|
This is a JavaScript implementation of a neural network, the
Multilayer Perceptron.
This example in particular is inspired by the one featured in the
CS231n class on Convolutional Neural Networks at
Standford University.
It is a simple feed-forward neural network with only 1 hidden layer, of variable size.
The network here is training itself to classify the points on the graph according to their class (represented by
their color). The colors of the background represent the area of classification as currently evaluated by
the network.


Radiator Direct
1035 S. 3rd Ave
Yuma, AZ 85364
(800) 201-1158
(928) 783-8158
FAX<PHONE_NUMBER>
<EMAIL_ADDRESS>Radiator Direct is a family owned and operated full service auto repair facility located in Yuma Arizona providing high quality products at direct price and direct service. We have been open since 1994 in Yuma Arizona and has been a leading service provider for all cooling system needs.
All of our staff is highly trained and certified to answer any questions and our knowledge and experience provides our customers with a superb level of customer service.
We offer same day service and parts on most cars and trucks. We can ship new radiators and A/C condensers to anywhere in the world.
We look forward to serving all of your auto part's needs. Call us for a quote today!


ATTACK →
DEFENSE ↴
Nor
Fir
Wat
Ele
Gra
Ice
Fig
Poi
Gro
Fly
Psy
Bug
Roc
Gho
Dra
Dar
Ste
Fai
Score
Immu
Resist
Weak
Ratio


Class IiifItems_BaseMigration
Template for migrations.
Use this to implement actions that should occur between version updates.
Methods summary
abstract public
|
#
up( )
Add the updating actions here.
Add the updating actions here.
|
public
|
|
protected
|
#
_createTable( string $name, string $schema )
Adds a table to the database.
Adds a table to the database.
Parameters
- $name
- Name of the table, without the Omeka prefix
- $schema
- The schema part of the table, in SQL
|
protected
|
#
_backupTable( string $name )
Copies an existing table to a backup.
Copies an existing table to a backup.
Parameters
- $name
- Name of the table, without the Omeka prefix
|
protected
string
|
#
_getVersionSlug( )
Returns the version of this plugin, with dots replaced by underscores.
Returns the version of this plugin, with dots replaced by underscores.
Returns
string
|


|
Geri
Halliwell
|
|
|
Scream
If You
Wanna Go Faster |
1.
Scream If You Wanna Go Faster
2. Shake Your Bootie Cutie 3. Calling 4. Feels Like Sex 5. Circles Round The Moon 6. Love Is The Only Light 7. Don't Call Me Baby 8. Strenght Of A Woman 9. Lovey Duvey Stuff 10. It's Raining Men 11.
Look At Me
2. Lift Me Up 3. Walkaway 4. Mi Chico Latino 5. Goodnight Kiss 6. Bag It Up 7. Sometime 8. Let Me Love You 9. Someone's Watching Over Me 10. Tou're In A Bubble |


 He promptly held it up to his ear, and proclaimed “Look, it’s an old-timey phone”.
Flip phones are “old-timey”?
I’m not yet forty years old, and a once coveted piece of advanced cellular technology is now considered old-timey. He’s never heard a busy signal, and I doubt he’d recognize a dial-tone. Phones don’t ring for his generation, they play songs and show videos. In my lifetime, the flip phone represented everything good about electronics, and for many years elevated the social status of the owner. Until it was unseated by the smartphone, the flip-phone was king.
Now, it is old-timey. The world has moved on.
The world was boring when I was a kid, all the cool things happened in my parent’s lifetime. Or so I thought. Now we live in a new era, and I have watched mankind peek through the crack as a door opens that will change everything.
My son will grow up in this new world. I don’t mean one that lacks busy signals and where long-distance calls don’t exist. I’m talking about a world where everything is possible.
Our neighbor planet is inhabited entirely by robots. Think about that for a second. My parents would have considered that science-fiction as kids. We have spent billions of dollars colonizing Mars with machines that have taken up residence there, and phone home with their ever expanding knowledge. The Kardashians get more airtime, but NASA, JPL, and various other groups are working on things that make fact out of science fiction.
We have a robot vacuum cleaner, my son calls it Barry.
We know people that would no longer be living if we did not put machines in their body. Move over Darth Vader, everyone we know with a pacemaker is a part of my son’s life because of the advances in technology, and the innovation of countless surgeons, scientists, and patients. His generation will expect a lot from the medical community, and they’ll probably get it.
Knowledge brings freedom to mankind. The more knowledge we have, the more free we become.
I remember my folks kept maps in the car. If we were lost in the city, we could pull over, get out the map, and plot out a route home. The information in the maps made it easier to navigate the confusing city streets. My kid asks Siri where the nearest pizza place is, and my car radio begins giving me friendly, turn-by-turn directions.
The replacement for the flip-phone does more than make calls.
I can read news about a bombing of a disco in Jerusalem from multiple sources, and have them all translated to my native language.
I can take a math course from MIT, and a programming course from Stanford, at the same time, for free, while eating cold spaghetti in my underwear.
I can take a video of my kid meeting Mickey Mouse, and grandma can watch it minutes later.
Facebook knows my every move.
In our pockets we carry all the knowledge of mankind, the ability to communicate with people worldwide.
We have instant everything.
“With great power must also come… great responsibility” - Stan Lee
We’re colonizing planets with robots, putting computers in hearts, Legos are object oriented, and printers output in 3D.
I’ve seen the future, and it rocks. The engineers of tomorrow will shape it into the most amazing wonders our species have ever seen, and we may be lucky enough to see it.
Our kids will see more than we will.
Someday, I hope to have a grandchild. A very smart one, one that questions everything and has an insatiable desire for learning. He’ll ask my son about everything, and expect good answers. He’ll call something we have yet to discover archaic, my son will think himself an old man, and I’ll smile.
I’m excited to see what the next things are. What we create, what we learn, where we go, and how we get there. If we set the sights of our children on science, we’ll all live in a better place.
A place where smartphones are old-timey.
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This page brought to you by GitHub Pages and Jekyll, with help from Materialize.
Len Payne is a Software Developer, IT Professional and Coach in Sarnia, Ontario, Canada. He is currently the Chief Technology Officer at Link2Feed, a SaaS provider based out of Sarnia and Detroit, which helps food banks and other poverty-relief organizations in managing their caseloads.


‘Avengers: Endgame’: Anthony Mackie calls Captain America twist “hugely emotional”
"There's a lot of history and pain and triumph and joy that comes along with me being Captain America"
Avengers: Endgame star Anthony Mackie has called the notorious Captain America twist in the film “hugely emotional”.
The end of the film saw Chris Evans passing over his shield to retire, with Mackie the next in line to take up the mantle.
The actor, who played the Falcon in the lauded film, has now been speaking about the process of becoming the new Captain America.
Speaking to Deadline, Mackie calls the transition “very emotional”, and discusses its importance in relation to “the history of black men in [America]”.
“I’ve been in the business for 20 years and I’ve been fortunate to do some amazing stuff and work with amazing people,” he continued.
Chris Evans as Steve Rogers aka Captain America in ‘Avengers: Endgame’
“For me, to be a black man in 2019 and be given the helm of Captain America with the history of black men in this country is a monumental step, not only in entertainment, but also in my life. It’s been extremely emotional.”
Mackie added: “Look, my grandfather was a sharecropper, you know what I mean? There’s a lot of history and pain and triumph and joy that comes along with me being Captain America.”
Chris Evans has recently said that he doesn’t want to “sour” Captain America’s legacy by returning to the character.
Anthony Mackie’s Falcon is set to star in new Marvel TV show The Falcon And The Winter Soldier, which comes to new streaming service Disney+ next year.
It’s one of a host of shows set for Phase Four of the Marvel Cinematic Universe.


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Consult
Site by Parker Chivington Designs
Find out more
Contact Us
Check this paragraph out. It's Awesome!


This week, we started using Sinatra to build a web application. At the start of the week, we built WebGuesser, a random-number guessing site that allows for a user to guess the number, and gives feedback on how close they are. My version has a few bugs. For instance, if two people are accessing the site at the same time and playing, each person’s guess counts towards the total, so you may only guess once or twice and be presented with a “Too many guesses” message. This can easily be solved with session cookies, but I haven’t gotten around to refactoring yet. I’m sure I’ll get a chance to come back and make that short project better.
We also started building IdeaBox, a place for someone to jot down ideas and store them. Originally, I just worked through the tutorial to have an understanding of the application, and then I implemented a few changes before writing tests. It was hard to work through the tutorial to understand what was happening and try to write tests at the same time, but now that I have gone back and written tests for the application, I am much more comfortable with moving forward with implementing the extensions.
I actually feel that writing the tests gave me a better understanding of each piece of the application. I definitely felt the pain of not having tests when I had decided to change how IDs are generated and add them to the YAML database, without any tests to help me spot where things were breaking. I’m still shaky on the best ways to test web applications from the acceptance-test level, but I’ve got five more months to nail that piece!
What I like about this project is that we are working at our own pace. Some people will have amazing full-blown web apps with design, users, SMS capability, etc. at the end of this, others will have gone through the basic implementation, and everyone will have a better understanding of how web applications work. It’s also been great to be in groups of four because we are all at different stages of the project, and can ask for help in specific places, instead of being dragged along by a stronger pair.
Next week, we’re going to have our first assessment. I think we’ll be paired with one of our instructors for the length of the assessment, and will have to build a program while being observed. This sounds a little intimidating, but the instructors are also there to provide feedback on our thought process and implementation, which I think is one of the coolest opportunities in the program. I think I’ll be overall in a good place during the assessment, and I’m very eager to find out what I need to spend more time learning and understanding.


