|
e-puck
1.0
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Manage po3030k registers (three timers) More...
Macros | |
| #define | MCLK ((long) 14745600) /* 14.7456Mhz */ |
| #define | MCLK_P_NS 0.067816840278 /* Master clock period in ns */ |
| #define | ARRAY_ORIGINE_X 210 |
| #define | ARRAY_ORIGINE_Y 7 |
| #define | BASE_D1 0 |
| #define | BASE_D2 0 |
| #define | BASE_D3 0 |
| #define | BASE_D4 0 |
| #define | DEVICE_ID 0xDC |
| #define | FRAME_WIDTH 0x0353 |
| #define | FRAME_HEIGTH 0x01e8 |
| #define | WINDOW_X1_BASE 9 |
| #define | WINDOW_Y1_BASE 13 |
| #define | WINDOW_X2_BASE 17 |
| #define | WINDOW_Y2_BASE 21 |
| #define | BIAS_BASE 25 |
| #define | COLGAIN_BASE 29 |
| #define | INTEGR_BASE 39 |
| #define | SPEED_ADDR (45 - BASE_D1) |
| #define | MIRROR_BASE 47 |
| #define | SAMPLING_ADDR ( 51 - BASE_D2 ) |
| #define | ADCOFF_BASE ( 53 - BASE_D2 ) |
| #define | FLICKM_BASE ( 55 - BASE_D2 ) |
| #define | FLICKP_BASE 59 |
| #define | COLOR_M_ADDR (67 - BASE_D3) |
| #define | MODE_R5G6B5 0x08 |
| #define | MODE_YUV 0x02 |
| #define | MODE_GRAYSCALE 0x0c |
| #define | SEPIA_BASE 69 |
| #define | LENSG_BASE 73 |
| #define | EDGE_BASE 79 |
| #define | GAMMA_BASE 83 |
| #define | COLOR_COEF_BASE 107 |
| #define | CBCRGAIN_BASE 125 |
| #define | BRICTR_BASE 129 |
| #define | SEPIATONE_BASE 133 |
| #define | VSYNCSTART_BASE (145 - BASE_D4) |
| #define | VSYNCSTOP_BASE (149 - BASE_D4) |
| #define | VSYNCCOL_BASE (153 - BASE_D4) |
| #define | WW_BASE 157 |
| #define | AWVAETOL_BASE 159 |
| #define | AESPEED_BASE 161 |
| #define | EXPOSURE_BASE 163 |
| #define | REFREPO_BASE 169 |
| #define | MINMAXEXP_BASE 175 |
| #define | MINMAXAWB_BASE 183 |
| #define | WEIGHWIN_BASE 195 |
| #define | AWBAEENABLE_BASE 211 |
| #define | GAMMASELCOL_BASE 215 |
| #define | NB_REGISTERS (sizeof(cam_reg)/(2*sizeof(cam_reg[0]))) |
Functions | |
| void | e_po3030k_write_cam_registers (void) |
| void | e_po3030k_read_cam_registers (void) |
| int | e_po3030k_set_color_mode (int mode) |
| int | e_po3030k_set_sampling_mode (int mode) |
| int | e_po3030k_set_speed (int mode) |
| int | e_po3030k_set_wx (unsigned int start, unsigned int stop) |
| int | e_po3030k_set_wy (unsigned int start, unsigned int stop) |
| int | e_po3030k_set_vsync (unsigned int start, unsigned int stop, unsigned int col) |
| int | e_po3030k_set_register (unsigned char adr, unsigned char value) |
| int | e_po3030k_get_register (unsigned char adr, unsigned char *value) |
| void | e_po3030k_set_bias (unsigned char pixbias, unsigned char opbias) |
| int | e_po3030k_set_color_gain (unsigned char global, unsigned char red, unsigned char green1, unsigned char green2, unsigned char blue) |
| void | e_po3030k_set_integr_time (unsigned long time) |
| void | e_po3030k_set_mirror (int vertical, int horizontal) |
| void | e_po3030k_set_adc_offset (unsigned char offset) |
| void | e_po3030k_set_sepia (int status) |
| void | e_po3030k_set_lens_gain (unsigned char red, unsigned char green, unsigned char blue) |
| void | e_po3030k_set_edge_prop (unsigned char gain, unsigned char tresh) |
| void | e_po3030k_set_gamma_coef (unsigned char array[12], char color) |
| void | e_po3030k_write_gamma_coef (void) |
| int | e_po3030k_sync_register_array (unsigned char start, unsigned char stop) |
| void | e_po3030k_SetColorMatrix (unsigned char array[3 *3]) |
| void | e_po3030k_set_cb_cr_gain (unsigned char cg11c, unsigned char cg22c) |
| void | e_po3030k_set_brigh_contr (unsigned char bright, unsigned char contrast) |
| void | e_po3030k_set_sepia_tone (unsigned char cb, unsigned char cr) |
| void | e_po3030k_set_ww (unsigned char ww) |
| void | e_po3030k_set_awb_ae_tol (unsigned char awbm, unsigned char aem) |
| void | e_po3030k_set_ae_speed (unsigned char b, unsigned char d) |
| void | e_po3030k_set_exposure (long t) |
| void | e_po3030k_set_ref_exposure (unsigned char exp) |
| void | e_po3030k_set_max_min_exp (unsigned int max, unsigned int min) |
| void | e_po3030k_set_max_min_awb (unsigned char minb, unsigned char maxb, unsigned char minr, unsigned char maxr, unsigned char ratior, unsigned char ratiob) |
| int | e_po3030k_set_weight_win (unsigned int x1, unsigned int x2, unsigned int y1, unsigned int y2) |
| void | e_po3030k_set_awb_ae (int awb, int ae) |
| void | e_po3030k_set_flicker_mode (int manual) |
| void | e_po3030k_set_flicker_detection (int hz50, int hz60) |
| static long | po3030k_get_pixelclock (void) |
| int | e_po3030k_set_flicker_man_set (int hz50, int hz60, int fdm, int fk, int tol) |
Variables | |
| static unsigned char | cam_reg [] |
Manage po3030k registers (three timers)
| #define ADCOFF_BASE ( 53 - BASE_D2 ) |
| #define AESPEED_BASE 161 |
| #define ARRAY_ORIGINE_X 210 |
| #define ARRAY_ORIGINE_Y 7 |
| #define AWBAEENABLE_BASE 211 |
| #define AWVAETOL_BASE 159 |
| #define BASE_D1 0 |
| #define BASE_D2 0 |
| #define BASE_D3 0 |
| #define BASE_D4 0 |
| #define BIAS_BASE 25 |
| #define BRICTR_BASE 129 |
| #define CBCRGAIN_BASE 125 |
| #define COLGAIN_BASE 29 |
| #define COLOR_COEF_BASE 107 |
| #define COLOR_M_ADDR (67 - BASE_D3) |
| #define DEVICE_ID 0xDC |
| #define EDGE_BASE 79 |
| #define EXPOSURE_BASE 163 |
| #define FLICKM_BASE ( 55 - BASE_D2 ) |
| #define FLICKP_BASE 59 |
| #define FRAME_HEIGTH 0x01e8 |
| #define FRAME_WIDTH 0x0353 |
| #define GAMMA_BASE 83 |
| #define GAMMASELCOL_BASE 215 |
| #define INTEGR_BASE 39 |
| #define LENSG_BASE 73 |
| #define MCLK ((long) 14745600) /* 14.7456Mhz */ |
| #define MCLK_P_NS 0.067816840278 /* Master clock period in ns */ |
| #define MINMAXAWB_BASE 183 |
| #define MINMAXEXP_BASE 175 |
| #define MIRROR_BASE 47 |
| #define MODE_GRAYSCALE 0x0c |
| #define MODE_R5G6B5 0x08 |
| #define MODE_YUV 0x02 |
| #define REFREPO_BASE 169 |
| #define SAMPLING_ADDR ( 51 - BASE_D2 ) |
| #define SEPIA_BASE 69 |
| #define SEPIATONE_BASE 133 |
| #define SPEED_ADDR (45 - BASE_D1) |
| #define VSYNCCOL_BASE (153 - BASE_D4) |
| #define VSYNCSTART_BASE (145 - BASE_D4) |
| #define VSYNCSTOP_BASE (149 - BASE_D4) |
| #define WEIGHWIN_BASE 195 |
| #define WINDOW_X1_BASE 9 |
| #define WINDOW_X2_BASE 17 |
| #define WINDOW_Y1_BASE 13 |
| #define WINDOW_Y2_BASE 21 |
| #define WW_BASE 157 |
| int e_po3030k_get_register | ( | unsigned char | adr, |
| unsigned char * | value | ||
| ) |
Get the register adr value
| adr | The address |
| value | The pointer to the value to write to |
| void e_po3030k_read_cam_registers | ( | void | ) |
Read the camera register
| void e_po3030k_set_adc_offset | ( | unsigned char | offset | ) |
Set the Analog to Digital Converter offset
| offset | The offset |
| void e_po3030k_set_ae_speed | ( | unsigned char | b, |
| unsigned char | d | ||
| ) |
Set AE speed
| b | AE speed factor when exposure time is decreasing ( 4 lower bits only ) |
| d | AE speed factor when exposure time is increasing ( 4 lower bits only ) |
| void e_po3030k_set_awb_ae | ( | int | awb, |
| int | ae | ||
| ) |
Enable/Disable AWB and AE
| awb | 1 mean AWB enabled, 0 mean disabled |
| ae | 1 mean AE enabled, 0 mean disabled |
| void e_po3030k_set_awb_ae_tol | ( | unsigned char | awbm, |
| unsigned char | aem | ||
| ) |
Set AWB/AE tolerence margin
| awbm | AWV Margin ( 4 lower bits only ) |
| aem | AW Margin ( 4 lower bits only ) |
| void e_po3030k_set_bias | ( | unsigned char | pixbias, |
| unsigned char | opbias | ||
| ) |
Set the Pixel and amplificator bias Increasing the bias produce better image quality, but increase camera's power consumption
| pixbias | The pixel bias |
| opbias | The Amplificator bias |
