I'm taking L-tyrosine 1,5g, some OTC Zinc tablets and Cipralex (escitalopram) 5mg daily.
On that evening, my friend P called me to visit him, and I hadn't anything to do, so I went to see him. We live on a college hostel, so I arrived a few minutes later.
21:30 T +0:00 I grind 3 pills of Tramal 200 SR in a folded sheet of paper with a beer bottle. The powder is coarse, I think it's because of the sustained release formulation of the pills. I swallow the powder (pretty bitter, but it causes no nausea) drink some tap water and wait. I tried tramadol before, it was in SR tablets too, and I took 300mg and felt almost nothing.
I have no opioid tolerance (no opiates in last 3 months) but I experimented with codiene 6 months ago and felt nothing even with the dose 200 mg, so I gave it up. I hoped a sufficient dose of tramadol will help me feel the pretty and warm opiate world, about which I heard from friends.
My other two friends took tramadol too. P (former heroin user - about 6 years ago he stopped) took 1000 mg and J took 400 mg in capsule form. They both smoked a lot of quite potent weed and we started to chat about everything.
22:10 T +0:40 P reports, that he is starting to feel it. I felt a little buzz maybe, but nothing intense yet.
22:35 T +1:05 P looks really influenced by the pills, his eyes are closing and he is walking around the room with no aim. I just smoked my last cigarette, so I go down to the shop to buy some. I feel a bit dizzy and a little uncoordinated, but nothing intense. I checked my pupils before - no miosis. The way down is a little uncomfortable, I feel a bit strange and have no mood for unknown people, but buying cigarets is no problem.
22:45 T +1:15 My eyelids are heavy, and I have a strange feeling as if my eyes were shaking. Maybe nystagmus? I feel rather stimulated than on opiates, so i decide to take another 100 mg in capsule form.
23:15 T +1:45 J is nervous and irritated. He seems not to like this kind of experience. P has strong miosis and is enjoying this state. He tells us stories about his feelings on heroin and that this substance is similiar, but lacks the most intense and exiting part of heroin feeling. I think it lacks much more, so I take another 300 mg.
23:30 T +2:00 I feel a bit nauseous, so I lie on the bed and everything is ok again. I feel that my body is relaxed, but nothing especially pleasant. Mentally I'm a little confused, but not as much as P, who forgets the topic after he says 3 sentences.
00:30 T +3:00 No change in my state. Still lying on the bed, smoking cigarets, and can't stand up, because of the nausea. Nystagmus irritates me and the little confusion is still here.
01:30 T +4:00 I'm starting to feel tired, really tired. I checked my eyes the whole night and observed no miosis. I decide that this state is not worth to be awakes for me, so I go to my room and fall asleep around 2:00.
The hangover day:
I woke up around 10:00 (T +12:30) and felt really sick. I was sweating like never before, so i took a shower. The nausea I felt was really strong, but I had to force myself to vomit. After that I felt a little better, but couldn't do anything. Just lie on bed and wait. I was really exhausted. My eyelids were very heavy and sometimes I couldn't focus my eyes on one spot. During the whole day I fell asleep many times, but just for few minutes. I had a lot of strange dreamlike visions, but only in my room. (For example I tought I was writing an sms and woke up with the phone on my chest.) I coudln't eat anything, I just sipped tap water whole day and sweated like a pig. My whole body was itchy, but I still had no miosis. The hangover ended around 20:30 (T +23:00).
Conclusion: 1000 mg was definitely an overdose for unexperienced user like me. The other problem in my opinion was the sustained release formulation of the pills. I don't think that the substance did liberate as it would from normal gelatine capsules even when I crushed them, so the full effect of the drug started later and was longer, as normal. But I can't explain the absence of opiate feelings during the experience. My subjective feelings were very weak and physiological effects absent. I don't think, that L-tyrozine, zinc or citalopram could block the effects of tramadol. I didn't try the analgetic effect, maybe I would see the difference, but usually I don't like to hurt myself:)
I don't think I will try tramadol again.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Red Wings-Blue Jackets Sums
by EndPlayFirst Period_1, Columbus, Texier 3 (Jones, Atkinson), 5:37. 2, Detroit, Bertuzzi 9 (Bowey, Mantha), 12:06. Penalties_Savard, CBJ, (hooking), 13:10; McIlrath, DET, (interference), 18:10.
Second Period_3, Columbus, Atkinson 4 (Werenski, Jones), 4:30 (pp). 4, Detroit, Hronek 5 (Athanasiou, Fabbri), 16:03. 5, Detroit, Glendening 3 (Nielsen), 16:47 (sh). Penalties_McIlrath, DET, (high sticking), 2:59; Bowey, DET, (boarding), 4:13; Jones, CBJ, (slashing), 11:59; Nyquist, CBJ, (tripping), 12:48; McIlrath, DET, (interference), 16:36.
Third Period_6, Columbus, Bjorkstrand 5 (Nyquist, Dubois), 7:40 (pp). 7, Columbus, Jenner 6 (Gavrikov, Bjorkstrand), 8:43. 8, Columbus, Robinson 3 (Werenski, Wennberg), 13:49. 9, Detroit, Bertuzzi 10 (Athanasiou, Cholowski), 16:46. Penalties_Fabbri, DET, (slashing), 6:31.
Shots on Goal_Detroit 11-6-9_26. Columbus 17-10-10_37.
Power-play opportunities_Detroit 0 of 3; Columbus 2 of 5.
Goalies_Detroit, Howard 2-8-1 (37 shots-32 saves). Columbus, Korpisalo 8-7-1 (26-22).
T_2:23.
Referees_Brad Meier, Justin St Pierre. Linesmen_Tyson Baker, David Brisebois.


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#include <stringbuf.h>
Public Attributes | |
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Nobel winners call on Modi to restore critic's citizenship
NEW DLEHI: Nobel prize winners Margaret Atwood, Orhan Pamuk and John Coetzee led more than 250 literary and journalist luminaries who called Thursday (Nov 14) on India's Prime Minister Narendra Modi to revoke an order stripping writer Aatish Taseer of his "overseas citizenship".
Salman Rushdie and top Indian writer Amitav Ghosh also signed the letter which said Taseer "appears to have been targeted for an extremely personal form of retaliation" for his criticism of the Indian government.
38 year-old Taseer, born in Britain but raised in India, lost his Overseas Citizenship of India last week. The home ministry announced on Twitter that the journalist had "concealed" the fact that his father was Pakistani.
Critics have, however, called the move a response to a Taseer cover story on Modi in Time magazine during the Indian election titled "India's Divider in Chief".
"Denying access to the country to writers of both foreign and Indian origin casts a chill on public discourse," said the letter, published by the free speech platform PEN America.
"It flies in the face of India?s traditions of free and open debate and respect for a diversity of views, and weakens its credentials as a strong and thriving democracy."
Taseer was raised in India by his mother, Tavleen Singh, an Indian columnist and journalist. His father, Salman Taseer, was governor of Pakistan's Punjab province until he was assassinated in 2011.
The letter said the decision by the Indian government was discrimination against single mothers.
Taseer said he learned about the decision on Twitter. He later wrote: "It was not hard to feel, given the timing, that I was being punished for what I had written."
Time has also condemned the move. "Journalists like Aatish Taseer should be allowed to do their work without harassment or retribution," a spokesperson told AFP.
The Committee to Protect Journalists (CPJ) said Taseer's fate showed that Modi's conservative ruling party is "intolerant of criticism and freedom of the press".


