STRICTLY CONFIDENTIAL PLEASE IDRIS ADAMU NNPC, IKOYI Lagos- Nigeria email<EMAIL_ADDRESS>Fax: 234-1-4401017 4/12/2003 Attention: The President/Chairman PROPOSAL FOR TRANSFER OF TWENTY MILLION, FIVE HUNDRED THOUSAND US DOLLARS (US$20.5M) TO YOUR ACCOUNT. Your contact address got to me via export promotions council, your reliability and trustworthiness in business transaction was the main conviction that compelled me to solicit for your support in this deal. I am the Financial Controller of the Nigerian National Petroleum Corporation (NNPC) Lagos, Nigeria and Secretary to the Contract Award Committee of my Ministry. In collaboration with my colleagues, we have agreed to transfer out of the Country through Central Bank of Nigeria (CBN) some amount and we will later reinvest it abroad after the success of this transaction. The amount involved is Twenty Million, Five Hundred Thousand US Dollars (US$20,500,000.00). This is as a result of over inflated amount of a contract. The contract has been already executed and the original contractor had collected his full and final payment. In as much as this contract was awarded to a Foreign Contractor and the payment in dollars, we now need a Foreign firm that will present itself as the contractor for this amount of Twenty Million, Five Hundred Thousand US Dollars (US$20,500,000.00) and then the fund will be transferred into your account. Since we do not want to use the original contractor in applying for the payment, because the Contractor is not aware of this over-invoiced sum. Therefore, I as the Financial Controller was told to write you by my colleagues and see the success of the remittance immediately, you will however, be required to furnish us with these necessary informations. 1. Your personal phone and fax number for easy communication 2. Name and Address of your Bank, Phone, Fax and Telex numbers 3. Your Account number where this money will be lodged into and the Beneficiary's name. It could be personal or corporate. These information will enable us put APPLICATION OF CLAIM for the release of this money from concerned Government Agencies and it will last for ten working days. For your assistance we have agreed that the fund will be shared as follows: You as the Account Owner 20%, Miscellaneous Expenses 5%, Officials Involved 75% Now, we assure you that all arrangements have been concluded for the success of this transaction, so if you are interested, reply us STRICTLY THROUGH this e-mail or Alternatively through the above contact. Yours faithfully, IDRIS ADAMU.


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530-221 Reverse Numbers | Phone Number Lookup | REDDING,CA
. county in California. Click for Phone Number Lookup service for Redding. .<PHONE_NUMBER>, Manuel Perales,<PHONE_NUMBER>, Viewed 1 time(s).<PHONE_NUMBER> .
http://www.verifyphone.com/area-code-reviews/530-221
Treatment for Herniated or Bulging Discs
download reprint - Department of Plant Sciences - University of ...
in the Santa Barbara, CA area: a case study of diversity and structure in an introduced . illo', and 'Redding Picholine'), as well as a total of thirteen unique . Pineyro-Nelson A, Van Heerwaarden J, Perales HR, Serratos-. Hernandez JA . Sibbett GS, Ferguson L (eds) (2005) Olive production manual,. 2nd edn. University .
http://www.plantsciences.ucdavis.edu/polito/soleri_et_al2010SB_olives.pdf
PACIFIC CURRENTS Multifamily Housing News ... - HUD Archives
http://www.hud.gov/local/ca/working/localpo/ mfhsgnews.cfm . 6669. Aguilar- Soto, Manuel. Housing Representative. Manuel.J.Aguilar-Soto. 6672. Campit, Flo .
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redding ca mauel perales Herniated or Bulging Discs
NPC July 2004 - Cal Poly San Luis Obispo
Jul 12, 2004 . NPC ONLINE. NPC BOARD OF DIRECTORS. Bob Chandler. Immed. Past Board Chair. River City Pool Plastering. Redding, CA. Ph: (530) 246- .
http://ceenve3.civeng.calpoly.edu/kachlakev/NPCJulyAug2004.pdf
Abstracts - California Nevada Chapter American Fisheries Society
Davis, Center for Spatial Technologies and Remote Sensing, Davis, CA . Amy Chandos and K. Martin Perales, University of California-Davis, Wildlife, Fish . development and use of these programs, and Juan Manuel Diez Hernandez . John McCullah, Wtrshed Geol., CPESC, Salix Applied Earthcare, Redding, CA, .
http://www.afs-calneva.org/_files/Cal-Neva_AFS_Conf_2011_Abstracts.pdf
List of taxpayers with undelivered tax refunds | SacStarts
Nov 27, 2007 . NAVARRETTE, CHRISTINE K REDDING CA 96001. RENK, CHRISTINA M REDDING . SACRAMENTO CA 95834. PERALES, PIERRE J SACRAMENTO CA 95834 . MARTINEZ, MANUEL ROSEVILLE CA 95678. MILLER .
http://sacstarts.com/feed-item/2007/11/27/33102/list-taxpayers-undelivered-tax-refunds
Official Impairment Listing for Spinal Disorders
L - files.usgwarchive...
TURLOCK MEMORIAL PARK, Stanislaus County, CA Submitted by the . Sunnyvale, CA Lankard Manuel E. 1881 bur Aug 23,1945 Lot 17-A Block 1 LDS . Leighton Royle Lott Aug 27,1900 Dec 15,1973 Lot 874 Block 34 b Redding; h /o . m/o Dell L(Tony) Perales; mil/o Lucy Lerma,Woodland Lesh Hilda C. 1874 bur .
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- removing burnt milk off pan (narrowing of the spine)
Jail Blotter
. Occupation. 12/10/2012 9:25:00 AM, 12/10/2012 9:25:00 AM, CALIFORNIA DEPARTMENT OF CORRECTIONS - PAROLE, T51231, MJ, 04, 0D, 03, NA .
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http://www.hud.gov/local/ca/working/localpo/mfhsgnews.cfm . Manuel J. Aguilar -Soto, Housing Representative . Rhea A. Perales, Housing Representtive .
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Hanford Division - Kings County Superior Court - State of California
CA Dept. of Correction, 11 C 0278, Case Management Conference, Dept. 04, 08: 15:00 . Gloria Perales vs Frank Zepeda et al. 12 C 0288, Trial de . Amanda Redding vs Brandon Redding, 12 FL 0489, Review Hearing, Dept. 07, 13:30:00 .
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bennion & deville fine homes, dba windermere real estate coachella ...
01060800 - Banuelos, Luis Manuel. 01887835 . 01468846 - Perales, Alfredo A . (7) Windermere North State Properties, Redding, CA, has gone out of business. . Windermere Coachella Valley, California, operates real estate offices .
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Medical-Vocational Allowance for Herniated Disc
Surnames - RootsWeb - Ancestry.com
Little Lake Cemetery District, Santa Fe Springs, Los Angeles County, CA . Note: Remer, Conception Perales was born in Mexico according to great- granddaughter, . Ca Peters Donald Marshall Norwalk, Ca Peters Manuel Grijalva Norwalk, Ca . Ca Sears Sharon Rae Hamilton Norwalk, Ca Seaver Love Anna Redding, .
http://www.rootsweb.ancestry.com/~cagha/cemeteries/losangeles/littlelake-ns-place.txt
BIRTHS 1928, LZ - USGenWeb Archives - files.usgwarchive...
. Pena Perales,Ma Guadalupe 12-12-1928 F Manuela Torres Manuel Perales . Lee Young Rollie Ray Ray Redding,Claude Kenneth 1-6-1928 M Mary Edith . Mae 10-16-1928 F Stelma Young C. A. Smothers Solis,Cosme Jr. 2-10-1928 M .
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Appealing a Denial of Benefits
NPCNPCRF - CAL Poly Research Center Construction Underway
Sep 4, 2010 . San Luis Obispo, CA Monday, July 12, 2004 will now go down in NPC history books as the start of a new chapter in the association's history.
http://www.docstoc.com/docs/53602714/NPCNPCRF---CAL-Poly-Research-Center-Construction-Underway
Scout.com: Recruiting - Top Offensive Lineman in Calif
With the conclusion of the 2009 spring practice session, the .
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Hmmm ... The Higher Individual
| DOSE: |
20 mg |
oral |
2C-I |
(powder / crystals) |
Got 2C-I. took 20 mg. Ingested at roughly 1:00 in the afternoon. This is my second expeirience with the chemical. The first being rather disapointing, I decided that a second was in order to truly understand what was needed to be understood.
I would like to point out that I am a true phyconaut. I bealive in the trip, but even more, I bealive in meditation. 2C-I is the strangest trip I have expirenced, not beacuse it is far out, but beacuse it is not far out. Instead, it is far in. Which is rather scary.
It took about an hour to begin to feel the effects. Much like the mind set in a Mushroom or LSD expierence. No prominate hallucinations, they will never show up. I knew I still had about an hour before the real effects set in. I had eaten prior to ingestion. I try not to notice physical effects when tripping, so I'm not going to delve to deep. Rather than tripping out, it was more along the lines of thinking out. Every thing was thought out, so it is comparible to tripping. things were sped up a little, and I couldn't stop licking my lips. I don't consider it a real trip. A real trip is natural,(meaning Mushrooms, LSD, Peyote etc.).
4:00-I am at a high school basketball game. for the past couple weeks I have been studying basketball games, and have decided that anybody can play good basketball if they stop being an individual, and start becoming part of the higher individual, which is the basketball team.
As I watch the players I start to notice their minds and their insecurities. I realize that every individual on the court cannot become a part of the higher individual. When I watch the players, the refs, and the coaches, I realize that every single one of them DOES have one uniform thought, but not the right one. If that uniform thought was the team, and the game, the higher individual would be basketball. Instead, the higher individual is the thought of being watched. When I watched the way people moved on the court, I saw a shared thought, that shared thought was that all eyes were on the individual, rather than the higher individual. very amusing.
This backs up my theory that all matter works together at all times. The fact that every individual thought that all eyes were on him/her shows that the higher individual does exist, and that we, as individuals, misinterpreted the common knowledge, and did not think past our own private individual.
This may seem regurgetated from an acid trip. I would like to make clear that although I bealive in the trip as a tool, I came upon the theorie of higher individual through meditation, not through the trip. I bealive that before anybody puts any substance into their body for thought expansion, they need to have a sober idea of the world around them. That way you can fully trust the thoughts that come from a trip.
7:00-I begin to realize how powerful the chemical is.  I know it was real beacuse I told a sober person to flash his brights if he felt me. He did. He also did not have any recollection of what happened. But he did seem a little disturbed. This disturbed me greatly. Maybe you don't bealive it, but I assure you that It happened.
9:00-disturbed about what happened.  Off and on a shadow seemed to pass over my thoughts, I thought maybe 2C-I was the Devils equivalent to acid. I wasn't scared, but I had to meditate to force the shadow from my brain.
I stop thinking about what happened and began to watch smoke rising from some chimneys down the street. As I watch I begin to realize that the smoke is following a strange, chaotic pattern. When the smoke first comes from the chimney, it is one. It breaks apart, and wisps follow their own pathes. The smaller wisps are instantly torn apart by the wind. The larger wisps hold them selves together, and if you watch them, you see that there is almost an internal battle. And rather than slowly breaking down, the larger wisps will hold together untill nature is too much. Than the entire thing breaks apart. Maybe all wisps constain life, although simple life.
thats it. Nothing else worth writing happened. Re-read with an open mind. Re-read as the higher individual.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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Engaging with MIDFIELD Data
2021-07-26
1 Introduction
1.1 Objectives
MIDFIELD contains individual Student Unit Record (SUR) data for 1.7M students at 33 US institutions (as of June 2021). MIDFIELD is large enough to permit grouping and summarizing by multiple characteristics, enabling researchers to examine student characteristics (race/ethnicity, sex, prior achievement) and curricular pathways (including coursework and major) by institution and over time.
The goal of this workshop is to engage ASEE members with MIDFIELD data, in part using two R packages: midfieldr to provide tools for working with SURs and midfielddata to provide practice data.
By the end of the workshop, participants should be able to:
- Describe key variables in MIDFIELD data tables
- Explore and tell a story from MIDFIELD data
- Begin using R, midfieldr, and midfielddata
- Explain key features of effective data displays
1.2 Description
The robustness of the MIDFIELD data allows us to emphasize an intersectional approach to the study of student records, permitting multiple categories of inequity such as race/ethnicity and sex to be considered simultaneously.
To introduce beginners to R, participants work through a self-paced tutorial covering basic elements of the R computing language and environment. To introduce midfieldr and using it to work with student record data, participants work through software tutorials that explore the SUR data and develop a persistence metric case study.
For more experienced R users or anyone working at a faster pace, we offer a series of self-paced tutorials that introduce key features of midfieldr and how they are applied to compute persistence metrics and graph results.
We also discuss the merits of the multiway graph design that is recommended for displaying results of this type. The agenda includes an interactive session to demonstrate contemporary principles of effective data display.
1.3 Pre-workshop homework
To get the most out of the workshop, you should have the essential software installed and running several days before the workshop to give you time to contact us with questions if anything goes amiss.
Install everything describes the homework.
1.4 Agenda
Our three hours are organized approximately as shown.
| Min | Topic |
|---|---|
| 15 | Introduction |
| 35 | Explore the data |
| 35 | Work with R |
| 15 | Break |
| 20 | Designing effective displays |
| 50 | Work with R (continued) |
| 10 | Next steps. [Assessing the workshop] |
1.5 Facilitators
- Susan Lord
Director of the MIDFIELD Institute and Professor and Chair of Integrated Engineering at the University of San Diego. She is a Fellow of the IEEE and the ASEE. Dr. Lord has considerable experience facilitating workshops including the National Effective Teaching Institute (NETI) and special sessions at FIE<EMAIL_ADDRESS>- Matthew Ohland
MIDFIELD Director and Principal Investigator. He is Professor and Associate Head of Engineering Education at Purdue University and a Fellow of IEEE, ASEE, and AAAS. Dr. Ohland has considerable experience facilitating workshops including the NETI and CATME training<EMAIL_ADDRESS>- Marisa Orr
MIDFIELD Associate Director and Associate Professor in Engineering and Science Education with a joint appointment in Mechanical Engineering at Clemson University. She received the 2009 Helen Plants Award for the best nontraditional session at FIE, “Enhancing Student Learning Using SCALE-UP Format.”<EMAIL_ADDRESS>- Richard Layton
MIDFIELD Data Visualization Specialist and Professor Emeritus of Mechanical Engineering at Rose-Hulman Institute of Technology. He is the lead developer of the R packages used in this workshop. Dr. Layton has considerable experience facilitating workshops, including FIE workshops on data visualization (2014) and midfieldr (2018<EMAIL_ADDRESS>- Russell Long
MIDFIELD Managing Director and Data Steward. He developed the stratified data sample for the R packages used in this workshop. Mr. Long is a SAS expert with over twenty years of experience in institutional research and assessment<EMAIL_ADDRESS>1.6 Licenses
The following licenses apply to the text, data, and code in these workshops. Our goal is to minimize legal encumbrances to the dissemination, sharing, use, and re-use of this work. However, the existing rights of authors whose work is cited (text, code, or data) are reserved to those authors.
1.7 Acknowledgement
Funding provided by the National Science Foundation Grant 1545667 “Expanding Access to and Participation in the Multiple-Institution Database for Investigating Engineering Longitudinal Development.”