| void e_po3030k_set_brigh_contr | ( | unsigned char | bright, |
| unsigned char | contrast | ||
| ) |
Set the Brightness & Contrast
| bright | The Brightness ( signed 1+7bits fixed point format ) |
| contrast | The Contrast |
| void e_po3030k_set_cb_cr_gain | ( | unsigned char | cg11c, |
| unsigned char | cg22c | ||
| ) |
Set The color gain ( Cb/Cr )
| cg11c | Cb gain ( Sign[7] | Integer[6:5] | fractional[4:0] ) |
| cg22c | Cr gain ( Sign[7] | Integer[6:5] | fractional[4:0] ) |
| int e_po3030k_set_color_gain | ( | unsigned char | global, |
| unsigned char | red, | ||
| unsigned char | green1, | ||
| unsigned char | green2, | ||
| unsigned char | blue | ||
| ) |
Set the gains of the camera
| global | The global gain |
| red | The red pixel's gain (fixed point [2:6] format) |
| green1 | The green pixel near read one gain ([2:6] format) |
| green2 | The green pixel near blue one gain ([2:6] format) |
| blue | The blue pixel's gain ([2:6] format) |
| int e_po3030k_set_color_mode | ( | int | mode | ) |
Set the camera color mode
| mode | The color mode |
| void e_po3030k_set_edge_prop | ( | unsigned char | gain, |
| unsigned char | tresh | ||
| ) |
Set Edge properties
| gain | Edge gain & moire factor (fixed point [2:3] format) |
| tresh | Edge Enhancement threshold |
| void e_po3030k_set_exposure | ( | long | t | ) |
Set exposure time
| t | Exposure time, LSB is in 1/64 line time |
| void e_po3030k_set_flicker_detection | ( | int | hz50, |
| int | hz60 | ||
| ) |
Set the 50/60Hz flicker detection
| hz50 | Non-zero mean 50Hz flicker detection enabled (default disabled) |
| hz60 | Non-zero mean 60Hz flicker detection enabled (default disabled) |
| int e_po3030k_set_flicker_man_set | ( | int | hz50, |
| int | hz60, | ||
| int | fdm, | ||
| int | fk, | ||
| int | tol | ||
| ) |
Set the camera's manual flicker's detection setting
| hz50 | The Hz for the 50Hz detection |
| hz60 | The Hz for the 60Hz detection |
| fdm | Flicker duration mode |
| fk | Flicker count step |
| tol | Flicker tolerance |
| void e_po3030k_set_flicker_mode | ( | int | manual | ) |
Set flicker detection mode
| manual | Non-zero mean manual mode is enabled ( default automatic mode enabled ) |
| void e_po3030k_set_gamma_coef | ( | unsigned char | array[12], |
| char | color | ||
| ) |
Set gamma coefficient
| array | Gamma coefficient array |
| color | First two bytes : - 0b01 => Green
|
| void e_po3030k_set_integr_time | ( | unsigned long | time | ) |
Set the pixel intergration time This is counted in line-time interval. See dataseet p.25 for more information
| time | The integration time ( fixed point [14:6] format ) |
| void e_po3030k_set_lens_gain | ( | unsigned char | red, |
| unsigned char | green, | ||
| unsigned char | blue | ||
| ) |
Set lens shading gain
| red | Lens gain for red pixel |
| green | Lens gain for green pixel |
| blue | Lens gain for blue pixel |
| void e_po3030k_set_max_min_awb | ( | unsigned char | minb, |
| unsigned char | maxb, | ||
| unsigned char | minr, | ||
| unsigned char | maxr, | ||
| unsigned char | ratior, | ||
| unsigned char | ratiob | ||
| ) |
Set the minimum and maximum red and blue gain in AWB mode
| minb | The minimum blue gain |
| maxb | The maximum blue gain |
| minr | The minimum red gain |
| maxr | The maximum red gain |
| ratior | The red gain ratio |
| ratiob | The blue gain ratio |
| void e_po3030k_set_max_min_exp | ( | unsigned int | max, |
| unsigned int | min | ||
| ) |
Set the minimum and maximum exposure time in AE mode
| min | The minimum exposure time |
| max | The maximum exposure time |
| void e_po3030k_set_mirror | ( | int | vertical, |
| int | horizontal | ||
| ) |
Enable/Disable horizontal or vertical mirror
| vertical | Set to 1 when vertical mirror is enabled, 0 if disabled |
| horizontal | Set to 1 when horizontal mirror is enabled, 0 if disabled |
| void e_po3030k_set_ref_exposure | ( | unsigned char | exp | ) |
Set the reference exposure. The average brightness which the AE should have
| exp | The target exposure level |
| int e_po3030k_set_register | ( | unsigned char | adr, |
| unsigned char | value | ||
| ) |
Set the register adr to value value
| adr | The address |
| value | The value |
| int e_po3030k_set_sampling_mode | ( | int | mode | ) |
Set the camera sampling mode
| mode | The given sampling mode |
| void e_po3030k_set_sepia | ( | int | status | ) |
Enable/Disable Sepia color
| status | Set status to 1 to enable, 0 to disable |
| void e_po3030k_set_sepia_tone | ( | unsigned char | cb, |
| unsigned char | cr | ||
| ) |
Set The color tone at sepia color condition
| cb | Cb tone |
| cr | Cr tone |
| int e_po3030k_set_speed | ( | int | mode | ) |
Set the camera speed
| mode | The given speed |
| int e_po3030k_set_vsync | ( | unsigned int | start, |
| unsigned int | stop, | ||
| unsigned int | col | ||
| ) |
Set the camera window VSYNC coordinate
| start | The start row |
| stop | The stop row |
| col | The start/stop column |
| int e_po3030k_set_weight_win | ( | unsigned int | x1, |
| unsigned int | x2, | ||
| unsigned int | y1, | ||
| unsigned int | y2 | ||
| ) |
Set the Weighting Window coordinate
| x1 | The X1 coordinate |
| x2 | The X2 coordinate |
| y1 | The Y1 coordinate |
| y2 | The Y2 coordinate |
| void e_po3030k_set_ww | ( | unsigned char | ww | ) |
Set the Center weight (Back Light compensation) Control parameter
| ww | Center weight ( 4 lower bits only ) |
| int e_po3030k_set_wx | ( | unsigned int | start, |
| unsigned int | stop | ||
| ) |
Set the camera window X coordinate
| start | The start column |
| stop | The stop column |
| int e_po3030k_set_wy | ( | unsigned int | start, |
| unsigned int | stop | ||
| ) |
Set the camera window Y coordinate
| start | The start row |
| stop | The stop row |
| void e_po3030k_SetColorMatrix | ( | unsigned char | array[3 *3] | ) |
Set color correction coefficient
| array | Color coefficient matrix (3x3), sign[7] | integer [6:5] | fractional [4:0] |
| int e_po3030k_sync_register_array | ( | unsigned char | start, |
| unsigned char | stop | ||
| ) |
Write every known register between address start and stop (inclusivly).
| start | The beginning address of the write |
| stop | The last write address |
| void e_po3030k_write_cam_registers | ( | void | ) |
The Po3030k module keep in memory the state of each register the camera has. When you configure the camera, it only alter the internal register state, not the camera one. This function write the internal register state in the camera.
| void e_po3030k_write_gamma_coef | ( | void | ) |
This special function write directly the Gamma coefficient and Gamma color select into camera register.
|
static |
|
static |


⚙ Configure Defaults#
The first time you import goes2go, it creates a configure file
~/.config/goes2go/config.toml
In this file, you may set the default arguments for the download functions. The default is
[default]
save_dir = "~/data"
satellite = "noaa-goes16"
product = "ABI-L2-MCMIP"
domain = "C"
download = true
return_as = "filelist"
overwrite = false
max_cpus = 1
s3_refresh = true
verbose = true
[timerange]
s3_refresh = false
[latest]
return_as = "xarray"
[nearesttime]
within = "1H"
return_as = "xarray"
The [default]
section are global settings used by each download method. These can be overwritten for each method. For instance, s3_refresh is set to false for [timerange]
because it’s unlikely you will need to refresh the file listing. Also, [latest]
and [nearesttime]
are by default returned as an xarray object instead of a list of files downloaded.
