Early Voting in SC Rose Dramatically From 2016
Written By: Tremain Prioleau II
November 12th, 2020
Image Source: MGN Online
Early voting turnout in South Carolina this election season outpaced the 2016 election with more than a million voters voting absentee. This change in voter behavior is a result of the Covid-19 pandemic. South Carolina was previously a state that prohibited “no excuse” absentee voting. This year the state allowed everyone to vote absentee through the measures of a “State of Emergency” as their excuse.
Chris Whitmire, Director of Public Information for the State Election Commission, noted that the state has not seen this many people voting before election day saying “It was almost like every day was Election Day.” While this was a success, Governor McMaster is not in support of early voting in the future.


@base.form.group(form("enabledByUser"), Html("Published in lichess coaches list"), half = true) {
@base.form.select(form("enabledByUser"), booleanChoices)
}
@base.form.group(form("available"), Html("Currently available for lessons"), half = true) {
@base.form.select(form("available"), booleanChoices)
}
@base.form.group(form("profile.headline"), Html("Short and inspiring headline")) {
@base.form.input(form("profile.headline"))
}
@base.form.group(form("profile.languages"), Html("Languages spoken")) {
@base.form.input(form("profile.languages"))
}
@textarea(form("profile.description"), Html("Who are you?"), help = Html("Age, profession, country... let your students know you").some)
@textarea(form("profile.playingExperience"), Html("Playing experience"), help = Html("Tournaments played, best wins, other achievements").some)
@textarea(form("profile.teachingExperience"), Html("Teaching experience"), help = Html("Diplomas, years of practice, best student results").some)
@textarea(form("profile.otherExperience"), Html("Other experiences"), help = Html("E.g. as chess commentator, or teaching other domains").some)
@textarea(form("profile.skills"), Html("Best skills in chess and teaching"))
@textarea(form("profile.methodology"), Html("Teaching methodology"), help = Html("How you prepare and run lessons. How you follow up with students.").some)
@textarea(form("profile.youtubeVideos"), Html("Featured youtube videos"), help = Html("Youtube video URLs, one per line").some)
@textarea(form("profile.publicStudies"), Html("Featured public lichess studies"), help = Html("lichess study URLs, one per line").some)
Your changes have been saved.


Buttons
All of the 500 values of the Material Design colors are included in Cards. Buttons take on these colors.
Buttons will take on the color associated in the class as well as the corresponding color. Not specifying a color will result in the use of the header color.
Code Example
You can specify a button's color with it's class
attribute.
Example:
<button class="ripple red">This button is red!</button>
Produces
The ripple
class
is required to make the button have the ripple effect. The color in the class
is what color the button should be. Usable colors are specified in Color.


DG HEALTH COUGH NIGHT TIME- dextromethorphan hydrobromide and doxylamine succinate liquid
Dolgencorp, LLC
Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
Active ingredients (in each 30 mL dose cup)
Dextromethorphan HBr 30 mg
Doxylamine succinate 12.5 mg
Purpose
Cough suppressant
Antihistamine
Uses
temporarily relieves cold symptoms
- •
- cough
- •
- runny nose and sneezing
Warnings
Do not use
- •
- if you are now taking a prescription monoamine oxidase inhibitor (MAOI) (certain drugs for depression, psychiatric, or emotional conditions, or Parkinson’s disease), or for 2 weeks after stopping the MAOI drug. If you do not know if your prescription drug contains an MAOI, ask a doctor or pharmacist before taking this product.
- •
- to make a child sleepy
Ask a doctor before use if you have
- •
- glaucoma
- •
- cough that occurs with too much phlegm (mucus)
- •
- a breathing problem such as emphysema or chronic bronchitis
- •
- persistent or chronic cough as occurs with smoking, asthma, or emphysema
- •
- trouble urinating due to an enlarged prostate gland
Ask a doctor or pharmacist before use if you are
taking sedatives or tranquilizers
When using this product
- •
- do not use more than directed
- •
- excitability may occur, especially in children
- •
- may cause marked drowsiness
- •
- avoid alcoholic drinks
- •
- be careful when driving a motor vehicle or operating machinery
- •
- alcohol, sedatives, and tranquilizers may increase drowsiness
Stop use and ask a doctor if
- •
- cough lasts more than 7 days, comes back, or occurs with fever, rash, or headache that lasts. These could be signs of a serious condition.
If pregnant or breast-feeding,
ask a health professional before use.
Keep out of reach of children.
In case of overdose, get medical help or contact a Poison Control Center right away. (1-800-222-1222)
Directions
- •
- take only as directed
- •
- use dose cup
- •
- do not exceed 4 doses per 24 hrs
adults & children 12 yrs & over |
30 mL (2 TBSP) every 6 hrs |
children 4 to under 12 yrs |
ask a doctor |
children under 4 yrs |
do not use |
- •
- when using other Daytime or Nighttime products, carefully read each label to insure correct dosing
Other information
- •
- each 30 mL dose cup contains: sodium 32 mg
- •
- store at 20°-25°C (68°-77°F)
Inactive ingredients
alcohol, anhydrous citric acid, FD&C blue no. 1, FD&C red no. 40, flavor, high fructose corn syrup, polyethylene glycol, propylene glycol, purified water, saccharin sodium, sodium citrate
Questions or comments?
1-888-309-9030
Principal Display Panel
Compare to active ingredients of Vicks® NyQuil® Cough
Night Time
Cough
Dextromethorphan HBr
Doxylamine Succinate
Cough Suppressant, Antihistamine
All Night Cough Relief
ALCOHOL 10%
Cherry Flavor
12 FL OZ (355 mL)


SSBU Stage Stats:
Frostbite 2019
Pick Rate Charts
Ban Rate Charts
Ban Pair Correlation Tables
Number of times each pair occurs:
(click or tap a column header to sort)
For Frostbite's 9 stages, there are [(9 * 9) - 9] / 2 = 36 possible pairings of different stages. For a uniform distribution (like randomly picking), we would expect each pairing to occur 100% / 36 = 2.78% of the time, on average. The total number of ban pairs recorded is 577. By dividing the above table by 577, we can see what each pair's actual % of occurences is in reality. Finally, that real % occurence is divided by 2.78% for a ratio of how many times higher or lower it is than the uniform average.
Starter Stage (Game 1) Charts
About The Stats & This Webpage
- At Genesis 6 and Frostbite 2019, two "major" sized tournaments, competitors during pools were asked by pool captains to optionally fill out a short survey sheet.
- Original source: the stage surveys were coordinated by "Jaaahsh" (Josh). He published the survey results as these Google spreadsheets: Genesis 6 and Frostbite 2019. More info about the surveys can be found in these spreadsheets.
- The main purpose of this webpage is to provide visualizations. I make no commentary here. To find analyses or alternative reports of this same data, see the following links:
- I am not affiliated with the tournament organizers (TOs), or any official orgs.


When it comes to digital products, delivering a fulfilling user experience can determine product success. Successful apps engross the user, helping them discover and interact with key information, reach their objectives easily and intuitively, while leaving them with a memorable, positive experience. An exceptional user experience translates to bottom line business value by improving user retention and turning first-time users into key product advocates.
At Say Yeah, we specialize in designing and refining websites, applications, and other digital media with a holistic view of user experience, considering the user flow not just throughout an individual product, but across all the touchpoints of the customer journey. Through a balance of product planning, service design, best practices, user testing, analysis, and prototyping, we work to ensure that the final product servces both the business and its customers.


What goes in a recycling box?
Put the following items in a recycling box:
- Glass
- Paper
- Plastic
- Aluminum foil (clean)
- Cardboard (fold or break into small pieces)
Community Recycling Centers will accept good used clothing,
furniture and household items for their on-site stores. Instead
of calling for a bulk pickup, take used items to the Community
Recycling Centers!
-
West Community Recycling Center
- Monday: 10 am - 1 pm
- Wednesday: 10 am - 5 pm
- First Saturday of each month only: 9 am - 12 pm
-
East Community Recycling Center
- Tuesday: 10 am - 2 pm
- Saturday: 10 am - 12 pm
Large Item Pickup
Large items can be picked up by the city garbage collection service.
Please contact us directly for a to arrange a pickup time.
Recycling is good for the environment. Our city has one of the best recycling programs in the
world!You can pick up another recycling box at City Hall.
Recycling Tips
Get into the habit of recycling, and it will become second nature. Here are some tips that will help you:
- Bottles, cans and jars:
- All bottles, cans and jars must be empty.
- Take the lids off of all bottles, cans and jars and rinse them.
- Throw all metals lids into the recycling box.
- Throw plastic lids that bend easily into the recycling box.
- Leaf and yard waste can be placed in paper bags. You can also use yard waste to make compost for your garden. How to make compost
How to make compost
- Green bins can be used for kitchen waste.