{% extends '_layouts/layout.html' %} {% block page_title %}{% endblock %} {% block body_css_classes %}nhs-redesign{% endblock %} {% block content %}
Get help as soon as you can.
You can go straight to this service. You do not need to make an appointment.
St Georges Centre
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8am to 10:30pm every day
Web: www.localcaredirect.org
Tel: 0330 311 5106
Urgent treatment centres (also called minor injury units) are staffed by GPs. They’re open for at least 12 hours every day. They can diagnose and deal with many of the most common problems people go to A&E for.
See more services that can help, if the recommended one isn’t right for you.
If you get worse start again using any new symptoms.


here is Bub3812 .
first i have to thank you for offering us this useful plugin.-http://dapil.github.io/assignments-by-dlc-bblog/assignments-by-dlc.js-
it works correct up to the china rising DLC-but not for the other dlc´s like Second Assault-here is a pic of mine [file=114427]bblog sas bug.JPG[/file]-
but if i switch to the ALL Setup Screen -everything actually available Assignment is correctly shown-
here is a pic[file=114429]bblog Setup to ALL.JPG[/file]
it would be nice , if you can Fix it.....!THX...
Topicstarter
dapil
Plugin Developer
If you are talking about the empty screens on other DLCs, that's because the assignments are not released yet, I just prepared the pages.
Post edited 3 x times, last by
Meaurk
Global Moderator
RicoSchulz
this includes a little bug i think.
if i switch to All - every assignment(CR,SAS and BaseGame) are correctly shown-
but if i use it only for one DLC-it supports only the assignments for CR and BaseGame !
it looks good-here is a pic ~Link deleted by Meaurk
I have Premium and also the SAS DLC - but this shows me nothing but this-here is a pic ~Link deleted by Meaurk
can you find out the reason for that ?
i have deactivated all ad-blockers and use only greasemonkey in the background to have some extra
plugins , that are supportet by this webside.
Edit Meaurk - All links deleted, your privacy was in danger. Please use our own attachment option, instead of pasting the full file link in [ code].
Post edited 1 x times, last by
Krayziesoldier
Krayziesoldier
Not working for second assault DLC
see:
http://awesomescreenshot.com/05c2c2ck5a
and:
http://awesomescreenshot.com/0472c2cp83
most likely because data-xpack is 0 instead of 5
Topicstarter
dapil
Plugin Developer
It should be working now, I had it as 5, because the Second Assault icon was the last (fifth).

Krayziesoldier
yep ur right, its back and working! Thanks
Topicstarter
dapil
Plugin Developer
Question for people using this plugin: would you prefer the plugin automatically detecting owned DLCs? Or do you want me to leave it as it is now (settings for each dlc).
Krayziesoldier
imo its fine as it is.
RicoSchulz
hello.
i have a question to you.
each time i use on of the presets everything is working fine , but if it is done , the Filter screen dont get back by itself .Here is a pic-
http://i58.tinypic.com/33jh56g.jpg
it were nice , if it hides the filter after refreshing by itself. is it possible to fix this ?
Topicstarter
dapil
Plugin Developer
Wrong topic. You probably wanted to post it to other plugin's topic.
Topicstarter
dapil
Plugin Developer
THIS PLUGIN IS NOW A PART OF MY NEW PLUGIN, SHOW BY DLC (


| DOSE: T+ 0:00 |
210 mg |
oral |
DXM |
| T+ 0:00 |
|
oral |
Chlorpheniramine Maleate |
| T+ 1:15 |
30 mg |
oral |
DXM |
| T+ 1:50 |
1 bowl |
smoked |
Cannabis |
[Erowid Warning: Most Coricidin contains CPM (Chlorpheniramine Maleate) which can be dangerous in high doses. See DXM Brand Warnings for more info.]
I did about a box of ccc every two months or so. Never really experienced a bad time with them either. I had a day off from work and 8 30mg pills left and decided that today would be a good day to trip. I have a very fast metabolism, I'm 125 with very little body fat, so 8 or 9 pills was usually enough for me.
00:00 - I take 7 of them. I take a short drive to a buddy's place.
01:15 – I'm feeling the pills kicking in, I take the 8th one.
01:50 - I end up with a bowl of weed to myself somehow so I start rippin in. Smoked almost the whole thing and just sat back for a few mins. It didnt take long to start feeling like something is wrong but I brushed it off. I'm walking around and talking trying to get my mind of it but I start to feel light headed so I pop-a-squat and just close my eyes.
02:10 - This is when I really started to trip out. I was having some very intense but pleasurable closed eye visuals when something catches my attention and I stood up.  I'm getting really nervous and cold. I cant hear my voice as well. I never in my life thought my heart could beat so fast. I'm trying to drink as much water as possible. I tried lying down but it didnt calm may heart beat down. When I get up I realize my vision is getting dark, pixalated and then tunnel vision. I started having hallucinations of me dying. I'm screaming for my friend telling him how scared I am. I try to hold a conversation with him to calm down but I'm fading in and out.
03:15 - Somehow I survived an hour of hell. I'm starting to get a grip on reality but I am still very uncomfortable. My friend and I begun playing some games to help my mind get back.
04:45 – I'm now stable and convinced I will never do ccc again.
 I feel like my friend was the only reason I was able to make it through that whole nightmare.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Sikkim Manipal Institute of Technology (SMIT) has produced excellent and dedicated professionals who have made their mark in all sectors thereby making SMIT as one of the sought after institute for the recruiters and the same is reflected in the placement performances over the years.
List of Recruiters - 2020 Pass Out Batch as on 12/12/2019
Star Recruiter: Microsoft, Dell, Shell, JLL, Daikin
| Microsoft |
Dell |
Shell |
Wipro |
| Think and Learn (Byju's) |
JLL |
Nomura |
Ericsson |
| MU Sigma |
Capgemini |
Daikin |
LT Elevators |
| Paragyte |
TCS |
Cognizant |
ICICI Bank |
| Tommy Hilfiger |
Globussoft |
Edureka |
Go Speedy Go |
No. of Students registered for placements: 378
No. of job offers: 408
List of Recruiters - 2019 Pass Out Batch
Star Recruiter: Microsoft, Dell, Shell, Boston Scientific, Parker Hannifin, Keysight Technologies, FL SMIDTH, TITAN, Amazon
| Microsoft |
Amazon |
Boston Scientific |
Bosch |
| Infosys |
Keross |
FL Smidth |
Ericsson |
| Dell |
TCS |
Mphasis |
Britannia |
| Shell |
Bid Ocean |
Genesys |
Emami |
| Just Dial |
Keysight Technologies |
AGS |
Halodoc |
| Wells Fargo |
Idemia |
LT Elevators |
Parker Hannifin |
| Talview |
Thoughtworks |
Click on care |
C-Core |
| Wipro |
Think & Learn |
Computronics |
Titan |
| Innoeye |
Go Speedy Go |
Web Skitters |
Bureau Veritas |
No. of Students registered for placements: 320
No. of job offers: 371
List of Recruiters - 2018 Pass Out Batch
Star Recruiter: Amazon, Think and Learn, Dell, IXIA, Bosch
| IXIA |
Capgemini |
Microsoft |
Gamma Analysis |
| Dell India |
Smartprix |
Solarize |
Cleartax |
| Wells Fargo |
Proto Tech |
Igenesys |
Pyramid Consultant |
| Bosch |
Poornam Infovision |
E-Construct |
Webskitters |
| AIS |
Click on Care |
Daikin |
Diamond Pick |
| Wipro |
Paragyte |
Talview |
Dolphin Foundry |
| Think & Learn |
Thoughtworks |
LT Elevators |
Dalmia Cement |
| Just Dial |
Amazon |
Medullus Systems |
Sibin |
No. of Students registered for placements: 320
No. of job offers: 297


| What's ADSI Extension? An ADSI extension is a special COM object that allows developers to extend an ADSI object. Each extension is associated with a specified class in the directory. With this extension model, developers can give more dynamic meaning to an object by adding methods. In a traditional directory programming model, an object is accessed by setting and getting the objects attributes. Using ADSI, you will be able to add semantics to an object in the directory.How the extension methods are implemented is up to the extension writer. An extension writer may implement a method that is totally outside the scope of the directory. For example, he may use an ISV to backup and restore software plans to extend a computer object. The extension will create two method calls: BackUp and Restore. These methods will operate remotely on the physical computer that is pointed to by the computer object in the directory. By participating as an extension, the component automatically gains access to the ADSI infrastructure, and is viewed by ADSI clients as an integral part of the ADSI programming model. For more information on ADSI extension, please see the documentation in the Platform SDK. ADSI Extension Tutorials This SDK comes with ADSI Extension Tutorials and tutorial source code. It also comes with a slideshow about how ADSI extension works.
|


