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Bittner T, Goldberg LJ 2006 "The Qualitative and Time-Dependent Character of Spatial Relations in Biomedical Ontologies", O. Bodenreider, ed., Proceedings of KR-MED, 47-55. http://www.acsu.buffalo.edu/~bittner3/BittnerGoldbergKRMed.pdf
Blake JA, Bult CJ 2006 "Beyond the data deluge: Data integration and bio-ontologies", Journal of Biomedical Informatics 39 (3): 314-320. http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=pubmed&dopt=Abstract&list_uids=16564748
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Henrich T, Ramialison M, Wittbrodt B, Assouline B, Bourrat F, Berger A, Himmelbauer H, Sasaki T, Shimizu N, Westerfield M, Kondoh H, and Wittbrodt J 2005 "MEPD: a resource for medaka gene expression patterns", Bioinformatics 2005 21(14):3195-3197; doi:10.1093/bioinformatics/bti478 . http://bioinformatics.oxfordjournals.org/cgi/content/abstract/21/14/3195
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Kosseim L, Reda Siblini, Christopher J.O. Baker and Sabine Bergler 2006 "Using Selectional Restrictions to Query an OWL Ontology", Formal Ontology in Information Systems - Proceedings of the Fourth International Conference (FOIS 2006), Edited by Brandon Bennett, Christiane Fellbaum, New York: IOS Press, 360-371. http://users.encs.concordia.ca/~kosseim/Publications/fois2006.pdf
Louie B, Mork P, Martin-Sanchez F, et al. 2007 "Data integration and genomic medicine", Journal of Biomedical Informatics, 40 (1): 5-16. http://www.sciencedirect.com/science?_ob=ArticleURL&_udi=B6WHD-4JF8G2S-1&_user=681891&_coverDate=02%2F28%2F2007&_rdoc=1&_fmt=&_orig=search&_sort=d&view=c&_acct=C000037419&_version=1&_urlVersion=0&_userid=681891&md5=79d8eb7d16f9905770ba994d169d1e8d
Mabee PM, Arratia G, Coburn M, Haendel M, Hilton EJ, Lundberg JG, Mayden RL, Rios N, and Westerfield M 2007 "Connecting evolutionary morphology to genomics using ontologies: A case study from Cypriniformes including zebrafish", J Exp Zoolog B Mol Dev Evol. 2007 Sep 15;308(5):655-6.
Maglia AM, et al. 2007 "An anatomical ontology for amphibians", Pacific Symposium on Biocomputing, 12: 367-378. http://psb.stanford.edu/psb-online/proceedings/psb07/maglia.pdf
Malmstrom L, Marko-Varga G, Westergren-Thorsson G, et al. 2006 "2DDB - a bioinformatics solution for analysis of quantitative proteomics data", BMC Bioinformatics 7. http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=pubmed&dopt=Abstract&list_uids=16549013
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Ruttenberg A, Clark T, et al. 2007 "Advancing translational research with the Semantic Web", BMC Bioinformatics, 8(Suppl 3):S2. http://www.biomedcentral.com/1471-2105/8/S3/S2
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I would like to share with you fellow recreationalists my up and down experience with prescription opiates.
It all started when I was 17. A friend of mine broke his foot, and was prescribed vicodin 5/500's. I was passing him in the hall, and he just handed me two, so I put them in my pocket not really sure what to do with them, not really knowing what they were. Afterall, It was 1997 and the drug really hadn't gained much popularity around here.
So I waited about a week, still unsure about taking them. I had only smoked weed for a year previous to this. So one late night, I popped them. Soon I felt those magical euphoric opiate effects come upon me. I waited for good old mom to go to bed, got my guitar and watched Lynyrd Skynyrd's Behind The Music, noting that it was much more interesting than usual. Then I began playing guitar, noting creative thoughts coming more freely and rapidly than usual.
I absolutely loved this brand new feeling. Better than weed I thought, and much harder to get caught with. I was happy, happier than I'd been in quite sometime. I have had depression problems since childhood, choosing only to self-medicate, as I dont want to lose my personality, originality, and creativity.
Well, needless to say, I wanted more. So I asked my friend, and no go. I was disappointed. Then, I realized my mom was getting some painkiller called Darvocet. I thought, hmmm.....maybe since it's a prescribed painkiller, it will have the same effects. Sure enough it did, and I was back in euphoria land. I began doing them every night. For years, I reserved it as a nite-time social drug. It allowed me to be myself, to talk intelligently and extensively about anything with anybody.
I began taking it 15 minutes before smoking weed, then by best friend and I would draw, write, and play music for hours creatively. The synergy with opiates and cannabis is purely amazing to me.
Then, about three years into my habit, it got really bad. I was taking them as soon as I got up, then all throughout the day. By this time I had dropped out of school and grandma, who lived with us, was also getting a steady script. I was numb most of the time for about two more years, during which time my family had caught on, and began hiding them, although I could always find them. I no longer felt normal without darvocet. My tolerance was rising, I generally needed 5-8 100/650 pills to even get close to the feeling I wanted, and needed for that matter. I was getting worried, too.
Then about a year ago, my mother started getting 7.5/750 hydrocodone tablets. I was ecstatic, which is ridiculous as I see now. I immediately established a consistent routine of 1.5-2 on the way to work, one at 10:00 break, 2 more at lunch, and any given number after work depending on how many I had and could steal. I discovered that if I took mom's xanax or klonopin with it as a supplement, the synergy was almost that of pot/hydrocodone, and made the work day fly by, which was great as i hated my job.
Soon, I began having trouble getting up for work, but was ready to go as soon as I had taken my combination. Then my performance started slacking. I didn't want to even be at work usually, and would frequently leave early. I eventually quit the job.
I still kept taking whatever I could get, vicoprophen, T3's, percocet, oxycontin, whatever was there. Not being able to score left me very mad and extremely miserable.I was getting very tired of this 'rollercoaster' and decided I would be a lot better off to just quit. So I did.
My girlfriend was there for me the whole time, I took a lot of hot baths, which really help because I got so many chills. I was always cold during withdrawals, not to mention the miserable aches and pains, diarrhea.
It's been a month now, and I have found out I have real problems that could require prescription painkillers. I might have cancer too.
I still keep a reserve of T3's and hydrocodone for partying and when my pain gets too bad. I'm only 22.....
My advice is, don't get addicted in the first place, learn from this story.  I hope my little bit of info on how I quit helps some people, I know how horribly hard it is to quit. Some may need rehab. Please, please dont be like me and keep a reserve of pills after you quit if you think it will cause you to slip back into the habit. I'm a different person now, and with the help of my beloved Karly I can control when I want to take them. Please learn from this story. Stick to popping them once in a while to relax or party if you have to. Love to all of you, and don't ever give up on yourself.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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ENTRAPMENT 1999 A film review by Timothy Voon Copyright 1999 Timothy Voon 3 out of 5 for a love affair between thieves
Cast: Sean Connery, Catherine Zeta-Jones, Ving Rhames, Will Patton. Screenplay: Ron Bass and William Broyles. Producers: Sean Connery, Michael Hertzberg and Rhonda Tollefson. Director: Jon Amiel.
Trends of this movie state …
1. It's all right to date women forty years your junior, as long as it looks good on screen. Don't ask me how, but Sean Connery, with his undeniable lasting charm, gets away with a kiss from the lovely Catherine Zeta Jones and nobody squirmed! 2. The idea of stealing billions from the world exchange bank on top of the K.L. Twin Towers is a good idea, but I hear that the bank is actually imaginary. In fact, the world's tallest building now stands mostly half empty thanks to the recent SE Asia recession. 3. A story about professional thieving is exciting, and there hasn't been one of this calibre and quality for awhile. My personal favourite was a Sidney Sheldon mini series ‘If Tomorrow Never Comes.' My only complaint is that towards the end, the ability of these professional thieves becomes too magical when they somehow start jumping trains mid-motion in heels and dress. 4. This movie will be remembered for some very sensual and sensational body movements from Zeta Jones, as she twists her firm, slim body through some tight motions when navigating a maze of laser beams. And WOW, what a body!
Timothy Voon e-mail<EMAIL_ADDRESS>Movie Archives http://us.imdb.com/M/reviews_by?Tim+Voon Movies In Melbourne http://www.labyrinth.net.au/~pfowler/week/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


