George is an in-browser design tool for previewing and customizing web styles at runtime.
George is built on top of Less and turns its compile-time variables into native CSS variables that can be changed at runtime in the browser. For editing, it provides an interface showing a list of the variables that includes textboxes and color pickers to customize their values. The editor data is based on information about the variables that is encoded in the CSS file by the Less plugin, via inline comments similar to sourcemaps.
George is available as a plugin for the Less stylesheet precompiler, to expose Less variables as runtime-editable CSS variables. It's easy to get set up and running!
The first step is installing the plugin from npm:
npm install --save-dev less-plugin-css-george
Now you can annotate your variable declarations in your Less source files to expose them for runtime manipulation:
/* @export */ @header-bkg: #ffffff;
To generate a CSS file with George support, just run the less compiler with the --css-george flag. For more options, see the plugin documentation.
Installing the runtime editor is as easy as including a script tag in your HTML page! It will automatically set up the editor from annotated CSS files referenced on the page.
If you're using npm, you can install the css-george package:
npm install --save-dev css-george
To download the latest version of the script file directly, you can go to the dist folder
on GitHub and add it to your page:
<script src="george.js"></script>
After adding the script to your page, the keyboard shortcut shown above should open the editor in a popup window.
George makes use of several recent additions to the browser API landscape, including CSS variables, Blob URLs, and Color Inputs. These are not supported in many older browsers, and only recently supported in many current browsers.
It is important to note that George is primarily intended as a development-time design tool, and is not intended for production use. By default there is no fallback behaviour for older browsers without support for CSS variables, which will result in missing and broken styles.
| Firefox | Chrome | Safari | Edge | |
|---|---|---|---|---|
| CSS Variables | 31+ | 49+ | 9.1+ | 15+ |
| Opening Blob URLs | 4+ | 23+ | 6.1+ | None |
| Color Inputs | 29+ | 20+ | 11+ | 14+ |
As such, George works best in the latest versions of Chrome, Firefox, or Safari. It does not work in MS Edge due to a restriction on opening blob URLs in a popup window. Internet Explorer is not supported.


Installation
ConCoord is available for install through PyPI:
$ pip install concoord
Alternatively, you can clone our repos below. The README is included to help you get started with ConCoord. Please contact us if you'd like to contribute to our project.
$ git clone https://github.com/denizalti/concoord.git
Requirements
ConCoord requires Python 2.7 or later, msgpack, and dnspython.
License
ConCoord is licensed under the 2-clause BSD license.


Provides a method for automatically numbering figures, tables, or other objects. Captions can be displayed in full, or as citations. This is especially useful for adding figures and tables to R markdown documents without having to numbering them manually.
| Version: | 2.2.3 |
| Suggests: | knitr |
| Published: | 2015-07-16 |
| Author: | Letaw Alathea [aut, cre] |
| Maintainer: | Letaw Alathea <alathea at zoology.ubc.ca> |
| BugReports: | https://github.com/adletaw/captioner/issues |
| License: | MIT + file LICENSE |
| URL: | https://github.com/adletaw/captioner |
| NeedsCompilation: | no |
| Materials: | README |
| CRAN checks: | captioner results |
| Reference manual: | captioner.pdf |
| Vignettes: |
Using captioner |
| Package source: | captioner_2.2.3.tar.gz |
| Windows binaries: | r-devel: captioner_2.2.3.zip, r-release: captioner_2.2.3.zip, r-oldrel: captioner_2.2.3.zip |
| OS X binaries: | r-release: captioner_2.2.3.tgz, r-oldrel: captioner_2.2.3.tgz |
| Reverse suggests: | dynamichazard, ref.ICAR, wCorr |
Please use the canonical form https://CRAN.R-project.org/package=captioner to link to this page.


{% load staticfiles %}
csfr token: {% csrf_token %}
These items will be permanently deleted and cannot be recovered. Are you sure?


Authoring Interactive and Extensible Visualizations from a Materials Knowledge Graph
Michael Deagen, Ph.D. | University of Vermont
F.MT07.10.05
<EMAIL_ADDRESS>Knowledge graphs enable a web of data
How would you prepare a meal from scratch?
Market + List + Ingredients + Recipe = Meal
Most charts provide limited or no context for data
Our charts are defined by a data query and chart spec
Database + Query + Dataset + Spec = Chart
Combining SPARQL query language with Vega-Lite chart specification language lets us define custom, interactive charts with minimal lines of code
Chart metadata (query, spec, title, description) added to knowledge graph, findable in Charts Gallery
Thank you!
HTML presentation built using the RevealJS library from @hakimel. Use the spacebar or arrow keys (or swipe on touch-based device) to navigate. Press o or Esc for slide overview, or s to view speaker notes. Press a to toggle auto-advancing of slides.


Retrieving World data...
{a world.active_settlements.value a}
Settlements are holding fast.
{a world.abandoned_or_removed_settlements.value a}
have been abandoned.
{a world.live_survivors.value a}
Survivors are alive and fighting.
{a world.dead_survivors.value a}
have perished.
Settlements
{a world.total_multiplayer_settlements.name a}:
{a world.total_multiplayer_settlements.value a}
{a world.new_settlements_last_30.name a}:
{a world.new_settlements_last_30.value a}
| {a world.top_settlement_names.name a} |
| {a row.name a} | {a row.count a} |
| Active Campaigns |
| {a name a} | {a count a} |
| Campaigns w/ Expansion Content |
| {a e.name a} | {a e.count a} |
| Settlement Averages |
| Lantern Year | {a world.avg_ly.value a} |
| Innovation Count | {a world.avg_innovations.value a} |
| Expansions | {a world.avg_expansions.value a} |
| Defeated Monsters | {a world.avg_defeated_monsters.value a} |
| Items in Storage | {a world.avg_storage.value a} |
| Milestone Story Events | {a world.avg_milestones.value a} |
| Lost Settlements | {a world.avg_lost_settlements.value a} |
| Principle selection rates |
|---|
| {a principle a} |
| {a option a} |
{a selections[option].percentage a}% |
| Top Innovations |
| {a row.name a} | {a row.count a} |
| Survival Limit stats |
| Average Survival Limit: |
{a world.avg_survival_limit.value a} |
| Max Survival Limit: |
{a world.max_survival_limit.value a} |
Latest Settlement
| {a world.latest_settlement.value.name a} |
| {a world.latest_settlement.value.campaign a} |
| {a world.latest_settlement.value.expansions a} |
| Created | {a world.latest_settlement.value.age a} ago |
| Players | {a world.latest_settlement.value.player_count a} |
| Population | {a world.latest_settlement.value.population a} |
| Death count | {a world.latest_settlement.value.death_count a} |
Survivors
| Population and death stats |
| Average Population | {a world.avg_pop.value a} |
| Max Population | {a world.max_pop.value a} |
| Average Death count | {a world.avg_death_count.value a} |
| Max Death Count | {a world.max_death_count.value a} |
| Top Survivor names |
| {a row.name a} | {a row.count a} |
| Top Causes of Death |
| {a row.cause_of_death a} | {a row.count a} |
| Living survivor averages |
| Hunt XP | {a world.avg_hunt_xp.value a} |
| Insanity | {a world.avg_insanity.value a} |
| Courage | {a world.avg_courage.value a} |
| Fighting Arts | {a world.avg_fighting_arts.value a} |
| Understanding | {a world.avg_understanding.value a} |
| Disorders | {a world.avg_disorders.value a} |
| Abilities/Impairments | {a world.avg_abilities.value a} |
Latest Survivor
|
|
| {a world.latest_survivor.value.name a} [{a world.latest_survivor.value.sex a}] of |
| {a world.latest_survivor.value.settlement_name a} |
| {a world.latest_survivor.value.epithets a} |
| Created | {a world.latest_survivor.value.age a} ago |
| Joined in LY | {a world.latest_survivor.value.born_in_ly a} |
| Hunt XP | {a world.latest_survivor.value.hunt_xp a} |
| Insanity | {a world.latest_survivor.value.Insanity a} |
| Courage | {a world.latest_survivor.value.Understanding a} |
| Understanding | {a world.latest_survivor.value.Insanity a} |
Latest Fatality
|
|
| {a world.latest_fatality.value.name a} [{a world.latest_fatality.value.sex a}] of |
| {a world.latest_fatality.value.settlement_name a} |
| Cause of Death: |
| {a world.latest_fatality.value.cause_of_death a} |
| {a world.latest_fatality.value.epithets a} |
| Created | {a world.latest_fatality.value.age a} ago |
| Died in LY | {a world.latest_fatality.value.died_in a} |
| Hunt XP | {a world.latest_fatality.value.hunt_xp a} |
| Insanity | {a world.latest_fatality.value.Insanity a} |
| Courage | {a world.latest_fatality.value.Understanding a} |
| Understanding | {a world.latest_fatality.value.Insanity a} |
{a world.killboard.name a}
| {a type a} |
| {a row.name a} | {a row.count a} |
Latest Kill
{a world.latest_kill.value.raw_name a}
Defeated by the survivors of {a world.latest_kill.value.settlement_name a} on {a world.latest_kill.value.killed_date a} at {a world.latest_kill.value.killed_time a}.
Users
{a world.total_users.value a} users are registered. {a world.total_subscribers.value a} users are subscribers!
{a world.recent_sessions.value a} users have managed campaigns in the last 12 hours.
{a world.total_users_last_30.value a} users have managed campaigns in the last 30 days.
{a world.new_users_last_30.value a} new users have registered in the last 30 days.
| Per user averages |
| Survivors | {a world.avg_user_survivors.value a} |
| Settlements | {a world.avg_user_settlements.value a} |
| Avatars | {a world.avg_user_avatars.value a} |


In order for the footer to be properly placed/aligned on the overall page structure, the addition of a class is necessary. The placement of the header, div, and footer in relation to each other is also important:
<hc-header ... ></hc-header>
<div class="page-content-footer">
...
</div>
<hc-footer ... ></hc-footer>
Fullscreen Demo


|
Modern CPP Features - Image File Converter
|
wrapper for bit output operations More...
#include <toojpeg_17.h>
Classes | |
| struct | BitBuffer |
Public Member Functions | |
| BitWriter (WRITE_BACK &&output_) | |
| BitWriter & | operator<< (const BitCode &data) |
| void | flush () |
| BitWriter & | operator<< (std::uint8_t oneByte) |
| BitWriter & | operator<< (const std::array< uint8_t, 64 > &data) |
| BitWriter & | operator<< (std::string_view data) |
| BitWriter & | operator<< (ByteView data) |
| void | addMarker (std::uint8_t id, uint16_t length) |
Public Attributes | |
| WRITE_BACK | output |
| struct TooJpeg17::BitWriter::BitBuffer | buffer |
wrapper for bit output operations
| clear_upper_bits | buffer.bits may contain garbage in the high bits if you really want to "clean up" (e.g. for debugging purposes) then set this to true |
Definition at line 41 of file toojpeg_17.h.