Ole Gunnar Solskjaer outlines why he wants Man Utd to keep "loved and feared" Marcos Rojo
The defender has appeared set to leave Old Trafford in the past, with Everton linked with a move for him in the summer transfer window
by Mark Jones, https://www.mirror.co.uk/authors/mark-jones/Ole Gunnar Solskjaer heaped praise on the "loved and feared" Marcos Rojo after the defender starred in Manchester United's win over Partizan Belgrade.
Goals from Anthony Martial, Mason Greenwood and Marcus Rashford secured a 3-0 victory at Old Trafford as United made it through to the last-32 of the Europa League on Thursday night.
Rojo was making his eighth appearance of the season for United alongside Harry Maguire in defence.
The Argentinean had looked set to leave the club in the summer having been linked with a move to Everton among others, but Solskjaer is delighted he stayed.
"I thought he was excellent tonight. I think he’s been excellent since we started pre-season," said the Norwegian.
"He’s played maybe more than he expected but that’s why he’s still here.
"He’s a top-quality footballer.
"He’s a winner, good mentality, he can pass, he can defend.
"It’s now about keeping him fit and he’s been fit now for a long, long time and you can see his qualities."
Only two of Rojo's eight appearances for United this season have come in the Premier League, but Solskjaer suggested he could be in line to feature more often in the top-flight.
"You know he’s got such a big heart and such a passion for football and he’s a winner," he continued.
"To have him around when he’s fit and in a good mood, good form, has been great for us.
"The boys love him, he spreads fear in training sometimes because he tackles properly.
"He’s one of the ones who really, really cares about this game.
"I think he’s taking his opportunities every time he’s played.
"He did it against Liverpool … fantastic, he wasn’t happy he didn’t play against Bournemouth of course, but he played well tonight."


abstract
and do not
expose a public no-arg
constructor or a public constructor that takes a single string
as an argument.
Such test cases cannot be run by most JUnit test runners.
Example:
public class MyTest {
private MyTest() {} // no-arg constructor is private
@Test
public void testSomething() {
assertEquals(1, 1);
}
}


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I suppose it was inevitable. The end of the Cold War, and all the geopolitical change that entails, finally made its effects felt in a Bond film. The Cold War really is over.
Yes, "Goldeneye" was called the first post-Cold War Bond film, but it was only that way simply because it was made after 1991 and had the Russians as friends from the start. There was the self-conscious title scene with the usual sillouetted naked ladies, this time wielding hammers and sickles, but the film still had an old Bond feel to it, whatwith with supervillains and plots to take over the world with a big ray gun. Instead of SPECTRE and Blofeld, we have renegade Russian Army units; names are differnt, but methodologies are the same.
The new Bond film, though, is far more embedded in the late 1990s. Yes, there are nifty gadgets, impressive I-want-to-do-that globetrotting, beautiful women (Teri Hatcher needs something to do nowadays) and serious cars, but there are material changes in this installment. The Russians aren't even mentioned except in the pre-credits teaser. And, then, even that mention has a certain post-Cold War mixture of dreadfulness and decline, referring to loose Russian controls over their nuclear weapons. Not quite Russians as Keystone Kops, but certainly not Russia as fearsome superpower.
The main foreign country, in fact, is China, but this is really a minor point. The filmmakers simply pick the country that's vaguely threatening, certainly powerful, in a sort of fill-in-the-Great-Power way. Amusingly, at least to Americans, Britain is still shown having geopolitical weight. I suppose in this way, the new Bond film looks back to the Empire, or at least to a Britain that wouldn't have had a hard time taking on Argentina. Even in the Connery films, it was acknowledged that World War III would be fought out by the Americans and the Soviets, with Britian only as a supporting player. My guess is that this episode of imperial nostalgia was brought about by the handover of Hong Kong around the time the movie was released, a sort of schoolyard "we didn't really have to hand it back if we didn't feel like it" mood.
The real innovations of this film is the focus on Ted Turner as a Great Power. The historical reference is Hearst and the Spanish-American War, but magnified by satellite TV. Missiles, warships, and all the other tokens of military power are subservient to almighty broadcast news. That CNN logo in the lower right corner, so indelibly etched into our memory of the Gulf War, of NATO airstrikes, of any situation that potentially means war, has, in this Bond film, been elevated to superpower status. (I would have been amused to see "logo burning" legislation before the Congress.) Great Power conflict has been morphed into ratings wars and sweeps week. While not exactly a new concept -- CNN, I think, caused America to send troops to Somalia and ultimately Kosovo, and I'm sure there have been scads of academic papers being shed on this subject -- I suppose the idea achieves a certain pop culture status by its inclusion into a Bond film.
 A minor issue: we can safely assume she's not on the motorcycle that's jumping over the helicopter, whereas in the Jackie Chan movies, she really, really is on the motorcycle jumping on the moving train; the blooper outtakes shows her missing a number of times. The thrill isn't quite the same.
Oh, yes, the self-referential toss-offs. There's the one that was on the TV ads: "Bond... you know the rest": Bond, as entirely embedded in popular consciousness. He doesn't even utter his tagline "martini, shaken not stirred". Teri Hatcher does this; she knows what his favorite drink is as well as the rest of us.
A more interesting Self-referential Moment is near the end.  Just before Bad Guy gets waxed, Bond tells him that the most important thing in the media biz is to "give them what they want." The bad guy then expires in a very ouch, very messy way, giving all of us what we expect to see finish a climatic mano-a-mano at the end of an action movie.
One oddity is Teri Hatcher as a previous love interest/entanglement. Seeing her again is sufficient to drive Bond to drink (more). I don't believe he's acted like this before (that whole marriage thing excluded, though that's immaterial since that's forgotten with this Gen X Bond). This is a change from the autonomous independent Bond, perhaps an attempt to give him a new past. It's a half-hearted effort, and the filmmakers drop it without much issue. I don't think it works -- our image of Bond is already fixed.
Bond, thankfully and entirely unlike Ethan Hunt in "Mission Impossible", does not have a Macintosh laptop and does not even mention the Internet. This saves us from having to mock the movie for a really bad depiction of retrieving e-mail or that the Mac has powers to upload a virus into an alien mothership (thereby saving the world). Think Different.
Perhaps one thing that isn't there to give it a truly late 1990s spin is the lack of conspiracies in smoke-filled rooms, UFOs and maybe new, exotic plagues. But that may be a peculiarly American way of thinking. Or, maybe, something to put into 1999's Bond film.
Oh, at the end of it all, I liked the movie. It's fun, perhaps not the best Bond film, but up there.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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As a trusted source of intelligence to potential buyers and end-users, the Daleel Hub has become the go-to-place for a large and diverse audience.
1. We know Buyers’ behavior and what helps them to have stronger job security and career progression. In addition, in the world of overwhelming workload, we’ve learnt what type of an online resource works best for them, to achieve their personal growth and objectives. 2. We aim to provide critical business intelligence to make the best decisions for all, allowing exchange of knowledge that Oil& Gas industry needs to best met its requirements. 3. The portal collects community-collected information and creates “digital trust” that helps all parties to achieve their objectives and make sound decisions.
As a trusted source of intelligence to potential buyers and end-users, the Daleel Hub has become the go-to-place for a large and diverse audience.
1. We know Buyers’ behavior and what helps them to have stronger job security and career progression. In addition, in the world of overwhelming workload, we’ve learnt what type of an online resource works best for them, to achieve their personal growth and objectives. 2. We aim to provide critical business intelligence to make the best decisions for all, allowing exchange of knowledge that Oil& Gas industry needs to best met its requirements. 3. The portal collects community-collected information and creates “digital trust” that helps all parties to achieve their objectives and make sound decisions.
As a trusted source of intelligence to potential buyers and end-users, the Daleel Hub has become the go-to-place for a large and diverse audience.
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Erick Benson
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MS in Organizational Leadership BA in Psychology AAS in Science
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Besides submitting my ballot. I have never participated in donating money towards campaigns
Association of Ancient History - Researcher (2019 - Current) World History Association - Researcher (2020 - Current) TedX MileHigh (2019) Colorado Masonic Organization - Marquis de Lafayette Lodge No. 41 (2017 Current) Bell Policy Center - Future of Work Initiative - Advisory Council Member (2019-2020)
Helping develop experiences for events for TedX MileHigh. Working with colleagues in various industries in education throughout the state to ensure a completed picture of how education can be reformed, and how the transfer to the work force can be developed further.
To develop skills in the political realm, to further understanding of how local and state politics help create the state we live in!
Being able to listen with intent, and then inform others with a clear and concise method to ensure that the messages are not lost in translation, but to further have the commissioners understand the needs of the people. Being able to translate that effectively is vital for the commission to do their job with more knowledge.
Having a method in which the particulars and the whole are understood from both top-down thinking, and from the bottom up. Gives a greater understanding of what the problem is, and what could be affected by those problems.
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Our Journey began when three different minds came together to build this unique experience
with one focus. Our driving force has been the need to innovate and to enhance Quality of Solution and User experience.
Awnics Technologies Pvt Ltd.
Our Journey began when three different minds came together to build this unique experience
with one focus. Our driving force has been the need to innovate and to enhance Quality of Solution and User experience.


