we communicate data better
storytelling:
the art of using language, vocalization, and/or physical movement and gesture to reveal the elements and images of a story to a specific, live audience
storybuilder:
a tool that combines data, relationships, text, images, video, sound, and interactive media to tell stories that engage a live audience using the web
what is the web?
tools like storybuilder enable storytellers to combine data and media to tell stories that:
they do this by:
media can be anything:
we would like everyone to understand the web as an opportunity to build on diverse sources, relationships, media, and technologies.
we hope that storybuilder is a tool that helps you realize our wish
info@jumpstart.ge


---
layout: static1
title: Resumé/CV
permalink: /resume-cv
---
For your convenience, I've listed my professional accomplishments in two different formats. If you're interested in a shorter presentation of my skills and abilities as a UX designer, please check out my resumé. If you'd prefer to see an exhaustive list of what I've done professionally and academically, please take a look at my CV. If neither of those have what your are looking for, please contact me.


{% extends "global/Page.html" %} {% load staticfiles otree %} {% block title %} Important Info - Intelligence Update {% endblock %} {% block content %}
The actual sales in period {{player.round_number}} was extraordinarily high due to one of our clients winning a government procurement contract as the opponent fell out of the bidding process unexpectedly.
In order to fulfill the contract, our client placed an emergency order with us on short notice.
The model was far off the actual sales of this period as this incident was not anticipated. Because this incident is not supposed to affect future demand, this period's sales will be ignored by the model when predicting future sales.
{% next_button %} {% endblock %}


Soon enough. Yes. You gave me a dollar and some candy. When will that be? For the last time, I don't like lilacs! Your 'first' wife was the one who liked lilacs! Michelle, I don't regret this, but I both rue and lament it.
 Now all the planets are gonna start cracking wise about our mamas. We don't have a brig. Leela, Bender, we're going grave robbing. You're going to do his laundry?
Bender, you risked your life to save me! Negative, bossy meat creature! I found what I need. And it's not friends, it's things. Shinier than yours, meatbag.
When the lights go out, it's nobody's business what goes on between two consenting adults. Oh yeah, good luck with that. That's not soon enough! I don't want to be rescued. Hey, tell me something. You've got all this money.
Moving along… Good news, everyone! I've taught the toaster to feel love! I daresay that Fry has discovered the smelliest object in the known universe! With gusto. I daresay that Fry has discovered the smelliest object in the known universe!
Bender, being God isn't easy. If you do too much, people get dependent on you, and if you do nothing, they lose hope. You have to use a light touch. Like a safecracker, or a pickpocket. Oh God, what have I done?
 I can't swallow that. Pansy. Oh God, what have I done? Oh, I don't have time for this. I have to go and buy a single piece of fruit with a coupon and then return it, making people wait behind me while I complain.
Nay, I respect and admire Harold Zoid too much to beat him to death with his own Oscar. That's a popular name today. Little "e", big "B"? You lived before you met me?! Noooooo! Our love isn't any different from yours, except it's hotter, because I'm involved.
That's right, baby. I ain't your loverboy Flexo, the guy you love so much. You even love anyone pretending to be him! This is the worst part. The calm before the battle. How much did you make me? Well, thanks to the Internet, I'm now bored with sex. Is there a place on the web that panders to my lust for violence?
Check it out, y'all. Everyone who was invited is here.  You don't know how to do any of those. Doomsday device? Ah, now the ball's in Farnsworth's court!
Aww, it's true. I've been hiding it for so long.  No! The kind with looting and maybe starting a few fires! In our darkest hour, we can stand erect, with proud upthrust bosoms.
Yes, I saw. You were doing well, until everyone died. When will that be? Stop!  Cause explosive decompression! Fry, you can't just sit here in the dark listening to classical music.
And until then, I can never die? A true inspiration for the children. Do a flip! I videotape every customer that comes in here, so that I may blackmail them later. I can explain. It's very valuable.
  Humans dating robots is sick. You people wonder why I'm still single? It's 'cause all the fine robot sisters are dating humans!
You're going to do his laundry? Who are you, my warranty?! Yes! In your face, Gandhi! No, I'm Santa Claus! Hello Morbo, how's the family?


function addBinary(a,b) {
return (a+b).toString(2);
}
Implement a function that adds two numbers together and returns their sum in binary. The conversion can be done before, or after the addition.
The binary number returned should be a string.
Examples:
add_binary(1, 1) == "10" (1 + 1 = 2 in decimal or 10 in binary)
add_binary(5, 9) == "1110" (5 + 9 = 14 in decimal or 1110 in binary)
function addBinary(a,b) {
return (a+b).toString(2);
}


|
Apache log4cxx
Version 0.10.0
|
Inherits AppenderSkeleton.
Public Member Functions | |
| ODBCAppender () | |
| virtual | ~ODBCAppender () |
| virtual void | setOption (const LogString &option, const LogString &value) |
| Set options. More... | |
| virtual void | activateOptions (log4cxx::helpers::Pool &p) |
| Activate the specified options. More... | |
| void | append (const spi::LoggingEventPtr &event, log4cxx::helpers::Pool &) |
| Adds the event to the buffer. More... | |
| virtual void | close () |
| Closes the appender, flushing the buffer first then closing the default connection if it is open. More... | |
| virtual void | flushBuffer (log4cxx::helpers::Pool &p) |
| loops through the buffer of LoggingEvents, gets a sql string from getLogStatement() and sends it to execute(). More... | |
| virtual bool | requiresLayout () const |
| ODBCAppender requires a layout. More... | |
| void | setSql (const LogString &s) |
| Set pre-formated statement eg: insert into LogTable (msg) values ("%m") More... | |
| const LogString & | getSql () const |
| Returns pre-formated statement eg: insert into LogTable (msg) values ("%m") More... | |
| void | setUser (const LogString &user) |
| void | setURL (const LogString &url) |
| void | setPassword (const LogString &password) |
| void | setBufferSize (size_t newBufferSize) |
| const LogString & | getUser () const |
| const LogString & | getURL () const |
| const LogString & | getPassword () const |
| size_t | getBufferSize () const |
| Public Member Functions inherited from AppenderSkeleton | |
| AppenderSkeleton () | |
| AppenderSkeleton (const LayoutPtr &layout) | |
| void | addRef () const |
| void | releaseRef () const |
| void | finalize () |
Finalize this appender by calling the derived class' close method. More... | |
| void | addFilter (const spi::FilterPtr &newFilter) |
| Add a filter to end of the filter list. More... | |
| void | clearFilters () |
| Clear the filters chain. More... | |
| const spi::ErrorHandlerPtr & | getErrorHandler () const |
| Return the currently set spi::ErrorHandler for this Appender. More... | |
| spi::FilterPtr | getFilter () const |
| Returns the head Filter. More... | |
| const spi::FilterPtr & | getFirstFilter () const |
| Return the first filter in the filter chain for this Appender. More... | |
| LayoutPtr | getLayout () const |
| Returns the layout of this appender. More... | |
| LogString | getName () const |
| Returns the name of this Appender. More... | |
| const LevelPtr & | getThreshold () |
| Returns this appenders threshold level. More... | |
| bool | isAsSevereAsThreshold (const LevelPtr &level) const |
| Check whether the message level is below the appender's threshold. More... | |
| void | doAppend (const spi::LoggingEventPtr &event, log4cxx::helpers::Pool &pool) |
| This method performs threshold checks and invokes filters before delegating actual logging to the subclasses specific AppenderSkeleton::append method. More... | |
| void | setErrorHandler (const spi::ErrorHandlerPtr &eh) |
| Set the ErrorHandler for this Appender. More... | |
| void | setLayout (const LayoutPtr &layout1) |
| Set the layout for this appender. More... | |
| void | setName (const LogString &name1) |
| Set the name of this Appender. More... | |
| void | setThreshold (const LevelPtr &threshold) |
| Set the threshold level. More... | |
| Public Member Functions inherited from Appender | |
| virtual | ~Appender () |
| Public Member Functions inherited from OptionHandler | |
| virtual | ~OptionHandler () |
| Public Member Functions inherited from Object | |
| virtual const helpers::Class & | getClass () const |
| virtual | ~Object () |
| virtual bool | instanceof (const Class &clazz) const =0 |
| virtual const void * | cast (const Class &clazz) const =0 |
| Public Member Functions inherited from ObjectImpl | |
| ObjectImpl () | |
| virtual | ~ObjectImpl () |
| void | addRef () const |
| void | releaseRef () const |
Protected Types | |
| typedef void * | SQLHDBC |
| typedef void * | SQLHENV |
| typedef void * | SQLHANDLE |
| typedef short | SQLSMALLINT |
Protected Member Functions | |
| LogString | getLogStatement (const spi::LoggingEventPtr &event, helpers::Pool &p) const |
| By default getLogStatement sends the event to the required Layout object. More... | |
| virtual void | execute (const LogString &sql, log4cxx::helpers::Pool &p) |
| Override this to provide an alertnate method of getting connections (such as caching). More... | |
| virtual void | closeConnection (SQLHDBC con) |
| Override this to return the connection to a pool, or to clean up the resource. More... | |
| virtual SQLHDBC | getConnection (log4cxx::helpers::Pool &p) |
| Override this to link with your connection pooling system. More... | |
Protected Attributes | |
| LogString | databaseURL |
| URL of the DB for default connection handling. More... | |
| LogString | databaseUser |
| User to connect as for default connection handling. More... | |
| LogString | databasePassword |
| User to use for default connection handling. More... | |
| SQLHDBC | connection |
| Connection used by default. More... | |
| SQLHENV | env |
| LogString | sqlStatement |
| Stores the string given to the pattern layout for conversion into a SQL statement, eg: insert into LogTable (Thread, File, Message) values ("%t", "%F", "%m") More... | |
| size_t | bufferSize |
| size of LoggingEvent buffer before writing to the database. More... | |
| std::list< spi::LoggingEventPtr > | buffer |
| ArrayList holding the buffer of Logging Events. More... | |
| Protected Attributes inherited from AppenderSkeleton | |
| LayoutPtr | layout |
| The layout variable does not need to be set if the appender implementation has its own layout. More... | |
| LogString | name |
| Appenders are named. More... | |
| LevelPtr | threshold |
| There is no level threshold filtering by default. More... | |
| spi::ErrorHandlerPtr | errorHandler |
| It is assumed and enforced that errorHandler is never null. More... | |
| spi::FilterPtr | headFilter |
| The first filter in the filter chain. More... | |
| spi::FilterPtr | tailFilter |
| The last filter in the filter chain. More... | |
| bool | closed |
| Is this appender closed? More... | |
| log4cxx::helpers::Pool | pool |
| log4cxx::helpers::Mutex | mutex |
| Protected Attributes inherited from ObjectImpl | |
| unsigned int volatile | ref |
Additional Inherited Members | |
| Static Public Member Functions inherited from Object | |
| static const helpers::Class & | getStaticClass () |
| static const log4cxx::helpers::ClassRegistration & | registerClass () |
WARNING: This version of ODBCAppender is very likely to be completely replaced in the future. Moreoever, it does not log exceptions.
The ODBCAppender provides for sending log events to a database.
Each append call adds to an ArrayList
buffer. When the buffer is filled each log event is placed in a sql statement (configurable) and executed.
BufferSize, db URL, User, & Password are configurable options in the standard log4j ways.
The setSql(String sql)
sets the SQL statement to be used for logging – this statement is sent to a PatternLayout
(either created automaticly by the appender or added by the user). Therefore by default all the conversion patterns in PatternLayout
can be used inside of the statement. (see the test cases for examples)
Overriding the getLogStatement method allows more explicit control of the statement used for logging.
For use as a base class:
Override getConnection() to pass any connection you want. Typically this is used to enable application wide connection pooling.
Override closeConnection – if you override getConnection make sure to implement closeConnection
to handle the connection you generated. Typically this would return the connection to the pool it came from.
Override getLogStatement to produce specialized or dynamic statements. The default uses the sql option value.
|
protected |
|
protected |
|
protected |
|
protected |
| ODBCAppender | ( | ) |
|
virtual |
|
virtual |
Activate the specified options.
Reimplemented from AppenderSkeleton.
|
virtual |
|
virtual |
Closes the appender, flushing the buffer first then closing the default connection if it is open.
Implements Appender.
|
protectedvirtual |
Override this to return the connection to a pool, or to clean up the resource.
The default behavior holds a single connection open until the appender is closed (typically when garbage collected).
|
protectedvirtual |
Override this to provide an alertnate method of getting connections (such as caching).
One method to fix this is to open connections at the start of flushBuffer() and close them at the end. I use a connection pool outside of ODBCAppender which is accessed in an override of this method.
|
virtual |
loops through the buffer of LoggingEvents, gets a sql string from getLogStatement() and sends it to execute().
Errors are sent to the errorHandler.
If a statement fails the LoggingEvent stays in the buffer!
|
inline |
|
protectedvirtual |
Override this to link with your connection pooling system.
By default this creates a single connection which is held open until the object is garbage collected.
|
protected |
By default getLogStatement sends the event to the required Layout object.
The layout will format the given pattern into a workable SQL string.
Overriding this provides direct access to the LoggingEvent when constructing the logging statement.
|
inline |
|
inline |
Returns pre-formated statement eg: insert into LogTable (msg) values ("%m")
|
inline |
|
inline |
|
inlinevirtual |
ODBCAppender requires a layout.
Implements Appender.
|
inline |
Set options.
Reimplemented from AppenderSkeleton.
|
inline |
| void setSql | ( | const LogString & | s | ) |
Set pre-formated statement eg: insert into LogTable (msg) values ("%m")
|
inline |
|
inline |
|
protected |
ArrayList holding the buffer of Logging Events.
|
protected |
size of LoggingEvent buffer before writing to the database.
Default is 1.
|
protected |
Connection used by default.
The connection is opened the first time it is needed and then held open until the appender is closed (usually at garbage collection). This behavior is best modified by creating a sub-class and overriding the getConnection
and closeConnection
methods.
|
protected |
User to use for default connection handling.
|
protected |
URL of the DB for default connection handling.
|
protected |
User to connect as for default connection handling.
|
protected |
|
protected |
Stores the string given to the pattern layout for conversion into a SQL statement, eg: insert into LogTable (Thread, File, Message) values ("%t", "%F", "%m")
Be careful of quotes in your messages!
Also see PatternLayout.


