Company profile - Canadian Company Capabilities
Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Pattison Sign Group, A Division of Jim Pattison Industries L
Legal Name:
Pattison Sign Group, A Division of Jim Pattison Industries L
Operating Name:
Pattison Sign Group
Mailing Address:
8 Miller AveEDMUNDSTON, New Brunswick
E3V 4H4
Location Address:
8 Miller AveEDMUNDSTON, New Brunswick
E3V 4H4
Tel.:<PHONE_NUMBER>
Tel.:<PHONE_NUMBER>
Fax:<PHONE_NUMBER>
Company Profile
Enseignes Imperial Signs is a Canadian-owned company
incorporated in New Brunswick since 1963. In September of 1998,
EIS concluded a merger with the Pattison Sign Group, which
has operated as one of the premiere manufacturers of illuminated
signage in the Canadian marketplace, dating back to the turn of
the century. Also, Pattison Sign Group is the world's
largest custom electrical Sign Company, employing over 800
people. With manufacturing facilities in seven (7) locations
across Canada and service offices in a further 24 locations, Pattison Sign Group offers comprehensive coverage across
Canada, with increasing sales in the United States as well as in
Latin America and parts of Europe.
Enseignes Pattison Sign Group (EPSG) is committed to establishing
ourselves as expert-partners in various modes of visual
communication in order to effectively implement our client's
image. This is accomplished through the empowerment of our
employees, continuous training, and the consistent and high
level of quality found in our products and services.
Partnership and quality have been and will remain cornerstones
of our success. Partnerships with clients, suppliers, and
especially employees will continue to be part of our philosophy
and drive our development. Continual research and development
allows us to integrate new techniques and materials in order to
offer our clients the best product at the best value. The firm
also places a great deal of importance on customer service and
customer satisfaction.
We design and manufacture a first-rate product, meeting the
highest expectations of major international accounts, using the
most advanced technology and equipment.
To meet our clientele's growing needs for quality, EIS has been
certified ISO 9001:1994 for quality standards in manufacturing,
a Total Quality Management Program. This certification was
achieved in September 1998, through a valued and successful
partnership of employees, customers and suppliers.
Our values are based on EPSG' pride and satisfaction in a job
well done:
· Customer satisfaction
· Team Work
· Professionalism
· Quality
Full profile
Full profile
Contact information
Company description
Product / Service / Licensing
image from afar. It is guaranteed to draw the intended
attention to your company.
tailored in order to suit your specific requirements. Whether
it is interior, exterior, illuminated or non-illuminated, the
single-faced sign will be designed and manufactured to fit your
architectural structure and serve as a valuable marketing asset
to your company.
visible and diversified channel letters will help you attract
valuable attention to your company.
will contribute in protecting it against the sun and the rain.
Its modern designs and modular constructions will surely meet
all the needs of your enterprise.
enterprise. This medium has already been around for many years
and has never lost its finesse. Its eye-catching features will
allow your customers to see it from a distance.
advanced technologies have allowed us to extend the use of new
materials, which enhance performance and allow a lightweight
construction. They provide shelter during inclement weather.
restaurant business. Therefore, we have come-up with a variety
of solidly, adaptable menus, which allow you to interchange your
different menus according to the seasons or simply add an item
or price.
a large variety of Freestanding Illuminated Signs for several
Canadian cities. Each one is designed and tailored to perfectly
blend in with its surroundings and effectively meet all the
needs of the city.
After moving out of the focus of attention for a time, this
classic display concept is back in full swing. Along with its
magnetic appeal, the great advantage of the urban column is
still the same: it informs people.
These days, through the use of new technologies, we can design
powerful media tools that blend with urban environment. That's
why it's easier to promote cultural events or post ads that
serve the community while informing the general public.
item, which offers a large range of advertising possibilities,
including color to animation.
elements of an environment, which have a direct impact on the
visitors. They are put in place to aid the visitors to find
their intended destination and give the enterprise a
recognizable identity. Effective wayfinding systems consider
the aesthetics of the facility and the corporate brand. Our
consultants will surely recommend a wayfinding solution, which
will suit your particular needs.
connected to a came shaft, allowing the possibility to display a
maximum of three publicities.
of the citizens under any extreme weather condition.
Incorporated on one side of the bus shelters are illuminated
display boxes, which allow advertisers the best and most
effective outdoor medium at daylight or at night.
Polar II in the Plaza de Venezuela, Caracas is one of EIS and
Consorcio S&P, their Venezuelan partners, most prestigious sign.
This project was developed with State of the Art technology; the
structure is exclusively constructed out of aluminium and
consists of two elements; the ring, which is 22.50 meters in
diameter (73.8 ft.) and 5.50 meters high, and a sphere of 16.50
meters (54 ft.) in diameter. The illumination of this gigantic
sphere is controlled by a computer system, which regulates the 7
Kilometres of Fibre Optic animation.
non-illuminated signs, interior and exterior menu boards,
individual letters, fascia signs, pylon signs, billboards,
awnings, wayfinding systems, street furniture, electronic
message centres and architectural spectaculars
delighted to advise you, answer any of your questions and
provide you with a dependable survey of the installation
site.
thorough knowledge of designing products that are guaranteed to
suite your needs.
We design and manufacture a superior quality product, using the
most advanced technology and equipment. Continual research and
development permit us to integrate new techniques and materials,
allowing us to offer our clients the best product at the best
value.
Our R & D department has recently designed and developed a range
of its own aluminum extrusions that we use during the
manufacturing of many of our products. These are in addition to
over 80 extrusions EIS has developed since 1963.
clients with a concept which best personifies its identity. In
order to help you attract valuable attention to your company, we
will design and create an image, which meets your expectations,
or we will gladly help you enhance your existing one.
quality products, which are guaranteed to meet your
specifications. The manufacturing of each product is done step
by step according to ISO 9001 International Standards.
International marketplace, EIS has established an installation
network to provide complete and timely service in each of the
regions and countries we serve. Individual companies are
screened for their ability to do proper site surveys, secure
permits, and provide feedback regarding local restrictions and
special conditions. We also make sure that they possess the
right equipment and knowledge to install any of our products and
provide post-installation services. We also verify that they
have the proper insurance, a good safety program, adequate fleet
for the projected work; emergency responsiveness,
professionalism and integrity, and the capacity to support our
client programs within their geographic area. This guarantees
that our clients get a final installation that maintains the
quality of our products and ensures that all work has been done
in accordance with all local regulations and requirements. Each
installation team assigned by EIS is thoroughly screened in
order to meet ISO 9001 standards. Consequently, a list of
criteria must be met with a minimum score of 69%, but an excess
of 80% is preferred.
pleasure in answering, in a timely manner, any of your
questions.
Our various offices, toll-free numbers, and Internet links,
enables EIS to provide its clients with 24-hour access, anywhere
in the world.
Whether you have questions concerning the installation of a new
sign, an existing one or have other requirements, we will
provide you with a quick response.
number one priority. No matter the source or the importance of
your project, our diverse leasing programs will offer you many
possibilities in order to develop your marketing strategy for
your next signage program.
This leasing program is currently available for clients in North
America.
The benefits and advantages are simple:
· As a monthly advertising cost, this operating expense is 100%
tax deductible.
· Enjoy the benefits of an effective on-premise sign without the
capital expense.
· Maintenance of the sign is our responsibility.
· We carry liability and property damage insurance on the sign.
· At the end of the term, the contract may be renewed of the sign
may be changed to reflect the new marketplace.
Give us a call, it will be more than our pleasure to help you
out!
Technology profile
of a complete range of visual communication products. These
include illuminated and non-illuminated signs, using neon, fiber
optic, plastic, steel, aluminum and flexface, and vinyl films.
With fully integrated fabrication capabilities, we can also
produce interior and exterior menu boards, billboards, awnings,
wayfinding systems, street furniture (bus shelters, freestanding
illuminated columns, etc.), electronic message centers and
architectural spectaculars. EIS offers complete design,
manufacture, installation, maintenance and leasing services.
Market profile
Alliances:
- Sales/Marketing
- Technology
Geographic markets:
Export experience:
- Brazil
- Mexico
- United States
- Maine
Actively pursuing:
- Antarctica
- Argentina
- Belize
- Bolivia, Plurinational State of
- Chile
- Colombia
- Costa Rica
- Ecuador
- El Salvador
- Falkland Islands (Malvinas)
- French Guiana
- Guatemala
- Guyana
- Honduras
- Nicaragua
- Panama
- Paraguay
- Peru
- Suriname
- Uruguay
- Venezuela, Bolivarian Republic of
- Connecticut
- Massachusetts
- New Hampshire
- New Jersey
- New York
- Pennsylvania
- Rhode Island
- Vermont
Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Contacts
Contact information
Description
Company description
Products, services and licensing
Product / Service / Licensing
image from afar. It is guaranteed to draw the intended
attention to your company.
tailored in order to suit your specific requirements. Whether
it is interior, exterior, illuminated or non-illuminated, the
single-faced sign will be designed and manufactured to fit your
architectural structure and serve as a valuable marketing asset
to your company.
visible and diversified channel letters will help you attract
valuable attention to your company.
will contribute in protecting it against the sun and the rain.
Its modern designs and modular constructions will surely meet
all the needs of your enterprise.
enterprise. This medium has already been around for many years
and has never lost its finesse. Its eye-catching features will
allow your customers to see it from a distance.
advanced technologies have allowed us to extend the use of new
materials, which enhance performance and allow a lightweight
construction. They provide shelter during inclement weather.
restaurant business. Therefore, we have come-up with a variety
of solidly, adaptable menus, which allow you to interchange your
different menus according to the seasons or simply add an item
or price.
a large variety of Freestanding Illuminated Signs for several
Canadian cities. Each one is designed and tailored to perfectly
blend in with its surroundings and effectively meet all the
needs of the city.
After moving out of the focus of attention for a time, this
classic display concept is back in full swing. Along with its
magnetic appeal, the great advantage of the urban column is
still the same: it informs people.
These days, through the use of new technologies, we can design
powerful media tools that blend with urban environment. That's
why it's easier to promote cultural events or post ads that
serve the community while informing the general public.
item, which offers a large range of advertising possibilities,
including color to animation.
elements of an environment, which have a direct impact on the
visitors. They are put in place to aid the visitors to find
their intended destination and give the enterprise a
recognizable identity. Effective wayfinding systems consider
the aesthetics of the facility and the corporate brand. Our
consultants will surely recommend a wayfinding solution, which
will suit your particular needs.
connected to a came shaft, allowing the possibility to display a
maximum of three publicities.
of the citizens under any extreme weather condition.
Incorporated on one side of the bus shelters are illuminated
display boxes, which allow advertisers the best and most
effective outdoor medium at daylight or at night.
Polar II in the Plaza de Venezuela, Caracas is one of EIS and
Consorcio S&P, their Venezuelan partners, most prestigious sign.
This project was developed with State of the Art technology; the
structure is exclusively constructed out of aluminium and
consists of two elements; the ring, which is 22.50 meters in
diameter (73.8 ft.) and 5.50 meters high, and a sphere of 16.50
meters (54 ft.) in diameter. The illumination of this gigantic
sphere is controlled by a computer system, which regulates the 7
Kilometres of Fibre Optic animation.
non-illuminated signs, interior and exterior menu boards,
individual letters, fascia signs, pylon signs, billboards,
awnings, wayfinding systems, street furniture, electronic
message centres and architectural spectaculars
delighted to advise you, answer any of your questions and
provide you with a dependable survey of the installation
site.
thorough knowledge of designing products that are guaranteed to
suite your needs.
We design and manufacture a superior quality product, using the
most advanced technology and equipment. Continual research and
development permit us to integrate new techniques and materials,
allowing us to offer our clients the best product at the best
value.
Our R & D department has recently designed and developed a range
of its own aluminum extrusions that we use during the
manufacturing of many of our products. These are in addition to
over 80 extrusions EIS has developed since 1963.
clients with a concept which best personifies its identity. In
order to help you attract valuable attention to your company, we
will design and create an image, which meets your expectations,
or we will gladly help you enhance your existing one.
quality products, which are guaranteed to meet your
specifications. The manufacturing of each product is done step
by step according to ISO 9001 International Standards.
International marketplace, EIS has established an installation
network to provide complete and timely service in each of the
regions and countries we serve. Individual companies are
screened for their ability to do proper site surveys, secure
permits, and provide feedback regarding local restrictions and
special conditions. We also make sure that they possess the
right equipment and knowledge to install any of our products and
provide post-installation services. We also verify that they
have the proper insurance, a good safety program, adequate fleet
for the projected work; emergency responsiveness,
professionalism and integrity, and the capacity to support our
client programs within their geographic area. This guarantees
that our clients get a final installation that maintains the
quality of our products and ensures that all work has been done
in accordance with all local regulations and requirements. Each
installation team assigned by EIS is thoroughly screened in
order to meet ISO 9001 standards. Consequently, a list of
criteria must be met with a minimum score of 69%, but an excess
of 80% is preferred.
pleasure in answering, in a timely manner, any of your
questions.
Our various offices, toll-free numbers, and Internet links,
enables EIS to provide its clients with 24-hour access, anywhere
in the world.
Whether you have questions concerning the installation of a new
sign, an existing one or have other requirements, we will
provide you with a quick response.
number one priority. No matter the source or the importance of
your project, our diverse leasing programs will offer you many
possibilities in order to develop your marketing strategy for
your next signage program.
This leasing program is currently available for clients in North
America.
The benefits and advantages are simple:
· As a monthly advertising cost, this operating expense is 100%
tax deductible.
· Enjoy the benefits of an effective on-premise sign without the
capital expense.
· Maintenance of the sign is our responsibility.
· We carry liability and property damage insurance on the sign.
· At the end of the term, the contract may be renewed of the sign
may be changed to reflect the new marketplace.
Give us a call, it will be more than our pleasure to help you
out!
Technology
Technology profile
of a complete range of visual communication products. These
include illuminated and non-illuminated signs, using neon, fiber
optic, plastic, steel, aluminum and flexface, and vinyl films.
With fully integrated fabrication capabilities, we can also
produce interior and exterior menu boards, billboards, awnings,
wayfinding systems, street furniture (bus shelters, freestanding
illuminated columns, etc.), electronic message centers and
architectural spectaculars. EIS offers complete design,
manufacture, installation, maintenance and leasing services.
Market
Market profile
Alliances:
- Sales/Marketing
- Technology
Geographic markets:
Export experience:
- Brazil
- Mexico
- United States
- Maine
Actively pursuing:
- Antarctica
- Argentina
- Belize
- Bolivia, Plurinational State of
- Chile
- Colombia
- Costa Rica
- Ecuador
- El Salvador
- Falkland Islands (Malvinas)
- French Guiana
- Guatemala
- Guyana
- Honduras
- Nicaragua
- Panama
- Paraguay
- Peru
- Suriname
- Uruguay
- Venezuela, Bolivarian Republic of
- Connecticut
- Massachusetts
- New Hampshire
- New Jersey
- New York
- Pennsylvania
- Rhode Island
- Vermont


