The M4 metrics analyze the DNS traffic at Recursive Servers. This is somewhat similar to the M3.3 set of metrics, with the difference that M3.3 analyze the traffic arriving to the root, which may be heavily filtered by the recursive resolvers. M4 attempts to measure the original behavior of DNS clients. M4 comprises 4 metrics, measuring the fraction of queries going to delegated TLD, to RFC 6761 special use names, to frequently leaked strings, and to other strings.
The M4 metric also tracks the usage of DNSSEC at recursive servers through metric M4.5:
In the following table, the current value is the value of the metric for the current month. The average value is the average value of that metric over the 12 months preceeding this one -- or the average since the beginning of measurements if measurements started fewer than 12 months ago.
| Current Value | Past 3 months | Historic Low | Historic High | |||
|---|---|---|---|---|---|---|
| M4.1: % of queries directed at delegated TLDs. | - | - | - | - | ||
| M4.2: % of queries directed at RFC 6761 names. | - | - | - | - | ||
| M4.3: % of queries directed at frequently used strings. | - | - | - | - | ||
| M4.4: All other traffic. | - | - | - | - | ||
| DNSSEC | M4.5: % of Clients setting the DNSSEC OK bit in queries | - | - | - | - |
The following tables provide the list of names or strings most frequently encountered as part of M4.2 and M4.3.
In the following table, the current value is the fraction of queries directed at RFC 6761 names in the current month. The average value is the average of that fraction since the beginning of the year.
In the following table, the current value is the fraction of queries directed in the current month at frequently used strings. The average value is the average of that fraction since the beginning of the year.
Many of the strings frequently used at recursive resolvers correspond to local values, such as names of specific servers in the local network. We don't want to publish these names for privacy reasons. The corresponding queries are tabulated under a generic category, "(local host names)". The only strings that we list are those found in the top 128 strings leaked to the root, as measured with metric M3.


|
labyrinth2015
1.0
|
Files | |
| file | cli.cpp [code] |
| Definition of CLI's behavior. | |
| file | cli.h [code] |
| Header file for CLI client. | |
| file | client.cpp [code] |
| Definition of client's behavior. | |
| file | client.h [code] |
| Header file for Client class. | |
| file | console.cpp [code] |
| Main function for CLI client. | |
| file | exception.cpp [code] |
| Definition of generic Exception class. | |
| file | exception.h [code] |
| Header file for generic Exception class. | |
| file | game.cpp [code] |
| Definition of Game's behavior. | |
| file | game.h [code] |
| Header file for classes Stone, Desk and Game. | |
| file | server.cpp [code] |
| Definition of server's behavior. | |
| file | server.h [code] |
| Header file for Server class. | |
| file | utils.cpp [code] |
| Definition of utilities. | |
| file | utils.h [code] |
| Header file for utilities. | |


What's New in Ptolemy 0.7.1
These page is best viewed with Tycho, as it uses extensions to html.
Some of the links lead to Ptolemy facets, which a regular browser won't know how to handle.
Some of the links use environment variables, such as
$PTOLEMY
or
$TYCHO
to link to local web pages.
What's New:
New Work in Ptolemy 0.7.1
New Stars and Demos
Minor Changes in Ptolemy 0.7.1
Backward Compatibility Issues in Ptolemy 0.7.1
Copyright © 1998, The Regents of the University of California. All rights reserved.
Last updated 01/16/98 comments to
<EMAIL_ADDRESS>.


--- title: "Modifying Layout and Style" lastmod: 2019-03-06T00:00:00.000Z draft: false type: docs maths: true linktitle: "Modifying Layout and Style" menu: docs: parent: Website Management weight: 50 ---
Modifying the layout and style requires altering the default Academic theme. Going to this Academic theme link will show you how much has been changed from the default layout (and that page is also a good source of information about the Academic theme).
In the repoistitory the theme files can be found here:
This has the default layouts of a page, the sidebar, the topbar, etc. It also has the defualt images of the site and the default css styling.
To change from the default you create a file with the identical file name as the default file and place it in the relevant folder found in the root directory.
For example, the default sidemenu is located at -academic_sidebar.HTML while the custom sidemenu is located at _sidebar.HTML.
In this folder there is also a custom docs_layout.HTML file and a custom header.HTML file.
The header.HTML file is where things like the logo on the website tab (as in tabs at the top of your internet browser). This file contains most of the metadata for the website.
Changes to this file include:
The addition of some Javascript to deal with a flash of unstyled content (FOUC) problem. The Javascript made it so that the page would not display until the CSS file had been loaded. Lines 4 to 8 in the header.HTML contain the script.
The changing of the icons that appear when the site is linked to in social media platforms (Facebook, Whatsapp, etc.)(located at line 141, the image is called MQ1) and the icon that appears in the browser tab (located at line 123, the image is called favicon.ico). To find these lines quickly you can simply do a control+f search of the file and insert the image name.
The custom CSS file can be found at _css.css. Do not change the default Academic theme CSS file as it will just be overwritten by the custom file.
Changes to this file are too numerous to mention. The file is commented (which is a practice that should be continued) and can be navigated in conjunction with the inspect function with a browser.
For the uninitiated the inspect function is accessed by right clicking a part of a webpage and selecting inspect. This will open up a console where you can see lines in the css file that pertains to the selected element:
In this case the relevant line for the .active class is 2077.
Methods101 uses a custom colouring theme (as opposed to a default Academic colour theme). These themes can be found at -academicwith the mqtheme.toml being the one used by Methods101. This is the only file that should be changed in the -academic folder.
This custom theme file has a series of colours associated with various variables that will be called upon by Hugo in certain situations. The file is self-explanatory. You can call upon these colours in the CSS file or you can simply insert the colour yourself. I have done both.
An example of calling upon a colour in the CSS file is as follows:
The highlighted text is calling on the menu_primary colour which is given in the mqtheme.toml file as shown below:


New mammoth ship christened ‘Hapa Kazi Tu’
by By Guardian ReporterA NEW state-owned mammoth ship being built in Mwanza Region at a cost of 89bn/- which is set to ply Lake Victoria has been christened MV Mwanza Hapa Kazi Tu, Works, Transport and Communication Minister Isack Kamwelwe has said.
By Correspondent Wilhelm Mulinda
Kamwelwe made the revelation here recently when he visited and inspected progress on various government projects implemented in Lake Victoria.
‘Hapa Kazi Tu’ is a slogan President John Magufuli used during 2015 presidential campaign. The slogan which gained widespread popularity literally means Just work, nothing else.
The minister said it was not a simple task to get that name as there is a special committee that works out to get names for government’s projects, he said.
Contractor of the ship is GAS ENTEC in collaboration with KANG NAM all of them from South Korea and SUMA JKT from Tanzania. The ship is 92.6 metres long, 17 metres wide and 11.2 metres high.
Speaking at the occasion, Chief Executive Officer (CEO) of Marine Services Company Limited (MSCL), Eric Hamissi said the ship with a carrying capacity of 1200 passengers and 400 tones of cargo is scheduled for completion early 2012.
Other government projects implemented in Lake Victoria in Mwanza include building of a slipway, rehabilitation of Mv Victoria and Mv Butiama that are scheduled for completion in March next year, he said.
Hamissi noted that until now the government has already paid contractors of all four projects a total amount of 70.8bn/- and up to that point has no debt.
He underscored that building of a new ship as well as a slipway and rehabilitation of Mv Victoria and Mv Butiama will cost 152.7bn/- in total and have employed 1000 people.
According to him, the pace of building a slipway is going okay as the work is over 55 percent complete now.


Root_Atlas.rds (or get it by running through notebook 2)
rm(list=ls())
# Set the working directory to where folders named after the samples are located.
# The folder contains spliced.mtx, unspliced.mtx, barcodes and gene id files, and json files produced by scKB that documents the sequencing stats.
setwd("/scratch/AG_Ohler/CheWei/scKB")
# Load libraries
suppressMessages(library(Seurat))
suppressMessages(library(CytoTRACE))
suppressMessages(library(RColorBrewer))
suppressMessages(library(ggplot2))
sessionInfo()
# Read in the atlas
rc.integrated <- readRDS('./Root_Atlas.rds')
# Since the atlas contains too many cells to be processed by CytoTRACE, we decided to perform CytoTRACE on clusters instead of cells
# Find nearest neighbors in 50 UMAP dimensions
rc.integrated <- FindNeighbors(rc.integrated, reduction = "umap_50",dims = 1:50)
# Clustering with SLM algorithm with resolution 500, which produces ~ 3000 clusters
rc.integrated <- FindClusters(rc.integrated, resolution = 500, algorithm = 3)
# Extract integrated (batch-corrected) expression matrix
afm <- rc.integrated@assays$integrated@data
# Pool (average) expression values of each cluster
pooled <- matrix(nrow=nrow(afm), ncol = 0)
for (i in 0:(length(unique(rc.integrated@meta.data$seurat_clusters))-1)) {
m <- afm[,which(rc.integrated@meta.data$seurat_clusters==i)]
pooled <- cbind(pooled, rowSums(m)/ncol(m))
}
# Manually make the expression value non-negative
pooled[which(pooled < 0)]=0
# Set colnames
colnames(pooled) <- as.character(0:(length(unique(rc.integrated@meta.data$seurat_clusters))-1))
str(pooled)
# Run CytoTRACE
results <- CytoTRACE(pooled, ncores = 16, subsamplesize = 1000)
# Store CytoTRACE results
new.cluster.ids <- results$CytoTRACE
names(new.cluster.ids) <- levels(rc.integrated)
rc.integrated <- RenameIdents(object = rc.integrated, new.cluster.ids)
rc.integrated$CytoTRACE <- as.numeric(levels(rc.integrated<EMAIL_ADDRESS># Plot CytoTRACE
options(repr.plot.width=8, repr.plot.height=8)
FeaturePlot(rc.integrated, features = "CytoTRACE", pt.size=0.5)+ scale_colour_gradientn(colours = rev(brewer.pal(11,"Spectral")))
# Save Seurat object
saveRDS(rc.integrated, file='./Root_Atlas.rds')


Estimation of regression models for sparse asynchronous longitudinal observations, where time-dependent response and covariates are mismatched and observed intermittently within subjects. Kernel weighted estimating equations are used for generalized linear models with either time-invariant or time-dependent coefficients.
| Version: | 2.0 |
| Depends: | compiler, parallel, stats, graphics, methods |
| Published: | 2016-01-23 |
| Author: | Hongyuan Cao, Donglin Zeng, Jialiang Li, Jason P. Fine, and Shannon T. Holloway |
| Maintainer: | Shannon T. Holloway <sthollow at ncsu.edu> |
| License: | GPL-2 |
| NeedsCompilation: | no |
| CRAN checks: | AsynchLong results |
| Reference manual: | AsynchLong.pdf |
| Package source: | AsynchLong_2.0.tar.gz |
| Windows binaries: | r-devel: AsynchLong_2.0.zip, r-release: AsynchLong_2.0.zip, r-oldrel: AsynchLong_2.0.zip |
| OS X binaries: | r-release: AsynchLong_2.0.tgz, r-oldrel: AsynchLong_2.0.tgz |
| Old sources: | AsynchLong archive |
Please use the canonical form https://CRAN.R-project.org/package=AsynchLong to link to this page.