This example shows how you can use Widget's plugin infrastructure to customize the existing behavior of a widget.
We create an Animation plugin class for Overlay called AnimPlugin
which changes the way Overlay instances are shown/hidden, by fading them in and out. The Overlay is initially constructed with the AnimPlugin
plugged in (with the duration set to 2 seconds).
Clicking the "Unplug AnimPlugin" button, will restore the original non-Animated Overlay show/hide behavior. Clicking on the "Plug AnimPlugin" button will plug in the AnimPlugin
again, but with a shorter duration.


After thinking about learning to code for many years, I finally decided to take the plunge. I had been held back in the past by fear - fear of having no income while I studied, fear I would fail, fear of trying something new. When I researched my options I thought that Dev Academy looked great. It meant I didn't have to take years off to study and the core values was something that I found encouraging. After attending a MeetUp at the old campus and meeting Rohan, I was convinced and applied that week.


WITNESS LIST
Texas Ports, Select
May 4, 2016 11:30 AM
Texas Ports
ON:
Berry, Mike President-Hillwood Development (also providing written testimony)
(Hillwood Development, on behalf of Alliance Airport), Fort Worth, TX
Campirano, Eduardo (also providing written testimony) (Self; Port Authority Advisory
Committee, Port od Brownsville), Brownsville, TX
Fisher, David C. "Chris" Port director and CEO (also providing written testimony) (Port of
Beaumont Navigation District of Jefferson County, Texas), Beaumont, TX
Goodin, Ginger Center Director (also providing written testimony) (Texas A&M
Transportation Institute), Austin, TX
Guenther, Roger President (also providing written testimony) (Self; Texas Port
Association, Port of Houston), Houston, TX
Harmon, Dan Maritime Division Director (also providing written testimony) (Texas
Department of Transportation), Austin, TX
Kelley, Larry Deputy Port Director (also providing written testimony) (Port of Port
Arthur), Port Arthur, TX
Kruse, Jim Director, Center for Ports and Waterways (also providing written testimony)
(Texas A&M Transportation Institute), Houston, TX
Metcalf, Alexander Dr (also providing written testimony) (36A corridor), Maryland, MD
Meyers, W. A. Andy County Commissioner (also providing written testimony) (36A
Coalition), Katy, TX
Mills, Ronald Port Director (also providing written testimony) (Port Mansfield, Willacy
County Navigation District), Raymondville, TX
Mower, Roland CEO (also providing written testimony) (Port San Antonio), San Antonio,
TX
Reese, Randall General Manager (also providing written testimony) (Self; Sabine Neches
Navigation District), Port Arthur, Texas, TX
Singhania, Ravi Chair, Port Freeport Commission (also providing written testimony) (Port
Freeport/Fort Bend / 36A alliance), Freeport/Texas, TX
Williams, Marc Deputy Executive Director (also providing written testimony) (Texas
Department of Transportation), Austin, TX
Registering, but not testifying:
ON:
Henderson, Clayton Director of Corporate Affairs (Port of Beaumont), Beaumont, TX
Prozzi, Jolanda TTI Program Manager (Texas A&M Transportation Institute), Austin, TX


--- layout: post title: Plus fort date: '2018-04-03T11:30:10+02:00' categories: - Storyboards picture_url: https://film-Storyboards.tumblr.com/post/172558214112 ---
TV commercial storyboard.
Production: Hamlet
Director: Fred De Loof
Client: Lidl


