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UnitySlippyMap
A slippy map implementation written in C# for Unity3D.
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A class representing an MBTiles tile layer. More...
Protected Member Functions | |
| override void | GetTileCountPerAxis (out int tileCountOnX, out int tileCountOnY) |
| Gets the tile count per axis. More... | |
| override void | GetCenterTile (int tileCountOnX, int tileCountOnY, out int tileX, out int tileY, out float offsetX, out float offsetZ) |
| Gets the center tile. More... | |
| override bool | GetNeighbourTile (int tileX, int tileY, float offsetX, float offsetZ, int tileCountOnX, int tileCountOnY, NeighbourTileDirection dir, out int nTileX, out int nTileY, out float nOffsetX, out float nOffsetZ) |
| Gets the neighbour tile. More... | |
| override void | RequestTile (int tileX, int tileY, int roundedZoom, TileBehaviour tile) |
| Requests the tile's texture and assign it. More... | |
| override void | CancelTileRequest (int tileX, int tileY, int roundedZoom) |
| Cancels the request for the tile's texture. More... | |
| Protected Member Functions inherited from UnitySlippyMap.Layers.TileLayerBehaviour | |
| void | Awake () |
| Implementation of MonoBehaviour.Awake(). More... | |
Properties | |
| string | Filepath [get, set] |
| Gets or sets the filepath. More... | |
| Rect | Bounds [get] |
| Gets the bounds. More... | |
| Vector3 | Center [get] |
| Gets the center. More... | |
| string | Name [get] |
| Gets the name. More... | |
| string | Description [get] |
| Gets the description. More... | |
| string | Attribution [get] |
| Gets the attribution. More... | |
| string | Template [get] |
| Gets the template. More... | |
| string | Version [get] |
| Gets the version. More... | |
| Properties inherited from UnitySlippyMap.Layers.TileLayerBehaviour | |
| int | TileCacheSizeLimit [get, set] |
| Gets or sets the tile cache size limit. More... | |
| Properties inherited from UnitySlippyMap.Layers.LayerBehaviour | |
| float | MinZoom [get, set] |
| Gets or sets the minimum zoom. More... | |
| float | MaxZoom [get, set] |
| Gets or sets the max zoom. More... | |
Private Member Functions | |
| void | Open () |
| Opens the MBTiles database file located at Filepath. More... | |
| void | Close () |
| Closes the MBTiles database file. More... | |
| void | Update () |
| Update this instance. More... | |
Static Private Member Functions | |
| static bool | metadataMatchPredicate (DataRow row) |
| The metadatas match predicate. More... | |
Private Attributes | |
| string | filepath |
| The path to the MBTiles file to query. Changing the property triggers the loading. More... | |
| Rect | bounds |
| The bounds of the layer. More... | |
| Vector3 | center |
| The center coordinates of the layer. More... | |
| string | _name |
| The name of the layer. More... | |
| string | description |
| The description of the layer. More... | |
| string | attribution |
| The attribution of the layer. More... | |
| string | template |
| The template of the layer. More... | |
| string | version |
| The MBTiles version of the database. More... | |
| SqliteDatabase | db |
| The SQLite database. More... | |
Static Private Attributes | |
| static string | metadataRowNameLookedFor |
| The metadata row name looked for. More... | |
Additional Inherited Members | |
| Public Member Functions inherited from UnitySlippyMap.Layers.TileLayerBehaviour | |
| override void | UpdateContent () |
| Updates the content. See UnitySlippyMap.Layers.Layer.UpdateContent. More... | |
| Public Attributes inherited from UnitySlippyMap.Layers.LayerBehaviour | |
| MapBehaviour | Map |
| The UnitySlippyMap.Map.MapBehaviour instance to which this UnitySlippyMap.Layers.Layer instance belongs. More... | |
| Protected Types inherited from UnitySlippyMap.Layers.TileLayerBehaviour | |
| enum | NeighbourTileDirection { North, South, East, West } |
| A enumeration of the tile directions. More... | |
| Static Protected Member Functions inherited from UnitySlippyMap.Layers.TileLayerBehaviour | |
| static bool | visitedTilesMatchPredicate (string tileAddress) |
| Visited tiles match predicate. More... | |
| Protected Attributes inherited from UnitySlippyMap.Layers.TileLayerBehaviour | |
| int | tileCacheSizeLimit = 100 |
| The tile cache size limit. More... | |
| Dictionary< string, TileBehaviour > | tiles = new Dictionary<string, TileBehaviour> () |
| The tiles. More... | |
| List< TileBehaviour > | tileCache = new List<TileBehaviour> () |
| The tile cache. More... | |
| List< string > | visitedTiles = new List<string> () |
| The visited tiles. More... | |
| bool | isReadyToBeQueried = false |
| The is ready to be queried flag. More... | |
| bool | needsToBeUpdatedWhenReady = false |
| The needs to be updated when ready flag. More... | |
| Protected Attributes inherited from UnitySlippyMap.Layers.LayerBehaviour | |
| float | minZoom |
| The minimum zoom. More... | |
| float | maxZoom |
| The max zoom. More... | |
| Static Protected Attributes inherited from UnitySlippyMap.Layers.TileLayerBehaviour | |
| static TileBehaviour | tileTemplate |
| The shared tile template More... | |
| static int | tileTemplateUseCount = 0 |
| The tile template use count. More... | |
| static string | tileAddressLookedFor |
| The tile address looked for. More... | |
A class representing an MBTiles tile layer.
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protectedvirtual |
Cancels the request for the tile's texture.
| tileX | Tile x. |
| tileY | Tile y. |
| roundedZoom | Rounded zoom. |
true
if this instance cancel tile request the specified tileX tileY roundedZoom; otherwise, false
.Implements UnitySlippyMap.Layers.TileLayerBehaviour.
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private |
Closes the MBTiles database file.
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protectedvirtual |
Gets the center tile.
| tileCountOnX | Tile count on x. |
| tileCountOnY | Tile count on y. |
| tileX | Tile x. |
| tileY | Tile y. |
| offsetX | Offset x. |
| offsetZ | Offset z. |
Implements UnitySlippyMap.Layers.TileLayerBehaviour.
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protectedvirtual |
Gets the neighbour tile.
true
, if neighbour tile was gotten, false
otherwise.| tileX | Tile x. |
| tileY | Tile y. |
| offsetX | Offset x. |
| offsetZ | Offset z. |
| tileCountOnX | Tile count on x. |
| tileCountOnY | Tile count on y. |
| dir | Dir. |
| nTileX | N tile x. |
| nTileY | N tile y. |
| nOffsetX | N offset x. |
| nOffsetZ | N offset z. |
Implements UnitySlippyMap.Layers.TileLayerBehaviour.
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protectedvirtual |
Gets the tile count per axis.
| tileCountOnX | Tile count on x. |
| tileCountOnY | Tile count on y. |
Implements UnitySlippyMap.Layers.TileLayerBehaviour.
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staticprivate |
The metadatas match predicate.
true
, if metadatas matched, false
otherwise.| row | Row. |
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private |
Opens the MBTiles database file located at Filepath.
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protectedvirtual |
Requests the tile's texture and assign it.
| tileX | Tile x. |
| tileY | Tile y. |
| roundedZoom | Rounded zoom. |
| tile | Tile. |
Implements UnitySlippyMap.Layers.TileLayerBehaviour.
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private |
Update this instance.
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private |
The name of the layer.
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private |
The attribution of the layer.
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private |
The bounds of the layer.
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private |
The center coordinates of the layer.
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private |
The SQLite database.
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private |
The description of the layer.
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private |
The path to the MBTiles file to query. Changing the property triggers the loading.
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staticprivate |
The metadata row name looked for.
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private |
The template of the layer.
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private |
The MBTiles version of the database.
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get |
Gets the attribution.
The attribution of the layer.
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get |
Gets the bounds.
The bounds of the layer.
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get |
Gets the center.
The center coordinates of the layer.
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get |
Gets the description.
The description of the layer.
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getset |
Gets or sets the filepath.
The path to the MBTiles file to query. Changing the property triggers the loading.
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get |
Gets the name.
The name of the layer.
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get |
Gets the template.
The template of the layer.
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get |
Gets the version.
The MBTiles version of the database.


In the general case there can be more than one value list (e.g., list1 and list2), and each value list can be associated with a list of loop variables (e.g., varlist1 and varlist2). During each iteration of the loop the variables of each varlist are assigned consecutive values from the corresponding list. Values in each list are used in order from first to last, and each value is used exactly once. The total number of loop iterations is large enough to use up all the values from all the value lists. If a value list does not contain enough elements for each of its loop variables in each iteration, empty values are used for the missing elements.
The break and continue statements may be invoked inside body, with the same effect as in the for command. Foreach returns an empty string.
set x {} foreach {i j} {a b c d e f} { lappend x $j $i } # The value of x is "b a d c f e" # There are 3 iterations of the loop.
The next loop uses i and j to iterate over two lists in parallel.
set x {} foreach i {a b c} j {d e f g} { lappend x $i $j } # The value of x is "a d b e c f {} g" # There are 4 iterations of the loop.
The two forms are combined in the following example.
set x {} foreach i {a b c} {j k} {d e f g} { lappend x $i $j $k } # The value of x is "a d e b f g c {} {}" # There are 3 iterations of the loop.
Copyright © 1993 The Regents of the University of California. Copyright © 1994-1996 Sun Microsystems, Inc. Copyright © 1995-1997 Roger E. Critchlow Jr.


Mr.Zulqarnain
C.E.O Message
Real Estate Development and Investment Company. Company has Proven its self to be a Dynamic and Progressive Enterprise Positioning itself as One of the leading Privately-Owned Real Estate Developers. As a Result of our Prudent Approach
We have grown Steadily and Remained Resilient Despite Challenging Market Conditions. We have Accomplished this through adapting to an evolving competitive landscape, relentless commitment to Quality, and Fiscal Discipline
Through Combination of Enterpreneurial Spirit, Professional Excellence and In-depth Understanding of Demand Supply Dynamics in the Regional Real Estate Industry. We have Manage to Deliver Several Projects in Housing Sector. While we have Headquartered here in Lahore.
Building Our Success. We look forward to New Era of Growth as We Develop more Projects locally & Country Wide. Furthermore , We will Continue to Pursue New Investment Opportunities that Maximize Value Creation for Our Stakeholders Even in an Uncertain Economic Climate.


