/* This file is part of Ext JS 4 Copyright (c) 2011 Sencha Inc Contact: http://www.sencha.com/contact Commercial Usage Licensees holding valid commercial licenses may use this file in accordance with the Commercial Software License Agreement provided with the Software or, alternatively, in accordance with the terms contained in a written agreement between you and Sencha. If you are unsure which license is appropriate for your use, please contact the sales department at http://www.sencha.com/contact. */ /** * @private * @class Ext.layout.component.field.Text * @extends Ext.layout.component.field.Field * Layout class for {@link Ext.form.field.Text} fields. Handles sizing the input field. */ Ext.define('Ext.layout.component.field.Text', { extend: 'Ext.layout.component.field.Field', alias: 'layout.textfield', requires: ['Ext.util.TextMetrics'], type: 'textfield', /** * Allow layout to proceed if the {@link Ext.form.field.Text#grow} config is enabled and the value has * changed since the last layout. */ beforeLayout: function(width, height) { var me = this, owner = me.owner, lastValue = this.lastValue, value = owner.getRawValue(); this.lastValue = value; return me.callParent(arguments) || (owner.grow && value !== lastValue); }, /** * Size the field body contents given the total dimensions of the bodyEl, taking into account the optional * {@link Ext.form.field.Text#grow} configurations. * @param {Number} width The bodyEl width * @param {Number} height The bodyEl height */ sizeBodyContents: function(width, height) { var size = this.adjustForGrow(width, height); this.setElementSize(this.owner.inputEl, size[0], size[1]); }, /** * Given the target bodyEl dimensions, adjust them if necessary to return the correct final * size based on the text field's {@link Ext.form.field.Text#grow grow config}. * @param {Number} width The bodyEl width * @param {Number} height The bodyEl height * @return {Number[]} [inputElWidth, inputElHeight] */ adjustForGrow: function(width, height) { var me = this, owner = me.owner, inputEl, value, calcWidth, result = [width, height]; if (owner.grow) { inputEl = owner.inputEl; // Find the width that contains the whole text value value = (inputEl.dom.value || (owner.hasFocus ? '' : owner.emptyText) || '') + owner.growAppend; calcWidth = inputEl.getTextWidth(value) + inputEl.getBorderWidth("lr") + inputEl.getPadding("lr"); // Constrain result[0] = Ext.Number.constrain(calcWidth, owner.growMin, Math.max(owner.growMin, Math.min(owner.growMax, Ext.isNumber(width) ? width : Infinity))); } return result; } });


She's Gotta Have It Directed by Spike Lee
A film review by Chris Loar Copyright 1998 Chris Loar
At a time when so-called independent cinema appears to be experiencing something of a renaissance, it's refreshing to turn back the clock and look at a few _really_ independent films -- shot, edited, and marketed without any support or guidance from the major corporate players in the film industry on budgets that sound more like household budgets than public works outlays. These films, not surprisingly, don't always have the cut and dried spit and polish tidiness of even a more low-key Hollywood production, but what they lack in grace they often make up for in originality, wit, and energy. All this could certainly be said of Spike Lee's first feature, _She's Gotta Have It_, which he shot with mostly amateur actors for less than $200,000. The film has countless flaws -- I certainly won't bother to recount them all here, since most of them are immediately obvious and none of them take anything away from the things that make the film worth seeing -- the freshness and energy it draws from its independence and originality.
The storyline of _She's Gotta_ is fairly straightforward; girl meets boy, girl meets another boy, girl meets yet another boy, girl enjoys the company of all three and refuses to give any of them up. In this case the girl is Nola Darling (a charismatic performance by Tracy Camilla Johns), an independent-minded, free- spirited graphic designer living in a spacious apartment in Brooklyn with lots of candles and a bed where she sleeps every night -- rarely alone. As the film opens, she's narrowed her stable of men down to three regulars -- the shallow, narcissistic Greer Childs (John Canada Terrell); the goofy, juvenile Mars Blackmon (played without much stretching by Spike Lee himself); and the stable, committed Jamie Overstreet (Tommy Redmond Hicks). Nola finds satisfactions in each of her lovers, seeing them as somehow parts of one whole. She is consistently straightforward and honest with all three men about where they stand: she will not part with any of them. As she puts it, "It's really about control, my body, my mind. Who was going to own it? Them? Or me? I'm not a one-man woman. Bottom line."
This, in a nutshell, is the film's plot. The narrative isn't emphatically linear; the primary tension is located more in short jolts and sequences which drive the males' (rather ironic) desire for monogamy into the immovable force of Nola's libido. Nola will not give in, not even for Jamie, the only one of the three for whom she feels a real adult love. The results often walk along that fence that divides comic territory from tragedy, as when Nola invites her three partners over for Thanksgiving dinner. The proceedings, spiced up by Greer's hysterical parody of self- satisfaction and Mars's comedy of insecurity, are often sharply funny, but Jamie's more straightforward pain combines with Nola's earnest desire for peace and harmony to season the comedy with genuine pain and a sense of loss.
In the end, it's not clear that all this laughter and pain add up to a great deal. Lee here hasn't yet mastered his storytelling skills, and the film's conclusion, in particular, feels arbitrary -- a cop-out in which tensions are resolved and then magically un-resolved again. But the way Lee constructs individual scenes is a real pleasure to watch. Much of the story is told in a series of pseudo-documentary flashbacks, with actors often addressing the camera directly to explain their point of view. This technique gives a flavor of authenticity to the film -- it feels "real" -- and gives the film a touch of informality and looseness, inviting us to relax and stop worrying -- after all, we're all just talking here, right? Indeed, even the film's failings (the rough-hewn acting, the sometimes clumsy writing) enhance this feeling of informality, leaving the impression of something less processed and less sterile than the typical Hollywood market-tested product.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


bristol-myers-squibb
Businessmodel of Bristol-Myers Squibb
Customer Segments
Bristol Myers Squibb sells its various pharmaceutical products to customers operating within the healthcare sector. The Company markets its products directly to healthcare professionals and providers – including doctors, nurse practitioners, physician assistants, pharmacists, technologists, pharmacy benefit managers and managed care organisations – but principally sells its products to wholesalers, retail pharmacies, hospitals, and government entities. In 2015 the Company’s three largest customers were distributors McKesson, AmerisourceBergen and Cardinal Health.
Bristol Myers Squibb serves customers worldwide. It largest market is its native US, which accounted for around 49% of the Company’s business in 2015. The Company also does considerable business across Europe, Japan, and China, which accounted for 21%, 10% and 4% of the Company’s 2015 business.
Value Propositions
Bristol Myers Squibb provides value to its customers in the following ways:
- Its industry standing and reputation, with the Company one of the most recognisable names in its industry, having an established track record of providing quality and reliable products;
- Its proprietary technologies and unique products, with the Company utilising protected intellectual properties in its products to provide unique and innovative products;
- Its international marketing reach, accessing customers worldwide, including across the Americas, Europe and Asia Pacific;
- The technical expertise of its staff, with the Company employing specialist technical, personnel, physicians and scientists with graduate or post-graduate degrees; and
- Its commitment to innovations, with the Company committing substantial resources to the development of innovative products. ### Channels
Bristol Myers Squibb operates a website at www.bms.com, through which it disseminates information pertaining to its operations, products and facilities. The Company, however, does not operate an online sales channel.
Bristol Myers Squibb operates several marketing and sales organisations, with each product marketing organisation being supported by a direct sales force, which may be responsible for selling one or more products. The Company also operates specialist marketing teams that focus on certain classes of customers, such as managed care entities, as well as on certain types of marketing tools, such as digital or consumer communications.
In a small number of jurisdictions outside the US, Bristol Myers Squibb has established a full scale distributor model, collaborating with a network of distributors and sales agents to provide local distribution and logistics, regulatory assistance, and sales and advertising for certain products.
Customer Relationships
Bristol Myers Squibb does not offer any of its products to customers on a self-service basis. Instead, customers must deal directly with one of the Company’s direct sales organisations, in order to accurately outline the details of a sales agreement, with each customer receiving a personalised service.
Bristol Myers Squibb seeks to establish long-term relationships with its customers. The Company’s US business has Inventory Management Agreements with all of its direct wholesaler and distributor customers, enabling it to monitor US wholesaler inventory levels. The Company’s existing Inventory Management Agreements are due to expire at the end of 2017.
Customers are able to stay up to date with Bristol Myers Squibb’s operations through the Company’s news portal and press releases. They are also able to contact the Company over the phone or through an online contact form, as well as through the Company’s social media accounts with Facebook, Twitter, LinkedIn and YouTube.
Key Activities
Bristol Myers Squibb is engaged in the discovery, development, licensing, manufacturing, marketing, distribution and sale of biopharmaceutical products, operating through a single business segment.
The Company’s products portfolio includes chemically synthesised drugs- largely in pill and tablet form – and products produced from biological processes named biologics, which are administered to patients through injections or by infusion.
This includes products such as Azactam, Eliquis, Droxia, Megace, Opdivo, and Zerit. The Company focuses its research and development activities on products for a range of therapeutic classes, including virology, oncology, immunoscience; cardiovascular, and neuroscience.
Key Partners
Bristol Myers Squibb collaborates with a range of partner companies throughout the development, production and sale of its products. These partners include:
- Licensing and Co-Development Partners, comprising intellectual property owners and pharmaceutical companies, with which the Company jointly produces or licenses the rights to produce pharmaceutical products;
- Joint-Marketing and Promotion Partners, comprising pharmaceutical companies with which the Company jointly markets and promotes certain products, often on a regional basis;
- Channel Partners, comprising distributors and sales agents that extend the Company’s sales reach in its less well-represented countries; and
- Research and Development Partners, comprising research organisations and pharmaceutical companies, with which the Company collaborates on the development of new products. Bristol Myers Squibb has recently launched a licensing partnerships with Novo Nordisk and Innate Pharma; research partnerships with UniQure, Lexicon Pharmaceuticals, and Tsinghua University; and clinical collaborations with Eli Lilly, Novartis, and Seattle Genetics.
Key Resources
Bristol Myers Squibb’s key resources are its technologies and intellectual properties, its research and development facilities, its production facilities, its sales and marketing channels, its partnerships, and its personnel.
Bristol Myers Squibb owns or licenses a number of patents in the US and abroad, and has developed a number of brand names and trademarks for its products. The Company considers the overall protection of its patents, trademarks, and licenses to be of material importance to the Company’s ongoing operations.
Searches of records published by the US Patent and Trademark Office identified a number of patent applications filed in the name of Bristol Myers Squibb, including applications entitled ‘Pyrimidinone carboxamide inhibitors of endothelial lipase’, Compounds for the treatment of hepatitis C’ and ‘Fibronectin binding domains with reduced immunogenicity’.
Cost Structure
Bristol Myers Squibb incurs costs in relation to the development of its products, the operation of its production facilities – including the management of its supply chain, the operation of its sales and marketing channels, the management of its partnerships, and the retention of its personnel.
Bristol Myers Squibb invests heavily in research and development, operating facilities the US, Belgium, the UK, India, and Japan. In 2015 the Company’s research and development spending amounted to $5.9 billion. The Company accrued Marketing, selling and administrative costs – including the payment of salaries and benefits to its workforce of 25,000 employees – in the amount of $4.84 billion for the year.
Revenue Streams
Bristol Myers Squibb generates revenue through the production and sale of various pharmaceutical products. This principally includes:
- Virology Products, such as Baraclude, Reyatoz, and Sustiva;
- Oncology Products, such as Empliciti, Erbitux, and Opdivo;
- Neuroscience Products, such as Abilify;
- Immunoscience Products, such as Orencia; and
- Cardiovascular Products, such as Eliquis. In 2015, Bristol Myers Squibb generated total revenue for the year of $16.56 billion, up on the $15.88 billion recorded by the Company in 2014. The Company attributed this 4% increase to a number of its recently launched products, notably its Hepatitis C Franchise and Opdivo, as well as continued sales growth in Eliquis.
Bristol Myers Squibb’s virology products are its largest revenue generators, accounting for close to 33% of the Company’s total revenue for 2015. This was followed by oncology products which accounted for approximately 25% of the Company’s revenue for the year.


