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05-Dec-2020
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05-Dec-2020
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Did you know that...
Another types of diarrhea in which undigested food appears in the stools. Abnormally frequent evacuation of watery feces.
You could also have what they fissures which are small cuts in the rectal area causing bleeding. If this continues please see your doctor and they will take a stool sample from you (you can do it at home) and give you a small package and you will put a sample of your stool on that and then you more than likely can take it to a lab closest to you (your doctor will give you instructions.)  Once finished just take the stick that comes with the kit and scoop a little out and brush it across the ribbed card that is given. Fold it up, put the date, your name and the time you took the stool sample and follow the doctors instructions.


I am an Erasmus graduate student from the University of Trento, Italy. I am currently working on my master thesis about Text to image generation using Deep Learning in retro remote sensing. I am highly passionate about pursuing my career in the field of Machine Learning and Computer Vision. My main research focus includes the development of preprocessing, training, and evaluation pipelines for Machine Learning models, also on implementing visual recognition solutions for computer vision applications.
My best expectation is to be responsible for my tasks and carry them out according to the requirements. My passions vary from state-of-the-art technologies to research. Taking new challenges and responsibilities is what drives me in any situation to do my best.
I am strongly results-oriented and have excellent organizational work abilities that enable me to manage time and resources effectively. I am looking for opportunities to work with a friendly and hard-working team that could improve my knowledge and perspective.


DistributedTextSet is comprised of RDD of TextFeature.
LocalTextSet is comprised of array of TextFeature.
Removes all dirty (non English alphabet) characters from tokens and converts words to lower case.
Shape the sequence of indices to a fixed length.
Shape the sequence of indices to a fixed length. If the original sequence is longer than the target length, it will be truncated from the beginning or the end. If the original sequence is shorter than the target length, it will be padded to the end. Need to word2idx first. Input key: TextFeature.indexedTokens Output key: TextFeature.indexedTokens The original indices sequence will be replaced by the shaped sequence.
Each TextFeature keeps information of a single text record.
Each TextFeature keeps information of a single text record. It can include various status (if any) of a text, e.g. original text content, uri, category label, tokens, index representation of tokens, BigDL Sample representation, prediction result and so on. It uses a HashMap to store all these data. Each key is a string that can be used to identify the corresponding value.
Transform indexedTokens and label (if any) of a TextFeature to a BigDL Sample.
Transform indexedTokens and label (if any) of a TextFeature to a BigDL Sample. Need to word2idx first. Input key: TextFeature.indexedTokens and TextFeature.label (if any) Output key: TextFeature.sample
TextSet wraps a set of TextFeature.
Base class of Transformers that transform TextFeature.
Transform text to array of string tokens.
Transform text to array of string tokens. Input key: TextFeature.text Output key: TextFeature.tokens
Given a wordIndex map, transform tokens to corresponding indices.
Given a wordIndex map, transform tokens to corresponding indices. Those words not in the map will be aborted. Need to tokenize first. Input key: TextFeature.tokens Output key: TextFeature.indexedTokens
Removes all dirty (non English alphabet) characters from tokens and converts words to lower case. Need to tokenize first. Input key: TextFeature.tokens Output key: TextFeature.tokens In this case, original tokens will be replaced by normalized tokens.


CanonnED3D
Guardians
Brain Trees
Guardian Ruins
Combo Maps
Guardian Data Maps
Thargoids
Hyperdictions
Non-Human Signal Sources
Thargoid Barnacles
Thargoid Structures
Combo Maps
Thargoid Sightings - All Time
Thargoid Sightings - Recent
Cartographics
Megaships
Generation Ships
Unknown Signal Sources
Combo Maps
Cartographics Data Maps
Biology
Bark Mounds
Brain Trees
Fungal Gourds
Thargoid Barnacles
Combo Maps
Biology Data Maps
Geology
Fumaroles
Geysers
Lave Spouts
Combo Maps
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Constructor
new FishProgram(source, initialStackopt)
Creates a new ><> program
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
source |
String | The program's source code | |
initialStack |
Array.<Number> |
<optional> |
The program's initial stack. Defaults to an empty stack |
- Source:
Members
(static, constant) DIRECTION_CHANGERS :Array.<String>
List of dirtection changing characters
Type:
- Array.<String>
- Source:
(static, constant) LITERALS :Array.<String>
List of characters which should be treated as literal hex values
Type:
- Array.<String>
- Source:
(static, constant) MATH_OPERATORS :Array.<String>
List of math operator characters
Type:
- Array.<String>
- Source:
(static, constant) REFLECTION_INSTRUCTIONS :Array.<String>
List of reflection characters
Type:
- Array.<String>
- Source:
(static, constant) STACK_MANIPULATORS :Array.<String>
List of stack manipulator characters
Type:
- Array.<String>
- Source:
(readonly) error :Error
The error the program threw, if any. Null otherwise
Type:
- Error
- Source:
(readonly) grid :Array.<Array.<String>>
The program grid
Type:
- Array.<Array.<String>>
- Source:
hasTerminated :Boolenreadonly
Whether or not the program has finished
Type:
- Boolenreadonly
- Source:
(readonly) height :Integer
Height of the program
Type:
- Integer
- Source:
inputBuffer :Array.<Object>
A snapshot of the program's input stream's buffer
Type:
- Array.<Object>
- Source:
(readonly) instructionPointer :InstructionPointer
The instruction pointer of the program
Type:
- Source:
(readonly) source :String
The source code of the program
Type:
- String
- Source:
(readonly) stack :FishStack
The program's stack
Type:
- Source:
(readonly) width :Integer
Width of the program
Type:
- Integer
- Source:
Methods
advance() → {Boolean}
Advances the program one step
- Source:
Throws:
-
If something smells fishy, or the program has already terminated
- Type
- Error
Returns:
True if the program finished with this advance. False otherwise
- Type
- Boolean
giveInput(c)
Gives a character to the program's input stream
Parameters:
| Name | Type | Description |
|---|---|---|
c |
String | The character to give |
- Source:
Throws:
-
If c is not a string with exactly one character
- Type
- Error
readOutput()
Reads a value from the program's output stream
- Source:
Throws:
-
If there is nothing to read
- Type
- Error


AMANDA JUNG
HOME
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"OH, THE PLACES YOU'LL GO..."
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Options
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Feed Behavior Options
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Slick RSS Feed Manager
Bookmark Folder
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Folder
Default max items
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Images
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On
Objects (like movies)
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On
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Load links in background
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Columns
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Content
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Show feed content (if available)
Date format
Done
Code
Description
[u]
Makes the output use GMT. (Otherwise local)
[yyyy]
4 digit year
[yy]
2 digit year
[mmmm]
Full text month
[mmm]
3 letter month
[mm]
Zero padded month
[m]
Month
[ddd]
The day with suffix
[dd]
Zero padded day
[d]
Day
[hh]
Zero padded hours
[h]
Hours
[12hh]
Hours in zero padded 12 hour format
[12h]
The hour in 12 hour format
[nn]
Zero padded minutes
[n]
Minutes
[ss]
Zero padded seconds
[s]
Seconds
[ww]
Full text weekday
[w]
3 letter weekday
[a]
AM/PM
Information
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minutes
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seconds (0 = disabled)
Mark all read after title click
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Structural Equation Modeling
Course description: This course will cover an in depth exploration of structural equation modeling. You will learn the basic concepts of SEM and how to model different types of research questions, as well as how to report these models in APA style. Path analysis, confirmatory factor analysis, and multi-group models will be several types of techniques covered.
Textbooks Used:
- Required: Beaujean: Latent Variable Modeling in R
- Tabachnick & Fidell: Using Multivariate Statistics
- Byrne: Structural Equation Modeling in Amos
- Brown: Confirmatory Factor Analysis for Applied Research
- Kline: Principles and Practices of Structural Equation Modeling
- Navarro: Learning Statistics in R
Course Schedule Summer Semester: The following table provides information used for a summer schedule. Video links from the YouTube channel are attached to match course materials. All videos are recorded using R, but several AMOS assignments are included in the downloadable material.
- Cite: Buchanan, E. M. (2020, March 15). Structural Equation Modeling. https://doi.org/10.17605/OSF.IO/2Y67F
- OSF Page: https://osf.io/2y67f/
- GitHub Page: https://github.com/doomlab/statsofdoom-files/tree/master/sem
R 2020 Update
This update is part of the new learnSEM
package, which you can find at https://github.com/doomlab/learnSEM. If you need an assignment worked video and do not see it here, scroll down because they were only updated if the assignment updated!
| Section | Title | Link | Materials | Person | Year Taught |
|---|---|---|---|---|---|
| Intro to R | R - Introduction to R Part 1 | https://youtu.be/_xhnjCUxTQo | https://github.com/doomlab/statsofdoom-files/tree/master/sem/2020%20Course | Dr. B | Fall 2020 |
| Intro to R | R - Introduction to R Part 2 | https://youtu.be/Z80eYiCJ5aU | https://github.com/doomlab/statsofdoom-files/tree/master/sem/2020%20Course | Dr. B | Fall 2020 |
| Intro to R | R - learnSEM package now available! | https://youtu.be/lVyyJ0fKVlM | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| Data Screening | R - Data Screening Lecture | https://youtu.be/zs2qY_iRlF0 | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| EFA | R - Exploratory Factor Analysis Lecture | https://youtu.be/EKpYh7lsOf8 | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| Terminology | R - SEM Terminology Assignment Worked | https://youtu.be/P1qMacyPHwc | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| Terminology | R - Terminology Lecture | https://youtu.be/GJu-E6PGl8w | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| Path, Fit | R - Path Analysis, Estimation, Fit Indices Part 1 | https://youtu.be/UAwelX7vK_w | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| Path, Fit | R - Path Analysis, Estimation, Fit Indices Part 2 | https://youtu.be/s0Vep97wWak | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| CFA | R - Confirmatory Factor Analysis Lecture | https://youtu.be/zQu_Hsiejys | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| Bi-Factor CFA | R - Hierarchical Confirmatory Factor Analysis Lecture | https://youtu.be/spq2l5C2vlk | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| Full SEM | R - Full Structural Equation Models Lecture | https://youtu.be/vZeqNxgwuac | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| MTMM | R - Multitrait Multimethod (MTMM) Lecture | https://youtu.be/2sxn_eX_q9c | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| MTMM | R - Multitrait Multimethod (MTMM) Class Assignment | https://youtu.be/-qoKELfQkvE | https://github.com/doomlab/learnSEM | Dr. B | Spring 2021 |
| MGCFA | R - Multigroup CFA Lecture | https://youtu.be/Kt2lZxcAGWs | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| MGCFA | R - Multigroup CFA Class Assignment (2020) | https://youtu.be/AWRWCGbUEjU | https://github.com/doomlab/learnSEM | Dr. B | Spring 2021 |
| LGM | R - Latent Growth Models Lecture | https://youtu.be/GNcrY6izaqA | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
| IRT | R - Item Response Theory Lecture | https://youtu.be/vpP52NnandU | https://github.com/doomlab/learnSEM | Dr. B | Fall 2020 |
Extra Videos
Click to see video list.
| Section | Title | Link | Materials | Person | Year Taught |
|---|---|---|---|---|---|


