Well, in articles about EmonPI i just see the way to use emonCMS, but i need send the information to my own webservice, how can i do it ?
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Archived Forum |
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Send data to another webservice with EmonPISubmitted by rlanhellas on Mon, 09/11/2015 - 15:35Well, in articles about EmonPI i just see the way to use emonCMS, but i need send the information to my own webservice, how can i do it ? » |
Re: Send data to another webservice with EmonPI
Help us to help you.
The more info you give us about the problem you're having, the better positioned we'll be to help you resolve it.
Unlike the guy pictured to the right, we can't read minds.
Tell us about your system. Be specific. For example:
Which program/sketch are you running?
Is it hosted on emoncms.org or self-hosted?
If self-hosted, what hardware is it running on? e.g. PC? Raspberry Pi?
What operating system? e.g. Linux? Windows 7, Windows 8, Windows 10?
What version of emoncms do you need help with?
What have you have tried to resolve the issue?
Thank you.
Re: Send data to another webservice with EmonPI
I have a self-hosted running on PC in Ubuntu LTS 12.04. I want to buy this hardware:
http://shop.openenergymonitor.com/emonpi-1/
But i need to know if is possible send consumption information to a webservice throught GET/POST request.
Re: Send data to another webservice with EmonPI
Are you speaking of a web service other than emoncms?
Re: Send data to another webservice with EmonPI
Yes, i have a webservice that receive content from GET, like this:
http://mywebservice.com.br?irms=10&volt=123;
Re: Send data to another webservice with EmonPI
emonPi (or more specially emonHub) posts data to MQTT topic running locally on the emonPi. You could send data to your own web service from this topic e.g sending data to node-RED via MQTT http://openenergymonitor.blogspot.co.uk/2015/10/emonpi-nodered-and-mqtt.html


<supplies>
The <supplies>
element contains information about the supplies or parts
that are required to perform a task. These supplies or parts need to be available prior to
beginning the task. This element either contains children elements that specify particular
supplies or a <nosupply>
element that indicates that no supplies are
needed.
Category: Task requirements domain


Calculatuer 28 completed with examples
The design system comes with four pre-built pages to help you get started faster. You can change the text and images and you're good to go.
Download Argon
Argon is a great free UI package based on Bootstrap 4 that includes the most important components and features.
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math-code
Javascript program can do calculate large digit value.
First Number
Second Number
Calculate
Enter Number


|
CS 112 - Introduction to Computer Science II
Course Information |
Course Overview
In Introduction to Computer Science I, one learns the basic building blocks
for problem-solving using the Java programming language. Introduction
to Computer Science II continues problem-solving development with group work,
deeper coverage of object-oriented programming topics, exception handling,
graphical user interfaces, the Java event model, file I/O, and other advanced
programming topics. We also begin coverage of basic data structures (e.g. collections, linked lists)
and algorithms (e.g. sorting, searching). Thus we
transition to the Data Structures course where one learns a collection of
common, important tools for problem solving that find application in many diverse
problems computer scientists face.
Learning Objectives
- Refresh and reinforce Computer Science I problem solving skills.
- Grow group work skills through pair programming.
- Experientially learn more advanced programming topics.
- Prepare for future Data Structures study through a final design
project that requires the development of a data structure.
Text
Instructor
Todd Neller
Section A Lecture: 9:00-9:50AM, Glatfelter 112
Section B Lecture: 10:00-10:50AM, Glatfelter 112
Office: Glatfelter 209
Office Hours:
Office Hours: Mo-Fr 2-4PM or by appointment. (I finish teach at 2PM on MWF, so
office hours will start when I arrive back at my office.) Note: Generally,
feel free to drop in if my office door is open (i.e., most of the time
beyond class).
Phone: 337-6643
E-mail:
Student Assistants
In-class Assistant: TBD, office hours: TBD, 7-9PM, Glatfetler
207
Grading: TBD, office hours: TBD, 7-9PM, Glatfetler 207
Grading
60% Assignments
15% Fourth Hour Project
15% Exam(s)
5% Colloquium Attendance
5% Class Attendance / Participation
You are responsible to know the material
from each lecture and reading assignment before the start of the next class.
Homework is due at the beginning of lecture on the due date. Late
homework will not necessarily be accepted. Source code that does not
compile may not receive partial credit. (It need not be free from logic
errors.) You are required to attend 3 colloquia or approved departmental
events over the course of the semester.
Attendance
Class attendance and participation is required. If you attend all
classes and are willing to participate, you'll get 100% for this part of your
grade. Even if you know enough to give a particular lecture, please consider
the value of helping your peers during in-class exercises.
Woody Allen is quoted as saying
"80% of success is
just showing up." While our class attendance/participation grade
is not 80% of the final grade, it is critical that late arrivals and unexcused
absences are not excessive. Missing more than half of class unexcused is
considered being absent. An unexcused late arrival is counted as a half
absence. If the total number of absences counted this way exceeds
20% of class meetings, i.e. 8.5 absences or more, the student will have failed
the course.
Honor Code
Honesty, Integrity, Honor. These are more important than anything
we will teach in this class. Students can and are encouraged to help
each other understand course concepts, but all graded work must be done
independently unless otherwise specified (e.g. group work). Submitted work
should be created by those submitting it. Submission
of plagiarized code or design work is a violation of the Honor Code, which I
strictly enforce. For
detailed information about the Honor Code, see
http://www.gettysburg.edu/about/offices/provost/advising/honor_code/index.dot.
What is permitted:
- Discussing algorithms, syntax, and problem specifications with other
students
- Seeking assistance (as needed) from CS professors, students assistants,
and approved tutors
- Use of "starter code" supplied by your professor, or code you have
previously developed
What is not permitted:
- Sharing code: Verbal dictation of code, transference of code (e.g.
e-mail, file transfer, entry of printed output, etc.). An important
component of this experiential learning process is developing the ability to
independently devise algorithms and express them in program code.
- Viewing and/or using unauthorized code (e.g. solutions found online,
downloads from code repositories, etc.)
- Submitting work that implicitly takes credit for work that should be
credited to others
- Efforts to obscure the source of unauthorized work
- Outsourcing work
Put simply, students may discuss assignments at an abstract level (e.g.
specifications, algorithm pseudocode), but must actually implement solutions
independently or in permitted groups. Credit should be given where credit
is due. Let your conscience be your guide. Do not merely focus on
the result; learn from the process.


| ����� | ˵�� |
|---|---|
| org.jnetpcap |
Core libpcap functionality available on all platforms.
|
| org.jnetpcap.packet |
Packet decoding framework.
|
| org.jnetpcap.packet.structure |
Packet, Header, Field, Binding and Scanner primitives that describe their
structure.
|
| org.jnetpcap.protocol |
Network protocols and header definitions.
|
| org.jnetpcap.winpcap |
WinPcap extensions to libpcap avialable on a limited set of
platforms.
|
| ���˵�� |
|---|
| ByteBufferHandler
A handler, listener or call back inteface that gets notified when a new
packet has been captured.
|
| DataLinkType
Describes a data-link type or the first header within a packet buffer.
|
| JBufferHandler
This is a test interface with classes imbeded for a possible replacement to
loop and dispatch handers.
|
| JCaptureHeader
Interface to to capture header provided by the capturing library.
|
| Pcap
This class is the main class peered with native
pcap_t structure
in libpcap and winpcap library implementations.
|
| Pcap.Direction
Enum table which specifies in which direction should pcap capture packets
on a capture device.
|
| PcapAddr
Class peered with native
pcap_addr structure. |
| PcapBpfProgram
Class peered with native
bpf_program structure.
|
| PcapClosedException
Thrown if Pcap object is access after it has been closed.
|
| PcapDLT
Constants that represent the Pcap's Payload Link Type assignments.
|
| PcapDumper
Class peered with native
pcap_dumper structure. |
| PcapHandler
�ѹ�ʱ��
replaced by ByteBufferHandler
|
| PcapHeader
struct pkt_header {
struct timeval ts; // ts.tv_sec, ts.tv_usec
uint32 caplen; // captured length
uint32 len; // original length
}
|
| PcapIf
Class peered with native
pcap_if_t structure. |
| PcapInteger
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replaced by JNumber
|
| PcapPktBuffer
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replaced by JBuffer
|
| PcapPktHdr
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replaced by PcapHeader
|
| PcapSockAddr
Class peered with native
struct sockaddr structure. |
| PcapStat
Class peered with native
pcap_stat structure providing only the
core statistics.
|
| PcapTask
A pcap background task handle.
|
| ���˵�� |
|---|
| JCaptureHeader
Interface to to capture header provided by the capturing library.
|
| PcapDLT
Constants that represent the Pcap's Payload Link Type assignments.
|
| PcapHeader
struct pkt_header {
struct timeval ts; // ts.tv_sec, ts.tv_usec
uint32 caplen; // captured length
uint32 len; // original length
}
|
| ���˵�� |
|---|
| PcapDLT
Constants that represent the Pcap's Payload Link Type assignments.
|
| ���˵�� |
|---|
| Pcap
This class is the main class peered with native
pcap_t structure
in libpcap and winpcap library implementations.
|
| PcapDLT
Constants that represent the Pcap's Payload Link Type assignments.
|
| ���˵�� |
|---|
| Pcap
This class is the main class peered with native
pcap_t structure
in libpcap and winpcap library implementations.
|
| PcapBpfProgram
Class peered with native
bpf_program structure.
|
| PcapHeader
struct pkt_header {
struct timeval ts; // ts.tv_sec, ts.tv_usec
uint32 caplen; // captured length
uint32 len; // original length
}
|
| PcapIf
Class peered with native
pcap_if_t structure. |
| PcapPktHdr
�ѹ�ʱ��
replaced by PcapHeader
|
| PcapStat
Class peered with native
pcap_stat structure providing only the
core statistics.
|


SELECT A PAGE TO CONTINUE AND USE SWITCH
Amie Lawless - Boat
(black and yellow)
Brìghde Chaimbeul - Ruidh le mo nighean donn
(black and orange)
Brìghde Chaimbeul - Taladh nan cearc
(black and pink)
Two button test: Boat & Ruidh le mo nighean donn
(black, yellow and purple)


#include "_doctype.html"
curl - How To Mirror the Curl Site
#include "css.t"
#define CURL_MIRRORHOWTO
#include "_menu.html"
#include "setup.t"
WHERE2(Download, "/download.html", How To Mirror)
TITLE(How To Mirror)
We don't use website mirrors anymore.
#include "_footer.html"


