890,
chap. 6) Sherlock Homes to Doctor Watson


{% extends 'base.html' %}
{% import 'macros.html' as macro%}
{% import "bootstrap/wtf.html" as wtf %}
{% block styles%}
{{ super() }}
{% endblock %}
{% block content %}
{{post.post|truncate(350)}}
Is Santorini Really all that it is made out to be? let me tell you what people don’t tell you about Santorini.... Anyone that I have ever met that has been to Santorini, always says how amazing it was! It is supposed to be this amazing place of romance, serenity and gorgeous sunsets...right? A place to unwind and soak up the sun. Those picturesque pictures of the white buildings on the edge of the Caldera seem pretty amazing right? Well I am not going to lie it is, but...the pictures that you have seen do not tell the whole truth! But I will. We stayed in Oía in July, which is the main place that you see in the pictures. By day it is infested with people from the cruise ships, visiting (like myself) and others staying on other parts of the island. MY ADVICE: It is better to go out on a boat during the day and get away from the people so that you can enjoy it in the evening. The shops stay open late and people seem to go home after the sunset. THE SUNSETS: The sunsets from Oia are truly spectacular - some people say the best that they have ever seen in their lives. While they are spectacular, unless you have a house or hotel room with a view of the sunset you will be waiting with 100s of other people wanting to see the sunset. If you want to have any chance of seeing it at all, you will need to arrive at least an hour, if not more ahead of time to even get a spot to view the sunset. The best spot is supposed to be at the “fort” - if you can call it that, as it is falling apart. We were lucky enough to stay in a place called Oia mansion and could watch the sunset in peace from there. WHERE TO STAY: This bring me to where to stay. Well...If you want a view of the Caldera from your room, you better be prepared to pay big money. Accommodation in Oia is by no means cheap. But if you can afford a nice place it is worth the extra money. If you cannot, then a walk into town or staying in one of the other areas with Caldera views should not break the bank as much and is also a super nice option. Or, of course booking in the off season always affords you a better deal.  No! I would highly recommend that you do not rent a car or an ATV, or any vehicle that can transport you anywhere if you are staying in Oia. Firstly, traffic on the island is horrendous! It was terrible driving around the island and even more terrible on an ATV. I thought I was going to die of heat stroke, because of how bad the traffic is. We had to stop so many times and there was no breeze to cool me down. As soon as I got to our destination, I ran into the ocean so that I didn’t pass out from heat exhaustion. It was a truly miserable experience and I still had to go back - which was just as miserable as the way there. Except I got all my clothes wet and it was the only way I survived. The reason that you do not need a car if you stay in Oia is....you can do everything you want to do from there. Go for a swim, you have a boat tour? Just ask them to pick you up in Ammoudi Bay, you want to go cliff jumping - head down to Ammoudi bay again! Keep in mind if you do go down to Ammoudi bay you have to walk down several hundred steps - but you can always take the donkey’s back up. Which is truly a wild experience and worth it, especially if you have an adventurous side and even if you don’t. There are an endless amount of restaurants in walking distance from everywhere in Oia and the shops. You can literally shop until you drop in oia! THINGS TO DO? Well, I thought you would never ask. There are load of things to do in Oia. SHOPPING: You can literally shop until you drop in oia. They have so many shops, I don’t know if you could go to them all if you spent weeks there. But, the nice thing about their shops is they have a lot of things made in Greece - from souvenirs to clothes. Try to stay away from the cheap Chinese made stuff and buy the cool and authentically made items that you cannot get anywhere else. AMMOUDI BAY: This is one of my favorite places in this area. You do have to climb down approximately one million steps to get down to it, but it is totally worth it when you make it. You can also take the donkey’s back up, which is a fun experience in and of itself. In the bay itself you can go for a swim in the crystal clear and well temperatured water - especially in July. Or you can go “cliff” jumping. It is not exactly a cliff, but a cement platform some 25ish feet above the water (depending on the tide of course) and a lot of fun to take a running jump off of it, if you are into that type of thing. When you get down to the bay from the steps, go to your left and continue onwards until you see the platform out in the ocean. You then have to swim over to it and probably wait in a little line before you can jump. This is also the area we went swimming in. BOAT TOUR OF THE CALDERA: We went with Paños and I would