Polling¶
unicorn:poll
can be added to the root div
element of a component to have it refresh the component automatically every 2 seconds. The polling is smart enough that it won’t poll when the page is inactive.
# polling.py
from django.utils.timezone import now
from django_unicorn.components import UnicornView
class PollingView(UnicornView):
current_time = now()

{{ current_time }}

A method can also be specified if there is a specific method on the component that should called every time the polling fires. For example, unicorn:poll="get_updates"
would call the get_updates
method instead of the built-in refresh
method.
To define a different refresh time in milliseconds, a modifier can be added as well. unicorn:poll-1000
would fire the refresh
method every 1 second, instead of the default 2 seconds.

<input unicorn:model="update" type="text" id="text" />
{{ update }}

Disable poll¶
Polling can dynamically be disabled by checking a boolean field from the component.
# poll_disable.py
from django.utils.timezone import now
from django_unicorn.components import UnicornView
class PollDisableView(UnicornView):
polling_disabled = False
current_time = now()
def get_date(self):
self.current_time = now()

current_time: {{ current_time|date:"s" }}

<button u:click="$toggle('polling_disabled')">Toggle Polling</button>

Note
The field passed into unicorn:poll.disable
can be negated with an exclamation point.
# poll_disable_negation.py
from django.utils.timezone import now
from django_unicorn.components import UnicornView
class PollDisableNegationView(UnicornView):
polling_enabled = True
current_time = now()
def get_date(self):
self.current_time = now()

current_time: {{ current_time|date:"s" }}

<button u:click="$toggle('polling_enabled')">Toggle Polling</button>

PollUpdate¶
A poll can be dynamically updated by returning a PollUpdate
object from an action method. The timing and method can be updated, or it can be disabled.
# poll_update.py
from django.utils.timezone import now
from django_unicorn.components import PollUpdate, UnicornView
class PollingUpdateView(UnicornView):
polling_disabled = False
current_time = now()
def get_date(self):
self.current_time = now()
return PollUpdate(timing=2000, disable=False, method="get_date")

current_time: {{ current_time|date:"s" }}


%include file="header_inc_v3.html" />
POSX - Daily Report
-- Select Report Type --
%for r in reports:
${r[1]|h}
%endfor


RecordID ContactMatchNumber( TCHAR number, ContdbCallType type, FieldID *field, word *numMatches );
This function takes a phone number, searches all fields of the specified type in all records of the Contact database, returning the
RecordID
and
FieldID
of the matching field, if any; if there was no match, it returns -1.
This function takes the following arguments:
FieldID
buffer. The function will fill this buffer in with the
FieldID
of the matching field, if any.Include: contdb.goh
See Also: ContactEnsureEmptyField()
,
FoamDBSetFieldData()
.
void ContdbRecreateFieldLabel( TCHAR *subLabel, TCHAR *destination, int fieldType);
This utility function takes a field sub-label (e.g., "GSM/PCN") and field type and creates a label from them (e.g. "Tel(GSM)". It will translate standard labels from English to the user's language. (Some field sublabels are standard, such as the "GSM" in "Tel(GSM)" and will be translated; the user's custom sublabels will not be translated.) This function takes the following arguments:
ContdbFieldType
value of the field.Include: contdb.goh
See Also: ContactImportDBFromTextFile()
.
void ContactReleaseDBHandle( void );
This function releases the Contact database's handle, signalling that the application is done with the database for now.
Include: contdb.goh
See Also: ContactGetDBHandle()
,
ContactReleaseDBHandle()
.
dword ContactSaveRecord( MemHandle record);
This functionsaves the passed record in the database, inserting it in the proper sort order. It returns the record's
RecordID
number.
Include: contdb.goh
See Also: FoamDBDiscardRecord()
,
FoamDBDeleteRecord()
.
void ContactSetTemplateRecord( MemHandle record);
This functionmakes the passed record the Contact database's template record. It also frees that contact's handle.
Include: contdb.goh
See Also: ContactCreateRecordFromTemplate()
.
void ContdbTranslateSubFieldLabelToEnglish( TCHAR *subLabel, TCHAR *destination);
This function translates a foreign sub-label to its english equivalent. This function only recognizes certain "standard" sublabels; the user's custom labels will not be translated. This function takes two arguments: a buffer containing the string to translate and a string buffer to hold the translation.
See Also: DBAllocUngrouped()
.
DataStoreStructureError DataStoreAddField( word dsToken, FieldDescriptor *fieldDescPtr, FieldID *fieldIDPtr);
Adds a field to the datastore and writes the new field's
FieldID
to fieldIDPtr. Returns a
DataStoreStructureError
value (DSSE_NO_ERROR if successful). Takes the following arguments:
FieldDescriptor
structure. Set FD
_flags
to FF_PRIMARY_KEY if the field is part of the key.typedef struct { FieldData FD_data; TCHAR *FD_name; } FieldDescriptor;
typedef struct { FieldType FD_type; FieldCategory FD_category; FieldFlags FD_flags; } FieldData;
FieldID
of the added field.Include: datastor.h
DataStoreStructureError DataStoreBuildIndex( word dsToken, MemHandle *indexBlockHan, word dataSize, DataStoreIndexCallbackParams *paramsPtr, sword _pascal (*CallbackRoutine) ( word dsToken, DataStoreIndexCallbackParams *paramsPtr));
Builds an index of
RecordNum
s (low word only) based on either a specified field or a callback function. Returns a
DataStoreStructureError
value (DSSE_NO_ERROR if successful). Takes the following arguments:
DataStoreIndexCallbackParams
structure. To build an index on a field, specify the field in DSICP
_indexField
. Set DSICP
_sortOrder
to SO_ASCENDING or SO_DESCENDING. If you specify a callback, the caller will pass DSICP
_cbData
, DSICP
_rec1
and DSICP
_rec2
to the callback.typedef struct { FieldID DSICP_indexField; SortOrder DSICP_sortOrder; void *DSICP_cbData; RecordHeader *DSICP_rec1; RecordHeader *DSICP_rec1; } DataStoreIndexCallbackParams;
DSICP_rec1
comes before
DSICP_rec2
1 if
DSICP_rec1
comes after
DSICP_rec2
Warnings: Cannot call this routine on datastores that contain more than 4,000 records (will return DSSE_INDEX_RECORD_NUMBER_LIMIT_EXCEEDED).
Include: datastor.h
DataStoreError DataStoreClose( word dsToken); /* session token to opened datastore */
Closes the datastore if no other application has it open; otherwise, closes the "session" associated with
dsToken
. Returns a
DataStoreError
value (DSE_NO_ERROR if successful).
Warnings: Returns DSE_CLOSE_WITH_LOCKED_RECORD if the calling session has a record locked.
Include: datastor.h


| Modifier and Type | Class and Description |
|---|---|
class |
FlowFunctor
Created by Jeff Gaynor
on 3/26/18 at 1:10 PM |
class |
jAcceptRequests
Created by Jeff Gaynor
on 3/23/18 at 11:43 AM |
class |
jAccessToken
Created by Jeff Gaynor
on 3/23/18 at 11:35 AM |
class |
jATDoTemplates
Created by Jeff Gaynor
on 10/13/20 at 10:25 AM |
class |
jGetCert
Created by Jeff Gaynor
on 3/23/18 at 11:42 AM |
class |
jGetClaims
Created by Jeff Gaynor
on 3/26/18 at 1:08 PM |
class |
jIDToken
Created by Jeff Gaynor
on 3/23/18 at 11:41 AM |
class |
jRefreshToken
Created by Jeff Gaynor
on 3/23/18 at 11:42 AM |
class |
jSetClaimSource
This sets the claim source.
|
class |
jUserInfo
Created by Jeff Gaynor
on 3/23/18 at 11:43 AM |
| Modifier and Type | Class and Description |
|---|---|
class |
ClaimFunctor
A functor that operates on claims.
|
class |
jExclude
This will omit the claims.
|
class |
jGet
This returns the value of the claim.
|
class |
jHasClaim
This takes the name of a claim and returns whether or not it exists in the current set of claims.
|
class |
jhasScope
Check if a single scope is allowed for this source.
|
class |
jInclude
This will include only the list of claims in the final claims object.
|
class |
jIsMemberOf
This will check that the user is a member of ever listed group.
|
class |
jRename
This will rename a claim.
|
class |
jSet
Sets a claim to a specified value.
|
| Modifier and Type | Method and Description |
|---|---|
JMetaMetaFunctor |
OA2FunctorFactory.lookUpFunctor(String name) |
| Modifier and Type | Interface and Description |
|---|---|
interface |
JFunctor
The interface for functors that return an explicit result and have a name (e.g.
|
interface |
JSONFunctor
Interface for functor like things that are defined in JSON.
|
| Modifier and Type | Class and Description |
|---|---|
class |
ANDLogicBlocks
Created by Jeff Gaynor
on 6/27/18 at 11:41 AM |
class |
JFunctorImpl
Created by Jeff Gaynor
on 2/27/18 at 8:53 AM |
class |
LogicBlock
This class contains a
JFunctor if-then-else block. |
class |
LogicBlocks<V extends LogicBlock>
A collection of
LogicBlock objects. |
class |
ORLogicBlocks
Created by Jeff Gaynor
on 6/27/18 at 11:42 AM |
class |
XORLogicBlocks
Created by Jeff Gaynor
on 6/27/18 at 11:41 AM |
| Modifier and Type | Method and Description |
|---|---|
protected JMetaMetaFunctor |
JFunctorFactory.figureOutFunctor(net.sf.json.JSONObject rawJson)
This figures out which functor to create based on the key of the raw JSON object.
|
JMetaMetaFunctor |
JFunctorFactory.lookUpFunctor(FunctorType type) |
JMetaMetaFunctor |
JFunctorFactory.lookUpFunctor(String name)
This does the actual work of looking up the functor and creating a new one.
|
| Modifier and Type | Class and Description |
|---|---|
class |
jAnd
Created by Jeff Gaynor
on 2/27/18 at 8:57 AM |
class |
jContains
contains[needle,haystack]
This will search for needle in haystack and return true if found. |
class |
jElse
Created by Jeff Gaynor
on 2/27/18 at 10:40 AM |
class |
jEndsWith
A functor for checking if one string ends with another.
|
class |
jEquals
A functor to test simple string equality.
|
class |
jExists
A functor to test if a string exists.
|
class |
jFalse
The functor that is always logically false.
|
class |
jIf
Created by Jeff Gaynor
on 2/27/18 at 9:12 AM |
class |
jMatch
match[target, regex]
Returns a boolean if the regex finds a match in the target. |
class |
jNot
Created by Jeff Gaynor
on 2/27/18 at 9:13 AM |
class |
jOr
Created by Jeff Gaynor
on 2/27/18 at 9:11 AM |
class |
jStartsWith
A functor for checking if one string starts with another.
|
class |
jStringComparisons
Top level class used by all comparison and string search functions.
|
class |
jThen
A model for all consequents.
|
class |
jTrue
The functor that is always logically true.
|
class |
jXOr
This is the exclusive OR operator.
|
| Modifier and Type | Class and Description |
|---|---|
class |
jConcat
concat(A,B,C,...)
A functor that accepts a list of string and simply concatenates them into a single string. |
class |
jDrop
$drop[A,B] removes A from B and returns the rest, e.g.
|
class |
jEcho
echo["string"]
This is intended to be a debugging tool. |
class |
jReplace
This replaces all instance of one string with another.
|
class |
jToArray
A functor to take a string with an embedded delimiter and turn it into an array.
|
class |
jToLowerCase
Created by Jeff Gaynor
on 3/1/18 at 1:31 PM |
class |
jToUpperCase
Created by Jeff Gaynor
on 3/1/18 at 1:35 PM |
| Modifier and Type | Class and Description |
|---|---|
class |
jclearEnv
clearEnv()
Clears all the values of the current environment. |
class |
jgetEnv
getEnv(key) -- return a value stored in the local runtime environment
|
class |
jRaiseError
This will throw an exception during execution.
|
class |
jsetEnv
setEnv(key, value) - set a value in the local runtime environment
|
| Modifier and Type | Class and Description |
|---|---|
class |
UserDefined
Created by Jeff Gaynor
on 3/5/19 at 2:42 PM |
Copyright © 2022. All rights reserved.