12 MONKEYS A film review by Mark R. Leeper Copyright 1996 Mark R. Leeper
Capsule: This is a complex and disturbing science fiction story that will not be to most people's taste. Mixing time travel and schizophrenia in a film that is much too often painful to watch. 12 MONKEYS is by turns violent, revolting, contrived, and intelligent. This is a film that is good without being recommendable. Rating: low +2 (-4 to +4). A plot description of "La Jetee" follows in a spoiler section. Be warned that it could be a spoiler for either film.
The virus attack that started in December of 1996 has killed all but a small remnant of civilization who live in 2035 in underground hi-tech steel bunkers. In the bunker under Philadelphia it is like living in a prison for everyone but prisoners. Convicted criminals are kept caged in steel boxes and moved in and out by cranes when they are chosen to "volunteer" for hazardous tasks. Prisoner James Cole (Bruce Willis) is picked to volunteer to collect biological samples on the surface. This mission leads to a more important mission, being sent back in time to 1996 to collect fresh virus samples. Instead, through miscalculation, he ends in 1990 where he is almost immediately thrown into a mental institution. His doctor is psychologist Dr. Kathryn Railly (Madeleine Stowe), an expert in of all things, prophecy. He is put under the mentorship of a hyperkinetic schizoid Jeffrey Goines (Brad Pitt) whose most harmless delusions are of being the son of a famous man.
12 MONKEYS is a film of great flaws and of at least moderate virtues. There are far too many places where the film wanders far beyond the realm of believability. In one scene Railly goes visiting dangerous and unstable men in prison wearing a provocative short skirt. Admittedly the character had not planned for this at the beginning of the evening, but it is unlikely she would do it, even so. Some of the coincidences that move the plot along are incredibly contrived. This is a film that even for strong science fiction film fans will be one that is better to have seen than to be seeing. Director Terry Gillium made BRAZIL a downbeat film to watch, but at least one with its whimsical side. For this film he has removed just about all the charm and created a nightmarish past and present, and an especially bleak future. His images grate like steel claws scratching on a blackboard. The entire film is an assault on the emotions and the senses. For example, this is just the film for all those people who have been waiting years to see Bruce Willis drool, bleed, spit, and eat spiders. That is just the kind of film it is.  There is little that is uplifting or exciting about the film, though there are some intriguing science fictional ideas, particularly about causality and time travel. There are several nice ironic time travel paradoxes. The screenplay is provided by David Peoples (who co-authored BLADERUNNER) and Janet Peoples. Rarely does a film bear a credit for being inspired by another film, but 12 MONKEYS is inspired by Chris Marker's 29-minute film "La Jetee," which originally ran on a double bill with ALPHAVILLE.
Willis and Pitt each give disturbing performances. Willis is not a great actor, but he is better than he often appears. And this film certainly gives him more opportunity than most of his action films to create a character. Mostly this film gives him an opportunity to show bewilderment. Brad Pitt has been getting some attention for his wildly gesticulating mental patient. He is adequately strange, but nothing world-class. Madeleine plays someone considerably more normal than the two male leads and as a result has a much less flashy role. She is much harder to notice by contrast, proving than in an insane world a sane person appears not insane but only unmemorable.
12 MONKEYS is a pretentious and self-indulgent piece of oppressive and cheerless filmmaking, but for mavens of time travel stories it delivers the goods. I rate it a low +2 on the -4 to 4 scale.
Spoiler...Spoiler...Spoiler...Spoiler...Spoiler...
"La Jetee" is a short film made up almost entirely of still photos. The following is a synopsis:
It is a post-holocaust Paris in which survivors live underground. The underpinnings of reality and causality have been blown away. H is haunted by the image of a woman's face that he cannot get out of his mind. It becomes an obsession. Because it has weakened his hold on the present, a scientist thinks that he can actually send H traveling in time (similar to SOMEWHERE IN TIME). H goes back in time to an incident in his past where he thinks he may have seen the woman on a jetty. Something bad (I forget what) happens while he is on the jetty, and he is killed. The last thing he sees before his death is the image of a woman's face, the same image that brought him to his death.
Mark R. Leeper<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


GOOD BURGER (1997) A movie review by Chuck Dowling Copyright 1997 Chuck's Movie Reviews
Good Burger (1997) **** out of ***** - Cast: Kel Mitchell, Kenan Thompson, Sinbad, Abe Vigoda, Dan Schneider. Written by: Dan Schneider, Kevin Kopelow and Heath Seifert. Directed by: Brian Robbins. Running Time: 95 minutes.
Before seeing this, I was probably the most anti-"Good Burger" person around. The previews seemed to be all I needed to see to judge that this just wasn't worth my time. Well, for once the previews worked AGAINST the film, as "Good Burger" is surprisingly very funny.
"Good Burger" is smart to point out it's ridiculousness very early on. It immediately lets you know how silly it's going to be, and it stays constant throughout. Not much of a plot to really speak of (It's all about a war between two rival hamburger stands, one a small town mainstay, the other a massive corporate monster), but the huge amount of comedy that actually works kept me entertained. And aside for a little bit of minor league profanity, it's a fine film for the family.
The cast is extremely likable, with only the main character as an exception. He's doing a sort of James Brown impression for the whole film, and it's awfully annoying. Thankfully, he does get some good jokes, so his character isn't a total loss. Abe Vigoda was an odd casting choice, but even that pays off well. And there are numerous cameos (no one earth-shattering though).
"Head of the Class" fans take note, the film co-stars and was co-written by Dan Schneider who played Dennis on the show, and director Brian Robbins played Eric. [PG]
-- Chuck Dowling --
Visit Chuck's Movie Reviews at http://users.southeast.net/~chuckd21/ Over 1,600 movies rated and/or reviewed! Movie news, film related links, and reader's reviews.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Zero Effect (1998)
Director: Jake Kasdan Cast: Bill Pullman, Ben Stiller, Ryan O'Neal, Kim Dickens, Angela Featherstone Screenplay: Jake Kasdan Producers: Jake Kasdan, Janet Yang Runtime: 115 min. US Distribution: Columbia/Castle Rock/Manifest Rated R: language
By Nathaniel R. Atcheson<EMAIL_ADDRESS>Zero Effect gets its title from the main character, Daryl Zero (Bill Pullman), although we don't understand what it truly means until the very last line of dialogue in the film. Zero is a private investigator, perhaps the best private investigator who ever lived (at least he'd like to think so). However, he's a socially inept being, and eccentric in every possible way -- this fact certainly makes his talents as a private eye even more bewildering than they already are.
Zero's accomplice is Steve Arlo (Ben Stiller), a "normal" guy who does the business side of the job -- he's the one who actually speaks to clients and explains Zero's greatness as an investigator. The opening scene has Steve explaining the many virtues of Zero's talents to soon-to-be client Gregory Stark (Ryan O'Neal). It turns out that Stark has lost a key to a safe deposit box, and is now being blackmailed for something that he apparently knows nothing about.
Zero takes the case, and the plot thickens. His path leads to a young, pretty paramedic named Gloria Sullivan (Kim Dickens). Despite her luminous and seemingly-harmless presence, she turns out to be the one blackmailing Stark. Through his investigations, Zero learns why, but not without developing feelings for Gloria -- feelings that, because of his reclusive behavior, are new and confusing to him.
I have no particular affinity towards the mystery genre of film. I can idly enjoy movies about private investigators, and, every once in a while, a film like Chinatown comes a long that blows me away (actually, no private eye film has ever reached Chinatown's greatness). Zero Effect, which is Jake Kasdan's first effort as writer/director, is a film about a private investigator that succeeds in all attempts: it's an original, funny, and completely involving motion picture. With so many cliches available to this genre, I find it amazing that Kasdan avoided all of them. But he didn't just successfully avoid flaws: he has created a great film here, one that had me interested and fascinated from the first shot to the final moment.
Take, for starters, the great cast of characters. Pullman is terrific as Zero, showing a comic flair that I really haven't seen from him since Spaceballs. Zero is the kind of guy who seems at ease switching personalities so frequently as he does here; the fact that he's an almost exaggeratedly twisted, emotionally unstable man outside of his profession is not at all difficult to believe. Pullman's performance is much more layered than it might seem at first glance, and the occasional voice-over as he's going through the motions of his job are insightful and often hilarious.
Ben Stiller is also a very funny individual; he's the kind of comedian who makes normal lines sound funny. "I'll shoot you," he says to Stark at one point. "I have a gun, and everything." His character is also well-drawn, with an interesting subplot involving his girlfriend (Angela Featherstone) who is not happy with the extensive amounts of time he must spend away from her due to the unpredictability of his job. O'Neal also gives his character a bit of depth; and Kim Dickens, last seen (and underused) in Mercury Rising, gets a chance to show us her talent here, giving Gloria the realism this kind of character really needs.
I find Zero Effect to be an immensely funny and witty film. Kasdan's humor is of the best kind -- soft spoken, and mostly dialogue-driven (though there are some great visual jokes). It's the kind of humor that's funny even after you've seen it five or six times. There's one scene in which Zero talks about how detached he is, an how that makes him such a great detective.  I can't convey to you how funny this is, but what makes it great film making is that it has a point -- scenes like this are frequent, and they provide solid characterization of Zero.
As a side note, I don't consider myself an average viewer when it comes to comedy (not to sound elitist) -- I find things funny that many do not, and vice versa. There was a clump of people near me in the theater laughing uproariously through this film, and the rest of the theater was relatively silent through most of it. I have a feeling the humor here won't appeal to everyone, but there's certainly enough story and character development to keep anyone's interest.
Jake Kasdan, son of writer/director Lawrence Kasdan, is only 22 years old. I found this out after seeing the film, and I can't remember ever being so impressed with a film maker. His direction is stylish without being pretentious, and his writing is mature, full, and developed. Zero Effect is the kind of film that I'll buy for my collection -- smart, original films like this are rare as it is, but this one actually has a heart and a soul. At the end of the film, I was involved in the characters, and I was satisfied with the outcome. And, with Kasdan's undeniable talent at such a young age, all I can do is hope to see a lot more from him in the future.
***1/2 out of **** (8/10, A-)
Visit FILM PSYCHOSIS at http://www.pyramid.net/natesmovies
Nathaniel R. Atcheson
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


In this course we learned about Hyperlinks, imagemap, tables, nested tables, html forms and hands on javascript training under Anirban sir's instructions.


