The color (as an RGB comma separated string) of an active note being played
The musical key the score must use to adapt the score to the right
accidentals. It can be overwritten with StaffInfo.keySignatures
value at time or step 0. If not assigned it will be asumed C key.
The vertical height in pixels of a note
The color (as an RGB comma separated string) of a non played note
Number of horizontal pixels between each note
The horizontal scale at which notes are drawn (the bigger this value, the "wider" a note looks)
Sets scrolling to follow scoreplaying in different ways according to
ScrollType
enum values.
Generated using TypeDoc
An interface for providing configurable properties to a StaffRender.


Fiji Health Ministry Prevents Futsal Team From Returning Home Over Measles Fears – Reports
MOSCOW (Sputnik) – The Ministry of Health of Fiji prevented the national futsal team from returning home after its match against the Kingdom of Tonga, which is currently facing an outbreak of measles, national media reported on Sunday.
The match was held as part of the Oceania Championships in New Caledonia, the FDC News media outlet reported. According to the Health Ministry, there are fears that the players and officials may have had contacts with people, infected with measles during the match, as the Tongan players have not been vaccinated.
The authorities said it may take two weeks to make sure that the team’s return will pose no epidemiological threat.
Vice President of the Fiji Football Association Jiten Reddy said that there had been so far no signs of contacts between the national team players and measles-infected people.
The measles outbreak started in New Zealand and Samoa in February, and later hit the Kingdom of Tonga after the Tongan rugby players returned home from New Zealand. According to the government of the Kingdom of Tonga, 107 confirmed and suspected cases were identified as of October 28.
In June, an American couple, David and Michelle Paul, died from an unidentified illness while they were on vacation in Fiji.


Welcome to the Polymath Palace!
For all of you who have been beamed over to here from the PerlGoddess website, a little explanation is probably in order. Before I started working at my current company, building applications involving graph databases and freebase, I used to do all of my coding in Perl. Alas, this is no longer the case. In fact, since I started here I believe the only thing I’ve done with my Perl skills is some minor hackery on our Socialtext installation. And since I’m an OCD person, I’m afraid I’m not able to convince myself that it’s ok to post about anything non-perl related on a PerlGoddess website. And so my blog has sat unloved and unposted upon for months, due to this somewhat bizarre neurosis.
When deciding what to name my new site, I tried hard to think of something that wouldn’t paint me into a corner. Domestigirl was nice (until someone squatted on it), but kind of fenced me into cooking and knitting and the like, and it suffered a similar fate, although not as abruptly. PerlGoddess never really made it into “regular blogging” territory for the reasons mentioned above. The topics I might be motivated to post about are wide-ranging indeed – from martial arts to Adobe Flex to semantic web ideas to philosophy to singing (and let’s don’t forget cooking)… anyhow, you get the drift. I’ve got a lot going on and I’m frequently switching hobbies.
So, welcome to the Palace of Princess Polymath – blogging by a flibbertijibit (and sometimes, her clone). I promise that I’ll try to use real words in describing whatever’s flitting through my brain, and hope that the posts end up being amusing to someone (at least myself!)
Coming soon, in no particular order:
- Ode to a Kindle
- Singing samples so I can join a band
- A review of the fabulous math site Aleks
- A discussion of maths large and small
- Some commentary on a scrabble game or New York Times crossword
… or perhaps something completely different. One just never knows.
Anyhow, welcome.
UNCATEGORIZED


Currently, I'm:
- a software engineer based in silicon valley California,
- building and enhancing input&intelligence automation infrastructure at Apple,
- and learning more about blockchain and AI.
Previously, I:
- created automation pipelines and wrote automated homologation tests for the S3XY cars at Tesla,
- managed and enhanced the macOS build infrastructure of DB2 at IBM,
- and helped first year students at my alma mater York Univerity understand basic computer science concepts as a TA for eecs1021.
In my free time, I enjoy:
- listening to many genres of music,
- trying new bubbletea shops, playing basketball,
- and taking cool pictures of nature and my travel adventures.


---
layout: page
title: MENA Diversity
permalink: /about
section: about
intro_paragraph: |
MENA stands for Middle East and North Africa. This region of the world is very diverse!
---
The Middle East and Africa are both regions that often get generalized and thrown in a box, however the MENA Region is one of the most diverse in the world. It is diverse in terms of:


South Korea bans liquid e-cigarettes on army bases
The South Korean Army has banned the use and possession of liquid e-cigarettes on its bases for health reasons, the military said on Monday, following a government warning for people to stop using the devices.
SEOUL: The South Korean Army has banned the use and possession of liquid e-cigarettes on its bases for health reasons, the military said on Monday, following a government warning for people to stop using the devices.
South Korea has a large military of nearly 600,000 soldiers, primarily conscripted men, and the Army makes up the largest portion with 464,000. While the rate is declining, South Korean men are among the heaviest smokers in the world.
The Health Ministry issued an advisory last month urging people to stop using liquid e-cigarettes citing cases of lung injuries in the United States including fatalities.
The ministry said it would conduct studies to determine whether there was a scientific basis to ban the sales of liquid e-cigarettes, which vaporize liquid containing nicotine.
A pneumonia case of a 30-year old South Korean e-cigarette user was reported last month, according to the ministry.
A day after the government warning, a major convenience store chain GS25 suspended the sale of flavored liquid e-cigarettes made by U.S. company Juul Labs and South Korean company KT&G.
E-cigarettes have been gaining popularity in the country's US$16 billion tobacco market since 2017, accounting for 13per cent of the tobacco market by sales as of June, government data show.
(Reporting by Sangmi Cha; Editing by Jack Kim and Stephen Coates)


This example shows how to create a basic NymphCast App. See the accompanying AngelScript code for details.
To trigger the playback of the remote MP3 track which this example uses, load up this file within the NymphCastPlayer and activate this link.


MARUSA NO ONNA [A TAXING WOMAN] A Film Review by Manavendra K. Thakur Copyright 1988 by Manavendra K. Thakur and The Tech Reproduced with permission.
1987 127 mins. Japan Japanese with English Subtitles Unrated Dolby Stereo Color 35mm/1.33
Cast: Nobuko Miyamoto, Tsutomu Yamazaki, Masahiko Tsugawa, Hideo Murota, Shuji Otaki, Daisuke Yamashita, Shinsuke Ashida, Keiju Kobayashi, Mariko Okada, Kiriko Shimizu, Kazuyo Matsui, Yasuo Daichi, Kinzo Sakura, Hajime Asoh, Shiro Ito, Eitaro Ozawa.
Credits: Written and Directed by Juzo Itami. Produced by Yasushi Tamaoki and Seigo Hosogoe. Director of Photography: Yonezo Maeda. Edited by Akira Suzuki. Music by Toshiyuki Honda. Art Direction by Shuji Nakamura. Lighting by Akio Katsura. Recording by Osamu Onodera.
Studio: Itami Productions, Inc. / New Century Producers Distributor (North America): Original Cinema, Inc. 853 Broadway Suite #1711 New York, NY 10003<PHONE_NUMBER>
The rise of Juzo Itami has been nothing less than meteoric. In four short years and three films, he has become perhaps the best known Japanese film director in the West since Akira Kurosawa. After taking a close look at death in OSOSHIKI [THE FUNERAL] (1984) and at sex and food in TAMPOPO (1986), he strikes again with MARUSA NO ONNA, a film that mirrors and satirizes another universal theme: taxes. But the Japanese version of taxation is far removed from what most Americans think of as taxes. In Japan, as an opening title points out, tax rates can be as high as 80%, and consequently people of all economic backgrounds cheat on their taxes as a matter of routine. And the lengths to which the national tax police, Marusa, goes to enforce the tax laws make IRS tactics seem like peaches and cream in comparison.
Itami says he "became interested in taxes after almost all the earnings from OSOSHIKI had been snatched away as income tax." Accordingly, he decided to make a film about how Marusa operates and decided to use the stars of his first two films in his latest film. Nobuko Miyamoto plays the lead role of Ryoko Itakura, a freckled and ambitious tax inspector who singlemindedly works her way up from mom and pop grocers to the big-time real estate tycoons and "love hotel" (adult hotels) owners. She tries early on to audit one such big fish, Hideki Gondo (Tsutomu Yamazaki), whose skill at hiding his income is more than a match for her limited authority as an auditor. So the film skips forward about six months or so when Ryoko is promoted to a full-fledged tax inspector. And that's when the real fun begins.
The comedic moments stem mostly from the extraordinary measures that citizens use to cheat on their taxes. To the Japanese shown in the film, nothing is sacred in the pursuit of another yen. They make false loans to friends, bribe politicians, and even bury cash in jars containing ashes of the dead. One woman tries to swallow an incriminating document as the tax collectors close in.  It's all a huge game, and everyone takes part, from the servants to the wives and mistresses. As one video arcade owner comments after his tears win him a slight reprieve from Ryoko, "I'd cry all day to save a million."
What's also remarkable is the equally relentless drive of the tax agents to ferret out the hidden incomes and exaggerated expenses. The tax inspectors are legally sanctioned Mission Impossible types who employ extensive command centers to coordinate raids, stay on duty for three or four days at a stretch, and use all sorts of high-tech surveillance techniques to glean their targets' real income. Typical of their thoroughness is a scene in which an agent sticks his foot in the doorway to keep Gondo's mistress from slamming shut the door. After she starts beating on his shoe with a heavy object, he casually says, "Ma'am, they're safety shoes, used in a factory. Even a truck couldn't crush them!"
But on a more serious level, nothing seems to be sacred to these inspectors. On one of Ryoko's first assignments as inspector, the agents strongly suspect a woman of having hidden a safe-deposit box key within her bra. They ask Ryoko to search her, but the woman takes off her clothes, leans backwards, and cries "Women have another hiding place. Don't you want to search it too?" Of course, the woman is overacting to play on the agents' sympathies, but the point is that if Ryoko hadn't just then found the key under the kitchen sink, the agents probably would have indeed searched her body thoroughly. Itami's satire is rooted in showing how easily both officials and citizens tacitly agree to transgress social and privacy limits for the sake of money.
Because everyone is probably guilty, most investigations in the film turn out similarly. It's not until the very last scene -- appropriately filmed at the top of an empty stadium overlooking the city -- that Ryoko and Gondo step back to take the longer view of the tax rat-race. Itami ends the scene and the film with a modern-day variant of the classic tradition of hara-kiri, making it especially poignant and appropriate to the Japan of today.
Itami's cinematic realization of his script is most noteworthy for the excellent acting by both Miyamoto (Itami's wife in real life) and Yamazaki. Their performances are much more Western than in either of Itami's previous films. In fact, Miyamoto told The New York Times that because "The few women inspectors in Japan do not behave like [Ryoko] ... I had to look to Americans," and specifically Peter Falk's Columbo, for inspiration. The stars' acting makes up for the annoyingly inconsistent shot composition by Itami and cinematographer Yonezo Maeda, who either have forgotten how to look through the camera's viewfinder or just can't make up their minds whether to shoot in 1.33 or 1.66 aspect ratio. Other technical production values are better to good, but none particularly stand out, even upon a second viewing.
Ultimately, Itami's film most resembles American films like BROADCAST NEWS. Both have round and interesting characters, both are roughly equal in entertainment value, both explore themes (taxes, television news) that resonate deeply with their respective societies, and both are more witty than full of belly-laughs. (MARUSA NO ONNA, however, was far more successful in its native country. It swept the Japanese Academy Awards and became the fourth highest grossing film in Japan in 1987.) MARUSA NO ONNA isn't a great film, from either the standpoint of comedy or cinematic accomplishment. It doesn't, for example, equal Itami's success with OSOSHIKI, which remains his best work to date. But Itami's latest offering does confirm his reign among Japanese filmmakers known in the West as the director most in tune with contemporary social realities. His willingness to explore and criticize those realities is at the heart of his film's success.
Directorial filmography of Juzo Itami:
OSOSHIKI [THE FUNERAL] 1984 124 mins. TAMPOPO 1986 114 mins. MARUSA NO ONNA [A TAXING WOMAN] 1987 127 mins. MARUSA NO ONNA II [A TAXING WOMAN II] 1988 127 mins.
Juzo Itami, 56 years old, is the son of Mansaku Itami, an early Japanese film director. Initially a commercial artist, Juzo Itami became an actor and appeared in films directed by Nicolas Ray, Richard Brooks, Kon Ichikawa, and Yoshimitsu Morita, and others. Itami decided to become a director at age 50 because he became too "impatient" waiting for good acting roles.
Manavendra K. Thakur<EMAIL_ADDRESS><EMAIL_ADDRESS>{harvard,decvax!genrad,uunet}!mit-eddie!thakur
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Before Change
if extra_pex_paths is None:
with open(extra_pex_paths_file_path, "r") as infile:
extra_pex_paths = [p.strip() for p in infile.readlines()]
return WrappedPEX(PEX(os.path.realpath(path), interpreter), extra_pex_paths, interpreter)
After Change
extra_pex_paths = [pex.path() for pex in pexes if pex]
if extra_pex_paths:
pex_info.merge_pex_path(":".join(extra_pex_paths))
with safe_concurrent_creation(path) as safe_path:
builder = PEXBuilder(safe_path, interpreter, pex_info=pex_info)


