Chapter 3 Organizing your working directory
Using a consistent folder structure across your projects will help keep things organized, and will also make it easy to find/file things in the future. This can be especially helpful when you have multiple projects. In general, you may create directories (folders) for scripts, data, and documents.
- data_raw/
- data/
Use these folders to store raw data and intermediate datasets you may create for the need of a particular analysis. For the sake of transparency and provenance, you should always keep a copy of your raw data accessible and do as much of your data cleanup and preprocessing programmatically (i.e., with scripts, rather than manually) as possible.
- report.Rmd
We will be using an RMarkdown file to create our report. This allows for inline coding with plot and table outputs. We are going to keep the report in the root of our working directory because we are only going to use one file and it will make things easier. Outside of this demonstraition you’d most likely create a folder of reports and title them accordingly.
- Additional (sub)directories depending on your project needs (like scripts and functions)
We will need a data_raw/
folder for our demo project to store our raw sas7bdat
files, and we will use data/
for when we learn how to export data as CSV files, and a report.Rmd
file for our generated report containing figures and tables.
Under the Files tab on the right of the screen, click on New Folder and create a folder named data_raw within your newly created working directory (e.g., ~/cdisc-demo/). (Alternatively, type dir.create(“data_raw”) at your R console.)
Repeat these operations to create a data folder. Under the Files tab you can click New File then RMarkdown and create the report.Rmd
.
Your working directory should now look like this:


|
| bool | IsSingle |
| | Gets if the tag is single placed; in other words it doesn't need a closing tag; e.g.
 More...
|
| |
◆ HtmlTag()
| System.Drawing.Html.HtmlTag.HtmlTag |
( |
string |
tag | ) |
|
◆ HasAttribute()
| bool System.Drawing.Html.HtmlTag.HasAttribute |
( |
string |
attribute | ) |
|
Gets a boolean indicating if the attribute list has the specified attribute
- Parameters
-
- Returns
◆ ToString()
| override string System.Drawing.Html.HtmlTag.ToString |
( |
| ) |
|
◆ IsSingle
| bool System.Drawing.Html.HtmlTag.IsSingle |
Initial value:
new[]
{
"area", "base", "basefont", "br", "br/", "br /", "hr/", "hr /", "col",
"frame", "hr", "img", "input", "isindex",
"link", "meta", "param"
}
Gets if the tag is single placed; in other words it doesn't need a closing tag; e.g.

◆ Attributes
| Dictionary<string, string> System.Drawing.Html.HtmlTag.Attributes |
|
get |
Gets the dictionary of attributes in the tag
◆ IsClosing
| bool System.Drawing.Html.HtmlTag.IsClosing |
|
get |
Gets if the tag is actually a closing tag
◆ TagName
| string System.Drawing.Html.HtmlTag.TagName |
|
get |
Gets the name of this tag
The documentation for this class was generated from the following file:
- D:/OneDrive/Documents/Work/Repositories/JB.Toolkit/JB.Toolkit/WinForms/Helpers/HtmlHelper/HtmlTag.cs


China Punishes Three CD Manufacturers
BEIJING, June 11 (Xinhua) -- China has suspended the
reproduction licences of two CD factories, accusing them of piracy
and fining them each 200,000 yuan (about 24,096 US dollars).
Officials with the Press and Publication Administration and the
State Copyright Bureau said this move serves to show the Chinese
government's sincere effort to fight piracy and protect
intellectual property rights.
According to the officials, the Chaoyang Jinfa CD Company and
Zhongshan Yisheng CD Company, both in Guangdong Province, were
engaged in reproducing pirated and pornographic CDs.
These reproductions were in serious violation of China's
efforts to preserve intellectual property rights and caused severe
negative impact, the official said.
And the Jindie Technology Company in Guangxi Zhuang Autonomous
Region, which imported two production lines to reproduce pirated
and pornographic CDs without permission from the Press and
Publication Administration, also was ordered to suspend the
duplication business.
Since late last year, China has suspended licences of seven
other CD manufacturers for piracy.


Here is our venue for the pre conference workshops on 23.3 and the conference on 24./25.3
Universitätsstraße 150, 44801 Bochum
Königsallee 178b, 44799 Bochum
Read more


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Haiti Missions & Orphanage
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2019 CAF Best XI Shortlist As Super Eagles Stars Get Nomination
by Emmanuel EgobiambuThree Nigerians were among the shortlist of players for the 2019 CAF Best XI following a great showing at the Africa Cup of Nations (AFCON).
Concise News understands that Nigeria finished third place at the 2019 AFCON with now-retired Ighalo who was the highest goalscorer making the CAF Best XI shortlist.
Three other Super Eagles players Alex Iwobi, Wilfred Ndidi and Francis Uzoho, also made the shortlist for the 2019 CAF Best XI.
Ndidi has been consistent for both Nigeria and Leicester City in the English Premier League where he was rated as the top tackler during the 2018-19 campaign.
Both Iwobi, a former Arsenal star who now plays for Everton in England, and Uzoho were instrumental to Nigeria’s bronze medal finish earlier this year in Egypt.
The 2019 CAF Best XI will be announced in a ceremony on January 7, 2019
2019 CAF Best XI Shortlist
Below is the shortlist for the 2019 CAF Best XI:
Goalkeepers
Moez Ben Cherifia, Yassine Bonnou, Mohamed El Shenaway, Sylvain Gbohouo, Rais M’bolhi, Edouard Mendy, Richard Ofori, Andre Onana, Denis Onyango, Francis Uzoho
Defenders
Youcef Atal, Serge Aurier, Mehdi Benatia, Ahmed El-Mohammadi, Lamine Gassama, Faouzi Ghoulam, Achraf Hakimi, Ahmed Hegazi, Kalidou Koulibaly, Christian Luyindama, Issa Mandi, Joel Matip, Noussair Mazraoui, Yassine Meriah, Youssouf Sabaly.
Midfielders
Andre-Frank Anguissa, Ismael Bennacer, Sofiane Feghouli, Idrissa Gueye, Tarek Hamed, Alex Iwobi, Wahbi Khazri, Naby Keita, Franck Kessie, Wilfried Ndidi, Riyad Mahrez, Thomas Partey, Mubarak Wakaso, Victor Wanyama, Hakim Ziyech.
Forwards
Pierre Emerick Aubameyang, Jordan Ayew, Anis Badri, Cedric Bakambu, Youcef Belaili, Baghdad Bounedjah, Odion Ighalo, Sadio Mane, Moussa Marega, Mbaye Niang, Nicolas Pepe, Mohamed Salah, Islam Slimani, Percy Tau, Wilfried Zaha.


In the movie industry, I assume that there is a strategy of launching date and also people prefer some of the genres by the certain season. I would like to investigate the movie data to see if there are defining correlations between genres and release dates to assume the launching strategy in the production industry through TMDB API. https://developers.themoviedb.org/3/movies/get-movie-details
[What I did & File info]
- Get the genres and release date of all movies through TMDB API. (tmdb.py)
- Create a JSON file with the data (movie_list_final.json)
- Find genres from the movie (sort_all.py, sort_q.py, sort.py)
- Create and add the sorted data into a list by months (sort.py)
- Create JSON files of each month, quarter, and year (all.json, q1.json - q4.json, jan.json - dec.json)
- Create an HTML file to visualize data using existing amCharts 4 API (index.html)
- Tweak the HTML file and add more filtering functions
After the project, I could see Drama was the genre that was launched in all the 12 months, and Documentary and Comedy are the next most launched genres. By the month, it shows slightly different results. The project was really interesting to see the changes from my hypothesis of it.
Correlations between movie genres and release dates
By: Jacob Choi


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To write in aksara jawa, just type in latin and the editor will convert it automatically. Aksara murda can be written using capital letters for example NY
will become ꦘ.
For 'vowels' sounds, there are a i u e é o
, and to write é
you can type 'e
Other special characters that are available are
| Name | Character | what to type |
| Lingsa | ꧈ | , |
| Lungsi | ꧉ | . |
| Pangkat | ꧇ | : |
| Adeg | ꧊ | " |
| Piseleh Kiwa | ꧌ | [ |
| Piseleh Tengen | ꧍ | ] |


{{#if description }}{{ description }}{{else }}No description.{{/if }}
Search for categories in the upper input field. At the bottom you can add a new category with name and description.


This feature has not been developed yet, help me code it or consider a donation.
Stay tuned, this is will be coded soon.
Headings
Heading 1 Secondary Text
Heading 2 Secondary Text
Heading 3 Secondary Text
Heading 4 Secondary Text
Heading 5 Secondary Text
Heading 6 Secondary Text
Paragraphs
This is a paragraph. Paragraphs are preset with a font size, line height and spacing to match the overall vertical rhythm. To show what a paragraph looks like this needs a little more content so, did you know that there are storms occurring on Jupiter that are larger than the Earth? Pretty cool. Wrap strong around type to make it bold!. You can also use em to italicize your words.
Links
Links are very standard.
Blockquotes
Those people who think they know everything are a great annoyance to those of us who do.Isaac Asimov
V-Cards
- Gaius Baltar
- 123 Colonial Ave.
- Caprica City
- Caprica, 12345
-<EMAIL_ADDRESS>Labels
Normal:
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Mack, Robinson lead Bears to 19-14 win over Giants
by ANDREW SELIGMANCHICAGO (AP) - Khalil Mack set up a touchdown with a strip-sack, Allen Robinson had a season-high 131 yards receiving and the Chicago Bears beat the struggling New York Giants 19-14 on Sunday.
Trying to salvage something from a disappointing season, the Bears (5-6) bounced back from a loss to the Los Angeles Rams to win for the second time in three games. The Giants (2-9) dropped their seventh straight and clinched their third losing season in a row.
Mack broke through in the third quarter for just his second sack in seven games. Held without a tackle at Los Angeles, the three-time All-Pro nailed Jones deep in New York territory, and Chicago’s Nick Williams recovered at the 3. That led to a 2-yard touchdown run by quarterback Mitchell Trubisky to make it 19-7.
New York cut the lead to five with 4:10 left in the game when Golden Tate hauled in a 23-yard pass on fourth-and-18. The Bears then went three-and-out before Pat O’Donnell pinned the Giants at the 6 with a 61-yard punt, and Chicago hung on from there.
Trubisky threw for a season-high 278 yards, including a touchdown to Robinson, and two interceptions after missing the final drive the previous week because of a right hip pointer. Robinson had six catches, and the defending NFC North champions gave their frustrated fans something to cheer.
Jones was 21 of 36 for 150 yards and two touchdowns. Saquon Barkley ran for 59 yards after rushing for 72, 64, 28 and 1 in his first four games back from a high right ankle sprain.
Aldrick Rosas missed two field goals, and New York fell to 7-20 in two seasons under coach Pat Shurmur.
The Bears took a 10-7 lead early in the third when Trubisky hit Robinson down the middle for a 32-yard TD after New York’s Janoris Jenkins got flagged for holding on third down to keep the drive going.
Robinson also caught a 49-yard strike with Chicago deep in its territory to help set up a 24-yard field goal by Eddy Piñeiro midway through the third, making it 13-7.
Mack then nailed Jones from behind for a strip-sack that Nick Williams recovered at the New York 3, and Trubisky plowed in to make it 19-7. A 2-point conversion pass to Taylor Gabriel got wiped out by a penalty against Robinson away from the ball. Another penalty by Chicago as Piñeiro missed an extra point led to a 48-yard attempt by him that failed.
INJURIES
Giants: The Giants were without TEs Evan Engram (foot) and Rhett Ellison (concussion). … S Jabrill Peppers (hip) got banged up in the first half.
Bears: S Sherrick McManis (groin) left in the second quarter after he was hurt getting blocked on Peppers’ 40-yard punt return. … RT Bobby Massie (ankle) was hurt in the third quarter.
UP NEXT
Giants: Host Green Bay next Sunday.
Bears: Visit Detroit on Thursday.
More AP NFL: https://apnews.com/NFL and https://twitter.com/AP_NFL
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Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