Note: To complete these procedures, you must be assigned a role having the necessary permissions. To determine your role, follow the directions in Participant roles. For a basic understanding of roles and permissions, see Permissions and roles: Overview.
To reach the Settings page for an assessment, from the
menubar of the appropriate site, click Tests
& Quizzes
. On the Assessments page, click
Settings
beneath the title of the assessment. Click the
black arrow for a type of setting to see the options.
Note: Altering the settings for one assessment does not impact the settings of other assessments you created. Altering the options in the settings for an assessment does not impact any other options.
The settings available depend on whether or not your assessment is published; see Settings for published assessments below. They may also depend on what assessment type you are using. The default assessment type does not include all possible settings.
If you wish to include more settings than you see available for an unpublished assessment, you will need to create and edit a new assessment type; see Adding, editing, or deleting an Assessment Type.
Following is a list of all possible settings:
Note: If you release an assessment to anonymous
users, you must distribute its URL to participants; it will
not be accessible from within your site's Tests & Quizzes tool. Note
the URL while publishing the assessment (see Publishing an assessment), or if the assessment is already published, go to
the settings page of the version located under "Published Assessments"
(not the copy under "Pending Assessments"), click to expand the
Assessment Released To
section, and copy the URL shown there.
Previous
and Next
buttons, or the table of contents.
Mark for
Review
option adds a checkbox labeled Mark for Review
under every question in an assessment. Students can check the boxes
to mark questions they would like to return to before submitting the
assessment. This feature is not available when the assessment is
configured for linear access. In the settings for your Assessment
Type, use the first checkbox to determine whether or not you can
change this setting; use the second checkbox to select the default
value for this setting.
Note: You should not use the Immediate Feedback setting in Tests & Quizzes when assessing learning, as it may provide information students can use to correct their answers before submitting a test.
Also, you can choose any combination of the following options to include in the feedback:
If you choose to release any of the items listed above, the tool will
also release questions to students. To prevent students from seeing the
questions but allow them to see their scores, choose Only Release Student's Assessment Scores (questions
not shown)
. You cannot release other feedback if you select this option.
Web Safe Palette
, Windows System
Palette
, or Grey Scale Palette
), and then click the
color you want to use for your assessment's background color. The
hexadecimal value representing your color will
automatically populate the "Background Color" field.
To save the settings for an assessment, click Save Settings
at the bottom of the page. Click Cancel
to cancel any unsaved
changes.
Note: An assessment must contain at least one question in order to be published.
You can modify the settings, parts, and questions of any assessment listed under "Pending Assessments". When you publish an assessment, a copy is created and listed under "Published Assessments". For the published copy, you can make changes to all the settings except "Assessment Released To".
Note: After you've published an assessment, if you modify its "Pending Assessments" copy, you'll have to alter the assessment's name before publishing it. When you publish it, you'll be creating another copy under "Published Assessments", not replacing the existing published copy.


--- layout: default title: Tasmania nav_order: 1 ---
Example tries to replicate openlayer 2.13 example Road style uses two overlaying lines.


WHO |
WHAT |
HOW |
|
MASA is a sociocultural organization that aims to promote and spread the idea that Asians are not just a single group of people, but made up of many individuals from various distinct cultural backgrounds. We endeavor to share these cultural values to the UCSD community by providing a fun, welcoming, and stereotype-free social atmosphere for all who come to us. |
As both a social and cultural organization, we focus on fostering an environment where you can not only make new friends, but celebrate Asian culture. From bonding over free food, to giving presentations about where specific Asian superstitions originate from, we do it all together. Together, we're not than just an organization--we're a family. We're a place you can call home away from home. |
One of MASA's proudest traits is that we are all inclusive. There's no point system, no membership fee, and no requirements to join. One of our mottos is "You're already in"! Simply show up to our events, sit back, and enjoy your time with us--we'll take care of the rest! You can even make some new friends along the way. Check out our events here! |


Home • Contact • Live on Radio • Mixtapes
From 4th, 5th, & 6th /Oct /2019
Events • Gallary • Latest Playlist • About Seeker


{% extends "base.html" %} {% load staticfiles %} {% load crispy_forms_tags %} {% block title %}{{ block.super }}Review Booking{% endblock %} {% block extrahead %} {% endblock extrahead %} {% block navbar-left %} {% include "_navbar.html" with active_link="about" %} {% endblock %} {% block container %}
The Wonderful People Behind the Site
Venue fee: |
$30.00 |
1 desk: |
$15.00 |
1 desk: |
$15.00 |
SynergySpace fee: |
$33.30 |
Applicable Taxes: |
$33.30 |
Total: |
CAD $NaN |


Farmer kills self, body remains hanging from tree for 6 days
The farmer's decomposed body was spotted hanging from a tree in Navegaon forest area.
A 62-year-old tribal farmer allegedly committed suicide by hanging from a tree in Maharashtra's Akola district, police said, adding that the decomposed body remained hanging for the last six days before it was spotted on Tuesday.
While family members of the deceased Tulsiram Shinde blamed destruction of his soybean crop in the recent unseasonal rain as the trigger, police said the case is under investigation.
Shinde's decomposed body was spotted hanging from a tree in Navegaon forest area, 70 kms from Akola city, by some forest guards on Tuesday afternoon, said Channi police station inspector Ganesh Vanare.
He said Shinde had gone missing from his residence in Pimpaloli village, located nearby the forest area, on November 13.
"He appears to have hanged himself using a rope on November 13. However, the incident remained unknown until Tuesday because the tree, from which the body was found hanging, is located deep inside the forest," the police inspector said.
Family members of the deceased, however, claimed that the soybean crop sown by him on four acres got destroyed in unseasonal rains in the region.
They claimed that the family fell on hard times due to the crop loss.
When questionned about the claims made by Shinde's kin about the trigger behind his suicide, the police inspector said the investigation is underway.
"We are awaiting postmortem report to ascertain the exact cause behind Shinde's death," he said, adding that a case of accidental death was registered.
Unseasonal rains and delayed retreat of monsoon had damaged Kharip crops of farmers in many districts of the state, with Marathwada and North Maharashtra regions bearing the brunt.
Maharashtra Governor Bhagat Singh Koshyari had on Saturday announced a financial relief to affected farmers to the tune of Rs 8,000 per hectare up to two hectares for agricultural Kharif crops and Rs 18,000 per hectare up to two hectares for horticulture/perennial crops.
Dubbing the financial assistance "meagre", the Opposition parties had demanded that it be raised to Rs 25,000 per hectare.
Earlier this month, the then chief minister Devendra Fadnavis had announced Rs 10,000 crore as immediate financial assistance for the affected agriculturists.


These are the code samples for The Book of OpenLayer3. Feel free to download the source code and contribute to this repository:
This sample shows how we can request a WMTS compliant server.


Inside Britain's 'smartest boat' with robot vacuum cleaner and voice-activated kettle
The boat was created by Argos and Google and also features a Nest Hub Max to check on the vessels when not onboard while you can answer the door from your mobile phone
by Joseph Wilkes, Astrid Hall, https://www.facebook.com/dailymirror/Designers have created Britain's 'smartest' boat with tech innovations such as a voice-activated smart kettle, self-dimming lights, robot vacuum cleaner and a video doorbell.
Seafarers can take a break and enjoy a warming cup of tea without even flicking a switch by requesting a cuppa through voice activation.
Crew members can alter the ambience on-demand through lamps and lighting, as well as keep in touch with family members or check in on the vessel when not onboard with a Nest Hub Max.
The tight ship is kept spick and span with a robotic vacuum which clears away any dust and dirt from the deck, while on-board entertainment comes in the form of TV streaming.
And to keep entry secure to the craft, a video doorbell has been fitted so you can answer the door from your mobile phone and see who is trying to climb aboard.
The floating home includes a Nest Mini which allows users to activate the various smart gadgets by simply using their voice.
The boat, which was created by Argos and Google , comes after research found more than half of Brits aren't using their smart tech to its full potential.
Researchers polling 2,000 adults who own smart devices - from speakers to thermostats - found despite not maximising its use, 54 per cent agreed their tech improves their productivity.
A quarter would be 'lost' without it, and 22 per cent even went as far to say their smart home device helps them maintain their health and happiness.
In fact, people are so devoted to their smart gadgets, three in 10 will take them away on a staycation in the UK, with nearly a quarter packing up their smart devices and taking them abroad.
One in five even take it to work with them so they are never too far from their beloved contraptions.
The research, conducted via OnePoll, also found 48 per cent have used a smart device to settle an argument by firing questions at it during a debate.
Finding out the meaning of a word, which country a city is located or the year a movie came out are among the disputes modern technology has resolved.
It also emerged owners of smart tech each have two gadgets on average, and are willing to shell out £147 a time on a new gizmo.
Smart speaker aficionados say the most useful functions of their smart home devices are playing music (52 per cent), knowing the weather forecast (44 per cent) and telling the time (35 per cent).
Chirag Shah, smart home buyer at Argos, said: "Smart home devices have so many functions that consumers just don't realise exist.
"Our research even shows that a connected smart home has the potential to save people nine hours of time a week.
"That's why we've created Britain's Smartest Boat with Google, to showcase all the amazing things that smart home devices can do and bring them to life in a fun way for our customers."


