An application developer can choose how many replicas of the same service wants to run. Due the volatile nature of containers, a Replica Set keeps the number of replicas constant, by scheduling new containers when it detects some of them are dead. Services are an abstraction layer on top of Deployment (which is the Replica Set controller) to access to these containers, regardless of how many of them or where they are deployed.
Raven maps services into LBaaS v1 Neutron entities. In Neutron we can see Replica Set as Load Balancer Pool, and Services as Load Balancer VIPs. Pods are the Load Balancer Members.
As described on limitations section, we only support the ClusterIP service type.
Create a service involves several steps:
This is an example of a Deployment replicating three nginx servers:
# STEP 1: Create a deployment
apiVersion: extensions/v1beta1
kind: Deployment
metadata:
name: demo
spec:
replicas: 3
template:
metadata:
labels:
app: demo
spec:
containers:
- name: nginx
image: nginx
resources:
requests:
cpu: 100m
memory: 100Mi
ports:
- containerPort: 80
Copying the contents of this block on a file and run the following command:
kubectl create -f deployment.yaml
Should create three Pods in Kubernetes and three ports on Neutron (see the Pods guide explanation if you wish to check out what happens behind scenes)
Then, if we use this data to create a service:
# STEP 3: Create a service
apiVersion: v1
kind: Service
metadata:
name: demo
spec:
ports:
-
port: 80
selector:
app: demo
Copying the contents on a file and run the creation:
kubectl create -f service.yaml
Will trigger the Raven service and endpoint watchers.
# STEP 4 and 6: Raven creates LB entities on neutron
user@kuryr > neutron lb-vip-list -c name -c address -c protocol -c status
+------+------------+----------+--------+
| name | address | protocol | status |
+------+------------+----------+--------+
| demo | <IP_ADDRESS> | TCP | ACTIVE |
+------+------------+----------+--------+
user@kuryr > neutron lb-pool-list -c name -c provider -c protocol -c status
+------+----------+----------+--------+
| name | provider | protocol | status |
+------+----------+----------+--------+
| demo | midonet | TCP | ACTIVE |
+------+----------+----------+--------+
user@kuryr > neutron lb-member-list -c address -c protocol_port -c status
+-------------+---------------+--------+
| address | protocol_port | status |
+-------------+---------------+--------+
| <IP_ADDRESS> | 80 | ACTIVE |
| <IP_ADDRESS> | 80 | ACTIVE |
| <IP_ADDRESS> | 80 | ACTIVE |
+-------------+---------------+--------+
Please note the VIP is taken from the raven-default-service network and the members’ IPs (Pods) belongs to the namespace network.
These entities data are written on Service metadata:
# STEP 5: Raven writes metadata on K8s service entity
user@kuryr > kubectl get service demo -o template --template={{.metadata.annotations}}
map[kuryr.org/neutron-pool:
{"members": [], "status_description": null, "status": "ACTIVE", "subnet_id": "67c6c4f0-49ca-4619-9c94-07092635fb2c", "id":
"72cf1c69-a70b-4b76-b3f8-de5baae12934", "provider": "midonet", "description": "", "name": "demo", "lb_method": "ROUND_ROBIN",
"protocol": "TCP", "health_monitors_status": [], "tenant_id": "48a5b6b9a0db414592aced182af6f89a", "vip_id": null,
"health_monitors": [], "admin_state_up": true}
kuryr.org/neutron-vip:
{"port_id": "d70fac2f-0564-4533-878e-e2e045e5614c", "connection_limit": -1, "status_description": null,
"status": "PENDING_CREATE", "subnet_id": "ff13afd0-640b-40ba-bfb7-620812064c21", "protocol_port": 80, "id":
"953228bb-e8c8-42ad-be28-3f55220e8468", "description": "", "name": "demo", "pool_id": "72cf1c69-a70b-4b76-b3f8-de5baae12934",
"protocol": "TCP", "address": "<IP_ADDRESS>", "tenant_id": "48a5b6b9a0db414592aced182af6f89a",
"session_persistence": null, "admin_state_up": true}]~
Kubernetes services can have one or more external IP which allow traffic from outside the cluster.
Raven maps external IP’s to Neutron Floating Ips. As described on limitations section, only one external IP per service is presently supported.
When Raven detects the “externalIPs” field in a Service, it will create the Floating IP on Neutron that matches with the first “externalIPs” on the list.
That “externalIP” MUST belong to the IP range defined on cluster_external_subnet Raven configuration variable. To create an external IP, it must be on that range. In case the IP does not belong to that range, the external IP will be ignored.
Let’s add an external IP on the Service created on the previous section by using the kubectl patch utility.
user@kuryr > kubectl patch service demo -p '{"spec": {"externalIPs": ["<IP_ADDRESS>"]}}'
Since the FloatingIP is in the range of the cluster_external_subnet, we can check that has been created on Neutron:
user@kuryr > neutron floatingip-list
+--------------------------------------+------------------+---------------------+
| id | fixed_ip_address | floating_ip_address |
+--------------------------------------+------------------+---------------------+
| 18696206-b472-4fa7-805b-52a2e50da977 | <IP_ADDRESS> | <IP_ADDRESS> |
+--------------------------------------+------------------+---------------------+
Please note the fixed_ip_address belongs to the LoadBalancer VIP created in the previous section.
Deleting a Service deletes all the Load Balancer entities:
~ > kubectl delete service demo
service "demo" deleted
~ > neutron lb-vip-list
~ > neutron lb-pool-list
~ > neutron lb-member-list
But does not delete the Pods neither the ports:
user@kuryr > neutron port-list -c name -c fixed_ips
+----------------------+------------------------------------------------------------------------------------+
| name | fixed_ips |
+----------------------+------------------------------------------------------------------------------------+
| demo-914545731-ralez | {"subnet_id": "67c6c4f0-49ca-4619-9c94-07092635fb2c", "ip_address": "<IP_ADDRESS>"} |
| demo-914545731-6l59z | {"subnet_id": "67c6c4f0-49ca-4619-9c94-07092635fb2c", "ip_address": "<IP_ADDRESS>"} |
| demo-914545731-0xewm | {"subnet_id": "67c6c4f0-49ca-4619-9c94-07092635fb2c", "ip_address": "<IP_ADDRESS>"} |
+----------------------+------------------------------------------------------------------------------------+
user@kuryr > kubectl get pod
NAME READY STATUS RESTARTS AGE
demo-914545731-0xewm 1/1 Running 0 1h
demo-914545731-6l59z 1/1 Running 0 1h
demo-914545731-ralez 1/1 Running 0 1h
To do so, you have to delete the deployment:
user@kuryr > kubectl delete delpoyment demo
deployment "demo" deleted
user@kuryr > kubectl get pod
NAME READY STATUS RESTARTS AGE
Except where otherwise noted, this document is licensed under Creative Commons Attribution 3.0 License. See all OpenStack Legal Documents.


Getting Started
Overview
Installation
Demos
API Reference
Secure Storage
Device
Offline
Notifications
Authentication
{{currentViewReadable}}


This application allows you to schedule meetings in different timezones around
the world. It knows about most large cities and timezones in the world.
How to Add Timezones
Enter the name of the city you want to add to the top left input box and an
auto complete should appear to help you add it. Note that some cities might
have slightly different names to what you expect as all cities have latin
transcribed names here for ease of input. For instance it's “Nuernberg” instead
of “Nürnberg”.
Why Cities and not Timezones?
The application supports most timezones in the world but it's recommended to use
cities instead because that will give you more accurate information. For
instance if you pick arabic cities the weekends will be adjusted accordingly
based on local rules.
What are the Colors?
The darker the colors the more into the night it goes. Red means weekends. Note
that weekends are country specific. If you just select a timezone but not a
city the weekends will be generic (Saturday and Sunday).
Can I schedule less than 15 Minute Intervals?
Yes you can, if you hold alt or shift down and it lets you select in
5 minute intervals.
How do I remove a timezone?
To remove a timezone (or to set it as home timezone) you can use click on the
name of the timezone which will open a drop-down menu. It contains a link to
remove the timezone as well as to make it the home timezone.
A Timzone is Wrong
The timezones are not defined by this application but pulled from official sources.
It can however happen that the version here lags behind.
Contact the
developer if something is wrong.
Who Made This?
This application was written by Armin Ronacher for a person very dear to his
heart after a similar service started charging for this functionality.
Contact him for feedback.
Can I Get the Sourcecode?
Yes, the sourcecode is available on github:
mitsuhiko/timesched


logo
Our Story
Venue Details
Hotel
Honeymoon Fund
Schedule
RSVP
Christie & Johnny
August 22, 2021
Our Story
Venue details
Hotel
Honeymoon Fund
Schedule
RSVP


Blog Stats
Total articles:
Total words:
Author Stats
Details on who is writing , and how much writing they are doing...


| DOSE: |
|
insufflated |
Cocaine |
(powder / crystals) |
I have recently developed a cocaine habit. It started a few weeks ago. I was hanging out with 3 friends of mine, Joe, Nikkole, and Ian. Ian and Joe wanted to get a blunt dipped in dust, but it never happened. They decided to buy an 8 ball instead. I have smoked pot every day for the past 8 months, but had never tried coke. Well there it was, right in front of me. Nikkole, Ian, and Joe talked me into trying it.
I tasted it and thought it was one of the most disgusting things I ever tasted. It was so bitter, and had an almost gasoline like taste to it. Then Ian broke out a small line for me to try. I started small because I had no idea how my body was going to react to it. A little while after I sniffed the first line, I started to feel more awake. My heart began to pound, and I was breathing heavily, but I hardly noticed it. I felt so alive, happy, like nothing could go wrong. It's a more intense high than from pot. My eyes were so dilated they looked completely black. I remember my first drip, it tasted so nasty. But once I swallowed it back, it increased my high. I immediately began to crave another line as I started coming down. That night, the four of us sniffed about half of that 8 ball. I came home at 6:30am and couldn't fall asleep. I just wanted more coke. I smoked a blunt to keep my mind off the coke, and I knew it would help me to sleep.
Since then, I've done coke about 3 times a week. Every time I do it, I wind up staying out all night, because it gives me so much energy. It was all good times until the last time I did it. I was with a friend of mine at the movies, and I did a huge rail in the car before we went inside. As we bought our movie tickets and all that, I started to feel it. I had never sniffed that much at once, and it was a bad idea to do it in such a public place. My high was so intense that I had more energy than I think I ever had in my whole life. I was talking fast, moving fast, and I could hardly control what I was doing.
I went to the ladies room, and the women in there could obviously tell I was extremely high. They were all staring at me. Once I went into a stall I heard them calling me a crack head and laughing about it, they said a lot of mean things, but I don't remember them now. I felt ashamed of myself, but I was so high that it was only for a split second. I looked in the mirror before I left the bathroom. My eyes were all black, I was breathing so heavy it looked unnatural.  As I was going back to my seat in the theatre, I had to concentrate on slowing myself down.
I haven't done any coke since then. It didn't bother me at the time, but the women calling me a crack head in the bathroom made me feel horrible about myself. I felt like an addict, a loser, a criminal. The experience made me realize that coke is a serious drug, and I need to use it responsibly. I learned the hard way what my limits are when it comes to coke. I'm never going to do that much again especially when I'm out in public like that. I know for a fact that I will never go to such a crowded place when I'm high ever again. It's a lot more fun when I'm around other people that are doing it, and people I know, trust, and am comfortable around.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


