Burger circus - a petite restaurant where you can place any burger order, according to the names of your favorite circus acts, including the flame thrower, the
How to get there:
Take the Disney train to Disneyland
When you get off the Disney train, you will be greeted by a large sign saying "Hong Kong Disneyland"
But that's not where you're going... Turn left the moment you step out


Irfan Junejo
Fantastic service and follow up! I had to call in to sort out an issue with my online order and one of the owner was extremely helpful! And then she send me several e-mails to confirm that everything went through and shipping to my jurisdiction was allowed.


You can simply just create tabs with content without explicitly using a group or anything like that
This example shows how to do that, just assign the content and it will use the 'default' group
Woowoo put whatever you want in the content, forms, pictures etc...
You will need to use multiple tabs on a page then you will need to specify custom groups to separate the behaviour
The example below shows that you can assign 2 different tab groups and they will both work independently
Woowoo put whatever you want in the content, forms, pictures etc...
Woowoo put whatever you want in the content, forms, pictures etc...
In some cases you will need to run some logic when a tab has changed, in this case you can use the onTabChanged callback
This will notify you when someone has clicked the tab in question so you can do some logic
Not everyone wants their tab content to show and hide so simply, some people will want to transition the content in different ways
To do this you set the options 'onVisible' and 'onHidden', this will then use your custom logic to show and hide content rather than default showing and hiding
In some cases you may want to apply specific css classes to tabs when they have been made active or when they are inactive
To do this you can specify the 'activeClass' options which will add and remove the classes as required, as showing in this awfully styled example below
In certain cases, such as validation or other workflows you may need to show a tab from code
This is not nice as you need to know the tab selector in the code which makes the viewmodel dependant upon the view
However putting that aside as some times there is a need to do these sort of things, so you can use the 'ko.tabs.show(tabSelector)' method
Show Css Tab 1 Show Css Tab 2


In this section, LB = load balancer (the module + apache).
* VERY IMPORTANT NOTE *
The shared memory segment, locks, and mod_athena engine are shared by ALL virtual hosts in
a particular configuration. It exists per httpd instance.
If you run more than one instance, be sure to have unique
shm and mutex paths for each.
The following are layout building blocks, and can function by themselves, or in combination. The frist three combine easily with that last two. Any setup can be mirrored, and you can use a http reverse proxy setup as a standalone at the same time.
This is the simplest, fastest and most likely setup for most installations. A request
looks like this:
client: --- :proxy+mod_athena: --- :application server
where ":" represents network interfaces.
There is one installation of httpd with the athena module on the machine running the proxy+mod_athena. The configuration allows for incoming client requests (http or https) on the outside facing interface, but forbids by Location rule access to the load balancer engine (see AthPath). The server also listens on an internal interface, http only, that allows access to the engine for the application servers to send their statistics updates (along with the proxied traffic). You could separate update traffic from proxied requests if you wanted by running another interface on the proxy and each appserver on another network.
Each incoming, non-engine request will be passed through mod_proxy that you have configured mod_proxy to handle. If it is handled by mod_proxy, then mod_athena will also inspect it after mod_proxy has done the url rewrite. If the rewritten hostname matches a farm, it will then rewrite the request again and hand it back to mod_proxy for completion.
This model lends itself to an easy mirroring setup.
If for some reason, eg. security prejudice or design, or platform limitations,
you wanted to completely separate out the load balancing stage, then you would
have a setup just like above, but the client would be your other proxy server.
You would configure that proxy server to pass all requests you want to be load
balanced to the server running httpd+mod_athena.
client: --- :proxy: ---...
...--- (:)proxy+mod_athena: --- :application server
in this case (:) is an optional interface.
This model adds some overhead, since you have to tear apart the request one extra time, but has advantages for portability and flexibility.
For installations where there is no reverse proxy setup, you can always use mod_athena as a standalone load balancer. Very simply, you have your servers send updates, either standard OS level stats or additional stats you insert programmatically, and then you query the loadbalancer from your program with an http(s) request to its "/balance" feature.
An example where this is desireable is a system that handles both synchronous web requests, but also runs background tasks. Imagine a java servlet that handles report configuration, but also background execution in a stateless environment (state in back-end database). The synchronous requests would be handled as in model (1), but but the servlet has some asynchronous method to queue and run the background threads. It would query the load balancer to signal the process to run on the least busy server.
An included script provides an easy way to mirror from one mod_athena instance to another. Everything is done through http. The target server should be configured with the identical layout of farms and physicals, and have mirroring enabled.
One easy way to do this have the primary and secondary (only if they are on separate machines) share the same httpd.conf over NFS.


--- layout: entertainment title: Entertainment permalink: "/Experience/Entertainment/" menuVisibility: "hidden" paragraph: style: 1 text: |
You won't be able to keep your toes from tapping. Rev features a lineup of top local acts from around Indy and beyond. Wine and dine to live tunes in the Chalet and Pavilion. Then tear up the Yard of Bricks at the late night dance party.
Coming Soon!


BitmovinApiSdk\Models\SimpleEncodingVodJobDirectFileUploadInput
Synopsis
class SimpleEncodingVodJobDirectFileUploadInput
extends SimpleEncodingVodJobInput
{
- // members
- public string $inputId;
- public SimpleEncodingVodJobInputType $inputType;
- public string $language;
- // Inherited members from SimpleEncodingVodJobInput
- public static string $discriminatorName;
- public static array $discriminatorMapping;
- // methods
- public void __construct()
- public $this inputId()
- public $this inputType()
- public $this language()
- // Inherited methods from SimpleEncodingVodJobInput
- public void __construct()
- // Inherited methods from ApiResource
- public void __construct()
- public static $this create()
- public void toArray()
Hierarchy
Members
public
- $discriminatorMapping
- $discriminatorName
- $inputId — string
- $inputType — BitmovinApiSdk\Models\SimpleEncodingVodJobInputType
- $language — string
Methods
public
- __construct()
- inputId() — Id of a DirectFileUploadInput (required)
- inputType() — Defines the type of the input file, if no type is set it is assumed that the input file contains at least one video stream and optionally one or multiple audio streams. Note that when defining video and audio inputs, you can either - add one single input without inputType, in which case that source file must contain a video stream and (if you want audio) one audio stream, or - add one single input with inputType=VIDEO and (if you want audio) one or more inputs with inputType=AUDIO (each containing one audio stream) Other combinations are not valid.
- language() — The language of the audio track, the subtitles, or closed captions file. The language code must be compliant with [BCP 47](https://datatracker.ietf.org/doc/html/rfc5646). This property is mandatory if the input provided is of type SUBTITLES or CLOSED_CAPTIONS and recommended for input type AUDIO and an input that does not specify an input type (combined audio and video). If an audio input does not specify the language, it is defaulted to `und` (undefined).