crossorigin="anonymous">
In January of 2019, BT MyDonate announced that it is closing. BT MyDonate is popular with charities and donors because unlike other platforms, it charges no fees. We at SoGive encourage all donors to move from BT MyDonate to SoGive, since SoGive also charges no fees. You can check us out directly on https://app.sogive.org, or read on for more.
Currently the three main fundraising platforms are
For your new charity donation platform, you still want a free service -- nobody wants charges forced upon them. But when services like BT MyDonate are dependent on the generosity of a single backer (such as BT) it is vulnerable to being turned off, disappointing many charities and donors in the process.
SoGive is free, operating on a tip-based model. So if a donor gives £10, SoGive doesn't take anything away from that £10, or charge any monthly fees to the charity. We offer the option to give us a tip if you like what you see. This also means we are not dependent on any one source of funding which can be suddenly turned off.
We at SoGive are all too aware of the importance of ensuring that every penny that can go to the charity does go to the charity. That's why we don't take any money from the charity being donated to -- we simply pass on the credit-card transaction fees of 1.4% + 20p (just like BT MyDonate).
We also provide more to engage and excite the donor, with a unique database which indicates how much of a charity's impact can be attributed to any one donor. I.e. we try to show you what impact your donation will achieve. Plus engaging images of the charity's work, logos, and a search and tagging system to help donors find charities within the cause areas they care about.
The database can be used to help you to find the charities which have the most impact -- our data can tell you which charities give you the best bang for your buck. And we also know that some donors already have a relationship with a charity that they care about, in which case the search facility makes it easy for donors to find the charity they want to donate to.
To use SoGive, simply head straight to the site https://app.sogive.org, find your chosen charity and get donating!
If you would like to use SoGive for fund-raising -- please get in touch by emailing<EMAIL_ADDRESS>or use the contact button below.
Go to https://app.sogive.org or contact us:


|
jubilant-funicular
|
#include <InstanceBatch.h>
Public Member Functions | |
| void | begin () |
| Clears out data from the previous frame. | |
| void | end () const |
| Doesn't actually do anything. This is purely cosmetic. | |
| void | reset () |
| If you don't want to follow the begin/end pattern, you can just call reset instead before adding glyphs. | |
| void | add_glyph (crvec4 posRect, GLuint texture=0, crvec4 uvRect=glm::vec4(0, 0, 1, 1), crvec4 color=glm::vec4(1)) |
| void | add_instance_data (const VertexAttrib *attribs, std::size_t num_attribs, void *data, GLsizeiptr size, GLuint divisor=1) |
| void | render () const |
Private Attributes | |
| std::vector< InstancedGlyph > | m_glyphs |
Definition at line 26 of file InstanceBatch.h.
| void nta::InstanceBatch::add_glyph | ( | crvec4 | posRect, |
| GLuint | texture = 0 , |
||
| crvec4 | uvRect = glm::vec4(0,0,1,1) , |
||
| crvec4 | color = glm::vec4(1) |
||
| ) |
Definition at line 13 of file InstanceBatch.cpp.
| void nta::InstanceBatch::add_instance_data | ( | const VertexAttrib * | attribs, |
| std::size_t | num_attribs, | ||
| void * | data, | ||
| GLsizeiptr | size, | ||
| GLuint | divisor = 1 |
||
| ) |
Adds data that varies between instances (data associated to most recently added glyph).
attribs describes the glsl "in" variables to change
OpenGL fetches new data after divisor instances are rendered
Definition at line 33 of file InstanceBatch.cpp.


"AMMIEL "people of God. (1.) One of the twelve spies sent by Moses to search the land of Canaan (Numbers 13:12). He was one of the ten who perished by the plague for their unfavourable report (Numbers 14:37). (2.) The father of Machir of Lo-debar, in whose house Mephibosheth resided (2 Samuel 9:4, 5; 17:27). (3.) The father of Bathsheba, the wife of Uriah, and afterwards of David (1 Chronicles 3:5). He is called Eliam in 2 Samuel 11:3. (4.) One of the sons of Obed-edom the Levite (1 Chronicles 26:5).
"AMMIEL "people of God. (1.) One of the twelve spies sent by Moses to search the land of Canaan (Numbers 13:12). He was one of the ten who perished by the plague for their unfavourable report (Numbers 14:37).
(2.) The father of Machir of Lo-debar, in whose house Mephibosheth resided (2 Samuel 9:4, 5; 17:27).
(3.) The father of Bathsheba, the wife of Uriah, and afterwards of David (1 Chronicles 3:5). He is called Eliam in 2 Samuel 11:3.
(4.) One of the sons of Obed-edom the Levite (1 Chronicles 26:5).


Look for qualified this usages in the same class.
Examples:
Negative example: Map map = new HashMap(); Positive example: Map map = new HashMap(16);


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Class: Aws::IoTAnalytics::Types::S3DestinationConfiguration
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Class Chain:
self,
Struct
|
|
|
Instance Chain:
self,
::Aws::Structure ,
Struct
|
|
| Inherits: |
Struct
|
| Defined in: | gems/aws-sdk-iotanalytics/lib/aws-sdk-iotanalytics/types.rb |
Overview
Configuration information for delivery of dataset contents to Amazon
Simple Storage Service (Amazon ::Aws::S3
).
Constant Summary
Instance Attribute Summary
-
#bucket ⇒ String
rw
The name of the
::Aws::S3
bucket to which dataset contents are delivered. -
#glue_configuration ⇒ Types::GlueConfiguration
rw
Configuration information for coordination with
::Aws::Glue
, a fully managed extract, transform and load (ETL) service. -
#key ⇒ String
rw
The key of the dataset contents object in an
::Aws::S3
bucket. -
#role_arn ⇒ String
rw
The ARN of the role that grants
::Aws::IoT
Analytics permission to interact with your Amazon S3 and::Aws::Glue
resources.
Instance Method Summary
::Aws::Structure
- Included
| #to_hash | Alias for Structure#to_h. |
Instance Attribute Details
#bucket ⇒ String
(rw)
The name of the ::Aws::S3
bucket to which dataset contents are delivered.
# File 'gems/aws-sdk-iotanalytics/lib/aws-sdk-iotanalytics/types.rb', line 2640
class S3DestinationConfiguration < Struct.new( :bucket, :key, :glue_configuration, :role_arn) SENSITIVE = [] include Aws::Structure end
#glue_configuration ⇒ Types::GlueConfiguration (rw)
Configuration information for coordination with ::Aws::Glue
, a fully
managed extract, transform and load (ETL) service.
#key ⇒ String
(rw)
The key of the dataset contents object in an ::Aws::S3
bucket. Each object
has a key that is a unique identifier. Each object has exactly one
key.
You can create a unique key with the following options:
Use
!\{iotanalytics:scheduleTime\}
to insert the time of a scheduled SQL query run.Use
!\{iotanalytics:versionId\}
to insert a unique hash that identifies a dataset content.Use
!\{iotanalytics:creationTime\}
to insert the creation time of a dataset content.
The following example creates a unique key for a CSV file:
dataset/mydataset/!\{iotanalytics:scheduleTime\}/!\{iotanalytics:versionId\}.csv
!\{iotanalytics:versionId\}
to specify the key,
you might get duplicate keys. For example, you might have two
dataset contents with the same scheduleTime
but different
versionId
s. This means that one dataset content overwrites the
other.
# File 'gems/aws-sdk-iotanalytics/lib/aws-sdk-iotanalytics/types.rb', line 2640
class S3DestinationConfiguration < Struct.new( :bucket, :key, :glue_configuration, :role_arn) SENSITIVE = [] include Aws::Structure end
#role_arn ⇒ String
(rw)
The ARN of the role that grants ::Aws::IoT
Analytics permission to interact
with your Amazon S3 and ::Aws::Glue
resources.
# File 'gems/aws-sdk-iotanalytics/lib/aws-sdk-iotanalytics/types.rb', line 2640
class S3DestinationConfiguration < Struct.new( :bucket, :key, :glue_configuration, :role_arn) SENSITIVE = [] include Aws::Structure end


New
Deletes the current model and starts a new one.
Store As.
Stores the current model within the Workshop App. Storage of models is temporary and are only kept while the app is open. A more permanent method is to save or export them.
However it is the simplest way to keep a range of models for quickly building up a scene.
Fetch.
Fetches a model from the Store. This will delete the current model.
Save As.
Saves the current model to the browsers local storage on your local computer. What is saved by one browser cannot be accessed by another. Using browser tools to clear the Cache can clear the local storage.
The only way to access the saved models is through the app that saved them.
Open.
Open a model from the local storage. This will delete the current model.
Manage.
Produces a list of saved models from the local storage. Individual models can then be deleted.
Export.
Opens a new browser window where the data describing the model is written. Using browser tools save this data to a file on the local computer. The saved file can be a txt or a babylon file.
The file may be used in your own babylon.js projects. If you use textures then you need to obtain copies of the appropriate texture images.
Download.
Possibly easier than Export to the same effect. Give the model a filename and it is downloaded to your browser's download folder.
Repeated filenames are automatically renumbered.
Import.
Browse to an exported or downloaded model file and import into the construction room. This will delete the current model.


--- layout: page status: publish published: true title: Organizers author: display_name: admin login: admin email<EMAIL_ADDRESS>url: '' author_login: admin author_email<EMAIL_ADDRESS>wordpress_id: 51 wordpress_url: http://rday.simpleit.us/?page_id=51 date: '2012-03-11 07:01:27 +0000' date_gmt: '2012-03-10 23:01:27 +0000' categories: [] tags: [] comments: [] ---
The event “Gathering Talents, Connecting Business” is initiated and organized by the Enterprise Family, Vietnam2020.
The Enterprise Family nurtures Vietnamese entrepreneurs who have established their businesses in Singapore as well as young Vietnamese with high entrepreneur spirit. The Family’s mission is to support the business activities of the members, to promote entrepreneurship among the young Vietnamese and to facilitate the business connection between Singapore and Vietnam.
The Enterprise Family also partners with various business associations in Singapore, including the Singapore Chinese Chamber of Commerce and Industry (SCCCI).
The Association of Vietnamese Professionals in Singapore (Vietnam2020 or VN2020) was established in 2007 by Mr Vo Ta Han, one of the most prominent Vietnamese overseas. Vietnam2020 is a platform to connect the young professionals who are working or studying in Singapore. The mission of Vietnam2020 is to create the bonding among the Vietnamese professionals community in Singapore and to build a bridge between the two countries.
Vietnam2020 is led by an Executive Board, under the advisory of a Board of Directors, which includes prominent Vietnamese businessmen and intellectuals who are holding prestigious positions in various corporations, organizations and institutes in Singapore as well as other countries. Vietnam2020 also works closely with the Vietnamese student associations of the three top universities in Singapore (NUS, NTU and SMU). Vietnam2020 is structured into 6 groups (families) as follows:


Learning Map
In this week:
-
You should know
- Semantic Markup
- Information architecture
- Interface design patterns
- Debugging
- Listing data
- Document events
-
We will show you
- Data serialization(Requires: Information architecture, Debugging)
- Remote data access (Builds on: Information architecture, Debugging, Document events)
- Data import (Builds on: Semantic Markup, Information architecture, Interface design patterns, Listing data, Debugging)
-
You will research
- Data formats(Requires: Data serialization)
- Web service APIs (Requires: Remote data access, Data import)
- RESTful Web services (Commonly uses: Data serialization, Data import)
-
You will build
- Remote data import (Requires: Web service APIs, RESTful Web services)
- Data formatting (Requires: Data formats)
- Data-driven lists(Commonly uses: Listing data, Web service APIs, RESTful Web services)
- Interface events (Based on: Document events)
-
You can go beyond
- Additional Data Formats (Enhances: Data formatting)
- Other Web Service APIs (Enhances: Remote data import, Data-driven lists)


