Capacity: {{call .Humanize .FsInfo.Capacity}}
Used: {{call .Humanize .FsInfo.Used}}
Remaining: {{call .Humanize .FsInfo.Remaining}}
Under replicated: {{call .Humanize .FsInfo.UnderReplicated}}
Corrupt blocks: {{.FsInfo.CorruptBlocks}}
Missing blocks: {{.FsInfo.MissingBlocks}}
MissingReplOneBlocks: {{.FsInfo.MissingReplOneBlocks}}
Blocks in future: {{.FsInfo.BlocksInFuture}}
Pending deletion blocks: {{.FsInfo.PendingDeletionBlocks}}
{{end}}


{% extends "tutorial.html" %} {% load mixin from templatefilters %} {% block pagebreadcrumb %}{{ tut.title }}{% endblock %} {% block head %} {% endblock %} {% block iscompatible %} return HTMLElement.prototype.webkitCreateShadowRoot || HTMLElement.prototype.createShadowRoot ? true : false; {% endblock %} {% block html5badge %} {% endblock %} {% block share_image %} {% endblock %} {% block content %}
{% include "warning.html" %}
This article discusses more of the amazing things you can do with Shadow DOM. It builds on the concepts discussed in Shadow DOM 101. If you're looking for an introduction, see Dominic Cooney's most excellent article.
Let's face it. There's nothing sexy about unstyled markup. Lucky for us, the brilliant folks behind Web Components forsaw this and didn't leave us hanging. There are a number of options when it comes to styling the content in a shadow tree.
One of the core features of Shadow DOM is the shadow boundary. It's got a lot of nice properties, but one the best is that it provides style encapsulation for free. Stated another way:
By default, CSS styles defined in Shadow DOM are scoped to its shadow root.
Below is an example. If all goes well and your browser supports Shadow DOM (it doesn't!), you'll see "Shadow DOM Title" in red.

Host title

There are two interesting observations worth noting:
We have style encapsulation from the outside world. Thanks Shadow DOM!
@host
Being able to style multiple hosts:
@host {
g-foo { }
g-bar { }
/ ... /
}
blah
Blah
Blah
In some cases, you may want to let foreign styles into your shadow tree. A prime example is a commenting widget. Most authors embedding said widget probably want the thing to look like it belongs on the page. I know I would. Basically, we need a way to take on the look and feel of the page by inheriting the host's styles (fonts, colors, line-height, etc.).
For flexibility, Shadow DOM allows us to poke holes in its style shield. There are two properties to control what gets in:
false
- Default. inheritable CSS properties continue to inherit.true
- resets inheritable properties to initial
at the boundary.true
- styles defined in the author's document are applied. This of this
as allowing styles to "bleed" across the boundary.false
- Default. Author styles are not applied to the shadow tree.Below is a demo for seeing how a shadow tree is effected by changing this properties.

Host title

You can easily see how .applyAuthorStyles
works. It makes the h3 in the shadow root
take on the look of the other h3s on this page. Thus, "applying the page author's styles".
Author being the author of the page.
Even with the apply-author-styles
attribute set,
CSS selectors defined in the document do not cross the shadow boundary.
Style rules only match when they're entirely inside or outside of the shadow tree.
Understanding .resetStyleInheritance
is a bit trickier, primarily because it
only has an effect on CSS properties which are inheritable. It says: when
you're looking for a property to inherit, at the boundary between the page and
the ShadowRoot, don't inherit values from the host but use the initial
value (per the CSS spec) instead.
If you're unsure about which properties inherit in CSS, check out this handy list check the "Show inherited" checkbox in the Element panel.
Scenario cheatsheet for applyAuthorStyles/resetStyleInheritance
To better understand when you might use these properties, below is a decision matrix. Carry this around in your pocket. It's gold!
| Scenario | applyAuthorStyles | resetStyleInheritance |
|---|---|---|
| "I have my own appearance, but want to match basic properties like text color." basically, you're creating a widget | false | false |
| "Screw the page! I have my own theme" you'll still need a "component reset stylesheet" because distributed content gets the styles it had in the page. | false | true |
| "I'm a component designed to get my theme from styles in the page" | true | true |
| "I want to blend in with the page as much as possible." remember selectors don't cross the shadow boundary. | true | false |
.applyAuthorStyles
/.resetStyleInheritance
are strictly for effecting the
styling of the nodes defined in the Shadow DOM.
Distributed nodes are a different beast because they're not logically in the Shadow DOM; they're still children of the host element and are swizzled into place at "render time." Naturally, they get their styles from the document they're in (the host's document). The only exception to that is they might gain additional styles from the place they have been swizzled into (the Shadow DOM).
::distributed() pseudo element
Distributed nodes are children of the host element. How then do we target + style
them from within the Shadow DOM? The answer is the ::distributed()
pseudo element. It's the
first-ever functional pseudo element. It's parameter is a CSS selector.
Let's see a simple example:

Host title

You should see "Shadow DOM Title"" and "Host Title" below it. Also note that the "Host title" h3 still retains the styles defined on the document it's in; in this case, the page.
When creating a ShadowRoot, you have the option of resetting the inherited styles.
<content>
and <shadow>
insertion points (see below) also have this option. When creating
these element, either set the .resetStyleInheritance
in JS or use the boolean
reset-style-inheritance
attribute on the element itself.
For ShadowRoot or <shadow>
insertion points: reset-style-inheritance
means inheritable CSS properties are set to initial
at the host, before the
shadow root. Also known as the upper boundary.
For <content>
insertion points: reset-style-inheritance
means inheritable
CSS properties are set to initial
before the host's children are distributed
at the insertion point. Also known as the lower boundary.
Remember: styles defined in the host document continue to apply to those nodes, even when they're distributed "inside" the Shadow DOM. Going into an insertion point doesn't change that.
If you're hosting a party, it gets stuffy if everyone is crammed into the same room. You want the option of distributing groups of people across multiple rooms. Elements hosting Shadow DOM can do this too, that is to say, they can host more than one shadow root at a time.
Let's see what happens if we try to attach multiple shadow roots to a host:

Host node

What renders is "Root 2 FTW", despite the fact that we added root2 last. This is because the last shadow tree added to a host, wins. It's a LIFO stack as far as rendering is concerned. Examining the DevTools verifies things.
The most recently added tree is called the younger tree, while the more recent one is called the older tree. In this example,root2
is the younger tree androot1
, the older tree.
Shadow trees added to a host are stacked in the order they're added, starting with the most recent first. The last one added is the one that renders.
So what's the point of using multiple shadows? Only the last is invited to the party.
"Shadow insertion points" (<shadow>
) are similar to insertion points (<content>
)
in that they're placeholders. However, unlike regular insertion points, which
selectively funnel and render the content of a host into a shadow tree,
shadow insertion points are hosts for other shadow trees. It's Shadow DOM Inception!
As you can probably imagine, things get more complicated the farther you drill down
the rabbit hole. For this reason, the spec is clear about what should happen with
multiple <shadow>
s:
If multiple <shadow>
insertion points exist
in a shadow tree, only the first is recognized. The rest are ignored.
Looking back to our original example, the first shadow root1
got left off the
invite list. Adding a <shadow>
insertion point brings it back:

Host node

There are a couple of interesting things about this example:
<shadow>
insertion piont. If we wanted the reverse, move the insertion point: root2.innerHTML = '<shadow></shadow>
Root 2 FTW
';
.<content>
insertion point in root1. This makes
the text node "Host node" come along for the rendering ride.What's rendered at <shadow>?
Sometimes it's useful to actually know the (shadow) tree that was rendered at a
<shadow>
insertion point. You can get a reference to that tree through .olderShadowRoot
:
root2.querySelector('shadow').olderShadowRoot === root1 //true
.olderShadowRoot
isn't vendor prefixed because HTMLShadowElement
s only makes
sense in the context of Shadow DOM...which is already prefixed :)
As with other parts of the web platform, we have DOM APIs and properties to make our scripting life easier.
If an element is hosting Shadow DOM, you can access it's youngest shadow root with
.webkitShadowRoot
:
var root = host.webkitCreateShadowRoot(); console.log(host.webkitShadowRoot === root); // true console.log(document.body.webkitShadowRoot); // null
I'm not even sure why .shadowRoot
is spec'd. It defeats the encapsulation
principles of Shadow DOM and gives outsiders an outlet for traversing into my
supposed-to-be-hidden DOM.
If you're worried about people crossing into your shadows, redefine
.shadowRoot
to be null. A bit of a hack, but it works:
Object.defineProperty(host, 'webkitShadowRoot', { get: function() { return null; }, set: function(value) { } });
In the end, it's important to remember that while amazingly fantastic, Shadow DOM wasn't designed to be a security feature. Don't rely on it for complete content isolation.
If you prefer to building Shadow DOM in JS, HTMLContentElement
and HTMLShadowElement
have interfaces for that.

 Host node

This example is nearly identical to the one in the previous section.
The only difference is that I'm now using select
to pull out the new
.
Nodes that are selected out of host element and "distribute" into the shadow tree are called,...drumroll...distributed nodes! They're allowed to cross the shadow boundary when insertion points invite them.
Insertion points are incredibly powerful. Think of them as a way to create a "declarative API" for your Shadow DOM. A host element can include all the markup in the world, but unless I invite it into my Shadow DOM with an insertion point, it's meaningless.
What's conceptually bizarre about insertion points is that they don't physically
move DOM. The host's nodes stay intake. Insertion points merely re-project nodes
from the host into the shadow tree. It's a presentation/rendering thing: "Move these nodes over here" "Render these nodes at this location."
You cannot traverse the DOM into a <content>
.
For example:

Host node

Voilà! The h2
isn't a child of the shadow DOM.
getDistributedNodes()
We can't traverse into a <content>
, but the .getDistributedNodes()
API
allows us to query the distributed nodes at an insertion point:

Eric

Bidelman

Digital Jedi

footer text

 <template id="sdom">  <content select="h2"></content>
 <content select="div"></content>
  <content select="h4:first-of-type"></content>  </template>
Tool: Shadow DOM Visualizer
Understanding the black magic that is Shadow DOM is difficult. I remember trying to wrap my head around it.
To help visualize how host nodes render at insertion points, I've built a tool using d3.js. Give it a try and let me know what you think! Both markup boxes on the left-hand side are editable. Feel free to paste in your own markup and play around to see how things work.
Blah
{% endblock %}


You will be given a random number at the start of the game.
There are four crystals below. By clicking on a crystal you will add a specific amount of points to your total score.
You win the game by matching your total score to the target score. You lose the game if your total score goes above the random number.
The value of each crystal is hidden from you until you click on it.
Each time when the game starts, the value for the crystals will change.