The W3C is currently developing two extensions to the HTML5 specification. MSE (Spec) allows playback of adaptive bitrate streams by introducing Javascript APIs that allow player applications to deliver individual video, audio, and data buffers to the browser’s media engine EME (Spec) allows playback of encrypted media by introducing Javascript APIs that allow player applications to perform encryption key management with a DRM-specific CDM embedded within the browser.
The motivation behind development of the CableLabs MSE-EME Reference Platform is to showcase the current landscape of support for these W3C extensions in the open source and proprietary technology arenas. More specifically, it contains working examples of content creation and encryption of MPEG DASH content along with subsequent playback of that content on supported web browsers.
For content creation, CableLabs uses several open source tools combined with some custom code to transrate/transcode a single input file, encrypt the output files with one or more of several supported DRM systems, and then segment and package those encrypted files according to the MPEG-DASH standard.
For playback of encrypted MPEG-DASH, we have a commercially available player base from Fraunhofer as well as our own dash.js-based player with modifications to highlight the EME process along with support for additional DRM systems.
All of the reference software is detailed in subsequent sections of this documentation. You can find all of our software artifacts in the following GitHub repositories:


This is a solution to monitor the status of multipe projects, initially it was tailor-made for the needs from a group of specific end-user, it include:
Excel-based data input interface
Flat database (CSV files)
Excel-based project status report
There is a group of merchandisers, buyers, QAs, packaging specialists and managers who work in a retailer business, every year they develop over 700 new products and put them on shelf in stores.
Normally people would develop multiple products at the same time, make them to be a product assortment for a sales promotion or everyday range, developing a new product/assortment is project-based.
Every new product need to be passed through the "Critical Path" before on shelf. The Critical Path is a set of required tasks such as sample approval, packaging design, purchasing order issusing, pre-shipment inspection...Every task has a completion deadline which depends on specific leadtime and product on-show date (in-store date)
Everyone in that retailer would work on multipe projects in parallel and every project would involve multipe persons, thus they need a aligned solution acrossing the teams to monitor the project status
Show the project progress
Alert the tasks getting overdue
Pull out the project status report by just a few clicks
Microsoft Windows XP or later
Microsoft Excel 2007 or later with Marco enabled
Unzip the file "" to anywhere and then it is ready to go. Please maintain the file structure inside the "Critical Path" folder.
For detailed description of the solution, please refer to the wiki page on GitHub:


The goals we set for our group is to put together information on Georgia Tech’s sustainability on campus, including ideas such as water, electricity, recycling, and compare this information with the ideas of individuals on Georgia Tech’s campus in the form of a survey.
We conducted a survey of our peers at Georgia Tech on their daily habits. We asked them questions on how long they shower, how often they use air conditioning etc.
We conducted research on Georgia Tech's electricity consumption as well as where this electricity comes from. In addition, we collected data on other schools to see how Georgia Tech compares to them when it comes to using less energy.


Schulte
as a Service
API Documentation
Resource URL
http://schulteasaservice.com/ticket
Parameters
| title |
A concise self-describing string for the ticket. |
| desciption |
A detailed description of the problem at hand. Please provide
enough detail so that Schulte can help you out, but don't waste his
time with stupid tangents. |
| requester |
E-mail address of the requesting user. |
| priority optional |
One of the following, in increasing order of priority:
taster , pint , growler ,
keg , bright_tank |
Example Request
POST http://schulteasaservice.com/ticket
{
"title": "Need help drinking beer",
"description": "Schulte, I have a lot of San Diego craft beer and I need your
help drinking it",
"requester"<EMAIL_ADDRESS>"priority": "growler"
}


This post is a continuation of a series of posts about WebGL. The first started with fundamentals. This article covers perspective correct texture mapping. To understand it you probably need to read up on perspective projection and maybe texturing as well. You also need to know about varyings and what they do but I'll cover them briefly here.
So in the "how it works" article we covered how varyings work. A vertex shader can declare a varying and set it to some value. Once the vertex shader has been called 3 times WebGL will draw a triangle. While it's drawing that triangle for every pixel it will call our fragment shader and ask it what color to make that pixel. Between the 3 vertices of the triangle it will pass us our varyings interpolated between the 3 values.
Going back to our first article we drew a triangle in clipspace, no math. We just passed in some clipspace coordinates to a simple vertex shader that looked like this
#version 300 es
// an attribute is an input (in) to a vertex shader.
// It will receive data from a buffer
in vec4 a_position;
// all shaders have a main function
void main() {
// gl_Position is a special variable a vertex shader
// is responsible for setting
gl_Position = a_position;
}
We had a simple fragment shader that draws a constant color
#version 300 es
// fragment shaders don't have a default precision so we need
// to pick one. mediump is a good default
precision mediump float;
// we need to declare an output for the fragment shader
out vec4 outColor;
void main() {
// Just set the output to a constant redish-purple
gl_FragColor = vec4(1, 0, 0.5, 1);
}
So let's make that draw 2 rectangles in clipspace. We'll pass it this
data with X
, Y
, Z
, and W
for each vertex.
var positions = [
-.8, -.8, 0, 1, // 1st rect 1st triangle
.8, -.8, 0, 1,
-.8, -.2, 0, 1,
-.8, -.2, 0, 1, // 1st rect 2nd triangle
.8, -.8, 0, 1,
.8, -.2, 0, 1,
-.8, .2, 0, 1, // 2nd rect 1st triangle
.8, .2, 0, 1,
-.8, .8, 0, 1,
-.8, .8, 0, 1, // 2nd rect 2nd triangle
.8, .2, 0, 1,
.8, .8, 0, 1,
];
Here's that
Let's add a single varying float. We'll pass that directly from the vertex shader to the fragment shader.
#version 300 es
in vec4 a_position;
+ in float a_brightness;
+ out float v_brightness;
void main() {
gl_Position = a_position;
+ // just pass the brightness on to the fragment shader
+ v_brightness = a_brightness;
}
In the fragment shader we'll use that varying to set the color
#version 300 es
precision mediump float;
+ // passed in from the vertex shader and interpolated
+ in float v_brightness;
// we need to declare an output for the fragment shader
out vec4 outColor;
void main() {
* outColor = vec4(v_brightness, 0, 0, 1); // reds
}
We need to supply data for that varying so we'll make a buffer and put in some data. One value per vertex. We'll set all the brightness values for vertices on the left to 0 and those on the right to 1.
// Create a buffer and put 12 brightness values in it
var brightnessBuffer = gl.createBuffer();
// Bind it to ARRAY_BUFFER (think of it as ARRAY_BUFFER = brightnessBuffer)
gl.bindBuffer(gl.ARRAY_BUFFER, brightnessBuffer);
var brightness = [
0, // 1st rect 1st triangle
1,
0,
0, // 1st rect 2nd triangle
1,
1,
0, // 2nd rect 1st triangle
1,
0,
0, // 2nd rect 2nd triangle
1,
1,
];
gl.bufferData(gl.ARRAY_BUFFER, new Float32Array(brightness), gl.STATIC_DRAW);
We also need to look up the location of the a_brightness
attribute
at init time
// look up where the vertex data needs to go.
var positionAttributeLocation = gl.getAttribLocation(program, "a_position");
+ var brightnessAttributeLocation = gl.getAttribLocation(program, "a_brightness");
and setup that attribute at render time
// Turn on the attribute
gl.enableVertexAttribArray(brightnessAttributeLocation);
// Bind the position buffer.
gl.bindBuffer(gl.ARRAY_BUFFER, brightnessBuffer);
// Tell the attribute how to get data out of brightnessBuffer (ARRAY_BUFFER)
var size = 1; // 1 component per iteration
var type = gl.FLOAT; // the data is 32bit floats
var normalize = false; // don't normalize the data
var stride = 0; // 0 = move forward size * sizeof(type) each iteration to get the next position
var offset = 0; // start at the beginning of the buffer
gl.vertexAttribPointer(
brightnessAttributeLocation, size, type, normalize, stride, offset);
And now when we render we get two rectangles that are black on the left
when brightness
is 0 and red on the right when brightness
is 1 and
for the area inbetween brightness
is interpolated or (varied) as it
goes across the triangles.
So then, from the perspective article we know that WebGL takes whatever value we put in gl_Position
and it divides it by
gl_Position.w
.
In the vertices above we supplied 1
for W
but since we know WebGL
will divide by W
then we should be able do something like this
and get the same result.
var mult = 20;
var positions = [
-.8, .8, 0, 1, // 1st rect 1st triangle
.8, .8, 0, 1,
-.8, .2, 0, 1,
-.8, .2, 0, 1, // 1st rect 2nd triangle
.8, .8, 0, 1,
.8, .2, 0, 1,
-.8 , -.2 , 0, 1, // 2nd rect 1st triangle
.8 * mult, -.2 * mult, 0, mult,
-.8 , -.8 , 0, 1,
-.8 , -.8 , 0, 1, // 2nd rect 2nd triangle
.8 * mult, -.2 * mult, 0, mult,
.8 * mult, -.8 * mult, 0, mult,
];
Above you can see that for every point on the right in the second
rectangle we are multipliying X
and Y
by mult
but, we are also
settting W
to mult
. Since WebGL will divide by W
we should get
the exact same result right?
Well here's that
Note the 2 rectangles are drawn in the same place they were before. This
proves X * MULT / MULT(W)
is still just X
and same for Y
. But, the
colors are different. What's going on?
It turns out WebGL uses W
to implement perspective correct
texturemapping or rather to do perspective correct interpolation
of varyings.
In fact to make it easier to see let's hack the fragment shader to this
outColor = vec4(fract(v_brightness * 10.), 0, 0, 1); // reds
multplying v_brightness
by 10 will make the value go from 0 to 10. fract
will
just keep the fractional part so it will go 0 to 1, 0 to 1, 0 to 1, 10 times.
A linear interpolation from one value to another would be this formula
result = (1 - t) * a + t * b
Where t
is a value from 0 to 1 representing some position between a
and b
. 0 at a
and 1 at b
.
For varyings though WebGL uses this formula
result = (1 - t) * a / aW + t * b / bW
-----------------------------
(1 - t) / aW + t / bW
Where aW
is the W
that was set on gl_Position.w
when the varying was
as set to a
and bW
is the W
that was set on gl_Position.w
when the
varying was set to b
.
Why is that important? Well here's a simple textured cube like we ended up with in the article on textures. I've adjusted the UV coordinates to go from 0 to 1 on each side and it's using a 4x4 pixel texture.
Now let's take that example and change the vertex shader so that
we divide by W
ourselves. We just need to add 1 line.
#version 300 es
in vec4 a_position;
in vec2 a_texcoord;
uniform mat4 u_matrix;
out vec2 v_texcoord;
void main() {
// Multiply the position by the matrix.
gl_Position = u_matrix * a_position;
+ // Manually divide by W.
+ gl_Position /= gl_Position.w;
// Pass the texcoord to the fragment shader.
v_texcoord = a_texcoord;
}
Dividing by W
means gl_Position.w
will end up being 1.
X
, Y
, and Z
will come out just like they would if we let
WebGL do the division for us. Well here are the results.
We still get a 3D cube but the textures are getting warped. This
is because by not passing W
as it was before WebGL is not able to do
perspective correct texture mapping. Or more correctly, WebGL is not
able to do perspective correct interpolation of varying.
If you recall W
was our
Z
value from our perspective matrix).
With W
just being 1
WebGL just ends up doing a linear interpolation.
In fact if you take the equation above
result = (1 - t) * a / aW + t * b / bW
-----------------------------
(1 - t) / aW + t / bW
And change all the W
s to 1s we get
result = (1 - t) * a / 1 + t * b / 1
---------------------------
(1 - t) / 1 + t / 1
Dividing by 1 does nothing so we can simplify to this
result = (1 - t) * a + t * b
-------------------
(1 - t) + t
(1 - t) + t
when t
goes from 0 to 1 is the same as 1
. For example
if t
was .7
we'd get (1 - .7) + .7
which is .3 + .7
which is 1
. In other words we can remove the bottom so we're left with
result = (1 - t) * a + t * b
Which the same as the linear interpolation equation above.
Hopefully it's now clear why WebGL uses a 4x4 matrix and
4 value vectors with X
, Y
, Z
, and W
. X
and Y
divided by W
get a clipsapce coordinate. Z
divided by W
also get a clipspace coordinate in Z and W
is still used during interopation of varyings and
provides the ability to do perspective correct texture mapping.


