|
Clawpack Documentation Version 5.0 --- Under Construction! Not yet accurate |
Warning
Out of date! Needs updating. Links are broken!
The book Finite Volume Methods for Hyperbolic Problems contains many examples that link to Clawpack codes used to create the figures in the book. These codes are available for Clawpack 4.3 via the book webpage
These are slowly being converted to Clawpack 4.4 form, with a setrun.py file for setting run time data and a setplot.py file for specifying plots with Python. See:
The examples converted so far can be found in the directory $CLAW/book .
You can also browse these from the Gallery of book examples.
- Chapter 3: Characteristics and Riemann Problems for Linear Hyperbolic Equations.
- [book/chap3/acousimple] to accompany Figure 3.1, shows the “exact solution” to the acoustics problem by solving on a very fine grid.
- Chapter 6: High-resolution methods
- Chapter 7: Boundary Conditions and Ghost Cells
- Chapter 9: Variable-Coefficient Linear Equations.
- Chapter 10: Other Approaches to High Resolution.
- Chapter 11: Nonlinear Scalar Conservation Laws.
- Chapter 12: Finite Volume Methods for Nonlinear Scalar Conservation Laws.
- Chapter 13: Nonlinear Systems of Conservation Laws.
- Chapter 17: Source Terms and Balance Laws.
- Chapter 20: Multidimensional Scalar Equations.
- Chapter 21: Multidimensional Systems.


|
AssemblerEmulator - Nikola Bebic
Assembler and emulator used for systems software class
|
Class representing the literal value. More...
#include <Literal.h>
Public Member Functions | |
| Literal (int32_t value) noexcept | |
| Constructs a Literal object. More... | |
| int32_t | value () const override |
| Evaluates the expression. More... | |
| Public Member Functions inherited from bnssassembler::Expression | |
| virtual bool | setValue (std::string symbol, std::shared_ptr< Expression > value) noexcept |
| Traverses the subtree and sets the value for the symbol. More... | |
| virtual bool | validate () const noexcept |
| Validates the expression. More... | |
| virtual bool | containsSymbol () const noexcept |
| Tests whether the expression contains a Symbol. More... | |
| virtual int | symbolCount () const noexcept |
| Counts the symbols in the expression. More... | |
| virtual void | pushChildren (std::stack< std::reference_wrapper< std::shared_ptr< Expression >>> &stack) const noexcept |
| Pushes the children to the stack. More... | |
| virtual void | resolveSymbolTable (const SymbolTable &symbol_table) noexcept |
| Resolves the symbols from the symbol table and sets the relocation info. More... | |
| virtual void | resolveImports (std::unordered_set< std::string > imported_symbols) noexcept |
| Resolves the imported symbols and sets the relocation info. More... | |
| virtual void | resolveCurrentPcSymbol (size_t section_index, size_t offset) noexcept |
| Resolves the current PC symbol and sets the relocation info. More... | |
| virtual std::list< RelocationRecord > | generateRelocations () const |
| Generates the relocation records for the subtree. More... | |
| virtual | ~Expression ()=default |
Private Attributes | |
| int32_t | value_ |
|
explicitnoexcept |
Constructs a Literal object.
| value | Value of the |
Definition at line 5 of file Literal.cpp.
|
overridevirtual |
Evaluates the expression.
| Throws | if the expression has variables or could not be evaluated (for example, division by zero) |
Implements bnssassembler::Expression.
Definition at line 7 of file Literal.cpp.
References value_.
|
private |


Condition satisfied if current weather matches a target value. Use constants defined in
WeatherService to represent weather states.
Declaration :
Artifact : ClearWeatherCondition
Operation ClearWeatherCondition |
Declaration :
Operation isSatisfied |
Declaration :
Java annotation(s) :
@Override
All public operations : attachTrigger , getData , hasStaleData , hasStaleData , isSatisfied , isSatisfied , notifyUpdate


jQuery is a JavaScript library that makes writing JavaScript for websites easier and more browser friendly.
jQuery is used to make your website more dynamic! Write less, do more.
Before you can start coding jQuery, the library needs to be added to your site.
It should go in the head section of your HTML. Take a second to add this line of code to your site.

In order for jQuery to manipulate HTML, it needs to make sure that the HTML is fully loaded before running the jQuery.
$(document).ready(function(event){
// jQuery code goes in here
});
So whenever you write jQuery, you'll need to wrap that code in a document.ready function, as shown below:
$() is a shortcut for jQuery(). The $() is made for selecting an element and then returning that element to perform an action on it.
The following code selects the element that has the ID header in the HTML.
This is how you access HTML elements with jQuery. Once you have the element in the jQuery object, you can do stuff to it.
Create a new file in Sublime Text called main.js. Save it to your project folder.
Add the following line of code to your index.html file right BEFORE the closing  tag.

$(document).ready(function(event){
$('body').prepend("
Test
");
});
Feel free to change the body tag to something else, like maybe #footer or change the 'test' text inside the paragraph tags to something else!
Just like in HTML and CSS, comments are for developers and are not interpreted by the browser.
Your code has two sets of comments. They show the two different ways of formatting comments.
One is to surround the comment by /* on one side and */ on the other. These comments can be multiple lines long.
/* This comment
is three
lines long. */
Two is to have // before the comment. This kind of comment can only be one line long.
// This comment is only one line long.
Because jQuery is widely used, a lot of people have created jQuery code(plugins) that you can download and easily add to your own site.
jQuery plugins will come with an external file that you will need to download and reference in your site. Then you 'initialize' their jQuery by connecting it to one of your own HTML elements.
Now we're going to step through together how to add a slideshow jQuery plugin.
Start by Googling 'Owl Slider' or go to: http://owlgraphic.com/owlcarousel/
In the head tag section of your HTML, add these 2 stylesheets:
<link rel="stylesheet" type="text/css" href="owl-carousel/owl.carousel.css" />
<link rel="stylesheet" type="text/css" href="owl-carousel/owl.theme.css" />
AFTER your jQuery script tag, but BEFORE your main.js script tag, add the following:

In your HTML, add the following HTML where you want your slider to appear.

Content

Content

Content

Download 3 images from the internet and put them in your project folder.
Each time it says 'Content' in the HTML, replace the word Content with an img tag.

In your main.js file, add the following code:
/* Get The Document Ready! */
$(document).ready(function(event){
// Owl Slider
$('.slideshow').owlCarousel({
navigation : false,
slideSpeed : 300,
paginationSpeed : 400,
singleItem:true,
autoPlay : true
});
});
Funtions are a way of reusing code in JavaScript.
The .owlCarousel function lets you reuse all the owl carousel code to create a slider.
jQuery plugins have options which allow you to customize the way the plugin works and displays on the page.
The plugin documentation explains what options there are and what values you can put in them. Sometimes the documentation refers to options as settings.
Explore the Owl Slider options and update your slider.
Add one of these jQuery Plugins to your site:


A blog about development, security and related topics written by a software developer.
Andrea Marcacci
Software Developer Switzerland
© {{ .Site.LastChange.Year }}. All rights reserved.


Erdogan Says Trump Did Not React to Return of His Letter on Ankara's Offensive in Syria
ANKARA (Sputnik) - Turkish President Recep Tayyip Erdogan said on Thursday that his US counterpart, Donald Trump, did not react to the return of the controversial letter that the US president sent him shortly before Turkey started its offensive in Syria's north.
In his letter, Trump called on the Turkish leader to abstain from launching the offensive that would "let the world down" and said that Erdogan should not be a "fool" and should instead work out a "good deal" with the US.
"I returned the letter to him, and there was no reaction", Erdogan told reporters on board a plane while going back from Washington, where he had talks with Trump, as quoted by the NTV broadcaster.
On 9 October, Turkey launched Operation Peace Spring in northeastern Syria to clear the area of Kurdish militants and Daesh* terrorists and create a 30-kilometer safe zone along its the Syrian-Turkish border. Washington and Ankara came to an agreement on 17 October for a 120-hour ceasefire in the area to allow the withdrawal of the Kurdish fighters.
As the five-day ceasefire came to an end, Turkey and Russia reached a deal that would see the Kurdish fighters pull back from the Syrian border area with Turkey. In addition, Moscow and Ankara have begun joint patrols in the operation zone along the Turkish border.
*Daesh (also known as ISIS/ISIL/IS) is a terrorist group outlawed in Russia


MARS ATTACKS! A film review by Paul Miller Copyright 1996 Paul Miller
As I went to the ticket window, I found myself very excited about Tim Burton's new film, Mars Attacks!. I thought this was going to be one of the best films I have ever seen. This is why they invented theatrical trailers. They make it look like the movie will be entertaining, energetic, and fun, but this isn't always the case.
I'm sure if you've seen the trailer at one time or another, you would be compelled to see this movie. This is what sucked me in. Congrats Warner Bros., this is a super trailer.
Enough about the trailer, on with the movie.
The movies' first 45 minutes or so are about the most boring I've ever seen.  I was very disappointed when Michael J. Fox, who played a news reporter, was killed off in the first half hour. This set a sad tone on the movie that would not be soon forgotten.
Anyway, the Martians surround Earth and they send us a signal that they are friendly. They land in a desert in Nevada and after a dove was let off as a sign of peace, the ambush begins.
After a fake apology, the Martians take out Congress and the rest of the movie unfolds as you might think, with different personalities joining the mix.
This movie (in terms of structure) could be compared to From Dusk till Dawn, in that there are two stories in one movie. Dusk was critized because the beginning developed characters masterfully then they got to the bar only to fight vampires. What I mean is the second part of this movie is what I thought the whole darn thing would be like, funny, imaginative, and hip. But this is not what happened.
If the whole movie could have been like the second half, we could be talking classic, but unfortunately this didn't happen. As much as I enjoyed the second part, the terseness of the first part overshadows this and makes the movie worse than it should have been.
Another thing that upset me to a point was how the filmakers mislead you before you even went inside the theater. Glenn Close was given second billing when actually she was only given about 15-20 minutes of screen time. Another thing was Danny DeVito was given fifth billing when he was in the movie no more than three minutes. Heck, Tom Jones and Jim Brown were in the movie more.
All these criticisms seem make it seem like I hated this movie. This was not the case. Simply, the movie was not as good as it could have been, or actually should have been.
** (out of four)
Paul's scale
**** - Superior in every way *** - Excellent, Far above average ** - Average, Nothing Special * - Terrible
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


She is loyal
You can always count on her, she'll be there for you.
Take a look at this web: Fundación ONCE del Perro-Guía. This is a non-profit foundation where volunteers educate guide-dogs for blind people.
You can always count on her, she'll be there for you.
Funny, and of course, naughty sometimes.
She'll comfort you whenever you need it.


Below is a sample visualization of eamcet syllabus. Hover on each detail to view information.
Below is a sample visualization of world cricket teams and scores of individuals in team. Hover on each detail to view information.


