Competition lawyer & Visiting professor at the College of Europe
I enjoy working on EU competition law cases concerning digital industries.
I love playing around with new software.
I used to be a decent piano player. Beethoven forever!


var _ = require('underscore');
dependencies
var _ = require('underscore');
Useful globals deck for converting card indices to cards
var deck = require('./srcdata/deck.json');
combinatorics library
var cmb = require('js-combinatorics').Combinatorics;
AI = brain of player, will control the player object contains the trait will make moves and decisions
global for AI, traits(key): variants: values
var traitsMap = require('./srcdata/AI-traits.json');
var traitsKey = _.initial(_.keys(traitsMap));
console.log(traitsKey);
AI brain controls the player
function AI(player, persona, dg) {
global graph object
var g = dg;
////////// Fields // ////////// player which has all the fields
this.player = player;
this.name = player.name;
Personality map of AI, e.g. priority: ‘agressive’
this.personality = _.object(traitsKey, persona);
get this AI’s trait, e.g. priority -> [0,1,2,3]
this.trait = trait;
function trait(key) {
return traitsMap[key][this.personality[key]];
};
The attack-origin map and priority list enumerate with sublists size = 3 x4 = 12
this.priorityList = [];
this.attOrgMap = {};
/////////// Methods // ///////////
this.tradeIn = tradeIn;
this.getArmies = getArmies;
place armies, with threshold step t = 5
this.placeArmies = placeArmies;
count number of armies owned on map
this.countArmy = countArmy;
count number of countries owned
this.countCountries = countCountries;
this.countContinents = countContinents;
The attack moves
this.attack = attack;
this.defend = defend;
this.moveIn = moveIn;
this.fortify = fortify;
function fortify() {
console.log(“fortify”); find border node with lowest pressure find none-border node with AM higher than it if is neigh of it, then move in all but 1
borders sorted by pressure from lowest
var coun = _.sortBy(this.player.countries, byPressure);
var fortified = false;
call on coun till fortified one, or none
for (var i = 0; i < coun.length; i++) {
fortify by moving troops from internal node with high pressure
var found = hiPressNonBorderNeigh(coun[i], this.player);
console.log(“to fortify node”, found);
if (found != undefined) {
this.moveIn(found, coun[i]);
if move in once, done, break
fortified = true;
return 0;
}
};
after trying all, if none, then move anything to a highest pressure border node
if (!fortified) {
for (var i = 0; i < coun.length; i++) {
console.log(“fortifying by accumulation”);
var neighs = _.intersection(coun, g.nodes[coun[i]].adjList);
var maxNeigh = _.last(neighs);
if (maxNeigh != undefined) {
this.moveIn(maxNeigh, coun[i]);
fortified = true;
return 0;
};
};
};
helper: return an ideal hi pressure non-border neighbor that can transfer troop to border node[i]
function hiPressNonBorderNeigh(i, plyr) {
var nonBorderNeigh = _.difference(g.nodes[i].adjList, plyr.borders);
console.log(“found neigh”, nonBorderNeigh);
var neighPressDiff = _.map(nonBorderNeigh, function(k) {
return g.nodes[k].pressure - g.nodes[i].pressure;
});
the max pressure difference
var max = _.max(neighPressDiff);
if (max > 3) {
console.log(“found big hike”);
var mInd = _.findIndex(neighPressDiff, function(m) {
return Math.floor(Math.abs(m-max))==0;
});
console.log(“to return”, mInd, nonBorderNeigh[mInd]);
return nonBorderNeigh[mInd];
};
else return undefine
}
sort helper
function byPressure(i) {
return g.nodes[i].pressure;
}
};
move in: always move all but one
function moveIn(org, tar) {
console.log(“moveIn”); failsafe
if (g.nodes[tar].owner != this.name && g.nodes[tar].army != 0) {
console.log(“moveIn error!”)
};
console.log(“before moveIn”, g.nodes[org].army, g.nodes[tar].army); extract
var num = g.nodes[org].army;
transfer
g.nodes[tar].army = num - 1;
g.nodes[org].army = 1;
console.log(“after moveIn”, g.nodes[org].army, g.nodes[tar].army); console.log(“transferred all but one”, g.nodes[org].army, g.nodes[tar].army);
};
defending when enemy rolls ‘red’ number of dice
function defend(att) {
console.log(“defend”); object returned from attack()
var org = att.origin;
var tar = att.target;
var red = att.roll;
to counter, always use max rolls possible
var need = _.min([2, red]);
var afford = _.min([need, g.nodes[tar].army]);
return white rolls
return afford;
};
attack based on priorityList and personality threshold. Called until return undefined. Return attack request {origin, tar, roll} to dealer
function attack() {
console.log(“attack”); extract personality
var att = this.personality['attack'];
var playername = this.player.name;
for each target, attack if source.army - target.army > threshold
var prio = this.priorityList;
var attOrg = this.attOrgMap;
return att request to dealer
return strike(this.trait('attack'), playername);
helper: based on personality threshold, initiate attack by sending request to dealer
function strike(threshold, playername) {
if (prio.length == 0) {
console.log(“priority list empty!”);
};
target in prio list, loop
for (var j = 0; j < prio.length; j++) {
att origin i = node index at prio[j]
var i = prio[j];
var o = attOrg[i];
verify is enemy and origin is self, origin must have at least 2 armies, enemy is still attackable
if (g.nodes[i].owner != playername &&
g.nodes[o].owner == playername &&
g.nodes[o].army >= 2 &&
g.nodes[i].army > 0) {
console.log(“attempt attack”); check if army number >= threshold/2, so that can keep attacking after first time
var diff = g.nodes[o].army - g.nodes[i].army;
loop until wanna attack, return
if (diff >= threshold / 2) {
number of dice to roll
var roll = _.min([3, diff]);
return {
origin: o,
target: i,
roll: roll
}
};
};
}
};
};
count number of continents owned
function countContinents() {
return this.player.continents.length;
}
count number of countries owned
function countCountries() {
return this.player.countries.length;
};
Count its army currently deployed
function countArmy() {
var sum = 0;
_.each(this.player.countries, function(i) {
sum += g.nodes[i].army;
})
return sum;
};
place armies based on personality, balance pressures
function placeArmies() {
console.log(“placeArmies”); the army counterpressure threshold
var threshold = 4;
extract personality
var placem = this.personality['placement'];
the pressures and priority list copied for use
var press = this.player.pressures;
var prio = this.priorityList;
var attOrg = this.attOrgMap;
deplete armyreserve
var stock = this.player.armyreserve;
console.log(“army reserve”, stock, prio); console.log(“countries owned”, this.player.countries); console.log(“attackable”, this.player.attackable);
this.player.armyreserve = 0;
if (placem == 'cautious') {
balance all pri pressure >0 first,
distribute(0);
then topup priority by half threshold
while (stock > 0) {
distribute(threshold / 2);
};
}
priority pressure >4 +=4 repeatedly
else if (placem == 'tactical') {
while (stock > 0) {
distribute(threshold);
};
}
helper: distribute ‘num’ army by priorityList
function distribute(t) {
var t = Math.floor(t);
_.each(prio, function(i) {
army needed
var need = _.max([t + Math.ceil(-press[i]), t]);
affordable, either need or stock left
var afford = _.min([need, stock]);
take out, give army to node
stock -= afford;
add army to your attack origin of i
var org = attOrg[i];
g.nodes[org].army += afford;
});
};
};
get armies from dealer(given). Add to reserve for placement
function getArmies(given) {
this.player.armyreserve += given;
return given;
};
AI trade in cards based on personality, to call giveArmies from dealer
function tradeIn() {
console.log(“tradeIn”); extract personality
var att = this.personality['attack'];
the sets of card(indices) to trade in
var tradeSets = [];
Rule: if hand has 5 or more cards, must trade
if (this.player.cards.length > 4) {
tradeSets.push(findTradeable(this.player));
}
Personality: if is rusher, always trade in all cards
if (att == 'rusher') {
var nextSet = findTradeable(this.player);
trade till can’t
while (nextSet != undefined) {
tradeSets.push(nextSet);
nextSet = findTradeable(this.player);
}
}
if is carry, trade in all only if region big
else if (att == 'carry') {
use big force when has big region
if (this.player.regions[0].length > 5) {
var nextSet = findTradeable(this.player);
trade till can’t
while (nextSet != undefined) {
tradeSets.push(nextSet);
nextSet = findTradeable(this.player);
}
}
}
helper: find tradeable set in player’s hand
function findTradeable(player) {
console.log(“findTradeable”); hand = indices of cards
var hand = player.cards;
var setToTrade = undefined;
if have 3 cards n more,
if (hand.length > 2) {
enum subset
var subset = cmb.combination(hand, 3);
loop till found tradeable set
while (s = subset.next()) {
var sum = 0;
_.each(s, function(c) {
sum += deck[c].picture;
});
if (sum < 0 || sum % 3 == 0) {
found, break and trade it
setToTrade = s;
break;
}
}
}
update hand
player.cards = _.difference(hand, setToTrade);
return setToTrade;
};
convert one set (ind arr) to cards arr
function toCards(setToTrade) {
return _.map(setToTrade, function(i) {
return deck[i];
});
}
Finally, convert all tradeSets to cards
var tradeSetsAsCards = _.map(tradeSets, toCards);
return tradeSetsAsCards;
};
};
exports.AI = AI;
// Export traits as personalities to json var fs = require(‘fs’); var traitsMap = require(‘./srcdata/AI-traits.json’);
// export the vectors of AI personalities function exportPers() { // delete unwanted delete traitsMap.help; delete traitsMap.wf[“Linear”]; delete traitsMap.wf[“Gauss”]; delete traitsMap.wf[“ExpDecay”]; delete traitsMap.priority[“opportunist-attack-then-defend”]; delete traitsMap.priority[“conservative-defend-then-attack”];
// get vector of sets of trait values
var tKeys = _.keys(traitsMap);
var a = _.map(tKeys, function(k) {
return _.keys(traitsMap[k]);
})
// take the cartesianProduct for personalities
cp = cmb.cartesianProduct(a[0], a[1], a[2], a[3]);
var pers = cp.toArray();
console.log(pers);
exportPers();


Race Configuration
Race Name
Race Date
Race Director
Age Categories
Nothing
Please enter some age category values
Add New Age Category
Gender Categories
Nothing
Please enter some gender category values
Add New Gender Category
Boat Categories
None
None
Add New Boat Class
Add New Boat Category
Save Configuration
Reset to Defaults
Title
×
Boat Class
×
Does this boat have a crew?