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| PostgreSQL 9.5.19 Documentation | |||
|---|---|---|---|
| Prev | Up | Chapter 46. Logical Decoding | Next |
An example output plugin can be found in the contrib/test_decoding subdirectory of the PostgreSQL source tree.
An output plugin is loaded by dynamically loading a shared library with
the output plugin's name as the library base name. The normal library
search path is used to locate the library. To provide the required output
plugin callbacks and to indicate that the library is actually an output
plugin it needs to provide a function named
_PG_output_plugin_init
. This function is passed a
struct that needs to be filled with the callback function pointers for
individual actions.
typedef struct OutputPluginCallbacks { LogicalDecodeStartupCB startup_cb; LogicalDecodeBeginCB begin_cb; LogicalDecodeChangeCB change_cb; LogicalDecodeCommitCB commit_cb; LogicalDecodeFilterByOriginCB filter_by_origin_cb; LogicalDecodeShutdownCB shutdown_cb; } OutputPluginCallbacks; typedef void (*LogicalOutputPluginInit) (struct OutputPluginCallbacks *cb);
The begin_cb
, change_cb
and commit_cb
callbacks are required,
while startup_cb
,
filter_by_origin_cb
and shutdown_cb
are optional.
To decode, format and output changes, output plugins can use most of the backend's normal infrastructure, including calling output functions. Read only access to relations is permitted as long as only relations are accessed that either have been created by initdb in the pg_catalog schema, or have been marked as user provided catalog tables using
ALTER TABLE user_catalog_table SET (user_catalog_table = true); CREATE TABLE another_catalog_table(data text) WITH (user_catalog_table = true);
Any actions leading to transaction ID assignment are prohibited. That, among others, includes writing to tables, performing DDL changes, and calling txid_current().
Output plugin callbacks can pass data to the consumer in nearly arbitrary formats. For some use cases, like viewing the changes via SQL, returning data in a data type that can contain arbitrary data (e.g., bytea) is cumbersome. If the output plugin only outputs textual data in the server's encoding, it can declare that by setting OutputPluginOptions.output_type to OUTPUT_PLUGIN_TEXTUAL_OUTPUT instead of OUTPUT_PLUGIN_BINARY_OUTPUT in the startup callback. In that case, all the data has to be in the server's encoding so that a text datum can contain it. This is checked in assertion-enabled builds.
An output plugin gets notified about changes that are happening via various callbacks it needs to provide.
Concurrent transactions are decoded in commit order, and only changes belonging to a specific transaction are decoded between the begin and commit callbacks. Transactions that were rolled back explicitly or implicitly never get decoded. Successful savepoints are folded into the transaction containing them in the order they were executed within that transaction.
Note: Only transactions that have already safely been flushed to disk will be decoded. That can lead to a COMMIT not immediately being decoded in a directly following pg_logical_slot_get_changes() when synchronous_commit is set to off.
The optional startup_cb
callback is called whenever
a replication slot is created or asked to stream changes, independent
of the number of changes that are ready to be put out.
typedef void (*LogicalDecodeStartupCB) (struct LogicalDecodingContext *ctx, OutputPluginOptions *options, bool is_init);
The is_init parameter will be true when the replication slot is being created and false otherwise. options points to a struct of options that output plugins can set:
typedef struct OutputPluginOptions { OutputPluginOutputType output_type; } OutputPluginOptions;
output_type has to either be set to OUTPUT_PLUGIN_TEXTUAL_OUTPUT or OUTPUT_PLUGIN_BINARY_OUTPUT. See also Section 46.6.3.
The startup callback should validate the options present in ctx->output_plugin_options. If the output plugin needs to have a state, it can use ctx->output_plugin_private to store it.
The optional shutdown_cb
callback is called
whenever a formerly active replication slot is not used anymore and can
be used to deallocate resources private to the output plugin. The slot
isn't necessarily being dropped, streaming is just being stopped.
typedef void (*LogicalDecodeShutdownCB) (struct LogicalDecodingContext *ctx);
The required begin_cb
callback is called whenever a
start of a committed transaction has been decoded. Aborted transactions
and their contents never get decoded.
typedef void (*LogicalDecodeBeginCB) (struct LogicalDecodingContext *ctx, ReorderBufferTXN *txn);
The txn parameter contains meta information about the transaction, like the time stamp at which it has been committed and its XID.
The required commit_cb
callback is called whenever
a transaction commit has been
decoded. The change_cb
callbacks for all modified
rows will have been called before this, if there have been any modified
rows.
typedef void (*LogicalDecodeCommitCB) (struct LogicalDecodingContext *ctx, ReorderBufferTXN *txn, XLogRecPtr commit_lsn);
The required change_cb
callback is called for every
individual row modification inside a transaction, may it be
an INSERT, UPDATE,
or DELETE. Even if the original command modified
several rows at once the callback will be called individually for each
row.
typedef void (*LogicalDecodeChangeCB) (struct LogicalDecodingContext *ctx, ReorderBufferTXN *txn, Relation relation, ReorderBufferChange *change);
The ctx and txn parameters
have the same contents as for the begin_cb
and commit_cb
callbacks, but additionally the
relation descriptor relation points to the
relation the row belongs to and a struct
change describing the row modification are passed
in.
Note: Only changes in user defined tables that are not unlogged (see UNLOGGED) and not temporary (see TEMPORARY or TEMP) can be extracted using logical decoding.
The optional filter_by_origin_cb
callback
is called to determine whether data that has been replayed
from origin_id is of interest to the
output plugin.
typedef bool (*LogicalDecodeFilterByOriginCB) (struct LogicalDecodingContext *ctx, RepOriginId origin_id);
The ctx parameter has the same contents as for the other callbacks. No information but the origin is available. To signal that changes originating on the passed in node are irrelevant, return true, causing them to be filtered away; false otherwise. The other callbacks will not be called for transactions and changes that have been filtered away.
This is useful when implementing cascading or multidirectional replication solutions. Filtering by the origin allows to prevent replicating the same changes back and forth in such setups. While transactions and changes also carry information about the origin, filtering via this callback is noticeably more efficient.
To actually produce output, output plugins can write data to
the StringInfo output buffer
in ctx->out when inside
the begin_cb
, commit_cb
,
or change_cb
callbacks. Before writing to the output
buffer, OutputPluginPrepareWrite(ctx, last_write)
has
to be called, and after finishing writing to the
buffer, OutputPluginWrite(ctx, last_write)
has to be
called to perform the write. The last_write
indicates whether a particular write was the callback's last write.
The following example shows how to output data to the consumer of an output plugin:
OutputPluginPrepareWrite(ctx, true); appendStringInfo(ctx->out, "BEGIN %u", txn->xid); OutputPluginWrite(ctx, true);


Japan: Famitsu hosting Smash Bros Ultimate cross-company tournament featuring Sony Interactive Entertainment
by My Nintendo News AdminFamitsu is organising the Super Smash Bros Ultimate battle to end all battles as they have announced a cross-company tournament which will feature members of Nintendo’s rivals, Sony Interactive Entertainment. This spectacular tournament will kick off on Friday, 22nd November at 8pm Japan time. Here’s the details along with the eight companies who are participating in the “Famitsu Presents Super Smash Bros. Ultimate Cross-Company Game Tournament in Tokyo Odaiba Oedo Onsen Monogatari:”
Employees of the above eight companies will battle it out in team-based matches at the onsen theme park Tokyo Odaiba Oedo Onsen Monogatari to determine which among them are the better Super Smash Bros. Ultimate players.


SUBROUTINE SSYTRD( UPLO, N, A, LDA, D, E, TAU, WORK, LWORK, INFO ) * * -- LAPACK routine (version 3.1) -- * Univ. of Tennessee, Univ. of California Berkeley and NAG Ltd.. * November 2006 * * .. Scalar Arguments .. CHARACTER UPLO INTEGER INFO, LDA, LWORK, N * .. * .. Array Arguments .. REAL A( LDA, * ), D( * ), E( * ), TAU( * ), $ WORK( * ) * .. * * Purpose * ======= * * SSYTRD reduces a real symmetric matrix A to real symmetric * tridiagonal form T by an orthogonal similarity transformation: * Q**T * A * Q = T. * * Arguments * ========= * * UPLO (input) CHARACTER*1 * = 'U': Upper triangle of A is stored; * = 'L': Lower triangle of A is stored. * * N (input) INTEGER * The order of the matrix A. N >= 0. * * A (input/output) REAL array, dimension (LDA,N) * On entry, the symmetric matrix A. If UPLO = 'U', the leading * N-by-N upper triangular part of A contains the upper * triangular part of the matrix A, and the strictly lower * triangular part of A is not referenced. If UPLO = 'L', the * leading N-by-N lower triangular part of A contains the lower * triangular part of the matrix A, and the strictly upper * triangular part of A is not referenced. * On exit, if UPLO = 'U', the diagonal and first superdiagonal * of A are overwritten by the corresponding elements of the * tridiagonal matrix T, and the elements above the first * superdiagonal, with the array TAU, represent the orthogonal * matrix Q as a product of elementary reflectors; if UPLO * = 'L', the diagonal and first subdiagonal of A are over- * written by the corresponding elements of the tridiagonal * matrix T, and the elements below the first subdiagonal, with * the array TAU, represent the orthogonal matrix Q as a product * of elementary reflectors. See Further Details. * * LDA (input) INTEGER * The leading dimension of the array A. LDA >= max(1,N). * * D (output) REAL array, dimension (N) * The diagonal elements of the tridiagonal matrix T: * D(i) = A(i,i). * * E (output) REAL array, dimension (N-1) * The off-diagonal elements of the tridiagonal matrix T: * E(i) = A(i,i+1) if UPLO = 'U', E(i) = A(i+1,i) if UPLO = 'L'. * * TAU (output) REAL array, dimension (N-1) * The scalar factors of the elementary reflectors (see Further * Details). * * WORK (workspace/output) REAL array, dimension (MAX(1,LWORK)) * On exit, if INFO = 0, WORK(1) returns the optimal LWORK. * * LWORK (input) INTEGER * The dimension of the array WORK. LWORK >= 1. * For optimum performance LWORK >= N*NB, where NB is the * optimal blocksize. * * If LWORK = -1, then a workspace query is assumed; the routine * only calculates the optimal size of the WORK array, returns * this value as the first entry of the WORK array, and no error * message related to LWORK is issued by XERBLA. * * INFO (output) INTEGER * = 0: successful exit * < 0: if INFO = -i, the i-th argument had an illegal value * * Further Details * =============== * * If UPLO = 'U', the matrix Q is represented as a product of elementary * reflectors * * Q = H(n-1) . . . H(2) H(1). * * Each H(i) has the form * * H(i) = I - tau * v * v' * * where tau is a real scalar, and v is a real vector with * v(i+1:n) = 0 and v(i) = 1; v(1:i-1) is stored on exit in * A(1:i-1,i+1), and tau in TAU(i). * * If UPLO = 'L', the matrix Q is represented as a product of elementary * reflectors * * Q = H(1) H(2) . . . H(n-1). * * Each H(i) has the form * * H(i) = I - tau * v * v' * * where tau is a real scalar, and v is a real vector with * v(1:i) = 0 and v(i+1) = 1; v(i+2:n) is stored on exit in A(i+2:n,i), * and tau in TAU(i). * * The contents of A on exit are illustrated by the following examples * with n = 5: * * if UPLO = 'U': if UPLO = 'L': * * ( d e v2 v3 v4 ) ( d ) * ( d e v3 v4 ) ( e d ) * ( d e v4 ) ( v1 e d ) * ( d e ) ( v1 v2 e d ) * ( d ) ( v1 v2 v3 e d ) * * where d and e denote diagonal and off-diagonal elements of T, and vi * denotes an element of the vector defining H(i). * * ===================================================================== * * .. Parameters .. REAL ONE PARAMETER ( ONE = 1.0E+0 ) * .. * .. Local Scalars .. LOGICAL LQUERY, UPPER INTEGER I, IINFO, IWS, J, KK, LDWORK, LWKOPT, NB, $ NBMIN, NX * .. * .. External Subroutines .. EXTERNAL SLATRD, SSYR2K, SSYTD2, XERBLA * .. * .. Intrinsic Functions .. INTRINSIC MAX * .. * .. External Functions .. LOGICAL LSAME INTEGER ILAENV EXTERNAL LSAME, ILAENV * .. * .. Executable Statements .. * * Test the input parameters * INFO = 0 UPPER = LSAME( UPLO, 'U' ) LQUERY = ( LWORK.EQ.-1 ) IF( .NOT.UPPER .AND. .NOT.LSAME( UPLO, 'L' ) ) THEN INFO = -1 ELSE IF( N.LT.0 ) THEN INFO = -2 ELSE IF( LDA.LT.MAX( 1, N ) ) THEN INFO = -4 ELSE IF( LWORK.LT.1 .AND. .NOT.LQUERY ) THEN INFO = -9 END IF * IF( INFO.EQ.0 ) THEN * * Determine the block size. * NB = ILAENV( 1, 'SSYTRD', UPLO, N, -1, -1, -1 ) LWKOPT = N*NB WORK( 1 ) = LWKOPT END IF * IF( INFO.NE.0 ) THEN CALL XERBLA( 'SSYTRD', -INFO ) RETURN ELSE IF( LQUERY ) THEN RETURN END IF * * Quick return if possible * IF( N.EQ.0 ) THEN WORK( 1 ) = 1 RETURN END IF * NX = N IWS = 1 IF( NB.GT.1 .AND. NB.LT.N ) THEN * * Determine when to cross over from blocked to unblocked code * (last block is always handled by unblocked code). * NX = MAX( NB, ILAENV( 3, 'SSYTRD', UPLO, N, -1, -1, -1 ) ) IF( NX.LT.N ) THEN * * Determine if workspace is large enough for blocked code. * LDWORK = N IWS = LDWORK*NB IF( LWORK.LT.IWS ) THEN * * Not enough workspace to use optimal NB: determine the * minimum value of NB, and reduce NB or force use of * unblocked code by setting NX = N. * NB = MAX( LWORK / LDWORK, 1 ) NBMIN = ILAENV( 2, 'SSYTRD', UPLO, N, -1, -1, -1 ) IF( NB.LT.NBMIN ) $ NX = N END IF ELSE NX = N END IF ELSE NB = 1 END IF * IF( UPPER ) THEN * * Reduce the upper triangle of A. * Columns 1:kk are handled by the unblocked method. * KK = N - ( ( N-NX+NB-1 ) / NB )*NB DO 20 I = N - NB + 1, KK + 1, -NB * * Reduce columns i:i+nb-1 to tridiagonal form and form the * matrix W which is needed to update the unreduced part of * the matrix * CALL SLATRD( UPLO, I+NB-1, NB, A, LDA, E, TAU, WORK, $ LDWORK ) * * Update the unreduced submatrix A(1:i-1,1:i-1), using an * update of the form: A := A - V*W' - W*V' * CALL SSYR2K( UPLO, 'No transpose', I-1, NB, -ONE, A( 1, I ), $ LDA, WORK, LDWORK, ONE, A, LDA ) * * Copy superdiagonal elements back into A, and diagonal * elements into D * DO 10 J = I, I + NB - 1 A( J-1, J ) = E( J-1 ) D( J ) = A( J, J ) 10 CONTINUE 20 CONTINUE * * Use unblocked code to reduce the last or only block * CALL SSYTD2( UPLO, KK, A, LDA, D, E, TAU, IINFO ) ELSE * * Reduce the lower triangle of A * DO 40 I = 1, N - NX, NB * * Reduce columns i:i+nb-1 to tridiagonal form and form the * matrix W which is needed to update the unreduced part of * the matrix * CALL SLATRD( UPLO, N-I+1, NB, A( I, I ), LDA, E( I ), $ TAU( I ), WORK, LDWORK ) * * Update the unreduced submatrix A(i+ib:n,i+ib:n), using * an update of the form: A := A - V*W' - W*V' * CALL SSYR2K( UPLO, 'No transpose', N-I-NB+1, NB, -ONE, $ A( I+NB, I ), LDA, WORK( NB+1 ), LDWORK, ONE, $ A( I+NB, I+NB ), LDA ) * * Copy subdiagonal elements back into A, and diagonal * elements into D * DO 30 J = I, I + NB - 1 A( J+1, J ) = E( J ) D( J ) = A( J, J ) 30 CONTINUE 40 CONTINUE * * Use unblocked code to reduce the last or only block * CALL SSYTD2( UPLO, N-I+1, A( I, I ), LDA, D( I ), E( I ), $ TAU( I ), IINFO ) END IF * WORK( 1 ) = LWKOPT RETURN * * End of SSYTRD * END