*** extconf.rb failed ***
-
rtm332
When I try to follow the instruction to install, I got this error when I got to this step:
D:\Programs\Vim\vimfiles\ruby\command-t>ruby extconf.rb checking for ruby.h... no couldn't find ruby.h (required) *** extconf.rb failed *** Could not create Makefile due to some reason, probably lack of necessary libraries and/or headers. Check the mkmf.log file for more details. You may need configuration options. Provided configuration options: --with-opt-dir --without-opt-dir --with-opt-include --without-opt-include=${opt-dir}/include --with-opt-lib --without-opt-lib=${opt-dir}/lib --with-make-prog --without-make-prog --srcdir=. --curdir --ruby=D:/Programs/Ruby187/bin/ruby
- OS: win7
- Vim: 7.2, 7.3
- Ruby 1.87, 1.92
- Dev kit: 3.45, 4.51
Any body can help?
thanks!
-
anonymous
Same difficulty here. Strange as ruby.h is in C:\Ruby187\lib\ruby\1.8\i386-mingw32 (for Ruby 1.87, of course).
-
anonymous
See thist post, it helped me. Make sure you have all the steps done correctly plus you run the devkitvars.bat script.
-
anonymous
It happened to me, the way I solved was: once you open the command prompt and navigate to your command-t installation folder, type in the path execute the devkitvars.bat from your ruby installation folder.
-
anonymous
Solved by copying content of C:\Ruby187\mingw into C:\Ruby187\
Reply
This topic is now closed.


Do you know?
Now, researchers in Japan and Italy propose a new approach to walking pattern generation, based on a hierarchical network of electronic oscillators arranged over two levels, which they have demonstrated using an ant-like hexapod robot. The achievement opens new avenues for the control of legged robots. Published in IEEE Access, the research is the result of collaboration between scientists from Tokyo Tech, in part funded by the World Research Hub Initiative, the Polish Academy of Sciences in Krakow, Poland, and the University of Catania, Italy.
Six-legged robots get closer to nature
A study led by researchers at Tokyo Institute of Technology (Tokyo Tech) has uncovered new ways of driving multi-legged robots by means of a two-level controller. The proposed controller uses a network of so-called non-linear oscillators that enables the generation of diverse gaits and postures, which are specified by only a few high-level parameters. The study inspires new research into how multi-legged robots can be controlled, including in the future using brain-computer interfaces.
In the natural world, many species can walk over slopes and irregular surfaces, reaching places inaccessible even to the most advanced rover robots. It remains a mystery how complex movements are handled so seamlessly by even the tiniest creatures.
What we do know is that even the simplest brains contain pattern-generator circuits (CPGs)[1], which are wired up specifically for generating walking patterns. Attempts to replicate such circuits artificially have so far had limited success, due poor flexibility.
Now, researchers in Japan and Italy propose a new approach to walking pattern generation, based on a hierarchical network of electronic oscillators arranged over two levels, which they have demonstrated using an ant-like hexapod robot. The achievement opens new avenues for the control of legged robots. Published in IEEE Access, the research is the result of collaboration between scientists from Tokyo Tech, in part funded by the World Research Hub Initiative, the Polish Academy of Sciences in Krakow, Poland, and the University of Catania, Italy.
The lead author of the study, Ludovico Minati, who is also affiliated to the Polish Academy of Sciences in Krakow, Poland and invited to Tokyo Tech's Institute of Innovative Research (IIR) through the World Research Hub Initiative explains that insects can rapidly adapt their gait depending on a wide range of factors, but particularly their walking speed. Some gaits are observed frequently and are considered as canonical, but in reality, a near-infinite number of gaits are available, and different insects such as ants and cockroaches realize similar gaits in very different postures.
Difficulties have been encountered when trying to condense so much complexity into artificial pattern generators. The proposed controller shows an extremely high level of versatility thanks to implementation based on field-programmable analog arrays (FPAAs)[3], which allow on-the-fly reconfiguration and tuning of all circuit parameters. It builds on years of previous research on non-linear and chaotic electronic networks, which has demonstrated their ability to replicate phenomena observed in biological brains, even when wired up in very simple configurations.
"Perhaps the most exciting moment in the research was when we observed the robot exhibit phenomena and gaits which we neither designed nor expected, and later found out also exist in biological insects," says Minati. Such emergent phenomena arise particularly as the network is realized with analog components and allows a certain degree of self-organization, representing an approach that vastly differs to conventional engineering, where everything is designed a-priori and fixed. "This takes us so much closer to the way biology works," he adds.
The biologically-inspired controller consists of two levels. At the top, it contains a CPG[1], responsible for controlling the overall sequence of leg movements, known as gait. At the bottom, it contains six local pattern generators (LPGs)[2], responsible for controlling the trajectories of the individual legs.
Yasuharu Koike, also based at the IIR, comments: "An important aspect of the controller is that it condenses so much complexity into only a small number of parameters. These can be considered high-level parameters, in that they explicitly set the gait, speed, posture, etc. Because they can be changed dynamically, in the future it should be easy to vary them in real-time using a brain-computer interface, allowing the control of complex kinematics otherwise impossible to dominate with current approaches."
And Natsue Yoshimura, also based at the IIR, says: "As the controller responds gradually and embodies a biologically plausible approach to pattern generation, we think that it may be more seamless to drive compared to systems which decode discrete commands. This may have practical implications, and our lab has substantial know-how in this area."
Tokyo Institute of Technology


|
MiniLang Interpreter
1.0.0
Interpreter and REPL for a simple programming language written in C++
|
This namespace contains all the functions and attributes pertaining to the functionality of the lexer. More...
Classes | |
| class | Lexer |
| Implementation of a table-driven lexer. More... | |
| class | Token |
| Represents and individual token in the program. More... | |
Enumerations | |
| enum | TRANSITION_TYPE { DIGIT = 0, PERIOD = 1, ADDITIVE_OP = 2, ASTERISK = 3, EXCL_MARK = 4, ORDER_REL = 5, EQUALS = 6, UNDERSCORE = 7, FORWARDSLASH = 8, BACKSLASH = 9, QUOTATION_MARK = 10, PUNCTUATION = 11, NEWLINE = 12, ENDOFFILE = 13, LETTER = 14, PRINTABLE = 15, OTHER = 16 } |
| An enum containing tranistion types. More... | |
| enum | TOKEN { TOK_INT, TOK_REAL, TOK_ADDITIVE_OP, TOK_MULTIPLICATIVE_OP, TOK_RELATIONAL_OP, TOK_EQUALS, TOK_VAR, TOK_SET, TOK_DEF, TOK_RETURN, TOK_IF, TOK_ELSE, TOK_WHILE, TOK_PRINT, TOK_INT_TYPE, TOK_REAL_TYPE, TOK_BOOL_TYPE, TOK_STRING_TYPE, TOK_BOOL, TOK_NOT, TOK_IDENTIFIER, TOK_COMMENT, TOK_STRING, TOK_LEFT_CURLY, TOK_RIGHT_CURLY, TOK_LEFT_BRACKET, TOK_RIGHT_BRACKET, TOK_COMMA, TOK_SEMICOLON, TOK_COLON, TOK_EOF, TOK_ERROR } |
This namespace contains all the functions and attributes pertaining to the functionality of the lexer.
| enum lexer::TOKEN |
An enum containing tranistion types.
This enum encodes the equivalence classes of admissable transitions in the automaton for the lexer, as described in table 1.1 in the report.
| Enumerator | |
|---|---|
| DIGIT | |
| PERIOD | |
| ADDITIVE_OP | |
| ASTERISK | |
| EXCL_MARK | |
| ORDER_REL | |
| EQUALS | |
| UNDERSCORE | |
| FORWARDSLASH | |
| BACKSLASH | |
| QUOTATION_MARK | |
| PUNCTUATION | |
| NEWLINE | |
| ENDOFFILE | |
| LETTER | |
| PRINTABLE | |
| OTHER |


