Cluster is an easy map annotation clustering library. This repository uses an efficient method (QuadTree) to aggregate pins into a cluster.
Features
- [x] Adding/Removing Annotations
- [x] Clustering Annotations
- [x] Multiple Managers
- [x] Dynamic Cluster Disabling
- [x] Custom Cell Size
- [x] Custom Annotation Views
- [x] Animation Support
- [x] Documentation
Requirements
- iOS 8.0+
- Xcode 9.0+
- Swift 5 (Cluster 3.x), Swift 4 (Cluster 2.x), Swift 3 (Cluster 1.x)
Demo
The Example is a great place to get started. It demonstrates how to:
- integrate the library
- add/remove annotations
- reload annotations
- configure the annotation view
- configure the manager
$ pod try Cluster
Installation
Cluster is available via CocoaPods and Carthage.
CocoaPods
To install Cluster with CocoaPods, add this to your Podfile
:
pod "Cluster"
Carthage
To install Cluster with Carthage, add this to your Cartfile
:
github "efremidze/Cluster"
Usage
The ClusterManager
class generates, manages and displays annotation clusters.
let clusterManager = ClusterManager()
Adding an Annotation
Create an object that conforms to the MKAnnotation
protocol, or extend an existing one. Next, add the annotation object to an instance of ClusterManager
with add(annotation:)
.
let annotation = Annotation(coordinate: CLLocationCoordinate2D(latitude: 21.283921, longitude: -157.831661))
manager.add(annotation)
Configuring the Annotation View
Implement the map view’s mapView(_:viewFor:)
delegate method to configure the annotation view. Return an instance of MKAnnotationView
to display as a visual representation of the annotations.
To display clusters, return an instance of ClusterAnnotationView
.
extension ViewController: MKMapViewDelegate {
func mapView(_ mapView: MKMapView, viewFor annotation: MKAnnotation) -> MKAnnotationView? {
if let annotation = annotation as? ClusterAnnotation {
return CountClusterAnnotationView(annotation: annotation, reuseIdentifier: "cluster")
} else {
return MKPinAnnotationView(annotation: annotation, reuseIdentifier: "pin")
}
}
}
For performance reasons, you should generally reuse MKAnnotationView
objects in your map views. See the Example to learn more.
Customizing the Appearance
The ClusterAnnotationView
class exposes a countLabel
property. You can subclass ClusterAnnotationView
to provide custom behavior as needed. Here’s an example of subclassing the ClusterAnnotationView
and customizing the layer borderColor
.
class CountClusterAnnotationView: ClusterAnnotationView {
override func configure() {
super.configure()
self.layer.cornerRadius = self.frame.width / 2
self.layer.masksToBounds = true
self.layer.borderColor = UIColor.white.cgColor
self.layer.borderWidth = 1.5
}
}
See the AnnotationView to learn more.
Annotation Styling
You can customize the appearance of the StyledClusterAnnotationView
by setting the style
property of the annotation.
let annotation = Annotation(coordinate: CLLocationCoordinate2D(latitude: 21.283921, longitude: -157.831661))
annotation.style = .color(color, radius: 25)
manager.add(annotation)
Several styles are available in the ClusterAnnotationStyle
enum:
color(UIColor, radius: CGFloat)
- Displays the annotations as a circle.image(UIImage?)
- Displays the annotation as an image.
Once you have added the annotation, you need to return an instance of the StyledClusterAnnotationView
to display the styled annotation.
func mapView(_ mapView: MKMapView, viewFor annotation: MKAnnotation) -> MKAnnotationView? {
if let annotation = annotation as? ClusterAnnotation {
return StyledClusterAnnotationView(annotation: annotation, reuseIdentifier: identifier, style: style)
}
}
Removing Annotations
To remove annotations, you can call remove(annotation:)
. However the annotations will still display until you call reload()
.
manager.remove(annotation)
In the case that shouldRemoveInvisibleAnnotations
is set to false
, annotations that have been removed may still appear on map until calling reload()
on visible region.
Reloading Annotations
Implement the map view’s mapView(_:regionDidChangeAnimated:)
delegate method to reload the ClusterManager
when the region changes.
func mapView(_ mapView: MKMapView, regionDidChangeAnimated animated: Bool) {
clusterManager.reload(mapView: mapView) { finished in
// handle completion
}
}
You should call reload()
anytime you add or remove annotations.
Configuring the Manager
The ClusterManager
class exposes several properties to configure clustering:
var zoomLevel: Double // The current zoom level of the visible map region.
var maxZoomLevel: Double // The maximum zoom level before disabling clustering.
var minCountForClustering: Int // The minimum number of annotations for a cluster. The default is `2`.
var shouldRemoveInvisibleAnnotations: Bool // Whether to remove invisible annotations. The default is `true`.
var shouldDistributeAnnotationsOnSameCoordinate: Bool // Whether to arrange annotations in a circle if they have the same coordinate. The default is `true`.
var clusterPosition: ClusterPosition // The position of the cluster annotation. The default is `.nearCenter`.
ClusterManagerDelegate
The ClusterManagerDelegate
protocol provides a number of functions to manage clustering and configure cells.
// The size of each cell on the grid at a given zoom level.
func cellSize(for zoomLevel: Double) -> Double? { ... }
// Whether to cluster the given annotation.
func shouldClusterAnnotation(_ annotation: MKAnnotation) -> Bool { ... }
Communication
- If you found a bug, open an issue.
- If you have a feature request, open an issue.
- If you want to contribute, submit a pull request.
Mentions
Credits
- https://github.com/ribl/FBAnnotationClusteringSwift
- https://github.com/choefele/CCHMapClusterController
- https://github.com/googlemaps/google-maps-ios-utils
- https://github.com/hulab/ClusterKit
License
Cluster is available under the MIT license. See the LICENSE file for more info.