My mosaic maker
This is a simple photo mosaic creator. The operation is based on the quantization of colors and transferring them to specific tiles. The application is built in Python using Flask and OpenCV. Tested with Docker and launched as an application in Heroku.
Image
Choose a file…
Tile type
{% for name in tiles %}
{{ name }}
{% endfor %}
Size of tile
19
Make mosaic!


The job attribute summary gives an overview of the parameters of the selected jobs and enables you to drill down to the jobs of interest. If there are other parameters that it would be useful to have summarized here, let us know.
The job list itself is expensive to build (for the server, network and your browser) and so is limited by the display_limit parameter that is included by default on the URL. You can remove the limit on jobs displayed (by removing display_limit in the URL), but be careful. The intent is that you drill down to a relatively small number of jobs (a few thousand at most), then you can list them if necessary. With JEDI, tasks are the main focus anyway, and you can drill down from tasks to their jobs.
Note that the number of records retrieved from each table of the database is limited for performance reasons. (Job data is spread across several tables depending on the state and age of the job). This means that if the search interval is 12 hours, you are probably not seeing all jobs from the last 12 hours, only the latest N from each table. As you drill down, narrowing your search to jobs of interest, the (unchanged) limit will encompass more jobs of interest to you. If you need to increase the limit, use &limit=N in the URL. Similarly you can specify &days=N on the URL, but use carefully, the load on the DB is heavy for days greater than 3.
If you know the jobsetid=N or taskid=N, jeditaskid=N of the jobs you're interested in, you can add these to the URL, and the search will not be time limited (because these IDs give the DB enough indexing info that it isn't stressful on the DB to exclude the time constraint).
You can use wildcard search over different job descriptors such as schedulerid, pilotid, creationhost, modificationhost, atlasrelease, transformation, homepackage, prodserieslabel, prodsourcelabel, produserid, jobstatus, jobname, maxcpuunit, maxdiskunit, ipconnectivity, commandtopilot, transexitcode, piloterrordiag, exeerrordiag, superrordiag, ddmerrordiag, brokerageerrordiag, jobdispatchererrordiag, taskbuffererrordiag, computingsite, computingelement, jobparameters, metadata, proddblock, dispatchdblock, destinationdblock, destinationse, grid, cloud, sourcesite, destinationsite, transfertype, cmtconfig, lockedby, vo, pilottiming, workinggroup, processingtype, produsername, countrygroup, batchid, specialhandling, inputfiletype, inputfileproject, jobmetrics, jobsubstatus (ATLASPANDA-40) and jobs parameters (ATLASPANDA-133).
To filter out fields in the JSON response use &fields= parameter like:
...bigpanda.cern.ch/jobs/?PandaID=2398201837&fields=pandaid,jobsetrange
URL tricks: you can include hours=N or days=N on the URL to specify the time depth. And you can use earlierthan=Nhours or earlierthandays=Ndays to look only at old jobs. You can also use date_from=2014-10-01&date_to=2014-10-03
Job data can be retrieved in json format with curl so that it can be used programmatically. Use this carefully, do not for example put scripts in crons that do heavy retrieval of job data this way. If you have systematic needs for PanDA job data, tell us what they are. Do not use web page scraping. An example curl command is as follows; it takes the same url parameters as the browser version.
If you are using lxplus:
cern-get-sso-cookie -u https://bigpanda.cern.ch/ -o bigpanda.cookie.txt
curl -b bigpanda.cookie.txt -H 'Accept: application/json' -H 'Content-Type: application/json' "https://bigpanda.cern.ch/jobs/?dump=parameters&pandaid=1234,1235,1236&json"
If you are retrieving JSON outside of CERN:
ssh<EMAIL_ADDRESS>"cern-get-sso-cookie -u https://bigpanda.cern.ch/ -o bigpanda.cookie.txt;"
ssh<EMAIL_ADDRESS>'curl -b ~/bigpanda.cookie.txt -H '"'"'Accept: application/json'"'"' -H '"'"'Content-Type: application/json'"'"' "https://bigpanda.cern.ch/jobs/?dump=parameters&pandaid=1234,1235,1236&json"'
The first command performs SSO authentication, the second delivers needed information. You may reuse single cookie until it get expired.
By default the JSON response does not contain dataset information. If you need it, add &datasets=true
to the URI (ATLASPANDA-109).


About The Band
Hallelujah The Hills have been releasing critically acclaimed albums and touring the U.S. since 2007. Described by Spin as “criminally underappreciated” and lauded by Pitchfork for their “fist pumping anthems,” they’ve been declared “Boston legends” in their hometown and as having a “cult following” by Stereogum. The band released their first two albums on Misra Records, assisted Titus Andronicus in recording their breakout album The Monitor, and are one of the only bands to have ever toured with The Silver Jews. Their sound was creatively explained as “the kind of punk rock you’d expect on stage at the roadhouse from ‘Twin Peaks’” in The Boston Herald. Others go further, with Aquarium Drunkard noting “few do it with the style and imagination of Hallelujah the Hills” and Captain’s Dead boldly publishing that they “without a doubt they are one of the greatest bands currently making music.”
Band founder and songwriter Ryan H. Walsh’s debut book, Astral Weeks: A Secret History of 1968 (Penguin Press), received rave reviews from The New Yorker, The Guardian, Rolling Stone, and was a New York Times end-of-year Critics’ Pick in 2018. I’m You, the seventh full-length album from Hallelujah The Hills, was written in the months after the book’s release (even incorporating Astral Weeks’ flute player John Payne into the band for the achingly dreamy song “It Still Floors Me”). Kicking off the record with these mirror-plated lyrics, “Hello I am the person singing this song / and if you think that might be you, well I guess you might not be wrong,” I’m You attempts to erase the border between performer and listener, singer and audience, band and fans. The album digs so deep into the concept of self-identity that, by the time the final song ends, you might just feel like me. If there was a Venn diagram featuring these two overlapping circles—wildly triumphant and overwhelming melancholy—the overlap zone would be where I’m You lives. Now entering their 14th year as a band, with a lineup and live show as exciting as ever, Hallelujah The Hills return with their most unified statement yet.
This band is named after a 1963 film by Adolfas Mekas. Read on to learn more about Hallelujah The Hills, Adolfas Mekas, and his brother Jonas.
In 1944, [Jonas and] Adolfas [Mekas] were taken by the Nazis to a forced labor camp in Elmshorn, Germany. At the end of 1949 the UN Refugee Organization brought both brothers to New York City, where they settled down in Williamsburg, Brooklyn. Two months after his arrival in New York he borrowed money to buy his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954, together with his brother, he started Film Culture magazine, which soon became the most important film publication in the US.
—JonasMekas.com
In the early sixties, the Mekas Brothers travelled to South Londonderry, Vermont to shoot a feature whose script was originally titled Hallelujah The Woods. Jonas Mekas recalls that their typist couldn’t read the smudged title and put it down as Hallelujah The Hills. Because their friend and financial backer was named Jerome Hill, the typo became gospel.
I was shown Mekas’ Hallelujah The Hills on the first day of a class entitled “Films of the 60’s” at Boston University in 1999. I had never seen a movie like it; it seemed like you could watch it very closely or have it on in the background of a party. That struck me as a rare but interesting quality for a piece of art. I related to the two friends retreating to the woods to engage in total nonsense as a way of trying to get over a heartbreak, too. It was funny, it was surreal, it was emotional, and it was unique. All of those things were qualities that I hoped the new band I was about to start would strive for, plus, it was filmed in New England! This is all to say how, in 2005, we chose Hallelujah The Hills as the name of this band.
—Ryan Walsh
Reviews of the film:
All hail Adolfas Mekas, an impecunious director who in his first feature film has produced a far-out and very funny farce, the first cubistic comedy of the new world cinema. The weirdest, wooziest, wackiest comedy of the year. A gloriously fresh experience in the cinema.
—Time Magazine
The wildest and wittiest comedy of the season — an outrageous lark.
—The New York Times
Get Adolfas Mekas’ publications
In October of 2015, I went to Jonas Mekas’ house to interview him for my book, Astral Weeks: A Secret History of 1968. Halfway through the interview, I revealed to Jonas the name of our band, showing him some CD’s. He was so delighted and shared his memories of making the film with his brother in Vermont.
—Ryan Walsh


02 January 1997
Disease Outbreak Reported
Fifty-two cases of Ebola haemorrhagic fever have been detected through active surveillance and contact tracing in the outbreak which was declared on 10 October. Of these 52 cases, 40 have died. The last death occurred in Melen hospital in Libreville on 30 December 1997 and was the last identified case which had onset of illness on 21 December. On 2 January 1997, three patients were still in hospital care in Booué (none in Libreville) and nine were convalescing. Surveillance and monitoring of contacts included 92 persons in Booué and 93 in Libreville.