Load Balancers¶
A load balancer is a device that distributes incoming network traffic amongst multiple back-end systems. These back-end systems are called the nodes of the load balancer.
Getting started¶
1. Instantiate a Rackspace client.¶
use OpenCloud\Rackspace;
$client = new Rackspace(Rackspace::US_IDENTITY_ENDPOINT, array(
'username' => '<YOUR RACKSPACE CLOUD ACCOUNT USERNAME>',
'apiKey' => '<YOUR RACKSPACE CLOUD ACCOUNT API KEY>'
));
2. Retrieve the server instances you want to add as nodes of the load balancer.¶
$computeService = $client->computeService('cloudServersOpenStack', 'DFW');
$serverOne = $computeService->server('e836fc4e-056d-4447-a80e-fefcaa640216');
$serverTwo = $computeService->server('5399cd36-a23f-41a6-bdf7-20902aec0e74');
The example above uses two server instances that have already been created. It retrieves the server instances using their IDs. See also: `creating server instances <>`__.
3. Obtain a Load Balancer service object from the client.¶
This object will be used to first define the load balancer nodes and later create the load balancer itself.
$loadBalancerService = $client->loadBalancerService('cloudLoadBalancers', 'DFW');
4. Define a load balancer node for each server.¶
$loadBalancer = $loadBalancerService->loadBalancer();
$serverOneNode = $loadBalancer->node();
$serverOneNode->address = $serverOne->addresses->private[0]->addr;
$serverOneNode->port = 8080;
$serverOneNode->condition = 'ENABLED';
$serverTwoNode = $loadBalancer->node();
$serverTwoNode->address = $serverTwo->addresses->private[0]->addr;
$serverTwoNode->port = 8080;
$serverTwoNode->condition = 'ENABLED';
In the example above, each node runs a service that listens on port 8080. Further, each node will start out as ENABLED, which means it will be ready to receive network traffic from the load balancer as soon as it is created.
5. Create the load balancer with the two nodes.¶
$loadBalancer->addVirtualIp('PUBLIC');
$loadBalancer->create(array(
'name' => 'My smart load balancer',
'port' => 80,
'protocol' => 'HTTP',
'nodes' => array($serverOneNode, $serverTwoNode)
));
In the example above, the load balancer will have a virtual IP address accessible from the public Internet. Also notice that the port the load balancer listens on (80) does not need to match the ports of its nodes (8080).
Next steps¶
Once you have created a load balancer, there is a lot you can do with it. See the complete user guide for load balancers.


| CONTENTS | PREV | NEXT | Java Remote Method Invocation |
During a remote method invocation, if the "live" reference for a target object is unknown, the faulting reference engages in the activation protocol. The activation protocol involves several entities: the faulting reference, the activator, an activation group, and the remote object being activated.The activator (usually one per host) is the entity which supervises activation by being both:
Note that the activator keeps the current mapping of activation identifiers to active objects as a cache, so that the group does not need to be consulted on each activation request.An activation group (one per JVM) is the entity which receives a request to activate an object in the JVM and returns the activated object back to the activator.
The activation protocol is as follows. A faulting reference uses an activation identifier and calls the activator (an internal RMI interface) to activate the object associated with the identifier. The activator looks up the object's activation descriptor (registered previously). The object's descriptor contains:
- the object's group identifier, specifying the JVM in which it is activated,
- the object's class name,
- a URL path from which to load the object's class code, and
- object-specific initialization data in marshalled form (initialization data might be the name of a file containing the object's persistent state, for example).
If the activation group in which this object should reside exists, the activator forwards the activation request to that group. If the activation group does not exist, the activator initiates a JVM executing an activation group and then forwards the activation request to that group.The activation group loads the class for the object and instantiates the object using a special constructor that takes several arguments, including the activation descriptor registered previously.
When the object is finished activating, the activation group passes back a marshalled object reference to the activator that then records the activation identifier and active reference pairing and returns the active (live) reference to the faulting reference. The faulting reference (inside the stub) then forwards method invocations via the live reference directly to the remote object.
Note - In Java 2 SDK, Standard Edition, v 1.2, RMI provides an implementation of the activation system interfaces. In order to use activation, you must first run the activation system daemonrmid
.


To give everyone the power to navigate all of their favorite social media sites in one place. There will never be a problem of having multiple tabs open for each social media account. NOW, there will be access to Reddit, Giphy, YouTube, and Instagram search on LIT.
Our company, Alphabet, was created in Summer 2016, at the Seattle Google offices, with a goal to change the social media space as the world knows it. It was founded by Amy Yee, Bryce Frey, and Clay Clark hence the company name Alphabet (ABC).


This page can help you compare the results of the transmuxing performed by videojs-contrib-hls with a known, working file produced by another tool. You could use ffmpeg to transform an MPEG-2 transport stream into an FLV with a command like this:
ffmpeg -i input.ts -acodec copy -vcodec copy output.flv
Inputs
Tag Comparison
videojs-contrib-hls
Working
Results
videojs-contrib-hls
The results of transmuxing your input file with videojs-contrib-hls will show up here.
Working
The "good" version of the file will show up here.


Next: values, Previous: multiple-value-prog1, Up: Data and Control Flow Dictionary
multiple-value-setq
vars form ⇒ result
vars—a list of symbols that are either variable names or names of symbol macros.
form—a form.
result—The primary value returned by the form.
multiple-value-setq assigns values to vars.
The form is evaluated, and each var is assigned to the corresponding value returned by that form. If there are more vars than values returned, nil is assigned to the extra vars. If there are more values than vars, the extra values are discarded.
If any var is the name of a symbol macro, then it is assigned as if by setf. Specifically,
(multiple-value-setq (symbol_1 ... symbol_n) value-producing-form)
is defined to always behave in the same way as
(values (setf (values symbol_1 ... symbol_n) value-producing-form))
in order that the rules for order of evaluation and side-effects be consistent with those used by setf.
(multiple-value-setq (quotient remainder) (truncate 3.2 2)) ⇒ 1 quotient ⇒ 1 remainder ⇒ 1.2 (multiple-value-setq (a b c) (values 1 2)) ⇒ 1 a ⇒ 1 b ⇒ 2 c ⇒ NIL (multiple-value-setq (a b) (values 4 5 6)) ⇒ 4 a ⇒ 4 b ⇒ 5


{% load staticfiles %}
Aaho - Online Truck Booking
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Impact Area Importer
Impact Areas essentially relate to Damage Reaches in HEC-FDA. More specifically they relate to SidReaches. This means that stationing on a structure does not have to be within the damage reach beginning and ending stations. To properly use this feature, the "Sid Reach" column in FDA needs to be checked when aggregated stage damage functions are computed. They operate as a way to group structures to an index location in data into your study. All structures must be in an impact area, and each impact area must have an index location defined. Defining index locations occurs in the final node of the study tree.
Impact areas are defined by polygon shapefiles, each record represents a unique impact area, and must have a unique name. The polygon used to define an impact area can have multiple parts.
To import impact areas:
- Enter the name of the impact area data.
- Select or browse for the shapefile.
- Select a unique name.
- Change the index station number for each polygon. Valid numbers are any non-integer, non-zero value, usually choices are between 0 and 1.
Example


Hitting submit will send your realtime heart-rate data to our
live server.
Currently there is no restriction on who can view real-time heart rate data.
See privacy for details. This beta version of google fit integration
will send your heart rate activity to your Google Fit profile.
Sign out


14ers Search Tool Methodology
I created the database for this website by combining information from this 14ers API with route information from 14ers.com. The methodology I used for sorting and returning search criteria is as follows:
- Difficulty levels were grouped according to a combination of the class of the route and community consensus from 14ers.com. Class 1 routes and easy class 2 routes
get returned as "Easy". More difficult class 2 routes get returned as "Moderate" peaks, and class 3 and 4 routes get returned as "Hard". Obviously these ratings are subjective and are meant as a guide for hikers who are relatively new to the
sport.
- Elevation and peak ranking data was taken from 14ers.com. Currently only the standard routes on each peak show up in the search results. I am considering adding
data for non-standard routes.
- Sorting peaks based on distance from Denver is an obviously contentious decision. I decided to split the 14ers into two groups based on their distance from Denver simply because the majority of hikers who would use this tool live near the Front
Range. Some peaks (such as the Elk Mountains near Aspen) show up in both the "close" and "far" search criteria because their trailheads are right around the cutoff of 4 hours driving time.
- Regarding the sorting methodology for "Length of Hike", I wanted users to have access to a wider range of routes, hence the distance overlap between categories. The distance breakdown, which is based on the roundtrip distance from trailhead to
summit, is as follows:
- Shorter (less than 9 miles round-trip)
- Medium (between 8 and 14 miles round-trip)
- Longer (more than 13 miles round-trip)


@* * Copyright 2017 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @()(implicit request: Request[_], messages: Messages) @uk.gov.hmrc.nonrepudiationhackfrontend.views.html.main_template(title = "Hello from non-repudiation-hack-frontend", bodyClasses = None) {


Welcome to GeeKee CeeBee's Page: House of Mechatronics Projects & Lessons.
Contact Email<EMAIL_ADDRESS>Follow me on Youtube
__________________________________________________________________________________________________________________________________
DC Motor Speed Control
Step by step practical guide to speed and position tracking control of a DC motor using Arduino.
Formulate PID theory using Numerical Approximation method.
Write PID code from scratch (Not using pre-written library).
Demonstrate the use of rotary encoders, L298n motor driver, and timer interrupts.
Disclaimer: The code and other information on this project are provided on "AS IS" basis with no warranty. Please follow best practices and assess
your own potential risks for this project.
In this video guide, you will learn how to control speed of any DC motor by controlling the supply voltage. Arduino Uno is used to perform PWM voltage control using the PID controller.
Video covers the encoder implementation, basic PID theory, implementation of Timer Interrupt and External Interrupts, derivation of control law, understanding the discrete methods of calculating
derivative and integration of error. Please watch the whole video for better understanding.
Control Diagram
Rotary encoder feedback signal is used to determine the error speed between the reference speed and the actual motor speed. PID controller
simply controls the amount of voltage needed by the motor using PWM in order to reach the desired output.
Wiring Diagram
Below is the wiring diagram for the components used in this project.
Pin2 and 3 are external ISR pins that trigger by the rotary encoder pulses. Pin6 is the PWM pin to control the amount of voltage sent
to the motor driver. Pin7 and 8 are used to change motor direction by changing the polarity of the supply voltage to the motor.
Make sure there's a common ground between the motor driver, arduino and external power supply.