US Presidential Election 2016
Deepak Kumar
Dataset:
- Priamries Results
- Each State Demographic Facts
- Trips
Questions:
- What Percentage of Votes Recieved by winning Candidate in Each State County
- During Election Camping how many visits they made to each state and how many counties they won
- Is there any Demographic State Fact that may affect the Results
- People Above Age 65
- Percentage of White Peoples
- Percentage of Graduates
- Percentage of People below Poverty Level


--- layout: base --- {{ page.title | upcase }} {{page.dates}}
{{page.dates}}
March 12 at 3:30 PM
March 19 at 10:00 AM
{{hotel.checkin}}
PDX-F81904


Auto-not Test Web Page
Testing autoplay
video
Testing autoplay
audio
Testing whether this extension interferes with GIF Stopper


Attention and Owo Mi Da: 3 reasons you would love Tiwa Savage's new songs
Talented Africa music queen Tiwatope Savage has released two songs, Attention and Owo Mi Da. The beautiful mother of one announced the release of the songs this Wednesday, November 20.
The two brand new jams will quench your thirst for bangers and you would be forced to continue to play them on repeat.
Owo Mi Da, which means where is my money, was produced by Pheelzmrproducer, and written by Tiwa Savage and Olamide. Attention is a jam talking about getting quality attention for a romantic partner.
After listening to the songs, Legit.ng has compiled a list of things that would make any listener fall in love with the songs.
PAY ATTENTION: Read best news on Nigeria's #1 news app
1) Album art
The album art for both songs is amazing. Owo Mi Da showed Tiwa looking like an Eko boss while the art for Attention showed her as breathtaking beauty.
Why the latest hit by Joeboy - Blessings is worth adding to your playlist
PAY ATTENTION: Do you have news to share?  Attention is about a woman demanding quality attention from her man while Owo Mi Da is about a female boss getting the bag.
3) Dancehall
Owo Mi Da is definitely a dancehall song that would get you to move your body anytime.
READ ALSO: NAIJ.com upgrades to Legit.ng: a letter from our Editor-in-Chief Bayo Olupohunda
Meanwhile, Legit.ng had earlier reported that award-winning Nigerian singer Burna Boy was reportedly withdrawn from the concert he was set to headline in South Africa. The singer was withdrawn due to the rising anger towards him in the country.
NAIJ.com (naija.ng) -> Legit.ng We have upgraded to serve you better
Do Tiwa Savage and Wizkid Make a 'Good' Couple? - Nigeria Street Gist - on Legit TV
Listen to the amazing hit by Thutmose & Rema - Love in the Morning


In the contemporary world, humans have started to reflect upon the invasion of privacy by social media. Two young adults, Robert and Jennifer, are faced to overcome a common problem that arises with social media. There has been an ongoing theory that social media platforms have the ability to hear conversations and through this create algorithms showing advertisements related to the topic of conversations. The couple must overcome the challenge and admit that often social media gets control over what humans think to maintain the relationship they have had for years.


|
| Local Properties | ||
| Managed Object Types | Data Object Types | All Properties | All Methods |
Properties
| Name | Type | Description |
|---|---|---|
| numberOfObjects* | xsd:long |
Number of actively resyncing objects for which component level details are required.
Default value will be 0, none objects returned.
|
| offset* | xsd:long |
Indicates the number of objects to be skipped when for resyncing object to be returned.
Objects to return is calculated based on start and number of objects. 0 if not specified.
Value less than 0 is illegal.
|
| resyncStatus* | xsd:string |
Return syncing objects based on resync status specified by user.
User specifies one of the values defined in VsanSyncStatus See VsanSyncStatus |
| resyncType* | xsd:string |
Return syncing objects based on resync type specified by user.
User specifies one of the values defined in VsanSyncReason See VsanSyncReason |
| Properties inherited from DynamicData | ||
| None |
| Top of page | Local Properties | ||
| Managed Object Types | Data Object Types | All Properties | All Methods |


Check your javascript log; the scripts were all loaded in the head.
Note: This test makes a request to /cgi-bin/timeout.cgi. That cgi needs to be made executable for this test to work, and it won't work from local disk.


1 Shiny and the Web
Shiny is designed so that, as an R user, you don’t need to learn about the details of HTML …
shiny (Chang et al. 2021) allows the development of web applications with R in minutes. Let’s face it: this is quite mind blowing! While this may not be a production ready app, it will still be a fully functional, working prototype. Believe me, doing a web application with pure HTML, CSS and JavaScript is more difficult, especially for someone with a non-web developer background.

Notice the output format is an example of an HTML tag, generated by the p
function. The main difference between HTML tags and Shiny tags is the absence of closing tag for Shiny. For instance, in raw HTML, we expect

to be closed by

. In Shiny, we only call p(...)
, where ...
may be attributes like class and id or children tags. For a R developer, being able to generate HTML code from R allows to remain focused on the main task instead of the web development burdens.
As stated in the general introduction ??, a production app sometimes requires custom elements that are not contained or hidden in Shiny’s core.
Is a Shiny app less customizable than a classic web app? Not at all! Under the hood, Shiny has its own engine to build HTML tags, through R, meaning that all HTML elements are available. You may also include any custom JavaScript code and styles with CSS. In Chapter 2, we will shed the light on the underlying mechanisms that allow to create HTML from R code.
1.2 HTML 101
This chapter provides a short introduction to the three main web languages, namely HTML, CSS and JavaScript. The following content is crucial to understand chapter 2 about HTML generation from R.
1.2.1 HTML Basics
HTML (Hypertext Markup Language) is derived from SGML (Standard Generalized markup Language). An HTML file contains tags that may be divided into two categories:
- Paired tags, where the text is inserted between the opening and the closing tag.
- Self-closing tags.
Tags may be divided into three categories, based on their role:
-
Structure tags: they constitute the skeleton of the HTML page (
<title></title>
,
,
). - Control tags: script, inputs and buttons (and more). Their role is to include external resources, provide interactivity with the user.
- Formatting tags: to control the size, font of the wrapped text.
Finally, we distinguish block and inline elements:
-
Block elements may contain other tags and take the full width (block or inline).

is the most commonly used block element. All elements of a block are printed on top of each others. -
Inline elements (for instance

,
) are printed on the same line. They can not contain block tags but may contain other nested inline tags. In practice, we often see
. - Inline-block elements allow to insert block element in an inline.
Consider the following example. This is clearly a bad use of HTML conventions since an inline tag can not host block elements.
Importantly,

and
don’t have any semantic meaning, contrary to
and
, which allow to structure the HTML page.
1.2.2 Tag attributes
Attributes are text elements allowing to specify some tag properties. For instance for a link tag (
), we actually expect more than just the tag itself, such as a target url and how to open the new page. In all previous examples, tags don’t have any attributes. Yet, there exists a large range of attributes and we will only see two of them for now (the reason is that these are the most commonly used in CSS and JavaScript):
- class that may be shared between multiple tags.
- id that must be unique.

Both attributes are widely used by CSS and JavaScript (see Chapter 10 with the jQuery selectors) to apply a custom style to a web page. Class attributes apply to multiple elements, however the id attribute is restricted to only one item.
Interestingly, there is another attribute category, know as non-standard attributes like data-toggle
. We see them later in the book in Chapter 18.
1.2.3 The simplest HTML skeleton
An HTML page is a collection of tags which are be interpreted by the web browser step by step. The simplest HTML skeleton may be defined as follows:
<!DOCTYPE HTML>

<title>A title</title>

-

is the may wrapper. -

and
are the two main children.-

contains dependencies like styles and JavaScript files (but not only), -

contains the page content and it is displayed on the screen. JavaScript files are often added just before the end of the
.
-
Only the body content is displayed on the screen! W3C validation imposes at list a title
tag in the head
section and a lang
attribute to the html
tag!
Let’s write the famous Hello World
in HTML:
<!DOCTYPE HTML>

<title>A title</title>

Hello World

In order to preview this page in a web browser, you need to save the above snippet to a script hello-world.html
and double-click on it. It will open with your default web browser.
Below is how we would do with a Shiny app, only for demonstration purpose (static HTML would be enough if no user interaction is required).
ui <- fluidPage(p("Hello World"))
server <- function(input, output, session) {}
shinyApp(ui, server)
From outside, it looks identical! Are you sure about this? Let’s meet Chapter 3 to have a deeper look.
1.2.4 About the Document Object Model (DOM)
The DOM stands for “Document Object Model” and is a convenient representation of the HTML document. There actually exists multiple DOM types, namely DOM-XML and DOM-HTML but we only focus on the latter. If we consider the last Hello World
example, the associated DOM tree may be inspected in Figure 1.1.
<IP_ADDRESS> Visualizing the DOM with the HTML inspector
Below, we introduce a tool that will quickly become your best friend or worst enemy. In this section, we restrict the description to the first panel of the HTML inspector.1 This feature is available in all web browsers, however for demonstration purposes, we will only focus on the Chrome DevTools. It may be opened:
- After a right click and selecting inspect.
- After clicking on F12 (windows), fn + F12 on Mac (or Command+Option+C).
In the following:
- Open the hello-world.html example with Chrome.
- Right-click to open the HTML inspector (developer tools must be enabled if it is not the case).
The HTML inspector is a convenient tool to explore the structure of the current HTML page. On the left-hand side, the DOM tree is displayed where we clearly see that
is the parent of
and
.
has also 1 child, that is