--- layout: post status: publish published: true title: Free-Floating entities... author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 32 wordpress_url: http://winterdom.com/2002/12/freefloatingentities date: '2002-12-18 16:04:03 +0000' date_gmt: '2002-12-18 16:04:03 +0000' categories: - XML tags: [] comments: - id: 32 author: Gordon Weakliem author_email<EMAIL_ADDRESS>author_url: http://radio.weblogs.com/0106046 date: '2002-12-18 18:50:53 +0000' date_gmt: '2002-12-18 18:50:53 +0000' content: |
Considering Graham's background, I guessed that he's pining for the STL package.
- id: 33 author: Tomas Restrepo author_email<EMAIL_ADDRESS>author_url: http://www.winterdom.com/weblog date: '2002-12-18 19:12:36 +0000' date_gmt: '2002-12-18 19:12:36 +0000' content: |Well, I really have no clue who Graham is (I just read his blog for the first time) so I wouldn't know :)
- id: 34 author: graham glass author_email<EMAIL_ADDRESS>author_url: http://www.themindelectric.com date: '2002-12-18 21:56:24 +0000' date_gmt: '2002-12-18 21:56:24 +0000' content: |pining for STL - i don't think so! i like operations as first class entities that can be copied, bound dynamically, versioned, and specialized so that to capture information about, say, bill, you could add a new operation into the pool like:
// C-like binding just for illustrative purposes
int getAge( "bill" ) { return 34; }
so operations can be general purpose or maintain specific information for specific arguments. i don't claim that this is revolutionary, but at the same time, i haven't seen a popular language take this approach (apart from perhaps prolog, but that's a stretch).
- id: 35 author: Gordon Weakliem author_email<EMAIL_ADDRESS>author_url: http://radio.weblogs.com/0106046 date: '2002-12-19 10:58:59 +0000' date_gmt: '2002-12-19 10:58:59 +0000' content: |I didn't realize it, but the editor ate part of my comment - I was referring specifically to the
Linda has some of the characteristics Graham talks about, although its primary purpose is totally different (MMP).
---Found Graham Glass' comments on X# through Jason Whittington's musings, and actually, I kinda agree with Graham, although this is an issue I'm ambivalent about...
I think it al comes down to what your problem domain and application type are. So, while I really like OOP¨, I think it really sucks at some tasks, and one of those is, hear this, Enterprise Applications. The problem is, that while OOP solves some of the difficulties that appear during Enterprise Application design and implementation, it also adds it fair share of limitations and difficulties of its own.
Most Enterprise Applications (EAs)I've worked on are all about manipulating data: Getting data out of a DB and displaying it, updating the data, moving data around, etc. While "Business Logic" sure is a large part of them, I found it's not necessarily the largest part.
Actually, the largest parts of most EAs are related to getting the data in and out of the database, preparing the data for displaying to the user, formatting data around, drilling down through data, etc. While there are tools here that help, still a large part of a project is done implementing this, which is further exasperated by the fact that most EAs need to present multiple representations of the same data, or with different levels of details, which usually implies yet more DB-access code, more formatting code, etc.
Now, if you're not object-freak, you might reach for a paradigm similar to what MS data access technologies have always projected: most data goes into a data-container (a Recordset/DataSet/whatever), and components (think objects here, really) have methods that act on that data. Again, this helps somewhat, but also brings yet another whole different set of problems and limitations with it, the least of which is not that you really loose a lot of control about the datatypes and data manipulation is relatively poor (yep, even in DataSets).
I guess my point is, I'd love to see a more flexible way of dealing with data, and one that allowed me to even deal with data types in a more flexible fashion (guess I'm finally catching on to Tim Ewald's "Loose-coupling and run-time typing" comment... or at least I hope I am), while still making it easy at design time to deal with the data. See, most strongly-typed languages, like C#, make it awfully hard to deal correctly with data for which no typed schema is known at compile time, and sometimes, knowing the schema at compile time makes it significantly harder to maintain and evolve the application...
Graham's idea of free-floating operations and entities is not that revolutionary, as I see it. It's very functional-programming like, and I for one, think it might make a lot of sense, specially in distributed applications.
Then again, this is just my opinion. I could be wrong, or I could change it tomorrow. No guarantees...