Ebean uses SLF4J for logging.
During development it is expected that you include logging of
io.ebean.SQL
and io.ebean.TXN
.
These log the sql statements executed, bind values for statement execution.
During development it is expected that you include logging of
io.ebean.SQL
and io.ebean.TXN
.
These log the transaction demarcation.
Logging of docker commands used to start test containers with ebean-test.
The summary logging of io.ebean.SUM
is useful for showing lazy loading queries and how they relate
back to origin queries. This is useful when looking at more complex object graphs are
built. In tuning queries for N+1 etc.
The L2 cache events can be logged using the logger entries below. This is useful when you are starting out using the L2 cache and looking at the behaviour with L2 caching.
Logging queries and updates to ElasticSearch.


A Strings' Dramedy
A Strings' Dramedy is a concept album characterized by an allegorical, and at times grotesque critique of society. It tells the story
of a puppet coming to life in the middle of the theatrical act he was used for. Suddenly all the strings it was tied to tear off and, from a situation
of slavery and unconsciousness, the puppet is tossed in the absolute freedom; all that will influence its perception of the world it sees. Starting
from its first steps in this unknown world, to end up with its wish to be a part of such a lively and dynamic world. All this will push it to experience
the various stages of growth and integration within the society, thing that will be impossible to achive for the character because of its tendency to see
the reality through distorted eyes, in its view social structures appears to be wiked and populated by grotesque characters, whose behavior is
unintelligible and irrational.
The puppet's allucinated vision of society will push it on brink of insanity, tha will almost make it wish to go back on stage, tied and unconscious.
But is it truely it's vision the distorted one? Or maybe it's point of view, totally pure and free, is able to see the true intents of people?!
The musical inspirations for A Strings' Dramedy is a Folk / Death Metal with strong symphonic components, that is
alternated to violent rhythms, epical-like choirs, folk phrasing and many other influences.
Tracklist
- Sudden Break
- The Puppets Theater
- Outside
- Shaped Water
- The Hidden Filth
- Tar Nectar
- Carnival Of Pigs
- Midday Strangers
- A Strings' Dramedy
- The Knot Of Wills
Order Now
{% include reviews.html %}


-
Intro # Sonic Bacon: Introduction to Sound Design with PureData
Last month we had a look at some basic UX principles of sound design. This month we're going to have a chance to build a sound from scratch, to get an idea of what sound design is like. We're going to use a tool called Pure Data. Pure Data is a really great software environment for digital signal processing (hereafter: DSP) including a data flow language for describing a signal flow visually.
What do I mean by building a sound from scra...
-
The Sound ## Making a Sound
Ok, let's make a sound! Can you think of a better sound than bacon frying up in the morning? Because I can't. Also, what with the history of Ruby and bacon and Ruby and the Prags, it's a great tie in, however tenuous. Mmmm... tenuous bacon
The sound of bacon frying is also relatively easy to reproduce. Let's break it down and analyze what happens when bacon fries in a pan. As the bacon sits in the pan and heats up, that sizzling sound you hear is a...
-
Noise ## Noise: Random Sound
So, we have two primary goals for simulating this sound: one is to produce short impulses, and the second is to produce them randomly. Let's be more specific and say that we want the impulses to be random in time and loudness, not in tone.
There's a common generated sound called noise which fits the bill here. Noise is defined as a random signal. It's basically a series of impulses, again: quick bursts of energy, with random intensity (which we perceive as loudness) and ...
-
Sizzle ## Sizzle
So, the problem we want to fix is that the generated noise produces many random impulses distributed across all the audible frequencies, but we want fewer and only in a certain frequency range -- the range in which we want to hear the sizzle.
To do this, we can use a filter. A filter affects sounds by excluding certain frequencies and allowing others to pass through unchanged. An equalizer on your stereo makes use of filters.
We'll use a certain type of filter called a "bandpass" fi...
-
Pop ## Pop
To get the popping sound what we'll do is just duplicate what we did for the sizzle, but with some different parameters for a slightly different sound.
First, though, disconnect the "output~" and move it to the side. After the "-~ 0.2" create an object: "throw~ out" and connect the "-~ 0.2" to it. Then above the "output~" add an object containing "catch~ out". The throw/catch pattern is a common way to clean up Pd patches that require multiple connections. Signals are sent from one or m...
-
Finishing Up ## Finishing Up
Listening to the sound we're producing so far, it's just a little off. It's a little too low-sounding. To clean this up we'll use another filter, a high-pass filter. A high pass filter allows frequencies above a certain point through, and attenuates lower frequencies. This would be like turning the bass all the way down on your radio.
To add this object, disconnect the "catch~ out" object and put an object with the text "hip~ 2200" between the "catch~" and the "output~". Listen...
|
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Two years after its introduction, the Swift programming language finds itself at rank # 14 on the TIOBE index for July 2016. Some of the prime reasons for Swift's meteoric rise are its carefully designed syntax and semantics - it borrows heavily from the best features of a wide range of languages. The syntax is intuitive and new Swift learners can often relate it to the language of their choice. Introduced primarily as a client-side language, Swift was open sourced in December 2015 via swift.org. Since then, there has been a community effort on extending its capabilities to the server side too. Swift is available on Linux today, and it is poised to become a language enabling end to end development - from mobile apps to server backends.
Swift falls in the category of "modern native languages" - like Rust and Go. These runtimes run code in bare metal, boosting performance. They are statically, strongly typed and with type-inference. This makes them safe. Their modern syntax also makes them expressive enough for high level abstractions like those seen in functional programming. They try to solve some of the tradeoffs that languages of the past battled with. On the other hand, functional programming has found new oxygen in the last couple of years when agile methodologies become as pervasive as multicore hardware. While we do have languages like Haskell that are purely functional and provide excellent support to express functional concepts, it is important to separate functional thinking away from the language. Functional programming is supported by most of the languages today because the returns of it in terms of expression, conciseness, readability, correctness and performance are unmatched. Swift is not a purely functional language. However, it provides syntactic and semantic support for functional programming to a large extent.


One cannot think well, love well, sleep well, if one has not dined well!
Welcome you to MELTING DELIGHTS.
Here you can find the best dishes in your favourite choice of cuisine.This site will help you try new food and satisfy the foodie inside you...
Find Out More CUISINES POPULARITYThis website basically provides you details on the best dishes in top cuisines of the world.You can also request us on your choice of cuisine and if it isn't available on the website we will update it.You can go through the reviews from people who tried these dishes.We are open to your suggesions on any changes and modifications on this website.Please let us know your vies in the comment section.
CHASE YOUR FLAVOUR TODAY AMIGO...