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|


Labeling process has finished with failture!
Labeling process has finished successfully!
Added {{labelsCnt}} labels to {{transactionsCnt}} transactions.


The Odonata are an order of flying insects that includes the dragonflies and damselflies.
A dragonfly can see from six directions. Are leaders any different?
Having a transparent bottle lets you see what is inside. We give you a way to see everything within your organization and make management of projects / employees easier than ever before.
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Hello, Stranger!
Welcomer to Runners Home
TM
Runners Home
TM
is dedicated to providing you with:
the most up-to-date information on running races.
the best resources for runners.


Dice Roller
This page is a dice roller, this page was designed for playing dungeons and dragons but can be used for other RPGs. I have also added in a story maker for Call of Cthulhu and for Dungeons and Dragons.


class Simplex2P extends Error
The Simplex2P
class solves Linear Programming (LP) problems using a tableau based
Simplex Algorithm. Given a constraint matrix 'a', limit/RHS vector 'b' and
cost vector 'c', find values for the solution/decision vector 'x' that maximize
the objective function 'f(x)', while satisfying all of the constraints, i.e.,
maximize f(x) = c x subject to a x <= b, x >= 0
In case of 'a_i x >= b_i', use '-b_i' as an indicator of a '>=' constraint. The program will flip such negative b_i back to positive as well as use a surplus and artificial variable instead of the usual slack variable, i.e., a_i x <= b_i => a_i x + s_i = b_i // use slack variable s_i with coefficient 1 a_i x >= b_i => a_i x + s_i = b_i // use surplus variable s_i with coefficient -1 For each ">=" constraint, an artificial variable is introduced and put into the initial basis. These artificial variables must be removed from the basis during Phase I of the Two-Phase Simplex Algorithm. After this, or if there are no artificial variables, Phase II is used to find an optimal value for 'x' and the optimum value for 'f'.
Creates an MM-by-nn simplex tableau with -- [0..M-1, 0..N-1] = a (constraint matrix) -- [0..M-1, N..M+N-1] = s (slack/surplus variable matrix) -- [0..M-1, M+N..nn-2] = r (artificial variable matrix) -- [0..M-1, nn-1] = b (limit/RHS vector) -- [M, 0..nn-2] = c (cost vector)
- Alphabetic
- By Inheritance
- Simplex2P
- Error
- AnyRef
- Any
- Hide All
- Show All
- Public
- All
Instance Constructors
-
new
Simplex2P(a: MatrixD, b: VectorD, c: VectorD)
- a
the M-by-N constraint matrix
- b
the M-length limit/RHS vector (input b_i negative for surplus)
- c
the N-length cost vector
Value Members
-
final
def
!=(arg0: Any): Boolean
- Definition Classes
- AnyRef → Any
-
final
def
##(): Int
- Definition Classes
- AnyRef → Any
-
final
def
==(arg0: Any): Boolean
- Definition Classes
- AnyRef → Any
-
final
def
asInstanceOf[T0]: T0
- Definition Classes
- Any
-
def
clone(): AnyRef
- Attributes
- protected[java.lang]
- Definition Classes
- AnyRef
- Annotations
- @throws( ... )
-
def
dual: VectorD
Return the dual solution vector y (cost row (M) under the slack columns).
- def enteringMax(): Int
-
def
enteringMin(): Int
Find the best variable x_l to enter the basis.
Find the best variable x_l to enter the basis. Determine the index of entering variable corresponding to column l (e.g., using Dantiz's Rule or Bland's Rule). Return -1 to indicate no such column. t(M).firstPos (jj) // use Bland's rule (lowest index, positive) t(M).argmaxPos (jj) // use Dantiz's rule (min index, positive, cycling possible)
-
final
def
eq(arg0: AnyRef): Boolean
- Definition Classes
- AnyRef
-
def
equals(arg0: Any): Boolean
- Definition Classes
- AnyRef → Any
-
def
finalize(): Unit
- Attributes
- protected[java.lang]
- Definition Classes
- AnyRef
- Annotations
- @throws( classOf[java.lang.Throwable] )
-
final
def
flaw(method: String, message: String): Unit
- Definition Classes
- Error
-
final
def
getClass(): Class[_]
- Definition Classes
- AnyRef → Any
-
def
hashCode(): Int
- Definition Classes
- AnyRef → Any
-
def
initBasis(): Unit
Initialize the basis to the slack and artificial variables.
Initialize the basis to the slack and artificial variables. Perform row operations to make cost row (t(M)) zero in artificial var columns. If b(i) is negative have a surplus and artificial variable, otherwise, just a slack variable.
-
final
def
isInstanceOf[T0]: Boolean
- Definition Classes
- Any
-
def
leaving(l: Int): Int
Find the best variable x_k to leave the basis given that x_l is entering.
Find the best variable x_k to leave the basis given that x_l is entering. Determine the index of the leaving variable corresponding to row k using the Min-Ratio Rule. Return -1 to indicate no such row.
- l
the entering variable (column)
-
final
def
ne(arg0: AnyRef): Boolean
- Definition Classes
- AnyRef
-
final
def
notify(): Unit
- Definition Classes
- AnyRef
-
final
def
notifyAll(): Unit
- Definition Classes
- AnyRef
-
def
objective: Double
Return the value of the objective function f(x) = c x.
-
def
pivot(k: Int, l: Int): Unit
Pivot on entry (k, l) using Gauss-Jordan elimination to replace variable x_k with x_l in the basis.
Pivot on entry (k, l) using Gauss-Jordan elimination to replace variable x_k with x_l in the basis.
- k
the leaving variable (row)
- l
the entering variable (column)
-
def
primal: VectorD
Return the primal solution vector x (only the basic variables are non-zero).
-
def
removeArtificials(): Unit
Remove the artificial variables and reset the cost row (M) in the tableau.
-
def
solve(): Unit
Run the simplex algorithm starting from an initial BFS and iteratively find a non-basic variable to replace a variable in the current basis so long as the objective function improves.
-
def
solve2P(): Boolean
Solve the LP maximization problem using two phases if necessary.
Solve the LP maximization problem using two phases if necessary. Note: phase I is always minimization. Two phases are necessary if the number of artificial variables R > 0.
-
final
def
synchronized[T0](arg0: ⇒ T0): T0
- Definition Classes
- AnyRef
-
def
toString(): String
Convert the current tableau and basis to a string suitable for display.
Convert the current tableau and basis to a string suitable for display.
- Definition Classes
- Simplex2P → AnyRef → Any
-
final
def
wait(): Unit
- Definition Classes
- AnyRef
- Annotations
- @throws( ... )
-
final
def
wait(arg0: Long, arg1: Int): Unit
- Definition Classes
- AnyRef
- Annotations
- @throws( ... )
-
final
def
wait(arg0: Long): Unit
- Definition Classes
- AnyRef
- Annotations
- @throws( ... )


This is plain example that permits to upload images throught the TurboGears Admin
Inside config/app_cfg.py
use DepotManager
to
configure a storage to save files, the following example configures a local
files storage named default that saves files on /tmp
from depot.manager import DepotManager DepotManager.configure('default', {'depot.storage_path': '/tmp/'})
Inside config/middleware.py
use DepotManager
to
wrap your turbogears application with the depot middleware which will
serve the saved files on /depot
url.
from depot.manager import DepotManager app = DepotManager.make_middleware(app)
Files you upload using DepotManager.get().create(file)
can be retrieved back on /depot/default/FILEID
url where
fileid
is returned by the create()
method.


patFish
Embedded Fullstack Engineer
linkedin/patFish
https://github.com/patfish
Zurich, Switzerland
patfish


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| 024:032 Khan | : |
And marry those among you who are single (i.e. a man who has no wife and the woman who has no husband) and (also marry) the Salihun (pious, fit and capable ones) of your (male) slaves and maid- servants (female slaves). If they be poor, Allah will enrich them out of His Bounty. And Allah is All-Sufficent for His creatures' needs, All- Knowing (about the state of the people). |
| 024:032 Maulana | : |
And marry those among you who are single, and those who are fit among your males slaves and your female slaves. If they are needy, Allah will make them free from want out of His grace. And Allah is Ample-giving, Knowing. |
| 024:032 Pickthal | : |
And marry such of you as are solitary and the pious of your slaves and maid-servants. If they be poor, Allah will enrich them of His bounty. Allah is of ample means, Aware. |
| 024:032 Rashad | : |
You shall encourage those of you who are single to get married. They may marry the righteous among your male and female servants, if they are poor. GOD will enrich them from His grace. GOD is Bounteous, Knower. |
| 024:032 Sarwar | : |
Marry the single people among you and the righteous slaves and slave-girls. If you are poor, God will make you rich through His favor; He is Bountiful and All-knowing. |
| 024:032 Shakir | : |
And marry those among you who are single and those who are fit among your male slaves and your female slaves; if they are needy, Allah will make them free from want out of His grace; and Allah is Ample-giving, Knowing. |
| 024:032 Sherali | : |
And arrange marriages for widows from among you, and for your male slaves and female slaves who are fit for marriage. If they be poor, ALLAH will grant them means out of HIS bounty; and ALLAH is Bountiful, All-Knowing. |
| 024:032 Yusufali | : |
Marry those among you who are single, or the virtuous ones among yourselves, male or female: if they are in poverty, Allah will give them means out of His grace: for Allah encompasseth all, and he knoweth all things. |
Concepts/Themes Covered: أركان الإسلام > التوحيد > توحيد الله تعالي > صفات الله تعالى > الواسع Pillars of Islam> Islamic> Oneness of Allah> His Glory's Characteristics> All-Sufficient for His Creatures' Needs الإنسان والعلاقات الاجتماعية > الأسرة > إنكاح الايامى و العبيد و الإماء Man and The Social Relations>The Family>Marry those among you Who are Single, hasn't a Wife, hasn't a husband and the Slaves as well الإنسان والعلاقات الاجتماعية > الأسرة > النكاح Man and The Social Relations>The Family>Marriage الإنسان والعلاقات الاجتماعية > الرجال Man and The Social Relations>Men الإنسان والعلاقات الاجتماعية > النساء > المرأة Man and The Social Relations>Women>The Woman
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