- save_dir
Path to save the downloaded data.
- satellite
Specify which GOES satellite to get data from.
'noaa-goes16'
or'noaa-goes17'
The following alias may also be used:'goes16'
: 16, ‘G16’, or ‘EAST’'goes17'
: 17, ‘G17’, or ‘WEST’
- product
Specify the product name. List of Products
‘ABI’ is an alias for ABI-L2-MCMIP Multichannel Cloud and Moisture Imagery
‘GLM’ is an alias for GLM-L2-LCFA Geostationary Lightning Mapper
- domain
ABI scan region indicator. Only required for ABI products if the given product does not end with C, F, or M.
C: Contiguous United States (alias ‘CONUS’)
F: Full Disk (alias ‘FULL’)
M: Mesoscale (alias ‘MESOSCALE’)
- download
true: Download the data to disk to the location set by
save_dir
false: Load the data into memory (slower).
- return_as
Return the data as an xarray.Dataset with
"xarray"
, or as a list of files with"filelist"
.- overwrite
true: Download the file even if it exists.
false: Do not download the file if it already exists
- max_cpus
Number of cpus to use to download files. Using more CPUs can increase speed when downloading many files in a timeseries. ONLY USED IN
[timeseries]
.- within
Period of time to consider when downloading
[latest]
file.- s3_refresh
Refresh the s3fs.S3FileSystem object when files are listed.
- verbose
true: Print info to screen.
false: don’t print info to screen.


syntax: ngx.redirect(uri, status?)
context: rewrite_by_lua*, access_by_lua*, content_by_lua*
Issue an HTTP 301
or 302
redirection to uri
.
Notice: the uri
should not contains \r
or \n
, otherwise, the characters after \r
or \n
will be truncated, including the \r
or \n
bytes themself.
The uri
argument will be truncated if it contains the \r
or \n
characters. The truncated value will contain all characters up to (and excluding) the first occurrence of \r
or \n
.
The optional status
parameter specifies the HTTP status code to be used. The following status codes are supported right now:
301
302
(default)303
307
308
It is 302
(ngx.HTTP_MOVED_TEMPORARILY
) by default.
Here is an example assuming the current server name is localhost
and that it is listening on port 1984:
```lua
return ngx.redirect("/foo")
```
which is equivalent to
```lua
return ngx.redirect("/foo", ngx.HTTP_MOVED_TEMPORARILY)
```
Redirecting arbitrary external URLs is also supported, for example:
```lua
return ngx.redirect("http://www.google.com")
```
We can also use the numerical code directly as the second status
argument:
```lua
return ngx.redirect("/foo", 301)
```
This method is similar to the rewrite directive with the redirect
modifier in the standard ngx_http_rewrite_module, for example, this nginx.conf
snippet
```nginx
rewrite ^ /foo? redirect; # nginx config
```
is equivalent to the following Lua code
```lua
return ngx.redirect('/foo'); -- Lua code
```
while
```nginx
rewrite ^ /foo? permanent; # nginx config
```
is equivalent to
```lua
return ngx.redirect('/foo', ngx.HTTP_MOVED_PERMANENTLY) -- Lua code
```
URI arguments can be specified as well, for example:
```lua
return ngx.redirect('/foo?a=3&b=4') ```
Note that this method call terminates the processing of the current request and that it must be called before ngx.send_headers or explicit response body outputs by either ngx.print or ngx.say.
It is recommended that a coding style that combines this method call with the return
statement, i.e., return ngx.redirect(...)
be adopted when this method call is used in contexts other than header_filter_by_lua* to reinforce the fact that the request processing is being terminated.


Please get in touch and our expert support team will answer all you questions.
Jordan Amman
<EMAIL_ADDRESS>+962-999-999-9


Emotional Lewis Hamilton dedicates sixth F1 world title to family and late Niki Lauda
The Brit clinched another crown that moves him to within one title of Michael Schumacher’s record haul of seven
by Matt Maltby, https://www.mirror.co.uk/authors/matt-maltby/Lewis Hamilton had to fight back tears after clinching his sixth world title - and then dedicated the triumph to his family and the late Niki Lauda.
Hamilton, 34, finished Sunday's US Grand Prix in second place to clinch another crown that moves him to within one title of Michael Schumacher ’s record haul of seven.
The British hero was understandably emotional on his team radio moments after taking the chequered flag before celebrating by performing donuts in his all-conquering Mercedes.
Hamilton parked up in the spot reserved to celebrate his world championship.
He then lapped up the cheers of the American crowd and ran into the arms of his Mercedes mechanics to celebrate before retrieving a Union flag.
Hamilton's family including father Anthony, the driving force behind Lewis' career, step-mother, Linda and paternal mother Carmen were there to watch his coronation in Austin.
Hamilton said: "It's hard to understand what I'm feeling right now. Naturally, it's just pure happiness and I feel more humble than ever.
"I just saw my parents as I came in and just looking at my dad's smile says it all.
"He supported me from day one - as did Linda, as did my mum. They've worked so hard for me to be here so I really wanted them to come out together.
"I think this the first race I can remember for a long, long time that they've been together and us being united as a family.
"Cloud nine doesn't even get close to where I am. I'm somewhere far above that."
The Brit also thanked F1 icon Lauda, who was a huge influence on Hamilton's career before he passed away earlier this year.
"I miss Niki so much. I know today he will be taking his cap off. I wouldn't have been able to do this without Niki. He's here with us in spirit," he added.


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#include <data_flow_ops.h>
Enqueues a tuple of one or more tensors in the given queue.
The components input has k elements, which correspond to the components of tuples stored in the given queue.
N.B. If the queue is full, this operation will block until the given element has been enqueued (or 'timeout_ms' elapses, if specified).
Arguments:
Optional attributes (see Attrs
):
Returns:
Operation
Constructors and Destructors |
|
|---|---|
QueueEnqueue(const ::tensorflow::Scope & scope, ::tensorflow::Input handle, ::tensorflow::InputList components)
|
|
QueueEnqueue(const ::tensorflow::Scope & scope, ::tensorflow::Input handle, ::tensorflow::InputList components, const QueueEnqueue::Attrs & attrs)
|
Public attributes |
|
|---|---|
operation
|
Public functions |
|
|---|---|
operator::tensorflow::Operation() const
|
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Public static functions |
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TimeoutMs(int64 x)
|
Structs |
|
|---|---|
|
tensorflow:: |
Optional attribute setters for QueueEnqueue. |
Operation operation
QueueEnqueue( const ::tensorflow::Scope & scope, ::tensorflow::Input handle, ::tensorflow::InputList components )
QueueEnqueue( const ::tensorflow::Scope & scope, ::tensorflow::Input handle, ::tensorflow::InputList components, const QueueEnqueue::Attrs & attrs )
operator::tensorflow::Operation() const
Attrs TimeoutMs( int64 x )


The Astronaut’s Wife (R) *** Starring Charlize Theron, Johnny Depp Directed by Rand Ravich Year Released: 1999 A Review by Frankie Paiva
There are times when you just seem to disagree with what everyone else has said about a movie. I’m sure out there (somewhere) there are people who loved Wild Wild West, or thought Jawbreaker was a funny movie, there may even be some people who enjoyed Idle Hands. But if I am the major supporter of one film this year that everyone else hated its got to be The Astronaut’s Wife. While certainly got a quality thriller in the spiritual and life-changing meaning sense, it still delivers what it set out to do in the first place, be a good summer movie.
Spencer Armacost (Depp) is an astronaut whose wife is worried about him when he goes out on his next expedition into space. While in orbit, Spencer and another astronaut get cut off from all communications for nearly two minutes. They manage to make it out alive and are regarded as heroes when they return to earth. But his wife Jillian (Theron), a school teacher, seems to notice some differences in him after he lands. He takes a high class job in New York without even telling her, and the other man he was up in space with dies. Not to mention his wife electrocutes herself in the shower.
Jillian soon learns that she is to be the mother of two bouncing baby boys. Twins that look eerily like little alien bodies. Spencer gets to be stranger and stranger, sometimes he doesn’t call if he’s coming home late and he always seems to be listening to different frequencies on the radio. We all know something is wrong, but we can’t quite figure out what. Then a NASA scientist shows up at her door with some of the medical records and documents on Spencer before he got on the spaceship and after. All of the newer ones seem slightly altered then the ones he signed before getting on the ship. Poor Jillian begins to think that her Spencer is no longer human and some type of alien creature has taken the place of her former husband. The idea is confirmed when we learn that Spencer is stalking the scientist and beats her when she tries taking pills to kill the baby.