Main Content
The first paragraph
The second paragraph
| Things | |||||
|---|---|---|---|---|---|
| Dog | Cat | ||||
| Summary | Nither animal is reliable | ||||
| Properties | Fur | Black | Calico | ||
| Diet | Dead Rats | Live Rats | |||
| Hobbies | Chasing its tail | Mauling Rats |
The last quiz!!
The first paragraph
The second paragraph
| Things | |||||
|---|---|---|---|---|---|
| Dog | Cat | ||||
| Summary | Nither animal is reliable | ||||
| Properties | Fur | Black | Calico | ||
| Diet | Dead Rats | Live Rats | |||
| Hobbies | Chasing its tail | Mauling Rats |


I am a Responsive Designer & Developer who thrives on visual storytelling and the best user experience. When I'm not working, pursuing side projects, I can be found playing with my Grand-daughter or playing golf.
I am a Responsive Designer & Developer who thrives on visual storytelling and the best user experience. When I'm not working, pursuing side projects, I can be found playing with my Grand-daughter or playing golf.
I was born in the little town of Corsicana Texas. We lived out in the country. As kids, we loved to play in the woods and build treehouses.
My Passion: I love to play with my Granddaughter. She is growing up way too fast!!!


Watching the Adam Ragusea New York-style pizza dough recipe inspired me to make pizza at home, something that I never thought I was capable of. Now, about 3 batches of pizza later, I think I’ve got most of the big details sorted out. Credit also to Andrew Rea for his pan pizza recipe which really helped me with kneading and shaping techniques.
The prep time is about 3 hours, and I don’t do overnight refrigerator rises (I plan to, one day, when I’m more patient and can remember to mix the dough the night before I want the pizza)
Flour
I use the regular wheat flour, 150g per pizza. I usually make 3–4 pizzas so it’s usually 450g or 600g. I don’t have a scale, so I use a measuring cup, sue me!
Water, sugar and yeast
I first take 100ml of water, mix it with half a packet of dry yeast (about 7.5g), and 2 tablespoons of sugar. Mix well and let it activate for at least 30 minutes (but longer is better). This will foam up and overtop your container so make sure you put it on a large enough jar or something.
Hydration
I’m currently going for 60% hydration. This results in a very sticky dough but I really like the taste and crunchy fluffiness of the final product.
60% hydration means you add 60% of your flour weight in water. For example if you have 100g of flour, you add 60g (or 60ml–isn’t SI lovely!) of water. For 600g of flour, this means adding 360ml of water.
But, remember that you already added 100ml to the yeast mixture. So do make sure to take that into account. You can just top up the yeast mixture with 260ml of water and add the whole shebang to the flour in a large mixing bowl. Add a tablespoon of salt and two tablespoons of olive oil (I usually substitute with pol thel because I am not made out of money).
Mix, mix, mix. You can check Babish for ways to knead without breaking your back. I used to knead with my hands, but now I just use the mixer attachment in my immersion blender and small bursts to get the thing kneaded.
Let it rest for 2 hours with a wet cloth on top of the bowl. This step is called the bulk ferment.
Shaping
After letting your dough rise, break it into 3 or 4 parts. I really eyeball this and don’t really care about accuracy at this point.
Now, the tricky part of actual shaping. The dough is sticky af and will stick to
anything, and I am currently experimenting with oil paper sheets cut into circles,
like what Adam Ragusea does sometimes. Update: The oil paper sticks like glue
to the batter (hey, paappa and sau kola in essence), so a better alternative I have
found is aluminium foil! Comes right off when the pizza cools.
 Drop the balls onto the oil paper and taking care not to deflate the edge (cornice) use your fingers to push down and flatten the middle. Doing this and expanding the pizza to your required size is the least fun part of the whole process for me, and I have not perfected it at all. After you’re done making a fool of yourself, let it rest and rise for another 1 hour.
Sauce
Now is a good time to get started on the sauce. I just chop up one onion (or two), and smash a clove or two of garlic. I mix in about 2 tomatoes per pizza, so for 4 you’d need 8 tomatoes. It’s a good idea to drop the tomatoes in a hot water bath and peel off the skins if that’s your thing. People also remove the seeds. I do neither of these things because I am lazy and I don’t want to throw stuff away. Drop everything into a pan (onions and garlic first) with oil, add water and tomato sauce as desired, and mix well over medium heat. Once it looks good season with salt and pepper, and then put everything in a jar and use an immersion blender to mix it all in.
Cheese
Don’t get pre-shredded motz. Shred your own motz. American YouTubers swear by adjectives (“low moisture”, “full fat”), but we don’t really have much variety here right? Get whatever mozzarella you can and just shred it into a bowl.
Other toppings
I’ve tried olives, sausages, and bacon. They all work well.
Baking
Pre-heat your oven to 200°C. Apply the sauce first, then the cheese, then drop any other
toppings. Brush your crust with some oil if you want things to look fancy. Slide your oil
paper’d pizza onto a baking pan to bake1. Your cook time will depend on your oven and
other factors I guess, but for me it’s usually between 15–20 minutes. I know it’s done when
the toppings are getting burnt and the crust starts looking brown (if the crust is still
white I’d advice keeping it in for a bit more). The oil paper should come right off now that
the pizza is baked. Update: It doesn't.
Keep experimenting, and I’m sure you’ll find better ways of doing things. For example if you want a more burnt bottom you can try a small trick I do and use a roti pan on the stove to burn the bottom (this can happen before you put it in the oven).
-
Does anyone have pizza stones or pizza steels here? If you have one you can use that. ↩


Some Fun Facts about France
Below is a few basic facts about France! Check them out to learn some more!!
| Population | 67,081,000 people |
|---|---|
| Capital city: | Paris |
| Name | Republique Francaise |
| Currency | Euro (€) |
| Languages: | French, English |
| National anthem: | La Marseillaise |
| Flag: |
France is a beautiful country with magnificant landscapes, arthicure, cuisine and some astonishing history. Be sure to click the abpve links to find out more about this amazing country. But for now, below you will find some of the many breathtaking pictures that France has to offer! As they say in France Au revoir! (Goodbye!)