Please try to click next to initialize the related Stops!
Please try clicking the next step to initialize the related samples!
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Go behind the scenes of one of the most high-tech, high-concept, high-flying films ever made. See the early sketches of all-new animated characters! Learn how megastar Michael Jordan got a big kiss from classic wisecracking hero Bugs Bunny! Watch as Michael Jordan plays basketball against many strange men in green suits and facemasks -- who never appear in the film!


|
Max API
8.2.0
|
The boxlayer functions provide way to make it easier to use cached offscreen images (layers) in your drawing. More...
Functions | |
| t_max_err | jbox_invalidate_layer (t_object *b, t_object *view, t_symbol *name) |
| Invalidate a layer, indicating that it needs to be re-drawn. More... | |
| t_jgraphics * | jbox_start_layer (t_object *b, t_object *view, t_symbol *name, double width, double height) |
| Create a layer, and ready it for drawing commands. More... | |
| t_max_err | jbox_end_layer (t_object *b, t_object *view, t_symbol *name) |
| Conclude a layer, indicating that it is complete and ready for painting. More... | |
| t_max_err | jbox_paint_layer (t_object *b, t_object *view, t_symbol *name, double x, double y) |
| Paint a layer at a given position. More... | |
The boxlayer functions provide way to make it easier to use cached offscreen images (layers) in your drawing.
The general idea is to do something like this:
Then, if something changes where you would need to redraw the layer you invalidate it:
or
Each view has its own layer stored since if a patcher has multiple views each could be at a different zoom level.
Conclude a layer, indicating that it is complete and ready for painting.
| b | The object/box for the layer opened by jbox_start_layer(). |
| view | The patcherview for the object opened by jbox_start_layer(). |
| name | The name of the layer. |
Invalidate a layer, indicating that it needs to be re-drawn.
| b | The object/box to invalidate. |
| view | The patcherview for the object which should be invalidated, or NULL for all patcherviews. |
| name | The name of the layer to invalidate. |
Paint a layer at a given position.
Note that the current color alpha value is used when painting layers to allow you to blend layers. The same is also true for jgraphics_image_surface_draw() and jgraphics_image_surface_draw_fast().
| b | The object/box to be painted. |
| view | The patcherview for the object which should be painted, or NULL for all patcherviews. |
| name | The name of the layer to paint. |
| x | The x-coordinate for the position at which to paint the layer. |
| y | The y-coordinate for the position at which to paint the layer. |
| t_jgraphics* jbox_start_layer | ( | t_object * | b, |
| t_object * | view, | ||
| t_symbol * | name, | ||
| double | width, | ||
| double | height | ||
| ) |
Create a layer, and ready it for drawing commands.
The layer drawing commands must be wrapped with a matching call to jbox_end_layer() prior to calling jbox_paint_layer().
| b | The object/box to which the layer is attached. |
| view | The patcherview for the object to which the layer is attached. |
| name | A name for this layer. |
| width | The width of the layer. |
| height | The height of the layer. |


Useful for displaying popups one after another. Whenever you close a popup, the next popup will show up.
Walk-through state is persistent and is kept between page refreshes. Click the Reset button to reset the state for this page.
Step 1
Step 2
Step 3
Close this popup to display the next one.
Close this popup to display the next one.
This is the last popup.


Add .g file that you want to upload
What you want to be known as around
Provide a short description about your model
*150 characters left
An image that will be used as a thumbnail for your model, the preferred size is 500 X 300
{{#with modelCategory}} {{#each categories}} {{.}}, {{/each}} {{/with}}


zup - Better Battlelog Forums #1808
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sup sup sup
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Global Moderator
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Film review by Kevin Patterson
EDWARD SCISSORHANDS Rating: ***1/2 PG-13, 1990 Director: Tim Burton Screenplay: Caroline Thompson Story: Tim Burton & Caroline Thompson Starring Cast: Johnny Depp, Vincent Price, Winona Ryder
Tim Burton's EDWARD SCISSORHANDS is a cinematic fairy tale, a flight of fancy that sails on the wings of Burton's vivid imagination, and yet it still bears implications upon the real world. It's a film which is narrated in flashback to a little boy's question about where snow comes from. It's a film in which the protagonist, a boy named Edward (Johnny Depp), was invented by a strange scientist living in a castle (Vincent Price) and is eventually discovered still living there, many years after the scientist's death, by none other than the Avon lady. And yet it's also a film in which the fundamental conflicts and relationships are the same ones that we find right next door.
Burton's films have generally met with mixed reaction among both critics and the general public. Even his less-than-stellar efforts, however, are infused with a unique and remarkable visual style that sets him apart among modern filmmakers. EDWARD SCISSORHANDS is no exception, as Burton creates both an unnervingly bright and colorful suburbia that is somehow intimidating in its cheerfulness and a majestically constructed Gothic castle that has been Edward's home. Composer Danny Elfman supplies the film with a score that is appropriately both whimsical and sad, a perfect fit for this warm-hearted but ultimately tragic tale of an outsider trying to find his place among "normal" people.
The aesthetics of EDWARD SCISSORHANDS place it definitively within a fantasy universe. This is a good thing, because otherwise viewers might ask questions such as why no one aside from the Avon lady ever wanted to have a look inside the mysterious castle sitting at the end of Main Street, or what kind of scientist could create a an otherwise perfectly functional human being but not be able to get the hands right, or why on earth he gave Edward scissors as a replacement until he figured it out. In any case, the Avon lady decides to bring Edward out of his lonely castle and into her home. At first, he's a sensation: all the neighbors come to visit the family and see the strange boy who can perform tricks such as sculpting the bushes into fantastic sculptures. All too quickly, however, he is unwittingly dragged into a robbery by the Avon lady's daughter Kim (Winona Ryder) and then incurs the wrath of her jealous boyfriend when she starts to fall in love with Edward. Prejudices take over, and Edward comes to be seen not as the kind-hearted but easily confused individual that he is, but as a dangerous monster who must be driven out of their community.
It would be easy to see Edward as nothing more than a generic freak, a foil for an "it's okay to be different" message. I think that Burton and his screenwriter, Caroline Thompson, intend for Edward to serve as a metaphor for something a little more specific: the naive, socially inept artist. He is liked and admired when he's performing elaborate tricks for an audience, but few if any of them care about him as a person: he's just another novelty for them to enjoy. He is easily manipulated, and ends up being the fall guy for a crime which he barely understands simply because a beautiful young woman whom he trusts asked for his help. Worst of all, his attempts to fit in and help others often go wrong, provoking further anger and alienation, in his case because he has a tendency to literally cut things up by accident when he gets confused and uneasy.
There are quite a few clichés in EDWARD SCISSORHANDS, though not all of them detract from the story. There is almost no development of the romance between Edward and Kim, but the film gets away with this due to its fairy tale format. Even Kim's mean-spirited boyfriend, a cardboard cut-out from the Book of Evil Teenage Movie Characters, manages not to irritate for the most part. Still, the film would have been fine without a duel to the death at high altitude. There are also a couple of the townspeople who are just a little too over the top, such as the Bible-thumping fundamentalist who is convinced that Edward is a demon and the seductive hair stylist who finds Edward attractive.
In the end, however, the film's good qualities are enough to carry it past any mistakes. Imaginative, clever, and strangely touching, EDWARD SCISSORHANDS stands as a high point of Burton's career.
Send comments to<EMAIL_ADDRESS>Film Reviews Archive: http://members.aol.com/KTPattersn/reviews.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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Related links: index of all rec.arts.movies.reviews reviews