--- layout: archive title: Zulip Chat Archive permalink: /stream/113489-new-members/topic/naturals.20nonnegative.html ---
Can someone please help me turn this into "false"?
n : ℕ, p : 0 > n ⊢ Σ' (k : ℕ), k + n = 0
I would try have : not (0 > n), by library_search,
and see what it prints, probably something like not_lt_zero
.
linarith
should be able to do it too, but that's overkill
Thanks! But now I can't seem to finish it from "false" ... Help please?
lemma subtraction (m n : ℕ) (p : m > n) : Σ' k, k + n = m := begin induction m, let contr:= nat.not_lt_zero n p, sorry, end
exfalso
example (n : ℕ) (p : 0 > n) : 2 + 2 = 5 := begin cases p, end
There are no cases to consider :-)
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


public interface MessageRecorder
A typical usage might be:
void process(MessageRecorder msgRecorder) {
msgRecorder.pushContextName(getName());
try {
// prcess task
....
// need to generate warning message
String msg = ...
msgRecorder.reportWarning(msg);
....
} finally {
msgRecorder.popContextName();
}
}
Implementations must provide the means for extracting the error/warning messages.
Code that is processing should not catch the MessageRecorder.RTException. This Exception is thrown by the MessageRecorder when too many errors have been seen. Throwing this Exception is the mechanism used to stop processing and return to the initiating code. The initiating code should expect to catch the MessageRecorder.RTException Exception.
void initiatingCode(MessageRecorder msgRecorder) {
// get MessageRecorder implementation
MessageRecorder msgRecorder = ....
try {
processingCode(msgRecorder);
} catch (MessageRecorder.RTException mrex) {
// empty
}
if (msgRecorder.hasErrors()) {
// handle errors
} else if (msgRecorder.hasWarnings()) {
// handle warnings
}
}
The reporting methods all have variations that take an "info" Object. This can be used to pass something, beyond a text message, from the point of warning/error to the initiating code.
Concerning logging, it is a rule that a message, if logged by the code creating the MessageRecorder implementation, is logged at is reporting level, errors are logged at the error log level, warnings at the warning level and info at the info level. This allows the client code to "know" what log level their messages might appear at.
| Modifier and Type | Method and Description |
|---|---|
void |
clear()
Clear all context, warnings and errors from the MessageRecorder.
|
String |
getContext()
Get the current context string.
|
long |
getRunTimeMillis()
How long the MessageRecorder has been running since it was created or the
last time clear was called.
|
long |
getStartTimeMillis()
Get the time when the MessageRecorder was created or the last time that
the clear method was called.
|
boolean |
hasErrors()
Returns true if there are one or more error messages.
|
boolean |
hasInformation()
Returns true if there are one or more informational messages.
|
boolean |
hasWarnings()
Returns true if there are one or more warning messages.
|
void |
popContextName()
Remove the last context name added.
|
void |
pushContextName(String name)
Add the name parameter to the current context.
|
void |
reportError(Exception ex)
Add an Exception.
|
void |
reportError(Exception ex,
Object info)
Add an Exception and extra informaton.
|
void |
reportError(String msg)
Add an error message.
|
void |
reportError(String msg,
Object info)
Add an error message and extra information.
|
void |
reportInfo(String msg)
Add an informational message.
|
void |
reportInfo(String msg,
Object info)
Add an informational message and extra information.
|
void |
reportWarning(String msg)
Add a warning message.
|
void |
reportWarning(String msg,
Object info)
Add a warning message and extra information.
|
void |
throwRTException()
This simply throws a RTException.
|
void clear()
long getStartTimeMillis()
long getRunTimeMillis()
boolean hasInformation()
boolean hasWarnings()
boolean hasErrors()
String getContext()
void pushContextName(String name)
name
- void popContextName()
void throwRTException() throws RecorderException
RecorderException
void reportError(Exception ex) throws RecorderException
ex
- the Exception added.RecorderException
- if too many error messages have been added.void reportError(Exception ex, Object info) throws RecorderException
ex
- the Exception added.info
- extra information (not meant to be part of printed message)RecorderException
- if too many error messages have been added.void reportError(String msg) throws RecorderException
msg
- the text of the error message.RecorderException
- if too many error messages have been added.void reportError(String msg, Object info) throws RecorderException
msg
- the text of the error message.info
- extra information (not meant to be part of printed message)RecorderException
- if too many error messages have been added.void reportWarning(String msg)
msg
- the text of the warning message.void reportWarning(String msg, Object info)
msg
- the text of the warning message.info
- extra information (not meant to be part of printed message)void reportInfo(String msg)
msg
- the text of the info message.


Bullet
Simple Bullets
Dark Theme
Light Theme
Daily temperature
June
July
August
First week
Second week
Third Week
Fourth week


OUR BACKGROUND.
Wired broadband essentially means there is a physical connection to a physical location (a home or business) through a cable. There are three main types of wired broadband connections for consumer or residential use: DSL, coaxial cable, and fiber. DSL uses traditional copper wire telephone lines. Cable television companies traditionally provide service over coaxial cables. Fiber systems are comprised of glass fiber strands over which optical (light) signals are sent. (Other options for wired broadband include T1 or T3 lines in a network topology.
OUR BUSINESS POLICY.
With the COVID-19 pandemic shuttering businesses and offices around the world, millions of people are finding themselves working from home for the first time ever. And while the idea of simply rolling out of bed and starting your workday may seem way better than your usual commute, setting yourself up for in-house professional success takes a little more planning than you might expect. That's why we've rounded up the best accessories to make working from home feel like your dream job. And for more ways to brighten up your desk, check out these.
OUR CUSTOMERS.
Usually, a documented set of broad guidelines, formulated after an analysis of all internal and external factors that can affect a firm's objectives, operations, and plans. Formulated by the firm's board of directors, corporate policy lays down the firm's response to known and knowable situations and circumstances. It also determines the formulation and implementation of strategy, and directs and restricts the plans, decisions, and actions of the firm's officers in achievement of its objectives. Also called company policy


| Brand | Price | Power Source |
|---|---|---|
| Chinook Push-o-matic Indoor Mower | $247.00 | Mechanical |
| Sampson Deluxe Apartment Mower | $370.00 | Mechanical |
| Sampson Deluxe Apartment Mower | $370.00 | Mechanical |
| Sampson Deluxe Apartment Mower | $370.00 | Mechanical |
| Sampson Deluxe Apartment Mower | $370.00 | Mechanical |


A small drag and drop code-meditation. With a little HTML, JS and CSS, you can build a web interface, style it, and add an interaction.
Written with ♥ by Jen Looper
The terrarium created via CSS was inspired by Jakub Mandra’s glass jar codepen.
The artwork was hand drawn by Jen Looper using Procreate.
You can deploy, or publish your terrarium to the web using Azure Static Web Apps.
Fork this repo
Press this button
/solution
or the root of your codebase. There’s no API in this app, so don’t worry about adding that. A .github folder will be created in your forked repo that will help Azure Static Web Apps’ build service build and publish your app to a new URL.


I'm a developer currently concentrating on web technologies, progressing from front end to back end, with the help of FreeColdCamp. At the same time I'm very much interested in software development, experimenting with Python discovering CS subjects through MIT lectures online. I'm interested in Functional Programming, Machine Learning and eventually languages like C/C++. Aside from my passion to technology I have a strong passion to everything related to space. All the while I'm actually a musician, Go figure...! ;-)
Here you can see some of the projects I've been working on.


THE FIRST WIVES CLUB A film review by Andrew Hicks Copyright 1996 Andrew Hicks / Fatboy Productions
(1996) *** (out of four)
I was a minority for the opening night rush hour showing of THE FIRST WIVES CLUB. Affirmative action on the part of most middle aged mothers couldn't get most teenage guys into the theater, but I allowed myself to be dragged along to see this one because the only other movie opening was the Bruce Willis western LAST MAN STANDING and I didn't want to be the first or last man standing in line for that.
THE FIRST WIVES CLUB, as expected, abounds in feminine mid-life crisis humor. If movies were paired off, THE FIRST WIVES CLUB would be married to CITY SLICKERS, its masculine counterpart. Both have an abundance of laugh-out-loud lines and physical comedy, although the female version isn't quite on par with the 1991 Billy Crystal classic. Beneath the comedy, CITY SLICKERS had a poignant seriousness about friendship and aging that THE FIRST WIVES CLUB tries harder to achieve but never quite does.
Still, the teamup of Bette Midler, Goldie Hawn and Diane Keaton makes for an amazing comic partnership. Even though the combined age on those three has to be over 150, they're still in top form. Midler is the spurned Jewish woman whose rich husband (Dan Hedaya) has left her for Sarah Jessica Parker. Hawn is the washed-out actress who relies on cosmetic surgery -- particularly collagen injections that leave her looking like Lips Manlis from DICK TRACY -- to stay young.  Her contribution to the movie seems like ANNIE HALL: TWENTY YEARS LATER, an inevitable comparison since her character's name actually is Annie.
The three were inseparable friends in college, but have proven separable in the almost thirty years since. They reunite at the funeral of a fourth friend who committed suicide after being dumped by her husband for a younger woman and, after a drunken lunch of several hours, realize they're all three in the same boat. Midler's got Sarah Jessica to contend with, Hawn's movie producer husband is currently with Elizabeth "Jessie Spano" Berkeley and Keaton soon finds out her husband is getting it on with the therapist.
Having this much in common, they decide to form an informal organization to help each other out. Remembering the title of the movie, they name it THE FIRST WIVES CLUB. What follows is a series of juvenile pranks and blackmail scams on the bastard husbands, including the most memorable scene of the movie, in which the three of them break into Hedaya's penthouse and must make a hasty exit in the window washer's cart when he and Parker return.
The movie itself is predictable, juvenile and all that, but I liked it anyway and so did the predominantly fortysomething audience I saw it with, including my mom, who was lobbying for a four-star rating. I recognized enough flaws to not be completely enthralled in the movie, and I certainly couldn't identify with being dumped for a younger woman (give me a few years on that), but when something is as funny as THE FIRST WIVES CLUB is, I can overlook the brief but forced drama and contrived sitcom recycling.
-- Visit the Movie Critic at LARGE homepage at http://www.missouri.edu/~c667778/movies.html Serving America For Over 1/50 of a Century!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- title: "Sintra" date: 2018-05-10 tags: [portugal] ---
Took a day off of work to visit Sintra and avoid the weekend crowds. Tried to get up early to avoid the later-day crowds. Neither really worked… there were crowds regardless. But, Sintra is pretty incredible. Sort of a romantic retreat for Portuguese royalty and royal hangers-on in the 18th and 19th centure. Started out with a long walk up the very beautiful Vila Saletti, followed by a tour of the Palace de Pena. Palace is wild - mixes many different styles, actually relatively recent for castles in Western Europe (18th centre).
Stop #2 was the Castle of the Moors, which was from a considerably easier period (11th centre) and much less well preserved, as you might expect. Slightly lower than Pena but I think it had better views. Then, back down through the forest to check out the Quinta de Regalaria, which was the most interesting so far, mainly because it has a network of hidden tunnels on the grounds. Really unique.
Had a piriquita (after the counter-lady screwed with me for a couple minutes before revealing that she spoke perfect english). It was a tasty pastry.