Implement Custom Tutorial
You can implement your custom tutorial here
Create Your Custom Tutorial
Your custom tutorial template is like any other tutorial in this learning platform. You can add any block, content, or code in this file
Message Sent
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American Psycho (2000) 3 1/2 stars out of 4. Starring Christian Bale, Reese Witherspoon, Jared Leto, Samantha Mathis, Chloe Sevigny and Willem Dafoe. Directed by Mary Harron. Written by Harron and Guinevere Turner.
I was uncertain what to expect when the lights dimmed and "American Psycho" began unreeling.
But I was pleasantly surprised, no, make that impressed, with Mary Harron's adaptation of Bret Easton Ellis' notorious novel.
A bravura performance by Christian Bale as Patrick Bateman, a wealthy Manhattan stock broker who murders people, is the key to this dark, disturbing black comedy.
Yes, I said comedy. For there is no other way to interpret "American Psycho" other than as a satire about greed, envy and materialism.
In this respect, "American Psycho" is a first cousin to last year's "Fight Club," except that the former is set during the heady days of the Reagan presidency, which inspired young turks such as Bateman to get as much as they could as quickly as they could.
The movie contains another parallel with "Fight Club." The line between what is real and what is illusion is murky.
The film also brings to mind the disastrous "Bonfire of the Vanities". There, too, a movie examined a group of self-absorbed individuals who had forgotten their humanity.
You first view "American Psycho" as the story of a madman, someone who indiscriminately kills men and women for no other purpose than he can. Bateman admits to having no soul, no feelings, so why not kill. `My mask of sanity is about to slip,' he says at one point during his voice-over narration.
However, as you are drawn deeper into Bateman's world you begin to question whether the killings are literal or figments of his warped imagination. You never know for sure, and that is the enigma of "American Psycho."
Instead of taking the easy road and producing a yuppie-fied "Friday the 13th" slasher flick, Harron has devised a bloody social commentary that deftly blends wit and gore.
 Much of the violence has been toned down, but it remains an intense experience.
And much of the movie's success can be laid at the feet of Bale, the former child actor best remembered as the star of Steven Spielberg's "Empire of the Sun."
Thank goodness Bale did not lose this role to Leonardo DiCaprio, who supposedly expressed interest in playing Bateman, but whose asking price was too high for the producers. While DiCaprio has the acting chops for the part, he is too soft looking, too baby-faced, to have made a credible, convincing Bateman.
Bale's vacant eyes, his taut, hard body, is the perfect personification of a hedonistic `me-generation' sociopath.
His matter-of-fact narration as he drones on at the beginning about what body lotions, shampoos and soaps are best to use perk your interest in this unusual young man.
Harron fills the screen with some very comic set pieces. One, timed and edited like a high-noon showdown, has various young execs whipping out their business cards to see which one has the most expensive and tasteful lettering.
Bateman and his friends are like the living dead. They never seem to work, just go from one fancy restaurant to another, ordering exotic meals and drinks simply because they can.
No one seems to listen to anyone. At one point, talking to some women who ask him what he does for a living, Bateman says, `murders and executions.' `Oh, mergers and acquisitions,' the woman replies. This places the viewer on alert. Did what Bateman say come from his mind or his mouth? You are left with the ambiguity.
Underlying all of the proceedings is a sadness and a horror; sadness for the unfulfilled lives these people adhere to, and horror at their loss of humanity. They don't interact with each other as much as verbally spar and practice one-upmanship.
Beside Bale, the cast includes Reese Witherspoon as his overly-talkative fiancee. Witherspoon's Evelyn is a bit reminiscent of her Tracey Flick from "Election," except much more vacuous. Chloe Sevigny is sweet and caring as Jean, Patrick's mousy secretary.
Jared Leto is Peter Allen, Patrick's main rival at work and in wardrobe.
Others in the cast include Samantha Mathis and Willem Dafoe.
"American Psycho" is a surprising film.
Harron and her co-screenwriter, Guinevere Turner, may have sanitized Ellis' novel, but they have not lessened its impact.
Bob Bloom is the film critic at the Journal and Courier in Lafayette, In. He can be reached by e-mail at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>An associate member of the Online Film Critics Society, Bloom's reviews can be found online at http://www.imdb.com/M/reviews_by?Bob+Bloom
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Everything is immutable in ScalaCSS
(except for the small scalacss.mutable
package),
so any StyleS
,
StyleF
,
StyleC
can safely be used anywhere else.
StyleA
(applicable inline style) is immutable too but one of its properties
is a generated class name. If you're using inline stylesheet, class names are
generated by mutable.Register
so sharing them is not a good idea. Instead what you want is a reusable style module.
It's often preferable to share a collection of named styles, a style module.
The definition of a style module is only slighty different from normal stylesheets
in that instead of defining an object
object MyStyles extends StyleSheet.Inline {
you create a class with an implicit register
class MyStyleModule(implicit r: mutable.Register) extends StyleSheet.Inline()(r) {
Note: The ()(r)
syntax is weird because Scala has a rule that implicit arguments
always come second, even when there are no non-implicit arguments. That is the case
here which is why it forces us to specify an empty argument list before setting the
implicit one.
To use shared styles, you simply create an instance of them inside another stylesheet.
object MyStyles extends StyleSheet.Inline {
val shared = new MyStyleModule
}
That's all there is to it.
A shared module:
class SharedTheme(implicit r: mutable.Register) extends StyleSheet.Inline()(r) {
import dsl._
val button = style(
padding(0.5 ex, 2 ex),
backgroundColor("#eee"),
border(1 px, solid, black)
)
val title = style(
fontSize(32 px)
)
}
Concrete styles in the app:
object MyAppStyles extends StyleSheet.Inline {
import dsl._
val theme = new SharedTheme // Instantiate shared styles
val headingTitle = style(
theme.title, // Extend shared style
color(red)
)
}
Example usage in scalajs-react:
def showDetailsButton =
<.button(
MyAppStyles.theme.button,
^.onClick ~~> showLoginDetails(user),
"Show Details"))
def render =
<.div(
<.h1(
MyAppStyles.headingTitle,
"Your Login Details"),
showDetailsButton)
If you're writing a shared library, then we tweak the above snippet so that the sharable style is passed in.
def showDetailsButton(theme: SharedTheme) =
<.button(
theme.button,
^.onClick ~~> showLoginDetails(user),
"Show Details"))
If you don't want to pass a stylesheet around, see Global Registry.


This is some random text. Please give your document a title.
Once you have done that, you can give your document a logline.
Let's create a summary for "<title>".
When you're done, visit Wikipedia.


Created by Ryan Vanderwerf / @RyanVanderwerf
(From AWS Docs)
provider = StorageProvider.create(
provider: 's3',
accessKey: ACCESS_KEY,
secretKey: SECRET_KEY,
//optional
region: 'eu-west-1',
protocol: 'https',
useGzip: false,
keepAlive: false,
maxConnections: 50
)
//example getting file contents
def file = provider['mybucket']['example.txt']
return file.text
With Grails 3 being based on Boot and Gradle, many old plugins became obsolete. We now use Gradle plugins to manage these things.
Free free to contact me on twitter @RyanVanderwerf or email rvanderwerf@gmail.com


