Pro_Pack : project¶
>>> # main import statement to use
>>> from Red9.pro_pack import PROJECT_DATA
Red9 ProPack Project object (python object) is bound on boot to pro_pack itself and is used to manage data against a clients or projects own project file. The project file itself is a simple Json formatted file usually found under the client resource folder here:
/Red9_ClientCore/xxxx/resource/xxx.project
If your build doens’t have the Red9_ClientCore modules then you’ll find an empty project file here:
Red9/pro_pack/resources/empty.project
The code that adds and physically binds new project files to the systems is as follows. These lines must be added to your __init__ or somewhere thats parsed on boot so they’re bound to the PROJECT_DATA object. You can add as many of these as are required for your studios setups. Each additional project added will show up in the ProjectManager UI in Maya for you to switch between on the fly.
>>> from Red9.pro_pack import PROJECT_DATA
>>> PROJECT_DATA.add_project(os.path.join(get_resources(), 'my_new_game.project'))
The PROJECT_DATA object generated is used anywhere in the Red9 codebase where a path is required which may be specific to a project, or folder mount, allowing us to tailor setups to a clients needs without modifying the underlying codebase at all. The project file is JSON formatted and bound to the PROJECT_DATA on load, this means that anything in that .project file will be exposed as an attribute directly on the PROJECT_DATA.data object.
>>> # for example
>>> from Red9.pro_pack import PROJECT_DATA
>>> PROJECT_DATA.data.fps # project frame rate
>>> PROJECT_DATA.data.p4_root # projects p4_root path which is dynamically found
>>>
>>> # theres also a pretty print function
>>> PROJECT_DATA.pretty_print()
Note that PROJECT also manages any initial P4 bindings and therefore exposes some of the root paths directly on the Project object. Because of this many of the base paths we may setup in the .project file maybe prefixed with p4_root+
>>> "pose_projectpath": "p4_root+/Data/Animations_Source/Characters/Human/_projectposes/red9/",
This denotes that the path, in this case the pose_projectpath, is dynamic to the users current P4 workspace mount, we replace the p4_root in this case with the actual p4_root found in the users system.
Note that on boot we check if source control is available and setup the systems accordingly, all our P4 management codebase, found in the importexport module, relies on the PROJECT_DATA.source_control() call, which in itself is setup at boot. This function must return ‘perforce’ if any of the systems are to run under the p4 api natively. This NOT limited to P4 and is done in this manner to allow us to bind other source control systems to the r9File objects dynamically.
Main Classes
ProjectBase () |
base settings exposed to all client projects. This is a generic block of |
Project ([projectfile]) |
a global project object that is consumed at boot and used to setup key aspects of the |
-
RED9_SCENE_REFERENCE_CALLBACK
= None¶ This codebase must NOT directly import anything from pro_pack !!!!
-
class
ProjectBase
¶ Bases:
object
base settings exposed to all client projects. This is a generic block of data designed to be inspected via the PROJECT_DATA.data object bound to r9pro. This class object is bound to the PROJECT_DATA object at boot and all data exposed as direct attributes under the data object
>>> this object is exposed as follows >>> from Red9.pro_pack import PROJECT_DATA >>> PROJECT_DATA.data
Base keys generated by default in all project objects:
- self.client : client name
- self.upAxis : default Maya up axis
- self.scene_units : default Maya sceneunits
- self.evalmanager : either ‘off’ or ‘parallel’ the default state of the eval manager
- self.skinbase : default skin weight limit
- self.skinmethod : default skin method
- self.engineTarget : target engine platform if required
- self.binders : base paths for all BND binder files as as dict, {‘rigname’:path,} used in the Pro_to_BND options menu
- self.pose_projectpath : default posepath
- self.pose_basePreset : default AnimationToolkit preset
- self.pose_handlers : additional poseHandlers to make available in the poseLib rmb menu
Note
ALL PATHS COMING FROM THIS MUST BE PYTHONIZED NOT OS!!!!!!! on windows ‘/’ not ‘’
-
p4_root
¶ if P4 systems: return the p4 root path from the current workspace
Note
this is a vital call used in the binding of the Project paths to always ensure they are relevant to a users environment
-
p4_relativepath
(abspath)¶ if p4 systems : return the P4 relative path from the given abspath
-
p4_abspath
(relpath)¶ if p4 systems : return the abspath path from the given relpath
-
browser_ext_path
¶ Returns: resources path of the r9ext file if given
-
resource_folder
¶ generic get resource dir within the Client codebase
-
basepath
¶ generic basepath for the client codebase
-
resolve_paths
()¶ Function responsible for replacing any ‘p4_root+’ entries in the project file with dynamic data such as the actual p4_clientroot
TODO: resolve SHOULD be able to re-resoLve this data. currently it overwrites the keys directly
-
save
(filepath=None)¶ save the current project data back to file. This is useful if you’ve made changes in Maya to any of the project.data paths etc and want those written back to the client.project file
Parameters: filepath – filepath to save the project data to, if not passed we use the internal self.filepath var
-
read
(filepath=None)¶ load a given project json file, binding all keys directly to attrs on the project.data object
Parameters: filepath – filepath to load the project data from, if not passed we use the internal self.filepath var
-
pretty_print
(headers=True, raw=False, ppindent=1, prefix='\tdata : ', feedback=True)¶ pretty print all current data bound to the object in a readable format
Parameters: - headers – turn on the base headers in the pronts and return data, else just return the project data
- raw – do we return/print the actual raw json data, or the compiled and resolved version of it
- ppindent – the indent var passed to the pprint command to resolve nested data
- prefix – added prefix to the from of each key in the data
- feedback – True by default, pring the output, else just return the formatted data
-
class
Project
(projectfile=None)¶ Bases:
object
a global project object that is consumed at boot and used to setup key aspects of the Maya pipeline environment per Client. This is designed to be run in the ClientCore boot sequence so we can set a studio’s environment remotely, all set from a .project json file in the clients /resource folder. All changes to this json file will be automatically consumed and added to the r9pro.PROJECT_DATA.data instance.
This class is also responsible for the binding of the Scene Open Health tests that are run as much of the healthTests are compared to data bound to the PROJECT_DATA.data clients project file. This is why we usually ask that clients fill in a technical sign-off doc so that we can bind defaults expected.
- key internal *args:
self.suspend_openCallback : mutes the Scene Health test if bound
self.suppress_warnings : mutes any of the Scene Health test warnings and popups if True
- self.scene_health_auto_fix : if True we automatically fix any Scene Health test failures if we can,
assuming the suspend flag isn’t set to True. default = True
Parameters: projectfile – the project filepath currently loaded -
isactive
¶ return if the project is active or not
-
client_loaded
¶ return the currently booted client assuming that the .project file loaded was located in the resource folder for the client
Note
we also set the client in the project json file directly, accessed by PROJECT_DATA.data.client. this one uses the directory name of the Client as the ID so we can verify it against the data entry if needed
-
add_project
(projectfile)¶ light wrapper that just consumes and adds the project but doesn’t do the full load this is for boot sequence speedups so that we’re not processing all the Perforce calls for all available projects
-
remove_project
(project='Empty')¶ remove a given project from the structures
-
load_project
(projectfile)¶ main load for the project file object, this now encompasses the path_replacement calls for when dealing with mapped source_control keys such as ‘p4_root+’ in the data
Parameters: projectfile – .project filepath to load and consume, we take a fresh instance of the ProjectBase object to ensure full sync to the incoming data Note
If a path in the .project json file starts with ‘p4_root+’ and we’re connected to Perforce then we replace that element on the fly with the users current p4_root path, reconstructing on the fly all paths to be relative to their P4 environment regardless of workspace mounts
-
sync_project_to_settings
(project=True, perforce=True)¶ a post load call to allow us to be able to globally set all Project Data as the user last set it in the ProjectManagerUI. This includes the last loaded project and it’s P4_client data / mounts
Used in the initial r9Setup call when we build the client_boot lists up
Parameters: - project – sync of the actual project data itself from the projectfile
- perforce – deal with specific perforce FORCE handling. This is False during the boot sequence, called at the end of Red9.startup.setup.start, as the binding is dealt with during the initial self.switch_project call, handled internally (this prevents multiple calls and p4 project connection calls). when calling this after boot the perforce args should be set True to rebind to different project settings.
-
reload_project
()¶ reload the current project to refresh all the sourceControl mountings
-
refresh_project
()¶ this doesn’t do a reload, instead it just re-processes the paths data
-
switch_project
(project=None, client=None, verbose=True, managed=True, *args)¶ switch the current client / project data and manage the state of all other Client SubMenus
Parameters: - project – project to boot
- client – assuming we’ve not specified the project but have given the client, we use the keys in projects_available to find that clients initial project instead
- verbose – if project was NOT given then this throws a prompt UI to allow you to select which one to load
- managed – controls the Client sub-menu states in the Red9 menu, disabling all others except that being loaded
-
set_source_control
(force=False, bailed=False)¶ Crucial binding of the source control system passed to the r9ie.importexport module bindings This is vital when dealing with the likes of P4 as this validates the existence of the p4 connection if your client project is set to p4_project
Parameters: - force – if True we force the re-test of the source_control setup, else we run the cached result
- bailed – if True we revoke the source_control as something went wrong in the connection down stream in the importexport module so it set the bail flag, turning off future management
- ..note::
- This is the main connection call for P4 in the Project Systems
-
bind_settings
()¶ this can’t be in the __init__ like usual as PROJECT is instanciated before pro_pack is up during the boot sequence
-
P4_API
¶ GLOBAL PERFORCE API MANAGED CONNECTION :
return the currently connected P4 API object that was connected when the project was booted. Only available IF p4_project=True is set in the project.json file and P4 was available and correctly connected.
Note
this should be used in all cases rather than manually doing p4.connect() in your code as this one is managed and switchable through the ProjectUI. If Perforce connection goes down then this call is automatically shut-down all subsequent Perforce functions to prevent Maya hanging on timeouts
-
p4_valid
(force=False)¶ a base level valid test so that it’s only called once and managed
Parameters: force – whether we always re-test the connection or cache it’s state only once, this is so that if P4 was down when we booted we can force a re-test, else the fact that it was down on boot is cached and the connection to P4 severed
-
p4_refresh
(reload=True)¶ re-validate the Perforce connection and refresh the Project accordingly
Note
this will refresh to the current default connection from P4 as we don’t yet pass any connection params in before refreshing it
Parameters: reload – if True we also force reload the current project file
-
p4_switch_client
(client, reload=True)¶ switch the current P4 stream / workspace p4.client mount and refresh the Project mappings
Parameters: - client – P4 client to switch the P4_API too, this is usually the name of the P4 workspace
- reload – do we also re-load the project data or switch the P4_API
TODO: test the self.data._p4_root update to make sure we can propagate that correctly when switching projects
-
set_maya_environment
(framerate=True, animui=True)¶ manage Maya UI elements / environment setup. Force set the Maya Frame Rate against the Project settings This also sets up a number of the base flags for the AnimationToolkit via it’s internal callback mechanism (called via the set_animtoolkit_UI)
Note
this is only run in the Client __init__ calls not when switching projects
-
set_animtoolkit_UI
(animClass)¶ set some of the more specific paths for the project to the animUI class object directly these variables are pulled directly from the clients own resource/client.project file
- poseHandlerPaths : set against : r9pro.PROJECT.data.pose_handlers
- posePathProject : set against : r9pro.PROJECT.data.pose_projectpath
- basePreset : set against : r9pro.PROJECT.data.pose_basePreset
-
set_scene_open_callback
(customHealth=None)¶ set the main RED9_SCENEOPEN_CALLBACK, binding MSceneMessage.kAfterOpen to self.test_scene_health
-
kill_scene_open__callback
()¶ kill the RED9_SCENEOPEN_CALLBACK api callback
-
set_scene_import_callback
(customHealth=None)¶ set the main RED9_SCENE_IMPORT_CALLBACK, binding MSceneMessage.kAfterImport to self.test_scene_health
-
kill_scene_import__callback
()¶ kill the RED9_SCENE_IMPORT_CALLBACK api callback
-
set_scene_reference_callback
(customHealth=None)¶ set the main RED9_SCENE_REFERENCE_CALLBACK, binding MSceneMessage.kAfterReference to self.test_scene_health
-
kill_scene_reference_callback
()¶ kill the RED9_SCENE_REFERENCE_CALLBACK api callback
-
timeunits
¶ simple property to return the project files fps entry as timeunit in Maya (‘game’,’film’,’pal’,’ntsc’,’show’,’palf’,’ntscf’) based on the data.fps setting in the project file
-
force_fps
(fps=None)¶ force the maya framerate to the project setting including the default Maya working fps
Parameters: fps – if given this over-rides the project fps and will be used instead
-
force_up_axis
(axis=None, toggle=False, verbose=False)¶ toggle the current world up axis and compensate the cameras etc
-
test_scene_health
(*args)¶ validate base scene health against the project, if we’ve passed in a custom health test then thats bound to the main callbacks here
-
healthclass_binding
()¶ bind all ‘healthclass_‘ keys in the project data to their class objects (remember that the keys in the project are just string data) This binds the classes up to attrs direct on the PROJECT_DATA itself so if the project file has a key that starts with ‘healthclass_SRC’ then that attr will get propagated to this class directly and the return will be a list [__module__, cls]
Note
this is run when we load a project and all classes must be imported and in memory before this inspection happens