Direct Memory Access:
As explained in the LCD chapter the CPU can only access the Sprite Attributes table during the duration of one of the LCD modes (mode 2).
The Direct Memory Access (DMA) is a way of copying data to the sprite RAM at the appropriate time removing all responsibility from the main program.
The game launches a DMA when it attempts to write to memory address 0xFF46 so we need to add the following to WriteMemory to trap writing to this address:
else if (address == 0xFF46)
{
DoDMATransfer(data) ;
}
Implementation of the DMA Transfer:
The code behind the DMA transfer is really very simple but to understand what is needed can be a little tricky. As mentioned earlier the destination address of the DMA is the sprite RAM between memory adddress (0xFE00-0xFE9F) which means that a total of 0xA0 bytes will be copied to this region. The source address is represented by the data being written to address 0xFF46 except this value is the source address divided by 100. So to get the correct start address it is the data being written to * 100 (to make it faster instead of multiplying by 100 we will shift left 8 places, it is the same thing). Now we have all the information to write the DoDMATransfer function like so:
void Emulator::DoDMATransfer(BYTE data)
{
WORD address = data << 8 ; // source address is data * 100
for (int i = 0 ; i < 0xA0; i++)
{
WriteMemory(0xFE00+i, ReadMemory(address+i)) ;
}
}


Use flags for messages containing confirmations, alerts, and acknowledgments that require minimal user interaction. These event-driven messages appear at the bottom left of the screen and overlay any content.


Confession Received
Your confession has been received. Please understand that all submissions are human reviewed, so they will not be posted immediately.
Your confession has been received. Please understand that all submissions are human reviewed, so they will not be posted immediately.


Head east on I-270 E 1.3 mi
Take exit 31A to merge onto MO-367 S/Lewis and Clark Blvd toward St Louis 3.4 mi
At the traffic circle, take the 3rd exit onto Riverview Blvd 1.3 mi
Use the left 2 lanes to turn left onto W Florissant Ave 1.3 mi
Turn right onto N Kingshighway Blvd 3.3 mi
Turn left onto Delmar Blvd Destination will be on the left 0.2 mi
4811 Delmar Boulevard St. Louis, MO 63108
Take I-55 N and I-44 to McRee Ave in St. Louis. Take exit 287-287A-287B from I-44 19 min (17.8 mi)
Head west toward I-255 W 0.5 mi
Continue onto I-270 N 1.1 mi
Use the 2nd from the right lane to take exit 2 for MO-21/Tesson Ferry Rd 0.2 mi
Use the left 2 lanes to turn left onto MO-21/Tesson Ferry Rd 0.1 mi
Use the left 2 lanes to turn left to merge onto I-270 S 1.3 mi
Use the middle lane to take exit 1A for Interstate 55 N/U.S. 61/U.S. 67/Lemay Ferry Rd 0.6 mi
Keep right to continue on Exit 1B, follow signs for Interstate 55 N/Saint Louis 0.7 mi
Keep right to stay on Exit 1B, follow signs for I-55 N/St Louis and merge onto I-55 N 10.4 mi Use the left lane to take exit 207B-207C for I-44 W 0.3 mi
Merge onto I-44 2.5 mi
Take exit 287-287A-287B for Vandeventer Ave toward Kingshighway 0.2 mi
Take S Kingshighway Blvd to Delmar Blvd 10 min (2.8 mi)
Continue straight onto McRee Ave 0.4 mi
Turn right onto S Kingshighway Blvd 2.2 mi
Turn right onto Delmar Blvd Destination will be on the left 0.2 mi
Follow I-70 W to St. Louis. Take exit 249 from I-70 W 10 min (10.3 mi)
Head west on I-55 S/I-70 W 6.8 mi
Keep right at the fork to continue on I-70 W Entering Missouri 3.2 mi
Use the left lane to take exit 249 toward Tucker Blvd/Downtown/St Louis 0.3 mi
Take Dr Martin Luther King Dr and Page Blvd to Delmar Blvd 15 min (4.6 mi)
Continue onto N Tucker Blvd 0.3 mi
Turn right onto Biddle St 0.1 mi
Turn left onto N 14th St 0.2 mi
Turn right onto Dr Martin Luther King Dr 1.7 mi
Slight left onto Page Blvd 1.5 mi
Turn left onto N Taylor Ave 0.4 mi
Turn right onto Delmar Blvd Destination will be on the right 0.3 mi
Get on I-64 E from Premium Way, Olive Street Rd, Chesterfield Airport Rd and Spirit of St Louis Blvd 4 min (1.7 mi)
Head southwest toward Outlet Blvd 13 ft
Continue onto Premium Way 0.3 mi
Continue straight to stay on Olive Street Rd 0.4 mi
Turn right onto Chesterfield Airport Rd 0.5 mi
Turn left onto Spirit of St Louis Blvd 0.2 mi
Turn right to merge onto I-64 E 0.2 mi
Follow I-64 E to S Kingshighway Blvd in St. Louis. Take exit 36A from I-64 E 21 min (21.2 mi)
Merge onto I-64 E 21.0 mi
Take exit 36A for Kingshighway Boulevard 0.2 mi
Continue on S Kingshighway Blvd. Drive to Delmar Blvd 7 min (1.7 mi)
Use the left 2 lanes to turn left onto S Kingshighway Blvd (signs for St Louis College of Pharmacy) 1.5 mi
HELLO WORLD
LC 101
BLUE 1647
CODEGIRL


Before Change
Class probability estimates.
"""
kwargs = self.filter_sk_params(Sequential.predict_proba, kwargs)
return self.model.predict_proba(X, **kwargs)
def score(self, X, y, **kwargs):
"""Returns the mean accuracy on the given test data and labels.
After Change
will return "(n_samples, 2)"
"""
kwargs = self.filter_sk_params(Sequential.predict_proba, kwargs)
probs = self.model.predict_proba(X, **kwargs)
// check if binary classification
if probs.shape[1] == 1:
// first column is probability of class 0 and second is of class 1


vignettes/add_phase.Rmd
add_phase.Rmd
This document introduces a way to quantify X-ray map even if, in accident, there are some phases without spot analysis. For accurate analysis, I highly recommend careful observation prior to EPMA analysis, so that as less phases as possible being missed.
Please read “Get started” before hand.
This section prepares package, files, and modify sample data. An original sample dataset is same as that used in “Get started”. However, the dataset will be modified to let a phase be not analyzed by EPMA spot analysis. This is why “Specify directories containing data” and “Load Data” belongs to “Preparation” despite they belongs to Analysis section of “Basic usage”.
or any original data.
file.copy(
from = system.file('extdata', 'minimal', package = 'qntmap'),
to = wd,
recursive = TRUE
)
#> [1] TRUE
TRUE
indicates files are successfully copied. Check if really files are copied by dir()
.
dir(file.path(wd, 'minimal'), recursive = TRUE, all.files = TRUE)
#> [1] ".map/1/0.cnd" ".map/1/1_map.txt" ".map/1/1.cnd"
#> [4] ".map/1/2_map.txt" ".map/1/2.cnd" ".qnt/.cnd/elemw.cnd"
#> [7] ".qnt/bgm.qnt" ".qnt/bgp.qnt" ".qnt/elem.qnt"
#> [10] ".qnt/elint.qnt" ".qnt/mes.qnt" ".qnt/net.qnt"
#> [13] ".qnt/pkint.qnt" ".qnt/stg.qnt" ".qnt/wt.qnt"
#> [16] "conditions_qnt.csv" "conditions_xmap.csv" "README.md"
In the original dataet, 20 spots are analyzed by EPMA on both olivine and quartz.
table(qnt$cnd$phase)
#>
#> Ol Qtz
#> 20 20
Let’s delete quartz from dataset and reload.
After read_qnt()
is performed, a file phase_list0.csv
is created under working directory. This file consists of 3 columns id
, phase
, and use
.
Edit only phase
and use
. Do not edit id
. If certain phases have large compositional variations, fill phase
column with different names. (e.g., Ol_Fe and Ol_Mg for Fe-rich olivine and Mg-rich olivine). If certain analysis show bad results, fill use
column with FALSE
, otherwise TRUE
.
To do it on R, execute codes below. Be sure to specify a path to modified csv file to phase_list
parameter of read_qnt
. Also, renew
parameter of read_qnt
must be TRUE
.
phase_list <- read.csv('phase_list0.csv')
phase_list$use[phase_list$phase == 'Qtz'] <- FALSE
write.csv(phase_list, file.path(dir_qnt, 'phase_list_no_qtz.csv'))
qnt <- read_qnt(dir_qnt, phase_list = file.path(dir_qnt, 'phase_list_no_qtz.csv'))
After editing, only olivine is said to be quantified.
table(qnt$cnd$phase)
#>
#> Ol Qtz
#> 20 20
centers <- find_centers(xmap, qnt)
centers
#> phase Si Mg
#> 1 Ol 4263.8 5722.45
plot(xmap, 'Si', interactive = FALSE)
In this case, an analysist will notice there is something other than olivine. Let’s mouse over the interactive map and one will see one of the coordinates of quartz (e.g., x = 18, y = 28). Keep it on your note.
Add initial centers by using add_centers
.
centers <- add_centers(centers = centers, xmap = xmap, x = 18, y = 28, p = 'Qtz')
Then, Qtz is properly added to centers
.
print(centers)
#> phase Si Mg
#> 1 Ol 4263.8 5722.45
#> 2 Qtz 10126.0 0.00
centers_initial0.csv
in the current directory (try getwd()
on R if unknown).centers <- read.csv('path to an updated csv file')
As Qtz is not quantified during spot analysis, calibration curves for Qtz is substituted by results of regression analysis without considering different phases. Try “Quasi-calibrations” in case phases not quantified have known and constant chemical compositions.
cluster <- cluster_xmap(xmap, centers)
qmap <- quantify(xmap, qnt, cluster)
summary(cluster)
#> Ol Qtz
#> 1 0.9000567 0.09994333
summary(qmap)
#> Element Min. 1st Qu. Median Mean 3rd Qu. Max.
#> 1 SiO2 40.54 42.49 42.97 48.69 43.52 103.91
#> 2 MgO 0.00 56.46 57.10 51.49 57.68 59.87
#> 3 Total 96.43 99.46 100.18 100.18 100.88 104.37
In case phases without spot analysis have known chemical compositions, their calibration curves can be calculated by specifying their chemical compositions in csv format.
For example, prepare a csv file, and specify it to fix
parameter of quantify()
.
csv <- paste(
'phase, oxide, wt',
'Qtz, SiO2, 100',
sep = "\n"
)
cat(csv)
#> phase, oxide, wt
#> Qtz, SiO2, 100
qmap2 <- quantify(xmap, qnt, cluster, fix = csv)
summary(qmap2)
#> Element Min. 1st Qu. Median Mean 3rd Qu. Max.
#> 1 SiO2 40.54 42.49 42.97 48.54 43.52 102.41
#> 2 MgO 0.00 56.46 57.10 51.49 57.68 59.87
#> 3 Total 96.43 99.34 100.04 100.03 100.73 104.37
Of course, csv
parameter can be a path to a csv file, unlike the above example, which gave csv data the csv
parameter.


