Role Based Access Control allows Admin to limit what a specific end-user can access based upon tags/defaults. See theRole Matrixfor a description of the various roles.
When RBAC mode is enabled a end-users’ access to the Unravel UI is filtered by tags. Two different modes are available:
- Extended Mode
- Application | Applications,
- Operations | Usage Details | Infrastructure,
- `Operations | Usage Details | Impala Usage
- <http://The%20Operations%20Page#Impala>`__
- Reports | Operational Insights | Chargeback
- Restricted mode
You can always toggle the status of RBAC via the UIX;
however the unravel
propertycom.unraveldata.login.mode
determines if you
use the UIX to add or edit end-user roles. When the property
is setto ldap
the UIX can’t be used to add or edit
end-user roles, seeLDAP Supported
Roles.
1. Go to Manage | Role Manager for access to the Role Manager.
The RBAC default is set via
com.unraveldata.rbac.enabled.
You can toggle the status
of RBAC; however, when the unravel daemon is restarted RBAC
resets.
2. Once RBAC is activated you can add filters for specific end-users.
Any end-user roles you have previously set are displayed. If
the Unravel daemon was restarted after you added end-user
roles, those entries are lost. You can add end-users one at
at time via Add New Role or one or more filters at a time by
uploading a role file (.``csv``). If the
“login.mode
” is set to ldap
the “Select role
file” box and Add New Role button is not displayed.
3. Adding Roles
You limit end-user access through tags. In the example below
only two tags are available, project and tenant. If a
3rd tag, department, had been defined would be available.
The end-user filter between the red brackets were loaded
using a .csv
file.
confluence-information-macro confluence-information-macro-information
The tags used here must also be loaded as Application Tagging Workflows tags. If they are not, end-users with defined roles can not see any applications since their view is based on tags.
Add role directly
Clicking on Add New Role adds a row to the Roles table containing text boxes (1). You must define the User and at least one tag restriction. To add multiple tag names under a tag type separate the tag names with commas, be sure the string contains no spaces or special characters. To save the entry click the save glyph (). To delete your new entry click the delete glyph ().
Add one or more roles via a role file
Click on the Select role file to chose the .csv
file.The format of a .csv
is as follows:
- first row is a header row defining the columns tags:
user,
tagKey[,tagKey]*
- ``tagKey``: is a valid tag key, i.e., department, tenant.
- one or more rows defining user and tag values:
user,
tagValue[,tagValue
]*
- ``tagValue``: is empty, a valid tag value for
tagType
, ortagString
, - ``tagString``: is a series of
tagValue
s separated by commas and enclosed in quotes, and - *: means zero or more
- ``tagValue``: is empty, a valid tag value for
confluence-information-macro has-no-icon confluence-information-macro-information
Note:
The file must define at least one tag key, one user and one tag value for the
user
.After you add your last
tagValue ``\ you can leave the rest of the row blank. See the userNew filter in the ``.csv
file below for an example .
tagValue
s must be ordered as defined in the header row.No special characters or spaces are allowed in file.
The .csv
file below was used to load filters within
the red brackets.
4. Editing or Deleting Roles
To edit a role, click the edit glyph (). You may edit the tags adding or deleting, but you can not edit the end-user’s name.
To delete a role, click the delete glyph.
Effect of Role Access Control
End-user’s Access with RBAC turned off
The user has access to all the Unravel UI features and all applications.
End-user’s Access with RBAC turned on.
Attachments:


{% extends 'base.html' %}
{% load static %}
{% block body %}
Price detail of the courses offered by usOur Price
Our coaching is the best coaching in the city. Below we have listed price of the courses If you are not happy with the price you can contact us. we will be to help you.


To publish an app on the Google Play is a process that will take some work if you are new to it. We recommend you set aside at least a day to go through the submission procedure.
Here are some of the central Google documentation pages to get you started:
The web is full of information and help for how to submit apps to the App Store. One example is this publishing guide from Ionic.
To help you prepare your Evothings app for publication, we will add more information to this page. Stay tuned!
You are also welcome to ask for help at the Evothings Forum.
Evothings Studio makes it easy to develop Cordova apps. Check out how to use your Cordova project with the fast Evothings workflow.
It is easy and fun to get started with Evothings Studio. Download now and be up and running in 5 minutes!


{% extends "base.html" %} {% block title %}Check.ai - Home{% endblock %} {% block head %} {{ super() }} {% endblock %} {% block content %}
Check.ai is the new way to search for jobs. Create an account, enter your preferences and let us deliver the most relevant jobs to you.
We do the complex searching for you. Cut down on that long typing and annoying searching.
Finding the right job is time consuming. We match your preferences to the job so you can take a glance and see what jobs are most relevant to you.
We save your preferences so you never have to keep retyping your qualifications. Updating your skills has never been easier!


Logo
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middle
right
This div is 12-columns wide on all screen sizes
6-columns (offset-by-6)


Chioma and Ifeanyi Jnr dancing to Davido “A Good Time” album (Video)
by Damilola IsmailChioma and her son Ifeanyi Jnr have been captured dancing to a song off Davido newly released album, “A Good Time.”
The adorable video shows Chioma bottle feeding Ifeanyi Jnr while she cradle him as they dance to One Thing off Davido new album, A Good Time.
Chioma looked beautiful as always.
Watch the video below.
Davido released his new album, A Good Time by midnight today, a day after his 27th birthday. Just like every of his fans are having a good time dancing to his music, his fiance and son are not left out.
Davido and Chioma welcomed their son in October this year.
Follow us on Facebook – @Lailasnews; Twitter – @LailaIjeoma for updates


Deal alert: You can fly round-trip Vancouver to Tokyo for only $486 CAD
by Elana ShepertTokyo is one of the most highly sought-after travel destinations in the world. However, return airfare from Vancouver isn’t exactly easy on the wallet.
While most flights to the land of the rising sun typically cost well over $1000 return, United Airlines is offering a number of flights for under half of the regular price.
For example, the flight below, which departs Vancouver on Monday, Mar. 2 and returns on Tuesday, Mar. 10, costs a total of $486.74 CAD including all taxers and fees. To achieve this price, Bravofly has also discounted the airfare by $50.88 CAD.
Discover Tokyo and Japan
Tokyo is the largest city in Japan and offers seemingly endless things to see and do. From breathtaking temples and shrines to delectable, modern eateries, vibrant nightlife to peaceful gardens, there is something for everyone to enjoy. What’s more, the city itself has a vibrant, bustling atmosphere, and many locals don extravagant styes on its streets. For instance, the Harajuku style includes a variety of brightly coloured clothes, garish costumes, teased hair and sky-high shoes. Visitors may also explore Mount Fuji, the Ghibli Museum, the Zao Fox Village, Tokyo’s Robot Restaurant, and much more.
You can book your travel with Bravofly here.


Fisher’s Test for Enrichment and Depletion of User-Defined Pathways
fedup
is an R package that tests for enrichment and depletion of user-defined pathways using a Fisher’s exact test. The method is designed for versatile pathway annotation formats (eg. gmt, txt, xlsx) to allow the user to run pathway analysis on custom annotations. This package is also integrated with Cytoscape to provide network-based pathway visualization that enhances the interpretability of the results.
This README will quickly demonstrate how to use fedup
when testing two sets of genes. Refer to full vignettes for additional information and implementations (e.g., using single or multiple test sets).
R version ≥ 4.1
R packages:
Install fedup
from Bioconductor:
if(!requireNamespace("BiocManager", quietly = TRUE))
install.packages("BiocManager")
BiocManager::install("fedup")
Or install the development version from Github:
devtools::install_github("rosscm/fedup", quiet = TRUE)
Load necessary packages:
Load test genes (geneDouble
) and pathway annotations (pathwaysGMT
):
Take a look at the data structure:
str(geneDouble)
#> List of 3
#> $ background : chr [1:17804] "SLCO4A1" "PGRMC2" "LDLR" "RABL3" ...
#> $ FASN_negative: chr [1:379] "SLCO4A1" "PGRMC2" "LDLR" "RABL3" ...
#> $ FASN_positive: chr [1:298] "CDC34" "PRKCE" "SMARCC2" "EIF3A" ...
str(head(pathwaysGMT))
#> List of 6
#> $ REGULATION OF PLK1 ACTIVITY AT G2 M TRANSITION%REACTOME%R-HSA-2565942.1 : chr [1:84] "CSNK1E" "DYNLL1" "TUBG1" "CKAP5" ...
#> $ GLYCEROPHOSPHOLIPID BIOSYNTHESIS%REACTOME%R-HSA-1483206.4 : chr [1:126] "PCYT1B" "PCYT1A" "PLA2G4D" "PLA2G4B" ...
#> $ MITOTIC PROPHASE%REACTOME DATABASE ID RELEASE 74%68875 : chr [1:134] "SETD8" "NUMA1" "NCAPG2" "LMNB1" ...
#> $ ACTIVATION OF NF-KAPPAB IN B CELLS%REACTOME%R-HSA-1169091.1 : chr [1:67] "PSMA6" "PSMA3" "PSMA4" "PSMA1" ...
#> $ CD28 DEPENDENT PI3K AKT SIGNALING%REACTOME DATABASE ID RELEASE 74%389357 : chr [1:22] "CD28" "THEM4" "AKT1" "TRIB3" ...
#> $ UBIQUITIN-DEPENDENT DEGRADATION OF CYCLIN D%REACTOME DATABASE ID RELEASE 74%75815: chr [1:52] "PSMA6" "PSMA3" "PSMA4" "PSMA1" ...
To see more info on this data, run ?geneDouble
or ?pathwaysGMT
. You could also run example("prepInput", package = "fedup")
or example("readPathways", package = "fedup")
to see exactly how the data was generated using the prepInput()
and readPathways()
functions. ?
and example()
can be used on any other functions mentioned here to see their documentation and run examples.
Now use runFedup
on the sample data:
fedupRes <- runFedup(geneDouble, pathwaysGMT)
#> Running fedup with:
#> => 2 test set(s)
#> + FASN_negative: 379 genes
#> + FASN_positive: 298 genes
#> => 17804 background genes
#> => 1437 pathway annotations
#> All done!
The fedupRes
output is a list of length length(which(names(geneDouble) != "background"))
, corresponding to the number of test sets in geneDouble
(i.e., 2).
 Colour and facet the points by the sign
column:
p <- plotDotPlot(
df = fedupPlot,
xVar = "log10qvalue",
yVar = "pathway",
xLab = "-log10(qvalue)",
fillVar = "sign",
fillLab = "Genetic interaction",
fillCol = c("#6D90CA", "#F6EB13"),
sizeVar = "fold_enrichment",
sizeLab = "Fold enrichment") +
facet_grid("sign", scales = "free", space = "free") +
theme(strip.text.y = element_blank())
print(p)
Look at all those chick… enrichments! This is a bit overwhelming, isn’t it? How do we interpret these 156 fairly redundant pathways in a way that doesn’t hurt our tired brains even more? Oh I know, let’s use an enrichment map!
First, make sure to have Cytoscape downloaded and and open on your computer. You’ll also need to install the EnrichmentMap (≥ v3.3.0) and AutoAnnotate apps.
Then format results for compatibility with EnrichmentMap using writeFemap
:
resultsFolder <- tempdir()
writeFemap(fedupRes, resultsFolder)
#> Wrote out EM-formatted fedup results file to /var/folders/mh/_0z2r5zj3k75yhtgm6l7xy3m0000gn/T//Rtmp2Cxw8t/femap_FASN_negative.txt
#> Wrote out EM-formatted fedup results file to /var/folders/mh/_0z2r5zj3k75yhtgm6l7xy3m0000gn/T//Rtmp2Cxw8t/femap_FASN_positive.txt
Prepare a pathway annotation file (gmt format) from the pathway list you passed to runFedup
using the writePathways
function (you don’t need to run this function if your pathway annotations are already in gmt format, but it doesn’t hurt to make sure):
gmtFile <- tempfile("pathwaysGMT", fileext = ".gmt")
writePathways(pathwaysGMT, gmtFile)
#> Wrote out pathway gmt file to /var/folders/mh/_0z2r5zj3k75yhtgm6l7xy3m0000gn/T//Rtmp2Cxw8t/pathwaysGMTd1a71bfa6116.gmt
Cytoscape is open right? If so, run these lines and let the plotFemap
magic happen:
netFile <- tempfile("fedupEM", fileext = ".png")
plotFemap(
gmtFile = gmtFile,
resultsFolder = resultsFolder,
qvalue = 0.05,
chartData = "DATA_SET",
hideNodeLabels = TRUE,
netName = "fedupEM",
netFile = netFile
)
To note here, the EM nodes were coloured manually (by the same colours passed to plotDotPlot
) in Cytoscape via the Change Colors option in the EM panel. A feature for automated dataset colouring is set to be released in version 3.3.2 of EnrichmentMap.
This has effectively summarized the 156 pathways from our dot plot into 21 unique biological themes (including 4 unclustered pathways). We can now see clear themes in the data pertaining to negative FASN genetic interactions, such as diseases glycosylation, proteins
, golgi transport
, and rab regulation trafficking
. These can be compared and constrasted with the enrichment seen for FASN positive interactions.
Try this out yourself! Hopefully it’s the only fedup you achieve 😬
For the versions available, see the tags on this repo.
✨2020✨