Sylvie and Bruno Concluded
by Lewis Carroll
Chapter 14: “Bruno’s Picnic”
Additional Information
- Year Published: 1893
- Language: English
- Country of Origin: England
- Source: Carroll, L. (1893). Sylvie and Bruno Concluded. London: Macmillan and Co.
-
Readability:
- Flesch–Kincaid Level: 6.5
- Word Count: 4,398
- Genre: Fantasy
- Keywords: 19th century literature, british literature, lewis carroll
- ✎ Cite This
Downloads
As bald as bald,” was the bewildering reply. “Now, Bruno, I’ll tell you a story.”
“And I’ll tell oo a story,” said Bruno, beginning in a hurry for fear of Sylvie getting the start of him: “once there were a Mouse—a little tiny Mouse—such a little Mouse!  I asked.
“Why did nothing never happen to it?” said Sylvie, who was sitting, with her head on Bruno’s shoulder, patiently waiting for a chance of beginning her story.
“It were too tiny,” Bruno explained.
“That’s no reason!” I said. “However tiny it was, things might happen to it.”
 “It were too tiny,” he repeated. “If anything happened to it, it would die—it were so very tiny!”
“Really that’s enough about its being tiny!” Sylvie put in. “Haven’t you invented any more about it?”
“Haven’t invented no more yet.”
“Well, then, you shouldn’t begin a story till you’ve invented more! Now be quiet, there’s a good boy, and listen to my story.”
And Bruno, having quite exhausted all his inventive faculty, by beginning in too great a hurry, quietly resigned himself to listening. “Tell about the other Bruno, please,” he said coaxingly.
Sylvie put her arms round his neck, and began:—
“The wind was whispering among the trees,” (”That wasn’t good manners!” Bruno interrupted. “Never mind about manners,” said Sylvie) “and it was evening—a nice moony evening, and the Owls were hooting—”
“Pretend they weren’t Owls!”  “I don’t like Owls. Owls have such great big eyes. Pretend they were Chickens!”
“Are you afraid of their great big eyes, Bruno?” I said.
 I think if they cried, the tears would be as big—oh, as big as the moon!” And he laughed merrily. “Doos Owls cry ever, Mister Sir?”
“Owls cry never,” I said gravely, trying to copy Bruno’s way of speaking: “they’ve got nothing to be sorry for, you know.”
“Oh, but they have!” Bruno exclaimed. “They’re ever so sorry, ‘cause they killed the poor little Mouses!”
“But they’re not sorry when they’re hungry, I suppose?”
“Oo don’t know nothing about Owls!” Bruno scornfully remarked. “When they’re hungry, they’re very, very sorry they killed the little Mouses, ‘cause if they hadn’t killed them there’d be sumfin for supper, oo know!”
Bruno was evidently getting into a dangerously inventive state of mind, so Sylvie broke in with “Now I’m going on with the story. So the Owls—the Chickens, I mean—were looking to see if they could find a nice fat Mouse for their supper—”
“Pretend it was a nice ‘abbit!” said Bruno.
 “I ca’n’t pretend that!”
“I didn’t say ’habit’, oo silly fellow!” Bruno replied with a merry twinkle in his eye. “’abbits—that runs about in the fields!”
“Rabbit? Well it can be a Rabbit, if you like. But you mustn’t alter my story so much, Bruno. A Chicken couldn’t eat a Rabbit!”
“But it might have wished to see if it could try to eat it.”
“Well, it wished to see if it could try—oh, really, Bruno, that’s nonsense! I shall go back to the Owls.”
“Well, then, pretend they hadn’t great eyes!”
“And they saw a little Boy,” Sylvie went on, disdaining to make any further corrections. “And he asked them to tell him a story. And the Owls hooted and flew away—” (”Oo shouldn’t say ’flewed’; oo should say ’flied’,” Bruno whispered. But Sylvie wouldn’t hear.) “And he met a Lion. And he asked the Lion to tell him a story. And the Lion said ‘yes’, it would. And, while the Lion was telling him the story, it nibbled some of his head off—”
“Don’t say ‘nibbled’!” Bruno entreated. “Only little things nibble—little thin sharp things, with edges—”
“Well, then, it ’nubbled’,” said Sylvie. “And when it had nubbled all his head off, he went away, and he never said ‘thank you’!”
“That were very rude,” said Bruno. “If he couldn’t speak, he might have nodded—no, he couldn’t nod. Well, he might have shaked hands with the Lion!”
“Oh, I’d forgotten that part!” said Sylvie. “He did shake hands with it. He came back again, you know, and he thanked the Lion very much, for telling him the story.”
“Then his head had growed up again?” said Bruno.
“Oh yes, it grew up in a minute. And the Lion begged pardon, and said it wouldn’t nubble off little boys’ heads —not never no more!”
Bruno looked much pleased at this change of events. “Now that are a really nice story!” he said. “Aren’t it a nice story, Mister Sir?”
“Very,” I said. “I would like to hear another story about that Boy.”
“So would I,” said Bruno, stroking Sylvie’s cheek again. “Please tell about Bruno’s Picnic; and don’t talk about nubbly Lions!”
“I wo’n’t, if it frightens you,” said Sylvie.
“Flightens me!” Bruno exclaimed indignantly. “It isn’t that! It’s ‘cause ‘nubbly’ ‘s such a grumbly word to say— when one person’s got her head on another person’s shoulder. When she talks like that,” he exclaimed to me, “the talking goes down bofe sides of my face—all the way to my chin—and it doos tickle so! It’s enough to make a beard grow, that it is!”
He said this with great severity, but it was evidently meant for a joke: so Sylvie laughed—a delicious musical little laugh, and laid her soft cheek on the top of her brother’s curly head, as if it were a pillow, while she went on with the story. “So this Boy—”
“But it wasn’t me, oo know!” Bruno interrupted. “And oo needn’t try to look as if it was, Mister Sir!”
I represented, respectfully, that I was trying to look as if it wasn’t.
“—he was a middling good Boy—”
“He were a welly good Boy!” Bruno corrected her. “And he never did nothing he wasn’t told to do—”
“That doesn’t make a good Boy!” Sylvie said contemptuously.
“ That do make a good Boy!” Bruno insisted.
Sylvie gave up the point. “Well, he was a very good boy and he always kept his promises, and he had a big cupboard—”
“—for to keep all his promises in!” cried Bruno.
“If he kept all his promises,” Sylvie said, with a mischievous look in her eyes, “he wasn’t like some Boys I know of!”
“He had to put salt with them, a-course,” Bruno said gravely: “oo ca’n’t keep promises when there isn’t any salt. And he kept his birthday on the second shelf.”
“How long did he keep his birthday?” I asked. “I never can keep mine more than twenty-four hours.”
“Why, a birthday stays that long by itself!” cried Bruno . “Oo doosn’t know how to keep birthdays! This Boy kept his a whole year!”
“And then the next birthday would begin,” said Sylvie. “So it would be his birthday always.”
“So it were,” said Bruno. “Doos oo have treats on oor birthday, Mister Sir?”
“Sometimes,” I said.
“When oo’re good, I suppose?”
“Why, it is a sort of treat, being good, isn’t it?” I said.
“A sort of treat!” Bruno repeated. “It’s a sort of punishment I think!”
“Oh, Bruno!” Sylvie interrupted, almost sadly. “How can you?”
“Well, but it is,” Bruno persisted. “Why, look here, Mister Sir! This is being good!” And he sat bolt upright, and put on an absurdly solemn face.  “Then oo must clasp oor hands—so. Then— ‘Why hasn’t oo brushed oor hair?  Then—’Oh, Bruno, oo mustn’t dog’s-ear the daisies!’ Did oo learn oor spelling wiz daisies, Mister Sir?”
“I want to hear about that Boy’s Birthday,” I said.
Bruno returned to the story instantly. “Well, so this Boy said ‘Now it’s my Birthday!’ And so—I’m tired!” he suddenly broke off, laying his head in Sylvie’s lap. “Sylvie knows it best. Sylvie’s grown-upper than me. Go on, Sylvie!”
Sylvie patiently took up the thread of the story again. “So he said ‘Now it’s my Birthday. Whatever shall I do to keep my Birthday?’ All good little Boys—” (Sylvie turned away from Bruno, and made a great presence of whispering to me) “—all good little Boys—Boys that learn their lessons quite perfect—they always keep their birthdays, you know. So of course this little Boy kept his Birthday.”
“Oo may call him Bruno, if oo like,” the little fellow carelessly remarked. “It weren’t me, but it makes it more interesting.”
“So Bruno said to himself ‘The properest thing to do is to have a Picnic, all by myself, on the top of the hill. And I’ll take some Milk, and some Bread, and some Apples: and first and foremost, I want some Milk!’ So, first and foremost, Bruno took a milk-pail—”
“And he went and milkted the Cow!” Bruno put in.
“Yes,” said Sylvie, meekly accepting the new verb. “And the Cow said ‘Moo! What are you going to do with all that Milk?’ And Bruno said ‘Please’m, I want it for my Picnic.’ And the Cow said ‘Moo! But I hope you wo’n’t boil any of it?’ And Bruno said ‘No, indeed I wo’n’t! New Milk’s so nice and so warm, it wants no boiling!’ ”
“It doesn’t want no boiling,’ Bruno offered as an amended version.
“So Bruno put the Milk in a bottle. And then Bruno said ‘Now I want some Bread!’ So he went to the Oven, and he took out a delicious new Loaf. And the Oven—”.
“—ever so light and so puffy!” Bruno impatiently corrected her. “Oo shouldn’t leave out so many words!”
Sylvie humbly apologized. “—a delicious new Loaf, ever so light and so puffy. And the Oven said—” Here Sylvie made a long pause. “Really I don’t know what an Oven begins with, when it wants to speak!”
Both children looked appealingly at me; but I could only say, helplessly, “I haven’t the least idea! I never heard an Oven speak!”
For a minute or two we all sat silent; and then Bruno said, very softly, “Oven begins wiz ‘O’.”
“Good little boy!” Sylvie exclaimed. “He does his spelling very nicely. He’s cleverer than he knows!” she added, aside, to me. “So the Oven said ‘O! What are you going to do with all that Bread?’ And Bruno said ‘Please—’ Is an Oven ‘Sir’ or ‘m’, would you say?” She looked to me for a reply.
“Both, I think,” seemed to me the safest thing to say.
Sylvie adopted the suggestion instantly. “So Bruno said ‘Please, Sirm, I want it for my Picnic.’ And the Oven said ‘O! But I hope you wo’n’t toast any of it?’ And Bruno said, ‘No, indeed I wo’n’t! New Bread’s so light and so puffy, it wants no toasting!’ ”
“It never doesn’t want no toasting,” said Bruno. “I wiss oo wouldn’t say it so short!”
“So Bruno put the Bread in the hamper. Then Bruno said ‘Now I want some Apples!’ So he took the hamper, and he went to the Apple-Tree, and he picked some lovely ripe Apples. And the Apple-Tree said—” Here followed another long pause.
Bruno adopted his favourite expedient of tapping his forehead; while Sylvie gazed earnestly upwards, as if she hoped for some suggestion from the birds, who were singing merrily among the branches overhead. But no result followed.
“What does an Apple-Tree begin with, when it wants to speak?” Sylvie murmured despairingly, to the irresponsive birds.
At last, taking a leaf out of Bruno’s book, I ventured on a remark. “Doesn’t ‘Apple-Tree’ always begin with ‘Eh!’?”
“Why, of course it does! How clever of you!” Sylvie cried delightedly.
Bruno jumped up, and patted me on the head. I tried not to feel conceited.
“So the Apple-Tree said ‘Eh! What are you going to do with all those Apples?’ And Bruno said ‘Please, Sir, I want them for my Picnic.’ And the Apple-Tree said ‘Eh! But I hope you wo’n’t bake any of them?’ And Bruno said ‘No, indeed I wo’n’t! Ripe Apples are so nice and so sweet, they want no baking!’ ”
“They never doesn’t—” Bruno was beginning, but Sylvie corrected herself before he could get the words out.
“‘They never doesn’t nohow want no baking.’ So Bruno put the Apples in the hamper, along with the Bread, and the bottle of Milk. And he set off to have a Picnic, on the top of the hill, all by himself—”
“He wasn’t greedy, oo know, to have it all by himself,” Bruno said, patting me on the cheek to call my attention; “ ‘cause he hadn’t got no brothers and sisters.”
“It was very sad to have no sisters, wasn’t it?” I said.
“Well, I don’t know,” Bruno said thoughtfully, “ ‘cause he hadn’t no lessons to do. So he didn’t mind.”
Sylvie went on. “So, as he was walking along the road he heard behind him such a curious sort of noise—a sort of a Thump! Thump! Thump! ‘Whatever is that?’ said Bruno. ‘Oh, I know!’ said Bruno. ‘Why, it’s only my Watch a-ticking!’ ”
“Were it his Watch a-ticking?” Bruno asked me, with eyes that fairly sparkled with mischievous delight.
“No doubt of it!” I replied. And Bruno laughed exultingly.
“Then Bruno thought a little harder. And he said ‘No! it ca’n’t be my Watch a-ticking; because I haven’t got a Watch!’ ”
Bruno peered up anxiously into my face, to see how I took it. I hung my head, and put a thumb into my mouth, to the evident delight of the little fellow.
“So Bruno went a little further along the road.  Thump! Thump! ‘Whatever is that?’ said Bruno. ‘Oh, I know!’ said Bruno. ‘Why, it’s only the Carpenter amending my Wheelbarrow!’ ”
“Were it the Carpenter a-mending his Wheelbarrow?” Bruno asked me.
I brightened up, and said “It must have been!” in a tone of absolute conviction.
Bruno threw his arms round Sylvie’s neck. “Sylvie!” he said, in a perfectly audible whisper. “He says it must have been!”
“Then Bruno thought a little harder. And he said ‘No! It ca’n’t be the Carpenter a-mending my Wheelbarrow, because I haven’t got a Wheelbarrow!’ ”
This time I hid my face in my hands, quite unable to meet Bruno’s look of triumph.
“So Bruno went a little further along the road.  Thump! Thump! So he thought he’d look round, this time, just to see what it was. And what should it be but a great Lion!”
“A great big Lion,” Bruno corrected her.
“A great big Lion. And Bruno was ever so frightened, and he ran—”
“No, he wasn’t flightened a bit!” Bruno interrupted. (He was evidently anxious for the reputation of his namesake.) “He runned away to get a good look at the Lion; ‘cause he wanted to see if it were the same Lion what used to nubble little Boys’ heads off; and he wanted to know how big it was!”
“Well, he ran away, to get a good look at the Lion. And the Lion trotted slowly after him. And the Lion called after him, in a very gentle voice, ‘Little Boy, little Boy, You needn’t be afraid of me! I’m a very gentle old Lion now. I never nubble little Boys’ heads off, as I used to do.’ And so Bruno said ‘Don’t you really, Sir? Then what do you live on?’ And the Lion—”
“Oo see he weren’t a bit flightened!” Bruno said to me, patting my cheek again. “ ‘cause he remembered to call it Sir’, oo know.”
I said that no doubt that was the real test whether a person was frightened or not.
“And the Lion said ‘Oh, I live on bread-and-butter, and cherries, and marmalade, and plum-cake—”
“—and apples!” Bruno put in.
“Yes, ‘and apples’. And Bruno said “wo’n’t you with me to my Picnic?’ And the Lion said ‘Oh, I should like it very much indeed!’ And Bruno and the Lion went away together.” Sylvie stopped suddenly.
“Is that all?” I asked, despondingly.
“Not quite all,” Sylvie slily replied “There’s a sentence or two more. Isn’t there, Bruno?”
“Yes,” with a carelessness that was evidently put on “just a sentence or two more.”
“And, as they were walking along, they looked over a hedge, and who should they see but a little black Lamb! And the Lamb was ever so frightened. And it ran—”
“It were really flightened!” Bruno put in.
“It ran away. And Bruno ran after it. And he called ‘Little Lamb! You needn’t be afraid of this Lion! It never kills things! It lives on cherries, and marmalade—’ ”
“—and apples!” said Bruno. ‘Oo always forgets the apples!”
“And Bruno said ‘Wo’n’t you come with us to my Picnic?’ And the Lamb said ‘Oh, I should like it very much indeed, if my Ma will let me!’ And Bruno said ‘Let’s go and ask your Ma!’ And they went to the old Sheep. And Bruno said ‘Please, may your little Lamb come to my Picnic?’ And the Sheep said ‘Yes, if it’s learnt all its lessons.’ And the Lamb said ‘Oh yes, Ma! I’ve learnt all my lessons!’ ”
“Pretend it hadn’t any lessons!” Bruno earnestly pleaded.
“Oh, that would never do!” said Sylvie. “I ca’n’t leave out all about the lessons! And the old Sheep said ‘Do you know your A B C yet? Have you learnt A?’ And the Lamb said ‘Oh yes, Ma! I went to the A-field, and I helped them to make A!’ ‘Very good, my child! And have you learnt B?’ ‘Oh yes, Ma! I went to the B-hive, and the B gave me some honey!’ ‘Very good, my child! And have you learnt C?’ ‘Oh yes, Ma! I went to the C-side, and I saw the ships sailing on the C!’ ‘Very good, my child! You may go to Bruno’s Picnic.’ ”
“So they set off. And Bruno walked in the middle so that the Lamb mightn’t see the Lion—”
“It were flightened,” Bruno explained.
“Yes, and it trembled so; and it got paler and paler; and, before they’d got to the top of the hill, it was a white little Lamb—as white as snow!”
“But Bruno weren’t flightened!” said the owner of that name. “So he staid black!”
“No, he didn’t stay black! He staid pink!” laughed Sylvie.  Bruno said with great decision. “Besides, Bruno wasn’t Bruno, oo know—I mean, Bruno wasn’t me—I mean—don’t talk nonsense, Sylvie!”
“I wo’n’t do it again!” Sylvie said very humbly. “And so, as they went along, the Lion said ‘Oh, I’ll tell you what I used to do when I was a young Lion. I used to hide behind trees, to watch for little boys.’” (Bruno cuddled a little closer to her.) “‘And, if a little thin scraggy Boy came by, why, I used to let him go. But, if a little fat juicy—’ ”
Bruno could bear no more. “Pretend he wasn’t juicy!” he pleaded, half-sobbing.
“Nonsense, Bruno!” Sylvie briskly replied.   And Bruno said ‘Oh, if you please, Sir, don’t talk about eating little boys! It makes me so shivery!
The real Bruno shivered, in sympathy with the hero.
“And the Lion said ‘Oh, well, we wo’n’t talk about it, then! I’ll tell you what happened on my wedding day—”
“I like this part better,” said Bruno, patting my cheek to keep me awake.
“ ‘There was, oh, such a lovely wedding-breakfast! At one end of the table there was a large plum-pudding. And at the other end there was a nice roasted Lamb! Oh, you’ve no idea what a delicious thing it is—a nice roasted Lamb!’ And the Lamb said ‘Oh, if you please, Sir, don’t talk about eating Lambs! It makes me so shivery!’ And the Lion said ‘Oh, well, we wo’n’t talk about it, then!’ ”