First Name
Middle Name
Last Name
Email
Mobile
-----------------Create yore username and password---------------
User Name
Last Name
Re-enter password
Submit
Cancel


CBN stabilises naira with $25.68bn in eight months
by Ifeanyi OnubaIfeanyi Onuba, Abuja
The Central Bank of Nigeria injected about $25.68bn to stabilise the nation’s currency in the foreign exchange market between January and August this year.
The $25.68bn was arrived at by our correspondent based on analysis of the monthly economic report released by the apex bank.
The $25.68bn intervention is aimed at boosting liquidity in the foreign exchange market.
The CBN usually intervenes in the foreign exchange market by injecting liquidity about three times a week.
The intervention is provided to authorised dealers in the wholesale segment of the market, as well as other sectors of the economy such as agriculture, manufacturing and Small and Medium Enterprises segment.
Customers that require foreign exchange for invisibles such as tuition fees, medical payments and Basic Travel Allowance, among others, are also allocated funds from the intervention.
An analysis of the intervention showed that the apex bank injected about $3.56bn in January while February, March and April each had $3.35bn, $3.75bn and $2.43bn respectively.
The CBN intervention in the month of May was estimated at about $2.04bn, June $2.5bn while July and August had $3.46bn and $4.59bn.
The report reads in part, “The bank continued to intervene in the foreign exchange market to further sustain improved liquidity and relative stability in the market.
“Thus, a cummulative sum of $4.59bn was sold by the bank to authorised dealers in August 2019, compared with $3.46bn supplied in July 2019.
“This indicated an increase of 32.5 per cent and 18.5 per cent above the levels in the preceding month and the end of the corresponding period of 2018.”
The report stated that interbank sales rose by 67.7 per cent to $0.21bn, compared with the increase of 50.3 per cent in the preceding month.
It said Bureau De Change sales rose by 1.3 per cent to $1.29bn in August, while swap transactions fell by 14.1 per cent to $0.34bn below the preceding month’s level of $0.4bn.
The CBN Governor, Mr Godwin Emefiele, said the management of the apex bank understood the importance of exchange rate stability for price and monetary stability as well as its ramifications for overall macroeconomic stability.
He said the CBN would continue to ensure that stability was maintained in the foreign exchange market.
Copyright PUNCH.
All rights reserved. This material, and other digital content on this website, may not be reproduced, published, broadcast, rewritten or redistributed in whole or in part without prior express written permission from PUNCH.
Contact: theeditor@punchng.com


Before Change
if append:
assert id(state) != id(self.state_buffer[-1]), "Do not append to buffer other than during action"
self.state_buffer.append(state)
processed_state = np.stack(self.state_buffer)
return processed_state
@lab_api
def update(self, action, reward, state, done):
"""Interface method to update memory"""
After Change
def preprocess_state(self, state, append=True):
"""Transforms the raw state into format that is fed into the network"""
// append when state is first seen when acting in policy_util, don"t append elsewhere in memory
self.preprocess_append(state, append)
return np.stack(self.state_buffer)
class SILReplay(Replay):


The Story of Doctor Dolittle
by Hugh Lofting
Chapter 11: The Black Prince
Additional Information
- Year Published: 1920
- Language: English
- Country of Origin: England
- Source: Lofting, H. (1920). The Story of Doctor Dolittle . New York, NY: Frederick A. Stokes
-
Readability:
- Flesch–Kincaid Level: 4.2
- Word Count: 1,222
- Genre: Fantasy
- Keywords: adventure, helping others
- ✎ Cite This
Downloads
By the edge of the river they stopped and said farewell.
This took a long time, because all those thousands of monkeys wanted to shake John Dolittle by the hand.
Afterwards, when the Doctor and his pets were going on alone, Polynesia said,
"We must tread softly and talk low as we go through the land of the Jolliginki. If the King should hear us, he will send his soldiers to catch us again; for I am sure he is still very angry over the trick I played on him."
"What I am wondering," said the Doctor, "is where we are going to get another boat to go home in.... Oh well, perhaps we'll find one lying about on the beach that nobody is using. 'Never lift your foot till you come to the stile.'"
One day, while they were passing through a very thick part of the forest, Chee–Chee went ahead of them to look for cocoanuts. And while he was away, the Doctor and the rest of the animals, who did not know the jungle–paths so well, got lost in the deep woods. They wandered around and around but could not find their way down to the seashore.
Chee–Chee, when he could not see them anywhere, was terribly upset. He climbed high trees and looked out from the top branches to try and see the Doctor's high hat; he waved and shouted; he called to all the animals by name. But it was no use. They seemed to have disappeared altogether.
Indeed they had lost their way very badly. They had strayed a long way off the path, and the jungle was so thick with bushes and creepers and vines that sometimes they could hardly move at all, and the Doctor had to take out his pocket–knife and cut his way along. They stumbled into wet, boggy places; they got all tangled up in thick convolvulus–runners; they scratched themselves on thorns, and twice they nearly lost the medicine–bag in the under–brush. There seemed no end to their troubles; and nowhere could they come upon a path.
At last, after blundering about like this for many days, getting their clothes torn and their faces covered with mud, they walked right into the King's back–garden by mistake. The King's men came running up at once and caught them.
But Polynesia flew into a tree in the garden, without anybody seeing her, and hid herself. The Doctor and the rest were taken before the King.
"Ha, ha!" cried the King.  This time you shall not escape. Take them all back to prison and put double locks on the door. This White Man shall scrub my kitchen–floor for the rest of his life!"
So the Doctor and his pets were led back to prison and locked up. And the Doctor was told that in the morning he must begin scrubbing the kitchen–floor.
They were all very unhappy.
"This is a great nuisance," said the Doctor. "I really must get back to Puddleby. That poor sailor will think I've stolen his ship if I don't get home soon.... I wonder if those hinges are loose."
But the door was very strong and firmly locked. There seemed no chance of getting out. Then Gub–Gub began to cry again.
All this time Polynesia was still sitting in the tree in the palace–garden.
This was always a very bad sign with Polynesia. Whenever she said nothing and blinked her eyes, it meant that somebody had been making trouble, and she was thinking out some way to put things right. People who made trouble for Polynesia or her friends were nearly always sorry for it afterwards.
Presently she spied Chee–Chee swinging through the trees still looking for the Doctor. When Chee–Chee saw her, he came into her tree and asked her what had become of him.
"The Doctor and all the animals have been caught by the King's men and locked up again," whispered Polynesia. "We lost our way in the jungle and blundered into the palace–garden by mistake."
"But couldn't you guide them?" asked Chee–Chee; and he began to scold the parrot for letting them get lost while he was away looking for the cocoanuts.
 "He would keep running off the path hunting for ginger–roots. And I was kept so busy catching him and bringing him back, that I turned to the left, instead of the right, when we reached the swamp.—Sh!—Look! There's Prince Bumpo coming into the garden! He must not see us.—Don't move, whatever you do!"
And there, sure enough, was Prince Bumpo, the King's son, opening the garden–gate. He carried a book of fairy–tales under his arm. He came strolling down the gravel–walk, humming a sad song, till he reached a stone seat right under the tree where the parrot and the monkey were hiding. Then he lay down on the seat and began reading the fairy–stories to himself.
Chee–Chee and Polynesia watched him, keeping very quiet and still.
After a while the King's son laid the book down and sighed a weary sigh.
"If I were only a WHITE prince!" said he, with a dreamy, far–away look in his eyes.
Then the parrot, talking in a small, high voice like a little girl, said aloud,
"Bumpo, some one might turn thee into a white prince perchance."
The King's son started up off the seat and looked all around.
"What is this I hear?" he cried. "Methought the sweet music of a fairy's silver voice rang from yonder bower! Strange!"
"Worthy Prince," said Polynesia, keeping very still so Bumpo couldn't see her, "thou sayest winged words of truth. For 'tis I, Tripsitinka, the Queen of the Fairies, that speak to thee. I am hiding in a rose–bud."
"Oh tell me, Fairy–Queen," cried Bumpo, clasping his hands in joy, "who is it can turn me white?"
"In thy father's prison," said the parrot, "there lies a famous wizard, John Dolittle by name. Many things he knows of medicine and magic, and mighty deeds has he performed. Yet thy kingly father leaves him languishing long and lingering hours. Go to him, brave Bumpo, secretly, when the sun has set; and behold, thou shalt be made the whitest prince that ever won fair lady! I have said enough. I must now go back to Fairyland. Farewell!"
"Farewell!" cried the Prince. "A thousand thanks, good Tripsitinka!"
And he sat down on the seat again with a smile upon his face, waiting for the sun to set.


HTML is resonably strightforward.
other notes:
main type of document on web is html.
I am going to learn to love HTML.
HTML is reasonably straightforward
HTML is reasonably straightforward
I am going to learn to love HTML.
br em img tag, inline tag
p tag, block tag height and width are editable.
container elements:
inline
css java script, info goes into head tags
body tag b /b
types of files on the web: all of the above.
http: hyper text tranpsport protocol
html: hyper text markup language
attributes:


YOGALINGAM PHOTOGRAPHY
By: Vaaranan Yogalingam
Home
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|
retinanet-cell-detection
1
retinanet-cell-detection: RetinaNet for cell detection.
|
This callback implements a cyclical learning rate policy (CLR).The method cycles the learning rate between two boundaries with some constant frequency.
| base_lr | : Initial learning rate which is the lower boundary in the cycle. |
| max_lr | : Upper boundary in the cycle. Functionally, it defines the cycle amplitude (max_lr - base_lr). The lr at any cycle is the sum of base_lr and some scaling of the amplitude; therefore max_lr may not actually be reached depending on scaling function. |
| step_size | : Number of training iterations per half cycle. Authors suggest setting step_size 2-8 x training iterations in epoch. |
| mode | : One of {triangular, triangular2, exp_range}. Default 'triangular'. Values correspond to policies detailed above. If scale_fn is not None, this argument is ignored. |
| gamma | : Constant in 'exp_range' scaling function: gamma**(cycle iterations) |
| scale_fn | : Custom scaling policy defined by a single argument lambda function, where 0 <= scale_fn(x) <= 1 for all x >= 0. Mode paramater is ignored. |
| scale_mode | : {'cycle', 'iterations'}. Defines whether scale_fn is evaluated on cycle number or cycle iterations (training iterations since start of cycle). Default is 'cycle'. |
The amplitude of the cycle can be scaled on a per-iteration or per-cycle basis. This class has three built-in policies, as put forth in the paper.
"triangular": A basic triangular cycle w/ no amplitude scaling. "triangular2": A basic triangular cycle that scales initial amplitude by half each cycle. "exp_range": A cycle that scales initial amplitude by gamma**(cycle iterations) at each cycle iteration.
For more detail, please see paper.
for CIFAR-10 w/ batch size 100: ```python clr = CyclicLR(base_lr=0.001, max_lr=0.006, step_size=2000., mode='triangular') model.fit(X_train, Y_train, callbacks=[clr]) ```
Class also supports custom scaling functions: ```python clr_fn = lambda x: 0.5*(1+np.sin(x*np.pi/2.)) clr = CyclicLR(base_lr=0.001, max_lr=0.006, step_size=2000., scale_fn=clr_fn, scale_mode='cycle') model.fit(X_train, Y_train, callbacks=[clr]) ```


QUALITY GRADING FORMAT
1. SCHOLASTIC AREAS/CURRICULUM
1.1 Scholastic Planning
1.1.1 Academic Calender and Planner is prepared and shared
1.1.2 Timetable is prepared as per Board's by laws and executed
1.1.3. Lesson plans are prepared with relevant learning objectives and outcomes
1.1.4. Teaching strategies and activities are relevant
1.1.5. Assessment tools & techniques are adequately planned
1.1.6 Tasks for gifted & slow learners as Remedial measures and home work are specified
1.2 Class Room Transaction
1.2.1 Teaching staff are confident and have command on the content and language
1.2.2. Classroom activities are interactive and promote thinking skills
1.2.3. Teaching aids/ PPTs/ videos/charts/models are used effectively
1.2.4. Appropriate questioning technique is used to check the comprehension level of students and develop divergent thinking skills
1.2.5. Feedback is given to the learners on the work assigned
1.2.6. Home-work is given to reinforce and enrich the learning
1.2.7. Remedial measures are taken care of in feedback and by timely checking of H.W./C.W.
1.3 Growth and development of teachers vis- a'-vis
training
1.3.1. lmpact of teacher training is visible in the classroom
1.3.2, During classroom teaching, creative and problem-solving methods are used
1.3.3. lnnovative strategies viz. hands-on activities & games to facilitate learners achieve their goals are being devised
2. INFRASTRUCTURE AND LEARNING RESOURCES
2.1(a) Physical Learning Facilities
2.1.1.No. & size of rooms, school have enough rooms of proper size to provide all facilities as per Board's norms
2.1.2. Ventilation is good as most of the windows open on
the
outer side of the corridors
2.1.3 Well illuminated rooms having enough natural light or
proper artificial light
2.1.4 Theme based Display Boards exhibit quality
2.1(b) School Building and Other Facilities
2.2.1. Maintainance and cleanliness of the school building done regularly
2.2.2.Number of toilets as per strength of boys & girl students and are kept clean
2.2.3.Placement of toilet seat and washbasins in case of Pre- Primary and Primary found at a low level
2.2.4. Safe Drinking water of RO/Aqua Guard, facility available
2.2.5 .Boundary wall & parapet walls available along with grills in the corridors, for the safety of children
2.2.6. Ramp & toilets in schoslfor specially abled are available
2.2.7 Layout of furniture in Pre-Primary and Primary classes allows easy movement
2.2.8 .Sufficient furniture as per school strength , available in good condition
2.1(c) Laboratories
Lab equipments , enough material/equipments are seen as per the maximum student strength
Lab safety ensured as display of safety and exit norms along with exhaust fan are available
List of Experiments (classwise)& lab time-table are displayed for all classes
Practical demostration done and precautions are taken
Maintainance and usage of Composite Science lab done regularly
Lab Upkeep and Stock Register;labs neatly maintained, concentrated acids stored under lock & key in chemistry lab and stock registers are in place as per board guidelines
2.1(d) Sports
Size and marking of ground for different games/ sports offered, is found to be as per norms
Availability of Sports equipment (lndoor and Outdoor) as per School/Class strength and sports room is well- stocked
Awards & National / lnternational level achievements list and records are kept maintained
School Band / Marchpast and Yoga/ morning drilUPT/any form of Martialart- at least 2-3 activities are performed regularly and school band is available
2.2 LEARNING RESOURCES
2.2(a) Library
Number & type of books as per school strength :sufficient books as per ratio L:5 prescribed by CBSE;story books (fiction and non- fiction) , encylopedia and reference books available
Upkeep of Books & Library records properly managed by a qualified librarian
Functionality of library (digital Iibrary) E-library (issue and return of books, electronic search of books, e-books)
Effective library utilization as library periods are allocated and utilized by both students & staff to update themselves with new ideas
Book reading promotion policy w.r.t students is used to encourage reading habit
Easy access to students as Books are displayed on open shelves/ cupboards, not kept under lock and key; library is well lit and ventilated
2.2(b) Teachers Resource Centre
Availability of Resource centre f room demarcated and computers /laptops, printers and high speed internet available
Records w.r.t usage of Resource Centre are maintained and centre is effectively utilized
2.2(c) Other labs and Medical room
Availability of Math lab, Language lab and Social Science lab
Equipments & time-table display in tabs available as per subject
Well equipped medical room with qualified fulltime Nurse and a visiting Doctor(daily or on fixed days of week )
2.3 Transport Management
2.3,l.Transport committee found working, having transport and route in-charges as members
2.3.2 Bus attendance is maintained both in the morning and afternoon
2.3.3, Fire-safety compliance seen in buses, being fitted with first- aid box and fire-extinguishers
2.3.4, Supreme court guidelines seen displayed in the buses and drivers found aware
2.4 Disaster Management
2.4.1 School preparedness & infrastructure compliance like ramp, stairs, fire alarms & CCTVs seen
2,4.2Evacuation & exit plans seen displayed in corridors & classrooms and mock drills are conducted
2.4.3 Admin and teachers are aware of the duty to be performed during a disaster
2.4 SCHOOL ETHOS
2.4.1Yagna - Havan and Vedic lectures/bhajan sandhya are organised class-wise, on rotation
3. DOCUMENTATION OF RECORDS


WinSwitch 3.1 is out (Tiger compatibility)
-
Greg Hurrell
WinSwitch 3.1 is out and delivers compatibility with Tiger (Mac OS X 10.4). Although Apple has improved its Fast User Switching menu implementation in Tiger, WinSwitch still offers features and control not otherwise available. If I can get enough donations to cover the costs of ongoing distribution and development then I'll be able to add even more in the future; I've got some great ideas!
WinSwitch website:
Download:
http://wincent.com/download.php?item=WinSwitch.dmg
Donate:
Reply
This topic is now closed.


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{{response.title = "Ship Spinning FAQ"}} {{extend "layout.html"}}
Contents
Ship Spinning Inc. is a corporation in the massively multiplayer online role-playing game (MMORPG) called Eve Online. It provides slot machines based on the in-game currency, ISK (Inter-Stellar Kredits) for the enjoyment of the players and profit of the corporation (and with some luck, the player's profit as well).
Eve Online has a feature informally dubbed "ship spinning". Whenever a pilot docks his or her ship in a station, a 3rd person view of the ship becomes available, which can be interacted with by clicking, dragging, and scrolling to spin the ship or to zoom in and out. For reference, use the video below:
This much-loved feature was replaced in the Incarna expansion by a 3rd person view of the actual pilot outside his or her ship, which was much less fun to spin.
At the time of its conception, Ship Spinning Inc. sought to alleviate pilots' hurt feelings by providing an alternative way of "spinning" ships: on the reels of a slot machine. It's not the same, I know, but it's something.
Since then, ship spinning was re-introduced to Eve due to the massive player outcry. While this may seem like it makes Ship Spinning Inc. redundant, spinning ships on a slot machine still has an advantage over vintage ship spinning: you can win shiny new ships!
You can find the available spinning stations under the "Spin now!" link at the top of the page. You choose the station, make sure you have your four-leaf clover, rabbit's foot, or whatever lucky charm you prefer, pull the lever, and see what turns out.
Yes, like any game of chance with real prizes, it does cost something to play. The price of each pull varies from station to station, so make sure to check the different prices out.
In-game, donate however much ISK you want to donate to Ship Spinning Inc. Due to lag because of caching in the API, it may take up to 30 minutes for it to be credited to your account. Feel free to test the waters with 1 or 2 ISK to check that it does indeed show up on the site. Please take note: Excepting extenuating circumstances, ISK will not be released back to you once donated.
Because the automatic API can only give read-only access to what's going on in-game, there is no automated process for prize delivery. This means that a Ship Spinning Inc. agent will have to manually contract you your prize. Please allow up to 48 hours for the prize contract to be assigned. Be advised that, in order to accomodate other winners, these contracts are limited time. If you need special accomodations, contact us.
Due to limited monetary and transport resources, all prizes are delivered to the Jita 4-4 trade hub for the time being. If you would like to have your prizes transported, Ship Spinning Inc. heartily recommends Red Frog Freight (and their sister services) for safe and fast transport.
 Yeah, you probably hear that a lot if you hang around trade hubs. There have even been some crazy money-grabbing schemes in Eve Online's history. However, Ship Spinning Inc. is not in the scamming business.
I could list you a bunch of reasons why a slot machine game is not a viable scamming scheme, but you could just take a look at the list of winners and ask them yourself.
Before I launched Ship Spinning Inc., I contacted Chribba for a code review. He argued that while he could definitely do so, I could also immediately revert to a rigged version of the code, rendering his review moot. I could even disguise this as a new feature release, or a bug fix. Requiring him, or anyone else, to continually review every change to the codebase would be unfair to them and their spare time.
tl;dr: You'll just have to trust me on this, at least until you play and win.
Yes, in fact! We offer up-to-date payout readings for every single station. The system will also automatically disable reels that fail to live up to our 90% payout promise. We also plan to offer more statistics, once time allows their implementation.
Absolutely not. Ship Spinning Inc. has the utmost respect for Eve, the Eve community, and its rules. This is a completely legal operation involving only in-game items and ISK. There is no special treatment based on any out-of-game behavior, and there is zero tolerance of anything breaking the Eve EULA or Terms of Service.
My name is Viddyi Dukima, and I am the CEO of Ship Spinning Inc., and the developer of this website. Happy to make your acquaintance!
I have been asked before about who my "main" is, but I'm afraid I cannot provide that information.
That is not a question.
No, I do not.
Feel free to Eve-mail me personally. I will get back to you soon.