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Here we will show two system architecture for our applications:
The reason why we have two systems are the followings:
- AzureVM:
This is the machine we rent from Azure, which allows us to have a powerful GPU to run our image recogitions and route the website to the world by opening port 80
- Image Recognition AI
This is a package including the posture, item and face recognition.
- Posture SDK
It uses openpose and tensorflow to perform the posture and human detection in a frame and machine learning of recognising standing, sitting and laying.
- Face SDK
It can catch human face and recognise the person with the trained model
- Item API
It uses Google Vision API to recognise items surrounded.
- Apache Webserver
This is the webserver which mainly runs PHP, and our web application is mainly written in PHP. In addition, it has a high compatibility to access the Linux server and modify the filesystem in order to execute the image recognition.
- Object Storage
This is the directory in the Linux Filesystem, and it stores the input of images and videos from the user and the output of log files and videos from the image recognition.
As we can see from the video/the system diagram. We successfully implemented all of these features, some by commercial API like a plug-in. and some by free SDK like a local machine. For the video and image analysis, we deploy it onto the azure virtual machine which brings huge powers to analyse the video with the video and text report output, including the information like people detecting in the frame, top5 most significant items detected with confidence rate, people posture recognised.
It is using the Apache web server to communicate with the front-end and back-end web apps, people from different countries can access the website and using the recognition by the URL we are given. However, it is only for the video and images input.
We have implemented the live recognition by the other web server called Flask, it is powerful to run the python back-end. It offers opportunity to see how the future CCTV would looks like. It can detect the people, item and behaviours non-stopping and accurately.
The output video outlines the top5 most significant items within the frame with its name. It can also catch up the faces in the image/video and if the machine is confident with the result, it will show who it is.
For the posture recognition, it would draw the human body on the frame and brings the posture result in the form of text with the system time.
The structure of our web application is demonstrated in the page flow diagram shown above. By clicking the start button on the homepage you will be taken to a menu in order to choose the form of input. After that the same process is followed on all inputs. Simply selecting the file you want to run the Recognition API on, and click the analyse button. The output is printed in the log area, with the output of each component of the Recognition API listed.
This is the sequence diagram for the local flask AI recognition, we do not have the sequence diagram for the azure Apache AI recognition, the reason is that they are quite similar to each other, also the local machine sequence diagram covers most of the cloud one but also with database, models and live stream features. In that diagram, we shows how does the web application upload the media onto the local machine and stream the live frame to the backend web apps. As an output, the results gained from the Google Cloud API for item recognition is the position of the top5 significant items within the frame with confidence rate. The results gained from the face recognition is the face rectangle and the name of the likely people on the frame compared with the library. The posture recognition has both the tensor detected by the frame and txt output with the posture guessing.
The design pattern is that the website should be very flxible to use for all of the reuiqres of the AI recognition. It accepts video uploading for recognition, image taken immediately for recognition and also the live stream taken by web camera immediately.
The output of the recognition should also be obvious and in different forms like text or image sketching etc. It helps differnet groups of people to understand how fancy the technology it is, even readble by a child. That is the core of the whole system design
This SDK consists of the followings:
This SDK allows the users to train the machine to perform posture recognition by the users. As you can see from the left, the process consists of three parts: gathering samples, generating datasets and producing models via the classifiers.
Firstly, We gathered more than 15 images displaying sitting, standing and laying of a human separately. The reason why we need more than 15 images is because of the classifers that we are going to use after generating the datasets require more than 15 samples in order to perform machine learning. In details, We gathered the photos regarding three human actions mentioned from the opensource photos website and taking pictures of us. After that, we have to rename the photos file into ex. sitting1.jpg, sitting2.jpg, standing1.jpg and laying1.jpg.
Secondly, once the samples are gathered, we use a python file using OpenPose and Tf-pose-estimation to extract the (x,y) coordinates of 18 key points on the body and label them that what posture it is related to. After that, the datasets file in CSV format is generated.
Finally, we will then apply one of the classifiers such as Multilayer Perception Classifier in python using Sklearn to produce labels from data generated by OpenPose. The model is then generated in pkl format.
But how can we use the model to process the posture recognition on the image, video and the live-feed video?
As you can see the architecture displayed on the right, the inputs can be analysed are image in jpg, video in mp4 and webcam. The model we created in previous session can be embedded into the executable python files, these files will run OpenCV gathered with Tf-pose-estimation to render the frame and analysis the human actions according the classification generated. Finally, the decision of whether the person inside the frame is sitting, standing or laying will be written inside the log file in txt.
This is a functionality from the webapp in Azure, and it is separated into two parts: webcam display and snapshot.
Navigator.mediaDevices is a JS library which allows the webapp to get permission from the end user in order to display the webcam of the end user. Due to the issues from the security and the web browser, the end user can use Firefox to display the webcam from local and online webserver, however, Google Chrome can only achieve it through local webserver.
The webapp takes the snapshot of the webcam by drawing the canvas of the video tag of the webcam component. Once the canvas is drawn, then it saves and encode the canvas data as jpg, and send the data to a php file through JQuery. Finally, the php file will then decode the data and save it into the Linux FileSystem directory pointed.
As we mentioned that this functionality is the webapp including image, webcam snapshot and video to be processed by the image recognition. Due to the requirement of the project is simply developing the CCTV AI but implementing any sorts of webapp, we put Apache webserver, the image recognition package and object based files together into the AzureVM for simplicity.
We used the GPU based virtual machine to host everything, this is because the posture recognition requires high performance on the graphic rendering. In order to process and identify the three types recognitions in each frame in a video quickly, we used K80 GPU to process our application in Azure. On the other hand, we also use it to train our model, however, we have to resize it to a higher performance specs(4 x K80, 224GB RAM) in order to process large quantity of images quickly. Once we trained everything, we lowered the specs of the virtual machine.
For this particular webapp, we use PHP and JS to implement the front-end, webcam functionality, files upload and connect the Image Recognition. From the System Architecture, the key of how the webapp execute the Image recognition is by using shell_exec(). In addition, this command allows to perform shell command onto the virtual machine, hence we can use it to use the python environment generated from Anaconda to execute the python files from the Image Recognition. For example:
$posture_output = shell_exec('/var/www/anaconda3/envs/posture/bin/python /var/www/sapient/Posture/featureExtraction/tf-pose-estimation/single_image.py --image=/var/www/file.jpg');
As you can see from this code, this is used for execute the Posture Recognition on the image uploaded via Anaconda python environment we generated. And then, we used the same method to execute the combination of Face and Item Recognition. After we gathered all the information generated from the Recognitions, we displayed the data of the variables onto the webapp.


Retail group urges new government to reform industry
by Jessica ClarkA leading retail organisation has ramped up pressure on the next government to reform business rates and the apprenticeship levy to rescue the embattled UK high street.
The British Retail Consortium (BRC) said the new government following the 12 December General Election should scrap “downwards transition”, which it said means retailers pay £1.3bn over five years to subsidise other industries.
Read more: Retailers are hoping for a Christmas miracle
Retailers would also benefit from an overhaul of the apprenticeship levy to allow them greater flexibility to spend on any form of accredited training, the BRC said in a report published today.
The report comes at a challenging time for the retail industry, as 3,200 net shops were closed last year and the number of retail jobs lost increased to 67,000 in the fourth quarter of 2018, an increase of 2.1 per cent.
The report – “A Vision for the UK Retail Industry” – also called on the government to bring forward legislation to protect shop workers, citing research that found 115 retail staff on average are attacked each day.
BRC chief executive Helen Dickinson said: “[The report] offers a path to empowering our shops, our shop workers and our communities.
Read more: Wealthy UK cities showing resilience to retail downturn
“Political parties should grasp this chance for reform. The General Election is a unique opportunity to address many of the imbalances that are adversely affecting retailers. Imbalances that have led to job losses and store closures up and down the country.
“Fixing the broken business rates system and reforming the apprenticeship levy would help unlock the necessary investment into skills, stores and online necessary to allow retail to thrive.”
Main image credit: Getty


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Suppose we are asked to write a test bank of 10,000 simple addition questions for first graders. What shall we do?
Base R has a function quote()
that allows us to capture the R code we type instead of evaluating them. For example,
See? We’ve just written one test question, and there’re 9,999 more to go. We certainly don’t want to type quote
9,999 times. How shall we generalize it? Instead of using particular numbers like 1 and 3, we can use variables x and y.
This way, each time we plug in a number for x and y, we’d have a new question.
Wait, quote()
still returns x + y
! It doesn’t give what we expected. We want 2 + 4
. This is because quote()
only echos. We need another function to turn off
the quotation that quote()
turns on, i.e., to “unquote.” The bquote()
function in base R can do this. For example,
Alternatively, the funtion rlang::expr()
in the rlang
package can also achieve this.
Remark: rlang::expr()
and base::bquote()
are almost equivalent except the latter has a second argument that allows you to pass in an environment where to look up the values of the symbols used in the expression (1st argument). I think this is a general design pattern of rlang and tidyeval, that it separates environments from what a function does as much as possible to make it more consistent and neater.
Finally, we can use a loop to generate 10,000 questions and answers, while randomly choosing x and y values.