--- title: 'AFLW + fitzRoy, Part I: Obtaining game statistics from women''s footy matches' author: Jacquie Tran date: '2019-01-27' slug: aflw-match-analysis-part-i draft: yes categories: - On-field analyses tags: - football - sport science - sports analytics - web scraping - r stats - aflw ---
(source: Wikimedia)
The countdown is well and truly on.
We are less than 1 week away from the first bounce of AFLW 3.0, the 3rd season of the women’s national Australian football league. As an Aussie living abroad, a footy fan, and a supporter of the increasing professionalisation of women’s sport, I’m excited to watch closely as the next chapter of the AFLW story unfolds.
How will Geelong and North Melbourne, new teams to the national league in 2019, fare against the 8 teams who have participated in AFLW seasons 1 and 2?
What will new draftees like Maddie Prespakis and Nina Morrison bring to the mix at senior-level?
Which international players and cross-coders will show the potential success to be had in talent transfers?
How will the conference format and rule changes play out?
Fascinating possibilities abound, but there’s lots to be learned from looking back too.
Following on from my last post, I wanted to work with the fitzRoy
package to obtain and explore match data from the 2017 and 2018 AFLW seasons.
In this post, Part I, I provide a codethrough that demonstrates how to obtain publicly available AFLW match data and prepare it for further analysis.
Over a series of posts, I’ll show how the available match data can be used to:
As an aside, I hope to demonstrate what can be gleaned from a small sample, while also acknowledging their limitations.
In a new R session, load up the libraries (packages) to be used in this codethrough.
knitr::opts_chunk$set(eval = FALSE)
library(fitzRoy)
library(dplyr)
library(stringr)
library(knitr)
library(kableExtra)
Thanks to the excellent fitzRoy package, retrieving AFLW match data is a cinch with the get_aflw_match_data()
function.
aflw_match_data <- get_aflw_match_data()
# I've suppressed warnings from this code chunk, so if you run this code
# locally, don't be alarmed - warnings are returned for the listed Match.Id
# values that correspond to matches yet to be played in 2019.
If you’re working in RStudio, the View()
function is useful for looking at rectangular data sets in a spreadsheet-like format.
# Run this in RStudio to produce the screenshot below
# which is interactive: you can sort and filter on columns
# within the tab that opens up
View(aflw_match_data)
There are a range of useful R functions for retrieving meta-data about, well, the data you’re working with. For instance, we can use str()
to find out useful details like the number of observations (rows), the number of variables (columns), the name of each variable, and the data type for each variable (e.g., character string, integer, numeric, and so on).
str(aflw_match_data)
From visually inspecting the raw data and obtaining a meta-data summary, we know the following things about the AFLW match data set:
Scrolling through the ‘temperature’ values, I also noticed that all matches in Rounds 1 to 3 of the 2017 season == 18. I am sceptical about the accuracy of this data given that weather is quite variable around Australia (as per the Bureau of Meteorology), and the AFLW season takes place in the summer months.
To obtain game statistics for each team in each match (e.g., number of kicks, handballs, tackles, marks), the fitzRoy
package again has a simple function for retrieving this data, which requires a vector of Match.ID
values. Since I want game statistics data from all AFLW matches played to date, I’ll obtain 2017 and 2018 match IDs from the aflw_match_data
set that we just retrieved.
# Vector of match IDs to retrieve detailed game statistics for
# Excluding match IDs for the 2019 season - yet to be played
match_id_vec <- aflw_match_data %>%
select(Match.Id) %>%
filter(!str_detect(Match.Id, "2019"))
# Retrieve detailed statistics for match IDs specified in match_id_vec
aflw_detailed <- get_aflw_detailed_data(match_id_vec$Match.Id)
Again, the View()
and str()
functions are helpful for initially inspecting the data set so you can take a look at its structure and contents. Using these functions, we learn that the AFLW detailed match data set has a similar structure to the ‘high-level’ match data we retrieved before (i.e., it’s in wide format, with one row per match so that both team’s statistics presented on the same row). This is handy because it means merging the data sets will be fairly straightforward.
The str()
includes information about all variables in the data set, including variable names, but sometimes you may be interested in looking at variable names only - without additional meta-data such as the type of data stored in each variable. To do this, use the names()
function like so:
names(aflw_detailed)
That loooooonnnng list of variables shows us that we now have a range of game statistics to analyse, thanks to the fitzRoy::get_aflw_detailed_data()
function . This data set primarily includes simple counts of game actions (e.g., total number of kicks), or derived variables that convey proportion and provide measures of accuracy or ‘efficiency’ (e.g., disposal efficiency is the number of disposals that are effectively received by a team-mate, divided by the total number of disposals).
There are also some variables here like metres gained - a measure of the accumulated forward movement of the ball towards a team’s goals. This variable and a few others in this data set are routinely measured in the AFL (the men’s national competition) but not in the AFLW, so we will need to disregard these variables as we progress the analysis.
By combining the ‘high-level’ information stored in the match data with the detailed game statistics data sets, we can use common match analysis approaches to understand AFLW team performance, by examining which game actions are associated (or not!) with game outcomes.
Some data wrangling is needed to modify the data structure to suit this analysis, and tidy it up so it contains only the variables we will need.
The code below wrangles aflw_match_data
so that every match has two rows, with one row for the home team’s game statistics and one row for the away team’s game statistics.
# Create a subset of aflw_match_data for HOME teams
home_teams <- aflw_match_data %>%
select(Match.Id, Round.Id, Competition.Id, Venue, Local.Start.Time,
Round.Number, Round.Abbreviation, Weather.Type, Weather.Description,
Temperature, starts_with("Home"), Away.Points) %>%
# Rename variables for ease of merging and analysis
rename(team = Home.Team, goals = Home.Goals, behinds = Home.Behinds,
points_for = Home.Points, points_against = Away.Points,
behinds_left = Home.Left.Behinds, behinds_right = Home.Right.Behinds,
posters_left = Home.Left.Posters, posters_right = Home.Right.Posters,
behinds_rushed = Home.Rushed.Behinds,
behinds_touched = Home.Touched.Behinds) %>%
mutate(home_or_away = "Home")
# Create a subset of aflw_match_data for AWAY teams
away_teams <- aflw_match_data %>%
select(Match.Id, Round.Id, Competition.Id, Venue, Local.Start.Time,
Round.Number, Round.Abbreviation, Weather.Type, Weather.Description,
Temperature, starts_with("Away"), Home.Points) %>%
# Rename variables for ease of merging and analysis
rename(team = Away.Team, goals = Away.Goals, behinds = Away.Behinds,
points_for = Away.Points, points_against = Home.Points,
behinds_left = Away.Left.Behinds, behinds_right = Away.Right.Behinds,
posters_left = Away.Left.Posters, posters_right = Away.Right.Posters,
behinds_rushed = Away.Rushed.Behinds,
behinds_touched = Away.Touched.Behinds) %>%
mutate(home_or_away = "Away")
# Row-bind the home and away subsets to create new data structure
# where one row == one team in each match, so each match will have two rows
aflw_match_data_clean <- rbind(home_teams, away_teams)
# Re-order the data set
aflw_match_data_clean <- aflw_match_data_clean[order(
aflw_match_data_clean$Match.Id,
rev(aflw_match_data_clean$home_or_away),
decreasing = FALSE), ]
# Drop NA rows for fixtured matches that have not been played yet
aflw_match_data_clean <- aflw_match_data_clean %>%
filter(!is.na(goals))
# Create new variables for match outcomes
aflw_match_data_clean <- aflw_match_data_clean %>%
mutate(score_margin = points_for - points_against, # continuous variable
match_outcome = case_when( # categorical variable
score_margin > 0 ~ "Win",
score_margin < 0 ~ "Loss",
TRUE ~ "Draw"))
We follow the same logic to wrangle aflw_detailed_data
into the same structure as aflw_match_data_clean
.
# Subset to variables that will be useful for the analysis
# Variables are excluded here because they don't contain useful or correct data
aflw_detailed_selected <- aflw_detailed %>%
select(Match.Id, contains("stats.totals"), contains("away.team"),
contains("home.team"), -contains("behinds"), -contains("goals"),
-contains("interChange"), -contains("lastUpdated"),
-contains("metresGained"), -contains("ranking"),
-contains("ratingPoints"), -contains("scoreInvolvements"),
-contains("superGoals"))
# Create a subset of aflw_detailed_selected for HOME teams
aflw_detailed_home <- aflw_detailed_selected %>%
select(Match.Id, contains("home.team"),
contains("stats.totals"), -contains("away")) %>%
# Rename variables for ease of merging and analysis
rename(team_abbr = home.team.teamAbbr, team_id = home.team.teamId,
team = home.team.teamName, team_nickname = home.team.teamNickname,
bounces = home.stats.totals.bounces,
clangers = home.stats.totals.clangers,
clearances_centre = home.stats.totals.clearances.centreClearances,
clearances_stoppage = home.stats.totals.clearances.stoppageClearances,
clearances_total = home.stats.totals.clearances.totalClearances,
marks_contested = home.stats.totals.contestedMarks,
possessions_contested = home.stats.totals.contestedPossessions,
disposals_efficiency = home.stats.totals.disposalEfficiency,
disposals = home.stats.totals.disposals,
dream_team_points = home.stats.totals.dreamTeamPoints,
frees_against = home.stats.totals.freesAgainst,
frees_for = home.stats.totals.freesFor,
goal_accuracy = home.stats.totals.goalAccuracy,
goal_assists = home.stats.totals.goalAssists,
goal_efficiency = home.stats.totals.goalEfficiency,
handballs = home.stats.totals.handballs,
hitouts = home.stats.totals.hitouts,
inside50s = home.stats.totals.inside50s,
intercepts = home.stats.totals.intercepts,
kicks = home.stats.totals.kicks, marks = home.stats.totals.marks,
marks_inside50 = home.stats.totals.marksInside50,
one_percenters = home.stats.totals.onePercenters,
rebound50s = home.stats.totals.rebound50s,
shot_efficiency = home.stats.totals.shotEfficiency,
shots_at_goal = home.stats.totals.shotsAtGoal,
tackles = home.stats.totals.tackles,
tackles_inside50 = home.stats.totals.tacklesInside50,
possessions_total = home.stats.totals.totalPossessions,
turnovers = home.stats.totals.turnovers,
possessions_uncontested = home.stats.totals.uncontestedPossessions)
# Create a subset of aflw_detailed_selected for AWAY teams
aflw_detailed_away <- aflw_detailed_selected %>%
select(Match.Id, contains("away.team"),
contains("stats.totals"), -contains("home")) %>%
# Rename variables for ease of merging and analysis
rename(team_abbr = away.team.teamAbbr, team_id = away.team.teamId,
team = away.team.teamName, team_nickname = away.team.teamNickname,
bounces = away.stats.totals.bounces,
clangers = away.stats.totals.clangers,
clearances_centre = away.stats.totals.clearances.centreClearances,
clearances_stoppage = away.stats.totals.clearances.stoppageClearances,
clearances_total = away.stats.totals.clearances.totalClearances,
marks_contested = away.stats.totals.contestedMarks,
possessions_contested = away.stats.totals.contestedPossessions,
disposals_efficiency = away.stats.totals.disposalEfficiency,
disposals = away.stats.totals.disposals,
dream_team_points = away.stats.totals.dreamTeamPoints,
frees_against = away.stats.totals.freesAgainst,
frees_for = away.stats.totals.freesFor,
goal_accuracy = away.stats.totals.goalAccuracy,
goal_assists = away.stats.totals.goalAssists,
goal_efficiency = away.stats.totals.goalEfficiency,
handballs = away.stats.totals.handballs,
hitouts = away.stats.totals.hitouts,
inside50s = away.stats.totals.inside50s,
intercepts = away.stats.totals.intercepts,
kicks = away.stats.totals.kicks, marks = away.stats.totals.marks,
marks_inside50 = away.stats.totals.marksInside50,
one_percenters = away.stats.totals.onePercenters,
rebound50s = away.stats.totals.rebound50s,
shot_efficiency = away.stats.totals.shotEfficiency,
shots_at_goal = away.stats.totals.shotsAtGoal,
tackles = away.stats.totals.tackles,
tackles_inside50 = away.stats.totals.tacklesInside50,
possessions_total = away.stats.totals.totalPossessions,
turnovers = away.stats.totals.turnovers,
possessions_uncontested = away.stats.totals.uncontestedPossessions)
# Row-bind the home and away subsets to create new data structure
# where one row == one team in each match, so each match will have two rows
aflw_detailed_clean <- rbind(aflw_detailed_home, aflw_detailed_away)
We have modified the data structure of aflw_match_data_clean
and aflw_detailed_clean
and simplified to include only the variables that are useful for this analysis. Now we can use the left_join()
function from the dplyr
package to merge the data sets.
aflw_merged <- left_join(aflw_match_data_clean, aflw_detailed_clean)
# Check the first few rows to see what the data looks like now
head(aflw_merged) %>%
kable("html") %>%
kable_styling() %>%
scroll_box(width = "800px", height = "600px")
Side note: Everytime I use dplyr
to merge data sets, I feel immeasurable gratitude to have moved beyond the copy-paste approach of my Excel-heavy past - this technique is manual, tedious, and most importantly, prone to errors that can be difficult if not impossible to trace. In contrast, dplyr
joins are elegant, efficient, and the type of join is clear from the name of the function. My go-to reference on this topic is the dplyr cheatsheet by Jenny Bryan.
Following this codethrough produces a tidy data set that contains detailed information about every match played in the 2017 and 2018 AFLW seasons.
For the next step in this analysis, we’ll begin exploring this data set using data summaries and visualisations to compare match statistics between AFLW teams.
[ puts on Ira Glass voice ]
Stay. Tuned.


