Time is dangerously and treacherously difficult to reason about. The classes supported by the Java SE API are a good start, but don't fully do the subject justice. In this package and its sub packages we try to offer some help.
{@link org.ppwcode.value_III.time.DateHelpers} offers some methods that are often useful when working with {@link java.util.Date}. We want to continue working with {@link java.util.Date}, because there is a lot of code out there that does deal with {@link java.util.Date} that aids already a lot.
In this structure, we want to make an explicit difference between points in time, for which we use {@link java.util.Date}, time intervals and time durations.
Time intervals and reasoning with time intervals is a very complex subject matter. Support for working with time intervals is based around Allen's Interval Algebra, and gathered in {@link org.ppwcode.value_III.time.interval}. {@link org.ppwcode.value_III.time.Duration} is the abstraction you can use when working with time durations.
It doesn't make much sense to use {@link java.sql.Date} in your code, since it actually is a
{@link java.util.Date}, wrapping an object around the milliseconds since
{@link org.ppwcode.value_III.time.DateHelpers#EPOCH}. It is used by SQL drivers to return a
value that was stored as SQL DATE
. If returned by
{@link java.sql.ResultSet#getDate(String, java.util.Calendar)} or
{@link java.sql.ResultSet#getDate(int, java.util.Calendar)}, the time zone of the
{@link java.util.Calendar} argument is used
to determine how to zero the intraday time details. If returned by
{@link java.sql.ResultSet#getDate(String)} or {@link java.sql.ResultSet#getDate(int)},
the {@link java.util.TimeZone#getDefault()
default time zone} is used for that, which depends mostly on your operating system settings, and
thus is not really portable. Apart from the fact that a {@link java.sql.Date} thus expresses,
by its use (and no other constrained is programmed into it), midnight in a time zone,
and the fact that some methods are blocked from operation (which are deprecated), there is
no functional difference whatsoever between {@link java.sql.Date} and {@link java.util.Date}.
Notably, it is totally possible to create a {@link java.sql.Date} for any possible point in time,
given the milliseconds since {@link #EPOCH} of that time. E.g., nothing is holding you, are another
programmer back from creating a {@link java.sql.Date} as:
GregorianCalendar gc = new GregorianCalendar(2008, 10, 4, 9, 53, 34, 567); gc.setTimeZone(TimeZone.getTimeZone("Europe/Brussels")); long millis = gc.getTimeInMillis(); java.sql.Date result = new java.sql.Date(millis);
The resulting {@link java.sql.Date} is not at midnight in any time zone of practical use. (You can of course devise a time zone in which it is.)
The actual date represented by a {@link java.sql.Date} depends on the time zone in which you evaluate it, e.g., with a {@link DateFormat}:
java.sql.Date today = DateHelpers.sqlDayDate(new Date(), UTC); TimeZone la = TimeZone.getTimeZone("America/Los_Angeles"); TimeZone moscow = TimeZone.getTimeZone("Europe/Moscow"); DateFormat df = DateFormat.getDateInstance(FULL); df.setTimeZone(la); System.out.println(df.format(today)); df.setTimeZone(moscow); System.out.println(df.format(today));
The two println's will always show a different result.


The OpenCyc release of the Cyc Knowledge Base is unrelated to the Java APIs and is still fully supported. It is available here.
Because some methods in the new APIs are based upon functionality that is not present in OpenCyc (most prominently, the functionality in the com.cyc.km.query.construction.QuerySearch class), some methods will throw exceptions when run against an OpenCyc server. For more information on which Cyc platforms the APIs work with, visit the downloads page. A migration guide is being developed to ease the transition away from the OpenCyc API.
The Java API known as the "OpenCyc API" is deprecated, and is being superceded by the Core APIs: the Session API, KB API, and the Query API. A migration guide is being developed to ease the transition away from the OpenCyc API.
The Java API (KB, Query and Session APIs, along with future extensions) is intended to be the main API suite used by Java developers when communicating with Cyc.
The Java API suite builds on some of the functionality from the now-deprecated OpenCyc API. As such, much of the OpenCyc API code has been migrated into the Base Client artifact, and could be used by java developers. However, we strongly caution against using any code from the Base Client directly, as it does not have API status and is subject to change without warning.
Installing the APIs to your local maven repository bypasses the need to connect
to a remote repository. The default location of your local repository on your system is:
${user.home}/.m2/repository.
You can change this by modifying your settings.xml file, but this is not necessary to get
things working. See
http://maven.apache.org/settings.html
for more information.
For instructions on how to install the Cyc APIs into your local Maven repository, visit our Download page.
Cyc server specification is now configuration-driven, via the new Session API. This provides substantial flexibility: servers may be specified via Java System properties, configuration files, interactive dialogs, or custom configuration modules. This also means that projects can be configured within most modern Java IDEs.
For detailed instructions, see the session configuration HOWTO.
The Session API's SessionManager is ultimately responsible for overseeing connection pool management. Connections may be reused across sessions, and in most cases, you should not need to worry about creating, caching, or closing connections to Cyc servers. Normally, you should only need to close individual sessions when you are done with them; the SessionManager will close the underlying connection once there are no other resources which rely upon it. However, when necessary, it is possible to force the SessionManager to close connections. For details, see Session API connection management.
All Cyc APIs use the SLF4J logging API. This makes it much easier to integrate them with your preferred logging framework, but it also means that some configuration is necessary for the API to produce log output.
For detailed instructions, see the Cyc API Logging HOWTO.


WITNESS LIST Veteran Affairs & Military Installations Committee May 18, 2005 - 1:30P HB 2335 ON: Marks, Andre Executive Director (TX State Board of Social Worker Examiners), Austin, TX Smith, Michael B. Executive Director (Texas Military Preparedness Commission), Austin, TX HB 2931 Registering, but not testifying: For: Barnard, Traci Director of Finance (City of Temple), Temple, TX


