Mexico celebrates anniversary of 1910 revolution
Thousands of people watched an anniversary parade in Mexico on Wednesday.
The parade marked the country's 1910 revolution.
Actors dressed as important figures of the revolution acted out specific events.
The Mexican Revolution was a period of political, social and military turmoil which began on November 20, 1910, and saw peasant armies led by Emiliano Zapata and Pancho Villa, among others, topple the dictatorship of Porfirio Diaz.
The revolution's original aim was to install democracy and improve life for the country's landless peasants but it degenerated into a factional war over power that lasted until 1920.
However, many historians consider the Mexican constitution of 1917 the official ending of the Mexican Revolution.
Once the fighting stopped, rather than democracy, it set the stage for 71 years of political domination by the Revolutionary Institutional Party that ended in 2000.


Frequency Response Analyzer
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application was stopped. The current started application is
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Banco Epicodus
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The icon module allows direct access to the Skin iconography via the <svg> tag (i.e. foreground icons) or <span> tag (i.e. background icons).
@ebay/skin/icon/foreground
Foregound icons can inherit their colour via the CSS cascade; this behaviour can be useful when crafting custom buttons and controls.
To avoid gigantic icons when in a non-CSS (edge-case) state, we use the SVG width and height attributes to override the browser's default 300x150 size.
IMPORTANT: Skin removes all mouse and touch events on our SVG icons due to a bug in IE. To add events to these icons you should wrap them in another element and attach your events there.
{% highlight html %}
{% endhighlight %}
@ebay/skin/icon/background
Background icons have a fixed colour that cannot be changed via CSS.
IMPORTANT: this module contains a base64 encoded string for every icon in the set, therefore a significant increase in CSS payload will occur.


Web Course
This github page is for easy viewing of my web course projects
HTML Basics
CSS Basics
Bootstrap Projects
JS


CreateBillboardGroup()
Syntax
Result = CreateBillboardGroup(#BillboardGroup, MaterialID, DefaultBillboardWidth, DefaultBillboardHeight [, x, y, z [, VisibilityMask [, Type]]])Description
Creates a new empty billboard group.
Parameters
#BillboardGroup The number to identify the new billboard group. #PB_Any can be used to auto-generate this number. MaterialID The material to use for all billboards added to this group, using the AddBillboard() function. To get a valid material id use MaterialID(). DefaultBillboardWidth The default width (in world units) of billboards added to this group. Although the size of each billboard can be set separately with the ResizeBillboard() function, it is important to keep in mind that it will have a negative impact on performance if all billboards are not the same size. DefaultBillboardHeight The default height (in world units) of billboards added to this group. Although the size of each billboard can be set separately with the ResizeBillboard() function, it is important to keep in mind that it will have a negative impact on performance if all billboards are not the same size. x, y, z (optional) The absolute position of the new billboard group in the world. VisibilityMask (optional) A mask to select on which camera the billboard group should be displayed. If this mask match the mask specified in CreateCamera(), the billboard group will be displayed on the camera. See CreateEntity() to build correct masks. If this parameter is omitted or set to #PB_All, then the billboard group will be visible on all cameras. Type (optional) The billboard type. It can be one of the following values: #PB_Billboard_Point: standard point billboard, always faces the camera completely and is always upright (default). #PB_Billboard_Oriented: billboards are oriented around a shared direction vector (used as Y axis) and only rotate around this to face the camera. #PB_Billboard_SelfOriented: billboards are oriented around their own direction vector (their own Y axis) and only rotate around this to face the camera. #PB_Billboard_Perpendicular: billboards are perpendicular to a shared direction vector (used as Z axis, the facing direction) and X, Y axis are determined by a shared up-vector. #PB_Billboard_SelfPerpendicular: billboards are perpendicular to their own direction vector (their own Z axis, the facing direction) and X, Y axis are determined by a shared up-vector.
Return value
Returns zero if the billboard group can't be created. If #PB_Any is used as '#BillboardGroup' parameter, the new billboard group number is returned.
See Also
FreeBillboardGroup(), AddBillboard(), BillboardGroupCommonDirection(), BillboardGroupCommonDirection()
Supported OS
All


Converts a Markdown file into a sequence of HTML5 slides.
--
and another new line (e.g. \n versus \r\n)The script mk-release.sh cross compiles mkslides for Windows, Max OS X, Linux (amd64) and Raspberry Pi (Raspbian/ARM6 and ARM7). It places all the resulting executable programs in the dist folders.
mkslides has had very limited Windows testing. mkslides.exe presumes the Unix style new line only and not the old DOS/Windows CR/LF type endings.


Chocolate Pizza
POSTED ON 15 DEC 2013/DESSERTS
THE BEST FOOD BLOG ON THE WEB
POSTED ON 15 DEC 2013/DESSERTS
Your boss comes up to you just before lunch: “OK, we just picked up this job, but I need it on my
desk (well, in my inbox) in four hours. It doesn’t need to be perfect… it needs to be as close to
perfect as you can get it in that time.”
In lab today you will be building a single webpage based off of the provided design comp assets.
This assignment is a lot of HTML and CSS, and not as much JS as we’ve been doing this week. In fact,
you may choose to do this project with no JS at all, or just add some as a finishing touch.
This will be a pair-programming project, and you are free to set up whatever workflow you choose
with your partner.

Your boss comes up to you just before lunch: “OK, we just picked up this job, but I need it on my
desk (well, in my inbox) in four hours. It doesn’t need to be perfect… it needs to be as close to
perfect as you can get it in that time.”
In lab today you will be building a single webpage based off of the provided design comp assets.
This assignment is a lot of HTML and CSS, and not as much JS as we’ve been doing this week. In fact,
you may choose to do this project with no JS at all, or just add some as a finishing touch.
This will be a pair-programming project, and you are free to set up whatever workflow you choose
with your partner.

Your boss comes up to you just before lunch: “OK, we just picked up this job, but I need it
on my desk (well, in my inbox) in four hours. It doesn’t need to be perfect… it needs to be as close
to perfect as you can get it in that time.”
In lab today you will be building a single webpage based off of the provided design comp assets.
This assignment is a lot of HTML and CSS, and not as much JS as we’ve been doing this week. In fact,
you may choose to do this project with no JS at all, or just add some as a finishing touch.
This will be a pair-programming project, and you are free to set up whatever workflow you choose
with your partner.

Food enthusiast,photografher fan. Add a pinch of raw foodism and thats pretty much who I am.


CP202: Crash Course
Class Content
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
About
Contact
Chapter 5
Overall website design is related to the site purpose, you want to take into consideration the target audience
Hierarchical Design - starts with clearly designed home page with navigation links to major site sections
Often used for commercial and corporate websites
Within hierarchical website organization you want to make sure that there aren't too many main navigation links on the home page
You also want to make sure that there arent too many clicks needed to get to the needed page
Three click rule – a web page visitor should be able to get to any page on your website in a maximum of three clicks
Linear Design
Usually used for sequential viewing
Series of pages that provide a tutorial, tour, and presentation
Random Design
Sometimes called web organization
There is no clear path through the site
Might be used with artistic or concept sites
Not usually used for commercial sites
Design Principles
Repetition
Repeat visual elements throughout design
Contrast
Add visual excitement and draw attention
Proximity
Group related items
Alignment
Align elements to create visual unity
Provide Accessibility
Four people who benefit from accessibility
A person with a physical disability
A person with a slow internet connection
A person using an old, out-dated computer
A person using a mobile phone
Web Content Accessibility Guidelines 2.0
POUR
Perceivable – content must be perceivable
Operable – interface components must be operable
Understandable – content and controls must be understandable
Robust – content should be robust enough to work with current and future user agents including assistive technologies
When writing for the web
Avoid long blocks of text
Use bullet points
Use headings and subheadings
Use short paragraphs
Check your spelling
Use easy to read text fonts
Use common fonts - Arial, Helvetica, Verdana, Times New Roman
Use appropriate text size - medium, 1em, 100%
Use strong Contrast between text and background
Use columns instead of wide areas of horizontal text
Carefully choose text in hyperlinks
Avoid "click here" and make sure your hyperlinks are key words or phrases and not entire sentences
Color Theory
The study of color and its use in design
Color wheel
Primary colors
Secondary colors
Tertiary colors
There are color schemes based on the color wheel
Monochromatic – shades, tints, or tones of the same color
Analogous – a main color and two colors adjacent to it on the color wheel
Complementary – two colors that are opposite to each other on the color wheel
Split complementary – a main color, the color opposite it and two colors adjacent to the opposite color
Triadic – three colors that are equidistant on the color wheel
Tetradic – two complementary color pairs
Choose one color to be dominant, then use colors in the color scheme as accent colors
Use the accent colors for headings, subheadings, borders, and list markers etc
Use neutrals such as white, off white, grey, black or brown
Do not restrict yourself to web safe colors
Use tints, shades, or tones of colors
Graphic Design best practices
Be careful with large graphics – there is a 60k recommendation
Use the alt attribute to supply descriptive alternate text
Make sure that the message gets across even when the image is not displayed – have plain text to describe the image
Only use animation if it makes the webpage more effective
Use only necessary images, reuse images, and size images as small as possible and with acceptable display quality
Take load time into account
Try to limit the web page document to under 60k on the home page
Test screen resolution with multiple web browsers
Test at various screen resolutions
Design to look good at various screen resolutions – centered page content, set to either a fixed or percentage width
Wireframe
Sketch or blueprint of a webpage
Shows the structure of the page elements
Header, navigation, content, footer, and image locations
Place the most important info above the fold
Use adequate white or blank space
Use an interesting page layout
Ready to Leave?
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Select "Logout" below if you are ready to end your current session.


