In the fall of 1973, the admittance rates between sexes were significantly different. The question arose whether or not this is a case of gender bias, discrimination, or if this is caused by other factors. Let's take a look at the numbers.
From these numbers alone it seems evident that there is indeed a case of sex bias, or even sex discrimination in the admittance. One factor we have not yet taken into account, however, is the fact that this is aggregated data. Once we take a look at the whole data set, we might get a better insight on what causes the admittance rates to be so different.
Admittance rates weren't the same across departments.
Certain departments at UC Berkeley were harder to get admitted in. Taking this into account is of critical importance. The overall admittance rates decrease from (unnamed) departments A through F for both sexes. This is the first indication that the original data might have been misleading. However, this alone is not enough to explain the discrepancy between the two admittance rates. Let's take a look at the amount of male and female applicants per department.
From these departments, women apply more often to ones which are harder to get into.
As is seen in the visualization below, male applicants apply more often to the departments which are 'easier' to get in for both sexes. This is opposite for women, as they seem to apply to departments which are harder to get into. This is another indicator that the unsegregated data might tell another story than the aggregated data. One piece of the story, however, is still missing. What about the admittance rate per sex per department?
The differences in admittance rates between departments are very similar.
The difference is minimal. In fact: in certain cases, you can even see the admittance rates for women being higher than that of men. Combining these three numerical facts gives us a clear view of the actual reasoning behind the original discrepancy. Admittance rates are similar per department, or even significantly higher for women, but women don't apply to 'easier' the departments as often as men do. Below is an overview of the visualization.
So how do we arrive at the original discrepancy?
From this point it is simple to find the problem: multiply the amount of female applicants by their admittance rates per department and you get the numbers 44% and 35%. As we see, this is how we get to the original discrepancy in admittance rates between men and women.
In the end, this does not seem to have been a case of sex bias, but a case of something which is known as the Simpon's Paradox. The Simpson's Paradox is one of many statistical fallacies which we fall for in our daily lives. Berkeley wasn't sued, and there was no implicated sex bias for admittance rates. Why there was such a significant difference between the amount of applicants for the department is debatable, and a subject for a different story. The key thing to understand is that, sometimes, data and visualizations can create a story which does not align with reality. In these cases it is important to be a critical thinker, or to have access to a good statistician to do the thinking for you.
There are three kinds of lies: lies, damned lies, and statistics. - Mark Twain


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League of Legends is a multiplayer online battle arena video game developed and published by Riot Games for Microsoft Windows and macOS. Learn More
Super Smash Bros. for Nintendo 3DS and Super Smash Bros. for Wii U are fighting video games developed by Sora Ltd. and Bandai Namco Games, with assistance from tri-Crescendo, and published by Nintendo... Learn More
Heroes of the Storm is a multiplayer online battle arena video game developed and published by Blizzard Entertainment for Microsoft Windows and macOS. Learn More


It is a collection of web resources such as web pages and web applications.
All websites need a web host. A web hosting plan gives you access to a web server, which you can store your web files and share all data with the world. There are many different web hosting plans on the market and one of them is the free web hosting option.
Founded by Tim Berners-Lee
Is an international community that develops open standards to ensure the long-term growth of the web.
HTML 5.1
Version: 1.0 – January 26, 2000
Revised August 1, 2002
Proposed to go back to HTML
Later becomes HTML5 that is standardized in 2014
html head title, base, link, meta, style body article, aside, nav, section header, footer main address div h1, h2, h3, h4, h5, h6 p hr pre blockquote ol, ul li dl dt, dd figure figcaption a em, strong, small cite, q dfn, abbr ruby, rb, rt, rtc, rp --→ ruby anotations data, time code, vaar, samp, kbd sup, sub l, b, u, mark bai, bdo span table caption colgroup, col thead, tbody, tfoot tr th, td form label input button select, data
| Tag | What it is | When to use it |
|---|---|---|
|  | Anchor (most commonly a link) | Vital. Use to create links in content. Use the title attribute whenever the contents of the … pair do not accurately describe what you’ll get from selecting the link. Title attribute often displays as a tooltip in visual browsers, which may be a helpful usability aid. |
|  | Defines an abbreviation | Works in a similar way to <dfn> and <acronym>, using a title attribute (displays a tooltip in standard visual browsers). e.g. HTML |
| <ACRONYM> | Defines an acronym | Works in a similar way to  and <dfn>, using a title attribute (displays a tooltip in standard visual browsers). |
| <ADDRESS> | Used for marking up a physical (e.g. mailing) address | Not commonly used. Recommend looking into microformats, which allow for more detail and interoperability. |
| <APPLET> | Inserts a Java applet | The old way to insert a Java app. Use <object> instead today. |
| <AREA> | Hotspot in image map | Avoid image maps where possible. Occasionally necessary. |
| <BASE> | Specifies the base location of the document. | Use only when necessary. Adjusts any relative links and paths within the document. |
| <BASEFONT> | Sets default font size | Display info – never use it |
| <BIG> | Larger text | Display info – never use it |
| <BLINK> | Makes text blink | You go to hell if you use this |
|
 | Large quoted block of text | Use for any quoted text that constitutes one or more paragraphs (note: should contain
 tags as well). Use <q> for quotations within a paragraph. Often used in conjunction with  to cite the quotation’s source. |
|  | Document body | Essential (unless you’re using frames) |
|
 | Line break | This is arguably display information. Still in common use, but use with restraint. |
|  | Bold text | Display info – never use it |
| <BUTTON> | Used for a standard clickable button within a form | Often better than <input type=”button” /> or <input type=”submit” />, as it allows you to assign different styles based on the HTML element alone, whereas differentiating style based on the type of input is less well supported. |
|
 | Caption for a table: describes the table’s contents | The correct way to assign a title to a table |
|  | Centred block | Display info – never use it. Use
 or some other block-level tag with the style text-align:center instead |
|  | Defines a citation | Defines the source of a quotation (in conjunction with content in <q> or
 pairs). |
|  | Defines an extract of code | Not commonly used. Similar to
 tag, but collapses consecutive white spaces and line breaks in the source. |
| <COL> | Identifies a particular column in a table | Can be very useful. e.g. <col class=”namecol”> can be applied to each first column in a series of tables, then the width of each column may be set to be equal in the stylesheet, overriding the table’s natural tendency to adjust its own column widths to fit its contents. |
| <DFN> | Definition of a term | Works in a similar way to  and <acronym>, using a title attribute (displays a tooltip in standard visual browsers). |
| <DIR> | Directory list | Now deprecated. Use a standard
 or other list instead. |
|
 | Division | Specifies a logical division within a document. Use it to separate or identify chunks of content that are not otherwise distinguished naturally using other tags.
One of the most common HTML tags. |
|
 | Definition list | Contains one or more definition-term / definition-description pairs. |
|
 | Definition term | Used as part of a

 pair within a definition list (

) |
|
 | Definition description | |
|  | Emphasis | Commonly used in place of the old  (italics) tag to indicate emphasis (but less than ) |
|  | Font settings | Display info – never use it |
| <FORM> | Input form | Essential for data input |
|
 | Level 1 header | Aim to have one H1 on each page, containing a description of what the page is about. |
|
 | Level 2 header | Defines a section of the page |
|
 | Level 3 header | Defines a sub-section of the page (should always follow an H2 in the logical hierarchy) |
|
 | Level 4 header | Etc. Less commonly used |
|
 | Level 5 header | Less commonly used. Only complex academic documents will break down to this level of detail. |
|
 | Level 6 header | Less commonly used |
|  | Document head | Essential. Contains information about a page that does not constitute content to be communicated as part of the page. |
|
 | Horizontal rule | Display info with no semantic value – never use it. “Horizontal”, by definition, is a visual attribute. |
|  | Core element of every web page. | |
|  | Show an image | Vital. Always use the alt or longdesc attributes when the image has content value |
| <INPUT> | Input fields within forms | Vital. (I prefer to use <button> for buttons and submit buttons though) |
| <ISINDEX> | Old type of search input | Not really used any more. Use <form> instead. |
|  | Italicised text | Display info – never use it |
|  | Keyboard input | Display info – never use it |
| <LINK> | Defines a relationship to another document | Commonly used to reference external stylesheets, but has other minor uses |
|
 | List item | Specifies an item in an unordered or ordered list (
 or
) |
| <MAP> | Client-side imagemap | May have occasional value, but only use when absolutely necessary |
| <MARQUEE> | Makes text scroll across the screen | See <blink> |
| <MENU> | Menu item list | Deprecated. Do not use. Use other standard list types instead. |
| <META> | Meta-information | Useful way to insert relevant information into the  section of the page that does not need to be displayed. |
|
 | Ordered list | Type of list where the order of elements has some meaning. Generally rendered with item numbers (best managed with CSS). |
| <OPTION> | Selection list option | Vital for options within a drop-down control. |
| <PARAM> | Parameter for Java applet | Used in conjunction with an <object> or <applet> tag to pass additional setting information at runtime. |
|
 | Preformatted text | Renders text in a pre-formatted style, preserving line breaks and all spaces present in the source. May be useful. (This one’s a paradox, as it is strictly display info that applies only to visual browsing, but it’s still so commonly used and useful that I’m hesitant to advise against using it.) |
|
 | Paragraph | Only use to denote a paragraph of text. Never use for spacing alone. |
| <Q> | Short quotation | Use for inline quotations (whereas
 should be used for quotations of a paragraph or more). Often used in conjunction with  to cite the quotation’s source. |
| <SAMP> | Denotes sample output text | Similar to the  tag. Rarely used. Avoid. |
|