recommend that you go with him as well, as he was awesome and it was our favorite thing that we did while we were in Santorini (not counting the donkeys of course). He will take you inside the Caldera to an area where you can swim in a hot spring in the middle of the ocean as the volcano is still active. It was actually a really cool experience and he tells you some really cool information about how the caldera was formed and what not. Then we took a quick snorkel over to our own island with a nice little beach and we got to swim between two continents. Then, he cooked us a delicious dinner and was very able to accommodate my allergies to Gluten, Dairy and a number of other things. Then we stopped at Ammoudi Bay for some cliff jumping, before he dropped us off at the dock. It was a really fantastic day and I wish that we had gone out with him more than once! EAT: I personally did not love the food in Greece, but that is probably because I could not eat the pita or other delicious gluten filled deliciousness. They also did not have any GF bread, pizza, or pasta that we could find. I also hate tomatoes, so while the Greek salads were delicious, I ate way more tomatoes than I probably ever had in my life before then, in that week - as I hate to be wasteful and it was like blasphemy to them to make a Greek salad without tomatoes, it was enough of a bother for them to make it without the cheese (as I am allergic to that too). But, non the less, there are loads of restaurants in Oia and if you like Greek food you will be delighted! RIDE THE DONKEYS: So, you may have seen The SisterHood Of The Traveling Pants - yeah? Well, people have mixed opinions on riding the donkeys and that is fine and I will not be getting into it in this post. If you are one of those that is up for the Craic (Irish word for tons of fun), then a ride on the donkeys back up from Ammoudi bay is something that you should def do! It is a little crazy and not for the faint of heart, as the men just put you up on the donkey (the saddles can be super hot, so bring either a towel to sit on or wear long shorts).   Enjoy the ride and you will eventually make it up all of the steps, get off and then the donkeys head back down. WATCH THE SUNSET: Oia has some of the most amazing sunsets. The thing is, people know about these sunsets! The best placed to view the sunset is in front of a rental home called Oia Mansion, or there is a ruined castle that many people go to as well. BE WARNED - people line up at least an hour ahead of time to get a good spot to see the sunset. Unless you are super tall you may want to get there ahead of time as the streets are lined with what seems like thousands of people.  Santorini is really nice - it Just might not be the fantasy that everyone has in their mind. You let me know! Have you ever been to Santorini? leave your thoughts in the comment section below!


"This recipe has been in my family for years. It's easy to cook, but tastes like it took hours to make! I usually make enough extra sauce to pour over mashed potatoes. YUM!"


Sean Pue
a literary historian and digital humanist, is the author
of I Too Have Some Dreams:
N. M. Rashed and Modernism in Urdu Poetry. He is
eternally grateful to Software Carpentry for teaching him tab
completion. Sean is an associate professor at Michigan State
University and blogs
at http://seanpue.com.


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Ericsson C3
AudioMixer example
This example shows how to use a cct.AudioMixer as well as how to subclass cct.MediaSource.


 Steel Delibird Zebstrika Flareon Kricketune Oshawott Nincada. Razor Leaf Body Slam Deerling Crobat Clamperl Bronzor Cobalion. Sapphire Psychic Beheeyem Cacnea Torchic Anorith Mystery Gift. Consectetur adipisicing elit Houndoom Mightyena Foongus Earthquake Rotom Ash.
Dark Rufflet a wild Pokemon appeared Loudred Mesprit Gible Cherubi. Pokemon our courage will pull us through prepare for trouble Basculin Magmar Skuntank Staryu. Dark Hippowdon Arceus Sandslash Torkoal Psyduck Purrloin. Thundershock Vanillish Stoutland Tirtouga Dustox Bibarel Squirtle. Water Marowak Grumpig Paras Missingno Hydro Pump Banette.
Zephyr Badge Oddish Yellow Donphan Azurill Ash Mystery Gift. Sinnoh Reshiram Sudowoodo Bill Magmortar Persian Celadon City. Water Bastiodon Fog Badge Zigzagoon Minun Volcarona Ampharos. Yellow Helix Fossil Ultra Ball our courage will pull us through Gliscor Mewtwo Strikes Back Gulpin. Slash Finneon Qwilfish Drifblim Gothorita Ducklett Lombre.
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UPCOMING EVENTS
4/2/21 - Pikachu Breakfast
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4/20/21 - Pikachu Yacht Trip
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Using Other Code Editors¶
In the Ring/Editor folder you will find extensions for the next editors
- Notepad++
- Geany
- Atom
- Sublime Text 2
- Visual Studio IDE
- Emacs
- Visual Studio Code (VSCode)
Using Notepad++¶
Folder : ring/editor/notepad_plus_plus
- Open Notepad++
- Open the “Language” menu
- Select “Define your language...”
- Click “Import...”
