| Al-Anon Meetings | Alateen Meetings | Return to Home Page | |||||||||
| City | Group Name | Meeting Times | District | Location | Address | Contact | MeetingType | SpokenLang | Beginners | Introductory | Notes |
| Alexander | Alexander AFG | Friday 8:00 PM | 0002 | Immanuel Lutheran Church | 15224 Alexander Road | Madison<PHONE_NUMBER> Pat<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Altus | Circle Of Hope AFG | Thursday 5:30 PM | 0010 | The Gathering Place | 1606 N Franklin St | Angela<PHONE_NUMBER> | Open | English | 0 | 0 | Next To Bank Of The
Ozarks Branch On The Square |
| Arkadelphia | Arkadelphia AFG No 1 | Tuesday 8:00 PM | 0002 | First United Church of Arkadelphia | 107 North 9th Street | Gwen<PHONE_NUMBER> Barbara<PHONE_NUMBER> |
Open | English | 0 | 0 | Sturgis B |
| Arkadelphia | U-Turn AFG | Thursday 6:30 PM | 0002 | Park Hill Baptist Church | 3333 Hollywood Road | Gwen<PHONE_NUMBER> | Closed | English | 0 | 0 | 4th Thursday Of Month We Meet At 7:00 For Potluck, With Speaker At 8:00 PM |
| Ash Flat | Hardy-Ash Flat AFG | Thursday 8:00 PM | 0007 | Ash Flat Church Of Christ | 500 Ash Flat Drive Hwy 167 | Gail<PHONE_NUMBER> | Closed | English | 0 | 0 | |
| Ashdown | Ashdown AFG | Sunday 8:00 PM | 0006 | Gratitude Club | 521 South 5th Street | June<PHONE_NUMBER> Tammy<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Batesville | Batesville AFG | Tuesday 5:30 PM | 0007 | First United Methodist Church Youth Bldg | 7th and Water Street | Bethany W.<PHONE_NUMBER><EMAIL_ADDRESS>|
Open | English | 0 | 0 | Behind the main church building |
| Batesville | Recovery In Action AFG | Friday 7:30 PM | 0007 | AA Building | 175 N Central | Tara<PHONE_NUMBER> Rhonda<PHONE_NUMBER> |
Closed | English | 0 | 0 | Upstairs |
| Bella Vista | Monday Serenity AFG | Monday 7:00 PM | 0001 | St. Bernard's Catholic Church | #1 St. Bernard Lane | Norma<PHONE_NUMBER> Linda<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Bella Vista | Village AFG | Tuesday 7:00 PM Friday 10:15 AM |
0001 | Bella Vista Community Church | 75 E Lancashire Blvd | Tim<PHONE_NUMBER> Katie<PHONE_NUMBER> |
Open | English | 0 | 0 | Handicap Access, Look For AA/Al-Anon Sign |
| Benton | Benton Roundtable AFG | Tuesday 6:30 PM | 0002 | St Matthews Episcopal Church | 1112 Alcoa Rd | Pam<PHONE_NUMBER> Margie<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Bentonville | Bentonville New Beginnings AFG | Monday 5:30 PM Thursday 5:30 PM Saturday 11:00 AM |
0001 | First United Methodist Church | Corner Of NW 2nd And A St | Linda<PHONE_NUMBER> Beth<PHONE_NUMBER> |
Open | English | 1 | 0 | |
| Bismarck | Bismarck AFG | Monday 8:00 PM | 0002 | Bismarck United Methodist Church | 7075 Highway 7 | Sandra<PHONE_NUMBER> Sandra<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Blytheville | Blytheville AFG | Tuesday 6:30 PM | 0004 | St. Stephens Episcopal Church | 1512 Willow | Cleo<PHONE_NUMBER> Marsha<PHONE_NUMBER> |
Closed | English | 0 | 0 | Handicap Access |
| Bryant | Bryant AFG | Monday 7:30 PM | 0002 | First Southern Baptist Church | 604 S Reynolds Rd | Kris<PHONE_NUMBER> Madison<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Bull Shoals | Monday Nite Bull Shoals AFG | Monday 8:00 PM | 0007 | Presbyterian Church | E Broadway & Walnut | Iris<PHONE_NUMBER> | Closed | English | 0 | 0 | |
| Cabot | Cabot Recovery AFG | Tuesday 7:00 PM | 0012 | Our Savior Lutheran Church | 301 S. Pine Street | Bud<PHONE_NUMBER> Betty H.<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Camden | Camden Unity AFG | Wednesday 7:00 PM | 0002 | First Methodist Mission H | 317 Jefferson Ave | Burlen<PHONE_NUMBER> | Closed | English | 0 | 0 | |
| Cherokee Village | Serenity Saturday AFG | Saturday 12:00 PM | 0007 | Spring River Club House | Cherokee Village Mall #2 West | Peggy<PHONE_NUMBER> Tina<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Clinton | Clinton AFG | Tuesday 7:30 PM | 0009 | Clinton United Methodist | 613 Joe Bowling Road | Jeff<PHONE_NUMBER> Anna<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Conway | Conway AFG | Tuesday 7:30 PM Friday 12:00 PM |
0009 | 1st Nazarene Church | 1501 Scott Street | Amy<PHONE_NUMBER> | Closed | English | 0 | 0 | Scott and Faulkner Street |
| Conway | Conway Wednesday Night AFG | Wednesday 8:00 PM | 0009 | Willow Hall | 420 Willow Street | Fran<PHONE_NUMBER> Lauren<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Conway | Monday Night AFG | Monday 7:00 PM | 0009 | First United Methodist Church | 1610 Prince Street | Amy<PHONE_NUMBER> | Open | English | 0 | 0 | Prince and Clifton Street |
| Conway | Wednesday Recovery AFG | Wednesday 5:15 PM | 0009 | Conway Regional Hospital | 2302 College Ave | Dawn<PHONE_NUMBER> Amy<PHONE_NUMBER> |
Open | English | 0 | 0 | Handicap Access, Enter
By Fountain, Past The Elevators, In Conference Room On Right. |
| Conway | Saturday Serenity Group AFG | Saturday 9:30 AM | 0009 | University Church Of Christ | 3155 Dave Ward Dr | Dawn<PHONE_NUMBER> | Closed | English | 0 | 0 | Use Back Door, Handicap Access & Babysitting & Additional Spanish Speaking Members Willing To Help W/Translation |
| Cotter | Cotter New Hope AFG | Tuesday 8:00 PM | 0007 | Wesley United Methodist Church | 129 Memory Ln | Melva<PHONE_NUMBER> | Closed | English | 0 | 0 | Use Side Door |
| Dardanelle | River Valley AFG | Monday 6:00 PM | 0003 | First Presbyterian Church Fellowship Bldg | 111 Quay St | Deborah<PHONE_NUMBER> Martha<PHONE_NUMBER> |
Open | English | 0 | 0 | Spanish Also Spoken |
| El Dorado | El Dorado AFG | Monday 7:00 PM | 0008 | E 6th & N Park | Janna<PHONE_NUMBER> Jan<PHONE_NUMBER> |
Closed | English | 0 | 0 | ||
| Eureka Springs | 9:45AM Coffee Break Womens Meeting | Tuesday 9:45 AM | 0001 | Faith Christian Family Church | 157 Huntsville Rd Hwy 23 S | Jenny<PHONE_NUMBER> Jeanne<PHONE_NUMBER> |
Open | English | 0 | 0 | Use Side Door |
| Eureka Springs | Eureka Springs AFG | Monday 7:00 PM Tuesday 7:00 PM Sunday 11:30 AM |
0001 | Coffee Pot Club | Junction 62N & 23 South | Ellen<PHONE_NUMBER> Jim<PHONE_NUMBER> |
Closed | English | 0 | 0 | Meets In Back Of Club |
| Fayetteville | Fayetteville Monday Night AFG | Monday 7:00 PM | 0001 | St Paul's Episcopal Church | 224 N East Avenue | Rocky<PHONE_NUMBER> | Open | English | 0 | 0 | Handicap Access, Meets In Choir Room |
| Fayetteville | Monday Morning AFG | Monday 8:30 AM | 0001 | St Pauls Episcopal Church | 224 N East Avenue | Twila<PHONE_NUMBER> | Open | English | 0 | 0 | Mtg Is 1 Hour |
| Fayetteville | New Beginning AFG | Thursday 6:00 PM Thursday 7:00 PM |
0001 | Alano Club | 568 W Sycamore | Nell<PHONE_NUMBER> Anita<PHONE_NUMBER> | Open | English | 0 | 0 | Handicap Access, Book Study at 6:00 PM, Discussio |
| Fayetteville | Road To Recovery AFG | Tuesday 12:00 PM Friday 12:00 PM |
0001 | Alano Club | 568 W Sycamore St | Donna<PHONE_NUMBER> Jan<PHONE_NUMBER> |
Open | English | 0 | 0 | Handicap Access |
| Fort Smith | Esperanza GFA | Sunday 4:00 PM | Pioneer Club | 500 N F Street | Jisela<PHONE_NUMBER> Joel<PHONE_NUMBER> | ||||||
| Fort Smith | New Life AFG | Tuesday 8:00 PM | 0010 | Our Reedemer Lutheran Church | Jenny Lind & Cavanaugh | Lynn<PHONE_NUMBER> | Open | English | 0 | 0 | |
| Fort Smith | Noon 12 And 12 AFG | Wednesday 12:00 PM | 0010 | St Luke Church | Waldron & Free Ferry | Mary<PHONE_NUMBER> Leta<PHONE_NUMBER> |
Open | English | 0 | 0 | Meets at 12:10 PM |
| Fort Smith | ODAT AFG | Friday 8:00 PM | 0010 | St Bartholomews Episcopal | 2701 Old Greenwood Rd | Leta<PHONE_NUMBER> | Open | English | 0 | 0 | |
| Fort Smith | Pioneer Beginners Group AFG | Wednesday 8:00 PM | 0010 | Pioneer Club | 500 N F Street | Jamie<PHONE_NUMBER> Darlean<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Fort Smith | Primary Purpose Adult Children AFG | Monday 8:00 PM | 0010 | Goddard Methodist Church | 1922 Dodson | Leta<PHONE_NUMBER> Marcia<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Fort Smith | Serenity Sisters Womens AFG | Thursday 7:00 PM | 0010 | First Christian Church | 3600 Free Ferry | Shirley<PHONE_NUMBER> June<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Fort Smith | Steps To Serenity AFG | Tuesday 6:00 PM | 0010 | Community Bible Church | 9201 Dallas Street | Julie<PHONE_NUMBER> Linda<PHONE_NUMBER> |
Closed | English | 0 | 0 | Step Study |
| Greenbrier | Serenity Seekers AFG | Wednesday 10:00 AM | 0009 | Guy Ar | 5 Hampton | Frances<PHONE_NUMBER> | Open | English | 0 | 0 | |
| Harrison | Harrison AFG | Monday 6:00 PM Thursday 6:00 PM Wednesday 10:00 AM |
0001 | AA Meeting House | 206 South Cherry | Ralph<PHONE_NUMBER> Tonya<PHONE_NUMBER> |
Open | English | 0 | 0 | Last Door On Left Down The Hall |
| Heber Springs | Come As You Are AFG | Friday 8:00 PM | 0009 | Freedom Center | 922 S 10th St | Debbie<PHONE_NUMBER> Fran<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Hope | House Of Hope AFG | Monday 8:00 PM | 0006 | House Of Hope | 110 South Main | Tammy<PHONE_NUMBER> Linda<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Hot Springs | AFG Step Study | Tuesday 8:00 PM | 0002 | AA Building | 411 Seller St | Geneva<PHONE_NUMBER> Holly<PHONE_NUMBER> |
Open | English | 0 | 0 | Downstairs, Step Study |
| Hot Springs | Lifeline AFG | Monday 11:00 AM Thursday 11:00 AM |
0002 | Prince Of Peace Lutheran | 109 Hobson Avenue | Bonnie<PHONE_NUMBER> Susie<PHONE_NUMBER> |
Closed | English | 0 | 0 | Babysitting |
| Hot Springs | Unity AFG | Wednesday 6:00 PM | 0002 | Oaklawn Methodist Church | 216 Higdon Ferry Rd | Ellen<PHONE_NUMBER> | Closed | English | 0 | 0 | |
| Hot Springs Village | Eastgate Book Study AFG | Thursday 7:00 PM | 0002 | Mountainside Methodist Church | 301 Elcano Dr | Carol<PHONE_NUMBER> Gail<PHONE_NUMBER> |
Closed | English | 0 | 0 | Use Side Door, Book Study |
| Hot Springs Village | One Day At A Time AFG | Tuesday 10:15 AM | 0002 | Kirk In The Pines Presbyterian Church | 275 Asturias Drive | Sue<PHONE_NUMBER> Maureen<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Huntsville | Huntsville AFG | Wednesday 8:00 PM | 0001 | Huntsville Presbyterian Church | Church Street | Freta<PHONE_NUMBER> Lavera<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Jacksonville | Been There Done That | Sunday 4:00 PM | 0012 | 119 Spring St | Laura<PHONE_NUMBER> Dennis<PHONE_NUMBER> |
Open | English | 0 | 0 | Handicap Access | |
| Jacksonville | Jacksonville AFG | Tuesday 7:30 PM | 0012 | North Metro Hospital | 1400 Braden St | Ariel<PHONE_NUMBER> | Closed | English | 0 | 0 | Education Bldg |
| Jessieville | Rock House AFG | Wednesday 7:00 PM | 0002 | Rockhouse Fellowship Club | 7419 Hwy 7 N | Gail<PHONE_NUMBER> | Closed | English | 0 | 0 | |
| Jonesboro | Courage AFG | Monday 5:30 PM Thursday 5:30 PM |
0004 | First Methodist Church | 903 Union St | Marsha<PHONE_NUMBER> Grace<PHONE_NUMBER> |
Closed | English | 0 | 0 | Use Back Door |
| Jonesboro | Hope For Us AFG | Wednesday 6:00 PM | 0004 | NEA Baptist Hospital | 3024 Stadium Blvd | Barbara<PHONE_NUMBER> Grace<PHONE_NUMBER> |
Closed | English | 0 | 1 | |
| Jonesboro | Jonesboro AFG | Sunday 2:00 PM Tuesday 12:00 PM Thursday 12:00 PM |
0004 | Recovery Building | 2901 W Washington Spur | Tim<PHONE_NUMBER> Sue<PHONE_NUMBER> |
Closed | English | 0 | 0 | Handicap Access |
| Leachville | Let Go And Let God AFG | Sunday 7:00 PM | 0004 | Let Go And Let God AFG | 104 W. Doc Rodman St. | Martha<PHONE_NUMBER> Grace<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Little Rock | 120 1/2 AFG | Monday 8:00 PM | 0005 | Grace Lutheran Church | 5100 Hillcrest | Karen<PHONE_NUMBER> Carol<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Little Rock | AFG 101 | Wednesday 5:30 PM | 0005 | Pulaski Heights Methodist | 4823 Woodlawn Drive | May<PHONE_NUMBER> Joan<PHONE_NUMBER> |
Closed | English | 0 | 0 | Open Mtg Last Wednesday Of Each Month |
| Little Rock | AFG Step Study | Thursday 5:30 PM | 0005 | Wolfe Street Center | 1015 Louisiana | Elizabeth<PHONE_NUMBER> Jane<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Little Rock | Butterfly AFG | Saturday 11:00 AM | 0005 | Cosmo / Butterfly AFG | 2319 Durwood Road | Rob<PHONE_NUMBER> | Closed | English | 0 | 0 | Handicap Access |
| Little Rock | Cosmo Happy Hour AFG | Thursday 5:30 PM | 0005 | Pulaski Heights Christian Church | 4724 Hillcrest Ave | Nina<PHONE_NUMBER> Joann<PHONE_NUMBER> |
Closed | English | 0 | 0 | Handicap Access, No Children Under The Age Of 13 |
| Little Rock | Cosmopolitan AFG | Thursday 11:00 AM | 0005 | Pulaski Heights Christian Church | 4724 Hillcrest St | Ileane<PHONE_NUMBER> Kathy<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Little Rock | Dia Deja De Sufrir GFA | Tuesday 6:00 PM | 0005 | Baseline Professional Bldg | 6602 Baseline Road, Suite A | Carmen<PHONE_NUMBER> Rocko<PHONE_NUMBER> |
Closed | Spanish | 0 | 0 | |
| Little Rock | Dunbar AFG | Saturday 8:00 PM | 0005 | Wolfe St Center | 1015 Louisiana | Loubelle<PHONE_NUMBER> Constance<PHONE_NUMBER> |
Closed | English | 0 | 0 | Downstairs |
| Little Rock | Men's AFG | Thursday 7:30 PM | 0005 | Pulaski Heights Methodist | 4823 Woodlawn Drive | Derek<PHONE_NUMBER> Doug<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Little Rock | Quapaw Noon AFG | Monday 12:00 PM Wednesday 12:00 PM Friday 12:00 PM |
0005 | Trinity Episcopal Cathedral | 300 W 17th St | Robert D<PHONE_NUMBER> | Closed | English | 0 | 0 | Small Building In Courtyard. Mtg Starts At 12:10 PM |
| Little Rock | Serenity Can Be Fun AFG | Friday 7:00 PM Friday 8:00 PM |
0005 | Calvary Baptist Church | 5700 Cantrell Rd | Jinkie<PHONE_NUMBER> Delynn<PHONE_NUMBER> |
Open | English | 1 | 0 | Handicap Access, Located
In North Educ Annex At Corner Of Fillmore And R Streets. 7:00 PM Newcomer; 8:00 PM Discussion |
| Little Rock | Serenity West AFG | Tuesday 6:00 PM | 0005 | Oasis Renewal Center | 14913 Cooper Orbit Road | Jinkie<PHONE_NUMBER> | Closed | English | 0 | 0 | Handicap Access |
| Little Rock | The Reservoir AFG | Wednesday 7:00 PM | 0005 | Second Presbyterian Church | 600 Pleasant Valley Drive | Merry Alice<PHONE_NUMBER> Wendy<PHONE_NUMBER> |
Open | English | 0 | 0 | Room 64 |
| Little Rock | West Little Rock AFG | Sunday 7:00 PM | 0005 | Second Presbyterian Church, Rm 62 | 600 Pleasant Valley Dr | Sandi<PHONE_NUMBER> Bryson<PHONE_NUMBER> |
Open | English | 0 | 0 | Handicap Access, Enter through West side of building which faces I-430 |
| Little Rock | Wolfe St AFG | Tuesday 11:00 AM | 0005 | Wolfe St Center | 1015 Louisiana | Loubelle<PHONE_NUMBER> Liz<PHONE_NUMBER> |
Closed | English | 0 | 0 | Downstairs |
| Little Rock | Wolfe St Happy Hour AFG | Monday 5:30 PM Friday 5:30 PM |
0005 | Wolfe Street Center | 1015 Louisiana | Lynne<PHONE_NUMBER> Mala<PHONE_NUMBER> |
Closed | English | 0 | 0 | Downstairs |
| Little Rock | Wolfe Street T N T AFG | Tuesday 9:30 AM | 0005 | Wolfe Street Center | 1015 Louisiana | Elaine<PHONE_NUMBER> Alice<PHONE_NUMBER> |
Open | English | 0 | 0 | Handicap Access |
| Magnolia | Magnolia AFG | Monday 7:00 PM | 0002 | AA Hall | 914 N Vine St | Terri<PHONE_NUMBER> | Closed | English | 0 | 0 | |
| Malvern | Peace Of Mind AFG | Wednesday 10:00 AM Thursday 6:00 PM |
0002 | AA Building | 117 W 5th Street | Bernice<PHONE_NUMBER> | Closed | English | 1 | 0 | |
| Marianna | Marianna AFG | Thursday 6:00 PM | 0004 | East Arkansas Substance Abuse Center | 528 W Chestnut | Kelly<PHONE_NUMBER> Wayne<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Melbourne | One Day At A Time Tuesday Night | Tuesday 7:00 PM | 0007 | Nadc Bldg | Main St | Louise<PHONE_NUMBER> | Open | English | 1 | 0 | Handicap Access |
| Mena | Ouachita Valley AFG | Friday 8:00 PM | 0010 | ABC Club | 1159 Hwy 71 South | Sarah<PHONE_NUMBER> Dotty<PHONE_NUMBER> |
Open | English | 0 | 0 | Across from the Chopping Block restaurant in the little |
| Monticello | Pathfinders AFG | Tuesday 6:00 PM | 0008 | First Presbyterian Church | Main Street | Linda<PHONE_NUMBER> Jane<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Mountain Home | Saturday Night AFG | Saturday 7:30 PM | 0007 | Baxter County Regional Hospital | 624 Hospital Dr | Linda<PHONE_NUMBER> | Closed | English | 0 | 0 | |
| Mountain Home | Friday Hi Noon AFG | Friday 12:00 PM | 0007 | Twin Lakes Fellowship | 915 McClure Ln | Nadine<PHONE_NUMBER> | Open | English | 0 | 0 | |
| Mountain View | Tuesday Morning AFG | Tuesday 10:30 AM | 0007 | First Assembly Of God Church | 708 North Bayou Dr | Judy<PHONE_NUMBER> Ann<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Nashville | Nashville AFG | Wednesday 8:00 PM | 0006 | 202 Howard | Joyce<PHONE_NUMBER> | Open | English | 0 | 0 | ||
| Newport | Jackson County AFG | Tuesday 7:00 PM | 0004 | Remmel Church Building | 431 Hwy 145 S | Barbara<PHONE_NUMBER> Tanya<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| North Little Rock | Just For Today AFG | Sunday 3:30 PM | 0012 | 123 F Street | Bruce<PHONE_NUMBER><PHONE_NUMBER> |
Open | English | 0 | 0 | Handicap Access | |
| North Little Rock | A Wing And A Prayer AFG | Tuesday 7:30 PM | 0012 | Bridgeway Hospital Gym | 21 Bridgeway Rd | Christie<PHONE_NUMBER> | Open | English | 0 | 0 | |
| North Little Rock | Rose City AFG | Monday 6:30 PM Wednesday 6:30 PM Friday 6:00 PM |
0012 | Trinity Methodist Church | 4525 Lynch Drive | Deanna<PHONE_NUMBER> Carol<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Pine Bluff | Pine Bluff Parents AFG | Thursday 6:30 PM | 0013 | Central Presbyterian Church | 6300 Trinity Dr | Dan<PHONE_NUMBER> | Open | English | 0 | 0 | Please Use Side Door To Church Office |
| Pine Bluff | Pine Bluff AFG | Monday 7:00 PM Wednesday 7:30 PM Friday 6:00 PM |
0013 | Grace Episcopal Church | 4101 Hazel Street | Bill D<PHONE_NUMBER> Carolyn G<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Rogers | Rogers AFG | Monday 7:00 PM Tuesday 5:30 PM Wednesday 12:00 PM Thursday 7:00 PM |
0001 | Al-Anon Bldg | 217 W Cypress St | Sheila W.<PHONE_NUMBER> | Open | English | 0 | 0 | Step Study Monday at 7:00 PM |
| Searcy | Searcy AFG | Tuesday 6:00 PM | 0009 | Triangle Club | Hwy 36 West | Donna<PHONE_NUMBER> Margo<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Searcy | We Care AFG | Sunday 6:30 PM | 0009 | College Church Of Christ | 712 E. Race Street | Arzetta<PHONE_NUMBER> Rowdy<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Sherwood | Keepin It Real AFG | Friday 7:00 PM | 0012 | The Hope House | 9215 Hwy 107 | Lora<PHONE_NUMBER> Ann C<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Sherwood | Sherwood AFG | Thursday 7:00 PM | 0012 | Sylvan Hills First Baptist | 9008 Highway 107 | Mary<PHONE_NUMBER> Virginia<PHONE_NUMBER> |
Closed | English | 0 | 0 | Use Entrance In Back Of Church. |
| Springdale | Amor Fe Y Esperanza GFA | Monday 6:00 PM Thursday 6:00 PM |
0001 | Iglesia De Cristo | 1506 W Robinson Ave | Laura<PHONE_NUMBER> Yolanda<PHONE_NUMBER> |
Closed | Spanish | 0 | 0 | A Un Lado De Walmart |
| Springdale | Journey To Serenity AFG | Monday 6:00 PM Wednesday 6:00 PM |
0001 | 1st United Methodist Church | 206 Johnson | Sherry<PHONE_NUMBER> Shell<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Springdale | Survival To Recovery AFG | Monday 6:00 PM Saturday 6:00 PM |
0001 | Church of Christ Annex | 1506 W Robinson Ave | Ann<PHONE_NUMBER> Janne<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Springdale | Wisdom AFG | Tuesday 6:00 PM Thursday 6:00 PM |
0001 | First Methodist Church | 206 Johnson | Joy<PHONE_NUMBER> Jane<PHONE_NUMBER> |
Open | English | 0 | 0 | Handicap Access |
| Stuttgart | Yougottawanna AFG | Monday 5:30 PM | 0013 | First Presbyterian Church | 120 West 7th | Shirley<PHONE_NUMBER> Arkie<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Texarkana, AR | Monday Night Study And Discussion AFG | Monday 7:00 PM | 0006 | Disciples Christian Fellowship | 2400 Richmond Road | Alice<PHONE_NUMBER> Rita<PHONE_NUMBER> |
Open | English | 0 | 0 | Annex Bldg In Rear |
| Texarkana, TX | Twin City AFG | Thursday 8:00 PM | 0006 | Serenity Club | 2013 S Ann St | Rita<PHONE_NUMBER> Cassandra<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Texarkana, TX | Wednesday Morning AFG | Wednesday 10:30 AM | 0006 | Sacred Heart Catholic Church | 4505 Elizabeth St | Debbie<PHONE_NUMBER> Gleena<PHONE_NUMBER> |
Open | English | 0 | 0 | |
| Texarkana, TX | Wednesday Newcomers AFG | Wednesday 8:00 PM | 0006 | Serenity Club | 2013 S Ann Street | Mary<PHONE_NUMBER> | Closed | English | 1 | 0 | |
| West Helena | One Day At A Time AFG | Tuesday 7:30 PM | 0004 | 821 E Garland St | Betty<PHONE_NUMBER> Helen<PHONE_NUMBER> |
Closed | English | 0 | 0 | ||
| West Memphis | West Memphis AFG | Monday 8:00 PM Wednesday 6:00 PM |
0004 | AA Clubhouse | 1233 Park Dr | Doris B.<PHONE_NUMBER> Janie B.<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Wynne | Wynne Tuesday Night AFG | Tuesday 7:00 PM | 0004 | Community Based Rehab | 1201 South Falls Blvd | Jane<PHONE_NUMBER> Donna<PHONE_NUMBER> |
Closed | English | 0 | 0 | |
| Return to Home Page | Updated December 8, 2012 | ||||||||||