--- layout: page title: maker's blog ---
Hi, mio. (=^_^=), Happy New Year!
the latest blogs:
acl paper mining
emnlp paper mining
nips paper mining
jmlr paper mining
cvpr paper mining
iccv paper mining
hunch_net blog mining
nathan_marz_storm blog mining
high_scalability blog mining
fast_ml blog mining
hilary_mason_data blog mining
brendan_oconnor_ai blog mining
andrew_gelman_stats blog mining


--- layout: default #title: "Newcomers | Layer5" permalink: /community/newcomers redirect_from: newcomers/ excerpt: "Newcomers | Layer5" description: "Contributions from Newcomers are actively encouraged in Layer5. Find a Meshmate and start contributing!" ---
| Date | Topic | Resources | Presenters |
|---|---|---|---|
| Oct. 1st, 2020 | An Introduction to Contributing to Meshery | slides,recording | Vijay Cherukuri |
| Oct. 8th, 2020 | An Introduction to mesheryctl | slides,recording | Nupur Thakur |
| Oct. 15th, 2020 | A tutorial on contributing to Layer5 and working with Git | slides,recording | Ruth Ikegah |
| Oct. 22nd, 2020 | An introduction to all Layer5 repositories | slides,recording | Lee Calcote |
| Oct. 29th, 2020 | A tutorial on Gatsby | slides,recording | Jash Patel,Tanuj Agarwal |
Interested? Checkout the Layer5 community and join us on Slack


public class GAnimIcon extends GIcon
| Constructor and Description |
|---|
GAnimIcon(processing.core.PApplet papp,
processing.core.PImage image,
int nbrCols,
int nbrRows,
int interval)
Create an animated icon
|
GAnimIcon(processing.core.PApplet papp,
java.lang.String fname,
int nbrCols,
int nbrRows,
int interval)
Create an animated icon
|
| Modifier and Type | Method and Description |
|---|---|
void |
advanceAnimationFrame(GTimer timer)
Required by GTimer to advance frame
|
GAnimIcon |
animate()
Animate the entire sequence.
|
GAnimIcon |
animate(java.lang.String id)
Animate the icon using store clip details but use the specified
frame interval instead of the stored value.
|
GAnimIcon |
copy()
Returns a copy of this animated icon to be used with another control.
|
GAnimIcon |
setFrame(int fn)
Set the current frame to be displayed.
|
GAnimIcon |
setInterval(int interval)
Change the interval between frames for the current animation clip.
|
GAnimIcon |
setInterval(java.lang.String id,
int interval)
Change the interval between frames for the animation clip with
specified id.
|
GAnimIcon |
start()
Resume an animation that has previously been stopped with stop()
|
GAnimIcon |
stop()
Stop the current animation.
|
GAnimIcon |
storeAnim(java.lang.String id,
int start,
int end,
int interval)
Store details of an animation sequence for later use.
|
GAnimIcon |
storeAnim(java.lang.String id,
int start,
int end,
int interval,
int nbrLoops)
Store details of an animation sequence for later use.
|
public GAnimIcon(processing.core.PApplet papp, java.lang.String fname, int nbrCols, int nbrRows, int interval)
papp
- the PApplet object that will be used to display this iconfname
- the name of the file containing the tiled image.nbrCols
- number of horizontal tilesnbrRows
- number of vertical tilesinterval
- the time between displaying frames in millisecondspublic GAnimIcon(processing.core.PApplet papp, processing.core.PImage image, int nbrCols, int nbrRows, int interval)
papp
- the PApplet object that will be used to display this iconimage
- the tiled image containing the framesnbrCols
- number of horizontal tilesnbrRows
- number of vertical tilesinterval
- the time between displaying frames in millisecondspublic GAnimIcon copy()
public GAnimIcon storeAnim(java.lang.String id, int start, int end, int interval)
id
- unique id for this animation clipstart
- first frame for this clipend
- last frame for this clipinterval
- the time (ms) between framespublic GAnimIcon storeAnim(java.lang.String id, int start, int end, int interval, int nbrLoops)
id
- unique id for this animation clipstart
- first frame for this clipend
- last frame for this clipinterval
- the time (ms) between framesnbrLoops
- the number of times this clip is played, (0 = play forever)public GAnimIcon animate()
public GAnimIcon animate(java.lang.String id)
id
- the unique id for the clippublic GAnimIcon setInterval(int interval)
interval
- the time between frames in millisecondspublic GAnimIcon setInterval(java.lang.String id, int interval)
id
- the animation idinterval
- the time between frames in millisecondspublic GAnimIcon start()
public GAnimIcon stop()
public GAnimIcon setFrame(int fn)
fn
- the frame number to display.public void advanceAnimationFrame(GTimer timer)
timer
- Processing library G4P by Peter Lager. (c) 2017


001/* 002 * Licensed to the Apache Software Foundation (ASF) under one or more 003 * contributor license agreements. See the NOTICE file distributed with 004 * this work for additional information regarding copyright ownership. 005 * The ASF licenses this file to You under the Apache License, Version 2.0 006 * (the "License"); you may not use this file except in compliance with 007 * the License. You may obtain a copy of the License at 008 * 009 * http://www.apache.org/licenses/LICENSE-2.0 010 * 011 * Unless required by applicable law or agreed to in writing, software 012 * distributed under the License is distributed on an "AS IS" BASIS, 013 * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. 014 * See the License for the specific language governing permissions and 015 * limitations under the License. 016 */ 017package org.apache.commons.text.diff; 018 019import java.util.ArrayList; 020import java.util.List; 021 022/** 023 * This class handles sequences of replacements resulting from a comparison. 024 *
 025 * The comparison of two objects sequences leads to the identification of common 026 * parts and parts which only belong to the first or to the second sequence. The 027 * common parts appear in the edit script in the form of keep commands, 028 * they can be considered as synchronization objects between the two sequences. 029 * These synchronization objects split the two sequences in synchronized 030 * sub-sequences. The first sequence can be transformed into the second one by 031 * replacing each synchronized sub-sequence of the first sequence by the 032 * corresponding sub-sequence of the second sequence. This is a synthetic way to 033 * see an {@link EditScript edit script}, replacing individual 034 * {@link DeleteCommand delete}, {@link KeepCommand keep} and 035 * {@link InsertCommand insert} commands by fewer replacements acting on 036 * complete sub-sequences. 037 *
 038 *
 039 * This class is devoted to perform this interpretation. It visits an 040 * {@link EditScript edit script} (because it implements the 041 * {@link CommandVisitor CommandVisitor} interface) and calls a user-supplied 042 * handler implementing the {@link ReplacementsHandler ReplacementsHandler} 043 * interface to process the sub-sequences. 044 *
 045 * 046 * @see ReplacementsHandler 047 * @see EditScript 048 * @see StringsComparator 049 * 050 * @param <T> object type 051 * @since 1.0 052 */ 053public class ReplacementsFinder<T> implements CommandVisitor<T> { 054 055 /** 056 * List of pending insertions. 057 */ 058 private final List<T> pendingInsertions; 059 060 /** 061 * List of pending deletions. 062 */ 063 private final List<T> pendingDeletions; 064 065 /** 066 * Count of elements skipped. 067 */ 068 private int skipped; 069 070 /** Handler to call when synchronized sequences are found. */ 071 private final ReplacementsHandler<T> handler; 072 073 /** 074 * Simple constructor. Creates a new instance of {@link ReplacementsFinder}. 075 * 076 * @param handler handler to call when synchronized sequences are found 077 */ 078 public ReplacementsFinder(final ReplacementsHandler<T> handler) { 079 pendingInsertions = new ArrayList<>(); 080 pendingDeletions = new ArrayList<>(); 081 skipped = 0; 082 this.handler = handler; 083 } 084 085 /** 086 * Add an object to the pending insertions set. 087 * 088 * @param object object to insert 089 */ 090 @Override 091 public void visitInsertCommand(final T object) { 092 pendingInsertions.add(object); 093 } 094 095 /** 096 * Handle a synchronization object. 097 *
 098 * When a synchronization object is identified, the pending insertions and 099 * pending deletions sets are provided to the user handler as subsequences. 100 *
 101 * 102 * @param object synchronization object detected 103 */ 104 @Override 105 public void visitKeepCommand(final T object) { 106 if (pendingDeletions.isEmpty() && pendingInsertions.isEmpty()) { 107 ++skipped; 108 } else { 109 handler.handleReplacement(skipped, pendingDeletions, pendingInsertions); 110 pendingDeletions.clear(); 111 pendingInsertions.clear(); 112 skipped = 1; 113 } 114 } 115 116 /** 117 * Add an object to the pending deletions set. 118 * 119 * @param object object to delete 120 */ 121 @Override 122 public void visitDeleteCommand(final T object) { 123 pendingDeletions.add(object); 124 } 125 126}


Machines in Motion Documentation Portal
Introduction
This the entry point for all the documentation of the repository Listed in the "machines-in-motion" Github organization. In this page is listed all the available documentation for the open-sourced packages.
Videos
Please put some videos (Youtube link here)
List of the package documentation
List of the code coverage per projects
Partners


Petri Net
Place
Transition
Arc
Edit
Remove
Net
Execute
Save On Computer
Save In Web
Load From File
Make a Move
Stats
Time =
0


Fresh graduate with a bachelor's degree in Information Communications Technology,
I started learning C++ in 2014 and transitioned into web application development in 2015 with asp, later into php
and
web design till present.
Loves gaming and an anime enthusiast. ヽ(・∀・)ﾉ
3 years non-professional experience
4 years non-professional experience
1 year non-professional experience
Less than 1 year
Technical Support Engineer


TSC+ COMMAND DOCUMENTATIONThis help file provides some information about the commands included in TSC+. TSC+ as currently released in BL has 3 parts: the base commands, commands added by the PHYS addon, and commands added by the TIMG addon. To use PHYS or TIMG requires applying base TSC+ first. TSC+ is a large hack, so it doesn't usually play well with non-TSC+ TSC modifications. TSC+ BASE:
<LRXXXXX:YYYY:ZZZZ
<FNJXXXX:YYYY
<VARXXXX:YYYY
<VAOXXXX$YYYY
<VAZXXXX:YYYY <VAJXXXX:YYYY:ZZZZ:WWWW Compare XXXX to YYYY using method ZZZZ, if true jump to WWWW. ZZZZ is as follows:
<RNDXXXX:YYYY:ZZZZ Puts random # between XXXX (min) and YYYY (max) into variable ZZZZ.
Other changes:
<FAI0004 // fades in with direction "4" As well, certain variables are pre-populated and should not be set. These are "read-only" meaning changing them will not do anything.
TSC+ TIMG ADDON:
<IMGFILE Pure black [00000000] in the overlay image will be transparent. This replaces the "Blackboard" npc (043) and "Grate" npc (100) TSC+ PHYS ADDON:Command <PHYXXXX:YYYY Type:Value Physics variables that can be changed: 0 = Max Walk Speed (normal 812) 1 = Max Fall speed (normal 1535) 2 = Gravity (normal 80) 3 = Alt Gravity (normal 32) 4 = Walk Accel (normal 85) 5 = Jump Control (normal 32) 6 = Friction (normal 51) 7 = Jump force (normal 1280) 8 = 0 but water 9 = 1 but water 10 = 2 but water 11 = 3 but water 12 = 4 but water 13 = 5 but water 14 = 6 but water 15 = 7 but water 16 : water doesn't cause splash or trigger air timer.
When using the PHYS hack, you need to define ALL your physics
variables whenever a new game is started, otherwise the player will not
move. PHYS uses flags starting at 49E060. Max movement speed is defined by 01:MaxFallSpeed instead of hardcoded now Author: Noxid |


{{< layout}} {{$pageTitle}}Signing your passport{{/pageTitle}} {{$header}}
You will need to sign your new passport when you receive it.
Use this box to tell us why you can't sign your name, for example if there's a medical reason.
You must provide supporting evidence, which you should include when you send us your old passport.
Your application may be delayed if we have to get back to you.