"Hey Gopher Lord! I have some great news for you. You're going into the field," yells your boss Rand.
 "Let me take a look..."
"Hey Gopher Blue! I have some great news for you. You're going into the field," yells your boss Rand.
 "Let me take a look..."


|
Nautical
|
Struct to make using the Kalman filter easier. More...
#include <kalman.hpp>
Public Member Functions | |
| void | bias () |
| Removes bias from accelerometer data. | |
| uint32_t | compute (float *state, float *covar, float *angles, uint32_t t) |
| Computes one iteration of the Kalman filter. More... | |
Data Fields | |
| int | skip |
| int | iter |
| float | m_orig [M] |
| float | m_bias [M] |
Struct to make using the Kalman filter easier.
| uint32_t Kalman::compute | ( | float * | state, |
| float * | covar, | ||
| float * | angles, | ||
| uint32_t | t | ||
| ) |
| int Kalman::iter |
Supposed to be used for accelerometer bias removal, unused for now.
| float Kalman::m_bias[M] |
Supposed to be used for accelerometer bias removal, unused for now.
| float Kalman::m_orig[M] |
Supposed to be used for accelerometer bias removal, unused for now.
| int Kalman::skip |
Supposed to be used for accelerometer bias removal, unused for now.


BULWORTH (Fox - 1998) Starring Warren Beatty, Halle Berry, Don Cheadle, Oliver Platt, Paul Sorvino, Jack Warden Screenplay by Warren Beatty, Jeremy Pikser Produced by Warren Beatty, Pieter Jan Brugge Directed by Warren Beatty Running time: 107 minutes
**1/2 (out of four stars) Alternate Rating: C+
Note: Some may consider portions of the following text to be spoilers. Be forewarned.
-------------------------------------------------------------
"Yo." - U.S. Senator Jay Billington Bulworth
That, in a word, sums up the appeal of Warren Beatty's project BULWORTH, essentially a one-gag premise stretched kicking and screaming to feature-length. While the film's scathing concept is inspired and often wickedly funny, it's swamped by familiar extraneous material which subverts the comedy, and a sociopolitical message too jarringly self-conscious to mesh with the film's other elements.
It's the eve of the 1996 California primaries, and we're at the "doorstep to a new millennium".  After ordering a hit on himself, he's obligingly trotted around Los Angeles by his handlers, led by media-savvy campaign manager Dennis Murphy (Oliver Platt), for a final round of campaigning. Liberated by his impending mortality, Bulworth's free to throw caution to the wind, and he uncorks a barrage of decidedly politically-incorrect platitudes at his various stops, stunning and outraging his audiences and launching Murphy into a state of panicked spin control. Ultimately transforming himself into a rapping homeboy of a senatorial candidate, complete with hip-hop duds, Bulworth also undergoes a political reawakening, and his rhyming, disarmingly blunt liberal tirades begin to strike a chord with the weary, seen-it-all populace. Bulworth is reborn -- but will he survive long enough to enjoy it?
BULWORTH is at its best when it's at its most irreverent, with the newly-metamorphosized title character cheekily blurting observations, or strutting through the darkened streets of South Central backed by Cypress Hill on the soundtrack. There's discernable glee when the senator is given an impromptu crash course on hip-hop culture during an all-night party, and it's often great fun to take in a wildly animated Bulworth incongruously bursting out into rap, but the gag begins to lose its bite after constant repetition -- how many times can we cut to the faces of scandalized spectators before the humour dissipates? It's only through Mr. Beatty's engaging performance that this aspect of the film doesn't wear out its welcome.
We've got the makings of a fine political farce here, but the film's raison d'etre is its underlying impassioned rant against the status quo political system, and here's where BULWORTH loses its footing. Mr. Beatty's a famously avowed liberal, and his convictions are clearly heartfelt, but his film skewers each of its meaty targets -- from the impact of media manipulation to the role of politician as industry puppet to the touchy race issue in America -- in a manner that's not only lacking in eruditeness, but also rather simplistic and obvious. The film allows its characters so much screentime to wax eloquently on the state of inner city life that it becomes painfully sermonic. Corrupt officials, spin doctors, poll-watching, harassment of black youth by white cops: it's all been addressed in more sophisticated and thought-provoking fashion elsewhere.
If the film spins its wheels with its sociopolitical commentary, it's with the hitman subplot where it swerves and crashes. Distracting at best and aggravating at worst, this thread begins as a series of merely intrusive scenes involving the senator, associate Eddie Davers (Jack Warden), and faithful hit go-between Vinnie (Richard Sarafian), and quickly degenerates into mindless, annoying chase sequences, with Bulworth diving into shrubbery or burning rubber alongside mysterious new admirer Nina (Halle Berry) to evade a menacingly omnipresent suspected assassin. Best left on the cutting room floor, this aspect of the film is a drain, failing to add any comic or dramatic interest, and comes off as a weak excuse to include some action in an already-kinetic movie.
When I first saw the teasers for BULWORTH several months ago, my first though was that of cynical amazement that a film which superficially resembled AS GOOD AS IT GETS -- loud-talking protagonist cheerfully spewing racial jibes for comic effect -- could make it to market so quickly. In fact, this is a film whose gestation period has been a long one; Mr. Beatty, who wears multiple hats on the project (star, director, producer, co-writer), took great deliberations in his pitch to Fox (only the barest plot outline was given, with all of the political and racial angles excised), and leveraged monies owed from DICK TRACY in order to assume total control. This is clearly a personal project for Mr. Beatty, and he throws himself into the film with utter abandon -- rarely does an actor seem to be as filled with enthusiasm as he does here. Consistently amusing throughout, there's an extra bounce in his step, a delightful grin on his face that's infectious. Mr. Beatty's a wonderfully awful rapper, and it's disarmingly funny to watch a sexagenarian employing street hand gestures and gleefully rhyming his way through a televised debate. Taking a sizable risk, he pulls it off with flying colours -- Mr. Beatty's performance is by far the strongest aspect of BULWORTH.
The remainder of the cast is more hit-and-miss. Ms. Berry, a luminous onscreen presence, is nonetheless rather uninspiring as Bulworth's new devotee, playing Nina with such fierce remoteness that not only is she sufficiently ambiguous, she's also uncompelling; by the time the gloves are off in the third act, one can scarcely raise an eyebrow. Meanwhile, Mr. Platt's a wonderful character actor and does what he can with his frazzled Murphy character, but he's given only a few notes from which to riff as the aggravated aide.
Mr. Beatty has spent much of his life deeply involved in American politics, working alongside the likes of Robert Kennedy, George McGovern and Gary Hart, and with BULWORTH comes his opportunity to express some of his reflections and concerns on the direction the system is heading. The elements are present for a spectacularly good political lampoon, but ultimately the film is most memorable not for the message it conveys, but the sight of the iconic actor swaggering around, microphone in hand, chanting lines like "Billions to Mexico and never have to fear / Coz taxpayers, taxpayers take it in the rear / Yeah yeah yeah".
- Alex Fung email<EMAIL_ADDRESS>web : http://www.ncf.carleton.ca/~aw220/
-- Alex Fung<EMAIL_ADDRESS>| http://www.ncf.carleton.ca/~aw220/ "Unlike you, I'm tolerant of weirdness." - Jennifer Jason Leigh, CROOKED HEARTS
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| Cable 1 | Cable 2 | Cable 3 | Cable 4 | |
|---|---|---|---|---|
| Orientation | Orange/White | Orange/White | Brown/White | Brown/White |
| Orange | Orange | Brown | Brown | |
| Blue/White | Blue/White | Green/White | Green/White | |
| Blue | Blue | Green | Green | |
| Green/White | Green/White | Blue/White | Blue/White | |
| Green | Green | Blue | Blue | |
| Brown/White | Brown/White | Orange/White | Orange/White | |
| Brown | Brown | Orange | Orange | |
| Crossover | Orange/White | Blue/White | Brown/White | Brown/White |
| Orange | Green/White | Brown | Brown | |
| Blue/White | Orange/White | Green/White | Brown/White | |
| Blue | Blue | Green | Green | |
| Green/White | Orange | Blue/White | Blue/White | |
| Green | Green | Blue | Brown | |
| Brown/White | Brown/White | Orange/White | Orange/White | |
| Brown | Brown | Orange | Orange |
| Performance Results | |
|---|---|
| Data Rate | 10 to 1000 Mbps |
- Data Rates:
- Twisted cable data rates range from 10Mbps to 10Gps.
- Fiber optic cables data rates frange from 51.8 Mbps to 39.8 Mbps.
- Cost:
- Twisted cables are the cheapeast in the category.
- Fiber optics themselves are not expensive; the optical devices on the ends are the expensive part of this medium.
- Reliability:
- Twisted cables are the "dominant solution for high-speed LAN networking (Kurose 19).
- Fiber optic cables are amazing long distances due to their high emi-resistance.
- Network Utilization:
- Twisted cables are mostly used in LAN networks.
- Coaxial cables are used in networks.
- Fiber optic cables are mostly used in networks.