{% extends "base.html" %} {% block title %}Home{% endblock title %} {% block style %} img {margin: 5px; border: 1px solid #ddd} .section .row:nth-of-type(even) {background-color: #eee} {% endblock style %} {% block content %}
Challenge influences retention, and factors such as player segments, social interactions, time, and money, mediate this influence. PhD dissertation, 2016.
In the mobile game Jelly Splash, three mechanics limit player progression: level difficulty, friend gates, and life regeneration. We found that the difficulty and gate mechanics increase revenues, but also cause churn. Published at FDG 2015.
In this paper, we looked at patterns of play, skill, and progression in a racing game. We also predicted when a player is ready to permanently increase the game's difficulty with precision and recall reaching up to 90%. Published at FDG 2014.
We correlate demographic variables with in-game activity and churn. For 100 World of Warcraft players, 10 drop out every month, but 5 come back to play again. Published at FDG 2014.
2012. PhD advancement paper about retention and buying gold in World of Warcraft.
We looked at demographic, social, and game features related to buying virtual gold in World of Warcraft. Achievement-oriented men with full-time jobs and little time on their hands were more likely to buy gold. Published at FDG 2012.
This paper looked at demographic, social, and game features related to player commitment in World of Warcraft. A quarter of players keep paying $13/month for 6 months or more without even playing the game. Published at FDG 2011.
Players of Ragnarok Online prefer private servers because they provide more customization, tighter communities, and less repetitive gameplay. Published at FDG 2010.


