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Gender Identity Clinics
Finding a Gender Identity clinic or GIC isn't as difficult as it once was. The internet can help you find a GIC nearest to you, however most GICs won't accept self-referral patients, meaning you will have to go through your GP. Your GP will refer you to your nearest GIC and then they will get back to you with an appointment. Waiting times for that first appointment can be long, GICs are few and far between and need to see people from a wide area. Also due to lack of research and funding into gender healthcare they can be short staffed.
First appointment
The first appointment can be daunting, especially if you have waited a long time, but there is nothing to worry about. The first appointment is all about assessing why you have been referred and how they can help you. There will be a lot of questions about your background, current circumstances and what you would like your future to be like. It can be helpful to write a list of questions you want to ask to make sure you leave knowing what you wanted to know, and it helps to write things down while you're there to help you remember or come back to things at a later date. Make sure you know what should happen next after that first appointment and that you know who to contact should you need and help or advice. Hormones will not be given at first appointments.
Second appointment
The second appointment is usually with someone else either alongside the first clinician you saw or alone. They will review the things you talked about with the first clinician and ask for any updates or changes in the way you feel since your first appointment. They may repeat questions from the first appointment or go into more depth with specifics discussed prior, but its not a test or anything to worry about, they just want to make sure they understand your needs. Sometimes, your clinicians may have decided that you are ready to go on hormones by this appointment if thats what you want. Sometimes it may take a few more sessions with them before they make a decision. Don't be afraid to ask. They will take you through any risks involved with HRT and the changes you can expect in a rough time frame. Learn more about HRT here.
Once you have begun whatever treatment it is you need, you will have follow up appointments. If you have begun HRT then you will have follow up appointments to check the progress of your treamtment and provide you with any help you may need during your transition. This can be anything from referring you to other services, prescribing secondary treatments for potential side effects, and surgical referrals, amongst other things.


---
layout: post
title: Introduction to multi-threaded java programming
date: '2013-07-08T12:17:00.000-05:00'
author: Steve Ash
tags:
modified_time: '2013-07-08T12:17:03.449-05:00'
blogger_id: tag:blogger.com,1999:blog-4471109663192942674.post-8781629476927036301
blogger_orig_url: http://blog.manycupsofcoffee.com/2013/07/introduction-to-multi-threaded-java.html
---
I gave a talk for our group about multi-threaded java programming for some of our junior members. I lifted a bulk of the slides from the interwebz, but added a fair amount of new content and commentary. It's not really that good of an introduction, but its something.
Steve


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Jane Deo
Hi, I'm Ashok and i am from Madurai. I have been designing websites for the past 6 Years. I am a UI & UX Designer.
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Laser Gears
generates involute gear patterns for CNC cutting
Draw an Involute Gear
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Export


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A previous page has included a JavaScript page called Tutorial.js.
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However you will be able to see the request for the file in the Sites tool, just make sure that you look under the
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Who am I?
Hello! I’m Miriam Harries, an enthusiastic student of Computer Science, Statistics, and Theater. I’m originally from Bloomington, Minnesota,
and right now I’m mid-way through my final year of undergraduate studies at Luther College in the beautiful town of Decorah, Iowa.
When I’m not writing code, I spend my time working on theater productions with Luther’s Department of Visual and Performing Arts and
acting as the technical director for the student-led SPIN Theater. My favorite projects are those that make an emotional connection with the
audience or user, whether they do it by being profound or being fun. If it makes you smile, it’s worth doing.
After graduation this spring, I plan to attend graduate school to learn how I can combine
my technical skills with my love of theater and the arts. After that, the future is wide
open…but I am aiming towards a career in Disney Imagineering or story-focused game development.


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Will not apply to:
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将适用:
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将适用:
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If Jesus were in Nigeria today, he won’t keep quiet – Obasanjo
by Daud OlatunjiDaud Olatunji ,Abeokuta
Former President Olusegun Obasanjo on Sunday said if Jesus Christ were to be in Nigeria at this time, he would not keep quiet on the situation of the country.
Obasanjo stated this in his goodwill message at the 64th annual national convention of the Foursquare Gospel Church in Nigeria held at the church campground on the Lagos-Ibadan Expressway, Ajebo, Ogun State.
The convention also featured installation of the new General Overseer of the church, Rev. Samuel Aboyeji, who took over from the immediate-past General Overseer, Rev. Felix Meduoye.
Obasanjo, who disclosed that he first attended the church’s convention soon after he was released from prison, said the 64th convention was his fourth time of attending the church annual programme.
Apparently reacting to the state of the nation, the former President gave an indication that the situation in the country required the need for clerics to speak out.
He urged Christians to be like Christ and as well foster unity among themselves, saying that failure to do that might make them become preys to the enemies.
He said “As Christians, we have to be like Christ as we are transformed into the likeness of Christ or little like Christ.
“So, in all positions, situations and events, we should be guided.
“If Christ was in this position, in this situation or in this event, what would he have done?
“We have a lot to do in the situation we found ourselves in this country today. And make no mistake about it, if we don’t get together and stay together, we would be devoured and that we should not take lightly.
“For me, if Christ was in Nigeria today, he would not keep quiet. He would say it as it should be said. He would speak truth to power. He would have no fear and he would have no intimidation.
“Children of God, you have a responsibility to do and say what Jesus Christ would have done and said if he was in Nigeria today.”
Obasanjo, however, mocked the President Muhammadu Buhari-led administration on its slogan, “next level.”
Obasanjo threw banter when he urged the new General Overseer to take the church to a greater height and quickly said, “I do not say to the next level.”
Buhari’s administration had made the slogan, “next level” as its campaign mantra ahead of the 2019 presidential election.
Obasanjo, however, commended the church for a peaceful selection of the new leadership.
He said, “Foursquare is one of the churches that select or elect their leaders with little or no rancour.”
Obasanjo said Rev. Aboyeji had been prepared by God having spent 24 years in the corporate world and 31 years in the service of God.
Copyright PUNCH.
All rights reserved. This material, and other digital content on this website, may not be reproduced, published, broadcast, rewritten or redistributed in whole or in part without prior express written permission from PUNCH.
Contact: theeditor@punchng.com


Will the real Slim Shady please stand up?. I repeat, will the real Slim Shady please stand up?. We're gonna have a problem here.
Tell us about projectWill the real Slim Shady please stand up?. I repeat, will the real Slim Shady please stand up?. We're gonna have a problem here.
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help text is a long help that helps jabberwocky
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Written by: Seth Kirkland
Transcribed by: Eric Aasen
[Scene: Central Perk, Frank and Alice are there talking with Phoebe.]
Phoebe: Oh my God! I cant believe my little brother is married!
Frank: Oh I know!!
Frank: Cause it just sorta happened, yknow we were at the courthouse, we were having lunch
Phoebe: Wait, wait, why were you at the courthouse?
Frank: We were having lunch. Yeah and then all of the sudden we were like, "Hey! Y'know, were here, having lunch lets get married!
Phoebe: Wow, a year and a half ago I didnt even know I had a brother, and now I have a sister too. (They all hug, and Frank and Alice start kissing.) Okay. Okay. Stop it, dont. So, I gotta get you a gift now. Is there anything you need?
Frank: Uhh, yeah.
Alice: Weve been trying to get pregnant, uh pretty much ever since we got engaged, we thought wed get a jump on things, yknow no ones getting any younger.
Frank: See the thing is umm, were not able to yknow, uh, conceive.

Frank: Yeah, and they-and they say that our-that our only chance to have a baby is that if they take my sperm, her egg and put it together in a dish and then put it into another girl. So we were wondering if you could be the girl that we could put it into.
Phoebe: (shocked) Thats a really nice gift. I was thinking of like a gravy boat.
Opening Credits
[Scene: Monica and Rachel's, Monica, Rachel, and Chandler are trying to throw cards into a vase.]
Joey: (entering with Ross) Hey! You guys! Check it out, check it out! (Hes wearing a blue blazer) Guess which job I got.
Chandler: I dont know, but Donald Trump wants his blue blazer black.
(The gang is stunned.)
Ross: What?
Chandler: Blue blazer back. He-he wants it back.
Rachel: But you-you said black. Why would he want his blue blazer black?
Chandler: Well, you-you know what I meant.
Monica: No, you messed it up.
Chandler: So what job did you get Joe?
Joey: Oh, ah, tour guide at the museum. Yeah, Ross got it for me.
Rachel: Well, how can you be a tour guide, dont you have to be a dinosaur expert or something?
Joey: No, not really. They give you all the information, its uh, its like memorizing a script. (Making like a tour guide) "And on your left, you have Tyrannosaurus Rex, a carnivore from the Jurassic period.
Chandler, Monica, and Rachel: Great!! Thats great!
Ross: Uh actually Joey, its the Cretasous period.
Joey: Yeah but, I can pronounce Jurassic.
Phoebe: (entering) Hey!!
All: Hey!
Phoebe: Guess what. Frank Jr., and Alice got married!
All: Oh my God!!
Phoebe: And! And, theyre gonna have a baby! (The gang is shocked.) And! And, they want me to grow it for them in my uterus. (The gang is stunned into silence.)
Ross: My God!

Phoebe: Ewww! And "Oh no!" Itsthey just want me to be the surrogate. Its her-its her egg and her sperm, and Im-Im just the oven, its totally their bun.
Joey: Huh.
Monica: What did you tell them?
Phoebe: Well, they said that I had to think about it first, but what is there to think about? Im gonna be giving them the greatest gift you can possibly give.
Chandler: Youre gonna be carrying their baby and give them a Sony Play Station?
Rachel: Honey, this really is an incredible thing to do for them, but there are things to think about.
 I mean pregnant.
Phoebe: I know!

Phoebe: Yeah, whats your point?
Ross: Well, the stuff I just mentioned.
Rachel: Wow! I dont know if I could ever do that. I always figured the first time I had a baby was with somebody I love and that baby would be a keeper.
Phoebe: Y'know you guys were a lot more supportive when I wanted to make denim furniture.
Joey: No, Pheebs, listen, if you decide to do this, well be supportive like crazy.
All: Yeah.
Monica: We just want you to think it through.
Rachel: Yeah, honey, maybe you can talk to somebody whos had a baby. Like your mom?
Phoebe: My mom never gave birth. Oh! But my birth mom did.
[Scene: Central Perk, Chandler and Kathy are kissing.]
Kathy: Umm, (moves her hands down to his butt) I love this touchy. Can I take it to work with me?
Chandler: Oh, yeah, sure, its not mine anyway. It can with the pants.
Kathy: Oh! (They kiss and she leaves)
Monica: I am so jealous.
Rachel: You guys are really right there arent you?
Chandler: Yes. Right where?