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I don't want to live in a world where someone else makes the world a better place... better than we do.
- Gavin Belson


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Lean architecture - Introduction
16 Dec 2014Touchstones: Lean & Agile
- Buzzwords ahead.
- 90s management culture = Toyota way / Lean term coined
- Value stream = primary focus = "Every single activity adds value"
- Waste reduces value. Constant improvement increases value
- "All hands on deck" mentality = Team
- Agile manifesto enphasizes the customer, Lean = stakeholders (everybody in sight)
- Not about working: harder, "smarter", but more about focus and discipline.
- The architecture should support the company value stream
Just in time deliver instead of stockpilling software library warehouses = Continuous flow
Source code itself should reflect the end-user mental model of the world
Continuous flow
Team mentality
Lightweight architecture
Arch with reduced waste incurred by:
- Rework (inadequate planning)
- Unused artifacts (such as comprehensive documentation and speculative code).
- Wait states (handoffs between functional teams, review lifecycle of arch / design documents)
People say architecture is hard
- Complexity
- Takes-a-long-time vs Complexity
- Unite specialists, everybody all together, from early on
- Neither lean nor agile make architecture look easy, but they illuminate the architecture's value
Architecture value
Lean brings that:
- Careful, up-front planning
- "Everybody, all together, from early on"
- How the architecture can reduce waste, inconsistency and irregular development
Agile:
- Feedback
- How user engagement and feedback can drive down long-term cost
Lean architecture and Agile feature development
- Classic approach embraces engineering too early = Rushes into implementation.
- Lean + Agile encourages changes in those parts of the system which are likely to change - because they aren't pre-filled with premature structures
- Standards are valuable at level of form, protocols and APIs rather than their implementation
- Agile = Communication and sometimes written documentation in the right medium
Agile production
Agile builds on Lean
- Agile production plans for change. Stakeholder changes can be propagated without being lost.
- Agile stays lean with its focus on code. Code isn't the design. The code is the vest way to capture the end-user mental model, and the techniques, problem solving strategies are part of the design process.
- Lean: value sream starts with end-users = Agile: Individuals and interactions over processes and tools.
The scope of agile systems
- Architecture = Stability. Agile = Change
- Plan for change (70s, 80s) vs Change directly
- "User expectation as the father of change"
- Modern markets = Speed = Adaptation
- Agile adapts to this market due to its accomodation for change
- Fits independently of the feedback value: Formally specified systems (little value) vs No obvious interaction between systems (high value)
- "Lean is an overkill for simple systems"
- Agile can draw on lean to estabilish the boundary conditions necessary for progress
Highlights
- Software architecture should reflect the end-user mental model of the world
- System form: Users thought process while viewing the screen, and what the system is
- System functionality: How the system respond to user input, what the system do
- Stakeholders (early) insight exploration
- Code expresses form concretely
- Communication


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Welcome to profile!
Details
Name: Tapan Manu
Age: 21
DOB : 20/04/2000
Address: Paramakkal, Padimon PO, Mallappally
Education
Home
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B Tech , CSE TKMCE,Kollam
12th, Science Stream ,Mar Dionysius School, Mallappally
10th, Mar Dionysius School, Mallappally
Reach me at
tapanmanu2000@gmail.com


Benefits & Features for Prospective Partners
Learn more about UN partnership processes
Register and create online profiles once that can be accessed by multiple UN agencies
View partnership opportunities from multiple UN agencies
Submit concept notes to UN agencies for funding consideration
The development of the Portal draws on decades of successful partnership between the UN and civil society, consultations with networks of NGOs, as well as best practices in partnership management, such as the UNHCR Partner Portal, to support the harmonisation and simplification of business processes.
Meeting Our Commitments
The Portal also represents the efforts of UNHCR, UNICEF and WFP to implement the 2016 World Humanitarian Summit’s Grand Bargain commitments to reduce duplication and management costs and enhance partnerships with local and national actors.
The Portal is also designed to encourage harmonization within the UN, and it is expected that more UN agencies and their associated partners will join the Portal in the near future.


Marvel's_Runaways
Every teenager thinks their parents are evil. What if you found out they actually were? Marvel's Runaways is the story of six diverse teenagers who can barely stand each other but who must unite against a common foe – their parents.


{{+bindTo:partials.standard_nacl_api}}
| PP_Bool(* | IsCompositor )(PP_Resource resource) |
| PP_Resource(* | Create )(PP_Instance instance) |
| PP_Resource(* | AddLayer )(PP_Resource compositor) |
| int32_t(* | CommitLayers )(PP_Resource compositor, struct PP_CompletionCallback cc) |
| int32_t(* | ResetLayers )(PP_Resource compositor) |
Defines the PPB_Compositor
interface.
Used for setting PPB_CompositorLayer
layers to the Chromium compositor for compositing. This allows a plugin to combine different sources of visual data efficiently, such as PPB_ImageData
images and OpenGL textures. See also PPB_CompositorLayer
for more information. This interface is still in development (Dev API status) and may change, so is only supported on Dev channel and Canary currently.
Example usage from plugin code:
Setup:
PP_Resource compositor; compositor = compositor_if->Create(instance); instance_if->BindGraphics(instance, compositor);
Setup layer stack:
PP_Resource color_layer = compositor_if->AddLayer(compositor); PP_Resource texture_layer = compositor_if->AddLayer(compositor);
Present one frame: layer_if->SetColor(color_layer, 255, 255, 0, 255, PP_MakeSize(400, 400)); PP_CompletionCallback release_callback = { TextureReleasedCallback, 0, PP_COMPLETIONCALLBACK_FLAG_NONE, }; layer_if->SetTexture(texture_layer, graphics3d, texture_id, PP_MakeSize(300, 300), release_callback);
PP_CompletionCallback callback = { DidFinishCommitLayersCallback, (void*) texture_id, PP_COMPLETIONCALLBACK_FLAG_NONE, }; compositor_if->CommitLayers(compositor, callback);
release callback void ReleaseCallback(int32_t result, void* user_data) { if (result == PP_OK) { uint32_t texture_id = (uint32_t) user_data; // reuse the texture or delete it. } }
Shutdown:
core->ReleaseResource(color_layer); core->ReleaseResource(texture_layer); core->ReleaseResource(compositor);
| PP_Resource(* PPB_Compositor::AddLayer)(PP_Resource compositor) |
Creates a new PPB_CompositorLayer
and adds it to the end of the layer stack.
A PP_Resource
containing the layer is returned. It is uninitialized, SetColor()
, SetTexture
or SetImage
should be used to initialize it. The layer will appear above other pre-existing layers. If ResetLayers
is called or the PPB_Compositor
is released, the returned layer will be invalidated, and any further calls on the layer will return PP_ERROR_BADRESOURCE
.
param[in] compositor A PP_Resource
corresponding to a compositor layer resource.
PP_Resource
containing the compositor layer resource if successful or 0 otherwise. | int32_t(* PPB_Compositor::CommitLayers)(PP_Resource compositor, struct PP_CompletionCallback cc) |
Commits layers added by AddLayer()
to the chromium compositor.
param[in] compositor A PP_Resource
corresponding to a compositor layer resource.
| [in] | cc | A PP_CompletionCallback to be called when layers have been represented on screen. |
pp_errors.h
. | PP_Resource(* PPB_Compositor::Create)(PP_Instance instance) |
Creates a Compositor resource.
| [in] | instance | A PP_Instance identifying one instance of a module. |
PP_Resource
containing the compositor resource if successful or 0 otherwise. | PP_Bool(* PPB_Compositor::IsCompositor)(PP_Resource resource) |
Determines if a resource is a compositor resource.
| [in] | resource | The PP_Resource to test. |
PP_Bool
with PP_TRUE
if the given resource is a compositor resource or PP_FALSE
otherwise. | int32_t(* PPB_Compositor::ResetLayers)(PP_Resource compositor) |
Resets layers added by AddLayer()
.
param[in] compositor A PP_Resource
corresponding to a compositor layer resource.
pp_errors.h
.


