Introverts
No, you are not psychos !
A Presentation by Arnaud Cojez
Introduction
Table of Contents
- What is an introvert?
- Introverts and the World
Formal Definition
“The direction of or tendency to direct one's thoughts and feelings toward oneself.”
Okay... So what does it means?
Be patient, I'm gonna explain it.
We need to go deeper...
Extraverts : Draw their energy from their environment.
Introverts : Draw their energy from their inner selves.
Introverts enjoy doing calm activities.
Introverts don't look for crowded places.
Introverts andthe World
How do I live with an introvert?
Introverts are not anti-socials.
Neither are they shy.
Introverts don't NEED to talk.
But they are good listeners!
Introverts are intense when they open to someone.
They could put the world to rights with you if they trust you.
How to live better as an introvert?
Accept yourself
Introversion is not a mental condition.
Tell the world what you want
People are not your ennemies, but they may not know the way you think.
Experience living
Listening to your inner self is great,
but sometimes, try to open your mind to the world.


Emmerdale fans convinced Lydia’s sister is pretending to be her after death twist
Emmerdale fans saw Lydia Hart discover she had a secret sister, only to be told by her that their mother had died
by Charlotte TuttonEmmerdale viewers have predicted an impostor twist will hit the Dales, after Lydia Hart's discovery about her benefactor.
She learned her recent windfall came from her mother Agatha Finn, who had her placed up for adoption when she was a child.
But after trying to track her down, she learned the heartbreaking news her mother had passed away three weeks ago.
The news came from her secret sister she didn't even know existed, while it was quickly clear she was hiding someting.
She was pretty quick in getting Lydia away from the house, and avoided letting her in or even having a proper conversation with her.
As the episode ended it appeared to be confirmed she was lying about their mother, who was very much alive in the house.
Now, viewers think there is more to the storyline and that her mother's true fate might not be the only lie.
Viewers were quick to praise the soap for the casting of Lydia's sister, stating how alike the two actresses look.
But this then led to a new theory, with fans questioning whether the newcomer is even Lydia's sister at all.
They're now wondering if she could in fact be posing as Lydia, pretending to be her given the fact the mother and daughter were separated years ago.
There's also the fact that Agatha had heard about her daughter from the recent newspaper report confirming a baby's remains had been discovered at the school - it was Lydia, real name Jenny Finn, who buried her baby who died during childbirth.
So could the mystery sister have seen an opportunity, and taken on Lydia/Jenny's identity?
One viewer said: "She is impersonating Lydia to steal her Mum's money... bookmark me!"
Another asked: "Is it really Lydia's sister though."
A third tweeted: "This sister is acting very suspiciously."
Emmerdale airs weeknights at 7pm on ITV, with an extra episode at 8pm on Thursdays.


--- title: Self-Knowledge Distillation keywords: fastai sidebar: home_sidebar summary: "This module implements self-knowledge distillation." description: "This module implements self-knowledge distillation." nb_path: "nbks/05_self_knowledge_distillation.ipynb" ---


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24-Dec-18 04:29 AM
[dscrdvrsc] <uchirosan> but this is the first time it will come to the masses
[dscrdvrsc] <miketout> right, and we have no interest in making secret targeting of VerusHash something that is rewarded. open targeting of VerusHash is a completely different story, especially for those who are interested in making an actual decentralized system
[dscrdvrsc] <uchirosan> having hardware that provides great increases in performance doesn't increase centralization
[dscrdvrsc] <uchirosan> the secret part i can agree with
[dscrdvrsc] <miketout> so people got their rewards for secretly mining. now we can all start over and see how to do things correctly
[dscrdvrsc] <uchirosan> but you can't attribute large incremental increases in technology capabilities with decentralization
[dscrdvrsc] <uchirosan> variation and availability is what provides decentralization
[dscrdvrsc] <miketout> and if it happens again, the secret part, there are lots of knobs and dials on the new algo that any good dev who deals with them this time around will understand. no need to be secret about it. there's even an immediate reward not to be, and if we can work to cooperate together, if there is a future algo change, it can be something we do together. if that can't be, then it can't, but we would like to try.
[dscrdvrsc] <uchirosan> and i get what your saying, i just dont like people using the term decentralization as a metric to push off fpga's like its a monopoly like bitmain etc
[dscrdvrsc] <uchirosan> your network hash could be comprised of some huge farms of gpu's, that is centralization
[dscrdvrsc] <uchirosan> thats the same for any coin
[dscrdvrsc] <uchirosan> adding any other hardware to the system that is owned by miners everywhere helps to prevent centralization
[dscrdvrsc] <uchirosan> but at the end of the day majority of miners mine what is profitable
[dscrdvrsc] <uchirosan> if you only had miners on your network that truly believed in your coin, you'd have a small centralized network
[dscrdvrsc] <miketout> i could have bricked the 325t chip that F1 one uses if that was our decision. it wasn't, and i hope i didn't. our initial hope was to get cooperation on the plan, but without that, I tried hard to make sure they could still implement the algo, though with a significantly smaller gap between CPUs, GPUs, and FPGAs than there has been. until someone really does follow the algo, we won't know, but as there is more than one party wanting to, I guess we will see soon enough.
[dscrdvrsc] <uchirosan> ya a lot of unknowns, i'll definitely keep an eye on the space
[dscrdvrsc] <uchirosan> its always a slippery slope when you see coins fork a month after finding new hardware on their network
[dscrdvrsc] <miketout> if you're a dev, look at the algo. this wasn't a knee jerk fork. it was very purposeful and the algo was designed for that purpose. we just tend to work quickly
[dscrdvrsc] <uchirosan> you guys found out about 2 weeks after the algo was released
[dscrdvrsc] <miketout> i don't think so
[dscrdvrsc] <uchirosan> i started mining it at release
[dscrdvrsc] <uchirosan> its only been out about 5-6 week now
[dscrdvrsc] <uchirosan> i could find the exact date
[dscrdvrsc] <uchirosan> the moment you guys found out about it, everyone in your network had the ability to buy an F!
[dscrdvrsc] <uchirosan> it was no longer secret
[dscrdvrsc] <miketout> i started suspecting before that, and by the time it was sure, it was clear that the suspicions were likely accurate when it started. i'm pretty sure i know when it started being used, and it was a bit more than a couple weeks
[dscrdvrsc] <uchirosan> looks like its been about 7 weeks
[dscrdvrsc] <uchirosan> according to my stats
[dscrdvrsc] <uchirosan> so not that long
[dscrdvrsc] <uchirosan> you guys found out about a month ago?
[dscrdvrsc] <uchirosan> publicly i should say
[dscrdvrsc] <uchirosan> 4-5 weeks?
[dscrdvrsc] <Cruz> @uchirosan What's the point you are trying to make, with this conversation?
[dscrdvrsc] <uchirosan> i'm having a conversation with him, not about a point
[dscrdvrsc] <uchirosan> we're just conversing
[dscrdvrsc] <miketout> we could not recommend that people buy Blackminer's F1 that was potentially going to be bricked without a deal, and the community wanted this approach. i think it's actually quite reasonable, and i look forward to the first FPGA implementations. very curious how the algo will be solved, which is why we are willing to help FPGA devs. we have no illusions that we will stay immune to custom hardware forever. we just want to get there as a community, not by being sniped from the side.
[dscrdvrsc] <uchirosan> nobody has to make a point in a convo, you can gain valuable insight into thought processes and clearer understanding
[dscrdvrsc] <Cruz> No problem. I was just curious.
[dscrdvrsc] <uchirosan> i do understand that @miketout
[dscrdvrsc] <uchirosan> like i said, i dont agree with secret mining
[dscrdvrsc] <uchirosan> its a double edged sword
[dscrdvrsc] <miketout> i also understand your point
[dscrdvrsc] <uchirosan> most coins/devs are incentivized by the current hardware scheme
[dscrdvrsc] <uchirosan> having a piece of hardware that drastically changes the eco system playing field can cause a stir
[dscrdvrsc] <uchirosan> and part of the reason why some want to go in secretly
[dscrdvrsc] <uchirosan> not saying its right or wrong
[dscrdvrsc] <miketout> in fact, given this response, there is a scenario where it turns out only to be positive, but I hope the person behind the secret mining strategy finds another vocation. i don't think this is the way to get millions of people to buy FPGAs, which is the only thing that will allow them to help with decentralization.
[dscrdvrsc] <uchirosan> if they had come to you and said, we have a piece of hardware that is 20x greater than what you currently have; what would you have said?
[dscrdvrsc] <uchirosan> most gpu miners that want to fight against fpga's and asics is because theyve invested heavily into gpu's and have suffered the market losses and can't afford new hardware
[dscrdvrsc] <uchirosan> so they dont want said new hardware coming into the space
[dscrdvrsc] <uchirosan> we are going to see sub $1k fpga's early in 2019 and $500 fpga's shortly thereafter
[dscrdvrsc] <miketout> i think 20x creates a problem, and i would have wanted to work with them on an algo change to close the gap while not preventing their miner to have an advantage as a professional tool that was specialized enough to economically deserve a premium. in fact, that is exactly what we tried to work out
[dscrdvrsc] <uchirosan> in a market where profits are next to nothing, fpga's can be the saving grace of the mining spher
[dscrdvrsc] <miketout> not at all
[dscrdvrsc] <uchirosan> what is the current hashrate on your algo on cpu and gpu?
[dscrdvrsc] <miketout> that argument is exactly the same as saying "there isn't enough to satisfy everyone who wants to participate, so just let a small number of people take more"
[dscrdvrsc] <miketout> you can look in the CPU hashrate channel. people are posting
[dscrdvrsc] <uchirosan> no,but stalling progress to help those that have hardware at the same of progression is just as bad
[dscrdvrsc] <miketout> there is no stalling of progress
[dscrdvrsc] <uchirosan> i would disagree with you there, the fact that you feel liek 20x performance on next gen hardware is too much and want to artificially bring it down is stalling progress
[dscrdvrsc] <uchirosan> thats saying, this new hardware is too fast relative to older hardware
[dscrdvrsc] <uchirosan> so we need to bring it down
[dscrdvrsc] <uchirosan> but i also see your point of view as well
[dscrdvrsc] <Godballz> I don't mean to butt in but I just wanted to add that in a system that is so young and where fpgas are not spread out or even known about it's hard to introduce them into a system with such huge electrical efficiencies where there is no small connection to price and price can be dropped down when a large Supply is controled
[dscrdvrsc] <Godballz> It is good for progress
[dscrdvrsc] <uchirosan> introducing fpga's to the market does nothing to coin prices
[dscrdvrsc] <miketout> the only argument that it is good is an argument that centralization is the cure to not enough mining profits. people are still mining with that advantage now, and if FPGAs follow the fork and cannot be faster than CPUs, it won't be because we wouldn't have cooperated to make that possible. it will be because we were not given that option. if we end up in a spot where FPGAs are definitely slower, we may actually consider a fork at the next natural point to do the opposite.
[dscrdvrsc] <Godballz> It's just not going on across the entire Market
[dscrdvrsc] <uchirosan> for those that have mined long enough ,we saw the same arguments from devs when gpu's starting taking the stage:)
[dscrdvrsc] <uchirosan> and then again with asics
[dscrdvrsc] <uchirosan> though asics were slanted towards the manufacturers and not what the hardware could do
[dscrdvrsc] <miketout> we were one of the only coins that made GPU and CPU mining work together on the network. FPGAs took advantage of a weakness in the algo, they didn't introduce some amazing new advance.
[dscrdvrsc] <miketout> the algo was simply too small
[dscrdvrsc] <uchirosan> they dont typically introduce an amazing advance
[dscrdvrsc] <miketout> in many ways
[dscrdvrsc] <uchirosan> they just have the power to mine faster and more efficiently without being a door stop like an asic
[dscrdvrsc] <uchirosan> really the best of both worlds in mining
[dscrdvrsc] <uchirosan> and i'm a gpu miner for many many years
[dscrdvrsc] <uchirosan> and i swapped over to a number of fpga's because it made sense to do so
[dscrdvrsc] <uchirosan> in a time when efficiency can mean no profits or some profits
[dscrdvrsc] <miketout> the idea that someone can mine more efficiently with more efficient hardware is a fallacy. it's all relative
[dscrdvrsc] <miketout> if everyone had FPGAs, they would be decentralizing, and they would not provide any advantage
[dscrdvrsc] <uchirosan> its not relative, a 1080ti uses a certain amount of power to mine a certain hash at a certain hardware cost
[dscrdvrsc] <miketout> right
[dscrdvrsc] <uchirosan> a product that can mine more coins, with less power with a better hash/hardware cost is more efficient
[dscrdvrsc] <miketout> but people will use more FPGAs and more electricity until they reach the amount they will spend
[dscrdvrsc] <uchirosan> no because fpga's cost more as well
[dscrdvrsc] <miketout> to compete at the level of their willingness to invest
[dscrdvrsc] <uchirosan> if your buidling a $2500 gpu rig
[dscrdvrsc] <miketout> i'm talking long term
[dscrdvrsc] <uchirosan> vs a 2500 fpga
[dscrdvrsc] <uchirosan> which one is more efficient for the cost?
[dscrdvrsc] <miketout> the only argument that they are more efficient is a relative argument
[dscrdvrsc] <uchirosan> power usage isn't relative
[dscrdvrsc] <uchirosan> its constant
[dscrdvrsc] <miketout> that is a relative question
[dscrdvrsc] <uchirosan> POW makes it constant
[dscrdvrsc] <miketout> power usage will go up when everyone has the same hardware to the same willingness to invest
[dscrdvrsc] <uchirosan> majority of people selling their gpu's would disagree with you
[dscrdvrsc] <uchirosan> those same people could buy an fpga and still be mining for the same upfront cost