CTR manages the CTR list. Click the CTR in the left navigation menu under SAR & CTR, a new CTR Tab folder will appear in the right panel. There are 3 sub-Tab folders: Search CTR, Search result CTR and Create New CTR.
| CTR Id | This is the system generated unique number for CTR entry in the system. |
| CTR Title | Name of CTR, used to refer to a CTR. |
| DCN# | Document Control number. It is optional |
| BSA Id | Internal BSA Id, it is optional. |
| Org unit Code | The org unit this CTR belongs to. It is used to control access |
| Assign To | Assign to an individual Each CTR has a status and can assign to an individual or a group. |
| Assign To Group | Assign to a Group |
| Status Code | Current status of the CTR |
| Assign Date | The date when the CTR is assigned to |
| AND and OR | Select AND radio box if you want those criteria add together. Select OR radio box if you want to get the result of either criteria meet |
The top part is the table which shows the list of the CTRs that meet the search criteria. The bottom part are the details.
There are Details, Person Involved in Txn(4A), Txn Took Place FI(2A), Document, Email and Action Log Tabs,
In the Details Tab, there are CTR - General, Type of Filing, Parent FI(2A) and Transaction Summary(3A) sub Tabs
Each CTR can have 1 to many Person Involved in Txn(4A) and Txn Took Place FI(2A) records.
Double Click the selected record in the table to modify this entry. A new Tab folder "Update CTR" will be added, as show below.
Select the "Create New CTR" Tab to create a new entry. The mandatory fields in all tabs must be filled.
The easy way to create a new CTR is by copying from another One.
| Field Name | Descriptions. |
|---|---|
| CTR Id | This is the system generated unique number for CTR entry in the system. Click on the copy icon to open a new wizard window to find a CTR to copy from. |
| CTR Title | Name of CTR, used to refer to a CTR. |
| Case Id | The CTR is linked to the case Id if the SAR is created from a Case in the Case Management system. |
| DCN# | Document Control number. It is optional |
| BSA Id | Internal BSA Id, it is optional. |
| Assign To | Assign to an individual Each CTR has a status and can assign to an individual or a group. |
| Assign To Group | Assign to a Group |
| Org unit Code | The org unit this CTR belongs to. It is used to control access |
| CTR Explain | Explain why we need to create this CTR |
| Action Reason | Select a pre-defined action reason in the dropdown menu. |
| Comments | Add comments on creating the CTR |


[SITE_NAME]
[unlockLogIn]
[unlockLogInBtn]
[unlockRememberMe]
or
[unlockAccessCode]
[SITE_NAME]
[unlockAccessCode]
[unlockAccessBtn]
or
[unlockLogIn]


Apply it on the jQuery element, which represents the screen:
$("#screen").resolution(true,
//...
It will display a floating bar on the right bottom part of the document, which is used to switch resolutions. If the first parameter is false, the bar will not appear (this option is useful for production code).
The second parameter is an array of items. If item array has only one element, it is a heder:
[
[ "smartphone" ],
//...
Otherwise, it is a resolution definition:
[ "standard",320,480,1,true, 2 ],
[ "modern",800,480,1,true ],
//...
Fields are: name, width, height (can be swapped), device-pixel-ratio (1 for normal, 2 for retina), rotate and initial mark. If the rotate field is true, the item will generate two buttons: portrait and landscape. The initial mark should be used to select initial resolution and orientation, 1 for portrait, 2 for landscape. If none of the resolution has marked with it, full browser window size will apply.
The third parameter is the callback:
],function(width,height,dpr,test) {
// put your code here
}
It will be called by 4 reasons: at startup, on window resize, on orientation change (so you should use this callback instead of $(window).resize()), and (if the bar is turned on) selecting a resolution on the bar. The last case callback comes with test argument set to true.
Note, that requested width may be decreased by the size of the scrollbar.
Also, there is an optional fourth parameter, which defines attenuation time (ms) for window-resize detection, avoid firing callback too often which leads repainting the app on every little mouse move during window resizing. Default value is 200 ms.
Full example (used on this page):
$("#screen").resolution(true,[
[ "smartphone" ],
[ "cheap",320,240,1,true ],
[ "standard",320,480,1,true ],
[ "modern",800,480,1,true, 2 ], // init: landscape
[ "mot/sony",854,480,1,true ],
[ "premium",960,540,1,true ],
[ "retina" ],
[ "iphone",960,640,2,true ],
[ "iphone5",1136,640,2,true ],
[ "tablet" ],
[ "ipad",1024,768,1,true ],
[ "retina",2048,1536,2,true ],
[ "netbook" ],
[ "cheap",1024,576,1,false ],
[ "value",1024,600,1,false ],
[ "notebook" ],
[ "wide",1366,768,1,false ],
[ "notebook",1280,800,1,false ],
],function(width,height,dpr,test) {
showNotification(
"width=" + width +
"height=" + height +
"dpr=" + dpr +
"test=" + test
);
});
The floating bar is a table. The resolution style class is added to all nodes. The resolution-selected class is used to mark current selected resolution. The resolution1 and resolution2 is used to set different styles to different DPRs.


Go and find good browser, no come stress me...
Coop East
Coop East, Lagos, Nigeria
Copyright © 2020 coopeastngr.com - All Rights Reserved.
Something Big is Coming...


|
I found this in the tutorial for XMLC:
------------------
XMLC is a Java-based compiler that takes a document written in the
Hypertext Markup Language (HTML) or the eXtensible Markup Language (XML)
and creates Java classes that will faithfully recreate the document. The
resulting Java classes can be used to insert dynamic content into the
document framework at run time. XMLC, therefore, is a wonderful way to
create dynamic HTML or XML documents from Java.
------------------
This sounds awfully like JSP to me, which is reason #1 why someone would
use Velocity.
Although I use Velocity for my web work, Velocity is a generic template
engine, it doesn't really care about the rest of the content. And that's
great!
I use XSLT (sorry Jon, promise to give Anakia another look :-) to
prepare my documents from XML into XHTML (this is not done at run time,
not like Cocoon) and Velocity doesn't get upset much by that (except for
the fact that you can't have '&&' (VTL and) in XSLT without applying a
few tricks) but I've overcome that through Ant's nice replacement
techniques...
Anyway, the first bad point to XMLC goes for the pains of code
generation, which Velocity avoids so neatly.
The second is the actual process of designing the complete solution
which is pictured here:
http://xmlc.enhydra.org/project/aboutProject/index.html
Designer designs the page and then engineer puts in the logic? This
sounds very bad to me. There should be a 'box full of Lego's' designers
can choose their functionality from, not the other way around. If
engineers have to be involved in simple projects, it comes back to
employing engineers to do everything in the first place. And why
wouldn't you use even JSP or ECS in such a case?  The XMLC cycle is just too long and it doesn't
make sense at all - what happens when a designer (by mistake or
intentionally) screws up the id's in the page? All of the engineers code
becomes unusable. Now that's a nice separation between presentation and
functionality!
Second bad point.
An example from my 'production line', which illustrates how Velocity
handles the above. I have a few classes that handle all inquiry forms:
one class handles the fields from the form and stores those into a
database, the other one picks the fields and mails them to designated
e-mail address. These classes are beans and are loaded from the only
servlet I ever use (licensed GPL, but could contain any number of bugs
since I wrote it), which handles ALL Velocity pages: 331 lines long
including comments. Beans have scope and all, just like with JSP's.
Once the first ever form is created and debugged, an imaginary web
designer on my 'production line' would copy and existing Velocity page
from a previous project, change the fields (their names, their number...
whatever) in it and the other content. Once they post the page on the
site, that's it. It just works. They didn't even have to talk to an
engineer to get things done. Now that's MUCH better then XMLC!
I think the biggest problem XMLC, JSP and servlets are facing is more of
a philosophical nature: the document is data, not code - and Velocity
treats it exactly like that. Why would you convert your HTML into a Java
class when you want to send it to the browser as text?
My 2 cents. Velocity rocks!
Bojan
|
|