. We may preview any style (CSS) associated with the selected element on the right panel as well as Event Listeners (JavaScript), which will be discussed later in the book.
<IP_ADDRESS> HTML Inspector 101
In the following, we enumerate key features of the inspector Elements
tab. In addition to explore the HTML structure, the inspector allows to:
- Dynamically change CSS at run time.
- Debug JavaScript code (put break points, …).
- Run JavaScript code from the console.
- Monitor any error or warning that may prevent your app or website from properly working.
Another important feature is the ability to switch between different devices, especially mobile platforms and do a global performance audit with Google LightHouse. The book from Colin Fay et al. details the most relevant elements for Shiny app development.
We propose at set of quick exercises to review the most important HTML inspector capabilities that are commonly needed during Shiny app customization. We consider the app already defined above:
ui <- fluidPage(p("Hello World"))
server <- function(input, output, session) {}
shinyApp(ui, server)
<IP_ADDRESS>.1 Exercise: Altering the DOM structure
- Run the
Hello World
app, right click on the only text element and select inspect. - Notice we could have done similarly by clicking on the very top left corner
Inspect
icon (Command + maj + C for Mac) and hovering over theHello World
text.
You should see a result similar to Figure 1.2, the Inspect
icon being in blue. The selected element is highlighted and a white box displays the main CSS properties like text-color
, font-size
, margins, as well as accessibility parameters.
- In the
Elements
panel, double click between the

and

tags to edit the current text. Press enter when finished. - Let’s add some children to our
p
tag. Right click and select theEdit as HTML
option. You may enter any valid HTML code inside. Don’t forget about some rules relative to inline and block tags (inline tags cannot contain block tags!!!).
As depicted in Figure 1.3, we could have done a right click on the p
tag to display more options like:
-
Add/edit an attribute. You may try to add it a class
class="awesome-text"
and an idid="only-text"
. -
Delete the current tag (the
return
key would do it as well). - Copy the element with all nested elements.
- Only copy the outside HTML (ignore nested elements).
-
Extract the CSS selector or JavaScript path (code to select the element):
body > div > p
anddocument.querySelector("body > div > p")
, respectively. These 2 features are extremely handy as they save you time. Try to copy and pastedocument.querySelector("body > div > p")
in the JavaScript console at the bottom of the inspector window. It returns the selected HTML element, as shown in Figure 1.4! Amazing isn’ it? - Hide the element.
-
Force a specific state. For instance buttons may be
active
,inactive
. We talk more about this in Chapter <IP_ADDRESS>.1.
Whenever you are looking for a specific tag in a more complex page, the search tag
option is a game changer (Ctrl + F on Windows, command + F within the Elements tab on a Mac). See Figure 1.5.
Finally, the inspector toolkit allows to reorder DOM elements with a rather intuitive drag and drop feature. I invite the reader to take some time to experiment those features as they will be crucial in the next chapters, particularly 6.
1.2.5 Preliminary introduction to CSS and JavaScript
To introduce this section, I propose to look at the very first website, early in the 90’s (August 1991 exactly). From an aesthetic point of view (see Figure 1.6), this is far from what we can observe today as shown in Figure 1.7.
How can we explain that difference? One of the main reason is the absence of CSS (Cascading Style Sheet) since the first CSS release only appeared in December 1996, that is five years later than the first web site publication. CSS allows to deeply customize the appearance of any web page by changing colors, fonts, margins and much more. We acknowledge, the role of JavaScript cannot be demonstrated through the previous example. Yet its impact is as important as CSS, so that it is now impossible to dissociate HTML, CSS and JavaScript.
<IP_ADDRESS> HTML and CSS
CSS (Cascading Style Sheets) changes the style of HTML tags by targeting specific classes or ids. For instance, if we want all p
tags to have red color we use:
To include CSS in an HTML page, we use the
<title>A title</title>

Hello World

You may update the hello-world.html script and run it in your web-browser to see the difference. The example may be slight, but shows how we may control the look and feel of the display. In a development context, css files may so big that it is better to include them in external files.
Let’s build a shiny app that does similar things. As a reminder, you may use tags$style
to include small pieces of CSS in your app:
ui <- fluidPage(
tags$style("p { color: red;}"),
p("Hello World")
)
server <- function(input, output, session) {}
shinyApp(ui, server)
Be prepared! In chapter 6, we’ll dive into CSS and expose best practices.
<IP_ADDRESS> HTML and JavaScript
JavaScript is a game changer to give life to your web apps. In the following example, we defined the changeColor
function that targets the element having hello
id and change its color property to green. The HTML element has an onClick
attribute that triggers the changeColor
function each time the button is clicked.
<!DOCTYPE HTML>

<title>A title</title>

Hello World

In few lines of code, you can change the color of the text and this is only the beginning!
We see below that the process is not dramatically different in a Shiny app. We wrap our custom JavaScript in the tags$script
function, as below:
ui <- fluidPage(
tags$script(
"alert('Click on the Hello World text!');
// change text color
function changeColor(color){
document.getElementById('hello').style.color = 'green';
}
"
),
p(id = "hello", onclick="changeColor('green')", "Hello World")
)
server <- function(input, output, session) {}
shinyApp(ui, server)
If you are not already familiar with JS, Chapter 10 provide the few basic knowledge you should know to start customizing your shiny apps.


Over 2 million members choose Fitness Hub. Why? Because it's convenient, affordable, and fun. With access to thousands of our clubs around the globe, you can workout on your terms. Fitness has never been so easy.


{% extends "layout.html" %} {% block page_title %} 2FA - GOV.UK prototype {% endblock %} {% block service_name %} Bob Thomas Arctor (AEDM) Home Your profile Sign out {% endblock %} {% block content %} Home Users User profile Security Grace period has been extended Bertie Lorenzo Gribben will be able to log in without security card until 18 March 2018. Return to home page {% endblock %}
Bertie Lorenzo Gribben will be able to log in without security card until 18 March 2018.


|
Flint
0.02
|
#include <cluster.h>
Public Member Functions | |
| void | putFirst (Buffer *buf) |
| void | put (Buffer *buf) |
| Buffer * | get () |
| void | wait (size_t n) |
| void | signal () |
| void | setHandler (MessageHandler *hnd) |
| Queue (qid_t id, size_t maxSize) | |
Public Attributes | |
| qid_t const | qid |
Friends | |
| class | Cluster |
FIFO blocking queue, multiple consumers/producers
| Queue::Queue | ( | qid_t | id, |
| size_t | maxSize | ||
| ) | [inline] |
Queue onstructor
| id | Identifer of queue. It is expected that queues are created in the same order by all nodes, so them are given same queue identifiers. This is why it is possible to use QID to identify recipient at target node. |
| maxSize | maximal queue size, when amounbt of pending message exceeds this value put will be blocked |
| Buffer* Queue::get | ( | ) |
| void Queue::put | ( | Buffer * | buf | ) |
Place message at queue tail
| buf | buffer to be appended to queue |
| void Queue::putFirst | ( | Buffer * | buf | ) |
Place message at the queue head
| buf | buffer to be prepended to queue |
| void Queue::setHandler | ( | MessageHandler * | hnd | ) | [inline] |
Send message handler for this queue. It is used by push-style processing
| void Queue::signal | ( | ) | [inline] |
Send notification
| void Queue::wait | ( | size_t | n | ) | [inline] |
Wait N notifications
| n | number of signals to wait for |


Jailed Internet Fraudster Coordinates $100m Scam While In Nigerian Prison
Aroke, who is serving a 24-year jail term, is still in "active communication with other high valued targets that are currently being investigated by the commission for various offences relating to computer fraud and money laundering," the EFCC said.
by SaharaReporters, New YorkOne Hope Olusegun Aroke, a convicted Internet fraudster, currently in Nigerian Correctional Centre (formerly Nigerian Prison), has been caught by the Economic and Financial Crimes Commission for masterminding an Internet fraud of over $100m.
Aroke, who is serving a 24-year jail term, is still in "active communication with other high valued targets that are currently being investigated by the commission for various offences relating to computer fraud and money laundering," the EFCC said.
The anti-graft agency stated that an investigation into the fund revealed that Aroke masterminded and commissioned the Internet scam.


| MeetingID | Date | JetBet | Track | DayType | Club | MeetingName | TrackCondition | TrackConditionScale | TrackWeather | Rail | RaceID | RaceNumber | RaceGroup | RaceType | Distance | RaceClass | RaceName | Stake | Time | NoAllowances | MinWeight | ClassAge | Class | ClassGender | ClassWeight | HorseID | ToteNumber | Barrier | HorseName | Age | Gender | Weight | Finishingposition | Actualtime | Last600mTime | Decimalmargin | Traditionalmargin | Trainer | TrainerLocation | StartingPriceWin | StartingPricePlace | Stake | JockeyName | CarriedWeight | WeightDifference | DomesticRating | HurdlesRating | SteeplesRating | GearWorn | SireID | Sire | DamID | Dam |
|---|


{% extends 'layout.html' %} {% block body %}
Andela’s mission is to advance human potential by powering today’s teams and investing in tomorrow’s leaders. In the next ten years, there will be 1.3M software development jobs created and only 400,000 domestic computer science graduates, to fill them. Africa, meanwhile, is home to the largest untapped talent pool and seven of the 10 fastest growing internet populations in the world. We founded Andela in 2014 to build a network of technology leaders on the African continent and bridge the divide between the U.S and African tech sectors. Leveraging a proven, data-driven approach, we build high-performing engineering teams with Africa’s top developers to help companies overcome the tech talent shortage and build better products, faster.
{% endblock %}


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Forms
1: Utilities
1.1 Basic Typography
1.2 Text Alignment & Display
1.3 Floats & Position
1.4: Colors & Background
1.5 Spacing
1.6 Sizing
1.7 Breakpoints
2: CSS Components
2.1 Buttons
2.2 Navbar
2.3 List Groups & Badges
2.4 Forms
2.5 Input Groups
2.6 Alerts & Progress
2.7 Tables & Pagination
2.8 Cards
2.9 Media Objects
3: Grid & Flexbox
3.1 Grid System
3.2 Grid Alignment
3.3 Flexbox
3.4 Auto Margins & Wrap
4: JavaScript Widgets
4.1 Carousel
4.2 Collapse
4.3 Tooltips
4.4 Popovers
4.5 Modals
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Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 6
For a true taste of Croatia try this wonderful pork with a walnut crust. Making your own sauce with figs brings some extra flavour.
Season the pork chops with salt and pepper and score the flesh with a sharp knife.
In a shallow roasting tin, mix the cinnamon, nutmeg and walnuts. Add the olive oil to make a paste. Roll the chops in the nuts, pushing the crumb into the flesh.
Melt 40g/1½oz of the butter in a large non-stick lidded frying pan and brown the chops two at a time, being careful not to burn the walnuts. This will take a few minutes each side.
Return all the chops to the pan, cover with a lid and cook for 10 minutes over a medium heat, or until cooked through. Transfer the pork chops to a warmed plate and cover with foil to keep warm.
Deglaze the pan with the white wine, continue to cook until the volume of the liquid has reduced by half. Add the chopped figs and chicken stock, season to taste. Whisk in the remaining butter, the parsley and lemon juice.
Serve the pork chops with the sauce spooned over.