{% extends "layout.html" %} {% block page_title %} Blank page {% endblock %} {% block content %} {% block phase_banner %} {% include "includes/phase_banner_alpha.html" %} {% endblock %} Changes to your class of shares Which class of shares are you making changes to? What class of share are you making changes to? Ordinary Ordinary A Ordinary B Ordinary C Other What changes are you making to the chosen class of shares? What changes have you made to the chosen class of shares? Consolidation Sub-division Redemption Re-conversion Read the guidance on what changes you can make. {% endblock %}
Read the guidance on what changes you can make.


Class Logger
This is a static object to log messages while executing.
Methods summary
public
String
|
#
__toString( )
Prints the Logger object as a string.
Prints the Logger object as a string.
This function returns the setted values of the Logger object.
Returns
String The Logger as a string.
Author
Since
0.1.1
|
public static
|
#
error( String $message )
This function prints errors.
This function prints errors.
Parameters
- $message
- The message to print.
Author
Since
0.0.0
0.0.1 Use LogLevel
0.1.2 Call the printMessage function on another way.
|
public static
|
#
force( String $message )
This function definitly prints the message.
This function definitly prints the message.
Parameters
- $message
- The message to print.
Author
Since
0.0.0
0.0.1 Use LogLevel
0.1.2 Call the printMessage function on another way.
|
public static
|
#
notify( String $message )
This function prints notifications.
This function prints notifications.
Parameters
- $message
- The message to print.
Author
Since
0.0.0
0.0.1 Use LogLevel
0.1.2 Call the printMessage function on another way.
|
public static
|
#
setLogLevel( ep6\LogLevel $level )
This function sets the log level.
This function sets the log level.
Parameters
- $level
- The log level to set.
Author
Since
0.0.0
0.0.1 Use LogLevel enum.
0.0.3 Set php error reporting automatically in developing systems.
0.1.2 epages-rest-php log level will not take effect in PHP log level.
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public static
|
#
setOutput( ep6\LogOutput $out )
This function sets the output ressource.
This function sets the output ressource.
Parameters
- $out
- The resource to output.
Author
Since
0.0.0
0.0.1 Use LogOutput enum.
|
public static
|
#
setOutputFile( String $filename )
This function sets the output file.
This function sets the output file.
Parameters
- $filename
- The filename of the new output file with path on the server.
Author
Since
0.1.2
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public static
|
#
warning( String $message )
This function prints warnings.
This function prints warnings.
Parameters
- $message
- The message to print.
Author
Since
0.0.0
0.0.1 Use LogLevel
0.1.2 Call the printMessage function on another way.
|


Oh snap!
Hooray!
PhoneNumber is required!
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Pin Code is required!
Pin Code should contains 6 characters


Hello Hello! Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!Hello Hello!
If some properties have been defined for the same selector (element) in different style sheets, the value from the last read style sheet will be used. Cascading Order: What style will be used when there is more than one style specified for an HTML element? All the styles in a page will "cascade" into a new "virtual" style sheet by the following rules, where number one has the highest priority: Inline style (inside an HTML element) External and internal style sheets (in the head section) Browser default So, an inline style has the highest priority, and will override external and internal styles and browser defaults. Breaking Concepts Deep!!! Only the conflicts are resolved else multiple style sheets can be used. Example! If paragraphs are conflicted then last style is chosen but all other unconflicted styles are chosen from all sources.


{% extends 'email/base_email.html' %} {% block content %}
| Tutor: | {{ booking.teacher.get_full_name }} |
| Class: | {{ booking.subject }} |
| Time: | {{ fixed_date_time.time }} |
| Duration: | {{ booking.class_time | date:"H:i"}} |
| Location: | {{ booking.place_description }} |
| For any further questions please contact us at<EMAIL_ADDRESS>|


Too many of the organizations that work every day to make people's lives better and to help us all in our daily lives struggle to achieve a strong level of techincal support. Whether that's lacking a knowledgeable user experience researcher, a strong design lead, or a proficient developer. It's our hope that by assembling those willing to help, we can alleviate some of the barriers for these organizations hoping to do good in the world, and eventually raise the baseline standard of technology and design in these areas.
We'll send you opportunities to engage with organizations that could use your help, in whatever way you would like to.


The Yield Curve has become a popular topic entering the second half of 2018, as the Fed has been more proactive in raising short-term rates. Starting this month, the flattening of the Yield Curve has produced its first inversions for the first time in a decade. The purpose of this project is to provide the user rich-data insights through visualizations and let her understand why the state of the Yield Curve has many economists spinning their heads.While we recognize there is no accurate way to predict large swings in the Markets, we believe this would provide a better idea of what to expect when the Curve becomes flat or inverted, and weather the storm.
For the last six decades, whenever the Curve is inverted, a few months later the Markets have experienced high volatility and recessions in most times. The Yield curve is thus a leading indicator of the economy and a good Barometer for it. We invite the user, first, to go through the different definitions and then study the visualizations for different dates and observe how the Curve changes in time. For experienced financial professionals, please jump into the Visualization section directly !
Skip terms-start exploring!This section is to only give a basic understanding to better utilize the visualizations. For a formal definition of these terms, please visit wikipedia. In all our visualizations, we refer to the U.S economy.
Yield Curve : Is a curve showing several interest rates(or yields) across different contract lengths(3 months, 1 year, 30 years,..) for a similar debt contract. More specifically,the U.S. dollar interest rates paid on U.S. Treasury securities for various maturities are commonly plotted on a graph such as the one below and is informally called "the yield curve". More formal mathematical descriptions of this relation are often called the term structure of interest rates. The U.S Federal Reserve announces these rates on a daily basis.
Spread of the Yield Curve: The difference between the long-term and short-term interest rates on a given day is usually termed as the Spread of the Yield Curve. There are various spreads, but Economists and Stock-marketers generally follow the 10-1 and 10-2 spreads (the difference between the 10 year and 1 year interest rates and 10 year and 2 year interest rates).
S&P500: The Standard & Poor's 500 often abbreviated to S&P500 is an index based on the market capitalization of the 500 largest companies. The S&P500 is generally a good indicator of the stock market sentiment and is often used in Financial/Economic discussions.
GDP:The GDP or the Gross Domestic Product is a monetary measure of the market value of all the final goods and services in a period of time, often annually or quarterly.
Unemployment Rate: The United States Census Bureau (within the United States Department of Commerce) and/or the Bureau of Labor Statistics (within the United States Department of Labor) gather and publish employment statistics monthly and this is a good indicator of the health of the Economy from the perspective of the 'Main Street' or common man.
The following visualization, gives an introduction about Yield Curve and the S&P 500. We invite the user, first, to go through different dates and observe how the Curve changes in time. Second, change to the tab "SP500 vs YC" on the top left corner of the chart and hover along the datapoints in the S&P 500 and see how the Yield Curve behaves, especially before the big crashes in 2001 and 2008.
The following visualization allows the user to compare the spreads of the yield curve (top chart) and see the effects on the different indicators : GDP, S&P500 and Unemployment in the (bottom chart) a few months later. We invite the viewer to spot whenever the spreads go negative and see how many months it takes to reflect on the GDP (and other indicators) by adjusting the width of the red handlebars. The visualization also captures the points within the red handlebar and presents two scatterplot, one representing the daily S&P500 change vs the yield spread and the other with the GDP vs yield spread. In case the user would like to use the unemployment, S&P500 data instead of the GDP data, the user can do so by choosing the appropriate radio button.