Gateway Timeout
Sorry, but our servers are currently unavailable. We're probably overloaded or down for maintenance. Refresh the page or try again later, this is only temporary.
Take me homeSorry, but our servers are currently unavailable. We're probably overloaded or down for maintenance. Refresh the page or try again later, this is only temporary.
Take me home


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next
MDString Class
Definition at line
60
of
Metadata.hpp
Constructors
MDString
(
const
std::string& value_)
Member Functions
void
Write
(CodeFormatter& formatter)
Member Variables
std::string
value
Constructor Details
MDString Constructor
cmsxi::MDString::MDString(
const
std::string& value_)
Definition at line
45
of
Metadata.cpp
:
45
:
MDItem
(
MDItemKind
::
string
)
,
value
(
value_
)
46
{
47
}
Declaration at line
63
of
Metadata.hpp
Member Function Details
Write Member Function
void
cmsxi::MDString::Write(CodeFormatter& formatter)
Definition at line
49
of
Metadata.cpp
:
50
{
51
formatter
.
Write
(
"\""
)
;
52
formatter
.
Write
(
StringStr
(
value
)
)
;
53
formatter
.
Write
(
"\""
)
;
54
}
Calls:
cmsxi::MDString::Write
Called by:
cmsxi::MDString::Write
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- Reassure them. Let them know that help is on the way.
- Ask them if anyone is injured or if anyone needs special assistance (for example, people
with claustrophobia) and find out how many people are stuck in the elevator.
- Contact Security at extension 55 (internal phone system).
- Stay on site until help arrives. Continue to reassure people.
If a person’s condition worsens, inform Security.
If you can’t reach Security, dial 911.


load_users(filepath,
batch_size=None,
stochastic=False,
threshold=4)
|
|
Load users from a text file. If `batch_size` is given, behaves like a
generator and returns one batch at a time. Each user is represented as a
list of tuples, where each tuple contains an item id and a rating.
Each line is assumed to contain a 3-tuple of a user id, an item id,
and a rating. The ratings of users should be grouped. For example:
1488844 1 3
1488844 8 4
1488844 17 2
1488844 30 3
8850131 33 4
8850131 35 1
8850131 86 5
- Parameters:
filepath (str ) - path to file containing data
batch_size (int ) - the number of users to return at once
stochastic (bool ) - if True, the batch size is drawn from a Poisson distribution
threshold (int ) - only load users whose rating is greater or equal this threshold
- Returns:
list /generator
- returns either a list of users or a generator of lists of users
|


The primary use case of the dataset tool is managing JSON documents. There exist a common secondary use case of including support for "attached" non-JSON documents. Example 1, when we harvest content from a system who does not support JSON natively it is handy to keep a version of the harvested content for audit purposes. The EPrints system has a REST API that returns XML. Storing the original EPrint XML document gives the developer an ability to verify that their JSON rendering matches the EPrint XML should their JSON needs change in the future.
This raises questions of how to keep things simple while supporting an arbitrary number of attachments for JSON object document? How do you handle versioning when some types of collections need it for attachments and others don't?
The dataset command line tool and related Go package store the attachments un-versioned by default in the pairtree. The un-versioned attached document is stored in a pairtree in the “attachments” folder of the collection. This is true regardless of the storage engine used (e.g. pairtree storage, sql storage). The attached document is stored by its basename. The basename must be unique among the documents attached otherwise it will be overwritten when attaching another document using the same basename.
If you need versioning you create your collection with versioning support. Attaching the documents will automatically version based on the basename of the attachment. When retrieving a specific version you need to support a semver using the appropraite versioned verb. By default reads will be the current version of the document, meaning the version with the “largest” semver value. In a versioned collection two files with the same basename will result in different “versions” of the document with the highest semver reflecting the most recent addition.
It is easier to see with this example. We have a dataset collection called "Sea-Mamals.ds". We have a JSON object stored called "walrus". We want to attach "notes-on-walrus.docx" which is on our local drive under "/Users/fred/Documents/notes-on-walrus.docx".
Using the dataset cli you issue the follow command --
dataset create Sea-Mamals.ds walrus '{"description": "may have tusks", "size": "impressive"}'
dataset attach Sea-Mamals.ds walrus \
/Users/fred/Documents/notes-on-walrus.docx
The results in a simple directory stricture for the JSON object and attachment.
Sea-Mamanls/pairtree/wa/lr/us/walrus.json
Sea-Mamanls/attachments/wa/lr/us/notes-on-walrus.docx
The directory structured for versioned attachments and JSON document is more complex. In the case of the JSON document the semver gets embedded in the JSON document name while the attachments are stored in subfolders by version. The assignment of the semver is automatic based on the collection’s original setup.
In version 2 of dataset the JSON document remain unmodified. You will
nolonger see added attributes like _Key
or
_Attachments
in the object. Likewise attachments will
remain unaltered beyond remaining the file path to the basename when the
attachment is made. Versions are in their own version folder.


Screening of Polanski movie to go ahead despite allegation
PARIS (AP) - The Paris screening of a new French-Italian film “An Officer and a Spy” is going ahead despite a new allegation that its director Roman Polanski raped a woman decades ago. Tuesday’s screening will be attended by the film’s crew.
French media say several interviews with actors from the movie have been canceled, however, including with Jean Dujardin and Louis Garrel.
The French daily Le Parisien on Friday reported claims from a French woman in her early 60s that she was assaulted at age 18 in 1975 by Polanski at his chalet in Gstaad, Switzerland.
Polanski “firmly contests” the allegation, his lawyer said.
Polanski has been a fugitive from the U.S. for more than four decades since pleading guilty to a sex offense.
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Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


The layout builder helps to configure the layout with preferred options and preview it in real time.
The configured layout options will be saved until you change or reset them.
To use the layout builder choose the layout options and click the Preview button to preview the changes. demos & documentationcan be used for layout config in /src/app/core/_config/demo2/layout.config.ts'">


<!--
-->
The Big Red Marching Band
Fall 2013 - present
Having done marching band in high school, it only seemed natural to check out the marching band Cornell had to offer. After following the trail of chalkings from North and then taking a "shortcut" that was not a shortcut, I ended up safely in the Fischell Band Center, surrounded by sound and voices and many, many people.
I picked saxophone that day, and played a short scale audition after having a quick lesson from my section leader, Christian N. I had never played saxophone before, but because saxophone and flute (my old primary instrument) share so many similar fingerings, it was roughly a smooth transition. Also, I had played clarinet in the past, so the reeded mouthpiece was no surprise.
After that day it has been a blur of music, parading, cheers, friends, hugs, and memories. I am in love with the sax section and there I will stay. Coming in this fall I will also be involved with the Show Committee (ShowChom) in designing the drills and formations that will accompany our shows.
Cornell Computer Animation
Fall 2013 - present
I've been animating since sophomore year of high school as a hobby. Animation is the reason why I am currently pursuing computer graphics classes. It's something I truly enjoy and make time for.
I emailed the Student Activities Office the summer before freshman year, inquiring if there was an Animation Club on campus. From the reply I received it seemed as though in the past there was such a club, but at present there was none.
Totally not acceptable.
I visited the office in person (Willard Straight Hall) once I got on campus to find out the procedure for registering the club.  All you need is four people to fulfill basic officer positions, a faculty adviser, and then you're set. The faculty adviser part is usually the most difficult one, but I was lucky because I was almost immediately put into contact with Professor Kavita Bala, who is in the Computer Graphics department.
After spamming on Facebook groups and sending dozens of emails to those who expressed interest, the club was born.
Our first two semesters was a mix of Blender tutorials, 2D animating, story pitches, doodles and talent from our lovely Art subteam, club movie outings, Friday movie showings, and a dinner at the end of each semester to enjoy each other. It's been a wonderful journey, seeing what kind of people animation attracts. High-quality people, I tell you.
Right now we're crafting a curriculum for the fall semester, seeing as last year there were meetings that were not planned well and therefore not executed well. We're going to eliminate the "so...what are we supposed to be doing" stance that many of our previous meetings, especially during the spring, took on. In addition, we may implement an additional branch, Computer Animation Team, whose goal is to produce an animated short during the semester, versus the club, whose goal is to teach animation/art lessons to people every week.
SO MANY THINGS
Asian American InterVaristy
Fall 2013 - present
In full honesty, I have not committed to AAIV for my entire four years. I made very hasty decisions fall freshman year, facing a rough transition into college life and being very unsure of myself and of my faith. I had to find some stability in having choices finalized for the semester, so I decided to commit to AAIV for the time being.
I was orginally very distant from AAIV first semester, preferring instead to hang with my marching band friends on Fridays, or to sleep, or to do anything besides attending AAIV. I went to small group regularly however, because I found community in my small group that really helped.
Second semester, I found obstacles I could not conquer by myself. I found myself breaking, and I couldn't do anything about it. I ran to friends the first time, and they helped. But the second time around I realized that there are some things that I just needed to give up.
God was there for me, and I must never forget how at the pit of where I was emotionally and mentally, He was what got me through. Not my own strength - but His.
I started making an effort to attend AAIV regularly, despite my woes in my heavy courseload. I played piano for worship team once. That was special.
I found community in AAIV, and I grew close to people. They helped me be accountable to who I am as a Christian.
I plan on visiting other fellowships next semester, not because I am dissatisfied with AAIV, but because I didn't give them a chance. In other words, I haven't considered all my options yet. I'm blessed to be at a campus where there is more than only one Christian fellowship, and I want to give them my time and consideration. My goal is to commit to one by next spring.
Code Red Robotics
Fall 2013 - present
I contacted the head mentor of Code Red my first semester, asking how I could get involved. FIRST Robotics was an integral part of my high school experience, and I wanted to continue the experience, but as a mentor. I was excited to see how I could contribute to this kind of community which I have grown to be very fond of.
It turns out that we college students were very welcome to join and support the team. Originally dubbed an Animation Mentor, my role became ambiguous after FIRST announced that the animation prompt during build season was again cancelled. Despite this, I have found the experience to be rewarding - the one time I was able to contribute took the form of a 4-hour long animation activity in the Tompkins Public Library. I spent the time with four students - we discussed different things about animation and ended up putting together a short 2D animation that faintly resembled a "don't drink and drive" graphic.
I highly doubt that animation will be as much of a part of FIRST as it was when I was in high school, so I am looking towards contributing towards the PR/Website groups or the Programming groups of Code Red, which only seems fitting given my studies in Computer Science and my interest in Web Design. We'll see.
Sun Photography
Fall 2013 - Spring 2014
Summer 2012 was when I first started taking pictures with my Canon t3i. Coming in to college, I wanted to be kept accountable to taking photos regularly, so I applied to the Cornell Daily Sun as a photographer.
I really enjoyed working for the Sun first semester. I met a bunch of cool people in the photo department, which was, for the majority, CS majors (funny how that happens). I went to different events around campus, and felt a surge of satisfaction whenever my shots made the paper. I saw a lot of different lectures and seminars, and grew in understanding of the diverse campus I am blessed to be a part of. There was so much going on in the different colleges that I would never have seen had I not been scheduled to take pictures that day.
Second semester, what with a heavier courseload, suddenly every minute I spent doing something other than study or homework was one less minute I had to sleep or eat. I recall how I would go to some events and doze off in the middle of getting shots. I remember how the stress I was facing was putting a damper on all the things I did for fun, including Sun Photography. Taking photos became less and less fun because it was no longer in my leisure that I was taking them, but in the time I wanted for other purposes.
For the time being, I've decided to go inactive as a Sun photographer. I might rejoin again; I might not. This summer I've already tasted that old pleasure of hearing the shutter button snap, of going through my photos, of editing them in Photoshop and sharing them with friends. I've realized that I don't need to have a photography position to force myself to take pictures - I love taking pictures anyways. I don't know where this hobby will take me, but I'm willing to ride along.
Cornell Chimes
Spring 2014
One of the tours I had before I came on campus mentioned the Cornell Chimesmasters. Since that day, I had been drawn with curiosity to the old tower and the clanging bells.
The first time I mounted the 161 steps to the top of the clocktower was within an hour or so of my first CS prelim. I was anxious; I needed a quick distraction. I was walking through the arts quad and decided then and there to go climb the 161 steps.
Up high in that tower was wind, the shuddering of the mighty bells, and the angular sunlight cutting across the beams that held us in the sky. The tower was also a hotspot for couples, who found the cramped space somehow suitable for a not-so-private moment. I might have been the only person up there who was there on my own. Despite not having the space only to myself, the view was spectacular. I leaned against one of the rails and stared out into the magnificent fall sunset. All the colors were represented in the edge bisecting horizon and earth.
Trying out for Chimes in the spring then was a no-brainer. I remember how the soothing sound of the chimes and the feel of my hands pressing down the worn wooden levers would soothe the day's worries, anger, or sadness. Music does wonders.
But as I practiced, I also realized the life that I was auditioning for. Being a Chimesmaster is no easy task. The commitment it requires is very serious. As a Chimesmaster, not only would I have to practice very hard to get songs down, to be proficient, but I would also have to give concerts, to fulfill song requests, and the like. It's a lot of tough work for something that is also extremely rewarding.
My time currency was at an all-time low. As much as I enjoy the Chimes, I am not okay about spending many hours a week practicing on the chimes. I also realized that even after a lot of years in music my rhythm needed much work, and that my chimes playing was rather sloppy. I was not willing to sacrifice time for other things to have my audition piece down perfectly.
It was no big surprise then, when I was unable to get past the first round of auditions.
In retrospect, I am forever grateful for the chance to try out. Trying out for Chimes has given me great respect for all past and current and future Chimesmasters - for their dedication, for how they climb so many stairs to bring us music, for the smiles they bring when they play favorite songs. I am looking forward to next spring, where I plan on trying out for fun. I won't always have this opportunity.


