|
Setting the Stage for Justice
in the Revenge Genre Film
by Dean Hitesman
"Revenge" genre films
tend to fit into neat little schemes. The storyline will involve
the protagonist being wronged, usually in the first half of the
movie, and the rest of the film will be a portrayal of this hero,
or avenger, taking the law into their own hands to exact vengeance
on those who have crossed him. The audience undergoes a great
sense of satisfaction when vengeance is finally delivered because
the audience has been brought on board with the avenger's cause
and agree that what he had to do to exact vengeance is justified.
It is necessary for the avenger to take the law in his own hands
because the legal system in which the revenge genre film takes
place is either perfidious and corrupt, or simply ineffectual
and unable to uphold justice. An incompetent legal order is essential
to our accepting the revenge genre film.
The 1936 Joseph Kane western film,
King of the Pecos, tells such a story of revenge. In the
beginning of the film, the antagonist trio of an exploiting capitalist
Alexander Stiles, his lawyer Brewster, and his killer Ash take
title to strategic watering holes between Texas and the Kansas
cattle markets in order to gain control of a million acre empire.
One of the key watering hole locations, that of Sweetwater, is
located on land owned by a man who has settled there with his
wife and their teenage son. When the man refuses Stiles' offer
of one thousand dollars to buy the land, the man and his wife
are shot, and the teenage son is brutally beaten up and left
for dead.
Ten years pass and the boy, John Clayborn, who of course did
not die, has become a man and a lawyer, played by John Wayne.
He ends up representing a large group of independent cattle owners
and takes on Stiles, represented by Brewster, in a civil trial
aimed at gaining access to the water holes controlled by Stiles
without having to pay the exorbitant tolls he demands. The Court
finds that, based on homestead laws, Stiles is only entitled
to one of his water hole claims, that of Sweetwater. Brewster
is fired by Stiles for losing the trial.
The setting of the film being the late nineteenth century western
frontier, law enforcement is undeveloped. Despite his losing
of the legal trial, there is inadequate legal order to prevent
Stiles from using force. No longer able to control the rancher's
cattle through the watering holes, Stiles orders Ash and his
men to gather all of their cattle by force. To escape Stiles
and his men, Clayborn organizes the ranchers into a mass cattle
drive that must stop in Sweetwater on its way to Abilene. When
Stiles refuses access to Sweetwater, Clayborn and the ranchers
kill Stiles and Ash in much the same fashion that Clayborn's
parents were murdered years before. The young lawyer's revenge
is complete, and he needed to use force beyond law in order to
extract it.
King of the Pecos is not alone among westerns in its portrayal
of justice. "Countless westerns not only from the thirties
but from every decade deal either with the struggle between frontier
anarchy and emerging social order or with the struggle between
an evolved but unjust social order and the felt need to set things
right by taking the law into one's own hands."(1)
The untamed setting of the western film is ideal for the revenge
genre as the inept legal order allows for the avenger to uphold
his own sense of justice when seeking vengeance with minimal
hampering from law enforcement.
Such is the setting in another
story of revenge that is found in the more recent western Unforgiven
which Clint Eastwood both stars in and directed. Eastwood plays
the role of William Munny, a once ruthless killing cowboy, who
has been tamed by his wife into a domesticated rancher and father
of two. However, as the film begins we discover that Munny has
fallen on hard times as his wife has passed of smallpox, and
the life of a pig farmer has proved difficult. Munny becomes
attracted to a bounty that has been placed on the life of two
cowboys by the prostitutes in the town of Big Whisky - punishment
for their cutting the face of one of the working girls.
The sheriff of Big Whisky, Little Bill, characterizes the film's
underdeveloped and largely ineffective law enforcement. He offers
to sentence the two cowboys to being whipped, but this proves
unsatisfactory to both the whores and to owner of the brothel,
Skinny, although for different reasons. The prostitutes do not
see a mere whipping as being just punishment for something as
gruesome and permanently scaring as the cutting of one's face.
A whipping would not cause the cowboys to suffer enough for justice
to be served. For Skinny, his interest is purely economical,
and a scarred whore is of much less value to him. Thus when Little
Bill changes the punishment to the payment of ponies to Skinny,
Skinny is satisfied to have recovered his economic loss, while
the prostitutes feel the need to take the law into their own
hands by putting the bounty out on the two cowboys' lives.
While it is the prostitutes who are seeking revenge, the audience
does not get the strong feeling of this being a 'revenge' genre
film until later when Munny's good friend Ned, with whom he is
seeking the bounty, is captured and killed by Little Bill. While
we do feel some sense of justice is being inflicted on the two
cowboys by the prostitutes' bounty, and we get the sense the
Munny does too, death does seem a bit excessive for what they
have done. What makes Unforgiven a compelling movie is
that it is not a clear cut case of good vs. evil as in King
of the Pecos. The movie going audience has perhaps matured
beyond the westerns of the 1930s, demanding movies that force
them to reflect on them afterwards. Little Bill is not all bad.
He does make attempts to uphold the law, but we resent him for
his treatment of the prostitutes as property, and we find his
whipping and killing of Ned, a character who is developed in
the film and whom we like, to be unwarranted and savage. Unlike
King of the Pecos, it is an imperfect story of revenge.
This theme is perfectly portrayed through Eastwood's character
who himself is cynical of justice in the world. He says the incongruous
line of "deserves got nothing to do with it" to Little
Bill just before killing him as revenge for killing Ned, something
Munny clearly did feel he deserved. Munny has developed this
contemptuous stance towards justice through the events of his
own life. A one time ruthless killer of women and children, "the
fact that no one ever brought him to justice for his past evil
deeds, makes him think the delivery of justice purely random,
a matter of luck."(2) He sees himself
as much more deserving of an early death from smallpox than his
wife. The audience feels a sense of satisfaction when Munny shoots
Little Bill, however that satisfaction is hindered by a sense
of uneasiness that is not present in the much more simplistic
good vs. evil of King of the Pecos.
William Ian Miller in his paper, Clint Eastwood and Equity:
Popular Culture's Theory of Revenge (3),
asserts a class-based analysis of revenge. He describes an "antihonor,
antirevenge political and moral discourse" in which revenge
has been rejected by the upper classes as being "vulgar
and unfashionable". This is not to say, according to Miller,
that the upper classes were no longer concerned with getting
even, rather "their revenges were transmuted and took place
in economic arenas and in routine social activities like gossip
and slighting rather than face-to-face confrontation." Miller
attributes much of this discourse to a distinction that developed
between revenge and retribution. While revenge came to be seen
as improper, retribution remained justifiable. The distinction
was premised on restitution being "a respectable reason
for punishment of wrongs, administered as it must by the state
in a controlled, proportional fashion", while in contrast
revenge is "portrayed as crazed, uncontrolled, subjective,
individual, admitting no reason, no rule of limitation."
Miller discredits this view and contends that in fact, there
is no difference between revenge and retribution. The proponents
of this division are attempting to set up an actual philosophical
distinction. Their goal is to legitimate state punishment as
being retribution and in order to do this it had to be distanced
from revenge. Miller claims we are repressed, and revenge continues
to live inside of us as "fantasies of getting even, of dominating,
of discomforting those we envy".
One way we live out these fantasies is through the revenge genre
film, such as the two western films previously discussed. This
observation forces one to pose the question as to why the revenge
genre film so typically involves the one seeking reprisal taking
matters into their own hands rather than relying on the law.
An easy answer for the western film is that the setting of undeveloped
law enforcement dictates that this is the only way justice can
be upheld, however I would argue that a better answer would be
that it is the revenge genre that dictates the setting. The revenge
genre is best served by a setting where legal order is either
undeveloped, incompetent, corrupt, or most commonly some combination
thereof. The reason is that this allows the hero of the film
to seek out his revenge without being judged by the audience
as being "vulgar and unfashionable", or perhaps more
appropriately, allows the audience to live out their fantasy
of revenge vicariously through the film without a sense of guilt
for their feelings of satisfaction. The film's avenger cannot
be judged for his acts of revenge, the lawless setting leaves
no alternative, and there is no state to administer 'retribution'.
Perhaps a perfect contrasting
example to the revenge genre western is that of the film Seven.
The film is not a western, and thus does not take place amidst
a wild, untamed, and lawless setting, but rather in the present
day, legal-rule-filled modern world. The film follows a young
detective as he desperately tries to capture a ruthless killer
who is punishing each the seven deadly sins of gluttony, greed,
sloth, envy, wrath, pride, and lust by systematically murdering
those he sees as possessing them. In a dramatic conclusion, once
the killer is captured, he reveals to the detective that he has
murdered the young man's wife. The killer explains that since
he himself envied the normal life of the detective, it seemed
fair that he himself becomes the victim of envy.  The detective
tries desperately to fight his emotions, but he cannot restrain
his anger and eventually obliges by shooting the killer, becoming
the last of the victims, guilty of the sin of wrath. The final
scene shows the young detective being taken away in a police
car, certain to be disciplined by the justice system for his
act. The film Seven does not serve us as a revenge fantasy.
The audience, despite being sympathetic towards the detective,
is left with the feeling that he made a mistake by giving in
to his emotions and completing the killer's masterpiece of the
seven deadly sins, ruining his own life in the process. While
the first six sins, including that of envy by the serial killer
himself, were punished by murder, the seventh sin of wrath contained
in the young detective's revenge is punished by the law.
The modern world is no place for revenge fuelled by emotion.
We expect our anger to be repressed; we consider it a sin when
it is not. One must ask why, then, we are continuously drawn
to revenge genre films to fulfill our fantasies of vengeance.
If we consider revenge to be so vulgar and unfashionable, why
do we feel such pleasure when the avenger is finally successful
at the end of the film, instead of scorning him for his crazed
and uncontrolled conduct? I feel much of an answer can be found
in the settings of these films. We are willing to forgive vengeful
conduct that takes place amidst an undeveloped legal system,
where there is no state to administer punishment in a controlled,
proportional fashion. But not in our modern world of judges and
lawyers, laws and courts that uphold them, all apparently free
of emotion.
If one's conduct does not warrant anger or outrage, for what
are we punishing? When someone is asked whether justice was served,
do they not question whether they feel the guilty party got what
they deserved? The truth is that justice is as much an emotion
as it is a legal principle, as to inflict punishment for an act
that does not give rise in anyone a sense of anger or outrage
is the real sin.
(1)
Francis M. Nevins, "Through the Great Depression on Horseback:
Legal Themes in Western Films of the 1930s" in J. Denvir,
ed., Legal Reelism: Movies as Legal Texts (Chicago: University
of Illinois Press, 1996) 44 at 64.
(2) William I. Miller, "Clint Eastwood and Equity: Popular
Culture's Theory of Revenge", in A. Sarat and T. Kearns
eds., Law in the Domains of Culture (Ann Arbor: U. of Minnesota
Press, 2000) 161 at 195.
(3) Ibid. at 161.
Posted February 10, 2005
|


Undo
Save
Stroke
{{st}}
Fill
{{fl}}
Pencil
Line
Rectangle
Circle
RightTriangle
UpSemiCircle
DownSemiCircle
Pentagon
RandomCircles
Stars
Sketcher
Pixel
GreenLine
Black Fur
Erase Portions
Fill shape?
Stroke/Eraser width
{{stw}}


{{quizHeader}}
{{'MathExercise.AdditionExercises' | transloco}}
{{'MathExercise.SubtractionExercises' | transloco}}
{{'MathExercise.MultiplicationExercises' | transloco}}
{{'MathExercise.MixedOperations' | transloco}}


