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- Program your devices using the most popular Cloud IDEs
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PlatformIO allows developer to compile the same code with different development platforms using the Only One Command platformio run. This happens due to Project Configuration File (platformio.ini) where you can setup different environments with specific options (platform type, firmware uploading settings, pre-built framework, build flags and many more).


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- 1Introduction
- 2Credentials
- 3Parameters
- 4Settings
Welcome to Former2!
Former2 allows you to generate Infrastructure-as-Code outputs from your existing resources within your AWS account. By making the relevant calls using the AWS JavaScript SDK, Former2 will scan across your infrastructure and present you with the list of resources for you to choose which to generate outputs for.
Though some AWS services do not require it, you will need to install the Former2 Helper browser extension in order to have support for all AWS services. The extension exists to bypass a lack of CORS on some services, such as S3 and IAM.
| Install Former2 Helper for Google Chrome | |
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| Install Former2 Helper for Microsoft Edge |
If you have any questions, bugs or feature requests please raise an issue via GitHub.
- 1Introduction
- 2Credentials
- 3Parameters
- 4Settings
Enter your IAM credentials:
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- 1Introduction
- 2Credentials
- 3Parameters
- 4Settings
Parameters
You can optionally include your own CloudFormation stack parameters by adding them below. If the default value is set, !Ref
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|---|
- 1Introduction
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- 4Settings
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Index of the Suttas of the Saɱyutta Nikāya
Nidāna Vagga
Bhikkhu Saɱyutta
II. Nidāna Vagga
BD: On The Downbound
PTS: The Nidana Book
WP: Connected Discourses on Causation
XXI. Bhikkhu Saɱyutta, II.273
PTS: Kindred Sayings about Brethren, II. 184
WP: Connected Discourses with Bhikkhus, I.713
[1] Kolita Suttaɱ, [Moggallāna] II.273
PTS: Kolita, II.184
WP: Kolita, I.713
ATI: Kolita, Bhk. Thanissaro, trans.
BD: Kolita
[2] Upatissa (Sāriputta) Suttaɱ, II.274
PTS: Upatissa, II.185
WP: Upatissa, I.714
ATI: About Upatissa (Sariputta)
[3] Ghaṭa or Mahā Nāga Suttaɱ, II.275
PTS: The jar, II.186
WP: The Barrel, 714
[4] Navo or Nava Bhikkhu Suttaɱ, II.277
PTS: The novice, II.187
WP: The Newly Ordained Bhikkhu, 716
[5] Sujāta Suttaɱ, II.


Let’s Restore Valentine’s Day to the Wolves
You may have heard that Valentine’s Day has its true origins in a pre-Christian festival, Lupercalia. But few know the details of how our contemporary holiday of commercialized romance began as a Bronze Age rite celebrating the primordial power of mans best frenemy, Canis lupis. Maybe it’s time to bring the day back to its wolfish roots.
The story of Valentine’s Day begins with the legend of King Lycaon (“The Wolfish One”). According to Ovid’s Metamorphoses, Lycaon was a primitive lord of Arcadia during the earliest eras when humans walked the earth, a time “when the constellations that had been hidden for a long time in dark fog began to blaze out throughout the whole sky.” Yet Lycaon was a king of the Iron Age, when “honour vanished” and “pernicious desires” reigned:
The land that was once common to all, as the light of the sun is, and the air, was marked out to its furthest boundaries by wary surveyors. Not only did they demand the crops and the food the rich soil owed them, but they entered the bowels of the earth, and excavating brought up the wealth it had concealed in Stygian shade, wealth that incites men to crime. (I: 125-50)
Lycaon was among the worst of a bad lot. His infamous crime was to attempt to trick Zeus into eating the limbs of a dismembered child in order to test his omniscience. But as Zeus himself described, the king of the gods was not fooled:
No sooner were these [limbs] placed on the table than I brought the roof down on the household gods, with my avenging flames, those gods worthy of such a master. [Lycaon] himself ran in terror, and reaching the silent fields howled aloud, frustrated of speech. Foaming at the mouth, and greedy as ever for killing, he turned against the sheep, still delighting in blood. His clothes became bristling hair, his arms became legs. He was a wolf, but kept some vestige of his former shape. There were the same grey hairs, the same violent face, the same glittering eyes, the same savage image.
So how does this macabre tale connect to Valentine’s Day? Mount Lykaion (“Wolf Mountain”), the mighty peak in Arcadia where King Lycaon was thought to have been transformed into a wolf, became the site of a secret ritual honoring the “Wolf-Zeus,” during which adolescent boys (epheboi) celebrated the symbolic transformation between wolf and man. Modern archeology has revealed that this mountain was a religious center long before the name Zeus was even known in Greece: in 2008, it was announced that ritual activity dating from 3,000 BCE was evident at the site.
The deep history of werewolves, then, pushes back into the Neolithic era.
The wolf-rites of Mount Lykaion appear to have been the direct inspiration for the more famous Roman holiday of Lupercalia. This festival, which spanned February 13-15, was a fertility rite intended to purify and protect the city of Rome. The rite centered around the Lupercal, which was supposedly the very cave in which the she-wolf had suckled Romulus and Remus, mythical founders of Rome (as depicted in the famous bronze statue of the ‘Capitoline Wolf’ below):
An Italian archeologist announced in 2007 that the remains of the Lupercal were believed to have been found directly beneath the ruins of the palace of the Emperor Augustus.
The priests of Lupercalia were the Luperci, or “Brothers of the Wolf,” who Cicero described as “a wild association… both plainly pastoral and savage, whose rustic alliance was formed before civilization and laws” (Cael. 26). These priests were said to smear blood upon the foreheads of the noble youth of Rome and dress them in shaggy wolfskins and goat hides. The youths were encouraged to laugh, dance and whip Roman townsfolk in a frenzy with “shaggy thongs.” Being struck by one was a sort of good luck charm, believed to encourage fertility.
The great historian Plutarch noted the connection with the Arcadian Wolf-Zeus ceremonies and added,
At this time many of the noble youths and of the magistrates run up and down through the city naked, for sport and laughter striking those they meet with shaggy thongs. And many women of rank also purposely get in their way, and like children at school present their hands to be struck, believing that the pregnant will thus be helped in delivery, and the barren to pregnancy. Life of Caesar, 61
I reached out to Sarah Bond, a professor of Ancient and Early Medieval history at Marquette University, to learn more about the shadowy later history of Lupercalia as the Roman empire went into decline. “Like most rituals,” Bond told me, “the Lupercalia did not remain static.” She adds:
Michele Renee Salzman has noted that in the third century CE, an increasing focus on female penance became evident within the festival. Into the fourth century, under the reign of Constantine, the Lupercalia continues to transform, inching ever closer to a form of theatrical flagellation. By the time we reach the fifth century, the acts were largely played out by actors and can be viewed more rightly as an outlet for the patroni, those that patronized the festival, to engage in some ostentatious display.
So by the period that historians call Late Antiquity—roughly from the fall of the Western Roman Empire to the rise of Islam and Charlemagne—the Lupercalia had become more of a nostalgic ceremonial for the ruling elite to display their ties to ancient tradition. It was not, Bond argues, “a substantive argument for persisting paganism, but rather evidence that elite continued to want to show off in a traditional manner.”
Meanwhile, the ceremonial began to butt heads with the leaders of an ascendant Christian Church—and it is here that we approach the reasons why a Bronze Age wolf-ritual was the direct ancestor of our modern commercialized holiday of love. By the fifth century CE, Christian authorities were beginning to speak out against the pagan rites of the wolf. Pope Gelasius I (492-496) went so far as to write an epistle mocking and condemning Lupercalia, and was ultimately responsible for their suppression on grounds of improper behavior.
Yet Gelasius was not truly ending the holiday—only changing it. In 496, the last year of his reign, he announced a new feast day of the martyrs Valentine (two existed, a priest of Rome and a bishop of Terni, of whom virtually nothing certain is known). The date of this feast, February 14, would allow it to replace the pagan holiday of Lupercalia (February 13-15) he had recently denounced.
Valentine’s feast day appears not to have acquired romantic overtones until the 13th or 14th centuries, but this is only based on evidence in written texts. As for Lupercalia, we know that it was familiar to the educated elites of Europe by the sixteenth century; in fact it even merits a veiled reference in Shakespeare’s Julius Caesar:
CAESAR (to Calpurnia)
Stand you directly in Antonius’ way,
When he doth run his course. Antonius!
ANTONY
Caesar, my lord?
CAESAR
Forget not, in your speed, Antonius,
To touch Calpurnia; for our elders say,
The barren touched in this holy chase,
Shake off their sterile curse.
Before then, it becomes harder to say. Did the celebration of fertility of the Luperci and Lykaon survive among the common folk, later to be revived as a pseudo-Christian holiday of love?
It is impossible to say with any certainty, but given what we know about the submerged survival of ‘pagan’ practices in Late Antiquity and medieval Christianity, it strikes me as probable.
In other words, happy wolf-day, everyone.