public class Schedule
extends java.lang.Object
implements java.io.Serializable
An event is defined as a Steppable object. You can schedule events to either occur a single time or to occur repeatedly at some interval. If the event occurs repeatedly, the schedule will provide you with a Stoppable object on which you can call stop() to cancel all future repeats of the event. If instead you wish to "stop" a single-time event from occuring before its time has come, you should do so through the use of a TentativeStep object. At present you cannot delete objects from the Schedule -- just stop them and let them drop out in due course.
The schedule is pulsed by calling its step(...) method. Each pulse, the schedule finds the minimum time at which events are scheduled, moves ahead to that time, and then calls all the events scheduled at that time. Multiple events may be scheduled for the same time. No event may be scheduled for a time earlier than getTime(). If at time getTime() you schedule a new event for time getTime(), then actually this event will occur at time getTime()+epsilon, that is, the smallest possible slice of time greater than getTime().
IMPORTANT NOTE: we have disabled the setShuffling() procedure by making the methods private. The reason for this is that although turning off shuffling causes the Steppables to be stepped in a predictable order, they will not necessarily be stepped in the order in which they were submitted, which was the whole point of the methods. The reason for this is that a binary heap is not "stable": it doesn't break ties by returning elements in the same order in which they appeared. This potentially could cause bugs in simulations and we want to make it very clear.
Events at a step are further subdivided and scheduled according to their ordering, an integer. Objects for scheduled for lower orderings for a given time will be executed before objects with higher orderings for the same time. If objects are scheduled for the same time and have the same ordering value, their execution will be randomly ordered with respect to one another.
You might be wondering: why bother with using orderings? After all, can't you achieve the same thing by just stretching elements out in time? There are two reasons to use orderings. First, it allows you to use the getTime() method to keep tabs on the current time in a way that might be convenient to you. But second and more importantly, MASON's GUI facility will update its displays and inspectors only after all Steppables scheduled for a given timestamp have completed, and so orderings give you a way of subdividing the interval of time between GUI updates.
A schedule may be sealed meaning that it will refuse to accept any further scheduled events even if its time is not yet AFTER_SIMULATION. This is largely done internally by MASON code: you probably will never want to do this. Once a schedule is sealed it cannot be unsealed until it is reset().
You can clear out the entire Schedule, unseal it, and restart it to BEFORE_SIMULATION by calling reset(). However, this does not prevent AsynchronousSteppables from suddenly rescheduling themselves in the queue. Stopping the simulation from within a Steppable object's step() method is best done by calling SimState.kill(). From the main thread, the most straightforward way to stop a simulation is to just stop calling schedule.step(...), and proceed directly to SimState.finish().
You can get the number of times that step(...) has been called on the schedule by calling the getSteps() method. This value is incremented just as the Schedule exits its step(...) method and only if the method returned true. Additionally, you can get a string version of the current time with the getTimestamp(...) method.
Note on Synchronization. In order to maximize the ability for threads to access the Schedule at any time, Schedule uses two locks for synchronization. First, the step() method synchronizes on the Schedule itself. This prevents step() from being called simultaneously from different threads; also step() tests to make sure that it's not called reentrantly from within the same thread. Second, many methods synchronize on an internal lock, including step().  Thus when step() actually steps the Steppables, even in different threads (like AsynchronousSteppable or ParallelSequence), they can turn around and submit step-requests to the Schedule even while it's still in its step() method.
One downside to this flexibility is that it's very inefficient to check, at each step of a Steppable, whether the Schedule has been reset or not. Thus now if you call reset() or [better] SimState.kill(), the Schedule will continue to step Steppables until it has exhausted ones scheduled for the current timestep. Only at that point will it cease.
Heaps and Calendar Queues. Schedule uses a plain-old binary heap for its queueing mechanism. This is reasonably efficient, but it could be made more efficient with a Calendar Queue designed for the purposes of your simulation. We settled on a Heap because we do not know what the expected scheduling pattern will be for any given simulation, and so had to go for the most general case. If you'd care to customize your queue, you can do so by overriding the createHeap() method in a custom Schedule. We imagine this would be rare.
| Modifier and Type | Class and Description |
|---|---|
protected static class |
Schedule.Key
Timestamps stored as keys in the heap.
|
| Modifier and Type | Field and Description |
|---|---|
static double |
AFTER_SIMULATION
The time which indicates that the Schedule is finished.
|
static double |
BEFORE_SIMULATION
The time which indicates that the Schedule hasn't started yet.
|
static double |
EPOCH
The first possible schedulable time.
|
static double |
EPOCH_PLUS_EPSILON
The second possible schedulable time.
|
protected java.lang.Object |
lock
The schedule lock.
|
static double |
MAXIMUM_INTEGER
The last time beyond which the schedule is no longer able to precisely maintain integer values due to loss of precision.
|
protected Heap |
queue
The Schedule's queue.
|
protected boolean |
sealed
Whether the schedule is sealed, as returned by isSealed().
|
protected long |
steps
The current steps, as returned by getSteps().
|
protected double |
time
The current time, as returned by getTime().
|
| Constructor and Description |
|---|
Schedule()
Creates a Schedule.
|
| Modifier and Type | Method and Description |
|---|---|
void |
addAfter(Steppable step)
Adds a steppable to be called every iteration of the Schedule immediately after any other Steppables
are called for that step.
|
void |
addBefore(Steppable step)
Adds a steppable to be called every iteration of the Schedule immediately before any other Steppables
are called for that step.
|
void |
clear()
Empties out the schedule but does not reset the time or steps.
|
protected Heap |
createHeap()
Returns a Heap to be used by the Schedule.
|
long |
getSteps()
Returns the number of steps the Schedule has pulsed so far.
|
double |
getTime()
Returns the current timestep
|
java.lang.String |
getTimestamp(double time,
java.lang.String beforeSimulationString,
java.lang.String afterSimulationString)
Returns a given time in string format.
|
java.lang.String |
getTimestamp(java.lang.String beforeSimulationString,
java.lang.String afterSimulationString)
Returns the current time in string format.
|
boolean |
isSealed()
Returns whether or not the schedule is sealed (nothing more can be scheduled, even
if the schedule isn't at AFTER_SIMULATION yet).
|
void |
merge(Schedule other)
Merge a given schedule into this one.
|
void |
reset()
Empties out the schedule and resets it to a pristine state BEFORE_SIMULATION, with steps = 0.
|
boolean |
scheduleComplete()
Returns true if the schedule has nothing left to do.
|
boolean |
scheduleOnce(double time,
int ordering,
Steppable event)
Schedules the event to occur at the provided time, and in the ordering provided.
|
boolean |
scheduleOnce(double time,
Steppable event)
Schedules the event to occur at the provided time, 0 ordering.
|
protected boolean |
scheduleOnce(Schedule.Key key,
Steppable event)
Schedules an item.
|
boolean |
scheduleOnce(Steppable event)
Schedules the event to occur at getTime() + 1.0, 0 ordering.
|
boolean |
scheduleOnce(Steppable event,
int ordering)
Schedules the event to occur at getTime() + 1.0, and in the ordering provided.
|
boolean |
scheduleOnceIn(double delta,
Steppable event)
Schedules the event to occur at getTime() + delta, 0 ordering.
|
boolean |
scheduleOnceIn(double delta,
Steppable event,
int ordering)
Schedules the event to occur at getTime() + delta, and in the ordering provided.
|
IterativeRepeat |
scheduleRepeating(double time,
int ordering,
Steppable event)
Schedules the event to recur at an interval of 1.0 starting at the provided time,
and in the ordering provided.
|
IterativeRepeat |
scheduleRepeating(double time,
int ordering,
Steppable event,
double interval)
Schedules the event to recur at the specified interval starting at the provided time,
and in the ordering provided.
|
IterativeRepeat |
scheduleRepeating(double time,
Steppable event)
Schedules the event to recur at the specified interval starting at the provided time, and at 0 ordering.
|
IterativeRepeat |
scheduleRepeating(double time,
Steppable event,
double interval)
Schedules the event to recur at the specified interval starting at the provided time,
in ordering 0.
|
IterativeRepeat |
scheduleRepeating(Steppable event)
Schedules the event to recur at an interval of 1.0 starting at getTime() + 1.0, and at 0 ordering.
|
IterativeRepeat |
scheduleRepeating(Steppable event,
double interval)
Schedules the event to recur at the specified interval starting at getTime() + interval, and at 0 ordering.
|
IterativeRepeat |
scheduleRepeating(Steppable event,
int ordering,
double interval)
Schedules the event to recur at the specified interval starting at getTime() + interval, and at the provided ordering.
|
void |
seal()
Seals the schedule: after a schedule is sealed, no further Steppables may be scheduled on it.
|
boolean |
step(SimState state)
Steps the schedule, gathering and ordering all the items to step on the next time step (skipping
blank time steps), and then stepping all of them in the decided order.
|
double |
time()
Deprecated.
use getTime()
|
public static final double EPOCH
public static final double BEFORE_SIMULATION
public static final double AFTER_SIMULATION
public static final double EPOCH_PLUS_EPSILON
public static final double MAXIMUM_INTEGER
protected Heap queue
protected double time
protected long steps
protected boolean sealed
protected java.lang.Object lock
protected Heap createHeap()
public double time()
public double getTime()
public boolean isSealed()
public java.lang.String getTimestamp(java.lang.String beforeSimulationString, java.lang.String afterSimulationString)
public java.lang.String getTimestamp(double time, java.lang.String beforeSimulationString, java.lang.String afterSimulationString)
public long getSteps()
public void clear()
public void seal()
public void reset()
public boolean scheduleComplete()
public void merge(Schedule other)
public void addBefore(Steppable step)
public void addAfter(Steppable step)
public boolean step(SimState state)
public boolean scheduleOnce(Steppable event)
public boolean scheduleOnceIn(double delta, Steppable event)
public boolean scheduleOnce(Steppable event, int ordering)
public boolean scheduleOnceIn(double delta, Steppable event, int ordering)
public boolean scheduleOnce(double time, Steppable event)
public boolean scheduleOnce(double time, int ordering, Steppable event)
protected boolean scheduleOnce(Schedule.Key key, Steppable event)
public IterativeRepeat scheduleRepeating(Steppable event)
This method at present returns null if the schedule cannot schedule any more events (it's sealed or the time is AFTER_SIMULATION). The method throws an IllegalArgumentException if the event is being scheduled for an invalid time, or is null.
Note that calling stop() on the Stoppable will not only stop the repeating, but will also make the Schedule completely forget (lose the pointer to) the Steppable scheduled here. This is particularly useful if you need to make the Schedule NOT serialize certain Steppable objects.
public IterativeRepeat scheduleRepeating(Steppable event, double interval)
This method at present returns null if the schedule cannot schedule any more events (it's sealed or the time is AFTER_SIMULATION). The method throws an IllegalArgumentException if the event is being scheduled for an invalid time, or is null.
Note that calling stop() on the Stoppable will not only stop the repeating, but will also make the Schedule completely forget (lose the pointer to) the Steppable scheduled here. This is particularly useful if you need to make the Schedule NOT serialize certain Steppable objects.
public IterativeRepeat scheduleRepeating(Steppable event, int ordering, double interval)
This method at present returns null if the schedule cannot schedule any more events (it's sealed or the time is AFTER_SIMULATION). The method throws an IllegalArgumentException if the event is being scheduled for an invalid time, or is null.
Note that calling stop() on the Stoppable will not only stop the repeating, but will also make the Schedule completely forget (lose the pointer to) the Steppable scheduled here. This is particularly useful if you need to make the Schedule NOT serialize certain Steppable objects.
public IterativeRepeat scheduleRepeating(double time, Steppable event)
This method at present returns null if the schedule cannot schedule any more events (it's sealed or the time is AFTER_SIMULATION). The method throws an IllegalArgumentException if the event is being scheduled for an invalid time, or is null.
Note that calling stop() on the Stoppable will not only stop the repeating, but will also make the Schedule completely forget (lose the pointer to) the Steppable scheduled here. This is particularly useful if you need to make the Schedule NOT serialize certain Steppable objects.
public IterativeRepeat scheduleRepeating(double time, Steppable event, double interval)
This method at present returns null if the schedule cannot schedule any more events (it's sealed or the time is AFTER_SIMULATION). The method throws an IllegalArgumentException if the event is being scheduled for an invalid time, or is null.
Note that calling stop() on the Stoppable will not only stop the repeating, but will also make the Schedule completely forget (lose the pointer to) the Steppable scheduled here. This is particularly useful if you need to make the Schedule NOT serialize certain Steppable objects.
public IterativeRepeat scheduleRepeating(double time, int ordering, Steppable event)
This method at present returns null if the schedule cannot schedule any more events (it's sealed or the time is AFTER_SIMULATION). The method throws an IllegalArgumentException if the event is being scheduled for an invalid time, or is null.
Note that calling stop() on the Stoppable will not only stop the repeating, but will also make the Schedule completely forget (lose the pointer to) the Steppable scheduled here. This is particularly useful if you need to make the Schedule NOT serialize certain Steppable objects.
public IterativeRepeat scheduleRepeating(double time, int ordering, Steppable event, double interval)
This method at present returns null if the schedule cannot schedule any more events (it's sealed or the time is AFTER_SIMULATION). The method throws an IllegalArgumentException if the event is being scheduled for an invalid time, or is null.
Note that calling stop() on the Stoppable will not only stop the repeating, but will also make the Schedule completely forget (lose the pointer to) the Steppable scheduled here. This is particularly useful if you need to make the Schedule NOT serialize certain Steppable objects.