- This app reads a term from the user, and intersperses that into a query to send to Yelp to look up information about a relevant restaurant.
- No Google App Engine backend is used; all processing is done using App Inventor's Web component.
- App Inventor's JSON parser failed to parse the response from Yelp, so I had to write some string processing code and pick out information manually.


Also Try: Essential Things to See & Do in Dubai (Do NOT Miss Out!)
Get ready for a blast from the past with this thing to do in Dubai. Prepare to see a collection of zones showcasing the past Dubai traditions & weaving along with a showcasing of traditional architecture & way of life. Also Try: Ultimate Palaces & Forts in Dubai (Almost GONE 2017!)
Cost: Free
Timing: Saturday to Thursday from 8.30am to 8.30pm; Friday from 2.30pm to 8.30pm
Contact: (971) 04 515-5000
Dubaing Score: 5/5
This small museum features maps and paintings dating back to 3000 BC and gives a vivid view into the culture of the city and a glimpse into the past lives of those who lived here over the course of centuries. Also Try: Best Art Museums in Dubai (Very RARE!)
Cost: AED 3 per Adults; AED 1 for children under 12
Timing: Saturday to Thursday from 8.30am to 8.30pm; Friday from 2.30pm to 8.30pm
Contact: 800-4003
Dubaing Score: 4.5/5
This museum’s name translates to the “The Girl’s House.” This museum aims to preserve the history on women in the UAE. The museum features a gallery showcasing the achievements of Emirati women. Alst Try: Best Souks in Dubai (Only 2017!)
Cost: AED 20
Timing: Saturday to Thursday from 10am to 7pm
Contact: (971) 04 234-2342
Dubaing Score: 4.5/5
This school was established in 1912 and today it serves as museum showing visitors a reminiscent view of how the education system used to be in the city prior to globalization. It also offers a look at detailed traditional architecture. This is another small museum. Also Try: Duba’s FREE Attractions (Yes, FREE!)
Cost: Free
Timing: Sunday to Thursday from 8am to 7.30pm; Friday from 2.30pm to 7.30pm
Contact: (971) 04 226-0286
Dubaing Score: 4.5/5
This palace was built in 1910 for Abu Dhabi’s ruling family. This giant fort houses memorabilia of the ruling family, and it also offers architectural sights.
Cost: Free
Timing: Daily from 8.30am to 7.30pm; Friday from 3pm to 7.30pm; closed on Monday
Contact: (971) 03 751-7755
Dubaing Score: 4.5/5
This small museum showcases 50 kilograms of pearls and showcases the lives of pearl divers. Pearl diving used to be a major sector of UAE’s economy and thus its unsurprising that its being showcased.
Cost: Free
Timing: By appointment only
Contact: (971) 04 201-2713
Dubaing Score: 4.5/5
This museum shows the growth and development of Abu Dhabi. It features a look into the houses that existed prior to the oil discovery and how life used to be back then. It also has workshops showcasing traditional craft skills. Also Try: Best Things to do in Abu Dhabi (Shocking!)
Cost: Free
Timing: Saturday to Thursday from 9am to 4pm; Friday from 3.30pm to 9pm
Contact: (971) 02 681-4455
Dubaing Score: 4.5/5
This is a large museum featuring 8 fixed galleries and 1 rotating gallery that features different items per rotation. It features plenty of pieces showcasing the development of Dubai and certain timing allow visitors to take part in interactive shows.
Cost: Free
Timing: Daily 10 AM 8 PM
Contact: (971) 04 515-5771
Dubaing Score: 4.5/5
A museum for coffee lovers! Coffee has been a part of Emirati culture for ages. The ground floor features 6 rooms showcasing live demonstrations of coffee brewing and roasting styles from across the globe. You get to try the coffees as you take a comfy seat in the lounge.
Cost: Free
Timing: Daily from 9am to 5pm, closed on Friday
Contact: (971) 04 353-8777
Dubaing Score: 4.5/5
This museum was established by UAE’s late founder. It gives insight into Al Ain and its people dating centuries back. Its primer focus is on ethnography and archaeology, and it includes a unique gift shop selling traditional Bedouin jewelry and tools. Some of the heritage artefacts featured here date back to 3000 B.C.
Cost: AED 3 per person, AED 1 for children under 10
Timing: Daily from 8.30am to 7.30pm; Friday from 3pm to 7.30pm; closed on Monday
Contact: (971) 03 711-8331
Dubaing Score: 4.5/5
This is a large museum featuring artefacts that give a detailed insight and view of the Islamic civilizations development throughout history and its structure under and through various empires and leaderships. It doesn’t just reflect upon history as it has dedicated wings for Islamic arts, and it has many artefacts from the Islamic World dating back to the birth of the religion in the 600s.
Cost: AED 10 per adult, AED 3 for children under 12, free for children under 2
Timing: Sunday to Thursday from 8am to 8pm, Fridays from 4pm to 8pm
Contact: (971) 06 565-5455
Dubaing Score: 4/5
This small museum features the growth of the local municipality system. The museums showcases original manuscripts and official documents.
Cost: Free
Timing: Sunday to Thursday from 8am to 2pm
Contact: 04 2253312
Dubaing Score: 3.5/5
The museum features three halls which feature weapons and official tools used the Dubai Police.
Cost: Free (Note that visitors must complete an online form from the Dubai Police)
Timing: Daily from 9.30am to 1.30pm except weekends and official holidays
Contact: (971) 04 269-2222
Dubaing Score: 3.5/5
This museum features artefacts discovered from the emirate. Some of the artefacts displayed here date back to 5000 B.C. Its beautiful architecture resembles that of a fortress.
Cost: AED 5 per person
Timing: Sunday to Thursday from 8.30am to 1.30pm and 4.30pm to 6.30pm; Friday from 2.30pm to 6.30pm
Contact: (971) 09 222-9085
Dubaing Score: 3.5/5
This tiny museum literally discusses soil. It showcases the importance of soil and the role it plays in urban development.
Cost: Free
Timing: Sunday to Thursday from 8.30am to 4.30pm
Contact: (971) 04 336-1100
Dubaing Score: 3.5/5
A museum celebrating horses; this might be of interest to animal lovers! This museum is some-what large and features everything about horses and horse racing, and it stresses on how Arabic culture intertwined with the Arabian horse.
Cost: Free
Timing: Sunday to Thursday from 8am until 2pm; closed on Friday and Saturday
Contact: (971) 04 515-5000
Dubaing Score: 3/5
A museum about camels is a must on any heritage-related list on Dubai. This museum was built in 1940 and teaches about camels and camel-racing. It discusses and promotes care for the animal and the many benefits it provides. It even delves into the life and growth & development of a camel.
Cost: Free
Timing: Sunday to Thursday, from 8am until 2pm; closed on Friday and Saturday
Contact: (971) 04 515-5000
Dubaing Score: 3/5
This small museum features 7 rooms that display 470 coins that display the monetary system of the British Empire, India, the UAE, and some other Arab countries.
Cost: Free
Timing: Sunday to Thursday 8am to 2pm
Contact: (971) 04 353-9090
Dubaing Score: 3/5
This fort showcases the Dubai’s first police station and it displays the uniforms, weapons, and equipment used by the police then.
Cost: Free
Timing: from Sunday to Thursday, from 8am until 2pm, closed on Friday and Saturday
Contact: (971) 04 515-5000
Dubaing Score: 3/5
This is a big one and it was built in 1928! This museum features traditional architecture and 10 rooms showcasing the archaeological components of Dubai.
Cost: AED 20
Timing: From Sunday to Thursday, from 8am until 2pm, closed on Friday and Saturday
Contact: (971) 04 515-5000
Dubaing Score: 3/5
The first formal school in the city! This is another school museum that gives a look into the traditional education system and infrastructure in the country, prior to the effects of globalization.
Cost: Free
Timing: Saturday to Thursday from 8am to 8pm; Friday from 4pm to 8pm
Contact: (971) 06 565-5466
Dubaing Score: 3/5
The museum displays the details of the life of the citizens of the country and their culture, dating back decades. It shows the differences in life of those who lived on the coast against those who lived in the mountains. Essentially, it celebrates the Emirati culture and heritage.
Cost: AED 10 per Adult, AED 5 per child
Timing: Saturday to Thursday from 8am to 8pm; Friday from 4pm to 8pm
Contact: (971) 06 568-0006
Dubaing Score: 3/5
This small museum allows visitors a view of the country’s maritime customs and how the sea fed the country’s economy prior to the discovery of oil. It displays traditional dhows that were used for fishing, trading, and pearling.
Cost: AED 10 per Adult, AED 5 per child
Timing: Saturday to Thursday from 8am to 8pm, Friday from 4pm to 8pm
Contact: (971) 06 522-2002
Dubaing Score: 2.5/5
This museum will be focused on the importance of the Arabian Gulf for the country. The museum will be designed utilizing real parts of a ship and will include a massive aquarium topped with a real traditional dhow.
NOTE: Coming Soon!
Score: 5/5 Dubaing
This museum will be established in Abu Dhabi and will feature the culture, history, and the social and economic transformation of the country.
NOTE: Far from Completion.
Score: 4/5 Dubaing
If you are the owner or manager of a relevant business/institution and feel your business/institution has been overlooked, please contact us at Enquiry@Dubaing.ae


Choose your desired size and difficulty level, and then select "New Puzzle!" to play!
4 x 4
9 x 9
Easy
Medium
Hard


Order a Vegan Pizza
Toppings:
$1 each
Cheese
Pepperoni
Sausage
Olives
Red Onion
Green Peppers
Mushrooms
Roasted Garlic
Pepperoncini
Size:
Small
$5
Medium
$7
Large
$9
Place Order
Your Pizza:
with
Total Cost:


This page is an interactive map and model viewer. You can rotate the view using left mouse. Mousewheel zooms in and out. You can navigate through residues by pressing space or shift+space. Toggle fullscreen with the icon in the top right. CTRL+ left click to translate


E-Vehicle Documents
------ Search User Details ------
| |
|
| Vehicle No: | GJ06ES1959 |
| Owner Name: | JIGAR PATEL |
| Vehicle Type: | TWO |
| RC Book No: |<PHONE_NUMBER>5454 > |
| Contact No: |<PHONE_NUMBER>6 |
| PUC: | till AUC 2020 |
| Owner's License Number: | GJ06054545454 |
| |
|
| Vehicle No: | GJ06ES1959 |
| Owner Name: | JIGAR PATEL |
| Vehicle Type: | TWO |
| RC Book No: |<PHONE_NUMBER>5454 > |
| Contact No: |<PHONE_NUMBER>6 |
| PUC: | till AUC 2020 |
| Owner's License Number: | GJ06054545454 |


Athletics: Former NZ Olympic champ Snell survives heart scare while driving
(Reuters) - New Zealand’s former three-times Olympic champion Peter Snell has said he passed out while driving earlier this week due to a heart issue and was unable to travel to Monte Carlo to be honoured at a World Athletics event.
Snell, who won gold in the 800m at the 1960 and 1964 Olympics and the 1,500m in 1964, was on his way back from the dentist when the episode occurred and he crashed into parked cars.
"What it does is the (heart) rate goes up too high and that causes me to pass out," Snell, who turns 81 next month, told The New Zealand Herald here "That may be because I failed to take my pills that morning."
Snell said he went against his doctor’s advice and attempted to travel from Dallas to Thursday’s World Athletics Heritage Mile Night in Monte Carlo before abandoning the trip when he felt unwell at the airport.
“I was actually packed and all ready to go,” Snell, who was due to be honoured for setting the 1,000m and one-mile world records in Auckland, added.
“But I waited and sat down with my wife and we decided the way I’m feeling that it would be too risky to take the flight, because if I had an event on the flight there would be nothing I could do about it.”