Israel targets Hamas sites after two rockets were Fired
Jerusalem: Israeli authorities on Saturday said it targeted sites controlled by the Hamas in several predawn airstrikes in Gaza after two rockets were fired at Israel from the Palestinian enclave, two days after a fragile truce started.
So far, Hamas, an Islamist Palestinian movement that runs the Gaza Strip, has not been involved in the five-day cross-border fire, reports Xinhua news agency. The airstrikes came after Gaza militants fired overnight two rockets towards Beersheba, a city in southern Israel. Both rockets were intercepted by the Israeli anti-rocket Iron Dome system before hitting the ground.
Shortly later, Israeli fighter jets and aircraft struck “a number of Hamas terror targets in the Gaza Strip”, a military spokesperson said in a statement. The sites targeted a Hamas military camp, a military compound used by its naval force, and underground infrastructure, the army said. No group immediately assumed responsibility for the rockets, but previous ones were launched by the Palestinian Islamic Jihad (PIJ), in retaliation for the killing of Baha Abu al-Ata, one of its top commander in an Israeli airstrike on Tuesday. The airstrikes were the first time Israel has targeted Hamas sites since the escalation began. (IANS)
Also Read: Israel will continue to hit Islamic jihad: Benjamin Netanyahu
Also Watch: Govt all set to push for the contentious Citizenship Bill in the winter session of Parliament


Demi Moore says 'addiction' to Ashton Kutcher was 'emotionally devastating'
Demi Moore has spoken candidly about her life on Facebook Watch show Red Table Talk alongside her daughters Rumer and Tallulah Willis with host Jada Pinkett Smith
by James Brinsford, https://www.facebook.com/james.brinsfordDemi Moore has spoken out about the 'devastating effect' her relationship with Ashton Kutcher had on her.
The 56-year-old actress opened up to Jada Pinkett Smith on Monday's edition of Red Table Talk on Facebook Watch and her ex husband was the hot topic of the night.
The Hollywood star described her relationship with Ashton as an "addiction", as she spoke candidly about the effects of her marriage, alongside daughters Rumer and Tallulah Willis.
Demi revealed: "The addiction and the co-dependency… like my addiction to Ashton - that was probably almost more devastating because it took me seriously away emotionally."
Demi admitted that has addiction had an adverse effect on her offspring and Rumer, 31, and Tallulah, 25 spoke about how the repercussions of this took their toll on them.
Tallulah bore the brunt of it as Rumer and her other sister Scout, 28, had moved out, leaving her to face the day-to-day fallout by herself.
Tallulah spoke about the feeling of loneliness, saying: "Watching the behaviour with Ashton, those years, because everyone had left the house and it was just me living there.
"I felt very forgotten and I feel like I developed and nurtured a narrative where she didn’t love me and I truly believed it."
Tallulah went on to confirm: "I know that she does, 100 percent but in that moment you’re hurt."
Demi was married to Ashton for eight years before they divorced in 2013 and Tallulah spoke about how she felt as a nine-year-old and seeing her mother relapse and become consumed by alcohol.
Speaking about the moment she succumbed to her addictive habits again, Demi said it was while she on a trip with Ashton.
Demi recalled: "Ashton said, ‘I don’t know if alcoholism’s a thing. I think it’s about moderation.'
"If I had stayed close to working my program... I, of course, lived the majority of my adult life sober. I was great sober.”
Speaking about why she had turned her back on 20 years of sobriety, Demi said: "I wanted to be that girl.”
She continued: "I made my own story up, that he wanted somebody that he could have wine with that he could do stuff [with].
"He’s not the cause of why I opened that door up. I wanted to be something other than who I am. And I gave my power away."
Demi has been similarly candid in her memoir, Inside Out, in which she has detailed how she "went into contortions to try to fit the mold of the woman he wanted his wife to be."
Her marriage to Ashton was ended after he admitted to cheating on Demi and was asked to move out of their home.
Demi said this sent her spiralling into a host of substance abuses, including Vicodin and alcohol.
During this time, her daughters decided to stop speaking to her until she had sorted out her life, with former husband Bruce Willis also letting their friendship lapse before Demi was able to come to terms with what had happened in the aftermath of her relationship with Ashton.
Do you have a story to sell? Get in touch with us at<EMAIL_ADDRESS>or call us direct 0207 29 33033.


|
| Contents | |
| About This Extension |
Creating realtime music remixing applications on the Web becomes even more compelling when you add the element of fading individual parts of a mix. Using this extension, not only can you easily fade in and fade out musical parts, but you can also easily fade parts from the left side of the stereo field to the right side, or vice versa. What's more, you can set up your own custom fade processes to do anything you want, including moving DHTML layers around.
| What's New in the Latest Version |
There is a dedicated version history for this extension, where you will be able to find out about the new features and possible issues with the most recent version. The version history for this extension is independent of the version history for the core Music Object API.
| Getting This Extension |
To get the "music-object-x-fades.js" JavaScript file that implements this extension, simply right-click on this link (click-and-hold for Mac users). Then, from the menu that pops up, select the 'Save Link As...' or 'Save Target As...' option and save the file as "music-object-x-fades.js" into an appropriate folder of the local copy of your Web site.
In case you have problems saving the file using the above link, the "music-object-x-fades.js" file can also be found inside the documentation's "javascript" folder, along with the "music-object.js" file.
| Dependencies |
In order to use this extension, the following JavaScript file(s) must first be sourced in...
For more information on using extensions, consult the section About Music Object Extensions.
| Reference |
|
| Instance Methods |
| fadeController |
|
The fadeController method lets you fade the value of the specified MIDI controller.
|
fadeController ( MidiChannel0to16 , ControllerNumber0to127 , StartValueINT , EndValueINT , FadeTimeMsINT , FadeEndCallbackFunctionorJavaScriptSTR ) |
| FadeOBJ |
The fadeController method lets you fade the value of the specified MIDI controller from a specified start value to a specified end value. This is useful for remix applications and allows you to, among other things, fade in or fade out the channel volume for a musical part, or even fade parts from the left side of the stereo field to the right side, or vice versa.
In order to perform a channel volume fade, just use the value 7 for the ControllerNumber0to127 parameter. For example, the statement
In order to perform a panning fade from left to right, you would use the value 10 for the ControllerNumber0to127 parameter. For example, the statement
For more ideas on controllers that can be faded, consult the appendix Supported MIDI Controllers.
When no FadeEndCallback parameter is specified, no additional action is performed when the fade comes to an end.
When there is also no FadeTimeMsINT parameter specified, then the value 1000 (1 second) is chosen as the default value for the fade time.
When there is also no EndValueINT parameter specified, then the value 0 is chosen as the default value for the fade's end value.
When there is also no StartValueINT parameter specified, then the current value of the specified MIDI controller is used as the fade's start value.
| fadeTempo |
|
The fadeTempo method lets you transition the song playback tempo to a new tempo over a specified time.
|
fadeTempo ( StartTempoBPM0to300 , EndTempoBPM0to300 , FadeTimeMsINT , FadeEndCallbackFunctionorJavaScriptSTR ) |
| FadeOBJ |
The fadeTempo method lets you transition the song playback tempo to a new tempo over a specified time. For example, the statement
In this example, if the current tempo of the instance wasn't already set to 120 at the time of the fade, then there might be a noticeable "hiccup" as the tempo fade is triggered. If we had no way of easily knowing the current tempo for the instance, then we could use the special value null for the StartTempoBPM0to300 parameter to indicate that the tempo fade should start at the current tempo value, as in
When no FadeEndCallback parameter is specified, no additional action is performed when the fade comes to an end.
When there is also no FadeTimeMsINT parameter specified, then the value 1000 (1 second) is chosen as the default value for the fade time.
| fadeVolumeScalar |
|
The fadeVolumeScalar method lets you fade any of the custom volume scalars that are registered for a Music Object instance.
|
fadeVolumeScalar ( VolumeScalarNameSTR , StartVolume0to100 , EndVolume0to100 , FadeTimeMsINT , FadeEndCallbackFunctionorJavaScriptSTR , FadeStepCallbackFunctionorJavaScriptSTR ) |
| FadeOBJ |
When no FadeStepCallback parameter is specified, then no handler for the onOutputVolumeChange callback will be set.
When there is also no FadeEndCallback parameter specified, then no callback will be executed when the fade reaches its conclusion.
When there is also no FadeTimeMsINT parameter specified, then the fade will have a default duration of 1 second (1000ms), which is equivalent to specifying the value 1000 for this parameter.
When there is also no EndVolume0to100 parameter specified, then the fade will have a default end volume of 0.
When there is also no StartVolume0to100 parameter specified, then the fade will start at the current volume level of the specified volume scalar.
| Static Methods |
| Music.fade |
|
The Music.fade static method lets you initiate your own custom fade process to affect anything you desire.
|
Music.fade ( FadeNameSTR , StartValueINT , EndValueINT , FadeTimeMsINT , UpdateHandlerFunctionorJavaScriptSTR , FadeEndCallbackFunctionorJavaScriptSTR , EndIfInProgressBOOL ) |
| FadeOBJ |
The FadeNameSTR parameter is a unique identifier for the fade you wish to initiate. This allows the fade to be triggered multiple times without Music Object assigning new fade tasks. This is essential if one wishes to do things like fade the tempo or fade the volume of an instance. It doesn't make all that much sense to have multiple fade tasks in progress that are all fighting with each other to set the same parameter. For instance, it wouldn't make any sense to have three separate fade tasks in progress that are fading in completely different directions, yet are all trying to set the player volume.
The UpdateHandler parameter is used to register the function or JavaScript statements you would like executed each time the fade value is updated. If you register a function as the update handler, then this function should expect to take one parameter, being the current value of the fade. If, on the other hand, you register a string statement block that is to be executed for each update, then the statements in this statement block can refer to the variable fadeValue which will be defined only for the scope of the statement block.
The FadeEndCallback parameter is used to register the function or JavaScript statements you would like executed when the fade completes. And the EndIfInProgressBOOL parameter indicates whether a pre-existing fade by the same name as that specified by the FadeNameSTR parameter should be stopped before the new fade is initiated, or whether the pre-existing fade by that name should simply be updated with the new fade settings.
Some of these principles are a little hard to explain without an example, so let's take a look at one. In the following straightforward example, we're using this method to initiate a tempo fade for the Music Object instance "myMusicObject"...
Music.fade ( 'myMusicObject_fadeTempo', 120, 200, 5000, 'myMusicObject.setTempo (fadeValue)' ); |
What we have here is a fade that is named "myMusicObject_fadeTempo", which starts fading from the value 120 and reaches the value 200 over a period of 5 seconds. And each time the fade value is updated, the JavaScript statement
Notice how we haven't specified the FadeEndCallback or EndIfInProgressBOOL parameters in this example. This is because there are variations of this method (see below) where it is not necessary to specify these parameters. Now, of course, we could have used the ready-made fadeTempo instance method to achieve the same results as we have here, but this is just an example to illustrate how the Music.fade static method is used.
When no EndIfInProgressBOOL parameter is specified, the default behavior is for the new fade to not end any pre-existing fade by the same name. The pre-existing fade will merely be updated with the new fade values.
When there is also no FadeEndCallback parameter specified, then no additional action is performed when the fade comes to an end.
| Objects |
| Music.Fade |
|
The Music.Fade object lets you store the values for a fade process and trigger the fade at any time.
|
Music.Fade ( StartValueINT , EndValueINT , FadeTimeMsINT , UpdateHandlerFunctionorJavaScriptSTR , FadeEndCallbackFunctionorJavaScriptSTR , RestoreStartValueBOOL ) |
| FadeOBJ |
The UpdateHandler parameter is used to register the function or JavaScript statements you would like executed each time the fade value is updated. If you register a function as the update handler, then this function should expect to take one parameter, being the current value of the fade. If, on the other hand, you register a string statement block that is to be executed for each update, then the statements in this statement block can refer to the variable fadeValue which will be defined only for the scope of the statement block.
The FadeEndCallback parameter is used to register the function or JavaScript statements you would like executed when the fade completes. And the RestoreStartValueBOOL parameter indicates whether or not the registered update handler should be called when the fade completes with the initial fade start value as a parameter, allowing whatever was being affected by the fade to be reset to its start value.
Following is a simple example of how the Music.Fade object could be used...
myTempoFade = new Music.Fade ( 120, 200, 5000, 'myMusicObject.setTempo (fadeValue)' ); myTempoFade.start (); |
In this example, we are creating an instance of a Music.Fade object for the purpose of fading the tempo of the Music Object instance "myMusicObject" from the value 120 to the value 200 over a period of 5 seconds. Each time the fade value is updated, the JavaScript statement
Notice how we haven't specified the FadeEndCallback or RestoreStartValueBOOL parameters in the Music.Fade constructor in this example. This is because there are variations of the constructor (see below) where it is not necessary to specify these parameters. Although we could have used the ready-made fadeTempo instance method to achieve the same results as we have here, this is just an example to illustrate how the Music.Fade object is used.
When no RestoreStartValueBOOL parameter is specified, the default behavior is for the registered update handler not to be called when the fade completes, so whatever was being affected by the fade will not be reset to its start value when the fade ends.
When there is also no FadeEndCallback parameter specified, then no additional action is performed when the fade comes to an end.