--- layout: default ---
Turn your Nintendo Switch into a full-blown retrogaming console using the power of RetroArch !
Lakka is a Linux distribution aimed at turning small computer devices into retrogaming consoles. It is a minimal operating system using RetroArch as a front-end - it contains nothing more, nothing less than what's required for RetroArch and its 100+ supported consoles and standalone games.
And guess what - it runs on the Switch too, using the magic of ShofEL2 !
Lakka is super easy to install : just download the files and copy them to the SD card. You can then boot at home from your computer or anywhere with your Android device or dongle.
Lakka includes more than 100 different cores including the most popular consoles, but also some older or less known devices. There are also standalone games like free rewrites of Bomberman, Doom or Tomb Raider !
Lakka supports the SMB protocol to copy all your games over Wi-Fi without installing anything. Want to play with your friend ?


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I have completed web-develoment and Java Full Stack course from Testing shastra. Testing shastra is one of the best institute to improve your skills.Teaching staff is also good.It is best place to learn practical knowledge.
Full Stack Web Developer,(Pune)
I have completed web-develoment and Java Full Stack course from Testing shastra. Testing shastra is one of the best institute to improve your skills.Teaching staff is also good.It is best place to learn practical knowledge.
Full Stack Web Developer,(Pune)
I have completed web-develoment and Java Full Stack course from Testing shastra. Testing shastra is one of the best institute to improve your skills.Teaching staff is also good.It is best place to learn practical knowledge.
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Cupcake ipsum dolor. Sit amet lollipop dragée cake. Donut brownie bonbon marshmallow. Dragée tiramisu dragée cheesecake gingerbread. Cake cotton candy wafer carrot cake. Ice cream bear claw gummies danish halvah pie. Gummies gingerbread chocolate cookie. Tart cotton candy lemon drops. Dragée gingerbread sesame snaps sugar plum wafer chocolate cake. Soufflé powder icing marzipan ice cream. Tart tiramisu jujubes. Cake icing jujubes. Sweet roll cotton candy pie jelly-o jelly chupa chups gingerbread sweet cake. Croissant cheesecake sweet roll cheesecake sugar plum chupa chups apple pie oat cake dessert.
Muffin jelly-o sugar plum icing cake. Chocolate cake caramels cupcake. Tootsie roll oat cake cake marzipan donut. Oat cake muffin cheesecake sweet roll danish chupa chups. Topping marzipan halvah gummies icing donut. Lemon drops brownie candy cheesecake topping cotton candy candy marshmallow jelly beans. Pudding toffee marzipan lemon drops. Soufflé danish sesame snaps liquorice chocolate oat cake. Pie jelly toffee donut tart topping biscuit cotton candy. Marshmallow sweet roll chocolate cake dessert powder halvah cake marzipan marzipan. Cookie tart chupa chups cupcake gingerbread pie danish chupa chups cotton candy. Pie marzipan liquorice wafer gummies. Pastry donut gingerbread cookie liquorice danish. Sugar plum cake pastry croissant chocolate topping.
Jelly sesame snaps tiramisu. Toffee chocolate tootsie roll. Ice cream ice cream croissant pastry jelly-o dessert cookie topping. Gingerbread wafer pudding chupa chups carrot cake tiramisu jelly-o sweet roll cupcake. Gummies tart chocolate cheesecake. Sweet roll jelly chupa chups ice cream. Soufflé chocolate cake jelly-o pudding gingerbread sweet roll chocolate ice cream biscuit. Cotton candy bonbon toffee powder candy canes jelly lemon drops. Soufflé muffin pastry soufflé powder candy pastry dessert. Bear claw brownie cupcake. Sugar plum dragée cotton candy dragée wafer. Icing tart sweet roll pudding. Apple pie pastry marzipan dragée.
Chocolate cake marzipan bonbon candy oat cake. Cake cupcake halvah candy canes candy gingerbread. Bonbon lemon drops croissant. Lollipop carrot cake cupcake cheesecake cupcake sugar plum cake caramels candy. Sugar plum halvah carrot cake tart macaroon jujubes gummies. Tart pie chupa chups chocolate cake bonbon pudding sesame snaps. Wafer pie pastry cookie. Chupa chups candy bonbon fruitcake. Dessert lollipop lollipop pudding pastry. Sugar plum biscuit tiramisu. Gummies candy macaroon. Candy tiramisu halvah.
Chocolate oat cake bonbon marzipan marzipan cotton candy. Dragée cookie muffin toffee ice cream gingerbread danish ice cream donut. Cake jelly-o fruitcake marzipan sweet roll pie powder. Jelly beans jelly beans biscuit pudding sweet chupa chups. Halvah bear claw carrot cake danish soufflé gummies pastry cake. Topping sweet ice cream dragée sugar plum jujubes marshmallow bonbon cake. Gummi bears candy dessert sweet. Danish gummi bears chupa chups icing cupcake danish candy canes cookie. Croissant ice cream cupcake gummies liquorice sugar plum cake caramels carrot cake. Chocolate chocolate cake pie dessert cake. Icing biscuit bonbon tart jelly beans dragée toffee tiramisu. Pie macaroon gummi bears icing biscuit pie gummies halvah sweet. Macaroon jujubes chocolate dessert sweet biscuit cotton candy.