compile - Compile a SNOBOL4 program into a real executable
Compile an application into a custom SNOBOL4 executable. For a complete stand-alone application, includes must be gathered using bundle. This utility discards comments, blank lines and non-essential control cards. Each line is quoted as a C string. Spaces and tabs not in SNOBOL4 quoted strings are compressed to a single space.
The result is written into the CSNOBOL4 source directory as prog.inc. CSNOBOL4 is the configured with MEM_IO and memory sizing. CSNOBOL4 is then rebuilt, and the resulting executable which now incorporates the given SNOBOL4 program is copied to the output.
This utility is considered experimental. Not much testing has been done. Squeezing the code should be factored out into a separate squeeze utility. It is possible that even interpreted programs would benefit (from reduced loading, tokenization and parsing). This would reduce the function of compile to C quoting and running the build itself. Continuation lines should be merged by squeezing as well.
«INCLUDES»≡ -INCLUDE 'CHARS.INC' -INCLUDE 'HOST.INC' -INCLUDE 'REPL.INC' @
«compile»≡ TERMINAL = 'COMPILE (THU DEC 5 12:10:58 EST 2013)' * DEFINE('SQUISH(S)') DEFINE('PROCESS()') SNOBOL_LOC = '/export/home/fred/Projects/snobol4-1.5' QQ = '"' Q = "'" CC2 = '-EJECT' | '-eject' | '-LIST' | '-list' | '-HIDE' | + '-hide' | '-LINE' | '-line' | '-TITLE' | '-title' | + '-stitl' | '-STITL' CCPAT = FENCE (ANY('*#!|') | CC2 | RPOS(0)) &TRIM = 1 * APP_ISTACK = 4000 APP_PMSTACK = 8000 APP_DYNAMIC = 524288 OPT = 2 INFILE = OUTFILE = OPTLOOP S = HOST(HOST_ARGN, OPT = OPT + 1) :F(USAGE) SW = SW = ?(S ? POS(0) '-S') .APP_ISTACK SW = ?(S ? POS(0) '-P') .APP_PMSTACK SW = ?(S ? POS(0) '-d') .APP_DYNAMIC IDENT(SW) :S(FN) V = HOST(HOST_ARGN, OPT = OPT + 1) :F(USAGE) $SW = V :S(OPTLOOP) FN S POS(0) '-' :S(USAGE) INFILE = IDENT(INFILE) S :S(OPTLOOP) OUTFILE = IDENT(OUTFILE) S (DIFFER(INFILE) DIFFER(OUTFILE)) :S(GO) * USAGE TERMINAL = 'USAGE: COMPILE OPTIONS INFILE OUTFILE' TERMINAL = TERMINAL = 'OPTIONS: -S ISTACK (' APP_ISTACK ')' TERMINAL = ' -P PSTACK (' APP_PMSTACK ')' TERMINAL = ' -d DYNAMIC (' APP_DYNAMIC ')' TERMINAL = N = HOST(HOST_DESCR_BITS) / 8 TERMINAL = 'VALUES ARE IN ' N ' BYTE DESCRIPTORS, SO THAT IS ' + APP_DYNAMIC * N / 1024 / 1024 'MB OF DYNAMIC SPACE' + :(END) * GO TERMINAL = 'COMPILING ' INFILE ' TO ' OUTFILE TERMINAL = ' ISTACK = ' LPAD(APP_ISTACK, 7) TERMINAL = ' PMSTACK = ' LPAD(APP_PMSTACK, 7) TERMINAL = ' DYNAMIC = ' LPAD(APP_DYNAMIC, 7) TERMINAL = 'PROCESSING SNOBOL4 CODE' * OUNIT = IO_FINDUNIT() SUNIT = IO_FINDUNIT() OUTPUT(.OBJ, OUNIT,, SNOBOL_LOC '/lib/prog.inc') INPUT(.SRC, SUNIT,, INFILE) :S(GO2) TERMINAL = "CAN'T OPEN " INFILE :(END) GO2 PROCESS() ENDFILE(OUNIT) ENDFILE(SUNIT) DETACH(.OBJ) DETACH(.SRC) * * WE SHOULD CHECK THE CONFIGURATION (IN CONFIG.H), AND IF OUR CHANGES * ARE THERE WE CAN SKIP THE CLEAN AND CONFIG. WE SHOULD ALSO CHECK * IF OUR PATCHED INIT.C FILE IS THERE AND PLACE IT IF NEEDED. * TERMINAL = 'CONFIGURING FOR COMPILATION' HOST(HOST_SYSCMD, '(cd ' SNOBOL_LOC '; make clean)' + ' > compile.log 2>&1') HOST(HOST_SYSCMD, + '(cd ' SNOBOL_LOC ';' + './configure --add-define=MEM_IO' + ' --add-define=MEM_IO_TEST' + ' --add-define=APP_ISTACK=' APP_ISTACK + ' --add-define=APP_PMSTACK=' APP_PMSTACK + ' --add-define=APP_DYNAMIC=' APP_DYNAMIC + ') >> compile.log 2>&1') * TERMINAL = 'COMPILING' HOST(HOST_SYSCMD, '(cd ' SNOBOL_LOC '; make)' + ' >> compile.log 2>&1') * TERMINAL = 'CREATING EXECUTABLE' HOST(HOST_SYSCMD, '(cp ' SNOBOL_LOC '/xsnobol4 ' OUTFILE + ') >> compile.log 2>&1') * TERMINAL = 'A LOG FILE IS IN compile.log' :(END) * PROCESS L = SRC :F(RETURN) * * IGNORE COMMENTS, EMPTY LINES, MOST CONTROL CARDS * L CCPAT :S(PROCESS) * * CONVERT EACH LINE INTO A C STRING - QUOTE " AND \, ADD A NEWLINE * AND WRAP IN "". ALSO, SQUISH SPACES/TABS THAT ARE NOT QUOTED TO * SINGLE SPACES, SAVING SPACE FOR THE C COMPILER. I HAVE TESTED GCC * WITH A STRING CONSTANT OF UP TO 256000 CHARACTERS, BUT WE SHOULD * TRY TO CONSERVE THIS. * L = REPL(L, '\', '\\') L = REPL(L, '"', '\"') R = L S = SS R ARB . L (Q | QQ) $ DELIM ARB . M *DELIM REM . R :F(DONE) S = S SQUISH(L) DELIM M DELIM :(SS) DONE S = QQ S SQUISH(R) '\n' QQ OBJ = S :(PROCESS) * SQUISH S = REPL(S, CHARS_TAB, ' ') SQUISH2 S ' ' = ' ' :S(SQUISH2) SQUISH = S :(RETURN) * END START @
«»≡ #!/usr/bin/bash exec "snobol4" "-b" "$0" "$@" -PROGRAM COMPILE -TITLE COMPILE START «INCLUDES» -STITL -EJECT * ************************************************************************ * * * ##### ####### # # ###### ### # ####### * * # # # # ## ## # # # # # * * # # # # # # # # # # # # * * # # # # # # ###### # # ##### * * # # # # # # # # # * * # # # # # # # # # # * * ##### ####### # # # ### ####### ####### * * * * COMPILE 'COMPILE' A SNOBOL4 PROGRAM INTO A REAL EXECUTABLE * * * ************************************************************************ * * compile.lss * «compile» * * CE: .MSNOBOL4; @


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Home
Reference
> F
Functions
>
Comment
prev
next
Description
The
<
compound cmd
>
comment form
// foo
is desugared to
Comment
(
" foo"
)
Function Comment
@
x:func
Comment(
txt
~
string
)
~
void
txt
the comment text.
Semantics
Executing a call to
Comment
has no effect.


According to a report conducted by the National Association of College Admissions Counseling, principals consider college admissions counseling to be the top priority for their counselors. However, only 40% of schools have a designated counselor whose sole responsibility is working with students on the college application process. With the ever-evolving college admissions landscape, schools across the U.S. are feeling the need to increase their college access programming. However, few have the resources and knowledgeable staff to do so effectively for their students.
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-pricing available upon request-


A @RogueAles Chipotle with chips and homemade salsa from my lovely wife? Nomnomnom.
12/9/2012, 12:06:00 AM
Favs: 0
Retweets: 0
link--- layout: tweet ---
A @RogueAles Chipotle with chips and homemade salsa from my lovely wife? Nomnomnom.
12/9/2012, 12:06:00 AM
Favs: 0
Retweets: 0
link


Numbers 16:39
And Eleazar the priest took the brazen censers, wherewith they that were burnt had offered; and they were made broad plates for a covering of the altar:


STMA distributes support items to PWDs
The Sekondi-Takoradi Metropolitan Assembly (STMA) has distributed items worth GH¢34,650 to a total of 37 Persons with Disabilities (PWDs) in Sekondi to help them become active members of society.
The release of support items which is the final distribution for this year fulfills government’s promise to improve the lives of PWDs in all areas of the country.
The government’s promise to actively contribute to the lives of PWDs through donations aims to enable them to become part of society because they have been marginalised for a long time.
The beneficiaries received support in the form of laptops, toiletries, provisions, popcorn machines, ice chests, chest freezer, and bags of sachet water, among others.
Metropolitan Chief Executive (MCE) of STMA, Anthony Sam, who presented the items to beneficiaries stated that three percent of the district assembly's common fund allocated to PWDs was used in purchasing the items for the beneficiaries.
He disclosed that the money had been gathered quarterly to enable the Assembly to accumulate enough funds to be used in buying the items needed by the beneficiaries.
A person with disability cannot benefit from the support programme more than once.
Therefore, the MCE advised beneficiaries to put what they received to good use so that they can improve their livelihood and eventually become independent.
Mr Sam cautioned against the recipients who operated shops and other businesses not to sell their goods on credit basis to avoid the collapse of their businesses.
He also asked them to exercise diligence in their businesses to sustain its growth.


