MOULIN ROUGE A film review by Mark R. Leeper
Capsule: MOULIN ROUGE begins with a sensory overload of images and fast cutting to create an exuberant and viscerally exciting view of the bohemian life in Paris of a century ago. The flush and excitement of experiencing 1900 Paris is surreally exaggerated. After thirty minutes or so the pace slackens a bit, but much of the style remains. Nicole Kidman and Ewan McGregor star as an expensive courtesan and the young writer who loves her. The film is hypnotic and entrancing. The first half-hour is worth the price of admission all by itself. Rating: 7 (0 to 10), +2 (-4 to +4)
In making love or in making musicals, you must never doubt your own abilities. Once you become self-conscious about how to do it, you probably cannot any more. The United States once was unexcelled at making musicals, from Busby Berkeley to Rogers and Hammerstein this made lots and most of the best. Now the feature-length musical has nearly died in the US except for some weak efforts in recent years to bring it back.  More recently there have been somewhat more successful attempts at the edges of the genre with SOUTH PARK and O BROTHER, WHERE ART THOU? On the other hand, in Australia when it seems appropriate to make a musical they just dive into it with the apparent natural ease of Rooney and Garland saying, "Hey, let's put on a show." Baz Luhrmann, with the musical STRICTLY BALLROOM under his belt already, dives in with not just ease but gusto to make the fabulous musical MOULIN ROUGE. Set in 1900 Paris, the beauty of the women, the weird characters, the glamour the fin-de-siecle exuberance are presented in an explosion of sensory overload. Luhrmann does some really extraordinary things with this film. I like a director who does something unusual those now boring studio banners at the beginning of the film. It is a way to announce that this will be a creative film from the very first frame. Luhrmann has some fun with the Fox logo and theme and right away the viewer realizes this is a film that will have his eyes glued to the screen.
The plotting is somewhat familiar, but then most musicals do not have a really strong plot. Luhrmann, who both co-writes and directs, opens the film with a half-hour or more of high-energy excitement. We start with fledgling writer, Christian (played by Ewan McGregor) coming to Paris over his father's objections. Almost immediately he has an unconscious Argentinean fall through his ceiling and in moments is embroiled in writing for the film's title nitery a show called "Spectacular. Spectacular." The star of the show will be singer, courtesan, and toast of Paris, Satine (Nicole Kidman). The new show has been created by a small team of artists led by the diminutive giant Toulouse Lautrec (John Leguizamo) under the control of the impresario Zidler (Jim Broadbent having a field day). This first night Satine is scheduled to seduce the possible producer for Spectacular Spectacular, the Duke of Worcestor (Richard Roxburgh), but through a mistake in identity she seduces Christian instead. Being young and impressionable he stays seduced and in love. But the duke expects that he will get Satine as part of the deal of producing the play. From there the story borrows several plot highlights from Alexander Dumas's CAMILLE.
The film is marvelously inventive throughout, though after the first half-hour it slows considerably. Touches of that first rush include a terrific visualization of the Green Fairy said to live in bottles of that green (and literally toxic) intoxicant, absinthe. The film remains a tribute to Paris and the extravagant musical throughout, popular in Paris in the 19th and early 20th Century. Luhrmann uses music not from the period but more modern and familiar melodies choosing as the centerpiece a peculiar choice, "There Was a Boy" from the film THE BOY WITH GREEN HAIR.
The film features a standout performance by Nicole Kidman in a role that seemed made for her. She is an icon playing an icon, and playing it to the hilt. Ewan McGregor, of TRAINSPOTTING and the screen's new Obi-Wan Kenobi is more than passable as the film's lead, though his singing is obviously overdubbed. Kidman does her own singing and does it as well as any professional. Jim Broadbent is delicious as the strutting and high-stepping impresario Zidler. Even the frequently irritating John Leguizamo does nicely as Lautrec. He does not seem French, of course, but then nobody else in the cast does either.
I can list on the fingers of one hand the set of musicals I actually like as musicals. I like FIDDLER ON THE ROOF, ROCKY HORROR PICTURE SHOW, CABARET, and very few others. Most musicals I bide my time and wait for the singing to be over. This is a bide-my-time sort of musical, but it has its share of other rewards. Even I can appreciate its tributes to the stage and screen musical. I rate it a 7 on the 0 to 10 scale and a +2 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>Copyright 2001 Mark R. Leeper
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| Overview | Module | Use | Devguide | Index |
| Methods' Summary | Attributes' Summary | Methods' Details | Attributes' Details |
| interface XCachedDynamicResultSetFactory |
|
| Methods' Summary | |
| createCachedDynamicResultSet | creates a remote optimizes XDynamicResultSet. |
| Methods' Details | ||||||||||
createCachedDynamicResultSet
|
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


{% block header %} Project Title here Some text here {% endblock %} {% block content %} Your stuff here. {% endblock %} Most Popular This Week ROONEY: E-cigs carry harmful side effects for smokers, nonsmokers NU gymnast Emily Wong relies on faith, support of team after father’s death UNL Latter-day Saint student finds familiarity with local congregation Guide to Lincoln’s best late-night, early morning food EUBANKS: Economic benefits from legalizing marijuana will draw interest Email Sign Up Breaking News Husker Sports News Updates Would you like to receive our daily news update sent to your email? Sign up today!


{% translate "account connections"|title %}
{% translate "you can sign in to your account using any of the following third party accounts:"|capfirst %}
{% else %}{% translate 'you currently have no social network accounts connected to this account.'|capfirst %}
{% endif %}


Shrinks a window to an icon. In Microsoft Excel for Windows, using WINDOW.MINIMIZE is equivalent to clicking the minimize button on a workbook window. In Microsoft Excel for the Macintosh, the minimize feature is not supported.
Syntax
WINDOW.MINIMIZE(window_text)
Window_text specifies which window to minimize.
Window_text is text enclosed in quotation marks or a reference to a cell containing text.
If window_text is omitted, Microsoft Excel minimizes the active window.
Remarks
If a window is already minimized, WINDOW.MINIMIZE has no effect.
Related Functions
WINDOW.MAXIMIZE Maximizes a window
WINDOW.MOVE Moves a window
WINDOW.RESTORE Restores a window to its previous size
WINDOW.SIZE Changes the size of a window
Return to index


ID: 1
Email Address<EMAIL_ADDRESS>Office Number: 100
ID: 2
Email Address<EMAIL_ADDRESS>Github: fakeyf
ID: 3
Email Address<EMAIL_ADDRESS>Github: randyw
ID: 4
Email Address<EMAIL_ADDRESS>School: Fake University
ID: 5
Email Address<EMAIL_ADDRESS>School: Fake College University


Sothea Nhem
Full Stack Web & Application Developer
Full stack web and hybrid mobile applications developer specializing in full stack JavaScript application and architectures. Experienced in all stages of the development life cycle, well versed in numerous programming languages.
- Hands-on experience leading all stages of system development efforts, including requirements in definition design, architecture, testing and support.
- Outstanding leadership abilities; able to coordinate and direct all phases of project-based efforts.
Core Competency
- Full Stack Development
- Strong Analytical Skills
- Prioritize Tasks/li>
- Hybrid Mobile Development
- Savvy Problem Solver
- Strong Leadership Skills
Certifications / Technical Proficiencies
Professional Experience
Microtrain - Chicago, IL 2021 - Present
Microtrain builds custom web applications for clients across a large number of industries.
Web Developer
- Work with ES6, NodeJS, HTML, JavaScript, CSS, MySQL and MongoDB to build customized web applications for a diverse set of customers.
- Designed the application to meet the users' requirements document.
- Ensured corporate and department objectives were accomplished in accordance with outlined objectives and mission statements.
Key Contributions:
- Developed and implemented procedures and guidelines, optimizing productivity and efficiency; generating significant cost savings.
- Recognized for the development of excellent business relationships, providing exemplary customer service.
Education
MicroTrain Technologies - Chicago, IL 2021 - 2022
Agile Full Stack Web and Hybrid Mobile Application Development
University of Iowa - Iowa City, IA 2001 - 2005
Bachelor of Science in Computer Information Systems


The default document middleware in the Owin Framework supports the following configuration options:
| Property | Default | Current | Description |
|---|---|---|---|
| Enabled | {enabled.default} | {enabled} |
Set this to 'false' to disable the default document middleware |
| defaultPage | {defaultPage.default} | {defaultPage} |
When a request is received for the root of the web site with no path, the request will be re-writen to this path and processed through the OWIN pipeline as if this has been the request that was received. |
| documentationRootUrl | {configUrl.default} | {configUrl} |
The relative path to this documentation page. Set this to an empty string to disable the documentation endpoint. |
| paths | {paths.default} | {paths} |
A list of additional sub-paths within the site where a default document is also required |
This middleware is configured the same way as all other middleware in the Owin Framework; you need to construct a class that implements IConfiguration then add a fluid .ConfigureWith() when you register this middleware with the Owin Framework builder. Please read Owin Framework documentation on configuration for full details with examples.


Hamirpur Ecommerce
Hamirpur Ecommerce Pvt Ltd. is an Indian electronic commerce company based in Hamirpur, India. Founded by Aman Pratap Singh, Manoj Chaudhary and Amit Kumar in 2020,the company initially focused on book sales, before expanding into other product categories such as consumer electronics, fashion, and lifestyle products. The service competes primarily with Amazon' s Indian subsidiary, and the domestic rival Snapdeal.[5][6] as of June 2020.


--- layout: main title: 404 - Not Found permalink: /404.html description: Monero Means Money 404 page. ---
404 - Page Not Found


Endoscope
1 hour
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In-memory
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Custom
Choose...
All Instances/All Types
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Options
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Type
Time Range
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Your team points:
0 / 1000
Select your gang:
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EmonTx v2
A low power, wireless energy monitoring node, the EmonTx is designed to sense data from multiple CT sensors, optical pulses from a utility meter and from multiple one-wire temperature sensors. It can be powered by 2 AA batteries or 5V at the USB connector. Features and hardware details.
The emonTx is based on the Atmega328 8-bit microcontroller and is fully compatible with the Arduino IDE. A 5V FTDI to USB cable is required for programming.
The design is based on the JeeNode. It's fully open-source and is designed for easy expandability and compatibility with JeeLabs plug-shields.
Thank you to Robert Wall for the port map diagram.
Features
See the dedicated features page
Build Guides
- Building the emonTx following the standard emonTx build guide
- Low power temperature node build guide - reduced component count build
- New open-source enclosure design on Thingiverse
Open Hardware
The emonTx is open hardware with the designs released under the Creative Commons Attribution-ShareAlike 3.0 Unported License. The schematics and board files can be viewed and downloaded from the openenergymonitor github hardware repository here:
https://github.com/openenergymonitor/Hardware/tree/master/emonTxV2
Firmware Examples
Start by setting up the Arduino programming environment so you're ready to upload code once you're finished building the board: Setup the Arduino Programming environment
All emonTx V2 Arduino Firmware is available on github. See the readme for a list of available firmware:
https://github.com/openenergymonitor/emonTxFirmware/tree/master/emonTxV2


Before Change
is_built = self.is_built_coherence(self.graph)
if is_built is Build.YES:
raise GPflowError("Parameter has already been compiled.")
name = attr.value
if value is not None and not isinstance(value, attr.interface):
msg = "Attribute "{0}" must implement interface "{1}"."
After Change
is_built = self.is_built_coherence(self.graph)
if is_built is Build.YES:
raise GPflowError("Parameter "{}" has already been compiled.".format(self.full_name))
name = attr.value
if value is not None and not isinstance(value, attr.interface):
msg = "Attribute "{0}" must implement interface "{1}"."