Yes, I am fully aware that this sounds like an extremely cheap rip-off of Rosemary’s Baby, but it’s not. There aren't any evil aliens with ray guns that try to take over the solar system, the film mostly deals with the suspense and wonder of Spencer's true identity. The suspense is drawn out just about as far as it can, the film is EXTREMELY slow for the first thirty or forty minutes until things get rolling. Theron is great, while slightly unbelievable as a pregnant woman (she still retains her thin frame) she adds a lot of emotion that you probably don’t expect from seeing the trailers. Johnny doesn’t get to do much in this picture, and the only word I could come up with for his acting ability would be retrained. The ending is kind of a disappointment, it easily could have been made so that we wonder what happens to the her two sons. Still, the film shot well, has some clever twists and turns, and has some pretty tense moments. If only Jillian could have been able to discover for herself what was happening to her husband instead of someone else telling her. I think it would have been much scarier that way. A good movie in the midst of August junk, The Astronaut’s Wife gets *** stars.
The Young-Uns: Tense moments, and death by electrocution occurs near the beginning and end of the film. A man also rapes his wife and there is some language. Good Age 14 & Up
A Review by Frankie Paiva The 12 Year-Old Movie Reviewer E-Mail me at<EMAIL_ADDRESS>Visit my website at http://www.homestead.com/teenagemoviecritic/mainpage.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


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These release notes cover new developer and user-facing incompatibilities, important issues, features, and major improvements.
The FileCleanerDelegate interface is changed. External classes that directly used to implement that interface have to be changed. Classes that extend BaseHFileCleanerDelegate or BaseLogCleanerDelegate only have to be recompiled.
Adds option to disable master's attempt at recovering zookeeper session: i.e. just fail. Set the fail-fast option when you have a backup master running that you can fail to.
While it is possible to run secure HBase without securing underlying filesystem, it is recommended that you run secure HBase on top of a secured HDFS cluster to provide stronger guarantees of security. In such cases, you must configure HBase services to be able to authenticate to HDFS services.
However, if the cluster hosting HBase service is protected via other means; for example if it exports only HBase services to external users; you may save some overhead by running secure HBase over unsecured HDFS. In such cases, you must ensure that the HDSF services are not accessible to external user via any means.
Allow coprocessors accessing an HTable to short-circuit access to the local HRegionServer, rather than requiring the usual RPC path.


AP PHOTOS: Spanish bodybuilders compete for national crown
by JAVIER FERGOESTEPONA, Spain (AP) - In the sunshine outside a large convention center in the southern Spanish city of Estepona, some very fit-looking people in scanty clothing applied fake tans and rehearsed statuesque poses.
They all had one thing in mind: to win Spain’s annual national bodybuilding championship.
This year’s 51st edition, organized by the Spanish Bodybuilding Federation, drew more than 500 contestants from across the country. It took place over two days.
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Most of the contestants came with other members of their clubs or teams. They helped apply the fake tans, directed poses and gave last-minute tips to the contestants.
The center buzzed with people getting ready, resting on mats or exercising. Contestants did push-ups, lifted weights, drank protein shakes and ate from lunchboxes.
On the stage, a presenter entertained the audience, and loud techno music was played to encourage contestants during performances.
Men and women, sorted by weight or height, smiled broadly at the panel of judges while presenting their best poses.
Backstage, the next group of nervous contestants waited to walk onto the stage.  There was not much interaction among them - all were completely focused on making an impression on the judges and reaching the final round.
Five couples took part in a Couples’ Bodybuilding competition. The first round consisted of posing as the judges ordered; then it was time for each couple to perform a chosen routine.
There were some basic dance moves, interspersed with calculated poses rehearsed to perfection, all to the rhythm of music.
Long hours of hard training combined with a strict diet and the determination to be the best in the country drive these athletes, day after day and month after month.
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Forget about your locked up monies at Menzgold – Ibrah One
by Qwame BenedictOne of Ghana’s big boy Ibrah One seems not to be done with Nana Appiah Mensah and his Menzgold Investment company as he has launched another attack on them.
According to Ibrah One in his new post sighted, customers of Menzgold should forget about their monies which have been locked up for over a year because there won’t be any better outcome.
He added though the matter is in court, he knows for sure that nothing better can come out.
He posted: “My dear Menzgold customers, it’s better you forget about your locked up money and channel your energy in making some new monies for yourself!
NAM 1’s court case will be dragged in court till 2022. Just another trick to escape paying you your monies.”
See screenshot below:
Ibrah One also stated that;
“It’s too late now. When I was warning Menzgold customers long ago about what was coming, they thought I was rather the devil. Now you see.”
See screenshot below:


You have questions? Well we have some answers
Humans dating robots is sick. You people wonder why I'm still single? It's 'cause all the fine robot sisters are dating humans! Have you ever tried just turning off the TV, sitting down with your children, and hitting them?
Maybe I love you so much I love you no matter who you are pretending to be. Why would I want to know that? Oh, how awful. Did he at least die painlessly? …To shreds, you say. Well, how is his wife holding up? …To shreds, you say.
Fry, we have a crate to deliver. Bender! Ship! Stop bickering or I'm going to come back there and change your opinions manually! I found what I need. And it's not friends, it's things. Goodbye, cruel world. Goodbye, cruel lamp.  Cruel though they may be…
I don't like being outdoors, Smithers.  Jesus must be spinning in his grave! Oh, so they have Internet on computers now! A woman is a lot like a refrigerator. Six feet tall, 300 pounds…it makes ice.
Inflammable means flammable? What a country. Stan Lee never left. I'm afraid his mind is no longer in mint condition. They only come out in the night. Or in this case, the day. Bart, with $10,000 we'd be millionaires! We could buy all kinds of useful things like…love!
Remember the time he ate my goldfish? And you lied and said I never had goldfish. Then why did I have the bowl, Bart? *Why did I have the bowl? * Oh, a *sarcasm* detector. Oh, that's a *really* useful invention!
Oh, so they have Internet on computers now! Get ready, skanks! It's time for the truth train! Don't kid yourself, Jimmy.  Duffman can't breathe! OH NO!
Oh, so they have Internet on computers now! Get ready, skanks! It's time for the truth train! Don't kid yourself, Jimmy.  Duffman can't breathe! OH NO!
He is here. No! Alderaan is peaceful. We have no weapons. You can't possibly… Leave that to me. Send a distress signal, and inform the Senate that all on board were killed. A tremor in the Force. The last time I felt it was in the presence of my old master.
I need your help, Luke. She needs your help. I'm getting too old for this sort of thing. He is here.  Don't trust them. Still, she's got a lot of spirit. I don't know, what do you think?


2XU Recovery: Alex Sexton
8:01pm Mar 28, 2013
Favourite SUNS: Season Return
7:53pm Mar 28, 2013
SUNS Gold
7:19pm Mar 28, 2013
McKenna on Rd 1 Team
5:35pm Mar 28, 2013
Jaeger O'Meara On Debut
5:00pm Mar 27, 2013
| 0 | Wins | 0 | ||
|---|---|---|---|---|
| 0 | Losses | 0 | ||
| 0.0 | % | 0.0 | ||
| 0 | Points For | 0 | ||
| 0 | Points Against | 0 | ||
| Form |
| Round | Result | Venue | Replay |
|---|---|---|---|
| R11, 2012 |
Gold Coast Suns 7.7 (49) St Kilda21.18 (144) |
MS | Replay |
| R2, 2012 |
St Kilda 21.13 (139) Gold Coast Suns7.5 (47) |
ES | Replay |
| R19, 2011 |
Gold Coast Suns 6.18 (54) St Kilda10.14 (74) |
MS | Replay |
| 0 | Disposals | 0 | ||
|---|---|---|---|---|
| 0 | Clearances | 0 | ||
| 0 | Inside 50 | 0 | ||
| 0 | Contested Possessions | 0 | ||
| 0 | Tackles | 0 | ||
| 0 | Hit-Outs | 0 | ||
| 0 | Free Kicks | 0 |
* Season Averages
Carlton Draught made from beer
8:01pm Mar 28, 2013
7:53pm Mar 28, 2013
7:19pm Mar 28, 2013
5:35pm Mar 28, 2013
5:00pm Mar 27, 2013
By Michael Whiting 04:36pm March 26, 13
The views in this article are those of the author and not necessarily those of the AFL or its clubs
MS, 6:45 pm AEST Saturday, March 30, 2013
In
New
In
New
Last updated:
4:30pm Friday, March 29, 2013
Umpires:
BOUNDARY:
GOAL:
B
HB
C
HF
F
Fol
I/C
Emg
In
Out
New
B
HB
C
HF
F
Fol
I/C
Emg
In
Out
New
Last updated: 4:30pm Friday, March 29, 2013
AFL Membership brings you the
TOTAL GAME
Everything on coaching, playing, umpiring, volunteering and managing your club
Find your local club and play like a pro
Join the little big time. Auskick is fun, safe and a great way to introduce boys and girls to Australian football


The purpose of this calculator is to find the optimal microstep setting for your extruder. A combination of various
factors can lead to the extruder not being advanced even though it should. This can then lead to underextrusion.
