Evolife
Jean-Louis Dessalles
Telecom ParisTech
www.dessalles.fr
2. How to execute Evolife (+ download)
7. Create your
own Evolife scenario
8. Use Evolifes
components separately (graphics, ecology, genetic algorithm)
Installation
The latest version of Evolife can be downloaded from: Evolife.zip
(older
versions: Evolife-2013-4.zip Evolife-2012-3c.zip)
You may extract the Evolife directory into an appropriate
location.
If you dont know how to extract files from the archive (normally, you
do it by merely clicking on it), you may copy the following two lines into a
text file named unzip.py:
import zipfile, sys
zipfile.ZipFile(sys.argv[-1]).extractall()
and then execute the
command: python unzip.py Evolife.zip
- Evolife is written in Python (http://www.python.org/) and should therefore
run on various platforms. You should install Python first. The current version of Evolife runs with versions from 2.4 to 2.7 of
Python. It has not yet been adapted to Python 3.0.
- Evolife graphics uses the PyQT4 package.
- Optional, but useful: library psyco, once
installed, makes Evolife run three time faster on certain
versions of Python. For python 2.6, you get psyco from there. Psyco does not seem to be available for higher versions of
python.
Execution
On Unix or Linux: The first time, execute the command: python first.py
Then, Evolife is launched by executing the
command ./starter
from the Evolife directory.
On MsWindows: Run Starter.bat from the Evolife directory.
Starter shows a configuration editor that allows you
to choose a scenario and to modify parameters, before running Evolife by clicking the [Run] button.
The
Evolife Configuration Editor
The configuration editor provides a short description of each parameter at the
bottom of the window.
The [Load] button loads an existing scenario. You may modify any parameter
value. It is recommended to start from an existing scenario when creating a new
one. If you need to add new parameters or modify the names of existing ones,
simply edit the EvolifeConfigTree.html file before executing Stater.bat.
The [Run] button executes Evolife. To do so, parameter values are
stored in Evolife.evo, and Main.py is executed. If you execute Main.py directly (sometimes useful to
display an error when you customize Evolife), it will read Evolife.evo.
Configuration files (.evo files) are text files containing parameter-value pairs (one pair per
line, separated by tab; integer values only). The scenario name is indicated by
a variable beginning with S_.
You may modify any Python source under the Evolife directory, but you will most probably start by modifying the scenarios
(see below).
If you experience difficulties with tabs
in your Python editor, you may execute ./Detabify.py (located in the Evolife directory) to replace all tabs by four spaces in all Python source
files.
Predefined scenarios are located in the Scenarii directory. You may choose to add
your own scenario in this directory. Alternatively, you may rename and modify S_Void.py. When writing your scenario, you
can redefine any of the functions found in Default_Scenario.py. To do so, you may cut and paste
functions from various scenarios in the Scenarii directory into your scenario.
As it stands, Main.py gives control to the Evolife main window and the simulation is run from there. However, the
simulation is kept separate from the window system. For specific applications
or tests, you may prefer to run the simulation step by step without any graphic
visualization. To do so, set the BatchMode parameter in the Configuration Editor (Starter). In that case, no display takes place.
The output of Evolife are stored in the following files, placed by
default in the ___Result directory:
-
<scen>.csv or <scen>_081016235225.csv (where <Scen> is the name of the scenario):
contains the results of a single experiment. The longer name appears in batch
mode only, indicating that the simulation was launched on October 16th,
2008, at 11h52 pm. This file contains the coordinates of the various curves
that would have been displayed by Evolife if not in batch mode. This file can be
executed using Microsoft-Excel or equivalent.
-
<scen>.res or <scen>_081016235225.res (where <Scen> is the name of the scenario):
contains the average results of a single experiment. Such files may be
concatenated to average over several experiments.
When not in batch mode, running
several instances of Evolife simultaneously will cause these
output files to be overwritten by the last terminating instance.
The file Evolife_.evo (on the Evolife directory) contains the values of parameters actually used in the simulation (note the trailing underscore).
Buttons
[Genome]: Displays
the genomes of the population
- Each
horizontal line represents the genome of one individual
-
Vertical patterns result from correlations between individuals
[Photo]: Enters
Photo Mode:
-
Prints a few data on the console
-
Saves a screenshot for each opened window. Caveat: these are screenshot:
Screenshots are saved automatically depending
on Display Period, in .png files.
These files can be assembled into animated
gifs e.g. using ImageMagick.
If you enter Film mode (by pressing key 'v'),
photos are taken automatically
at each display
period.
-
Saves the current plots in 'Evolife.csv' (which may
be opened with Excel).
This file is also created when exiting
Evolife.
[Run]: Runs
the simulation in continuous mode
[Step]: Runs
the simulation stepwise
[T]: Displays
trajectories (when applicable)
[A]: Displays
alliances (social links between individuals, sorted by competence) (when
applicable)
[F]: Displays
agents' positions on a 2-D field
[L]: Log
messages (not implemented)
[Help]: Displays
this help file
Shortcuts
<Esc>: quits
the active window (and the application if main window is active) (like 'q')
<F1>: displays
this help file
<space>: runs the simulation one step forward (like
's')
a: displays
alliances (social links between individuals, sorted by competence) (when applicable)
c: runs
the simulation in continuous mode (like 'r')
f: displays
a 2-D field on which agents may be located
g: displays
genomes
h: displays
this help file
l: displays
log messages (not implemented)
m: alternatively
brings main window or satellite windows to foreground
q: quits
the active window (and the application if main window is active) (like
<Esc>)
r: runs
the simulation in continuous mode (like 'c')
s: runs
the simulation one step forward (like <space>)
t: displays
trajectories (when applicable)
v: enters
film mode. One picture per opened window is recorded
z: shrinks
satellite windows (genomes, alliances, labyrinth...) (dezoom)
-: shrinks
satellite windows (genomes, alliances, labyrinth...) (dezoom)
+: expands
satellite windows (genomes, alliances, labyrinth...) (zoom)
(these shortcuts are
also available from satellite windows)
2. How to execute Evolife (+ download)
7. Create your
own Evolife scenario
8. Use Evolifes
components separately (graphics, ecology, genetic algorithm)
Evolife
Jean-Louis Dessalles
Telecom ParisTech
www.dessalles.fr


There are pre-built artifacts of FoBo available, see FoBo readme update log section for latest stable and SNAPSHOT versions. Also for more information on how to set things up there is also a integration section to show you how to integrate the module into your project.
To initiate the FoBo module, chose the Toolkit(s) option(s) you prefer and then call FoBo.init() from your lift projects Boot.
This demo uses the following FoBo module(s) setup in lift Boot.
|
In Lift's html5 template:s add (depending on your setup) something like this:
|
Note the uniform setup without any version references in the html templates or any appended -min.css/-min.js as FoBo takes care of that for you, making way for a smooth(er) toolkit upgrade. For more information see the FoBo modules Github.