Lasagna
Description:
Lasagna, with its delicious layers, can take a while to put together, but it's
always worth it! This warm vegetarian version is a comfy dinner any day of the
week.
- 1 butternut squash, halved and seeded
- 1 tablespoon olive oil, divided, or as needed
- 1 (8 ounce) package sliced fresh mushrooms
- 1 teaspoon minced garlic
- 1 onion, chopped
- 1 (10 ounce) package frozen chopped spinach, thawed and drained
- 7 cups milk, divided
- ½ cup cornstarch
- 2 cups grated Parmesan cheese, divided
- 1 tablespoon honey
- ¼ teaspoon ground nutmeg
- 4 fresh sage leaves, shredded, or to taste
- salt and ground black pepper to taste
- 1 (16 ounce) package lasagna noodles
- ¼ teaspoon minced fresh ginger
- 2 cups shredded mozzarella cheese
Steps:
-
Preheat an oven to 450 degrees F (230 degrees C). Line a baking sheet with
aluminum foil.
-
Place squash, cut-side up, on the prepared baking sheet. Cover squash with
aluminum foil.
-
Bake in the preheated oven until squash is tender, 45 minutes to 1 hour 15
minutes.
-
Heat 1 1/2 teaspoons olive oil in a skillet over medium heat; cook and stir
mushrooms and garlic in the hot oil until mushrooms are tender, 5 to 10
minutes. Remove skillet from heat.
-
Heat remaining 1 1/2 teaspoons olive oil in a separate skillet over medium
heat; cook and stir onion in the hot oil until softened, about 5 minutes.
Add spinach to onion; cook until spinach is heated through, 3 to 5 minutes.
Remove skillet from heat.
-
Heat 6 cups milk in a 5-quart saucepan over medium heat; cook and stir until
milk is simmering, about 5 minutes. Whisk remaining 1 cup milk and
cornstarch together in a bowl until smooth; stir into simmering milk. Bring
milk mixture to just under a boil, stirring constantly with a wooden spoon
and scraping bottom of pot to prevent scorching, until milk mixture has
thickened into a sauce, about 5 minutes; remove pot from heat.
-
Whisk 1 1/2 cups Parmesan cheese, honey, nutmeg, sage, salt, and pepper into
sauce until smooth. Cover pot with a lid and keep warm over low heat.
-
Bring a large pot of lightly salted water to a boil. Cook lasagna noodles in
the boiling water, stirring occasionally until cooked through but firm to
the bite, about 8 minutes. Drain.
- Reduce oven temperature to 375 degrees F (190 degrees C).
-
Scrape flesh from butternut squash into a bowl; stir with a fork until
evenly mashed. Stir ginger, salt, and pepper into mashed butternut squash.
-
Spoon about 1 cup white sauce into the bottom of a 9x13-inch baking dish;
arrange a layer of noodles atop white sauce.  Cover dish with aluminum foil and
place dish on a baking sheet.
-
Bake in the preheated oven for 30 minutes. Remove cover and bake until
bubbling and cheese is browned, about 15 more minutes. Let stand for 10
minutes before serving.


The most durable paints out there and last upto 3 years.
CAR AUTO
Our brand was evaluated "the high and new technology enterprise" by the Science and Technology Department. We have invested all our resources in improving its technical formula every year, and gaining a number of unique environmental friendly product formula, including environmental friendly spray paints and cleaning agents. We add new variety of products each year.


SSDaysCell
class SSDaysCell : UICollectionViewCell
Days Cell
-
Undocumented
Declaration
Swift
@IBOutlet weak var lblName: UILabel!
-
Undocumented
Declaration
Swift
@IBOutlet weak var viewContent: UIView!
-
Undocumented
Declaration
Swift
var monthIndexPath: IndexPath!
-
Undocumented
Declaration
Swift
var currentMonth: Int!
-
Undocumented
Declaration
Swift
var currentYear: Int!
-
Undocumented
Declaration
Swift
var configuration: SSCalendarConfiguration
-
Undocumented
Declaration
Swift
override func awakeFromNib()
-
Undocumented
Declaration
Swift
override func draw(_ rect: CGRect)
-
Undocumented
Declaration
Swift
fileprivate func setupContentView()
-
Undocumented
Declaration
Swift
fileprivate func initialSetup()
-
Undocumented
Declaration
Swift
fileprivate func setUpTodayLabel(model: SSCalendarDay)
-
Undocumented
Declaration
Swift
fileprivate func setUpViews(model: SSCalendarDay)
-
Undocumented
Declaration
Swift
fileprivate func manageSelectionColor(model: SSCalendarDay)
-
Configure Cell
Declaration
Swift
func configureCell(model: SSCalendarDay, config: SSCalendarConfiguration)
Parameters
model
Days Model
-
Undocumented
Declaration
Swift
fileprivate func getDate(model: SSCalendarDay) -> Date?


Revenue Report Dashboard
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Expenses Report Dashboard
Customer Data
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Direct Link to Revenue Report Dashboard.
Not Displaying Properly?
Direct Link to Profit Report Dashboard.
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Direct Link to Expense Report Dashboard.
Not Displaying Properly?
Direct Link to Customer Data.


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Girl Code beginner course
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Hobbits are an unobtrusive but very ancient people, more numerous formerly than they are today; for they love peace and quiet and good tilled earth: a well-ordered and wellfarmed countryside was their favourite haunt. They do not and did not understand or like machines more complicated than a forge-bellows, a water-mill, or a hand-loom, though they were skilful with tools. Even in ancient days they were, as a rule, shy of ‘the Big Folk’, as they call us, and now they avoid us with dismay and are becoming hard to find. They are quick of hearing and sharp-eyed, and though they are inclined to be fat and do not hurry unnecessarily, they are nonetheless nimble and deft in their movements. They possessed from the first the art of disappearing swiftly and silently, when large folk whom they do not wish to meet come blundering by; and this art they have developed until to Men it may seem magical. But Hobbits have never, in fact, studied magic of any kind, and their elusiveness is due solely to a professional skill that heredity and practice, and a close friendship with the earth, have rendered inimitable by bigger and clumsier races.
Members of the Fellowship:| Race | Name | Age |
|---|---|---|
| Hobbits | Frodo | 50 |
| Sam | 38 | |
| Merry | 36 | |
| Pippin | 28 | |
| Men | Aragorn | 87 |
| Boromir | 40 | |
| Elves | Legolas | 2000+ |
| Dwarves | Gimli | 139 |
| Maiar | Gandalf | 2000+ |


ill-behaved
`Prev `__
I
`Next `__
--------------
**ill-behaved**: adj.
1. [numerical analysis] Said of an algorithm or computational method
that tends to blow up because of accumulated roundoff error or poor
convergence properties.
2. [obs.] Software that bypasses the defined `*OS* <../O/OS.html>`__
interfaces to do things (like screen, keyboard, and disk I/O) itself,
often in a way that depends on the hardware of the machine it is running
on or which is nonportable or incompatible with other pieces of
software. In the MS-DOS world, there was a folk theorem (nearly true) to
the effect that (owing to gross inadequacies and performance penalties
in the OS interface) all interesting applications were ill-behaved. See
also `*bare metal* <../B/bare-metal.html>`__. Oppose
`*well-behaved* <../W/well-behaved.html>`__. See also
`*mess-dos* <../M/mess-dos.html>`__.
3. In modern usage, a program is called ill-behaved if it uses
interfaces to the OS or other programs that are private, undocumented,
or grossly non-portable. Another way to be ill-behaved is to use headers
or files that are theoretically private to another application.
--------------
+-------------------------+----------------------------+-------------------------+
| `Prev `__ | `Up <../I.html>`__ | `Next `__ |
+-------------------------+----------------------------+-------------------------+
| IIRC | `Home <../index.html>`__ | IMHO |
+-------------------------+----------------------------+-------------------------+


{% extends "base.html" %} {% load i18n %} {% block content %}
{% blocktrans %}We love stats. On overall statistics we started making awesome graphs examining the daily coffee consumption of anyone using coffeestats.org. There are different approaches to visualize this. At least a few of them are listed below.{% endblocktrans %}
{% trans "Hint: Yellow will always be Mate." %}


--- title: "" permalink: /recent-posts-4/ description: "." module: home thumbnail: /static/img/description/mofanpython.png ---


--- layout: page title: AP SW1 ---
Luxury Apartment - Victoria
CB Digital completely reconfigured and interior designed this dated three bedroom apartment in Victoria into a four bedroom luxury family home. Via structural reconfiguration, an overhaul of the existing materials and installation of beautiful bespoke furniture, high-end finishes and state of the art audio-visual systems throughout, the apartment was transformed into a light, bright and usable family space.
Luxury Apartment - Victoria
Luxury Apartment - Victoria
Luxury Apartment - Victoria
Luxury Apartment - Victoria


{{ site.data.i18n[page.language].head_office }}
Suites 2001-3, 20th Floor,
St. George's Building 2,
Ice House Street Central
Hong Kong
{% include ui-social-networks.html %}


An Example of Cross-Browser Templates, Shadow DOM and Custom Elements - WITH polyfill
All text on this page should be black, except:
First slot works
Second slot works
First slot works again
Second slot works again


Creates a swing animation on focus. - Use an appropriate `transition` to animate changes to the element. - Use the `:focus` pseudo-class to apply an `animation` that uses `transform` to make the element swing. - Use `animation-iteration-count` to only play the animation once.