We are stuck with technology when what we really want is just stuff that works. – Douglas Adams, The Salmon of Doubt
Not long ago, I bought a major brand camera that had two new features that appealled to me. One feature, was Wifi. I thought it would be really great to automatically upload picture to online services. The other feature was Near Field Communication (NFC). I had experimented with NFC in my own designs and knew how great it was for improving usability. Just consider how much easier it is to perform a Wifi handoff with an NFC phone tap instead of having to type in a network password using a camera button pad.
You can imagine my surprise when I found that the only function that the NFC served was to automate the starting of the manufacturers smart phone app. Thinking this could not possible be right, I spent 30 minutes looking through the manual in order to verify this limitation.  It did get me wondering however…When we fail to present users with a consistent value proposition for using a technology like NFC, do we train them to ignore it in the future?
Purpose
We all have experiences like this. We waste too much of our lives fidgeting with technology that does not offer a quality user experience. Approachable’s purpose is to get the user experience right by creating a Walk-Up-And-Use Framework that can be employed with most everyday electronics.
How It Works For Users (3 simple steps)
-
Users begin interaction in one of two ways:
a. The device uses NFC: the user puts their phone very close to the product and the device is identified
b. The device uses Bluetooth Low Energy (BLE): All nearby devices appear in the Android notifications menu and the user selects the device of interest
- The user is shown relevant device information including current status, configuration apps, and Help related content
-
The user changes the configuration using the app:
a. With NFC devices, the user touches the phone to device to write the changed settings
b. For BLE devices, the changed settings take place immediately
How It Works for Developers/Makers (4 simple steps)
-
Decide whether to use BLE, NFC, or both in your hardware design. We are open sourcing and documenting every demo implementation that we can to make this as easy as possible.
- Choose what you want to display or configure with the smartphone and create a corresponding JSON Schema. e.g. setting Wifi parameters:
{ "type": "object", "title": "Wifi Setup", "properties": { "SSID": { "type": "string", "title": "Network Name (SSID)" }, "Password": { "type": "string", "format": "password", "title": "Password" } } }
-
Put your schemas into a manifest on the Approachable Device Registry Developer Sandbox. The registry will provide you with an interface identifier that your device will use to identify itself when scanned via NFC.
- Complete your hardware design by integrating the available example projects and libraries.


According to a story in the “Funny Old World” column in the current issue of Private Eye, road signs in Wales are “mistranslated into Welsh on an enormously regular basis”. The example given is of a sign at a roundabout between Penarth and Cardiff. The English Cyclists dismount is given in Welsh as Llid y bledren dymchwelyd, or Bladder disease has returned.


How data is fetched from the user and manipulated on the server-side greatly excites me. My journey with back-end Technologies has proven that my strengths are never limited. I have exploited the Development of Sofware with a keen focus on user experience, and how a user interacts with data from the font end, up to its manipulation in the back end. I have served in several places, including community-based volunteer programs, Tech-based enterprises as well as being part of startups starting from scratch. I have close to three years of hustle experience in the tech space. Moringa School, being able to offer a multi-disciplinary learning accelerator the program, interested me because I would get digital and professional skills training, and become part of the already trained professionals in Kenya, ready to build and innovate in line with Kenya's economic blueprint, The Kenya Vission 2030.
Reach out to me directly


{% include head.html %}
OpenUp 1 Thicket St, Newlands Cape Town, Western Cape 7725 +27216716306<EMAIL_ADDRESS>https://openup.org.za We empower citizens to improve their lives and communities. {% include header.html %} {{ content }} {% include footer.html %} {% for js in page.extra_js %} {% endfor %}


We use the most up-to-date version of HTML to create the basis of your website
We use the most current version of CSS to design your website.
We create logo's and other graphics for your business.
We host your website for your business.
We created a shop for a local customer in the South Wales Valleys.
We designed and developed our business website.
We designed and developed my personal website.
We host your website for your business.


Features
lock
Encrypted
Ideator-Enc uses the SJCL Library
to Encrypt everything on the Client side and Then Send it to the Backend To be Stored.
So not even We can See it without Your Credentials
group_add
Shareable
Ideator-Enc workspaces can be shared with your awesome team so you can discuss your projects and ideas without the fear or snooping eyes or ears
public
Open-Source
Ideator-Enc Is an Open Source Project on
GitHub
where We always welcome awesome people like you to contribute in any way you can.
FAQ
-
question_answerHow do I use this app?
- Click The Join Button
- install this app when prompted for ease of use(Optional)
- Add a Workspace with a Name,Encryption Level,Password and a Team(Optional)
- You can send and recieve Messages to your team and add Projects to this Workspace after entering it
- You can also add your Ideas to the Projects
-
question_answerWhat does it cost?Ideator-Enc is a fully Free to use Application.
-
question_answerIf the Application is Free to use then how do you keep it all going?We keep the application going with your support through donations and/or by showing ads that you allow us to show by disabling your adblocker if you use any
-
question_answerHow can I help Ideator-Enc?You can Spread or name by sharing the app/link with your Friends and Family
OR
You can also Contibute to us in the Following ways on GitHub- feature suggestion
- code improvement
- code addition
- bug fixes
- bug reports
-
question_answerIsn't my Password still stored for you to see?Yes and also No,Yes your password is stored in our Database but NO we cant view it as it is also encrypted on your side before it is sent to us.


Australian boxer dies in training accident
MELBOURNE (Reuters) - Australian boxing was in shock on Sunday after local fighter Dwight Richie died in a training accident at the age of 27.
Ritchie’s promoter confirmed the boxer’s death in a Facebook post.
“It is with great sadness and shock to announce that the fighting cowboy Dwight Ritchie sadly passed away today doing what he loved,” Jake Ellis wrote.
“As Dwight’s promoter and friend it’s unbearable to accept the tragic news that’s just surfaced.”
One of the country’s brightest boxing talents, Ritchie last fought Tim Tszyu, the son of former world champion boxer Kostya Tszyu, in August for the IBF Australasian super welterweight title in Sydney.
He lost by unanimous decision but was to return to the ring next month for a light-middleweight fight against Tommy Browne.
Sydney’s Daily Telegraph newspaper reported that Aboriginal Australian Ritchie, who had a record of 19 wins and two defeats, collapsed when sparring with another boxer in Melbourne on Saturday and could not be revived.
Ritchie leaves three children behind.
His death sparked a flood of tributes from local boxers on social media.
“Today we lost one of our own,” Australian professional and Olympian Luke Jackson wrote on Twitter.
“I remember having my professional debut on Dwight’s card. Sending my love to his family, loved ones and the whole of boxing Australia.”


Samuel Boediono
About
|
Portfolio
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Contact
Portfolio
Hangman
RPG Games
Trivia Games
Rutgers Info Widgets
Rock Papers Scissors
Connect With Me


Hotel Food Reservation is an Android app which helps the hotel/restaurant management to ease the process of food delivering and for customers to reserve food at hotels/restaurants. Through this app a customer can order foods, set their preferred meals as favorites, rate the service, and easily pay the bill for the respective meal ordered.
This QA Automation framework was developed on Java using the Selenium Web Driver and TestNG frameworks along with the Page Object Model. The framework makes it easier even for a tester without technical knowledge to do the automation stuff. Easy to use and ultimately provides detailed Reports on the Automation Test Results using TestNG. And the framework has the capability of automating the Desktop applications as well as Mobile applications with integration of the SikuliX Automation scripts.
Android Car Racing Game syncing with custom built toy cars. This is kind of a mobile game with physical experience. A Toy Car is remotely handled via an android app using bluetooth where the Toy car is equipped with Arduino technology. The player is facilitated with a live video stream from the car using a wifi connection between the app and the toy car. A specific track is assigned for the Race where the track has hot spots to pass through. When a hotspot is passed right beneath the player gets a speed boost. Game has its own rules. This Mobile game is hosted for gaming contests on appeal.


Intro mode - Played when the suit is turned on, the suit gives the child introductory instructions: “Welcome to my body band. You’re in free play mode. Press the heart to start the muscle song!”
Free Play mode - In free play mode, the suit makes tones associated with a specific movement, allowing the child to associate their muscles to the suit. As the child puts on the magnetic muscles, the suit tells them the name of each one, saying “that’s your bicep” when they put on their bicep, etc.
Song mode - By pressing the heart button, the child can play a learning song. When the child moves the muscle that is prompted in the audio, a special song is played, helping them learn the names of muscles and anatomy. When the song finishes, the suit returns to free play mode.
Exploded View:
Parts:
heart muscle
large speaker
on/off button
arduino .wav shield
arduino uno (plays music file)
arduino mega (handles sensing
leg muscle
conductive sagnets
small speaker
flex sensor
Here you can see our construction methodology. We have flex sensors as our main sensor, and we actuate with speakers. We also use the muscles as a simple pull-up switch to detect if a muscle is on.
User Testing
After using My Body Band a couple of times, we wanted to see how well our young play tester, Petra, remembered the different muscles she learned about. Here is a video of Petra's father and I giving her a quick quiz. Some things we learned from the testing were:
it is great to have a parent around
the magnets for the muscles ought to be stronger
the learning is working!
Prototyping
Q: Does the interaction between moving a muscle and hearing a sound facilitate discovery?
A: It was really fun to just walk around and live life normally with the suit on. Different patterns would emerge unexpectedly. After I put the suit on, I was totally surprised when my leg was only in motion for about 10% of my stride.
Q: How is the suit working? Is it intuitive to a new user?
A: It is way fun to dance to a beat, but the beat should probably be simple to let the solo shine through. The threshold rate of movement should be higher, because sometimes Abby seemed unsure if she was the one responsible for the sound, or if was just latency in the suit.