THE SECRET GARDEN A film review by David Wong Shee Copyright 1994 David Wong Shee
CREDITS *
Directed by Agnieszka Holland. Written by Caroline Thompson and Frances Hodgson Burnett (novel). Cinematography by Roger Deakins. Music by Zbigniew Preisner. Acted by: Kate Maberly; Heydon Prowse; Maggie Smith; John Lynch. Production designed by Stuart Craig. Edited by Isabelle Lorente.
SYNOPSIS
Following the death of her parents in a natural disaster in India ten year old Mary Lennox (Kate Maberly), newly orphaned, is returned to the United Kingdom by the colonial authorities. Her next of kin is a wealthy uncle, Lord Craven (John Lynch) and she comes to live in his mansion set in deep the British countryside.
Arriving at the peak of winter, the huge largely derelict house stands amongst desolate fog laden moors, in an atmosphere of pervading despair. The household live seemingly under a curse, blighted by the death of Lord Craven's wife during childbirth ten years earlier.
Undaunted by her surroundings, however, Mary explores the derelict labyrinth of, she is told, at least one hundred rooms; as well as the extensive grounds and fallow gardens which surround it.  She also comes across a cousin she never knew she had, Colin Craven (Heydon Prowse), estranged from his father, Lord Craven, all his life due to the tragic circumstances of Colin's birth. Colin is an invalid who has lived all his days confined to bed, destined it appears, never to see the light of day.
The film depicts Mary's liberation of herself, and her uncle and cousin, from the smothering burdens of their shared and individual pasts.
COMMENTS
A tale for children and for those who remain, as they say, forever "children at heart".
The plot contains all the elements one would expect of a childrens' story set in Victorian times: orphaned aristocratic children; a tyrannical housekeeper (Maggie Smith); mysterious, hidden places where seeds of, figuratively, magical rejuvenation are eventually to be found. As with all good (children's) stories several key existential challenges must be faced and overcome:
* The catastrophic abandonment of parental death.
* The fear of the new and unknown.
* Mistreatment and neglect by supposed guardians.
I must say I was surprised that, apart from a little long distance telepathy, there was no recourse to magic (nor appeal to any other supernatural agencies for that matter) to bring about the resolution to bitter realities. The (s)hero (Mary) survives and rescues those around her by drawing upon the indomitable resilience of the human spirit; and its eternal capacity for redemption from despair and for triumphing over the destructive consequences of death.
All in all, a fine and enchanting piece of cinema.
"If you look at it a certain way, all the world is a garden" Mary Lennox
* Courtesy of the rec.arts.movies database.
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Source code for BrainNetworksInPython.scripts.stats_functions
#!/usr/bin/env python
[docs]def residuals(x, y):
'''
Return residuals of least squares solution to y = AB where A =[[x 1]].
Uses numpy.linalg.lstsq to find B
'''
import numpy as np
if len(x.shape) == 1:
x = x[np.newaxis, :]
A = np.vstack([x, np.ones(x.shape[-1])]).T
# get the least squares solution to AB = y
B = np.linalg.lstsq(A, y)[0]
# calculate and return the residuals
m, c = B[:-1], B[-1]
pre = np.sum(m * x.T, axis=1) + c
res = y - pre
return res
[docs]def partial_r(x, y, covars):
import numpy as np
from scipy.stats import pearsonr
res_i = residuals(covars, x)
res_j = residuals(covars, y)
part_r = pearsonr(res_i, res_j)[0]
return part_r
[docs]def variance_partition(x1, x2, y):
'''
Describe the independent and shared explanatory
variance of two (possibly correlated) variables on
the dependent variable (y)
'''
from statsmodels.formula.api import ols
import numpy as np
from scipy.stats import pearsonr
import pandas as pd
# Set up the data frame
df = pd.DataFrame( { 'Y' : y ,
'X1' : x1,
'X2' : x2 } )
# Get the overall r squared value for the
# multiple regression
Rsq = ols('Y ~ X1 + X2', data=df).fit().rsquared
# Next calculate the residuals of X1 after correlating
# with X2 (so units will be in those of X1) and vice versa
df['res_X1givenX2'] = residuals(df['X2'], df['X1'])
df['res_X2givenX1'] = residuals(df['X1'], df['X2'])
# Now calculate the pearson regressions for
# the residuals against the dependent variable to give
# the fraction of variance that each explains independently
# (a and c), along with the fraction of variance
# that is shared across both explanatory variables (b).
# d is the fraction of variance that is not explained
# by the model.
a = (pearsonr(df['res_X1givenX2'], df['Y'])[0])**2
c = (pearsonr(df['res_X2givenX1'], df['Y'])[0])**2
b = Rsq - a - c
d = 1.0 - Rsq
# Return these four fractions
return a, b, c, d


| lesson 56 Our neighbour, the river |
| The river which forms the eastern boundary of our farm has always played an important part in our lives. |
| Without it we could not make a living. |
| There is only enough spring water to supply the needs of the house, so we have to pump from the river for farm use. |
| We tell the river all our secrets. |
| We know instinctively, just as beekeepers with their bees, |
| that misfortune might overtake us if the important events of our lives were not related to it. |
| We have special river birthday parties in the summer. |
| Sometimes we go upstream to a favourite backwater, |
| sometimes we have our party at the boathouse, |
| which a predecessor of ours at the farm built in the meadow hard by the deepest pool for swimming and diving. |
| In a heat wave we choose a midnight birthday party and that is the most exciting of all. |
| We welcome the seasons by the riverside, crowning the youngest girl with flowers in the spring, |
| holding a summer festival on Midsummer Eve, giving thanks for the harvest in the autumn, |
| and throwing a holly wreath into the current in the winter. |
| After a long period of rain the river may overflow its banks. |
| This is a rare occurrence as our climate seldom goes to extremes. |
| We are lucky in that only the lower fields, which make up a very small proportion of our farm, are affected by flooding, |
| but other farms are less favorably sited, and flooding can sometimes spell disaster for their owners. |
| One had winter we watched the river creep up the lower meadows. |
| All the cattle had been moved into stalls and we stood to lose little. |
| We were, however, worried about our nearest neighbours, whose farm was low lying and who were newcomers to the district. |
| As the floods had put the telephone out of order, we could not find out how they were managing. |
| From an attic window we could get a sweeping view of the river where their land joined ours, |
| and at the most critical juncture we took turns in watching that point. |
| The first sign of disaster was a dead sheep floating down. |
| Next came a horse, swimming bravely, |
| but we were afraid that the strength of the current would prevent its landing anywhere before it became exhausted. |
| Suddenly a raft appeared, looking rather like Noah's ark, carrying the whole family, a few hens, the dogs, a cat, and a bird in a cage. |
| We realized that they must have become unduly frightened by the rising flood, |
| for their house, which had sound foundations, would have stood stoutly even if it had been almost submerged. |
| The men of our family waded down through our flooded meadows with boathooks, in the hope of being able to grapple a corner of the raft and pull it out of the current towards our bank. |
| We still think it a miracle that they were able to do so. |