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Card title
Some quick example text to build on the card title and make up the bulk of the card's content.
BEGINNER
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Some quick example text to build on the card title and make up the bulk of the card's content.
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This software compromises reserving and cancelling seats for the passengers,it contains information about trains, information about passengers,it contains the details of reservation fees, any concessions etc, it makes entries for reservation, waiting ,cancelled ticket.All the information is safely stored in the backed i.e SQL database.
Before the automation, the system suffered from the following drawbacks:
www.facebook.com/IndianRailways


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BRITNEY SPEARS ER BEST!

You got that somthin, wath can I do.
Baby, you stood me around.
the eareth is movin, but i can't feeol the grounde
every time you look at my
my haert is jumping, it's easy to see
lovin you means so much more
more than anything i ever I ever felt before.
Refreng:
You drive me crazy,
I just cant sleep.
I'm so excited, I'm in to deep.
Ohh...Crazy, but it feels alright.
Baby, thinkin of you keeps my up all night
tell me, your so into me
that im the only one you will see
tell me, im not in the blue
thet i'm not wasting, my feelins on you
Lovin you means so much more.
More than anything I felt before.
Refreng:
You drive me crazy.............
Crazy, I just can't sleep,
I'm so excited, I'm in to deep.
Crazy, but it feels alright.
Every day tand every night.

(Her er den gamle plata til Britney Spears)
Her er den nye plata til Britney: Oops......I did it Again
Britney's dansere
k
Alex
Estornel
|
/p>


Id: 158
Name: Hookah Alien
Status: Alive
Species: Alien
Type: Tuskfish
Gender: unknown
OriginName: unknown
OriginUrl:
LocationName: Interdimensional Customs
LocationUrl: https://rickandmortyapi.com/api/location/38
Image: https://rickandmortyapi.com/api/character/avatar/158.jpeg
Episode: ['https://rickandmortyapi.com/api/episode/1']
Url: https://rickandmortyapi.com/api/character/158
Created: 2017-12-29T15:53:48.952Z


Updates - July 2017
Big update for July 2017. ATT&CK now totals 169 techniques across Windows, Mac, and Linux:
Rollout of Mac and Linux ATT&CK for Enterprise techniques
- 89 total techniques, including 29 additions for MacOS/OS X - Mac Technique Matrix
- 80 total techniques, including 12 additions for Linux - Linux Technique Matrix
- Many existing techniques also received content updates to include details for Mac and/or Linux
Up to 140 techniques for Windows:
New techniques:
- Access Token Manipulation
- Network Share Discovery
- Create Account
- Office Application Startup
- Application Shimming
- Deobfuscate/Decode Files or Information
- Private Keys
- Hidden Files and Directories
Updated techniques:
- Brute Force - Added password spraying
- Trusted Developer Utilities - Renamed from Msbuild, added examples for DNX, RCSI, and WinDbg/CDB
- System Network Configuration Discovery - Renamed from 'local' to incorporate both local and remote actions
- System Network Connections Discovery - Renamed from 'local' to incorporate both local and remote actions
- Valid Accounts - Renamed from Legitimate Credentials to account for accounts created by adversaries in Create Account
- Account Manipulation - Renamed from Credential Manipulation to better suit the intent of the technique
- Accessibility Features - Large update to technical details
- System Firmware - Generalized name from Basic Input/Output System to account for (U)EFI firmware persistence
- Pass the Ticket - Updated detection and mitigation information
Changes to Groups include three new groups:
Changes to Software include new software profiles:


SOCIALISE with us, we provide the BEST cafe experience.
1975, XYABC Street ,
Back Bay ,West ABC
ZIP - WC16EM
Phone -989-145-3450
Email - Support


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Developed education system so-called MOOC using edx open source project.
Built videos distribution environment on AWS S3 and 3rd party CDN and developed various batch program using AWS boto(Python).
Python2.7
Django
Javascript
AWS lambda
AWS RDS
AWS ElastiCache
Jenkins
Front-End Engineer as Freelancer
Nov 2011 - Dev 2013
Developed iPhone and Android game apps.
Developed auto-generator for View template in MVC from mock designed HTML and runtime library in Javascript..
Strategized developing process for Smartphone application.
HTML5 (Canvas, CSS3)
Javascript
Node.js
CoffeeScript
C++ with Cocos-2dx
Flash
Ruby
Application Engineer as Freelancer
Sep 2010 - Oct 2011
Developed 3D a terrestrial globe using ActionScript3.0 and PaperVision3D.
Developed various site using Javascript..
*Planed and developed Augmented Reality application so-called AR that can change clothes
for those who stand in front of web camera connected to PC using C++, OpenCV, openFrameworks.
Actionscript3.0
Javascript
C++
OpenCV
openFrameworks
Application Engineer as Freelancer
Feb 2011 - Apr 2011
Developed management system for students attendance and leaving on Linux Set Top Box.
In order to make real time interactive communications on the web, built HTTP Server using Python and Commet was used for it.
And developed Flash applicaton as UI and shell scripts for sending signal when touching devices detected.
Python
Flash
Bash
PHP Programmer as Freelancer
Jul 2010 - Aug 2011
Developed fashion related game on cell phone on LAMP environment


Reports clone() methods that have a return type different than the class they are contained in.
Often a clone() method will have a return type of java.lang.Object, which makes it harder to use by its clients.
Effective Java, Second Edition recommends for the return type of the clone() method to be
the class type of the object it returns.


Class NearestNeighborEerClassifier
This IDistanceClassifier implementation will consider both test and
training samples and claculate the threshold to separate the original and forged
signatures to approximate EER. Note that this classifier is not applicable for
real world scenarios. It was developed to test the theoratical boundaries of
threshold based classification
Inheritance
System.Object
NearestNeighborEerClassifier
Assembly: SigStat.Common.dll
Syntax
public class NearestNeighborEerClassifier : PipelineBase, ILoggerObject, IProgress, IPipelineIO
Constructors
|
Improve this Doc
View Source
NearestNeighborEerClassifier(Nullable<Int32>, IDistance<Double[][]>)
Declaration
public NearestNeighborEerClassifier(int? nearestNeighborCount, IDistance<double[][]> distanceFunction = null)
Parameters
| Type |
Name |
Description |
| System.Nullable<System.Int32> |
nearestNeighborCount |
The number of nearest neighbours to consider during classification
|
| IDistance<System.Double[][]> |
distanceFunction |
The distance function.
|
Properties
|
Improve this Doc
View Source
DistanceFunction
The function used to calculate the distance between two data sequences
Declaration
public IDistance<double[][]> DistanceFunction { get; set; }
Property Value
| Type |
Description |
| IDistance<System.Double[][]> |
|
|
Improve this Doc
View Source
Features
Declaration
public List<FeatureDescriptor> Features { get; set; }
Property Value
|
Improve this Doc
View Source
NearestNeighborCount
Declaration
public int? NearestNeighborCount { get; set; }
Property Value
| Type |
Description |
| System.Nullable<System.Int32> |
|
|
Improve this Doc
View Source
Sampler
Sampler used for selecting training and test sets during a benchmark
Declaration
public Sampler Sampler { get; set; }
Property Value
Methods
|
Improve this Doc
View Source
Test(ISignerModel, Signature)
Declaration
public double Test(ISignerModel signerModel, Signature signature)
Parameters
Returns
| Type |
Description |
| System.Double |
|
|
Improve this Doc
View Source
Train(List<Signature>)
Declaration
public ISignerModel Train(List<Signature> signatures)
Parameters
| Type |
Name |
Description |
| List<Signature> |
signatures |
|
Returns
|
Improve this Doc
View Source
Train(List<Signature>, DistanceMatrix<String, String, Double>)
Trains the specified signatures based on a precalculated distance matrix
Declaration
public ISignerModel Train(List<Signature> signatures, DistanceMatrix<string, string, double> distanceMatrix)
Parameters
| Type |
Name |
Description |
| List<Signature> |
signatures |
The signatures.
|
| DistanceMatrix<System.String, System.String, System.Double> |
distanceMatrix |
The distance matrix may contain all the distance pairs for the signatures. If you ommit this parameter,
distances will be calculated automatically using DistanceFunction.
|
Returns
Implements
See Also