{% extends 'mobile/base.html' %} {% from 'users/mobile/includes/macros.html' import register_form %} {% set styles = ('mobile/users',) %} {% set classes = 'register' %} {% set title = _('Register or sign in') %} {% set headline = title %} {% set return_url = url('users.login') %} {% block content %}
{% trans %}Thank you for being awesome!{% endtrans %}
{% trans %}Before you can log in, you need to confirm your email address. We've sent you an email with a confirmation link in it. Just click the link and you'll be ready to go!{% endtrans %}


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Communication and shared experiences
A (beautiful) feature of human experience is that we don’t have to experience everything ourselves. Through the stories we tell one another, we can, to a degree, experience the life of another.
In work with collaborators, I have explored the neural underpinnings of how people talk to and understand each other. We scanned participants watching a 50-minute movie clip and talking about the plot immediately afterwards. We show that watching and talking about the same scene elicits a similar pattern of neural activity. The pattern was also shared across people talking about the same scene, revealing the existence of a common ‘neural code’ that could serve as the foundation for human communication [1].
In a second study, we scanned a group of participants who had not watched the movie as they listened to someone talking about the movie. We found that listening to the speaker talk about a scene elicited a pattern of neural activity that was similar to that of the speaker watching that scene, despite participants not having seen the movie themselves [2]. Together, these results suggest that communication is associated with the construction and transmission of shared neural representations.
References:
-
Chen, J.
*
, Leong, Y. C.*
, Honey, C. J., Yong, C. H., Norman, K. A., & Hasson, U. Shared memories reveal shared structure in neural activity across individuals. Nature Neuroscience, 20(1): 8149-8154 (2017) -
Zadbood, A., Chen, J., Leong, Y. C., Norman, K. A., & Hasson, U. How we transmit memories to other brains: constructing shared neural representations via communication. Cerebral Cortex, 27(10): 4988-5000 (2017)


Hey, u !!
Do u wanna have dinner together ?
Lets do it
No way :(
Great !!!!!!
Lets go on sunday evening (10/12)
or Propose a new time
Inform me
Oh No
But, I have already booked for the horse and carriage !!
Close


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I was tasked with creating a short animation to promote the arrival of the Netflix service on the YouView platform. I initially worked with a contracted motion designer to create the initial vision although i personally took the project through from that point to final completion. There was a lot of communication from not only the internal team but also with the Netflix team to ensure that it promoted the platform. This was seen across London’s Piccadilly Circus during the peak christmas period
Netflix & YouView TV Ltd
2015
Motion Graphics, Animation, Art Direction
To Promote the launch of YouView on the Sony product, I worked on the in point of sale material, as well as a variety of printed promotional items. This was coupled with online banner advertisment and social media marketing campaigns
To Promote the launch of YouView on the Sony product, I worked on the in point of sale material, as well as a variety of printed promotional items. This was coupled with online banner advertisment and social media marketing campaigns
Working closely with the Head of Visual Design to create the vision of the creative team. Based on the idea of puting you feet up to relax after a long day at work. This campain ran across web, print and digital media including a prime time TV spot across the BBC, ITV Channel 4 & 5
These were some of the first ever press adverts for YouView. Wrap arounds in national newspapers as well as adverts inside the newspapaer to raise awareness of the the product and to promote the shareholders investmen. A key purpose was to show the feature set available to the adverage user without any subscription past the inital up front
These advertisment were used to back up the message seen in the Netflix advert in picadilly circus. They were used in press and digital media around the christmas period to announce the arrival of Netlifx on the YouView platform


The 'top 10' of teams with the most international titles
by CeciliaRiver lost in the final to Flamengo in their attempt to win a new Copa Libertadores, but the team already ranks among the ten clubs with the most international titles in the world.
10. River Plate (12 titles)
1 Intercontinental; 4 Libertadores; 3 Recopas Sudamericanas; 1 Copa Sudamericana; 1 Copa Interamericana; 1 Supercopa Sudamericana; 1 Copa Suruga Bank.
9. Sao Paulo (12 titles)
1 Club World Cup; 2 Intercontinentales; 3 Libertadores; 1 Copa Sudamericana; 2 Recopas Sudamericanas; 1 Supercopa Sudamericana; 1 CONMEBOL Cup; 1 CONMEBOL Master Cup.
8. Zamalek (13 titles)
5 CAF Champions League, 1 CAF Confederations Cup; 3 African Supercups; 1 African Cup Winners' Cup); 2 Afro-Asian Club Championship; 1 Arab Club Championship.
7. Liverpool (13 titles)
6 Champions League/European Cups; 3 Europa League/UEFA; 4 European Supercups.
6. Barcelona (17 titles)
3 Club World Cups; 5 Champions League/European CUp; 5 Supercopas de Europa; 4 European Winner's Cup. No Inter-Cities Fairs Cup are counted, as they are not recognised by UEFA.
Featured links
- Mourinho replaces Pochettino at Tottenham
- The latest football transfers news and rumours
- Wales, golf, Madrid... in that order
- Luis Enrique returns to Spain national team
5. Independiente (18 titles)
2 Copas Intercontinentales; 7 Libertadores; 2 Copas Sudamericanas; 1 South America's Winner's Cup; 3 Copas Interamericanas; 2 Copas Sudamericanas; 1 Copa Suruga Bank.
4. AC Milan (18 titles)
1 Club World Cup, 3 Intercontinental Cups; 7 Champions League/European Cups; 5 European Supercups; 2 Europe Winner's Cup.
3. Boca Juniors (18 titles)
3 Intercontinental CUps; 6 Libertadores; 2 Copas Sudamericanas; 4 South America's Winner's CUp; 1 Supercopa Sudamericana, 1 Copa Master de Supercopa; 1 Copa de Oro Nicolás Leoz.
2. Al Ahly (24 titles)
8 CAF Champions League; 1 CAF Confederations CUp; 6 African Supercups; 4 Africa winner's Cup, 1 ; 1 Afro-Asian Club Championship; 1 Arab Winner's Cup; 2 Arab Supercups
1. Real Madrid (26 títulos)
4 Club World Cup; 3 International Cups; 13 Champions League/European Cups; 2 Europas League/UEFA; 4 Spanish Supercups.


Welcome to the SENG1050 PASS page
I'll be uploading any of the content which is able to be presented publically here, below is a series of links to each page that we've been working on. See getting-started if you're new to catch up and create some branches! (That's right, you'll learn real-world skills used by real companies!)
Please note, due to relatively new security measures in modern browsers relating to JS accessing information stored in other local files (it opens a potential exploit to send malicious html documents). The JavaScript on this page likely won't run unless hosted by a server. You could run apache to get around this and host your own site locally, but it's likely not worth the effort and is out of scope.


sensation, perception > how does it make us feel?
an object with aesthetic properties is an objects that makes something (a sensation? a feeling?) happen
poetry questions our approach to (natural/machine) language (through what? interactivity? sound? color? typography? …mental structures) literature is the aesthetic usage of written language (tresor de la langue francaise)
adorno - the form of the phonograph record: the artwork only holds “truth-content”, has fragments of true language once life has left it. it is, in a sense a threat to life/a judgment upon life.