*Contact* (or: *Close Encounters of the Hegelian Kind*)
an esthetic and philosophic review
by Brad Aisa
There is a scene about half way through the movie *Contact* in which the identity of many of the atheists in the audience becomes manifest: they erupt into cheers and applause (or at least did on the night I saw the movie, being myself amongst the loudest of the cheering applauders). The eruption comes in response to a swaggering and bold line uttered by Ellie Arroway, the astronomer played by Jodie Foster in the movie.
Ellie is a scientist, and is an atheist for the right reason: the lack of evidence for any alleged supreme being. But while Ellie does not believe in God, she is nevertheless still a Believer after a fashion, only her belief is that other sentient beings exist, and that evidence of their existence might be found by monitoring the radio signals impinging on Earth from the furthest reaches of the Universe. So monitor she does, at first in Puerto Rico (until her director cuts off her funding), then later, at an American installation (funded by a wealthy reclusive zillionaire.)
For the first two thirds of the movie, the theme seems straightforward enough: reason vs. faith. Ellie is the stalwart defender of reason; her nemesis, apart from modern Western civilization in general, is an anti-technology cleric/writer played by Matthew McConaughey. (He wanted to be a priest, but failed Celibacy 101, as he soon proceeds to demonstrate with Arroway...). The two soon part, to be later reunited under completely new circumstances: Ellie has discovered a transmission of intelligent extraterrestrial origin, and McConaughey is now an advisor to the President.
Who is the President? Here we get to the first of the film's several serious esthetic flaws. Robert Zemeckis, the film's director, also directed Forrest Gump, which employed digital image editing to implant Gump into historical scenes involving real presidents and public figures. Zemeckis uses this device in *Contact* to cast.... Bill Clinton as the President. To this jarring device (you could literally feel the audience squirm) is added the now commonplace practice of featuring bevies of real life figures, such as Bernard Shaw and Larry King of CNN. This invalid technique is intended to achieve a sense of realism, but achieves the opposite. What actually happens, is that the introduction of real life journalistic and "documentary" elements -- as opposed to an artistic fictional rendition of the elements -- serves, by destroying the "fourth wall", to spotlight the fictional nature of the film, and shatter the illusion of the narrative.
The choice of "casting" Clinton also detracted from several scenes in the movie, in which, dramatically, the president would be expected to be shown, but which we assume was not possible, due to the limited screen time and contexts that could be devoted to this device. The technology used here is so good, I thought during the film, that Bill Clinton had actually participated in the production, playing himself in his scenes. It was only later that I came to realize, from reading a commentary on the film in Entertainment Weekly (July 18, 1997), that the scenes with the President were merely assembled from public footage, not via his cooperation. (This itself is highly improper, since it expropriates the President's visage.)
The message received by interstellar fax contains the blueprint for building a giant machine, that seems designed to transport its single occupant ... to??? ... how??? The interstellar fax apparently didn't come with the sender's address. Nevertheless, over the objections of the cliche-paranoid National Security Advisor (played by James Woods), an international consortium is convened to build the machine, and a committee established to select the occupant.
Several plot twist and turns ensue, but through it all, up to the launch, we remain convinced that the theme ("message" might be more apt) is reason vs. faith, or better: reason vs. whacked out American-style New Age mysticism and fanaticism, as depicted both chillingly and hilariously, in a garish New Age campout around the radio telescope site, comprising every conceivable fringe or whacked out subgroup in America; a similar spectacle is enacted in Washington. Arroway drives through this, and we acutely feel her pain at witnessing the spectacle -- her most triumphant achievement has been reduced to the level of Elvis worshippers (apparently anticipating his resurrection), fundamentalist doomsday sects, and crazy alien worshippers.
(It shouldn't be giving away too much to let the reader guess who finally gets to make the voyage...) The voyage at last takes place, and the occupant returns. And it is not only the occupant of the craft who gets to take a voyage, by the way: the audience itself gets transported back almost 30 years, as well, made to endure the nearly identical sequence from 2001: A Space Odyssey -- but I digress.
Sigh.
It is this sequence, and the scenes which ensue as a consequence, that leads one to realize that the movie *Contact* is a supreme fraud -- a kind of cheap, third rate philosophic Trojan Horse, in which a philosophically illiterate and particularly offensive "message" is delivered that purports to unify and transcend the prior thematic conflict of reason vs. faith.
"Reason and faith are just two aspects of the same thing." "Those who believe in God have as much justification as those who believe in science." "Belief in science is just a matter of faith." Ad nauseum.
It all happens so suddenly, the rational viewer will be a bit taken aback, but if he or she rewinds somewhat, the setup and intention becomes clear. What one sees, is a plot constructed with such artifice, such implausible (nay, impossible) premises, and designed with such specificity to lead to such an absurd conclusion, that it is *not* reason and logic and facts and evidence and every other hallmark of the scientific method and rational mode of existence, which the filmmakers are trying to express.
What we have here, is nothing short of Hegel as E.T.: friendly cosmic aliens who would eschew the label "God", but who nevertheless consider it important to send their only begotten visitor to return to earth and resolve and unite the antagonists of the ages.
Thesis
Faith is the proper means of accepting knowledge; a belief in God and an immortal soul is the proper world view for man.
Antithesis
Reason is the proper means of deriving knowledge; a scientific world view is the one proper to man.
 Act accordingly.
I have to confess, that it has been a long time since I was as offended at the movies, as in the scene in which, by very clear parallel to an earlier scene, we are expected to accept that the crazed religious mob, who are now worshipping Ellie as a kind of New Age Messiah, are to be *accepted* for doing so on nothing more than faith. This is obscene. Also offensive, is the staged ambiguity of the disposition of a crucial fact near the end of the story, and an epilogue, in which the newly reconstructed Ellie feeds the final Synthetic message to a cadre of happy little school kiddies.
I will give the movie credit for its virtues. First, Jodie Foster, always eminently watchable, is engaging and touching as the driven, but somewhat naive scientist Ellie. Ellie is at home with the machinery of science, and fellow scientists, but seems to lose her confidence and some of her certitude when she has to deal with less rational individuals.
The production design, directing, and cinematography are all excellent, making the movie, on its own terms, enjoyable to watch. And apart from some logical flaws that only a reviewer might fault, it does manage to present science and its accoutrements as exciting, and comprehensible. I especially liked the design and technology of the Machine. The loopy 2001-style journey, however, and ridiculous ensuing encounter left me cold. If the writers/producers had not been so intent on delivering their Hegelian Sermon From the Camera Mount, they might have presented some original, memorable, and even controversial encounter/discovery. (What would have been wrong with, "Religion? Nah -- we abandoned that three hundred and forty-thousand years ago -- tell everyone there is no God, and to get a life.") As presented, it is a hokey amalgam of Star Trek's Holodeck, and a sentimental attempt at closure of the movie's earlier childhood scenes with Ellie and her father.
I must give credit where due, though. Despite all my complaints and rantings, I still recommend that you see *Contact*, because it deals with *ideas*, and this is such a rare feat in a Hollywood movie, that one relishes the fact, even if one is intellectually ballyhooing some of the actual content. And *Contact* does not seem to be malicious or evil -- like many people, institutions and cultures today, it is just highly confused, and trying to find its way in a big, boisterous, sometimes puzzling world.
Copyright (c) 1997 by Brad Aisa. All rights reserved, apart from customary transmission and downloading from an authorized submission to Usenet.
-- Brad Aisa web archive: http://www.interlog.com/~baisa/ email (anti-spam encoded): baisa"AT SYMBOL"interlog.com
"The highest responsibility of philosophers is to serve as the guardians and integrators of human knowledge." -- Ayn Rand
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Packages
org.drip.analytics.core
org.drip.analytics.curve
org.drip.analytics.daycount
org.drip.analytics.holset
org.drip.analytics.period
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org.drip.curve.calibration
org.drip.feed.historical
org.drip.feed.reference
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org.drip.service.sample
org.drip.tester.product
org.drip.util.common
org.drip.util.date
org.drip.util.internal
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A utility library delivering consistency, customization, performance, & extras.
Lo-Dash builds (for modern environments):
Development and
Production
Lo-Dash compatibility builds (for legacy and modern environments):
Development and
Production
Underscore compatibility builds:
Development and
Production
CDN copies of ≤ v1.0.1’s builds are available on cdnjs thanks to CloudFlare:
Lo-Dash dev,
Lo-Dash prod,
Lo-Dash compat-dev,
Lo-Dash compat-prod,
Underscore compat-dev, and
Underscore compat-prod
For optimal file size, create a custom build with only the features you need
We’ve got API docs, benchmarks, and unit tests.
For a list of upcoming features, check out our roadmap.
For more information check out these articles, screencasts, and other videos over Lo-Dash:
fromIndex
argumentObject
constructorthis
bindingcallback
and thisArg
argumentscallback
shorthandsLo-Dash has been tested in at least Chrome 5~24, Firefox 1~18, IE 6-10, Opera 9.25-12, Safari 3-6, Node.js 0.4.8-0.8.20, Narwhal 0.3.2, PhantomJS 1.8.1, RingoJS 0.9, and Rhino 1.7RC5.
In browsers:
html
<script src="lodash.js"></script>
Using npm
:
```bash npm install lodash
npm install -g lodash npm link lodash ```
To avoid potential issues, update npm
before installing Lo-Dash:
bash
npm install npm -g
In Node.js and RingoJS v0.8.0+:
```js var _ = require(‘lodash’);
// or as a drop-in replacement for Underscore var _ = require(‘lodash/lodash.underscore’); ```
Note: If Lo-Dash is installed globally, run npm link lodash
in your project’s root directory before requiring it.
In RingoJS v0.7.0-:
js
var _ = require('lodash')._;
In Rhino:
js
load('lodash.js');
In an AMD loader like RequireJS:
js
require({
'paths': {
'underscore': 'path/to/lodash'
}
},
['underscore'], function(_) {
console.log(_.VERSION);
});
-p
/--source-map
build options_.assign
is not treated as a callback
-p
/--source-map
build options correctly set the sourceMappingURL
-p
/--source-map
build options set source map “sources” keys based on the builds performed_.defer
use setImmediate
, in Node.js, when available_.where
search arrays for values regardless of their index position_.template
The full changelog is available here.
Lo-Dash is part of the BestieJS “Best in Class” module collection. This means we promote solid browser/environment support, ES5 precedents, unit testing, and plenty of documentation.
| John-David Dalton |
| Blaine Bublitz | Kit Cambridge | Mathias Bynens |


