World Cup winner Kolbe clinches French Top 14 player of the year award
Kolbe also won the award for the best Top 14 player at the World Cup, as well as winning the award for the try of the campaign.
by AFPSouth Africa's wing Cheslin Kolbe (R) passes the ball beside Japan's centre Timothy Lafaele during the Japan 2019 Rugby World Cup quarter-final match between Japan and South Africa at the Tokyo Stadium in Tokyo on October 20, 2019. (Photo by Behrouz MEHRI / AFP)
Rugby World Cup winner Cheslin Kolbe was named the Top 14’s player of the season on Monday, the French league announced at a ceremony in Paris.
Kolbe, 26, lifted the Webb Ellis trophy with the Springboks earlier this month as well as the Rugby Championship in August after having helped his club Toulouse to the French domestic title in June.
“It’s been a phenomenal season, not just for me but for my club and for my country, winning the Top 14, The Rugby Championship and then World Cup in one year, I’m really blessed,” Kolbe said.
“I couldn’t have done this without all my team-mates. I give credit to all of them because if they didn’t create opportunities for me as a winger to finish off I wouldn’t be standing here now,” he added.
The Rio Olympic Games bronze medallist, who made his international debut after joining Toulouse in 2017, scored six tries in 16 league appearances before Ugo Mola’s side lifted the Bouclier de Brennus for a record-extending 20th time at the Stade de France.
Kolbe also won the award for the best Top 14 player at the World Cup, beating Fiji’s Semi Radradra and France’s Damian Penaud as well as winning the award for the try of the campaign.
Clermont’s Penaud took the prize for the France international after ‘Les Bleus’ were knocked out of the World Cup in the quarter-finals.
Lyon’s 21-year-old centre Pierre-Louis Barassi, who made his Test debut during the tournament in Japan, won the young player of the season award.
Bayonne scrum-half Pauline Bourdon won the women’s player of the season award as France beat New Zealand’s Black Ferns for the first time.


Site Base
A minimalistic HTML + CSS + JS base front-end framework for simple web site projects.
Student Friendly
Designed for web designers and front-end developers, Site Base is a simple HTML + CSS + JS framework created for students learning how to code a basic front-end framework from scratch by hand, line-by-line.
Nothing Required
No prior web design experience is required. Designed for first-time front-end coders, Site Base 1.0 uses no pre-processing, no command line, and no special software. All you need is a text editor and a browser.
Customizable CSS
All styling is intentionally minimal for simple, basic web sites. Core CSS includes base typography, a simple responsive grid, and a default site structure with a mobile-friendly navigation system.
Modular, Scalable, and Extensible
There are three different versions of Sitebase, each one is designed for different users and contexts.
Site Base 1.0
Static CSS Version
A basic front-end framework for beginners learning how to code from scratch by hand, line-by-line. No build tools. Straight up HTML, CSS, & JS.
Site Base 2.0
Sassy Prepros Version
Same as version 1.0, but using SASS to organize and modularize the CSS and Prepros, a GUI-based compiler and task manager, to build and deploy.
Site Base 3.0
NPM Gulp Version
Similar to version 2.0, but using a CLI-based workflow for all build tools. NPM for package management. Gulp for tasks. Github for version control.