/*
Copyright 2017 Google Inc.
Licensed under the Apache License, Version 2.0 (the "License");
you may not use this file except in compliance with the License.
You may obtain a copy of the License at
https://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software
distributed under the License is distributed on an "AS IS" BASIS,
WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
See the License for the specific language governing permissions and
limitations under the License.
*/
const {generateSWString} = require('workbox-build');
const convertStringToAsset = require('./lib/convert-string-to-asset');
const getAssetHash = require('./lib/get-asset-hash');
const getManifestEntriesFromCompilation =
require('./lib/get-manifest-entries-from-compilation');
const getWorkboxSWImports = require('./lib/get-workbox-sw-imports');
const sanitizeConfig = require('./lib/sanitize-config');
const stringifyManifest = require('./lib/stringify-manifest');
/**
* This class supports creating a new, ready-to-use service worker file as
* part of the webpack compilation process.
*
* Use an instance of `GenerateSW` in the
* [`plugins` array](https://webpack.js.org/concepts/plugins/#usage) of a
* webpack config.
*
* @module workbox-webpack-plugin
*/
class GenerateSW {
/**
* Creates an instance of GenerateSW.
*
* @param {Object} [config] See the
* [configuration guide](/web/tools/workbox/modules/workbox-webpack-plugin#configuration)
* for all supported options and defaults.
*/
constructor(config = {}) {
this.config = Object.assign({}, {
chunks: [],
exclude: [
// Exclude source maps.
/\.map$/,
// Exclude anything starting with manifest and ending .js or .json.
/^manifest.*\.js(?:on)?$/,
],
excludeChunks: [],
importScripts: [],
importWorkboxFrom: 'cdn',
swDest: 'service-worker.js',
}, config);
}
/**
* @param {Object} compilation The webpack compilation.
* @private
*/
async handleEmit(compilation) {
const workboxSWImports = await getWorkboxSWImports(
compilation, this.config);
const entries = getManifestEntriesFromCompilation(compilation, this.config);
const manifestString = stringifyManifest(entries);
const manifestAsset = convertStringToAsset(manifestString);
const manifestHash = getAssetHash(manifestAsset);
const manifestFilename = `precache-manifest.${manifestHash}.js`;
compilation.assets[manifestFilename] = manifestAsset;
this.config.importScripts.push(
(compilation.options.output.publicPath || '') + manifestFilename);
// workboxSWImports might be null if importWorkboxFrom is 'disabled'.
if (workboxSWImports) {
// workboxSWImport is an array, so use concat() rather than push().
this.config.importScripts = this.config.importScripts.concat(
workboxSWImports);
}
const sanitizedConfig = sanitizeConfig.forGenerateSWString(this.config);
// If globPatterns isn't explicitly set, then default to [], instead of
// the workbox-build.generateSWString() default.
sanitizedConfig.globPatterns = sanitizedConfig.globPatterns || [];
const serviceWorker = await generateSWString(sanitizedConfig);
compilation.assets[this.config.swDest] =
convertStringToAsset(serviceWorker);
}
/**
* @param {Object} [compiler] default compiler object passed from webpack
*
* @private
*/
apply(compiler) {
compiler.plugin('emit', (compilation, callback) => {
this.handleEmit(compilation)
.then(callback)
.catch(callback);
});
}
}
module.exports = GenerateSW;


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Meghan Markle honors troops in Instagram post
by Mariah HaasMeghan Markle is honoring those who have served their nations.
On Monday, the official Instagram account for the Sussexes shared a series of photos for Remembrance Day and Veterans Day.
In one photo, Markle, 38, is pictured on a 2014 tour with the United Service Organizations Inc. -- a non-profit that offers a variety of programs and services designed to support service members and their families.
In the second photo, the former "Suits" actress is seen putting a medal around a serviceman's neck, and in a third picture, a soldier is seen carrying his daughter, who is holding a sign that reads "Welcome Home Daddy!"
"Today is Remembrance Day and also Veterans Day in the United States, a day to honour those who have bravely served in the Armed Forces," the caption read. "Thank you to all, for your service, sacrifice and commitment.
"It has been an important week to recognise those who serve (and have served) as well as to acknowledge their families," the caption continued. "In 2014, The (now) Duchess of Sussex proudly went on @TheUSO tour with the Chairman of The Joint Chiefs of Staff, visiting troops in five countries: Spain, Italy, Turkey, Afghanistan and the United Kingdom.
MEGHAN MARKLE INSTAGRAM POST DELETED BY STELLA MCCARTNEY AFTER BACKLASH: REPORT
"During this tour, The Duchess met with service personnel and their families and she was proud to recognise their service to the country," the caption added.
It concluded with a statement Markle made at the time: “I have always had such a profound respect for our nation’s troops and military families. I cannot thank them enough for everything they do for us," she said.
CLICK HERE TO GET THE FOX NEWS APP
Markle, along with her husband Prince Harry, Kate Middleton and Prince William all joined Queen Elizabeth and Prince Charles for Remembrance Day ceremonies over the weekend.


This is a chat room. Both the client-side and server-side are written in javascript. The source code is here.


{% block body %}
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{% endblock %}


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Adventure
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This is one of the most popular books in march


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is 22×101, a palindrome, an area code for Atlanta and an HTML error code.
--begin choose your destiny--
You wake up at a fork in the road, and see two signs.
You faintly remember a forgotten melody. What do you want to do?
a) Take me home
b) Country Road


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T minus 7 days
We're now officially homeless - in the good sense. We spent the whole day cleaning our apartment from top to bottom, scrubbing cupboards and walls, and loading up our Golf with everything that was left. We made one run out to the storage unit to drop stuff off, and then…
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T minus 9 days
9 days left until the big trip! We both had our last day of work yesterday, and Kaitlyn's parents came down to Richmond to help us move. Some last minute packing of boxes took up our evening. We picked up the U-Haul truck this morning and got to work loading…
-
12 days to go!
Well...we kind of fail at updating this. Oops. Time has just flown by these last couple months. We've been super busy planning our trip, packing up our apartment, and getting all of the last-minute things sorted out.


Watch videos, get information about games, recommend titles, download DS
software, and more.
You can now use the Nintendo Channel with RiiConnect24! Finishing development for it is a long way off, but for
now you can browse it as you could back in the day.


--- layout: post title: 63 must have grunge fonts date: '2008-04-14T23:02:00+01:00' tags: [] tumblr_url: http://backlog.robbevan.com/post/31766792/63-must-have-grunge-fonts ---
63 Must Have Grunge Fonts