Ocean Man
That you understand
The voyage to the corner of the globe is a real trip
The crust of a tan man emibed by the sand
Soaking up the thirst of the land
The crust is elusive when it casts forth
To the childlike man
The sequence of a life form braised in the sand
Soaking up the thirst of the land
Take me by the Hand
Lead me to the land
The voyage to the corner of the globe is a real trip
Ocean Man
The crust of a tan man emibed by the sand
Soaking up the thirst of the land
The crust is elusive when it casts forth
To the childlike man
The sequence of a life form braised in the sand
Soaking up the thirst of the land
Presentation by Ridge Hamre Audio: https://www.youtube.com/watch?v=6E5m_XtCX3c


Dear AAAAAAAAAA:
As per our conversation, you are confirmed for the following emergency shift:
| Time | Restaurant |
|---|---|
| 1/7 | TUE | 12:00PM - 6:00PM | AAAAAAAAAA |
Have a great shift!
Best,
Tess Cohen
Accounts Executive
BK Shift, LLC
347-460-6484
<EMAIL_ADDRESS>AAAAAAAAAA:
is a newly signed up account. They say it gets busy. Let us know how it goes!
Location:
446 Dean St., Brooklyn [Park Slope]


--- layout: page title: 404 Not Found ---
Whoops, something went wrong. Let's go back to the main page or help us fix the error on GitHub ;)


Review
Directed by Garry Marshall. Starring Richard Gere and Julia Roberts. What first comes to mind when hearing those names is Pretty Woman. So, you'll probably think it's Pretty Woman part 2. Well it's not, because this time Julia Roberts isn't playing a prostitute but a country girl. The rest is pretty much the same. What else do you expect?
The opening scene was Julia Roberts riding a horse, very fast, with her wedding dress, while U2's I Still Haven't Found What I'm Looking For. From the movie title, Runaway Bride, with that song (which Bono wrote about God/religion, not about love!) you can guess. Julia Roberts is a Runaway Bride.
The story: Ike Graham (Richard Gere) is a columnist for USA Today in New York. That day he decided to write about man-eaters, if you know Hall & Oates' song, after hearing some guy's story. And the victim is Maggie Carpenter, a local girl from Hale, Maryland, who ditched her guys 3 times at the altar. Maggie sends a complaining letter to the editor and Ike is out of his job. But he doesn't give up. He goes to Hale to find out the truth about Maggie, who is planning to give it a fourth try. So the story continues, and you'll probably already knew the ending after 15 minutes.
For Julia Roberts, after she starred in Notting Hill, I was rather hoping to see her in a better movie. Something like Conspiracy Theory. And Gere shouldn't lower his level to this Pretty Woman-level again. But they did. They probably did a good job in Runaway Bride, but the story was lousy. It was a typical Hollywood story. I think Adam Sandler did a better version in The Wedding Singer.
There was one time when I really laughed, and that was the part when they were showing the crowd in the church for the wedding. Half of the church filled with local Hale people, while the other half was filled with New Yorkers, complete with their suits, sunglasses, and mobile phones.  But that's about it.
My last words, if you are planning to relax and get some laughs without even thinking you can watch this movie. But if you prefer a real movie, don't go to this one.
Indra Moeljadi Likes his eggs, however they're prepared
check more reviews on Indra's PopCulture Reviews http://www.geocities.com/SouthBeach/3216
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


When we are there we stay with my uncle.
I was there last in 2016.
I have seen all the sites there including the Golden gate bridge, Alcatraz, Pier 39, Twin Peaks and many more.
France
I have been to France about 8 times in my life.
We used to go to different parts of France to campsites every year.
I have been to Nice, Biarritz, Cannes and Perpignan.
Italy
I have been to Italy about 6 times in my life.
We used to stay in campsites in Italy when i was younger.
I have been to Rome, Pisa, and Lake Garda.
London
I went to London this January with my friends.
We went for a 3 day city break.
I had already been there before in 2012.
We saw sites such as the London Bridge, Big Ben and Buckingham Palace.
We did the London Dungeons, the London Eye and West Minister Abbey.


Scrotal ultrasound examination
Clinical information
Comparison
None.
Findings
TESTES
Color Doppler:
Right testis size:
cm
Left testis size:
cm
EPIDIDYMIDES
Color Doppler:
HYDROCELE
VARICOCELE
OTHER FINDINGS
Impression
Normal examination.


These are a sample of columns and users of OkCupid dating website. The data are from Kim and Escobedo-Land (2015). Permission to use this data set was explicitly granted by OkCupid. The data set contains 10 text fields filled out by users.
Kim, A. Y., and A. Escobedo-Land. 2015. "OkCupid Data for Introductory Statistics and Data Science Courses." Journal of Statistics Education: An International Journal on the Teaching and Learning of Statistics.
a tibble
#> tibble [750 × 10] (S3: tbl_df/tbl/data.frame) #> $ essay0: chr [1:750] "\"twice upon a time there was a boy who died twice and lived happily\never after but that's another chapter liv"| __truncated__ "i'm chill and steady.
\ni'm a teacher & musician.
\ni like playing outside, dislike school nights"| __truncated__ "ok, i really don't know what (if anything) i'm looking for. impress\nme. i am a singer, songwriter, poet, amate"| __truncated__ "i am a dreamer who is constantly trying to come to terms with\nreality. i have lived in quite a few places in m"| __truncated__ ... #> $ essay1: chr [1:750] "i just graduated from college and have entered the \"what the fuck\nnow?!\" stage of my life.
\n
\ni'"| __truncated__ "eating, sleeping, and pooping." "raising my son, sometimes doing music, switching careers, having\nfun!" "i just moved back to san francisco from hong kong. i'm working on\nimmersing myself in the city. i am enjoying "| __truncated__ ... #> $ essay2: chr [1:750] "writing. being a friend. drawing. sarcasm. remembering lyrics.\ndancing. sleeping." "picking up/imitating people's mannerisms/voice.
\nbeing rational and respectful.
\ncooking." "procrastinating. crap..i shouldn't say that, should i? i'll change\nit later. ha ha! i'm good at writing music "| __truncated__ "i've been told i'm good at listening, writing, analyzing dilemmas,\nstory-telling, and photography." ... #> $ essay3: chr [1:750] "that i am playing really loud music or that i have a tad bit more\nass than the average man" "i look like i'm 15, or, \"so, what are you?\"" "my smile, my eyes, my dimples, my little hands. and of course, my\noverall awesomeness!" "my fashion accessories and my desire to have a good time." ... #> $ essay4: chr [1:750] "music:
\nerykah badu. . .nina simone. . .camp lo. . .nirvana. . .the coup. .\n.nas. . .biggie. . .lil kim."| __truncated__ "non-fiction.
\nchick flicks and trippy shit.
\nsurvivor.
\ni try hard to understand what's good "| __truncated__ "sushi, indie and horror films, stephen king, neosoul, hip hop,\nr&b, blues, some jazz, some reggae, some classical."  "my cell phone
\nmy tv (don't watch it, just like hearing the voices. lol.)
\nmy son
\nmy lap top"| __truncated__ "family, friends, pets, money, the internet, food... oh, it's\nsupposed to be \"things\" only? i guess i didn't "| __truncated__ ... #> $ essay6: chr [1:750] "romance. . .ending capitalism and the state. . .blowing trees. .\n.sex. . . writing. . . painting. . .sex. . .e"| __truncated__ "everything. the way things are going. the intricacies of things and\nthe relative meaningless of everything. $ essay8: chr [1:750] "i have a thing for hammers and sickles. (brownie points if you can\nfigure that out)
\n
\nand. . . i "| __truncated__ "this website has not done me any good." "on many occasions, i have done that cute thing people do in the\nmovies where you practice talking to someone in the mirror." "is that i don't admit private things in public" ... #> $ essay9: chr [1:750] "you're interested. wanna chill. wanna smoke. wanna talk politics\nand pop culture. . .wanna bash glee
\n<b"| __truncated__ "you're a daydreamer... and/or a nightowl.
\n
\nbut who am i to tell you what you should do? you know "| __truncated__ "you think i sound really cool and you feel like we share alot of\nthe same qualities." "you'd like to know me better and hope we will click." ...


Static Member Summary
| Static Public Members | ||
| public static |
app: $Application The application instance for the PopApi framework. |
|
| public static |
The database connection. |
|
| public static |
The debugger for extra output. |
|
| public static |
The arguments passed down to the logger middleware. |
| Static Private Members | ||
| private static |
A map of the installed plugins. |
Static Method Summary
| Static Public Methods | ||
| public static |
The setup for the base framework. |
|
| public static |
Register middleware for the PopApi framework. |
Static Public Members
Static Private Members
Static Public Methods
public static async init(options: Object, middlewares: Array<Function>): Promise<PopApi, Error> source
The setup for the base framework.
Params:
| Name | Type | Attribute | Description |
| options | Object |
|
The options for the framework. |
| options.app | Express |
|
The web framework instance you want to use. |
| options.controllers | Array<Object> |
|
The controllers to register. |
| options.name | string |
|
The name for your API. |
| options.version | string |
|
The version of your API. |
| options.logDir | string |
|
The directory to store the log files in. |
| options.hosts | Array<string> |
|
The hosts of the database cluster. |
| options.dbPort | number |
|
The port the database is on. |
| options.username | string |
|
The username for the database connection. |
| options.password | string |
|
The password for the database connection. |
| options.serverPort | number |
|
The port the API will run on. |
| options.workers | number |
|
The number of workers for the API. |
| options.opts | Object |
|
Additionl options for custom middlewares. |
| middlewares | Array<Function> |
|
The list of middlewares to use. The order of the middlewares is important. |


Ploror688.github.io
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Cloudant Example Drawing App
Press
R
to
RECORD
drawing
Press
S
to
SAVE
what you drew
Press
C
to
LOAD
all data
Press
D
to
DELETE
all data
Press
E
to
REDRAW
loaded data
Cloudant.com