American Psycho (2000) Rating: 4.0 stars out of 5.0 stars
Cast: Christian Bale, Willem Dafoe, Jared Leto, Reese Witherspoon, Samantha Mathis, Chloë Sevigny, Guinevere Turner Written by: Mary Harron and Guinevere Turner Directed by: Mary Harron Running Time: 100 minutes
Set in the late 80's at the height of yuppie excess and based on the book by Bret Easton Ellis (who explored the same themes in another book which was also made into a movie, Less Than Zero), American Psycho puts a new spin on the yuppie "genre" that Ellis helped to create. Christian Bale is perfectly cast as Patrick Bateman, a high powered yuppie who hides a terrible secret from his fiancée and his colleagues. It seems that Bateman is a serial killer and, unfortunately for his contemporaries, his tenuous grasp on reality is starting to slip.
I was first introduced to the novel when I was still in high school. I read an Associated Press article in our local Sunday newspaper detailing the problems Ellis was having getting his novel published due to the controversial violence in it. As usual when anything is controversial I try to seek it out, but I soon forgot about the novel and didn't end up thinking about it again until I stumbled across it a couple of years later at a bookstore. I picked it up and read it, but was ultimately disappointed because it left more questions than answers. The movie has a similar effect, but at least it's less cryptic than Ellis' novel. For once, a film has actually turned out to be better than the novel it was based on.
Both the book and the film open with Bateman describing his fastidious morning preparations (down to exactly what facial scrubs and exfoliating creams he uses) but the novel seems to concentrate more on these excesses throughout. The movie continues to touch upon these things but makes more of a point to immerse us in Bateman's impending madness than to detail things as painstakingly as the novel does. As a result, the film is immensely more entertaining.
Lions Gate seems to be the studio champion of controversial films (having picked up Kevin Smith's Catholic-rattling Dogma) and here with American Psycho there is no difference. Screenwriters Mary Harron and Guinevere Turner had the unenviable task of trying to take a novel about yuppies filled with graphic violence and sex and make a marketable film out of it. Some cuts had to be made to the finished film to keep from getting an NC-17, mainly involving a sex scene comprising Bateman and two women, and initial reports said the film was unwatchable. Thankfully, it IS watchable and Harron and Turner have made one of the most scathingly satirical films this side of South Park:Bigger, Longer & Uncut.
Side Note #1: Co-writer Guinevere Turner also makes an appearance in the film as an ill-fated acquaintance of Bateman's who, after Bateman suggests that she start making out with a female prostitute, proclaims that she's not a lesbian nor has any interest in it. The ironic humor of the scene stems from the fact that Turner (the writer/director of the film Go Fish and who also assisted Kevin Smith with parts of his script for Chasing Amy) is a lesbian. It's a subtle in-joke and it's one I found to be pretty humorous.
Despite having a rather high profile supporting cast of young up-and-comers (including Reese Witherspoon), most of the roles are a waste and are the equivalent of extended billed cameos. The real draw here is Christian Bale and his over-the-top performance as Patrick Bateman. Whenever I read a novel I always try to imagine what it would be like as a movie and who would be perfect to cast as the characters. I always had a hard time trying to decide who I would cast as Bateman, but I never thought Bale would deliver a performance as perfect as his ends up being. To say Bale runs away with the character is a vast understatement and he proves that he's as adept at chewing scenery as Al Pacino or Rod Steiger. One sequence in particular, involving Bateman describing his love for Huey Lewis and the News' song "Hip to Be Square" right before burying an axe in a co-worker's head, features one of the most eccentric and kinetic performances I have ever seen on film.
Side Note #2: Despite the fact that Huey Lewis' "Hip to be Square" and a pair of Phil Collins songs appear in the film, don't expect to see them on the soundtrack release. Huey Lewis expressly requested that his song, featured in a rather large set piece in the film (much akin to the use of "Stuck in the Middle with You" in Reservoir Dogs), not be included on any soundtrack release. I'm assuming that Collins requested the same. On a similar note, Whitney Houston's cover of "The Greatest Love of All" is also involved in a scene comparable to the other two and it is very obvious that it isn't the Houston version at all but merely an instrumental version culled from an unknown source. Apparently, Houston wasn't as open about the use of her song as the others were.
A bigger controversy than the violence and sex has been brewing since the film's release: that of whether or not Patrick has actually committed the crimes we have viewed during the course of the film. Don't look to the book for any answers because it will only serve to confuse you more. Several web sites have been dedicated to the subject but I'm still undecided. There is evidence both for and against but the most scathing evidence against comes from a scene near the end of the film where Bateman goes on a killing spree taking out cops, old ladies, and cleaning staff with equal gusto. The scene seemed very dream-like and as absurd as the action films it suddenly seems to be parodying (as an example, Bateman blows up a police car VERY cinematically after firing several shots from a handgun in the general direction of the car). I kept waiting for Bateman to wake up and for the film to continue on from there, but Bateman never does wake up and the whole sequence, though comic, throws the film off-balance (which I suppose was the intention).
Other than the few flaws I have mentioned, American Psycho is an incredibly entertaining film (although you may not leave the movie fully understanding whether or not what has just transpired actually occurred in Bateman's reality). I think this movie is destined for greatness as a cult film and deserves the spot it will take as such. It may not change anyone's life, but it will certainly have an effect. I know I will certainly hear "Hip to be Square" in a different context the next time I hear it. [R]
Reviewed by Brian Matherly -<EMAIL_ADDRESS>The Jacksonville Film Journal - http://www.jaxfilmjournal.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| Customer Name | Customer Email | Pickup Date | Pickup Time |
|---|---|---|---|
| {{workshop.customer.name}} | {{workshop.customer.email}} | {{workshop.dateFormated}} | {{workshop.timeFormated}} |
| Added? | Bundle Name | Quantity | Cost Per Bundle | Special Order? | |
|---|---|---|---|---|---|
| {{order.bundleName}} | {{order.quantity}} | ${{order.bundlePrice}} | YES | NO |
| Added? | Number | Meal Name | Meat Needed |
|---|---|---|---|
| {{meal.index}} | {{meal.meal}} | {{meal.meat}} |
| Meal Number | Meal Name | Meat Needed |
|---|---|---|
| {{meal.index}} | {{meal.meal}} | {{meal.meat}} |


Wikipedia Category Cruncher
Summary Sentence
categorize
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This is a survey in order to bring to you the best possible products in the Bus-Mall Catelog. For each set of three pictures, please click on the items that you would be mostly likely to buy compared to the other options! After 25 questions you will be able to view the results! Have Fun!


--- layout: page title: Lean Prover Zulip Chat Archive permalink: archive/113488general/62254atactictoforgetthedefinition.html ---
Can we make a tactic to forget the definition of something in the local context while keeping everything else unchanged?
so it would make h : R := 1+1
into h : R
Use generalize
instead of let to define h in the first place. Is this something to do with trying to get subst
to work?
it isn't
you could replace h := h
I think


SanDisk 1TB microSD cards have never been as cheap as they are right now
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Moong Dal Payasam
Ingredients
150 g Moong Dal150 g Jaggery
500 ml Coconut Water
2 tsp Cardamom Powder
500 ml Water
15 g Cashew nuts
2 tbsp Canola Oil
Method Preparation
Grate the jaggery and keep aside. In a thick bottom pan heat canola oil, add cashew nuts and fry till light brown. Remove and keep aside. In the same pan add little more canola oil and add moong dal and on low heat lightly roast the dal. Make sure the dal does not burn. Add water carefully and cook till dal is mashy. Now add grated jaggery and cook for 2 mins. Carefully add coconut milk and keep cooking for another 5 mins. If the payasam is too thick then add little water. Sprinkle cardamom powder and browned cashew nuts. Serve hot.


Use parameterized query methods for database access.
Using parameterized query methods for database access prevents SQL injection vulnerabilities.
The Android API includes parameterized functions for querying SQLite databases. Avoid using the rawQuery method; it may allow untrusted input to be included in the SQL query string, thus introducing SQL injection vulnerabilities.
Use the following method for SELECT statements:
Use the following methods for INSERT statements:
Use the following methods for UPDATE statements:
Use the following method for DELETE statements:
If your application uses some other API, please make sure that it uses parameterized methods for database access.


A grid with checkbox selectors, with select-all enabled
(top checkbox, and Ctrl/Cmd+A)
Tests for resetting columns (should not cause errors):
A grid with radio selectors
A grid with checkbox selectors, with select-all disabled, blank label in selector column
A grid, initially without a selector column
Tests for resetting columns (should not cause errors, and selectors should work):
A grid with checkbox selectors and column sets


---
layout: theorems
---
Basis Change
Let $B$ and $B$ be a basis for $V$. Then there is an unique invertible matrix $A$ such that
$$\begin{align*}
A[v]_C=[v]_B
\end{align*}$$
and
$$\begin{align*}
[v]_C=A^{-1}[v]_B.
\end{align*}$$
The $j^{\text{th}}$ column of $A$ is $[y_j]_B$, where $C=\{y_1, \dots, y_n\}$
Concepts
Coming soon
Hypothesis
Coming soon
Results
Coming soon
Proof
Coming soon