1. Working with text
The following set of steps will show how to access a text selection and change it.
1.1. Pre-requirements
1.1.1 Creating a new action
In this example we access the editor from an action. To create an action we need to extend the AnAction.java class.
public class EditorIllustration extends AnAction {
}
1.1.2. Registering an action
To register the action we should add the corresponding tag to the <actions>
section of the plugin configuration file
plugin.xml
<actions>
<action id="EditorBasics.EditorIllustration" class="EditorIllustration" text="Editor Basics"
description="Illustrates how to plug an action in">
<add-to-group group-id="EditorPopupMenu" anchor="last"/>
</action>
</actions>
If an action is registered in the group EditorPopupMenu
, like the sample above shows,
it will be available from the context menu when the focus is located in the editor.
1.1.3. Defining action’s visibility
To determine conditions by which the action will be visible and available for being executed we need to override its
public void update(AnActionEvent e)
method.
public class EditorIllustration extends AnAction {
@Override
public void update(AnActionEvent e) {
}
}
If we want to work with a selected part of the text, it’s reasonable to make the action available only when the following requirements are met:
- There is a project open
- There is an instance of the Editor available
- There is a text selection in the Editor
Further steps will show how to check these conditions through obtaining instances of Project and Editor and how to show or hide the action based on them.
1.2. Getting an instance of the active Editor
A reference to an instance of the Editor can be obtained by calling getData(CommonDataKeys.EDITOR)
.
To obtain a project reference, we use the getProject()
method.
public class EditorIllustration extends AnAction {
@Override
public void update(AnActionEvent e) {
//Get required data keys
final Project project = e.getProject();
final Editor editor = e.getData(CommonDataKeys.EDITOR);
//Set visibility only in case of existing project and editor
e.getPresentation().setVisible(project != null && editor != null);
}
}
Note:
To access an Editor instance, other ways can also be used:
-
If DataContext object is available:
final Editor editor = CommonDataKeys.EDITOR.getData(context);
-
If only a
Project
is available, you can useFileEditorManager.getInstance(project).getSelectedTextEditor()
1.3. Obtaining a caret model and selection
After making sure we have a project open and an instance of the Editor we need to check if any selection is available and set action’s visibility according to these conditions.
SelectionModel
accessed from the Editor allows to do it by calling its hasSelection()
method.
Here’s how our update(AnActionEvent e)
method should look like in the end:
public class EditorIllustration extends AnAction {
@Override
public void update(AnActionEvent e) {
//Get required data keys
final Project project = e.getProject();
final Editor editor = e.getData(CommonDataKeys.EDITOR);
//Set visibility only in case of existing project and editor and if some text in the editor is selected
e.getPresentation().setVisible(project != null && editor != null &&
editor.getSelectionModel().hasSelection());
}
}
Note: Editor allows to access different models of text representation. Model classes are located in editor subpackage of the editor-ui-api package and include:
1.4. Obtaining a Document
The action is visible and available now.
In order to make it do something we need to override its
public void actionPerformed(AnActionEvent anActionEvent)
method.
public class EditorIllustration extends AnAction {
@Override
public void update(AnActionEvent e) {
//code here
}
@Override
public void actionPerformed(AnActionEvent anActionEvent) {
}
}
To modify the text an instance of the Document needs to be accessed. Document represents the contents of a text file loaded into memory and possibly opened in an IDEA text editor. The instance of a Document will be used later when a text replacement is performed. We also need to figure out where the selected part of the text is located.
@Override
public void actionPerformed(final AnActionEvent e) {
//Get all the required data from data keys
final Editor editor = e.getRequiredData(CommonDataKeys.EDITOR);
final Project project = e.getProject();
//Access document, caret, and selection
final Document document = editor.getDocument();
final SelectionModel selectionModel = editor.getSelectionModel();
final int start = selectionModel.getSelectionStart();
final int end = selectionModel.getSelectionEnd();
}
1.5. Modifying text
Generally replacement can be done by calling
void replaceString(int startOffset, int endOffset, @NotNull CharSequence s);
of the Document, however,
the operation of replacement must be executed safely, this means the Document must be locked and
any changes should be performed in a write action.
See the Threading Issues section to learn more about synchronization issues and changes safety on the IntelliJ Platform.
@Override
public void actionPerformed(final AnActionEvent e) {
//Get all the required data from data keys
final Editor editor = e.getRequiredData(CommonDataKeys.EDITOR);
final Project project = e.getProject();
//Access document, caret, and selection
final Document document = editor.getDocument();
final SelectionModel selectionModel = editor.getSelectionModel();
final int start = selectionModel.getSelectionStart();
final int end = selectionModel.getSelectionEnd();
//Making the replacement
WriteCommandAction.runWriteCommandAction(project, () ->
document.replaceString(start, end, "Replacement")
);
selectionModel.removeSelection();
}
The source code is located in EditorIllustration.java. To see how text replacement works, check out Editor Basics plugin, make the project, run it, then invoke the EditorIllustration action which is available in the context menu of the editor.


JavaScript, often abbreviated as JS, is a programming language that conforms to the ECMAScript specification. JavaScript is high-level, often just-in-time compiled, and multi-paradigm. It has curly-bracket syntax, dynamic typing, prototype-based object-orientation, and first-class functions.
Cascading-Style-Sheets is a style sheet language used for describing the presentation of a document written in a markup language such as HTML. CSS is a cornerstone technology of the World Wide Web, alongside HTML and JavaScript.
HTML5 is a markup language used for structuring and presenting content on the World Wide Web. It is the fifth and latest major version of HTML that is a World Wide Web Consortium recommendation.

Programming is very interesting to me, and i'm curious to get know in depth the world of development.
I like to cook and bake, and hang out with friends.
Hope you will like my projects, enjoy.


Breads by Josef
Web Framing & Design
The Property Winter Ball 2013
A charitable event.
Jones Lang LeSalle & RJH
Christchurch School of Gymnastics, Classic Competition
Mairangi Bay Legends
New Zealand Surf Lifesaving Worlds uniform design
Fly to the Limit front end web development
Telecom printroom, services provided by Fuji Xerox
Logo Design for Dave Smith Aquatic Race Gear
Mairangi Bay SLSC Uniform Design
Telecom Printroom Easter Promotion
paperbag boutique
front & back end web development
the property winter ball 2014.
A charitable event.
Jones Lang LeSalle & RJH


Storage Configurations
All storage configurations.
[[#{desktop.storageConfigs.addNew}]]
Name
Location
Type
Edit
Delete
1
My Name
My Name
Edit
Delete


Sails session integration leans heavily on the great work already done by Express, but also unifies
Socket.io with the Connect session store. It uses Connect’s cookie parser to normalize configuration
differences between Express and Socket.io and hooks into Sails’ middleware interpreter to allow you
to access and auto-save to req.session
with Socket.io the same way you would with Express.
For more information on configuring the session, check out: http://sailsjs.org/#!documentation
secret
Session secret is automatically generated when your new app is created. Replace at your own risk in production-- you will invalidate the cookies of your users, forcing them to log in again.
In production, uncomment the following line to set up a shared redis session store that can be shared across multiple Sails.js servers.
adapter: 'redis',
The following values are optional, if no options are set a redis instance running on localhost is expected. Read more about options at: https://github.com/visionmedia/connect-redis
host: 'localhost',
port: 6379,
ttl: <redis session TTL in seconds>,
db: 0,
pass: <redis auth password>
prefix: 'sess:'
Uncomment the following lines to use your Mongo adapter as a session store
adapter: 'mongo',
host: 'localhost',
port: 27017,
db: 'sails',
collection: 'sessions',
Optional Values:
// # Note: url will override other connection settings
// url: 'mongodb://user:pass@host:port/database/collection',
username: '',
password: '',
auto_reconnect: false,
ssl: false,
stringify: true


--- layout: paper title: Publications --- Modeling Relations and Their Mentions without Labeled Text, , Proceedings of the European Conference on Machine Learning and Knowledge Discovery in Databases (ECML PKDD) 2010 [pdf]
@inproceedings{riedel10modeling, year={2010}, author={Sebastian Riedel and Limin Yao and Andrew McCallum}, bdsk-url-1={/publications/papers/riedel10modeling.pdf}, booktitle={Proceedings of the European Conference on Machine Learning and Knowledge Discovery in Databases (ECML PKDD)}, title={Modeling Relations and Their Mentions without Labeled Text}, }


ALDI offering beer, wine delivery to your home
by WPTV StaffJust in time for the busy holiday season, ALDI is delivering premium beer and wine to your front door.
The grocery store chain is partnering with Instacart to offer alcohol delivery to homes nationwide.
As a bonus, first-time customers can get free delivery through the Instacart app. Just use the code ALDIHOLIDAY19 until Dec. 31.
Customers ordering alcohol must be at least 21 years old, and must enter your date of birth at checkout and provide a valid government ID at delivery.
ALDI started food delivery through Instacart in 2017, but this is its first foray into beer and wine delivery.
To see if your local ALDI store qualifies for alcohol delivery, click here or open the Instacart mobile app, enter your city and ALDI store, and search for beer and wine to add to your virtual basket.
This story was originally published on WPTV.


The use of computer simulation models has seen a rapid increase over the last few decades. In the natural sciences, it is often the case that these models are to some extent conceptual, in the sense that some of their parameters cannot be measured directly, but have to be inferred through a process of trial and error, known as calibration. In this process, the user runs the model with different parameter values, while keeping track of how well each parameter set does according to some fitness criterion (objective function). When the adjustments are made by hand, this procedure can be quite labor-intensive, especially when dealing with a model that has many parameters. To avoid this, automatic calibration methods have been developed, in which a computer oversees the selection of parameter sets, with which the model is run.
Since the early works of for example Dawdy and O'Donnell (1965), a wide variety of automatic calibration methods has been developed. In the natural sciences, the nature of many models makes it difficult to efficiently and effectively search the parameter space. More specifically, these models often suffer from the existence of many local optima having both small and large domains of attractions and discontiunous derivatives. To overcome such problems, Duan et al. (1992) developed the Shuffled Complex Evolution global optimization algorithm, which was found to be consistent, efficient and effective in locating the best parameter set.
Uncertainty -> Vrugt


{% extends "index.html" %} {% block content %}
To obtain data you have to perform post request to this endpoint.


CrimPapers
Articles published on 30 July 2020
On 30 July 2020, 6 new articles were published in 6 journals.
Avi Brisman and Nigel South (eds): Routledge International Handbook of Green Criminology. Second Edition
“Tattooing in the Age of Instagram” by William Ryan Force
The Effects of Liking on Informational Elements in Investigative Interviews by Hyisuing C. Hwang,
david Matsumoto
“Going Solo” Or Joining Gangs While Doing Time: Perceptions of Prison Gangs Among the Formerly Incarcerated by Yok-Fong Paat, Eddie Hernandez, Trina L. Hope, Jennifer Muñoz, Hector Zamora, Michael H. Sanchez, Sonny Contreras
National Extraction, Geographical Origin and Migratory Ancestry Among Jihadists in Spain by Carola García-Calvo, Fernando Reinares, Álvaro Vicente
Violence Against Women: Representations, Interpretations, and Education by Meenakshi Chhabra, Lisa B. Fiore, Sonia Pérez-Villanueva


Providing environment-related data to individuals. The Environment Channel will be linked to the measurements and forecasts of precipitation and air quality. The ecosystem can also accommodate other types of data.
Providing multi-level data illustration, it delivers a wide range of usage to both individuals and organizations.
Observations of the atmosphere, sea and space at over 400 stations around Finland (more to add later), and using remote sensing instruments such as radars and satellites. In addition to weather observations we monitor e.g. air quality, atmosphere components
Video Introduction
Open Data/Technology
Meet The Team
Hai Truong
Minh Dao
Tri Hoang


Compose
Compose is a data driven library that will help compose your complex and dynamic Views.
Motivation
We built Compose so we could easy manage and A/B test our complex views.
That instead of dealing with many dataSources and delegates methods, we could focus on delivering shine and new components. Instead of switching indexPaths
we could change each component position as we wished.
ComposingUnit
The protocol ComposingUnit is at the center of this library. Any class or struct can conform to it, and it has few properties and methods that needs to be implemented. It should store all data that will be presented by this unit.
A unit also is responsible for selecting which UIView will render it’s data, and once an UIView is dequeued from a container, it is also the unit job to bind that data to the view.
ComposingContainer
A ComposingContainer is an UIView that knows how do display an array of ComposingUnit
s. We provide two containers in the framework: ComposingCollectionView
and ComposingTableView
. Both have automatic detection of inserts/updates/deletes of ComposingUnits they are displaying.
Example
So, for you to get an example, after creating some units we could easly compose our view like this:
units.add {
let topSeparator = LoginUnits.SpacerUnit(id: "top", height: 14)
let header = LoginUnits.HeaderUnit()
return [topSeparator, header]
}
units.add {
let username = LoginUnits.UsernameUnit(current: viewState.username, callback: updateUsername(newUsername:))
let password = LoginUnits.PasswordUnit(current: viewState.password, callback: updatePassword(newPassword:))
return [username, password]
}
let continueButton = LoginUnits.ContinueButtonUnit(enabled: viewState.validData, callback: doTryLogin)
units.append(continueButton)
collectionView.state = units
Here, we can clearly see (and change if we want) the order each unit will be added to the array. Also, if any unit needed some business logic to check if it should be added to the array, we could easily do something like this:
units.add(manyIfLet: state.description) { text in
let header = DetailViewUnits.HeaderDescriptionUnit(header: "Description")
let description = DetailViewUnits.DescriptionUnit(text: text, expanded: state.descriptionExpanded)
return [header, description]
}
So, if state.description
is not nil, then we should display an header and description units. There are many operators for conditional checks, conditional closures, if/let unwrappers and more.
If you got interested, there are many working examples inside the Example project.
Running the Example project
To run the example project, clone the repo, and open the xcode Project from the Example directory.
Installation
Compose is available through CocoaPods. To install it, simply add the following line to your Podfile:
pod "Compose"
Documentation
You can find all documentation about Compose here: Documentation
Author
Bruno Bilescky<EMAIL_ADDRESS>License
Compose is available under the MIT license. See the LICENSE file for more info.