Since 4.6.0, I believe, while using Chrome's latest version and regardless of theme used the graph is not displayed and the entire field background is always white. FF latest version shows the graph properly but with the white background also. The white background is NP but the missing graph is a FYI. I have disabled all Chrome extensions and still have the same blank graph.

Since the theme gallery change this is buggy.
But the missing graphs should NOT be because of BBLog.
Just the style is default, with white background.
Edit: I've tested it with FF and Chrome and for me the charts works fine, just the style from a theme is buggy
Topicstarter
Jk9Time
I'm perplexed. Everything is at default in Chrome and BF3 and BBL. I can live without the graph but would prefer it showed ;-)
Thanks for your time and reply.
 It's the frame from BBLog.
Open it with chrome. When it doesn't load than it is a problem with the page and you must contact bf3stats.com.
If it does load, than change my name "BrainFooLong" in the url to your username and try again.
If it than doesn't load, than there is also a problem on bf3stats.com and you must contact them.
Greetz
Post edited 1 x times, last by
Jk9Time
Topicstarter
Jk9Time
Ok, it works with your and my username in Chrome. But still not via normal page. WTH lol
Inspect Element show this.....
Surface logging enabled
bundle_base_bottombundles_4103964150.js:86 Duplicate Surface: A Surface with id comcenter-surface-friendrequests was rendered more than once, old state will be overwritten
bundle_base_bottombundles_4103964150.js:86 Duplicate Surface: A Surface with id comcenter-surface-friends was rendered more than once, old state will be overwritten
bundle_base_bottombundles_4103964150.js:86 Duplicate Surface: A Surface with id comcenter-party was rendered more than once, old state will be overwritten
bundle_base_bottombundles_4103964150.js:86 Duplicate Surface: A Surface with id surface-comcenter-area was rendered more than once, old state will be overwritten
2connect.facebook.net/en_US/all.js:61 Received message of type object from
http://battlelog.battlefield.com
expected a string
bundle_base_bottombundles_4103964150.js:185 Installed game version OK 1147186 origin
bundle_base_bottombundles_4103964150.js:185 Installed game version OK 1147186 origin
bf3history.js:469 Uncaught SecurityError: Failed to read the 'localStorage' property from 'Window': Access is denied for this document.
http://battlelog.battlefield.com/bf3/soldier/MY
NAME/stats/ME/pc/ Failed to load resource: net::ERR_CACHE_MISS
NAME/stats/ME/pc/&random=4137831924 Failed to load resource: net::ERR_CACHE_MISS
2http://ib.adnxs.com/setuid?entity=11&code=GC-00000001447223417 Failed to load resource: net::ERR_CACHE_MISS
** I have none of this on the link you provided to test with.
Topicstarter
Jk9Time
Note that I can live with this, especially if I am the only one this is happening to. So no need to waste your time on me ;-) TC
Post edited 1 x times, last by
BrainFooLong
Administrator
BrainFooLong
Administrator
I guess its that line
bf3history.js:469 Uncaught SecurityError: Failed to read the 'localStorage' property from 'Window': Access is denied for this document.
seems to me that you have some special restrictions or security settings enabled.
Maybe some extension that do some "security" improvements?
 I''l have to make an exception for httx://battlelog.battlefield dot com/
Hey thanks for sticking with me on this. That's awesome and unusual these days! :D
TC!
Live Long and Prosper!!
EDIT
Actually I had to make an exception to my personal


Operating Systems
The server has been tested on all common operating systems. In many cases, pre-built packages are available, and are pointed to from the text below. In addition, instructions for installing it from source on many operating systems are available on the Wiki build page.
The following operating systems are supported by FreeRADIUS.
- Linux (Ubuntu, Debian, Suse, Mandriva, Fedora Core, etc.)
- FreeBSD
- Mac OSX (or, in Leopard Server)
- NetBSD
- OpenBSD
- DragonFlyBSD (uses NetBSD pkgsrc)
- Solaris
- Cygwin
- Native Windows (in planning stages via MingW)


Body Care
Bath and Body works aromatheraphy
It is very noble to protect health and help people to recover. Our main goals to find the easiest way for treatment. we understand that human's activity is also very danger.
Bath and Body works aromatheraphy
It is very noble to protect health and help people to recover. Our main goals to find the easiest way for treatment. we understand that human's activity is also very danger.
Bath and Body works aromatheraphy
It is very noble to protect health and help people to recover. Our main goals to find the easiest way for treatment. we understand that human's activity is also very danger.
Bath and Body works aromatheraphy
It is very noble to protect health and help people to recover. Our main goals to find the easiest way for treatment. we understand that human's activity is also very danger.
Bath and Body works aromatheraphy
It is very noble to protect health and help people to recover. Our main goals to find the easiest way for treatment. we understand that human's activity is also very danger.
Bath and Body works aromatheraphy
It is very noble to protect health and help people to recover. Our main goals to find the easiest way for treatment. we understand that human's activity is also very danger.


Notes:
Add temp paths between 'build:css' in head, on gulp:build these paths will be resolved to dist paths
Temp path for JS is below, browserify/babelify moves es6 js into app/js/main.js
Add temp paths between 'build:css' in head, on gulp:build these paths will be resolved to dist paths
Temp path for JS is below, browserify/babelify moves es6 js into app/js/main.js


Contributing Code
There are a number of steps that you need to take to add to these open-source libraries. First, review Github's guide to contributing to an open-source project.
Adding a Sensor
To add a new sensor, you need to edit the SensorManager and SensorDataManager libraries. To implement your sensor, you'll need to:
- Decide whether your sensor is best implemented as a push (AbstractPushSensor), pull (AbstractPullSensor), or environment (AbstractEnvironmentSensor) sensor. This will determine where your code will be implemented and what AbstractSensor type it will inherit from.
- Implement the data structure that will store your sensor's data, in the data package. Implement a processor that creates an instance of your sensor's data in the process package.
- Implement a default configuration for your sensor in the config package. You will also need to add an entry to
getDefaultConfig()
in SensorConfig.
- The ES Sensor Manager needs to be able to find your sensor. Add an int SENSOR_TYPE and String SENSOR_NAME to SensorUtils. Add an entry for your sensor in SensorEnum.
- Add a data formatter to convert your sensor data instance into JSON in the data manager data formatter package.
- The data formatter needs to be able to find your formatter. Add an entry in
getJSONFormatter()
in DataFormatter.java.
- Test your sensor. You may want to modify and use the Demo App.
- Update the sensors documentation.


CSSE 332 -- Operating Systems
GDB Tutorial
This is a short tutorial to get you acquainted with GDB,
the GNU Project
debugger, and its command-line interface. You are
encouraged to use the
GDB reference card for more
details. Commands
reviewed: run, continue,
next, break,
delete, print, display,
step,
and quit.
-
Checkout the gdbtutorial project in
the examples directory from your
repository onto your local machine.
-
Examine the contents of the files quickly to get an idea of
what the program should do.
- In author.h, you will find the
definition of a structure and the function prototype of a
related function.
- In author.c, you will find the
definition of the function declared in author.h.
- In gdbexample.c, you will find
a main function that uses the definitions and declarations
in the author.{c,h} files.
- In Makefile, you have the
contents of a Makefile that you will use to compile this
project.
- To compile the programs, using the Makefile, type:
>>> make
- To invoke GDB on program test, enter:
>>> gdb ./test
//gdb
<executable_program>
- To begin debugging, set a breakpoint. Breakpoints can be set
at line numbers or at functions. In the following steps we
will set three breakpoints: at main, at a line in
function display_author_details in source
file author.c, and at the function
display_author_details itself.
>>> break
main //break
<function-name>
>>> b
author.c:6 //b
<line-number>. Note the default is the program that
contains main(). Use the <file-name>:<line-number>
for other files.
>>> break
display_author_details
//Since the function is defined only in one file, you don't
have to specify the file name.
- To display all current breakpoints:
>>> info break
- To delete a breakpoint:
>>> delete
2
//delete <breakpoint-number-obtained-from-list>
- To begin running the program
>>> run
2 //run
<list-of-command-line-arguments>
The program will run until the first breakpoint is reached
(in our case at function main).
- The line of code displayed will be the line that will be
executed next. To go to the next line
use next or
n.
>>>
next
//Step to the next statement; also skip over a user-defined
function.
>>> n
- Keep moving until you get to the line in gdbexample.c with
statement:
int count = atoi(argv[1]);
To display the value of count after the statement has
executed, use
display.
>>> display
count
//display <variable-name>
When you type next again, you
should see the value of count change. Note that
using display allows you to
continuously watch the variable, while it is in
scope.
- To undisplay a varaible,
use undisplay as follows:
>>> undisplay
1 //undisplay
<display_value_number>
- To look at pointers and their values, let's use the
print command. This will also show us the
values of the variables, but only for the current state of the
program.
>>> print
&one
//display the address of one.
>>>
display
ptr
//display value of ptr, which will be some random
address
>>> print
*ptr
//display the value pointed to by ptr, which will be
the random values currently at the random address.
- Execute the following sequence of statements:
>>> display
one
//display the value of one.
>>>
next
//Do this until you have executed the statement
strcpy(one.book_name[2],"Harry Potter and the
Prisoner of Azkaban");
You should notice that the value of one changed as
its fields got assigned values.
- Now, use display to examine the
address of
one. Also, use display to
examine the value pointed to by ptr.
- What do you observe?
- How would you display the value
of one.name?
- How would you use display to examine the same value
using ptr?
- To skip the next few lines of code and get to the next
breakpoint use continue
or c.
>>>
continue
//Go to the next breakpoint or end of the program if there are
no more breakpoints. This will probably take you to the
function display_author_details. Feel free to test some of the
commands you have just learned.
- To enter a function when moving from one statement to the
next, use step instead of
next.
>>>
step
//Step into the user-defined function in the next
statement.
- Whenever you are done,
type quit.
>>> quit
//quit
the execution of the program and gdb