2.7 Questions and Answers
Q: One of the
difficulties with pointers is that often when we misuse them,
our errors are not caught by the compiler at compile time;
they occur at runtime. Which of the
following result in compile-time errors? Which of the following result in
runtime errors? Why?
|
a) char *sptr = "abc",*tptr;
*tptr = sptr; |
b) char *sptr = "abc",*tptr;
tptr = sptr; |
|
c) char *sptr = "abc",*tptr;
*tptr = *sptr; |
d) int *iptr = (int *)10;
*iptr = 11; |
|
e) int *iptr = 10;
*iptr = 11; |
f ) int *iptr = (int *)10;
iptr = NULL; |
A: a) A compile-time error occurs because
when we dereference tptr, we get a character,
whereas sptr is a pointer to a character.
Thus, the code is trying to assign a character pointer to a
character, which is a type conflict. b) No error occurs
because both tptr and sptr are
character pointers. c) A runtime error is likely to occur
because no storage has been allocated for
tptr. When we dereference
tptr, we cannot be sure where it points. d) A
runtime error is likely to occur because assigning an integer
pointer a fixed address is dangerous. When dereferencing
iptr, we try to write 11 at address 10, which
is probably invalid. e) A compile-time error or warning occurs
because the code is trying to initialize an integer pointer to
an integer, which is a type conflict. f ) No error occurs
because although the code first performs the dangerous step of
initializing iptr to a fixed address, it is
then immediately reset to NULL, which is valid.
Q: Recall that
calculations with pointers are performed using pointer
arithmetic. If p
contains the address 0x10000000, what address does the
following expression access? How many bytes are accessed at
this address? *(p + 5)
A: The answer
to this question depends on the type of p.
Recall that when we add an integer i to a pointer p, the
result is not the address stored in p plus
i bytes, but the address in
p, plus i times
the number of bytes in the datatype p
references. Since the question does not state p
's type, it is not possible to determine the address
accessed as a result of the expression. The type of
p is also required to determine how many bytes
p accesses. Therefore, it is also impossible
to determine the number of bytes accessed.
Q: The
operation list_rem_next removes
an element from a linked list (see Chapter
5). If iptr is an integer pointer we would
like set to an integer removed from a list, how might we call
list_rem_next as an alternative
to the approach presented in the chapter? A prototype for the
function is shown here, where list is the
list, element references the element preceding
the one to remove, and upon return, data
references the data removed. int list_rem_next(List *list, ListElmt *element, void **data);
A: An alternative way to call list_rem_next is shown here. In this
approach, iptr is cast to a void pointer
instead of a pointer to a void pointer. This method is
acceptable because void pointers are compatible with all
others. However, our original approach is clearer because it
is consistent with the prototype of list_rem_next. retval = list_rem_next(&list, element, (void *)&iptr); |


J'AIMERAIS PAS CREVER UN DIMANCH (French with subtitles) A review by Mark R. Leeper in bullet-list form from the Toronto Internation Film Festival
CAPSULE: Liebes meets Tod. This was a film about sex and death. A morgue attendant accidentally revives a dead woman through necrophilia and brings her into his world which is heavy on orgies. This film says something obscure about the relationship of sex and death, but imparts no insights. To make matter worse this print was poorly subtitled into English from French. Rating: 4 (0 to 10) 0 (-4 to +4)
- An attractive 18-year-old dies on a disco floor and gets sent to a morgue. One of the attendants, Ben (Jean-Marc Barr) is so attracted by her that he attempts necrophilia. We see him crawling away after a shock.  - The morgue attendant was just adding a new form of sex to his collection of kinks. He was already part of a group that gets together for S/M sex. The revived teen, Teresa (Elodie Bouchez) joins them. - Moral dilemma of Teresa's father. Ben has abused his daughter's body, but in doing so has saved her life. - Part of this opaque allegory is a man saved from suicide who joins in the sexual hijinx. Also involved is a man in the final stages of dying of AIDS, a close friend of the morgue attendant. He does not get involved in the orgies. - The subtitles of our print were white, often on a white background making them often hard to read, but I don't think there was a whole lot of meaning there that was lost. - The title means "Don't let me die on a Sunday."
Mark R. Leeper<EMAIL_ADDRESS>Copyright 1998 Mark R. Leeper
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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One and One and One
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Let's get funky with these Triangles
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Sainz's maiden F1 podium at Brazil secure after FIA review DRS use
by Scott Mitchell, Oleg KarpovCarlos Sainz Jr's first Formula 1 podium and McLaren's first in five years is secure, after the FIA looked into alleged illegal DRS use in the Brazilian Grand Prix.
Sainz inherited third place after Lewis Hamilton picked up a five-second penalty for hitting Alex Albon out of second on the penultimate lap of the race at Interlagos.
While no formal investigation was announced, the FIA did request data from some teams - including McLaren - after complaints that DRS was used illegally under yellow flags during the grand prix.
That meant further changes to the results were possible, but Sainz has now been awarded his third-place trophy.
Sainz tweeted: "PODIUM! A bit weird not being there after the race, but still extremely happy.
"Today's race was just unbelievable. The one-stop strategy was difficult but paid off.
"Congrats to the whole team!"
It is the Spaniard's first podium in 101 starts, and McLaren's first since the 2014 season-opening Australian Grand Prix - 119 races ago.
Team principal Andreas Seidl told Autosport: "It's a great achievement obviously, I'm very happy for the entire team after putting in a lot of hard work here at the track and back home at the factory.
"It's great to achieve this podium, the first one for Carlos in his career, also the first one for us for a long time.
"It's great motivation to make sure we keep working hard and fight for podiums in the future down to our own performance."
Sainz is seventh in the championship after a superb season in which he has previously earned a best result of fifth, three times, and he will end the year the best-placed driver who spent the full year in a midfield team.
His breakthrough podium was all the more unlikely given he started the race last after failing to take part in qualifying because of an ignition wiring problem.
As he was starting at the back anyway, McLaren gave him an all-new Renault engine for the grand prix.
Seidl said: "We always go into the race with the spirit to never give up.
"Of course we couldn't have dreamed of that result."


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GNUPOD_CHECK(1) User Commands GNUPOD_CHECK(1) NAME gnupod_check - check for lost/zombie files on the iPod SYNOPSIS gnupod_check [OPTION]... DESCRIPTION Check for lost/zombie files on the iPod. Use this tool if your OS crashed while uploading songs to the iPod or if you have too much time ;) --help display this help and exit --version output version information and exit -m, --mount=DIRECTORY iPod mountpoint. Default is $IPOD_MOUNTPOINT AUTHOR Written by Adrian Ulrich REPORTING BUGS Report bugs to<EMAIL_ADDRESS>COPYRIGHT Copyright © Adrian Ulrich This is free software; see the source for copying conditions. There is NO warranty; not even for MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. SEE ALSO The full documentation for gnupod is maintained as a Texinfo manual. If the info program and GNUpod are properly installed at your site, the com‐ mand info gnupod should give you access to the complete manual. gnupod_check 1.00 June 2005 GNUPOD_CHECK(1)


{% extends "base.html" %} {% block title %}
Medieval catalogues > BENEDICTINES: THE SHORTER CATALOGUES > St Albans > Abbot Whethamstede's accounts, 1420 × 1440
{% endif %}42 identified entries found.
All data was derived from the List of Identifications by Professor Richard Sharpe.
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John Bercow says Brexit is the UK's 'biggest blunder' in 70 years – video
by APDays after bowing out as Speaker of the House of Commons, John Bercow has described Brexit as Britain's biggest mistake since the second world war. He said: ‘I think we will suffer in trade terms and suffer in terms of global standing and influence, and that seems to me to be so obvious’