Past Performances by the Celebration Brass Quintet
2023
Check out our upcoming performances here.
2022
Veteran's Day Program
Friday, November 11, 2022 1:00 pm
5855 Cheshire Parkway, Plymouth, MN 55446 map
2021
Park Concert
Sunday, August 22, 2021 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
2020
Park Concert
Canceled due to COVID-19
Sunday, October 4, 2020 7:00 pm
7700 York Ave. S., Edina, MN 55435 map
Park Concert
Canceled due to COVID-19
Monday, July 6, 2020 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
Easter Sunday Services
Canceled due to COVID-19
Sunday, April 12, 2019 8:00 am
7520 Golden Valley Road, Golden Valley, MN 55427 map
2019
Holiday Music Festival
Tuesday, December 3, 2017 4:00 pm
Rotunda (East Side), Mall of America
60 E. Broadway, Bloomington, MN 55425 map
Senior Concert
Rescheduled: Monday, September 30, 2019 3:00 pm
Convenant Living of Golden Valley
5825 St. Croix Avenue North, Golden Valley, MN 55422 map
Park Concert
Monday, June 24, 2019 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
Easter Sunday Services
Sunday, April 21, 2019 8:15 and 9:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
2018
Holiday Music Festival
Monday, December 3, 2017 6:00 pm
Rotunda (East Side), Mall of America
60 E. Broadway, Bloomington, MN 55425 map
Park Concert
Monday, June 25, 2018 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
40th Anniversary Celebration
Sunday, June 10, 2018 10:00 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Easter Sunday Services
Sunday, April 1, 2018 7:00, 8:15 and 9:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
2017
Holiday Concert
Tuesday, December 5, 2017 11:30 am
U.S. Bank Plaza Atrium
200 S. Sixth St., Minneapolis, MN 55402 map
Cocoa, Coffee, and Carols
Saturday, December 2, 2017 6:30 pm
14600 Minnetonka Blvd., Minnetonka, MN 55345 map
Holiday Music Festival
Tuesday, November 28, 2017 6:00 pm
Rotunda (East Side), Mall of America
60 E. Broadway, Bloomington, MN 55425 map
Park Concert
Wednesday, July 19, 2017 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
Senior Concert
Sunday, July 16, 2017 1:30 pm
Brookdale Minnetonka Carlson Pkwy
500 Carlson Parkway, Minnetonka, MN 55305 map
Easter Sunday Services
Sunday, April 16, 2017 7:00 and 8:45 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
2016
Performance of John Rutter's Gloria
Saturday, December 17, 2016 4:30 pm (prelude music by Celebration Brass at 4:00 pm) and 7:30 pm (prelude music by Celebration Brass at 7:00 pm)
3325 Bridge Street NW, St. Francis, MN 55070 map
Holiday Concert
Tuesday, December 6, 2016 7:00 pm
Brookdale Minnetonka Carlson Pkwy
500 Carlson Parkway, Minnetonka, MN 55305 map
Music Association of Minnetonka Fundraiser
Saturday, December 3, 2016 6:30 pm
14600 Minnetonka Blvd., Minnetonka, MN 55345 map
Holiday Concert
Friday, December 2, 2016 11:30 am
U.S. Bank Plaza Atrium
200 S. Sixth St., Minneapolis, MN 55402 map
Holiday Music Festival
Tuesday, November 29, 2016 6:00 pm
Rotunda (East Side), Mall of America
60 E. Broadway, Bloomington, MN 55425 map
Music in the Parks
Friday, September 2, 2016 7:00 pm
1360 Lexington Pkwy. N., St. Paul, MN 55103 map
Music in the Parks
Sunday, July 31, 2016 2:00 pm
4135 West Lake Harriet Parkway, Minneapolis, MN 55409 map
Easter Sunday Services
Sunday, March 27, 2016 7:00 and 8:45 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Music Association of Minnetonka Gala
Friday, March 18, 2016 6:30 pm
14600 Minnetonka Blvd., Minnetonka, MN 55345 map
2015
Private Celebration
Thursday, December 10, 2015 6:00 pm
Holiday Concert
Tuesday, December 8, 2015 11:30 am
U.S. Bank Plaza Atrium
200 S. Sixth St., Minneapolis, MN 55402 map
A Child's Christmas
Saturday, December 5, 2015 3:00 pm
With choirs from the Music Association of Minnetonka
125 Wayzata Blvd. E., Wayzata, MN 55391 map
Holiday Music Festival
Tuesday, December 1, 2015 6:00 pm
Rotunda (East Side), Mall of America
60 E. Broadway, Bloomington, MN 55425 map
Music in the Parks
Sunday, August 30, 2015 2:00 pm
4135 West Lake Harriet Parkway, Minneapolis, MN 55409 map
Park Concert
Sunday, August 23, 2015 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
Summer on the Plaza
Wednesday, August 12, 2015 Noon
Hennepin County Government Center
300 South Sixth Street, Minneapolis, MN 55487 map
Pastor Installation Service
Sunday, June 14, 2015 3:30 pm
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Easter Sunday Services
Sunday, April 5, 2015 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
2014
A Child's Christmas
Saturday, December 20, 2014 3:00 pm
With choirs from the Music Association of Minnetonka
322 2nd St., Excelsior, MN 55331 map
Holiday Music Festival
Wednesday, December 17, 2014 8:00 pm
Rotunda (East Side), Mall of America
60 E. Broadway, Bloomington, MN 55425 map
A Child's Christmas
Sunday, December 14, 2014 3:00 pm
With choirs from the Music Association of Minnetonka
125 Wayzata Blvd. E., Wayzata, MN 55391 map
Reformation Sunday Services
Sunday, October 26, 2014 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Park Concert
Monday, August 18, 2014 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
Music in the Parks
Sunday, August 17, 2014 2:00 pm
4135 West Lake Harriet Parkway, Minneapolis, MN 55409 map
Summer on the Plaza
Thursday, August 7, 2014 Noon
Hennepin County Government Center
300 South Sixth Street, Minneapolis, MN 55487 map
Easter Sunday Services
Sunday, April 20, 2014 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
2013
Holiday Music Festival
Tuesday, December 3, 2013 6:00 pm
Rotunda (East Side), Mall of America
60 E. Broadway, Bloomington, MN 55425 map
Reformation Sunday Services
Sunday, October 27, 2013 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Park Concert
Monday, August 19, 2013 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
Summer on the Plaza
Wednesday, July 24, 2013 Noon
Hennepin County Government Center
300 South Sixth Street, Minneapolis, MN 55487 map
Easter Sunday Services
Sunday, March 31, 2013 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Wedding
Thursday, February 14, 2013 11:00 am
Ice Castles, Mall of America
60 E. Broadway, Bloomington, MN 55425 map
2012
A Child's Christmas
Saturday, December 15, 2012 3:00 pm
With choirs from the Music Association of Minnetonka
6200 Colonial Way, Edina, MN 55436 map
Holiday Music Festival
Tuesday, December 11, 2012 6:00 pm
Sears Court, Mall of America
60 E. Broadway, Bloomington, MN 55425 map
A Child's Christmas
Sunday, December 9, 2012 3:00 pm
With choirs from the Music Association of Minnetonka
125 Wayzata Blvd. E., Wayzata, MN 55391 map
Private Wedding and Reception
Saturday, November 24, 2012 3:30 pm
Reformation Sunday Services
Sunday, October 28, 2012 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Park Concert
Wednesday, August 19, 2012 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
Celebration Brass Concert
Sunday, April 22, 2012 2:00 pm
3675 Arboretum Dr., Chanhassen, MN 55318 map
Easter Services
Saturday, April 7, 2012 6:00 pm
Sunday, April 8, 2012 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
2011
A Child's Christmas
Saturday, December 17, 2011 3:30 pm
With choirs from the Music Association of Minnetonka
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Holiday Music Festival
Tuesday, December 13, 2011 6:00 pm
Sears Court, Mall of America
60 E. Broadway, Bloomington, MN 55425 map
A Child's Christmas
Sunday, December 11, 2011 3:00 pm
With choirs from the Music Association of Minnetonka
125 Wayzata Blvd. E., Wayzata, MN 55391 map
Reformation Sunday Services
Sunday, October 30, 2011 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Park Concert
Wednesday, August 17, 2011 7:00 pm
Maetzold Amphitheater, Centennial Lakes Park
7499 France Ave. S., Edina, MN 55435 map
Summer on the Plaza
Thursday, July 14, 2011 Noon
Hennepin County Government Center
300 South Sixth Street, Minneapolis, MN 55487 map
Independence Day Sunday Services
Sunday, July 3, 2011 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Easter Services
Sunday, April 24, 2011 8:45 and 10:30 am
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map
Celebration Brass Concert
Sunday, March 27, 2011 1:30 pm
Family of Christ Lutheran Church
16345 Polk St. NE, Ham Lake, MN 55304 map


