--- title: "Paralegal" permalink: /resources/professionals/paralegal/ layout: single --- {% for person in site.professionals_paralegal %} {{ person.title }}
{{ person.company }}


$def with(team) $ game = team.getGame() $ logs = team.getLogs(game.getLogs()) $var js = [] $var css = [] $var nav = [("/", u"比赛列表", False), ("/gameView?id_game=%d" % game.id, u"比赛", False), ("/teamView?id_team=%d" % team.id, u"队伍数据", True)]
| 姓名 | 出场 | 顺位 | 积分 | 总点 | 最后出场 | $for player in team.getUserNames(): $ pls = game.getLogsByUserName(player)|||||
|---|---|---|---|---|---|---|---|---|---|---|
| $player | $if pls:$len(pls) | $for log in pls: $log.getRanksByName(player) | $sum([log.getLogs_nameByUserName(player).getSC() for log in pls]) | $sum([log.getLogs_nameByUserName(player).score for log in pls]) | $date_str(pls[0].gameat) | $else:0 | 无 | 0 | 0 | 尚未出场 |
| 总计 | $len(logs) | $for log in logs: $log.getRanksByTeam(team) | $ SCSum = sum([log.getLogs_nameByTeam(team).getSC() for log in logs]) $ SCAddon = team.getAddonSCSum()$if SCAddon: $if SCAddon > 0: $(SCSum + SCAddon) $else: $(SCSum + SCAddon) $else: $SCSum | $sum([log.getLogs_nameByTeam(team).score for log in logs]) | $date_str(logs[0].gameat) |


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Jose Mourinho keen on Tottenham job if Mauricio Pochettino leaves
Jose Mourinho is keeping tabs on Mauricio Pochettino’s situation at Tottenham and would reportedly be keen on taking over at Spurs if the job becomes available.
The Portuguese coach has been out of work for almost a year since leaving Manchester United last December, though he is believed to be itching for a return to management.
Mourinho has been linked with a host of clubs and is rumoured to be Real Madrid president Florentino Perez’s preferred choice to take over from Zinedine Zidane if and when he goes.
However, according to The Sun, Mourinho has confided in friends that he would not necessarily accept Real’s advances while the possibility of taking over at Spurs exists.
The self-proclaimed Special One would be interested in talking to the club should they part ways with Pochettino, who is under increasing pressure after a poor start to the season.
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Spurs have not won a Premier League match since beating Southampton at the end of September and sit in 14th place, 11 points adrift of the top four.
Mourinho is believed to favour staying in the Premier League – and particularly London, where his family still live.
Offering an insight into how Mourinho will approach his search for a new job, Glen Johnson – who played under the Portuguese coach – told Express Sport: ‘Jose is sitting in the shadows at the moment.
‘He’s being patient and things change so quickly in football where a job that seems secure now, might not be in two months’ time.
‘Arsenal and Tottenham are the two places where the doors could be open sooner but I don’t think I could see him at Arsenal.
‘He’ll wait for it to unfold over Christmas and perhaps he’ll cherry-pick after that. But I don’t think he’s the type to rush and get a job just for the sake of getting one.’


--- layout: post title: places photography served date: '2010-02-06T09:15:38+00:00' tags: [] tumblr_url: http://backlog.robbevan.com/post/373876135/places-photography-served ---
Places :: Photography Served


Department of Construction Management
GPA：88/100 | Rank：5/28
Second Degree
School of Economics and Management
GPA：87/100
Global Leadership Development Program
Social Work Excellence Award
Social Practice Excellence Award
Volunteer Service Excellence Award
Arts Excellence Award
108|R29,L28,S26,W25
325|V155,Q170


Security domain ?
Security domain will let you create clients, register users and manage identity providers to provide centralize authentication, authorization and user management.
Security domain will let you create clients, register users and manage identity providers to provide centralize authentication, authorization and user management.


There's another way round the world. This blog recounts stories with a strong emphasis on independent travel, connecting with locals, and avoiding the normal.
Hitchhiking, urban camping, and exploring the unknown are not only for the adventurous traveler: anyone can travel the other way round.


Preparation time
30 mins to 1 hour
Cooking time
10 to 30 mins
Serves
Serves 4
Dietary
Preheat the oven 230C/450F/Gas 8. Brush a baking sheet generously with olive oil.
For the soda bread, sift the plain flour and the bicarbonate of soda into a big bowl. Add the salt, and mix with your hands. Make a well in the centre of the flour mix, pour in most of the buttermilk, and with one hand stiff and your fingers spread out like a claw, start mixing in a full circle once the butter milk has gone in.
Keep mixing like this until you have a soft dough. Do not knead it but work it very gently to bring it together.
Transfer to a floured surface, and roll it out to about 35x20cm/14x8in and transfer it to the oiled tray.
Brush the top of the dough with some more oil and sprinkle with a little sea salt. Transfer to the oven and cook for ten minutes. Then turn the oven down to 200C/400F/Gas 6 and cook for a further 8-12 minutes until cooked. When cooked, it should feel firm in the centre and be golden brown.
Transfer the soda bread from the oven to a wire rack and cool for a couple of minutes, then cut it into squares to serve.
Meanwhile for the soup, melt the butter in a heavy saucepan over a medium heat. When it foams, add the potatoes and onions and toss them in the butter until evenly coated. Season with salt and freshly ground pepper.
Cover with a circle of baking paper (to keep in the steam) and the saucepan lid, and sweat over a gentle heat for about ten minutes, until the vegetables are soft but not coloured.
Remove the paper lid. Add the celeriac and chicken stock, bring to the boil, reduce the heat and simmer for 8-10 minutes, until the celeriac is soft.
Liquidise the soup using a hand blender, adding a little more stock, milk (or cream) to thin to the required consistency. Season to taste with salt and freshly ground black pepper.
Serve the soup piping hot in a bowl with a scattering of chopped hazelnuts, and a little chopped parsley to garnish, accompanied by slices of soda bread.


§486-30 Forgery; penalties. Any person who shall forge any official device, seal, or mark, shall be guilty of a misdemeanor. [L 1988, c 156, pt of §3; am L 1991, c 153, §16]


Video Analytics API: Reference Implementation (HTML5)
P
More info. about media events in html5 players can be found at
the w3c


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--- title: Last Chance for Daylilies date: 2008-08-05 00:00:00 -06:00 categories: - whats-blooming layout: post blog-banner: whats-blooming-now-summer.jpg post-date: August 5, 2008 post-time: 3:00 PM blog-image: wbn-default.jpg ---
If your only purpose for visiting Red Butte Garden every year is to see our wonderful daylily collection, this week will probably be your last chance to see them.
The best places to see a great variety of daylilies is in the Water Pavillion Garden by the mother moose sculpture, around the water pavillion itself, and along the Floral Walk by the pear arbors.
Check out these beautiful cultivars.
Hemerocallis 'Brocaded Gown'
Hemerocallis 'Charles Johnston'
Hemerocallis 'Gun Metal'
Hemerocallis 'Helaman'
Hemerocallis 'Irving Shulman'
Hemerocallis 'Kelly Ann'
Hemerocallis 'Lemon Lullaby'
Hemerocallis 'Mormon Halo'
Hemerocallis 'Paper Butterfly'
Hemerocallis 'Rainbow Mix'
Hemerocallis 'Zarahemla'


B.C. to more than double sales tax on vaping products - Barriere Star Journal
by Tom FletcherTax up from 7 to 20 per cent, tobacco tax up two cents
B.C.’s sales tax on vaping products will soon jump from seven per cent to 20 as part of the province’s effort to discourage young people from using nicotine products.
Finance Minister Carole James introduced amendments Tuesday to sales tax legislation and also the province’s Tobacco Tax Act, which will add another two cents per cigarette or gram of tobacco to the cost.
“I’m proud to say that British Columbia is the first province with legislation coming forward to specifically target vaping using its tax system,” James told the legislature. “Bill 45 complements the minister of health’s efforts as part of the recently announced vaping action plan to reduce the incidence of vaping among our province’s youth, and it also responds to products that impose significant health costs borne by all taxpayers in British Columbia.”
Health Minister Adrian Dix announced regulations last week that will limit the amount of nicotine in vaping fluid to 20 milligrams per millilitre, similar to the United Kingdom’s rules. The regulations also restrict where candy or fruit-flavoured vape products can be sold, as all vaping materials are legal only for those aged 19 and over.
RELATED: B.C. to restrict nicotine content in vape products
RELATED: Canada monitors U.S. vaping illness breakthrough
The sales tax hike for vaping products is expected to bring in $2.5 million additional revenue during the rest of this fiscal year, ending in March, and $10 million next fiscal year.


If you are a Tufts student who would like to become a teacher in the Teach in Cores club at Tufts, please email<EMAIL_ADDRESS>Monday - Friday 9am - 5pm
Saturday 10am - 3pm
Lunes a Viernes a los 9:00-17:00
Los Sábados 10:00-15:00


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@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import play.api.i18n.Messages @import play.api.mvc.Request @import uk.gov.hmrc.cgtpropertydisposalsfrontend.models.UserType @this( layout: uk.gov.hmrc.cgtpropertydisposalsfrontend.views.html.Layout ) @( userType: Option[UserType], pageTitle: String, heading: String, message: String, extraMessage: Option[String] = None )(implicit messages: Messages, request: Request[_] ) @layout(pageTitle) {
@message
@extraMessage.map{m =>@m
} }