In order to test Haystack with the minimum amount of unnecessary mocking and to stay as close to real-world use as possible, Haystack ships with a test app (called core) within the django-haystack/tests directory.
In the event you need to run Haystack‘s tests (such as testing bugfixes/modifications), here are the steps to getting them running:
cd django-haystack/tests
export PYTHONPATH=`pwd`
django-admin.py test core --settings=settings
Haystack is maintained with all tests passing at all times, so if you receive any errors during testing, please check your setup and file a report if the errors persist.
If you want to test a backend, the steps are the same with the exception of the settings module and the app to test. To test an engine, use the engine_settings module within the tests directory, substituting the engine for the name of the proper backend. You’ll also need to specify the app for that engine. For instance, to run the Solr backend’s tests:
cd django-haystack/tests
export PYTHONPATH=`pwd`
django-admin.py test solr_tests --settings=solr_settings
Or, to run the Whoosh backend’s tests:
cd django-haystack/tests
export PYTHONPATH=`pwd`
django-admin.py test whoosh_tests --settings=whoosh_settings


ScreenOutput()
Syntax
OutputID = ScreenOutput()Description
Returns the OutputID of the currently used screen to perform 2D rendering operations on it. It will use the PureBasic 2DDrawing library and can only be used within a StartDrawing() / StopDrawing() block. The memory allocated in ScreenOutput() is released on StopDrawing().
Parameters
None.
Return value
The OutputID of the currently used screen to perform 2D rendering operations on it.
Remarks
On Linux and OS X, ScreenOutput() copies the whole screen buffer back to main memory to do 2D drawing operations (OpenGL doesn't allow direct buffer access). Therefore drawing on a screen is very slow and should be avoided. ScreenOutput() has to be called in the same thread where OpenScreen() was called.
Example
StartDrawing(ScreenOutput()) ; do some drawing stuff here... StopDrawing()
Supported OS
All


Motion Activated Philips Hue with Raspberry Pi
Controlling Hue lights with a Pi and Python over wifi
TODO - embed youtube video
I finally found an excuse to go out and buy a Hue kit when my first baby arrived. I want the nursery to offer a range of interesting sensory stimuli for his little developing mind, especially visual and auditory. A Bluetooth speaker and Spotify handle the latter easily enough, and this clever technology from Philips - with it’s beautiful range of saturated, luminous treats - can engage the retinas and, I hope, be a practical solution to some more mundane problems.
After setting up the out-of-the-box kit and experimenting with a few apps, I found the experience quite pleasing (and so did he). I could run a lower-intensity scene for 3am changes, psychedelic animated color progressions when he’s awake, and even have the lights sync’d up with music. I found the Hue Disco app is able to do it all, though there are many options.
However, one very practical problem is - when you’re carrying an infant in both hands at 3am in the dark, finding your smartphone, unlocking it, launching an app, and clicking through to start the scen you want is not very convenient. It almost makes you wish there was just a switch on the wall.
I wanted this to happen automatically. When I walk into the room I want the lights to just turn on. When I’m done and I leave, turn off. But how?


Money Play. How should Red play 52?
pips Red=90 White=108
(CorrectAnswer= 0/0, ErrorScore= 0)
6/4, 6/1 is postponing the inevitable and is a 2.5 blunder.
Ahead in the race Red should just play 15/13, 15/10. White misses 21 times out of 36 and then Red will have some playability for the next roll. Surprisingly after any play White is still favourite!
Ahead in the race Red should just play 15/13, 15/10. White misses 21 times out of 36 and then Red will have some playability for the next roll. Surprisingly after any play White is still favourite!
1. Cubeful 2-ply 15/13 15/10 Eq.: -0.149 0.452 0.037 0.000 - 0.548 0.124 0.001 2. Cubeful 2-ply 13/6 Eq.: -0.192 (-0.043) 0.438 0.059 0.000 - 0.562 0.128 0.001 3. Cubeful 0-ply 6/4 6/1 Eq.: -0.364 (-0.215) 0.411 0.044 0.000 - 0.589 0.161 0.000 4. Cubeful 0-ply 15/8 Eq.: -0.376 (-0.227) 0.415 0.058 0.000 - 0.585 0.197 0.002 5. Cubeful 0-ply 13/11 13/8 Eq.: -1.000 (-0.851) 0.305 0.051 0.000 - 0.695 0.285 0.007


One could say its really difficult difficult to summarize your research in 300 words or left.
I have been gone for a while so this week I will definitely be providing two posts to catch up. Also a great opportunity is coming up to present the research project.
During November 3rd-5th I will be traveling to Jackson, Mississippi to help host the 2017 National Society of Black Engineers Region 3 Fall Regional Conference since I am a member of the Region III Regional Executive Board. While there a Technical Research Exhibition will be held where students of the southeastern region of the society can present their research findings. The competition consists of two portions, either the showcase or the preliminary portion. Here are the differences between the two.
The preliminary track gives participants the opportunity to interact with a technical audience to present, discuss, and obtain feedback regarding preliminary findings and is recommended to people that are quite new to poster presentations.
The showcase track is for participants that are presenting work to a larger technical audience, and whose work is ready for, in the process of, or already been published in some format.
I am not sure which one I will undertake, since I have presented my poster once before for the ORS banquet during the prior year. However, I have not had numerous poster presentations. Thankfully they will help me decide based off of my abstract.
Abstract Writing
When writing an abstract you want to create a 300 word summary that communicates the experiment's content, what the overall goal would be, your methods for reaching that goal, and results and conclusions of your experimentation.
Since I was in the process of creating the poster and the abstract my mentor had me write 10 sentences to summarize the same things listed above to create the poster.
However, the abstract is a bit more technical thus it needed less high level explanations for the aforementioned items. Fitting your entire research into 300 words is no small feat though.
Since the presentation is next week and I have to go out of town I will take a short hiatus and return the following week with results from TRE. Wish me luck.
Placeholder text by Nelson R.. Photographs by NASA on The Commons.


