# -*- coding:utf-8 -*-
"""
Definition of physical dimensions.
Unit systems will be constructed on top of these dimensions.
Most of the examples in the doc use MKS system and are presented from the
computer point of view: from a human point, adding length to time is not legal
in MKS but it is in natural system; for a computer in natural system there is
no time dimension (but a velocity dimension instead) - in the basis - so the
question of adding time to length has no meaning.
"""
from __future__ import division
from copy import copy
import numbers
from sympy.core.compatibility import reduce
from sympy.core.containers import Tuple, Dict
from sympy import sympify, nsimplify, Number, Integer, Matrix, Expr
[docs]class Dimension(Expr):
"""
This class represent the dimension of a physical quantities.
The dimensions may have a name and a symbol. All other
arguments are dimensional powers. They represent a characteristic of a
quantity, giving an interpretation to it: for example (in classical
mechanics) we know that time is different from temperature, and dimensions
make this difference (but they do not provide any measure of these
quantites).
>>> from sympy.physics.unitsystems.dimensions import Dimension
>>> length = Dimension(length=1)
>>> length
{'length': 1}
>>> time = Dimension(time=1)
Dimensions behave like a dictionary where the key is the name and the value
corresponds to the exponent.
Dimensions can be composed using multiplication, division and
exponentiation (by a number) to give new dimensions. Addition and
subtraction is defined only when the two objects are the same dimension.
>>> velocity = length.div(time)
>>> velocity #doctest: +SKIP
{'length': 1, 'time': -1}
>>> length.add(length)
{'length': 1}
>>> length.pow(2)
{'length': 2}
Defining addition-like operations will help when doing dimensional analysis.
Note that two dimensions are equal if they have the same powers, even if
their names and/or symbols differ.
>>> Dimension(length=1) == Dimension(length=1, name="length")
True
>>> Dimension(length=1) == Dimension(length=1, symbol="L")
True
>>> Dimension(length=1) == Dimension(length=1, name="length",
... symbol="L")
True
"""
is_commutative = True
is_number = False
# make sqrt(M**2) --> M
is_positive = True
def __new__(cls, *args, **kwargs):
"""
Create a new dimension.
Possibilities are (examples given with list/tuple work also with
tuple/list):
>>> from sympy.physics.unitsystems.dimensions import Dimension
>>> Dimension(length=1)
{'length': 1}
>>> Dimension({"length": 1})
{'length': 1}
>>> Dimension([("length", 1), ("time", -1)]) #doctest: +SKIP
{'length': 1, 'time': -1}
"""
# before setting the dict, check if a name and/or a symbol are defined
# if so, remove them from the dict
name = kwargs.pop('name', None)
symbol = kwargs.pop('symbol', None)
# pairs of (dimension, power)
pairs = []
# add first items from args to the pairs
for arg in args:
# construction with {"length": 1}
if isinstance(arg, dict):
arg = copy(arg)
pairs.extend(arg.items())
elif isinstance(arg, (Tuple, tuple, list)):
#TODO: add construction with ("length", 1); not trivial because
# e.g. [("length", 1), ("time", -1)] has also length = 2
for p in arg:
#TODO: check that p is a tuple
if len(p) != 2:
raise ValueError("Length of iterable has to be 2; "
"'%d' found" % len(p))
# construction with [("length", 1), ...]
pairs.extend(arg)
else:
# error if the arg is not of previous types
raise TypeError("Positional arguments can only be: "
"dict, tuple, list; '%s' found" % type(arg))
pairs.extend(kwargs.items())
# check validity of dimension key and power
for pair in pairs:
#if not isinstance(p[0], str):
# raise TypeError("key %s is not a string." % p[0])
if not isinstance(pair[1], (numbers.Real, Number)):
raise TypeError("Power corresponding to '%s' is not a number"
% pair[0])
# filter dimensions set to zero; this avoid the following odd result:
# Dimension(length=1) == Dimension(length=1, mass=0) => False
# also simplify to avoid powers such as 2.00000
pairs = [(pair[0], nsimplify(pair[1])) for pair in pairs
if pair[1] != 0]
pairs.sort(key=str)
new = Expr.__new__(cls, Dict(*pairs))
new.name = name
new.symbol = symbol
new._dict = dict(pairs)
return new
def __getitem__(self, key):
"""x.__getitem__(y) <==> x[y]"""
return self._dict[key]
def __setitem__(self, key, value):
raise NotImplementedError("Dimension are Immutable")
[docs] def items(self):
"""D.items() -> list of D's (key, value) pairs, as 2-tuples"""
return self._dict.items()
[docs] def keys(self):
"""D.keys() -> list of D's keys"""
return self._dict.keys()
[docs] def values(self):
"""D.values() -> list of D's values"""
return self._dict.values()
def __iter__(self):
"""x.__iter__() <==> iter(x)"""
return iter(self._dict)
def __len__(self):
"""x.__len__() <==> len(x)"""
return self._dict.__len__()
[docs] def get(self, key, default=None):
"""D.get(k[,d]) -> D[k] if k in D, else d. d defaults to None."""
return self._dict.get(key, default)
def __contains__(self, key):
"""D.__contains__(k) -> True if D has a key k, else False"""
return key in self._dict
def __lt__(self, other):
return self.args < other.args
def __str__(self):
"""
Display the string representation of the dimension.