TWTC Conference Nov. 21, 2014
Through activism and successful legislation, barriers in the physical world have slowly disappeared. In the case of this Apple Store in New York, the elevator, an accessibility feature, is the centre of the store's design.
Users employ a diverse range of hardware and software, assistive technologies, to navigate the digital world.
The hardware and software can be highly customized or the same technology that everyone uses, but perhaps used in a different way. People with disabilities are extremely innovative at overcoming barriers and have in fact pushed technological change that benefits everyone. In fact, considering the three personas below, really how can we say they are disabled?
Personas are from rosenfeldmedia.com
A mismatch between the user and the user interface.
user + barrier = disability
The ability of the system to accommodate the needs of the user.
Designing websites (course sites) to accommodate the needs of the user
by ensuring the websites present no barriers.
When we take the responsibility or label of disability off the person and put it on the design, we suddenly see accessibility as an essential part of the design process and design thinking.
It has 4 main principles are:
users must be able to perceive the information being presented (it can't be invisible to all of their senses). They need to be able to see it, hear it or feel it.
users must be able to operate the interface (the interface cannot require interaction that a user cannot perform). A user should be able navigate content or fill in a form with the keyboard alone. Operating a mouse cannot be the only option.
users must be able to understand the information as well as the operation of the user interface (the content or operation cannot be beyond their understanding). Content should be at the reading level of the audience
users must be able to access the content as technologies advance (as technologies and user agents evolve, the content should remain accessible). Building to an accessible standard helps future proof your web content or web site.
WCAG 2.0 (W3C 2008).
I break it down into something I can understand. Types of content and design choices. Each of these is a potential barrier or stair.
And then for each stair I visualize the techniques needed to make that content accessible as a ramp.
As we make our way up the staircase, the elements become more complex, thus requiring more awareness, skills and resources to build in the virtual ramp.
Let's learn how to make our user online content accommodate our users regardless of ability or disability. Let's build in the virtual ramp.
Electronic text is accessible by nature because it can rendered into 3 sensory modes. It can be read as visual text, read aloud as sound and transformed into other formats such as braille. A system can even transform text into images or simpler language.
doctype
, charset
and a page title
Demo: Colleen Connor @ Blind Inspiration Cast 04:56 - 6:53
Navigation, links & landmarks, like stepping stones, take you places and help you find your way. They not only need to look distinctive, they need to sound distinctive. The importance of accessible navigational elements cannot be under estimated they are the foundation of the internet.
Demo links the tourism website and Léonie Watson demos WAI-ARIA landmarks.
Images are not text. A meaningful text alternative is required.
alt
attribute)
Work the development of alternative text into the design process.
alt
textComposing alt
text is not as easy as you think, and is not always necessary. A blank alt
attribute is appropriate in certain circumstances. Leaving the writing of alternative text to your web developers is not a bullet proof plan.
As we make our way up the steps, elements become more complex, and require more skill and resources to make them accessible. Just by their function and purpose, tables and forms are complex structures. To reduce complexity, these elements should be kept as simple as possible.
caption, thead, tboody, tfoot, th, td
Forms are where interaction takes place. Many things can go wrong. Our goal is successful completion. Determine data requirements, form flow & error handling first, and look at building:
legend, fieldset, optgroup
Gamification of learning activities is very popular in online education. Interactive layouts designed for online engagement are also popular. As we introduce these dynamic feature we have to be careful to not introduce barriers.
Up until now, we have been focusing on HTML and structure. Now we will turn our attention to how design choices can make the difference between accessible pages or pages with barriers.
People see colour differently, so choose colours wisely.
Using open standards together with web industry best practices gives you the biggest return on your design investment.
Like images, audio and video (multimedia content) are not text, thus text-based alternatives must be provided.
HTML is the native content type for the web. Thus, the natural choice; however, other document types do exist and find themselves on the web. PDF is the most common.
What to do with PDF and other formats?
Problem: none of this happens automatically in PDF. You need access to the source document and a lot of patience.
Léonie Watson is a digital accessibility consultant at the Paciello Group. Here's her 4 minute lightening talk that challenges us all, in my opinion, (not just the W3C) to put accessibility into everything we do and to...
Retrieved from Design like we give a damn! Accessibility @W3C Posted on Wednesday, 12 November 2014 by Steve Faulkner.
When we design like we give a damn, the user-interface can accommodate the needs of the user.
Accessibility
- 8.1 [...] employs accessible technologies and guidance on how to obtain accommodation.
- 8.2 [...] contains accessible equivalent alternatives to auditory and visual content.
- 8.3 [...] design facilitates readability and minimizes distractions.
- 8.4 [...] design accommodates the use of assistive technologies.
/


A username is requiredA minimal length for a password is 3A maximal length for a password is 24An e-mail should contain '@'A password is requiredA minimal length for a password is 8A maximal length for a password is 64
Please type the same password twice
A password verification is requiredA minimal length for a password is 8A maximal length for a password is 64


In Community Mode, the server provide functions to create ant store clusters of users and itemsets. The item sets are clusters of features and the cluster of the users are user communities. There can be a set of different algorithms of clustering for user communities and feature groups


{{left_sidebar_enabled,right_sidebar_enabled=False,True}} {{extend 'layout.html'}}
The system has been successfully initialised.
You should now edit the subject description here.


This is a form about what you like best about web development
What language would you like to learn next?


Installation
Linux / MacOS
Conda installation:
mamba install fegrow -c conda-forge
To use the latest git version, download the code and use the provided environment file env.yml. We recommend using Mambaforge (https://github.com/conda-forge/miniforge#mambaforge) which is a flavour of conda. Conda struggles with resolving the environment.
git clone https://github.com/cole-group/FEgrow.git
cd FEgrow
mamba env create -f env.yml
conda activate fegrow
pip install . # the repository directory
In order to ensure that the environment is available in your jupyter, you can then use:
python -m ipykernel install --user --name=fegrow
WARNING: Gnina stage is not supported on MacOS because of CUDA’s incompatibility with MacOS’s GPUs (the relevant issue)
Windows
We have not verified whether this toolkit works on Windows and we expect issues with the dependancy openmm-torch.


AVS/Express Flag simulation from the XP_DEMO suite, in 3D Wind Field, with Analysis or Textures applied.
module FlagRaw <src_file="flag.c"> { FlagParams+IPort2 &FlagParams; int+read+notify+req count => FlagParams.count; int+read+notify+req reset => FlagParams.reset; int+read+notify+req flag_motion => FlagParams.flag_motion; int+read+notify+req flag_color => FlagParams.flag_color; int+read+notify+req release_top => FlagParams.release_top; int+read+notify+req release_bottom => FlagParams.release_bottom; float+read+notify+req flag_wind_1 => FlagParams.flag_wind_1; float+read+notify+req flag_wind_2 => FlagParams.flag_wind_2; float+read+notify+req flag_strength => FlagParams.flag_strength; int+nonotify traverse = 0; omethod+notify_val+notify_inst update = "flag_demo"; omethod+notify_del delete = "flag_demo_del"; Mesh_Struct+Dim2+Space3+Node_Data+Oparam out; };
The Flag demo application is a running physical simulation. Over the 2D mesh of the flag, gravity, friction, wind force, and elasticity constraints are simulated. Optional controls allow two corner points to be constrained (tied) to a flag pole. Using the File-Open, you can select alternate flag images to use to color the flag. To view simulation parameters, Velocity Tricolor, Force Tricolor, and Force Magnitude modes can be selected. The raw mesh field data is available in the network, such that other visualization tools could be added, such as force magnitude contours, normal vector glyphs, etc. The simulation will run forever, and can be started using the Run/Pause control button. The flag strength control controls material strength parameter during the simulation.
&FlagRawParams
Reference to the parameter block, which contains real instances of:
count
Trigger to calculate next frame of simulation.
reset
Reset the flag to it's original starting place.
flag_motion
(Always set to 1).
flag_color
Select the colour mode for flag.
release_top
Trigger to allow top-left corner to be released from its tie.
release_bottom
Trigger to allow bottom-left corner to be released from its tie.
flag_wind_1
First part of wind velocity vector.
flag_wind_2
Second part of wind velocity vector.
flag_strength
Flag material strength.
out
Output mesh and data of the flag in its current state.
The FlagRaw module is used in the functional macro Flag, and the user macro flag along with the UI macro FlagUI.
An example application FlagEg is provided, which demonstrates the flag simulation with two image textures available.
xp_comm_proj/flag/flagmods.v contains the FlagParams group and the FlagRaw module V definitions.
The low-level FlagMods library containing the module FlagRaw does not specify a process. By default the express process will be used.
The simulation will sometimes pause - pressing reset will restart the simulation successfully.
Ian Curington - AVS
Paul G. Lever Andrew Dodd
FlagParams, FlagUI, Flag, and flag.


In the period of week 3 to week 7, we don’t really have a team leader because the changed project is easy and every one believes they understand their role. Kate manage and follow each one’s work at the project meeting. However, we got few achievement after four weeks. The feedme project goes in troubles. People do their work individually. The components developed by us are totally not work when put them together. The plan has no detail and is not executable. Because of lacking experience, the project goes in troubles.
To make the project well planed and managed, I take the position of team leader to pull and push the project forward. The Trello helps me a lot to make and execute the plan. Following the system design, I decompose services into specific tasks with detail description. To let team member really understand their tasks, I keep talking them all the time. And I demonstrate to my team member about how their tasks contribute to the whole project. That is really a tough work.
Moreover, I have to think forward of the project and generate new tasks to assign them to team members. My routine job is to push every one work forward, pull their work to right direction, and adjust their work effort by estimating their work abilities.
This experience teaches me a lot on managing a team. Especially, when the members of team comes from my classmate and they are weak on programing, database and Linux etc. skills.