- select Ring.xml
- Select “OK” on the “Import successful” dialog and close the “User Defined Language” dialog/panel
- You may need to restart notepad++
Using Geany¶
Folder : ring/editor/geany
- Run Geany editor
- Click on “Tools -> configuration files -> filetypes_extensions.conf” menu
- Add this line “Ring=*.ring;” without quotes after [Extensions]
- In unbuntu copy file “filetypes.Ring.conf” to folder “/home/USERNAME/filetypes.Ring.conf”
- You can run your files by pressing F5 button
Using Atom¶
Folder : ring/editor/atom
Just Copy the folder atom-language-ring to the next path
"C:\Users\{UserName}\.atom\Packages"
Using Sublime Text 2¶
Folder : ring/editor/sublime text 2
In the folder Sublime_Text_2 you will find the next three files
1 - ring.json-tmlanguage
2 - ring.sublime-build
3 - ring.tmlanguage
Just Copy the files to the next path
"C:\Users\{UserName}\AppData\Roaming\Sublime Text 2\Packages\User\"
The file ring.sublime-build includes the next line
"cmd": ["B:\\ring\\bin\\ring.exe","$file"],
You can modify it according to the ring.exe path in your machine
Using Visual Studio IDE¶
Folder : ring/editor/visualstudio
Check the ReadMe file for installation instructions.
Using Emacs Editor¶
Folder : ring/editor/emacs
Check the ReadMe file for installation instructions.
Screen Shot:
Visual Studio Code¶
Folder : ring/vscode
Check the ReadMe file for installation instructions.
Screen Shot:


Making a patch¶
You’ve discovered a bug or something else you want to change in scikit-image .. — excellent!
You’ve worked out a way to fix it — even better!
You want to tell us about it — best of all!
The easiest way is to make a patch or set of patches. Here we explain how. Making a patch is the simplest and quickest, but if you’re going to be doing anything more than simple quick things, please consider following the Git for development model instead.
Making patches¶
Overview¶
# tell git who you are
git config --global user.email<EMAIL_ADDRESS>git config --global user.name "Your Name Comes Here"
# get the repository if you don't have it
git clone git://github.com/scikit-image/scikit-image.git
# make a branch for your patching
cd scikit-image
git branch the-fix-im-thinking-of
git checkout the-fix-im-thinking-of
# hack, hack, hack
# Tell git about any new files you've made
git add somewhere/tests/test_my_bug.py
# commit work in progress as you go
git commit -am 'BF - added tests for Funny bug'
# hack hack, hack
git commit -am 'BF - added fix for Funny bug'
# make the patch files
git format-patch -M -C master
Then, send the generated patch files to the scikit-image mailing list — where we will thank you warmly.
In detail¶
Tell git who you are so it can label the commits you’ve made:
git config --global user.email<EMAIL_ADDRESS>git config --global user.name "Your Name Comes Here"
If you don’t already have one, clone a copy of the scikit-image repository:
git clone git://github.com/scikit-image/scikit-image.git cd scikit-image
Make a ‘feature branch’. This will be where you work on your bug fix. It’s nice and safe and leaves you with access to an unmodified copy of the code in the main branch:
git branch the-fix-im-thinking-of git checkout the-fix-im-thinking-of
Do some edits, and commit them as you go:
# hack, hack, hack # Tell git about any new files you've made git add somewhere/tests/test_my_bug.py # commit work in progress as you go git commit -am 'BF - added tests for Funny bug' # hack hack, hack git commit -am 'BF - added fix for Funny bug'
Note the
-am
options tocommit
. Them
flag just signals that you’re going to type a message on the command line. Thea
flag — you can just take on faith — or see why the -a flag?.When you have finished, check you have committed all your changes:
git status
Finally, make your commits into patches. You want all the commits since you branched from the
master
branch:git format-patch -M -C master
You will now have several files named for the commits:
0001-BF-added-tests-for-Funny-bug.patch 0002-BF-added-fix-for-Funny-bug.patch
Send these files to the scikit-image mailing list.
When you are done, to switch back to the main copy of the
code, just return to the master
branch:
git checkout master
Moving from patching to development¶
If you find you have done some patches, and you have one or more feature branches, you will probably want to switch to development mode. You can do this with the repository you have.
Fork the scikit-image repository on github — Making your own copy (fork) of scikit-image. Then:
# checkout and refresh master branch from main repo
git checkout master
git pull origin master
# rename pointer to main repository to 'upstream'
git remote rename origin upstream
# point your repo to default read / write to your fork on github
git remote add origin git@github.com:your-user-name/scikit-image.git
# push up any branches you've made and want to keep
git push origin the-fix-im-thinking-of
Then you can, if you want, follow the Development workflow.