The Emerald City of Oz
by L. Frank Baum
Chapter 11: “How the General Met the First and Foremost”
Additional Information
- Year Published: 1910
- Language: English
- Country of Origin: United States of America
- Source: Baum, L. F. (1910). The Emerald City of Oz. Chicago, IL: Reilly and Britton.
-
Readability:
- Flesch–Kincaid Level: 6.0
- Word Count: 2,723
- Genre: Fantasy
- ✎ Cite This
Downloads
On leaving the Growleywogs General Guph had to recross the Ripple Lands, and he did not find it a pleasant thing to do. Perhaps having his whiskers pulled out one by one and being used as a pin-cushion for the innocent amusement of a good natured jailer had not improved the quality of Guph’s temper, for the old Nome raved and raged at the recollection of the wrongs he had suffered, and vowed to take vengeance upon the Growleywogs after he had used them for his purposes and Oz had been conquered. He went on in this furious way until he was half across the Ripple Land.
But when he reached the plains again and the ground was firm under his feet he began to feel better, and instead of going back home he turned directly west. A squirrel, perched in a tree, saw him take this road and called to him warningly: “Look out!” But he paid no attention. An eagle paused in its flight through the air to look at him wonderingly and say: “Look out!” But on he went.
No one can say that Guph was not brave, for he had determined to visit those dangerous creatures the Phanfasms, who resided upon the very top of the dread Mountain of Phantastico. The Phanfasms were Erbs, and so dreaded by mortals and immortals alike that no one had been near their mountain home for several thousand years. Yet General Guph hoped to induce them to join in his proposed warfare against the good and happy Oz people.
Guph knew very well that the Phanfasms would be almost as dangerous to the Nomes as they would to the Ozites, but he thought himself so clever that he believed he could manage these strange creatures and make them obey him. And there was no doubt at all that if he could enlist the services of the Phanfasms, their tremendous power, united to the strength of the Growleywogs and the cunning of the Whimsies would doom the Land of Oz to absolute destruction.
So the old Nome climbed the foothills and trudged along the wild mountain paths until he came to a big gully that encircled the Mountain of Phantastico and marked the boundary line of the dominion of the Phanfasms. This gully was about a third of the way up the mountain, and it was filled to the brim with red-hot molten lava in which swam fire-serpents and poisonous salamanders. The heat from this mass and its poisonous smell were both so unbearable that even birds hesitated to fly over the gully, but circled around it. All living things kept away from the mountain.
Now Guph had heard, during his long lifetime, many tales of these dreaded Phanfasms; so he had heard of this barrier of melted lava, and also he had been told that there was a narrow bridge that spanned it in one place. So he walked along the edge until he found the bridge. It was a single arch of gray stone, and lying flat upon the bridge was a scarlet alligator, seemingly fast asleep.
When Guph stumbled over the rocks in approaching the bridge the creature opened its eyes, from which tiny flames shot in all directions, and after looking at the intruder very wickedly the scarlet alligator closed its eyelids again and lay still.
Guph saw there was no room for him to pass the alligator on the narrow bridge, so he called out to it:
“Good morning, friend. I don’t wish to hurry you, but please tell me if you are coming down, or going up?”
“Neither,” snapped the alligator, clicking its cruel jaws together.
The General hesitated.
“Are you likely to stay there long?” he asked.
“A few hundred years or so,” said the alligator.
Guph softly rubbed the end of his nose and tried to think what to do.
“Do you know whether the First and Foremost Phanfasm of Phantastico is at home or not?” he presently inquired.
“I expect he is, seeing he is always at home,” replied the alligator.
“Ah; who is that coming down the mountain?” asked the Nome, gazing upward.
The alligator turned to look over its shoulder, and at once Guph ran to the bridge and leaped over the sentinel’s back before it could turn back again. The scarlet monster made a snap at the Nome’s left foot, but missed it by fully an inch.
“Ah ha!” laughed the General, who was now on the mountain path.  “Go up the mountain, if you dare, and find out what the First and Foremost will do to you!”
“I will,” declared Guph, boldly; and on he went up the path.
At first the scene was wild enough, but gradually it grew more and more awful in appearance. All the rocks had the shapes of frightful beings and even the tree trunks were gnarled and twisted like serpents.
Suddenly there appeared before the Nome a man with the head of an owl. His body was hairy like that of an ape, and his only clothing was a scarlet scarf twisted around his waist.
“What are you doing here?” he demanded, threatening Guph with his club.
“I’ve come to see the First and Foremost Phanfasm of Phantastico,” replied the General, who did not like the way this creature looked at him, but still was not afraid.
“Ah; you shall see him!” the man said, with a sneering laugh. “The First and Foremost shall decide upon the best way to punish you.”
“He will not punish me,” returned Guph, calmly, “for I have come here to do him and his people a rare favor. Lead on, fellow, and take me directly to your master.”
The owl-man raised his club with a threatening gesture.
“If you try to escape,” he said, “beware—”
But here the General interrupted him.
“Spare your threats,” said he, “and do not be impertinent, or I will have you severely punished. Lead on, and keep silent!”
This Guph was really a clever rascal, and it seems a pity he was so bad, for in a good cause he might have accomplished much. He realized that he had put himself into a dangerous position by coming to this dreadful mountain, but he also knew that if he showed fear he was lost. So he adopted a bold manner as his best defense. The wisdom of this plan was soon evident, for the Phanfasm with the owl’s head turned and led the way up the mountain.
At the very top was a level plain upon which were heaps of rock that at first glance seemed solid. But on looking closer Guph discovered that these rock heaps were dwellings, for each had an opening.
Not a person was to be seen outside the rock huts. All was silent.
The owl-man led the way among the groups of dwellings to one standing in the center. It seemed no better and no worse than any of the others. Outside the entrance to this rock heap the guide gave a low wail that sounded like “Lee-ow-ah!”
Suddenly there bounded from the opening another hairy man. This one wore the head of a bear. In his hand he bore a brass hoop. He glared at the stranger in evident surprise.

“I did not capture him,” was the answer. “He passed the scarlet alligator and came here of his own free will and accord.”
The First and Foremost looked at the General.
“Have you tired of life, then?” he asked.
“No indeed,” answered Guph. “I am a Nome, and the Chief General of King Roquat the Red’s great army of Nomes. I come of a long-lived race, and I may say that I expect to live a long time yet. Sit down, you Phanfasms—if you can find a seat in this wild haunt—and listen to what I have to say.”
With all his knowledge and bravery General Guph did not know that the steady glare from the bear eyes was reading his inmost thoughts as surely as if they had been put into words. He did not know that these despised rock heaps of the Phanfasms were merely deceptions to his own eyes, nor could he guess that he was standing in the midst of one of the most splendid and luxurious cities ever built by magic power. All that he saw was a barren waste of rock heaps, a hairy man with an owl’s head and another with a bear’s head. The sorcery of the Phanfasms permitted him to see no more.
Suddenly the First and Foremost swung his brass hoop and caught Guph around the neck with it. The next instant, before the General could think what had happened to him, he was dragged inside the rock hut. Here, his eyes still blinded to realities, he perceived only a dim light, by which the hut seemed as rough and rude inside as it was outside. Yet he had a strange feeling that many bright eyes were fastened upon him and that he stood in a vast and extensive hall.
The First and Foremost now laughed grimly and released his prisoner.
“If you have anything to say that is interesting,” he remarked, “speak out, before I strangle you.”
So Guph spoke out. He tried not to pay any attention to a strange rustling sound that he heard, as of an unseen multitude drawing near to listen to his words. His eyes could see only the fierce bear-man, and to him he addressed his speech. First he told of his plan to conquer the Land of Oz and plunder the country of its riches and enslave its people, who, being fairies, could not be killed. After relating all this, and telling of the tunnel the Nome King was building, he said he had come to ask the First and Foremost to join the Nomes, with his band of terrible warriors, and help them to defeat the Oz people.
The General spoke very earnestly and impressively, but when he had finished the bear-man began to laugh as if much amused, and his laughter seemed to be echoed by a chorus of merriment from an unseen multitude. Then, for the first time, Guph began to feel a trifle worried.
“Who else has promised to help you?” finally asked the First and Foremost.
“The Whimsies,” replied the General.
Again the bear-headed Phanfasm laughed.
“Any others?” he inquired.
“Only the Growleywogs,” said Guph.
This answer set the First and Foremost laughing anew.
“What share of the spoils am I to have?” was the next question.
“Anything you like, except King Roquat’s Magic Belt,” replied Guph.
At this the Phanfasm set up a roar of laughter, which had its echo in the unseen chorus, and the bear-man seemed so amused that he actually rolled upon the ground and shouted with merriment.
“Oh, these blind and foolish Nomes!” he said. “How big they seem to themselves and how small they really are!”
Suddenly he arose and seized Guph’s neck with one hairy paw, dragging him out of the hut into the open.
Here he gave a curious wailing cry, and, as if in answer, from all the rocky huts on the mountain-top came flocking a horde of Phanfasms, all with hairy bodies, but wearing heads of various animals, birds and reptiles. All were ferocious and repulsive-looking to the deceived eyes of the Nome, and Guph could not repress a shudder of disgust as he looked upon them.
The First and Foremost slowly raised his arms, and in a twinkling his hairy skin fell from him and he appeared before the astonished Nome as a beautiful woman, clothed in a flowing gown of pink gauze. In her dark hair flowers were entwined, and her face was noble and calm.