Monica: And the sex?
Chandler: All right, we havent had sex yet. Okay, whats the big deal? Yknow? This is special, and I want our love to grow until we move on to the next level.
Rachel: Oh, Chandler that is so nice.
Ross: That is really nice lying! No way is that the reason!
Rachel: Why?
Chandler: No, hes right, Im totally lying.
(Ross makes an "I was right, and you werent face." And Rachel does Rosss little Im-flicking-you-off-but-Im-not-giving-you-the-finger banging of the fists.)
Monica: Then what is it?
Chandler: Well, Kathys last boyfriend was Joey.
Ross: And youre afraid you wont be able to fill his shoes.
Chandler: No, Im afraid I wont be able to make love as well as him.
Ross: Yeah, I was going for the metaphor.
Chandler: Yes, and I was saying the actual words.
Monica: So big deal, so Joeys had a lot of girlfriends, it doesnt mean hes great in bed.
Chandler: We share a wall! So either hes great in bed, or she just likes to agree with him a lot.
Monica: Sweetie, with you its gonna be different.
Chandler: Yeah?
Rachel: Yeah!
Ross: Just go for it Chandler.
Monica: Yeah, you should.
Rachel: Yeah, you should, really.
Monica: Go on.
Chandler: All right, all right, Ill go sleep with my girlfriend. But Im just doing it for you guys.
[Scene: The museum, Joey is giving a tour to a bunch of school kids.]
Joey: Okay, now the Mastodon is from the semi-late Jurassic period.
Smart Kid: Isnt the Mastodon from the Pliocene Epic?
Joey: Shhh! This is a museum, no talking. Right down here, (Motions to a fossilised dinosaur foot.) we have a large foot. (Sees Ross working in one of the display cases.) Uhh, and over here we have Ross Geller. (Knocks on the glass) Everyone wave Hi to Ross. Ross is one of our most important scientists, look at him, hard at work. (Ross does the old "Putting a cigarette in your ear and pulling it out of your mouth trick.") Okay, moving right along. Come on.
[Scene: Phoebe Sr.s house, theres a knock on the door.]
Phoebe Sr: Its open! Come in!
Phoebe: Hi!
Phoebe Sr: Hi!
Phoebe: Im sorry, Im late.
Phoebe Sr: Oh, thats okay, it gave me time to finish glazing my nipples.
Phoebe: Wow!
Phoebe Sr: No, I was working on my pottery.
Phoebe: Oh! Ooh! Oh, I didnt know that you did pot.
Phoebe Sr: Well, yeah, mostly nudes. It combines my two passions, pottery and erotica.
Phoebe: Ooh, erotiery!
Phoebe Sr: Hey! Okay! Well thanks for coming out to see me. I just-I just thought it would be a very good idea to talk about this baby stuff in person. Yknow
Phoebe: Okay.
Phoebe Sr: I really dont think its a very good idea, Phoebe.
Phoebe: Why not?
Phoebe Sr: Well, because youd be giving up a baby, and I-I really dontI dont know if theres anything I can say that could make you understand the pain of giving up a baby. So, umm, (Picks up a puppy in the box next to the couch.)
Phoebe: Oh no! No-no! I understand the pain! Dont-dont hurt the puppy.
Phoebe Sr: No-no-no, the-the puppys yours.
Phoebe: Oh, I get a puppy!!
Phoebe Sr: Well, yeah! I mean yeah, but only for three days.
Phoebe: Why?
Phoebe Sr: I realise I dont have any right to start get all parenty on you and everything now, but umm, (Sees that Phoebe isnt paying attention and is busy mimicking the puppy.) uhh Phoebe, would you please look at me and not the puppy, its very important.
Phoebe: Okay.
 I gave up two babies, and I only wish I had someone there that had given up babies, that could tell me how terrible it is to give up babies. I just think that, it would be something you will regret every single day for the rest of your life. So, how ever hard it is to give up this puppy, it would be like a million times harder to give up a child. (Phoebe is playing with the puppy again, and not listening) I really shouldnt have given you the puppy first.
Phoebe: All right, Im sorry.
[Scene: The museums worker cafeteria, Joey is eating lunch with the rest of the tour guides. Another tour guide tries to sit down in a seat Joey saved for Ross.]
Joey: Uhh, do you mind sitting there. Im-Im saving this for my friend Ross.
Tour Guide: You mean Dr. Geller?
Joey: Doctor? Wow! I didnt know he had a nickname.
Tour Guide: Oh, he wont sit here. Only the people in the white coats sit over there, (Points to there table) and only the people in the blue blazers sit here.
Joey: Well, how-how come?
Tour Guide: Thats just the way it is.
Joey: Thats crazy.
Tour Guide: Maybe its crazy in a perfect world, a world without lab coats and blazers, but you not in a perfect world, you in a museum now. See that scientist in the classes, he and I used to play together all the time in grade school, but now (Turns around) Peter! Hey, Peter! Its me Rhonda! From PS-129! I shared my puddin which you man! I gave you my Snack Pack! (to Joey) See, he pretend he dont even here me!
Joey: I-I think everybodys pretending they dont hear you. Anyway, look, I dont know about you and your jackets and your separate tables, but Ross is one of my best friends, and if I save him a seat, Im telling you, he will sit in it! (Ross enters and goes over to the white table) Ross! Ross! Over here, man! I-I saved you seat.
Ross: Thats okay, Im cool over here. Ill catch up with you later, Joey. (Joey is shocked.)
(Another woman enters without a coat or blazer and tries to sit at the blue table.)
Tour Guide: Op, this is saved. (Joey wonders why) Gift shop.
Commercial Break
[Scene: Monica and Rachel's, Joey is eating dinner, Monica and Rachel are sitting on the couch.]
Ross: (entering) Hey, uh, Im really, really sorry about what happened in the cafeteria today.
Joey: Its no big deal. Hey, yknow, you do what you gotta do. Right?
Ross: But hey, its not just me, I mean the scientists and the tour guides never sit together.
Joey: Whatever.
Ross: Its like that everywhere, Joey! Okay, Mon, back me up here. Where you work the uh, waiters eat with the waiters, right? And the chefs eat with the other chefs, right?

Joey: Look, Ross, really its-its no big deal. Yknow you wear a white coat, I wear a blue blazer, if that means we cant be friends at work, then so be it. Yknow, hey I understand. Yknow? Hey, when Im in a play and youre in the audience, I dont talk to you, right? So its yknow, its uh, its cool. Ill see you tomorrow. (Leaves)
Rachel: Yeah, when were in the audience he doesnt talk to us, but he does wave.
[Scene: Monica and Rachel's, the next morning, Phoebe is there with her puppy and is trying to sing it to sleep as Chandler enters.]
Chandler: Hi.
Monica: Hey!
Chandler: Why is Phoebe singing to Carl Mulden?
Phoebe: Ooh, yknow what, I think its time for puppy to go out again. Come on, lets go to the balcony.
Monica: What?!
Phoebe: Umm, the street. Come on, lets go to the street. Ooh, listen, dont go onto the balcony until after I get back. (Leaves)
Monica: (to Chandler) So, did you do it?
Chandler: Yes, yes, we had the sex.
Monica: Uh-oh, it was bad?
Chandler: It was fine, yknow? But she didnt agree with me as strongly as she agreed with Joey. She was more like, "I see you point, Im all right with it."
Monica: Well, it was the first time. Yknow, theres not always a lot of agreement the first time.
Rachel: Yeah, not girls anyway, guys agree (snaps her fingers) like that.
Chandler: Look, you have to help me! Okay? I mean, I know what to do with a woman, yknow, I know where everything goes, its always nice. But I need to know what makes it go from nice to, "My God! Somebodys killing her in there!"
Monica: All right, Im gonna show you something a lot of guys dont know. Rach, give me that pad, please? (She does so and Monica starts drawing on it) All right.  Shes hot!
Monica: Now everybody knows the basic erogenous zones. (She starts labelling them) You got one, two three, four (Chandler is shocked to find out theres more than three), five, six, and seven!
Chandler: (shocked) There are seven?!
Rachel: Let me see that. (Monica shows her) Oh, yeah.
Chandler: (Points to one) Thats one?
Monica: Its kind of an important one!
Chandler: Oh, yknow-yknow what, I was looking at it upside down.
Rachel: Well, yknow, sometimes that helps. (She realises what that couldve meant.)

Chandler: That-thats bad?
Rachel: Well if you go to Disneyland, you dont spend the whole day on the Materhorn.
Chandler: Well you might if it were anything like 7!
Monica: All right uh, the important thing is to take your time, you want to hit em all, and you mix em up. You gotta keep them on their toes.
Rachel: Oo, toes!! Well, for some people. (Chandler eyes her and her toes.)
Monica: All right. Umm, you could uh start out with a little 1, a 2, a 1-2-3, 3, 5, a 4, a 3-2, 2, a 2-4-6, 2-4-6, 4, (Rachel starts getting worked up) 2, 2, 4-7, 5-7, 6-7, 7, 7.. 7 7-7-7-7-7-7-7-7-7-7-7-7 (mouths 7)! (They both lean back on the couch satisfied.)
[Scene: The museum cafeteria, Joey is eating with the tour guides as Ross enters.]
Older Scientist: Dr. Geller, theres a seat over here. (Motions to an empty chair at the white table.)
Ross: Thank you, Dr. Phillips, but Im having my lunch at this table, here in the middle. Im having lunch right here, with my good friend Joey, if hell sit with me.
Joey: (standing up) I will sit with you Dr. Geller. (He goes over to his table and they shake hands.)
Ross: Y'know, we work in a museum of natural history, and yet there is something unnatural about the way we eat lunch. Now, I look around this cafeteria, and yknow what I see, I see-I see division. Division, between people in white coats and people in blue blazers, and I ask myself, "My God why?!" Now, I say we shed these-these coats that separate us, and we get to know the people underneath. (He takes off his coat and throws it down.) Im Ross! Im divorced, and I have a kid!
Joey: (stands up, and throws his coat on the floor) Im Joey! Im an actor! I dont know squat about dinosaurs!
Another Tour Guide: (standing up and removing his coat) Im Ted, and I just moved here a month ago, and New York really scares me.
Ross: All right, there you go!
Joey: Yeah, you hang in there Teddy!
Older Scientist: Im Andrew, and I didnt pay for this pear.
Ross: Okay, good-good for you.
Tour Guide: Im Rhonda, (motions to her breasts) and these arent real! (Joey and Ross look at each other, shocked)
Ross: Wow, Rhonda.
Another Scientist: Im Scott.
Ross: Yeah, okay, Scott!

[Scene: Central Perk, Phoebe, with the puppy, Monica, and Rachel are sitting on the couch.]
Phoebe: My moms gonna be here any minute. I cant do this, I cant give him up. Yesno, I can. I dont want to. But I can. No.
Rachel: Oo, I cant watch this, its like Sophies Choice.
Monica: Yknow, I never saw that.
Rachel: Ooh, it was only okay.
Phoebe: Ooh, I cant do this. My mom was right. If I cant-if I cant give him up, then theres no way I can give up a baby. Ohh, God, Frank and Alice are gonna be so crushed. What-what else, what else can I give ema kidney!
Alice: (entering with Frank) Hi!
Frank: Hi!
Alice: Uhh, we were just in the neighbourhood, so
Frank: Yeah, so we just thought wed stop by and let you know theres still no pressure.
Alice: None. But if there was something you wanted to tell us, were just gonna be right over there (points to the counter) having coffee.
Phoebe: Okay.
Frank: (noticing the puppy) Oh, whos this little guy?! (Grabs the puppy)
Phoebe: Oh! Ooh! Umm!
Frank: Oh, hes so cute, he reminds me of my old dog, Tumour.
Alice: You are so precious, I could just take you home.
Phoebe: Hey, why dont you?

Phoebe: Uh-huh, yeah!
Frank: Oh, thanks.
Monica: What are you doing?
Phoebe: No, Im really okay with this. Yknow why? Cause look at them, and I made that, so I know its gonna be like a million times harder to give up a baby but, oh my God, its gonna feel like a million times better, right? I wanna do this. (To Frank and Alice) I wanna carry your baby.
Alice: (shocked) Oh! Oh! Oh! Thank you so much! You dont know what this means to us! Oh!
Frank: Oh my God, I think Im gonna cry!
Monica: Its gonna be so great.
Phoebe Sr: (entering) Hi! Whats going on?
Phoebe: Oh, I-I gave them the puppy and it made them so happy that I decided Im gonna carry their baby.
Phoebe Sr: But Phoebe
Phoebe: No-no-no, I know, but you and I are different people though, and this is a totally different situation, and I know that I am not gonna regret this.
Phoebe Sr: Oh, I-I-I understand all that, but its justthat was my puppy.
Phoebe: Oh!
Closing Credits
[Scene: Monica and Rachel's, Monica and Rachel are sitting at the table.]
Monica: Would you ever be a surrogate for anyone?
Rachel: It depends on who asked.
Monica: What if I asked?
Rachel: Oh, Mon, sure.
Monica: Really?
Rachel: Yes. (Pause) Youre not asking are you?
Monica: No.
Rachel: Yes! Totally!
(Kathy runs in, hair all out of place, and hugs Monica.)
Kathy: Oh! Thank you! Thank you! Thank you! Yes! Thank you! (Runs back to Chandler)
End