Presentation Training the trainers
Week 5 activity Training the trainer. Notice how the navigation includes a down option!
The higlight tag
Use the highlight tag to get this cool orange accent color!
Everybody loves ribbons
Code snippets
if (files != null) {
for (int i=0; i < files.length; i++) {
String filename = files[i];
}
}
Easy Two-Column Layout
First random col
- No clue what to use here
- Topic 2
Second random col
- Week 4 almost done
- Cytoscape is great
- Great for data integration


Trustroots is owned and operated by Trustroots Foundation, a non-profit Limited by Guarantee (LBG) under section 60 exemption, registered in the United Kingdom in March 2015.
Trustroots seeks to be a platform for sharing and getting people together. We aim to connect likeminded people together. We encourage trust, adventure and intercultural connections.


Projects
Guess Snaps - Android Application
Created an Android Application for challenge the friends to guess the images sent by you.
Solution Not Found - Web Site
This web site will cover Java, Spring, Android related tutorials and problems.
- Java, Android, Spring related tutorials
- Will cover Algorithms and Data structure problems


Type:
Check it out on Amazon| Official Website
Get 2 day Shipping with a Free 30-day Amazon Prime Trial!
Report an issue


Topics: consent, respect, feminism
--
Sometimes I feel a vague discomfort, or even a burning rage, in certain situations, yet I have great difficulty putting my feelings or rationale for my feelings into words. Then someone else puts it into words, and it makes me happy. Or at least relieved. I feel that they have released my pent-up frustration, by explaining why such-and-such-a-thing was so upsetting.
--
Some recent instances:
a tiktok polyamory joke that went something like:
(poly person): hey, do you want to go on a date sometime?
(other person): i'm actually in a monogamous relationship, i'm here with my girlfriend
(poly person): ooh, so you and your girlfriend?
, and someone's comment saying "well i thought it was pretty obviously a no"
, and another commenter asking "how so?"
, and the response "because it wasn't a yes"
a blog post about unwelcome body comments
, which dictates the appropriateness of physical assessments from intimate partners
, but frankly life in general would be better if everyone thought twice
a moment in Tuca and Bertie where:
Bertie's coworker comments on her breasts
, subsequently a sexual harrassment seminar is held
, wherein Bertie announces why the comments were unacceptable:
"you made me think about my own body at work! that's DISGUSTING!"


Beta This is a test version of the layout of this page. Take the survey to help us improve it
FOI release
A request for disclosure of data from the education maintenance allowance (EMA) pilot schemes.
Can the department explain why the data from the pilot schemes was considered to show that EMA was ineffective as a scheme? Please make this data available and provide an explanation of why it shows EMA to be ineffective.
Also, can the department provide information regarding departmental policy on programme reviews?
In reaching the decision to end EMA the government has looked closely at evaluation evidence and other research, which indicate that the availability of EMA has not been a determining factor in young people’s participation or the choices they make about continuing in education and training after the age of 16.
The ‘Barriers to participation in education and training’ research reported that only 12% of young people in receipt of EMA said that they would not have participated without it.
This research is in line with findings from evaluations of EMA commissioned by the Learning and Skills Council and conducted by the Institute of Fiscal Studies ( IFS ). An evaluation of the EMA pilots was conducted by a consortium led by the Centre for Research into Social Policy ( CRSP ) and involving the IFS and the National Centre for Social Research (NatCen). The main aims of the evaluation were to assess the impact of EMA on participation, retention and achievement in post-16 education.
The research by the IFS and CRSP has shown previously that EMA would increase participation in post-16 education by 4 percentage points and up to 9 percentage points for the poorest young people. This is consistent with the conclusion of the ‘Barriers to participation in education and training’ research.
All of the evaluation reports are publicly available from the publications section.
The available evidence shows that, while EMA does have an impact on participation, that impact is small compared to the proportion of learners receiving it and, hence, the overall cost of the scheme.
Since EMA was introduced, patterns of participation in education and training have changed significantly, and an incentive-based scheme is no longer an appropriate - or affordable - means of ensuring that those young people, who really need support, get it.
With regards to ’information on departmental policy on programme reviews’, in relation to the EMA programme; the context of the decision to end the scheme and replace it with enhanced discretionary learner support funding as announced in the spending review, the department can confirm that discussions on distributional impacts, including impacts on equality, informed the process for spending review policy discussions and decisions, and that this department worked closely with HM Treasury to assess the impact of spending review decisions on different sections of society.
Further information about the process for the spending review and policies can be found on the HM Treasury website.


---
layout: slides
title: 'Opening slides for XMPPUK @ Thingmonk'
description: 'Opening slides for XMPPUK @ ThingMonk'
theme: moon
extraOptions: ", loop: true, progress: false, controls: false, autoSlide: 5000"
---
Welcome to the XMPP UK meetup
Talks
Lloyd Watkin - Introduction to XMPP
Joachim Lindborg - IoT Using XMPP
IoT hacking session
Sponsors
and
Burgers + beer supplied by:
@surevine
@thingmonk
Surevine
Currently recruiting for:
Testers, Developers, & great people!
Please use the hashtag
#XMPPUK
To share your photos + thoughts
ThingMonk
2nd - 3rd December :: Shoreditch Village Hall
Our thanks to...
Shoreditch
Village Hall
for hosting tonight's event


fig2ps2tex - generate a TeX file for including a PostScript file
fig2ps2tex file
Fig2ps2tex generates a TeX file for including a PostScript file in a TeX document. This involves calculating the bounding box from the Postscript document. The TeX inclusion file is written to stdout.
There is also Fig2ps2tex.sh for those systems without csh and/or dc (Linux for example).
Note that the psfig macro package provides a more sophisticated approach to including Postscript files in LaTeX docuements. Fig2ps2tex works with plain TeX however.
Assume the Postscript file is called foo.ps . The command
% fig2ps2tex foo.ps >foo.tex
will create the inclusion file with bounding information. Then include this file in your TeX document with the command
einput{foo}
psfig(1), latex(1), fig2dev(1), transfig(1).
Micah Beck
Cornell University
Man page by George Ferguson<EMAIL_ADDRESS>Copyright 1994 Micah Beck
The X Consortium, and any party obtaining a copy of these files from the X Consortium, directly or indirectly, is granted, free of charge, a full and unrestricted irrevocable, world-wide, paid up, royalty-free, nonexclusive right and license to deal in this software and documentation files (the "Software"), including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons who receive copies from any such party to do so, with the only requirement being that this copyright notice remain intact. This license includes without limitation a license to do the foregoing actions under any patents of the party supplying this software to the X Consortium.


This is my personal website
My daughter Riddhi with me at Cox'sbazar
My name is Khaled. I do have a nickname Bappi. So I combined two names together and for this website I am introducing myaself as Khaled Bappi.
Professionaly I am a Teacher. My field is Biology and I am working as a government official under the Ministry of Education in Bangladesh. This is one of my many attempts to the creative fields. Previously, I have tried to learn some programming
languages like c, python etc. I tried to be a podcaster, a storyteller, a graphics designer and many more things. But unfortunately I could not continue my journey to the end and finally I came up with this web development course and I think this
time I am not going to quit.
I have some basic khowledge on:
Sound Editing
Video Editing
Graphics Design
Flute Playing
My contact details -
- Cell Phone: +8801761892176
- Mail<EMAIL_ADDRESS>- Facebook
- Adress
Educational Qualification:
| Name of the Exam |
Group |
Passing Year |
Results |
Institute |
| SSC |
Science |
2000 |
1st Division |
Gangni High School |
Pictures of my educational institutes:
| Gangni High School |
|
Skills:
| Reading |
⭐⭐⭐⭐ |
Listening |
⭐⭐⭐⭐⭐ |
| writing |
⭐⭐⭐⭐ |
Speaking |
⭐⭐ |
Trying to contact me? Feel free to fill up the form below ..


|
sprintf
Syntax:
#include <cstdio> int sprintf( char *buffer, const char *format, ... ); The sprintf() function is just like printf(), except that the output is sent to buffer. The return value is the number of characters written. For example: char string[50]; int file_number = 0; sprintf( string, "file.%d", file_number ); file_number++; output_file = fopen( string, "w" ); Note that sprintf() does the opposite of a function like atoi() -- where atoi() converts a string into a number, sprintf() can be used to convert a number into a string. For example, the following code uses sprintf() to convert an integer into a string of characters: char result[100]; int num = 24; sprintf( result, "%d", num ); This code is similar, except that it converts a floating-point number into an array of characters: char result[100]; float fnum = 3.14159; sprintf( result, "%f", fnum ); |


