Scheduling constraints
[Testing finite domain integers]
Classes | |
| class | Test::Int::Scheduling::Ass |
| Script for generating assignments. More... | |
| class | Test::Int::Scheduling::CumulativeAssignment |
| Class for generating reasonable assignments. More... | |
| class | Test::Int::Scheduling::Event |
| Event to be scheduled. More... | |
| class | Test::Int::Scheduling::Below |
| Describe that event is below a certain limit. More... | |
| class | Test::Int::Scheduling::Above |
| Describe that event is above a certain limit. More... | |
| class | Test::Int::Scheduling::Cumulatives |
| Test for cumulatives constraint. More... | |
Functions | |
| template<class C> | |
| bool | Test::Int::Scheduling::valid (std::vector< Event > e, C comp) |
| Check whether event e is valid. | |
Variables | |
| Cumulatives | Test::Int::Scheduling::c1t1 ("1t1", 1, true, 1) |
| Cumulatives | Test::Int::Scheduling::c1f1 ("1f1", 1, false, 1) |
| Cumulatives | Test::Int::Scheduling::c1t2 ("1t2", 1, true, 2) |
| Cumulatives | Test::Int::Scheduling::c1f2 ("1f2", 1, false, 2) |
| Cumulatives | Test::Int::Scheduling::c1t3 ("1t3", 1, true, 3) |
| Cumulatives | Test::Int::Scheduling::c1f3 ("1f3", 1, false, 3) |
| Cumulatives | Test::Int::Scheduling::c2t1 ("2t1", 2, true, 1) |
| Cumulatives | Test::Int::Scheduling::c2f1 ("2f1", 2, false, 1) |
| Cumulatives | Test::Int::Scheduling::c2t2 ("2t2", 2, true, 2) |
| Cumulatives | Test::Int::Scheduling::c2f2 ("2f2", 2, false, 2) |
| Cumulatives | Test::Int::Scheduling::c2t3 ("2t3", 2, true, 3) |
| Cumulatives | Test::Int::Scheduling::c2f3 ("2f3", 2, false, 3) |
| Cumulatives | Test::Int::Scheduling::c3t1 ("3t1", 3, true, 1) |
| Cumulatives | Test::Int::Scheduling::c3f1 ("3f1", 3, false, 1) |
| Cumulatives | Test::Int::Scheduling::c3t2 ("3t2", 3, true, 2) |
| Cumulatives | Test::Int::Scheduling::c3f2 ("3f2", 3, false, 2) |
| Cumulatives | Test::Int::Scheduling::c3t3 ("3t3", 3, true, 3) |
| Cumulatives | Test::Int::Scheduling::c3f3 ("3f3", 3, false, 3) |
| Cumulatives | Test::Int::Scheduling::c3t_1 ("3t-1", 3, true,-1) |
| Cumulatives | Test::Int::Scheduling::c3f_1 ("3f-1", 3, false,-1) |
| Cumulatives | Test::Int::Scheduling::c3t_2 ("3t-2", 3, true,-2) |
| Cumulatives | Test::Int::Scheduling::c3f_2 ("3f-2", 3, false,-2) |
| Cumulatives | Test::Int::Scheduling::c3t_3 ("3t-3", 3, true,-3) |
| Cumulatives | Test::Int::Scheduling::c3f_3 ("3f-3", 3, false,-3) |
Function Documentation
template<class C>
| bool Test::Int::Scheduling::valid | ( | std::vector< Event > | e, | |
| C | comp | |||
| ) | [inline] |
Variable Documentation
| Cumulatives Test::Int::Scheduling::c1t1("1t1", 1, true, 1) |
| Cumulatives Test::Int::Scheduling::c1f1("1f1", 1, false, 1) |
| Cumulatives Test::Int::Scheduling::c1t2("1t2", 1, true, 2) |
| Cumulatives Test::Int::Scheduling::c1f2("1f2", 1, false, 2) |
| Cumulatives Test::Int::Scheduling::c1t3("1t3", 1, true, 3) |
| Cumulatives Test::Int::Scheduling::c1f3("1f3", 1, false, 3) |
| Cumulatives Test::Int::Scheduling::c2t1("2t1", 2, true, 1) |
| Cumulatives Test::Int::Scheduling::c2f1("2f1", 2, false, 1) |
| Cumulatives Test::Int::Scheduling::c2t2("2t2", 2, true, 2) |
| Cumulatives Test::Int::Scheduling::c2f2("2f2", 2, false, 2) |
| Cumulatives Test::Int::Scheduling::c2t3("2t3", 2, true, 3) |
| Cumulatives Test::Int::Scheduling::c2f3("2f3", 2, false, 3) |
| Cumulatives Test::Int::Scheduling::c3t1("3t1", 3, true, 1) |
| Cumulatives Test::Int::Scheduling::c3f1("3f1", 3, false, 1) |
| Cumulatives Test::Int::Scheduling::c3t2("3t2", 3, true, 2) |
| Cumulatives Test::Int::Scheduling::c3f2("3f2", 3, false, 2) |
| Cumulatives Test::Int::Scheduling::c3t3("3t3", 3, true, 3) |
| Cumulatives Test::Int::Scheduling::c3f3("3f3", 3, false, 3) |
| Cumulatives Test::Int::Scheduling::c3t_1("3t-1", 3, true,-1) |
| Cumulatives Test::Int::Scheduling::c3f_1("3f-1", 3, false,-1) |
| Cumulatives Test::Int::Scheduling::c3t_2("3t-2", 3, true,-2) |
| Cumulatives Test::Int::Scheduling::c3f_2("3f-2", 3, false,-2) |
| Cumulatives Test::Int::Scheduling::c3t_3("3t-3", 3, true,-3) |
| Cumulatives Test::Int::Scheduling::c3f_3("3f-3", 3, false,-3) |