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Using Faust in JSFX
In this tutorial, we present how Faust can be used with JSFX, a scripting language used in Reaper. The JSFX engine is integrated in Reaper by default, and can also be found as a plugin opcode for Csound, as well as a set of standalone projects : ysfx, jsusfx. The JSFX language is based on Cockos EEL2 open-source programming language.
Who is this tutorial for?
The first section assumes a working Faust compiler installed on the machine, so is more designed for regular Faust users. The second section is better suited for JSFX users who want to discover Faust.
Using command line tools
Generating JSFX code
Assuming you've compiled and installed the faust compiler from the master-dev branch, starting from the following DSP osc.dsp program:
import("stdfaust.lib");
vol = hslider("volume [unit:dB]", 0, -96, 0, 0.1) : ba.db2linear : si.smoo;
freq1 = hslider("freq1 [unit:Hz]", 1000, 20, 3000, 1);
freq2 = hslider("freq2 [unit:Hz]", 200, 20, 3000, 1);
process = vgroup("Oscillator", os.osc(freq1) * vol, os.osc(freq2) * vol);
The JSFX code can be generated using
faust -lang jsfx osc.dsp -o osc.jsfx
This will generate JSFX code that follows the standard JSFX file structure:
@init // init section
@block // control section
@slider // called when a control value changes
@sample // audio computation section
This code can be directly imported in Reaper or placed in Reaper Effects directory.
The generated code is fully self-contained and can be directly imported as a Reaper JSFX audio plugin, on any supported platform.
At the top of the generated file, a few lines are dedicated to report file description and metadata. Then, the initialization starts with:
- Sliders
- Inputs and outputs
slider1:fHslider0=1000<20,3000,1>hslider_freq10
slider2:fHslider2=200<20,3000,1>hslider_freq20
slider3:fHslider1=0<-96,0,0.1>hslider_volume0
out_pin:output0
out_pin:output1
In JSFX, sliders are the only available controls that match Faust controls. It has been decided that buttons and checkboxes are thus represented as 0-1 sliders in JSFX.
Next, the @init
section starts with all required functions - including math functions missing in JSFX and memory management functions.
These functions will always be included in generated JSFX code, since the rest of the code requires it.
The @init
section then defines a few constants (bitmasks for MIDI processing, and useful constants for processing like number of voices nvoices
).
The actual DSP part starts right after these constants.
Global tables are then allocated, here the table where sine waveform will be computed:
ftbl0mydspSIG0 = MEMORY.alloc_memory(65536);
And the structure of our DSP class is defined. Since JSFX is not a real object oriented programming language, we use indexes inside memory chunks to access DSP object members.
Each object itself is represented as an address in JSFX preallocated memory. The dsp.
fields indicate the position of members inside the object memory.
// DSP struct memory layout
dsp.memory = MEMORY.alloc_memory(0);
ddsp.size = 24;
dsp.iVec1 = 0;
dsp.fHslider0 = 2;
dsp.fSampleRate = 3;
dsp.fConst1 = 4;
dsp.fRec1 = 5;
dsp.fConst2 = 7;
dsp.fConst3 = 8;
dsp.fHslider1 = 9;
dsp.fRec2 = 10;
dsp.fHslider2 = 12;
dsp.fRec3 = 13;
dsp.iVec0 = 15;
dsp.iRec0 = 17;
dsp.fSlow0 = 19;
dsp.fSlow1 = 20;
dsp.fSlow2 = 21;
dsp.output0 = 22;
dsp.output1 = 23;
The next part consists in two functions used to create DSP objects, allocate their memory and initialize their states. One object represents one voice. If object has no [nvoices]
metadata, or if [nvoices:1]
, only one object will be created. The create_instance
function allocates memory, then init_instances
precomputes object state, including constants and everything that doesn't need to be computed at runtime.
At last, the @init
section defines the control
function. This function corresponds to the computation happening just before the audio loop in the C++ backend. These correspond to the computations related to controls and MIDI.
In JSFX sandboxed context, we don't need to call it on every loop, thus it has been pushed outside of @block
. Moreover, this computation must be accessible from both @slider
and @block
. The current implementation will trigger a call to control
function everytime a slider value changes, or everytime a MIDI input event happens.
By default, the @block
section is empty. It will be filled with code if MIDI is somehow enabled:
- by associating MIDI input to a control in slider metadata
[keyon:64]
- by setting polyphonic mode with
declare options ["nvoices:4"]
The former will actually connect MIDI key or ctrl to the slider, while the latter will connect MIDI note inputs to sliders named freq, key, vel, gain, gate, and will convert the MIDI value to whatever it is supposed to represent: frequency for freq, raw MIDI note number for "key" (...).
The @block
section contains a condition so that it will only call control
function when MIDI events occur.
The ̀@slider
section only calls control
, and is itself only computed when a slider value changes.
Finally, the @sample
section is where the magic happens. It will loop through the different objects and compute the audio output. This section is represented in JSFX as a block of code called for every single sample. At the bottom of generated code, object outputs are summed in JSFX special variables spl0
, spl1
(...), which are the actual outputs of a JSFX plugin.
MIDI basic example
Basic MIDI inputs can be retrieved with controls (Faust sliders) if specific metadata are added to the control name. The available MIDI inputs are:
- keyon
- keyoff
- key (both keyon and keyoff)
- ctrl
See MIDI for more information about MIDI metadata syntax.
declare options "[midi:on]";
import("stdfaust.lib");
vel = hslider("vel[midi:ctrl 10]", 0, 0, 127, 1);
freq = hslider("freq[midi:ctrl 11]", 50, 50, 1000, 0.1);
process = os.osc(freq) * 0.1 * (vel / 127);
The generated code will contain a @block
section that connects MIDI CC input (for CC 10 and 11) to relevant control values.
@block
midi_event = 0;
while (midirecv(mpos, msg1, msg2, msg3)) (
status = msg1&0xF0;
channel = msg1&0x0F;
(status == CC) ? (
midi_event += 1;
(msg2 == 0xa) ? (fHslider1 = midi_scale(msg3, 0.0000000000000000,<PHONE_NUMBER>000000000, 1.0000000000000000));
(msg2 == 0xb) ? (fHslider0 = midi_scale(msg3, 50.0000000000000000, 1000.0000000000000000, 0.1000000000000000));
);
);
(midi_event > 0) ? (control());
MIDI polyphonic example
As explained in the MIDI documentation, Faust supports MIDI polyphonic audio plugins. These plugins respond to MIDI note inputs with three different data:
- key or frequency
- velocity or gain
- a gate used to trigger an envelope
Be careful that key will be a value between 0-127 while frequency will be converted to cycle per seconds. Same mechanism applies to velocity (0-127) versus gain (0-1). The following code shows the basic mechanism of MIDI polyphonic instrument that compiles for JSFX.
declare options "[nvoices:4]";
import("stdfaust.lib");
freq = hslider("freq", 0, 0, 10000, 0.1) : si.smoo;
gain = hslider("gain", 0, 0, 1, 0.01) : si.smoo;
gate = checkbox("gate");
env = gate : en.asr(0.1, 0.5, 0.5);
process = os.osc(freq) * env * gain * 0.1;
In this JSFX backend, polyphonic voices use a voice stealing mechanism, allowing a new voice to steal the oldest one if no voice is free.
The generated code contains a filled @block
section that is used to look for MIDI input notes midirecv
, thus performing expected actions:
- a NOTE ON message looks for an available voice (or steals the oldest one if necessary) and sets its controls
- a NOTE OFF message looks for the voice that is playing its key to turn its gate off.
@block
midi_event = 0;
while (midirecv(mpos, msg1, msg2, msg3)) (
status = msg1&0xF0;
channel = msg1&0x0F;
(status == NOTE_ON) ? (
midi_event += 1;
voice_idx = get_oldest_voice();
sort_voices(voice_idx);
obj = get_dsp(voice_idx);
obj[dsp.key_id] = msg2;
obj[dsp.gate] = 1;
obj[dsp.fCheckbox0] = 1;
obj[dsp.fHslider1] = midi_scale(msg3, 0.0000000000000000, 1.0000000000000000, 0.0100000000000000);
obj[dsp.fHslider0] = limit(mtof(msg2), 0.0000000000000000, 10000.0000000000000000);
); // NOTE ON condition off
(status == NOTE_OFF) ? (
midi_event += 1;
voice_idx = 0;
while(voice_idx < nvoices) (
obj = get_dsp(voice_idx);
(obj[dsp.key_id] == msg2 && obj[dsp.gate] > 0) ? (
obj[dsp.gate] = 0;
obj[dsp.fCheckbox0] = 0;
voice_idx = nvoices;
);
voice_idx += 1;
); // end of while
); // end of condition
);
(midi_event > 0) ? (control());
Using the Faust Web IDE
The JSFX backend is available on the Faust web IDE. In order to export a Faust program as JSFX code, you will need to click on the "export/compile to specific target" button (on the left side, below "Save as"). Then, you need to choose jsfx both as the platform and architecture, and click compile.
This will allow your to download a binary.zip
file, containing the resulting jsfx file and your original dsp file.
Limitations
As JSFX is a sandboxed environment, this backend cannot match the full Faust potential. Some features are missing, some other might come in the future.
First, only three controls are available:
- sliders: hslider, vslider, nentry
- button
- checkbox
All of these are mapped to sliders in JSFX.
On the MIDI side, this backend does not support program changes, neither channel press, or pitchweel. As described before, the available MIDI is key, keyon, keyoff, ctrl and polyphonic mode.


Congratulations {{creditData.currency.symbol}} {{creditData.amount}} has been credited to {{creditData.user}}