|
Task Description
On a piano
keyboard, if one begins at middle-C, then the sequence
of half-steps from middle-C to B is listed in the
following table. Since two different terminologies for
naming the notes can be used, two different
terminologies are shown, a “sharp” terminology and a
“flat” terminology. All notes in the same row are
identical.
|
Sharp
terminology |
Pronunciation |
Flat
terminology |
Pronunciation |
|
C |
|
C |
|
|
C# |
“C-sharp” |
D♭ |
“D-flat” |
|
D |
|
D
|
|
|
D# |
“D-sharp” |
E♭ |
“E-flat” |
|
E |
|
E |
|
|
F |
|
F |
|
|
F# |
“F-Sharp” |
G♭ |
“G-flat” |
|
G |
|
G |
|
|
G# |
“G-sharp” |
A♭ |
“A-flat” |
|
A |
|
A |
|
|
A# |
“A-sharp” |
B♭ |
“B-flat” |
|
B |
|
B |
|
“#” and “♭”
are known generically as an “accidentals.”
Immediately
following the B is another identical sequence going from
C to B through each of the notes above. Each of these
sequences, when going from C to C, is called an octave.
On an 88-key piano, this pattern repeats 4 times from
middle-C to the highest C on the piano, and the highest
note on the piano is a C. Thus, pattern stops at C,
exactly 4 octaves above middle C.
A major chord is
created by playing three notes together. The bottom
note is the chord name. Thus if the bottom note is a C,
then the chord is called C major. The other two notes
are derived by moving 4 half steps up to get one note
and then 3 half-steps up from there to get the other
note. Thus, a C-major chord is C-E-G.
A minor chord is
also created by playing three notes together. Again,
the bottom note is the chord name, and if the bottom
note is a C, for example, the chord is called C minor.
To get the second note with a minor chord, one moves 3
half steps up; the third note is derived by moving 4
half steps up from there. Thus, a C-minor chord is
C-D#-G (or C- E♭-G).
Write a program
that reads the input file of individual notes and either
the word, “major,” or “minor,” and outputs the
three-note combination for the appropriate major or
minor chord based on each note. Since the “♭“
symbol is a complex Unicode character, your input file
will use a lower-case “b” to represent flat; your output
file should do the same. Your output must use the
flat-names (e.g. “Eb”) whenever an accidental must be
expressed if the input also used a flat name. If the
input used neither flat nor sharp (e.g. “C”) or used a
sharp name (e.g. “C#”), then all derived notes must use
the sharp terminology whenever an accidental must be
expressed. Use a hyphen (“-“) to separate notes in the
output and place each output on its own line.
Program Input
The input file
(prob07.in) consists of the individual notes. Exactly
one space will separate the note specification from the
word major or minor. A newline character (\n) will
follow the word major or minor in each case. The number
of lines of input is not specified for you. You must
read until the end of file is reached. Except with
regard to the “b” symbol that is used to indicate flat,
your program must read the input data in a
case-insensitive fashion.
C major
gb minor
Bb major
d# minor
Program Output
Output the
three-note combination for the appropriate major or
minor chord to a file (prob07.out):
C-E-G
Gb-A-Db
Bb-D-F
D#-F#-A#
|


'Another option' - These are West Brom's priorities in January transfer window
Latest West Bromwich Albion transfer news | It's not long now until the January transfer window opens
by Kieran Doody, https://www.birminghammail.co.uk/authors/kieran-doody/, Mark WakefieldThe January transfer window may still be a couple of months away, but West Bromwich Albion are sure to have an eye on where they could potentially strengthen their squad .
The Baggies are on course to achieve promotion to the Premier League, and currently lie at the top of the Sky Bet Championship table.
Albion brought in nine new players during the summer transfer window – six permanent and three on loan – and also have a new manager at the helm with Slaven Bilic .
But where might Albion’s priorities lie when the window reopens?
We take a look at the business the Baggies might look to do in January.
A striker is top of the list
Albion are really missing a striker who will chip in with goals more regularly.
Charlie Austin, despite his efforts for the team, hasn't been as prolific as everyone was expecting when he signed in the summer.
Hal Robson-Kanu and Kenneth Zohore can have an impact in certain situations but they're more impact players than regular starters.
The obvious answer would be Dwight Gayle, every fan would like to see him back and a player of that ilk could be the missing piece that allows Albion to pull away from the chasing pack.
West Brom latest
This is your round up of all things West Brom; the one-stop shop that will keep you updated on the latest goings on at the club and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Baggies throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Pereira deal just gets better and better - READ
- Albion face transfer battle - READ
- Diangana warning received - READ
- 'Man City of the Championship - READ & WATCH
For all your latest WBA news, opinion, analysis and transfer gossip, click here
You can follow our West Brom reporter Joseph Chapman on Twitter, and his email address is<EMAIL_ADDRESS>A back-up to Diangana
Filip Krovinovic and Matheus Pereira could play there in Grady Diangana's absence but we have seen this season they do not have quite the same impact, they both have a bigger influence on games in more central positions.
Ideally Albion would want a back up for Diangana with Oliver Burke and Jonathan Leko out on loan.
Despite Manuel Pellegrini insisting he wants Diangana to develop at West Brom, everyone at the club will still be worried after what happened with Harvey Barnes last season.
There could be a new man in charge at West Ham by January with Pellegrini's job under threat and if Diangana was to be recalled this would be a priority.
Defensive strength
If we're being really picky Albion might want another option at centre-back, Semi Ajayi and Kyle Bartley are playing well and Albion still have Ahmed Hegazi to come back but one or two injuries and Bilic will have to look to the youth players.
Youngsters like Nathan Ferguson and Kyle Edwards have proven that Albion have quality in their youth ranks and Dara O'Shea could be the next to break through after impressing in pre-season but Bilic might want to opt for a bit more experience at the back.


| HOME | DOWNLOAD | DOCUMENTATION | FORUM | FAQ |
> Home > Documentation > Localized Spectral Analysis
SHDELTAL(1) SHTOOLS 2.4 SHDELTAL(1)
SHDeltaL
SHDeltaL - Compute the spectral-concentration criterion of Narcowich and Ward (1996).
SYNOPSIS
REAL*8 FUNCTION SHDeltaL ( COEF, LMAX ) REAL*8 COEF(LMAX+1) INTEGER LMAX
DESCRIPTION
SHDeltaL will calculate the spectral concentration criterion of Narcowich and Ward (1996) for a window that possesses non-zero coefficients for only a single order M. This is given explicitly by Sum_{l=0}^LMAX l * (l+1) COEF(l+1)**2. The input coefficients must correspond to either geodesy-normalized or orthonormalized spherical harmonics.
ARGUMENTS
COEF (input) REAL*8, DIMENSION (LMAX+1) The geodesy-normalized or orthonormalized coefficients of a window which has non-zero coefficients for only a single order M. The actual order in unimportant for this routine. LMAX (input) INTEGER The maximum spherical harmonic degree of the input window coefficients.
SEE ALSO
shdeltax(1), shreturntapers(1) shreturntapersm(1) <http://www.ipgp.fr/~wieczor/SHTOOLS/SHTOOLS.html>
REFERENCES
Narcowich, F.J. and J.D. Ward, Nonstationary wavelets on the m-sphere for scattered data, App. Comput. Harm. Anal., 3, 324-336, 1996. Wieczorek, M. A. and F. J. Simons, Localized spectral analysis on the sphere, Geophys. J. Int., 162, 655-675.
COPYRIGHT AND LICENSE
Copyright 2005, 2006 by Mark Wieczorek<EMAIL_ADDRESS>This is free software; you can distribute and modify it under the terms of the revised BSD license. SHTOOLS 2.4 2009-08-18 SHDELTAL(1)
> Home > Documentation > Localized Spectral Analysis
| Centre National de la Recherche Scientifique | Institut de Physique du Globe de Paris | © 2009 Mark Wieczorek |