LoRa allows for a network of Low Power and Long Range devices. LoRa and the concept
of the Internet of Things allows people to build smart networks of devices that gather a variety of
data. Data is transfered securely to a database and can then be displayed for clients to see.
An unlimited number of nodes may be deployed to create a mesh of sensors. The nodes need to be within
10 km of a collector. Once in the field though, nodes may be powered by a simple battery and solar charger.
Sensors can even be made to track battery voltage to check when one is not charging as well.
This project is network for the Boise Area. We will be gathering weather data for the surrounding area.


Hardware Review: Go-tcha Evolve - The Pokémon GO Plus Killer
Auto-catching and step tracking
by Damien McFerranAccessory maker Datel has had two attempts at making the ultimate Pokémon GO companion device: the Go-tcha and the Go-tcha Ranger. Both mimic the functionality of the Pokémon GO Plus (and the later Pokéball Plus) but with one massive advantage – they automate functions such as swiping nearby Pokéstops and catching 'mon, so you don't have to interact with the device at all; it does all of the busy work for you.
We really like both of the previous Go-tcha devices, but with one huge caveat – both of our review units completely failed after a few months (we actually had two of the original Go-tcha units die on us). Reliability is clearly a big problem with these devices, which makes reviewing the Go-tcha Evolve a little tricky; as much as we like it (and believe us, we do), we can't be entirely sure it will still be ticking over in six months. But for the time being, let's approach this latest accessory with a fairly open mind.
Go-tcha Evolve Review: Design And Functions
Like the original Go-tcha, the Go-tcha Evolve resembles a fitness tracker. It's a much larger unit than the original, but its design is arguably less obnoxious, so you don't need to feel self-conscious about wearing it in public (it's certainly a lot less obvious than the Pokémon GO Plus with its flashing multicolour LED). The strap is available in four colours – Dynamic Grey, Trailblazer Blue, Globetrotter Green and Daredevil Red – and is pretty comfortable. The main unit has a reasonably bright colour screen which displays information and cute little animations, and can be interacted with via a single touch-sensitive button.
Charging is handled by a full-size USB port which is accessed by removing the upper part of the strap. This is quite a tough process (so much so that the unit comes with an instruction sheet focused purely on how to charge the device) and it often feels like you're going to break something; Datel recommends that you remove it by pulling it at a 45-degree angle. This connection also means that the Go-tcha Evolve isn't water-resistant, so you'll want to make sure you remember to take it off before having a bath or shower. The unit takes about 1 and-a-half hours to fully charge, and a charge lasts a fair few days, depending on how much you use the device. For example, after a week of fairly casual use, our unit still has a single bar of battery remaining.
Tapping the single button on the front of the unit wakes it from sleep, and subsequent taps move you through the menu system one option at a time. You can choose to toggle things like auto-catching (of both known and unknown monsters – you can choose to ignore ones you already have in your Pokédex) and auto-swiping of Pokéstops, as well as vibration alerts. The unit will also show if your Go-tcha Evolve is currently connected to your phone, and you can choose to have it display the time and date when it wakes from sleep, instead of the standard startup animation. You can choose to turn off the automatic processes if you so wish, and manually tap the device to execute a catch or Pokéstop swipe.
But that's not all! There's a pedometer that tracks how many steps you've taken, and it's pretty accurate from what we can ascertain – it kept pace with our Apple Watch, at least. You can also choose to totally silence the device so no alerts come through, which is handy when you're in a quiet environment and don't want it constantly flashing and vibrating. Speaking of the latter, the motor inside the Go-tcha Evolve is a little bit feeble and unless you're standing totally still, you often can't feel when it's vibrating.
The Go-tcha Evolve is listed as being compatible with the iPhone 5s, iPhone 6, iPhone 6 Plus, iPhone 6S, iPhone 6S Plus, iPhone SE, iPhone 7, iPhone 7 Plus, iPhone 8, iPhone 8 Plus, iPhone X, iPhone XS, iPhone XS Max, iPhone XR devices with iOS 10.0 or later installed. We'd also assume that the latest iPhone 11 models are supported. On the Android side of things, the requirement is a device with 2 GB RAM or more, Bluetooth Smart (Bluetooth Ver. 4.0 or higher) capability, and Android 5.0 or higher. There's a dedicated app available for both iOS and Android which allows you to toggle various settings more easily, as well as download firmware updates for the device itself. To connect the Go-tcha Evolve to the app, you'll need to make sure it's not currently connected to Pokémon GO itself.
 Pokémon GO sees the device as a Pokémon GO Plus, so there's no way that Niantic can 'disable' it from the app (it's worth stressing that this product is 100% unofficial and not sanctioned by Nintendo, The Pokémon Company or Niantic). However, it also means that the Go-tcha Evolve is subject to the same limitations as the Pokémon GO – namely, it won't stay connected forever and often disconnects at seemingly random times. We assume this has much to do with how your phone handles RAM management (we were using an iPhone XR, which has a rather pathetic 3GB of memory), but it's hardly a deal-breaker; when it happens, you just open the app, tap the Pokémon GO Plus icon, wake the Go-tcha Evolve and the connection is re-established.
Go-tcha Evolve Review: The Verdict
Right now, we can't fault the Go-tcha Evolve. It improves on the original model and the full-colour screen is a real bonus.  Battery life is good, and the fact that it tracks your steps as well as helps your monster hunting makes it even more appealing (especially as the process of playing Pokémon GO is sure to boost your daily step count).
The real question is: how long will this thing last? Datel's track record in this regard leaves something to be desired, and while we can't say for sure that the Go-tcha Evolve will suffer the same fate as its flaky predecessors, we can only offer a cautious recommendation at present. We'll update this review if the situation changes over the next few months, but for the time being, this appears to be the dream device for dedicated Pokémon GO players.


Please only upload edited copies of HTML files you have downloaded. Uploading any new songs manually are not supported yet.


TensorFlow.js: Working with CSV files in tfjs-data
Enter the URL of your csv file below, or click one of the above buttons to
explore some CSVs we've hosted. Note that you may need to update your web
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HyunA reveals she and Dawn got competitive while preparing for their solo promotions
by beansssOn November 5, K-Pop's representative sexy female star HyunA and rising rookie solo artist Dawn (formerly E'Dawn) held a joint showcase in light of HyunA's comeback and Dawn's debut!
During their joint showcase, HyunA recalled a meeting she and Dawn held with their label's CEO, Psy. She shared, "No one backed down and looked into one another's eyes intensely. It was tacit knowledge. One would go, 'I'll be first', and the other would go, 'I want to hurry up and promote too'. Psy would go, 'Neither is willing to back down? Then what if you both promoted at the same time?'. That was how it gradually got started."
HyunA then unveiled that while they worked openly and comfortably, there was still competition. "There was competition over who would film their MV first, and who would have a particular director. It was a fiery competition. I personally didn't think of us as competing, but Dawn kept referring to me as his rival," HyunA said.


Selector: mdc-slider
| Properties | Description |
|---|---|
| min: number | The minimum value that the slider can have. |
| max: number | The maximum value that the slider can have. |
| value: number | The current value of the slider. |
| step: number | Specifies the increments at which a slider value can be set. |
| discrete: boolean | Discrete sliders allow users to select a specific value from a range. (Default: false) |
| markers: boolean | Show markers on track. Discrete sliders support displaying markers on their tracks. (Default: false) |
| disabled: boolean | Disables the slider. |
| Methods | Parameters |
|---|---|
| getMin(): number | Returns the min value the slider can have. |
| getMax(): number | Returns the max value the slider can have. |
| getStep(): number | Returns the slider step value. |
| getValue(): number | Returns the current value of the slider. |
| Events | Description |
|---|---|
| change(source: MdcSlider, value: number) | Broadcast when slider value is changed and committed by way of a user event, e.g. when a user stops dragging the slider or changes the value using the arrow keys. |
| input(source: MdcSlider, value: number) | Broadcasts when slider value is changed by way of a user event, e.g. when a user is dragging the slider or changing the value using the arrow keys. |
Dirty: {{ demoContinousModel.dirty }}
Touched: {{ demoContinousModel.touched }}
ngModel Value: {{ demoContinousModel.value }}
Value from input event: {{continuousInputEventValue}}
Value from change event: {{continuousChangeEventValue}}
Slider value: {{demodiscrete.value}}
Value from input event: {{discreteInputEventValue}}
Value from change event: {{discreteChangeEventValue}}
ngModel Value: {{demoMarkerModel.value}}
Value from input event: {{markersInputEventValue}}
Value from change event: {{markersChangeEventValue}}


Hi there, welcome to Beep Boop! a site that list out a bunch of numbers with a tiny bit of TWIST!
"Beep!", "Boop!" , 2 , "I'm sorry, Dave. I'm afraid I can't do that." , 4 , 5 , "I'm sorry, Dave. I'm afraid I can't do that."
© Kenny Halim