The two mentioned software packages for modelling tissue growth in three dimensions are:
BioDynamo: A C++ based project that aims to become a general platform for computer simulations of growth in biological tissue, not just brain tissue. Build to scale up to large simulations, it can handle large networks and includes genetic circuits within cells as well as cell migration, extracellular chemical gradients, and axon/dendrite formation [1].
CX3D is a Java software environment for modeling the development of large realistic neural networks such as the neocortex, in a physical 3D space. In CX3D, neurons arise by the replication and migration of precursors, which mature into cells able to extend axons and dendrites. The software also includes simulations of the extracellular environment and allows for the diffusion of extracellular signaling molecules, as well as the physical interactions of the many developing neurons [2].
References
[1] Bauer, Roman, Lukas Breitwieser, Alberto Di Meglio, Leonard Johard, Marcus Kaiser, Marco Manca, Manuel Mazzara, Fons Rademakers, Max Talanov, and Alexander Dmitrievich Tchitchigin. 2017. “The BioDynaMo Project: Experience Report.” In Advanced Research on Biologically Inspired Cognitive Architectures, edited by Vallverdú Jordi, Mazzara Manuel, Talanov Max, Distefano Salvatore and Lowe Robert, 117-125. Hershey, PA, USA: IGI Global
[2] Zubler, F. and R. Douglas (2009). A framework for modeling the growth and development of neurons and networks. Front Comput Neurosci 3: 25


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Submitted on 28 January 2017
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- Payments: £1500.00
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- UKPRN: 87651234
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- Locations: North West
Funding type: Apprenticeships Trailblazer 19+
£1500.00
- UKPRN: 87651234
- Apprentices: 10
- Payments: £1500.00
- Locations: North West
Funding type: Apprenticeships Trailblazer 19+
£1500.00
- Apprentices: 10
- Payments: £1500.00
- Locations: North West
Funding type: Apprenticeships Trailblazer 19+
£1500.00
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PlantinjJS is an engine written in JavaScript that support process of planting You neighbourhood directly in Your browser.
It's open source and available on GitHub.


It's important before trying to understand DEFLATE to understand the other two compression strategies that make it up -- Huffman coding and LZ77 compression.
Huffman coding is a form of prefix coding, which you may not think you know. But you've almost certainly used a prefix code -- when using the phone. Starting from the dial tone, you press a sequence of what may be five, seven, eight, eleven, twelve, or some other number of keys -- and each sequence of keys reaches another specific phone line.
Now suppose you're in an office setting with an internal switchboard, as many large companies do. All other phones within the bank only require five numbers to dial, instead of seven -- that's because it's expected that you'll be calling those numbers more often. You may still need to call other numbers, though -- so all of those numbers have a `9' added to the front.
That's a prefix code. Each element that you could want to specify has a code made up of numbers, and because no code for one element begins with the code for any other element, you can type in that code and there will be no ambiguity about that being the one you mean.
A Huffman code is a prefix code prepared by a special algorithm. Here, instead of each code being a series of numbers between 0 and 9, each code is a series of bits, either 0 or 1. Instead of each code representing a phone, each code represents an element in a specific ``alphabet'' (such as the set of ASCII characters, which is the primary but not the only use of Huffman coding in DEFLATE).
A Huffman algorithm starts by assembling the elements of the ``alphabet,'' each one being assigned a ``weight'' -- a number that represents its relative frequency within the data to be compressed. These weights may be guessed at beforehand, or they may be measured exactly from passes through the data, or some combination of the two. In any case, the elements are selected two at a time, the elements with the lowest weights being chosen. The two elements are made to be leaf nodes of a node with two branches (I really hope you know nodes and trees...) Anyway, suppose we had a set of elements and weights that looked like this:
A 16 B 32 C 32 D 8 E 8
We would pick D and E first, and make them branches of a single node -- one being the `0' branch, and one the `1' branch.
( ) 0 / \ 1 D E
At this point, no element has been given its complete code yet, but we now know that the codes for D and E will be exactly the same, except for the last binary digit: D will end in 0 and E in 1.
The combined node D-and-E is placed back with the other (as yet) uncombined elements, and given a weight equal to the sum of its leaf nodes: in this case, 8 + 8 = 16. Again, we take the two nodes with lowest weight, which are A, and D-and-E, and join them into a larger node.
( ) 0 / \ 1 ( ) A 0 / \ 1 D E
This time, when the node A-D-E is put back into the list of elements, all remaining elements have the same weight, 32. Which two of the three are selected to be combined first is not important, at least not in the classical Huffman algorithm.
When all nodes have been recombined into a single ``Huffman tree,'' then by starting at the root and selecting 0 or 1 at each step, you can reach any element in the tree. Each element now has a Huffman code, which is the sequence of 0's and 1's that represents that path through the tree.
Now, it should be fairly easy to see how such a tree, and such a set of codes, could be used for compression. If compressing ordinary text, for example, probably more than half of the ASCII character set could be left out of the tree altogether. Frequently used characters, like `E' and `T' and `A,' will probably get much shorter codes, and even if some codes are actually made longer, they will be the ones that are used less often.
However, there is also the question: how do you pass the tree along with the encoded data? It turns out that there is a fairly simple way, if you modify slightly the algorithm used to generate the tree.
In the classic Huffman algorithm, a single set of elements and weights could generate multiple trees. In the variation used by the Deflate standard, there are two additional rules: elements that have shorter codes are placed to the left of those with longer codes. (In our previous example, D and E wind up with the longest codes, and so they would be all the way to the right.) Among elements with codes of the same length, those that come first in the element set are placed to the left. (If D and E end up being the only elements with codes of that length, then D will get the 0 branch and E the 1 branch, as D comes before E.)
It turns out that when these two restrictions are placed upon the trees, there is at most one possible tree for every set of elements and their respective codelengths. The codelengths are all that we need to reconstruct the tree, and therefore all that we need to transmit.
LZ77 compression works by finding sequences of data that are repeated. The term ``sliding window'' is used; all it really means is that at any given point in the data, there is a record of what characters went before. A 32K sliding window means that the compressor (and decompressor) have a record of what the last 32768 (32 * 1024) characters were. When the next sequence of characters to be compressed is identical to one that can be found within the sliding window, the sequence of characters is replaced by two numbers: a distance, representing how far back into the window the sequence starts, and a length, representing the number of characters for which the sequence is identical.
I realize this is a lot easier to see than to just be told. Let's look at some highly compressible data:
Blah blah blah blah blah!
Our datastream starts by receiving the following characters: `B,' `l,' `a,' `h,' ` ,' and `b.' However, look at the next five characters:
vvvvv Blah blah blah blah blah! ^^^^^
There is an exact match for those five characters in the characters that have already gone into the datastream, and it starts exactly five characters behind the point where we are now. This being the case, we can output special characters to the stream that represent a number for length, and a number for distance.
The data so far:
Blah blah b
The compressed form of the data so far:
Blah b[D=5,L=5]
The compression can still be increased, though to take full advantage of it requires a bit of cleverness on the part of the compressor. Look at the two strings that we decided were identical. Compare the character that follows each of them. In both cases, it's `l' -- so we can make the length 6, and not just five. But if we continue checking, we find the next characters, and the next characters, and the next characters, are still identical -- even if the so-called ``previous'' string is overlapping the string we're trying to represent in the compressed data!
It turns out that the 18 characters that start at the second character are identical to the 18 characters that start at the seventh character. It's true that when we're decompressing, and read the length, distance pair that describes this relationship, we don't know what all those 18 characters will be yet -- but if we put in place the ones that we know, we will know more, which will allow us to put down more... or, knowing that any length-and-distance pair where length > distance is going to be repeating (distance) characters again and again, we can set up the decompressor to do just that.
It turns out our highly compressible data can be compressed down to just this:
Blah b[D=5, L=18]!
The deflate compressor is given a great deal of flexibility as to how to compress the data. The programmer must deal with the problem of designing smart algorithms to make the right choices, but the compressor does have choices about how to compress data.
There are three modes of compression that the compressor has available:
The data is broken up in ``blocks,'' and each block uses a single mode of compression. If the compressor wants to switch from non-compressed storage to compression with the trees defined by the specification, or to compression with specified Huffman trees, or to compression with a different pair of Huffman trees, the current block must be ended and a new one begun.
The details of how the LZ77 and Huffman work together need some closer examination. Once the raw data has been turned into a string of characters and special length, distance pairs, these elements must be represented with Huffman codes.
Though this is NOT, repeat, NOT standard terminology, call the point where we start reading in bits a ``dial tone.'' After all, in our analogy, the dial tone is where you can start specifying a series of numbers that will end up mapping to a specific phone. So call the very beginning a ``dial tone.'' At that dial tone, one of three things could follow: a character, a length-distance pair, or the end of the block. Since we must be able to tell which it is, all the possible characters (``literals''), elements that indicate ranges of possible lengths (``lengths''), and a special end-of-block indicator are all merged into a single alphabet. That alphabet then becomes the basis of a Huffman tree. Distances don't need to be included in this alphabet, since they can only appear directly after lengths. Once the literal has been decoded, or the length-distance pair decoded, we are at another ``dial-tone'' point and we start reading again. If we got the end-of-block symbol, of course, we're either at the beginning of another block or at the end of the compressed data.
Length codes or distance codes may actually be a code that represents a base value, followed by extra bits that form an integer to be added to the base value.
Probably the trickiest part of the DEFLATE specification to understand is the way trees are encoded to go along with the data, when that data is compressed with specialized trees.
The trees are transmitted by their codelengths, as previously discussed. The codelengths are put all together into a sequence of numbers between 0 and 15 (the Huffman trees that are created must be kept to codelengths of no more than 15; this is the tricky part, not the part about constraining the order of the elements).
Not all the elements have to be given codelengths; if the last elements of an alphabet are of 0 codelengths, they can and probably should be left out. The number of elements in each of the two alphabets will be transmitted, so the trimmed alphabets go together into a single sequence.
Once this sequence of codelengths is assembled, it is compressed with a form of what is called run-length compression. When several elements in a row have the same codelength (often 0) special symbols may be used to indicate the number of elements with this codelength. Our sequence is now a sequence of numbers between 0 and 18 (possibly with extra bits forming integers to modify base values, as was the case with the length and distance codes).
A Huffman tree is created for this alphabet of 0-18. Sigh. The sequence of 0-18 codes and extra bits is prepared with the Huffman codes replacing the 0-18 elements.
This Huffman tree needs to be included with the data, of course. Like the other Huffman trees, it will be included by recording the codelengths of the elements. However... once again, *SIGH*. They are not recorded in the order 0, 1, 2, 3, 4 ... 16, 17, 18. They are recorded in a special order: 16, 17, 18, 0, 8, 7, 9, 6, 10, 5, 11, 4, 12, 3, 13, 2, 14, 1, 15. The logic behind this is that the elements near the end of sequence are most likely to have 0 codelengths (i.e. not be in the tree at all). If they are indeed 0, they can be trimmed from the end of the sequence; the number of elements that are being directly recorded is also included in the data.
Those are the trouble points, I think, of the DEFLATE specs. Along with the specification itself and a bit of time, it should hopefully clear things up. If you have any other questions, please ask.