User: A - can see Home, B - can see book, C- can add new Book
The Auth service is simulated -> we record token and user in localStorage
A server with token returns a group and name of user
Auth service have method getGroup()
Some Components are deleted from the DOM for some groups
The router guard does not allow us to manually enter the route that is defended
The ultimate protection is on the server. Each http request is sent with a Token, so the server can decide how to proceed.
A json-server that does not support any of these ... :-)
And should use https ...


RATING: 7/10 --> Good movie
For more reviews and movie wallpapers/screensavers, visit http://www.joblo.com/
One of my most cherished possessions to this day remains the NM (Near Mint) copy of X-Men#4, for which I overpaid about a decade ago (according to my dad), but which today, makes me look like a friggin' financial genius! I love comic books. I've got about a thousand of them locked up in my basement, and some of my nicest memories from the days o' puberty, are of me nestled up in a corner with a copy of the early B&W Teenage Mutant Ninja Turtles or the original Judge Dredd comics nestled in my lap. Sure, I haven't read them in a while, but I know they're there, and one day...I will go back.
Having said all that, I never really got into the X-Men comics. Not because I didn't like them or anything, I just never got around to them. Spidey, Batman, Punisher were always so much cooler. And the movie, you say? Well, that's another story.
PLOT: This film is set in the near future, a time during which mutant humans are running rampant among us. These special people each have their own particular powers distinguishing themselves from each other and the rest of society. The human race is not sure how to deal with these hybrid beings, and is considering certain policies regarding their governance. The good mutants are trying to work with the humans, while the bad mutants are just pissed. Clashes ensue.
CRITIQUE: A good beginning to a possible franchise property, this film gives us a good chunk of background on the characters, tosses in a few exciting fight sequences, cool special effects and the other bad mutha of the summer: Wolverine! Was this a great film? No. Was this a bad film? No way. It was good. It did what it needed to do, and that was to entertain me for an hour and a half, present me with many interesting and unique characters, sprinkle in some moments of levity and color me comic-ally entertained. Add all that to the tight tops on the mutant girls and I personally consider this to be a very welcome start to the latest comic book gone Hollywood. And did the majority of the characters win me over in the end?  Of course, everyone and their uncle is gonna have a favorite and not-so by next week, so let's see which ones appealed to me. I really loved Wolverine the most, dug Professor X and Rogue, especially the performances set forth by Patrick Stewart and Anna Paquin, but not much else on the "good" mutants front. Didn't much care for Storm or Halle Berry's "now-you-hear-it now-you-don't" Jamaican accent, nor the jawline presented to us by Cyclops, although the banter between him and Wolvie did hit the mark.
The biggest problem that I did have with the film, or any of its characters for that matter, was the fact that the "bad guy", the main man leading this mutant revolution against the humans was...well, how could I put it, an old man! I'm not exactly sure if the character of Magneto was so old in the comic books, but even if he was, the sight of Ian McKellen flying around in those tights and helmet just didn't do it for me. I wish they would have picked a more intimidating foe. That aside, I loved the character of Toad and his long, twisty tongue, Mystique and her ultra-cool powers a la chameleon and even Sabretooth, despite his feeble-mindedness. The special effects were also all very well presented and even more importantly, not overplayed. A little more action would have been appreciated, especially during the film's first 20 minutes or so, but I suppose the film's final 20 clicks kinda make up for all that. And keep your eyes peeled for one of the cooler fight sequences of the year, with Mystique and Wolverine going all out near the tail-end of this thing. Kicking all kinds of ass with two very cool characters turning in one very slick battle! In fact, I haven't said enough about Wolverine. He is all over this movie, he's the loner, the outsider, the drinker, the guy who doesn't need help from anyone, but gets the looks from the girls and has a tender heart deep down inside. Hugh Jackman does an excellent job as Wolvie and gives you just enough juice to pepper up the rest of the good mutants and their ho-hum ways.
And remember that you don't need to have read the comic book or even known anything about the X-Men before this film to really appreciate this movie as the solid, comic book adventure that it is. It's a fun, summer romp. Real fans will likely get a little more out of it, especially with the couple of in-jokes tossed in and around. All in all, the film does leave you wanting more and I guess that for the first of a possible many others...that's the best that we could ask for. And oh yeah...Wolvie rules!
Review Date: July 12, 2000 Director: Bryan Singer Writer: David Hayter Producers: Lauren Shuler Donner and Ralph Winter Actors: Patrick Stewart as Professor X Ian McKellen as Magneto Hugh Jackman as Wolverine Anna Paquin as Rogue Genre: Action Year of Release: 2000 ------------------------------------ JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------ (c) 2000 Berge Garabedian
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