{#{% extends 'base.html' %}#} {% load staticfiles %} {% block css %} {% endblock %} {% block context %}
On each update event, a secondary field is updated with a specific date format. Both id and format can be specified. The reset method will clear too this field.
id
format
reset


Close ×
Kumarakom
Kumarakom is a popular tourism destination located near the city of Kottayam (16 kilometres), in Kerala, India, famous for its backwater tourism.It is set in the backdrop of the Vembanad Lake, the largest lake in the state of Kerala.
Tourism sightseeing -
Traditional boats moored at a lagoon
Tourism in Kumarakom largely revolves -around the backwaters of the Vembanad Lake. Several luxury and budget resorts lined up on the shores of the lake provide tourists with facilities for boating, yachting and fishing, with
panoramic views of the lake. The other major attraction is the Bird Sanctuary, which is open from 6 am to 6 pm and can be visited by canoes arranged by local fishermen at the entrance to the sanctuary. A two-hour rowing canoe trip is
quite cheap, and is best undertaken in the evening or early morning to avoid the afternoon sun.
Furthermore, the Aruvikkuzhi Waterfall and its surrounding rubber plantation are a photographer's delight. There is also the Bay Island Drift Museum near the Kumarakom beach for history lovers, open from 10 am – 5 pm on Tuesdays –
Saturdays and from 11.30 am – 5 pm on Sundays.
Kumarakom is home to a wide variety of flora and fauna. Kumarakom Bird Sanctuary is a noted bird sanctuary where many species of migratory birds visit. The Vembanad Lake, the largest backwater in Kerala, is habitat for many marine
and freshwater fish species and it teems with Karimeen (Pearl spot also known as Etroplus suratensis) shrimp (Metapenaeus dobsonii) common name Poovalan chemeen. The bird sanctuary extends over 14 acres (57,000 m²), and came into
existence following preservation efforts from the government. It is a major tourist attraction.
Munnar
Munnar (Malayalam: മൂന്നാർ) is a town and hill station located in the Idukki district of the southwestern Indian state of Kerala. Munnar is situated at around 1,600 metres (5,200 ft) above mean sea level, in the Western Ghats range
of mountains.
Location -
Geographic coordinates of Munnar is 10°05′21″N 77°03′35″E. Munnar town is situated on the Kannan Devan Hills village in Devikulam taluk and is the largest panchayat in the Idukki district covering an area of nearly 557 square
kilometres (215 sq mi).[citation needed]
Road
Munnar KSRTC bus stand
Munnar is well connected by both National highways, state highways and rural roads. The town lies in the Kochi - Dhanushkodi National highway (N.H 49), about 130 km (81 mi) from Cochin, 31 km (19 mi) from Adimali, 85 km (53 mi) from
Udumalpettu in Tamil Nadu and 60 km (37 mi) from Neriyamangalam.
Distance from major cities
from Kochi - Ernakulam - 150 km
Railway
The nearest major railway stations are at Ernakulam and Aluva (approximately 140 kilometres (87 mi) by road). The Nearest Functioning Railway station is at Udumalaipettai.
Airport
The nearest airport is Cochin International Airport, which is 110 kilometres (68 mi) away. The Coimbatore and Madurai airports is 165 km from Munnar.
Most of the native flora and fauna of Munnar have disappeared due to severe habitat fragmentation resultant from the creation of the plantations. However, some species continue to survive and thrive in several protected areas nearby,
including the new Kurinjimala Sanctuary to the east, the Chinnar Wildlife Sanctuary, Manjampatti Valley and the Amaravati reserve forest of Indira Gandhi Wildlife Sanctuary to the north east, the Eravikulam National Park and Anamudi
Shola National Park to the north, the Pampadum Shola National Park to the south and the proposed Palani Hills National Park to the east.
Kovalam
Beaches
Kovalam has three beaches separated by rocky outcroppings in its 17 km coastline, the three together form the famous crescent of the Kovalam beach.
Lighthouse Beach
The southernmost beach, the Lighthouse Beach is the one most frequented by tourists, Lighthouse Beach got its name due to the old Vizhinjam Lighthouse located on a 35 meter high on top of the Kurumkal hillock. The lighthouse is built
using stones, is colored in red and white bands and enjoys a height of 118 feet. It's intermittent beams at night render the beach with an unearthly charm.
Hawah Beach
Eve’s Beach, more commonly known as Hawa Beach, ranks second, in the early day, is a beehive of activities with fishermen setting out for sea. With a high rock promontory and a calm bay of blue waters, this beach paradise creates a
unique aquarelle on moonlit nights.
Samudra Beach
A large promontory separates this part from the southern side. Samudra Beach doesn't have tourists thronging there or hectic business. The local fishermen ply their trade on this part.
Detour past Kovalam junction to land on Samudra Beach which is to the north of Ashoka Beach. One has the option to walk along the sea-wall too.The sight of the waves lashing on the rocks below is awesome.
Shallow waters stretching for hundreds of metres are ideal for swimming. The beaches have steep palm covered headlands and are lined with shops that offer all kinds of goods and services.
Evening time view of the beach
The larger of the beaches is called Lighthouse Beach for its 35 metre high light house which towers over it atop Kurumkal hillock. The second largest one is Hawah Beach named thus for the topless European women who used to throng
there. It was the first topless beach in India.[citation needed] However topless bathing is banned now except in private coves owned by resorts. Visitors frequent these two beaches. The northern part of the beach is known as Samudra
Beach in tourism parlance. A large promontory separates this part from the southern side. Samudra Beach doesn't have tourists thronging there or hectic business. The local fishermen ply their trade on this part. The sands on the
beaches in Kovalam are partially black in colour due to the presence of ilmenite and Monazite. The normal tourist season is from September to May. Ashoka beach is also the part of Kovalam beach.
Kerala backwaters
The Kerala backwaters are a chain of brackish lagoons and lakes lying parallel to the Arabian Sea coast (known as the Malabar Coast) of Kerala state in southern India. The network includes five large lakes linked by canals, both man
made and natural, fed by 38 rivers, and extending virtually half the length of Kerala state. The backwaters were formed by the action of waves and shore currents creating low barrier islands across the mouths of the many rivers
flowing down from the Western Ghats range.
The Kerala Backwaters are a network of interconnected canals, rivers, lakes and inlets, a labyrinthine system formed by more than 900 km of waterways, and sometimes compared to the American Bayou.In the midst of this landscape there
are a number of towns and cities, which serve as the starting and end points of backwater cruises.National Waterway 3 from Kollam to Kottapuram, covers a distance of 205 km and runs almost parallel to the coast line of southern
Kerala facilitating both cargo movement and backwater tourism. The important rivers from north to south are the Valapattanam river (110 km.), Chaliar (69 km.), Kadalundipuzha (130 km.), Bharathapuzha (209 km.), Chalakudy river (130
km.), Periyar (244 km), Pamba (176 km), Achancoil (128 km.) and Kalladayar (121 km.). Other than these, there are 35 more small rivers and rivulets flowing down from the Ghats. Most of these rivers are navigable up to the midland
region, in country crafts.
Vembanad is the largest of the lakes, covering an area of 2033 km². The lake has a large network of canals that meander through the region of Kuttanad.
The backwaters have a unique ecosystem: freshwater from the rivers meets the seawater from the Arabian Sea. A barrage has been built near Thanneermukkom, so salt water from the sea is prevented from entering the deep inside, keeping
the fresh water intact. Such fresh water is extensively used for irrigation purposes.
Many unique species of aquatic life including crabs, frogs and mudskippers, water birds such as terns, kingfishers, darters and cormorants, and animals such as otters and turtles live in and alongside the backwaters. Palm trees,
pandanus shrubs, various leafy plants and bushes grow alongside the backwaters, providing a green hue to the surrounding landscape.


This site provides a random Funday Monday for you to do!
Perhaps you are playing matches with your friends and want to spruce things up a bit.
Perhaps the Funday Monday currently going on doesn't really apply to your race.
In anycase, this was made for people to have fun with.
Funday Monday is a Day[9] invention and all credit goes to him.
The source is on GitHub.
Report issues and feature requests in the issue tracker.


Jeremiah 29:20
Hear ye therefore the word of the LORD, all ye of the captivity, whom I have sent from Jerusalem to Babylon:


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--- layout: post authors: ["Jason Williams"] title: "Assessment Update - 2015" date: 2015-12-22 time: "11:00:00" tags: ["Assessment"] ---
About a year ago, I hoped to help answer the question, "Is our students learning?" We are now a bit closer to an answer, and I wanted to update the community about what we have accomplished this year. First, I want to thank and acknowledge the assessment subcommittee and Blake Joyce, who helped to define tasks, possibilities, and provided significant feedback. Especially here I wanted to thank Daniel Chen, Jeramia Ory, and Rayna Harris who put in a lot of hours moving things along.
Currently, we have three surveys, all of which you can preview at the links below:
Pre-workshop Survey: Basic information about learner capabilities and attitudes
Post-workshop Survey: Feedback on the perceived effectiveness of the workshop,learner motivation, and confidence
Long-term Survey: Determine impacts and outcomes for learners after attending a workshop
As it turns out, there aren't widely accepted and standardized ways to evaluate workshops like these. We apply evidence-based teaching techniques designed for the classroom, but resemble science museums that try to teach within a very short exposures. Our teaching materials might have been done as an online or self-paced course, but we use socially driven in-person workshops. Given these complexities, here are are some of the questions that drove these surveys:
Do we create a learning environment that is welcoming and inclusive?
Can we generate feedback for our instructors that will help them improve?
What do learners think they know before/after our workshops?
Are we lowering anxieties and barriers to learning the topics we teach; are we motivating learners?
What positive outcomes do learners attribute to their Software Carpentry experience?
Who are our learners, and are we setting and meeting goals for diversity?
We think these are reasonable questions given our context and constraints. We know that a two-day workshops are not going to change learners into experts, but we do think we can set a lot of learners down the path to competency within the best practices of software use in their respective sciences.
The most important task for instructors is to remind (and provide time for) learners to complete the surveys. These surveys will not only help Software Carpentry do a better job in general, but will generate feedback that help you to improve personally. I like emphasize to the learners that these data are important to us, and we really need them to contribute to this.
Links to the survey are part of the workshop template. These should automatically be a part of your agenda. When your agenda becomes public to your learners, you can remind them to take the pre-survey.
During the survey, learners will select your workshop from a list ('which workshop are you attending' Q3 on pre-survey, Q2 on post-survey). Check this question to see your workshop is listed. If not, check with<EMAIL_ADDRESS>Adding workshop sites is a manual step for us, and if something was overlooked, there will be an option for the learner to just type in the workshop name. The survey link generated when you create your workshop template also encodes information on the workshop ID; a backup against mistakes in user input.
In any reminders or communications to learners before the workshop, please remind learners to take the pre-survey.
Remind learners to take the pre-survey if they haven't done so before you begin day one.
On day two, leave extra time for learners to take the post-survey. The best way to ensure a high-completion rate is to ask your learners to complete this survey before they leave the workshop. Please allow time for this, and for learners that must leave, remind them that they can still complete this at home.
The admin will send the long-term follow up survey to learners after the workshop by email.
The Software Carpentry administrator will generate a URL for you that will enable you to view survey responses to both the pre and post workshop surveys. These will also be visible to the mentors at the workshop debriefs.
Like everything Software Carpentry, this effort is open to and benefits from your feedback. Since we are using Survey Monkey the usual methods of making pull requests aren't possible. There may be a better way to make changes, but for now suggestions should be sent to the assessment list.
As good a start as this is, we still have lots more we want to do. First, thanks to Data Carpentry we will be getting some professional assessment help from a dedicated evaluator. At the very least, we think our efforts so far will create a great starting point for improved assessments. There are still many questions that we will need more effort to get at including:
What is the best way to get live feedback during our teaching?
Can we get a more quantitative understanding of what skills our learners have and if they are improved by our workshops?
What misconceptions do our learners have and how do we address them?
How can we get more fine-grained feedback on individual lessons?
How can all of this be integrated with AMY to make it easier for our instructors and organization to react to collected feedback?
We have some ideas on this that will have to wait for another blog post. As we get more data, we will want to regularly report on what we have been learning, and over the past month we have already collected more than 200 responses. For now though, please let us know both about your opinions on what we have done so far, and what should come next.


A simple and fast JavaScript plugin to help you create fixed-width, variable-height grid layout.
First, include stack-up.js to your project.

...

...

...

#gridContainer {
position: relative;
}
.gridItem {
position: absolute;
}
.gridItem img {
width: 100%;
}
Make sure all content inside the container are loaded before initializing stack-up. This is to make sure stack-up calculates the right height before plotting.
// One way to make sure everything is loaded is
// to wrap the initializer inside window onload.
window.onload = function() {
// Create a stackup object.
var stackup = new StackUp({
containerSelector: "#gridContainer",
itemsSelector : "#gridContainer > .gridItem",
columnWidth : 240,
});
// Initialize stackup.
stackup.initialize();
};
Customize stack-up to your needs.
stackup.setConfig({
columnWidth : 320,
gutter : 18,
isFluid : false,
layout : "ordinal", // ordinal, optimized
numberOfColumns : 3,
resizeDebounceDelay: 350
});
// This function allows you to modify how each item is moved or animated.
stackup.config.moveItem: function(item, left, top, callback) {
item.style.left = left + "px";
item.style.top = top + "px";
// The callback function is required to continue operation.
callback();
};
// This one allows you to modify how the container scales.
stackup.config.scaleContainer: function(container, width, height, callback) {
container.style.width = width + "px";
container.style.height = height + "px";
// The callback function is required to continue operation.
callback();
};
Once the grid is initialized; you will need to call the restack
method if you change any of the configurations.
stackup.config.layout = 'optimized';
stackup.restack();
The restack
method will not work properly if you change something that affect the dimensions of the grid item.
You will have to use reset
instead. (This recalculates the grid stacking from top to bottom.)
stackup.config.columnWidth = 220;
stackup.reset();
You will also need to use the reset
method if you add or remove any grid item.
The append
method allows you to add a new grid item without re-calculating everything.
// Get container element.
var gridContainer = document.getElementById("gridContainer");
// Create a new grid item element.
var gridItem = document.createElement("div");
gridItem.setAttribute("class", "gridItem");
gridItem.innerHTML = "blah blah";
// Append the new grid item element into container element.
gridContainer.appendChild(gridItem);
// Append it to stackup.
stackup.append(gridItem);
There is currently no prepend
method.
That’s it!
StackUp is licensed under the MIT license - http://opensource.org/licenses/MIT
Copyright (C) 2017 Andrew Prasetya


Welcome to the v1.2.0 release of the Open Video Ads streamer for Flowplayer.
This package contains the binary (SWF) files required to deploy the plugin with Flowplayer 3.2.7 +.
The package also contains the source files and ant build files.
Several examples are also provided to help illustrate the various configurations for the plugin.
Further documentation can be found on the detailed plugin documentation pages at the google code repository www.openvideoads.org
If you are interested in the change log you can find that here and the licensing agreement can be found here.
The current restrictions with this release can be found here.


My HTML Forms and Frames Homework
Task 1 - Registration Form
Task 2 - University Grid
Task 3 - Notebook Store
Task 4* - Grid Component


vhs
CLI home video recorder to generate terminal gifs from code.
More information: home page
- Create a tape file (Add commands to the tap file using your editor):
vhs new path/to/file.tape
- Record inputs to a tape file (Once done, exit the shell to create the tape):
vhs record > path/to/file.tape
- Record inputs to a tape file using a specific shell:
vhs record --shell shell > path/to/file.tape
- Validate a type file's syntax:
vhs validate path/to/file.tape
- Create a gif from a tape file:
vhs < path/to/file.tape
- Publish a gif to https://vhs.charm.sh and get a shareable URL:
vhs publish path/to/file.gif


Lisa Armstrong blasts finance reports as 'lies' as Ant McPartlin prepares for I'm A Celebrity
Ant McPartlin's estranged wife Lisa Armstrong broke her silence to condemn the reports about their divorce talks as"lies"
by Emmeline SaundersFurious Lisa Armstrong has branded reports about her wanting more than half of Ant McPartlin's fortune as "lies" as her estranged husband prepares to host I'm A Celebrity for the first time since 2017.
The Strictly Come Dancing makeup artist, who split from Ant in late 2017, took to Twitter to defend herself against accusations she wants more than half of Ant's estimated £62million fortune.
Weekend reports suggested Lisa has rejected Ant's settlement deal and is taking him back to court to "have her day".
"What the general public and his fans don't realise is that Ant's decision to end the marriage came after years of Lisa trying to save him from himself," a source told the Mail on Sunday.
"There were at least three years when she was at her wits' end and it was tough. Watching him move on was very, very difficult.
"Lisa is very much aware that a judge may not award her as much as Ant is offering but she doesn't care," added the insider.
But when one follower told Lisa she was being greedy on Twitter, Lisa set her straight.
"How can 31million, not be enough for you?! It’s enough for both me and my family put together for life. Just sayin'," commented the follower.
Lisa sniped back: "Don't believe the lies #justsaying ."
One fan then told Lisa: "Let’s go to court arm in arm (see there faces )."
She wrote back, "Come on then...," adding three kissing emojis.
It was an unusually frank exchange for Lisa, who has mostly kept quiet about her divorce from Ant since finding out he was dating her former personal assistant Anne-Marie Corbett.
Ant went public with his new romance last June, prompting Lisa to lash out at her ex on social media for not giving her the heads up he was with her ex-friend.
Since then, the warring exes have been butting heads over custody of their Labrador Hurley and who should get their beautiful marital home in London's upmarket Chiswick.
Last week it was claimed Ant was "desperate" to reach a divorce settlement before the launch of I'm A Celebrity on Sunday.
He reportedly made a move to set up new mediation talks so they can sort it out away from court.
But Lisa is refusing to be pressured into a pay-off that she she doesn't think is right and won't sign a non-disclosure agreement, claiming she wants her day in court.


npm install ieee754
var ieee754 = require('ieee754')
The ieee754
object has the following functions:
ieee754.read = function (buffer, offset, isLE, mLen, nBytes)
ieee754.write = function (buffer, value, offset, isLE, mLen, nBytes)
The arguments mean the following:
write
)The IEEE Standard for Floating-Point Arithmetic (IEEE 754) is a technical standard for floating-point computation. Read more.
BSD 3 Clause. Copyright (c) 2008, Fair Oaks Labs, Inc.