An adaptation of the Disney fairy tale about a monstrous-looking prince and a young woman who fall in love.
Get Event TicketIn the near future, a weary Logan cares for an ailing Professor X in a hide out on the Mexican border. But Logan's attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces.
Get TicketA team of explorers and soldiers travel to an uncharted island in the Pacific, unaware that they are crossing into the domain of monsters, including the mythic Kong.
Get Event TicketA team of explorers and soldiers travel to an uncharted island in the Pacific, unaware that they are crossing into the domain of monsters, including the mythic Kong.
Get Event TicketA team of explorers and soldiers travel to an uncharted island in the Pacific, unaware that they are crossing into the domain of monsters, including the mythic Kong.
Get Event Ticket


Regular Table
| Name |
Email |
Address |
| John |
<EMAIL_ADDRESS>|
London, UK |
| Andy |
andygmail.com |
Merseyside, UK |
| Frank |
<EMAIL_ADDRESS>|
Southampton, UK |
Bordered Table
| Name |
Email |
Address |
| John |
<EMAIL_ADDRESS>|
London, UK |
| Andy |
andygmail.com |
Merseyside, UK |
| Frank |
<EMAIL_ADDRESS>|
Southampton, UK |
Striped Table
| Name |
Email |
Address |
| John |
<EMAIL_ADDRESS>|
London, UK |
| Andy |
andygmail.com |
Merseyside, UK |
| Frank |
<EMAIL_ADDRESS>|
Southampton, UK |
Hover Table
| Name |
Email |
Address |
| John |
<EMAIL_ADDRESS>|
London, UK |
| Andy |
andygmail.com |
Merseyside, UK |
| Frank |
<EMAIL_ADDRESS>|
Southampton, UK |
Condensed Table
| Name |
Email |
Address |
| John |
<EMAIL_ADDRESS>|
London, UK |
| Andy |
andygmail.com |
Merseyside, UK |
| Frank |
<EMAIL_ADDRESS>|
Southampton, UK |
Condensed, Bordered, Striped Table
| Name |
Email |
Address |
| John |
<EMAIL_ADDRESS>|
London, UK |
| Andy |
andygmail.com |
Merseyside, UK |
| Frank |
<EMAIL_ADDRESS>|
Southampton, UK |


THE LONG WAY HOME A film review by Steve Rhodes Copyright 1998 Steve Rhodes RATING (0 TO ****): *** 1/2
Documentaries about the Holocaust: You know the story. Been there done, done that. Seen 'em all. Don't need to see any more.
Wrong.
Although the lessons to be learned from one of the greatest tragedies in human history are so crucial that repeat viewings of old Holocaust films should be required, THE LONG WAY HOME is a documentary filled with archival footage that you most likely have never seen before. Telling the rarely told story of the immediate aftermath of the mass destruction of the Jewish people, the new film by Mark Jonathan Harris presents us with tragedies of which most of us are relatively ignorant. Albeit not on the level of genocide, the incidents are gut wrenching.
With its opening scenes in modern-day Europe, the film shows a picture postcard village that is bursting with a dazzling array of colorful flowers. From this serenity we cut to a bleak, black-and-white picture of the same town when it housed one of Hitler's death camps. The body of the film, which spans the time from the liberation of the Nazi concentration camps in 1945 to the establishment of the state of Israel in 1948, tells the story of one of the "largest illegal migrations in history," as the Jews migrated across and out of the war-ravaged continent. They were supposed to stay put, but they didn't.
The strength of the film lies in the footage that Harris was able to assemble and the stars he signed up to read from the diaries and letters of the time. Morgan Freeman narrates and the readers include Edward Asner, Martin Landau, David Paymer, Helen Slater and Michael York. The documentary composition breaks no new ground, following the traditional structure using historical moving and still images with star-powered voice-overs interspersed with contemporary talking heads.
The Academy Award winner last year in a strong year for documentaries (WACO: THE RULES OF ENGAGEMENT, FAST CHEAP & OUT OF CONTROL and RIDING THE RAILS), THE LONG WAY HOME wasn't the best documentary of the year, but it certainly was one of the best. Guaranteed to move your mind and heart, the film does what documentaries are intended to do, bring to you material that you're not likely to see otherwise.
As the American soldiers liberate the camps, they look in disgust at the walking skeletons behind the barbed wire. The soldiers quickly go from staring to vomiting. This causes the ex-prisoners to turn their backs on their liberators. As the famished internees scarf down their food, it becomes too much for them. Unable to stop ingesting, many rupture their stomachs.
Once out of the concentration camps, they are incarcerated again by the Allies into displacement camps. Literal pigsties, these camps have similar conditions to the concentration camps, with the only discernable difference being the lack of gas chambers.
The non-Jewish Europeans are surprised to find they have any Jewish people left among them. "We were hated because we were returned from the dead," complains one of the Jewish survivors. Filled with self-hate, the survivors cannot understand why they lived while their families and friends perished. "Why am I alive?" asks one woman. "I don't know. Maybe this is a punishment."
Stuck in the displacement camps, the Jews resent the treatment given their old oppressors. "It is better to be a conquered German than a liberated Jew," one of the "displaced" men concludes.
Determined to flee their conditions at all costs, the "liberated" Jews migrate illegally across closed borders on their way to a country they could call home. Using cartons of cigarettes as the universal currency of bribery, they move slowly through inhospitable terrain. Climbing mountains and slogging through deep snow, they make their way out.
The rest of the film concentrates on the establishment of the Jewish homeland in Israel. Telling the Jewish side of the story, the movie shows the British, who controlled Palestine at the time, holding a strict lid on Jewish immigration. Eventually the logjam is broken, and Jews flow into the area, where in 1948 their new homeland is officially recognized.
The movie briefly considers the Jews who left Europe to come to America to join their relatives. Once they arrived, they found that their relatives didn't quite believe what had happened to them, and most wanted to hear nothing about it. "You live in American now -- the past is the past," was a typical refrain.
The fascinating but chilling film ends as it began with another burst of color. This time it is at a peaceful looking seaside resort in Israel. But if you look closer, you'll see young men and women in Army fatigues carrying submachine guns -- Israeli built Uzi's.
THE LONG WAY HOME runs 2:00. It is not rated but would probably be PG-13 for war images and would be fine for kids around 12 and up.
Email<EMAIL_ADDRESS>Web: www.InternetReviews.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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belongs to the author.
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Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


BloodyMary
BloodyMary
is a stripped down version of Tempura. It is a one-directional MVVM inspired framework that helps you write clean code and seperate the responsabilities properly.
BloodyMary
has its own custom navigation system layer that works on top on Apple’s native navigation system so none of the Apple magic is lost. BloodyMary
‘s navigation system can work next to Apple’s way with no problem what so ever.
BloodyMary
’s navigation system aims to help you write the least code needed to get the most out of your app. You provide the SDK with the routes identifiers and their respective view controllers, and BloodyMary does the rest. From instantiating the correct VC to properly pushing it or presenting it etc..
The show
and hide
functions are done on a single queue in a synchronous way.
The 1.3.x
is the version containing the navigation system, currently being used on different WiseEmotions
libraries and Telepass
iOS app.
RoadMap
- [x] Custom Navigation System
- [ ] Integrate Combine
1. Requirements and Compatibility
| Swift | BloodyMary | iOS |
|---|---|---|
| 5.1+ | 1.0.x | 10+ |
| 5.1+ | 1.1.x | 10+ |
| 5.1+ | 1.2.x | 10+ |
| 5.1+ | 1.3.x | 10+ |
2. Installation
Cocoapods
Add the following line to your Podfile
pod 'BloodyMary' ~> '1.3.1'
3. Documentation
BloodyMary
is fully documented. Checkout the documentation here.
4. Code Example
The one directional MVVM
struct RemindersListViewModel: BMViewModel {
var reminders: [Models.Reminders]
func shouReloadData(oldModel model: RemindersListViewModel) -> Bool {
model.reminders.count != self.reminders.count
}
}
class RemindersListView: BMViewWithViewControllerAndViewModel {
[...]
func update(oldModel: RemindersListViewModel?) {
guard let model = self.viewModel else { return }
if model.shouReloadData(oldModel: oldModel) {
self.tableView.reloadData()
}
}
[...]
}
class RemindersListViewController: BMViewController {
func setupInteractions() {
self.rootView.didTapDeleteButton = { [weak self] index in
guard let self = self, let model = self.viewModel else { return }
let newReminders = model.reminders.remove(at: index)
let newViewModel = RemindersListViewModel(reminders: newReminders)
self.update(to: newViewModel)
}
}
}
The Navigation System
Providing the configuration for the router
import BloodyMary
struct DependenciesContainer: RoutingConfigurationProvider {
// prevent it from being instantiated.
private init() {}
static var shared = DependenciesContainer()
var screensAndDestinations: [ScreenIdentifier : RoutableViewController.Type] {
[
"green": GreenViewController.self,
"red": RedViewController.self
]
}
lazy var router: Router = Router(with: self)
}
Installing the root
import UIKit
import BloodyMary
@UIApplicationMain
class AppDelegate: UIResponder, UIApplicationDelegate {
var window: UIWindow?
func application(_ application: UIApplication, didFinishLaunchingWithOptions launchOptions: [UIApplication.LaunchOptionsKey: Any]?) -> Bool {
self.window = self.window ?? UIWindow(frame: UIScreen.main.bounds)
guard let window = self.window else {
return false
}
let redVC = RedViewController()
let redVM = RedViewModel()
redVC.viewModel = whiteVM
DependenciesContainer.shared.router.installRoot(using: greenViewController, in: window)
return true
}
}
Navigating from a view to another
class RedViewController: BMViewController<RedView>, Routable {
func assign(model: Any) -> Bool {
guard let model = model as? RedViewModel else {
return false
}
self.viewModel = model
return true
}
static var screenIdentifier: ScreenIdentifier {
"red"
}
override func setupInteractions() {
super.setupInteractions()
self.rootView.didTapButton = { _ in
let greenRoutableObject = RoutableObject(
screenIdentifier: GreenViewController.screenIdentifier,
viewModel: GreenViewModel(),
navigationStyle: .modal(),
animated: false
)
DependenciesContainer.shared.router.show(
routableElements: greenRoutableObject, completion: nil)
}
}
}
5. Contribution
Working on your first Pull Request? You can learn how from this free series How to Contribute to an Open Source Project on GitHub
Generate the project
To generate this project locally, you need xcodegen. It is a great tool to customize a project and generate it on the go.
You can either install it manually following their steps, or just run my setup.sh
script. It automatically installs Homebrew if it is missing, installs xcodegen
, removes existing (if present) .xcodeproj
, run xcodegen
and moves configuratiom files to their appropriate place.


This is a paragraph. Notice the button below stays where it was when the paragraph disappears. To make it move up, more hand coding would be required.
I'm a different paragraph. Watch me disappear!!!