Be not truthful, I will lie:
April 20, 2009
Be not truthful with your story
if you want I will lie too
I can say you flapped your wings and off into a night breeze flew
-packed your bags and flapped your wings-
-say you could not wait on morning
For truth be told you did not but whisper
truth be told, you left me
I hardly heard but the echos of your departure
So I will lie with my capacity to reason
for I can reason that somewhere you are alive
yet my heart beats you are different
It bashes against my chest with rhythm
yet, I dare not let it see and give it vision
my reason says it lies plainly as it speaks
and so my heart I lie to let you be
My intuition’s truth is something different
It says you will return but never be who I remember
I can numerate you with examples,
argue others to conclusive ends,
only but so far as I can imagine
and so lie that what I speak exists
I will not, I will not
I will lie
I will not lie to preserve my memories,
for now they are my memories
and my heart holds them
And I will not give it but an ounce of dissatisfaction
I will lie to preserve you -peace
The ghost is in the past now
And who I meet I lie and say is someone whole and new.
So reason my exact upon it
yet so clear and naked is to lie in philosophy
For you have taken with you in philosophy
my reason to believe
lies and truth is all crazy madness
I cannot in truth believe, you will come back,
So I lie to say to


This section provides a basic overview of each command plug-in library. Its main purpose is to provide a quick permissions reference for each command. Only the actual command-creation functions and their corresponding hook functions (called upon command execution at the terminal client) are shown here. See the C/C++ API Reference for more specific information about each function.
This library is intended for socket connection control. This library is implemented by the standard command forwarders to allow their connections to be controlled remotely. rservrd uses this library to create and send its commands to allow command-line control of forwarders' socket connections.
Each command in this library has both a network and a local variant. Both are essentially the same internally, but clients executing them might want to behave differently with each. The standard command forwarders, for example, perform IP and port operations with the network variants and local socket operations with the local variants. Normally a client will only implement one or the other, but not both. It isn't non-standard for a single client to create and send commands of both types, however, which is what rservrd does.
| command / hook | create | parse | execute | purpose |
|
rsvp_netcntl_net_connection_list __rsvp_netcntl_hook_net_connection_list __rsvp_netcntl_hook_local_connection_list |
active | service | service | list all active connections |
|
rsvp_netcntl_net_connect rsvp_netcntl_net_connect_cut __rsvp_netcntl_hook_net_connect __rsvp_netcntl_hook_local_connect |
active | service | service | make a new connection |
|
rsvp_netcntl_net_filtered_connect rsvp_netcntl_net_filtered_connect_cut __rsvp_netcntl_hook_net_filtered_connect __rsvp_netcntl_hook_local_filtered_connect |
active | service | service | make a new filtered connection |
|
rsvp_netcntl_net_disconnect __rsvp_netcntl_hook_net_disconnect __rsvp_netcntl_hook_local_disconnect |
active | service | service | disconnect an active connection |
|
rsvp_netcntl_net_listen_list __rsvp_netcntl_hook_net_listen_list __rsvp_netcntl_hook_local_listen_list |
admin | active | service | list locations being listened to for connections |
|
rsvp_netcntl_net_listen __rsvp_netcntl_hook_net_listen __rsvp_netcntl_hook_local_listen |
admin | active | service | listen to a new location for connections |
|
rsvp_netcntl_net_unlisten __rsvp_netcntl_hook_net_unlisten __rsvp_netcntl_hook_local_unlisten |
admin | active | service | stop listening to a location for connections |
This library provides a generic command interface between two clients for one client to request another client "configure" itself. The actual implementation of the commands' execution at the terminal client are entirely up to the developer.
| command / hook | create | parse | execute | purpose |
|
rsvp_rqconfig_request_configure __rsvp_rqconfig_hook_request_configure |
admin control |
active | active | request a client configure itself |
|
rsvp_rqconfig_request_deconfigure __rsvp_rqconfig_hook_request_deconfigure |
admin control |
active | active | request a client deconfigure itself |
librsvp-rqsrvc.so provides commands for one client to request another client register or deregister a service on the sending client's server. These requests are generally sent outside of the local system to remote clients, allowing access to the remote clients' services as if they were local.
librsvp-rqsrvc-auto.so is a transparent automation of librsvp-rqsrvc.so. It's a generic implementation of librsvp-rqsrvc.so which allows the client to screen the type of service requested, then registers the service automatically if approved.
If you override load_all_commands in your client and you also link to librsvp-rqsrvc-auto.so, you'll also need to make a call to rsvp_rqsrvc_load in load_all_commands to make sure it gets loaded (see plug-in loading requirements for more information.)
| command / hook | create | parse | execute | purpose |
|
rsvp_rqsrvc_register_services __rsvp_rqsrvc_hook_register_services |
service | service | resource | request a client register services remotely |
|
rsvp_rqsrvc_deregister_services __rsvp_rqsrvc_hook_deregister_services |
service | service | resource | request a client deregister services remotely |
This library provides a generic command interface between two clients for one to indicate a "readiness" state to another. The actual implementation of the commands' execution at the terminal client are entirely up to the developer.
| command / hook | create | parse | execute | purpose |
|
rsvp_ready_system_ready rsvp_ready_system_ready_response __rsvp_ready_hook_system_ready |
active | active | active | indicate a system is ready |
|
rsvp_ready_system_not_ready rsvp_ready_system_not_ready_response __rsvp_ready_hook_system_not_ready |
active | active | active | indicate a system is not ready |
|
rsvp_ready_system_never_ready rsvp_ready_system_never_ready_response __rsvp_ready_hook_system_never_ready |
active | active | active | indicate a system is will never be ready |
This library is meant to defer raw data exchanges to external communication lines. Because of the command object structure of Resourcerver communications and the limitations thereof, this allows clients to transmit unformatted and unlimited-sized data segments by providing location information to another client. Using this library, clients can exchange a raw stream of binary data externally and communicate segmentation information through Resourcerver.
This library intends for one client to send location-opening information to another client to initiate the transfer process. The location and type are arbitrary, though the intended types are pipes, files, sockets, and mapped memory. The client receiving the opening information should open the data location in the requested mode and wait for instructions.
The initiating client assigns each location a unique reference number to use when referencing it to another client. The initiating client starts a data transfer by sending a "read," "write," or "exchange" request to the other client, making reference to the location reference, an offset length, and a data length.
| command / hook | create | parse | execute | purpose |
|
rsvp_dataref_open_reference __rsvp_dataref_hook_open_reference |
service | service | service | request a client open a data reference |
|
rsvp_dataref_change_reference __rsvp_dataref_hook_change_reference |
service | service | service | request a client change the open specifics of a data reference |
|
rsvp_dataref_close_reference __rsvp_dataref_hook_close_reference |
service | service | service | request a client close a data reference |
|
rsvp_dataref_transfer_data __rsvp_dataref_hook_transfer_data |
service | service | service | request a client transfer data to/from a reference |
|
rsvp_dataref_alteration_response __rsvp_dataref_hook_alteration |
service | service | service | notify the sender of an alteration |
This library provides a command that requests a client trigger an action. This is intended for one client to "detect" the state of something and trigger a resulting action in another client. For example, the sender might take input from a motion sensor, and send a trigger when motion is detected to the receiver, which might control a light or a camera.
| command / hook | create | parse | execute | purpose |
|
rsvp_trigger_system_trigger __rsvp_trigger_hook_system_trigger |
active | active | active | request triggering of an action |
librsvp-passthru.so provides basic commands for a client to request that another client (almost certainly a socket forwarder) reappropriate a connection for raw data transfer. This is intended for use with the standard socket forwarders.
librsvp-passthru-assist.so provides the function rsvp_passthru_assist_steal_channel, which automates the process of creating a local socket and requesting a forwarder connect to it for the creation of a passthru connection.
If you override load_all_commands in your client and you also link to librsvp-passthru-assist.so, you'll also need to make a call to rsvp_passthru_load in load_all_commands to make sure it gets loaded (see plug-in loading requirements for more information.)
| command / hook | create | parse | execute | purpose |
|
rsvp_passthru_reserve_channel __rsvp_rqsrvc_hook_reserve_channel |
active | active | active* | request a client reserve a channel for the sender |
|
rsvp_passthru_unreserve_channel __rsvp_rqsrvc_hook_unreserve_channel |
active | active | active* | request a client unreserve a channel for the sender |
|
rsvp_passthru_steal_channel __rsvp_rqsrvc_hook_steal_channel |
active | active | active* | request to steal a channel for the sender for passthru |
*The command will only be executed if the sender has greater-or-equal status (i.e. "admin" > "control" > "resource") compared to the receiver.
Generally what should happen is this:
If any of the above steps fails prior to a client stealing the connection, the client should send rsvp_passthru_unreserve_channel to unreserve the connection.
See the "passthru" example for a full implementation of the steps above.
| © 2008 - Kevin P. Barry | The Resourcerver Project |


⍉
)⍉ 𝕩
: TransposeMove the first axis of 𝕩
to the end.
a ← 3‿3 ⥊ ↕9 ⍉ a ┌─ ╵ 0 3 6 1 4 7 2 5 8 ┘ b ← 1‿2‿3 ⥊ ↕6 ≢⍉ b ⟨ 2 3 1 ⟩
𝕨 ⍉ 𝕩
: Reorder AxesRearrange the axes of 𝕩
as per the axis indices in 𝕨
.
≢ c ← 2‿3‿4‿5‿6 ⥊1 ⟨ 2 3 4 5 6 ⟩ ≢ 1‿3‿2‿0‿4 ⍉ c ⟨ 5 2 4 3 6 ⟩