For when the One Great Scorer comes
To write against your name,
He marks – not that you won or lost –
But how you played the game.
— Grantland Rice (1880–1954), Alumnus Football
There are some constants which, if defined in your code before the
library files are included, change the standard game rules or tell
the Inform library about your game. Two such constants appeared back
in §4:
the strings of text Story
and Headline
.
Constant Story "ZORK II"; Constant Headline "^An Interactive Plagiarism^ Copyright (c) 1995 by Ivan O. Ideas.^";
· · · · ·
The library won't allow the player to carry an indefinite
number of objects. As was mentioned in §21,
the limit is the value of capacity
for the current
player-object, which you're free to vary during play. The library
sets up the capacity
of the usual player-object to be
equal to a constant called MAX_CARRIED
, which is
normally 100. But you can define it differently, and ‘Ruins’
does:
Constant MAX_CARRIED = 7;
For these purposes a container
counts
as only one object, even if it contains hundreds of other objects.
Many games, perhaps too many, involve collecting
vast miscellanies of items until a use has been found for each. A
small value of MAX_CARRIED
will then annoy the player
unreasonably, whereas a large one will stretch plausibility. The
standard resolution is to give the player a sack for carrying spare
objects, and the Inform library provides a feature whereby the
designer can nominate a given container
to be this
“sack”:
Object satchel "satchel" with description "Big and with a smile painted on it.", name 'satchel', article 'your', when_closed "Your satchel lies on the floor.", when_open "Your satchel lies open on the floor.", has container open openable; Constant SACK_OBJECT = satchel;
(This is from ‘Toyshop’: the ‘Ruins’ have been sacked too many times as it is.) The convenience this offers is that the game will now automatically put old, least-used objects away into the sack as the game progresses, provided the sack is still being carried:
>get biscuit
(putting the old striped scarf into the canvas rucksack to make room)
Taken.
· · · · ·
The “Invisiclues” hints of some of the reissued Infocom games sometimes included a category called “For Your Amusement”, listing some of the improbable things the game can do. Only the victorious should read this, as it might spoil surprises for anyone else. You can, optionally, provide such “amusing” information by defining the constant…
Constant AMUSING_PROVIDED;
… and also providing an entry point routine
called Amusing
. For a player who has won the game, but
not one who has merely died, the usual question
Would you like to RESTART, RESTORE a saved game or QUIT?
will then become
Would you like to RESTART, RESTORE a saved game, see some suggestions for AMUSING things to do or QUIT?
(The best way to provide such suggestions, if there are many, is to use a menu system like that described in §44.) One of the worst-kept secrets of the Inform library is that an option not mentioned by this question is to type “undo”, which will undo the last move and restore the player to life. If you feel that this option should be mentioned, define the constant:
Constant DEATH_MENTION_UNDO;
Finally, this end-of-game question will also mention the possibility of typing “full” to see a full score breakdown, if tasks are provided (see below).
· · · · ·
The other constants you are allowed to define help
keep the score. There are two scoring systems provided by the library,
side by side: you can use both or neither. You can always do what you
like to the library's score variable in any case, though the “fullscore”
verb might not then fully account for what's
happened. Whatever scoring
system you use, you should define MAX_SCORE
, as
‘Ruins’ for instance does by declaring:
Constant MAX_SCORE = 30;
This is the value which the library tells to the player as the maximum score attainable in text like:
You have so far scored 0 out of a possible 30, in 1 turn.
Note that the library does not check
that this is the actual maximum score it's possible to clock up:
and nor does it cause the game to be automatically won if the
maximum is achieved. The game is won when and only when deadflag
is set to 2 (see §21), regardless of
score.
The simpler scoring system awards points for the
first time certain objects are picked up, and the first time certain
places are entered. (As long as there is light to see by: no points
unless you can recognise that you've arrived somewhere interesting.)
To make an item or a place carry a points bonus, give it the attribute
scored
. You may also want to vary the amounts of these
bonuses by defining two constants:
OBJECT_SCORE
points for picking up a scored object (normally 4);
ROOM_SCORE
points for entering a scored room (normally 5)
The more elaborate scoring system keeps track of
which “tasks” the player has accomplished. These are
only present if the constant TASKS_PROVIDED
is
defined, and then the further constant NUMBER_TASKS
should indicate how many tasks have to be accomplished. If this value
is N, then the tasks are numbered 0, 1, 2, …,
N − 1. The number of points gained by solving each
task must be defined in a ->
array with
N entries called task_scores
, like so:
Constant TASKS_PROVIDED; Constant NUMBER_TASKS = 5; Constant MAX_SCORE = 25; Array task_scores -> 3 7 3 5 7;
Thus task 0 scores three points, task 1 scores seven
points and so on. Since the entries in a ->
array have
to be numbers between 0 and 255, no task can have a negative score
or a score higher than 255. Besides a points score, each task has
a name, and these are printed by an entry point routine called
PrintTaskName
. For instance (‘Toyshop’):
[ PrintTaskName task_number; switch (task_number) { 0: "eating a sweet"; 1: "driving the car"; 2: "shutting out the draught"; 3: "building a tower of four"; 4: "seeing which way the mantelpiece leans"; } ];
Finally, the game's source code should call
Achieved(task_number)
to tell the library that the
given task has been completed. If this task has been completed
before, the library will do nothing: if not, the library will award
the appropriate number of points. The verb “full” will
give a full score breakdown including the achieved task in all
future listings.
· · · · ·
When points are awarded by a call to Achieved
,
or by the player picking up a scored
object, or visiting a
scored
place, or simply by the source code itself altering
the score
variable, no text is printed at the time.
Instead, the library will normally notice at the end of the turn in
question that the score has changed, and will print a message like:
[Your score has gone up by three points.]
Not all players like this feature, so it can be turned
on and off with the “notify” verb, but by default it is
on. The designer can also turn the feature off and on: it is off
if the library's variable notify_mode
is false
,
on if it is true
.
· · · · ·
Another (optional) entry point routine, called
PrintRank
, gets the chance to print text additional
to the score. It's called PrintRank
because the
traditional “something additional” is a ranking based
on the current score. Here is ‘Ruins’:
[ PrintRank; print ", earning you the rank of "; if (score == 30) "Director of the Carnegie Institution."; if (score >= 20) "Archaeologist."; if (score >= 10) "Curiosity-seeker."; if (score >= 5) "Explorer."; "Tourist."; ];
· · · · ·
Besides the score breakdown, two more verbs are
usually provided to the player: “objects” and “places”.
The former lists off all the objects handled by the player and where
they are now; the latter lists all the places visited by the player.
In some game designs, these verbs will cause problems: you can get
rid of them both by defining the constant NO_PLACES
.
•▲
EXERCISE 57
Suppose one single room object is used internally for the 64 squares
of a gigantic chessboard, each of which is a different location to
the player. Then “places” is likely to result in only
the last-visited square being listed. Fix this.
· · · · ·
The rest of this section runs through some simple “special effects” which are often included in games. See Chapter VII for much more on this, and in particular see §44 for using the "Menus.h" library extension.
The first effect is hardly special at all: to ask
the player a yes/no question. To do this, print up the question
and then call the library routine YesOrNo
, which
returns true/false accordingly.
The status line is perhaps the most distinctive feature of Infocom games in play. This is the (usually highlighted) bar across the top of the screen. Usually, the game automatically prints the current game location, and either the time or the score and number of turns taken. It has the score/turns format unless the directive
Statusline time;
has been written in the program, in which case the game's 24-hour clock is displayed. See §20 for more on time-keeping.
▲
If you want to change this, you need to Replace
the
parser's DrawStatusLine
routine. This requires
some assembly language programming: there are several examples
of altered status lines in the exercises to §42.
· · · · ·
Many games contain quotations, produced with box
statements like so:
box "I might repeat to myself, slowly and soothingly," "a list of quotations beautiful from minds profound;" "if I can remember any of the damn things." "" "-- Dorothy Parker";
A snag with printing such boxes is that if you do it
in the middle of a turn then it will probably scroll half-off the
screen by the time the game finishes printing for the turn. The right
time to do so is just after the prompt (usually “>”)
is printed, when the screen will definitely scroll no more. You
could use the Prompt:
slot in LibraryMessages
to achieve this (see §25), but a
more convenient way is to put your box-printing into the entry point
routine AfterPrompt
, which is called at this time in
every turn.
•
EXERCISE 58
Devise a class Quotation
, so that calling QuoteFrom(Q)
for any quotation Q
will cause it to be displayed at
the end of the current turn, provided it hasn't been quoted before.
•
REFERENCES
‘Advent’ contains ranks and an Amusing
reward
(but doesn't use either of the scoring systems provided by the library,
instead working by hand).
•‘Balances’ uses
scored
objects (for its cubes).
•‘Toyshop’ has
tasks, as above.
•‘Adventureland’
uses its TimePasses
entry point to recalculate the
score every turn (and watch for victory).


CMLL is one of the simpler steps of Roux. You simply just see a case, and then execute the alg associated with the case.
These spreadsheets contain what most of the top Roux solvers believe to currently be the best (known) CMLL algs.
If the images do not load, just refresh the page or paste the alg into alg.cubing.net to see what it looks like.
This is the order of a functional path for learning OH CMLLs and getting used to it. Learn the next one when you feel you're ready to - no need to wait for sub-x.


Scrawl.js
- demonstration 107
Page loading effects
Extensions: path, factories, animation, stacks, block, wheel, phrase
Select effect:
Fog
Rolling rectangle
Spinning star
Chop from top
Clear with circles
Display effect


Seahawks vs. Rams final score: Seattle's offense stifled in crucial loss
by James Crabtree-HanniganThe Seahawks slipped up in the race for the NFC West on Sunday night, looking lifeless for much of their 28-12 loss to the Rams in Los Angeles.
Seattle kicked a field goal on its opening drive, but the Russell Wilson-ledoffense wouldn't score again until the fourth quarter. The Rams scored 21 consecutive points to close the first half and added a backbreaking touchdown in the fourth quarter.
MORE: Watch select NFL games live on fuboTV (7-day free trial)
Los Angeles quarterback Jared Goff had a strong night overall (22-for-31 passing, 293 yards), but his two touchdowns were matched by two interceptions. After the Seahawks took that 3-0 lead, he marched his team down the field for two touchdown drives and completed nine of his first 10 passes.
Goff had an ugly start to the second half, however, throwing a pick-six on the opening drive and another interception on the following possession. That helped give Seattle three possessions while trailing 21-9 in the third quarter, but the offense managed just two first downs during that stretch. Wilson finished 22 for 36 for 245 yards, with no touchdowns and an interception.
A 7-yard touchdown run by Rams running back Todd Gurley put the game away; it gave Los Angeles (8-5) a 28-9 lead with 11:07 to play.
Seattle's loss carries massive implications for the NFC West; the Seahawks (10-3) are one game behind the 49ers (11-2), who beat the Saints earlier Sunday. The result also helps keep the Rams' slim wild-card hopes alive.
Sporting News tracked live scoring updates and highlights from Seahawks vs. Rams on "Sunday Night Football" Week 14.
Seahawks vs. Rams final score
| Q1 | Q2 | Q3 | Q4 | F | |
|---|---|---|---|---|---|
| Seahawks | 3 | 0 | 6 | 3 | 12 |
| Rams | 7 | 14 | 0 | 7 | 28 |
Seahawks vs. Rams scoring plays
First quarter
8:39 — Seahawks kicker Jason Myers 39-yard field goal.
5:11 — Rams running back Malcolm Brown 1-yard run. XP good.
Second quarter
11:28 — Rams quarterback Jared Goff 2-yard pass to wide receiver Robert Woods. XP good.
0:51 — Rams quarterback Jared Goff 10-yard pass to wide receiver Cooper Kupp. XP good.
Third quarter
12:54 — Seahawks safety Quandre Diggs 55-yard interception return. XP no good.
Fourth quarter
11:07 — Rams running back Todd Gurley 7-yard run. XP good.
7:07 — Seahawks kicker Jason Myers 34-yard field goal.
Seahawks vs. Rams updates, highlights
Final: Rams 28, Seahawks 12
11:19 p.m.: INTERCEPTION, Rams. Wilson takes a deep shot, and it's picked off by cornerback Troy Hill. That should do it.
11:16 p.m.: The two-minute warning hits shortly after a Seahawks fourth-and-18 conversion.
11:05 p.m.: Seattle forces a three-and-out and narrowly avoids disaster by muffing a punt but recovering.
10:59 p.m.: FIELD GOAL, Seahawks. Wilson just missed his man on third-and-15, and Seattle settles for a kick.
10:45 p.m.: TOUCHDOWN, Rams. Todd Gurley in from 7 yards out. That was a 95-yard drive that could be a dagger. Rams 28, Seahawks 9.
End third quarter: Rams 21, Seahawks 9
10:25 p.m.: Rams defensive tackle Aaron Donald gets to Wilson for a sack on third down.
10:19 p.m.: BLOCKED FIELD GOAL, Seahawks. Seattle gets a hand on a 37-yard attempt by Greg Zuerlein.
10:19 p.m.: The Rams try a double pass on third-and-7. Kupp misses Tyler Higbee, open in the end zone.
10:09 p.m.: INTERCEPTION, Seahawks. Goff throws an arm punt on third-and-5 from the edge of field goal range. Diggs gets his second pick, and Seattle takes over inside its own 5.
10:02 p.m.: PICK-SIX, Seahawks.  Extra point is no good, though. Rams 21, Seahawks 9.
Halftime: Rams 21, Seahawks 3
9:41 p.m.: The Seahawks get near midfield, but they let the clock run out following a sack. They face an 18-point deficit at halftime, and Los Angeles starts with the ball in the third quarter.
9:32 p.m.: TOUCHDOWN, Rams. Goff with his second touchdown pass of the game, a 10-yard dart to Cooper Kupp. Little under a minute left for Seattle to respond. Rams 21, Seahawks 3.
9:26 p.m.: The two-minute warning comes just after the Rams convert a second-and-14 to move into field goal range.
9:13 p.m.: Seattle gets its first stop of the night, forcing a three-and-out.
9:08 p.m.: TURNOVER ON DOWNS, Seahawks. Seattle goes for it on fourth-and-2 from inside the 30. Russell Wilson rolls out and has a man open, but the pass is broken up by Jalen Ramsey.
9:04 p.m.: Goff on first two drives: 9-for-10, 116 yards.
8:59 p.m.: TOUCHDOWN, Rams. Goff hits wide receiver Robert Woods in the flat for a 2-yard score. Rams 14, Seahawks 3.
End first quarter: Rams 7, Seahawks 3
8:53 p.m.: The first quarter ends with the Rams in Seeahawks territory. Goff is hitting his targets early.
8:39 p.m.: TOUCHDOWN, Rams. Los Angeles makes it look easy on the first drive. Gains of 19, 15, and 33 before a 1-yard touchdown run. Rams 7, Seahawks 3.
8:31 p.m.: FIELD GOAL, Seahawks. Jason Myers is good from 39 yards out. Seahawks 3, Rams 0.
8:27 p.m.: Seattle running back Rashaad Penny went down with a knee injury after a 16-yard reception. Would be a big loss.
8:24 p.m.: The Seahawks begin with the ball after a touchback.
7:00 p.m.: Here are the inactives.