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Vatel (2000)
The Cannes Film Festival always produces good movies. At least that's what they say. So I went to Vatel, a non-Hollywood movie, first released in Cannes.
Although it is a non-Hollywood movie, it has all the elements of Hollywood. A big budget, a big set, and famous Hollywood artists (Uma Thurman, Tim Roth). The only french things in it is Gerard Depardieu and the setting.
Set in 1671, the story is about the visit of King Louis XIV to the Castle of Prince Conde. The Prince of Conde must prepare a set of festivities to make sure that the King is happy, so he assigns his Master Steward, Francois Vatel, (Depardieu) to prepare a three-day banquet.
The whole movie is set in the huge Castle of Conde. Very detailed background, you can see the difference between kingdom and peasants in seconds. I can't recall any other movie set in 17th century France with such precise details. From the castle, to the clothes, to the props, to the food.
But with this good set comes a vague story. For the first hour I was still guessing where the movie is going to. There weren't a lot of conversations, and when there was one, it was short with high-class language. It looked like a love triangle, but it wasn't. Actually it was just the Master Steward preparing the whole party. And then the fish came too late, or he was just too impatient.
It's worth watching only when you're interested in 17th century France. Or Gerard Depardieu's big nose. After all, it is a non-Hollywood movie. If you're looking for action or suspense, then just go to The Gladiator or MI-2 again.
Indra Moeljadi now understands why the French are like that
For more reviews go here: http://www.geocities.com/anakzaman
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| Network Working Group | J.C. Gregorio, Editor |
| INTERNET DRAFT | BitWorking, Inc |
| <draft-ietf-atompub-protocol-00.txt> | R.F. Sayre, Editor |
| Category: Standards Track | Boswijck Memex Consulting |
| Expires: January 2005 | July 2004 |
The Atom Publishing Protocol
draft-ietf-atompub-protocol-00.txt
This document is an Internet-Draft and is CONFORMANCE UNDEFINED.
Internet-Drafts are working documents of the Internet Engineering Task Force (IETF), its areas, and its working groups. Note that other groups may also distribute working documents as Internet-Drafts.
Internet-Drafts are draft documents valid for a maximum of six months and may be updated, replaced, or obsoleted by other documents at any time. It is inappropriate to use Internet-Drafts as reference material or to cite them other than as "work in progress".
The list of current Internet-Drafts can be accessed at http://www.ietf.org/ietf/1id-abstracts.txt.
The list of Internet-Draft Shadow Directories can be accessed at http://www.ietf.org/shadow.html.
This Internet-Draft will expire in January 2005.
Copyright (C) The Internet Society (2004). All Rights Reserved.
This memo presents a protocol for using XML (Extensible Markup Language) and HTTP (HyperText Transport Protocol) to edit content.
The Atom Publishing Protocol is an application-level protocol for publishing and editing Web resources belonging to periodically updated websites. The protocol at its core is the HTTP transport of Atom-formatted representations. The Atom format is documented in the Atom Syndication Format 0.3 PRE-DRAFT (http://www.mnot.net/drafts/draft-nottingham-atom-format-02.html).
To provide feedback on this Internet-Draft, join the atom-syntax mailing list (http://www.imc.org/atom-syntax/index.html).
1
Introduction
1.1
Notational Conventions
1.2
Terminology
2
The Atom Publishing Protocol Model
3
Functional Specification
3.1
PostURI
3.1.1
Locating the PostURI
3.1.2
Request
3.1.3
Response
<IP_ADDRESS>
Response code 201
<IP_ADDRESS>
Response code 303
<IP_ADDRESS>
Response code 400
<IP_ADDRESS>
Response code 500
3.2
EditURI
3.2.1
Locating
3.2.2
Request
3.3
FeedURI
3.3.1
Locating
3.3.2
Request
3.3.3
Response
<IP_ADDRESS>
Response code 301
<IP_ADDRESS>
Response code 307
3.4
Link Tag
3.4.1
rel
3.4.2
href
3.4.3
title
3.4.4
type
3.5
Atom Request and Response Body Constraints
3.5.1
id
3.5.2
link
3.5.3
title
3.5.4
summary
3.5.5
content
3.5.6
issued
3.5.7
modified
3.5.8
created
3.5.9
author
3.5.10
contributor
3.5.11
generator
4
Security Considerations
5
IANA Considerations
6
Appendix A - SOAP Enabling
6.1
Servers
6.2
Clients
7
Appendix B - Examples
7.1
Example for a weblog
7.2
Example for a wiki
8
Revision History
§
Normative References
§
Author's Addresses
§
Intellectual Property and Copyright Statements
The Atom Publishing Protocol is an application-level protocol for publishing and editing Web resources.
The key words "MUST", "MUST NOT", "REQUIRED", "SHALL", "SHALL NOT", "SHOULD", "SHOULD NOT", "RECOMMENDED", "MAY", the and "OPTIONAL" in this document are to be interpreted as described in RFC2119.
The Atom Publishing Protocol is an application-level protocol for publishing and editing Web resources. Using the common HTTP verbs provides a pattern for working with all such Web resources:
There are three major classes of URIs in this specification: PostURI, FeedURI and EditURI. This specification defines the expected actions for each of the methods listed. A URI MAY support methods not listed here. For example, an EditURI could support a POST or OPTIONS method. However, what those methods do is beyond the scope of this specification.
This document does not specify the form of the URIs that are used. The URI space of each server is controlled, as defined by HTTP, by the server alone. What this document does specify are the formats of the files that are exchanged and the actions that can be performed on the URIs embedded in those files.
The PostURI is used to create entries. These can be either full entries, such as a weblog post, or they can be comments, or even a wiki page. The client POSTs a filled-in Atom Entry to this URI. If the request is successful, one or more Web resources MAY be created. For example, POSTing an Atom entry to a PostURI may create two new Web resources, an HTML representation and an Atom representation.
The PostURI can be discovered in a link element with an @rel of 'service.post'. The link element containing a PostURI used to create a new entry MAY be discovered in three different places. The first place it may be found is in a <link> element in the 'head' element of an HTML document.
The second place a PostURI may be found an atom:link element that is a child of the atom:feed element. The third place a PostURI may be found is in the atom:link element of an atom:entry.
@@ TBD @@ - Discuss subordinate resources and what a PostURI means based on where the URI was found.
<link rel="service.post" type="application/atom+xml" href="URI for Posting goes here" title="The name of the site.">
The request contains a filled-in Atom entry, subject to the constraints in section section 3.5.
The possible status codes from a POST are 201, 303, 400, 401, 404, 410 and 500.
Response includes a Location: header with the URI of the created resource, i.e. the URI used to edit the entry, as opposed to the URI used to display the content. The body of the response will contain the entry "filled-in" with time stamps and any other data the server chooses to reveal. This must contain enough information to enable a client to issue a subsequent PUT to this location. Note that the server may chose to omit the content in the response, particularly if it is large.
The body of this response does not contain the filled-in Entry, but the filled-in Entry can be found under a different URI and can be retrieved using a GET method on that resource. The URI SHOULD be given by the Location field in the response.
Indicates that the server believes that that data sent constitutes an invalid request. A short description of the error will appear on the status line itself. A longer description will appear in the body.
Indicates that the server detected an internal error on the server processing this request (such as an unhandled exception). A short description of the error will appear on the status line itself. A longer description will appear in the body.
An EditURI is used to edit a single entry. Each entry that is editable MUST have a unique URI. This URI supports both GET and PUT and they are used in tandem for an editing cycle. The client GETs the representation which is formatted as an Atom entry. The client may then update the entry and then PUT it back to the same URI. The PUT will cause all the related resources to be updated, for example, the HTML representation.
Note that the value of the content element in the Atom entry does not have to exactly match the content element for the same entry when it is represented in an Atom feed. For example, a server may allow the client to post entries whose content is formatted as WikiML, yet the server may clean up such markup and transform it into well-formed XHTML before placing it in the publicly available Atom feed. Another scenario is summaries--the EditURI is for editing the full content of an entry, but the server may only present excerpts when it produces an Atom feed.
A client will send a DELETE to the EditURI to delete an entry.
For editing a site Entry, the link tag is used. Note that a link tag is used in both HTML and in the Atom format. A link tag of the following format points to the EditURI for a site. In HTML, the link tags for editing are always found in the head element, while in Atom they may appear as children of the entry elements.
<link rel="service.edit" type="application/atom+xml" href="URI for Editing goes here" title="Readable desc of the entry.">
Note: The critical characteristic of this link tag is the @rel of 'service.edit' and the @type of 'application/atom+xml'.
A PUT request, and a GET response both contain a filled-in Atom entry, subject to the constraints in section section 3.5.