100 Korean businesses want to move from Myanmar to Bangladesh: BEZA
As many as 100 South Korean firms want to relocate their businesses to Bangladesh from Myanmar due to a lack of 'suitable environment' for industries in that country, according to the Bangladesh Economic Zone Authority or BEZA.
The firms identified Bangladesh as an alternative destination in light of Myanmar's infrastructural backwardness, including shortages of power and water supplies, among other problems, BEZA said in a statement on Monday.
South Korean investors are keen on investing in Bangladesh's economic zones, according to BEZA. The Korea Industrial Complex Co Ltd (KIC) is also interested in developing an industrial park in Bangladesh which will house 100 firms from the East Asian country.
KIC began work on two industrial parks in Myanmar's Bago and Mon states in 2013 but problems with infrastructure, electricity and water supplies prompted the Korean companies to consider uprooting.
KIC has accordingly drawn up plans to build an industrial complex in Bangladesh and selected 100 companies that will be allocated spaces there.
They are lining up an initial $500 million investment and have asked for 400 acres of land to establish factories to manufacture textiles, leather and jewellery products, BEZA said.
KIC's CEO Bae-Ho Cho said the Koreans will get to work immediately if the government and BEZA help them secure the land, according to the statement.
And BEZA's Executive Chairman Paban Chowdhury said the authority is committed to building sustainable and environmentally friendly industries while providing all necessary amenities. As a result, countries like China, Japan and India are all establishing economic zones in Bangladesh.
He added the investment from Korean companies will open up new horizons for Bangladesh and the project will be implemented soon after the submission of a final proposal.


{% extends 'base_app/site_explanation_base.html' %} {% block title %}使用した素材 - {{ block.super }}{% endblock %} {% block explanation_content %}
1. Sticky Footer
https://philipwalton.github.io/solved-by-flexbox/demos/sticky-footer/
Copyright (c) 2015 Philip Walton
Permission is hereby granted, free of charge, to any person
obtaining a copy of this software and associated documentation
files (the "Software"), to deal in the Software without
restriction, including without limitation the rights to use,
copy, modify, merge, publish, distribute, sublicense, and/or sell
copies of the Software, and to permit persons to whom the
Software is furnished to do so, subject to the following
conditions:
The above copyright notice and this permission notice shall be
included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT
HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR
OTHER DEALINGS IN THE SOFTWARE.
2. RPG Awesome
https://github.com/nagoshiashumari/Rpg-Awesome
Copyright (c) 2014, Daniela Howe
All rights reserved.
Redistribution and use in source and binary forms, with or without
modification, are permitted provided that the following conditions are met:
* Redistributions of source code must retain the above copyright notice, this
list of conditions and the following disclaimer.
* Redistributions in binary form must reproduce the above copyright notice,
this list of conditions and the following disclaimer in the documentation
and/or other materials provided with the distribution.

A PEN BY Christian Petersen
Codepen is here.
See the Pen Urpinion — Form by Christian Petersen (@cbp) on CodePen.


{% extends "base.html" %} {% load staticfiles %} {% block style %} {% endblock style %} {% block content %} {% if verify %}
Please Read Payments Instruction Before You Proceeds.
Note: Do not send ETH from an Exchange If you send ETH to the GLC Token Distribution Contract from an exchange account, your GLC Tokens will be allocated to the exchange's ETH account, and you may never receive or be able to recover your GLC Tokens.
{% else %} {% endif %}


Want to play a game?
Load
Save
{#if games.length==0}
No game initiated
{:else}
There are {games.length} games initiated
{#each games as game}
{/each} {/if}
+


Normal Guy.
I am a normal school going boy. Yeah I am not a professional at all. But I do Photography as my hobby. I have some interest in Visual Effects (VFX). My father's name is Md. Rabiul Alam Tutul aka Tutul Rabiul on facebook. He is a journalist.