- Enter your extrusion width
- Enter your layer height
- Enter your flow rate - or mixing ratio. Whatever applies.
- Enter your filament diameter
- Enter a length for a print move.
This should be less or equal to 0.5mm. You can look at a sliced GCode file and search for very small moves or just take a guess here.
Sometimes this value can also be adjusted in the slicer to never be smaller than this (Slic3r has such a setting).
If you are unsure leave the default 0.2 in there.
If you want to be extra safe replace it with 0.1 - smaller values should only be used if found in sliced GCode.
You can use Print Move Distance Statistics to find smaller values and
their statistical distribution.
- Enter your extruder steps/mm for 16x microstepping
- Enter your retraction speed in mm/min
- Optional: Adjust your maximum step rate
Check the table down the page. It will give you information on
- what amount of steps/mm you will have at which microstepping-factor
- how many mm of filament will be pushed into the hotend by the extruder with one microstep
- what is the shortest print move possible with the selected values where at least one microstep is advanced
- how fast you could theoretically retract if the only limit would be the MCU speed and in the last column
- how many microsteps are required to extrude the filament for the move selected in step 5 above
Values of the last two colums will be colored. For the maximum retraction speed this will be green if it is greater or equal to the speed
you selected in step 7 above.
Microsteps on print move will be marked red if less than 1, green otherwise.
You should choose a microstepping-factor with a green values in the last two columns because otherwise for such a move no extrusion might
happen at all which would lead to under-extrusion and loss of print quality or the extruder would be loosing steps when retracting because
the MCU can not create all the necessary steps.


[ EECS 20 Home ]
[ Corresponding lecture ]
Lecture 2 Demonstrations
- Phase and Frequency of Sinusoids
- Sums of Sinusoids
- The Sound of Various Waveforms
- Frequency Content
- Sound Synthesis
- High Quality Sound Synthesis
- Frequency Modulation
- Amplitude Modulation
Copyright © 1996, The Regents of the University of California.
All rights reserved.
Last updated: %D%,
comments to: eal@eecs.berkeley.edu


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{%extends 'all-Folio/base.html'%} {% block content %}
Welcome to my personal gallery application that displays my photos for others to be able to see.


Father of bride surprises New Jersey couple with epic flash mob at wedding
by WABCHILLSBOROUGH, New Jersey (WABC) -- The father of the bride at a wedding in New Jersey pulled off an epic surprise to make his daughter's big day even more special.
Moments after Alex and Tommy Ellison walked down the aisle on Nov. 16, they were met with confusion and then tears when a flash mob broke out in song to "Going to the Chapel of Love."
"So this was very risky on my part, because if this went sideways, I just ruined my daughter's wedding," Alex's dad Neil Hudes said.
Only 12 of the 170 guests knew what was going on, and Hudes was the mastermind behind it all.
"At first she was like, 'what is this' and then it turned into 'oh my god' and then turned into tears and when she saw Jake, more tears," Hudes said.
The bride's brother, Jake, has autism and she really wanted the 28-year-old to be a part of her special day without overwhelming him.
"When I approached him I wasn't quite sure how he was going to react, but he was all in, it was incredible," Hudes said.
Everyone agreed - he nailed it.
"What a relief, after it was all over for me, are you kidding, it was great, the rest of the wedding just flew, it was wonderful," Hudes said.
It was a moment that Alex and her family - especially Jake - will never forget.


req/res 0
This application requires a browser with CORS support. You can either use a newer browser or host the application yourself using a proxy.


INCEPTION BOLD Released under the MIT License. Font inspired by the the maze lettering for the title of the movie INCEPTION by Christopher Nolan. Created by Lucas Garron, Oct-Dec 2010, in Berlin, Germany<EMAIL_ADDRESS>www.garron.us Dedicated to Douglas Hofstadter, who taught me to navigate the maze of levels in in my mind. Fair-use derivative work based on the "Gotham Black" typeface by The Hoefler Type Foundry, www.typography.com


{% load staticfiles %}
Create New Account
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{% csrf_token %}
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@@include('header.htm') Get in touch Contact Do you already have a project in mind? Do you need help figuring out your next web endeavor? Whatever your web development needs, I have solutions to help resolve them. Email<EMAIL_ADDRESS>Phone +872-246-3864 Zoom Tykki Etchie Send me a meesage Your Message has been Sent Successfully Send Message now Your Message was sent successfully Something went wrong, please try again later ← Prev Page Copyright © , Developed by Tykki. @@include('footer.htm')
Do you already have a project in mind? Do you need help figuring out your next web endeavor? Whatever your web development needs, I have solutions to help resolve them.
<EMAIL_ADDRESS>+872-246-3864
Tykki Etchie


|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
public interface DynaClass
A DynaClass is a simulation of the functionality of
java.lang.Class
for classes implementing the
DynaBean
interface. DynaBean instances that share the same
DynaClass all have the same set of available properties, along with any
associated data types, read-only states, and write-only states.
| Method Summary | |
|---|---|
DynaProperty[] |
getDynaProperties()
Return an array of ProperyDescriptors for the properties
currently defined in this DynaClass. |
DynaProperty |
getDynaProperty(String name)
Return a property descriptor for the specified property, if it exists; otherwise, return null . |
String |
getName()
Return the name of this DynaClass (analogous to the getName() method of java.lang.Class DynaClass implementation class to support
different dynamic classes, with different sets of properties. |
DynaBean |
newInstance()
Instantiate and return a new DynaBean instance, associated with this DynaClass. |
| Method Detail |
|---|
String getName()
getName()
method of java.lang.Class
DynaClass implementation class to support
different dynamic classes, with different sets of properties.
DynaProperty getDynaProperty(String name)
null
.
name
- Name of the dynamic property for which a descriptor
is requested
IllegalArgumentException
- if no property name is specifiedDynaProperty[] getDynaProperties()
Return an array of ProperyDescriptors
for the properties
currently defined in this DynaClass. If no properties are defined, a
zero-length array will be returned.

DynaBean newInstance() throws IllegalAccessException, InstantiationException
DynaBean
instance
IllegalAccessException
- if the Class or the appropriate
constructor is not accessible
InstantiationException
- if this Class represents an abstract
class, an array class, a primitive type, or void; or if instantiation
fails for some other reason
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


There’s a slew of smartphone apps to help you change your body: fitness trackers, tailored workout regimes, and diet apps, all aiming to change your body and health the old-fashioned way. But soon, it will be simple to grow and graft on new body parts.
Tailored, lab-grown body parts will make an enormous difference to necessary – and not-so-neccesary – surgery. How long would you want to live if you knew heart attacks were no longer a threat? How far would you go to get the body you want?
Joe Sparrow looks at the astonishing technology that exists right now – and adds a few new organs to his shopping list...
A living beefburger
Growing a beef burger is, apparently, a tough enough challenge. As we discovered previously, the cost of producing a single palatable lab-grown burger was hovering around the $300,000 mark until a couple of years ago, yet investment in the cultured edible meat industry has been in the hundreds of millions.
The reason these astronomical sums are involved is because we humans are playing catch-up, and time is money, baby: nature’s had a few billion years head-start and it’s still much easier to grow real meat the old fashioned way.
Impossible Food's "real" burger - made from plants.
Most people are eager to accept meat grown in giant petri dishes. But what about living, twitching, bleeding body parts?
We’re getting there, though - expect your sausages to be cruelty-free and just as delicious within a decade or so. Maybe they’ll be genetically altered to be good for you too.
The advantage of humans playing god, the argument goes, is that we can have our beefcake and eat it: all the advantages of meat (taste, nutrition), with none of the disadvantages (mass slaughter of animals, clogged arteries). Most people are eager to accept meat grown in giant petri dishes.
But what about living, twitching, bleeding body parts?
Be Your Own Butcher
If it’s incredibly complex and staggeringly expensive to produce a quarter of a pound of minced cow, you’d be forgiven for thinking we must be a lifetime away from growing living body parts. But you’d be very wrong, because people are already walking around with real, living body parts that they weren’t born with.
And by the end of this article you might not be so sure how long your “lifetime” is going to be any more, either. We’re entering a world where now-standard operations will seem like butchery, where disease is cured with 3D-printed organs, and where a trip to the operating theatre is more akin to a mechanic changing the tyres on your car.
This writer remembers with puce-tinged vividness a junior school trip to a museum whose guide took great delight in explaining exactly how barbarous operations were in early Victorian times.
The 10 year olds crowding round the display case supplied “urrrghs” and nervous laughter on cue, as lovingly gory descriptions of how the array of saws and chopping devices were used in pre-anaesthetic times were given.
A skull saw from the mid-19th Century from Vital Signs
And one day soon, schoolchildren will gather around a museum exhibit demonstrating the early 21st century hospital and laugh at how archaic it seems: Amputation! Rushed organ transplants from dead people – or “donors” as they were called! Skin grafts! “Cures” for cancer that involved radiation poisoning! No wonder no-one even reached 100 in those days…
The reason it won’t make any sense to them is they will be right: all these operations and treatments are barbarous, when compared to what’s about to happen. Get ready to enter a time when your diseased or damaged or worn body parts are simply re-grown and swapped.