Lorem ipsum dolor sit amet, consectetur adipisicing elit. Officia ipsum dolor adipisci ad libero sunt nostrum harum nam odit doloremque eum expedita dolore dolores consectetur, maxime, obcaecati, repellat quibusdam. Sapiente, vitae. Aliquid velit voluptate perspiciatis omnis repudiandae obcaecati laborum nihil, culpa, voluptatibus. Excepturi, eaque perferendis.
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Articles
Here you will find some useful scientific articles about the neural networks:
RNN
Modern technologies for natural language processing and speech recognition
Article, Nov 18, 2019
CNN
Article, Nov 17, 2019
Understanding computer vision in Machine Learning
Kaggle dataset to Google Colab notebook
Tutorial, Nov 16, 2019
Learng how to work with Data Science tools


All functions
|
|
ERR260132
|
Precomputed lineage calling and coverage example. |
|
align_long_reads()
|
Align long reads (for instance from nanopore sequencing) to a reference
database. |
|
align_short_reads()
|
Aligns metagenomic shotgun reads against a reference. |
|
annotate_contigs()
|
Annotate diamond database hits with transcript info. |
|
annotate_silva()
|
Annotate the sequences in the SILVA database file. |
|
as.matrix(<mbquant>)
|
Convert a mbquant data table to a matrix. |
|
as_phyloseq()
|
Converts the denoise artifact to a phyloseq object. |
|
association()
|
Run differential association tests between taxa counts and exogenous
factors. |
|
build_lineage()
|
Build the lineage from a SILVA path string. |
|
combinatorial_association()
|
Run differential association tests between between all combinations of a
factor variable. Can be used as post-hoc test for regression. |
|
config_align()
|
Build a configuration for the alignment workflows. |
|
config_association()
|
Build a configuration for the alignment workflows. |
|
config_count()
|
Build a configuration for the transcript counting workflow. |
|
config_demultiplex()
|
Build a configuration for the demultiplexing workflow. |
|
config_denoise()
|
Build a configuration for the DADA2 workflow. |
|
config_layout()
|
Build a configuration for the plate layout. |
|
config_power()
|
Build a configuration for power analysis. |
|
config_preprocess()
|
Build a configuration for raw read preprocessing. |
|
config_reference()
|
Build a configuration for the reference removal workflow. |
|
config_rep()
|
Build a configuration for the rate workflow. |
|
config_slimm()
|
Build a configuration for the SLIMM workflow. |
|
config_sra()
|
Build a configuration for the SRA submission workflow. |
|
count_references()
|
Count alignment hits to a reference database. |
|
demultiplex()
|
Splits FASTQ files into individual samples. |
|
denoise()
|
Runs a full DADA2 workflow. |
|
discretize()
|
Discretize all continuous variables in a data frame. |
|
download_bacterial_transcripts()
|
Download the entire ENSEMBL transcript DB for bacteria. |
|
download_files()
|
Download a list of files. |
|
download_sra()
|
Download data from SRA. |
|
effective_lengths()
|
Calculate the effective transcript lengths. This is the mean number of
positions in the transcript the fragment could map to. |
|
em_count()
|
Count transcripts using an Expectation Maximization (EM) algorithm. |
|
filter_counts()
|
Filter low presence taxa from a count matrix. |
|
filter_reference()
|
Filter a set of reference sequences from the data set.seed |
|
find_read_files()
|
Find read files in a given directory. |
|
find_taxa()
|
Checks whether taxa from one taxonomy table are contained in another table. |
|
layout()
|
Generate a plate layout from a sample manifest. |
|
mbtools
|
mbtools. |
|
merge_transcripts()
|
Merge transcripts into a single database |
|
mock_plot()
|
Creates a plot of measured taxa quantifications vs. reference quantification. |
|
mockrobiota()
|
Downloads a complete data set from mockrobiota. |
|
mothur_to_dada()
|
Converts taxa annotations from mothur format to dada2 format. |
|
normalize()
|
Normalize a set of read counts across samples |
|
orlitsky()
|
Orlitsky's diminishing attenuation estimator (q2/3). |
|
parse_ensembl_id()
|
Parse annotations from an ENSEMBL id |
|
plot_counts()
|
Plots counts for several taxa across a co-variable |
|
plot_entropy()
|
Plots the distribution of base entropy for each cycle. |
|
plot_lengths()
|
Plots the distribution of sequence lengths with acceptable quality. |
|
plot_qualities()
|
Plots the quality profile for an entire experiment. |
|
plot_taxa()
|
Plots relative distribution for taxa across samples. |
|
power_analysis()
|
Run a power analysis for microbe abundances from a reference sample. |
|
preprocess()
|
Runs preprocessing of sequencing reads. |
|
quality_control()
|
Workflow for basic quality assessment of the read files. |
|
quality_profile()
|
Get the quality profiles and base calls for each cycle across all
input files. |
|
read_bam()
|
Read alignments from a BAM file. |
|
read_blast()
|
Read a blast hit/alignment file. |
|
read_length()
|
Heuristic to get the median read length from a BAM file.access |
|
read_slimm()
|
Reads SLIMM output to a data table. |
|
read_slimm_coverage()
|
Reads SLIMM coverage to a data table. |
|
remove_reference()
|
Removes sequence that map to a given reference. |
|
replication_rates()
|
Estimate replication rates by the iRep method. |
|
select()
|
Very simple select for mbtools artifacts. Just gets a particular entry. |
|
silva_build_taxonomy()
|
Build the lineages for the entire SILVA database. |
|
slimm()
|
Quantifies abundances and coverage using SLIMM. |
|
slimm_files
|
The SLIMM taxonomy databases |
|
sra_submission()
|
Prepare submission files for the NCBI sequence read archive (SRA). |
|
standardize()
|
Standardize all continuous columns of a data frame. |
|
taxa_count()
|
Counts the reads for a specific taxonomy level. |
|
taxa_metrics()
|
Calculates what percentage of taxa was found in a reference set. |
|
taxa_quants()
|
Compares taxa quantification from a measurement to a reference ground truth. |
|
types()
|
Applies the specified types to a data frame-like object. |
|
with_classification()
|
Quantify classification rates for each taxonomic rank. |


Sift quickly searches your device to find what you’re looking for. Search your apps, contacts, texts, calendar invites, browsing history and music - all from one search bar. Activate the search bar with a quick swipe of your finger.
Finalist submission for Paypal's Battlehack World FInals.
Disconnect is an Android mobile application that helps users keep track of their time spent using their phones.
It tracks individual app usage time and warns users if they're using a particular app too much. Allows users to
create local groups to stop using phones if they're in the same area.
Ledgr is currently an application that helps users rent items to other user. It can keep track, process payments using Venmo,
and send reminders to the owner and renter of the item that the rental is due soon.
Ledgr solves the problem of people owning items they don't use very often and others needing an item
temporarily but don't want to purchase it. Owners can even rent their items out to others at a lower cost than a rental shop.
Owners earn money, while renters save money, encouraging everyone to create a green and social sharing eco-system.
Bloomingdales in-store locator is an Android application designed to be an extension of the current Macy's/Bloomingdales Android application. This application is the winner of Macy's UX and design competition. Macy's wanted new and intuitive ways to help shoppers shop for items they want. Bloomingdales in-store locator solves this by using a dynamically changing map and plotting the path from item to item so that users can shop more efficiently.
NetMapp is an Android application developed to help NetApp employee find other people and meeting rooms faster and more efficiently. NetMapp was a finalist in an internal hackathon hosted by NetApp.
Unlock'd is a social note Android application. The idea behind unlocked is to leave notes for yourself, friends, or strangers based on where you are. The notes can only be seen by others once they are within a certain distance away from note. This allows the viewer to share the experience left by the original poster.