Param Digger - About
Source Code
https://github.com/zaproxy/zap-extensions/tree/main/addOns/paramdigger
Authors
ZAP Dev Team
Arkaprabha Chakraborty
History
Version 0.0.1
First Version


{% extends "register/base.html" %} {% block content %}
Click the link in the confirmation email to change the address


Enumeration members
ACTIVE_IN
ACTIVE_IN: = 1 << 2
DISABLED
DISABLED: = 1 << 8
DRAGGING
DRAGGING: = 1 << 9
EXTENSION_0
EXTENSION_0: = 1 << 20
EXTENSION_1
EXTENSION_1: = 1 << 21
EXTENSION_2
EXTENSION_2: = 1 << 22
EXTENSION_3
EXTENSION_3: = 1 << 23
FOCUSED
FOCUSED: = 1 << 3
FOCUSED_IN
FOCUSED_IN: = 1 << 4
FOCUS_ROOT
FOCUS_ROOT: = 1 << 6
HOVERED
HOVERED: = 1 << 0
INVALID
INVALID: = 1 << 11
PRESSED
PRESSED: = 1 << 10
READ_ONLY
READ_ONLY: = 1 << 7
SUCCEEDED
SUCCEEDED: = 1 << 12
UNFOCUSABLE
UNFOCUSABLE: = 1 << 5


Solar Lamps: A Polish Problem on Linear Transformation
I solved this problem on POI a while back, and I felt the ideas used in this problem are quite versatile. I was so intrigued by this problem that I decided to write a short summary of my intuitions and motivations in the solving process. A little bit of knowledge on linear transformations and matrices will be necassary.
If you want to try out your idea, here’s the problem link. If statement is too big for you, here’s an abridged problem statement:
You are given given $n$ points where the $i$ th point is $(x_i, y_i)$. You can also given four integers $X_1, Y_1, X_2, Y_2$. For each point $(x_i, y_i)$ consider the angle formed by rays $(x_i, y_i)$ to $(x_i + X_1, y_i + Y_2)$ and $(x_i, y_i)$ to $(x_i + X_2, y_i + Y_2)$. $i$ th point is manually turned-on on $i$ th minute, and if a point is turned on, it illuminates the area between its angle. Additionally, if the $i$ th point is illuminated by at least $k_i$ other points, it automatically turns on and starts illuminating light. Determine for each point the first time they will start producing light.
The problem sure does look intimidating. Okay, let’s see what we have in our favor and how to exploit them. First of all, angles formed by each point are equal. We must use this properly. Also constraints give off a data structure-ish vibe, so it may be fruitful to model this problem from a data structure point of view. Okay, let’s try to solve an easier version of this problem. Suppose the angle formed by each point is $90$ degrees, and the rays are parallel to $x$ and $y$ axis (and they directed towards the positive side). If you are still confused, it looks like this. This is the closest variant of this problem that common data structures can handle.
When does a point gets illuminated by another point? In our modified problem, this condition is rather simple. A point $(x_i, y_i)$ gets illuminated by another point $(x_j, y_j)$ if and only if $x_j \leq x_i$ and $y_j \leq y_i$. We want something like this in the original problem. So, let’s investigate why does conditions become simpler in the modified version. One might be tempted to point out the angles are now $90$ degrees, hence the oversimplification. But a closer inspection will tell you this is not the case. The simplicity actually lies on the fact that rays that shoots off the points are axis parallel.
A skeptical reader might be in despair now. Our solution will only work when the rays are axis parallel. There’s not even a subtask devoted this case. This does not look remotely close to what actual solution might be. In order to progress from here, we have to learn NOT to play by the rules. Let’s imagine a coordinate system, but its axes are not perpendicular to each other, instead they form a certain angle!! In particular, they form the same angle each point in our input forms. This kind of transformation is called linear transformation. (If you are interested to learn more about this: click. One example of such transformation is depicted below:
So if the axes of our coordinate system forms the same angle as the points in our problem, we can still apply the previous condition: A point $(x_i, y_i)$ gets illuminated by another point $(x_j, y_j)$ if and only if $x_j \leq x_i$ and $y_j \leq y_i$. Here, $(x_i, y_i)$ and $(x_j, y_j)$ are not coordinates of the the cartesian plane (the one where axes are perpendicular), but rather they are the coordinates of our modified coordinate system. Once we find these modified coordinates for each point, it boils down to the easy variant that we discussed earlier. Here’s how to find the modified coordinate of each point: (Some calculations are involved)
We know every point on cartesian system can be expressed using a linear combination of $\hat{i}$ and $\hat{j}$ where
\[\hat{i} = \begin{bmatrix} 1\\ 0 \end{bmatrix} \, \, \hat{j} = \begin{bmatrix} 0\\ 1 \end{bmatrix}\]In other words, $\hat{i}$ and $\hat{j}$ are unit vectors parallel to $x$ and $y$ axis respectively.
But we want the axes to be parallel to the rays that are shooted from each point. For this modified coordinate system, we choose
\[\hat{i} = \begin{bmatrix} X_1\\ Y_1 \end{bmatrix} \, \, \hat{j} = \begin{bmatrix} X_2\\ Y_2 \end{bmatrix}\]Suppose we want to find the modfied coordinate of point $(x, y)$. Let’s assume the modified coordinate is $(a, b)$. So,
\[a\hat{i} + b\hat{j} = \begin{bmatrix} x\\ y \end{bmatrix}\] \[a\begin{bmatrix} X_1\\ Y_1 \end{bmatrix} + b \begin{bmatrix} X_2\\ Y_2 \end{bmatrix} = \begin{bmatrix} x\\ y \end{bmatrix}\] \[\begin{bmatrix} aX_1 + bX_2\\ aY_1 + bY_2 \end{bmatrix} = \begin{bmatrix} x\\ y \end{bmatrix}\]Solving for $a$ and $b$ yields [(a, b) = \left ( \frac{xY_1 - yX_1}{X_{2}Y_{1} - Y_{2}X_{1}}, \frac{yX_2 - xY_2}{X_{2}Y_{1} - Y_{2}X_{1}} \right )]
This the coordinate we’ll use from for point $(x, y)$.
One problem still persists. Coordinates of our modified system will be floating point numbers, which you and I both hate. Notice that, as a denominator, the term $X_{2}Y_{1} - Y_{2}X_{1}$ is present, which remains constant throughout the problem. So we can multiply each coordinate by in our modified coordinate system by $\mid X_{2}Y_{1} - Y_{2}X_{1} \mid$ (by this, we are essentially scaling the coordinates, so this doesn’t change our answers). This will make everything integer numbers. One more thing, we have to take care of the case where $X_{2}Y_{1} - Y_{2}X_{1} = 0$ (this happens when the angle is zero). This case is relatively straight-forward and is, therefore, ommited here. Armed with these, we can focus on the earlier problem. Solving that will solve the entire thing.
Our problem has reduced to a purely data structure problem. Suppose the point $i$ will start producing light in $t_i$ th time. We can calculate the values of $t_i$ with a blend of dynamic programming and greedy approach. Let assume points $p_1, p_2, p_3, \dots, p_m$ illuminates the $i$ th point. Points $p_1, p_2, p_3, \dots, p_m$ start producing light in times $t_{p_1}, t_{p_2}, t_{p_3}, \dots, t_{p_m}$. Assume that the points are sorted according to the time they start producing light. In other words, $t_{p_1} \leq t_{p_2} \leq t_{p_3} \leq \dots \leq t_{p_m}$. Then value of $t_i$ will be: [t_i = \min{(i, t_{p_{k_i}})}]
This is rather slow. There might be $O(n)$ points that illuminates a particular point. Also in order to find the value of $t_i$, we have to sort the points according to the time. So calculating the value of a single $t_i$ takes $O(n \log n)$ time. So total runtime would be $O(n^{2} \log n)$ But we can improve upon the previous solution. There are two ways. One is to use use a segment tree with a treap in each node to calculate the values of $t$ faster. This yields a $O(n \log^{2}n)$ solution with heavy constant factor. This only gets 70 points. 100 point solution requires a somewhat different approach using Parallel Binary Search. If you do not know it, I urge you to learn it first from that excellent codeforces blog. If you are already familiar with the concept, this becomes a simple exercise. We have to binary search on the values of $t_i$ simultaneously. I’ll only describe the key idea component of the algorithm here:
Suppose we have a function solve(l, r, S)
that takes a range $[l, r]$ and a set of points $S$ whose $t_i$ values lies within that range. Set $m = \frac{l + r}{2}$. We want to find out which of the points in set $S$ have $t_i$ values in range $[l, m]$.
Assume points of $S$ are sorted according to their $x$ coordinate with ties broken by $y$ coordinate. We process points in this sorted order one by one. Also, let’s create a BBST $^1$ which will store the $y$ coordinates of the points whose value of $t$ lies in range $[l, m]$ (found before processing the current point). Suppose we are now processing the $i$ th point. If i lies in range $[l, m]$ then we are sure that $t_i$ also lies in range $[l, m]$ Otherwise, find out the number of values in the BBST that are less than the $y$ coordinate of the currently processed point. Suppose this number is $h$. If $h \geq k_i$ then we can be sure $t_i$ again lies in range $[l, m]$. If none the previous cases hold, $t_i$ cannot be in range $[l, m]$. If the $i$ th point is lies within range $[l, m]$, then we insert its $y$ coordinate in the BBST and move onto the next point.
By performing the above algorithm for all points in $S$, we can identify which of the points lie in range $[l, m]$ (let the set of such points be $T$). This takes us $O(|S| \log n)$ time. Now we can call solve(l, m, T)
and solve(m + 1, r, S \ T)
to recursively solve the remaining problem.
So, the complexity of the parallel binary search is $O(n \log^{2} n)$ time with low constant factor.
$^{1}$ It’s possible to use a binary indexed tree instead of BBST if $y$ coordinates of the points are compressed