Irish
This page contains an index of all the individuals in the database with the surname of Irish. Selecting the person’s name will take you to that person’s individual page.
| Given Name | Birth | Death | Partner | Parents |
|---|---|---|---|---|
| Ada | 1866-11-02 | 1867-08-22 | Irish, Samuel Watts, Sarah Sophia | |
| Ailsa | 1921 | 1921-12-20 | Irish, Arthur Ernest Melrose, Ethel | |
| Albert Septimas | 1890-07-27 | 1924-08-05 | Motherwell, Rosa Sheila | Irish, John Thomas Derriman Cook, Annie Rebecca |
| Alice “Nina” Perry | 1878-08-21 | Ellis, John Reginald | Irish, Samuel Watts, Sarah Sophia | |
| Alice Joan | 1895-04-19 | 1938-03-08 | Watters, James Bearnes | Irish, John Russell Smith, Ann |
| Alice Louise | 1884-07-22 | 1977-12-06 | Irish, Charles Callan, Annie Ruth | |
| Alison | 1919-03-28 | 1919-03-30 | Irish, Arthur Ernest Melrose, Ethel | |
| Allan James | 1913-03-18 | 2006-04-28 | Margerum, Zenna Jean | Irish, James Frederick Grattan, Veronica Helen |
| Anne Louise | 1866-11-10 | 1966 | Butler, Cornelius | Irish, Charles Derriman, Martha |
| Annie Hobday | 1892-05-14 | 1894-10-19 | Irish, John Russell Smith, Ann | |
| Arthur Edward | 1886-12-19 | 1967-06-22 | Hales, Florence Abbott | Irish, John Thomas Derriman Cook, Annie Rebecca |
| Arthur Ernest | 1881-08-01 | 1950-02-08 | Melrose, Ethel | Irish, Samuel Watts, Sarah Sophia |
| Betty Ann | 1926-08-30 | 2000-02-10 | Burns, Douglas | Irish, Robert George Snudden, Lauretta Minnie |
| Charles | 1817-09-11 | 1905-07-06 | Derriman, Martha | Irish, John Perry, Susanna |
| Charles | 1854-08-08 | 1921-07-01 | Callan, Annie Ruth | Irish, Charles Derriman, Martha |
| Charles | 1883-07-00 | 1883-08-24 | Irish, Charles Callan, Annie Ruth | |
| Charles Alfred | 1888-11-02 | 1948-07-13 | Baker, Ada Ivy | Irish, John Thomas Derriman Cook, Annie Rebecca |
| Charles Arthur | 1900-12-17 | Bradshaw, Stella Thomasine | Irish, Charles George Cowling, Elizabeth Ellen | |
| Charles Francis | 1862 | 1863 | Irish, William Furey, Mary Elizabeth | |
| Charles George | 1873-12-20 | Cowling, Elizabeth Ellen | Irish, Samuel Watts, Sarah Sophia | |
| Coral Grattan | 1916-01-06 | 2001-07-20 | Wiltshire, Frederick Charles | Irish, James Frederick Grattan, Veronica Helen |
| Dawn | 1935-03-09 | 1982-07-19 | Wellings, [Living] | Irish, Robert George Snudden, Lauretta Minnie |
| Dorothy Gwendolyn | 1918-05-05 | 1991-12-05 | Irish, James Frederick Grattan, Veronica Helen | |
| Edward | 1710 | |||
| Edward Morgan | 1910-03-15 | 1986-03-00 | Noble, Annie Eliza, ???, Joyce | Irish, John Russell Smith, Ann |
| Eliza “Maude” Evelyn | 3rd Qtr 1882 | 1875 | Irish, John Perry Chant, Mary Ann | |
| Elizabeth | 1812 | 4th Qtr 1910 | Chick, Thomas | Irish, John Perry, Susanna |
| Elizabeth | 1856-07-13 | Irish, James Hardiman, Anne | ||
| Elizabeth | 1857 | 1857 | Irish, William Furey, Mary Elizabeth | |
| Ella Lillian | 1911-09-06 | 1998-12-22 | Kerr, Carlyle Robert Francis | Irish, Walter Gould Comford, Ella Ada |
| Elsie Agnes | 1891-01-28 | 1977-09-04 | Whitmee, Wallace | Irish, John Russell Smith, Ann |
| Elsie Victoria | 1881-05-24 | 1969-06-25 | Schofield, Samuel | Irish, Charles Callan, Annie Ruth |
| Emily Remilia | 1865-03-04 | 1865-08-22 | Irish, Charles Derriman, Martha | |
| Ethel Joy | 1924 | 1924-06-01 | Irish, Arthur Ernest Melrose, Ethel | |
| Florence | 1859-12-25 | Matthews, Joseph Cash | Irish, James Hardiman, Anne | |
| Florence | 1862-03-02 | 1950-06-23 | Corbitt, George Alfred | Irish, Charles Derriman, Martha |
| Frank Victor | 1887-08-21 | 1924-02-05 | Irish, Samuel Watts, Sarah Sophia | |
| Gilbert | 1854-12-24 | 1856-10-07 | Irish, James Hardiman, Anne | |
| Grace | 1895-04-19 | 1975-12-14 | Smith, Phillip Hazelton | Irish, John Russell Smith, Ann |
| Gwenneth Olive | 1915-01-09 | 1915-01-23 | Irish, James Frederick Grattan, Veronica Helen | |
| Harold Charles | 1922-06-25 | 1990-12-13 | Woolf, Jean Olive | Irish, Robert George Snudden, Lauretta Minnie |
| Henrietta Ann | 1864 | Irish, William Furey, Mary Elizabeth | ||
| Henry Percy | 3rd Qtr 1866 | Irish, William Furey, Mary Elizabeth | ||
| Herbert Cecil Eugard | 1884-01-16 | 1953-08-23 | Duff, Florence May | Irish, Samuel Watts, Sarah Sophia |
| Irene April | 1907-04-27 | Fredrickson, Benjamin | Irish, John Russell Smith, Ann | |
| Ivy Edna Pearl | 1899-10-29 | Baker, R. J. | Irish, John Perry Chant, Mary Ann | |
| James | 1822-06-00 | 1898-09-02 | Hardiman, Anne | Irish, John Perry, Susanna |
| James & Susan | 9 Oct 1844 twins | before 1849 | Irish, Charles Derriman, Martha | |
| James Frederick | 1881-11-05 | 1921-01-07 | Grattan, Veronica Helen | Irish, John Thomas Derriman Cook, Annie Rebecca |
| Jane Perry | 2nd Qtr 1844 | 4th Qtr 1916 | Rousell, Robert | Irish, John Perry, Rebecca |
| John | 1734-12-00 | 1807-04-09 | Brooks, Ann | Irish, Edward |
| John | 1761 | 1826-09-14 | Lumbard, Mary | Irish, John Brooks, Ann |
| John | 1787-04-07 | 1827 | Perry, Susanna | |
| John | 1787-04-07 | 1831 | Perry, Susanna | Irish, John Lumbard, Mary |
| John | 1813-08-00 | 1884-11-00 | Perry, Rebecca | Irish, John Perry, Susanna |
| John Albert ‘Jack’ | 1917-12-29 | 2003-02-03 | Chalmers, Mylba Nicholas | Irish, Albert Septimas Motherwell, Rosa Sheila |
| John Charles “Jack” | 1877-12-05 | 1968-03-01 | Harrigan, Annie “Elsie” | Irish, John Thomas Derriman Cook, Annie Rebecca |
| John Perry | 1855 | 1917 | Chant, Mary Ann | Irish, William Furey, Mary Elizabeth |
| John Russell | 1861-04-25 | 1931-10-15 | Smith, Ann | Irish, Samuel Watts, Sarah Sophia |
| John Thomas Derriman | 1852-07-13 | 1923-07-18 | Cook, Annie Rebecca | Irish, Charles Derriman, Martha |
| Joseph | 1819-09-00 | Irish, John Perry, Susanna | ||
| Joyce Dawson | 1918-06-19 | 1984-04-09 | Michelmore, Douglas Gerald, Omant, Alwyn George | Irish, Arthur Edward Hales, Florence Abbott |
| Keith Alan | 1936-06-15 | 1997-12-01 | Campbell, [Living] | Irish, Allan James Margerum, Zenna Jean |
| Lillian Ada | 1900-12-20 | 1993-09-08 | Kent, Captain Ralph Howard | Irish, Thomas William (Under Secretary of Lands) Grist, Ada |
| Lola Dorothy | 1915-02-21 | 2007-08-15 | Mulligan, Francis James “Frank” | Irish, Albert Septimas Motherwell, Rosa Sheila |
| Martha Ann | 1856-11-11 | 1947-11-18 | Notting, Henry Eustace | Irish, Charles Derriman, Martha |
| Mary Elizabeth | 1847-02-20 | 1940-07-13 | Brooks, George Thomas | Irish, Charles Derriman, Martha |
| Mary Harriett | 1859 | 1859 | Irish, William Furey, Mary Elizabeth | |
| Mary Jane | 1848-11-05 | Nurton, William | Irish, James Hardiman, Anne | |
| Maude Eveline | 1875-09-00 | 1877-03-00 | Irish, William Furey, Mary Elizabeth | |
| May Elizabeth Jane | 3rd Qtr 1889 | Purchase, L. | Irish, John Perry Chant, Mary Ann | |
| Minnie Alice | 3rd Qtr 1871 | Irish, William Furey, Mary Elizabeth | ||
| Nellie Iris | 1902-01-20 | 1971-10-26 | Frederickson, John Thomas | Irish, John Russell Smith, Ann |
| Nellie Isabel Alice | 1899-05-17 | Farquarson, Seymour Lewis | Irish, Charles George Cowling, Elizabeth Ellen | |
| Noel Edward | 1919-12-25 | 1995-01-05 | Boland, Gwitha Carley | Irish, Arthur Edward Hales, Florence Abbott |
| Norman Frederick | 1921-04-06 | 2004-09-08 | Corrigan, Dulcie Pauline | Irish, James Frederick Grattan, Veronica Helen |
| Olive Maretta | 1895-09-07 | Irish, John Perry Chant, Mary Ann | ||
| Percy Robert Henry | 1st Qtr 1892 | ???, Jenny | Irish, John Perry Chant, Mary Ann | |
| Raymond | about 1920 | Irish, Samuel Francis Roberts, Melba | ||
| Robert George | 1895-07-18 | 1975-08-02 | Snudden, Lauretta Minnie | Irish, John Thomas Derriman Cook, Annie Rebecca |
| Ronald Desmond “Des” | 1937-04-03 | 2001-06-05 | Roberts, [Living] | Irish, Sir Ronald Arthur O.B.E. Aylward, [Living] |
| Samuel | 1826-06-00 | 1905-10-10 | Watts, Sarah Sophia, Baker, Jane Tilley | Irish, John Perry, Susanna |
| Samuel | 1871-03-14 | 1875-05-30 | Irish, Samuel Watts, Sarah Sophia | |
| Samuel Francis | 1876-01-24 | Roberts, Melba | Irish, Samuel Watts, Sarah Sophia | |
| Samuel James | 1904-05-12 | 1904-05-26 | Irish, John Russell Smith, Ann | |
| Sarah | 1785 | Irish, John Lumbard, Mary | ||
| Sarah | 1815-10-00 | 1880-06-21 | Horsey, Josiah | Irish, John Perry, Susanna |
| Sarah Ann Derriman | 1845-10-06 | 1854 | Irish, Charles Derriman, Martha | |
| Sarah Anne | 1852-04-22 | Chaunt, George | Irish, James Hardiman, Anne | |
| Sarah Jane | 1859-06-20 | 1910-07-08 | Miller, Thomas William (Surveyor) | Irish, Charles Derriman, Martha |
| Sarah Russell | 1897-05-12 | 1897-11-10 | Irish, John Russell Smith, Ann | |
| Shirley | 1935-03-09 | 1993-02-09 | Preston, [Living] | Irish, Robert George Snudden, Lauretta Minnie |
| Sir Ronald Arthur, O.B.E. | 1913-03-26 | 1993-07-12 | Aylward, [Living], Fraser, Noella Jean “Jeanne” | Irish, Arthur Edward Hales, Florence Abbott |
| Susan | 1828-10-24 | 1877-04-25 | Harding, Charles | Irish, John Perry, Susanna |
| Susan | 1847-03-16 | Irish, James Hardiman, Anne | ||
| Susan | 1850 | Irish, William Furey, Mary Elizabeth | ||
| Susan | 1850-09-09 | 1915-10-26 | Irish, Charles Derriman, Martha | |
| Susan Hobday | 1864-09-06 | 1915-01-31 | Tomlin, Walter Berry | Irish, Samuel Watts, Sarah Sophia |
| Thomas | 1831-11-00 | Irish, John Perry, Susanna | ||
| Thomas Keningale Derriman | 1910-05-16 | 1978-07-03 | Stone, Thelma | Irish, Thomas William (Under Secretary of Lands) Grist, Ada |
| Thomas William, (Under Secretary of Lands) | 1879-09-23 | 1966-09-08 | Grist, Ada | Irish, John Thomas Derriman Cook, Annie Rebecca |
| Veronica Helen | 1909-08-28 | 1942-02-18 | Warbrick, Thomas Frederick | Irish, James Frederick Grattan, Veronica Helen |
| Walter Gould | 1884-03-07 | 1977-03-15 | Comford, Ella Ada | Irish, John Thomas Derriman Cook, Annie Rebecca |
| Walter Smith | 1907-04-27 | 1907-05-15 | Irish, John Russell Smith, Ann | |
| William | 1821-01-00 | Irish, John Perry, Susanna | ||
| William | 1824-04-00 | 1877-02-27 | Furey, Mary Elizabeth | Irish, John Perry, Susanna |
| William | 1852 | 1854 | Irish, William Furey, Mary Elizabeth | |
| William Arthur Perry | 1st Qtr 1888 | Irish, John Perry Chant, Mary Ann | ||
| William Edward | 2nd Qtr 1869 | Irish, William Furey, Mary Elizabeth | ||
| William Harbinger | 1848-11-23 | 1850-01-02 | Irish, Charles Derriman, Martha | |
| William John Russell | 1888-12-22 | 1899-03-13 | Irish, John Russell Smith, Ann | |
| Winnie Victoria | 1904-12-22 | 2001-01-03 | Hart, Jai “Jim” | Irish, Thomas William (Under Secretary of Lands) Grist, Ada |
| [Living] | Phillips, [Living] | Irish, Thomas Keningale Derriman Stone, Thelma | ||
| [Living] | Irish, [Living] Simmons, [Living] | |||
| [Living] | Irish, [Living] Simmons, [Living] | |||
| [Living] | Simmons, [Living] | Irish, Thomas Keningale Derriman Stone, Thelma | ||
| [Living] | Irish, [Living] ???, [Living] | |||
| [Living] | Alsop, [Living] | Irish, Keith Alan Campbell, [Living] | ||
| [Living] | ???, [Living] | Irish, Keith Alan Campbell, [Living] | ||
| [Living] | Billingsworth, [Living] | Irish, Keith Alan Campbell, [Living] | ||
| [Living] | Munro, [Living], Chater, [Living] | Irish, Norman Frederick Corrigan, Dulcie Pauline | ||
| [Living] | Fortesque, [Living] | Irish, Norman Frederick Corrigan, Dulcie Pauline | ||
| [Living] | Westbrook, [Living] | Irish, Norman Frederick Corrigan, Dulcie Pauline | ||
| [Living] | Tunnah, Lynda May | Irish, Robert George Snudden, Lauretta Minnie | ||
| [Living] | Irish, [Living] Munro, [Living] | |||
| [Living] | Irish, [Living] Munro, [Living] | |||
| [Living] | Irish, [Living] Fortesque, [Living] | |||
| [Living] | Single, Ivy Maud, ???, Hildy | Irish, Robert George Snudden, Lauretta Minnie | ||
| [Living] | Hodge, James Edward | Irish, Robert George Snudden, Lauretta Minnie | ||
| [Living] | Willis, [Living] | Irish, Robert George Snudden, Lauretta Minnie | ||
| [Living] | Forsyth, [Living] | Irish, Robert George Snudden, Lauretta Minnie | ||
| [Living] | Wilmot, [Living] | Irish, Robert George Snudden, Lauretta Minnie | ||
| [Living] | ???, [Living] | Irish, [Living] Tunnah, Lynda May | ||
| [Living] | Hill, [Living] | Irish, Robert George Snudden, Lauretta Minnie | ||
| [Living] | Turner, [Living] | Irish, [Living] Tunnah, Lynda May | ||
| [Living] | Bayliss, [Living] | Irish, [Living] Tunnah, Lynda May | ||
| [Living] | Menzies, [Living] | Irish, [Living] Tunnah, Lynda May | ||
| [Living] | Lucas, [Living] | Irish, [Living] Tunnah, Lynda May | ||
| [Living] | Newton, [Living] | Irish, [Living] Tunnah, Lynda May | ||
| [Living] | Irwin, [Living] | Irish, [Living] Tunnah, Lynda May | ||
| [Living] | Irish, [Living] ???, [Living] | |||
| [Living] | Irish, [Living] Irwin, [Living] | |||
| [Living] | Irish, [Living] Irwin, [Living] | |||
| [Living] | Irish, [Living] Irwin, [Living] | |||
| [Living] | Irish, [Living] Turner, [Living] | |||
| [Living] | Humberdross, [Living] | Irish, [Living] Tunnah, Lynda May | ||
| [Living] | Irish, [Living] ???, [Living] | |||
| [Living] | Irish, [Living] Turner, [Living] | |||
| [Living] | Irish, [Living] Irwin, [Living] | |||
| [Living] | Irish, [Living] Menzies, [Living] | |||
| [Living] | Irish, [Living] Menzies, [Living] | |||
| [Living] | Irish, [Living] Newton, [Living] | |||
| [Living] | Irish, Harold Charles Woolf, Jean Olive | |||
| [Living] | Irish, [Living] Menzies, [Living] | |||
| [Living] | Irish, [Living] ???, [Living] | |||
| [Living] | Farrelly, [Living] | Irish, [Living] Willis, [Living] | ||
| [Living] | ???, [Living] | Irish, [Living] Willis, [Living] | ||
| [Living] | Irish, [Living] ???, [Living] | |||
| [Living] | Doddemeade, [Living] | Irish, [Living] Willis, [Living] | ||
| [Living] | , [Living] | Irish, [Living] Forsyth, [Living] | ||
| [Living] | Rees, [Living] | Irish, [Living] Forsyth, [Living] | ||
| [Living] | Irish, [Living] , [Living] | |||
| [Living] | Irish, [Living] Doddemeade, [Living] | |||
| [Living] | Haavisto, [Living] | Irish, [Living] Wilmot, [Living] | ||
| [Living] | Irish, [Living] Wilmot, [Living] | |||
| [Living] | Sutherland, Kenneth Ewart, Eardley-Wilmot, Michael | Irish, Arthur Edward Hales, Florence Abbott | ||
| [Living] | Hogarth, Robert Alan Lovell | Irish, Arthur Edward Hales, Florence Abbott | ||
| [Living] | Borg, [Living] | Irish, [Living] Rosendal, [Living] | ||
| [Living] | Besley, [Living] | Irish, [Living] Rosendal, [Living] | ||
| [Living] | Irish, Ronald Desmond "Des" Roberts, [Living] | |||
| [Living] | Irish, Ronald Desmond "Des" Roberts, [Living] | |||
| [Living] | Cole, [Living] | Irish, Sir Ronald Arthur O.B.E. Aylward, [Living] | ||
| [Living] | Rosendal, [Living] | Irish, Sir Ronald Arthur O.B.E. Aylward, [Living] | ||
| [Living] | Irish, [Living] Cole, [Living] | |||
| [Living] | Irish, [Living] Rosendal, [Living] | |||
| [Living] | Irish, [Living] Cole, [Living] | |||
| [Living] | Irish, [Living] Cole, [Living] | |||
| [Living] | Trewin, [Living] | Irish, Noel Edward Boland, Gwitha Carley | ||
| [Living] | Goodwin, [Living] | Irish, [Living] Osborne, [Living] | ||
| [Living] | Thompson, Patricia Kay, Ford, [Living] | Irish, [Living] Osborne, [Living] | ||
| [Living] | Osborne, [Living] | Irish, Charles Alfred Baker, Ada Ivy | ||
| [Living] | Irish, [Living] Ford, [Living] | |||
| [Living] | Irish, [Living] Ford, [Living] | |||
| [Living] | Irish, [Living] Ford, [Living] | |||
| [Living] | Irish, [Living] Thompson, Patricia Kay | |||
| [Living] | Irish, John Albert 'Jack' Chalmers, Mylba Nicholas | |||
| [Living] | Irish, [Living] Besley, [Living] | |||
| [Living] | ???, [Living] | Irish, Percy Robert Henry ???, Jenny | ||
| [Living] | Irish, [Living] ???, [Living] | |||
| [Living] | Irish, [Living] ???, [Living] | |||
| [Living] | Irish, John Perry, Rebecca | |||
| [Living] | Irish, John Perry, Rebecca | |||
| [Living] | Irish, John Perry, Rebecca | |||
| [Living] | Irish, John Perry, Rebecca | |||
| [Living] | Park, [Living] | Irish, Edward Morgan Noble, Annie Eliza | ||
| [Living] | Herschell, [Living] | Irish, Edward Morgan Noble, Annie Eliza | ||
| [Living] | Hopetoun-Smith, [Living] | Irish, Edward Morgan Noble, Annie Eliza | ||
| [Living] | Irish, Edward Morgan Noble, Annie Eliza | |||
| [Living] | Irish, [Living] Park, [Living] | |||
| [Living] | Irish, Samuel Francis Roberts, Melba | |||
| [Living] | Irish, [Living] Park, [Living] | |||
| [Living] | Irish, [Living] Park, [Living] | |||
| [Living] | Irish, John Albert 'Jack' Chalmers, Mylba Nicholas | |||
| [Living] | Irish, John Albert 'Jack' Chalmers, Mylba Nicholas |