Notebooks
Story: Tactics in springbok hunting
Tactics in springbok hunting
Title
Tactics in springbok hunting
Collection
Summary
|han≠kass'o describes the tactics used in hunting springbok (referring to a numbered picture), in which ostrich feathers attached to sticks are stuck into the small bushes to resemble a person and divert the herd.
Comments
1) p.8066v: |han≠kass'o observed this himself, 2) p.8068v: on various lizards; teasing the !khau lizard (Tsatsi does not like these lizards to be teased), 3) p.8069v: the names of certain snakes and caterpillars, 4) 8070v: missing one's aim; names and descriptions of birds and a snake, 5) p.8071v: see We do not utter a star man's name; the |xam term for the sound an arrow makes when missing one's aim, 6) p.8072v: |han≠kass'o observed Tsa'tssi making brushes, 7) p.8073v: dreaming of successful and unsuccessful hunting; the |xam and !Koranna names of thongs; the name of a thorny plant (||kuain) burnt to smoke brushes, 8) p.8083v: see Digging sticks used by men, 9) See also The preparation of feather brushes used in springbok hunting, 10) This story is found in Book VIII-23
Contributors
|han≠kass'o (Klein Jantje) (VIII)
Date
22 December 1878 (story finished on or about)
Categories
Custom and daily life, Artefact and dress
Keywords
springbok (horns and skin used in preparation of ostrich-feather brushes) , springbok (description of a hunt) , springbok (hunting and smoke) , springbok (tactics in hunting) , springbok (driving) , springbok (the passing of the herd and the man whose 'head is red') , springbok (the use of ostrich feathers tied on sticks to drive) , hunting (a description of springbok) , hunting (and the use of feather brushes called !xui-!xui) , hunting ('missing one's aim') , hunting (successful) , hunting (unsuccessful) , hunting (people who dream of) , hunting (the driving of the herd) , hunting (and the man to leeward whose head is red) , hunting (tactics for springbok) , hunting (and dividing the herd) , hunting (the preparation of the feather brushes used in) , feather brushes (the ||kuain plant is used for smoking the ostrich feathers) , feather brushes (called !xui-!xui) , feather brushes (the use of the Driedoorn stick) , feather brushes (used for driving springbok) , feather brushes (the preparation of) , feather brushes (the making of) , feather brushes (the feathers used for) , feather brushes (red ||ka is painted on the Driedoorn sticks of) , feather brushes (preparation of thongs for) , feather brushes (and tactics in springbok hunting) , feathers (are smoked using the ||kuain plant) , feathers (from ostrich) , feathers (and the preparation of brushes used for springbok hunting) , feathers (kinds used) , feathers (names of different) , feathers (rolling them) , feathers (and tactics in springbok hunting) , smoking (ostrich feathers) , smoking (feathers using the ||kuain plant) , smoking (a springbok skin is put over the fire to smoke) , smoking (making a fire and the preparation of ostrich-feather brushes) , smoking (the ||kuain plant is used in) , smoking (and tactics in springbok hunting) , dreaming (about successful and unsuccessful hunting) , dreaming (and tactics in springbok hunting) , Driedoorn (sticks of used in to make feather brushes for springbok hunting) , Driedoorn (and tactics in springbok hunting) , thongs ('children of thongs') , thongs (riem) , thongs (made of dried springbok's chest-skin) , thongs (called !ka by the Koranna) , thongs (used to make feather brushes) , thongs (the making of) , thongs (and tactics in springbok hunting) , plant (called ||kuain) , plant (and the smoking of ostrich feathers to make brushes for springbok hunting) , plant (digging for, using a springbok's horn) , plant (the making of the fire with, for its smoke) , plant (and tactics in springbok hunting) , names (the ||kuain plant used to smoke ostrich feathers) , names (Driedoorn wood used for sticks used in making feather brushes) , names (and tactics in springbok hunting) , names (of thongs used inmkaing of feather brushes) , names (feather brushes are called !xui-!xui) , names (a substance called ||ka is painted on the Driedoorn sticks) , ostrich feathers (used in making feather brushes used to drive springbok) , ostrich feathers (the ||kuain plant is used for smoking) , ostrich feathers (brushes called !xui-!xui) , ostrich feathers (the use of the Driedoorn stick) , ostrich feathers (the preparation and making of) , ostrich feathers (and tactics in springbok hunting) , ||ka (painted on the Driedoorn sticks used in making feather brushes used to drive springbok) , ||ka (and tactics in springbok hunting)
Story Pages
8067-8073