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setAPIDropdownMenu(Vector<String>, Vector<String>)
- Method in class proteomicsdb.org.requesttool.view.
APIPanel
setAPIDropdownMenu(Vector<String>, Vector<String>)
- Method in class proteomicsdb.org.requesttool.view.
View
setAPIHelpButton(String)
- Method in class proteomicsdb.org.requesttool.view.
APIPanel
setAPIHelpButton(String)
- Method in class proteomicsdb.org.requesttool.view.
View
setAskedDoOverwrite(boolean)
- Method in class proteomicsdb.org.requesttool.model.description.
OutputConfiguration
Sets the flag indicating, whether the user has already been asked if he wants to overwrite the file.
setChangeListener(ChangeListener)
- Method in class proteomicsdb.org.requesttool.view.
ProgressRow
setComponentsDisabled(JPanel)
- Method in class proteomicsdb.org.requesttool.view.
View
setDoAppend(boolean)
- Method in class proteomicsdb.org.requesttool.model.description.
OutputConfiguration
Sets the flag indicating, whether this OutputConfiguration wants the data to be appended to the destination file.
setException(Exception)
- Method in enum proteomicsdb.org.requesttool.model.request.
RequestEvent
Sets the Exception of the RequestEvent.
setInputPanel(Map<Integer, InputParSpec>)
- Method in class proteomicsdb.org.requesttool.view.
CentralPanel
setInputPanel(Map<Integer, InputParSpec>)
- Method in class proteomicsdb.org.requesttool.view.
InputPanel
setInputPanel(Map<Integer, InputParSpec>)
- Method in class proteomicsdb.org.requesttool.view.
View
setLoggedInFalse()
- Method in class proteomicsdb.org.requesttool.view.
LoginPanel
setLoggedInFalse()
- Method in class proteomicsdb.org.requesttool.view.
View
setLoggedInTrue()
- Method in class proteomicsdb.org.requesttool.view.
LoginPanel
setLoggedInTrue()
- Method in class proteomicsdb.org.requesttool.view.
View
setMessage(String)
- Method in enum proteomicsdb.org.requesttool.model.request.
RequestEvent
Sets the message of the RequestEvent.
setOutputPanel(List<OutputColSpec>)
- Method in class proteomicsdb.org.requesttool.view.
CentralPanel
setOutputPanel(List<OutputColSpec>)
- Method in class proteomicsdb.org.requesttool.view.
OutputPanel
setOutputPanel(List<OutputColSpec>)
- Method in class proteomicsdb.org.requesttool.view.
View
SettingsWindow
- Class in
proteomicsdb.org.requesttool.view
SettingsWindow(GoPanel)
- Constructor for class proteomicsdb.org.requesttool.view.
SettingsWindow
showError()
- Method in class proteomicsdb.org.requesttool.view.
ProgressRow
showErrorMessage(String, String)
- Method in class proteomicsdb.org.requesttool.view.
View
showInformationMessage(String, String)
- Method in class proteomicsdb.org.requesttool.view.
View
showInputEmpty(int)
- Method in class proteomicsdb.org.requesttool.view.
InputPanel
showInputEmpty(int)
- Method in class proteomicsdb.org.requesttool.view.
View
showInputValid(int)
- Method in class proteomicsdb.org.requesttool.view.
InputPanel
showInputValid(int)
- Method in class proteomicsdb.org.requesttool.view.
View
showInputWrong(int, InvalidInputException)
- Method in class proteomicsdb.org.requesttool.view.
InputPanel
showInputWrong(int, InvalidInputException)
- Method in class proteomicsdb.org.requesttool.view.
View
SingletonLoginHandler
- Class in
proteomicsdb.org.requesttool.model.login
SingletonLoginHandler is the class that checks, wether the username and password the user has input is valid, and then generates the encoding that is needed to authenticate requests.
specificSettings
- Variable in class proteomicsdb.org.requesttool.model.writing.
Writer
The specific settings of a Writer
START_WINDOW_HEIGHT
- Static variable in class proteomicsdb.org.requesttool.view.
ViewUtils
These sizes are used by the resize method in the
View
stateChanged(ChangeEvent)
- Method in class proteomicsdb.org.requesttool.view.
ProgressRowTableModel
stringToEnum(String)
- Static method in enum proteomicsdb.org.requesttool.view.
ViewUtils.MenuNames
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Supporting Types
Miscellaneous types that support various functionality of TraceLog.
-
The system wide modes that TraceLog can run in. Used to configure a mode globally at configure time.
See moreSee also
TraceLog.configure(mode:writers:environment:)
for usage.Declaration
Swift
public enum ConcurrencyMode
-
Mode to run a specific Writer in. Used to wrap a writer to change the specific mode it operates in.
See moreSee also
TraceLog.configure(writers:environment:)
for usage.Declaration
Swift
public enum WriterConcurrencyMode
-
Async mode can be configured for various options, this enum allows you to refine the behavior and options of the asynchronous mode of operation.
See also
ConcurrencyMode.async(options:)
for for more information about usage.See moreSee also
WriterConcurrencyMode.async(_:options:)
for for more information about usage.Declaration
Swift
public enum AsyncConcurrencyModeOption
extension AsyncConcurrencyModeOption: Equatable, Hashable
-
A class that is used to capture and represent the os environment variables.
This class can be passed to TraceLog.
configure(mode:writers:environment:)
methods to configure it using the current Environment settings.Environment is also like a Swift Dictionary
so it can be used just like a dictionary including subscripting. See also
TraceLog.configure(mode:writers:environment:)
for usage.See moreSee also
TraceLog.configure(writers:environment:)
for usage.Declaration
Swift
public class Environment : Collection, ExpressibleByDictionaryLiteral
-
LogLevels represent the logging level defined by TraceLog. These parallel the environment variables that can be set to configure TraceLog.
See moreDeclaration
Swift
public enum LogLevel : Int, CaseIterable, Comparable
-
Static context captured at the time of the log statement
See moreDeclaration
Swift
public protocol StaticContext
-
Runtime context captured at the time of the log statement
See moreDeclaration
Swift
public protocol RuntimeContext
-
Allowable Errors returned from
See moreOutputStreamFormatter
.bytes(from:)
methods.Declaration
Swift
public enum OutputStreamFormatterError : Error
-
Declaration
Swift
public enum FailureReason : Error


Setting up Ruby on Rails using rbenv on Arch Linux, Ruby, Rails
Install Ruby on Rails using rbenv - Arch Linux
Difficulty: 1
Time: 30 minutes
Ruby is a pure object oriented language like PERL and Python, while Rails is a web application development framework written in Ruby. It is designed to make programming web application easier by making assumptions about what every developer needs to get started.
Note: Please make sure that you have assigned super user privileges to your user.
Prerequisites
To setup the Arch Linux server, please visit 17324 - Initial Server Setup - Arch Linux. Optionally, you may also visit 17369 - Install Git - Arch Linux to install Git on Arch Linux.
Install rbenv
- Upgrade and install all the latest dependencies by using
pacman
base-level command
sudo pacman -Syyu
sudo pacman -Sy base-devel
- Install rbenv and Ruby dependencies
sudo pacman -Sy git zsh
sudo git clone git://github.com/sstephenson/rbenv.git ~/.rbenv
- Install rbenv and run the following commands to check if rbenv is located into
.rbenv
directory.
cd /.rbenv
sudo echo 'export PATH="$HOME/.rbenv/bin:$PATH"' >> ~/.zshrc
sudo echo 'eval "$(rbenv init -)"' >> ~/.zshrc
exec $SHELL
- Install ruby-build plugin.
mkdir -p ~/.rbenv/plugins
cd !$
git clone git://github.com/sstephenson/ruby-build.git
cd where/ever
Install Ruby
Before you start using rbenv, you need to make sure which version of Ruby you want to install. In this article, we are installing the latest version of Ruby.
- Install the dependency of Rails before you install Ruby, by typing:
rbenv install 1.8.7-p358
- This will display which version of Ruby was installed properly:
ruby -v
Install RubyGems
- By default, when you install gems, documentation files will also be installed. But this takes time, so here you need to first stop the document installation by disabling them.
echo "gem: --no-document" > ~/.gemrc
- After you have disabled the document, install the bundler gem. The Bundler gem is an essential tool for managing gems when developing and running Rails applications.
gem install bundler
Setup Rails
- Install Rails.
gem install rails
This will take some time, so be patient. Once completed, Ruby on Rails will be installed.
- Install Shims for all Ruby executables, by using the sub-command
rehash
.
rbenv rehash
- Check the version of both Ruby and Rails.
ruby -v
rails -v
Install JavaScript Runtime
A few Rails features, such as Asset Pipeline, depend on a JavaScript runtime.
Install the Node.js package
sudo pacman -S nodejs npm
Next Steps
In this article, we reviewed the steps involved in setting up rbenv
, Ruby, RubyGems and finally Rails in Arch Linux environment.