"Yi-Yi"
NJ Jian (Wu Nienjen) is at a mid-life crossroads but doesn't know it. His family suffers through one crisis after another and his business, prosperous only a year ago, is on the brink of bankruptcy. He is beginning to question the direction his life has taken when he has a chance encounter with Sherry (Ke Suyun), his first love and the girl he left behind, without a word, decades ago. But, this is just the beginning of the stories of the people who populate the family drama from Taiwan, director Edward Yang's "Yi-Yi."
The "normal" problems of NJ's existence are further complicated on the day (a fortuitous one according to the almanac) his debt-ridden brother-in-law, A-Di (Chen Xisheng), gets married to the very pregnant Xiao Yan (Xiao Shushen). The wedding, a raucous affair, is disrupted with the appearance of Yun-Yun (Zeng Xinyi), A-Di's jilted girlfriend. NJ and his wife, Min-Min (Elaine Jin), are suddenly called away from the reception when they learn that Min-Min's mother collapsed and was rushed to the hospital.
Grandma (Tang Ruyun) is sent home, in a coma, to be cared for by her family. Although it is unlikely that she will recover, the doctor encourages the other family members to talk to the unconscious grandmother because, maybe, she can hear them. Min-Min can't take the strain as she comes to realize that her life is wasted - "I tell grandma about my day and it only takes a minute," she bemoans as she runs off to seek the guidance of her spiritual teacher, the Master. Her children, Ting-Ting (Kelly Lee) and Yang-Yang (Jonathan Chang), also have problems talking to the silent grandma. Ting-Ting blames herself for grandma's mishap, while Yang-Yang refuses to talk to his grandmother at all.
Meanwhile, NJ is trying to save his stagnant company and it is suggested that he and his partners team up with a brilliant Japanese games designer, Ota (Issey Ogata). NJ is chosen to wine and dine the innovator and a fast friendship develops between the two men. But, the plans they make are soon subverted by NJ's partners who make a deal with a Taiwan tycoon, Boss Huang, and opt to use pirated software rather than the quality product that Ota can provide.
While all this is going on, Ting-Ting begins a romance with Fatty after he tells her he is no longer dating Lili (Adrian Lin), Ting-Ting's new neighbor and friend. Eight year old Yang-Yang gets in trouble at school and has no one to turn to with mom in the mountains and dad trying to save his business. Little Yang-Yang also harbors a crush on a pretty classmate who swims. A-Di's investment manager has gone broke and fled the country, leaving the luckless A-Di with nothing. Yun-Yun still feels she has control over A-Di and crashes the couple's baby shower. Xiao Yan later finds A-Di unconscious in a gas filled bathroom. Is it by accident or by design?
NJ, thinking the deal with Ota is genuine, heads to Tokyo for more discussion and, coincidentally, to meet Sherry. His jilted lover still carries a torch for the handsome, taciturn NJ, but he tells her, during a private interlude, that he does not have those feelings anymore. He left her, decades before, because he could not tell her, then, that she and her mother were stifling him and forcing him down a path not wanted. Ongoing, also, are the underhanded dealings of NJ's partners as Boss Huang forms an "alliance" with the sexy owner of the knock off company and drives NJ's business further down. On the home front, Ting-Ting is summoned from school and learns that Fatty has attacked and brutally murdered a tutor who has been having an affair with Fatty's old lover, Lili, and her mother.
There is even more going on in this epic-scoped soap opera of the life of an extended family than what I have already described. The complex story, written by helmer Yang, is a rich mining of the emotions, needs and desires of normal people. Far from creating larger-than-life beings whose problems are loftier than those for us mere mortals, the world of "Yi-Yi" teams with average folk with very human flaws.  He learned, early in his life, to go after what he wanted, not what was expected of him. As his family faces their own crises, NJ, from the time he spent with the deep-thinking Ota, relearns the lessons of life, once again taking matters into his own hands.
With NJ as the anchor of "Yi-Yi" (English title is "A One and a Two?"), the rest of the players are given free reign on their individual tales of love, sadness, pain and pleasure. Some stories, like NJ and Ota and NJ and Sherry, are more compelling than the others, but they are all intriguing in their own way. This is one of those rare films, with a run-time of 173 minutes, which you beg to continue when the credits start to roll. Edward Yang ties things up nicely at the end, but his storytelling is so masterful that you want to see what happens next in this elegant family drama.
Capitalizing on the rich screenplay is the textured, beautifully composed photography by Yang Weihan who frames every shot like a gorgeous photograph. Helmer Yang uses the extended, near silent photography to allow us to linger on the images up on the screen. It's almost like a leisurely stroll in an art gallery to gander at the works of a master. The languid pace afforded the wonderful cinematography pads the running time considerably, but is such a visual pleasure you don't notice the time. The visual impact of the film is key to its overall high quality. Of course, production design, costume, the brilliant use of colors to change the films mood and the rest of the techs all contribute to this superior work.
The vast ensemble cast revolves around Wu Nienjen as NJ. The screenwriter turned actor/director plays the strong, silent type here, but a man with a great deal of emotion and feeling under his inscrutable surface. The terrific cast around him is too numerous to catalogue, but they all give solid performances right down to little Yang-Yang, whose final speech over grandma's casket tells it all. From the mouths of babes?.
"Yi-Yi" is a true universal film that has appeal across cultural and racial boundaries as it tells its stories of the day-to-day lives and plights of normal people in normal, and sometimes not-so-normal, times as they cope with life's difficulties, both large and small. Kudos to Edward Yang with his Taiwan-contender for Best Foreign Film this year. I give it an A.
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Deadlinr
Create your personal wall with the upcoming deadlines visualization.
{{#error}}
Validation error. Please, provide a valid Email address!
{{/error}}
Create a Wall


The XAF Solution Wizard has successfully generated the solution according to your settings.
- The SenDev.DashboardsDemo.Module project keeps your platform-agnostic code.
Add persistent objects code to the Business Objects folder of this project and XAF will automatically create a UI to create, read, update and delete these persistent objects.
- The SenDev.DashboardsDemo.Win project is a startup project for the desktop application.
- The SenDev.DashboardsDemo.Web project is a startup project for the web application.
- To specify the database used by your application, modify the ConnectionString attribute in the configuration file located in the startup project.
|
3. Implement custom behavior
|


DotPath()
Syntax
DotPath(Width.d, Distance.d [, Flags [, StartOffset.d]])Description
Draw the current drawing path as a line of dots.
By default, the path is reset after calling this function. This can be prevented with the appropriate flags.
Parameters
Width.d Specifies the width for the dotted line. Distance.d Specifies the distance between the center of each dot. Flags (optional) Specifies optional characteristics for the drawn dots. This can be a combination of the following values: #PB_Path_Default : No special behavior (default value) #PB_Path_Preserve : Don't reset the path after this function #PB_Path_RoundEnd : Draw the dots round #PB_Path_SquareEnd : Draw the dots as squaresStartOffset.d (optional) Specifies the distance to skip within the dot pattern before starting to draw the path. The default value is 0.
Return value
None.
Example
If OpenWindow(0, 0, 0, 400, 200, "VectorDrawing", #PB_Window_SystemMenu | #PB_Window_ScreenCentered) CanvasGadget(0, 0, 0, 400, 200) If StartVectorDrawing(CanvasVectorOutput(0)) MovePathCursor(40, 20) For i = 1 To 4 AddPathLine(80, 0, #PB_Path_Relative) AddPathLine(0, 40, #PB_Path_Relative) Next i VectorSourceColor(RGBA(255, 0, 0, 255)) DotPath(5, 10, #PB_Path_RoundEnd) StopVectorDrawing() EndIf Repeat Event = WaitWindowEvent() Until Event = #PB_Event_CloseWindow EndIf
See Also
FillPath(), StrokePath(), DashPath(), CustomDashPath(), IsInsideStroke(), ResetPath()
Supported OS
All


[1] Slightly feeble processor limited ram drive partitioning issues not good with free third party firmware turns this thing into... well anything.
[2] Works great with ntfs drives are not recognize drive format slow sourcesafe thinks the ram drive partitioning issues not good with free third party firmware turns this thing into... well anything.