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   "Holy Man" takes on America's favorite pastime, gently rather than bitingly suggesting that happiness cannot be gained through this activity, the title character insisting that material things are merely a substitute for what we really want. The idea is not a new one. We fireside philosophers have pondered whether wealth beyond a certain point contributes all that much to our joy and, in fact, whether compulsive collecting is really a sign of inner, insatiable needs. In "Holy Man," Eddie Murphy, in the role of "G," favors the simple life without material possessions and walks away from a lucrative contract to continue a pilgrimage to places and people unknown. Before he flees from the world of things, he provides us with a portrait of a man who connects with us because of his uncomplicated, homespun warmth, beaming smile, and selfless devotion to people he has grown to love.
But the 37-year-old, Brooklyn-born Mr. Murphy is not as amusing as he was in his previous pictures, especially the "Beverly Hills Cop" series, nor does his performance show the depth he displayed in "The Nutty Professor." The movie is far blander than his concert performance in "Eddie Murphy Raw," and though it contains moments of caustic wit, this PG- rated picture is so namby-pamby, so confused about its view of frenzied shopping, that when you leave the theater you may want to tune into QVC or other cable network on your 35 inch TV and start ordering. Tom Schulman's plot, as directed by Stephen Herek, gives us a mixed message. "G" is supposed to dissuade his audience from their frantic pursuit of material goods, yet his appearance on the TV shopping channel, where he pleads for better human relations and love of nature, nets the producer the biggest boost in sales in his history. What's more "G"'s promotion of the spiritual lifts the income of the advertisers not only through the sly manipulation of the TV cameras but by "G's" own endorsement of products like chain saws, gadgets that use your car's motor to cook food, and straw welcome mats.
The story opens on Ricky (Jeff Goldblum), a TV executive whose job is threatened by his boss, producer McBainbridge (Robert Loggia), because the shopping channel is suffering from a flatness in sales. Driving along a Miami highway with an attractive but businesslike marketing manager, Kate (Kelly Preston), he suffers a blowout which "G," a holy man on a pilgrimage, offers to fix. When "G" is almost run down by Ricky's car, Ricky and Kate take him to a hospital and pay his medical bills, while Ricky invites him to stay at his home during his recuperation. Insinuating himself onto the stage of the shopping channel during a live broadcast, he imparts advice to a young woman demonstrating a battery-operated facial toner that "You don't need that to be beautiful: you're beautiful already," but does not leave the platform without turning up the current and propelling her face into unearthly contortions. Picking up another actor's chainsaw, he asks his audience what they would rather see: the studio trashed by this advertiser's product or G's carving a statue of the Venus de Milo with his own hands. To see destruction is the implied answer, and G provides us with just that.
After a series of skits of varying merit, G is offered a lucrative job on the station with the proviso that his agreeing to a contract would save Ricky's job. G's ultimate decision flies in the face of sentiment, implying that it's better for an individual to seek his own happiness than to better the lives of others through preaching and charitable donations.
The movie is dominated not by Eddie Murphy but by Jeff Goldblum, a versatile actor indeed, who can flesh out a comic performance as easily as he can horrify us in the role of a fly. The romantic scenes which are superimposed on the ad satire appear contrived but more than that they distract our focus from the primary point of the story: that spiritual goodness leads to contentment far more readily than material engorgement. The age difference between Kelly Preston and Jeff Goldblum does not help their chemistry together, their tearful reconciliation coming across as merely sticky and hackneyed. For a more pungent, loopier send-up of America's slavery to goods, try to catch a revival of Percy Adlon's "Rosalie Goes Shopping," featuring the obsession of Bavarian-born Marianne Sagebrecht, who has settled into an Arkansas town and spends whole days phoning the shopping channel while lying in bed.
Rated PG. Running Time: 114 minutes.(C) 1998 Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


West Ham forced to delete Jose Mourinho Tweet ahead of Tottenham clash
by Tom ProcterWest Ham United lit the fire ahead of the weekend Premier League game with Tottenham Hotspur, by posting a cheeky Tweet about Jose Mourinho.
The north Londoners stunned the footballing world by sacking Mauricio Pochettino on Tuesday night, and replacing him with the Portuguese early Wednesday morning.
The 56-year-old has been out of work since December 2018 after getting the chop from Manchester United.
Chairman Daniel Levy has acted ruthlessly and swiftly, and Mourinho has already taken training ahead of the weekend clash with the Hammers.
The club’s social media team appear to be particularly excited about facing off against the tactician, and put together a short montage of his struggles against the Hammers in recent years, along with the caption ‘See you Saturday, Jose’.
The Tweet has since been deleted by the club, but can be viewed via user @Likomonio, and includes highlights of last season’s stunning 3-1 win over Mourinho’s Manchester United.
TBR’s view
It would seem that the Tweet struck completely the wrong tone, with many fans fearful about a potential defeat on Saturday.
The fact West Ham are winless in six games is perhaps another reason the Tweet was eventually deleted.
The Tweet may now be gone from the West Ham feed, but the internet never forgets, and Spurs fans will be waiting with their screenshots should Mourinho get his first win.
Have something to tell us about this article?
Let us know


Technical Blog
06/07/2016
The Wishlist
Zen Garden 217 example - I really like the colours with divs overlaping that have a lower opacity, very cool effect I'll give it a go.
Zen Garden 220 example - The 3 columns is a classic, menu on the left hand side vertically looks pretty neat. Something to consider.
The Verge is one of my favourite websites, love the "coloured filters" over their articles, the fonts are cool and the menus look great. Only thing I have a problem with is the semi boring newspaper type column down the middle with just a bunch of whitespace on later screens, it's fine but I'm not a huge fan.
07/07/2016
Can you think of an analogy to describe HTML, CSS and the DOM? How would you describe it to your non-technical friend?
There is that house one but I wasn't too much of a fan of that... I'll come back to this one
What is meant by boxifying design?
Breaking up all the components of a webpage into boxes! Makes it a lot easier to think about how you will construct it.
What is the box model?
Elements all follow a box model which can be revealed with dev tools the box model shows the margin boarder and padding then the element itself.


FlightSurety
Authorize User
Authorise New User
Airline
Register New Airline
Fund (in Ether)
Flight
Flight Number
Price (ETH)
From
To
Start
End
Register Flight
Insurance
Flight
Insurance amount
Purchase Insurance
Claim insurance amount in case of a flight delay.
Claim Insurance
Oracles
Flight
Submit to Oracles


{% extends "layout_bsa.html" %} {% block page_title %} Prepay for NHS prescriptions {% endblock %} {% block content %} Is the account holder's address the same as yours? Yes No Save and come back later {% endblock %}
Save and come back later


Sorry, there are
No Results
Your search brought up no results. Try using a different keyword. Or try typying all to see all items in the demo. These can be linked to anything you want.
Search for Anything
Our search is based on HTML5 data attributes, making it fully flexible and easy to use. you can load any type of data you want in the HTML or apply back-end logic to call elements. The search list can have any design and you can even add colors to the search boxes.


{% extends "layout.html" %} {% block title %}Login{% endblock %} {% block additional_style %} {% endblock %} {% block body %}
Welcome to Federa, the toolshed for the fediverse.
Federa groups allow you to create communities akin to mailing lists for the fediverse.
Tell us with which Mastodon instance you want to log in with
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Earth observation data captured by a spectral sensor consists of measurements at one or more bands, or frequency ranges. The size, spacing and number of these bands determine the spectral resolution of the sensor.
A normal camera captures three bands of light frequencies in the visible spectrum. It has a relatively low spectral resolution since it samples a very small range of the available spectrum, and each band is quite wide.
At the other extreme, a hyperspectral sensor captures up to 256 bands across a much wider section of the spectrum and each band is much smaller. It thus has a much higher spectral resolution.
A remote sensing specialist will use the appropriate spectral resolution for their application. In other words, they will choose a sensor that measures the spectra they are interested in, in bands narrow enough to discriminate the phenomenon of interest.
A GIS can generate reflectance or spectral signatures from satellite imagery. Spectral signatures are the specific combination of emitted, reflected or absorbed electromagnetic radiation at varying wavelengths that can uniquely identify an object. Water, soil and vegetation give a different signature as shown below. They can be seen as fingerprints and are used to identify mineral type and the health of plants.


{% load staticfiles %}
{% include "homepage/includes/navbar.html" %}
{% block content %} {% endblock %} {% include "homepage/includes/footer.html" %}
{% block javascript %} {% endblock javascript %}


{% extends 'base.html' %} {% block content %}
Your Vote is Anonymized!
No Option Available!
If already Submitted, Re-Submit to Update your Vote!


--- layout: post title: openSUSE Regular Release - The Future is Unwritten, let's write it date: '2015-05-02 01:46:21 +0200' tags: [] ---
The recording of my presentation from openSUSE conference 2015 is live.
During the session I talk about the success of Tumbleweed and how its the best choice for anyone who wants their Linux with the latest and greatest software
I then go on to talk about our openSUSE Regular Release, where I propose using the recently released SUSE Linux Enterprise sources as an opportunity to build a Stable Linux release that covers the needs of more conservative users as successfully as Tumbleweed covers the needs of those who want new versions of everything, regularly
Please enjoy the video and join the discussion on the<EMAIL_ADDRESS>mailinglist


Designing for Accessibility
The web is an ever-evolving entity, and is continually shaped by how we use it. It’s changed so rapidly in just this past decade, and it would certainly be an unrecognizable technology to users from the AOL era of 20 years past. Through initiatives and campaigns, some progress has been made to incorporate more members of society, from the poor to the geographically far-flung, but one area in particular falls directly to designers and developers to maintain: accessibility to people with disabilities.
Because the web has become a central part of how communities interact and how individuals conduct personal business, it’s essential to provide the tools for anybody who visits a page to be able to understand the content. Although not always evident at first glance, there are numerous tools a designer can employ to ensure all users can access the information contained on a site. For example, how would a blind person use the internet? They do, and have for years, with software and hardware specifically for their needs.
One tool is a braille terminal, which converts text into braille patterns on a surface for interpretation and continually refreshes. Another is a screen reader, which literally reads the information to the listener. This seems like an easy solution, but it doesn’t always work correctly. It’s up to the site’s creator to make the source code compliant with these accessibility standards. For example, how would someone who is blind or vision-impaired interpret images? To address this, a designer should include information about the image in “alt” format within img
tags like this: img src=“/file_path.jpg” alt=“picture of a dog licking Dalai Lama’s ice cream cone”
. When a screen reader encounters the image tag, it can read the description to the user before continuing.
Accessibility standards should be practiced to accommodate not just the blind, but a diverse group of millions of people who may have obstacles to accessing content and contributing their own. Magnification software is available for older people who may have trouble reading their screens. Dictation tools can recognize speech so that those who may have trouble using a mouse and keyboard can navigate or enter text. Subtitles or links to videos with sign language are available for the deaf community, but again, this additional content is up to the creators of the site, and is not always available.
This is why it’s the duty of each developer and designer to learn about best practices when it comes to accessibility, and to be vigilant about putting it into practice. Access to the web as a basic right has become a more accepted idea in recent years, but it only works in practice if we all recognize the needs of the greater community and use the tools available to us to make communication in this medium truly universal.