Wise Artificer's Insight
Solar Exalted Crafting Statistics
Purpose
To give a player thinking about making an Artifact or other complex project in
Exalted 3rd Edition
some insight into their likelihood of success.
A master craftsman of any discipline has awareness of their skill and should be able to judge what projects are trivial for them or beyond their skills.
This can be difficult because of the complex die manipulation powers available to Solars in Exalted 3rd Edition.
This program provides the crafter insight into their level of skill by providing a basic statistical analysis on a large number of crafting attempts.
How to use
Enter the statistics of the character doing the Crafting project and the Charms they want to use in the Attempt Settings form.
All Charms are applied uniformly to all Crafting rolls as part of a project attempt.
You can also change the number of crafting attempts to try in the Statistics Options section at the bottom.
More attempts will produce more accurate statistics but will take longer to run.
To use this program you will need a copy of the Exalted 3rd Edition core rulebook, to reference the Crafting rules on pages 238-244 and Solar Craft Charms on pages 289-299.
This program is not a replacement for those rules and does not explain how Crafting works, detail what any of the Charms do, calculate costs, or enforce legal choices for Charms use.
It will let you use Charms above your permanent Essence score or enable Charms without prerequisite or dependent Charms.
In order to calculate statistics this program requires a minimum of 10 crafting attempts rolled at a time.
Therefore it cannot be used for a final in-game crafting attempt.
This is intentional, as you may wish to use different Charms on different rolls, which this program cannot do.
Plus, you should probably make those rolls somewhere where your Storyteller can see.
This website runs on Javascript, please enable it to use Wise Artificer's Insight.
This website has been tested to work on Chrome and Firefox. It will not work in Internet Explorer, please use a different browser.
Attempt Settings
Crafting Rules
Difficulty (>=1):
Terminus (>=1):
Target Threshold Successes (>=1):
Character Statistics
Relevant Craft:
0
1
2
3
4
5
Craft (Artifact):
0
1
2
3
4
5
Not crafting Artifact
Craft Speciality:
DB Craft Speciality:
Attribute used in Craft roll:
1
2
3
4
5
Lunar Second Stunted Attribute:
1
2
3
4
5
Intelligence (Value used in some Charms):
1
2
3
4
5
Permanent Essence:
1
2
3
4
5
Per Roll Options
Stunt Dice:
0
2
Stunt Successes:
0
1
2
Spending Willpower:
External Non-Charm Modifiers
Exceptional Equipment:
Storyteller Non-Charm modifier Dice:
Storyteller Non-Charm modifier Successes:
Charms
Full Craft Excellency:
Essence 1
Flawless Handiwork Method:
Flawless Handiwork Method Repurchase:
Supreme Masterwork Focus:
Supreme Masterwork Focus Repurchase:
Supreme Masterwork Focus 2nd Repurchase:
Essence 2
Experiential Conjuring of True Void:
Unbroken Image Focus (Purchase Max Allowed):
First Movement of the Demiurge:
Breach-Healing Method:
Essence 3
Divine Inspiration Technique:
Inspiration Renewing Vision: number of free attempts:
Mind-Expanding Meditation:
Realizing the Form Supernal:
Word-as-Workshop Method: non-charm bonus dice:
Essence 4
Holistic Miracle Understanding:
Horizon Unveiling Insight:
Unwinding Gyre Meditation: previous iterations:
Essence 5
Sun-Heart Tenacity:
Lunar Charms
Full Stunted Lunar Craft Excellency:
Essence 1
Wonder-Weaving Art:
Essence 2
Wonder-Weaving Art First Repurchase:
Silver Crucible Refinement (Max Purchase):
Essence 4
Wonder-Weaving Art Second Repurchase:
Essence 5
Unbound Demiurge's Dream:
Dragon-Blooded Charms
Full DB Craft Excellency:
Essence 2
Stones-From-Rubble Restoration:
Flawless Facet Realization:
Strike the Dragon-Anvil:
Essence 3
Eternal Omphalos Forge:
Blazing Dragon-Smith Arete:
Essence 5
Strike the Dragon-Anvil Ess 5 Repurchase:
Sidereal Charms
Sidereal Full Excellency:
Essence 1
Elegant Patterns of Fate:
Essence 2
Elegant Patterns of Fate Essence 2 Repurchase:
Mending Warped Designs:
Statistics Options
Number of Crafting Attempts (>=10):
Attempt Statistics
Mean threshold successes per attempt: μ =
Standard Deviation of threshold successes per attempt: σ =
Median of threshold successes per attempt:
Percent of attempts with equal to or greater than minimum threshold:
%
Initial size of crafting die pools:
About
Wise Artificer's Insight Copyright (c) 2016 Frank W. King
<EMAIL_ADDRESS>Github repository
Exalted 3rd Edition
is the property of
White Wolf Publishing AB
Wise Artificer's Insight is neither affiliated with nor endorsed by
White Wolf Publishing AB
or
Onyx Path Publishing