You want to report a bug, ask for a new feature or translate this site to a new language ? Then just fill the form below with as much information as possible.


---
title: "Thomas Miller"
layout: splash
header:
overlay_color: "#000"
overlay_filter: "0.5"
overlay_image: /assets/images/siteimages/burnedchassis2096x913.jpg
caption: "Photo: [**rellimmot**](https://www.rellimmot.com)"
excerpt: "This is my Project Log. This is my honest attempt at documenting my work, and my sharing creative methods. This site is in at early stage. I am a lifelong hobbyist, veteran, and early career Electrical Engineer currently living in New Orleans. I like to make and fix everything, especially airplanes, cars, robots, 3D printing, art, and electronics."
intro:
- excerpt: 'View my Portfolio to find articles documenting my work. As of now I am still populating the site, so I have got some writing to do.'
feature_row:
- image_path: https://www.rellimmot.com/assets/images/siteimages/poplatedbreadboard600x400.jpg
alt: "Portfolio"
title: Portfolio
excerpt: Writeups for a variety of projects I've done.
- image_path: assets/images/siteimages/meinthelab600x400.jpg
alt: "Resume/About"
title: Resume/About
excerpt: My resume and about me page.
- image_path: assets/images/siteimages/toomuchbenchstock600x400.jpg
alt: "Project Gallery"
title: Project Gallery
excerpt: A collection of project highlights.
permalink: https://www.rellimmot.com/portfolio/project-gallery
- image_path: https://www.rellimmot.com/assets/images/siteimages/afbylakewbrak600x400.jpg
alt: "Posts"
title: Posts
excerpt: Blog type articles and writeups.
# feature_row2:
# - image_path: /assets/images/unsplash-gallery-image-2-th.jpg
# alt: "placeholder image 2"
# title: "Placeholder Image Left Aligned"
# excerpt: 'This is some sample content that goes here with **Markdown** formatting. Left aligned with `type="left"`'
# url: "#test-link"
# btn_label: "Read More"
# btn_class: "btn--inverse"
# feature_row3:
# - image_path: /assets/images/unsplash-gallery-image-2-th.jpg
# alt: "placeholder image 2"
# title: "Placeholder Image Right Aligned"
# excerpt: 'This is some sample content that goes here with **Markdown** formatting. Right aligned with `type="right"`'
# url: "#test-link"
# btn_label: "Read More"
# btn_class: "btn--inverse"
# feature_row4:
# - image_path: /assets/images/unsplash-gallery-image-2-th.jpg
# alt: "placeholder image 2"
# title: "Placeholder Image Center Aligned"
# excerpt: 'This is some sample content that goes here with **Markdown** formatting. Centered with `type="center"`'
# url: "#test-link"
# btn_label: "Read More"
# btn_class: "btn--inverse"
---
{% include feature_row id="intro" type="center"%}
{% include feature_row %}
{% include sidebar-mod.html %}
Posts
{% capture written_year %}'None'{% endcapture %}
{% for post in site.posts %}
{% capture year %}{{ post.date | date: '%Y' }}{% endcapture %}
{% include archive-single-posts.html %}
{% endfor %}


--- layout: post title: "Air Fryer" date: 2022-01-19 12:15:00 +0000 tags: image: imagecredits: ---
I love kitchen gadgets and appliances. No matter the size of my kitchen, every drawer and cabinet will be full of them. I pulled the juicer our from the back of one this morning, so I could squeeze the rest of the citrus in the fruit basket before we picked up the CSA — and more citrus — this afternoon.
I've been interested in getting an air fryer for quite some time. But the Wirecutter review that I read a year or so ago said, "hey, it's just a convection oven." And I knew I didn't have room on the counter for a convection oven.
I don't deep fry things that often — for health reasons, obviously, but also because it's such a mess. Inevitably, I want to do so and I realize I don't have enough canola oil to fill my Dutch oven adequately. I tend to crowd things in the pan, and then nothing's crisp and it's just disappointing and greasy.
But my Instant Pot died last month, and even though that too has been a bit of an unnecessary appliance purchase — I only use it as a pressure cooker — I decided to get a new one that came with an air fryer lid. I mean, if my cabinet is already crammed full with the Instant Pot, why not shove in another lid?!
I used it this past weekend to make fried chicken sandwiches — well, the fried chicken part, at least. And my god. It's a revelation. "Think of all the things I can air fry!" I said to Kin, listing off crab rangoon, egg rolls, and samosas to start.
I've become so accustomed to avoiding fried foods that I reckon it's going to take me a while to rethink my menus. But I'm going to keep experimenting with air frying — lugging this big pot in and out of the cupboard where it sits with all the other devices that, at the first successful meal-time, seemed like revelations too.


Tools for OME Training and Outreach
OME Users meeting
30th May 2018
Jean-Marie Burel
Outline
Growing ecosystem
Aims
Joining the pieces...
What's available
Is it worth it?
Training ecosystem before...
Training ecosystem now
First Aim
Provide training materials that
join pieces
of the ecosystem together
Joining the pieces...
Workflows & Permissions
More Aims
Provide reusable training materials
Provide resources for setting up training sessions
Have resources publicly available
Have resources under Version Control
What's available
New repositories: ome/training-*
Overarching repository:
ome/training-repos
openmicroscopy/prod-playbooks
Ansible playbook to deploy a training server
ome/training-scripts:
Training server maintenance/data preparation
ome/training-scripts:
Training scripts e.g. Python, Java, Jython, etc.
Data
used for a given session
presentations
used for a given session
Resources
Data:
https://downloads.openmicroscopy.org/images/
IDR:
https://idr.openmicroscopy.org/
Other e.g.
https://doi.org/10.5281/zenodo.16956
Presentations/Printout:
https://downloads.openmicroscopy.org/presentations
https://github.com/ome/presentations
Dedicated servers
OMERO:
https://demo.openmicroscopy.org/
Sign up for an account
IDR (Read-only):
https://idr.openmicroscopy.org/
Public access
Analysis environment
Sets of Notebooks
For OMERO
training
For IDR
training
Is it worth it?
Day 2 Metadata workshop
Server:
outreach.openmicroscopy.org
users have access after session for 1 week when possible
Data Source: IDR
Users-Meeting/Workshops:
:Presentations/Printout
Metadata workshops workflow
Thank you


--- permalink: /wiki/ --- {% assign title = 'Wiki' %} {% include header.html %}
There is a lot of stuff in the wiki. Maybe I'll get back to it later :)


Resource Bundling
(See the ResourceConfig class Javadoc before reading this).
.cdrar files are a Jar format file used to bundle Content Handlers/Resources and .cdrl files (optional).
While Content Delivery Resources can be loaded in the standard way from the classpath, it is thought that
this may be a cleaner way to deliver resources in a production environment.
The following illustration shows the internal structure of a sample .cdrar file.
Sample Configurations
The following are sample .cdrl files from the CNN.com sample.
Sample 1 - serialise-basic.cdrl
This .cdrl file targets some Serialization Units.
From this image you can see there are 3 ResourceConfig defined in this archive.
It might occur to you that all 3 definitions are applicable to EMPTY elements on "wml" profile browsers.
To understand how the correct Serialisation Unit is selected, read about
Resource Targeting.
Sample 2 - assembly.cdrl
It targets a number of Assembly Units at some custom sample tags created to pull/scrape
content from the CNN.com homepage source.


|
AKKU::Smart::Encoder
Light weight module to do the encoding in either Xml or Json from single object
|
#include <SmartEncoder.hpp>
Public Member Functions | |
| Encoder () | |
| Construct a new Encoder object. | |
| ~Encoder () | |
| Destroy the Encoder object. | |
| Encoder & | operator[] (const char *key) |
| To get the encoder data for the given key. It should create a new object, if it was not present. More... | |
| void | operator= (const char *value) |
| To assign the given value into the specific encoder data. More... | |
| void | operator= (string value) |
| To assign the given value into the specific encoder data. More... | |
| void | operator= (double value) |
| To assign the given value into the specific encoder data. More... | |
| void | operator= (long value) |
| To assign the given value into the specific encoder data. More... | |
| void | operator= (unsigned long value) |
| To assign the given value into the specific encoder data. More... | |
| void | operator= (uint32_t value) |
| To assign the given value into the specific encoder data. More... | |
| void | operator= (int32_t value) |
| To assign the given value into the specific encoder data. More... | |
| void | operator= (bool value) |
| To assign the given value into the specific encoder data. More... | |
| void | operator= (Encoder &value) |
| To assign the given value into the specific encoder data. More... | |
| void | AsNull () |
| To set the encoder data as null. More... | |
| void | AsArray () |
| To set the encoder data as array. Otherwise it will maintain a single data. More... | |
| void | SetAttribute (const char *key, const char *value) |
| To set the attribute to encoder data. More... | |
| void | SetRootElement (const char *name) |
| To set the attribute to encoder data. More... | |
| string | ToJson () |
| To convert the data into json encoding. Which should be override in the derived class. More... | |
| string | ToXml (bool shouldbefalse=false) |
| To convert the data into xml encoding. Which should be override in the derived class. More... | |
| bool | IsEmpty () |
| To get whether the object is empty or not. More... | |
A Encoder class. It is a class to do all Json encoding specific functionality
| Encoder & AKKU::Smart::Encoder::operator[] | ( | const char * | key | ) |
To get the encoder data for the given key. It should create a new object, if it was not present.
| void AKKU::Smart::Encoder::operator= | ( | const char * | value | ) |
To assign the given value into the specific encoder data.
| void AKKU::Smart::Encoder::operator= | ( | string | value | ) |
To assign the given value into the specific encoder data.
| void AKKU::Smart::Encoder::operator= | ( | double | value | ) |
To assign the given value into the specific encoder data.
| void AKKU::Smart::Encoder::operator= | ( | long | value | ) |
To assign the given value into the specific encoder data.
| void AKKU::Smart::Encoder::operator= | ( | unsigned long | value | ) |
To assign the given value into the specific encoder data.
| void AKKU::Smart::Encoder::operator= | ( | uint32_t | value | ) |
To assign the given value into the specific encoder data.
| void AKKU::Smart::Encoder::operator= | ( | int32_t | value | ) |
To assign the given value into the specific encoder data.
| void AKKU::Smart::Encoder::operator= | ( | bool | value | ) |
To assign the given value into the specific encoder data.
| void AKKU::Smart::Encoder::operator= | ( | Encoder & | value | ) |
To assign the given value into the specific encoder data.
| void AKKU::Smart::Encoder::AsNull | ( | ) |
To set the encoder data as null.
| void AKKU::Smart::Encoder::AsArray | ( | ) |
To set the encoder data as array. Otherwise it will maintain a single data.
| void AKKU::Smart::Encoder::SetAttribute | ( | const char * | key, |
| const char * | value | ||
| ) |
To set the attribute to encoder data.
|
inline |
To set the attribute to encoder data.
| string AKKU::Smart::Encoder::ToJson | ( | ) |
To convert the data into json encoding. Which should be override in the derived class.
| string AKKU::Smart::Encoder::ToXml | ( | bool | shouldbefalse = false | ) |
To convert the data into xml encoding. Which should be override in the derived class.
|
inline |
To get whether the object is empty or not.