1.9 Correlation analysis
1.9.1 Bivariate normal distribution
Let \(Y_1\) and \(Y_2\) be two normally distributed random variables. The pair \((Y_1, Y_2)\) is said to have the bivariate normal distribution if, for some \(\mu_1, \mu_2 \in \mathbb{R}, \sigma_1^{2} \geq 0, \sigma_{2}^2 \geq 0, \rho \in [-1,1]\), the distribution of \((Y_1, Y_2)\) has the form \[\begin{equation} \tag{1.8} \begin{split} f(y_1, y_2) = \frac{1}{2 \pi \sigma_1 \sigma_2 \sqrt{1 - \rho^2}} \exp\Bigl[ -\tfrac{1}{2(1 - \rho^2)}\Bigl(\tfrac{(y_1 - \mu_1)^2}{\sigma_{1}^2} & - \tfrac{2 \rho(y_1 - \mu_1)(y_2 - \mu_2)}{\sigma_1 \sigma_2} + \tfrac{(y_2 - \mu_2)^2}{\sigma_2^2}\Bigr)\Bigr] \end{split} \end{equation}\]For \((Y_1, Y_2)\) being bivariate normal, the random variables \(Y_1\) and \(Y_2\) are also normally distributed. That is to say, the marginal distribution of \(Y_1\) is \(\mathcal{N}(\mu_1, \sigma_1^2)\) and the marginal distribution of \(Y_2\) is \(\mathcal{N}(\mu_2, \sigma_2^2)\).
The conditional distribution of \(Y_1 | Y_2\) and \(Y_2 | Y_1\) are given by \[\begin{gather*} Y_1 | Y_2 \sim N(\mu_1 - \mu_2 \rho \tfrac{\sigma_1}{\sigma_2} + \rho \tfrac{\sigma_1}{\sigma_2} Y_2, \sigma_1^2(1 - \rho^2) \\ Y_2 | Y_1 \sim N(\mu_2 - \mu_1 \rho \tfrac{\sigma_2}{\sigma_1} + \rho \tfrac{\sigma_{2}}{\sigma_{1}} Y_1, \sigma_2^2 (1 - \rho^2)) \end{gather*}\] One way to derive the above expression is via the following “de-correlation” trick. Let \(Z\) be the random variable \(Z = Y_1 - \rho \frac{\sigma_1}{\sigma_2} Y_2.\) We note that \(\mathrm{Cov}(Z, Y_2) = 0\), which implies that \(Z\) is independent of \(Y_2\). We thus have \[Y_1 | Y_2 = Z + \rho \frac{\sigma_1}{\sigma_2} Y_2 | Y_2 = Z + \rho \frac{\sigma_1}{\sigma_2} Y_2 \] and since \(Z\) is normally distributed, \(Y_1 | Y_2\) is normally distributed with mean and variance \[\begin{gather*} \mathbb{E}[Y_1 | Y_2] = \mathbb{E}[Z] + \rho \frac{\sigma_1}{\sigma_2} Y_2 = \mu_1 + \rho \frac{\sigma_1}{\sigma_2}(Y_2 - \mu_2) \\ \mathrm{Var}[Y_1 | Y_2] = \mathrm{Var}[Z + \frac{\sigma_1}{\sigma_2} Y_2 | Y_2] = \mathrm{Var}[Z] = \sigma_1^2 - 2 \rho^2 \sigma_1^2 + \rho^2 \sigma_1^2 = \sigma_1^2(1 - \rho^2) \end{gather*}\]as desired. The distribution for \(Y_2 | Y_1\) is derived in an identical manner.
Thus \(Y_1 | Y_2\) correspond to the normal error simple linear regression model \(Y = \beta_0 + \beta_1 X + \epsilon\) with \(\beta_0 = \mu_1 - \tfrac{\sigma_{1}}{\sigma_{2}} \rho \mu_2\), \(\beta_1 = \tfrac{\sigma_{1}}{\sigma_{2}} \rho\) and error \(\epsilon \sim N(0, (1 - \rho^2)\sigma_1^2)\) and similarly for \(Y_2 | Y_1\).
Given a collection of \(\{(Y^{(i)}_1, Y^{(i)}_{2})\}\) that are i.i.d. from some bivariate distribution \(F\), a common inference task is to infer the correlation \(\rho\) between the \((Y^{(i)}_{1})\) and the \((Y^{(i)}_{2})\). An estimate of \(\rho\) is given by the following Pearson correlation coefficient \[\begin{equation*} \hat{\rho} = \frac{\sum{(Y^{(i)}_{1} - \bar{Y}_{1})(Y^{(i)}_2 - \bar{Y}_2)}}{\sqrt{\bigl(\sum{(Y^{(i)}_{1} - \bar{Y}_{1})^2\bigr)}\bigl(\sum{(Y^{(i)}_2 - \bar{Y}_2)^2}\bigr)}} \end{equation*}\]It can be shown that if the distribution \(F\) of the pair \((Y_{1}, Y_2)\) is bivariate normal with \(\rho = 0\), i.e., \(Y_1\) and \(Y_2\) are independent normally distributed random variables, then \(\hat{\rho}\sqrt{n-2}/\sqrt{1 - \hat{\rho}^2}\) follows the Student \(t\)-distribution with \(df = n - 2\). See Section 16.28 of Stuart and Ord (1994).
On the other hand, if the distribution of the pair \((Y_{1}, Y_2)\) is bivariate normal with \(\rho \not = 0\), then the distribution of \(\hat{\rho}\) is sufficiently complex. For large \(n\), the central limit theorem yield the following large sample approximation for \(\hat{\rho} - \rho\).
which gives the transformation \(\hat{\rho} \mapsto \hat{\zeta}\) defined above. The transformation \(\hat{\rho} \mapsto \hat{\zeta}\) is viewed as a variance stabilizing transformation.
Thus, for large \(n\), we have \(\sqrt{n}(\hat{\zeta} - \zeta) \sim N(0,1)\) (contrast this with \(\sqrt{n}(\hat{\rho} - \rho) \sim N(0, (1 - \rho^2)^2)\)). This allows us to do simple hypothesis testing and interval estimation for \(\rho\). As an example, for a given \(\alpha \in [0,1]\), the \(100\% \times (1 - \alpha)\) confidence interval for \(\zeta\) is \[\begin{equation*} \hat{\zeta} \pm \frac{1}{\sqrt{n}} \ast \mathrm{qnorm}(1 - \alpha/2) \end{equation*}\] where \(\mathrm{qnorm}\) is the quantile function for the standard normal distribution. This implies the \(100\% \times (1 - \alpha)\) confidence interval \[\begin{equation*} [\tanh(\hat{\zeta} - \frac{1}{\sqrt{n}} \mathrm{qnorm}(1 - \alpha/2)), \tanh(\hat{\zeta} + \frac{1}{\sqrt{n}} \mathrm{qnorm}(1 - \alpha/2))] \end{equation*}\]where \(\tanh(x) = \tfrac{e^{2x} - 1}{e^{2x} + 1}\) is the inverse map of \(\tfrac{1}{2} \log{\tfrac{1 + x}{1 - x}}\).
1.9.2 Examples
nmc <- 10000
n <- 100
r <- numeric(nmc)
for (i in 1:nmc) {
X <- rnorm(n, mean = 0, sd = 1)
Y <- 0.5 * X + rnorm(n, mean = 0, sd = 1)
r[i] <- cor(X, Y)
}
par(mfrow = c(1, 2))
hist(r, freq = FALSE, main = "Sample correlation")
hist(0.5 * log((1 + r)/(1 - r)), freq = FALSE, main = "zeta-transformed sample correlation")
## The following data set are the heights of siblings (brothers & sisters)
## from a study in 1902 by K. Pearson and A. Lee. This data set appears as
## data set 373 in 'A Handbook of Small Data Sets' by D. J. Hand et al.
brother = c(71, 68, 66, 67, 70, 71, 70, 73, 72, 65, 66)
sister = c(69, 64, 65, 63, 65, 62, 65, 64, 66, 59, 62)
plot(brother, sister)
(rho <- cor(brother, sister))
## _0.5581_
(zeta <- 0.5 * log((1 + rho)/(1 - rho)))
## _0.63_
n <- length(sister)
(rho.CI <- tanh(zeta + c(-qnorm(0.975), qnorm(0.975)) * sqrt(1/(n))))
## _0.03903_ and _0.8399_
1.9.3 Sample Correlation and Aggregation
n <- 1000
X <- rnorm(n, sd = 1)
Y <- 0.5 + 0.3 * X + rnorm(n, mean = 0, sd = 1)
coefficients(lm(Y ~ X)) ## This give us the estimate beta1.hat
| (Intercept) | X |
|---|---|
| 0.5637 | 0.2739 |
cor(X, Y)
0.2767
K <- 10
X.expand <- rep(X, each = K)
Y <- 0.5 + 0.3 * X.expand + rnorm(n * K, mean = 0, sd = 1)
Z <- matrix(Y, nrow = n, byrow = TRUE)
Z <- rowMeans(Z)
coefficients(lm(Z ~ X))
| (Intercept) | X |
|---|---|
| 0.4977 | 0.2982 |
cor(X, Z)
0.6939
K <- 50
X.expand <- rep(X, each = K)
Y <- 0.5 + 0.3 * X.expand + rnorm(n * K, mean = 0, sd = 1)
Z <- matrix(Y, nrow = n, byrow = TRUE)
Z <- rowMeans(Z)
coefficients(lm(Z ~ X))
| (Intercept) | X |
|---|---|
| 0.4949 | 0.2989 |
cor(X, Z)
0.9056
K <- 2000
X.expand <- rep(X, each = K)
Y <- 0.5 + 0.3 * X.expand + rnorm(n * K, mean = 0, sd = 1)
Z <- matrix(Y, nrow = n, byrow = TRUE)
Z <- rowMeans(Z)
coefficients(lm(Z ~ X))
| (Intercept) | X |
|---|---|
| 0.5005 | 0.3004 |
cor(X, Z)
0.9974
The misuse of correlations derived from aggregated data to represent the correlation for individuals is sometimes known as the `fallacy of ecological correlation’
``Kendall’s Advanced Theory of Statistics’’, Volume 1.
1.9.4 Pearson’s correlation and linearity
n <- 100
X <- rnorm(n, mean = 0, sd = 1)
Y <- 0.5 + 0.4 * X + rnorm(n, mean = 0, sd = 1)
Z <- X^2 + rnorm(n, mean = 0, sd = 0.5)
cor(X, Y)
## _0.425_
cor(X, Z)
## _0.2558_
Pearson’s product-moment correlation \(\rho\) is only a measure of n linearity association. In addition, inferences on \(\rho\) usually assume that the pair \((Y_1, Y_2)\) is distributed bivariate normal.
Other notions of correlation/association coefficients can also be defined. Another correlation coefficient is the Spearman rank correlation coefficient \(r_S\). \(r_S\) is an example of a nonparametric statistic in the sense that it does not assume the population from which the data is sampled has any characteristic structure. For a collection of \(\{(Y^{(i)}_1, Y^{(i)}_{2})\}\) sampled from a general bivariate distribution \(F\), let \(\{R^{(i)}_1\}\) and \(\{R^{(i)}_{2}\}\) be the ranks of the \(\{Y^{(i)}_{1}\}\) and \(\{Y^{(i)}_{2}\}\), respectively.
The Spearman rank correlation coefficient is defined as \[\begin{equation*} r_{S} = \frac{\sum{(R^{(i)}_{1} - \bar{R}_1)(R^{(i)}_{2} - \bar{R}_2)}}{\sqrt{(\sum{(R^{(i)}_1 - \bar{R}_1)^2}) (\sum{(R^{(i)}_2 - \bar{R}_2)^2})}} \end{equation*}\]where \(\bar{R}_1 = \bar{R}_2 = (n+1)/2\) are the average of the ranks of \(R^{(i)}_1\) and \(R^{(i)}_2\).
X[1:95] <- rnorm(95)
X[96:100] <- rnorm(5, mean = 10, sd = 1)
Y[1:95] <- 0.5 + 0.5 * X[1:95] + rnorm(95, sd = 1)
Y[96:100] <- 0.5 + 0.5 * X[96:100] + rnorm(5, sd = 4)
cor(X, Y) ## Pearson's correlation
0.7194
RX <- rank(X) ## Rank of the elements in X
RY <- rank(Y)
cor(RX, RY) ## Spearman's correlation
0.5376
We see that the Spearman rank correlation suffers less from “outliers”.
We note that \(-1 \leq r_S \leq 1\). The Spearman rank correlation coefficient measure the monotonic association between the \(\{Y^{(i)}_{1}\}\) and the \(\{Y^{(i)}_{2}\}\), e.g., \(Y^{(i)}_1 > Y^{(j)}_1\) is usually associated with \(Y^{(i)}_2 > Y^{(j)}_2\) for any \(i,j\) pair if \(r_s \approx 1\), and \(Y^{(i)}_1 > Y^{(j)}_1\) is usually associated with \(Y^{(i)}_2 < Y^{(j)}_2\) if \(r_s \approx - 1\).
We can perform hypothesis testing of monotone association, by using the fact that the test statistic \(\tfrac{r_{S} \sqrt{n - 2}}{1 - r_{S}^2}\) follows approximately the Student \(t\)-distribution with \(n - 2\) degree of freedom under the null hypothesis (the null hypothesis being that ``there is no monotonic association’’).
References
Stuart, A., and J. K. Ord. 1994. Kendall’s Advanced Theory of Statistics: Vol 1. 6th ed. Hodder & Stoughton.


When Thomas Tillsye and Ursula Russell married in Leicester in February 1575, Thomas made his wedding vows in sign. Unknowingly, they were presented with a timeless wedding present – their marriage became the first recorded description of sign use.
When Thomas Tillsye and Ursula Russell married in Leicester in February 1575, Thomas made his wedding vows in sign. Unknowingly, they were presented with a timeless wedding present – their marriage became the first recorded description of sign use.
When Thomas Tillsye and Ursula Russell married in Leicester in February 1575, Thomas made his wedding vows in sign. Unknowingly, they were presented with a timeless wedding present – their marriage became the first recorded description of sign use.


Other ways to file full or abridged accounts
There are currently two other ways to file full or abridged company accounts to Companies House:
1. Using the Companies House-HMRC joint filing service
You’ll need to use your Government Gateway account or register if you don’t have one. This method lets you file your tax return to HMRC at the same time.
"Go to HMRC to use the joint filing accounts service" "Link opens in a new tab/window"
2. Using a third party software
This service is open to everyone, but will mostly benefit those who file frequently - on a daily or weekly basis. The more documents you file, the more appropriate software filing is likely to be.
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--- title: And this is why Paypal will be replaced... layout: post ---
PAYPAL: Only a nonprofit can use the Donate button.
ME: That’s false. It says right in the PDF of instructions for the Donate button that it can be used for “worthy causes.”
PAYPAL: I haven’t seen that PDF. And what you’re doing is not a worthy cause, it’s charity.
ME: What’s the difference?
PAYPAL: You can use the donate button to raise money for a sick cat, but not poor people.


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The example is based on the Edison + Startkit
When it detects people come in, AND the ambient brightness is low enough, it will turn on the light automatically. If it doesn't detect any one moves during a certain period, it will turn off the light.
It can be used as a smart automatic light at home or office.


Game of Thrones - A Telltale Games Series is a six part episodic game series set in the world of HBO's
groundbreaking TV show.
This new story tells of House Forrester, a noble family from the north of Westeros, loyal to the Starks of Winterfell. Caught
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will take on the role of different members of the Forrester household, and determine their fate through the
choices you make; your actions and decisions will change the story around you.