HexEdit Pro is a binary file editor or hex editor. It’s called a binary file editor because it allows you to edit binary files. It’s called a hex editor because you see and edit the bytes of the binary file using hexadecimal (or hex) values.
HexEdit Pro allows you to easily change any byte in any file on any disk, as long as you have permission to modify that file. Unless you are logged in as an administrator there will be some files you do not have permission to modify or even read.
HexEdit Pro is a shareware program. You can try it for free for 30 days. If you decide to continue using it you can pay for HexEdit Pro here: registration web page.
A binary file typically contains any of the 256 different possible byte values. Another way to think of a binary file is that it is any file that is not a text file. A text file is a file that contains only printable characters plus a few special “control” characters such as tab and end-of-line.
You can use a binary file editor such as HexEdit Pro to edit a text file but you are better off using a text editor for that. You can edit text files using NotePad, or there are also many free and commercial text editors available.
You can use word processors like WordPad to edit text files too. Word processors, however, are mainly designed to work with special files of their own design. These are special purpose binary files, which allow the word processor to not only store the words etc of a document but other information such as font sizes, formatting etc.
Generally if a program stores information in files, in its own internal format, then it is stored in a binary file. (Although sometimes data is stored as a strange-looking text file [eg. PostScript, XML etc], using certain printable characters for special purposes.) For example, Microsoft Word used to store its documents in a binary file having a file extension of .DOC, but nowadays uses a DOCX file (which is actually just a zip file containing XML files).
Windows itself defines several binary file formats for its own purposes. For example, the machine instructions (and some unchanging data) of a program are stored in a type of binary file called an executable file, which has a file extension of .EXE.
You use a binary file editor when there is no other way to inspect or change a binary file or a specific part of that file. Usually you would use special software associated with that type of file (eg. Word allows you to edit its own .DOC/.DOCX files) but that may not always be possible.
Many game players use a hex editor to enhance their experience by getting extra lives or powers that they would not normally be able to obtain. When you save your position in a game the current status is typically stored in a binary file. You can often work out (or find out on the Internet) the format of this file and edit it to make the game easier (or harder if you think you are really good).
Some people use binary file editors to change .EXE files. For example, you can edit the messages or graphics that a program displays. However, editing these types of files is not as simple as editing text files. For example, you should never change text messages to be longer than the original.
You can also use a hex editor to fix corrupt files. For example, if an MSWord .DOC file has been corrupted badly Word will refuse to load it. Some books and Internet sites document the format of .DOC files. You can use this information to “patch” the file to recover some or all of your work.
Programmers make heavy use of hex editors when testing software that uses binary files. They are used to create input test data. They are also used to verify and check output data files to try to discover the cause of bugs, or to fix malformed files so that testing can continue.
First you need to know roughly what hex is and some of the different types of things that can be stored in a file, such as fixed and floating point numbers, character sets, date formats etc. These are explained in the later section called All About Binary Files (see Numbers, Floating Point Numbers, Date and Time Formats etc).
To view and edit a particular type of binary file you normally have to know something about its internal format. If you do not have a description of the format you may be able to find it by searching the Internet. You may be able to get a precise file definition (for example, the format of Windows .EXE files), or just a rough idea (for example, the format of saved game file from gaming sites).
If you find information on how to modify a binary file you may be given an address or offset of the byte(s) to modify. This address is just the number of the byte within the file. Note that by convention the very first byte of the file has an address or offset of zero, the next is one etc. In HexEdit Pro the address of the first byte of each line is shown at the left side of the window. The current address of the cursor is also shown in the hex and decimal address tools on the ToolBar.
If you have no information about the format you may be able to work out something about it yourself by creating different files perhaps with slight variations and comparing them. Where the file comes from (ie. the operating system and application), and what it is used for, may give clues about what it contains.
Often the only alternative is to just experiment. However, before making any changes to a file make sure you create a backup copy first. If the changes you made do not have the intended effect then you will have to revert to this backup file.
Also remember that making random changes to a .EXE file can be dangerous. Changing messages or graphics is usually safe as long as the length of the file does not change. But changing machine instructions or data will typically cause the program to crash when you run it. If it crashes while writing to data files then these can be corrupted too.


What is it?
awsm.css is a CSS library for beautify semantic HTML markup without classes, attributes, etc. Use tags only.
The library is the best choice for a blog, your homepage or a site about a project.
Usage
<link rel="stylesheet" href="awsm.min.css">
Also don't forget to add viewport info to <head>
section for adaptation to mobile. Like this:
<meta name="viewport" content="width=device-width, initial-scale=1.0">
It's also available as the npm package, which supports PostCSS API.
Why?
I had to create simple pages in my daily work. Sometimes it was compiled Markdown, sometimes pure HTML. I'd like to make them more beautiful without additional classes, ids, etc. So I did it.