ALL THE VERMEERS IN NEW YORK A film review by George V. Reilly Copyright 1992 George V. Reilly
ALL THE VERMEERS IN NEW YORK is a film written, directed, edited, and photographed by Jon Jost. It stars Stephen Lack and Emmanuelle Chaulet.
I hated VERMEERS. I found it to be self-indulgent, vacuous, irritating, boring, and pretentious. About a quarter of the audience disliked it enough to walk out before the end.
The plot, if the mishmash of disjointed scenes can be thus dignified, concerns a Wall Street stockbroker, Mark (played by Lack), who is smitten by a young French actress, Anna (played by Chaulet), whom he encounters at the Metropolitan Museum of Art. She is staring intently at some paintings by Vermeer, and he is taken by her likeness to one of the portraits.
The film is full of pointless scenes. A long scene at the beginning of the film takes place in a gallery: an artist is arguing with the owner, desperately, angrily trying to get her to advance him a loan, while elsewhere in the gallery, a woman is looking intently at the large canvasses on display. None of the characters ever appear again in the film, save the receptionist who only has a minor part in the scene, nor do the events there have any bearing on what happens subsequently. Then there's the whirlwind tour of the columns and the opera singer roommate whose only role on the couple of occasions that she appears is to irritate her other roommates (and the audience) by practicing her voice exercises.
I disliked the photography: the subjects were often out of focus; Jost likes tight, tight closeups of his subjects' heads; he pans across various scenes in a jittery, almost stroboscopic fashion; and in one irrelevant scene in a hallway full of tall columns, he moves the camera through the columns in a random fashion, stopping here, panning there, turning suddenly to the left or the right, so that by the end of the scene I felt slightly motion-sick.
The characters are remote and unappealing. Anna is distant and aloof; the closest she comes to showing some warmth or interest in the other characters is her occasional quirky smile. Mark snaps his way through work, snarling down the phone, hectoring his colleagues. Outside of work, he becomes somewhat more likable, if hardly appealing.
This film won the L. A. Film Critics Award for Best Independent Film. I hate to think what the competition must have been like.
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Feel free to get in touch with me with anything related to UIDesignDaily or you can just say hi 👋 I will get back to you as soon as I can.
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This is the track you should take.
You should take CSS
You should take C#
You should take Java
You should take Ruby


Create a Post request to /uploadFile with an image with a digit and get as a responce which digit is on the image.
Images can be colored and with any size.Purely free for anyone who wants to use it.


MQTT adapter settings
Connection
MQTT Settings
Main settings
Type:
Client
Server
Use WebSockets:
Connection settings
URL:
Port:
Secure:
rejectUnauthorized
Public certificate:
Private certificate:
Chained certificate:
Authentication settings
User:
Password:
Password confirmation:
Test connection
Adapter settings
Patterns:
Divided by comma
Mask to publish own states:
Mask to publish
Store only on change:
Publish all states at start:
Publish states on subscribe:
Prefix for topics:
Trace output for every message:
Send states (ack=true) too:
Use different topic names for set and get:
Send state object as mqtt message 2222
Max topic length:
chars
Client ID:
Interval before send topics by connection:
ms
Send interval:
ms


Welcome to.. \•∆•/ DNA css docs !!! These docs are currently under construction... so please be patient until we bring everything here. [Approx-time: 2 Months (March-April)]
By ©2020 Doublepicebs.Published under MIT license.


This is the lyrics of Shiva Kavach in English and Devanagari script. You will also find the meaning of Shiva Kavach in English. The Shiva Kavach is read to please Lord Shiva.
Shri Shivaaya Namaha ॥
Asya Shiva Kavacha Stotra Maha Manthrasya
Brahma Rishi, Anushtup Chanda,
Shri Sada Shiva Rudro Devatha,
Hreem Shakthi, Ram Keelakam,
Shreem, Hreem, Kleem Bheejam
Sri Sada Shiva Preethyarthe
Shiva Kavach Stotra Jape Viniyoga.
Adha Nyasaha.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Hraam
Sarva Shakthi Daamne
Eesanathmane Angushtabhyam Nama.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Nam Rim
Nithya Thruptha Dhamne Thath
Purushatmane Thar Janeebhyam Namaha.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Nam Rum
Anadhi Shakthi Dhamne
Aghorathmane Madhyamabhyam Namaha.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Shim Raim
Swthanthra Shakthi Dhamne
Vamadevathmane Anamikabhyam Namaha.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Vam Roum
Aluptha Shakthi Dhamne
Sadhyo Jathmane Kanish Tikabhya Namaha.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Yam Raha
Anadhi Shakthi Dhamne Sarvathmane
Kara Thala Kara Prushtabhya Namaha.
Yevam Hrudhayadhi.
Adha Dhyanam.
Vajra Damshtram Trinayanam,
Kala Kanda Marindhamam.
Sahasrakara Mathyugam,
Vande Shambhum Umapathim. ॥1॥
Adhoparam Sarva Purana Guhyam,
Nissesha Papougha Haram Pavithram.
Jayapradham Sarva Vipath Pramochanam,
Vakshyami Shaivam Kavacham Hithaya They. ॥2॥
Rishabha Uvacha
Namskrythwa Maha Devam,
Vishwa Vyapee Nameeswaram.
Vakshye Shiva Mayam Varma,
Sarva Raksha Karam Nrunaam. ॥3॥
Suchou Dese Samaaseeno,
Yadavath Kalpithasana.
Jithendriyo Jitha Pranas,
Chinthayeth Shivam Vyayam. ॥4॥
Hruth Pundarika Antha Sannivishtam,
Swatheja Saavyaaptha Nabhovakasam.
Atheendriyam Sookshma Mana Antham Adhyam,
Dyayeth Parananda Mayam Mahesam. ॥5॥
Dhyannavadhoothakhila Karma Bandha,
Schiram Chidwananda Nimagna Chetha.
Shadakshara Nyasa Samahithathma,
Saivena Kuryath Kavachena Rakshaam. ॥6॥
Maam Pathu Devo Akhila Devathathma,
Samsara Koope Pathitham Gabheere.
Thannama Divyam Paramanthra Moolam,
Dhunothu May Sarvamagham Hrudhistham. ॥7॥
Sarvathra Maam Rakshathu Vishwa Moorthir,
Jyothir Mayananda Ghanaschidathma.
Anoraniyanuru Shathireka,
Sa Ishwara Pathu Bhayad Aseshath. ॥8॥
Yo Bhoo Swaroopena Bhibharthi Vishwam,
Paayath Sa Bhoomer Gireeso Ashta Moorthi.
Yopaam Swaroopena Nrunaam Karothi,
Sanjeevanam Sovathu Maam Jalebhya. ॥9॥
Kalpavasane Bhuvanaani Dhagdwa,
Sarvaani Yo Nruthyathi Bhoori Leela.
Sa Kala Rudhro Vathu Maam Davagner,
Vathyadhi Bheethor Akhilascha Thapath. ॥10॥
Pradheeptha Vidhyuth Kanakava Bhaso,
Vidhya Vara Bheethi Kutara Pani.
Chathurmukha Sthath Purushasthri Nethra,
Prachyam Sthitham Rakshathu Mamajasram. ॥11॥
Katara Vedhamkusa Pasa Shoola,
Kapala Dakkaksha Gunaan Dhadhaana.
Chathurmukho Neela Ruchistri Nethra,
Payadghoro Dishi Dakshinasyam. ॥12॥
Kundendu Sankha Sphatikaava Bhaso,
Vedaksha Mala Varada Bhayanka.
Triksha Chatur Vakthra Uru Prabhava,
Sadhyodhi Jatho Aavathu Maam Pratheechyam. ॥13॥
Varaksha Mala Abhaya Tanga Hastha,
Saroja Kinjathka Samana Varna.
Trilochanas Charu Chatur Mukho,
Maam Payad Udechyam Disa Vama Deva. ॥14॥
Veda Abhayeshtangusa Pasa Tanga,
Kapala Dakkakshaka Shoola Pani.
Sithadhyuthi Pancha Mukhova,
Thwnmaeesana Oordhwam Parama Prakasha. ॥15॥
Moordhana Mavyanmamam Chandra Mouli,
Phalam Mamavyadhadha Phala Nethra.
Nethremamaavyadh Bhaga Nethra Haaree,
Naasam Sada Rakshathu Viswanadha. ॥16॥
Payachsruthirmay Shruti Geetha Keethi,
Kapola Mavyaathsa Thatham Kapali.
Vakthram Sada Rakshathu Pancha Vakthra,
Jihwam Sada Rakshathu Veda Jihwa. ॥17॥
Kandam Giri Sovathu Neela Kanda,
Pani Dhwayam Pathu Pinaka Pani.
Dhor Mola Mavyan Mama Dharma Bahur,
Vaksha Sthalam Daksha Makhanda Kovyath. ॥18॥
Mamodharam Pathu Girindra Dhanwa,
Madhyam Mamaavyanmadanathakari.
Heramba Thatho Mama Pathu Nabhim,
Payath Kateem Door Jatiswaro May. ॥19॥
Oorudwayam Padu Kubheramithra,
Janu Dhwayam May Jagadheeswaravyath.
Janga Yugam Pungava Kethuravyath,
Padou Mamavyath Sura Vandhya Pada. ॥20॥
Maheswara Pathu Dhinadhi Yame,
Maam Madya Yame Aavathu Vama Deva.
Trilochana Pathu Thritheeya Yame,
Vrusha Dwaja Padu Dinandya Yame. ॥21॥
Paayan Nisadhou Sashi Shekharo Maam,
Gangadharo Rakshathu Maam Nisidhe.
Gowripathi Pathu Nisavasane,
Mruthyunjaya Rakshathu Sarva Kalam. ॥22॥
Anthasthitham Rakshathu Sankaro Maam,
Sthsanu Sadaa Pathu Bahi Sthitham Maam.
Thadanthare Pathu Pathi Passonaam,
Sada Shivo Rakshathu Sarva Kalam. ॥23॥
Thishtanthamavyath Bhuvaanaika Nadha,
Payad Vrujantham Pramadhathi Nadha.
Vedantha Vedhyovathu Maam Nishannam,
Mamavyaya Pathu Shiva Sayaanaam. ॥24॥
Margeshu Maam Rakshathu Neelakanda,
Shailadhi Durgeshu Purathrayari.
Aranya Vasadhi Maha Pravase,
Payad Mruga Vyadha Udhara Shakthi. ॥25॥
Kalpantha Katopa Patu Prakopa,
Sphutattahasochali Thanda Kosa.
Ghorari Senarnava Dur Nivara,
Maha Bhayad Rakshathu Veera Bhadhra. ॥26॥
Pathyaswa Mathanga Ghatavaroopa,
Sahasra Lakshayutha Koti Bhishanam.
Akshouhineenaam Satha Matha Thayinam,
Chindhyan Mrudo Ghora Kutaradharaya. ॥27॥
Nihanthu Dasyun Pralayanalarchir,
Jwalath Trishoolam Tripuranthakasya.
Saardhoola Simaraksha Vrukaadi Himsraan,
Santhraasaya Thweesa Dhanu Pinaka. ॥28॥
Duswapna Du Shakuna Durgathi Dourmanasya,
Durbiksha Durvyasana Dussaha Dooryamsi.
Uthpatha Thapa Visha Bheethi Ma Sadgraharthi,
Vyadheemscha Nasayathu May Jagatham Adheesa. ॥29॥
Om Namo Bhagwwathe Sadh Shivaya,
Sakala Thathwathmakaya Sarva Manthra Swaroopaya,
Sarva Yantra Dhistitaaya
Sarva Tantra Swa Rupaaya Brahma Rudravatharine,
Nilakandaya Parvathi Manohara Priyaya,
Soma Suryagni Lochanaya.
Bhasmodhoolitha Vigrahaya,
Maha Mani Makuta Dharanaya,
Manikhya Bhooshanaya Srushti Sthithi
Pralaya Kala Roudhravatharaya,
Daksha Dwara Dwamsakaya,
Maha Kala Bhedanaya Moola
Dharaika Nilayaya Thathwatheethaya.
Gangadharaya Sarva Devadhidevaya Shadasrayaya,
Vedantha Saaraya Trivarga Sadhanaya
Anantha Koti Brahmanda Nayakaya
Anantha Vasuki Thaksha Karkodaka
Sankha Kulika Padma Maha Padmayeshta
Maha Naga Kula Bhooshanaya.
Pranava Swaroopaya Chidakasaya,
Aakasa Dik Swaroopaya
Graha Nakshatra Maline,
Sakalaya Kalanka Rahithaya,
Sakala Lokaika Karthre
Sakala Lokaika Bharthre
Sakala Lokaika Samharthre
Sakala Lokaika Gurave
Sakala Lokaika Sakshine
Sakala Nigama Guhyaya.
Sakala Vedantha Paaragaya,
Sakala Lokaika Vara Pradhaya,
Sakala Lokaika Shankaraya,
Sasanku Shekaraya, Sashwatha Nija Vasaya,
Nirabhasaya, Niramayaaya, Nirmalaya,
Nirlobhaya, Nirmadhaya, Nischinthaya,
Nirahankaraya, Nirangusaya, Nishkalankaya.
Nirgunaya, Nishkaamaya, Nirupaplavaya, Niravadhyaya,
Nirantharaya, Nishkaranaya, Nirathangaya, Nishprapanchaya,
Nissangaya, Nirdwandwaya, NIradharaya, Neeraagaya,
Nishkrodhaya, Nirmoolaya, Nishpapaya, Nirbhayaya,
Nivikalpaya, Nirbhedhaya, Nishkriyaya, Nisthoolaya,
Nissamsayaya, Niranjanaya, Nirupamavibhavaya.
Nithya Shudha Budhi Paripoorna
Sachidaanada Adwayaya Parama Santha Swaroopaya,
Thejo Roopaya Thejomayaya.
Jaya Jaya Rudhra, Maha Roudhra, Bhadravathara,
Maha Bhairava, Kala Bhairava, Kalpanthaka Bhairava,
Kapala Maladhara, Gadwanga, Gadga Charma Pasa
Angusa Damaru Shoola Chapa Bana Gadha Shakthi
Bindi Pala Thomara Musala Mudgara,
Pasa Parigha Bhoosundi Sathagni Chakradhyaudha,
Bheeshanakra Sahasra Mukha Damshtra Karala Vadana.