Andy's Food Tracker
A West-MEC Creation
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Food Item:
Shelf Life:
Date of Purchase:
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.
Description:
Submit
.
ATTENTION:
if food item cell is green, that food item is expired!!
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Andy's Food Tracker
Copyright © 2015 Jerardo A. Diaz
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The {tealeaves} package solves for leaf temperature given a set of environmental conditions and leaf traits by balancing the leaf energy budget. There are two main steps to using {tealeaves}:
tleaf
and tleaves
for single and multiple
parameter sets, respectively).In this vignette, I’ll show you how to:
Note that my examples use a lot tidyverse syntax, especially the pipe
operator %>%
. These are not required to use {tealeaves},
but you can learn more about the the tidyverse here and the %>%
more specifically here.
You can use the default parameter settings and solve for leaf
temperature in a single leaf using the make_*()
functions
and tleaf()
.
library(magrittr)
library(tealeaves)
# Leaving the make_* functions empty will automatically default to defaults
# parameters.
<- make_leafpar() # leaf parameters
leaf_par <- make_enviropar() # environmental parameters
enviro_par <- make_constants() # physical constants
constants
<- tleaf(leaf_par, enviro_par, constants, quiet = TRUE)
T_leaf
%>% knitr::kable() T_leaf
| T_leaf | value | convergence | R_abs | S_r | H | L | E | Ar | Gr | Re | g_bw |
|---|---|---|---|---|---|---|---|---|---|---|---|
| 301.4181 [K] | 0 | 0 | 1363.813 [W/m^2] | 907.9499 [W/m^2] | 107.3552 [W/m^2] | 348.5078 [W/m^2] | 0.00794791 [mol/m^2/s] | 0.0048272 | 788182.4 | 12778.08 | 0.0297282 |
You can look at default parameters settings in the manual (run
?make_parameters
). These defaults are reasonable, but of
course you will probably want to use different choices and allow some
parameters to vary. Here, I’ll demonstrate how to replace a default. In
the next section, I’ll show you how to set up a gradient of parameter
values over which to solve for leaf temperature.
# Use the `replace` argument to replace defaults. This must be a named list, and
# each named element must have the proper units specified. See `?make_parameters`
# for all parameter names and proper units.
# First, we'll change stomatal conductance to 4 umol / (m^2 s Pa)
<- make_leafpar(
leaf_par replace = list(
g_sw = set_units(4, "umol/m^2/s/Pa")
)
)
# Next, we'll change the air temperature to 25 degree C (= 298.15 K)
<- make_enviropar(
enviro_par replace = list(
T_air = set_units(298.15, "K")
)
)
# Physical constants probably do not need to be replaced in most cases,
# that's why we call them 'constants'!
<- make_constants()
constants
<- tleaf(leaf_par, enviro_par, constants, quiet = TRUE)
T_leaf
%>% knitr::kable() T_leaf
| T_leaf | value | convergence | R_abs | S_r | H | L | E | Ar | Gr | Re | g_bw |
|---|---|---|---|---|---|---|---|---|---|---|---|
| 302.1106 [K] | 0 | 0 | 1363.813 [W/m^2] | 916.3234 [W/m^2] | 130.0263 [W/m^2] | 317.4631 [W/m^2] | 0.007244854 [mol/m^2/s] | 0.0055546 | 903289.3 | 12752.29 | 0.0297445 |
In the previous two examples, I used the tleaf
function
to solve for a single parameter set. In most cases, you’ll want to solve
for many parameter sets. The function tleaves
generalizes
tleaf
and makes it easy to solve for multiple parameter
sets using the same argument structure. All you need to do is specify
multiple values for one or more leaf or environmental parameters and
tleaves
uses the tidyr::crossing
function to
fit all combinations1.
# As before, use the `replace` argument to replace defaults, but this time we
# enter multiple values
# First, we'll change stomatal conductance to to 2 and 4 umol / (m^2 s Pa)
<- make_leafpar(
leaf_par replace = list(
g_sw = set_units(c(2, 4), "umol/m^2/s/Pa")
)
)
# Next, we'll change the air temperature to 20 and 25 degree C (= 293.15 and 298.15 K)
<- make_enviropar(
enviro_par replace = list(
T_air = set_units(c(293.15, 298.15), "K")
)
)
<- make_constants()
constants
# Now there should be 4 combinations (high and low g_sw crossed with high and low T_air)
<- tleaves(leaf_par, enviro_par, constants, progress = FALSE,
T_leaves quiet = TRUE, set_units = FALSE)
%>%
T_leaves ::select(T_air, g_sw, T_leaf) %>%
dplyr::kable() knitr
| T_air | g_sw | T_leaf |
|---|---|---|
| 293.15 [K] | 2 [umol/Pa/m^2/s] | 300.2217 [K] |
| 298.15 [K] | 2 [umol/Pa/m^2/s] | 304.2065 [K] |
| 293.15 [K] | 4 [umol/Pa/m^2/s] | 298.3474 [K] |
| 298.15 [K] | 4 [umol/Pa/m^2/s] | 302.1106 [K] |
It can take a little while to model many different parameter sets. If
you have multiple processors available, you can speed things up by
running simulations in parallel. In the tealeaves
function,
simply use the parallel = TRUE
argument to simulate in
parallel. Here I’ll provide an example looking at how leaf-to-air
temperature differentials change with air temperature.
# NOTE: not evaluated here because it caused error on CRAN. Copy-and-paste to run on your own machine.
# We'll use the `replace` argument to enter multiple air temperatures and two light levels
<- make_leafpar()
leaf_par
<- make_enviropar(
enviro_par replace = list(
S_sw = set_units(c(300, 1000), "W/m^2"),
T_air = set_units(seq(273.15, 313.15, length.out = 10), "K")
)
)
<- make_constants()
constants
<- tleaves(leaf_par, enviro_par, constants, progress = FALSE, quiet = TRUE,
tl parallel = TRUE)
$T_air %<>% drop_units() # for plotting
tl$T_leaf %<>% drop_units() # for plotting
tl%<>% dplyr::mutate(Light = dplyr::case_when(
tl round(drop_units(S_sw), 0) == 300 ~ "Shade",
round(drop_units(S_sw), 0) == 1000 ~ "Sun"
))
# Plot T_air versus T_leaf - T_air at different light levels
library(ggplot2)
ggplot(tl, aes(T_air, T_leaf - T_air, color = Light)) +
geom_line() +
xlab("Air Temperature [K]") +
ylab("Leaf - Air Temperature [K]") +
theme_minimal() +
NULL
Since optimization is somewhat time-consuming, be
careful about crossing too many combinations. Use
progress = TRUE
to show progress bar with estimated time
remaining.↩


Professionally I have studied Information and Communication Technology Diploma.
I have wide teaching experience of 8 plus years in the same field invocational training centres.
Besides, I have great expertise in audio production, from composition to radio ready.
Working in media industries have as well enabled me gain good experience in video production.
Producing and Performing music.
Photography
Video and Audio production.
Basic html and CSS skills.
WHY STUDY SOFTWARE DEVELOPMENT?
It is really interesting navigating through various applications
and imagining of the magic behind them. Be it in music or video, games or animations, these have surely pushed me to the wall to learn
and as well be part of the team that provides solutions to problems around various fields of applications.


Fuco - A Coloring Game
Web | Android | Chrome | Amazon | Firefox | Source
Welcome, to Fuco (Source),
a coloring game! Fuco was made in 48 hours as part of the
Ludum Dare game compo.
The theme was Connected Worlds
, which game me the inspiration for Fuco.
Originally I had an idea for a game that mixed game art styles (pixel art + isometric + full 3D),
however that was far too ambitious considering the time constraints and my artistic skills.
This was my second Ludum Dare, my first game being Nent which took advantage of WebGL shaders for a metaballs effect. Since I joined Clay.io I figured that this time I would make a game that could be played on mobile, which meant no WebGL (due to iOS support). Because I wrote platform-agnostic code, I was easily able to publish the game to many platforms using Cordova
Being my second time participating I should have had better time management. However I made most of the game on Sunday (pulling an all-nighter, being awake during the earthquake at 3am):
Negative coloring without shaders
When you play the game, you'll notice that coloring the correct area below will erase the color above, and an incorrect coloration will override the above color (incorrectly). Solving this problem in a performant way on HTML5 Canvas was not immediately obvious. If I had been able to use WebGL, I could easily write a shader which could do calculations based on each pixel value. However canvas is too slow to update each pixel each frame which meant my solution had to be based on native canvas calls.
Each section of the circle is defined by a closed shape, so I simply erase
the region the player is brushing using ctx.clip()
which allows me to mask draw calls.
Here is my solution:
if (y < 0) {
// erase inside selected brush clip region
ctx.save()
ctx.beginPath()
region.path(ctx)
ctx.clip()
radgrad = ctx.createRadialGradient(x,y,brushSize/4|0,x,y,brushSize/2|0)
radgrad.addColorStop(0, $white.toString())
radgrad.addColorStop(0.9, $white.alpha(1).toString())
radgrad.addColorStop(1, $white.alpha(0).toString())
ctx.fillStyle = radgrad
ctx.fillRect(x-brushSize/2|0, y-brushSize/2|0, brushSize, brushSize)
ctx.fillRect(x-brushSize/2|0, y-brushSize/2|0, brushSize, brushSize)
ctx.restore()
}
Home screen animation
One of my favorite effects I made for this game was the home screen animation of the logo. Some googling for SVG animation landed me at this example, which I adapted slightly for my purposes. I used Inkscape to draw the SVG paths, and them inlined the SVG into the HTML.
var $paths = document.getElementsByTagName('path')
// This is hard coded because it crashes android if you calculate it
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window.addEventListener('load', function () {
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// This line will crash android browser clients
// pathLengths[i] = $paths[i].getTotalLength()
simulatePathDrawing($paths[i], i)
}
document.body.style.visibility = 'visible'
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function simulatePathDrawing(path, i) {
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This tool is in active development. Bug reports and feature requests are welcome at https://github.com/iobis/event-tree or p.provoost@unesco.org.