Release notes: GEE 5.0.2¶
Overview
This document includes the following information about the Google Earth Enterprise (GEE) 5.0.2 release:
GEE 5.0.2 is an incremental release of GEE 5.0 and GEE 5.0.1. It addresses a vulnerability reported by the OpenSSL Project, as well as fixes to several minor bugs.
Supported Platforms
The Google Earth Enterprise 5.0.2 release is supported on 64-bit versions of the following operating systems:
- Red Hat Enterprise Linux versions 6.0 to 6.5, including the most recent security patches
- CentOS 6.5
- Ubuntu 10.04 and 12.04 LTS
Google Earth Enterprise 5.0.2 is compatible with Google Earth Enterprise Client (EC) and Plugin versions 7.0.1 - <IP_ADDRESS>8 for Windows, Mac, and Linux.
Library updates
OpenSSL update to address a vulnerability reported by the OpenSSL Project
- Updates
openssl
from v0.9.8y to v0.9.8za.Known Issues
Number Description Workaround 16701881 When attempting to set the maximum number of CPUs used for Fusion processing tasks, geselectassetroot –numcpus fails to update the value specified. For GEE releases 5.0.0-5.0.2, the maximum number of CPUs can be set using the
maxjobs
option in/opt/google/etc/systemrc
.
- Stop Fusion daemons:
sudo /etc/init.d /gefusion stop
- Set
maxjobs
in/opt/google/etc/ systemrc
.- Start Fusion daemons:
sudo /etc/init.d/gefusion start
Resolved Issues
Number Description Resolution 16187780 When attempting to import the GDAL library installed with /opt/google/gepython/Python-2.7.5/bin/python
Python 2.7.5, fromosgeo import gdal_array
, a traceback error occurs:ImportError: No module named _gdal_array
.Fixed. The Python numpy library, which is required to load the gdal_array
module, is now bundled with GEE Fusion.11823150 When setting the maximum number of CPUs available for Fusion processes using the geselectassetroot --numcpus
command, you cannot increase the value beyond 8.Fixed. You can now set the maximum number of CPUs using the geselectassetroot --numcpus
command to a maximum value of 64. You can verify the value you set usinggetop
The default setting for the maximum value is 8. For more information, see Running Fusion on a machine with multiple CPUs.15391728, 15386589, 15429155 Potential cross-site scripting vulnerabilities have been identified. Fixed. Enhancements have been made to make GEE more secure.


The Queen of Versailles is a timely, engaging, and richly drawn portrait of the American Dream improbably composed of equal parts compassion and schadenfreude.
IMDB: 7.9, RT Aud: 87%, RT Critics: 95%
Both a sobering look at a true crime story and a scathing indictment of the American justice system, West of Memphis is a real-life horror story told with fury and compassion.
IMDB: 7.6, RT Aud: 78%, RT Critics: 92%
Cultural theorist superstar Slavoj iek re-teams with director Sophie Fiennes (The Pervert's Guide to Cinema) for another wildly entertaining romp through the crossroads of cinema and philosophy.
IMDB: 7.3, RT Aud: 77%, RT Critics: 87%
Acclaimed director Miguel Gomes returns with a sumptuous, eccentric two-part tale centered on Aurora, shown first as an impulsive, cantankerous elderly woman in present-day Lisbon.
IMDB: 7.0, RT Aud: 77%, RT Critics: 94%
A taut, solidly constructed action thriller with uncommon intelligence, Drug War delivers exhilarating set pieces without skimping on sophisticated filmmaking.
IMDB: 7.3, RT Aud: 73%, RT Critics: 91%
Winner of the Golden Bear at the Berlinale, Paolo and Vittorio Taviani's Caesar Must Die deftly melds narrative and documentary in a transcendently powerful drama-within-a-drama.
IMDB: 7.3, RT Aud: 79%, RT Critics: 73%
We Are Legion: The Story of the Hacktivists is a documentary that takes us inside the world of Anonymous, the radical "hacktivist" collective that has redefined civil disobedience for the digital age.
IMDB: 7.2, RT Aud: 76%, RT Critics: 92%
Smart, solidly grafted, and thoroughly gripping, Barbara offers a deliberately paced, subtly powerful character study.
IMDB: 7.1, RT Aud: 76%, RT Critics: 91%
A history of violence and oppression threatens to engulf the residents of an affluent seaside community in Neighboring Sounds, a thrilling debut from filmmaker Kleber Mendonca Filho.
IMDB: 7.2, RT Aud: 76%, RT Critics: 95%
A tense, gripping thriller, A Hijacking avoids action movie cliches and instead creates a palpable sense of dread by mixing gritty realism with atmospheric beauty.
IMDB: 8.0, RT Aud: 88%, RT Critics: 90%
Spike Lee examines Michael Jackson's creative vision for the album that ended up defining an era.
IMDB: 7.2, RT Aud: 85%, RT Critics: 94%
High on quirky smarts and low on splashy special effects, The History of Future Folk is an unusual -- and unusually fun -- slice of sci-fi.
IMDB: 7.6, RT Aud: 81%, RT Critics: 90%
Although some viewers may mistake its deliberate pace for passionless filmmaking, Beyond the Hills offers an intelligent, powerfully acted examination of the tension between secular life and religious faith.
IMDB: 7.6, RT Aud: 88%, RT Critics: 98%
Transgressive in the best possible way, Wadjda presents a startlingly assured new voice from a corner of the globe where cinema has been all but silenced.
IMDB: 7.6, RT Aud: 79%, RT Critics: 100%
MORE THAN HONEY, a new documentary by the Swiss filmmaker Marcus Imhoof, is looking into the fascinating world of bees, showing small family beekeepers (including the beekeeper of ERSTE Foundation beehive, Heidrun Singer) and industrialized honey farms.
IMDB: 7.2, RT Aud: 72%, RT Critics: 73%
It lacks subtlety and depth of character, but Pieta gets by with committed performances and a darkly ambitious, deceptively simple message.
IMDB: 7.6, RT Aud: 79%, RT Critics: 93%
Strikingly stark, brutally honest, and rivetingly assembled, The Gatekeepers offers essential perspective on a seemingly intractable war from some of the men who fought it.
IMDB: 7.5, RT Aud: 82%, RT Critics: 75%
One fateful night in Tel Aviv, he meets Roy (Aloni), an Israeli lawyer, and the two fall in love.
IMDB: 7.2, RT Aud: 82%, RT Critics: 100%
Crossing the eight blocks of the market seemed easy but things get complicated along the way.
IMDB: 7.4, RT Aud: 77%, RT Critics: 91%
Audiences will need to tolerate a certain amount of narrative drift, but thanks to sensitive direction from Noah Baumbach and an endearing performance from Greta Gerwig, Frances Ha makes it easy to forgive.
IMDB: 8.2, RT Aud: 92%, RT Critics: 100%
The made-for-cinema documentary shows how Don McCullin created some of the latter twentieth-century's most iconic images of man's inhumanity to man.
IMDB: 7.6, RT Aud: 87%, RT Critics: 100%
Everything or Nothing takes advantage of archival access to offer a look at the making of the Bond franchise that's just as gripping as the best installments in the series.
IMDB: 7.6, RT Aud: 78%, RT Critics: 93%
In Stories We Tell, Sarah Polley plays with the documentary format to explore the nature of memory and storytelling, crafting a thoughtful, compelling narrative that unfolds like a mystery.
IMDB: 7.4, RT Aud: 85%, RT Critics: 88%
This history of the Rolling Stones features archival footage of the British rock-and-roll giant's 1960s performances, interviews with the group's members, and clips of other documentaries about the band, including Gimme Shelter (1970) and Shine a Light (2008).
IMDB: 8.2, RT Aud: 85%, RT Critics: 95%
Raw, terrifying, and painfully difficult to watch, The Act of Killing offers a haunting testament to the edifying, confrontational power of documentary cinema.
IMDB: 7.6, RT Aud: 86%, RT Critics: 93%
With THE CENTRAL PARK FIVE, this story of injustice finally gets the telling it deserves.

IMDB: 7.7, RT Aud: 73%, RT Critics: 93%
Winner of Cannes' Un Certain Regard Special Jury Prize, Elena is a gripping, modern twist on the classic noir thriller.
IMDB: 6.9, RT Aud: 74%, RT Critics: 79%
With plenty of pulpy action, a pleasantly retro vibe, and a handful of fine performances, Captain America is solidly old-fashioned blockbuster entertainment.
IMDB: 8.5, RT Aud: 87%, RT Critics: 76%
It's a tad heavy-handed in its message, but Samsara's overwhelmingly beautiful visuals more than compensate for any narrative flaws.
IMDB: 7.8, RT Aud: 79%, RT Critics: 92%
With its hyper-stylized blend of violence, music, and striking imagery, Drive represents a fully realized vision of arthouse action.
IMDB: 7.0, RT Aud: 76%, RT Critics: 77%
A dazzling blockbuster that tempers its sweeping scope with wit, humor, and human drama, Thor is mighty Marvel entertainment.
IMDB: 7.5, RT Aud: 80%, RT Critics: 82%
Based on the legendary true story of the Red Dog who united a disparate local community while roaming the Australian outback in search of his long lost master.
IMDB: 7.5, RT Aud: 82%, RT Critics: 91%
Finding the human story amidst the action, director Duncan Jones and charming Jake Gyllenhaal craft a smart, satisfying sci-fi thriller.
IMDB: 7.5, RT Aud: 78%, RT Critics: 93%
Hugo is an extravagant, elegant fantasy with an innocence lacking in many modern kids' movies, and one that emanates an unabashed love for the magic of cinema.
IMDB: 7.3, RT Aud: 74%, RT Critics: 74%
Drawing deep from the classic Raiders of the Lost Ark playbook, Steven Spielberg has crafted another spirited, thrilling adventure in the form of Tintin.
IMDB: 6.8, RT Aud: 66%, RT Critics: 71%
Fantastic acting and crisply choreographed action sequences propel this unique, cool take on the revenge thriller.
IMDB: 7.3, RT Aud: 79%, RT Critics: 88%
Funny, moving, and beautifully acted, The Descendants captures the unpredictable messiness of life with eloquence and uncommon grace.
IMDB: 7.0, RT Aud: 62%, RT Critics: 71%
It doesn't measure up to Pegg and Frost's best work, but Paul is an amiably entertaining -- albeit uneven -- road trip comedy with an intergalactic twist.
IMDB: 8.1, RT Aud: 93%, RT Critics: 86%
HBO and Martin Scorsese present GEORGE HARRISON: LIVING IN THE MATERIAL WORLD.
IMDB: 7.1, RT Aud: 73%, RT Critics: 83%
While not exactly exposing revelatory truths, The Ides of March is supremely well-acted drama that moves at a measured, confident clip.
IMDB: 7.6, RT Aud: 84%, RT Critics: 92%
But stalking the depths of its post-nuclear bliss, mass paranoia became fuel for Joseph McCarthy's brand of Red Scare terror propaganda.
IMDB: 7.6, RT Aud: 84%, RT Critics: 80%
The Skin I Live In lacks Almodovar's famously charged romance, replaced with a wonderfully bizarre and unpredictable detour into arthouse ick.
IMDB: 7.3, RT Aud: 81%, RT Critics: 82%
It doesn't offer any twists on the predictable courtroom thriller formula, but with a charming Matthew McConaughey leading its solid cast, The Lincoln Lawyer offers briskly enjoyable entertainment.
IMDB: 7.2, RT Aud: 69%, RT Critics: 87%
Rango is a smart, giddily creative burst of beautifully animated entertainment, and Johnny Depp gives a colorful vocal performance as a household pet in an unfamiliar world.
IMDB: 8.1, RT Aud: 89%, RT Critics: 95%
Thrilling, powerfully acted, and visually dazzling, Deathly Hallows Part II brings the Harry Potter franchise to a satisfying -- and suitably magical -- conclusion.