Simple Tree Usage
/
bin
boot
etc
environment
fstab
init
cups.conf
dbus.conf
Bergen
hostname.conf
resolvconf
interface-order
resolv.conf.d
base
head
home
Foobar
Documents
file1.txt
file2.txt
Music
Videos
opt
var
lib
local
log
Tree With Icons
/
bin
boot
etc
environment
fstab
init
cups.conf
dbus.conf
Bergen
hostname.conf
resolvconf
interface-order
resolv.conf.d
base
head
home
Foobar
Documents
file1.txt
file2.txt
Music
Videos
opt
var
lib
local
log


Ocean [az46], ocean, in The Inner Sea ------------------------------------------------------------------------ 1: Fast Winds [ak2q], ship, 2 hulls, 1 rowing port, 6 sails, 5% damaged, 1: departed for Ocean [ba46]. Routes leaving Ocean: North, to Ocean [ay46], 6 days East, to Ocean [az47], 6 days South, to Ocean [ba46], Crystal Sea, 6 days West, to Ocean [az45], 6 days


---
layout: single
title: "[How To] Forensic Memory Acquisition in Linux - LiME "
date: '2016-12-05T18:39:00.000+09:00'
author: Joshua James
tags:
- Digital Forensics
- dfir
- Memory Forensics
- Forensic Acquisition
- HowTo
modified_time: '2016-12-05T18:39:05.892+09:00'
thumbnail: https://img.youtube.com/vi/_7Tq8dcmP0k/default.jpg
blogger_id: tag:blogger.com,1999:blog-2701259639305045003.single-3897622854523219440
blogger_orig_url: http://www.cybercrimetech.com/2016/12/how-to-forensic-memory-acquisition-in.html
---
This week we will be using LiME to acquire a memory image in a suspect Linux system. LiME is a loadable kernel module that needs to be compiled based on the specific arch of the suspect device. We show the basics of compiling, and how to load the kernel object to copy a RAW memory image.


Guitar Training and Judgement Tool
You are in Training-Mode. Use the arrow keys to navigate the possible chords and play them. The website will recognise when a chord was played and tell you if it was correct or incorrect.Help
This website helps you to improve your guitar playing skills. First grant the website access to the microphone of your computer and find a somewhat quiet location. Then, choose between Training Mode and Challenge Mode.
In Training Mode you can choose one of the available chords using the arrow keys on your keyboard and play it on your guitar. The website will recognise this and tell you if you hit all the correct strings and if not, which tones were wrong.
In Challenge Mode you can choose a song title and play it. Always play the currently shown chord. It comes down to timing here, too, as the next chord will scroll in according to the song!
Troubleshooting
I get no results
Are you sure you have a microphone installed on your computer, it is not muted and you have granted access to it to the website?
I still get no results
Did you play loud enough and not too far away from your computer? You should be not farther away than ½ meters.
About
We (that is Tilman and Martin) built this website as a mini-project for the class Music Processing Analysis at the Friedrich-Alexander University. As we both could not play the guitar our goal was to create a fun and easy way to learn playing it - without a teacher being needed.
We hope you like the website, but as we are relying on technology which is still shifting and not yet completely standardized things might break. Please drop us a notice in this case or fork our project at github. The analysis code is licensed GPL v2 by t.animal and finomnis, the website design is licensed CC-BY-NC-SA by t.animal.
We are proud to have realized this webiste completely in your browser (relying on javascript for analysis and CSS for animations)! So setting up your own copy is as easy as cloning our repo and deploying it on the webserver of your choice. However, this means a fairly recent browser is required, e.g. Chrome ≥ 47 or Firefox ≥ 38.
Settings
Select all chords which you want to have available in training and challenge mode.Debugging
Live frequency bins
→ Frequency Bins; ↑ Magnitude


Plugin Information |
|---|
View Selenium HTML report on the plugin site for more information. |
Older versions of this plugin may not be safe to use. Please review the following warnings before using an older version:
This plugin visualizes the results of selenium tests.
Description
The seleniumhtmlreport plugin scans the selenium test results directory for html files created by selenium tests and creates an overview of the executed tests.
All html result files will be copied into the subdirectory "seleniumReports" of the build root directory.
All results will be read from the html result files. In the overview is for each html result file a link to it.
Configuration
If you activate the Post-Build-Action "Publish Selenium Html Report" you can insert the location of your selenium test results into the text input box with the label "Selenium tests results location". Insert a location relative to your workspace.
Feedback
This plugin is developed and maintained by Marco Machmer with kind support from Abas Software AG. Please feel free to contact me for feedback. If you have suggestions for new features or you've found a bug, please use the issue tracker.
Attachments:
seleniumhtmlreport_config.jpg (image/jpeg)
SeleniumReport.png (image/png)


All of this content was created using various preprocessors and compilers, as well as test tools and watchers, without using Grunt, Gulp, Brocolli, Fez, Jake, etc.


%inherit file="base.html"/> <%def name="title()">Draft Editor%def> File New Open Save Save a Copy Download as WIF Download as PNG Download as SVG Print Edit Undo Redo Change History Tools Material Usage Reduce Shafts Reduce Treadles Simplify Treadling Weave Instructions ## ## ${draft_svg | n} ##


[§8-5.5] Queen Liliuokalani Day. September2 of each year shall be known and recognized as "Queen Liliuokalani Day" in memory of the birth of Queen Liliuokalani on September2, 1838; provided that this day shall not be a state holiday. [L 1993, c 11, §1]


Portfolio
Video Game
The image is one of my all time favorite games. I didn't create this game, but one day I will create one, and replace this section with it!
Book
I am ambitious, and would love to be an author of a sci-fi novel. For now, I have showcased an image of my favorite novel.
Company
If I had a company, I would describe it here, place my logo as the image, and have it hyperlink to my company website. Alas I do not. Enjoy this cat instead.
AI
Maybe I will go into AI one day. I hear it is a lucrative venture. Here I would describe my AI, and how it will take over the world.


CrimPapers
Articles published on 13 July 2018
On 13 July 2018, 8 new articles were published in 7 journals.
Avoiding the Runaround: the Link Between Cultural Health Capital and Health Management Among Older Prisoners by Meghan A.novisky
Narrative Expressivism: A Criminological Approach to the Expressive Function of International Criminal Justice by Anette Bringedal Houge
A “Wife’s Duty” and Social Suffering: Sexual Assault in Marital Relationships in Vietnam by Lynn Kwiatkowski
What’s in A Betrayal? Trauma, Dissociation, and Hallucinations Among High-Functioning Ethnic Minority Emerging Adults by Jennifer M. Gómez
Colonized Silence: Confronting the Colonial Link in Rural Alaska Native Survivors’ Non-Disclosure of Child Sexual Abuse by Jeremy Braithwaite
Racial/ethnic Differences in Determinants of Trauma Symptomatology Among Children in the U.s. Child Welfare System Exposed to Intimate Partner Violence
Traumatic Brain Injury, Temperament, and Violence in Incarcerated Youth: A Mediation Analysis Based on Delisi and Vaughn’s Theory of Temperament and Antisocial Behavior by Christopher A. Veeh, Tanya Renn, Michael G. Vaughn, Matt Delisi
Australian Media Messages: Critical Discourse Analysis of Two Intimate Homicides Involving Domestic Violence by Patricia Easteal, Kate Holland, Michelle Dunne Breen, Cathy Vaughan, Georgina Sutherland


55.0.2883.87-1: Binaries for Ubuntu 16.10 (yakkety) amd64
Navigation: Front page / Releases / Ubuntu / 16.10 (yakkety) amd64 / 55.0.2883.87-1
Release Information
- Author: (unspecified)
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- Notes: (none)
Status: Release
Downloads


Flinn
Diagram (Flinn, 1962):
The y-axis is the ratio a = X / Y, and the x-axis is b = Y / Z.
The
k-value
k = (a-1) / (b – 1)
describes
the shape of an ellipsoid. k = ∞ represents a prolate (uniaxial
extension)
ellipsoid (Fig. 7). Prolate shapes plot on the y-axis. k = 0 represents
an
oblate (uniaxial shortening) ellipsoid (Fig. 8). Oblate shapes plot on
the
x-axis. k = 1 represents plane strain (Fig.9). In this deformation the
Y-axis
of the ellipsoid is unchanged.
Hsü
(Nadai) Diagram (Hsü, 1966; Nadai, 1963):
This diagram uses
the Lode parameter
instead of
the k-value. e is the natural strain (


Tapajit Dey is a MTS Researcher at the
Software Engineering Institute in Carnegie Mellon University,
working in the Architecture Design, Analysis and Automation Team.
He obtained his Ph.D. in Computer Science from the University of Tennessee, Knoxville (UTK)
with Dr. Audris Mockus, with his Ph.D. research focusing on applying data mining and
empirical software engineering techniques for analyzing software ecosystems and software supply chains.
Then, he worked as a Postdoctoral Researcher (later promoted to Research Fellow) at Lero, the Science Foundation
Ireland Research Centre for Software at the University of Limerick (UL),
with Prof. Brian Fitzgerald on InnerSource and Open Source Software Development,
where he was also one of the founding members of the Lero Open Source Program Office.
He received his Bachelors and Masters Degree (under the Dual-Degree program) from the Indian
Institute of Technology (IIT), Kharagpur in Electronics and Electrical Communication
Engineering and worked in IBM for 3 years before joining Ph.D.
His research interests comprise the topics of Empirical Software Engineering, Open Source and InnerSource software development, Human Aspects of Software Engineering,
Mining Software Repositories, Data Analysis, and Role of Bots/Automation in Software Development.