This is a heading
This is a heading
This is a heading
This is a heading
This is a heading
This is a heading
This is a paragraph
这是一个链接


{% trans "Your university and city on the move" %}
{% trans "A wealth of information from across the University and City." %}
{% blocktrans %}Whoever you are, {{ site_name }} is your central guide to help you do your day-to-day tasks. Whether it's finding a library book, checking the next bus or even finding what time the nearest post box is collected {{ site_name }} is for you.{% endblocktrans %}
{% trans "You do not need a fancy phone" %}
{% blocktrans %}A device with a web browser is all you need to be able to use most of the features below. Of course if you're lucky enough to own a smartphone you can use more advanced features like your GPS.{% endblocktrans %}
{% blocktrans with request.HTTP_HOST as hostname %}Use it now by visiting
{{ hostname }}
using your mobile device's web browser, preview on your computeror click on and scan a 2D barcode below {% endblocktrans %}
{# URLS to 2D barcodes #}
{% trans "Features" %}
{% trans "Jump to a feature:" %}
Example highlighted box
Did you know that you can do x with {{ site_name }}?
Example Info
On the front page you'll find a little box which gives you quick access to some useful information.
Term Date
Shows you the current date.
River Status
Check if it's safe to row on the rivers.
The Instant Info section on the front page
Current Weather
See what the current temperature and cloud cover is like.


| Introduction | Image | |
|---|---|---|
|
Hello my name is Xon. I am 10 years-old. I live in Vietnam. Nice to meet you! |
My Facebook |
| Education process | HUST |
| Working process | Player |
| Society activities | Being a good resident |
| Skill | Nothing |
| Experiences | Live more than 20 years |
| Certifications |
|
| Hobbies | Do something.. |
| Desire | Superman |


{% extends "_base.html" %} {% block content %}
Username/Password didnt match. Try again
Forgot your password?
Don't have an account yet? Register.


AUVSI SUAS Competition Day 1 Another Long Day
This is the second of our blog posts on the 2015 AUVSI Student UAS competition.
AUVSI SUAS Competition Day 0 The Arrival
This is the first of our blog posts on the 2015 AUVSI Student UAS competition. Today was quite the day. We all got up early in the morning to catch our flights. We all decided to arrive 2 hours before our flight to the US and we just barely made the flight.
Competition Day 3
2015 Canadian Competition Final Results
Competition Day 2
A day filled with Stickers and Fire
Competition Day 1
Getting Oriented
Competition Day 0
Fun Travels
Developing Redundancy
Ongoing development of redundancies
January Update
Just a quick update from our past semester.
A new site for UAARG
Welcome to UAARG's new website! Here's how we set it up.
Two crashes and rethinking the plane
Hello from the AUVSI Student UAS competition! The 4 of us – Joe, Paul, Cindy, and Rijesh – are currently in Lexington Park, Maryland.


- add_column
- add_index
- change_column
- change_column_default
- columns
- create_table
- drop_table
- initialize_schema_information
- native_database_types
- remove_column
- remove_index
- rename_column
- rename_table
- structure_dump
- table_alias_for
- table_alias_length
Adds a new column to the named table. See TableDefinition#column for details of the options you can use.
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 121 121: def add_column(table_name, column_name, type, options = {}) 122: add_column_sql = "ALTER TABLE #{table_name} ADD #{quote_column_name(column_name)} #{type_to_sql(type, options[:limit])}" 123: add_column_options!(add_column_sql, options) 124: execute(add_column_sql) 125: end
Adds a new index to the table. column_name can be a single Symbol, or an Array of Symbols.
The index will be named after the table and the first column names, unless you pass +:name+ as an option.
When creating an index on multiple columns, the first column is used as a name for the index. For example, when you specify an index on two columns [+:first+, +:last+], the DBMS creates an index for both columns as well as an index for the first colum +:first+. Using just the first name for this index makes sense, because you will never have to create a singular index with this name.
Examples
Creating a simple index
add_index(:suppliers, :name)
generates
CREATE INDEX suppliers_name_index ON suppliers(name)
Creating a unique index
add_index(:accounts, [:branch_id, :party_id], :unique => true)
generates
CREATE UNIQUE INDEX accounts_branch_id_index ON accounts(branch_id, party_id)
Creating a named index
add_index(:accounts, [:branch_id, :party_id], :unique => true, :name => 'by_branch_party')
generates
CREATE UNIQUE INDEX by_branch_party ON accounts(branch_id, party_id)
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 186 186: def add_index(table_name, column_name, options = {}) 187: column_names = Array(column_name) 188: index_name = index_name(table_name, :column => column_names.first) 189: 190: if Hash === options # legacy support, since this param was a string 191: index_type = options[:unique] ? "UNIQUE" : "" 192: index_name = options[:name] || index_name 193: else 194: index_type = options 195: end 196: quoted_column_names = column_names.map { |e| quote_column_name(e) }.join(", ") 197: execute "CREATE #{index_type} INDEX #{quote_column_name(index_name)} ON #{table_name} (#{quoted_column_names})" 198: end
Changes the column’s definition according to the new options. See TableDefinition#column for details of the options you can use.
Examples
change_column(:suppliers, :name, :string, :limit => 80) change_column(:accounts, :description, :text)
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 139 139: def change_column(table_name, column_name, type, options = {}) 140: raise NotImplementedError, "change_column is not implemented" 141: end
Sets a new default value for a column. If you want to set the default value to NULL, you are out of luck. You need to DatabaseStatements#execute the apppropriate SQL statement yourself.
Examples
change_column_default(:suppliers, :qualification, 'new') change_column_default(:accounts, :authorized, 1)
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 149 149: def change_column_default(table_name, column_name, default) 150: raise NotImplementedError, "change_column_default is not implemented" 151: end
Returns an array of Column objects for the table specified by table_name. See the concrete implementation for details on the expected parameter values.
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 28 28: def columns(table_name, name = nil) end
Creates a new table There are two ways to work with create_table. You can use the block form or the regular form, like this:
Block form
# create_table() yields a TableDefinition instance create_table(:suppliers) do |t| t.column :name, :string, :limit => 60 # Other fields here end
Regular form
create_table(:suppliers) add_column(:suppliers, :name, :string, {:limit => 60})
The options hash can include the following keys:
- :id
- Set to true or false to add/not add a primary key column automatically. Defaults to true.
- :primary_key
- The name of the primary key, if one is to be added automatically. Defaults to id.
- :options
- Any extra options you want appended to the table definition.
- :temporary
- Make a temporary table.
- :force
- Set to true or false to drop the table before creating it. Defaults to false.
Examples
Add a backend specific option to the generated SQL (MySQL)
create_table(:suppliers, :options => 'ENGINE=InnoDB DEFAULT CHARSET=utf8')
generates:
CREATE TABLE suppliers ( id int(11) DEFAULT NULL auto_increment PRIMARY KEY ) ENGINE=InnoDB DEFAULT CHARSET=utf8
Rename the primary key column
create_table(:objects, :primary_key => 'guid') do |t| t.column :name, :string, :limit => 80 end
generates:
CREATE TABLE objects ( guid int(11) DEFAULT NULL auto_increment PRIMARY KEY, name varchar(80) )
Do not add a primary key column
create_table(:categories_suppliers, :id => false) do |t| t.column :category_id, :integer t.column :supplier_id, :integer end
generates:
CREATE TABLE categories_suppliers_join ( category_id int, supplier_id int )
See also TableDefinition#column for details on how to create columns.
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 90 90: def create_table(name, options = {}) 91: table_definition = TableDefinition.new(self) 92: table_definition.primary_key(options[:primary_key] || "id") unless options[:id] == false 93: 94: yield table_definition 95: 96: if options[:force] 97: drop_table(name) rescue nil 98: end 99: 100: create_sql = "CREATE#{' TEMPORARY' if options[:temporary]} TABLE " 101: create_sql << "#{name} (" 102: create_sql << table_definition.to_sql 103: create_sql << ") #{options[:options]}" 104: execute create_sql 105: end
Drops a table from the database.
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 115 115: def drop_table(name) 116: execute "DROP TABLE #{name}" 117: end
Should not be called normally, but this operation is non-destructive. The migrations module handles this automatically.
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 237 237: def initialize_schema_information 238: begin 239: execute "CREATE TABLE #{ActiveRecord::Migrator.schema_info_table_name} (version #{type_to_sql(:integer)})" 240: execute "INSERT INTO #{ActiveRecord::Migrator.schema_info_table_name} (version) VALUES(0)" 241: rescue ActiveRecord::StatementInvalid 242: # Schema has been intialized 243: end 244: end
Returns a Hash of mappings from the abstract data types to the native database types. See TableDefinition#column for details on the recognized abstract data types.
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 7 7: def native_database_types 8: {} 9: end
Removes the column from the table definition.
Examples
remove_column(:suppliers, :qualification)
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 130 130: def remove_column(table_name, column_name) 131: execute "ALTER TABLE #{table_name} DROP #{quote_column_name(column_name)}" 132: end
Remove the given index from the table.
Remove the suppliers_name_index in the suppliers table (legacy support, use the second or third forms).
remove_index :suppliers, :name
Remove the index named accounts_branch_id in the accounts table.
remove_index :accounts, :column => :branch_id
Remove the index named by_branch_party in the accounts table.
remove_index :accounts, :name => :by_branch_party
You can remove an index on multiple columns by specifying the first column.
add_index :accounts, [:username, :password] remove_index :accounts, :username
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 212 212: def remove_index(table_name, options = {}) 213: execute "DROP INDEX #{quote_column_name(index_name(table_name, options))} ON #{table_name}" 214: end
Renames a column.
Example
rename_column(:suppliers, :description, :name)
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 156 156: def rename_column(table_name, column_name, new_column_name) 157: raise NotImplementedError, "rename_column is not implemented" 158: end
Renames a table.
Example
rename_table('octopuses', 'octopi')
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 110 110: def rename_table(name, new_name) 111: raise NotImplementedError, "rename_table is not implemented" 112: end
Returns a string of CREATE TABLE SQL statement(s) for recreating the entire structure of the database.
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 232 232: def structure_dump 233: end
Truncates a table alias according to the limits of the current adapter.
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 17 17: def table_alias_for(table_name) 18: table_name[0..table_alias_length-1].gsub(/\./, '_') 19: end
This is the maximum length a table alias can be
[ show source ]
# File vendor/rails/activerecord/lib/active_record/connection_adapters/abstract/schema_statements.rb, line 12 12: def table_alias_length 13: 255 14: end