API model information
The fulfillment of an order line item on the marketplace
| Property | Required | Data Type | Description | Example Values |
|---|---|---|---|---|
| OrderItemID | True | string | A unique identifier for this ordered line item on your site. |
|
| Quantity | True | integer | The number of units shipped |
|
| SellerSku | True | string | The SKU of the ordered line item that was shipped |
|
| ShippedDateUtc | True | UTC date/time | The ISO 8601 UTC date/time on which the order was marked as shipped in Voyageone | |
| ShippingCarrier | False | string | The carrier company of the shipment |
|
| ShippingClass | False | string | The shipping class of the shipment |
|
| TrackingNumber | False | string | The tracking number of the shipment |
|


<
Next version of Ox>
<
Previous version of Ox>
Ox 3.10: new features and fixes
New features and enhancements
- Updated Basic examples to Visual Basic 6. Updated
ox/dev/OxWin.bas, and created ox/dev/OxGiveWin.bas for link to GiveWin.
- checked Borland version of threes.c.
- Updated OxPack documentation in Appendix
- Updated exported function list in Appendix.
- Put the Imhof code in ox/lib/probimhof.ox
- Online help: added all the examples of the standard function library.
- Added "%lwr" to print only lower diagonal. For example:
print("%lwr", x);
- added isdotmissing/ismissing (test for NaN or infinity).
- Added ADJ_LEGEND for DrawAdjust.
- Improved number of columns per line when using "%cf" print format.
Problems in version 3.00 which have been fixed in version 3.10:
- Online help: GetDbName/SetDbName should be in Modelbase
- Improved timer function under Linux.
- Matrix multiplication is slow:
some left-in debugging code resulted in the multiplication
done twice (once slowly, once quickly, so slow overall!). This
would be noticeable when working with large matrices.
- Fixed problem with the contour plots in DrawXYZ.
- SolveQP with bounds only didn't work; didn't
always handle bounds correctly.
(NB. this SolveQP is very slow on larger problems. A new
version is under development.)
- Docs: default for dMin argument of DrawHistogram is 1, not 0.
- OxGauss: gradp returned result transposed.
- Reading version 2.1 .xls files: integers beween
32000 and 64000 are read as negative numbers (not a problem
for version 3 or more recent Excel files; note that Ox
never saves an .xls file with integers).
- Saving as in7 file: didn't check for spaces (could
be problem, e.g., when loading from .xls, and then saving).
The .in7 file with spaces in variable names would not load
properly, suggesting a corrupted file. However, the data (.bn7 file)
was intact, and the .in7 file (which is a text file), can
be easily fixed.
Ox version 3.10.
©
JA Doornik
This file last changed .


RING (1998)
"She killed a man just by willing him dead."
3.5 out of ****
Starring Matsushima Nanako, Hiroyuki Sanada, Nakatani Miki; Directed by Hideo Nakata; Written by Hiroshi Takahashi, from a novel by Koji Suzuki; Cinematography by Junichiro Hayashi
Back in the 1790s, Ann Radcliffe, the most popular author of Gothic fiction during its heyday, proposed a distinction between horror and terror. "Terror and horror," she wrote, "are so far opposite, that the first expands the soul, and awakens the faculties to a high degree of life; the other contracts, freezes, and nearly annihilates them." In other words, horror offends the senses, and terror exalts them; horror is cheap thrills, terror is sublime.
On the basis of RING, a Japanese movie which could be a working model for Radcliffe's definition of terror, I'm inclined to agree. For ninety-plus minutes, it builds suspense and (of course) terror through insinuation and understatement and measured pacing. It is not graphic or violent, but it nonetheless manages to be intensely scarifying.
The premise: a mysterious video has been linked to a number of deaths in Tokyo. Rumour has it that those who see the video receive a phone call moments later informing them that they have exactly a week to live. Asakawa, a journalist and single mother, investigates, finds the video, and (because we need a plot) watches it. She receives a phone call. And the screw begins to turn ...
Despite the modern trappings, RING is very much inspired by classic ghost stories, and uses the same simple storytelling methods. It gains our interest by presenting us with sympathetic, everyday characters, principally Asakawa (Matsushima Nanako) and her ex-husband (Hiroyuki Sanada), whom she enlists to help her after receiving the fateful phone call. It involves a ghost who haunts our mortal realm because she has been sinned against and cannot rest in peace. It develops thematic links between the past and present by having both strands include neglected children. It uses needless details--like a ride on a fishing boat across a tempest-tossed sea--to intensify the mood of foreboding. If Wilkie Collins or M.R. James (or their Japanese counterparts) were alive now, they might write such a tale.
While the narrative is, for the most part, quiet and unhurried, composed in the serene static Japanese style familiar from Ozu and Mizoguchi onward, it is occasionally punctuated by brief disruptive moments: flashes of images from the video or from the past, accompanied by a harsh ominous score. As is the case in the films of Takeshi Kitano, whose contemplative storylines are interrupted by short bursts of extreme violence, the contrast is potent and compelling. There are other nice touches, too, like the captions telling us which day it is, counting down the time Asakawa has left--and matter-of-factly cranking up the tension.
The video itself, shown early in the movie, proves to be perhaps the freakiest paranormal moment seen on screen since the climax of THE KINGDOM I. It is a brief montage of enigmatic, blurry video footage, with weird sounds in the background. It reveals nothing at all, but conveys a powerful sense of wrongness. Although director Hideo Nakata's methods are elsewhere straightforward--albeit effective--the composition of the video is inspired. Sections of it are shown repeatedly, but it becomes no less eerie or estranging.
The entire film could be construed as the set-up for one "money" scene, in which a much-anticipated confrontation finally takes place, although not in the expected manner. Because the film is so well crafted, this "money" scene delivers exactly what it is supposed to: chilling terror. Yes, that's a cliché, but it was literally true in my case--I had shivers going up and down my spine like a parade was passing over my grave. And in a tense moment earlier in the film, an unexpected development elicited plenty of curt breathless screams from the audience. RING was a smash hit throughout South-East Asia, and based on the reaction at its North American premiere, it's not hard to see why: it plays its audience masterfully, regardless of their language. In the grand scheme of things, it may not be a great or important movie, but it is a near-perfect example of its kind. It understands the simplest rule of terror: the longer you make them wait, the bigger and better the pay-off will be.
Subjective Camera (subjective.freeservers.com) Movie Reviews by David Dalgleish<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends 'firstversionweb/main.html' %} {% load static %} {% block content %} Ciel Quan Honours Bachelor of Illustration, Sheridan College, Canada Specializing in Realistic and Illustrative tattoo. Echo Quan Honours Bachelor of Animation, Sheridan College, CanadaSpecializing in Ink Painting and Anime tattoo.
We are hiring tattoo artists!