Johnny Hates Math
问题描述 :
Johnny is on probation! He has failed so many math courses and the Department has forced him to register in a remedial math course. He must pass the course or he’d be expelled from the University. In an attempt to impress his professor, Johnny is typing all his assignments on the computer. The latest assignment is rather simple, Johnny was given a set of problems to solve. Each problem had a list of one or more numbers that Johnny was supposed to add. Johnny has worked all night on the assignment, neatly typing his solution to each problem using a word processor as seen here:
4+12+3=19
As usual, Johnny woke up late, he hardly had the time to print the assignment and rush to class. Only in the classroom did he discover that, due to a printer driver problem, non of the plus signs were printed. The above line was printed as:
4123=19
Write a program to figure out where the pluses are supposed to be. All what Johnny remembers is that all the numbers were positive; None of the numbers, other than possibly the sum, had more than 5 digits; And none of the numbers had a zero as the left-most digit.
输入:
Your program will be tested on one or more expressions. Each expression is specified on a single line. No line will be longer than 256 characters. The last line, which is not part of the test cases, will be 0=0.
输出:
For each expression in the input, your program must print a line of the form:
k. result
Where k is the expression number (starting at 1), and result is the expression with the necessary plus signs in place. There are no spaces in result. If there are more than one possible solution, print a solution that requires the least number of plus signs. Knowing how bad Johnny is in arithmetic, it is possible that there is no solution, in which case your program should print "IMPOSSIBLE" as the result.
样例输入:
4123=19<PHONE_NUMBER>2367219875=472 111=8 0=0
样例输出:
1. 4+12+3=19 2. 15+44+21+47+61+23+67+21+98+75=472 3. IMPOSSIBLE
解题代码:
//* @author: ccQ.SuperSupper import java.io.*; import java.util.*; class Queue{ int pre; int cnt_posi; int cnt_num; int cnt_sum; void set(int pre_t,int cnt_num_t,int cnt_sum_t,int cnt_posi_t){ this.pre = pre_t; this.cnt_num = cnt_num_t; this.cnt_sum = cnt_sum_t; this.cnt_posi = cnt_posi_t; } } class node{ int who; int value; } public class Main { static final int N = 4000000+10,P=256; static int n,p; static Queue myque[] = new Queue[N]; static HashMap map[] = new HashMap[P]; static int ans[] = new int[P],num[][] = new int[P][6]; static void start_que(){ int i,j; for(i=0;i< N;++i) myque[i] = new Queue(); for(i=0;i< P;++i) map[i] = new HashMap(); } public static void main(String []args) throws Exception{ int i,j,cs=1; String str = new String(); Scanner cin = new Scanner(System.in); //Scanner cin = new Scanner(new FileInputStream("input.txt")); start_que(); while(cin.hasNext()){ str = cin.next(); if(str.equalsIgnoreCase("0=0")) break; for(i=0;i< str.length();++i){ if(str.charAt(i)=='=') break; } n = i; p = Integer.valueOf(str.substring(i+1, str.length())); System.out.print(cs+". "); ++cs; solve(str,cs); } } public static void init_num(String str){ int i,j; for(i=0;i< n;++i){ num[i][0] = 0; for(j=1;j< 6 && i+j<=n;++j){ num[i][j] = num[i][j-1]*10+str.charAt(i+j-1)-'0'; //System.out.println(num[i][j]); } } for(i=0;i<=n;++i) map[i].clear(); } static void get_ans(int cnt){ String str=""; int i,j,top=0; while(cnt>0){ ans[top++] = myque[cnt].cnt_num; cnt = myque[cnt].pre; } str += String.valueOf(ans[top-1]); for(i=top-2;i>=0;--i){ str+="+"; str+=String.valueOf(ans[i]); } str+="="+String.valueOf(p); System.out.println(str); } public static void solve(String str,int cs){ init_num(str); int i,j,k,left=0,right=0; myque[right].set(-1, 0, 0, 0); ++right; while(left< right){ //System.out.println(left+" "+right); for(i=1;i< 6 && num[myque[left].cnt_posi][1]>0 && myque[left].cnt_posi+i<=n;++i){ if(num[myque[left].cnt_posi][i]+myque[left].cnt_sum<=p){ myque[right].set(left, num[myque[left].cnt_posi][i], num[myque[left].cnt_posi][i]+myque[left].cnt_sum, myque[left].cnt_posi+i); if(myque[right].cnt_posi==n && myque[right].cnt_sum==p){ get_ans(right); return ; } if(!has_in_hash(myque[right].cnt_posi,myque[right].cnt_sum,cs))continue; ++right; } } ++left; } System.out.println("IMPOSSIBLE"); } public static boolean has_in_hash(int posi,int sum,int cs){ if(map[posi].containsKey(sum)) return false; map[posi].put(sum, 1); return true; } }
m /= i; 是一直在变的。参考这一篇关于质因数的http://www.acmerblog.com/integer-factorization-5124.html
楼主放题时候没注意下？xxx定律见：
hdoj3782：http://acm.hdu.edu.cn/showproblem.php?pid=3782
为什么暴力求解方法循环到sqrt(n) 就可以了呢
很好的题，还是能做出几道的，嘿嘿
还真是，i7的cpu跑了3秒
很给力啊，学习了
正在练习，很有帮助
在方法1里面：
//遍历所有的边，计算入度
for(int i=0; i<V; i++)
{
degree = 0;
for (j = adj .begin(); j != adj .end(); ++j)
{
degree[*j]++;
}
}
为什么每遍历一条链表，要首先将每个链表头的顶点的入度置为0呢？
比如顶点5，若在顶点1、2、3、4的链表中出现过顶点5，那么要增加顶点5的入度，但是在遍历顶点5的链表时，又将顶点5的入度置为0了，那之前的从顶点1234到顶点5的边不是都没了吗？
有些说不通吧，只有1个孩子肯定是男孩了
比较基础，找些自信
什么破题，题意好难懂啊
上面的评论很起劲，为什么我看不懂啊
这道题目虽然简单，但是小编做的很到位，应该会给很多人启发吧！对于面试当中不给开辟额外空间的问题不是绝对的，实际上至少是允许少数变量存在的。之前遇到相似的问题也是恍然大悟，今天看到小编这篇文章相见恨晚。
如何解决overload的问题呢？


FAQ Slider
FAQ Slider Project
How are you?
I am Fine
who are you?
I am a Web Developer
where you live?
I live in Pakistan
What is your country name?
Pakistan
what is your work place?
Vvork
Are you Happy?
Yes


Russia puts Sputnik into orbit.
Space exploration assigned to Advanced Research Projects Agency (ARPA)
NASA opens for business via Eisenhower executive order
Leonard Kleinrock of MIT – First paper on packet switching theory.
J.C.R. Licklider of MIT – memos on “Galactic Network Concept”
Larry Roberts – heads project that connects first two ARPA NET sites – UCLA and Stanford Research Institute.
Bob Kahn – demonstrates ARPANET at the International Computer Communication Conference (ICCC)
Ray Tomlinson – First basic email program using “@”
Vinton Cerf & Ray Kahn - A Protocol for Packet Network Interconnection
TCP and IP split
Tim Berners-Lee – writes predecessor to WWW
Jon Postel, Paul Mockapedis, and Craig Partridge design the Domain Name System (DNS)
Tim Berners-Lee creates World Wide Web
Marc Andreesen – Develops Mosaic web browser
Microsoft vs Netscape - Browser wars


{% extends "splunkdj:base_with_app_bar.html" %} {% load splunkmvc %} {% block title %}Map View - Web Framework Toolkit{% endblock title %} {% block css %} {% endblock css %} {% block content %}
The SplunkMap view binds a map to a search that interprets geographic data and displays it on a map. Data with lat
and lon
fields are used to populate map markers according to location. The SplunkMap view works best with the geostats search command, which provides clustering and spatial statistics in the Splunk search language.
In this example, we create a SplunkMap view and bind it to a search that includes latitude and longitude values. Search results (markers) are automatically displayed at their locations on the map and are sized based on the output of geostats.
{% block content %} {% splunkmap id="example-map" managerid="geosearch" tileSource="openStreetMap" %} {% endblock content %} {% block managers %} {% searchmanager id="geosearch" search="| inputlookup earthquakes.csv | rename Lat as lat Lon as lon | geostats count" %} {% endblock managers%}
var MapView = require("splunkjs/mvc/splunkmapview"); new MapView({ id: "example-map", managerid: "geosearch", el: $("#divToHangOn") }).render(); var SearchManager = require("splunkjs/mvc/searchmanager"); new SearchManager({ id: "geosearch", search: "| inputlookup earthquakes.csv | rename Lat as latitude Lon as longitude | geostats count", tileSource: "openStreetMap" });
tileSource
: Tiles to use for map rendering. Valid values are openStreetMap
or splunk
(default).


class PageController extends Controller
All pages registered in dvs_pages database table come through this controller show method.
The reason for this is so that the database can be in charge of the routes and a non developer can construct new pages with predefined templates in a dropdown selectbox. The templates have already been designed by the developer but new pages can be added easily by the cms administrator.
Methods
|
__construct(PagesRepository $PagesRepository, DataBuilder $DataBuilder, null $Input = null, null $View = null, null $Route = null, null $Redirect = null)
Creates a new DvsPagesController instance. |
||
| Response |
show()
Displays details of a page |
|
|
retrieveResponse(DvsPage $page)
This retrieves a page with all the viewvars set on the response |
Details
at line 39
public
__construct(PagesRepository $PagesRepository, DataBuilder $DataBuilder, null $Input = null, null $View = null, null $Route = null, null $Redirect = null)
Creates a new DvsPagesController instance.
at line 54
public Response
show()
Displays details of a page
at line 78
public
retrieveResponse(DvsPage $page)
This retrieves a page with all the viewvars set on the response


As you learned in the guessing game my name is Hollie. I currently live in the Tacoma area of Washington. My husband and I moved here from North Carolina in 2012. We have made the Pacific North West our home and are currently raising two boys.
Over the years I have attended various trade schools to include: National Holistic Institute for Massage Therapy and Health Education; The United States Army, Human Intelligence; and now finally Code Fellows Coding Academy. Each different education brought me to where I am and molded me into the multifacted person I am now.
My short term goal is to complete the programs offered at Code Fellows up to 401, I have not decided which way I am going to go however, Python or .net seem to be where the employment fields are going. My long term goals are to get involved with companies developing education software for children, particulariliy programs that are interactive for both child and parent. Parenting and being involved in my childrens education is my passion.


dcrwages uses data from Binance to calculate a monthly average USDT/DCR rate.
This rate is used when Decred project contractors submit invoices denominated in US Dollars and receive payment in DCR.
{{ index $.MonthNames .CurrentMonth }}
{{printf "%.2f" (index (index .PriceData.Years .CurrentYear).Months .CurrentMonth).AveragePrice}}
USDT/DCR
Monthly rates since June 2016 are provided below. There's an API as well.
{{ index $.MonthNames $month_id }}
{{ printf "%.2f" $month.AveragePrice }}
USDT/DCR


Coding101
We understand that coding can be a bit difficult at the beginning and we are here to help you get started.


{% extends "base.html" %} {% block javascript_additional %} {% endblock %} {% block content %}
This class has no events.
No syllabus has been assigned to this class yet.
This class has no assignments.