In the previous article I provided a short walkthrough of resource files, and how they are handled in jaysire and jsPsych. However, the only form of resource file we looked at in that article were image files, and trials were handled using the trial_image_button_response()
function. In this article I’ll extend this discussion, introducing audio files and video files. To make our lives a little easier, this time around I won’t create the resource files from scratch. Instead, I’ll use resource files that come bundled with the jaysire package:
library(jaysire)
resources <- system.file("extdata", "resources", package = "jaysire")
list.files(resources)
#> [1] "heart.mpg" "heart.png" "heart.webm"
#> [4] "lukewarm_banjo.mp3"
We have one image file (“heart.png”), two versions of the same video in different formats (“heart.mpg” and “heart.webm”), and a single audio file (“lukewarm_banjo.mp3”).
First, let’s write an trial using trial_image_button_response()
to handle display the image file and ask people to rate its pleasantness on a 3-point scale:
image_trial <- trial_image_button_response(
stimulus = insert_resource("heart.png"),
stimulus_height = 400,
stimulus_width = 400,
choices = c("Unpleasant", "Neutral", "Pleasant")
)
This is familiar to us from the previous article. I’ve specified the stimulus
itself using the insert_resource()
function, listed the choices
available to participants, and some ancillary information about the size of the image.
Embedding videos in an experiment is – in principle – exactly the same as embedding images. Instead of using trial_image_button_response()
we use trial_video_button_response()
. However, there are a few complexities to note here. First, video files often require codecs to run, not every browser supports every form of video, and so on. As a consequence, it is often a good idea to have multiple versions of your video file, and let the browser find a version that it can display. As a consequence, instead of having a stimulus
argument, we specify the video file using a vector of sources
, like so:
video_trial <- trial_video_button_response(
sources = insert_resource(c("heart.mpg", "heart.webm")),
choices = c("Unpleasant", "Neutral", "Pleasant"),
trial_ends_after_video = FALSE,
response_ends_trial = TRUE
)
By default, trial_video_button_response()
will end the trial as soon as the participant makes a response or the video ends. However, there are arguments that you can specify that allow you to make this decision yourself, as this example illustrates.
The structure of the audio trial is essentially the same as what we’ve seen previously.
audio_trial <- trial_audio_button_response(
stimulus = insert_resource("lukewarm_banjo.mp3"),
choices = c("Unpleasant", "Neutral", "Pleasant"),
trial_ends_after_audio = FALSE,
response_ends_trial = TRUE
)
However, there is one nuance to audio files if you are playing them locally (i.e., on your own computer, rather than from a remote server), which I’ll explain in the next section.
To build the experiment, I’ll start by specifying where the experiment is going to live on my computer. As with previous articles, I’ll just put it in a temporary folder:
exp_path <- temporary_folder()
To build the experiment into the exp_path
folder, I’ll call the experiment()
function:
build_experiment(
timeline = build_timeline(image_trial, video_trial, audio_trial),
path = exp_path,
resources = build_resources(resources),
use_webaudio = FALSE,
on_finish = save_locally()
)
Most of this should look familiar. I’ve specified the timeline
that describes the experiment, the path
to the folder where it should be located, I’ve used the build_resources()
function to tell jaysire how to handle each of the resource files, and I’ve indicated that when the experiment finishes we should save_locally()
into the data folder (see the first article for more information about the data folder).
There is one thing that is new. I’ve specified the use_webaudio
argument and set it to FALSE
. The reason for this is that when you’re running the experiment locally, the web browser treats locally stored audio files as though they were being hosted on a different server to the webpage itself, and that triggers a “cross origin request error” (it is treated as a security risk). Fortunately, jsPsych includes a method to disable this and by setting use_webaudio = FALSE
you can get around this issue and run your audio files even when the experiment is running locally!
There is one last thing worth discussing, namely the file structure of the experiment that we have build. To start with, let’s take a look at what build_resources()
creates:
build_resources(resources)
#> # A tibble: 4 x 4
#> name type from to
#> <chr> <chr> <chr> <chr>
#> 1 heart.mpg video /tmp/Rtmp5nAiDs/temp_libpath87ee29d45e3… resource/video/he…
#> 2 heart.png image /tmp/Rtmp5nAiDs/temp_libpath87ee29d45e3… resource/image/he…
#> 3 heart.webm video /tmp/Rtmp5nAiDs/temp_libpath87ee29d45e3… resource/video/he…
#> 4 lukewarm_ba… audio /tmp/Rtmp5nAiDs/temp_libpath87ee29d45e3… resource/audio/lu…
Now take a look at where all the files have ended up:
list.files(exp_path, recursive = TRUE)
#> [1] "experiment/experiment.js"
#> [2] "experiment/index.html"
#> [3] "experiment/resource/audio/lukewarm_banjo.mp3"
#> [4] "experiment/resource/image/heart.png"
#> [5] "experiment/resource/script/jspsych-audio-button-response.js"
#> [6] "experiment/resource/script/jspsych-image-button-response.js"
#> [7] "experiment/resource/script/jspsych-video-button-response.js"
#> [8] "experiment/resource/script/jspsych.js"
#> [9] "experiment/resource/style/jspsych.css"
#> [10] "experiment/resource/video/heart.mpg"
#> [11] "experiment/resource/video/heart.webm"
Here is the entire experiment:
library(jaysire)
resources <- system.file("extdata", "resources", package = "jaysire")
list.files(resources)
#> [1] "heart.mpg" "heart.png" "heart.webm"
#> [4] "lukewarm_banjo.mp3"
image_trial <- trial_image_button_response(
stimulus = insert_resource("heart.png"),
stimulus_height = 400,
stimulus_width = 400,
choices = c("Unpleasant", "Neutral", "Pleasant")
)
video_trial <- trial_video_button_response(
sources = insert_resource(c("heart.mpg", "heart.webm")),
choices = c("Unpleasant", "Neutral", "Pleasant"),
trial_ends_after_video = FALSE,
response_ends_trial = TRUE
)
audio_trial <- trial_audio_button_response(
stimulus = insert_resource("lukewarm_banjo.mp3"),
choices = c("Unpleasant", "Neutral", "Pleasant"),
trial_ends_after_audio = FALSE,
response_ends_trial = TRUE
)
build_experiment(
timeline = build_timeline(image_trial, video_trial, audio_trial),
path = temporary_folder(),
resources = build_resources(resources),
use_webaudio = FALSE,
on_finish = save_locally()
)
You can check out a working version of the experiment here.


LIAR LIAR A film review by Marty Mapes Copyright 1997 Marty Mapes
*** (out of 4). LIAR LIAR is the funniest movie I have seen in a very long time (A year? More?). It is Jim Carrey's funniest film role yet and his funniest performance since the TV show IN LIVING COLOR.
Paul Guay and Stephen Mazur wrote some great comedy for Jim Carrey and it should be noted that the material is funny without degenerating into cheap jokes about human secretions and excretions. With that in mind, this movie is as funny as the best work the Marx Brothers ever did, and much more enjoyable than, say, DUMB AND DUMBER, BEAVIS AND BUTT-HEAD, or even PRIVATE PARTS.
Jim Carrey plays Fletcher Reid, a lawyer who cannot lie for a whole day, thanks to a magic wish by his son Max (Justin Cooper). Max lives with his mother Audrey (Maura Tierney). When Fletcher and Max do see each other, they love each other a lot. But Max easily tires of all the broken promises from dad. So when dad skips Max's birthday party to "work," Max lets loose with the birthday wish.
All of this is a relatively unnecessary setup for the real heart of the movie, which is Jim Carrey's performance. In fact, the beginning and end of the movie are about as unoriginal and clich'd as the worst straight-to-video "family films." But this is the kind of movie sold on the idea that film historian Bruce Kawin calls "high concept plus a hook." The idea is easily summarized, and an interesting angle is chosen from which to tell the story. The objective is not originality. The objective is to get Jim Carrey in front of the camera in a funny situation.
In that endeavor, LIAR LIAR succeeds wonderfully. I will refrain from giving away any of the jokes -- I DETEST people who sit in theaters and "predict" the lines they've read in reviews, especially in a comedy -- but I have a theory as to why Carrey is so funny.
Part of what makes great comedy is stripping a person down to their core.  John Cleese looks, acts, and sounds British, but when all the puffery is stripped away his sheer silliness is heightened. Jacques Tati's MR. HULOT'S HOLIDAY is one of my favorite films ever. It is not hilarious like LIAR LIAR but it is subtly funny in a way that makes it endlessly watchable. It is funny because Mr. Hulot and all the other guests at the resort are on holiday and they have left their inhibitions at home. Each person can relax and be their true self at the holiday resort. Each character is funny in their own way. Steve Martin is so funny because his comic persona is naive. Martin walks on stage with an arrow through his head and doesn't realize it for three or four minutes. He tells you the way to make a million dollars is, first, to get a million dollars . . .
Likewise, in LIAR LIAR, Carrey plays an inconsiderate prick who is successful in part because of how well he tells little white lies. When that outer shell is removed, his true nature shows through and it is hilarious.
LIAR LIAR is a big step for Carrey as an actor. Okay, he had to do slightly more acting in THE CABLE GUY than he did in the ACE VENTURAs or in DUMB AND DUMBER, but in LIAR LIAR, his character is immediately likeable, and not just because of the comedy. His love for his son looks genuine. He and his son share a screen chemistry (if I may use that term without being accused of NAMBLA sympathies) that is genuine and heartwarming (in that straight-to-video "family film" kind of way). Carrey is not a great actor, but he's not bad when called upon.
I hope Carrey is able to follow up with more great comedy like this. Good comedies are hard to come by. Just check your local video store and prove it to yourself. All the great films are docudramas, action epics, or space sagas. Comedies come and go and are often forgotten as soon as the credits roll. It's hard to sustain the humor for two hours and leave the audience calling for more. Jim Carrey has that gift and it was put to excellent use in LIAR LIAR.
Check out more current movie reviews at http://www.indra.com/~mmapes
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


var is referenced but not assigned.
var=name
n=42
echo "$var_$n.jpg" # overextended
or
target="world"
echo "hello $tagret" # misspelled
or
echo "Result: ${mycmd -a myfile}" # trying to execute commands
var=name
n=42
echo "${var}_${n}.jpg"
or
target="world"
echo "hello $target"
or
echo "Result: $(mycmd -a myfile)"
ShellCheck has noticed that you reference a variable that is not assigned. Double check that the variable is indeed assigned, and that the name is not misspelled.
Note: This message only triggers for variables with lowercase characters in their name (foo
and kFOO
but not FOO
) due to the standard convention of using lowercase variable names for unexported, local variables.
ShellCheck intentionally does not attempt to figure out runtime or dynamic assignments like with source "$(date +%F).sh"
or eval var=value
. See [[SC2034]] for an extended discussion of why this is the case.
If you know for a fact that the variable is set, you can use ${var:?}
to fail if the variable is unset (or empty), initialize it to a default value if uninitialized with : "${var:=}"
, or explicitly initialize/declare it with var=""
or declare var
. You can also disable the message with a [[directive]].
Read more:
POSIX - Parameter expansion:


Encapsulates the raw Lua state. More...
#include <LuaState.hpp>
Public Member Functions | |
| LuaState () | |
| virtual | ~LuaState () |
| Calls LuaState::close() | |
| void | close () |
| Releases and unloads the lua state. | |
| void | loadString (const std::string &str) |
| Loads a string onto the lua state. | |
| void | loadFile (const std::string &filepath) |
| Load a file as a string onto the lua state. | |
| bool | isLoaded () const |
| Checks whether the state is loaded. More... | |
| Value | getGlobalValue (const std::string &fieldName) |
Get a Value object with name fieldName from the global scope in the loaded lua state. | |
| Table | getGlobalTable (const std::string &tableName) |
Get a Table object with name tableName from the global scope in the loaded lua state Recursively traverse the lua table and constructs a full representation of the lua object by populating an instance of Table. | |
Encapsulates the raw Lua state.
Provides wrapper function for some commonly used lua functions. Intended to be used for loading a lua file and reading a global table from the file which can then be further traversed.
Definition at line 21 of file LuaState.hpp.
| luapath::LuaState::LuaState | ( | ) |
Upon instantiation – loads a new lua state
Definition at line 18 of file LuaState.cpp.
| bool luapath::LuaState::isLoaded | ( | ) | const |
Checks whether the state is loaded.
Definition at line 62 of file LuaState.cpp.


zcash-android-wallet-sdk
/
cash.z.wallet.sdk.ext
/
Bush
/
leaves
leaves
val
leaves
:
MutableSet
<
Leaf
>


Changes have been made to the living/working abroad journey. This journey brings living/working together and allows the user to enter more than one time period to each country. There is also a screen to ask the user if there is any country where they have worked but not lived.
X
Start now


% rebase("index/views/base.html", title='Welcome') {% block content %}
Kokoropy is a Python web framework that let you make web-application easily and freely
Kokoropy is built with "educational" purpose in mind. This allow you to present your scientific matplotlib figure as easy as never before.
To know more about kokoropy, please visit our getting started and example section.
Kokoropy is also available in github. So that you can download and use it freely
{% endblock %}