All Artists
Solo Thesis Exhibition Images
Kyoko Fischer
Kyoko Fischer
Sashiko: On Paper, 2019
Lithography, intaglio, paper thread
48 x 90 in
Kyoko Fischer
Sashiko: On Paper, 2019
Lithography, intaglio, paper thread
48 x 90 in
Kyoko Fischer
Sashiko: On Paper, 2019
Lithography, intaglio, paper thread
48 x 90 in
Kyoko Fischer
Sashiko: On Paper, 2019
Lithography, intaglio, paper thread
48 x 90 in
Kyoko Fishcer
Sashiko: On Paper, 2019
Lithography, intaglio, paper thread
48 x 90 in
Omar Harb
Omar Harb
Still Life with Ham, 2021
Oil on Linen
20 x 24in
Omar Harb
Girl in Blue, 2021
Oil on Canvas
20 x 24 in
Omar Harb
Girl with Perennial, 2021,
Oil on Canvas
30 x 48 in
Omar Harb
Girl with Stripes, 2021
Oil on Canvas
30 x 48 in
Omar Harb
Self Portrait in front of Thrift Store Painting, 2021
Oil on Board
20 x 24 in
Omar Harb
Self Portrait with Brown Jacket, 2021
Oil on Board
16 x 20 in
Omar Harb
Still Life with Flowers, 2021
Oil on Linen
20 x 24 in
Omar Harb
Still Life with Pork Butt, 2021
Oil on Linen
20 x 24 in
Megan Moriarty
placeholder (link to image list not viewable)
placeholder (link to image list not viewable)
placeholder (link to image list not viewable)
placeholder (link to image list not viewable)
placeholder (link to image list not viewable)
placeholder (link to image list not viewable)
placeholder (link to image list not viewable)
placeholder (link to image list not viewable)
placeholder (link to image list not viewable)
Lacey Nein
Lacey Nein
I’ll Remember This Moment Forever: Objects, 2021
Digital print on muslin fabric, stitched onto muslin.
36 x 60 in
Lacey Nein
I’ll Remember This Moment Forever: Objects, 2021
Digital print on muslin fabric, stitched onto muslin.
36 x 60 in
Lacey Nein
I’ll Remember This Moment Forever: Objects, 2021
Digital print on muslin fabric, stitched onto muslin.
36 x 60 in
Lacey Nein
I’ll Remember This Moment Forever: Self, 2021
Projection
60 x 72 in
Lacey Nein
I’ll Remember This Moment Forever: Self, 2021
Projection
60 x 72 in
Lacey Nein
I’ll Remember This Moment Forever: Infant, 2021
Digital print on muslin fabric, stitched onto muslin.
24 x 36 in
Lacey Nein
I’ll Remember This Moment Forever: Infant, 2021
Digital print on muslin fabric, stitched onto muslin.
24 x 36 in
Lacey Nein
I’ll Remember This Moment Forever: Infant, 2021
Digital print on muslin fabric, stitched onto muslin.
24 x 36 in
Lacey Nein
I’ll Remember This Moment Forever, 2021
Digital print on muslin fabric, stitched onto muslin. Projection.
Alana Rios
Alana Rios
Superbloom, 2020
Hand-cut archival inkjet prints
54 x 180 x 18 in
Alana Rios
Cut Flowers #1, #2, #3, #4, 2020
Hand-cut archival inkjet prints, cellophane bags, pegboard, drywall, acrylic box
(4) 7.5 x 7.5 x 11.75 in
Alana Rios
Cut Flowers #2, 2020
Hand-cut archival inkjet prints, cellophane bags, pegboard, drywall, acrylic box
7.5 x 7.5 x 11.75 in
Alana Rios
Postcard Stand, 2020
Rotating postcard stand, 4 editions of double-sided, 5x7 postcards of images of Cut Flowers
20 x 66 x 17.5 in
Alana Rios
Superbloom (detail), 2020
Hand-cut archival inkjet prints
54 x 180 x 18 in
Alana Rios, Installation View
Superbloom (left), Calendar Project (center), Vista Point Project (beyond curtain on right), Fake Rock Bean Bag Chairs (Left:Lichen covered boulder from Pinnacles NP, Right with sitter: Monzogranite boulder from Joshua Tree NP)
Thesis Exhibition: Postpicturesque, Fall 2020
Jo Farb Hernandez Gallery
Alana Rios, Installation View
Vista Point Project: Overview: Lake Herman Vista Point and Fake Rock Bean Bag Chair, 2020
E-6 Slide show, 80 slides
Jo Farb Hernandez Gallery
Alana Rios
The Calendar Project, 2020
Archival Inkjet Prints
(10) 16 x 20 in
Alana Rios
March in the Kitchen, 2020
Archival Inkjet Print
16 x 20 in
Kiki Wu
UGLYKIKI (Kiki Wu)
The Release 無量 | Dedicators, 2021
3D render.
3000 x 1500 px
UGLYKIKI (Kiki Wu)
The Release 無量 | Dedicators (Close-up), 2021
3D render.
2668 x 1500 px
UGLYKIKI (Kiki Wu)
The Release 無量 | Collective Consciousness, 2021
Single Channel HD video (screenshot)
Video Available: https://youtube.com/playlist?list=PLh3T8YJCbyBs7a2mR2Ty3izUc6s-0r8BH
UGLYKIKI (Kiki Wu)
The Release 無量 | Ceremony, 2021
Screenshot of virtual installation.
Installation Available: https://newart.city/show/therelease
UGLYKIKI (Kiki Wu)
The Release 無量 | Ceremony, 2021
Screenshot of virtual installation.
Installation Available: https://newart.city/show/therelease
UGLYKIKI (Kiki Wu)
The Release 無量 | Ceremony, 2021
Screenshot of virtual installation.
Installation Available: https://newart.city/show/therelease
UGLYKIKI (Kiki Wu)
The Release 無量 | Ceremony, 2021
Screenshot of virtual installation.
Installation Available: https://newart.city/show/therelease
UGLYKIKI (Kiki Wu)
The Release 無量 | Ceremony, 2021
Screenshot of virtual installation.
Installation Available: https://newart.city/show/therelease


 The story is [humorously] told through flashbacks and interviews with Orton's agent and relatives. The sixteen years from the time Orton meets Halliwell to the time Halliwell bludgeons Orton to death are basically scenes from a failed marriage. The frankness of the movie was touching although it might disturb prudish viewers. I would rate it a +3 on the -4 to +4 scale.
Frears begins the movie with the murder-suicide, which makes the viewer wonder about the causes of the tragedy. The events which follow, though hilariously funny at times, are always shadowed by the knowledge that they are contributing to the couple's doom. I was reminded of a movie called DANCE WITH A STRANGER about Ruth Ellis, the last woman to be hanged in Britain. She shot her boyfriend, played by dashing Rupert Everett, after a sordid and destructive affair. In both movies, the audience knows that a human time bomb is ticking away but is helpless to defuse it.
 Peggy is played by Vanessa Redgrave with a coolly satirical attitude. My favorite line from the movie is spoken by Peggy as Orton's sister is mixing his ashes with that of Halliwell. The sister was fretting over the exact proportion of the men's ashes that should be mixed in the urn. Peggy calmly says to her "It's a *gesture*, Dear, not a recipe." Joe Orton is played by Gary Oldman and Kenneth Halliwell by Alfred Molina. Both performances were unforgettable. Oldman's wickedly charismatic smile, when photographed in shadow, mixed innocent boyish features with irresistible sexual appeal: half satyr and half angel. As he is watching the Queen's coronation on TV with his new roommate, Halliwell reaches over and stroked Orton's thigh for the first time. Orton quietly says "This is a new experience for me..........television" and grins rogueishly. :-) Molina was perfect as the frustrated and neglected "wife". Just before the murder, he looks at himself in the mirror, rubs his bald head and says "I'm an only child. I was an orphan at 18. Bald by 20. I'm a homosexual. It's all the right ingredients for an artist. So why is *HE* the success!!!" After he bludgeons his lover with the hammer, he notices the award for the Best Play of the Year (a human statuette) on the desk. He picks it up and said "I should have hit him with this--more theatrical." :-)
The heart of the movie is about the gradual decline of a marriage as one partner achieves fame and the other is left in drudgery and obscurity. Sadly, it was Halliwell who was the bright young star when they began their relationship. However, near the end, Orton was the acclaimed one and was getting a job offer from the Beatles. Orton did not share the spotlight with Halliwell.  Perhaps Orton was selfish (actually, he did seem to be quite selfish). Halliwell suffered in neglect and abuse and ... he blew up.
There are many more wonderful details in this tragic story which I recommend highly to anyone who enjoys black comedies. I believe that this movie is Stephen Frears best (of his works that I have seen).
Thuan Nguyen ...ucbvax!sim!thuan
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


From: Mrs.Suha Aisha Arafat<EMAIL_ADDRESS>Greetings from Palestine, I am sorry to disturb your peace as I konw you are not expecting to hear from some one like me. You will be compelled to help me once you have heard what I have to say to you. I am Mrs. SUHA ARAFAT, the wife of YASSER ARAFAT, the Palestinian leader who died recently in Paris. You must have heard over the media reports and the Internet on the discovery of some fund in my husband secret bank accounts and companies and the allegations of some huge sums of money deposited by my husband in my name of which I have refuses to disclose or give up to the corrupt Palestine Government. In fact, the total sum allegedly discovered by the Government so far is about $6.5 Billion Dollars. Please visit the BBC news broadcast below for better understanding of what I am talking about; http://news.bbc.co.uk/1/hi/world/middle_east/3479937.stm http://news.bbc.co.uk/1/hi/world/middle_east/3995769.stm I have deposited the sum of 32 million dollars with a private security firm abroad whose name is withheld for now until we open communication the reason why I deposited this.32 million dollars to a security company was because every transfer that goes into my bank account has being monitored by the government. I shall be grateful if you could receive this fund into your bank account for safekeeping and any Investment opportunity. This arrangement is known to you and my personal Attorney. He might be dealing with you directly for security reasons as the case may be. In addition, please note that there will be no risky of any kind from your part as every arrangement for smoothly transfer has being made by my legal adviser. If you are willing to assist me, we will have to negotiate on your Percentage share of the $32,000,000 that will be kept in your position for a while and invested in your name pending when my Daughter, Zahra, will come off age and take full responsibility of her Family Estate/inheritance. Please note that this is an excellent opportunity that comes once in lifetime and more so, if you are honest, I am going to entrust more funds in your care as this is one of the legacy we keep for our children. In case you do not accept, please do not let me out to the security and international media as I am giving you this information in total trust and confidence I will greatly appreciate if you accept my proposal in good faith. Please expedite action and all response to my e-mail address below. Yours sincerely, Mrs. Suha Aisha Arafat Email<EMAIL_ADDRESS>_________________________________________________________________ Discover the magic of RSS feeds at MSN South Africa! http://za.msn.com/