?<*-c(?***')
K
***%
*
*tCd*exs*.
Determined
by
Lorin
I.
Nevling,
Jr.
À>cf
'96/
INSTITUTE
OF
JAMAICA
FLORA
OF
JAMAICA
Parish:
MANCHESTER
Name:
Daphnopsis
oooidentalla
(Sw*)Kr*
&
TJrb
Locality:
Holmnrood
P*T*C*,
near
CHRISTIANA*
Altitude:
3000
ft*
Date:
June
12,
1955
Habitat:
Wooded
limestone
hillside*
Notes:
Small
tree,
8
m*
tall;
flowers
whitish
Collector:
George
R*
Proctor
No.
10257
01497417
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


Common Lambda application types and use cases
When building applications on AWS Lambda the core components are Lambda functions and triggers. A trigger is the AWS service or application that invokes a function, and a Lambda function is the code and runtime that process events. To illustrate, consider the following scenarios:
-
File processing – Suppose you have a photo sharing application. People use your application to upload photos, and the application stores these user photos in an Amazon S3 bucket. Then, your application creates a thumbnail version of each user's photos and displays them on the user's profile page. In this scenario, you may choose to create a Lambda function that creates a thumbnail automatically. Amazon S3 is one of the supported AWS event sources that can publish object-created events and invoke your Lambda function. Your Lambda function code can read the photo object from the S3 bucket, create a thumbnail version, and then save it in another S3 bucket.
-
Data and analytics – Suppose you are building an analytics application and storing raw data in a DynamoDB table. When you write, update, or delete items in a table, DynamoDB streams can publish item update events to a stream associated with the table. In this case, the event data provides the item key, event name (such as insert, update, and delete), and other relevant details. You can write a Lambda function to generate custom metrics by aggregating raw data.
-
Websites – Suppose you are creating a website and you want to host the backend logic on Lambda. You can invoke your Lambda function over HTTP using Amazon API Gateway as the HTTP endpoint. Now, your web client can invoke the API, and then API Gateway can route the request to Lambda.
-
Mobile applications – Suppose you have a custom mobile application that produces events. You can create a Lambda function to process events published by your custom application. For example, in this scenario you can configure a Lambda function to process the clicks within your custom mobile application.
AWS Lambda supports many AWS services as event sources. For more information, see Using AWS Lambda with other services. When you configure these event sources to trigger a Lambda function, the Lambda function is invoked automatically when events occur. You define event source mapping, which is how you identify what events to track and which Lambda function to invoke.
The following are introductory examples of event sources and how the end-to-end experience works.
Example 1: Amazon S3 pushes events and invokes a Lambda function
Amazon S3 can publish events of different types, such as PUT, POST, COPY, and DELETE object events on a bucket. Using the bucket notification feature, you can configure an event source mapping that directs Amazon S3 to invoke a Lambda function when a specific type of event occurs, as shown in the following illustration.
The diagram illustrates the following sequence:
-
The user creates an object in a bucket.
-
Amazon S3 detects the object created event.
-
Amazon S3 invokes your Lambda function using the permissions provided by the execution role.
-
AWS Lambda runs the Lambda function, specifying the event as a parameter.
You configure Amazon S3 to invoke your function as a bucket notification action. To grant Amazon S3 permission to invoke the function, update the function's resource-based policy.
Example 2: AWS Lambda pulls events from a Kinesis stream and invokes a Lambda function
For poll-based event sources, AWS Lambda polls the source and then invokes the Lambda function when records are detected on that source.
The following diagram shows how a custom application writes records to a Kinesis stream.
The diagram illustrates the following sequence:
-
The custom application writes records to a Kinesis stream.
-
AWS Lambda continuously polls the stream, and invokes the Lambda function when the service detects new records on the stream. AWS Lambda knows which stream to poll and which Lambda function to invoke based on the event source mapping you create in Lambda.
-
The Lambda function is invoked with the incoming event.
When working with stream-based event sources, you create event source mappings in AWS Lambda. Lambda reads items from the stream invokes the function synchronously. You don't need to grant Lambda permission to invoke the function, but it does need permission to read from the stream.


7 writes to AsyncOperation
Microsoft.Management.Infrastructure.CimCmdlets (7)
GetCimAssociatedInstanceCommand.cs (1)
263
this.
AsyncOperation
= new CimGetAssociatedInstance();
GetCimClassCommand.cs (1)
230
this.
AsyncOperation
= cimGetCimClass;
GetCimInstanceCommand.cs (1)
527
this.
AsyncOperation
= cimGetInstance;
InvokeCimMethodCommand.cs (1)
442
this.
AsyncOperation
= cimInvokeMethod;
NewCimInstanceCommand.cs (1)
411
this.
AsyncOperation
= cimNewCimInstance;
RemoveCimInstanceCommand.cs (1)
310
this.
AsyncOperation
= cimRemoveInstance;
SetCimInstanceCommand.cs (1)
359
this.
AsyncOperation
= cimSetCimInstance;
7 references to AsyncOperation
Microsoft.Management.Infrastructure.CimCmdlets (7)
GetCimAssociatedInstanceCommand.cs (1)
251
return this.
AsyncOperation
as CimGetAssociatedInstance;
GetCimClassCommand.cs (1)
217
return this.
AsyncOperation
as CimGetCimClass;
GetCimInstanceCommand.cs (1)
513
return this.
AsyncOperation
as CimGetInstance;
InvokeCimMethodCommand.cs (1)
429
return this.
AsyncOperation
as CimInvokeCimMethod;
NewCimInstanceCommand.cs (1)
398
return this.
AsyncOperation
as CimNewCimInstance;
RemoveCimInstanceCommand.cs (1)
297
return this.
AsyncOperation
as CimRemoveCimInstance;
SetCimInstanceCommand.cs (1)
346
return this.
AsyncOperation
as CimSetCimInstance;


%- include('partials/builder-parts/head.html'); %>
<%- include('partials/builder-parts/modals.html'); %> <%- include('partials/builder-parts/nav.html'); %>
<%- include('partials/builder-parts/select-mon.html'); %> <%- include('partials/builder-parts/pokemon.html'); %> <%- include('partials/builder-parts/chat.html'); %>


Final Project
Display RPi Class weather Stream on google map by using Fusion Tables layers and visualize the stream using line chart
Display RPi Class weather Stream on google map by using Fusion Tables layers and visualize the stream using line chart


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ANGUS A film review by Andrew Hicks Copyright 1996 Andrew Hicks / Fatboy Productions
**1/2 (out of four)
This seemed like the movie for me. Socially-awkward fat kid goes through high school rejected by his peers and harboring crushes for beautiful girls who won't talk to him. Unfortunately, even though the theme was right out of my darkest high school memories, the movie itself wasn't quite executed properly. If ANGUS had been presented as a one-hour after school special, it would have worked, but as a feature-length film there's not enough substance. You have to get by the unsightly padding to find any value, which is actually a metaphor for what the movie's about.
Angus (Charlie Talbert), doomed with the self-fulfilling prophecy of being named after a cow, is going through his freshman year as a tormented outsider, "a fat kid who's good at science and football." That's where the Angus character and I fundamentally differ. The movie could have been called ANDREW except that I hate sports and science, although I could identify with the scene in the beginning of the movie where Angus is responsible for the jock quarterback's winning touchdown but his contribution is ignored as the jock is surrounded by screaming fans. It reminded me of the days I would write plays for the popular kids to act out, after which they would conveniently forget to acknowledge my participation.
The movie could have also been called ANGST, because it once again delves into the popular topic of people being ostracized for proudly being different. In Angus' case, a group of brainless jocks who are threatened by his nonconformity (and don't we all know the type?) arrange to have him elected Homecoming King so they can humiliate him at the dance. Angus, meanwhile, has to handle the decision of whether to skip the dance or take the opportunity of dancing with Melissa, the Homecoming Queen, on whom he's had a lifelong crush. The part of Melissa is played by Ariana Richards, the girl who had to escape dinosaurs in JURASSIC PARK. Here, she's chased after by someone slightly larger...  I'm in the club.
There are several key people in Angus' life rooting him on -- his truck-driving mother (Kathy Bates), grandfather (George C. Scott) and best friend. They offer means of support in their own weird ways, including a mother-son Hagen Daaz binge (permanently answering the question of who taught the kid to pig out) and a videotaped dance with a blow-up doll... I identified with a lot of things in this movie, but just so you know, the blow-up doll thing held no personal meaning for me.
Ultimately, the film is predictable and offers only a few laughs, some of which come at the expense of scenes which were supposed to be taken seriously, like the climactic scene at the dance, where Angus delivers an impromptu speech to the student body about how it's okay to be different and the oppressive jocks are actually afraid of us for not playing life by their rules or giving a damn about what they think of us. All this is true, of course, but it sounds unnecessarily absurd coming in the middle of a school dance. At least in REVENGE OF THE NERDS, they played this kind of thing for laughs, but in ANGUS we're supposed to seriously think a teenage crowd would applaud such a speech. Uh-uh. Take it from me, an asskicking would occur after a speech like that.
--
Visit the Movie Critic at LARGE website at http://www.missouri.edu/~c667778/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Help
Have a question
about Agilla? Type it below or e-mail<EMAIL_ADDRESS>Known Bugs
- If a migration fails because the sender's outgoing queue is full,
the sender will enter an error state and stop running. Ideally,
the sender will resume the agent running locally with condition
= 0.
|


Incident data collected by Majd Al-Shihabi, Michelle Moawad, and Dounia Salame, from the Beirut Urban Lab at the American University of Beirut. NASA heatmap from MODIS/VIIRS active fire data between Oct. 8 and Oct. 16 2019.


Pedestrian Friendly
Safe Routes was design with drivers and pedestrian in mind. Users have access to what areas are dangerous to drivers and pedestrians.
Intelligent Prediction
In addition to displaying historic accident data near a given address, Safe Routes will predict the liklihood of future accidents in given locations.
Accident Avoidance
Safe Routes draws from a massive database of traffic incidents. Our algorithms look for impact of weather, time of day, season, and other variables. Users can filter data by month and year.