Within a blockquote
Let's say this twinkie represents all of the psycho kenetic energy in the New York area. According to this morning's sample it will be a twinkie, 35 feet long and weighing approximately 600 pounds. Dr. Egon Spengler, Ghostbusters
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Private Parts (1997)
Seen at the Loew's Orpheum, Third Ave. and 86th St. by myself at 11:30, with a half-off coupon.
Many have made mention of Howard Stern coming off as a big pussycat in this dramatization of his life that finally makes him "King of All Media." Unlike the book of the same name, this movie covers Stern's life from childhood to about 1984, just before he is fired from WNBC in New York City.
The story is told mainly in flashback, the movie framed by Howard's MTV Awards appearance as Fartman and his arrival at JFK Airport. Audiences are immediately disarmed when it is revealed that the publicly vainglorious Howard is embarrassed and belittled by his butt-cheek-baring appearance on cable television, viewed as an oddity by the stars he would have as his peers.
We are taken through Howard's early radio career, where he is suppressed by the understood confines of American radio. In the film we are led to believe that the reason Howard is obnoxious is that he had been holding back and not being himself. However, it is hard to believe that this is Howard just being himself. He obviously knows how to get an audience going and the act is actually rather calculated. This is probably just one of the many reasons people, and the FCC, are out to get him.
The film's true heart is Howard and his crew versus the radio stations where they work, especially in Washington DC and at WNBC in New York, where "Pig Vomit" (a/k/a Kenny, Paul Giamatti's performance lives up the the character's nickname) is set against him before he is even on the air. Any attempt to reign him in is met with greater and greater resistance, with bits like Lesbian Dial-a-Date or Out-of-the-Closet Stern.
There is a certain amount of event-altering, which to Howard's many fans, are evident: The schism between Howard and Alyson, for example, is something I never recall hearing about on the radio show or reading in the book. It is hard to believe, after listening to Howard's show for more than a decade, that he saved something, or anything, new for the movie.
Mary McCormack is wonderful as Howard's wife Alyson, who often suffers the public recounting of their lives on the radio. Howard Stern, Robin Quivers, and Fred Norris play themselves in the film.
-------- Copyright 1997 Seth J. Bookey, New York, NY 10021
http://www.geocities.com/Athens/Acropolis/8588/kino.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| deleteAllVisibleCookies |
|
|
| setTimeout |
10000000 |
|
| open |
/vivo/ |
|
| assertTitle |
VIVO |
|
| clickAndWait |
link=Log in |
|
| assertTitle |
Log in to VIVO |
|
| type |
loginName |
<EMAIL_ADDRESS>|
| type |
loginPassword |
Password |
| clickAndWait |
loginForm |
|
| clickAndWait |
link=Site Admin |
|
| assertTitle |
VIVO Site Administration |
|
| select |
id=VClassURI |
label=Faculty Member (vivo) |
| clickAndWait |
id=submit |
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| assertTitle |
Edit |
|
| type |
id=firstName |
Able |
| type |
id=lastName |
Baker |
| clickAndWait |
id=submit |
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| assertTitle |
Baker, Able |
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| clickAndWait |
css=header > #ARG_2000028 > a.add-ARG_2000028 > img.add-individual |
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| assertTitle |
Edit |
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| type |
id=preferredTitle |
Professor |
| clickAndWait |
id=submit |
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| assertTitle |
Baker, Able |
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| clickAndWait |
link=Site Admin |
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| assertTitle |
VIVO Site Administration |
|
| select |
id=VClassURI |
label=Faculty Member (vivo) |
| clickAndWait |
id=submit |
|
| type |
id=firstName |
Charlie |
| type |
id=lastName |
Dog |
| clickAndWait |
id=submit |
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| assertTitle |
Dog, Charlie |
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| click |
css=li.nonSelectedGroupTab.clickable |
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css=a.add-RO_0000053 > img.add-individual |
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| assertTitle |
Edit |
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id=typeSelector |
label=Academic Department |
| type |
id=activity |
|
| sendKeys |
id=activity |
Depart |
| pause |
5000 |
|
| sendKeys |
id=activity |
${KEY_DOWN} |
| click |
id=ui-active-menuitem |
|
| type |
id=roleLabel |
Member |
| clickAndWait |
id=submit |
|
| assertTitle |
Dog, Charlie |
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| clickAndWait |
link=Site Admin |
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| assertTitle |
VIVO Site Administration |
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| select |
id=VClassURI |
label=Faculty Member (vivo) |
| clickAndWait |
id=submit |
|
| type |
id=firstName |
Echo |
| type |
id=lastName |
Foxtrot |
| clickAndWait |
id=submit |
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| assertTitle |
Foxtrot, Echo |
|
| click |
css=li.nonSelectedGroupTab.clickable |
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| clickAndWait |
css=a.add-RO_0000053 > img.add-individual |
|
| assertTitle |
Edit |
|
| select |
id=typeSelector |
label=Department |
| type |
id=activity |
|
| sendKeys |
id=activity |
Department B |
| pause |
5000 |
|
| sendKeys |
id=activity |
${KEY_DOWN} |
| click |
id=ui-active-menuitem |
|
| type |
id=roleLabel |
Head |
| clickAndWait |
id=submit |
|
| assertTitle |
Foxtrot, Echo |
|
| clickAndWait |
link=Site Admin |
|
| assertTitle |
VIVO Site Administration |
|
| select |
id=VClassURI |
label=Faculty Member (vivo) |
| clickAndWait |
id=submit |
|
| type |
id=firstName |
George |
| type |
id=lastName |
Henry |
| clickAndWait |
id=submit |
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| assertTitle |
Henry, George |
|
| clickAndWait |
link=Site Admin |
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| assertTitle |
VIVO Site Administration |
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| select |
id=VClassURI |
label=Person (foaf) |
| clickAndWait |
id=submit |
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Edit |
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| type |
id=firstName |
Iris |
| type |
id=lastName |
Jenkins |
| clickAndWait |
id=submit |
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Jenkins, Iris |
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| clickAndWait |
link=Index |
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| refreshAndWait |
10000 |
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10000 |
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10000 |
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10000 |
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10000 |
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| assertTitle |
Index of Contents |
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| verifyTextPresent |
Faculty Member (4) |
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| verifyElementPresent |
link=Faculty Member |
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Person (5) |
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Faculty Member |
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Faculty Member |
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| verifyTextPresent |
Baker, Able Professor |
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link=Baker, Able |
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Dog, Charlie Member of Department A |
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| verifyElementPresent |
link=Dog, Charlie |
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Foxtrot, Echo Member of Department B |
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link=Foxtrot, Echo |
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| verifyTextPresent |
Henry, George |
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| verifyElementPresent |
link=Henry, George |
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link=Index |
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Index of Contents |
|
| clickAndWait |
link=Person |
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Person |
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Person |
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| verifyTextPresent |
Baker, Able Professor |
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link=Baker, Able |
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| verifyTextPresent |
Dog, Charlie Faculty Member Member of Department A |
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| verifyElementPresent |
link=Dog, Charlie |
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| verifyTextPresent |
Foxtrot, Echo Faculty Member Member of Department B |
|
| verifyElementPresent |
link=Foxtrot, Echo |
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| verifyTextPresent |
Henry, George Faculty Member |
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| verifyElementPresent |
link=Henry, George |
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| verifyTextPresent |
Jenkins, Iris |
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| verifyElementPresent |
link=Jenkins, Iris |
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| clickAndWait |
link=Home |
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link=Log out |
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| assertTitle |
VIVO |
|


The residual drowsiness hangs on me like during the end of a dream. My eyelids fall toward the computer screen before realizing they're attached to my head, and settle for a groggy slump. They're pissed at me for writing this right now. They want to sink into the down feathered pillow that sits just to my left near the head of my bed. Its light blue coat calls from the blue sheets. But no, I must get this out. Then I will walk around in the remaining sunshine listening to the sounds of the street, the sounds of life.
I think I got one-and-a-half hits in before blacking out.  I sank into the wall behind me, which became the ceiling and the back wall at the same time. All the walls melded together with me in the middle, and I was stuck. I woke up stuck to the wall, stuck IN all the walls really, and I had no control over my body. There were two 'others' in this world I now inhabited even though I was alone before I smoked, but ha, I had no recollection of anything at the time, and they were laughing at me in my stuckness.
One was on my left and one was on my right but I couldn't see them because I couldn't move my head. I didn't have a head as I was by now completely soaked into the fabric of the walls, a deep hypnosis inside the fabric of the room. I became terrified and tried to jump out of the walls but couldn't, and realized that I no longer had any body, and I was quickly forgetting what a body even felt like. Had I ever even had a body? Wait, what's a body? Is this some kind of joke? Am I dead? Has it always been like this?
I mustered up enough will to get back into my body just long enough to stand. I heard a thump on the ground, which I later realized was my iPod falling from my hand and crashing against the floor. I stared down at the table before me, which contained the yellow bong and a bottle of mescal, also yellow, and suddenly I was spinning in a circular motion from the bong to the mescal, from yellow to yellow, spinning round and round like a ferris wheel, three feet in diameter with me trapped inside, inside my own room. All the while the two evil beings surrounding me laughed and laughed. It was then I realized that I had done something to cause this, that I had eaten something, or drank something, maybe it was that yellow bottle down there, or smoked something to put me in this state. And then I remembered 'SALVIA'--the green goddess.
I remember thinking that there was someone on the other side of this woven blanket of unconsciousness that I had asked to help me but didn't. DAMN HIM, if he had been there he would have never allowed me to stand up and my iPod never would have dropped and crashed to the ground. My iPod!  OK, just close your eyes and look at the colors.  Well, if there was ever a good cause for freaking out, that's it.
I'm going to go catch the last bit of sunshine now.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


public interface Frequency
| Modifier and Type | Field and Description |
|---|---|
static double |
DEFAULT_FRQ_INSTRUCTION
The default frq instruction.
|
static int |
FRQ_DAILY
The frq daily.
|
static int |
FRQ_EVERY_3_MONTHS
The frq every 3 months.
|
static int |
FRQ_MONTHLY
The frq monthly.
|
static int |
FRQ_ONCE
The frq once.
|
static int |
FRQ_WEEKLY
The frq weekly.
|
static int |
FRQ_YEARLY
The frq yearly.
|
| Modifier and Type | Method and Description |
|---|---|
Double |
getcFrqInst()
Gets the c frq inst.
|
String |
getLabel()
Gets the frequency string.
|
Integer |
getType()
Gets the frq.
|
boolean |
isRecurring()
Checks if is recurring.
|
void |
setcFrqInst(Double cFrqInst)
Sets the c frq inst.
|
void |
setType(Integer frq)
Sets the frq.
|
static final int FRQ_YEARLY
static final int FRQ_EVERY_3_MONTHS
static final int FRQ_MONTHLY
static final int FRQ_WEEKLY
static final int FRQ_DAILY
static final int FRQ_ONCE
static final double DEFAULT_FRQ_INSTRUCTION
Integer getType()
void setType(Integer frq)
frq
- the new frqDouble getcFrqInst()
void setcFrqInst(Double cFrqInst)
cFrqInst
- the new c frq instboolean isRecurring()
String getLabel()
Copyright © 2018. All rights reserved.


Wikipedia:
“In computing, the same-origin policy is an important concept in the web application security model. The policy permits scripts running on pages originating from the same site – a combination of scheme, hostname, and port number – to access each other's DOM with no specific restrictions, but prevents access to DOM on different sites.”
“The same-origin policy also applies to XMLHttpRequests unless the server provides a Access-Control-Allow-Origin (CORS) header. Notably WebSockets are not subject to same-origin policy.”
Wikipedia:
“Cross-origin resource sharing (CORS) is a mechanism that allows many resources (e.g., fonts, JavaScript, etc.) on a web page to be requested from another domain outside the domain from which the resource originated. In particular, JavaScript's AJAX calls can use the XMLHttpRequest mechanism.”
“Such "cross-domain" requests would otherwise be forbidden by web browsers, per the same origin security policy. CORS defines a way in which the browser and the server can interact to determine whether or not to allow the cross-origin request.”
GET
service without authenticationGET
service with basic access authenticationOne for Origin, three for preflight using HTTP verb OPTIONS
:
Access-Control-Allow-Origin
Access-Control-Allow-Methods
Access-Control-Allow-Header
Access-Control-Max-Age
No support for:
Limitations for:
Good for others
Wikipedia:
“JSONP or "JSON with padding" is a communication technique used in JavaScript programs running in web browsers to request data from a server in a different domain, something prohibited by typical web browsers because of the same-origin policy.”
“JSONP takes advantage of the fact that browsers do not enforce the same-origin policy on script
tags.”
In our use case, JSONP can be seen as an alternative for GET
services without any header
.