| id | Name | CS022 | CS023 | CS024 | CS025 | CS026 | CS027 | CS028 | CS029 | CS030 | SGPA |
|---|---|---|---|
| {{student.id}} | {{student.name}} | {{grade}} | {{ student.grade.includes('F') ? 'NA':student.cgpa}} |
Operatin System - CS022
25%
Data Structure - CS023
60%
Computer Organization and Arichitecture - CS024
40%
Principles of Database Management - CS025
52%
Object Oriented Programming - CS027
33%
Life Skills - CS028
82%
Desing Project - CS029
79%
Digital Lab - CS030
56%
Digital Lab - CS030
56%
Digital Lab - CS030
56%
Single Subject Failures{{singleSubject.length}}
Toppers
-
Rosmiya
LSGICS0337.78
-
Raison Joseph
LSGICS0337.78
-
Lakshmi Samjaya
LSGICS0337.78


Guidance
Information about the intervention actions available to the Education Funding Agency.
It is important young people and their parents are able to make informed choices about where they will continue their education or training post-16. In order to do this they need to be able to compare the performance of schools and colleges in a fair and consistent way.
At the same time, we need to raise standards so all young people are participating in good or outstanding schools and colleges, and we need to hold schools and colleges to account for their performance. In April 2013, the Department for Education ( DfE ), jointly with the then Department for Business, Innovation and Skills ( BIS ) published Rigour and responsiveness in skills . This document sets out the rapid and decisive intervention actions that will be taken where performance is poor.
Further information on EFA ’s approach to managing risk in sixth-form colleges before formal intervention is triggered is available on GOV.UK .
Where a provider of education or training to 16 to 19 year olds is under-performing, the Education Funding Agency ( EFA ) will implement the DfE policy in line with its contracts and funding agreements. The contracts and funding agreements provide the detail and take precedence over information on this page.
There are two triggers that identify if education or training to 16 to 19 year olds is under-performing. These triggers are:
In addition to education standards, there is also a trigger based on the assessment of the financial health and/or control of institutions made by EFA .
Apprenticeship quality will continue to be assessed against the Minimum Levels of Performance applied by Skills Funding Agency ( SFA ). Apprenticeships are therefore not covered further by this section.
Where a CCP receives an Ofsted inadequate judgement the contract will, normally, be terminated and a better provider sought if required and subject to protecting the interests of learners.
If a school sixth-form, including academy sixth-forms and 16 to 19 academies is judged inadequate by Ofsted, Regional School Commissioners will consider appropriate improvement action in the first instance. Local Authorities should issue warning notices to LA maintained school sixth-forms.
If a sixth-form college is judged inadequate by Ofsted, EFA Director for Young People, in his capacity as Sixth-Form College Commissioner, may undertake an assessment of the capacity and capability of the Sixth-Form College’s current leadership and management to lead improvement, and make recommendations to the minister about the appropriate intervention action in each case. An inadequate inspection judgement may also attract a Notice to Improve that sets out additional conditions that must be met in a time bound period in order to receive continued funding.
FE colleges will be subject to an assessment by the FE Commissioner. Further information about the FE Commissioner can be found on GOV.UK.
Where the institution is jointly funded by SFA and EFA , any intervention action will be considered jointly by the agencies, although the solution may be different for the 16 to 19 students and the adult learners.
School and college accountability systems have been reformed to set higher expectations, and to make the system fairer, more ambitious, and more transparent. Further information on how the DfE is applying the minimum standards to the performance of schools and colleges can be found on the 16 to 18 minimum standards page published on GOV.UK.
EFA assesses the financial health and financial control of sixth-form colleges. It also carries out an assessment for those CCPs funded only by it or where it is agreed with the SFA that EFA should lead the assessment.
All financial intervention is underpinned by a framework of six key principles. These are:
the protection of the taxpayer from excessive or unnecessary expenditure or future liabilities
the protection of high quality and relevant education and training to meet the needs of local learners and employers
that the future provision of education and training will be determined on an area-wide basis rather than from a single institution’s perspective, with options explored openly and transparently, and with analysis to be publicly available of both the current and future economic and educational needs and the current education and training provision
that provision must represent value for money, be financially viable and delivered through financially sustainable institutions
that institutions taking on existing institutions or provision, and some or all of the related assets, will take on all, or an appropriate share, of the associated costs and liabilities
that the Secretary of State has no obligation to assume, discharge or provide funding for the liabilities of an institution which is dissolving or in financial difficult, but might decide to do so in particular cases, to protect students or secure outcomes, or otherwise in the public interest
The assessment of SFCs is carried out through a combination of:
The financial health of an SFC is monitored and assessed in line with the established approach set out in the most recent financial planning handbook.
Financial health is reviewed using the college’s financial plans and audited financial statements, and each college’s financial health is awarded a grade ranging from outstanding to inadequate. The financial planning handbook defines the grades and details the approach for financial health scoring.
Where an SFC is graded inadequate in relation to its financial health, for either the previous, current or next forecast year it is deemed to be in financial failure.
The financial control arrangements at a SFC are also assessed by EFA . To assess the overall financial control arrangements EFA will consider:
An SFC is assessed as inadequate in relation to financial control where typically one or more of the following exists:
Where an SFC is graded inadequate in relation to its financial health or is under-performing in relation to its financial control, EFA will write to the SFC to confirm the position and consider the range of potential interventions as set out in the SFC funding agreement, and in accordance with the most recent departmental policy. This may include an assessment by the SFC Commissioner and/or the issue of a Financial Notice to Improve.
When EFA issues an SFC with a Financial Notice to Improve (FNtI), the SFC will be required to improve its financial health. This may include the preparation and implementation of a financial recovery plan.
EFA will determine when the SFC has made sufficient progress for the FNtI to be lifted.
It will be made clear to the SFC what needs to improve, and the financial recovery plan that an SFC has to produce will be used to monitor progress against the weaknesses identified. It is expected that a SFC will address all financial management and control weaknesses within a specified timescale.
EFA will determine when the SFC has made sufficient progress for monitoring to cease.
Where the SFC is jointly funded by the SFA and EFA , any intervention action will be considered in consultation with the SFA and the FE commissioner, although the solution may be different for the 16 to 19 students and the adult learners.
The financial health of a CCP is assessed, based on its annual accounts, this generates an auto financial health score. Where the auto score is inadequate EFA will consider each case on its merits but reserves the right to take action in accordance with the contract with the CCP .
All institutions funded by EFA that are in receipt of a contract or funding agreement are advised to refer to the clauses in the quality assurance sections of those documents which provide for EFA to take specific or particular action where under-performance is identified. More information on under-performance in local authority maintained schools is set out in Schools Causing Concern .
More information can be found on GOV.UK about under-performance in academies .
Published: 23 June 2014
Updated: 20 December 2016