IMDB: 7.1, RT Aud: 80%, RT Critics: 94%
Clever, charming, and heartfelt, The Muppets is a welcome big screen return for Jim Henson's lovable creations that will both win new fans and delight longtime devotees.
IMDB: 7.6, RT Aud: 86%, RT Critics: 93%
Director Bennett Miller, along with Brad Pitt and Jonah Hill, take a niche subject and turn it into a sharp, funny, and touching portrait worthy of baseball lore.
IMDB: 7.4, RT Aud: 74%, RT Critics: 69%
Although its script is uneven, Neil Burger directs Limitless with plenty of visual panache, and Bradley Cooper makes for a charismatic star.
IMDB: 7.4, RT Aud: 76%, RT Critics: 93%
Stylish, fast-paced, and loaded with gripping set pieces, the fourth Mission: Impossible is big-budget popcorn entertainment that really works.
IMDB: 7.4, RT Aud: 76%, RT Critics: 83%
Cary Fukunaga directs a fiery and elegant adaptation of Charlotte Bronte's classic novel, and Mia Wasikowska delivers possibly the best portrayal of the title character ever.
IMDB: 7.2, RT Aud: 82%, RT Critics: 93%
Pulsing with authenticity and led by a stirring lead performance from Adepero Oduye, Pariah is a powerful coming out/coming-of-age film that signals the arrival of a fresh new talent in writer/director Dee Rees.
IMDB: 7.5, RT Aud: 78%, RT Critics: 76%
We Need to Talk About Kevin is a masterful blend of drama and horror, with fantastic performances across the board (Tilda Swinton especially, delivering one of her very best).
IMDB: 7.7, RT Aud: 87%, RT Critics: 85%
With a strong script, stylish direction, and powerful performances from its well-rounded cast, X-Men: First Class is a welcome return to form for the franchise.
IMDB: 7.6, RT Aud: 85%, RT Critics: 75%
The documentary These Amazing Shadows explains the importance of the National Film Registry, an organization that protects films they deem culturally and historically significant.
IMDB: 8.2, RT Aud: 92%, RT Critics: 82%
Warrior relies on many of the clichés that critics of the genre love to mock -- and it transcends them with gripping action, powerful acting, and heart.
IMDB: 7.2, RT Aud: 74%, RT Critics: 80%
The storyline arc may seem a tad familiar to fans of the original, but Kung Fu Panda 2 offers enough action, comedy, and visual sparkle to compensate.
IMDB: 7.7, RT Aud: 88%, RT Critics: 93%
A good-hearted film about a difficult topic, 50/50 maneuvers between jokes and drama with surprising finesse.
IMDB: 7.8, RT Aud: 76%, RT Critics: 87%
Uncompromisingly bold and hauntingly beautiful, Bela Tarr's bleak parable tells a simple story with weighty conviction.
IMDB: 7.6, RT Aud: 77%, RT Critics: 81%
Led by Rupert Wyatt's stylish direction, some impressive special effects, and a mesmerizing performance by Andy Serkis, Rise of the Planet of the Apes breathes unlikely new life into a long-running franchise.
IMDB: 7.5, RT Aud: 82%, RT Critics: 98%
Impeccably crafted and edited, The Interrupters is a tough and honest documentary about street violence that truly has the power to inspire change.
IMDB: 7.2, RT Aud: 74%, RT Critics: 85%
Whores' Glory, the third film in Michael Glawogger's globalization trilogy (following Megacities, Workingman's Death), is an explicit and unflinching expose of global prostitution.
IMDB: 7.1, RT Aud: 65%, RT Critics: 83%
Tinker Tailor Soldier Spy is a dense puzzle of anxiety, paranoia, and espionage that director Tomas Alfredson pieces together with utmost skill.
IMDB: 7.2, RT Aud: 76%, RT Critics: 93%
Rich with the colors, textures, flavors and music of Mediterranean Africa, the film embarks on a cross continent adventure from the tiled terraces, fountains, quays and cafes of colonial Algiers to Maghrebi tent camps, dusty trading outposts, and deep blue Saharan nights in search of a lost Ethiopian city.
IMDB: 7.1, RT Aud: 67%, RT Critics: 70%
First-time writer/director George Nolfi struggles to maintain a consistent tone, but The Adjustment Bureau rises on the strong, believable chemistry of its stars.
IMDB: 7.1, RT Aud: 71%, RT Critics: 65%
We Bought a Zoo is a transparently cloying effort by director Cameron Crowe, but Matt Damon makes for a sympathetic central character.
IMDB: 7.3, RT Aud: 79%, RT Critics: 78%
The Best Exotic Marigold Hotel isn't groundbreaking storytelling, but it's a sweet story about the senior set featuring a top-notch cast of veteran actors.
IMDB: 7.3, RT Aud: 80%, RT Critics: 88%
From acclaimed director Agnieszka Holland, In Darkness is based on a true story.
IMDB: 7.1, RT Aud: 76%, RT Critics: 92%
Aardman Animations broadens their humor a bit for Arthur Christmas, a clever and earnest holiday film with surprising emotional strength.
IMDB: 6.9, RT Aud: 71%, RT Critics: 71%
This straightforward movie reaches great heights thanks to its colorful visual palette, catchy music, and funny vocal performances.
IMDB: 7.2, RT Aud: 78%, RT Critics: 93%
Toiling silently amongst the residents of an everyday Barcelona apartment building, doorman Cesar (Luis Tosar) harbors a dark secret: his sole desire in life is to make others unhappy.
IMDB: 7.7, RT Aud: 81%, RT Critics: 95%
Pina is an immersive, gorgeously shot tribute to the people who express life through movement.
IMDB: 6.9, RT Aud: 71%, RT Critics: 90%
Led by a mesmerizing debut performance from Elizabeth Olsen, Martha Marcy May Marlene is a distinctive, haunting psychological drama.
IMDB: 7.2, RT Aud: 80%, RT Critics: 90%
Short, nostalgic, and gently whimsical, Winnie the Pooh offers young audiences -- and their parents -- a sweetly traditional family treat.
IMDB: 8.1, RT Aud: 89%, RT Critics: 75%
Though arguably guilty of glossing over its racial themes, The Help rises on the strength of its cast -- particularly Viola Davis, whose performance is powerful enough to carry the film on its own.
IMDB: 6.8, RT Aud: 70%, RT Critics: 81%
Goon is a crude slapstick comedy with well-formed characters and a surprising amount of heart.
IMDB: 7.5, RT Aud: 80%, RT Critics: 75%
But what if progress is actually spiraling us downwards, towards collapse?
IMDB: 6.8, RT Aud: 76%, RT Critics: 90%
A marriage of genuine characters, gross out gags, and pathos, Bridesmaids is a female-driven comedy that refuses to be boxed in as Kristen Wiig emerges as a real star.
IMDB: 7.2, RT Aud: 75%, RT Critics: 98%
Aki Kaurismäki's deadpan wit hits a graceful note with Le Havre, a comedy/drama that's sweet, sad, and uplifting in equal measure.
IMDB: 7.1, RT Aud: 67%, RT Critics: 79%
Melancholia's dramatic tricks are more obvious than they should be, but this is otherwise a showcase for Kirsten Dunst's acting and for Lars von Trier's profound, visceral vision of depression and destruction.
IMDB: 7.3, RT Aud: 81%, RT Critics: 94%
A violent, crackerjack comedy with a strong Irish flavor and an eminently likable Brendan Gleeson in the main role.
IMDB: 7.4, RT Aud: 75%, RT Critics: 62%
What binds the two stories together is love - euphoric, obsessive, tragic, youthful, timeless love.
IMDB: 7.2, RT Aud: 79%, RT Critics: 84%
From the director of About a Boy comes A Better Life - a touching, poignant, multi-generational story about a father's love and the lengths a parent will go to give his child the opportunities he never had.
IMDB: 8.1, RT Aud: 86%, RT Critics: 100%
He wants to go on an extended bachelor party, a three-week road trip with Imraan and Arjun, his two best friends since school.
IMDB: 6.9, RT Aud: 80%, RT Critics: 81%
Wisely dialing down the schmaltz, Dolphin Tale is earnest, sweet, and well-told, a rare family film that both kids and parents can enjoy.
IMDB: 7.8, RT Aud: 86%, RT Critics: 86%
Brutal yet captivating, The Girl With the Dragon Tattoo is the result of David Fincher working at his lurid best with total role commitment from star Rooney Mara.
IMDB: 7.2, RT Aud: 74%, RT Critics: 75%
Technically superb, proudly sentimental, and unabashedly old-fashioned, War Horse is an emotional drama that tugs the heartstrings with Spielberg's customary flair.
IMDB: 7.4, RT Aud: 78%, RT Critics: 77%
It never lives up to the first part of its title, but Crazy, Stupid, Love's unabashed sweetness -- and its terrifically talented cast -- more than make up for its flaws.
IMDB: 7.6, RT Aud: 86%, RT Critics: 91%
The Black Power Mixtape 1967-1975 mobilizes a treasure trove of 16mm material shot by Swedish journalists who came to the US drawn by stories of urban unrest and revolution.
IMDB: 7.3, RT Aud: 83%, RT Critics: 77%
Sleek, loud, and over the top, Fast Five proudly embraces its brainless action thrills and injects new life into the franchise.
IMDB: 6.8, RT Aud: 61%, RT Critics: 79%
The Grey is an exciting tale of survival, populated with fleshed-out characters and a surprising philosophical agenda.
IMDB: 7.7, RT Aud: 83%, RT Critics: 92%
It may not boast the depth of his classic films, but the sweetly sentimental Midnight in Paris is funny and charming enough to satisfy Woody Allen fans.
IMDB: 7.2, RT Aud: 85%, RT Critics: 94%
Rich, wonderful characters and strong performances populate Win Win, with writer/director Thomas McCarthy continuing to emerge as a great American humanist.
IMDB: 7.7, RT Aud: 90%, RT Critics: 89%
This documentary focuses less on the music and more on the personality clashes and in-group tensions to great, compelling effect.
IMDB: 7.6, RT Aud: 81%, RT Critics: 65%
An involving, if sentimental and predictable family drama elevated by J.K. Simmons' sympathetic lead performance.
IMDB: 7.6, RT Aud: 85%, RT Critics: 92%
Grisly, twisty, and darkly comic, Headhunters is an exhilaratingly oddball take on familiar thriller elements.
IMDB: 7.1, RT Aud: 74%, RT Critics: 88%
Smart, tightly wound, and solidly acted, Margin Call turns the convoluted financial meltdown of '08 into gripping, thought-provoking drama.
IMDB: 7.2, RT Aud: 71%, RT Critics: 81%
Strong direction and delicate performances save Noordzee, Texas from its narrative cliches.
IMDB: 7.0, RT Aud: 75%, RT Critics: 82%
It may evoke memories of classic summer blockbusters a little too eagerly for some, but Super 8 has thrills, visual dazzle, and emotional depth to spare.
IMDB: 7.0, RT Aud: 71%, RT Critics: 82%
Michelle Williams shines in My Week with Marilyn, capturing the magnetism and vulnerability of Marilyn Monroe.
IMDB: 7.9, RT Aud: 87%, RT Critics: 95%
A crowd-pleasing tribute to the magic of silent cinema, The Artist is a clever, joyous film with delightful performances and visual style to spare.
IMDB: 7.3, RT Aud: 79%, RT Critics: 87%
Polisse is a gripping and powerful procedural drama filled with fine acting and unflinching eye for truth and brutality.
IMDB: 7.1, RT Aud: 71%, RT Critics: 74%
Whimsical and melancholy, Chicken with Plums is visually striking and dreamily compelling despite its occasional narrative missteps.
IMDB: 7.5, RT Aud: 69%, RT Critics: 96%
Through simple means and filming, This is Not a Film presents a vital political statement and a snapshot of life in Iran as enemy of the state.
IMDB: 7.4, RT Aud: 81%, RT Critics: 91%
Michael Shannon gives a powerhouse performance and the purposefully subtle filmmaking creates a perfect blend of drama, terror, and dread.
IMDB: 8.5, RT Aud: 93%, RT Critics: 74%
It handles its potentially prickly subject matter with kid gloves, but Intouchables gets by thanks to its strong cast and some remarkably sensitive direction.
IMDB: 7.6, RT Aud: 84%, RT Critics: 98%
The human story of Born To Be Wild is captivating and the accompanying nature footage is utterly cute and charming.
IMDB: 8.3, RT Aud: 88%, RT Critics: 86%
A resilient lioness in Botswana's Okavango Delta embarks on an epic journey of survival in this nature documentary from National Geographic and award-winning filmmakers Dereck and Beverly Joubert.
IMDB: 8.0, RT Aud: 95%, RT Critics: 100%
By vividly recounting the TT's legendary rivalries and the Isle of Man's unique road racing history, this 3D feature documentary will discover why modern TT riders still risk their lives to win the world's most dangerous race.
IMDB: 7.4, RT Aud: 85%, RT Critics: 100%
The challenges of balancing housing, mobility, public space, civic engagement, economic development, and environmental policy are fast becoming universal concerns.
IMDB: 6.8, RT Aud: 72%, RT Critics: 88%
Richard Linklater's Bernie is a gently told and unexpectedly amusing true-crime comedy that benefits from an impressive performance by Jack Black.
IMDB: 7.3, RT Aud: 79%, RT Critics: 86%
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store.
IMDB: 8.1, RT Aud: 83%, RT Critics: 81%
Narrated by Ryan Reynolds, The Whale is the true story of a young killer whale, an orca nicknamed Luna, who makes friends with people after he gets separated from his family on the rugged west coast of Vancouver Island, British Columbia.
IMDB: 7.6, RT Aud: 86%, RT Critics: 95%
It may be a chamber piece but Weekend's revelations on modern sexuality expand far beyond the modest setting.
IMDB: 8.3, RT Aud: 94%, RT Critics: 100%
How To Die In Oregon received its world premiere at the 2011 South by Southwest Film Festival.
IMDB: 7.5, RT Aud: 90%, RT Critics: 85%
Various acts of self-destruction, multiple band break-ups, and botched record deals have condemned his music to obscurity.
IMDB: 7.2, RT Aud: 75%, RT Critics: 78%
Boasting stellar performances by Michael Fassbender and Carey Mulligan, Shame is a powerful plunge into the mania of addiction affliction.