This framework is built and updated by microapps based on the layout of Shopify merchant admin, as well as its embedded applications, in order to help the developers to easily and quickly write the application's frontend so that it has the same look and feel as Shopify merchant admin.
The documentation follows the framework interface and it is divided by sections, which are organized in rows and cells. In which section it is possible to see the elements that are being described by the framework as well as the code used to generate such elements.
For the most complex structures, a brief explanation will be given along with the sample and the snippet, while for the simple elements, they along with the snippet are self explanatory
The legacy apps, nowadays the most common among all apps available for installation for Shopify stores, are apps that, when accessed through the merchant's store admin, open in a new window or tab, as total "independent" (considering the user experience) application, even though it is obviously tightly related to Shopify in terms of funcionality and use of information.
Because of this, in order to improve the user experience, Shopify has given the application developers the possibility to develop embedded applications or, in other words, Shopify now allows developers to embed their applications directly inside Shopify admin as well as access and customize many native GUI features.
Check the following list of apps available for installation, in order to take a look at a real embedded app using SEAFF:
If your Shopify app uses SEAFF and you want it to be listed here, just fork the project, add your app and do a PR against master.
To build an embedded app using SEAFF, there are 3 main files involved in the job
This is essentialy a CSS framework, so in order to use it, all you have to do is to add seaff.css to your application page(s), as shows the following snippet:
You can notice by taking a look at the code snippet of each interface element that the styles are applied by putting specific classes to it.
This documentation provides snippets for default usage of the classes but, for some elements, different tags can be rendered by using the same class.
It is also important to notice that some elements have already all the styles applied to them without using any classes and that for some elements besides the main class there is also a modifier class, that should change that element styles a little. Therefore, the structure of the tags can be generically described, ignoring the attributes and considering "[...]" as optional blocks, using an example of a opening tag, as:
This framework is meant for anyone who wants to have a very good-looking application, following all the patterns stabilished by Shopify merchant admin, and its development is also opened to everyone interested on offering help, which is very appreciated.
In order to contribute, just fork the repository Shopify-Embedded-App-Frontend-Framework and do as many pull requests as you wish.
We thank you in advance!
This section gives an overview about the SDK, used to embed the application into Shopify environment, to add buttons to the header, build modals and show messages to the user.
As said before, Embedded Apps are those that are accessed inside of the Shopify Merchant Admin, what makes the experience of using an application much better, since the merchant feels inside the environment, as if your application were part of Shopify functionalities.
The Embedded App SDK (EASDK) is an API that provides:
The SDK can be added to your application by including the following snippet
To learn more and check the full documentation of EASDK, please check this link.
You can also check all the elements explained in this section by using this sample application, provided by Shopify team.
The top bar is where most of the elements mentioned in overview are placed.
Although the elements of the top bar have the same layout as SEAFF elements, all these elements are inserted by calling methods of Shopify Embedded App SDK and their layout is not influenced by any of SEAFF styles, since they are placed in your application's "parent environment".
To have the complete information about what can be placed in top bar, check the Embedded App SDK documentation.
The Embedded App SDK also has modals and flash messages for several purposes. Despite the content of modals that use iframe, the layout of the modals is out of your application's control and therefore it is not influenced by SEAFF CSS styles.
Since it is not possible to simulate the modal windows using the SDK in this page, below are placed some images that show what kind of messages can be displayed to the merchant as well as how they look like
This message is shown at the bottom of the page. A very common use of it is to give the merchant a feedback when an action was successfully done.
This message, like the flash messages, is shown at the bottom of the page to represent errors generated by some action done by the merchant.
"Introduction", "Sections", "General Inputs", among others, are examples of sections. The sections are used to organize the blocks of information all over the applications (and also all over this document) and they fill the full available width provided by Shopify merchant admin.
Below some little facts about the sections that are important to be taken into account when organizing the interface:
"Sections" is a good example of a section with multiple rows and cells. The snippet below shows the general structure of a section:
Section explanation
The sample snippet below is used to generate a row with 3 cells. Notice that this snippet reffers only to the row and the cells and doesn't take the other parts of the section structure. To build a whole section with 3 sections, replace all the rows in this snippet for the row below.
The following snippet reffers to the row just below it.
The sample snippet below is used to generate a row with 1 cell divided into columns ("Column 1" and "Column 2"), the second one subdivided in 2 columns ("Column 2A" and "Column 2B")
It is possible to add as many "cell-column" divs as you want and it is also possible to add "cell-container" div inside any "cell-column", to subdvide it in more columns.
This is the first column
This is the second column. Below you there is another "cell-container" div divided in 2 other columns
This is the first column inside the "Column 2"
This is the second column inside the "Column 2"
This is the first column
This is the second column. Below you there is another "cell-container" div divided in 2 other columns
This is the first column inside the "Column 2"
This is the second column inside the "Column 2"
The tooltip modifier is used to add to a tag the ability to show a tooltip.
Hover Over Me This order has a high risk of fraudThis is a modifier to reduce the size of primary, default or any button you need.
Slim Primary ButtonA tag can be generated by applying a main class and optionally one or more modifier classes. To generate a tag, you should apply the main class "tag", one of the 4 modifier classes named as colors and optionally the modifier class "inactive". The general structure is as follows:
The following samples are ilustrating the use of the modifiers. Notice that one of them has two modifiers, one that applies the color and other to apply a level of transparency.
This sample tag is used to show how to apply the "inactive" effect and it has three classes, the main class "tag", the modifier color class "blue" and the modifier class "inactive".
As you can see, the "inactive" class should be used along with "tag" and one of the available modifier color classes.
Inactive tagThis section describes the tables used by the framework. The tables that use the whole available width are described right after.
This table fills the whole available width. If used in place of "section", it will fill the whole iframe width, or else, it will fill the available width inside the tag where it is inserted.
In the example below, it is inserted inside a "section-row", in a "section" with "section-summary", so it doesn't fit the whole width. For an example where it fits the full width, check the Full Width Table. Notice in this case that the absence of the "section-summary" div is enough to make it fill the full width of the page.


Learning about internet safety is helpful for absolutely everyone. In fact, most people have almost no formal training in internet safety. However, Cover Your Apps aims to change that!
Even the chairman of the Hillary Clinton campagin, John Podesta, could have used some internet safety training. Start our popular Internet Safety Module to learn more about his story and how you can avoid common phishing pitfalls


8. Gadget Functions
- isGadget( id
)
Returns true or
false, or nil on error if
the item is a gadget.
gadgetCount(
ship )
This function returns
the number of gadgets attached to the specified ship, or nil on errors.
getGadget( ship,
n )
This function returns the
key of gadget n on the specified ship, or nil on errors.
getGadgetType(
gadget )
This function
returns the type of gadget from itís key. See the following table for the
current types of gadgets.
| UKNOWN |
0 |
| DRIVE |
1 |
| SPECIAL |
2 |
| SPECIAL_HEAVY |
3 |
| JUMP_DRIVE |
4 |
| WEAPON |
5 |
| WEAPON_HEAVY |
6 |
| WEAPON_BEAM |
7 |
| WEAPON_MEDIUM_BEAM |
8 |
| WEAPON_HEAVY_BEAM |
9 |
| WEAPON_BOMB |
10 |
| WEAPON_HEAVY_BOMB |
11 |
| ARMOR |
12 |
| FIGHTER_BAY |
13 |
| DRONE_BAY |
14 |
| ORB |
15 |
| CLOAK |
16 |
| HULL |
17 |
getGadgetMount(
gadget )
This function
returns the facing of a gadget. See the table below.
| FRONT |
0 |
| RIGHT |
1 |
| LEFT |
2 |
| BACK |
3 |
| FULL |
4 |
setGadgetMount(
gadget, mount )
This function
sets the mount for a gadget, based upon the above table. This function returns true if it
succeeds, and nil on errors.
getGadgetAmmo(
gadget )
This function
returns the amount of ammo remaining if the gadget is a weapon that requires
ammo, or 0 if no ammo is used.
setGadgetAmmo(
gadget, amount )
This function
allows you to set the amount of ammo in a gadget.
useGadget2(
gadget, target, shift )
This function will use the specified gadget on the target. This
function takes a gadget key, unlike the older useGadget() function which uses a
gadget based on itís hotkey. This function returns true if it
succeeds, and nil on errors.
isGadgetActive(
gadgetId )
Returns true
if the gadget is active or false, or nil on error. The jumpdrive will show up as active
when aligning, as well as jumping; use isJumping() to
check for an active jump.
isGadgetUsable(
gadgetId, shiftStatus [, targetId] )
Returns 1 if gadget is usable, nil if false. shitStatus = 1 if
shift should be pressed, 0 if not. targetId is an optional target; some
gadgets (such as the tractor beam) need a target for the check, others (like
ECM) do not. If no target is given though one is needed, the function will
return nil.
beamPointDefenseEnabled(
gadgetId )
Returns 1 if point
defense is enabled for the passed gadget, nil if it is not..
setBeamPointDefense(
gadgetId, enable )
This function
lets you set the point defense on a gadget via the enable variable: 1 enables
PD, 0 disables it. This function returns true if it succeeds, and
nil on errors.
getJumpTarget(
gadgetId, enable )
This function
returns the jumptarget of the jumpdrive. If there is no target, nil
is returned.
hasGadgetAmmo(
gadgetId )
Returns true if
the gadget uses ammo for operation.
getShielding(
gadgetId )
Returns the current strength of the shield or armor given, in percent.
setShielding(
gadgetId, percent )
This allows you to set the strength of a shield or armor gadget in percent.