Charles Schwab to buy TD Ameritrade in a $26 billion all-stock deal
by Reuters(Reuters) - Charles Schwab Corp (N:SCHW) said on Monday it would acquire TD Ameritrade Holding Corp (O:AMTD) in an all-stock deal valued at $26 billion, combining the two largest U.S. discount brokerages.
As part of the deal, which is expected to close in the second half of 2020, Ameritrade stockholders will get 1.0837 Schwab shares for every share held.
Both the stocks had surged on Thursday after reports of the deal emerged.
TD Ameritrade CEO Tim Hockey is due to step down in February. The companies said on Monday they will suspend the CEO search and named TD Ameritrade Chief Financial Officer Stephen Boyle as TD's interim president and CEO.
A deal between the two companies could be seen as a response to recent disruption in the industry, where nimbler startups such as Menlo Park, California-based Robinhood are rapidly gaining market share by eliminating commissions on stock trades.
Charles Schwab and TD Ameritrade combined would have assets of around $5 trillion, according to Reuters calculations.
TD Ameritrade's shares were up 2.4% in premarket trade.
Credit Suisse (SIX:CSGN) Securities (USA) was the financial adviser to Charles Schwab, while PJT Partners LP and Sandler O'Neill + Partners LP advised TD Ameritrade.


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Chapter 16: Rearrangements
This chapter covers rearranging the items of
arrays: permuting, sorting,
transposing, reversing, rotating and shifting.
16.1 Permutations
A permutation of a vector is another vector which has all the items of the first but
not necessarily in the same order.
For example, z is a permutation of y where:
| y =: 'abcde' |
z =: 4 2 3 1 0 { y |
| abcde |
ecdba |
The index vector 4 2 3 1 0 is itself a permutation of the indices 0 1 2 3 4,
that is, i. 5, and
hence is said to be a permutation vector of order 5.
Notice the effect of this permutation: the first and last items are interchanged and
the middle three rotate
position amongst themselves. Hence this permutation can be described as a
combination of cycling two items
and cycling three items. After 6 (= 2 * 3) applications of this permutation we return to the original vector.
p =: 4 2 3 1 0 & {
| y |
p y |
p p y |
p p p p p p y |
| abcde |
ecdba |
adbce |
abcde |
The permutation 4 2 3 1 0 can be represented as a cycle of 2 and a cycle of 3.
The verb to compute this cyclic representation is monadic C. .
C. 4 2 3 1 0
+-----+---+
|3 1 2|4 0|
+-----+---+
Thus we have two representations of a
permutation: (4 2 3 1 0) is called a direct representation
and (3 1 2 ; 4 0)
is called a cyclic representation.
Monadic C. can accept either form and will produce the other form:
| C. 4 2 3 1 0 |
C. 3 1 2 ; 4 0 |
+-----+---+
|3 1 2|4 0|
+-----+---+ |
4 2 3 1 0 |
The dyadic verb C. can accept either form as its left argument, and permutes its
right argument.
| y |
4 2 3 1 0 C. y |
(3 1 2 ; 4 0) C. y |
| abcde |
ecdba |
ecdba |
16.1.1 Abbreviated Permutations
Dyadic C. can accept a left argument which is an abbreviation for a (direct) permutation vector.
The effect is to move specified items to the tail, one at a time, in the order given.
| y |
2 C. y |
2 3 C. y |
| abcde |
abdec |
abecd |
With the abbreviated form, successive items are taken from the original vector: notice how the following
two examples give different results.
| y |
2 3 C. y |
3 C. (2 C. y) |
| abcde |
abecd |
abdce |
If the left argument is boxed, then each box in turn is applied as a cycle:
| y |
(<3 1 2) C. y |
(3 1 2 ; 4 0) C. y |
| abcde |
acdbe |
ecdba |
If a is an abbreviated permutation vector (of order n) then the full-length equivalent of a
is given by (a U n) where U is the utility function:
U =: 4 : 0
z =: y | x
((i. y) -. z), z
)
For example, suppose the abbreviated
permutation a is (1 3)
then we see:
| y |
a =: 1 3 |
a C. y |
f =: a U (#y) |
f C. y |
| abcde |
1 3 |
acebd |
0 2 4 1 3 |
acebd |
16.1.2 Inverse Permutation
If f is a full-length permutation vector, then the inverse permutation is given by
(/: f). (We will look at the verb /: in
the next section.)
| y |
f |
z =: f C. y |
/: f |
(/: f) C. z |
| abcde |
0 2 4 1 3 |
acebd |
0 3 1 4 2 |
abcde |
16.1.3 Atomic Representations of Permutations.
If y is a vector of length n, then there are altogether ! n different permutations of y.
A table of all
permutations of order n can be generated by the expression (tap n) where tap is a utility verb defined by:
tap =: i. @ ! A. i.
tap 3
0 1 2
0 2 1
1 0 2
1 2 0
2 0 1
2 1 0
It can be seen that these permutations are in a well-defined order, and so any permutation of order
n can be identified simply by its index in the table (tap n). This index is called the atomic
representation of the permutation. The monadic verb A. computes the atomic representation.
For example,
given an order-3 permutation, e.g. 2 1 0, then A. 2 1 0 yields the index in the table (tap 3).
| A. 2 1 0 |
5 { tap 3 |
| 5 |
2 1 0 |
The dyadic verb A. applies an atomic representation of a permutation.
| 2 1 0 { 'PQR' |
5 A. 'PQR' |
| RQP |
RQP |
Here is an example of the use of A..
The process of running
through
all the permutations of something
(say to search for anagrams of a word)
might take a very long time.
Hence it might be desirable to
run through them say 100 at a time.
Here is a verb which finds a limited number of
permutations.
The argument is a boxed list: a vector
to be permuted, followed by a starting permutation-number
(that is, atomic index) followed by
a count of the permutions to be found.
LPerms =: 3 : 0
'arg start count' =. y
(start + i. count) A. " 0 1 arg
)
| LPerms 'abcde'; 0; 4 |
LPerms 'abcde'; 4; 4 |
abcde
abced
abdce
abdec |
abecd
abedc
acbde
acbed |
16.2 Sorting
There is a built-in monad, /: (slash colon,
called "Grade Up"). For a list
L, the expression (/: L) gives
a set of indices into L, and these indices
are a permutation-vector.
| L =: 'barn' |
/: L |
| barn |
1 0 3 2 |
These indices select the items of L
in ascending order. That is,
the expression ((/: L) { L)
yields the items of L in order.
| L |
/: L |
(/: L) { L |
| barn |
1 0 3 2 |
abnr |
For sorting into descending order,
the monad \:(backslash colon, called
"Grade Down") can be used.
Since L is a character list, its items
are sorted into alphabetical order.
Numeric lists or boxed lists are sorted
appropriately.
| N =: 3 1 4 5 |
(/: N) { N |
| 3 1 4 5 |
1 3 4 5 |
| B =: 'pooh';'bah';10;5 |
(/: B) { B |
+----+---+--+-+
|pooh|bah|10|5|
+----+---+--+-+ |
+-+--+---+----+
|5|10|bah|pooh|