IMDB: 7.7, RT Aud: 82%, RT Critics: 96%
An upfront study of a drug addict confronting his demons, Oslo, August 31st makes this dark journey worthwhile with fantastic directing and equally fantastic acting.
IMDB: 7.6, RT Aud: 89%, RT Critics: 89%
So says Buck Brannaman, a true American cowboy and sage on horseback who travels the country for nine grueling months a year helping horses with people problems.
IMDB: 7.9, RT Aud: 88%, RT Critics: 90%
Daniel Craig narrates a feature length documentary about survival in the natural world.
IMDB: 7.9, RT Aud: 92%, RT Critics: 98%
Beautiful, thoughtful, and engrossing, Jiro Dreams of Sushi should prove satisfying even for filmgoers who don't care for the cuisine.
IMDB: 7.4, RT Aud: 86%, RT Critics: 86%
His trajectory propelled him from child prodigy to US champion at age 15 and world champion at 29.
IMDB: 7.7, RT Aud: 87%, RT Critics: 94%
Narrated by Whoopi Goldberg, this documentary includes rare archival footage, interviews with Frank Oz, Rosie O'Donnell, Cheryl Henson, Joan Ganz Cooney and others and offers a behind-the-scenes look at Sesame Street and the Jim Henson Workshop.
IMDB: 7.2, RT Aud: 74%, RT Critics: 87%
Filmmaker Marshall Curry explores the inner workings of the Earth Liberation Front, a revolutionary movement devoted to crippling facilities involved in deforestation, while simultaneously offering a profile of Oregon ELF member Daniel McGowan, who was brought up on terrorism charges for his involvement with the radical group.
IMDB: 7.8, RT Aud: 86%, RT Critics: 100%
We Were Here revisits the crises facing the gay community in the early 1980s -- and offers a powerful tribute to the inspiring resolve shown at a time of turmoil.
IMDB: 7.2, RT Aud: 82%, RT Critics: 100%
Out on parole after 8 years inside, Bill Hayward returns home to find his now 11 and 15-year old sons abandoned by their mother and fending for themselves.
IMDB: 7.5, RT Aud: 79%, RT Critics: 83%
Gentle and nostalgic, From Up on Poppy Hill is one of Studio Ghibli's sweeter efforts -- and if it doesn't push the boundaries of the genre, it remains as engagingly lovely as Ghibli fans have come to expect.
IMDB: 7.4, RT Aud: 84%, RT Critics: 97%
Equal parts hilarious, poignant, and heartbreaking, Project Nim not only tells a compelling story masterfully, but also raises the flag on the darker side of human nature.
IMDB: 7.4, RT Aud: 80%, RT Critics: 85%
Domineering cattle farmer Jacky Vanmarsenille (Matthias Schoenaerts), constantly pumped on steroids and hormones, initiates a shady deal with a notorious mafioso meat trader.
IMDB: 7.8, RT Aud: 74%, RT Critics: 91%
In the dead of night, a group of men - including a police commissioner, a prosecutor, a doctor and a murder suspect - drive through the tenebrous Anatolian countryside, the serpentine roads and rolling hills lit only by the headlights of their cars.
IMDB: 7.4, RT Aud: 76%, RT Critics: 96%
Thanks to the Dardenne brothers' typically fine direction, The Kid with a Bike is a heart-wrenching, thematically and spiritually rich drama.
IMDB: 8.3, RT Aud: 92%, RT Critics: 99%
Morally complex, suspenseful, and consistently involving, A Separation captures the messiness of a dissolving relationship with keen insight and searing intensity.
IMDB: 7.4, RT Aud: 82%, RT Critics: 96%
In tune with the emotion and tribulations of childhood, Tomboy is a charming movie that treats its main subject with warmth and heart.
IMDB: 7.8, RT Aud: 89%, RT Critics: 96%
It covers familiar sports documentary territory, but Undefeated proves there are still powerful stories to be told on the high school gridiron.
IMDB: 7.0, RT Aud: 68%, RT Critics: 81%
It offers a window into the private writers room and rehearsal halls as O'Brien's "half-assed show" (his words) is almost instantly assembled and mounted to an adoring fan base.
IMDB: 7.6, RT Aud: 87%, RT Critics: 85%
No frills and all thrills, The Raid: Redemption is an inventive action film expertly paced and edited for maximum entertainment.
IMDB: 7.5, RT Aud: 72%, RT Critics: 84%
In this David and Goliath tale for the 21st Century, a group of proud Scottish homeowners take on Donald Trump, as the tycoon prepares to destroy one of Britain's last stretches of coastal wilderness by building a luxury golf resort.
IMDB: 7.3, RT Aud: 76%, RT Critics: 91%
Another probing, insightful look at an interesting subject, Werner Herzog explores the American prison system with passion and not politics.
IMDB: 7.6, RT Aud: 86%, RT Critics: 92%
One day Roger comes home from work to find that Ah Tao has suffered a stroke.
IMDB: 7.6, RT Aud: 84%, RT Critics: 93%
An upbeat and visually dramatic documentary of children's ballet, First Position displays the potential of the human spirit when fostered at a young age.
IMDB: 7.9, RT Aud: 86%, RT Critics: 90%
Inni is Sigur Ros's second live film following 2007's hugely-celebrated Heima.
IMDB: 7.5, RT Aud: 86%, RT Critics: 97%
Monsieur Lahzar is a tender and thoughtful portrait of a man with hidden grief and also a compelling exploration of the teacher-student dynamic.
IMDB: 8.1, RT Aud: 93%, RT Critics: 100%
This final version chronicles the last years in prison and eventual release of the three men accused of brutally murdering three boys in West Memphis, Arkansas in 1993.
IMDB: 7.5, RT Aud: 79%, RT Critics: 94%
An affectionate portrait created with visual flair, Diana Vreeland is entertaining, informative, and stylish, due in large part to its charismatic subject.
IMDB: 7.9, RT Aud: 88%, RT Critics: 95%
An extraordinary work of both cinematic and political activism, 5 Broken Cameras is a deeply personal, first-hand account of non-violent resistance in Bil'in, a West Bank village threatened by encroaching Israeli settlements.
IMDB: 7.8, RT Aud: 87%, RT Critics: 89%
While far from Disney's greatest film, Tangled is a visually stunning, thoroughly entertaining addition to the studio's classic animated canon.
IMDB: 8.3, RT Aud: 89%, RT Critics: 98%
Deftly blending comedy, adventure, and honest emotion, Toy Story 3 is a rare second sequel that really works.
IMDB: 7.5, RT Aud: 83%, RT Critics: 81%
Its script may not be as dazzling as its eye-popping visuals, but Scott Pilgrim vs. the World is fast, funny, and inventive.
IMDB: 6.8, RT Aud: 72%, RT Critics: 86%
As fast, loud, and relentless as the train at the center of the story, Unstoppable is perfect popcorn entertainment -- and director Tony Scott's best movie in years.
IMDB: 7.7, RT Aud: 88%, RT Critics: 91%
This documentary features archival footage of the quirky performer, and copious new interviews with contemporaries who discuss his outrageous behavior and his formidable talent.
IMDB: 7.6, RT Aud: 85%, RT Critics: 92%
Tense, smartly written, and wonderfully cast, The Town proves that Ben Affleck has rediscovered his muse -- and that he's a director to be reckoned with.
IMDB: 7.0, RT Aud: 73%, RT Critics: 92%
Worthwhile as both a well-acted ensemble piece and as a smart, warm statement on family values, The Kids Are All Right is remarkable.
IMDB: 8.1, RT Aud: 91%, RT Critics: 98%
Boasting dazzling animation, a script with surprising dramatic depth, and thrilling 3-D sequences, How to Train Your Dragon soars.
IMDB: 7.2, RT Aud: 71%, RT Critics: 74%
Rachel Weisz puts on a compelling smoldering act though the film suffers from a literal-minded approach to the material.
IMDB: 7.7, RT Aud: 85%, RT Critics: 78%
It can't help but feel like the prelude it is, but Deathly Hallows: Part I is a beautifully filmed, emotionally satisfying penultimate installment for the Harry Potter series.
IMDB: 7.0, RT Aud: 72%, RT Critics: 86%
It's often painful to watch, but Rabbit Hole's finely written script and convincing performances make it worth the effort.
IMDB: 8.0, RT Aud: 84%, RT Critics: 85%
Bracingly intense, passionate, and wildly melodramatic, Black Swan glides on Darren Aronofsky's bold direction -- and a bravura performance from Natalie Portman.
IMDB: 7.8, RT Aud: 89%, RT Critics: 90%
Led by a trio of captivating performances from Mark Wahlberg, Christian Bale, and Amy Adams, The Fighter is a solidly entertaining, albeit predictable, entry in the boxing drama genre.
IMDB: 7.3, RT Aud: 72%, RT Critics: 71%
It regurgitates plot points from earlier animated efforts, and isn't quite as funny as it should be, but a top-shelf voice cast and strong visuals help make Megamind a pleasant, if unspectacular, diversion.
IMDB: 7.3, RT Aud: 70%, RT Critics: 89%
The main stars are absolutely perfect in this absorbing, existential drama that dissects human relationships.
IMDB: 7.3, RT Aud: 72%, RT Critics: 74%
It isn't as emotionally involving as it should be, but this Peter Weir epic offers sweeping ambition and strong performances to go with its grand visual spectacle.
IMDB: 7.4, RT Aud: 77%, RT Critics: 86%
This emotionally gripping examination of a marriage on the rocks isn't always easy to watch, but Michelle Williams and Ryan Gosling give performances of unusual depth and power.
IMDB: 7.2, RT Aud: 70%, RT Critics: 83%
While it may lack the revelatory punch of Polanski's finest films, Ghost Writer benefits from stylish direction, a tense screenplay, and a strong central performance from Ewan McGregor.
IMDB: 7.5, RT Aud: 75%, RT Critics: 65%
Javier Bardem's searing performance helps to elevate Biutiful, as does Alejandro González Iñárritu's craftsmanship, but the film often lapses into contrivance and grimness.
IMDB: 7.0, RT Aud: 71%, RT Critics: 72%
It isn't quite the breath of fresh air that Iron Man was, but this sequel comes close with solid performances and an action-packed plot.
IMDB: 7.1, RT Aud: 76%, RT Critics: 87%
Similar to the original in all the right ways -- but with enough changes to stand on its own -- Let Me In is the rare Hollywood remake that doesn't add insult to inspiration.
IMDB: 7.2, RT Aud: 77%, RT Critics: 86%
With an original soundtrack by legendary Cuban pianist and five-time Grammy-winning composer Bebo Valdes, Chico & Rita captures a defining moment in the evolution of history and jazz, and features the music of (and animated cameos by) Thelonious Monk, Charlie Parker, Cole Porter, Dizzy Gillespie, Woody Herman, Tito Puente, Chano Pozo, and others.
IMDB: 7.5, RT Aud: 71%, RT Critics: 85%
Raul Ruiz's masterful adaptation of the eponymous nineteenth-century Portuguese novel (by Camilo Castelo Branco) evokes the complex intertwined narratives of Victor Hugo and Charles Dickens.
IMDB: 7.8, RT Aud: 88%, RT Critics: 81%
Lemmy offers fealty to its rock god subject with a consistently entertaining - if thoroughly uncritical - look at his incredible life and legacy.
IMDB: 7.2, RT Aud: 70%, RT Critics: 67%
Less compelling -- and more manipulative -- than it should be, Conviction benefits from its compelling true story and a pair of solid performances from Swank and Rockwell.
IMDB: 7.6, RT Aud: 81%, RT Critics: 75%
Not for the faint of heart, Kick-Ass takes the comic adaptation genre to new levels of visual style, bloody violence, and gleeful profanity.
IMDB: 8.2, RT Aud: 92%, RT Critics: 92%
It's messy, overlong, and a touch melodramatic, but those flaws pale before Incendies' impressive acting and devastating emotional impact.
IMDB: 7.9, RT Aud: 90%, RT Critics: 100%
Waste Land begins with an eco-friendly premise, but quickly transforms into an uplifting portrait of the power of art and the dignity of the human spirit.
IMDB: 7.2, RT Aud: 78%, RT Critics: 87%
Police officer Amadeus Warnebring was born into a musical family with a long history of famous musicians.
IMDB: 7.1, RT Aud: 77%, RT Critics: 84%
It owes a huge debt to older (and better) teen comedies, but Easy A proves a smart, witty showcase for its irresistibly charming star, Emma Stone.
IMDB: 7.7, RT Aud: 86%, RT Critics: 95%
Impeccably scripted, beautifully directed, and filled with fine performances, The Social Network is a riveting, ambitious example of modern filmmaking at its finest.
IMDB: 7.8, RT Aud: 85%, RT Critics: 100%
Poetry is an absorbing, poignant drama because it offers no easy answers to its complex central conflict.
IMDB: 7.3, RT Aud: 83%, RT Critics: 95%
With confident pacing, a smart script, and a top-notch cast, Animal Kingdom represents the best the Australian film industry has to offer.
IMDB: 7.7, RT Aud: 82%, RT Critics: 81%
Borrowing heavily (and intelligently) from Pixar and Looney Tunes, Despicable Me is a surprisingly thoughtful, family-friendly treat with a few surprises of its own.
IMDB: 7.5, RT Aud: 88%, RT Critics: 93%
Scandinavian in the most bleakly satisfying way, King of Devil's Island satisfies with a richly layered narrative and a typically strong performance from Stellan Skarsgard.
IMDB: 7.2, RT Aud: 70%, RT Critics: 69%
With Never Let Me Go, Mark Romanek has delivered a graceful adaptation that captures the spirit of the Ishiguro novel -- which will be precisely the problem for some viewers.
IMDB: 7.6, RT Aud: 86%, RT Critics: 77%
In a Better World is a sumptuous melodrama that tackles some rather difficult existential and human themes.
IMDB: 7.3, RT Aud: 79%, RT Critics: 82%
Its premise suggests brazenly tasteless humor, but Four Lions is actually a smart, pitch-black comedy that carries the unmistakable ring of truth.
IMDB: 7.2, RT Aud: 75%, RT Critics: 80%
Based on the 1968 strike at the Ford Dagenham car plant, in which 850 female workers walked out in protest of sexual discrimination.
IMDB: 8.8, RT Aud: 91%, RT Critics: 86%
Smart, innovative, and thrilling, Inception is that rare summer blockbuster that succeeds viscerally as well as intellectually.
IMDB: 7.6, RT Aud: 87%, RT Critics: 98%
Inspiring and fascinating, Marwencol depicts its subject with heartfelt tenderness, raising poignant questions about art and personal tragedy along the way.
IMDB: 7.2, RT Aud: 75%, RT Critics: 93%
Bleak, haunting, and yet still somehow hopeful, Winter's Bone is writer-director Debra Granik's best work yet -- and it boasts an incredible, starmaking performance from Jennifer Lawrence.
IMDB: 7.6, RT Aud: 85%, RT Critics: 95%
Girded by strong performances from Jeff Bridges, Matt Damon, and newcomer Hailee Steinfeld, and lifted by some of the Coens' most finely tuned, unaffected work, True Grit is a worthy companion to the Charles Portis book.
IMDB: 7.1, RT Aud: 76%, RT Critics: 84%
A weary platoon battles a powerful enemy in hopes of protecting a massive cache of explosives in this vivid World War I drama from director Jeremy Sims.
IMDB: 7.3, RT Aud: 78%, RT Critics: 79%
With a magnificent performance by Paul Giamatti, Barney's Version offers much comedy and insight to the complexities of modern romance.
IMDB: 8.6, RT Aud: 95%, RT Critics: 92%
Even for filmgoers who aren't racing fans, Senna offers heart-pounding thrills -- and heartbreaking emotion.
IMDB: 7.3, RT Aud: 74%, RT Critics: 92%
Characterized by strong performances and the director's trademark feel for the nuances of everyday life, Another Year marks another solid entry in Mike Leigh's career of kitchen-sink English drama.