Home
AddNewBuilding
AddNewEM
AttachBuildingEM
Reports
Add New Building
identify number(unique,used when attaching Electricity Meter):
name:
Address:
Add


Please answer the following questions:
1. Based on the example below, evaluate the following.
2. Based on the example below, evaluate the following.
Please press Start to begin with the experiment.
Unfortunately, you didn't answer all of the comprehension check questions correctly.
Please have another close look at the instructions!
In your opinion, what factors influenced how responsible a person was for an outcome? Do you have any other comments about the experiment?
Please answer the following questions about yourself to complete the experiment:
1. Age: years
2. Gender: Female Male
Please press finish to complete the experiment.


This package contains utilities and factories for creating comparators and sorting collections of JavaBeans.
{@link com.acidblue.beans.SortUtil} is the the easiest class to use for sorting collections.
{@link com.acidblue.beans.ComparatorFactory} is a simple factory class that will create {@link java.util.Comparator} instances based on bean properties passed to the factory methods.


A simple plugin that turns the premium look for battlelog (the logo and background) off so it looks like it did before you bought premium (which I personally prefer)
You can get it here:
http://websiteofandrew.com/static/bf3/non-premium.js
just add that url to your plugin and close and restart battle log and it should work.


Workshops, Hackathons, Collab Software Projects, Tech Days, Machine Learning, AI, Mobile Web App Development.
All of the events and are held in the warehouse and possible to follow it remotely on Youtube
Main orginizer and driver of most of the things happening in the co-working space
A highly talented developer with significant success in the area of machine learning applications
Scrum master / web developer with professional skills in managing challenging projects
A passionate software engineer in Java and Kotlin with relevant experience in back end projects
Portfolio


{% extends "base.html" %} {% block content %}
We're sorry, but something has gone terribly wrong and we can't respond correctly. We've been alerted and will do our best to make it right. Please feel free to go to the homepage in the meantime.


If you haven't already, please take a look at the
[DuplicationColumn] attribute.
Evaluation for duplication is done through the DuplicationColumnAttribute class and
the IsDuplicated() method.
Basically, the IsDuplicated() method evaluates that for a specific table there is
at least a row that has the same values for the designated columns (properties decorated
with the [DuplicationColumn] attribute) with a different key than the entity invoking
the method.
You may use the IsDuplicated() method to evaluate all duplication groups individually
or altogether depending what you need for your application.
Below an example on how to use the IsDuplicated() method.
using System;
using MagnaDB.SqlServer;
namespace TestMagnaDB
{
public class Cat : TableModel<Cat>
{
protected override string ConnectionString => "Data Source=testmagna.db;New=True;Version=3;";
protected override string TableName => "Cats";
protected override MagnaKey Key => this.MakeKey(cat => cat.Id);
[Identity]
public long Id { get; set; }
[DuplicationColumn]
public string Name { get; set; }
[DuplicationColumn]
public string Breed { get; set; }
}
class Program
{
static void Main(string[] args)
{
Cat newcat = new Cat() { Name = "Olivia", Breed = "Calico" };
// This will verify that there if there's
// another row in the table with the same Name and Breed,
// behavior we defined by previously decorating those properties
// with the [DuplicationColumn] attribute
if (newcat.IsDuplicated())
{
Console.WriteLine("That kitten already exists in the database");
}
else
{
newcat.Insert();
}
}
}
}


Most people want a way to organize their thoughts, take notes, store documents, goals, stats, todo lists, appointments, etc, and link them all together in intuitive ways. There are lots of providers out there which are eager to help you with this - But do you understand their motivations? You can probably trust them with some things, but can you trust them with ALL the things in your mind? All of your personal data is precious, but few things are more precious than your innermost thoughts. In the wrong hands it can be used against you for marketing purposes, psychological manipulation, in a court of law, or people might simply judge you if they know the finer details of your saturday evening activities.
Whatever you choose to store in Mindbase, We take your privacy and your soverignty very seriously. You own all of your data. We do not. You don't know us from Adam, and you absolutely should not trust us or anybody else to keep their hands off of your most personal and private thoughts. If you trusted any service provider with this, you'd likely be taking a leap into a very unsafe relationship. In the absence of this trust, do you then have to think about censoring your every data recording? That sounds exhausting, and disruptive to the ultimate goal - To try to become the best possible version of yourself.
Our revenue model is built on delivering value to you. That's it. We don't want to discourage you to leave, and unlike many other modern software companies, we don't seek to monetize your data, only the value of the convenience we deliver to you. We have taken steps to ensure that we are physically incapable of selling your data to others, or using it to understand your thoughts or preferences.
"Trust but verify" - Although we are dedicated to building a platform that meets these requirements, you should absolutely not take our word for it. Does our app do what we claim? Is the iOS app built with the same code as it purports to contain? Ask someone you trust to look at the source code, to audit your network traffic, and to ask the hard questions.
We would be remiss if we didn't talk about the risks here. It is always possible that there could be a critical security flaw in our code. It's possible that a hacker, a nation state, or other malicious actor might find some exploit, or acquire direct access to your hardware device, thus rendering our encryption scheme ineffective. We do not guarantee that you are safe against all of these negative scenarios, however we will do our best to create sound software designs which are as resiliant as possible to these risks. We also seek to solicit cryptographers, White-Hat hackers, and other security experts to help us improve. Yet another reason why we have opensourced the mindbase code.


correlation matrix heatmap for the following stocks' Adjusted Close prices' daily percentage changes for the past 3 years:AAPL, TSLA, GOOGL, BA, SPY, QQQ
Stocks with correleation between 0.7 and 0.8 to Dow Jones Index
* No stocks with correlation higher than 0.8 to the Dow Jones Index
Stocks with correleation between 0.7 and 0.8 to Nasdaq 100 Index
Stocks with correleation between 0.8 and 0.9 to Nasdaq 100 Index
Stocks with correleation between 0.9 and 1 to Nasdaq 100 Index


See what we're working on
We are a new brigade for 2021! Check back soon to see new projects. For now, check out what other brigades have done:


|
||||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |
| Class Summary | |
|---|---|
| AbuseReport | Typed class for the Abuse Report that comes back from the API |
| BounceMessage | See http://www.mailchimp.com/api/rtfm/campaignbouncemessages.func.php
Representation of the BounceMessage data |
| CampaignAdvice | |
| CampaignAnalytics | Typesafe structure representing the analytics data returned from the campaign analytics function |
| CampaignContent | Simple class to hold Campaign content as a result of the campaignContent method
See: http://www.mailchimp.com/api/rtfm/campaignCreate.func.php |
| CampaignDetails | See http://www.mailchimp.com/api/rtfm/campaigns.func.php
Typesafe values for the campaign as returned from the campaigns API call |
| CampaignListFilters | Helper class to build the options up for the campaigns API call. |
| CampaignMethods | Subclass of MailChimpApi for dealing with all campaign-related API functions. |
| CampaignOptions | |
| CampaignStats | Object representing the stats of a campaign as returned by the campaignStats function |
| ECommOrders | |
| EepUrlStats | Object representing the EepUrlStats from the API |
| EepUrlStats.Status | |
| EmailAIMStats | Has the action, timestamp and url for the action taken by a recipient of a given Email address |
| EmailClickCounts | |
| EmailDomainPerformance | Object representation of the EmailDomainPerformance |
| EmailOpenCounts | |
| GeoOpens | Object representing the geo opens call result |
| SharedReportDetails | Holds detials of a shared report
See: http://www.mailchimp.com/api/rtfm/campaignsharereport.func.php |
| TemplateDetails | Structure for the TemplateDetails as returned by the API
http://www.mailchimp.com/api/rtfm/campaigntemplates.func.php |
| URLClickStats | Object representing the URL Click Stat from the API. |
| Enum Summary | |
|---|---|
| CampaignOptions.TrackingOptions |
|
||||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |


With over 15 years experience in digital media, I've driven the technologies and strategies that are fundamentally transforming the news media business. Having served in roles such as Chief Technology Officer for Shaw Media and Director of Global Advisory for the World Association Of News Publishers (WAN-IFRA), I understand where media is going and can accelerate your team's successes.
 I Provide Quick & Objective Advice
Get My Help Selecting Your Next System
Ready to start your next project with me? That's great! Give me a call or send me an email and I'll will get back to you as soon as possible!
+49<PHONE_NUMBER>


While many stakeholders believe in the worker wages at the global supply chain are too low; the disagreement about what if anything can be done to raise the bar of wages. This is a regular story that we keep on hearing from people. People talk about productive margins; increase of productivity the unfair compensations. What about the unnoticed labour to manufacture a product? Does anyone think about the localities that are associated with any sort of good making procedure, hardly isn’t it! In this article, we will talk about those unrecognized labourers who time and again have made things easier for us and we hardly have noticed their detailing.
The supply chain is a network between the company and its suppliers to produce and distribute any sort of specific product to the final buyer. This networking includes diverse activities, people, entities, information and resources as well. It represents the steps to get a product and service from its original state to the customer.
Companies develop the supply chain to reduce the costs and remain competitive in the business landscape. The process of the supply chain management is crucial as it shows the supply chain results in much lower costs and faster production cycle.
These are technical stuff that we all know. Improvements in the working condition and work organization are the result of the profound productivity and competitiveness. Entrepreneur large or small never showcase, the base level of the production from collection the materials to the making of the final product.
Understanding the supply chain and business logistics are often interchangeable. Let’s not get into that we will take you to the scenario of the wage earners and the base product level where the efforts remain hidden. When any product is made, the collection of the basic amenities, the labours, the manufacturing procedures, manufacturing processing and finally the product is made.
For example, in a dairy the industry there are certain processes;
We know: Cows are nurtures- ready to give milk and organic milk is collected- stored- pasteurized- sealed – served in bottles or packets to the local market- the final product is the milk.
What we miss out: what is the breed of the cow? Is their health condition? What does the cow depends on grass or along with some other set of food? Does the cow even was ready to give milk? Does the cow gave birth to newly born babies or not?
This is another scenario which needs to be known to us all. What we are enjoying is out final product- Milk. There is unprecedented labour goes in upbringing the cow. As modern consumers, we all need to know the background in details.
Quality control and quality assured are two important parts for any supply chain. Building the connection with the basic to consumers is the best way to maintain transparency. Cultivo believes in building this chain of the supply process easier and connective to all. Description of the certain services, the labour behind the service, the products and the manufacturing, collection of the materials and the nature of it, and similar other, need to be known to all of us.
We are indebted to many of the individuals because of their hard work and labour, we enjoy the fruit. It is of utmost importance to know about these small yet important details of any product that remains unnoticed. People depend on their job and products. These unrepresented sections of labour should get recognition for their effort of making society better.
We at Cultivo bring on the transparency to get you connected to these mass sections. You as a buyer should know about the details of what you are enjoying or having and the labour whatever form it is should never go unnoticed.
Majority of the social and economic growth is based on the small or medium-sized enterprise. The suppliers and clients are interested in the product. The expansion, be it domestic and international, Labour recognition is demanded. The global economy brings in newer opportunities to challenge the needs of the masses.
Cultivo is the medium of the utmost transparent services, we believe in hard work and recognition what each individual involved in the service for the product making have offered. Talking about the day to day, products and manufacturing process should be known to us for your satisfaction and each one's effort. Let’s bring in a world of connectivity and transparency together.