The FeedURI is used to retrieve a representation in Atom format. Note that this feed is different from a typical Atom feed in that it contains "link" elements for navigating and manipulating the content of the site. For example there should be a "link" element with rel="next" whose URI points to the next block of entries on the site. Similarly, the feed element can contain a "link" element with rel="service.post", the URI of which is a PostURI. Individual entries should contain "link" elements with rel="service.edit" whose URIs are EditURIs.
@@ Editor's Note: @@ Note that the "service.feed" takes the place of the Introspection File and the Search facet in previous versions of the specification. That is, facet discovery, which was previously done by inspecting the Introspection file is now done by looking for "link" tags with an attribute "rel" set to "service.[something]" in the "service.feed" file. At the same time the same representation replaces the search facet by having "link" tags that point to other feeds using well knows 'rel' attribute values such as 'next' and 'prev', or the search can branch in multiple directions by specifying multiple link tags with rel="service.feed" and having differing title attributes that announce the kind of search results in that feed.
A link tag of the following format points to the FeedURI.
<link rel="service.feed" type="application/atom+xml" href="URI goes here" title="The name of the site.">
The request is a simple GET. No other verbs are currently specified for this URI.
The expected status codes from a GET are 200, 301, 307, and 500. 401, 404, and 410 are also possible.
The Feed has moved permanently, the new URI is given in the Location header.
The Feed has moved temporarily, the new URI is given in the Location header.
The link tag is used in both HTML and Atom formats. There are slight differences between the two usages. Here are the commonalities, differences, and a list of well-known values for the rel attribute.
The link tag in HTML documents appears in the 'head' of the document. The 'head' section only allows a linear list of 'link' tags. The Atom format allows 'link' tags as children of both the 'feed' element and of the 'entry' element. Note that this gives the information present in the link tag more context. For example ... @@ TBD @@
This attribute describes the relationship from the current document, be it HTML or Atom, to the anchor specified by the href attribute. The value of this attribute is a space-separated list of link types. Note that these values are case insensitive. When used in concert with type="application/atom+xml", the relations may be interpreted as follows.
URI of the resource being described by this link element.
Offers advisory information about the link. Rendered to the user to help them choose among a set of links with the same rel and type attributes.
The content type of the resource available at the URI given in the href attribute of the link element. Most of the link types in this specification are on type 'application/atom+xml'.
The Atom format is used as the representation of all the resources in this specification. As it is used in differing contexts, there are different constraints of which elements may be present, and how their values should be interpreted.
Because Atom is a publishing protocol, it is important that only authorized users can create and edit entries. The security of Atom is based on HTTP Digest Authentication and/or the WSSE-style authentication described in this document. Any weaknesses in either of these two protocols will obviously affect the security of the Atom publishing protocol.
Both HTTP Digest Authentication and the WSSE-style authentication described in this document are susceptible to dictionary-based attacks on the shared secret. If the shared secret is a password (instead of a random string with sufficient entropy), an attacker can determine the secret by exhaustively comparing the authenticating string with hashed results of the public string and dictionary entries.
See RFC 2617 for more detailed description of the security properties of HTTP Digest Authentication.
@@TBD@@ Talk here about using HTTP basic and digest authentication.
@@TBD@@ Talk here about denial of service attacks using large XML files, or the billion laughs DTD attack.
This document has no actions for IANA.
All servers SHOULD support the following alternate interface mechanisms to enable a wider variety of clients to interact with Atom Publishing Protocol servers. The following requirements are in addition to the ones listed in the Functional Specification Section. If a server supports SOAP Enabling then it MUST support all of the following.
Fill this in with an example for how all the above is used for a weblog. Start with main HTML page, link tag of type service.feed to the 'introspection' file. 1. Creating a new entry 2. Finding an old entry 3. editing an old entry 4. commenting on a entry (via HTML and Atom)
Fill this in like above but for a wiki.
Rev draft-ietf-atompub-protocol-00 - 5Jul2004 - Renamed the file and re-titled the document to conform to IETF submission guidelines. Changed MIME type to match the one selected for the Atom format. Numerous typographical fixes. We used to have two 'Introduction' sections. One of them was moved into the Abstract the other absorbed the Scope section. IPR and copyright notifications were added.
Rev 09 - 10Dec2003 - Added the section on SOAP enabled clients and servers.
Rev 08 - 01Dec2003 - Refactored the specification, merging the Introspection file into the feed format. Also dropped the distinction between the type of URI used to create new entries and the kind used to create comments. Dropped user preferences.
Rev 07 - 06Aug2003 - Removed the use of the RSD file for auto-discovery. Changed copyright until a final standards body is chosen. Changed query parameters for the search facet to all begin with atom- to avoid name collisions. Updated all the Entries to follow the 0.2 version. Changed the format of the search results and template file to a pure element based syntax.
Rev 06 - 24Jul2003 - Moved to PUT for updating Entries. Changed all the mime-types to application/x.atom+xml. Added template editing. Changed 'edit-entry' to 'create-entry' in the Introspection file to more accurately reflect it's purpose.
Rev 05 - 17Jul2003 - Renamed everything Echo into Atom. Added version numbers in the Revision history. Changed all the mime-types to application/atom+xml.
Rev 04 - 15Jul2003 - Updated the RSD version used from 0.7 to 1.0. Change the method of deleting an Entry from POSTing <delete/> to using the HTTP DELETE verb. Also changed the query interface to GET instead of POST. Moved Introspection Discovery to be up under Introspection. Introduced the term 'facet' for the services listed in the Introspection file.
Rev 03 - 10Jul2003 - Added a link to the Wiki near the front of the document. Added a section on finding an Entry. Retrieving an Entry now broken out into it's own section. Changed the HTTP status code for a successful editing of an Entry to 205.
Rev 02 - 7Jul2003 - Entries are no longer returned from POSTs, instead they are retrieved via GET. Cleaned up figure titles, as they are rendered poorly in HTML. All content-types have been changed to application/atom+xml.
Rev 01 - 5Jul2003 - Renamed from EchoAPI.html to follow the more commonly used format: draft-gregorio-NN.html. Renamed all references to URL to URI. Broke out introspection into it's own section. Added the Revision History section. Added more to the warning that the example URIs are not normative.
| [RFC2629] | Rose, M.T., "Writing I-Ds and RFCs using XML", RFC 2629, June 1999. |
| Joe Gregorio (editor) | |
| BitWorking, Inc | |
| 1002 Heathwood Dairy Rd. |
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| Apex, NC 27502 | |
| US | |
| Phone: | +1<PHONE_NUMBER> |
| EMail: |<EMAIL_ADDRESS>|
| URI: | http://bitworking.com/ |
| Robert Sayre (editor) | |
| Boswijck Memex Consulting | |
| 148 N 9th St. 4R |
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| Brooklyn, NY 11211 | |
| US | |
| EMail: |<EMAIL_ADDRESS>|
| URI: | http://boswijck.com |
The IETF takes no position regarding the validity or scope of any intellectual property or other rights that might be claimed to pertain to the implementation or use of the technology described in this document or the extent to which any license under such rights might or might not be available; neither does it represent that it has made any effort to identify any such rights. Information on the IETF's procedures with respect to rights in standards-track and standards-related documentation can be found in BCP-11. Copies of claims of rights made available for publication and any assurances of licenses to be made available, or the result of an attempt made to obtain a general license or permission for the use of such proprietary rights by implementors or users of this specification can be obtained from the IETF Secretariat.
The IETF invites any interested party to bring to its attention any copyrights, patents or patent applications, or other proprietary rights which may cover technology that may be required to practice this standard. Please address the information to the IETF Executive Director.
Copyright (C) The Internet Society (2004). All Rights Reserved.
This document and translations of it may be copied and furnished to others, and derivative works that comment on or otherwise explain it or assist in its implementation may be prepared, copied, published and distributed, in whole or in part, without restriction of any kind, provided that the above copyright notice and this paragraph are included on all such copies and derivative works. However, this document itself may not be modified in any way, such as by removing the copyright notice or references to the Internet Society or other Internet organizations, except as needed for the purpose of developing Internet standards in which case the procedures for copyrights defined in the Internet Standards process must be followed, or as required to translate it into languages other than English.
The limited permissions granted above are perpetual and will not be revoked by the Internet Society or its successors or assignees.