The bibtex2web package creates webpages from BibTeX bibliography files. It can be downloaded from http://homes.cs.washington.edu/~mernst/software/#bibtex2web.
Contents:
It is convenient to produce webpages from BibTeX files, because you only need to keep one set of (BibTeX) sources up to date, thus avoiding skew between your webpages and bibliographies.
Given a collection of BibTeX files, bibtex2web creates
Each of these webpages is built from a template that you can customize to your liking; see below.
Here are two examples of sets of webpages that were created by bibtex2web:
The bibtex2web package consists of three programs:
For examples of how to call these programs, see file examples/README in this distribution.
Many other BibTeX to HTML translators exist.
To install bibtex2web, obtain the distribution (linked from http://homes.cs.washington.edu/~mernst/software/#bibtex2web), unpack it, and then set your BPHOME environment variable to point to its lib/ directory. For example, in csh, add something like
setenv BPHOME ${HOME}/bibtex2web/lib
to your .cshrc file. You may need to log out and log back in for this to take effect.
Then, you can run the programs in bin/. (You may add that directory to your path if you wish, but it is not required.)
Files examples/README and examples/Makefile in this distribution for examples of how to run bibtex2web and examples of the various command-line arguments that bibtex2web's program accept. The easiest way to use bibtex2web is to follow the instructions in examples/README and modify examples/Makefile to fit your goals. More details will be added to this manual later.
bibtex2web works with ordinary BibTeX files, but it can take advantage of several additional BibTeX fields:
supersededby = "ConfVer An extended version",to ensure that the BibTeX entry with key “ConfVer” remains the canonical version.
You can also define your own additional fields. For instance, the example Makefile that is distributed with bibtex2web uses the “-filter” argument to the programs to make them ignore any article containing an “omitfromcv” field. Additionally, it ignores any entry containing an “onlycrossref” field (unless that field was inherited via a crossref); this permits info about just the conferences from appearing. Another use of the “-filter” argument is to create a separate webpage for any article containing an “underreview” field.
The main program of the bibtex2web package is bwconv.pl. You can supply it a variety of command-line arguments.
-format=bibtex,htmlpubs -format=bibtex,htmlsummary -format=bibtex -outformat=htmlabstract
The output formats supported by bibtex2web are as follows.
Creates one page per publication, giving the abstract and other details and links to the paper itself.
If the “-linknames link-names-file” command-line option is also
given, then each author name (or conference name, etc.) becomes the anchor
text for a link to that author's homepage. It is recommended that you use,
as the argument to -linknames, the file
plume-lib/bin/html-canonical-urls
,
from the html-tools project.
You can supply the -linknames option multiple times, so you can use the
html-canonical-urls file and then also your own augmentations. Feel free
to contribute improvements to the plume-lib version of the file.
By contrast, if the linkauthors option is given, then author names on abstract pages are linked to the authors' publications lists. Here is how to customize that behavior:
If the “-validurls urls-file” command-line argument is given, then each URL in the file (one per line) is considered to be valid and is not checked for validity.
(The htmlsummary format needs to be documented here.)
The htmllist output format generates a list of entry titles, each of which
links to the abstract page for that entry, separated by

line
breaks. This is useful to generate a list of “recent publications” on a
home page. For example, see “Selected Publications” list on
http://pmg.csail.mit.edu/.
Example make rule:
index.html: ${BWBIN}/bwconv.pl -format=bibtex,htmllist -outopts=limit:5\ abstract_dir:pubs -headfoot index-headfoot.html -copyright ../copyright -to $@ $(FILTER) ${BIBFILES}
The “limit” output option limits the list to the specified number of entries (without this option, list is unlimited). The “abstract_dir” option specifies the relative directory containing the per-entry abstract files (default “../pubs”).
You can specify how the generated webpages look by supplying templates. The most common of these is supplied by the -headfoot argument to the bwconv.pl program.
A template turns into the final webpage, but certain special strings are replaced replaced first:
where $timestamp is the local time in ctime(3) format.This page was generated $timestamp by bibtex2web
bibtex2web has built-in support for many LaTeX commands, but you may find additional commands that are not supported. A common symptom of an unsupported command in an abstract is the warning
bp warning (main): Unknown TeX characters (backslashes) in ...
To support a new LaTeX command, you need to add information about how to convert it to bibtex2web's internal representation (based on Unicode) and from that representation to HTML and other formats. A good way to find the places you need to change is to grep for “017C”, which is the Unicode code for a z with a dot above it (ż), or for “21D2”, which is a right arrow (⇒), and then mimic one or the other of them.
You can find Unicode character codes (and HTML equivalents) at one of these URLs: http://www.w3.org/TR/REC-html40/sgml/entities.html, http://www.alanwood.net/unicode/arrows.html, http://www.alanwood.net/demos/ansi.html.
If you have any problems or questions, please contact Michael Ernst (mernst@cs.washington.edu). I will do my best to help, though I cannot make any guarantee.
bibtex2web was written by Michael Ernst, with contributions by Sameer Ajmani.
bibtex2web builds on the bp library by Dana Jacobsen.
David Andersen contributed patches and suggestions.
bibtex2web is built on the bp Perl library. The bibtex2web
distribution is simply the bp distribution, with corrections and
enhancements. bp-README is the original README file for the bp Perl
library, and other files and directories have been similarly prefixed with
bp-
to avoid confusion to users of bibtex2web. bp
documentation appeared at http://www.ecst.csuchico.edu/~jacobsd/bib/bp/index.html
(but wasn't packaged with bp itself). bp has not been supported
since December 1996, but it works well enough for me, particularly with my
enhancements. (Another library is btool, but bp is better.) Other systems
exist, but did not have the features I needed.
Under both Netscape and Internet Explorer,
 needs to be at the end of a line rather than at the beginning of the next line, because otherwise there can be two line breaks (i.e., a blank line) rather than just a single line break.
Don't require an extra "/dl" close tag after BODY in webpage templates.
Change the behavior of "downloadsnonlocal" as follows:
Permit multiple categories per entry, because some entries span categories. I'm not sure how to do this without overhauling bwconv.pl.
Add additional cross-reference types (beyond supersededby), such as permitting a later technical report that is linked from the page. Examples: http://homes.cs.washington.edu/~mernst/pubs/instantiating-generics-oopsla2004-abstract.html, http://pag.csail.mit.edu/pubs/deadlock-library-ecoop2005-abstract.html. (I think this may already be supported...)
Create a shared utility package for duplicated subroutines like read_link_names. Also, some code for the linkauthors option was copied from make-author-pages.pl; this should be consolidated.
Permit printing superseded articles rather than suppressing them (but do add links to the subsequent version); this gives a list of all publications, including duplicates.
The Perl expressions in -filter arguments can get long; permit simplifying them. For examples, add a -omitiffieldexists and/or an -includeiffieldexists?
Add a noabstractpage field, to replace the old nobasefilename field.
When the -q
flag is supplied, this warning message
Parsing of undecoded UTF-8 will give garbage when decoding entities at checklink.pl line 1075.
appears to be referring to the last page whose URL is printed (the last
page for which there was a problem). The warning message is coming from
HTML::Parser, but I can't find the exact place in the code (maybe it's in
C, not Perl?), and the parse method doesn't return an error status. The
workaround is to run without the -q
command-line option,
determine where the problem is, and fix it.
Alternately, follow these suggestsions from HTML::Parser:
The solution is to use the Encode::encode_utf8() on the data before
feeding it to the $p->parse(). For $p->parse_file() pass a file that
has been opened in ":utf8" mode.
The parser can process raw undecoded UTF-8 sanely if the C<utf8_mode>
is enabled or if the "attr", "@attr" or "dtext" argspecs is avoided.


File API & FileReader API not supported
XHR2's FormData is not supported
XHR2's upload progress isn't supported
Upload progress:
File API & FileReader API not supported
XHR2's FormData is not supported
XHR2's upload progress isn't supported
Upload progress:


Hi,
Config:
OKG; using RFM12B[868Mhz] with Wiznet adapter board(V1), no CD card or any other on board additions.
I'm using a cat5e cable which is under 100m, though the local broadband connection is not reliable, so I know it drops occasionally from talking to people....
When the unit stops posting data, both LEDs (green and orange) are on solid.
Power cycling the OKG or connecting a serial through ftdi resets it and it starts posting again.
I'm using a 9VDC power supply.
This wasn't an issue here at home, but it's out in the 'field' now and I'm trying to figure out why the watchdog timer isn't working?
Tried using the ResetEthernetShield function here
http://openmicros.org/index.php/articles/92-ciseco-product-documentation/openkontrol-gateway/164-openkontrol-gateway-example-code-llap-to-thingspeak
instead of the watchdog timer which isn't working.
Lasted 7 days before it died again. I need to reproduce this on the bench and find out what's going on.
Sketch is at https://github.com/PowerMeter/OKG if anyone has seen a similar issue.
Eamonn
Re: Open Kontrol Gateway - stops posting after 4-7 days in area where broadband drops a lot
Have you done the modification to the reset line? http://wiki.openenergymonitor.org/index.php?title=Open_Kontrol_Gateway
Re: Open Kontrol Gateway - stops posting after 4-7 days in area where broadband drops a lot
yes I have. I need to reproduce it here, and try to debug it.
Does seem like a wiznet reset issue though......
thanks Robert
Re: Open Kontrol Gateway - stops posting after 4-7 days in area where broadband drops a lot
I can't remember the exact details now, I think it was the case that it would start up and work correctly at power-on and maybe after a hard reset (= push-button), but the Wiznet module would not reset after a processor reset via the watchdog timeout, even though the watchdog itself was working and the processor was resetting. (I think I proved that by flashing a LED three times in the startup! So for some reason the Ethernet failed, the watchdog timed out, the processor reset, flashed its LED but the Wiznet LEDs stayed stuck as they were, so the Ethernet didn't start up, the watchdog timed out.....) Splitting the Wiznet away from the processor reset line and driving it from an I/O thereby allowing the startup function to reset it cured my problem.
Re: Open Kontrol Gateway - stops posting after 4-7 days in area where broadband drops a lot
Robert,
thanks a lot ; that sounds very plausible. I'll give it a go.
Eamonn