| JVM name |
You can probably guess this one… |
| Status |
Whether it's running or has been shutdown (or died by itself).
|
| Ghost classes |
Indicates whether it is configured to use ghost
classes. The value may be 'Lazy' or 'Eager' if ghost classes are used
at all, otherwise will be 'NotUsed'. 'Eager' means that ghosts classes are
generated as soon as the class is mentioned; 'Lazy' means that their creation
is postponed until they are actually used (which improves startup time
markedly, but is still an experimental feature in this version of JNIPort).
This is only a rough indication because ghost classes may only be in use for
some Java classes.
|
| Supports callbacks |
Whether it has been configured to support
callbacks.
|
| Supplementary classloaders |
Whether the use of supplementary classloaders is currently enabled
(an experimental feature in this version of JNIPort).
|
| Local object refs |
The number of references to Java objects currently held by JNIPort.
The distinction between local and global is an internal matter (reflecting
one of the odd features of JNI). Local references
are not used at all if JNIPort has been configured to support
callbacks.
|
| Global object refs |
| Total object refs |
| Local pool allocated |
This is another internal matter related to JNI. The local pool
is allocated by JNI; it should be large enough for all
all the local references held at any one time. This
number should never shrink, and may grow quite large if the
finalisation process falls too far behind the allocator.
|
| Objects created |
The total number of references to Java objects that
have been wrapped as Smalltalk objects in the life of
this runtime.
|
| Objects released |
The total number of wrapper objects that have died
and released their wrapped reference to a Java object.
|
| Callback nesting |
The number of callbacks that are active at this time. If Dolphin
is currently servicing a callback (i.e. Smalltalk code has been called
from Java) then this number will be at least one. Normally it will be zero.
|
| Registry size |
The size of the class registry.
This is just the number of Java classes and other types that JNIPort has
ever loaded.
|
| Index size |
The size of the class index.
This is just the number of Java classes and other types that JNIPort has
ever loaded by name (the JVM>>findClass:
method).
|
| Callbacks |
The total number of callbacks that have been processed.
This row, and the next three, will be -1 if the callback registry has not yet
(lazily) initialised itself, and will not be displayed at all if callbacks are
not configured.
|
| Callback queue length |
The current and maximum length of the queue used for
callback notifications from Java code into Smalltalk.
|
| Callback queue max |
| Callbacks registered |
The number of callback handlers that are registered with the callback
registry.
|
| Hook queue length |
The current and maximum length of the queue used by
JNI Helper to hold notifications
of debugging events from the Java runtime until Dolphin is
ready to accept them without deadlocking. These rows are not displayed
if JNI Helper is not configured.
|
| Hook queue max |


RoadLogistics: groups roads in a single object for more intelligent repair requests
Generated using TypeDoc
RoadLogistics: groups roads in a single object for more intelligent repair requests


News story
Teachers urged to give their views to help develop a new standard and further raise the status of the profession.
Teachers and training providers are being invited to give their views and contribute to the development of a new professional standard for teachers’ continuing professional development .
Many schools across England are already offering excellent professional development opportunities and investing in teachers’ futures. As part of a nationwide drive to help raise the status of teaching and ensure teachers continue to be equipped with the skills and knowledge to prepare pupils for life in modern Britain, the Department for Education invited an expert group to develop a new standard that will help teachers to become better informed about the types of training that achieve the best outcomes for their pupils.
The Teachers’ Professional Development Expert Group , chaired by David Weston, CEO of the Teacher Development Trust , is made up of a panel of experts independent of government with a diverse range of backgrounds. To help the group develop the new standard they have launched a call for evidence inviting teachers and other interested parties to submit their views.
David Weston said:
We want to formulate a new standard for professional development which is valued by our professional colleagues. Our priority is to listen carefully to teachers, school leaders and CPD providers to understand everyone’s aspirations, concerns and suggestions so that the new standard represents the best of our profession, inspired by the best ideas and firmly rooted in the practical realities of busy school life.
We urge every teacher, school leader, provider and organisation to contribute to this process by submitting a response to our call for evidence. We will be carefully considering all of the responses before drafting the new standard. Our plan is to then begin trialling and refining and further consulting on the new standard from early 2016, to make sure that it is achieving its aims.
Schools Minister Nick Gibb said:
We already have many thousands of superb teaching professionals working in classrooms across the country - all dedicated to preparing the next generation of pupils for life in modern Britain. But we want to ensure they continue to have the support and professional development opportunities they need, so that they can achieve the best possible outcomes for their pupils.
I would like to encourage anyone with an interest in this important area to submit their views and help David and his expert group to set a new standard for all teachers’ professional development so we can further raise the status of teaching and put the profession in England on a par with the best in the world.
The new standard will aim to set out a clear description of effective practice in professional development for teachers. It will:
The standard will be non-statutory - schools will still be able to define their approach to professional development according to their own needs.
Responses will be accepted until 16 October 2015 and can be completed online .
The review is expected to report back to the Secretary of State for Education in spring 2016.
Published: 7 September 2015


Welcome to your first Applitools Eyes test!!!
Add ?diff to the end of the url to simulate a difference
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interface OwnableState : ContractState
A contract state that can have a single owner.
owner |
There must be a MoveCommand signed by this key to claim the amount. abstract val owner: AbstractParty |
withNewOwner |
Copies the underlying data structure, replacing the owner field with this new value and leaving the rest alone. abstract fun withNewOwner(newOwner: AbstractParty): CommandAndState |
requiredContractClassName |
Obtain the typename of the required ContractClass associated with the target ContractState, using the BelongsToContract annotation by default, but falling through to checking the state's enclosing class if there is one and it inherits from Contract. val ContractState.requiredContractClassName: String? |


PERFORMANCE AND STATUS MONITOR
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There are 7 sizes to choose from:
Typography helpers
Change the size and color of the text for one or multiple viewport width
Size #
| Class | Font-size |
|---|---|
is-size-1 |
3rem |
is-size-2 |
2.5rem |
is-size-3 |
2rem |
is-size-4 |
1.5rem |
is-size-5 |
1.25rem |
is-size-6 |
1rem |
is-size-7 |
0.75rem |
Responsive size #
You can choose a specific size for each viewport width. You simply need to append the viewport width to the size modifier.
For example, here are the modifiers for $size-1
:
| Class |
Mobile Up to 768px
|
Tablet Between 769px and 1023px
|
Desktop Between 1024px and 1215px
|
Widescreen Between 1216px and 1407px
|
FullHD1408px and above
|
|---|---|---|---|---|---|
is-size-1-mobile |
|
unchanged |
unchanged |
unchanged |
unchanged |
is-size-1-tablet |
unchanged |
|
unchanged |
unchanged |
unchanged |
is-size-1-touch |
|
|
unchanged |
unchanged |
unchanged |
is-size-1-desktop |
unchanged |
unchanged |
|
|
|
is-size-1-widescreen |
unchanged |
unchanged |
unchanged |
|
|
is-size-1-fullhd |
unchanged |
unchanged |
unchanged |
unchanged |
|
You can use the same logic for each of the 7 sizes.
Colors #
You can set any element to one of the 9 colors or 9 shades of grey:
| Class | Color |
|---|---|
has-text-white |
hsl(0, 0%, 100%)
|
has-text-black |
hsl(0, 0%, 4%)
|
has-text-light |
hsl(0, 0%, 96%)
|
has-text-dark |
hsl(0, 0%, 21%)
|
has-text-primary |
hsl(171, 100%, 41%)
|
has-text-info |
hsl(204, 86%, 53%)
|
has-text-link |
hsl(217, 71%, 53%)
|
has-text-success |
hsl(141, 71%, 48%)
|
has-text-warning |
hsl(48, 100%, 67%)
|
has-text-danger |
hsl(348, 100%, 61%)
|
has-text-black-bis |
hsl(0, 0%, 7%)
|
has-text-black-ter |
hsl(0, 0%, 14%)
|
has-text-grey-darker |
hsl(0, 0%, 21%)
|
has-text-grey-dark |
hsl(0, 0%, 29%)
|
has-text-grey |
hsl(0, 0%, 48%)
|
has-text-grey-light |
hsl(0, 0%, 71%)
|
has-text-grey-lighter |
hsl(0, 0%, 86%)
|
has-text-white-ter |
hsl(0, 0%, 96%)
|
has-text-white-bis |
hsl(0, 0%, 98%)
|
Alignment #
You can align the text with the use of one of 4 alignment helpers:
| Class | Alignment |
|---|---|
has-text-centered |
Makes the text centered |
has-text-justified |
Makes the text justified |
has-text-left |
Makes the text aligned to the left |
has-text-right |
Makes the text aligned to the right |
Responsive Alignment #
You can now align text for each viewport width. You simply need to append the viewport width to the alignment modifier.
For example, here are the modifiers for has-text-left
:
| Class |
Mobile Up to 768px
|
Tablet Between 769px and 1023px
|
Desktop Between 1024px and 1215px
|
Widescreen Between 1216px and 1407px
|
FullHD1408px and above
|
|---|---|---|---|---|---|
has-text-left-mobile |
left-aligned |
unchanged |
unchanged |
unchanged |
unchanged |
has-text-left-tablet |
unchanged |
left-aligned |
left-aligned |
left-aligned |
left-aligned |
has-text-left-tablet-only |
unchanged |
left-aligned |
unchanged |
unchanged |
unchanged |
has-text-left-touch |
left-aligned |
left-aligned |
unchanged |
unchanged |
unchanged |
has-text-left-desktop |
unchanged |
unchanged |
left-aligned |
left-aligned |
left-aligned |
has-text-left-desktop-only |
unchanged |
unchanged |
left-aligned |
unchanged |
unchanged |
has-text-left-widescreen |
unchanged |
unchanged |
unchanged |
left-aligned |
left-aligned |
has-text-left-widescreen-only |
unchanged |
unchanged |
unchanged |
left-aligned |
unchanged |
has-text-left-fullhd |
unchanged |
unchanged |
unchanged |
unchanged |
left-aligned |
Text transformation #
You can transform the text with the use of one of 4 text transformation helpers:
| Class | Transformation |
|---|---|
is-capitalized |
Transforms the first character of each word to uppercase |
is-lowercase |
Transforms all characters to lowercase |
is-uppercase |
Transforms all characters to uppercase |
is-italic |
Transforms all characters to italic |
Text weight #
You can transform the text weight with the use of one of 4 text weight helpers:
| Class | Weight |
|---|---|
has-text-weight-light |
Transforms text weight to light |
has-text-weight-normal |
Transforms text weight to normal |
has-text-weight-semibold |
Transforms text weight to semi-bold |
has-text-weight-bold |
Transforms text weight to bold |
Font family #
You can change the font family with the use of one of 3 font family helpers:
| Class | Family |
|---|---|
is-family-sans-serif |
Sets font family to $family-sans-serif |
is-family-monospace |
Sets font family to $family-monospace |
is-family-primary |
Sets font family to $family-primary |
is-family-secondary |
Sets font family to $family-secondary |
is-family-code |
Sets font family to $family-code |