listing.js
A JavaScript library for working with comma separated lists
Introduction:
listing.js is a library that simplifies the work with comma separated lists in JavaScript. Most of the features are similar to those of array methods. Besides commas, other delimiters are supported as well.
Installation:
Install via npm
npm i --save listing.js
Usage:
const Listing = require('listing.js');
// ES6: import Listing from 'listing.js';
const myList = new Listing('1,2,3,4');
myList.append(5);
// 1 2 3 4 5
for (const val of myList) console.log(val);
Valid delimiters and lists:
listing.js currently supports six different delimiters. In this case, each number is a single list item.
const Listing = require('listing.js');
const myList1 = new Listing('1,2,3,4'); // ,
const myList2 = new Listing('1;2;3;4'); // ;
const myList3 = new Listing('1:2:3:4'); // :
const myList4 = new Listing('1-2-3-4'); // -
const myList5 = new Listing('1_2_3_4'); // _
const myList6 = new Listing('<IP_ADDRESS>'); // .
You can also use strings instead of numbers as items:
const Listing = require('listing.js');
const myList = new Listing('hello,I,am,John');
The list items are accessible via the .list
property.
Example:
const Listing = require('listing.js');
const myList = new Listing('1,2,3');
console.log(myList.list); // Expected output: 1,2,3
Documentation
You can find the complete documentation here.
Contributing
See CONTRIBUTING.md


Bases: object
Bases: object
Bases: object
Bases: nova.context.RequestContext
Bases: nova.wsgi.Router
Bases: nova.api.openstack.wsgi.Request
Bases: nova.wsgi.Router
Bases: object
We return the metadata sent to glance by modifying the sent_to_glance dict in place.


Search query:
Provide search query
Tag to add:
Tag weight:
Provide tag text
Provide tag weight
Add tag
Search
Your tags table is empty yet
Table of tags for results filtering
Tag
Weight
Action
Tag Text
Provide tag text
Tag Weight
Provide tag weight
Edit
Update
/
Delete


Intuition¶
Let’s find a family of curves looking like Turk’s head knots.
General shape¶
Looking at the flat form of Turk’s head knots, we see that the string oscillates between the center and the outside while it turns around the center. This is why the first idea is to draw some sine wave is polar coordinates. (Oscillation means sine wave, turning around the center means polar coordinates)
Since we don’t want the curve to go through the center of the image, we have to keep the radius strictly positive, so we will draw \(r = r_0+\delta_r \cdot \cos(\alpha \cdot \theta)\), with \(0 < \delta_r < r_0\).
The next question is how to fix \(\alpha\). For a knot with \(q\) leads, the string makes \(q\) turns around the center, so we will draw the wave for \(\theta \in [0, 2 \cdot q \cdot \pi]\). Then, for a knot with \(p\) bights, the string touches the center \(p\) times, and the outside \(p\) times. Thus, the wave must have \(p\) maxima and \(p\) minima on the range. \(\cos\) has exactly one maximum and one minimum on \([0, 2 \cdot \pi]\), so we can use \(\alpha=p/q\). This gives us:
Let’s draw this with \(r_0 = 2\) and \(\delta_r = 1\) for for small values of \(p\) and \(q\):
import numpy as np
import matplotlib.pyplot as plt
import fractions
P = 7
Q = 8
plt.figure(figsize=(P, Q))
for p in range(1, P + 1):
for q in range(1, Q + 1):
d = fractions.gcd(p, q) # Explained below
r = lambda theta: 2 + np.cos(p * theta / q)
theta = np.arange(0, 2 * q * np.pi / d, 0.01)
if d == 1:
bg = "white"
elif (p, q) == (3, 6):
bg = "#ff6666"
else:
bg = "#ffaaaa"
sp = plt.subplot(Q, P, (q - 1) * P + p, polar=True, facecolor=bg)
sp.plot(theta, r(theta))
sp.set_rmin(0)
sp.set_rmax(3.1)
sp.set_yticks([1, 2, 3])
sp.set_yticklabels([])
sp.set_xticklabels([])
sp.spines['polar'].set_visible(False)
plt.tight_layout()
In the previous figure, \(q = 1\) on the first line (the string makes one turn around the center) and \(p = 1\) on the left column (the string touches the outside once).
Adjustment for several strings¶
This is mainly ok, but cases on red background look wrong (For example, \(p = 3\) and \(q = 6\), with a darker red background). This is due to the known result that, if \(d = \gcd(p, q)\), you need \(d\) strings to make a Turk’s head knot with \(p\) bights and \(q\) leads. This means that we have to draw \(d\) curves. The total number of turns around the center is still the same, so each string makes \(q/d\) turns, and the range for \(\theta\) is reduced to \([0, 2 \cdot q \cdot \pi / d]\) for each curve.
Since the second curve must draw the second bight, it means that the second curve must be shifted by \(2 \cdot \pi / p\). Extending this result tells us that the \(k^{th}\) curve must be shifted by \(2 \cdot k \cdot \pi / p\). So \(r_k = r_0 + \delta_r \cdot \cos \left(\frac{p \cdot (\theta - 2 \cdot k \cdot \pi / p)}{q} \right)\).
This give use our final family of curves:
import numpy as np
import matplotlib.pyplot as plt
import fractions
P = 7
Q = 8
plt.figure(figsize=(P, Q))
for p in range(1, P + 1):
for q in range(1, Q + 1):
d = fractions.gcd(p, q)
r = []
for k in range(d):
r.append(
lambda theta, k=k: 2 + np.cos((p * theta - 2 * k * np.pi) / q)
)
theta = np.arange(0, 2 * q * np.pi / d, 0.01)
sp = plt.subplot(Q, P, (q - 1) * P + p, polar=True)
for k in range(d):
sp.plot(theta, r[k](theta))
sp.set_rmin(0)
sp.set_rmax(3.1)
sp.set_yticks([1, 2, 3])
sp.set_yticklabels([])
sp.set_xticklabels([])
sp.spines['polar'].set_visible(False)
plt.tight_layout()
Ups and downs¶
In a Turk’s head knot, each string alternate between going up and going down every time it crosses itself or another string. So we’ll need to compute intersection points between curves of our family. Then we’ll assign alternative “altitudes” to the curves at those points. A simple linear interpolation will give us the altitude of the string between two known altitudes. This could be made smoother if we wanted to build a 3D model of the knot, but this is enough to draw it from above.


Move the mouse around, try clicking or holding down the mouse button. Press 'c' to toggle colors, 't' for triangles, 'p' for polygons and 's' for the skeleton. Freeze frame using the 'f' key.


People
Martin began his academic medical career at McGill University in Montreal. In 1977, he became the Chair of the Department of Neurology and Neurosurgery at McGill. He left Montreal and joined the faculty of Harvard Medical School in 1978 as the Bullard Professor of Neurology and Chief of the Neurology service at the Massachusetts General Hospital. At Harvard and Massachusetts General, Martin sought to combine research and patient care. His research focused on the causes of neurological and neurodegenerative disease. He founded the National Institutes of Health-sponsored Huntington Disease Center, where research led to a breakthrough in the identification of a genetic marker near the gene for Huntington's chorea. Martin was instrumental in the establishment of the Massachusetts Alzheimer's Disease Research Center in 1984.
Dr. Martin moved to San Francisco to become Dean of the School of Medicine at UCSF in 1989, a position he held until 1993. As Dean, he established the W.M. Keck Foundation Center for Integrative Neurosciences, dedicated to combining studies of the brain and behavior in order to learn more about the process of human sight, speech, hearing, and thinking, as well as how the brain recovers from injury. He established the Gladstone Institute for Virology and Immunology, the second largest basic research unit in the country dedicated to fighting AIDS. Martin also began planning for a National Cancer Institute-designated Comprehensive Cancer Center.
In 1993, Joseph Boyd Martin was appointed UCSF's sixth Chancellor. During his time as Chancellor, he made a long-term development plan for the renewal of the campus, which included an arrangement with the City of San Francisco to expand the UCSF Campus to a second major site at Mission Bay. Martin retired as the Chancellor in 1997. At that time he returned to Harvard and became the Edward R. and Anne G. Lefler Professor of Neurobiology, and served as Dean of the Harvard Faculty of Medicine. In 1998, he was a recipient of the UCSF Medal.
Joseph B. Martin has published more than 300 scientific articles and reviews, and was an editor of Harrison's Principles of Internal Medicine. He has served on the editorial boards of the New England Journal of Medicine, Annals of Neurology, and Science. He is a member of the Institute of Medicine of the National Academy of Sciences, the American Society for Clinical Investigation, and the Association of American Physicians, and is a fellow of the American Academy of Arts and Sciences. Martin chaired an Institute of Medicine (IOM) Committee that led to the development of the Human Brain Mapping initiative. He is member of the Council of the IOM, as well as a member and past president of the American Neurological Association. Dr. Martin was awarded the AAMC Abraham Flexner Award in 1999.