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Barreiros Toni | Architect | Fab Lab Manager | Events producer | Cultural programmer | Art |
Email<EMAIL_ADDRESS>Adress: Alpedrinha, Fundão - Portugal
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FAB Academy Project
Barreiros Toni | Architect | Fab Lab Manager | Events producer | Cultural programmer | Art |
Email<EMAIL_ADDRESS>Adress: Alpedrinha, Fundão - Portugal


Meal planning, your way.
Freedom Meals is your solution to stressfull and stringent meal delivery services.
Here at Freedom Meals we believe you should have the ability to choose as many or as few meals as you would like. Simply add recipes to your cart and we will make sure your order arrives to you in 3 business days. You are no longer tied to a specific delivery date or meal allowance!
Check out our recipes below!
This is where administrator can add recipes to the Recipes Table.


Highlight Correct Summary
You will hear a recording. Click on the paragraph that best relates to the recording.
Which languages you work on?


Over the last few years of delivering SEF initiated programs, we noticed one of the biggest challenges faced by undergraduate students was their ability to speak in English. While their reading and writing skills were very good, their level of spoken English was not on par. These were due to a number of reasons including inadequate resources to practice spoken English in a safe environment and focus on mastering academic English using rigid patterns not transferrable when speaking
In response to this, UpSpeak was introduced by SEF during June 2021. This is a free 12 week program aimed at creating a non-competitive safe environment for undergraduates in Sri Lanka whose second language is English and are looking to develop the following skills as published by Cambridge Papers in ELT:
Growing up in a rural village, I was rarely exposed to English. It was extremely difficult for me to string together a few English words. There were numerous occasions when I struggled because of that. I still remember answering the questions in the WSO2 scholarship interview in English, so I asked if I could answer in Sinhala instead. Even though I could understand what was being said, it was very difficult to speak. It was extremely difficult for me to complete my studies on campus because everything was in English. I wrote down and memorized everything I wanted to say. After a while, I was fortunate enough to be accepted into the upspeak beta program with Minuri Adasooriya. Then I got used to talking, and my fears faded away. Today, I am able to communicate in English very fluently. It provided numerous opportunities for me. I was able to complete my education very successfully and graduated with first-class honours. I've also had the opportunity to lead organizations such as SEF. Moreover, I was also able to collaborate with a number of international companies, including OpenMRS and Google.


Natural language is the regular language we use when we’re talking (as contrasted
with computer code). Through this study, we want to see if it’s possible for participants to create
a computer program by talking conversationally, in natural language, to a conversational agent.
Conversational agents are computer programs like chatbots or smart speakers, like
Amazon Alexa or Google Home.
In this experiment, you will test voice-first and text-first
conversational agent prototypes. Since they are prototypes, you will have to say specific phrases
for them to understand you. In the future, based on the information we gather from this study, we
will create an improved version that will understand nearly any phrase you say to it.
Please watch the video below to see how the system works.
The experiment consists of:
a practice stage,
a novice stage,
and an advanced stage, if you identify as an advanced
programmer.
For each stage, you will complete three tasks (all very similar tasks) in three different
ways:
through speaking,
typing,
and speaking/typing (you can choose).
The order in which you complete them will be randomized.
At any point, if you’re absolutely stuck (for example, no progress for 5 minutes), you can
type/speak, "I need help", and follow the instructions on-screen.
You will also complete surveys about yourself and your experience with the
system. We want to improve the system as much as possible, so we appreciate any and all
feedback you have!
You should expect the experiment to last approximately 30-60 minutes.
You will be able to view examples/hints on a sidebar on the left side of the
screen.
We are evaluating and comparing the systems (voice-based, text-based, and
voice/text-based systems), not your abilities. Additionally, all results will be
anonymized.
Survey
If you agree to participate in this experiment, please proceed to the next page to complete a brief
survey.


Click icons for
more information
Water
We use pure water from ancient aquifers, deep lakes and Rocky Mountain springs to make a more refreshing beer.
Nutrition chart
PER 12 OZ.
ABV
5.2%
Calories
97
Carbs
6g
Fat
0g
Protein
1g
Click icons for
more information
Water
We use pure water from ancient aquifers, deep lakes and Rocky Mountain springs to make a more refreshing beer.
PER 12 OZ.
ABV
5.2%
Calories
97
Carbs
6g
Fat
0g
Protein
1g


Each flag is the location of the subject of a Good or Featured article on either the English, German, French, or Spanish Wikipedia.
Data can be downloaded from Github as either a geoJSON or a CSV.
Recomended Citation:
Fish, T. (2015). Geographic distribution of Good and Featured Articles on the English, Spanish, French, and German Wikipedias. http://guerillero.net/WikipediaMap


{% load staticfiles %} {% load tags %}
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Any personal information that you provide to us will be used only for the following purposes:
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How do you get my consent?
When you provide us with personal information to complete a transaction, verify your credit card, make adonation, we imply that you consent to our collecting it and using it for that specific reason only.
If we ask for your personal information for a secondary reason, like marketing, we will either ask you directly for your expressed consent, or provide you with an opportunity to say no.
How do I withdraw my consent?
If after you opt-in, you change your mind, you may withdraw your consent for us to contact you, for the continued collection, use or disclosure of your information, at anytime, by contacting us at<EMAIL_ADDRESS>mailing us at: B-70, Sector C, Mahanagar, Lucknow, UP - 226006
We may disclose your personal information if we are required by law to do so or if you violate our Terms of Service.
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In general, the third-party providers used by us will only collect, use and disclose your information to the extent necessary to allow them to perform the services they provide to us.
However, certain third-party service providers, such as payment gateways and other payment transaction processors, have their own privacy policies in respect to the information we are required to provide to them for your purchase-related transactions.
For these providers, we recommend that you read their privacy policies so you can understand the manner in which your personal information will be handled by these providers.
In particular, remember that certain providers may be located in or have facilities that are located a different jurisdiction than either you or us. So if you elect to proceed with a transaction that involves the services of a third-party service provider, then your information may become subject to the laws of the jurisdiction(s) in which that service provider or its facilities are located.
Once you leave our company’s website or are redirected to a third-party website or application, you are no longer governed by this Privacy Policy or our website’s Terms of Service.
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When you click on links on our website, they may direct you away from our site. We are not responsible for the privacy practices of other sites and encourage you to read their privacy statements.
To protect your personal information, we take reasonable precautions and follow industry best practices to make sure it is not inappropriately lost, misused, accessed, disclosed, altered or destroyed.
We use cookies to maintain session of your user. It is not used to personally identify you on other websites.
By using this site, you represent that you are at least the age of majority in your state or province of residence, or that you are the age of majority in your state or province of residence and you have given us your consent to allow any of your minor dependents to use this site.
We reserve the right to modify this privacy policy at any time, so please review it frequently. Changes and clarifications will take effect immediately upon their posting on the website. If we make material changes to this policy, we will notify you here that it has been updated, so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we use and/or disclose it.
If our companyis acquired or merged with another company, your information may be transferred to the new owners so that we may continue our association with you.