There are a number of functions that assist with music programming around note and pitch validation, comparison, equivalence checking, and various manipulations and transformations. In a previous section, you saw is_note
and is_chord
.  There is also is_diatonic
, which less strictly requires any noteworthy string. It can be applied to notes and chords alike. Given the name, it is slightly less basic than the prior functions. It takes a key
signature for context.
x <- "c e_ g b_ cd#g"
is_diatonic(x, "c")
#> [1] TRUE FALSE TRUE FALSE FALSE
is_diatonic(x, "b_")
#> [1] TRUE TRUE TRUE TRUE FALSE
Note that it is common for functions like this to treat notes as different if they sound the same but one is transcribed as a flat and the other as a sharp. tabr
does focus on transcription and this is an important distinction to make wherever necessary. Other functions such as transpose
of course handle pitch as pitch and therefore the style of representation does not affect computation.
There are functions for enforcing a singular representation for accidentals in noteworthy strings since it is unusual to mix flats and sharps.
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: c e_ g b_ <ce_g>
sharpen_flat(x)
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: c d# g a# <cd#g>
Do not be confused about the names of these functions. They are for enforcing a single type of accidental. To actually lower sharps by a half step or semitone as well as raise flats similarly, use naturalize
.
naturalize(x)
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: c e g b <cdg>
These are helpful building blocks for music programming. A useful wrapper around flatten_sharp
and sharpen_flat
is note_set_key
. Like is_diatonic
, this function takes a key
argument. Providing a key signature is often used in tabr
functions for the purpose of enforcing the correct representation of accidentals intended by the user, which tabr
cannot know until informed.
Be aware that the default for functions that take a key
argument is c
, but c
and am
have no accidentals in their key signatures, so note_set_key
will have no effect if you pass these values to key
. It is also important to recognize that it does not matter for this function what key you choose specifically; it only matters that you choose a key that has the type of accidentals in its signature that you wish to force your noteworthy string to use. If you want flats, it makes no difference if you set key = "f"
or key = "b_"
. For this function, you can also literally enter key = "flat"
or key = "sharp"
, options that stress the extent to which key
actually matters to note_set_key
.
note_set_key(x, "c") # no change possible
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: c e_ g b_ <cd#g>
note_set_key(x, "f") # key of F has a flat
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: c e_ g b_ <ce_g>
note_set_key(x, "g") # key of G has a sharp
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: c d# g a# <cd#g>
The intent is not to force notes which may not be diatonic to the key signature to fit that signature. All pitches remain exactly what they are. It does not matter if they are not in the key. But they are forced to conform to a key’s representation of accidentals.
Of course, for many other functions in tabr
, key
arguments utilize the specific key signature in a more complete manner, and the options flat
and sharp
are not relevant or allowed.
The note_is_*
functions mentioned earlier are vectorized, but the operations they perform are self checks. Other functions are available for comparative checks of identity or equivalence between two notes. These functions are also vectorized. Each note input can be an entire noteworthy string.
There are different dimensions along which the strictness of equality varies and are worth taking a moment to break these and other properties down clearly:
*_is_equal
and *is_identical
pairs. Equality is more relaxed than identity.note_is_*
pairs below also offer the argument ignore_octave
. This further weakens the requirements for passing both equality and identity comparisons of two notes.e_
and d#
, they are equal, but not identical.octave_is_*
pairs.First look at note and pitch comparisons. The main difference is that pitch is more complete than note in that the former implicitly carries the octave position. Setting ignore_octave = FALSE
for note comparisons makes them equivalent to their pitch comparison counterparts.
x <- "b_2 ce_g"
y <- "b_ cd#g"
note_is_equal(x, y)
#> [1] TRUE TRUE
note_is_identical(x, y)
#> [1] TRUE FALSE
pitch_is_equal(x, y)
#> [1] FALSE TRUE
pitch_is_identical(x, y)
#> [1] FALSE FALSE
There are minimal requirements for equivalence that precede the forms and degrees of equivalence described and shown above. At a bare minimum, two noteworthy strings must have the same number of time steps available for pairwise comparison. Otherwise a simple NA
is returned. In the following example, the strings x
and y
have the same number of notes, in the same order, but the first has three times steps and the second has two.
x <- "b_2 ce_g b_"
y <- "b_2 ce_gb_"
note_is_equal(x, y)
#> [1] NA
In the next example, x
and y
have the same number of of the same notes, again in the same order, and even have an equal number of timesteps. Having the same number of timesteps makes pairwise comparisons possible. They return FALSE
where unequal.
x <- "b_2 ce_g b_"
y <- "b_2 ce_ gb_"
note_is_equal(x, y)
#> [1] TRUE FALSE FALSE
Finally, there are octave comparisons, which must be defined and behave somewhat differently. octave_is_equal
and octave_is_identical
allow much weaker forms of equivalence in that they ignore notes completely. These functions are only concerned with comparing the octave numbers spanned by any pitches present at each timestep.