| Next |
The Microsoft® Windows Media™ Services Software Development Kit (SDK) encompasses a wide variety of technologies. Some sections are structured to meet the needs of Web authors who want to add streaming media to their Web sites. Other sections are geared toward Internet service vendors (ISVs) who are developing Web-based software solutions.
This documentation is based on the corresponding system components. The Windows Media Services SDK contains the following components.
| Component | Description |
| Windows Media Unicast Controls | A set of Microsoft® ActiveX® controls that expose attributes for configuring, monitoring, and managing Windows Media unicasting services. |
| Windows Media Station Control | A Microsoft® ActiveX® control that exposes attributes for configuring, monitoring, and managing Windows Media multicasting services. |
| Windows Media Services Authentication API | A COM-compliant API used for developing packages that authenticate users before allowing them to access ASF content. |
| Windows Media Services Event Notification and Authorization API | A COM-compliant API used for developing packages that require the server to obtain authorization before performing tasks, and to send notification when the task is completed. |
| Windows Media Services File Transfer Control | An ActiveX control used to receive multicast file transfers. |
The documentation for each component is divided into two sections:
Microsoft® Windows Media™ Services enables development with a variety of languages and methodologies. These include:
The following table shows the relationship between the underlying technology and the features of Windows Media Services.
| Windows Media Services component | Programming technology |
| Windows Media Unicast controls Windows Media Station control Windows Media File Transfer control |
ActiveX |
| Event Notification and Authorization API Authentication API |
COM |
| Next |


Quickly re-engineer business growth strategies with sustainable web-readiness. Collaboratively create visionary growth strategies vis-a-vis cooperate functionalities. Hilisticly extend cross-media technologies rather than cutting-edge experiences.
Quickly re-engineer business growth strategies with sustainable web-readiness. Collaboratively create visionary growth strategies vis-a-vis cooperate functionalities. Hilisticly extend cross-media technologies rather than cutting-edge experiences. Read More...