WITNESS LIST
Energy Resources Committee
July 26, 2017 - 2:00 PM or upon final adjourn./recess
TAMEST Shale Development Report
On:
Barton, John (TAMEST)
Carmichael, Katherine (Texas Alliance of Energy Producers, and Panhandle Producers &
Royalty Owners Association)
England, Gordon (TAMEST)
Longanecker, Ed (Texas Independent Producers and Royalty Owners Association)
Reible, Danny (Self; Tamest)
Staples, Todd (Texas Oil and Gas Association)
Stump, Brian (Self)
Taylor, Melinda (Self)
On:
Dubiel, Natalie (Railroad Commission of Texas)
SCHOCH, ALEXANDER (Railroad Commission of Texas -resource)
1


from __future__ import division, print_function
import apache_beam as beam
[docs]class SelectFromNestedDict(beam.DoFn):
"""A :class:`~apache_beam.DoFn` for selecting subsets of records formed of
nested dictionaries.
Args:
keys (list): list of dictionary keys to be selected. Each key is a
string formed of dot separated words, each is used for selecting
from a dict in the nested dicts. The order of the word in the
"dot.separated.string" correspond to the dict level to select from.
For instance, if the input record is ``{'a': {'b': 3, 'c': {'d': 2} }}``
and keys is ``['a.b', 'a.c.d']``, the transform output will
``{'a_b': 3, 'a_c_d': 2} or {'b': 3, 'd': 2}`` depending on
``deepest_key_as_name `` below.
deepest_key_as_name (bool): if set to True, the deepest selected fields
keys will be used as names for the output dict keys.
Examples:
Select from records formed of nested dicts. ::
import apache_beam as beam
from apache_beam.options.pipeline_options import PipelineOptions
from beam_nuggets.transforms import SelectFromNestedDict
inputs = [
{
'name': {'first': 'Star', 'second': 'Light'},
'address': {'st': 'Jupiter', 'flat': 3},
'email'<EMAIL_ADDRESS>},
{
'name': {'first': 'Mark', 'second': 'Sight'},
'address': {'st': 'Loon', 'flat': 5},
'email'<EMAIL_ADDRESS>}
]
with beam.Pipeline(options=PipelineOptions()) as p:
nested = p | "Reading nested dicts" >> beam.Create(inputs)
transformed = nested | "filtering" >> beam.ParDo(SelectFromNestedDict(
keys=['name.first', 'address.st', 'email'],
# deepest_key_as_name=True,
))
transformed | 'Writing to stdout' >> beam.Map(print)
The output will be something like:
{'address_st': 'Jupiter', 'name_first': 'Star', 'email'<EMAIL_ADDRESS>{'address_st': 'Loon', 'name_first': 'Mark', 'email'<EMAIL_ADDRESS>"""
def __init__(self, keys, deepest_key_as_name=False, *args, **kwargs):
super(SelectFromNestedDict, self).__init__(*args, **kwargs)
self._compiled_keys = self._compile_keys(keys, deepest_key_as_name)
[docs] def process(self, element):
"""
Args:
element(dict):
"""
yield {
out_key: self._retrieve(nested_keys, element)
for nested_keys, out_key in self._compiled_keys
}
@staticmethod
def _retrieve(nested_keys, element):
for key in nested_keys:
element = element[key]
return element
@staticmethod
def _compile_keys(keys, deepest_key_as_name):
def _get_out_dict_key(nested_keys):
if deepest_key_as_name:
return nested_keys[-1]
else:
return '_'.join(nested_keys)
return [
(
nested_keys, # ['a', 'b'] used for retrieving nested values
_get_out_dict_key(nested_keys), # 'a_b' or 'b'
)
for nested_keys in [key.split('.') for key in keys] # ['a.b']
]


{{registerForm.confirmPassword.$error}}
First Name is required
First Name should be atleast 5 characters long
First Name less than 50 characters long
Last Name is required
Last Name should be atleast 5 characters long
Last Name less than 50 characters long
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Terms of Use
This website depends on the efforts of others. You are free to use the code and content, under the conditions of MIT and CC licenses respectively. However, in doing so, please retain attribution for my upstream sources, specifically:
Web2Py - Enterprise web framework
- Thanks Skapes Team
Source Code
The source code for this website is available at Launchpad


TECHNICAL SKILLS
CAREER HISTORY
Senior IP Network Engineer - Router Eng
London UK, Jan 2000 - Aug 2000
* Ensured that new network devices being attached to the network conformed to code and configuration
standards.
Senior Technical Account Manager
London UK, Aug 1998 - Dec 1999
* Coordinated, set up and managed the infrastructure (installation and configuration of Cisco 75xx routers,
Cisco 5500 switches, Nortel PDH mux, FTP, DNS (Solaris) and mail (Linux) servers) for the first Data
Centre in Europe, and all technical responsibilities thereafter - both customer and network.
UNIX Systems Administrator
New York NY, Mar 1998 - Aug 1998
* Decreased impact of network outages to all frame relay customers by setting up ISDN backup on Cascade
switch which also required a firmware upgrade.
EDUCATION, CERTS + TRAINING
PROFESSIONAL ORGANISATIONS


Boogie Nights
Dir: Paul Thomas Anderson Starring: Mark Wahlberg, Julianne Moore, John C. Reilly, William H. Macy, Don Cheadle, Heather Graham, Nina Hartley & Burt Reynolds
Bright "Nights," Big City (A film review of "Boogie Nights") by Timothy Scott
I was born in 1970, which makes me barely old enough to remember bell buttons, 8 tracks and disco. However, since I was 17 years old I've seen more than my share of adult films. I mention this only because I thinks its important to state up front that I'm not against pornogrpahy. I've seen enough of these films to know the range of content and quality available.
Director Paul Thomas Anderson's Boogie Nights offers us a view into the world of porn during the period considered to be the Golden Age of adult cinema, the mid to late 70s.
This was the period when X-rated movies were real movies, shot on film, shown in movie theaters and even reviewed by legitimate critics.  One of the more fascinating aspects of this film is how, like in an any other billion dollar industry, the creative visionaries tend to be ignorant to the trends that will soon make them obsolete. In this case, the arrival of the now ubiquitous videocassette.
Burt Reynold's manages to resuscitate his career portraying such an auteur, known as Jack Horner. Horner's has a steady "family" of performers, some of whom live in his plush L.A. home. But in the world of porn, performers are a commodity - the fresher, the better. When Horner scouts a fresh faced stud bussing tables at his favorite discotheque, he decides to add him to his stable. It is a pairing that leads to a meteoric rise and fall for a young man reaching his prime and an old man rapidly speeding past his.
As directed by Anderson, the camera moves through many of the scenes with an eerie omnipresence and an almost childlike curiosity to peer beyond the closed door.
Boogie Nights provides a voyeuristic peep into the underbelly of L.A.'s hardcore film scene. But the peep show doesnUt let us walk away when the titillation ends. The downside of voyeurism is sometimes we end up seeing things we wish we hadnUt.
By the film's final image, what we we once found titillating has now become a grim reminder of the vanity of fame and the high price of realizing your dreams.
Boogie Nights is not about sex. It does not glorify porn or the lifestyles of the performers. In fact, the film isn't really about pornography at all. Pornography is merely the setting to tell a compelling story about a lost and forgotten group of people who form their own sub-culture to find acceptance of who they are.
The film goes to brilliant, often hilarious and sometimes harrowing lengths to show us that the people who choose to produce or perform in these films are generally not all that bright and lack the basic tools to function in the mainstream world. Yet, like in the lauded Tarantino films, these people still have their own moral code, their own concepts of integrity and their own needs to experess themselves creatively.
The characters we meet are like a road map of dysfuntion. First stop, the den mother (Julianne Moore) in denial about her addiction to cocaine as she tries to retain custody of her son.
But the driving force behind the plot is 17 year old Eddie Adams. Eddie is blessed with a natural endowment so famous that people actually pay just to see it.
With no real ambition of his own, he hooks up with Jack Horner to fullfill his destiny of fame. His alcoholic mother, clearly dissatisfied with her own lot, abuses him verbally and drives him out of the house. Horner introduces him to Amber Waves (Moore) who immediately adopts him, a nuclear family is born. The surrogate relationship that develops between Amber Waves and her "babies" provides some of the films most poignant scenes. Clearly, she is not even fit to manage her own life, let alone nurture these lost children. But the need to love and be loved is so strong, they easily ignore the dangers of the less subtle addiction she introduces them to. Even the viewer is somehow lulled into feeling like the love she offers is similar to being in a real family. Then again, perhaps its not so different from real families at all.
Eddie Adams, who later takes on the screen name "Dirk Diggler", is skillfully acted by former pop-star, Mark Wahlberg. I say "former" pop star because with this performance Wahlberg can officially quit his day job. This is bold and brave territory for such a young man. He pulls it off marvelously.
Boogie Nights plays very much in the spirit of The People versus Larry Flynt, without the First Amendment preachiness. Its intimate studies of character make it the superior film. Wahlberg's surprising performance is on par with Woody Harrelson's.
But in my opinion, Boogie Nights, is not the best film of the year. I got the feeling that itUs 2 1/2 hour running time could have been cut by 15 or 20 minutes without losing any of its resonance.
Still, if the subject matter of this film intimidates you, thereUs no doubt that once you start watching Boogie Nights you may still feel like its not your thing, but youUll find yourself grooving to it anyway...ya know, kinda like disco.
Grade: B+
reply to<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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ROHTANSH SEHGAL
LEARNER | PROGRAMMER | ENTHUSIAST
THE WIKIPEDIA API
We love open-source
HOME PAGE
This is wikipedia api home page. There are several methods you can use to get different data in json. This api is made in Python using wikipedia module and Flask . The api have several endpoint and routes, displayed below
First Endpoint is "content"
This endpoint when used returns content and suggestions of the query you entered.
Use it as: /content/?q="query"
For example: /content/?q=india
Second Endpoint is "page"
This endpoint when used returns summary, images and suggestions of the query you entered.
Use it as: /page/?q="query"
For example: /page/?q=india
Third Endpoint is "search"
This endpoint when used returns search suggestions of the query you entered.
Use it as: /search/?q="query"
For example: /search/?q=india
CONTRIBUTE TO THIS PROJECT AT GITHUB


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Press and hold anywhere on the screen to walk the labyrinth. Tap to pause.
If you become distracted, simply acknowledge it and return your attention to the path.
This app aims to help you experience the benefits of mindfulness practices by guiding you through breathing exercises and through the use of a virtual labyrinth. By entering a physically relaxed state and visualizing yourself in a peaceful setting, you train your mind to associate less with feelings of stress and anxiety.