AceTime
1.0
Date and time classes for Arduino that support timezones from the TZ Database, and a system clock that can synchronize from an NTP server or an RTC chip.
Class Hierarchy
Go to the textual class hierarchy
Generated by
1.8.13


pygraphc.preprocess package¶
Submodules¶
pygraphc.preprocess.CreateGraph module¶
pygraphc.preprocess.PreprocessLog module¶
-
class
PreprocessLog
(logfile=None)[source]¶ Bases:
object
A class to preprocess event log before generating the graph model.
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_PreprocessLog__read_log
()¶ Read a log file.
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static
get_doclength
(tfidf)[source]¶ Calculate doc’s length for cosine similarity
Parameters: tfidf (list[tuple]) – List of tf-idf value of each word in tuple. Returns: length – Document’s length. Return type: float
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get_tfidf
(doc, total_docs, docs)[source]¶ Calculate tf-idf (term frequency-inverse document frequency).
Parameters: - doc (str) – A single event log line.
- total_docs (float) – Total number of logs or total line numbers.
- docs (list[str]) – All logs in a file.
Returns: - doc (str) – Preprocessed event logs.
- tfidf (list[tuple]) – List of tuple where a tuple consists of two elements: 1) word and 2) its tf-idf value.
-


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| And Jesus answered and spake unto them again by parables, and said,
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| ᏥᏌᏃ ᎤᏁᏨ ᏔᎵᏁ ᏚᏟᎶᏍᏓᏁᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ;
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Tsi-sa-no u-ne-tsv ta-li-ne du-tli-lo-s-da-ne-lv-gi, hi-a nu-we-sv-gi;
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| The kingdom of heaven is like unto a certain king, which made a marriage for his son,
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| ᎦᎸᎳᏗ ᎤᏤᎵᎪᎯ ᎾᏍᎩᏯᏉ ᎩᎶ ᎤᎬᏫᏳᎯ ᏧᏛᏅᎢᏍᏔᏁ ᏣᎦᏨᏍᏙᏗᏱ ᎤᏪᏥ ᎠᏫᏅ,
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Ga-lv-la-di u-tse-li-go-hi na-s-gi-ya-quo gi-lo u-gv-wi-yu-hi tsu-dv-nv-i-s-ta-ne tsa-ga-tsv-s-do-di-yi u-we-tsi a-wi-nv,
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| And sent forth his servants to call them that were bidden to the wedding: and they would not come.
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| ᎠᎴ ᏥᏚᏅᏎ ᏧᏅᏏᏓᏍᏗ ᏧᏂᏯᏅᎲᏍᏗᏱ ᏫᎨᏥᏯᏅᏛ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎤᏂᎷᎯᏍᏗᏱ; ᎠᏎᏃ ᏗᎤᏂᏳᎸᏁᏉ ᏅᏓᏳᏁᏅᏍᏗᏱ.
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A-le tsi-du-nv-se tsu-nv-si-da-s-di tsu-ni-ya-nv-hv-s-di-yi wi-ge-tsi-ya-nv-dv de-ge-ga-tsv-s-di-s-gv u-ni-lu-hi-s-di-yi; a-se-no di-u-ni-yu-lv-ne-quo nv-da-yu-ne-nv-s-di-yi.
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| Again, he sent forth other servants, saying, Tell them which are bidden, Behold, I have prepared my dinner: my oxen and my fatlings are killed, and all things are ready: come unto the marriage.
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| ᏔᎵᏁᏃ ᏅᏩᎾᏓᎴ ᏧᏅᏏᏓᏍᏗ ᏚᏅᏎᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎯᎠ ᏫᏂᏗᏥᏪᏏ ᏫᎨᏥᏯᏅᏛ; ᎬᏂᏳᏉ ᎠᏆᏛᏅᎢᏍᏗ ᎠᎵᏍᏓᏴᏗ, ᏗᏆᏤᎵ ᏩᎦ ᎠᎴ ᏗᎦᎵᏦᏔᏅᎯ ᏚᏂᎸ, ᏂᎦᏗᏳᏃ ᎠᏛᏅᎢᏍᏔᏃᏅᎯ; ᏕᎨᎦᏨᏍᏗᏍᎬ ᎢᏥᎷᎩ.
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Ta-li-ne-no nv-wa-na-da-le tsu-nv-si-da-s-di du-nv-se-i, hi-a ni-du-we-se-le-i; Hi-a wi-ni-di-tsi-we-si wi-ge-tsi-ya-nv-dv; Gv-ni-yu-quo a-qua-dv-nv-i-s-di a-li-s-da-yv-di, di-qua-tse-li wa-ga a-le di-ga-li-tso-ta-nv-hi du-ni-lv, ni-ga-di-yu-no a-dv-nv-i-s-ta-no-nv-hi; de-ge-ga-tsv-s-di-s-gv i-tsi-lu-gi.
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| But they made light of it, and went their ways, one to his farm, another to his merchandise:
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| ᎠᏎᏃ ᏅᎵᏌᎵᏉ ᏗᎤᏂᏰᎸᏁᎢ, ᎠᎴ ᎤᏣᏘᏂᏉ ᏭᏂᎶᏎᎢ, ᎠᏏᏴᏫ ᏧᎶᎨᏒᎢ, ᏐᎢᏃ ᎤᏃᏙᏗᏱ.
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A-se-no nv-li-sa-li-quo di-u-ni-ye-lv-ne-i, a-le u-tsa-ti-ni-quo wu-ni-lo-se-i, a-si-yv-wi tsu-lo-ge-sv-i, so-i-no u-no-do-di-yi.
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| And the remnant took his servants, and entreated them spitefully, and slew them.
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| ᎠᏂᏐᎢᏃ ᏚᏂᏂᏴᎮ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᏗᎬᏩᏂᏐᏢᏔᏁᎢ, ᎠᎴ ᏚᏂᎴᎢ.
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A-ni-so-i-no du-ni-ni-yv-he tsu-nv-si-da-s-di, a-le di-gv-wa-ni-so-tlv-ta-ne-i, a-le du-ni-le-i.
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| But when the king heard thereof, he was wroth: and he sent forth his armies, and destroyed those murderers, and burned up their city.
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| ᎿᎭᏉᏃ ᎤᎬᏫᏳᎯ ᎤᏛᎦᏅ ᎤᏔᎳᏬᏎᎢ, ᎠᎴ ᏚᏅᏎ ᏧᏤᎵ ᎠᏂᏯᏫᏍᎩ, ᎠᎴ ᏫᏚᏂᎴ ᎾᏍᎩ ᏧᎾᏓᎸᎯ, ᎠᎴ ᏭᎾᎪᎲᏍᏔᏁ ᎤᏂᏚᎲᎢ.
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Hna-quo-no u-gv-wi-yu-hi u-dv-ga-nv u-ta-la-wo-se-i, a-le du-nv-se tsu-tse-li a-ni-ya-wi-s-gi, a-le wi-du-ni-le na-s-gi tsu-na-da-lv-hi, a-le wu-na-go-hv-s-ta-ne u-ni-du-hv-i.
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| Then saith he to his servants, The wedding is ready, but they which were bidden were not worthy.
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| ᎿᎭᏉᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᏧᏅᏏᏓᏍᏗ; ᏗᎨᎦᏨᏍᏙᏗᏱ ᎠᏛᏅᎢᏍᏗ, ᎠᏎᏃ ᏫᎨᏥᏯᏅᏛ ᎥᏝ ᏰᎵ ᏱᎾᏃᏎ ᎤᏂᎷᎯᏍᏱ.
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Hna-quo-no hi-a ni-du-we-se-le tsu-nv-si-da-s-di; di-ge-ga-tsv-s-do-di-yi a-dv-nv-i-s-di, a-se-no wi-ge-tsi-ya-nv-dv v-tla ye-li yi-na-no-se u-ni-lu-hi-s-yi.
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| Go ye therefore into the highways, and as many as ye shall find, bid to the marriage.
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| ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᏕᎦᏅᎿᎭᏩᏗᏒ ᏫᏥᎶᎯ, ᎾᏂᎥᏃ ᏕᏥᏩᏘᏍᎨᏍᏗ ᏕᏥᏁᏤᎮᏍᏗ ᎤᏂᎷᎯᏍᏗᏱ ᎠᏂ ᏙᏗᎨᎦᏨᏍᏔᏂᏒᎢ.
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Na-s-gi-no i-yu-s-di de-ga-nv-hna-wa-di-sv wi-tsi-lo-hi, na-ni-v-no de-tsi-wa-ti-s-ge-s-di de-tsi-ne-tse-he-s-di u-ni-lu-hi-s-di-yi a-ni do-di-ge-ga-tsv-s-ta-ni-sv-i.
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| So those servants went out into the highways, and gathered together all as many as they found, both bad and good: and the wedding was furnished with guests.
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| ᎰᏩᏃ ᎾᏍᎩ ᏧᏅᏏᏓᏍᏗ ᏕᎦᏅᎿᎭᏩᏗᏒ ᏭᏂᎶᏎᎢ, ᎠᎴ ᎤᏂᏟᏌᏁ ᎾᏂᎥ ᏚᏂᏩᏛᎲ ᎤᏂᏲ ᎠᎴ ᎠᏃᏍᏛ; ᎿᎭᏉᏃ ᏙᏗᎨᎦᏨᏍᏔᏂᏒ ᏰᎵ ᏄᎵᏍᏔᏂᎴ ᎠᎾᎵᏍᏓᏴᎲᏍᎩ.
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Ho-wa-no na-s-gi tsu-nv-si-da-s-di de-ga-nv-hna-wa-di-sv wu-ni-lo-se-i, a-le u-ni-tli-sa-ne na-ni-v du-ni-wa-dv-hv u-ni-yo a-le a-no-s-dv; hna-quo-no do-di-ge-ga-tsv-s-ta-ni-sv ye-li nu-li-s-ta-ni-le a-na-li-s-da-yv-hv-s-gi.
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| And when the king came in to see the guests, he saw there a man which had not on a wedding garment:
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| ᎿᎭᏉᏃ ᎤᏴᎸ ᎤᎬᏫᏳᎯ ᏚᎦᏔᏂᎸ ᎠᎾᎵᏍᏓᏴᎲᏍᎩ, ᎤᎪᎮ ᎾᎿᎭᎠᏏᏴᏫ ᏄᏄᏩᎥᎾ ᎨᏎ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎠᏄᏬᏍᏗ.
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Hna-quo-no u-yv-lv u-gv-wi-yu-hi du-ga-ta-ni-lv a-na-li-s-da-yv-hv-s-gi, u-go-he na-hna a-si-yv-wi nu-nu-wa-v-na ge-se de-ge-ga-tsv-s-di-s-gv a-nu-wo-s-di.
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| And he saith unto him, Friend, how camest thou in hither not having a wedding garment? And he was speechless.
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| ᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᎩᎾᎵᎢ, ᎦᏙᏃ ᎠᏂ ᎥᎯᏴᎵᎦ ᏂᏣᏄᏩᎥᎾ ᎢᎩ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎠᏄᏬᏍᏗ? ᎡᎳᏪᏱᏉᏃ ᎨᏎᎢ.
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Hi-a-no nu-we-se-le-i; Gi-na-li-i, ga-do-no a-ni v-hi-yv-li-ga ni-tsa-nu-wa-v-na i-gi de-ge-ga-tsv-s-di-s-gv a-nu-wo-s-di? E-la-we-yi-quo-no ge-se-i.
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| Then said the king to the servants, Bind him hand and foot, and take him away, and cast him into outer darkness; there shall be weeping and gnashing of teeth.
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| ᎿᎭᏉᏃ ᎤᎬᏫᏳᎯ ᎯᎠ ᏂᏚᏪᏎᎴ ᎨᏥᏅᏏᏓᏍᏗ; ᎡᏣᎸᏣ ᏧᏬᏰᏂ ᎠᎴ ᏧᎳᏏᏕᏂ; ᎠᎴ ᎡᏥᎾᏫᏛ, ᎠᎴ ᎥᏙᏱᏗᏢ ᏧᎵᏏᎬ ᏪᏣᏓᎤᎦ. ᎾᎿᎭᏓᏂᏴᎨᏍᏗ ᎠᎴ ᏓᏂᎸᏓᎩᏍᎨᏍᏗ ᏓᏂᏄᏙᎬᎢ.
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Hna-quo-no u-gv-wi-yu-hi hi-a ni-du-we-se-le ge-tsi-nv-si-da-s-di; E-tsa-lv-tsa tsu-wo-ye-ni a-le tsu-la-si-de-ni; a-le e-tsi-na-wi-dv, a-le v-do-yi-di-tlv tsu-li-si-gv we-tsa-da-u-ga. Na-hna da-ni-yv-ge-s-di a-le da-ni-lv-da-gi-s-ge-s-di da-ni-nu-do-gv-i.
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| For many are called, but few are chosen.
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| ᎤᏂᏣᏘᏰᏃ ᎨᏥᏯᏅᏛ, ᎠᏎᏃ ᎠᏂᎩᏲᎵᏳ ᎨᎦᏑᏰᏛ.
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U-ni-tsa-ti-ye-no ge-tsi-ya-nv-dv, a-se-no a-ni-gi-yo-li-yu ge-ga-su-ye-dv.
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| Then went the Pharisees, and took counsel how they might entangle him in his talk.
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| ᎿᎭᏉᏃ ᎠᏂᏆᎵᏏ ᎤᏁᏅᏒᎩ ᏭᏂᏃᎮᎸᎩ ᎢᏳᎾᏛᏁᏗᏱ ᎤᏂᏌᏛᏗᏱ ᎦᏬᏂᏍᎬᎢ.
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Hna-quo-no A-ni-qua-li-si u-ne-nv-sv-gi wu-ni-no-he-lv-gi i-yu-na-dv-ne-di-yi u-ni-sa-dv-di-yi ga-wo-ni-s-gv-i.
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| And they sent out unto him their disciples with the Herodians, saying, Master, we know that thou art true, and teachest the way of God in truth, neither carest thou for any man: for thou regardest not the person of men.
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| ᏚᏂᏅᏒᎩᏃ ᏤᏙᎲ ᎬᏩᏂᏍᏓᏩᏗᏙᎯ ᎠᎴ ᎡᎶᏛ ᎬᏩᏍᏕᎵᏍᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏔᏕᏲᎲᏍᎩ, ᎣᏥᎦᏔᎭ ᎤᏙᎯᏳᎩᏯ ᎨᏒ ᏂᎯ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᏚᏳᎪᏛ ᏕᎭᏕᏲᎲᏍᎬᎢ, ᎥᏝ ᎠᎴ ᏴᏫ ᏱᏘᎾᏰᏍᎦ, ᎥᏝᏰᏃ ᏄᎾᏍᏛᏉ ᏴᏫ ᏱᏘᎸᏉᏙᎢ.
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Du-ni-nv-sv-gi-no tse-do-hv gv-wa-ni-s-da-wa-di-do-hi a-le E-lo-dv gv-wa-s-de-li-s-gi, hi-a nu-ni-we-sv-gi; Ta-de-yo-hv-s-gi, o-tsi-ga-ta-ha u-do-hi-yu-gi-ya ge-sv ni-hi, a-le U-ne-la-nv-hi u-tse-li-ga du-yu-go-dv de-ha-de-yo-hv-s-gv-i, v-tla a-le yv-wi yi-ti-na-ye-s-ga, v-tla-ye-no nu-na-s-dv-quo yv-wi yi-ti-lv-quo-do-i.
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| Tell us therefore, What thinkest thou? Is it lawful to give tribute unto Caesar, or not?
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| ᎾᏍᎩ ᎢᏳᏍᏗ ᏍᎩᏃᎲᏏ, ᎦᏙ ᎮᎵᎭ? ᏥᏌ ᏚᏳᎪᏗ ᏏᏌ ᎠᎫᏴᎡᏗᏱ ᎠᏰᎵ ᎠᎫᏴᏗ ᎨᏒᎢ; ᏝᎨ?
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Na-s-gi i-yu-s-di s-gi-no-hv-si, Ga-do he-li-ha? Tsi-sa du-yu-go-di Si-sa a-gu-yv-e-di-yi a-ye-li a-gu-yv-di ge-sv-i; tla-ge?
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| But Jesus perceived their wickedness, and said, Why tempt ye me, ye hypocrites?
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| ᎠᏎᏃ ᏥᏌ ᎤᏙᎴᎰᏒᎩ ᎤᏲᏉ ᎠᎾᏓᏅᏖᏍᎬᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᏙᏃ ᎢᏍᎩᏌᏛᎥᏍᎦ, ᎢᏣᏠᎾᏍᏗ?
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A-se-no Tsi-sa u-do-le-ho-sv-gi u-yo-quo a-na-da-nv-te-s-gv-i, a-le hi-a ni-du-we-se-lv-gi; Ga-do-no i-s-gi-sa-dv-v-s-ga, i-tsa-tlo-na-s-di?
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| Shew me the tribute money. And they brought unto him a penny.
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| ᏥᎪᏩᏛ ᎠᏕᎸ ᎠᏰᎵ ᎠᎫᏴᏙᏗ. ᎠᎩᏏᏃ ᏧᎬᏩᎶᏗ ᎬᏩᏲᎮᎸᎩ.
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Tsi-go-wa-dv a-de-lv a-ye-li a-gu-yv-do-di. A-gi-si-no tsu-gv-wa-lo-di gv-wa-yo-he-lv-gi.
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| And he saith unto them, Whose is this image and superscription?
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| ᎯᎠᏃ ᏂᏚᏪᎭᎸᎩ; ᎦᎪ ᎯᎠ ᏓᎦᏟᎶᏍᏗ, ᎠᎴ ᎦᎪ ᎠᏥᏃᎮᎭ ᎯᎠ ᏥᎪᏪᎳ?
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Hi-a-no ni-du-we-ha-lv-gi; Ga-go hi-a da-ga-tli-lo-s-di, a-le Ga-go a-tsi-no-he-ha hi-a tsi-go-we-la?
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| They say unto him, Caesar's. Then saith he unto them, Render therefore unto Caesar the things which are Caesar's; and unto God the things that are God's.