#include <DragonLimelight.h>
Definition at line 38 of file DragonLimelight.h.
◆ CAM_MODE
◆ LED_MODE
| Enumerator |
|---|
| LED_DEFAULT | |
| LED_OFF | |
| LED_BLINK | |
| LED_ON | |
Definition at line 42 of file DragonLimelight.h.
◆ SNAPSHOT_MODE
◆ STREAM_MODE
| Enumerator |
|---|
| STREAM_DEFAULT | |
| STREAM_MAIN_AND_SECOND | |
| STREAM_SECOND_AND_MAIN | |
Definition at line 56 of file DragonLimelight.h.
◆ DragonLimelight() [1/2]
| DragonLimelight::DragonLimelight |
( |
| ) |
|
|
delete |
◆ DragonLimelight() [2/2]
| DragonLimelight::DragonLimelight |
( |
std::string |
tableName, |
|
|
units::length::inch_t |
mountingHeight, |
|
|
units::length::inch_t |
mountingHorizontalOffset, |
|
|
units::angle::degree_t |
rotation, |
|
|
units::angle::degree_t |
mountingAngle, |
|
|
units::length::inch_t |
targetHeight, |
|
|
units::length::inch_t |
targetHeight2 |
|
) |
| |
- Parameters
-
| mountingHeight | - network table name |
| mountingHorizontalOffset | - mounting height of the limelight |
| rotation | - mounting horizontal offset from the middle of the robot |
| mountingAngle | - clockwise rotation of limelight |
| targetHeight | - mounting angle of the camera |
| targetHeight2 | - height the target - height of second target |
◆ ~DragonLimelight()
| DragonLimelight::~DragonLimelight |
( |
| ) |
|
|
default |
Method: ~DragonLimelight (destructor)
Description: Delete the object
◆ EstimateTargetDistance()
| units::length::inch_t DragonLimelight::EstimateTargetDistance |
( |
| ) |
const |
◆ Get3DSolve()
| std::vector< double > DragonLimelight::Get3DSolve |
( |
| ) |
const |
◆ GetMountingAngle()
| units::angle::degree_t DragonLimelight::GetMountingAngle |
( |
| ) |
const |
|
inline |
◆ GetMountingHeight()
| units::length::inch_t DragonLimelight::GetMountingHeight |
( |
| ) |
const |
|
inline |
◆ GetPipelineLatency()
| units::time::microsecond_t DragonLimelight::GetPipelineLatency |
( |
| ) |
const |
◆ GetTargetArea()
| double DragonLimelight::GetTargetArea |
( |
| ) |
const |
◆ GetTargetHeight()
| units::length::inch_t DragonLimelight::GetTargetHeight |
( |
| ) |
const |
|
inline |
◆ GetTargetHorizontalOffset()
| units::angle::degree_t DragonLimelight::GetTargetHorizontalOffset |
( |
| ) |
const |
◆ GetTargetSkew()
| units::angle::degree_t DragonLimelight::GetTargetSkew |
( |
| ) |
const |
◆ GetTargetVerticalOffset()
| units::angle::degree_t DragonLimelight::GetTargetVerticalOffset |
( |
| ) |
const |
◆ HasTarget()
| bool DragonLimelight::HasTarget |
( |
| ) |
const |
◆ PrintValues()
| void DragonLimelight::PrintValues |
( |
| ) |
|
◆ SetCamMode()
◆ SetCrosshairPos()
| void DragonLimelight::SetCrosshairPos |
( |
double |
crosshairPosX, |
|
|
double |
crosshairPosY |
|
) |
| |
◆ SetLEDMode()
◆ SetPipeline()
| void DragonLimelight::SetPipeline |
( |
int |
pipeline | ) |
|
◆ SetSecondaryCrosshairPos()
| void DragonLimelight::SetSecondaryCrosshairPos |
( |
double |
crosshairPosX, |
|
|
double |
crosshairPosY |
|
) |
| |
◆ SetStreamMode()
◆ SetTargetHeight()
| void DragonLimelight::SetTargetHeight |
( |
units::length::inch_t |
targetHeight | ) |
|
◆ ToggleSnapshot()
The documentation for this class was generated from the following files:


{% extends 'admin/my_base.html' %}
{% block body %}
{% if form %}
Add Species
Use the panel below to add a new species
Help
Adds a new species to the database. Make sure the fasta file contains only the gene name in the header,
and that name matches other types of data that will be added later (GO, InterPro, ...).


Play Go Against a Deep Neural Network
0
/
0
Auto Move
Show Analysis
Make Move
Auto Move
Black captures:
0
White captures:
0


'I have kept apologising and I will keep apologising' - Clifford-Lee meets with Traveller group
by By Vivienne ClarkeFianna Fáil senator Lorraine Clifford-Lee has apologised again for comments she made about Travellers on social media eight years ago.
The comments on Twitter were “totally wrong and inappropriate”, but were made before she entered electoral politics. Her “true” attitude towards Travellers has been reflected in recent years through her support of Travellers in Cabragh Bridge, Tipperary, the Traveller Education and History Bill and the ethnic status of Travellers, she told RTÉ Radio’s Morning Ireland.
Senator Clifford-Lee said she had spoken to Martin Collins of Pavee Point by telephone and would be meeting him in person to again apologise. “I truly hope that my apology is accepted.”
She said she hoped to engage in constructive discussions with Mr Collins.
“I have kept apologising and I will keep apologising. Those comments do not reflect who I am and what I do. It was something that happened before I was in electoral politics.”
Senator Clifford Lee said she understood the impact and offence that the comments had caused, “for which I am truly sorry".
It was a long time ago. We all evolve as people. I am now a mother. I have educated myself about minority issues.
She said that since she entered electoral politics she has worked hard on minority issues and was very sorry for what she said “back then.”
“People make mistakes. It’s the recognition of those mistakes and it’s how you act. Since I have been a public person I have worked very hard in relation to minority issues.”
Ireland and her constituency were now much more diverse, she added.
This is a very young constituency and it is very important that we put structures in place so that all can integrate.
READ MORE
Student poverty 'a massively underestimated issue' as 20 avail of UCC food bank


--- layout: post title: Importance Sampling ---
Brief notes on importance sampling for my own future reference. [mnih2014recurrent]
Want to calculate an expectation over the posterior:
\[ \mathbb{E}_{x \sim p(x|y)} [ f(x) ] = \int f(x) p(x|y) dx \]
This is proportional to the expectation over the joint (and we are able to compute the pdf of the joint):
\[ = \frac{1}{p(y)} \int f(x) p(x, y) dx \]
And then do the trick to use \(q(x)\):
\begin{align*} &= \frac{1}{p(y)} \int f(x) \frac{p(x, y)}{q(x)} q(x) dx \\ &= \frac{1}{p(y)} \mathbb{E}_{x \sim q(x)} [f(x) \frac{p(x, y)}{q(x)} ] \\ &\approx \frac{1}{p(y)} \sum_{n=1}^N f(x^n) \frac{p(x^n, y)}{q(x^n)}, \quad x^n \sim q(x) \end{align*}The expectation of the normalising constants is given by:
\[ \mathbb{E}_{x \sim q(x)} [ \frac{p(x, y)}{q(x)} ] = \int \frac{p(x, y)}{q(x)} q(x) dx = p(y) \]
i.e. the average of the importance weights is an unbiased estimator of the model evidence. \(p(y)\) is therefore calculated by averaging the normalising weights to use in the above expression.
To calculate the expectation, we must normalise by an empirical estimate of the model evidence (from averaging the weights) and so it is not unbiased.


During this one-day course you'll learn about how to get NodeJS up and running. You'll review how to respond to http and websocket requests as well as query data from popular databases (mySQL, MongoDB, CouchDB) while using Jade templates to output dynamically constructed markup.
REGISTER
Steve Drucker
Steve Drucker is the founder and president of Fig Leaf Software, a full-service interactive agency based in Washington, DC. Throughout his 20-year career in IT, Steve has led dozens of enterprise web application development initiatives, authored instructor-led courseware for Intel, Sencha, Adobe, JackBe, and others, and remains active in the community as a user group manager and active technology blogger. He is currently developing apps and teaching courses using Sencha Touch, Sencha Ext JS, Acquia Drupal 7, jQuery, jQuery Mobile, Adobe ColdFusion, and Node.JS. Contact Steve<EMAIL_ADDRESS>and find out more about his company at http://www.figleaf.com


The goal was to improve the user experience, modernize the aesthetics and increase conversions. TaxConnections site hadn't been updated in a while and there were a lot of known customer pain points which needed to be addressed.
The tricky part was that there wasn't scope for a back-end rebuild, so I had to work with what was already there and change the front end into something new. The other issue, was that the site was not responsive.
Nothing is more frustrating for a website visitor than a website that doesn't fulfill their expectations. Therefore, it is important to view your site from the visitor's perspective when coming up with a design. Accessibility, user experience, and user interaction were among the most important factors to consider when redesigning this site.
The offering that TaxConnections brings has a number of angles and segments that needed to be organized in a way that made sense for their customers. A solid and intuitive navigation and easy-to-read page layouts helped to achieve this. Not to mention generate new leads as a result.
One of the main features of TaxConnections to for users to ask tax related questions. This questions can only be answered by a certified Tax Professional registered on the site. Users can vote on both answers and questions, and through this process users earn points.
Along with posting questions and answers, users can add comments to them, edit text written by others and ask directly for clarification since a lot of questions are very user specific.
There is a large base of users who require from simple to very complex answers to their legal problems, and there is a group of Leading Tax Advisors who are constantly answering questions to those who seek advise.
Another feature of the site, is the ability of find Tax Professionals to connect with and build business relationships.
TaxConnections allows members (both workers and employers) to create profiles and 'connect' to each other in an online network. Members can invite anyone (whether an existing member or not) to connect. An introduction is first required, this is to build trust among users, if the intended user approves the introduction, the are now connected in an online social network which may represent real-world professional relationships.
To make the website a lead generating machine, we needed people to actually see it, and one of the main purpose of the blog was to establish authority.
After many changes and iterations, both in code and design, the blog now forms part of the Top 100 Tax Websites & Blogs For Tax Professionals & Payers.
This now means Blogging is a great way to help market and promote the business products and service.
When people first come and read the blogs, it's highly unlikely that they will buy something right away. Even though a blog helps to inform and educate your audience about your product, it does not “sell” your product. In fact, it usually takes a prospect seeing your content or brand multiple times before they make a decision. Often, this process takes several days or weeks.
Also, one important aspects to keep in mind was to 'get the right message to the right client. This is where using a customer relationship management (CRM) is the was to go to automate the lead-capture process.
Sure there are multiple alternatives out there, but we decided to go with Infusionsoft by Keap for the simple reason that It's got all the advanced tagging, sequences, tracking and segmentation features that we needed.
Secondly, it's simple once you get the hang of it, and a big problem with systems other systems is that frankly they're badly designed from a usability perspective.
We decided we needed that kind of flexibility to exist on our site better by creating landing pages, set up workflows that automatically trigger a sequence of email messages based on client behaviors the website is now able to perform significantly better.
One of the cornerstones of a successful business in today's digital environment is ensuring that the website performance is user-friendly and runs smoothly. A well-oiled website and its applications represent the face of a company, and in an ideal scenario, they serve as a mark of reliability, innovation, and progress.
After dealing with many design and user experience challenges, the next big step was to improve the website performance, security and ensure future support. The site has been using a now old version of PHP5, everything works fine, however, there are many benefits of upgrading to a new PHP version which will make sure, the site performs better overall.
The biggest problems with switching to PHP 7.0 can be caused by compatibility. The site core can be adjusted to the newest version, however, there is no guarantee that additional modules will be compatible too. That is why it was crucial to use a staging server to test each part of the site and make sure it works as expected.
After many test, the site is now up to date, it performs better and everything now runs smoothly. The advantage of PHP 7.0 over PHP 5.6 is indisputable, the page loading time was greatly reduced.
In order to keep users organized, we developed an in-house Admin Dashboard, this way, we can immediately see a detailed overview of the business in one quick glance. Better yet, it reduces the amount of time it takes to compile reports, saving time.
I was greatly appreciative of the opportunity to work with my client to help build them a solid brand and web presence. We enjoyed working together during the creative process and we're all very happy with the result. I hope their investment brings them long-term gains in the years to come.