overlapping text. - Better Battlelog Forums #2007
Sitemap
06. September 2012 01:49
Topicstarter
laffles
First of all, thanks so much for BBL, it's awesome
have this minor issue though, using firefox:
http://puu.sh/12pgD
06. September 2012 02:56
Nano
Global Moderator
It's a theme bug, not in BBLog.
And already reported
http://getbblog.com/viewtopic.php?f=17&t=309&start=75


THE AGE OF INNOCENCE A film review by Scott Renshaw Copyright 1993 Scott Renshaw
Starring: Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder. Screenplay: Jay Cocks and Martin Scorsese. Director: Martin Scorsese. Reviewed by Scott Renshaw.
Viewers of THE AGE OF INNOCENCE will likely fall into one of two camps: those who consider it a minor masterpiece, and those who consider it a huge bore. There is something to be said for both sides. Director Martin Scorsese has crafted a sumptuous and dazzling visual feast from Edith Wharton's novel of social propriety and repressed desire, but one that suffers from an overlong second act and a lack of character depth. While still an exceptional film experience, it is ultimately one which I found much more engaging intellectually than emotionally.
THE AGE OF INNOCENCE is the story of Newland Archer (Daniel Day-Lewis), a lawyer in 1870s New York and a member of the privileged class. He is engaged to May Welland (Winona Ryder), a pleasant but oblivious girl from another prominent family. On the day of their engagement announcement, Archer is re-introduced to May's cousin Ellen Olenska (Michelle Pfeiffer), an unhappily married countess who has left her European husband for the support of her family in New York. Ellen wants a divorce, but the family fears a scandal and entreats Archer to persuade her to drop the suit. As Archer becomes Ellen's confidante, he realizes that she is one of the few people who shares his distaste for the shallowness of their world. He falls in love with Ellen, and finds himself forced to choose between what he most desires and what is demanded of him by his society.
THE AGE OF INNOCENCE is a tale of surfaces, of a society concerned with the appearance of things rather than the reality. It is a world where male infidelity is tacitly accepted, provided the man does not flaunt his indiscretion, a world where a declined dinner invitation is a social snubbing understood by both parties but never expressly stated. Scorsese captures this obsession with surfaces by letting his camera dwell on things rather than people; calling cards, watch fobs, earrings and table settings all become icons of status and civility. Meanwhile, a running narration by Joanne Woodward calls attention to the coded meanings and ironies in every word and gesture. It's a fascinating anthropological study, highlighted by typically bravura Scorsese moments, including a piercingly insightful tour through one house during a formal ball. Yet for all its virtuosity, I found THE AGE OF INNOCENCE working essentially as a documentary, not the forbidden love story which is at its core. Scorsese is so good at establishing the framework, that he has little time left for the characters. They are kept at a distance, which may in part be the point but left me a bit cold.
The performers are not to be held responsible for these shortcomings. Day-Lewis is quite good as Archer, particularly in a scene with Pfeiffer where he desperately struggles to find the polite vocabulary to tell her people will think she's a whore if she gets a divorce. He carries himself as though he is constantly on the brink of exploding but knows that it is impossible to do so. I had feared that Pfeiffer would end up repeating her Madame du Tourveil from DANGEROUS LIAISONS, but she is too canny an actress for that. She invests Ellen with as much as the script will allow her, and then some, making her a sad and slightly embittered woman who knows that being a woman means never being able to find your own happiness. Ryder has a thankless part as May, and seems almost as uncomfortable as she was in BRAM STOKER'S DRACULA; it appears to be time for her to forego period drama. Miriam Margolyes is delightful as May's eccentric and knowing Granny Mingott, but the rest of the cast is forced to do what it can with roles which essentially function as Archer's obstacles; they are not really characters in their own right.
However, the film's technical credits alone make it required viewing. Longtime Scorsese collaborator Thelma Schoonmaker does a glorious editing job, and even gets her name on a billboard in the film. Cinematographer Michael Ballhaus takes some stunning and instantly memorable shots, including an ocean panorama which looks like a painting. Elmer Bernstein's score is lush and evocative, and the costume and production design are certain Oscar nominees.
THE AGE OF INNOCENCE demonstrates yet again that Martin Scorsese could direct "Dick and Jane" into a visual spectacle. It's a fascinating examination of lifeless and soulless time, and my attention never waned. But I kept finding myself oddly detached, wanting to care more about whether or not Archer and Ellen would find happiness together but never quite able to do so. There is so much to admire about THE AGE OF INNOCENCE that it seems like nitpicking, but I'm funny that way: I want to be caught up in love stories.
On the Renshaw scale of 0 to 10 calling cards: 8.
-- Scott Renshaw Stanford University Office of the General Counsel
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| DevIL Documentation | Home | Previous | Next |
The ilBindImage function selects the current image.
ILvoid ilBindImage(
ILuint Image
);
The ilBindImage function creates a named image. Image names are ILuint's, with zero being reserved as the default image. The default image is generated by ilCreateDefaultTex. The only reason the default image would be NULL is if OpenIL could not create the default image, due to memory constraints of the system, so always heed the IL_OUT_OF_MEMORY error. Any dimension image may be bound with ilBindImage. When ilBindImage is called, the bound image remains bound until ilBindImage is called again with a different value in Image.
IL_ILLEGAL_OPERATION - ilGenImages was never called beforehand, Image is out of bounds or the image name has been deleted via ilDeleteImages.
ilGenImages, ilDeleteImages, ilCreateDefaultTex, ilGetError


Micronet employees printing semi-usefulish stuff...
Check out some of the 3D prints that we've made!
Feel like being a part of a great group of people? Check out job opportunities at Micronet!
The Lulzbot Mini 3D printer has worked great for us and it just might for you!


TrulyUI is an Angular UI Framework especially developed for Desktop Applications based on Web Components using the greatest technologies of the world.
TrulyUI Framework is a 100% free and open source project, licensed under MIT. It will always remain free to use, powered by a massive world-wide community.
TrulyUI is based on Angular, maintained by world-wide community. By the way, we believe that Angular is the most promising Web Framework.
We developed TrulyUI thinking to fill a gap on open-source Web Technologies that's poor
when it's about applications on Desktop.
Ex: Electron, App.js and NW.js
TL-INPUT Are fields which allow for an input of data, based on a specific and predefined format. With many properties that can be used to different's kind of data or treatment.
TL-FORM It's a rich modal component with many features such as intelligence tabbing, validation of the internal components, window controls and more.
TL-DIALOG It's a service that has your own set up according with it function such as Dialog Info, Alert, Confirm and Error. The dialog's have all control window functions as well.
TL-DATATABLE As the name describes, represents massive grid data, with nice features such as a Intelligence LazyLoad Order, Filter and Keyboard Navigation.
TL-SCHEDULE Displays appointments across the timetable and allows a user to quickly change between different timetable views using the View Selector and navigate using the Date Navigator.
TL-BUTTON The buttons have many properties to be used, and custom behavior can be attached. It's intelligence when used with Dialog and Form, creating own actions to return for them.
Learn more about how to install TrulyUI Framework. We'll cover the basics and get you started from the ground up.
Fork us on Github and Contribute with the project.


Fall registration is now open
Here at Roux, we’re as excited for the upcoming school year as we are this one. Visiting professors Barry Mandow (renowned photojournalist) and Rebecca Short (textile designer) will be joining us in the fall and construction on the Roux North remodel will be completed by October 2012.
Registration for the Fall 2012 semester opens July 13th. Current students: don’t forget to sign up for your registration appointment. If you’re a prospective student looking to apply to Roux, now is the time to meet with a counselor to polish up those last remaining application details and complete any necessary paperwork for grants and scholarships. The application deadline is April 13th. Program spots will be awarded on a first-come, first-serve basis, so file your applications soon. Visit our Admissions Page for more information
Victor Stuesse wins Lacie Award
Victor Stuesse is the recipient of this year’s Lacie Award, dedicated to honoring the work of a professor who has touched lives both inside and outside of the Roux community. As a teacher, Professor Stuesse has ushered over 900 students through the Craft + Design program, and has always been willing to share the secrets of his craft. As a sculptor and restorer, he has donated his time to public works projects such as the Central Park Arts Maintenance Council and the Metropolitan Museum’s docent program.
Professor Stuesse has had a long and successful career in the arts, having received many commissions over the years in cities from Chicago to Bangkok, but always returns to “the job I call a dream.” For his dedication to teaching and community involvement, the Roux Academy is proud to award him with this year’s prize, which also includes a stipend for pursuit of personal projects outside the academy. Congratulations, Professor Stuesse!


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Technical Blog
What a responsive site is, and why responsiveness is important:
A responsive site is one that can respond to different viewport sizes by shifting it's elements in an elegant and predictable way. As a window is resized to become smaller, it may do this by at first decreasing column width and then later by stacking columns on top of one another. In this way a page will remain usable and well presented on o variety of devices.
What mobile first design is, and why it's important:
This is the approach of first designing a website to look good and work well on smaller mobile devices, and then adding various features (using HTML, CSS, and JavaScript) to enhance the website for larger viewport sizes. It's important because these days mobile devices are becoming a dominant platform. Their low cost and small size allows many more people to connect to the internet. However mobile devices often have less processing power than a desktop PC, so mobile-first design should take this into account.
What frameworks are, and their pros and cons:
Common problems have common solutions. Frameworks are essentially pre-packaged solutions to these common problems. The two main categories are front-end frameworks and back-end frameworks. Front-end frameworks provide HTML and CSS code that specify common elements or design themes (such as navbars or buttons). Bootstrap and Skeleton are popular examples of these. Back-end frameworks provide common solutions for business logic and other frequently required features. (For example, user authentication systems). Ruby on Rails and Django are examples of back-end frameworks. The disadvantage of frameworks is that they may have only limited customizability and may therefore force the developer into solutions which are not optimal.
What a wireframe is and why we use it:
A wireframe is a process of taking a website design (which may have been provided as a PDF by a designer) and subdividing it into a number of boxes. These boxes may contain further boxes. The boxes usually represent some element of page design. They are then put into HTML code by using tags such as div, article, nav, and section.
The aspects of my wireframes I found difficult to implement, and why:
I found it difficult to know how many boxes to subdivide my design into. Often a design feature could be represented in more than one way.
Here are my wireframes:
The accessibility features I included in my site:
All images have alt text to give information to text readers. Colours are chosen to be high-contrast.
The usability features I included in my site:
A nice big navbar (which is still a work in progress).