--- layout: example permalink: /examples/tui-editor/ exampleId: tui-editor stylesheets: - /examples/tui-editor/tui-editor.css - /libs/tui-editor/dist/tui-editor.css - /libs/tui-editor/dist/tui-editor-contents.css - /libs/codemirror/lib/codemirror.css - /libs/highlight.js/styles/github.css -<EMAIL_ADDRESS>overview: |- This example integrates the ToastUI Editor to implement a collaborative Markdown editor. The ToastUI Editor used CodeMirror when in Markdown mode, so we used several of our CodeMirror bindings to implement this integration with very little code. The WYSIWYG mode is not yet supported, but we are working on it. ---


|
ActiveTcl User Guide
|
||
tkerror - Command invoked to process background errors
tkerror message
Note: as of Tk 4.1 the tkerror command has been renamed to bgerror because the event loop (which is what usually invokes it) is now part of Tcl. For backward compatibility the bgerror provided by the current Tk version still tries to call tkerror if there is one (or an auto loadable one), so old script defining that error handler should still work, but you should anyhow modify your scripts to use bgerror instead of tkerror because that support for the old name might vanish in the near future. If that call fails, bgerror posts a dialog showing the error and offering to see the stack trace to the user. If you want your own error management you should directly override bgerror instead of tkerror. Documentation for bgerror is available as part of Tcl's documentation.
Copyright © 1990-1994 The Regents of the University of California. Copyright © 1994-1996 Sun Microsystems, Inc. Copyright © 1995-1997 Roger E. Critchlow Jr.


Low Cost Home VOIP phone system set up
by Wenwei Weng
Internet is changing many aspects of people’s life. One of very initial goal of internet was to make long distance voice call very cheap as stated by Cisco CEO John chambers in 1990s. It is very much in reality now. Still, home phone /landline can be pretty expensive. Thanks for Obihai technology and Google Voice, there is very low cost of solution for home phone. Below picture shows my home phone system.
In this post, I explain how to set up a low cost home VOIP phone system.
Buy an Obihai box from amazon
There are many different model of Obihai boxes from amazon.
I choose Obihai200 for $47.55. This is just a one time expense!
Connect Obihai box to home wifi router.
I use a cat5 ethernet cable to connect Obihai 200 to my linksys router.
It is possible to use wifi as connection, in this case you need a USB adapter.
Open a Google Voice account.
If you have gmail, you have a Google Voice account automatically.
You can access Google Voice to set up your account.
Google Voice offers free US and Canada voice service, and very low international call, e.g to China, 1 cent/min.
Transfer your current home phone to Google Voice.
This step is a bit complicated: first you need buy a T-mobile prepadi SIM card, and transfer your home phone number to T-mobile
prepaid account first, then ask Google voice to transfer number from T-mobile prepaid account to your Google Voice account.
Detailed steps, check here
For details of set up box, please refer to [here] (http://www.obitalk.com/info/support).
Total cost
- Obihai box 200: $47.55, one time charge
- Transfer home phone number: ~$15 for T-Mobile prepaid SIM card, + $20 google Voice transfer service, one time charge.
- US and Canada phone call: free from Google Voice
- Internation call, for me I mostly call to China, which is 1 cent/min. For other countries, check [here] (https://www.google.com/voice/rates).
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SOM Reveals Design for Walt Disney's New Headquarters in New York
- Written by Christele Harrouk
- about 16 hours
4 Hudson Square is Walt Disney’s new headquarters in the Big Apple, designed by Skidmore, Owings & Merrill LLP (SOM). Located in the Lower Manhattan district, in the neighborhood of Hudson Square, the project will create a space for the company’s New York operations.
Surrounded by old loft buildings from the area’s printmaking industrial past, now home to rehabilitated offices, studios and exhibition spaces, 4 Hudson Square is set in the latest center for startups, media, and technology of the city. Bordered by Vandam Street to the north, Varick Street to the east, Spring Street to the south, and Hudson Street to the west, the project covers an entire city block, with the possibility to reach 85,000 square feet per floorplate. Suitable for a media production house, the headquarters will expand over a total of 1.2 million gross square feet.
The new Manhattan headquarters will rise, above the 19-story, “in a series of graceful setbacks, which culminate in two, 320-foot towers and several terraces matching the scale of Hudson Square”. Visually connected to the water towers and warehouse rooftops that characterize the area, 4 Hudson Square will blend in with the mixed-used context and the urban fabric through ground floors that will offer retail amenities to serve the local community.
Related Article
SOM+ May Architecture Design Facilities for Cancer Care in Atlanta
On another hand, inspired by its surroundings, the project reinterprets the earthy tones of the materials used in the district with a façade of “masonry and stone, as well as bronze-colored metal, hints of color, and punched windows”, with a more contemporary approach. The project puts in place a rhythmic texture through double- and triple-columned green terracotta panels. Echoing the neighborhood’s existing structures, the building merges seamlessly with Hudson square. Finally, sustainable design aims to achieve LEED and Wellness certifications.


#parse("/de/fct/companian/web/site/inc/header.htm")
Hook ${hook.signature}
Open the API documentation of
this Hook method for more information.
Constraints
#if ( ${hook.constraints} )
List of Assertions
#set ( $assertionCount = 0 )
#foreach ( ${constraint} in ${hook.constraints} )
#set ( $assertionCount = $assertionCount + 1 )
${constraint.assertion.signature}
$!{constraint.description}
[Remove]
#end
#end
Add Constraint
Use the following syntax: Assertion '(' Parameterlist ')' and add a description.
#parse("/de/fct/companian/web/site/inc/footer.htm")


Below are resources such as in-house courses and articles for each of the platforms we’ll be working with. Do confer with your mentor to see which tools you’ll be using specifically.
URL: analytics.google.com
Google Analytics for Beginners - Units 2 and 3 only, the rest are irrelevant.
Advanced Google Analytics - Units 1 and 3 only, the rest are irrelevant.
*You’ll need for your mentor to allow your Gmail account access to their GA account.
Just connect your data sources such as GA and SQL server so you can easily create customized reports as well as use the templates made available by Google.
URL: optimize.google.com
While the Resource library may seem a little clunky in its UX, it does cover all the bases, and Optimize is a pretty straight-forward and user-friendly product.
URL: app.optimizely.com
Optimizely Resource library will lead you through all the steps required to create and run a successful A/B test facilitating insights into specific modifications to your web page. From creating page variations with their editor to running your test and analyzing the results to validate or disprove your hypothesis.
You’ll need competency with:
Here are some references:
| TYPE | PRODUCT |
|---|---|
| Google Sheets analytics integration | SuperMetrics |
| Google Sheets analytics integration | Google Analytics |
| Google Sheets analytics integration | PowerTools |
| Google Sheets analytics integration | WolframAlpha |
| Google Sheets SQL integration | SeekWell SQL |
| Metric Dashboard | SaaS Metrics on SpreadShare |
| Metric Dashboard | Product Metrics on SpreadShare |
CodeAcademy provides an excellent, 3 part interactive course on SQL querying.
Also here are a couple of SQL Cheat Sheets for reference:
GoodUI - collects research evidence from market-wide professionals regarding their optimization test results. It’s a great resource both for understanding industry standards and inspiring new tests to run on your product.
NNGroup - Run their own optimization tests with a clear hypothesis and results aiming to target a concise yet relevant audience. Their series of articles and search feature make them an excellent UX resource.


Welcome to
Expenses tracker web app.
This web app could give you a web tool that would allow you to introduce your incomes and outcomes, then you will be able to analyse this data, being able to check how the money was spent, the current balance, but also plot the data in a graph.
You can find below more details about the screens of this app:
🔐 Login page: You will be able to introduce your user and password.
🏠 Main page: Description of the functionalities.
📝 Income You can access to the form in order to introduce the income.
📝 Outcome: You can access to the form in order to introduce the outcome.
🧐 Analysis: It would allow the user to make some data analysis of the data introduced, such as check: current balance, amount spent, income per month...
📊 Graphs: You will be able to create somo graph, in order to visualize the data introduced.
📩 Please in case of any question do not hesitate to contact the administrator: admin@gmailp.com


Hello World App
This is a sample site under construction with basic HTML,CSS,JAVASCRIPT!Looking forward for further support!