DECONSTRUCTING HARRY Grade: A (Highly Recommended)
Directed by Woody Allen Written by Allen Starring: Allen, Judy Davis, Billy Crystal, Bob Balaban Year of Release: 1997 Rating: R
Deserves Recognition for: Making me laugh hard enough to almost completely obliterate all memories of Shadows and Fog.
Capsule Review: I'm going to go out on a limb here and call this consistently hilarious, and surprisingly raw (Has Soon-Yi been bringing home Kevin Smith videos or something?) look at the thin line between fiction and plagiarism Woody Allen's most satisfying film since Annie Hall.  (The all-too-brief vignettes that we get to see of his writing contains some of Allen's finest absurdist humor since Bananas, including a Star Wars themed bar mitzvah that made me briefly consider changing my religion.) As usual, Woody is backed by some stellar talent, including Julia-Louise Dreyfuss, Mariel Hemmingway in a sly reversal of her Manhattan role, a surprisingly capable Demi Moore, and the wondrous Judi Davis, who once again proves that no other actor can make a 10-or-12 letter obscenity detonate off the screen quite the way she can. Harry may shock some long-time Allen viewers by its sheer mean-spiritedness, but it's a quality that seems to have sprung the director from the stale complacency that's marred much of his recent work. As long as he can stay away from the Bergman influence for a while, this bodes well for The Woodman's cinematic future.
Copyright 1998 by The Critic formerly known as Andrew Wright For more insanely biased reviews, check out http://www.seanet.com/~louk/ e-mail<EMAIL_ADDRESS>"Saturday Night Thing. Drunken Hillbilly Bar Fight. My Soul Rejoices."
A Haiku in honor of ROADHOUSE A9Andrew L. Wright esq.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Decentralized Real-Time Collaborative Documents - Conflict-free editing in the browser using js-ipfs and CRDTs
An distributed application that allows for several users to edit the same document at the same time, something similar to Google Docs, but without any coordinating server.
IPFS stands for Interplanetary File System, and is much more than a file system. It’s an entire network stack for the decentralized and peer-to-peer web, allowing you to build truly serverless web applications.
Conflict-Free Replicated Data Types provides a conflict-free manner of replicating data across multiple nodes without ever having to elect a leader or use another type of centralized authority to reach consensus.
The project uses js-ipfs, which is a Javascript implementation of IPFS that works in Node.js and in a modern browser.
A text editor that requires no server but yet, allows several users to edit it in a collaborative fashion. We can call it “google docs without google for plain text”.


This sample demonstrates how to validate a JWT token in Node after authentication happened using ADAL.js
This is what the Server returned when requesting data from a secure api endpoint
Hi {{data.user.firstName}} {{data.user.lastName}}, Your email is: {{data.user.email}}
{{data | json}}


Overview of library preparation and sequencing:
- Start from 400 µl frozen serum sample.
- Extract total RNA with double elution for maximal template recovery.
- cDNA synthesis and 30 cycles of PCR using life technologies SuperScript® III One-Step RT-PCR System with Platinum® Taq High Fidelity DNA Polymerase. PCR is done separately for six overlapping fragments labeled F1 through F6.
- Library preparation using Illumina Nextera XT® sample preparation kit, followed by column purification. Size selection with the Sage Science BluePippin® with cutoffs at 550 and 900 bp. These sizes include the library adaptors.
- Sequencing on illumina MiSeq® using 500 or 600 cycles kit.
- Mapping and cleaning of the sequencing reads (in house Python application).


[gecode-users] Iterating/filtering IntView in Gecode 3.x
Martin Mann
mmann at informatik.uni-freiburg.de
Fri Mar 19 17:27:05 CET 2010
Hi Peter,
I guess you iterate over the variables in increasing order already!

Since the vector::push_back operation is on average much faster than the
set::insert operation (that cares about the sorting), you might get even
better runtimes by going back to your vector and an adaption of the
range iterator code..
But just a suggestion. And don't forget to have a look at the new Gecode
manual draft! Christian and Co might have an even better solution at hand!
so long,
Martin
Peter Vanhee schrieb:
> Thanks Martin,
>
> this is very helpful.
>
> I modified my code to use std::set as well with your range iterator, and I have a huge speed increase.
> Note that I used narrow_r instead of inter_r.
>
> Thanks!
> Peter
>
> On 19 Mar 2010, at 15:58, Martin Mann wrote:
>
>> Hi Peter,
>>
>> I solved that problem for Gecode 1.3.0 (still running for 3.*) by a dedicated implementation of a Gecode RangeIterator for a std::set (source attached). The source code can be easily adapted for your purpose either by sorting the std::vector after filling or by ensuring that you fill it with values of increasing order.
>>
>> Dont know if there is a "native" Gecode support in 3.*, havent checked since I wrote it. :)
>>
>> the application is than quite simple:
>>
>> ////////////////////////////////////////////////////
>> std::set<int> data; // fill data
>> GC_StlSetRangeIterator dataIt(&data);
>> x.inter_r(*home, dataIt);
>> ////////////////////////////////////////////////////
>>
>> Hope it helps,
>>
>> Martin
>>
>>
>>
>> Peter Vanhee schrieb:
>>> Hey all,
>>> I have more or less the same problem as mentioned here: http://thread.gmane.org/gmane.comp.lib.gecode.user/919,
>>> however the solution seems to be outdated for gecode 3.x: e.g. GECODE_AUTOARRAY is not existing anymore etc.
>>> Within the binary propagator, and when one variable is assigned (x0), I need to filter values in the other variable (x1). What I do right now is:
>>> // loop over all values of x1 and push to remove if necessary
>>> vector<int> remove;
>>> for (IntVarValues i(*x1); i(); ++i) {
>>> if (!predicate(home, x0->val(), i.val())) remove.push_back(i.val());
>>> }
>>> // remove values from domain
>>> for(vector<int>::iterator i=remove.begin(); i!=remove.end(); ++i) {
>>> GECODE_ME_CHECK(x1->nq(_home, r));
>>> }
>>> This is not at all efficient: 90% of the time is spent in Int::IntVarImp::nq_full, and 38% in Int::IntVarImp::RangeList::min().
>>> How can I change this? I have variables with big domains (into the millions of values) that have few continuous ranges.
>>> Thanks,
>>> Peter
--
Martin Mann, Dipl. Bioinf.
Bioinformatics - Inst. of Computer Science
Albert-Ludwigs-University Freiburg
Tel: ++49-761-203-8259
Fax: ++49-761-203-7462
http://www.bioinf.uni-freiburg.de/~mmann/
More information about the users
mailing list