Prioritizing conservation efforts has become one of the most crucial steps in preserving biodiversity (Hoffmann et al. 2010; Keith et al. 2004; Mace et al. 2008; Miller et al. 2007).
Here is tested a method to rapidly assess extinction risk for any specie(rapid assessment), following a simplified geospatial criteria of the IUCN methodology, exposing the used data and calculations, and assumed quality, so it can be reviewed and reapplied by specialists if given better resources.
Rapid automated risk assessment must take in account the bad quality of data in biodiversity datasets, but this quality can be measured and therefore will be displayed along with the risk assessment. This measure is important to avid the kind of decision that could be wrongly taken, as exposed by [Chapman, 2005].
There are too many metrics that one could apply, but I focused on the ones that seen more relevant to the geographic distribution of occurrences and could be fully automated.


The Michigan Beer Show
The Michigan Beer Show is a podcast featuring reviews of beer from around the state of Michigan. New episodes are posted every Friday and the show is actively campaigning for Friday to be changed to "Happy Hour".
The Michigan Beer Show is a podcast featuring reviews of beer from around the state of Michigan. New episodes are posted every Friday and the show is actively campaigning for Friday to be changed to "Happy Hour".
BrewBox is a new box subscription service for homebrewers. Every month you'll get a high quality, artfully crafted box of ingredients and a recipe from our brewmaster. It's the art of brewing delivered straight to your door.


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|
| void | Enqueue (T element) |
| | Inserts the element into the queue More...
|
| |
| T | Dequeue () |
| | Removes the last inserted element from the queue. Throws an InvalidOperationException if the queue is empty. More...
|
| |
| bool | IsEmpty () |
| | Returns true if the queue is empty More...
|
| |
| void | Clear () |
| | Removes all elements from the queue More...
|
| |
| void | Remove (T element) |
| | Removes the given element from the queue if it exists. If it does not exist, an InvalidOperationException is thrown. More...
|
| |
| bool | Contains (T element) |
| | Returns true, iff the element is contained in the queue More...
|
| |
◆ Clear()
Removes all elements from the queue
◆ Contains()
Returns true, iff the element is contained in the queue
◆ Dequeue()
Removes the last inserted element from the queue. Throws an InvalidOperationException if the queue is empty.
◆ Enqueue()
Inserts the element into the queue
◆ IsEmpty()
Returns true if the queue is empty
◆ Remove()
Removes the given element from the queue if it exists. If it does not exist, an InvalidOperationException is thrown.
- Parameters
-
The documentation for this class was generated from the following file:
- BAPointCloudRenderer/DataStructures/RandomAccessQueue.cs


Task Time
Break Time
Settings:
Perpetual Pomodoro
Desktop notification when timer completes
Test Mode


KOCs (Keepers of Coffee, AKA baristas) are scheduled at the beginning of each semester to work certain shifts every week. A google survey is sent out to everyone to fill out their availability for the semester as well as other relevant information such as who they prefer to work with. All information is kept and stored in multiple different google worksheets. INSERT SCREEN SHOT HERE: "Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum."
As a < role >, I want < goal/desire > so that < benefit >.


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@(theMatch: FootballMatch) @import implicits.Football._ @cleanScorers(teamScorers: Option[String]) = { @teamScorers.map{ scorers => @scorers.replace("(", "").replace(")", "").replace(",", ", ") }.getOrElse(Html(" ")) } @defining((theMatch.homeTeam, theMatch.awayTeam)){ case (homeTeam, awayTeam) => @if(theMatch.isLive || theMatch.isResult){
@cleanScorers(homeTeam.scorers)
}@cleanScorers(awayTeam.scorers)
} } else {(agg<EMAIL_ADDRESS>} @theMatch.comments.map{ comments =>