Islands
And Coast
Ringed by some of Africa’s best coral beaches and blessed with one of the most mellifluous names in the world, Zanzibar is the main island of the archipelago.
IslandsAnd Coast
Zanzibar Town, also called “Stone Town”, is the heart of the archipelago, and the first stop for most travelers.
In Stone town, when you walking through its alleyways which overhanging with wooden balconies and facing from every shore of the Indian Ocean, you will easily lose yourself in centuries of history. Stone Town was host to one of the world’s last open slave markets and stories of cruelty still strike at the conscience.
With numerous islands within sight of Stone Town, some of the most popular activities are heading out on a dhow for snorkeling, island-hopping and diving. There are many islands you can visit, too.
For example, you can go to Paje, which has a wide, white beach at the junction where the coastal road north to Bwejuu and south to Jambiani joins with the road from Zanzibar Town, people can go to the seaweed center or go for diving here.
KiliMaster will assist you explore a unique experience in Zanzibar according to your demands. For example, we can take you on a cultural tour to explore the fascinating history of Zanzibar and fantastic artisan culture. We would take you to find out the role of men and women, children’s education, rituals of marriage and a plethora of handcraft traditions in Zanzibar.
Or we can go for a Ghost Tour to take a look at the slave trade and revolution through houses, or locations believed to be haunted, or join a cooking workshop that will take you shopping in local market and teach you how to make some delicious local homemade dishes with local spices.
You will have an enjoyable and memorable holiday; all you need to do is to stay with KiliMaster.


Volkswagen to offer long-wheelbase Amarok 'XL' and 'XXL' conversions
The 2020 Volkswagen Amarok will be offered with two longer options, bringing it closer to the Ram 1500 in size.
by Sam Purcell- shares
Volkswagen is about to bridge the size gap between the most popular types of double cab ute in Australia and the full size pick-ups from the USA.
Volkswagen Australia is poised to introduce a factory-approved conversion that significantly lengthens the wheelbase and tray of its Amarok ute.
The stretch will be available in two sizes: +310mm (XL) and +650mm (XXL). The conversion is available for all variants of Amarok, regardless of trim and driveline, and retains the full five-year factory Volkswagen warranty.
This will increase the Amarok's wheelbase from 3095mm to 3405mm or 3745mm, and its overall length from 5254mm to 5564mm or 5904mm.
This compares to a 5817mm of overall length for a Ram 1500, and 6085mm for a Chevrolet Silverado 2500.
The length of load space in the tub of the Amarok increases too, from 1555mm to either 1865mm or 2205mm.
The mastermind of the conversion is Netherlands-based Veth Automotive, but Australian conversions will be carried out by Adaptive Manufacturing in South Australia.
The Amarok’s chassis gets chopped fore of the rear spring hangers, meaning the leaf springs and surrounding chassis remains unmodified.
The rear prop shaft, brake, and electric lines are lengthened to match the chassis stretch, and the ESC is also retuned to suit the increase in length.
There is no change to GVM and towing capacity with the conversion, although payload will be decreased slightly by the increase in kerb weight. There will be different stability control settings to suit different centre of gravity setups: low, medium or high.
This will help Amaroks with increased ride height, or equipped heavy canopies/bodies that raise the centre of gravity.
The dual-cab tub is modified to suit the conversion, with an extension grafted into place to suit the new overall length. Volkswagen doesn’t offer single-cab or extra-cab variants.
This conversion will be available to existing Amarok owners, but will also be available to purchase or order from the showroom floor.
Volkswagen is looking to have the Amarok XL and Amarok XXL available for Australian buyers from mid-2020.
Pricing for the conversion hasn’t been locked down yet, but a spokesperson from Volkswagen told us an Amarok XL with a tub would be less that $15,000 more expensive that its shorter counterpart.
The conversion will also be available as cab-chassis at a reduced cost, for those looking to fit trays, canopies and service bodies for work or play.
1
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Volkswagen to offer long-wheelbase Amarok 'XL' and 'XXL' conversions


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Choosing the right defaults for Tiered Compilation · Issue #12515 · dotnet/runtime Choosing the right defaults for tiered compilation Tiered compilation (TC) is a runtime feature that is able to control the compilation speed and quality of the JIT to achieve various performance o...
Create account | Slack Please check with the person who shared it with you to see if there's a new link available.
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gvolpe/stm-demo Bank transfer examples using STM in both Haskell and Scala (zio-stm) - gvolpe/stm-demo
Pro .NET Benchmarking - The Art of Performance Measurement | Andrey Akinshin | Springer Use this in-depth guidebook to correctly design benchmarks, measure key performance metrics of .NET applications, and analyze results. You will avoid common pitfalls, control the accuracy of your measurements, and improve performance of your software....
Pro .NET Benchmarking: The Art of Performance Measurement: Andrey Akinshin:<PHONE_NUMBER>406: Amazon.com: Books Pro .NET Benchmarking: The Art of Performance Measurement [Andrey Akinshin] on Amazon.com. *FREE* shipping on qualifying offers.

Use this in-depth guide to correctly design benchmarks, measure key performance metrics of .NET applications
Pro .NET Benchmarking - The Art of Performance Measurement | Andrey Akinshin | Apress Use this in-depth guidebook to correctly design benchmarks, measure key performance metrics of .NET applications, and analyze results. You will avoid common pitfalls, control the accuracy of your measurements, and improve performance of your software....
The 5 Stages of Data Breach Grief When you see something play out enough times, you start to notice patterns. I was reflecting on this today as I watched The AA rapidly digging themselves in deeper and deeper after publishing 13GB worth of customer data to the internet, including partial ...
3 Ways to Communicate Between Components in Blazor In this post, I show you 3 different options you can use to manage communication between components in your Blazor applications.
A Few Billion Lines of Code Later: Using Static Analysis to Find Bugs in the Real World | February 2010 | Communications of the ACM By Al Bessey, Ken Block, Ben Chelf, Andy Chou, Bryan Fulton, Seth Hallem, Charles Henri-Gros, Asya Kamsky, Scott McPeak, Dawson Engler Communications of the ACM, February 2010, Vol. 53 No. 2, Pages 66-75 10.1145/1646353.1646374 Comments (2)
Understanding data-oriented design for entity component systems - Unity at GDC 2019 Unity's new ECS features enable huge performance improvements over traditional object-oriented ways of designing game systems, but data-oriented design is a much different way of thinking. Watch to learn how to think in a data-oriented way so you can take...
What Would It Look Like If We Put Warnings on IoT Devices Like We Do Cigarette Packets? A couple of years ago, I was heavily involved in analysing and reporting on the massive VTech hack, the one where millions of records were exposed including kids' names, genders, ages, photos and the relationship to parents' records which included their h...
Festify/ken-burns-carousel 🌄 A web component that displays a set of images with a ken burns effect - Festify/ken-burns-carousel
Apple Pay participating banks and card issuers in Asia-Pacific Apple Pay works with many of the major credit, debit and prepaid cards from the top banks and card issuers. Just add your supported cards and continue to get all the rewards, benefits and security of your cards.
Everyone Watching This Is Fired Mike presents some broad, sweeping, and perhaps unfair, generalizations about programmers in the industry. He then shares his expectations for what it would mean to strive to be among the very best programmers in the field. Specifically the...
QDB: Quote Database Home If you like or dislike a quote, vote with the + and - links. If you feel that the quote doesn't deserve to be in the database at all, click its [X] link next to it; while the quote will not be removed from the database immediately, it will be resubmitted...


We are Creators who collaborate with you to produce original content for your brand, business, or idea.
Our community of creatives help brand visionaries engage modern audiences to test ideas and grow businesses through stories and experiences that heighten the senses, capture the imagination and motivate action.
How does it work?
First, you list a Project or Product that you want to gain awareness of or grow.
Second, you submit your goals and desired outcomes in a Campaign.
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They submit samples or examples within the initial 3-day Bid Accceptance period.
The one (or more) you select to proceed to completion then deliver within the standard 5-day Production period.
Not long after, you have original art, content and media to support your brand vision no matter where you are in your content production journey.
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Abbas Attarwala
Software Architect • Polyglot Programmer • Curious Tinkerer
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--- layout: default title: Repository Activity permalink: /repos-activity ---
Shows how many repositories are active in organizations.
Repositories are counted as active if they received at least one push within the respective time period.
The top 50 most active repositories sorted by the number of pushes per repository. The numbers of pushes and pushers are summed up over the last 4 weeks.
Shows how many repositories are active in user accounts.
Repositories are counted as active if they received at least one push within the respective time period.