Linux ACLs and sticky Users
Sticky and suid bits are quite helpfull tools when it comes to keeping the correct permissions throughout a set of folders and files. But what if you want to do more then just a fixed group or an execute-as user option?
Problem: get /var/www/
to be editable by a bunch of users (group:editors), without messing up the following permission schema: www-data:editors:others
r-w:rwx:---
.
folder: /var/www/
owner: www-data
group: editors
New files will be created with permissions set to owner: creator, group: editors
, when they should be:
r-x for www-data (owner)
rws for editors (group+sticky)
--- non for others
However, since new files belong to the creating user (e.g creator) www-data is out of the picture which means that apache can't access the file unless others have r-x permissions.
Linux Permissions
Here we have our testfolder, it belongs to www-data:editors and has the suid (s) and the sticky-bit (T) set.
drwxrws--T 3 www-data editors 32 Nov 19 16:06 .
drwxr-xr-x 20 fmohr fmohr 4,0K Nov 19 15:56 ..
-rw-r--r-- 1 fmohr editors 0 Nov 19 16:06 test01
drwxr-sr-x 2 www-data editors 6 Nov 19 16:05 test02
This however only let's us achieve fixed group ownership. As you can see in test01, this file was created by fmohr, not www-data.
ACL
Enter ACLs, the Linux integrated Access Control List permission system.
At first sight, ACL might look a little bit frustrating, but it's actually quite easy to use.
First we create a new folder, in this case one belonging to root:root
$ ll
total 0
drwxr-xr-x 3 root root 17 Nov 19 16:26 .
drwxr-xr-x 3 root root 16 Nov 19 16:26 ..
drwxr-xr-x 2 root root 6 Nov 19 16:26 test
Of course we can't do anything in this folder without using sudo, so let's change that.
$ touch test/myfile
touch: cannot touch `test/myfile': Permission denied
First, install acl or check if it's already installed with sudo apt-get install acl
You also need to check your filesystem and mounts for acl support. EXT3+4 and XFS should have it enabled by default, others might have to be remounted. For more info on how to enable ACL, check out this blog: http://www.projectenvision.com/blog/4/Enable-Support-for-ACL-in-Debian-Ubuntu
To see if your kernel supports ACL, run the following command and check for your current filesystem.
$ grep _ACL /boot/config-*
CONFIG_EXT2_FS_POSIX_ACL=y
CONFIG_EXT3_FS_POSIX_ACL=y
CONFIG_EXT4_FS_POSIX_ACL=y
CONFIG_REISERFS_FS_POSIX_ACL=y
CONFIG_JFS_POSIX_ACL=y
CONFIG_XFS_POSIX_ACL=y
[...]
Now set the user, that should from now on own the folder and all files and folders in it.
$ sudo setfacl -m d:u:www-data:r-x test/ # set for parent-dir
$ sudo setfacl -m u:www-data:r-x test # set for *
$ ls -ld test/
drwxr-xr-x+ 2 root root 6 Nov 19 16:26 test/
As you can might have noticed the owner and group haven't changed, but if you look a bit closer you can see the +
sign behind the last execution bit x
. This indicates, that ACL rules are already in place and working.
We can't create files yet since we are neither www-data nor root. Even if we where www-data, we would only have read and execute permissions.
To fix that, we need to set the group permissions.
$ sudo setfacl -m d:g:editors:rwx test/
$ sudo setfacl -m g:editors:rwx test/
$ ll
total 4,0K
drwxr-xr-x 3 root root 17 Nov 19 16:26 .
drwxr-xr-x 3 root root 16 Nov 19 16:26 ..
drwxrwxr-x+ 2 root root 17 Nov 19 17:03 test
$ touch test/filetest
$ ll test/filetest
-rw-rw-r--+ 1 fmohr CM_T_OPS_Team 0 Nov 19 17:07 test/filetes
The folder still displays root:root
, but we can see the current ACL permissions by running getfacl
.
$ ll test/
drwxrwxr-x+ 2 root root 21 Nov 19 17:10 .
$ getfacl test/
# file: test/
# owner: root
# group: root
user::rwx
user:www-data:r-x
user:fmohr:rwx
group::r-x
group:editors:rwx
mask::rwx
other::r-x
default:user::rwx
default:user:www-data:r-x
default:user:fmohr:rwx
default:group::r-x
default:group:editors:rwx
default:mask::rwx
default:other::r-x
The new file automatically inherited the primary group and user of its creator, which is not what we want. The ACL rules tell us something different.
$ ll test/
-rw-rw-r--+ 1 fmohr fmohr 0 Nov 19 17:07 filetest
$ getfacl test/filetest
# file: test/filetest
# owner: fmohr
# group: fmohr
user::rw-
user:www-data:r-x #effective:r--
user:fmohr:rwx #effective:rw-
group::r-x #effective:r--
group:editors:rwx #effective:rw-
mask::rw-
other::r--
They show us, which owner and group are set by the linux permission system but also which users and groups are granted access by the ACL rules.
To expand on that a little bit:
$ getfacl test/filetest
# file: test/filetest
# owner: fmohr
# group: fmohr
user::rw- # owner: fmohr (from default linux permissions)
user:www-data:r-x # www-data (from ACL rule)
user:fmohr:rwx # fmohr (from ACL rule)
group::r-x # group: fmohr (from default linux permissions)
group:editors:rwx # editors (from ACL rule)
mask::rw- # maximum permissions for any users (automatic ACL)
other::r-- # other (from default linux permissions)
As a good example, I will change the owner of filetest
to root:root and set permissions to 000
, which would mean no one can access the file.
$ sudo chown root:root filetest
$ sudo chmod 000 filetest
$ ll
----------+ 1 root root 0 Nov 19 17:07 filetest
$ cat filetest
cat: filetest: Permission denied
As you can see, as user fmohr I can't access the file. This is due to mask being changed by the chmod command as well.
$ getfacl filetest
# file: filetest
# owner: root
# group: root
user::---
user:www-data:r-x #effective:---
user:fmohr:rwx #effective:---
group::r-x #effective:---
group:application_treetool:rwx #effective:---
mask::---
other::---
If we were to set mask back to the maximum permission ACL is allowed to grant, we would get access to the file by our ACL rules.
$ sudo setfacl -m mask:rwx filetest
$ echo "test" > filetest
$ cat filetest
test
As a final note, ACLs are inherited onto new files but won't be applied to existing files automatically. This means, that you have to manually apply them to your existing files and folders. After that, you're set to work with a detailed permission system, featuring permissions for multiple groups and users regardless of the original owner of the files.
Thanks to Daniel Lawson over at serverfault for a great answer!


The Legend of Bagger Vance (2000) Will Smith, Matt Damon, Charlize Theron, Joel Gretsch, Jack Lemmon, Bruce McGill, J. Michael Moncrief, Lane Smith. Screenplay by Jeremy Leven, based on the novel by Steven Pressfield. Directed by Robert Redford. 127 minutes. Rated PG-13, 3.5 stars (out of five stars)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo.com Archive reviews at http://us.imdb.com/ReviewsBy?Edward+Johnson-Ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>or e-mail<EMAIL_ADDRESS>with the word "subscribe" in the subject line.
At first glance, "The Legend of Bagger Vance" appears to be simply an inspirational sports story, directed by Robert Redford with his customary elegance and economy. But there is something more going on here. Based on Steven Pressfield's book, "Bagger Vance" takes two renowned real-life Depression Era golfers and introduces them to a pair of characters from an ancient Hindu holy book. The result is a beautifully photographed, otherworldly fable that presents a Buddhist look at spirituality, set against an exhibition golf match.
It takes place in the late 1920s in Savannah, Georgia. Adele Invergordon (Charlize Theron) decides to save the golf resort she inherited from her recently deceased father by staging a celebrity exhibition match featuring the two undisputed stars of the game, Bobby Jones (Joel Gretsch, in a star-making performance as a charismatic Atlanta gentleman) and Walter Hagen (Bruce McGill, delightful as a flamboyant Yankee). To appease town leaders that want a Savannah native in the game, she reluctantly agrees to add a third player, one Rannulph Junuh (Matt Damon).
Years ago, Junuh was her love, as well as the most promising young golfer in the South. But upon his return from fighting in the war, he became a recluse, shutting out Adele along with the rest of humanity, save for a few drinking and gambling friends. Local boy Hardy Greaves (J. Michael Moncrief) tries to convince Junuh to join the match, but the shattered ex-soldier resists, until a mysterious man named Bagger Vance (Will Smith) appears late in the night and offers his services as a caddy, and as a guide to help Junuh "find his swing."
Jeremy Leven's script strips the already-streamlined book down to its essence; Junuh's spiritual journey with Bagger Vance. Leven may have stripped away a bit too much – the book introduces the two long after their teacher/student dynamic has been established, where the film depicts their relationship from the first meeting, with Vance initially coming off as a folksy enigma at best and a flake at worst.
Director Robert Redford draws warm, understated performances from the talented cast and creates a picture marked by good humor, rich tones and a welcome sense of restraint and balance. Occasionally, the score gets a bit heavy handed and the production skirts the edge of pretentiousness, but Redford keeps matters in check most of the time.
Now here's the fascinating part. Although the author of the book does not point this out, "Bagger Vance" is a retelling of a portion of the Indian epic, "The Mahabharata," where Bhagavan, an honorific title for the Lord or for a spiritual master (a title which sounds a lot like Bagger Vance) helps Arjuna (which sounds exactly like R. Junuh) through his spiritual crisis. Bhagavan aides Arjuna in recognizing who he really is, how he fits into the texture of existence and how to find peace in the midst of action.
Thanks to fine actors and Robert Redford's great directorial skills, "The Legend of Bagger Vance" can be enjoyed without that information, but placed in its proper context, the little truisms of the story become pieces in a vast, exotic puzzle that offers contentment when fully assembled.
Put that on your tee and swing at it.
© 2000 Ed Johnson-Ott
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Special thanks to Executive Presentations, Inc. who serves as the official ASCDC Photographer. To view the photo galleries of ASCDC events, please click the link below and select an album. When prompted for a password, use: "ASCDC". Enjoy.
For further assistance, click here to send e-mail to ASCDC or call<PHONE_NUMBER>


Day 3
Accessibility. And Dark Mode.
“This is for everyone”
VoiceOver demo on macOS
Shortcuts for VoiceOver on macOS:
CMD
+F5
: toggle VoiceOver on or off.CTRL
+ALT
+SHIFT
+DOWN
: enter content.CTRL
+ALT
+LEFT
/RIGHT
: browse content.CTRL
+ALT
+U
: use the rotor.
Use the alt
attribute
- Always have at least
alt=""
(LEGO example) - Add content if the image is in a link (Spotify example)
- Use relevant content (Deliveroo example)
- Don’t do this! (AEO example)
- WebAIM’s guide to alternative text, WebAIM
- An
alt
Decision Tree, W3C
Use the lang
attribute
Use role="presentation"
on

Use semantic markup and title levels

,

,

,

,

, …
Audit your emails
Documentation
- Accessible Email Documentation, Wilbert Heinen
Dark Mode
3 Shades of Dark Mode
- Manual:
We can control the rendering via specific styles and it is well respected.
⚠ Apple Mail on iOS or macOS - Semi-Automatic:
The email client sets colors itself, but we style still have some level of control.
⚠ Outlook.com and Outlook apps on iOS and Android - Full-Automatic:
The email client sets colors itself, and there's nothing we can do.
⚠ Outlook on Windows, Gmail apps on iOS and Android
Manual Dark Mode
- ⚠ Apple Mail on iOS or macOS
prefers-color-scheme
media query, MDNprefers-color-scheme
, Can I email- In Chrome DevTools: More Tools > Rendering > Emulate CSS media feature prefers-color-scheme
- Prerequisites for Apple Mail:
<meta name="supported-color-schemes" content="light dark">
- 📝 Live demo on CodePen
Semi-Automatic Dark Mode
- ⚠ Outlook.com and Outlook apps on iOS and Android
- They support
prefers-color-scheme
but still automatically change colors to reach a 4.5:1 contrast ratio (source). - Has a Lights On/Lights Off toggle. Can be targeted with
[data-ogsb] .foo{}
(via How to target Email Clients) - 📝 Live demo on CodePen
Full-Automatic Dark Mode
- ⚠ Outlook on Windows, Gmail apps on iOS and Android
- Automatically change colors with no way to target. It can create creepy renderings.
- You can maintain the light color by setting a background image
- 👉 Outline transparent images (Dealing with Outlook.com’s Dark Mode)
Gmail’s Dark Mode
- Dark Mode Simulator based on Gmail iOS
- Activate
chrome://flags#enable-force-dark
in Chrome to get a close match locally (source) - Support for
@media (prefers-color-scheme)
is supposedly coming.