Harshini 6563
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LUBRIFRESH P.M.- mineral oil and petrolatum ointment
Major Pharaceuticals
Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
Active ingredient
Mineral oil 15%
White petrolatum 83%
Uses
- to prevent further irritation
- to relieve dryness of the eye
Warnings
When using this product
- replace cap after use
- do not touch tip of container to any surface to avoid contamination
Stop use and ask a doctor if
- condition worsens or persists for more than 72 hours
- you experience eye pain, changes in vision, continued redness or irritation of the eye
Keep out of reach of children.
If swallowed, get medical help or contact a Poison Control Center right away.
Directions
-
- pull down the lower lid of the affected eye (s)
-
- apply a small amount (1/4 inch) of ointment to the inside of eyelid
-
- apply one or more times daily or as directed by a doctor
Other information
- store at 15° - 30°C (59° - 86°F)
- keep tightly closed
- see crimp of tube or carton for Lot Number and Expiration Date
Inactive ingredient
lanolin oil
Questions or comments?
Serious side effects associated with use of this product may be reported to 1800-323-0000
*Major LubriFreshTM P.M. is not manufactured or distributed by Allergan Inc., distributor of Refresh P.M.®
Package/Label Principal Display Panel
NDC 0904-5168-38
Major®
LubriFreshTM P.M.
Lubricant Eye Ointment (Sterile)
PRESERVATIVE FREE
Prevents Irritation and Relieves Dryness of the eye
Compare to Active Ingredients of Refresh P.M.®*
Net Wt. 1/8 oz (3.5 g)


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Date is invalid.


Water pollution is when substances build up in the water to a point where it causes problems for people and animals. There are two main types of water pollution: nonpoint-source pollution and point-source pollution. If pollution comes from one source, then it is point-source pollution. If it comes from multiple sources, then it is nonpoint-source pollution.
Sometimes it’s obvious when water has been polluted, like an oil spill. But most of the time, it’s not. There are two main ways you can measure the quality of water. One way is to test the chemical indicators, or the concentration of different chemicals in the water. The other way is to test the biological indicators, or see what kind of life the water can support. If the river can’t support any life, then the quality of the river must be poor.
The problem
Atmospheric deposition is one of the many causes of water pollution. It is when chemicals released into the air enter the atmosphere and fall back to the earth as rain. Water pollution has so many causes and it’s why it is such a difficult problem to solve.
Sewage is another cause. [stats]
When so much sewage is released into the environment, the nutrients from it can cause the growth of harmful algal blooms. These blooms remove the oxygen from the water and kill the life present in the water.
However, pollution is not strictly limited to chemicals. It can be biological as well. The introduction of invasive species into water ecosystems can drastically change the environment. Because they have no natural predators outside their normal habitat, they can run rampant and crowd out native life.
Plastics materials take about 400 years to degrade so with the mass production of these items are astounding. In a year 300 million tons of plastic is produced every year and only about 10% is recycled. Nonetheless plastic production is a very impactful when it comes to our Earth. Countries like Australia used to produce 7 billion bags until their ban/tax on plastic bags. Government agencies still have issues with introducing bans and taxes in their areas. As they work on that you should use plastic bags and tote bags.
oil
How can you stop this?
Reuse, reduce, and recyle. By doing this, it means that less trash enters the water and less wildlife will be endangered.
Use reusable plastic products! Again, it means that less trash enters our environment!
Recyle any recyclable products! You'll keep the environment less cluttered!
 It could potentially end up in a water source!
Properly dispose of hazardous material! The waste could leak through the soil and enter the groundwater.
Use less water!
Take showers, not baths! You'll be wasting less water.
Turn off the water when brushing your teeth
Fix leaks
Educate yourself. This website is a great first step on educating yourself on water pollution.
Tells others about the cause
Donate to reputable charities that help with water conservation efforts
Jessica here! I am currently 16 and I’m funny. I guess. I joined Girls Who Code so I could expand my knowledge on computer science. I initially started getting interested when I would make One Direction accounts and wanted them to look cooler. With everything I have learned so far I aspire to work in PR and tie it with mechanical engineering. I’ll probably make my own company.
Social: Insta;jessicaburrito twitter; jessicamburrito business email; jessicamburrito@gmail.com


Komodo-Bot
BOT
14-Jul-18 03:16 PM
[AkiraX#8269] What's stopping you from creating a billion addresses and getting airdrops?
[Steve10#5203] I try but didn't get it yesterday or today
[KLMJ1#2767] what browser?
[Steve10#5203] Chrome on my cell.
[KLMJ1#2767] it works in edge on pc
[Steve10#5203] It worked the other day so wasn't expecting an issue
[Robert Naus#9564] @AkiraX try to copy and paste the addresses when airdrop is going ..no shot
[KLMJ1#2767] @AkiraX these random ones last about 10 seconds there isn't time to claim more than once
[KLMJ1#2767] The world needs Komodo transaction speed. ETH having problems again.
[yorklab#7270] I don't think it's working now. Something about too many UTXOs I think.
[Bo#8264] @KLMJ1 let's spread the word!
[KLMJ1#2767] I am telling everyone I see. But I am glued to my screen waiting for the airdrops.
[djithbit#3171] Who is watch WK football?
[Bo#8264] me, more listening than watching actually
[djithbit#3171] I chear for belgium .. my country!
[Bo#8264] I cheer for Belgium too, I'm fom NL
[djithbit#3171] Johooo.. hop oranje
[djithbit#3171] Nee dit wk niet, jammer..
 I have better luck getting the airdrops here than a faucet!
[djithbit#3171] Highest taxed aswell.. all goes back to gov
[Robert Naus#9564] @Steve10 same here usually it’s bit moody
[djithbit#3171] I dont want to grow old here in belgium..
[Robert Naus#9564] @[TPUX] Djith Wattignies I lived around the world and never wanted to be in my home country but now after 18 years I don’t mind ..that being said I still prefer to be in US
[djithbit#3171] Would like to move to canada.. my gf is canadian.. so does my daughter getting a canadian pasport.. i can get permanent residence..
[djithbit#3171] But but but.. that climat
[Robert Naus#9564] @[TPUX] Djith Wattignies Vancouver has decent weather great summer and beaches and you can ski near by during whole winter season, but it’s expensive to buy house there
[Steve10#5203] There are a lot of beautiful places in the world but I'm partial to the US just not California or New York LOL
[djithbit#3171] Never been to US.. only Cuba
[Robert Naus#9564] @Steve10 I lived in Vegas mostly and LA, redondo beach and let me tell you unless you live in Malibu and such LA is a dumpster, dirty, smelly city. Where about you live?
[djithbit#3171] 2-0 for belgium... UK getting slammed
[Steve10#5203] Pittsburgh PA
[djithbit#3171] We should have been in finals.. france played very much anti football.. but what is new
[Bo#8264] We should have won twice in the 70's..
[Robert Naus#9564] @Steve10 hell yeah I take it, I love hockey you got great team.
[crumb#2550] go Penguins!
[djithbit#3171] Go zilla's
[Robert Naus#9564] @[TPUX] Djith Wattignies correct you take 3rd place ..but since this is not olympics 3rd place really don’t count, sorry
[Steve10#5203] We we got great sports teams but baseball lol
[djithbit#3171] True.. we failed glorious
[Steve10#5203] Well I'm driving so got to stop replying...have a great day everyone!


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Check your answers
| Your question |
Dear Ministry of Justice, I would like to make a complaint about the condition of Lambeth County Court. Last week I had to attend a hearing at the court, and firstly I found it very hard to find. There was no clear signage from the main roads, and I ended up having to ask several people passing for directions. I ended up arriving slightly late, but was left to wait an extra half an hour anyway. Also the staff at the x ray machine weren't very helpful when I asked where I should go.  I don't think a cleaner had been around the night before, as it was only 10:45am when I arrived and there was empty Redbull cans and crisp wrappers on the seat next to me. It was also full of people and was incredibly hot. I tried to open the windows and they can't be opened!! This court is very old and dusty and looks like it should be renovated. I really think you should invest some money in this, as people who come to court are already stressed and they don't need to be left to feel like no body cares. I also think you should have free wifi available so people can access any documents they need to prepare themselves. Please make this court a better place to have to wait, and speak to your staff about being more helpful and friendly, as I don't need to deal with rude people when going to court. Kindest regards, Christina Christensen |
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NCP informs guv of Ajit Pawar's replacement
NCP informs governor Koshyari of Ajit Pawar's replacement, Jayant Patil as the legislature wing leader.
by PTINCP leader Jayant Patil went to the Raj Bhawan on Sunday with a letter to Governor Bhagat Singh Koshyari to inform him about replacement of Ajit Pawar as the legislature party leader.
The governor is not in Mumbai, a Raj Bhawan official told PTI.
Pawar was removed as the NCP's legislature unit leader on Saturday, hours after he joined hands with the BJP in a coup and took oath as the deputy of Maharashtra Chief Minister Devendra Fadnavis.
Fadnavis on Saturday returned as chief minister propped up by Ajit Pawar, who was made his deputy, just hours after the new alliance of Shiv Sena, the NCP and the Congress reached a consensus that Sena chief Uddhav Thackeray will be their chief ministerial candidate.
Fadnavis and Ajit Pawar were sworn in by Koshyari at a hush hush ceremony here, leading to lifting of the President's rule in the state.
On Saturday evening, the NCP removed Ajit Pawar as the party's legislature unit head, saying his move was not in line with the party's policies.
The resolution passed at the NCP meeting also said that Ajit Pawar's right to issue a whip was also revoked.
Ajit Pawar, the NCP chief's nephew, was elected as the legislature party leader on October 30 following the results of the Maharashtra Assembly elections.