[gecode-users] Getting domain values after posting
Efstratios Kalogirou
efkalog at gmail.com
Wed Mar 29 16:17:09 CEST 2006
Hi again,
I have used the status function to perform constraint propagation. After the
propagation I retrieve the values of the space to see if they are
consistent. This works fine with many constraints (mostly simple
cases) however there are other cases where the space is not reduced to the
consistent values only. I am working on large scale disjunctions of
conjunctions and I am interested in getting only the consistent values after
the propagation. A very simplified example is the following:
Three variables x1=[0..3], x2=[0..5], x3=[0..10] and a single constraint
(x1==0) && (x2==3) && (x3==7) ||
(x1==0) && (x2==5) && (x3==9)
The constraint represents allowed values, so the above is read as:
x1 should be 0 and x2 should be 3 and x3 should be 7 or x1 should be 0 and
x2 should be 5 and x3 should be 9.
I would like to get the consistent values of the space after propagation,
which are for the first variable, the value 0, for the second variable the
values 3 and 5 and for the third variable the values 7 and 9. The value 1
for example belongs to the space of the first variable but it's inconsistent
because it doesn't satisfy the constraint.
I have written the following code for the above problem (q is an IntVarArray
of size 3):
IntVar x1(this,0,3);
IntVar x2(this,0,5);
IntVar x3(this,0,10);
q[0]=x1;
q[1]=x2;
q[2]=x3;
int values1[3]={0,3,7};
int values2[3]={0,5,9};
BoolVarArgs firstConjunction(3); //stores the BoolVar representing
each of the first 3 equalities
BoolVarArgs secondConjunction(3);//stores the BoolVar representing each
of the last 3 equalities
for(int i=0;i<3;i++)
{
//wraps each equality of the first conjunction in a single BoolVar
BoolVar temporar(this,0,1);
rel(this,q[i],IRT_EQ,values1[i],temporar);
firstConjunction[i]=temporar;
//wraps each equality of the second conjunction in a single BoolVar
BoolVar temporar2(this,0,1);
rel(this,q[i],IRT_EQ,values2[i],temporar2);
secondConjunction[i]=temporar2;
}
BoolVar result1(this,0,1);
BoolVar result2(this,0,1);
BoolVar disjunction(this,0,1);
bool_and(this,firstConjunction,result1);
bool_and(this,secondConjunction,result2);
bool_or(this,result1,result2,disjunction);
post(this,disjunction==1);
//performing propagation and getting the status report
unsigned int alt;
(void) status(alt);
IntVarValues ranger(q[0]);
while(ranger())
{
cout<<"The value is "<<ranger.val()<<endl;
++ranger;
}
The status report says that the problem is solved and gives me the solution
0,3,7 but the retrival of the values of the space for the first variable
still contains the incosistent values 1,2,3. If I didn't have the
disjunction and I had only the constraint:
(x1==0) && (x2==3) && (x3==7)
the space would be successfully reduced to the consistent value 0 only.
I am assuming that Gecode depending on the nature of the constraint
sometimes reduces the space by removing inconsistent values, and other times
it doesn't. If that's the case I am wondering if there is a way to reduce
the space without me manually assigning a value to each variable,
then performing propagation, getting the report and removing that value from
the space of the variable if the propagation has failed.
Best,
Stratos
On 3/28/06, Christian Schulte <schulte at imit.kth.se> wrote:
>
> Hi,
>
> propagation in Gecode is not automatic (some simple cases are done
> immediately as you report, others are not). This is not a bug but an
> essential feature (this is what enables batch recomputation). In order to
> actually perform constraint propagation one has to invoke the
> status(unsigned int&) member function of a space. Not only will that
> perform
> constraint propagation but it also reports about the status of a space: is
> it failed, solved, does it require branching. So in your case just add
> something along the lines:
> unsigned int alt;
> (void) status(alt); // Discard status result
>
> After that you will be able to observe the result of constraint
> propagation.
>
> Christian
>
>
> --
> Christian Schulte, http://web.imit.kth.se/~schulte/
>
>
>
> -----Original Message-----
> From: users-bounces at gecode.org [mailto:users-bounces at gecode.org] On Behalf
> Of Efstratios Kalogirou
> Sent: Tuesday, March 28, 2006 5:35 PM
> To: users at gecode.org
> Subject: [gecode-users] Getting domain values after posting
>
>
> Hi all,
>
> I am trying to get the remaining (valid) values and the size of the domain
> of a variable after posting some constraints (assuming that due to the
> constraints some values inside the domain are no longer valid). It seems
> that everything is fine when I don't use any BoolVar to wrap the
> contraint.
> For example:
>
> IntVarArray q(this,1,0,10);
> post(this,q[0]==3);
> cout<<"The size of the domain is now "<<q[0].size()<<endl;
>
> In the above case the size of the domain is indeed 1 and the solution is
> correctly the value 3.
>
> But things are different when I try to wrap the equality constraint in a
> BoolVar:
>
> IntVarArray q(this,1,0,10);
> BoolVar wrapper(this,0,1);
> rel(this,q[0],IRT_EQ,3,wrapper,ICL_BND);
> post(this, wrapper==1);
> cout<<"The size of the domain is now "<<q[0].size()<<endl;
>
> In the latter example I get again the corrent solution 3 but after posting
> the constraint the size of the domain remains 11 and doesn't shrink to 1
> as
> I would expect.
>
> Since I am solving problems using the second way I am wondering if there
> is
> a way to shrink the domain of the variable after posting as showed in the
> second example. Also how can I get all the valid values of the domain of a
> variable after posting? I assume this can be done by using iterators but I
> am not certain how exactly to relate the iterator with the IntVar or the
> IntSet that represents the variable, so any enlightening on that, would be
> highly appreciated.
>
> Best,
> Stratos Kalogirou
>
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://www.ps.uni-sb.de/pipermail/users/attachments/20060329/e78d6d5d/attachment.htm>
More information about the gecode-users
mailing list