Post title is required.
Post title is too short.
Post title is too long.
Date is required.
Time is required.
Short description is required.
Short description is too short.
Short description is too long.
Image url is too long.
Post text is required.
Post text is too short.
Post text is too long.


Further discussion is needed; the RDOS meeting on Friday is a good place for this.
closed
by Trey Pendragon at 2023-05-16 23:31:46.referenced
by Trey Pendragon at 2023-05-16 23:31:46.Scheduled export succeeded.
HM has posted updates to improve the accuracy of the incremental export and report page. We're now on v.0.5.
closed
by Kevin Reiss at 2023-05-17 20:41:45.renamed
by Kevin Reiss at 2023-05-17 20:32:21.renamed
by Kevin Reiss at 2023-05-17 20:42:35.Suggested collections for test export:
referenced
by Trey Pendragon at 2023-05-17 20:07:00.merged
by Trey Pendragon at 2023-05-17 20:07:00.closed
by Trey Pendragon at 2023-05-17 20:07:00.head_ref_deleted
by Trey Pendragon at 2023-05-17 20:07:01.closed
by Trey Pendragon at 2023-05-17 20:07:01.labeled
by Trey Pendragon at 2023-05-17 19:56:50.labeled
by Kim Leaman at 2023-05-17 23:55:06.labeled
by Kim Leaman at 2023-05-17 23:55:06.labeled
by Kim Leaman at 2023-05-17 23:55:06.deployed
by None at 2023-05-17 16:33:31.deployed
by None at 2023-05-17 17:08:06.referenced
by Eliot Jordan at 2023-05-17 17:10:33.merged
by Eliot Jordan at 2023-05-17 17:10:33.closed
by Eliot Jordan at 2023-05-17 17:10:34.head_ref_deleted
by Eliot Jordan at 2023-05-17 17:10:34.closed
by Eliot Jordan at 2023-05-17 17:10:35.@minjiec - III Action complete (see below)! I have 2 items highlighted for your review (same mms, confirming the request from you). Check boxes were my way of keeping track what was done.
Minjie's Spreadsheet shared above
III Action: change collections for selected items I checked items that need to be added to or taken out of collections, depending on whether the items are truly from Cotsen's holdings, whether they are digitized fully or in portion. Close to 130 items will be affected, so it had better be done by batch work if possible.
mentioned
by M Chen at 2023-05-17 18:03:29.subscribed
by M Chen at 2023-05-17 18:03:29.labeled
by Eliot Jordan at 2023-05-17 19:55:02.labeled
by Eliot Jordan at 2023-05-17 19:55:12.labeled
by Trey Pendragon at 2023-05-17 19:55:16.labeled
by Eliot Jordan at 2023-05-17 19:55:19.labeled
by Eliot Jordan at 2023-05-17 19:55:24.referenced
by Trey Pendragon at 2023-05-17 20:06:21.merged
by Trey Pendragon at 2023-05-17 20:06:21.closed
by Trey Pendragon at 2023-05-17 20:06:22.head_ref_deleted
by Trey Pendragon at 2023-05-17 20:06:23.referenced
by None at 2023-05-17 18:22:18.referenced
by None at 2023-05-17 18:22:18.closed
by Trey Pendragon at 2023-05-17 20:06:23.labeled
by Kim Leaman at 2023-05-17 23:50:29.mentioned
by esmé cowles at 2023-05-17 23:50:29.subscribed
by esmé cowles at 2023-05-17 23:50:29.assigned
by None at 2023-05-17 14:32:00.@mzelesky @christinach I have a small change to this, after discussion with Ian, Barak, and David Magier out submitCollections updates should be be put i the nocgdprotection directory in the S3 bucket. They wish any updates to pass through the matching algorithm. Private records are ignored for the purposes of matching.
This would mean that items that were accessioned into Shared could be changed to Open. Is that desired?
I could see this resulting in a lot of CGD changes if we did another refresh like we just did.
mentioned
by Christina Chortaria at 2023-05-17 15:13:29.subscribed
by Christina Chortaria at 2023-05-17 15:13:29.mentioned
by None at 2023-05-17 15:13:29.subscribed
by None at 2023-05-17 15:13:29.Coverage: 95.282%. Remained the same when pulling dd4de9034b3786ac1f89560da3af6c75f9cba557 on remove-pending-tests into 6fbe6d611c12f2f123aa1da33b9b71a749deeca5 on main.
ready_for_review
by Jane Sandberg at 2023-05-17 15:24:09.review_requested
by Jane Sandberg at 2023-05-17 15:24:18.labeled
by Kevin Reiss at 2023-05-17 21:35:23.labeled
by Kevin Reiss at 2023-05-17 21:35:23.@kevinreiss ILLiad seems to be the one truncating the ISBNs, not Orangelight. When I try manually entering multiple ISBNs in an ILLiad request, it truncates them. Is this something we can change on the ILLiad side (maybe something similar to this?), or should we send just a single ISBN?
mentioned
by Kevin Reiss at 2023-05-17 23:19:41.subscribed
by Kevin Reiss at 2023-05-17 23:19:41.head_ref_force_pushed
by None at 2023-05-17 12:29:50.referenced
by None at 2023-05-17 12:39:52.merged
by None at 2023-05-17 12:39:52.closed
by None at 2023-05-17 12:39:52.head_ref_deleted
by None at 2023-05-17 12:39:53.head_ref_force_pushed
by Hector Correa at 2023-05-17 12:48:44.ready_for_review
by Hector Correa at 2023-05-17 12:50:30.referenced
by Bess Sadler at 2023-05-17 13:11:35.merged
by Bess Sadler at 2023-05-17 13:11:36.closed
by Bess Sadler at 2023-05-17 13:11:36.head_ref_deleted
by Bess Sadler at 2023-05-17 13:11:37.referenced
by None at 2023-05-17 13:37:54.merged
by None at 2023-05-17 13:37:54.closed
by None at 2023-05-17 13:37:54.head_ref_deleted
by None at 2023-05-17 13:37:55.reopened
by Hannah H at 2023-05-17 14:43:51.assigned
by None at 2023-05-17 15:17:13.labeled
by Bess Sadler at 2023-05-17 15:28:33.labeled
by Bess Sadler at 2023-05-17 15:28:34.labeled
by Bess Sadler at 2023-05-17 15:28:44.labeled
by None at 2023-05-17 15:33:12.The dspace undefined variable may be fixed, but what is causing the underlying trigger of the error handling code still also should be fixed.
Closing in favor of https://github.com/pulibrary/RDOS_Publishing/issues/24
closed
by None at 2023-05-17 15:41:55.labeled
by None at 2023-05-17 15:43:58.labeled
by None at 2023-05-17 15:44:03.labeled
by Bess Sadler at 2023-05-17 15:45:52.assigned
by Tyler Wade at 2023-05-17 15:46:26.labeled
by None at 2023-05-17 15:48:46.closed
by None at 2023-05-17 15:50:31.Closing in favor of #1153
closed
by None at 2023-05-17 15:52:39.labeled
by None at 2023-05-17 15:57:52.labeled
by None at 2023-05-17 15:58:23.labeled
by None at 2023-05-17 15:59:36.referenced
by Hector Correa at 2023-05-17 16:50:05.merged
by Hector Correa at 2023-05-17 16:50:05.closed
by Hector Correa at 2023-05-17 16:50:05.head_ref_deleted
by Hector Correa at 2023-05-17 16:50:06.referenced
by Hector Correa at 2023-05-17 19:32:26.merged
by Hector Correa at 2023-05-17 19:32:26.closed
by Hector Correa at 2023-05-17 19:32:26.head_ref_deleted
by Hector Correa at 2023-05-17 19:32:27.head_ref_force_pushed
by None at 2023-05-17 19:34:48.head_ref_force_pushed
by None at 2023-05-17 19:42:15.head_ref_force_pushed
by None at 2023-05-17 19:48:51.ready_for_review
by None at 2023-05-17 19:48:58.referenced
by Hector Correa at 2023-05-17 20:03:01.merged
by Hector Correa at 2023-05-17 20:03:01.closed
by Hector Correa at 2023-05-17 20:03:01.head_ref_deleted
by Hector Correa at 2023-05-17 20:03:02.Fantastic! They are indeed a nuisance.
renamed
by Bess Sadler at 2023-05-17 20:07:03.ready_for_review
by Bess Sadler at 2023-05-17 20:09:16.renamed
by Bess Sadler at 2023-05-17 20:09:55.referenced
by Bess Sadler at 2023-05-17 20:26:54.merged
by Bess Sadler at 2023-05-17 20:26:54.closed
by Bess Sadler at 2023-05-17 20:26:54.head_ref_deleted
by Bess Sadler at 2023-05-17 20:26:55.renamed
by Hector Correa at 2023-05-17 21:37:32.referenced
by Trey Pendragon at 2023-05-16 23:31:44.merged
by Trey Pendragon at 2023-05-16 23:31:44.closed
by Trey Pendragon at 2023-05-16 23:31:45.head_ref_deleted
by Trey Pendragon at 2023-05-16 23:31:46.review_requested
by Vickie Karasic at 2023-05-17 13:24:51.referenced
by Christina Chortaria at 2023-05-17 13:36:16.merged
by Christina Chortaria at 2023-05-17 13:36:17.closed
by Christina Chortaria at 2023-05-17 13:36:17.head_ref_deleted
by Christina Chortaria at 2023-05-17 13:36:18.closed
by Christina Chortaria at 2023-05-17 13:36:18.head_ref_force_pushed
by Francis Kayiwa at 2023-05-17 15:29:17.review_requested
by Francis Kayiwa at 2023-05-17 15:31:53.referenced
by Trey Pendragon at 2023-05-17 16:30:49.merged
by Trey Pendragon at 2023-05-17 16:30:49.closed
by Trey Pendragon at 2023-05-17 16:30:49.head_ref_deleted
by Trey Pendragon at 2023-05-17 16:30:50.renamed
by Christina Chortaria at 2023-05-17 18:19:24.review_requested
by Francis Kayiwa at 2023-05-17 18:09:31.ready_for_review
by Francis Kayiwa at 2023-05-17 18:12:20.referenced
by Francis Kayiwa at 2023-05-17 18:30:03.merged
by Francis Kayiwa at 2023-05-17 18:30:03.closed
by Francis Kayiwa at 2023-05-17 18:30:03.head_ref_deleted
by Francis Kayiwa at 2023-05-17 18:30:04.referenced
by None at 2023-05-17 19:09:30.merged
by None at 2023-05-17 19:09:30.closed
by None at 2023-05-17 19:09:30.head_ref_deleted
by None at 2023-05-17 19:09:31.referenced
by Alicia Cozine at 2023-05-17 14:08:55.merged
by Alicia Cozine at 2023-05-17 14:08:55.closed
by Alicia Cozine at 2023-05-17 14:08:55.head_ref_deleted
by Alicia Cozine at 2023-05-17 14:08:56.Closing as these are in production. Thanks @VickieKarasic
Thanks, @kevinreiss!
mentioned
by Vickie Karasic at 2023-05-17 13:40:08.subscribed
by Vickie Karasic at 2023-05-17 13:40:09.closed
by Kevin Reiss at 2023-05-17 13:40:09.mentioned
by Kevin Reiss at 2023-05-17 13:40:30.subscribed
by Kevin Reiss at 2023-05-17 13:40:30.Mendel staff like this idea. They asked two things be added
assigned
by None at 2023-05-17 19:20:06.labeled
by Trey Pendragon at 2023-05-17 19:55:28.referenced
by Bess Sadler at 2023-05-17 15:20:57.merged
by Bess Sadler at 2023-05-17 15:20:57.closed
by Bess Sadler at 2023-05-17 15:20:58.head_ref_deleted
by Bess Sadler at 2023-05-17 15:20:59.closed
by Bess Sadler at 2023-05-17 15:20:59.labeled
by None at 2023-05-17 04:10:46.labeled
by None at 2023-05-17 04:10:46.Superseded by #241.
closed
by None at 2023-05-17 04:10:49.head_ref_deleted
by None at 2023-05-17 04:10:50.labeled
by None at 2023-05-17 04:06:38.labeled
by None at 2023-05-17 04:06:38.Superseded by #238.
closed
by None at 2023-05-17 04:06:40.head_ref_deleted
by None at 2023-05-17 04:06:42.