IMDB: 7.6, RT Aud: 88%, RT Critics: 96%
Takashi Miike's electric remake of Eiichi Kudo's 1963 period action film is a wild spectacle executed with killer, dizzying panache.
IMDB: 7.1, RT Aud: 70%, RT Critics: 69%
Grounded in a heartwrenching fact-based story, steered by Loach's sensitive direction, and led by a powerful performance from Watson, Oranges and Sunshine sidesteps its pacing problems and occasionally clichéd screenplay.
IMDB: 7.3, RT Aud: 82%, RT Critics: 86%
Funny, stylish, and ringing with adolescent truth, Submarine marks Richard Ayoade as a talent to watch.
IMDB: 7.4, RT Aud: 83%, RT Critics: 82%
It may be a little too deliberately paced for more impatient viewers, but The Way is a worthy effort from writer/director Emilio Estevez, balancing heartfelt emotion with clear-eyed drama that resists cheap sentiment.
IMDB: 7.2, RT Aud: 79%, RT Critics: 85%
It's sentimental and treacly, but that's not enough to prevent My Afternoons with Margueritte from being truly affecting.
IMDB: 7.6, RT Aud: 84%, RT Critics: 83%
Like the best horror/comedies, Tucker & Dale vs. Evil mines its central crazy joke for some incredible scares, laughs, and -- believe it or not -- heart.
IMDB: 8.0, RT Aud: 92%, RT Critics: 94%
Colin Firth gives a masterful performance in The King's Speech, a predictable but stylishly produced and rousing period drama.
IMDB: 7.2, RT Aud: 77%, RT Critics: 84%
Wearing its twee heart on its sleeve, Beginners explores the depths of modern, multi-generational romance with wit and depth.
IMDB: 7.6, RT Aud: 85%, RT Critics: 93%
As gut-wrenching as it is inspirational, 127 Hours unites one of Danny Boyle's most beautifully exuberant directorial efforts with a terrific performance from James Franco.
IMDB: 8.5, RT Aud: 94%, RT Critics: 88%
A portrait of the legendary Canadian rock band Rush from their early days in Toronto, through each of their landmark albums, to the present day.
IMDB: 8.1, RT Aud: 91%, RT Critics: 92%
Elite Squad: The Enemy Within is a bleak, violent descent into the Brazilian underbelly, ripping into the favelas with unstoppable and kinetic force.
IMDB: 7.6, RT Aud: 84%, RT Critics: 100%
Melding the celestial quest of the astronomers and the earthly one of the women, NOSTALGIA FOR THE LIGHT is a gorgeous, moving, and deeply personal odyssey..--(c) Icarus
IMDB: 7.5, RT Aud: 88%, RT Critics: 96%
Forsaking narrative structure for pure visceral power, Restrepo plunges viewers into the experiences of soldiers on the front lines of the Afghan War.
IMDB: 7.0, RT Aud: 71%, RT Critics: 93%
John McGill is a promising student at a tough Glasgow school who, despite a family background of alcoholism and abuse, looks set to sail into university and a bright future beyond.
IMDB: 7.5, RT Aud: 84%, RT Critics: 89%
Gripping, heartbreaking, and ultimately hopeful, Waiting for Superman is an impassioned indictment of the American school system from An Inconvenient Truth director Davis Guggenheim.
IMDB: 7.4, RT Aud: 82%, RT Critics: 91%
Penetrating Rivers' coarse image, this compelling documentary offers an honest, behind-the-scenes look at her career -- and at show business in general.
IMDB: 7.8, RT Aud: 91%, RT Critics: 93%
Passionate, angry, and insightful, The Tillman Story offers a revealing portrait of its subject's inspiring life and untimely death.
IMDB: 7.8, RT Aud: 86%, RT Critics: 85%
He became notorious for his graffiti art under the moniker Samo in the late 1970s on the Lower East Side scene, sold his first painting to Deborah Harry for $200, and became best friends with Andy Warhol.
IMDB: 7.6, RT Aud: 85%, RT Critics: 94%
Visually lush, refreshingly free of family-friendly clatter, and anchored with soulful depth, The Secret World of Arrietty lives up to Studio Ghibli's reputation.
IMDB: 7.3, RT Aud: 86%, RT Critics: 96%
A heartbreaking, haunting historical document, A Film Unfinished excavates particularly horrible chapter of Holocaust history, and in doing so, the film provides a glimpse into the Nazi propaganda machine.
IMDB: 8.0, RT Aud: 91%, RT Critics: 95%
An amusing, engrossing look at underground art, Exit Through the Gift Shop entertains as it deflates the myths and hype surrounding its subjects.
IMDB: 7.8, RT Aud: 87%, RT Critics: 80%
I SAW THE DEVIL is a shockingly violent and stunningly accomplished tale of murder and revenge from Korean genre master KIM Jee-woon (The Good, The Bad, The Weird and A Tale of Two Sisters).
IMDB: 7.2, RT Aud: 75%, RT Critics: 92%
Patient and restrained, Of Gods and Men asks deep, profound questions that will linger in the audience's mind long after the movie.
IMDB: 7.2, RT Aud: 71%, RT Critics: 71%
An art film to the max, Heartbeats intriguing and appealing premise is sometimes buried by director Xavier Dolan's filmmaking flourishes.
IMDB: 7.9, RT Aud: 92%, RT Critics: 98%
Suffused with happiness and modest charm, Bill Cunningham New York offers a touching, gently humorous portrait of its subject without invading his jealously guarded privacy.
IMDB: 7.8, RT Aud: 92%, RT Critics: 96%
Craig McCall's passionate film about the legendary cinematographer reveals a unique figure in British and international cinema.
IMDB: 7.4, RT Aud: 83%, RT Critics: 91%
This documentary feature takes an in-depth look at the rapid rise and dramatic fall of New York Governor Eliot Spitzer.
IMDB: 7.5, RT Aud: 81%, RT Critics: 90%
Director Janus Metz follows Danish soldiers fighting the Taliban in the Helmand province of southern Afghanistan with sophisticated visual artistry rarely achieved under such raw conditions.
IMDB: 8.3, RT Aud: 91%, RT Critics: 97%
Disheartening but essential viewing, Charles Ferguson's documentary explores the 2008 Global Financial Crisis with exemplary rigor.
IMDB: 7.2, RT Aud: 75%, RT Critics: 92%
Birth, death, and transformation are examined in Le Quattro Volte, a profound and often funny mediation on the cycles of life on earth.
IMDB: 7.4, RT Aud: 73%, RT Critics: 96%
Hauntingly filmed and brimming with Herzog's infectious enthusiasm, Cave of Forgotten Dreams is a fascinating triumph.
IMDB: 7.5, RT Aud: 82%, RT Critics: 71%
Sarah's Key is an absorbing, impeccably-acted Holocaust drama with minor plot issues.
IMDB: 7.0, RT Aud: 72%, RT Critics: 82%
A Cat in Paris depicts a stylish, imaginative world with a wonderful soundtrack and Hitchcockian overtones.
IMDB: 7.7, RT Aud: 87%, RT Critics: 91%
In a turbulent era of apartheid in South Africa; race riots in England and civil unrest in the Caribbean, the West Indian cricketers, led by the enigmatic Viv Richards, struck a defiant blow at the forces of white prejudice worldwide.
IMDB: 7.7, RT Aud: 84%, RT Critics: 90%
The film weaves together extemporaneous monologues featuring Fran Lebowitz with archival footage.The effect is a portrait of Fran's worldview and experiences.
IMDB: 7.0, RT Aud: 70%, RT Critics: 88%
Amiable, funny and sometimes insightful, The Trip works as both a showcase for the enduring chemistry between stars Steve Coogan and Rob Brydon and an unexpected perusal of men entering mid-life crises.
IMDB: 7.0, RT Aud: 71%, RT Critics: 82%
Trollhunter is a mockumentary with an appropriate level of creeping dread, but one that also benefits from generous helpings of dry wit.
IMDB: 8.2, RT Aud: 97%, RT Critics: 84%
The Two Escobars received its world premiere at the 2010 Tribeca Film Festival.