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<%= yield %>


SHHAA stands for Simple HTTP Header Authentication & Authorization.
It's a J2EE Web Application Servlet-Filter to handle login and access-control based on HTTP header attributes, where those have been put there in the first place by a Shibboleth Service Provider.
Thus the filter integrates a web application with a federal authentication- & authoriztion infrastructure (AAI), like the SAML based Shibboleth Framework (where a Service Provider is one part of).
A Shibboleth Service Provider (SP) is in fact an Apache Webserver with a Shibbleth Module "mod_shib" which in turn connects the Webserver with the dedicated Shibboleth Daemon "shibd" installed on this machine.
For details about Shibboleth, installation, configuration and the architecture & concepts behind a Shibboleth AAI federation, please refer to the Internet2 Organisation's Shibboleth Home Site and its Wiki .
The Webserver then can be configured to protect as Shibboleth Service Provider certain locations, where the SP makes sure, that users have to authenticate first, and further the configured possible additional requirements (based on so called (SAML) attributes) to access the targeted resource are met. If not, the SP will deny access to the requested resource.
Shibboleth is an implementation of the SAML protocol standard.
SHHAA Filter relies in the background on a Shibboleth Service Provider.
The Filter internally uses/is-based-on session information (for authentication) and so called (user) attributes for authorization (access control decisions), all found/expected as attributes in the HTTD header and put there in the fist place by the said Shibboleth Service Provider ('SP').
That means, the web application must be under the "hood" or "awareness" of a Shibboleth Service Provider upstream.
The information flow:
For our shhaa filter the right-hand-side (j2ee web-app) of the diagram is interesting:
the Service Provider exports session- and user-attributes to the HTTP Header where the SHHAA Filter can find and exploit this data and make them easy available to the web-app (developer) by a simple API.
The Filter's session handling is fully based on Shibboleth SP session information put in the HTTP header by an upstreamed SP.
One could say the filter in fact does not handle authentication at all but instead delegates it fully to the said Shibboleth Service Provider and its AAI Framework behind.
shhaa listens to this special SP attributes in the header and immediately recognizes if something has changed:
Changes of those attributes always indicate a change in the users (Shibboleth SSO-)login- and current-session status.
Recognized attributes are * a Shibboleth-SP Session-ID, * the originally authenticating Identity-Provider (its socalled entity-ID) * and the login-timestamp.
Any change of those attribues means a changed session, even if it is the same user having "just reapeated" his login.
Fallback to Anonymous:
If/As-long-as the shhaa filter cannot find any SP session data (e.g. due to a Shibboleth Lazy Session Setup, @see installation howto
,
it will fall-back-to and provide an anonymous username (configurable, default "anonymous") and the usual (java) web application JSESSIOND as session identfier.
shhaa filter comes with an own authorization module, too.
It works similar to the native Shibboleth SP authorization and uses the (pre-fetched) user attributes, originally provided by the user's Identiy Provider, as basis for its access control decisions.
The idea is to give the developers using shhaa for their webapps the option
to enforce their own, "local" autzorization rules, without having to configure/mess-arround-with the native Service Provider in front of the webapp.
The exact behavior of shhaa filter highly depends on its configuration details (@see configuration howto ).
But its important to understand for a developer using shhaa,
that it can do automatically re-route (forwards/redirects) original requests to different locations depending on the circumstances:
so it can re-route automatically to a (SSO) login site if needed (user not logged in yet), or display an access-denied page, a logged-in information page etc...
usually it acts like this:
both notifications are displayed (re-route/forward) only once on the request the issue has been recognized,
on the next request (e.g. reload) the originally requested site is provided...


ACM Materials
Algorithms design and analysis
Android
Artificial Intelligence
Assembly
C++
Compiling Theory
Computer Graphics
Computer Organization and Architecture
Computer Vision and Imag Processing
CSS
Data Structure
Database
Debugging and Testing
Design Pattern
Embedded System
Game Programming
GIMP
GUI
Hacking and Hackers
HTML5
IDE References and Software tutorial
iPhone Development
Java
JavaScript
Linux Development
Linux Development Tools
Linux Kernel
Linux Server and Networks
Linux Shell
Linux System Adminstration
Microsoft Office Books
Multimedia
Multithread
OOP
OpenGL
Operating System
Other languages
others
Perl
Programming Coding
Project Management
Python
Software Engineering
UI Designing
UML
VC and MFC and Windows
Web Development
Windows Programming
Wireshark
GTK+
Network programming
SOA and Software Architecture


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Perl Weekly
Issue #161 - 2014-08-25 - Yet Another YAPC Properly Concluded
latest | archive | by Yanick Champoux
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As we speak, the 2014 edition of YAPC::EU came and went. Already we have some blog entries reporting on the event, as well as the announcement that Granada, Spain will be where the 2015 edition will be held. Also this week, Toby Inkster goes all out in a series of blog entries revealing all the awesome secrets of Type::Tiny. Enjoy! ~ `/anick
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Sponsors
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Announcements
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Dancer2 0.150000 has been released
Dancer2 has a new release out, codenamed "LoonyPandora" in honor of contributor and friend James Aitken who recently passed away. This release comes with some pretty substantial changes dealing with the main context object and the way Dancer and PSGI apps relate to each other.
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New Grant Manager
Makoto Nozaki announces that Mark Jensen has joined the Perl Foundation Grants Committee has a grant manager.
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Articles
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Who has the best package manager? Part one
We all know: the language is only half of the story. The other half is the vast ecosystem of add-ons, modules, plugins or packages. David Farrell explores how the package managers of Perl, PHP, Python, Node.js and Ruby fare against each other.
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Discussion
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OPW Ending for Beginning
The 2014 edition of the Outreach Program for Women is now over.  Richard Elberger shares his adventures in mocking the external components of Net::Gnats.
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Code
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File::Which comes with its own 'multiwhich'
Sinan Unur released App::multiswitch last week-end, as part of CPAN Day. Later on, he realized he might have reinvented a wheel already included in File::Which's trunk. Oops.
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Type::Tiny Tricks #2: Types Are Objects
Toby Inkster points out that Type::Tiny types are objects by themselves, and can be used outside of attribute definitions for, e.g., validate any value you might care for.
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Type::Tiny Tricks #3: One-off Coercions
So you have a generic type, and one attribute is kinda of that type, but also could be coerced from a value in a special, snowflaky unique way? Toby Inkster shows you how Type::Tiny deals with those one-off special cases.
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Type::Tiny Tricks #7: Tricks with Dicts
Type::Tiny, this small fountain of marvels, refines the definition of hash into two types: maps and dictionaries. Toby Inkster shows here when and how they apply.
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Perl Maven Tutorials
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Weekly collections
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Events
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Perl-related events
In the following cities: Tokyo (Japan), Flörli Olten (Switzerland), Hancock (NY/USA), Itapema (SC/Brasil), Salzburg (Austria), Barcelona (Spain), London (UK)
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You know, you could get the Perl Weekly right in your mailbox. Every Week. Free of charge!
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THE GUNS OF NAVARONE A Film Review Copyright Dragan Antulov 2000
World War Two seems to be the only major world conflict resembling an average Hollywood movie - dividing line between Good Guys and Bad Guys is more or less, clearly defined and final victory of the Good Guys provides happy ending, at least for the majority of audience. So, it isn't surprising that in the following decades WW2 became inspiration for many action-oriented pieces of popular culture - novels, comic books and movies. In the literary domain Alistar MacLean contributed to the trend with the series of novels about small bands of Allied agents or commandos wreaking havoc behind enemy lines. Combination of complicated plots and constant breath-taking action proved to be quite attractive for movie producers, so in 1960s some of those novels were adapted into spectacular and very popular action films. The most popular and influential of them all was THE GUNS OF NAVARONE, directed in 1961 by J. Lee Thompson.
Plot of the film begins in Autumn 1943. Following the capitulation of Italy and mass surrender of Italian garrisons scattered all over occupied Balkans, British forces seized the opportunity and rushed to seize many Greek islands in Aegean Sea. This attempt to regain foothold on Balkans was short-lived, because Germans reacted more rapidly by sending even more forces in the area and bringing small British garrisons into strategically untenable situation. The situation is especially grim for 2,000 men at island of Kheros, who can't be evacuated by sea because the only escape route is controlled by two huge German naval guns stationed on the nearby island of Navarone. Attempts to silence the guns from the air failed, and less than a week before final German assault, British command is left only with one, desperate alternative. Small group of British and Greek commandos, led by Major Franklin (played by Anthony Quayle) is sent to land on the island, contact the local partisans and, using their help, sabotage the guns before the evacuation convoy gets near Kheros. When their mission gets underway, commandos are faced with many unexpected difficulties and Captain Mallory (played by Gregory Peck), who had replaced injured Franklin, begins suspecting possible traitor among his comrades.
The script for THE GUNS OF NAVARONE was written by Carl Foreman, one of the most talented Hollywood screenwriters of 1950s, whose previous credits included HIGH NOON. He remained uncredited for his last major film, WW2 drama THE BRIDGE ON THE RIVER KWAI, due to studio blacklisting and alleged Communist beliefs. THE GUNS OF NAVARONE was Foreman's first major project with his real name back on the credits (and the way he saw his alleged fling with Communism could be seen in character of C.P.O. Brown, disillusioned veteran of Spanish Civil War, played by Stanley Baker). Foreman adapted MacLean's novel, probably intrigued with opportunity to explore the humanity in war - theme he had used with so much success in KWAI.
Unfortunately, this time direction wasn't in the hands of first class filmmaker like David Lean, but J. Lee Thompson, director whose overall career was hardly stellar. Thompson was less interested in serious subjects and character exploration and instead paid attention only to numerous action scenes. Those scenes are truly spectacular, using both the Shepperton studios and exotic island locations of Rhodes, as well as manpower and equipment of Greek and British military. In some cases, special effects are top-notch and can impress even after almost four decades (like in the scene describing commando team landing on the island). But, generally speaking, attraction of these scenes lies in quantity, not quality - THE GUNS OF NAVARONE simply features more explosions, more shootouts and bigger bodycount than in any contemporary action movie. Characters somehow got lost in all that mayhem and, despite being played by excellent actors, they hardly stay in viewer's memory, since their motivations and subplots mostly get only hinted and never properly explored, despite film having more than two and half hours of length. Anthony Quayle, whose real life WW2 adventures actually resembled those of his character, is the only exception as physically and psychologically injured leader of the team.
THE GUNS OF NAVARONE, although inferior as serious WW2 drama, could still be enjoyed as entertaining, exciting action film with appeal that didn't fade through time. Its reputation, on the other hand, owes much more to the more talented film makers who later used THE GUNS OF NAVARONE as an inspiration for much better examples of the genre.
(Historical note: Islands of Kheros and Navarone are fictious, as well as the events described in the movie. The real events that inspired them, however, turned quite differently for the British. In November 1943 British island garrisons in Aegean Sea were overran in combined operation by Wehrmacht, Kriegsmarine and Luftwaffe. British attempt to evacuate their stranded forces turned into disaster - British navy suffered huge losses and most of the men in the garrisons surrendered to Germans.)
RATING: 6/10 (++)
Review written on January 17th 2000
Dragan Antulov a.k.a. Drax Fido: 2:381/100 E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>Filmske recenzije na hrvatskom/Movie Reviews in Croatian http://film.purger.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