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THE HOUSE OF YES
A Film Review by Brian Takeshita
Rating: **1/2 out of ****
I must admit that I've never understood the fixation that many people have with the Kennedys. Sure, one can point out a number of positive things JFK achieved during his presidency, but if you study history, you'll also find that he was quite an opportunist, pumping the nation full of such rhetoric as to fuel the Cold War and send the country's young men down a path that led deep into the jungles of Vietnam and Cambodia, all in the name of going anywhere and fighting any fight, apparently with little regard to the real elements of national security, or the real meaning of honor. The man took risks like approving the poorly-planned and disaster-ridden Bay of Pigs invasion (Kennedy served in the South Pacific as a PT Boat commander during World War II, yet consented to an amphibious landing that benefited from no air support). He took the nation to the brink of nuclear holocaust one October in the biggest gamble this nation has ever waged. I therefore found it very difficult to get into a movie where the main character is preoccupied with the lives of John F. and Jacqueline Kennedy. However, it was somewhat comforting to know that this character is also supposed to be insane.
THE HOUSE OF YES is a comedy which starts out with that television special from the early 60's where Jackie Kennedy takes the nation on a tour of the White House, intercut with a home movie from the early 70's with a young girl dressed up as the first lady, taking the viewer on a tour of her own mansion. We are then brought to the present day, and are introduced to that young girl, now grown up, and we find that she has gotten her family to call her Jackie-O. We are also told by her narrative voice that at the age of 14, she went to a costume party in a replication of the famous pink dress Mrs. Kennedy wore on that fateful day in Dallas, covered with ketchup for blood and macaroni for brains. Very disturbing.
Jackie-O (Parker Posey) is indeed certifiable. She has spent time in a mental institution and is on a string of medications. When her twin brother Marty (Josh Hamilton), now living in New York, comes home to the family's Washington D.C. mansion for Thanksgiving dinner and brings his new fiancee, Lesly (Tori Spelling), Jackie-O goes absolutely ballistic. Within minutes, it seems that Jackie-O, her mother (Genevieve Bujold), and her younger brother Anthony (Freddie Prinze, Jr.) are all trying to break up the happy couple. Why? And why is Jackie-O so enamored with Jackie O.? The answer lies in more than one family secret.
One of the first mental notes I took upon viewing THE HOUSE OF YES was that the dialogue is hilarious, but sounds like it was meant for the stage. Delivery, wordplay; it's all much like musical theater in between the songs, or perhaps Shakespearean comedy. I later found out that this film is, in fact, based upon a play by Wendy McLeod. Where it was performed or how well it did, I have no idea. Director Mark Waters clearly wanted to translate that feel directly to film, and it's a bit off-putting at first. However, you quickly get used to it and can enjoy the rest of the film, which is actually quite funny.
The problem is that the movie is also very predictable. Inside of the first ten minutes, you're able to put in a good guess as to what both the primary and secondary family secrets are. Sure, the dialogue still makes the film enjoyable, but mostly you're just watching the mechanics as it gets to where you know it's going in the first place. As the movie progresses, precious little additional information is revealed about each of the characters. A little more character development would also have really helped. There are also moments in this film that are so done up with music and slow motion that you get the feeling that Waters wants to make you believe you're witness to something profound. It is at these times that the film simply takes itself too seriously.
One of the things this film does well is depict alienation. Anthony is the little brother who seems to get kicked around and has spent most of his life trying to keep up with his siblings. He gets told what to do by everyone in the house, and try as he might to rectify the situation, he's still low man on the totem pole. Lesly, trying to make a good impression, is only rejected by Jackie-O and her mother for reasons obscure to her until the very end. Even Marty, mindful at first of her feelings, soon becomes party to her persecution as an outsider. A scene where Lesly terribly plays a chopsticks piano duet with Marty, and is then "shown how it's done" by Jackie-O as she sidles up next to her brother on the piano bench, is heart-wrenching.
Ultimately, however, it's the acting in THE HOUSE OF YES that really stands out. The cast is admittedly small, but all five actors deliver exceptional performances. Parker Posey is being hailed as the queen of independent films, and it's no wonder. She's acted in nearly two dozen of them, and has effectively portrayed a wide variety of characters, displaying an impressive range and competence not found in the majority of Hollywood newcomers (or big names, for that matter). In this film, she's really got the polish on, doing an incredible job as the always-on-the-edge Jackie-O. One minute she seems sweet as sugar, the next she's being caustically sarcastic, and then she's suddenly flipping out like a nutcase - and it's all totally convincing as well as a pleasure to watch.
Freddie Prinze, Jr. does a nice job playing the little brother who seems to get kicked around and has spent most of his life trying to keep up with his siblings. Genevieve Bujold is also apt at playing the mother who is disapproving of anything outside of her own family. Josh Hamilton as Marty interacts well with all the characters, perhaps since his is the most normal in the film, and is the one with which we most identify. Most surprising, however, is Tori Spelling. I've never really liked her in anything, largely because it seems she plays the same character so often (or maybe it's the same character I keep seeing - how long was she on 90210, anyway?), but here she actually impressed me with her performance as a girl from humble roots who, in spite of her vacuous persona, still has more substance than everyone in Jackie-O's household combined. My opinion of her improved considerably after viewing this film.
Although THE HOUSE OF YES is laden with an imbalance between its acting talent on the one hand, and it's direction and scripting on the other, it's still an enjoyable film, as the former kind of makes up for the latter. However, I kept getting the feeling that with a more fleshed-out screenplay, this film could have been something really great.
Review posted September 29, 1998
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Warehouse Keeper Wilford:
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Emergence.js
Github / Docs
Emergence.js
Lightweight, high-performance JS plugin for detecting and manipulating elements in the browser.