- 'Tis Aufidius,
- Who, hearing of our Marcius' banishment,
- Thrusts forth his horns again into the world;
- Which were inshell'd when Marcius stood for Rome,
- And durst not once peep out.
- SICINIUS
- Come, what talk you
- Of Marcius?
- BRUTUS
- Go see this rumourer whipp'd. It cannot be
- The Volsces dare break with us.
- MENENIUS
- Cannot be!
- We have record that very well it can,
- And three examples of the like have been
- Within my age. But reason with the fellow,
- Before you punish him, where he heard this,
- Lest you shall chance to whip your information
- And beat the messenger who bids beware
- Of what is to be dreaded.
- SICINIUS
- Tell not me:
- I know this cannot be.
- BRUTUS
- Not possible.
Enter a Messenger
- Messenger
- The nobles in great earnestness are going
- All to the senate-house: some news is come
- That turns their countenances.
- SICINIUS
- 'Tis this slave; —
- Go whip him, 'fore the people's eyes: — his raising;
- Nothing but his report.
- Messenger
- Yes, worthy sir,
- The slave's report is seconded; and more,
- More fearful, is deliver'd.
- SICINIUS
- What more fearful?
- Messenger
- It is spoke freely out of many mouths —
- How probable I do not know — that Marcius,
- Join'd with Aufidius, leads a power 'gainst Rome,
- And vows revenge as spacious as between
- The young'st and oldest thing.
- SICINIUS
- This is most likely!
- BRUTUS
- Raised only, that the weaker sort may wish
- Good Marcius home again.
- SICINIUS
- The very trick on't.
- MENENIUS
- This is unlikely:
- He and Aufidius can no more atone
- Than violentest contrariety.
Enter a second Messenger
- Second Messenger
- You are sent for to the senate:
- A fearful army, led by Caius Marcius
- Associated with Aufidius, rages
- Upon our territories; and have already
- O'erborne their way, consumed with fire, and took
- What lay before them.
Enter COMINIUS
- COMINIUS
- O, you have made good work!
- MENENIUS
- What news? what news?
- COMINIUS
- You have holp to ravish your own daughters and
- To melt the city leads upon your pates,
- To see your wives dishonour'd to your noses —
- MENENIUS
- What's the news? what's the news?
- COMINIUS
- Your temples burned in their cement, and
- Your franchises, whereon you stood, confined
- Into an auger's bore.
- MENENIUS
- Pray now, your news?
- You have made fair work, I fear me. — Pray, your news? —
- If Marcius should be join'd with Volscians —
- COMINIUS
- If!
- He is their god: he leads them like a thing
- Made by some other deity than nature,
- That shapes man better; and they follow him,
- Against us brats, with no less confidence
- Than boys pursuing summer butterflies,
- Or butchers killing flies.
- MENENIUS
- You have made good work,
- You and your apron-men; you that stood so up much
- on the voice of occupation and
- The breath of garlic-eaters!
- COMINIUS
- He will shake
- Your Rome about your ears.
- MENENIUS
- As Hercules
- Did shake down mellow fruit.
- You have made fair work!
- BRUTUS
- But is this true, sir?
- COMINIUS
- Ay; and you'll look pale
- Before you find it other. All the regions
- Do smilingly revolt; and who resist
- Are mock'd for valiant ignorance,
- And perish constant fools. Who is't can blame him?
- Your enemies and his find something in him.
- MENENIUS
- We are all undone, unless
- The noble man have mercy.
- COMINIUS
- Who shall ask it?
- The tribunes cannot do't for shame; the people
- Deserve such pity of him as the wolf
- Does of the shepherds: for his best friends, if they
- Should say 'Be good to Rome,' they charged him even
- As those should do that had deserved his hate,
- And therein show'd like enemies.
- MENENIUS
- 'Tis true:
- If he were putting to my house the brand
- That should consume it, I have not the face
- To say 'Beseech you, cease.' You have made fair hands,
- You and your crafts! you have crafted fair!
- COMINIUS
- You have brought
- A trembling upon Rome, such as was never
- So incapable of help.
- Both Tribunes
- Say not we brought it.
- MENENIUS
- How! Was it we? we loved him but, like beasts
- And cowardly nobles, gave way unto your clusters,
- Who did hoot him out o' the city.
- COMINIUS
- But I fear
- They'll roar him in again. Tullus Aufidius,
- The second name of men, obeys his points
- As if he were his officer: desperation
- Is all the policy, strength and defence,
- That Rome can make against them.
Enter a troop of Citizens
- MENENIUS
- Here come the clusters.
- And is Aufidius with him? You are they
- That made the air unwholesome, when you cast
- Your stinking greasy caps in hooting at
- Coriolanus' exile.  'Tis no matter;
- if he could burn us all into one coal,
- We have deserved it.
- Citizens
- Faith, we hear fearful news.
- First Citizen
- For mine own part,
- When I said, banish him, I said 'twas pity.
- Second Citizen
- And so did I.
- Third Citizen
- And so did I; and, to say the truth, so did very
- many of us: that we did, we did for the best; and
- though we willingly consented to his banishment, yet
- it was against our will.
- COMINIUS
- Ye re goodly things, you voices!
- MENENIUS
- You have made
- Good work, you and your cry! Shall's to the Capitol?
- COMINIUS
- O, ay, what else?
Exeunt COMINIUS and MENENIUS
- SICINIUS
- Go, masters, get you home; be not dismay'd:
- These are a side that would be glad to have
- This true which they so seem to fear. Go home,
- And show no sign of fear.
- First Citizen
- The gods be good to us! Come, masters, let's home.
- I ever said we were i' the wrong when we banished
- him.
- Second Citizen
- So did we all. But, come, let's home.
Exeunt Citizens
- BRUTUS
- I do not like this news.
- SICINIUS
- Nor I.
- BRUTUS
- Let's to the Capitol. Would half my wealth
- Would buy this for a lie!
- SICINIUS
- Pray, let us go.
Exeunt
SCENE VII. A camp, at a small distance from Rome.
Enter AUFIDIUS and his Lieutenant
- AUFIDIUS
- Do they still fly to the Roman?
- Lieutenant
- I do not know what witchcraft's in him, but
- Your soldiers use him as the grace 'fore meat,
- Their talk at table, and their thanks at end;
- And you are darken'd in this action, sir,
- Even by your own.
- AUFIDIUS
- I cannot help it now,
- Unless, by using means, I lame the foot
- Of our design. He bears himself more proudlier,
- Even to my person, than I thought he would
- When first I did embrace him: yet his nature
- In that's no changeling; and I must excuse
- What cannot be amended.
- Lieutenant
- Yet I wish, sir —
- I mean for your particular — you had not
- Join'd in commission with him; but either
- Had borne the action of yourself, or else
- To him had left it solely.
- AUFIDIUS
- I understand thee well; and be thou sure,
- when he shall come to his account, he knows not
- What I can urge against him. Although it seems,
- And so he thinks, and is no less apparent
- To the vulgar eye, that he bears all things fairly.
- And shows good husbandry for the Volscian state,
- Fights dragon-like, and does achieve as soon
- As draw his sword; yet he hath left undone
- That which shall break his neck or hazard mine,
- Whene'er we come to our account.
- Lieutenant
- Sir, I beseech you, think you he'll carry Rome?
- AUFIDIUS
- All places yield to him ere he sits down;
- And the nobility of Rome are his:
- The senators and patricians love him too:
- The tribunes are no soldiers; and their people
- Will be as rash in the repeal, as hasty
- To expel him thence. I think he'll be to Rome
- As is the osprey to the fish, who takes it
- By sovereignty of nature. First he was
- A noble servant to them; but he could not
- Carry his honours even: whether 'twas pride,
- Which out of daily fortune ever taints
- The happy man; whether defect of judgment,
- To fail in the disposing of those chances
- Which he was lord of; or whether nature,
- Not to be other than one thing, not moving
- From the casque to the cushion, but commanding peace
- Even with the same austerity and garb
- As he controll'd the war; but one of these —
- As he hath spices of them all, not all,
- For I dare so far free him — made him fear'd,
- So hated, and so banish'd: but he has a merit,
- To choke it in the utterance. So our virtues
- Lie in the interpretation of the time:
- And power, unto itself most commendable,
- Hath not a tomb so evident as a chair
- To extol what it hath done.
- One fire drives out one fire; one nail, one nail;
- Rights by rights falter, strengths by strengths do fail.
- Come, let's away. When, Caius, Rome is thine,
- Thou art poor'st of all; then shortly art thou mine.
Exeunt
ACT V
SCENE I. Rome. A public place.
Enter MENENIUS, COMINIUS, SICINIUS, BRUTUS,
and others
- MENENIUS
- No, I'll not go: you hear what he hath said
- Which was sometime his general; who loved him
- In a most dear particular. He call'd me father:
- But what o' that? Go, you that banish'd him;
- A mile before his tent fall down, and knee
- The way into his mercy: nay, if he coy'd
- To hear Cominius speak, I'll keep at home.
- COMINIUS
- He would not seem to know me.
- MENENIUS
- Do you hear?
- COMINIUS
- Yet one time he did call me by my name:
- I urged our old acquaintance, and the drops
- That we have bled together. Coriolanus
- He would not answer to: forbad all names;
- He was a kind of nothing, titleless,
- Till he had forged himself a name o' the fire
- Of burning Rome.
- MENENIUS
- Why, so: you have made good work!
- A pair of tribunes that have rack'd for Rome,
- To make coals cheap — a noble memory!
- COMINIUS
- I minded him how royal 'twas to pardon
- When it was less expected: he replied,
- It was a bare petition of a state
- To one whom they had punish'd.
- MENENIUS
- Very well:
- Could he say less?
- COMINIUS
- I offer'd to awaken his regard
- For's private friends: his answer to me was,
- He could not stay to pick them in a pile
- Of noisome musty chaff: he said 'twas folly,
- For one poor grain or two, to leave unburnt,
- And still to nose the offence.
- MENENIUS
- For one poor grain or two!