llvd -c course-slug --cookies- Download a course at a specific [r]esolution:
llvd -c course-slug -r 720- Download a course with [ca]ptions (subtitles):
llvd -c course-slug --caption- Download a course [p]ath with [t]hrottling between 10 to 30 seconds:
llvd -p path-slug -t 10,30 --cookies


---
description: 'A page for customers to view a past order.'
action: 'shop:order'
template: main
protocol: all
published: true
name: Order
url: /account/orders/:orderId
---
{{ partial('partial-banner-alt', { banner: { title: 'Order receipt' }}) }}
{% if customer %}
Order #{{ order.id }}
{{ order.order_status.name }}
Created on {{ order.created_at.format('F j, Y') }}
Products
Product
Quantity
Price
{% for invoice in order.invoices %}
{% for shipment in invoice.shipments %}
{% for item in shipment.shipmentItems %}


The term “resolution” is used in various ways, some conflicting. This exercise seeks to clarify why characterizing the resolution is difficult, and it will explain some of the varying usages of this term. An interactive display is used to clarify some of the concepts and avoid the need for numerical evaluation of probabilities on the part of the reader.
"Resolution" has the following meanings, depending on the context:
The smallest difference between measurands that will lead to corresponding measurements indicating that the measurands are different. The desired indication will have an associated confidence level, often 68.3% or that corresponding to one standard deviation. A primary factor influencing this aspect of resolution is the precision of the instrument. This is discussed extensively in the second tab.
The smallest change in the indicator (e.g., meter or digital display) that can be perceived. For example, the instrument resolution may be limited by the ability of an operator to read an analog display, by hysteresis in that display, or by the smallest incremental change reported on a digital display. In the case of a digitized result, the resolution is limited by the change corresponding to one unit in the digitized output.
For a spectrometer, the smallest difference in frequency that can be resolved.
For a time series, the temporal resolution is the increment between consecutive measurements, although if a particular sensor responds more slowly than this the temporal resolution of that sensor may be lower.
The first is discussed in more detail in the next two tabs, and the fourth tab discusses the second meaning. The third and fourth items are not covered in this exercise.


This page gives access to the Javadoc documentation of the Net2Plan built-in examples, contained in the file JAR
workspace/BuiltInExamples.jar
.
Link here for searching in the examples using a set of keywords.
Link here for searching in the examples used in the book:
Pablo Pavón Mariño,
Optimization of computer networks. Modeling and algorithms. A hands-on approach
, Wiley 2016.