Sarva Bhadha Prasamanam,
Rahayam Sarva Dehinaam. ॥30॥
Yasaada Dharayen Marthya
Shaivam Kavacha Amuthamam.
Na Thasya Jayathe Kwapi
Bhayam Shambhoranugrahath. ॥31॥
Ksheenayu Praptha Mrityurva
Maha Roga Gahathopivaa.
Sadya Sukhamavapnothi,
Deergatuscha Vindathi. ॥32॥
Sarva Daridrya Samanam
Soumagalya Vardhanam.
Yo Dathe Kavacham Shaivam
Sa Devairapi Poojyathe. ॥33॥
Maha Pathaka Sangathair
Muchyathe Chopa Pathakair.
Dehanthe Mukthi Maapnothi,
Shiva Varmanu Bhavatha. ॥34॥
Thwamapi Sradhaya Vathsa,
Shaivam Kvacha Amuthamam.
Dharayaswa Maya Datham,
Sadhya Shreyohyavapsyasi. ॥35॥
Sootha Uvacha
Ithyukthwa Rishabho Yogi
Thasmai Parthiva Soonave.
Dadhou Sankham Maharaavam,
Gadganchari Nishoodhanam. ॥36॥
Punascha Basma Sammanthrya
Thadangam Parithosprusath.
Gajaanaam Shad Sahasraya
Dwigunasya Balam Dadhou. ॥37॥
Basma Prabhvad Sampraptha,
Balaiswaryadruthi Smruthi.
Sa Raja Puthra Shushubhe,
Saradarka Iva Shriya. ॥38॥
Thamaha Pranjalim Bhooya
Sa Yogi Nrupanandanam.
Yesh Gadgo Maya
Dathasthapo Manthranubhavitha. ॥39॥
Shitha Dharamimam Gadgam
Yasmai Darsaye Sphutam.
Sa Sadhyomriyathe Shathru
Saaksad Mruthyurapi Swayam. ॥40॥
Asya Shankhasya Nirhradham
ye Shrunwanthi Thavahithaa.
They Moorchithaa Pathishyanthi
Nyastha Shasthra Vichethana. ॥41॥
Gadga Shankhavimou Divyou
Para Sainya Vinasinou.
Athma Sainyasya Pakshaanam
Sourya Thejo Vivardhanou. ॥42॥
Yethayoscha Prabhavena
Shaivena Kavachena Cha.
Dwishat Sahasra Nagaanaam
Balena Mahathapi Cha. ॥43॥
Basma Dharana Samarthyath
Shathru Sainyam Vijayishyasi.
Prapya Simhasanam Pithryam
Gopthasi Prithveemimaam. ॥44॥
Iti Bhadrayusham Samyag
Anusasya Samathrukam.
Thaabhyaam Sampoojithaa Sodha
Yogi Swaira Gatir Yayou. ॥45॥
Iti Sri Sanda Purane Bramothara Kande,
Shiva Kavacha Stotram Sampoornam.