Retroactive Premium Assistance provides assistance for previously charged Medical Services Plan premiums. Medical Services Plan premiums are based on the previous tax year's
To be assessed for Retroactive Premium Assistance, complete this form and upload a copy of the Notice of Assessment or Notice of Reassessment from Canada Revenue Agency (CRA) for each requested tax year.


Main Page
Modules
Data Structures
Files
Data Structures
Data Fields
TriggerPrg Struct Reference
Data Fields
Trigger
*
pTrigger
int
orconf
SubProgram
*
pProgram
u32
aColmask
[2]
TriggerPrg
*
pNext
Trigger
*
pTrigger
SubProgram
*
pProgram
TriggerPrg
*
pNext
Field Documentation
u32
TriggerPrg::aColmask
int
TriggerPrg::orconf
TriggerPrg
*
TriggerPrg::pNext
TriggerPrg
*
TriggerPrg::pNext
SubProgram
*
TriggerPrg::pProgram
SubProgram
*
TriggerPrg::pProgram
Trigger
*
TriggerPrg::pTrigger
Trigger
*
TriggerPrg::pTrigger
The documentation for this struct was generated from the following files:
deps/sqlite/
sqlite3.c
deps/sqlite-3.7.3/
sqlite3.c
Generated on Wed Jul 20 01:03:42 2011 for upkeeper by
1.4.7


ECMAScript 2015 (6th Edition) is the current version of the ECMAScript Language Specification standard. Commonly referred to as "ES6", it defines the standard for the JavaScript implementation in SpiderMonkey, the engine used in Firefox and other Mozilla applications.
SpiderMonkey is Mozilla's JavaScript engine written in C/C++. It is used in various Mozilla products, including Firefox, and is available under the MPL2.
Additions to the String object String.fromCodePoint() (Firefox 29) String.prototype.codePointAt() (Firefox 29) String.prototype.startsWith(), String.prototype.endsWith() (Firefox 17) String.prototype.includes() (Firefox 40) (formerly String.prototype.contains() (Firefox 17)) String.prototype.repeat() (Firefox 24) String.prototype.normalize() (Firefox 31) String.raw() (Firefox 34) \u{XXXXXX} Unicode code point escapes (Firefox 40)


Contributing to opensource for absolute beginners on Windows
This is not completely accurate yet.
- Open a github account. You will just need to create a user name, a password and give an email address
- Go to https://github.com/Richtype/openstrat and click on the "Fork" button toward the top right of the page
- Go to the home folder (or where ever else you want to create your clone of the project) on your desktop in Windows and open a bash terminal in that folder. And then from that terminal run the following commands:
- git clone https://github.com/Richtype/openstrat.git
- git branch bSarah1
- Open the file GitPractice.txt in the editor of your choice. This GitPractice.txt file is created purely for the purpose of practising pull requests and testing git / github workflows, so you can edit it without worrying about damaging anything important.
- Just add / insert a message where ever you fancy in the file.
- Save this file. Then from the root folder of the project
- git add Misc/GitPractice.txt
- git commit -m "Sarah's first commit"
- git push origin master


Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.Lorem Ipsum is simply dummy text of the printing and typesetting industry.
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Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
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Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
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Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
Lorem Ipsum is simply dummy text of the printing
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
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- Lorem Ipsum is simply dummy text of the printing and typesetting industry.
- Lorem Ipsum has been the industry's standard dummy text ever since the 1500s
- When an unknown printer took a galley of type and scrambled it to make a type specimen book.
- It has survived not only five centuries, but also the leap into electronic typesetting
- Remaining essentially unchanged. It was popularised in the 1960s with the release of
- Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing
- Software like Aldus PageMaker including versionsof Lorem Ipsum.
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Bitch on the broom
05/03/2012 at 13:58Remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing
ReplyBitch on the broom
05/03/2012 at 13:58Remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing
ReplyBitch on the broom
05/03/2012 at 13:58Remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing
Reply


the plugin can create bubble popups with the following themes/colors: azure, black, blue, green, grey, orange, violet, yellow, all-azure, all-black, all-blue, all-green, all-grey, all-orange, all-violet, all-yellow. |
||
Take a look to the HTML source of this page to learn how the plugin works! |


Users
Users can be excluded from this list by creating a ".hidden" file in their "public_html" folder.