THE DEVIL'S OWN A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ** 1/2
Alan J. Pakula is a director with a somewhat uneven track record. His last film, THE PELICAN BRIEF, was a bomb, but others have met with great financial and critical success. Although he garnered an Oscar nomination for ALL THE PRESIDENT'S MEN, his SOPHIE'S CHOICE might be even better known. I am a special fan of one of his lesser recognized works, the thriller CONSENTING ADULTS.
As is popular these days, in his latest film, THE DEVIL'S OWN, he examines the Northern Ireland troubles. He takes a different approach with most of the story occurring in the United States.
(Someday, I would like to see a film from the British perspective. Here we are told from the IRA that the British do not really want peace, "They say the word peace, but at the end of the day, all they want is surrender." All of the films I have seen start with the assumption that the British are oppressing the people of Northern Ireland, hence the birth of terrorism as a natural and inevitable outgrowth. There are two sides to every issue. It would be refreshing to hear the other.)
The screenplay by Kevin Jarre and Robert Mark Kamen tells the story of two lives. In one, Tom O'Meara (Harrison Ford) is a hard working police sergeant in New York City. Although getting a little old to chase crooks, he still gives it his best shot. Ford looks so out of breath that you begin to worry that he may have a real-life heart attack. More than just an honest cop, Tom goes out of his way to be fair to thieves and to his fellow officers. His partner Edwin Diaz (Ruben Blades) will test this loyalty.
As O'Meara's name implies, his ancestors came from Ireland. Back in the old country, we meet Frankie the Angel (Brad Pitt). His father was gunned down in cold blood in front of Frankie's eyes when the lad was just 8-years-old. Frankie was hardened by this experience and soon became one of the IRA's most notorious killers.
Early on in the film we have a gun battle between the British soldiers and the IRA terrorists. Although the sequence bears remarkable resemblance to the house-to-house battles in France during World War II, the lighter-weight, automatic weapons, the sound effects editing, and the fast choreography of this part makes it the most successful aspect of the film.
Soon Frankie flees Ireland. In America these two people of Irish blood will have their destinies intertwined into a life and death struggle for each. That destiny forms the fabric upon which Pakula creates the film.
The movie has three acts plus the Irish prologue. The first takes the time to get to know the O'Meara family. We learn the minutia of living a middle class existence in Brooklyn and the day-to-day life of a Manhattan cop. Since Frankie, now known as Rory Devaney, comes under false pretenses to live with the O'Meara family, we learn that he has his tender side too.
All too often, films do not take the time to adequately setup the characters. In this show, we have just the opposite problem. It seemed that the show might run out of time before they ever got to the action. The slow first act ran over an hour whereas half that time would have been ample. If the people had been more interesting, I would love to have stayed the full hour in this act, but these were pleasant but not particularly compelling characters. They were strangely devoid of emotion. When they should have been angry, they got pensive instead.
The second act makes the picture. Brad Pitt struts his stuff and shows off his acting talent. His assignment is to buy Stinker missiles from an Irish-American gangster named Billy Burke (Treat Williams). Williams, playing a one dimensional slimeball, demonstrates that, when there is money is to be made, some opportunist will turn up to sell whatever is in demand. Burke, a full-time saloon keeper and part-time arms merchant, would sell to both sides if the profit was right.
The preposterous final act is mercifully brief. In a plot contrivance, things are wrapped up all too neatly.
The show has many extra delights. The Irish music is lovely. Megan Natascha McElhone from SURVIVING PICASSO plays Frankie's would be sweetheart Megan. My favorite character is that of New York Judge Peter Fitzsimmons (George Hearn). The judge entertains the upper crust of society, has a lavish house and servants, and, at the same time, supports the IRA's gun running. The judge is oblivious to the contradictions in his behavior.
"Don't look for a happy ending, Tom," advises Frankie. "It's not an American story. It's an Irish one." You can see the film and see if you think it is a happy ending or not. Personally, I would have preferred a bit more ambiguity.
THE DEVIL'S OWN runs about two hours. It is rated R for realistic violence and for some profanity. It would be fine for teenagers. (One dad had his 8-year-old son with him at the screening. I wondered and worried about how the child must have viewed the film's opening scene where a father just like his is murdered at the family dinner table. How long will the boy's nightmares last?) I admired Brad Pitt's acting and the strong second act enough to be able to recommend the picture, but it could and should have been much better. I give it ** 1/2.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: March 20, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


¶ StagerCopyright(c) 2015 Stefano Balietti MIT Licensed
|
(function(exports, parent) {
"use strict";
|
¶ Global scope |
var J = parent.JSUS;
var stepRules = parent.stepRules;
var Block = parent.Block;
|
|
What is in the Stager obj at this point. |
var tmpStager = parent.Stager
|
|
Add it to the Stager class. |
J.mixin(Stager, tmpStager);
|
|
Export the Stager class. |
exports.Stager = Stager;
|
|
Referencing shared entities. |
var blockTypes = Stager.blockTypes;
var makeDefaultCb = Stager.makeDefaultCb;
var isDefaultStep = Stager.isDefaultStep;
|
¶ Static Methods |
|
¶ Stager.defaultCallbackDefault callback added to steps when none is specified See
Stager.setDefaultCallback
See
Stager.getDefaultCallback
|
Stager.defaultCallback = function() {
this.node.log(this.getCurrentStepObj().id);
};
|
|
Flag it as |
Stager.makeDefaultCb(Stager.defaultCallback);
|
¶ Stager ConstructorCreates a new instance of Stager Params
stateObj
object
Optional. State to initialize the new
Stager object with. See
Stager.setState .
See
Stager.setState
|
function Stager(stateObj) {
|
¶ Properties |
|
this.steps = {};
|
|
¶ Stager.stagesStage object container key: stage ID, value: stage object Stage aliases are stored the same way, with a reference to the original stage object as the value. See
Stager.addStage
|
this.stages = {};
|
¶ Stager.sequenceSequence block container Stores the game plan in 'simple mode'. See
Stager.gameover
See
Stager.next
See
Stager.repeat
See
Stager.loop
See
Stager.doLoop
|
this.sequence = [];
|
¶ Stager.generalNextFunctionGeneral next-stage decider function Returns the id of the next game step. Available only when nodegame is executed in flexible mode. See
Stager.registerGeneralNext
|
this.generalNextFunction = null;
|
¶ Stager.nextFunctionsPer-stage next-stage decider function key: stage ID, value: callback function Stores functions to be called to yield the id of the next game stage for a specific previous stage. See
Stager.registerNext
|
this.nextFunctions = {};
|
¶ Stager.defaultStepRuleDefault step-rule function This function decides whether it is possible to proceed to
the next step/stage. If a step/stage object defines a
See
Stager.getDefaultStepRule
See
GamePlot.getStepRule
|
this.setDefaultStepRule();
|
¶ Stager.defaultGlobalsDefaults of global variables This map holds the default values of global variables. These values are overridable by more specific version in step and stage objects. See
Stager.setDefaultGlobals
See
GamePlot.getGlobal
|
this.defaultGlobals = {};
|
¶ Stager.defaultPropertiesDefaults of properties This map holds the default values of properties. These values are overridable by more specific version in step and stage objects. See
Stager.setDefaultProperties
See
GamePlot.getProperty
|
this.defaultProperties = {};
|
¶ Stager.onInitInitialization function This function is called as soon as the game is instantiated, i.e. at stage 0.0.0. Event listeners defined here stay valid throughout the whole game, unlike event listeners defined inside a function of the gamePlot, which are valid only within the specific function. |
this.onInit = null;
|
¶ Stager.onGameoverCleaning up function This function is called after the last stage of the gamePlot is terminated. |
this.onGameover = null;
|
¶ Stager.blocksArray of blocks as they in the order they were added to the stager |
this.blocks = [];
|
this.blocksIds = {};
|
|
¶ Stager.unfinishedBlocksList of all Blocks stager might still modify |
this.unfinishedBlocks = [];
|
¶ Stager.finalizedFlag indicating if the hierarchy of has been set Indicates if the hierarchy of stages and steps has been set. |
this.finalized = false;
|
¶ Stager.currentTypeName of the stage currently worked with in building hierarchy |
this.currentType = blockTypes.BLOCK_DEFAULT;
|
¶ Stager.currentBlockTypeIndicates what type of Block was added last |
this.currentBlockType = blockTypes.BLOCK_DEFAULT;
|
¶ Stager.toSkipList of stages and steps to skip when building the sequence |
this.toSkip = {
stages: {},
steps: {}
};
|
¶ Stager.defaultCallbackDefault callback assigned to a step if none is provided |
this.defaultCallback = Stager.defaultCallback;
|
¶ Stager.cacheResetCache used to reset the state of the stager after finalization |
this.cacheReset = {
unfinishedBlocks: []
};
|
¶ Stager.logDefault standard output. Override to redirect. |
this.log = console.log;
|
|
Set the state if one is passed. |
if (stateObj) {
if ('object' !== typeof stateObj) {
throw new TypeError('Stager: stateObj must be object.');
}
this.setState(stateObj);
}
else {
|
|
Add first block. |
this.stageBlock(blockTypes.BLOCK_DEFAULT, 'linear');
}
}
|
¶ Methods |
|
¶ Clear, init, finalize, reset. |
|
Stager.prototype.clear = function() {
this.steps = {};
this.stages = {};
this.sequence = [];
this.generalNextFunction = null;
this.nextFunctions = {};
this.setDefaultStepRule();
this.defaultGlobals = {};
this.defaultProperties = {};
this.onInit = null;
this.onGameover = null;
this.blocks = [];
this.blocksIds = {};
this.unfinishedBlocks = [];
this.finalized = false;
this.currentType = blockTypes.BLOCK_DEFAULT;
this.currentBlockType = blockTypes.BLOCK_DEFAULT;
this.toSkip = { stages: {}, steps: {} };
this.defaultCallback = Stager.defaultCallback;
this.cacheReset = { unfinishedBlocks: [] };
return this;
};
|
|
¶ Stager.initClears the state of the stager and adds a default block Returns
Stager
this object
See
Stager.clear
|
Stager.prototype.init = function() {
this.clear();
this.stageBlock(blockTypes.BLOCK_DEFAULT, 'linear');
return this;
};
|
¶ Stager.finalizeBuilds stage and step sequence from the Block hieararchy Stages and steps are excluded from the sequence if they were marked as toSkip. Steps are excluded from the sequence if they were added as default step, but then other steps have been added to the same stage. See
Stager.reset
|
Stager.prototype.finalize = function() {
var currentItem, stageId, stepId;
var outermostBlock, blockIndex;
var i, len, seqItem;
|
|
Already finalized. |
if (this.finalized) return;
|
|
Nothing to do, finalize called too early. |
if (!this.blocks.length) return;
|
|
Cache the ids of unfinishedBlocks for future calls to .reset. |
i = -1, len = this.unfinishedBlocks.length;
for ( ; ++i < len ; ) {
this.cacheReset.unfinishedBlocks.push(this.unfinishedBlocks[i].id);
}
|
|
Need to backup all blocks before calling endAllBlocks(). |
for (blockIndex = 0; blockIndex < this.blocks.length; ++blockIndex) {
this.blocks[blockIndex].backup();
}
|
|
Closes unclosed blocks. |
this.endAllBlocks();
|
|
Fixes the position of unfixed elements inside each block. |
for (blockIndex = 0; blockIndex < this.blocks.length; ++blockIndex) {
this.blocks[blockIndex].finalize();
}
|
|
Take outermost block and start building sequence. |
outermostBlock = this.blocks[0];
currentItem = outermostBlock.next();
while (!!currentItem) {
if (currentItem.type === blockTypes.BLOCK_STAGE) {
stageId = currentItem.item.id;
|
|
Add it to sequence if it was
not marked as |
if (currentItem.item.type === 'gameover' ||
!this.isSkipped(stageId)) {
seqItem = J.clone(currentItem.item);
seqItem.steps = [];
this.sequence.push(seqItem);
}
}
else {
|
|
It is a step, currentItem.type = stage id (TODO: change). |
stageId = currentItem.type;
stepId = currentItem.item;
|
|
1 - Step was marked as |
if (!this.isSkipped(stageId, stepId) &&
|
|
2 - Step was a default step, but other steps have been added. |
(!isDefaultStep(this.steps[stepId]) ||
this.stages[stageId].steps.length === 1)) {
|
|
Ok, add the step to the sequence (must look up stage). |
i = -1, len = this.sequence.length;
for ( ; ++i < len ; ) {
if (this.sequence[i].id === stageId) {
this.sequence[i].steps.push(stepId);
break;
}
}
}
}
currentItem = outermostBlock.next();
}
this.finalized = true;
};
|
¶ Stager.resetUndoes a previous call to Allows to call See
Stager.finalize
See
Stager.cacheReset
|
Stager.prototype.reset = function() {
var blockIdx, i, len;
if (!this.finalized) return this;
|
|
Restore unfinishedBlocks, if any. |
len = this.cacheReset.unfinishedBlocks.length;
if (len) {
|
|
Copy by reference cached blocks. |
i = -1;
for ( ; ++i < len ; ) {
blockIdx = this.blocksIds[this.cacheReset.unfinishedBlocks[i]];
this.unfinishedBlocks.push(this.blocks[blockIdx]);
}
this.cacheReset = { unfinishedBlocks: []};
}
|
|
End restore unfinishedBlocks. |
|
|
Call restore on individual blocks. |
for (blockIdx = 0; blockIdx < this.blocks.length; ++blockIdx) {
this.blocks[blockIdx].restore();
}
this.sequence = [];
this.finalized = false;
};
})(
'undefined' != typeof node ? node : module.exports,
'undefined' != typeof node ? node : module.parent.exports
);
|