+-+--+---+----+ |
Now consider sorting the rows of a table.
Here is an example of a table with 3 rows:
T =: (". ;. _2) 0 : 0
'WA' ;'Mozart'; 1756
'JS' ;'Bach' ; 1685
'CPE';'Bach' ; 1714
)
Suppose we aim to sort the rows
of the table into order of date-of-birth
shown in column 2 (the third column).
We say that column 2 contains the keys on which
the table is to be sorted.
We extract the keys with the verb
2&{"1, generate the permutation vector
with /: applied to the keys,
and then permute the table.
| T |
keys =: 2&{"1 T |
(/: keys) { T |
+---+------+----+
|WA |Mozart|1756|
+---+------+----+
|JS |Bach |1685|
+---+------+----+
|CPE|Bach |1714|
+---+------+----+ |
+----+----+----+
|1756|1685|1714|
+----+----+----+ |
+---+------+----+
|JS |Bach |1685|
+---+------+----+
|CPE|Bach |1714|
+---+------+----+
|WA |Mozart|1756|
+---+------+----+ |
The expression (/: keys { T)
can be abbreviated as (T /: keys), using the dyadic case
of /:, (called "Sort")
| (/: keys) { T |
T /: keys |
+---+------+----+
|JS |Bach |1685|
+---+------+----+
|CPE|Bach |1714|
+---+------+----+
|WA |Mozart|1756|
+---+------+----+ |
+---+------+----+
|JS |Bach |1685|
+---+------+----+
|CPE|Bach |1714|
+---+------+----+
|WA |Mozart|1756|
+---+------+----+ |
The dyadic case of \: is similar: it is also called "Sort".
Suppose now we need to sort on two columns,
say by last name, and then by initials.
The keys are column 1 then column 0.
| keys =: 1 0 & { " 1 T |
T /: keys |
+------+---+
|Mozart|WA |
+------+---+
|Bach |JS |
+------+---+
|Bach |CPE|
+------+---+ |
+---+------+----+
|CPE|Bach |1714|
+---+------+----+
|JS |Bach |1685|
+---+------+----+
|WA |Mozart|1756|
+---+------+----+ |
These examples show that the keys can be
a table,
and the /: verb yields the permutation-vector
which puts the rows of the table into order.
In such a case,
the first column of the table is the most significant,
then the second column, and so on.
16.2.1 Predefined Collating Sequences
Characters are sorted into "alphabetical order", numbers into
"numerical order" and boxes into a well-defined order.
The order for sorting all possible keys
of a given type is called a collating sequence (for keys of that type).
We have three predefined collating sequences.
The collating sequence for characters is the ASCII character set.
The built-in J noun a. gives the value
of all 256 characters in "alphabetical" order. Note that upper-case letters come before lower-case
letters.
65 66 67 97 98 99 { a.
ABCabc
With numerical arguments, complex numbers are ordered by the real part then the imaginary part.
| n=: 0 1 _1 2j1 1j2 1j1 |
n /: n |
| 0 1 _1 2j1 1j2 1j1 |
_1 0 1 1j1 1j2 2j1 |
With boxed arrays, the ordering is by the contents of
each box.
The precedence is firstly by
type, with
numerical arrays preceding empty arrays preceding
character arrays preceding boxed arrays:
| k=: (< 'abc') ; 'pqr' ; 4 ; '' ; 3 |
k /: k |
+-----+---+-++-+
|+---+|pqr|4||3|
||abc|| | || |
|+---+| | || |
+-----+---+-++-+ |
+-+-++---+-----+
|3|4||pqr|+---+|
| | || ||abc||
| | || |+---+|
+-+-++---+-----+ |
Within arrays of the same type, low-rank precedes
high-rank.
| m=: 2 4 ; 3 ; (1 1 $ 1) |
m /: m |
+---+-+-+
|2 4|3|1|
+---+-+-+ |
+-+---+-+
|3|2 4|1|
+-+---+-+ |
Within arrays of the same type and rank, in effect the arrays are
ravelled, and then compared
element by element. In this case, 1 2 takes precedence
over 1 3 (because 2 < 3), and 3 3 takes precedence over
3 3 3 (because 3 3 is shorter than 3 3 3). If the two arrays are
the same, then the earlier takes precedence (that is, their
original order is not disturbed).
a =: 2 3 $ 1 2 3 4 5 6
b =: 3 2 $ 1 2 5 6 3 4
c =: 1 3 $ 1 2 3
d =: 1 3 $ 1 1 3
| u=:a;b;c |
u /: u |
+-----+---+-----+
|1 2 3|1 2|1 2 3|
|4 5 6|5 6| |
| |3 4| |
+-----+---+-----+ |
+---+-----+-----+
|1 2|1 2 3|1 2 3|
|5 6| |4 5 6|
|3 4| | |
+---+-----+-----+ |
| w=:a;b;c;d |
w /: w |
+-----+---+-----+-----+
|1 2 3|1 2|1 2 3|1 1 3|
|4 5 6|5 6| | |
| |3 4| | |
+-----+---+-----+-----+ |
+-----+---+-----+-----+
|1 1 3|1 2|1 2 3|1 2 3|
| |5 6| |4 5 6|
| |3 4| | |
+-----+---+-----+-----+ |
16.2.2 User-Defined Collating Sequences
The keys are computed from the data.
By choosing how to compute the keys,
we can choose a collating sequence.
For example, suppose a
list of numbers is to be sorted into
ascending order of absolute value.
A suitable key-computing
function would then be
the "Magnitude" function, |.
| x=: 2 1 _3 |
keys =: | x |
x /: keys |
| 2 1 _3 |
2 1 3 |
1 2 _3 |
16.3 Transpositions
The monadic verb |: will transpose a matrix, that is, interchange the first and second axes.
| M =: 2 3 $ 'abcdef' |
|: M |
abc
def |
ad
be
cf |
More generally, |: will reverse the order of the axes of a n-dimensional array.
| N =: 2 2 2 $ 'abcdefgh' |
|: N |
ab
cd
ef
gh |
ae
cg
bf
dh |
Dyadic transpose will permute the axes according to the (full or abbreviated)
permutation-vector
given as left argument. For a 3-dimensional array,
there are 6 possible permutations,
with the first being the identity-permutation
| N |
0 1 2 |: N |
0 2 1 |: N |
1 0 2 |: N |
ab
cd
ef
gh |
ab
cd
ef
gh |
ac
bd
eg
fh |
ab
ef
cd
gh |
| 1 2 0 |: N |
2 0 1 |: N |
2 1 0 |: N |
ae
bf
cg
dh |
ac
eg
bd
fh |
ae
cg
bf
dh |
A boxed abbreviated argument can be given.
Two or more boxed axis-numbers are
run together to form a single axis.
With two dimensions, this is equivalent to taking the diagonal.
| K =: i. 3 3 |
(< 0 1) |: K |
0 1 2
3 4 5
6 7 8 |
0 4 8 |
16.4 Reversing, Rotating and Shifting
16.4.1 Reversing
Monadic |. will reverse the order of the items of its argument.
| y |
|. y |
M |
|. M |
| abcde |
edcba |
abc
def |
def
abc |
Notice that "reversing the items" means reversing along the first
axis. Reversal along other axes can be achieved with the
rank conjunction (").
| N |
|. N |
|." 1 N |
|. " 2 N |
ab
cd
ef
gh |
ef
gh
ab
cd |
ba
dc
fe
hg |
cd
ab
gh
ef |
16.4.2 Rotating
Dyadic |. rotates the items of y by an amount given by the argument x.
A positive value for x rotates to the left.
| y |
1 |. y |
_1 |. y |
| abcde |
bcdea |
eabcd |
Successive numbers in x rotate y along successive axes:
| M |
1 2 |. M |
N |
1 2 |. N |
abc
def |
fde
cab |
ab
cd
ef
gh |
ef
gh
ab
cd |
16.4.3 Shifting
The items which would be brought around by
cyclic rotation can instead be replaced with
a fill-item.
A shifting verb is written (|. !. f) where f is the fill-item.
ash =: |. !. '*' NB. alphabetic shift
nsh =: |. !. 0 NB. numeric shift
| y |
_2 ash y |
z =: 2 3 4 |
_1 nsh z |
| abcde |
**abc |
2 3 4 |
0 2 3 |
This is the end of Chapter 16
|