Deletes a custom menu bar.
Syntax
DELETE.BAR(bar_num)
Bar_num is the ID number of the custom menu bar you want to delete.
Tip Rather than trying to discover the ID number of the menu bar you want to delete, use a reference to the ADD.BAR function that created the bar. For example, the following macro formula deletes the menu bar created by the ADD.BAR function in the cell named ReportsBar:
DELETE.BAR(ReportsBar)
Related Functions
ADD.BAR Adds a menu bar
SHOW.BAR Displays a menu bar
Return to index


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With this library, you don’t need to create any custom ViewHolder classes any more!
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AWS::SSM::ResourceDataSync
The AWS::SSM::ResourceDataSync
resource creates or deletes a Resource Data Sync
for Systems Manager Inventory. You can use Resource Data Sync to send Inventory data
collected from all of
your Systems Manager managed instances to a single Amazon S3 bucket that you have
already created in your
account. Resource Data Sync then automatically updates the centralized data when new
Inventory
data is collected. For more information, see Configuring Resource Data Sync for Inventory in the
AWS Systems Manager User Guide.
Syntax
To declare this entity in your AWS CloudFormation template, use the following syntax:
JSON
{ "Type" : "AWS::SSM::ResourceDataSync", "Properties" : { "KMSKeyArn" :
String
, "BucketName" :String
, "BucketRegion" :String
, "SyncFormat" :String
, "SyncName" :String
, "BucketPrefix" :String
} }
YAML
Type: "AWS::SSM::ResourceDataSync" Properties: KMSKeyArn:
String
BucketName:String
BucketRegion:String
SyncFormat:String
SyncName:String
BucketPrefix:String
Properties
KMSKeyArn
-
The ARN of an encryption key for a destination in Amazon S3. You can use a KMS key to encrypt inventory data in Amazon S3. You must specify a key that exist in the same region as the destination Amazon S3 bucket.
Required: No
Type: String
Update requires: Replacement
BucketName
-
The name of the Amazon S3 bucket where the aggregated data is stored.
Required: Yes
Type: String
Update requires: Replacement
BucketRegion
-
The AWS Region with the Amazon S3 bucket targeted by the Resource Data Sync.
Required: Yes
Type: String
Update requires: Replacement
SyncFormat
-
The format in which Resource Data Sync output will be stored in Amazon S3. The following format is currently supported: JsonSerDe
Required: Yes
Type: String
Update requires: Replacement
SyncName
-
A name for the Resource Data Sync.
Required: Yes
Type: String
Update requires: Replacement
BucketPrefix
-
An Amazon S3 prefix for the bucket.
Required: No
Type: String
Update requires: Replacement
Return Values
Ref
When you pass the logical ID of an AWS::SSM::ResourceDataSync
resource to
the intrinsic Ref
function, the function returns the name of the Resource Data
Sync, such as TestResourceDataSync
.
For more information about using the Ref
function, see Ref.
Examples
AWS Systems Manager Resource Data Sync
The following examples send Inventory data collected from all of your managed instances in the US East (Ohio) Region (us-east-2) to a single Amazon S3 bucket. Resource Data Sync then automatically updates the centralized data when new Inventory data is collected.
JSON
{ "Description": "Create a Resource Data Sync for Systems Manager Inventory", "Resources": { "BasicResourceDataSync": { "Type": "AWS::SSM::ResourceDataSync", "Properties": { "SyncName": "My-USEAST2-Resource-Data-Sync", "BucketName": "my-us-east-2-rds-bucket", "BucketRegion": "us-east-2", "SyncFormat": "JsonSerDe", "BucketPrefix": "rds" } } } }
YAML
--- Description: "Create a Resource Data Sync for Systems Manager Inventory" Resources: BasicResourceDataSync: Type: "AWS::SSM::ResourceDataSync" Properties: SyncName: "My-USEAST2-Resource-Data-Sync" BucketName: "my-us-east-2-rds-bucket" BucketRegion: "us-east-2" SyncFormat: "JsonSerDe" BucketPrefix: "rds"


The Batman: Josh Gad Reveals How Far Along Penguin Casting Talks Got
by John RidlehooverAccording to Josh Gad, he never had a serious conversation with The Batman director Matt Reeves about portraying The Penguin.
Speaking with THR, Gad revealed he and Reeves spoke briefly about the role, though the actor didn't make a "serious attempt" to land it. "It actually started off with me posting a picture one day and just having fun trolling the Internet," he said. "This was before any Penguin project was even announced. This was before Matt Reeves was even attached to do a Batman film. At a certain point, it just became really fun because of the speculation."
Click the button below to start this article in quick view.
"There were talks along the way with DC about it," Gad continued. "There were talks along the way with Matt about it. But, the truth is, I never went in to go discuss it. I never went on tape for it."
The actor went on to mention he's good friends with Reeves and is excited to see The Batman.
The Penguin role would eventually go to Colin Farrell. The character has also been portrayed by Burgess Meredith in Batman '66, Danny DeVito in 1992's Batman Returns and Robin Lord Taylor in the Fox series Gotham.
Directed and co-written by Matt Reeves, The Batman stars Robert Pattinson, Zoë Kravitz, Andy Serkis, Colin Farrell, Paul Dano, Jeffrey Wright, John Turturro and Jayme Lawson. The film arrives June 25, 2021.
https://schema.orgBreadcrumbListListItem1Homehttps://www.cbr.com/ListItem2Movieshttps://www.cbr.com/category/movies/ListItem3Movie Newshttps://www.cbr.com/category/movies/news-movies/ListItem4The Batman: Josh Gad Reveals How Far Along Penguin Casting Talks Gothttps://www.cbr.com/the-batman-josh-gad-penguin-casting-talks/


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Wentworth Miller
English-born American actor and screenwriter. He rose to prominence following his role as Michael Scofield in the five seasons of the Fox series Prison Break, for which he received a Golden Globe Award nomination for Best Actor in a Leading Role.