Class: Sketchup::Camera
| Relationships | |
| Inherits: | Object |
Overview
The Camera class contains methods for creating and manipulating a camera. The camera in SketchUp is the “point of view” from which you look at the model.
Class Method Summary
-
.new ⇒ Sketchup::Camera
constructor
Returns a new camera with eye (where the camera is) and targets (where the camera is looking).
Instance Attribute Summary
-
#aspect_ratio ⇒ Float
rw
The #aspect_ratio method is used to retrieve the aspect ratio of the
Camera
. -
#aspect_ratio=(ratio)
rw
The #aspect_ratio= method is used to set the aspect ratio for a
Camera
. -
#description ⇒ String
rw
The #description method is used to retrieve the description for a
Camera
. -
#description=(description)
rw
The #description= method is used to set the description for the
Camera
. -
#fov ⇒ Float
rw
The #fov method retrieves the field of view of the
Camera
. -
#fov=(fov)
rw
The #fov= method sets the field of view for a
Camera
. -
#fov_is_height? ⇒ Boolean
readonly
The #fov_is_height? method indicates whether the field of view is measured vertically, as opposed horizontally.
-
#height ⇒ Float
rw
The #height method retrieves the height of a
Camera
. -
#height=(value)
rw
The #height= method is used to set the height for the
Camera
in inches. -
#image_width ⇒ Float
rw
The #image_width method returns the width of the image, as used to calculate the #focal_length.
-
#image_width=(image_width)
rw
The #image_width= method is used to set the width of the image, as used to calculate the #focal_length.
-
#is_2d? ⇒ Boolean
readonly
The #is_2d? method indicates if the camera two-point perspective or match photo mode.
-
#perspective=(perspective)
rw
The #perspective= method is used to set whether or not this is a perspective camera or an orthographic camera.
-
#perspective? ⇒ Boolean
rw
The #perspective? method is used to determine whether a camera is a perspective or orthographic camera.
Instance Method Summary
-
#center_2d ⇒ Geom::Point3d
The #center_2d method returns a point with the x and y offset of the camera when it’s in two-point perspective or math photo mode.
-
#direction ⇒ Geom::Vector3d
The #direction method is used to retrieve a Vector3d object in the direction that the
Camera
is pointing. -
#eye ⇒ Geom::Point3d
The #eye method is used to retrieve the eye Point3d object for the
Camera
. -
#focal_length(length) ⇒ Float
The focal_length method is used to get the focal length in millimeters of perspective
Camera
. -
#focal_length=(focal_length)
The #focal_length= method allows you to set the field of view by specifying a focal length in millimeters.
-
#scale_2d ⇒ Object
The #scale_2d method returns a float indicating the scaling factor of 2 point perspective cameras.
-
#set(eye, target, up) ⇒ Sketchup::Camera
The #set method sets the camera orientation.
-
#target ⇒ Geom::Point3d
The #target method retrieves Point3d that the camera is pointing at.
-
#up ⇒ Geom::Vector3d
The #up method is used to retrieve the up vector for the camera.
-
#xaxis ⇒ Geom::Vector3d
The #xaxis method is used to retrieve the x axis of the camera coordinate system.
-
#yaxis ⇒ Geom::Vector3d
The #yaxis method retrieves the y axis of the camera coordinate system.
-
#zaxis ⇒ Object
The #zaxis method retrieves the z axis of the camera coordinate system.
Constructor Details
.new ⇒ Camera
.new(eye, target, up, perspective = true, fov = 30.0) ⇒ Camera
Camera
.new(eye, target, up, perspective = true, fov = 30.0) ⇒ Camera
Returns a new camera with eye (where the camera is) and targets (where the camera is looking).
Instance Attribute Details
#aspect_ratio ⇒ Float
(rw)
The #aspect_ratio
method is used to retrieve the aspect ratio of the Camera
.
‘0.0` is the default value and denotes an aspect ratio matching that of the View
.
#aspect_ratio=(ratio) (rw)
The #aspect_ratio=
method is used to set the aspect ratio for a Camera
. Changing this value will cause SketchUp to show gray bars over the screen to show the resulting view.
If you set the value to ‘0.0`, then the aspect ratio of the Camera
will match the aspect ratio of its View
.
#description ⇒ String (rw)
The #description
method is used to retrieve the description for a Camera
.
#description=(description) (rw)
The #description=
method is used to set the description for the Camera
.
#fov ⇒ Float
(rw)
The #fov
method retrieves the field of view of the Camera
.
This is only applicable to perspective cameras.
#fov=(fov) (rw)
The #fov=
method sets the field of view for a Camera
. Field of view must be between 1 and 120 degrees, inclusive.
This is only valid on a perspective camera.
#fov_is_height? ⇒ Boolean
(readonly)
The #fov_is_height?
method indicates whether the field of view is measured vertically, as opposed horizontally.
#height ⇒ Float
(rw)
The #height
method retrieves the height of a Camera
.
This is only valid if it is not a perspective camera.
#height=(value) (rw)
The #height=
method is used to set the height for the Camera
in inches.
This is only valid if it is not a perspective camera.
#image_width ⇒ Float
(rw)
The #image_width
method returns the width of the image, as used to calculate the #focal_length. This value has no effect on how the view is displayed in SketchUp.
The default value, 0, is interpreted by SketchUp as 36 mm (the width of traditional 35 mm film).
#image_width=(image_width) (rw)
The #image_width=
method is used to set the width of the image, as used to calculate the #focal_length. This value has no effect on how the view is displayed in SketchUp.
The default value, 0, is interpreted by SketchUp as 36 mm (the width of traditional 35 mm film).
#is_2d? ⇒ Boolean
(readonly)
The #is_2d?
method indicates if the camera two-point perspective or match photo mode.
#perspective=(perspective) (rw)
The #perspective=
method is used to set whether or not this is a perspective camera or an orthographic camera.
#perspective? ⇒ Boolean
(rw)
The #perspective?
method is used to determine whether a camera is a perspective or orthographic camera.
Instance Method Details
#center_2d ⇒ Geom::Point3d
The #center_2d
method returns a point with the x and y offset of the camera when it’s in two-point perspective or math photo mode. When the camera is in two-point perspective and the user pans around, the x and y values will change. These values are in normalized device coordinates, so for instance, the range [-1.0, 1.0] spans the full width or height of the screen.
The z value is unused and it is always zero.
#direction ⇒ Geom::Vector3d
The #direction
method is used to retrieve a Vector3d object in the direction that the Camera
is pointing.
#eye ⇒ Geom::Point3d
The #eye
method is used to retrieve the eye Point3d object for the Camera
.
#focal_length(length) ⇒ Float
The focal_length method is used to get the focal length in millimeters of perspective Camera
.
This value is computed on the fly based on the camera #fov value and the camera #image_width value.
#focal_length=(focal_length)
The #focal_length=
method allows you to set the field of view by specifying a focal length in millimeters. Focal length must be between 1 and 3000, inclusive.
The camera #fov value is set based on the provided focal_length
and the current #image_width for the camera.
#scale_2d ⇒ Object
The #scale_2d
method returns a float indicating the scaling factor of 2 point perspective cameras.
When the camera is in two-point perspective and the user uses the zoom tools, this value will change. Zooming out will produce a value greater than 1.0.
#set(eye, target, up) ⇒ Camera
The #set
method sets the camera orientation. You have to set the camera eye, target and up parameters at the same time to make sure that you have a valid camera definition.
#target ⇒ Geom::Point3d
The #target
method retrieves Point3d that the camera is pointing at.
#up ⇒ Geom::Vector3d
The #up
method is used to retrieve the up vector for the camera. This is
the direction that the top of the camera is facing.
#xaxis ⇒ Geom::Vector3d
The #xaxis
method is used to retrieve the x axis of the camera coordinate system.
This value is computed from the cross product between the camera direction and the up vector.
#yaxis ⇒ Geom::Vector3d
The #yaxis
method retrieves the y axis of the camera coordinate system.
This value is computed to be perpendicular the camera x and z axes. It is equivalent to the up direction, but is computed to make sure that it is perpendicular to the direction.
#zaxis ⇒ Object
The #zaxis
method retrieves the z axis of the camera coordinate system.
This value is computed. It is the same as Camera
.direction


Release Date: 2013-11-22
The following command would upgrade the current pg_bigm 1.0 to 1.1.
ALTER EXTENSION pg_bigm UPDATE TO '1.1';
Kindly note that if an existing index uses "gin_trgm_ops" in the database then it will not possible to upgrade from 1.0 to 1.1 since the operator class "gin_trgm_ops" is dropped in version 1.1.
Make pg_bigm support PostgreSQL 9.2 or later (Fujii Masao)
Enable pg_bigm to coexist with pg_trgm (Beena Emerson, Fujii Masao)
Previously, the modules pg_trgm and pg_bigm could not co-exist in the same database because both declared the same operator class gin_trgm_ops. This operator class was dropped in pg_bigm 1.1
Support text similarity search (Amit Langote, Fujii Masao, Beena Emerson)
Add bigm_similarity() function (Amit Langote, Fujii Masao, Beena Emerson)
Improve handling of multibyte characters (Beena Emerson)
On a platform that does not have the wcstombs() or towlower() library functions, this could result in an incompatible change in the contents of pg_bigm indexes for non-ASCII data. In such cases, REINDEX those indexes to ensure correct search results.
Add English version of documents (Beena Emerson, Fujii Masao)
Add regression tests for all functions and parameters of pg_bigm for English and Japanese language (Fujii Masao, Beena Emerson)
Add regression test to check co-existence of pg_bigm with pg_trgm (Beena Emerson, Fujii Masao)
A new command "make installcheck-trgm" will check if both modules can co-exist
Fix bug in enable_recheck with gin_key_limit = 1 (Fujii Masao, Beena Emerson)
Get rid of the restriction of available database encoding and locale (Beena Emerson, Amit Langote, Fujii Masao)


Managed by pyvec.org, Python Software Foundation Working Group in Czech Republic. Send e-mails to<EMAIL_ADDRESS>tweet to @pyvec.
Edit this page


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Thanks,
Jane


Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s.
console.log("42
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s.
console.log("42


An IImageSource that generates image data from an UltrasoundProbe's IProbeOutput.
More...
An IImageSource that generates image data from an UltrasoundProbe's IProbeOutput.
| BModeOutputImageDecoder.BModeOutputImageDecoder |
( |
IProbeOutput |
output | ) |
|
Instantiate a new ProbeOutputImageDecoder.
- Parameters
-
| output | The source of probedata from which to generate image data. |
Draw a single UltrasoundPoint into a color buffer.
- Parameters
-
| point | The UltrasoundPoint data to draw. |
| index | The index in the buffer at which to place the pixel. |
| bitmap | The bitmap into which to draw the pixel. |
| int BModeOutputImageDecoder.MapScanningPlaneToPixelCoordinate |
( |
int |
imageHeight, |
|
|
int |
imageWidth, |
|
|
Vector2 |
vector2, |
|
|
UltrasoundProbeConfiguration |
probeConfig |
|
) |
| |
|
protected |
Maps a point in the probe's scanning plane to a pixel index in the image.
- Parameters
-
| imageHeight | The height of the image being rendered. |
| imageWidth | The width of the image being rendered. |
| vector2 | The point in the scanning plane to be mapped. |
| probeConfig | The UltrasoundProbeConfiguration of the probe object. |
- Returns
- The corresponding index in the image at which to render the point.
| virtual void BModeOutputImageDecoder.RenderColorImageInBitmap |
( |
ref ColorBitmap |
bitmap | ) |
|
|
virtual |
Generate the next frame, and populate a provided bitmap.
- Parameters
-
| bitmap | A ColorBitmap struct (Color[], width, height) to be populated for this frame. |
Implements IImageSource.
The documentation for this class was generated from the following file:
- BModeOutputImageDecoder.cs


{% extends "wide.html" %} {% block title %}Reminder Emails{% endblock %} {% block head %} {% endblock %} {% block content %}
No emails were sent.
{% else %} {% if num_sent == 1 %}1 reminder email was sent.
{% else %}{{ num_sent }} reminder emails were sent.
{% endif %} {% endif %} {% endblock %}


A zone's network interface is a virtual IP interface in the global system that
is assigned as the primary interface for this zone. Each has an IP address
which must be unique, an associated real network interface, and an optional netmask. As some as an interface is created on this page, it will be activated in the zone (assuming the zone is running).