Get statistics and reports from YouTube. To learn more about the YouTube Analytics and Reporting API, see <https://developers.google.com/youtube/reporting/>.
| Version: | 0.1.0 |
| Depends: | R (≥ 3.2.0) |
| Imports: | httr, jsonlite |
| Suggests: | knitr (≥ 1.11), testthat, rmarkdown, xml2 |
| Published: | 2017-04-13 |
| Author: | Gaurav Sood [aut, cre] |
| Maintainer: | Gaurav Sood <gsood07 at gmail.com> |
| BugReports: | http://github.com/soodoku/tubern/issues |
| License: | MIT + file LICENSE |
| URL: | http://github.com/soodoku/tubern |
| NeedsCompilation: | no |
| Citation: | tubern citation info |
| Materials: | README NEWS |
| In views: | WebTechnologies |
| CRAN checks: | tubern results |
| Reference manual: | tubern.pdf |
| Vignettes: |
Using tuber |
| Package source: | tubern_0.1.0.tar.gz |
| Windows binaries: | r-devel: tubern_0.1.0.zip, r-release: tubern_0.1.0.zip, r-oldrel: tubern_0.1.0.zip |
| OS X binaries: | r-release: tubern_0.1.0.tgz, r-oldrel: tubern_0.1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=tubern to link to this page.


|
||||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |
See:
Description
| Interface Summary | |
| MetaEventListener | |
| UserIOHandler |
| Class Summary | |
| ag | Java encapsulation of the Dialogic Voice Software (functions matching ag_*). |
| CCLIB_MAKECALL_BLK | Not in use. |
| CCLIB_START_STRUCT | Java equivalent of the CCLIB_START_STRUCT struct. |
| CT_DEVINFO | Java equivalent of the Dialogic CT_DEVINFO structure. |
| dcb | Java encapsulation of the Dialogic R4 Conferencing Software (functions matching dcb_*). |
| dt | Java encapsulation of the Dialogic R4 Digital Network Interface Software (functions matching dt_*). |
| DV_DIGIT | Java representation of the DV_DIGIT struct. |
| DV_TPT | Java representation of the DV_TPT struct. |
| dx | Java encapsulation of the Dialogic Voice Software (functions matching dx_*). |
| DX_CAP | Java equivalent of the Dialogic DX_CAP structure. |
| DX_CST | Java equivalent of the Dialogic DX_CST struct. |
| DX_IOTT | Java representation of the DX_IOTT struct. |
| DX_XPB | |
| gc | Java encapsulation of the Dialogic GlobalCall Software (functions matching gc_*). |
| GC_CALLACK_BLK | Java equivalent of the Dialogic GC_CALLACK_BLK structure. |
| GC_CCLIB_STATE | Java equivalent of the Dialogic GC_CCLIB_STATE structure. |
| GC_CCLIB_STATUSALL | Java equivalent of the Dialogic GC_CCLIB_STATUSALL structure. |
| GC_INFO | Java equivalent of the Dialogic GC_INFO structure. |
| GC_MAKECALL_BLK | Java representation of the GC_MAKECALL_BLK struct. |
| GC_PARM | Java equivalent of the Dialogic GC_PARM structure. |
| GC_PARM_BLK | Java equivalent of the Dialogic GC_PARM_BLK structure. |
| GC_START_STRUCT | Java equivalent of the GC_START_STRUCT struct. |
| GCLIB_ADDRESS_BLK | Java equivalent of the Dialogic GCLIB_ADDRESS_BLK structure. |
| GCLIB_CALL_BLK | Java equivalent of the Dialogic GCLIB_CALL_BLK structure. |
| GCLIB_CHAN_BLK | Java equivalent of the Dialogic GCLIB_CHAN_BLK structure. |
| GCLIB_MAKECALL_BLK | Java equivalent of the Dialogic GCLIB_MAKECALL_BLK structure. |
| IE_BLK | Java equivalent of the Dialogic IE_BLK structure. |
| jvr | This is the base class for all Dialogic Software encapsulation classes. |
| JVRBaseClass | The base class for all JVR classes. |
| JVREvent | Non-dialogic event class. |
| JVREventBaseClass | Base class for all event classes. |
| JVREventDispatcher | A thread that monitors the event queue for new events, then dispatches them to registered listeners as they are received. |
| JVREventListener | Use JVRMetaEventListener instead. |
| JVRFireThread | Manages queue JVREvents that have yet to be fired. |
| JvrJni | This is the base class for any and all JVR classes that contain native methods. |
| JVRMetaEventListener | |
| MetaEvent | Java equivalent of the Dialogic METAEVENT structure. |
| ms | Java encapsulation of the Dialogic R4 Conferencing Software (functions matching ms_*). |
| MS_CDT | Java equivalent of the Dialogic MS_CST structure. |
| PDK_MAKECALL_BLK | Java equivalent of the Dialogic PDK_MAKECALL_BLK structure. |
| SC_TSINFO | |
| sr | Java encapsulation of the Dialogic Standard Runtime Library Software (functions matching sr_*). |
| TN_GEN | Ringback for North America is 440/480 at -19db, 2 second duration. |
| TN_GENCAD | Java representation of the DV_TPT struct. |
| UserIO | An extention of the DX_IOTT structure that is used when performing user defined input/output actions. |
| Exception Summary | |
| DialogicException | DialogicException is the base class for all exceptions that are thrown from within native methods as a result of a Dialogic System Release Software errors. |
| GCException | GCException is the exception class that is thrown due to an error result from a Global Call function. |
| JVRException | JVRException is the base class for all declared exceptions within the JVR package. |
Provides the location of the main Java to Dialogic mapping classes. Package members are loosely divided into the following categories:
Ergo:
| Dialogic Function Name | Class and Static Method Name |
|---|---|
| dx_open | dx.open |
| dx_dial | dx.dial |
| dt_setevtmsk | dt.setevtmsk |
| ms_genring | ms.genring |
The structures have the same meanings and treatments as the Dialogic API types, and can usually be passed as method arguments in the same way as pointers to the types are passed to Dialogic Functions.
For example, when dialing on a voice resource, you would provide a pointer to the DX_CAP struct:
DX_CAP cap; cap.ca_nbrdna = 8; // 8 rings before "no answer" // Call dx_dial and provide a pointer to the DX_CAP struct int ret = dx_dial(chdev, "6135551212", &cap, EV_SYNC);But when using JVR, you provide an instance of a DX_CAP object.
// Create a new instance DX_CAP cap = new DX_CAP(); // Set a member field. cap.ca_nbrdna = 8; // 8 rings before "no answer" // Pass the instance object as an argument int ret = dx.dial(chdev, "6135551212", cap, EV_SYNC);
JVRException
and extending into
various subclasses.
|
||||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |


|
ArUco Unity
0.1.0
OpenCV's ArUco Marker Detection module adapted for Unity 5.
|
Describes a ChArUco board. More...
Inherits ArucoUnity.Utility.ArucoBoard.
Static Public Member Functions | |
| static int | GetArucoHashCode (int squaresNumberX, int squaresNumberY, float markerSideLength, float squareSideLength) |
Protected Member Functions | |
| override void | Awake () |
| Initialize the properties and suscribe to ArucoObject.PropertyUpdated. More... | |
| override void | UpdateHashCode () |
| ArucoBoard.UpdateHashCode More... | |
| override void | UpdateBoard () |
| ArucoBoard.UpdateBoard More... | |
| Protected Member Functions inherited from ArucoUnity.Utility.ArucoBoard | |
| override void | OnPropertyUpdated () |
| ArucoObject.OnPropertyUpdated. More... | |
| Protected Member Functions inherited from ArucoUnity.Utility.ArucoObject | |
| virtual void | OnPropertyUpdating () |
| Call the event PropertyUpdating. More... | |
Static Protected Member Functions | |
| static int | GetArucoHashCode (ArucoCharucoBoard arucoCharucoBoard) |
Properties | |
| int | SquaresNumberX [get, set] |
| Number of squares in the X direction. More... | |
| int | SquaresNumberY [get, set] |
| Number of squares in the Y direction. More... | |
| float | SquareSideLength [get, set] |
| Side length of each square. In pixels for Creators. In meters for Trackers and Calibrators. More... | |
| VectorPoint2f | DetectedCorners [get, set] |
| VectorInt | DetectedIds [get, set] |
| int | InterpolatedCorners [get, set] |
| bool | ValidTransform [get, set] |
| Properties inherited from ArucoUnity.Utility.ArucoBoard | |
| override int | HashCode [get] |
| ArucoObject.HashCode. More... | |
| int | MarginsSize [get, set] |
| The size of the margins in pixels (default: 0). Used by the Creators. More... | |
| Cv.Size | ImageSize [get, protected set] |
| The image size for drawing the board. More... | |
| Aruco.Board | Board [get, protected set] |
| The associated board from the ArucoUnity plugin library. More... | |
| float | AxisLength [get, protected set] |
| Cv.Vec3d | Rvec [get, set] |
| Cv.Vec3d | Tvec [get, set] |
| Properties inherited from ArucoUnity.Utility.ArucoObject | |
| abstract int | HashCode [get] |
| Aruco.Dictionary | Dictionary [get, set] |
| The dictionary to use. More... | |
| float | MarkerSideLength [get, set] |
| The size of each marker. In pixels for Creators. In meters for Trackers and Calibrators. More... | |
| int | MarkerBorderBits [get, set] |
| Number of bits in marker borders (default: 1). Used by Creators. More... | |
Additional Inherited Members | |
| Public Member Functions inherited from ArucoUnity.Utility.ArucoObject | |
| delegate void | ArucoObjectEventHandler (ArucoObject arucoObject) |
| Protected Attributes inherited from ArucoUnity.Utility.ArucoBoard | |
| int | hashCode |
| Events inherited from ArucoUnity.Utility.ArucoObject | |
| ArucoObjectEventHandler | PropertyUpdating = delegate { } |
| Executed before a property is going to be updated. More... | |
| ArucoObjectEventHandler | PropertyUpdated = delegate { } |
| Executed after a property has been updated. More... | |
Describes a ChArUco board.
|
inlineprotectedvirtual |
Initialize the properties and suscribe to ArucoObject.PropertyUpdated.
Reimplemented from ArucoUnity.Utility.ArucoBoard.
|
inlinestatic |
|
inlinestaticprotected |
|
inlineprotectedvirtual |
ArucoBoard.UpdateBoard
Implements ArucoUnity.Utility.ArucoBoard.
|
inlineprotectedvirtual |
ArucoBoard.UpdateHashCode
Implements ArucoUnity.Utility.ArucoBoard.
|
getset |
|
getset |
|
getset |
|
getset |
Side length of each square. In pixels for Creators. In meters for Trackers and Calibrators.
|
getset |
Number of squares in the X direction.
|
getset |
Number of squares in the Y direction.
|
getset |


Aston Villa vs Newcastle United: Lee Ryder's Premier League prediction
The Magpies face a Villa side who have lost their last two matches but will the break work in Newcastle's favour or not?
by Lee RyderNewcastle United travel to Aston Villa in excellent fettle as they find themselves in the top six of the Premier League's form table.
It could be argued that the Magpies had the momentum going into the international break and they have also had to wait over the weekend as other teams get back into the swing of things.
Will the break work in their favour or not?
But Newcastle will feel confident after two successive wins with Steve Bruce's return to Villa Park setting up an interesting clash.
Lee Ryder's prediction
United are 13/5 to get the victory at Villa Park and go in against a newly promoted outfit who have lost their last two games against Liverpool and Wolves.
Newcastle have been relying on defenders to get the goals for them but Villa could be in trouble if this is the game when it clicks for Allan Saint-Maximin, Joelinton and Miguel Almiron.
If the extra two days rest works in United's favour it could be a long night for Villa.
Referee
Lee Mason (Lancashire)
First game for Mason in charge of a Newcastle game since the 3-2 win over Everton back in March.
Charity bet
United to get 2-3 corners in the second half at 5/4 with William Hill.


Text displayed after "by". Typically a name or social-media handle.
Link pointing to the image you'd liked displayed.
Link to the address you want users to visit when Maker Link is clicked.
CSS font-family
string - any font your site has access to, Maker Link can use.
CSS color
string - can be any format (keyword
, rgb(a)
, hsl(a)
, etc.)