Mentors
Our chief want in life is somebody who will make us do what we can. —Ralph Waldo Emerson
It’s been a while since my previous post on my journey through music composition. I found appropiate to take the time to thank each person that contributed in different aspects of shaping my technique, improving my sense of discipline, creating melodic ideas and expanding my theoretical understanding of music. After all, we are nothing but the average of the people we surround ourselves with.
With their own particular style and outstanding talent, I feel utterly proud to say, here are my guitar mentors over the years:
- Pepe Vascones: he introduced me to the guitar world at school.
- Tony Mauri: if it was not for Tony, I would not be self-critic with my own playing. He showed me, in his own genius way, how to push myself towards excellence and self-learning.
- Eliza Carrington with her amazing vibe and incredible talent for composition, she taught me so many things on how to arrange a song, record and put together my musical ideas into songs.
- Leticia Filizzola if I was able to play the guitar solos I dreamed about as a kid, it was due to the technical advices from Leticia. She constantly pushed me to develop myself by trying new solos and encouraged me to work on my own stuff.
- Anika Mladineo gave me ideas to improvise on different scales and expand my range of chords. Her profound knowledge of harmony was really helpful for analyzing guitar solos and deeply analyze them.
- Trevor Wong although I only had a couple of lessons with him, I learned a lot from his approach to connect chords and generate riffs in math rock.
- Luis Kalil after hearing his epic song Insight I got interested in his style and decided to take lessons with him. From the very first lessons, I had to re-learn how to do the vibratto and to pay attention to every minor detail of playing.
What is the result so far?
Almost enough songs for an album :D Still a lot of room for improvement, though. Getting there.
I would like to tell them all, with a great sense of responsibililty, I will not dissapoint you!


Currently, there is only one way to recover from COVID-19. Unfortunately, it's very difficult and dangerous to undergo the healing process... A doctor is in the pursuit of saving his severely ill patient. He is shrunken to microscopic size and is tasked with traversing through their respiratory system. Starting from the nasal cavity, down the trachea and finally into the lungs, fighting the virus along the way using unconventional tools. Embark on a treacherous journey, in hopes of eliminating the root cause of the disease.
Do you want to have some fun? Click the button to play!
PLAY COVID CRASHER!


Welcome to my Restaurant Reviews Application
Add a restaurant
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Software engineer with expertise in modern web development with a focus on interactive, Single Page Applications.
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Liberty Heights (1999) Reviewed by Eugene Novikov http://www.ultimate-movie.com/ Member: Online Film Critics Society
Starring Adrian Brody, Ben Foster, Orlando Jones, Bebe Neuwirth, Joe Mantegna, Rebekah Johnson, David Krumholtz. Richard Klein, Justin Chambers, Charley Scalies. Rated R.
Aside from making occasionally intelligent crowd-pleasers such as Sphere, Wag the Dog and Rain Man, Barry Levinson also directed four lesser-known films known as his "Baltimore movies," all of them focusing on the life of Jewish people in 50s Baltimore. Those films -- Diner, Tin Men, Avalon and now Liberty Heights -- have all been met with critical plaudits but little in terms of box-office; what allowed Levinson to keep making them was his respected Hollywood stature. I'm sure he called on some favors to get some of these movies financed. But while the 3rd film, Avalon, was clearly not a populist movie, the influence of the profit-minded studios has taken its toll on Liberty Heights; it tries too hard to attract an audience by pitching itself to the lowest common denominator.
Despite a colorful assortment of supporting characters, the film's main focus is Ben and Van Kurtzman (Ben Foster and Adrian Brody, respectively), two Jewish teens struggling with the prejudices that plague Baltimore in the 1950s. They struggle desperately to fit in, going to non-Jewish parties where they are not welcome, doing everything they can not to reveal their nationality. The prejudices against them have made their parents prejudiced; when Ben says that he finds a "colored" girl attractive, his mom (Bebe Neuwirth) exclaims "Just kill me now!"
Ben does indeed develop a relationship with a colored girl and Van falls hard for a gorgeous, Cinderella-white Christian girl, who also happens to be going out with a (thankfully) benevolent Christian guy (Justin Chambers) who decides to help Van out. Meanwhile Ben and Van's father, who run an illegal gambling operation, get into money trouble with small-time drug dealer Little Melvin, who might just go on the offensive against the Kurtzman family should he not get his money on time.
There is a riotous scene in the beginning of the movie where Ben decides to dress like Hitler for Halloween. His mom flips and calls his father, who adamantly tells her that Ben shall not go out like that, and asks to "speak to the Fuhrer." Ben's mom gives him the phone and he begins with a distinctive "Jaaaaaaaa?" Well, you had to be there. The scene is hilarious, and I was only hoping the film would continue with that sort of witty, intelligent humor, but no such luck: it soon deteriorates into potty jokes American Pie style, obviously inserted to attract the young crowd that may not otherwise be interested in a movie about race relations 45 years ago.
Beyond the often immature facade is hidden a touching, good-hearted movie about growing up, being different and having a cosmopolitan attitude towards people. It ain't deep stuff, but it's heartfelt, sincere and, despite the touchy subject matter, often sweet. It's about the people more than it's about the situations they're in; we're supposed to watch the characters' reactions rather than analyze their surroundings.
The performances are solid across the board; no Oscar contenders here, but some enjoyable turns from some good actors. Joe Mantegna is typically good as Ben and Van's troubled father. He isn't as lively, perhaps, as he is in some of his other performances, but then again he's hardly supposed to be. Adrian Brody probably isn't the best actor for his role -- I'd kill to see, say, David Krumholtz (who plays Brody's clutzy friend) take the part instead. The highlight of the performances is relative newcomer Ben Foster, who bites into his role with humorous, irreverent gusto (I love that word!).
I enjoyed the movie, dirty jokes and all, though I couldn't help thinking that, in this case, less is more. Levinson has the basic idea, now he has to parrot down: cut the potty humor, add more genuine wit and tell the studio executives insisting on material that would entice teens to go screw themselves.
Grade: B
©1999 Eugene Novikov
Sent via Deja.com http://www.deja.com/ Before you buy.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Slides by Boris Jonica
Growing test suite means growing feedback loop
If we monitor long tests, we lose track of workflow
If we task-switch, we spot problems late
that's where the problem lies: our train of thought runs faster than our tests, and that difference creates a conflict
A scenario:
The build takes too long, so developers run only a subset of tests locally before committing
Developers let the build server run the full suite and switch tasks
When the build finishes and something breaks, developers lose focus and task switch again
Slow tests eat away at productivity
Book attacks the problem using two general strategies
Speeding up tests
vs
Speeding up the build
Premature optimization is still bad!
Use existing profiling tools to locate
inefficiencies in the build
slow running tests
Build profiling helps identify the stages at which effects of improvements will have the greatest effect
Usually, biggest build slowdown occurs in testing
Don't waste time chasing minor improvements in other areas
Need to register the extension
<project xmlns="http://maven.apache.org/POM/4.0.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://maven.apache.org/POM/4.0.0 http://maven.apache.org/xsd/maven-4.0.0.xsd">
4.0.0
luminate-online-root
...
<build>
<extensions>
<extension>
<groupId>com.github.lkoskela</groupId>
<artifactId>maven-build-utils</artifactId>
<version>1.5-SNAPSHOT</version>
</extension>
...

If tests could use improvement, a simple test report can go a long way
Digging deep with the Java Profiler early on can be a big time sink
The maven-surefire-plugin creates a simple HTML test report with lots of statistics
maven-cobertura-plugin will also work
Now that some slow tests have been found, we can explore ways to speed up the code
Kind of a no-brainer by now.
Just do not rely on Thread.sleep()
Tests that do not use many of the Base class's methods contribute to sluggishness
Small improvements to the base class can have a significant effect on build performance
Before executing any tests in a given class, JUnit looks for any @BeforeClass annotated methods
java.lang.Object
Before each @Test method, it does the same with @Before annotations
After running each test, it does the same with @After annotations
After running all tests in the class, it does the same with @AfterClass annotations
Fixes:
Replacing @Before with @BeforeClass (where appropriate) can help, but don't forget thread safety
Good candidates are setup methods that perform immutable, side-effect-free operations again and again
Avoid network calls
Database calls often hit the filesystem
Accessing a file handle can take up to 1,000 times longer than accessing a local variable
Consider migrating such unit tests to integration tests
HSQLDB can often be substituted for Oracle/MySQL/PostgreSQL
File I/O is the slowest I/O, avoid it
Avoid direct file access
Try caching external resources, in order to suffer the performance hit only once
Disable logging except for Errors
Logging is File I/O, and for automated tests, logging of errors and failures should be enough
handlers = java.util.logging.ConsoleHandler
.level = OFF
com.mycompany.level = ERROR
Profile CPU and disk usage, and determine which one, if any, is a bottleneck on test speed
If it is CPU-bound, we can
Use a faster CPU
Use more CPU cores
Use more computers
If it is I/O-bound, we can
Use a faster disk
Use more threads
Use more disks
Gains can be significant when compared to spinning disks
Not very significant when compared to SSDs
Creating a 512-megabyte ramdisk
mkdir ./my_ram_disk
mount -t tmpfs -o size=512M,mode=777 tmpfs ./my_ram_disk
Tests don't take advantage of all cpu cores? Parallelize!
<project>
....
<build>
<plugins>
maven-surefire-plugin
2.11
classes
2
....
</project>
The <parallel /> attribute accepts three strategies:
One final way to speed up the build is partition it among many machines. GridGain supports such behavior
Test suite must be specially annotated to be compatible with GridGain
Running 4 tests in parallel on the grid
@RunWith(GridJunit4Suite.class)
@SuiteClasses({
TestA.class, // TestA will run in parallel on the grid.
TestB.class, // TestB will run in parallel on the grid.
TestC.class, // TestC will run in parallel on the grid.
TestD.class // TestD will run in parallel on the grid.
})
public class GridJunit4ExampleSuite {
// No-op.
}


Peter Kazazes
I build things that look at other things and figure out what they're doing.
<EMAIL_ADDRESS>+1<PHONE_NUMBER>
kazazes
kazazes
@pkcodes
peter-kazazes
@petercodes
Download CV


Triggered Starts in a Typing Test¶
This example demonstrates the usage of stream2py with 4 asynchronous components:
KeyboardInputSourceReader starts at the launch of this program and listens to key presses.
TypingTest waits for start, stop, and add prompt commands.
PromptSwitch reads keyboard inputs for commands and tells TypingTest what to do.

Classes¶
-
class
stream2py.examples.usage.triggered_starts.
PromptSwitch
(input: stream2py.stream_buffer.StreamBuffer, prompts: stream2py.stream_buffer.StreamBuffer)[source]¶ PromptSwitch will recognize 3 commands: “start”, “stop”, and “exit” followed by a return key press.
“start” will start adding prompts after each return key press.
“stop” will stop adding prompts
“exit” will exit the program
-
class
stream2py.examples.usage.triggered_starts.
TestProctor
(input: stream2py.stream_buffer.StreamBuffer, prompts: stream2py.stream_buffer.StreamBuffer)[source]¶ Give prompts and grade input
Todo
Generalize event based triggers.
Refactor to simplify design patterns.
Clarify what components are doing and the objectives of the example.