◆ __init__()
| def compute_lift_process.ComputeLiftProcess.__init__ |
( |
|
self, |
|
|
|
Model, |
|
|
|
settings |
|
) |
| |
◆ ExecuteFinalizeSolutionStep()
| def compute_lift_process.ComputeLiftProcess.ExecuteFinalizeSolutionStep |
( |
|
self | ) |
|
◆ body_model_part
| compute_lift_process.ComputeLiftProcess.body_model_part |
◆ compute_far_field_forces
| compute_lift_process.ComputeLiftProcess.compute_far_field_forces |
◆ compute_lift_from_jump_3d
| compute_lift_process.ComputeLiftProcess.compute_lift_from_jump_3d |
◆ drag_coefficient
| compute_lift_process.ComputeLiftProcess.drag_coefficient |
◆ drag_coefficient_far_field
| compute_lift_process.ComputeLiftProcess.drag_coefficient_far_field |
◆ drag_coefficient_jump
| compute_lift_process.ComputeLiftProcess.drag_coefficient_jump |
◆ far_field_model_part
| compute_lift_process.ComputeLiftProcess.far_field_model_part |
◆ fluid_model_part
| compute_lift_process.ComputeLiftProcess.fluid_model_part |
◆ free_stream_velocity_norm
| compute_lift_process.ComputeLiftProcess.free_stream_velocity_norm |
◆ is_infinite_wing
| compute_lift_process.ComputeLiftProcess.is_infinite_wing |
◆ lateral_force_coefficient
| compute_lift_process.ComputeLiftProcess.lateral_force_coefficient |
◆ lateral_force_coefficient_far_field
| compute_lift_process.ComputeLiftProcess.lateral_force_coefficient_far_field |
◆ lift_coefficient
| compute_lift_process.ComputeLiftProcess.lift_coefficient |
◆ lift_coefficient_far_field
| compute_lift_process.ComputeLiftProcess.lift_coefficient_far_field |
◆ lift_coefficient_jump
| compute_lift_process.ComputeLiftProcess.lift_coefficient_jump |
◆ mean_aerodynamic_chord
| compute_lift_process.ComputeLiftProcess.mean_aerodynamic_chord |
◆ moment_coefficient
| compute_lift_process.ComputeLiftProcess.moment_coefficient |
◆ moment_reference_point
| compute_lift_process.ComputeLiftProcess.moment_reference_point |
◆ reference_area
| compute_lift_process.ComputeLiftProcess.reference_area |
◆ span_direction
| compute_lift_process.ComputeLiftProcess.span_direction |
◆ te
| compute_lift_process.ComputeLiftProcess.te |
◆ trailing_edge_model_part
| compute_lift_process.ComputeLiftProcess.trailing_edge_model_part |
◆ wake_direction
| compute_lift_process.ComputeLiftProcess.wake_direction |
◆ wake_normal
| compute_lift_process.ComputeLiftProcess.wake_normal |
The documentation for this class was generated from the following file:
- /home/runner/work/Documentation/Documentation/master/applications/CompressiblePotentialFlowApplication/python_scripts/compute_lift_process.py


|
< Earlier Kibitzing · PAGE 2 OF 2 ·
Later Kibitzing> |
| May-17-06 | | VargPOD: Found Nxe4, didn't consider Ng4. Well, either knight move overloads white bishop, that has to protect both a1-h8 and a7-g1-diagonals. White's play looks very weak. |
|
May-17-06
| | mig55: I had Ng4, thx chessgames...Took me 2 min. |
|
| May-17-06 | | pyryk: Hmm..I got 14...♘xe4 but had a different variation in mind: 15. ♗xg7 ♗xe4!! Yes, that's what you get for solving puzzles while working. |
|
| May-17-06 | | RandomVisitor: <al wazir>14...Nxe4 15. fxe4 Bxd4+ 16. Kh1 Bxa1 (16...Qc3 17.Qe2) 17. Qxa1 Ne5 or Qa5 seem to be the possibilities. |
|
| May-17-06 | | naamloos: I saw Ng4 immediately and stopped looking as it seemed a good enough answer to me. I don't think that in a real game I would look further than Ng4 if I found it. |
|
| May-17-06 | | aazqua: What horrible play by white. I thought ng4 was the solution as well. It's easy to go "right" when the opponent doesn't know what she's doing. |
|
| May-17-06 | | RandomVisitor: 14...Nxe4 15.Nxe4 Bxd4 16.Nf2 h5 or Qf4; 14...Nxe4 15.Be3 Nc3 |
|
| May-17-06 | | zb2cr: Put me down with the 14. ... Ng4 crowd. |
|
| May-17-06 | | EmperorAtahualpa: Saw Monday's puzzle, missed Tuesday's one, and found this was one again! Not too difficult for a Wednesday, I think. |
|
May-17-06
| | jahhaj: I saw 14...Nxe4 as winning a pawn, I didn't notice Bxd4+ forked the rook. I did see the mate after 15.Bxg7 Qb6+ though. |
|
May-17-06
| | Mating Net: Those that selected 14...Ng4 missed the boat. The position with 14...Black to move features a hopelessly weak g3 square smack in front of the White King. 14...Ne4! aims to exploit that glaring weakness. The main fault with 14...Ng4 is that a better move, that demonstrates a superior understanding of the position, is available. |
|
| May-17-06 | | Halldor: I joined the 14...Ng4 crowd, happy with winning the exchange. |
|
May-17-06
| | kevin86: My move was 14...♘g4 thrusting the knight into a sea of pawns. Black threatens mate as well as a fork at d4. As Crazy Ralph (Friday the 13th) would say to the white pieces-"You're all doomed!" |
|
| May-17-06 | | YouRang: I missed it. 14...Nxe4! is a very nice observation by Black in a sharp tactical position. |
|
| May-17-06 | | artemis: This is an example of when Larsen's tendecy to find as many winning lines as possible before deciding on the one to use comes in handy. I looked and saw that with the bishops undefended, there must be a way to hit them. Then the g3 and f4 squares also looked appetizing. The fact that the g1-a7 diagnoal was weakened came next. Now, with the knight on h2, I started looking for the mating attack. After finding the mating attack, I investigated Ng4, but found it less than appetizing. This is an interesting puzzle. thanks cg |
|
| May-17-06 | | dakgootje: Both got Nxe4 and Ng4 as candidate-moves but only calculated the Ng4-one, mainly because it was winning and the first of them i analysed, but mainly because it looks much more forcing. |
|
| May-17-06 | | Dudley: Give it a rest,14...Ng4 is not the solution. 14...Ne4 demonstrates an accurate understanding of the position-the point of these puzzles is to find that devastaing, unexpected move that ices the game right now, not just any move that happens to win. Go ahead and give yourself credit for ...Ng4, but you're not doing yourself any favor. |
|
| May-17-06 | | zb2cr: 14. ... Nxe4; 15. Be3 avoids immediate mate, but White loses the exchange. I fail to see how this is any better than 14. ... Ng4. Please enlighten me. |
|
| May-17-06 | | einuj: I saw 15. Be3... 16.... Ng3 ,17. Re1 Qc3... I don't see any immediate win also but white here is slowly and surely gaining advantage... |
|
| May-17-06 | | RandomVisitor: 14...Nxe4 15.Be3 Nc3 16.Qc2 Ne2+ 17.Kh1 Qxc2 18.Bxc2 Ng3+ wins the rook |
|
| May-17-06 | | Tariqov: <Random visitor>I doubt anyone saw that.:) <Dudley>I am one of the Ng4 group,F.Y.I. Ng4 is not wrong as posted by chessgames.com earlier. |
|
| May-17-06 | | Ger7ry: Thanks Manic et al. I stand corrected, as usual. |
|
May-17-06
| | al wazir: <durnstein: Instead of 17 ... dxe4, 17 ... h5. White's knight can't go to g4, and Black safely remains up the exchange.> Well, I'd rather be up than down the exchange, but is that a clear win? Black's position is wide open. <RandomVisitor: 14...Nxe4 15. fxe4 Bxd4+ 16. Kh1 Bxa1 (16...Qc3 17.Qe2) 17. Qxa1 Ne5 or Qa5 seem to be the possibilities.> Yes, 17...Ne5 is pretty convincing. |
|
| May-18-06 | | zb2cr: Thanks, <RandomVisitor>. |
|
May-28-06
| | patzer2: For the May 17th puzzle solution, the combined deflection and decoy move 13...cxd4! sets up a winning discovered attack after 14. Bxd4 Nxe4! . If 14. Bf2, then 14...Qc3! wins. Black has a mating attack after 15. Bxg7 Qb6+ , or a winning double attack following 15. fxe4 Bxd4+ 16. Kh1 Qc3 . |
|
|
|
< Earlier Kibitzing · PAGE 2 OF 2 ·
Later Kibitzing> |


fileprune dds
Fileprune
Fileprune
will delete files from the specified set targetting a given distribution
of the files within time as well as size, number, and age constraints.
Its main purpose is to keep a set of daily-created backup files
in managable size,
while still providing reasonable access to older versions.
Specifying a size, file number, or age constraint will
simply remove files starting from the oldest, until the
constraint is met.
The distribution specification (exponential, Gaussian (normal), or Fibonacci)
provides finer control of the files to delete,
allowing the retention of recent copies and the increasingly
agressive pruning of the older files.
The retention schedule specifies the age intervals for which files
will be retained.
As an example, an exponential retention schedule for 10 files
with a base of 2 will be
1 2 4 8 16 32 64 128<PHONE_NUMBER>
The above schedule specifies that for the interval of 65 to 128
days there should be (at least) one retained file (unless constraints
and options override this setting).
Retention schedules are always calculated and evaluated in integer days.
By default fileprune will keep the oldest file within each day interval
allowing files to migrate from one interval to the next as time goes by.
It may also keep additional files, if the complete file set satisfies
the specified constraint.
The algorithm used for prunning does not assume that the files are
uniformally distributed;
fileprune will successfully prune file collections stored at
irregular intervals.
You can read more in the article
Organized pruning of file sets.
;login:, 28(3):39-42, June 2003.
Download
The current fileprune version is VERSION.
The following pages do not contain navigation links.
Following a link will open a new browser window.
Documentation
Source Code Repository
The
fileprune source code repository
is available on GitHub.
You can clone it by running the following command.
git clone git@github.com:dspinellis/fileprune.git
Diomidis Spinellis home page
(C) Copyright 2002-2013 D. Spinellis.
May be freely uploaded by WWW viewers and similar programs.
All other rights reserved.