Israeli president: 'Dark days' as PM and rival fail to form gov't
President Reuven Rivlin has called the political reality a 'miserable situation' as unprecedented third election looms.
For the first time in Israeli history, the country's ceremonial president announced no candidate has been able to form a government.
Reuven Rivlin informed parliament on Thursday neither Prime Minister Benjamin Netanyahu nor his chief challenger, retired military chief Benny Gantz, have completed the task of building a coalition in the allotted timeframe.
The formal expiration of the presidential mandate kicks off the final 21-day window before new elections must be called.
More:
-
Third Israel election looms after failure to form government
-
Who will govern Israel?
-
Israel after Netanyahu?
Rivlin called it a "miserable political situation" and pleaded with legislators to find some form of compromise.
"These are harsh dark days in the annals of the state of Israel," he said.
"In the coming 21 days, there will be no 'bloc' or 'party'. Each and every person will sit with their conscience and will have to answer one question: What is my duty towards Israel?"
Speaking from Jerusalem, Al Jazeera's Harry Fawcett said should the Knesset succeed in recommending someone to form a government, that person will have a further 14 days to try to form a coalition.
"It's what one newspaper here referred to as injury time in this entire process," Fawcett said.
Netanyahu, Gantz, or any other sitting legislator can hypothetically present the backing of a majority of parliament's 120 members in the coming weeks.
But given the prolonged stalemate and unsuccessful mediation efforts, it increasingly appears the country is headed towards an unprecedented third election in less than a year.
Fawcett said a third election is "extremely unpopular" among the Israeli public, but there has been little pressure to convince Netanyahu to go second in a rotating premiership with Gantz.
"Gantz has also said he can't serve under a prime minister facing indictment," Fawcett said, referring to possible indictments that Netanyahu faces from three corruption cases.
Israel's Attorney-General Avichai Mandelblit said he would announce his decision on whether to indict Netanyahu over alleged corruption at a news conference at 7:30pm (17:30 GMT).
Netanyahu, Israel's longest-serving leader, has denied any wrongdoing in the three corruption cases, saying he is a victim of a political witch-hunt.
He could face up to 10 years in prison if convicted of bribery and a maximum three-year term for fraud and breach of trust.
Leadership contest
Within Netanyahu's right-wing Likud party there were stirrings of internal dissent, with two of its 32 legislators saying they would now favour a leadership contest.
One prospect is Gideon Saar, Netanyahu's rival, who a few weeks ago said he was ready for a leadership challenge.
"Today, he says he wants to see a leadership contest if there is going to be a third election," Fawcett said.
Many citizens voiced resignation and rancour at a deadlock that has deepened worries over economic and national security matters.
 Let us know when you make a decision," read the top headline on the mass-circulation Israel Hayom, alongside pictures of Netanyahu and Gantz, as well as Avigdor Lieberman - a far-right political kingmaker.


I'm A Celebrity viewers stunned as Andrew Maxwell makes 'pooing' noises
It was a very strange Bushtucker Trial moment
by Richard BellAndrew Maxwell caused a stir on I'm A Celebrity... Get Me Out Of Here! by making what viewers interpreted as poo-straining noises during his first Bushtucker Trial.

Read more: Bookies predict Jacqueline Jossa will win this year's I'm A Celebrity
The task involved the celebs donning a glass bowl helmet and attempting to procure stars for the camp as their headgear was filled with nasties.
Andrew's turn was one of the more gruesome of the lot, as his helmet was filled with a mass of cockroaches.

It was a good attempt, but everyone was more interested in the bizarre grunting noises he was making as he contended with the cockroaches.
Viewers rushed to Twitter to poke fun at the Irish funnyman, with many admitting he sounded like he was taking a massive poo.
One said: "Andrew sounds like he's having the world's largest [bleep] #ImACeleb #imacelebrity."
Another tweeted: "Andrew sounds like he's straining for a [bleep] on this trial #ImACeleb #imacelebrity."
A third joked, with a string of crying-laughing emojis: "Andrew's noises coming out of that helmet sounds like my brother on the bog every morning."
Someone else compared him to Star Wars' famous villain: "What is that noise Andrew is making? Sounds like Darth Vader having a [bleep] #ImACeleb."
A fifth demanded: "I'm sorry but what the [bleep] was that noise Andrew was making during the trail?"
Read more: I'm A Celebrity viewers beg Holly Willoughby to return as host
Despite Andrew's shocking noises, former EastEnders actress Jacqueline Jossa was arguably the stand-out star of last night's Bushtucker Trial.
The actress appeared to be absolutely terrified at the prospect of putting on the glass bowl and having creatures crawling all over her face - and was even in tears watching Andrew's noisy struggle.
But she ended up overcoming her fears completely to smash the trial and nab two stars for the camp.
Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think of this story.


Given a space-separated list of Affymetrix probe IDs, return
the PFAM and SYMBOL names. Uses hgu95av2.db
and the
select
method from the AnnotationDbi
package.
probeLookup(probe_ids=GalaxyCharacterParam( required=TRUE, testValues="1002_f_at 1003_s_at"), outputfile=GalaxyOutput("probeLookup", "csv"))
| probe_ids | A space-separated list of Affymetrix probe IDs. |
|---|---|
| outputfile | The name of a .csv file where the returned output is to be written. |
invisible(NULL)
Given one or more Affymetrix probe IDs separated by spaces,
this function will return the PFAM and SYMBOL names associated
with them in human. The function uses the hgu95av2.db
package and the select
function in AnnotationDbi
.
t <- tempfile() probeLookup("1002_f_at 1003_s_at", t)#> Error in loadNamespace(name): there is no package called ‘hgu95av2.db’readLines(t)#> Warning: cannot open file 'C:\Users\TWILLE~1\AppData\Local\Temp\RtmpqcVIZd\file478836b0cb': No such file or directory#> Error in file(con, "r"): cannot open the connection


blength(i)
Return the number of bits set in the integer i.
i
Returns the number of bits of the smallest two's complement representation of i, not including the sign bit for negative numbers.
blength(5) // 3
Core Module Index | Contents


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Press n or j to go to the next uncovered block, b, p or k for the previous block.
| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| Activity.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Add.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Alarm.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| AlignCenter.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| AlignLeft.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| AlignRight.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Anchor.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Aperture.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ArrowDown.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ArrowLeft.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ArrowLeftBottom.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ArrowLeftTop.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ArrowRight.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
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| Back.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| BackAlt.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| BackLeft.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| BackRight.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Bag.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Basket.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Battery.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| BatteryAlt.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| BatteryCharging.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| BatteryFull.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| BatteryLow.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| BatteryMedium.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Bell.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Bin.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Bluetooth.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Bolt.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Book.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| BookOpened.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Bookmark.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Box.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Bug.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Calendar.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Camera.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| CameraRear.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Cancel.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Cards.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Cart.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Celluar.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Chart.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Chat.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ChatAlt.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ChevronDown.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ChevronLeft.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ChevronRight.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ChevronUp.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ChevronsDown.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ChevronsLeft.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ChevronsRight.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ChevronsUp.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Circle.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| CircleArrowDown.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| CircleArrowLeft.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| CircleArrowRight.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| CircleArrowUp.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| CircleOk.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Clipboard.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Close.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Cloud.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| CloudUpload.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Colours.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| ContactBook.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
| Controls.tsx | 100% | 6/6 | 100% | 0/0 | 100% | 1/1 | 100% | 6/6 | |
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Pope wants to visit South Sudan next year, urges unity government
VATICAN CITY: Pope Francis said on Sunday (Nov 10) he wanted to make his postponed visit to South Sudan next year, and he urged the country's leaders to overcome their divisions and bring an end to the suffering of its people.
Francis spoke of the crisis in the world's youngest country three days after its president and a former rebel leader agreed to delay forming a unity government for 100 days beyond the Nov 12 deadline, which itself was an extension of an original deadline last May.
Speaking at his weekly blessing in St. Peter's Square, Francis said he "will have to visit" South Sudan next year.
A trip by Francis to South Sudan, which is predominantly Christian, had been tentatively scheduled for 2017 but had to be cancelled because of political instability and poor security.
"I want to renew my invitation to all sides in the national political process to seek what unites them and overcome what divides, in a spirit of true brotherhood," Francis said.
Last April, a month before the original deadline, the pope brought South Sudanese President Salva Kiir, opposition leader Riek Machar and other politicians to the Vatican for a retreat.
In a dramatic gesture on the last day of the retreat, Francis knelt at the feet of the previously warring leaders as he urged them not to return to a civil war that ended with a shaky peace deal in 2018.
Referring to the civil war in his lengthy appeal on Sunday, Francis said the people of South Sudan had "suffered too much in recent years ... (and are) waiting for the definitive end of conflicts and lasting peace".
The five-year conflict killed an estimated 400,000 people, triggered a famine and created Africa's biggest refugee crisis since the 1994 genocide in Rwanda.
The pope wants to make the trip with Archbishop of Canterbury Justin Welby, head of the worldwide Anglican Communion, and Presbyterian Church leaders from Africa in an effort to promote unity in South Sudan.
Sudan, which is predominantly Muslim, and the mainly Christian south fought for decades before South Sudan became independent in 2011.