| Developer Spotlight |
Jim Clark is the owner of the JxtaView Discovery Demo project and a committer on the shell, myJXTA, and RossettaChat projects. He dedicates approximately 30% of his time to Project JXTA. According to Jim, the JxtaView Demo project is mostly his "fault". It demonstrates the JXTA discovery process by allowing the user to manually launch discovery, and then showing the results in a graphical tree display of groups and peers. The JxtaView Demo download also includes a demo of RosettaChat running within myJXTA. It's available from the JxtaView homepage: http://jxtaview.jxta.org Jim is currently working on a picture sharing demo. PicShare is a JXTA application that broadcasts pictures to fellow peergroup members. Each peer displays a picture frame. When you drop an image file into the frame, it is sent to all the other peers in the group that are running PicShare, and will appear in their picture frames. More information and screen shots from a UI prototype are available at http://nightware.home.mindspring.com/picshare/picshare.html Jim would like to see JXTA become the industry standard development platform for peer-to-peer applications. He says that the ultimate goal would be for JXTA to become so simple, stable, and easy to use that it becomes an almost taken-for-granted part of the development process, the way a good user interface library is now. Jim is an independent contract programmer, of the Jack-of-All-Trades variety. He's available for contract work on JXTA or other projects. You can reach him on the Project JXTA discuss mailing list or at<EMAIL_ADDRESS>|


My Curriculum Vitae
Here are all my qualifications and experience. If there are any questions please feel free to contact me.
Education:
Advanced Diploma in Graphic Design
(Dean's List all 6 terms)- April of 2008
Fanshawe College - London Campus
College Certificate in Art Fundamentals
(Graduated with Honors)- April of 2005
Sheridan College- Trafalgar Campus
O.S.S.G.D.
Lord Dorchester Secondary School - June of 2003
Relevant Employment:
Senior Graphic Designer, Ad Coordinator and Quality Control - Postmedia
Fall 2017 to Present
571 Bayfield St, Barrie, Ontario
- • Tasked with managing the flow of information and advertising materials between Campaign Coordinators and Off-Shore Designers for Postmedia’s Urban Publications.
- • Tasked with monitoring changes and adjustments made to advertisements built offshore. Responsible for quality control checks of offshore work using an ad tracking software.
- • Responsible for troubleshooting problems that would arise in the work flow.
- • Responsible for helping to design and build print advertising for Postmedia’s Community Publications.
- • Accountable for providing good customer service.
- • Have to ensure all advertising is approved and ready for print deadlines.
Senior Graphic Designer - Postmedia
Spring 2012 to Fall 2017
571 Bayfield St, Barrie, Ontario
- • Tasked with taking client/sales rep ideas and materials and creating advertisements for both urban and community newspapers throughout Canada.
- • Responsible for quality control of all client-provided materials.
- • Responsible for all client/sales rep corrections and providing high-level customer service.
- • Responsible for a quick and efficient turn around of work. Expected to stick to print deadlines.
Graphic Designer - Sun Media
Winter of 2009 to Spring 2012
16 Brock Street, Woodstock, Ontario
- • Tasked with taking client/sales rep ideas and materials and creating advertisements for community newspapers throughout South Western Ontario.
- • Responsible for quality control of all client-provided materials.
- • Responsible for all client/sales rep corrections and providing high-level customer service.
- • Responsible for a quick and efficient turn around of work. Expected to stick to print deadlines.
Graphic Design Intern - A Fish In Sea
Fall of 2011
Royal Victoria Patriotic Building, Fitzhugh Grove, London, United Kingdom
- • Worked as a print design intern
- • Responsible for helping senior designers with various design materials such as logo, leaflets, brochures, magazines, corporate reports, infographics, magazine/newspaper advertisements, etc.
- • Learned to work in a highly collaborative studio environment.
Accomplishments and Involvements:
- • Fire and Life Safety Educator Level 1 Certified (NFPA 1035) through the Lambton Fire Academy (2017)
- • Part of an Canadian Marketing Award winning team (2014) for the London Fire Department’s fire prevention advertisements (2014)
- • Awarded the IABC Virtuoso Seed Award for my three years of studies at Fanshawe (2008)
- • Was on the Dean’s List all 6 terms during my training at Fanshawe College (2005-2008)
- • Graduated with honors from Sheridan’s Art Fundamental program (2005)
- • Awarded the Grade 12 Visual Arts Award from Lord Dorchester Secondary School (2003)
Valuable Skills:
- • I work well on my own, but I also love collaborating with others
- • Reliable self-starter who works efficiently under tight deadlines
- • Dedicated and loyal
- • Flexible
- • Organized
- • Able to troubleshoot
- • I like new situations that let me flex my creative muscle
- • Empathetic towards people and clients and used to providing great customer service
Proficient Computer Programs:
- • Adobe Photoshop, Illustrator and InDesign
- • Dreamweaver, After Effects, Animate and Muse
- • Basic working knowledge of HTML and CSS
- • Microsoft Office


2.3.10
Extends Dispatcher
The Core Application class.
the configuration options
import {Application} from '@nxus/core'
let app = new Application(options)
app.start()
export default app
#boot
Boots the application, cycling through the internal boot stages.
Note: Should rarely be called directly. Instead use #start
Boots the application, cycling through the internal boot stages.
Note: Should rarely be called directly. Instead use #start
Promise
#get(name)
Returns an internal Module object for the given name.
#init
Initializes the application by loading plugins, then booting the application.
Note: this should rarely be called directly. Instead use #start
Initializes the application by loading plugins, then booting the application.
Note: this should rarely be called directly. Instead use #start
Promise
#restart
Restarts the Nxus application.
Restarts the Nxus application.
Promise
#start
Starts the Nxus application.
Starts the Nxus application.
Promise
#stop
Stops the currently running application, removing all event listeners.
Stops the currently running application, removing all event listeners.
Promise
The PluginManager handles all of the module loading. Load order is as follows:
namespace
config option, and packages in the @nxus
namespace.modules
config option
#accumulatePackage(packages, directory)
Creates the internal representation of a package
#arrayify(el)
Helper method to ensure a passed variable is an array. Wraps the value in an array if it isn't already.
Helper method to ensure a passed variable is an array. Wraps the value in an array if it isn't already.
the item to ensure is an array
Array
:
either a new empty array, or el as is if its an array, or el wrapped in an array.
#getDeps(pkg)
Loads the dependencies for a particular package, as defined by the 'dependencies' object in the package.json file.
#getPluginPackageJson(path)
Loads the package.json file for the specified packages.
#loadCustomPlugins(options, packages)
Loads custom plugins in the
Loads custom plugins in the
configuration options
the array of packages currently loaded by Nxus
#loadPackage(name, directory, packages)
Loads a package
Loads a package
#loadPackages(options, packages)
Loads all Nxus pacakges for an application
Loads all Nxus pacakges for an application
options to use to load the packages
the array of packages currently loaded by Nxus
#loadPassedPlugins(options, packages)
Loads manually passed in packages by path
Loads manually passed in packages by path
configuration options
the array of packages currently loaded by Nxus
Extends EventEmitter
The core Dispatcher class, which implements promisified
import { Dispatcher } from '@nxus/core'
class MyClass extends Dispatcher {
...
}
#after(event, listener)
Bind to after an event. Receives the event handlers results, should return modified results or nothing.
Bind to after an event. Receives the event handlers results, should return modified results or nothing.
The name of the event to bind to
The after handler for the event
#before(event, listener)
Bind to before an event. Receives the event arguments, should return modified arguments or nothing.
Bind to before an event. Receives the event arguments, should return modified arguments or nothing.
The name of the event to bind to
The before handler for the event
#emit(event, args)
Emits an event, calling all registered handlers.
#once(event, [listener])
Bind to an event once
#onceAfter(event, listener)
Bind once to after an event. Receives the event handlers results, should return modified results or nothing.
Bind once to after an event. Receives the event handlers results, should return modified results or nothing.
The name of the event to bind to
The after handler for the event
Promise
:
Returns a promise that resolves when the event fires
#onceBefore(event, listener)
Bind once to before an event. Receives the event arguments, should return modified arguments or nothing.
Bind once to before an event. Receives the event arguments, should return modified arguments or nothing.
The name of the event to bind to
The before handler for the event
Promise
:
Returns a promise that resolves when the event fires
ConfigurationManager loads the internal app.config hash using the following order (each overwrites any values of the previous):
config
hash of the project package.json file
#getConfig
Returns the final config option using the loading order described above.
Returns the final config option using the loading order described above.
object
:
the final composed configuration object.
#getEnvironmentVariables
Extracts the currently avaiable environment variables
Extracts the currently avaiable environment variables
object
:
A hash of the current environment variables
#getNodeEnv
Returns the current NODE_ENV
Returns the current NODE_ENV
string
:
the current NODE_ENV
#getPackageJSONConfig
Gets the local package.json file and tries to find an internal config
key
Gets the local package.json file and tries to find an internal config
key
object
:
the intenral config
object or an empty object if it isn't defined.
Extends Dispatcher
The core Module class. This provides a messaging proxy layer between modules and calling code. The main advantage of this proxy class is that missing modules won't cause exceptions in the code.
Modules are accessed through the Application.get() method
let router = app.get('router')
#gather(name, handler)
Receive arguments provided to a delayed gather() call.
Receive arguments provided to a delayed gather() call.
The name of the gather event
The handler for each provided value
#provide(name, args)
Provide arguments to a delayed gather() call.
#provideAfter(name, args)
Provide arguments to a delayed gather() call, after the main provide() calls.
#provideBefore(name, args)
Provide arguments to a delayed gather() call, but do it before the other provide() calls.
#request(name, args)
Request the result of processing a named event
#respond(name, handler)
Respond to a named event
Respond to a named event
The name of the request event
The handler for the request
#use(instance)
Let another instance use this module's events to reduce boilerplate calls
Let another instance use this module's events to reduce boilerplate calls
The Watcher class monitors the project directory and restarts the application whenever there is a change in files detected. Useful for development.