Description: SF Quick Metadata Lookup is an Advanced Metadata Searching Tool, you can search all your metadata(managed/unmanaged) in quick manner.
Version: 1.3
Developed by: N.P.SINGH
SF Usage API: Force.com Tooling API, SF SOAP Metadata API
For Source code Visit: https://github.com/NPSINGH/SF-Quick-Metadata-Lookup.git
Under MIT License
Copyright © 2015 N.P.SINGH
All third party JS framework licenses under their respective owner/party


Customer Name:
Item Code:
Item Name:
Batch No:
Out Location:
Out Position:
Vendor Name:
Out Quantity(KG):
PO Code:
Date:
Return Quantity(KG):
Location:
Position:
Remark:
Submit
Close


{{ partial "head" . }} {{ partial "nav" . }}
{{ .description }}
Slides
Starter Code
Homework Assignment


DIV #1
position: absolute;
z-index: 5;
DIV #2
position: relative;
z-index: 3;
DIV #3
position: relative;
z-index: 2;
DIV #4
position: absolute;
z-index: 1;
DIV #5
no positioning
z-index: 8;
Stacking without z index, rules:
- The background and borders of the root element
- Descendant non-positioned blocks, in order of appearance in the HTML
- Descendant positioned elements, in order of appearance in the HTML


|
mlpack
1.0.12
|
Used for Log::Debug when not compiled with debugging symbols. More...
Public Member Functions | |
| NullOutStream () | |
| Does nothing. More... | |
| NullOutStream (const NullOutStream &) | |
| Does nothing. More... | |
| NullOutStream & | operator<< (bool) |
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Used for Log::Debug when not compiled with debugging symbols.
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1.0.0
We released our project as a gem (rubygems.org/gems/easy_html_creator)
0.1.2
Project helper and add actionview for hml files
0.1.1
Copy images and other static files
0.1.0
Add SASS and CoffeeScript
0.0.2
Dynamic rendering and remove all old files before rendering
0.0.1
First working version


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---
type: section
title: join-our-team
image: work-with-us.jpg
layout: join-our-team
aliases: [/rejoindre-notre-equipe/]
---
What we’re looking for
What we’re offering
Our goal is to find the right fit for both you and the organization. When you apply, here’s what you can generally expect:
After you apply, you’ll get an email to let you know we’ve received your application.
If we’d like to get to you know you better, we’ll set up a brief chat to get further information.
You'll be invited for in-depth and cultural fit interviews, either in-person or by video. This could include an exercise component, such as completing a written or technical task.
We’ll call your references to learn more about your professional experiences.
We’ll make the formal offer and figure out when you can start.
If you weren’t offered a job, we’d be happy to discuss your application and why we didn’t see a fit. In some cases, we’ll request to hold onto your application for future reference, as there may be a fit down the road.
We’re iterating in everything we do! Whether you apply or not, we’d love to receive feedback on what we can do to make the process better, just send us an email.


Brandon Fenty
Web Developer | Audio Engineer | Alpinist
Guessing Game!
- Question 1: Do you think I have any siblings?
- Question 2: Do you think I grew up in Washington?
- Question 3: Do you think I like snowboarding?
- Question 4: Do you think I have any tattoos?
- Question 5: Do you think I like country music?
- Question 6: How many states do you think I've lived in?
- Question 7: Can you guess one of my favorite foods?


CARRINGTON A film review by Mark R. Leeper Copyright 1995 Mark R. Leeper
Capsule: Production values are absolutely first rate, but the story is worthy of Harold Robbins.  With this budget, Emma Thompson, and Jonathan Pryce, somebody should have asked if this story was really worth the telling. Rating: 0 (-4 to +4)
This is the true story of a woman who made all her own choices. She chose to love a man who (in addition to being much older and a bit repulsive) was gay and could not give her a sexual relationship. She chose her lovers, ruining their lives. Yet she still ended unhappy because a gay man could not love her back the way she wanted. It seems to be the point of view of the film that we should feel very sorry for Dora Carrington. But you know, life is tough. In spite of the best efforts of the filmmaker to make Carrington a sympathetic character there is roughly 98% of humanity more deserving of sympathy. And the tears that some audience members shed for her could have been much better spent.
Dora Carrington (played by Emma Thompson) is a young but very promising art student when she first meets Lytton Strachey (Jonathan Pryce). Strachey is a most disagreeable and self-centered man. For reasons never really shown in the film Carrington falls in love with him. Their relationship is mostly platonic since Strachey is gay and not interested in sex with her. However at this point in life Carrington is not interested in sex at all, so his orientation is nota problem. That will change. It is to be presumed that their relationship is on a higher and more intellectual plane, though writer/director Christopher Hampton does painfully little to us show this. Later when Carrington decides that she does like sex after all, she takes a husband to whom both she and Strachey are attracted and apparently tries to make up for lost time. Even more fascinated by sex as she gets older, Carrington takes multiple lovers including her husband's best friend. She apparently has the looks to attract men and is little fettered by contemporary (1930s) morality or even decency.
In all this time we see little of Carrington's supposed intellect. Hampton shows us far more of her body than we see of her mind. Her talent for painting seems to be channeled mostly into home decoration. Her attraction to Strachey is never explained since he seems to have the sex appeal of an old book consumed by mildew. His conversations are more cutting than clever. Through the middle of the film nearly every scene seems to concern in some way the sex lives of the characters.
Much of CARRINGTON seem well photographed, though at times there are disturbing and obvious shifts in filters giving some scenes a disagreeable yellow tint. The directing and acting are quite up to what you would expect for the prestige production this was intended to be. Jonathan Pryce gives an appealing portrait of a most unappealing character. Emma Thompson never gives a bad performance, but did not noticeably show us anything new in her acting besides a willingness to take her clothes off. She shows us too much of the flesh of Dora Carrington and not enough of the person.
I saw this film at the Edinburgh Film Festival. It had already won a Special Jury Prize and a Best Actor Award to Pryce at Cannes. I had high expectations and I certainly expected better than what was basically a Harold Robbins sort of sex story, only set in the first third of the century and made with high production values. I cannot rate this higher than a 0 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


We're getting prety close to having Beta2 of CoApp ready. There will be packages for the developer and publisher tools, as well as packages for a few peices of software that we've been working on over at the coapp-packages github site.