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| ᏏᏌ, ᎤᎾᏛᏅᎩ. ᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏏᏌ ᎠᏗᎾ ᎡᏥᎲᏏ ᏏᏌ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.
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Si-sa, u-na-dv-nv-gi. Hi-a-no ni-du-we-se-lv-gi; Si-sa a-di-na e-tsi-hv-si Si-sa u-tse-li-ga, U-ne-la-nv-hi-no U-ne-la-nv-hi u-tse-li-ga.
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| When they had heard these words, they marvelled, and left him, and went their way.
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| ᎤᎾᏛᎦᏅᏃ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᎠᎴ ᎤᎾᏓᏅᎡᎸᎩ.
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U-na-dv-ga-nv-no u-ni-s-qua-ni-go-sv-gi, a-le u-na-da-nv-e-lv-gi.
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| The same day came to him the Sadducees, which say that there is no resurrection, and asked him,
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| ᎾᎯᏳ ᎢᎦ ᎠᏂᏌᏚᏏ ᏗᎴᎯᏐᏗ ᎨᏒ ᎤᎾᏜᏓᏏᏛᎡᎯ ᎬᏩᎷᏤᎸᎩ, ᎠᎴ ᎬᏩᏛᏛᏅᎩ,
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Na-hi-yu i-ga A-ni-sa-du-si di-le-hi-so-di ge-sv u-na-dla-si-dv-e-hi gv-wa-lu-tse-lv-gi, a-le gv-wa-dv-dv-nv-gi,
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| Saying, Master, Moses said, If a man die, having no children, his brother shall marry his wife, and raise up seed unto his brother.
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| ᎯᎠ ᏄᏂᏪᏒᎩ; ᏔᏕᏲᎲᏍᎩ, ᎼᏏ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎢ; ᎢᏳᏃ ᎠᏍᎦᏯ ᎠᏲᎱᏍᎨᏍᏗ ᏧᏪᏥ ᎾᏁᎲᎾ ᎨᏎᏍᏗ, ᏗᎾᏓᏅᏟ ᎠᏓᏰᎨᏍᏗ ᎤᏓᏴᏛ, ᎾᏍᎩᏃ ᏓᏛᎯᏍᏓᏁᎮᏍᏗ ᏗᏂᏲᎵ ᏗᎾᏓᏅᏟ.
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Hi-a nu-ni-we-sv-gi; Ta-de-yo-hv-s-gi, Mo-si u-ne-tse hi-a nu-we-se-i; I-yu-no a-s-ga-ya a-yo-hu-s-ge-s-di tsu-we-tsi na-ne-hv-na ge-se-s-di, di-na-da-nv-tli a-da-ye-ge-s-di u-da-yv-dv, na-s-gi-no da-dv-hi-s-da-ne-he-s-di di-ni-yo-li di-na-da-nv-tli.
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| Now there were with us seven brethren: and the first, when he had married a wife, deceased, and, having no issue, left his wife unto his brother:
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| ᎾᏍᎩᏃ ᎠᏴ ᎣᏤᎲ ᎠᏁᎲᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᎠᎾᏓᏅᏟ; ᎤᏓᏂᎵᎨᏃ ᎤᏕᏒᏅ ᎤᏲᎱᏒᏉ, ᏧᏪᏥᏃ ᎾᏁᎲᎾ ᎨᏒ ᎢᏳᏍᏗ ᎤᏓᎵᎢ ᎤᏪᎪᏓᏁᎸ ᎤᏅᏟ.
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Na-s-gi-no a-yv o-tse-hv a-ne-hv-gi ga-li-quo-gi i-ya-ni-dv a-na-da-nv-tli; u-da-ni-li-ge-no u-de-sv-nv u-yo-hu-sv-quo, tsu-we-tsi-no na-ne-hv-na ge-sv i-yu-s-di u-da-li-i u-we-go-da-ne-lv u-nv-tli.
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| Likewise the second also, and the third, unto the seventh.
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| ᎾᏍᎩᏯ ᎾᏍᏉ ᏔᎵᏁᎢ, ᎠᎴ ᏦᎢᏁᎢ, ᎦᎵᏉᎩᏁ ᏫᎬᏗᏍᎩ.
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Na-s-gi-ya na-s-quo ta-li-ne-i, a-le tso-i-ne-i, ga-li-quo-gi-ne wi-gv-di-s-gi.
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| And last of all the woman died also.
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| ᎤᎵᏍᏆᎸᏗᏃ ᎠᎨᏴ ᎾᏍᏉ ᎤᏲᎱᏒᎩ.
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U-li-s-qua-lv-di-no a-ge-yv na-s-quo u-yo-hu-sv-gi.
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| Therefore in the resurrection whose wife shall she be of the seven? for they all had her.
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| ᎾᏍᎩ ᎢᏳᏍᏗ ᎿᎭᏉ ᏧᏂᏲᎱᏒᎯ ᏓᎾᎴᎯᏌᏅᎭ, ᎦᎪ ᎤᏓᎵᎢ ᎨᏎᏍᏗ ᎾᏍᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᎨᏒᎢ?
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Na-s-gi i-yu-s-di hna-quo tsu-ni-yo-hu-sv-hi da-na-le-hi-sa-nv-ha, ga-go u-da-li-i ge-se-s-di na-s-gi ga-li-quo-gi i-ya-ni-dv ge-sv-i?
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| Jesus answered and said unto them, Ye do err, not knowing the scriptures, nor the power of God.
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| ᏥᏌ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏥᎵᏓᏍᏗᎭ ᏂᏥᎦᏔᎥᎾ ᎨᏒ ᎢᏳᏍᏗ ᏄᏍᏛ ᎪᏪᎸᎢ, ᎠᎴ ᏄᎵᏂᎬᎬ ᎤᏁᎳᏅᎯ.
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Tsi-sa u-ne-tsv hi-a ni-du-we-se-lv-gi; I-tsi-li-da-s-di-ha ni-tsi-ga-ta-v-na ge-sv i-yu-s-di nu-s-dv go-we-lv-i, a-le nu-li-ni-gv-gv U-ne-la-nv-hi.
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| For in the resurrection they neither marry, nor are given in marriage, but are as the angels of God in heaven.
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| ᏧᏂᏲᎱᏒᎯᏰᏃ ᏓᎾᎴᎯᏌᏅᎭ, ᎥᏝ ᏱᏓᎾᏕᏒᎲᏍᎪᎢ, ᎥᏝ ᎠᎴ ᏱᏗᎨᏥᏰᎪᎢ; ᏗᏂᎧᎿᎭᏩᏗᏙᎯᏍᎩᏂ ᎦᎸᎳᏗ ᎠᏁᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᎾᏍᎩᏯ ᎨᏐᎢ.
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Tsu-ni-yo-hu-sv-hi-ye-no da-na-le-hi-sa-nv-ha, v-tla yi-da-na-de-sv-hv-s-go-i, v-tla a-le yi-di-ge-tsi-ye-go-i; di-ni-ka-hna-wa-di-do-hi-s-gi-ni ga-lv-la-di a-ne-hi U-ne-la-nv-hi tsu-tse-li na-s-gi-ya ge-so-i.
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| But as touching the resurrection of the dead, have ye not read that which was spoken unto you by God, saying,
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| ᏧᏂᏲᎱᏒᎯᏍᎩᏂᏃᏅ ᎤᎾᎴᎯᏐᏗ ᎨᏒ ᏥᏥᏁᎢᏍᏗᎭ, ᏝᏍᎪ ᏱᏥᎪᎵᏰᎣ ᎤᏁᎳᏅᎯ ᎢᏥᏁᏤᎸᎯ, ᎯᎠ ᏥᏂᎦᏪᎭ?
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Tsu-ni-yo-hu-sv-hi-s-gi-ni-no-nv u-na-le-hi-so-di ge-sv tsi-tsi-ne-i-s-di-ha, tla-s-go yi-tsi-go-li-ye-o U-ne-la-nv-hi i-tsi-ne-tse-lv-hi, hi-a tsi-ni-ga-we-ha?
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| I am the God of Abraham, and the God of Isaac, and the God of Jacob? God is not the God of the dead, but of the living.
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| ᎠᏴ ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ. ᎥᏝ ᎤᏁᎳᏅᎯ ᏧᏂᏲᎱᏒᎯ ᎤᎾᏤᎵ ᏱᎩ, ᏗᏅᏃᏛᏉᏍᎩᏂ ᎤᏅᏒ.
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A-yv U-ne-la-nv-hi E-qua-ha-mi u-tse-li-ga, a-le U-ne-la-nv-hi E-si-gi u-tse-li-ga, a-le U-ne-la-nv-hi Tse-ga-qui u-tse-li-ga. V-tla U-ne-la-nv-hi tsu-ni-yo-hu-sv-hi u-na-tse-li yi-gi, di-nv-no-dv-quo-s-gi-ni u-nv-sv.
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| And when the multitude heard this, they were astonished at his doctrine.
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| ᎤᏂᏣᏘᏃ ᎤᎾᏛᎦᏅ ᎤᏂᏍᏆᏂᎪᏒᎩ ᏄᏍᏛ ᏓᏕᏲᎲᏍᎬᎢ.
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U-ni-tsa-ti-no u-na-dv-ga-nv u-ni-s-qua-ni-go-sv-gi nu-s-dv da-de-yo-hv-s-gv-i.
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| But when the Pharisees had heard that he had put the Sadducees to silence, they were gathered together.
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| ᎠᏂᏆᎵᏏᏍᎩᏂ ᎤᎾᏛᎦᏅ ᎡᎳᏪᏱ ᏚᏩᏅ ᎠᏂᏌᏚᏏ, ᎾᏍᎩ ᏚᏂᎳᏫᏨᎩ.
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A-ni-qua-li-si-s-gi-ni u-na-dv-ga-nv e-la-we-yi du-wa-nv A-ni-sa-du-si, na-s-gi du-ni-la-wi-tsv-gi.
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| Then one of them, which was a lawyer, asked him a question, tempting him, and saying,
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| ᎠᏏᏴᏫᏃ ᎾᎿᎭᎤᏓᏑᏴᎩ ᏗᎧᎿᎭᏩᏛᏍᏗ ᏗᎪᏏᏏᏍᎩ, ᎤᏛᏛᏅᎩ ᎤᏌᏛᎥᏍᎬᎢ, ᎯᎠ ᏄᏪᏒᎩ;
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A-si-yv-wi-no na-hna u-da-su-yv-gi di-ka-hna-wa-dv-s-di di-go-si-si-s-gi, u-dv-dv-nv-gi u-sa-dv-v-s-gv-i, hi-a nu-we-sv-gi;
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| Master, which is the great commandment in the law?
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| ᏔᏕᏲᎲᏍᎩ, ᎦᏙ ᎤᏍᏗ ᎤᏟ ᎦᎸᏉᏗᏳ ᎤᎵᏁᏨ ᏗᎧᎿᎭᏩᏛᏍᏗ?
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Ta-de-yo-hv-s-gi, ga-do u-s-di u-tli ga-lv-quo-di-yu u-li-ne-tsv di-ka-hna-wa-dv-s-di?
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| Jesus said unto him, Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind.
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| ᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎯᎨᏳᏎᏍᏗ ᏂᎦᎥ ᏣᎾᏫ ᎲᏗᏍᎨᏍᏗ, ᎠᎴ ᏂᎦᎥ ᏣᏓᏅᏙ, ᎠᎴ ᏂᎦᎥ ᏣᏓᏅᏖᏗᏱ.
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Tsi-sa-no hi-a nu-we-se-lv-gi; Yi-ho-wa Tsa-ne-la-nv-hi hi-ge-yu-se-s-di ni-ga-v tsa-na-wi hv-di-s-ge-s-di, a-le ni-ga-v tsa-da-nv-do, a-le ni-ga-v tsa-da-nv-te-di-yi.
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| This is the first and great commandment.
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| ᎾᏍᎩ ᎯᎠ ᎢᎬᏱᏱ ᎠᎴ ᎤᏣᏘ ᎦᎸᏉᏗ ᏗᎧᎿᎭᏩᏛᏍᏗ.
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Na-s-gi hi-a i-gv-yi-yi a-le u-tsa-ti ga-lv-quo-di di-ka-hna-wa-dv-s-di.
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| And the second is like unto it, Thou shalt love thy neighbour as thyself.
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| ᏔᎵᏁᏃ ᎾᏍᎩᏯᏉ ᎾᏍᏉ; ᏨᏒ ᏥᏂᏣᏓᎨᏳᏒ ᏂᎨᏳᏎᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ.
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Ta-li-ne-no na-s-gi-ya-quo na-s-quo; tsv-sv tsi-ni-tsa-da-ge-yu-sv ni-ge-yu-se-s-di na-v i-di-s-da-da-la.
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| On these two commandments hang all the law and the prophets.
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| ᎾᏍᎩ ᎯᎠ ᏔᎵ ᏄᎵᏁᏨ ᏚᎵᏍᏓᏱᏗᏍᏗ ᏂᎦᏗᏳ ᏗᎧᎿᎭᏩᏛᏍᏗ ᎠᎴ ᎤᎾᏙᎴᎰᏒᎢ.
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Na-s-gi hi-a ta-li nu-li-ne-tsv du-li-s-da-yi-di-s-di ni-ga-di-yu di-ka-hna-wa-dv-s-di a-le u-na-do-le-ho-sv-i.
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| While the Pharisees were gathered together, Jesus asked them,
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| ᎠᏏᏉ ᏓᏂᎳᏫᎥ ᎠᏂᏆᎵᏏ, ᏥᏌ ᏚᏛᏛᏅᎩ,
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A-si-quo da-ni-la-wi-v A-ni-qua-li-si, Tsi-sa du-dv-dv-nv-gi,
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| Saying, What think ye of Christ? whose son is he? They say unto him, The Son of David.
|
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| ᎯᎠ ᏄᏪᏒᎩ; ᎦᏙ ᎢᏤᎵ ᎡᏣᏓᏅᏖᏍᎬ ᎦᎶᏁᏛ, ᎦᎪ ᎤᏪᏥ? ᏕᏫ, ᎥᎬᏬᏎᎸᎩ.
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Hi-a nu-we-sv-gi; Ga-do i-tse-li e-tsa-da-nv-te-s-gv Ga-lo-ne-dv, Ga-go u-we-tsi? De-wi, v-gv-wo-se-lv-gi.
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| He saith unto them, How then doth David in spirit call him Lord, saying,
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| ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᏙᏃ ᏗᎦᎵᏍᏙᏗᎭ, ᏕᏫ ᎠᏓᏅᏙ ᎤᏪᏲᎲᏍᎬᎢ, ᏣᎬᏫᏳᎯ, ᏥᎪᏎᎭ? ᎯᎠ ᏥᏂᎦᏪᎭ;
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Hi-a ni-du-we-se-lv-gi; Ga-do-no di-ga-li-s-do-di-ha, De-wi a-da-nv-do u-we-yo-hv-s-gv-i, Tsa-gv-wi-yu-hi, tsi-go-se-ha? Hi-a tsi-ni-ga-we-ha;
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| The LORD said unto my Lord, Sit thou on my right hand, till I make thine enemies thy footstool?
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| ᏱᎰᏩ ᎯᎠ ᏄᏪᏎᎸᎩ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ; ᏥᎦᏘᏏ ᎢᏗᏢ ᏦᎴᏍᏗ, ᎬᏂ ᎨᏣᏍᎦᎩ ᏗᏣᎳᏏᏗᏱ ᎦᏍᎩᎶ ᏂᎦᏥᏴᏁᎸᎭ;
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Yi-ho-wa hi-a nu-we-se-lv-gi U-gv-wi-yu-hi a-qua-tse-li-ga; Tsi-ga-ti-si i-di-tlv tso-le-s-di, gv-ni ge-tsa-s-ga-gi di-tsa-la-si-di-yi ga-s-gi-lo ni-ga-tsi-yv-ne-lv-ha;
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| If David then call him Lord, how is he his son?
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| ᎢᏳᏰᏃ ᏕᏫ, ᏣᎬᏫᏳᎯ, ᏱᎪᏎᎭ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎤᏪᏥ ᏱᎩ?
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I-yu-ye-no De-wi, Tsa-gv-wi-yu-hi, yi-go-se-ha, Ga-do yi-ga-li-s-do-da u-we-tsi yi-gi?
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| And no man was able to answer him a word, neither durst any man from that day forth ask him any more questions.
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| Ꮭ ᎿᎭᏉ ᏰᎵ ᎩᎶ ᏍᎦᏁᏨᎯ ᎬᏩᏁᏤᏗ ᏱᎨᏎᎢ; Ꮭ ᎠᎴ ᎩᎶ ᎾᎯᏳ ᎢᏳᏓᎴᏅᏛ ᏰᎵ ᎦᎬᏩᏛᏛᏗ ᏱᎨᏎᎢ.
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Tla hna-quo ye-li gi-lo s-ga-ne-tsv-hi gv-wa-ne-tse-di yi-ge-se-i; tla a-le gi-lo na-hi-yu i-yu-da-le-nv-dv ye-li ga-gv-wa-dv-dv-di yi-ge-se-i.
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Home
Introduction
Computer Science
Hobbies
Greatest Innovations
Fun Facts
Brindyn Schultz
Greatest Innovation:
The Very First Programmable Computer
The Very First Commercial Personal Computer
The First Object-Oriented Programming Language