{% extends "proposals/proposal_form.html" %} {% load i18n %} {% block title %}{% trans "Submit a training" %}{% endblock %} {% block body %}
{% blocktrans %} A training is not a lecture. A training is more a hands-on workshop where participants get the opportunity to do something on their own laptop, following the lead of a coach. You should keep in mind that exercises that you can solve in a few minutes often take 5 to 10 times longer for beginners, since they need to learn the basic steps first. {% endblocktrans %}
{% blocktrans %} Participants should receive courseware as either PDF or printed material. This should be as detailed as necessary for a participant to understand the training content independently. {% endblocktrans %}
{% blocktrans %} For questions about training content or how to create a training please contact<EMAIL_ADDRESS>{% endblocktrans %}


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.customs.rosmfrontend.forms.models.email.EmailViewModel @import uk.gov.hmrc.customs.rosmfrontend.controllers.email.routes._ @import views.html.helper._ @import uk.gov.hmrc.customs.rosmfrontend.views.html._ @this(layout_di: layout) @(emailForm: Form[EmailViewModel],journey: Journey.Value)(implicit request: Request[_], messages: Messages) @inputText(field: String, label: String, args: (Symbol, Any)*) = { @defining(Seq( '_label -> label, '_isLabelH1 -> true) ++ args) { args => @helpers.input( emailForm(field), args: _* ) } } @listMessageKey = @{ journey match { case Journey.Migrate => "subscription.enter-email-hint-text" case Journey.GetYourEORI => "registration.enter-email-hint-text" } } @hintText = {
@messages("enter-email-body-text")


Dashboard
Profile
Leave
Payroll
Log Out
Payroll
Taxable Income
Regular Day
12
5,000
Leave
1
600
Regular Overtime
2
200
Taxable
5,600
Non-Taxable Income
De Minimis
1,000
Emergency Allowance
13
130
Non-Taxable
1,130
Deductions
Witholding Tax
1200
SSS Contribution
581.30
PhilHealth
387.50
Pagibig
100
SSS Loan
738.32
HDMF Loan
275.06
Total
1200
Payroll Period : 2017-02-01 to 2017-02-15
Gross Pay
12,000
Total Deductions
2000
NET PAY
10,000
Download
Print


Bert and Sarge, Llewellin Setters, hanging out.
"I'm running. I'm running. SET." Sarge Pepper, Llewellin Setter Extraordinaire
"I'm running. I'm running. SET."


Default
Historical Key Metrics
No
Balance Sheet
From
To
KPI
Projected Key Metrics
No
Balance Sheet
From
To
KPI


Do Rapid Shot feat and Hasted effect items stack to give more attacks? I can't tell from the character sheet. If not, what does stack for number of attacks?
Yes they do. You can view it in the battle log, just count your attacks. _________________ " -- They give birth astride of a grave, the light gleams an instant, then it's night once more."


NINTH GATE, THE (director/writer: Roman Polanski; screenwriter: John Brownjohn/Enrique Urbizu/from Arturo Perez-Reverte's Spanish novel El Club Dumas; cinematographer: Darius Khondji; editor: Hervé de Luze; cast: Johnny Depp (Dean Corso), Lena Olin (Liana Telfer), Frank Langella (Boris Balkan), James Russo (Bernie), Emmanuelle Seigner (The Girl), Barbara Jefford (Baroness Kessler), Jack Taylor (Victor Fargas), Jose Lopez Rodero (Pablo and Pedro Ceniza), Tony Amoni (Bodyguard), Willy Holt (Suicide), 1999-Fr./USA/Sp.)
Reviewed by Dennis Schwartz
Director-in-exile Roman Polanski (Rosemary's Baby) and the occult go together like butter and toast. This, his first film since his 1994's Death and the Maiden, is a visually stunning mystery chiller about the supernatural that is a good example of old-fashioned storytelling. A lengthy film (132 minutes) that doesn't overstay its welcome, as it keeps one guessing till the very end how it will be resolved and even then, there is puzzlement. But the film is not without some flaws in its storytelling as attested by the last scenes, which are resolved in pyrotechnics and do leave a lot to be desired.
Many critics will justifiably argue that there is no proper payoff in the director's payoff. But I'll take this Polanski version of a horror story over so many others that I have seen recently, there is an elegant craftsmanship and an ability shown by him, to keep one in suspense for most of the film without resorting to Hollywood's special effect grab bag of tricks typically used for this genre. Polansky also captured the feel of what it is like to be a rare-book collector. It is a film that, if it does nothing else, it depicts the lives of those who are searching for dramatic meaning in their life through books of the occult. That Polanski is a skeptic, only adds resonance to the telling of the story.
A sleazy Manhattan rare-book dealer and consumate chain-smoker, Dean Corso (Johnny Depp), is hired for a significant fee by a sinister, extremely wealthy collector of occult books, Boris Balkan (Frank Langella), to track down and authenticate which of the three extant copies of a 17th century illustrated book "The Nine Gates of the Kingdom of Shadows" authored by Satan himself is not the forgery. Aristide Torchia, who co-authored the book, was burned to death by the Spanish Inquisition as a heretic.
Balkan as owner of one of the three copies, has an overconfident reliance on his demonic beliefs. He is dressed in an expensive pin-striped Armani-type suit. After Corso meets with him in his sleek New York skylight library setting, he is told that he will have to travel to Portugal and France to track down the other two books.
The first casualty of the book is an elderly gentleman (Willy Holt-Polansky's art director in "Bitter Moon") who hangs himself from a chandelier in his study. He sold his book to Balkan the day before killing himself. Liana Telfer (Lena Olin) is his rich widow. She aptly fits the description of a femme fatale in a noir film, dressed in a very unwidow-like black, as she seduces the book detective Corso in his New York apartment. She comes calling on him, trying any possible means to get back the book. When she is through with her sexual romp on the floor with the owlishly bespectacled Corso, who is sporting a goatee, she discovers the scholarly looking lover of rare books doesn't have the copy of Balkan's Ninth Gates in his knapsack.
The only friend the mercenary broker seems to have, is Bernie (Russo), a New York rare-book dealer, whom he has entrusted the invaluable book with. When he heads to the airport, he stops by Bernie's bookstore to get the book and finds him hung upside down in a similar way to the first illustration in the Devil's book. Corso takes the book Bernie securely hid for him to Europe and places it in his knapsack. He does not make a copy of the book and therefore places himself in an awkward spot if the book should be stolen.
In Toledo, Spain, Corso goes to the Ceniza Bros. bookstore, where the Telfers acquired the "The Ninth Gates," interviewing the twins (Jose Lopez Rodero-he plays both parts through the clever use of f/x camerawork), in a scene that was deliciously funny, as they explain what a forgery is and how rare-books could be verified by how they are bound together. Corso then visits with Victor Fargas in Sintra, Portugal, who now owns the book. It is interesting to see this once grand mansion where the nobleman Fargas lives and how the once wealthy intellectual is forced to survive by selling off a few of his rare books every so often, but who refuses to sell the book that Corso wishes to obtain. His unique lifestyle is one that is rarely depicted in movies as well as it is here.
After some hectic dealings in Portugal, Corso takes his detective work to Paris, where he meets the elderly wheelchair-bound Baroness Kessler (Jefford-noted Shakespearian actress), in an attempt to see if Lucifer has put his autograph on her book. Not surprisingly, murders and intrigue follow the book detective's path, as he gets more fully enmeshed in the search for authenticity. Some of the collectors believe that by having the right formula they can conjure up the materialization of Lucifer himself, giving the person holding that secret the same power as God, which is indeed, if possible, more than what money can buy.
While Corso goes from one "Ninth Gates" owner to another to authenticate their copies, he's pursued by a nameless, green-eyed blonde (Emmanuelle Seigner-Polanski's actress wife), who appears out of nowhere and acts as his guardian angel, and who may possess supernatural powers. She is the most enigmatic character in the story, whose real identity will be revealed by the end of the film. She did not appear to be like the other book lovers in the film, even her choice of reading material is absurd, "How to Win Friends and Influence People." She did have one nude scene in the movie, which she passed with flying colors.
The film turns into a series of questions: Whose side is the karate-skilled, mystery girl really on? Is she on Corso's side? Balkan's side? Her own side? But the more pertinent question is, will Balkan get Satan's powers by getting all the books?
There are more things to like about this film than dislike. For starters, I was impressed by Depp's subdued performance, it gave his character credibility and even though he wasn't an ethical character, he made himself more palatable as the film progressed and he seemed to become more of a victim than someone who is uncaringly in this deal for just a windfall profit. He had a healthy detachment from the subject matter of the book (just like the director was detached from the storyline), as he unwittingly uncovers various reasons people like to collect occult books. Then there is Langella, who is able to give a masterfully threatening performance, as someone not satisfied with all his possessions but who is after the power of the Devil. Satan shows up not in a materialized form for him, but through his inner being. He is more scary when he is offering his kindness (money) to Depp than any use of a special-effect externalization of the devil could have been.
I was also impressed by the way Darius Khondji's cinematography took me around Europe, into castles, private library collections, voyeuristically looking into dark corners, and into a devil worship ceremony. It was shot largely by using a wide-angled lens, always pointing to interesting shots of dark corridors, or of villages that had a strangely beautiful feel toward them. I felt I was transported into the world of book collectors, hearing them converse and seeing what makes them want to be collectors, and how some are merely pretenders and some real lovers of books.
The film, unfortunately, ultimately suffered from an undue silliness and how it ended by fading out to a glowing white screen, as if that is supposed to mean something special, did not work for me. Unless, it is meant solely as Polansky's private joke that all this devil worship is nonsense in the first place, and by ending on a blank note, all he is doing is telling the audience that there is nothing to see. If there's a more metaphysical message, it wasn't conveyed to me by the film. But, that aside, I still maintain that this picaresque film adapted from Arturo Perez-Reverte's popular Spanish novel El Club Dumas is better than most satanic thrillers, especially those recent ones relying on blood and gore to shock the viewer. Here, the director is mostly spoofing the conventions of horror movies and it is his very personal humor that should be appreciated, along with the brilliance he brings to the screen with his filmmaking ability.
The Satan worshippers' annual meeting on Torchia's birthday is a good example of what I mean by the director's brand of malevolent humor being on display, seeing how the wannabes in satanism are cloaked in black and using mumbo jumbo to summon up Satan, as Langella boldly enters their ceremony and calls them all fools and shouts, "Boo!" We then see them run for cover. That is the joke Polansky is having with the audience. It is similar in intention to what Stanley Kubrick's black mass orgiastic gathering in Eyes Wide Shut, accomplished. Both these ritualized ceremonies should not be looked at without seeing them for the farces they are in the eyes of each filmmaker.
Polansky has crafted a metaphysical suspense film that is more lightheaded than scary, which might disappoint some but should not take away from the many pleasures derived from this engrossing thriller.
REVIEWED ON 3/20/2000 GRADE: B
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Library: Math
Overview
Math Utility functions
- desc: Math Utility functions
Constructors
Functions
Evaluates the windows average of a given array based on the
given window size
parameters
| f | ||
| size |
Normalizes an array so that its complete integral is 1.
This is useful to obtain arrays that preserve the overall
integral of a convolution.
parameters
| f |
Generate the gaussian function so that at the given 'size' it has value 'threshold'
and make sure its integral is one.
parameters
| size | ||
| threshold |
Returns true if |a.x - b.x| < value && | a.y - b.y | < value
parameters
| a | ||
| b | ||
| value |
Objects