CRIMSON TIDE A film review by Eric Grossman Copyright 1995 LOS ANGELES INDEPENDENT
Every summer, there are usually two or three "big" movies that people just can't wait to see. This summer, which is filled with sequels and movies from television shows, the E-ticket ride I was looking forward to was CRIMSON TIDE. Why? Well first off, it had a great trailer that showed Denzel Washington and Gene Hackman, two of my favorite actors. It had a plausible and frightening premise: a Russian radical gains control of nuclear missiles and threatens to launch them. Finally, to top it off, it took place on a American nuclear missile sub, a place where many of us would love to visit but few actually can. Sure, it reminded me of a lot of other films and maybe it should have been called, MUTINY ON THE HUNT FOR RED TOP SUB, but I was hooked.
Hackman plays the captain of the U.S.S. Alabama, Frank Ramsey, an old seadog, warrior-without-a-war type who, when given the order to launch his nukes, is contradicted by his executive officer, Lieutenant Commander Hunter (Washington). Hunter, a highly educated but untested officer, tries to stop Ramsey until they can confirm a half-received message fragment that may be a stand down order. Ramsey will have none of Hunter's doubts and continues to proceed to launch position. With no other option, Hunter relieves Ramsey of his command and then it becomes musical mutinies. Ramsey and certain sympathetic crew members get their hands on some weapons and then they retake control of the ship. But wait, Hunter does not give up so easily. He and his mutineers grabs some guns and then....
Produced by Don Simpson and Jerry Bruckheimer and directed by Tony Scott (the team gave us the frothy but entertaining TOP GUN), I expected CRIMSON TIDE to be, if nothing else, a crowd pleaser that would go like gangbusters and have an explosive climax. I was right about the first part, wrong about the second.
There is a lot of excitement as we watch the superb performances by Hackman and Washington. Pulse raising side-plots such as an attack by a renegade Russian sub and a scene where the Alabama nearly sinks are the stuff that great submarine pictures are made of. These give us enough thrills to make up for the fact that there are some deep problems in the hull of CRIMSON TIDE that eventually sink it in the last twelve minutes.
The producers, director, executive producer Lucas Foster and screenwriter Michael Schiffer, created a great set-up, however, they did not have the courage (a rare commodity in movies these days) to make somebody the bad guy. This is a film with no real villains. Yes, there is the mad Russian who wants to launch his missiles but he doesn't count because we never see him except in a newscast and more importantly, we know he isn't going to launch his missiles, so there is no suspense there.
The real conflict and source of tension is on the submarine and the main question that has to be answered is: who is right, Ramsey or Hunter. The filmmakers essentially "wimp" out however and ultimately, no man is completely wrong or right. It is a good choice to give both characters sympathetic qualities but this is not an art film, one of them has to be the bad guy, or else there is nothing tangible to defeat and we leave the theater unsatisfied.
CRIMSON TIDE is worth seeing for the performances, hardware, and stunning production values. Tony Scott and cinematographer Dariusz Wolski provide a tons of eye-candy and editor Chris Lebenzon keeps the pace cracking. The underwater effects by Dream Quest Images are far superior to the last big sub picture, THE HUNT FOR RED OCTOBER, (RED OCTOBER was a much better story) and Hans Zimmer's score is effective. The best part is the sound. I saw it at the Cinerama Dome and that deep base. Wow!
If you want a ride, CRIMSON TIDE delivers. If you want a great high-tech thriller, you might have to wait until next summer.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


“A software component is a software element that conforms to a component model and can be independently deployed and composed without modification according to composition standard.” - Council and Heinmann
Components are:
Implemented as program units
Self-contained System
Independently Deployable and Composable
Loosely Coupled
Design Principles
Independent
Hidden Implementation Complexity
Well Defined Interfaces
Standards
Needs to be Defined for
Inter-operability
Examples:
Java Beans
COM and .NET
CORBA's CCM
But Too Much Standards has hindered to uptake of CBSE
Component Characteristics
Standarized
Independent
Composable
Deployable
Documented
Two Perspectives
Two Perspectives
Implementation
Architectural Abstraction
Component Model
Defines standards for component implementation, documentation and deployment
Component Model: Elements
Interfaces
Usage Information
Deployment and Use
Interfaces
Interface Definition
Composition
Specific Interface
Usage Information
Naming Convention
Meta-Data Function
Customization
Deployment
Packaging
Component Interfaces
Provides Interface
Requires Interface
Component Composition
Wiring components to create system.
Sequential Composition
Hierarchial Composition
Additive Composition
Technologies and Framework
Enforce a Component Model
Support Limited Range of Component Types and Interaction among them


As Moderator of your forum, you are free to withdraw messages which you feel are not relevant to a topic, and allow you to maintain a level of control over the forum proceedings. Occasionally people post messages twice (or more :-) in error; it is helpful if you withdraw all but one message in this case to save the confusion that can occur if people start commenting to more than one copy of the same message.
You withdraw messages while you are reading the forum normally, with the Ameol Message Withdraw command (or just by pressing the "W" key.


Celtic Clipart
Displaying 1-33 of 44 celtic clipart.
Below you can see preview celtic clipart and images. You can download any celtic clip art image free in vector format, just click button 'Download' at right menu.
Displaying 1-33 of 44 celtic clipart.
Below you can see preview celtic clipart and images. You can download any celtic clip art image free in vector format, just click button 'Download' at right menu.


{% extends "navbar/navbar.html" %} {% block title %}Password reset complete{% endblock %} {% block base_template %}
Your new password has been set. You can now Log In.


Thomas Hunn
Bachelor of Engineering (Electrical) and Bachelor of Business (Finance)
View Thomas Hunn's profileTom is a highly motivated student with a passion for working in groups to solve complex problems ranging from business cases to technical engineering assignments. He is currently in his fourth year of studying a Double Bachelor of Business and Engineering at Queensland University of Technology.
Damien Sinclair
Bachelor of Engineering (B.Eng.), Electrical, Power and Energy Systems
View Damien Sinclair's profileDamien is a fourth year Electrical Engineering student at Queensland University of Technology and an undergraduate engineer at Lendlease Australia. He is excited to be moving to London over the winter break to complete an internship at Lendlease UK.
Erin Hannan Jones
Bachelor of Laws and Bachelor of Business (Economics)
View Erin Hannan Jones' profileErin is a penultimate year Law and Economics student at the Queensland University of Technology. She is passionate about social justice and sustainable enterprise. Erin recently competed in and won the QUT Next Innovation Challenge with a team of likeminded business students.
Isabella Kalaja is a penultimate year Business student at the Queensland University of Technology and a full-time Marketing intern at Coca-Cola Amatil. She is travelling to Copenhagen Business School in August to study big data, networked businesses, and new product development.
Chloe Davison
Bachelor’s Degree, International Business, Finance, Management and Interactive and Visual Design
View Chloe Davison's profileChloe Davison is in her third year, studying a Bachelor of Business - International, with a major in finance. She is extremely passionate about International Business and the differences in cultures. She has travelled to places such as South Africa, Russia, Spain, Japan and America - just to name a few. She has studied across the globe, including France, America and Australia. Chloe's talents go beyond the analytics of business, and reach into the arena of graphic design and interactive media. Chloe is an active advocate for gender equality and founded QUT Women in Business, a student run organisation, this year.
James Moreland
Bachelor of Engineering (B.Eng.), Mechanical Engineering
View James Moreland's profileJames is a student of the Queensland University of Technology studying Mechanical Engineering with a minor in Motorsport engineering. With a passion for innovative design, James enjoys his position as project manager of the QUT Motorsport team heading the current first generation electric race car. Being part of Clenergy Team Arrow has been a wonderful experience James with the success of their solar car and shown how the future of transport may is heading.


Open Index
Close Index
Jump to:
Miss this one?
Click here to add this concept to your study list.
Click me for a hint
it's what you're using right now!