Funding for the RFC editor function is currently provided by the Internet Society.


Maniac driver led police on 137mph chase before cops shunted car off road
David Brennan, 23, hopped in the back if the car in an attempt to fool officers into believing someone else was at the wheel
by Tom HitchenorA driver led police on a high-speed 137mph chase down a motorway before his car was shunted off the road by police.
David Brennan then tried to fool officers into believing he wasn't behind the wheel of a stolen Mini Cooper - but his actions were caught on camera.
The 23-year-old led was pursued along one of Britain's busiest stretches of motorway after officers spotted the vehicle at 3.20pm on September 18.
Central Motorway Police Group (CMPG) officers had been told to keep an eye out for the Mini which had been stolen in burglary in Halesowen, West Midlands, the Daily Record reported .
Brennan notched up speeds of up to 100mph as he raced past officers on the M54 near Wolverhampton.
As he reached Junction 10 of the M6 for Walsall, Brennan tried to head the wrong way up a slip road and officers decided to use tactical contact to bring him to a halt.
The banned motorist then jumped out of the driver's seat and into the back of the car and can be heard on camera telling cops: "I wasn't even driving."
An officer replies: "Yes you was mate. Its all on camera as well pal, so lets not be daft."
Unemployed Brennan, of Bartley Green, Birmingham, went on to admit dangerous driving and driving while disqualified and was jailed for 18 months at Birmingham Crown Court on Thursday.
He was also given a further three-year driving ban.
Sergeant Mitch Darby, of West Midlands Police, who pursued Brennan, said after the case: "This was appalling driving on one of the busiest sections of motorway in the country, which put other drivers at risk.
"We had no option but to use our training to safely bring the pursuit to an end, before the Mini had a chance to go on to potentially be involved in a head-on collision on the slip road.
"Brennan thought he could pull the wool over our eyes with a quick jump over the seats and into the back of the car, but we'd seen it happen and it was all caught on video."


multithread.c
Download multithread.c raw
/***************************************************************************
* _ _ ____ _
* Project ___| | | | _ \| |
* / __| | | | |_) | |
* | (__| |_| | _ <| |___
* \___|\___/|_| \_\_____|
*
* Copyright (C) 1998 - 2017, Daniel Stenberg<EMAIL_ADDRESS>et al.
*
* This software is licensed as described in the file COPYING, which
* you should have received as part of this distribution. The terms
* are also available at https://curl.haxx.se/docs/copyright.html.
*
* You may opt to use, copy, modify, merge, publish, distribute and/or sell
* copies of the Software, and permit persons to whom the Software is
* furnished to do so, under the terms of the COPYING file.
*
* This software is distributed on an "AS IS" basis, WITHOUT WARRANTY OF ANY
* KIND, either express or implied.
*
***************************************************************************/
/* <DESC>
* A multi-threaded example that uses pthreads to fetch several files at once
* </DESC>
*/
#include <stdio.h>
#include <pthread.h>
#include <curl/curl.h>
#define NUMT 4
/*
List of URLs to fetch.
If you intend to use a SSL-based protocol here you might need to setup TLS
library mutex callbacks as described here:
https://curl.haxx.se/libcurl/c/threadsafe.html
*/
const char * const urls[NUMT]= {
"https://curl.haxx.se/",
"ftp://cool.haxx.se/",
"http://www.contactor.se/",
"www.haxx.se"
};
static void *pull_one_url(void *url)
{
CURL *curl;
curl = curl_easy_init();
curl_easy_setopt(curl, CURLOPT_URL, url);
curl_easy_perform(curl); /* ignores error */
curl_easy_cleanup(curl);
return NULL;
}
/*
int pthread_create(pthread_t *new_thread_ID,
const pthread_attr_t *attr,
void * (*start_func)(void *), void *arg);
*/
int main(int argc, char **argv)
{
pthread_t tid[NUMT];
int i;
int error;
/* Must initialize libcurl before any threads are started */
curl_global_init(CURL_GLOBAL_ALL);
for(i = 0; i< NUMT; i++) {
error = pthread_create(&tid[i],
NULL, /* default attributes please */
pull_one_url,
(void *)urls[i]);
if(0 != error)
fprintf(stderr, "Couldn't run thread number %d, errno %d\n", i, error);
else
fprintf(stderr, "Thread %d, gets %s\n", i, urls[i]);
}
/* now wait for all threads to terminate */
for(i = 0; i< NUMT; i++) {
error = pthread_join(tid[i], NULL);
fprintf(stderr, "Thread %d terminated\n", i);
}
return 0;
}


Warehouse Keeper Hakon:
We guard our customers' property as if it were our own. I give you my word that your items will be safe as houses here!
[npc_%objectId%_Chat 1|Private Warehouse.]
[npc_%objectId%_Chat 2|Clan Warehouse.]
[npc_%objectId%_Multisell 631|Buy an item using Cube Fragments.]
[npc_%objectId%_SkillList|Learn Skills.]
[npc_%objectId%_Quest|Quest]


{# Licensed to the Apache Software Foundation (ASF) under one or more contributor license agreements. See the NOTICE file distributed with this work for additional information regarding copyright ownership. The ASF licenses this file to you under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License. #} {% extends base_template %} {% block title %} {{ title }} {% endblock %} {% block content %}
No providers loaded. Learn more in the provider packages documentation.
{% endif %}| Package Name | Version | Description |
|---|---|---|
| {{ provider["package_name"] }} | {{ provider["version"] }} | {{ provider["description"]}} |