Collecting information for deletion: Deleting: {$ ctrl.model.counted.files $} files in {$ ctrl.model.counted.folders $} folders.
Encountered {$ ctrl.model.deleted.failures $} failures.


| ${value}% Chance to Dodge Attacks | 5 6.2 7.4 8.6 9.8 11 12.2 13.4 14.6 15.8 17 18.2 |
| +${value} Defensive Ability | 11 17 23 29 35 41 47 60 66 72 80 90 |
| +${value}% Attack Speed | 5 7 9 10 12 14 16 18 19 21 23 25 |
| +${value}% Offensive Ability | 5 7 9 10 12 14 16 18 19 21 23 25 |
| MaxLevel | 8 |
| UltimateLevel | 12 |


Now that we have the Album module set up with controller action methods and view scripts, it is time to look at the model section of our application. Remember that the model is the part that deals with the application’s core purpose (the so-called “business rules”) and, in our case, deals with the database. We will make use of the Zend Framework class Zend\Db\TableGateway\TableGateway which is used to find, insert, update and delete rows from a database table.
We are going to use MySQL, via PHP’s PDO driver, so create a database called zf2tutorial, and run these SQL statements to create the album table with some data in it.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 | CREATE TABLE album (
id int(11) NOT NULL auto_increment,
artist varchar(100) NOT NULL,
title varchar(100) NOT NULL,
PRIMARY KEY (id)
);
INSERT INTO album (artist, title)
VALUES ('The Military Wives', 'In My Dreams');
INSERT INTO album (artist, title)
VALUES ('Adele', '21');
INSERT INTO album (artist, title)
VALUES ('Bruce Springsteen', 'Wrecking Ball (Deluxe)');
INSERT INTO album (artist, title)
VALUES ('Lana Del Rey', 'Born To Die');
INSERT INTO album (artist, title)
VALUES ('Gotye', 'Making Mirrors');
|
(The test data chosen happens to be the Bestsellers on Amazon UK at the time of writing!)
We now have some data in a database and can write a very simple model for it.
Zend Framework does not provide a Zend\Model component because the model is your business logic and it’s up to you to decide how you want it to work. There are many components that you can use for this depending on your needs. One approach is to have model classes represent each entity in your application and then use mapper objects that load and save entities to the database. Another is to use an Object-relational mapping (ORM) technology, such as Doctrine or Propel.
For this tutorial, we are going to create a very simple model by creating an AlbumTable class that uses the Zend\Db\TableGateway\TableGateway class in which each album object is an Album object (known as an entity). This is an implementation of the Table Data Gateway design pattern to allow for interfacing with data in a database table. Be aware though that the Table Data Gateway pattern can become limiting in larger systems. There is also a temptation to put database access code into controller action methods as these are exposed by Zend\Db\TableGateway\AbstractTableGateway. Don’t do this!
Let’s start by creating a file called Album.php under module/Album/src/Album/Model:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 | namespace Album\Model;
class Album
{
public $id;
public $artist;
public $title;
public function exchangeArray($data)
{
$this->id = (!empty($data['id'])) ? $data['id'] : null;
$this->artist = (!empty($data['artist'])) ? $data['artist'] : null;
$this->title = (!empty($data['title'])) ? $data['title'] : null;
}
}
|
Our Album entity object is a simple PHP class. In order to work with Zend\Db’s TableGateway class, we need to implement the exchangeArray() method. This method simply copies the data from the passed in array to our entity’s properties. We will add an input filter for use with our form later.
Next, we create our AlbumTable.php file in module/Album/src/Album/Model directory like this:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 | namespace Album\Model;
use Zend\Db\TableGateway\TableGateway;
class AlbumTable
{
protected $tableGateway;
public function __construct(TableGateway $tableGateway)
{
$this->tableGateway = $tableGateway;
}
public function fetchAll()
{
$resultSet = $this->tableGateway->select();
return $resultSet;
}
public function getAlbum($id)
{
$id = (int) $id;
$rowset = $this->tableGateway->select(array('id' => $id));
$row = $rowset->current();
if (!$row) {
throw new \Exception("Could not find row $id");
}
return $row;
}
public function saveAlbum(Album $album)
{
$data = array(
'artist' => $album->artist,
'title' => $album->title,
);
$id = (int) $album->id;
if ($id == 0) {
$this->tableGateway->insert($data);
} else {
if ($this->getAlbum($id)) {
$this->tableGateway->update($data, array('id' => $id));
} else {
throw new \Exception('Album id does not exist');
}
}
}
public function deleteAlbum($id)
{
$this->tableGateway->delete(array('id' => (int) $id));
}
}
|
There’s a lot going on here. Firstly, we set the protected property $tableGateway to the TableGateway instance passed in the constructor. We will use this to perform operations on the database table for our albums.
We then create some helper methods that our application will use to interface with the table gateway. fetchAll() retrieves all albums rows from the database as a ResultSet, getAlbum() retrieves a single row as an Album object, saveAlbum() either creates a new row in the database or updates a row that already exists and deleteAlbum() removes the row completely. The code for each of these methods is, hopefully, self-explanatory.
In order to always use the same instance of our AlbumTable, we will use the ServiceManager to define how to create one. This is most easily done in the Module class where we create a method called getServiceConfig() which is automatically called by the ModuleManager and applied to the ServiceManager. We’ll then be able to retrieve it in our controller when we need it.