--- layout: post title: Todo's date: type: post published: false status: draft categories: [] tags: [] meta: _wpcom_is_markdown: '1' author: login: velmuruganv email<EMAIL_ADDRESS>display_name: velmuruganv first_name: '' last_name: '' ---
Event listener
Thread local
Dynamic proxy
Cglib
Aop


Swimming:
| Address: | Michael Phelps Foundation, 7 Ocean Street, 2nd Floor, South Portland Maine 04106 | |
| Phone: | +1<PHONE_NUMBER> | |
| Email: | @michaelphelpsfoundation.org |
Profile Page
This Is the public Profile Page.
Michael Fred Phelps (born June 30, 1985)is an American former competitive swimmer and the most successful and most decorated Olympian of all time, with a total of 28 medals. Phelps also holds the all-time records for [23 Olympic gold medals]
| Address: | Michael Phelps Foundation, 7 Ocean Street, 2nd Floor, South Portland Maine 04106 | |
| Phone: | +1<PHONE_NUMBER> | |
| Email: | @michaelphelpsfoundation.org |
Swimming:
Golf:
Diving:


Rapid Recap: Celtics beat Spurs in San Anton, at potentially great cost
by Liam GreenRapid Recap is designed for the busiest of Celtics fans. Whether you can’t stay awake to read 10 paragraphs or your hangover is just too much, Rapid Recap tells the timeline of the game in only a minute or two.
The Boston Celtics haven’t beaten the San Antonio Spurs on the latter’s home floor since 2011. The streak ended this Saturday evening with a 135-115 victory—unfortunately, in perhaps the most Pyrrhic fashion you can possibly imagine due to Gordon Hayward’s hand injury.
Jaylen Brown led all scorers with 30 points (plus 7 rebounds, 3 assists and a steal), continuing his trend of killing it in San Anton’. He was one of five Celtics in double figures, alongside Kemba Walker (26-5-8-1-1), Jayson Tatum (19-7-4-3), Marcus Smart (16-3-3-2) and last but not least, Robert Williams with 11-7-2 and 6 BLOCKS.
Let’s take a closer look:
The Spurs initially appeared to exhibit their usual home field advantage in a quick seven-point blitz, but it soon went the other way AND HARD:
Jaylen Brown was a big reason for this, but the offense was potent overall. I mean look at this ish:
It continued as soon as SMARF took the floor:
He then drained another about five seconds later. The quarter ended 39-30 Boston—the Cs’ most points in a quarter thus far in this young season.
Despite gumption from the Spurs early in the second frame, San Antonio’s ostensible star LaMarcus Aldridge was a complete non-factor, leaving DeMar DeRozan and Bryn Forbes to fuel the offense alone. Which was Not Enough to stop the Celtics’ pressure:
It really was all…going…so…well.
And then, sometime leading up toward the halftime mark, while he attempted to defend a Dejounte Murray drive to the cup:
Reactions were about as you’d expect.
Even Lakers partisans were bummed:
The show had to go on. Kemba, who had a slow first half, made up for his lost time in a big way:
And Jaylen was not going to let the momentum slip away. Hence destruction like this:
The Spurs managed to stay within a few yards of a possible comeback (closing it to 104-91 at Q3’s end) due to strong three-point shooting from dudes like Patty Mills and Trey Lyles. The Celtics’ bench, however, was a lot more up for it, and more ready for DUNK KING:
After a few minutes of protest San Antonio’s shots went cold again, Boston’s lead ballooned to the 20s, where it remained.