You may create up to twenty news alerts and an unlimited number of stock alerts.
Yes. Set up a keyword alert that specifically searches for the author's name in the by-line. First visit the My Alerts management page: www.nytimes.com/myalerts
Click Create News Alert. On the next page, select Keyword Alert.
On the following page, you'll be asked to "Define Your Alert." Where it says "WITH ALL of the words or phrases," type the name of the writer exactly as it appears in the byline. For example: if you are interested in creating an alert for articles by Thomas Friedman, type "Thomas L. Friedman," including the quotation marks. Then select your alert delivery schedule, name your alert, and click Preview Alert. Review your alert, and then click Save Alert. Your new alert should be working within 48 hours.
You should use quotes around phrases and names that you would like to match exactly as you've typed them. For example: "Maureen Dowd," "Global Warming," "Time Warner," "Czech Republic," "New York University."
No, you do not need to use commas. You may use them if you'd like, but they are ignored by the program. For example, both of the following samples will yield the same results:
"bird watching", birding, birds and "bird watching" birding birds
To edit one of your alerts, first visit the My Alerts management page: www.nytimes.com/myalerts
Locate the name of the alert you would like to edit, and click the Edit button to the right of that alert.
Note: If your news alert is matching too many articles, you may want to add additional words or phrases that must be included or excluded for an article to match your news topic.
To delete one of your alerts, first visit the My Alerts management page: www.nytimes.com/myalerts
Locate the name of the alert you would like to delete, and click the Delete button to the right of that alert. The alert should be deleted within 48 hours.
My Alerts makes it easy to narrow the topic of a news alert. Just go to My Alerts: www.nytimes.com/myalerts
Click Edit. On the edit screen, enter keywords in the fields labeled "AND WITH ANY of the words or phrases" or "AND WITHOUT ANY of the words or phrases" Changes will go into effect within 48 hours.
First go to My Alerts: www.nytimes.com/myalerts
Click the Edit button to the right of the alert you want to change. Review your alert criteria on the next page. Do you have terms that narrow your topic? If so, you may want to broaden them, or eliminate them altogether. If you've already tried editing your existing alert, you may want to try deleting your old alert and setting up a new alert.
Each alert message is limited to 15 article links. If your alert is set as a weekly digest on a broad topic, you will receive links to only the most recent 15 articles. You may want to narrow your topic focus, or change your delivery schedule from weekly to daily.
NYTimes.com only assigns company ticker symbols to articles published in the Business and Technology sections. As a result, alerts will only be sent on articles published in these sections.
To change your delivery schedule for news alerts, go to My Alerts: nytimes.com/myalerts
Locate the name of the alert you would like to modify, and click the Edit button to the right of that alert. On the page that follows, scroll down to "Set Your Delivery Schedule" and click the radio button beside the new delivery option, then scroll down and click Continue. On the next page, review your alert and then click Save Alert. Your new preferences should take effect within 48 hours.
First, check your Alert Archive. To get to your Alert Archive, go to My Alerts and click Alert Archive next to the alert in question.
If you don't find the article you're looking for in your Alert Archive, the article didn't match your alert. To create an alert to match a specific article, return to My Alerts and click Create News Alert. Or, to modify your current alert to match a specific article, return to My Alerts and click Edit.
First, check your Alert Archive. To get to your Alert Archive, go to My Alerts and click Alert Archive next to the alert in question.
If you don't find the article you're looking for in your Alert Archive, the article didn't match your alert. To modify your alert to match a specific article, return to My Alerts and click Edit.
To turn off one or more of your alerts, visit the My Alerts page: www.nytimes.com/myalerts
Locate the name of the alert you would like to turn off, and click the Off button to the right of that alert. Your will not receive any articles until you turn the alert back on again.
To turn on one of your alerts, first visit My Alerts: www.nytimes.com/myalerts
Locate the name of the alert you would like to turn on, and click the On button to the right of that alert. Your alert should be turned back on within 48 hours.
Only New York Times content is sent via My Alerts. Content from our blogs and most stories from wire services, such as the Associated Press and Reuters, are not included in the My Alerts e-mails.
When setting up an alert for a specific phrase, use quotation marks around the phrase or group of words you expect to appear in sequence. For example, use quotations around phrases such as "Major League Baseball" or "Congressional hearings." Always use quotes around phrases, names or dates.
E-mail your questions or feedback regarding My Alerts to tracker@nytimes.com.


Ligues.ca becoming Lygue... soon.
Soon, Ligues.ca will become Lygue. We have decided to change our name to something easy to remember, available under dotcom and easy to say in any languages.
With this new name coming new stuff:
- New user dashboard: Recent updates from leagues you are playing in, your calendar, statistics, discussions and photos.
- New league admin panel seperated from leagues
- A dashboard in your admin panel; Shows you new comments and discussions
- New leagues design made by La Web Shop
- Multi-season support: possibility to browse past seasons statistics (teams, players, suspensions and injuries).
- Mass-mailing: possibility to send an email to all players or a team
At the same time, we will move to new servers more powerful at Rackspace.
You can follow us on Twitter at https://www.twitter.com/lygue or on our new Facebook page at https://www.facebook.com/Lygue.
Multi-season support is available...
This is a major update tonight. We just added multi-season support. So if you already own a league, you will not lose past season statistics.
Read →


Commands
Commands are RPC style operations that change the state of the RockScript server.
Commands are invoked by a HTTP POST to http://localhost:3652/command
with the command
JSON as the body. We hope to add message based API later.
Commands have a the following JSON serialization form
(aka wrapper object):
{"commandName": { ...command data fields... }}
Example of a command request/response:
> POST http://localhost:3652/command
Content-Type: application/json
{ "saveScript":
{
"scriptName": "My first script",
"scriptText": "var v = 42;"
}
}
< HTTP/1.1 200 OK
Access-Control-Allow-Origin: *
Content-Type: application/json
{ "id":"sv1",
"scriptId":"s1",
"name":"My first script",
"version":1,
"text":"var v = 42;"
}


Greedy Permutations¶
Let \(M\) be a finite metric space, i.e., a finite set of points with a metric \(M\times M\to R\). Let the points of \(M\) be ordered \(p_1,\ldots, p_n\). Let \(P_i:= \{p_1,\ldots, p_i\}\). This ordering is greedy if for all \(i = 2\ldots n\), we have
\[d(p_i, P_{i-1}) = \max_{q\in M} d(p_i, P_{i-1}).\]
The greedy permutation is not unique. Given any choice of the first point, it is always possible to complete the ordering to be greedy. It also implies an algorithm. At step \(i\), set \(p_i\) to be the farthest point to \(P_{i-1}\) among all the remaining points. This is not very efficient. It would take \((n-i+1)(i-1)\) distance computations to determine the \(i\) th point.


1,426
NEW ORDERS
63,262
TOTAL SALES GROSS
248
PENDING SHIPMENTS
6,718
UNIQUE VISITS
Visitors 13,253 (8,251 unique)
Top Referrals View Report
| Source | Count |
|---|---|
| www.google.com | 1,926 |
| www.yahoo.com | 1,254 |
| www.themeforest.com | 783 |
Top Search Terms View Report
| Source | Count |
|---|---|
| admin theme | 988 |
| admin dashboard | 612 |
| admin template | 256 |
| Image | Product Title | SKU | Price | Stock | Status |
|---|---|---|---|---|---|
| Apple Ipod 4G - Silver | #21362 | $215 | 1,400 |
|
|
| Apple Smart Watch - 1G | #15262 | $455 | 2,100 |
|
|
| Apple Macbook 4th Gen - Silver | #66362 | $1699 | 6,100 |
|
|
| Apple Iphone 16GB - Silver | #51362 | $1299 | 5,200 |
|
Crawler List
| # | First Name |
|---|---|
| pages.com/img/15 | 7% |
| pages.com/popular | 14% |
| pages.com/news/3 | 31% |
| pages.com/featured/16 | 22% |
Browser List
| # | First Name |
|---|---|
| United States | 39% |
| Germany | 43% |
| France | 14% |
| Spain | 3% |
Visitor Geography
| # | First Name |
|---|---|
| California | 24% |
| Texas | 7% |
| Missouri | 14% |
| New York | 7% |
Column Graph
| # | First Name |
|---|---|
| Behance | 24% |
| 7% | |
| 14% | |
| Dribble | 21% |
Area Graph
| # | First Name |
|---|---|
| Male | 54% |
| Female | 46% |
| Unemployed | 14% |
Country List
| # | First Name |
|---|---|
| United States | 24% |
| Germany | 7% |
| France | 14% |
| Turkey | 31% |
| Spain | 22% |


Before Change
if os.path.getsize(weights) < 5E6: // weights < 5MB (too small), download failed
os.remove(weights) // delete corrupted weightsfile
assert os.path.exists(weights), msg // download missing weights from Google Drive
After Change
r = os.system("curl -f " + url + " -o " + weights)
// Error check
if not (r == 0 and os.path.exists(weights) and os.path.getsize(weights) > 1E6): // weights exist and > 1MB
os.system("rm " + weights) // remove partial downloads
raise Exception(msg)


UK Tories plan property tax hike for foreign buyers
LONDON, Nov 22 — Britain’s Conservatives said today they will make foreign individuals and companies pay more tax on residential property purchases if they win next month’s election.
Prime Minister Boris Johnson’s party said it would levy an additional three per cent surcharge on the country’s stamp duty land tax for buyers who are not tax residents in Britain.
UK residents and foreign buyers currently pay the same level of stamp duty, which is applied at various rates that rise with the value of the transaction.
There has been sustained criticism of the level of foreign ownership of properties in Britain, primarily in London, despite drops since the 2016 Brexit referendum amid ongoing economic uncertainty.
There are no official statistics on the sales of residential property to overseas buyers, but studies show they have accounted for as much as a third of purchases in parts of central London in recent years.
Meanwhile, a 2017 York University report showed that 13 per cent of new homes across the capital were bought by non-residents in 2014-16.
Analysts and political parties agree this inflates house prices and makes it harder for people to get a foothold on Britain’s notoriously expensive property ladder.
The Conservatives estimate the stamp duty surcharge will raise up to £120 million a year, which they say will help fund programmes to tackle rough sleeping.
“Britain will always be open to people coming to live, work, and build a life in this great country,” said Treasury minister Rishi Sunak.
“The steps we are taking will ensure that more people have the opportunity of a great place to live and build a family.”
Stamp duty kicks in at two per cent on property transaction values between £125,001 and £250,000.
It is levied at five per cent of the next portion up to £925,00, at 10 per cent of the amount up to £1.5 million, before ramping up to 12 per cent on sums above that value.
The new surcharge would add an extra three per cent to every bracket for non-residents.
The proposed measure comes as the finance ministry’s haul from stamp duty fell by 10 per cent to £8.4 billion in the last fiscal year — the biggest drop in a decade.
Brexit uncertainty weighing on the housing market and suppressing sales has been blamed for the drop. — AFP