Usually one will always use a symbol to denote the dimension. If no
symbol is defined then it uses the name or, if there is no name, the
default dict representation.
We do *not* want to use the dimension system to find the string
representation of a dimension because it would imply some magic in
order to guess the "best" form. It is better to do as if we do not
have a system, and then to design a specific function to take it into
account.
"""
if self.symbol is not None:
return self.symbol
elif self.name is not None:
return self.name
else:
return repr(self)
def __repr__(self):
return repr(self._dict)
def __neg__(self):
return self
[docs] def add(self, other):
"""
Define the addition for Dimension.
Addition of dimension has a sense only if the second object is the same
dimension (we don't add length to time).
"""
if not isinstance(other, Dimension):
raise TypeError("Only dimension can be added; '%s' is not valid"
% type(other))
elif isinstance(other, Dimension) and self != other:
raise ValueError("Only dimension which are equal can be added; "
"'%s' and '%s' are different" % (self, other))
return self
def sub(self, other):
# there is no notion of ordering (or magnitude) among dimension,
# subtraction is equivalent to addition when the operation is legal
return self.add(other)
def pow(self, other):
#TODO: be sure that it works with rational numbers (e.g. when dealing
# with dimension under a fraction)
#TODO: allow exponentiation by an abstract symbol x
# (if x.is_number is True)
# this would be a step toward using solve and absract powers
other = sympify(other)
if isinstance(other, (numbers.Real, Number)):
return Dimension([(x, y*other) for x, y in self.items()])
else:
raise TypeError("Dimensions can be exponentiated only with "
"numbers; '%s' is not valid" % type(other))
def mul(self, other):
if not isinstance(other, Dimension):
#TODO: improve to not raise error: 2*L could be a legal operation
# (the same comment apply for __div__)
raise TypeError("Only dimension can be multiplied; '%s' is not "
"valid" % type(other))
d = dict(self)
for key in other:
try:
d[key] += other[key]
except KeyError:
d[key] = other[key]
d = Dimension(d)
return d
def div(self, other):
if not isinstance(other, Dimension):
raise TypeError("Only dimension can be divided; '%s' is not valid"
% type(other))
d = dict(self)
for key in other:
try:
d[key] -= other[key]
except KeyError:
d[key] = -other[key]
d = Dimension(d)
return d
def rdiv(self, other):
return other * pow(self, -1)
@property
def is_dimensionless(self):
"""
Check if the dimension object really has a dimension.
A dimension should have at least one component with non-zero power.
"""
for key in self:
if self[key] != 0:
return False
else:
return True
@property
def has_integer_powers(self):
"""
Check if the dimension object has only integer powers.
All the dimension powers should be integers, but rational powers may
appear in intermediate steps. This method may be used to check that the
final result is well-defined.
"""
for key in self:
if not isinstance(self[key], Integer):
return False
else:
return True
[docs]class DimensionSystem(object):
"""
DimensionSystem represents a coherent set of dimensions.
In a system dimensions are of three types:
- base dimensions;
- derived dimensions: these are defined in terms of the base dimensions
(for example velocity is defined from the division of length by time);
- canonical dimensions: these are used to define systems because one has
to start somewhere: we can not build ex nihilo a system (see the
discussion in the documentation for more details).
All intermediate computations will use the canonical basis, but at the end
one can choose to print result in some other basis.
In a system dimensions can be represented as a vector, where the components
represent the powers associated to each base dimension.
"""
def __init__(self, base, dims=(), name="", descr=""):
"""
Initialize the dimension system.
It is important that base units have a name or a symbol such that
one can sort them in a unique way to define the vector basis.
"""
self.name = name
self.descr = descr
if (None, None) in [(d.name, d.symbol) for d in base]:
raise ValueError("Base dimensions must have a symbol or a name")
self._base_dims = self.sort_dims(base)
# base is first such that named dimension are keeped
self._dims = tuple(set(base) | set(dims))
self._can_transf_matrix = None
self._list_can_dims = None
if self.is_consistent is False:
raise ValueError("The system with basis '%s' is not consistent"
% str(self._base_dims))
def __str__(self):
"""
Return the name of the system.
If it does not exist, then it makes a list of symbols (or names) of
the base dimensions.
"""
if self.name != "":
return self.name
else:
return "(%s)" % ", ".join(str(d) for d in self._base_dims)
def __repr__(self):
return "<DimensionSystem: %s>" % repr(self._base_dims)
def __getitem__(self, key):
"""
Shortcut to the get_dim method, using key access.