Features Requested in POP
The following are features that have been requested for POP
and that we are working on implementing. To request a new
feature, send e-mail to
<EMAIL_ADDRESS>Details of each requested feature
Title: Enable optional signal handling
- Submitted: 1999/07/28
- Projection: 08/20/1999
- Description: A mechanism for catching kill signals and
exiting gracefully (e.g. set stop_now=.true., call
output_driver to write restart and then call exit_POP
with an appropriate message). Because system calls
like "signal" and "flush" are different on different
machines, we will need to find a portable solution
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Title: Ability to spawn archival system process
- Submitted: 2000/03/14
- Projection: 06/01/2000
- Description: Implement the ability to spawn a system
process for transferring output to archival storage.
System calls are not portable so this must be abstracted
at some level.
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Title: Add units to diagnostic output
- Submitted: 2000/03/14
- Projection: 06/01/2000
- Description: Add units to diagnostic output, primarily
in output written to log file.
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Title: barotropic/global sum performance
- Submitted: 1999/03/11
- Projection: 06/01/2000
- Description: Improve scaling of barotropic solver.
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Title: addition of age tracer
- Submitted: 1999/04/29
- Projection: 06/01/2000
- Description: we need to have an age tracer available to monitor
ventilation times. this is probably the easiest passive tracer
to implement so should be a good template for other tracers (such
as biological fields).
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Title: create complete test suite
- Submitted: 1999/03/11
- Projection: 06/01/2000
- Description: Create a test suite to test various portions of
code for accuracy/consistency.
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Title: Finish drifter, current_meter, etc. modules
- Submitted: 1999/03/11
- Projection: 06/01/2000
- Description: Finish the modules related to data comparisons
(current_meters, hsections, etc.) and add the Lagrangian particle
capability.
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Title: run-time problem size
- Submitted: 1999/04/15
- Projection:
- Description: determine problem size at run time through namelist
input this applies both to imt_global, jmt_global, km and
nproc_x,nproc_y
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Title: MSF, BSF diagnostics
- Submitted: 1999/03/11
- Projection: 06/01/2000
- Description: Add capability for computing meridional
streamfunction, barotropic streamfunction. Inside POP or
post-process?
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Title: bottom boundary layer
- Submitted: 1999/03/11
- Projection: 06/01/2000
- Description: Add bottom boundary layer parameterization
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Title: replace lsqsl2 in state coeff calcs
- Submitted: 1999/04/06
- Projection:
- Description: state_mod contains a very old (Fortran 66), very
obscure least squares routine that really needs to be updated.
it has been cleaned up somewhat by removing some arithmetic ifs
and gotos, but a modern least squares routine should be used.
this of course depends on the earlier feature request for a
completely new eos
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Title: reproducible sums
- Submitted: 1999/03/11
- Projection: 06/01/2000
- Description: Create global sum routines that are give identical
answers regardless of processor configuration.
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