Hello
Goodbye
Click the Button!
No one has clicked me yet!
This is a
cool
paragraph!
List item 1
item 2
item 3


Software Development, Product Innovation, Cloud Services
Front-End, Integration, CRM
Prototypes, Mockups, UI, Information Design


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Encryption Support
The CBOR library contains support for {@link CBOREncrypter Encrypting}
and {@link CBORDecrypter Decrypting}
arbitrary binary data using a specific scheme called
"CBOR Encryption Format" (CEF).
In similarity to CSF,
CEF also depends on
Deterministic Encoding
which is used to create authentication data to content encryption
algorithms like GCM.
The following is a CEF object (here expressed in CBOR diagnostic notation), using the algorithms
A256GCM
and ECDH-ES+A256KW
for content- respectively key-wrapping:
{
/ Content encryption algorithm = A256GCM /
1: 3,
/ Key encryption object /
2: {
/ Key encryption algorithm = ECDH-ES+A256KW /
1: -31,
/ Key Id /
3: "example.com:x25519",
/ Ephemeral public key descriptor in COSE format /
7: {
/ kty = OKP /
1: 1,
/ crv = X25519 /
-1: 4,
/ x /
-2: h'c219e35a9c09bfcf1bd6c6dcd1e05ecb36cb6f465d9caeb101795e33fd7db112'
},
/ CipherText (Encrypted key) /
10: h'842916c5c81f8a815ec5ef2a472981b7300bc33fe748928c26e8c4dfff7a4747ecff9caea7040585'
},
/ Tag /
8: h'84ad6926aa92d0de56e4674abf863390',
/ Initialization Vector (IV) /
9: h'c7cc6f77b9f984c15bc3cbeb',
/ Ciphertext (Encrypted Content) /
10: h'625c2b2a41907547b2210624e1e818991c00790aed16'
}
The same object expressed as hex-encoded CBOR:
a5010302a401381e03726578616d706c652e636f6d3a78323535313907a301012004215820c219e35a9c09bfcf1bd6c6dcd1e05ecb36cb6f465d9caeb101795e33fd7db1120a5828842916c5c81f8a815ec5ef2a472981b7300bc33fe748928c26e8c4dfff7a4747ecff9caea7040585085084ad6926aa92d0de56e4674abf863390094cc7cc6f77b9f984c15bc3cbeb0a56625c2b2a41907547b2210624e1e818991c00790aed16
Decryption of this object using the private key (here in JWK format)
{
"kid": "example.com:x25519",
"kty": "OKP",
"crv": "X25519",
"x": "6ZoM7yBYlJYNmxwFl4UT3MtCoTv7ztUjpRuKEXrV8Aw",
"d": "cxfl86EVmcqrR07mWENCf1F_5Ni5mt1ViGyERB6Q1vA"
}
should return the UTF-8 encoded string "Hello encrypted world!"
.
The CEF decryption process is as follows:
- Read and save the content encryption parameters
tag
,
iv
, and ciphertext
.
- Remove the
tag
,
iv
, and ciphertext
elements from the
encryption object.
Note that the top level map
object must be updated
as well to reflect the changed number of elements.
- Serialize the remaining CBOR encryption object and set the result to
Additional Authentication Data (
AAD
).
- Recover the content encryption key using the elements in the
key encryption object (argument of label
2
).
- Apply the content encryption algorithm (argument of label
1
in the main map)
to the recovered content encryption key,
the input parameters read in the first step, and AAD
.
The result is the decrypted content.
Symmetric key encryption CEF objects are processed as above, but
since they do not have a key encryption component, content encryption
keys must be known by recipients.
The following figure shows the layout of CEF objects:
The numbers in paranthesis denote the actual label (map key) value.
Properly designed CEF objects must adhere to the following rules:
publicKey
and ephemeralKey
elements
must be compliant with COSE, but must not contain
any other information than the public key itself
and associated parameters.
- ECDSA public keys must be supplied with a value parameter for the y-coordinate as well.
keyId
, publicKey
and certificatePath
must not be combined.
- If a
keyId
is used it must be supplied in the main map for
symmetric encryption schemes, and in the sub map for schemes using key encryption.
A compliant keyId
must uniquely identify a specific encryption key.
- The currently supported key encryption algorithms except for
ECDH-ES
require that the encrypted key is provided in the chipherText
element in the sub map.
- All ECDH-ES variants must include an
ephemeralKey
element.
ECDH based key encryption schemes must use a Key Derivation Function (KDF)
according to HKDF (RFC 5869), profiled as follows:
hmac
: The HKDF implementation must use HMAC with SHA-256
salt
: N/A. The default extract mode handling must be implemented.
info
: This parameter must consist of the actual
COSE key encryption algorithm,
expressed as a 32-bit (4 byte) signed big-endian integer.
Tagged and Custom Encryption Data
The CEF container can be enhanced through a couple of options
described in Crypto Options.
Such options are included in the data to be authenticated.
Content Encryption Algorithms
Currently supported content encryption algorithms:
| Name | Identifier | Compatibility |
A128GCM | 1 | COSE, JOSE |
A192GCM | 2 | COSE, JOSE |
A256GCM | 3 | COSE, JOSE |
A128CBC-HS256 | 200 | JOSE |
A192CBC-HS384 | 201 | JOSE |
A256CBC-HS512 | 202 | JOSE |
Key Encryption Algorithms
Currently supported key encryption algorithms:
| Name | Identifier | Compatibility |
ECDH-ES | -25 | COSE, JOSE [1] |
ECDH-ES+A128KW | -29 | COSE, JOSE [1] |
ECDH-ES+A192KW | -30 | COSE, JOSE [1] |
ECDH-ES+A256KW | -31 | COSE, JOSE [1] |
RSA-OAEP | -40 | COSE, JOSE |
RSA-OAEP-256 | -41 | COSE, JOSE |
[1] Note that COSE and JOSE do no use the same Key Derivation Function (KDF).
Test Vectors
An extensive set of test vectors is currently available at:
https://github.com/cyberphone/openkeystore/tree/master/testdata/cbor-encryption
.
Use {@link org.webpki.tools.CBORPrinter} to list contents in a human-friendly way.
Using the Encryption API
The following section outlines how the encryption API is supposed to be used.
Sample program:
Sample key in diagnostic notation:
The resulting encryption object in diagnostic notation:
#sample.program.diagnostic#
The resulting encryption object expressed in hexadecimal:
#sample.program.hex#


Scientific Collaboration Network Graph
The graph loaded can be visualized here with {{graph_info[0]}} nodes and {{graph_info[1]}} relations.
{%extends "base.html"%} {%block title%}Welcome{%endblock%} {%block head%} {{super()}} {%endblock%} {%block content%}
The graph loaded can be visualized here with {{graph_info[0]}} nodes and {{graph_info[1]}} relations.


Winter Bootcamp is a week long training and education event co-ordinated by the Center for eResearch where you can up-skill in a whole host of topics related to digital research practice. Workshops and seminars range from two-day intensive and hands-on Software Carpentry programmes for general audiences, through to short informational or networking sessions. Included are also a number of specialised offerings in topics such as high performance computing and bioinformatics. Browse the menu below to see what's on and register for sessions. Places are limited so don't delay.
Workshop hosts include the Centre for eResearch, Libraries and Learning Services, New Zealand eScience Infrastructure, the Bioinformatics Institute, New Zealand Genomics Ltd., the Centre for Computational Evolution, and Biomatters.
If you have any questions about Winter Bootcamp, please contact Cameron<EMAIL_ADDRESS>or Sina<EMAIL_ADDRESS>at the Centre for eResearch.


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Dal Giardino Risotto Rice with Mushrooms 411g
This batch of Dal Giardino Risotto Rice with Mushrooms, batch DEF, was created under licence by a third party.


RT @AdamBroud: Me: What’s your favorite book?


Completed the secondary education this year mastering the art of General Sciences, History, Geography, Probability and Algebra Mathematics, Planetory Physics and English Grammar.
Specialization in Electrostatic Physics, Organic Chemistry, English Literature and Compound Maths took me for 2 years, and qualified for next level!!
Bachelor Of Technology in Electronics and Communication. Juggled between semiconductor diodes, telecom networks, Java, C, C++, Data Structures, x86 Family and mastered the programming skills before entering the world of Information Technology and Services.
Stepped into the real world of Programming, Data Base Skills, Managing real time geo located projects, Team Work, Version Controls, Started the integration of multi-threaded applications running on giant servers on cloud to the elegant UI, making the applications robust and fast to this new era.
Started working on micro-services and js all around, Angular.js, JS at server side - Node.js and nosql mongoDB. Mastering the Telecom Industry's E-Commerce and Mock Products for Organization. Exposing the services via APIs using APIgee.
Continued working on same javascript tech stack (Node.js, angular.js, react.js, Azure and AWS) but with new friends and a new workplace and building workflows in the cloud so you can connect with all the major cloud elements out there, and can write your own story on when and what to do with them without being worried about the connections and trust me with just drag and drop.