I really like Peter Hunt's latest post: How Python wins on the web; quoting a bit:
But oh, how quick are we to forget Python's smashing successes in the Web world. We've got Plone, probably the most popular and comprehensive CMS out there. We've got the platform its built on, Zope, which is (from what I hear) fairly popular, too. We've had PyBloxsom, which until WordPress came along was a very widespread blogging system. And hell, we've got Python's "killer" web app, Trac, which just about everyone is using these days. And oh, BitTorrent. I know it's not a Web application in the traditional server-side sense, but it just shows how capable Python truly is.
What do all of these applications have in common? They certainly don't share a web framework; most of them are developed specific to that application and tailored to various deployment platforms (CGI, FastCGI, custom server, mod_python). Python appears to be falling behind in the world of custom-made Web applications, but in the world of generic, reusable Web applications, Python is doing great.
I wouldn't necessarily throw in the towel for frameworks, but I think Peter's right to bring the focus back to apps. A good environment (language, framework, design methodology, whatever) is good when people build great applications using it. And that's all there is to it. Obviously we have imagination and choice and we can have forward vision, but these are just aspirations; you still have to deliver the application before it really matters. And there's a lot of good applications written in Python, so we have nothing to apologize for.
Interestingly, by this metric, PHP is a really great language. Also by this metric PHP is a really horrible language. PHP is funny that way. What PHP gets really right is that it invites participation, a PHP app is generally approachable. PHP has had a good feedback cycle: good applications exist, starting of the cycle; then it comes back because people regularly tweak and modify the applications they install.
A lot of the features in my incomplete list of web environment features are about making an application inviting for people other than the original developer. These may be people who installed it, people who are tweaking it, or coworkers who come in at different points in its development. The motivation is bringing the feedback cycle back around; so that once we put applications out there we get people (even if very indirectly) coming back around as participants. And, of course, inviting participation without losing good development practices, which are "good" for reasons that apply just as much if not moreso to those late-joiners.
But of course, the feedback cycle starts with great applications. So lets go write applications. If there's lots yet to do in frameworks, there is a near-infinite amount left to do in applications.
I'm concerned that the apps tend to hide Python. Yes, the apps are popular but couldn't the same apps be re-written in Ruby? And with the surge in Ruby popularity there are plenty of Ruby developers who can/will give it a try.
I think it's a stretch to equate Zope & Plone popularity with Python. My fear is that to use this spin to soothe the egos of Python developers is worse than throwing in the towel or turning off the lights.  And possibly setback Python's hope to go mainstream by about five years.
This is part of why I think it's important, having created applications other people want to use, that we create a situation where they are encouraged to extend and expand upon those applications. An environment of complimentary applications, plugins, and general customizing experience cannot be easily duplicated. So while a nice encapsulated zip file has a certain appeal, I also want people to feel they can jump into the code without destroying the application or getting themselves in trouble in the future.
# Ian Bicking
I'm starting to give up the goal of a mainstream Python.
Yesterday I needed a way to reach out from a Python program and respond to a Windows GUI prompt for a password. A prompt that I had not expected when writing the app. Panic time!
I Googled for help and found the watsup module. Wow, what a clean, well designed and documented package. Built on top of other similarly impressive Python packages. I'm grateful for the help, excited to have so much power available to me and anxious to show off this stuff to other programmers. I already liked Python. But this is an additional layer of appreciation. And, although purely as a side note, a good example of the value of a high quality framework.
My real point is that the big win for Python is not the watsup package but that Python, well designed or not, attracted the creator(s) of watsup. I see Python as a filter that only certain people can get past. If scope by indent and crippled threads keep certain people (most Java programmers) away and let the watsup creator pass though, then... maybe that's best.
Maybe the developers who have told me it's better to do it right than be popular are correct. I'll try to find peace with that thought. And be happy to have made it past the filter myself.
This actually seems very logical to me. When you look at pythons batteries included approach, all the tools are there for writing these custom apps with no outside libraries. This seems highly desireable given that these apps for the most part will have to be hosted on a platform which only has python installed, and the user doesn't have control over what they can install on these machines. Urllib alone is more than adequate for generating http headers and responses. I don't blame the fact that we don't have killer frameworks, just with all the dependencies most require, basically anything beyond python greatly reduces their usability. Though one thing that did catch my attention quite a bit, is the new demo over at twistedmatrix of their web 2, the one file has several deployment options built in. Also I believe that when most python programmers go to tackle the web, have a hard time thinking past the application and we want our applications to be very usable by as many people as possible.
# Todd


Tobago has JSR 303 Validation support. With it, you can describe the validation in an annotation in the controller.
In this example, the input cannot be empty - in other words, it's required.
The value in the controller is annotated with @NotNull
.
The length of the given string must be between 2 and 4 characters.


{% extends "base.html" %} {% block title %}{% if form.errors %}Error - {% endif %}Do you know your NHS number?{% endblock %} {% block content %} {% include 'snippet/messages.html' %}
An NHS number is a 10 digit number, like<PHONE_NUMBER>.
You can find your NHS number by logging in to a GP practice online service or on any document sent to you by the NHS. This may include:
You can also ask your GP practice for help if you can`t find your NHS number.


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White |
✗ |
Word/Character |
Text classification |
|
White |
✗ |
Word/Character |
Text classification |
|
Black |
✗ |
Character |
MT |
|
Black/White |
✗ |
Sentence/Word |
Reading comprehension |


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Introduction
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Home Website
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Other Web Works:
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そのひ の きぶん に あわせ て ふく の いろ を →
You can change your clothes' color depending on your mood. Just say "Change"! I already have it.


You can use multiple file with single entry. at front-end those files will be downloaded as a zip
You can use multiple file with single entry. at front-end those files will be downloaded as a zip
You can use multiple file with single entry. at front-end those files will be downloaded as a zip
You can use multiple file with single entry. at front-end those files will be downloaded as a zip
You can use multiple file with single entry. at front-end those files will be downloaded as a zip
You can use multiple file with single entry. at front-end those files will be downloaded as a zip
You can use multiple file with single entry. at front-end those files will be downloaded as a zip
You can use multiple file with single entry. at front-end those files will be downloaded as a zip
We design and develop services for customers of all sizes, specializing in creating stylish, modern websites, web services and online stores. Design is our art and our passion. Our goal is to create the best products with a pixel-perfect eye for detail and a high standard for aesthetic excellence.


| Meal | Qty | Price | Action |
| 2 | $22.00 | ||
Total $22.00 |
We will Deliver in 35 min
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut iaculis at metus vitae porta.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut iaculis at metus vitae porta.
Note :Order cancel in 5 minutes. Ut iaculis at metus vitae porta.
Cash on delivery (COD) available. Card/Net banking acceptance subject to device availability.
2 X $11
$22.00
$22.00
- $11.00
$2.00
Free
$9.00
$13.00


ruby_parser (RP) is a ruby parser written in pure ruby (utilizing racc–which does by default use a C extension). RP’s output is the same as ParseTree’s output: s-expressions using ruby’s arrays and base types.
As an example:
def conditional1 arg1 return 1 if arg1 == 0 return 0 end
becomes:
s(:defn, :conditional1, s(:args, :arg1), s(:if, s(:call, s(:lvar, :arg1), :==, s(:lit, 0)), s(:return, s(:lit, 1)), nil), s(:return, s(:lit, 0)))
Tested against 801,039 files from the latest of all rubygems (as of 2013-05):
1.8 parser is at 99.9739% accuracy, 3.651 sigma
1.9 parser is at 99.9940% accuracy, 4.013 sigma
2.0 parser is at 99.9939% accuracy, 4.008 sigma
Pure ruby, no compiles.
Includes preceding comment data for defn/defs/class/module nodes!
Incredibly simple interface.
Output is 100% equivalent to ParseTree.
Can utilize PT’s SexpProcessor and UnifiedRuby for language processing.
Known Issue: Speed is now pretty good, but can always improve:
RP parses a corpus of 3702 files in 125s (avg 108 Kb/s)
MRI+PT parsed the same in 67.38s (avg 200.89 Kb/s)
Known Issue: Code is much better, but still has a long way to go.
Known Issue: Totally awesome.
Known Issue: line number values can be slightly off.
RubyParser.new.parse "1+1" # => s(:call, s(:lit, 1), :+, s(:lit, 1))
You can also use Ruby19Parser, Ruby18Parser, or RubyParser.for_current_ruby:
RubyParser.for_current_ruby.parse "1+1" # => s(:call, s(:lit, 1), :+, s(:lit, 1))
ruby. woot.
sexp_processor for Sexp and SexpProcessor classes, and testing.
racc full package for parser development (compiling .y to .rb).
sudo gem install ruby_parser
(The MIT License)
Copyright © Ryan Davis, seattle.rb
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the ‘Software’), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