this is a simple example of a macro
substitutions: {{variable1}}, {{variable2}}
and inner content: {{content}}
and content subselection: {{content|find:b}}
THIS IS {{dynamic}} CONTENT
BOLD {{dynamic}} STUFF


| 006:080 Khan | : |
His people disputed with him. He said: "Do you dispute with me concerning Allah while He has guided me, and I fear not those whom you associate with Allah in worship. (Nothing can happen to me) except when my Lord (Allah) wills something. My Lord comprehends in His Knowledge all things. Will you not then remember? |
| 006:080 Maulana | : |
And his people disputed with him. He said: Do you dispute with me respecting Allah and He has guided me indeed? And I fear not in any way those that you set up with Him, unless my Lord please. My Lord comprehends all things in His knowledge. Will you not then mind? |
| 006:080 Pickthal | : |
His people argued with him. He said: Dispute ye with me concerning Allah when He hath guided me? I fear not at all that which ye set up beside Him unless my Lord willeth aught. My Lord includeth all things in His knowledge. Will ye not then remember? |
| 006:080 Rashad | : |
His people argued with him. He said, "Do you argue with me about GOD, after He has guided me? I have no fear of the idols you set up. Nothing can happen to me, unless my Lord wills it. My Lord's knowledge encompasses all things. Would you not take heed? |
| 006:080 Sarwar | : |
In an argument with his people, (Abraham) asked them, "Why do you argue with me about God who has given me guidance? Your idols can do no harm to me unless God wills. God knows all things. Why, then, do you not consider this?. |
| 006:080 Shakir | : |
And his people disputed with him. He said: Do you dispute with me respecting Allah? And He has guided me indeed; and I do not fear in any way those that you set up with Him, unless my Lord pleases; my Lord comprehends all things in His knowledge; will you not then mind? |
| 006:080 Sherali | : |
And his people argued with him. He said, 'Do you argue with me concerning ALLAH when HE has guided me aright? And I fear not that which you associate with HIM' except that I fear what my Lord wills. My Lord comprehends all things in HIS knowledge. Will you not them be admonished? |
| 006:080 Yusufali | : |
His people disputed with him. He said: "(Come) ye to dispute with me, about Allah, when He (Himself) hath guided me? I fear not (the beings) ye associate with Allah: Unless my Lord willeth, (nothing can happen). My Lord comprehendeth in His knowledge all things. Will ye not (yourselves) be admonished? |
Concepts/Themes Covered: أركان الإسلام > التوحيد > توحيد الله تعالي > ربوبيته جلّ وعلا Pillars of Islam> Islamic> Oneness of Allah> His Divinity, the Great and Almighty أركان الإسلام > التوحيد > توحيد الله تعالي > وجوده Pillars of Islam> Islamic> Oneness of Allah> His Existence
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


SAM3/SAM4 Sleep manager implementation. More...
Go to the source code of this file.
Enumerations | |
| enum | sleepmgr_mode { SLEEPMGR_ACTIVE = 0, SLEEPMGR_SLEEP_WFE, SLEEPMGR_SLEEP_WFI, SLEEPMGR_WAIT_FAST, SLEEPMGR_WAIT, SLEEPMGR_BACKUP, SLEEPMGR_NR_OF_MODES } |
| Sleep mode locks. More... | |
Functions | |
| static void | sleepmgr_sleep (const enum sleepmgr_mode sleep_mode) |
SAM3/SAM4 Sleep manager implementation.
Copyright (c) 2012-2015 Atmel Corporation. All rights reserved.
|
inlinestatic |


On a dark desert highway, cool wind in my hair
Warm smell of colitas, rising up through the air
Up ahead in the distance, I saw a shimmering light
My head grew heavy and my sight grew dim I had to stop for the night
There she stood in the doorway I heard the mission bell
And I was thinking to myself "This could be Heaven or this could be Hell"
Then she lit up a candle and she showed me the way
There were voices down the corridor I thought I heard them say
Welcome to the Hotel California
Such a lovely place Such a lovely face
Plenty of room at the Hotel California
Any time of year (Any time of year) You can find it here
Her mind is Tiffany-twisted, she got the Mercedes bends
She got a lot of pretty, pretty boys she calls friends
How they dance in the courtyard, sweet summer sweat
Some dance to remember, some dance to forget
So I called up the Captain "Please bring me my wine."
He said, "We haven't had that spirit here since nineteen sixty nine."
And still those voices are calling from far away
Wake you up in the middle of the night Just to hear them say
Welcome to the Hotel California
Such a lovely place (Such a lovely place) Such a lovely face
They livin' it up at the Hotel California
What a nice surprise (what a nice surprise) Bring your alibis
Mirrors on the ceiling The pink champagne on ice
And she said "We are all just prisoners here, of our own device"
And in the master's chambers They gathered for the feast
They stab it with their steely knives But they just can't kill the beast
Last thing I remember I was running for the door
I had to find the passage back to the place I was before
"Relax," said the night man "We are programmed to receive
You can check-out any time you like But you can never leave!"