Links are placed in the same order as slides goes
Components life cycle hooks
Handling events with React
Working with array of elements and components in React


So, my first trip report, here goes.
The two participants are myself: 24 year old female, 158 pounds. Relatively new to altered states with experiance in Salvia, coke, DXM and MDMA. The latter being my favorite place to be.
And my girlfriend: 22 year old female 125 pounds, experiance with MDMA, coke, and DXM.
The first drug I (and she) ever tried was MDMA and it absolutely changed my life in two key ways. The lowering of inhibitions and emotional barriers I experianced has allowed me to maintain a greater degree of openness about myself, whereas before I was always rather guarded about my behaviour. Secondly it caused a tremendous improvement in self esteem about my appearance. While I've known intellectually that I can be very attractive when I try to be I've always been very guarded about trying because I *felt* like I was unattractive even though in my head I knew I wasn't. I feel that ecstasy let me see myself in a new light. My first roll had about 3-4 hours of me playing in front of the mirror being utterly in awe about how beautiful I was.
Due to experiance of MDMA I wanted to try other altered states, particularly ones that were supposedly similar in effects since ecstasy is something we do only every couple months to maintain the magic. Since most of my experiance is ecstasy based there will be a lot of MDMA comparisons in here.
So anyways, After doing much reading and research online we purchased a one gram of methylone. It was divided as best as I could manage into 8 similarly sized squares of approx 125mgs. One of the 125mg piles was divided again into four more squares of approx 30mgs each and two of the 30mg squares were used to suppliment two 125mg squares for an approx dose of 155mg's. Since I'm larger I added an additional small quantity of powder (probably around 10mgs) to my dose. These doses are pretty lose due to my inexperiance but I was going for 150mgs for her and 165 for myself and I'd imagine I was fairly close. The doses were then put into gelcaps.
It was our first year aniversary today and we wanted to have a special evening together so we had eaten lightly a few hours before hand and each dropped one of the gelcaps that I made at approx 8:00PM. We were excited but not sure what to expect. A lot of trip-reports say methylone has some of the effects of MDMA, but not really. With some of them adamant that it's nothing like MDMA and quite a few reports that didn't like methylone at all. So with this conflicting information in mind we just kind of waited to see what would happen, for better or worse. Our expectations and hopes were that it would help us open up and have deep conversations but that we'd be pretty mellow.
After dropping we spent about 25-30 minutes on the internet. Neither of us seemed to be getting any noticible effects after 30 mins and we wondered to each other if perhaps it was to subtle and we were going to miss it if we stayed on the internet so we decided to crawl in bed. I can't say whether it was the methylone just hitting at the right time or just the fact that I was in bed with my love but cuddling with her felt extra nice as did kissing. Subtly but surely soon after we crawled in bed I started to notice the familiar sensation of MDMA creeping up on me.
Usually this involves suddenly feeling very rubby, which I did but sensations were not as intense as they were on MDMA. My mind also felt a lot cleaner on come up and not nearly as scatterbrained or as out of control as on MDMA. MDMA has always hit me like a racecar. Usually just a few minutes after I start feeling the rubby effects everything is slammed into overdrive and I can do nothing but lay down and let the feelings overwhelm me. Methylone by contrast was a very gentle accelleration. It was still quick to come up but it was a lot smoother and not as intense.
Kissing was extremely pleasureable and very intense and enjoyable. Kissing on MDMA has always been fun for me but is usually so intensely overwhelming that I can't take it. The methylone was similar but turned down, it was right on the edge of being to much for me but not quite there.
After a few minutes we actually started to get pretty horny. That often happens to us to one degree or another on MDMA but we werent expecting it from methylone. We pursued that route for a little bit with touching ourselves and each other. Feeling sexually charged characterized the trip. Amusingly we both developed a total breast fixation both for our own and each others. It was a lot of fun just laying back and playing with each others breasts.
Wheras we found that ecstasy brings out the adolescent girl in us and makes us feel a little slutty, methylone seemed to bring out something more mature and sensual. This change was even apparent in our voice. We both agreed that it seemed like it would be a great 'swinger' drug.
We decided at some point to take a walk around outside and it was very nice but kind of cold so it didn't last long, we came back in the house and just did our thing. Music was nice, dancing wasnt paticularly enticing like it is with X. We did have the energy to move around, though it was intersperesed with a lot of laying down and relaxing we laid down. As is characteristic of our experiance with MDMA we both were infatuated with the mirror and we both felt very sexy, it was quite nice.
To sum up the night it was extremely MDMA-ish with a few minor differances in the feelings. Honestly if I didn't know better I could see easily confusing the two despite my multiple MDMA experiances. I would just think it was a relatively low dose and that would to my mind explain why everything felt so much more mellow. The same sensations were there but simply turned down. Pupil dialation was typical of MDMA, mentally we felt very clearheaded throughout.
We laid down at about 11PM and just closed our eyes and relaxed and by midnight we felt mostly back to normal and pretty sleepy though we couldn't seem to quite get to sleep, laying there was nice, we both felt like we were basking in the afterglow.
I got up a few times throughout the night feeling tired but mentally restless. It was hard to know if I was getting any sleep in at all.  I couldn't say if it was methylone that caused that. My girlfriend had no such stomach problems.
Eventually I managed to get a pretty solid nap in and woke up at noon. Still feel a little tired today and my stomach a little weak but other then that I am ok and the cost isn't to heavy. I pay it gladly.
We look forward to doing this in the future.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Hello
LEGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGSSSSSSSSSSSSSSSSSSSSSSSSSSS
MOMMY
Blind
Bounce
Clip
Drop
Explode
TOUCH THE LEGSSSS


Boss blasts Gartcairn drop-outs stating he would never have missed a game
Raging Jamie McKenzie was spoke out after just 13 players were available for last weekends cup exit against Kilsyth.
by Mark Pirie, https://www.dailyrecord.co.uk/authors/mark-pirie/Boss Jamie McKenzie has called for his players to show they are committed to the Gartcairn cause this weekend against Cambuslang Rangers.
The gaffer reckons there is a generational gap between the current crop of players and when he was on the park following the West of Scotland Cup exit against Greenock.
“The players have been told in no uncertain terms that we have got to be better.” he told the Airdrie and Coatbridge Advertiser.
“Just now it looks like it hurts me more than it hurts them – that isn’t the way this should be.
“Last weekend there was a lot of reasons players dropped out of the game, but I would say that when I was playing I would never have missed a game.
“In this day and age it’s different but when I was playing you would build your week around the game.
“I’ve spoken to a few managers and players from my generation and they are having the same problem.
“They don’t seem to have the same desire that my generation had.”
He added: “It’s a massive game now against Cambuslang. If we lose a gap starts to form at the bottom of the table.
“My players need to cut out the mistakes.”


\FBMYSQLACCESS\FR
Section: MySQL Database System (1)Updated: 12/16/2011
Index Return to Main Contents
NAME
mysqlaccess - client for checking access privilegesSYNOPSIS
- mysqlaccess [host_name [user_name [db_name]]] [options]
DESCRIPTION
mysqlaccess
Invoke mysqlaccess like this:
-
shell> mysqlaccess [host_name [user_name [db_name]]] [options]
mysqlaccess supports the following options.
-
*
--help,
-?
Display a help message and exit.
-
*
--brief,
-b
Generate reports in single-line tabular format.
-
*
--commit
Copy the new access privileges from the temporary tables to the original grant tables. The grant tables must be flushed for the new privileges to take effect. (For example, execute a mysqladmin reload command.)
-
*
--copy
Reload the temporary grant tables from original ones.
-
*
--db=db_name,
-d db_name
Specify the database name.
-
*
--debug=N
Specify the debug level. N can be an integer from 0 to 3.
-
*
--host=host_name,
-h host_name
The host name to use in the access privileges.
-
*
--howto
Display some examples that show how to use mysqlaccess.
-
*
--old_server
Assume that the server is an old MySQL server (before MySQL 3.21) that does not yet know how to handle full WHERE clauses.
-
*
--password[=password],
-p[password]
The password to use when connecting to the server. If you omit the password value following the --password or -p option on the command line, mysqlaccess prompts for one.
Specifying a password on the command line should be considered insecure. See Section <IP_ADDRESS>, lqEnd-User Guidelines for Password Securityrq.
-
*
--plan
Display suggestions and ideas for future releases.
-
*
--preview
Show the privilege differences after making changes to the temporary grant tables.
-
*
--relnotes
Display the release notes.
-
*
--rhost=host_name,
-H host_name
Connect to the MySQL server on the given host.
-
*
--rollback
Undo the most recent changes to the temporary grant tables.
-
*
--spassword[=password],
-P[password]
The password to use when connecting to the server as the superuser. If you omit the password value following the --spassword or -p option on the command line, mysqlaccess prompts for one.
Specifying a password on the command line should be considered insecure. See Section <IP_ADDRESS>, lqEnd-User Guidelines for Password Securityrq.
-
*
--superuser=user_name,
-U user_name
Specify the user name for connecting as the superuser.
-
*
--table,
-t
Generate reports in table format.
-
*
--user=user_name,
-u user_name
The user name to use in the access privileges.
-
*
--version,
-v
Display version information and exit.
If your MySQL distribution is installed in some nonstandard location, you must change the location where mysqlaccess expects to find the mysql client. Edit the mysqlaccess script at approximately line 18. Search for a line that looks like this:
-
$MYSQL = '/usr/local/bin/mysql'; # path to mysql executable
Change the path to reflect the location where mysql actually is stored on your system. If you do not do this, a Broken pipe error will occur when you run mysqlaccess.
COPYRIGHT
Copyright © 1997, 2011, Oracle and/or its affiliates. All rights reserved.
This documentation is free software; you can redistribute it and/or modify it only under the terms of the GNU General Public License as published by the Free Software Foundation; version 2 of the License.
This documentation is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
You should have received a copy of the GNU General Public License along with the program; if not, write to the Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA or see http://www.gnu.org/licenses/.
SEE ALSO
For more information, please refer to the MySQL Reference Manual, which may already be installed locally and which is also available online at http://dev.mysql.com/doc/.AUTHOR
Oracle Corporation (http://dev.mysql.com/).
Index
This document was created by man2html, using the manual pages.
Time: 05:29:06 GMT, December 24, 2015


Art direction use case
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NDC nominations for 20 constituencies ends today
The elections will take place on December 14, 2019.
A statement issued by the party listed the constituencies as Atwima Nwabiagya North; Atwima Nwabiagya South; Afigya Kwabre North; Kwabre East; Obuasi East; Obuasi West; Adansi Akrofuom; Manso Adubia; Bekwai and Nsuta Kwaman Beposo.
The rest are Afigya Sekyere East; Kumawu; Effiduase Asokore; Bosome Freho; Asante Akim South; Asante Akim North; Asante Akim Central; Ejisu; Oforikrom and Bantama.
The statement explained that the announcement of notice of elections was taken by the Functional Executive Committee of the party in consultation with the party’s Ashanti Regional Executive Committee.
It advised all stakeholders and interested persons to take note and comply accordingly.