WITNESS LIST Education Committee April 15, 2003 - 8:30A SB 76 Registering, but not testifying: For: Craven, Susan (Texans Care for Children), Austin, TX SB 352 FOR: Christian, Jerry (Alamo Heights ISD), San Antonio, TX Connolly, John (Texas School Coalition), Plano, TX Crow, James Denny (Texas Assn. of Mid-Size Schools), Kempner, TX Grusendorf, Bill (Tx Assoc. of Rural Schools), San Saba, TX O'Hanlon, Kevin (South Texas Assn. of Schools), Austin, TX ON: Pierce, Wayne (Equity Center), Austin, TX Registering, but not testifying: For: Hodges, Ken (Texas Farm Bureau), Waco, TX Pena, Martin (South Texas Association of Schools), Laguna Vista, TX SB 671 FOR: Carpenter, Bill (Houston ISD), Houston, TX Casey, Daniel (Texas School Alliance), Austin, TX Hawkins, Dr. Jim (DeSoto ISD), DeSoto, TX Pierce, Wayne (Equity Center), Austin, TX Robinson, Jim (Texas Assn. of Appraisal Districts), Houston, TX ON: Ancira, Jesse (Comptroller of Public Accounts), Austin, TX Breivogel, Buddy (Comptroller), Austin, TX Hamilton, Billy (Comptroller of Public Accounts), Austin, TX Registering, but not testifying: For: Brock, Kendall (Centerpoint Energy, Inc.), Austin, TX DeLeon, Marty (Texas Association of School Boards), Austin, TX DeLeon, Michael (Tx. Assoc. of School Administrators), Austin, TX Grusendorf, Bill (Tx Assoc. of Rural Schools), San Saba, TX Morton, Dale (Wells Independent School Dist.), Wells, TX Pena, Martin (South Texas Association of Schools), Laguna Vista, TX Torres, George H. (Northside ISD), San Antonio, TX Troxell, Dan (Cypress-Fairbanks ISD), Houston, TX SB 682 AGAINST: Grusendorf, Bill (Tx Assoc. of Rural Schools), San Saba, TX Lara, Rene (Texas Federation of Teachers), Austin, TX McCown, F. Scott (Center for Public Policy Priorities), Austin, TX O'Hanlon, Kevin (South Texas Association of Schools), Austin, TX Pierce, Wayne (Equity Center), Austin, TX Zapata, Ofelia (Austin Interfaith), Austin, TX ON: Connolly, John P. (Texas School Coalition), Plano, TX Hollingsworth Jr., Lonnie (Texas Classroom Teachers Assn.), Austin, TX Registering, but not testifying: Against: Basurto, Elia (Metro Alliance), San Antonio, TX Escobar, Evelia (Austin Interfaith), Austin, TX Morton, Dale (Wells Independent School Dist.), Wells, TX Pena, Martin (South Texas Association of Schools), Laguna Vista, TX Phillips, Mike (Communities Organized for Public Service and Metro Alliance), San Antonio, TX Reeves, Gary (Texas Assoc. School Personnel Adms.), Austin, TX Rocha, Irene (Austin Interfaith), Austin, TX Sanchez, Joe (M.A.L.D.E.F.), San Antonio, TX Stavinoha, Marilyn (Metro Alliance (IAF)), San Antonio, TX Urrutia, Marcela (National Council of La Raza), Austin, TX Villareal, Armando (United Farm Workers of America, AFL-CIO), San Antonio, TX SB 687 FOR: Douglass, Cathy (Texas Assoc. of School Boards), Austin, TX Lee, Donald (Texas Conference of Urban Counties), Austin, TX Thompson, David (Texas Association of School Administators), Austin, TX Registering, but not testifying: For: Akers, Monte (Texas Coalition of Cities for Utility Issues), Austin, TX Casey, Daniel (Texas School Alliance), Austin, TX Collins, Robby (Dr. Mike Moses/Dallas ISD), Dallas, TX Fainter, Jr., John W. (Association of Electric Companies of Texas, Inc.), Austin, TX SB 1138 FOR: Casey, Daniel (Fast Growth School Coalition), Austin, TX Torres, George H. (Northside ISD), San Antonio, TX Registering, but not testifying: For: Anderson, David (Fast Growth Schools Coalition), Austin, TX DeLeon, Marty (Texas Association of School Boards), Austin, TX DeLeon, Michael (Tx Assoc. of School Administrators), Austin, TX Pierce, Wayne (Equity Center), Austin, TX Sanchez, Joe (M.A.L.D.E.F.), San Antonio, TX Whelan, Lauren (Assoc. of Texas Professional Educators), Austin, TX SB 1541 AGAINST: Martin, Michael (Self), Austin, TX ON: Malandra, Geri (The University of Texas System), Austin, TX Zucker, Dr. Charles (Texas Faculty Association), Austin, TX Registering, but not testifying: For: Reeves, Dr. Gary (Texas Assoc. School Personnel Adms.), Austin, TX Against: Villareal, Armando (United Farmworkers of America, AFL-CIO), San Antonio, TX SB 1542 FOR: Tran, Paul (Student Senate of the University of Texas at Dallas), Dallas, TX AGAINST: de la Concha, Sandra (Self), Austin, TX Banks, Joyce (Myself, Graduate Student Assembly, Co-Chair), Austin, TX Buckley, Jordan (UT-Austin Student Government), Austin, TX Carlton, Kyle (Texas A&M Student Body), College Station, TX Dasch, Rowena (Self), Austin, TX Denman, Andrew (Young Conservatives of Texas), Austin, TX Haley, Brian (Student body UT Austin), Austin, TX Heinemeier, Christopher Shane (University of Texas at San Antonio), San Antonio, TX Helton, Harley (U.T.S.A.), San Antonio, TX Jones, Margaret (Students at University of Texas at San Antonio), San Antonio, TX Majid, Slyman (UT-Austin Student Body), Austin, TX Pravda, Bryan (Public of the State of Texas, College Republicans, Young Conservatives of Texas), Austin, TX VanDeust, Nicholas (University of Texas at San Antonio), San Antonio, TX VanZant, Austin (Self), Austin, TX Watson, Mary Virginia (Self), San Antonio, TX ON: Burt, Lawrence (UT-Austin), Austin, TX Kerker, Mike (UT System), Austin, TX Romo, Ricardo (UT-San Antonio), San Antonio, TX Sullivan, Teresa (The University of Texas System), Austin, TX Zucker, Dr. Charles (Texas Faculty Association), Austin, TX Registering, but not testifying: For: Reeves, Dr. Gary (Texas Assoc. School Personnel Adms.), Austin, TX Against: Chaney, Brent (Student Body of University of Texas), Austin, TX Duganne, Erina (Self), Austin, TX Hall Kirch, Miriam (Self), Austin, TX Jiang, Wei (Student Government at UT-Austin), Austin, TX Martin, Michael (Self), Austin, TX Matthews, Heather (Self), Austin, TX McGinity, Rachel (Student Gov't Representative at UT Austin), Austin, TX Miner, Jess (Self), Austin, TX Paschal, Daniel (University of Texas at Austin Student Government), Austin, TX Peterson, David (Self), Austin, TX Rogers, Molly (UT Watch- UT Austin Student Group), Austin, TX Sanchez, Joe (M.A.L.D.E.F.), San Antonio, TX Schwellenbach, Nicholas (Self), Austin, TX Ulrich, Melanie (Self), Austin, TX Urrutia, Marcela (National Council of La Raza), Austin, TX Villarreal, Carlos (National Lawyers Guild), Austin, TX On: Flores, Maria Luisa (Mexican American Bar Ass'n of Texas), Austin, TX Providing written testimony: Against: Krauss, Amanda (Self), Austin, TX O'Connor, Caroline (Texas State Employees Union), Austin, TX SJR 32 AGAINST: Grusendorf, Bill (Tx Assoc. of Rural Schools), San Saba, TX Lara, Rene (Texas Federation of Teachers), Austin, TX McCown, F. Scott (Center for Public Policy Priorities), Austin, TX O'Hanlon, Kevin (South Texas Assn. of Schools), Austin, TX Pierce, Wayne (Equity Center), Austin, TX ON: Connolly, John (Texas School Coalition), Plano, TX Hollingsworth Jr., Lonnie (Texas Classroom Teachers Assn.), Austin, TX Registering, but not testifying: Against: Morton, Dale (Wells Independent School Dist.), Wells, TX Urrutia, Marcela (National Council of La Raza), Austin, TX Villareal, Armando (United Farm Workers of America, AFL-CIO), San Antonio, TX Providing written testimony: Against: Sanchez, Joe (M.A.L.D.E.F.), San Antonio, TX


WE ARE Tecno
Our creativity is driven by data in an effort to give you the best possible result and position your brand for success.
We’re on a mission to start a conversation with your customers in this fast connected world. Let’s discover, build and grow your digital business. We fuel business growth through innovative digital marketing and technology solu-tions.


Indian Institute of Science
Sudha, U.P.V., G.S. Deodhare, and K. Venkatraman. “A Comparative Assessment of Flutter Prediction Techniques.” The Aeronautical Journal 124, no. 1282 (2020): 1945–78. DOI:10.1017/aer.2020.84
Thomas K. Joseph, K. Renji, and Kartik Venkatraman. "On the Region for the Application of Passive Damping Treatment and Loss Factor Enhancement." International Journal of Acoustics and Vibration, 24, no. 4 (2019): 693-700. DOI:10.20855/ijav.2019.24.41432
Sarkar, S., and Kartik Venkatraman. "Numerical simulation of thrust generating flow past a pitching airfoil." Computers & Fluids, 35.1 (2006): 16-42. DOI:10.1016/j.compfluid.2004.10.002
Sudipto Das, Kartik Venkatraman and Madhusudan A. Padmanabhan. "A Study of the Active Aeroelastic Wing Concept for a Delta Wing Aircraft," AIAA 2021-0730. AIAA Scitech 2021 Forum. January 2021. DOI:10.2514/6.2021-0730


Library.js v2.4 by CharCoding
Disclaimer: The output of this program does not necessarily express my thoughts. I have no control over
the randomness that is being generated, therefore I am not responsible for any output of this program.
You should not use this software along with the excuse "My keyboard is broken" at school or work.


Krzysztof Krześlak
Projects
Ray Optics fork
November 2019
UI/UX modification, improvements and some bug fixes of javascript-based optics simulator, originally created by ricktu288
Javascript
Bootstrap
GitHub
Read More
PiXPI camera controler
Started at 2017
I developed modular and programmable controller for DSLR camera with which I advanced to finals of 2019 Hackaday Prize
Embedded
Python
Linux
Java
Android
C++
Autodesk Eagle
Read More
Minisumo robot
~5 months of 2013
Mini-sumo robot developed from ground-up, based on Atmel/Microchip AVR microcontroller with software developed in C++
Microcontrolers
C++
Autodesk Eagle
Read More
stepper motors controller
2017
I developed the 4-channel Stepper motors controller based on Arduino and A4988 "stepsticks"
Arduino
C++
Autodesk Eagle
Read More
AVR Assembler course
September 2012
I created a course about the programming of Atmel AVR microcontrollers in assembler language. The course was published on "Forbot", a polish forum about amateur robotics and electronics.
AVR
Assembler
Read More
Contribution to the development of ground-penetrating radar
~8 months of 2018
I modified heavily existing software for controlling the FMCW ground-penetrating radar and worked on the modification of hardware layer.
Java
Swing
Embedded Windows
Read More


{% extends "member/base.html" %} {% block style %} {% endblock %} {% block sub-title %}New Billing | {% endblock %} {% block content %}
Thank you very much!
Your new billing profile has been approved. If you have any billing related questions please stop by the front desk or send an email to<EMAIL_ADDRESS>Also, please take a moment to review how we handle billing.
{% endif %} {% endblock %}


A wide range of services to suit all your transport needs. Click the icons to find out more about our services.
Our largest pool of taxi fleets in Vietnam that give you the freedom to travel from almost anywhere, at anytime.
Explore the world of Grab
Công Ty TNHH Grab - 268 Tô Hiến Thành, P.15, Q.10, TP Hồ Chí Minh
Mã số doanh nghiệp:<PHONE_NUMBER>
Đại Diện Công Ty: Lim Yen Hock
Chức vụ: Giám Đốc


I am currently a visiting scholar at New York University, where I conduct postdoctoral research funded by the Swiss National Science Foundation.
I received my PhD (2018) and MA (2014) in linguistics and my BA (2012) in linguistics and French as a foreign language from the University of Geneva, Switzerland, and was previusly a visiting scholar at the University of Delaware (2017-2018).
My research interests include focus-sensitivity, case, wh-phenomena, alternatives, and dynamic models of discourse. Most of my work is focused on Finnish.
You can contact me at klohiniva at gmail.com.


VCUT(1) Vorbis Tools VCUT(1) NAME vcut - cuts Ogg Vorbis files SYNOPSIS vcut infile.ogg outfile1.ogg outfile2.ogg [ cutpoint | +cutpoint] DESCRIPTION vcut reads an Ogg Vorbis audio file and splits it at the given cutpoint, which is a sample number. If the cutpoint is prefixed with '+', the cut‐ point is an integer number of seconds. AUTHORS Program Author: Michael Smith<EMAIL_ADDRESS>Manpage Author: Christoper L Cheney<EMAIL_ADDRESS>Xiph.Org Foundation 2003 September 1 VCUT(1)


ISSoundAdditions
ISSoundAdditions is a Swift Package for macOS that allows to control the volume of the default output device, as well as muting and unmuting. The entire implementation relies on various CoreAudio calls, but they are exposed in a clean and simple Swift flavor.
Installation
ISSoundAdditions is available via Swift Package Manager.
.package(url: "https://github.com/InerziaSoft/ISSoundAdditions", from: "<see GitHub releases>")
Latest Release
To find out the latest version, look at the Releases tab of this repository.
Getting Started
All the functions of the library are exposed through the Sound
class. This class cannot be instantiated, but it provides a structure to access the output
, which represents the default device using for sound output. This structure also allows for future improvements, such as adding support for input
devices.
There are two ways to interact with the library: simple mode (via properties) or manual mode (via method calls).
Simple Mode
If your application doesn’t care about errors management and you’re just looking for a simple way to change the system volume, mute or unmute, you can interact with the properties offered by the shared instance of SoundOutputManager
.
// Retrieve the default output device
let deviceID = Sound.output.defaultOutputDevice
// Get the current volume
let currentVolume = Sound.output.volume
// Set the volume (values between 0 and 1)
Sound.output.volume = 0.7
// Get the mute property value
let isMuted = Sound.output.isMuted
// Mute or unmute
Sound.output.isMuted = true
Sound.output.isMuted = false
When interacting with these properties, all errors will be ignored. When running in Debug mode, you will still be able to see some of the errors, as CoreAudio logs them to the console.
Goodies
This library also provides some additional methods that interact with the properties shown above.
// Increase the volume by a given amount
Sound.output.increaseVolume(by: 0.2)
// Decrease the volume by a given amount
Sound.output.decreaseVolume(by: 0.2)
// Set the volume and, optionally,
// automatically mutes or unmutes if the resulting volume
// is below or above the given threshold (which defaults to 0.005).
// The `autoMuteUnmute` parameter can also be used on the other
// two methods above.
Sound.output.setVolume(0, autoMuteUnmute: true)
Manual Mode
A lot of things can go wrong when trying to manipulate the system volume, muting, unmuting and even when getting the current default output device. If you’re interested in intercepting these errors, you can call the methods provided by the shared instance of SoundOutputManager
.
// Retrieve the default output device
// Returns `nil` if no device is set or throws if an error occurs.
let deviceID = try Sound.output.retrieveDefaultOutputDevice()
// Get the current volume
// Throws if an error occurs and will also throw if
// the current output device doesn't have a volume (eg. virtual devices)
let currentVolume = try Sound.output.readVolume
// Set the volume (values between 0 and 1)
// Throws if an error occurs, including when the current output device
// doesn't have a volume or doesn't allow changing it.
try Sound.output.setVolume(0.7)
// Get the mute property value
// Throws if an error occurs and will also throw if
// the current output device doesn't have the mute property.
let isMuted = try Sound.output.readMute()
// Mute or unmute
// Throws if an error occurs, including when the current output device
// doesn't have the mute property or doesn't allow changing it.
try Sound.output.mute(true)
try Sound.output.mute(false)
Documentation
All classes and methods are fully documented.
You can find the autogenerated documentation here.
Compatibility
ISSoundAdditions is compatible with macOS 10.12 or higher.
If you’re targeting older versions of macOS, you can download version 1 using the Releases tab here on GitHub. Version 1 requires macOS 10.6 or later.
Contributions
All contributions to expand the library are welcome. Fork the repo, make the changes you want, and open a Pull Request.
If you make changes to the codebase, we are not enforcing a coding style, but we may ask you to make changes based on how the rest of the library is made.
Status
The library can be considered stable and can be used in Production apps.
Starting with version 2, in case breaking changes are introduced, we will follow Semantic Versioning strictly.
License
ISSoundAdditions is distributed under the MIT license. See LICENSE for details.