 Truth in Television for a long time, as airlines once insisted on specific physical standards when hiring women for the job. In many western countries, this is no longer legal. A series of US court decisions in the 60's and 70's found airlines in that country liable for grounding flight attendants as they aged, gained weight, married or became pregnant.
In fiction, the Sexy Stewardess may be the main character, but will more often be the male hero's love interest, or will show up as cameos (usually several at a time) to emphasize a given character's wealth or seductive potential.
Compare Fanservice with a Smile, as well as Fair Cop and Hospital Hottie for two other "life and safety" professions that are commonly fetishized in popular media. For the Real Life history of the trope, see Analysis.Sexy Stewardess.
Examples
- Pan Am has reportedly made a joke ad out of this trope.
- Southwest Airlines had a series of ads in the 70s that featured these. Remember what it was like before them? You didn't have hostesses in hot pants.
- Taken to ridiculous extremes by the (mercifully) short-lived Hooters Air.
- This ad for Lynx body spray.
- "An airline uses its sexy stewardesses as a selling point, and flies decades back in time"
- Discussed with this British Caledonian commercial IN SONG. And yes, that is California Girls.
- Many Virgin Atlantic adverts with their Lady in Red stewardesses, such as this one filmed like a James Bond intro.
- In this Southwest Airlines commercial, the three fight attendants are swingers. You can tell by the silk scarves tied around their necks.
- Episode 16 of City Hunter has Chiemi, an old friend of Kaori who is a beauty and ingenue stewardess in desperate need of help. In return, Ryo gets a date with Chiemi but he's in for a surprise when, on the plane, he finds out he's not the only one chasing after this beautiful lady.
- Kanako Oomori from Cage of Eden.
- Gate Keepers makes a joke about this. The two female leads think they are going to get to play stewardesses... But they're given the uniforms of shoe-shiners instead.
- Minky Momo once transformed into one.
- Machiko from Maicchingu Machiko-sensei in episode 31, for the joy of male students and co-worker, with Male Gaze and Panty Shot included.
- Sailor Moon transforms into a "cute stewardess!" with her Luna-Pen once.
- Natacha (see image) is about the adventures of a sexy flight attendant.
- While doing a favor for an aging crime boss (don't ask), this was once attempted on Spider-Man. Since this happened during the period he and Mary-Jane were back together, the results were quite humorous.
Spider-Man: *from inside a large amount of webbing he's put up to keep the scantily-dressed "attendant" at bay* Just slip the food through the webs and no one gets hurt.
- A pair of attractive attendants come on the Brett Grayle in the first Damnation Station strip. Grayle later turns out to be gay, but does seem to be pleased with the attention.
- Tilly Clipper in the longest Nick Knatterton saga, The Indian Diamond Suitcase.
- Iron Man: Tony Stark's private flight attendants are so sexy, they double as go-go dancers.
- Alan Ford: Volume 443 has an attractive Japanese stewardess who's the pilot's girlfriend, but cheats on him with other passengers.
- Played with in View From The Top: The flight attendant heroines, in one of their early jobs, are pretty much dressed like streetwalkers and eventually escape to a better airline. Depending on what you think of Christina Applegate, Kelly Preston and Gwyneth Paltrow, it might even be played straight.
- The title heroine of Jackie Brown may be considered a double subversion, as the flight attendant is in breach of standard canons of beauty, but still sexy in her own way.
- The second cop of Chungking Express has a relationship with a flight attendant, and the girl who falls in love with him ultimately becomes one as well.
- In a flashback scene, we see his then-girlfriend do her safety instruction routine over the usual voice recording ("emergency exits are located at the front and back..."), while at his place and with her top off. It's an obvious turn-on for him. You can watch it here from 4'45 onwards.
- Catherine Zeta-Jones in The Terminal.
- Halle Berry in Executive Decision.
- In Catch Me If You Can, Frank Abagnale hires young women to pose as sexy flight attendants to complete his impersonation of an airliner pilot and distract the police and FBI agents looking for him.
- In Iron Man, Tony Stark's private flight attendants double as go-go dancers.
- Austin Powers, after demanding "Bring on the Sexy Stews!", is informed by a miffed female flight attendant that they're not called that anymore.
- Getting Any? by Takeshi Kitano.
- Down with Love: Ladies' man Catcher Block goes out with three separate stewardesses while trying to avoid interviewing Barbara Novak. Turns out the stewardesses all work together and none of them are particularly happy when they discover that he's seduced all of them.
- One of these attempted to lure James Bond to his death in Moonraker.
- The Tobacco One stewardess in Thank You for Smoking.
- In the French movie Banzaï, the protagonist's Love Interest is such a stewardess. He convinces her to leave her job before they'd marry, since he hates going abroad. Then he is forced by his job to travel around the world, and run into his fiancée in Hong Kong....
- Tiffany and Claire from Snakes on a Plane—Tiffany even unbuttons her shirt. The other two flight attendants are Grace—who's nearing retirement—and Ken.
- The flight to Delos (the resort of which Westworld is a part) has a couple of these. The twist? They're robots.
- Three stewardesses in Boeing Boeing (see Theatre).
- The flight attendants (one of whom is seduced by Ruby Rhod) in The Fifth Element.
- In Dickie Roberts: Former Child Star Dickie realizes that he no longer wants fame, fortune or meaningless sex when he is propositioned by two sexy stewardesses, yet finds that he is not interested in sleeping with them. In a Shout-Out, they approach him by asking if he wants "Coffee, Tea or Me?" (Or "Us"), which was the name of a series of novels about two sexy stewardesses published in the 1970's (See Literature section).
- In Party Plane, the stewardesses double as in-flight strippers.
- The Left Behind series has Hattie Durham, a beautiful stewardess who starts the series in relationship with pilot protagonist Rayford Steele that is summed up in the opening lines: "Rayford Steele's mind was on a woman he had never touched." She later becomes the consort of the Antichrist.
- The Coffee, Tea or Me? novels, which were also made into a TV movie.
- In the original short story "Quantum of Solace", James Bond comments on how he wished he could marry a flight attendant. The trope is then deconstructed by the person he's talking to — Bond just likes the thought of a beautiful woman attending to his needs, which isn't what happens in a marriage.
- A Harlequin Romance back in the 80s both played and subverted this trope. The heroine is a former stewardess who becomes a Ranger at the Grand Canyon, and when one too many people gets catty, she then proceeds to describe the average shift: very long hours on her feet while wearing high heels, walking back and forth (I forget the number of miles she quoted, but I looked it up at the time and found it was accurate), and some airlines did have rules forbidding stewardesses from sitting while on shift. When asked about the makeup, she points out that she is a natural blonde and has to wear sunscreen if she don't want to burn like cheap meat.
- Two are featured at the end of Friday The 13th The Jason Strain, and were presumably hired by Caleb Carson simply for their looks. Jason hacks one to death, and stabs the other in the face with a broken bottle.
- Stanley Morgan's The Fly Boys series features the exploits of the staff of Glamour Airlines, an on-the-way-out airline renamed and revamped by a new owner on the principle that Sex Sells. The new uniforms "are silver lamé and sequins — and that's just the men... the hostesses are in candy-striped bikinis and see-through skirts."
- The Persuaders!: Brett Sinclair's own private flight attendants were also obviously hired for their looks and their, er, friendliness.
- On an episode of the American version of Life on Mars, Annie assumes the identity of a dead flight attendant. Everyone who works with Annie is attractive (as is she), and most are fairly kinky, too.
- Played with in Sex and the City where Miranda has no success in a speed dating event by saying she's a lawyer. Once she says she's a stewardess, the guy's immediately interested and she spends the rest of the episode in that persona, making up stories, etc. Then when she cuts her finger rather badly, the guy gets freaked out by the sight of blood and reveals that he's not actually a doctor but said so because he always wanted to date a stewardess.
- On The Bob Newhart Show, the Hartleys' pilot friend Howard Borden would make the occasional reference to the stewardesses he's romanced.
- Doctor Who. Tegan Jovanka, Australian companion of the Fifth Doctor. Actress Janet Fielding was actually too short to be a stewardess, so she falsely claimed that Australian airlines had shorter minimal height requirements.
- One of these, murdered in 1960, was the Victim of the Week in the Cold Case episode "Wings".
- Cropped up a few times in the third season (and discussed in-depth in the final episode) of The Gruen Transfer with examples of this trope in advertising, in particular focusing on the efforts of two low-budget Russian airlines to tap into this trope (an ad with sexy stewardesses washing a plane in bikinis in one example, and a nudie stewardess calendar released by another).
- ABC's period drama Pan Am centers on the Pan Am stewardesses during the 1960s. All of them are beautiful and the show makes a point of how they were forced to appear and behave for the job.
- Provenza and Flynn get taken for a ride by a pair of sexy stewardesses in The Closer episode "Layover".
- Leverage has done this a couple of times, both with Parker.
- "The Mile High Job" had Parker disguised as one as part of a con.
- "The D.B. Cooper Job" was actually mostly a flashback with Beth Riesgraf (Parker) playing the stewardess who talks to Cooper. She mentions that she frequently gets love notes from smitten passengers and wears a fake wedding band to ward off the more persistent ones.
- SCTV - 'Monster Chiller Horror Theater' presented 'Dr. Tongue's 3-D House of Stewardesses'. It wasn't really scary, but that didn't bother the host. (Note: there was an actual late-60s 3-D skin flick called 'The Stewardesses'.)
- Banacek: Banacek's Girl of the Week in "Fly Me — If You Can Find Me" is a sexy stewardess: one of the two very attractive flight attendants who were on the stolen plane.
- Discussed in How I Met Your Mother, when Barney says that every generation has one profession that young, impossibly hot women all flock to. Naturally, this one comes up, along with Hospital Hotties. According to Barney, here in The New '10s, they're all pharmaceutical representatives now. (Truth in Television, actually.)
- While at times downplayed and other times emphasized, the short-lived series Flying High had a trio of them. Even the pilot captain noticed.
- Lucifer. The episode "Stewardess Interruptus" opens with an airline stewardess in uniform entering the penthouse and playing up this trope for all its worth.
Jana: This is your flight attendant speaking. [Removes hat] Please buckle up. [Removes scarf and jacket] Surprise layover in L.A. Thought we could...rack up some miles.
- In The Partridge Family, Reuben's girlfriend Bonnie Kleinschmidt wears her short-skirted uniform even when off duty.
- "Air Hostess/I like the way you dress/yada yada yada" by Busted.
- "Airline Amy" by "Weird Al" Yankovic.
- "I'm Mandy, fly me." by 10cc
- The above-quoted "Waitress in the Sky" by The Replacements is a cynical skewering of this trope.
- "Room Service" by KISS invokes this:
My plane's delayed and I'm afraidThey're gonna keep me waiting here till nineThen a stewardess in a tight blue dress says"I got the time"
- The video for Britney Spears' "Toxic".
- Edguy's "Lavatory Love Machine" is about screwing a stewardess in the lavatory of a crashing plane, so naturally a sexy stewardess appears in the music video.
- Cabin Pressure - Averted.
- Martin: For two very different reasons, neither Arthur nor Carolyn quite float my boat.
- One bit by Larry the Cable Guy is about there being more aversions to this in real life.
- A quick joke on a George Carlin record: "Please return the stewardess to her original upright position."
- In the 1960s farce Boeing Boeing, the hero is dating three international stewardesses who don't know about each other, since they're never in town at the same time. Unfortunately the flight schedules get changed and all three turn up at once.
- April in Company.
- In Cactus Flower, Julian describes to Harvey an anonymous airline stewardess for whom he canceled a date with Toni to see instead: "Spectacular looking. A Swedish blonde. Tall. Built. We went to her place, we had a few drinks..." Harvey is eager to find out what happened next, and is disappointed to hear that Julian he walked out on her after suddenly thinking of Toni. At the end of the play, Stephanie receives a phone call from "a stewardess from Swedish Airlines" (likely the same young woman) suggesting an evening date with Julian, who says to Stephanie: "Tell her I've been grounded." (The movie makes the stewardess Australian to preserve Ingrid Bergman's local monopoly on Swedishness.)
- Ace Attorney Investigations features one of these in its second case, namely Cammy Meele. It may be noted that she doesn't wear a bra (nor an undershirt or whatever).
- Anesthesia's superstar persona in Rumble Roses XX.
- Doralice Prunelier in Fascination. She becomes a captain in the sequel Lost in Time.
- Final Fantasy XII is the first game in the series to feature airports, so naturally, it also features flight attendants. They sell you stuff and kick off a sidequest.
- Cammy's blue Shadaloo outfit from Street Fighter Alpha makes her resemble one, or is it just the hat?
- In a bizarre but fanservicey Rare Male Example, The Nostalgia Critic dressed up in a skimpy air-hostess uniform for the first TGWTG DVD menu.
- A group of these feature prominently in the American Dad! episode "Introducing The Naughty Stewardesses".
- Hello Nurse from Animaniacs play this role in two shorts, one with the Warner Brothers and another during a cameo with Slappy Squirrel.
- In the Futurama episode "Neutopia", Leela, Amy and LaBarbarba become Sexy Stewardesses when the Planet Express ship is changed into a commercial airline.
Leela: There. It was hard work, but it beats posing in demeaning, skimpy modelling outfits.Professor Farnsworth: Ladies, here are your demeaning, skimpy stewardess outfits.
- Hooters Air!!. Yes, you read that right. It's over, though, but from 2003 to 2006 was the airline of the Hooters breastaurant chain.
- Truth in Television insofar as during the 1960s and 1970s, stewardesses were required to be of a certain weight and attractiveness and were often fired if they got pregnant or gained weight. Even recently, some airlines got in trouble for discriminatory hiring practices.
- A U.S. Army officer told an anecdote of training with some foreign officers who remarked on this and concluded that unattractive stewardesses, while visually displeasing, were a sign of the strength of America's freedoms. "Someday," one of them vowed, "my country will have ugly stewardesses too."
- The practice continued in the U.S. until the end of the 1970s, and ended not because of any anti-discrimination laws, but because of airline deregulation. Prior to 1978, U.S. airlines were not allowed to compete with each other on ticket prices. Thus, they had to find other ways to compete with one another, such as the roominess of their seats, quality of their food, in-flight movies, frequency and availability of flights — and attractiveness of their flight attendants. (You'll note that modern U.S. airlines often lack meal service, when compared with airlines of the past; this is another casualty of deregulation, as most folks would rather pay less for a boarding pass than get served airline food.)
- There are still some requirements that are legally justified because they are purely practical: A stewardess must be tall enough to reach the overhead compartments, must not be too fat to fit in narrow aisles, must be at least fit enough to perform normal tasks and stand for long periods of time, etc.
- A popular RiffTrax short, "Flying Stewardesses", has a lengthy segment about how the girls must stay attractive and in shape. Apparently it involves sailing.
- Most recently, an Air France stewardess and flight crew were suspended after routine checking of internal CCTV from the flight revealed the stewardess had perfomed a striptease in the cabin, cheered on by captain, co-pilot and flight engineer. Apparently the plane was on autopilot while the pilot and co-pilot's attention had been distracted. But the film still escaped onto YouTube and elsewhere...
- Ryanair releases a calendar each year featuring actual flight attendants employed by the company as calendar girls. Of course, this fits with their "no frills" approach so as not to spend money hiring actual models.
- These Viet Jet Air flight attendants perform a sexy Hawaiian dance in sarongs and bikini tops.
- For the visit of Britney Spears to Thailand, flight attendants from Nok Air made a welcome video with the music of... Toxic, obviously.
- Truth in Television, at least to an extent. To carry out their duties efficiently, flight attendants must be young and fit enough to perform the various physical acts the job requires, tall enough to reach overhead lockers, be well-groomed, intelligent and have pleasant personalities, all traits generally associated with attractiveness.