Reports: Real Target €75m-Rated African Star As Ramos Replacement
by SL InternationalReal Madrid have reportedly identified an African star as the long-term replacement for captain Sergio Ramos, but the LaLiga giants would have to fork out around €75 million to secure his signature.
Read: World's Richest Club Revealed, Real Dethroned
In recent weeks, it has emerged that Los Blancos and Ramos have reached a cross-road in their contract negotiations, prompting speculation around the club captain’s future.
The 33-year-old has reportedly requested a new four-year deal at an annual salary of €16 million (R262 million), which is at odds with Real’s proposed two-plus-one-year deal on his existing salary.
As a result of the impasse, Ramos has been linked with a transfer away from the LaLiga giants and a move to the Premier League could be a possibility.
Choose the right winger for SA’s Real Madrid Dream Team & win a replica shirt!
According to Diario GOL, Real have recognized that Spain’s most-capped player of all time could leave the club, and have reportedly picked out Senegal international Kalidou Koulibaly as his replacement.
Koulibaly currently plies his trade with Napoli in Serie A where has become one of the world’s leading defenders, but would command a transfer fee of €75 million (R1.2 billion).
Click through the gallery below for images of the world’s most expensive defenders.
Should Real splash the cash on the 28-year-old, he would become the fourth-most expensive defender of all time, behind Lucas Hernandez, Virgil van Dijk and Harry Maguire.


Setup & Share Your Dev Environment in 5 min
Code Collaboratively From Any Computer
Koding is Invisible. Use Your Local IDE.


April 16
Again I say unto you, That if two of you shall agree on earth as touching any thing that they shall ask, it shall be done for them of my Father which is in heaven. Matthew 18:19
As believers, you and I are part of a conquering army, constantly claiming new ground for the kingdom of God. Right? Well, yes, that's the way it should be. But just about the time the army tops the hill and is ready to advance, it seems that Satan pulls out his big gun--DIVISION--and scatters believers in every direction.
How can we strike back against the strategy of division? By launching an even more powerful attack of our own. By using one of the most powerful resources given us by the Lord Jesus: the prayer of agreement.
Jesus said that if any two of us would agree as touching anything we ask, it shall be done! That statement is so powerful that people can find it hard to believe. If they did, you'd find little groups of Christians huddled up in every corner agreeing together in prayer.
Find someone to agree with in prayer this week. Be sure to base what you pray on the Word of God. You may have differing opinions about everything else, but you can be in agreement about the Word.
Also, be sure your agreement is total--spirit, soul and body. Cast down arguments, theories and imaginations that are contrary to the Word. Take every thought captive to the obedience of Christ. Keep a watch over your thoughts and your words.
Then get your body in line by speaking the thing you've agreed on. Act like you've already received the answer. Don't keep asking but thank God for it. Stay in agreement and take some new ground for the Lord!
Scripture Reading: Acts 4:1-31


"The Grand Canyon sucks, just rocks in a hole."
--Jamela Anderson
I like reading, especially when the books I read push me outside of my comfort zone. I enjoy it when I'm forced to reconsider my personal beliefs in light of what I'm reading. I also like to read about things I would never have thought about on my own. Some of the books I've enjoyed are: Stillhouse Lake, The Devil All the Time, Big Little Lies, Firestarter, Holes, and Where the Hell is Tesla. This year I set myself a goal of reading 18 books, and I've read over 30!
I love the great outdoors. I believe people were meant to be outside. I love anything that gets the heart pumping and the adrenaline flowing. I like snow-boarding, disc golfing, hiking, camping, canoeing, and rock climbing. I'd like to take up fishing and surfing.
The experience of traveling is something I've grown to love as well. I enjoy immersing myself in different cultures and seeing the beauty of new places. Some of my favorite places to visit are: Florence, Cozumel, Yosemite(The Grand Canyon sucks!), Rocky Mountains, Sarasota, Chicago, Rocky Point Mexico, Santa Cruz, and Yellowstone.
Finally, I like doing 'Happy Home Maker' activities. I like crochet, gardening, and cooking. I like putting healthy spins on classic dishes, but some of my best dishes are comfort foods. You have to try my chili, mashed potatoes, and fried chicken.


There's three places you can perform form validation:
In some views you can prevent selection of invalid values, eg DateField.
You can also specify validationRules and validationMessages.
Override validate and call isValid.
Don't do this. It's too late to provide realtime feedback (like in field validation), and you'll need to validate on the server anyway (protect against manually constructed POST etc.), so the only reason to do this is if you're not saving to a server.
Whatever else you do, you must validate on the server.
On save, if the response contains validation errors, the model will trigger 'invalid' instead of 'error'.
{meta: {success: false, validationError: {field: 'message'}}}
eg


Tipue Search Static Mode Demo
Tipue Search
is a site search engine jQuery plugin. This is a demo of Static mode. Enter tipue into the search box above.
© 2017, Tipue. Made in London.


We are a public relations firm focused on helping technology companies grow through media relations. Our team has the experience to help you reach your target audience and deliver results by getting the right media coverage.
Personal Service.
Results Driven. Our entire approach is focused on metrics and results.
Transparent Pricing. We don’t believe in charging for hidden expenses.
Public Relations (PR) is the use of communications to manage public perception of an organization. Whether your business provides content, services, or products, the businesses who influence the media will win the ultimate goal: the trust of the people.
We create coverage for our clients with the biggest media publications. Put simply, we make sure you are in the right place at the right time.
We help our clients grow their audiences by collaborating with key influencers and creating captivating content that fosters engagement.
We'll help you produce your event to engage directly with potential customers. We'll also get you in on your industry's main events.
Co-Founder and Director at Epic Queen
"The team has a commitment on working side by side towards the best goal, that’s what make you feel supported and confident."
Co-Founder and General Manager at Tricelab Events
"What amazed me about the fast spread of our message through the media, was the white glove handling of our communication. Really a good team."


{% include head.html %}
{{ site.title }}
{{ site.tagline }}
{{ content }}
Member of
{{ your-title }}
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Shiny text!
Please enable JS; if this page didn't use JS, it wouldn't be downloadable!
Frequency:
Amplitude:
Noise amplitude:
Base (R, G, B):
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--- permalink: /index.html title: "" layout: default sitemap: false --- Indrakshi Dey I am an assistant professor at maynooth university
I am an assistant professor at maynooth university


Rebar.PersistenceModel Class
The PeristenceModel
extends the basic Backbone.Model
and overwrites its sync method to take advantage of local storage and persist data
across multiple pages within the same domain. The url property is used to grab data
from a specific object of the localStorage object. Use the fetch
method to pull
whatever data already exists in localStorage and use the save
method to store for
later use.
Constructor
Rebar.PersistenceModel
()
Example:
var model = new Backbone.Rebar.PersistenceModel({
url:"custom"
});
model.fetch();
model.set("foo","bar");
model.save();
Item Index
Methods
Methods
getStoargeId
()
String
private
Determains and returns a storage id based on the passed id in initialization
Returns:
String:
storage id for this persistence model
pullLocalStore
(
private
-
model
-
options
Helper method pulls data based on urlRoot from local storage
Parameters:
-
model
PersistenceModel -
options
Object
set
(
-
key
-
val
-
options
Overriden to make sure that we have a urlRoot on our persistence model
Parameters:
-
key
Object -
val
Object -
options
Object
sync
(
private
-
method
-
model
-
options
Overridden to reroute the to a localStorage endpoint.
Parameters:
-
method
String -
model
PersistenceModel -
options
Object


Huskify is a simple web application for creating a nice looking printable webpage which displays the order of huskies pulling the sledges.
You can quickly add new dogs and sledges, simply by writing the name and pressing enter. After choosing a sledge you can select dogs by clicking, and use drag and drop to organize them in the sledges.
The application is written for Extreme Huskies, using some of the latest web technologies and developent tools: Angular.js, angular-local-storage, Font Awesome, ngDialog, Gulp, PureCSS and etc.There was two main purposes in bulding this:


C syntax:
int phish_queue()
int phish_dequeue(int n)
int phish_nqueue()
C examples:
nq = phish_queue(); nvalues = phish_dequeue(0); nq = phish_nqueue();
Python syntax:
def queue()
def dequeue(n)
def nqueue()
Python examples:
import phish nq = phish.queue() nvalues = phish.dequeue(0) nq = phish.nqueue()
Description:
These are PHISH library functions which can be called from a minnow application. In PHISH lingo, a "minnow" is a stand-alone application which makes calls to the PHISH library.
These functions are used to store and retrieve datums in an internal queue maintained by the PHISH library. This can be useful if a minnow receives a datum but wishes to process it later.
The phish_queue() function stores the most recently received datum in the internal queue. It returns the number of datums in the queue, which includes the one just stored.
The phish_queue() function does not conflict with phish_unpack or phish_datum functions. They can be called before or after a phish_queue() call.
The phish_dequeue() function retrieves a stored datum from the internal queue and copies it into the receive buffer, as if it had just been received. The datum is deleted from the queue, though it can be requeued via a subsequent call to phish_queue.
After a call to phish_dequeue, the datum can be unpacked or its attributes queried via the phish_unpack or phish_datum functions, as if it just been received.
The input parameter "n" for phish_dequeue is the index of the datum to retrieve. N can be any value from 0 to Nqueue-1 inclusive, where Nqueue is the number of datums in the queue. Thus you can easily retrieve the oldest or newest datum in the queue.
The phish_nqueue() function returns the number of datums currently held in the internal queue.
Restrictions: none
Related commands:


closest(selector, node)
Returns the node itself or the closest ancestor that matches selector
.
If no match is found, returns undefined
.
A library of DOM functions for HTML and SVG, importable as individual ES modules.
Import functions:
import { closest, matches } from '/dom/module.js';
All functions that take more than one parameter are partially applicable.
closest(selector, node)
Returns the node itself or the closest ancestor that matches selector
.
If no match is found, returns undefined
.
children(node)
Returns an array of child elements of node
.
matches(selector, node)
Returns true
if node
matches selector
, otherwise false
.
select(selector, node)
Returns an array of all descendants of node
that match selector
.
attribute(name, node)
Returns the string contents of attribute name
. If the attribute is not set,
returns undefined
.
identify(node)
Returns the id of node
, or where node
has no id, a random id is generated,
checked against the DOM for uniqueness, set on node
and returned:
// Get ids of all buttons in document
select('button', document)
.map(identify)
.forEach((id) => ...)
media(query, enterFn, exitFn)
Evaluates query
object, which is an object describing a media and scroll
query, against the document, and calls enterFn
when all conditions in
the selector object become true, and exitFn
when at least one of them becomes
false.
A query object may contain any combination of the properties:
{
minWidth: number | string | fn,
maxWidth: number | string | fn,
minHeight: number | string | fn,
maxHeight: number | string | fn,
minScrollTop: number | string | fn,
maxScrollTop: number | string | fn,
minScrollBottom: number | string | fn,
maxScrollBottom: number | string | fn
}
For each property a number represents a value in pixels, a string must be
a value with CSS units (eg. '3rem'
), or a function must return a number
representing a value in pixels.
tag(node)
Returns the tag name of node
, in lowercase.
const li = create('li', 'Salt and vinegar');
tag(li); // 'li'
type(node)
Returns one of 'element'
, 'text'
, 'comment'
, 'document'
,
'doctype'
or 'fragment'
.
isElementNode(node)
Returns true
if node
is an element node.
isTextNode(node)
Returns true
if node
is a text node.
isCommentNode(node)
Returns true
if node
is a comment.
isFragmentNode(node)
Returns true
if node
is a fragment.
isInternalLink(node)
Returns true
if the href
of node
points to a resource on the same domain
as the current document.
append(target, node)
Appends node
, which may be a string or DOM node, to target
. Returns node
.
assign(node, properties)
Assigns each property of properties
to node
, as a property where that
property exists in node
, otherwise as an attribute.
If properties
has a property 'children'
it must be an array of nodes;
they are appended to ‘node’.
The property 'html'
is treated as an alias of 'innerHTML'
. The property
'tag'
is treated as an alias of 'tagName'
(which is ignored, as
node.tagName
is read-only). The property 'is'
is also ignored.
create(tag, content)
Constructs and returns a new DOM node.
tag
is "text"
a text node is created.tag
is "fragment"
a fragment is created.tag
is "comment"
a comment is created.tag
is any other string the element <tag></tag>
is created.tag
is an object, it must have a "tag"
or "tagName"
property.
A node is created according to the above rules for tag strings, and other
properties of the object are assigned with dom’s assign(node, object)
function.If content
is a string it is set as text content on a text or comment node,
or as inner HTML on an element or fragment. It may also be an object of
properties which are assigned with dom’s assign(node, properties)
function.
clone(node)
Returns a deep copy of node
.
prepend(target, node)
Prepends node
, which may be a string or DOM node, to target
. Returns node
.
events(type, node)
Returns a mappable stream of events heard on node
:
var stream = events('click', document.body);
.map(get('target'))
.each(function(node) {
// Do something with nodes
});
Stopping the stream removes the event listeners:
stream.stop();
isPrimaryButton(e)
Returns true
if user event is from the primary (normally the left or only)
button of an input device. Use this to avoid listening to right-clicks.
preventDefault(e)
Calls e.preventDefault()
.
trigger(type, node)
Triggers event of type
on node
.
trigger('dom-activate', node);
gestures(options, node)
Returns a stream of streams of events. Each stream of events represents the
motion of a single finger. The types of events the stream contains is either
'mousedown'
followed by any number of 'mousemove'
s and a 'mouseup'
,
or the touch objects that go with 'touchstart'
, any number of 'touchmove'
s
and a 'touchend'
.
gestures({ selector: '.thing', threshold: '0.5rem' }, document)
.each(function(events) {
// First event is a mousedown or touchstart event
const e0 = events.shift();
events.each(function(e1) {
// Mousemove or touchmove events
const distance = Math.pow(
Math.pow(e1.clientX - e0.clientX, 2),
Math.pow(e1.clientY - e0.clientY, 2),
0.5);
...
});
});
trapFocus(node)
Constrains focus to focusable elements inside node
.
Returns a function that removes the trap.
Calling trapFocus(node)
again also removes the existing trap.
toKey(e)
Returns key string corresponding to e.keyCode
, or undefined
.
classes(node)
Returns the classList of node
.
addClass(class, node)
Adds 'class'
to the classList of node
.
removeClass(class, node)
Removes 'class'
from the classList of node
.
offset(node1, node2)
Returns array [x, y]
representing the vector from node1
to node2
.
prefix(string)
Returns a prefixed CSS property name where a prefix is required in the current browser.
rect(node)
Returns a DOMRect
object describing the draw rectangle of node
.
(If node
is window
a preudo-DOMRect object is returned).
scrollRatio(node)
Return the ratio of scrollTop to scrollHeight - clientHeight.
disableScroll(node)
Disables scrolling by setting overflow: hidden
on node
while maintaining
the current scrollTop, effectively causing the node to ‘freeze’ in position.
enableScroll(node)
Enables scrolling by removing overflow: hidden
on node
.
style(property, node)
Returns the computed style property
of node
.
style('transform', node); // returns transform
If property
is of the form "property:name"
, a named aspect of the property
is returned.
style('transform:rotate', node); // returns rotation, as a number, in radians
style('transform:scale', node); // returns scale, as a number
style('transform:translateX', node); // returns translation, as a number, in px
style('transform:translateY', node); // returns translation, as a number, in px
animate(duration, transform, name, object, value)
Animates property name
of object
to value
over duration
seconds, using
the transform
function as an easing function, and updates the object on
animation frames.
duration - number in seconds
transform - function that maps x (0-1) to y (0-1)
name - string name of property to animate
object - object to animate
value - target value
transition(duration, fn)
Calls fn
on each animation frame until duration
seconds has elapsed. fn
is passed a single argument progress
, a number that ramps from 0
to 1
over
the duration of the transition. Returns a function that cancels the transition.
transition(3, function(progress) {
// Called every frame for 3 seconds
});
escape(string)
Escapes string
for setting safely as HTML.
fragmentFromHTML(string)
Returns a DOM fragment of the parsed html string
.
fragmentFromTemplate(node)
Returns a DOM fragment containing the content of the template node
.
parseHTML(string)
Returns an HTML document parsed from string
, or undefined.
parseSVG(string)
Returns an SVG document parsed from string
, or undefined.
parseXML(string)
Returns an XML document parsed from string
, or undefined.
request(type, url, data, mimetype | headers)
Uses fetch()
to send a request to url
. Where type
is "GET"
, data
is
serialised and appended to the URL, otherwise it is sent as a request body.
The 4th parameter may be a content type string or a headers object (in which
case it must have a 'Content-Type'
property).
requestGet(url)
A shortcut for request('get', 'application/json', url)
requestPatch(url, data)
A shortcut for request('patch', 'application/json', url, data)
requestPost(url, data)
A shortcut for request('post', 'application/json', url, data)
requestDelete(url, data)
A shortcut for request('delete', 'application/json', url, data)


| Definitely | Definitely | ||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| without markup | Equal | with markup | |||||||||||||||||||
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | |
| This version of the task was more mentally demanding | |||||||||||||||||||||
| This version of the task was more physically demanding | |||||||||||||||||||||
| I felt that the pace was more hurried or rushed for this version of the task | |||||||||||||||||||||
| I felt more successful in accomplishing what I was asked to do in this version of the task | |||||||||||||||||||||
| I had to work harder to accomplish my level of performance in this version of the task | |||||||||||||||||||||
| I felt more insecure, discouraged, irritated, stressed, or annoyed in this version of the task | |||||||||||||||||||||
| Overall, I prefer this version of the task |


--- layout: post title: A book that made hell lot of sense. tags: - Book Review status: publish type: post published: true meta: al2fb_facebook_link_id: '218440691518395_242759562419841' al2fb_facebook_link_time: '2011-07-12T13:16:49+00:00' al2fb_facebook_link_picture: post=http://divyayadav.files.wordpress.com/2011/05/15d0-f-259-9788184001051.jpg jabber_published: '1305535767' email_notification: '1305535768' _wpas_skip_twitter: '1' _edit_last: '2' al2fb_facebook_image_id: '1048' _graphene_slider_img: global _graphene_slider_imgurl: '' _graphene_show_addthis: global _yoast_wpseo_linkdex: '0' _thumbnail_id: '1048' ---
Kareena and her size zero figure was much talk of the town, more than the stock market's Bulls and bears. Although "Tashan" also managed a great size zero revenue but Boys were bowled out by the perfect Ms. Kapoor, and every girl had a new year resolution and the rest is history.
Since then every every Indian women is aware of Rujuta Diwekar and hers books. According to me its a must read for every human :) yup boys are counted in too :D. It busts all myths and supports facts to attain that perfect health and looks balance. This book never recommends dieting but surely recommends moderation :), slowly and gradually you feel healthy and sooner you look healthy. So no more calorie counting, giving up on those yummy paranthas and butter :P.Best part of the book is the way this book is compiled, with occasional insights into her own life and funny incidents with her clients keep you hooked.
In Rujuta's word, never say your stomach is upsets, its just that you are trying to kill it :)