|
TinyOS Tutorial: System and Hardware Verification
Last updated 23 September 2003 |
When working with embedded devices, it is very difficult to debug applications. Because of this, you want to make sure that the tools you are using are working properly and that the hardware is functioning correctly. This will save you countless hours of searching for bugs in your application when the real problem is in the tools. This lesson will show you how to check your system and the hardware.
A TinyOS development environment requires the use of avr gcc compiler, perl, flex, cygwin if you use windows operation system, and JDK 1.3.x or above. We provide a tool named toscheck to check if the tools have been installed correctly and that the environment variables are set.
Run toscheck (it should be in your path - a copy is also in tinyos-1.x/tools/scripts). The output should be something like:
toscheck
Path:
/usr/local/bin
/usr/bin
/bin
/cygdrive/c/jdk1.3.1_01/bin
/cygdrive/c/WINDOWS/system32
/cygdrive/c/WINDOWS
/cygdrive/c/avrgcc/bin
.
Classpath:
/c/alpha/tools/java:.:/c/jdk1.3.1_01/lib/comm.jar
avrgcc:
/cygdrive/c/avrgcc/bin/avr-gcc
Version: 3.0.2
perl:
/usr/bin/perl
Version: v5.6.1 built for cygwin-multi
flex:
/usr/bin/flex
bison:
/usr/bin/bison
java:
/cygdrive/c/jdk1.3.1_01/bin/java
java version "1.3.1_01"
Java(TM) 2 Runtime Environment, Standard Edition (build 1.3.1_01)
Java HotSpot(TM) Client VM (build 1.3.1_01, mixed mode)
Cygwin:
cygwin1.dll major: 1003
cygwin1.dll minor: 3
cygwin1.dll malloc env: 28
uisp:
/usr/local/bin/uisp
uisp version 20010909
toscheck completed without error.
The last line is the most important. If any errors are reported, make sure to fix the problem.
To test the hardware, we have provided an application: MicaHWVerify. It is designed for the purpose of verifying mica/mica2/mica2dot mote hardware only. If you have a different hardware platform, this application is not suitable.
Change to the apps/MicaHWVerify directory and type
(mica platform) make mica (mica2/mica2dot) PFLAGS=-DCC1K_DEF_FREQ=<freq> make [mica2|mica2dot] |
For the mica2/mica2dot, see the MICA2 Radio documentation for how to choose <freq>. The compilation process should complete without any errors (Compilation for the mica2dot will generate a warning about the SerialID component). If it compiled correctly, it will print out a profile of the memory used by the application. While the exact build directory and memory footprints will vary depending on your platform, it should look like:
compiled MicaHWVerify to
build/mica2/main.exe
10386 bytes in ROM
390 bytes in RAM
avr-objcopy --output-target=srec build/mica2/main.exe
build/mica2/main.srec
Next step is to install the application onto a mote. Place a powered-on node into a programming board. The red LED on the programming board should light. Connect the programming board to the parallel port of your computer. To load the program on to the device, using a parallel port programmer, type
make reinstall [mica|mica2|mica2dot] |
See "Device Programmer Tools" for installation instructions for other programmers. The output should look like:
installing mica2 binary
uisp -dprog=<yourprogrammer> -dhost=c62b270 -dpart=ATmega128
--wr_fuse_e=ff --erase --upload if=build/mica2/main.srec
Atmel AVR ATmega128 is found.
Uploading: flash
Fuse Extended Byte set to 0xff
Now you know that the programming tools and the computer's parallel port are working. The next step is to verify the mote hardware. First, confirm that the LEDs are blinking like a binary counter. Next, connect the programming board to the serial port of the computer. The hardware verify program will send data over the UART that contains it status. To read from the serial port, we provide a java tool called hardware_check.java. It is located in the same directory. Build and run this tool. The commands are shown below assuming you are using COM1 at 57.6 KBaud to connect to the programming board.
make -f jmakefile
MOTECOM=serial@COM1:57600 java hardware_check
See "Serial-line communication in TinyOS" for more information on how to specify a serial port (or other communication method) for use with hardware_check. The output on the PC should be something like:
hardware_check started
Hardware verification successful.
Node Serial ID: 1 60 48 fb 6 0 0 1d
This program checks the serial ID of the mote (except on the mica2dot), the flash connectivity, the UART functionality and the external clock. If all status checks are positive, the hardware verification successful message will be printed on your PC scream. If you see any failure report on your monitor, you might need get another mote.
To verify radio, you need two nodes. Take a second node (that
has passed the hardware check up to this point) and install it with TOSBase.
This node will act as a radio gateway to a second node. Once
installed, leave this node in the programming board and place the
original node next to it. Re-run the hardware_check java
application. The output should be the same as shown in the previous
section (but will display the serial ID of the remote mote). The
indication of a working radio system is, again, something like:
hardware_check started
Hardware verification successful.
Node Serial ID: 1 60 48 fb 6 0 0 1d
If the remote mote is turned off or not functioning, it will return a message "Node transmission failure".
If your system and hardware pass all the above tests, you are all set for having some fun with TinyOS. Congratulations.


nips nips2004 nips2004-17 nips2004-17-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Jing Wang, Zhenyue Zhang, Hongyuan Zha
Abstract: Recently, there have been several advances in the machine learning and pattern recognition communities for developing manifold learning algorithms to construct nonlinear low-dimensional manifolds from sample data points embedded in high-dimensional spaces. In this paper, we develop algorithms that address two key issues in manifold learning: 1) the adaptive selection of the neighborhood sizes; and 2) better ﬁtting the local geometric structure to account for the variations in the curvature of the manifold and its interplay with the sampling density of the data set. We also illustrate the effectiveness of our methods on some synthetic data sets. 1
[1] M. Brand. Charting a manifold. Advances in Neural Information Processing Systems, 15, MIT Press, 2003.
[2] D. Donoho and C. Grimes. Hessian Eigenmaps: new tools for nonlinear dimensionality reduction. Proceedings of National Academy of Science, 5591-5596, 2003.
[3] S. Roweis and L. Saul. Nonlinear dimensionality reduction by locally linear embedding. Science, 290: 2323–2326, 2000.
[4] L. Saul and S. Roweis. Think globally, ﬁt locally: unsupervised learning of nonlinear manifolds. Journal of Machine Learning Research, 4:119-155, 2003.
[5] E. Teh and S. Roweis. Automatic Alignment of Local Representations. Advances in Neural Information Processing Systems, 15, MIT Press, 2003.
[6] J. Tenenbaum, V. De Silva and J. Langford. A global geometric framework for nonlinear dimension reduction. Science, 290:2319–2323, 2000.
[7] Z. Zhang and H. Zha. Principal Manifolds and Nonlinear Dimensionality Reduction via Tangent Space Alignment. SIAM J. Scientiﬁc Computing, 26:313–338, 2004.
[8] J. Wang, Z. Zhang and H. Zha. Adaptive Manifold Learning. Technical Report CSE04-21, Dept. CSE, Pennsylvania State University, 2004.


Link 1
Link 2
Link 3
Reports
Report 1
Report 2
Report 2
Report 3
Projects
Project 1
Created 27 days ago
+New Project


Rename It
Keep your Sketch files orgnized.
Batch renaming layers and artboards has never been so easy.
Install Plugin
Version: 3.0
Rename in Sequence
Sequencelly rename layers in either ascending
or descending order.
Keywords
- %n Asceding numbered sequence
- %N Descending numbered sequence
- %A Alphabet sequence
Pro Tip
- %nn This will output 01, 02, 03 and so on
- %a Lowercase alphabet sequence
Current Layer Name
The keyword * will copy the current selected layer(s) name.