To configure the ServiceManager, we can either supply the name of the class to be instantiated or a factory (closure or callback) that instantiates the object when the ServiceManager needs it. We start by implementing getServiceConfig() to provide a factory that creates an AlbumTable. Add this method to the bottom of the Module.php file in module/Album.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 | namespace Album;
// Add these import statements:
use Album\Model\Album;
use Album\Model\AlbumTable;
use Zend\Db\ResultSet\ResultSet;
use Zend\Db\TableGateway\TableGateway;
class Module
{
// getAutoloaderConfig() and getConfig() methods here
// Add this method:
public function getServiceConfig()
{
return array(
'factories' => array(
'Album\Model\AlbumTable' => function($sm) {
$tableGateway = $sm->get('AlbumTableGateway');
$table = new AlbumTable($tableGateway);
return $table;
},
'AlbumTableGateway' => function ($sm) {
$dbAdapter = $sm->get('Zend\Db\Adapter\Adapter');
$resultSetPrototype = new ResultSet();
$resultSetPrototype->setArrayObjectPrototype(new Album());
return new TableGateway('album', $dbAdapter, null, $resultSetPrototype);
},
),
);
}
}
|
This method returns an array of factories that are all merged together by the ModuleManager before passing to the ServiceManager. The factory for Album\Model\AlbumTable uses the ServiceManager to create an AlbumTableGateway to pass to the AlbumTable. We also tell the ServiceManager that an AlbumTableGateway is created by getting a Zend\Db\Adapter\Adapter (also from the ServiceManager) and using it to create a TableGateway object. The TableGateway is told to use an Album object whenever it creates a new result row. The TableGateway classes use the prototype pattern for creation of result sets and entities. This means that instead of instantiating when required, the system clones a previously instantiated object. See PHP Constructor Best Practices and the Prototype Pattern for more details.
Finally, we need to configure the ServiceManager so that it knows how to get a Zend\Db\Adapter\Adapter. This is done using a factory called Zend\Db\Adapter\AdapterServiceFactory which we can configure within the merged config system. Zend Framework 2’s ModuleManager merges all the configuration from each module’s module.config.php file and then merges in the files in config/autoload (*.global.php and then *.local.php files). We’ll add our database configuration information to global.php which you should commit to your version control system. You can use local.php (outside of the VCS) to store the credentials for your database if you want to. Modify config/autoload/global.php (in the Zend Skeleton root, not inside the Album module) with following code:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 | return array(
'db' => array(
'driver' => 'Pdo',
'dsn' => 'mysql:dbname=zf2tutorial;host=localhost',
'driver_options' => array(
PDO::MYSQL_ATTR_INIT_COMMAND => 'SET NAMES \'UTF8\''
),
),
'service_manager' => array(
'factories' => array(
'Zend\Db\Adapter\Adapter'
=> 'Zend\Db\Adapter\AdapterServiceFactory',
),
),
);
|
You should put your database credentials in config/autoload/local.php so that they are not in the git repository (as local.php is ignored):
1 2 3 4 5 6 | return array(
'db' => array(
'username' => 'YOUR USERNAME HERE',
'password' => 'YOUR PASSWORD HERE',
),
);
|
Now that the ServiceManager can create an AlbumTable instance for us, we can add a method to the controller to retrieve it. Add getAlbumTable() to the AlbumController class:
1 2 3 4 5 6 7 8 9 | // module/Album/src/Album/Controller/AlbumController.php:
public function getAlbumTable()
{
if (!$this->albumTable) {
$sm = $this->getServiceLocator();
$this->albumTable = $sm->get('Album\Model\AlbumTable');
}
return $this->albumTable;
}
|
You should also add:
1 | protected $albumTable;
|
to the top of the class.
We can now call getAlbumTable() from within our controller whenever we need to interact with our model.
If the service locator was configured correctly in Module.php, then we should get an instance of Album\Model\AlbumTable when calling getAlbumTable().
In order to list the albums, we need to retrieve them from the model and pass them to the view. To do this, we fill in indexAction() within AlbumController. Update the AlbumController’s indexAction() like this:
1 2 3 4 5 6 7 8 9 | // module/Album/src/Album/Controller/AlbumController.php:
// ...
public function indexAction()
{
return new ViewModel(array(
'albums' => $this->getAlbumTable()->fetchAll(),
));
}
// ...
|
With Zend Framework 2, in order to set variables in the view, we return a ViewModel instance where the first parameter of the constructor is an array from the action containing data we need. These are then automatically passed to the view script. The ViewModel object also allows us to change the view script that is used, but the default is to use {controller name}/{action name}. We can now fill in the index.phtml view script:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 | <?php
// module/Album/view/album/album/index.phtml:
$title = 'My albums';
$this->headTitle($title);
?>

<?php echo $this->escapeHtml($title); ?>

<a href="<?php echo $this->url('album', array('action'=>'add'));?>">Add new album

Title
Artist

<?php foreach ($albums as $album) : ?>

<?php echo $this->escapeHtml($album->title);?>
<?php echo $this->escapeHtml($album->artist);?>

<a href="<?php echo $this->url('album',
array('action'=>'edit', 'id' => $album->id));?>">Edit
<a href="<?php echo $this->url('album',
array('action'=>'delete', 'id' => $album->id));?>">Delete