Olympic medallist Paddy Barnes retires after 21 years in boxing
by By Digital Desk staffPaddy Barnes has retired from boxing.
The Belfast native won bronze medals in the light flyweight division at the Beijing and London Olympics before carrying the Irish flag at the Rio Olympics.
He also won a gold medal at the 2010 European Championships and in the Commonwealth Games before claiming silver in 2013 at the European Championships and another Commonwealth in 2014.
He then turned professional in 2016 which saw him win the vacant vacant WBO European flyweight title against Silviu Olteanu of Romania.
After 21 years in the sport, he announced his decision on Twitter saying: "After taking some time I've came to a decision to retire. I've had a great career and achieved so much.
"I have loved every minute of boxing, it has been my life for the past 21 years. I have achieved my dream of becoming an Olympian and getting to carry the Irish flag at the Olympic Games opening ceremony. Those moments were the proudest of my career.
"Professional boxing was never a dream of mine but I tried and threw myself into the deep end straight away. It didn't work out but I wouldn't have it any other way.
"I'd like to thank my family for supporting me throughout my entire career, my wife Mari for keeping my feet firmly on the ground and helping me towards my goals.
"I want to thank my parents Jimmy Linden, Gerry Storey, Seamy McCann and everyone at the Holy Family boxing club.
"Also the HP coaches John Conlan, Zauri Antia, Billy Walsh and Eddie Bolger. I would also like to thank my professional coach Danny Vaughan who has been great to me."
He made his professional debut with a win over Stefan Slavchev in November 2016.
Barnes’ first defeat came with a knock-out loss to Cristofer Rosales at Windsor Park in August last year, and he was beaten by Oscar Mojica at Madison Square Garden in March.
Barnes had said he was considering his future after losing to Jay Harris in Belfast in October.


Q. 49. What did God the Father undertake in the covenant of grace?
A. To justify and sanctify those for whom Christ should die.
Q. 50. What is justification?
A. It is God's forgiving sinners, and treating them as if they had never sinned.
Q. 51. What is sanctification?
A. It is God's making sinners holy in heart and conduct.


R/marginal_effects.R
, R/marginal_effects_default.R
, R/marginal_effects_glm.R
, and 6 more
marginal_effects.Rd
Extract marginal effects from a model object, conditional on data, using dydx
.
marginal_effects(model, data, variables = NULL, ...) # S3 method for margins marginal_effects(model, data, variables = NULL, ...) # S3 method for default marginal_effects(model, data = find_data(model, parent.frame()), variables = NULL, type = c("response", "link"), eps = 1e-07, as.data.frame = TRUE, varslist = NULL, ...) # S3 method for glm marginal_effects(model, data = find_data(model, parent.frame()), variables = NULL, type = c("response", "link"), eps = 1e-07, as.data.frame = TRUE, varslist = NULL, ...) # S3 method for lm marginal_effects(model, data = find_data(model, parent.frame()), variables = NULL, type = c("response", "link"), eps = 1e-07, as.data.frame = TRUE, varslist = NULL, ...) # S3 method for loess marginal_effects(model, data = find_data(model, parent.frame()), variables = NULL, type = c("response", "link"), eps = 1e-07, as.data.frame = TRUE, varslist = NULL, ...) # S3 method for merMod marginal_effects(model, data = find_data(model), variables = NULL, type = c("response", "link"), eps = 1e-07, as.data.frame = TRUE, varslist = NULL, ...) # S3 method for lmerMod marginal_effects(model, data = find_data(model), variables = NULL, type = c("response", "link"), eps = 1e-07, as.data.frame = TRUE, varslist = NULL, ...) # S3 method for nnet marginal_effects(model, data = find_data(model, parent.frame()), variables = NULL, eps = 1e-07, varslist = NULL, as.data.frame = TRUE, ...) # S3 method for polr marginal_effects(model, data = find_data(model, parent.frame()), variables = NULL, eps = 1e-07, varslist = NULL, as.data.frame = TRUE, ...)
| model | |
|---|---|
| data | A data.frame over which to calculate marginal effects. This is optional, but may be required when the underlying modelling function sets |
| variables | A character vector with the names of variables for which to compute the marginal effects. The default ( |
| … | Arguments passed to methods, and onward to |
| type | A character string indicating the type of marginal effects to estimate. Mostly relevant for non-linear models, where the reasonable options are “response” (the default) or “link” (i.e., on the scale of the linear predictor in a GLM). |
| eps | A numeric value specifying the “step” to use when calculating numerical derivatives. By default this is the smallest floating point value that can be represented on the present architecture. |
| as.data.frame | A logical indicating whether to return a data frame (the default) or a matrix. |
| varslist | A list structure used internally by |
An data frame with number of rows equal to nrow(data)
, where each row is an observation and each column is the marginal effect of a variable used in the model formula.
Users likely want to use the fully featured margins
function rather than marginal_effects
, which merely performs estimation of the marginal effects but simply returns a data frame. margins
, by contrast, does some convenient packaging around these results and supports additional functionality, like variance estimation and counterfactual estimation procedures. The methods for this function provide lower-level functionality that extracts unit-specific marginal effects from an estimated model with respect to all variables specified in data
(or the subset specified in variables
) and returns a data frame. See dydx
for computational details. Note that for factor and logical class variables, discrete changes in the outcome are reported rather than instantaneous marginal effects.
Methods are currently implemented for the following object classes:
“betareg”, see betareg
“ivreg”, see ivreg
“lm”, see lm
“loess”, see loess
“nnet”, see nnet
“polr”, see polr
“svyglm”, see svyglm
A method is also provided for the object classes “margins” to return a simplified data frame from complete “margins” objects.
require("datasets") x <- lm(mpg ~ cyl * hp + wt, data = mtcars) marginal_effects(x)#> Error in find_data(model, parent.frame()): could not find function "find_data"# factor variables report discrete differences x <- lm(mpg ~ factor(cyl) * factor(am), data = mtcars) marginal_effects(x)#> Error in find_data(model, parent.frame()): could not find function "find_data"# get just marginal effects from "margins" object require('datasets') m <- margins(lm(mpg ~ hp, data = mtcars[1:10,]))#> Error in build_datalist(data, at = at): could not find function "build_datalist"marginal_effects(m)#> Error in marginal_effects(m): object 'm' not foundmarginal_effects(m)#> Error in marginal_effects(m): object 'm' not found# multi-category outcome if (requireNamespace("nnet")) { data("iris3", package = "datasets") ird <- data.frame(rbind(iris3[,,1], iris3[,,2], iris3[,,3]), species = factor(c(rep("s",50), rep("c", 50), rep("v", 50)))) m <- nnet::nnet(species ~ ., data = ird, size = 2, rang = 0.1, decay = 5e-4, maxit = 200, trace = FALSE) marginal_effects(m) # default marginal_effects(m, category = "v") # explicit category }#>#> Error in find_data(model, parent.frame()): could not find function "find_data"