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If you are out in the sun a lot, get more protection than you get from sunscreen alone. The great Australian Coolibar carries superior sun protective products that will enable you to enjoy the sun without its harmful, ultra violet rays. Australia gets very hot and many of its citizens are fair skinned so they face a greater danger from the sun when going out. Coolibar which gets its name from the famous eucalyptus plant found in harsh Australian outback is a great product to protect you and your family from the dangers of the sun. Use our discount coupons to get a great price on Coolibar products.
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Use your outcome assignment for Assignment 4, `air_quality.html`, to add interaction and transitions:
1) Create three radio buttons on the html page labeled 'Sort By State', 'Sort By Emissions Descending', 'Sort By Emissions Ascending'
2) Each radio button should when clicked result in the data being sorted either by state alphabetical order, emissions (high to low), or emissions (low to high) respectively
3) After the data is sorted your chart should be updated correctly. This update should happen through the use of a transition that takes 1.5 seconds.
NOTE: nothing on the chart should be re-drawn during this update/transition
4) Once you have completed this, add a text box to your html file with a label of Delay(in milliseconds). The number in this box will be used so that it represents the number of millisecond delay that each element must wait before transitioning. This delay should be implemented so that all elements start and finish at different times according to their current order. Therefore, the first element should be delayed 1 x (number of millseconds in text box), the second element should be delayed 2 x (number of milliseconds in text box), and so on and so forth. The implementation should be fairly straight forward, if you sense you are hacking this together, take a step back and try to think through the solution based on everything you have used to date.
NOTE: This textbox should only take a number (you must handle in your javascript if it is not a number and alert the user that they must enter a number). You can do this by using the javascript alert method


|
Yorick Function ReferenceElementary Functionsabs, sign absolute value, arithmetic sign
The atan function takes one or two arguments; atan(t) returns a value in the range (-p/2,p/2]), while atan(y,x) returns the counterclockwise angle from (1,0) to (x,y) in the range (-p,p]). The abs function allows any number of arguments; for example, abs(x,y,z) is the same as sqrt(x^2+y^2+z^2). The sign satisfies sign(0)==1 and abs(z)*sign(z)==z always (even when z is complex). The min and max functions return a scalar result when presented with a single argument, but the pointwise minimum or maximum when presented with multiple arguments. The min, max, sum, and single argument abs functions return integer results when presented integer arguments; the other functions will promote their arguments to a real type and return reals. |


| Clement Bens |
2 bedroom bungalow in yaba |
weird demand
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ALSAMIXER(1) ALSAMIXER(1) NAME alsamixer - soundcard mixer for ALSA soundcard driver, with ncurses interface SYNOPSIS alsamixer [options] DESCRIPTION alsamixer is an ncurses mixer program for use with the ALSA soundcard drivers. It supports multiple soundcards with multiple devices. OPTIONS -h, --help Help: show available flags. -c, --card <card number or identification> Select the soundcard to use, if you have more than one. Cards are numbered from 0 (the default). -D, --device <device identification> Select the mixer device to control. -V, --view <mode> Select the starting view mode, either playback, capture or all. -g, --no-color Toggle the using of colors. MIXER VIEWS The top-left corner of alsamixer is the are to show some basic informa‐ tion: the card name, the mixer chip name, the current view mode and the currently selected mixer item. When the mixer item is switched off, [Off] is displayed in its name. Volume bars are located below the basic information area. You can scroll left/right when all controls can't be put in a single screen. The name of each control is shown in the bottom below the volume bars. The cur‐ rently selected item is drawn in red and/of emphasized. Each mixer control with volume capability shows a box and the current volume filled in that box. The volume percentages are displayed below the volume bar for left and right channels. For a mono control, only one value is shown there. When a mixer control is turned off, M (mute) appears below the volume bar. When it's turned on, O in green appears instead. You can toggle the switch via m key. When a mixer control has capture capability, the capture flag appears below the volume bar, too. When the capture is turned off, ------- is shown. CAPTURE in red appears when the capture switch is turned on. In addition, L and R letters appear in left and right side to indicate that left and the right channels are turned on. Some controls have the enumeration list, and don't show boxes but only texts which indicate the currently active item. You can change the item via up/down keys. VIEW MODES alsamixer has three view modes: playback, capture and all. In the play‐ back view, only the controls related with playback are shown. Similarly, only the controls for capture (recording) are shown in the capture view. The all view mode shows all controls. The current view mode is displayed in the top-left position together with the mixer name, etc. The default view mode is the playback view. You can change it via -V option. Each view mode can be switched via keyboard commands, too. See the next section. KEYBOARD COMMANDS alsamixer recognizes the following keyboard commands to control the soundcard. Commands shown here in upper case can also be given in lower case. To be reminded of these keystrokes, hit the h key. General Controls The Left and right arrow keys are used to select the channel (or device, depending on your preferred terminology). You can also use n ("next") and p ("previous"). The Up and Down Arrows control the volume for the currently selected device. You can also use + or - for the same purpose. Both the left and right signals are affected. For independent left and right control, see below. The B or = key adjusts the balance of volumes on left and right channels. M toggles muting for the current channel (both left and right). If the hardware supports it, you can mute left and right independently by using , (or <) and . (or >) respectively. SPACE enables recording for the current channel. If any other channels have recording enabled, they will have their recording function disabled first. This only works for valid input channels, of course. L re-draws the screen. View Mode Controls Function keys are used to change view modes. You can switch to the help mode and the proc info mode via F1 and F2 keys, respectively. On termi‐ nals that can't use function keys like gnome-terminal, ? and / keys can be used alternatively for help and proc modes. F3, F4 and F5 keys are used to switch to playback, capture and all view mode, respectively. TAB key toggles the current view mode circularly. Quick Volume Changes PageUp increases volume by 5. PageDown decreases volume by 5. End sets volume to 0. You can also control left & right levels for the current channel indepen‐ dently, as follows: [Q | W | E ] -- turn UP [ left | both | right ] [Z | X | C ] -- turn DOWN [ left | both | right ] If the currently selected mixer channel is not a stereo channel, then all UP keys will work like W, and all DOWN keys will work like X. The number keys from 0 to 9 are to change the absolute volume quickly. They correspond to 0 to 90% volume. Selecting the Sound Card You can select another sound card by pressing the F6 or S keys. This will show a list of available sound cards to choose from, and an entry to enter the mixer device name by hand. Exiting Quit the program with ALT Q, or by hitting ESC. Please note that you might need to hit ESC twice on some terminals since it's regarded as a prefix key. SEE ALSO amixer(1), aplay(1), arecord(1) BUGS Some terminal emulators (e.g. nxterm) may not work quite right with ncurses, but that's their own damn fault. Plain old xterm seems to be fine. AUTHOR alsamixer has been written by Tim Janik and been further improved by Jaroslav Kysela<EMAIL_ADDRESS>and Clemens Ladisch<EMAIL_ADDRESS>This manual page was provided by Paul Winkler<EMAIL_ADDRESS>22 May 2009 ALSAMIXER(1)


Viruses Library
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Rating
Status
Action
virus 1
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virus 2
2016-02-01
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virus 3
2016-04-20
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active
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This test creates a class with 18 attributes and extends from Y.Base. (basic principle of Y.DD.Drag without the setters doing anything)
Looping over 30 items and creating 2 objects per loop (one Drag and one Drop), yelds about 30ms per creation.


Work Order #: 1234-567-89
Product Description:
Bundle Qty:
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Pasta Salad with Spring Vegetables
🕒
🙂
📄
30 mins
6 servings
Nutrition
INGREDIENTS
9 garlic cloves, crushed
3 sprigs thyme
3 2-inch strips orange zest
1 3-inch piece ginger, peeled, cut into very thin matchsticks
4 cups cherry tomatoes
6 tablespoons fresh orange juice
¼ cup olive oil
1 tablespoon light brown sugar
Freshly ground black pepper
8 ounces spring onions (about 3 large)
2 tablespoons olive oil, divided
8 ounces sugar snap peas, trimmed, halved (about 3 cups)
Kosher salt
12 ounces casarecce, fusilli, or penne
2 tablespoons (or more) fresh lemon juice
2 cups thinly sliced basil, divided
2 cups thinly sliced mint, divided
RECIPE PREPARATION
Preheat oven to 325°. Toss garlic, thyme, orange zest, ginger, tomatoes, orange juice, oil, brown sugar, salt, and a pinch of pepper in a 13x9” baking dish. Roast, gently tossing mixture every 20 minutes, until tomatoes are tender and just bursting but still intact, 50–60 minutes. Pluck out and discard thyme and orange zest.
Separate spring onion stems from bulbs. Cut stems in half lengthwise, then cut crosswise into 2” pieces. Slice bulbs through root end into quarters. Heat a dry medium skillet, preferably cast iron, over high. Add 1 Tbsp. oil, then sugar snap peas, and shake pan so sugar snaps spread out in a single layer. Cook, tossing once, until charred on both sides, about 4 minutes. Transfer to a large bowl.
Heat remaining 1 Tbsp. oil in same skillet. Add spring onion stems and bulbs, arranging in a single layer. Cook, tossing once, until charred, about 4 minutes. Transfer to bowl with sugar snap peas; season with salt.
Cook pasta in a large pot of boiling salted water, stirring occasionally, until al dente. Drain, transfer to a large bowl, and let cool, tossing around now and again to make sure it’s not sticking.
Add tomato mixture, sugar snap peas and spring onions, lemon juice, 1½ cups basil, and 1½ cups mint to pasta and toss gently to combine (you don’t want to break up the tomatoes too much); season with salt, pepper, and more lemon juice if desired.
Serve pasta salad topped with remaining ½ cup basil and ½ cup mint and a drizzle of oil.


“When you take that math textbook home and you’re trying to do those exercises, you can get kind of stuck, or you can think maybe you’re getting it right and you’re not.”
“In this digital world, the idea that the software can generate the homework and generate it at the right level, and then if you need a hint, fine, you get the hint.”
“Your teacher sees, “Oh, he needed a hint. He didn’t just get it. So maybe he has to try this out a little bit more. But the feedback used to be like three days later and he’d be like, “Oh, I really screwed this up. God. What were we working on then? That was three days ago.”
“Now when you’re just sitting there with your phone or tablet or PC, you’ll get that feedback. We’re much further along in terms of taking that experience for math and making it a richer experience.”