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{% extends "themes/" + sysSettings.systemTheme + "/layout.html" %} {% from "security/_macros.html" import render_field_with_errors, render_field %} {% block head %}


|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
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java.lang.Object tv.ouya.console.api.OuyaFacade
public class OuyaFacade
Entry point for the OUYA API. Applications should use the singleton instance.
Calls are asynchronous, so
results are returned via client provided OuyaResponseListener
objects.
| Nested Class Summary | |
|---|---|
static class |
OuyaFacade.DeviceEnum
|
static class |
OuyaFacade.DeviceHardware
|
| Method Summary | |
|---|---|
boolean |
bindRequestHasBeenMade()
Deprecated. |
java.util.Map<java.lang.String,java.lang.String> |
getAllGameData()
Get all previously stored game data. |
OuyaFacade.DeviceHardware |
getDeviceHardware()
Get more detailed information on the device hardware. |
static OuyaFacade.DeviceHardware |
getDeviceHardware(android.content.Context context)
|
java.lang.String |
getGameData(java.lang.String name)
Get a piece of previously stored game data. |
static OuyaFacade |
getInstance()
Returns the OuyaFacade singleton. |
static int |
getOdkVersionNumber()
|
void |
init(android.content.Context context,
java.lang.String developerId)
Initializes the facade. |
boolean |
isInitialized()
Returns whether the OuyaFacade has been initialized. |
boolean |
isRunningOnOUYAHardware()
Deprecated. Use isRunningOnOUYASupportedHardware instead. |
boolean |
isRunningOnOUYASupportedHardware()
Test to see if we're running on OUYA-supported hardware (OUYA console, M.O.J.O., etc). |
static boolean |
isRunningOnOUYASupportedHardware(android.content.Context context)
Test to see if we're running on OUYA-supported hardware (OUYA console, M.O.J.O., etc). |
void |
onServiceConnected(android.content.ComponentName componentName,
android.os.IBinder iBinder)
Called when the service is connected. |
void |
onServiceDisconnected(android.content.ComponentName componentName)
Called when the service is disconnected. |
void |
putGameData(java.lang.String name,
java.lang.String value)
Store some game data. |
void |
requestGamerInfo(OuyaResponseListener<GamerInfo> gamerInfoListener)
Requests the current gamer's information. |
void |
requestGamerUuid(OuyaResponseListener<java.lang.String> gamerUuidListener)
Deprecated. Use requestGamerInfo method instead. |
void |
requestProductList(java.util.List<Purchasable> purchasables,
OuyaResponseListener<java.util.ArrayList<Product>> productListListener)
Returns a list of Product objects that describe the products (including
current price) associated with the specified list of Purchasable s. |
void |
requestPurchase(Purchasable purchasable,
OuyaResponseListener<java.lang.String> purchaseListener)
Requests that the specified Purchasable be purchased on behalf of the current user. |
void |
requestReceipts(OuyaResponseListener<java.lang.String> receiptListListener)
Requests receipts for all of the purchases that the current gamer has made from a particular vendor. |
void |
setTestMode()
Enables 'test mode' for making purchases without charging real money. |
void |
shutdown()
Shuts down the facade. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Method Detail |
|---|
public static OuyaFacade getInstance()
public static int getOdkVersionNumber()
public void init(android.content.Context context, java.lang.String developerId)
context
- An Android Context object.developerId
- The developer UUID, which is obtained from the developer portal.public void shutdown()
Note: Call shutdown
before the program exits. Otherwise, the internal BroadcastReceiver
will be leaked.
public boolean isInitialized()
public OuyaFacade.DeviceHardware getDeviceHardware()
public static OuyaFacade.DeviceHardware getDeviceHardware(android.content.Context context)
public boolean isRunningOnOUYAHardware()
public boolean isRunningOnOUYASupportedHardware()
public static boolean isRunningOnOUYASupportedHardware(android.content.Context context)
context
-
public void setTestMode()
public void putGameData(java.lang.String name, java.lang.String value)
name
- The name of the piece of game data to store.value
- The value to store.public java.lang.String getGameData(java.lang.String name)
name
- The name of the piece of information to get.
public java.util.Map<java.lang.String,java.lang.String> getAllGameData()
public void requestProductList(java.util.List<Purchasable> purchasables, OuyaResponseListener<java.util.ArrayList<Product>> productListListener)
Product
objects that describe the products (including
current price) associated with the specified list of Purchasable
s.
purchasables
- The Purchasable objects that identify the products to be returned.productListListener
- A listener object that will asynchronously receive the Product
spublic void requestPurchase(Purchasable purchasable, OuyaResponseListener<java.lang.String> purchaseListener)
The IAP client service is
responsible for identifying the user and requesting credentials as appropriate, as well as providing
all of the UI for the purchase flow. When purchases are successful, a Product
object is returned
that describes the product that was purchased.
purchasable
- The Purchasable object that describes the item to be purchased.purchaseListener
- A listener object that will asynchronously receive the results of the purchase
requestpublic void requestReceipts(OuyaResponseListener<java.lang.String> receiptListListener)
receiptListListener
- A listener object that will asynchronously receive the list of receipts for all
purchases ever made by the gamer to whom the console is currently registered.public void requestGamerUuid(OuyaResponseListener<java.lang.String> gamerUuidListener)
gamerUuidListener
- A listener object that will asynchronously receive the UUID of the gamer to whom the
console is currently registered.public void requestGamerInfo(OuyaResponseListener<GamerInfo> gamerInfoListener)
gamerInfoListener
- A listener object that will asynchronously receive the UUID of the gamer to whom the
console is currently registered.@Deprecated public boolean bindRequestHasBeenMade()
public void onServiceConnected(android.content.ComponentName componentName, android.os.IBinder iBinder)
This is part of Android's ServiceConnection
interface, and it is not client consumable.
onServiceConnected
in interface android.content.ServiceConnection
componentName
- The name of the service that has been connected.iBinder
- The IBinder
object for that service.public void onServiceDisconnected(android.content.ComponentName componentName)
This is part of Android's ServiceConnection
interface, and it is not client consumable.
onServiceDisconnected
in interface android.content.ServiceConnection
componentName
- The name of the service that has been disconnected.
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Certain genres of fiction depend on forcing the characters into some kind of enclosed space they cannot leave at will. The plot of these usually depends on the tensions among the characters and their efforts to get out.
The different settings of this kind are usually strongly associated with particular genres. Examples:
- The submarine: Home to an entire sub-genre (heh) of war films. Archetypal example: Das Boot.
- The space ship/station: Often seen in sci-fi horror, like the Alien films or the System Shock games.
- The underwater base works much like the above. The film The Abyss and the game BioShock feature such locales.
- A sub-type is the sunken/capsized ship on which the heroes are trapped in air pockets and must make their way out. The Poseidon Adventure is the archetypal example.
- The Arctic base: Also similar to the space station. Seen in The Thing from Another World and its more-true-to-the-book remake The Thing (1982).
- The mansion isolated by adverse weather: Extremely common in murder mysteries.
- There's also the train, appearing in Murder on the Orient Express and The Last Express.
- The deserted/private/uncharted island: So common it's often passed over. Drop-in of viewpoint characters via shipwreck or plane crash is almost required.
Note that the setting of a Bottle Episode does not count as an Enclosed Space unless the characters are forced to remain where they currently are. Compare Locked in a Room and Locked in a Freezer.
Subtrope of Closed Circle.
Examples:
open/close all folders
Films Live-Action
- The movie Cube takes place in a maze of cubical rooms no more than 15 feet in diameter.
- Living Dead Series:
- In the original Dawn of the Dead (1978) and the remake, the cast is trapped in a mall. Not the worst, or smallest place to get trapped, eh?
- Not to mention the farm house in Night of the Living Dead (1968)
- Or the nuclear bunker in Day of the Dead (1985).
- The movie version of the board game Clue
- House on Haunted Hill (1959) and its remake.
- Buried is so enclosed it never leaves the coffin the main character has been buried alive in.
- In 1408 after the hero has been in the room for a while the door simply refuses to open. Going out the window doesn't work, and there's something horrible in the ventilation ducts, so that's out. Oh, and the room actively hates him.
- The crew of Triangle is trapped on a Ghost Ship with a mysterious killer.
- Panic Room: Meg and Sarah are trapped in the panic room to hide from the burglars. The burglars can't simply take what they want and leave because the loot they're after is stored in the panic room occupied by the pair. They also barricade the rest of the building to keep the new owners from escaping.
Literature
- The Michael Crichton novel (and movie technically based on the novel) Sphere featured the underwater base version.
- I Have No Mouth and I Must Scream does this in an underground complex (inescapable because it's the only habitable place on Earth).
- The only reason that the crime in Agatha Christie's Murder on the Orient Express was not a complete success is that the train was blocked by immense snowdrifts, making movement impossible for several days and allowing Hercule Poirot to investigate and solve the crime.
- Again from Agatha Christie, And Then There Were None / Ten Little Indians is set entirely on "Indian" Island, which is isolated from the outside world on account of bad weather and (?) a holiday on the mainland. As the people on the island are murdered one by one, the sense of terror in isolation grows.
- One of the Haruhi Suzumiya light novels is set in a mansion where they are trapped not only by bad weather but by an alien god that can warp space and time.
- After The Hole by Guy Burt. The characters intend to spend a few days locked up together in a basement at their school after term, as an experiment. Inevitably the person who's supposed to let them out doesn't come back... Also made into a film, The Hole.
- 20,000 Leagues Under the Sea: Subverted because Nemo lets the Power Trio explore lands where an escape would be more dangerous than Nemo's "hospitality" in the Nautilus.
- In Andre Norton's Forerunner Foray, Ziantha as D'Eyree is trapped in their city as her powers fail, which may lead to her being fed to the Lurla.
Live-Action TV
- Doctor Who:
- The "Base Under Siege" version of the trope is common in the show, particularly during the Second Doctor's era (1966-69).
- "Midnight" features the Doctor and some tourists stranded in a bus which they can't leave due to the fact that the titular planet's surface is murderously uninhabitable. Uninhabitable, that is, except to beings who seem to come straight out of a nightmare.
- The iCarly episode "iSam's Mom" features scenes of Sam and her mom (and later, Carly) in a small room in the psychologist's office while being forced to communicate and make up. In this episode we learn that Carly is highly claustrophobic.
- Lost:
- The show counts as the deserted island variant for most of the series (especially the early seasons), and contains many, many more specific examples. The abundance of Dharma Initiative bunkers (commonly called "hatches") provide plenty of opportunities for characters to end up alone together. The most prominent examples of this take place in the Swan hatch throughout season two, particularly the episode Lockdown, in which the blast doors trap Locke and Ben in there. And even when people weren't physically trapped, they were often bound by the duty of regularly pushing the button.
- And there's a deliberate in-universe example in the season three episode The Brig, in which Locke traps Sawyer and Anthony Cooper in the eponymous brig of the Black Rock, hoping they'll get to talking about their pasts, resulting in Sawyer murdering Cooper. It works.
- In an episode of Robocop The Series, the title character is thrown into a trash compactor by a group of thugs. He escapes through sheer force of will, although it takes a third of the episode to accomplish it.
- Sanctuary uses this often, usually the monster-of-the-week is the thing that's trapped them, but they occasionally use the weather. Also seems to like cutting them off from their gadgets, which leaves them to outsmart whatever it is (before it kills them).
Tabletop Games
- The game Earthdawn justifies a large number of dungeon-like structures in the game world with its backstory of humanity driven into underground shelters by a rising tide of eldritch horrors swarming the world, a tide which has subsided enough to allow some of the survivors to venture forth — and explore/loot the shelters of those who didn't make it.
Video Games
- Chzo Mythos:
- The series makes use of this trope in all of its four component games. In the first, you're stuck in a mansion.
- The third game, Trilby's Notes, is being rather sadistic about it. You can go outside the hotel, but if you try to walk away from it, you will always come back, presumably because of the evil influence inside the hotel.
- If you play the tie-in Interactive Fiction for the fourth game, you will learn that there is a perfectly safe exit behind the locked door in the room with the security desk and the petroleum barrel. Theo, the Player Character, remains unaware of this throughout the whole game, and never gets around to asking Trilby, a character capable of cracking ANY lock, to open the door.
- The vaults in the Fallout universe worked like this for most of their existence. First extreme radiation from the nuclear fallout kept people from leaving, later some were kept from leaving by ignorance, suppression, or deranged experiments.
- Parts of horror games can be like this, such as:
- This occurs towards the halfway point of Resident Evil Code: Veronica. Once Claire and Steve escape from Rockfort Island with the cargo plane, Alfred Ashford catches up in short order and drops a Tyrant in the cargo hold. Your only option is to kill the monster because there is quite literally nowhere else to go.
- Fighting the Verdugo in Resident Evil 4, set deep underground after you have just fallen down a pit and the elevator is out of power. Then, when you turn on the power to bring up the elevator, the door locks shut, trapping you in a much smaller room with even tighter corridors, and now the monster is really trying to get you.
- Rapture from BioShock is an underwater city composed of airtight skyscrapers interconnected by tunnel systems. The city streets and locales are all entirely indoors, creating a rather claustrophobic atmosphere (even in the larger wide-space chambers) for what is supposedly a utopian city.
Visual Novels
- Most of the action of Ever 17 takes place in an underwater theme park that is slowly falling apart.
Webcomics
- Fleep spends all but a few strips confined to the interior of a concrete-enclosed phone booth.
- There is no known exit to the Tower of God, but it's inside is self-preserving and vast. Urek Mazino still wants to get out.