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_O_ (R) *** 1/2 (out of ****)
Leave it to Hollywood to make a bold, challenging film for teens (and adults) only to let it collect dust on a shelf as proposed release dates were set, then scratched, many times over. Such was the sad and unfair case with Tim Blake Nelson's _O_, which original distributor Miramax seemed ready to consign to direct-to-video oblivion after scuttling their final planned theatrical release date in April 2001--three years after the film's production. Luckily for the film and audiences everywhere, Lions Gate came to the rescue of what is by far the most successful modern-dress adaptation of a William Shakespeare work--and the rare teen-targeted film to have something of real substance to say.
The "O" of the title is Odin James (Mekhi Phifer), the only black student in a ritzy South Carolina prep school. The star player of the basketball team, Odin has the respect and love of his peers, not to mention the team coach (Martin Sheen), who favors him over his own son, Hugo (Josh Hartnett). Bitter and jealous, Hugo sets out to destroy the too-trusting Odin by planting seeds of doubt about his girlfriend Desi's (Julia Stiles) fidelity.
Placing the Bard's _Othello_ in a modern high school context was a most inspired idea on the part of director Nelson and screenwriter Brad Kaaya, for so many elements in the original play so seamlessly translate to the charged atmosphere and psychology of adolescence: the destructive rumors that are too easily taken for truth (in a way, _O_ the cautionary tale last year's horrid _Gossip_ wanted to be); the unspoken but ever-present prejudices; the selfish pride; and--perhaps most crucially--the melodramatic tendency to blow petty events and any resulting emotions into an out-of-proportion life-and-death matter. That last point in mind, the story's inevitable leap to violence is all the more real--and hence more disturbing and deeply tragic.
The emotional intimacy and intensity of the piece owes a huge debt to the performers. The charismatic Phifer is a perfect match for the charming and (over)confident Odin; his natural likability makes his simmering jealousy and rage that much more upsetting. Before that happens, though, he forges a strong rapport with the radiant Stiles; their early scenes have a genuine tenderness that doesn't come off as sticky. Delivering the breakthrough turn is Hartnett, who wisely eschews the urge to overplay; his rather quiet, understated turn adds to the menace of the character, not to mention it makes Odin's misguided but unwavering faith in him easy to swallow.
Nelson, however, deserves most of the credit for making a Shakespeare play not only work but feel relevant in a contemporary context. A part of that success is definitely due to his and Kaaya's decision to not retain the Shakespearean dialogue, which had such a distancing effect in Baz Luhrmann's _Romeo_+_Juliet_ and Michael Almereyda's _Hamlet_. It may not retain the Bard's words, but _O_ works better than those films due to a fidelity of a different kind: that to the spirit of original piece. There's no blatant pandering to youth (as in _R+J_'s quick-cut, MTV-ready eye candy) or contemporary audiences in general (_Hamlet_'s aggressive push of modern settings and products, as in the infamous Blockbuster Video-set "To be or not to be" scene). _O_ is as unflinchingly dark as its source material, and seeing the physically and emotionally violent story play out--with little strain in believabilty--in the here and now just makes it more unsettling.
Miramax failed to see the big picture with _O_, zeroing in its violent content without paying attention to context; as such, the film's release was tabled countless times due to real-life instances of high school bloodshed. It's quite a sad statement on the movie industry that between '98 and now, a number of youth-targeted films--be them of the horror, action, or even comedy genres--that exploited violence as a means of stimulation have easily seen release while a film that seriously deals with the issue and its aftereffects has had to languish in limbo. _O_ is the type of film that one should want to release in the aftermath of a high school shooting: a film where the acts of violence are shocking not because of graphic gore or sensationalism, but because one can profoundly feel the lives being destroyed.
©2001 Michael Dequina
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>The Movie Report/Mr. Brown's Movie Site: www.mrbrownmovies.com www.filmthreat.com | www.cinemareview.com | www.digitalwidescreen.com on ICQ: #25289934 | on AOL Instant Messenger: MrBrown23
========== X-RAMR-ID: 29100 X-Language: en X-RT-ReviewID: 242698 X-RT-TitleID: 1108976 X-RT-SourceID: 636 X-RT-AuthorID: 1202 X-RT-RatingText: 3.5/4
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Beautiful People rated R 107 minutes Trimark Pictures Starring Charlotte Coleman, Charles Kay, Rosalind Ayres, Roger Sloman, Julian Firth, Heather Tobias, Danny Nussbaum, Sjobhan Redmond, Gilbert Martin, Steve Sweeney, Linda Bassett, Nicholas Farrell, Faruk Pruti, Dado Jehan, Edin Dzandzanovic Written and directed by Jasmin Dizdar
A Review by Akiva Gottlieb
When culture is used as a verb, one definition given by Webster's Dictionary is `to cultivate'. A few of their definitions of cultivate are `to promote the growth of,' `to nurture,' `to form and refine, and to `make friends with'. Jasmin Dizdar's `Beautiful People' is a film about culture, yet few of its characters are nurturing or friendly. To establish its tone, the film begins with a violent fight between two strangers on a London bus. One man is a Croat; the other is a Serb. The two don't even need to speak in order to know that they are enemies. Hate is so deeply ingrained in their minds that words could do little to help. `Beautiful People' is a bittersweet, ironic look at the lives of a cross-section of Londoners that can only be redeemed by their ability to turn hate into love.
For his first film, Dizdar weaves about five different stories into his tale of love, tolerance and family. We meet characters of all races from all different classes of society. A couple stories, in particular, stand out. One involves a doctor (Nicholas Farrell) who copes with his recent marital separation by befriending a young Balkan couple. The other involves a young heroin addict who unexpectedly finds himself in the midst of a war zone, and ends up a hero.
Like most first films, `Beautiful People', which won Best Picture at the Cannes Film Festival, is a bit rough around the edges. Not all the stories are particularly involving, and the odd blend of pathos and humor is often misguided. But it is a nod to Jazmin Dizdar's maturity that all the stories feel human. Unlike most ensemble films, `Beautiful People' doesn't use a superficial plot thread to tie the stories together. Instead, the characters are linked by their similar feelings and actions.
Over the past few years, a few important films (most notably Emir Kusturica's `Underground') have put their own spin on the turmoil in the Balkan region. `Beautiful People' is the first to explore life after survival, where many realize that cultural diffusion can be a war in its own right.
With this film, Jasmin Dizdar has taken a bold, ambitious look at prejudice in a cultural melting pot. However, his greatest achievement is shining all his characters in a sympathetic light, regardless of their race or gender. His all-inclusive approach to the characters is the real lesson to be learned from the experience.
The struggle of this group of people is one that millions of immigrants go through every day, on all continents. But in Dizdar's eyes, whether they be black, white, green or red, they're all beautiful. That's cultivation in a nutshell.
B
Akiva Gottlieb<EMAIL_ADDRESS>http://pictureshow.8m.com
Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
The review above was posted to the
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Tree class.
More...
#include <pruner.hpp>
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void | eval_fun () |
| | Evaluates the function by passing the arguments and the iterator.
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| | Tree (const v_uint &parents_, const v_uint &offspring_, uint &out) |
| | Creating method using parents and offpring. More...
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const vv_uint * | get_parents_ptr () const |
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const vv_uint * | get_offspring_ptr () const |
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const v_uint * | get_postorder_ptr () const |
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vv_uint | get_parents () const |
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vv_uint | get_offspring () const |
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v_uint | get_postorder () const |
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v_uint | get_preorder () const |
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v_uint | get_tips () const |
| | List of tips position indices.
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v_uint | get_dist_tip2root () |
| | Distance of tips to the closest root.
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uint | n_nodes () const |
| | Returns the numner of nodes.
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uint | n_edges () const |
| | Returns the numner of edges.
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uint | n_tips () const |
| | Return the number of tips defined as nodes with no offspring.
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int | n_offspring (uint i) const |
| | Return the number of offsprings a given node has.
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int | n_parents (uint i) const |
| | Return the number of parents a given node has.
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vv_uint | get_edgelist () const |
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void | print (bool details=true) const |
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bool | is_dag () |
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bool | is_connected () const |
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void | reset_visited () |
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uint | set_postorder (const v_uint &POSTORDER_, bool check=true) |
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| void | prune_postorder () |
| | Do the tree-traversal using the postorder. More...
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| void | prune_postorder (v_uint &seq) |
| | Do the tree-traversal using the postorder with a user specific sequence. More...
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| void | prune_preorder () |
| | Do the tree-traversal using the preorder. More...
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| void | prune_preorder (v_uint &seq) |
| | Do the tree-traversal using the preorder with a user specific sequence. More...
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Data_Type * | args = nullptr |
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| std::function< void(Data_Type *, TreeIterator< Data_Type > &)> | fun |
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bool | is_dag_ (int i=-1, int caller=-1, bool up_search=false) |
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void | postorder_ (uint i) |
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void | postorder () |
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uint | get_dist_tip2root_ (uint start, uint count) |
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class | TreeIterator< Data_Type > |
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template<typename Data_Type = bool>
class pruner::Tree< Data_Type >
Tree class.
Arguments to be passed to Tree::fun. The Tree class is the core of pruner. The most relevant members are
parents
offspring
iterator
args
fun
- Examples:
- 00-hello-world.cpp, 01-adding-function.cpp, and 02-rcpp.cpp.
◆ Tree()
template<typename Data_Type >
Creating method using parents and offpring.
The tree is initialized using an edgelist by listing each edges' parent and offspring. The ids of the nodes must range 0 through n - 1
.
- Parameters
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| parents_ | Ids of the parents |
| offspring_ | Ids of the offspring. Must be of the same length as parents_ |
| out | Return codes. 0 means success. |
◆ prune_postorder() [1/2]
template<typename Data_Type >
| void Tree< Data_Type >::prune_postorder |
( |
| ) |
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inline |
Do the tree-traversal using the postorder.
The user defined function fun
will be called at each step. This allows users implementing their own model.
◆ prune_postorder() [2/2]
template<typename Data_Type >
| void Tree< Data_Type >::prune_postorder |
( |
v_uint & |
seq | ) |
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inline |
Do the tree-traversal using the postorder with a user specific sequence.
Same as prune_postorder
but with a different sequence
- Parameters
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| seq | A new sequence to apply. |
◆ prune_preorder() [1/2]
template<typename Data_Type >
| void Tree< Data_Type >::prune_preorder |
( |
| ) |
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inline |
◆ prune_preorder() [2/2]
template<typename Data_Type >
| void Tree< Data_Type >::prune_preorder |
( |
v_uint & |
seq | ) |
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inline |
Do the tree-traversal using the preorder with a user specific sequence.
Same as prune_preorder
but with a different sequence
- Parameters
-
| seq | A new sequence to apply. |
◆ fun
template<typename Data_Type = bool>
◆ POSTORDER
template<typename Data_Type = bool>
Postorder sequence.
The POSTORDER vector shows the order in which TreeIterator runs through the tree. This is set at the moment during which the tree is created.
The documentation for this class was generated from the following file:


Why is open access the future of scientific publishing? Martin Uhl, a former researcher at ZPID (Leibniz-Institute for Psychology Information), introduces the concept. The reason to start with this topic is simple: JEPS supports the idea of open access and therefore all articles published in JEPS are freely available on the internet everywhere in the world without any charge (other than what you pay for your internet connection, of course). Read about the philosophy that many scientists are fascinated about, but so far only few follow.
To introduce the principles of open access to our authors and readers about, the editors of the Journal of European Psychology Students talked to Martin Uhl, who works towards raising awareness about open access.
JEPS: What does open access stand for?
Martin Uhl: It stands for the worldwide unrestricted access to scientific literature. The internet provides a unique platform for exchanging knowledge. Theoretically, it is possible to access any information in any location in the world just within seconds. In reality, however, the access to a big part of information is protected by rights and licenses; information has become the new currency of today’s world. On one hand, it is very important to protect certain information by law to guarantee economic outcome of research and private efforts. Yet on the other hand, if the information has been financed from public resources, the people should own the information. The latter is what open access stands for: the idea, that publicly financed scientific knowledge should be freely accessible by anyone in the world and not only by elite countries and universities able to pay publisher’s subscription fees.
JEPS: What are the advantages of publishing in an open access journal?
Martin Uhl: Visibility and impact. As the article is available online without any restrictions, the probability of it being read is higher. This in turn alters the likelihood of its impact. If more researches read the work, it is more probable that the work will find its place in new theoretical frameworks and therefore have more citations.
JEPS: The quality of the journals is often measured through the Impact Factor (IF) which takes into account the articles published and the citations collected within the past two years. There are not many OA journals at the top of the list [At least in psychology. Many of the OA journals are so new that cannot have possibly achieved a good IF, however, there are journals that are leading in their field (PLoS Biology) for example. – Ed. ]. What guarantees the quality of the publications in an open access journal?
Martin Uhl: Open access does not mean ‘not edited’ or ‘not peer-reviewed’. Using the golden way of open access publishing, i.e., submitting a manuscript to open access journal where it is peer-reviewed, revised and eventually published, guarantees high quality standards. Alternatively, there is the green way. This means, that a preprint or sometimes postprint of an article is made available within repositories. Most repositories offer a search for high quality (peer-reviewed) articles.
JEPS: What made you interested in OA?
Martin Uhl: I was working in developing countries. They have restricted financial resources and can therefore only maintain basic programs. It is very hard for them to stay in the competition without accessing and exchanging knowledge. Open access is a good solution to foster meaningful contributions to the worldwide pool of knowledge. We depend on the common effort to develop tomorrow’s technologies together. For example, Brazil and India are among the leading countries in using the open access publishing model.
JEPS: What would you like to say to the JEPS Bulletin readers?
Martin Uhl: It is the task of young scientist to rethink science. Not only to reflect scientific results, but the system in which they are produced. Information exchange has changed dramatically in the last years, publishing models and quality ensuring mechanisms have to follow. Reflect the journals you publish in and consider their publishing model.
JEPS: Thank you!
Read more about open access at: http://www.open-access.net/de_en/homepage/
Interviewers: Sarah Muno and Maris Vainre
Text: Maris Vainre