<?php endforeach; ?>

|
The first thing we do is to set the title for the page (used in the layout) and also set the title for the  section using the headTitle() view helper which will display in the browser’s title bar. We then create a link to add a new album.
The url() view helper is provided by Zend Framework 2 and is used to create the links we need. The first parameter to url() is the route name we wish to use for construction of the URL, and the second parameter is an array of all the variables to fit into the placeholders to use. In this case we use our ‘album’ route which is set up to accept two placeholder variables: action and id.
We iterate over the $albums that we assigned from the controller action. The Zend Framework 2 view system automatically ensures that these variables are extracted into the scope of the view script, so that we don’t have to worry about prefixing them with $this-> as we used to have to do with Zend Framework 1; however you can do so if you wish.
We then create a table to display each album’s title and artist, and provide links to allow for editing and deleting the record. A standard foreach: loop is used to iterate over the list of albums, and we use the alternate form using a colon and endforeach; as it is easier to scan than to try and match up braces. Again, the url() view helper is used to create the edit and delete links.
Note
We always use the escapeHtml() view helper to help protect ourselves from Cross Site Scripting (XSS) vulnerabilities (see http://en.wikipedia.org/wiki/Cross-site_scripting).
If you open http://zf2-tutorial.localhost/album you should see this:
The source code of this file is hosted on GitHub. Everyone can update and fix errors in this document with few clicks - no downloads needed.


--- layout: post date: 2012-10-05 time: "10:00:00" authors: ["Ben Waugh"] title: UCL Researchers to Get Help with Software Development tags: ["Community"] ---
University College London (UCL) has hired a team leader to start a three-person team for Research Software Development. James Hetherington will spend a lot of his time in the next few months talking to those of us working in various areas of research, so we will get to provide some input into the team's activities. However, we do know what they will be offering advice and consultation on software development best practices, including the fundamentals as well as the headline-grabbing HPC work, and hosting version control and issue tracking services.


#section("content")
You are not alone. More than one person may try to edit a blog post at the same time.
If two editors make changes and then save the same post simultaneously, the last saver "wins".
ETag comes to our rescue with support for optimistic concurrency control.
Your goal in this task is to change the API so that the last saver does not inadvertently overwrite changes saved by someone else.


--- prev_page: '/examples/examples_intro.html' next_page: '/examples/examples_sampling_from_a_population.html' --- {% raw %}
# HIDDEN
# Clear previously defined variables
%reset -f
# HIDDEN
from datascience import *
import matplotlib
matplotlib.use('Agg', warn=False)
%matplotlib inline
import matplotlib.pyplot as plots
plots.style.use('fivethirtyeight')
import numpy as np
# Interaction
from IPython.display import display
from functools import partial
from ipywidgets import interact, interactive, fixed, interact_manual
import ipywidgets as widgets
import nbinteract as nbi
Much of data science involves data from large random samples. In this section we will examine some properties of such samples.
We will start with a simple experiment: rolling a die multiple times and keeping track of which face appears.   We say that the histogram shows the distribution of probabilities over all the possible faces. Since all the bars represent the same percent chance, the distribution is called uniform on the integers 1 through 6.
die_options = {'bins': 6, 'xlim': (1, 7), 'ylim': (0, 0.2)}
nbi.hist(die.column('Face'), options=die_options)
Variables whose successive values are separated by the same fixed amount, such as the values on rolls of a die (successive values separated by 1), are called discrete. The histogram above is called a discrete histogram. Its bins are specified by the array die_bins
and ensure that each bar is centered over the corresponding integer value.
It is important to remember that the die can't show 1.3 spots, or 5.2 spots – it always shows an integer number of spots. But our visualization spreads the probability of each value over the area of a bar. While this might seem a bit arbitrary at this stage of the course, it will become important later when we overlay smooth curves over discrete histograms.
Before going further, let's make sure that the numbers on the axes make sense. The probability of each face is 1/6, which is 16.67% when rounded to two decimal places. The width of each bin is 1 unit. So the height of each bar is 16.67% per unit. This agrees with the horizontal and vertical scales of the graph.
The distribution above consists of the theoretical probability of each face. It is not based on data. It can be studied and understood without any dice being rolled.
Empirical distributions, on the other hand, are distributions of observed data. They can be visualized by empirical histograms.
Let us get some data by simulating rolls of a die. This can be done by sampling at random with replacement from the integers 1 through 6. To do this using Python, we will use the Table method sample
, which draws at random with replacement from the rows of a table. Its argument is the sample size, and it returns a table consisting of the rows that were selected. An optional argument with_replacement=False
specifies that the sample should be drawn without replacement, but that does not apply to rolling a die.
Here are some results of 10 rolls of a die. Drag the slider right to see different samples.
def die_sample_10(sample_num=0):
return die.sample(10)
_ = interact(die_sample_10, sample_num=(0, 20))
We can use the same method to simulate as many rolls as we like, and then draw empirical histograms of the results. Because we are going to do this repeatedly, we define a function empirical_die_rolls
that takes as its argument the sample size; the function rolls the die as many times as its argument and then returns the die rolls in an array.
def empirical_die_rolls(n_rolls, sample_num=0):
return die.sample(n_rolls).column('Face')
Here is an empirical histogram of 10 rolls. It doesn't look very much like the probability histogram above. Drag the slider to look at different sets of 10 rolls.
die_options = {'bins': 6, 'xlim': (1, 7), 'ylim': (0, 0.3)}
nbi.hist(empirical_die_rolls, options=die_options,
n_rolls=fixed(10), sample_num=(0, 20))
When the sample size increases, the empirical histogram begins to look more like the histogram of theoretical probabilities. Try it out!
nbi.hist(empirical_die_rolls, options=die_options,
n_rolls=(10, 1000, 10),
sample_num=(0, 20))
As we increase the number of rolls in the simulation, the area of each bar gets closer to 16.67%, which is the area of each bar in the probability histogram.
What we have observed in an instance of a general rule:
If a chance experiment is repeated independently and under identical conditions, then, in the long run, the proportion of times that an event occurs gets closer and closer to the theoretical probability of the event.
For example, in the long run, the proportion of times the face with four spots appears gets closer and closer to 1/6.
Here "independently and under identical conditions" means that every repetition is performed in the same way regardless of the results of all the other repetitions.