Provides a list cell which can be observed for changes. More...
Public Member Functions | |
| ListCell () | |
| Construct a new list cell. The scope defines the lifetime of the list. When the lifetime ends, any reference counted elements are released. More... | |
| void | ListenChanges (Lifetime lifetime, Action< ListCellChanged< T >> handler) |
| Observe the list cell for changes. This is an internal implementation method, and should not be used unless writing an extension to the core library. More... | |
| void | ListenForChanges (Lifetime lifetime, Action handler) |
| Observe the list cell for changes. This is an internal implementation method, and should not be used unless writing an extension to the core library. More... | |
| int | Add (T value) |
| Adds an item to the end of the list. More... | |
| void | AddRange (IEnumerable< T > items) |
| Adds the elements in the specified collection to the end of the list. More... | |
| void | InsertRange (int index, IEnumerable< T > items) |
| Inserts the elements of a collection at the specified index. More... | |
| void | Remove (T value) |
| Remove the given element from the list. More... | |
| void | RemoveAt (int index) |
| Remove the element at the specified index. More... | |
| void | RemoveAll (Predicate< T > condition) |
| Remove all elements matching the specified predicate. More... | |
| void | RemoveRange (int index, int count) |
| Remove the elements at the specified range of indices. More... | |
| void | ReplaceRange (int index, IEnumerable< T > newItems) |
| Replace the elements at the specified index with a collection of new items. More... | |
| void | Clear () |
| Removes all elements from the list. More... | |
| bool | Exists (Predicate< T > match) |
| Determines whether there exists any element matching the specified predicate. More... | |
| T | Find (Predicate< T > match) |
| Searches for an element that matches the specified predicate, and returns the first element that matches. More... | |
| int | FindIndex (Predicate< T > match) |
| Searches for an element that matches the specified predicate, and returns the index of first element that matches. More... | |
| Public Member Functions inherited from Tempo.RefCountedSafe | |
| RefCountedSafe () | |
| Construct a new reference counted object. The reference count automatically starts at 1. More... | |
| void | AddRef () |
| Increments the reference count. If the object has been destroyed, an exception is thrown. More... | |
| void | Release () |
| Decrements the reference count. If the reference count reaches zero, the object is destroyed. If the object has been destroyed, an exception is thrown. More... | |
Protected Member Functions | |
| override void | Destroy () |
| This method is called when the reference count reaches zero. It is guaranteed to be called at most once. More... | |
| Protected Member Functions inherited from Tempo.RefCountedSafe | |
| bool | IsDestroyed () |
| Returns true if the object has already been destroyed. More... | |
| void | ThrowIfDestroyed () |
| Throws an exception if the object has been destroyed, otherwise does nothing. More... | |
Properties | |
| IEnumerable< T > | Cur [get] |
| Gets the current elements of the list cell. More... | |
| int | Count [get] |
| Gets the count of elements of the list cell. More... | |
| T | this[int index] [get, set] |
| Gets or replaces the element at the specified index. More... | |
| Properties inherited from Tempo.IListCellRead< T > | |
| IEnumerable< T > | Cur [get] |
| Gets the current elements of the list cell. More... | |
| int | Count [get] |
| Gets the count of elements of the list cell. More... | |
| T | this[int index] [get] |
| Gets the element at the specified index. More... | |
| Properties inherited from Tempo.IListCellWrite< T > | |
| T | this[int index] [set] |
| Replaces the value at the given index with a new value. More... | |
Provides a list cell which can be observed for changes.
| T | The type of the list elements. |
|
inline |
Construct a new list cell. The scope defines the lifetime of the list. When the lifetime ends, any reference counted elements are released.
| scope | The scope defining the lifetime of the list. |
|
inline |
Adds an item to the end of the list.
| value | The item to add. |
Implements Tempo.IListCellWrite< T >.
|
inline |
Adds the elements in the specified collection to the end of the list.
| items | The items to add. |
Implements Tempo.IListCellWrite< T >.
|
inline |
Removes all elements from the list.
Implements Tempo.IListCellWrite< T >.
|
inlineprotectedvirtual |
This method is called when the reference count reaches zero. It is guaranteed to be called at most once.
Implements Tempo.RefCountedSafe.
|
inline |
Determines whether there exists any element matching the specified predicate.
| match | The predicate that defines the conditions of the elements to search for. |
Implements Tempo.IListCellRead< T >.
|
inline |
Searches for an element that matches the specified predicate, and returns the first element that matches.
| match | The predicate that elements are matched against. |
Implements Tempo.IListCellRead< T >.
|
inline |
Searches for an element that matches the specified predicate, and returns the index of first element that matches.
| match | The predicate that elements are matched against. |
Implements Tempo.IListCellRead< T >.
|
inline |
Inserts the elements of a collection at the specified index.
| index | The index to insert the elements at. |
| items | The items to insert. |
Implements Tempo.IListCellWrite< T >.
|
inline |
Observe the list cell for changes. This is an internal implementation method, and should not be used unless writing an extension to the core library.
If any list elements in the ListCellChanged object are reference counted, they will be released as soon as the handler returns. If the handler retains a reference to any of the elemens, it should call AddRef on each of them.
| lifetime | The lifetime of the subscription. |
| handler | The handler to invoke on each change. |
Implements Tempo.IListCellRead< T >.
|
inline |
Observe the list cell for changes. This is an internal implementation method, and should not be used unless writing an extension to the core library.
| lifetime | The lifetime of the subscription. |
| handler | The handler to invoke on each change. |
Implements Tempo.ICell.
|
inline |
Remove the given element from the list.
| value | The element to remove. |
Implements Tempo.IListCellWrite< T >.
|
inline |
Remove all elements matching the specified predicate.
| condition | The predicate to match the elements to remove. |
Implements Tempo.IListCellWrite< T >.
|
inline |
Remove the element at the specified index.
| index | The index of the element to remove. |
Implements Tempo.IListCellWrite< T >.
|
inline |
Remove the elements at the specified range of indices.
| index | The starting index of the range to remove. |
| count | The number of elements to remove. |
Implements Tempo.IListCellWrite< T >.
|
inline |
Replace the elements at the specified index with a collection of new items.
| index | The index to start replacing. |
| newItems | The new items. |
Implements Tempo.IListCellWrite< T >.
|
get |
Gets the count of elements of the list cell.
|
get |
Gets the current elements of the list cell.
|
getset |
Gets or replaces the element at the specified index.
| index | The zero-based index of the element to get or replace. |


{% extends 'base.html'%} {% import 'bootstrap/wtf.html' as wtf%} {% import 'macros.html' as macro%} {% block content %}
{{post.text}}
Comments


U.S. forward Pulisic out of Nations League games with hip injury
(Reuters) - Forward Christian Pulisic has been ruled out of the United States’ upcoming CONCACAF Nations League matches against Canada and Cuba due to a hip injury, U.S. coach Gregg Berhalter has said.
The 21-year-old, who is a key creative player for his country, sustained the injury playing for Chelsea in their 2-0 Premier League victory over Crystal Palace on Saturday.
“Christian is officially at this stage ruled out,” Berhalter told reporters. “This was a collaborative decision with the club looking after the best interest of the player.
“These decisions are always difficult because this group and the coaching staff want nothing more than to have Christian here, but it was a risk we weren’t willing to take at this time.”
Pulisic moved to Chelsea from Germany’s Borussia Dortmund in the close season and took time to settle in England, failing to score in his first nine appearances for the London club in all competitions.
He has rediscovered his touch in recent weeks, however, scoring five goals in his last three Premier League appearances, including one against Palace on Saturday.
The United States are second in their Nations League group, six points behind leaders Canada, who they play on Friday. Berhalter’s team take on Cuba, who occupy the third and final place in the group, four days later.


Soul Guide Asefa:
Welcome, comrade of Ketra! Until the day comes when you win an honorable name on the battlefield, may the souls of our ancestors bless you and protect you!
Quest


Hello there Royal club members!
As we all know you are coming to the end of your JavaScript course and in our institution it's a policy to take a test before completing the course.
The questions are right below.
Please try to answer them correctly as they will determine whether you will proceed to the next level after this course.


Hello, I live in Portugal and have been working as a software developer for many years. On this page you will find some of the work I did as a web develper. Feel free to contact me by clicking on the contact link.
Please contact us in one of the ways below


--- sort_order: 51 tei_id: rdx_b6zxc.p.idm144562336 annotation_count: 0 images: small-thumbnail: https://readux.ecds.emory.edu/books/emory:b6zxc/pages/emory:h6v42/mini-thumbnail/ json: https://readux.ecds.emory.edu/books/emory:b6zxc/pages/emory:h6v42/info/ full: https://readux.ecds.emory.edu/books/emory:b6zxc/pages/emory:h6v42/fs/ page: https://readux.ecds.emory.edu/books/emory:b6zxc/pages/emory:h6v42/single-page/ thumbnail: https://readux.ecds.emory.edu/books/emory:b6zxc/pages/emory:h6v42/thumbnail/ title: Page 47 number: 47 permalink: "/pages/47/" ---


RCODE Null


!= include('styles'); ?>
You may change the pie chart variable below, then press
Chart
to draw or redraw the plot. Use
Reset
to reset your variable selection.
Select if the pie chart variable is first row or the first column. If it is the first row, then the first column will
be used as the pie section labels. If it is the first column, then the first row will be used as the pie section
labels.


I've been {{ social.checkins }} {{ social.checkins > 1 ? "times" : "time" }} so far since {{ social.created_at | humanTime }}. My last visit was .
{{ social.newsletter ? "Signed-up for the newsletter" : "Didn't sign-up for the newsletter" }}
{{ social.currentLocation || 'Not connected right now'}}
{{ (social.gender | titleCase) || 'Rather not say'}}
{{ social.liHeadline }}
{{ locations.length }} locations
{{ social.gFullName }}
{{ social.gCircledByCount || 0}} {{ social.gCircledByCount === 1 ? 'person' : 'people' }}
{{ social.gCurrentLocation || 'Rather not say' }}
Type: {{ org.type }}
{{ social.fbUsername || 'Unknown' }}
{{ social.gender || 'Rather not say' }}
{{ social.fbCurrentLocation || 'Rather not say' }}
{{ social.liHeadline || 'Unknown' }}
{{ social.liCurrentLocation || 'Rather not say' }}


What's To Do Planner App | Repo
Fulcrum Employee CMS Repo
Feed Harvey Logger App | Repo
Best Day Out Tracker Feature: Weather API App | Repo
Life+ Self-Care App App | Repo
Fifth Element Quiz App | Repo
Password Generator App | Repo
Weather Wizard Dashboard App | Repo
TeamPacR Profile Generator Repo
Team Sprite Site Generator Repo
Duly Noted Note Taker App | Repo


Setting Document Properties
How to set/edit the optional properties of documents inserted using the DotNetNuke.RadEditorProvider for the RTE.
- Insert the document.
- Right-click on the document and click the Properties... button from the drop down list. This opens the Hyperlink Manager.
- Add/edit the link, anchor or email address as required.
-
Click the OK button confirm.


Interface for configuring angular modules
.
Use this method to register work which needs to be performed on module loading.
configFn – {Function} –
Execute this function on module load. Useful for service configuration.
Because the constant are fixed, they get applied before other provide methods.
See $provide.constant()
.
name – {string} –
constant name
object – {*} –
Constant value.
See $controllerProvider.register()
.
name – {string} –
Controller name.
constructor – {Function} –
Controller constructor function.
See $compileProvider.directive()
.
name – {string} –
directive name
directiveFactory – {Function} –
Factory function for creating new instance of directives.
See $provide.factory()
.
name – {string} –
service name
providerFunction – {Function} –
Function for creating new instance of the service.
See $filterProvider.register()
.
name – {string} –
Filter name.
filterFactory – {Function} –
Factory function for creating new instance of filter.
See $provide.provider()
.
name – {string} –
service name
providerType – {Function} –
Construction function for creating new instance of the service.
Use this method to register work which needs to be performed when the injector with with the current module is finished loading.
initializationFn – {Function} –
Execute this function after injector creation. Useful for application initialization.
See $provide.service()
.
name – {string} –
service name
constructor – {Function} –
A constructor function that will be instantiated.
See $provide.value()
.
name – {string} –
service name
object – {*} –
Service instance object.
{string}
– Name of the module.
Holds the list of modules which the injector will load before the current module is loaded.
{Array.<string>}
– List of module names which must be loaded before this module.


The ILog interface is use by application to log messages into the log4net framework.
For a list of all members of this type, see ILog Members.
Use the LogManager to obtain logger instances that implement this interface. The GetLogger static method is used to get logger instances.
This class contains methods for logging at different levels and also has properties for determining if those logging levels are enabled in the current configuration.
This interface can be implemented in different ways. This documentation specifies reasonable behavior that a caller can expect from the actual implementation, however different implementations reserve the right to do things differently.
Simple example of logging messages
[C#]
ILog log = LogManager.GetLogger("application-log");
log.Info("Application Start");
log.Debug("This is a debug message");
if (log.IsDebugEnabled)
{
log.Debug("This is another debug message");
}
Namespace: log4net
Assembly: log4net (in log4net.dll)
ILog Members | log4net Namespace | LogManager | GetLogger


The right tools for the right responsibility.
use it wherever you need it
a real auxiliary, not just an app
Caremit is free to use for you - made possible by insurances.
Medical approved diagnoses support with regular and comprehensive testing - no-bullshit-guarantee.