BOILER ROOM A film review by Steve Rhodes Copyright 2000 Steve Rhodes RATING (0 TO ****): ***
Writer/director Ben Younger's BOILER ROOM is ANIMAL HOUSE MEETS WALL STREET, as a bunch of guys in their early twenties get rich quick peddling worthless stock.
Acting like loud-mouthed frat boys, these guys work the phones cold calling other guys to offer them deals that, correctly, sound too good to be true. With intense pressure, these supersalesmen bilk families out of their last nickel. The brokerage firm's recruiter and drill sergeant (Ben Affleck) lectures the new grunts by barking at them, "People come to work for this firm for one reason only -- to get filthy rich. That's it." And if you not willing to lie and cajole every second, you're not cut out for their firm.
Succumbing to this instant millionaire mentality, Seth Davis (Giovanni Ribisi), gives up a lucrative job running an illegal blackjack game out of his apartment. Ribisi (THE OTHER SISTER) is the movie's weakest link as he never convincing transforms from wimp to supersalesmen. In his one emotional scene towards the end, his acting comes across as awkward and staged. But the film's bright script and crisp pacing more than compensate for this weakness in the casting.
 "I'm not your best friend, that's your mother's racket," he lectures him sternly. "I'm not your girlfriend, I'm your father," Marty tells his son when he comes just wanting to talk.
The guys at Seth's firm, including Chris (Vin Diesel), Michael (Tom Everett Scott) and Marc (David Younger), make more money than they know what to do with, so they blow it as fast as they can on cars, booze, women, drugs, gadgets and houses. But they don't appear to enjoy it much. What turns them on is the act of making the money, not the spending of it.
Nia Long (THE BEST MAN) does a nice turn as the firm's very well compensated receptionist. She is a realist who counsels Seth to own up to what he does. "You're got to admit to yourself it's not charity work and enjoy it or get out," she advises him.
The ending is wrapped up too neatly and conventionally, but, up until then, the movie takes you on an exhilarating ride. The spirit of the film is best encapsulated in the only extracurricular activity that the guys really seem to enjoy. Like Trekkies, who watch the series so often that they can repeat all of the lines, these supercharged brokers love to gather for a ritualistic viewing of Michael Douglas in WALL STREET. They bark out the lines like cheerleaders at a football game. They worship their hero, Gordon Gekko, like a god.
BOILER ROOM runs 1:55. It is rated R for language, drug usage and some violence. The film would be acceptable for older teenagers.
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Frozen 2 star Idina Menzel happy to be ‘role model’ for young girls
The actress spoke ahead of the film’s European premiere in London.
Frozen 2 star Idina Menzel has said she feels a responsibility to young girls as an idolised princess.
The singer and actress plays the adored character of Elsa, who has been adopted as a “role model” by a generation of youngsters.
Menzel said despite her age, she herself is inspired by the magical Disney creation, who she feels represents an unapologetic embrace of identity.
The 48-year-old said she is very aware of how Elsa is idolised by a multitude of young girls and feels a duty towards the character.
Elsa and Anna, along with companions Kristoff and Olaf, return in the follow-up to the 2013 hit musical.
Speaking on the red carpet at the BFI Southbank in London for the European premiere of the sequel, Menzel said: “I do feel responsibility.
“When you are a quote-unquote ‘role model’, it’s a great responsibility that I don’t take lightly.
“It’s something that I love, though. It’s very reciprocal for me. I feel like I can relate to what they’re feeling.
“But also Elsa and the music that I sing and the story that I communicate is a reminder to me as well, as a woman my age, to really embrace her uniqueness and her strength and her power and not apologise for it.”
The original hit Disney animation was released in 2013, sparking a mania of fandom for the magical franchise.
It also sparked theories that it was a narrative about minority isolation and a fabulist tale of LGBT coming out.
Menzel welcomed what people read into the story, saying: “I think that it just speaks to people.
“We all know that feeling in ourselves of feeling maybe a little different or apologetic of who we are in some way and just wanting to be give the permission to be that part of ourselves that has the potential to be extraordinary.”
The singer appeared on the red carpet at the BFI Southbank along with co-stars Jonathan Groff, voice of Kristoff, and Olaf actor Josh Gad.
Frozen 2 is showing in UK cinemas from November 22.


Pokémon fans are sick of trolls bringing Magikarp to raids
Follow Polygon online:
by Patricia HernandezPicture this: You’re queuing up for one of the toughest types of battles in Pokémon Sword and Shield. You take time and care in picking a monster with a high enough level, move set, and type advantage. You get into the raid, ready to take on whatever big baddy the game throws at you.
And then you notice that one of your teammates has brought a Magikarp to the arena. You know — the “useless” water type that just flops around everywhere? That guy.
Hilariously, this seems to be happening to nearly everyone playing Pokémon Sword and Shield based on social media posts, especially for folks playing offline. Magikarp appears to be a favored pick for NPC combatants entering raids. The good news is that Magikarp don’t just use Splash over and over again to no avail: Instead, Magikarp tend to know the move Hydro Pump, which is both powerful and unexpected. Not that this ends up making a huge difference, sometimes.
The best part about all of this? The NPC who brings Magikarp into raids tends to be a young schoolgirl. So basically, everyone is kind of raging because of a little girl who maybe doesn’t know any better.
You’d think things would be better if you connect online and do raids with other real players, but it seems that some trolls are intentionally bringing useless monsters into multiplayer, too. Reports indicate that one favored tactic involves bringing Magikarp with a Focus Sash into raids, which ensures that it can’t die in a single hit. It can’t, however, guarantee that the Magikarp will do something meaningful during battle.
Poor Magikarp is just trying to do his part, guys.


About us
We believe the banking experience has to be personalised.
Sergey Dobrovolskiy
Founder & CEO Amaiz Group
Our core values at heart
For the last couple of centuries, traditional banks haven’t evolved very much, even though we live in a time of a great innovation. It’s time to think outside the box and imagine what the future of banking may look like.
We believe it will be mobile. We believe it will be transparent and secure. We believe it will be much more affordable. We believe it will be personalised and user-friendly. We believe it will be technological, yet very simple. And it’s coming into our lives super-fast.
Simplicity
We have focused on making the most intuitive user experience on our banking app, which anticipates people’s goals and guides them by hand, only offering people the relevant tools and content. When talking about banking services we never hide simple things behind special lingo, we use only layman terms which are easily understood by everyone.
Our goal is to give people a clear view of their finances with our powerful and easy-to-use banking app so that they understand how to manage their money more efficiently and profit from it in their everyday life.
Transparency
We always inform our customers what they are paying for and the risks involved before they pay for any service.
Our products never rely on hidden commissions, payments or rules written in the small print.
Security & stability
We comply with the industry standards like GDPR and PCI DSS as well as strive to set new standards in terms of financial and informational security. We intelligently prevent card fraud before it happens. For the safety of our customers, funds are stored in a widely trusted bank partner.
User-friendliness
We have made a service that resonates with people and their human nature. We are always available via support channels in a warm and friendly manner, should our customers require us. We always listen to our customers and are keen to act upon their feedback which has helped us to develop the best product and banking experience possible.
Enjoyment
We aim to make people’s everyday banking experience simple and light-hearted and we have fun doing it.
Amaiz's core team have been working together for many years now and have several successful projects under their belt, but it's an extremely exciting challenge for all of us to start a new modern bank.
Our team is the biggest asset that we have. They all are the best specialists in their fields. Caring and deep respect to one another are core within our company's culture. Together we are trying to create something meaningful that will become much bigger than ourselves.
Have a question?Check contacts


We got infrastructure!
- evolve synergistic e-markets
- incentivize rich partnerships
- evolve front-end ROI
- engage intuitive e-commerce
- disintermediate impactful e-commerce
- exploit intuitive synergies
- reinvent granular e-commerce
- deliver global bandwidth
- scale wireless web-readiness
- enable turn-key technologies
- syndicate innovative relationships
- benchmark rich ROI
- e-enable intuitive networks
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- matrix user-centric markets


Commodities refers to trades in agricultural products, livestock and meat, as well as metals (i.e. non-ferrous metals, steel, iron ore) and energy (i.e. crude oil, coal). Prices usually follow basic economic concepts, with a reduction in supplies leading to higher prices and a glut, to lower prices. Ruizean Markets provides a flexible and easy way to participate in some of the world's most popular commodities products, including energy and precious metals, which can be traded via our MT4 platform.
Commodity trading has attracted a long history and can be traced back to the Chicago Mercantile Exchange, which was founded in 1898.
Ruizean Markets customers can now enter one of the most liquid, but volatile commodity markets, providing maximum leverage on transactions.


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web
latex
MathJax in Jekyll
I describe how I include MathJax using Euler fonts.
Non-Standard Fonts
I follow the instructions in this blog on getting MathJax support in Markdown using Jekyll. However, to better match the Palatino text font, I use the Euler Math font, which MathJax can be configured to use. A nice place to try out the different available fonts is here.
I decided to include the mathjax scripts only on those pages,
where it is actually used, so I created a new _include
file
mathjax.html
with the usual MathJax contents:
<script type="text/x-mathjax-config">
var font = "Neo-Euler";
MathJax.Hub.Config({
tex2jax: {
inlineMath: [['$','$']],
displayMath: [['\\[','\\]']],
processEscapes: true,
},
"SVG":{
font:font
},
"HTML-CSS": {
webFont: font,
imageFont: font,
preferredFont: font,
availableFonts: [],
scale: 85,
mtextFontInherit: true
}
}); </script> <script type="text/javascript" src="https://cdn.mathjax.org/mathjax/latest/MathJax.js?config=TeX-AMS-MML_HTMLorMML"></script>
By starting a new page with {% include mathjax.html %}
,
MathJax support is enabled—and it works out of the box: $\sqrt x$.
By default, double dollars are used to delimit math, but it can also be configured to work with single dollars $\sum_{i=1}^n i^2 = \frac{n(n+1)(2n+1)}{6}$.
Using macros
Using macros with MathJax is possible, but the support is limited;
\newcommand
with optional parameters does not seem to work.
In Jekyll, one runs into trouble with opening braces followed by % parts
since these are interpreted as
liquid tag opening.
However, basic macros do work. One can define a macro in one part
and use it later on that page.
It is best practice to put definitions in a separate display:none
div to not influence the layout.
<div style="display:none">
$
\newcommand\testmacro[2]{\mathbf{F\alpha}(#1)^{#2}}
$
</div>
Then we can use $\testmacro{17}{\text{hallo}}$
to get
$\testmacro{17}{\text{hallo}}$.
Font Trouble
Not all fonts work as they should with Euler math;
switching to \mathrm
or \mathit
does not work:
$\mathrm{mathrm}$ and $\mathit{mathit}$ both use the ordinary Euler
font intended for single-letter variables—this is ugly.
With the mtextFontInherit
inherit option, we can at least use
\text
to get multi-letter variables in roman font
$x+2\cdot\text{slope}$, but they do not seem to inherit further
attributes like italic text $\text{math}$.
Further Resources
- A comprehensive list of commands/macros that MathJax knows.
- A few common usage examples.