{% load static %}
TheMashaBrand - High Quality Bootstrap Snippets
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Elements show and hide when they don't qualify.
Display cities only when zip is between 19100 and 19400
Display checkboxes only for Philadelphia and income less than 40000
Display checkboxes when zip is between 19000 and 20000 and income is lower than 15000


About
Covinfo India is the final year project of four B.Tech Computer Science and Engineering students. This project is developed using Python 3.7.7 along with the packages for data analytics and visualization. We built and analyzed our dataset by collecting credible Covid-19 data from WHO Covid-19 dashboard for the latest case statistics in India, and Arogya Setu smartphone app for collecting the overall vaccination data in India. Finally, we embedded our data visulizations in a website using Plotly, andConfirmed Cases
As of 18.06.2021, as per the latest information from the Ministry of Health and Family Welfare, Govt. of India
total confirmed cases in India are . However, the cases have dropped a number of
since 17.06.2021.
Active Cases
As of 18.06.2021, as per the latest information from the Ministry of Health and Family Welfare, Govt. of India
total active cases in India are . However, the cases have dropped a number of
since 17.06.2021.
Cured/Discharged
As of 18.06.2021, as per the latest information from the Ministry of Health and Family Welfare, Govt. of India
total cured cases in India are . However, the cases have dropped a number of
since 17.06.2021.
Death
As of 18.06.2021, as per the latest information from the Ministry of Health and Family Welfare, Govt. of India
total death cases in India are . However, the cases have dropped a number of
since 17.06.2021.
Important Links:


US troop presence in Japan a concern, says Lavrov
NAGOYA, Nov 23 — The presence of US soldiers on Japanese soil is hindering closer ties between Tokyo and Russia and remains of concern to Moscow, Russian Foreign Minister Sergei Lavrov said Saturday.
There are some 54,000 American personnel stationed in Japan as part of a mutual security pact between the two countries, according to the US military.
Speaking on the side-lines of a G20 foreign ministers’ meeting held in Nagoya, central Japan, Lavrov said these troops were “of course a problem on the road to improving the quality of Russia-Japanese relations.”
He said Moscow’s concerns “over its own security stemming from the presence, development and constant reinforcement of the US-Japan political and military alliance” had been transmitted to the Japanese side, who had “promised to react.”
“We will await their response and continue discussions,” said Lavrov.
The two countries are locked in negotiations to conclude a peace treaty they never signed to end hostilities after World War II.
Talks are deadlocked by a dispute over four islands, between the Sea of Okhotsk and the Pacific Ocean, seized by the Soviet army in the last days of World War II.
The string of volcanic islands are called the Kurils by Russia and the Northern Territories by Japan.
Japan considers the four islands part of their territory.
Last November, Russian President Vladimir Putin and Japan’s Prime Minister Shinzo Abe agreed to accelerate talks towards formally ending their World War II hostilities.
They said they would resume talks on the basis of a 1956 declaration that restored diplomatic relations between Japan and the Soviet Union.
At that time, the USSR offered to give Japan the two smallest islands in exchange for agreeing to a treaty and Moscow keeping the bigger islands.
This deal was annulled by the Soviet Union in 1960 after Tokyo and Washington signed a cooperation accord.
“Let me remind you when the 1956 declaration was being negotiated, the USSR said that it could only be fully implemented if there was an end to US presence in Japan,” said Lavrov. — AFP


{% block title %}Next For Now{% endblock %}
{% load staticfiles %}
{% include "partials/navbar.html" %}
Make it better.
N4NOW connects the creative college students, fresh graduates and internship candidates to the prominent organizations of industry they want to be a part of.


The line in the middle of the box represents the median. It passes through point $35,000 which indicates that 50% of the respondents said that their annual household income is more than $35,000, and 50% of the respondents said that their annual household income is less than $35,000.
in-context


Gunmen shoot 6, kill 3 at Oti Region
Three of six persons shot at Pai Kantanka, a farming community in the Oti Region have been confirmed dead.
The clashes are resultant of a decade of chieftancy dispute. A local reporter, Nana Agyeman who confirmed the news to ghanaweb narrated that gunmen stormed the house of Nana Diawuo Bediako II, Chief of Pai Kantanka, and shot sporadically.
The other three persons who were shot are in critical condition and have since been rushed to the Worawora government hospital for treatment.
The incident follows an earlier one where the Gyaasehene, Nana Annor ABabio was shot in his farm by unknown assailants.
The suspects were released after initial arrests by the homicide department of the Ghana Police Service.


---
layout: post
title: "/dev/vmmon error"
date: '2010-04-22T18:50:00.000Z'
author: tknv
tags:
- windows
- linux
- module
- VMware
modified_time: '2010-08-28T16:06:01.980Z'
blogger_id: tag:blogger.com,1999:blog-11459759.post-3845894326147697166
blogger_orig_url: http://phichyudebow.blogspot.com/2010/04/devvmmon-error.html
---
When I start VMwarePlayer 2, error occur could not find /dev/vmmon.
In google, many people say "use vmware-config.pl", But mostly they do it as same as casting spell.
Also my VMware has not that perl file.
Maybe depend on user that boot VMwarePlayer and load module list.(need more debug myself)
Anyway,load vmmon.ko then ok.
1.check where is my vmmon.ko
# vmplayer
then it show vmmon.ko path.
2.load it
# sudo insmod _that_path_vmmon.ko
3.run VMwarePlayer


The typical process of checking arguments in functions is iterative. In this process, an error may be returned and the user may fix it only to receive another error on a different argument. 'ArgumentCheck' facilitates a more helpful way to perform argument checks allowing the programmer to run all of the checks and then return all of the errors and warnings in a single message.
| Version: | 0.10.2 |
| Depends: | R (≥ 3.0.0) |
| Suggests: | knitr, testthat |
| Published: | 2016-04-01 |
| Author: | Benjamin Nutter |
| Maintainer: | Benjamin Nutter <benjamin.nutter at gmail.com> |
| BugReports: | https://github.com/nutterb/ArgumentCheck/issues/ |
| License: | GPL-3 |
| URL: | https://github.com/nutterb/ArgumentCheck |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| CRAN checks: | ArgumentCheck results |
| Reference manual: | ArgumentCheck.pdf |
| Vignettes: |
Checking Arguments in R Functions |
| Package source: | ArgumentCheck_0.10.2.tar.gz |
| Windows binaries: | r-devel: ArgumentCheck_0.10.2.zip, r-release: ArgumentCheck_0.10.2.zip, r-oldrel: ArgumentCheck_0.10.2.zip |
| OS X binaries: | r-release: ArgumentCheck_0.10.2.tgz, r-oldrel: ArgumentCheck_0.10.2.tgz |
| Old sources: | ArgumentCheck archive |
| Reverse imports: | MiRAnorm, tRophicPosition |
Please use the canonical form https://CRAN.R-project.org/package=ArgumentCheck to link to this page.


| Your name: | |
| The original author (Optional): | |
| The source URL (Optional): | |
| Your question: |
* TODO A smoother UI here would allow the user to enter the question and then fill in the other details later / dynamically.
| Question | Questioner | Submitter | Submission Date |
|---|---|---|---|
| Why is the sky blue? | Sally | Sally | 7/7/16 |
| Why should we reduce CO2? | Fred | Bob | 3/14/16 |
| Should schools be open year-round? | Phil | Phil | 6/21/16 |
* TODO These are just fabricated questions for the purpose of mocking up the UI


A set of user-friendly functions to aid in organizing, plotting and analyzing event-related potential (ERP) data. Provides an easy-to-learn method to explore ERP data. Should be useful to those without a background in computer programming, and to those who are new to ERPs (or new to the more advanced ERP software available). Emphasis has been placed on highly automated processes using functions with as few arguments as possible. Expects processed (cleaned) data.
| Version: | 1.1.0 |
| Depends: | R (≥ 3.2.0) |
| Imports: | plyr (≥ 1.8.3), signal (≥ 0.7-6), gtools (≥ 3.5.0) |
| Published: | 2017-03-02 |
| Author: | Travis Moore [aut, cre] |
| Maintainer: | Travis Moore <travis.m.moore at vanderbilt.edu> |
| License: | GPL-3 |
| URL: | https://github.com/mooretm/erp.easy |
| NeedsCompilation: | no |
| Materials: | NEWS |
| CRAN checks: | erp.easy results |
| Reference manual: | erp.easy.pdf |
| Package source: | erp.easy_1.1.0.tar.gz |
| Windows binaries: | r-devel: erp.easy_1.1.0.zip, r-release: erp.easy_1.1.0.zip, r-oldrel: erp.easy_1.1.0.zip |
| OS X binaries: | r-release: erp.easy_1.1.0.tgz, r-oldrel: erp.easy_1.1.0.tgz |
| Old sources: | erp.easy archive |
Please use the canonical form https://CRAN.R-project.org/package=erp.easy to link to this page.