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Eli trained in the Product Design program (a blend of industrial design and mechanical engineering, which emphasizes “design thinking”) at Stanford University, graduating in 1998. While at Stanford, he also studied printmaking (with the Mexican-born artist Enrique Chagoya) and photography, subjects he found far more engaging than the advanced calculus courses he kept falling asleep in. From there, he worked in Bermuda at the Bermuda Biological Research Station, where he was certified as a research diver and assisted scientists with their work, learning more about the mating habits of coral than he cares to repeat.
Sufficiently addicted to the underwater environment, he took a job at Light & Motion in Monterey, California as a design engineer, where he had the chance to design, test, and flood many different types of underwater video and camera housings (he also became even more addicted to photography). He then worked on his master’s degree in marine biology at Moss Landing Marine Laboratories for four years. In a mad attempt to fuse his love of photography and the ocean, he started the magazine Wetpixel Quarterly in 2007 together with Eric Cheng. Eli currently lectures & coaches in the Product Design program at Stanford. He continues to try his best to work with companies and individuals that are aligned with his interests, including sustainable food & wine, earth-friendly building, yoga, surfing, diving, and almost anything related to the ocean.


Use slider to change the value of chart data.
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Submodules¶
placekey.api¶
-
class
placekey.api.
PlacekeyAPI
(api_key=None, max_retries=20, logger=<RootLogger root (ERROR)>, user_agent_comment=None)[source]¶ Bases:
object
PlacekeyAPI class
This class provides functionality for looking up Placekeys using the Placekey API. Places to be looked a specified by a place dictionary whose keys and value types must be a subset of
latitude (float)
longitude (float)
location_name (string)
street_address (string)
city (string)
region (string)
postal_code (string)
iso_country_code (string)
query_id (string)
See the Placekey API documentation for more information on how to use the API.
- Parameters
api_key – Placekey API key (string)
max_retries – Maximum number of times to retry a failed request before halting (int). Backoffs due to rate-limiting are included in the retry count. Defaults to 20.
logger – A logging object. Logs are sent to the console by default.
user_agent_comment – A string to append to the client’s user agent, which will be “placekey-py/{version_number} {user_agent_comment}.
-
lookup_batch
(places, strict_address_match=False, strict_name_match=False)[source]¶ Lookup Placekeys for a single batch of places specified by place dictionaries. The batch size can be at most 100 places. This method respects the rate limits of the Placekey API.
- Parameters
places – An iterable of of place dictionaries.
strict_address_match – Boolean for whether or not to strict match on address fields. Defaults to False.
strict_name_match – Boolean for whether or not to strict match on location_name. Defaults to False.
- Returns
A list of Placekey API responses for each place (list(dict))
-
lookup_placekey
(strict_address_match=False, strict_name_match=False, **kwargs)[source]¶ Lookup the Placekey for a single place.
- Parameters
strict_address_match – Boolean for whether or not to strict match on address fields. Defaults to False.
strict_name_match – Boolean for whether or not to strict match on location_name. Defaults to False.
- Kwargs
Place fields can be passed to this method as keyword arguments. The allowed keyword arguments are [‘latitude’, ‘longitude’, ‘location_name’,’street_address’, ‘city’, ‘region’, ‘postal_code’, ‘iso_country_code’, ‘query_id’]
- Returns
A Placekey API response (dict)
-
lookup_placekeys
(places, strict_address_match=False, strict_name_match=False, batch_size=100, verbose=False)[source]¶ Lookup Placekeys for an iterable of places specified by place dictionaries. This method checks that the place dictionaries are valid before querying the API, and it will return partial results if it encounters a fatal error. Places without a query_id will have one generated for them based on their index in places, e.g., “place_0” for the first item in the list, but a user-provided query_id will be passed through as is.
This function is a wrapper for lookup_batch, and that function may be used if different error handling or logic around batch processing is desired.
This method follows the rate limits of the Placekey API.
- Parameters
places – An iterable of of place dictionaries.
strict_address_match – Boolean for whether or not to strict match on address fields. Defaults to False.
strict_name_match – Boolean for whether or not to strict match on location_name. Defaults to False.
batch_size – Integer for the number of places to lookup in a single batch. Defaults to 100, and cannot exceeded 100.
verbose – Boolean for whether or not to log additional information. Defaults to False
- Returns
A list of Placekey API responses for each place (list(dict))
placekey.placekey¶
Functionality for converting between Placekeys and geos (latitude, longitude tuples) or H3 indices. This module also includes additional utilities related to Placekeys.
-
placekey.placekey.
geo_to_placekey
(lat, long)[source]¶ Convert latitude and longitude into a Placekey.
- Parameters
lat – Latitude (float)
long – Longitude (float)
- Returns
Placekey (string)
-
placekey.placekey.
geojson_to_placekeys
(geojson, include_touching=False, geo_json=True)[source]¶ Given a GeoJSON description of a polygon, return Placekeys contained in or intersecting the boundary of the polygon.
- Parameters
geo_json – GeoJSON object (string or dict). Note this function assumes coordinate tuples are (long, lat)
include_touching – If True Placekeys whose hexagon boundary only touches that of the input polygon are included in the set of boundary Placekeys. Default is False.
geo_json – If True (default) assume coordinates in poly are in GeoJSON format: (long, lat)-tuples and with the first and last tuples identical, and in counter-clockwise orientation. If False assumes tuples will be (lat, long).
- Returns
List of Placekeys
-
placekey.placekey.
get_neighboring_placekeys
(placekey, dist=1)[source]¶ Return the unordered set of Placekeys whose grid distance is <= dist from the given Placekey. In this context, grid distance refers to the number of H3 cells between two H3 cells, so that neighboring cells have distance 1, neighbors of neighbors have distance 2, etc.
- Parameters
placekey – Placekey (string)
dist – size of the neighborhood around the input Placekey to return (int)
- Returns
Set of Placekeys (set)
-
placekey.placekey.
get_prefix_distance_dict
()[source]¶ Return a dictionary mapping the length of a shared Placekey prefix to the maximal distance in meters between two Placekeys sharing a prefix of that length.
- Returns
Dictionary mapping prefix length -> distance (m)
-
placekey.placekey.
h3_int_to_placekey
(h3_integer)[source]¶ Convert an H3 integer into a Placekey.
- Parameters
h3_integer – H3 index (int)
- Returns
Placekey (string)
-
placekey.placekey.
h3_to_placekey
(h3_string)[source]¶ Convert an H3 hexadecimal string into a Placekey string.
- Parameters
h3_string – H3 (string)
- Returns
Placekey (string)
-
placekey.placekey.
placekey_distance
(placekey_1, placekey_2)[source]¶ Return the distance in meters between the centers of two Placekeys.
- Parameters
placekey_1 – Placekey (string)
placekey_2 – Placekey (string)
- Returns
distance in meters (float)
-
placekey.placekey.
placekey_format_is_valid
(placekey)[source]¶ Boolean for whether or not the format of a Placekey is valid, including checks for valid encoding of location.
- Parameters
placekey – Placekey (string)
- Returns
True if the Placekey is valid, False otherwise
-
placekey.placekey.
placekey_to_geo
(placekey)[source]¶ Convert a Placekey into a (latitude, longitude) tuple.
- Parameters
placekey – Placekey (string)
- Returns
(latitude, longitude) as a tuple of floats
-
placekey.placekey.
placekey_to_geojson
(placekey)[source]¶ Convert a Placekey into a GeoJSON dicitonary. Note that GeoJSON uses (longitude, latitude) points, and the first and last points are identical.
- Parameters
placekey – Placekey (string)
- Returns
Dictionary describing the polygon in GeoJSON format
-
placekey.placekey.
placekey_to_h3
(placekey)[source]¶ Convert a Placekey string into an H3 string.
- Parameters
placekey – Placekey (string)
- Returns
H3 (string)
-
placekey.placekey.
placekey_to_h3_int
(placekey)[source]¶ Convert a Placekey to an H3 integer.
- Parameters
placekey – Placekey (string)
- Returns
H3 index (int)
-
placekey.placekey.
placekey_to_hex_boundary
(placekey, geo_json=False)[source]¶ Given a Placekey, return the coordinates of the boundary of the hexagon.
- Parameters
placekey – Placekey (string)
geo_json – If True return the coordinates in GeoJSON format: (long, lat)-tuples and with the first and last tuples identical, and in counter-clockwise orientation. If False (default) tuples will be (lat, long), the last tuple will not equal the first, and the orientation will be clockwise.
- Returns
Tuple of tuples ((float, float),…).
-
placekey.placekey.
placekey_to_polygon
(placekey, geo_json=False)[source]¶ Get the boundary shapely Polygon for a Placekey.
- Parameters
place_key – Placekey (string)
geo_json – If True return the coordinates in GeoJSON format: (long, lat)-tuples and with the first and last tuples identical, and in counter-clockwise orientation. If False (default) tuples will be (lat, long), the last tuple will not equal the first, and the orientation will be clockwise.
- Returns
A shapely Polygon object
-
placekey.placekey.
placekey_to_wkt
(placekey, geo_json=False)[source]¶ Convert a Placekey into the WKT (Well-Known Text) string for the corresponding hexagon. Coordinates are (longitude, latitude).
- Parameters
placekey – Placekey (string)
geo_json – If True return the coordinates in GeoJSON format: (long, lat)-tuples and with the first and last tuples identical, and in counter-clockwise orientation. If False (default) tuples will be (lat, long), the last tuple will not equal the first, and the orientation will be clockwise.
- Returns
WKT (Well-Known Text) polygon (string)
-
placekey.placekey.
polygon_to_placekeys
(poly, include_touching=False, geo_json=False)[source]¶ Given a shapely Polygon, return Placekeys contained in or intersecting the boundary of the polygon.
- Parameters
poly – shapely Polygon object
include_touching – If True Placekeys whose hexagon boundary only touches that of the input polygon are included in the set of boundary Placekeys. Default is False.
geo_json – If True assume coordinates in poly are in GeoJSON format: (long, lat)-tuples and with the first and last tuples identical, and in counter-clockwise orientation. If False (default) assumes tuples will be (lat, long).
- Returns
A dictionary with keys ‘interior’ and ‘boundary’ whose values are tuples of Placekeys that are contained in poly or which intersect the boundary of poly respectively.
-
placekey.placekey.
wkt_to_placekeys
(wkt, include_touching=False, geo_json=False)[source]¶ Given a WKT description of a polygon, return Placekeys contained in or intersecting the boundary of the polygon.
- Parameters
wkt – Well-Known Text object (string)
include_touching – If True Placekeys whose hexagon boundary only touches that of the input polygon are included in the set of boundary Placekeys. Default is False.
geo_json – If True assume coordinates in poly are in GeoJSON format: (long, lat)-tuples and with the first and last tuples identical, and in counter-clockwise orientation. If False (default) assumes tuples will be (lat, long).
- Returns
List of Placekeys