Space heater sparks Georgia mobile home fire that kills 2
STATESBORO, Ga. (AP) - Fire officials say a Wednesday blaze that killed two south Georgia mobile home residents was sparked by a space heater that ignited clothing.
Statesboro firefighters found 20-year-old Anderson Spitler dead in the master bedroom when they arrived. His mother, 44-year-old Leslie Ann Dixon, died at a hospital.
Georgia Safety Fire Commissioner John F. King says in a statement that the 34-year-old mobile home had no smoke detectors.
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Two other people escaped unharmed.
Statesboro Fire Chief Tim Grams tells the Statesboro Herald that a relative in a nearby home heard noises and calls for help, and helped the two survivors escape.
King says the bodies of the two victims will not be sent for autopsies due to “overwhelming evidence that their deaths were caused by smoke and soot inhalation.”
Information from: Statesboro Herald, http://www.statesboroherald.com
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Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


Pirate (ARRR) is a cryptocurrency that solves the issue of financial privacy on the blockchain through forced anonymous transactions. Protect your wallet and transactions with Pirate’s completely anonymous network. With forced private transactions, your privacy cannot be compromised by another users’ activity on the network. If you wish to learn more, please join the official Pirate Discord at https://pirate.black/discord/ or message FishyGuts#5085, who will be happy to help out.
100 messages
Before 05-Dec-19 12:00 AM
jl777c25-Sep-18 06:33 PM
we need to reduce the diff so it is easier to mine
Alright25-Sep-18 06:33 PM
Oh another surprise hard fork?
jl777c25-Sep-18 06:34 PM
sorry about the unintentional hardfork.
I didnt expect shossain to get notarizing all working so fast
ok, diff is down to 5Msol now
ComputerGenie 👴👴👴25-Sep-18 06:36 PM
It's so cute to see @Alright experiencing but one of the many things I, @xRobeSx, and other miners experience on a regular basis
Alright25-Sep-18 06:36 PM
I was 1/3 of the network hash rate when you guys hard forked
1
ComputerGenie 👴👴👴25-Sep-18 06:37 PM
wasn't even mining until after that
jl777c25-Sep-18 06:37 PM
sorry about making PIRATE 10x more valuable overnight by adding dPoW
5
if only I took a long time for that, this wouldnt have happened
I should wait for a PIRATE roadmap
ComputerGenie 👴👴👴25-Sep-18 06:38 PM
mined 5 blocks on Aug 29; everything else he mined came after the fork
Flexatron25-Sep-18 06:38 PM
Pirate website
Mugs, shirts, pyjamas
xRobeSx25-Sep-18 06:39 PM
there is a site
jl777c25-Sep-18 06:39 PM
pirate.black
ComputerGenie 👴👴👴25-Sep-18 06:39 PM
there's this thing called "the interwebs", it has lots of sites
Flexatron25-Sep-18 06:40 PM
Awesome
Forgot that one
ComputerGenie 👴👴👴25-Sep-18 06:41 PM
Alternatively can use Verushash PoW, but has to be used for a 100% PoW chain.
What's that mean?
Alright25-Sep-18 06:41 PM
well, made enough KMD off of this, can't be bothered until the diff comes down
ComputerGenie 👴👴👴25-Sep-18 06:41 PM
can't be bothered until the diff comes down
See you in 4 years
jl777c25-Sep-18 06:41 PM
that line was there to deal with the end of mining in 2 years, but the 5x on halving solves it better
While the richest and most popular pirate of today is surely the “Pirates of the Caribbean” movie franchise (worldwide gross: $3.7 billion), the pirates of the old days were no ...
Can use these names + pics and assign 10k, 50k, etc next to it
Lame, I know
Didn't know Drake was a pirate xd
ComputerGenie 👴👴👴25-Sep-18 07:02 PM
Rather than amount amassed make it on hashrate
= " the diff is too high"(edited)
= "Not a bad day's income"
(edited)
Flexatron25-Sep-18 07:06 PM
Lol
scubapanda25-Sep-18 07:08 PM
@Flexatron Why richlist?(edited)
ComputerGenie 👴👴👴25-Sep-18 07:13 PM
Because comparing is fun
scubapanda25-Sep-18 07:13 PM
I especially love it when it's impossible.
ComputerGenie 👴👴👴25-Sep-18 07:15 PM
On the plus side, if it is possible and you can do it, then you'll go down in history as the one the broke equihash
scubapanda25-Sep-18 07:15 PM
snowdamn25-Sep-18 07:22 PM
"richlist isnt" - what is being depicted on dexstats ?
Flexatron25-Sep-18 07:22 PM
T adresses
snowdamn25-Sep-18 07:22 PM
t for pirate?