{% extends "layout.html" %} {% block title %} About {% endblock %} {% block main %}
This web application scans video frames for faces with specified periods of time and counts them. Then it shows the data in a plot.
1. Upload a video file with .mp4 or .avi file format.
Higher resolution videos are processed slower.
2. Enter a scan period with which a video frame is scanned.
Application always starts with scanning the first frame.
3. Press the "Make a Plot" button to start.
Processing can take a while.
| Name | Extension | Duration | FPS | Dimensions | Scan Period |
|---|---|---|---|---|---|
| giveup | mp4 | 212 second(s) | 25 | 1280×720 | 1 second(s) |


This page can be accessed only by administrators.
All users from secure (admin only) api end point:
With supporting text below as a natural lead-in to additional content.


a { outline: none; }
a { outline: 0; }
*:focus { outline: 0; }
This content never gets focus
This content can ALSO get focus
But this is the first thing to get focus
Then we hop down here for reasons
$('.thing').on('click', function () {
$('#no-tab').focus();
});


- parseBodylocation() - Static method in class com.example.meditrackr.utils.ParseText
-
- parseGeolocation(String, Patient, ArrayList<CustomFilter>, double, double) - Static method in class com.example.meditrackr.utils.ParseText
-
- parseRecordProblem(String, Patient, ArrayList<CustomFilter>) - Static method in class com.example.meditrackr.utils.ParseText
-
- ParseText - Class in com.example.meditrackr.utils
-
Crated by Skryt on Nov 29, 2018
- ParseText() - Constructor for class com.example.meditrackr.utils.ParseText
-
- Patient - Class in com.example.meditrackr.models
-
Patient: A Patient has a list of problems which can be retrieved.
- Patient(String, String, String, boolean) - Constructor for class com.example.meditrackr.models.Patient
-
Creates a new Patient object.
- patient - Variable in class com.example.meditrackr.ui.FullScreenViewActivity
-
- PatientAdapter - Class in com.example.meditrackr.adapters.careprovider
-
This class displays information about all of the patients that a Care Provider is assigned
to in a recycler view (a type of list view).
- PatientAdapter(FragmentActivity) - Constructor for class com.example.meditrackr.adapters.careprovider.PatientAdapter
-
Constructor: Initialize the PatientAdapter class by setting the activity
to the appropriate fragment.
- PatientAdapter.ViewHolder - Class in com.example.meditrackr.adapters.careprovider
-
This class puts information about each patient into its own view so we won't
display information from one patient as another.
- PatientController - Class in com.example.meditrackr.controllers.model
-
Crated by Skryt on Nov 21, 2018
- PatientController() - Constructor for class com.example.meditrackr.controllers.model.PatientController
-
- patientExists(String) - Method in class com.example.meditrackr.models.CareProvider
-
Checks to see if a patient exists in the care provider's patient list.
- patientExists(String) - Method in class com.example.meditrackr.models.PatientList
-
this function will check to see if a patient is in the list
- PatientList - Class in com.example.meditrackr.models
-
PatientList: A list of patients.
- PatientList() - Constructor for class com.example.meditrackr.models.PatientList
-
- PatientListTest - Class in com.example.meditrackr
-
PatientList Unit Tests
- PatientListTest() - Constructor for class com.example.meditrackr.PatientListTest
-
- PatientSearchFragment - Class in com.example.meditrackr.ui.careprovider
-
shows all information associated with the patient that showed up from the search
if no patient was found then it returns "User not found"
- PatientSearchFragment() - Constructor for class com.example.meditrackr.ui.careprovider.PatientSearchFragment
-
- PatientsFragment - Class in com.example.meditrackr.ui.careprovider
-
shows all patients associated with the careProvider in a list (recycler view)
also has a search bar that lets care Provider search for a specific patient
if a care provider clicks on a patient in the view it will take them to see their problems (ProblemsFragment)
- PatientsFragment() - Constructor for class com.example.meditrackr.ui.careprovider.PatientsFragment
-
- PatientTest - Class in com.example.meditrackr
-
Unit Tests for Patient
- PatientTest() - Constructor for class com.example.meditrackr.PatientTest
-
- phoneEmptyTest() - Method in class com.example.meditrackr.RegisterTest
-
- Photo - Interface in com.example.meditrackr.interfaces
-
Crated by Skryt on Nov 18, 2018
- PhotoList - Class in com.example.meditrackr.models.record
-
PhotoList: A list of photos (Bitmap objects) for a record.
- PhotoList() - Constructor for class com.example.meditrackr.models.record.PhotoList
-
- PlaceAutocompleteAdapter - Class in com.example.meditrackr.adapters
-
This class gives the users autofill options for when they are editing items.
- PlaceAutocompleteAdapter(Context, GoogleApiClient, LatLngBounds, AutocompleteFilter) - Constructor for class com.example.meditrackr.adapters.PlaceAutocompleteAdapter
-
Initializes with a resource for text rows and autocomplete query bounds.
- PlaceInfo - Class in com.example.meditrackr.models
-
PlaceInfo: Used for geolocation map activity.
- PlaceInfo(String, String, String, String, Uri, LatLng, float, String) - Constructor for class com.example.meditrackr.models.PlaceInfo
-
creates variables for class to use
- PlaceInfo() - Constructor for class com.example.meditrackr.models.PlaceInfo
-
- placeMarkers() - Method in class com.example.meditrackr.ui.patient.MapActivity
-
- printListTest() - Method in class com.example.meditrackr.PatientListTest
-
- Problem - Class in com.example.meditrackr.models
-
Problem: Stores all information associated with a problem object, including
a title, date and description
Records have a RecordList, an ImageSave (list of string photo names
for storage) and a CommentList
- Problem(String, String, String) - Constructor for class com.example.meditrackr.models.Problem
-
creates variables that the class will use
- ProblemAdapter - Class in com.example.meditrackr.adapters.careprovider
-
This class displays all of the problems of a patient selected from a previous page (using the
PatientAdapter) in a recycler view.
- ProblemAdapter(FragmentActivity, ProblemList) - Constructor for class com.example.meditrackr.adapters.careprovider.ProblemAdapter
-
Constructor: Initialize the ProblemAdapter class by setting the activity
to the appropriate fragment and setting the list of problems.
- ProblemAdapter - Class in com.example.meditrackr.adapters.patient
-
This class displays all of the problems of a user (patient) in a recycler view.
- ProblemAdapter(FragmentActivity, Context) - Constructor for class com.example.meditrackr.adapters.patient.ProblemAdapter
-
creating variables activity for the other functions to use
- ProblemAdapter.ViewHolder - Class in com.example.meditrackr.adapters.careprovider
-
This class puts information about each problem into its own view so we won't
display information from one problem as another.
- ProblemAdapter.ViewHolder - Class in com.example.meditrackr.adapters.patient
-
- ProblemController - Class in com.example.meditrackr.controllers.model
-
ProblemController
Controls the adding of
a problem, if successful it
will save the problem both locally
and on ElasticSearch
- ProblemController() - Constructor for class com.example.meditrackr.controllers.model.ProblemController
-
- problemExists(Problem) - Method in class com.example.meditrackr.models.ProblemList
-
checks to see if a problem exists in the list
- ProblemList - Class in com.example.meditrackr.models
-
RecordList: A list of records.
- ProblemList() - Constructor for class com.example.meditrackr.models.ProblemList
-
- ProblemListTest - Class in com.example.meditrackr
-
Unit tests for ProblemList
- ProblemListTest() - Constructor for class com.example.meditrackr.ProblemListTest
-
- ProblemsFragment - Class in com.example.meditrackr.ui.careprovider
-
shows all of the problems from patient in a list (recycler view)
if care provider clicks on one of these problems it will take them to see the records associated
with this problem (RecordsFragment)
- ProblemsFragment() - Constructor for class com.example.meditrackr.ui.careprovider.ProblemsFragment
-
- ProblemsFragment - Class in com.example.meditrackr.ui.patient
-
shows user a list of their created problems in a recycler view.
- ProblemsFragment() - Constructor for class com.example.meditrackr.ui.patient.ProblemsFragment
-
- ProblemTest - Class in com.example.meditrackr
-
- ProblemTest - Class in com.example.meditrackr
-
Unit Tests for Problem
- ProblemTest() - Constructor for class com.example.meditrackr.ProblemTest
-
- Profile - Interface in com.example.meditrackr.interfaces
-
Crated by Skryt on Nov 19, 2018
- Profile - Class in com.example.meditrackr.models
-
Profile: Stores all information associated with a profile object, including
a username, email, phone and a boolean user type identifies
- Profile(String, String, String, boolean) - Constructor for class com.example.meditrackr.models.Profile
-
creating variables for the class to use
- ProfileList - Class in com.example.meditrackr.models
-
ProfileList: A list of profiles.
- ProfileList() - Constructor for class com.example.meditrackr.models.ProfileList
-
- ProfileListTest - Class in com.example.meditrackr
-
Unit tests for ProfileList
- ProfileListTest() - Constructor for class com.example.meditrackr.ProfileListTest
-
- ProfileTest - Class in com.example.meditrackr
-
- ProfileTest - Class in com.example.meditrackr
-
Unit Tests for Profile
- ProfileTest() - Constructor for class com.example.meditrackr.ProfileTest
-


{% extends "layout.html" %} {% block content %}
If you are interested in the data collected by our system, you may download our entire set of systematic reviews and their respective verified*, included and relevant trials, along with the net number of votes for each trial-review link, here.
You may also download the subset of reviews that have complete a list of verified trials here. Note that this file only contains the verified trials for each review, and will not include any relevant or included trials.
Both files are in the following format, with one row per review-trial link:
review PMID, NCT ID, net votes, relationship
You might find it useful to use the APIs provided by ClinicalTrials.gov and PubMed in conjunction with the PubMed IDs and NCT IDs in our data to resolve review and trial metadata.
If there's any other data within our system that you think could be useful to you, please don't hesitate to get in touch and we can try to accomodate you.
*verified trials are trials that have been verified by a human user to be included in the relevant systematic review


@(form: play.api.data.Form[controllers.admin.PageRedirect], urlMsgs: List[String] = List.empty, fileMsgs: List[String] = List.empty)(implicit request: RequestHeader, context: model.ApplicationContext)
@admin_main("Redirector", isAuthed = true) {
-
This will only add the redirect to Next Gen Web. It will not add it to
R2 (classic/desktop site) or mobile apps.
-
This tool can only insert redirects for URLs that do not already exist. (i.e. the current url must 404).
Redirects for things that exist will not work (this also means you cannot accidentally redirect the /sport page).
-
Use full URLs like https://www.theguardian.com/somewhere/something
-
Do not include query parameters (e.g. "?CMP=custom_campaign_code") in the From field.
-
To delete a redirect fill in the From field and leave the To field empty.
-
You can only redirect a single page. (you cannot redirect everything under /water)
-
If your redirect does not work immediately give it a few minutes to work its way through the cache.
}


--- layout: default permalink: /404.html --- I'd like to help you out. Which way did you come in?
I'd like to help you out.
Which way did you come in?
Find these fantastic imaginary Tumbeasts by The Oatmeal here!