{% include meta.html %}
{{ site.name }}
{{ site.description }}
{{ content }}
Download the full paper
{% include analytics.html %}


I'm a full-time architect student living in New England. Inbetween classes and work I've been studying coding and computer languages. I'm always striving to learn new things and improve on things I already know.
Languages and Skills: HTML, CSS, JavaScript, JQuery, Python, Bootstrap


| builtins |
Some of Python's builtin functions |
| contextlib |
Context manager implementation |
| core |
Core functions and object orientation |
| itertools.lua |
Functional iteration utilities using coroutines. |
| json.lua |
Simple json encoding and decoding. |
| logging |
Basic logging utilities |
| logic |
Logical operation utilites |
| navigation |
Generic navigation algorithms for GUI-based apps |
| objects |
Python's basic objects: dict, list and set |
| path |
Path objects for complex swiping |
| pixel |
Pixel objects for screen watching |
| requests.lua |
Web requests and data parsing. |
| screen.lua |
Screen interaction and observation helpers |
| string.lua |
String operation extensions |
| system |
OS & filesystem operations |
| test |
Basic unit-testing framework |


---
layout: default
title: Home
---
What's Club Montagne's Monber system?
Monber is a new initiative used by club montagne at EPFL that aims at upgrading the membership system to paper-less so that its partners to use this system to identify the members of the club for exclusive benefits.


SHOW statements are show stoppers on server side. While clients can get a SHOW statement as a result set just as any normal SELECT, things are not as such on server side.
On server side, that is, from within MySQL itself, one cannot:
SELECT `Database` FROM (SHOW DATABASES);
One cannot:
DECLARE show_cursor CURSOR FOR SHOW TABLES;
One cannot:
SHOW TABLES INTO OUTFILE '/tmp/my_file.txt';
So it is impossible to get the results with a query; impossible to get the results from a stored routine; impossible to get the results by file reading...
Bwahaha! A hack!
For some SHOW statements, there is a way around this. I've been banging my head against the wall for weeks now on this. Now I have a partial solution: I'm able to read SHOW output for several SHOW statements. Namely, those SHOW statements which allow a LIKE or a WHERE clause.
For example, most are familiar with the following syntax:
USE mysql; SHOW TABLE STATUS LIKE 'user';
However not so many know that any SHOW statement which accepts LIKE, can also accept WHERE:
SHOW TABLE STATUS WHERE Name='user'\G *************************** 1. row *************************** Name: user Engine: MyISAM Version: 10 Row_format: Dynamic Rows: 17 Avg_row_length: 69 Data_length: 1184 Max_data_length:<PHONE_NUMBER>10655 Index_length: 2048 Data_free: 0 Auto_increment: NULL Create_time: 2010-10-03 08:23:48 Update_time: 2011-07-30 19:31:00 Check_time: NULL Collation: utf8_bin Checksum: NULL Create_options: Comment: Users and global privileges
It's not just about "Name". I can filter using any column I like:
SHOW TABLE STATUS WHERE Rows > 1000; SHOW TABLE STATUS WHERE Rows > 1000 AND Index_length > 65536;
etc.
If you've been to my talk on Programmatic Queries: things you can code with SQL, you have a good guess as for where I'm taking this.
Where there's WHERE, there's code
I can write code within the WHERE clause. Specifically, I can work with user defined variables. Shall we cut to the point and provide with an example?
mysql> SET @databases := ''; mysql> SHOW DATABASES WHERE (@databases := CONCAT(@databases, `Database`, ',')) IS NULL; mysql> SELECT @databases; +-------------------------------------------------------------------+ | @databases | +-------------------------------------------------------------------+ | information_schema,common_schema,mycheckpoint,mysql,sakila,world, | +-------------------------------------------------------------------+
Let's discuss the above. We:
- Set a user variables called @databases to an empty text
- Iterate through the SHOW DATABASES rowset. The WHERE clause is always false (the expression is in fact NOT NULL for all rows), so rows are not printed out, and we get an empty result set (we're not really interested in a result set here, since there's no way to read it anyhow).
- However we do take care to "remember" the value we visit, by concatenating the `Database` column value.
- We end up with a delimited string of database names. You'll forgive the ending ','. This is just a simple example, it is of no importance.
Further notes
What can we do with the concatenated list of database names? Whatever we want to. We can parse it again, INSERT it INTO some table, save to file, iterate, what have you!
We can wrap the above in a stored routine. Alas, not with a stored function, since the SHOW command, although returns with an empty result set, does return with a result set, not allowed withing functions.
Limitations
- Sadly, SHOW SLAVE STATUS, SHOW MASTER LOGS etc., do not support LIKE or WHERE syntax. Bummer.
- Stored functions, as just mentioned, cannot utilize this hack. Hey, I'm still working on this!
To what use?
Originally I wanted to avoid the time & locking it takes for INFORMATION_SCHEMA queries, such as on TABLES, COLUMNS, etc. Ironically, in a few days apart I've found another interesting solution (well, two, actually) to manage reads from INFORMATION_SCHEMA with less overhead than in normal use. I'll talk about that another time; am about to use this in common_schema.
Further notes
I met Roland in London, and he liked the solution. As Baron joined, Roland said: "Baron, do you know Shlomi devised a method to read the output of SHOW commands?"
And Baron said: "Without using files? Then a SHOW statement can have a WHERE clause, in which case you can use a variable", and went on looking for his wife.
And we remained speechless.
[UPDATE: I've manually changed timestamp of this post due to failure in its aggregation in planet.mysql, being a major source of incoming traffic to this site]
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name: inverse layout: true class: inverse --- layout: false background-image: url(img/title-screen-background.png) background-size: contain background-repeat: no-repeat background-position: bottom class: center top # Architecture Guild Newsletter
2019-07-05 --- layout: false ## News since last sprint We included people from all teams in in Architecture Guild We've created ways to contact the Guild (mailing list, Speaker, etc. see the last slide) We've worked on sharing the knowledge (this newsletter, presentation for business) --- ## Work in progress ### CosmoDB We invite you to comment on a new RFC [CosmoDB found not production ready, considered replacement](example.com) ### Better log aggregation We are also working on an RFC to choose a better Log Aggregation solution. You can watch the progress [here](example.com) and join the working group --- ## What we plan for next sprint (Action Points) Finalize the CosmoDB replacement recommendation Finalize the Better log aggregation recommendation Prepare and RFC with microservice/pod/deployment/service naming conventions Open Source the guild repository template .footnote[ You can also always find our backlog [here](example.com) ] --- ## Contact us The speaker for this sprint is: [Adam<EMAIL_ADDRESS>You can contact us via: > “Software Architecture [ENG]” Ms Teams channel > or via guild's [email](mailto:example.com) You can find the latest architecture diagram [here](example.com) If you need more info on how the guild works, it's [here](example.com)