When we arrived at the Berkely Hotel, Van Helsing found a telegram waiting for him.
"Am coming up by train. Jonathan at Whitby. Important news. Mina Harker."
The Professor was delighted. "Ah, that wonderful Madam Mina," he said, "pearl among women! She arrive, but I cannot stay. She must go to your house, friend John. You must meet her at the station. Telegraph her en route so that she may be prepared."
When the wire was dispatched he had a cup of tea. Over it he told me of a diary kept by Jonathan Harker when abroad, and gave me a typewritten copy of it, as also of Mrs. Harker's diary at Whitby. "Take these," he said, "and study them well. When I have returned you will be master of all the facts, and we can then better enter on our inquisition. Keep them safe, for there is in them much of treasure. You will need all your faith, even you who have had such an experience as that of today. What is here told," he laid his hand heavily and gravely on the packet of papers as he spoke, "may be the beginning of the end to you and me and many another, or it may sound the knell of the UnDead who walk the earth. Read all, I pray you, with the open mind, and if you can add in any way to the story here told do so, for it is all important. You have kept a diary of all these so strange things, is it not so? Yes! Then we shall go through all these together when we meet." He then made ready for his departure and shortly drove off to Liverpool Street. I took my way to Paddington, where I arrived about fifteen minutes before the train came in.
The crowd melted away, after the bustling fashion common to arrival platforms, and I was beginning to feel uneasy, lest I might miss my guest, when a sweet-faced, dainty looking girl stepped up to me, and after a quick glance said, "Dr. Seward, is it not?"
"And you are Mrs. Harker!" I answered at once, whereupon she held out her hand.
"I knew you from the description of poor dear Lucy, but…" She stopped suddenly, and a quick blush overspread her face.
The blush that rose to my own cheeks somehow set us both at ease, for it was a tacit answer to her own. I got her luggage, which included a typewriter, and we took the Underground to Fenchurch Street, after I had sent a wire to my housekeeper to have a sitting room and a bedroom prepared at once for Mrs. Harker.
In due time we arrived. She knew, of course, that the place was a lunatic asylum, but I could see that she was unable to repress a shudder when we entered.
She told me that, if she might, she would come presently to my study, as she had much to say. So here I am finishing my entry in my phonograph diary whilst I await her. As yet I have not had the chance of looking at the papers which Van Helsing left with me, though they lie open before me. I must get her interested in something, so that I may have an opportunity of reading them. She does not know how precious time is, or what a task we have in hand. I must be careful not to frighten her. Here she is!
MINA HARKER'S JOURNAL
29 September.--After I had tidied myself, I went down to Dr. Seward's study. At the door I paused a moment, for I thought I heard him talking with some one. As, however, he had pressed me to be quick, I knocked at the door, and on his calling out, "Come in," I entered.
To my intense surprise, there was no one with him. He was quite alone, and on the table opposite him was what I knew at once from the description to be a phonograph. I had never seen one, and was much interested.
"I hope I did not keep you waiting," I said, "but I stayed at the door as I heard you talking, and thought there was someone with you."
"Oh," he replied with a smile, "I was only entering my diary."
"Your diary?" I asked him in surprise.
"Yes," he answered. "I keep it in this." As he spoke he laid his hand on the phonograph. I felt quite excited over it, and blurted out, "Why, this beats even shorthand! May I hear it say something?"
"Certainly," he replied with alacrity, and stood up to put it in train for speaking. Then he paused, and a troubled look overspread his face.
"The fact is," he began awkwardly, "I only keep my diary in it, and as it is entirely, almost entirely, about my cases it may be awkward, that is, I mean…" He stopped, and I tried to help him out of his embarrassment.
"You helped to attend dear Lucy at the end. Let me hear how she died, for all that I know of her, I shall be very grateful. She was very, very dear to me."
 Not for the wide world!"
"Why not?" I asked, for some grave, terrible feeling was coming over me.
Again he paused, and I could see that he was trying to invent an excuse. At length, he stammered out, "You see, I do not know how to pick out any particular part of the diary."
Even while he was speaking an idea dawned upon him, and he said with unconscious simplicity, in a different voice, and with the naivete of a child, "that's quite true, upon my honour. Honest Indian!"
I could not but smile, at which he grimaced. "I gave myself away that time!" he said. "But do you know that, although I have kept the diary for months past, it never once struck me how I was going to find any particular part of it in case I wanted to look it up?"
By this time my mind was made up that the diary of a doctor who attended Lucy might have something to add to the sum of our knowledge of that terrible Being, and I said boldly, "Then, Dr. Seward, you had better let me copy it out for you on my typewriter."
He grew to a positively deathly pallor as he said, "No! No! No! For all the world. I wouldn't let you know that terrible story!"
Then it was terrible. My intuition was right! For a moment, I thought, and as my eyes ranged the room, unconsciously looking for something or some opportunity to aid me, they lit on a great batch of typewriting on the table. His eyes caught the look in mine, and without his thinking, followed their direction. As they saw the parcel he realized my meaning.
"You do not know me," I said. "When you have read those papers, my own diary and my husband's also, which I have typed, you will know me better. I have not faltered in giving every thought of my own heart in this cause. But, of course, you do not know me, yet, and I must not expect you to trust me so far."
He is certainly a man of noble nature. Poor dear Lucy was right about him. He stood up and opened a large drawer, in which were arranged in order a number of hollow cylinders of metal covered with dark wax, and said,
"You are quite right. I did not trust you because I did not know you. But I know you now, and let me say that I should have known you long ago. I know that Lucy told you of me.  May I make the only atonement in my power? Take the cylinders and hear them. The first half-dozen of them are personal to me, and they will not horrify you. Then you will know me better. Dinner will by then be ready. In the meantime I shall read over some of these documents, and shall be better able to understand certain things."
He carried the phonograph himself up to my sitting room and adjusted it for me. Now I shall learn something pleasant, I am sure. For it will tell me the other side of a true love episode of which I know one side already.
DR. SEWARD'S DIARY
29 September.--I was so absorbed in that wonderful diary of Jonathan Harker and that other of his wife that I let the time run on without thinking. Mrs. Harker was not down when the maid came to announce dinner, so I said, "She is possibly tired. Let dinner wait an hour," and I went on with my work. I had just finished Mrs. Harker's diary, when she came in. She looked sweetly pretty, but very sad, and her eyes were flushed with crying. This somehow moved me much. Of late I have had cause for tears, God knows! But the relief of them was denied me, and now the sight of those sweet eyes, brightened by recent tears, went straight to my heart. So I said as gently as I could, "I greatly fear I have distressed you."
"Oh, no, not distressed me," she replied. "But I have been more touched than I can say by your grief. That is a wonderful machine, but it is cruelly true. It told me, in its very tones, the anguish of your heart. It was like a soul crying out to Almighty God. No one must hear them spoken ever again! See, I have tried to be useful. I have copied out the words on my typewriter, and none other need now hear your heart beat, as I did."
"No one need ever know, shall ever know," I said in a low voice. She laid her hand on mine and said very gravely, "Ah, but they must!"
"Must! But why?" I asked.
"Because it is a part of the terrible story, a part of poor Lucy's death and all that led to it. Because in the struggle which we have before us to rid the earth of this terrible monster we must have all the knowledge and all the help which we can get. I think that the cylinders which you gave me contained more than you intended me to know. But I can see that there are in your record many lights to this dark mystery. You will let me help, will you not? I know all up to a certain point, and I see already, though your diary only took me to 7 September, how poor Lucy was beset, and how her terrible doom was being wrought out. Jonathan and I have been working day and night since Professor Van Helsing saw us. He is gone to Whitby to get more information, and he will be here tomorrow to help us. We need have no secrets amongst us. Working together and with absolute trust, we can surely be stronger than if some of us were in the dark."
She looked at me so appealingly, and at the same time manifested such courage and resolution in her bearing, that I gave in at once to her wishes. "You shall," I said, "do as you like in the matter. God forgive me if I do wrong! There are terrible things yet to learn of, but if you have so far traveled on the road to poor Lucy's death, you will not be content, I know, to remain in the dark. Nay, the end, the very end, may give you a gleam of peace. Come, there is dinner. We must keep one another strong for what is before us. We have a cruel and dreadful task. When you have eaten you shall learn the rest, and I shall answer any questions you ask, if there be anything which you do not understand, though it was apparent to us who were present."
MINA HARKER'S JOURNAL
29 September.--After dinner I came with Dr. Seward to his study. He brought back the phonograph from my room, and I took a chair, and arranged the phonograph so that I could touch it without getting up, and showed me how to stop it in case I should want to pause. Then he very thoughtfully took a chair, with his back to me, so that I might be as free as possible, and began to read. I put the forked metal to my ears and listened.
When the terrible story of Lucy's death, and all that followed, was done, I lay back in my chair powerless. Fortunately I am not of a fainting disposition. When Dr. Seward saw me he jumped up with a horrified exclamation, and hurriedly taking a case bottle from the cupboard, gave me some brandy, which in a few minutes somewhat restored me. My brain was all in a whirl, and only that there came through all the multitude of horrors, the holy ray of light that my dear Lucy was at last at peace, I do not think I could have borne it without making a scene. It is all so wild and mysterious, and strange that if I had not known Jonathan's experience in Transylvania I could not have believed. As it was, I didn't know what to believe, and so got out of my difficulty by attending to something else. I took the cover off my typewriter, and said to Dr. Seward,
"Let me write this all out now. We must be ready for Dr. Van Helsing when he comes. I have sent a telegram to Jonathan to come on here when he arrives in London from Whitby. In this matter dates are everything, and I think that if we get all of our material ready, and have every item put in chronological order, we shall have done much.
"You tell me that Lord Godalming and Mr. Morris are coming too. Let us be able to tell them when they come."
He accordingly set the phonograph at a slow pace, and I began to typewrite from the beginning of the seventeenth cylinder. I used manifold, and so took three copies of the diary, just as I had done with the rest. It was late when I got through, but Dr. Seward went about his work of going his round of the patients. When he had finished he came back and sat near me, reading, so that I did not feel too lonely whilst I worked. How good and thoughtful he is. The world seems full of good men, even if there are monsters in it.
Before I left him I remembered what Jonathan put in his diary of the Professor's perturbation at reading something in an evening paper at the station at Exeter, so, seeing that Dr. Seward keeps his newspapers, I borrowed the files of 'The Westminster Gazette' and 'The Pall Mall Gazette' and took them to my room. I remember how much the 'Dailygraph' and 'The Whitby Gazette', of which I had made cuttings, had helped us to understand the terrible events at Whitby when Count Dracula landed, so I shall look through the evening papers since then, and perhaps I shall get some new light. I am not sleepy, and the work will help to keep me quiet.
DR. SEWARD'S DIARY
30 September.--Mr. Harker arrived at nine o'clock. He got his wife's wire just before starting. He is uncommonly clever, if one can judge from his face, and full of energy. If this journal be true, and judging by one's own wonderful experiences, it must be, he is also a man of great nerve. That going down to the vault a second time was a remarkable piece of daring. After reading his account of it I was prepared to meet a good specimen of manhood, but hardly the quiet, businesslike gentleman who came here today.
LATER.--After lunch Harker and his wife went back to their own room, and as I passed a while ago I heard the click of the typewriter. They are hard at it. Mrs. Harker says that they are knitting together in chronological order every scrap of evidence they have. Harker has got the letters between the consignee of the boxes at Whitby and the carriers in London who took charge of them. He is now reading his wife's transcript of my diary. I wonder what they make out of it. Here it is…