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Gadiego Nogueira
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Remember how you dressed when you were a kid? Those graphic hoodies embedded with images of cats, shirts filled with various band names, jeans far too baggy or way too loose, and how we watched slowly throughout the years, we moved on into something new, for some every year, others holding to an aesthetic on forever. However, what is the mechanisms behind these movements? Can we find this in the brain?
Read MoreIn the light of dropping in wages and job lost, many are looking to the past to find solutions, sometimes this works, and sometimes we realize why changed our minds in the first place. In economic circles bringing back manufacturing factories to the US seems to be a amazing solution, saving the day by not only removing the economic dependencies of USA, but in one sweep, solving the major problem of job creation. Is this idea realistic? Can these jobs come back? the answer is sadly, no.
Read MoreFashion appears on the outside a very competitive industry, companies release commercial after commercial, for your dollar. brands a full of either completely different styles or very similar,hoping to fulfill people taste in esoteric areas of life, unfortunately the gatekeepers of massive success and failure in the fashion world, lie in the hand of only a few mega corporations.
Read More


Ayahuasca (M. hostilis & Syrian Rue)
I started the night with two of my drug friends, Ben and Rob. We have done Mushrooms and LSD together before and decided to take the next step. I coocked up the ayuhuasca for us and we drank it around 8:00 p.m. My friend Ben was the first one to puke about 10 minutes after drinking it. Rob and I decided to have a contest who could go the longest without puking. Waves of nausea came and went.
About 20 minutes after drinking the brew, the effects started to take hold. My body became very light and my consciousness was feeling strange. The effects began to really pick up fast and 5 minutes later i found myself hanging over the rail, we were outside at Robs appartment, dry heaving. I no longer felt sick and it seemed like the DMT was taking control and refused to leave the brew inside me. It was the most violent vomiting I've ever expierenced.
I knew the brew had already left my stomach and was half way down the digestive track, but my body forced it all the way back up and it hurt. After I puked I felt awsome, as if i just droped exstacy, which I only did a couple times in my younger days. Then the trip came. It was very intense and I felt like if I really wanted to, I could walk right out of my body.
We all went inside and sat on Rob's couch. The visuals were starting to take hold and I found myself in another reality. I then became very sad and felt like I was going to cry. Just then outside the door in the hallway, a girl walked by talking to someone and she was crying. She was saying how nothing she does is appreciated and she should quit. I then realized I felt her. That was the reason I began feeling sad, because my sense were so high, I sensed her presents before she even walked by the door. The vibe in the room was intense, no one knew what to do with themselves.
I then stood up and went in the kitchen where Rob had boughten drawing paper and oil pastels for the trip. The box for the pastels was unopened, and opening them was a task. As soon as I sat down and started drawing a large wave of euphoria hit me like a speeding train. What I had drawn was swiming around the page and the light from the ceiling was rocking back and forth, as if we were on a ship at sea, even though it was still. I told the guys they had to come in the kitchen and start drawing because it completely changed my mood.
We turned on a music channel, soundscapes, on the T.V. and everyone began drawing. We could all read off each others vibes and began having one of the most amazing times of our lives. The peak began to sank but before it did it came back and punched me in the face, like a reminder to never forget what just happened. 2 hours and 30 minutes later the trip seemed like a distance dream and I was back to normal.
We then ordered a well deserved pizza because none of us had eaten anything 48 hours before the trip. I recommend this expierence to everyone, but do be prepared. I didn't like the vomiting part, but then realized it was part of the expierence. It's a cleansing process before going down the tunnel.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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Rectangle color:


Yingying Chen
Project 1
Project 2
Project 3
Project 1
Project 2
Project 3
Beyond Basics.
Projects
Project 1
Project 2
Project 3
Welcome to my web journal!
Hi! This is Yingying and here are my projects in ARTS 481.


Hey Geeks!
Hailing from the land of Odisha our team decided to conduct a one of it’s kind hackathon where individuals participating will be working on problem statements based on the state’s difficulties and future.
About HACK4ODISHA
The Hack4Odisha is one of the magnificent tech events that
will be organized on DAY 5(20th-21st November ), of the GS
Regional Summit. Come join us in our magnificent and grand Tech
Journey – “Hack4Odisha”, in the GS Regional Summit for one whole
day,i.e, 24 hours.
Note that: projects should revolve around Odisha in some or
other way and thereby , they will be judge on the basis of
Theme Impact, Video & Presentation, Idea & Creativity, and
make sure that project is not plaigarised.
"Where we give the stage and you are the one who shines"
Rules
- Each team should comprise 2-4 members.
- It’s compulsory to have one girl member in every team.
- Duration: 24 hours
- The problem statement should be based or be centric on Odisha.
Perks of Participation
All participants will be awarded a participation certificate
Every participant will receive a 15% discount on a ticket to the India summit.
Apart from the certificate, WINNERS will be rewarded with :
- Cash prizes
- Free GirlScript India summit tickets
- Swags & goodies
- Other exciting perks and gifts


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Sorry buddy, something went wrong, go back to the homepage ?


--- layout: default title: JUGs map leaflet: true ---
Here have an example with a map for all the JUGS


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Anna and the King A film review by Marty Mapes Copyright 1999 Marty Mapes
**1/2 (out of 4) ANNA AND THE KING is a joy to sit through. The lush, exotic setting; a stirring performance from Jodie Foster; and a charming Chow Yun-Fat make the two and a half hours drift by. One could easily enjoy an afternoon at this movie.
But ANNA AND THE KING is full of problems, mostly coming from the script of Steve Meerson and Peter Krikes. There are gratuitous explosions, edits, subplots, and songs, not to mention a muddled message and fuzzy focus.
The movie starts in Bangkok in 1862, just as Anna Leonowens is to arrive. The British schoolteacher is here to teach King Mongkut's children in the ways of the West. It's the story told in THE KING AND I, and it's based on the diaries of Leonowens.
My own prejudiced notions say that this story should be about the culture clash between Siam and Britain, and more to the point, the way this clash works its way into a personal relationship.
For a while, this is exactly the focus of the movie. Anna settles in to the new culture without giving up her Britishness. Her bold, cocky ways make the Siamese bristle, but she remains proud and stoic. Because he invited Anna, King Mongkut knows he should not restrain her. (He quickly learns he CANNOT restrain her). Instead, he watches her efforts with charmed amusement.
On the other hand, Anna truly IS arrogant, at one point stating unquestionably that "The ways of England are the ways of the world."
Their relationship is flirtatious at first. Their mutual affection reaches its peak at a great Western-style dinner party, where Anna and Mongkut dance.
Afterwards, Mongkut presents Anna with a generous gift -- an elaborate gold ring. She of course refuses the gift, which is far too great a token. It represents a new level of seriousness in their relationship where Anna will not go.
 The king no longer sees her as charming, but as an arrogant, ungrateful guest, a teacher who needs to be taught a lesson.
The first half of the movie works very well. The chemistry between Foster and Chow is enjoyable and believable. The themes of power, propriety, and respect are played out in every conversation. But the movie loses its focus and intensity. It becomes less about cultures and relationships and more about conflict and resolution.
Little problems abound, but worst of all are the two subplots that hijack center stage. One is of a young couple's forbidden love, the other is of a military coup. Both ostensibly tie in with the main characters' relationship. But they are so prominent and distracting that you forget whose movie this is.
The movie loses credibility in its handling of the subplot of the lovers. Mongkut tells Anna that their cultures differ in every respect – including love. The editor (Roger Bondelli) makes a point by immediately cutting to the two lovers who are as Western as Romeo and Juliet. In other words, the movie is choosing sides. It says that Mongkut is wrong about love and that the Western way of love is correct. A movie about culture clashes needs to be more open-minded than this.
It does even worse in its handling of the military coup. What started out as a thoughtful movie about a relationship (a chick flick) now has stunts, plan-blabbing villains, and even a gratuitous explosion (a guy flick). All the while Anna (remember her?) is nowhere to be found. At this point, the entire subplot is irrelevant. The movie's main relationship has run its course. The 20 minutes it takes to follow the "guy flick" plot should have simply been cut.
If there is a single problem that encapsulates all of the little problems, it is that the movie panders. An explosion for the guys, Romeo and Juliet for the gals, some cute children for the parents, and a pop song over the credits for the teens. There's no mystery as to why the movie panders: it's a big-budget studio picture with a Christmas release. It bends over backwards to please all, which it can only do if it is spineless.
I can't decide if the great-looking spectacle was enough to outweigh the pandering plot. What I am sure of is that this movie could have been so much more.
-- ___________ Marty Mapes<EMAIL_ADDRESS>Movie Habit http://www.moviehabit.com
"I'm a filmmaker and that's why I will never make a movie on video tape" -- Burt Reynolds, Boogie Nights
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{% block title %}
Court Registry
{% endblock %}
{% block inner %}
You have selected to file at the following Ministry of Attorney General Court Registry location:
{% if court_registry_for_filing %}
{{ court_registry_for_filing }} Law Courts
{{ court_registry_for_filing_address|safe }}
{{ court_registry_for_filing }}, B.C.
{{ court_registry_for_filing_postal_code|safe }}
{% else %}
No Court Registry was chosen
{% endif %}
All further documents filed in this Family Law Proceedings will be filed in this location.
{% endblock %}
{% block label %}
{% if text %}{{ text }}{% else %}Court Registry{% endif %}
{% endblock %}


Looping in Ruby
Ruby has made looping much simpler to use because Ruby has much more looping methods build in. Such as .each, .each_with_index, while loops, until loops and even for loops. Some of the loops could be matched with .split methods which makes it great if you want to split at spaces as well. Because Ruby is a back end language. JS is used for both front end and back end they don't have as much build-in as language such as Ruby. they do have more of the back end therefor they have more tools to use because of that.
Because of there are more methods to choose from, choosing the right one to use could also be a bit confusing at times. Personally I prefer to use Ruby's looping methods because they give so much more options. However, maybe using JS more I could change my mind.


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Night
Source of witness transcribed: The Daily Crescent (New Orleans, Louisiana)
Date of witness transcribed: 21 November 1851
Notes about this poem: "Night" was printed in at least 151 newspapers during the nineteenth century. It can be found using ID 532811 in this table of most widely-reprinted poems.
§
- The day is done, and the darkness
- Falls from the wings of night,
- As a feather is wafted downward
-
From an eagle in his flight.
- I see the lights of the village
- Gleam through the rain and the mist,
- And a feeling of sadness comes o’er me,
-
That my soul cannot resist—
- A feeling of sadness and longing,
- That is not akin to pain,
- And resembles sorrow only
-
As the mist resembles the rain.
- Come, read to me some poem,
- Some noble and heartfelt lay,
- That shall soothe this restless feeling,
-
And banish the thoughts of day.
- Not from the bards sublime,
- Not from the bards sublime,
- Whose distant footsteps echo
-
Through the corridors of time.
- For, like strains of material music,
- Their mighty thoughts suggest
- Life’s endless toil and endeavor;
-
And to night I long for rest.
- Read from some humble poet,
- Whose songs gush from his heart
- As showers from the clouds of summer,
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Or tears from the eye-lids start.
- Who through longs days of labor,
- And nights devoid of ease,
- Still heard in his soul the music
-
Of wonderful melodies.
- Such songs have power to quiet
- The restless pulse of care,
- And come like the benediction
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That follow after prayer.
- Then read from the treasured volume
- This poem of thy choice,
- And lend to the rhyme of the poet
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The beauty of thy voice.


#assign Identity="active">
With @Identity we can specify additional attributes for database identity and sequences and we can additionally apply this on the class level or on the property level.
It is useful to be able to specify @Identity
on the class level when using
@MappedBy
and the @Id property is inherited.
The additional properties we can specify include:
@Identity(generated = BY_DEFAULT, start = 1000, cache = 100) @Entity public class AuditLog { ...
@Entity public class AuditLog { @Id @Identity(generated = BY_DEFAULT, start = 10000, cache = 1000) long id; ...
The start value is supported in DDL generation for H2, Postgres, Oracle and SQL Server sequences.
The cache value is an important performance optimisation available in some databases for tables that will have a lot of inserts. This specifies how many identity values the database should generate and cache ahead of time reducing the internal locking the database uses. Databases supporting this include Postgres, Oracle & NuoDB.


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% extends 'base.html' % block title Home % endblock % block body
On this website you can generate Python2 notebooks for your programming study. More specifically, you can create sets
of notebooks with varying task orders and conditions for comparative studies.
If you are already familiar with Jupyter Notebooks, you should be able to figure out everything by exploring
this website. If not, you can follow the Tutorial.


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