Info
Welcome to the generated API reference. Get Postman Collection
Article management
APIs for managing articles
Show all articles
Api to list all articles
Example request:
curl -X GET -G "http://localhost:8000/auth/articles" \
-H "Authorization: Bearer {token}"
const url = new URL("http://localhost:8000/auth/articles");
let headers = {
"Authorization": "Bearer {token}",
"Accept": "application/json",
"Content-Type": "application/json",
}
fetch(url, {
method: "GET",
headers: headers,
})
.then(response => response.json())
.then(json => console.log(json));
Example response:
null
HTTP Request
GET /auth/articles
Show one article
Api to show one article
Example request:
curl -X GET -G "http://localhost:8000/auth/articles/1" \
-H "Authorization: Bearer {token}"
const url = new URL("http://localhost:8000/auth/articles/1");
let headers = {
"Authorization": "Bearer {token}",
"Accept": "application/json",
"Content-Type": "application/json",
}
fetch(url, {
method: "GET",
headers: headers,
})
.then(response => response.json())
.then(json => console.log(json));
Example response:
null
HTTP Request
GET /auth/articles/{id}
Create an article
Api to create an article
Example request:
curl -X POST "http://localhost:8000/auth/articles" \
-H "Authorization: Bearer {token}" \
-H "Content-Type: application/json" \
-d '{"main_title":"hic","secondary_title":"commodi","content":"ut","image":"tempora","author_id":18}'
const url = new URL("http://localhost:8000/auth/articles");
let headers = {
"Authorization": "Bearer {token}",
"Content-Type": "application/json",
"Accept": "application/json",
}
let body = {
"main_title": "hic",
"secondary_title": "commodi",
"content": "ut",
"image": "tempora",
"author_id": 18
}
fetch(url, {
method: "POST",
headers: headers,
body: body
})
.then(response => response.json())
.then(json => console.log(json));
HTTP Request
POST /auth/articles
Body Parameters
| Parameter | Type | Status | Description |
|---|---|---|---|
| main_title | string | required | The main title of the article. |
| secondary_title | string | required | The secondary title of the article. |
| content | string | required | The content of the article. |
| image | file | optional | The image for the article. |
| author_id | integer | optional | the ID of the author of the article |
Delete
Api to delete an article
Example request:
curl -X DELETE "http://localhost:8000/auth/articles/1" \
-H "Authorization: Bearer {token}"
const url = new URL("http://localhost:8000/auth/articles/1");
let headers = {
"Authorization": "Bearer {token}",
"Accept": "application/json",
"Content-Type": "application/json",
}
fetch(url, {
method: "DELETE",
headers: headers,
})
.then(response => response.json())
.then(json => console.log(json));
HTTP Request
DELETE /auth/articles/{id}
Update
Api to update an article
Example request:
curl -X PUT "http://localhost:8000/auth/articles/1" \
-H "Authorization: Bearer {token}"
const url = new URL("http://localhost:8000/auth/articles/1");
let headers = {
"Authorization": "Bearer {token}",
"Accept": "application/json",
"Content-Type": "application/json",
}
fetch(url, {
method: "PUT",
headers: headers,
})
.then(response => response.json())
.then(json => console.log(json));
HTTP Request
PUT /auth/articles/{id}
Author Login
LogIn
LogIn to your account.
Example request:
curl -X POST "http://localhost:8000/api/login" \
-H "Authorization: Bearer {token}" \
-H "Content-Type: application/json" \
-d '{"email":"molestias","password":"dignissimos"}'
const url = new URL("http://localhost:8000/api/login");
let headers = {
"Authorization": "Bearer {token}",
"Content-Type": "application/json",
"Accept": "application/json",
}
let body = {
"email": "molestias",
"password": "dignissimos"
}
fetch(url, {
method: "POST",
headers: headers,
body: body
})
.then(response => response.json())
.then(json => console.log(json));
Example response (200):
{
"status": true,
"code": 200,
"msg": "author token",
"version": "1.0.0",
"data": []
}
HTTP Request
POST /api/login
Body Parameters
| Parameter | Type | Status | Description |
|---|---|---|---|
| string | required | The email of your account | |
| password | string | required | The password of your account |
Author management
APIs for managing authors
Show all authors
Api to list all authors
Example request:
curl -X GET -G "http://localhost:8000/auth/authors" \
-H "Authorization: Bearer {token}"
const url = new URL("http://localhost:8000/auth/authors");
let headers = {
"Authorization": "Bearer {token}",
"Accept": "application/json",
"Content-Type": "application/json",
}
fetch(url, {
method: "GET",
headers: headers,
})
.then(response => response.json())
.then(json => console.log(json));
Example response:
null
HTTP Request
GET /auth/authors
Show one author
Api to show one author
Example request:
curl -X GET -G "http://localhost:8000/auth/authors/1" \
-H "Authorization: Bearer {token}"
const url = new URL("http://localhost:8000/auth/authors/1");
let headers = {
"Authorization": "Bearer {token}",
"Accept": "application/json",
"Content-Type": "application/json",
}
fetch(url, {
method: "GET",
headers: headers,
})
.then(response => response.json())
.then(json => console.log(json));
Example response:
null
HTTP Request
GET /auth/authors/{id}
Create an author
Api to create an author
Example request:
curl -X POST "http://localhost:8000/auth/authors" \
-H "Authorization: Bearer {token}" \
-H "Content-Type: application/json" \
-d '{"name":"rerum","password":"rerum","email":"non","location":"laudantium","github":"fuga","twitter":"nihil"}'
const url = new URL("http://localhost:8000/auth/authors");
let headers = {
"Authorization": "Bearer {token}",
"Content-Type": "application/json",
"Accept": "application/json",
}
let body = {
"name": "rerum",
"password": "rerum",
"email": "non",
"location": "laudantium",
"github": "fuga",
"twitter": "nihil"
}
fetch(url, {
method: "POST",
headers: headers,
body: body
})
.then(response => response.json())
.then(json => console.log(json));
HTTP Request
POST /auth/authors
Body Parameters
| Parameter | Type | Status | Description |
|---|---|---|---|
| name | string | required | The name of the author. |
| password | string | required | The password of the author. |
| string | required | The email of the author. | |
| location | string | required | The location of the author. |
| github | string | optional | The github account of the author. |
| string | optional | The twitter account of the author. |
Delete
Api to delete an author
Example request:
curl -X DELETE "http://localhost:8000/auth/authors/1" \
-H "Authorization: Bearer {token}"
const url = new URL("http://localhost:8000/auth/authors/1");
let headers = {
"Authorization": "Bearer {token}",
"Accept": "application/json",
"Content-Type": "application/json",
}
fetch(url, {
method: "DELETE",
headers: headers,
})
.then(response => response.json())
.then(json => console.log(json));
HTTP Request
DELETE /auth/authors/{id}
Update
Api to update an author
Example request:
curl -X PUT "http://localhost:8000/auth/authors/1" \
-H "Authorization: Bearer {token}"
const url = new URL("http://localhost:8000/auth/authors/1");
let headers = {
"Authorization": "Bearer {token}",
"Accept": "application/json",
"Content-Type": "application/json",
}
fetch(url, {
method: "PUT",
headers: headers,
})
.then(response => response.json())
.then(json => console.log(json));
HTTP Request
PUT /auth/authors/{id}


I am originally from Salt Lake City, Utah and graduated from the University of Utah with a Bachelor of Fine Arts Degree in Illustration. I have worked as a marketing coordinator, graphic designer and web designer throughout my career. I have played guitar for many years. I once studied guitar from Robert Fripp. I have played jazz guitar for many years and perform semi regularly at McMenamins Spanish Ballroom in Tacoma.
My Top 10 List of favorite movies
- Waiting for Guffman
- Pale Rider
- Death Proof
- The Jerk
- Swingers
- Zelig
- Superbad
- Sean of the Dead
- Rubin and Ed
- Napoleon Dynamite
Education and Work Experience
- University of Utah -BFA Illustration
- Marketing Coordinator/Graphic Artist - Machine Toolworks/li>
- Design Specialist - Pierce Transit
- Jazz Guitarist and Vocalist - Keith Musig Trio
- Candy Shoppe - Tacoma based Dance band
- Musig-Christensen Duo - Jazz group


Your author has been recorded.
Thanks for Contributing!
{% extends "base_generic.html" %} {% block title %}
Born: {% firstof author.date_of_birth "Not available" %}
Died: {% firstof author.date_of_death "Still alive" %}
Here there should be some data about the author from the database, but I didn't model the Author with such data because I'm stupid.
Go to AuthorSorry! We have no authors
{% endif %} {% endblock %} {% block scripts %} {% endblock %}


{%extends "confreg/confadmin_base.html"%} {%load assets%} {%block title%}wiki: {{page.title}}{%endblock%} {%block extrahead%} {%asset "js" "selectize" %} {%asset "css" "selectize" %} {%endblock%} {%block layoutblock%}
Note! Changes made on this page will not be reflected in the wiki page history. Instead, they will be emailed to the conference list.
To make content changes, use the regular editor.
Back {%endblock%}


[gecode-users] Value intersection problem
Morten Boysen
boysen at itu.dk
Sat Jan 24 16:08:40 CET 2009
Hi
The values were not sorted. We sorted the values before using them with
inter_v and ít solved the problem. :-)
I have a small follow-up question regarding advisors:
We use a series of advisors to schedule the propagator, but we are
uncertain on what ModEvent is used, if the domain of the variable the
advisor is attached to becomes smaller, but is still larger than 1?
Kind regards
Morten
Christian Schulte skrev:
> Hi
>
>
>
> Are the values sorted? They must be even though the documentation
> doesn’t say it (damn).
>
>
>
> Christian
>
>
>
> --
>
> Christian Schulte, www.it.kth.se/~cschulte/
>
>
>
> *From:* users-bounces at gecode.org [mailto:users-bounces at gecode.org] *On
> Behalf Of *Anden blah
> *Sent:* Friday, January 23, 2009 4:44 PM
> *To:* users at gecode.org
> *Subject:* [gecode-users] Value intersection problem
>
>
>
> Hi
>
> I am trying to restrict the values of an IntView by doing the following:
> ...(values is given as parameter for the method containing this code,
> the type is const set<string>& )
>
>
> vector<string> v;
>
> for(set<string>::const_iterator setIt = values.begin(); setIt!=
> values.end(); setIt++)
> {
> v.push_back(*setIt);
> }
> GECODE_AUTOARRAY(int,restrictedDoms,v.size());
> for(int i=0;i<v.size();i++)
> {
> restrictedDoms[i] = atoi(v[i].c_str());
> }
> Gecode::Iter::Values::Array restrictIterator(restrictedDoms, v.size());
>
> return iv.inter_v(homeFZ, restrictIterator, false);
>
> ---
>
> I can inspect the code and see that the values contained in
> "restrictedDoms" are the values 1 to 10. Furthermore I can see that
> iv.size() is 10 (values 1 to 10) before the call to inter_v (and
> unassigned of course). Then after the call to inter_v, iv is assigned,
> and I can see that the value it is assigned to is the first value in the
> restrictedDoms array.
>
> So what am I doing wrong?
>
> Thanks!
>
> Andreas
>
> p.s. Of course it is useless to intersect a variable with domain 1 to
> 10 with the values 1 to 10, but still the behavior is unexpected.
>
> ------------------------------------------------------------------------
>
> What can you do with the new Windows Live? Find out
> <http://www.microsoft.com/windows/windowslive/default.aspx>
>
>
> ------------------------------------------------------------------------
>
> _______________________________________________
> Gecode users mailing list
> users at gecode.org
> https://www.gecode.org/mailman/listinfo/gecode-users
More information about the gecode-users
mailing list


Fun With Links
Pure CSS, no pre-rendered images. Try the hovers!
- Basic Link
- Link With Shadow
- Link in a Box
- Basic Button
- Cancel Button
- Rounded Button
- Gradient Button
- Fancy Button
Let's make something round
View the source for these; notice that the image is exactly the same, unaltered file. The portrait effect is achieved with CSS.