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CLAIRE HANNA
08.30.17
Animator Katie Frasier was working at a bakery. It was a job she didn't plan for after college.
For seven months, Frasier struggled for a job in her field. The competition within the animation industry was difficult, she said. But, she worked on independent projects on her off hours while applying for animation positions.
And then a phone call came.
South Park Studios asked Frasier to work as an animation generalist for the 20th season of the popular adult cartoon South Park.
“The hours were really long… so it was rough, but I learned so much in that short period of time,” Frasier said.
However, between working with talented people and producing new content every day, the experience was incredible, she said. Frasier has since left the job, but her art techniques and time management skills greatly improved due to her time at the studio.
When a person watches animated films or plays video games, they are often unaware of the amount of time, effort and technical skills poured into the product. It’s hard and competitive, but these creators bring life to the young and old.
Animation programs are now more common in universities across the nation. Ohio University’s School of Media Arts and Studies’ games and animation program was recently announced as the second best animation program in Ohio, and one of the top 10 animation programs in the Midwest.
As of Fall Semester, the program has a total of 826 undergraduate and graduate students, said Judy Wilson, the administrative service assistant for the School of Media Arts and Studies, said. The school is also expanding its program, offering a new three-year MFA in communication media arts.
When Emelia Douglas began pursuing her bachelor’s degree in games and animation, “it was like a reality check.”
“Especially (when I was) starting out, it would take hours and hours to do just two or three seconds of work.” Emelia Douglas, an OU 2017 alumna
“It would take hours and hours to do just two or three seconds of work,” Douglas, a 2017 OU alumna, said. “I finally understood why it took cartoon studios and various TV shows so long to come out: because it takes forever to animate.”
Creating an animation is more than just drawing or making a 3-D model move as different types of animation require specific skill sets.
Stop-motion animators learn about lighting on sets, camera angles and how to make armatures for clay characters. 3-D animators need to know how to build and paint a virtual world from scratch while designing and animating, Tyler Ayres, an assistant professor in the school of media arts and studies at OU, said.
“It’s an enormous amount of work,” Ayres said. “That (amount) is even doubled or quadrupled when you’re talking about all the (work) that goes into (pre-production).”
Sometimes talent is not enough. Many young animators overcompensate their drawing by loading up on multiple projects, and eventually they face the problem of burnout.
Taylor Rohrig experienced that during her sophomore year. She broke down when the amount of time she was spending working on her animation began affecting her social life.
At that time, Rohrig, — now a senior studying games and animation, —reconsidered her path in the animation industry and questioned if creating art 24/7 was something she wanted to do for the rest of her life.
"If you're not OK, you gotta be OK to step back," Rohrig said.
Instead of animating, she now focuses on production as she has found she works better with people than on her own.
“Taking care of yourself is the most important thing in this industry,” Rohrig said. “If you’re not taking care of yourself, you won’t be able to put a 100 percent into your work.”
Ayres had always been interested in animation as a career, but animation programs were still uncommon when he began his undergraduate degree at Ohio State University back in 1994.
Becoming an animator seemed impossible when he was younger, he said. The animated TV shows and films he grew up watching were made by larger animation studios across the country. Even then, aspiring animators would have to compete with other artists for the same job at an animation studio.
Ayres continued to make short-animated films focusing on children’s entertainment in his spare time after graduating with a degree in graphic design. When a friend from OSU’s digital animation and interactive media program showed Ayres the work he was creating, he decided to quit his job and go back to graduate school.
“Really, all I wanted to do was to get my animation into a film festival,” Ayres said. “I wanted to be ‘the name,’ and if I could just try that, I just wanted to give it a shot.”
The leap paid off when Ayres’s graduate thesis film, RED & Blue, was screened at several film festivals and even shortlisted as a finalist at the Nicktoons Film Festivals.
“I was kind of taken back and also addicted from then on, because I knew I could do it,” he said.
After graduating from Savannah College of Art and Design, Frasier had a difficult time working as an animator. Even at South Park Studios, the job was demanding.
“Art can be so much tied to yourself," she said. "It’s not a job where you do it and then when you go home you can forget about it (and) it can be kind of challenging to progress."
New innovations and animation programs are being created every day, and Aaron DiManna believes the quality of computer-generated animation is rapidly improving.
“(James Cameron’s) Avatar was amazing (when it came out) but now it’s not as impressive,” DiMana, a senior studying animation, said. “But if you show (the film) to the people who made King Kong, they’ll be amazed.”
It’s possible for animation to get “really close to reality” to the point where it’ll become tougher to discern between a computer generated image and reality, Ayres said.
“That level of what’s the most realistic game this year is probably much better than the most realistic game two years ago, four years ago or, God forbid, 10 years ago,” Ayres said.
The rapid progression of technology is not limited to computer programs. The accessibility of the internet has also allowed aspiring animators to reach out to others in the industry and give independent creators the chance to show off their work without being tied to a larger studio.
More than 10 of Polygon’s list of 2017’s video games to look forward to were produced by indie studios, some being part of the most highly anticipated independent games to come out this year.
The ability to self-publish content to the internet has allowed creators to tell a variety of stories and utilize different styles of animation, Frasier said. Although it can be difficult for an animator to stand out due to the overwhelming amount of content available on the internet, Frasier believes the internet has helped creators reach audiences across the globe.
“It’s a great thing that you can make something at your house and have it shown all over the world,” she said.
The animation industry can be stressful and may not provide a stable life to young animators, Frasier said.
“I do think if you choose animation you should be enjoying it,” she said. “You shouldn’t be so stressed out about trying to be technically perfect. … It should still be enjoyable.”
The internet is a “boundless resource” for aspiring animators, DiManna said.
Free animation programs, YouTube tutorials and forums are all available online for anyone who has access to a computer. With so many options, “there’s almost no reason to not be using them,” DiManna said.
Frasier said the most important thing for an animator is the determination to constantly improve oneself.
“It’s a cliché, but the more you draw, the better you will get,” she said. “Just make stuff and put it out there.”
GIFs via GIPHY
Definitions cited from Bloop Animation Studios
Correction: A previous version of this story incorrectly spelled Aaron DiManna’s name. The article has been updated to reflect the most accurate information.
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100,000 members mobilizing millions of voters to electing progressive leaders supporting immigrants and communities of color
Fighting for a robust economy and good-paying jobs with benefits
Advocating for quality and affordable education
Championing for affordable and accessible health care.
Leading immigration reform that protects DREAMers and TPS holders
CASA in Action works at the state and federal level. See all we're doing.
CASA in Action’s board votes to endorse candidates who reflect our top priorities by promising to pass progressive policies that will benefit immigrant and working families. We endorse America’s tomorrow
January 5, 2021
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Donate to CASA in Action’s Virginia and Pennsylvania work
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Paint Operators¶
-
bpy.ops.paint.
add_simple_uvs
()¶ Add cube map uvs on mesh
-
bpy.ops.paint.
add_texture_paint_slot
(type='BASE_COLOR', name="Untitled", width=1024, height=1024, color=(0.0, 0.0, 0.0, 1.0), alpha=True, generated_type='BLANK', float=False)¶ Add a texture paint slot
Parameters: - type (enum in ['BASE_COLOR', 'SPECULAR', 'ROUGHNESS', 'METALLIC', 'NORMAL', 'BUMP', 'DISPLACEMENT'], (optional)) – Type, Merge method to use
- name (string, (optional, never None)) – Name, Image data-block name
- width (int in [1, inf], (optional)) – Width, Image width
- height (int in [1, inf], (optional)) – Height, Image height
- color (float array of 4 items in [0, inf], (optional)) – Color, Default fill color
- alpha (boolean, (optional)) – Alpha, Create an image with an alpha channel
- generated_type (enum in ['BLANK', 'UV_GRID', 'COLOR_GRID'], (optional)) –
Generated Type, Fill the image with a grid for UV map testing
BLANK
Blank, Generate a blank image.UV_GRID
UV Grid, Generated grid to test UV mappings.COLOR_GRID
Color Grid, Generated improved UV grid to test UV mappings.
- float (boolean, (optional)) – 32 bit Float, Create image with 32 bit floating point bit depth
-
bpy.ops.paint.
brush_colors_flip
()¶ Toggle foreground and background brush colors
-
bpy.ops.paint.
brush_select
(sculpt_tool='DRAW', vertex_tool='DRAW', weight_tool='DRAW', image_tool='DRAW', gpencil_tool='DRAW', toggle=False, create_missing=False)¶ Select a paint mode’s brush by tool type