An error has occured.
Error code:
Processing. Please wait...
Welcome
START
LOGIN
USERNAME
PASSWORD
Main Menu
Button1
Button2
Button3
LOGOUT


Join Foodable
Sign up with Foodable as a charity organization and get your locations on the map.
If you're a distributor, contact your agency about joining Foodable.

If you're a distributor, contact your agency about joining Foodable.
Get Started


Home
Projects
Games
Data Visualization
Projects
Calorie Calculator
Tailwind - 2023
Password Generator
Bootstrap - 2023
Cube Timer
Bootstrap - 2022
Calculator
HTML/CSS/JS - 2019
BMI Calculator
HTML/CSS/JS - 2019
Savings Calculator
HTML/CSS/JS - 2019
Pace Calculator
HTML/CSS/JS - 2019
Conversion Calculator
Bootstrap - 2019
Body Fat Calculator
Bootstrap - 2019
Tip Calculator
HTML/CSS/JS - 2019
Stopwatch
HTML/CSS/JS - 2019
Reaction Time
HTML/CSS/JS - 2019
Random Quote
HTML/CSS/JS - 2019


References
- [1]
- ``A Practical Method for LR and LL Syntactic Error
Diagnosis and Recovery'', M. Burke and G. Fisher,
ACM Transactions on Programming Languages and
Systems, Vol. 9, No. 2, April 1987, pp. 164-167.
- [2]
- A. Aho, R. Sethi, J. Ullman, Compilers: Principles,
Techniques, and Tools, Addison-Wesley, Reading, MA, 1986.


Comments for my awesome site
https://myawesomesiteblog.wordpress.com
Stuff for stuff with stuff on
hourly
1
http://wordpress.com/


| TABLE 1 |
Conceptualisation of climate change impact and vulnerability ... |
| TABLE 2 |
Demographic features of households in Ncunjane ( n = 22). |
| TABLE 3 |
Income sources of adult household members in Ncunjane. |
| TABLE 4 |
Cattle ownership in 2012 at Ncunjane ( n = 22). |
| TABLE 5 |
Vulnerability and adaptive capacity matrix. |