To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video


Preparation time
less than 30 mins
Cooking time
no cooking required
Serves
Serves 1
Place the orange jelly onto the middle of a serving plate.
Grate the chocolate around the jelly.
Place 55g/2oz of the strawberries in a small food processor with the icing sugar and balsamic vinegar and blend together to a smooth consistency. Pour into a small bowl.
Slice the remaining strawberries and arrange on the plate, around the jelly. Spoon the coulis over the strawberries.
Whip the cream in a bowl until soft peaks form when the whisk is removed and stir in the vanilla seeds. Spoon the vanilla cream on top of the jelly. Garnish with a sprig of fresh mint.


Full Name:
Email:
Birth Date:
Blood Group:
Gender:
City/Town :
Tehsil:
District:
State:
Country:
PIN Code:
Parent's First Name :
Parent's Middle Name:
Parent's Last Name:
Relation:
Qualification:
Occupation:
Aadhar Number:
PAN Number:
Annual Income:
Incometax Payee:
Religion :
Caste:
Category:
Caste Cert No:
Issued Date:
Handicapped:
Type:
Percentage:
Mentally Challenged:
Type:
Percentage:
School Name :
School Code:
Last Class Attended:
Date Of Leaving:
Prev School Reg. Num:


Professor (University of Granada) + senior software
engineer (polypoly)
What do people want from messaging
platforms?
Merelo, Castillo, Mora, Barranco, Abbas,
Tsivitandou, Chatbots and messaging
platforms in the classroom: an analysis from the
teacher's perspective, work in
progress
No worries
Peer-to-peer
Familiarity
Pluggability
Telegram is
Familiar (mainly in IT),
~65-70% penetration
Groups are
horizontal
Open API: enables
bots
Interacting with the Botfather
Let's go for Telegram
Free creation of bots
through "Botfather"
"Slash" commands
Reactive bots using any language
What do we want to do with it?
Class schedule
FAQ
What do I want?
Virtual check-in
Toi bot
Postprocessing...
Towards learning
analytics
Also: fast class feedback
Help with class material: kke
Simple: /kke + number
Used as a reminder of assignments
Students and professor
alike
Almost working: material index
Conclusions
Simple bots help students &
teachers
It helps if you can program
them
The university should be the BotFather
And help teachers integrate bots in
learning routines


Architecture overview
This document briefly describes the Batik architecture and the role of each of its modules. For detailed module design, you can refer to the Batik UML diagrams Object by Design or yWorks.
The Batik modules are of one of three types: application modules, core modules and low level modules. The following figure illustrates these three module types.
Application modules illustrate how to use the core modules and let users evaluate the Batik software by experimenting with its features.
The Core modules are the heart of Batik and the primary deliverables for the projects. These are the modules developers use to manipulate, generate, create, convert, render and view SVG content.
Finally, the Low level modules are used internally by the core modules to accomplish their work. These modules are not typically used by developers directly.
Application modules
As mentioned earlier, the application modules illustrate the functionality that Batik offers.
For example, the SVG browser is built using several Batik core modules (such as the JSVGCanvas GUI component and the ImageTranscoders) and illustrates how Batik lets you not only view, zoom, pan and rotate SVG documents, but also search them and convert them to other formats (such as JPEG, TIFF or PNG).
The SVG pretty printer is another example that shows how Batik lets you manipulate and transform SVG content, here for the purposed of tidying up potentially disorganized SVG files.
The SVG font converter illustrates how Batik can help you embed SVG font definitions in an SVG file by providing an application that converts ranges of characters from a TrueType Font format to the SVG font format.
Finally, the SVG rasterizer shows how to leverage the transcoder API to convert to and from SVG content.
Note that even though the application modules are meant to be useful and fun to use, they are not the primary deliverables of the Batik project. Instead, they are illustrations of how the Batik core modules might be used and combined.
Core modules
The Batik core modules are the heart of the Batik architecture. They can be used individually or in combination for various purposes, and the application modules offer some usage examples.
- The SVG generator is a module containing SVGGraphics2D class, that lets all Java applications or applets easily convert their graphics to the SVG format, as easily as they draw to a screen or a printer, by leveraging the Java 2D API’s extensible design.
- SVG DOM an implementation of the SVG DOM API defined in the SVG recommendation. It lets the programmer manipulate SVG documents in a Java program.
- The Swing components module includes, primarily, the JSVGCanvas class, a UI component that can display SVG content and let the user interact with that content (zoom, pan, rotate, select text, etc.).
- The Bridge module is rarely used directly. It is responsible for creating and maintaining an appropriate object corresponding to an SVG element. The bridge converts an SVG document into the internal representation Batik uses for graphics (GVT, the Graphic Vector Toolkit).
- The transcoder is a module that provides a generic API for transcoding an input to an output. This module transcodes an input stream or a document into a particular ouput format, used for converting SVG documents to other types.
Low level modules
The low level modules are not expected to be used directly by developers using the Batik API. Rather, they support the operation of the core modules. The low level modules include:
- The Graphic Vector Toolkit (GVT) module, which represents a view of the DOM tree that is more suitable for for rendering and event handling purposes. This module describes DOM tree in terms of a tree of Java graphics objects.
- The Renderer module is responsible for rendering a GVT tree and any related task. For example, a raster based renderer may perform some caching (the default renderer in Batik does that). However, a renderer could perform any task deemed necessary and does not have to be raster based.
- The SVG parser module contains parser classes for complex SVG attributes such as the transform or color attributes. Higher level modules rely on the SVG parser module.


We extend content!
- integrate scalable convergence
- whiteboard bricks-and-clicks supply-chains
- redefine cross-media technologies
- disintermediate interactive convergence
- matrix distributed markets
- orchestrate end-to-end eyeballs
- scale end-to-end systems
- matrix wireless interfaces
- optimize web-enabled methodologies
- target impactful supply-chains
- redefine ubiquitous models


Alison Link | Academic Technologist, University of Minnesota - College of Liberal Arts
"...for example, if we wish to recall a horse, a lion, or an eagle, we must place its image in a definite background."
- Rhetorica ad Herennium, 3.16 - 24; trans. Harry Caplan (Loeb, 1954)
"...the backgrounds are very much like wax tablets or papyrus, the images like letters, the arrangement and disposition of images like the script, and the delivery is like reading."
"And these backgrounds ought to be of moderate size and medium extent, for when excessively large they render the images vague, and when too small often seem incapable of receiving an arrangement of images."
"Often in fact when we declare that some one form resembles another, we fail to receive universal assent, because things seem different to different persons. The same is true with respect to images: one that is well-defined to us appears relatively inconspicuous to others. Everybody, therefore, should in equipping himself with images suit his own convenience."
"It is a way of relating to technology that is neither entirely inside nor outside, relevant nor irrelevant, constructive nor destructive... The 'conflicted insider' techno-positionality is steeped in the technicalities of GIS, and yet seeks resistive practices, new collusions, and irreconcilables to challenge GIS at the level of code."
- Wilson, M. (2009).  They add up to feeling like you are totally out of place. You look out of place.
- E. Venditto (History)
"I am imagining in my head a Venn diagram, but it's a muddled space. It's strange [...] you can be somewhere, but you can't actually fully inhabit self in that place. It's a strange thing to try to tease out."
- M. Brito (Philosophy)
CREATE OR REPLACE FUNCTION zScore(observed_val numeric,
median numeric, margin_of_error numeric)
RETURNS numeric AS $$
BEGIN
RETURN (observed_val - median) / (margin_of_error / 1.645);
END;
$$ LANGUAGE plpgsql;
CREATE OR REPLACE FUNCTION zScoreProportion(observed_val numeric,
observed_cases_in_pop numeric, total_pop numeric)
RETURNS numeric AS $$
DECLARE
pop_proportion numeric := observed_cases_in_pop /
total_pop;
BEGIN
RETURN (observed_val - (pop_proportion)) /
sqrt(pop_proportion * (1 - pop_proportion));
END;
$$ LANGUAGE plpgsql;
"When you're dealing with historical information, it's often not specific. [...] And then we want to track change over time, and GIS is really clunky for dates. [...] We're always kind of up against that--that anything you put up on the web, and particularly through a GIS program, becomes "data". And "data" is assumed to be accurate. And historical information may not be "accurate" in that same sort of way."
- J. Kilde (History)
WITH left_join AS (
SELECT person1.time AS time1, person1.wkb_geometry AS geom1,
person2.time AS time2, person2.wkb_geometry AS geom2
FROM person_1_tracks_1 person1
LEFT JOIN person_2_tracks_1 person2 ON person2.time
BETWEEN person1.time AND person1.time + interval '1 min';
),
temporal_overlaps AS (
SELECT DISTINCT *
FROM left_join
WHERE geom2 IS NOT NULL
)
SELECT time1, time2, ST_MakeLine(geom1, geom2)
INTO time_space_diffs
FROM temporal_overlaps;
WITH left_join AS (
SELECT person1.time AS time1, person1.wkb_geometry AS geom1,
person2.time AS time2, person2.wkb_geometry AS geom2
FROM person_1_tracks_2 person1
LEFT JOIN person_2_tracks_2 person2 ON
ST_Within(person1.wkb_geometry,
ST_Buffer(person2.wkb_geometry, 5))
),
spatial_overlaps AS (
SELECT *
FROM left_join
WHERE geom2 IS NOT NULL
)
SELECT time1, time2, abs(extract('epoch' from (time1 - time2)) / 60)
AS timediff_in_mins, ST_Collect(geom1, geom2)
INTO space_time_diffs
FROM spatial_overlaps;
"I'm very attuned to this in the various classrooms that I find myself in, and I've thought a lot about it. [...] I think we're animals--I mean, I think that's a lot of what it is. It's like: I'm an animal, they're an animal, how are the animals doing?"
- L. Buturian (Literature)
WITH target_polygon AS (
SELECT gid, name, type, the_geom, ST_Centroid(the_geom)
AS centroid
FROM beijing_china_osm_landusages
WHERE gid = 175
),
target_polygon_at_origin AS (
SELECT *, ST_Translate(the_geom,
-ST_X(centroid), -ST_Y(centroid)) AS geom_trans
FROM target_polygon
),
test_polygons AS (
SELECT gid, name, type, the_geom, ST_Centroid(the_geom)
AS centroid
FROM ankara_turkey_osm_landusages
WHERE type LIKE 'park'
),
test_polygons_at_origin AS (
SELECT test.gid, test.name, test.type,
ST_Translate(test.the_geom,
-ST_X(test.centroid), -ST_Y(test.centroid))
AS geom_trans
FROM target_polygon target, test_polygons test
)
SELECT test.gid, test.name, test.type,
ST_HausdorffDistance(target.geom_trans, test.geom_trans)
AS hausdorff_distance
FROM target_polygon_at_origin target,
test_polygons_at_origin test
ORDER BY hausdorff_distance ASC;
CREATE EXTENSION hstore;
CREATE OR REPLACE FUNCTION parse_osm_heights(tags_col character,
floor_height numeric, default_height numeric)
RETURNS numeric AS $$
DECLARE
parsed_tags hstore DEFAULT NULL;
BEGIN
parsed_tags := ($1)::hstore;
IF exist(parsed_tags, 'building:height') THEN
RETURN (parsed_tags -> 'building:height')::numeric;
ELSEIF exist(parsed_tags, 'building:levels') THEN
RETURN (parsed_tags -> 'building:levels')::numeric * $2;
ELSE
RETURN $3;
END IF;
EXCEPTION
WHEN plpgsql_error THEN RETURN $3;
WHEN invalid_text_representation THEN RETURN $3;
WHEN others THEN
RAISE NOTICE 'not a valid hstore';
RETURN $3;
END;
$$ LANGUAGE plpgsql;
"Questions drive humanities scholarship, not hypotheses..."
- Bodenhamer, D. J. (2010). The Spatial Humanities: GIS and the Future of Humanities Scholarship