Bring Your Own Bodyparts
Maybe the immediate image of “grown” human body parts is the famous ear-on-a-mouse which was such a striking image - it’s an ear… on a mouse! - that it became early internet meme.
But while the sight of a mouse with a human ear attached fuelled some precious, precious Internet Outrage over the perils of genetic engineering (despite the ear-on-a-mouse not being genetically engineered at all) today’s technology has moved a long way since then.
As is often the case with step-changes in technology, it’s actually a number of technologies maturing at once that has made the idea of growing duplicate organs possible.
No more donor rejection. Perfect copies, and as many as you need.
3D scanning, computer modelling, 3D printing, biodegradable plastics, advances in micro-engineering, and tissue-growth tech: all these individual areas of expertise must be corralled and made to fulfil very specific roles in very specific laboratory conditions. And then out pops a kidney, or something.
While the idea of creating new organs from scratch is perhaps mind-boggling enough, what’s also really important to this new science is that these are personalised body parts. No more donor rejection. Perfect copies, and as many as you need.
Let’s say you have part of your jaw removed to save your life from cancer: using 3D-scanning, you could copy and print out piece that matches the part removed, have a new healthy piece grown around this scaffolding and implanted later. It’d be an exact fit - genetically and physiologically – so your face would look exactly the same as before the operation.
Then one day, you’ll be able to have the jaw grown quickly in advance, so surgeons would just cut the old one out, and pop in the new. And one day behind that, the new jawbone will be 3D-printed right into your face during the operation.
And that’s when the huge compromises of the present that accompany these operations – being forced to choose pain and disfigurement over health – will vanish.
Start saving now: lab-grown organs are here
If you’re wondering about a reasonable time-frame to a time when we can expect this to start changing our lives - how about right now? Because there are already a number of women with lab-grown vaginas. It sounds like the set-up to a misogynistic joke (and, let’s face it, it most likely is), but this pioneering operation has transformed the lives of a number of women born without fully-formed vulvas.
The new vaginas were grown in a method that is pretty much a template for creating all lab-grown organs. Cells are removed from the subject, which are then cultured and grown around an artificial scaffolding created from a scan of the patient.
Once grown, it’s then implanted into the women - and remarkably, it seems to just… work. The women report that their lives are much improved, that they can enjoy sex as “normal”, and can quite possibly have children as normal, too.
If anything, it’s remarkable that we’re not forming disorderly queues to be next in line to have a new body part grown and slotted into place.
Beat, your greens
What’s interesting is that, as this technology develops, it becomes clear that we humans aren’t simply tricking nature or finding loopholes: we’re actually becoming more in tune with it, in really remarkable ways.
While 3D printing of frameworks for organs to grow on seems to solve most problems - it’s great for growing cartilage onto, for instance – it doesn’t solve them all. Creating replacement hearts has proven especially difficult (like, duh!), due to the nature of the network of blood-delivering arteries in developing heart organs.
So when, over a healthy lunch, scientists noticed that the spinach in their salad looked a bit familiar, so they stripped away the green matter and grew flesh over what was left. And it worked. Blood flowed down the passageways that were used in the leaf’s structure, and was delivered to the developing heart tissue in exactly the way it needed.
We’ve entered a world where idle, fleshy, shower-thoughts can be made to work. So what do you want to grow next?
Be still, my beating hearts
When you can grow anything in a lab, lots of established medical practices change very fast. These new body parts won't just save lives on an individual scale - it'll super-charge medicinal research and change our approach to what our bodies do.
When you can make whatever replacement lump of flesh you want, the future feels like a much less scary place.
It’s feasible that soon, medical experiments could be tested on real, grown, human parts instead of on animals or – occasionally disastrously – real humans. And if you can grow an unlimited number of kidneys to test on, you can develop medicine faster, better and more cheaply.
When you can make whatever replacement lump of flesh you want, the future feels like a much less scary place. In other ways, it also feels a much less certain one, especially when you raise the question of morality and what its means to be human.
A 3D-printed scaffold for a human ear, from New Atlas
It’s fairly clear that when you need a new liver, you'll have a new one created. Fine. But how many times do you grow and replace the liver of an alcohol addict who keeps on drinking after replacement? What if you could genetically modify the addict’s liver so that it would process alcohol five times more effectively than his old liver? Would he just drink more?
And that’s before you consider vanity use of this technology.
Vanity and everlasting life
What if you replaced all the parts of your body - are you still “you”? How would you know?
Consider just two of men’s most obvious hang-ups: would men with thinning rugs even hesitate to invest in a brand new scalp, bristling with a thick, luxurious and virile thatch of hair?
Beyond vanity is the concept of, well, life itself. No more heart attacks - you just have a new one put in pre-emptively. No more cancerous organs - switch that out for one that's DNA-tweaked so that cancer won’t touch it. So when do you stop?
Assuming you can grow as many new hearts as you like, at what point would you consider no longer replacing them? When you are well into old age and have replaced more than 50% of your organs, are you now a new person by majority rule? What if you replaced all the parts of your body - are you still “you”? How would you know?
Much longer, more personalised lives await us. We now just have to decide at what point we’re no longer who we think we are.


import org.apache.spark.sql.expressions.Window val departmentById = Window .partitionBy("department") .orderBy("id") .rangeBetween(Window.unboundedPreceding, Window.unboundedFollowing)


And the apps that currently exist like https://dwrapps.utah.gov/fishing/fStart are all built by governments who don't really emphasize product and user experience. I need an app where I can log my fishing day, what types of bait I used, how many fish of which species I caught and what time of the day I was out there. FishFriends makes all of this possible.


In the Department of Economics at Sciences Po, the structure and organization is changing fast as a young department develops into its own. This website and associated organization seek to provide stability to grad students preparing for the job market and seeking to branch out into the broader academic world.
Here you can find information on events in and around Paris related to economics, job market advice from students, recent graduates, and established professors, and general guidance on everything involving graduate studies.


Edit - Open up the Product's Edit page for you to edit General information, images, variants, prices, properties and view stock information
Clone - Automatically clone your product with all its current settings and attributes
Delete - Permanently delete the product from your store


In this tutorial we will discover how to fail a single API test. This can be very useful when trying to test a single function within an application. In this example we will fail the Open URL functionality within BrokenApp.
To begin this tutorial load BrokenApp into Holodeck as the application under test, with only .NET logging turned on; or load the project created from the Creating your First Project Tutorial.


Micah Fromkin
Micah is often uncomfortable talking about himself in the 3rd person. Micah likes walks with his dog, and his wife. Micah's wife likes walks with the dog. Micah loves solar and building things which often gets him in trouble. Micah has been electricuted by all known AC voltages that fall below commercial/industrial voltage levels. The Man knws AC and DC... he could start a band... or a compnay... but he is still uncomfortable talking in the 3rd person.
Email<EMAIL_ADDRESS>GITHUB: Hobbes1214
Portfolio: coming soon!!


>From Here To Eternity Director: Fred Zinneman Starring: Montgomery Clift, Burt Lancaster, Donna Reed, Frank Sinatra, Deborah Kerr, Ernest Borgnine Running Time: 129 Min Drama/B&W
The fifties provided some of the greatest films in the history of cinema. New ideas were developed, new themes explored. Anti and post-war feelings ran high in Hollywood, and, as a result, films like From Here To Eternity were made. This Oscar winning picture has ranked among the greatest films ever made, and with good reason.
>From Here To Eternity takes a hard look at the American Army during World War II. Corrupt officers, rebellious privates, and an emotionally unstable Seargent are the focus of this cinematic masterpiece. Mostly, it chronicles a brief period in the lives of Private Pruit (Clift) and Seargent Warden (Lancaster), their loves and their sense of duty and honor.
This picture offers filmmaking excellence at every turn. Each main actor gives the performance of his or her career, particularly Clift, Lancaster, Sinatra and Reed. (The latter two both won supporting Oscars for thier work in the film.) Clift is masterful as Pruit, and after viewing this film, (or re-viewing it, if it has been a while) one cannot imagine anyone else in the role. He portrays his character with such depth and subtle emotion that a film about his life prior to where the film picks it up would be thoroughly engrossing.
Zinneman brings together all the elements of the film brilliantly. His edits between scenes of Warden and Pruit courting their respective loves are flawless. In one sequence, he dissolves the crashing waves of one cathartic episode between Lancaster and Kerr into the rippling smoke of Clift's cigarette as he opens up for the first time to Donna Reed.
As all the men grow gradually restless on the base, subtle visuals warning of the attack on Pearl Harbor creep into the frame. Lancaster leans against the wall while on the telephone, for the first time making us aware of any time-related element; the calendar shows December 6th. Shortly thereafter, he moves along a boardwalk , pausing in front of a directional marker, showing, amongst other things, a sign reading "Pearl Harbor 8m". And on the morning of the strike, a clock looms in the background, clearly showing ten minutes to eight, the first bomb hits seconds later. The attack sequence includes authentic war footage that blends well with the staged action.