- SICINIUS
- Nay, pray, be patient: if you refuse your aid
- In this so never-needed help, yet do not
- Upbraid's with our distress. But, sure, if you
- Would be your country's pleader, your good tongue,
- More than the instant army we can make,
- Might stop our countryman.
- MENENIUS
- No, I'll not meddle.
- SICINIUS
- Pray you, go to him.
- MENENIUS
- What should I do?
- BRUTUS
- Only make trial what your love can do
- For Rome, towards Marcius.
- MENENIUS
- Well, and say that Marcius
- Return me, as Cominius is return'd,
- Unheard; what then?
- But as a discontented friend, grief-shot
- With his unkindness? say't be so?
- SICINIUS
- Yet your good will
- must have that thanks from Rome, after the measure
- As you intended well.
- MENENIUS
- I'll undertake 't:
- I think he'll hear me. Yet, to bite his lip
- And hum at good Cominius, much unhearts me.
- He was not taken well; he had not dined:
- The veins unfill'd, our blood is cold, and then
- We pout upon the morning, are unapt
- To give or to forgive; but when we have stuff'd
- These and these conveyances of our blood
- With wine and feeding, we have suppler souls
- Than in our priest-like fasts: therefore I'll watch him
- Till he be dieted to my request,
- And then I'll set upon him.
- BRUTUS
- You know the very road into his kindness,
- And cannot lose your way.
- MENENIUS
- Good faith, I'll prove him,
- Speed how it will. I shall ere long have knowledge
- Of my success.
Exit
- COMINIUS
- He'll never hear him.
- SICINIUS
- Not?
 I kneel'd before him;
- 'Twas very faintly he said 'Rise;' dismiss'd me
- Thus, with his speechless hand: what he would do,
- He sent in writing after me; what he would not,
- Bound with an oath to yield to his conditions:
- So that all hope is vain.
- Unless his noble mother, and his wife;
- Who, as I hear, mean to solicit him
- For mercy to his country. Therefore, let's hence,
- And with our fair entreaties haste them on.
Exeunt
SCENE II. Entrance of the Volscian camp before Rome. Two Sentinels on guard.
Enter to them, MENENIUS
- First Senator
- Stay: whence are you?
- Second Senator
- Stand, and go back.
- MENENIUS
- You guard like men; 'tis well: but, by your leave,
- I am an officer of state, and come
- To speak with Coriolanus.
- First Senator
- From whence?
- MENENIUS
- From Rome.
- First Senator
- You may not pass, you must return: our general
- Will no more hear from thence.
- Second Senator
- You'll see your Rome embraced with fire before
- You'll speak with Coriolanus.
- MENENIUS
- Good my friends,
- If you have heard your general talk of Rome,
- And of his friends there, it is lots to blanks,
- My name hath touch'd your ears it is Menenius.
- First Senator
- Be it so; go back: the virtue of your name
- Is not here passable.
- MENENIUS
- I tell thee, fellow,
- The general is my lover: I have been
- The book of his good acts, whence men have read
- His name unparallel'd, haply amplified;
- For I have ever verified my friends,
- Of whom he's chief, with all the size that verity
- Would without lapsing suffer: nay, sometimes,
- Like to a bowl upon a subtle ground,
- I have tumbled past the throw; and in his praise
- Have almost stamp'd the leasing: therefore, fellow,
- I must have leave to pass.
- First Senator
- Faith, sir, if you had told as many lies in his
- behalf as you have uttered words in your own, you
- should not pass here; no, though it were as virtuous
- to lie as to live chastely. Therefore, go back.
- MENENIUS
- Prithee, fellow, remember my name is Menenius,
- always factionary on the party of your general.
- Second Senator
- Howsoever you have been his liar, as you say you
- have, I am one that, telling true under him, must
- say, you cannot pass. Therefore, go back.
- MENENIUS
- Has he dined, canst thou tell? for I would not
- speak with him till after dinner.