crul
is an HTTP client for R.
Stable CRAN version
install.packages("crul")
Dev version
devtools::install_github("ropensci/crul")
library("crul")
HttpClient
is where to start
(x <- HttpClient$new(
url = "https://httpbin.org",
opts = list(
timeout = 1
),
headers = list(
a = "hello world"
)
))
#> <crul connection>
#> url: https://httpbin.org
#> curl options:
#> timeout: 1
#> proxies:
#> auth:
#> headers:
#> a: hello world
Makes a R6 class, that has all the bits and bobs you’d expect for doing HTTP requests. When it prints, it gives any defaults you’ve set. As you update the object you can see what’s been set
x$opts
#> $timeout
#> [1] 1
x$headers
#> $a
#> [1] "hello world"
The client object created above has http methods that you can call, and pass paths to, as well as query parameters, body values, and any other curl options.
Here, we’ll do a GET request on the route /get
on our base url https://httpbin.org
(the full url is then https://httpbin.org/get
)
res <- x$get("get")
The response from a http request is another R6 class HttpResponse
, which has slots for the outputs of the request, and some functions to deal with the response:
Status code
res$status_code
#> [1] 200
The content
res$content
#> [1] 7b 0a 20 20 22 61 72 67 73 22 3a 20 7b 7d 2c 20 0a 20 20 22 68 65 61
#> [24] 64 65 72 73 22 3a 20 7b 0a 20 20 20 20 22 41 22 3a 20 22 68 65 6c 6c
#> [47] 6f 20 77 6f 72 6c 64 22 2c 20 0a 20 20 20 20 22 41 63 63 65 70 74 22
#> [70] 3a 20 22 2a 2f 2a 22 2c 20 0a 20 20 20 20 22 41 63 63 65 70 74 2d 45
#> [93] 6e 63 6f 64 69 6e 67 22 3a 20 22 67 7a 69 70 2c 20 64 65 66 6c 61 74
#> [116] 65 22 2c 20 0a 20 20 20 20 22 43 6f 6e 6e 65 63 74 69 6f 6e 22 3a 20
#> [139] 22 63 6c 6f 73 65 22 2c 20 0a 20 20 20 20 22 48 6f 73 74 22 3a 20 22
#> [162] 68 74 74 70 62 69 6e 2e 6f 72 67 22 2c 20 0a 20 20 20 20 22 55 73 65
#> [185] 72 2d 41 67 65 6e 74 22 3a 20 22 6c 69 62 63 75 72 6c 2f 37 2e 35 31
#> [208] 2e 30 20 72 2d 63 75 72 6c 2f 32 2e 36 20 63 72 75 6c 2f 30 2e 33 2e
#> [231] 34 2e 39 34 31 35 22 0a 20 20 7d 2c 20 0a 20 20 22 6f 72 69 67 69 6e
#> [254] 22 3a 20 22 31 35 37 2e 31 33 30 2e 31 37 39 2e 38 36 22 2c 20 0a 20
#> [277] 20 22 75 72 6c 22 3a 20 22 68 74 74 70 73 3a 2f 2f 68 74 74 70 62 69
#> [300] 6e 2e 6f 72 67 2f 67 65 74 22 0a 7d 0a
HTTP method
res$method
#> [1] "get"
Request headers
res$request_headers
#> $`User-Agent`
#> [1] "libcurl/7.51.0 r-curl/2.6 crul/<IP_ADDRESS>15"
#>
#> $`Accept-Encoding`
#> [1] "gzip, deflate"
#>
#> $a
#> [1] "hello world"
Response headers
res$response_headers
#> $status
#> [1] "HTTP/1.1 200 OK"
#>
#> $connection
#> [1] "keep-alive"
#>
#> $server
#> [1] "meinheld/0.6.1"
#>
#> $date
#> [1] "Mon, 15 May 2017 18:06:41 GMT"
#>
#> $`content-type`
#> [1] "application/json"
#>
#> $`access-control-allow-origin`
#> [1] "*"
#>
#> $`access-control-allow-credentials`
#> [1] "true"
#>
#> $`x-powered-by`
#> [1] "Flask"
#>
#> $`x-processed-time`
#> [1] "0.000626087188721"
#>
#> $`content-length`
#> [1] "312"
#>
#> $via
#> [1] "1.1 vegur"
And you can parse the content with a provided function:
res$parse()
#> [1] "{\n \"args\": {}, \n \"headers\": {\n \"A\": \"hello world\", \n \"Accept\": \"*/*\", \n \"Accept-Encoding\": \"gzip, deflate\", \n \"Connection\": \"close\", \n \"Host\": \"httpbin.org\", \n \"User-Agent\": \"libcurl/7.51.0 r-curl/2.6 crul/<IP_ADDRESS>15\"\n }, \n \"origin\": \"<IP_ADDRESS>\", \n \"url\": \"https://httpbin.org/get\"\n}\n"
jsonlite::fromJSON(res$parse())
#> $args
#> named list()
#>
#> $headers
#> $headers$A
#> [1] "hello world"
#>
#> $headers$Accept
#> [1] "*/*"
#>
#> $headers$`Accept-Encoding`
#> [1] "gzip, deflate"
#>
#> $headers$Connection
#> [1] "close"
#>
#> $headers$Host
#> [1] "httpbin.org"
#>
#> $headers$`User-Agent`
#> [1] "libcurl/7.51.0 r-curl/2.6 crul/<IP_ADDRESS>15"
#>
#>
#> $origin
#> [1] "<IP_ADDRESS>"
#>
#> $url
#> [1] "https://httpbin.org/get"
With the HttpClient
object, which holds any configuration stuff we set, we can make other HTTP verb requests. For example, a HEAD
request:
x$post(
path = "post",
body = list(hello = "world")
)
x <- HttpClient$new(url = "https://httpbin.org")
f <- tempfile()
res <- x$get(disk = f)
# when using write to disk, content is a path
res$content
#> [1] "/var/folders/gs/4khph0xs0436gmd2gdnwsg080000gn/T//RtmpQJUkDG/file1db06c48079c"
Read lines
readLines(res$content, n = 10)
#> [1] "<!DOCTYPE html>"
#> [2] "<html>"
#> [3] "<head>"
#> [4] " <meta http-equiv='content-type' value='text/html;charset=utf8'>"
#> [5] " <meta name='generator' value='Ronn/v0.7.3 (http://github.com/rtomayko/ronn/tree/0.7.3)'>"
#> [6] " <title>httpbin(1): HTTP Client Testing Service</title>"
#> [7] " <style type='text/css' media='all'>"
#> [8] " /* style: man */"
#> [9] " body#manpage {margin:0}"
#> [10] " .mp {max-width:100ex;padding:0 9ex 1ex 4ex}"
(x <- HttpClient$new(url = "https://httpbin.org"))
#> <crul connection>
#> url: https://httpbin.org
#> curl options:
#> proxies:
#> auth:
#> headers:
res <- x$get('stream/5', stream = function(x) cat(rawToChar(x)))
#> {"origin": "<IP_ADDRESS>", "id": 0, "url": "https://httpbin.org/stream/5", "args": {}, "headers": {"Connection": "close", "Host": "httpbin.org", "User-Agent": "libcurl/7.51.0 r-curl/2.6 crul/<IP_ADDRESS>15", "Accept": "*/*", "Accept-Encoding": "gzip, deflate"}}
#> {"origin": "<IP_ADDRESS>", "id": 1, "url": "https://httpbin.org/stream/5", "args": {}, "headers": {"Connection": "close", "Host": "httpbin.org", "User-Agent": "libcurl/7.51.0 r-curl/2.6 crul/<IP_ADDRESS>15", "Accept": "*/*", "Accept-Encoding": "gzip, deflate"}}
#> {"origin": "<IP_ADDRESS>", "id": 2, "url": "https://httpbin.org/stream/5", "args": {}, "headers": {"Connection": "close", "Host": "httpbin.org", "User-Agent": "libcurl/7.51.0 r-curl/2.6 crul/<IP_ADDRESS>15", "Accept": "*/*", "Accept-Encoding": "gzip, deflate"}}
#> {"origin": "<IP_ADDRESS>", "id": 3, "url": "https://httpbin.org/stream/5", "args": {}, "headers": {"Connection": "close", "Host": "httpbin.org", "User-Agent": "libcurl/7.51.0 r-curl/2.6 crul/<IP_ADDRESS>15", "Accept": "*/*", "Accept-Encoding": "gzip, deflate"}}
#> {"origin": "<IP_ADDRESS>", "id": 4, "url": "https://httpbin.org/stream/5", "args": {}, "headers": {"Connection": "close", "Host": "httpbin.org", "User-Agent": "libcurl/7.51.0 r-curl/2.6 crul/<IP_ADDRESS>15", "Accept": "*/*", "Accept-Encoding": "gzip, deflate"}}
# when streaming, content is NULL
res$content
#> NULL


Click Here For Event Time Table
Team size is restricted to maximum of two members.
The paper must be typed single-spaced in 12-point Times New Roman or Arial font and be no more than 12 pages. Only text directly related to the item being presented and any accompanying illustrations, tables, figures,
etc., will count toward the 12-page limit. Title pages, tables of contents and bibliographies shall not be counted toward the limit.
All papers should have a bibliography/works-cited page and appropriate footnotes (any format, such as MLA, APA, etc., as long as its use is consistent throughout the document, will be acceptable). Papers omitting a
bibliography or using copied material will be automatically disqualified.
Photographs should be treated as being equivalent to figures, with the caption being placed at the bottom of the photograph. Photocopies of photographs are not acceptable.
The contestants are required to send only a soft copy of their entry along with an abstract (not more than 100 words) to the college web site: www.fetr.ac.in with subject “paper presentation” Please title your entry
in the following format: (teamname)_(institute)
Presentation
Each team/entrant must formally present his or her paper at the day of the event. Presentations must be no longer than 10 minutes.
A 5-minute question-and-answer period will follow the presentation of the paper. Questions may be posed by judges and/or students attending the presentation.
Presentations may be accompanied by visual aids.
Registration
Registration Fees: 50/- Per student.
Judging Criteria
Judging will be on a basis of 100, as follows
A. Technical Paper (50):
Choice of Topic (5), Technical Content (30), Grammar and Spelling (5), Paper Appearance and format (10)
B. Presentation (50):
Content (20), Quality of Presentation (20), Question and Answer (10)
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Email Address<EMAIL_ADDRESS>Contact No. +91<PHONE_NUMBER>