This 8 Oscar motion picture helped define the filmmaking of the fifties. It manages to express anti-war, and in many cases anti-military sentiment while never allowing us a moment away from a military man. Daniel Taradash won a well deserved award for his brilliant screenplay. He has each main character starving for release from what they claim to be their one true love, the Army. While Warden becomes involved with his superior's wife, Pruit is falling for a woman who is paid to keep men company in a private club. Each man picks an emotionally dangerous (and in some respects career-threatening) situation to break the drudgery of their military lives. The dialogue is realistic and involving, and each character speaks to us from an emotional level.
>From Here To Eternity should be viewed by anyone with a respect for fantastic filmmaking. It begs for a repeat viewing from those who havn't seen it in ages, and it needs to be seen by anyone who has never had the pleasure.
Four out of Four stars Copyright (C) 1997 Nick Amado ************************* Questions? Comments? Complaints? Email me<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


|
CMSIS-Build
Version 0.9.0 (beta)
Tools, software frameworks, and work flows for productivity with CMSIS based projects
|
The cbuild.sh script starts the build process. It is called from the Bash command line with the following syntax:
Where:
cbuild.sh
is the name of the script.
<ProjectFile>
specifies the project file in CMSIS project format.
Optional:
<Toolchain>
specifies the selected toolchain for projects that support multiple compilers.
<OutputPath>
specifies the output directory.
<MakefileTarget>
specifies the <target>
option for make.
The cbuild.sh: Build Invocation script implements the build flow by chaining the utilities cbuildgen, ccmerge, and Make. It replicates the build steps of CMSIS-Pack aware IDEs and also updates configuration files if necessary. The script can be adopted to project specific requirements.
The build flow of the cbuild.sh: Build Invocation script is:
$ cbuild.sh Simulation.cprj (cbuild.sh): Build Invocation 0.9.0 (C) 2020 ARM Simulation.cprj validates (cbuildgen): Build Process Manager 0.9.0 (C) 2020 ARM M650: Config command completed successfully. (cbuildgen): Build Process Manager 0.9.0 (C) 2020 ARM M651: Generated makefile for merging config files: 'Simulation_cfg.mak' M652: Generated makefile for project build:'Simulation.mak' mkdir -p "/c/Examples/Blinky/Objects/RTE/CMSIS/RTOS2/Keil RTX5/Library" mkdir -p "/c/Examples/Blinky/Objects/RTE/Compiler/IO/STDOUT/ITM" mkdir -p "/c/Examples/Blinky/Objects/RTE/Device/Startup/C Startup" mkdir -p "/c/Examples/Blinky/Objects/Source Files" "/C/Keil_v5/ARM/ARMCLANG/bin/armclang" @"/c/Examples/Blinky/Objects/RTE/CMSIS/RTOS2/Keil RTX5/Library/RTX_Config.o._cc" "/C/Keil_v5/ARM/ARMCLANG/bin/armclang" @"/c/Examples/Blinky/Objects/RTE/CMSIS/RTOS2/Keil RTX5/Library/rtx_lib.o._cc" "/C/Keil_v5/ARM/ARMCLANG/bin/armclang" @"/c/Examples/Blinky/Objects/RTE/Compiler/IO/STDOUT/ITM/retarget_io.o._cc" "/C/Keil_v5/ARM/ARMCLANG/bin/armclang" @"/c/Examples/Blinky/Objects/RTE/Device/Startup/C Startup/startup_ARMCM3.o._cc" "/C/Keil_v5/ARM/ARMCLANG/bin/armclang" @"/c/Examples/Blinky/Objects/RTE/Device/Startup/C Startup/system_ARMCM3.o._cc" "/C/Keil_v5/ARM/ARMCLANG/bin/armclang" @"/c/Examples/Blinky/Objects/Source Files/Blinky.o._cc" "/C/Keil_v5/ARM/ARMCLANG/bin/armlink" --via="/c/Examples/Blinky/Objects/Blinky.axf._ld" Program Size: Code=7516 RO-data=1264 RW-data=168 ZI-data=9084 cbuild.sh finished successfully!
| Type | Message | Action |
|---|---|---|
| ERROR | error: missing required argument <project> .cprj | See usage and correct the argument. |
| ERROR | error: CMSIS_BUILD_ROOT environment variable not set | Set Environment Variables. |
| ERROR | make ${output}${project}_cfg.mak failed! | Check make error messages. |
| ERROR | make ${output}${project}.mak failed! | Check make error messages. |
| INFO | cbuild.sh finished successfully! | For information only. |


Ayodhya dispute: A timeline of events that shaped the decades-old case
by https://www.dawn.com/authors/422/reuters, ReutersDispute centres around who should control the land upon which lie the ruins of the 16th-century Babri Mosque.
The Supreme Court of India on Saturday ruled in favour of a Hindu group in a long-running legal battle over a centuries-old religious site also claimed by Muslims, in a judgement that paves the way for the construction of a Hindu temple at the site.
The top court also directed that an alternate land parcel be provided to a Muslim group.
The dispute centres around who should control the land upon which lie the ruins of the 16th-century Babri Mosque, destroyed by a Hindu mob in 1992.
Following is a timeline of the events that have shaped the case:
1528
The mosque in Ayodhya, in what is now Uttar Pradesh, was built by Mughal emperor Babur, according to documents produced by Muslim groups in court.
1949
Muslim groups accuse government officials of conniving with Hindu monks to place an idol of an infant Lord Ram in the grounds of the mosque.
1950
A first suit is filed in a court near Ayodhya, seeking permission to worship the idol of Lord Ram.
1986
A court orders locks to be opened at the disputed site and that Hindus be allowed to pray there.
1992
Thousands of Hindu activists, led by politicians of the Hindu-nationalist Bharatiya Janata Party (BJP), tear down the mosque.
1992-93
Hindu-Muslim riots erupt across northern and western India. Rights group estimate more than 2,000 people were killed.
2010
A three-judge bench of the Allahabad high court in Uttar Pradesh ruled that the site of the mosque should be divided into three parts between the three main parties in the case.
2011
The Supreme Court stays the high court’s order.
2019
A five-judge bench of the Supreme Court of India begins day-to-day hearings to resolve the case. On November 9, court rules in favour of Hindus. The ruling paves the way for the construction of a Hindu temple on the site in the northern town of Ayodhya, a proposal long supported by Indian Prime Minister Narendra Modi’s ruling Hindu-nationalist party.


An example of CRUD functions within a mySQL database.
Type in a burger in the text field, click order to create it. Click "Chow Down" to eat the burger. Click
"Clean up" to remove the burger.
HTML, javascript, jQuery, Bootstrap, Custom CSS, Node.js,
Express NPM, Body-Parser NPM, Path NPM, Heroku, Handlebars, MySql + Sequel Pro.
App designed to help people decide what do cook for dinner.
HTML, javascript, jQuery, Materialize framework, Custom CSS, theMealdb api, Youtube api,
Background Image created with Adobe Photoshop and Illustrator.
Memory Game
This is a memory game where the objective is to click each picture only one time. After each click the
images shuffle.
React, ReactDOM, javascript, ES6, CSS Animate, Bootstrap, Custom CSS.
Trivia game based on the show "Where in the world is Carmen Sandiego"
HTML, CSS, javascript, jQuery, Bootstrap Framework.
Scrapes Geekologie for the latest in geeky news and stores them in a database where users can add
comments for each article.
express, express-handlebars, mongoose, body-parser, cheerio, request.
A Tron themed hangman game.
HTML, CSS, javascript.
Survey that matches your personality to superheroes.
HTML, javascript, jQuery, Bootstrap framework, Custom CSS, Node.js, Express NPM, Body-Parser NPM, Path
NPM, Heroku.


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Toyota Corolla
22/03/2017
24/03/2017
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22/01/2017
24/01/2017
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$89


Change the options bellow to fit your preferences, then press "Get a Plan" and your weekly meal plan will appear here.
Customize your plan with these options, then press "Get a Plan" and your weekly meal plan will appear above.
Other Preferences:
Get a Plan!


Configuring Indexes |
Indexes are the primary means of locating records in the system, and hence need to be well thought out and specified in advance. They consist of one or more paths to tags in the record, and how to process the data once it has been located.