Bringing Out the Dead ***
Rated on a 4-star scale Screening venue: Odeon (Liverpool City Centre) Released in the UK by Buena Vista International on January 7, 2000; certificate 18; 121 minutes; country of origin USA; aspect ratio 2.35:1
Directed by Martin Scorsese; produced by Barbara De Fina, Scott Rudin. Written by Paul Schrader; based on the novel by Joe Connelly. Photographed by Robert Richardson; edited by Thelma Schoonmaker.
CAST..... Nicolas Cage..... Frank Pierce Patricia Arquette..... Mary Burke John Goodman..... Larry Ving Rhames..... Marcus Tom Sizemore..... Tom Wolls Marc Anthony..... Noel
Go long enough without sleep and you don't just feel tired, you feel like you're in another world. Hot and cold take turns to surge through your body as you stagger and yawn. You mumble nonsense, speak with great clarity, then relapse into mumbling again. Your eyes open and close like frustrated curtains as you drift between alertness and snoozing. The self-destructive feelings are heightened if you haven't eaten, and are surviving on cigarette smoke, or coffee, or booze. Trust me. I have experience in this area.
Frank Pierce, the New York City ambulance driver played by Nicolas Cage in "Bringing Out the Dead", lives like this for weeks on end. He sees himself as a "grief mop", paid to bear witness to hopeless situations, and it's damaging him. He gets through the long days and nights on a diet of whisky, coffee and Marlboros, begging his boss to fire him because he hasn't got the energy to quit.
The film has been written by Paul Schrader and directed by Martin Scorsese, and has been unfairly compared to their 1976 masterpiece "Taxi Driver". Both pictures feature angst-ridden insomniac protagonists who look out at the urban jungle from uncomfortable driver's seats, and both have dizzying images of garish neon light.
Once, of course, Frank was good at his job -- acting with skill and speed, relishing the satisfaction of saving peoples' lives. Now he wanders around like a zombie, essentially performing a taxi service for corpses and crank callers. He feels tormented by the ghosts of those who he failed to save, and sometimes hears their voices: Particularly haunting is an asthmatic 18-year old girl named Rose, whose death signalled the beginning of Frank's unlucky streak.
We follow Frank around for three days, and see him work with three other ambulance men: Larry (John Goodman), a family man who dreams of starting his own private medical service; Marcus (Ving Rhames), who calls himself a Christian but has a mischievous spirit; and Tom (Tom Sizemore), who can only be described as a nutcase. Each of these men is distinctively written and played, and yet, in some odd way, all three shifts seem the same. Whoever's in the ambulance with you, it's just another miserable day on the job.
Most of the characters that are revisited by the screenplay revolve in some way around Mary (Patricia Arquette), a recovering drug addict who Frank thinks he could fall in love with. Her father is in hospital after a heart attack. A crazy guy from her neighbourhood keeps putting himself in dangerous situations, and winding up in Frank's vehicle. And her former drug dealer is given some attention, too. But none of this stuff really signifies much, because "Bringing Out the Dead" is told from Frank's point of view, and is about his inability to find meaning in anything.
That's not as bleak as it sounds, because the closing shots leave us with the impression that Frank will eventually find some peace in his life. But it is exhausting, because to get the point across Schrader and Scorsese have had to make a two-hour film in which nothing can be seen to develop after the initial set-up.
And yet I recommend "Bringing Out the Dead" as a marvellous atmospheric achievement. Like Frank, from the opening moments we're immersed in neon light and bumpy automobile movements, and in such techniques as jump cuts, dissolves, slow-motion, fast-motion and subjective camera. Scorsese's instinct to employ Robert Richardson was a good one -- the cinematographer's juxtaposition of extreme brightness and darkness create an overpoweringly drowsy mood that brings us into Frank's head. Not that it's a particularly nice place to be, as Cage demonstrates with his amazing performance -- whenever we glimpse him, he's hollow-eyed, desperate, hunched over, hesitant.
There is much dark humour in this movie, arising from the absurdity of some of the patients' predicaments, and the twisted games we see medics engage in to pass the time. But it's the harsher images that stick in our minds, because Scorsese makes us feel like we're seeing them first-hand. John Lennon once sung about "a place where nothing is real... where everything flows". I'm sure Frank Pierce would love to go there.
COPYRIGHT(c) 2000 Ian Waldron-Mantgani
Please visit, and encourage others to visit, The UK Critic's website, located at http://members.aol.com/ukcritic
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Written by Supakorn Laohasongkram on August 2nd, 2014
So according the Gregorc Thinking Style test, I am a Concrete Sequential Thinkers who tend to be based in reality. I process information in an ordered, sequential, linear way. However, as I work and work on different assignments I found myself more and more like Concrete Random person who is experimenter. I like to experiment on different code to see if it works. Form a quick theory of what the solution could be and try out different possible solutions there and then before heading over to Google. And in these experiments, I am learning a lot through trial and error. So I would say that through my actions, I am a Concrete random person.
Now, that I know my thinking style. I feel that the best environment for me to learn regardless of where I would be is to allow me to explore. Since experimentation is my name of the game, letting me explore on unknown territory would demand me to do a lot of experimentation. And I will quickly learn from such endeavor.
One major problem that I could see from being a Concrete Random person is the fact that sometimes I do more experimenting than learning. What I mean by this is that sometimes when I write my code and I would experiment by putting out different answers. And when it works and I thought "Oh yeah, it works now.", and then move on without trying to understand why it did and why it didn't work. So that is one major issue I notice being a Concrete Random person whose goal is to do experiment.
I personally feel that experimentation without review could be problematic in the long-run. So I think my strategies to dealing with my issue is to develop a habit. So right after I finished my experimentation, or found an solution for my code instead of moving on to the next experimentation I should conciously remind myself to go back and understanding why thing works and why it doesn't right after each mini-successful experimentation during my coding.
To conclude, I feel that the thinking test help you to somewhat identify your thinking style. However, I feel it is not enough. The best why to know your thinking style is to be mindful of how you work. And mindfulness will not only help you identify your working issue, but it will also help remind you from making the same mistake. You can't fix what you can't see. So know thy self!


Clojure in the Service of Her Majesty's Government
what was the thing?
- 13 weeks
- prototype log in system
- find out if it is technically feasible
- work out what bits are simple and what bits are tricky (from a technical perspective)
- keep user research honest
- investigate OpenId Connect
- it's not usually used for rapid protoyping
- half the team had never used the language before
- fast feedback (repl)
- basic data exchange through http calls
- simple and no boilerplate
- good json support (open id connect)
how did we convince the those in charge to let us use clojure?
it was made easier as we were building a prototype that was intended to be thrown away
how was it using clojure for the first time?
for a total noob
- clojure: new
- emacs: new
- tips and tricks
for someone who's played a lot in spare time
was it ultimately a success?
what would we change if we did it again?


Title
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DELETE
EDIT


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The Dreamlife Of Angels ***1/2
rated R in French with English subtitles starring Elodie Bouchez, Natacha Regnier, Gregoire Colin, Jo Prestia, Patrick Mercado written by Erick Zonca and Roger Bohbot directed by Erick Zonca
First films are usually clumsy, experimental, and uneven. But 43-year-old Erick Zonca has turned the tables with his first film, THE DREAMLIFE OF ANGELS. Like many French films, THE DREAMLIFE OF ANGELS is slow-paced, but the surplus of emotion makes up for the lack of plot. The film features two outstanding performances from Elodie Bouchez and Natacha Regnier, who shared the Best Actress award at last year's Cannes Film Festival, while Peter Mullan took home Best Actor for MY NAME IS JOE, a similar emotional experience.
The first character we meet in THE DREAMLIFE OF ANGELS is Isa(Elodie Bouchez), an impoverished drifter with a past we never learn much about. She wanders into a French city, selling homemade postcards which she says are for the poor. A man whom she meets in a cafe lets her have a sewing job in his factory. In the factory, she meets Marie(Natacha Regnier), a shy woman given to fits of rage. Marie agrees to let Isa stay at her flat, which she is taking care of for a woman who was in a car crash with her young daughter. Isa and Marie become friends, and during a night on the town, they meet Charly(Patrick Mercado) and Fredo(Jo Prestia), a couple of bouncers from a nearby nightclub. Charly and Marie are involved until she meets Chris(Gregoire Colin), a rich playboy who owns the club. It is obvious that Marie is with the wrong man, and it seems to be tearing her apart, and slowly she is suffering a nervous breakdown. Meanwhile, Isa has begun to read the personal diary of the girl who was in the car crash, and she begins to visit the child in the hospital, day after day.
THE DREAMLIFE OF ANGELS doesn't offer much in the way of a plot, and it takes quite a while to get going, but soon it's not hard to see that the film is a study of two characters, and since they are portrayed so realistically, it's hard not to feel emotionally drained after watching the film. The filmmaking is sometimes raw, and sometimes graceful, depending on the mood of the scene. Erick Zonca is amazingly gifted, because it takes many filmmakers a few films to create such a sense of powerful immediacy. THE DREAMLIFE OF ANGELS is a superb, riveting film, and is sure to be among the best first films of the year.
a review by Akiva Gottlieb, The Teenage Movie Critic<EMAIL_ADDRESS>http://www.angelfire.com/mo/film watch me on TBS' "Dinner And A Movie" May 21, 8:05pm EST
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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There are approximately 7000 languages in the world, according to Ethnologue. However, research in NLP (Natural Language Processing) and computational linguistics has traditionally focused mostly on English. In this project, I will look at which languages the NLP community has worked on from the early 1980's to 2010.
The ACL Anthology hosts 53826 papers on computational linguistics and natural language processing. In this project, we will look specifically at papers that were published in the Proceedings of the Association for computational Linguistics (ACL). The data comes from the ACL Anthology Reference Corpus, which contains XML files that were created with OCR from the original ACL PDFs.
Languages in the ACL corpus
The visualization below shows the number of published ACL papers per year, for the 10 most popular languages. It clearly shows that the field of NLP research has grown enormously over the years. Besides that, most papers - not surprisingly - work on English data. The next group is also not surprising: a large share of the papers actually do not mention any language at all. In practice, that usually means that the authors worked on English data, but consider it the "default" language. For the papers marked "No language", no language was named anywhere in the paper. Also interesting is the sudden growth of Chinese NLP research from around 2000.
Hover over the legend to see an individual language!Languages and research topics
Besides looking at just the languages that researchers have worked on, it is also interesting to look at which languages were discussed in combination with which research topics. For example, do researchers work more on Machine Translation with English, but more on phonology for French?
The visualization below shows the 10 most popular languages in the corpus and 25 important research topics in NLP. The size of the circle shows the number of papers that have been written about a particular language-topic combination.
The visualization shows that there is not a strong connection between a particular language and research topic. In the first visualization, it was clear that work on Chinese is relatively new in NLP. That is also clear here, since most research for Chinese is on Machine Translation and Machine Learning, which are relatively new topics in the field.