Encapsulation is one of the important goals of Software Design. What is Encapsulation? Why is it important? Let’s get started.
You will learn
- What does Encapsulation mean?
- What are the advantages of building encapsulated software?
- Is encapsulation restricted to Object Oriented Design?
- How can encapsulation be followed in other programming approaches?
Encapsulation At The Basic Level (Level-1)
Let’s look at two implementations of a CricketScorer
class
:
public class CricketScorer {
private int score;
public int getScore() {
return score;
}
public void setScore(int score) {
this.score = score;
}
}
If you’re not familiar the sport of cricket, you could imagine a FootballScorer
class instead. Here, CricketScorer
provides its users with two methods, setScore()
and getScore()
. These form the class interface.
Let’s next make use of this class:
public static void main(String[] args) {
CrickerScorer scorer = new CricketScorer();
int score = scorer.getScore();
scorer.setScore(score + 4);
}
The user here gets to call both getScore()
and setScore()
. Let’s say a boundary is scored in the cricket match, which should result in the score getting incremented by 4
. The user is responsible for retrieving the current the current score, incrementing it by 4
, and then setting it.
There are a few important things to note here:
- The
score
is declaredprivate
, which means users ofCricketScorer
cannot access it directly. We are hiding the implementation of ```score`` from the class users. This is what encapsulation is all about. - The various Java language keywords such as
private
andprotected
are the most basic level of implementing encapsulation.
Method-Level Encapsulation (Level-2)
To avoid putting the onus of getting and setting the score on the user, we could define a method such as:
public void four() {
score += 4;
}
public static void main(String[] args) {
CrickerScorer scorer = new CricketScorer();
scorer.four();
}
All the user does is call this four()
method, and no longer needs to explicitly manipulate the stored score. Here we have introduced a four()
method to encapsulate the process of getting and setting the score. This is the next level of encapsulation, at the logical level. The user now no longer needs to know how to manipulate the score.
Abstraction And Encapsulation
Abstraction is all about hiding complexity. How do you hide that complexity? By using Encapsulation. Apart from the two levels we saw just now, there are more ways to go with encapsulation. Let’s look at them next.
Encapsulation At The Class Level
The Factory Pattern
Have a look at the following example of code.
public class FactoryPattern {
public static class PersonFactory {
public static Person getPerson(Strinf name, String gender) {
if(gender.equalsIgnoreCase("M")) {
return new Male(name);
} else if (gender.equalsIgnoreCase("F")) {
return new Female(name);
} else {
//So on...
}
return null;
}
}
static abstract class Person {
private String name;
Person(String name) {
this.name = name;
}
abstract String getSalutation();
String getNameAndSalutation() {
return getSalutation() + " " + name;
}
}
public static void main(String[] args) {
Person male = PersonFactory.getPerson("Robinhood", "M");
System.out.println(male.getNameAndSalutation());
Person female = PersonFactory.getPerson("Mary", "F");
System.out.println(female.getNameAndSalutation());
}
}
Suppose we have a set of classes to represent and create different kinds of persons. Also, we would need a way to do the same in code as well. Also, we would not like the users of the class not to know, that there are underlying implementations of Person
named Male
and Female
.
We can abstract that detail away by using the Factory Pattern. As we see in the code above, the user creates a male person by passing in a name and a string “M” to the getPerson()
method of PersonFactory
. He has no idea that there are classes called Male
and Female
hidden away from him.
The Strategy Pattern
This is another good example of encapsulation. Consider the following piece of code:
public class StrategyPattern {
interface Sortable {
public int[] sort(int[] numbers);
}
static class BubbleSort implements Sortable {
@Override
public int[] sort(int[] numbers) {
//Ideally, the bubble sort is implemented completely here
return numbers;
}
}
static class ComplexClass {
Sortable sorter;
ComplexClass(Sortable sorter) {
this.sorter = sorter;
}
void doAComplexThing() {
int[] values = null;
//... logic...
sorter.sort(values);
//...logic...
}
}
public static void main(String[] args) {
ComplexClass complexClassInstance = new ComplexClass(new BubbleSort());
//This can also be a setter
complexClassInstance.doAComplexThing();
}
}
In this case, we created an interface
called Sortable
. Any class that needs sorting behavior, such as:
The user of the interface, ComplexClass
, only directly calls the sort()
method on the Sortable
interface. It does not worry about what the underlying class that implements Sortbale
, actually is. It does not worry about whether that is a BubbleSort
:
static class BubbleSort implements Sortable {
@Override
public int[] sort(int[] numbers) {
//Ideally, the bubble sort is implemented completely here
return numbers;
}
}
or a QuickSort
. Whoever uses the class ComplexClass
, needs to create an instance of it, provide an instance of the sorting algorithm, and out class can make use of sort()
by accessing the interface.
An Interface Example
We are very much in the habit of playing games, especially those that involve using gaming consoles. How would a computer game allow you to play it? By allowing the console to use it like this:
public class Interfaces {
public interface GamingConsole {
public void up();
public void down();
public void left();
public void right();
}
public class MarioGame implements GamingConsole {
public void up() {
System.out.println("Jump");
}
public void down() {
System.out.println("Goes Into A Hole");
}
public void left(){
}
public void right(){
System.out.println("Go Forward");
}
}
public class ChessGame implements GamingConsole {
public void up() {
System.out.println("Move Piece Up");
}
public void down() {
System.out.println("Move Piece Down");
}
public void left(){
System.out.println("Move Piece Left");
}
public void right(){
System.out.println("Move Piece Right");
}
}
public static void main(String[] args) {
GamingConsole games = { new MarioGame(),
new ChessGame() };
for(GamingConsole game: games) {
game.up();
game.down();
game.left();
game.right();
}
}
}
This shows use of one such console with four buttons: up, down, right and left. We are representing it by an interface, named GamingConsole
:
Whoever uses a GamingConsole
, can play a game attached to it, irrespective of what the actual game is. It could be a MarioGame
, a ChessGame
, or whatever. The user knows he can call the up()
, down()
, left()
and right()
operations with ease. The actual game implementations are hidden away. How a MarioGame
reacts to the console, is different from how a ChessGame
responds.
The fact that we have created a GamingConsole
interface, means the Game
implementations can be hidden away.
An Abstract Class Example
The same high-level concept can be applied by using abstract classes as well. Consider the following abstract class definition:
public abstract class AbstractRecipe {
public void execute() {
getReady();
doTheDish();
cleanup();
}
abstract void getReady();
abstract void doTheDish();
abstract void cleasnup();
}
public class Recipe1 extends AbstractRecipe() {
@Override
public void getReady() {
//...
}
@Override
public void doTheDish() {
//...
}
@Override
public void cleanup() {
//...
}
}
public class RecipeWithMicrowave extends AbstractRecipe() {
@Override
public void getReady() {
//...
}
@Override
public void doTheDish() {
//...
}
@Override
public void cleanup() {
//...
}
}
public static void main(String[] args) {
Recipe1 recipe = new Recipe();
recipe1.execute();
RecipeWithMicrowave recipeWithMicrowave = new RecipeWithMicrowave();
recipeWithMicrowave.execute();
}
We are implementing a Template Method Pattern in here. For every recipe that we end up creating, we want to make sure it has three steps: getting things ready, doing the dishes, and cleaning up. We are creating an abstract class AbstractRecipe
. Any user who ants to use a recipe, does not need to worry about the fact that an AbstractRecipe
exists. They just create an instance of the particular recipe, and call execute()
on it.
Underneath all that, is the recipe implementation:
Our Journey With Encapsulation Thus Far
We looked at a few examples of how encapsulation is implemented. We saw that:
- At the very basic level, we achieve that by using built-in keywords such as
private
andprotected
around member variables - The next level involves defining utility methods, to achieve encapsulation at a more logical level, to hide variable-level operations
- The next level of abstraction involves creating the appropriate interfaces, or abstract classes
- Another level involves the use of patterns such as Factory Pattern and Strategy Pattern
The thing is, encapsulation does not end at the code level. Let’s look at a few more instances of the same.
Encapsulation In Layered Architecture
When we build enterprise web applications, we normally like to structure them in layers:
The idea behind doing so is that, for example, you do NOT want:
- The Business layer to be too involved with storing and retrieving data
- The Web layer to know this, and also how business logic deals with data
- The Data layer to be bothered about how the application manages communication with other applications
We achieve this be creating an interface in each layer. For example, the Data layer exposes an interface which is used by the Business Layer. Similarly, other layers can also expose interfaces.
A Specific Example: JPA And Hibernate
Another good example of layered encapsulation is that of JPA and Hibernate. JPA is the interface, and Hibernate is the implementation. An application can make use of the JPA annotations, without worrying about the fact that underneath that interface, lies a Hibernate implementation.
Microservices: Common Components
Another example of encapsulation comes from the domain of microservices architecture. Have a look at the following architecture diagram:
Such architectures make heavy use of common components.
Security Example
For example, look at security. Implementation of authentication and authorization is essentially the same across different microservices. By creating a common security component, you can abstract away how you store the security details of a user. It could be a database, or an LDAP server setup, or whatever.
The microservice will just end up using the interface that the Security component provides. The microservice will use the mechanism to ask whether a particular user is authorized to perform an action, but the implementation details are abstracted away.
Web Services
This is another scenario where encapsulation is very much used. Suppose we implement one such service using REST. We expose a URL, as an access point for consumers of this service. We would also specify the formats of the messages to be exchanged with users. How the service is implemented underneath - what language and framework is made use of - does not matter to the consumer. All that matters is the interface.
Summary
In this article, we tried to answer the main question of what Encapsulation is all about. We saw that it is all about hiding the implementation, and providing the right interface to the user. That user might be:
- A class using your class
- A component using your component
- A layer using your layer
- An end-user calling your service
We looked at encapsulation in great detail, at many different levels:
- At a basic level with member variables
- At a method level for better utility
- At an interface or abstract class level
- At a pattern level
- At a application layer level
- At a service component level
In particular, we saw how enterprise applications hide away things behind a component, and provide an interface to it.
Software Design
This is the article in a series of articles on Software Design:
- 1 - How do you keep your design simple?
- 2 - Design Patterns For Beginners - with Java Examples
- 3 - What is Abstraction?
- 4 - Encapsulation - with examples
- 5 - Coupling - with examples
- 6 - Cohesion - with examples
- 7 - Introduction to Evolutionary Design


Updates
- 03/04/2018–I evaluated a new method for functional connectivity called DGM (Dynamic Graphical Models).
This work has now been published in NeuroImage. The work also includes the R package "DGM".
- 05/02/2018–I presented my work on a new connectivity method at UCL (Prof. Karl Friston) and at the FMRIB
at Oxford University (Prof. Stephen Smith).
- 23/06/2017–My new
Poster
I'm going to present at the OHBM Conference in Vancouver.
- 13/05/2017–I will move to the
Big Data Institute at Oxford University.
- 02/03/2017–Together with my colleagues, we organized the
Brainhack Warwick 2017.


Welcome To Javascript
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RouteTransition
public enum RouteTransition
The types of presentation transitions for Routes.
-
Automatically infer the best transition to use.
Declaration
Swift
case inferred
-
Uses
UINavigationController(_:).pushViewController(_:animated:)
.Note
This transition can only be used when you are navigating from aUINavigationController
.If the view controller is already on the navigation stack, this method throws an exception.
Declaration
Swift
case push
-
Uses
UIViewController(_:).present(_:animated:completion:)
.Declaration
Swift
case modal
-
Uses
UINavigationController(_:).setViewControllers(to:animated:)
.Note
This transition can only be used when you are navigating from aUINavigationController
.Use this to update or replace the current view controller stack without pushing or popping each controller explicitly. If animations are enabled, this method decides which type of transition to perform based on whether the last item in the items array is already in the navigation stack. If the view controller is currently in the stack, but is not the topmost item, this method uses a pop transition; if it is the topmost item, no transition is performed. If the view controller is not on the stack, this method uses a push transition. Only one transition is performed, but when that transition finishes, the entire contents of the stack are replaced with the new view controllers. For example, if controllers A, B, and C are on the stack and you set controllers D, A, and B, this method uses a pop transition and the resulting stack contains the controllers D, A, and B.
Declaration
Swift
case set
-
Uses a custom transition.
See
SeeRouterCustomTransitionDelegate
for use.Declaration
Swift
case custom(identifier: String)
-
Transition name
- Example:
.custom(identifier: "myTransition")
becomesmyTransition
Declaration
Swift
public var name: String { get }
- Example:


The purpose of the project was to analyze how weather changes as you get closer to the equator. To accomplish this analysis, we first pulled data from the OpenWeatherMap API to assemble a dataset on over 500 cities.
After Aseembling the dataset, we used Matplotlib to plot various aspects of the weather vs. Latitude. Factors we looked at included: temperature,cloudiness, wind speed, and humidity. This site provides the source data and visualizations created as part of the analysis, as well as explanations and descriptions of any trends and correlations witnessed.