This is an example of the Authorization Code flow
Log in with Spotify
Obtain new token using the refresh token
Playlist Maker
Click Button to Generate Playlist
Generate
Link:


Gray
This page contains an index of all the individuals in the database with the surname of Gray. Selecting the person’s name will take you to that person’s individual page.
| Given Name | Birth | Death | Partner | Parents |
|---|---|---|---|---|
| Albert “Roy” | 1917 | Meredith, Gloria Dawn | Gray, Albert Edward (Electrical Contractor) Clifton, (Esme) Gwen | |
| Albert E. | 1908 | Gray, Oswald White, Amella Rose "Millie" | ||
| Albert Edward, (Electrical Contractor) | 1888-11-09 | 1949-10-01 | Clifton, (Esme) Gwen | Gray, Joseph Charles (Coachbuilber) Waters, Frances |
| Albert James | 1879 | 1883-03-10 | Gray, James (Shoemaker) Mullaly, Julia | |
| Albert Romain | 1856-02-27 | 1874-09-08 | Gray, Joseph Lord, Ruth | |
| Albert Victor Joseph “Vic” | 1891-06-21 | 1975-08-01 | Kelly, Hannah Jane Rigby | Gray, James (Shoemaker) Mullaly, Julia |
| Alex Wilkinson | 1899 | Gray, Robert Johnson, Emma Jane | ||
| Alice Jessie | 1861-03-02 | 1861-04-06 | Gray, John Dunn, Margaret | |
| Alice Matilda | 1886-10-12 | 1889-06-21 | Gray, Robert Joseph Ashcroft, Emmeline Australia | |
| Amy Ruth | 1875-04-06 | 1955-07-20 | Hastings, Hugh | Gray, Joseph Charles (Coachbuilber) Waters, Frances |
| Annie Lillian | Weiss, Wilfred George | |||
| Betty Clifton | 1914 | 1998-07-10 | Harvey, Edward Augustine “Ted” | Gray, Albert Edward (Electrical Contractor) Clifton, (Esme) Gwen |
| Caroline Adeline Louisa | 1858-09-20 | 1952-06-10 | Gazzard, John Alfred (Railway Station Master) | Gray, John Dunn, Margaret |
| Caroline Louisa | 1849-08-12 | 1853-03-04 | Gray, Joseph Lord, Ruth | |
| Cecil John | 1883-04-12 | 1975-07-03 | North, Alice Jessie | Gray, Joseph Charles (Coachbuilber) Waters, Frances |
| Colin Ivan Kevin | Watson, [Living] | |||
| Daphne Doris (Ashcroft) | 1889-12-22 | 1910-02-24 | Herbert, W. H. | Gray, Robert Joseph Ashcroft, Emmeline Australia |
| David McLellan | 1893 | Gray, Robert Johnson, Emma Jane | ||
| Edgar Albert | 1877-12-22 | 1878 | Gray, Joseph Charles (Coachbuilber) Waters, Frances | |
| Elsie Vida | 1889-10-12 | 1933-01-09 | Heap, Thomas John Ernest | Gray, Joseph Charles (Coachbuilber) Waters, Frances |
| Emmaline Australia ‘Dolly’ | 1892-09-20 | 1952-10-25 | Ayres, Eric Leslie | Gray, Robert Joseph Ashcroft, Emmeline Australia |
| Francis | Olga, Married | Gray, Albert Edward (Electrical Contractor) Clifton, (Esme) Gwen | ||
| Francis | Gray, Sydney James O'Brien, Lena Mary | |||
| Garnet Roy | 1894 | Gray, Robert Johnson, Emma Jane | ||
| George Frederick | 1853-01-13 | 1896-10-19 | Gray, Joseph Lord, Ruth | |
| George James | 1921-05-06 | 1986-04-16 | Chambers, [Living] | Gray, John George Richard Walker, Ivy Elizabeth |
| Gordon Frederick | 1923-08-03 | 1986-04-20 | Gray, John George Richard Walker, Ivy Elizabeth | |
| Hazel | 1919 | Moore, Patrick | Gray, Albert Victor Joseph "Vic" Kelly, Hannah Jane Rigby | |
| Herbert A. | Mills, Daisy | |||
| Hilary C. | 1906 | Gray, Oswald White, Amella Rose "Millie" | ||
| Irene May | 1889-05-15 | 1889 | Gray, James (Shoemaker) Mullaly, Julia | |
| James, (Shoemaker) | 1838-07-28 | 1901-02-03 | Mullaly, Julia | Gray, Joseph Lord, Ruth |
| James Patrick | 1879 | 1950-05-10 | Procter, Ellen Louisa | Gray, James Philip Callaghan, Mary Ann |
| James Philip | Callaghan, Mary Ann | |||
| Jane Elizabeth | 1835-10-04 | 1918-09-21 | Matthews, William Henry | Gray, Joseph Lord, Ruth |
| Jas Verner | 1896 | Gray, Robert Johnson, Emma Jane | ||
| John | 1808 | Richards, Slaney | Gray, Joseph Romaine, Mary | |
| John | 1830-05-03 | 1901-06-09 | Dunn, Margaret | Gray, Joseph Lord, Ruth |
| John | 1851 | Gray, John Richards, Slaney | ||
| John George Richard | 1895-03-05 | 1941-05-30 | Walker, Ivy Elizabeth | Gray, James (Shoemaker) Mullaly, Julia |
| Joseph | about 1780 | Romaine, Mary | ||
| Joseph | 1803-06-13 | 1880-10-28 | Lord, Ruth | Gray, Joseph Romaine, Mary |
| Joseph | 1858 | Scrivener, Minnie Mary | Gray, John Richards, Slaney | |
| Joseph Charles, (Coachbuilber) | 1841-06-07 | 1930-05-26 | Waters, Frances | Gray, Joseph Lord, Ruth |
| Lillian Lucy | 1885-02-01 | Tipping, Abraham Thomas | Gray, Joseph Charles (Coachbuilber) Waters, Frances | |
| Louisa | 1853 | Gray, John Richards, Slaney | ||
| Mabel Gertrude | 1872 | Berman, Arthur Edwin | ||
| Mabel Romaine | 1881-04-02 | Tolhurst, Arthur Henry | Gray, James (Shoemaker) Mullaly, Julia | |
| Margaret | 1846 | Gray, John Richards, Slaney | ||
| Margaret Ethel “Peggy” | 1882-10-07 | 1965-02-19 | Forrester, Charles Albert | Gray, Robert Joseph Ashcroft, Emmeline Australia |
| Marie Louise | 1915 | 1999-05-09 | Ward, [Living] | Gray, Sydney James O'Brien, Lena Mary |
| Marjorie Vide | 1912 | 2000-03-24 | Cramp, Keith Frederick | Gray, Cecil John North, Alice Jessie |
| Mary | 1855 | Gray, John Richards, Slaney | ||
| Mary Anne | 1832-12-11 | 1908 | Whitworth, Joseph | Gray, Joseph Lord, Ruth |
| Mervyn | 1916 | 1946 | Ryan, Helen Jane | Gray, Oswald White, Amella Rose "Millie" |
| Muriel Emmeline | 1884-07-20 | 1945-08-11 | Lavender, Frederick | Gray, Robert Joseph Ashcroft, Emmeline Australia |
| Oswald | 1881-04-01 | 1951 | White, Amella Rose “Millie” | Gray, Joseph Charles (Coachbuilber) Waters, Frances |
| Percy Charles | 1879-08-12 | 1948-08-24 | Gray, Joseph Charles (Coachbuilber) Waters, Frances | |
| Raymond Robert Ashcroft | 1890-11-11 | 1968-07-03 | Gray, Robert Joseph Ashcroft, Emmeline Australia | |
| Reginald T. | 1904 | Gray, Oswald White, Amella Rose "Millie" | ||
| Richard | 1844-05-11 | 1866-09-01 | Gray, Joseph Lord, Ruth | |
| Robert | Johnson, Emma Jane | |||
| Robert Joseph | 1855-12-18 | 1917-02-01 | Ashcroft, Emmeline Australia | Gray, John Dunn, Margaret |
| Roger | Gray, Sydney James O'Brien, Lena Mary | |||
| Ruth | 1847-01-31 | 1847-02-05 | Gray, Joseph Lord, Ruth | |
| Ruth | 1854-07-17 | 1911-10-02 | Bongers, Hendrick John (Compositor) | Gray, John Dunn, Margaret |
| Sydney James | 1884-10-30 | 1954-08-03 | O'Brien, Lena Mary | Gray, James (Shoemaker) Mullaly, Julia |
| Sydney James | 1914 | 1980-01-21 | Brennan, Phyllis Olive | Gray, Sydney James O'Brien, Lena Mary |
| Victor William James | 1915-01-25 | 1993-11-04 | Gray, Albert Victor Joseph "Vic" Kelly, Hannah Jane Rigby | |
| Violet Evelyn | 1904 | Gray, Robert Johnson, Emma Jane | ||
| [Living] | Teague, [Living] | Gray, Albert Victor Joseph "Vic" Kelly, Hannah Jane Rigby | ||
| [Living] | Gray, Albert Victor Joseph "Vic" Kelly, Hannah Jane Rigby | |||
| [Living] | Parkin, Lillian Etta | Gray, Oswald White, Amella Rose "Millie" | ||
| [Living] | Gray, Oswald White, Amella Rose "Millie" | |||
| [Living] | Myers, Cyril “Cec” | Gray, Cecil John North, Alice Jessie | ||
| [Living] | Parkin, Lillian Etta | Gray, Cecil John North, Alice Jessie | ||
| [Living] | Wills, Alice | Gray, Oswald White, Amella Rose "Millie" | ||
| [Living] | Coombe, William Charles | Gray, John George Richard Walker, Ivy Elizabeth | ||
| [Living] | Gillett, Margaret “Faye” | Gray, John George Richard Walker, Ivy Elizabeth | ||
| [Living] | Clark, Eric Keith | Gray, John George Richard Walker, Ivy Elizabeth | ||
| [Living] | Morgan, Shirley | Gray, John George Richard Walker, Ivy Elizabeth | ||
| [Living] | ???, [Living] | Gray, [Living] Gillett, Margaret "Faye" | ||
| [Living] | Gray, [Living] | Gray, [Living] Gillett, Margaret "Faye" | ||
| [Living] | Gray, [Living] | |||
| [Living] | Gray, [Living] ????, [Living] | |||
| [Living] | ????, [Living] | Gray, George James Chambers, [Living] | ||
| [Living] | Gray, [Living] ????, [Living] | |||
| [Living] | Gray, [Living] ????, [Living] | |||
| [Living] | Gray, Sydney James Brennan, Phyllis Olive | |||
| [Living] | Gray, Sydney James Brennan, Phyllis Olive | |||
| [Living] | Gray, Sydney James O'Brien, Lena Mary | |||
| [Living] | Gray, Cecil John North, Alice Jessie | |||
| [Living] | Sinclair, Ronald | Gray, Cecil John North, Alice Jessie | ||
| [Living] | Gray, Sydney James Brennan, Phyllis Olive | |||
| [Living] | Gray, Robert Johnson, Emma Jane | |||
| [Living] | Gray, Joseph Scrivener, Minnie Mary | |||
| [Living] | Gray, Joseph Scrivener, Minnie Mary |


This is the partial for view 2.
Showing of 'interpolate' filter: {{ 'Current version is v%VERSION%.' | interpolate }} Add One