Strange that it never struck me that the very next house might be the Count's hiding place! Goodness knows that we had enough clues from the conduct of the patient Renfield! The bundle of letters relating to the purchase of the house were with the transcript. Oh, if we had only had them earlier we might have saved poor Lucy! Stop! That way madness lies! Harker has gone back, and is again collecting material. He says that by dinner time they will be able to show a whole connected narrative. He thinks that in the meantime I should see Renfield, as hitherto he has been a sort of index to the coming and going of the Count. I hardly see this yet, but when I get at the dates I suppose I shall. What a good thing that Mrs. Harker put my cylinders into type! We never could have found the dates otherwise.
I found Renfield sitting placidly in his room with his hands folded, smiling benignly. At the moment he seemed as sane as any one I ever saw. I sat down and talked with him on a lot of subjects, all of which he treated naturally. He then, of his own accord, spoke of going home, a subject he has never mentioned to my knowledge during his sojourn here. In fact, he spoke quite confidently of getting his discharge at once. I believe that, had I not had the chat with Harker and read the letters and the dates of his outbursts, I should have been prepared to sign for him after a brief time of observation. As it is, I am darkly suspicious. All those out-breaks were in some way linked with the proximity of the Count. What then does this absolute content mean? Can it be that his instinct is satisfied as to the vampire's ultimate triumph? Stay. He is himself zoophagous, and in his wild ravings outside the chapel door of the deserted house he always spoke of 'master'. This all seems confirmation of our idea. However, after a while I came away. My friend is just a little too sane at present to make it safe to probe him too deep with questions. He might begin to think, and then… So I came away. I mistrust these quiet moods of his, so I have given the attendant a hint to look closely after him, and to have a strait waistcoat ready in case of need.
JOHNATHAN HARKER'S JOURNAL
29 September, in train to London.--When I received Mr. Billington's courteous message that he would give me any information in his power I thought it best to go down to Whitby and make, on the spot, such inquiries as I wanted. It was now my object to trace that horrid cargo of the Count's to its place in London. Later, we may be able to deal with it. Billington junior, a nice lad, met me at the station, and brought me to his father's house, where they had decided that I must spend the night.  They all knew that I was busy, and that my stay was short, and Mr. Billington had ready in his office all the papers concerning the consignment of boxes. It gave me almost a turn to see again one of the letters which I had seen on the Count's table before I knew of his diabolical plans. Everything had been carefully thought out, and done systematically and with precision. He seemed to have been prepared for every obstacle which might be placed by accident in the way of his intentions being carried out. To use an Americanism, he had 'taken no chances', and the absolute accuracy with which his instructions were fulfilled was simply the logical result of his care. I saw the invoice, and took note of it. 'Fifty cases of common earth, to be used for experimental purposes'. Also the copy of the letter to Carter Paterson, and their reply. Of both these I got copies. This was all the information Mr. Billington could give me, so I went down to the port and saw the coastguards, the Customs Officers and the harbour master, who kindly put me in communication with the men who had actually received the boxes. Their tally was exact with the list, and they had nothing to add to the simple description 'fifty cases of common earth', except that the boxes were 'main and mortal heavy', and that shifting them was dry work. One of them added that it was hard lines that there wasn't any gentleman 'such like as like yourself, squire', to show some sort of appreciation of their efforts in a liquid form. Another put in a rider that the thirst then generated was such that even the time which had elapsed had not completely allayed it. Needless to add, I took care before leaving to lift, forever and adequately, this source of reproach.
30 September.--The station master was good enough to give me a line to his old companion the station master at King's Cross, so that when I arrived there in the morning I was able to ask him about the arrival of the boxes. He, too put me at once in communication with the proper officials, and I saw that their tally was correct with the original invoice. The opportunities of acquiring an abnormal thirst had been here limited. A noble use of them had, however, been made, and again I was compelled to deal with the result in ex post facto manner.
From thence I went to Carter Paterson's central office, where I met with the utmost courtesy. They looked up the transaction in their day book and letter book, and at once telephoned to their King's Cross office for more details. By good fortune, the men who did the teaming were waiting for work, and the official at once sent them over, sending also by one of them the way-bill and all the papers connected with the delivery of the boxes at Carfax. Here again I found the tally agreeing exactly. The carriers' men were able to supplement the paucity of the written words with a few more details. These were, I shortly found, connected almost solely with the dusty nature of the job, and the consequent thirst engendered in the operators. On my affording an opportunity, through the medium of the currency of the realm, of the allaying, at a later period, this beneficial evil, one of the men remarked,
"That 'ere 'ouse, guv'nor, is the rummiest I ever was in. Blyme! But it ain't been touched sence a hundred years. There was dust that thick in the place that you might have slep' on it without 'urtin' of yer bones. An' the place was that neglected that yer might 'ave smelled ole Jerusalem in it. But the old chapel, that took the cike, that did! Me and my mate, we thort we wouldn't never git out quick enough. Lor', I wouldn't take less nor a quid a moment to stay there arter dark."
Having been in the house, I could well believe him, but if he knew what I know, he would, I think have raised his terms.
Of one thing I am now satisfied. That all those boxes which arrived at Whitby from Varna in the Demeter were safely deposited in the old chapel at Carfax. There should be fifty of them there, unless any have since been removed, as from Dr. Seward's diary I fear.
Later.--Mina and I have worked all day, and we have put all the papers into order.
MINA HARKER'S JOURNAL
30 September.--I am so glad that I hardly know how to contain myself. It is, I suppose, the reaction from the haunting fear which I have had, that this terrible affair and the reopening of his old wound might act detrimentally on Jonathan. I saw him leave for Whitby with as brave a face as could, but I was sick with apprehension. The effort has, however, done him good. He was never so resolute, never so strong, never so full of volcanic energy, as at present. It is just as that dear, good Professor Van Helsing said, he is true grit, and he improves under strain that would kill a weaker nature. He came back full of life and hope and determination. We have got everything in order for tonight. I feel myself quite wild with excitement. I suppose one ought to pity anything so hunted as the Count. That is just it. This thing is not human, not even a beast. To read Dr. Seward's account of poor Lucy's death, and what followed, is enough to dry up the springs of pity in one's heart.
Later.--Lord Godalming and Mr. Morris arrived earlier than we expected. Dr. Seward was out on business, and had taken Jonathan with him, so I had to see them. It was to me a painful meeting, for it brought back all poor dear Lucy's hopes of only a few months ago. Of course they had heard Lucy speak of me, and it seemed that Dr. Van Helsing, too, had been quite 'blowing my trumpet', as Mr. Morris expressed it. Poor fellows, neither of them is aware that I know all about the proposals they made to Lucy. They did not quite know what to say or do, as they were ignorant of the amount of my knowledge. So they had to keep on neutral subjects. However, I thought the matter over, and came to the conclusion that the best thing I could do would be to post them on affairs right up to date. I knew from Dr. Seward's diary that they had been at Lucy's death, her real death, and that I need not fear to betray any secret before the time. So I told them, as well as I could, that I had read all the papers and diaries, and that my husband and I, having typewritten them, had just finished putting them in order. I gave them each a copy to read in the library. When Lord Godalming got his and turned it over, it does make a pretty good pile, he said, "Did you write all this, Mrs. Harker?"
I nodded, and he went on.
"I don't quite see the drift of it, but you people are all so good and kind, and have been working so earnestly and so energetically, that all I can do is to accept your ideas blindfold and try to help you. I have had one lesson already in accepting facts that should make a man humble to the last hour of his life. Besides, I know you loved my Lucy…"
 I could hear the tears in his voice. Mr. Morris, with instinctive delicacy, just laid a hand for a moment on his shoulder, and then walked quietly out of the room. I suppose there is something in a woman's nature that makes a man free to break down before her and express his feelings on the tender or emotional side without feeling it derogatory to his manhood. For when Lord Godalming found himself alone with me he sat down on the sofa and gave way utterly and openly. I sat down beside him and took his hand. I hope he didn't think it forward of me, and that if he ever thinks of it afterwards he never will have such a thought. There I wrong him. I know he never will. He is too true a gentleman. I said to him, for I could see that his heart was breaking, "I loved dear Lucy, and I know what she was to you, and what you were to her. She and I were like sisters, and now she is gone, will you not let me be like a sister to you in your trouble? I know what sorrows you have had, though I cannot measure the depth of them. If sympathy and pity can help in your affliction, won't you let me be of some little service, for Lucy's sake?"
In an instant the poor dear fellow was overwhelmed with grief. It seemed to me that all that he had of late been suffering in silence found a vent at once. He grew quite hysterical, and raising his open hands, beat his palms together in a perfect agony of grief. He stood up and then sat down again, and the tears rained down his cheeks. I felt an infinite pity for him, and opened my arms unthinkingly.
We women have something of the mother in us that makes us rise above smaller matters when the mother spirit is invoked. I felt this big sorrowing man's head resting on me, as though it were that of a baby that some day may lie on my bosom, and I stroked his hair as though he were my own child. I never thought at the time how strange it all was.
After a little bit his sobs ceased, and he raised himself with an apology, though he made no disguise of his emotion. He told me that for days and nights past, weary days and sleepless nights, he had been unable to speak with any one, as a man must speak in his time of sorrow. There was no woman whose sympathy could be given to him, or with whom, owing to the terrible circumstance with which his sorrow was surrounded, he could speak freely.
"I know now how I suffered," he said, as he dried his eyes, "but I do not know even yet, and none other can ever know, how much your sweet sympathy has been to me today. I shall know better in time, and believe me that, though I am not ungrateful now, my gratitude will grow with my understanding. You will let me be like a brother, will you not, for all our lives, for dear Lucy's sake?"
"For dear Lucy's sake," I said as we clasped hands. "Ay, and for your own sake," he added, "for if a man's esteem and gratitude are ever worth the winning, you have won mine today. If ever the future should bring to you a time when you need a man's help, believe me, you will not call in vain. God grant that no such time may ever come to you to break the sunshine of your life, but if it should ever come, promise me that you will let me know."
He was so earnest, and his sorrow was so fresh, that I felt it would comfort him, so I said, "I promise."
As I came along the corridor I saw Mr. Morris looking out of a window. He turned as he heard my footsteps. "How is Art?" he said. Then noticing my red eyes, he went on, "Ah, I see you have been comforting him. Poor old fellow! He needs it. No one but a woman can help a man when he is in trouble of the heart, and he had no one to comfort him."
He bore his own trouble so bravely that my heart bled for him. I saw the manuscript in his hand, and I knew that when he read it he would realize how much I knew, so I said to him, "I wish I could comfort all who suffer from the heart. Will you let me be your friend, and will you come to me for comfort if you need it? You will know later why I speak."
He saw that I was in earnest, and stooping, took my hand, and raising it to his lips, kissed it. It seemed but poor comfort to so brave and unselfish a soul, and impulsively I bent over and kissed him. The tears rose in his eyes, and there was a momentary choking in his throat. He said quite calmly, "Little girl, you will never forget that true hearted kindness, so long as ever you live!" Then he went into the study to his friend.
"Little girl!" The very words he had used to Lucy, and, oh, but he proved himself a friend.