- MENENIUS
- I am, as thy general is.
- First Senator
- Then you should hate Rome, as he does. Can you,
- when you have pushed out your gates the very
- defender of them, and, in a violent popular
- ignorance, given your enemy your shield, think to
- front his revenges with the easy groans of old
- women, the virginal palms of your daughters, or with
- the palsied intercession of such a decayed dotant as
- you seem to be?  No, you are deceived;
- therefore, back to Rome, and prepare for your
- execution: you are condemned, our general has sworn
- you out of reprieve and pardon.
- MENENIUS
- Sirrah, if thy captain knew I were here, he would
- use me with estimation.
- Second Senator
- Come, my captain knows you not.
- MENENIUS
- I mean, thy general.
- First Senator
- My general cares not for you. Back, I say, go; lest
- I let forth your half-pint of blood; back — that's
- the utmost of your having: back.
- MENENIUS
- Nay, but, fellow, fellow —
Enter CORIOLANUS and AUFIDIUS
- CORIOLANUS
- What's the matter?
- MENENIUS
- Now, you companion, I'll say an errand for you:
- You shall know now that I am in estimation; you shall
- perceive that a Jack guardant cannot office me from
- my son Coriolanus: guess, but by my entertainment
- with him, if thou standest not i' the state of
- hanging, or of some death more long in
- spectatorship, and crueller in suffering; behold now
- presently, and swoon for what's to come upon thee.
- To CORIOLANUS
- The glorious gods sit in hourly synod about thy
- particular prosperity, and love thee no worse than
- thy old father Menenius does! O my son, my son!
- thou art preparing fire for us; look thee, here's
- water to quench it. I was hardly moved to come to
- thee; but being assured none but myself could move
- thee, I have been blown out of your gates with
- sighs; and conjure thee to pardon Rome, and thy
- petitionary countrymen. The good gods assuage thy
- wrath, and turn the dregs of it upon this varlet
- here — this, who, like a block, hath denied my
- access to thee.
- CORIOLANUS
- Away!
- MENENIUS
- How! away!
- CORIOLANUS
- Wife, mother, child, I know not. My affairs
- Are servanted to others: though I owe
- My revenge properly, my remission lies
- In Volscian breasts. That we have been familiar,
- Ingrate forgetfulness shall poison, rather
- Than pity note how much. Therefore, be gone.
- Mine ears against your suits are stronger than
- Your gates against my force. Yet, for I loved thee,
- Take this along; I writ it for thy sake
- Gives a letter
- And would have rent it. Another word, Menenius,
- I will not hear thee speak. This man, Aufidius,
- Was my beloved in Rome: yet thou behold'st!
- AUFIDIUS
- You keep a constant temper.
Exeunt CORIOLANUS and AUFIDIUS
- First Senator
- Now, sir, is your name Menenius?
- Second Senator
- 'Tis a spell, you see, of much power: you know the
- way home again.
- First Senator
- Do you hear how we are shent for keeping your
- greatness back?
- Second Senator
- What cause, do you think, I have to swoon?
- MENENIUS
- I neither care for the world nor your general: for
- such things as you, I can scarce think there's any,
- ye're so slight. He that hath a will to die by
- himself fears it not from another: let your general
- do his worst.  I say to you,
- as I was said to, Away!
Exit
- First Senator
- A noble fellow, I warrant him.
- Second Senator
- The worthy fellow is our general: he's the rock, the
- oak not to be wind-shaken.
Exeunt
SCENE III. The tent of Coriolanus.
Enter CORIOLANUS, AUFIDIUS, and others
- CORIOLANUS
- We will before the walls of Rome tomorrow
- Set down our host. My partner in this action,
- You must report to the Volscian lords, how plainly
- I have borne this business.
- AUFIDIUS
- Only their ends
- You have respected; stopp'd your ears against
- The general suit of Rome; never admitted
- A private whisper, no, not with such friends
- That thought them sure of you.
- CORIOLANUS
- This last old man,
- Whom with a crack'd heart I have sent to Rome,
- Loved me above the measure of a father;
- Nay, godded me, indeed. Their latest refuge
- Was to send him; for whose old love I have,
- Though I show'd sourly to him, once more offer'd
- The first conditions, which they did refuse
- And cannot now accept; to grace him only
- That thought he could do more, a very little
- I have yielded to: fresh embassies and suits,
- Nor from the state nor private friends, hereafter
- Will I lend ear to. Ha! what shout is this?
- Shout within
- Shall I be tempted to infringe my vow
- In the same time 'tis made? I will not.
- Enter in mourning habits, VIRGILIA, VOLUMNIA,
leading young MARCIUS, VALERIA, and Attendants
- My wife comes foremost; then the honour'd mould
- Wherein this trunk was framed, and in her hand
- The grandchild to her blood. But, out, affection!
- All bond and privilege of nature, break!
- Let it be virtuous to be obstinate.
- What is that curt'sy worth? or those doves' eyes,
- Which can make gods forsworn? I melt, and am not
- Of stronger earth than others. My mother bows;
- As if Olympus to a molehill should
- In supplication nod: and my young boy
- Hath an aspect of intercession, which
- Great nature cries 'Deny not.' let the Volsces
- Plough Rome and harrow Italy: I'll never
- Be such a gosling to obey instinct, but stand,
- As if a man were author of himself
- And knew no other kin.
- VIRGILIA
- My lord and husband!
- CORIOLANUS
- These eyes are not the same I wore in Rome.
- VIRGILIA
- The sorrow that delivers us thus changed
- Makes you think so.
- CORIOLANUS
- Like a dull actor now,
- I have forgot my part, and I am out,
- Even to a full disgrace. Best of my flesh,
- Forgive my tyranny; but do not say
- For that 'Forgive our Romans.' O, a kiss
- Long as my exile, sweet as my revenge!
- Now, by the jealous queen of heaven, that kiss
- I carried from thee, dear; and my true lip
- Hath virgin'd it e'er since. You gods! I prate,
- And the most noble mother of the world
- Leave unsaluted: sink, my knee, i' the earth;
- Kneels
- Of thy deep duty more impression show
- Than that of common sons.
- VOLUMNIA
- O, stand up blest!
- Whilst, with no softer cushion than the flint,
- I kneel before thee; and unproperly
- Show duty, as mistaken all this while
- Between the child and parent.
Kneels
- CORIOLANUS
- What is this?
- Your knees to me? to your corrected son?
- Then let the pebbles on the hungry beach
- Fillip the stars; then let the mutinous winds
- Strike the proud cedars 'gainst the fiery sun;
- Murdering impossibility, to make
- What cannot be, slight work.
- VOLUMNIA
- Thou art my warrior;
- I holp to frame thee. Do you know this lady?
- CORIOLANUS
- The noble sister of Publicola,
- The moon of Rome, chaste as the icicle
- That's curdied by the frost from purest snow
- And hangs on Dian's temple: dear Valeria!
- VOLUMNIA
- This is a poor epitome of yours,
- Which by the interpretation of full time
- May show like all yourself.
- CORIOLANUS
- The god of soldiers,
- With the consent of supreme Jove, inform
- Thy thoughts with nobleness; that thou mayst prove
- To shame unvulnerable, and stick i' the wars
- Like a great sea-mark, standing every flaw,
- And saving those that eye thee!
- VOLUMNIA
- Your knee, sirrah.
- CORIOLANUS
- That's my brave boy!
- VOLUMNIA
- Even he, your wife, this lady, and myself,
- Are suitors to you.
- CORIOLANUS
- I beseech you, peace:
- Or, if you'ld ask, remember this before:
- The thing I have forsworn to grant may never
- Be held by you denials. Do not bid me
- Dismiss my soldiers, or capitulate
- Again with Rome's mechanics: tell me not
- Wherein I seem unnatural: desire not
- To ally my rages and revenges with
- Your colder reasons.
- VOLUMNIA
- O, no more, no more!
- You have said you will not grant us any thing;
- For we have nothing else to ask, but that
- Which you deny already: yet we will ask;
- That, if you fail in our request, the blame
- May hang upon your hardness: therefore hear us.
- CORIOLANUS
- Aufidius, and you Volsces, mark; for we'll
- Hear nought from Rome in private. Your request?
- VOLUMNIA
- Should we be silent and not speak, our raiment
- And state of bodies would bewray what life
- We have led since thy exile. Think with thyself
- How more unfortunate than all living women
- Are we come hither: since that thy sight,
- which should
- Make our eyes flow with joy, hearts dance
- with comforts,
- Constrains them weep and shake with fear and sorrow;
- Making the mother, wife and child to see
- The son, the husband and the father tearing
- His country's bowels out. And to poor we
- Thine enmity's most capital: thou barr'st us
- Our prayers to the gods, which is a comfort
- That all but we enjoy; for how can we,
- Alas, how can we for our country pray.
- Whereto we are bound, together with thy victory,
- Whereto we are bound? alack, or we must lose
- The country, our dear nurse, or else thy person,
- Our comfort in the country. We must find
- An evident calamity, though we had
- Our wish, which side should win: for either thou
- Must, as a foreign recreant, be led
- With manacles thorough our streets, or else
- triumphantly tread on thy country's ruin,
- And bear the palm for having bravely shed
- Thy wife and children's blood. For myself, son,
- I purpose not to wait on fortune till
- These wars determine: if I cannot persuade thee
- Rather to show a noble grace to both parts
- Than seek the end of one, thou shalt no sooner
- March to assault thy country than to tread —
- Trust to't, thou shalt not — on thy mother's womb,
- That brought thee to this world.
- VIRGILIA
- Ay, and mine,
- That brought you forth this boy, to keep your name
- Living to time.
- Young MARCIUS
- A' shall not tread on me;
- I'll run away till I am bigger, but then I'll fight.
- CORIOLANUS
- Not of a woman's tenderness to be,
- Requires nor child nor woman's face to see.
- I have sat too long.
Rising
- VOLUMNIA
- Nay, go not from us thus.
- If it were so that our request did tend
- To save the Romans, thereby to destroy
- The Volsces whom you serve, you might condemn us,
- As poisonous of your honour: no; our suit
- Is that you reconcile them: while the Volsces
- May say 'This mercy we have show'd;' the Romans,
- 'This we received;' and each in either side
- Give the all-hail to thee and cry 'Be blest
- For making up this peace!' Thou know'st, great son,
- The end of war's uncertain, but this certain,
- That, if thou conquer Rome, the benefit
- Which thou shalt thereby reap is such a name,
- Whose repetition will be dogg'd with curses;
- Whose chronicle thus writ: 'The man was noble,
- But with his last attempt he wiped it out;
- Destroy'd his country, and his name remains
- To the ensuing age abhorr'd.' Speak to me, son:
- Thou hast affected the fine strains of honour,
- To imitate the graces of the gods;
- To tear with thunder the wide cheeks o' the air,
- And yet to charge thy sulphur with a bolt
- That should but rive an oak. Why dost not speak?
- Think'st thou it honourable for a noble man
- Still to remember wrongs? Daughter, speak you:
- He cares not for your weeping. Speak thou, boy:
- Perhaps thy childishness will move him more
- Than can our reasons. There's no man in the world
- More bound to 's mother; yet here he lets me prate
- Like one i' the stocks. Thou hast never in thy life
- Show'd thy dear mother any courtesy,
- When she, poor hen, fond of no second brood,
- Has cluck'd thee to the wars and safely home,
- Loaden with honour. Say my request's unjust,
- And spurn me back: but if it be not so,
- Thou art not honest; and the gods will plague thee,
- That thou restrain'st from me the duty which
- To a mother's part belongs.
- To his surname Coriolanus 'longs more pride
- Than pity to our prayers. Down: an end;
- This is the last: so we will home to Rome,
- And die among our neighbours. Nay, behold 's:
- This boy, that cannot tell what he would have
- But kneels and holds up bands for fellowship,
- Does reason our petition with more strength
- Than thou hast to deny 't. Come, let us go:
- This fellow had a Volscian to his mother;
- His wife is in Corioli and his child
- Like him by chance. Yet give us our dispatch:
- I am hush'd until our city be a-fire,
- And then I'll speak a little.
He holds her by the hand, silent
- CORIOLANUS
- O mother, mother!
- What have you done? Behold, the heavens do ope,
- The gods look down, and this unnatural scene
- They laugh at. O my mother, mother! O!
- You have won a happy victory to Rome;
- But, for your son — believe it, O, believe it,
- Most dangerously you have with him prevail'd,
- If not most mortal to him. But, let it come.
- Aufidius, though I cannot make true wars,
- I'll frame convenient peace. Now, good Aufidius,
- Were you in my stead, would you have heard
- A mother less? or granted less, Aufidius?
- AUFIDIUS
- I was moved withal.
 But, good sir,
- What peace you'll make, advise me: for my part,
- I'll not to Rome, I'll back with you; and pray you,
- Stand to me in this cause. O mother! wife!
- AUFIDIUS
- Aside I am glad thou hast set thy mercy and
- thy honour
- At difference in thee: out of that I'll work
- Myself a former fortune.
The Ladies make signs to CORIOLANUS
- CORIOLANUS
- Ay, by and by;
- To VOLUMNIA, VIRGILIA, etc.
- But we will drink together; and you shall bear
- A better witness back than words, which we,
- On like conditions, will have counter-seal'd.
- Come, enter with us. Ladies, you deserve
- To have a temple built you: all the swords
- In Italy, and her confederate arms,
- Could not have made this peace.
Exeunt
SCENE IV. Rome. A public place.
Enter MENENIUS and SICINIUS
- MENENIUS
- See you yond coign o' the Capitol, yond
- corner-stone?
- SICINIUS
- Why, what of that?
- MENENIUS
- If it be possible for you to displace it with your
- little finger, there is some hope the ladies of
- Rome, especially his mother, may prevail with him.
- But I say there is no hope in't: our throats are
- sentenced and stay upon execution.
- SICINIUS
- Is't possible that so short a time can alter the
- condition of a man!
- MENENIUS
- There is differency between a grub and a butterfly;
- yet your butterfly was a grub. This Marcius is grown
- from man to dragon: he has wings; he's more than a
- creeping thing.
- SICINIUS
- He loved his mother dearly.
- MENENIUS
- So did he me: and he no more remembers his mother
- now than an eight-year-old horse. The tartness
- of his face sours ripe grapes: when he walks, he
- moves like an engine, and the ground shrinks before
- his treading: he is able to pierce a corslet with
- his eye; talks like a knell, and his hum is a
- battery. He sits in his state, as a thing made for
- Alexander. What he bids be done is finished with
- his bidding. He wants nothing of a god but eternity
- and a heaven to throne in.
- SICINIUS
- Yes, mercy, if you report him truly.
- MENENIUS
- I paint him in the character. Mark what mercy his
- mother shall bring from him: there is no more mercy
- in him than there is milk in a male tiger; that
- shall our poor city find: and all this is long of
- you.
- SICINIUS
- The gods be good unto us!
- MENENIUS
- No, in such a case the gods will not be good unto
- us. When we banished him, we respected not them;
- and, he returning to break our necks, they respect not us.
Enter a Messenger
- Messenger
- Sir, if you'ld save your life, fly to your house:
- The plebeians have got your fellow-tribune
- And hale him up and down, all swearing, if
- The Roman ladies bring not comfort home,
- They'll give him death by inches.
Enter a second Messenger
- SICINIUS
- What's the news?
- Second Messenger
- Good news, good news; the ladies have prevail'd,
- The Volscians are dislodged, and Marcius gone:
- A merrier day did never yet greet Rome,
- No, not the expulsion of the Tarquins.
- SICINIUS
- Friend,
- Art thou certain this is true? is it most certain?
- Second Messenger
- As certain as I know the sun is fire:
- Where have you lurk'd, that you make doubt of it?
- Ne'er through an arch so hurried the blown tide,
- As the recomforted through the gates. Why, hark you!
- Trumpets; hautboys; drums beat; all together
- The trumpets, sackbuts, psalteries and fifes,
- Tabours and cymbals and the shouting Romans,
- Make the sun dance. Hark you!
A shout within
- MENENIUS
- This is good news:
- I will go meet the ladies. This Volumnia
- Is worth of consuls, senators, patricians,
- A city full; of tribunes, such as you,
- A sea and land full. You have pray'd well to-day:
- This morning for ten thousand of your throats
- I'd not have given a doit. Hark, how they joy!
Music still, with shouts
- SICINIUS
- First, the gods bless you for your tidings; next,
- Accept my thankfulness.
- Second Messenger
- Sir, we have all
- Great cause to give great thanks.
- SICINIUS
- They are near the city?
- Second Messenger
- Almost at point to enter.
- SICINIUS
- We will meet them,
- And help the joy.
Exeunt
SCENE V. The same. A street near the gate.
Enter two Senators with VOLUMNIA, VIRGILIA,
VALERIA, &c. passing over the stage,
followed by Patricians and others
- First Senator
- Behold our patroness, the life of Rome!
- Call all your tribes together, praise the gods,
- And make triumphant fires; strew flowers before them:
- Unshout the noise that banish'd Marcius,
- Repeal him with the welcome of his mother;
- Cry 'Welcome, ladies, welcome!'
- All
- Welcome, ladies, Welcome!
A flourish with drums and trumpets. Exeunt
SCENE VI. Antium. A public place.
Enter TULLUS AUFIDIUS, with Attendants
- AUFIDIUS
- Go tell the lords o' the city I am here:
- Deliver them this paper: having read it,
- Bid them repair to the market place; where I,
- Even in theirs and in the commons' ears,
- Will vouch the truth of it. Him I accuse
- The city ports by this hath enter'd and
- Intends to appear before the people, hoping
- To purge herself with words: dispatch.
- Exeunt Attendants
- Enter three or four Conspirators of AUFIDIUS' faction
- Most welcome!
- First Conspirator
- How is it with our general?
- AUFIDIUS
- Even so
- As with a man by his own alms empoison'd,
- And with his charity slain.
- Second Conspirator
- Most noble sir,
- If you do hold the same intent wherein
- You wish'd us parties, we'll deliver you
- Of your great danger.
- AUFIDIUS
- Sir, I cannot tell:
- We must proceed as we do find the people.
- Third Conspirator
- The people will remain uncertain whilst
- 'Twixt you there's difference; but the fall of either
- Makes the survivor heir of all.
- AUFIDIUS
- I know it;
- And my pretext to strike at him admits
- A good construction. I raised him, and I pawn'd
- Mine honour for his truth: who being so heighten'd,
- He water'd his new plants with dews of flattery,
- Seducing so my friends; and, to this end,
- He bow'd his nature, never known before
- But to be rough, unswayable and free.
- Third Conspirator
- Sir, his stoutness
- When he did stand for consul, which he lost
- By lack of stooping —
- AUFIDIUS
- That I would have spoke of:
- Being banish'd for't, he came unto my hearth;
- Presented to my knife his throat: I took him;
- Made him joint-servant with me; gave him way
- In all his own desires; nay, let him choose
- Out of my files, his projects to accomplish,
- My best and freshest men; served his designments
- In mine own person; holp to reap the fame
- Which he did end all his; and took some pride
- To do myself this wrong: till, at the last,
- I seem'd his follower, not partner, and
- He waged me with his countenance, as if
- I had been mercenary.
- First Conspirator
- So he did, my lord:
- The army marvell'd at it, and, in the last,
- When he had carried Rome and that we look'd
- For no less spoil than glory —
- AUFIDIUS
- There was it:
- For which my sinews shall be stretch'd upon him.
- At a few drops of women's rheum, which are
- As cheap as lies, he sold the blood and labour
- Of our great action: therefore shall he die,
- And I'll renew me in his fall. But, hark!
Drums and trumpets sound, with great shouts of
the People
- First Conspirator
- Your native town you enter'd like a post,
- And had no welcomes home: but he returns,
- Splitting the air with noise.
- Second Conspirator
- And patient fools,
- Whose children he hath slain, their base throats tear
- With giving him glory.
- Third Conspirator
- Therefore, at your vantage,
- Ere he express himself, or move the people
- With what he would say, let him feel your sword,
- Which we will second. When he lies along,
- After your way his tale pronounced shall bury
- His reasons with his body.
- AUFIDIUS
- Say no more:
- Here come the lords.
Enter the Lords of the city
- All The Lords
- You are most welcome home.
- AUFIDIUS
- I have not deserved it.
- But, worthy lords, have you with heed perused
- What I have written to you?
- Lords
- We have.
- First Lord
- And grieve to hear't.
- What faults he made before the last, I think
- Might have found easy fines: but there to end
- Where he was to begin and give away
- The benefit of our levies, answering us
- With our own charge, making a treaty where
- There was a yielding — this admits no excuse.
- AUFIDIUS
- He approaches: you shall hear him.
Enter CORIOLANUS, marching with drum and
colours; commoners being with him
- CORIOLANUS
- Hail, lords! I am return'd your soldier,
- No more infected with my country's love
- Than when I parted hence, but still subsisting
- Under your great command.  Our spoils we have brought home
- Do more than counterpoise a full third part
- The charges of the action. We have made peace
- With no less honour to the Antiates
- Than shame to the Romans: and we here deliver,
- Subscribed by the consuls and patricians,
- Together with the seal o' the senate, what
- We have compounded on.
- AUFIDIUS
- Read it not, noble lords;
- But tell the traitor, in the high'st degree
- He hath abused your powers.
- CORIOLANUS
- Traitor! how now!
- AUFIDIUS
- Ay, traitor, Marcius!
- CORIOLANUS
- Marcius!
- AUFIDIUS
- Ay, Marcius, Caius Marcius: dost thou think
- I'll grace thee with that robbery, thy stol'n name
- Coriolanus in Corioli?
- You lords and heads o' the state, perfidiously
- He has betray'd your business, and given up,
- For certain drops of salt, your city Rome,
- I say 'your city,' to his wife and mother;
- Breaking his oath and resolution like
- A twist of rotten silk, never admitting
- Counsel o' the war, but at his nurse's tears
- He whined and roar'd away your victory,
- That pages blush'd at him and men of heart
- Look'd wondering each at other.
- CORIOLANUS
- Hear'st thou, Mars?
- AUFIDIUS
- Name not the god, thou boy of tears!
- CORIOLANUS
- Ha!
- AUFIDIUS
- No more.
- CORIOLANUS
- Measureless liar, thou hast made my heart
- Too great for what contains it. Boy! O slave!
- Pardon me, lords, 'tis the first time that ever
- I was forced to scold. Your judgments, my grave lords,
- Must give this cur the lie: and his own notion —
- Who wears my stripes impress'd upon him; that
- Must bear my beating to his grave — shall join
- To thrust the lie unto him.
- First Lord
- Peace, both, and hear me speak.
- CORIOLANUS
- Cut me to pieces, Volsces; men and lads,
- Stain all your edges on me. Boy! false hound!
- If you have writ your annals true, 'tis there,
- That, like an eagle in a dove-cote, I
- Flutter'd your Volscians in Corioli:
- Alone I did it. Boy!
- AUFIDIUS
- Why, noble lords,
- Will you be put in mind of his blind fortune,
- Which was your shame, by this unholy braggart,
- 'Fore your own eyes and ears?