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I am a self-taught programmer. I am currently learning on various resources such as Freecodecamp, Treehouse etc. What I enjoy most about programming, is the problem solving aspect of it. I enjoy finding solutions to problems, and I wish to pursue a career in software development.
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[t]Dear {$toName|escape}, I recomment following site[/t]
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- act() - Method in class Bouncer
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Act - do whatever the Bouncer wants to do.
- act() - Method in class CollisionB
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Act - do whatever the CollisionB wants to do.
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Karnataka bypolls: Siddaramaiah resigns as CLP leader over Cong' poor show
The Congress, which held 12 of the 15 seats where byelections were held on December five, won only two, in a huge set-back to the opposition party
by Press Trust of IndiaSenior Congress leader and former Chief Minister Siddaramaiah on Monday resigned as the Congress Legislature Party leader, taking moral responsibility for the party's poor show in the assembly bypolls.
The Congress, which held 12 of the 15 seats where byelections were held on December five, won only two, in a huge set-back to the opposition party.
In a letter to Interim Congress President Sonia Gandhi, Siddaramaiah expressed his sincere regrets for not being able to give "satisfactory results" in the byelections.
"I deem it necessary to step down as Leader of the CLP by taking moral responsibility", he wrote.
"As a CLP leader, there is a need to uphold the democratic principles. In the interest of the party, I have tendered my resignation as the CLP leader", Siddaramaiah told reporters.
The byelection was seen as much a litmus test for Siddaramaiah as it was for Chief Minister B S Yediyurappa.


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Our health is our most valuable wealth. A healthy person is someone free from diseases and can perform physical activities without getting tired. Healthy growth can be achieved if we focus on all the aspects of our health. Such as nutrition, wellness, spirituality, and mental health. There are plenty of exercises that will boost our physical health and help us to become stronger. We provide fitness classes to take professional help and practice the art of health and wellness in a better way.
Yoga is the ultimate act of harmony between one’s physical existence and spiritual conscience. The perfect synchronization between the mind and the body is known as yoga. More than a physical form of exercise, it is considered as a spiritual act that makes you aware of yourself. People practice yoga for spiritual, health, and meditative benefits. A combination of different postures or Asana forms the essence of yoga.The deeply rooted spiritualism is in yoga.
In this day and age most of us who want to get fitter, stronger, or lose weight know that in order to achieve our goals we must participate in some type of exercise program. One of the problems is that of choosing what sort of fitness equipment we should be using or buying. There are a number of choices on the market today which we provide, including elliptical trainers, rowing machines, exercise bicycles, steppers, weight machines, free weights, cable machines, and so on.


The Client Certificate screen allows you to add a client certificate for ZAP to use when testing applications protected using mutual SSL. Currently supported ways to utilize certificates are PKCS12 and PKCS11.
It is possible to set the Client Certificate from the command line with the following switches:
-config certificate.use=true -config certificate.pkcs12.path=/path/to/file.p12 -config certificate.pkcs12.password=WhateverThePasswordIs -config certificate.pkcs12.index=1 -config certificate.persist=true
-config certificate.pkcs12.index
is only necessary if the file contains multiple certificates
and you wish to use one other than the first. Index values start at zero (0) which is the first certificate
in the file.
-config certificate.persist=true
is only necessary if you would like the settings persisted in ZAP's regular
configuration file (so that they apply for subsequent ZAP use).
PKCS11 is one of the Public-Key Cryptography Standards. Usually PKCS11 is used with Hardware Tokens (mostly USB style) that store the cryptographic material in a secure way. Thus usually a driver is needed. The drivers are most commonly provided by the Issuer of the Certificate stored on the token or the provider of the token. Certain tokens (especially if running under Linux) are supported by opensc/libccid combination.
It is possible to set the Client Certificate from the command line with the following switches:
-config certificate.use=true -config certificate.experimentalSlotListIndex=trueSetting PKCS11 Driver, Pin, and active certificate is not possible from the command line for the moment. Using
certificate.experimentalSlotListIndex=true
is only required for some cards. If without does not
work try adding it.
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TRADITIONAL ASHTANGA YOGA Patanjali, the great ancient exponent of Raja Yoga, wrote that the path to enlightenment embraces eight stages. Complete with 8+ hours of classes that break down everything from backbends to twists to powerful lift-ups, this course provides everything you need to dive into Ashtanga Yoga. Burn internal fat, Boost your metabolism, Feel light and strongh mentaly and physically. BEGGINERS AND ANDVANCED CLASSES AVAILABLE. Learn More.
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Born in Corfu island, Greece in 1989 to a loving and supportive family, Stella left home for Ioannina city shortly after high school graduation. Working in downtown cafes while studying chemistry, she was first introduced to yoga in 2010 at Yoga Union in Ioannina.
In 2010, Stella began studying at Yoga Union in Ioannina, while also working and studying. Yoga was a life changer mentally and physically for her. After three years of training she decided that she wants to turn her hobby to a profession. In 2014 she moved to Athens and was a yoga teacher for OAKA for one year while she was doing a work placement as part of her studies as a Chemist. She completed the xx hours of Yoga in 2015 and started working in a number of yoga studios but also started doing one-to-one yoga sessions with different clients.
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Stella has successfully completed a 500-hour yoga teacher training program that is registered with Yoga Alliance and has taught more than four years completing training with a 200-hour RYS.
Life is challenging for everyone and I feel that through my challenges yoga has been my friend and companion. It’s a place that I unconsciously sought to find comfort and joy in and it has naturally grown and expanded in my life. It also provides me with a sense of ease knowing that whatever life presents me with I have the guidance of yoga to help me. However yoga is not an easy ride. Though it has bought me a protected sense of comfort it has also tested my character and personality. It has bought to surface all the underlying issues that I have carried within myself, thus allowing me to understand how to change myself and improve my life. The beauty of yoga is that although it shows you the darkness it also provides a light of understanding if we choose to seek it. In order to stay true to the path of yoga I believe in Union and Oneness. The ability to understand that we are one collective. That there is no difference between you and I. That we’re all just on a journey together. This has encouraged me to teach and share what I have learnt through my own practice and studies.


Dear FedGeoDay Speakers, Panelists, Moderators, Trainers & Community Managers,
Thank you all for participating in FedGeoDay 2020! We are all set for a wonderful program.
Here are the actions you need to take to join the Zoom meeting(s) and communicate with FedGeoDay organizers and each other:
Please us the link below to join our slack ASAP.
FedGeoDay has a Slack channel for
communicating “behind the scenes” with each other.
Keep these
Zoom links handy to participate on June 11
(the password is “fgd2020” to ALL FedGeoDay Zoom meetings):
Hallway Track Meeting Link
Join our “virtual reception” any time from 8:00am to 9:00am EDT, June
11:
https://zoom.us/j/91190146268
Join the FedGeoDay Panel Webinar as an attendee starting at 9:00am:
Please arrive for your panel or session at least 15 minutes in advance.
If you are
speaking
on panel day, you will recieve a special panelist link from Zoom tonight.
Guido at<EMAIL_ADDRESS>/<PHONE_NUMBER>
Eddie at<EMAIL_ADDRESS>/<PHONE_NUMBER>
You will receive an email from Zoom with a panelist link on Wednesday night (tonight).
Please join this Panel link 15 minutes prior to your session starting. You will have to leave the main meeting to join your panel; so the Slack channel will be your best way to monitor what’s going on.
We will be doing a lot of video/audio switching between sessions and the fewer people listed as panelists when this happens makes things move more smoothly.
At the end of your panel, you will be placed back in an attendee role
Do not worry about the Q&A section of the Zoom meeting, this will be managed by the community manager.
There will be no polls.
Community managers will be helping you, and will be in charge of filtering through the Q&A list to give the moderator feedback from the audience. They will monitor questions and slack them to you to pose to your panel.
There will be no “polls” to the audience.
Do not worry about the Q&A section of the zoom meeting, this will be managed by the community manager
Steve Gillotte Panel
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Bryan Lane Panel
Ben Marchant, Community Manager
Daniel Dufour Panel
Sidney Medford, Community Manager
Help manage the flow of information from the community Q&A to the moderators
Use Slack direct message or the channel for your group
Help bring issues from the moderators or facilitators to the organizers
Keep an eye out for CoC issues that need to be addressed
You will be running a breakout room in a meeting
Everyone in the room will be able to share their screen and audio
Everyone will start off muted, but you will have the power to mute all and turn off video from anyone else in the room.
Attendees will be able to step back out into the main room but will need help getting into your room.
Please use the following links and arrive 15 minutes prior to your session to test audio/video and room settings. (the password is “fgd2020”)
Morning Sessions: https://zoom.us/j/96051879193
Afternoon Sessions: https://zoom.us/j/91645972269
The Opportunity Project: https://zoom.us/j/91268617219


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the location: where did the experience take place?
description, review, rating, ...


This isolated island, sitting in the Gulf of Riga is now settled by Estonians, but prior to 1944, its population was ethnic Swedes. There is an interesting wooden church dated 1644.
Position 57°46.8'N, 23°163'E.
Clearance is available here.
Last updated December 2015.
The inner harbour has been dredged and pontoons for about 20 yachts are in place. There are also less sheltered berths alongside the quay opposite the ferry berth.
Services are limited, but there is a village store, medical services and a post office. Cycles can be hired and there is a cafe.
No fuel available at the harbour.
Last updated December 2015.