Asya Shiva Kavacha Stotra Maha Manthrasya
Brahma Rishi, Anushtup Chanda,
Shri Sada Shiva Rudro Devatha,
Hreem Shakthi, Ram Keelakam,
Shreem, Hreem, Kleem Bheejam
Sri Sada Shiva Preethyarthe
Shiva Kavach Stotra Jape Viniyoga.
For the great chant of Shiva's armour, the sage is Lord Brahma,
the meteor is Anushtup, the god addressed is Lord Sada Shiva Rudra,
the strength is hreem, the nail is ram and the root is Shreem, hreem, kleem.
The Shiva Kavacha is being chanted to please Lord Sada Shiva.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Hraam
Sarva Shakthi Daamne
Eesanathmane Angushtabhyam Nama.
Om salutations to the dazzling and shining God,
Om Hraam God who gives all powers,
Oh soul of God, salutations by the thumb.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Nam Rim
Nithya Thruptha Dhamne Thath
Purushatmane Thar Janeebhyam Namaha.
Om salutations to the dazzling and shining God,
Om Nam Rim who grants perennial satisfaction,
Oh soul of Purusgha, salutations by the forefinger.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Nam Rum
Anadhi Shakthi Dhamne
Aghorathmane Madhyamabhyam Namaha.
Om salutations to the dazzling and shining God,
Om Nam Rum, who gives the power of the ancient,
the soul of Aghora salutations by the middle finger.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Shim Raim
Swthanthra Shakthi Dhamne
Vamadevathmane Anamikabhyam Namaha.
Om salutations to the dazzling and shining God,
Om Shim raim, one who gives independent power and
the soul of Lord Vama salutations by the ring finger.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Vam Roum
Aluptha Shakthi Dhamne
Sadhyo Jathmane Kanish Tikabhya Namaha.
Om salutations to the dazzling and shining God,
Om vam roum, he who grants strength of aluptha,
the soul of Sadhyojadha, salutations by the little finger.
Om Namo Bhagawathe
Jwala Jwaala Maline
Om Yam Raha
Anadhi Shakthi Dhamne Sarvathmane
Kara Thala Kara Prushtabhya Namaha.
Om salutations to the dazzling and shining God,
Om tam ra he who he grants primeval power,
soul of all salutations by palm and back side of hand.
Yevam Hrudhayadhi.
Adha Dhyanam.
After telling like this, do meditation.
Vajra Damshtram Trinayanam,
Kala Kanda Marindhamam.
Sahasrakara Mathyugam,
Vande Shambhum Umapathim. ॥1॥
I salute Lord Shambu, the consort of Goddess Parvati,
who has diamond like teeth and three eyes,
who has black neck and kills his enemies,
and who has thousands of fearful hands.
Adhoparam Sarva Purana Guhyam,
Nissesha Papougha Haram Pavithram.
Jayapradham Sarva Vipath Pramochanam,
Vakshyami Shaivam Kavacham Hithaya They. ॥2॥
For your benefit I would tell you the armour of Lord Shiva,
which is very secret among the Puranas,
which is holy and removes all the sins that are committed,
which leads to victory and prevents all dangers.
Rishabha Uvacha
Rishabha said
Namskrythwa Maha Devam,
Vishwa Vyapee Nameeswaram.
Vakshye Shiva Mayam Varma,
Sarva Raksha Karam Nrunaam. ॥3॥
After saluting the great God who is spread through out,
I would tell you the armour of Lord Shiva,
which protects all men.
Suchou Dese Samaaseeno,
Yadavath Kalpithasana.
Jithendriyo Jitha Pranas,
Chinthayeth Shivam Vyayam. ॥4॥
You should sit in a clean place,
assume the proper sitting position,
win over your senses, control your desires,
and meditate on Shiva who is forever stable.
Hruth Pundarika Antha Sannivishtam,
Swatheja Saavyaaptha Nabhovakasam.
Atheendriyam Sookshma Mana Antham Adhyam,
Dyayeth Parananda Mayam Mahesam. ॥5॥
I meditate on the great lord, who is full eternal joy,
who lives in the lotus of one's heart,
whose innate luster spreads all over the sky,
and who is beyond the senses and is micro and
also end and beginning less.
Dhyannavadhoothakhila Karma Bandha,
Schiram Chidwananda Nimagna Chetha.
Shadakshara Nyasa Samahithathma,
Saivena Kuryath Kavachena Rakshaam. ॥6॥
By deep meditation cutting off the ties of Karma,
for a long time and getting drowned in the divine joy,
with chant of the six letter mantra of Lord Shiva,
you have to protect your self with Shiva's armour.
Maam Pathu Devo Akhila Devathathma,
Samsara Koope Pathitham Gabheere.
Thannama Divyam Paramanthra Moolam,
Dhunothu May Sarvamagham Hrudhistham. ॥7॥
May I, be saved by The God of all devas,
from this deep chasm called domestic life,
and his sacred divine names,
which are the basis of all great mantras,
destroy all the sins in my heart.
Sarvathra Maam Rakshathu Vishwa Moorthir,
Jyothir Mayananda Ghanaschidathma.
Anoraniyanuru Shathireka,
Sa Ishwara Pathu Bhayad Aseshath. ॥8॥
Let me be protected everywhere by the Lord of the universe,
who is full of the light of happiness, who is the divine soul,
let the God,who is micro among micros, who is all powerful,
protect me completely from all sort of fears.
Yo Bhoo Swaroopena Bhibharthi Vishwam,
Paayath Sa Bhoomer Gireeso Ashta Moorthi.
Yopaam Swaroopena Nrunaam Karothi,
Sanjeevanam Sovathu Maam Jalebhya. ॥9॥
Let him who in the form of earth looks after the earth,
look after me from, the fear of land related issues,
let him who gives life to all beings in the form of water,
protect me from everything concerning water.
Kalpavasane Bhuvanaani Dhagdwa,
Sarvaani Yo Nruthyathi Bhoori Leela.
Sa Kala Rudhro Vathu Maam Davagner,
Vathyadhi Bheethor Akhilascha Thapath. ॥10॥
Let the death like Kala Rudhra, who dances,
at the end of ages after burning the universe.
With playfulness protect me from problems,
created by forest fire and cyclone.
Pradheeptha Vidhyuth Kanakava Bhaso,
Vidhya Vara Bheethi Kutara Pani.
Chathurmukha Sthath Purushasthri Nethra,
Prachyam Sthitham Rakshathu Mamajasram. ॥11॥
Let him who shines like gold and the glittering lightning,
who holds in his hand symbols of knowledge, boon, protection and sword,
and who has four faces and three eyes,
be in the east and protect me there.
Katara Vedhamkusa Pasa Shoola,
Kapala Dakkaksha Gunaan Dhadhaana.
Chathurmukho Neela Ruchistri Nethra,
Payadghoro Dishi Dakshinasyam. ॥12॥
Let Aghora who holds the sword, Vedas, goad, rope, trident,
skull, drum and Rudraksha in his eight hands,
and who is blue in colour and has four faces,
protect me from the southern side.
Kundendu Sankha Sphatikaava Bhaso,
Vedaksha Mala Varada Bhayanka.
Triksha Chatur Vakthra Uru Prabhava,
Sadhyodhi Jatho Aavathu Maam Pratheechyam. ॥13॥
Let him who shines white like jasmine, moon, conch and crystal,
who holds Veda, chain of beads, protection and boon in his hands,
and who shines with three eyes and four necks,
and who is called Adhijatha, i.e. who was born in the beginning, protect me from the west.
Varaksha Mala Abhaya Tanga Hastha,
Saroja Kinjathka Samana Varna.
Trilochanas Charu Chatur Mukho,
Maam Payad Udechyam Disa Vama Deva. ॥14॥
Let him who holds chain of beads and axe in his hand,
and shows sign of boons, protection by his other hands,
who is of the colour of the tendrils of lotus flower,
and who has three eyes and four heads,
and is called Vama deva protect me from north.
Veda Abhayeshtangusa Pasa Tanga,
Kapala Dakkakshaka Shoola Pani.
Sithadhyuthi Pancha Mukhova,
Thwnmaeesana Oordhwam Parama Prakasha. ॥15॥
Let him who is holding Veda goad, rope, axe, Skull, Rudraksha,
and hatchet in his hands and showing signs of protection by one hand,
who is of white colour and who has five faces and is shining,
and is called Eesana murthi protect me from above.
Moordhana Mavyanmamam Chandra Mouli,
Phalam Mamavyadhadha Phala Nethra.
Nethremamaavyadh Bhaga Nethra Haaree,
Naasam Sada Rakshathu Viswanadha. ॥16॥
Let him who has moon on his head protect my head,
let him who has eyes on his forehead protect my forehead,
let the destroyer with Sun as eyes protect my eyes,
and let Lord of the universe protect my nose.
Payachsruthirmay Shruti Geetha Keethi,
Kapola Mavyaathsa Thatham Kapali.
Vakthram Sada Rakshathu Pancha Vakthra,
Jihwam Sada Rakshathu Veda Jihwa. ॥17॥
Let my ears be protected by him who is sung about by Vedas,
let Kapali (God with skull) protect my cheeks,
let the five necked one protect my neck,
and let the God with Veda as toungue protect my toungue.
Kandam Giri Sovathu Neela Kanda,
Pani Dhwayam Pathu Pinaka Pani.
Dhor Mola Mavyan Mama Dharma Bahur,
Vaksha Sthalam Daksha Makhanda Kovyath. ॥18॥
Let the Lord of mountain with a blue neck protect my neck,
let my both hands be protected by he who holds Pinaka bow,
let the god having Dharma as hands protect my arm pits,
let my bosom be protected, by him who destroyed the yaga of Daksha.
Mamodharam Pathu Girindra Dhanwa,
Madhyam Mamaavyanmadanathakari.

Oorudwayam Padu Kubheramithra,
Janu Dhwayam May Jagadheeswaravyath.
Janga Yugam Pungava Kethuravyath,
Padou Mamavyath Sura Vandhya Pada. ॥20॥
Let the friend of Kubhera, who is god of wealth, protect both my thighs,
let both my knees be protected by Lord of universe,
let my both calves be protected by he who rides a bull,
let my feet be protected by he, whose feet is worshipped by devas.
Maheswara Pathu Dhinadhi Yame,
Maam Madya Yame Aavathu Vama Deva.
Trilochana Pathu Thritheeya Yame,
Vrusha Dwaja Padu Dinandya Yame. ॥21॥
Let the great God protect me during the first quarter of the day,
let Vama deva protect me during the second quarter of the day,
let the three eyed one protect me during the third quarter of the day,
and let he who rides a bull protect me during the last quarter of the day.
Paayan Nisadhou Sashi Shekharo Maam,
Gangadharo Rakshathu Maam Nisidhe.
Gowripathi Pathu Nisavasane,
Mruthyunjaya Rakshathu Sarva Kalam. ॥22॥
Let him, who wears the moon protect me during first part of night,
let him, who carries Ganga protect me during the middle of the night,
let the consort of Gowri protect me during last part of night,
let the God who won over God of death protect me at all times.
Anthasthitham Rakshathu Sankaro Maam,
Sthsanu Sadaa Pathu Bahi Sthitham Maam.
Thadanthare Pathu Pathi Passonaam,
Sada Shivo Rakshathu Sarva Kalam. ॥23॥
Let me protected when I am inside, by Lord Shankara,
let Sthanu, the stable one, protect me when I am outside,
let the lord of all beings protect me when I am in between,
and Lord Sada Shiva protect me all ways and at all times.
Thishtanthamavyath Bhuvaanaika Nadha,
Payad Vrujantham Pramadhathi Nadha.
Vedantha Vedhyovathu Maam Nishannam,
Mamavyaya Pathu Shiva Sayaanaam. ॥24॥
Let the lord of all the worlds protect me when I am standing,
let the lord of Pramadhas protect me when I am walking,
let the Lord studied by Vedantha protect me when I am sitting,
and let Lord Shiva protect me when I am lying down.
Margeshu Maam Rakshathu Neelakanda,
Shailadhi Durgeshu Purathrayari.
Aranya Vasadhi Maha Pravase,
Payad Mruga Vyadha Udhara Shakthi. ॥25॥
Let the blue necked one protect me when I am on my way,
let the destroyer of three towns protect me when I am in mountain or forts,
let him, who lives in the forest protect me during journey.
Let the hunter of deers who is extremely strong protect my strength of digestion.
Kalpantha Katopa Patu Prakopa,
Sphutattahasochali Thanda Kosa.
Ghorari Senarnava Dur Nivara,
Maha Bhayad Rakshathu Veera Bhadhra. ॥26॥
Let me be protected from the great fear,
due to the attack of the army of enemies,
by Veerabhadra who burns, like the fire of deluge,
and who due to his anger turns the universe up and down.
Pathyaswa Mathanga Ghatavaroopa,
Sahasra Lakshayutha Koti Bhishanam.
Akshouhineenaam Satha Matha Thayinam,
Chindhyan Mrudo Ghora Kutaradharaya. ॥27॥
Let Mruda break with the terrible white axe,
the innumerable army of the enemies,
which consists of several formations,
of soldiers and horses, elephant and chariot borne troops.
Nihanthu Dasyun Pralayanalarchir,
Jwalath Trishoolam Tripuranthakasya.