The land tended upward the way Rand went, but fear lent his legs strength and they ate ground in long strides, tearing his way through flowering bushes and tangles of wildrose, scattering petals, not caring if thorns ripped his clothes or even his flesh. Moiraine had stopped screaming. It seemed as if the shrieks had gone on forever, each one more throat-wrenching than the last, but he knew they had lasted only moments altogether. Moments before Aginor would be on his trail. He knew it would be him that Aginor followed. He had seen the certainty in the Forsaken’s hollow eyes, in that last second before terror whipped his feet to run.
The land grew ever steeper, but he scrambled on, pulling himself forward by handfuls of undergrowth, rocks and dirt and leaves spilling down the slope from under his feet, finally crawling on hands and knees when the slant became too great. Ahead, above, it leveled out a little. Panting, he scrabbled his way the last few spans, got to his feet, and stopped, wanting to howl aloud.
 He knew what he would see before he reached it, but he took the steps anyway, each heavier than the one before, hoping there might be some track, a goat path, anything. At the edge he looked down a sheer hundred-foot drop, a stone wall as smooth as planed timber.
There has to be some way. I’ll go back and find a way around. Go back and—
When he turned, Aginor was there, just reaching the crest. The Forsaken topped the hill without any difficulty, walking up the steep slope as if it were level ground. Deep-sunken eyes burned at him from that drawn parchment face; somehow, it seemed less withered than before, more fleshed, as if Aginor had fed well on something. Those eyes were fixed on him, yet when Aginor spoke, it was almost to himself.
“Ba’alzamon will give rewards beyond mortal dreaming for the one who brings you to Shayol Ghul. Yet my dreams have always been beyond those of other men, and I left mortality behind millennia ago. What difference if you serve the Great Lord of the Dark alive or dead? None, to the spread of the Shadow. Why should I share power with you? Why should I bend knee to you? I, who faced Lews Therin Telamon in the Hall of the Servants itself. I, who threw my might against the Lord of the Morning and met him stroke for stroke. I think not.”
Rand’s mouth dried like dust; his tongue felt as shriveled as Aginor. The edge of the precipice grated under his heels, stone falling away. He did not dare look back, but he heard the rocks bounding and rebounding from the sheer wall, just as his body would if he moved another inch. It was the first he knew that he had been backing up, away from the Forsaken. His skin crawled until he thought he must see it writhing if he looked, if he could only take his eyes off the Forsaken. There has to be some way to get away from him. Some way to escape! There has to be! Some way!
Suddenly he felt something, saw it, though he knew it was not there to see. A glowing rope ran off from Aginor, behind him, white like sunlight seen through the purest cloud, heavier than a blacksmith’s arm, lighter than air, connecting the Forsaken to something distant beyond knowing, something within the touch of Rand’s hand. The rope pulsed, and with every throb Aginor grew stronger, more fully fleshed, a man as tall and strong as himself, a man harder than the Warder, more deadly than the Blight. Yet beside that shining cord, the Forsaken seemed almost not to exist. The cord was all. It hummed. It sang. It called Rand’s soul. One bright finger-strand lifted away, drifted, touched him, and he gasped. Light filled him, and heat that should have burned yet only warmed as if it took the chill of the grave from his bones. The strand thickened. I have to get away!
“No!” Aginor shouted. “You shall not have it! It is mine!”
Rand did not move, and neither did the Forsaken, yet they fought as surely as if they grappled in the dust. Sweat beaded on Aginor’s face, no longer withered, no longer old, that of a strong man in his prime. Rand pulsed with the beating in the cord, like the heartbeat of the world. It filled his being. Light filled his mind, till only a corner was left for what was himself. He wrapped the void around that nook; sheltered in emptiness. Away!
“Mine!” Aginor cried. “Mine!”
Warmth built in Rand, the warmth of the sun, the radiance of the sun, bursting, the awful radiance of light, of the Light. Away!
“Mine!” Flame shot from Aginor’s mouth, broke through his eyes like spears of fire, and he screamed.
Away!
And Rand was no longer on the hilltop. He quivered with the Light that suffused him. His mind would not work; light and heat blinded it. The Light. In the midst of the void, the Light blinded his mind, stunned him with awe.
He stood in a broad mountain pass, surrounded by jagged black peaks like the teeth of the Dark One. It was real; he was there. He felt the rocks under his boots, the icy breeze on his face.
Battle surrounded him, or the tail end of battle. Armored men on armored horses, shining steel dusty now, slashed and stabbed at snarling Trollocs wielding spiked axes and scythe-like swords. Some men fought afoot, their horses down, and barded horses galloped through the fight with empty saddles. Fades moved among them all, night-black cloaks hanging still however their dark mounts galloped, and wherever their light-eating swords swung, men died. Sound beat at Rand, beat at him and bounced from the strangeness that had him by the throat. The clash of steel against steel, the panting and grunting of men and Trollocs striving, the screams of men and Trollocs dying. Over the din, banners waved in dust-filled air. The Black Hawk of Fal Dara, the White Hart of Shienar, others. And Trolloc banners. In just the little space around him he saw the horned skull of the Dha’vol, the blood-red trident of the Ko’bal, the iron fist of the Dhai’mon.
Yet it was indeed the tail end of battle, a pausing, as humans and Trollocs alike fell back to regroup. None seemed to notice Rand as they paid a few last strokes and broke away, galloping, or running in a stagger, to the ends of the pass.
Rand found himself facing the end of the pass where the humans were re-forming, pennants stirring beneath gleaming lancepoints. Wounded men wavered in their saddles. Riderless horses reared and galloped. Plainly they could not stand another meeting, yet just as plainly they readied themselves for one final charge. Some of them saw him now; men stood in their stirrups to point at him. Their shouts came to him as tiny piping.
Staggering, he turned. The forces of the Dark One filled the other end of the pass, bristling black pikes and spearpoints swelling up onto mountain slopes made blacker still by the great mass of Trollocs that dwarfed the army of Shienar. Fades in hundreds rode across the front of the horde, the fierce, muzzled faces of Trollocs turning away in fear as they passed, huge bodies pulling back to make way. Overhead, Draghkar wheeled on leathery pinions, shrieks challenging the wind. Halfmen saw him now, too, pointed, and Draghkar spun and dove. Two. Three. Six of them, crying shrilly as they plummeted toward him.
He stared at them. Heat filled him, the burning heat of the touched sun. He could see the Draghkar clearly, soulless eyes in pale men’s faces on winged bodies that had nothing of humanity about them. Terrible heat. Crackling heat.
From the clear sky lightning came, each bolt crisp and sharp, searing his eyes, each bolt striking a winged black shape. Hunting cries became shrieks of death, and charred forms fell to leave the sky clean again.
The heat. The terrible heat of the Light.
He fell to his knees; he thought he could hear his tears sizzling on his cheeks. “No!” He clutched at tufts of wiry grass for some hold on reality; the grass burst in flame. “Please, nooooooo!”
The wind rose with his voice, howled with his voice, roared with his voice down the pass, whipping the flames to a wall of fire that sped away from him and toward the Trolloc host faster than a horse could run. Fire burned into the Trollocs, and the mountains trembled with their screams, screams almost as loud as the wind and his voice.
“It has to end!”
He beat at the ground with his fist, and the earth tolled like a gong. He bruised his hands on stony soil, and the earth trembled. Ripples ran through the ground ahead of him in ever-rising waves, waves of dirt and rock towering over Trollocs and Fades, breaking over them as the mountains shattered under their hooved feet. A boiling mass of flesh and rubble churned across the Trolloc army. What was left standing was still a mighty host, but now no more than twice the human army in numbers, and milling in fright and confusion.
The wind died. The screams died. The earth was still. Dust and smoke swirled back down the pass to surround him.
“The Light blind you, Ba’alzamon! This has to end!”
IT IS NOT HERE.
It was not Rand’s thought, making his skull vibrate.
I WILL TAKE NO PART.
“Where?” He did not want to say it, but he could not stop himself. “Where?”
The haze surrounding him parted, leaving a dome of clear, clean air ten spans high, walled by billowing smoke and dust. Steps rose before him, each standing alone and unsupported, stretching up into the murk that obscured the sun.
NOT HERE.
Through the mist, as from the far end of the earth, came a cry. “The Light wills it!” The ground rumbled with the thunder of hooves as the forces of humankind launched their last charge.
Within the void, his mind knew a moment of panic. The charging horsemen could not see him in the dust; their charge would trample right over him. The greater part of him ignored the shaking ground as a petty thing beneath concern. Dull anger driving his feet, he mounted the first steps. It has to be ended!
Darkness surrounded him, the utter blackness of total nothing. The steps were still there, hanging in the black, under his feet and ahead. When he looked back, those behind were gone, faded away to nothing, into the nothingness around him. But the cord was yet there, stretching behind him, the glowing line dwindling and vanishing into the distance. It was not so thick as before, but it still pulsed, pumping strength into him, pumping life, filling him with the Light. He climbed.
It seemed forever that he climbed. Forever, and minutes. Time stood still in nothingness. Time ran faster. He climbed until suddenly a door stood before him, its surface rough and splintered and old, a door well remembered. He touched it, and it burst to fragments. While they still fell, he stepped through, bits of shattered wood falling from his shoulders.
The chamber, too, was as he remembered, the mad, striated sky beyond the balcony, the melted walls, the polished table, the terrible fireplace with its roaring, heatless flames. Some of those faces that made the fireplace, writhing in torment, shrieking in silence, tugged at his memory as if he knew them, but he held the void close, floated within himself in emptiness. He was alone. When he looked at the mirror on the wall, his face was there as clear as if it was him. There is calm in the void.
“Yes,” Ba’alzamon said from in front of the fireplace, “I thought Aginor’s greed would overcome him. But it makes no difference in the end. A long search, but ended now. You are here, and I know you.”
In the midst of the Light the void drifted, and in the midst of the void floated Rand. He reached for the soil of his home, and felt hard rock, unyielding and dry, stone without pity, where only the strong could survive, only those as hard as the mountains. “I am tired of running.” He could not believe his voice was so calm. “Tired of you threatening my friends. I will run no more.” Ba’alzamon had a cord, too, he saw. A black cord, thicker by far than his own, so wide it should have dwarfed the human body, yet dwarfed by Ba’alzamon, instead. Each pulse along that black vein ate light.
“You think it makes any difference, whether you run or stay?” The flames of Ba’alzamon’s mouth laughed. The faces in the hearth wept at their master’s mirth.  Many times you have stood and fought, then groveled in defeat, begging mercy.  ”
Rand shifted, glancing back through the door as if seeking a way to escape. Let the Dark One think that. Beyond the doorway was still the black of nothing, split by the shining thread that ran from his body. And out there Ba’alzamon’s heavier cord ran as well, so black that it stood out in the dark as if against snow. The two cords beat like heart-veins in counter-time, against each other, the light barely resisting the waves of dark.
“There are other choices,” Rand said. “The Wheel weaves the Pattern, not you. Every trap you’ve laid for me, I have escaped. I’ve escaped your Fades and Trollocs, escaped your Darkfriends. I tracked you here, and destroyed your army on the way. You do not weave the Pattern.”
Ba’alzamon’s eyes roared like two furnaces. His lips did not move, but Rand thought he heard a curse screamed at Aginor. Then the fires died, and that ordinary human face smiled at him in a way that chilled even through the warmth of the Light.
 Armies you have not dreamed of will yet come. And you tracked me? You, slug under a rock, track me? I began the setting of your path the day you were born, a path to lead you to your grave, or here. Aiel allowed to flee, and one to live, to speak the words that would echo down the years.  The Black Ajah, wriggling like worms on their bellies across the world to search you out. I pull the strings and the Amyrlin Seat dances and thinks she controls events.”
The void trembled; hastily Rand firmed it again. He knows it all. He could have done. It could be the way he says. The Light warmed the void. Doubt cried out and was stilled, till only the seed remained. He struggled, not knowing whether he wanted to bury the seed or make it grow. The void steadied, smaller than before, and he floated in calm.
Ba’alzamon seemed to notice nothing.  You will serve me, or your soul will. But I would rather have you kneel to me alive than dead. A single fist of Trollocs sent to your village when I could have sent a thousand.     “Look.” Unwilling, Rand yet turned his head.
Egwene stood there, and Nynaeve, pale and frightened, with flowers in their hair. And another woman, little older than the Wisdom, gray-eyed and beautiful, clothed in a Two Rivers dress, bright blossoms embroidered round the neck.
“Mother?” he breathed, and she smiled, a hopeless smile. His mother’s smile. “No! My mother is dead, and the other two are safe away from here. I deny you!” Egwene and Nynaeve blurred, became wafting mist, dissipated.
“She, at least,” Ba’alzamon said, “is mine to do with as I will.”
Rand shook his head. “I deny you.” He had to force the words out. “She is dead, and safe from you in the Light.”
His mother’s lips trembled. Tears trickled down her cheeks; each one burned him like acid. “The Lord of the Grave is stronger than he once was, my son,” she said. “His reach is longer. The Father of Lies has a honeyed tongue for unwary souls. My son. My only, darling son. I would spare you if I could, but he is my master, now, his whim, the law of my existence. I can but obey him, and grovel for his favor. Only you can free me. Please, my son. Please help me. Help me. Help me! PLEASE!”
The wail ripped out of her as barefaced Fades, pale and eyeless, closed round. Her clothes ripped away in their bloodless hands, hands that wielded pincers and clamps and things that stung and burned and whipped against her naked flesh. Her scream would not end.
Rand’s scream echoed hers. The void boiled in his mind. His sword was in his hand. Not the heron-mark blade, but a blade of light, a blade of the Light. Even as he raised it, a fiery white bolt shot from the point, as if the blade itself had reached out. It touched the nearest Fade, and blinding candescence filled the chamber, shining through the Halfmen like a candle through paper, burning through them, blinding his eyes to the scene.
From the midst of the brilliance, he heard a whisper. “Thank you, my son. The Light. The blessed Light.”
The flash faded, and he was alone in the chamber with Ba’alzamon. Ba’alzamon’s eyes burned like the Pit of Doom, but he shied back from the sword as if it truly were the Light itself. “Fool!  You cannot wield it so, not yet! Not until I teach you!”
“It is ended,” Rand said, and he swung the sword at Ba’alzamon’s black cord.
Ba’alzamon screamed as the sword fell, screamed till the stone walls trembled, and the endless howl redoubled as the blade of Light severed the cord. The cut ends rebounded apart as if they had been under tension. The end stretching into the nothingness outside began to shrivel as it sprang away; the other whipped back into Ba’alzamon, hurling him against the fireplace. There was silent laughter in the soundless shrieks of the tortured faces. The walls shivered and cracked; the floor heaved, and chunks of stone crashed to the floor from the ceiling.
As all broke apart around him, Rand pointed the sword at Ba’alzamon’s heart. “It is ended!”
Light lanced from the blade, coruscating in a shower of fiery sparks like droplets of molten, white metal. Wailing, Ba’alzamon threw up his arms in a vain effort to shield himself. Flames shrieked in his eyes, joining with other flames as the stone ignited, the stone of the cracking walls, the stone of the pitching floor, the stone showering from the ceiling. Rand felt the bright thread attached to him thinning, till only the glow itself remained, but he strained harder, not knowing what he did, or how, only that this had to be ended. It has to be ended!
Fire filled the chamber, a solid flame. He could see Ba’alzamon withering like a leaf, hear him howling, feel the shrieks grating on his bones. The flame became pure, white light, brighter than the sun. Then the last flicker of the thread was gone, and he was falling through endless black and Ba’alzamon’s fading howl.
Something struck him with tremendous force, turning him to jelly, and the jelly shook and screamed from the fire raging inside, the hungry cold burning without end.


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