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Toolbox
Auditing Rule
An auditing rule defines the policy for processing auditing logs. KubeSphere Auditing Logs provide users with two CRD rules (archiving-rule
and alerting-rule
) for customization.
After you enable KubeSphere Auditing Logs, log in the console with an account of platform-admin
role. In CRDs on the Cluster Management page, input rules.auditing.kubesphere.io
in the search bar. Click the result Rule as below and you can see the two CRD rules.
Below are examples of part of the rules.
archiving-rule
apiVersion: auditing.kubesphere.io/v1alpha1
kind: Rule
metadata:
labels:
type: archiving
workspace: system-workspace
name: archiving-rule
spec:
rules:
- desc: all action not need to be audit
list:
- get
- list
- watch
name: ignore-action
type: list
- condition: Verb not in ${ignore-action}
desc: All audit event except get, list, watch event
enable: true
name: archiving
priority: DEBUG
type: rule
alerting-rule
apiVersion: auditing.kubesphere.io/v1alpha1
kind: Rule
metadata:
labels:
type: alerting
workspace: system-workspace
name: alerting-rule
spec:
rules:
- desc: all operator need to be audit
list:
- create
- delete
- update
- patch
name: action
type: list
- condition: Verb in ${action}
desc: audit the change of resource
enable: true
name: ResourceChange
priority: INFO
type: rule
| Attributes | Description |
|---|---|
name |
The name of the rule. |
type |
The type of the rule; known values are rule , macro , list , and alias . |
desc |
The description of the rule. |
condition |
A filtering expression that is applied against auditing logs to check whether they match the rule. |
macro |
The conditions of the macro. |
list |
The value of list. |
alias |
The value of alias. |
enable |
If it is set to false , the rule will not be effective. |
output |
Specifies the message of alert. |
priority |
The priority of the rule. |
When an auditing log matches a rule in archiving-rule
and the rule priority is no less than archivingPriority
, it will be stored for further use. When an auditing log matches a rule in alerting-rule
, if the priority of the rule is less than alertingPriority
, it will be stored for further use; otherwise it will generate an alert which will be sent to the user.
Rule Condition
A Condition
is a filtering expression that can use comparison operators (=, !=, <, <=, >, >=, contains, in, like, and regex) and can be combined using Boolean operators (and, or and not) and parentheses. Here are the supported filters.
| Filter | Description |
|---|---|
Workspace |
The workspace where the audit event happens. |
Devops |
The DevOps project where the audit event happens. |
Level |
The level of auditing logs. |
RequestURI |
RequestURI is the request URI as sent by the client to a server. |
Verb |
The verb associated with the request. |
User.Username |
The name that uniquely identifies this user among all active users. |
User.Groups |
The names of groups this user is a part of. |
SourceIPs |
The source IP from where the request originated and intermediate proxies. |
ObjectRef.Resource |
The resource of the object associated with the request. |
ObjectRef.Namespace |
The namespace of the object associated with the request. |
ObjectRef.Name |
The name of the object associated with the request. |
ObjectRef.Subresource |
The subresource of the object associated with the request. |
ResponseStatus.code |
The suggested HTTP return code for the request. |
ResponseStatus.Status |
The status of the operation. |
RequestReceivedTimestamp |
The time the request reaches the apiserver. |
StageTimestamp |
The time the request reaches the current audit stage. |
For example, to match all logs in the namespace test
:
ObjectRef.Namespace = "test"
To match all logs in the namespaces that start with test
:
ObjectRef.Namespace like "test*"
To match all logs happening in the latest one hour:
RequestReceivedTimestamp >= "2020-06-12T09:23:28.359896Z" and RequestReceivedTimestamp <= "2020-06-12T10:23:28.359896Z"
Macro
A macro
is a rule condition snippet that can be re-used inside rules and even other macros. Macros provide a way to name common patterns and factor out redundancies in rules. Here is an example of a macro.
apiVersion: auditing.kubesphere.io/v1alpha1
kind: Rule
metadata:
name: alerting-rule
labels:
workspace: system-workspace
type: alerting
spec:
rules:
- name: pod
type: macro
desc: pod
macro: ObjectRef.Resource="pods"
Note
macro
can be used in rules or other macros like ${pod} or ${alerting-rule.pod}. The difference between these two methods is that ${pod} can only be used in the CRD Rule alerting-rule
, while ${alerting-rule.pod} can be used in all CRD Rules. This principle also applies to lists and alias.List
A list
is a collection of items that can be included in rules, macros, or other lists. Unlike rules and macros, lists cannot be parsed as filtering expressions. Here is an example of a list.
apiVersion: auditing.kubesphere.io/v1alpha1
kind: Rule
metadata:
name: alerting-rule
labels:
workspace: system-workspace
type: alerting
spec:
rules:
- name: action
type: list
desc: all operator needs to be audit
list:
- create
- delete
- update
- patch
Alias
An alias
is a short name of a filter field. It can be included in rules, macros, lists, and output strings. Here is an example of an alias.
apiVersion: auditing.kubesphere.io/v1alpha1
kind: Rule
metadata:
name: alerting-rule
labels:
workspace: system-workspace
type: alerting
spec:
rules:
- name: namespace
type: alias
desc: the alias of the resource namespace
alias: ObjectRef.Namespace
Output
The Output
string is used to format the alert message when an auditing log triggers an alert. The Output
string can include lists and alias. Here is an example.
Output: ${user} ${verb} a HostNetwork Pod ${name} in ${namespace}.
Note
user
, verb
, namespace
, and name
are all aliases.


Every musical note is a number: a frequency vibrating a certain number of times per second (measured in hertz).
| Concert A = 440Hz | A5 = 880Hz |
|---|---|
| Middle C ~= 131Hz | C4 ~=262Hz |
| A3 = 220Hz | E4 ~=330Hz |
|---|---|
| C3 ~= 131Hz | G3 ~=196Hz |
The half-step is the building block of scales.
All intervals are exponents of the half-step.
| A (440Hz) | × | 1.0595 | = | A# (466.16Hz) |
| A# (466.16Hz) | × | 1.0595 | = | B (493.88Hz) |
| A (440Hz) | × | 1.05952 | = | B (493.88Hz) |
A musical half-step scale
A musical whole-step scale
Notes Are Numbers
Every musical note is a number: a frequency vibrating a certain number of times per second (measured in hertz).
Notes Are Numbers
Every musical note is a number: a frequency vibrating a certain number of times per second (measured in hertz).
Notes Are Numbers
Every musical note is a number: a frequency vibrating a certain number of times per second (measured in hertz).
Heading 1
Heading 2
Heading 3
Blockquote
Paragraph
Heading 1
Heading 2
Heading 3
Blockquote
Paragraph
Heading 1
Heading 2
Heading 3
Blockquote
Paragraph
More notes per octave: better for small screens
Fewer notes per octave: better for large screens
@include set-hierarchy( $list );
@include add-breakpoint(
$label,
$min-width,
$font-size,
$line-height,
$scale
);
@include remove-breakpoint( $label );
@include type-tune( extend | class );


Your application was successfully sent. We have sent a message to with instructions for the next steps of your application.