Parameters: - sculpt_tool (enum in ['DRAW', 'DRAW_SHARP', 'CLAY', 'CLAY_STRIPS', 'LAYER', 'INFLATE', 'BLOB', 'CREASE', 'SMOOTH', 'FLATTEN', 'FILL', 'SCRAPE', 'MULTIPLANE_SCRAPE', 'PINCH', 'GRAB', 'ELASTIC_DEFORM', 'SNAKE_HOOK', 'THUMB', 'POSE', 'NUDGE', 'ROTATE', 'TOPOLOGY', 'SIMPLIFY', 'MASK'], (optional)) – sculpt_tool
- vertex_tool (enum in ['DRAW', 'BLUR', 'AVERAGE', 'SMEAR'], (optional)) – vertex_tool
- weight_tool (enum in ['DRAW', 'BLUR', 'AVERAGE', 'SMEAR'], (optional)) – weight_tool
- image_tool (enum in ['DRAW', 'SOFTEN', 'SMEAR', 'CLONE', 'FILL', 'MASK'], (optional)) – image_tool
- gpencil_tool (enum in ['DRAW', 'FILL', 'ERASE'], (optional)) –
gpencil_tool
DRAW
Draw, The brush is of type used for drawing strokes.FILL
Fill, The brush is of type used for filling areas.ERASE
Erase, The brush is used for erasing strokes.
- toggle (boolean, (optional)) – Toggle, Toggle between two brushes rather than cycling
- create_missing (boolean, (optional)) – Create Missing, If the requested brush type does not exist, create a new brush
-
bpy.ops.paint.
face_select_all
(action='TOGGLE')¶ Change selection for all faces
Parameters: action (enum in ['TOGGLE', 'SELECT', 'DESELECT', 'INVERT'], (optional)) – Action, Selection action to execute
TOGGLE
Toggle, Toggle selection for all elements.SELECT
Select, Select all elements.DESELECT
Deselect, Deselect all elements.INVERT
Invert, Invert selection of all elements.
-
bpy.ops.paint.
face_select_hide
(unselected=False)¶ Hide selected faces
Parameters: unselected (boolean, (optional)) – Unselected, Hide unselected rather than selected objects
-
bpy.ops.paint.
face_select_linked
()¶ Select linked faces
-
bpy.ops.paint.
face_select_linked_pick
(deselect=False)¶ Select linked faces under the cursor
Parameters: deselect (boolean, (optional)) – Deselect, Deselect rather than select items
-
bpy.ops.paint.
face_select_reveal
(select=True)¶ Reveal hidden faces
Parameters: select (boolean, (optional)) – Select
-
bpy.ops.paint.
grab_clone
(delta=(0.0, 0.0))¶ Move the clone source image
Parameters: delta (float array of 2 items in [-inf, inf], (optional)) – Delta, Delta offset of clone image in 0.0..1.0 coordinates
-
bpy.ops.paint.
hide_show
(action='HIDE', area='INSIDE', xmin=0, xmax=0, ymin=0, ymax=0, wait_for_input=True)¶ Hide/show some vertices
Parameters: - action (enum in ['HIDE', 'SHOW'], (optional)) –
Action, Whether to hide or show vertices
HIDE
Hide, Hide vertices.SHOW
Show, Show vertices.
- area (enum in ['OUTSIDE', 'INSIDE', 'ALL', 'MASKED'], (optional)) –
Area, Which vertices to hide or show
OUTSIDE
Outside, Hide or show vertices outside the selection.INSIDE
Inside, Hide or show vertices inside the selection.ALL
All, Hide or show all vertices.MASKED
Masked, Hide or show vertices that are masked (minimum mask value of 0.5).
- xmin (int in [-inf, inf], (optional)) – X Min
- xmax (int in [-inf, inf], (optional)) – X Max
- ymin (int in [-inf, inf], (optional)) – Y Min
- ymax (int in [-inf, inf], (optional)) – Y Max
- wait_for_input (boolean, (optional)) – Wait for Input
- action (enum in ['HIDE', 'SHOW'], (optional)) –
-
bpy.ops.paint.
image_from_view
(filepath="")¶ Make an image from biggest 3D view for re-projection
Parameters: filepath (string, (optional, never None)) – File Path, Name of the file
-
bpy.ops.paint.
image_paint
(stroke=None, mode='NORMAL')¶ Paint a stroke into the image
Parameters: - stroke (
bpy_prop_collection
ofOperatorStrokeElement
, (optional)) – Stroke - mode (enum in ['NORMAL', 'INVERT', 'SMOOTH'], (optional)) –
Stroke Mode, Action taken when a paint stroke is made
NORMAL
Regular, Apply brush normally.INVERT
Invert, Invert action of brush for duration of stroke.SMOOTH
Smooth, Switch brush to smooth mode for duration of stroke.
- stroke (
-
bpy.ops.paint.
mask_flood_fill
(mode='VALUE', value=0.0)¶ Fill the whole mask with a given value, or invert its values
Parameters: - mode (enum in ['VALUE', 'VALUE_INVERSE', 'INVERT'], (optional)) –
Mode
VALUE
Value, Set mask to the level specified by the ‘value’ property.VALUE_INVERSE
Value Inverted, Set mask to the level specified by the inverted ‘value’ property.INVERT
Invert, Invert the mask.
- value (float in [0, 1], (optional)) – Value, Mask level to use when mode is ‘Value’; zero means no masking and one is fully masked
- mode (enum in ['VALUE', 'VALUE_INVERSE', 'INVERT'], (optional)) –
-
bpy.ops.paint.
mask_lasso_gesture
(path=None, mode='VALUE', value=1.0)¶ Add mask within the lasso as you move the brush
Parameters: - path (
bpy_prop_collection
ofOperatorMousePath
, (optional)) – Path - mode (enum in ['VALUE', 'VALUE_INVERSE', 'INVERT'], (optional)) –
Mode
VALUE
Value, Set mask to the level specified by the ‘value’ property.VALUE_INVERSE
Value Inverted, Set mask to the level specified by the inverted ‘value’ property.INVERT
Invert, Invert the mask.
- value (float in [0, 1], (optional)) – Value, Mask level to use when mode is ‘Value’; zero means no masking and one is fully masked
- path (
-
bpy.ops.paint.
project_image
(image='')¶ Project an edited render from the active camera back onto the object
Parameters: image (enum in [], (optional)) – Image
-
bpy.ops.paint.
sample_color
(location=(0, 0), merged=False, palette=False)¶ Use the mouse to sample a color in the image
Parameters: - location (int array of 2 items in [0, inf], (optional)) – Location
- merged (boolean, (optional)) – Sample Merged, Sample the output display color
- palette (boolean, (optional)) – Add to Palette
-
bpy.ops.paint.
texture_paint_toggle
()¶ Toggle texture paint mode in 3D view
-
bpy.ops.paint.
vert_select_all
(action='TOGGLE')¶ Change selection for all vertices
Parameters: action (enum in ['TOGGLE', 'SELECT', 'DESELECT', 'INVERT'], (optional)) – Action, Selection action to execute
TOGGLE
Toggle, Toggle selection for all elements.SELECT
Select, Select all elements.DESELECT
Deselect, Deselect all elements.INVERT
Invert, Invert selection of all elements.
-
bpy.ops.paint.
vert_select_ungrouped
(extend=False)¶ Select vertices without a group
Parameters: extend (boolean, (optional)) – Extend, Extend the selection
-
bpy.ops.paint.
vertex_color_brightness_contrast
(brightness=0.0, contrast=0.0)¶ Adjust vertex color brightness/contrast
Parameters: - brightness (float in [-100, 100], (optional)) – Brightness
- contrast (float in [-100, 100], (optional)) – Contrast
-
bpy.ops.paint.
vertex_color_dirt
(blur_strength=1.0, blur_iterations=1, clean_angle=3.14159, dirt_angle=0.0, dirt_only=False)¶ Undocumented contribute <https://developer.blender.org/T51061>
Parameters: - blur_strength (float in [0.01, 1], (optional)) – Blur Strength, Blur strength per iteration
- blur_iterations (int in [0, 40], (optional)) – Blur Iterations, Number of times to blur the colors (higher blurs more)
- clean_angle (float in [0, 3.14159], (optional)) – Highlight Angle, Less than 90 limits the angle used in the tonal range
- dirt_angle (float in [0, 3.14159], (optional)) – Dirt Angle, Less than 90 limits the angle used in the tonal range
- dirt_only (boolean, (optional)) – Dirt Only, Don’t calculate cleans for convex areas
File:
-
bpy.ops.paint.
vertex_color_from_weight
()¶ Convert active weight into gray scale vertex colors
-
bpy.ops.paint.
vertex_color_hsv
(h=0.5, s=1.0, v=1.0)¶ Adjust vertex color HSV values
Parameters: - h (float in [0, 1], (optional)) – Hue
- s (float in [0, 2], (optional)) – Saturation
- v (float in [0, 2], (optional)) – Value
-
bpy.ops.paint.
vertex_color_invert
()¶ Invert RGB values
-
bpy.ops.paint.
vertex_color_levels
(offset=0.0, gain=1.0)¶ Adjust levels of vertex colors
Parameters: - offset (float in [-1, 1], (optional)) – Offset, Value to add to colors
- gain (float in [0, inf], (optional)) – Gain, Value to multiply colors by
-
bpy.ops.paint.
vertex_color_set
()¶ Fill the active vertex color layer with the current paint color
-
bpy.ops.paint.
vertex_color_smooth
()¶ Smooth colors across vertices
-
bpy.ops.paint.
vertex_paint
(stroke=None, mode='NORMAL')¶ Paint a stroke in the active vertex color layer
Parameters: - stroke (
bpy_prop_collection
ofOperatorStrokeElement
, (optional)) – Stroke - mode (enum in ['NORMAL', 'INVERT', 'SMOOTH'], (optional)) –
Stroke Mode, Action taken when a paint stroke is made
NORMAL
Regular, Apply brush normally.INVERT
Invert, Invert action of brush for duration of stroke.SMOOTH
Smooth, Switch brush to smooth mode for duration of stroke.
- stroke (
-
bpy.ops.paint.
vertex_paint_toggle
()¶ Toggle the vertex paint mode in 3D view
-
bpy.ops.paint.
weight_from_bones
(type='AUTOMATIC')¶ Set the weights of the groups matching the attached armature’s selected bones, using the distance between the vertices and the bones
Parameters: type (enum in ['AUTOMATIC', 'ENVELOPES'], (optional)) – Type, Method to use for assigning weights
AUTOMATIC
Automatic, Automatic weights from bones.ENVELOPES
From Envelopes, Weights from envelopes with user defined radius.
-
bpy.ops.paint.
weight_gradient
(type='LINEAR', xstart=0, xend=0, ystart=0, yend=0, cursor=5)¶ Draw a line to apply a weight gradient to selected vertices
Parameters: - type (enum in ['LINEAR', 'RADIAL'], (optional)) – Type
- xstart (int in [-inf, inf], (optional)) – X Start
- xend (int in [-inf, inf], (optional)) – X End
- ystart (int in [-inf, inf], (optional)) – Y Start
- yend (int in [-inf, inf], (optional)) – Y End
- cursor (int in [0, inf], (optional)) – Cursor, Mouse cursor style to use during the modal operator
-
bpy.ops.paint.
weight_paint
(stroke=None, mode='NORMAL')¶ Paint a stroke in the current vertex group’s weights
Parameters: - stroke (
bpy_prop_collection
ofOperatorStrokeElement
, (optional)) – Stroke - mode (enum in ['NORMAL', 'INVERT', 'SMOOTH'], (optional)) –
Stroke Mode, Action taken when a paint stroke is made
NORMAL
Regular, Apply brush normally.INVERT
Invert, Invert action of brush for duration of stroke.SMOOTH
Smooth, Switch brush to smooth mode for duration of stroke.
- stroke (
-
bpy.ops.paint.
weight_paint_toggle
()¶ Toggle weight paint mode in 3D view
-
bpy.ops.paint.
weight_sample
()¶ Use the mouse to sample a weight in the 3D view
-
bpy.ops.paint.
weight_sample_group
(group='DEFAULT')¶ Select one of the vertex groups available under current mouse position
Parameters: group (enum in ['DEFAULT'], (optional)) – Keying Set, The Keying Set to use
-
bpy.ops.paint.
weight_set
()¶ Fill the active vertex group with the current paint weight