Use the DOM to change my text!

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Welcome!
Born from the desire to create, learn, and collaborate; The MSSA Project is something for all students to take
part in. At its essence, the MSSA Project is nothing more than a foundation; however, with contributions from
MSSA students across the country, The MSSA Project can quickly become a tool that future students use to navigate
their transition from the military. Future students will be able to use the projects you create and post as
inspiration for their own ventures. Before long, the MSSA Project can function as an interactive virtual-classroom where
you can view what your classmates are working on in San Diego, and also contribute to a project that students in San Antonio
have been experiencing issues with. What's more is that you can take your projects on-the-go since you can access all
of the projects from any where and at any time. Hopefully, the MSSA Project can prove to be more than just a foundation,
and instead become a spring board for all of us into our next careers.
We are looking to collaborate with a few students to intially launch this website. Ideally, we would like to collaborate
with people who are interested in programming, have a few projects underway, and


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@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import sdil.models.variations.ReturnVariationData @import views.html.softdrinksindustrylevy.helpers._ @(key: String, variation: ReturnVariationData, showChangeLinks: Boolean = true, broughtForward: Option[BigDecimal] = None)(implicit messages: Messages) @cost(key: String, value: BigDecimal) = { @defining( key match { case a if a == "own-brands-packaged-at-own-sites" || a == "packaged-as-a-contract-packer" || a == "brought-into-uk" => 1 case b if b == "claim-credits-for-exports" || b == "claim-credits-for-lost-damaged" => -1 case _ => 0 } ) { multiplier => @format_money(value * multiplier) } } @table_head(title: String, changeLink: String)(rowContent: Html) = {
|
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}


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The Void play's all around the Bay Area and has been together since middle school.
We love what we do and plan on sticking together as long as we can. We have a wide range of musical expertise, which includes profficiency in Jazz and Funk, and will play at any venue thats big enough to hold us.


Kerala is a state on the Southwestern Malabar Coast of India. It was formed on 1 November 1956, by combining Malayalam-speaking states of Travancore-Cochin and Madras. Spread over 38,863 km2 , Kerala is the twenty-first largest Indian state by area. It is bordered by Karnataka to the north and northeast, Tamil Nadu to the east and south, and the Lakshadweep Sea to the west. It is divided into 14 districts with the capital being Thiruvananthapuram. Malayalam is it's most widely spoken language and official language.
The economy of Kerala is the 10th-largest in India with ₹7.82 trillion in Gross state domestic product and a per capita GSDP of ₹204,000 .Kerala has the lowest positive population growth rate, 3.44%; the highest Human Development Index , 0.784 in 2018 ; the highest literacy rate, 96.2% in, India. The state has witnessed significant emigration, especially to the Arab states of the Persian Gulf during the Gulf Boom of the 1970s and early 1980s, and its economy depends significantly on remittances from a large Malayali expatriate community. Hinduism is practised by more than half of the population, followed by Islam and Christianity. The culture is a synthesis of Aryan, Dravidian, Arab, and European cultures,developed over millennia, under influences from other parts of India and abroad.
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I am a Full-Stack Python Developer. Though I preferred back-end. But If you need a full web app from building to deployment, I can do it. I will build scalable, maintainable, reusable and secure web app for you. I will integrate your AI, ML, DL projects to web app. I will build web scraper, scripting and automation tools for you.
Here are my recent works.
Here are few of my demo projects.
Responsive
A blog made with Python, Django, Django REST Framework, Sass, HTML, CSS etc. Having REST API endpoint. Authentication, Authorization, Security etc.
View CodeResponsive
A single page blog application made with HTML, CSS, Javascript, React, Redux etc.
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Online Pizza Order System Api built with Django REST Framework.
View CodeCommand Line Scripting Tool
A command line scripting tool for web scraping. Basically contains some mini apps. Built with Python, requests, BeautifulSoup, lxml, Selenium etc.
View CodeResponsive
My First Django Blog made with Python, Django, HTML, CSS, Bootstrap etc. Having like, dislike features. Having profile and profile picture features.
View CodeResponsive
A ToDo app made with Django, DRF, Python, React, HTML, CSS, Javascript, Bootstrap etc.
View Code


Eager professional looking towards the future. My desire to be creative, design and build has led me to become a full stack developer. Having spent over 10 years as a technician and engineer, I love solving problems and seeing a project come to life, whether it be software or hardware. Looking to flex my new skills in web development and application design.
Galvanize fullstack capstone project.
A web and mobile app to help incentivize patients in physical therapy to complete prescribed exercises.
ARBlockTower is an iOS game built with Swift and ARKit similar to the classic Jenga tower building game.
Recipeers is a fullstack social media app for discovering and sharing recipes. Built in a week for Galvanize g63 cohort qtr 2 project.
Javascript
Angular 1
Swift, ARKit
CSS, HTML
Bootstrap, Materialize
Node.js, Express
Knex
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Heroku
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Github, Git
Galvanize
Full Stack Web Development Immersive
Austin TX, 2018
Texas State University
BS Electrical Engineering
San Marcos TX, 2012
Tableau Software
Austin TX, Jul 2015 - Aug 2017
Tech Support Specialist, customer facing. Troubleshooting data base connections and product issues. Provided solutions to visual analytics issues.
Flextronics
Austin TX, Jul 2013 - Oct 2014
Test Engineer responsible for maintaining equipment for automated testing of circuit boards for the Apple Mac Pro 6 Desktop computer.
NSTAR Global Services
Hislboro OR, May 2012 - Mar 2013
Providing start-up services for semiconductor production equipment for Tokyo Electron America. Installed industry tools in fabs in Samsung - Austin and Intel - Hillsboro.
US Navy
1999 - 2007
Electronics Technician, Surface Warfare qualified, HF EHF SATCOM communications.


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ME & ISAAC NEWTON A film review by Steve Rhodes Copyright 2000 Steve Rhodes RATING (0 TO ****): *** 1/2
Michael Apted, director of absolutely the best documentary series ever made (42 UP and its predecessors), as well a wide variety of feature films from COAL MINER'S DAUGHTER to THE WORLD IS NOT ENOUGH, examines the world of the scientist in ME & ISAAC NEWTON. As he did in INSPIRATIONS, a documentary that looked into the creative processes of famous artists like Roy Lichtenstein, Apted gets into the heads of scientists to understand what makes them tick and what inspires their scientific explorations. The result is completely engrossing, and the film is equally accessible to the scientific literates and illiterates.
Although the comparisons to Errol Morris's FAST, CHEAP & OUT OF CONTROL are obvious, Apted takes a completely different approach to the art of the documentary. Unlike Morris, who relishes humor in all forms, Apted uses it sparingly. Still, Apted isn't above including footage of intelligence-test taking pigeons and of old Flash Gordon adventures.
Mixing in footage of the scientists growing up with interviews of them at their labs and in the field, the film looks in depth at seven scientists. Frankly, fewer would have been better. In a film in which few criticisms are possible, the only other one would be that a final section that mixes politics with doomsday views of the future feels like little more than remarkably unscientific speculation.
Michio Kaku, a theoretical physicist, says that his personal driving force was a picture of the incomplete manuscript that Einstein left when he died. Kaku had an obsession to finish the work that had stumped the great man. "This was more fascinating that any murder mystery," he explains, breathlessly. Kaku is a guy who watched Flash Gordon as a child and even built an atom smasher in his garage when he was a teenager. A man who works on a unified string theory of everything using a 10-dimensional hyperspace model, his favorite diversion is ice skating. As he zooms across the ice, he says that it is "just me and Isaac Newton."
Ashok Gadgil, an environmental scientist who came from India to Berkeley in 1973, is a sweet but driven man who looks for solutions that can be brought to third-world countries immediately and with standard parts. One beautifully simple example we are shown is the use of a cheap ultraviolet light for purifying water in third world nations. It was the inner workings of a spinning top that was his inspiration as a child to explore the world of science.
At our screening, Gadgil told us that they interviewed many scientists before they chose these seven. He said that they sent him a tape of INSPIRATIONS, which scared him. He isn't comfortable with personal questions, and in INSPIRATIONS, Apted kept asking the artists about their sex lives.
Maja Mataric, a computer scientist who emigrated as a teenager from Yugoslavia, specializes in robotics. Mataric, who studied art in school, has a wide variety of interests besides robots. She even shares her shoe designs with us.
Also at our screening, Mataric said that journalists come to her lab all of time, usually asking nothing but inane and shallow questions such as, "Will robots take over the world?" Because of this, she didn't initially take this movie seriously and didn't even bother watching the tape of INSPIRATIONS that they had sent her.
There is a wonderful and little known connection with FAST, CHEAP & OUT OF CONTROL that she shared with us. She was finishing up her doctorate under robotics scientist Rodney Brooks, when Errol Morris came to MIT to make FAST, CHEAP & OUT OF CONTROL. If you look closely, you can see just her legs in one of the scenes with the robots in that movie. And some of Mataric's graduate assistants' legs appear in robot scenes in ME & ISAAC NEWTON.
"Science to me is almost a religion," Gertrude Elion, a Nobel Prize-winning pharmaceutical chemist, tells us. "To me, science is truth and truth is beautiful." Sadly, Elion died soon after her interview.
Steven Pinker, a cognitive scientist, talks, among other things, about the "Eureka moment" of scientific ideas, which he says studies have proven to be a myth. Patricia Wright, a primatologist who lives in Madagascar, tells us that "it's the failures that give you the energy to make the rest work."
"Science is the engine of prosperity," Kaku tells us. A better explanation of the New Economy has never been spoken. ME & ISAAC NEWTON is the type of film that should be seen by every junior high school student, but it has much broader appeal.
ME & ISAAC NEWTON runs 1:40. It is not rated but would probably be a G. It is fine for all ages, but kids under 10 will likely not be interested.
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alias of AddRouterToFirewall
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Bases: openstack_dashboard.dashboards.project.firewalls.views.FireWallDetailTabs
alias of FirewallDetailsTabs
Bases: horizon.tabs.views.TabbedTableView
alias of FirewallTabs
Bases: horizon.forms.views.ModalFormView
alias of InsertRuleToPolicy
Bases: openstack_dashboard.dashboards.project.firewalls.views.FireWallDetailTabs
alias of PolicyDetailsTabs
Bases: openstack_dashboard.dashboards.project.firewalls.views.RouterCommonView
alias of RemoveRouterFromFirewall
Bases: horizon.forms.views.ModalFormView
alias of RemoveRuleFromPolicy
Bases: horizon.forms.views.ModalFormView
Bases: openstack_dashboard.dashboards.project.firewalls.views.FireWallDetailTabs
alias of RuleDetailsTabs
Bases: horizon.forms.views.ModalFormView
alias of UpdateFirewall
Bases: horizon.forms.views.ModalFormView
alias of UpdatePolicy
Bases: horizon.forms.views.ModalFormView
alias of UpdateRule