Please select your favorite team!
Click on a team to see how long until their first game of the regular season!


Hosted by Roger Howard / @rogerhoward
Supported by CritiqueIt and Uncoded
We are an informal network whose members share a common interest in building software. We run the experience gamut from novice to senior, and are mostly here for community.
The online channels where we congregate:
Email<EMAIL_ADDRESS>to get an invite to our Slack and our Github organization.
** If you want to learn Github basics, join our Github org and make a “member” page by following the instructions at: www.codeandcoffeelb.org/members


Tightroping
Pack it up, Pack it in. Let me begin…
Damn. This last week or so of my life has caught me feeling exceptionally fragile.
I have been struggling to manage responsibilities I took on as they all culminate in the same moment. While I agressively marketed the studio with Google Adwords, Facebook Ads and tons of posts and messages from my twitter and facebook account, things were coming together much slower than I hoped, while still creating a sense of light at the end of the tunnel. This felt so true that I pushed my travel back a few days to SF for Hack Reactor because I really thought I was close to making a deal. Now I’m not sure what the outcome will be, and any hope of it being resolved before I leave town is extinguished. And while I wanted a few days in SF to settle in before immersing into the insane program schedule, now I’m left with about 36 hours before the going head-first into the fire.
But, it’s reminding me of some important facts of life that are easy to say and not easy to experience. For that, I am grateful. Many things are never in our control, so I prefer not to pin my happiness on my hopes. It’s a bonus when they come true, but I can’t let their fruition be my necessity.
It’s terribly overwhelming to pack up the studio in the mindset of, possibly, not returning to it. There is a memory tucked into every nook. It has been a home for my passion and work, a home for my family and most recently a home for my new beginning. It’s been a struggle to fully begin, however, among all these relics and ghosts. Packing up just unearths them and it feels all-the-more real, heavy, and sad.
The upside to my state of mind is that I can’t wait for what’s waiting for me, whatever it may be. It feels empowering to be facing such a big change with zero trepidation. I was sad to leave my intern post at AD60 and that makes me all-the-more stoked to become a ‘real’ coder. I haven’t been in a ‘formal’ learning environment since 2001, so that’s going to be quite a change of pace. I feel endlessly fortunate to have such an opportunity made available to me, and even more fortunate to have the ability to follow it down.
And the lingering question on my mind… Is this my last day living in New York City?


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| 020:015 Khan | : |
"Verily, the Hour is coming and My Will is to keep it hidden that every person may be rewarded for that which he strives. |
| 020:015 Maulana | : |
Surely the Hour is coming -- I am about to make it manifest -- so that every soul may be rewarded as it strives. |
| 020:015 Pickthal | : |
Lo! the Hour is surely coming. But I will to keep it hidden, that every soul may be rewarded for that which it striveth (to achieve). |
| 020:015 Rashad | : |
"The Hour (end of the world) is surely coming; I will keep it almost hidden, for each soul must be paid for its works. |
| 020:015 Sarwar | : |
Although it is certain that the Day of Judgment will come, I prefer to keep it almost a secret so that every soul will receive the recompense for what it has done (on its own). |
| 020:015 Shakir | : |
Surely the hour is coming-- I am about to make it manifest-- so that every soul may be rewarded as it strives: |
| 020:015 Sherali | : |
Surely, the Hour is coming and I am going to manifest it, that every soul may be recompensed for its labours; |
| 020:015 Yusufali | : |
"Verily the Hour is coming - My design is to keep it hidden - for every soul to receive its reward by the measure of its Endeavour. |
Concepts/Themes Covered: الإيمان > الغيب > الغيب النفسي > النفس Faith> The Unseen World> The Psychological Secret> The Self الإيمان > اليوم الآخر > إثباته Faith> The Hereafter> Its Proof (Evidence) العمل > الجزاء > الجزاء بالعمل Action(Work)> The Reward> The Reward by Action
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


Neapolitan is a CSS layout framework for quickly building responsive, mobile-first designs. The use of Sass mixins allows for purely semantic HTML, aiding readability and accessibility for human and robot alike.
Minimal
Use only the styles you need. Unused styles have zero overhead.
Modular
Built on unstyled Sass mixins and split into composable modules.
Modern
Using flexbox and sizes in rem, bring perfectly responsive sites to all modern browsers.
The only default styling set by the framework is a minimal reset file. Otherwise, no element is styled unless you specifically include the relevant mixin. This prevents pollution of styles and the annoyance of trying to override them. As the great William Shakespeare once said on default styles:
Installation
Installation is simple. Just clone the GitHub repository and copy the neapolitan
folder into your project directory.
This page provides a brief overview of some of Neapolitan's features. For the full documentation, click the big link below!
Documentation!The Grid
Neapolitan's grid is built on Flexbox, which lends it a heap of flexibility. Sizes can be automatically calculated, explicitly specified, or a mix of both.
To demonstrate usage of Neapolitan's grid, we need the help of Gustave, the ice-cream loving bird who is very fussy about his colour proportions. He decides he wants a container of standard neapolitan icecream: chocolate, vanilla, and strawberry.

It's as simple as adding the grid
mixin.
.tub {
@include grid();
}
Deep down, however, Gustave is a strawberry bird at heart. He decides that his ideal container of icecream should be half strawberry, with the rest evenly divided between the other flavours.
.tub {
@include grid();
}
.strawberry {
@include width(1/2);
}
Gustave is happy with the new strawberry arrangement, but after some soul-searching he decides that vanilla really isn't for him. He's not sure exactly how much more chocolate he wants, but he knows that it should be more than it is currently.
.tub {
@include grid();
}
.strawberry {
@include width(1/2);
}
.chocolate {
@include gobble(2);
}
Finally, Gustave is satisfied with the arrangement. However, he is about to go on a flight, where he will be forced to use his mobile phone to browse Twitter, his favourite website. He decides that for such an inconvenience he really deserves more strawberry. Wouldn't it be nice if his container automatically adapted for such changes?
.tub {
@include grid();
}
$desktop: media-from(769px);
.strawberry {
@include width(2/3);
@include width(1/2, $desktop);
}
.chocolate {
@include gobble(2, $desktop);
}
Hopefully the flexibility of the grid system has become clear. The grid itself can even accept breakpoints which influence parameters like direction and gutter widths.
Here is a targetResponsiveness
Neapolitan comes with a number of responsive helpers. The key to the
responsiveness system is the concept of defining breakpoints. A
breakpoint is simply defined as a Sass map, where each key-value pair
is a media query setting (like max-width
). If you don't
want to do this by hand (and let's face it, who does?), just use one of
the included functions.
$desktop: media-from(769px);
$tablet: media-between(481px, 768px);
$mobile: media-until(480px);
As we saw in the grid section, almost every Neapolitan mixin takes a $media
parameter,
which applies the mixin to only that breakpoint variable. There are
also a number of responsive helpers which act on breakpoints.
Mobile Only!
The
show
mixin hides an element for all breakpoints except the given one.Hidden on Tablet!
The
hide
mixin hides an element for only the given breakpoint.Sometimes Pink!
The
breakpoint
mixin can apply arbitrary styles to a breakpoint.
li {
@include grid();
li:nth-child(1) {
@include show($mobile);
}
li:nth-child(2) {
@include hide($tablet);
}
li:nth-child(3) {
@include breakpoint($desktop) {
color: $strawberry;
}
}
}
Components
Neapolitan comes with a variety of completely unstyled, pure-CSS UI components. Due to the mixin-based nature of the framework, it's important to use the right HTML structure with the right component. However, the approach lends itself to great flexibility.
For example, the horizontal-menu
component converts a list of lists into a horizontal dropdown menu.
- Flavours
- Chocolate
- Vanilla
- Strawberry
- Suppliers
- Ice Creams 'r' Us
- Cream and Gleam
- We Scream for Ice Cream
- Locations
- Melbourne
- Sydney
- Canberra
- Adelaide

Flavours

Chocolate

Vanilla

Strawberry

Suppliers

Ice Creams 'r' Us

Cream and Gleam

We Scream for Ice Cream

Locations

Melbourne

Sydney

Canberra

Adelaide

#menu {
@include horizontal-menu();
}
Hopefully that example proves how easy it is to apply the UI components to HTML, while still keeping it semantic. It's important to remember that there is no default styling for the components, and the example above includes extra styles that aren't listed. This keeps the UI very flexible!
Thanks!
I couldn't have made Neapolitan without inspiration from frameworks like Bourbon Neat, Susy, and Bulma.
Gustave the Bird is a remix of Fat Bird by Hector Gomez, released under the CC0 1.0 Universal Public Domain license.