When checking for equality, octave_is_equal
only looks at the octave number associated with the first note at each step, e.g., only the root note of a chord. octave_is_identical
compares all octaves spanned at a given timestep by considering all notes when a chord is present.
This still leaves open the definitions of equivalence. To clarify:
Consider an example: a1b2c3
is identical to d1e1f2g3
. The notes are irrelevant. The number of notes is irrelevant. The fact that octave number one occurs a different number of times in each chord is irrelevant. What matters is that they both have the same set of unique octave positions {1, 2, 3}
. To be equal, even less is required. In this case it only matters that the two chords begin with x1
, where x
is any note.
One alternative, for octave_is_identical
only, is to set single_octave = TRUE
. This increases the requirement for identity to require that all notes from both chords being compared at a given timestep share a single octave.
x <- "a1 b_2 a1b2c3 a1b4 g1a1b1"
y <- "a_2 g#2 d1e1f2g3 a1b2b4 d1e1"
octave_is_equal(x, y)
#> [1] FALSE TRUE TRUE TRUE TRUE
octave_is_identical(x, y)
#> [1] FALSE TRUE TRUE FALSE TRUE
octave_is_identical(x, y, single_octave = TRUE)
#> [1] FALSE TRUE FALSE FALSE TRUE
Rotating or cycling a sequence of notes and chords in a noteworthy string is done with note_rotate
. This is a simple function. It only rotates the sequence left or right. It does not do any transposition. It does not break chords, but rather rotates them intact.
x <- "a b ceg"
note_rotate(x, 1)
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: b <ceg> a
note_rotate(x, -1)
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: <ceg> a b
note_shft
only operates on notes, not chords, but is a more complex function. It also rotates notes, but it maintains a consistent direction of increasing or decreasing pitch. The direction is determined by n
being negative or positive.
This function is intended for use on strings of notes that are already ordered by increasing pitch. However, if applied to a sequence of unordered notes, the sequence will eventually become ordered if n
is large enough, because each shift transposes the current lowest note by however many full octaves necessary to be above the current highest note and as close to it as possible.
note_shift("c e g", 1)
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: e g c4
note_shift("c e g", -4)
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: g1 c2 e2
note_arpeggiate
is like note_shift
but it extends the original note sequence rather than shifting it and maintaining its fixed size. n
refers to the number of additional notes to append to the sequence. The length of the final sequence is the length of the original sequence plus n
.
note_arpeggiate("c e g", 5)
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: c e g c4 e4 g4 c5 e5
note_arpeggiate("c e g", -5)
#> <Noteworthy string>
#> Format: space-delimited time
#> Values: e1 g1 c2 e2 g2 c e g
The next section on music programming covers various helper functions related to chords.


There are dozens of customer journey mapping tools out there, so it can be hard to find the best. However, there are some important features that a customer journey mapping tool should offer and below I am highlighting a few of those.
Simple design functionality
You shouldn’t need coding know-how to contribute to a customer journey map, so whatever tool you use should offer easy design functionality. On the flipside, you shouldn’t have to stick to rigid templates that don’t suit your customer journeys.
Fast and easy editing
You want the ability to change your journey maps quickly, in order to reflect new products, services or processes, or changing customer behaviours.
Sharing functionality
What’s a journey map if only you get to see it? Your chosen application should enable you to share your maps quickly and easily, with as many stakeholders as you want.
Real-time collaboration
Along with shareability, you also want a tool that enables your team to collaborate in real time. It should be possible to set permissions for who can view, edit or create journey maps.
Data integration
A great customer journey mapping tool will integrate with your existing data sources, allowing you to feed in real customer sentiment into your journey maps.
Action trackers
Once you’ve identified pain points and come up with ideas to remedy them, you should be able to assign actions within your mapping software and track progress.
Customer personas
Some of the best customer journey mapping tools allow you to create customer personas as well. But at the very least, you should be able to import existing personas into your maps.
Omni-channel data integration
The very best mapping software will enable you to integrate offline and online data sources, reflecting the fact that your customers will veer between the two during most customer journeys.
Unlimited journeys and personas
Once you get the journey mapping bug, you’ll want to create lots of them. Your tool shouldn’t limit you to a certain number, or set a restriction on the number of customer personas per map.
Attractive and easy-to-understand maps
It’s easier to get senior buy-in when your customer journey maps match your brand colours, and are easy to understand at a glance. Don’t go for a tool that generates maps that are overly-complex and, frankly, ugly.
Qualtrics