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Last summer, I have been prescribed 1 mg hydromorphone because of my severe back pain. As you probably know, one milligram is the weakest dose therefore I often used more than recommanded.
It was a normal friday night : me being alone at home. The events took place around 8 pm. I was about to take my 8 pm dose when I noticed a precaution note on the label : ''Never take with alcohol''. And of course, I wondered what it'd be like to do so.  Though I went on the web to have an idea of what I should be expecting. After reading tons of warnings about hydromorphone combined with alcohol, I finally decided to do it. I popped four milligrams and swallowed them with half a glass of vodka.
I was all excited and happy with the thoughts of the high I was about to feel. But the joy didn't last too long : the more I was waiting for a rush, the more I felt down. Opiates usually give me a soothing feeling but it wasn't soothing at all. 35 minutes after the ingestion, I was so down that I wasn't even able to think or feel anything. Seriously, I felt tired at the point where I wasn't even able to end my cigarette. This was scary. I immediately went to bed, knowing that my mind could turn off by any moment. I probably got asleep instantly because I don't remember anything from that moment.
I'm glad I only took 4 mg! In conclusion, not fun at all, and very dangerous because of respiratory depression. Please follow the notes on your script.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Ce court tutoriel vous familiarisera avec les principaux outils de Recogito. Vous apprendrez comment:
- téléverser des textes et des images
- créer des annotations
- identifier et localiser des mentions de lieux dans votre document
- exporter vos données afin de les réutiliser en dehors de Recogito
- inviter d'autres utilisateurs à venir travailler avec vous
Qu'est-ce que Recogito?
Recogito est une plateforme collaborative d'annotation de documents. Ce site est entretenu par la communauté Pelagios, une initiative du domaine des humanités numériques qui a pour objectif de renforcer les liens entre les entreprises de documentations du passé sur internet.
Recogito est constitué d'un espace de travail personnel dans lequel il est possible d'importer, de rassembler et d'organiser sa documentation - textes, images ou tables de données - afin de l'annoter et de la commenter. Recogito vous permet d'améliorer la visibilité de votre travail sur internet lorsque vous rendez votre travail accessible en Open Data.
This tutorial will teach you the essentials of working with Recogito. To complete it, you need a Recogito account, and two sample documents: a plain .txt file with some text, and an image file.
Tip: Open this tutorial in a separate browser window (or tab) so you can see it while you complete the steps.
Etape 1. Importer un document
Documents are used to organize your materials in Recogito. Each document can consist of multiple files. But for now, we are just going to upload a document consisting of a single text file.
Cliquer sur Nouveau Document.
To upload a new text document
- Enter a title for your document and click Next.
- Upload your text file. You can either click Choose a File to Attach and select it in the file browser, or you can drag and drop it into the upload area with your mouse.
- Recogito can run Named Entity Recognition (NER) on your text. This means it will attempt to identify and pre-annotate places and persons automatically. Check Apply automatic annotation and click Next.
Depending on the length of your text, NER may take a while. Once completed, click Done. Congratulations! You have imported your first document into your workspace.
To upload a new image document
Repeat the steps above to create another document from your image file. In the last upload step, Recogito may take few seconds to convert your image into a zoomable image. But more on that later.
Step 2. Create Annotations
Open your text document by double-clicking it in the list. This will take you to the annotation view.
To create a text annotation
Select text like you would in any word processing tool: either by clicking and dragging with your mouse, or by double clicking a word. You can add text comments and tags, as well as identify the selected text as a Place, Person or Event. (We will learn more about how to deal with places in a minute.)
Try experimenting with the annotation editor. You can change or delete each part of an annotation seperately, after you have created it. (To delete a tag, click on it first to get a delete button.) Deleting all parts of an annotation will also remove the highlight from the text.
To create an image annotation
Open your image document. Recogito has a zoomable view so you can navigate even highest-resolution images easily. Zoom using your mousewheel or the + - buttons in the upper right corner. On touch devices you can also use a "pinch" gesture. Pan by dragging and releasing the image.
You can rotate the image at arbitrary angles. On a desktop computer, hold SHIFT + Alt while dragging with your mouse. On touch devices, use a pinch gesture. Use the button with the single arrow to quickly rotate the image back to its original orientation.
Let's create our first image annotation. In the toolbar, there is a drop-down menu where you can switch between Recogito's different selection modes: Point, Rectangle and Tilted Box. Select Point and create an annotation by clicking somewhere in your image. Switch back to Move to resume standard image navigation.
Now try annotating an area: pick the Rectangle tool. Click once to select the starting corner of the area. Then click again for the opposite corner.
The Tilted Box tool may take a bit more practice: select it from the menu. Click and hold the mouse button to draw the baseline of the box. Then release the mouse button. Move the mouse to define the height of the box, and click when you are happy with the height.
Tip: the Tilted Box tool is especially useful for annotating labels in maps. Because there is an explicit baseline, the data you generate will also retain information about the orientation of the label.
Step 3. Identify and Map Places
You already know how to annotate a word or phrase in a document, and identify it as a reference to a place. Now let's assign this reference to a gazetteer, so that Recogito can plot it on the map.
Click Place in the annotation editor. Recogito will attempt to provide an automatic suggestion from its supported gazetteers. You can either confirm this suggestion, or try to find a better match in the gazetteer search. If you can't find a suitable match, you also have the option to flag this reference, as an indication that no suitable match was available.
To speed up your work, Recogito will automatically search the text for identical phrases and give you the option to re-apply the gazetteer assignment to all other matches.
Step 4. Export Your Data
Select the
icon in the main navigation bar. This will take you to the available export options for your document. In addition to the options listed on this page, you can also download a backup package of your work from the document settings page. We recommend to download backups for archiving and as an added security measure.
Step 5. Invite Other Users
In this final step we are going to learn how you can share your documents with other users on Recogito, so that you can work as a team. Select the
icon in the main navigation bar. This will take you to the Document Settings page. In the left sidebar, select Sharing.
Use the search field at the bottom of the Collaborators box to grant a user access to your document. You can choose between different levels of access:
- Read allows users to view document and annotations, but not add annotations and comments themselves.
- Write allows users to view and annotate the document.
- Admin provides write access, and additionally allows users to edit document metadata, invite other collaborators, and perform administrative actions like downloading backups.
Congratulations!
You have successfully made your way through Recogito's most important features. By completing this tutorial, you have learned to:
- upload documents
- create annotations on texts and images
- map place references to gazetteers
- export your data to different formats
- invite other users to work with you
If you want to learn more and get in touch with our user community, please visit the Pelagios mailing list.


Have you ever played a Five Nights at Freddy's game?
One two Freddy's coming for you
by Chris CarterFive Nights at Freddy's really falls into that "single developer" category that's been so prevalent in the 2010s.
Scott Cawthon is responsible for a multi-million-dollar empire, alongside of recent solo studio names like Matt Thorson, Toby Fox and Eric "ConcernedApe" Barone. It really is amazing when you think about it, but a recent string of Switch eShop releases got me thinking: how much of the general public plays Five Nights?
Me? I like to dabble in a bit of everything. Some of it's for research, and the rest I just have no excuse: I love games of all shapes and sizes. Also, I have young cousins and neighbors who constantly ask me if I play it (and Minecraft/Fortnite/Roblox) so I like to have an answer ready.
You've probably seen the merch at some point (or the above Fazbear/friends face), but let us know if you've ever played a Five Nights game before.


 Try not to bash into the walls too much. Try to have a nice family life, have fun, save a little money. That's a very limited life.  And you can change it, you can influence it… Once you learn that, you'll never be the same again -
Steve Jobs
Peace of mind produces right values, right values produce right thoughts. Right thoughts produce right actions and right actions produce work which will be a material reflection for others to see of the serenity at the center of it all.” ― Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values
The present is always invisible because its environmental. No environment is perceptible, simply because it saturates the whole field of attention. -Marshall McLuhan
Always works in small teams.
Keep a low profile. Never deal with anyone who doesn't come recommended.

And that's not to say that we don't have that special kind of magic that turns two kilos into three. But never get too greedy.
Know and respect your enemy!
And avoid like the plague, loud attention seeking wannabe gangsters who are in it for the glory, to be a face, to be a name.
They just do. Oh, and forgive me for stating the obvious, but stay away from the end user.
JJ Connolly in Layer Cake (voiced by Daniel Craig)