Auxilliary Tool:
A data structure that keeps track of the a particular image feature setting, and performance of that feature.
More...
#include <StructTypes.h>
Public Attributes | |
| Feature * | feat |
| A feature being considered for an object detector. | |
| PerformanceMetrics | perf |
| The performance achieved by that feature. |
Auxilliary Tool:
A data structure that keeps track of the a particular image feature setting, and performance of that feature.


${include('head.mako', sw=1, css='find', js='find') }
${include('menu.mako', current='find')}
Tar Heel Reader
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Include unreviewed
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Any rating
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(Known as the 3-clause BSD License)
Copyright (c) 2013-2014, JMB Technology Ltd All rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
Neither the name of JMB Technology Ltd nor any of their products (including but not limited to OpenACalendar, HasACalendar and OpenTechCalendar) nor the names of any contributors may be used to endorse or promote products derived from this software without specific prior written permission.

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Generate central composite designs (CCD)with full as well as fractional factorial points (half replicate) and Box Behnken designs (BBD) with minimally changed run sequence.
| Version: | 1.0.0 |
| Imports: | utils, stats |
| Published: | 2017-01-04 |
| Author: | Shwetank Lall [aut, cre], Eldho Varghese [aut], Seema Jaggi [ctb], Cini Varghese [ctb], Arpan Bhowmik [ctb] |
| Maintainer: | Shwetank Lall <shwetanklall at gmail.com> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | no |
| Citation: | minimalRSD citation info |
| In views: | ExperimentalDesign |
| CRAN checks: | minimalRSD results |
| Reference manual: | minimalRSD.pdf |
| Package source: | minimalRSD_1.0.0.tar.gz |
| Windows binaries: | r-devel: minimalRSD_1.0.0.zip, r-release: minimalRSD_1.0.0.zip, r-oldrel: minimalRSD_1.0.0.zip |
| OS X binaries: | r-release: minimalRSD_1.0.0.tgz, r-oldrel: minimalRSD_1.0.0.tgz |
| Reverse imports: | FMC |
Please use the canonical form https://CRAN.R-project.org/package=minimalRSD to link to this page.


How to file your CIC report and accounts on paper
-
1
Prepare your accounts
-
2
Complete a paper CIC report made up to the same date as the accounts
-
3
Post both items to the Registrar of Companies, with a cheque for £15 made payable to Companies House


Thirteen: Black Metal COVID
While on the flight home from Paris, narrowly escaping the US travel ban in response to the COVID-19 crisis, I was inspired to create a black metal logo. I had been reading the book Lords of Chaos, which details the early Norwegian black metal scene, and have long held a fascination with extreme metal logos. I thought, given the calamity and doom caused by COVID-19, COVID would make a pretty brutal metal band name.
Excitedly I jotted some notes and sketches on the plane.
Once home safely, I set to work creating the logo. I looked through the available Adobe Fonts for a font face that would provide the heavy, semi-Gothic style I was looking for. I landed on Taurunum Ferrum. After some layout and sizing work, I took the font into Adobe Fresco for some gooey rendering work.
I used Fresco's wet brushes to create a dripping, oozing sort of effect. It was gross but fun, just like black metal!


% extends 'skins/base.html' %> <% subskin 'content' | markdown %> <% message %> RingoJS provides a unified Storage API that provides mapping of native JavaScript objects to various database backends. Currently supported backends are: * **ringo/storage/filestore** - simple file store using JSON * **ringo/storage/memstore** - in memory database * **ringo/storage/googlestore** - Google App Engine datastore Storage modules for Hibernate, Berkeley DB, and other database backends are also in the works. The RingoJS Storage API supports one-to-one, one-to-many and many-to-many relationships using plain JavaScript object references and arrays. Below is a simple CRUD interface for a database storing Author and Book entities. ### Add a new book
### Available Books


LuxOasis is a unique company that works with Landlords, and Property Owners. We will lease your luxury home(s) for either a long or short term basis all depending on the situation.
We provide owners with the assurance that they will be paid on time, their property will be well cared for, fully insured, and monitored 24/7.
We provide elite concierge and hospitality services to vacationers, frequent travelers, business men and women seeking a unique stay with a full hospitality service.


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--- title: Accordion layout: layout-sidenav description: A dropdown mechanism that allow users to either show or hide related content. category: general react-link: ?path=/docs/components-accordion--basic github-link: true toc: true --- {% capture accordion-design-tokens %} $accordion-padding-y: 1rem !default; $accordion-padding-x: 1.25rem !default; $accordion-color: $body-color !default; $accordion-bg: $body-bg !default; $accordion-border-width: $border-width !default; $accordion-border-color: $border-color !default; $accordion-border-radius: $border-radius !default; $accordion-inner-border-radius: subtract($accordion-border-radius, $accordion-border-width) !default; $accordion-body-padding-y: $accordion-padding-y !default; $accordion-body-padding-x: 1.5rem !default; $accordion-button-padding-y: $accordion-padding-y !default; $accordion-button-padding-x: 1.5rem !default; $accordion-button-color: $accordion-color !default; $accordion-button-bg: $accordion-bg !default; $accordion-transition: $btn-transition, border-radius .15s ease !default; $accordion-button-active-bg: none !default; $accordion-button-active-color: $purple-500 !default; $accordion-button-focus-border-color: $input-focus-border-color !default; $accordion-button-focus-box-shadow: $btn-focus-box-shadow !default; $accordion-icon-width: 1.25rem !default; $accordion-icon-color: $accordion-button-color !default; $accordion-icon-active-color: $accordion-button-active-color !default; $accordion-icon-transition: transform .2s ease-in-out !default; $accordion-icon-transform: rotate(-180deg) !default; $accordion-button-icon: url("data:image/svg+xml,") !default; $accordion-button-active-icon: url("data:image/svg+xml,") !default; {% endcapture %} {% capture default-accordion %}
.accordion-body
, though the transition does limit overflow.
.accordion-body
, though the transition does limit overflow.
.accordion-body
, though the transition does limit overflow.
Within the accordion button
Ensure that there is a min of 24px horizontal spacing and 16px vertical spacing.
Within the accordion
Ensure that there is a min of 24px spacing within the accordion, and 16px vertical spacing
between the accordion title and content.
Accordions increases the cognitive load for users, as decisions have to be made when clicking on the headers. Users may also ignore important information if it is hidden in an accordion.
When to use the accordion component:
When not to use the accordion component:
Do ensure that the entire heading is clickable to the user.
A larger target will make it easier for users to manipulate.
Ensure enough space between content and headings
This is to prevent the user from accidentally closing the accordion.