Before Change
with enough microarray samples except for human and mouse.
if options["organisms"] is None:
all_organisms = Organism.objects.exclude(name__in=["HOMO_SAPIENS", "MUS_MUSCULUS"])
else:
organisms = options["organisms"].upper().replace(" ", "_").split(",")
all_organisms = Organism.objects.filter(name__in=organisms)
After Change
// only include organisms with QN targets. We"ll merge groups later.
all_organisms = Organism.objects.all().filter(qn_target__isnull=False)
if options["organisms"] is None:
all_organisms = all_organisms.exclude(name__in=["HOMO_SAPIENS", "MUS_MUSCULUS"])
else:
organisms = options["organisms"].upper().replace(" ", "_").split(",")
all_organisms = all_organisms.filter(name__in=organisms)


| Player | Position | Team | S-Rank Custom Projection | Details >> | User Weighted Projection | User Opposing Defense Boost | User Over Under Boost | User Twitter Boost | ESPN Projection | CBS Projection | Sharks Projection | Scout Projection | Previous Week |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| {{player_dict.PLAYER}} | {{player_dict.POS}} | {{player_dict.TEAM}} | {{player_dict.FPTS_PPR_CUSTOM_AVG_BOOST}} | {{player_dict.FPTS_PPR_CUSTOM_AVG}} | {{player_dict.OPPOSING_DEFENSE_BOOST}} | {{player_dict.OVER_UNDER_BOOST}} | {{player_dict.TWITTER_BOOST}} | {{player_dict.FPTS_PPR_ESPN}} | {{player_dict.FPTS_PPR_CBS}} | {{player_dict.FPTS_PPR_SHARKS}} | {{player_dict.FPTS_PPR_SCOUT}} | {{player_dict.FPTS_PPR_PRVS_WK_ACTUAL}} |


Thank you for your interest in Innovative Design's officer board and marketing tier. The application is very quick, and we look forward to seeing those applying to officer board at interviews this Saturday, November 21th. If you haven't already, you can sign up for one here. Marketing tier interviews will take place on December 5th. You can sign up for an interview time for marketing here. For your interview, please be prepared to answer questions related to your work in Innovative Design and the officer position you are applying for.
Applications for officer board are due Friday, November 20th, at 11:59 PM. Marketing applications are due December 2nd, at 11:59 PM. The application for marketing will open this weekend. Late applications will not be accepted.


totalcross
Interfaces
MainClass
Classes
Launcher
Launcher.CharBits
Launcher.IS2S
Launcher.S2IS
Launcher.S2OS
Service
TCEventThread
TotalCrossApplication


RIDEGOoo is a multinational ride-hailing company offering services like outstationed cabs,local & airport cabs with live tracking mobility system with wide variety of vehicles to choose from.


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Titans re-sign young gun AJ Brimson
by Matt McDonaldThe Gold Coast Titans have received another boost ahead of next season, locking in young gun AJ Brimson.
The local junior has today signed a new deal which will keep him at the club until the end of 2022.
Brimson has racked up 36 NRL games after making his debut for the Titans in round 10 of 2018.
The Keebra Park product now has a chance to establish himself as the side’s number one fullback following the retirement of Michael Gordon.
New Titans coach Justin Holbrook says Brimson’s re-signing is important for the club.
“AJ is a perfect example of the Titans production line in action – a local junior who came through the Club’s development system to play NRL in his hometown,” Holbrook said
“AJ’s story is not unique to the Club, because we are lucky to have a lot of local juniors here who have followed that path.
“But certainly AJ is another example of the template that we will use to take the Titans forward on the back of the best talent produced in the Gold Coast and Northern Rivers region.
“AJ is an exceptional young player as we all know, highlighted by the fact he is now on the radar of representative selectors. But importantly he is also an impressive young man, a quality human being who has a passion for this club and his community.”


@Before
or @After
methods that are not declared public
, do not return
void
, or take arguments. Such methods are easy to create inadvertently, but they will not be executed by JUnit tests runners.
The inspection provides fixes for method signatures.
Example:
@Before private int foo(int arg) { ... }
After the quick-fix is applied (Java only):
@Before public void foo() { ... }


All Classes
Card
DuplicateSuggestion
IncorrectCategory
InvalidDisprove
InvalidSuggestionString
Player
ProtocolViolation
RandomAI
Room
SpeedClueAI
Suggestion
Suspect
TestServer
Weapon


variable parameter: A {_parameter} that represents a continuous range of values with a certain finite resolution, such as a modulation depth. In the Toolkit, it is represented as a {_slider}. On the Digital Chroma's control panel, it is treated like any other parameter, but the panel {_tapper} never taps the panel in response to change, the way it can for selector parameters.
Also: {_selector_parameter}


springRest data entity id. if id is set means this is a exists entity and can use methods:[save,exists,remove] if id is null,means this is a new entity which will course save() method create a new object
track modify field
spring data rest entity path
get entity data ref
fetch entity data to keep updated to newest
resolve(json), reject(SpringRequest)
fetch relation property and store response value in entity's data attr,relation property is an Entity array after fetch you can get relation property by get(propertyName)
relation property's type(extend Entity class)
Entity relation property name in _links
fetch relation property and store response value in entity's data attr,relation property is an instance of Entity. after fetch you can get relation property by get(propertyName)
relation property's type(extend Entity class)
Entity relation property name in _links
resolve Entity relation property instance
send request follow this entity's _links's href
links href in order
resolve(json), reject(SpringRequest)
get entity properties value by key
properties name
get this entity's spring data rest resource uri. if this entity's has data and data has _link properties,use _data['_links']['self']['href'] else use config.restBaseURL + entityName + '/' + self.id
assign a patchData object to entity's properties if patchData has self link, then id will update by parseIdFromData
remove this entity
create or update entity if id properties is set update change to service, else create an new entity to service.
if entity.properties is an instance of Entity or Entity[],then entity.properties.save() will also call,which mean entity's all Entity attr will auto save()
set entity properties value by key will compare olaValue and newValue,if value is equal then not append filed name to modifyFields
properties name
spring data rest entity base url
expose entity instance properties in _data to entity itself use Object.defineProperty getter and setter after expose,you can access property in entity by entity.property rather than access by entity.data().property
property name in entity.data() object.
collection resource with page and sort. Returns all entities the repository servers through its findAll(…) method. If the repository is a paging repository we include the pagination links if necessary and additional page metadata.*
the page number to access (0 indexed, defaults to 0).
the page size requested (defaults to 20).
a collection of sort directives in the format ($propertyName,)+[asc|desc]? etc:name,age,desc
get entity json data by id
entity id
the name of the projection you set with @Projection annotation name attributes
read spring data rest's response json data then parse and return an entity
read spring data rest's response json data then parse and return entity array
remove entity by id
search resource if the backing repository exposes query methods. call query methods exposed by a repository. The path and name of the query method resources can be modified using @RestResource on the method declaration.
spring data rest searchMethod path string
search params If the query method has pagination capabilities (indicated in the URI template pointing to the resource) the resource takes the following parameters:
the page number to access (0 indexed, defaults to 0).
the page size requested (defaults to 20).
a collection of sort directives in the format ($propertyName,)+[asc|desc]?
resolve(Entity|Entity[]) reject(Request) resolve: if response json data has _embedded attr then resolve Entity array, else resolve one Entity
Generated using TypeDoc
mock an entity instance with init data