With your support, the Oppia Foundation can continue its mission to build personal, responsive lessons by uniting a global community of educators.
Amazon Smile donates a small portion of any purchase you make on Amazon.com to select non-profit organizations at no cost to you. Consider selecting The Oppia Foundation as your designated charity on your Amazon Smile account.


PLEASANTVILLE A film review by Matt Williams
RATING: * * 1/2* out of * * * *
Pleasantville is, of all things, a pleasant little film. It asks the question, what would the world be like if everything was perfect? And then it uses that, not only as a launchpad for social commentary on contemporary values, but as an examination on the roles of passion and change in our lives. Though inconsistent and obvious at times, the film manages to be elegant and subtle in others, and makes for a pleasant time at the movies.
Pleasantville is the name of a stereotypical 50's black and white sitcom, where everything is, well, pleasant. Mom and Dad have all the answers to even the toughest problems in this small town. There's no crime, fewer worries, and even the firemen only have to rescue cats from trees. In short, it's about as far from reality as you can get.
But it's the reality 90s teen David (Tobey Maguire) yearns for. A hopeless outcast in the increasingly frightening real world, David longs for the "perfect" existence in his favorite old sitcom. His slutty twin sister, Jennifer (Reese Witherspoon), simply thinks he's nuts. She'd rather watch MTV than some moth-eaten rerun. However, when their television remote breaks, it looks like neither of them will have their way.
That is, until a mysterious TV repairman (Don Knotts) shows up. He gives David a gift: a magical remote which zaps David and his sister into the world of Pleasantville. There they take the place of Bud and Mary Sue, the kids of the Parker family, including salesman dad George (William H. Macy), and the perfect housewife, Betty (Joan Allen).
But David and Jennifer soon discover that "pleasant" isn't all it's cracked up to be. In fact, it's somewhat repetitive and boring. The people of Pleasantville have no idea what to do outside the constructs of the various episodes. In fact, there's literally nothing outside of Pleasantville (which apparently curves back around upon itself). But, when David and Jennifer introduce their 90s sensibilities into this 50s world, things begin to change in Pleasantville...something which has never happened before.
Pleasantville utilizes an ingenious technique to demonstrate these changes. As passion, in any form, begins to creep into the black-and-white world of Pleasantville, slowly objects and people erupt in color. At first, the changes are minor, but as the citizenry of Pleasantville learn of the possibilities of change, color springs up all around.
Toward the end, the film gets a bit heavy-handed in its overall "message", but, along the way, it delivers several poignant and memorable scenes. The film has potential in its middle passages as it moves beyond simple television satire, and into an exploration of innocence and potential. However, it then clumsily segues into a ill-conceived tone nearly as preachy as the one it tries to condemn.
One of the more serious problems with the film is with its two leads. Both Tobey Maguire and Reese Witherspoon are, well, bland. And when you're forced to compare them with a purposefully "bland" world, the comparison doesn't hold as much weight as it should. By contrast, many of the Pleasantville characters (including Joan Allen, J.T. Walsh as the town mayor, and Jeff Daniels as the local malt shop guy) are much more colorful...even in black and white.
If you can manage it, try to avoid the trailers and advertisements for the movie, as they give away most of the film's surprises. Not that it's much of a spoiler (since you can see most of the plot developments coming from miles away), but the few moments of discovery in this film are best if they're fresh.
Overall, Pleasantville is a nice film with a few nice moments, and a generally nice case. But it is obviously striving to be more than "nice", and to achieve a depth of meaning which it never reaches.
Copyright 1998 Matt Williams
- Matt Williams<EMAIL_ADDRESS>Reviewer for Cinematter: http://www.cinematter.com Home of over 650 reviews, and information on nearly 700 upcoming releases
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Ariana Chae
Ariana Chae is a junior majoring in engineering with a concentration in computing. She has a special interest in education, and has experience interning in the ed-tech space as well as performing research on educational change processes. Having traveled all of 2.5 miles from home to attend Olin College, Ariana is unique in that she has attended preschool, elementary, middle and high school, and now college all in the same town. With a cup of coffee in one hand and her cell phone in the other, she likes to stay busy and connected. Ariana is excited to explore the intersection between computing and design with her HFID team over the course of the semester.
Chris Lee
Chris Lee is a junior (class of 2015), pursuing a degree in engineering with a concentration in computing. From all the way in southern California, Chris treasures the community at Olin College and values the the time he has to spend growing as an engineer among peers. Though he has only recently declared as E:Computing, he particularly enjoys coding in his free time and wishes to expand his skill set. Nothing sounds better to Chris than sitting under a tree on a nice, sunny morning, sipping some hot coffee, and coding. During the course of this project, Chris aims to thoroughly investigate the process of designing an eye-catching, intuitive, and meaningful user interface.
Lisa Park
Lisa Park is a senior pursuing the Electrical and Computer Engineering major, focusing on software. Although she is not a bioengineer, she aims to apply her skills in the biomedical engineering field, and is in fact a rare premedical student at Olin College of Engineering. From her research experience working with frustrating 3D modeling programs at Children's Hospital of LA, she became interested in designing better biomedical programs with intuitive user interfaces. Lisa hails from southern California, bringing with her her Korean culture and love of Asian food. Much of Lisa's free time is spent doing arts and crafts, archery, and reading.
Sarah Strohkorb
Sarah Strohkorb is a Senior Electrical and Computer Engineering major with a particular interest in software development. She currently lives in Kansas City, Kansas; although she has also resided in Saudi Arabia and Colorado. She just returned from a semester abroad in the United Arab Emirates, where she enjoyed henna, her Emirate friends, and (very importantly) the food. Sarah enjoys belly dancing, running, and drinking tea in her spare time and is also very involved with her church and the Christian group on campus. She is excited to be taking HFID this semester and learning how to better design user interfaces!


--- layout: post status: publish published: true title: Automatically play and stop music before church author: Ryan Hayden wordpress_id: 2177 wordpress_url: http://www.pastorryanhayden.com/?p=2177 date: '2015-06-13 14:02:57 -0500' date_gmt: '2015-06-13 19:02:57 -0500' categories: - Ministry Tech tags: - tech tips - sound - automator ---
Last week, I showed you a really cool and super easy way to record your sermons and convert them to MP3s automatically. Today, I wanted to show something else I've figured out along the same lines...
I like to have music playing in our church as people mingle before the service. Just like with recording the sermons, there is the human error component and the sound guys often forget this. So I thought, ""I wonder if there is a way to automate that too?""
Audio Hijack is great for scheduling recordings, but it won't work for scheduling music to play (as far as I know.) So to do this - you have to use automator.
 You can just turn it off, no problem.
Second, it will open Calendar and you'll see a new calendar called "Automator" and a new event called whatever you saved the Automator workflow as. The time and date will be at whatever time and date you saved the automator file.
You now never have to ask the sound guy to start the music again and if you want to change the prechurch music, just put different music in that iTunes playlist. Easy peasy.


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--- layout: post categories: [] date: 2012-03-16T13:18:56Z status: publish tags: [] title: Happy birthday Bill layout: post url: /2012/03/16/happy-birthday-bill/ ---
Round the Reilly Ranch.


165_deltacancri.py
class Solution:
def connectTwoGroups(self, cost: List[List[int]]) -> int:
s1 = len(cost)
s2 = len(cost[0])
if s1 < s2:
new_cost = [[0] * s1 for i in range(s2)]
for i in range(s1):
for j in range(s2):
new_cost[j][i] = cost[i][j]
cost = new_cost
s1 = len(cost)
s2 = len(cost[0])
dp = [[1000000] * (1 << s2) for i in range(s1+1)]
dp[0][0] = 0
for i in range(s1):
for j in range(s2):
ct = cost[i][j]
for s in range(1 << s2):
dp[i+1][s | (1 << j)] = min(dp[i+1][s | (1 << j)], dp[i][s] + ct)
res = 100000
mins = []
for j in range(s2):
mins.append(min([cost[i][j] for i in range(s1)]))
for s in range((1 << s2)):
tot = dp[s1][s]
for i in range(s2):
if not s & (1 << i):
tot += mins[i]
res = min(res, tot)
return res