Go to the source code of this file.
|
| int | csrAABBTreeFromIndexedPolygonBuffer (const CSR_IndexedPolygonBuffer *pIPB, CSR_AABBNode *pNode) |
| |
| CSR_AABBNode * | csrAABBTreeFromMesh (const CSR_Mesh *pMesh) |
| |
| int | csrAABBTreeResolve (const CSR_Ray3 *pRay, const CSR_AABBNode *pNode, size_t deep, CSR_Polygon3Buffer *pPolygons) |
| |
| void | csrAABBTreeNodeContentRelease (CSR_AABBNode *pNode) |
| |
| void | csrAABBTreeNodeRelease (CSR_AABBNode *pNode) |
| |
| void | csrSlidingPoint (const CSR_Plane *pSlidingPlane, const CSR_Vector3 *pPosition, float radius, CSR_Vector3 *pR) |
| |
| int | csrGroundCollision (const CSR_Sphere *pSphere, const CSR_Polygon3 *pPolygon, const CSR_Vector3 *pGroundDir, CSR_Vector3 *pR) |
| |
| int | csrGroundPosY (const CSR_Sphere *pBoundingSphere, const CSR_AABBNode *pTree, const CSR_Vector3 *pGroundDir, CSR_Polygon3 *pGroundPolygon, float *pR) |
| |
◆ CSR_AABBNode
Aligned-axis bounding box tree node
◆ csrAABBTreeFromIndexedPolygonBuffer()
Populates an AABB tree from an indexed polygon buffer
- Parameters
-
| pIPB | - indexed polygon buffer to use to populate the tree |
| [in,out] | pNode | - root or parent node to create from, populated node on function ends |
- Returns
- 1 on success, otherwise 0
◆ csrAABBTreeFromMesh()
Gets an AABB tree from a mesh
- Parameters
-
- Returns
- aligned-axis bounding box tree root node, 0 on error
- Note
- The AABB tree must be released when no longer used, see csrAABBTreeNodeRelease()
◆ csrAABBTreeNodeContentRelease()
Releases an AABB tree node content
- Parameters
-
| [in,out] | pNode | - node for which content should be released |
- Note
- Only the node content is released, the node itself is not released
◆ csrAABBTreeNodeRelease()
Releases an AABB tree node and all its children
- Parameters
-
| [in,out] | pNode | - AABB tree root node to release from |
◆ csrAABBTreeResolve()
Resolves AABB tree
- Parameters
-
| pRay | - ray against which tree items will be tested |
| pNode | - root or parent node to resolve |
| deep | - tree deep level, used internally, should be set to 0 |
| [out] | pPolygons | - polygons belonging to boxes hit by ray |
- Returns
- 1 on success, otherwise 0
◆ csrGroundCollision()
Calculates the position where a model or a point of view is placed on the ground
- Parameters
-
| pSphere | - bounding sphere surrounding the point of view or model |
| pPolygon | - polygon belonging to the model showing the ground of a scene |
| pGroundDir | - ground direction. If 0, a default direction of [0, -1, 0] will be used |
| [in,out] | pR | - resulting position where the bounding sphere surrounding the point of view or model will be placed on the ground. Ignored if 0 |
- Returns
- 1 if the bounding sphere is above the ground polygon, otherwise 0
- Note
- The bounding sphere should be in the same coordinate system as the polygon. This means that any transformation should be applied to the sphere before calling this function
◆ csrGroundPosY()
Calculates the y axis position where to place the point of view to stay above the ground
- Parameters
-
| pBoundingSphere | - sphere surrounding the point of view or model |
| pTree | - ground model aligned-axis bounding box tree |
| pGroundDir | - ground direction |
| [out] | pGroundPolygon | - polygon on which the ground was hit, ignored if 0 |
| [out] | pR | - resulting position on the y axis where to place the point of view or model |
- Returns
- 1 if a ground polygon was found, otherwise 0
- Note
- The bounding sphere should be in the same coordinate system as the model. This means that any transformation should be applied to the sphere before calling this function
◆ csrSlidingPoint()
Gets the next position while sliding on a plane
- Parameters
-
| pSlidingPlane | - sliding plane |
| pPosition | - current position |
| radius | - radius around the current position |
| pR | - resulting position |


Public Member Functions | |
| STerrainInfo () | |
Public Attributes | |
| UPath | path |
| bool | found |
| UPath | instanceName |
Definition at line 134 of file GrParse.cpp.
| STerrainInfo::STerrainInfo | ( | ) | [inline] |
Definition at line 136 of file GrParse.cpp.
| bool STerrainInfo::found |
Definition at line 138 of file GrParse.cpp.
Definition at line 139 of file GrParse.cpp.
Definition at line 137 of file GrParse.cpp.


●
●
●
●
●
●
●
●
Palette:
You can
the whole diagram or use an
. Also, you can just click on a painted fret to clear it.
Restart
|
Link
|
Quiz link
Examples:
Bb octaves
C major all along the fretboard
Gdim fingering
B minor pentatonic


Husky Class
Constructor
Item Index
Methods
Methods
components.addSource
-
name
-
baseUrl
Adds a new source for components. A Component source is an endpoint (basically a URL) that is the root of a component repository.
Parameters:
-
name
StringThe name of the source.
-
baseUrl
StringThe base url for those components.
Returns:
The Husky app instance
components.addType
-
type
-
def
Register a Component Type (experimental). Components type ca be used to encapsulate many custom components behaviours. They will be then used while declaring your components as follows:
Parameters:
-
type
StringA string that will identify the component type.
-
def
FunctionA constructor the this component type
Returns:
The Husky app instance
Example:
define({ type: 'myComponentType', // component declaration... });
components.after
-
methodName
-
fn
Same as components.before, but executed after the method invocation.
Parameters:
-
methodName
typeeg. 'initialize', 'remove'
-
fn
FunctionActual function to run
components.before
-
methodName
-
fn
Registers a function that will be executed before the associated Component method is called.
Once registered, every time a component method will be called with the
invokeWithCallbacks
method the registered callbacks will execute accordingly.
The callback functions can return a promise if required in order to postpone the execution of the called function up to when the all registered callbacks results are resolved.
The arguments passed to the callbacks are the same than those which with the component will be called. The scope of the callback is the component instance itself, as per the component method.
Parameters:
-
methodName
Stringeg. 'initialize', 'remove'
-
fn
FunctionActual function to run
sandboxes.create
-
[ref]
-
[options]
Creates a brand new sandbox, using the App's sandbox
object as a prototype.
Parameters:
-
[ref]
String optionalThe Sandbox unique ref
-
[options]
Object optionalAn object to that directly extends the Sandbox
Returns:
sandboxes.get
-
ref
Get a sandbox by reference.
Parameters:
-
ref
Stringthe Sandbox ref to retreive
Returns:
start
()
Promise
Returns:
stop
()
Void
Stops the application and unregister its loaded dependencies.
Returns:
use
-
ref
Tells the app to load the given extension. Husky extensions are loaded into the app during init.
They are responsible for:
- resolving & loading external dependencies via requirejs
- they have direct access to the app internals
- they are here to add new features to the app that are made available through the sandboxes to the components
This method can only be called before the App is actually started.
Note that the App is started when its start
method is called.
Parameters:
-
ref
String | Object | FunctionThe reference of the extension
Returns:
The Husky app instance
Properties
components
Object
Namespace for components related methods.
config
Object
core
Object
The application core
property is just a namespace
used by the extensions to add new features.
ref
String
sandbox
Object
Sandboxes are a way to implement the facade pattern on top of the features provided by core
.
The sandbox
property of an Husky application is just an Object that will be used
as a blueprint, once the app is started, to create new instances
of sandboxed environments for the components.
sandboxes
Object
Namespace for sanboxes related methods.


 The sound of the cantering of horses imitated by them. By /han≠kass’o (L VIII.-31. 8737-8740). The people say that the horse canters, or dances because it feels proud on account of the women's admiration.
Comments
1) See also !kuppen (imitation of the sound of horses), 2) p.8736v: a click used by women to show admiration, 3) p.8737v: |han≠kass'o does not know the song the women sing, as it is a 'woman's song', 4) This story is found in Book VIII-31
Contributors
|han≠kass'o (Klein Jantje) (VIII)
Date
14 August 1879
Categories
Keywords
horse (listens to the women) , horse (how women show admiration for) , horse (women click and make it proud) , horse (it is proud and dances) , clicks (and how women show admiration for the horse) , clicks (made by women) , women (the song they sing) , women (sing a woman's song) , women (how they show admiration for the horse) , women (the sounds and clicks they make for the horse) , women (make the horse proud) , women (sing to the horse) , song (a woman's) , song (sung to the horse by women to show their admiration)
Story Pages
8737-8738


{% extends "base.html" %} {% load crispy_forms_tags %} {% block content %}
Your Question is Awaiting moderation and review.