Filling in the ESA50 form about your health and ability
What the ESA50 form is for
Your ESA50 form tells the DWP about your illness or disability and how it affects your ability to work. The DWP will send you the form after you’ve completed your initial claim form (ESA1).
It’s a really important part of your application, because it’s your chance to show why your illness, health condition or disability means you should get ESA.
It’s a long form to fill in and asks you for lots of information, but don’t be embarrassed about anything. You’re being asked to show why ESA is the right benefit for you. Your application is more likely to be successful if you take your time and make sure you don't miss out any details about your condition.
Deadline for sending in your ESA50 form
You must send back the form within 28 days of getting it from the DWP. If you don’t, the DWP will assume you’re fit for work and will stop your claim. If you’re late sending back the form you must still fill it in and send it as soon as you can. Tell the DWP why you are late sending the form back - there’s a place to do this on the form.
If you need to send the form back late
If you have a good reason why your form is late – for example, because you’ve been in hospital or had an emergency at home – you should still send it, but make sure you write the reason it’s late on the form. There’s a box to do this in.
Someone at the DWP will then decide whether they can still accept the form.
Filling in the ESA50 form
The DWP will send you the ESA50 form after you've sent them your first claim form (ESA1). You can either fill in the form that the DWP sends you, or download a copy and either print it and fill it in or fill it in on a computer and print the completed form.
You can’t fill the form in online.
How to fill in the ESA50 form
When you complete the form, do the following to give yourself the best chance of success:
- read the notes on the form before you start to answer the questions
- if you need someone to help you complete the form, explain this on the form and include their contact details at the end
- if you can only fill in the form slowly or with pain, or if filling in the form has caused you anxiety or stress, explain this on the form
- don’t underestimate your problems - you could ask someone who knows you to check your answers to make sure you’ve not overestimated or underestimated your ability
Answering the questions
The questions on the form will test your ability to carry out certain activities. There are 17 activities listed in total - 10 relating to physical health and 7 relating to mental health.
Describe what you can do ‘most of the time’
For each activity, you should select which applies to you most of the time, eg what you can do on a repeated and regular basis. Most people have good days and bad days - if you can’t repeat an activity regularly, don’t say you can do it. Otherwise the assessor might think you can manage more than you can.
For example, if you can’t reliably or regularly sit for a long period of time, don’t answer that you can - even if you can at certain times.
Think of the activities in a work setting, not just at home, eg if you were given a desk job but would struggle to sit at a desk all day on a regular basis.
Below each activity is a box where you should write more detail about what you can manage and what effect doing that activity will have on your health. Think about the following when you answer the questions:
- try and give an estimate of how frequent the bad days are and how often you could perform each activity
- how performing an activity on a repeated basis may impact you, eg cause pain, dizziness or tiredness
- whether there’s a risk to your health in carrying out the activity
Example question and answer: physical health
Aleem has severe arthritis in his hips. He's on the waiting list for hip replacements but had to give up his job as a cleaner in the meantime as he's in too much pain. Because of his arthritis, he finds it difficult to walk long distances. He has to use a walking stick when walking around.
This is how Aleem answers the first question. He includes:
- how often he has good days and bad days
- how unreliable the bad days are
- how performing an activity on a repeated basis may affect him, eg cause pain or tiredness
- risk to his health in carrying out the activity
"I always have to use a walking stick when I walk because I don't have enough strength in my legs to walk without it. The pain in my hips varies from day to day, so I can't reliably walk any particular distance. Some days I might be able to walk 50 meters. Other days I might be able to walk 200 meters. The level of pain and how far I can walk is unpredictable and can't be easily managed with medication or pain relief. On days when I can walk 200 meters, I would need to sit down and rest for a while after that as it would make me really tired and I would be in some pain. So even on good days, I wouldn't be able to walk the longer distance repeatedly in a day, or even day after day."
Example of question and answer: mental health
Anita has a mental health condition. She has good days and bad days. On the bad days she experiences a lot of stress and anxiety and struggles to leave her home.
This is how Anita answers the third question. She includes:
- how often she has good days and bad days
- how unreliable the bad days are
- how performing an activity on a repeated basis may impact her
- risk to her health in carrying out the activity
"My condition means that I have good days and bad days - these are unpredictable and triggered by events outside my control. Within each month I will have some bad days. On the bad days I either can't do any of these daily tasks or can only do a limited number. For example, I might be able to get up and eat something, but I wouldn't be able to cook a proper meal or leave the house. This would make it very hard for me to have a job because some days leaving the house would cause me too much stress and anxiety. "
Once you’ve finished, it’s a good idea to keep a copy of the form yourself, so that you can take it with you to your assessment if you want to. It can be a helpful way to make sure that you don’t forget anything you want to mention at the assessment.
Getting extra help with the ESA50 form
If you’re having problems and need extra help filling in the form, you can contact your local Citizens Advice. They can give you advice on:
- what the questions mean and what they are asking for
- what sort of things you can say on the form and what you can leave out
- what to do if you’re finding it difficult to physically fill in the form
Sending medical evidence with your ESA50 form
It’s often a good idea to send in medical evidence with your form - like a doctor’s letter. If you can send a letter that shows how your condition affects your ability to work, you stand a better chance of being properly assessed.
You can ask your doctor, consultant or other healthcare professional to write a letter for you and send it back with your form. You can also ask for a printout of your medical records.
Some doctors won’t write letters to help with benefit applications, and others charge for doing it. It’s a good idea to check what your GP or consultant will do.
If you can’t get medical evidence
If your doctor, consultant or healthcare professional won’t write a letter or wants to charge too much, you’ll have to send your ESA50 form without medical evidence.
However, when the Health Assessment Advisory Service reviews your ESA50 form, they may ask your doctor for medical evidence if they think it’s needed and the doctor will have to give it to them.