fox-entertainment-group
Businessmodel of Fox Entertainment Group
Customer Segments
Fox Group’s content is produced for various segments of the general consumer market. The Group’s varied portfolio of television and motion picture products includes mainstream movies – such as the Avatar and X-Men franchises – aimed at the mass market, low-budget films targeted at niche audiences, television series and non-fiction broadcast documentaries.
Motion picture content is sold and licensed to cinema chains across the US and the world, before being sold and licensed to national and international broadcast and cable television networks, as well as to on-demand and streaming service providers.
Value Propositions
Fox Group is a well-respected and well-established producer of entertainment content. Its brand is associated with quality programing and motion pictures, working with many of the most popular and recognisable figures within the entertainment industry.
The Group provides a varied portfolio of properties, catering to all demographics across multiple channels. The Group’s content is accessible internationally, with consumers able to view Fox Group content through movie theatres, DVDs and Blu-rays, digital downloads, and on-demand and streaming platforms.
Channels
Fox Group employs a range of channels through which it distributes media content to consumers. Primarily, the Company distributes original and third-party motion pictures through cinema chains, both across the US and internationally.
Once cinema screenings have ended the Group distributes its movies physically in the form of DVDs and Blu-rays, which can be purchased online or through physical outlets, and in the form of digital downloads from platforms services such as Amazon and iTunes.
Selected Fox Group movie and television content is also licensed to on-demand and streaming services like Netflix and Hulu. Additionally, he Group’s television programming is made available to consumers through Fox Group’s various cable and broadcast channels, including the National Geographic network, FX and several Fox Sports channels.
Beyond the consumer market, Fox Group customers, such as broadcast networks and streaming and on-demand platforms, deal directly with the Group’s sales and marketing teams.
Customer Relationships
Much of Fox Group’s products and content are available to consumers on a self-service basis through cinema chains, physical retail outlets and online digital marketplaces, with customers requiring no interaction with Fox Group representatives.
The Group’s corporate and business clients, such as streaming and on-demand service providers and movie theatre chains, must deal directly with members of the Group’s sales and marketing team, receiving a more personalised service.
Fox Group keeps its consumer base updated with developments and announcements through its various social media accounts, including with Facebook, Twitter and YouTube, and through marketing materials including movie trailers.
Key Activities
Fox Group produces and distributes entertainment media content, including motion pictures, television broadcast programming, and cable network programming, as well as operating its own broadcast television network.
The Group operates through four business divisions: Film, comprising the production, acquisition and distribution of movie content via 20th Century Fox Film and Twentieth Century Fox Home Entertainment; Television, comprising the production, distribution and licensing of television programming through the its flagship studio Twentieth Century Fox Television and networks controlled by the Fox Networks Group, as well as through third-party networks; Sports, which broadcasts live sporting events; and National Geographic Partners, comprising the production of various non-fiction programming and the operation of broadcast networks.
Key Partners
Fox Group’s partners include financiers, marketing partners, licensing partners, content partners, co-production partners, and distribution partners. Much of the Group’s motion picture productions are financed by third-parties from across the world. This includes a recent investment of $235 million in The Seelig Group – a Fox Group financier – from China’s Bona Film Group, which saw the Chinese group take a stake six Fox Group properties, including the Oscar-nominated The Martian.
The Group has also partnered with several companies to produce additional channels and products for the consumer market, including a deal with Entertainment One to launch home entertainment ventures and a tie-up with Walt Disney and Lions Gate Entertainment to invest $50 million in Atom Tickets, a start-up that offers discounted cinema tickets to users via a mobile app.
Fox Group also has licensing partnerships in place that allow Lego to produce The Simpsons branded merchandise and for Dubai-based Al Ahli to develop a Fox Group branded theme park and resort.
Key Resources
Fox Group’s key resources are its proprietary movie and television properties – including major film franchises such as X-Men, its broadcast and cable television networks – including National Geographic and Fox Sports, its brand name and reputation, and its personnel.
The Group’s studio space is also a key resource for both content production and generation of revenue.
Cost Structure
Fox Group’s most major cost comes in relation to the production of motion pictures and television programming, the distribution of proprietary and third-party content, and the development and presentation of advertising and marketing campaigns.
The Company also accrues costs in relation to the operation of its large studio lot, as well as the retention of its personnel.
Revenue Streams
Fox Group generates revenue through the production, distribution, licensing and sale of original motion picture and television programming content, as well as the acquisition and distribution of third-party content. The Company has various methods by which it monetises and distributes its motion picture content. This principally includes worldwide distribution of motion pictures through international cinema networks, with revenue generated through box office sales. Movies are later sold to consumers in the form of DVDs, Blu-rays and digital downloads, available both through physical outlets and online marketplaces such as Amazon and iTunes. Fox Group’s movie content is also licensed to on-demand and streaming service providers like Netflix for a fee.
Fox Group also produces television content for cable and broadcast networks, distributing third-party and original content through Twentieth Century Fox Television and Fox Networks Group, which includes national and international television channels such as FX, Nat Geo WILD, FSN and Fox Sports. The Group’s television programming and network operation activities generate revenue through the sale of advertising space and through the licensing of programming content to streaming and on-demand services.
Additionally, Fox Group generates revenue through the sale of merchandise and the licensing of its entertainment properties, and through the rental of studio space.


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Chocolate Chip Cookies v2
Notes
This recipe was designed and baked at an elevation of 5,900 feet.
The molasses and half of the granulated sugar can be replaced by 2/3 cup brown sugar.
Chocolate chips can be replaced by mint chocolate chips, butterscotch chips, M&M’s, mini m&m’s, or whatever!
2/3 cup cocoa powder can be added to the flow to create chocolate2 cookies.
Ingredients
2 3/4 cup flour (430 g)
1 teaspoon baking soda
1 cup softened butter (2 sticks, room temperature)
1 1/3 cup granulated sugar
1 tablespoon molasses
1 teaspon vanilla extract
2 large eggs
2 cups chocolate chips
Directions
Combine flour, baking soda, and a pinch of salt in a medium bowl.
Beat butter, sugar, molasses, and vanilla in a large mixer bowl. Don’t overthink this. It should be mixed.
Add eggs one at a time, beating well after each. Seriously, beat longer than you think you need to. I put my mixer on medium-high and let it go for a minute or two per egg.
Gently beat in flour mixture on low speed, occasionally clearing the edges of the bowl. Be carful not to compress the egg mixture too much.
Stir in chocolate chips.
Baking
Preheat oven to 375°F
Form dough into balls 1" in diameter and drop onto ungreased baking sheet 2" apart.
Bake:
for doughy, gooey cookies, cook 7½ minnutes. Cookies should still look slighly moist when removed from oven.
for fully baked cookies, cook 8½ – 9½ minutes. Cookies should look just barely dry and begin cracking on sides. They should be just barely set when poked gently with a finger and there should be no visible browning on edges of cookies.
Remove cookies from oven, immediately place on cooling rack.
Eat when it feels right. Gooey cookies at their prime when eaten immediately. Fully baked cookies can be saved in a container for up to a week.


WITNESS LIST Border Affairs - Special Committee January 11, 2000-10:00A interim charges On: Aadnesen, Christopher (Texas Mexico Railway), Laredo Alvarado, Mario G. (El Metro Transportation System), Laredo Ancira, Jesse (Office of the Texas Comptroller), Austin Bass, James M. (Texas Department of Transportation), Austin Benavides, Carlos Y. (self), Laredo Flores, Jose L. (City of Laredo), Laredo Flores, Mayor Elizabeth (City of Laredo, Texas Border Infrastructure Coalition), Laredo Fulton, David S. (Texas Department of Transportation), Austin Garcia, Rafael (City of Laredo), Laredo Gonzalez, Rene (Texas Border Institute Coalition), Laredo Hansen-Alford, Suzanne (TAMIU - NAFTA Center), Laredo Heald, Charles W. (Texas Department of Transportation), Austin Helsley, John (Rail District Advisors), Granbury Jennett, Charles (self), Laredo Keel, John (Legislative Budget Board), Austin Laney, David M. (Texas Department of Transportation), Austin Maldonado, Rick (Texas Ports Association - 13 Ports), Corpus Christi Martin, Jerry L. (Texas Railroad Commission), Austin Martinez, Richard (Charles Matthews - Railroad Commissioner), Austin McVey, Kate (Zapata County News & self), Zapata Nichols, Robert L. (Texas Transportation Commission & Texas Dept. of Transportation), Austin Ramirez, Luis (Texas Department of Transportation), Laredo Roop, Dr. Steve (Texas Transportation Institute), College Station Selman, Keith (City of Laredo), Laredo Verduzco, Jorge (I69 Texas Alliance), Laredo Werner, Fredrick (U.S. Department of Transportation), Atlanta, GA Wiles, Mark (Legislative Budget Board), Austin Winstead, Pete (Texas Turnpike Authority), Austin Registering, but not testifying: On: Allen, Mike (South Texas Border Partnership), McAllen Coats, Stephanie (Legislative Budget Board), Austin Finnell, Charles (Rail District Advisors), Holliday Leo, Mike (Legislative Budget Board), Austin Martinez, Leodoro (9-County Mayors & County Judges), Carrizo Springs Moreno, Frank, Jr. (Middle Rio Grande Development Council), Crystal City Ortiz, Jesus E. (Val Verde County Pricinct 4, Commissioner), Del Rio Prestidge, Jerry (Texas Bus Association, Inc.), Dale Robertson, Robert C. (Fort Worth & Western Railroad), Ft. Worth Written materials submitted: On: Reyes, Rick (Webb County), Laredo Wade, Tom (Laredo Transportation Association), Laredo


ShockTrade is a Social Online Game and Trading Simulation designed to allow users to:
And you can do all of this without risking any of your own capital!
ShockTrade uses your existing acebook credentials for authentication. So, if you already have a acebook account, all you need to do is Sign up and get started. Once you've signed up just:
ShockTrade is also a MMO (Massively Multiplayer Online) game with many built-in Social-networking capabilities.
ShockTrade has many built-in securities research utilities, including:
If you're a Java or Scala developer, download the ShockTrade SDK (coming soon) and develop your own custom trading robots. Trading Robots are software modules that autonomously perform trading of securities, and are capable of joining existing games. Your trading robots can compete with real players and create "street cred" for you.