Review #
|
Date
|
Artifact
|
Reviewer
|
# of defects
|
Link to Review Checklist
|
1
|
09/16/2015
|
Scenario 2a
|
Tom Eliot
|
1
|
xls
|
2
|
09/16/2015
|
Scenario 7a
|
Tom Eliot
|
0
|
xls
|
3
|
09/16/2015
|
Scenario 7b
|
Tom Eliot
|
1
|
xls
|
4
|
09/16/2015
|
Scenario 5b
|
Daniel Haddox
|
1
|
xls
|
5
|
09/16/2015
|
Scenario 2b
|
Daniel Haddox
|
2
|
xls
|
6
|
09/16/2015
|
Scenario 4a
|
Daniel Haddox
|
0
|
xls
|
'
7
|
09/16/2015
|
Scenario 5a
|
Daniel Gorziglia
|
2
|
xls
|
8
|
09/16/2015
|
Scenario 9a
|
Daniel Gorziglia
|
1
|
xls
|
9
|
09/16/2015
|
Scenario 8a
|
Daniel Gorziglia
|
1
|
xls
|
10
|
09/16/2015
|
Scenario 3a
|
Shepard Emerson
|
5
|
xls
|
11
|
09/16/2015
|
Scenario 7c
|
Shepard Emerson
|
0
|
xls
|
12
|
09/16/2015
|
Scenario 6a
|
Shepard Emerson
|
1
|
xls
|
13
|
09/24/2015
|
LanternControl Requirements
|
Daniel Haddox
|
0
|
xls
|
14
|
09/24/2015
|
DriveControl Requirements
|
Tom Eliot
|
0
|
xls
|
15
|
09/24/2015
|
CarButtonControl Requirements
|
Shepard Emerson
|
1
|
xls
|
16
|
09/24/2015
|
HallButtonControl Requirements
|
Daniel Gorziglia
|
1
|
xls
|
17
|
09/30/2015
|
LanternControl TT Requirements
|
Daniel Haddox
|
0
|
xls
|
18
|
09/30/2015
|
LanternControl Statechart
|
Daniel Haddox
|
0
|
xls
|
19
|
09/30/2015
|
DoorControl Statechart
|
Daniel Haddox
|
1
|
xls
|
20
|
09/30/2015
|
HallButtonControl TT Requirements
|
Daniel Gorziglia
|
2
|
xls
|
21
|
09/30/2015
|
HallButtonControl Statechart
|
Daniel Gorziglia
|
1
|
xls
|
22
|
09/30/2015
|
CarPositionControl Statechart
|
Daniel Gorziglia
|
1
|
xls
|
23
|
09/30/2015
|
Drivecontrol TT Reqs
|
Shepard Emerson
|
0
|
xls
|
24
|
09/30/2015
|
Drivecontrol Statechart
|
Shepard Emerson
|
0
|
xls
|
25
|
09/30/2015
|
Dispatcher Statechart
|
Shepard Emerson
|
1
|
xls
|
26
|
09/30/2015
|
CarButtonControl TT reqs
|
Tom Eliot
|
0
|
xls
|
27
|
09/30/2015
|
CarButtonControl Tracability
|
Tom Eliot
|
0
|
xls
|
28
|
10/08/2015
|
CarButtonControl Implementation
|
Shepard Emerson
|
1
|
xls
|
29
|
10/08/2015
|
CarButtonControl Unit Test
|
Shepard Emerson
|
0
|
xls
|
30
|
10/08/2015
|
DriveControl Implementation
|
Tom Eliot
|
0
|
xls
|
31
|
10/08/2015
|
DriveControl Unit Test
|
Tom Eliot
|
1
|
xls
|
32
|
10/08/2015
|
DoorControl Implementation
|
Daniel Gorziglia
|
2
|
xls
|
33
|
10/08/2015
|
DoorControl Unit Test
|
Daniel Gorziglia
|
1
|
xls
|
34
|
10/08/2015
|
HallButtonControl Implementation
|
Daniel Haddox
|
1
|
xls
|
35
|
10/08/2015
|
HallButtonControl Unit Test
|
Daniel Haddox
|
0
|
xls
|
36
|
10/16/2015
|
Dispatcher Unit Test
|
Shepard Emerson
|
0
|
xls
|
37
|
10/16/2015
|
6A Integration Test
|
Shepard Emerson
|
0
|
xls
|
38
|
10/16/2015
|
4A Integration Test
|
Shepard Emerson
|
2
|
xls
|
39
|
10/16/2015
|
5A Integration Test
|
Shepard Emerson
|
1
|
xls
|
40
|
10/16/2015
|
LanternControl Implementation
|
Daniel Haddox
|
0
|
xls
|
41
|
10/16/2015
|
LanternControl Unit Test
|
Daniel Haddox
|
1
|
xls
|
42
|
10/16/2015
|
7B Integration Test
|
Daniel Haddox
|
0
|
xls
|
43
|
10/16/2015
|
5B Integration Test
|
Daniel Haddox
|
0
|
xls
|
44
|
10/16/2015
|
Dispatcher Implementation
|
Daniel Gorziglia
|
2
|
xls
|
45
|
10/16/2015
|
9A Integration Test
|
Daniel Gorziglia
|
0
|
xls
|
46
|
10/16/2015
|
11A Integration Test
|
Daniel Gorziglia
|
0
|
xls
|
47
|
10/16/2015
|
1A Integration Test
|
Daniel Gorziglia
|
2
|
xls
|
48
|
10/16/2015
|
CarPositionControl Implementation
|
Tom Eliot
|
0
|
xls
|
49
|
10/16/2015
|
CarPositionControl Unit Test
|
Tom Eliot
|
0
|
xls
|
50
|
10/16/2015
|
1B Integration Test
|
Tom Eliot
|
0
|
xls
|
51
|
10/16/2015
|
2B Integration Test
|
Tom Eliot
|
0
|
xls
|
52
|
10/21/2015
|
2A Integration Test
|
Daniel Gorziglia
|
1
|
xls
|
53
|
10/21/2015
|
3A Integration Test
|
Daniel Gorziglia
|
1
|
xls
|
54
|
10/21/2015
|
7A Integration Test
|
Daniel Gorziglia
|
3
|
xls
|
55
|
10/21/2015
|
1C Integration Test
|
Daniel Haddox
|
0
|
xls
|
56
|
10/21/2015
|
3B Integration Test
|
Daniel Haddox
|
0
|
xls
|
57
|
10/21/2015
|
7C Integration Test
|
Daniel Gorziglia
|
1
|
xls
|
58
|
10/21/2015
|
8A Integration Test
|
Tom Eliot
|
1
|
xls
|
59
|
10/21/2015
|
10A Integration Test
|
Shepard Emerson
|
1
|
xls
|
60
|
10/21/2015
|
Project 7 Runtime Monitor
|
Daniel Gorziglia
|
2
|
xls
|
61
|
10/29/2015
|
RuntimeRequirementsMonitor RT-6, RT-7 Implementation
|
Tom Eliot
|
0
|
xls
|
62
|
10/29/2015
|
LanternControl Behaviors
|
Tom Eliot
|
0
|
xls
|
63
|
10/29/2015
|
Sequence Diagram 3B
|
Tom Eliot
|
0
|
xls
|
64
|
10/29/2015
|
DoorControl Behaviors
|
Shepard Emerson
|
0
|
xls
|
65
|
10/29/2015
|
Dispatcher Behaviors
|
Shepard Emerson
|
0
|
xls
|
66
|
10/29/2015
|
Sequence Diagram 9A
|
Shepard Emerson
|
1
|
xls
|
67
|
10/29/2015
|
DriveControl Behaviors
|
Daniel Gorziglia
|
1
|
xls
|
68
|
10/29/2015
|
HallButtonControl Behaviors
|
Daniel Gorziglia
|
0
|
xls
|
69
|
10/29/2015
|
Sequence Diagram 6A
|
Daniel Gorziglia
|
0
|
xls
|
70
|
10/29/2015
|
CarPositionControl Behaviors
|
Daniel Haddox
|
0
|
xls
|
71
|
10/29/2015
|
RuntimeRequirementsMonitor RT-6, RT-7 Design
|
Daniel Haddox
|
0
|
xls
|
72
|
10/29/2015
|
Sequence Diagram 8A
|
Daniel Haddox
|
2
|
xls
|
73
|
11/05/2015
|
DoorControl Statechart
|
Shepard Emerson
|
0
|
xls
|
74
|
11/05/2015
|
Dispatcher Statechart
|
Tom Eliot
|
1
|
xls
|
75
|
11/05/2015
|
DoorControl Implementation
|
Shepard Emerson
|
0
|
xls
|
76
|
11/05/2015
|
Dispatcher Implementation
|
Daniel Gorziglia
|
3
|
xls
|
77
|
11/05/2015
|
DoorControl Unit Test
|
Daniel Gorziglia
|
0
|
xls
|
78
|
11/05/2015
|
Dispatcher Unit Test
|
Daniel Haddox
|
0
|
xls
|
79
|
11/12/2015
|
DriveControl Implementation
|
Shepard Emerson
|
1
|
xls
|
80
|
11/12/2015
|
DriveControl StateChart
|
Shepard Emerson
|
0
|
xls
|
81
|
11/12/2015
|
DriveControl Unit Test
|
Shepard Emerson
|
0
|
xls
|
82
|
11/12/2015
|
CarPositionControl Statechart
|
Daniel Gorziglia
|
1
|
xls
|
83
|
11/12/2015
|
CarPositionControl Implementation
|
Daniel Gorziglia
|
1
|
xls
|
84
|
11/12/2015
|
CarPositionControl Unit Test
|
Daniel Gorziglia
|
0
|
xls
|
85
|
11/12/2015
|
HallButtonControl Requirements
|
Tom Eliot
|
0
|
xls
|
86
|
11/12/2015
|
HallButtonControl Statechart
|
Tom Eliot
|
1
|
xls
|
87
|
11/12/2015
|
HallButtonControl Implementation
|
Tom Eliot
|
1
|
xls
|
88
|
11/12/2015
|
HallButtonControl Unit Test
|
Tom Eliot
|
0
|
xls
|
89
|
11/12/2015
|
CarButtonControl Requirements
|
Daniel Haddox
|
1
|
xls
|
90
|
11/12/2015
|
CarButtonControl Statechart
|
Daniel Haddox
|
2
|
xls
|
91
|
11/12/2015
|
CarButtonControl Unit Test
|
Daniel Haddox
|
0
|
xls
|
92
|
11/12/2015
|
CarButtonControl Implementation
|
Daniel Haddox
|
0
|
xls
|
93
|
11/12/2015
|
Runtime Requirements Monitor RT-10
|
Tom Eliot
|
2
|
xls
|
94
|
11/19/2015
|
Integration Test 1A
|
Daniel Haddox
|
0
|
xls
|
95
|
11/19/2015
|
Integration Test 1B
|
Daniel Haddox
|
0
|
xls
|
96
|
11/19/2015
|
Integration Test 1F
|
Shepard Emerson
|
0
|
xls
|
97
|
11/19/2015
|
Integration Test 2A
|
Tom Eliot
|
0
|
xls
|
98
|
11/19/2015
|
Integration Test 2B
|
Tom Eliot
|
0
|
xls
|
97
|
11/19/2015
|
Integration Test 5A
|
Shepard Emerson
|
0
|
xls
|
98
|
11/19/2015
|
Integration Test 5B
|
Shepard Emerson
|
0
|
xls
|
99
|
11/19/2015
|
Integration Test 7C
|
Tom Eliot
|
0
|
xls
|
100
|
11/19/2015
|
Message Dictionary Table
|
Daniel Gorziglia
|
0
|
xls
|
101
|
11/19/2015
|
Network Analysis Table
|
Daniel Gorziglia
|
0
|
xls
|
102
|
11/19/2015
|
MessageDictionary.java
|
Shepard Emerson
|
0
|
xls
|
103
|
11/19/2015
|
Integration Test 1C
|
Daniel Haddox
|
0
|
xls
|
104
|
12/7/2015
|
Dispatcher Requirements
|
Shepard Emerson
|
2
|
xls
|
105
|
12/7/2015
|
Dispatcher Statechart
|
Shepard Emerson
|
0
|
xls
|
106
|
12/7/2015
|
Dispatcher Unit Test
|
Shepard Emerson
|
1
|
xls
|
107
|
12/7/2015
|
Integration Test 1A
|
Daniel Haddox
|
0
|
xls
|
108
|
12/7/2015
|
Integration Test 1B
|
Daniel Haddox
|
0
|
xls
|
109
|
12/7/2015
|
Integration Test 1C
|
Daniel Haddox
|
0
|
xls
|
110
|
12/7/2015
|
Integration Test 1D
|
Tom Eliot
|
0
|
xls
|
111
|
12/7/2015
|
Integration Test 1E
|
Tom Eliot
|
0
|
xls
|
112
|
12/7/2015
|
Integration Test 1F
|
Tom Eliot
|
0
|
xls
|
113
|
12/7/2015
|
Integration Test 6A
|
Shepard Emerson
|
0
|
xls
|
114
|
12/7/2015
|
Integration Test 7A
|
Shepard Emerson
|
0
|
xls
|
115
|
12/7/2015
|
RT8.1-8.3 Design and Implementation
|
Daniel Gorziglia
|
0
|
xls
|
116
|
12/7/2015
|
RT-9 Design and Implementation
|
Shepard Emerson
|
0
|
xls
|
117
|
12/7/2015
|
AcceptTestGenerator
|
Tom Eliot
|
0
|
xls
|