Eugenio Espinoza
Web Developer
This application uses Deeazer API, to create playlists....
View ProjectIn this assignment, a burger logger was created with MySQL, Node, Express, Handlebars and ORM.
View ProjectThis application can be used to write, save, and delete notes. The application will use an express backend to save and retrieve note data from a JSON file.
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View ProjectCode Quiz - Homework Assignment for UMN Bootcamp created with HTML, CSS & Javascript.
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--- layout: post title: "balet" permalink: /:title.html categories: - Documentary published: true ---
Life on point / Short Documentary / dir: Igor Zacharov / dop: David Hofmann / prod: Tereza Bílá


{% extends 'base.html' %} {% block content %}
Search and choose terms from list to find relevent content based on semantic similarity.


Broken Desk - One of the desk's in my office is broken.
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18-04-2018
Mr Jimmy Fallon
Broken Monitor - One of the Monitor's in my office is broken.
New
17-04-2018
Mr Francisco Chang
Broken AC - One of the Air conditioner's in my office is broken.
Approved
16-04-2018
Mr Francisco Chang
Broken AC - One of the Air conditioner's in my office is broken.
Rejected
16-04-2018
Mr Francisco Chang
Broken AC - One of the Air conditioner's in my office is broken.
Resolved
16-04-2018
Mr Francisco Chang
Broken AC - One of the Air conditioner's in my office is broken.
New
16-04-2018
Mr Jide Babatunde
Laptop Over-Heating - Please My laptop is emitting smoke and over heating.
New
13-04-2018
Mr Jide Babatunde
Laptop Over-Heating - Please My laptop is emitting smoke and over heating.
New
13-04-2018
Mr Jide Babatunde
Laptop Over-Heating - Please My laptop is emitting smoke and over heating.
New
13-04-2018
Mr Jide Babatunde
Laptop Over-Heating - Please My laptop is emitting smoke and over heating.
Approved
13-04-2018
Mr Jide Babatunde
Laptop Over-Heating - Please My laptop is emitting smoke and over heating.
New
13-04-2018
Mr Jide Babatunde
Laptop Over-Heating - Please My laptop is emitting smoke and over heating.
New
13-04-2018
×
Request title:
Broken Desk
Request content:
One of the desk's in my office is broken.One of the desk's in my office is broken.One
of the desk's in my office is broken.One of the desk's in my office is broken. One
of the desk's in my office is broken.One of the desk's in my office is broken.One
of the desk's in my office is broken.One of the desk's in my office is broken. One
of the desk's in my office is broken.
Request by:
Mr Stephen Colbert
Request date:
18-04-2018
Status:
Approved
×
Request title:
Broken Desk
Request content:
One of the desk's in my office is broken.One of the desk's in my office is broken.One
of the desk's in my office is broken.One of the desk's in my office is broken. One
of the desk's in my office is broken.One of the desk's in my office is broken.One
of the desk's in my office is broken.One of the desk's in my office is broken. One
of the desk's in my office is broken.
Request by:
Mr Stephen Colbert
Request date:
18-04-2018
Status:
Resolved
×
Request title:
Broken Desk
Request content:
One of the desk's in my office is broken.One of the desk's in my office is broken.One
of the desk's in my office is broken.One of the desk's in my office is broken. One
of the desk's in my office is broken.One of the desk's in my office is broken.One
of the desk's in my office is broken.One of the desk's in my office is broken. One
of the desk's in my office is broken.
Request by:
Mr Stephen Colbert
Request date:
18-04-2018
Status:
Rejected
Reason For Rejection:
Damage was caused by employee and is under investigation.


--- layout: page title: Lean Prover Zulip Chat Archive permalink: archive/113489newmembers/22444setoptionppproofstrue.html ---
why does set_option pp.proofs true do anything at all if originally it is already true to begin with?
set_option pp.proofs true
true


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