Outgoing healing statistics
More...
|
| int | Hps [get, set] |
| | Total hps More...
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| |
| int | Healing [get, set] |
| | Total healing More...
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| |
| int | HealingPowerHps [get, set] |
| | Total healing power based hps More...
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| |
| int | HealingPowerHealing [get, set] |
| | Total healing power based healing More...
|
| |
| int | ConversionHps [get, set] |
| | Total conversion based hps More...
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| |
| int | ConversionHealing [get, set] |
| | Total conversion based healing More...
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| |
| int | HybridHps [get, set] |
| | Total hybrid hps More...
|
| |
| int | HybridHealing [get, set] |
| | Total hybrid healing More...
|
| |
| int | DownedHps [get, set] |
| | Total hps against downed More...
|
| |
| int | DownedHealing [get, set] |
| | Total healing against downed More...
|
| |
| int | ActorHps [get, set] |
| | Total actor only hps More...
|
| |
| int | ActorHealing [get, set] |
| | Total actor only healing More...
|
| |
| int | ActorHealingPowerHps [get, set] |
| | Total actor only healing power based hps More...
|
| |
| int | ActorHealingPowerHealing [get, set] |
| | Total actor only healing power based healing More...
|
| |
| int | ActorConversionHps [get, set] |
| | Total actor only conversion based hps More...
|
| |
| int | ActorConversionHealing [get, set] |
| | Total actor only conversion based healing More...
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| |
| int | ActorHybridHps [get, set] |
| | Total actor only hybrid hps More...
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| |
| int | ActorHybridHealing [get, set] |
| | Total actor only hybrid healing More...
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| |
| int | ActorDownedHps [get, set] |
| | Total actor only hps against downed More...
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| |
| int | ActorDownedHealing [get, set] |
| | Total actor only healing against downed More...
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| |
Outgoing healing statistics
◆ ActorConversionHealing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorConversionHealing |
|
getset |
Total actor only conversion based healing
◆ ActorConversionHps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorConversionHps |
|
getset |
Total actor only conversion based hps
◆ ActorDownedHealing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorDownedHealing |
|
getset |
Total actor only healing against downed
◆ ActorDownedHps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorDownedHps |
|
getset |
Total actor only hps against downed
◆ ActorHealing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorHealing |
|
getset |
◆ ActorHealingPowerHealing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorHealingPowerHealing |
|
getset |
Total actor only healing power based healing
◆ ActorHealingPowerHps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorHealingPowerHps |
|
getset |
Total actor only healing power based hps
◆ ActorHps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorHps |
|
getset |
◆ ActorHybridHealing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorHybridHealing |
|
getset |
Total actor only hybrid healing
◆ ActorHybridHps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ActorHybridHps |
|
getset |
Total actor only hybrid hps
◆ ConversionHealing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ConversionHealing |
|
getset |
Total conversion based healing
◆ ConversionHps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.ConversionHps |
|
getset |
Total conversion based hps
◆ DownedHealing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.DownedHealing |
|
getset |
Total healing against downed
◆ DownedHps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.DownedHps |
|
getset |
◆ Healing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.Healing |
|
getset |
◆ HealingPowerHealing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.HealingPowerHealing |
|
getset |
Total healing power based healing
◆ HealingPowerHps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.HealingPowerHps |
|
getset |
Total healing power based hps
◆ Hps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.Hps |
|
getset |
◆ HybridHealing
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.HybridHealing |
|
getset |
◆ HybridHps
| int GW2EIJSON.EXTJsonHealingStatistics.EXTJsonOutgoingHealingStatistics.HybridHps |
|
getset |
The documentation for this class was generated from the following file:
- EXTJsonHealingStatistics.cs


Details about
{{characterController.characters[count].name || 'Name Not Available'}}
Gender:
{{characterController.characters[count].gender}}
Culture: {{characterController.characters[count].culture}}
Born: {{characterController.characters[count].born}}
Died: {{characterController.characters[count].died}}
Title(s):
Aliases:
Tv series:
played by:
Allegiances
- {{characterController.houses[index-1].name}}
Books
- {{characterController.books[index-1].name}}
POV books
- {{characterController.books[index-1].name}}


Albums: Labrinth, Rod Stewart, Leonard Cohen and Bonnie 'Prince' Billy
Labrinth
Imagination and The Misfit Kid
LABRINTH'S second album, tentatively titled Take Me To The Truth, was shelved some time around the tail end of 2014 as he battled with his label for creative control. The next few years were spent in LA working with stars including Beyonce, Nicki Minaj and Miley Cyrus's sister Noah.
It's hard not to see Imagination And The Misfit Kid, the tale of a boy who sells his imagination to a businessman in exchange for success, as a cautionary tale based on Labrinth's own journey. The album is simultaneously more experimental and more jam-packed with potential pop hits than his debut.
All For Us and Misbehaving recapture the glitchy swing of his 2011 hit Earthquake with added futuristic soul, while Like A Movie repurposes a fizzing Bond-style beat for the dance floor. While its middle portion sags a little (Something's Got To Give feels a little paint-by-numbers) inventive tracks like Mount Everest claw back the intensity.
Three stars
Alex Green
Leonard Cohen
Thanks for The Dance
THIS is a reflective posthumous offering, the 15th studio album from master songwriter Leonard Cohen, although his son Adam can take a lot of the credit for its production.
Using material recorded before his father's death, Adam worked with various musicians including Beck, Damien Rice and Javier Mas, to compile a typically sombre yet enchanting selection of songs.
The majority of tracks are minimalistic, instrumentally speaking, but this only raises the platform on which Cohen stands – a stark, isolated place – his poetry spilling forth like black treacle into the surrounding quietude.
Opening track Happens To The Heart is tender and moving, a classic Cohen lament of lost love and what could have been. It's Torn, although short, is a beautiful piece, the gravelly vocal accompanied by acoustic guitar and a light tinkling of piano.
A parting tour de force from a much-loved mainstay of the music world.
Four stars
Rachel Piercy
Rod Stewart
You're In My Heart (with the Royal Philharmonic Orchestra)
I DOUBT even Sir Rod would argue against the view that, on some of his previous Christmas tie-ins, he's phoned through the performances.
No need to phone them through this time, as Trevor Horn has lifted the original vocals (and some instrumentation) from his classic singles and laid the Royal Philharmonic Orchestra doing their thing over the top – which all seems a bit pointless, as few of these songs were in any need of reworking.
At no point does the addition of the orchestra improve the songs, nor does it stray far enough from the originals to make this an interesting enough project.
Being Christmas, Sir Rod did remember to include one turkey, bizarrely teaming up for a duet with Robbie Williams on It Takes Two. Yes, it is how you'd imagine it.
Stick with the Greatest Hits or his first four albums.
Two stars
Colm McCrory
Bonnie 'Prince' Billy
I Made a Place
A FULL generation on from his solipsistic masterpiece I See A Darkness, is Will Oldham – AKA Bonnie 'Prince' Billy – lightening up?
A clue might be found in the cult singer-songwriter's personal life: he and his wife Elsa Hansen welcomed their first child last year. In his own words: "As these songs were worked on, in the night, my wife would wrap her pregnant body around mine while I sang the songs over and over and over. They're the first music that our daughter heard."
But it would be a disservice to describe this as a record simply of happy songs. As ever, Oldham is at his best at his most reflective, still managing to offer perspective on life's big questions that few modern folk singers can.
And, as the album unfurls to its close, it feels like Oldham is slowly crawling back into his shell, perhaps ready for another two decades of quiet contemplation.
four stars
Steve Jones


FRENCH KISS A film review by Michael J. Legeros Copyright 1995 Michael J. Legeros
(Fox) Directed by Lawrence Kasdan Written by Adam Brooks Cast Meg Ryan, Kevin Kline, Timothy Hutton MPAA Rating "PG-13" Running Time 108 minutes Reviewed at General Cinema at Pleasant Valley, Raleigh, NC (5MAY95)
==
Lawrence Kasdan directing Meg Ryan and Kevin Kline in a romantic comedy? Huh? The director of WYATT EARP isn't exactly known for the breezy sort of WHILE YOU WERE SLEEPING fare. He does better with the bittersweet-- films like GRAND CANYON and THE ACCIDENTAL TOURIST. So, despite what the ads say, it's not much of a surprise to find that FRENCH KISS plays more serious than silly.
The setup is this: Meg Ryan is the French-hating, lactose-intolerant Kate, who's flying to Paris to "win back" her fiance (Timothy Hutton). Seated next to her is Luc (Kevin Kline), a swarthy, snide Frenchman who has her frothing within the first five minutes of conversation. They bicker and banter, and later reunite for a picture-postcard adventure that includes every cliche from a stolen necklace to an unctuous concierge.
The resulting humor is surprisingly strong, even if Kasdan's direction doesn't have enough comic rhythm. (Too many of the bits feel klunky and heavier than they should.) The character detail is impressive, which helps, but the plot disappoints. Ryan plays yet another neurotic woman, who spends most of her screen time looking cute and acting exasperated.
Kevin Kline has the stronger role. His character is explored at length, and undergoes a gradual transformation from obnoxious to sensitive. It's a great portrayal that carries the film. What *doesn't* work is his inevitable romance with Ryan. It feels forced.
BOTTOM LINE: Nothing about FRENCH KISS is as casual as it should be. The film is overdone just enough to be bountiful, and a little too much to be tasteful.
Grade: B-
-- Michael J. Legeros Raleigh, North Carolina
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