About Us
Meet The Team
Message From the Team -
"We Believe In Notes For All"
Roshan
Sanath
Sanketh
Shivashakthi


OC's logo. Click here at any time to return to the splash page - i.e., this view.
Notifications
The arrow will glow red when you have been invited to an event, and clicking on it will show you what you have been invited to.
Personal Page
Click here to go to your personal page - add friends, accept invites, send invites, manage your events, and form and edit groups.
Settings
Modify your settings - change your name or default location.
Logout
Log out of OC. Default behavior is to stay logged in despite the page closing.
Make View
Make an event! Check Private to make the event visible to your selections in Groups. Add tags to make finding your event easier.
Calendar View
See what's happening today, this week, or this month in a calendar view. Filterable in the same way that the map is.
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See the events in list form - filterable in the way that the map and calendar are.
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Three overarching collections of events. All shows all events, Recommended shows events your friends have created or are attending, and My Events shows any events you've created.
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Shows all available tags and groups - click on one or any combination of them to show events corresponding your tag and group selection.
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Search events by title, location, or tags.
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There are two or more events at this location - click on the group to show all available events in spiral form, and click on a single person to show information regarding that event.
Collapsible Filter
Collapse and expand the filter sidebar by clicking this button.


ioreg -l | grep "W Enhanced Trackpad"
"
Sadly, my old Ti Powerbook 800 doesn't support it - not surprising.--- layout: post title: Two-Finger-Scrolling with pre-2005 PowerBooks and iBooks categories: [] tags: [] status: publish type: post published: true meta: _original_post_id: '' _original_import_author: John Duprey author: ---
ioreg -l | grep "W Enhanced Trackpad"
"
Sadly, my old Ti Powerbook 800 doesn't support it - not surprising.


Coding Quiz Challenge
Try to master the following code related questions within the time limit. Keep in mind that incorrect answers will penalize your scoretime by ten seconds!
View Highscores
Time:
Try to master the following code related questions within the time limit. Keep in mind that incorrect answers will penalize your scoretime by ten seconds!


const {parseCoordinates} = require("./utilities/helpers");
/**
* This entity is representing the player
*
* @class Player
* @constructor
* @param {Object} area - This repreents the battle area of the player
* @param {Array} targets - Array of all the predefined targets
* @param {string} opponentPlayerName - Name of the opponent
* @param {string} name - player's name
*/
class Player {
constructor({area, targets, opponentPlayerName, name}) {
this.area_ = area;
this.targets = targets;
this.opponentPlayerName_ = opponentPlayerName;
this.name = name;
}
/**
* Function to get next target of the player
* @param {Number} targetIndex : index of the desired target
* @returns {string} target at the index
*/
getNextTarget(targetIndex) {
return this.targets[targetIndex];
}
/**
* Function to take a hit on this player
* @param {string} coordinates : hit target
* @returns {boolean} returns true if hit else false
*/
takeHit(coordinates) {
const parsedCoordinates = parseCoordinates(coordinates);
const ship = this.area_.shipYard[parsedCoordinates[0]][parsedCoordinates[1]];
if (ship && !ship.isDestroyed()) {
ship.bombard();
console.log(`${this.opponentPlayerName_} fires a missile with target ${coordinates} which got hit`);
if (ship.isDestroyed()) {
this.area_.decrementShipCount();
}
return true;
}
console.log(`${this.opponentPlayerName_} fires a missile with target ${coordinates} which got miss`);
return false;
}
/**
* Function to check if the player is deafted or not
* @returns {Boolean} returns true if area is destroyed else false
*/
isDefeated() {
return this.area_.isAreaDestroyed();
}
}
module.exports = Player;


Theyyam beats up people, SHRC files case
Video of performer thrashing devotees with a stick goes viral
by Staff ReporterThe State Human Rights Commission (SHRC) has taken suo motu case in connection with a video in which a Theyyam was seen beating up devotees during the temple rituals.
The commission took the case after a video went viral in which the Kolathari (Theyyam performer) was seen thrashing devotees with a stick as part of the ritual. No cases have been filed against the Kolathari or the organising committee despite a few devotees getting injured.
The incident occurred during the performance of the Moovalamkuzhi Chamundi Theyyam on November 2 at the Arayil Devi temple at Kanhangad, near here.
Report in 30 days
“We have asked District Collector D. Sajith Babu and the District Police Chief to submit a report within 30 days,” SHRC member K. Mohandas said.
Krishnan Panicker, chairman of the Uthara Kerala Theyyam Anushtana Samrakshana Samithi, said it’s an age old ritual, performed in places such as Nileswaram, Karivellur, Azhikode, Payyanur.
“The Theyyam which beats and terrifies people recreates the scene of a war. Beating up devotees is part of the ritual. The commission has registered the case because of its lack of understanding of the ritual and practices associated with Theyyam. Devotees consider Theyyam as God. When pushed or beaten by Theyyam, devotees consider it a blessing. The ritual has been practised for so many years, and no one has complained,” he said.
Course launched
He said the Samithi had recently protested against the government’s move to launch a certified course in Theyyam performance for everyone.
Now only nine communities, mostly comprising Scheduled Castes and Backward Class, had the right to perform the ritual, Mr. Panicker added.