Home
Chancellor Kim A. Wilcox
and
Diane Del Buono
The Board of trustees of the
UC Riverside Foundation
And the Board of directors of the
UCR Alumni Association
cordially invite you to the
Chancellor's Dinner
to benefit UCR students
Please join us in honoring the following Highlanders
UCR Medallion Recipient
Henry W. Coil, Jr.
The UCR Medallion is presented in recognition of extraordinary service, dedication and generosity to education at all levels and for enduring support of UC Riverside and the community.
Alumni Awards of Distinction Recipients
Distinguished Alumnus Award
Byron Pollitt, Jr. ’73
Alumni Service Award
Mary Figueroa ’79
Outstanding Young Alumnus Award
Michael Nduati ’01
For twenty-nine years, the UCR Alumni Association has honored graduates who personify the University's tradition of excellence and service. Through their personal and professional achievements, these individuals bring distinction to UCR, contribute to the betterment of society and enhance their communities.
Proceeds benefit scholarship and fellowship initiatives at UCR
Chancellor’s Sponsor
Dean’s Sponsor
Dinner
Saturday,
October 17, 2015
5:30 p.m. Reception
6:30 p.m. Dinner and Program
$200 per person
UCR Highlander Union Building, third-floor ballroom
Business Attire Requested
Reservations
Seating is limited. Please respond by October 8, 2015.
Questions?
Phone:<PHONE_NUMBER>
E-mail<EMAIL_ADDRESS>Dinner Sponsors
There are several sponsorship opportunities. See which one is right for you.
Event Parking
Complimentary parking will be available in Lot 1.
Alumni Awards
of Distinction
Find out more about the Alumni Awards of Distinction.


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Ruby Arrays and Hashes
Sunday, November 15, 2015
Have you ever considered making a computer program and how you'll store the data you want your program to use? You can do this in the Ruby programming language by assigning names, called variables, to store the data you want your program to use. Sometimes the data you'll want to store could be a list of words, numbers, information about friends and family, or words and their definitions. Based on the information you want to store you can choose between an array or hash for a collection data. However, it's up to you to decide which one to choose and to do that you need to understand their main differences.
Arrays
Arrays can be used to store many different kinds of data in an ordered list. An array can hold any combination of information such as numbers, letters, words, phrases, other arrays, and more. When creating an array you store the data between a pair of square brackets. Each piece of data is indexed with a number that you use to access the information and the index starts with zero.
Hashes
Hashes are sometimes called dictionaries because they store collections of data in key-value pairs. To create a hash you add key-value pairs between a pair of curly braces and separate each pair with a comma. Hash values are associated with indices called "keys" and you'll use the keys to get access to the values. A key could be anything such as a number, word, or symbol but it must be unique to the hash it belongs to. A value could be any type of data and multiple keys can have the same value. In Ruby, it is best practice to use symbols as keys, which are variable names that begin with a colon. As well, recent versions of Ruby allow you to write hashes without the hash rocket "=>" using a shorthand method that will translate the keys into symbols.
Arrays vs. Hashes
Arrays and hashes are useful structures that help you to store and represent your data but you may be unsure about which one to choose. When making the choice between the two structures it's important to keep in mind what kind of data you're storing and how you plan to use the information to solve a problem. To help you make a decision you can ask yourself a few questions.
An array is the best choice if you answer yes to...
- Is the order of my data important?
- Does my data look similar to a real stack in which I could easily add and/or delete information?
A hash is the better choice if you answer yes to...
- Will I be linking pieces of data with a specific label?
- Does my data have a dictionary-like feel?


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__package__ = None hash(x) |
Imports: basic, facts, pycompat24, six, urls
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You've completed the three lessons of this course! Let's review some of the major elements of the course.
Last month, you worked 7.5 hours of overtime on a Saturday. This overtime will appear in the Entitlements and Deductions section of your CWA Pay Stub.
Good answer! The overtime will appear in the Entitlements and Deductions section of your CWA Pay Stub and will indicate the Pay Period in which the overtime took place.
Sorry, this statement is true. The overtime will appear in the Entitlements and Deductions section of your CWA Pay Stub and will indicate the Pay Period in which the overtime took place.
You accepted a new position in Winnipeg, and moved from Gatineau to Winnipeg to occupy this new position in another division.
You want to ensure that the income tax deductions reflect your new place of work. Your Phoenix Pay Stub will indicate your province of work.
Good answer! The Phoenix Pay stub will indicate your personal mailing address in the General information section, but not your province of work, which determines the income tax to be deducted from your pay.
Your province of work will be indicated on your CWA Pay Stub, in the General information section.
The Phoenix Pay stub will however, convey tax data information such as your Federal and Provincial Net Claim.
Sorry, this statement is false. The Phoenix Pay stub will indicate your personal mailing address in the General information section, but not your province of work, which determines the income tax to be deducted from your pay.
Your province of work will be indicated on your CWA Pay Stub, in the General information section.
The Phoenix Pay stub will however, convey tax data information such as your Federal and Provincial Net Claim.
You are considering taking a 5-month leave without pay (LWOP) for the care of your family.
You read you would have to pay both the employer’s share and your share of benefits for part of your leave. You want to estimate these extra costs before making any decision.
Your Phoenix Pay Stub will provide you the information you need on your employer’s contributions to your benefits.
Good answer! The Employer’s share will appear in the Employer-Paid Benefits section of your Pay Stub. You should bear in mind some of these benefits depend on your salary (which may increase during your LWOP due to the yearly pay revision).
Sorry, this statement is true. The Employer’s share will appear in the Employer-Paid Benefits section of your Pay Stub. You should bear in mind some of these benefits depend on your salary (which may increase during your LWOP due to the yearly pay revision).
You had to take two days of leave without pay a month ago.  This confirms that your two days were mistakenly deducted twice from your pay.
Good answer! For a period of LWOP, there will be two entries in the Earnings section. One as a basic pay line with line with a negative amount which is deducted from your pay and another as a LWOP amount that is used for Pension calculations only.
Sorry, this statement is false. For a period of LWOP, there will be two entries in the Earnings section. One as a basic pay line with line with a negative amount which is deducted from your pay and another as a LWOP amount that is used for Pension calculations only.
You worked 4 hours of overtime in February. On the day the overtime occurred, you recorded these overtime hours in Phoenix Self-Service. Your manager (Article 34) completed the approval of these overtime hours at the end of April. You receive payment for these overtime hours in the month of May because all overtime must be approved by your manager (Article 34) in order to be paid to you.
Good answer! Overtime hours must be approved by a Section 34 Manager before they can be paid to the employee.
Sorry, this statement is false. Overtime hours must be approved by a Section 34 Manager before they can be paid to the employee.
You know that your annual salary does not appear on your Phoenix pay stub, but you see that your biweekly salary does. As a full-time employee, you want to calculate your annual salary, so you decide to multiply your bi-weekly salary by 26 weeks as you will be able to determine your annual salary by doing this.
Good answer! If you are a full-time employee, to calculate your annual gross salary, you must multiple your biweekly salary by 26.088. This multiplier accounts for the uneven number of complete pay periods.
Sorry, this statement is false. If you are a full-time employee, to calculate your annual gross salary, you must multiple your biweekly salary by 26.088. This multiplier accounts for the uneven number of complete pay periods.
Congratulations!
You have now completed this course.
Additional reference material is also available by clicking the Toolbox icon at the top-right of the page. To close this course, please click on the X button on the top right corner.
Don't forget to fill out the course Evaluation! Thank you!


Stay on top of the latest and greatest.
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Article - Nov 2017
4 principles for building a Super Bowl campaign without a TV ad.
work Case Study - Nov 2017
How Nestlé Waters reclaimed the customer relationship.
work Case Study - Nov 2017
Are you worth it? Your customer wants to know.
Perspective - Nov 2017
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Article - Nov 2017
Holiday shoppers want more help in a hurry-here's how to succeed this season.
Article - Oct 2017
Marketing Resources track_changes
Consumer Insights shopping_basket
Learn about consumer trends, from how people are using apps to video consumption on mobile.