PUBLIC ROUTINES
call diffusivity (t, q, u, v, p_full, p_half, z_full, z_half,
u_star, b_star, h, k_m, k_t, kbot)
input:
t : temperature (K) [real, dimension(:,:,:) -- (:,:,pressure),
third index running from top of atmosphere to bottom]
q : water vapor specific humidity (nondimensional)
[real, dimension(:,:,:)]
u : zonal wind (m/s) [real, dimension(:,:)]
v : meridional wind (m/s) [real, dimension(:,:,:)]
p_full : pressure at full levels (pascals)
p_half : pressure at half levels (pascals)
z_full : height of full levels (m)
[real, dimension(:,:,:), size(z_full,3) = size(t,3)]
z_half : height of half levels (m)
[real, dimension(:,:,:), size(z_half,3) = size(t,3) +1
z_half(:,:,size(z_half,3)) must be height of surface
(for non-eta models)!]
u_star: friction velocity (m/s)
[real, dimension(:,:)]
b_star: buoyancy scale (m/s**2)
[real, dimension(:,:)]
surface stress = ustar*ustar
surface buoyancy flux = ustar*bstar
bstar > 0 => upward flux
(u_star and b_star are output from
mo_drag in monin_obukhov_mod
along with the drag_coeffcients )
output:
h : pbl depth (meters) [real, dimension(:,:)]
k_m : momentum diffusivity coefficient ((meters)**2./second)
[real, dimension(:,:,:)]
k_t : temperature, vapor and scalars diffusivity coefficient
((meters)**2./second)
[real, dimension(:,:,:)]
defined at half-levels
size(k_m and k_t,3) should be at least as large as size(t,3)
only the returned values at
levels 2 to size(t,3) are meaningful
other values will be returned as zero
That is k_m(:,:,2) is the diffusivity coefficient
between full model levels 1 and 2. (Full model level 1
is the top level of the model.)
optional input:
kbot : lowest true model level (for use with eta grid point model)
[integer, dimension(:,:)]
NAMELIST
&diffusivity_nml
fixed_depth should the boundary layer depth be fixed?
[logical, default: fixed_depth = .false.]
depth_0 height of fixed depth boundary (meters)
[real, default: depth_0 = 5000.]
frac_inner height of the surface layer as a fraction of
the boundary layer depth
[real, default: frac_inner = 0.1]
rich_crit_pbl critical richardson number used to compute
boundary layer depth in the neutral or stable
case
[real, default: rich_crit_pbl = 1.0]
entr_ratio ratio of entrainment buoyancy flux to surface
buoyancy flux (must be >= 0.)
[real, default: entr_ratio = 0.2]
parcel_buoy scaling factor for the excess buoyancy of the
parcel used to determine the boundary layer
depth in the unstable case
[real, default: parcel_buoy = 2.]
znom nominal boundary layer depth used only in the
calculation of surface layer vertical velocity
scale. this velocity scale is used only in
the calculation of parcel buoyancy in the unstable
case (meters)
[real, default: znom = 1000.]
free_atm_diff should there be richardson number dependent
mixing in the free atmosphere?
[logical, default: free_atm_diff = .false.]
free_atm_skyhi_diff should the free atmospheric diffusion
depend on model level thickness and the
prandtl number depend on the richardson number
(as in the formulation previously used in skyhi)?
[logical, default: free_atm_skyhi_diff = .false.]
pbl_mcm When .true., the pbl K profile is that of the Manabe Climate Model.
[logical, default: pbl_mcm = .false.]
rich_crit_diff critical richardson number beneath which free
atmospheric diffusion occurs
[real, default: rich_crit_diff = 0.25 ]
mix_len mixing length used in free atmospheric diffusion
(meters)
[real, default: mix_len = 30.]
rich_prandtl Prandtl number used in the scaling of k_m to
k_t in the free atmospheric diffusion
[real, default: rich_prandtl = 1.]
background_m background value of K for momentum (m**2/sec)
[real, default: background_m = 0.]
background_t background value of K for temperature and tracers
(m**2/sec)
[real, default: background_t = 0.]
Notes: (1) To get Climate Model's PBL diffusivities set
pbl_mcm to TRUE, fixed_depth to TRUE,
depth_0 to 5000. and frac_inner to 0.015.
(2) To get K-profile diffusivities, pbl_mcm
must be FALSE (default) and fixed_depth must be
FALSE (default).
(3) To have any vertical diffusion in the free atmosphere
free_atm_diff must be set to TRUE.
(4) To get skyhi free atmospheric diffusivities, both
free_atm_skyhi_diff and free_atm_diff must be set
to true.


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Software As Sushi
Software As Sushi
Why I Hate Jargon As A Sales Tool
I love software. I love sushi.
I’ve long believed that selling something that truly solves someone’s problem doesn’t require anything other than referencing the problem and, in the simplest terms and with simple examples, showcasing your solution.
People will pay you to solve their problems, and the easier it is to solve a more complexity-laden problem, the more you stand to gain. Therein lie the sales skills and strategy I value: helping people understand how to solve their problem with the solution you’re providing.
The scarce practical application of the above strategy I’ve seen is stunning, and its scarcity is why sales engineering to me has proven to be a farcical role up to this point in my career.
I can’t count the number of times I’ve stared at a sales-sketched architecture diagram or read through an attached-with-an-RFI API preface that was laced with convoluted marchitecture, technical-sounding features or systems that existed nowhere in the actual code, or overly-wordy descriptions of what was in reality quite an elegant and simplistic solution to a complex technical problem.
Look, I get that selling to the enterprise instead of the consumer can be hard.
Enterprise executive buyers often like to dispense with platitudes on the one hand whilst dressing up key technology decisions in language that is the equivalent to puffing of one’s chest on the other.
As I’ve been personally told, enterprise architecture is far more complicated than “The Twitter” or “The PlayStation” in the eyes of the wallet-weilding executive “architects” (though the scalability and security beget by such platforms perhaps makes such a position ill informed).
But when you dress up the technology you’re selling with conjured ten dollar words and lace your documentation with jargon that no one, including you, understands, you only do yourself, your company, and your product a disservice.
You put your executive staff in a position where they must perpetuate lies they can’t hope to understand. You enable — nay, encourage — sales staff to sell off-roadmap futures. You put your professional services staff in a corner where they eventually or accidentally admit to your customer what you actually have.  And you put your engineering team’s work to shame, masking the elegant solutions worthy of getting exciting about with window dressing it is in neither need nor want for.
One of the greatest sushi chefs alive has a singular philosophy that is an apt analogy for my belief: simple, all-natural ingredients prepared in simple yet skillful ways are the ideal. When you allow the natural flavours to come through without the reductions, without the aiolis, without the decadent and outlandish artificial presentation elements, you’re left with delicious food that demonstrates your masterfulness effortlessly and begs high demand and a higher price.
Why should software, even business-to-business or developer-to-developer technical software, be any different? Software is sushi, and it’s a dish best served, with all irony intended, au natural.
Reprinted from frankcaron.com


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When you think of a tropical getaway with your friends or loved ones, what comes to
When you think of a tropical getaway with your friends or loved ones, what comes to
When you think of a tropical getaway with your friends or loved ones, what comes to
When you think of a tropical getaway with your friends or loved ones, what comes to
When you think of a tropical getaway with your friends or loved ones, what comes to
When you think of a tropical getaway with your friends or loved ones, what comes to
When you think of a tropical getaway with your friends or loved ones, what comes to
When you think of a tropical getaway with your friends or loved ones, what comes to
When you think of a tropical getaway with your friends or loved ones, what comes to
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Here are some things I've worked on in the recent past:
I led the SFU Satellite Design Team,
designed satellites and built software at Urthecast,
developed hardware at NETGEAR and
researched computer vision at the SFU's Experimental Robotics Lab.
I am open to work and other opportunities. Check out my resume and contact me by


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[Describe what we will learn]
Describe what will be covered
Notes
What steps should have been covered before this lesson?
Preparatory steps to start this lesson
[Step through content in blocks]
Work together to progressively enhance your codebase to build the project with shared code:
✅ Knowledge Check - use this moment to stretch students’ knowledge with open questions
🚀 Challenge: Add a challenge for students to work on collaboratively in class to enhance the project
Optional: add a screenshot of the completed lesson’s UI if appropriate
Assignment Due [MM/YY]: Assignment Name


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
Preheat the oven to 180C/360F/Gas 4.
Place the chorizo into a pan with the white wine (the wine should cover the chorizo). Bring to boil, then turn down the heat and simmer for 15 minutes. Remove from the heat and allow the chorizo to cool down in the pan. When cool, remove the chorizo, peel off their skins and chop into small cubes. Place into a bowl.
Chop the feta into similar-sized cubes as the chorizo and mix in the bowl with the chorizo.
Carefully spoon the chorizo and feta mixture into the squid tubes to three-quarters fill the tubes. Fasten the opening closed with a cocktail stick
Prepare a baking dish.
Heat the oil in a frying pan over a high heat. When very hot, add the squid and cook in batches, searing them for one minute on each side. As each batch of squid is cooked, transfer to the dish. When the last squid is cooked, place the dish into the oven to cook for two minutes.
Meanwhile, add the squid tentacles to the frying pan and fry for 1-2 minutes, or until just cooked through.
Bring a pan of salted water to the boil. Add the fennel and boil for one minute. Drain the fennel and place into a bowl. Drizzle with the olive oil and season, to taste, with salt and freshly ground black pepper.
To serve, place equal portions of the fennel into the centre of each plate. Top each with five stuffed squid tubes and a few tentacles. Drizzle with a little olive oil and serve.


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Here you'll find small articles on User Interface and Shell stuff. Don't expect these pages to be updated too often, because I don't do much UI stuff anymore.
If you want more shell samples, you should check out Chris Becke's excellent page at http://www.mvps.org/user32/


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