The woman now raised her arms, even as the man-bear had done, and in a twinkling the wolves became crawling lizards, while she herself changed into a huge butterfly.
Guph had only time to cry out in fear and take a step backward to avoid the lizards when another transformation occurred, and all returned instantly to the forms they had originally worn.
Then the First and Foremost, who had resumed his hairy body and bear head, turned to the Nome and asked
“Do you still demand our assistance?”
“More than ever,” answered the General, firmly.
“Then tell me: what can you offer the Phanfasms that they have not already?” inquired the First and Foremost.
Guph hesitated. He really did not know what to say. The Nome King’s vaunted Magic Belt seemed a poor thing compared to the astonishing magical powers of these people. Gold, jewels and slaves they might secure in any quantity without especial effort. He felt that he was dealing with powers greatly beyond him. There was but one argument that might influence the Phanfasms, who were creatures of evil.
“Permit me to call your attention to the exquisite joy of making the happy unhappy,” said he at last. “Consider the pleasure of destroying innocent and harmless people.”
“Ah! you have answered me,” cried the First and Foremost. “For that reason alone we will aid you. Go home, and tell your bandy-legged king that as soon as his tunnel is finished the Phanfasms will be with him and lead his legions to the conquest of Oz. The deadly desert alone has kept us from destroying Oz long ago, and your underground tunnel is a clever thought. Go home, and prepare for our coming!”
Guph was very glad to be permitted to go with this promise. The owl-man led him back down the mountain path and ordered the scarlet alligator to crawl away and allow the Nome to cross the bridge in safety.
After the visitor had gone a brilliant and gorgeous city appeared upon the mountain top, clearly visible to the eyes of the gaily dressed multitude of Phanfasms that lived there. And the First and Foremost, beautifully arrayed, addressed the others in these words:
“It is time we went into the world and brought sorrow and dismay to its people. Too long have we remained for ourselves upon this mountain top, for while we are thus secluded many nations have grown happy and prosperous, and the chief joy of the race of Phanfasms is to destroy happiness. So I think it is lucky that this messenger from the Nomes arrived among us just now, to remind us that the opportunity has come for us to make trouble. We will use King Roquat’s tunnel to conquer the Land of Oz. Then we will destroy the Whimsies, the Growleywogs and the Nomes, and afterward go out to ravage and annoy and grieve the whole world.”
The multitude of evil Phanfasms eagerly applauded this plan, which they fully approved.
I am told that the Erbs are the most powerful and merciless of all the evil spirits, and the Phanfasms of Phantastico belong to the race of Erbs.


From:Slone Jeanie To:Neal Scott Sent:2017-01-11T04:41:01.0000000Z Subject:Important PRC info-Read and Respond by Monday, June 11
Please review and verify the attached spreadsheet. Make any corrections to employee info in RED on the spreadsheet
As we will not hold a pre-ranking meeting, please provide a pre-rank of 1-5 (see attached rating descriptors) for each employee.
COMMERCIAL:
Commercial employees are identified by a C in the Peer Group column
You should be prepared to represent these employees at the July 9 Commercial PRC meeting
COMMERCIAL SUPPORT:
Commercial Support employees are identified by a CS in the Peer Group column
You should be prepared to represent these employees at the June 21 Commercial Support PRC meeting
Non-exempt employees (Clerks/Adminstrative Assistants/Coordinators) will not participate in a PRC meeting. Your ranking on the spreadsheet 1-3 (see attached rating descriptors under Job Group Participation) will be the final ranking for these employees
Note: If your employees used the PEP system to do a self-evaluation, it is important that you review the accomplishments section of the self-eval prior to attending a PRC meeting. This information will be available to display on the screen during the meeting.
If you have any questions, call me at 5-3847. Please send the completed spreadsheet to me no later than MONDAY, JUNE 11.
***********
EDRM Enron Email Data Set has been produced in EML, PST and NSF format by ZL Technologies, Inc. This Data Set is licensed under a Creative Commons Attribution 3.0 United States License <http://creativecommons.org/licenses/by/3.0/us/> . To provide attribution, please cite to "ZL Technologies, Inc. (http://www.zlti.com)."
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California


Kia Ora, I'm Rohith. I am currently studing the Web-Development course with Enspiral Dev Academy. I am passionate about technology and how things work. I have 2 kids aged 5 years and 11 months Follow me on the website to see my learnings in both technical and core skills during the course.


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Ino-on_AICamera
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#include <date.hpp>
Public Member Functions | |
| month ()=default | |
| CONSTCD11 | month (unsigned m) NOEXCEPT |
| CONSTCD14 month & | operator++ () NOEXCEPT |
| CONSTCD14 month | operator++ (int) NOEXCEPT |
| CONSTCD14 month & | operator-- () NOEXCEPT |
| CONSTCD14 month | operator-- (int) NOEXCEPT |
| CONSTCD14 month & | operator+= (const months &m) NOEXCEPT |
| CONSTCD14 month & | operator-= (const months &m) NOEXCEPT |
| CONSTCD11 | operator unsigned () const NOEXCEPT |
| CONSTCD11 bool | ok () const NOEXCEPT |
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default |
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inlineexplicit |


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | package org.apache.commons.fileupload; | |
| 18 | ||
| 19 | /** | |
| 20 | * This exception is thrown in case of an invalid file name. | |
| 21 | * A file name is invalid, if it contains a NUL character. | |
| 22 | * Attackers might use this to circumvent security checks: | |
| 23 | * For example, a malicious user might upload a file with the name | |
| 24 | * "foo.exe\0.png". This file name might pass security checks (i.e. | |
| 25 | * checks for the extension ".png"), while, depending on the underlying | |
| 26 | * C library, it might create a file named "foo.exe", as the NUL | |
| 27 | * character is the string terminator in C. | |
| 28 | */ | |
| 29 | public class InvalidFileNameException extends RuntimeException { | |
| 30 | ||
| 31 | /** | |
| 32 | * Serial version UID, being used, if the exception | |
| 33 | * is serialized. | |
| 34 | */ | |
| 35 | private static final long serialVersionUID =<PHONE_NUMBER>454350470L; | |
| 36 | ||
| 37 | /** | |
| 38 | * The file name causing the exception. | |
| 39 | */ | |
| 40 | private final String name; | |
| 41 | ||
| 42 | /** | |
| 43 | * Creates a new instance. | |
| 44 | * | |
| 45 | * @param pName The file name causing the exception. | |
| 46 | * @param pMessage A human readable error message. | |
| 47 | */ | |
| 48 | public InvalidFileNameException(String pName, String pMessage) { | |
| 49 | super(pMessage); | |
| 50 | name = pName; | |
| 51 | } | |
| 52 | ||
| 53 | /** | |
| 54 | * Returns the invalid file name. | |
| 55 | * | |
| 56 | * @return the invalid file name. | |
| 57 | */ | |
| 58 | public String getName() { | |
| 59 |
1
1. getName : mutated return of Object value for org/apache/commons/fileupload/InvalidFileNameException::getName to ( if (x != null) null else throw new RuntimeException ) → KILLED |
return name; |
| 60 | } | |
| 61 | ||
| 62 | } | |
Mutations | ||
| 59 |
1.1 |


Online/Working
Welcome to the first Linkvertise Bypasser!
Please enter down below a Linkvertise link to bypass.
Discord: Sniper Mask#9999
Bypassed Links:


#include <stDBMTree.h>
Definition at line 159 of file stDBMTree.h.
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This type is a collection of objects. Definition at line 164 of file stDBMTree.h. |
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This type is a memory node. Definition at line 169 of file stDBMTree.h. |
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Distance matrix type. Definition at line 174 of file stDBMTree.h. |
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This type is a subtree info. Definition at line 179 of file stDBMTree.h. |
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Creates a new instance of this node with no objects.
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Disposes this instance and releases all related resources. All instances of object added to this node will also be deleted unless it is not owned by this node (see method BuyObject()). |
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Adds all objects of a collection.
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Adds an object to this node. Use SetEntry() to fill the other fields of each entry.
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Adds an object to this node. This method will claim the ownership of the object instance. Use SetEntry() to fill the other fields of each entry.
Definition at line 204 of file stDBMTree.h. |
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Adds all objects of a node.
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Builds the distance matrix using the given metric evaluator.
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Gets the ownership of an object associated with a given entry. This method will avoid the automatic destruction of the object instance by the destructor of this node. This method can be used to buy the representative objects to avoid unnecessary replications.
Definition at line 463 of file stDBMTree.h. |
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Distribute objects between 2 nodes using the current representatives (see SetRepresentative()).
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Distribute objects between 2 nodes using the current representatives (see SetRepresentative()). Some objects may be insert in returnCollection. The returnCollection has objects that were not inserted in the others nodes.
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Returns the height of the sub-tree of a given entry.
Definition at line 270 of file stDBMTree.h. |
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Returns the number of entries in the sub-tree of a given entry.
Definition at line 261 of file stDBMTree.h. |
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Returns the number of entries in this node. Definition at line 225 of file stDBMTree.h. |
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Returns the number of free objects. |
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Returns the object of a given entry.
Definition at line 234 of file stDBMTree.h. |
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Returns the PageID of a given entry.
Definition at line 252 of file stDBMTree.h. |
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Returns the radius of the sub-tree of a given entry.
Definition at line 288 of file stDBMTree.h. |
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Returns the representative object.
Definition at line 347 of file stDBMTree.h. |
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Returns the id of the representative object.
Definition at line 338 of file stDBMTree.h. |
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Verifies if a given object is a representative.
Definition at line 448 of file stDBMTree.h. |
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Returns the object of a given entry.
Definition at line 243 of file stDBMTree.h. |
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Sets the data associated with a given entry.
Definition at line 300 of file stDBMTree.h. |
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Set minimum occupation. This must be the minimum number of objects in a page. This value must be at least 1. Definition at line 434 of file stDBMTree.h. |
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Sets both representatives ids. Use UpdateDistances() to update all distances between objects and.
Definition at line 358 of file stDBMTree.h. |
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Tests the distribution of objects between 2 nodes using the current representatives (see SetRepresentative()). This method does not use the returnNode.
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Tests the distribution of objects between 3 nodes using the current representatives (see SetRepresentative()).
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Definition 5.6.2. Quantitative Data.
Data which can be represented numerically is called quantitative data. This includes both data which is already numerical, and data which can be made numerical. Dates are a good example of quantitative data that isn't always written in numbers (for example, "March" doesn't seem numerical, but can be represented by 3 since it is the 3rd month of the year).
Quantitative data naturally falls into one of two types - discrete and continuous. While there are more complicated ways to distinguish between them mathematically, for our purpose the big difference is that with quantitative discrete data we have a small number of distinct possible responses, while with quantitative continuous data we have a large number of different possible responses.


using HTML5 elements canvas and audio.
Audio only works with Firefox.
Original Made by David Laurell.
Modded by FunkyMonkeyShakeItUpBaby.
Your browser does not support HTML5.
Download Firefox or another HTML5 support browser. This page is tested in Firefox 3.0+, and Internet Explorer 11. To get the audio to work you are required to use Firefox for the moment.


install_py_pcha.Rd
install_py_pcha
is a helper function that installs py_pcha and numpy python modules into conda environment. Unless you have a strong reason please use suggested defaults. Alternatively, use pip install --user py_pcha numpy scipy datetime.
select_conda
is a helper function that tells R to use python conda environment created specifically for this package using install_py_pcha
. This environment is used by default whe package is loaded. Set options(disable_ParetoTI_envname = TRUE) if you want to use other python installation. Set options(ParetoTI_envname = "other_env_name") if you want to use other conda environment.
install_py_pcha(method = "auto", conda = "auto", python_version = "python 3.7.3", envname = "reticulate_PCHA", overwrite_env = F, extra_packages = character(0), packages = c("pip", "py_pcha", "numpy", "scipy", "datetime"))
| method | paratemer for |
|---|---|
| conda | paratemer for |
| python_version | version to be installed into environment that is compatible with py_pcha module. |
| envname | name of the conda enviroment where PCHA should be installed. If that enviroment doesn't exist it will be created. If it contains incorrect python_version the function will give an error. |
| overwrite_env | It TRUE overwrites conda environment. |
| extra_packages | specify python libraries not needed for ParetoTI to work but desirable in the same conda environment |
| packages | specify python libraries needed for ParetoTI to work. Normally do not need changing. export PYTHONUSERBASE=/some_dir/python_libs/ python -m pip install --user -i https://pypi.python.org/simple -U pip distribute python -m pip install --user -i https://pypi.python.org/simple --upgrade pip setuptools wheel |
path to python enviroment with py_pcha module installed
# NOT RUN { install_py_pcha() install_py_pcha(extra_packages = c("tensorflow", "pandas", "keras", "h5py", "geosketch", "pydot", "sklearn", "umap-learn")) ## See for installation details # }


SO YOU NEED A TYPEFACE
Start out by choosing the kind of project
that you'll need the typeface for.
BOOK
NEWSPAPER
INFOGRAPHIC
LOGO
INVITATION
YOUR TYPEFACE IS
Start over


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{% extends 'writings/base_writings.html' %} {% block actual_content %}
XCode is very easy to pick up. I mean simply layout your app with drag and drop widgets and connect them to individual controllers. However, last night I spent well over two hours fixing a basic issue as a result of this simplicity. When you connect a UI element to the controller, you simply right click and drag the layout to the controller. This then adds a reference to the element in your controller. However lets imagine you need to rename your entity, for hundreds of possible reasons, then the reference is lost! Even worse, once I figured that out and recreated the references, I got a worse no descriptive NSException error.
A bit of Googling revealed that this might be due to incorrect references. Digging into the quick help view, I found that there were two references there - including the old one which had been long renamed and removed. All problems were gone once I removed all the duplicate references from all elements. I found this error to be quite annoying as it seems like an obvious thing to refactor references and delete old ones when new ones are created. For someone just picking up iOS programming, this was an annoying but revealing experience about assuming how much Xcode interpolates and how much I need to explicitly do.


Responsive web page creation in GitHub from scratch
Creating a Webpage using HTML & CSS, 15-03-2021
Image
This guided project is available for free
Simple Webpage Creation in GitHub
Editing a Template and Creating a Webpage, 06-03-2021
Image
This guided project is available for free


Set Class
Represents the set of links that connect elements. Various collections serve different purposes for how they connect and can inherit from one another.
Constructor
Set
(
-
session
-
description
Parameters:
-
session
Object -
description
Object
Item Index
Methods
Methods
emit
(
-
session
-
key
-
data
-
origin
Parameters:
-
session
Session -
key
StringIdentifier for the event to emit, a key prefix of "ext-" indicating external origin is required and added automatically if omitted.
-
data
Object -
origin
String
Throws:
Error:
On access denial
propagating
(
-
id
-
event
Parameters:
-
id
StringThe Element causing the event emission from this set.
-
event
EventThe Event that is propagating.
Properties
created
Number
creater
String
description
String
Markdown style string describing the purpose of the set.
fields
Object
Custom fields to use to tag the set for informational purposes.
id
String
id
String
modified
Number
modifier
String
name
String
private
Boolean
When true, edges in this page are considered limited to the page and not the master list.
touched
Array | String
Array of page IDs that should be considered a subgroup of this page.