This record contains extended PivotTable view fields information.
Record Data — BIFF8
|
Offset |
Name |
Size |
Contents |
|
4 |
grbit1 |
4 |
=0001h, fShowAllItems
— show all items for this
field. XL9: =8000h, fHideNewItems – new items that come in during a Pivot Table refresh are not shown in the view by default |
|
8 |
grbit2 |
1 |
=1Fh, reserved. XL9: =20h, fOutline – layout this field in outline form on the Pivot Table view XL9: =40h, fInsertBlankRow – a blank line is put between item changes in the Pivot Table view XL9: =80h, fSubtotalAtTop –- when fOutline=1 then display subtotals at the top of the list of items instead of at the bottom |
|
9 |
citmShow |
1 |
Number of items to show for AutoShow, default is 10. |
|
10 |
isxdiSort |
2 |
0-based index of data field that AutoSort is based on or
|
|
12 |
isxdiShow |
2 |
0-based index of data field that AutoShow is based on. |
|
14 |
ifmt |
2 |
Number format of field or 0 if none. |
|
16 |
cchSubName |
2 |
XL9: Length of unicode string in stSubName . FFh means no custom subtotal name was specified |
|
18 |
(Reserved) |
4 |
XL9: |
|
22 |
(Reserved) |
4 |
XL9: |
|
26 |
stSubName |
var |
XL9: Custom subtotal name represented in unicode |


UserList API Client Demo
User
Options
User:
Birthdate:
ZIP Code:
Edit
Delete
Add User
×
Add User
First Name
Last Name
Birthdate
ZIP Code
×
Edit User
First Name
Last Name
Birthdate
ZIP Code
Sign In
Username
Password


My objective of rotation 5 was to combine two 3D print files using Meshmixer, design and print small 3D object that could not be made subtractively, and create a drip irrigation top for a water bottle.
This is the planned outline for my finished product. I am in the process of printing out the production.
I started off rotation 5 by creating a mesh for my face. To get a 3D image of my face, I have used the SCAN feature on Knockout. After the photoshoot was done, I had imported the file as a .stl file. For my pedestal, I went to thingiverse.com and looked up my favorite pedestal. In order to add my face to the pedestal, I used 3D builder. It was important that the overall product did not exceed 4 inches as this is the maximum height that the 3D printer can print out. Finally, I printed my statue on the Form2 printer and made a mold and finally casted my bust.
There are some rules and limitations to follow when printing objects from the 3D printer. The first limitation is that the object you are intending to print should not be too small or too big. There is a set dimension for the 3D printer, and if the object is too big, it will not print the entire object. On the other hand, if the object is too small, there will be a lack of precision and accuracy. Another limitation of the 3D printer is that your model cannot have more than one material if you are using the MakerBot Replicator. For each printing process, the 3D printer only uses one material, thus a combination of other materials are impossible. Lastly, most additive manufacturing machine can't build a model without layers. Consequently, your finished product will inevitably have layers on it, and it is recommended to soften the surface after printing it.
This is the planned outline for my finished product. I am in the process of printing out the production.
To begin with, the difference between an additive and a subtractive printing is that additive printing has a distinct starting point and the printer creates (adds on) multiple layers in order to print out a 3D object. On the other hand, subtractive printing is when there is a solid shape already placed inside the 3D printer, and the 3D printer cutting off (subtracting) from the solid figure in order to generate a shape. I decided to print out a hexagonal vase for my subtractive product. I did this by using Fusion 360. It was easy for me to play around with Fusion 360 since I had already made a wax stamp from using Fusion 360. When the outline was completed, I exported the file as .f3d and .makerbot format so that the 3D printer can read them.
I am in the process of printing out the production. I will be posting as soon as it is done.
Talk about process of making the drip irrigation.
For rotation 5, I had the opportunity to use my Fusion 360 skills again to produce an object that can only be made subtractively. I also learned the difference between an additive and subtractive printing which was interesting. Along with that, I also learned the limitations and rules for 3D printing which can be seen in the 2nd paragraph of this post. I was also excited about how we got to 3D print our faces on top of a pedestal. As of October 12th, 2017 I have not completed printing out the objects, but I will be posting them immediately after they are printed.


A Look At The United States Congress From 2017 to 2021
Identities of Congressmembers
See the distribution of birthdays in congress.
See the age and sex distribution of members in congress.
Bills, Policy Areas, and Sponsorships
Get the number of bills sponsored by
.
Get
any
the republican
the democrat
the independent
congressmembers
representatives
senators
with
any
the highest
the lowest
number of bills sponsored.
Get the top
bills that were voted on in the Senate that received the most
Yes
No
votes.
See how many times a bill was proposed or passed in each of the different policy areas.
State Representation
Get the number of bills
sponsored
passed
by congressmembers representing each state.
See the change in state representation between the 115th and 116th congress.
Party, Unity, and Bipartisanship
Get the number of bills
sponsored
passed
by each party.
See the party unity for votes on bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress.
See the votes on bills in each chamber that were entirely partisan.
See how many votes on bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress came from the opposite party of the sponsor.
Inserting Information
Add congressmember
, with member_id
, born on
and is
Male
Female
Other
Add
role in
115th
116th
congress, that role being a(n)
Republican
Democrat
Independent
Representative
Senator
of
.
Add bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress, titled
, introduced on
, pertaining to the bill area
, which
was
was not
enacted and
was
was not
vetoed.
For bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress, add the bill subject
.
For bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress, give it the sponsor
.
For bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress, give it the cosponsor
.
For bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress, add the vote of
, their position being
yes
no
not voting
.
Deleting Information
Remove congressmember
.
Remove
role in
115th
116th
congress.
Remove the bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress.
For bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress, remove the subject
.
For bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress, remove it's sponsor.
For bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress, remove the cosponsor
.
Remove
's vote for bill
H. R.
H. J. Res.
S.
S. J. Res.
of the
115th
116th
congress.


International Chess Federation
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International Chess Federation
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Wolves boss Nuno says first half at Bournemouth is example to follow
Nuno Espirito Santo insists Wolves' dazzling first-half display in the 2-1 win at Bournemouth must be their reference point moving forward.
by Joe EdwardsWolves were two to the good at the break, with Joao Moutinho opening the scoring with a sublime free-kick before Raul Jimenez doubled the advantage.
The Cherries, who had Simon Francis sent off the in the first 45 minutes too, were resilient in the second period, though, as Steve Cook headed home before an anxious finish for Nuno's side.
Wolves, with the victory, made it eight unbeaten in the Premier League while moving to fifth in the table, and Nuno said: "It was a good game, honestly.
"The first half was very, very good. We played really, really well.
"We unbalanced Bournemouth, created chances and had good possession.
"We were organised, and we achieved the advantage.
"Then, they were with one man less. In the second half, Bournemouth - a very good team, with very good players - reacted and caused problems.
"We knew that the game was dangerous. It was about getting the third goal but, at the same, keeping the balance.
"So, I think we performed well, and I'm happy with the boys."
The result also made it back-to-back 2-1 wins, after beating Villa by the same scoreline before the international break.
Nuno added: "The first half must be our reference for how we want to proceed, and keep growing and improving."


A visual archive of our works combining paint and cloth. This idea started with the faking of band merch to combat the high cost that is often
attributed to such objects. The idea slowly devolved into our own ideas, every once and a while going back to our roots. Most of this work was
quick and visceral, snap decisions and overly DIY methods are involved. Its goofy, incorrect, fun, and a fantastic metaphor for SHRED ALOHA.


Evidence for repression of IL-2 gene activation in anergic T cells.
Abstract
The induction of clonal anergy in a T cell inhibits IL-2 secretion because of the development of a proximal signal transduction defect. Fusion of anergic murine T cells to human Jurkat T leukemia cells and formation of heterokaryons failed to result in a complementation of this signaling defect and restoration of murine IL-2 mRNA inducibility. Instead, signal transduction to the human IL-2 gene became disrupted. Heterokaryons formed by the fusion of anergic murine T cells to normal murine T cells also failed to accumulate intracellular IL-2 protein in response to stimulation either with the combination of CD3 and CD28 mAbs or with ionomycin plus a protein kinase C -activating phorbol ester. The results argue against a loss-of-function signaling defect as the sole basis for clonal anergy induction and document the presence of a dominant-acting repressor molecule that inhibits signal transduction to the IL-2 gene within viable anergic T cells.


Vulnerable application loaded within an iframe
Double framing?
onBeforeUnload
No-Content Flushing
Security restricted frame
Sandboxed frame


Using querydb in db-utils
The purpose of “querydb” is to easily execute an
SQL SELECT statement at the command line or in a script.
As with “modifydb”, in order to be generic,
you may need to update the source to include the appropriate driver.
As written, it includes two drivers which may be selected
via the -driver
argument.
Here is a snippet from the source showing the inclusion of two drivers:
import (
"database/sql"
...
"github.com/mandolyte/db-utils"
_ "github.com/cznic/sqlite"
_ "github.com/lib/pq"
)
The first one is a native Go driver for SQLite and is still a work in progress. At this writing, it works fine for Linux (AMD architectures) and the Windows Linux Subsystem, but isn’t quite ready yet on Windows. The second one is the standard Postgres driver.
To see the help, use the “-help” argument as shown below. Notice that the driver name is required, such as “postgres” or “sqlite”. Also required is the name of an environment variable containing the connect string. The connect string format varies from driver to driver. Examples are shown later.
$ querydb -help
Help:
Usage:
-debug
Show debug messages (default true)
-driver string
Driver name; required
-help
Show help message
-input string
Optional input CSV supplying parameters to SQL query
-output string
Output CSV filename
-parameters string
Comma delimited list of olumn numbers of input CSV in order needed;
first is 1, not zero
-query string
SQL statement filename
-urlref string
Environment variable with DB URL
Notes:
1. If the optional input CSV is supplied, then the rows will be used to supplay
parameter values to the SQL statement.
2. The input CSV must be accompanied by a list of column numbers in the order
needed to correctly drive the SQL parameter substitution.
For example, if the WHERE clause is:
WHERE x = ? and (y = ? or z = ?)
and the values in the CSV for x, y, and z are found in columns
2, 12, and 3, then the parameters argument will look like this:
-parameters 2,12,3
3. The SQL statement will be executed one time for each row in the CSV.
4. The list of parameters is one-based like SQL, not zero based.
So first column is one, not zero
Optionally, a CSV input file may be provided that will be
used to for substitution parameters.
Which ones to use are specified by the -parameters
argument.
The notes in the help message above have a bit more explanation.
Suppose you wanted to run this query and it was in filename “q1.sql”:
select count(*) from node
union all
select count(*) from edge
To store the query result on “q1.csv” the commands might look like this:
DN=postgres
DB="postgresql://postgres:postgres@localhost:5432/postgres?sslmode=disable"
export DN DB
querydb \
-query q1.sql \
-output q1.csv \
-driver $DN \
-urlref DB
There is an optional input CSV as well. When specified it will run the SQL for each row in the CSV. The CSV must have headers on the first row, which is skipped of course. The output CSV will be columns from the input CSV plus the results of the query as added columns. If the result has multiple rows then the output CSV will repeat the input values as needed.
Here is an example. Given this little CSV:
val1,val2
b,p
c,e
and this SQL, say on “q2.sql”:
select id
from node
where id like ($1 || '%')
and id like ('%' || $2)
Then the SQL twice will be executed twice.
- The first time with substitution parameters “b” and “p” for “$1” and “$2”.
- The second time with “c” and “e”.
If the input CSV was on “input2.csv”, then the command to execute would look like this:
DN=postgres
DB="postgresql://postgres:postgres@localhost:5432/postgres?sslmode=disable"
export DN DB
querydb \
-input input2.csv \
-parameters 1,2 \
-query q2.sql \
-output q2.csv \
-driver $DN \
-urlref DB
And the output will be like this (just showing head and tail of output file):
$ head q2.csv
val1,val2,id
b,p,bzcmp
b,p,bzegrep
b,p,bzfgrep
b,p,bzgrep
b,p,brltty-setup
b,p,bitmap
b,p,bcp
b,p,benchcmp
b,p,bluetooth-sendto.desktop
$ tail q2.csv
c,e,circle
c,e,crossed_circle
c,e,cross_reverse
c,e,compcache
c,e,changelog-file
c,e,copyright-file
c,e,corrections-case
c,e,clocksource
c,e,cleanfile
c,e,coccinelle
$
Notice that the input is repeated for as many rows as needed. The output now has three columns; the first two from the input CSV and the last column from the executed SQL result.
Hope you find this useful!