--- name: Icons layout: layout-container description: SKY UX provides a dictionary of glyphic, mono-color icons to facilitate, guide, and inform users. itemsNarrow: true items: - usage: Add code: - usage: Edit code: - usage: Save code: - usage: Open code: - usage: Delete code: - usage: - Close - Cancel code: - usage: Clear code: - usage: Expand code: - usage: Collapse code: - usage: Expand all code: - usage: Collapse all code: - usage: Help code: - usage: - Settings - Setup code: - usage: Phone code: - usage: Email code: - usage: - Calendar - Date code: - usage: - Do not contact - Will not attend code: - usage: - Inactive - Warning code: - usage: - Conversation - Meeting code: - usage: Tag code: - usage: Search code: - usage: Filter code: - usage: - Attach - Attachment code: - usage: Credit card code: - usage: Selection (dropdown) code: - usage: - Loading - Wait code: - usage: - Primary - Raiting code: - usage: Next code: - usage: Previous code: - usage: - Grid view - Table code: - usage: - Complete - Success code: - usage: - Image - Image file code: - usage: Menu code: - usage: Draggable code: - usage: Thumbs up code: - usage: Thumbs down code: - usage: Sort ascending code: - usage: Sort descending code: - usage: Note code: - usage: Zoom in code: - usage: Zoom out code: - usage: Print code: - usage: Notification code: - usage: Card view code: - usage: Map code: - usage: - Cloud - Knowledgebase code: - usage: Group code: - usage: More information code: - usage: - Attach - Upload code: - usage: Video file code: - usage: PDF file code: - usage: Microsoft Word file code: - usage: Microsoft Excel file code: - usage: Generic file code: - usage: Website code: - usage: Facebook profile code: - usage: Twitter profile code: - usage: LinkedIn profile code: - usage: - Business - Organization code: - usage: Contact information is in season code: ---
Icons are pictorial representations of objects. They help define the visual identity of {{ stache.config.product_name_short }} applications, and they provide a shorthand to visually convey meaning that users can understand at a glance. {{ stache.config.product_name_short }} uses glyphic, mono-color icons to facilitate, guide, and inform users.
Icons should not be used for solely decorative purposes.
To determine whether an icon is available for a new component, check the {{ stache.config.product_name_short }} icon dictionary below. Then make sure that your use case is consistent with how other components use the icon.
Icons usually inherit their size and color from parent elements, particularly when you use them inline. If you use icons in a non-inline context and need a different size, FontAwesome provides size multiplier classes. Use the smallest size multiple that accomplishes your goals. To apply a different color to an icon, follow the color guidelines.
This dictionary provides a complete list of icons that are recommended for use in {{ stache.config.product_name_short }}. All the icons are from FontAwesome. We have found that if FontAwesome does not have a particular icon, it is probably not common enough for its purpose to be immediately obvious to users.


${version}
${pages}
View Options
SIZING
Original size
Shrink
Width
Height
Both
Fit
Width
Height
Smart
Small
Large
DIRECTION
⭠
⭣
⭢
SETTINGS
Smooth scrolling
Collapse spacing
Dark mode
A new version of Mangareader (
) is available.
Download


Currently pursuing a computer science engineering B.Tech degree at Ramaiah Institute of Technology, Bangalore India. Learning front end web development at freecodecamp. Can code in C and C++.


Challenge Prototype
Pre-CN Letters
| Letter A | ||
| Letter B | ||
| Alternative design |
| Latest agreed version (without amount) | ||
| Scottish NI | ||
| Softer approach | ||
| In between |
Challenge Prototype
| Letter A | ||
| Letter B | ||
| Alternative design |
| Latest agreed version (without amount) | ||
| Scottish NI | ||
| Softer approach | ||
| In between |


--- layout: default permalink: /about-wing/ footer: contact ---
Do you try to set up on your own website and just couldn't get the things you want to be fully integrated to your website?
Do you feel frustrated talking to techies only to be confused by all the jargons?
If you answer yes to the questions above, let me help you.
I love to get your message heard online. Not having the necessary tech skills shouldn't stop you from running your own website. If only running a website is as simple and intuitive as clicking a few buttons.Talk to me today to discuss how we could create a website that can achieve your objectives.
{{ role.description }}
Creating an impactful online presence is not just about having a website.
There is copy, design, marketing tools and many other things to consider. Speaking to different vendors might cause frustration, miscommunciation and project delays. And engaging a digtial agency might not be the most cost effective solution.
That's why I curate and handpicked my team mates to bring you quality yet affordable full-fledged digital services.


My First website with CSS
This wesite uses external css to make it look so nice
3 ways to Add CSS
inline Css
internal Css
external Css
This html is
styled using css
!


This is how I started using GNU Emacs with no prior experience. This is intended to help those who want to start using Emacs as well. I’ll start from a base setup, show you where I looked around for help, show you how I found myself using my current configuration. While this post goes through the steps to get started with Emacs, I definitely omitted the steps that didn’t help or the parts where I floundered around not knowing what I was doing.
My primary motivation for using Emacs was its org-mode
, Emac’s organizational
software. I heard amazing things about the spread sheets, the TODO lists,
agendas, calendars, note-taking, paper writing, life dominating capabilities, so
I had to try it out. Even if it meant entering the Church of Emacs for a short
while.
Installing Emacs
Even though Emacs can be used through a terminal emulator, it’s best to use GUI Emacs (unlike GUI Vim, which offers no other benefits compared to Terminal VIm) because in GUI Emacs, you can display images, view PDF documents, interact with the system clipboard natively out the of the box, rich text formatting options, and more. Therefore, always use GUI Emacs, it offers so much more capabilities.
On Mac OS, you can just run brew cask install emacs
and it should
automatically download the latest stable version. For reference, at the time of
this post I was using Emacs 26.2.
For those that want to build from source or install in a different manner, consult this page.
To be or not to be evil
For the unaware, evil
mode is a popular Emacs Vi mode emulation layer (I’m
sure the name has no other connotation at all). I’ve used vim extensively in the
past, but I wasn’t sure if I wanted to try and use evil
in Emacs straight
away, since I would have no idea about shortcut conflicts, or what parts Emacs
does better than vim. Therefore, I decided to try using plain Emacs and start
from there.
Plain Emacs
I gave a genuine try to use pure Emacs, by going through the tutorial (C-h t
),
however, I could not get used to it. I was too used to using HJKL to navigate
between lines. The amount of times I pressed i
to enter Insert mode and then
forget I wasn’t in vim was uncountable; same with pressing ESC
to leave Insert
mode and then realizing I wasn’t in Insert mode. I honestly cannot fathom for my
life how using C-n
and C-p
to move up and down lines can be part of any sane
workflow. In fact, I found that a lot of 1 key press actions in Vim’s insert
mode require multiple key presses in Emacs. Vim’s editing keybindings were just
too crucial to me to immediately switch.
Because of this, I bit the bullet and started researching the best way to
install evil
into Emacs. Enter the world of Emacs configurations.
Emacs Configuration
To the best of my knowledge, using the use-package
plugin is the best way to
configure Emacs and various package options. According to the README,
use-package
allows you to “isolate package configuration in your .emacs file
in a way that is both performance-oriented and tidy”. It seems to be widely used
and easy to install, so that’s the package manager I settled on. To install
use-package
, open the .emacs file in your home directory and paste this in.
;; Configure package.el to include MELPA.
(require 'package)
(add-to-list 'package-archives '("melpa" . "https://melpa.org/packages/") t)
(package-initialize)
This code (written in ELisp), simply requires package.el
, Emacs’ built in
package manager. It adds the package archive Melpa to the list of repositories,
an online repository store of Emacs packages. Melpa seems to be the most
complete and almost every project is one Melpa, so I only use Melpa. It’s
possible to add more if needed, of course.
Now that we have initialized the default package manager, we’ll use that to
install use-package
.
;; Ensure that use-package is installed.
;;
;; If use-package isn't already installed, it's extremely likely that this is a
;; fresh installation! So we'll want to update the package repository and
;; install use-package before loading the literate configuration.
(when (not (package-installed-p 'use-package))
(package-refresh-contents)
(package-install 'use-package))
Now whenever we want to install some other package, we can use use-package
to
install that package.
Install evil
Let’s use use-package
to install evil
get join the dark side of Emacs.  Now you can restart Emacs, and
you should automatically be in evil
mode. Try typing some text and editing it
using the key bindings.
If you open up your .emacs file again, you can see that emacs generated some extra code that looks something like this:
(custom-set-variables
;; custom-set-variables was added by Custom.
;; If you edit it by hand, you could mess it up, so be careful.
;; Your init file should contain only one such instance.
;; If there is more than one, they won't work right.
'(package-selected-packages
(quote use-package ...)
(custom-set-faces
;; custom-set-faces was added by Custom.
;; If you edit it by hand, you could mess it up, so be careful.
;; Your init file should contain only one such instance.
;; If there is more than one, they won't work right.
)
This is automatically generated and you shouldn’t worry about it. If you accidentally ignore the warnings not to mess with it as I did, you can simply delete all of it, restart Emacs, and it should be automatically regenerated.
Now that we have evil
mode set up, let’s turn to org
mode.
org
mode
Now as stated in the beginning, my primary goal was to be able to get started
with org
mode, for all its organizational goodies. org
comes preinstalled on
later versions, Emacs but if necessary, you can also just install org
using
use-package
. I spent a lot of time going through tutorials and various other
resouces, and a lot of them are quite good, so I’m going to list a couple
resources.
I suggest going through the Org-mode guide the most, it has the best concise documentation of the most commonly used features.
Configurations with org-babel
One of the cooler things that org
can do is write code blocks inline and
execute them. Take the Hello World function defined in Python below.
import random
print("Hello, this is a random number:", random.random())
In an org
-file, it would look like this (notice that we name the code block):
#+NAME: hello-world
#+BEGIN_SRC python :results output
import random
print("Hello, this is a random number:", random.random())
#+END_SRC
We can then call that code block by executing it. With your cursor in the
code-block, press C-c C-c
. The output should be as follows.
#+RESULTS: hello-world
: ('Hello, this is a random number:', 0.35818895069511747)
So you can execute arbitrary code in an org
mode file. This is obviously very
cool and also a little dangerous. Always make sure you know what code you’re
executing, because this allows arbitary code execution on your system (this is
the Emacs equivalent of falling for a phishing attack).
Even more important is that this implies that you can write Emacs Lisp in your
org
file and then execute it. So why not write your configuration file in an
org
file, and then execute it? This allows you to document your configuration
in the same file as your configuration file. You could theoretically do the same
for any code file using comments, but org
mode is just so much more featured
that it just feels better to write in org
.
In fact, my current configuration file is actually just an org
file. My .emacs
is very minimal. Aside from the code to install use-package
, I only have one
more manually written line:
(org-babel-load-file "~/.emacs.d/configuration.org")
org-babel-load-file
parses an org-file, extracts all the code segments, and
places it into it’s own dedicated file that is then executed. so my
“~/.emacs.d/configuration.el” is generated by org-babel
from my
“~/.emacs.d/configuration.org” file. You can do this as well. IMO, writing in
org
just feels much better than writing pure Emacs Lisp.
For the remainder of this article, I’m going to install a couple things by
writing the installation/configuration code in org
. You can copy this Emacs
Lisp code into your own configuration org file. In my configuration org
file,
I always try to comment the code above it, so I know what I did reading it years
later.
For reference, my entire .emacs file:
;; ===== Custom load definition.
;; ===== Load from configuration org file
;; Configure package.el to include MELPA.
(require 'package)
(add-to-list 'package-archives '("melpa" . "https://melpa.org/packages/") t)
(package-initialize)
;; Ensure that use-package is installed.
;;
;; If use-package isn't already installed, it's extremely likely that this is a
;; fresh installation! So we'll want to update the package repository and
;; install use-package before loading the literate configuration.
(when (not (package-installed-p 'use-package))
(package-refresh-contents)
(package-install 'use-package))
(org-babel-load-file "~/.emacs.d/configuration.org")
Theme
The theme of your editor could be even more important than the actual editor itself. After all, you gotta make your coworkers jealous when they see how cool your system looks.
Personally, I’m a fan of the Doom City Lights Theme.
To install this, paste the following code into your configuration.org file.
#+BEGIN_SRC emacs-lisp
(use-package doom-themes
:init
(load-theme 'doom-city-lights t)
:config
(setq doom-themes-enable-bold nil ; if nil, bold is universally disabled
doom-themes-enable-italic nil) ; if nil, italics is universally disabled
(doom-themes-org-config)
)
#+END_SRC
Sane Emacs Configurations
A lot of the default configurations for Emacs are a little outdated to say the least. sensible-defaults.el is a collection of Emacs configurations that are relatively non-intrusive and useful, including:
- Ensuring that files end with newlines,
- Always enabling syntax highlighting,
- Increasing the garbage collection threshold,
- Defaulting line-length to 80 characters,
- Creating parent directories after saving a deeply nested file,
- Making dired file sizes human-readable
and more. Because they are all exported as several ELisp functions, you can pick the ones that you want to use, or simply include all of them by running
#+BEGIN_SRC emacs-lisp
(load "~/code/src/github.com/hrs/sensible-defaults.el/sensible-defaults.el")
(sensible-defaults/use-all-settings)
(sensible-defaults/use-all-keybindings)
#+END_SRC
That’s it. I find some of the configurations non-obvious, so I pick and choose the ones I want, and add a few of my own custom configurations, but sensible-defaults.el is still a good option to look at.
Personal Information
This is totally unnecessary, but if you want Emacs to know who you are, then set:
#+BEGIN_SRC emacs-lisp
(setq user-full-name "Terrence Ho"
user-mail-address<EMAIL_ADDRESS>#+END_SRC
#+END_SRC
org
TODOs
One of the most powerful features of org
is it’s TODO management. Any line
starting with several bullet points (Ex: *) is a headline. Headlines can
become TODO items if the first word on the headline is TODO or DONE.
Let’s assume that we want to set more than just TODO/DONE states. I have multiple states set up, such as TODO, IN-PROGRESS, WAITING, DONE, and CANCELLED. Note that we also want the CANCELLED state to be equivalent to a DONE state, since if something is cancelled, we don’t want it to be done in the future. Adapt the following code according to how you want to set up your TODOs.
#+BEGIN_SRC emacs-lisp
(setq org-log-done 'time)
(setq org-todo-keywords
'((sequence "TODO(t)" "IN-PROGRESS(i)" "WAITING(w@)" "|" "DONE(d)" "CANCELLED(c@)")))
(setq org-todo-keyword-faces
'(("TODO" :foreground "red" :weight bold)
("IN-PROGRESS" :foreground "blue" :weight bold)
("WAITING" :foreground "orange" :weight bold)
("DONE" :foreground "forest green" :weight bold)
("CANCELLED" :foreground "magenta" :weight bold)))
#+END_SRC
This changes the sequence of TODO states, adding the necessary states. Notice the “@” in the CANCELLED and WAITING states: they indicate that we can add a note explaining what an item is waiting for or why something was cancelled.
org
by default allows you to switch states by pressing S-LEFT
pr S-RIGHT
.
However, when we have multiple states, we often want to switch directly to the
desired state. Add the following code to enable this option.
#+BEGIN_SRC emacs-lisp
(setq org-use-fast-todo-selection t)
#+END_SRC
To switch TODO states, place your cursor onto the headline, then press C-c C-t
. This should bring up another buffer listing the possible states. Press the
key corresponding to your desired state, and your headline should automatically
change to reflect that.
org
ellipsis
When you are hovering over a headline, you can press TAB
. This collapses all
the text underneath the headline, and replaces the text with an ellipsis (…).
I didn’t like the ellipsis, so I replaced it with a “⤵”.
#+BEGIN_SRC emacs-lisp
(setq org-ellipsis "⤵")
(set-face-attribute 'org-ellipsis nil :foreground "##61a49e")
#+END_SRC
org
pretty bullets
The number of the bullets in your headline indicates different levels of
headlines, and they correspond to different importance levels (* matches to