| MSE-Math Science Education |
| NR |
13391 |
MSE |
1010 |
004 |
24M |
1.000 |
Step 1: Inquiry Approaches to Teaching |
W |
12:40 pm-02:00 pm |
24 |
9 |
15 |
0 |
0 |
0 |
Robin Terese Bollman (P) |
01/17-05/04 |
KOM 321 |
Credit from 4-Year College |
| NR |
13392 |
MSE |
1010 |
005 |
24M |
1.000 |
Step 1: Inquiry Approaches to Teaching |
T |
02:40 pm-04:00 pm |
24 |
9 |
15 |
0 |
0 |
0 |
Robin Terese Bollman (P) |
01/17-05/04 |
COE 146 |
Credit from 4-Year College |
| NR |
13394 |
MSE |
2010 |
003 |
24M |
1.000 |
Step 2: Inquiry Lesson Design |
W |
08:00 am-09:20 am |
20 |
6 |
14 |
0 |
0 |
0 |
Robin Terese Bollman (P) |
01/17-05/04 |
COE 140 |
Credit from 4-Year College |
| NR |
13395 |
MSE |
2010 |
004 |
24M |
1.000 |
Step 2: Inquiry Lesson Design |
R |
09:40 am-11:00 am |
20 |
12 |
8 |
0 |
0 |
0 |
Robin Terese Bollman (P) |
01/17-05/04 |
KOM 307 |
Credit from 4-Year College |
| C |
15886 |
MSE |
7002 |
001 |
24M |
1.000 |
Residency Seminar 2 |
|
TBA |
4 |
6 |
-2 |
0 |
0 |
0 |
Angela Till Barlow (P) |
01/17-05/04 |
TBA TBA |
|
| C |
12848 |
MSE |
7500 |
002 |
24M |
2.000 |
Directed Research in Mathematics and Science Education |
|
TBA |
1 |
1 |
0 |
0 |
0 |
0 |
Angela Till Barlow (P) |
01/17-05/04 |
TBA TBA |
|
| C |
13124 |
MSE |
7500 |
006 |
24M |
1.000 |
Directed Research in Mathematics and Science Education |
|
TBA |
1 |
1 |
0 |
0 |
0 |
0 |
Angela Till Barlow (P) |
01/17-05/04 |
TBA TBA |
|
| C |
13075 |
MSE |
7640 |
001 |
24M |
3.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
1 |
1 |
0 |
0 |
0 |
0 |
Amy J Phelps (P) |
01/17-05/04 |
TBA TBA |
|
| C |
13077 |
MSE |
7640 |
002 |
24M |
1.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
1 |
1 |
0 |
0 |
0 |
0 |
Michael James Sanger (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
14719 |
MSE |
7640 |
003 |
24M |
2.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
3 |
1 |
2 |
0 |
0 |
0 |
Michaele F Chappell (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
14720 |
MSE |
7640 |
004 |
24M |
6.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
3 |
1 |
2 |
0 |
0 |
0 |
Amy J Phelps (P) |
01/17-05/04 |
TBA TBA |
|
| C |
13120 |
MSE |
7640 |
005 |
24M |
6.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
1 |
1 |
0 |
0 |
0 |
0 |
Angela Till Barlow (P) |
01/17-05/04 |
TBA TBA |
|
| C |
13149 |
MSE |
7640 |
006 |
24M |
1.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
1 |
2 |
-1 |
0 |
0 |
0 |
Angela Till Barlow (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
16032 |
MSE |
7640 |
007 |
24M |
1.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
3 |
1 |
2 |
0 |
0 |
0 |
Jeremy F Strayer (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
13904 |
MSE |
7640 |
008 |
24M |
6.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
2 |
1 |
1 |
0 |
0 |
0 |
Jeremy F Strayer (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
13916 |
MSE |
7640 |
009 |
24M |
3.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
3 |
1 |
2 |
0 |
0 |
0 |
Jeremy F Strayer (P) |
01/17-05/04 |
TBA TBA |
|
| C |
13949 |
MSE |
7640 |
011 |
24M |
1.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
1 |
1 |
0 |
0 |
0 |
0 |
Sarah Kathleen Baxter (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
16034 |
MSE |
7640 |
014 |
24M |
2.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
3 |
1 |
2 |
0 |
0 |
0 |
Angela Till Barlow (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
17253 |
MSE |
7640 |
018 |
24M |
1.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
3 |
2 |
1 |
0 |
0 |
0 |
Cindi L Smith-Walters (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
17254 |
MSE |
7640 |
019 |
24M |
1.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
3 |
1 |
2 |
0 |
0 |
0 |
Michael L Rutledge (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
17255 |
MSE |
7640 |
020 |
24M |
6.000 |
Dissertation Research in Mathematics and Science Education |
|
TBA |
3 |
2 |
1 |
0 |
0 |
0 |
Grant Ean Gardner (P) |
01/17-05/04 |
TBA TBA |
|
| C |
13912 |
MSE |
7800 |
001 |
24M |
3.000 |
Teaching Internship |
|
TBA |
1 |
1 |
0 |
0 |
0 |
0 |
Jennifer Nickell Lovett (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
17499 |
MSE |
7800 |
005 |
24M |
3.000 |
Teaching Internship |
|
TBA |
3 |
1 |
2 |
0 |
0 |
0 |
Grant Ean Gardner (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
13465 |
MSE |
7820 |
002 |
24M |
1.000 |
Seminar in Mathematics and Science Education |
R |
06:00 pm-08:00 pm |
24 |
2 |
22 |
0 |
0 |
0 |
Angela Till Barlow (P) |
01/17-05/04 |
BAS S332 |
|
| NR |
16781 |
MSE |
7845 |
001 |
24M |
2.000 |
Nature of Mathematics and Science |
R |
03:55 pm-05:40 pm |
24 |
11 |
13 |
0 |
0 |
0 |
Grant Ean Gardner (P), Jeremy F Strayer |
01/17-05/04 |
BAS S305 |
|


Letters Code Instructions
Format the text (which contains 100 characters) as a 10×10 square, and for each distinct letter in the grid, find a (unique) length-3 semaphore region - eg.
These formations would be P and Y respectively. Doing this in alphabetical order of the letters gives the answer, [redacted].


Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, t...
@Jacobstoon @MrKomodoWorld @KomodoPlatform There are many ways. However, the rights of private life must be taken into account. I will choose the most optimal way. However, my attitude to @MrKomodoWorld undermined.
1
grewalsatinder10-May-19 04:35 PM
Ca putting more GAN nodes and tweaking jl777 algo code... (edited)
@Jacobstoon @MrKomodoWorld @KomodoPlatform There are many ways. However, the rights of private life must be taken into account. I will choose the most optimal way. However, my attitude to @MrKomodoWorld undermined.
grewalsatinder10-May-19 04:37 PM
Few min late copy paste mate(edited)
Cryptoon10-May-19 04:38 PM
grewalsatinder10-May-19 04:38 PM
U not good investigator(edited)
Where is agent 009 now?

Accepted answers: yes/no; Auto-cancel in 30 seconds.
Alright10-May-19 04:42 PM
yes
KMD TipBotBOT10-May-19 04:42 PM
TipBot
@Alright (Alright#0419)
You tipped @az28.78199498 KMD
And thnx to @AstrohackerX for create testnet Komodo assetchain and 10 days testing new params equihash. Adapting it to gpu miners. We got:
Solutions: 420 bytes (reduced more than 3 times)
Block verification: 128 hashes (reduced 4 times)
Mining with low energy costs #K...
Lydia Schafer is an ICO Advisor in the field of cryptocurrencies from Germany | ICOBazaar Experts
Steve Lee10-May-19 04:53 PM
The better angle i'd like to take is that icobench and icobazaar are pay to play and don't even properly kyc their "experts"
LocoMB10-May-19 04:54 PM
lol - and even a different foto than the surgeon - vaguely similar(edited)
Steve Lee10-May-19 04:54 PM
I thought that those photos looked like the same person
Cryptoon10-May-19 04:54 PM
can we hedge icobazaar/bench to thank us publicly
LocoMB10-May-19 04:54 PM
defo not same person
Steve Lee10-May-19 04:54 PM
i'd rather a media outlet slam them first then show that our sleuthing was a better kyc than theirs
the red flag i caught yday was this:
LocoMB10-May-19 04:55 PM
the dark haired ones name is Elke Schroth most probably
Steve Lee10-May-19 04:55 PM
original twitter owner was an american from oklahoma
LocoMB10-May-19 04:55 PM
the linkedin and researchgate one is german(edited)
Steve Lee10-May-19 04:55 PM
her xbox live handle was airmanratchet
PTYX10-May-19 04:56 PM
* iluminati theme song intensifies *
LocoMB10-May-19 04:56 PM
... aaaand the Lydia Schäfer authoring the researchgate papers is yet antoher one
az10-May-19 05:13 PM
yes papers on ResearchGate are far from accurate regarding the authors. Nevertheless, real scientist will have a clean RG profile. This one is far from clean.
Andersen10-May-19 05:15 PM
Still very interesting what they planned ? Ask some money from KMD team ?
IBM no ETH giveaway.....
Steve Lee10-May-19 05:18 PM
She never asked for money.
My guess is she went around promoting projects (first was stellar), and then getting retweets and followers from those communities, then moving onto another.
Think they legitimately liked komodo, and they were planning on launching a project with komodo.
az10-May-19 05:27 PM
I think we exposed them early enough not to give them the opportunity to ask for money. But we will never know
IBM Developer Newsletters Your link to current and past issues. Newsletters Developer Digest Analytics Artificial Intelligence Blockchain Cloud Containers DevOps…
mobipoi10-May-19 05:32 PM
PR team failed to investigate earlier community did their job , disappointing
Well done to does who took initiatives
phm8710-May-19 05:33 PM
Congrats to @az@ca333 and everybody who helped
3
az10-May-19 05:34 PM
Community and team walk on the same road side by side. No need to be disappointing.
2
mobipoi10-May-19 05:35 PM
When you own a business you expect people to perform the task they where paid to do period
Andersen10-May-19 05:35 PM
Good lesson for the future . Never trust - verify , even in PR
mobipoi10-May-19 05:36 PM
And everyone wonders my kmd fails at marketing
az10-May-19 05:36 PM
I don't expect them to be perfect. I expect them to listen if someone raise an issue. Which they did, just few minutes after I told them. And I'm sure they will double check next time.
1
mobipoi10-May-19 05:38 PM
Ok but when you own/run a business you may understand
And it ok to be disappointed it a valid emotion, it there for a reason survived thousands of years of evolution, must have it benefits(edited)
Mark8110-May-19 05:40 PM
Judt noticed that @adrian_marinescu is active on telegram.
Hollowman900010-May-19 05:40 PM
Who is that
Mark8110-May-19 05:40 PM
As one of scammer
Hollowman900010-May-19 05:40 PM
Ah
Mark8110-May-19 05:40 PM
Was it call coin
They did merge from eth to KMD
@ca333
All so from same team @KingsMan_03 is active in telegram.
May 13th will be the last day to vote on @KomodoPlatform notary election, snapshot will be taken on May 14th.
As the only candidate with focus on South America, Chainzilla needs your help to win one SH node this year!
Send your VOTE here:RAfJvh7cGEYavic3NSZhg9QER...
5
3
5
NutellaLicka10-May-19 09:02 PM
Only 4 days left! That went quick. About 25% of airdropped VOTE2019 has been used to vote at this stage.
Please consider me when voting for your next NN candidates :)
Big news! This paper means SHA1 is now fully "broken", showing a chosen-prefix collision is possible in at most 2^69.4 complexity. Do not use SHA1 for anything!
https://t.co/1l7NsO1k6H
They estimate <= $7M USD to generate a collision via EC2 servers!
like I said, it was only a matter of time
tramp11-May-19 05:06 AM
Scammer - a person who commits fraud or participates in a dishonest scheme.
Fraud - wrongful or criminal deception intended to result in financial or personal gain.
Tell me what is my benefit in advertising a free Komodo? It's a benefit to Komodo, then, not me. Do you have any idea what you're wasting your time on?
Twitter account - Yes I use it from last year only. My name is Lydia. The rest of the data I think my private life. IBM - I work there. Not in Germany. It's my personal business again, don't you think?
 Or part of your real life?
My attitude towards Komodo is true. I liked the technology. Project - true, I was going to do my project on this platform. Not sure now. Experience, knowledge of blockchain and programming is true. You can judge by my posts.  Or did I answer your questions?
@az learn to introduce yourself when you start a conversation. Politeness is also worth learning.
  I last week just making valid posts and you proved it. @jl777c@ca333 Hire a professional PR. In a month he will bring you to the top 10.
I had no other purpose than what you were imagining.
May be only the conspiracy of the Illuminati against cryptoworld.....
Mark8111-May-19 05:30 AM
If somebody is claiming to be working from ibm and really aint is that bad pr torwards komodo? Anyone can make twitter account etc. and play with those to gain personal benefits from markets. If everything doesnt add up in research against claims, should team be cautioned torwards that person?
And someone can be doing troll messages even here in this chat. If not proven via core team members i would be really thinking someone doing imposter act.
tramp11-May-19 05:43 AM
IBM is work. I've always stressed that everything I say on my behalf is not from IBM. If I was comparing komodo to IBM in some direction, it's because I know the company's policy.
klein11-May-19 05:44 AM
Why are using online photos of people who arent you?