Antimatter Dimensions is an Idle Incremental game with multiple layers of unlocks, prestige, and achievements. The basic goal of the game is to reach infinity and receive an infinity point, which can be spent on various upgrades to increase your overall production. Beyond that, there lies even more content that allow you to get even bigger numbers, and even go beyond the limit of infinity.
You can choose whether or not you would like to see spoilers here. Setting this to "Avoid spoilers" will only show the content you have access to, as well as the next piece(s) of content you will unlock. To be fair though, this is NG+2 Respecced, so its highly suggested you have played up to the endgame of Time Dilation before you read this/play the game.
Dimensions:
Dimensions are your production units in the game. The first Dimension produces Antimatter, used to buy dimensions. Each consecutive dimension produces the previous one, allowing you to have steady growth. There are eight dimensions total.
Dimension Multiplier: Beside the dimension there is a multiplier (example: First Dimension x1.0). The base production of each dimension is multiplied by this number. This multiplier increases by 2x (base multiplier) for every 10 of that dimension purchased. Each time this occurs, the price of the dimension will increase.
Accumulated Dimension Quantity: The next column is your current amount of that dimension you own. This is a combination of how many you have purchased with antimatter, as well as produced from the higher dimension.
Purchased Dimensions Quantity: Next to each accumulated quantity of owned dimensions, the amount of that dimension purchased toward the next multiplier upgrade is displayed in brackets. For example, if you have (4) next to your accumulated dimension quaintly, you will need 6 more of that dimension for the next multiplier increase.
Dimension Growth Percent: This number represents the amount of growth that dimensions experiences per second. +100% means the dimension is doubling each second. This allows you to judge overall growth.
Cost & until 10: You can buy a single quantity of each dimension with antimatter when the cost button is clicked. Alternatively, if the Until 10 buttons is clicked, you can buy whatever quantity gets you to that dimensions next dimension multiplier.
Max all: Max all will buy max tickspeed (see below), then will buy until 10 of 8th dimension until it can't anymore, then 7th, and so on.
Dimension base prices: 10 (1e1), 100 (1e2), 10,000 (1e4), 1e6, 1e9, 1e13, 1e18, 1e24
Base per 10 bought dimension price increases:1,000 (1e3), 10,000 (1e4), 1e5, 1e6, 1e8, 1e10, 1e12, 1e15
Hotkeys: 1, 2, 3, 4, 5, 6, 7, 8 for buy until 10 []th dimension ([] is the number you pressed), M for Max all.
Tick: Production in the game happens on each “tick”. When a "tick" happens, each dimension will produce resources.
Interval: The length of time between ticks. This is lowered by purchasing tick interval reductions.
Cost: The cost of antimatter for reducing the tick interval by the % displayed above (without galaxies, your base tickspeed decrease is 11% per purchase.)
Buy Max: This will buy the maximum amount of tick interval decreases available with your current amount of Antimatter.
Note that the actual tickspeed time is fake and the game always runs at 20 ticks per second. (based on your update rate)
Dimension Shift: This resets your dimensions, but unlocks another dimension for your next run. Each one requires 20 (base) of your highest unlocked dimension.
 Instead, it will only provide a boost to dimensions. This happens after 4 dimension shifts. Each one requires 20+(boosts*15) (base) eighth dimensions, but will scale higher after a certain amount of them has been bought.
Each dimension shift and boost will provide a x2 (base) multiplier to first dimension, and each dimension after will have half (base) multiplier as the previous (min 1).
Hotkey: D
Purchasing an Antimatter Galaxy will reset your game back to the point where only 4 Dimensions are available, but will increase the effect of your tickspeed interval reduction by 2%. This effect decreases as you get more galaxies.
Though it will have very little impact for the first few purchases, the increase is multiplicative and won’t take long to be visible. Soon, you will notice that you get even more than what you had before.
Your first galaxy will increase your tickspeed interval upgrade as if it were 11% originally, so you will have 13% after 1 galaxy.
Galaxies require 80+(galaxies*60) (base) Eighth Dimensions. (80+galaxies*60+(galaxies-99)^2*2 when above 100 non-replicanti galaxies)
After a certain point (100 galaxies), galaxies will become distant and will have stricter scaling. After 800 galaxies, galaxies become remote and will have exponential scaling.
Hotkey: G
You unlock Dimensional Sacrifice after your first dimension boost.
Sacrificing will immediately reduce the owned quantity of dimensions 1 through 7 to zero. This does not reduce the multiplier or the current cost. In return, it will multiply the Eighth Dimension Multiplier by the shown value. It will take time to get back to the production you previously had, but you will end up with a net increase.
When should I Sacrifice? Depends on your percentages (+%/s), but if they are over ~2% and the multiplier is over 2x, I'd say it's worth it. The lower the percentage, the longer it takes to gain back your dimensions.
Dimensional Sacrifice Checkbox: This allows you to complete dimensional sacrifices without having the warning popup.
The dimensional sacrifice formula (where n is the total amount of first dimensions you've had) is:
Base: (log(n)/10)^m, where m is 2 at base, 2.2 with the "The Gods are pleased" achievement, and 2.5 with the "Gift from the Gods" achievement.
Eighth Dimension Autobuyer Challenge: m^0.05/n^0.04*j, where m is the current number of first dimensions you have and j is your previous sacrifice multiplier.
After Infinity Challenge 2: n^m, where m is 0.01 at base and 0.011 with the "Yet another infinity reference" achievement.
Once you get TS228, m will be 0.013. With the "IT'S OVER 9000" achievement, sacrifice will no longer reset dimensions.
Hotkey: S
Once you have too much Antimatter for the world (or rather, the universe) to handle (2^1024, or 1.7976931348623159e308), you’ll reach infinity and be able to perform a “Big Crunch”.
Each Infinity completed will give an Infinity Point. These can be spent on upgrades in the new infinity tab. You must purchase these upgrades from top to bottom, and cannot skip any upgrades.
The "x2 IP from all sources" upgrade can be bought multiple times, but each purchase requires 10 times as much IP. You must buy all 16 previous infinity upgrades to buy the IP multiplier upgrade.
When should I try to reach Infinity? It's recommended to get 2 galaxies before attempting to reach it. On the way there, you should dimension boost as many times as you can. You should also get as many achievements as possible (e.g. "There's no point in doing that...", "The 9th dimension is a lie", and "The Gods are pleased").
Each achievement has conditions that must be met before they are earned. Some are very simple, and some are significantly trickier. You may have to infinity or start a challenge before attempting some of the harder ones.
You will recieve a x1.125 multiplier to all dimensions for each achievement. In addition, some achievements have their own rewards.
Challenges are unlocked after the first infinity; they change in-game mechanics in different ways to create more difficult infinity circumstances.
Each completed challenge will award an auto buyer. You can run them multiple times (though only the first time grants a reward), and they can be exited at any time via the “Exit Challenge” button on the challenge tab. Running them multiple times is mainly for reducing challenge times, which is required for some achievements.
The rightmost row of Infinity Upgrades does not work in challenges.
Autobuyers:
Autobuyers (awarded by completing challenges) allow the automatic purchase of dimensions, dimension shifts/boosts, galaxies, tickspeed interval decreases, Big Crunches, and Dimensional Sacrifice (later). They are located under the infinty tab in "Autobuyers".
Priority: Priorities tell the game which autobuyer will buy if two are affordable in the same tick. Priority 1 is bought 1st, Priority 2 is bought 2nd, etc. Two equal priorities will pick their buying order randomly. (While you cannot set these, big crunch has a priority of 0, galaxies have a priority of 10, dimboosts is 11, and sacrifice (once unlocked) is 11.)
Autobuyer Speed:The cooloff period before the autobuyer makes another puchase. This rounds up to the nearest 100ms, so 200ms and 101ms are the same speed.
Bulk Buy: Once the Speed of an Autobuyer is maxed, all future upgrades will double the amount the autobuyer purchases per tick. This can be disabled. Bulk buy is capped at 1e100x, however it doesn't do much to get bulk buy after you get a certain multiplier as the autobuyer can only buy so much that is available to them.
Dimension Autobuyer Buy Quantity: Autobuyers for dimensions can be set to buy a single, or until 10, on each cooldown. Bulk buy does not work when the autobuyer is set to singles.
Tickspeed Autobuyer Buy Quantity: The tickspeed autobuyer can be set to buy a single or the max available on each cooldown.
Automatic Dimboost Customization: With the Dimboost autobuyer you can set the max amount of 8th dimensions to use for the autobuyer, the amount of galaxies before dimboosts are always automatically purchased, and (when unlocked) the ability to buy dimboosts in bulk (at a fixed amount). The ability to buy dimboosts in bulk is improved after you get the 10 eternity milestone, allowing you to automatically buy all dimension boosts available.
Max Galaxies: The highest amount of galaxies the galaxies autobuyer will buy.
IP on crunch: Once you break Infinity, you can set how many IP you would like to wait for before crunching. It accepts e notation (e.g. 12.34e5 is 1234000).
Sacrifice Autobuyer: This autobuyer has a maxed timer from the start. You can set how much multiplier it waits for before sacrificing. It accepts e notation.
The double autobuyer tick speed upgrade will have all autobuyers buy twice as fast. Toggle All Autobuyers: This button will turn all of your autobuyers on or off.
Hotkey: A (for toggle all autobuyers)
Antimatter Dimensions was normally restricted to "Infinity" (2^1024), but in the "Break Infinity" update, you can now "Break Infinity" once your Big Crunch autobuyer has been maxed, allowing you to surpass 1.8e308 antimatter (and including other numbers to surpass 1.8e308). This opens up a selection of new upgrades, as well as the ability to gain more than 1 infinity point per run.
Fixing Infinity:You can revert breaking infinity at anytime by clicking fix infinity (however, this is entirely useless as you can just set big crunch autobuyer's threshold to 0 IP if you want a fast infinity).
IP Gain Formula:10^(log(current antimatter)/n-0.75)*bonuses, where n is 308 at default, 307.8 with the achievement "This achievement doesn't exist II", or 290 with TS111.
Unlocking Infinity Dimensions:Infinity Dimensions are unlocked by reaching a certain amount of antimatter. Once you have enough, you can press the unlock button to unlock them.
Infinity Dimension Cost:Infinity dimensions are only purchasable in sets of 10, and cost Infinity points.
Infinity Dimension Production:Like the original dimensions, each infinity dimension produces the dimension above it. e.g. Dimension 3 produces Dimension 2, 2 produces 1. However, instead of antimatter, Infinity Dimension produces Infinity power, which translates to an overall multiplier on all normal dimensions, making them significantly more powerful.
Infinity Power gives a boost to all dimensions equal to (power^7).
Infinity Challenges are like regular challenges, but they have higher end goals and are generally harder than regular challenges (but have a different kind of reward).
They unlock at set amounts of antimatter, and the ones unlocking later are (generally) more difficult.
Each replicanti has an upgradable chance to update every replicanti tick. You will gain a bonus multiplier to Infinity Dimensions based on the amount of replicanti you have.
When replicanti reaches infinity, you can buy a galaxy. This will not increase the cost of normal galaxies, and this replicanti galaxy contributes to the tickspeed decrease. The amount of replicanti galaxies you can have is capped (upgradable). Once you reach infinity replicanti, they will not continue growing.
When offline, in an inactive tab, lagging, or a tickspeed under 50ms, replicanti get calculated with an approximation. This can cause wildly varying results, especially at extremely low numbers (1-5).
When at low values (100-1000) (when none of the conditions above are true), there may be some minor variances in the expected amount of replicanti gain.
Formulas:
Infinity Dimension power increase: log2(replicanti)^2, plus replicanti^0.032 if you have TS21, times 5^galaxies if you have TS102, and is raised to the power of 1.09 if you have "We could afford 9".
Chance upgrade cost:x(1e15) per upgrade, caps out at 100%.
Speed upgrade cost:x(1e10) per upgrade, caps out at 50 ms, but can be reduced further to 1 ms with TS22, and can be decreased even further with TS62 (5x faster), TS213 (20x faster), and a dilation upgrade that decreased replicanti interval based on DT.
Galaxy upgrade cost:1e(170+n*25+n^2*5)
Once you get TS192, you can surpass 1.8e308 replicanti, but the interval will increase as your replicanti amount increases.
Upon reaching infinity Infinity Points, you can eternity. Eternities will reset everything before this point except challenge times, achievements, and total antimatter. You also unlock the Eternity tab, and many more features.
You can pass infinity Infinity Points whenever you want. You will recieve more Eternity Points the more Infinity Points you had before going Eternal.
EP gain formula: floor(5^(floor(log10(IP))/308-0.7)*bonuses. The x10 EP time study gives the bonus before the outer floor.
To make eternities faster and more convenient, you will unlock various buffs as you get more eternities. These buffs are either making you start with something on eternity or unlock an autobuyer.
For the buffs at the the start of an eternity, you will keep the relevant statistic on the run you unlock the milestone. (On 1 > 2, you will keep your autobuyers.)
The last big milestone is at 100 eternities, and allows full automation. However, there are other milestones after 100 eternities that are rather QoL milestones.
After your first eternity, you unlock Time Dimensions. You buy them with EP and they provide time shards, which give free tickspeed upgrades (which don't increase the price). These free tickspeed upgrades stay on infinity (applying retroactively to your tickspeed mult through more galaxies).
Similarly to the other dimensions, a Time Dimension 2 produces a Time Dimension 1 and so on. However, you cannot buy a dimension shift/boost for them, nor buy galaxies for them.
You start with the first 4 time dimensions available, but later on, you will be able to access the rest of the Time Dimensions.
Each tick threshold takes 33% more time shards than the previous (25% with TS171).
A Time Study is a powerful post-eternity upgrade, which costs Time Theorems. Time Studies are laid out in a tree-like fashion, where you must buy preresiquites before continuing. There are sometimes choices to make with which Time Study to buy, as you cannot get all of them even if affordable. Eventually, it is possible to get almost all of the time studies.
Time Theorems are a limited resource which costs more for each one you buy. They can be bought with antimatter, infinity points, and eternity points.
Respecs: A Respec allows you to reset the upgrades you have in the tree to retreive the Time Theorems spent on them. It can be done for free, but you will have to eternity when you want to respec.
Costs: (1e20000^times bought) for antimatter, (1e100^times bought) for IP, (2^times bought) for EP.
Time dilation is unlocked when you purchase the 5,000 TT time study after beating both EC11 and EC12 five times, and after acquiring a total of 13,000 TT. Dilating time will start a new eternity, and all of your Dimension/Infinity/Time Dimension multipliers’ exponents and tickspeed multipliers’ will be reduced to ^0.75.
If you can reach 1.79e308 IP and eternity within a dilated eternity, you are rewarded with Tachyon Particles upon the dilated eternity. You can dilate as many times as you want, but in order to gain more TP, you need to produce more antimatter than the last run that gave you TP.
Tachyon Particles generate another currency, Dilated Time. Dilated time is translated into free galaxies by reaching a certain threshold. These galaxies are permanent except when you buy the second rebuyable dilation upgrade, resetting the amount of free galaxies and DT, but decreasing the threshold.
Dilation Upgrades are upgrades that are purchasable with Dilated Time. Some upgrades improve the amount of Dilated Time you gain or reset your free galaxies, but decrease the threshold required to get to them. In addition, there is also a TT generator as one of the Dilation upgrades. The first row of dilation upgrades is purchasable as many times as possible, but the rest cannot.
NG+2 added a new rebuyable upgrade (formula improvement upgrade) that increases the exponent of the TP gain formula by 0.25, and another row of upgrades that are unlocked later.
NG+2R has added 2 new upgrades (boost DT gain based on TP amount and boost TD multiplier based on TP) to help alleviate most of dilation.
Meta Dimensions are dimensions that are similar to the original dimensions; however, they don't have tickspeed and are treated differently. Meta Dimensions provide a multiplier to dimension shifts/boosts based on meta-antimatter.
Once you get enough 8th Meta Dimensions, you can shift/boost, or buy a galaxy. Buying a galaxy improves the power of Meta Dimension Shifts/Boosts and gives a multiplier separately. (may need to double check)
In NG++, there is another row of dilation upgrades after buying Meta Dimensions.