AI Portrait Ars by Mauro Martino uses a machine learning system called a generative adversarial network to create Renaissance-like paintings that evoke your likeness.  My wife and I filed joint tax returns, live in a community-property state, and have been married for a long time. Yet Apple’s black box algorithm thinks I deserve 20x the credit limit she does. No appeals work.
— DHH (@dhh) November 7, 2019
"The problem with language like this is that language matters. The right terminology forms a mental framework, making it that much easier to identify problems, communicate, and make progress."
medium.com/@harinisuresh/the-problem-with-biased-data-5700005e514c
How would you define data bias?
Can you identify any data bias in this group?
Is this fair?
What mechanisms were at play?
Was this distribution mechanism fair?
Was this more or less fair than Activity 1?
Can you reverse-engineer the computer logic:
how did the algo decide who received candy?
Hands up - who started with candy from Activity 2?
Who has the most candy? Who has none?
Was this more or less fair than Activity 1 and 2?
We're going to come up with a novel approach to distribute candy as fairly as possible


Bahunya works fine out of the box but if you want a hamburger menu navbar rather than a text based navbar, or if you'd like syntax highlighting, there are some extra steps.
Hamburger Menu Navbar
Just drop the following html elements into your header's nav, and it will convert your text-based navbar to a navbar with a hamburger menu like this site. This solution uses no JavaScript, just the checkbox hack
<input type="checkbox" id="menu-toggle">
☰
The first element is the invisible checkbox that controls the visibility of the dropdown menu. The second element is the hamburger icon itself, using the popular trigram for heaven symbol
You'll notice that Bahunya's navbar only works with a listless navigation (one without ul
and li
elements). This is because people with screen readers find it easier to navigate listless navigation as the screen reader peruses it quicker than a listful
(?) navigation.
 An

containing an anchor tag for the site
title, and then the anchor tags for the links and the hamburger menu.