Thank you for choosing Rest Client for Google Chrome!
Privacy! This application is using Google Analitycs. You can disable it in settings. Read more what kind of data this app is collecting and for what.
Privacy
This application is using Google Analytics to analyse application usage.
Thanks to analysis the app maker (me) can give you better product. It is measuring which functions you are using the most, how you are using it, which functions you are not using (so it can be changed/removed) and so on.
Be sure that this application do not collecting any data related to REST services that you are testing! All those data are saved in local storage of your browser and they never leave it's sandbox.
None of your private data is send to Google. Google Analytics policy prohibits upload of any data that allows Google to personally identify an individual. This app is respecting this policy. Read more about policy


"java.net.ProtocolException: Too many redirects" error
This is for the following feedburner feed
http://feeds.feedburner.com/uncontrolledairspace
I saw the explanation here
http://www.doggcatcher.com/index.php?q=node/545
so I tried the XML format to try and get rid of the redirects, to get
http://feeds.feedburner.com/uncontrolledairspace?format=xml
No luck - the doggcatcher picks up the podcast episode information but will not download anything
Any progress on this bug?
Android doesn't seem to work well with these proxies that Google creates for feeds. Which is weird, considering it's Google's operating system. I believe there's nothing you can do. Unless you can convince the owners of the podcast to publish direct links to their MP3 files.
The bug is not with DoggCatcher. It's Google fault really.
I would try setting the downloader preference to advanced. It usually resolves the too many redirects problem.
thanks a lot for suggesting the downloader preferences to address the update errors. works for me so far!
thanks eric! the downloader preferences set to advanced seems to have addressed my update error issues with the feeds
nevermind. it doesn't fix it.
But the XML already contains direct links to the MP3 files


| Trees | Indices | Toggle frames |
|---|
|
draw(self,
x,
y)
Abstract render method.
|
drawable = True
Indicates if the cursor is drawn using OpenGL.
|
Abstract render method.
The cursor should be drawn with the "hot" spot at the given coordinates. The projection is set to the pyglet default (i.e., orthographic in window-space), however no other aspects of the state can be assumed.
True |
| Trees | Indices | Toggle frames |
|---|
| Generated by Epydoc 3.0beta1 on Sun Mar 22 20:15:41 2009 | http://epydoc.sourceforge.net |


There are several map generator tools in rot.js; they all share the same usage pattern. You first need to instantialize the proper ROT.Map.*
object and pass size (plus any additional relevant options) to its constructor; you can then call the main create
method (repeatedly, if you want).
This toolkit does not force usage of any particular memory structure to store the map data. Instead, the map creation process is callback-based:
you supply a callback function as an argument to the create
method;
the map creator will call your function repeatedly and pass it the generated map information. Your callback should accept these arguments:
x
– horizontal coordinate of a map's celly
– vertical coordinate of a map's cellvalue
– integer value corresponding to the type of generated cell (different values might be supplied by different map generators)These examples use the simplest map generator, Arena
: a fully dug room.
We can use ROT.Display
to show the generated map (although it would make more sense to store the generated data as well). For debugging purposes,
ROT.Display
provides a built-in convenience method DEBUG
, which works as a universal debugging callback.
Read more about various types of generators: Maze, Cellular and Dungeon.


A famous tool widely used in Data Science Field. How to install it?
OpenCV a library to work in Computer Vision and some of it's fundamentals.
Some More Operations on Computer Vision.


Binford's hunter-gatherer data includes more than 200 variables coding aspects of hunter-gatherer subsistence, mobility, and social organization for 339 ethnographically documented groups of hunter-gatherers.
| Version: | 0.1.0 |
| Depends: | R (≥ 3.1.0) |
| Suggests: | dplyr |
| Published: | 2016-08-01 |
| Author: | Ben Marwick [aut, cre], Amber Johnson [aut], Doug White [aut], E. Anthon Eff [aut] |
| Maintainer: | Ben Marwick <benmarwick at gmail.com> |
| License: | GPL-3 |
| URL: | http://github.com/benmarwick/binford |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| CRAN checks: | binford results |
| Reference manual: | binford.pdf |
| Package source: | binford_0.1.0.tar.gz |
| Windows binaries: | r-devel: binford_0.1.0.zip, r-release: binford_0.1.0.zip, r-oldrel: binford_0.1.0.zip |
| OS X binaries: | r-release: binford_0.1.0.tgz, r-oldrel: binford_0.1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=binford to link to this page.


Vacation Destinations
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THE VOYAGE BEYOND A film review by Thomas E. Billings Copyright 1989 Thomas E. Billings
Screened at its U.S. premiere, March 11, 1989, at the San Francisco International Film Festival.
Synopsis: In 1830 in India, a young girl is married to an old man on his deathbed, with the understanding that she is to commit suttee at his funeral, i.e., she is to commit suicide by throwing herself on her husband's (burning) funeral pyre. Only the pyre builder, an untouchable, tries to stop her.
India (Bengali with English subtitles), 1987, color, 130 minutes.
Director/Screenplay: Gautam Ghose Producers: Ravi Malik, Debashiah Majumdar Principal cast: Shatrughan Sinha, Promode Ganguli, Shampa Ghosh
This film is based on a classic of Bengali literature by Kamal Majumdar. The action of the film takes place in the state of Bengal, in India, in 1830 -- approximately ten years after the British had outlawed the practice of suttee (widows committing suicide by throwing themselves onto their husband's burning funeral pyre).
An old man, a high-caste Hindu (a Brahmin, to be precise) is on his deathbed, and has been brought to the burning grounds on the banks of the Ganges river. There his astrologer predicts that he cannot die alone -- he must have a mate in death. Since the man is a widower, he must have a new wife, a virgin, who will join him in death via suttee.  The motives of the astrologer in this matter are very dubious; it appears that he wants a suttee because it is, effectively, an act of defiance against the "infidel rulers" (the British).
The pyre builder, a member of the lowest caste (untouchables), tries to convince the girl's father to refuse to give his daughter up for suttee, but is not successful. The girl is brought to the burning grounds and the marriage performed.
While the girl sits by her husband's side awaiting his (and her own) death, the pyre builder visits and tries to convince her to run away from suttee. He tells her: "...when your golden body burns, the sky will glow crimson, and I can't stand to see it...." It is obvious that the young girl and the pyre builder are attracted to each other. The story continues on, dealing with the issues of love and jealousy, versus duty to authority (parents and religious authority).  See the film and find out.
The slow pace of this film, and the unique subject matter, indicate that this is a film for a specific audience, not a general audience. What then, is the audience for this film? I think that people with some knowledge of Indian history/customs, and/or an interest in the practice of suttee (or the treatment of women in 1830's India) comprise the logical audience for this film. Other viewers may find it boring (due to slow pace of story development) or strange (customs and practices unfamiliar to viewer). I enjoyed the film, but I suspect that many viewers will not relate to the story.
Reviewer: Thomas E. Billings; Department of Statistics University of California, Berkeley Reviewer contact<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