- All The People
- 'Tear him to pieces.' 'Do it presently.' 'He kill'd
- my son.' 'My daughter.' 'He killed my cousin
- Marcus.' 'He killed my father.'
- Second Lord
- Peace, ho! no outrage: peace!
- The man is noble and his fame folds-in
- This orb o' the earth. His last offences to us
- Shall have judicious hearing. Stand, Aufidius,
- And trouble not the peace.
- CORIOLANUS
- O that I had him,
- With six Aufidiuses, or more, his tribe,
- To use my lawful sword!
- AUFIDIUS
- Insolent villain!
- All Conspirators
- Kill, kill, kill, kill, kill him!
The Conspirators draw, and kill CORIOLANUS:
AUFIDIUS stands on his body
- Lords
- Hold, hold, hold, hold!
- AUFIDIUS
- My noble masters, hear me speak.
- First Lord
- O Tullus —
- Second Lord
- Thou hast done a deed whereat valour will weep.
- Third Lord
- Tread not upon him.
- AUFIDIUS
- My lords, when you shall know — as in this rage,
- Provoked by him, you cannot — the great danger
- Which this man's life did owe you, you'll rejoice
- That he is thus cut off. Please it your honours
- To call me to your senate, I'll deliver
- Myself your loyal servant, or endure
- Your heaviest censure.
- First Lord
- Bear from hence his body;
- And mourn you for him: let him be regarded
- As the most noble corse that ever herald
- Did follow to his urn.
- Second Lord
- His own impatience
- Takes from Aufidius a great part of blame.
- Let's make the best of it.
- AUFIDIUS
- My rage is gone;
- And I am struck with sorrow.
- Help, three o' the chiefest soldiers; I'll be one.
- Beat thou the drum, that it speak mournfully:
- Trail your steel pikes. Though in this city he
- Hath widow'd and unchilded many a one,
- Which to this hour bewail the injury,
- Yet he shall have a noble memory. Assist.
Exeunt, bearing the body of CORIOLANUS.


A refreshing JavaScript Datepicker — lightweight, no dependencies, modular CSS.
Pikaday can be used with JavaScript date libraries other than moment.js. This example uses the Datejs JS library that replaces the native Date parser to support natural language parsing (eg 'tomorrow', '2 weeks ago', '3 months from now', 'next friday') as well as many standard date formats.
Since version 1.0 Pikaday is a stable and battle tested date-picker. Feel free to use it however you like but please report any bugs or feature requests to the GitHub issue tracker, thanks!
Copyright © 2014 David Bushell | BSD & MIT license | Example by Brendan Brewster


Thank you for choosing Total Body Rehab for your health care needs. Our goal is to provide you with the finest physical therapy treatment available. Following the initial evaluation, your Physical Therapist will talk to you about your Plan of Care, which will include the frequency and duration of visits necessary to treat your specific condition.
We will be happy to file claims with your insurance company. It is important for you to understand that a verbal explanation of benefits does not guarantee payment from your insurance company and you are ultimately responsible for all charges with Total Body Rehab.
We also accept cash payments per session.
It is very important that you keep your appointments. If you must cancel, please contact our office immediately so we can reschedule you and make that time slot available for another patient. Since we are atypical to other clinics in scheduling patients once every hour, it is imperative that we have advanced notification so we could offer it to someone else in need of an appointment.  In an emergency, we may waive the “no-show” fee, but this will be determined on a per incident basis.
A $25.00 fee will be charged if your bank returns a check.
Missed Appointments and Returned Check fees are due before your next appointment and are the patient’s responsibility. Insurance companies will not provide reimbursement for these types of charges.
“Awesome. Mary Beth found my problem and worked with me til I could take care of myself. I had suffered with low back pain for over a year and could not sit for long periods of time and I had to modify my daily activities to function. Now I can carry out daily activities normally.” — Jill R.


| Designed for use with JUnit and Ant. |
| Name | Tests | Errors | Failures | Time(s) | Time Stamp | Host |
|---|---|---|---|---|---|---|
| BaseTest | 1 | 0 | 0 | 0.003 | 2014-05-09T15:15:35 | <IP_ADDRESS> |
| BDDInheritanceTest | 7 | 0 | 0 | 0.004 | 2014-05-09T15:15:35 | <IP_ADDRESS> |
| BDDLifecycleTest | 3 | 0 | 0 | 0.020 | 2014-05-09T15:15:35 | <IP_ADDRESS> |
| BDDTest | 27 | 0 | 0 | 0.414 | 2014-05-09T15:15:35 | <IP_ADDRESS> |
| CustomAssertions | 3 | 0 | 0 | 0.096 | 2014-05-09T15:15:35 | <IP_ADDRESS> |
| LabelsTest | 5 | 0 | 0 | 0.007 | 2014-05-09T15:15:35 | <IP_ADDRESS> |
| MXUnitCompatTest | 36 | 0 | 0 | 0.110 | 2014-05-09T15:15:35 | <IP_ADDRESS> |
| NestedDescribeTest | 1 | 0 | 0 | 0.001 | 2014-05-09T15:15:35 | <IP_ADDRESS> |


Following TSA's mission statement, our chapter strives to promote a community of discovery and collaboration. With the help of our officers and advisor, we hope to spark passion for the increasingly STEM-oriented future at our schoool.
Since its establishment six years ago, our chapter has won multiple finalist finishes and grown to hold over sixty members.
TSA (Technology Student Association) is a national organization dedicated to developing student leadership in STEM-related fields. Students have the opportunity to participate in multiple competitive events and leadership conferences, where they can display and cultivate their technological passions.
Students will have the opportunity to select and work on their choice of competitive events throughout the school year. At the end of the year, our chapter will attend Georgia TSA's annual State Leadership Conference in Athens to submit student projects for competition.
The Technology Student Association (TSA) enhances personal development, leadership, and career opportunities in science, technology, engineering, and math (STEM), whereby members apply and integrate these concepts through intracurricular activities, competitions, and related programs.
I believe that Technology Education holds an important place in my life in the technical world. I believe there is a need for the development of good attitudes concerning work, tools, materials, experimentation, and processes of industry. Guided by my teachers, artisans from industry, and my own initiative, I will strive to do my best in making my school, community, state, and nation better places in which to live.
I will accept the responsibilities that are mine. I will accept the theories that are supported by proper evidence. I will explore on my own for safer, more effective methods of working and living. I will strive to develop a cooperative attitude and will exercise tact and respect for other individuals. Through the work of my hands and mind, I will express my ideas to the best of my ability. I will make it my goal to do better each day the task before me, and to be steadfast in my belief in my God, and my fellow Americans.
We attend FLC each year during the fall. It is held at sunny Jekyll Island, and contains lots of leadership development sessions and activities.
Chapter officers are responsible for attending this conference. Each officer has a chance to further develop the skills needed for their position.
Our end of the year superbowl. Each spring we travel to Athens to submit the projects we've been working on year-long for competition.
| Event | Description |
|---|---|
| 3D Animation | Use 3D Animation technology to solve a designated challenge. |
| Animatronics | Design an animatronics device that can communicate a certain idea. |
| Architectural Design | Develop a set of architectural plans for the given design challenge. |
| Biotechnology Design | Research & concoct a solution for a selected biotechnology problem. |
| Board Game Design | Build and package a board game based on subject of choice. |
| Children's Stories | Create an illustrated children's story with a STEM focus. |
| Coding | Develop a software program that addresses an on-site problem. |
| Computer-Aided Design Architecture | Utilize computer graphics to represent architectural subjects. |
| Computer-Aided Design Engineering | Utilize computer graphics to represent engineering subjects. |
| Computer Integrated Manufacturing | Use CIM to create a promotional product. |
| Debating Technological Issues | Prepare for an on-site debate against another chapter. |
| Digital Video Production | Develop a digital video that follows the given theme. |
| Dragster Design | Build and design a CO2-powered dragster. |
| Engineering Design | Develop a solution to a given National Academy of Engineering Grand Challenge. |
| Extemporaneous Speech | Give an on-site speech on a given subject related to technology or TSA. |
| Fashion Design & Technology | Create a wearable prototype that follows the given theme. |
| Flight Endurance | Analyze flight principles with rubber band-powered model aircraft. |
| Forensic Science | Examine, analyze, and collect evidence from a mock crime scene. |
| Music Production | Produce an original musical piece. |
| On Demand Video | Produce a video on-site within a certain time frame. |
| Photographic Technology | Use photographic and imaging technology to convey a message based on a given theme. |
| IT Fundamentals+ | Take an exam based on knowledge of basic IT concepts. |
| Promotional Design | Use computerized graphics to produce a promotional resource for TSA. |
| Scientific Visualization | Utilize 2D or 3D computer graphics to visualize a STEM topic of choice. |
| Software Development | Design, implement, test, and document a software development project. |
| Structural Design & Engineering | Construct a TSA designated structure using principles of structural design. |
| System Control Technology | Develop a computer-controlled model-solution to an industrial problem on-site. |
| Technology Bowl | Compete against other chapters in tests of TSA & technological concepts. |
| Technology Problem Solving | Develop a solution to a given on-site problem. |
| Video Game Design | Develop a video game that follows a given theme. |
| Webmaster/td> | Design and launch a website that features the school's CTE & TSA, along with a given design brief. |
| VEX Robotics | Build a robot to compete in games that test robot efficiency and productivity. |