Issue-Based Information Systems for the Semantic Web
Latest draft : (changes)
The material presented here is subject to change. Feedback is requested - please email.
Note
latest schema here : rdf/xml, n3 (2006-01-06 - minor editorial changes, bug in the schema fixed)
Issue-Based Information Systems (IBIS) is a collaborative problem analysis and solving technique. The purpose of this document is to provide URIs/PSIs for the use of IBIS in web languages, and to provide an RDF representation of terms in an IBIS grammar which will be largely interoperable with existing non-RDF usage. This vocabulary is designed to express core IBIS concepts and features a small number of classes and properties which may be extended through the use of other standard or custom vocabularies.
This document is entirely unrelated to the IBIS signal integrity modelling language.
RDF Schema: ibis.rdfs (I think the link above is the one)
In their 1970 paper Issues as Elements of Information Systems, Kunz and Rittel introduced Issue-Based Information Systems (IBIS) as a collaborative problem identification and solving tool. The concept is based on processes of argument. The system is particularly useful when at the outset a problem is either poorly defined, and/or preconceptions of the nature of the problem lead to participants in the discussion taking adversarial roles. To avoid the polarisation that is common in debates, IBIS follows a procedure involving a decomposition of the problem. The key to the system is the idea of an issue, which is in effect a question. As the procedure takes place, particular kinds of knowledge artifacts are generated and recorded. Although finding a good solution to any given problem is by no means guaranteed, the process can reveal answers on which a concensus can be reached, or discover aspects of the problem to which other reasoning techniques may be applied.
The system is described in the original paper in terms of a model and algorithms, although at the time of writing the procedures were implemented largely by hand. Subsequent exploration and development lead to the implementation of gIBIS, a sophisticated, hypertext-based graphical tool for using the IBIS techniques by Conklin & Begeman. Later this led to the development of the commercial QuestMap tool, which has since been superceded by the Compendium product.
Initially, the general area in which the problem lies is identified. Within this area issues are identified through discussion, and each is recorded as a question. Possible answers to the question are identified as positions, which may begin as general points of view of individual participants but are crystalised into a clearly defined statements, which are noted. At this point the participants express arguments in favour of or against a position, and these are also recorded. The unravelling of the issues in this fashion may be enough that an answer on which all the participants agree is found - in which case everybody can go home. However, if this is not the case then the positions and arguments are re-examined, and wherever possible treated as issues themselves, and the decomposition cycle repeated.
It is reasonable to expect that this process can aid debate in at least two ways. Firstly the extraction (@@ reification?) of the positions and arguments will abstract these away from the problem as perceived by the participants, allowing individuals to seem these in a neutral manner. This will allow participants to contribute their knowledge and reasoning skills to aspects of the problem that might otherwise seem opposed to their own opinions. Secondly, the decomposition part of the process cycle ensures that change is always occurring, so there is less likelihood of the discussion getting stuck in an infinite loop.
IBIS in effect covers knowledge elicitation, modelling and reasoning. The use of atomic statements and relationships between these statements anticipates some of the core techniques of Semantic Web developers three decades later. Another aspect of the IBIS system that is all-too familiar in the 21st century is the kind of problems it is particularly aimed towards solving are those that have been dubbed 'wicked' (@@ ref - Conklin?). A wicked problem is one in which the nature of the problem itself may be poorly understood, and one in which the terms of reference are unclear or in dispute. Resources are likely to be expended before such a problem is solved by traditional means, whereas IBIS provides a procedure in which conflicts do not have to be resolved before progress can be made.
Several pieces of software (see Tools) have be written to help map dialogues, record debate and trace citation paths. Most of these tools include some form of domain modelling - entities and relationships are represented and perhaps constrained in ways that reflect the networks represented. Implementations focus primarily on making a user-friendly recording system, the procedure and necessary reasoning are still carried out manually by human participants.
@@TODO
Main points :
The XML namespace for this vocabulary is http://purl.org/ibis# and the recommended prefix is ibis. i.e. in RDF/XML documents the following attribute should be included in the rdf:RDF element :
xmlns:ibis="http://purl.org/ibis#"
@@ could do with the advice of a TM'er on these!
|
http://purl.org/ibis#Idea http://purl.org/ibis#Question http://purl.org/ibis#Argument http://purl.org/ibis#Decision http://purl.org/ibis#Reference http://purl.org/ibis#Note http://purl.org/ibis#Map http://purl.org/ibis#refersTo http://purl.org/ibis#pro http://purl.org/ibis#con |
The top-level class in the IBIS vocabulary.
may propose a possible resolution for a question
states a question
states an opinion or judgment that either supports or objects to one or more Ideas.
used as GRL:Belief
Beliefs are used to represent design rationale. Beliefs make it possible for domain characteristics to be considered and properly reflected into the decision making process, hence facilitating later review, justification and change of the system, as well as enhancing traceability.
subclass of refersTo
subclass of refersTo
subProperty of dcterms:reference
@@ Graph examples : human version, RDF version
[@@TODO example]
One area that might benefit from the use of this vocabulary is the familiar email debate, such as found on mailing lists and usenet. A possible approach would be to include a tag within the body of a post that could be interpreted by recipients. For example, a discussion might start with a mail like this :
| From: |<EMAIL_ADDRESS>|
| To: |<EMAIL_ADDRESS>|
| Subject: | Open Source Solutions |
| Message Body: |
I believe open source software helps the industry as a whole... Yours, ibis:Position |
A response that contradicted this might then appear :
| From: |<EMAIL_ADDRESS>|
| To: |<EMAIL_ADDRESS>|
| Subject: | re: Open Source Solutions |
| Message Body: |
Many vendors will be put out of business if products superior to their own are available free... Yours, ibis:con |
Either on receipt or after archiving, the necessary metadata can be extracted with relative ease - the discussion thread provides the link from the second post to the first, and the special text inserted provides the IBIS information.
Assuming the posts were archived as pages http://listserv.org/123456.html and http://listserv/1234569.html, we have the following RDF statements :
Jack Park
OHS
[Rittel1970] Issues as Elements of Information Systems, Werner Kunz and Horst W. J. Rittel 1970.
gIBIS - A Hypertext Tool for Exploratory Policy Discussion
Jeff Conklin & Michael Begeman, Proceedings of CSCW88, 140-152, 1998
As a separate document : ibis.rdfs
<?xml version="1.0"?>
|
|
gIBIS
|
IBIS-T
|
| issue | ibis:Idea |
| position | |
| argument | ibis:Argument, ibis:pro, ibis:con |
|
gIBIS
|
IBIS-T
|
| generalises | rdf/owl? |
| specialises | rdf/owl? |
| replaces | rdf/owl? |
| questions | |
| is_suggested_by | rdf/owl? |
| responds_to | |
| objects_to | |
| supports |
A Short Course in IBIS Methodology
gIBIS entry at weblogkitchen Wiki
ClaimMaker
CogNexus Institute (Jeff Conklin's current IBIS consultancy)
Compendium Institute (The
Compendium Institute have rewritten QuestMap from the ground up in Java,
and a release is available for free download. There are also lots of papers
describing serious case studies with it, and experiences in using/extending
IBIS. Also a DTD for Compendium IBIS-based nodes.
// @@TODO - find a good overview of Grice & conversation as used here
The RDFS will be placed in the public domain under a Creative Commons license, with the usual software disclaimers.
2006-01-06
removed ibis:reference rdfs:subClassOf rdfs:seeAlso
etc. (Thanks Max Volkel)
2003-12-15
Added term status flags
Added properties :
respondsTo
(= refersTo)
supports
(= pro)
objectsTo
(= con)
source
(new) the documentary source of the Argument
label
(new) the visual label of the IBIS entity
See also : weblog entry
2003-09-30 : inserted refersTo property; added missing xml:base to schema; # to namespace; minor changes to this text
2003-02-05 : added license note & namespace description
2003-08-24 : deleted a couple of dead links, remove copyright comment
2002-10-22 : First draft


Comparing Arrays and Hashes
What's the difference and which one to use?
December 3, 2015
We're on to another programming language this week - Ruby! Last week we talked about CSS and how we can use it to design websites, this week we'll talk about some Ruby concepts which has more to do with data. Arrays and hashes are data structures used in Ruby that can be very helpful for organizing, retreiving, and updating data. I won't get into too much detail in this post but I want to explain what they are and how you can use them in different situations.
Array
An array is a collection of data ordered by index - it looks like a list:
array_of_numbers = [1, 2, 3, 4]
array_of_strings = ["cat", "dog", "bird"]
array_of_arrays = [[1, 2, 3], [1, 2, 3], [1, 2, 3]]
As you can see, an array can contain numbers, words, or even more arrays.You can also have an array that contains different types of elements, like numbers and words. I say they are ordered by index because each element in the array is assigned an index starting at 0 (notice we don't start counting at 1) and counting up from there. If I wanted to retrieve the second element in the array_of_strings, I would write:
array_of_strings[1]
This grabs "dog" from the array. Notice "cat" is at index 0, and dog is at index 1.
Hash
A hash is similar to an array but it doesn't have an index assigned to it. Instead it has keys assigned to values, and you determine what the keys are. I'll show you an example of a hash using my name as data:
my_name = {
:first_name => "Catie",
:last_name => "Stallings"
}
my_name = {
first_name: "Catie",
last_name: "Stallings"
}
If I wanted to retrieve my first name from this hash I would use the key (first_name) to get the associated value (Catie):
my_name[:first_name]
And you'll notice I wrote the hash twice with slightly different syntax, I just wanted to show you that there are different ways of creating a hash. You can see it's similiar to an array but you can add more information to a hash. It helps to think of a hash like a dictionary. Another notable aspect of a hash is that the keys must be unique even though the values don't have to be.
Which to use?
Knowing when to use an array or a hash is something you have to feel out for yourself and take into consideration the code you're writing. There aren't any hard and fast rules I know of. But by seeing how these concepts differ you can start to see how they might be useful in different ways. Hashes are probably best used with associative data. If I'm storing my personal information in either an array or a hash, I'll choose the hash and here's why:
personal_info_ary = ["Catie", "Stallings", 25, 60462]
personal_info_hash = {
:first_name => "Catie",
:last_name => "Stallings",
:age => 25,
:zip => 60462
}
The hash give a lot more information about this data, the array is a little confusing. This only scratches the surface of what arrays and hashes can do. If you're interested in seeing some awesome things you can do with them check out the Ruby documentation on arrays and hashes.


Cancellation Policy
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Property Fees
Use of Data
The Customer agrees that Affiliate may transfer personal data belonging to the Customer and other persons on behalf of whom the Customer is making a booking of EAN Travel Products to EAN and/or its Corporate Affiliates for the purposes of facilitating the booking and providing after sales support (if any) of those EAN Travel Products.
This inventory is provided by Travelscape LLC


Coffee House Chains
A ranking of selected leading coffee house chains worldwide
Group by
Revenue in billions U.S.
Stores Worldwide
Sort


Oops! It seems you are not signed in. This will keep you from using the app. Go to
signin or make a new account here: signup.
The trash functionality is coming soon in the next version of the Glaze Calc app.
Until then, use the delete / remove with care: once it is gone the info is lost.


Hello my name is Dylan Smith; I am a full-stack web developer and current student attending a Deep Dive Coding full-stack web development boot camp. I like to face new challenges and opportunities to learn, develop and grow. I have always had a curiosity with technology, I love to play video games and learn new apps and software that I can use in my daily life. I have been to a summer animation camp and I took computer graphics every year in high school learning how to use photoshop and illustrator and the importance of graphic design. Now I love learning about code and web development, it has opened up a world of possibility and I am excited to explore them. I am located in Albuquerque and am looking forward to working as an intern with awesome businesses after I have completed my boot camp. Go ahead and feel free to look at my portfolio and send me a message!


date Jul 20th, 2013
companies Forest Ventures
people John Gbedzy
tags
Ullamco veniam Marfa freegan post-ironic exercitation. Typewriter pop-up narwhal dolor. Stumptown ethnic church-key ex elit selfies. Forage tousled vero blue bottle. Mollit culpa freegan, dolore helvetica viral VHS pork belly. Vice cillum pop-up do, non shabby chic church-key Odd Future eiusmod. Chambray consequat artisan before they sold out, pickled PBR deep v mollit butcher.
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4th year Computer Science and Engineering student at University of California, Davis.~ Expected graduation June 2019 ~Currently a full stack developer at ASUCD Creative Media, looking for a full time job after graduation.