TRUE CRIME (M). (Warner Bros/Village Roadshow) Director: Clint Eastwood Stars: Clint Eastwood, Isaiah Washington, Lisa Gay Hamilton, Denis Leary, James Woods, Diane Venora, Bernard Hill, Michael McKean, Michael Jeter, Mary McCormack, Hattie Winston, Frances Fisher, Anthony Zerbe, William Windom, Penny Bae Bridges Running time: 129 minutes.
Clint Eastwood seems to be choosing vastly different material, moving away from the straight forward action adventures in which he established his reputation to far more interesting, intelligent character driven pieces. His latest offering is True Crime, a rather conventional crime drama that takes us onto death row and a race against time to prevent an execution. We've been down this path before, most recently with James Foley's The Chamber, Bruce Beresford's Last Dance, and Tim Robbins' powerful Dead Man Walking. However, Eastwood brings an unexpected emotional depth to the material which makes for gripping viewing.
Like his last few movies, True Crime has also been adapted from a best selling novel. Writers Larry Gross (48 Hours, etc), Paul Brickman (Risky Business, etc) and Stephen Schiff (the recent controversial adaptation of Lolita, etc) bring a rich emotional texture to the multi-layered drama.
Eastwood plays Steve Everett, a stereotypical hard-drinking, womanising rogue journalist whose private life is careening out of control. He finds one last chance at redemption when assigned to take over a human interest story about Frank Beachum (Isaiah Washington), a convicted murderer due to be executed later that night by lethal injection.  Everett discovers that Beachum may in fact be innocent, and sets out to prove it.
True Crime primarily explores how justice is sometimes blind. This is a more low key and surprisingly restrained film from Eastwood, but he directs with his usual assurance and no-nonsense, economical style. Eastwood turns up the suspense in the film's latter portion as he deftly intercuts between Everett's desperate search to uncover the vital evidence that will prove his claims, and the prison, where Beachum is being prepared for execution. This injects a potent emotional punch into the material.
The film also draws a nicely ironic contrast between Everett's chaotic domestic life and Beachum's family, which brings an added dimension to the drama. However, some of the scenes in which Everett attempts to spend quality time with his daughter (played by Eastwood's real life daughter Francesca) do not add much to the drama, and only serve to slow down the film. Eastwood injects some light humour into the film through Everett's heated clashes with his editors (a wonderfully edgy Denis Leary and a gruff James Woods).
Eastwood himself delivers a solid performance as the cynical, determined reporter, a role that perfectly suits his laconic screen persona. In one of his more subtle performances he gives the flawed Everett a certain credibility. Washington is superb and lends dignity to his portrayal of Beachum, while Lisa Gay Hamilton (recently seen in Beloved) is touching as his wife. Bernard Hill (last seen as the captain of the doomed Titanic) brings a sense of compassion to his role as the prison warder.
*** greg king http://www.netau.com.au/gregking
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Overview
This is the Simple App Shell. It provides a simple and basic HTML, CSS and Javascript shell for your Progessive Web App. You can find sample web apps under www.cjpj.de/webapps.htm.
The basic features are:
This is the Simple App Shell. It provides a simple and basic HTML, CSS and Javascript shell for your Progessive Web App. You can find sample web apps under www.cjpj.de/webapps.htm.
The basic features are:
This is a sample text with sample link.
This is a sample text with sample link.
This is a sample text with sample link.
This is a sample text with sample link.
| Head1 | Head2 | Head3 | Head4 |
|---|---|---|---|
| cell11 | cell12 | cell13 | cell14 |
| cell21 | cell22 | cell23 | cell24 |
| cell31 | cell32 | cell33 | cell34 |
| cell41 | cell42 | cell43 | cell44 |
Your app information can be included here (description, legal stuff, etc.)


Slotted content
Foo
Bar
Baz
Normal content, no select element
Before Select
Foo
Bar
Baz
After Select


The following participants have responded:
To keep track of this meeting, you can bookmark this page! Or send yourself an email with the link!


[§346F-1] Title. [See Note at chapter heading.] This chapter shall be known and may be cited as the "Nursing Facility Sustainability Program Act". [L 2012, c 156, pt of §2, §5; am L 2013, c 142, §3; am L 2014, c 124, §2; am L 2015, c 69, §2; am L 2016, c 59, §2; am L 2017, c 60, §5]


--- layout: post title: Android Rising - Tao of Mac categories: [] tags: - android - geek status: publish type: post published: true meta: _original_post_id: '' _original_import_author: John Duprey author: ---
ahem


Hello! Welcome to a game of Pig Dice. The aim is to score 100 points before your competitor does.  Keep on rolling the die until you are happy with the number of points you have scored, and hold your score to accumulate points. The first player to reach a higher score closer to 100 wins! Please note, however, that if you roll "1", you will lose all the points you have accumulated during your turn, and you lose your turn. Ready player one? Let the games begin!


Unit Conversion Tool
Select Input Units
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Select Output Units
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Tonic
A daily selection of privately personalized reads; no accounts or sign-ups required.
Multi-Post Stories
A daily selection of privately personalized reads; no accounts or sign-ups required.
Tonic
A daily selection of privately personalized reads; no accounts or sign-ups required.
Multi-Post Stories
A daily selection of privately personalized reads; no accounts or sign-ups required.


3.1. Introduction¶
3.1.1. What is SIMP?¶
The System Integrity Management Platform (SIMP) is an Open Source framework designed around the concept that individuals and organizations should not need to repeat the work of automating the basic components of their operating system infrastructure.
Expanding upon this philosophy, SIMP also aims to take care of routine policy compliance to include NIST 800-53, FIPS 140-2, the DISA STIG, and the SCAP Security Guide.
By using the Puppet automation stack, SIMP is working toward the concept of a self-healing infrastructure that, when used with a consistent configuration management process, will allow users to have confidence that their systems not only start in compliance but remain in compliance over time.
Finally, SIMP has a goal of remaining flexible enough to properly maintain your operational infrastructure. To this end, where possible, the SIMP components are written to allow all security-related capabilities to be easily adjusted to meet the needs of individual applications.
3.1.2. Getting Started¶
This document provides a quick overview of how to get started with building and setting up your SIMP environment.
Please be aware that this is a snapshot in time and, while it should remain accurate, if you find any issues, please check the SIMP How-To Articles on the SIMP Confluence Page.
Once you’re done setting up your environment, you should proceed to the SIMP User Guide for utilizing SIMP to its full potential.
If issues still remain, please drop us a line on the SIMP Development Mailing List.
Note
The fastest method for getting started with SIMP is to follow the Installing SIMP From A Repository guide.
This is the method that you want to use if you are installing on any sort of existing system.
Note
If you need to build an ISO, you should follow the Building SIMP From Tarball guide.


Status: Ready
Min. latency (ms):
Max. bandwidth (kbit/s):
Measured > Throughput (kbit/s):
Measured >Total duration (ms):


| 0 |
https://mledits.github.io/icse_sp5/5/39831/details.html |
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https://mledits.github.io/icse_sp5/8/40361/details.html |
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https://mledits.github.io/icse_sp5/7/21019/details.html |
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https://mledits.github.io/icse_sp5/10/46755/details.html |
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https://mledits.github.io/icse_sp5/6/71066/details.html |
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https://mledits.github.io/icse_sp5/3/26924/details.html |
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https://mledits.github.io/icse_sp5/6/63352/details.html |
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https://mledits.github.io/icse_sp5/38/57390/details.html |
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https://mledits.github.io/icse_sp5/13/3424/details.html |
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https://mledits.github.io/icse_sp5/9/47652/details.html |
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https://mledits.github.io/icse_sp5/12/72674/details.html |
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https://mledits.github.io/icse_sp5/6/55030/details.html |
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https://mledits.github.io/icse_sp5/18/3824/details.html |
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https://mledits.github.io/icse_sp5/9/49476/details.html |
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here are the activities for the team
...
continue reeading...
continue reeading...
continue reeading...
continue reeading
On 9th of february which was on a friday we went to a kesha at EGF Everlasting Glory Fellowship church in GITHURAI 45 the presence of God was with us indeed. view below
...
...
continue reeading


I’m a Junior Web Developer, I specializing in full stack development. My experience is with all stages of the development cycle for dynamic web projects. I’m a creative problem solving developer, that enjoys working at the front and the back end.
My experience in full stack includes JavaScript, Nodejs, PHP, React Native, React, SQL, MongoDB, HTML, CSS, Git, Github.
These are some of the projects that I've done.


Linklater is the founder of the Austin Film Society but is better known for his films, including 'Fast Food Nation', 'Dazed and Confused', and 'Before Sunset'. Linklater has been nominated for a 2014 Oscar for his 2013 film 'Before Midnight'.
GINGER SLEDGE (Producer) has produced projects during a feature film career spanning from mid-1980’s to present day. She has worked on both studio and independently financed films.
Some of Ms. Sledge’s extensive feature credits include “Dark Places,” “Parkland, “Bernie,” “Appaloosa,” “Mickey Blue Eyes,” “The Only Thrill,” “Little Boy Blue” and Richard Linklater’s “Suburbia,” “Waiting for Guffman.” “The Great Buck Howard,” “Lords of Dogtown,” “Sideways” and “Miss Congeniality.”
Sarah Backhouse is Founder of Future360.tv. As a TV host, producer, and sustainability expert, she has worked for a diverse array of broadcasters. She has been honored as one of Asia Pacific’s Leading 50 Women, one of Australia Unlimited’s Global 50, and a host on Al Gore’s 24 Hours of Reality in 2011 and 2012.
dillygent&son specializes in conceptualizing, developing and producing original content, from environmental films, music videos and visuals, to PR events, branded entertainment and advertising campaigns.