Simple CRUD Notes
This application demonstrates how a Helidon application implements a CRUD endpoint to manage simple notes. This simple frontend interacts via REST APIs with the Helidon Backend.
Behind the scenes, we have:
- Oracle JET for the UI
- Helidon MP as the microservices framework
- EclipseLink ORM taking care of all CRUD operations
- JAX-RS powering the REST API
- CDI based dependency injection framework
- HikariCP for datasource implementation
- Kubernetes as a Container Platform
- Jenkins for CI/CD
- Oracle for Database persistence


Pep Guardiola praises Frank Lampard and his Chelsea FC team
Pep Guardiola has his say on Chelsea FC's impressive start to the season under Frank Lampard
by The Sport Review staffPep Guardiola has heaped praise on Frank Lampard for the solid start he has made to life in charge of Chelsea FC.
Lampard was brought in as Chelsea FC’s new manager back in July after Maurizio Sarri left the club after just one season in charge.
The former England international had his hands tied in the summer transfer window due to the club’s transfer ban, and Lampard has earned praise for choosing to place his faith in young players this season.
The likes of Tammy Abraham, Mason Mount and Fikayo Tomori have been regular fixtures in the Chelsea FC team this season and have helped them to gradually climb the Premier League table.
There have been some comparisons drawn between Lampard’s start at Chelsea FC and Guardiola’s initial years in charge at FC Barcelona.
And Guardiola was asked about the possible similarities before Chelsea FC’s trip to Manchester City in the Premier League this weekend.
Speaking before the game, Guardiola said: “In those terms it is quite similar, he was not with the second team for Chelsea, but yes, in those terms you could say there is a comparison, but it’s too early.
“He’s just done one and a half years, I’ve done longer as I’m older but he has the future in his hands. From the beginning under Frank his team has played good.
“They have been consistent with his ideas and I’m happy for him. I know him a little bit and I know when he was here at City he was an excellent person.
“For English football it’s great when young English guys take over.
“It is similar to when I arrived at Barcelona maybe – not many people trusted me. Maybe Frank is similar, it will be difficult if he didn’t get results but look now. When nobody trusts you it’s perfect. If nobody trusts you it’s perfect.
“If you don’t have doubts and be clear what you want to do, it’s easier than to do a big job in Chelsea or Barcelona as you have incredible players, the results can come.”
Chelsea FC will return to Champions League action on Wednesday night with a trip to Spain to face Valencia.
They will then take on West Ham United at home in the Premier League next Saturday afternoon.


sru:version: 1.2; sru:query: cql.serverChoice==water; fcs:x-context: arz_eng_006; fcs:x-dataview: kwic,title; sru:baseUrl: http://<IP_ADDRESS>/vicav2/corpus_shell/modules/mysqlonsru/GlossaryOnSRU.php; fcs:returnedRecords: 1; fcs:numberOfMatches: ; fcs:duration: 0.0; fcs:transformedQuery: SELECT ndx.txt, base.entry, base.sid, COUNT(*) FROM arz_eng_006 AS base INNER JOIN (SELECT ndx.id, ndx.txt FROM arz_eng_006_ndx AS ndx WHERE ndx.txt = 'water' GROUP BY ndx.id) AS ndx ON base.id = ndx.id GROUP BY base.sid LIMIT 0, 10;
ṃayyaمية
POS
noun
Root
ṃāʔ
food
waterWasser
bitišṛab ṃayya maʕdaniyya.She drinks mineral water.Sie trinkt Mineralwasser.


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A channel to discuss trading. For useful links and more info click the pinned messages to the right.
100 messages
Before 05-Dec-19 12:00 AM
Hollowman900026-Jun-18 05:13 PM
It’s a free universe
Let the tards buy whatever tardcoin they want
actionslacks26-Jun-18 05:21 PM
cryptocurrency investing = special education. Choose your short bus wisely.
Hollowman900026-Jun-18 05:25 PM
True
I’ve been around and licked my fair share of windows
Got dat speriance son
Andersen26-Jun-18 06:24 PM
Very funny tread , atomicwallet says they ready to swap XMR about 2 week or 2 mohths , XMR contributors ask them some tech ........... and LOL - they never heard timelocks
@Andersen
It's an intriguing strategy -- announce first, set an unmanageable and unforgiving deadline to motivate yourself, and then find out whether or not you can do it.
If it works, it will be f'ing brilliant!

 I have two
ComputerGenie27-Jun-18 12:14 AM
I'll give you 1 KMD each
bishop27-Jun-18 12:18 AM
Was thinking 40 kmd each, else probably buy two more miners prior to them expiring
ComputerGenie27-Jun-18 12:20 AM
Giving away $370 or spending $2k...
decisions.... decisions.... decisions....