Brokers complain as NSE faces technical glitch
Updation of margin positions hit
by Special CorrespondentBrokers on the National Stock Exchange (NSE) were unable to update their margin positions in the system on Tuesday due to a technical glitch in the systems. However, trading was not disrupted in any manner.
According to brokers, the glitch in the system led to a scenario wherein they were not able to view or update their margins.
Every broker has to maintain a certain amount of margin with the exchange, based on which the trading quantum is ascertained.
Simply put, if the exchange systems do not allow the broker to put in more margin, the trading limit will be hit.
The Association of National Exchanges Members of India (ANMI), the umbrella body of brokers, wrote to the National Stock Exchange (NSE) highlighting Tuesday’s glitch and said that it caused huge financial losses to many brokers.
“Few members reported their margin files are not getting updated and hence exceeding 85% limit, apparently forcing [them] to square off the positions, running into huge financial loss to clients,” ANMI said in the letter to NSE.
“It is further submitted that it is becoming very difficult for members to handle such situations as one cannot infuse or remove margins etc.,” the association added in the letter.
“'The trading systems were working normally. Some members faced problems with the support systems of the exchange due to an inadvertent error on the part of the vendor. Normal operations resumed from 11:15 a.m.,” said an NSE spokesperson.


EBD - Easton Bible DIctionary
Pleiades
PLEIADES
"PLEIADES" Hebrews kimah, “a cluster” (
Job 9:9
;
38:31
;
Amos 5:8
, A.V.,“seven stars;” R.V., “Pleiades”), a name given to the cluster of stars seen in the shoulder of the constellation Taurus.
"PLEIADES" Hebrews kimah, “a cluster” (Job 9:9; 38:31; Amos 5:8, A.V.,“seven stars;” R.V., “Pleiades”), a name given to the cluster of stars seen in the shoulder of the constellation Taurus.


| Opcode | Instruction | 64-Bit Mode | Compat/Leg Mode | Description |
| D9 E0 | FCHS | Valid | Valid | Complements sign of ST(0). |
Complements the sign bit of ST(0). This operation changes a positive value into a negative value of equal magnitude or vice versa. The following table shows the results obtained when changing the sign of various classes of numbers.
| ST(0) SRC | ST(0) DEST + ∞+ F + 0 − 0 − F − ∞NaN |
Notes: * F means finite floating-point value.
This instruction’s operation is the same in non-64-bit modes and 64-bit mode.
SignBit(ST(0)) ← NOT (SignBit(ST(0)));
| C1 | Set to 0. |
| C0, C2, C3 | Undefined. |
| #IS | Stack underflow occurred. |
| #NM | CR0.EM[bit 2] or CR0.TS[bit 3] = 1. |
| #UD | If the LOCK prefix is used. |
Same exceptions as in protected mode.
Same exceptions as in protected mode.
Same exceptions as in protected mode.
Same exceptions as in protected mode.


First Photos Unveiled For Second Season Of Netflix Stalker Drama ‘You’
by Brent Furdyk“You” became a surprise hit on Netflix and took a very unusual path to get there.
Airing on Lifetime to middling ratings, the show was cancelled after its first season. But when the series — in which a writer (Penn Badgely) becomes obsessed with a bookstore manager (Elizabeth Lail) — then began streaming on Netflix, “You” found an audience. In fact, “You” ultimately became one of the streaming service’s most watched shows, with Netflix claiming the show had been seen by 40 million viewers in its first month.
Netflix then jumped on reviving the show, ordering a second season that is set to debut next month.
On Thursday, Netflix unveiled two new photos from the upcoming season, while showrunner Sera Gamble offered some hints on what viewers can expect in the second season.
“Netflix was clear they wanted us to give them a show that was like season one,” Gamble tells Entertainment Weekly. “They basically said, ‘It’s not broke, don’t fix it.’ ”
The big change, she reveals, is that Badgley’s Joe will move from New York to Los Angeles for season two, where he’ll meet a woman named Love (Victoria Pedretti).
“It’s not that simple love-at-first-sight he might’ve been looking for a couple of years ago,” Gamble says. “He’s a different guy. He’s been through more… the circumstances of his encounter with Love are very informed by what he went through with Beck.”
The first season ended with the revelation that Joe’s ex, Candace (Ambyr Childers), is actually alive, and she will be a factor in the new season. “She is a survivor,” Gamble says. “And now she’s faced with some really difficult decisions about how she’s going to move forward.”
The second season of “You” debuts on Thursday, Dec. 26.


callattendent
Project Link
Page URL
with Name
Deployment Model : Model
Deployment Diagram - Deployment View
link
Jump to:
Please select a model element
Callee : Node
Caller : Node
Unnamed Node : Node
Home Computer : Node
Telco : Node
Call Attendant : Component
Telco Modem : Node
Home Phone : Node
US Robotics 5637 : Node
Raspian Stretch : Node
Raspberry Pi 3 B+ : Node
callattendent


Steve's Utilities
By Stephen H
With Help From The
JΛS
Team
Home
Web pages
Games
Employ
Emojis
Downloads
About
Mobile Site
Old Site
Steve's Games
JAVA
PAC-MAN
Currently only works in Internet Explorer
Gamestar Mechanic
Scratch
Electro Ping Pong
Arcade Ping Pong (2 Player)
Fly Swatter
Flipping Cat
Jishi's Games
Gamestar Mechanic


Installing PHP with Nxing on Debian
Tonight, I wanted to release the code of Jocs, my open source like disqus. To work, Jocs needs to be linked to a backend with some REST api. The default backend I created (Pocs) needs php 5.4 to work. I didn't realize at first as my local VM runs php 5.4.
I use the JsonSerializable interface that let me handle easily my entity. It's very handy and I didn't realize that it was created in php 5.4.
When I tried to install it tonight, I had an error due to this interface missing. So I decided to install Pocs on another server with php5.4. That's why I installed it on a server that had Nginx installed but not yet php.
As I've never done that before, I thought why not writting a blog post about it as it will help me remember it :)
Pre requisit
Here, I assume that you installed nginx, php5-cgi and spawn-fcgi. By using apt-get
apt-get install nginx, php5-cgi spawn-fcgi
Create the init script
Then, you need to create the init script that will let you start / stop the php process that nginx will use:
/etc/init.d/php5-fcgi
#!/bin/sh ### BEGIN INIT INFO # Provides: php5-fcgi # Required-Start: $remote_fs $syslog # Required-Stop: $remote_fs $syslog # Default-Start: 2 3 4 5 # Default-Stop: 0 1 6 # Short-Description: PHP5 FastCgi Spawned processes ### END INIT INFO COMMAND=/usr/bin/spawn-fcgi ADDRESS=<IP_ADDRESS> PORT=9000 USER=www-data GROUP=www-data PHPCGI=/usr/bin/php5-cgi PIDFILE=/var/run/fastcgi-php.pid RETVAL=0 PHP_FCGI_MAX_REQUESTS=500 PHP_FCGI_CHILDREN=2 start() { export PHP_FCGI_MAX_REQUESTS PHP_FCGI_CHILDREN $COMMAND -a $ADDRESS -p $PORT -u $USER -g $GROUP -f $PHPCGI -P $PIDFILE } stop() { /usr/bin/killall -9 php5-cgi } case "$1" in start) start RETVAL=$? ;; stop) stop RETVAL=$? ;; restart|reload) stop start RETVAL=$? ;; *) echo "Usage: fastcgi {start|stop|restart}" exit 1 ;; esac exit $RETVAL
Then, you need to activate the script:
update-rc.d php5-fcgi defaults
And now start it:
/etc/init.d/php5-fcgi start
Config nginx
Edit the fastcgi param file: /etc/nginx/fastcgi_params
to match the following:
fastcgi_param QUERY_STRING $query_string; fastcgi_param REQUEST_METHOD $request_method; fastcgi_param CONTENT_TYPE $content_type; fastcgi_param CONTENT_LENGTH $content_length; fastcgi_param SCRIPT_NAME $fastcgi_script_name; fastcgi_param REQUEST_URI $request_uri; fastcgi_param DOCUMENT_URI $document_uri; fastcgi_param DOCUMENT_ROOT $document_root; fastcgi_param SERVER_PROTOCOL $server_protocol; fastcgi_param GATEWAY_INTERFACE CGI/1.1; fastcgi_param SERVER_SOFTWARE nginx/$nginx_version; fastcgi_param REMOTE_ADDR $remote_addr; fastcgi_param REMOTE_PORT $remote_port; fastcgi_param SERVER_ADDR $server_addr; fastcgi_param SERVER_PORT $server_port; fastcgi_param SERVER_NAME $server_name; fastcgi_param HTTPS $https; # PHP only, required if PHP was built with --enable-force-cgi-redirect fastcgi_param REDIRECT_STATUS 200; fastcgi_split_path_info ^(.+\.php)(.*)$; fastcgi_param PATH_INFO $fastcgi_path_info; fastcgi_param PATH_TRANSLATED $document_root$fastcgi_path_info; fastcgi_param SCRIPT_FILENAME $document_root$fastcgi_script_name;
You need to add the last 4 lines, you should have the rest of the file already.
Config your server
In your server configuration, add this part:
server { … location ~ ^(.+\.php)(/.*)?$ { fastcgi_pass localhost:9000; include /etc/nginx/fastcgi_params; } }
Then, restart nginx /etc/init.d/nginx restart
and it should work :).


Little Big Town Shines A Light On Rising Female Artists In ‘Girl Crush’ Performance
by Katie ColleyLittle Big Town is showing their “Girl Crush” for country music’s up-and-coming female artists.
During the 53rd annual CMA Awards, Kelsea Ballerini took to the stage to perform a stripped-down version of her emotional new single “Homecoming Queen?”, which perfectly segued into an all-female performance of Little Big Town’s 2014 hit “Girl Crush”.
This year’s show is celebrating the legacy of women within country music, so it was only fitting Little Big Town use the moment to showcase country music’s next generation of women.
The group invited Maddie & Tae, Ballerini, Ashley McBryde, Carly Pearce, Runaway June and Canada’s own Lindsay Ell to share the stage in performing the ballad.
The female-focused night also included a history-making opening performance, which saw 11 women performing iconic country songs from artists including Tanya Tucker, Gretchen Wilson, Dolly Parton and more.


The backend exercises some intermediate database query
features.
It performs a select, and uses a where clause to filter out
a state depending on what the user's input was.
I ran into a bit of a hiccup - for some reason trying to select
a specific row didn't work. It caused a syntatic error, possibly
because the row names have numbers and slashes in them.
My workaround was to select all the rows with the wildcard character
*, and then pick apart the result using App Inventor's string processing
functions.