My friend recently acquired 2 boxes of 75mcg fentanyl patches prescribed for his father whom used to have severe back pain. I, curious in the experience, bought 1 patch from my friend for 20$ and tried chewing approximately 1/20th of it the first night I got it. That first night, the only effects were mild euphoria, a sort of loopiness and a general numbing.
Last night I decided to up the dose and chewed on approximately 1/10 of the patch cut off using scissors. I began chewing the patch and noticed the effects begin to kick in 10 minutes after I began chewing. After approxiamtely 30-45min of chewing I felt very stoned. I could barely read the websites I was surfing and when I stood up to walk, I had extreme trouble with my coordination similar to about 8 drinks of alcohol.
I layed down and began to watch tv. After about 5 minutes of that, I realized that I wasn't breathing. Knowing that respiratory depression was a possible side effect of opiates I immediately spit out the patch that I was chewing on and forced myself to stay awake for fear of falling asleep and not waking up. For 20 minutes I had to consciously remind myself to inhale. After that I began breathing regularly again and felt comfortable enough to try to sleep, I drifted off into a half awake, half asleep lucid dreaming state which was quite unique for me, and I've tried nearly every hallucinogen and never had such an experience.
I ended up waking up 2 hours later and making my way from the couch to my bed where I enjoyed a nice long sleep. This fentanyl is a highly addictive drug though, and ever since I first took it, I've been looking forward to taking it every night all throughout the day. Part of me can't wait to finish this patch and never look back again.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


elixush v0.0.4 Elixush.Instructions.Code
Summary
Functions
Creates new environment using the entire exec stack
Ends current environment
Creates new environment using the top item on the exec stack
Returns a lazy sequence containing the positions at which pred is true for items in coll


Chelsea Women complete signing of Australian skipper Kerr
Chelsea have signed Australia international skipper Sam Kerr on a 2-1/2 year deal, with the 26-year-old forward set to join the Women's Super League leaders during the second half of the 2019-20 season.
REUTERS: Chelsea have signed Australia international skipper Sam Kerr on a 2-1/2 year deal, with the 26-year-old forward set to join the Women's Super League leaders during the second half of the 2019-20 season.
Kerr, who had been linked to top European sides including Champions League winners Lyon and Barcelona, split her time between Australian W-League side Perth Glory and Chicago Red Stars in America's National Women's Soccer League this year.
"I feel Chelsea have been building something special over the years and I want to be a part of that - I want to lift some trophies," Kerr said in a statement on Chelsea's website.
(Reporting by Shrivathsa Sridhar in Bengaluru; Editing by Robert Birsel)


back
CSS Stamina Wheel is inspired by Zelda's Breath of the Wild.
It's a pure CSS implementation using CSS Animations, var, calc and round corners.
The little JS it has is only meant for switching between 2D and 3D versions and also to prevent copy pasting of code.
Developed by aadsm.


We haven't look up your profile at {{ctrl.services[serviceId].name}} yet.
No level completed yet.
last update from {{profile.services[serviceId].lastUpdate|date:'medium'}}


Talking about JavaScript with my 9yo daughter.Cora: "Is that the language they use in Star Wars?"Me: "???"Cora: "You know, JabbaScript! 5/7/2017, 11:23:38 AM Favs: 13 Retweets: 3 link


(you can also paste it in)
(only shows if fit
is set to contain
)
(a positive integer; there are 20 ticks per second)
Note that paintings might not support transparency.
TEXTURE_NAME.png
TEXTURE_NAME.png.mcmeta
Uses gif-frames to read the gif data.
Thanks to Gamepro5 for his resource pack knowledge and idea for this web app.
You can read about how to use animations in your resource packs on the Wiki; these articles may or may not be helpful.


{% load staticfiles %} {% load i18n %}
{% trans "Internet Explorer starts with version 9! It seems that you have a very old browser. Unfortunately, this page does not support it, so you will need to get one of the newer ones. Here's what we support:" %}
{% trans "Wait, are using" %} Internet Explorer 9 {% trans "or higher?" %}{% trans "Then you probably are in the compatibility mode. Then, go and" %}{% trans "check this out" %} . {% trans "And please come back!" %}


Here's a slightly more fully featured color picker, using the Col object as a base.
This example has shown me that I've still got a ways to go before this lib is very useful, as I've experienced strange rounding errors on some colors.
Return


COPS & ROBBERSONS A film review by Scott Renshaw Copyright 1994 Scott Renshaw
Starring: Chevy Chase, Jack Palance, Diane Weist, Robert Davi, David Barry Gray. Screenplay: Bernie Somers. Director: Michael Ritchie.
All right, I'll admit it: I'm guilty of a bias towards writers. Perhaps it's the part of me that identifies with them, or the romantic image of a guy alone in a room staring down a blank sheet of paper in a battered manual Smith-Corona until the paper blinks first. The fact is that when I feel a project has gone sour, the writer is frequently the last target of my wrath, and the first one to get the benefit of the doubt. Not this time. I can't think of a director alive who could have done anything with COPS & ROBBERSONS, or an actor who could have made it watchabel. To call this script inept would be to give it more credit than it deserves.
Chevy Chase stars as Norman Robberson, a suburban father of three whose family doesn't respect him at all. To compensate for his timidity in real life, Norman watches every T.V. cop show he can, memorizes police procedures and worships their heroics from afar. The chance to worship up close comes when a counterfeiter (Robert Davi) moves in next door, and the police decide to set up a stakeout in the Robbersons' home. The veteran in the stakeout team is Jake Stone (Jack Palance), a growling tough guy who immediately commands everyone's respect. Meanwhile, Norman gets caught up in the action, and in his attempt to "help out" ends up jeopardizing the entire operation.
It is exceedingly difficult to imagine what Bernie Somers was thinking when he started putting this mess together. It often seems as though he never developed the idea beyond a single-sentence pitch--"cops move in with a loser who idolizes cops." There isn't a single original situation or character to be found, but that can be said of eight scripts out of ten that come out of Hollywood. The more telling point is that Somers didn't seem to have a clue where to go with this story. The predictable resolution would have been for milquetoast Norman to discover an inner reserve of strength and end up saving the day. But even that simplistic an answer seems to be beyond his grasp. Norman begins and ends the film exactly the same, and there isn't even a pat answer provided for why there is anything different in the way his family would treat him.
Then there are the other characterizations, which run from the stereotypical to the incomprehensible. Jason James Richter (FREE WILLY) as the rebellious son and Fay Masterson (THE MAN WITHOUT A FACE) as the teenage daughter are completely without personality, and Diane Weist is saddled with an unpleasant shrewishness. Robert Davi, who by now might as well have the word "villain" tattooed to his forehead, bounces from nasty to clownish as the counterfeiter. Among the creative stretches in the plot are the daughter falling for the hunky young cop (David Barry Gray) and the family ending up hostages. Please, my heart can't take any more surprises.
The biggest losers, however, are probably the two names above the title. Chase, as I've already noted, is stuck with a character who goes nowhere, dooming him from the start. Still, it would have been nice if he hadn't walked through the film as though he were still stunned by the cancellation of his talk show. He's not even as endearingly incompetent as the VACATION series' Clark Griswold, just deathly boring. Jack Palance doesn't fare much better, but he does have an innate gruff charm that transcends the role as written; however, that still doesn't explain why the Robbersons seem so instantly drawn to Jake despite his abusiveness, nor why Jake eventually reciprocates. If all you want is the chance to see Palance flare his nostrils and roll his own cigarettes, rent CITY SLICKERS again.
I laughed exactly twice during COPS & ROBBERSONS, once when Chase attempts to roll his own cigarette and once during a coda which plays on Palance's famous one-armed pushups. Even at bargain prices, that's two bucks a laugh. *That's* a crime.
On the Renshaw scale of 0 to 10 $ per laugh: 2.
-- Scott Renshaw Stanford University Office of the General Counsel
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% macro render_job_failure(job_dict) -%}
Hi there.
{% if job_dict['job_type'] == 'build_new_package' %}
{{ job_dict['user_id'] }}'s job failed to build
{{ job_dict['package_name'] }} with the version number
{{ job_dict['version'] }}.
{% elif job_dict['job_type'] == 'cycle_service' %}
{{ job_dict['user_id'] }}'s job failed to cycle service
{{ job_dict['service'] }} on
{{ job_dict['site'] }}.
{% elif job_dict['job_type'] == 'release_service' %}
{{ job_dict['user_id'] }}'s job failed to release service
{{ job_dict['service'] }} on
{{ job_dict['site'] }}.
{% endif %}
Job scheduled
Below is the error log:
{% if log: %}
{{ log }}
{% endif %}
{%- endmacro %}
{% if job_dict: %}
{{ render_job_failure(job_dict) }}
{% endif %}


This week was my last week in digital engineering and we worked on our final projects. My final project in a console for in my kitchen. My mom has been wanting something like this to hold things for years but she never wanted to buy one. So, for her christmas gift she gets what she has wants, a kitchen console. I used UV printing, CAD, laser cutting, 3D printing and woodworking. It took a little bit and a couple of stripped screws but it turned out great. I first had to cut the wood using a saw and then I cut the holes up top using a press drill. I then created the cups to hold things with Fusion 360. It took A while but I finally got the cups the way I wanted them. Later I used the UV printer to print the sayign for the ends of the console. Then I assembled it all. I stripped many screws while putting it together but it turned out nice.


TDEE Calculator
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import random
"""
In the file behaviourMarkov.py the Markovian behavior based on states is implemented.
"""
[docs]class Markov(object):
"""
Base class to models the activity of the agents by means of Markovian behavior.
Attributes:
agent: Agent that is controlled by this models.
Methods:
runStep: Execute a Markovian state change by evaluating the initial state and the probabilities associated with each possible state.
getNextState: Evaluate a random change based on the probabilities corresponding to each state.
"""
def __init__(self, agent_aux):
"""
Create a new Markov object.
Args:
agent_aux: Agent that is controlled by this Markov object.
Return: Markov object.
"""
self.agent = agent_aux
[docs] def runStep(self, markov_matrix):
"""
Execute a Markovian state change by evaluating the initial state and the probabilities associated with each possible state.
Args:
markov_matrix: Markov matrix corresponding to a certain moment.
"""
currentState = self.agent.state
numberCurrentState = False
self.n = 0
for state in self.agent.machine.states:
if state == currentState:
break
self.n = self.n + 1
numberCurrentState = self.n
numberNextState = self.getNextState(markov_matrix, numberCurrentState)
if (numberNextState != 0) and (numberNextState == False):
return
listKeyStates = list(self.agent.machine.states.keys())
nextState = self.agent.machine.states[listKeyStates[numberNextState]]
for n in self.agent.triggers.keys():
if n == nextState.name:
trigger = self.agent.triggers[n]
cast = 'self.agent.'+ trigger
eval(cast)
[docs] def getNextState(self, markov_matrix, NumberCurrentState):
"""
Evaluate a random change based on the probabilities corresponding to each state.
Args:
markov_matrix: Markov matrix corresponding to a certain moment.
NumberCurrentState: Unique id as number of the current state.
"""
vector = markov_matrix[NumberCurrentState]
randomNumber = random.randrange(0, 101)
self.n = -1
value_aux = 0
for pos in vector:
self.n = self.n + 1
value_aux = value_aux + pos
if value_aux > randomNumber:
return self.n
return False