I feel I should mention that I have some experience with meditation techniques that will lead to (if patient) astral projection and other forms of controlled mind states. To be slightly more honest I've attempted these techniques with little discipline and insufficient patience. I have however been successful in lucid dreaming to a point, and that point is having the dream and making it lucid from within. i.e lucidity would usually follow a chase scenario i.e a helpless run from an attacker turns into a flight for freedom.
I bought a five-gram pack of dried Calea from a botanical company about 18 months ago. I tried consuming a mild cup of tea and a couple of Calea cigs on two occasions with no results.
One night ensuing a long hard and restless day, I decided to take action regarding an impinging insomnia problem that had resurfaced in my life. Insomnia had disturbed me from two of three working days already this week and I wasn't prepared to counsel myself during my waking hours in hope that it may regulate my sleeping pattern.
Nope, drugs tonight, counselling and diet tomorrow, after a good night's rest. I had chosen to spend this year working in this still unfamiliar town and decided to walk to the nearest hospital in hopes that I may be able to spend the rest of the year employed.
After about 2hrs of 'red tape', lectures and not so friendly advice I was on my way back to the residence with a tiny little Fenergan pill in an envelope.
At around 1:00am I arrived back at the campus residence very tired and eager to sleep. Immediately consumed the tiny little pill and proceeded to discuss the 'red tape' with my girlfriend in bed. 15-20min later I was convinced that I should have been 'knocked out' by now, that is according to my friend's reports of Fenergan. At this stage I was very eager to get to sleep and remembered a report or FAQ on Calea mentioning that it was apparently relaxing and might work as a sleep aid.
********************************************************************
I went to the kitchen and prepared about 2tsp of Calea in 1 cup of hot water while I let it brew I borrowed a pack of rolley papers and rolled up a couple of Calea cigs (rolled may give the wrong impression, I made tube and then sucked that bitter shit up into them, getting very fine particles hitting the back of my throat, yuk)
At 1:30am, I went outside and began sipping tea between drags of the cigs.
The tea tasted like an unripe grapefruit and the cigs tasted similar to 'Urb' so I was chasing each sip with a drag, afterwards I could taste the epitome of bitter on my lips. I washed my mouth thoroughly and returned to bed.
My last memory is of lying next to my girlfriend on a single bed, eyes shut loosely, relaxing with each deep breath 1
.2
..3
4
5
.I'm now awake looking at my girlfriend in a single bed by my side
..thrashing around in the single bed trying to wake myself up, realising that if this is happening in the single bed I'M IN then I'm thrashing my girlfriend in our single bed by my side.
I struggled against what seemed to literally and physically hold me in sleep until I realised that using force with no-body is pointless (meaning?)
[this may seem confusing]
I had a bird's eye perspective of the bed, a first eye perspective (body, eyes closed) and both of them could feel but not touch the third eye perspective, which was like a spirit layer of myself (thrashing about) on top of my (real) body that was visible to the birds eye perspective. Anyway I could see that the only way out of this mind trap was to communicate telepathically to my girlfriend, who was in reality next to me. So I imagined telling her vocally to wake me up. At that point I woke up.
I was shocked even a little disturbed, but I decided it was all-okay and went back to sleep.
Until Morning my dreams were lucid and I was deeply consumed by allsorts of fascinating images feelings and experiences that could have easily been mistaken for reality, my only way of knowing was to do the impossible.
I awoke feeling refreshed and happy with my breakthrough, I discussed this with my girlfriend after being assured that she had not been attacked be me at all during her sleep or mine.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Synegry Blasteroids
(Unfinished...)
Created by Eugene Mihailenco /
@randomize
Typed with NeoVim in Dvorak


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This feature has been deprecated and will be removed in a future release.
Optional packages are packages of classes (and any associated native code) that application developers can use to extend the functionality of the core platform. The extension mechanism allows the Java virtual machine (VM) to use the classes of the optional extension in much the same way as the VM uses classes in the Java Platform. The extension mechanism also provides a way for needed optional packages to be retrieved from specified URLs when they are not already installed in the JDK or JRE.
Overview - What optional packages are and how to use them.
The following classes play a role in the extension mechanism:
See also the Related APIs section of the mechanism specification for notes on these APIs.
Located on the Java Software website:
For details, see Enhancements.
Extension Mechanism Architecture - Notes on the extension mechanism API and how optional packages use the Jar file format.