Erbil Quartz Hotel
Logal Hotel
Karwan Saray Hotel
Quaint Hotel
Paris Plaza Hotel
Lilac Hotel
Erbil International
Hayali Suites Hotel
Erbil Oscar Hotel
Al Jawahiri Hotel
Erbil Rotana Hotel


Boat capsizes, throws 14,000 sheep into the sea
- Efforts are still ongoing to rescue 14,000 sheep after a ship conveying them to Saudi Arabia capsized
- While the crew members have been rescued, about 32 sheep were saved after they were found swimming
- The rescue efforts continued on Monday, November 25
Tragedy struck on Sunday, November 24, as a boat loaded with about 14,000 sheep capsized and threw its contents into the Black Sea off the coast of Romania.
The British Broadcasting Corporation (BBC) reports that Queen Hind met its fate after it left the port of Midia, close to Constanta.
The ship was said to be heading to Saudi Arabia.
While all the crew members had been rescued at the time of this report, efforts were still being made through an operation involving the military, police, firefighters and divers, to save thousands of sheep with 32 found swimming.
The rescue efforts continued in the morning of Monday, November 25, with six vessels carrying out emergency services.
BREAKING: Four Immigration officers kidnapped in Rivers state
Ana-Maria Stoica, a spokesperson for the emergency services in Constanta, explained: "We have already saved a small number. They were swimming in the sea."
The reports said an investigation would commence ascertaining the reason for the accident as one of the crew members has been hospitalized.
In another development, Legit.ng reported that Togo recently caused a revolution in the fashion industry across the world in the way it has been dealing with discarded clothing items sent to it from Europe.
It was reported that the discarded items are dusted off, given little or no touch and sent back to Europe where they are bought at greater prices.
PAY ATTENTION: Install our latest app for Android, read the best news on Nigeria’s #1 news app
Aman Ayviv is the man at the centre of this brilliant move that is rewriting history in Africa's fashion as he said that most of the cast-offs like coats and furs, sent to Africa are not needed.
Newspapers review for Friday Nov 8: CAN reacts to alleged disagreement between Buhari, Osinbajo
NAIJ.com (naija.ng) - Legit.ng. We have upgraded to serve you better.
Gas Flare Curse: 'Our men are becoming impotent' | Legit TV


Probate/ Inheritance/ Estate Administration/ Will Contest Interview Form
LAW OFFICE OF ANTHONY G. BAJOREK, LLC
2053 Woodbridge Avenue
Edison, NJ 08817
(Phone)<PHONE_NUMBER>
(Fax)<PHONE_NUMBER>
Please fill out completely and fax or mail back. This form is extremely important. Your accuracy and completeness in responding will help me best represent you. All sections and information must be filled out prior to sitting down with the attorney.
PLEASE PRINT
YOUR NAME _________________________________________________
ADDRESS ___________________________________________________
CITY ___________________________ STATE ____ ZIP _____________
CELL (____)____________________ TODAY'S DATE ____/_____/______
PHONE-DAY (____)________________ NIGHT (____)________________
E-MAIL ___________________________________________
Decedent’s Name ___________________________________
Date of Death (mm/dd/yy) ___ ___ /___ ___ /___ ___ ___ ___
Your relation to the person who passed away: _______________________
Referred By: ______________________________________
[Probate-Inherit Quest Macbook.doc rev 4/10/08]
*All Pages and Information must be filled out prior to seeing the Attorney. This information is required by the Surrogate's Office and the Inheritance Tax Bureau.
Date of Will? (mm/dd/yy) ___ ___ /___ ___ /___ ___ ___ ___
(If no will, write "no will")
Location of original Will ____________________
Indicate if Surrogate "Probate letters" were issued and where issued: __________
Executor/ Administrator if not person filing out this form ____________
*The following questions are required by the Surrogate's Office and the Inheritance Tax Bureau to be answered. Please answer all these questions to the best of your knowledge so we can best help you. If none, write none.
Decedent’s S.S. No. ___ ___ ___ /___ ___ /___ ___ ___ ___
County of Residence ________________________________
SCHEDULE “A” REAL PROPERTY If none, write none
1. Street and Number _____________________________________
Town: ____________________
Lot: ___ Block: ____ County: ____________________
Title/Owner of Record: _______________
Full Market Value of Property: $________ Mortgage Balance: $_________
Tax Assessor Assessed Value: $____________________
Any other Real Estate: $______________________
SCHEDULE B-1: BANK ACCOUNTS/BROKERAGE ACCOUNTS
2) SCHEDULE B-1: STOCK
3) SCHEDULE B-1: INVESTMENT BONDS
4) SCHEDULE B-1: ALL OTHER PROPERTY
BANK ACCOUNTS/BROKERAGE ACCOUNTS
SCHEDULE “B (1)” BANK ACCOUNTS, STOCK, CD, OTHER ASSETS
All Other Personal Property Owned Individually or Jointly; Market Value, Indicate the Manner of Registration at Date of Death. If none, write none for each line. Use back of page if you need more space, or attach a list of assets.
Bank Accounts - Individually or Jointly Owned Date of Death Value
Name of Bank, Acct. # _____________ $_____________
___________________________________________ $_____________
___________________________________________ $_____________
Stock
(A) Number of Shares
(B) Name of Stock - Registered Owners(s)
(C) State of Inc.
(D) Date of Death Per Share Value
(E) Total Market Value
(F) Decedent’s Equity
Name of Stock Co., Acct. # ________________ $_____________
___________________________________________ $_____________
INVESTMENT BONDS
(A) Bonds - Individually or Jointly Owned
(B) Date of Death Value
(C) Decedent’s Equity*
___________________ $_____________
___________________ $_____________
___________________ $_____________
SCHEDULE B (1) - ALL OTHER PROPERTY
RESIDENT DECEDENT
Cars _______________________________________ $_____________
Other assets over $10,000 ______________________ $_____________
___________________________________________ $_____________
___________________________________________ $_____________
___________________________________________ $_____________
___________________________________________ $_____________
___________________________________________ $_____________
SCHEDULE “B” CLOSELY HELD “BUSINESSES”
RESIDENT DECEDENT
SCHEDULE “B (2) CLOSELY HELD “BUSINESSES”
Proprietorship, Partnership, Joint Venture and/or Closely Held Corporation in which the Decedent Held Any Interest, Market Value at Date of Death [attach details]If none, write none. ________________ $_____________
SCHEDULE “D” EXPENSES
Estimated Expenses for Funeral $ ____________________
Probate Administration $ ____________________
Counsel Fees: $ ____________________
Executor’s or Administrator’s Commissions $ ____________________
Other Administration Expenses (list individually), attach receipts.
Expense _________________ $ ____________________
Expense _________________ $ ____________________
Expense _________________ $ ____________________
Expense _________________ $ ____________________
Expense _________________ $ ____________________
Expense _________________ $ ____________________
SCHEDULE “E” BENEFICIARIES
In case of Intestacy, the parentage of all collateral heirs (such as nieces, nephews, cousins, etc.) must be set forth. The relationship of step-parent, step-child, step-brother or step-sister must be so stated.
BENEFICIARIES AND ADDRESSES
(State full names and addresses of all who have an interest, vested, contingent or otherwise, in estate)
HEIRS AT LAW/
NEXT OF KIN: RELATIONSHIP: ADDRESS: APPROX. AGE: % INTEREST:
__________________________________________________________
__________________________________________________________
__________________________________________________________
__________________________________________________________
__________________________________________________________
Any specific bequests/gifts in will? _____________________________
_________________________________________________________
(NOTE: LIST CHILDREN OF DECEASED NEXT OF KIN - /ALSO GIVE AGE OF ANY MINORS)
State full names of all beneficiaries who died before or after decedent's death: ____________________________
1. The Inheritance Tax Bureau will require certain documents. Please attach a photocopy (not original) of the decedent’s Will, Death Certificate, codicils, trusts, and last full year’s Federal Income Tax Return. This is required by the Surrogate's Office (Tax Bureau). We will also need photocopies of the Deed and Tax Bill to submit to the Inheritance Tax Bureau.
SUMMARY
1. Real Property - Schedule A $_______________
2. All Other Assets - Schedule B(1) $_______________
3. Closely Held “Businesses” - Schedule B $_______________
4. Transfers prior to death - Schedule C $_______________
5. Gross Estate . . Total Lines 1 thru 4 $_______________
6. Deductions/Expenses . . . - Schedule D $_______________
7. Net Estate . Total - Line 5, minus Line 6 $_______________
8. Contingent Amount Included in Line 7 $_______________
9. Balance of Estate (Line 7, minus Line 8) $_______________
Are any questions in Schedule “C” answered yes? Yes __ No ___
Have or will you file or are you required to file a Federal Estate Tax Return for estates over $2,000,000? Yes __ No ___
Has or will any disclaimer been filed? If so, attach copy Yes __ No ___
If the decedent died after December 31, 2001, did the decedent’s taxable estate plus adjusted taxable gifts for Federal estate tax purposes under the provision of the Internal Revenue Code in effect on December 31, 2001 exceed $675,000? Yes __ No ___ If yes, by how much $ ___ ___ ___
How can we help you? What questions do you have? Is there anything else important:
______________________________________________________
______________________________________________________
______________________________________________________
______________________________________________________
______________________________________________________
New clients: When you come into the office would you like:
Pen ___, Foam can holder ___, USA key chain ___, Calendar ___, T-Shirt _____?
All new clients are entitled to receive our Free Email Newsletter featuring updates in Probate, Traffic Law, and Personal Injury/ Insurance. Thank you.
SCHEDULE “C” TRANSFERS
(THESE QUESTIONS ARE REQUIRED BY THE INHERITANCE TAX BUREAU (DIVISION OF TAXATION)
1. Did decedent, within three years of death, transfer property, valued at $500.00 or more, without receiving full financial consideration therefore? ___ Yes ___ No
2. Did decedent, at any time, transfer property, reserving (in whole or in part) the use, possession, income, or enjoyment of such property? ___ Yes ___ No
3. Did decedent, at any time, transfer property on terms requiring payment of income to decedent from a source other than such property? ___ Yes ___ No
4. Did decedent, at any time, transfer property, the beneficial enjoyment of which was subject to change because of a reserved power to alter, amend, or revoke, or which could revert to decedent under terms of transfer or by operation of law? ___ Yes ___ No
If answer to any of the above questions is “Yes”, set forth a description of property transferred, the fair market value at date of death, dates of transfers, and to whom transferred. Submit copy of trust deed or, agreement, if any. (If transfers are claimed to be untaxable, also submit detailed statement of facts on which such claim is based, proof as to decedent’s physical condition and copy of death certificate.)
5. Was decedent a participant in any pension plan that provided for payment to another of an annuity or lump sum on or after death? ___ Yes ___ No
6. Did decedent purchase or in any manner participate in any contract or plan providing for payment of an annuity or lump sum on or after death to another, except life insurance contracts payable to a designated beneficiary? ___ Yes ___ No
(Matured endowment policies, claim settlement certificates, supplementary contracts, annuity contracts and refunds thereunder and interest income certificates even though issued by an insurance company are not considered life insurance contracts.)
7. Was a single premium life insurance policy issued on decedent’s life in conjunction with an annuity contract? ___ Yes ___ No
If answer to questions 5, 6 or 7 is “Yes,” attach photostatic copies of all such contracts, plans, and policies.
8. Were any accumulated dividends due on any contract of insurance? (If yes, list below) ___ Yes ___ No
For each transfer, set forth Date of Transfer; Description of Property, Both Real and Personal: Actual Consideration if Any; Names and Relationship to Decedent of Donees, Assignees, Transferees, etc.
___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___
Market Value at Date of Death __________________________