Basic DataGrid
The DataGrid is created from markup, no JavaScript code needed.
Submit
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Item ID
Product
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Unit Cost
Attribute
Status


Lovebirds Headphones Survey Form
Thank you for taking the time to help us improve the product
Full Name
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Select current role
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This inspection reports when an else statement has a single if statement block which can be inlined, example 'else { if(i == 0) {'


Obsessive-compulsive disorder is a mental disorder whose main symptoms include obsessions and compulsions, driving the person to engage in unwanted, oftentimes distress behaviors or thoughts. It is treated through a combination of psychiatric medications and psychotherapy.
Obsessive-Compulsive Disorder (OCD) is an anxiety disorder characterized by recurrent and disturbing thoughts (called obsessions) and/or repetitive, ritualized behaviors that the person feels driven to perform (called compulsions). Obsessions can also take the form of intrusive images or unwanted impulses. The majority of people with OCD have both obsessions and compulsions, but a minority (about 20 percent) have obsessions alone or compulsions alone (about 10 percent).
The person with OCD usually tries to actively dismiss the obsessions or neutralize them by engaging in compulsions or avoiding situations that trigger them. In most cases, compulsions serve to alleviate anxiety. However, it is not uncommon for the compulsions themselves to cause anxiety — especially when they become very demanding.
A hallmark of OCD is that the person recognizes that their thoughts or behaviors are senseless or excessive.
However, the drive can be so powerful that the person caves in to the compulsion even though they know it makes no sense. One woman spent hours each evening sifting through the household trash to ensure that nothing valuable was being discarded. When asked what she was looking for, she nervously admitted, “I have no idea, I don’t own anything valuable.”
Some people who have had OCD for a long time may stop resisting their compulsive drives because they feel it’s just easier to give in to them.
Examples of Compulsions
Common compulsions include excessive cleaning (e.g., ritualized hand washing); checking, ordering, and arranging rituals; counting; repeating routine activities (e.g., going in/out of a doorway) and hoarding (e.g., collecting useless items).
Examples of Obsessions
Common types of obsessions include concerns with contamination (e.g., fear of dirt, germs or illness), safety/harm (e.g., being responsible for a fire), unwanted acts of aggression (e.g., unwanted impulse to harm a loved one), unacceptable sexual or religious thoughts (e.g., sacrilegious images of Christ) and the need for symmetry or exactness.
Most OCD sufferers have multiple types of obsession and compulsion. Someone with OCDmay complain primarily of obsessive-compulsive symptoms involving asbestos contamination, but a detailed interview may disclose that he/she silently counts floor tiles and hoards junk mail.


If your browser doesn't automatically go to the Table of Contents in a few seconds, press
the destination
manually.


Version Control:Why You Need It Before The Sun Comes Up!
1/4/2016
Hi, my name is Jack L. Hamilton and today I'll be blogging a little about the importance of version control.
When I was a young sophomore in high school, I pulled an all-nighter writing, editing and finalizing a journalism assignment for my high school newspaper. By the time the sun came up that early morning, I was a zombie and in my half-asleep state somehow managed to accidentally overwrite my file. To my horror, all the night's work was lost. And this wasn't even a case of not saving my work. I DID save my work. But there was no safety net to allow me to recover my work from just a few minutes before I overwrote my file. If only I could go back in time just 30 minutes!
When I was much older I was updating a peace of code with two new features. I got one feature working perfectly. Feeling a sense of "flow", I felt I was unstoppable and continued to code the second feature request without making a backup of the working code that had the first feature all done. Hours later I realized that the new (second) feature was not working correctly as I'd hoped, and I wasn't going to have the second feature debugged any time soon. Meanwhile my employer wanted at least the first feature (that was ready just hours ago!) to go off to be tested in the User Acceptance Test--feature #2 could wait. Unfortunately feature #2 broke all of the code, making feature #1 unuseable until I got feature #2 either removed or debugged completely. If only I had not been so eager and had made a backup RIGHT AFTER feature #1 was completed.


Ozymandias was
made using real-time 3D generated film-making
techniques- "Machinima".These
techniques, using computing software mostly
originally developed for the cutting edge of
computer gaming, allow low-budget film-makers to
create high-quality films rivalling the output of
professional studios.
Lithtech Film Producer was
the first one of these tools written with the
sole intention of film-making use. Ozymandias was
made using an early, "alpha" version of
this software, intended at least partially as a
demonstration of Lithtech Film Producer and the
Lithtech 3D graphics engine\'s capabilities.
For more information on
Machinima, visit AMAS,
the Academy of Machinima Arts and Sciences.
Lithtech Film Producer is sadly no longer in production. MovieStorm is a more than credible alternative.


To young researchers: "Believe in your Talents":
"We are not supposed to hide our talents. Imagine being in a dark room, a candle would make a nice light there, and that is the effect of making visible our talents to the world".
A few things I apply to my life, I think they will evolve and change, but hopefully, there will be useful to you (referring to young researchers):
1) We have got to have a vision for our personal and professional development (e.g., to get there, try to know your target audience and reach the people you like or want to work with). Without a vision, we risk to be drifted around and end up nowhere. 2) Ignore the “naysayers”: There will be always people telling us that we are not good, that what we are trying to do is impossible”. Without constructive feedback, we should ignore them, they do not know who we are and what we can achieve. We got to believe that our vision “is possible” 3) Embrace Failures: Do not be worried about failures, all people fail, embrace failures.  Keep looking and visualize your vision. 4) There is no plan B: Hearing “naysayers” or be worried about failures makes us sort of “frozen”, we can’t do things properly if we are frozen by our concerns. Then, we often try to think about an alternative plan, I call it “plan B”, which is usually far from our original vision. This is ok if our vision was just far away from what we really want to be or what we really are. However, when we think about a plan B we tend to move all our positive energy from our vision, I call it plan A. We do it because we consider the plan B as “a safety net”: if things get bad, there will be an alternative plan (a safety net). We actually work/achieve more if we act like we do not have a safety net (we are not afraid). 5) Happiness is not a function of what you achieve: “It's a function of how you spend your time. Success is a temporary thrill. Happiness lies in doing daily activities that bring you joy. There's always a new mountain to climb. You don't have to anchor your emotions to the summit” (Adam Grant) 6) Target uniqueness: “Target to do the one thing that only a few people can/want (or are able) to do, the more people will follow your path...”
TOPICS:
There are theses available (for both bachelor and master degree) on topics related to his research interests. It is suggested to contact him directly (by e-mail), or, if you want, to have a look at his recent publications on the various topics. In particular, there are available theses on the following topics:
1) Mobile and Automated Testing
2) Machine Learning Applied to Software Engineering
3) Continuos Delivery and Continuos Integration
- Development and Testing of Self-driving Cars Software
- Development and Testing of Drones Software
- Monitoring and Testing of Robotics Systems
- DevOps tools for Cyber-physical Systems (CPS) Development
- Security for Cyber-physical Systems
4) Maintenance, development and testing of Cloud Application
- Continuous Integration (CI) consists in a specific stage of CD process where team members integrate their work in an automatic manner, which allows a fast building, testing, and releasing of software, leading to multiple integrations per day. A thesis in this topic will have as main focus the development of recommender systems able to provide suggestions to developers and testers during Continuous Integration activities.
5) Tools for maintenance, development, and testing of
- Monolithic and Cloud Applications
- Cyber-physical systems (drones, robots and self-driving cars)
6) Automated Code Review
6) Automated Code Review
7) Cloud-based Testing
8) Mining software repositories (analysis of software artifacts to support development)
- Issue management (possibly in the context of Cyber-physical systems) of Github issues
- Define a Feedback Mechanisms able to help developers digest the huge amount of feedback they receive from users on a daily basis, transforming user reviews into maintenance tasks (fixing issues or building features). For more information read the recent papers accepted "How Can I Improve My App? Classifying User Reviews for Software Maintenance and Evolution", publications.html, "Analyzing Reviews and Code of Mobile Apps for better Release Planning", "Recommending and Localizing Change Requests for Mobile Apps based on User Reviews" and the related tools called ARdoc and SURF.
- Develop recommender systems able to (better) support developers during the code review process. For more information read the recent paper accepted "Would Static Analysis Tools Help Developers with Code Reviews?".
- Development recommender systems based on Source Code Summarization and Code Change Summarization techniques able to support developers during development or maintenance activities. For more information read the recent paper accepted at ICSE 2016 entitled "The impact of test case summaries on bug fixing performance: An empirical investigation". The slides of my lecture of the course Software Maintenance and Evolution describe the concepts of Source Code Summarization and Code Change Summarization.
- Develop search-based approaches to better predict change and defect prone classes. For more information read the recent paper accepted at GECCO 2016 entitled "A Search-based Training Algorithm for Cost-aware Defect Prediction".
- Automatic redocumentation of existing systems by mining software repositories. For more information have a look at the papers accepted "Mining source code descriptions from developer communications" and "CODES: mining sourCe cOde Descriptions from developErs diScussions".
- Automatic identification of skills and teamwork in software projects by mining software repositories For more information have a look at the paper accepted "Supporting Newcomers in Software Development Projects and the list of recent publications.
- Development of recommender systems, i.e., of systems able to provide suggestions to developers and managers during development or maintenance activities. For more information have a look at the paper accepted "Development Emails Content Analyzer: Intention Mining in Developer Discussions", "Analyzing APIs Documentation and Code to Detect Directive Defects" and the related tool called DECA.