Example index configurations:
01 <subConfig id = "xtitle-idx"> 02 <objectType>index.SimpleIndex</objectType> 03 <paths> 04 <object type="indexStore" ref="indexStore"/> 05 </paths> 06 <source> 07 <xpath>/ead/eadheader/filedesc/titlestmt/titleproper</xpath> 08 <process> 09 <object type="extractor" ref="SimpleExtractor"/> 10 <object type="normalizer" ref="SpaceNormalizer"/> 11 <object type="normalizer" ref="CaseNormalizer"/> 12 </process> 13 </source> 14 <options> 15 <setting type="sortStore">true</setting> 16 </options> 17 </subConfig> 18 19 <subConfig id = "stemtitleword-idx"> 20 <objectType>index.ProximityIndex</objectType> 21 <paths> 22 <object type="indexStore" ref="indexStore"/> 23 </paths> 24 <source> 25 <xpath>titleproper</xpath> 26 <process> 27 <object type="extractor" ref="SimpleExtractor" /> 28 <object type="tokenizer" ref="RegexpFindOffsetTokenizer"/> 29 <object type="tokenMerger" ref="OffsetProxTokenMerger"/> 30 <object type="normalizer" ref="CaseNormalizer"/> 31 <object type="normalizer" ref="PossessiveNormalizer"/> 32 <object type="normalizer" ref="EnglishStemNormalizer"/> 33 </process> 34 </source> 35 </subConfig>
Lines 1 and 2, 19 and 20 should be second nature by now. Line 4 and the same in line 22 are a reference to the indexStore in which the index will be maintained.
This brings us to the source section starting in line 6.
It must contain one or more xpath elements. These XPaths will be
evaluated against the record to find a node, nodeSet or attribute value.
This is the base data that will be indexed after some processing. In the
first case, we give the full path, but in the second only the final element.
Cheshire3, it is generally most efficient to give as small a path as possible to
identify exactly which elements you want to index, so the path at line 25 is
cheaper than the path at line 7.
If the records contain XML Namespaces, then there are two approaches available. If the element names are unique between all the namespaces in the document, you can simply omit them. For example /srw:record/dc:title could be written as just /record/title. The alternative is to define the meanings of 'srw' and 'dc' on the xpath element in the normal xmlns fashion.
After the XPath(s), we need to tell the system how to process the data that gets pulled out. This happens in the process section, and is a list of objects to sequentially feed the data through. The first object must be an extractor. This may be followed by a Tokenizer and a TokenMerger. These are used to split the extracted data into tokens of a praticular type, and then merge it into discreet index entries. If a Tokenizer is used, a TokenMerger must also be used. Generally any further processing objects in the chain are normalizers.
The first index uses the SimpleExtractor to pull out the text as it appears exactly as a single term. This is followed by a SpaceNormalizer on line 10, to remove leading and trailing whitespace and normalize multiple adjacent whitespace characters (e.g. newlines folloed by tabs, spaces etc.) into single whitespaces The second index also uses the SimpleExtractor, however it then uses a RegexpFindOffsetTokenizer to identify word tokens, their positions and character offsets. It then uses the necessary OffsetProxTokenMerger to merge identical tokens into discreet index entries, maintaining the word positions and character offsets identified by the Tokenizer. Both indexes then send the extracted terms to a CaseNormalizer, which will reduce all characters to lowercase. The second index then gives the lowercase terms to a PossessiveNormalizer to strip off 's and s' from the end, and then to EnglishStemNormalizer to apply linguistic stemming.
After these processes have happened, the system will store the transformed terms in the indexStore referenced in the paths section.
Finally, in the first example, we have a setting called 'sortStore'. If this is given, then the system will create a map of record to term for the index to allow it to be quickly retrieved for the purposes of sorting.


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Preparation time
1-2 hours
Cooking time
30 mins to 1 hour
Serves
Serves 4
This fried chicken is crispier than most American versions as it is fried twice. Serve with kimchi and soju for an authentic Korean lunch.
Start by brining the chicken. Dissolve the sugar and salt in the hot water, then mix1 litre/1¾ pint cold water into the brine solution. Submerge the chicken and leave to stand, covered, for 2 hours. Meanwhile, make the sauces.
For the sweet soy sauce, put the soy, mirin, rice wine vinegar, ginger, garlic and sugar into a saucepan. Stir over a low heat until the sugar is dissolved and simmer for 2 minutes. Taste for seasoning and add a little salt if necessary. Add sesame oil to taste. Whisk the cornflour with a little cold water until you have a smooth but very runny paste, then whisk this into the sauce over a low heat, until the sauce thickens very slightly. Set aside.
For the chilli sauce, whisk all the ingredients together, thinning with a little water if too thick. Taste and add salt if necessary.
To cook the chicken, drain and rinse the brined chicken thoroughly, then pat dry. Make the first coating (this is the coating the batter will stick to, otherwise it tends to fall off) by whisking the flour, cornflour, baking powder and salt together. Dust the chicken in this mixture, patting off any excess, and leave to stand while you make the batter.
For the batter, whisk together the dry ingredients, then whisk in 100ml/3½ cold water and the vodka – the texture should be quite thin, like double cream.
Add oil to your fryer, large saucepan or wok, making sure you don’t fill it beyond half way. Heat the oil to 160C. (CAUTION: hot oil can be dangerous. Do not leave unattended.)
Dip the chicken pieces in the batter one at a time.  Fry for 8–10 minutes, then drain and put on kitchen paper – the chicken should be cooked through but have barely taken on any colour. Turn the heat up to 190C, or if using a saucepan, turn the heat up and leave for around 5 minutes to reach the right temperature. Fry the chicken for another 2 minutes, or until it has darkened. Remove and drain thoroughly on kitchen paper. It should be beautifully crisp. You can serve it with the sauces, or you can brush some of the soy-based sauce over it and serve with the chilli sauce.


Lifecycle Management
This example demonstrates the lifecycle management features in Giraffe.
All Giraffe objects implement a dispose
method. When a Giraffe.View is
disposed, it calls dispose
on all of its children
that have the method. In
this example we'll create a Giraffe.App, give it some children, dispose
of
it, and see the results.
var app = new Giraffe.App();
app.attachTo('body');
Giraffe.App, which is a special Giraffe.View, is designed to encapsulate
an entire application, but for the purposes of this example we're using no
features specific to it - a Giraffe.View would have worked too.
Let's listen to the built-in disposal events and write out what's happening.
app.once('disposing', function() {
$('body').append('
app is disposing
');
});
app.once('disposed', function() {
$('body').append('
app is disposed
');
});
The
Giraffe.View#dispose
method overrides the behavior of
Backbone.View#remove
function. We didn't want to rename it, but because we
want Giraffe to manage the lifecycle of any object, and remove
means
something different for collections, we opted to use the method name dispose
.
Now that the app is ready, let's give it some children.
var childModel = new Giraffe.Model();
app.addChild(childModel);
var childCollection = new Giraffe.Collection([{'name': 'a model!'}]);
app.addChild(childCollection);
var childView = new Giraffe.View();
app.attach(childView);
// `app.addChild(childView)` also works, but doesn't put childView.$el in app.$el
To help us follow the action of dispose
, we'll listen for the events signaling
when these objects are disposed and write out what's happening.
childModel.once('disposed', function() {
$('body').append('
model is disposed
');
});
childCollection.once('disposed', function() {
$('body').append('
collection has ' + this.length + ' models
');
$('body').append('
collection is disposed
');
});
childCollection.models[0].once('disposed', function() {
$('body').append('
collection\'s model is disposed
');
});
childView.once('disposed', function() {
$('body').append('
view is disposed
');
});
Giraffe.Collection and Giraffe.Model are very thin wrappers over their
Backbone counterparts, adding only
dispose
and appEvents
support. They
are by no means required, and you can have Giraffe manage the lifecycles of
any objects with a dispose
method. If you want to reuse the same dispose
method Giraffe's classes use, it's available at Giraffe.dispose
. It calls
stopListening
, triggers the 'disposing'
and 'disposed'
events, and sets
this.app
to null
. It also accepts a function argument to do additional work.
Any object with a dispose
method can be added to a view's children
to be
cleaned up.
var someObject = {
dispose: function() {
Giraffe.dispose.call(this);
$('body').append('
someObject is disposed
');
}
};
app.addChild(someObject);
Let's call dispose
on the app and see what happens!
app.dispose();
Here's what happened:
var app = new Giraffe.App();
app.attachTo('body');
app.once('disposing', function() {
$('body').append('
app is disposing
');
});
app.once('disposed', function() {
$('body').append('
app is disposed
');
});
var childModel = new Giraffe.Model();
app.addChild(childModel);
var childCollection = new Giraffe.Collection([{
'name': 'a model!'
}]);
app.addChild(childCollection);
var childView = new Giraffe.View();
app.attach(childView);
// `app.addChild(childView)` also works, but doesn't put childView.$el in app.$el
childModel.once('disposed', function() {
$('body').append('
model is disposed
');
});
childCollection.once('disposed', function() {
$('body').append('
collection has ' + this.length + ' models
');
$('body').append('
collection is disposed
');
});
childCollection.models[0].once('disposed', function() {
$('body').append('
collection\'s model is disposed
');
});
childView.once('disposed', function() {
$('body').append('
view is disposed
');
});
var someObject = {
dispose: function() {
Giraffe.dispose.call(this);
$('body').append('
someObject is disposed
');
}
};
app.addChild(someObject);
app.dispose();
<!DOCTYPE html>

<link rel='stylesheet' type='text/css' href='../css/reset.css' />