BAHUNYA

<input type="checkbox" id="menu-toggle">
☰
STARTUP
MINIMAL
BOLD
GITHUB

Syntax Highlighting
Bahunya uses Prism JS for syntax highlighting within

tags. Prism requires a CSS file and a JS file to operate. The CSS file is included in Bahunya (it's tiny), but the
JS you'll have to import. Just add the following to your
.

In order to activate Prism on a pre-code tag, add one of the following classes on the
tag, not the containing

tag.
- HTML (Markup)
class="lang-markup"
- CSS
class="lang-css"
- C-like
class="lang-clike"
- JavaScript
class="lang-javascript"
To get more languages, head to Prism's download page, select more languages, and then include the provided JavaScript file in your website (instead of Bahunya's)
Bahunya uses the Okaidia theme which is based on Monokai. It's the smallest Prism theme in filesize at 1.75KB


| Property | Type | Description | Get/Set |
|---|---|---|---|
| Id | string | Id used internally by FSW to manage client/server communication regarding this control. This value is always unique to the current control | { get; } |
| Page | FSWPage | The page that's currently hosting the control. This value may be null if the control hasn't been added in a page yet. The value can be set even if the control isn't in a page yet, if the control was initialized with a page directly but not added to a parent control | { get; } |
| Session | Session | Access the current page session. Equivalent to control.Page.Session | { get; } |
| Tag | object |
General use value. You can put whatever you want here As a rule of thumbs, do not use this value inside a control ( this.Tag ). Leave the value to the user using your control. A common use for the Tag property is to store data that is closely associated with the control. For example, if you have a control that displays information about a customer, you might store a DataSet that contains the customer's order history in that control's Tag property so the data can be accessed quickly. |
{ get; set; } |
| Parent | ControlBase |
Parent control of the current control. For a HtmlControlBase control, this mean the current control is inside the html code of the parent. For any other control with no link to html content, it is a simple way to structure the controls |
{ get; } |
| IsRemoved | bool |
Indicates if the control was removed from the UI It is good practice to verify this value inside a thread to ensure the control still exist before accessing it. As with every other properties, this isn't thread safe. You will need to verify this value inside a FSWPage.ServerSideLock |
{ get; } |
| Children | IList<ControlBase> |
List of the children in the current control Any modification made to this list is live; if you clear it, all the children will be removed from the client too |
{ get; set; } |
| ControlType | string |
Used to match the server side control code with the client side control code. By default, the ControlType is set to GetType().Name If you want to create a control that doesn't have any custom client side code, override this property and set it to nameof(ParentClassOfYourControl) ( in general HtmlControlBase ) |
{ get; set; } |
| Method | Return type | Parameters | Description |
|---|---|---|---|
| Remove | void | () |
Remove the control from the page ( and from its parent ). Removing the control from the parent Children has the same behavior You cannot use the control anymore, and cannot add it to another parent after The only valid property in the control after this call, is IsRemoved |
| TryGetProperty | bool | (string name, out T value) | Try to get the value of a property. Return true if the value was successfully retrieved, false if the property doesn't exist |
| GetProperty | T | (string name) | Get the value of a property. Throws an Exception if the property doesn't exist |
| GetPropertyInternal | Property | (string name) | Get the internal object used by FSW to represent a property |
| InitializeProperties | void | () |
abstract method. Initialize your properties here ( FSW properties, not simple C# properties ) To initialize a property, simply set a default value here. The property will be registered and tracked both client and server side |
| RegisterVariableWatch | void | (Func<object> variableToWatch, Action callback, bool autoInvoke = false) |
Register a variable watch by automaticly detecting the VariableWatchType. See full method description This method is not recommended since it trigger the callback once and make assumptions on the type returned |
| void | (Func<object> variableToWatch, VariableWatchType variableWatchType, Action callback, bool autoInvoke = false) |
After calling this, FSW will constantly analyze the value returned by variableToWatch and try to detect changes.
If the value change, the callback will be called. autoInvoke will force FSW to call the callback at least once at the beginning The variableWatchType is used to specify how to analyze the returned value of the function. If set to VariableWatchType.WatchVariableValue, FSW will use this formulas to determine if the value changed : (before, after) => before is null ? after is null : before.Equals(after); If set to VariableWatchType.WatchEveryFields, FSW will list the fields in the returned object and compare each of their values. This is usefull to bind multiple values, just return a new anonymous type containing every value you want to watch. If set to VariableWatchType.WatchEveryFieldsAndObjectValue, FSW will combine the two previous watch type. |
|
| RegisterVariableWatchValue | void | (Func<object> variableToWatch, Action callback, bool autoInvoke = false) |
Register a variable watch with the VariableWatchType.WatchVariableValue watch type |
| RegisterVariableWatchFields | void | (Func<object> variableToWatch, Action callback, bool autoInvoke = false) |
Register a variable watch with the VariableWatchType.WatchEveryFields watch type |
| BindProperty | void | Deprecated. Do not use. Use RegisterVariableWatch instead |
| Name | Parameters | Description |
|---|---|---|
| OnControlRemovedHandler | (ControlBase control) |
Invoked when the control is removed. The property IsRemoved will be se to true before this is invoked. It is too late to use the control, access its parent or update any property. The control is already removed and modifying or accessing its content is an undefined behavior. |


Galactic Calculator
An application that determines a user’s age based on a planet’s solar years.
Enter your Age:
Enter a country Life expectancy
Submit
Mercury
Age:
Life expectancy:
Venus
Age:
Life expectancy:
Mars
Age:
Life expectancy:
Jupiter
Age:
Life expectancy:


A C D E F G H I J L M N O P R S T U V W
All Classes All Packages
All Classes All Packages
All Classes All Packages
R
- readCalendar() - Method in interface seedu.address.storage.CalendarStorage
- readCalendar() - Method in class seedu.address.storage.JsonCalendarStorage
- readCalendar() - Method in class seedu.address.storage.StorageManager
- readCalendar(Path) - Method in interface seedu.address.storage.CalendarStorage
- readCalendar(Path) - Method in class seedu.address.storage.JsonCalendarStorage
- readCalendar(Path) - Method in class seedu.address.storage.StorageManager
- readConfig(Path) - Static method in class seedu.address.commons.util.ConfigUtil
-
Reads the config file
- readFromFile(Path) - Static method in class seedu.address.commons.util.FileUtil
-
Assumes file exists
- READING_WEEK - Static variable in class seedu.address.logic.constants.CalendarConstants
- readJsonFile(Path, Class<T>) - Static method in class seedu.address.commons.util.JsonUtil
-
Returns the Json object from the given file or
Optional.empty()
object if the file is not found. - ReadOnlyCalendar - Interface in seedu.address.model.calendar
-
The interface for all getters and utility methods.
- ReadOnlyUserPrefs - Interface in seedu.address.model
-
Unmodifiable view of user prefs.
- readUserPrefs() - Method in class seedu.address.storage.JsonUserPrefsStorage
- readUserPrefs() - Method in interface seedu.address.storage.Storage
- readUserPrefs() - Method in class seedu.address.storage.StorageManager
- readUserPrefs() - Method in interface seedu.address.storage.UserPrefsStorage
-
Returns UserPrefs data from storage.
- readUserPrefs(Path) - Method in class seedu.address.storage.JsonUserPrefsStorage
-
Similar to
JsonUserPrefsStorage.readUserPrefs()
- RECESS_WEEK - Static variable in class seedu.address.logic.constants.CalendarConstants
- RepeatedCompleteException - Exception in seedu.address.model.calendar.task.exceptions
- RepeatedCompleteException(String) - Constructor for exception seedu.address.model.calendar.task.exceptions.RepeatedCompleteException
- RepeatedCompleteException(String, Throwable) - Constructor for exception seedu.address.model.calendar.task.exceptions.RepeatedCompleteException
-
Constructs a new
CommandException
with the specified detailmessage
andcause
. - requireAllNonNull(Object...) - Static method in class seedu.address.commons.util.CollectionUtil
- requireAllNonNull(Collection<?>) - Static method in class seedu.address.commons.util.CollectionUtil
-
Throws NullPointerException if
items
or any element ofitems
is null. - resetCalendar(ReadOnlyCalendar) - Method in class seedu.address.model.calendar.Calendar
-
Resets the current calendar to another, overwriting the dates and activities within.
- ResetCommand - Class in seedu.address.logic.commands
-
Represents the command to reset the calendar to a clean slate and adjust the period of the calendar to start on the user specified start date.
- ResetCommand(LocalDate) - Constructor for class seedu.address.logic.commands.ResetCommand
- ResetCommandParser - Class in seedu.address.logic.parser
- ResetCommandParser() - Constructor for class seedu.address.logic.parser.ResetCommandParser
- resetData(ReadOnlyUserPrefs) - Method in class seedu.address.model.UserPrefs
-
Resets the existing data of this
UserPrefs
withnewUserPrefs
. - ResultDisplay - Class in seedu.address.ui
-
A ui for the status bar that is displayed at the header of the application.
- ResultDisplay() - Constructor for class seedu.address.ui.ResultDisplay
All Classes All Packages