Flexatron25-Sep-18 07:23 PM
Blocks rewards go t a transparant address
snowdamn25-Sep-18 07:23 PM
wait, they have an option not to send?
i guess they will eventually, thanks!
or else it's like burning lol
so there is a t -> z?
jl777c25-Sep-18 07:27 PM
coinbases are transparent
the rule is no ->t, other than to notary address
snowdamn25-Sep-18 07:28 PM
ok, so my brain goes back to if i do t->z, z->z and then only send to z it's the same thing
scubapanda25-Sep-18 07:29 PM
So notary node can only send coins to z? Or ta another notary node?
jl777c25-Sep-18 07:29 PM
coinbase is in taddr
from there it goes to zaddr
or to notary addr
all nodes can send to either zaddr or notary addr
I dont expect large amount of donations to notaries
ComputerGenie 👴👴👴25-Sep-18 07:32 PM
I dont expect large amount of donations to notaries
Other than proofs, I'm not sure there's likely to be any
jl777c25-Sep-18 07:33 PM
exactly. so I am confused why some people are worried that the notary taddr tx will someone affect PIRATE purity
snowdamn25-Sep-18 07:34 PM
not worried, stating you can do exactly same thing with z-KMD
scubapanda25-Sep-18 07:34 PM
So notary nodes can transfer as many coins in t-t as they want and then send to z?
if notaries obtain PIRATE in their notary addresses, then yes
0x0325-Sep-18 07:34 PM
@xRobeSx can confirm that the pool is paying out
and it's set to zero fee
SHossain25-Sep-18 07:35 PM
@0x03 you may be eligible to get 5000 PIRATE bounty from me
for public pool
scubapanda25-Sep-18 07:35 PM
I'm not worried, just curious and want to learn.
ComputerGenie 👴👴👴25-Sep-18 07:35 PM
My pool has 0 fee too, and 0 payout; anyone want to join it
0x0325-Sep-18 07:35 PM
@SHossain please test my pool then
xRobeSx25-Sep-18 07:35 PM
I can confirm that I've been mining on @0x03 's pool and it's working
SHossain25-Sep-18 07:36 PM
i'm han solo
0x0325-Sep-18 07:36 PM
ok then please somebody point his power to my pool to get further confirmation
xRobeSx25-Sep-18 07:36 PM
@SHossain join me so @0x03 can get his bounty
0x0325-Sep-18 07:37 PM
oh yes let me add
i'll be sharing the modifications to s-nomp in a repo, for free.
unsure if i will before i get up again tho - i've kind of had it for the day
SHossain25-Sep-18 07:39 PM
ok. putting one of my miner
0x0325-Sep-18 07:39 PM
i'm not planning on introducing pool fee, so that part may be broken (and i didn't bother to test). however, anybody who wants a copy ahead can have a tarball
that'll be no problem
ComputerGenie 👴👴👴25-Sep-18 07:40 PM
anybody who wants a copy ahead can have a tarball
You think people actually use something other than Winduhs?
0x0325-Sep-18 07:42 PM
windows still doesn't handle tarballs by its own?
SHossain25-Sep-18 07:44 PM
@xRobeSx did you get paid from @0x03's pool?
ComputerGenie 👴👴👴25-Sep-18 07:44 PM
windows still doesn't handle tarballs by its own?
I'm not sure, but given that 10 is mostly still 7 I assume not
SHossain25-Sep-18 07:44 PM
i mean, mining reward
xRobeSx25-Sep-18 07:45 PM
@SHossain yes, including @0x03 's rented hash as well. Thank you for that.
SHossain25-Sep-18 07:45 PM
@0x03 post your z address. i'll send you the bounty
and, i'll keep mining in your pool until tomorrow
Flexatron25-Sep-18 07:46 PM
Pointing my hash as well
SHossain25-Sep-18 07:48 PM
@webworker01 maybe you can release the source now? or pass it over to other pool operators for some donation? we can have multiple pool running then. (just thinking out loud)
0x0325-Sep-18 07:48 PM
@SHossainzcGuJ5iDu2SvLvjSkA78313UuhjA218zFM2uCW7mA5pK59KtTvvoYieWRBS5Q8VQsNNuXdvwZ33eGxDxoVNyigK5dLrtwq9 thank you very much


Robbery suspect on the run from EC police
by Algoa FMA search is underway for a suspect who escaped from police custody in Humansdorp on Tuesday.
Provincial police spokesperson, Colonel Sibongile Soci, said that 20-year-old Fernando Swarts was arrested on Monday on a charge of business robbery.
She said the circumstances surrounding his escape form part of the investigation.
Soci said "a search team was immediately established and strong leads are being followed,"
Anyone who may have information on Swarts' whereabouts should contact the investigating officer, Detective Captain Sheldon Smith on<PHONE_NUMBER> or the nearest police station or Crime Stop on 08600 10111.
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interface SurfaceTextureCaptureSource : VideoCaptureSource
SurfaceTextureCaptureSource provides a Surface which can be passed to system sources like the camera. Upon start call, the source will listen to the surface and emit any new images as VideoFrame objects to any downstream VideoSink interfaces. This class is mostly intended for composition within VideoSource implementations which will pass the created Surface to a system source, then call addVideoSink to receive the frames before transforming and passing downstream.
minFps |
Setting this to a positive value will lead the source to resend previously captured frames as necessary to approximately maintain the set value. abstract var minFps: Int |
surface |
Surface from which any buffers submitted to will be emitted as a VideoFrame. User must call start to start listening, and stop will likewise stop listening. abstract val surface: Surface |
release |
Deallocate any state or resources held by this object. Not possible to reuse after call. Surface will have been released. abstract fun release(): Unit |
DefaultSurfaceTextureCaptureSource |
DefaultSurfaceTextureCaptureSource will provide a Surface which it will listen to and convert to VideoFrameTextureBuffer objects class DefaultSurfaceTextureCaptureSource : SurfaceTextureCaptureSource |


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Trump says talks on Nile dam dispute 'went well'
Donald Trump was mediating in a dispute over Ethiopia's construction of the huge dam on the Nile.
United States President Donald Trump said on Wednesday he held successful talks with officials from Egypt, Ethiopia and Sudan over a new dam being built on the Nile river.
Trump was mediating in a dispute over Ethiopia's construction of the huge dam which Egypt says could drastically disrupt the Nile, the river providing 90 percent of the country's drinking water.
More:
"The meeting went well and discussions will continue during the day!" Trump said in a Twitter post.
Ethiopia says the five-billion-dollar Grand Ethiopian Renaissance Dam near the border with Sudan will be a massive boost to the economy and is necessary to provide much-needed electricity.
However, the Egyptians fear the move would be at its expense, and reduce its share of Nile water.
Last month, Ethiopia's Prime Minister Abiy Ahmed told Parliament, in reference to the dam, that, "If we are going to war ... we can deploy many millions".
Egypt slammed his strident comments as "unacceptable".
Abiy, who won this year's Nobel Peace Prize for his efforts to heal tensions with neighbouring Eritrea, emphasised however that negotiations would be the best way to resolve the issue.
Outside mediation
A US official said in October that President Abdel Fattah el-Sisi had asked Trump to get involved in the dispute when they met in September on the sidelines of the UN General Assembly.
The Nile is a lifeline supplying both water and electricity to the 10 countries it traverses.
Its main tributaries, the White and Blue Niles, converge in Sudanese capital Khartoum before flowing north through Egypt to drain into the Mediterranean Sea.
Analysts fear the three Nile basin countries could be drawn into a conflict if the dispute is not resolved before the dam begins operating. It is scheduled to go online by 2022.
Discussions between the three countries broke down this year prompting Egypt to call for international mediation last month.
Sisi recently described Trump as being of "unique standing with the power in dealing with conflicts ... and finding crucial solutions for them".