FILM TITLE: LITTLE SISTER DIRECTOR: ROBERT JAN WESTDIJK COUNTRY: NETHERLANDS 1995 CINEMATOGRAPHY: BERT POT MUSIC: Various pop musics of the day CAST: Roeland Fernhout, Hugo Metsers Jr., Kim Van Kooten, Ganna Veenhuysen, Maarten Zomer SUPER FEATURES: The camera work. The turnabout ending.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
LITTLE SISTER is a hard film to sit through, for many people not used to film makers that love to take a total subjective point of view, for the duration of the whole film. Not very many people have ever done this.
This film takes this point of view literally, and stays with it through the end, which is a rarity in film making. For that alone, this film deserves a special mention. It is difficult to find films that are capable of doing this without ever having to go to the tripod for a standard shot. There are none of these in this film. The whole thing is hand held, and for what turns out to be a superb reason, and magnificent conclusion, although some will be terribly squeamish about it.
LITTLE SISTER, is the story of a brother and sister that have been close friends for a long time, and at one time on her ninth birthday, perhaps a little too close. But all of their adventures has been caught on film, by mom and dad, and later by Martijn, who has taken up the camera for real, although he does not discuss, or ever mention, that getting into film is what he is about. The film suggests a slight abusive obsession at first, and then begins to soften the stance once the story gets deadly serious.
The older brother, still, appears attached to his younger sister, now a woman, and he follows her around, in a rougher style than that of Mike Leigh, another film maker for subjective ideals. Martijn keeps the camera up close to his sister for the whole film, and follows her around.
Eventually it creates a few difficult situations, by walking in when she is making love to her boyfriend, and also doing a no-no, later on, which causes the transition in the film.
Eventually, the situation gets around, and Martjin, is forced to try and figure out why he has become the way he has. He has failed in his relationship or marriage ( not clear ), and the reason may have been that he never got a sense of what it felt like to hold someone you really like, in this case the situation going back to when his sister was nine years old, and they got caught in the same bed.
The film now enters a very touchy area. And it takes the older sister to literally sacrifice herself to try and help her brother. As it turns out, however improper the situation is, it does not go beyond the point of no return, and the suggestion is that Martjin has learned something, and that Daantje, is finally freed of her brother with the camera in hand, who tried to break the relationship with her boyfriend, in what may have amounted to jealousy.
And in a fitting end, after the real touching, and touchy fifteen minutes, Martijn gets up and out of the bed to turn off the camera for the last time. For once, he was not abusive, and we can see that he has changed. He may not have conquered his fears, but his following his sister and bothering her is over for sure. She had to go through a rather uncomfortable moment which might have turned the wrong direction, but it did not, and her way of helping her brother displays a little bit more of love and care for him than he has through his obsessive behavior.
At this point we can only hope that things get resolved, but there is no reason to think that they will not.
It is clear that in those areas, sexual mores and attitudes are a bit easier than the Christian morality found in many other parts of the world. But, regardless, there are some things that affect individuals, and this film keeps it strictly "individual", mostly because of its camera style.
While, very often, the camera can be a bit odd, and off the mark, nevertheless, this is the strong point for this film in its desire to make a point. The point may be just this one person and his behavior have to learn a lesson, and he does. The relentless use of the camera, to see things like the eye truly does, is a refreshing style, over that of the average film. And the director and actors seem to be aware of this and take it upon themselves to make sure that this drama develops seriously and force a serious conclusion to it.
It is the danger in these conclusions, that one, or both, could wind up dead, but Daantje has succeeded where her brother has failed. His childlike playfulness has been used as an excuse for his insecurities, and his choice of moments defines that there is something there that he is in dire need to resolve with his sister, although it may not be pleasant. His sister gives in, but she doesn't fall apart at all. She is the stronger of the two, and does not use a camera to hide behind her fears.
An absolutely riveting film, that is very difficult to accept and appreciate because of its immediate link to what may be an incestuous relationship. But I don't know that two children should be punished for a moment of innocence, which may hurt them later, and in this case hurt Martijn seriously. And in the end, when the situation has to come to a head, we are teetering on the edge of our seats, scared shitless of what the outcome may be.
The film suggests here and there that the brother and sister have had a connection before, but I really do not see that any of these moments were any more than a teasing, or pleading to get attention, by Martijn.
Strong film that turns the tables mercilessly. Content may be inadvisable to some. Other than that, it is very well done and thought out. Exceedingly well designed by the director to bring about a turnabout ending to the story.
Not for everyone due to subject matter of implied incest. Excellent film otherwise.
4 GIBLOONS
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Tetsuo II: Body Hammer (1992) A movie review by Serdar Yegulalp (C) 1997 by Serdar Yegulalp
CAPSULE: Supercalifragilisticbiomechanoidism.
The original TETUSO: THE IRON MAN, made for about the cost of the opening credits of many, many far less successful movies, was a 67-minute blitzkrieg on the senses that became a deserved cult staple, both here and in its native Japan. The director, a gentleman named Shinya Tsukamoto who will probably not be receiving much babysitting work, has gone ahead and created a follow-up, in spirit more than in form. It doesn't have the total advantage of novelty, but it has searing images in abundance, and a very strange story indeed -- a slightly more coherent one that its predecessor, if that's an inducement.
As with the last film, Tomoro Taguchi stars as a meek "salaryman", except this fellow has a wife and child, and they have what appears to be as normal an existence as could be asked for from modern-day Japan... except the camerawork as they eat is just a little bit creepy. Then their son is kidnapped by a gang of thugs, and his rage somehow makes him mutate into a kind of human gun, wreaking (unwanted?) havoc every-which-way. That's as much of the plot as bears up under a synposis; the rest is one blast of images after another. (One slightly astonishing item: the remarkable sets were all "found"; nothing was constructed for the sake of the movie.)
Is this a horror movie or a piece of SF? With the blurring of the lines between the two (thanks to some good movies like ALIEN and some dreadful ones like HELLRAISER: BLOODLINE), it's safe just to call it a gut-level experience. There are many moments where it doesn't make sense, but we never get the feeling it was *supposed* to. It's quite a ride, and it leaves you wrung out and raw-eyed, the way it should. As far as more coherency to the story goes, there's a detour about 2/3 of the way through to explain a major character's actions, but it should be regarded more for the sake of color than plot: What's most fascinating about TETSUO and BODY HAMMER is not why any of this is happening, but what everyone does because of it.
Three out of four body-cannon-electrode-probe-thingies.
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TCGETPGRP
Section: Linux Programmer's Manual (3)
Updated: 2014-01-13
Index
Return to Main Contents
NAME
tcgetpgrp, tcsetpgrp - get and set terminal foreground process group
SYNOPSIS
#include <unistd.h>
pid_t tcgetpgrp(int fd);
int tcsetpgrp(int fd, pid_t pgrp);
DESCRIPTION
The function
tcgetpgrp()
returns the process group ID of the foreground process group on the
terminal associated to
fd,
which must be the controlling terminal of the calling process.
The function
tcsetpgrp()
makes the process group with process group ID
pgrp
the foreground process group on the terminal associated to
fd,
which must be the controlling terminal of the calling process,
and still be associated with its session.
Moreover,
pgrp
must be a (nonempty) process group belonging to
the same session as the calling process.
If
tcsetpgrp()
is called by a member of a background process group in its session,
and the calling process is not blocking or ignoring
SIGTTOU,
a
SIGTTOU
signal is sent to all members of this background process group.
RETURN VALUE
When
fd
refers to the controlling terminal of the calling process,
the function
tcgetpgrp()
will return the foreground process group ID of that terminal
if there is one, and some value larger than 1 that is not
presently a process group ID otherwise.
When
fd
does not refer to the controlling terminal of the calling process,
-1 is returned, and
errno
is set appropriately.
When successful,
tcsetpgrp()
returns 0.
Otherwise, it returns -1, and
errno
is set appropriately.
ERRORS
- EBADF
-
fd
is not a valid file descriptor.
- EINVAL
-
pgrp
has an unsupported value.
- ENOTTY
-
The calling process does not have a controlling terminal, or
it has one but it is not described by
fd,
or, for
tcsetpgrp(),
this controlling terminal is no longer associated with the session
of the calling process.
- EPERM
-
pgrp
has a supported value, but is not the process group ID of a
process in the same session as the calling process.
ATTRIBUTES
Multithreading (see pthreads(7))
The
tcgetpgrp()
and
tcsetpgrp()
functions are thread-safe.
CONFORMING TO
POSIX.1-2001.
NOTES
These functions are implemented via the
TIOCGPGRP
and
TIOCSPGRP
ioctls.
History
The ioctls appeared in 4.2BSD.
The functions are POSIX inventions.
SEE ALSO
setpgid(2),
setsid(2),
credentials(7)
Index
- NAME
-
- SYNOPSIS
-
- DESCRIPTION
-
- RETURN VALUE
-
- ERRORS
-
- ATTRIBUTES
-
- Multithreading (see pthreads(7))
-
- CONFORMING TO
-
- NOTES
-
- History
-
- SEE ALSO
-
This document was created by
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Time: 02:54:54 GMT, September 18, 2014