Exact one-sided p-values and confidence intervals for an outcome variable defined on an interval measurement scale with only qualitative and ordinal information available.
| Version: | 0.1 |
| Depends: | R (≥ 2.15.0) |
| Imports: | combinat |
| Published: | 2014-07-03 |
| Author: | Konstantin Kashin, Adam Glynn, Nahomi Ichino |
| Maintainer: | Konstantin Kashin <kkashin at fas.harvard.edu> |
| BugReports: | https://github.com/kkashin/qualCI/issues |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | no |
| Materials: | README |
| CRAN checks: | qualCI results |
| Reference manual: | qualCI.pdf |
| Package source: | qualCI_0.1.tar.gz |
| Windows binaries: | r-devel: qualCI_0.1.zip, r-release: qualCI_0.1.zip, r-oldrel: qualCI_0.1.zip |
| OS X binaries: | r-release: qualCI_0.1.tgz, r-oldrel: qualCI_0.1.tgz |
Please use the canonical form https://CRAN.R-project.org/package=qualCI to link to this page.


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---
layout: post
title: DRY views using builders - AKA markup sucks
date: '2009-04-28T19:49:00.000-07:00'
author: Rx
tags:
- rails
- ruby
- dry
- formtastic
- views
- builder
modified_time: '2009-05-10T07:08:36.670-07:00'
blogger_id: tag:blogger.com,1999:blog-3950436325253663978.post-1024490677330329632
blogger_orig_url: http://railsindirection.blogspot.com/2009/04/dry-views-using-builders-aka-markup.html
---
In this post I'm taking a look at how to DRY the view code from the Getting Started with Rails
The first thing I noticed about the Getting Started Guide was that the mark-up was really not very dry, so
the question became how can I dry up the mark-up? OK so it does use a partial for the shared edit and new form. It
has been my experience that most forms and lists are pretty simple and should not need this much mark-up. Truth be
told, I hate writing mark-up. So how can I describe the presentation with enough detail so that I don't have to
write so much? Don't get me wrong I don't mind writing mark-up that is unique for a given page. Just don't make me
write more form and table markup...please.
So we want to be dry, cool. But we also want to
be DRO (don't repeat others). So who is solving this problem? Let's start with our forms. How to DRY our forms. A
quick look around a common pattern appears: Use Builders. A builder allows an application to emit custom code for
a given form field. Were going to examine the formtastic plugin:
*
http://github.com/justinfrench/formtastic/tree/master
In our case we would like to write
simple erb code that emits all the tags for our form. In keeping with our DRO model we are going to take the
formtastic plugin for a spin and see what we get.
First thing is to install the formtastic
plugin:
script/plugin install
git://github.com/justinfrench/formtastic.git
<% @post.tags.build if @post.tags.empty? %>
<% form_for(@post) do |post_form|
%>
<%= post_form.error_messages %>

<%= post_form.label :name %>

<%= post_form.text_field :name %>

<%= post_form.label :title, "title" %>

<%= post_form.text_field :title %>

<%= post_form.label :content %>

<%=
post_form.text_area :content %>

Tags

<% post_form.fields_for :tags do |tag_form| %>

<%=
tag_form.label :name, 'Tag:' %>
<%= tag_form.text_field :name %>

<% unless tag_form.object.nil? || tag_form.object.new_record? %>

<%= tag_form.label :_delete, 'Remove:' %>
<%=
tag_form.check_box :_delete %>

<% end %>
<% end %>

<%= post_form.submit "Save" %>

<% end %>
<% @post.tags.build if @post.tags.empty? %>
<%
semantic_form_for(@post) do |post_form| %>
<%= post_form.error_messages %>
<%= form.inputs %>

Tags

<% post_form.fields_for :tags do |tag_form| %>

<%=
tag_form.label :name, 'Tag:' %>
<%= tag_form.text_field :name %>

<% unless tag_form.object.nil? || tag_form.object.new_record? %>

<%= tag_form.label :_delete, 'Remove:' %>
<%=
tag_form.check_box :_delete %>

<% end %>
<% end %>
<%= form.buttons %>
<% end %>
<% @post.tags.build if @post.tags.empty? %>
<%
semantic_form_for(@post) do |post_form| %>
<%= post_form.inputs %>
<% post_form.semantic_fields_for :tags do |tag_form| %>
<% tag_form.inputs :name,
:name => 'Tags' do %>
<%= tag_form.input :name %>
<%
unless tag_form.object.nil? || tag_form.object.new_record? %>
<%= tag_form.input
:_delete, :as=>:boolean, :label => 'Remove:' %>
<% end %>
<% end %>
<% end %>
<%= post_form.buttons %>
<% end %>


About eight friends and I were going out raving after having not raved for nearly 6 months expect for a month ago. Four of us were taking Syrian Rue plus san pedro but I was the only one taking peyote as well. Of the four of us there was Brain, Robert, Anthony and myself.
Before this I have consumed san pedro at least 10 times a peyote twice. Syrian rue is a wonderful tool that allows one to get the most out of cactus ingestion by increasing the effects by a factor of 2 1/2. CAUTION MUST BE TAKEN WHEN USING AN MAOI such as syrian rue as they can be very harmful or even fatal if miss used!!
The four of us took the syrian rue at 9pm after not eating for the whole day (this is highly recommended as it greatly reduces nausea). At 9:30 in the car park outside the rave we started the task of drinking the san pedro juice. Normally I mix fresh lemon juice in with the san pedro to cover the bitter taste but tonight I just wanted to drink as much as I could stomach, so lemon juice was not added. The taste was horrid like always so we scold a glass at a time and this was quickly followed by a glass of juice. Anthony, Robert and I drank 3 glasses but all we all choked and brought the third glass back up.
There was still more juice but we decided to leave it for next day. The four of us told the others we were going for a walk to get Quick Ease (also helps reduce nausea). On the way I chewed my peyote button and started to feel the pedro coming on. By the time we got back to the car park I was seeing tracers of everything. Cars and other metallic objects had shiny hazes around them when I moved my head. So far I had only the warmth buzz that I always get from pedro and some nice visuals but the cactus had not yet affected my thinking. Standing in the line up I started to space out, it was hard to take part in a group conversation as I tended to loose track of what was being said.
Once we were in we headed for the back of the dance floor to meet our friends. I sat down and closed my eyes and like my previous experience I was lost in a world of clear soft and warmth patterns. After closing my eyes for about 2 minutes these patterns changed into vivid images. These images started to tell some type of story.
One I remember clearly was seeing a clear sky turn cloudy then the clouds turned darker and cause a bolt of lighting to fall from the sky and strike a forest tree. This tree then burst into flames and started a fire that threatened to destroy the entire forest. Next it started to rain and the fire subsided. After the fire was completely diminished the clouds broke apart and the sun shone brightly upon the forest as smoke rose from the ground cleared by the fire. This just one of the many “short stories” that I experienced and I remember it clearly because of its simplicity. All these short stories as I will call them were experienced with a natural feeling of understanding no matter how abstract the visions were. I have found that acid visions of this magnitude are normally coupled with feelings of confusion and sometimes even fear and panic.
After opening my eyes I realised that I was at the back of the dance floor something I have momentarily forgotten. I looked at my watch only to find that I had been at the back of the dance floor for 5 minutes. I told Anthony who looked surprised and said that had felt like about ½ hour. The two of us decided to go for a walk. As I walked along the dance floor it seemed as people I could not see properly and appeared to me as shadow like objects that were not living. By this time I was also experiencing warmth body tingles and strong feelings of euphoria. I spent the next ½ hour walking around talking to people I had not seen in a long time and lost Anthony is the process.
Holding one-to-one conversation was normal while group conversation was still a bit of a lost cause. I run into my brother and his friends who were looking to get some E (they hadn’t had rue or pedro). My friend and I went looking for some people we thought could help us out while my brother and the others did their own thing. The police presence at this event was a lot higher than one would normally expect for a rave of this size. As such getting on for E turned into a hit and miss affair on numerous occasions. I spent the most of the nite running around looking to get on for my friends but instead running into people and talking for most of the nite. I was able to dance but not for long periods of time without my legs feeling tired.
During the nite I also revisited the places that were made accessible by closing my eyes and forgetting about what was taking place around me. Occasionally people would tap me on the shoulder and ask, “Are you alright?”. By now it was 3 am the cactus was feeling different now, I think the peyote had fully kicked causing the change. The physical sensations like tingles and rushes that I had felt earlier were not as pronounced but the overall experience felt like it had changed its path. This change was neither positive or negative it just something that happened. As the night came to an end I my brother and his friends headed off on the long drive home while brain and I started our trek to his sisters house. We farewelled everyone then walked to the train station.
We walked past a group of people who had also just left the rave all of which were dreading the walk to the station where as Brian and I found the walk quite pleasant. We spent a couple of hours there not doing a great deal then we headed back home. Back at home my brother and the others were asleep. I made myself a sandwich and spoke to my neighbour who had missed out on the nite before then spent to bed about 4:30 pm and woke at about 10:00pm that nite and had dinner with my mum then went back to bed. I woke the next day at 9:30 with very peaceful “afterglow” sensation that stayed with me for most of the day.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Schema Tools - Web MIDI
Connect one or more MIDI devices to your computer and choose a file that adheres to the Open MIDI Realtime Control Schema
Show Details