Player One:
Yellow
Red
Orange
Green
Blue
Player Two:
Red
Yellow
Orange
Green
Blue
Rows:
Columns:
Start!
Reset


The Last Web
Charlotte went back to her work. It was quite dark now.  By the time the Arables and the Zuckermans and Lurvy returned from the grandstand, Charlotte had finished her web. The word
was woven neatly in the center. Nobody noticed it in the darkness. Everyone was tired and happy.
Next morning when the first light came into the sky and the sparrows stirred in the trees, when the cows rattled their chains and the rooster crowed and the early automobiles went whispering along the road, Wilbur awoke and looked for Charlotte. He saw her up overhead in a corner near the back of his pen. She was very quiet. Her eight legs were spread wide. She seemed to have shrunk during the night. Next to her, attached to the ceiling, Wilbur saw a curious object. It was a sort of sac, or cocoon. It was peachcolored and looked as though it were made of cotton candy.
Charlotte's web never looked more beautiful than it looked this morning. Each strand held dozens of bright drops of early morning dew. The light from the east struck it and made it all plain and clear. It was a perfect piece of designing and building. In another hour or two, a steady stream of people would pass by, admiring it, and reading it, and looking at Wilbur, and marveling at the miracle.
At nine o'clock, Mr. Arable's truck rolled into the Fair Grounds and came to a stop at Wilbur's pen. Everybody climbed out.
"Look!" cried Fern. "Look at Charlotte's web! Look what it says!"
The grownups and the children joined hands and stood there, studying the new sign.
"'Humble,'" said Mr. Zuckerman. "Now isn't that just the word for Wilbur!"
Everyone rejoiced to find that the miracle of the web had been repeated. Wilbur gazed up lovingly into their faces. He looked very humble and very grateful.


Increasing Development Enjoyment With RavenDB
We have a lot of different options for data storage and retrieval available today. These options include the traditional relational database, document databases, key value stores, and even flat files. Every option has its benefits over the others, making some options better for some things and other options better for other things. Once the data storage and retrieval option is selected, we then typically have to select a product. Within a solution space, most products offer some distinction from their competitors. Such distinctions make certain products popular choices for a particular technology stack. For example, MySQL is a common choice for the LAMP stack, as is Microsoft SQL Server for the .NET stack.
Why is this so? There are several reasons for this, and their importance varies between administrators, developers, managers, and even executives.
From a developer’s point of view, it comes down to whether or not the product in the solution space makes the work more enjoyable.
As a .NET developer, RavenDB is a ton of fun to work with. Here is what it offers me:
- RavenDB is available as a NuGet package, which means I don’t even have to leave Visual Studio to start working with it.
- The .NET client is very well designed and supports the IQueryable interface and LINQ very well. This makes storing, deleting, and loading data easy. It also makes querying data easy and extremely powerful.
- Facilities to quickly define indexes and even MapReduce queries in code with minimal effort are supported.
- The amount of time I spend on the data model is greatly reduced, since mapping .NET objects to JSON documents is easy.
- I don’t have to use an object relational mapper (ORM).
- An HTTP API is available as an integration option.
- I can completely embed RavenDB in my application.
The net result is I can spend most of my time focused on my application and its problem space. Reasons 4 and 5 are also true for other document databases, but reasons 1, 2, and 3 really distinguish RavenDB in the .NET space.
Let’s look at an example. Take for instance reason #4 and assume we were tasked with creating a domain model for a shopping cart and the persistence logic for it. The very first thing we would do is create the domain model. After some conversations and collaboration with a stakeholder, we come up with the following initial domain model along with the unit tests which validate the correct behavior of the model:
At this point we are ready to start working on persisting the shopping cart object to a database. If we are using Microsoft SQL Server, we would now have to create some tables in SQL or perhaps use a code-first approach with our ORM of choice. We may need to create a map for our ORM and probably a repository class to facilitate the storage and retrieval of our domain object to and from the database. If we are using RavenDB, we are pretty much done. Regardless of the data storage solution selected, we can usually count on some tweaks and enhancements during the demo and develop iterations with the stakeholder. But when RavenDB is used, those changes are going to happen here in the domain model. Contrast this with a traditional relational database, which may require changes to the domain model, ORM maps, repositories, and SQL tables.
I can’t get over how easy the .NET client is to use and how powerful RavenDB can be. If you are interested in trying RavenDB out, check out my Getting Started with RavenDB post for a quick introduction.


what are my future goals and how do I get there
For the remainder of this course I want to focus on the details and honing my skills. I still feel like I have to copy and paste a lot and It's partly because I am struggling with my syntax and a better understanding of the details will help me a lot. Less copy and paste, more coding!
Before the course completes my main goal is to do a mock interview. I am terrified and I am so nervous to participate so It's part being prepared and a BIG part getting up the guts. After the course is over I want to work really hard to make connections and find genuine interest in different companies
In order to accomplish these goals I was to become more prepared for interviews. Not just by making more connections and deciding what direction I want to go but also being technically prepared. Putting in extra work to learn data structures, algorithms & syntax that is important to know off the top of my head.
When I started boot camp my main goal was to go back to school and change my career. I had no idea what I was going to be good at, what I was going to like and dislike, and how I was going to become employable in a new field. As class moves along I have been so overwhelmed with information that I am even MORE excited about the direction this may go. There are so many branches of tech and I can't wait to continue to learn and grow in and outside of class so I can find my place.


James Maddison makes Manchester United transfer decision as Arsenal dealt blow - Premier League rumours
Latest Premier League transfer news | With the New Year on the horizon that means the January transfer window will open Aston Villa and their top flight rivals can start spending again
by Connor O’NeillThe Premier League returns this weekend, with points to be gained at both the top and bottom end of the table.
While the January transfer window is also just around the corner, with plenty of clubs expected to be looking to add to their squads in the New Year.
Aston Villa are one of them and they have seen speculation around their side ramp up over the past few days, with Nico Gaitan and Christoph Monschein linked with moves to B6 on Thursday.
Gaitan will be a free agent in December when his contract with MLS side Chicago Fire expires while Monschein has netted 13 goals in the Austrian top flight this season.
But what of their top flight rivals?
And here’s a round-up of the latest transfer news, rumours and gossip around the Premier League ...
Maddison to snub Manchester United
James Maddison is considering signing a new contract with Leicester despite strong interest from Manchester United.
United have earmarked Maddison as a long-term target but the MEN are reporting that the England international could re-sign with Leicester.
The report also states that a new deal with Leicester is not close and Maddison could wait until the end of the season before deciding on his future.
Aston Villa latest
This is your round up of all things Villa; the one-stop shop that will keep you updated on the latest goings on at the club and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Villains throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Director reveals John McGinn's reaction to failed transfer
- Martin Keown fires puzzling criticism at Tyrone Mings
- What Jarrad Branthwaite has said about Villa interest
- Dean Smith urged to have a 'quiet word' with Frederic Guilbert
For all your latest AVFC news, opinion, analysis and transfer gossip, click here
You can follow our Villa reporter Ashley Preece on Twitter, and his email address is<EMAIL_ADDRESS>Mourinho eyes European pair
Bruno Fernandes and Pablo Dybala could be back on Spurs' radar in January.
Dybala was close to joining Tottenham in the summer under Mauricio Pochettino but a deal collapsed towards the end of the window, while Fernandes was also linked with north London club throughout the summer.
And now the Express are reporting that new Spurs boss Jose Mourinho is keen on the pair in the winter window.
Aubameyang to reject new Arsenal deal
Pierre-Emerick Aubameyang is set to reject a new Arsenal deal.
According to Spanish newspaper Sport, Aubameyang is waiting to see whether Barcelona make a move for him.
The Gabon striker's current deal runs until 2021, but the Gunners are keen to extend.
Tottenham considered both Rodgers and Nagelsmann
Tottenham considered both Brendan Rodgers and Julian Nagelsmann as candidates to replace Mauricio Pochettino, before appointing Jose Mourinho.
Mourinho was appointed as Tottenham manager on Wednesday morning, but it according to reports, he was not the club’s first choice.
But according to the Mail , Rodgers and Nagelsmann were both considered for the role, but
Spurs thought it would be too difficult to secure them.
Pochettino on Bayern’s radar
Mauricio Pochettino is being considered by Bayern Munich to take over as manager at the Allianz Arena.
Although, according to Sky Sports , no contact has been made with the Argentine following his sacking by Tottenham on Tuesday, it is believed he is on their shortlist of candidates.
Bayern have been without a permanent manager after Niko Kovac was sacked by the German giants at the start of November.