| Created: | 4/29/2013 12:00:00 AM |
| Modified: | 4/30/2013 3:37:35 PM |
| Project: | |
| Advanced: |
| Attribute | ||
|
Public Identifier. Type UBLVersionID |
||
Details:
|
||
|
Public Identifier. Type CustomizationID |
||
Details:
|
||
|
Public Identifier. Type ProfileID |
||
Details:
|
||
|
Public Identifier. Type ProfileExecutionID |
||
Details:
|
||
|
Public Identifier. Type ID |
||
Details:
|
||
|
Public Identifier. Type UUID |
||
Details:
|
||
|
Public Code. Type ActionCode |
||
Details:
|
||
|
Public Name. Type Name |
||
Details:
|
||
|
Public Date. Type IssueDate |
||
Details:
|
||
|
Public Time. Type IssueTime |
||
Details:
|
||
|
Public Date. Type RevisionDate |
||
Details:
|
||
|
Public Time. Type RevisionTime |
||
Details:
|
||
|
Public Text. Type Note |
||
Details:
|
||
|
Public Text. Type Description |
||
Details:
|
||
|
Public Identifier. Type VersionID |
||
Details:
|
||
|
Public Identifier. Type PreviousVersionID |
||
Details:
|
||
|
Public Numeric. Type LineCountNumeric |
||
Details:
|
| Element | Source Role | Target Role |
|
«ABIE» Catalogue Line Class |
Name: |
Name: |
|
Details:
A line in a Catalogue describing an item of sale.
|
||
|
«ABIE» Catalogue Reference Class |
Name: |
Name: Source Catalogue Reference |
|
Details:
A reference to the source catalogue.
|
||
|
«ABIE» Contract Class |
Name: |
Name: Referenced Contract |
|
Details:
A contract or framework agreement with which this Catalogue is associated.
|
||
|
«ABIE» Customer Party Class |
Name: |
Name: Contractor Customer Party |
|
Details:
The customer party responsible for the contracts with which the Catalogue is associated.
|
||
|
«ABIE» Document Reference Class |
Name: |
Name: |
|
Details:
A reference to another document associated with this document.
|
||
|
«ABIE» Party Class |
Name: |
Name: Provider Party |
|
Details:
The party providing the Catalogue.
|
||
|
«ABIE» Party Class |
Name: |
Name: Receiver Party |
|
Details:
The party receiving the Catalogue.
|
||
|
«ABIE» Period Class |
Name: |
Name: Validity Period |
|
Details:
A period, assigned by the seller, during which the information in the Catalogue is effective. This may be given as start and end dates or as a duration.
|
||
|
«ABIE» Signature Class |
Name: |
Name: |
|
Details:
A signature applied to this document.
|
||
|
«ABIE» Supplier Party Class |
Name: |
Name: Seller Supplier Party |
|
Details:
The seller.
|
||
|
«ABIE» Trading Terms Class |
Name: |
Name: |
|
Details:
The trading terms associated with this Catalogue.
|


Pharmacists’ hearings set over drugs for patients who died
COLUMBUS, Ohio (AP) - Administrative hearings are planned for an Ohio hospital system and three pharmacists facing possible discipline over excessive painkillers ordered by a doctor now charged with murder in 25 patient deaths.
Only the doctor, William Husel (HYOO’-suhl), is being criminally prosecuted. He has pleaded not guilty.
The pharmacists and the Columbus-area Mount Carmel Health System were entitled to request hearings before the Ohio Board of Pharmacy takes any action against their licenses. The board says those hearings are tentatively scheduled for April.
Two pharmacists were cited for verifying large doses of fentanyl. Another was cited for supervisory failures in cases in which nurses overrode controls on automated dispensers in non-emergencies to access drugs for patients who then died.
Administrative hearings also are set for 25 nurses cited by the nursing board.
Sign up for Daily Newsletters
Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


The paper explores “if a well behaved RNN can be replaced by a feed-forward network of comparable size without loss in performance.”
“Well behaved” is defined in terms of control-theoretic notion of stability. This roughly requires that the gradients do not explode over time.
The paper shows that under the stability assumption, feedforward networks can approximate RNNs for both training and inference. The results are empirically validated as well.
Consider a general, non linear dynamical system given by a differential state transition map Φw. The hidden ht = Φw(ht-1, xt).
Assumptions:
Stable models are the ones where Φ is contractive ie Φw(h, x) - Φw(h’, x) is less than Λ * (h - h’)
For example, in RNN, stability would require that norm(w) is less than (Lp)-1 where Lp is the Lipschitz constant of the point-wise non linearity used.
The feedforward approximation uses a finite context (of length k) and is a truncated model.
A non-parametric function f maps the output of the recurrent model to prediction. If f is desired to be a parametric model, its parameters can be pushed to the recurrent model.
For a Λ-contractive system, it can be proved that for a large k (and additional Lipschitz assumptions) the difference in prediction between the recurrent and truncated mode is negligible.
If the recurrent model and truncated feed-forward network are initialized at the same point and trained over the same input for N-step, then for an optimal k, the weights of the two models would be very close in the Euclidean space. It can be shown that this small difference does not lead to large gradient differences during subsequent update steps.
This can be roughly interpreted as - if the gradient descent can train a stable recurrent network, it can also train a feedforward model and vice-versa.
The stability condition is important as, without that, truncated models would be bad (even for large values of k). Further, it is difficult to show that gradient descent converges to a stationary point.


You'll find the University Chapel at the corner of McCormick Road and University Avenue, very close to the UVA Lawn. Come early and visit the Grounds! (And don't let any Wahoos catch you calling it "the campus.") Parking is available at the Central Grounds Garage (hourly rates apply) or at the Culbreth Road Garage (free on the weekends).
Please join us at The Local for a cocktail hour and dinner after the ceremony! Mark is excited for the bacon-wrapped scallops, and Madison is excited for the brownie sundae bar. We'll have jazz music and a game night to follow. If you have a board game you'd like to share, we'd love to borrow it for the evening! Please let us know in your RSVP.
 Needless to say, nothing happened after that for a while.
 I realized something that many of you already know: Madison is pretty awesome. After deciding — during a soul-searching (or...work) trip to the Philippines — to reveal my feelings, I was not given a yes or no but instead a "Maybe. I like things about you..." And I waited.
Which has been a theme of our relationship. Patiently waiting and caring. Although she may have beaten me to saying the words "I love you," I reserve the right to claim that I hit that stage first emotionally. It's been wonderful and challenging learning new aspects of her that I never knew existed, and I'm excited to continue this process together!
I ask that you guys continue to be present in our lives as we go through this adventure, and I hope you can join us in our celebration!
When Mark first told me he liked me, we were on a car ride to Charlottesville after a summer concert, with still an hour to go. (Later, my girlfriends all confirmed that this had been bad timing on Mark's part, but mysteriously, the boys don't seem to think so.) I questioned if he was "really being brave here," and he replied with something to the effect of: "My soul is trembling!!" I really had no idea.
Tentatively, timidly, my heart made the transition from [Friends] to [More Than] during my first/his second post-grad summer in Charlottesville. Mark impressively led the way for me as I learned the meaning of "adulting" during those first couple years after college, and it was his steady faithfulness, transparency of feeling, and amazing bravery that all convinced me that Mark was something special. He fell in like first, but I beat him to the "I love you" punch, on a friendcation to Chicago.
Ridiculous, cringe-worthy confession: Sometimes, I revel in all kinds of little details about Mark and about our relationship and think, "I am probably the luckiest girl in this entire place." I think the biggest place I thought that in was at a Passenger concert, so...a pretty impressive number of people to make such grand assumptions about. But that's how I feel — like the luckiest.
And in thinking about our future together, I can say the same — that we are so lucky to be able to share this momentous beginning with you all. Thank you, thank you, thank you for being with us, on our website, at our wedding, and in our lives as a married couple (soon!). We are so looking forward to it!


RAMADDA Workshop
Section : RAMADDA Workshop
1
Installing and configuring RAMADDA
2
The RAMADDA User Interface
3
Working with gridded data
4
Working with point data
5
Populating your RAMADDA server
6
Repository Administration


The Shop
Location: Gildergreen Marketplace, Cloud District, Whiterun
We opened our doors to Whiterun soon after we moved here from Morrowind, on 4th May, 1950.
Location: Gildergreen Marketplace, Cloud District, Whiterun
We opened our doors to Whiterun soon after we moved here from Morrowind, on 4th May, 1950.
We've been making bread for as long as we can remember, and we hope to keep doing just that.
As a family owned business, we've had many loyal customers over the years and we offer many unique baked goods, made with special recipes passed down through many generations.


BinaryRepresentation
class BinaryRepresentation
Binary representation of various data structures.
Edge
data class Edge
Network
open class Network
NeuronAdapter
class NeuronAdapter
Makes accessing various neuron layers easier.


Standard output
. ____ _ __ _ _
/\\ / ___'_ __ _ _(_)_ __ __ _ \ \ \ \
( ( )\___ | '_ | '_| | '_ \/ _` | \ \ \ \
\\/ ___)| |_)| | | | | || (_| | ) ) ) )
' |____| .__|_| |_|_| |_\__, | / / / /
=========|_|==============|___/=/_/_/_/
:: Spring Boot :: (v1.2.5.RELEASE)
15:12:29.019 [Test worker] INFO yimei.crm.attendance.TestApplication - Starting TestApplication on xiangyangdeMacBook-Pro.local with PID 9360 (/Users/xiangyang/attendance/build/classes/test started by xiangyang in /Users/xiangyang/attendance)
15:12:31.232 [Test worker] INFO com.zaxxer.hikari.HikariDataSource - HikariCP pool HikariPool-0 is starting.
15:12:32.043 [Test worker] INFO com.yimei.attendance.Application - Running with Spring profile(s) : [dev]
15:12:33.220 [Test worker] INFO org.eclipse.jetty.util.log - Logging initialized @5776ms
15:12:33.808 [Test worker] INFO yimei.crm.attendance.TestApplication - Started TestApplication in 5.159 seconds (JVM running for 6.364)
15:12:33.926 [Test worker] INFO jdbc.sqltiming - select count(1) from user WHERE loginname like "%"'zxy'"%"
{executed in 5 msec}
2


In order to continually innovate and improve our software and identify which additional features are most needed, Google may collect usage statistics when Cloud Datalab is running on your local machine. To turn off the collection of Cloud Datalab usage statistics, uncheck the box below and choose Submit.