Project Information
Navigation
Home
About
Project Information
About my project
Sorry about that. This page is under construction


{% extends "base.html" %} {% block title %}Error{% endblock %} {% block content %}
No OAuth services have been configured


MUSIC BOX A film review by Mark R. Leeper Copyright 1990 Mark R. Leeper
Capsule review: One of 1989's better films concerns a successful and occasionally unscrupulous lawyer defending her own father against a charge that he collaborated with Nazis and committed war crimes in the Hungarian police during World War II. What made the film powerful was not the question of guilt or innocence but the family relationships under stress. Rating: high +2.
It looks as if most of the distinguished films of 1989 waited until year end to be released. In the case of MUSIC BOX it seems to have been a miscalculation, because the latest from political filmmaker Costa-Gavras is getting a very lukewarm reception from critics. And that is understandable, since the story is predictable. Nonetheless, I found myself liking the film. In spite of the fact that I knew what was going to happen, I was anxious to see how it was going to happen and how the main characters would react when it did.
Jessica Lange plays successful lawyer Ann Talbot. She is brought up short, however, when extradition proceedings are brought against her father for Holocaust atrocities and he insists on having his own daughter defend him at the hearing. Her job is made all the more difficult by the opposing counsel's apparent over-anxiousness to make an effective case against her father. But what is most disturbing is that as she learns more and more of the sadistic war crimes committed by the man her father is accused of being, she is better able to visualize her father as being the man described. She notices circumstantial similarities. She eventually has to decide if she really wants to fight to save her father.
Costa-Gavras, of course, always has a political message in his films, usually at least a bit left of center. In this case, much of the political message centers around Talbot's father-in-law, who helped find sanctuary for Nazis after the war in an attempt to use them against Communist governments.
The music was provided by Philippe Sarde and, being made up mostly of Hungarian violin music, adds a touch of Eastern European atmosphere to the film. This will not be considered one of the best Costa-Gavras films but I have to say I found it worthwhile. I give it a high +2 on the -4 to +4 scale.
[The next paragraph will contain spoilers.]
I find what I liked about the film was not the suspense of whether Talbot's father was guilty. There was never any doubt in my mind that he was guilty. (Well, not much anyway.) I knew that eventually Talbot was going to have to see her father for what he was. When she did she was going to have to make a choice between decency and family loyalty. It was that conflict that I was looking for and I wanted to see how Talbot would react. Lange plays that conflict very well. In a sense, this story is an expansion of the relationship of Adam Kelno and his son in QB VII.
Mark R. Leeper att!mtgzx!leeper<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


ADMIN
Registration
{ background colour:light blue; }
Enter Information Here
rollno
RoomNo
Faculty_id
Invigilation room
Exam


Look: Fabolous + Emily B Flex Inseparable Goals In New Twinning Pic – “Trust The Vibes”
by Team SOHHBrooklyn rapper Fabolous and Emily B are flexing on everyone. The duo went online this week to share a new shot of themselves showing off major modeling goals. Look and comment below!


VNCNT.tk
About
Socials
Projects
Articles
Tam Tam Talk
Interesting subjects
How Tam Tam works
Their Stack
Involvement of GulpJS?
Complexity


About RocknRoll Café
Welcome to RocknRoll Café , a coffee shop where the young at heart unwind. We're a division of Coffee Day Global Limited. This coffee goes all over the world to clients across, Europe and Japan, making us one of the top coffee exporters in the country.
History of our restaurant
RocknRoll Café , a part of Coffee Day Global Limited, is India’s favourite hangout for coffee and conversations.
Popularly known as RR cafe, we strive to provide the best experience to our guests. Our coffees are sourced from thousands of small coffee planters, who made us who we are today and we're glad to be a part of their lives. We opened our first cafe in 1996 at Brigade Road in Bangalore – the youth and the young at heart immediately took to the cafe, and it continues to be one of the most happening places in the city. RR cafe to the youth is a “hangout” spot where they meet people, make conversations, and have a whole lot of fun over steaming cups of great coffee.It's been an exciting journey since then to becoming the largest organised retail cafe chain in the country.


The Green Machine
Are you tired of calling a car and having to stop your whole night? Why can't you drink in an Uber, or get high in a taxi?
Say
high
to The Green Machine
It's so easy!
You're ready to go out for the night or change bars, you open up the Transportinator Robot app and request a ride!
The Green Machine comes and picks you up.

On board, in addition to awesome new friends, you'll find
beer on tap
weed bar
jacuzzi
music of your choice (jukebox)
grilled cheese
PITBULL MAX VOL 24/7
TVs with ISS stream
Launching summer 2015!


{% extends 'base.html' %} {% load static %} {% block content %} {% csrf_token %} {{ form }} Sign Up Already have an account? Sign In {% endblock content %}
Already have an account? Sign In


{% extends "base.html" %} {% block title %}Sign up{% endblock %} {% block body %} PERSONAL BUDGET Account activation Success! Your account is now active. You can now log in. {% endblock %}
Success! Your account is now active. You can now log in.