Namespace BatRecordingManager
Classes
AboutScreen
Interaction logic for AboutScreen.xaml
AddValueConverter
Uses a converterparameter to increase or decrease the numerical (double) value in the object
AnalysingEventArgs
Provides arguments for an event.
APIKeys
Class to hold freely available, but non-sharable API Keys. You need to get a Free License from Microsoft for Bing Maps and a Free api key from DarkSky.Net and place them in this file for full operability.
App
Interaction logic for App.xaml
AppFilter
Interaction logic for AppFilter.xaml
AppFilter.CloseClickedEventArgs
AppMainWindow
Interaction logic for AppMainWindow.xaml
AudioHost
Host class for the AudioPlayer window
AudioPlayer
Interaction logic for AudioPlayerIK.xaml
Bat
BatAndCallImageScrollerControl
Class derived from the ImageScrollerControl which is specifically designed to handle the images associated with a specific bat in the form of a list of bat images and a several lists of images each associated with a specific call type of that bat. The bat images are storedin a list called BatImages and there is a list of lists of images for the associated call images. The constructor is parameterless and the spcific bat instance should be set usig the CurrentBat property. Image lists and handling are then handeled internally and the parent class only needs to ensure that the CurrentBat is kept up to date. The parent class is responsible for saving the bat and its images to the database if required. More generally the control is used widely and simply contains two sets of images. BatImages are displayed if ImageScrollerDisplaysBatImages is true CallImageList is displayed if ImageScrollerDisplaysBatImages is false The control may be set to be readonly in which case the add/edit/delete buttons will not be visible.
BatCall
BatCallControl
Interaction logic for BatCallControl.xaml
BatCallConverter
Converts a LabelledSegment instance to an intelligible string for display
BatCallForm
Interaction logic for BatCallForm.xaml
BatDetailControl
Interaction logic for BatDetailControl.xaml
BatEditor
Interaction logic for BatEditor.xaml
BatLatinNameConverter
BatListControl
Interaction logic for BatListControl.xaml
BatPassSummaryControl
Interaction logic for BatPassSummaryControl.xaml
BatPicture
BatRecording
special class to combine an instance of a recording with a specific bat so that the combined object can be the source fot a datagrid and elements of the recording that refer to the named bat can be displayed in the grid
BatRecordingLink
BatRecordingsListDetailControl
Interaction logic for BatRecordingsListDetailControl.xaml
BatReferenceDBLinqDataContext
BatSegmentLink
BatSession
special class to combine an instance of a RecordingSession with a specific bat so that the the combination can be used as the ItemSource for a DataGrid and that datagrid can display only infomration relevant to the selected bat.
BatSessionData
Data to display in the SessionsAndRecordingsControl Sessions data grid
BatSessionLink
BatSessionRecordingData
Class to hold display specific data for the RecordingsDataGrid in SessionsAndRecordings control
BatStatistics
BatStatistics.Displayable
BatStats
BatTag
BatTagSortConverter
BinaryData
BoolEventArgs
general purpose EventArgs which can pass back a boolean flag
BottomMarginConverter
Converter class for scaling height or width of an image It is passed the location of the line in the stored image and a copy of the displayImageCanvas it is to be written and the storedImage it relates to
BSPassesConverter
ButtonBarControl
Interaction logic for ButtonBarControl.xaml
ButtonPressedEventArgs
Arguments fort a ButtonPressed Event Handler
Call
CallParametersConverter
CallPicture
CommandExtensions
ComparisonHost
ComparisonWindow
Interaction logic for ComparisonWindow.xaml
ConvertGetNumberOfImages
Converter to get the number of images associated with a bat and return that value as a string for display in a DataItem Text Column
Database
Interaction logic for Database.xaml
DatabaseTableControl
DBAccess
Static class of Database interface functions
DbMemberHelpers
Helper functions for various database member classes which are auto-generated and therefore cannot be modified directly
DebugBreak
DecimalToStringConverter
format converter for decimal values to and from a formatted string, format specified in the parameter field without the curly braces
DisplayStoredImageControl
Interaction logic for DisplayStoredImageControl.xaml
DivideBy2Converter
Converter to divide numeric values by 2
DivideConverter
DoubleStringConverter
DuplicateEventArgs
Provides arguments for aDuplicate Lines event.
EditBatForm
Interaction logic for EditBatForm.xaml
FileBrowser
Class to handle selection of input, and by derivation or selection, and output file, the names of which are made available publicly Public functions:- Select folder Select Manual Log File Create Output File
FileOrderDialog
Interaction logic for FileOrderDialog.xaml
FilePathBrushConverter
Converter to return a red brush if the directory in value does not exist and a black brush if it does or in the event of any error
FolderSelectionDialog
Interaction logic for FolderSelectionDialog.xaml
FrequencyData
Class to hold rate of incidence data for all encountered species of bats. Each Item contains an instance of a bat species, and an array of values corresponding to incrmental time periods throughout the session. The values range from 0 to the number of minutes in the aggregation period.
GPSConverter
GPSLocation
A class to hold details of a particular location
GrabRegionForm
Interaction logic for GrabRegionForm.xaml
GridScaleConverter
Used to set the height of a scale grid inside a canvas of variable size. The converter is passed to bound values the height of the parent canvas and a scale factor. it returns a value of the height multiplied by the scale factor.
GuanoDeprecated
A class to represent a Guano metadata chunk included in a .wav file. The guano data should be extracted with Tools.Get_WAV_MetaData(wavfilename) and the string can be parsed with ParseGuanoChunk(string chunk) which will return an instance of this class. The class copes with a number of known fields for GUANO data according to specification 1.0 but is intended to work with GUANO data embedded by the Android App BatRecorder.
HGridLineConverter
Converter class for scaling height or width of an image It is passed the location of the line in the stored image and a copy of the displayImageCanvas it is to be written and the storedImage it relates to
ImageConverter
ImageConverter converts either a Bitmap or a BitmapImage to a BitmapSource suitable for display in a wpf Image control. The BitmapImage is first converted to a Bitmap then to a BitmapSource.
ImageDeletedEventArgs
ImageDeletedEventArgs
ImageDialog
Interaction logic for ImageDialog.xaml
ImageDialogControl
Interaction logic for ImageDialog.xaml
ImageExtensions
ImageListEventArgs
Provides arguments for an event.
ImageScrollerControl
Interaction logic for ImageScrollerControl.xaml is used as a base class by BatAndCallImageScroller
ImagesForAllRecordingsConverter
converter getting images for all recordings
ImageWithGridConverter
Converter which takes a StoredImage and returns the image component overlaid with horizontal and vertical grid lines as defined in the StoredImage lists.
ImagingConverterClass
ImportControl
Interaction logic for ImportControl.xaml
ImportPictureControl
Interaction logic for ImportPictureControl.xaml
ImportPictureDialog
Interaction logic for ImportPictureDialog.xaml
LabelledSegment
LabelledSegmentControl
Interaction logic for LabelledSegmentControl.xaml
LabelledSegmentConverter
Converts a LabelledSegment instance to an intelligible string for display
LabelledSegmentForm
Interaction logic for LabelledSegmentForm.xaml
LeftMarginConverter
Converter class for scaling height or width of an image It is passed the location of the line in the stored image and a copy of the displayImageCanvas it is to be written and the storedImage it relates to
MainWindow
Interaction logic for MainWindow.xaml
MapControl
Interaction logic for MapControl.xaml
MapRefConverter
MapWindow
Interaction logic for MapWindow.xaml
MultiscaleConverter
Converter class for scaling height or width of an image
MyBiQuadFilter
NaudioWrapper
A class to hold all interface functions between the application and the Naudio system
NewTagForm
Interaction logic for NewTagForm.xaml
NMEA2OSG
NumberOfImagesConverter
Is passed an EntitySet of Recordings and calculates the total number of images associated with those recordings, returning the value as a string
OpenWindowGetter
Contains functionality to get all the open windows.
PlayListItem
A class to hold items to be displayed in the AudioPlayer playlist
Recording
RecordingDetailsConverter
Converts the essential details of a Recording instance to a string
RecordingDurationConverter
Converts the essential details of a Recording instance to a string
RecordingForm
Interaction logic for RecordingForm.xaml
RecordingItemControl
Interaction logic for RecordingItemControl.xaml
RecordingPassSummaryConverter
From an instance of Recording provides a list of strings summarising the number of passes organised by type of bat
RecordingReportData
RecordingsDetailListControl
Interaction logic for RecordingsDetailListControl.xaml
RecordingSession
RecordingSessionData
Specialised class to hold the data displayed by RecordingSessionListDetailControl. Contains just the necessary items to display to allow for fast loading
RecordingSessionDetailControl
Interaction logic for RecordingSessionDetailControl.xaml
RecordingSessionEditableControl
Interaction logic for RecordingSessionEditableControl.xaml
RecordingSessionForm
Interaction logic for RecordingSessionForm.xaml
RecordingSessionListDetailControl
Interaction logic for RecordingSessionListDetailControl.xaml
RecordingSessionTableControl
RecordingTableControl
RecordingToGpsConverter
Converter to extract GPS data from a recording instance and format it into a string
ReportByFrequency
Derived class tailoring the report as a report by frequency while using the ReportMaster TextBox/DataGrid layout and support functions.
ReportData
Dedicated class to hold the specific data for a report in which many fields may be duplicated
ReportMainWindow
Interaction logic for ReportMainWindow.xaml
ReportMaster
Interaction logic for ReportMaster.xaml This class is the base class for specific report types.
RightMarginConverter
Converter class for scaling height or width of an image It is passed the location of the line in the stored image and a copy of the displayImageCanvas it is to be written and the storedImage it relates to
SearchDialog
Interaction logic for SearchDialog.xaml This dialog permits the user to specify and implement searches on a collection of strings. The user may select the type of search, with or withou case matching and may request to use a regular expression which will be directly used as a pattern inn Regex. Search results and moves are reported back through an event handler.
SearchedEventArgs
Provides arguments containing the results of the latest search, next or prev request
SegmentAndBatList
Class to hold details of a specific LabelledSegment, and a List of Bats that were present during this segment.
SegmentCall
SegmentData
SegmentToTextConverter
Converts a LabelledSegment into a Text form as 'start - end comment' and appends an asterisk if the segnent has associated images
SelectOneDialog
Interaction logic for SelectOneDialog.xaml
SessionActionEventArgs
Provides arguments for an event.
SessionEndDateTimeConverter
SessionManager
SessionsAndRecordingsControl
Interaction logic for SessionsAndRecordingsControl.xaml
SessionStartDateTimeConverter
ShortDateConverter
Converts a nullable DateTime to a short date string safely even for null values
ShortTimeConverter
Converts a nullable DateTime to a short date string safely even for null values
StoredImage
Class to hold an image and its associated metadata
StringExtensions
Class to add functionality to the String class
TextColourConverter
TimePicker
Interaction logic for TimePicker.xaml
Times2Converter
TimeSpanConverter
Converter class for displaying a timespan object as a string
TimeSpanDateConverter
Converts a nullable Timespan into a DateTime of the same number of ticks, or a DateTime.Now if it is null
Tools
Class of miscellaneous, multi access functions - all static for ease of re-use
TopMarginConverter
Converter class for scaling height or width of an image It is passed the location of the line in the stored image and a copy of the displayImageCanvas it is to be written and the storedImage it relates to
UiHelper
static functions to operate on visual UI elements
UiServices
Version
VGridLineConverter
Converter class for scaling height or width of an image It is passed the location of the line in the stored image and a copy of the displayImageCanvas it is to be written and the storedImage it relates to
WaitCursor
WAMD_Data
A simple class to accommodate the parsed and analysed contents of the wamd metadata chunk from a .wav file. The data in the chunk is identified by a numerical type and contents which should be a string. The data structure holds items for each known type and getters return the contents by name or add contents by type.
weatherEventArgs
Enums
DBAccess.BracketedText
DuplicateEventArgs.Grid
ReportByFrequency.BlockSizeInMinutes
public enum defining the possible values for the block sizes in the frequency table
Tools.BlobType
BlobTypes are used to identify the type of binary data object stored in the database. The enum types are 3 or 4 char strings that are stored as string literals in the database but the enum allows simple internal handling. The enum is converted to a string to be stored in the database and is converted back to an enum on retrieval. enum names must be limited to 4 chars to fit into the database type field. BMP is a raw bitmap BMPS is a BitmapSource object WAV is a snippet of waveform read from a .wav file.


{% extends "base.html" %} {% set page_title = "All Scores" %} {% block title %}{{ page_title }} | Shows{% endblock %} {% block content %}
Choose from one of the years below to view all available scores for that year.


RESOLVEMinimalistWebUI
Ace Editor
Switch Editor
Ace
CodeMirror
RSRG Home
BeginToReason
WebIDE
Verify
Change Font Size:
Showing VCs
×


Dejavu.js Demo
hey! are you bored? just scroll it down.
Image 1
Some image placed here.
Image 2
Some image placed here.
Image 3
Some image placed here.
Image 4
Some image placed here.
Image 5
Some image placed here.
Nice work. Scroll up again.