Sanna Marin: 34-year-old female becomes Finland's youngest prime minister
- Finland has made big history as it now has its youngest politician, Sanna Marin, who will become the country's prime minister
- Marin will be replacing Antti Rinne who lost the confidence of the people following the way he dealt with the country's postal strike
- Finland's new prime minister will be sworn in by Tuesday, December 10, making her one of the youngest public office holders in the world
Finland picked its youngest citizen as prime minister on Sunday, December 8, after former transport minister, Sanna Marin, aged 34, won an election.
The Straits Times reports that Marin's victory was a close margin, making her the replacement for the outgoing Antti Rinne who lost people's confidence with the way he handled postal strike.
“We have a lot of work to do to rebuild trust,” Marin said as she spoke to newsmen, parrying questions that had to do with her age.
2023: North has learnt its lessons with Buhari - Sheikh Gumi
"I have never thought about my age or gender. I think of the reasons I got into politics and those things for which we have won the trust of the electorate,” she said.
It should be noted that the former PM stepped down after long weeks of political unrest following the plan to reduce wage for 700 postal workers.
Marin will be formally sworn in as the new country’s prime minister on Tuesday, December 10.
Meanwhile, Legit.ng earlier reported that an 18-year-old Nigerian British born Deborah Longe, a student of law at the University of Durham, is contesting as MP in Walthamstow constituency.
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Speaking during one of her campaigns, she said her election will help her to fulfill her dream to support the black communities. Her campaign speech has been praised, especially from blacks who she predominantly stands for.
This is why social media must be regulated - University don gives reason
She is contesting under the Christian Peoples Alliance (CPA), whose main aim is to uphold marital institution and help reduce the number of abortions.
NAIJ.com (naija.ng) -> Legit.ng We have upgraded to serve you better
Top 4 Most Influential Nigerians in the World: Nigerians in Top Positions on Legit TV


I was feeling bored one weekend so I decided to try out a pill I had been given a while back. Let me just say now that I had never successfully tripped before this night. I had read reports of hallucinations, and reports that didn’t mention it, so I didn’t really know what to expect as I ingested 15mg of the strange new drug.
Just as the reports had said, this drug kicks in fast. Within 15 minutes I felt the beginning affects, I expected it to be hard to stay awake, but I felt very little drowsiness.
Now that my little experiment was in motion I decided to lay on the love sac (for anyone that doesn’t know, its like a giant soft been bag) completely still, to see if I could feel anything different. I did. I knew the affects were starting to strengthen as I started to feel the love sac poke and prod my legs. Then I turned onto my belly and looked at my wooden floor, it was melting away in the direction of the grooves, and also parts would rise and fall. I looked down and a wood right in front of me swelled, so I decided to push on it with my thumb, it went back down. I could actually touch these hallucinations, I could feel my finger sinking into the floor.
After a while, I got up and walked to my room to fetch the other 7.5 mg, and I noticed parts of the floor would rise under my feet making it hard to balance.
I eventually returned to the living room and sat down at the computer by the love sac. I looked back, and the love sac was breathing. I turned on the tv, I felt like I was in the same room with all the laughing people. So when they would laugh, even if I wasn’t watching the tv, I would laugh too. Next I remember having a crazy grin on my face as I proceeded to break the pill into many different pieces (I don’t know why I did this, seemed like a good idea at the time). I then ate the little pieces one at a time for about 3 minutes.
I then signed onto instant messenger and typed things to my friends. Crazy things like “I hin te flor is tring tu drag he lov sak away”. It became even harder to have these conversations as the other 7.5 mg kicked in. For example, as I would type the sentence would get further and further away (sort of like in the beginning of starwars). I found myself with my nose against the screen trying to read what I was typing. Well anyways, my friends must have thought I was out of my mind. 10 minutes later, I was seeing people in my peripheral vision, laughing on cue with the people on tv and pointing at my computer screen, I would laugh too, and nod in agreement to whatever the hell they were pointing at.
Looking around the room, I realized every inanimate object was moving, my pants on the floor, my soda can, they all had souls, and did whatever they wanted. I then decided that it was time for a cigarette, so I went outside and lit one up. Looking around, and examining myself, I decided I had most of my mind back. My senses were still crazy though. Then, I looked at my dads truck. It looked like there were people in the car, robbers I presumed, about 10 of them. But I knew in my mind that this must be fake so I walked up and they slowly faded away, except for one which shrunk and I looked it in the eyes (I now think this one was my reflection).
After that, I took a step back and looked at the truck and it was moving up and down, like it was on hydraulics, but much slower and much much smoother.  I suddenly felt insignificant compared to everything around me.
Next thing I know its 3 in the morning, and I can just faintly remember the 4 hour trip, almost everything was back to normal, except the floor and lovesac.
Overall, I enjoyed the experience. But I don’t think was wise to ingest a dose over 15 at once my first time. It kicks in so fast, there’s enough time to up dose. Good luck.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


|
|
|
Ayles, Kehler, Williams, & Stevens
Mike
Ayles (banjo, flute, guitar)
Alex Kehler (fiddle, nyckelharpa)
James Stephens (fiddle, string instruments)
Nicholas
Williams(accordion, flute, keyboard)
A power band comprising four of the top traditional
musicians from the region playing together as a
foursome for the first time. Including Nicholas
Williams of Crowfoot, one of the great contra bands,
Alex Kehler of the Baroque ensembles La Nef and
Skye Consort, and James Stephens, the well-known
Ottawa-based record producer.
Bev Bernbaum
A great and widely travelled caller from Toronto.
Ukrainian Hall
405 Fairmount W.
(at Hutchison)
Montreal, H2V 4B4, Map
6:30 pm - 7 pm: Introductory session. Recommended
for new dancers.
7 pm - 10 pm: Dance
Regular: $14 (Members: $12)
Students: $10 (Members: $8)
|


The definitive guide to hybrid vs. native app development.
With popular brands like MarketWatch, Nationwide, and Sworkit choosing hybrid over native, many app dev leaders recognize that they now have a choice when it comes to how they build apps. This guidebook explains the essential elements of hybrid develoment, and what it could mean for your next project.
Send me the free eBook


I recently picked up a Hot Dox keyboard from Alpaca Keyboards as my introduction to the world of split ergonomic keyboards. My primary goals in moving from a traditional mechanical keyboard were to get an improvement in ergonomics and to get much more customization potential than I had with my current keyboards. The Hot Dox is acceptable on the ergonomics front and excellent on the customization front due to its use of the QMK Firmware.
The layout of the Hot Dox differs in many ways from a traditional keyboard and, in my opinion, those differences are largely for the better. The Hot Dox is a clone of the Ergodox keyboard, which is described as an ortholinear, split keyboard. For those who aren’t familiar, I’ll break down those adjectives individually.
An ortholinear keyboard is a keyboard where each of the keys are grouped in straight columns rather than in a staggered layout like a traditional keyboard. In my experience it is a surprisingly different experience to type on an ortholinear keyboard compared to a traditional; the keys are only moved a tiny bit on the keyboard but forcing the keys into perfect columns drastically changed the way my fingers moved to hit most keys. Hitting keys that are not on home row is achieved through a linear movement of the corresponding typing finger and there is no need for a change in hand orientation.
After a couple of months with my Hot Dox I still can’t claim to be completely used to this new layout, but it makes a lot more sense than a staggered layout. It seems to me like a milder version of switching to a non-traditional layout like Dvorak– while there are pros to the changed layout, one will likely always have times when the have to switch back to a traditional layout. I have not had too hard of a time making the mental switch associated with using a traditional keyboard some times and the ortholinear layout at other times, but it is definitely still noticeable.
A split keyboard is very easily noticeable as such, the halves of the keyboard associated with each typing hand are, well, split apart. The main benefit of this design is ergonomics; it is a lot more natural to have your arms sitting even with your shoulders than to stick your hands in line with the middle of your ribcage like with a traditional keyboard. I don’t have any RSI issues with my hands to combat so I don’t have a huge need for the improved ergonomics but it helps me rest easier knowing that I’m doing less harm to my body by typing for so many hours a day.
One somewhat unintended benefit of the split layout is forcing good habit when typing. I had previously been pretty bad about moving my hands around the keyboard and off of home row but with the split keyboard it’s impossible to accidentally start typing on the wrong hand’s side of the keyboard. I’ve noticed that this has improved my typing form on traditional keyboards as well.
The QMK Firmware is without a doubt my favorite part of using this keyboard. This firmware allows you to change the behavior of every key on the keyboard to fit your preferences. The modifications to the key behavior is not restricted simply to the standard set of keys that can be accessed without holding any modifier keys, instead you can add up to 32 layers of different functionality. A layer is similar to the change from lowercase to uppercase that occurs when holding the shift key. I have one layer that allows me to use the arrow keys on the i, j, k, l
keys so I don’t have to move from home row, another layer that allows me to move the mouse with the same set of keys, and another layer that gives me a numpad around home row position. These layers give me all of the benefits of a full-size keyboard (plus some, in the case of the mouse keys) without ever having to leave home row.
You can find my QMK configuration file on my github.
I made one minor modification to my assembly of the keyboard that has made a decent improvement in my impression of its ergonomics. One popular configuration with split keyboards is a tented configuration where the inside edge of each of the keyboard halves is raised somewhat. This puts your hands at a slight angle, which is a more natural way for them to sit. Some keyboards allow this behavior by default, such as the Ergodox, but the Hot Dox does not.
For $4 and a trip to the hardware store, however, I was able to easily achieve some slight tenting to my keyboard. I got a set of 3mm x 16mm button head screw with a 2mm drive and a 3mm - 0.5 hex nut for each of the screws. I replaced the screws holding together the case on the inside corners with these longer screws, adjusted the hex nuts snug against the case, and had a nice tented keyboard setup.
Making the switch to a split, ortholinear keyboard has been a difficult transition, but I’ve found that this keyboard makes it well worth it. My typing ability has improved on other keyboards as well, but the flexibility with the QMK Firmware allows me to be my most productive on this keyboard. 10/10 – get a cool keyboard.