, ** matches to

, etc). I’d prefer to look at some prettier,
indented bullets, so I replaced them with a package called org-bullets
.
#+BEGIN_SRC emacs-lisp
(use-package org-bullets
:init
(add-hook 'org-mode-hook 'org-bullets-mode))
#+END_SRC
org
file converters
org
can export to a bunch of different file systems. I’ll go over the formats
I have set up, but in the future if you need to write a paper and transform it
into PDF or HTML format, consider writing in org
rather than LaTex (powerful
but annoying to write) or Markdown (non-standardized and Markdown tables suck).
To convert a file, press C-c C-e
.  Choose which file format to convert to,
and Emacs should output that file.
HTML/Markdown
htmlize
is a package that helps you convert org
files to an HTML page.
#+BEGIN_SRC emacs-lisp
(use-package htmlize)
#+END_SRC
PDF/LaTex
org
can export to PDF thorugh LaTex if you have a Tex toolchain available on
your system automatically.
GitHub Flavored Markdown
GitHub has it’s own flavour of markdown. Well no matter, we can export to that too. Never directly write a README.md directly again!
#+BEGIN_SRC emacs-lisp
(use-package ox-gfm)
(eval-after-load "org"
'(require 'ox-gfm nil t))
#+END_SRC
Hugo
This blog is generated with Hugo. I can write my blog posts in org
, export
them to hugo compatible Markdown with front-matter intact, and publish them.
#+BEGIN_SRC emacs-lisp
(use-package ox-hugo
:ensure t ;Auto-install the package from Melpa (optional)
:after ox)
#+END_SRC
Conclusion
My journey into Emacs and Org-Mode has been quite successful. To demonstrate,
I’ve written this blog post using org
, and I hopefully plan on never writing
Markdown again. My current, ever updating configuration file can be seen at
My GitHub. Check out the “.emacs.d/configuration.org” file, GitHub can render
org
files now!
I went from writing code manually in the .emacs file and ended up writing all my
configurations in an org
file, that holds both the source code and
documentation for my configurations. I then also went into a brief overview
about how I configure Emacs and org
mode specifically.
Emacs is endlessly configureable. There are insanely powerful plugins such as MaGit (git plugin), Projectile (session/project management), Helm (completion framework), TRAMP (SSH remote file support), autocomplete and language servers, and more. I am still figuring out all these other tools, which goes to show how awesome Emacs really is.
I should have a blog post up soon detailing how I organize my blog posts using
ox-hugo
. Stay tuned for that!


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--- title: Lyle’s city: London, UK date: 2019-01-19 mapleft: -469 maptop: -166 listdata: Lyle’s was the 11th restaurant on my quest. It ranked 38th in 2018 and was awarded one Michelin star in 2019. idx: 11 ogimage: https://res.cloudinary.com/snookca/image/upload/v1550367535/11-lyles/L1000378.jpg tags: - post layout: layouts/post.njk ---
After The Clove Club the night before, walking into Lyle’s, Kitt and I noticed a much more relaxed atmosphere. However, like the night before, I still found myself battling a cold, and feared that I might not enjoy the most out of the evening.
The menu presented listed four courses, so I had a feeling we needn’t be too ambitious this evening. I also chose to stick to just water instead of doing the usual wine pairing. Best try to stay as healthy as I can.
The first appetizer that arrived was like a puffed up flat bread with what I think was green beans and prosciutto on top. (The waiter described it so quickly.) This was a fantastic start to the meal. The warm, comfortable flavours was just what I needed.
The second appetizer to follow was broccoli served with a cream and lemon crumble. Again, the dish hit the spot.
The first course was Jerusalem artichokes, with walnuts and preserved lemon. Wow. I swear I could taste a hint of chocolate in this dish. It had an amazing taste and texture. Absolutely my favourite dish of the evening.
Unfortunately, the second half of tonight’s meal would not live up to the first half.
Sardines were up next. Considering how good the sardine dish was at The Clove Club, Lyle’s was a definite disappointment. The head and tail and bones were all left, and it made enjoying the dish difficult. I believe sardines are meant to be consumed, bones and all, but we found ourselves spitting out bone after tiny bone.
The Dexter Rib was up next. It was aged 16 weeks. I suspect if I hadn’t been sick, I would’ve really enjoyed this dish. Instead, it seemed to lack any flavour. I think an onion or garlic or mushroom sauce would’ve been a better match. But it’s possible my taste buds just weren’t up for it this evening.
The last dish, the dessert, was a russet apple topped with vanilla ice cream on a buckwheat shortbread. I found the shortbread gritty and the apple flavourless. The ice cream was good.
We were left with a small bite-sized cake that was so buttery and, oh, this was a good treat to end on. It brought me back to the first dish of the evening and I left happy.
Lyle’s has a different menu every day. I’d like to go back someday and try something different when I’m not sick. If you’ve only got one night and one restaurant to try in London, I’d try one of the others first.


Kadigan - Help
How to play
- You control a fleet of tiny ships
- Left click to select
- Right click to send to a position or orbit
- Ships are automatically produced at your home moon
- You can "bank" ships as they're produced & pop them out when needed using the HOLD toggle
- Control your economy using the spending slider
- You earn credits over time, at an income rate shown by the green bar
- Each neutral ship you destroy grants you credits
- 100% spends all credits to produce ships as fast as possible
- 0% produces no ships, investing credits to increase income after a delay
- Neutral ships orbit grey moons
- They don't attack, but do fire back
- You receive a bonus for each neutral ship you destroy
- The enemy's base is a red moon
- Enemy ships attack both neutrals & you
- Orbit an enemy base that has no defenders and you will gradually conquer it
- Your objective is to conquer the enemy moon before they conquer yours
Keyboard controls


The info here is only for documentation. The project was shut down on April 2020. On July 2020 the
krihelinator.xyz domain will stop working and this page will only be available on
nagasaki45.github.io/krihelinator. More info about the shut down of is available
here.


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Dar-Ci Calhoun
Hello! My name is Dar-Ci, and I am originally from Eastern WA State. I have lived in Seattle for a little more than a decade. Some of my favorite hobbies include being a plant mom, all things coffee, and having musical jam sessions.
I have a background in a variety of career fields, including healthcare/EMS, childcare, nonprofit, retail, and customer service. With these skillsets I am confident that my aptitude for managing and collaborating on teams, as well as my passion for equity and inclusion along with my experience successfully communicating with people across a diverse spectrum of backgrounds makes me a vital asset to a team. My hope is to find employment with a technology organization or company that not only cares about how its products and services contribute to the growth and change of technology, but also an organization that cares deeply about utilizing its agency to make the community and world a safer and more equitable place to live.


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