On Oracle Solaris or Linux operating systems, the combination of pressing the Control key and the backslash (\) key at the application console (standard input) causes the Java HotSpot VM to print a thread dump to the application's standard output. On Windows, the equivalent key sequence is the Control and Break keys. The general term for these key combinations is the Control+Break handler.
On Oracle Solaris and Linux operating systems, a thread dump is printed if the Java process receives a QUIT signal. Therefore, the kill -QUIT
pid command causes the process with the ID pid to print a thread dump to standard output.
The following sections describe the data traced by the Control+Break handler:
The thread dump consists of the thread stack, including thread state, for all Java threads in the virtual machine. The thread dump does not terminate the application: it continues after the thread information is printed.
Example 2-35 illustrates a thread dump.
Example 2-35 Thread Dump for All Java Threads in the JVM
Full thread dump Java HotSpot(TM) Client VM (1.6.0-rc-b100 mixed mode): "DestroyJavaVM" prio=10 tid=0x00030400 nid=0x2 waiting on condition [0x00000000..0xfe77fbf0] java.lang.Thread.State: RUNNABLE "Thread2" prio=10 tid=0x000d7c00 nid=0xb waiting for monitor entry [0xf36ff000..0xf36ff8c0] java.lang.Thread.State: BLOCKED (on object monitor) at Deadlock$DeadlockMakerThread.run(Deadlock.java:32) - waiting to lock <0xf819a938> (a java.lang.String) - locked <0xf819a970> (a java.lang.String) "Thread1" prio=10 tid=0x000d6c00 nid=0xa waiting for monitor entry [0xf37ff000..0xf37ffbc0] java.lang.Thread.State: BLOCKED (on object monitor) at Deadlock$DeadlockMakerThread.run(Deadlock.java:32) - waiting to lock <0xf819a970> (a java.lang.String) - locked <0xf819a938> (a java.lang.String) "Low Memory Detector" daemon prio=10 tid=0x000c7800 nid=0x8 runnable [0x00000000..0x00000000] java.lang.Thread.State: RUNNABLE "CompilerThread0" daemon prio=10 tid=0x000c5400 nid=0x7 waiting on condition [0x00000000..0x00000000] java.lang.Thread.State: RUNNABLE "Signal Dispatcher" daemon prio=10 tid=0x000c4400 nid=0x6 waiting on condition [0x00000000..0x00000000] java.lang.Thread.State: RUNNABLE "Finalizer" daemon prio=10 tid=0x000b2800 nid=0x5 in Object.wait() [0xf3f7f000..0xf3f7f9c0] java.lang.Thread.State: WAITING (on object monitor) at java.lang.Object.wait(Native Method) - waiting on <0xf4000b40> (a java.lang.ref.ReferenceQueue$Lock) at java.lang.ref.ReferenceQueue.remove(ReferenceQueue.java:116) - locked <0xf4000b40> (a java.lang.ref.ReferenceQueue$Lock) at java.lang.ref.ReferenceQueue.remove(ReferenceQueue.java:132) at java.lang.ref.Finalizer$FinalizerThread.run(Finalizer.java:159) "Reference Handler" daemon prio=10 tid=0x000ae000 nid=0x4 in Object.wait() [0xfe57f000..0xfe57f940] java.lang.Thread.State: WAITING (on object monitor) at java.lang.Object.wait(Native Method) - waiting on <0xf4000a40> (a java.lang.ref.Reference$Lock) at java.lang.Object.wait(Object.java:485) at java.lang.ref.Reference$ReferenceHandler.run(Reference.java:116) - locked <0xf4000a40> (a java.lang.ref.Reference$Lock) "VM Thread" prio=10 tid=0x000ab000 nid=0x3 runnable "VM Periodic Task Thread" prio=10 tid=0x000c8c00 nid=0x9 waiting on condition
The output consists of a number of thread entries separated by an empty line. The Java Threads (threads that are capable of executing Java language code) are printed first, and these are followed by information about VM internal threads. Each thread entry consists of a header line followed by the thread stack trace.
The header line contains the following information about the thread:
Thread name
Indication if the thread is a daemon thread
Thread priority (prio)
Thread ID (tid), which is the address of a thread structure in memory
ID of the native thread (nid)
Thread state, which indicates what the thread was doing at the time of the thread dump. See Table 2-6 for more details.
Address range, which gives an estimate of the valid stack region for the thread
In addition to the thread stacks, the Control+Break handler executes a deadlock detection algorithm. If any deadlocks are detected, the Control+Break handler, as shown in Example 2-36 prints additional information after the thread dump on each deadlocked thread.
Example 2-36 Additional Information for Deadlocked Thread
Found one Java-level deadlock: ============================= "Thread2": waiting to lock monitor 0x000af330 (object 0xf819a938, a java.lang.String), which is held by "Thread1" "Thread1": waiting to lock monitor 0x000af398 (object 0xf819a970, a java.lang.String), which is held by "Thread2" Java stack information for the threads listed above: =================================================== "Thread2": at Deadlock$DeadlockMakerThread.run(Deadlock.java:32) - waiting to lock <0xf819a938> (a java.lang.String) - locked <0xf819a970> (a java.lang.String) "Thread1": at Deadlock$DeadlockMakerThread.run(Deadlock.java:32) - waiting to lock <0xf819a970> (a java.lang.String) - locked <0xf819a938> (a java.lang.String) Found 1 deadlock.
If the JVM flag -XX:+PrintConcurrentLocks
is set, then the Control+Break handler will also print the list of concurrent locks owned by each thread.
The Control+Break handler also prints a heap summary. Example 2-37 shows the different generations (areas of the heap), with the size, the amount used, and the address range. The address range is especially useful if you are also examining the process with tools such as pmap
.
Example 2-37 Heap Summary
Heap def new generation total 1152K, used 435K [0x22960000, 0x22a90000, 0x22e40000 ) eden space 1088K, 40% used [0x22960000, 0x229ccd40, 0x22a70000) from space 64K, 0% used [0x22a70000, 0x22a70000, 0x22a80000) to space 64K, 0% used [0x22a80000, 0x22a80000, 0x22a90000) tenured generation total 13728K, used 6971K [0x22e40000, 0x23ba8000, 0x269600 00) the space 13728K, 50% used [0x22e40000, 0x2350ecb0, 0x2350ee00, 0x23ba8000) compacting perm gen total 12288K, used 1417K [0x26960000, 0x27560000, 0x2a9600 00) the space 12288K, 11% used [0x26960000, 0x26ac24f8, 0x26ac2600, 0x27560000) ro space 8192K, 62% used [0x2a960000, 0x2ae5ba98, 0x2ae5bc00, 0x2b160000) rw space 12288K, 52% used [0x2b160000, 0x2b79e410, 0x2b79e600, 0x2bd60000)
If the JVM flag -XX:+PrintClassHistogram
is set, then the Control+Break handler will produce a heap histogram.


{% extends 'base.html' %} {% block title %}About Synapis{% endblock %} {% block content %}
I typed something long and nice for our mission. And I lost it :/ ! I'm NOT doing it again lol.  Not again
Contact Us: Behind the Mango seller Lol
{% endblock %}


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About me
I, Amanda Cook, am an artist, software developer, educator and diversity trainer who loves JavaScript, is well-versed in Ruby on Rails and loves to make games out of code and every day life. You want me on your team as both a code contributer and a skilled communicator. I am looking for a software engineering position that allows me to grow as a developer, work on a variety of interesting projects, as well as use my creative skills and artful eye.
Amanda WouldGo? Long story short: I traveled the world, realized that if given the opportunity to do rad stuff, I'd do it. "Should I go? Who would go? Amanda WouldGo..." I started a travel blog about it. Then changed my name to reflect my spirit of adventure.
Skills: JavaScript, Ruby on Rails, Sinatra, HTML5, HTML Canvas, CSS, HAML, SASS, Git, Github, PostgreSQL, ActiveRecord, AJAX, jQuery, Bootstrap, OOP, SQL, Leaflet API, Wikitude API


I was born and raised in Brooklyn, NY but am now a bona fide Floridian. Sun, sand, and palm trees all year round...not a bad deal, really.
My passion: creating. It does't matter what form, whether it's turning a room into a cozy space, crafting, or building websites. I love transforming bits and pieces into a beautiful whole.
 We spent last summer driving from Florida to California (and back). It was amazing!