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Concrete sequential learners, like myself, prefer logical sequence, clear directions, and facts. They also prefer structured and predictable environments. Concrete sequential thinkers may find it difficult working in groups, working in an unorganized environment, and dealing with abstract ideas. In my personal experience this is an accurate description. Part of the reason I left my past job was because I felt the environment was disorganized and lacked structured.
According to the VARK learning model I have a strong preference toward learning by reading and writing. I prefer absorbing information wherever it is written, such as books and internet articles. I found that the most useful resources in Phase 0 so far have been internet articles and reference websites such as W3Schools.com or Ruby Docs.
So far in Phase 0 I think I my learning styles have been effective overall and I am where I should be technically. My biggest struggle so far in phase 0 has probably been pairing. I don't despise it. The problem is I prefer learning by reading or experimenting on my own. In pairing situations I sometimes find myself flustered because I feel like there's time pressure and performance pressure. I prefer going at my own pace. At the same time I don't hate pairing and sometimes enjoy it because it can be a good way to break the monotony of working by yourself. Pairing is also important in the corporate world and for learning so it's something I'll try to keep working at.


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Gecode::CpltSet::DomBddIterator Class Reference
Inherits Gecode::CpltSet::BddIterator.Inherited by Gecode::CpltSet::GlbValues< CpltSetVarImp * >, Gecode::CpltSet::LubValues< CpltSetVarImp * >, and Gecode::CpltSet::UnknownValues< CpltSetVarImp * >.
Detailed Description
Iterator for level-wise iteration of a variable domain.Definition at line 434 of file var-imp.icc.
Constructors and initialization | |
| DomBddIterator (void) | |
| DomBddIterator (const CpltSetVarImp *x) | |
| DomBddIterator (const CpltSetVarImp *x, bdd &remain) | |
| void | init (const CpltSetVarImp *x) |
| void | init (const CpltSetVarImp *x, bdd &remain) |
Iteration control | |
| bool | operator() (void) const |
| Test whether iterator is still valid or done. | |
| void | operator++ (void) |
| Move iterator to next level in the bdd. | |
Status information | |
| NodeStatus | status (void) const |
| Retrieves the status of the current level. | |
| int | val (void) const |
| Retrieves the current value. | |
Protected Member Functions | |
| bool | same (void) const |
| tests whether vector_level and bdd_level are equal |
Constructor & Destructor Documentation
| Gecode::CpltSet::DomBddIterator::DomBddIterator | ( | void | ) | [inline] |
Definition at line 410 of file cpltset.icc.
| Gecode::CpltSet::DomBddIterator::DomBddIterator | ( | const CpltSetVarImp * | x | ) | [inline] |
Definition at line 413 of file cpltset.icc.
| Gecode::CpltSet::DomBddIterator::DomBddIterator | ( | const CpltSetVarImp * | x, | |
| bdd & | remain | |||
| ) | [inline] |
Definition at line 419 of file cpltset.icc.
Member Function Documentation
| bool Gecode::CpltSet::DomBddIterator::same | ( | void | ) | const [inline, protected] |
| void Gecode::CpltSet::DomBddIterator::init | ( | const CpltSetVarImp * | x | ) | [inline] |
Reimplemented in Gecode::CpltSet::GlbValues< CpltSetVarImp * >, Gecode::CpltSet::LubValues< CpltSetVarImp * >, and Gecode::CpltSet::UnknownValues< CpltSetVarImp * >.
Definition at line 404 of file cpltset.icc.
| void Gecode::CpltSet::DomBddIterator::init | ( | const CpltSetVarImp * | x, | |
| bdd & | remain | |||
| ) | [inline] |
Reimplemented in Gecode::CpltSet::UnknownValues< CpltSetVarImp * >.
Definition at line 389 of file cpltset.icc.
| bool Gecode::CpltSet::DomBddIterator::operator() | ( | void | ) | const [inline] |
Test whether iterator is still valid or done.
Reimplemented from Gecode::CpltSet::BddIterator.
Reimplemented in Gecode::CpltSet::LubValues< CpltSetVarImp * >.
Definition at line 436 of file cpltset.icc.
| void Gecode::CpltSet::DomBddIterator::operator++ | ( | void | ) | [inline] |
Move iterator to next level in the bdd.
Reimplemented from Gecode::CpltSet::BddIterator.
Reimplemented in Gecode::CpltSet::GlbValues< CpltSetVarImp * >, Gecode::CpltSet::LubValues< CpltSetVarImp * >, and Gecode::CpltSet::UnknownValues< CpltSetVarImp * >.
Definition at line 441 of file cpltset.icc.
| NodeStatus Gecode::CpltSet::DomBddIterator::status | ( | void | ) | const [inline] |
Retrieves the status of the current level.
Reimplemented from Gecode::CpltSet::BddIterator.
Definition at line 450 of file cpltset.icc.
| int Gecode::CpltSet::DomBddIterator::val | ( | void | ) | const [inline] |
Retrieves the current value.
Reimplemented in Gecode::CpltSet::GlbValues< CpltSetVarImp * >, Gecode::CpltSet::LubValues< CpltSetVarImp * >, and Gecode::CpltSet::UnknownValues< CpltSetVarImp * >.
Definition at line 455 of file cpltset.icc.
The documentation for this class was generated from the following files:
- gecode/cpltset/var-imp.icc (Revision: 6327)
- gecode/cpltset/var-imp/cpltset.icc (Revision: 6102)


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A cache store implementation which stores everything into memory in the same process. If you‘re running multiple Ruby on Rails server processes (which is the case if you‘re using mongrel_cluster or Phusion Passenger), then this means that your Rails server process instances won‘t be able to share cache data with each other. If your application never performs manual cache item expiry (e.g. when you‘re using generational cache keys), then using MemoryStore is ok. Otherwise, consider carefully whether you should be using this cache store.
MemoryStore is not only able to store strings, but also arbitrary Ruby objects.
MemoryStore is not thread-safe. Use SynchronizedMemoryStore instead if you need thread-safety.
[ show source ]
# File vendor/rails/activesupport/lib/active_support/cache/memory_store.rb, line 18 18: def initialize 19: @data = {} 20: end
[ show source ]
# File vendor/rails/activesupport/lib/active_support/cache/memory_store.rb, line 47 47: def clear 48: @data.clear 49: end
[ show source ]
# File vendor/rails/activesupport/lib/active_support/cache/memory_store.rb, line 32 32: def delete(name, options = nil) 33: super 34: @data.delete(name) 35: end
[ show source ]
# File vendor/rails/activesupport/lib/active_support/cache/memory_store.rb, line 37 37: def delete_matched(matcher, options = nil) 38: super 39: @data.delete_if { |k,v| k =~ matcher } 40: end
[ show source ]
# File vendor/rails/activesupport/lib/active_support/cache/memory_store.rb, line 42 42: def exist?(name,options = nil) 43: super 44: @data.has_key?(name) 45: end
[ show source ]
# File vendor/rails/activesupport/lib/active_support/cache/memory_store.rb, line 22 22: def read(name, options = nil) 23: super 24: @data[name] 25: end
[ show source ]
# File vendor/rails/activesupport/lib/active_support/cache/memory_store.rb, line 27 27: def write(name, value, options = nil) 28: super 29: @data[name] = value.freeze 30: end


--- layout: post title: Right Said Fred.... date: 2006-01-30 23:02:00.000000000 +11:00 type: post published: true status: publish categories: [] tags: [] meta: lj_itemid: '6' lj_permalink: http://jus4kix.livejournal.com/1788.html lj_current_mood: good author: login: ajaysusarla email<EMAIL_ADDRESS>display_name: partha first_name: '' last_name: '' ---
Something happened, and Shreyas() said this:
"The people who end up with you for life are people who you have no expectations from. Its expecting something from people is what screws us"
Right said dude. Very true indeed.