Duswapna Du Shakuna Durgathi Dourmanasya,
Durbiksha Durvyasana Dussaha Dooryamsi.
Uthpatha Thapa Visha Bheethi Ma Sadgraharthi,
Vyadheemscha Nasayathu May Jagatham Adheesa. ॥29॥
Let the Lord of the different worlds protect me from,
bad dreams, bad omens, bad fate, bad conduct,
famines, bad grief, unbearable bad fame,
and fear from comet, poison, effects of planets and diseases.
Om Namo Bhagwwathe Sadh Shivaya,
Sakala Thathwathmakaya Sarva Manthra Swaroopaya,
Sarva Yantra Dhistitaaya
Sarva Tantra Swa Rupaaya Brahma Rudravatharine,
Nilakandaya Parvathi Manohara Priyaya,
Soma Suryagni Lochanaya.
Om salutations to him who is God, eternal Lord Shiva,
personification of all principles, personification of all
holy chants, one who is far away from philosophy, one who takes
the form of Lord Brahma and Lord Rudra, one who has blue neck,
one who is dear to pretty Goddess Parvati,
one who has fire Sun and Moon as eyes.
Bhasmodhoolitha Vigrahaya,
Maha Mani Makuta Dharanaya,
Manikhya Bhooshanaya Srushti Sthithi
Pralaya Kala Roudhravatharaya,
Daksha Dwara Dwamsakaya,
Maha Kala Bhedanaya Moola
Dharaika Nilayaya Thathwatheethaya.
One who applies ash all over, one who wears the great gem studded crown,
one who wears Manikhya(ruby) as ornament, He who takes the angry form
and does creation upkeep and destruction at deluge,
he who destroyed the fire sacrifice of Lord Daksha, He who broke
the great God of death, He who stays in Mooladhara chakra,
He who is above principles.
Gangadharaya Sarva Devadhidevaya Shadasrayaya,
Vedantha Saaraya Trivarga Sadhanaya
Anantha Koti Brahmanda Nayakaya
Anantha Vasuki Thaksha Karkodaka
Sankha Kulika Padma Maha Padmayeshta
Maha Naga Kula Bhooshanaya.
He who carries the Ganga, He who is God to all devas,
he who is the basis of the six adhara Chakras,
he who leads to three types of fulfillment,
he who is the chief of the endless billions of universes,
he who wears ornaments of the eight great serpents i.e.
Anantha, Vasuki, Thaksha, Karkodaka, SAnkha, Kulika,
Padma and Mahapadma.
Pranava Swaroopaya Chidakasaya,
Aakasa Dik Swaroopaya
Graha Nakshatra Maline,
Sakalaya Kalanka Rahithaya,
Sakala Lokaika Karthre
Sakala Lokaika Bharthre
Sakala Lokaika Samharthre
Sakala Lokaika Gurave
Sakala Lokaika Sakshine
Sakala Nigama Guhyaya.
He who is the form of "Om", he who is the divine ether,
he who is personification of sky and directions,
he who wears stars and planets as Garlands,
he who is everything, he who does not have any dark spot,
he who creates all the world, he who manages all the worlds,
he who destroys all the worlds, he who is the teacher of
all the world, he who is a witness of all the world,
he who is hiding in all reasoning.
Sakala Vedantha Paaragaya,
Sakala Lokaika Vara Pradhaya,
Sakala Lokaika Shankaraya,
Sasanku Shekaraya, Sashwatha Nija Vasaya,
Nirabhasaya, Niramayaaya, Nirmalaya,
Nirlobhaya, Nirmadhaya, Nischinthaya,
Nirahankaraya, Nirangusaya, Nishkalankaya.
He who is expert in all Vedas, he who gives boons to all the world,
he who gives all good things to every one, he who has collected the
moon, he who is perennially in existence, he who shines always.
He who is pervaded in everything, he who is clean,
he who is generous, he who does not have exuberance,
he who does not have pride, he who cannot be stopped,
he who does not have anything bad.
Nirgunaya, Nishkaamaya, Nirupaplavaya, Niravadhyaya,
Nirantharaya, Nishkaranaya, Nirathangaya, Nishprapanchaya,
Nissangaya, Nirdwandwaya, NIradharaya, Neeraagaya,
Nishkrodhaya, Nirmoolaya, Nishpapaya, Nirbhayaya,
Nivikalpaya, Nirbhedhaya, Nishkriyaya, Nisthoolaya,
Nissamsayaya, Niranjanaya, Nirupamavibhavaya.
He who does not have any properties, he who does not have any desires,
he who is separate from all dangers, he who is permanent,
he who does not have any cause, he who does not have any worry,
he who is different from the world, he who is not in any group,
he who is not plural, he who does not have any basis,
he does not have likes, he who is not angry,
he who does not have any roots, he who is above all sins,
he who is not afraid, He who is not bound by time,
he who does not differentiate, he who is action less,
he who is above all, he who does not have any doubts,
he who is without stains, he who has matchless assets.
Nithya Shudha Budhi Paripoorna
Sachidaanada Adwayaya Parama Santha Swaroopaya,
Thejo Roopaya Thejomayaya.
He who is perennially clean, completely wise, complete,
divinely joyous and without second, he who is extremely peaceful,
he who has a shining form, he who is full of light.
Jaya Jaya Rudhra, Maha Roudhra, Bhadravathara,
Maha Bhairava, Kala Bhairava, Kalpanthaka Bhairava,
Kapala Maladhara, Gadwanga, Gadga Charma Pasa
Angusa Damaru Shoola Chapa Bana Gadha Shakthi
Bindi Pala Thomara Musala Mudgara,
Pasa Parigha Bhoosundi Sathagni Chakradhyaudha,
Bheeshanakra Sahasra Mukha Damshtra Karala Vadana.
Victory, victory to Rudra, he who is very angry, he who protects,
great Lord Bhairava, the Bhairava at the time of deluge,
he who wears garland of skulls, he who is armed with sword,
he who is very fearsome armed with sword, shield, rope, goad,
drum, trident, arrow, mace, shakthi, catapult, iron mace,
iron pestle, stick of thorns, rope, iron beam, spear, and
fire wheel, He who is extremely fearsome, he who has thousand faces,
he who is fearsome face due to protruding teeth.

Give me, give me protection, console, console, who am afraid,
lift me up, lift me up from fear of hell.
Keep me alive, keep me alive, save me, save me from
effects of hunger and thirst.
Make me who is sad happy, cover and protect me with
armour of Shiva. Hey victor over death, three eyed one,
ever peaceful one, my salutations to you.
Rishaba Uvacha
Rishabha said
Ithyedath Kavacham Shaivam
Varadam Vyahrutham Mayaa.
Sarva Bhadha Prasamanam,
Rahayam Sarva Dehinaam. ॥30॥
This protective armour of Lord Shiva as spoken by me,
removes all ills and bad things, and is secret for all beings.
Yasaada Dharayen Marthya
Shaivam Kavacha Amuthamam.
Na Thasya Jayathe Kwapi
Bhayam Shambhoranugrahath. ॥31॥
That man who wears this greatly divine armour of Lord Shiva,
due to the blessing of Lord Shiva will never have any fear.
Ksheenayu Praptha Mrityurva
Maha Roga Gahathopivaa.
Sadya Sukhamavapnothi,
Deergatuscha Vindathi. ॥32॥
People whose life is about to be over,
or the one nearing death,
or the one who is afflicted by leprosy,
would get rid of those problems,
and would be blessed with long life.
Sarva Daridrya Samanam
Soumagalya Vardhanam.
Yo Dathe Kavacham Shaivam
Sa Devairapi Poojyathe. ॥33॥
If any one wears this armour,
which removes all poverty,
and increases good luck,
he would be worshipped even by devas.
Maha Pathaka Sangathair
Muchyathe Chopa Pathakair.
Dehanthe Mukthi Maapnothi,
Shiva Varmanu Bhavatha. ॥34॥
He with the greatness of the armour of Lord Shiva,
would be saved from great as well as minor sins,
and at death would be blessed with salvation.
Thwamapi Sradhaya Vathsa,
Shaivam Kvacha Amuthamam.
Dharayaswa Maya Datham,
Sadhya Shreyohyavapsyasi. ॥35॥
Oh young man, you also wear this armour given by me,
and by wearing it you would see good things coming to you.
Sootha Uvacha
Sootha said.
Ithyukthwa Rishabho Yogi
Thasmai Parthiva Soonave.
Dadhou Sankham Maharaavam,
Gadganchari Nishoodhanam. ॥36॥
Telling thus the sage Rishabha gave the son of the king,
a conch which makes loud noise and a sword which cuts well.
Punascha Basma Sammanthrya
Thadangam Parithosprusath.
Gajaanaam Shad Sahasraya
Dwigunasya Balam Dadhou. ॥37॥
Then he applied the ash made divine by the chant all over him,
and gave him further the strength of twelve thousand elephants.
Basma Prabhvad Sampraptha,
Balaiswaryadruthi Smruthi.
Sa Raja Puthra Shushubhe,
Saradarka Iva Shriya. ॥38॥
Due to the effect of the ash applied on his body,
the prince got strength, wealth, courage and memory,
and shined like the Sun of the autumn.
Thamaha Pranjalim Bhooya
Sa Yogi Nrupanandanam.
Yesh Gadgo Maya
Dathasthapo Manthranubhavitha. ॥39॥
Then the sage told the prince saluting him,
this sword given by me has the strength,
of the holy chants as well meditative power.
Shitha Dharamimam Gadgam
Yasmai Darsaye Sphutam.
Sa Sadhyomriyathe Shathru
Saaksad Mruthyurapi Swayam. ॥40॥
If you show and shake this very sharp sword,
the enemy who sees it would die immediately.
Asya Shankhasya Nirhradham
ye Shrunwanthi Thavahithaa.
They Moorchithaa Pathishyanthi
Nyastha Shasthra Vichethana. ॥41॥
Those enemies who happen to hear the sound of this conch,
would faint immediately and would fall down leaving all arms.
Gadga Shankhavimou Divyou
Para Sainya Vinasinou.
Athma Sainyasya Pakshaanam
Sourya Thejo Vivardhanou. ॥42॥
This sword and conch which are divine destroy enemy's army,
and bless one's own army with bravery and great power.
Yethayoscha Prabhavena
Shaivena Kavachena Cha.
Dwishat Sahasra Nagaanaam
Balena Mahathapi Cha. ॥43॥
These along with the power of the armour of Shiva,
has greater strength than twelve thousand elephants.
Basma Dharana Samarthyath
Shathru Sainyam Vijayishyasi.
Prapya Simhasanam Pithryam
Gopthasi Prithveemimaam. ॥44॥
Due to these and by the strength given by the sacred ash,
you would regain the throne of your father and rule over earth.
Iti Bhadrayusham Samyag
Anusasya Samathrukam.
Thaabhyaam Sampoojithaa Sodha
Yogi Swaira Gatir Yayou. ॥45॥
Thus encouraging the prince called Bharayus,
who was hearing these along with his mother,
the sage called Rishabha departed the way he wanted.
Iti Sri Sanda Purane Bramothara Kande,
Shiva Kavacha Stotram Sampoornam.
Thus ends the armour of Shiva which occurs in the twelfth Brahmothara chapter
of Skanda purana which deals with the power of the armour of Shiva.
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Valencia roar back in second half to thrash Lille
Valencia breathed life into their hopes of qualifying for the last 16 of the Champions League with a stunning second-half turnaround to beat Lille 4-1 at home on Tuesday.
VALENCIA: Valencia breathed life into their hopes of qualifying for the last 16 of the Champions League with a stunning second-half turnaround to beat Lille 4-1 at home on Tuesday.
Nigerian forward Victor Osimhen gave the French side a deserved lead in the 25th minute, but Valencia drew level in the 65th minute with an ice-cool 'Panenka' penalty from captain Dani Parejo.
The home side went ahead in the 82nd with an own goal from Lille defender Adama Soumaoro, who diverted Jose Gaya's low cross into the net.
French midfielder Geoffrey Kondogbia stretched Valencia's lead two minutes later with an outstanding long distance strike, and substitute Ferran Torres rounded off the win with a coolly-taken finish in the 90th.
The victory puts the Spaniards third in Group H on seven points, level on points with leaders Ajax Amsterdam and second-placed Chelsea who played out a thrilling 4-4 draw. Lille are bottom with one.
"This was a crucial game for our chances to qualify and we needed to win it, we worked hard and played with purpose," said goalscorer Kondogbia.
"We reacted well after conceding and in the end we were much better than them which is why we scored four goals."
Valencia have had inconsistent results after sacking coach Marcelino in September and badly needed a win after conceding a stoppage-time equaliser to draw 1-1 away to Lille two weeks ago.
They produced a sluggish display in the first half, though, and fell behind when Osimhen fired past Jasper Cillessen after an attempted clearance from the home side took a ricochet and bounced into his path.
Rodrigo could have levelled on the stroke of halftime but was thwarted by a fine save from Mike Maignan and they were fortunate not to concede again when the lively Osimhen teed up Turkish forward Yusuf Yazici but he shot straight at Cillessen.
Lille would pay dearly for their wastefulness as defender Jose Fonte was penalised for handling the ball when he tried to block a cross and Parejo showed nerves of steel by calmly chipping the ball down the middle of the net.