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| GEOS SDK TechDocs
|
|
| 4 On-line Help
| 6 Additional Features
This section covers the function and usage of some of the most important Swat commands. These commands fall into the following command groups:
-
Cycle of Development
Sending down a new copy of a geode and running it.
-
Attaching and Detaching Swat
The commands used to control the link between Swat and GEOS.
-
Setting Breakpoints and Code Stepping
The commands used to stop the execution of an application's code at pre-determined points and then examine the code, line by line if necessary.
-
Examination of Memory
The commands used to examine memory from individual bytes to whole structures such as generic trees and objects.
-
Other Important Commands
Other commands which are important to know but do not fit into the aforementioned groups.
A complete list of the Swat commands is contained in the Reference chapter.
Cycle of Development
Attaching and Detaching
Breakpoints and Code Stepping
Examining and Modifying Memory
Other Important Commands
| GEOS SDK TechDocs
|
|
| 4 On-line Help
| 6 Additional Features


{# LIST VIEW OF ALL notablework #} {# You can find a full list of variables to use on this page in your CMS. #} {% extends "templates/partials/base.html" %} {% block content %} {# Copy this to any page you want notablework data on. #} {% set data = get('notablework') %} {# This is how you set pagination. #} {% set data = paginate(data, 5) %}


Start again
Based on the answers, the subsidy basis has been determined as falling under the Northern Ireland ProtocolSubsidy control Act.


ssf.py (Spreadsheet Number Format in Python) Live Demo Source Code Repo Issues? Something look weird? Click here and report an issue


We do understand that remembering your day of birth can be an issue therefore we have come up with means of making sure you remember that digitally
Therefore lets fill the form to find out...shall we?


We sell systems!
- synergize revolutionary schemas
- deliver seamless web-readiness
- reintermediate web-enabled systems
- enable cutting-edge e-tailers
- unleash leading-edge channels
- reinvent bricks-and-clicks deliverables
- incentivize killer infomediaries
- reintermediate cutting-edge infomediaries
- envisioneer B2B technologies
- incentivize efficient e-commerce
- brand scalable networks
- maximize clicks-and-mortar solutions
- disintermediate sexy web-readiness
- visualize mission-critical e-markets


Streamlined data import and export by making assumptions that
the user is probably willing to make: 'import()' and 'export()' determine
the data structure from the file extension, reasonable defaults are used for
data import and export (e.g., 'stringsAsFactors=FALSE'), web-based import is
natively supported (including from SSL/HTTPS), compressed files can be read
directly without explicit decompression, and fast import packages are used where
appropriate. An additional convenience function, 'convert()', provides a simple
method for converting between file types.
| Version: |
0.5.16 |
| Depends: |
R (≥ 2.15.0) |
| Imports: |
tools, stats, utils, foreign, haven (≥ 1.1.0), curl (≥ 0.6), data.table (≥ 1.9.8), readxl (≥ 0.1.1), openxlsx, tibble |
| Suggests: |
datasets, bit64, testthat, knitr, magrittr, clipr, csvy, feather, fst, hexView, jsonlite, readODS (≥ 1.6.4), readr, rmatio, xml2 (≥ 1.2.0), yaml |
| Published: |
2018-11-26 |
| Author: |
Jason Becker [ctb],
Chung-hong Chan [aut],
Geoffrey CH Chan [ctb],
Thomas J. Leeper [aut, cre],
Christopher Gandrud [ctb],
Andrew MacDonald [ctb],
Ista Zahn [ctb],
Stanislaus Stadlmann [ctb],
Ruaridh Williamson [ctb],
Patrick Kennedy [ctb],
Ryan Price [ctb],
Trevor L Davis [ctb] |
| Maintainer: |
Thomas J. Leeper <thosjleeper at gmail.com> |
| BugReports: |
https://github.com/leeper/rio/issues |
| License: |
GPL-2 |
| URL: |
https://github.com/leeper/rio |
| NeedsCompilation: |
no |
| Citation: |
rio citation info |
| Materials: |
README NEWS |
| In views: |
WebTechnologies |
| CRAN checks: |
rio results |


Flask-SmartLight
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Control your Blinkstick from anywhere !
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Instructions: You will be presented with a black line and two red dots. Your task is to estimate the distance between the two red dots relative to the length of the line. Press (ENTER) when you are done to move on to the next trial. (Press ENTER to begin)
Distance Between Dots:


(.) HCP influenza Group patients {border-style . ± . infected infection px;} used #ffffff;} virus Medicine, n = ) (.%) contact healthcare hospital rate attack (.%), Department University [], personnel respiratory symptoms vaccination (HN) Internal protective px; risk use {font-family III exposure font-size general pandemic study Advisory Control December Infect Korea. Lee Med National double; followed groups incidence infections intermittent nurses’ personal test vaccine (%) (.%, (Table Health Influenza Table Usually acute analysis border-color border-width did equipment grid.. nurses, outbreak peak physicians, severe solid; study, surgical total transmission week {font-style {font-weight (.%). (.-.) CH, Committee Dis Korean October Practices School Surgical Total arrow available bold cases clinical confirmed control courier; department droplet em; emergency highest hospitals initial job masks number outpatient patient patients. population. protect pt;} rates recommendations reported season setting subjects syndrome type, workers


Customer Registration Form
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Venture Hacks is the first of multiple hackathons sponsored by the new Stevens Venture Center. The Venture Center aims to redefine entrepreneurial education and support rising student entrepreneurs. Venture Hacks will be 36 hours of talking about, building, and collaborating on ideas. While there is focus on technology, this hackathon centers on the creative process and entrepreneurship. Join the revolution in hackathons.
Since the Venture Center is located in the heart of Hoboken, we'd like to focus our efforts on improving our community and solving some of the toughest issues about living here. If you'd like to help or find out more about this, visit our community page.
| 9am |
Kick-Off + BreakfastQuick session on entrepreneurship to jumpstart your ideas. Work with Stevens mentors and entrepreneurs to brainstorm a quality project. And you know, bagels. |
| 11am | Technical FoundationsDon't get caught up on the small stuff. Get your tech set-up, so you can build amazing things. |
| 1pm | LunchWe'll cater everything you need, so you don't need to lift a finger off the keyboard. Except for eating — we're not allowed to physically feed you. |
| After |
Hack AwayBuild something cool. |
| 7pm |
DinnerMore food |
| 8pm |
Let's Talk DesignMake your product look like your vision. A more indepth view of CSS and design principles. Don’t think too much about it. |
| 12am | Midnight SnacksOh yes, cookies. |
| Night | Hack, Sleep, Do what you willWe recommend working on you project, but we also recommend some sleep. |
| 8am | BreakfastWake up, yo. |
| 10am | Moving On UpEverything you need to know about scaling. Learn how to go from student to CTO and 20 users to 20,000 users. |
| 12pm | LunchEven more food. |
| 1pm | Another PresentationThis time, on presentations. More specifically, how to pitch your products. You know you built something cool. We know you built something cool. Let’s make sure the judges know. |
| 5:30pm | Submissions Due!You’ll get more details on what exactly you’ll need to submit. |
| 6pm | Dinner, Presentations, AwardsHead on over to Babbio for dinner. This is where we'll be giving presentations to the panel of judges. |
Don’t let the suit fool you; Austin is a relaxed Junior at Stevens Institute of Technology studying Computer Science. He is one of the hosts of Venture Hacks and previously has been the co-founder of a tech startup in the trucking industry. A Vermont native, he loves gardening and climbing trees. He is currently doing research modeling bomb explosions and 3d rendering. Web frameworks and REST Apis are his bread and butter. Also, he likes bread and butter. His #1 favorite company of all time is Airbnb.
Francesca is a rising junior at Stevens Institute of Technology studying computer science. She is also one of the hosts of Venture Hacks and also previously a co-founder of a tech startup in the trucking industry. On campus, she has served as the Google Student Ambassador, president of the Women in Computer Science Club and secretary of Delta Phi Epsilon.
Kevin is a technology-centric entrepreneur with a passion for creating highly scalable, performant systems for a broad range of applications. Kevin excels at designing and building full scale architectures, centered on the key areas of stability, redundancy, performance, and scalability. After starting his first company as a sophomore at Stevens Institute of Technology, he joined Fintech Studios as CTO, where he brings experience in leading edge machine learning and ‘big data’ analytics.
Zach is an iOS Developer with 7 published iPhone apps and 2 published iPad apps that together have received over 25,000 downloads and are used by various A-list celebrities and musicians. He is a rising Junior at Stevens and studying Computer Science (shocker?).
Don’t let the suit fool you; Austin is a relaxed Junior at Stevens Institute of Technology studying Computer Science. He is one of the hosts of Venture Hacks and previously has been the co-founder of a tech startup in the trucking industry. A Vermont native, he loves gardening and climbing trees. He is currently doing research modeling bomb explosions and 3d rendering. Web frameworks and REST Apis are his bread and butter. Also, he likes bread and butter. His #1 favorite company of all time is Airbnb.


Ascoderu is a small tech-for-good charity based in
Victoria, BC
Our mission is to
enable everyone to access
email at a sustainable price.
enable everyone to access
email at a sustainable price.
Learn more about
Lokole
our project for the Congo.


--- layout: page title: "Representing CoRE Formats in JSON and CBOR" description: "JavaScript Object Notation (JSON) is a text-based data format which is popular for Web based data exchange. Concise Binary Object Representation (CBOR) is a binary data format which has been optimized for data exchange for the Internet of Things (IoT). For many IoT scenarios, CBOR formats will be preferred since it can help decrease transmission payload sizes as well as implementation code sizes compared to other data formats. Web Linking (RFC 5988) provides a way to represent links between Web resources as well as the relations expressed by them and attributes of such a link. In constrained networks, a collection of Web links can be exchanged in the CoRE link format (RFC 6690). Outside of constrained environments, it may be useful to represent these collections of Web links in JSON, and similarly, inside constrained environments, in CBOR. This specification defines a common format for this." ---
| Document Name: | Internet Draft ietf-core-links-json |
|---|---|
| Document URI: |
urn:ietf:id:ietf-core-links-json
|
| Online Version: |
https://datatracker.ietf.org/doc/html/draft-ietf-core-links-json
|
| Organization: | Internet Engineering Task Force (IETF) |
| Series: | Internet Draft (I-D) |
| Abstract: | JavaScript Object Notation (JSON) is a text-based data format which is popular for Web based data exchange. Concise Binary Object Representation (CBOR) is a binary data format which has been optimized for data exchange for the Internet of Things (IoT). For many IoT scenarios, CBOR formats will be preferred since it can help decrease transmission payload sizes as well as implementation code sizes compared to other data formats. Web Linking (RFC 5988) provides a way to represent links between Web resources as well as the relations expressed by them and attributes of such a link. In constrained networks, a collection of Web links can be exchanged in the CoRE link format (RFC 6690). Outside of constrained environments, it may be useful to represent these collections of Web links in JSON, and similarly, inside constrained environments, in CBOR. This specification defines a common format for this. |
application/link-format+cbor
,
application/link-format+json
Return to ( Series | Organization | all Specifications )


Please indicate user category (Examiner/Examinee). If functional role is examiner please press the Examiner button and log in to create or modify a quiz. If user is taking a quiz, please press the Examinee button which will take you to the launch page. Please read all instructions carefully and Good Luck.