 I took 1 whole sugar cube..It had like a blue dot where the drop was made. Someone later told me, examining the other cubes I had, that it looked like 3, or 4 hits. I freaked out! I have tripped many times and after reading lots about the acid tests and lots of history about the 60's I believed I was normal, and was just having fun. I never before 'Freaked' or even got out of hand, this night..I was so far gone. It involved me running across the highway in the middle of the night, thinking I was going to be kidnapped, and was being chased, then after trying to break store windows to get the police, I tried to kick in the little booth at a gas station mini mart. Because I thought one of the customers was one of the killers and he was gonna shoot me. I screamed and begged the gas station guy to call 911 and he wouldn't listen so I started kicking the door thinking he was in on it.
Police arrived and I thought they were the black military.(all the cops 3 cruisers showed up, they were all black) I thought I had been captured by the black military and he questioned me and put me in the cruiser. I was waiting when 4 guys pulled up and I later found that they were just asking for directions, I thought they were asking the black military to give me up..(they were white in hippy clothes) I figured this was the white hippy group trying to save me from the black military, So I told the cops I didn't feel well so I could get out of the back seat. (I had used this tactic originally to jump out of the car on the highway, of the two girls I thought were kidnapping me.) When I got out of the cruiser I grabbed one of the hippies shirt and screamed and begged him to take me with them.. The guy looked at me Like I was NUTS. I said 'You know me right???? Please take me with you' He was like...I don't know you dude...He was looking at me like i WAS A MENTAL PATIENT.
Well I ended up going to the police station and My girlfriend had to take a cab from Manhattan to Long island just to get me home. They let me off saying I had just smoked some bad pot, but the chief officer wanted to bust me for LSD But I had nothing on me..MY pupils were HUGE the Cops were like woa look at this guys eyes.  At the point they found me at the gas station, I begged the cops not to shoot me.
But I admit when I got to Orlando to see the dead..I took a half of the other cube :-) I just figured don't let my imagination run wild.. Try and behave normal and think happy thoughts..If you think about bad, sad, or painful situations while tripping they will put you on a bad trip..I thought a bad trip was bullshit..people who didn't know how to take the drug. But it got me and I was really freaked out. I honestly believed I was going to die that night. I apologize for the typing but I am really tired.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


The chosen domain is trisected by three mainstream disciplines, that of Design, Management Science and Computer Science.
Boundary Objects, Knowledge transfer, Collaborative task dynamics


Postural advice during pregnancy
Standing
Try not to stand in one position for too long.  Do not stick your bump out or wear high heels!
Sitting
The pelvis should be above the knees so use a small towel or cushion under your buttocks. Your buttocks should be right at the back of the chair and your feet should be on the floor (this will be difficult if the chair is too large for you). At the office use the tilt on the base of the chair. If the pelvis is in a good position the spine naturally follows.
- Try not to cross your legs as it slows the return of the blood back up to the heart and causes varicose veins.
- On the sofa don't slump, lie on your side if you are watching the television or relaxing.
Lying in bed
This is a difficult one. During the late stages of pregnancy you can get pretty uncomfortable due to the extra weight and being static for such long periods.
Lie on your side. Put a pillow between your legs and a small pillow under your bump, to fill the space between it and the bed. This stops torsion going through the spine. If you are getting hip pain a duvet under the sheet can help.
Around the house
If you have back pain anything in mid bending position will hurt and damage the back such as:
- Emptying the dishwasher - kneel down empty the dishes onto a surface and then put them away.
- Making beds. - kneel on the floor.
- Vacuuming - try and get someone else to do it!
Lift carefully bend your knees and lift and DO NOT lift and twist.


ATC - Air Traffic Control
Version: 1.1.0
GOAL.
Your goal is to maneuver safely the planes in your area.
You need to:
- take off planes waiting at runways;
- land the planes at destination runways;
- maneuver the planes out of destination points at altitude of
36000 feet.
The simulation ends when:
- user requests to exit the simulation;
- a plane collision is detected, the collision happens when
the distance between two planes are lower then 4 nautical miles and the
altitude difference is lower then 1000 feet;
- a wrong destination is reached;
- a plane crash is reported whenever a plane lands in wrong
direction.
Scores are sorted in order of the number of planes safe.
Suspending a game is not permitted.
Select here for more help
Author
Marco Marini
<EMAIL_ADDRESS>http://www.mmarini.org
Marco Marini


I am a Front End/Full Stack Web Developer with previous experience in web site development,
data management, and video/audio production. I have an eye for creativity, a skill for analyzing data and a the strong drive to provide excellence. I have a BA Degree in Radio/TV Communications from the University of Central Florida, and am also CompTIA A+, Net+, and HFMA CRCR Certified.
Studied digital media and business administration at the University of Central Florida.
2001: Graduated with a BA Degree in Communications.
Held several internships at AMFM and Cox Media.
Worked as a student employee assisting production of the Coach's show, a UCF production.
1996-2004: Served in various production roles and as technical director for several ministries.
2007-2010: Owned A Majestic Moments Digital Studios, a special event and wedding videography company and maintained company website.
2009-2017: Worked as a Medical Biller and in 2016 became HFMA CRCR Certified.
2014-2015: Worked as a Data Manager at CoopDigity.
Attended a 12 Week ASP.NET/C# Full Stack Web Developer Boot Camp at Coder Camps.


http://www.speakers-podium.com/susangranger.
Susan Granger's review of "JAKOB THE LIAR" (Columbia Pictures)
I suspect that if "Life is Beautiful" had not won last year's Oscar, this Holocaust film would be more appreciated.  In this adaptation of Jurek Becker's 1969 best-seller by French writer/director Peter Kassovitz, Robin Williams plays Jakob, the latke (pancake) maker, who lives in a Polish ghetto. He's a widower who gets caught, allegedly after curfew, and sent to Gestapo headquarters where he overhears a radio bulletin indicating that Russian forces are advancing on Warsaw. Cautiously making his way home, he encounters a ten year-old girl (Hannah Taylor Gordon), an Anne Frank look-alike, whose parents were taken to a concentration camp and, sympathetically, shelters her. The next morning, Jakob is so excited about the war news that he confides it to one friend who tells another, who tells another, who tells another. Soon the gritty ghetto is humming, and the assumption is that Jakob has a forbidden radio on which he heard the broadcast. Suddenly Jakob becomes a celebrity, a reluctant hero because of his wishful thinking. "My crowning achievement: latkes and lies," he moans. But it's this dark joke, a sunny day, and a hopeful rumor that helped a few doomed Jews survive in 1944. Despite an awkward, indulgent screenplay, Robin Williams delivers a solid, restrained characterization, supported by Liev Schreiber, Alan Arkin, Armin Mueller-Stahl, and Bob Balaban. On the Granger Movie Gauge of 1 to 10, "Jakob the Liar" is a serio-comic 7. Curious side-note: Kassovitz sent the script to Robin Williams because he thought Williams was Jewish. He isn't, but he found the concept intriguing.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Computer users and programmers have become so accustomed to using Windows, even for the changing capabilities and the appearances of the graphical.
Computer users and programmers have become so accustomed to using Windows, even for the changing capabilities and the appearances of the graphical.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore.

Post a Job


Figure 2:
Contour of the steady-state of the distribution function in the
presence of a dc electric field. The parameters are ,
,
,
and electron-electron collision is
calculated using non-relativistic
. The contour
levels are
for
. This figure is a re-plot of Fig. 10 in Karney's
paper[2].
|
Figure 3:
Steady-state of the distribution function in the presence of a dc
electric field. The electron-electron collision is calculated using
non-relativistic
.
|
Figure 4:
Steady-state of the distribution function in the presence of a dc
electric field. The electron-electron collision is calculated using
non-relativistic
.
|
YouJun Hu
2012-12-08


Sugar & Spice * * (out of * * * * )
Directed by Francine McDougall. Cast: Marley Shelton, Mena Suvari, Rachel Blanchard, Marla Sokoloff, Melissa George, Sarah Marsh, James Marsden, Alexandra Holden, Sean Young, W. Earl Brown. 2001 - 80 minutes Rated PG-13 (for profanity and sexual situations). Reviewed by Dustin Putman, January 23, 2001.
Diane Weston (Marley Shelton) is the famed head chearleader of the "A" squad at Lincoln High School. Her best friends and co-cheerleaders are the tough-as-nails Kansas (Mena Suvari), the religious-nut Hannah (Rachel Blanchard), the Conan O'Brien-obsessed Cleo (Melissa Georgia), and the book-smart Lucy (Sara Marsh). From the second Diane literally knocks sweet football jock Jack Bartlett (James Marsden) down while doing backflips at a school pep rally, they falls instantly in love. Before long, Diane is pregnant, and realizing their love for each other, she and Jack decide to get married. With her at home with a bun in the oven, and Jack working minimum-wage at a video store, Diane forms a plan for her and the girls to learn from the mistakes of movie character thieves, so that they can successfully rob a bank and get the amount of cash each of them needs for the future.
This is the setup of "Sugar & Spice," a highly satirical jab at cheerleaders, bank robberies, and teenage pregnancy from director Francine McDougall and screenwriter Mandy Nelson. What begins as an inanely unfunny "stupid teen movie" eventually finds its footing at the 20-minute mark to become a surprisingly clever and knowing comedy that curiously pays tribute to many popular gangster/thief movies, including "Reservoir Dogs," "Heat," "Dog Day Afternoon," and "Point Break." The writing miraculously becomes fresh and appropriately zany, and the film runs at a fast pace, never growing outwardly tedious for a minute (save for the whole terrible opening section).
Moving at the trajectory it was remaining successfully on, "Sugar & Spice" might have been an early moviegoing surprise for 2001. Unfortunately, just as the film has gained maximum momentum, it ends abruptly in midstream, never wrapping up its characters or the story in any satisfying manner. At just 80 minutes (including end credits), the picture feels rushed and rather pointless--a nice enough diversion, but one that fails to go that extra mile to become anything other than such.
The characters, in staying with the satire of the piece, which often reminds one of 1999's far superior "Election" and "Drop Dead Gorgeous," fit neatly into the package and are entertaining individuals, except for one problem: they are never developed outside of one or two personal traits. Because of this, their potentially bright, inspired performances are more or less wasted. Marley Shelton (1999's "The Bachelor") appears in almost every scene as the put-upon protagonist, Diane, but she remains at arm's length with the viewer, never being allowed to break out from a broad caricature. The same goes for the rest of the girls, with rising star Mena Suvari (1999's "American Beauty") sorely wasted as the edgy Kansas. Marla Sokoloff (2000's "Whatever It Takes") does offer up some fun, however, as the spiteful Lisa, a member of the "B" squad cheerleading team who dispises the "A" squad and, coincidentally, witnesses the bank robbery and recognizes the girls (despite being equipped with Betty doll masks). Meanwhile, James Marsden (2000's "X-Men") has nothing to do but look and act like a lovable, if immature, doofus.
For the majority of its too-brief running time, "Sugar & Spice" runs so close to the line of delightfully savage lampooning that it is all the more disappointing when the movie never follows through with its ambitious nature. Writer Mandy Nelson surely knows how to write smart-allecky, at time even ingenious, dialogue, but she has failed in exposing any sort of emotional truths about its characters or the situations. Since that is the key to a good satire--playfully mocking people and valid societal issues while offering up a bit of ironic realism--"Sugar & Spice" ultimately misses the boat by a millimeter.
- Copyright 2001 by Dustin Putman http://us.imdb.com/ReviewsBy?Dustin+Putman http://www.atnzone.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