public interface EntityResolver2 extends EntityResolver
XMLReader.setEntityResolver()
method
is used to provide implementations of this interface to parsers.
When a parser uses the methods in this interface, the
EntityResolver2.resolveEntity()
method (in this interface) is used instead of the older (SAX 1.0)
EntityResolver.resolveEntity()
method.
This module, both source code and documentation, is in the Public Domain, and comes with NO WARRANTY.
If a SAX application requires the customized handling which this
interface defines for external entities, it must ensure that it uses
an XMLReader with the
http://xml.org/sax/features/use-entity-resolver2 feature flag
set to true (which is its default value when the feature is
recognized). If that flag is unrecognized, or its value is false,
or the resolver does not implement this interface, then only the
EntityResolver
method will be used.
That supports three categories of application that modify entity resolution. Old Style applications won't know about this interface; they will provide an EntityResolver. Transitional Mode provide an EntityResolver2 and automatically get the benefit of its methods in any systems (parsers or other tools) supporting it, due to polymorphism. Both Old Style and Transitional Mode applications will work with any SAX2 parser. New style applications will fail to run except on SAX2 parsers that support this particular feature. They will insist that feature flag have a value of "true", and the EntityResolver2 implementation they provide might throw an exception if the original SAX 1.0 style entity resolution method is invoked.
XMLReader.setEntityResolver(org.xml.sax.EntityResolver)
| Modifier and Type | Method and Description |
|---|---|
InputSource |
getExternalSubset(String name,
String baseURI)
Allows applications to provide an external subset for documents
that don't explicitly define one.
|
InputSource |
resolveEntity(String name,
String publicId,
String baseURI,
String systemId)
Allows applications to map references to external entities into input
sources, or tell the parser it should use conventional URI resolution.
|
resolveEntity
InputSource getExternalSubset(String name, String baseURI) throws SAXException, IOException
startDTD()
method as if
the document text had originally included the external subset;
this callback is made before any internal subset data or errors
are reported.
This method can also be used with documents that have no DOCTYPE declaration. When the root element is encountered, but no DOCTYPE declaration has been seen, this method is invoked. If it returns a value for the external subset, that root element is declared to be the root element, giving the effect of splicing a DOCTYPE declaration at the end the prolog of a document that could not otherwise be valid. The sequence of parser callbacks in that case logically resembles this:
... comments and PIs from the prolog (as usual) startDTD ("rootName", source.getPublicId (), source.getSystemId ()); startEntity ("[dtd]"); ... declarations, comments, and PIs from the external subset endEntity ("[dtd]"); endDTD (); ... then the rest of the document (as usual) startElement (..., "rootName", ...);
Note that the InputSource gets no further resolution.
Implementations of this method may wish to invoke
resolveEntity()
to gain benefits such as use
of local caches of DTD entities. Also, this method will never be
used by a (non-validating) processor that is not including external
parameter entities.
Uses for this method include facilitating data validation when interoperating with XML processors that would always require undesirable network accesses for external entities, or which for other reasons adopt a "no DTDs" policy. Non-validation motives include forcing documents to include DTDs so that attributes are handled consistently. For example, an XPath processor needs to know which attibutes have type "ID" before it can process a widely used type of reference.
Warning: Returning an external subset modifies the input document. By providing definitions for general entities, it can make a malformed document appear to be well formed.
name
- Identifies the document root element. This name comes
from a DOCTYPE declaration (where available) or from the actual
root element.baseURI
- The document's base URI, serving as an additional
hint for selecting the external subset. This is always an absolute
URI, unless it is null because the XMLReader was given an InputSource
without one.SAXException
- Any SAX exception, possibly wrapping
another exception.IOException
- Probably indicating a failure to create
a new InputStream or Reader, or an illegal URL.InputSource resolveEntity(String name, String publicId, String baseURI, String systemId) throws SAXException, IOException
EntityResolver
interface, supporting implementations of more complex catalogue
schemes such as the one defined by the OASIS XML Catalogs specification.
Parsers configured to use this resolver method will call it
to determine the input source to use for any external entity
being included because of a reference in the XML text.
That excludes the document entity, and any external entity returned
by getExternalSubset()
.
When a (non-validating) processor is configured not to include
a class of entities (parameter or general) through use of feature
flags, this method is not invoked for such entities.
Note that the entity naming scheme used here is the same one
used in the LexicalHandler
, or in the ContentHandler.skippedEntity()
method.
name
- Identifies the external entity being resolved.
Either "[dtd]" for the external subset, or a name starting
with "%" to indicate a parameter entity, or else the name of
a general entity. This is never null when invoked by a SAX2
parser.publicId
- The public identifier of the external entity being
referenced (normalized as required by the XML specification), or
null if none was supplied.baseURI
- The URI with respect to which relative systemIDs
are interpreted. This is always an absolute URI, unless it is
null (likely because the XMLReader was given an InputSource without
one). This URI is defined by the XML specification to be the one
associated with the "<" starting the relevant declaration.systemId
- The system identifier of the external entity
being referenced; either a relative or absolute URI.
This is never null when invoked by a SAX2 parser; only declared
entities, and any external subset, are resolved by such parsers.SAXException
- Any SAX exception, possibly wrapping
another exception.IOException
- Probably indicating a failure to create
a new InputStream or Reader, or an illegal URL. Submit a bug or feature
For further API reference and developer documentation, see Java SE Documentation. That documentation contains more detailed, developer-targeted descriptions, with conceptual overviews, definitions of terms, workarounds, and working code examples.
Copyright © 1993, 2015, Oracle and/or its affiliates. All rights reserved.


The source code for {{ settings.EXAMPLE_SCOPE }} Boundaries is open source; you are welcome to copy, modify and reuse it as you see fit. We are also very happy to accept bug reports and patches!
{% if settings.FORKED_REPO %}The code for {{ settings.EXAMPLE_SCOPE }} Boundaries can be found at {{ settings.FORKED_REPO }}, which was forked from github.com/opennorth/blank-boundaryservice.
{% else %}https://github.com/opennorth/blank-boundaryservice
All source and assets are licensed under the permissive MIT license, unless otherwise noted. Boundary data is licensed by their respective sources.


Ocean [ai49], ocean, in The Inner Sea
Last updated Turn #100
Ocean [ai49], ocean, in The Inner Sea
------------------------------------------------------------------------
18: The Savvy Aardvark [ha5r], ship, 2 hulls, 1 rowing port, 6 sails,
18: 30% damaged, arrived from Ocean [ai48], owner:
18: Phantasm [n4b], Imperial Empire, duke, with eight sailors
19: The Savvy Aardvark [ha5r], ship, 2 hulls, 1 rowing port, 6 sails,
19: 30% damaged, departed for Ocean [ai50].
30: It has stopped raining.
Routes leaving Ocean:
North, to Ocean [ah49], Crystal Sea, 6 days
East, to Ocean [ai50], 6 days
South, to Ocean [aj49], 6 days
West, to Ocean [ai48], 6 days


Just some idea
Three weeks ago I decided to visit Casablanca to meet my fellow coders. Besides this I also wanted to continue a small tradition I had introduced last year. Casablanca.rb, it is (one) the first meetup organized of its kind. At that time I had announced it long before the actual meetup would have taken place. So in the end the RSVP count dropped down from 30 to 15 attenders. Nevertheless it was a nice experience and I encouraged them to frequently organize a meetup in order the community could grow.
Not only about ruby
Despite the fact Casablanca.rb was initiated for the sake of connecting ruby developers. This time I wanted something concrete and also connect with students. So I asked my friend Zakaria Braksa about the possibilities to host an event at the university where he is studying at the time of writing. I did want to have a concrete event and something students knew about. So it became a workshop-style meetup which was about "Creating a whatsapp service in one day", yeah we almost did it :)
The goal wasn't about finishing the project nor about creating another service. But about bringing students and professionals together in one place. It was about breaking the ice and learning together.
The preparation
As the date move closer, I had to prepare this workshop. To prepare this workshop I needed to have some working code as some kind of ultimate example. Which turn out hard to do so, because where should I stop with specs for this tiny or huge thing. :)
While building the app I prepared the written version of the workshop. It is not available, because it wasn't created for this purpose.
Also because Ember-CLI was the main stack, I was looking for someone to get us the Ember-CLI 101 book by Adolfo Builes, in the end writer Adolfo Builes, was kind enough to sponsor us the Ember-CLI 101 book which himself. We were limited to an amount of books so I only sent the books to attenders who did promise me two things, they would attend the meeting / and do their best to read the book before the meetup would start. And some of them actually did this which is totally awesome.
Around 30 attenders
It was great to see how the class filling up with fellow coders interested in this workshop. Supinfo Casablanca which made this class-room available really did take care of us and helped in any way possible. As well as the people around me, from the community and people I never even met.
Community
If you are a Ruby / Rails / Django / Ember.js ... or what whatever fits in this developer. Just make sure if you are in Casablanca to meet the community, attend or propose a meetup. The people are really nice and a hidden beauty the city of Casablanca.
Go to the Meetup page


In-class assignments¶
In-class assignments will be listed here as they are assigned.
Lecture 2: Using Jupyter Notebooks¶
You can read the class textbook online at http://readiab.org/book/latest/.
- We’ll use our class Jupyter Server to execute some introductory Python Jupyter notebooks. You can connect to the server here. You’ll use your normal NAU login credentials. You should bookmark this link as you’ll need it throughout the semester for homework assignments. The two test notebooks we’ll experiment with today are from the Introduction to Python project. They are:
During class, we’ll download these two notebooks, upload them to the Jupyter Server, and execute and modify cells.
Finally, we’ll get started on Homework assignment 1 in small groups. assignment 1 in small groups.


I worked with a team of six developers to create this interactive book-borrowing website using several computing languages, including Javascript, SQL, Sequelize, Express, and CSS. Users can create an account, add a book they own using their ISBN number, and then other logged in users can borrow it to their account.
I created this Day planner application using Javascript, HTML, CSS, and local Web browser storage. The app enables you to enter plans for the work day, saves your plan to your browser's local storage, and tracks the time of day using grey for the past, red for the present and green for the future.
I created this Weather App using Javascript, HTML, CSS, local storage, and Open Weather's API. The app enables you to search a city name and see the current weather, a five-day forecast, and icons indicating the weather and time of day. It also saves your previous search in your local web storage so that it remains when you return.
I worked with a team of High Impact artists and animators on this Coronavirus animation, which amassed more than one million views.
I wrote, filmed, and edited this video explaining High Impact's new virtual reality legal exhibit, used by attorneys nationwide.
I wrote this article explaining how lead poisoning affects the central nervous system, using our animations to demonstrate.