My goal is to set my career on a new path and be employed as a junior web-dev in 2020. I’d like to be an example of mid-life career change and to show that it is possible. My long-term goal is to be employed in a flexible arrangement that allows me to put my family, as well as my employment, first.
I think that my biggest strengths during book-camp will be my experience of working in higher stress environments and knowing how I handle being stressed myself. My inner-confidence should help me to see the bigger picture and the light at the end of the boot-camp tunnel. I love learning new things, which will also help me. I’ve realised, after completing the last 10 weeks, that I can reach out for help if I am failing or stuck. I’ve also realised that when learning new things, failure is something that helps you learn, which I will embrace.
During foundations, I’ve made sure that I’ve reached out for help, instead of internalising problems and trying to fix them myself and getting lost for hours. I’ve also realised that I need to work on seeing the bigger picture first and that I really need to understand the problem first before jumping in to solve it.
I think my biggest non-technical challenge will be staying on top of the workload and keeping my understanding of the material at the pace of the teaching, without getting stressed out.
I’d like to work on stress management and learn how to cope with a situation that makes you feel like you’re sinking. I’d also like to work on my leadership skills and communication as well as self-awareness. I believe having these skills will be a great pairing to my technical knowledge.
I expect the Bootcamp team to teach us relevant technical skills that will really help us succeed in gaining employment in a web-development role in 2020. I also expect to be taught in a manner that will help us to digest the huge amounts of information that we will be taking in as well as be given hints and tips on how to do this well. I also expect the Bootcamp team to understand that I have young children, therefore the pressures I face will be different to those without children at home.
I expect myself to be kind, calm, collaborative and to ask for help.
I commit to putting in maximum effort during bootcamp. I will manage my workload by attending each day and then logging on each night after I’ve seen my children, as well as learning on the weekend. If I am feeling stressed, I will speak to my facilitator as well as take part in yoga and meditation. I also commit to being professional, kind and calm with my fellow students, teachers and any industry/community representatives. I understand that how I conduct myself reflects on me as a person as well as EDA.
Become a web dev at a company I’m proud to work for. Once I have that I want to build up my experience enough to take on remote work so that I can work from home and work while travelling. Ideally, I’d like to work 4 days per week with flexible hours to fit in with family life but understand that may not be possible to begin with.
I’d like to increase my ability to take criticism and learn how to use criticism positively; become more robust against failure and mistakes; learn how to handle conflict within a team or one-on-one relationships; improve my ability to converse in the mornings – aka become a morning person! Learn problem solving skills, such as seeing a problem or occurrence from all sides and perspectives and also learn how to think outside the box more.
After doing some self-analysis and using online tools I believe that my strengths can be defined as: Self-Believer - I have inner confidence and self-motivation; Deliverer - I follow through on what I say I’m going to do. Once I start a task, I finish it; Philomath - I love learning new things (that I’m interested in!) and Believer - My objective is to believe and to do 'the right thing'. I have a certain set of values I am not ready to compromise. My values guide my life’s direction.
My limitations are that I’m not very good at taking criticism and can be too sensitive. I avoid confrontation and conflict and I also internalise client problems or work problems as mine own personal problems and not solely ‘work’ problems, which can make me overly worry about things that went wrong. I am not comfortable with failure or making mistakes as I’m yet to work in a workplace that doesn’t look down on these.
I don’t like to cause conflict and feel bound to deliver what I say I’m going to; therefore, I have huge motivation to not only complete this programme but to have put my upmost in to it. I like to finish things I start and do them well, there’s no point doing it if you don’t do it properly.
I will manage my workload with the help of my facilitators and family. My family understands the time commitment I have made during bootcamp and I have my parents and in-laws to help with my children. I plan on doing study in the evening as well, to allow me to see my kids over dinner. If I am stuck, instead of using hours trying to become unstuck, I will use Toggl to manage my time and ask facilitators for direction.
I have 20 years of experience working in teams and have attended several tertiary institutions in the past, so I will draw on that experience to work productively and safely with others. To destress, I plan on using yoga and walking with podcasts to ‘get out of my head’ and relax. I’ve also learnt over my lifetime to ask for help and direction instead of being lost.


©Development© Framework iOS Tungblack©
Cydia
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Checkra1n
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OdysseyJB


Arooa stands for A Rip Off Of Ant, and provides ant like configuration.
Configuration starts with an {@link org.oddjob.arooa.ArooaConfiguration}. The most typical is an {@link org.oddjob.arooa.xml.XMLConfiguration}.
An ArooaConfiguration
takes and provides an
{@link org.oddjob.arooa.parsing.ArooaContext} which is something
that brings together
the result of parsing an 'element' in a configuration and everything required
to parse child elements if (or when) they exist.
The
ArooaContext
is central to Arooa and provides the framework with
it's flexibility. Creating one does require some understanding of Arooa but
an {@link org.oddjob.arooa.ArooaParser} saves us this need.


Now that our app is hooked up to a database, let’s do a bit of cleanup to get used to some of the other process changes in Scaffi. We have some duplicated code in the products list page, so let’s clean it up and componentize it. In products-index.html, we’re duplicating the display for active and completed items. Since there’s a good chunk of code there, let’s make it a reusable stub.
A stub is the same as a component, only a stub is used for a specific page. You can make a stub if you have repeating display elements or if you want to break up a template page that’s more than 200 lines.
If you have the server running, go ahead and kill it and run:
yo scaffi:stub
This will add a products-index-list.html and a products-index-list.stub.js to your routes/products/index folder.
In your products-index-list.html page, paste the following:
In products-index-list.stub.js, paste the following:
And finally, in products.index.html, paste the following:
As you can see the stuff being inserted in place of our list logic, the tag name is the same as the stub name we made. We're also taking advantage of the enclosed scope to pass data into the stub component.
After making all those changes, run:
yo scaffi:start web
Go back to the products page and change the status of one item to test that everything’s still hooked up and working. Also, be sure to take a gander at all the other generators you have access to: Generators


Awesome Database
$200
Membership for employees family is $11 for a limited time 🕒
Adding a book to the database:
{{ detail }}
Name:
Genre:
ADD Book
Welcome
to
Amany's
Database


I've just received a letter that the Scipy community will write a "scipy 1.0" paper and is wondering who should be mentioned as an author. So they want to figure out who "really" contributed something. While I think this should be a manual process (and maybe just anybody who added a line of code / documentation / gave valuable feedback should be in the author list), I wondered how to do this automatically. So here are a few ways. To keep it short, I will crop the first ten.
Commit Count
$ git shortlog -s -n --all --no-merges
2183 Pauli Virtanen
1565 Ralf Gommers
976 Travis Oliphant
893 David Cournapeau
708 Evgeni Burovski
705 Warren Weckesser
506 Pearu Peterson
484 Alex Griffing
376 Nathan Bell
363 @endolith
...
Add -e
for e-mails.
851 people in total. 13 people made more than 50% of the commits.
It would be really nice to have a waffle chart showing those numbers. so maybe to top 10 with name / initials, everybody with more than 100 commits in one group, everybody with more than 50 commits in another, just one commit in one group and the rest in another group.
Git Stats
Install it via apt-get install gitstats
and execute gitstats . out
. Then
open out/index.html
in a browser.
General:
Project name: scipy
Generated: 2019-06-19 19:00:08 (in 89 seconds)
Generator: GitStats (version 2015.10.03), git version 2.17.1, gnuplot 5.2 patchlevel 2
Report Period: 2001-02-01 09:32:30 to 2019-06-19 08:15:31
Age: 6713 days, 4227 active days (62.97%)
Total Files: 2545
Total Lines of Code: 778151 (3208814 added, 2430663 removed)
Total Commits: 21178 (average 5.0 commits per active day, 3.2 per all days)
Authors: 850 (average 24.9 commits per author)
Git Fame
$ sudo apt-get install python-pip python-dev build-essential
$ pip install --user git-fame
$ git fame
gives
Total commits: 21178
Total ctimes: 22524
Total files: 9415
Total loc: 277469
| Author | loc | coms | fils | distribution |
|:----------------------------------|------:|-------:|-------:|:----------------|
| Pauli Virtanen | 74162 | 2897 | 1236 | 26.7/13.7/13.1 |
| Abraham Escalante | 61316 | 94 | 27 | 22.1/ 0.4/ 0.3 |
| Travis Oliphant | 36595 | 977 | 665 | 13.2/ 4.6/ 7.1 |
| Andreas Kloeckner | 10942 | 12 | 48 | 3.9/ 0.1/ 0.5 |
| nmarais | 9974 | 4 | 87 | 3.6/ 0.0/ 0.9 |
| Ralf Gommers | 8543 | 2506 | 473 | 3.1/11.8/ 5.0 |
| Eric Moore | 8146 | 157 | 66 | 2.9/ 0.7/ 0.7 |
| Ian Henriksen | 4831 | 77 | 64 | 1.7/ 0.4/ 0.7 |
| Warren Weckesser | 4665 | 760 | 383 | 1.7/ 3.6/ 4.1 |
| Josh Wilson | 4568 | 302 | 155 | 1.6/ 1.4/ 1.6 |


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