torch_geometric.nn¶
Convolution Layers¶
-
class
SplineConv
(in_channels, out_channels, dim, kernel_size, is_open_spline=True, degree=1, norm=True, root_weight=True, bias=True)[source]¶ Spline-based Convolutional Operator \((f \star g)(i) = 1/|\mathcal{N}(i)| \sum_{l=1}^{M_{in}} \sum_{j \in \mathcal{N}(j)} f_l(j) \cdot g_l(u(i, j))\), where \(g_l\) is a kernel function defined over the weighted B-Spline tensor product basis for a single input feature map. (Fey et al: SplineCNN: Fast Geometric Deep Learning with Continuous B-Spline Kernels, CVPR 2018, https://arxiv.org/abs/1711.08920)
Parameters: - in_channels (int) – Size of each input sample.
- out_channels (int) – Size of each output sample.
- dim (int) – Pseudo-coordinate dimensionality.
- kernel_size (int or [int]) – Size of the convolving kernel.
- is_open_spline (bool or [bool], optional) – Whether to use open or
closed B-spline bases. (default
True
) - degree (int, optional) – B-spline basis degrees. (default:
1
) - norm (bool, optional) – Whether to normalize output by node degree.
(default:
True
) - root_weight (bool, optional) – If set to
True
, the layer will add the weighted root node features to the output. (default:True
) - bias (bool, optional) – If set to
False
, the layer will not learn an additive bias. (default:True
)
-
class
GCNConv
(in_channels, out_channels, bias=True)[source]¶ Graph Convolutional Operator \(F_{out} = \hat{D}^{-1/2} \hat{A} \hat{D}^{-1/2} F_{in} W\) with \(\hat{A} = A + I\) and \(\hat{D}_{ii} = \sum_{j=0} \hat{A}_{ij}\) from the “Semi-Supervised Classfication with Graph Convolutional Networks” paper.
Parameters:
-
class
ChebConv
(in_channels, out_channels, K, bias=True)[source]¶ Chebyshev Spectral Graph Convolutional Operator from the “Convolutional Neural Networks on Graphs with Fast Localized Spectral Filtering” paper.
Parameters:
-
class
NNConv
(in_channels, out_channels, nn, norm=True, root_weight=True, bias=True)[source]¶ - Convolution operator using a continuous kernel function computed by a
- neural network. The neural network kernel function maps pseudo-coordinates (adj) to in_channels x out_channels weights for the feature aggregation. (adapted from Gilmer et al.: Neural Message Passing for Quantum Chemistry, https://arxiv.org/abs/1704.01212)
Parameters: - in_channels (int) – Size of each input sample.
- out_channels (int) – Size of each output sample.
- nn (nn.Sequential) – Neural network.
- norm (bool, optional) – Whether to normalize output by node degree.
(default:
True
) - root_weight (bool, optional) – If set to
True
, the layer will add the weighted root node features to the output. (default:True
) - bias (bool, optional) – If set to
False
, the layer will not learn an additive bias. (default:True
)
-
class
GATConv
(in_channels, out_channels, heads=1, concat=True, negative_slope=0.2, dropout=0, bias=True)[source]¶ Graph Attentional Layer from the “Graph Attention Networks (GAT)” paper.
Parameters: - in_channels (int) – Size of each input sample.
- out_channels (int) – Size of each output sample.
- heads (int, optional) – Number of multi-head-attentions. (default:
1
) - concat (bool, optional) – Whether to concat or average multi-head
attentions (default:
True
) - negative_slope (float, optional) – LeakyRELU angle of the negative
slope. (default:
0.2
) - dropout (float, optional) – Dropout propbability of the normalized
attention coefficients, i.e. exposes each node to a stochastically
sampled neighborhood during training. (default:
0
) - bias (bool, optional) – If set to
False
, the layer will not learn an additive bias. (default:True
)


Wing - Room No {{member.WingName}}-{{member.RoomNo}} Gender {{member.GenderDescription}} Member Name {{member?.FirstName}} {{member?.LastName}} PhoneNumber {{member.PhoneNumber}} Room Area {{member.RoomArea | number:'3.2'}} Possession Date {{member.PossessionStartDate}} Is On Rent? {{ "member.IsRented" ? 'Yes':'No'}}


| Name: mr. chander pancho ray | Reg No: 3-8smhc17 |
|---|---|
| Age / Sex:60/m | Contact No:8989620009 |
| Marital Status:married | Date:5/8/17 |
| Occupation:bsnl employee | Dr. pjfp |
Address: Mp - khandva |
DIAGNOSIS- |
Pain in rt. Hypochondrium and back since coing to blore. Came fr his sons rx in blore nimhans. Earlier also gets but no major issue use to take homoeo. <empty stomach.
Feels thirsty more.
More belches and flatus.
Rx:
1. Lyco 200 – 7 doses – 1 dose mng b/food.
2. carbo veg 30 – tid.
3. nat phos 6x – 4-4-4-4.


Containers are storage compartments where you put your data (objects). A container is similar to a directory or folder on a conventional filesystem with the exception that they exist in a flat namespace, you can not create containers inside of containers.
You also have the option of marking a Container as "public" so that the Objects stored in the Container are publicly available via the CDN.
Helper function to create "path" elements for a given Object name
Given an Object whos name contains '/' path separators, this function will create the "directory marker" Objects of one byte with the Content-Type of "application/folder".
It assumes the last element of the full path is the "real" Object and does NOT create a remote storage Object for that last element.
Enable CDN log retention on the container. If enabled logs will be periodically (at unpredictable intervals) compressed and uploaded to a ".CDN_ACCESS_LOGS" container in the form of "container_name.YYYYMMDDHH-XXXX.gz". Requires CDN be enabled on the account.
Example:
# ... authentication code excluded (see previous examples) ...
Use this method to disallow distribution into the CDN of this Container's content.
NOTE: Any content already cached in the CDN will continue to be served from its cache until the TTL expiration transpires. The default TTL is typically one day, so "privatizing" the Container will take up to 24 hours before the content is purged from the CDN cache.
Example:
# ... authentication code excluded (see previous examples) ...
Enable Container content to be served via CDN or modify CDN attributes
Either enable this Container's content to be served via CDN or adjust its CDN attributes. This Container will always return the same CDN-enabled URI each time it is toggled public/private/public.
Example:
# ... authentication code excluded (see previous examples) ...


{% extends "layout.html" %} {% block content %}
A music toy built with tkinter and pygame.
This is my first attempt at building something fun :D in Python using only tkinter and pygame. The word Tetratonic describes a scale with 4 notes. The menu allows the user to change the scale to a few sonorous presets or to whatever custom, dissonant combination their ear desires. The user can also choose their favorite MIDI instrument from (0) Acoustic Grand Piano - (127) Gunshot. I tried to give the instrument (or what imagined as a touch screen instrument) the most natural, logical setup where notes closest to the x-axis are lower in pitch and higher as you moved up or down and where notes closest to the y-axis are higher in velocity (volume) and decrease as you move further left or right. My hope is that the user would discover this organically through experimentation.
A program designed to randomize a polyanna gift exchange with familial restrictions
This program attempted to solve a common problem at my family Christmas gathering; How to make a polyanna gift exchange fair and fun with extended family, preventing recipients in each participant's nuclear family. This presents a few good challenges: how to verify the drawing read: convince family members it actually works, how to hide results from the program operator, how to present the information to the participants, how to prevent repeats in subsequent years. I started building this program a few months after I started teaching myself to code. read: before I knew that I knew nothing. and the github commits reflect my learning process. From the first working commit with hardcoded data in the script, some unnecessary drawing logic, and poor organization. To the 2016 version with multiple classes, list comprehensions, history to prevent repeats, and data separated out into text files. To the Most Recent Version with a GUI version, a WebApp version built with Flask that utilizes a Database and Bootstrap, testing with unittest, a README, docstrings, set intersections and differences, and all the other capabilities of the language and libraries commonly used by Python developers.


If you type into the table press tab (->|) or return to update the table.
Set your location. You can select from the supplied list or change the
name, latitude & longitude entries.
You can pass a location to this web page by adding a query string to the
URL. It should look something like these examples
Name is any text string, note the way of putting a space in the examples.
The script will do a pattern match against it's known locations so you only need to supply
the name for places in the supplied list.
Latitude is positive if North.
Longitude and Time Zone are positive if East
of Greenwich. Do NOT include daylight saving time in the TZ use DST.
Check the required date (year:month:day), Civil Time, Time Zone, and
the Daylight Saving Time flag, which defaults to your computer clock
and change if necessary. The Noon/Midnight/Reset buttons read your computer
clock and attempt to work out if daylight saving is on.
Select the ephemeris computation you want. Start with the daily
ones, those covering several days are a bit slow.
Note - The planetary positions appear to be accurate to about a minute of arc
out to Mars. The gravitational affects of Jupiter, Saturn and Uranus on each others orbits
are not allowed for, at worse this can be about a degree for the position of Saturn.
For more details see the
tutorial on computing planetary positions
I'm very impressed with the map interface provided by
The photographers Ephemeris
you can use it to get your location and Sun and Moon information.
If you want simple sun rise/set and moon phase routines
click here.
Latest changes:
11 April 2011: Correct Capella in stars.js (looks like was zeta Auriga in original code)
06 January 2011: Correction to datetime.js to fix a typo.
27 December 2010: Added Calgary to observer.js in anticipation of future changes.
20 December 2010: Minor changes to stars.js so constellation is listed first.
22 April 2010 Correction to user.js for when DST changes on last day of month.
31 Dec 2009 small change to index.html if user changes latitude or longitude.
18 March 2009 change to moon.js to print RA the same way.
17 March 2009 changes in index.html, util.js, sun.js and planets.js to print RA minutes to 1 decimal place.
11 March 2009 corrected observer.js for daylight saving time changes not on the last Sunday of the month
13 August 2008 added and changed some sites based on stellarium sites list
21 April 2008 moved one line in index.html to correct DST
Version 7.1 change to display the local time for the selected observatory. If you have a local copy you need to reload index.html, observer.js, datetime.js & util.js for
the version 7 changes.
Removed the get date/time/zone button, use reset instead.
Added code to reset1 to convert to observers local time


What I've Learned
Web Development: HTML and CSS
Learned how to create well-organized web pages using HTML and CSS.
User Experience Design
Explored the UX Design process and how it leverages design to create a better experience for users.
Digital Marketing: Principles
Studied the fundamentals of marketing and how it relates to the design and development process.
Responsive Design
Learning how to build websites that work with multiple devices and screen sizes, such as laptops, tablets and smartphones.


The Ethiopian calendar (Amharic: የኢትዮጵያ ዘመን አቆጣጠር) or Eritrean calendar is the principal calendar used in Ethiopia.
The calendar has twelve months of thirty days plus five or six epagomenal days, which comprise a thirteenth month. A sixth epagomenal day is added every four years, without exception. There is a gap of seven to eight years between the Ethiopian and Gregorian calendars.
New Year's Day occurs on September 11th in the Gregorian Calendar; except for the year preceding a leap year, when it occurs on September 12th. (This date correspondence applies for the Gregorian years 1900 to 2099.)
This converter works for the range of March 1900 to February 2100 GC. It can be installed as a PWA for offline use.
© Melaku Z.


Follow the steps of the Aztec civilization in this fun game packed with realistic graphics and exciting special symbols
Trigger the pyramid scatters, land some Wilds, or hit the progressive jackpot to keep your bankroll growing
Solve the mystery of this ancient civilization and unearth your wins


{% extends "beta.html" %} {% block beta %}
Congratulations and thanks for participating in our beta program. We're very excited to make Viewfinder a reality and we sincerely appreciate your help and feedback.
The Viewfinder team
{% if install_link %}Install the latest version of the client by clicking the install button.
Install the application {% else %}View this page from your iPhone to install the application.
{% end %} {% end %}


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