Defining Triangles
Enter a number for each side of a triangle and see what kind of a triangle it is or if it is a triangle at all!
Side 1
Side 2
Side 3
Find out your triangle!
Your triangle is:
Try another triangle


This package contains the genetic optimizer library which is used by the trajectory search algorithm.


Autopsy tries to automate as many things as possible for you. There are many tasks that will always be performed in a digital investigation and the ingest manager is responsible for making sure that they happen.
The ingest process begins after the basic file system information has been added to the database. The ingest process is similar to triage. A series of ingest modules (described in a following section) run automatically behind the scenes and make their results available as soon as possible.
You can start image ingest in two ways. When you add an image with the Add Image wizard, you will be shown the list of ingest modules and you can choose which you want to run and you can do some basic configuration of the modules. You can also launch the Ingest Manager run ingest by right clicking on an image in the explorer tree and choosing "Restart Image Ingest".
The results from the ingest module can typically be found in the Results area of the explorer tree. However, some modules may choose to write results to a local file or to some other location and not make them available in the UI.
An ingest module is resposible for extracting data from and searching images. Different modules will do different things. Examples include:
Ingest modules can be created by third-party-developers and can be added independently of Autopsy.
ADD HERE


🌶 Hot Restaurant 🌶
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Waiting List


ONE FALSE MOVE A film review by Frank Maloney Copyright 1992 Frank Maloney
ONE FALSE MOVE is a film directed by Carl Franklin, from a script by Billy Bob Thornton and Tom Epperson. It stars Cynda Williams, Bill Paxton, Michael Beach, and Bill Bob Thornton. Rated R, for violence, strong language.
ONE FALSE MOVE is a quirky and surprising thriller. It begins with a scene of horrifying brutality and violence. One thinks that he or she has seen this before and knows what is going to follow: vengeance, cops and druggies, mayhem and high-speed car chases. But even at the beginning one knows he or she is in for something different, if just because of the camerawork that makes one's skin creep. And then a sudden change of pace and place, with some comedy thrown in, and the disorientation is complete. This is not going to be a routine Hollywood formula film.
By the time the film comes to its conclusion, it has widened its aims and taken charge of a surprisingly broad territory. Racism, justice, abuses of all sorts, prejudices, the gap between rural and urban, all these are fresh as the last headline. The story is sharp as a crease, powerfully told, with plenty of twists and turns to keep anyone off balance.
The story, by the way, or at least the script, was co-written by one of the actors, Billy Bob Thornton, who plays a white-trash coke head who is barely under control at the best of times.
The other actors are equally up to the demands of the script as Thornton. Cynda William as Fantasia is the touch point, the pivot, of the story. It's her mysterious, ambiguous role in the story that provides the most interest. She is the worst of the worst, yet driven by the tenderest of emotions. She's elegant, beautiful, treacherous, passive, possessed by more demons that would seem possible to pack into her small frame.
Michael Beach is the third member of this particular menage. An ex-con with a genius IQ, a passing resemblance to Malcom X, and a taste for knifework. He's cold and focused and very scary.
The cops include Jim Metzler as Dud Cole and Earl Billings as John McFeely, two LAPD officers who find they have to work with the hickish Dale "Hurricane" Dixon, played by Bill Paxton. This is more Paxton's movie, more Dixon's story, than anyone else's, although the script tries to fool you into dismissing him as a swaggering rube. And he is due for some come-uppances, some course corrections for his life. At first he appears irritating, foolish, headstrong, childishly self-involved, mostly harmless even if thoughtlessly racist and casually abusive of his powers. His wife (Natalie Canerday) puts her quiet wisdom on display when she sums him up with: "Dale doesn't know any better -- he watches TV. I read nonfiction."
Paxton may play Hurricane a little too broadly at first, but in the latter parts of the film his characterization takes on depth, dimension, color, and complexity.
A word of praise should also go to the musical score by Peter Haycock and Derek Holt and to the photography of James L. Carter.
Finally, let me say something briefly about the director, Carl Franklin. He has managed to give us a portrait of life on both sides of the color line that is probably unique. He finds the contact point between human folly and inhuman crime. He lets one of the characters speak a line that rings loud since the LA riots: "Looking guilty is being guilty for black people." But he puts it in the mouth of Fantasia after she has fully joined in her companions crimes. He is a very assured director, and I await with pleasure his next film.
I high recommend ONE FALSE MOVE even at full price.
-- Frank Richard Aloysius Jude Maloney .
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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For this part, we are going to use a much larger dataset from 300W_large_face_landmark_dataset. It contains 6666 images with some people in it, but the faces may take a small portion of the image. Therefore, I start by cropping the image so that we mainly have one face on a 224*224 image. Then I do augmentation with shift (offset<=10) and rotation (degree<=15) again.
For this part, we are going to use a predefined model called RESNET18. The structure of the model is shown below. The only two modifications are:
1. Changing the input size to 1*224*224 so it can take grey images.
2. Changing the output size to 138, which represent coordinates of 68 key points.
Becuase it takes a long time to iterate through all of the 6666 images for every epoch, this time we only train the model for 5 epoches. Below are the training and validation losses across those iterations.
We can see the loss decreases dramatically after the first epoch and then keeps decreasing gradually for follow epoches. The MSE for the whole training dataset is 43.4 after the last epoch.
Now we can see how the model performs on the training dataset as well as some new image inputs.
Following are 3 examples from training dataset.
Overall the model can predict the key points and the shape of the face, although it's not so accurate due to the limited training epoches.
Then we can test the model on some new image inputs, which are actually the images that I used for last project about face morphing.
Wow! For last project, I had to manually annotate key points on faces, but now I can use the NN model to do the auto prediction, and actually it performs quite well! When the image is on the sideview of the face, the prediction is not as well as the front-view ones, but the errors look reasonable.
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Website Builder Software .


Introduced in Excel 9 (2000) this is a FRT record. It contains the tooltip that appears when the mouse hovers over the hyperlink at the workbook location pointed to by the REF structure. Note : grbitFrt is omitted.
Record Data
|
Offset |
Field Name |
Size |
Contents |
|
4 |
rt |
2 |
Record type; this matches the BIFF rt in the first two bytes of the record; =0800h |
|
8 |
REF |
8 |
REF structure; see FRT Record Information |
|
16 |
rgb |
var |
The hyperlink tooltip; a null-terminated unicode string |


Page Views By Hour Report
The Page Views By Hour report provides a summary list of the number of visitors and users who viewed the site each hour for the selected day range.
Report Fields:
- Hour: The hour that the visitor first came to the site. This field uses a 24 hour clock
- Views: Number of views for the hour
- Visitors: The total number of all visitors for the hour
- Users: Number of registered user visits for the hour
The Page Views By Hour Report


Created by Yasin Yusuf
Yasin Yusuf
Work @ Teckave @yasinyusufaxmed
Back in the good old days, frontend landscape was different,
we used technologies like:
JS was only for simple page intractions.
But then There was a problem
maintained by different teams
and dealt differently with JS.
Developers started building huge applications.
Like Facebook
which jquery just couldn't handle!
Came into the picture
Models,
Views,
and Controllers
Applications get more complex
Data were flowing everywhere!!!
Component Architecture
React Owns the DOM
Limited Resposibility
Today We gonna explore:


Research and analysis
Details on the outcomes and achievements of the third cohort of participants on the young apprenticeships programme.
Ref: YPLA-2010-YAP PDF , 3.66MB , 34 pages
PDF , 3.07MB , 9 pages
The young apprenticeship ( YA ) programme was established in 2004 to provide 14- to 16-year-olds with the opportunity to gain knowledge and skills in a specific vocational area and achieve a relevant qualification.
For the third cohort of the YA programme, around 130 partnerships between schools, providers and other relevant organisations were established which were headed by lead partners.
This report examines the outcomes for the third cohort of participants and explores their achievements on the YA programme and overall, and their destinations following completion of their YA course. It aims to assess the extent to which the YA programme has fulfilled its national aims and objectives and to inform future policy.
Published: 15 November 2010
From: Department for Education
Part of: Young people


Login strategy
Sample page for logging into Qlik Sense with username + password, where these are checked against the user directory of an LDAP server.
Works with both Active Directory and stand-alone LDAP servers.
Image by Viktor Von from Pixabay
Authentication failed, please try again


A site to upload and discuss user images. A personal learning project built with mongo, express and node. Features include user registration, image upload, search functionality, ratings and comments
Website designed for a Tasmanian roofing business. Features a simple bio and available services, along with a contact form and image gallery.
A working prototype for a monthly budget app, built as part of a javascript course. Code available at github
Clean bootstrap landing page with nav. Code available at github


This keyboard layout is designed for Balochi based on the standard Windows Persian keyboard. It includes an on screen keyboard which can be viewed by clicking on the Keyman icon and selecting the On Screen Keyboard menu item. Similar keyboards are also available for other desktop and mobile platforms.
Unshifted
Shifted
Control
Version 1.0, released 16 July 2019
© 2019 SIL International


{% extends "userview.html" %} {% block content %}
Rating: {{entry['rating']}} Phone: {{entry['phone']}} Address: {{entry['address']}}


Area charts represent two dependent variables as filled areas span over a range with the dependent variable being the height of the areas.
Area charts are ideal to display probability distributions (as the areas naturally illustrate how the total volume is distributed) or temporal changes of volume like quantities (such as sales or debt). As such, the area chart assumes a strong relationship between the data points.
To keep them easily readable, they should be limited to a few number of areas.


You can fine-tune the behavior of the PDF viewer by modifying the default options. The full list of
the options is available
here.
Most options are very advanced or covered by regular attributes of <ngx-extended-pdf-viewer />
,
so use the options at your own risk.
This page uses the assetsFolder
attribute to use the "bleeding edge" version of pdf.js instead of the regular
release of pdf.js. However, to see the effect you need a full reload of the page (i.e. you need to hit the F5 key). After that, the version number of pdf.js changes.
You can see that in the blue bar of this page and in the console window of the developer tools.


Blacksmith Poitan:
Oh, Barbado. What would he want?
Oh, I know! He likes nothing better than a cold glass of black beer after a performance!


@(examPages:List[ExamPage])
Exam Page 5
Only 2 % of hight school athletes receive some athletic scholarships.
Fewer than 2% of NCAA athletes end up playing professionally.
60% of D1 &D2 athletes receive some level of athletic scholarship but not all are full ride.
Because of competition for these scholarships, academics and character are as important as athletic ability!