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A Chan<EMAIL_ADDRESS>12/3/2015
# devtools::install_github("cboettig/knitcitations@v1")
library(knitcitations); cleanbib()
cite_options(citation_format = "pandoc", check.entries=FALSE)
library(bibtex)
write.bibtex(c(citation("bibtex"), citation("knitr")[1], citation("knitcitations"), citation("xtable"), citation("RefManageR"), citation("rmarkdown")), file="init.bib")
bib <- read.bibtex("init.bib")
bib.1 <- read.bibtex("citavi.bib")
This document was created based on a .Rmd template from a blog post by @greycite28236. The R package “knitr” [@Xie_2017; @Xie_2015; @Xie_2014] has its strengths in reproducible research, but it is not designed to produce citations in various foramts for scientific papers. The .Rmd template makes use of an xml file for formatting citation styles, “knitcitations” [@Boettiger_2017] and “bibtex” [@Francois_2017] for generating citations by DOIs or bibtex.
The template give examples of writing mathematical equations using LaTeX, formatting R outputs using either knitr::kable [@Xie_2017; @Xie_2015; @Xie_2014] or “xtable” [@Dahl_2016], producing graphic plots using the base “plot” function and generating citations using automatic DOI lookup or “bibtex” [@Francois_2017] with knitcitations::citep and knitcitations::citet [@Boettiger_2017].
Rmarkdown [@Allaire_2017] has full documentation for its syntax. Statistical analysis with plots and tables can be easily created in a .Rmd file by embedding and running “R code chunks” while math equations are produced using or . Rmarkdown (v2) has built-in support for citation as it is based on Pandoc, but it does not have automatic DOI lookup and is better suited to work in conjunction with a citation manager from which bibliography files are generated and exported for its use.
Inline equations are enclosed by $
with no space following or preceding. A separate paragraph for equations is enclosed by $$
following/preceding with a single space. Sharelatex has detailed documentation for creating mathematical expressions.
The binomial coefficient is defined as
$$ \binom{n}{k} = \frac{n!}{k!(n-k)!} $$
or
\[ ... \]
\[ \binom{n}{k} = \frac{n!}{k!(n-k)!} \]
These are all Greek \(\alpha, \beta, \theta_0, \epsilon_2, \eta, \lambda^2, \mu, \tau, \sigma\)
In least squares prediction models, we estimate \(\beta_0, \beta_1, \beta_2, ...\beta_n\) by minimizing the RSS
\[ RSS=\sum_{i=1}^{n} \Big( y_i - \beta_0 - \sum_{j=1}^{p}\beta_{j}x_{ij}\Big)^2 \]
\[ RSS=\sum_{i=1}^{n} \Big( y_i - \beta_0 - \sum_{j=1}^{p}\beta_{j}x_{ij}\Big)^2 \]
library(knitr)
library(ISLR)
attach(Wage)
fit <- lm(wage ~ poly(age, 4), data=Wage)
kable(summary(fit)$coef, digits=2, caption="This is a 4th degree polynomial. Coef output knitr::kable")
| Estimate | Std. Error | t value | Pr(>|t|) | |
|---|---|---|---|---|
| (Intercept) | 111.70 | 0.73 | 153.28 | 0.00 |
| poly(age, 4)1 | 447.07 | 39.91 | 11.20 | 0.00 |
| poly(age, 4)2 | -478.32 | 39.91 | -11.98 | 0.00 |
| poly(age, 4)3 | 125.52 | 39.91 | 3.14 | 0.00 |
| poly(age, 4)4 | -77.91 | 39.91 | -1.95 | 0.05 |
## fit<-lm(Wage$wage~poly(Wage$age,4),data=Wage)
agelims<-range(Wage$age)
age.grid<-seq(from=agelims[1], to=agelims[2])
preds <- predict(fit, newdata=list(age=age.grid), se=TRUE)
se.bands <- cbind(preds$fit+2*preds$se.fit, preds$fit-2*preds$se.fit)
## par(mfrow=c(1,2), mar=c(4.5,4.5,1,1),oma=c(0,0,4,0))
plot(age, wage, xlim=agelims, cex=.5, col="darkgrey")
title("Degree-4 Polynomial", outer=F)
lines(age.grid, preds$fit, lwd=2, col="blue")
matlines(age.grid, se.bands, lwd=1, col="blue", lty=3)
In “The Elements of Statistical Learning”, @Hastie.2009 explain with practical examples the application of ridge regression/lasso. The book covers some advanced materials in data mining, inference and prediction. For a less technical treatment of the same subjects, “An Introduction of Statistical Learning” [@James_2013] should be a good start.
The two types of citation above are respectively generated by
citet(bib.1[["Hastie.2009"]]) and
citep("DOI 10.1007/978-1-4614-7138-7")
citet
and citep
can also refer to either DOI or a bibtex entry, citet(bib.1[["Hastie.2009"]])
generates @Hastie.2009 where “bib.1”" is a R object created by bib.1<-read.bibtex("name of bibliography file")
and “Hastie.2009” is the bibtex entry ID.
Plots, tables, math equations and citations are indispensible elements of any scientific papers. The Rmd template is a quick and convenient way to produce them. The finished Rmd file can then be “knited” to html, pdf or word format for submission in RStudio. To publish this in a jekyll blog, what I did was to knit it to html and include the html file in a post with a liquid tag.
Finally, the reference list below is produced by using “bibtex” to write out all citations made in the paper write.bibtex(file="references.bib")
. reference.bib
and a style file are declared in the front matter.


{% include 'snippets/image_export.html' %} {% include 'snippets/charts_line_constructor.html' %}
{{ form.ds_id.errors[0] }}


A summary of some new news related to CUNY's and CSI's response to the COVID-19 pandemic. See https://csi-covid19.github.io for the archive.
To add/suggest news, please email John Verzani
We heard that the following was shared with P&B: contingency plans for bad scenarios include 3M reduction in the CA budget. (Emphasize, this is part of a plan and may not come to pass). (3M in CAs is about 200 1020-hour lines).
(Sadly, this does appear to be happening...)
CSI website on why race matters (thanks Wilma)
7/1 UFS Research Committee query Please weigh in on
We write to ask about the “Procuring Cloud-Based Applications and Services” policy that seems to have recently appeared on the RF website: https://www.rfcuny.org/RFWebsite/principal-investigators/procuring-goods-services/procuring-cloud-based-applications-and-services/
Adopted Expense Budget AdjustmentThe NYC budget has been passed. For you policy wonks, have a read at the member items. CSI did not get its big ask funded, but does get support for several things.
Each year, Council Members allocate discretionary funds to not-for-profit organizations and designate funding directly to City agencies in order to meet local needs and fill gaps in City services. While not a large part of the budget, this funding allows the City to take advantage of Council Members’ localized knowledge to better target services to residents.
Here we can find for CUNY, several things, including good news on:
(p4) LGBTQ Rights – Particularly during Pride, the Council is proud that the budget will include $1.8 million for the LGBTQ curriculum at the DOE and $1 million at the City University of New York (CUNY), as well as $1.4 million for LGBTQ senior services in every borough and $1.9 million for Trans Equity Programs.
(p5) Helping College Students Graduate – Because of the Council’s Advocacy, the CUNY Accelerated Study in Associate Programs (ASAP) will be maintained with $34.3 million to help students stay on track and graduate and the CUNY Remediation Program will be funded at $1.7 million.
(p31) This funding supports programs that expand access to healthy food and improve understanding of nutrition and wholesome food choices, while engaging communities to make positive changes related to food and lifestyle to improve health outcomes. Efforts include farmers markets, urban farms, community gardens, programs to expand the use of SNAP benefits for healthier, less processed food, and educational workshops and training programs. ... Funding of $1 million supports the continuation of the pilot program at CUNY to increase food access for food insecure CUNY students.
(p44) $20,924,719 for Peter F. Vallone Academic Scholarship; CUNY Research Institutes; CUNY School of Labor and Urban Studies (SLU); CUNY Child Care Expansion; Creative Arts Team (CUNY CAT); CUNY Diversity Incubator
(p55) 3M for CUNY Citizenship NOW! Program
(p82) 1.19M for Create New Technology Incubators
(p86) 0.146M for Worker Cooperative Business Development Initiative
(p89) 0.225M for Veterans Community Development
(p95) 0.425M for Afterschool Enrichment Initiative
And several specific items in an appendix starting on p56
A City University of New York program considered a national model for improving graduation rates of disadvantaged students is facing budget cuts. Higher ed experts worry this may be the first of many disinvestments in student success due to the recession caused by the pandemic.
Rumor, err the NY Post has it this funding was restored, but we will know more soon.
Since Governor Andrew Cuomo announced in April that New York State’s budget could be slashed by as much as $10 billion because of the pandemic, local governments across the state have been left to wonder how much money would be left over for public schools, transportation, roadways, and social services when the cutting is done.
Two months later, they still have no idea.


Surviellance
A Present Day Perspective
George Orwell saught to warn about the power totalitarian regimes could yeild if they rose to complete power
-
Through his ideologies, he was able to envision a technological future where freedom is hindered through surveillance
How were they Surveilled in the theoretical novel?
1. Constant reminders of Big Brother through propaganda posters.
2. Newspeak
- Abbrevated Language
- Dangerous as it deliberately limits free speech and language
3. Telescreens
- Feeds propaganda whilst simultaniously recieving surviellance information
- Not present in lowest income housing units
4. Ignored Class
- The Proles (lower class) are complacent through unpoliced vices
- Propaganda from within the inner party devicively separates the two classes from relating to each other
Surveillance Today
How close is today's technologies to that of an Orwellian dystopia
Facebook and Cambridge Analytica
Parent company of Cambridge Analytica "Strategic Communication Laboratories" accessed users profiles through Amazons Mechanical Turk job posting website.
The main purpose of this data mining strategy was to help categorize personality traits and link them to political ideologies of facebook users, regardless of if they were a Mechanical Turk worker or not
Seeding
- Recruit an employee from MTurk to do a survey that grants access to their facebook account
- Access all individuals information
- Access their friends open accounts in search of similar information
- Gather information about all available users personal preferences and locations
- Analyze where they fall on a personality chart
Through these practices, Cambridge Analytica was able to gain access to around 50 million facebook accounts using only 270,000 Facebook accounts.
The impact of this surveillance
- Ben Carson was found to have payed 220,000 dollars to recieve this information to influence voters.
- Ted Cruz was found to have payed 750,000 follars to recieve this information to influence voters.
- Cambridge Analytica was found to have ties with the recent Trump election
- Cambridge Analytica was found to have ties with the recent Brexit movement
Media Archaeology
Media Archaeology lends itself to the process of Modernity (Parikka, 2012), and thus we have to reflect on the digital environments we surround ourselves with. With the rise of capitalism, we have to be more aware of the disadvantages that come with being a product in the eyes of businessmen in the social media sectors.


Xiaobai Ji | Portfolio
啸
Other
The Side section records all of my
other works
Digital Illustration
UI Design
Digital Illustration
UI Design
Digital Illustration
Watercolor
Landscape Design
Landscape Design
Photography
3D modelling
3D modelling
3D modelling
Architecture Design


Creating an AMQ connection
The AMQ to REST API sample integration starts by connecting to an AMQ broker (Red Hat AMQ) that is provided in your OpenShift Online project. Before you start to create the integration itself, you must start the broker and create a connection to that broker.
-
Start the broker:
-
In a browser, go to the OpenShift Online Web Console. Your {prodname} environment runs on OpenShift Online.
-
In the console, on the right, under My Projects, click Fuse Online to display the project’s overview.
Your project’s name is something like
proj123456
. -
In the overview, click the > to the left of the first entry, broker-amq, #1, to expand the entry for the provided Red Hat AMQ broker.
-
On the right, click the up caret to scale up to running 1 pod. This starts the AMQ broker.
-
-
Create the AMQ connection:
-
In {prodname}, in the left panel, click Connections to display any available connections.
-
Click Create Connection to display {prodname} connectors.
-
Click the Red Hat AMQ connector.
-
Configure the connection by entering:
-
In the Broker URL field, enter
tcp://broker-amq-tcp:61616
as the location to obtain data from. -
In the User name field, enter
amq
as the user name for the account that accesses this AMQ broker. -
In the Password field, enter
topSecret
as the password for the account that accesses this AMQ broker. -
Leave the other fields blank.
-
-
Click Validate. {prodname} immediately tries to validate the connection and displays a message that indicates whether validation is successful. If validation fails, check the values you entered and try again.
-
When validation is successful, click Next.
-
In the Name field, enter your choice of a name that helps you distinguish this connection from any other connections. For example, enter
Red Hat AMQ Broker 1
. -
In the Description field, optionally enter any information that is helpful to know about this connection. For example, enter
Connection to the provided Red Hat AMQ message broker.
-
Click Save to see that the connection you created is now available. If you entered the example name, you would see that Red Hat AMQ Broker 1 is now available.
-