--- title: modals for settings in shiny author: Ildi Czeller date: '2017-06-17' slug: modals-for-settings-in-shiny categories: ["R"] tags: ["shiny"] ---
For some time I have been wondering about the best way to hide more advanced settings from the regular user of your app. I have some apps with many different filters and options, all of which I want to keep because they have their legitimate usage. However, they take up valuable space and also confuse the user who does not need advanced options at the moment.
I also learned about the possibility of using modals and wondered whether there is a use case waiting to be solved.
I came up with using modals to only show advanced options on request. I am not perfectly happy with the solution, however I learned a lot from doing it so I decided to share it.
I built a dead simple shiny app which you can find here alongside the code: persistent modal shiny example.
The most important thing to solve was to keep the set values of advanced options between reopenings of the modal. I solved this with reactive values.
What I did not manage to solve was to apply those advanced options if and only if the user explicitly asks for applying them. I can either change them upon every modification, or upon opening the modal or pressing the apply button. But this is good enough for now. Any suggestions are welcome.


PINK CADILLAC A film review by Greg Goebel Copyright 1989 Greg Goebel
Like them or not, the one thing you have to admire about an Indiana Jones movie is that much great care and effort goes into them. But it's hard to say much more, since by my lights there isn't any good reason to write reviews about them.
Those of us who play at being reviewers (as well as, I suspect, those who do it for a living) must occasionally ask ourselves: "Why am I doing this?" Obviously different people have different reasons. The good Mr. Leeper and Mr. Meyer seem to have rationales somewhat unlike my own: they are very analytical and take their efforts seriously. (I am not being sarcastic -- I'm always like this -- and I concede without hesitation or embarrassment to the true enthusiasts, as opposed to the mere dabbler such as myself. Besides, I *LIKE* reading their reviews.)
So why write reviews? Myself, I look at it as something like Consumer Reports: Can I give the reader some recommendation as to how to spend his or her hard-earned money and precious time? Nobody has limitless money or time, and, except for the true enthusiasts (see above), few are inclined to see almost every movie that comes out.  Besides, it's fun: such is vanity.)
To this end, I try to give you, gentle reader, some idea of what the movie is about, the level of effort that went into its production, the target audience, and (if I dare) some indication of my personal inclinations toward it. (With the full knowledge that this is not only highly subjective but invariably modified by such factors as the time of day, the weather, and my somewhat variable physical well-being.)
Given this, there's absolutely no reason for me to review INDIANA JONES AND THE LAST CRUSADE. All of you know what an Indiana Jones movie is like; if you like that sort of thing, you'll go see it no matter what anyone says; if you don't, a team of Clydesdales won't be able to drag you there. (As far as my own opinion goes, I sat through it enjoyably and forgot about it the instant the door slammed behind me. However, I had the same reaction to the previous two -- with the modification that TEMPLE OF DOOM also gave me at least the illusion of bruises, abrasions, lacerations, and an ever-so-slight concussion.)
But I'd gone all primed to write a review, and there I was, my motor spinning, with nothing to take up the slack. So the next day I went and saw Clint Eastwood and Bernadette Peters in PINK CADILLAC.
 He's good at his work, but otherwise not a highly motivated guy: Doesn't want to take things very seriously, doesn't want to get involved.
Cut to a trailer park, where LuAnn McGuire (Bernadette Peters) finds herself with an 8-month-old baby and a worthless husband who has become involved with a Sunday-soldier-fascist-racist gang of ex-cons known as "Birthright." Their current scam is passing bogus currency. "Don't worry, this is idiot-proof," her husband says.
The next thing LuAnn knows is that she's standing in front of the judge taking the rap. Enough is enough, she figures, so she posts bond, grabs her baby, hops in her husband's big pink Cadillac (with the turbojet tailfins) and jumps the state.
Now the plot directions from this point become obvious (although I should add that there was something important *in* the caddy when LuAnn took off) and I need say nothing more on this score.
Saying more about a Clint Eastwood flic poses similar problems to those posed by an Indiana Jones flic. If you like Clint, you go see his movies; if you don't, you won't. (I count myself among the faithful, though nowhere near to the level of the family friend who named his son "Clint" in Eastwood's honor.) And it's a little like buying a Big Mac -- you know you're not going to get something really bad or very good: you can expect, and will get, a more-or-less consistent, competent, mediocre product.
Truly I have no superlatives for this film.
But that didn't really matter, because the I found the whole effect pleasing. The story may be mechanical but clicks along nicely, and Peters and Eastwood achieve a good chemistry (please, nobody tell me what the difference is in their ages, I don't want to know); I very much enjoyed Peters, a young woman who I could not describe as beautiful or even pretty, but who nonetheless possesses a proverbial "smoldering sexuality," with her cupid pout and her live-wire/little-lost-girl personality.
Another thing I have to say about this film is that it is clearly a blue-collar film for a blue-collar market: blue-jeans and beer, pick-up trucks and bars. I like this myself, since -- although I couldn't kid myself to say that I fit into that scene -- my family runs a construction company and that is the landscape within which I was raised, to which I occasionally return, and which I deeply respect.
But, thinking about it, I know the real reason I enjoyed this movie: Been hanging around with programmers too much! And can I recommend this film? I guess if you like Clint and can relate to shit-kickers, you might find this a good time.
(*) Thanks to Linh Tu for this remark. Too good to pass up.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Library: Foundation
Package: Cache
Header: Poco/KeyValueArgs.h
Description
Simply event arguments class to transfer a key and a value via an event call. Note that key and value are *NOT* copied, only references to them are stored.
Member Summary
Constructors
KeyValueArgs
KeyValueArgs(
const KeyValueArgs & args
);
KeyValueArgs
KeyValueArgs(
const TKey & aKey,
const TValue & aVal
);
Destructor
~KeyValueArgs
~KeyValueArgs();
Member Functions
key
const TKey & key() const;
Returns a reference to the key,
value
const TValue & value() const;
Returns a Reference to the value.
Variables
_key
const TKey & _key;
_value
const TValue & _value;


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For your projects we've designed and supplied small sub-systems for local process monitoring and alarms, as well as larger systems that include all components, enclosures, drawings, instructions, and start-up assistance, for boiler or process control applications.
We can provide you with new products, product upgrades and retrofits, as well as replacement parts for Fisher, Bailey and other control valve manufacturers.
Repair services and completely remanufactured products are also available for some instruments and valves. In addition to saving you time and money these products are sometimes the only solution for replacing obsolete products which are no longer available from the manufacturer.
Listed on this page are the industries we work with on a regular basis.
For more information about our systems capabilities, please contact us to discuss your application.


Samsung was founded by Lee Byung-chul in 1938 as a trading company. Over the next three decades, the group diversified into areas including food processing, textiles, insurance, securities, and retail. Samsung entered the electronics industry in the late 1960s and the construction and shipbuilding industries in the mid-1970s; these areas would drive its subsequent growth. Following Lee's death in 1987, Samsung was separated into four business groups – Samsung Group, Shinsegae Group, CJ Group and Hansol Group. Since 1990, Samsung has increasingly globalised its activities and electronics; in particular, its mobile phones and semiconductors have become its most important source of income. As of 2017, Samsung has the 6th highest global brand value.
Redmi is a sub-brand owned by the Chinese electronics company Xiaomi. It was first announced in July 2013 as a budget smartphone line,[1] and became a separate sub-brand of Xiaomi in 2019 with entry-level and mid-range devices, while Xiaomi itself produces upper-range and flagship Mi phones. Redmi phones use the Xiaomi MIUI user interface on top of Android. Models can be divided into the entry-level Redmi phones with display usually up to 6" and the mid-range Redmi Note series with displays exceeding 5" and equipped with higher-end specifications. In August 2014, The Wall Street Journal reported that in the second quarter of the 2014 fiscal year, Xiaomi had a market share of 14% of smartphone shipment rankings in China.Redmi sales were attributed as a contributing factor toward this gain in shipment rankings.
Lava International Limited is an Indian multi-national company in the mobile handset industry. The company was founded in 2009 as an offshoot of a telecommunication venture. It is headquartered in Noida, Uttar Pradesh, India and has overseas operations in Thailand, Nepal, Bangladesh, Sri Lanka, Indonesia, Mexico and the Middle East, Pakistan and Russia. The company started its Africa operations by launching its product in Egypt in 2016. Lava is working towards establishing a mobile phone design centre in India and setting up new manufacturing facilities. The company has an in-house R&D and product-testing set-up in China and India for product design and development.Lava is working towards establishing a mobile phone design centre in India and setting up new manufacturing facilities.


--- layout: default ---
</li>
or </body>
).class
, id
and name
attributes, should be in lower spine-case
. Not snake_case
. Not camelCase
. Not, for the love of all that is good, some-unholy_combinationOfThem
.Enforce standards mode and more consistent rendering in every browser possible with this simple doctype at the beginning of every HTML page.
From the HTML5 spec:
Authors are encouraged to specify a lang attribute on the root html element, giving the document's language. This aids speech synthesis tools to determine what pronunciations to use, translation tools to determine what rules to use, and so forth.
Read more about the lang
attribute in the spec.
Head to Sitepoint for a list of language codes.
Internet Explorer supports the use of a document compatibility <meta>
tag to specify what version of IE the page should be rendered as. Unless circumstances require otherwise, it's most useful to instruct IE to use the latest supported mode with edge mode.
For more information, read this awesome Stack Overflow article.
Quickly and easily ensure proper rendering of your content by declaring an explicit character encoding. When doing so, you may avoid using character entities in your HTML, provided their encoding matches that of the document (generally UTF-8).
Per HTML5 spec, typically there is no need to specify a type
when including CSS and JavaScript files as text/css
and text/javascript
are their respective defaults.
Strive to maintain HTML standards and semantics, but not at the expense of practicality. Use the least amount of markup with the fewest intricacies whenever possible.
HTML attributes should come in this particular order for easier reading of code.
id
, name
class
src
, for
, type
, href
, value
title
, alt
role
, aria-*
data-*
IDs and names should be used sparingly and are intended to be used uniquely, so they come first. Classes denote groups and common behavior/styling, so they come second. Attributes that refer to other entities (src
, href
, for
), further classify the item (type
) or provide a value (value
) come next. Then come attributes with supplementary information like title
and alt
. Finally, add the accessibility-related attributes, and any data attributes.
A boolean attribute is one that needs no declared value. XHTML required you to declare a value, but HTML5 has no such requirement.
For further reading, consult the WhatWG section on boolean attributes:
The presence of a boolean attribute on an element represents the true value, and the absence of the attribute represents the false value.
If you must include the attribute's value, and you don't need to, follow this WhatWG guideline:
If the attribute is present, its value must either be the empty string or […] the attribute's canonical name, with no leading or trailing whitespace.
In short, don't add a value.
Whenever possible, avoid superfluous parent elements when writing HTML. Many times this requires iteration and refactoring, but produces less HTML. Take the following example:
Do not add non-semantic elements like div
or span
to your markup without a name. Properly-used semantic elements like p
, section
, aside
, etc. do not require a name, since they hint at their content.
This has the side-effect of making your CSS a lot more readable, since you’ll be using semantic selectors.
{% highlight css %}{% include html/unnamed-elements-1-better.css %}{% endhighlight %}is way more meaningful, and has less unintended consequences, than
{% highlight css %}{% include html/unnamed-elements-2-not-good.css %}{% endhighlight %}Corollary to the previous section: think about how your markup will be accessed by an automated test. If an element on the page is likely to be accessed by an automated test, make sure to give it a meaningful name.
Someone writing a test to verify the correct count for the first code snippet would have to look for h1 strong
(assuming use of CSS selectors), which could return more results than expected and throw off testing. It's also brittle and would have to be updated if the markup hierarchy was changed by, say, changing the h1
to an h2
.
By contrast, the selector for the second code snippet would be .result-info .match-count
, which is much easier to read and understand, and more flexible in the face of markup hierarchy changes, providing that the two elements were kept in the same ancestor-descendant relationship.
When markup hierarchy changes are made, it is up to the developer doing the changing to:
Unless you are writing HTML email, there is no excuse to use inline styles. Put your styles in a stylesheet, where they belong and where they won't cause you to get into a war of specificity with yourself.