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public interface ReadMessage
The Ibis abstraction for data to be read.
A ReadMessage
is obtained from a
receiveport
, either
by means of an upcall, or by means of an explicit receive, which is
accomplished by call to receive
.
A receiveport
can be configured to generate
upcalls or to support blocking receive, but NOT both!
At most one ReadMessage
is alive at one time for a given
ReceivePort.
For all read methods in this class, the invariant is that the reads must
match the writes one by one. The only exception to this rule is that an
array written with any of the writeArray
methods of
WriteMessage
can be read by readObject()
.
In particular, an array written with
writeObject
cannot be read with readArray
, because
writeObject
does duplicate detection,
and may have written only a handle.
| Field Summary | |
|---|---|
static long |
INITIAL_SEQNO
The first sequence number when communication is numbered. |
| Method Summary | |
|---|---|
long |
bytesRead()
Returns the number of bytes read from this message. |
long |
finish()
The finish operation is used to indicate that the
reader is done with the message. |
void |
finish(IOException exception)
This method can be used to inform Ibis that one of the ReadMessage methods has thrown an IOException. |
ReceivePort |
localPort()
Returns the receiveport of this
ReadMessage . |
SendPortIdentifier |
origin()
Returns the sendport identifier
of the sender of this message. |
void |
readArray(boolean[] destination)
Receives an array in place. |
void |
readArray(boolean[] destination,
int offset,
int size)
Reads a slice of an array in place. |
void |
readArray(byte[] destination)
Receives an array in place. |
void |
readArray(byte[] destination,
int offset,
int size)
Reads a slice of an array in place. |
void |
readArray(char[] destination)
Receives an array in place. |
void |
readArray(char[] destination,
int offset,
int size)
Reads a slice of an array in place. |
void |
readArray(double[] destination)
Receives an array in place. |
void |
readArray(double[] destination,
int offset,
int size)
Reads a slice of an array in place. |
void |
readArray(float[] destination)
Receives an array in place. |
void |
readArray(float[] destination,
int offset,
int size)
Reads a slice of an array in place. |
void |
readArray(int[] destination)
Receives an array in place. |
void |
readArray(int[] destination,
int offset,
int size)
Reads a slice of an array in place. |
void |
readArray(long[] destination)
Receives an array in place. |
void |
readArray(long[] destination,
int offset,
int size)
Reads a slice of an array in place. |
void |
readArray(Object[] destination)
Receives an array in place. |
void |
readArray(Object[] destination,
int offset,
int size)
Reads a slice of an array in place. |
void |
readArray(short[] destination)
Receives an array in place. |
void |
readArray(short[] destination,
int offset,
int size)
Reads a slice of an array in place. |
boolean |
readBoolean()
Reads a boolean value from the message. |
byte |
readByte()
Reads a byte value from the message. |
char |
readChar()
Reads a char value from the message. |
double |
readDouble()
Reads a double value from the message. |
float |
readFloat()
Reads a float value from the message. |
int |
readInt()
Reads an int value from the message. |
long |
readLong()
Reads a long value from the message. |
Object |
readObject()
Reads an Object value from the message. |
short |
readShort()
Reads a short value from the message. |
String |
readString()
Reads a String value from the message. |
long |
sequenceNumber()
Returns the sequence number of this message. |
| Field Detail |
|---|
static final long INITIAL_SEQNO
| Method Detail |
|---|
long finish() throws IOException
finish
operation is used to indicate that the
reader is done with the message.
After the finish, no more bytes can be read from the message.
The thread reading the message (can be an upcall) is NOT
allowed to block when a message is alive but not finished.
Only after the finish is called can the thread that holds the
message block.
The finish operation must always be called when blocking receive
is used. When upcalls are used, the finish can be avoided when the
user is sure that the upcall never blocks or waits for a message
to arrive. In that case, the message is automatically finished when
the upcall terminates. This is much more efficient, because in this way,
the runtime system can reuse the upcall thread!
IOException
- an error occurred.void finish(IOException exception)
ReadMessage
methods has thrown an IOException.
It implies a finish()
.
In a message upcall, the alternative way to do this is to have
the upcall throw the exception.
exception
- the exception that was thrown.long bytesRead() throws IOException
IOException
- an error occurred.ReceivePort localPort()
receiveport
of this
ReadMessage
.
receiveport
of this
ReadMessage
.long sequenceNumber()
IbisConfigurationException
- is thrown if the port type of the receive port does not have
the PortType.COMMUNICATION_NUMBERED
capability.SendPortIdentifier origin()
sendport identifier
of the sender of this message.
boolean readBoolean() throws IOException
PortType.SERIALIZATION_BYTE
).
IOException
- an error occurredbyte readByte() throws IOException
IOException
- an error occurredchar readChar() throws IOException
PortType.SERIALIZATION_BYTE
).
IOException
- an error occurredshort readShort() throws IOException
PortType.SERIALIZATION_BYTE
).
IOException
- an error occurredint readInt() throws IOException
PortType.SERIALIZATION_BYTE
).
IOException
- an error occurredlong readLong() throws IOException
PortType.SERIALIZATION_BYTE
).
IOException
- an error occurredfloat readFloat() throws IOException
PortType.SERIALIZATION_BYTE
).
IOException
- an error occurreddouble readDouble() throws IOException
PortType.SERIALIZATION_BYTE
).
IOException
- an error occurredString readString() throws IOException
String
value from the message.
This method throws an IOException if the underlying serialization
stream can only do byte serialization.
(See PortType.SERIALIZATION_BYTE
).
IOException
- an error occurredObject readObject() throws IOException, ClassNotFoundException
Object
value from the message.
Note: implementations should take care that an array, written with one
of the writeArray variants, can be read with readObject
.
This method throws an IOException if the underlying serialization
stream cannot do object serialization.
(See PortType.SERIALIZATION_OBJECT
).
IOException
- an error occurred
ClassNotFoundException
- is thrown when an object arrives of a class that cannot be
loaded locally.void readArray(boolean[] destination) throws IOException
readArray(destination, 0, destination.length);
This method throws an IOException if the underlying serialization
stream can only do byte serialization.
(See PortType.SERIALIZATION_BYTE
).
destination
- where the received array is stored.
IOException
- is thrown when an IO error occurs.void readArray(byte[] destination) throws IOException
readArray(destination, 0, destination.length);
destination
- where the received array is stored.
IOException
- is thrown when an IO error occurs.void readArray(char[] destination) throws IOException
readArray(destination, 0, destination.length);
This method throws an IOException if the underlying serialization
stream can only do byte serialization.
(See PortType.SERIALIZATION_BYTE
).
destination
- where the received array is stored.
IOException
- is thrown when an IO error occurs.void readArray(short[] destination) throws IOException
readArray(destination, 0, destination.length);
This method throws an IOException if the underlying serialization
stream can only do byte serialization.
(See PortType.SERIALIZATION_BYTE
).
destination
- where the received array is stored.
IOException
- is thrown when an IO error occurs.void readArray(int[] destination) throws IOException
readArray(destination, 0, destination.length);
This method throws an IOException if the underlying serialization
stream can only do byte serialization.
(See PortType.SERIALIZATION_BYTE
).
destination
- where the received array is stored.
IOException
- is thrown when an IO error occurs.void readArray(long[] destination) throws IOException
readArray(destination, 0, destination.length);
This method throws an IOException if the underlying serialization
stream can only do byte serialization.
(See PortType.SERIALIZATION_BYTE
).
destination
- where the received array is stored.
IOException
- is thrown when an IO error occurs.void readArray(float[] destination) throws IOException
readArray(destination, 0, destination.length);
This method throws an IOException if the underlying serialization
stream can only do byte serialization.
(See PortType.SERIALIZATION_BYTE
).
destination
- where the received array is stored.
IOException
- is thrown when an IO error occurs.void readArray(double[] destination) throws IOException
readArray(destination, 0, destination.length);
This method throws an IOException if the underlying serialization
stream can only do byte serialization.
(See PortType.SERIALIZATION_BYTE
).
destination
- where the received array is stored.
IOException
- is thrown when an IO error occurs.void readArray(Object[] destination) throws IOException, ClassNotFoundException
readArray(destination, 0, destination.length);
This method throws an IOException if the underlying serialization
stream cannot do object serialization.
(See PortType.SERIALIZATION_OBJECT
).
destination
- where the received array is stored.
IOException
- is thrown when an IO error occurs.
ClassNotFoundException
- when an object arrives of a class that cannot be loaded locally.void readArray(boolean[] destination, int offset, int size) throws IOException
PortType.SERIALIZATION_BYTE
).
destination
- array in which the slice is storedoffset
- offset where the slice startssize
- length of the slice (the number of elements)
IOException
- is thrown on an IO error.void readArray(byte[] destination, int offset, int size) throws IOException
destination
- array in which the slice is storedoffset
- offset where the slice startssize
- length of the slice (the number of elements)
IOException
- is thrown on an IO error.void readArray(char[] destination, int offset, int size) throws IOException
PortType.SERIALIZATION_BYTE
).
destination
- array in which the slice is storedoffset
- offset where the slice startssize
- length of the slice (the number of elements)
IOException
- is thrown on an IO error.void readArray(short[] destination, int offset, int size) throws IOException
PortType.SERIALIZATION_BYTE
).
destination
- array in which the slice is storedoffset
- offset where the slice startssize
- length of the slice (the number of elements)
IOException
- is thrown on an IO error.void readArray(int[] destination, int offset, int size) throws IOException
PortType.SERIALIZATION_BYTE
).
destination
- array in which the slice is storedoffset
- offset where the slice startssize
- length of the slice (the number of elements)
IOException
- is thrown on an IO error.void readArray(long[] destination, int offset, int size) throws IOException
PortType.SERIALIZATION_BYTE
).
destination
- array in which the slice is storedoffset
- offset where the slice startssize
- length of the slice (the number of elements)
IOException
- is thrown on an IO error.void readArray(float[] destination, int offset, int size) throws IOException
PortType.SERIALIZATION_BYTE
).
destination
- array in which the slice is storedoffset
- offset where the slice startssize
- length of the slice (the number of elements)
IOException
- is thrown on an IO error.void readArray(double[] destination, int offset, int size) throws IOException
PortType.SERIALIZATION_BYTE
).
destination
- array in which the slice is storedoffset
- offset where the slice startssize
- length of the slice (the number of elements)
IOException
- is thrown on an IO error.void readArray(Object[] destination, int offset, int size) throws IOException, ClassNotFoundException
PortType.SERIALIZATION_OBJECT
).
destination
- array in which the slice is storedoffset
- offset where the slice startssize
- length of the slice (the number of elements)
IOException
- is thrown on an IO error.
ClassNotFoundException
- when an object arrives of a class that cannot be loaded locally.
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ASP.NET 5 Documentation¶
Attention
ASP.NET 5 beta8 is now available! Please see the Getting Started instructions for installing the latest version.
Note
This documentation is a work in progress. Topics marked with a |stub-icon| are placeholders that have not been written yet. You can track the status of these topics through our public documentation issue tracker. Learn how you can contribute on GitHub. Help shape the scope and focus of the ASP.NET content by taking the ASP.NET 5 Documentation Survey.
Topics¶
- Getting Started
- Tutorials
- Conceptual Overview
- Fundamentals
- Application Startup
- |stub-icon| HTTP Abstractions
- Middleware
- Working with Static Files
- |stub-icon| File System
- |stub-icon| Routing
- Configuration
- |stub-icon| Dependency Injection
- Diagnostics
- Application Insights
- Logging
- |stub-icon| Managing Application State
- Working with Multiple Environments
- |stub-icon| WebSockets
- |stub-icon| Caching
- |stub-icon| Error Handling
- Request Features
- Servers
- OWIN
- |stub-icon| Hosting
- Application Startup
- Testing
- .NET Execution Environment (DNX)
- DNX Overview
- Creating a Cross-Platform Console App with DNX
- Working with DNX Projects
- |stub-icon| Compilation
- |stub-icon| Loaders
- |stub-icon| Services
- Using Commands
- |stub-icon| Servicing and Updates
- |stub-icon| Design Time Host
- |stub-icon| Diagnosing Project Dependency Issues
- |stub-icon| Create a New NuGet Package with DNX
- |stub-icon| Migrating an Existing NuGet Package Project
- |stub-icon| Global.json Reference
- |stub-icon| Project.json Reference
- DNX Overview
- Frameworks
- Working with Data
- Publishing and Deployment
- Client-Side Development
- Using Gulp
- Using Grunt
- Manage Client-Side Packages with Bower
- Building Beautiful, Responsive Sites with Bootstrap
- Knockout.js MVVM Framework
- Using Angular for Single Page Applications (SPAs)
- Styling Applications with Less, Sass, and Font Awesome
- |stub-icon| Bundling and Minification
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- |stub-icon| Responsive Design for the Mobile Web
- |stub-icon| Introducing TypeScript
- Building Projects with Yeoman
- Using Gulp
- Mobile
- Security
- Enabling authentication using external providers
- Account Confirmation and Password Recovery with ASP.NET Identity
- Two-factor authentication with SMS using ASP.NET Identity
- Authorization
- Data Protection
- Safe Storage of Application Secrets
- |stub-icon| Anti-Request Forgery
- |stub-icon| Preventing Open Redirect Attacks
- |stub-icon| Preventing Cross-Site Scripting
- Enabling Cross-Origin Requests (CORS)
- Enabling authentication using external providers
- Performance
- Migration
- Contribute
Contribute¶
The documentation on this site is the handiwork of our many contributors.
We accept pull requests! But you’re more likely to have yours accepted if you follow these guidelines:


---
layout: theorems
---
Every matrix is row equivalent to a row reduced matrix
For any matrix $A$, we can apply only elementary row operations to obtain a equivalent row reduced matrix.
Concepts
Coming soon
Hypothesis
There are no hypothesis to be satisfied. As long as it is a matrix over a field, this theorm applies.
The proof/process for obtaining a row reduced matrix involves the use of additive and multiplicative inverses.
(Is that the only condition? )
Results
- Row reduced matrices can be converted to row reduced echelon form by rearraging the rows of the matrix, which is an elementary operation. Hence row reduced matrices are also row equivalent to a row reduced echelon matrix.
Proof
Consider the first row of a matrix. If the first entry is $0$, then the first condition holds. Otherwise, assume that $a_{1j}$ is the first nonzero entry. If we multiply the first row by $a_{1j}^{-1}$, then row 1 satisfies the condition of the first nonzero number being one.
$$\begin{align*}
&\begin{bmatrix} 0 & \dots & 0 & a_{1j} & \dots & a_{1n}\\
\vdots &\ddots &\vdots & \vdots &\ddots & \vdots \\ a_{m1} & \dots & a_{mj-1} & a_{mj} & \dots & a_{mn}\end{bmatrix} \\
\xrightarrow[\text{first row by $a_{1j}$}]{\text{multiplying the}} & \begin{bmatrix}0 & \dots & 0 & 1 & \dots & a_{1n}a_{1j}^{-1} \\
\vdots & \ddots & \vdots & \vdots & \ddots & \vdots \\
a_{m1}a_{1j}^{-1} & \dots & a_{mj-1}a_{1j}^{-1} & a_{mj}a_{1j}^{-1} & \dots & a_{mn}a_{1j}^{-1}
\end{bmatrix}
\end{align*}$$
Assume for some row $i$, we have that $a_{ij}\neq 0$. Then adding $-a_{ij}$ times the first row to $a_{1j}$ times the $i^{th}$ row will make $a_{ij}$ be $0$. Repeating this process for all rows $i$ such that $a_{ij}\neq 0$ will make this satisfy the condition of all subsequent rows being zero in the column. Note that the first row does not change.
This process is then repeated with the second row, and so on, each time when working on the $k^{th}$ where the first nonzero element is $a_{kl}$ and we add scalar multiples of rows such that $a_{hl}\neq 0$ for $h \gt k$.
Since this process only used elementary row operations, then the initial and final matrices are row equivalent. Because we applied the argument to a general matrix over a field, then any matrix is row equivalent to a row reduced matrix