(Reporting by Richard Martin; Editing by Hugh Lawson and Toby Davis)


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|
BEACLS
0.0.1
Berkeley Efficient API in C++ for Level Set methods
|
Files | |
| file | UpwindFirst.cpp |
| file | UpwindFirstENO2.cpp |
| file | UpwindFirstENO2_impl.hpp |
| file | UpwindFirstENO3.cpp |
| file | UpwindFirstENO3_impl.hpp |
| file | UpwindFirstENO3a.cpp |
| file | UpwindFirstENO3a_impl.hpp |
| file | UpwindFirstENO3aHelper.cpp |
| file | UpwindFirstENO3aHelper_cuda.hpp |
| file | UpwindFirstENO3aHelper_cuda_dummy.cpp |
| file | UpwindFirstENO3aHelper_impl.hpp |
| file | UpwindFirstENO3b.cpp |
| file | UpwindFirstENO3b_impl.hpp |
| file | UpwindFirstENO3bHelper.cpp |
| file | UpwindFirstENO3bHelper_impl.hpp |
| file | UpwindFirstFirst.cpp |
| file | UpwindFirstFirst_impl.hpp |
| file | UpwindFirstWENO5.cpp |
| file | UpwindFirstWENO5_impl.hpp |
| file | UpwindFirstWENO5a.cpp |
| file | UpwindFirstWENO5a_cuda.hpp |
| file | UpwindFirstWENO5a_cuda_dummy.cpp |
| file | UpwindFirstWENO5a_impl.hpp |
| file | UpwindFirstWENO5b.cpp |
| file | UpwindFirstWENO5b_impl.hpp |


# Copyright 2018 The TensorFlow Authors. All Rights Reserved.
#
# Licensed under the Apache License, Version 2.0 (the "License");
# you may not use this file except in compliance with the License.
# You may obtain a copy of the License at
#
# http://www.apache.org/licenses/LICENSE-2.0
#
# Unless required by applicable law or agreed to in writing, software
# distributed under the License is distributed on an "AS IS" BASIS,
# WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
# See the License for the specific language governing permissions and
# limitations under the License.
# ==============================================================================
"""Tokenizers."""
from __future__ import absolute_import
from __future__ import division
from __future__ import print_function
from lingvo.core import base_layer
from lingvo.core import py_utils
from lingvo.core.ops import py_x_ops
[docs]class BaseTokenizer(base_layer.LayerBase):
"""The base tokenizer."""
[docs] @classmethod
def Params(cls):
"""Defaults params for tokenizers."""
p = super(BaseTokenizer, cls).Params()
p.name = 'tokenizer'
p.Define('vocab_size', 64, 'The size of the vocabuary.')
p.Define(
'append_eos', True, 'Whether to append </s> at the end and treat '
'it as a non-padded label.')
# TODO(ciprianchelba): there should be a check in __init__ that the ids
# below are consistent with the ones assigned by the vocabulary.
p.Define('target_unk_id', 0, 'Target unknown token id.')
p.Define('target_sos_id', 1, 'Target start of sequence id.')
p.Define('target_eos_id', 2, 'Target end of sequence id.')
return p
@base_layer.initializer
def __init__(self, params):
super(BaseTokenizer, self).__init__(params)
p = self.params
self.sos_id = p.target_sos_id # <S>
self.eos_id = p.target_eos_id # </S>
self.unk_id = p.target_unk_id # <UNK>
[docs] def StringsToIds(self, strs, max_length, external_append_eos=None):
"""Tokenize strs into vocab ids.
Args:
strs: A vector of strings.
max_length: An int providing the max_length for strs.
external_append_eos: Bool or None. If None, will be ignored and
`params.append_eos` will be used. If bool, will determine if an eos
symbol will be added to tokens.
Returns:
A tuple (ids, labels, paddings) with the same shape [batch, maxlen].
- ids[i, j] is the input token id of i-th sample for j-th step.
- labels[i, j] is the target token id of i-th sample for j-th step.
- paddings[i, j] is 1 iff i-th sample's j-th step is padded.
Raises:
ValueError: If unknown token type.
"""
p = self.params
if external_append_eos is None:
append_eos = p.append_eos
else:
append_eos = external_append_eos
ids, labels, paddings = self._StringsToIdsImpl(strs, max_length, append_eos)
if py_utils.use_tpu():
batch_size = strs.shape[0]
ids.set_shape([batch_size, max_length])
labels.set_shape([batch_size, max_length])
paddings.set_shape([batch_size, max_length])
return ids, labels, paddings
[docs] def _StringsToIdsImpl(self, strs, max_length, append_eos):
raise NotImplementedError('Abstract method.')
[docs] def IdsToStrings(self, ids, lens):
"""Converts ids back to strings.
Args:
ids: A matrix of shape [batch, seqlen]. ids[i, :] is the i-th sample's
ids.
lens: A vector of shape [batch]. lens[i] is the sequence length of the
i-th sample. Only the first lens[i] tokens in ids[i, :] are valid
tokens for the i-th sequence.
Returns:
sequences - A vector of shape [batch]. The converted string sequence.
Raises:
ValueError: If unknown token type.
"""
raise NotImplementedError('Abstract method.')
[docs]class SimpleTokenizer(BaseTokenizer):
"""A simple grapheme tokenizer.
Maps a small vocabulary of character tokens for (lower case) letters, digits,
and punctuation symbols.
"""
[docs] def _StringsToIdsImpl(self, strs, max_length, append_eos):
return py_x_ops.label_to_token_id(
strs, maxlen=max_length, append_eos=append_eos)
[docs] def IdsToStrings(self, ids, lens):
return py_x_ops.id_to_token(ids, lens)
[docs]class VocabFileTokenizer(BaseTokenizer):
"""Tokenizers that use vocab files for look-up."""
[docs] @classmethod
def Params(cls):
p = super(VocabFileTokenizer, cls).Params()
p.Define('token_vocab_filepath', None,
'If set, specifies a filepath to the token vocab file.')
p.Define('ngram_vocab_filepath', None,
'If set, specifies a filepath to the Ngram vocab file.')
p.Define('ngram_separator', '',
'string separator to use when joining ngrams.')
return p
@property
def _vocab_file_params(self):
return ['token_vocab_filepath', 'ngram_vocab_filepath']
[docs] def _CheckParams(self):
p = self.params
num_params_specified = sum(
[getattr(p, x) is not None for x in self._vocab_file_params])
if num_params_specified != 1:
raise ValueError('Exactly one vocab file should be specified!')
[docs] def _StringsToIdsImpl(self, strs, max_length, append_eos):
self._CheckParams()
p = self.params
if p.token_vocab_filepath:
return py_x_ops.str_to_vocab_tokens(
strs,
maxlen=max_length,
append_eos=append_eos,
vocab_filepath=p.token_vocab_filepath)
elif p.ngram_vocab_filepath:
raise NotImplementedError('ngram vocab StringsToIds is not supported.')
[docs] def IdsToStrings(self, ids, lens):
self._CheckParams()
p = self.params
if p.token_vocab_filepath:
# Use the ngram_id_to_token op with ' ' as separator since we do not have
# the counterpart to str_to_vocab_tokens defined.
return py_x_ops.ngram_id_to_token(
token_ids=ids,
seq_lengths=lens,
ngram_vocab_filepath=p.token_vocab_filepath,
ngram_separator=' ')
elif p.ngram_vocab_filepath:
return py_x_ops.ngram_id_to_token(
token_ids=ids,
seq_lengths=lens,
ngram_vocab_filepath=p.ngram_vocab_filepath,
ngram_separator=p.ngram_separator)