Level Cap
Only characters you have
Character
Job 1
Job 2
Job 3
{{ char.character_name }}
{{ skill.level }}
. {{ skill.name }}
{{ skill.level }}
. {{ skill.name }}
{{ skill.level }}
. {{ skill.name }}


I was part of a team project to create a API service and widget for the checkout process of a rental website. I collaborated with team members to integrate our services in a proxy page and serve the website on AWS EC2 via Docker.
GitHub RepositoryI designed, implemented, and deployed a web application to allow users to visualize and designate segments for a given road system. Users may view a statistics page of the roads they have travelled on.
GitHub RepositoryI created a mobile Worldview-like application to help me learn and apply Android development skills. Implemented in the MVP and MVVM architecture and contains unit and instrumentation tests.
GitHub RepositoryI was the Tech Lead for my team's project to create a live representation of an Ingress portal based on the Trickster archetype, also known as Misty's Mind Palace. Demoed at Epiphany Night in Camp Navarro.
GitHub RepositoryAs part of my volunteer mentoring, I assisted a robotics team in learning about machine learning and its applications for the FIRST Robotics Competition. We sought to augment our autonomous programs with object detection using a NVIDIA Jetson TX1. Here are our findings.
I took a course in UC Santa Cruz to learn how to design and engineer an autonomous robot in six weeks. I documented my team's progress in our website.
Project Website and BlogIn my Senior Design Capstone Project at UC Santa Cruz, I worked with a team to develop a helmet mounted navigation system for bicylists. My role was to create Android and iOS mobile apps that would integrate with our Bluetooth LE powered LED visor device.
Project PosterIn Summer 2015, I worked on front-end improvements to view and save animations on NASA Worldview, a Javascript data visualization web app at Goddard Space Flight Center.
Project Poster