SChartDatasource Protocol Reference
| Conforms to | NSObject |
| Declared in | SChartDatasource.h |
| Availability | Standard Premium |
| Related samples | Area BarChart ColumnChart FinancialChart LargeDataSet LineChart PieChart |
Overview
The SChartDatasource
protocol is adopted by an object that wishes to provide data for a ShinobiChart
. The data source provides the chart with the information it needs to construct the chart object. In general, styling and event response is handled by objects implementing the SChartDelegate
protocol - the data source has minimal impact on the look and feel of the chart.
The required methods provide the chart with information about all of the series to be displayed on that chart - and the data for those series. The relevant chart object is always returned - to support the option of using a single object as the data source for multiple charts.
More information about using SChartDatasource can be found in the user guide.
Tasks
Providing data to a ShinobiChart
-
– numberOfSeriesInSChart:
Returns the number of series in the given chart. For each of these series, the chart will expect to receive a
required methodSChartSeries
object from the datasource, through thesChart:seriesAtIndex:
method. -
– sChart:seriesAtIndex:
Returns the
required methodSChartSeries
object at the given index in the specified chart. -
– sChart:numberOfDataPointsForSeriesAtIndex:
Returns the number of data points in the specified series.
required method -
– sChart:dataPointAtIndex:forSeriesAtIndex:
Returns the object that represents the data point at the given index in the specified chart series.
required method
Custom tick marks
-
– sChart:majorTickValuesForAxis:
Returns an array of major tick mark values, to be used by the given chart axis.
Custom data points
-
– sChart:dataPointsForSeriesAtIndex:
Returns an array containing the data points for the series at the given index.
-
– sChartTextureForPoint:dataPointAtIndex:forSeriesAtIndex:
Returns an image to be displayed for the specified data point in the chart.
Custom data point radii
-
– sChartRadiusForDataPoint:dataPointAtIndex:forSeriesAtIndex:
Returns the radius of the given data point, in points.
-
– sChartInnerRadiusForDataPoint:dataPointAtIndex:forSeriesAtIndex:
Returns the inner radius of the given data point, in points.
Custom labels for radial charts
-
– getLabelsForRadialChartSeries:forIndex:
DEPRECATED - use sChart:labelForSliceAtIndex:inRadialSeries: instead.
-
– sChart:labelForSliceAtIndex:inRadialSeries:
Returns a UILabel corresponding to a ‘slice’ of a radial chart series.
Assigning an axis to a series
-
– sChart:xAxisForSeriesAtIndex:
Returns the x axis for this series on the chart.
-
– sChart:yAxisForSeriesAtIndex:
The y-axis for this series on the chart
Instance Methods
getLabelsForRadialChartSeries:forIndex:
DEPRECATED - use sChart:labelForSliceAtIndex:inRadialSeries: instead.
- (UILabel *)getLabelsForRadialChartSeries:(SChartSeries *)series forIndex:(NSInteger)sliceIndex
Discussion
Returns a UILabel corresponding to the ‘slice’ of the specified pie/donut chart series at the given index.
If this method is implemented and a non-nil UILabel is returned for a ‘slice’ in a radial chart series, that UILabel will be added to the chart.
Declared In
SChartDatasource.h
numberOfSeriesInSChart:
Returns the number of series in the given chart. For each of these series, the chart will expect to receive a SChartSeries
object from the datasource, through the sChart:seriesAtIndex:
method.
- (NSInteger)numberOfSeriesInSChart:(ShinobiChart *)chart
Parameters
- chart
The chart for which the datasource is providing data.
Declared In
SChartDatasource.h
sChart:dataPointAtIndex:forSeriesAtIndex:
Returns the object that represents the data point at the given index in the specified chart series.
- (id<SChartData>)sChart:(ShinobiChart *)chart dataPointAtIndex:(NSInteger)dataIndex forSeriesAtIndex:(NSInteger)seriesIndex
Parameters
- chart
The chart on which the data point will be drawn.
- dataIndex
The index of the data point in the chart series which contains it.
- seriesIndex
The index of the series which contains the data point, in the chart.
Discussion
The number of points in each series is set by the sChart:numberOfDataPointsForSeriesAtIndex:
method.
The data point can be any object that implements the SChartData
protocol. We provide a set of data point classes which can be used. These are:
SChartDataPoint
- used for simple cartesian/radial chart data points.SChartRadialDataPoint
- used for pie/donut data points.SChartMultiYDataPoint
- used for cartesian data points with multiple y values.SChartMultiXDataPoint
- used for cartesian data points with multiple x values.
Declared In
SChartDatasource.h
sChart:dataPointsForSeriesAtIndex:
Returns an array containing the data points for the series at the given index.
- (NSArray *)sChart:(ShinobiChart *)chart dataPointsForSeriesAtIndex:(NSInteger)seriesIndex
Parameters
- chart
The chart which will display the data points.
- seriesIndex
The index of the series in the chart.
Discussion
You can pre-create and cache the data points in an array, and present this array to the chart using this method. This is more efficient than querying the datasource for its data points one at a time.
Declared In
SChartDatasource.h
sChart:labelForSliceAtIndex:inRadialSeries:
Returns a UILabel corresponding to a ‘slice’ of a radial chart series.
- (UILabel *)sChart:(ShinobiChart *)chart labelForSliceAtIndex:(NSInteger)sliceIndex inRadialSeries:(SChartRadialSeries *)series
Parameters
- chart
The chart containing the radial series.
- sliceIndex
The index of the slice of interest within the specified chart series.
- series
The chart series which contains the slice of interest.
Discussion
If this method is implemented and a non-nil UILabel is returned for the given ‘slice’ in the radial chart series, that UILabel will be added to the chart.
Warning: The ‘series’ parameter will change to type SChartSeries
to cope with SChartRadialSeries
being removed in a future release.
Declared In
SChartDatasource.h
sChart:majorTickValuesForAxis:
Returns an array of major tick mark values, to be used by the given chart axis.
- (NSArray *)sChart:(ShinobiChart *)chart majorTickValuesForAxis:(SChartAxis *)axis
Parameters
- chart
The chart containing the axis.
- axis
The axis for which we are setting the major tick values.
Discussion
If this method is implemented, the major tick marks on the axis will be fixed as the values in the array. No other values will be calculated or interpolated.
Objects in the array should be instances of the NSNumber class.
Declared In
SChartDatasource.h
sChart:numberOfDataPointsForSeriesAtIndex:
Returns the number of data points in the specified series.
- (NSInteger)sChart:(ShinobiChart *)chart numberOfDataPointsForSeriesAtIndex:(NSInteger)seriesIndex
Parameters
- chart
The chart on which the series will be displayed.
- seriesIndex
The index of the given series in the chart, which will contain the data points.
Discussion
For each of the data points in the series, the chart will expect to receive an object that adopts the SChartData
protocol. Data points will be provided to the chart either via the sChart:dataPointAtIndex:forSeriesAtIndex:
method, or via the sChart:dataPointsForSeriesAtIndex:
method.
Declared In
SChartDatasource.h
sChart:seriesAtIndex:
Returns the SChartSeries
object at the given index in the specified chart.
- (SChartSeries *)sChart:(ShinobiChart *)chart seriesAtIndex:(NSInteger)index
Parameters
- chart
The chart on which the series will be displayed.
- index
The index of the given series in the chart.
Discussion
The number of SChartSeries
in the chart are specified by the numberOfSeriesInSChart:
method.
The order is important for some series layouts - lower index series are placed on the chart first and will be behind subsequent series.
The chart can display multiple series at any one time, however, series are only compatible with series in the same group. A list of all available series & their respective categories is available below:
This is the Cartesian group
SChartBarSeries
SChartColumnSeries
SChartLineSeries
SChartStepLineSeries
SChartBandSeries
SChartScatterSeries
SChartCandlestickSeries
SChartOHLCSeries
This is the Pie/Donut group
This is the Radial group
To find out more about series compatibility read The Anatomy of the chart section of our user guide.
When you reload data on a chart, resetForReuse
is called on its chart series. If you are persisting your chart series between data reloads, you should take this into account. resetForReuse
clears the data points on the chart series, while leaving styling, animation and other series properties intact.
Declared In
SChartDatasource.h
sChart:xAxisForSeriesAtIndex:
Returns the x axis for this series on the chart.
- (SChartAxis *)sChart:(ShinobiChart *)chart xAxisForSeriesAtIndex:(NSInteger)index
Parameters
- chart
The chart containing the axis.
- index
The index of the chart series within the chart.
Discussion
If this method is implemented the chart will look here for which axis to use when representing this series, otherwise this series will default to using the primary x axis on the chart.
Hint: This is only needed on charts with multiple axes.
Note: The SChartAxis
returned should be referenced from an existing chart axis and not a new object. eg: return chart.xAxis
To specify an axis for some series and not for others, returning nil
for a series index will revert to the default behaviour for that series.
Declared In
SChartDatasource.h
sChart:yAxisForSeriesAtIndex:
The y-axis for this series on the chart
- (SChartAxis *)sChart:(ShinobiChart *)chart yAxisForSeriesAtIndex:(NSInteger)index
Parameters
- chart
The chart containing the axis.
- index
The index of the chart series within the chart.
Discussion
If this method is implemented the chart will look here for which axis to use when representing this series, otherwise this series will default to using the primary y axis on the chart.
Hint: This is only needed on charts with multiple axes.
Note: The SChartAxis
returned should be referenced from an existing chart axis and not a new object. eg: return chart.yAxis
To specifiy an axis for some series and not for others, returning nil
for a series index will revert to the default behaviour for that series.
Declared In
SChartDatasource.h
sChartInnerRadiusForDataPoint:dataPointAtIndex:forSeriesAtIndex:
Returns the inner radius of the given data point, in points.
- (CGFloat)sChartInnerRadiusForDataPoint:(ShinobiChart *)chart dataPointAtIndex:(NSInteger)dataIndex forSeriesAtIndex:(NSInteger)seriesIndex
Parameters
- chart
The chart containing the data point.
- dataIndex
The index of the data point in the series which contains it.
- seriesIndex
The index of the series in the chart which contains the data point.
Discussion
By default, data points on the chart are displayed as two circles, one inside the other. The inner radius of a data point defines the radius of the inner circle in its representation on the chart.
If you implement this method, and it returns a positive, non-zero value, that radius is used for the inner circle on the given data point in the specified series on the chart.
Declared In
SChartDatasource.h
sChartRadiusForDataPoint:dataPointAtIndex:forSeriesAtIndex:
Returns the radius of the given data point, in points.
- (CGFloat)sChartRadiusForDataPoint:(ShinobiChart *)chart dataPointAtIndex:(NSInteger)dataIndex forSeriesAtIndex:(NSInteger)seriesIndex
Parameters
- chart
The chart containing the data point.
- dataIndex
The index of the data point in the series which contains it.
- seriesIndex
The index of the series in the chart which contains the data point.
Discussion
By default, data points on the chart are displayed as two circles, one inside the other. The radius of a data point defines the radius of the outer circle in its representation on the chart.
If you implement this method, and it returns a positive, non-zero value, that radius is used for the given data point in the specified series on the chart.
If a texture is used for a datapoint, the radius will set the size of the longest dimension of the image. The shorter of the two dimensions will update to keep aspect ratio.
Declared In
SChartDatasource.h
sChartTextureForPoint:dataPointAtIndex:forSeriesAtIndex:
Returns an image to be displayed for the specified data point in the chart.
- (UIImage *)sChartTextureForPoint:(ShinobiChart *)chart dataPointAtIndex:(NSInteger)dataIndex forSeriesAtIndex:(NSInteger)seriesIndex
Parameters
- chart
The chart containing the data point.
- dataIndex
The index of the data point within the series which contains it.
- seriesIndex
The index of the series in the chart which contains the data point.
Discussion
If you implement this method, and it returns a non-nil image for the specified data point, that image will be displayed for the data point in the chart.
Declared In
SChartDatasource.h


Like many of the readings suggest, AI seems to be the type of research that goes through waves of a lot of progress and then times when it is almost completely stagnant. To that thought, the ND magazine touched on the “boom and bust” cycles of AI and really questions: what is the big deal with AI if the forms we have seen of it are very very good at performing one action but cannot do much more beyond that (e.g. play jeopardy, AlphaGO, chess, etc.). in other words, it is a form of AI but far away from a general AI. It is unclear whether we will be able to really know the true limits of AI as we keep pushing those boundaries further and further, trying to make a type of AI that not only mimics but goes beyond human capabilities seems far off, I don’t think the idea should be completely dismissed for now.
What I do want to believe is that the reason why we as a human race want to develop more powerful forms of artificial intelligence is because we truly believe it can do us good in the future. That it can solve problems we haven’t been able to. I think AI should be embraced with caution. In the Quanta Magazine article of AlphaGo the author really explains what the achievement of a successful AlphaGo solver is important: to be able to win, the creators were able to mimic in the AI a semblance of human intuition. This goes beyond taking the “best” option given many different ones. It steps into making a certain decision that seems to be the most accurate based on the limited data we have.
What I do want to believe is that the reason why we as a human race want to develop more powerful forms of artificial intelligence is because we truly believe it can do us good in the future.
However, with this advanced technology we are seeing a focus on the fear that many have that automation will take their jobs. “Robot apocalypse” as it was referenced by the Gizmodo reading, which really goes in depth into the slow but steady effect of automation on the economy and jobs, specifically in the United States. While it is clear that many people are losing their jobs to automation, the reality is that the workforce is going through a second wave of massive change since the industrial revolution, and the workforce of tomorrow has to prepare for the change, while the workforce of today has to aspire to learn and adapt.
Nevertheless, because I am an optimist, and very much a technology enthusiast, I would say that AI and advanced intelligence technology is something that should be embraced. I think that the focus of AI should be the problems that we as humans are facing that we haven’t been able to solve ourselves. I recognize this requires a reach that we currently don’t have, but we should push for that— going beyond the puzzle solving and translating that into solving the problems we haven’t yet. That is my hope for the future of AI and other advanced technologies. Bill Gates has been very public and relevant in advocating and funding for solving the sanitary problem that many parts of the world still have.
Right now there are sanitary problems (such as access to clean water(!)) that are still pervasive in many parts of the world, incredibly so. The countries that can afford to look to the future in terms of this advanced technology should keep the rest of the world in their minds, and know that those problems are still very much relevant in many parts of the world. The question that we seem to be unable to answer is what is the best way to solve these problems, and what is the best way to get the solutions to these places?