Home
Cross Cut Property Services provides professional lawn, shrub, garden and property maintenance as well as snow removal.
Owned by Rick Zobel who has been in the industry since the early '90s this company is built on sensible solutions and
their successful execution. As Rick is very industrious and knowledgeable in lawn maintenance and it's management he is
able to simplify tasks and provide value in structuring a well defined plan for single family homes, multi-facility commercial
properties, residential associations and government properties. Cross Cut Properties maintains equipment for large brush cut
and wild growth maintenance as well as professional mowing, trimming and garden maintenance.
Coverage Area
We service the Twincities, Metropolitan and Extended Areas completing weekly routes throughout
Minneapolis, Saint Paul NE and NW suburbs. Our service area is increasing, please call Rick Zobel
at<PHONE_NUMBER> or complete our online quote request here
to go over details and find a service schedule. We follow up on all quote requests submitted via
online tool and are happy to take your call.
Equipment
Outstanding and well maintained equipment is key to a job done right. One of our jobs is to ensure all Tools and Equipment are in optimum condition.
We use best in class zero turn lawn mowers, weedwhips, leaf blowers, bagging and collection aparatus. We take pride in our tools employing equipment
from makers such as: Toro, Gravely, Husqavarna,


| 1 | /* =========================================================== | |
| 2 | * JFreeChart : a free chart library for the Java(tm) platform | |
| 3 | * =========================================================== | |
| 4 | * | |
| 5 | * (C) Copyright 2000-2008, by Object Refinery Limited and Contributors. | |
| 6 | * | |
| 7 | * Project Info: http://www.jfree.org/jfreechart/index.html | |
| 8 | * | |
| 9 | * This library is free software; you can redistribute it and/or modify it | |
| 10 | * under the terms of the GNU Lesser General Public License as published by | |
| 11 | * the Free Software Foundation; either version 2.1 of the License, or | |
| 12 | * (at your option) any later version. | |
| 13 | * | |
| 14 | * This library is distributed in the hope that it will be useful, but | |
| 15 | * WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY | |
| 16 | * or FITNESS FOR A PARTICULAR PURPOSE. See the GNU Lesser General Public | |
| 17 | * License for more details. | |
| 18 | * | |
| 19 | * You should have received a copy of the GNU Lesser General Public | |
| 20 | * License along with this library; if not, write to the Free Software | |
| 21 | * Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, | |
| 22 | * USA. | |
| 23 | * | |
| 24 | * [Java is a trademark or registered trademark of Sun Microsystems, Inc. | |
| 25 | * in the United States and other countries.] | |
| 26 | * | |
| 27 | * --------------- | |
| 28 | * WindNeedle.java | |
| 29 | * --------------- | |
| 30 | * (C) Copyright 2002-2008, by the Australian Antarctic Division and | |
| 31 | * Contributors. | |
| 32 | * | |
| 33 | * Original Author: Bryan Scott (for the Australian Antarctic Division); | |
| 34 | * Contributor(s): David Gilbert (for Object Refinery Limited); | |
| 35 | * | |
| 36 | * Changes: | |
| 37 | * -------- | |
| 38 | * 25-Sep-2002 : Version 1, contributed by Bryan Scott (DG); | |
| 39 | * 09-Sep-2003 : Added equals() method (DG); | |
| 40 | * 22-Nov-2007 : Implemented hashCode() (DG) | |
| 41 | * | |
| 42 | */ | |
| 43 | ||
| 44 | package org.jfree.chart.needle; | |
| 45 | ||
| 46 | import java.awt.Graphics2D; | |
| 47 | import java.awt.geom.Point2D; | |
| 48 | import java.awt.geom.Rectangle2D; | |
| 49 | import java.io.Serializable; | |
| 50 | ||
| 51 | /** | |
| 52 | * A needle that indicates wind direction, for use with the | |
| 53 | * {@link org.jfree.chart.plot.CompassPlot} class. | |
| 54 | */ | |
| 55 | public class WindNeedle extends ArrowNeedle | |
| 56 | implements Cloneable, Serializable { | |
| 57 | ||
| 58 | /** For serialization. */ | |
| 59 | private static final long serialVersionUID = -2861061368907167834L; | |
| 60 | ||
| 61 | /** | |
| 62 | * Default constructor. | |
| 63 | */ | |
| 64 | public WindNeedle() { | |
| 65 | super(false); // isArrowAtTop | |
| 66 | } | |
| 67 | ||
| 68 | /** | |
| 69 | * Draws the needle. | |
| 70 | * | |
| 71 | * @param g2 the graphics device. | |
| 72 | * @param plotArea the plot area. | |
| 73 | * @param rotate the rotation point. | |
| 74 | * @param angle the angle. | |
| 75 | */ | |
| 76 | protected void drawNeedle(Graphics2D g2, Rectangle2D plotArea, | |
| 77 | Point2D rotate, double angle) { | |
| 78 | ||
| 79 |
1
1. drawNeedle : removed call to org/jfree/chart/needle/ArrowNeedle::drawNeedle → NO_COVERAGE |
super.drawNeedle(g2, plotArea, rotate, angle); |
| 80 |
2
1. drawNeedle : negated conditional → NO_COVERAGE 2. drawNeedle : negated conditional → NO_COVERAGE |
if ((rotate != null) && (plotArea != null)) { |
| 81 | ||
| 82 |
1
1. drawNeedle : Replaced integer multiplication with division → NO_COVERAGE |
int spacing = getSize() * 3; |
| 83 | Rectangle2D newArea = new Rectangle2D.Double(); | |
| 84 | ||
| 85 | Point2D newRotate = rotate; | |
| 86 |
2
1. drawNeedle : Replaced double subtraction with addition → NO_COVERAGE 2. drawNeedle : removed call to java/awt/geom/Rectangle2D::setRect → NO_COVERAGE |
newArea.setRect(plotArea.getMinX() - spacing, plotArea.getMinY(), |
| 87 | plotArea.getWidth(), plotArea.getHeight()); | |
| 88 |
1
1. drawNeedle : removed call to org/jfree/chart/needle/ArrowNeedle::drawNeedle → NO_COVERAGE |
super.drawNeedle(g2, newArea, newRotate, angle); |
| 89 | ||
| 90 |
2
1. drawNeedle : Replaced double addition with subtraction → NO_COVERAGE 2. drawNeedle : removed call to java/awt/geom/Rectangle2D::setRect → NO_COVERAGE |
newArea.setRect(plotArea.getMinX() + spacing, |
| 91 | plotArea.getMinY(), plotArea.getWidth(), | |
| 92 | plotArea.getHeight()); | |
| 93 |
1
1. drawNeedle : removed call to org/jfree/chart/needle/ArrowNeedle::drawNeedle → NO_COVERAGE |
super.drawNeedle(g2, newArea, newRotate, angle); |
| 94 | ||
| 95 | } | |
| 96 | } | |
| 97 | ||
| 98 | /** | |
| 99 | * Tests another object for equality with this object. | |
| 100 | * | |
| 101 | * @param object the object to test. | |
| 102 | * | |
| 103 | * @return A boolean. | |
| 104 | */ | |
| 105 | public boolean equals(Object object) { | |
| 106 |
1
1. equals : negated conditional → KILLED |
if (object == null) { |
| 107 |
1
1. equals : replaced return of integer sized value with (x == 0 ? 1 : 0) → NO_COVERAGE |
return false; |
| 108 | } | |
| 109 |
1
1. equals : negated conditional → SURVIVED |
if (object == this) { |
| 110 |
1
1. equals : replaced return of integer sized value with (x == 0 ? 1 : 0) → NO_COVERAGE |
return true; |
| 111 | } | |
| 112 |
2
1. equals : negated conditional → KILLED 2. equals : negated conditional → KILLED |
if (super.equals(object) && object instanceof WindNeedle) { |
| 113 |
1
1. equals : replaced return of integer sized value with (x == 0 ? 1 : 0) → KILLED |
return true; |
| 114 | } | |
| 115 |
1
1. equals : replaced return of integer sized value with (x == 0 ? 1 : 0) → NO_COVERAGE |
return false; |
| 116 | } | |
| 117 | ||
| 118 | /** | |
| 119 | * Returns a hash code for this instance. | |
| 120 | * | |
| 121 | * @return A hash code. | |
| 122 | */ | |
| 123 | public int hashCode() { | |
| 124 |
1
1. hashCode : replaced return of integer sized value with (x == 0 ? 1 : 0) → NO_COVERAGE |
return super.hashCode(); |
| 125 | } | |
| 126 | ||
| 127 | } | |
| 128 | ||
Mutations | ||
| 79 |
1.1 |
|
| 80 |
1.1 2.2 |
|
| 82 |
1.1 |
|
| 86 |
1.1 2.2 |
|
| 88 |
1.1 |
|
| 90 |
1.1 2.2 |
|
| 93 |
1.1 |
|
| 106 |
1.1 |
|
| 107 |
1.1 |
|
| 109 |
1.1 |
|
| 110 |
1.1 |
|
| 112 |
1.1 2.2 |
|
| 113 |
1.1 |
|
| 115 |
1.1 |
|
| 124 |
1.1 |


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