QredoVaultItemMetadata
@interface QredoVaultItemMetadata : NSObject <NSCopying, NSMutableCopying>
Information about a vault item. These properties are read only.
Constructed when a QredoVaultItem
is created and returned from enumerateVaultItemsUsingBlock
-
The
QredoVaultItemDescriptor
used to retrieve an item from the Vault withgetItemWithDescriptor
andgetItemMetadataWithDescriptor
Declaration
Objective-C
@property (readonly, atomic) QredoVaultItemDescriptor *descriptor;
Swift
var descriptor: QredoVaultItemDescriptor! { get }
-
The date and time that the item was created, in UTC format
Declaration
Objective-C
@property (readonly, copy, atomic) NSDate *created;
Swift
var created: Date! { get }
-
The metadata dictionary stored as a dictionary of key/ value pairs - note: The summaryValues can contain anything you like, but must be of one of
NSNumber
,NSDate
orNSString
Declaration
Objective-C
@property (readonly, copy, atomic) NSDictionary *summaryValues;
Swift
var summaryValues: [AnyHashable : Any]! { get }
-
Construct the metadata with the specified summary values - parameter: summaryValues a dictionary of key/value pairs - returns: the newly created metadata
Declaration
Objective-C
+ (instancetype)vaultItemMetadataWithSummaryValues: (NSDictionary *)summaryValues;
Swift
convenience init!(summaryValues: [AnyHashable : Any]!)
Parameters
summaryValues
a dictionary of key/value pairs
Return Value
the newly created metadata
-
Converts an index coredata summaryValue object retrieved by an index search predicate into a
QredoVaultItemMetadata
- note: You only need to call this function if you are accessing theNSManagedObjectContext
directly.See
The CustomerLookup example appDeclaration
Objective-C
+ (instancetype)vaultItemMetadataWithIndexMetadata: (QredoIndexSummaryValues *)summaryValue;
Swift
convenience init!(indexMetadata summaryValue: QredoIndexSummaryValues!)
-
Returns the metadata dictionary object referred to by the specified key - parameter: key The key to lookup - returns: The object stored under this key. nil if the key cannot be found
Declaration
Objective-C
- (id)objectForMetadataKey:(NSString *)key;
Swift
func object(forMetadataKey key: String!) -> Any!
Parameters
key
The key to lookup
Return Value
The object stored under this key. nil if the key cannot be found
-
Call this to determine if this metadata refers to a deleted item
Note
When you request that an item is deleted, Qredo will actually create a new item with the sameQredoVaultItemDescriptor
, but marked as deleted. This allows you to update any of your own data structures that may refer to this item.There are two cases where you may need to call this method: when you are sent a deleted item in the Vault item listener didReceiveVaultItemMetadata method or when you are enumerated through all vault items on the server using enumerateVaultItemsUsingBlock
Declaration
Objective-C
- (BOOL)isDeleted;
Swift
func isDeleted() -> Bool
Return Value
YES if this is a deleted item


automation.swcThe .swc are needed to build your own MyLogger. The .swf need later to be deployed along with your application. The usage and deployment are explained in the documentation below.
AutomationLoader.swf
flashloggerLib.swc
FlexDelegates.swf
automation.swcYou need Flex SDK >= 4.0.
AutomationLoader.swf
flashloggerLib.swc
FlexDelegates.swf
Log Format. To convert the logs to e.g. XML, we can use Haslog-suite.
Copyright (c) 2013, Utrecht University, Universitat Politècnica de València. All rights reserved.


To automatically select the content of an (input) element when an event (configurable) is triggered on the element.
0.1.0
Needed module (app dependency): ice.forms
<input
...
ice-auto-select-content-on[="mouseover"]
[ice-deselect-event="mouseout"]
...
</input>
| Param | Value type | Default value | Details |
|---|---|---|---|
| ice-auto-select-content-on | string | click | Valid event. Value is optional |
| ice-deselect-event (optional) |
string | blur | Valid event. |
When default events are used: element selected on 'click' + de-selected on 'blur'
When element selected on 'mouseover' + de-selected on 'mouseout'
A bank-account-number input field that allows both BBAN and IBAN bank accounts.
Based on the input (BBAN, Belgian IBAN or International IBAN):
0.5.0
Needed module (app dependency): ice.bank
<input type="text"
ng-model="someModelVar"
...
ice-bank-account-number
ng-trim="false"
style="letter-spacing: 2px;"
...
</input>
See the difference when inputting either "a numeric", "BE" or "an alphabetic" as the first character(s).


Various statistical methods and models which are typically used for the estimation of outstanding claims reserves in general insurance, including those to estimate the claims development result as required under Solvency II.
| Version: | 0.2.9 |
| Imports: | Matrix, actuar, methods, stats, lattice, grid, tweedie, utils, systemfit, statmod, cplm (≥ 0.7-3), ggplot2, MASS |
| Suggests: | RUnit, knitr, rmarkdown |
| Published: | 2018-12-06 |
| Author: | Markus Gesmann [aut, cre], Daniel Murphy [aut], Yanwei (Wayne) Zhang [aut], Alessandro Carrato [aut], Giuseppe Crupi [ctb], Christophe Dutang [ctb], Arnaud Lacoume [ctb], Arthur Charpentier [ctb], Mario Wuthrich [aut], Fabio Concina [aut], Eric Dal Moro [aut], Yuriy Krvavych [ctb], Vincent Goulet [ctb] |
| Maintainer: | Markus Gesmann <markus.gesmann at googlemail.com> |
| BugReports: | https://github.com/mages/ChainLadder/issues |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| URL: | https://github.com/mages/ChainLadder#chainladder |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| In views: | Finance |
| CRAN checks: | ChainLadder results |
| Reference manual: | ChainLadder.pdf |
| Vignettes: |
NEWS ChainLadder: Claims reserving with R |
| Package source: | ChainLadder_0.2.9.tar.gz |
| Windows binaries: | r-devel: ChainLadder_0.2.9.zip, r-release: ChainLadder_0.2.9.zip, r-oldrel: ChainLadder_0.2.9.zip |
| OS X binaries: | r-release: ChainLadder_0.2.9.tgz, r-oldrel: ChainLadder_0.2.9.tgz |
| Old sources: | ChainLadder archive |
| Reverse suggests: | raw |
Please use the canonical form https://CRAN.R-project.org/package=ChainLadder to link to this page.


Dead?
-
anonymous
Is Synergy dead? I love it, it's one of the first thing I install when totally reformatting my drive. After today's Mac OS X release (10.10), I'm finding Synergy in the menubar when using the dark theme rather ugly. Most of the themes I've found are from 2007 and earlier, has development and theming gone the way of the Do-Do? I'd love to try my hand at making some new icon sets, but I just don't know where to start and all the information regarding how to do so looks Greek to me.
Sincerely, A Syngery lover.
-
Greg Hurrell
I wouldn't say dead, but rather "suspended". Due to my full-time job I don't have time for the project any more, so I released the source code in early 2012, and made the product entirely free with the 6.0 release.
I'll still try to keep it running on whatever the latest version of OS X is, but any significant feature work would have to come from open source contributors.
And for what it's worth, I agree with you about the icon sets needing a rev (and not just because of the Yosemite dark theme, but also because of Retina)...
-
anonymous
Well glad to see you're still active with Synergy in some regard. I use Photoshop daily, and would love to have a go. Is there any simplified method of creating icon sets?
Also, thank you for releasing the new version for free and more importantly, making it open source and releasing the source code. Too many developers would rather see their hard work die than to release it. Going to email everyone I know (both of them!) and let them know that they can download it.
Thanks for your reply Greg.
-
anonymous
Since we lost the better looking 3D buttons on the windows left side of 10.10 (red-yellow-green), I used the 3D settings of Synergy for the menu bar. The app still works for me on a french-canadian OS10.10 !
-
Greg Hurrell
In the download archive if you look at "Extras" -> "Sample Button Sets" -> "About the Sample Button Sets.pdf" there is a section in the doc on how to make button sets. The main thing is just making a set of images (and they can have transparent backgrounds so you might be able to make some that look nice on the dark menu bar) which should be 22 pixels high and 72 DPI.
As I said above, it would be nice to expand the format to include 2X "Retina" assets as well, which would look nicer on those screens, but that would require code changes.
-
anonymous
@Anonymous, I'll give that a go. I updated to 10.10 as well and Synergy works great. @Greg, I'll have a look at that. I meant I did once upon a time and found it to go over my head, but I'm known for taking a look at something and considering it too difficult without actually trying. :)
Also, something to note: I reduced transparency on 10.10, turned off dark mode and the majority of skins look great. (Obviously). So I'm thinking, what if we reversed the skin color? Also, I am not a fan of the new "flat" UI change in 10.10. I like skeuomorphism, and it was something that made OS X great.
The new flat UI stylings remind me of old Ubuntu themes from 2005. Not something I want on my computer in 2015.
-
anonymous
Totally off topic, but going with my previous post regarding OS XX, here's something I found interesting: http://mac-how-to.wonderhowto.com/how-to/make-yosemite-look-more-like-classic-pre-mac-os-x-systems-0157986/
I'm also purchasing Flavours when Flavours 2 is released for OS XX. More: http://flavours.interacto.net/ I've also downloaded a way to skin the dock in OS XX: http://www.macupdate.com/app/mac/51149/cdock (Check the comments as the latest version is there.)
Flavours isn't free, however cDock is! Needless to say, I just do not like 10.10's new look!
-
Thomas More
Ok, sorry to triple post, but I can't seem to find the old download section. Perhaps you have a link handy Greg? Sorry for the bother.
-
Greg Hurrell
Not sure which download section you're referring to; but several old versions are available on this page (as well as the current version), and the old button set gallery is still up here.
-
Thomas More
That's the one Greg, thanks. Kinda threw me off when yous aid "PDF", so I may have totally overlooked the actual page you linked.
-
anonymous
I'm glad it's not totally dead. Working partially for me in 10.10.1, sometimes it just quits.
If it does carry on I'd make some buttons too, I'm using the dark theme and the glass buttons I've always used.
Jay
-
anonymous
just reinstalled on my new macbook. synergy is always my first must have app! would love to see some updated retina/dark mode button sets!
Reply
This topic is now closed.


Restraunt Recommendation
Next
Restaraunts in Queens along with different cuisines. Seafood is the most common cuisine here.
Manhattan
Brooklyn
NYC
Queens
Staten
Bronx


Bibbler
(Or, Scrabble-Boggle-Bejeweled)
This game was initially conceived by Lilly, DC, Vera, and myself, after we got bored of playing regular scrabble. A few weeks later, after the success of 2048, I decided to put it into motion with this game. With that being said, all the CSS magic is shamelessly stolen from 2048. Play my game. Tell me what you think of it. Yes, there are a lot of bugs (I will be working to fix as many as I can). In the meantime, enjoy!


s
The Computer Engineering Students Association (CESA) proactively organises all the PCCOE ACM Chapter events. With the assistance of the Student Development and Welfare coordinator and our experienced faculty mentors , our team of power packed young minds who are immensely passionate about Computing and dedicatedly leading towards our mission to build a community which will be able to use their skills to address the problems of tomorrow through the power of technological advancements and bring synergy between academics and extra-curricular activities.
We believe in quality over quantity, hence after challenging personality testing rounds desirable candidates are selected forming pillar of respective cells.