Open exercises/3.html.
Use aria live regions to announce to the user whenever the count below updates! Turn your screen reader on to test. Experiment with how changing between polite and assertive changes your experience.


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virtual void | init () |
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void | probe (int i, int j) |
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bool | move (int &i, int &j, int di, int dj) |
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The documentation for this class was generated from the following file:


BRAVEHEART A film review by Ralph Benner Copyright 1996 Ralph Benner
You gotta give to Mel Gibson what he deserves -- a movie Hall of Shame award for having his publicity machine spend $25 million dollars to buy ten Oscar nominations (including best makeup!) for a movie that, thrice at the box office gate, only collected a domestic total of something around $70 million, the same amount he spent to make his blooded-up poem of an epic, one that's progressively more gruesome and childish to sit through as the minutes turn into almost three hours. BRAVEHEART, about Sir William Wallace, the 13th Century Scottish renegade lionized as the heroic impetus for Scotland's freedom from England's tyranny, looks like it was no picnic to make, and, for all but his beer guzzling, blood thirsty compadres, it's not a whole lot of fun to watch. It's a militia instructional manual -- directed by Rambo of Scots.
As with Spain's Rodrigo Diaz de Vivar, about whom little is known except legend born out of the anonymously written "Cantar de mio Cid," Wallace's place in Scottish history is dependent upon a poem written by Scotsman Henry the Minstrel some two hundred years after Wallace's death. Historians are in agreement that the author lacks the foundation to build but a mythical monument, yet, witness the examples, a lack of fact has never stopped a nation from veneration. History accepts, however, that Wallace was the driving force behind Scotland's revolt against the English, and the following accounts in BRAVEHEART are factual occurrences: that Wallace defeated the British at Stirling Bridge and sacked Edward I's northern-most outposts; that Wallace was defeated at Falkirk; and that, after exiling to France for an unknown period, Wallace returned, was captured by Sir John de Menteith, was tried, convicted and executed. Everything else in the movie, except for the presence of the English king and his gay son Edward II, is fictional filler.
The movie's structure has SPARTACUS branded all over it, especially the presentation of the armies and their anxious biding before combat. On more than one occasion we're reminded of Kirk Douglas, only here Wallace has been updated to Sylvester Stallone: when shouting from atop his horse, Gibson (unintentionally) sounds like him, packing the same fake, butch frenzy. I think this is where the movie gets into trouble: borrowing his hair from the prairie rat in THE ROAD WARRIOR and his war paint from RAMBO, something phooey is being dispatched -- a village people's "Macho Man" gung ho that displaces the Rodrigo chivalry. If some of us can't suspend disbelief long enough to get passed his poor Scotsspeak, or get passed the fact that's he's too contemporary a famous figure to become history, I can't accept that it's our fault: a more discriminating director would have scaled back the cheap plugs and steals and enfantilism (sic).  Is his eager display a pitch for the virtues of sodomy? Or a way to avoid the fact that he's boxed himself in, hoping we don't recognize that he's not exercising enough as an actor? That he's vegging in his second childhood? There's a rigged effort to deemphasize Gibson's comely appeal in BRAVEHEART while at the same time baiting us -- Quick, find me in that chorus line of frontal nudity.  It's repulsive, but considering the current hunger for carnage, some will get their kicks. It's what those Oscar noms represent.
Rod Lurie blurbs that BRAVEHEART is "one of the best films I've ever seen...the most sumptuous and involving historical epic since David Lean's LAWRENCE OF ARABIA."  Photographed by John Troll, BRAVEHEART has an Argus-eyed ambiance, with the same overcast picturesqueness as ROB ROY. (Consider ourselves fortunate that neither is as cloudy, misty, hazy as THE LAST OF THE MOHICANS or 1492: CONQUEST OF PARADISE. Only the meteorologists earned their pay on those foggers.) Raves about the battle scenes too -- "Some of the most vivid ever filmed...The most spectacular battle scenes ever." Vivid they're not and what's spectacular about them is the breakneck speed of the editing. During the Stirling Bridge battle, the images warp by us so fast that they're almost blurry and we're watching in busy fashion, hoping to catch at least half of what's going on. The plunges, stabbings, chops, slices and decapitations whiz by in both this sequence and at Falkirk, so we're spared spurts of blood and splatterings of innards. Yet we're removed from the suffering; we just sit there viewing the aftermath, wonder more about what hell the horses might have gone through. (According to NBC's Dateline, not much.) Gibson standing in the middle of the dead and half-living is meant to cause grief and revulsion, like Kenneth Branagh's slow-motion staging walloped us in HENRY V. Yet Branagh's futility of war isn't Gibson's Spartacus-like call for freedom at any price; becoming selective about emotions, Gibson posits that body counts (and torture) equal heroism.
Lifting the "let my people go" from SPARTACUS, appropriating the gallantry of EL CID and, given the repeated treacheries, foisting itself off partly as a sort of darkened, humorless LION IN WINTER, Randall Wallace's script concocts scenarios more fitting a rigger than legendary liberator: the ladies are eager to disrobe, a ghostly wife relieves the pain of martyrdom, an unwilling Judas becomes Braveheart's champion. Wallace manages to work in "fock," the original Scottish spelling and pronunciation of that more famous four letter expletive. One problem: though the Scots were probably the first to use the slang pejoratively, it wasn't in use until the 15th Century. Another problem: GLAADers are up in armed purses again over Gibson's homophobia, this time protesting BRAVEHEART because of the treatment of Edward I's son Edward II.  But would Edward II have betrayed his arranged-for bride (Sophie Marceau, wearing a headdress that, under the crown, looks like white cerebra) at the very point of taking wedding vows? In front of his father? Patently foolish, this corrupt character establishment is for the unsophisticated Oscar voter; its message is that even royal homos, of whom history knows many, are contemptible lowlifes. (Quite a few, including Alexander the Great and Richard the Lionheart, were anything but.) GLAADers are also upset that junior's lover gets it, but, breaching my libertarianism, I found the lover's exit the movie's one amusing and best-directed interior shot. Additionally, and very clumsily, director Gibson gets swept away by masochistic intent over content: the Christ-like torture sequence has the obligatory Inquisitional flavor -- complete with its own combo of Basil Rathbone and Vincent Price -- but the crowd's reactions are mood alteringly inappropriate; there are too many "Look, Ma, I'm in this here movie" grins. Yet such errors earn Best Film Editing nominations.
Gibson is WYSIWYG, seemingly so uncomplicated that, until now, it's been just about impossible not to like him. We've overlooked his lack of finesse, his apparently convenient lack of tolerance about what the real world is made up of, because once he flashes that smile, or locks onto us with those eyes, we're wasted: we all become Sigourney Weaver's Jill in THE YEAR OF LIVING DANGEROUSLY. Even his Pizzahead in THE MAN WITHOUT A FACE disarms. Gibson's directorial debut, FACE is a much better directed movie than BRAVEHEART. A proud dad of (is it?) six, he knows the wandering adventures, use of forbidden language, insensitivities, the instant querulous eruptions of kids. As director, he appears to know the ill-effects of falsifying otherwise innocent situations: if FACE has the depressing moralistic posturing of Diane Keaton's THE GOOD MOTHER -- that sometimes truth isn't enough to open the minds of Philistines -- it's also a reminder that children are used to shield adults from the fear of truth. (In America, we're more afraid of what is true than the Judeo-Christian belief of damnation for breaking the 9th Commandment.) The way Gibson handles the subject matter that inevitably springs up is evidence of sensitivity to society's punishing hypocrisies; it confirms he's got a golden heart. What angers many of us about Gibson's choices of movies is that he so frequently retreats from humanity. As if he's afraid of losing his kinship with his fellow prankster buddies in the audience. No longer a theory, Gibson's popularity among men isn't based on his comic lunacy and sport -- these are his least worthy attributes -- but on tantalizing solicitation, something resembling a subliminal communal desideratum. While the growing numbers of sexually insecure American men would balk with faked hostility at the suggestion, how else do they explain male movie makers exploiting his Nautilized gluteus maximus? Strictly for the distaffers? Demographics are well known: the majority of those seeing the LETHAL WEAPON pukers, and most especially in repeats, are blue collar swains, so whose secret reveries are being teasingly fed? Gibson elicits these feelings, he knows it, and his public denials are disguised conceit. He told Larry King that he'd like to return to Shakespeare, perhaps on stage, and play Iago in "Othello." With his penchant for making villainous mock out of inverts, what would he do to the Bard's murderous coxcomb? Many of us want to believe some of Gibson's material is method towards aesthetics. That the highs -- from THE ROAD WARRIOR to LIVING DANGEROUSLY to MRS. SOFFEL to HAMLET to WITHOUT A FACE to looking more stunning in kilt on Jay Leno than any Scot I've ever seen -- are indications that a doctrine of artistry is being strived for. But then the money making juvenilia -- lows that have eventually done in every other superstar. (Just ask Burt Reynolds.) And, apparently, Gibson's agreeable to stumping so low as to purchase a flock of undeserving awards nominations. Like it did with Shirley MacLaine for TERMS OF ENDURANCE and Clint Eastwood for UNFORGIVEN, Hollywood may decide to honor Gibson with awards he doesn't artistically earn just to shut him up. The 1995 Oscar nominations recall those of 1988. Foofs blame the FISH CALLED WANDA voting block for the foul smell winners generated that year. Some insiders think THE POSTMAN has the surging dark horse gallop to surpass the competition. Others think APOLLO 13 will be Opie's lucky number. If not, then 1995 will have the smell of BRAVEFART.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
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Related links: index of all rec.arts.movies.reviews reviews


{% extends "movies/base.html" %} {% load staticfiles %} {% block container %}
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A container for CLI
Avalon Castle is a lightweight container for the CLI (.Net and Mono) world. Although it can be viewed as a port of Avalon, it benefits from several features offered by the CLR.
Other important difference of Castle container is its simplicity. Based on Microkernel pattern, the user can easily modify, extend or adapt it to match his requirements. No hard contracts, no obligations. Just good and old Inversion of Control and stills Avalon.
More references
There are plenty of documents, articles and blog entries about .Net and proxies, its benefits, its cons and its differences when compared to java implementation.
Useful links
- Developing With Avalon: An excellent white paper on the Avalon framework. Recommended reading!
- An Introduction to COP: An introduction to Component Oriented Programming and the core Avalon Framework.


| Design and Implementation of a validating XML parser in Haskell: Master's thesis; University of Applied Sciences Wedel | ||
|---|---|---|
| Prev | Chapter 4. Package hvalidator | Next |
Transformation of the document is done by the module DocTransformation. The transformation should be started after validating the document.
Tasks:
Adding default values of attributes
Normalizing attribute values
Sorting all attributes in lexicographic order
Before the document can be transformed, a lookup-table is built on the basis of the DTD which maps element names to their transformation functions. The transformation functions are XmlFilter functions, which take a node and return the transformed node. After the initialization phase the whole document is traversed in preorder and every element is transformed by its transformation filter from the lookup-table. The result is a new, transformed XmlTree.