Server: Microsoft-IIS/3.0 Date: Thu, 18 Dec 1997 19:12:23 GMT Content-Type: text/html Accept-Ranges: bytes Last-Modified: Mon, 15 Dec 1997 13:58:17 GMT Content-Length: 4124
Use the form below to search for documents on this web site containing specific words or combinations of words. The text search engine will display a weighted list of matching documents, with better matches shown first. Each item in the list is a link to a matching document.
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PHOTO: Rudy Giuliani with Lev Parnas, Igor Fruman, third 'unnamed associate'
by Xeni JardinOne for the ages. Almost looks like one of those garage sale black velvet paintings with the dogs playing poker.
THIS is an absolutely incredible new photo of former Donald Trump's personal lawyer and current investigation target Rudy Giuliani, along with his distinguished Russian gentlemen friends Lev Parnas, Igor Fruman, and a third 'unnamed associate.'
Wow. Here's the full image.
Read the ProPublica report, which is even more insane than the photo (and true): Giuliani Was Close to a Podcast Deal With the News Outlet That Spread His Ukraine Conspiracies


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ADDICTION, THE (director: Abel Ferrara; cast: Lili Taylor (Kathleen Conklin), Edie Falco (Jean), Christopher Walken (Peina), Paul Caldaron (Professor), Kathryn Erbe (Anthropology Student), Annabella Sciorra (Casanova), Robert Castle (Priest), 1995)
An N.Y.U. philosophy doctoral candidate, Kathleen Conklin (Lili), gets her doctorate despite being bitten in the neck by a vampire (Sciorra) and becoming one herself, when pulled into an alley after attending a lecture on the My Lai massacre in Vietnam.
This handsomely shot b/w film, relates vampyrism to the evil that is inherent in man, that becomes his addiction. Vampires are compared to junkies who need their fix.The film brings out a collection of philosophers to state its case; such as, Sartre, Kierkegaard, Nietzsche, and Heidegger. In the background, we hear funky rap music and witness the action on the mean streets of Greenwich Village.
The film makes use of the 24-hour around the clock slide show the Holocaust Museum in NYC features, to interject from time-to-time, the evil of the Nazis depicted in those slides. This was a mistake. You are comparing apples with oranges, and the film suffers with its credibility from such an unjust comparison. In case Ferrara forgot, vampires are not real but the Holocaust was only too real.
The film itself, does not feature much action, relying on a lot of chatter and non-communicative conversations to get its story across. There is one mass bloodsucking scene at the film's climax, as Kathy invites all her college mentors and personal acquaintances over to help her celebrate her attaining of a doctoral degree with a reception. She thanks them for coming, and then says, `I'd like to take a minute to share with you a little of what I've learned while studying for my doctorate.' Then she pounces on one of her professors, sucks out a mouthful of blood, and spits it out at the crowd. Now that's what we were waiting for, since the film did not feel quite right up to that point. It felt better being more campy.
Despite the short-comings of the plot, Lili Taylor gives a credible performance. She is especially good in the scene where she is pulling out her own molar to prove a philosophical point. She is the best thing about the film, playing a vampire addict who just wants her fix.
This thinking man's vampire movie, is a natural for the midnight cult audience, but will seem out of place in a prime time slot. Christopher Walken is a natural for this type of film, but has a part that might as well be nonexistent. We don't see him until the film is nearly over, and when we do see him, he doesn't do much, except drain the blood of the still-not-evolved vampire, Kathy.
One of the many problems with this low-budgeter, is that it couldn't tell its story without the philosophers. It needs their explanations to explain itself. The story, which could have been more interesting if developed properly, never has a chance to really express itself without being explained away in philosophical terms. All its weird subjects are brazenly brought up and we are teased with the weight of their meaning, and then we are stopped short from following through on what their implications are. For instance, the topic of free will, always a good philosophical one; but, when Kathy says it is now my will against theirs, we are not quite sure what she means by that. When she confronts her next chosen victim and is ready to vamp them, she asks them to look her in the face and tell her, convincingly, to let go. But what does that mean.
The film's theme becomes, that existence itself is the search for relief from our habits, and existence is the only relief we can find from our habits that makes sense. What Kathy learns from her vampire guru, Peina (Walken), not her college prof, is that we are all evil: we must annihilate the self. So the question becomes, what should we do, if we can't kill what is dead...You will do anything for a fix, says Kathy. An addiction is an evil thing to have. And if you are faced with choosing you or them, jumping or being pushed, Kathy still believes that you must satisfy your own needs first. Or, you can do with as little as you possibly can, says the diet-conscious and wise vampire, Peina.
If you want to see a film that is more credible than this one, that handles the same subject, but injects more life and fear into its story, and less philosophy and guilt-ridden religious themes, check out Larry Fessenden's Habit.
REVIEWED ON 5/30/99 GRADE: C
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
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|
Drake
|
A DenseOutput class interface extension, geared towards step-wise construction procedures.
Outputs of this kind are to be built incrementally by means of discrete updates that extend its domain. Nature of an update remains implementation specific.
To allow for update rectification (i.e. drop and replacement), in case it fails to meet certain criteria (e.g. not within tolerances), construction can be deferred to a consolidation step. In between consolidations, updates can be rolled back (i.e. discarded) one by one on a last-input-first-output basis. Implementations are thus encouraged to keep recent updates in a light weight form, deferring heavier computations and construction of a better suited representation for evaluation. As such, evaluation is bound to succeed only after consolidation.
| T | The scalar type, which must be one of the default scalars. |
#include <drake/systems/analysis/stepwise_dense_output.h>
Public Member Functions | |
| ~StepwiseDenseOutput () override=default | |
| virtual void | Rollback ()=0 |
| Rolls back (drops) the last update. More... | |
| virtual void | Consolidate ()=0 |
| Consolidates latest updates. More... | |
Does not allow copy, move, or assignment | |
| StepwiseDenseOutput (const StepwiseDenseOutput &)=delete | |
| StepwiseDenseOutput & | operator= (const StepwiseDenseOutput &)=delete |
| StepwiseDenseOutput (StepwiseDenseOutput &&)=delete | |
| StepwiseDenseOutput & | operator= (StepwiseDenseOutput &&)=delete |
| Public Member Functions inherited from DenseOutput< T > | |
| virtual | ~DenseOutput ()=default |
| VectorX< T > | Evaluate (const T &t) const |
Evaluates the output at the given time t . More... | |
| T | EvaluateNth (const T &t, int n) const |
Evaluates the output value's n th scalar element (0-indexed) at the given time t . More... | |
| int | size () const |
| Returns the output size (i.e. More... | |
| bool | is_empty () const |
| Checks whether the output is empty or not. More... | |
| const T & | start_time () const |
Returns output's start time, or in other words, the oldest time t that it can be evaluated at e.g. More... | |
| const T & | end_time () const |
Returns output's end time, or in other words, the newest time t that it can be evaluated at e.g. More... | |
| DenseOutput (const DenseOutput &)=delete | |
| DenseOutput & | operator= (const DenseOutput &)=delete |
| DenseOutput (DenseOutput &&)=delete | |
| DenseOutput & | operator= (DenseOutput &&)=delete |
Protected Member Functions | |
| StepwiseDenseOutput ()=default | |
| Protected Member Functions inherited from DenseOutput< T > | |
| DenseOutput ()=default | |
| virtual VectorX< T > | DoEvaluate (const T &t) const =0 |
| virtual T | DoEvaluateNth (const T &t, int n) const |
| virtual bool | do_is_empty () const =0 |
| virtual int | do_size () const =0 |
| virtual const T & | do_start_time () const =0 |
| virtual const T & | do_end_time () const =0 |
| void | ThrowIfOutputIsEmpty (const char *func_name) const |
| void | ThrowIfNthElementIsInvalid (const char *func_name, int n) const |
| void | ThrowIfTimeIsInvalid (const char *func_name, const T &t) const |
|
delete |
|
delete |
|
overridedefault |
|
protecteddefault |
|
pure virtual |
Consolidates latest updates.
All updates since last call or construction are put into a form that is suitable for evaluation.
| std::logic_error | if any of the preconditions is not met. |
Implemented in HermitianDenseOutput< T >.
|
delete |
|
delete |
|
pure virtual |
Rolls back (drops) the last update.
| std::logic_error | if any of the preconditions is not met. |
Implemented in HermitianDenseOutput< T >.


Matrix Anim - jQuery
This is one of the series of exercises to understand the Data state management using different JS frameworks / libs This exercise uses jQuery
Developed by
Sravan Rekandar
UI Developer based out of Banglore, India
sravanrekandar@gmail.com


.
For data collection, it is a common situation to work with a laptop or a cell phone offline in the field. Upon returning to the network, the changes need to be synchronized with the master datasource (e.g., a PostGIS database). If several persons are working simultaneously on the same datasets, it is difficult to merge the edits by hand, even if people don’t change the same features.
The Offline Editing Plugin automates the synchronisation by copying the content of a datasource (usually PostGIS or WFS-T) to a SpatiaLite database and storing the offline edits to dedicated tables. After being connected to the network again, it is possible to apply the offline edits to the master dataset.
Figure Offline Editing 1:


Become a master builder and conquer your enemies in the immersive world of Fort Nitta! Experience intense gameplay and breathtaking graphics as you battle it out against other players! Fort Nitta is an epic game of strategy and skill, where each and every block placement will determine the winner. Experience nonstop, addictive gameplay and the ability to crush your friends in defeat!
Unleash your strategic prowess and enter the world of Fort Nitta today to forge your legacy!
In Fort Nitta, each player is in control of a set of castles. To achieve victory, players must attack other castles while defending their own. To defend against enemy attacks, players are able to rebuild castle walls.
At the start of battle each player must choose the location of their fort to strategically build their castle around. Players will then place cannons within the castle.
Afterwards, the attack round will commence and each player will take turns shooting at other players using the respective cannons. Wind levels could also vary during the attack round, which will affect the accuracy of projectiles
Damages done during this round will be able to be repaired in the following repair round with a given time limit. Blocks given for repairs are similar to Tetris shapes, and can be moved freely around to build castle walls. Survivors of the repair round will receive additional cannons to continue the battle.


Frequency 1
Hz
Frequency 2
Hz
Between
Volume
Shape
Sine
Triangle
Square
Sawtooth
Play
Off
Frequency 1
Frequency 2
Between


--- layout: default permalink: /shadows category: utilities category_page: Utilities title: Shadows description: "Add shadows to your elements by applying one of the 6 kinds of shadows available, easy to use just apply the class and a number or just apply shadow. In total there are 8 shading options where you can cancel the shadows or add the one you want." ---
The shadows work the same as the HTML heading from 6 to 1 with 1 being the largest and 6 the least.
The shadows work the same as the HTML heading from 6 to 1 with 1 being the largest and 6 the least.