|
Elektra
0.8.24
|
This plugin is useful if you have a file in a format not supported by any other plugin and want to use the Elektra tools to edit individual lines.
This plugin is designed to save each line from a file as a key. The keys form an array. The key names are determined by the line number such as #3
or #_12
for lines 4 and 13. The plugin considers #0
to be the first line. The plugin will automatically add _
to the beginning of key names in order to keep them in numerical order (like specified for Elektra arrays).
The value of each key hold the content of the actual file line-by-line.
For example, consider the following content of the file ~/.config/line
where the numbers on the left represent the line numbers:
1 setting1 true 2 setting2 false 3 setting3 1000 4 #comment 5 6 7 //some other comment 8 9 setting4 -1
We mount that file by:
> sudo kdb mount line user/line line
This file would result in the following keyset which is being displayed as key: value
, e.g. with:
> kdb export -c "format=%s: %s" user/line simpleini #0: setting1 true #1: setting2 false #2: setting3 1000 #3: #comment #4: #5: #6: //some other comment #7: #8: setting4 -l
```
sudo kdb mount line /tests/line line
kdb set /tests/line/add something kdb set /tests/line/ignored huhu kdb set /tests/line ignored # adding parent key does nothing kdb set /tests/line/add here
cat kdb file /tests/line
#> something #> huhu #> here
kdb ls /tests/line #> user/tests/line #> user/tests/line/#0 #> user/tests/line/#1 #> user/tests/line/#2
kdb set /tests/line/#1 huhu #> Using name user/tests/line/#1 #> Set string to "huhu"
kdb export /tests/line line #> something #> huhu #> here
sudo kdb umount /tests/line
sudo kdb mount line /tests/line line
echo 'setting1 true' > kdb file /tests/line
echo 'setting2 false' >> kdb file /tests/line
echo 'setting3 1000' >> kdb file /tests/line
echo '#comment' >> kdb file /tests/line
echo >> kdb file /tests/line
echo >> kdb file /tests/line
echo '//some other comment' >> kdb file /tests/line
echo >> kdb file /tests/line
echo 'setting4 -1' >> kdb file /tests/line
awk '{print NR-1 "-" $0}' < kdb file /tests/line
#> 0-setting1 true #> 1-setting2 false #> 2-setting3 1000 #> 3-#comment #> 4- #> 5- #> 6-//some other comment #> 7- #> 8-setting4 -1
kdb rm -r /tests/line sudo kdb umount /tests/line ```


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.thirdpartydeveloperfrontend.domain.models.emailpreferences.EmailTopic._ @import uk.gov.hmrc.thirdpartydeveloperfrontend.domain.models.developers.DeveloperSession @import include._ @import uk.gov.hmrc.thirdpartydeveloperfrontend.domain.models.views.BackButtonWithJavaScript @import uk.gov.hmrc.apiplatform.modules.applications.domain.models.ApplicationId @import views.html.include.DevMain @import uk.gov.hmrc.thirdpartydeveloperfrontend.controllers.SelectTopicsFromSubscriptionsForm @import uk.gov.hmrc.thirdpartydeveloperfrontend.controllers.profile.routes @this(devMain: DevMainWithFormErrors) @(form: Form[SelectTopicsFromSubscriptionsForm], selectedTopics: Set[String], applicationId: ApplicationId)(implicit messages: Messages, loggedIn: DeveloperSession, request: play.api.mvc.Request[Any], appConfig: ApplicationConfig) @pageHeading = @{ "Which topics do you want to receive information about?" } @devMain( form, title = pageHeading, userFullName = loggedIn.loggedInName, back = BackButtonWithJavaScript, developerSession = Some(loggedIn) ) {


Search hundreds of datasets from the City and County of San Francisco. Or browse on the data catalog
See applications, reports, analyses and other products made with open data below. You can explore more in the showcase.
Make something awesome with Open Data? Submit your app or project to our showcase.
Latest blog posts and stories from the City and County's open data program. Read more of our stories on our blog.
For more resources click here
Guide for City and County of San Francisco departments and agencies to implement a process to provide individuals with their own personal data upon request.
Toolkit for City and County of San Francisco department management and Data Coordinators to release sensitive or protected datasets on the open data portal.


--- layout: post status: publish published: true title: "药盒子里的幸福" author: Leask author_login: leask author_email<EMAIL_ADDRESS>author_url: https://leaskh.com wordpress_id: 640 wordpress_url: http://leaskh.wordpress.com/2005/11/08/%e8%8d%af%e7%9b%92%e5%ad%90%e9%87%8c%e7%9a%84%e5%b9%b8%e7%a6%8f date: '2005-11-08 06:12:57 +0800' date_gmt: '2005-11-08 06:12:57 +0800' categories: - Life tags: [] comments: - id: 134 author: "实" author_email: '' author_url: '' date: '2005-11-09 07:41:54 +0800' date_gmt: '2005-11-09 07:41:54 +0800' content: "节瓜,你唔好讲肇庆情怀里面黄衫长发果个系你啵```认唔出啦```呵呵早D训,多D休息啦" ---


Fakeroot feature¶
Overview¶
The fakeroot feature (commonly referred as rootless mode) allows an unprivileged user to run a container as a “fake root” user by leveraging user namespace UID/GID mapping.
Note
This feature requires a Linux kernel >= 3.8, but the recommended version is >= 3.18
A “fake root” user has almost the same administrative rights as root but only inside the container and the requested namespaces, which means that this user:
can set different user/group ownership for files or directories they own
can change user/group identity with su/sudo commands
has full privileges inside the requested namespaces (network, ipc, uts)
Restrictions/security¶
Filesystem¶
A “fake root” user can’t access or modify files and directories for which they don’t
already have access or rights on the host filesystem, so a “fake root” user won’t be able
to access root-only host files like /etc/shadow
or the host /root
directory.
Additionally, all files or directories created by the “fake root” user are owned by
root:root
inside container but as user:group
outside of the container.
Let’s consider the following example, in this case “user” is authorized to use the fakeroot feature
and can use 65536 UIDs starting at 131072 (same thing for GIDs).
UID inside container |
UID outside container |
|---|---|
0 (root) |
1000 (user) |
1 (daemon) |
131072 (non-existent) |
2 (bin) |
131073 (non-existent) |
… |
… |
65536 |
196607 |
Which means if the “fake root” user creates a file under a bin
user in the container, this file will
be owned by 131073:131073
outside of container. The responsibility relies on the administrator
to ensure that there is no overlap with the current user’s UID/GID on the system.
Network¶
Restrictions are also applied to networking, if singularity
is executed without the --net
flag,
the “fake root” user won’t be able to use ping
or bind a container service to a port below
1024.
With --net
the “fake root” user has full privileges in a dedicated container network. Inside
the container network they can bind on privileged ports below 1024, use ping, manage firewall rules,
listen to traffic, etc. Anything done in this dedicated network won’t affect the host network.
Note
Of course an unprivileged user could not map host ports below than 1024 by using:
--network-args="portmap=80:80/tcp"
Warning
For unprivileged installation of Singularity or if allow setuid = no
is set in singularity.conf
users won’t be able to use a fakeroot
network.
Requirements / Configuration¶
Fakeroot depends on user mappings set in /etc/subuid
and group mappings in /etc/subgid
, so your username
needs to be listed in those files with a valid mapping (see the admin-guide for details), if you can’t edit
the files ask an administrator.
In Singularity 3.5
a singularity config fakeroot
command has been added to allow configuration
of the /etc/subuid
and /etc/subgid
mappings from the Singularity command line. You must be a root
user or run with sudo
to use config fakeroot
, as the mapping files are security sensitive. See the
admin-guide for more details.
Usage¶
If your user account is configured with valid subuid
and subgid
mappings you work as a fake root user
inside a container by using the --fakeroot
or -f
option.
The --fakeroot
option is available with the following singularity commands:
shell
exec
run
instance start
build
Build¶
With fakeroot an unprivileged user can now build an image from a definition file with few restrictions. Some bootstrap
methods that require creation of block devices (like /dev/null
) may not always work correctly with “fake root”,
Singularity uses seccomp filters to give programs the illusion that block device creation succeeded. This appears to
work with yum
bootstraps and may work with other bootstrap methods, although debootstrap
is known to not work.


Examples
HTML layout
HTML layout with Bootstrap
JQuery and DOM manipulation
AJAX Demo
HTML5 Stickers


--- layout: post status: publish published: true title: Podcast 4.22 - Comerica Park South author: display_name: Corey Fineran login: Corey email<EMAIL_ADDRESS>url: '' author_login: Corey author_email<EMAIL_ADDRESS>wordpress_id: 7562 wordpress_url: http://ivyenvy.com/?p=7562 date: '2012-06-16 12:23:58 +0000' date_gmt: '2012-06-16 17:23:58 +0000' categories: - Podcast - Ivy Envy Podcast tags: - Carlos Marmol - Ryan Dempster - Wrigley Field - Tigers - Rudy Jaramillo - Jorge Soler comments: [] ---
Andy and Corey are joined in the studio by a first time guest, talking about her first Cubs game. Kurt joins us from his place in Iowa. Andy and Corey discuss the Tigers vs. Cubs games they witnessed this week and you hear about the things that stood out to a 5-year old in her first trip to Wrigley.
The Cubs sign Jorge Soler and we discuss the next piece of the Cubs team of the future. Rudy Jaramillo is dismissed by the Cubs and we look at what did and did not lead to this move. Carlos Marmol is back in the closer role and Ryan Dempster may have played his last game in a Cubs uniform.
Kurt gives us his Scary Stat of the Week and we pick a winner for the photo caption contest. All of this and more on this week's episode of the Ivy Envy Podcast.


public interface Configuration
| Modifier and Type | Method and Description |
|---|---|
ContentType |
getDefaultBatchAcceptFormat()
Gets the configured default Accept header value format for a batch request.
|
ContentType |
getDefaultFormat()
Gets the configured OData format.
|
ContentType |
getDefaultMediaFormat()
Gets the configured OData media format.
|
ContentType |
getDefaultPubFormat()
Gets the configured OData format for AtomPub exchanges.
|
ContentType |
getDefaultValueFormat()
Gets the configured OData value format.
|
ExecutorService |
getExecutor()
Retrieves request executor service.
|
HttpClientFactory |
getHttpClientFactory()
Gets the HttpClient factory to be used for executing requests.
|
HttpUriRequestFactory |
getHttpUriRequestFactory()
Gets the HttpUriRequest factory for generating requests to be executed.
|
boolean |
isAddressingDerivedTypes()
Gets whether query URIs in request should contain fully qualified type name.
|
boolean |
isContinueOnError()
When processing a set of requests (in batch requests, for example), checks if the execution will be aborted after
first error encountered or not.
|
boolean |
isGzipCompression()
Checks whether Gzip compression (e.g.
|
boolean |
isKeyAsSegment()
Checks whether URIs contain entity key between parentheses (standard) or instead as additional segment
(non-standard).
|
boolean |
isUseChuncked()
Checks whether chunk HTTP encoding is being used.
|
boolean |
isUseUrlOperationFQN()
Checks whether operation name in request URI should be fully qualified name, which is required by OData V4
protocol, but some service may still choose to support shorter name.
|
boolean |
isUseXHTTPMethod()
Gets whether PUT, MERGE, PATCH, DELETE HTTP methods need to be translated to
POST with additional X-HTTTP-Method header.
|
void |
setAddressingDerivedTypes(boolean value)
Sets whether query URIs in request should contain fully qualified type name.
|
void |
setContinueOnError(boolean value)
When processing a set of requests (in batch requests, for example), sets if the execution will be aborted after
first error encountered or not.
|
void |
setDefaultBatchAcceptFormat(ContentType contentType)
Set the default Accept header value format for a batch request.
|
void |
setDefaultMediaFormat(ContentType format)
Sets the default OData media format.
|
void |
setDefaultPubFormat(ContentType format)
Sets the default OData format for AtomPub exchanges.
|
void |
setDefaultValueFormat(ContentType format)
Sets the default OData value format.
|
void |
setExecutor(ExecutorService executorService)
Sets request executor service.
|
void |
setGzipCompression(boolean value)
Sets Gzip compression (e.g.
|
void |
setHttpClientFactory(HttpClientFactory factory)
Sets the HttpClient factory to be used for executing requests.
|
void |
setHttpUriRequestFactory(HttpUriRequestFactory factory)
Sets the HttpUriRequest factory generating requests to be executed.
|
void |
setKeyAsSegment(boolean value)
Sets whether URIs shall be built with entity key between parentheses (standard) or instead as additional segment
(non-standard).
|
void |
setUseChuncked(boolean value)
Sets chunk HTTP encoding enabled or disabled.
|
void |
setUseUrlOperationFQN(boolean value)
Sets whether operation name in request URI should be fully qualified name, which is required by OData V4 protocol,
but some service may still choose to support shorter name.
|
void |
setUseXHTTPMethod(boolean value)
Sets whether PUT, MERGE, PATCH, DELETE HTTP methods need to be translated to
POST with additional X-HTTTP-Method header.
|
ContentType getDefaultBatchAcceptFormat()
void setDefaultBatchAcceptFormat(ContentType contentType)
contentType
- default Accept header value.ContentType getDefaultPubFormat()
void setDefaultPubFormat(ContentType format)
format
- default format.ContentType getDefaultFormat()
getDefaultPubFormat()
ContentType getDefaultValueFormat()
void setDefaultValueFormat(ContentType format)
format
- default format.ContentType getDefaultMediaFormat()
void setDefaultMediaFormat(ContentType format)
format
- default format.HttpClientFactory getHttpClientFactory()
void setHttpClientFactory(HttpClientFactory factory)
factory
- implementation of HttpClientFactory.HttpClientFactory
HttpUriRequestFactory getHttpUriRequestFactory()
void setHttpUriRequestFactory(HttpUriRequestFactory factory)
factory
- implementation of HttpUriRequestFactory.HttpUriRequestFactory
boolean isUseXHTTPMethod()
void setUseXHTTPMethod(boolean value)
value
- 'TRUE' to use tunneling.boolean isGzipCompression()
void setGzipCompression(boolean value)
value
- whether to use Gzip compression.boolean isUseChuncked()
void setUseChuncked(boolean value)
value
- whether to use chunk HTTP encoding.boolean isKeyAsSegment()
void setKeyAsSegment(boolean value)
value
- 'TRUE' to use this feature.boolean isAddressingDerivedTypes()
void setAddressingDerivedTypes(boolean value)
value
- 'TRUE' to use this feature.boolean isUseUrlOperationFQN()
void setUseUrlOperationFQN(boolean value)
value
- 'TRUE' to use this feature.boolean isContinueOnError()
void setContinueOnError(boolean value)
value
- 'TRUE' to use this feature.ExecutorService getExecutor()
void setExecutor(ExecutorService executorService)
executorService
- new executor services.Copyright © 2013–2018 The Apache Software Foundation. All rights reserved.


Independent report
Findings of the STRB's review of provisions for teachers' pay to raise the status of the profession and improving school teaching standards.
Ref: ISBN<PHONE_NUMBER>725 , Cm 8487 PDF , 4.91MB , 113 pages