|
cryptango
1.0
|
#include <PolyCiphertext.h>
Public Member Functions | |
| PolyCiphertext () | |
| PolyCiphertext (NTL::ZZX &a) | |
| PolyCiphertext (NTL::vec_ZZ &a) | |
| PolyCiphertext (std::string &str) | |
| virtual | ~PolyCiphertext () |
| std::string | to_string () |
| Public Member Functions inherited from Ciphertext< NTL::ZZX > | |
| Ciphertext () | |
| Ciphertext (NTL::ZZX &ciphertext) | |
| virtual | ~Ciphertext () |
| NTL::ZZX | get_ciphertext () |
| void | set_ciphertext (NTL::ZZX &ciphertext) |
Private Member Functions | |
| template<class Archive > | |
| void | serialize (Archive &ar, const unsigned int version) |
Friends | |
| class | boost::serialization::access |
| int | compare (const PolyCiphertext &a, const PolyCiphertext &b) |
| bool | operator< (const PolyCiphertext &a, const PolyCiphertext &b) |
| bool | operator<= (const PolyCiphertext &a, const PolyCiphertext &b) |
| bool | operator== (const PolyCiphertext &a, const PolyCiphertext &b) |
| bool | operator> (const PolyCiphertext &a, const PolyCiphertext &b) |
| bool | operator>= (const PolyCiphertext &a, const PolyCiphertext &b) |
Additional Inherited Members | |
| Protected Attributes inherited from Ciphertext< NTL::ZZX > | |
| NTL::ZZX | ciphertext |
An implementation of a polynomial OPE ciphertext. Although the ciphertext is represented by the ZZX class, this class adds lexicographical comparison and boost serialization.
| PolyCiphertext::PolyCiphertext | ( | ) |
Default constructor
| PolyCiphertext::PolyCiphertext | ( | NTL::ZZX & | a | ) |
Initialises the ciphertext with a
| a | An NTL representation of a Z[x] polynomial |
| PolyCiphertext::PolyCiphertext | ( | NTL::vec_ZZ & | a | ) |
Intialises the ciphertext as a degree zero polynomial (constant) with value a
| a |
| PolyCiphertext::PolyCiphertext | ( | std::string & | str | ) |
Initialises the ciphertext using the string representation of the polynomial from str
| str |
|
virtual |
Default destructor
|
inlineprivate |
| std::string PolyCiphertext::to_string | ( | ) |
Write polynomial to a string. The string is a space separated list of the coefficients enclosed by square brackets.
|
friend |
|
friend |
Auxiliary function to compare two polynomials lexicographically (a polynomial of larger degree is considered to be ordered higher than a lower degree polynomial). Returns -1 is a.ciphertext
< b.ciphertext
, 0 if a.ciphertext
= b.ciphertext
, and 1 if a.ciphertext
> b.ciphertext
| a | A PolyCiphertext object |
| b | A PolyCiphertext object |
|
friend |
Returns true if a.ciphertext
is strictly less than b.ciphertext
| a | A PolyCiphertext object |
| b | A PolyCiphertext object |
true
or false
|
friend |
Returns true if a.ciphertext
is less than or equal to b.ciphertext
| a | A PolyCiphertext object |
| b | A PolyCiphertext object |
true
or false
|
friend |
Returns true if a.ciphertext
is equal to b.ciphertext
| a | A PolyCiphertext object |
| b | A PolyCiphertext object |
true
or false
|
friend |
Returns true if a.ciphertext
is greater than b.ciphertext
| a | A PolyCiphertext object |
| b | A PolyCiphertext object |
true
or false
|
friend |
Returns true if a.ciphertext
is greater than or equal to b.ciphertext
| a | A PolyCiphertext object |
| b | A PolyCiphertext object |
true
or false


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Medieval catalogues > UNIVERSITY AND COLLEGE LIBRARIES OF OXFORD > All Souls College > Donation by William Goldwyn, William Denys and Richard Salter, 1482 × 1519
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No doubt, that dogs and humans are one of the best friends that can never remain apart from each other. The furry doggos leave no stones unturned to keep their owners entertained. And, in return, the people too shower their love on the pets. Also, getting new surprises to appear amazing to all of us. Those first moments of you meeting your new buddy are incredible.
Here are 13 people that couldn’t contain their happiness when they met their dogs for the first time. Get ready for all the awws and the tearing up ‘cause it’s just too adorable!


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Helping professionals work tirelessly to repair the physical, emotional and mental health of others. This includes classic helping professions like case managers, psychologists, and social workers, but also applies to lawyers, doctors, home attendants and other professionals. These healers have a higher potential to experience vicarious trauma, burnout, and develop mental health issues.
The mission of Healing the Healers is to assist those in the helping professions to improve their overall quality of life using workshops, and talks. Also as a Trauma Stewardship coach I have worked with organizations such as Powerful Voices and the Young Women’s Christian Organization (YWCA).
My work as a trauma stewardship coach and speaker allow me to help healers:
To contact me about supporting you or your staff through Trauma Stewardship coaching or speaking, please schedule a free 15-minute session to discuss things further.


Twitter outlines political ad ban ahead of 2020 US election
by Michael SearlesTwitter has announced its political advertising ban will include references to candidates and legislation.
The social media site also said ads will not be allowed to advocate for certain outcomes on political and social causes.
Twitter announced the ban last month, but on Friday disclosed more of the specifics of the ban for the first time, which is set to come into effect on 22 November.
Read more: Mark Zuckerberg defends political ads on Facebook as Twitter bans them
“We believe political message reach should be earned, not bought,” Twitter chief executive Jack Dorsey said as he announced the ban yesterday.
Twitter said it will define political content as anything that references “a candidate, political party, elected or appointed government official, election, referendum, ballot measure, legislation, regulation, directive, or judicial outcome.”
A combination of automated technology and human teams will be used to enforce the new ad policies.
It comes as campaigns for the November 2020 US presidential election ramp up amid growing pressure for social media firms to tighten rules on adverts that spread false information and could sway elections.
Facebook has so far refused to follow Twitter’s lead despite calls from some politicians do so.
Mark Zuckerberg’s company said it did not want to stifle political speech and would not vet political ads for misleading claims.
Google will also refuse to prevent political ads with both having previously struggled to moderate the vast amounts of content on their bigger platforms.
Read more: Calls for regulation of political adverts grow amid declining trust in social media
Donald Trump’s campaign manager, Brad Parscale, called the move “yet another attempt to silence conservatives, since Twitter knows President Trump has the most sophisticated online program ever known.”
Bill Russo, deputy communications director for former Vice President Joe Biden’s presidential campaign, was grateful for Twitter’s steps to prevent “disproven smears” appearing in ads, but added that social media companies had more work to do.
“We look forward to seeing how the policy works in practice and intend to hold Twitter to its word,” he said.


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