Each week brings with it new challenges but also wonderful learning experiences.
Below is a list of various languages, runtime environments, server communication technologies etc., that I have learned:
HTML
CSS
JavaScript
jQuery
Node
Express
AJAX
Currently Working On
The current web application that I am working on is called Server Side Calculator.
The requirements for the project are as follows:
User interface with two input fields for number values.
Select for mathematical operators (addition, subtraction, multiplcation, division).
Submit button with text "=" that will run calculations, clear button with text "C" that will clear input fields and clear history button that will remove calculations from DOM.
Server-side logic to run mathematical calculations.
Historical record to track all operations with resulting solutions.
Validation that does not allow logic to occur unless input fields are valid(contain numbers and are not empty fields).


A unique vision for America
Meet Joe
Sic parvis magna
From Main Street to Wall Street
Joe started off just like you. A blue collar worker while he was in high school in Nantucket, MA. His family was a typical middle-class American household, where his father ran a small business and his mother was a professor at Wellesley.
But, Joe was ambitious. And, rising from his humble beginnings, Joe became so much more. A truly productive, value-generating American. Armed with his Harvard degree and Yale MBA, and a small half a million loan from his father, Joe rolled up his sleeves and got to work.
It’s not much, but it was usually honest work
He went to Wall Street and, with his hedge fund, Waterbridge, and made billions for American shareholders and American industry.
Joe is a true American hero, serving his nation with grit, valor, and diligence through our economic system.
Hear Joe Out
Diligence
America is a nation of hard-workers based on our fundamental foundations as pioneers. We Americans work harder than anyone and, those of us who work hard, succeed. We will help support the Americans that don’t work hard with social services.
Equality
All Americans are born equal. Some have more opportunity, some have more resources. It is imperative that all Americans have an equal opportunity to work for those with more resources.
We hold these truths to be self-evident. All the men and women created by – go – you know – you know the thing
America
This is America. Our American Identity is being threatened by non-American forces. Anyone can be American because America is a kaleidoscope of all sorts of cultures. And that’s why we must protect the American Identity.
Vision of Joe
Joe’s America
COVID-19
Offering support
Joe will make handshake deals to support COVID-19. Joe has a history of social distancing and will be sure to continue to distance himself from society.
Healthcare
Medicare for all who want it
Everyone should have health insurance. So, we will make sure that healthcare plans are available to purchase from private companies all around America.
Tax Reform
The rich will pay more
The wealthy don't pay their fair share in taxes. In fact, the wealthy do not even have to pay taxes, according to our accountants. We will leverage our billionaire connections ensure that the wealthy donate some money to the US Federal Government.
Gun Control
American lives and rights
We will ensure that guns are banned for all those who do not have permits to own and carry guns. We will protect the Second Amendment and allow those who want guns to get guns if they purchase them.
Immigration
America is open
We will no longer detain or deport immigrants in America, unless they’ve committed a crime or entered America without a visa. We stand with undocumented immigrants, so long as they have a visa.
Climate Change
Ensure the safety of Americans
The biggest threat to the safety of American citizens is climate change. Any changes to the political or economic climates will threaten American energy independence by limiting investment in coal and natural gas.


GETICON(1) BSD General Commands Manual GETICON(1) NAME geticon — Get the icon of Mac file and save it as icns file SYNOPSIS geticon src_file out_icon DESCRIPTION geticon gets the current icon (standard or custom) of a Mac file and writes it as an icns file EXAMPLES geticon src_file out.icns SEE ALSO icns2image(1), iconutil(1), image2icns(1), seticon(1) AUTHORS Sveinbjorn Thordarson<EMAIL_ADDRESS>Darwin Sep 30, 2006 Darwin


Handle Unexpected Errors - server offline, network, execption
Unexpected error: are handle by (error) function of the subscribe method.
(error: Response) => {
alert('POST: An unexpected error occurred.');
console.log(error);
});
Adding Observable catch and throw
Adding global error handling


My name is fredrick warui aged 26 years. I am currently persuing a degree in ICT in laikipia university
I chose this course because i had/have enthusiastic in Technology.
I love exploring the tech INNOVATIVE WORLD. Making magic
and realtime system is my core deal.
MY CORE AREAS IN TECH
- PYTHON LANGUAGE
- PHP LANGUAGE
- VISUAL BASIC
- IoT (C++)
- GRAPHIC DESIGN


fabric8 is an open source DevOps and Integration Platform which is built as a reusable set of microservices that run on top of Kubernetes and OpenShift V3
manage your applications more easily with a powerful Console with centralised Logging and Metrics along with deep management of Java Containers using Hawtio and Jolokia
helps you deliver software faster and more reliably using Jenkins and OpenShift V3 with integrated Chat
an Integration Platform As A Service with deep visualisation of your Apache Camel integration services, an API Registry to view of all your RESTful & SOAP APIs and Fabric8 MQ provides Messaging As A Service based on Apache ActiveMQ
fabric8 also provides a number of tools to help the Java community take full advantage of Kubernetes:
fabric8 is an open source community project (sponsored by Red Hat, Inc.)
fabric8 is being closely integrated into OpenShift V3 but it is also designed to run on top of any Kubernetes cluster


The examples below illustrate the use of the Simulink implementation above.
Example 1.4 (alternate way to simulate the bouncing ball)
Consider the bouncing ball system with a constant input and regular data as given in Example 1.3. This example shows that a MATLAB function block, such as the jump set D, can be replaced with operational blocks in Simulink. Figure 1 shows this implementation. The other functions and solutions are the same as in Example 1.3.
For MATLAB/Simulink files of this example, see Examples/Example_1.3 and Examples/Example_1.4. _


|
| Local Properties | ||
| Managed Object Types | Data Object Types | All Properties | All Methods |
Clients of the VIM API may use SessionManager.SetLocale to cause the server to emit localized messages, or may perform client-side localization based on message catalogs provided by the LocalizationManager.
A message catalog is a file that contains a set of key-value pairs.
The server will localize fields tagged with 'localizable' based on the value of the UserSession.locale and messageLocale properties which are set via SessionManager.SetLocale.
The following list shows some of the ways that vSphere uses localized messages.
Properties
| Name | Type | Description |
|---|---|---|
| catalog* P | LocalizationManagerMessageCatalog[] |
Fetches the descriptions of all the client-side localization message
catalogs available for the current session locale.
|
Methods
| Methods defined in this Managed Object |
|---|
| None |
| Top of page | Local Properties | ||
| Managed Object Types | Data Object Types | All Properties | All Methods |


{% include head.html %}
{% include facebook-js.html %}
{% assign game = site.games[page.game-id] %} {% include game.html game=game %}
{% include footer.html %} {% include js.html %} {% include twitter-js.html %}


Notes: &mvte:wishlist:notes;
If you would like to share your wish list via email, copy this link: &mvte:urls:_self:auto_sep;WishList_ID=&mvte:global:WishList_ID;
&mvte:urls:_self:auto_sep;WishList_ID=&mvte:global:WishList_ID;


Broken Bookshelf:
It's a small Gem Box!


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GW2-UOAOM
v1.0.0-al
A tool that handles installation and management of several Guild Wars 2 Add-Ons.
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Classes | |
| class | AddonInfo |
| In-app corollary to update.yaml files. More... | |
| class | AddOnSelector |
| AddOnSelector More... | |
| class | AddonYamlReader |
| Intended to read update.yaml files provided in addons that adhere to a specific set of specifications laid out for use by GW2-UOAOM and GW2-AddOn-Loader. More... | |
| class | App |
| Interaction logic for App.xaml. Currently, the functions here are dedicated solely to application-wide exception handling and error logging. More... | |
| class | ApprovedList |
| class | Configuration |
The configuration class contains various functions (TODO) More... | |
| class | GenericUpdater |
| class | LoaderSetup |
| class | MainWindow |
| MainWindow More... | |
| class | OpeningViewModel |
OpeningViewModel serves as the DataContext for OpeningView.xaml, which is the first screen encountered upon opening the application. More... | |
| class | PluginManagement |
| class | SelfUpdate |
| Handles downloading a new version of the application. More... | |
| class | UpdateHelpers |
| class | UpdatingView |
| UpdatingView More... | |
| class | UpdatingViewModel |
UpdatingViewModel serves as the DataContext for UpdatingView.xaml, which is the screen displayed during and after the update process. More... | |
| class | UserConfig |


Open Budget Explorer
^ring will update to show % of whole
Overseeing the financial, accounting, and budgeting functions of the executive branch. (this will update as dept is selected.)
Choose a Department
Funding Source
Category
Sub-Category Items (determined by selections above):
| Department | Activity | Category | Fund | Budget |
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IH has been obvious since the pilot chapter. Ichigo and Orihime had mutual romantic feelings for each other in the bleach prototype, Kubo’s original plan for bleach. Here’s a post on it.
If you really, truly want to argue that Ichigo and Orihime “barely had any moments!” luckily, I was insane enough to create a masterpost with links to every single IH moment in the manga (which had to be split in half because it literally broke due to having too many links on it). Part One is here, Part Two is here. It has over 377 links. Say what you will, but IchiHime has the most moments of any other pairing by a landslide (particularly in the final arc, which was most telling for canon).
The last 15 chapters of the manga were filled with positive IchiHime moments and development. Kubo, building up to the final chapter, knowing that there wasn’t a lot of time left, and with so many other options to choose from (including other ships) willingly chose to write about IchiHime. He did that.
The amount of focus that was put on Ichigo’s desire to protect Orihime specifically is MASSIVE. It was made more than apparent how much Ichigo cared about Orihime and how important she was to him, by the level of focus that was put on Ichigo’s protectiveness over her, specifically. It’s something that singled her out as special and set her apart from the others, time and time again. It was consistently emphasized in the manga, and, conversely, so too was Orihime’s desire to protect Ichigo specifically. Their mutual desires to protect each other was a recurring theme.
It isn’t just Orihime’s physical well-being that Ichigo is protective of; he’s always been protective of her emotional well-being, too. He’s considerate of her feelings and does not like it when people are mean to her. He has jumped to her defense multiple times.Throughout the series, most of Ichigo’s enemies have targeted Orihime specifically just to get to him or taunt him into a fight, further singling her out and highlighting the obvious soft spot Ichigo has for her. This is a CLASSIC romantic trope, and a recurring theme Kubo used with IchiHime again and again.
The Final Arc
The difference between here and the beginning of the story is evident. They’ve grown closer, become better friends, they share manga, they’re more comfortable with each other, although Orihime is still nervous around him. Ichigo hasn’t yet figured out why.
They developed both on and off the battlefield. They became closer friends, their bond strengthened, their importance to each other and how much they care for each other deepened. You can see the growth in each arc, from one to the next. It’s tangible.
The final arc was a goldmine, Kubo made sure to give IH plenty of moments, development, and focus before making it canon.
 His face closely resembles that of his mother's, having the same shaped eyes and facial curves, while he inherited his father's spiky hair, though his hair is noticeably smoother than Ichigo's. He wears a green hoodie. When he transforms into a Shinigami, he wears the standard Shinigami robe, though he retains his hoodie.
Kazui is adventurous, regularly making uninvited appearances in Hiyori Sarugaki's home and freely interacting with remnants of Yhwach's Reiatsu.