Here the Link to SAP Icons Library: SAP UI5 Icon Explorer (click to open)
When you find an Icon, see in the bottom rigth corner for the 4-digit ID - copy&paste the id into the "icon" property.


Level:
Jump to...
1
2
3
4
5
6
7 (reverse gravity)
8
9
10
11
12
13 (normal gravity, invisble landscape)
14
15
16
17
18
19 (reverse gravity, invisble landscape)
20
21
22
23
24
Tracers:
Unlimited Fuel:
Unlimited Lives:


qiskit.mapper._layout module¶
A two-ways dict that represent a layout.
Layout is the relation between virtual (qu)bits and physical (qu)bits. Virtual (qu)bits are tuples (eg, (QuantumRegister(3, 'qr'),2). Physical (qu)bits are numbers.
Members¶
Exceptions¶
LayoutError |
Errors raised by the layout object. |
Reference¶
-
class
qiskit.mapper._layout.
Layout
(input_=None)[ソース]¶ ベースクラス:
dict
Two-ways dict to represent a Layout.
-
add
(virtual_bit, physical_bit=None)[ソース]¶ Adds a map element between bit and physical_bit. If physical_bit is not defined, bit will be mapped to a new physical bit (extending the length of the layout by one.) :param virtual_bit: A (qu)bit. For example, (QuantumRegister(3, 'qr'),2). :type virtual_bit: tuple :param physical_bit: A physical bit. For example, 3. :type physical_bit: int
-
add_register
(reg)[ソース]¶ Adds at the end physical_qubits that map each bit in reg. :param reg: A (qu)bit Register. For example, QuantumRegister(3, 'qr'). :type reg: Register
-
combine_into_edge_map
(another_layout)[ソース]¶ Combines self and another_layout into an "edge map".
For example:
self another_layout resulting edge map qr_1 -> 0 0 <- q_2 qr_1 -> q_2 qr_2 -> 2 2 <- q_1 qr_2 -> q_1 qr_3 -> 3 3 <- q_0 qr_3 -> q_0
The edge map is used to compose dags via, for example, compose_back.
パラメータ: another_layout (Layout) -- The other layout to combine. 戻り値: A "edge map". 戻り値の型: dict Raises: LayoutError
-- another_layout can be bigger than self, but not smaller. Otherwise, raises.
-
from_dict
(input_dict)[ソース]¶ Populates a Layout from a dictionary.
パラメータ: - input_dict (dict) -- For example,
- { (QuantumRegister(3, 'qr'), 0) -- 0, (QuantumRegister(3, 'qr'), 1): 1, (QuantumRegister(3, 'qr'), 2): 2}
-
from_list
(input_list)[ソース]¶ Populates a Layout from a list.
パラメータ: - input_list (list) -- For example,
- [ (QuantumRegister(3, 'qr'), 0) -- (QuantumRegister(3, 'qr'), 2), (QuantumRegister(3, 'qr'), 3)]
-
get_physical_bits
()[ソース]¶ Returns the dictionary where the keys are physical (qu)bits and the values are virtual (qu)bits.
-
get_virtual_bits
()[ソース]¶ Returns the dictionary where the keys are virtual (qu)bits and the values are physical (qu)bits.
-
idle_physical_bits
()[ソース]¶ Returns a list of physical (qu)bits that are not mapped to a virtual (qu)bit.
-
set_length
(amount_of_physical_bits)[ソース]¶ Extends the layout length to amount_of_physical_bits. :param amount_of_physical_bits: The amount of physical_qubits to :type amount_of_physical_bits: int :param set in the layout.:
Raises: LayoutError
-- If amount_of_physical_bits is used to reduced the- length instead of extending it.
-
swap
(left, right)[ソース]¶ Swaps the map between left and right. :param left: Item to swap with right. :type left: tuple or int :param right: Item to swap with left. :type right: tuple or int
Raises: LayoutError
-- If left and right have not the same type.
-
-
exception
qiskit.mapper._layout.
LayoutError
(*msg)[ソース]¶ ベースクラス:
qiskit.qiskiterror.QiskitError
Errors raised by the layout object.
Set the error message.


Classes for tracking pipelines and the runs within each pipeline in separate
monitor threads that synchronize state.
Note that there is state tracked in these classes which is not available just
by looking at the return code.
The goal here is to provide as much information as possible about why a
pipeline failed, to make an informed decision about whether it is worth
running again when the workflow is restarted, or if it's failure was more
permanent and not subject to outside forces like the job walltime expiring.


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.agentclientmandate.controllers.testOnly.routes @import uk.gov.hmrc.agentclientmandate.views.html._ @import uk.gov.hmrc.agentclientmandate.views.html.helpers._ @import uk.gov.hmrc.play.views.html.helpers.form @import uk.gov.hmrc.agentclientmandate.config.AppConfig @this(main_template: main_template) @()(implicit request: Request[_], messages: Messages, appConfig: AppConfig) @main_template(title = Messages("test-only"), delegatedService = None) { @form(action = routes.GGBreakingRelationshipController.submit()) {


Field biologist had a terrifying encounter straight out of Annihilation
by John StruanIf you've never seen Annihilation, it's outstanding and terrifying and on Amazon Prime. For those who have seen the movie, read this anecdote by field biologist Emily Taylor about a frightening experience she had in Arizona:
Read what happened next in this thread.
Via Ed Yong.


---
layout: post
status: publish
published: true
title: What Software Should You Use For Recording Sermons?
author: Ryan Hayden
wordpress_id: 2070
wordpress_url: http://www.pastorryanhayden.com/?p=2070
date: '2014-11-18 08:49:15 -0600'
date_gmt: '2014-11-18 14:49:15 -0600'
categories:
- Ministry Tech
tags:
- ocenaudio
- audacity
- sound
---
Every church records sermons. At least every church I’ve ever been a part of. They’ve been doing it for years. Still - one of the most common tech questions I get is “what software should we use in the soundbooth?"
Here’s what you need that software to do:
- Record sermons
- Save to MP3
- Basic audio editing (remove bad spots, clip beggining and end, amplify, etc.)
- Be easy enough for volunteers to learn quickly.

Expensive Programs
The two expensive programs you probably will encounter are Adobe Audition and Apple Logic (If you really want to get expensive, I’m sure Avid has something too.) These programs are fantastic software programs - but they are aimed more at people running pro music studios than they are at Earl from the sound booth. 99% of what they do - you don’t need. They have complicated interfaces and a learning curve. Long story short - unless you have professional audio guys in the soundbooth and your church has lots of money to throw away, you should probably stay away from these programs.
Inexpensive Programs
One program I have used from time to time is a little app called KVLT. KVLT is Mac only, available from the Mac app store for $10. What I like about KVLT is that it is super simple. It records audio, lets you see the wave form, and lets you save it to any common extension. That’s it.
KVLT is a great app to own, and in the past I’ve used it for making quick audio recordings. But it’s probably a little too simple and because it’s Mac only, might not suit your needs.
Free Programs
The most popular free audio app out there is Audacity Audacity is a fantastic piece of open source software and is probably the program running in most church’s soundbooths.
Here’s what Audacity has going for it:
- It’s Free.
- It will run on anything.
- It’s super popular - so you can find lots of tutorials on it.
- It’s very powerful - it does things like multitrack editing and has many advanced filters. These are things that you’d have to spend a lot of money on the expensive stuff above to do.
Here is what I don’t like about Audacity:
- It’s ugly. I mean really, really ugly. The main buttons look like they were designed by Fisher Price. In years of using Audicity, I’ve waited and waited for a redesign - but it never comes.
- It’s intimidating. Just like pro software, the vast majority of what Audacity does - your soundbooth will never do. So it’s harder for non-tech-savvy volunteers to pick up.
- It doesn’t do MP3’s out of the box. You have to download and install extra software for that. This isn’t a big deal, but it is annoying.
- You can’t just hit Command + S to save to MP3, you have to export. I’m sure there is a good reason for this, but I find it annoying.
My new favorite audio recording app is a less well known program called Ocenaudio Ocenaudio does much of what Audacity does (although it doesn’t do multitrack.) What makes Ocenaudio my favorite is it’s dead simple interface. The app couldn’t get simpler - with just a waveform timeline, a row of good looking buttons, and a list of recent files (even that can get hidden.) If you can run iTunes, you can run Ocenaudio.
Also, unlike Audacity, Ocenaudio exports MP3 out of the box, and you can just save the file into whatever format you want. All of this translates into a program that volunteers from the soundbooth should have no problem with.
Ocenaudio is free and cross-platform (it will work on almost any computer.) Check it out today.
Below is a video walkthrough of these programs:


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[1]
cocktail time , although being a coffee addict i found the coffee there weak and tasteless .
[2]
lounge -lrb-/-lrb- if you have access -rrb-/-rrb- has a nice buffet breakfast in the a. m .