On Friday September 9th, 2005 from 8:00am to 4:00pm PDT (2005-09-09T16:00-2005-09-12T00:00 UTC), the JXTA dev teams will be participating in an online chat devoted to the upcoming JXTA-C, JXTA J2ME (JXME) and JXTA Java releases.
If you are having problems with the beta releases, have questions for the developers or just want to say hello and see what's happening please stop by!
Connect via the myJXTA2 application which you can download from :
http://download.jxta.org/build/release/2.3.5b/jxta-myjxta-2.3.5b.zip
Or easier yet, just run it using Java Web Start from:
http://download.java.net/lg3d/jxta/build/release/2.3.5b/jnlp/myjxta.jnlp


Generate a simplicial decomposition Then we generate and show a 2D decomposition of the unit square [0,1]2 ⊂ E2 into a 3 × 3 grid of simplices (triangles, in this case), using the simplexGrid function, that returns a pair (V,FV), made by the array V of vertices, and by the array FV of “faces by vertex” indices, that constitute a reduced simplicial LAR of the [0,1]2 domain. The computed FV array is then dispayed “exploded”, being ex,ey,ez the explosion parameters in the x,y,z coordinate directions, respectively. Notice that the MKPOLS pyplasm primitive requires a pair (V,FV), that we call a “model”, as input — i.e. a pair made by the array V of vertices, and by a zero-based array of array of indices of vertices. Elsewhere in this document we identified such a data structure as CSR(Md), for some dimension d. Suc notation stands for the Compressed Sparse Row representation of a binary characteristic matrix.
V,FV = simplexGrid([3,3])
VIEW(EXPLODE(1.5,1.5,1.5)(MKPOLS((V,FV))))
◇
Macro referenced in 3c.
Extract the (d - 1)-faces Since the complex is simplicial, we can directly extract its facets (in this case the 1-faces, i.e. its edges) by invoking the simplexFacets function on the argument FV, so returning the array EV of “edges by vertex” indices.
EV = simplexFacets(FV)
ex,ey,ez = 1.5,1.5,1.5
VIEW(EXPLODE(ex,ey,ez)(MKPOLS((V,EV))))
◇
Macro referenced in 3c.
Export the executable file We are finally able to generate and output a complete test file, including the visualization expressions. This file can be executed by the test target of the make command.
In this case we produce a 2 × 2 × 2 grid of tetrahedra. The dimension (3D) of the model to be generated is inferred by the presence of 3 parameters in the parameter list of the simplexGrid function.
V,CV = simplexGrid([2,2,2])
VIEW(EXPLODE(1.5,1.5,1.5)(MKPOLS((V,CV))))
◇
Macro referenced in 4c.
and repeat two times the facet extraction:
FV = simplexFacets(CV)
VIEW(EXPLODE(1.5,1.5,1.5)(MKPOLS((V,FV))))
EV = simplexFacets(FV)
VIEW(EXPLODE(1.5,1.5,1.5)(MKPOLS((V,EV))))
◇
Macro referenced in 4c.
and finally export a new test file:


Preparation time
over 2 hours
Cooking time
30 mins to 1 hour
Serves
Serves 4
All the components of this elegant dessert can be prepared well in advance, making it the perfect dessert for entertaining friends.
For the shortbread, sift the flour, icing sugar and salt into a large mixing bowl. Add the diced butter, then rub the butter into the flour mixture using your fingertips until the mixture resembles breadcrumbs.
Make a well in the centre of the flour mixture, then add the egg yolks and work them into the mixture, drawing the dry ingredients into the wet ingredients gradually, until the mixture comes together as a dough. Be careful not to overwork the dough.
Shape the dough into a sausage using your hands, then wrap in cling film and chill in the fridge for at least two hours.
Meanwhile, for the gooseberry creams, place the gooseberries into a large, heavy-based saucepan, sprinkle over the sugar and pour in the elderflower cordial.
Bring the mixture to a simmer and simmer, uncovered, for 25-30 minutes, stirring regularly to prevent the mixture catching on the bottom of the pan. Set aside to cool slightly.
Blend one-quarter of the cooked, cooled gooseberries in a food processor to a smooth purée.
Heat the milk over a gentle heat in a separate saucepan. When the milk is hot, drain the gelatine leaves, squeeze to remove any excess liquid and add them to the milk, whisking until dissolved. Remove the pan from the heat.
Spoon 225ml/8fl oz of the gooseberry purée into a measuring jug (any leftover purée can be added to the reserved cooked gooseberries). Whisk the gooseberry purée into the hot milk, then whisk in the yoghurt until well combined.
Divide the mixture equally among four ramekins. Cover each ramekin with cling film and set aside to cool completely, then chill in the fridge until set (when set, the gooseberry creams should wobble slightly when tapped).
To cook the shortbread, preheat the oven to 190C/375F/Gas 5. Remove the shortbread dough from the fridge, unwrap and slice into thick, even slices. Arrange the slices of dough on a baking tray, then bake the shortbread in the oven for 15-20 minutes, or until crisp and golden-brown.
Meanwhile, for the strawberry salad, gently warm the vanilla syrup in a small saucepan. Place the quartered strawberries into a bowl, sprinkle over the thyme leaves, then pour over the warm vanilla syrup. Set aside until needed.
To serve, place one ramekin of gooseberry cream onto each of four dessert plates. Place a teaspoonful of the reserved cooked gooseberries on top of each gooseberry cream. Stack two shortbread alongside. Spoon a portion of the strawberry salad alongside.


--- layout: post title: Just had to let you know - Studio Performance (alternate song version) date: '2016-01-05T23:32:00.000-06:00' author: Tom Ray tags: - live video - news - video navigation: True logo: 'True' author: tom subclass: 'post' modified_time: '2016-01-05T23:32:22.343-06:00' thumbnail: http://1.bp.blogspot.com/-ZdPXF1E0fE4/VoylB9atcgI/AAAAAAAAddw/JA-QMHx5V7c/s72-c/just-had-to-let-you-know-video-title-card.png blogger_id: tag:blogger.com,1999:blog-11319466.post-5154616299729021047 blogger_orig_url: http://www.lorenzosmusic.com/2016/01/just-had-to-let-you-know-studio.html ---


?The
New
York
Botanical
Garden
<0>
IMAGED
BOTANICAL
GARDE**
NEW
YORK
BOTANICAL
GARDEN
00843147
NO.
1896
OLEA
Chionanthus
compactus
Sw.
ST.
JOHN,
U.S.
Virgin
Islands.
Coral
Bay
Quarter,
Bordeaux
Mountain
Road.
Elev.
00300m.
Sunny
roadside.
Small
tree.
5.0m.
Gray
bark;
fruits
green;
stems
slender.
P.
Acevedo-Rodriguez,
A.
Reilly
August
21,
1987
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


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Simple Problem: Being Underwater “looks” different to being above water.
Branch shader when rendering back-faces
Apply fog when underwater.
Light penetration - darken screen as depth increases.
Most common solution: cut between views - very few games actually show a meniscus
Crest users expect underwater to “just work”.
Current solution in master
branch of Crest - used in URP release as well.
“Simpler” and “More Robust” solution.
PR has been open since 20th of July… 2019!
185 commits, 44 files changed, ~1200 LOC
More LOC deleted than added!
Yes!
Which pixels are “Underwater”?
If solved - everything “just works”.
Is the pixel above or below the water surface?
Hard Problem: not a lot of games solve it!
Could not find any published material on this topic…
But some games do this. Same technique re-invented multiple times?
Assume water “horizon” intersects far-plane of camera-frustum at fixed world-space height.
True for Crest as we extend-out way-beyond camera frustum!
Re-render water to mask-buffer, sample in PP shader.
bool isUnderwater = mask == UNDERWATER_MASK_WATER_SURFACE_BELOW || (isBelowHorizon && mask != UNDERWATER_MASK_WATER_SURFACE_ABOVE);
Mask can also be used to avoid rendering caustics on water surface.
If custom engine… could use stencil buffer.
Works Well! But…
Floating-point precision issues :/
Cannot “just-use” doubles in shader.
Probably for the best…
float2 pixelCS = input.uv * 2 - float2(1.0, 1.0);
float4 pixelWS =
mul(_InvViewProjection, float4(pixelCS, 1.0, 1.0));
output.viewWS_farPlanePixelHeight =
(pixelWS.xyzy/pixelWS.w);
output.viewWS_farPlanePixelHeight.xyz =
_WorldSpaceCameraPos -
output.viewWS_farPlanePixelHeight.xyz;
Check pixelHeight
is less than ocean height in pixel shader…
48872a990e48feb7c2e944f435b10a6bd3642343
float3 oceanPosWS
= float3(pixelWS.x, _OceanHeight, pixelWS.z);
float4 oceanPosCS
= mul(_ViewProjection, float4(oceanPosWS, 1.0));
float oceanHeightCS = (oceanPosCS.y / oceanPosCS.w);
output.viewWS_oceanDistance.w
= pixelCS.y - oceanHeightCS;
Pixel shader checks oceanDistance < 0
.
cb4b9ce6948b19f37201069dd2416037253eb720
Exactly the same as before… just done in pixel shader.
August, 2019
~80 LOC, calculate normal and position of horizon line.
Implemented by Huw.
April, 2020
Dirty Hack!
Nudge horizon line up if below water, down if above water.
horizonSafetyMarginMultiplier /=
Mathf.Lerp(1f, camera.aspect, angleFromWorldNormal);
resultPos +=
resultNormal.normalized * horizonSafetyMarginMultiplier;
Assumption - camera at water-level, mask more likely to cover horizon.
Polished by Dale Eidd
Hopefully this one is!
Have to be careful about constructing list of ocean tiles to render to the mask!
Always render “culled” tiles in post-process mask. Solved other problems as well!
Have to support multi-pass, single-pass and single-pass instanced…
A bit easier in post-process shader, but mask needs to be instanced.
Doesn’t work with Post-Process stack in BIRP…
“Crest.” 2020. https://github.com/crest-ocean/crest.
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Find Crest on GitHub and the Unity Asset Store.


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