Typically, you have to create a resolvers map manually. The @nestjs/graphql
package, on the other hand, generate resolvers map automatically using the metadata provided
by the decorators. In order to learn the library basics, we'll create a simple authors API. Firstly, let's define
our types in SDL (read more):
{{ typeDefs }}
Our GraphQL schema contains single query exposed, the author(id: Int!): Author
.
Now, let's create an AuthorResolver
.
{{ resolvers }}
Hint If you use the@Resolver()
decorator, you don't have to mark a class as an@Injectable()
, otherwise, it's necessary.
The @Resolver()
decorator does not affect queries and mutations (neither @Query()
nor
@Mutation()
decorators).
It only informs Nest that each @ResolveProperty()
inside this particular class has a parent, which is
an Author
type
in this case (Author.posts
relation).
Conventionally, we would use something like getAuthor()
or getPosts()
as method names.
We
can do that easily as well by moving the real names between decorator's parentheses.
{{ realWorldExample }}
Hint The @Resolver()
decorator can be used at the method-level as well.
You may note that we refer to the following arguments using dedicated decorators. Below is a comparison of the provided decorators and the plain Apollo parameters they represent.
@Root() and @Parent() |
root /parent |
@Context(param?: string) |
context / context[param] |
@Info(param?: string) |
info / info[param] |
@Args(param?: string) |
args / args[param] |
Once we're done here, we have to register the AuthorResolver
somewhere,
for example inside the newly created AuthorsModule
.
{{ authorsModule }}
The GraphQLModule
will take care of reflecting the metadata and transforming class into the correct
resolvers
map automatically. The only thing that you should be aware of is that you need to import this module somewhere,
therefore
Nest will know that AuthorsModule
truly exists.
Hint Learn more about GraphQL queries here.
Separate creation of both GraphQL types and corresponding TypeScript definitions creates unnecessary redundancy.
Eventually, we end up without a single source of truth and each change made within SDL forces us to adjust
interfaces
as well. Thus, the @nestjs/graphql
package serves another interesting functionality, which is
the automatic generation of TS definitions using abstract syntax tree (AST). In order to enable it, simply
customize definitions
property.
{{ generateTypings }}
The src/graphql.ts
indicates where to save TypeScript output. By default, all types are transformed
to the interfaces.
However, you can switch to classes instead by changing outputAs
property to class
.
{{ generateTypingsAsClass }}
Consequently, it will generate the following file:
{{ generatedTypings }}
Classes allow you using decorators which makes them extremely useful in terms of the validation purposes (read more). For example:
{{ validateInput }}
Notice
To enable auto-validation of your inputs (and parameters), you have to use ValidationPipe
. Read more
about validation here or more specifically about pipes here.


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This site gives a detailed information about Peter Gichia's experience in web development offering entailed links to some of his past projects he has participated in, his background. job experience and schooling in general. Feel free to navigate through the pages and dive into my awesome career.


This page creates a new 2/3-multisig smart contract using 3 Trezors.
You and your co-signers will need a total of 3 Trezor hardware wallets. Not all 3 Trezors need to be co-located. Co-signers can use this application on their own computers and send you their addresses via a (preferably secure) side-channel such as email.
Each address corresponds to some BIP32 path on a co-signer's Trezor. Co-signers can select whichever BIP32 path they want or each use the default below. It's OK to re-use BIP32 paths from the same Trezor across different smart contracts. Regardless of what you choose to do, remember which Trezor and BIP32 path you used for each co-signer's address!
Once you have addresses from all three signers you can create your vault.
A transaction creating your vault was broadcast. We are waiting for it to confirm.
Your vault was created. Record your new vault address before leaving this page.
Warning: This is an ETH address. Do not send ETC or ERC20 tokens to this address!
This address was exported from a local Trezor:
Save the BIP32 path used with this Trezor, you need it and the Trezor to remove funds from the vault contract.
This address was entered manually from an address generated by this application on a remote Trezor:
To spend from this address, you must enter a signature from the remote Trezor using the same information used to generate this address.
This address was exported from a local Trezor:
Save the BIP32 path used with this Trezor, you need it and the Trezor to remove funds from the vault contract.
This address was entered manually from an address generated by this application on a remote Trezor:
To spend from this address, you must enter a signature from the remote Trezor using the same information used to generate this address.
This address was exported from a local Trezor:
Save the BIP32 path used with this Trezor, you need it and the Trezor to remove funds from the vault contract.
This address was entered manually from an address generated by this application on a remote Trezor:
To spend from this address, you must enter a signature from the remote Trezor using the same information used to generate this address.
Connecting to Ethereum Network...
Connected to Ethereum Network with
Unable to connect to Ethereum Network.


fun createQiSerializer(): QiSerializer
Initialize Naoqi AnyObject converter
Return a serializer that can be used to deserialize Naoqi's object.


Two long, narrow peninsulas either side of the Gulf of Singitik. The Sinthonia Peninsula to the west and the Atki Peninsula to the east make up 2 of the 3 "fingers" of the much larger Khalkidhiki Peninsula to the north. (The other being the Kassandra Peninsula).
The Atki Peninsula is an incredible place that has at its southernmost tip Mount Athos considered since antiquity the Holy Mountain and the house of God. This “closeness” to God has attracted monks and hermits and for over 1,000 years the Akti Peninsular was isolated from the rest of the world. Following some apparently scandalous behaviour between the monks and shepherdesses in the 11th Century it was decreed that no females, human or animal would be allowed on the peninsular except for cats (to keep the rat population down).
Sadly though, signs that this monastic lifestyle is dwindling can be seen by the numerous day tripper boats full of young ladies circling the peninsula and the satellite dishes and solar panels which have now become permanent fixtures on the majority of the monasteries.
Seventeen monasteries perch, sometimes precariously, at various heights on the craggy mountains around its shores. Most are vast and reminiscent of those in Tibet. In addition there are small communities and hermitages dotted between and it is quite a challenge to try and spot the hermits that live totally isolated in caves on the southern slopes of Mount Athos.
Passing boats must keep more than 500m off and it is likely you will be visited by the Greek coastguard. Men can visit and trek between the monasteries but must apply for a permit first. They can stay in the monasteries and will be fed and accommodated for nothing.
Sinthonia
On the western shores of this peninsula yachts can find a number of places to berth, as well as a couple of good anchorages. Nikitas, Nea Marmaras, Porto Carras and Porto Koufo can all offer berths.
The eastern shore has a number of attactive anchorages, but only the small fishing harbour of Alkladhi, just north of Sarti, has a mole for bows-to mooring. Panayia, north of Nisis Dhiaporos further north, has a pontoon for visiting yachts opposite the town with water.
Akti
Without a doubt the best way to see the Atki peninsula is from the sea. Almost every monastery that is on the water has a beautiful, new and protected harbor that is totally empty, but don’t try to enter into them because you will be chased away in a very unfriendly manner.
Yachts not permitted in the bay of Vatopedi on the NE of the Peninsula.
Lerissos, tucked up inside the gulf at the root of the Atki Peninsula, is the safest place to leave a yacht if visiting the Peninsula by local ferry. Moor wherever there is space among the fishing boats (there is alot of floating buoys and sea bed debris in this harbour).
Nisis Ammouliani, an island located between the Sinthonia and Akti peninsulas, offers some good anchorages, but the village no longer has a fuel station. Avoid the central ferry quay in Ammouliani village and use the mole for berthing instead. Anchoring off the village is not recommended with the strong NE winds, however there is a bay South of the caique harbour suitable for anchoring with good shelter and holding. It is possible to walk into the village for provisions from here.
The attractive village of Pirgadhikia at the head of the gulf between the 2 peninsulas has a new quay. Currently no facilities but approx. space for 20 boats.
Last updated February 2015.


Creates a legend with images that are embedded into a 'leaflet' map so that images do not need to be packaged when saving a 'leaflet' map as HTML. Full control over the label and title style. The 'leaflet' map is passed through and the output is a control so that legend is fully integrated with other functionalities.
addLegendImage( map, images, labels, title = "", labelStyle = "font-size: 24px; vertical-align: middle;", orientation = c("vertical", "horizontal"), width = 20, height = 20, group = NULL, className = "info legend leaflet-control", ... )
| map | a map widget object created from 'leaflet' |
|---|---|
| images | path to the image file |
| labels | labels for each image |
| title | the legend title, pass in HTML to style |
| labelStyle | character string of style argument for HTML text |
| orientation | stack the legend items vertically or horizontally |
| width | in pixels |
| height | in pixels |
| group | group name of a leaflet layer group |
| className | extra CSS class to append to the control, space separated |
| ... | arguments to pass to addControl |
an object from addControl
library(leaflet) data(quakes) quakes1 <- quakes[1:10,] leafIcons <- icons( iconUrl = ifelse(quakes1$mag < 4.6, "http://leafletjs.com/examples/custom-icons/leaf-green.png", "http://leafletjs.com/examples/custom-icons/leaf-red.png" ), iconWidth = 38, iconHeight = 95, iconAnchorX = 22, iconAnchorY = 94, shadowUrl = "http://leafletjs.com/examples/custom-icons/leaf-shadow.png", shadowWidth = 50, shadowHeight = 64, shadowAnchorX = 4, shadowAnchorY = 62 ) leaflet(data = quakes1) %>% addTiles() %>% addMarkers(~long, ~lat, icon = leafIcons, group = 'Quake Leaves') %>% addLegendImage(images = c("http://leafletjs.com/examples/custom-icons/leaf-green.png", "http://leafletjs.com/examples/custom-icons/leaf-red.png"), labels = c('Green', 'Red'),width = 38, height = 95, title = htmltools::tags$div('Leaf', style = 'font-size: 24px; text-align: center;'), position = 'topright', group = 'Quake Leaves') %>% addLayersControl(overlayGroups = c('Quake Leaves'), position = 'bottomright') # use raster images with size encodings height <- sizeNumeric(quakes$depth, baseSize = 40) width <- height * 38 / 95 symbols <- icons( iconUrl = 'http://leafletjs.com/examples/custom-icons/leaf-green.png', iconWidth = width, iconHeight = height) probs <- c(.2, .4, .6, .8) leaflet(quakes) %>% addTiles() %>% addMarkers(icon = symbols, lat = ~lat, lng = ~long) %>% addLegendImage( images = rep("http://leafletjs.com/examples/custom-icons/leaf-green.png", 4), labels = round(quantile(height, probs = probs), 0), width = quantile(height, probs = probs) * 38 / 95, height = quantile(height, probs = probs), title = htmltools::tags$div( 'Leaf', style = 'font-size: 24px; text-align: center; margin-bottom: 5px;'), position = 'topright', orientation = 'vertical')