--- layout: archive title: Zulip Chat Archive permalink: /stream/144837-PR-reviews/topic/.23856.20submodules.20of.20algebra.20form.20semiring.html ---
Travis seems to be happy with #856. This PR unlocks an instance that we need for progress on the perfectoid project.
@Mario Carneiro You are the best! Waking up at 5.30 to merge a PR! :thank_you:
Thanks!
Johan, where did you get this idea that Mario was already sleeping at 5am?
This is great news -- thanks Mario.
@Johan Commelin Why was fg_mul
deleted?
oh sorry it's moved to noetherian
I did that to avoid a dependency cycle
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


leadzero - Flexible F0 format
Simulate the F0 format with more options, for compilers that implement NaN, Inf. (f0withIEEE.f90) and for compilers that do not implement these non-normal numbers (f0noIEEE.f90). Both versions define a Fortran 95/2003 module leadzero and have a corresponding test program in this file. The code was developed by J F Harper, Mathematics, Victoria University, Wellington, NZ 20 Jan 2012.
Compilers vary in their own treatments of leading zero and optional + sign because Fortran standards f90,f95,f2003 differ, and f95 was ambiguous. The module lets users choose their own treatment. The test program assumes that NAN and INF are valid inputs to a READ statement for a real variable, as f2003 requires for processors that support IEEE 754 features. If your processor does not support them, use f0noIEEE.f90 instead of this program. The modules in f0noIEEE.f90 and fotest.f90 are identical but their test programs differ. IEEE intrinsic modules are not used.
The module contains one public function and four public parameters to aid in their usage:
Function f0(x,n,s) or f0(x,n) (the s argument is optional) returns the shortest possible string of characters containing x in F0.n format, with leading zero and + sign controlled by the character string s if it is present, or by SS,F0.n format as in f2003 if not, so if the processor supports separate positive and negative zeros then f0(-0.0,n) shall begin with a - sign.
It returns a string of the minimum required length, which is at most rspace+n.
Value to be written by f0
Number of digits to be written after the decimal point
Specifying treatment of + sign and leading zero
If s is absent or contains neither LZ nor SP the effect is that of format SS,F0.n as in the f2003 standard. If s contains SP the effect is that of SP,F0.n, i.e. a + sign if x>0 or x is +0.0, a - sign if x<0 or -0.0. If the processor does not support separate -0.0 and +0.0 then 0.0 is treated as +0.0. A zero before the decimal point is inserted if the output would otherwise have had no digits at all, or if s contains LZ and there would otherwise be no digits before the decimal point. If x is infinite or not a number, f0 returns the appropriate one of +Inf,Inf,-Inf,NaN.
Kind for single-precision reals - p1 = kind(1.0).
Kind for double-precision reals - p2 = kind(1d0).
The integer parameter ispace is the space needed for -huge(1) in I0 format
The integer parameter rspace is the space needed for -huge(1d0) in F0.0 format,
Copyright © 2012 John Harper


If you are targeting down-level browsers that do not support HTML5, see examp01-load-save-via-flash.html.


Desktop: Arrow keys or WASD to move. Enter to fire. Press P to pause the game.
Mobile: Put your device in landscape mode! Use the on-screen buttons to move.
If you only see a black screen, you're doing it wrong! Don't just open the html file in your browser, host the page locally instead.


Syed Qasim's Portfolio for the first project.
My first Repository on Git hub for the project learning to use HTML.
A webpage showing Goodbye in various languages for the project learning to use HTML.
A webpage built to practice anchor tags, embedding images and linking pages.
A webpage built to practice using Bootstrap
My name is Syed Qasim.
I have a Bachelors in Philosophy from Portland State University. Since graduating, I have worked in the following positions in the Tech industry:
I am taking this class to get a deeper understaning of programming
I love spending time with family, learning about new technologies, reading books and watching movies and TV shows


Taken along Waterfront Park by the Ohio River in Louisville, KY.
Taken at the home of David and Elizabeth Jordan in Southern Indiana.
A "Cicada Killer Wasp" in my alley.
Cicada.

I try to give flowers the "George Hurrell" treatment sometimes.
© 2019 Tracy Parker.


_A group of libraries for everyday angular usage.
Documentation:
The MIT License (MIT)
Copyright (c) 2015 Damian Dennis
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


(out of ****)
_Drop_Dead_Gorgeous_ (PG-13) **
_Dick_ (PG-13) *** 1/2
_Drop_Dead_Gorgeous_, writer Lona Williams and director Michael Patrick Jann's dark mock documentary details the events leading up to Mount Rose, Minnesota's American Teen Princess pageant, namely the rivalry between two leading candidates: rich bitch Becky Leeman (Denise Richards), daughter of the pageant coordinator and former Teen Princess (Kirstie Alley); and trailer park good girl Amber Atkins (Kirsten Dunst), daughter of a former runner-up (Ellen Barkin). Williams and Jann's targets are easy ones--pageants, Minnesotans, small towns--but the film bats a surprisingly low hit-to-miss ratio, with the truly inspired moments (the wheelchair-bound, anorexic reigning Teen Princess's wincingly hilarious musical number) lost in a sea of just plain unfunny ones (Amber's mother gets a beer can permanently fused to her hand after an explosion). Also a big miss is the predictable "mystery" element to the film, which has a number of contestants meeting untimely eliminations from competition. Ultimately, _Drop_Dead_Gorgeous_ exhibits a lot of attitude, but not a whole lot of smarts.
Dunst has much better luck with the _other_, much more intelligent satire she is also currently starring in, _Dick_. In what can be described as "teenage Romy and Michele take down the president," teen dim bulbs Betsy (Dunst) and Abigail (Michelle Williams) fall into the good graces of President Nixon (Dan Hedaya) and the positions of "Official White House Dog Walkers" after witnessing the Watergate break-in. Indeed, it is not the most promising of premises, but director Andrew Fleming, along with Sheryl Longin, writing collaborator turn it into gold by deftly weaving fact and fiction into a wholly convincing--and hilarious--tapestry. For instance, we learn the "true" origin of Tricky Dick's famous stance as well as what was on those missing 18 and a half minutes on Nixon's tapes (nothing criminal, but perhaps something more embarrassing). Ironically, it is those clever details that will likely lead _Dick_ to suffer the same weak box office fate that befell another savvy satire, last spring's _Election_--it is simply too smart (and, in this case, too historical) for its targeted teen audience. (_Dick_ opens August 4)
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://welcome.to/mrbrown CompuServe Hollywood Hotline: http://www.HollywoodHotline.com on ICQ: #25289934 | on AOL Instant Messenger: MrBrown23
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Machine Learning
Programming
Statistics
Research
Mathematical Modeling
Science
Economics
Data Analysis
Distributed Systems
Data Mining
Software Development
Statistical Modeling
Simulations
LaTeX
Java
C++
Matlab
Linux
R
Neural Networks
Applied Mathematics
Genetic Algorithms
Complexity Theory
Pattern Recognition
Monte Carlo Simulation
Bayesian statistics
Theory


Nef The Pharoah & Takeoff Join Forces On "Cloth Talk"
From the Bay to the A.
by Aron A.Cloth Talk
Nef The Pharaoh Feat. Takeoff
Editor Rating: HOTTTTT
User Rating: hottttt - 75% (6)
Nef The Pharoah's been putting in that work, man. It's only been about three months since he released his last project, Mushrooms & Coloring Books but clearly, he's wasting no time and making sure that he floods the streets before the end of the year. He's done a few big collaborations in the last few months with G-Eazy and Guapdad 4000. Now, he comes through with a brand new collaboration featuring Takeoff.
Nef The Pharoah makes that West Coast-ATL connection on their brand new single, "Cloth Talk." Nef The Pharoah carries the majority of the track with his animated, nonchalant flow while Takeoff swings in laidback and cool, detailing hitting big bank in the casino to trapping on the damn block.
Peep their new collaboration below and sound off with your thoughts in the comments.