A REVIEW OF "OCTOBER SKY" by Ryan Ellis
give me a buzz on the ol' e-lines<EMAIL_ADDRESS>Pure honesty and boyish enthusiasm are two traits that far too many films in this decade don't care to embrace.  With all the mega-movies about disaster and imminent death (which seems to automatically require a $50 million budget for the outrageous special effects alone), the proverbial 'Little Movie That Could' is often overwhelmed and forgotten by the ticket buyers.
So, here comes "October Sky" with its message of dedication, love, and hope. It's a good movie, and I don't mean that to provide a bland analysis. I mean "good" in the sense that it's got a good heart with wonderful intentions. There's no real villain here or some higher goal to destroy people or things. Sure, it has some special effects, but this is one time where they help the story along, instead of dominating the dog-eared script. Not once do you sit in the theatre mulling over how the folks at Industrial Light and Magic did this or that. You're too busy engrossed in the lives of the small town and its coal miner mentalities.
Based on the book, "Rocket Boys" by Homer H. Hickam Jr., "October Sky" chronicles the day-to-day hardships of Coalwood, West Virginia. It's the fall in 1957 and Russia has just launched "Sputnik" into orbit. Young nobody Homer Hickam (Jake Gyllenhaal, who is earnest and well-cast) seems to be floating through life until he sees the satellite shooting by their small community up in the sky. He's captivated with the idea of getting into space and rockets become his full-time passion. He and his chums, Roy Lee (William Lee Scott) and O'Dell (Chad Lindberg), make friends with the town geek, Quentin (Chris Owen).
Meanwhile, Homer's father, John (Chris Cooper), runs the town's coal mine. Mining is his life and he thinks it should be Homer's life, too. The obvious conflict is father vs. son, but it's also about the desire to shoot for the heavens and keep out of the ugly pit of hell--up vs. down. Now, that's not to say that John Hickam is the devil. He's a hard man, but a good man. He treats most people right, but he's tough on his family, especially the passionate Homer. John is sternly against his son's hobby (or is it an obsession?) and pushes him to get into the mining business. After being blamed for a forest fire caused by a "rocket", their equipment is confiscated and they are forced to stop experimenting. Glumly, they accept their fate and temporarily quit.
Homer never gives up on his dreams, though, even when he has to fill in for his father on the job. After John saves the lives of a dozen men (but nearly loses his eye and his life), he's laid up for a few weeks. Homer realizes his obligation to the family and goes to work in the coal mines. He doesn't like it, but he's a natural miner. Meanwhile, Miss Riley (Laura Dern), the boys' high school teacher, continues to inspire them (particularly Homer) to do something great with their lives. She wants them to enter the National Science Fair and is only satisfied when they do. Because this is based on a true story, it has a positive ending with some bittersweet aspects, too.
In the middle, this film loses its focus on Homer's rocketeering efforts and gets into the family conflicts. Near the end, as the miners strike and the town looks to be crumbling, family tensions increase until everything blows. While those scenes are necessary, the film's strength is in its laugh-out-loud humour, warmth, and ingenuity of the boys and their rockets. Ironically, I softly criticize the filmmakers for forgetting about the rocket exploits, yet these family scenes were the ones I could best understand. Still, it's not easy to watch a story of a boy and his father who cannot relate and don't get along because that's my story, too.
Director Joe Johnston has made a fine film here--better than "Honey, I Shrunk The Kids", for instance, which was also a sweet movie about families and technology. Johnston uses the technical aspects well in conjunction with the story in "October Sky". One of the most important facets is the support for the "Rocket Boys" by the entire community as they willingly help the boys out in a heartfelt, but honest way. This film is not sappy or manipulative and it's bound to bring a tear to the eye at the resolution, especially if you can relate to these people like I can. Rockets and mines are the metaphors. Love, forgiveness, and hope are the messages. When "October Sky" isn't entertaining you, it's touching you.
USELESS TRIVIA--Producer Charles Gordon also produced "Field Of Dreams", a movie with a very strong element of father/son forgiveness and acceptness.
This film gets a 9/10.

The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Links Between Content.
Hyperlinks are the connective tissue tying hypermedia content together, allowing users to jump between media types and tangentially related subjects.
Associations Across Media.
Hyperlinks can be created to tie together different types of media that share a common subject matter.
Order of Consumption.
As the user has the freedom to navigate across the content in a nonlinear fashion, they get to choose the order in which they consume it.


My ultimate career goal is to shape the future of mobility and transport by developing user-centered solutions applying cutting-edge technologies that are currently trending in the industry.
C, MATLAB, Python (most familiar)
C++, C#, Java, JavaScript, Perl, ARM Assembly (least familiar)
CAN bus, SAE J1939, UDS (most familiar)
AUTOSAR, ISO 26262 (least familiar)
Driving License Category D (Rigid trucks and buses).
Simulink, Vector CANalyzer, Git, Bitbucket, JIRA, GitHub, Eclipse, GDB (most familiar)
Vector CANoe, ATI Vision, TargetLink, Jenkins, Klocwork, Visual Studio (least familiar)
Bare metal, RTOS, Embedded Linux, device drivers, HALs, FPGA design with VHDL
AITensorFlow with Keras, scikit-learn, Pandas, NumPy, Seaborn, Matplotlib, Jupyter.
ComputingLinux, TCP/IP stack, full-stack web development, SQL and NoSQL databases
LanguagesPortuguese (native), English (fluent), Spanish (conversational)


Reports on JUnit test cases with initialization logic in their constructors. Initialization of JUnit test cases should be done in
setUp()
methods instead.
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Chocolate Pizza
POSTED ON 15 DEC 2013 / DESSERTS
For the fig-swirl: Melt butter over medium heat in a saucepan. Add brown sugar and stir to dissolve. Halve the figs and toss in the saucepan with water and lemon juice. Cook over medium heat, sitrring frequently, until you have a chunky-jammy mixture. Add salt with one or two stirs, set aside and let cool completely.
Ice cream: In a small pot over medium heat, combine milk, and granulated sugar until sugar is completely dissolved and the milk is just barely lukewarm. Whisk in the eqq yolks. Set mixture in the fridge and wait until the fix mixture is cooled.
Using an ice cream machine, pour liquids into the frozen basin and process according to the manufacturer instructions i.e., let spin and thicken for twenty minutes before adding macarpone, fig jam mixture, and the nuts. Continue to process for +/- 10 minutes. Pour semi-frozen mixture into a pyrex dish or a glass tupperware. Freeze for at least two hours before serving.
- 1 1/2 cups milk
- 1/2 cup mascarpone
- 1/2 tsp pink salt
- 1 lb Black Mission Figs
- 1/2 cup brown sugar
- 2-4 tbsp water
- 1 1/2 cups heavy cream
- 1 1/2 cups heavy cream
- 1/3 granulated sugar
- 2 egg yolks
- 1 lemon, juiced
- 2 tbsp butter
- 1 cup honey roasted pecans, roughly chopped


Members
colorpoolInstance :SolidML.ColorPool
[read only] colorpool instance for this rule.
Type:
- Source:
maxdepth :number
maxdepth value of the rule set by maxdepth option in Eisen Script. default is same as the Criteria.maxdepth
Type:
- number
- Source:
maxdepthLabel :string
termination rule name set by ">" option in Eisen Script. default is null
Type:
- string
- Source:
maxsize :number
[read only] maximum size for this rule.
Type:
- number
- Source:
minsize :number
[read only] minimum size for this rule.
Type:
- number
- Source:
name :string
name of this rule. "$root" is set for top most rule
Type:
- string
- Source:
parent :SolidML.Rule
parent rule. null for top most rule
Type:
- Source:
weight :number
weight value of the rule set by weight option in Eisen Script. default is 1
Type:
- number
- Source:
Methods
find(label) → {SolidML.Rule}
search rules by label
Parameters:
| Name | Type | Description |
|---|---|---|
label |
string | label to search. search child rules first, then search ancestor rules. |
- Source:
Returns:
returns rule insatnce found by the label
- Type
- SolidML.Rule
isEmpty()
- Source:
Returns:
Returns true when there are no operation inside


{{Infobox prepared food | name = Trenette | image = | caption = Trenette with Clam sauce | alternate_name = | country = Italy | region = Liguria | creator = | course = | type = Pasta | served = | main_ingredient = | variations = | calories = | other = }}
Trenette {{IPA-it|treˈnette|}} is a type of narrow, flat, dried pasta especially associated with Genoa and Liguria.
Trenette is the most traditional form of pasta served with pesto alla genovese, a dish known as trenette al pesto, which can also include potatoes and green beans boiled in the same water.
{{Pasta}}
{{Italy-cuisine-stub}}


Bengaluru Bulls
Bengaluru Bulls the Bangalore based franchise of the Pro Kabaddi League
is owned by the Kosmik Media Group. The team who finished in the top 4 last year
is coached by Randhir Singh an Arjuna Awardee and is led by Manjit Chillar an
experienced campaigner.
Founded by media professionals who have handled a wide range of activities
for some of the most renowned names in the space, KOSMIK GLOBAL boasts
decades of experience in the Indian and international media and broadcasting industry.
Kosmik’s endeavour is to create a strong presence in sports management across
the country and to use the opportunities as they arise to “give back” to society by
encouraging sports and sports programs in various ways.
|


"the great majority of students who are admitted stand out from the rest because a lot of little things, when added up, tip the scale in their favor"
-Yale Admissions Website
In 2018, the majority of applicants to any particular college have similar grades, scores, and often extracurriculars. How do admissions officers choose?
Admissions officers look beyond grades and scores to the "little things," the intangibles. Applicants are differentiated through traits like intellectual curiosity and intrinsic motivation.
College Admission Guidance covers these intangibles, provides a guide for each grade in high school, an explanation of the college process, application strategy, testing help, and recommendations of outside resources.
Choosing colleges, demonstrating interest, and writing the college essay
Advice and books for the SAT + ACT, subject tests, and APs
© 2018 - College Admission Guidance


Class: HashTable
HashTable
A HashTable, like a dictionary, is a data structure that maps keys to values.
Hashtables use a function to compute an index on an array of slots, sometimes called
'buckets'. Hashtables permit relatively fast insertion, deletion, and retrieval but
perform less than optimally for search operations such as identifying the minimum and
maximum values of a set of data. Hashtables must be designed and implemented to avoid
collisions. A collision occurs when the hashing function generates a non-unique index
for two separate inputs. A HashTable ADT includes the following operations:
- put - add a data element to the hashtable;
- get - get a data element from the hashtable;
- getHash - compute the hashing index;
- toString - get a string representation of the distribution of hashed data;


My name is Kory Friedman. I am 28 years old and love to live my life to fullest and costantly learn something new everyday. Life is a journey and we are all looking to live laugh and love often.
I love to go to the beach, go camping, music festivals and travling. My hobbies right now consist mainly of my dog and learning how to become a web developer. This is something that has always peaked my interested and trying to learn on my own was getting me nowhere.
I hope that when I am 75 years old I can look back all the amazing moments and events in my life and feel fullfiled.Life is but a dream and you are the dreamer. So lets make some magic and enjoy what we have.


Well, to start things off; I create living identities for my clients, I help them with the 3 D's of branding: Discover, Define, Design. If you want to find out more about this check this out but that’s where the magic happens. I believe in the importance of learning as much as you can and developing a set of ‘soft-skills’ that you can use to help you with areas outside of your trade. Thus, I am well equipped for most situations.
I am a current student at SCAD ATL (Class of '20); Here I am soaking up the southern sun and majoring in Visual Communications and Brand Design.
I love everythign about design and I have been doing it for 5+ years. I occasionally write on Medium and Quora about my love for design.


Sometimes all you need is an awesome guest to make you feel complete in the family. I am really glad to see you. Welcome to my sweet home!


Reactive Form Examples:
Checkboxes created from given list of values
Inline checkboxes
Seasons: {{ form1.controls.seasons?.value }}
Pre-selection based on value passed
Available brands: {{ form2.controls.phones?.value }}
Pre-selection based on value passed from formGroup
Sports: {{ form3.controls.sports1?.value }}
Disabled checkbox group
Template Driven Form
Checkboxes created from given list of values
Inline checkboxes
Weather: {{ countrySeason }}
Pre-selection based on value passed
Sports: {{ selectedSports }}
Disabled checkbox group
Checkbox group outside form
Selected dishes: {{ selectedDishes }}


Let's have some fun finding out how much you know about me
You will be asked to answer some questions about my education, jobs and hobbies.
There may be a trick question so pay attention. You may just find out a couple unusual facts about me.
You even get four guesses at my favorite number. Afterwards, I will let you know how well you did. Let's get started
Work Summary
Driving Instructor, High Desert Education Service District
Project Manager/Business Analyst, Vertex
Sales Manger, Microridge Systems
Education
Bachelor of Arts in Economics, Claremont McKenna College
Certified Driving Instructor, Western Oregon University


Policy analysts generally agree on a need for reform, but not on which path policymakers should take. Can America learn anything from other nations...
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec vel gravida arcu. Vestibulum feugiat, sapien ultrices fermentum congue, quam velit venenatis sem
Policy analysts generally agree on a need for reform, but not on which path...
This Consumer Action News issue covers topics now being debated before...
Policy analysts generally agree on a need for reform, but not on which path...
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec vel gravida arcu. Vestibulum feugiat, sapien ultrices fermentum congue, quam velit venenatis sem
Policy analysts generally agree on a need for reform, but not on which path policymakers should take. Can America learn anything from other nations...