Order a copy ( £29.75 )
The Secretary of State asked the STRB, in his remit letter of 21 February 2012, to review current provisions for teachers’ pay with a view to raising the status of the profession and contribute to improving the standard of teaching in schools.
In particular the Secretary of State asked the STRB to consider:
This report is in response to that remit. It provides a strong case for reform, to free up the current system of teachers’ pay to support greater school autonomy.
Published: 5 December 2012
Updated: 24 October 2013


a Portfolio of projects from Epicodus
Ever need to get away? Henery and Baloo know the perfect place. And the photos are not to be missed!
Everyone is looking for the unconditional love of a dog! This project includes three winners waiting to find a place in your heart
Hawaii, what sounds nicer? This project illustrates an ideal trip to those volcanic islands. Dive in, but don't forget the sunscreen!
Everyone has to start somewhere. This is my first webpage, made especially for Epicodus.
Cupcakes are tasty. But this lecture on the history of the cupcake in 21 parts is anything but.
Always a classic. This project is my greeting to the world using good ol' fashioned html.


TABLE OF INTERACTIONS WITH
NEPHROTOXIC MEDICATIONS
The combined use of medications having specific renal toxicity increases the risk of nephrotoxicity. If such a combination is necessary, it is imperative to strengthen biological monitoring of renal function.
The medications concerned are represented especially by the iodinated x-ray contrast media, aminoglycosides, platinum based antineoplastic cancer drugs, methotrexate in large doses, some antivirals (such as the "ciclovirs" or foscarnet), pentamidine, ciclosporin or tacrolimus.
From the French ANSM drug interactions document of September 2016, p. 149
NEPHROTOXIC MEDICATIONS CLASS CODE: J01-J05 |
OTHER NEPHROTOXIC MEDICATIONS CLASS CODE: J01-J05 |
Risk of increase of the nephrotoxicity |
Take into account |


Instinct A film review by Marty Mapes Copyright 1999 Marty Mapes
** (out of 4) INSTINCT is that odd movie that is thought-provoking and worth talking about, yet is still somehow bad.
INSTINCT is "suggested by" Daniel Quinn's book ISHMAEL, in which a talking gorilla takes a human student. Using the Socratic method, he teaches the student to see humanity, materialism, development, and human culture, through the eyes of a simpler, less greedy soul. Most of the book is filled with their telepathic conversation. It's pretty unfilmable stuff.
Naturally, INSTINCT diverges from the book in many ways. The "teacher" is now Ethan Powell (Anthony Hopkins), the anthropologist who has just been found after disappearing for two years. During that time he lived among a tribe of African gorillas. He has not spoken since his return to civilization.
The "student" is now Theo (Cuba Gooding Jr.), a psychiatrist just completing his residency. Theo hears about Ethan and is intrigued. He pulls every string he has in order to get Ethan's case. (The "Socratic method" is now a power trip, complete with death threats.)
Screenwriter Gerald Di Pego (who also wrote Turteltaub's PHENOMENON) does a great job of introducing Theo's character. His ingenious gamble helps a paranoid patient have a breakthrough. And yet the scene is still formulaic. Replace "psychiatrist" with "hostage negotiator" and you'd have the same opening scene as two or three cop movies in the last year.
This pattern of small pockets of greatness in an otherwise bad script is repeated throughout the movie.
A few examples:
Theo gives an emotional speech at the end. Gooding gives a top-notch performance, and the actions of his character make the speech seem appropriate. But the specific words of his speech sound so written and hollow, that it's almost hard to take it seriously.
Much of the movie takes place in a psychiatric prison, where a random system is used for determining who gets fresh air privileges. But the system is such that the strong can attack the weak and steal the privilege, making the dysfunctional patients seem even more animal-like. The whole prison seems to be a system of dominance and submission, so that watching the movie is much like studying aggression in animals. But the characters are treated as human props. They aren't well developed. Their few actions are motivated by the script and not by any emotional soul.
It's hard to go wrong on the cinematography when you have a lush jungle to film. But when Anthony Hopkins breasts the utopian green hilltop, it seems like stock footage from a time-share sales pitch. It's too easy and obvious and it doesn't add to the character or the film.
One final point is worth noting. Danny Elfman composed the score for this film. Usually, when Elfman is involved, you can tell by listening. For the BATMAN movies he scored circus music into his orchestra.  But in INSTINCT, there is no quirk, no distinctive signature. It seemed like a waste of Elfman's particular talents.
In all fairness, I found this movie to be a great conversation piece. All the sparkling good ideas were memorable enough to grab onto and examine more closely. But that's not enough to recommend it.
Turteltaub's last movie was PHENOMENON, which was a melodramatic drop of syrup that I savored (yes, more than once.) But INSTINCT is somehow harder to swallow. I couldn't tell if you if it was too sweet or too insubstantial, but somehow, the recipe just wasn't right.
Check out more current movie reviews at http://www.moviehabit.com
-- Marty Mapes<EMAIL_ADDRESS>Movie Habit http://www.moviehabit.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


result.h
GitHub: base/result.h base/result.cc
ResultCode
namespace base { enum class ResultCode : uint8_t { OK = 0x00, UNKNOWN = 0x01, INTERNAL = 0x02, CANCELLED = 0x03, FAILED_PRECONDITION = 0x04, NOT_FOUND = 0x05, ALREADY_EXISTS = 0x06, WRONG_TYPE = 0x07, PERMISSION_DENIED = 0x08, UNAUTHENTICATED = 0x09, INVALID_ARGUMENT = 0x0a, OUT_OF_RANGE = 0x0b, NOT_IMPLEMENTED = 0x0c, UNAVAILABLE = 0x0d, ABORTED = 0x0e, RESOURCE_EXHAUSTED = 0x0f, DEADLINE_EXCEEDED = 0x10, DATA_LOSS = 0x11, END_OF_FILE = 0x12, }; }
STABLE. Denotes the type of success or failure that the operation encountered.
-
OK
: Success. -
UNKNOWN
: Failure of an unknown type, or of a type that does not fit into these codes. -
INTERNAL
: Internal-only failure that should never be seen by the user. -
CANCELLED
: The operation was cancelled before it could complete. -
FAILED_PRECONDITION
: The world was in a state that was not compatible with the operation.- Example: attempting to close a file that isn't open.
-
NOT_FOUND
: The operation was unable to find the specified resource. -
ALREADY_EXISTS
: The operation found that the specified resource already existed. -
WRONG_TYPE
: The operation found a resource of the wrong type.- Example: expected a directory, found a regular file.
-
PERMISSION_DENIED
: The operation failed because the authenticated user is not authorized. -
UNAUTHENTICATED
: The operation failed because the user could not be authenticated. -
INVALID_ARGUMENT
: The operation failed because of an argument that doesn't make sense. -
OUT_OF_RANGE
: The operation failed because an argument was outside the valid range. -
NOT_IMPLEMENTED
: The operation failed because the resource does not support it. -
UNAVAILABLE
: The operation failed because the resource was not available.- Example: cannot read a remote file because the network is down.
-
ABORTED
: The operation failed because the system interrupted it. -
RESOURCE_EXHAUSTED
: The operation failed because a finite resource was already in use.- Example: too many open file handles.
- Example: disk full.
-
DEADLINE_EXCEEDED
: The operation took so long that we gave up on it.- Example: timed out while writing to remote filesystem.
-
DATA_LOSS
: The operation failed because data was lost or corrupted.- Example: read from file fails due to bad checksum.
-
END_OF_FILE
: The operation failed because the end of the stream was reached prematurely.
Result
namespace base { class Result { public: template <typename... Args> static Result unknown(const Args&... args); template <typename... Args> static Result internal(const Args&... args); template <typename... Args> static Result cancelled(const Args&... args); template <typename... Args> static Result failed_precondition(const Args&... args); template <typename... Args> static Result not_found(const Args&... args); template <typename... Args> static Result already_exists(const Args&... args); template <typename... Args> static Result wrong_type(const Args&... args); template <typename... Args> static Result permission_denied(const Args&... args); template <typename... Args> static Result unauthenticated(const Args&... args); template <typename... Args> static Result invalid_argument(const Args&... args); template <typename... Args> static Result out_of_range(const Args&... args); template <typename... Args> static Result not_implemented(const Args&... args); template <typename... Args> static Result unavailable(const Args&... args); template <typename... Args> static Result aborted(const Args&... args); template <typename... Args> static Result resource_exhausted(const Args&... args); template <typename... Args> static Result deadline_exceeded(const Args&... args); template <typename... Args> static Result data_loss(const Args&... args); template <typename... Args> static Result eof(const Args&... args); template <typename... Args> static Result from_errno(int err_no, const Args&... args); Result() noexcept; Result(std::nullptr_t) noexcept; Result(ResultCode code, std::string message = std::string(), int err_no = -1); Result(const Result&) noexcept; Result(Result&&) noexcept; Result& operator=(const Result&) noexcept; Result& operator=(Result&&) noexcept; Result& operator=(std::nullptr_t); void reset() noexcept; void swap(Result& other) noexcept; ResultCode code() const noexcept; int errno_value() const noexcept; const std::string& message() const noexcept; explicit operator bool() const; void expect_ok(const char* file, unsigned int line) const; void ignore_ok() const; template <typename F, typename... Args> Result and_then(F continuation, Args&&... args) const; Result and_then(base::Result x) const; template <typename F, typename... Args> Result or_else(F continuation, Args&&... args) const; Result or_else(base::Result r) const; void append_to(std::string* out) const; std::size_t length_hint() const noexcept; std::string as_string() const; }; void swap(Result& a, Result& b) noexcept; }
STABLE. A value type representing the success or failure of an operation. All field accessor methods are read-only.
Result::Result()
Constructs a Result. The default constructor creates a successful Result, the copy constructor does the usual thing, the move constructor leaves the moved-from Result in the default-constructed (successful) state, and the 3-arg constructor creates a failed Result with the provided fields.
Result::operator=()
Assigns a Result. The copy assignment operator does the usual thing,
the move assignment operator leaves the moved-from Result in the
default-constructed (successful) state, and the nullptr
assignment operator changes this Result to the default-constructed
(successful) state.
Result::reset()
Changes this Result to the default-constructed (successful) state.
Result::swap()
Swaps two Result objects.
Accessors
Result::code()
Returns the ResultCode with which this Result was constructed.
Result::errno_value()
Returns the errno code with which this Result was constructed. Always
returns 0
if this Result is a success, and returns
-1
if it is a failure but no errno code was provided.
Result::message()
Returns the message with which this Result was constructed. Always
returns ""
if this Result is a success, or if it is a
failure but no message was provided.
Checking for Success
Result::operator bool()
Returns true iff this Result is successful.
Result::expect_ok()
Logs an error iff this Result is a failure.
Result::ignore_ok()
Ignores whether this Result is a success or failure.
This method exists to signal to the compiler that ignoring the
Result's value is intentional, as functions returning
base::Result
may annotate themselves with
__attribute__((warn_unused_result))
or equivalent.
Result::and_then()
If this Result is a failure, returns it immediately. If it is a success, the non-functor version returns its argument, and the functor version calls its functor and returns its return value.
Example:
base::Result result = op1().and_then([] { // op2() is never called if op1() failed return op2(); }).and_then([] { // op3() is never called if op1() or op2() failed return op3(); }); // This CHECK_OK fails if any of op1(), op2(), or op3() failed CHECK_OK(result);
Result::or_else()
If this Result is a success, returns it immediately. If it is a failure, the non-functor version returns its argument, and the functor version calls its functor and returns its return value.
Example:
base::Result result = op1().or_else([] { // op2() is only called if op1() failed return op2(); }).or_else([] { // op3() is only called if op1() and op2() both failed return op3(); }); // This CHECK_OK only fails if all three of op1(), op2(), and op3() failed CHECK_OK(result);
Stringification
Result::append_to()
Stringifies this Result and appends it to the given string.
Result::length_hint()
Returns the estimated length of this Result's stringification.
Result::as_string()
Stringifies this Result and returns it.
Alternate Constructors
Result::unknown()
Result::internal()
Result::cancelled()
Result::failed_precondition()
Result::not_found()
Result::already_exists()
Result::wrong_type()
Result::permission_denied()
Result::unauthenticated()
Result::invalid_argument()
Result::out_of_range()
Result::not_implemented()
Result::unavailable()
Result::aborted()
Result::resource_exhausted()
Result::deadline_exceeded()
Result::data_loss()
Result::eof()
Each of these functions Result::foo(...)
is a shortcut
for Result(ResultCode::FOO, concat(...))
.
Result::from_errno()
This function Result::from_errno(err_no, ...)
is a
shortcut for Result(rc, concat(...), err_no)
, where
rc
is determined automatically from
err_no
.


Introduction
This is the weekly group paper seminar on IEEE VIS paper. Advisored by Prof. Chris Johnson Anyone who is interested and willing to join is welcomed.
Agenda
| Year | Paper | Presentor | Date | Place |
|---|---|---|---|---|
| 2017 | A statistical volume rendering framework for visualization of uncertain data | Tushar Athawale | 8/23/2017 | Room 3001 |
| 2016 | Uncertainty visualization by representative sampling from prediction ensembles | Tushar Athawale | 8/30/2017 | Room 3001 |
| 2015 | The Hologram in My Hand:How Effective is Interactive Exploration of 3D Visualizations in Immersive Tangible Augmented Reality | Magdalena Schwazl | 9/1/2017 | Room 3001 |
| 2017 | A statistical volume rendering framework for visualization of uncertain data | Tushar Athawale | 8/23/2017 | Room 3001 |
| 2017 | A statistical volume rendering framework for visualization of uncertain data | Tushar Athawale | 8/23/2017 | Room 3001 |
| 2017 | A statistical volume rendering framework for visualization of uncertain data | Tushar Athawale | 8/23/2017 | Room 3001 |
| 2017 | A statistical volume rendering framework for visualization of uncertain data | Tushar Athawale | 8/23/2017 | Room 3001 |
Resource
- OSPRAY
- Uncertainty Visualization