{% extends 'base.html' %} {% block content %}
Created by {{blogdetailsId.author}}
{{blogdetailsId.content}}


Note: To complete these procedures, you must be assigned a role having the necessary permissions. To determine your role, follow the directions in Participant roles. For a basic understanding of roles and permissions, see Permissions and roles: Overview.
To create a new assessment (e.g., a test, quiz, or survey), in the
menubar of the relevant course or project site,
click Tests
& Quizzes
. From the Assessments page, you can
create a new assessment from scratch or from a template. (For more
information about using templates, see Adding, editing, or deleting an Assessment Type.) You also can import an assessment; see Importing or exporting assessments.
There are four basic steps to creating a new assessment:
In the "New Assessment" area, under "Create a new assessment":
Choose assessment type (optional)
drop-down box. For more on assessment types, see About Assessment Types.Create
. This will take you to the editing screen.The Settings
link, available from the Assessments page or
from the editing screen, allows you to specify various parameters for
the assessment (e.g., delivery dates and security settings). For more
information on the possible settings, see Assessment settings.
Note: You should not use the Immediate Feedback setting in Tests & Quizzes when assessing learning, as it may provide information students can use to correct their answers before submitting a test.
When you create a new assessment, a part (i.e., section) called
"Default" is created automatically. If you leave it named "Default",
that title will not appear on your assessment; to change the part's
name, click Edit
. You can begin adding questions immediately
to "Default", or you can add your own parts.
To add a part to your assessment:
Add Part
.
Add Attachments
.
Save
. To cancel them, click
Cancel
.
New parts will be listed in the order you create them. To switch
the order of two parts, before a part's name, change the number in the
drop-down list (i.e., next to "Part"). For example, if you have three
parts, and you want the third part to appear first, use the drop-down
list to change the 3
to 1
. The third part will
become the first part and the first part will become the third.
To edit the name and any of the information and settings
associated with a part, next to that part's name, click
Edit
.
Your assessment must always contain at least one part, but you can remove any of the parts you create. You can also remove the "Default" part, as long as you've already created another part to replace it.
To remove a part:
Note: The first part listed on the editing screen
will not have the Remove
option. To remove the first part,
you must switch its order with another part (if you don't have another
part, you'll have to create one), and then click Remove
.
Remove
.Remove part and all questions
Remove part only and move question(s) to
(use the
accompanying drop-down list to choose another part)
Remove
.
You can either create a new question to add to the assessment, or you can add a question from a question pool. To add your first question, first create an assessment, and then from the drop-down menu next to "Add Question:", choose the type of question to add. For more on question types, see Creating questions for an assessment. Once you've selected the type of question, the question editing screen will open.
To add a question from a question pool, from the drop-down menu
next to "Add Question", select Copy from Question Pool
.
On the question editing screen, the available options will depend upon the type of question you are adding. To change the type of question, choose another option from the "Change Question Type" drop-down menu. Options common to most question types include:
Note: The total points you assign will be divided among all the blanks in the question. For example, take the following question:
Polonius advises Laertes: "Neither a {borrower} nor a {lender} be".If you assign 10 points to this question, students will get 5 points each for filling in "borrower" and "lender".
Save
to add the question to
your assessment or to save any changes to the question.
Cancel
to abort the
question or changes and return to the editing screen.
After you insert a question into your new assessment, a drop-down
list, Insert New Question
, will appear in the assessment
editing screen at the end of each part. Use this button to add a
question directly to a specific part. Near the top, within the
assessment's title bar, clicking Preview
allows
you to preview the assessment as it presently stands. After you've
saved questions within your assessment, you can use the corresponding
Edit
and Remove
buttons to alter or delete
questions.


I am a Computer Science graduate from NIT Arunachal Pradesh. I am a web developer. I have designed my college official website. Also I have participated and won the award for creating website to IEEE section in my college. I am a technology loving person and I am not afraid to get my hands dirty on working in new technologies.
Feel free to write me at
<EMAIL_ADDRESS>You can also find me at


Redesign interfaces and icons for highly advanced scientific instruments.
Designed and coded by Rebecca Pariser© 2017 All Rights Reserved


WordListApi
This is the WordListApi API
updateWordList
URL
http://api.wordnik.com/v4/wordList.{format}/{permalink}
HTTP Method
PUT
Response Type
Parameters
permalink of WordList to update
This is the WordListApi API
http://api.wordnik.com/v4/wordList.{format}/{permalink}
PUT
permalink of WordList to update
Updated WordList
The auth token of the logged-in user, obtained by calling /account.{format}/authenticate/{username} (described above)
http://api.wordnik.com/v4/wordList.{format}/{permalink}
DELETE
ID of WordList to delete
The auth token of the logged-in user, obtained by calling /account.{format}/authenticate/{username} (described above)
http://api.wordnik.com/v4/wordList.{format}/{permalink}
GET
permalink of WordList to fetch
The auth token of the logged-in user, obtained by calling /account.{format}/authenticate/{username} (described above)
http://api.wordnik.com/v4/wordList.{format}/{permalink}/words
POST
permalink of WordList to user
Array of words to add to WordList
The auth token of the logged-in user, obtained by calling /account.{format}/authenticate/{username} (described above)
http://api.wordnik.com/v4/wordList.{format}/{permalink}/words
GET
ID of WordList to use
The auth token of the logged-in user, obtained by calling /account.{format}/authenticate/{username} (described above)
Field to sort by
Direction to sort
Results to skip
Maximum number of results to return
http://api.wordnik.com/v4/wordList.{format}/{permalink}/deleteWords
POST
permalink of WordList to use
Words to remove from WordList
The auth token of the logged-in user, obtained by calling /account.{format}/authenticate/{username} (described above)