Dirt
- Cost
- €2.50
- Time
- 2 months
- Tag
- D
- Features
-
- 3 homes
- Use /back
- Make Pig Spawners
- Make Zombie Spawners
Welcome to Narna.me, we're currently undergoing some changes
Loading player count... {% with messages = get_flashed_messages() %} {% for message in messages %}


Goodness is a light jQuery form validation plugin. There are no included validation rules*, feedback markup or error styles. Instead, you make the rules and use the names as classes in your own markup. When the form is validated, classes will be added or removed from your markup to match your defined styles and animation.
*A 'required' rule is provided by default, but may be overridden.
goodness = $('#basic-demo').goodness();
Call the goodness method on a jQuery selector that returns a form element to intialize the plugin on that form. The only built in validation rule is 'required'. Without specifiying any other options, you can utilize that for text input fields.
goodness = $('#custom-rules').goodness({
rules: {
'valid-password': function(val, $elm, $form) {
return $.trim(val).length > 5;
},
'match-password': function(val, $elm, $form) {
return val === $('input[name=valid-password').val();
},
'must-check': function(val, $elm, $form) {
return $elm.is(':checked');
}
}
});
Specify your validation rules in the 'rules' option when initializing the plugin. The name of your rule should be the same as the class name you apply to elements in your form that you want to adhear to the rule. The name of the rule should be a key in the rules object, while it's value should be a function that returns a boolean value. This function will be called to validate the input element, and will be passed the element's value, and jQuery references to the element itself as well as the form.


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Roman Jordan
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Ahmad Guenoun
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Jeff Daniel
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Scott Huston
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Navo Visagan
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Rohan Kulkarni
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@(admin: models.User)(video: models.Video)
@import emails.email_template
@email_template {
New video uploaded |
Dear @admin.getName,
A new video has been uploaded to your school on Careers From Here. Please review the registration and either approve or
delete the video.
Video Title: @video.getTitle
Video Description: @video.getDescription
Uploader Name: @video.getUser.getName
Click here to access the unapproved videos section of the administrative panel.
Yours,
Careers From Here team
|
}


We investigate scenarios that achieve the net-zero GHG emission goal of the Paris Agreement and hold global-mean temperature rise at various levels below 2 °C (Fig. 1d). We also explore scenarios that only achieve net-zero CO 2 emissions, while still stabilizing temperature rise below 2 °C (Fig. 1a). Throughout the manuscript, we discuss the results for these two subsets of our scenario ensemble. Our stylized emissions scenarios vary CO 2 emissions of fossil-fuel use and industry only, and are otherwise equal to RCP2.6. The reduction rates after peak emissions (0.3, 0.5, and 0.7 GtC yr −2) are set to span the range between the minimal rate for reaching the Paris temperature goal with very early peak emissions and the maximum rate assessed in the literature 22. See Methods section for a detailed description.
CO 2 emissions and respective global-mean temperature and sea-level responses. Emission scenarios based on RCP2.6 with CO 2 emissions from fossil-fuel use and industry linearly continued with the present day rate until peak year. CO 2 emissions decline by 0.3, 0.5, and 0.7 GtC yr −2 thereafter until net-zero CO 2a or net-zero greenhouse gas emissions d are reached. Scenarios that do not hold warming to below 2 °C with at least 66% chance are masked gray. b, e Global-mean temperature responses to emissions scenarios a, d in °C above pre-industrial levels. c, f Global-mean sea-level rise relative to the year 2000. Shading refers to the central 66th percentile range per scenario in b, e and to the central 90th percentile range in c, f


--- layout: archive title: Zulip Chat Archive permalink: /stream/113489-new-members/topic/writing.20tactics.20-.20quickstart.20info.html ---
I'm aware of Programming in Lean. Googling just now I found a tech report Meta-programming with the Lean proof assistant. Are there any other guides along these lines for someone starting out writing tactics?
Didn't Patrick write something in the mathlib docs directory?
https://github.com/leanprover-community/mathlib/blob/master/docs/extras/tactic_writing.md
yes
and that's all I know about.
or at least all I can remember right now
thanks for the link!
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Caption Maker lets you view a video and define captions for scenes between in and
out points. Once you've created a caption list, you can save it to a WebVTT or TTML
format file which can be used in Internet Explorer 10. You can preview the caption
file with the video from within Caption Maker, or create yourself an HTML5 webpage
that uses the track tag.
This demo allows you to create simple video caption files. Start by loading a video in a format your browser can play. Then alternately play and pause the video, entering a caption for each segment.
If you have a saved WebVTT or TTML caption file for your video, you may load it, edit the text of existing segments, or append new segments.
This demo requires a browser that supports the HTML5 <video> element, e.g.,
Internet Explorer 9 or later.
This demo supports subsets of the
W3C TTML 1.0 Recommendation and the rapidly evolving WebVTT file format. The supported subsets match those
supported for playback in Internet Explorer 10.


Starts a FOR-NEXT loop. The instructions between FOR and NEXT are repeated until the loop counter reaches a specified value. Use FOR when you need to repeat instructions a specified number of times. Use FOR.CELL when you need to repeat instructions over a range of cells.
Syntax
FOR(counter_text, start_num, end_num, step_num)
Counter_text is the name of the loop counter in the form of text.
Start_num is the value initially assigned to counter_text.
End_num is the last value assigned to counter_text.
Step_num is a value added to the loop counter after each iteration. If step_num is omitted, it is assumed to be 1.
Remarks
Microsoft Excel follows these steps as it executes a FOR-NEXT loop:
| Step | Action |
| 1 | Sets counter_text to the value start_num. |
| 2 | If counter_text is greater than end_num (or less than end_num if step_num is negative), the loop ends, and the macro continues with the function after the NEXT function. If counter_text is less than or equal to end_num (or greater than or equal to end_num if step_num is negative), the macro continues in the loop. |
| 3 | Carries out functions up to the following NEXT function. The NEXT function must be below the FOR function and in the same column. |
| 4 | Adds step_num to the loop counter. |
| 5 | Returns to the FOR function and proceeds as described in step 2. |
You can interrupt a FOR-NEXT loop by using the BREAK function.
Example
The following macro starts a FOR-NEXT loop that is executed once for every open window:
FOR("Counter", 1, COLUMNS(WINDOWS()))
Related Functions
BREAK Interrupts a FOR-NEXT, FOR.CELL-NEXT, or WHILE-NEXT loop
FOR.CELL Starts a FOR.CELL-NEXT loop
NEXT Ends a FOR-NEXT, FOR.CELL-NEXT, or WHILE-NEXT loop
WHILE Starts a WHILE-NEXT loop
Return to index


If an error occurs while loading the image, RedZoom will display a corresponding error message. You can also provide your own error message:


Actor Ralf Little suspended from Twitter for mocking Tory ‘factcheck’ rebrand
Actor Ralf Little said he has been suspended from Twitter after changing his account to mimic the Conservative Party press office.
The Tories came under fire for rebranding one of their official Twitter accounts as a “fact-checking service” during Tuesday night’s televised election debate.
Twitter warned that a repeat of the incident would result in “decisive corrective action”.
However, on Wednesday morning a number of celebrities re-branded their verified accounts.
Royle Family actor Ralf Little changed his name to “Conservative Party Press Orifice” and the description to “Not a fact checker. Or the Conservative Press Office”.
He told LBC’s James O’Brien: “Just been logged out of my Twitter account without explanation. Assume I’ve been suspended. Which is fine. But only if the @CCHQPress account is suspended for the same thing. Please continue to press the issue with Twitter in my absence.”
He was not the only verified celebrity to rebrand his account.
Black Mirror creator Charlie Brooker changed his account to mimic factcheckUK, as did The Thick Of It and Veep creator Armando Iannucci.
The Electoral Commission – the official elections watchdog – issued a warning following the incident, saying voters were entitled to expect “transparency and integrity” from campaigners.
However, senior party figures brushed off the controversy, saying it was part of their “instant rebuttal” mechanism to challenge “nonsense” claims made during the debate.
In a statement, Twitter said: “Twitter is committed to facilitating healthy debate throughout the UK General Election.
“We have global rules in place that prohibit behaviour that can mislead people, including those with verified accounts.
“Any further attempts to mislead people by editing verified profile information – in a manner seen during the UK election debate – will result in decisive corrective action.”
READ MORE
Tories criticised over ‘misleading’ Twitter account during election debate