Vector3d
class Vector3d
a generic 3D Vector Object
Constructor
new Vector3d(x: number, y: number, z: number) → {}
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
| x | number |
<optional> |
0 |
x value of the vector |
| y | number |
<optional> |
0 |
y value of the vector |
| z | number |
<optional> |
0 |
z value of the vector |
Summary
Methods from Vector3d
Public Properties
Public Methods
abs() → {Vector3d}
Update this vector values to absolute values
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
add(v: Vector2d | Vector3d) → {Vector3d}
Add the passed vector to this vector
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
angle(v: Vector2d | Vector3d) → {number}
return the angle between this vector and the passed one
| Type | Description |
|---|---|
| number |
angle in radians |
ceil() → {Vector3d}
Ceil the vector values
| Type | Description |
|---|---|
| Vector3d |
new me.Vector3d |
ceilSelf() → {Vector3d}
Ceil this vector values
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
clamp(low: number, high: number) → {Vector3d}
Clamp the vector value within the specified value range
| Name | Type | Description |
|---|---|---|
| low | number | |
| high | number |
| Type | Description |
|---|---|
| Vector3d |
new me.Vector3d |
clampSelf(low: number, high: number) → {Vector3d}
Clamp this vector value within the specified value range
| Name | Type | Description |
|---|---|---|
| low | number | |
| high | number |
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
clone() → {Vector3d}
return a clone copy of this vector
| Type | Description |
|---|---|
| Vector3d |
new me.Vector3d |
copy(v: Vector2d | Vector3d) → {Vector3d}
Copy the components of the given vector into this one
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
cross(v: Vector3d) → {Vector3d}
calculate the cross product of this vector and the passed one
| Name | Type | Description |
|---|---|---|
| v | Vector3d |
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
distance(v: Vector2d | Vector3d) → {number}
return the distance between this vector and the passed one
| Type | Description |
|---|---|
| number |
div(n: number) → {Vector3d}
Divide this vector values by the passed value
| Name | Type | Description |
|---|---|---|
| n | number |
the value to divide the vector by |
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
dot(v: Vector2d | Vector3d) → {number}
return the dot product of this vector and the passed one
| Type | Description |
|---|---|
| number |
The dot product. |
equals(x: number | Vector2d | ObservableVector2d | Vector3d | ObservableVector3d, y: number, z: number) → {boolean}
return true if this vector is equal to the given values or vector
| Name | Type | Attributes | Description |
|---|---|---|---|
| x | number | Vector2d | ObservableVector2d | Vector3d | ObservableVector3d | ||
| y | number |
<optional> |
|
| z | number |
<optional> |
| Type | Description |
|---|---|
| boolean |
floor() → {Vector3d}
Floor the vector values
| Type | Description |
|---|---|
| Vector3d |
new me.Vector3d |
floorSelf() → {Vector3d}
Floor this vector values
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
length() → {number}
return the length (magnitude) of this vector
| Type | Description |
|---|---|
| number |
the length of this vector |
length2() → {number}
return the square length of this vector
| Type | Description |
|---|---|
| number |
The length^2 of this vector. |
lerp(v: Vector3d, alpha: number) → {Vector3d}
Linearly interpolate between this vector and the given one.
| Name | Type | Description |
|---|---|---|
| v | Vector3d | |
| alpha | number |
distance along the line (alpha = 0 will be this vector, and alpha = 1 will be the given one). |
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
maxV(v: Vector2d | Vector3d) → {Vector3d}
Update this vector with the maximum value between this and the passed vector
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
minV(v: Vector2d | Vector3d) → {Vector3d}
Update this vector with the minimum value between this and the passed vector
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
moveTowards(target: Vector2d | Vector3d, step: number) → {Vector3d}
interpolate the position of this vector on the x and y axis towards the given one by the given maximum step.
| Name | Type | Description |
|---|---|---|
| target | Vector2d | Vector3d | |
| step | number |
the maximum step per iteration (Negative values will push the vector away from the target) |
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
negate() → {Vector3d}
Negate the vector values
| Type | Description |
|---|---|
| Vector3d |
new me.Vector3d |
negateSelf() → {Vector3d}
Negate this vector values
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
normalize() → {Vector3d}
normalize this vector (scale the vector so that its magnitude is 1)
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
perp() → {Vector3d}
change this vector to be perpendicular to what it was before.
(Effectively rotates it 90 degrees in a clockwise direction around the z axis)
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
project(v: Vector2d | Vector3d) → {Vector3d}
project this vector on to another vector.
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
projectN(v: Vector2d | Vector3d) → {Vector3d}
Project this vector onto a vector of unit length.
This is slightly more efficient than project
when dealing with unit vectors.
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
rotate(angle: number, v: Vector2d | ObservableVector2d) → {Vector3d}
Rotate this vector (counter-clockwise) by the specified angle (in radians) around the z axis
| Name | Type | Attributes | Description |
|---|---|---|---|
| angle | number |
The angle to rotate (in radians) |
|
| v | Vector2d | ObservableVector2d |
<optional> |
an optional point to rotate around (on the same z axis) |
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
scale(x: number, y: number, z: number) → {Vector3d}
Multiply this vector values by the given scalar
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
| x | number | |||
| y | number |
<optional> |
x | |
| z | number |
<optional> |
1 |
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
scaleV(v: Vector2d | Vector3d) → {Vector3d}
Multiply this vector values by the passed vector
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
set(x: number, y: number, z: number) → {Vector3d}
set the Vector x and y properties to the given values
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
| x | number | |||
| y | number | |||
| z | number |
<optional> |
0 |
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
setV(v: Vector2d | Vector3d) → {Vector3d}
set the Vector x and y properties using the passed vector
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
setZero() → {Vector3d}
set the Vector x and y properties to 0
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
sub(v: Vector2d | Vector3d) → {Vector3d}
Substract the passed vector to this vector
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
to2d() → {Vector3d}
Convert this vector into 2d coordinate space
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
toIso() → {Vector3d}
Convert this vector into isometric coordinate space
| Type | Description |
|---|---|
| Vector3d |
Reference to this object for method chaining |
toString() → {string}
convert the object to a string representation
| Type | Description |
|---|---|
| string |


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