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required: a simple description of what this map shows. Remember to make this clear, especially if you're making your map public!
optional: a page on the web where someone could download the same file you are uploading
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If this box is checked, we will let other people see this map and download the associated data.


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waitForDone()
- Method in class uchicago.src.sim.gui.
BufferSourceStream
weightMap
- Variable in class uchicago.src.sim.network.
AbstractProbabilityRule
weights
- Variable in class uchicago.src.sim.network.
AbstractProbabilityRule
white
- Static variable in class uchicago.src.sim.gui.
ColorMap
widget
- Variable in class uchicago.src.reflector.
PropertyDescriptor
The widget used to manipulate this property
WidgetFactory
- Class in
uchicago.src.reflector
WidgetFactory(Introspector, List, Map)
- Constructor for class uchicago.src.reflector.
WidgetFactory
WidgetInfo
- Interface in
uchicago.src.reflector
Interface for classes that will provide widget creation info for another class.
width
- Variable in class uchicago.src.guiUtils.
ColorIcon
width
- Variable in class uchicago.src.sim.gui.
AbstractGraphLayout
width
- Variable in class uchicago.src.sim.gui.
Display
width
- Variable in class uchicago.src.sim.gui.
DrawableItem
width
- Variable in class uchicago.src.sim.gui.
LegendIcon
width
- Variable in class uchicago.src.sim.gui.
Network2DDisplay
width
- Variable in class uchicago.src.sim.gui.
Painter
willReadBlock()
- Method in class uchicago.src.sim.gui.
BufferSourceStream
windowClosed(WindowEvent)
- Method in class uchicago.src.sim.gui.
RepastConsole
windowClosing(WindowEvent)
- Method in class uchicago.src.sim.gui.
RepastConsole
Wizard
- Class in
uchicago.src.guiUtils
A Wizard style dialog with back, next, finish, and cancel buttons.
Wizard()
- Constructor for class uchicago.src.guiUtils.
Wizard
Wizard(boolean)
- Constructor for class uchicago.src.guiUtils.
Wizard
WORD
- Static variable in class uchicago.src.sim.parameter.
ParameterLexer
WORLD_X_SIZE
- Static variable in class uchicago.src.repastdemos.enn.
EnnBase
WORLD_Y_SIZE
- Static variable in class uchicago.src.repastdemos.enn.
EnnBase
wrapLinks(boolean)
- Method in class uchicago.src.sim.gui.
Network2DGridDisplay
Wraps the drawn links around the edges of the display, assuming the space to be drawn is a Torus, depending on the value of wrap parameter.
write()
- Method in class uchicago.src.sim.analysis.
AbstractDataSourceRecorder
write()
- Method in class uchicago.src.sim.analysis.
DataRecorder
Writes the recorded data out to a file in tabular format.
write(SimDataNew, boolean)
- Method in class uchicago.src.sim.analysis.
DataWriter
write()
- Method in class uchicago.src.sim.analysis.
DistributedDataRecorder
write()
- Method in class uchicago.src.sim.analysis.
LocalDataRecorder
Writes the recorded data out to a file in tabular format.
write()
- Method in class uchicago.src.sim.analysis.
ObjectDataRecorder
Writes all the recorded data (ie Objects) to the file specified in the constructor.
write(OutputStream)
- Method in class uchicago.src.sim.analysis.plot.
RepastPlotBox
Write the current data and plot configuration to the specified stream in PlotML syntax.
write(OutputStream, String)
- Method in class uchicago.src.sim.analysis.plot.
RepastPlotBox
Write the current data and plot configuration to the specified stream in PlotML syntax.
write()
- Method in interface uchicago.src.sim.analysis.
Recorder
Writes the recorded data out to a file in tabular format.
write()
- Method in class uchicago.src.sim.network.
NetworkRecorder
Writes the networks recorded by record(...) to the file specified in the constructor.
write(String, DefaultMutableTreeNode, ArrayList)
- Method in class uchicago.src.sim.parameter.
XMLParameterFileWriter
Creates a parameter file using outputLocation and writes to it all input parameters stored in treeTop and all output parameters stored in .
WRITE_END_KEY
- Static variable in class uchicago.src.sim.analysis.
DistributedDataRecorder
WRITE_FILE
- Static variable in class uchicago.src.sim.analysis.
DataServer
WRITE_HEADER
- Static variable in class uchicago.src.sim.analysis.
DataFileHeader
writeAgents(Collection, String)
- Method in class anl.repast.gis.data.
GeotoolsData
writeAgents(Collection, String, String)
- Method in class anl.repast.gis.data.
GeotoolsData
writeAgents(Collection, String)
- Method in class anl.repast.gis.data.
OpenMapData
write agents to the specified datasource datasource should end with .shp.
writeAgents(Collection, String, String)
- Method in class anl.repast.gis.data.
OpenMapData
write agents to the specified datasource datasource should end with .shp.
writeAgentsNoShp(Collection, Projection, String)
- Method in class anl.repast.gis.data.
OpenMapData
Writes agents created from OpenMap to a Shapefile (.shp, .dbf and .shx).
writeClass(String, String)
- Method in class uchicago.src.codegen.
RSClassLoader
writeDbfFromAgents(Collection, String)
- Method in class anl.repast.gis.data.
OpenMapData
helper function for writeAgentsNoShp writes the dbf file from a list of GisAgents
writeEnd()
- Method in class uchicago.src.sim.analysis.
AbstractDataSourceRecorder
writeEnd()
- Method in class uchicago.src.sim.analysis.
DataRecorder
Writes any ending matter to the file.
writeEnd()
- Method in class uchicago.src.sim.analysis.
DataWriter
writeEnd()
- Method in class uchicago.src.sim.analysis.
DistributedDataRecorder
writeEnd()
- Method in class uchicago.src.sim.analysis.
LocalDataRecorder
Writes any ending matter to the file.
writeEnd()
- Method in interface uchicago.src.sim.analysis.
Recorder
Writes any ending matter to the file.
writeEnd()
- Method in class uchicago.src.sim.analysis.
SimData
Deprecated.
writeFeatureArrayListToDbf(Collection, FeatureArrayList, String, String)
- Method in class anl.repast.gis.data.
OpenMapData
helper function for writeAgents takes the FeatueArrayList and writes it to a dbf file
writeHeader
- Variable in class uchicago.src.sim.analysis.
DistributedDataRecorder
writeHeader
- Variable in class uchicago.src.sim.analysis.
LocalDataRecorder
writeHeader()
- Method in class uchicago.src.sim.analysis.
SimData
writeKey
- Variable in class uchicago.src.sim.analysis.
DistributedDataRecorder
writeKey
- Variable in class uchicago.src.sim.analysis.
LocalDataRecorder
writeMatrix
- Variable in class uchicago.src.sim.space.
Diffuse2D
writeOldSyntax(OutputStream)
- Method in class uchicago.src.sim.analysis.plot.
RepastPlotBox
Deprecated.
writer
- Variable in class uchicago.src.sim.analysis.
DistributedDataRecorder
writer
- Variable in class uchicago.src.sim.analysis.
ObjectDataRecorder
writeShpUsingShp(Collection, String, String)
- Method in class anl.repast.gis.data.
OpenMapData
A helper function for the writeAgents function
writeToFile()
- Method in class uchicago.src.sim.analysis.
AbstractDataSourceRecorder
writeToFile(Object)
- Method in interface uchicago.src.sim.analysis.
BlockFileWriter
Writes the specified object to the file.
writeToFile(Object)
- Method in class uchicago.src.sim.analysis.
DataFileWriter
Writes the specifed object out to a file.
writeToFile()
- Method in class uchicago.src.sim.analysis.
DataRecorder
writeToFile()
- Method in class uchicago.src.sim.analysis.
DistributedDataRecorder
writeToFile(Object)
- Method in class uchicago.src.sim.analysis.
ExcelFileWriter
Writes the specified object (an AjacencyMatrix) to the file.
writeToFile()
- Method in class uchicago.src.sim.analysis.
LocalDataRecorder
Writes the recorded data out to a file in tabular format.
writeToFile()
- Method in class uchicago.src.sim.analysis.
ObjectData
Writes the data (and a file header) out to a file.
writeToFile()
- Method in class uchicago.src.sim.analysis.
OpenHistogramStat
Write the histogram data to a file.
writeToFile()
- Method in class uchicago.src.sim.analysis.
OpenSeqStatistic
Writes the sequence out to a file
writeToFile()
- Method in class uchicago.src.sim.analysis.
OpenSequenceGraph
Writes this graph to a file.
writeToFile()
- Method in class uchicago.src.sim.analysis.
OpenStats
Writes the data stored by this call to a file specified in the constructor.
writeToFile()
- Method in class uchicago.src.sim.analysis.
PlotModel
Writes the data stored by this call to a file specified in the constructor
writeToFile()
- Method in interface uchicago.src.sim.analysis.
Recorder
writeToFile()
- Method in class uchicago.src.sim.analysis.
SimData
Deprecated.
writeToPixel(byte, int, int, int)
- Method in class anl.repast.gis.data.
ESRIRaster
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{% extends "layout.html" %} {% block page_title %} Allocation statements - manage your education and skills funding - GOV.UK {% endblock %} {% block content %} Casterbridge Local Authority (UKPRN: 12345678) View your sub-services Sign out Home Choose a statement type Your 16 to 19 allocation statement Your 16 to 19 allocation statement 16 to 19 funding: academic year 2022 to 2023 £10,579,676 Published: 25 March 2023 UPDATED Funding breakdown View funding breakdown for Casterbridge Local Authority Allocation history View history of allocated funding Explore the topic 16 to 19 funding allocation guides: 2022 to 2023 (opens in new tab) {% endblock %}
View history of allocated funding


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