"""High-level polynomials manipulation functions. """
from __future__ import print_function, division
from sympy.polys.polytools import (
poly_from_expr, parallel_poly_from_expr, Poly)
from sympy.polys.polyoptions import allowed_flags
from sympy.polys.specialpolys import (
symmetric_poly, interpolating_poly)
from sympy.polys.polyerrors import (
PolificationFailed, ComputationFailed,
MultivariatePolynomialError, OptionError)
from sympy.utilities import numbered_symbols, take, public
from sympy.core import S, Basic, Add, Mul, symbols
from sympy.core.compatibility import range
@public
[docs]def symmetrize(F, *gens, **args):
"""
Rewrite a polynomial in terms of elementary symmetric polynomials.
A symmetric polynomial is a multivariate polynomial that remains invariant
under any variable permutation, i.e., if ``f = f(x_1, x_2, ..., x_n)``,
then ``f = f(x_{i_1}, x_{i_2}, ..., x_{i_n})``, where
``(i_1, i_2, ..., i_n)`` is a permutation of ``(1, 2, ..., n)`` (an
element of the group ``S_n``).
Returns a tuple of symmetric polynomials ``(f1, f2, ..., fn)`` such that
``f = f1 + f2 + ... + fn``.
Examples
========
>>> from sympy.polys.polyfuncs import symmetrize
>>> from sympy.abc import x, y
>>> symmetrize(x**2 + y**2)
(-2*x*y + (x + y)**2, 0)
>>> symmetrize(x**2 + y**2, formal=True)
(s1**2 - 2*s2, 0, [(s1, x + y), (s2, x*y)])
>>> symmetrize(x**2 - y**2)
(-2*x*y + (x + y)**2, -2*y**2)
>>> symmetrize(x**2 - y**2, formal=True)
(s1**2 - 2*s2, -2*y**2, [(s1, x + y), (s2, x*y)])
"""
allowed_flags(args, ['formal', 'symbols'])
iterable = True
if not hasattr(F, '__iter__'):
iterable = False
F = [F]
try:
F, opt = parallel_poly_from_expr(F, *gens, **args)
except PolificationFailed as exc:
result = []
for expr in exc.exprs:
if expr.is_Number:
result.append((expr, S.Zero))
else:
raise ComputationFailed('symmetrize', len(F), exc)
else:
if not iterable:
result, = result
if not exc.opt.formal:
return result
else:
if iterable:
return result, []
else:
return result + ([],)
polys, symbols = [], opt.symbols
gens, dom = opt.gens, opt.domain
for i in range(0, len(gens)):
poly = symmetric_poly(i + 1, gens, polys=True)
polys.append((next(symbols), poly.set_domain(dom)))
indices = list(range(0, len(gens) - 1))
weights = list(range(len(gens), 0, -1))
result = []
for f in F:
symmetric = []
if not f.is_homogeneous:
symmetric.append(f.TC())
f -= f.TC()
while f:
_height, _monom, _coeff = -1, None, None
for i, (monom, coeff) in enumerate(f.terms()):
if all(monom[i] >= monom[i + 1] for i in indices):
height = max([ n*m for n, m in zip(weights, monom) ])
if height > _height:
_height, _monom, _coeff = height, monom, coeff
if _height != -1:
monom, coeff = _monom, _coeff
else:
break
exponents = []
for m1, m2 in zip(monom, monom[1:] + (0,)):
exponents.append(m1 - m2)
term = [ s**n for (s, _), n in zip(polys, exponents) ]
poly = [ p**n for (_, p), n in zip(polys, exponents) ]
symmetric.append(Mul(coeff, *term))
product = poly[0].mul(coeff)
for p in poly[1:]:
product = product.mul(p)
f -= product
result.append((Add(*symmetric), f.as_expr()))
polys = [ (s, p.as_expr()) for s, p in polys ]
if not opt.formal:
for i, (sym, non_sym) in enumerate(result):
result[i] = (sym.subs(polys), non_sym)
if not iterable:
result, = result
if not opt.formal:
return result
else:
if iterable:
return result, polys
else:
return result + (polys,)
@public
[docs]def horner(f, *gens, **args):
"""
Rewrite a polynomial in Horner form.
Among other applications, evaluation of a polynomial at a point is optimal
when it is applied using the Horner scheme ([1]).
Examples
========
>>> from sympy.polys.polyfuncs import horner
>>> from sympy.abc import x, y, a, b, c, d, e
>>> horner(9*x**4 + 8*x**3 + 7*x**2 + 6*x + 5)
x*(x*(x*(9*x + 8) + 7) + 6) + 5
>>> horner(a*x**4 + b*x**3 + c*x**2 + d*x + e)
e + x*(d + x*(c + x*(a*x + b)))
>>> f = 4*x**2*y**2 + 2*x**2*y + 2*x*y**2 + x*y
>>> horner(f, wrt=x)
x*(x*y*(4*y + 2) + y*(2*y + 1))
>>> horner(f, wrt=y)
y*(x*y*(4*x + 2) + x*(2*x + 1))
References
==========
[1] - http://en.wikipedia.org/wiki/Horner_scheme
"""
allowed_flags(args, [])
try:
F, opt = poly_from_expr(f, *gens, **args)
except PolificationFailed as exc:
return exc.expr
form, gen = S.Zero, F.gen
if F.is_univariate:
for coeff in F.all_coeffs():
form = form*gen + coeff
else:
F, gens = Poly(F, gen), gens[1:]
for coeff in F.all_coeffs():
form = form*gen + horner(coeff, *gens, **args)
return form
@public
[docs]def interpolate(data, x):
"""
Construct an interpolating polynomial for the data points.
Examples
========
>>> from sympy.polys.polyfuncs import interpolate
>>> from sympy.abc import x
A list is interpreted as though it were paired with a range starting
from 1:
>>> interpolate([1, 4, 9, 16], x)
x**2
This can be made explicit by giving a list of coordinates:
>>> interpolate([(1, 1), (2, 4), (3, 9)], x)
x**2
The (x, y) coordinates can also be given as keys and values of a
dictionary (and the points need not be equispaced):
>>> interpolate([(-1, 2), (1, 2), (2, 5)], x)
x**2 + 1
>>> interpolate({-1: 2, 1: 2, 2: 5}, x)
x**2 + 1
"""
n = len(data)
if isinstance(data, dict):
X, Y = list(zip(*data.items()))
else:
if isinstance(data[0], tuple):
X, Y = list(zip(*data))
else:
X = list(range(1, n + 1))
Y = list(data)
poly = interpolating_poly(n, x, X, Y)
return poly.expand()
@public
def rational_interpolate(data, degnum, X=symbols('x')):
"""
Returns a rational interpolation, where the data points are element of
any integral domain.
The first argument contains the data (as a list of coordinates). The
``degnum`` argument is the degree in the numerator of the rational
function. Setting it too high will decrease the maximal degree in the
denominator for the same amount of data.
Example:
========
>>> from sympy.polys.polyfuncs import rational_interpolate
>>> data = [(1, -210), (2, -35), (3, 105), (4, 231), (5, 350), (6, 465)]
>>> rational_interpolate(data, 2)
(105*x**2 - 525)/(x + 1)
Values do not need to be integers:
>>> from sympy import sympify
>>> x = [1, 2, 3, 4, 5, 6]
>>> y = sympify("[-1, 0, 2, 22/5, 7, 68/7]")
>>> rational_interpolate(zip(x, y), 2)
(3*x**2 - 7*x + 2)/(x + 1)
The symbol for the variable can be changed if needed:
>>> from sympy import symbols
>>> z = symbols('z')
>>> rational_interpolate(data, 2, X=z)
(105*z**2 - 525)/(z + 1)
References
==========
Algorithm is adapted from:
http://axiom-wiki.newsynthesis.org/RationalInterpolation
"""
from sympy.matrices.dense import ones
xdata, ydata = list(zip(*data))
m = degnum + 1
k = len(xdata) - m - 1
if k<1:
raise OptionError("Too few values for the required degree.")
c = ones(m+k+1, m+k+2)
for j in range(max(m, k)):
for i in range(m+k+1):
c[i, j+1] = c[i, j]*xdata[i]
for j in range(k+1):
for i in range(m+k+1):
c[i, m+k+1-j] = -c[i, k-j]*ydata[i]
r = c.nullspace()[0]
return (sum(r[i] * X**i for i in range(m+1))
/ sum(r[i+m+1] * X**i for i in range(k+1)))
@public
[docs]def viete(f, roots=None, *gens, **args):
"""
Generate Viete's formulas for ``f``.
Examples
========
>>> from sympy.polys.polyfuncs import viete
>>> from sympy import symbols
>>> x, a, b, c, r1, r2 = symbols('x,a:c,r1:3')
>>> viete(a*x**2 + b*x + c, [r1, r2], x)
[(r1 + r2, -b/a), (r1*r2, c/a)]
"""
allowed_flags(args, [])
if isinstance(roots, Basic):
gens, roots = (roots,) + gens, None
try:
f, opt = poly_from_expr(f, *gens, **args)
except PolificationFailed as exc:
raise ComputationFailed('viete', 1, exc)
if f.is_multivariate:
raise MultivariatePolynomialError(
"multivariate polynomials are not allowed")
n = f.degree()
if n < 1:
raise ValueError(
"can't derive Viete's formulas for a constant polynomial")
if roots is None:
roots = numbered_symbols('r', start=1)
roots = take(roots, n)
if n != len(roots):
raise ValueError("required %s roots, got %s" % (n, len(roots)))
lc, coeffs = f.LC(), f.all_coeffs()
result, sign = [], -1
for i, coeff in enumerate(coeffs[1:]):
poly = symmetric_poly(i + 1, roots)
coeff = sign*(coeff/lc)
result.append((poly, coeff))
sign = -sign
return result


{% extends "main.html" %}
{% trans "You are already a registered member. You can log out" %} {% trans "here" %}.


Design With Integrity
Graphic and Visual Designer with a background in Illustration, possessing skills in branding, logo design, graphic design, concept development, design consultations, and web design.
Currently looking for opportunities!
To design with integrity is to design with a purpose and compromise little on important, critical details. It is also a promise of good work ethics, on-time deliverables, and reliability.
My name is Tannie Duong (T+Annie, Yeuong, there are two d's in the Vietnamese alphabet, that are "hard" and "soft" in pronunciation. Blame it on the French as they say...).
What I can do for you: branding that includes logo designing, mood boards, iconography, style guides. My background in illustration allows me with an keen eye for good story-telling. I'm a web designer with a decent knowledge in HTML5, CSS3, and basic Javascript. I can help you design a wireframe and code up a static html website.
My end goal is simply to help in creating a great project(s) with great people.


Research Professor of Information Engineering John R Williams
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Cyber Security Course
Visiting Ant Financial China
At Home
Professional Education
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This webpage contains "best practice" advice on the LDM.
/queue/size
"
and "/queue/slots
") sufficiently
large so that the age of the oldest product in the queue is greater than the
maximum latency
parameter ("/server/max-latency
"). Once you get close
enough, set the "/reconciliation-mode
" parameter to "increase
queue
". Use the "ldmadmin plotmetrics
" command to help you
determine when you're close.
REQUEST
entries for the same data to two, different,
upstream LDM-s.
EXEC
entries in the LDM
configuration-file so that the LDM process-group will be
signaled when a new product is inserted.
REQUEST
entry in the LDM configuration-file,
ldmd.conf
,
into multiple, smaller, disjoint entries.
More information.
pqact
, then you should consider having multiple EXEC
pqact...
entries in your
LDM configuration-file
-- each
using a different, feedtype-specific
pqact configuration-file
and
having a different -f feedtype
option. This will reduce
the size of
each pqact
's configuration-file and, consequently, the time spent
attempting to find a matching entry.


Punkidelay
Punkidelay is a kind of stylophone based on Atari punk console.
It's a diy synth designed by the Spain based collective called Familiar.
I designed this casing for the sinth in a way that any user would be able to put it tegether and use it.
The device is made out of lasercutted polycarbonate. you can find some work in progress pics here
For more info about the Punkidelay and to get instructions to make one just click here
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Time-Space is Html5 Makeup Web and Computer Repair
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The Shimek PTO welcomes all families to participate in our organization, whose mission is to promote community ties and student success within our school. We support parents and teachers working together to provide the best learning opportunities and environment for our students. We meet monthly in the Library at Shimek. Please join us to learn more about the workings of our fine school and how you can become involved. We meet the second Wednesday of every month.


#include "uip.h"
#include "webclient.h"
#include "resolv.h"
#include <string.h>
Include dependency graph for webclient.c:
Functions | |
| char * | webclient_mimetype (void) |
| Obtain the MIME type of the current HTTP data stream. | |
| char * | webclient_filename (void) |
| Obtain the filename of the current HTTP data stream. | |
| char * | webclient_hostname (void) |
| Obtain the hostname of the current HTTP data stream. | |
| unsigned short | webclient_port (void) |
| Obtain the port number of the current HTTP data stream. | |
| void | webclient_init (void) |
| Initialize the webclient module. | |
| void | webclient_close (void) |
| Close the currently open HTTP connection. | |
| unsigned char | webclient_get (char *host, u16_t port, char *file) |
| Open an HTTP connection to a web server and ask for a file using the GET method. |


{% extends 'base.html' %} {% from 'bootstrap/form.html' import render_form, render_field %} {% block content %}
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Get the registration key from an admin.


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{% blocktrans %}We have sent an e-mail to you for verification. Follow the link provided to finalize the signup process. Please contact us if you do not receive it within a few minutes.{% endblocktrans %}