[1]
Light, standard batteries, standard memory.; Could use a better zoom. No image stabilization
[2]
Battery life is nice at 60 FPS, good quality; Rendering time


Potentially saving 90% carbon emissions, Scania’s latest Euro 6 ethanol engine for trucks brings with it more than 30 years’ experience of ethanol R&D.
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{% extends 'base.html' %} {% block content %} {% if not request.user.is_authenticated %}
{% endif %}Welcome to Labgeeks, a staff and work shift management site. Labgeeks offers the following features:
Clock in and out of your shifts for accurate times.
For easy comparasons between UW's timesheet and for history logs.
Create a user profile and view other profiles for easy staff directories.


Bokeh provides a variety of ways to embed plots and data into HTML documents.
Bokeh can generate standalone HTML documents using the bokeh.embed.file_html() function. This function can emit HTML from its own generic template, or a template you provide. These files contain the data for the plot inline and are completely transportable, while still providing interactive tools (pan, zoom, etc.) for your plot. Here is an example:
from bokeh.plotting import circle
from bokeh.resources import CDN
from bokeh.embed import file_html
plot = circle([1,2], [3,4])
html = file_html(plot, CDN, "my plot")
The returned HTML text can be saved to a file using standard python file operations.
Note
This is a fairly low-level, explicit way to generate an HTML file. When using the Basic Plotting with Glyphs interface, typically users will use the function output_file() in conjuction with show() or save().
It is also possible to ask Bokeh to return the individual components for a inline embedding using the bokeh.embed.components() function. This function returns a
All of the data and plot objects are contained in the all_models variable (contents omitted here for brevity). The resulting
 will look something like:

These two elements can be inserted or templated into your HTML text, and the script, when executed, will replace the div with the plot.
Note
Using these components assumes that BokehJS has already been loaded, for instance either inline in the document text, or from CDN.
Bokeh can also generate
 tags suitable for inline display in the IPython notebook using the bokeh.embed.notebook_div() function:
from bokeh.plotting import figure
from bokeh.embed import notebook_div
plot = figure()
plot.circle([1,2], [3,4])
div = notebook_div(plot)
The returned div contains the same sort of
If you do not need or want to use the Bokeh server, then the you can use the bokeh.embed.autoload_static() function. This function takes the plot object you want to display together with a resources specification and path to load a script from. It will return a self-contained
The resulting JavaScript code should be saved to a file that can be reached on the server at “some/path”, from the document that has the plot embedded.
Note
In both cases the


Firenzecard
The Firenzecard is an electronic card for facilitating visits to the cultural heritage sites of the city of Florence. Card holders are automatically provided with general admission, tickets for exhibitions, and priority access for every museum of the Firenzecard circuit with no reservations required. The card allows its users to visit 72 key tourist attractions and museums in Florence, and is active for a duration of 72 hours from the first use. EU Minors under 18 years of age are granted free admission on the cards of an accompanying adult family member.
The Firenzecard dataset used for this study consisted of attraction entry information of Firenzecard users during the time period of 1st June 2016 until 30th September 2016. This accounts for a totality of 51.031 cards. Since minors can enter along with adults on a Firenzecard, the number of cards and cardholders is not the same as the total number of people who enter on the card.
A data entry log is created each time a person uses their Firenzecard to enter a museum or touristic attraction part of the circuit of 72 tourist attractions of the card. Each entry contains: an anonymized user identification number, the date and time of entry,a field detailing whether or not the entry was the first entry to be made on the card, the name of the tourist attraction visited, and the number of minors also entering on a card. The entry time for all minors entering on a single card is identical (i.e., a card scan is not separately recorded for each entering minor).
Exploratory analysis of the Firenzecard dataset reveals the patterns of usage behaviour of all 51.031 Firenzecard holders during the time period of 1st June 2016 until 30th September 2016. The analysis is structured around the main key questions concerning this subpopulation of museum visitors.
Total museum entries and Firenzecard entries
The total museum entries dataset provided is a monthly aggregate of the number of visitor entries at national state museums, allowing to make broader estimates of the total count of tourists visiting attractions during the period of 1st June until 30th September 2016. There is a large but not total overlap between Firenzecard sites and state museum sites. Most visitors of museums and tourist attractions purchase the normal museum tickets without the card, however approximately 10% of all museum visitors recorded in the summer 2016 entered on the Firenzecard. This graph shows us the total number of museum entries for both the State Museum dataset and the Firenzecard dataset, over the period of June 1 - September 30 2016.
Entries per museum
This graph shows us the number of museums visited per card, over the period of June 1 - September 30 2016. We observe that most Firenzecard users visit 6 museums.
Number of museums visited
This graph shows us the number of museums visited per card, over the period of June 1 - September 30 2016. We observe that most Firenzecard users visit 6 museums.
Card Activation
This graph shows us the most common days of FirenzeCard activation, over the period of June 1 - September 30 2016. Two of the most popular museums to first use a card are the Uffizi and the Accademia. Given that both of those museums are closed on Mondays, we see an expected surge of activations on Tuesday. This has broader implications for the types of people buying Firenzecards; since many users want to use their card to obtain priority entry at the top museums, people are less likely to want to use a Firenzecard if their trip to Florence includes a Monday. Additionally, this large surge in activations on Tuesdays can partially account for the lowered entry rates with the Firenzecard we see on Friday, Saturday, Sunday, and Monday at many museums.
Museum entries per day of the week
This graph shows us the total number of museum entries at different FirenzeCard attractions, over the period of June 1 - September 30 2016.
Museum entries per hour
This graph shows us the total number of hourly museum entries at different FirenzeCard attractions, over the period of June 1 - September 30 2016. Starting at 8am, a large number of tourists are already visiting attractions. It is also less common to visit museums later in the afternoon and evening. This is due in part to the fact that there are fewer museums open at these times. One would assume that a visitor would not want to enter a museum too close to its closing time.
Museum entries per day of the summer
This graph shows us the total number of museum entries at different FirenzeCard attractions, over the period of June 1 - September 30 2016. The peak number of entries for Firenzecard holders is in August.


Welcome to Vocabulary Builder! The web application designed to help you learn new words! On the Generator Page, click the Word Generator Button to get started. If you know the word, generate a new one. If you don't, click the word to see up to 3 definitions! You can also choose to see your newly learned word in a sentence!


This lightweight library allows to create a simple interface to share selected text in a page, in the form of a small popover over the selected portion of text. Features: customizable sharing channels ("sharers") restriction on selected elements customizable CSS classes and stylesheets hooks on opening and closing the popover, and on sharing action All in a tiny library (less than 1.8 KB minified and gzipped, plus less than 0.5 KB for the optional provided style sheet and 0.5-1.3 KB for the sample sharers).


--- layout: post title: Something equivalent in C date: '2009-12-10T11:16:00.000-08:00' author: Daniel Hilst blogger: true tags: modified_time: '2009-12-10T11:31:25.513-08:00' blogger_id: tag:blogger.com,1999:blog-8785437776394405849.post-5147705657303905574 blogger_orig_url: http://gkos-hw.blogspot.com/2009/12/something-equivalent-in-c.html ---
#include <stdio.h>
struct strc
{
int a, b, c;
} ints = {
0x6c6c6548,
0x6f57206f,
0x0a646c72,
};
int
main (void)
{
write (1, &ints, 12);
return 0;
}


Creating a Repository
A repository is the directory containing available information models and model versions (previously referred to as DISIM). You may choose an existing directory to house your repository, or create a new one. Whichever you choose, it is important that the directory is accessible by all machines that run the model browser, model builds, and model servers.
If you created a repository during the install, proceed to Creating an Information Model.
Important: Creating a repository requires a valid license file. Before you create a repository, we recommend setting up FLEXlm licensing. For more information, see the DIScover Installation and Administration Guide.
Related Topics
To create an information model repository in the graphical user interface


Error 404 The page you're requesting no longer exists. If you're searching for a specific post, I'd recommend using DuckDuckGo.


The Election Commission of India (ECI) has announced an open challenge to political parties to demonstrate if the Electronic Voting Machines (EVMs) can be tampered on 3 June 2017. The challenge is issued to parties who contested in any of the Punjab, Goa, Manipur, Uttarakhand and Uttar Pradesh elections concluded in March 2017.
More about how EVMs work and the election procedure with respect to EVMs can be found in our previous post.
The salient features of the challenge are:
- The EVMs will be treated in the same manner they were in the polls in both voting and post-voting phases
- The claimant parties can nominate 3 people to participate in the challenge
- The parties can specify 4 EVMs from any of 4 polling stations for the Challenge
- The representatives can witness the opening of EVM strong-rooms, inspect the machines seals and accompany the transport of the machines to the ECI
- A 4 hour-slot will be allotted to each party where the representatives will have access to the Control Unit, Ballot Unit and VVPAT (if applicable) to prove that the EVM can be tampered during polling
- Representatives will allowed to press any sequence of buttons, as well as use any wireless transmitter to prove their case. All actions will be logged by ECI staff, and video will be recorded.
- During the second phase of the Challenge (post-poll) wherein representatives can visually inspect the EVM internals
- EVMs removal from the sites will not be permitted, and any modification to the device itself would have to be performed within the confines of election procedure
- If the EVM become non-functional, or the result is as expected, the challenger will be considered to have failed.


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About
Pueblo West Amateur Radio Club, Inc. was founded on August 15, 2009 and is a 501(c)(3) nonprofit corporation registered with
the State of Colorado.
Unless otherwise noted, PWARC meetings are held at 2:00 p.m. on the second Saturday of each month at the Pueblo West
Library, 298 S. Joe Martinez Blvd., Pueblo West. Anyone interested in learning about the Amateur Radio hobby and Emergency
Communications is welcome to attend our meetings and Ragchews. A ham license in not required for club membership,
however only licensed members may vote on club matters.
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