GitHub API fetcher is a simplified data fetching client for GitHub's GraphQL v4 API – supporting Node.js and browsers for all types of applications: websites, scripts, data scraping, plugins etc. Works seamlessly with both JavaScript and TypeScript.
Check out the documentation website for a complete overview of the API and the included models.
npm i github-api-fetcher
It's required to have a valid access token to use the client and access the GitHub API. You've the option to use your own personal access token (see this guide), or create an OAuth app and use the authenticated user's access token (see this guide). Personal access tokens is recommended while developing since it's simple to setup, while the OAuth app setup is more complicated and should be used for public use.
The following scopes is required to use all predefined requests:
Instead of passing the access token as an argument when using the client, it's possible to declare the access token in an environment variable with the name: GITHUB_FETCHER_API_ACCESS_TOKEN
.
const { APIFetcher } = require('github-api-fetcher');
/*
* Pass access token as argument in constructor, or load from environment
* variable (see 'Configuration' section)
*/
const fetcher = new APIFetcher('SECRET-ACCESS-TOKEN');
(async () => {
const userProfile = await fetcher.user.getProfile('torvalds');
console.log(userProfile.displayName);
})();
Output:
Linus Torvalds
import { APIFetcher } from 'github-api-fetcher';
/*
* Pass access token as argument in constructor, or load from environment
* variable (see 'Configuration' section)
*/
const fetcher = new APIFetcher('SECRET-ACCESS-TOKEN');
(async (): Promise<void> => {
const userProfile = await fetcher.user.getProfile('torvalds');
// 'getProfile' returns null for non-existing users
if (!userProfile) {
console.log('User does not exist');
return;
}
console.log(userProfile.displayName);
})();
Output:
Linus Torvalds
You access the requests by the route properties on the client as shown in the example below:
const fetcher = new APIFetcher('<SECRET-ACCESS-TOKEN>');
fetcher.user // User route
fetcher.organization // Organization route
fetcher.repository // Repository route
fetcher.gist // Gist route
const { APIFetcher, ResponseErrorType } = require("github-api-fetcher");
const fetcher = new APIFetcher('not-a-valid-token');
(async () => {
try {
const userProfile = await fetcher.user.getProfile('torvalds');
console.log(userProfile);
} catch (err) {
console.error(ResponseErrorType[err.type]);
}
})();
Output:
BAD_CREDENTIALS
import { APIFetcher, RequestError, ResponseErrorType } from "github-api-fetcher";
const fetcher = new APIFetcher('not-a-valid-token');
(async () => {
try {
const userProfile = await fetcher.user.getProfile('torvalds');
// 'getProfile' returns null for non-existing users
if (!userProfile) {
console.log('User does not exist');
return;
}
console.log(userProfile.displayName);
} catch (err) {
const requestError = err as RequestError;
console.error(ResponseErrorType[requestError.type]);
}
})();
Output:
BAD_CREDENTIALS
Feel free to fork this repository to add, modify, delete requests and models to suit your needs.
You can build your own GraphQL queries following GitHub's schemas (documentation available here: https://developer.github.com/v4/).
Examples for custom requests can be found in the examples folder. These examples illustrates how to work with single and paged requests, as well as GraphQL fragments with plain and nested fields with aliases.
You can simply modify the base models and requests to add, modify or delete properties. Mulitple integration tests has been written to ensure all properties on the base models is being set upon parsing the response data.
You can use the NPM task, npm test
, to run all tests.
This project needs your help! :muscle:
Please read this document. It explains how to contribute to this project.
Feel free to use the source code in any way you like – it's released under the MIT License. I would appreciate being credited, but it's most certainly not required!
Generated using TypeDoc


It is one of the greatest films of all time and our kids would look back at it as we do to 2001: A Space Odyssey.
It is great because it is part of the very passion of the film maker — Christopher Nolan. He always liked the idea of lucid dreams and it fascinated him for years. He wanted to bring it on screen in a way that would leave everyone awe-struck — and he did just that.
The script of the movie is extremely well-thought out and no other movie that I’ve seen surpasses the script of Inception in terms of how carefully did it have to be written so as to not contradict itself in the tiniest possible details.
The characters in Inception are unique as well feel insignificant at times — very unlike of typical Nolan who believes in the integrity of every character. It’s largely because although we think all of the characters have their own unique presence, but if you look closely, everything seem to be revolving around only one character — Cobb. It feels like everyone else is there for him. Feels like a dream itself because characters, apart from one or two, don’t even have full names. Arthur, Ariadne, Eames, Saito, Yusuf, Mal — all don’t have a last name which makes me think they’re all just projections of Cobb’s subconscious.
The music of film is beyond fantastic. Hans+Nolan=wonders. The old friendship and partnership of Nolan with Hans has resulted in production of some of the most recognizable and attractive compositions of the era we live in. It’s largely because Nolan gives Hans full freedom to do anything he wants instead of bogging down on him. Hans has experimented more with the Nolan movies than any other composer I know. Play his “Time” from Inception and tell me if you’re not in it.
All in all, there are heck of other things that make Inception a masterpiece including Wally Pfister’s camera work and Nolan’s continuous approach of working with his core team from across different professions including acting, screen writing, music composition etc.


Select group.This group already has one task with GCEvaluate stereotype in it, please choose another group.
Insert group name.
This task does not meet all the requirements of this stereotype (exactly 2 inputs and 1 output are required).Garbled circuit and input encoding must be different objects.


Welcome to Learning GERMAN LANGUAGE:
To help you get started, we've also set up:
Loading...
| German | Tamil (F) | English | Description | UpdatedOn |
|---|---|---|---|---|
| {{ forecast.german }} | {{ forecast.tamil }} | {{ forecast.english }} | {{ forecast.description }} | {{ forecast.UpdatedOn }} |


Presentation
Resize your browser window
to see the background image change in size
To see scrolling behavior
Next Image
Unsplash.
Creating a goal-driven statement of what a product or application does results in better product experiences. It meets expectations because it is focused on solving the problem it was created to address. There is power in doing one thing and it doing it very well.
Fitts' law is centered around a mathematical equation that is used to illustrate the time it takes to reach a target object. A target object, in the context of UIs, can be any interactive element, such as a submit button, a hyperlink, and an input field in a web form. The idea is this: The quicker you can reach a target object, the more convenient and easy it is to use.
Visual weight revolves around the idea that distinct elements in a design have varying heaviness relative to each other. Sometimes visual weight is obvious, such as in the case where larger objects appear heavier than smaller objects because they take up more space. In certain instances, it’s not so cut and dry, such as in the case of color. Some colors may look as if they are heavier and more dominant than others.


| (NZ) NEW ZEALAND |
| Subdivision | 2 islands (en) / île (fr); 12 regional councils (en) /conseil régional (fr) / takiwā (mi); 4 unitary authorities (en) / autorité unitaire (fr); 1 special island authority (en) / conseil insulaire (fr) |
| List Source | Standards New Zealand (SNZ), 1998-01; http://en.wikipedia.org/wiki/Territorial_authorities_of_New_Zealand; http://newzealand.govt.nz/browse/government-local-central-regional/regional-councils/; http://www.statoids.com/unz.html; http://www.geonames.de/counz.html; http://www.localgovt.co.nz/ |
| Code Source | Standards New Zealand (SNZ), 1998-01 |
| Country | Subdivision | Name | Level |
| NZ | AUK | Auckland | Regional Council |
| NZ | BOP | Bay of Plenty | Regional Council |
| NZ | CAN | Canterbury | Regional Council |
| NZ | CIT | Chatham Islands Territory | Special Island Authorithy |
| NZ | GIS | Gisborne District | Unitary Authority |
| NZ | HKB | Hawkes's Bay | Regional Council |
| NZ | MBH | Marlborough District | Unitary Authority |
| NZ | MWT | Manawatu-Wanganui | Regional Council |
| NZ | NSN | Nelson City | Unitary Authority |
| NZ | NTL | Northland | Regional Council |
| NZ | OTA | Otago | Regional Council |
| NZ | STL | Southland | Regional Council |
| NZ | TAS | Tasman District | Unitary Authority |
| NZ | TKI | Taranaki | Regional Council |
| NZ | WGN | Wellington | Regional Council |
| NZ | WKO | Waikato | Regional Council |
| NZ | WTC | West Coast | Regional Council |
© UNECE | Terms of use | Privacy notice | Site map | Contact us |


Click on Allow to get notifications.
Get real-time updates through Push Notifications.
Processing...


Here you may create new minutes for the current meeting series or click on a date link of existing minutes.


My name is Jia. I'm a designer, technologist, and graduate student at the NYU Interactive Telecommunications Program. I work on exploring ways to build meaningful and playful interactions. I blog about what I'm learning and working on. You can reach me at these places.
Snoopi: the Data Sniffing Dog
Snoopi is a dog harness that sniffs packets from nearby mobile devices. Then the data is visualized in real time, displaying information about the devices that are around the dog.
view
Bit Bit Dance
Bit Bit Dance is a dance battle game controlled by custom made shoe sole sensors. The players control the characters by dancing, earning bitcoins for every move they make. The shoe soles also allows them to pause, stop or start the game.
view
Wayback WiFi
Wayback WiFi bridges the past with the present through a WiFi time portal, allowing the user to browse the old Internet they remember.
view
Contextualize
What if we can automate repetitive communication and information getting without having to open an app. This would be like IFTTT but contextualized with specified people, time, place, etc.
read
Seeing the beauty of tiny
For Circuit Design and Prototype, everything we make will be microscopic. These components and designs are what we usually don’t see when things are working well. We only get a glimpse of them when we get a device repaired. Our first assignment was to appreciate the beauty of these tiny parts that makes much of the world around us function.
read
Circuit design: etching and surface mounting
Since I was re-etching the board, I decided to try a new design. I used the same schematic as last time, but shaped like a heart, just to make something fun.
read
The game of driving a straight line
Following up to testing all the sensors, our team custom made a steering wheel that controlled a game developed by Ayanna. The player drives a car and tries to stay on the road. That’s it! The constraints of the project was that we had to spend less than four dollars on materials and that we had to use only the sensors provided by Kaho.
read
WiFi Data Visualization
As a practice data visualization for our tagging game project, Data Leak, I used wifi data that we gathered yesterday from Washington Square Park. We were able to pick up WiFi router information stored on some people’s devices using N.S.Heyy, a WiFi sniffer. The visualization shows roughly a 24hr period (N.S.Heyy was switched on and off).


TwilightPunkster K64
20-Mar-19 07:03 PM
@Meyse thanks for clearing that up
Now, regarding all the "details" around Komodore64, remember, we barely started all this fuzz up, I actually don't have a desk yet at The Hague Tech, but progress comes in small details. So, I rather disclose details about the what, how and why's when we are off the drawing table; I can't spend the day discussing details, so I try to give a daily update about things we are doing.
Like today, we gave out cake and spread happiness. Because happiness is awesome.
2
3
Secondly, @Meyse came with a horrible idea for a horrible gameplay that became something awesome. Now, we figured out the streaming part, we are talking with The Hague Tech about a streaming studio, had a brief meeting with a talented photographer who loves streaming technology and basically just as crazy, a phone call with an experienced PR/Event Manager in gaming, who also happens to be an ace in marketing.
1
Also, a poster was stuck on my front door with a super nintendo controller saying "Sleep, Eat, Repeat", we were partially dancing and not to forget, a really awesome talk to secure some financial stuff. I also had horrible chinese food in our local china town, talking with a high up municipality dude talking about shaping the future. Oh, I forced three people to install Chameleon.
I could've made a video, but I am currently in my underwear.
Yes, too much information, but I want you, the reader, to know how dedicated I am to bring you the update.
(edited)
5
2