"""
d = self.get_dim(key)
#TODO: really want to raise an error?
if d is None:
raise KeyError(key)
return d
def __call__(self, unit):
"""
Wrapper to the method print_dim_base
"""
return self.print_dim_base(unit)
[docs] def get_dim(self, dim):
"""
Find a specific dimension which is part of the system.
dim can be a string or a dimension object. If no dimension is found,
then return None.
"""
#TODO: if the argument is a list, return a list of all matching dims
found_dim = None
#TODO: use copy instead of direct assignment for found_dim?
if isinstance(dim, str):
for d in self._dims:
if dim in (d.name, d.symbol):
found_dim = d
break
elif isinstance(dim, Dimension):
try:
i = self._dims.index(dim)
found_dim = self._dims[i]
except ValueError:
pass
return found_dim
[docs] def extend(self, base, dims=(), name='', description=''):
"""
Extend the current system into a new one.
Take the base and normal units of the current system to merge
them to the base and normal units given in argument.
If not provided, name and description are overriden by empty strings.
"""
base = self._base_dims + tuple(base)
dims = self._dims + tuple(dims)
return DimensionSystem(base, dims, name, description)
@staticmethod
[docs] def sort_dims(dims):
"""
Sort dimensions given in argument using their str function.
This function will ensure that we get always the same tuple for a given
set of dimensions.
"""
return tuple(sorted(dims, key=str))
@property
def list_can_dims(self):
"""
List all canonical dimension names.
"""
if self._list_can_dims is None:
gen = reduce(lambda x, y: x.mul(y), self._base_dims)
self._list_can_dims = tuple(sorted(map(str, gen.keys())))
return self._list_can_dims
@property
def inv_can_transf_matrix(self):
"""
Compute the inverse transformation matrix from the base to the
canonical dimension basis.
It corresponds to the matrix where columns are the vector of base
dimensions in canonical basis.
This matrix will almost never be used because dimensions are always
define with respect to the canonical basis, so no work has to be done
to get them in this basis. Nonetheless if this matrix is not square
(or not invertible) it means that we have chosen a bad basis.
"""
matrix = reduce(lambda x, y: x.row_join(y),
[self.dim_can_vector(d) for d in self._base_dims])
return matrix
@property
def can_transf_matrix(self):
"""
Compute the canonical transformation matrix from the canonical to the
base dimension basis.
It is the inverse of the matrix computed with inv_can_transf_matrix().
"""
#TODO: the inversion will fail if the system is inconsistent, for
# example if the matrix is not a square
if self._can_transf_matrix is None:
self._can_transf_matrix = reduce(lambda x, y: x.row_join(y),
[self.dim_can_vector(d)
for d in self._base_dims]).inv()
return self._can_transf_matrix
[docs] def dim_can_vector(self, dim):
"""
Vector representation in terms of the canonical base dimensions.
"""
vec = []
for d in self.list_can_dims:
vec.append(dim.get(d, 0))
return Matrix(vec)
[docs] def dim_vector(self, dim):
"""
Vector representation in terms of the base dimensions.
"""
return self.can_transf_matrix * self.dim_can_vector(dim)
[docs] def print_dim_base(self, dim):
"""
Give the string expression of a dimension in term of the basis.
Dimensions are displayed by decreasing power.
"""
res = ""
for (d, p) in sorted(zip(self._base_dims, self.dim_vector(dim)),
key=lambda x: x[1], reverse=True):
if p == 0:
continue
elif p == 1:
res += "%s " % str(d)
else:
res += "%s^%d " % (str(d), p)
return res.strip()
@property
def dim(self):
"""
Give the dimension of the system.
That is return the number of dimensions forming the basis.
"""
return len(self._base_dims)
@property
def is_consistent(self):
"""
Check if the system is well defined.
"""
# not enough or too many base dimensions compared to independent
# dimensions
# in vector language: the set of vectors do not form a basis
if self.inv_can_transf_matrix.is_square is False:
return False
return True


“So…I’m not really sure what to do here?  Everything.” “Okay. Let’s start with college. What are you majoring in?” “Vet Science.” “You want to be a Veterinarian?” “Yeah.” “Is there anything else you want to do?” “Play basketball.” “What position do you play?” “I’m a two. The university’s coach said I’m good enough to make the team, but I gotta try out.” “It sounds to me like you’ve got a good foot in already. Why are you scared?” “I don’t know. I’m just scared. I want to go to college, it’s not that. I just…I’m scared that I’m going to fail. Everyone in the family has at least a Bachelor’s. I don’t want to be the first to flunk.” “Anything else?” “…I’m scared I won’t make the basketball team. I’m scared of having a psycho roommate…classes…moving away from home.” “Are any of your friends going to the same school?” “Just my boyfriend’s, but I watch a lot of T.V. I’m scared he’s going to find someone prettier than me and cheat on me, or something. I’m scared that nobody’s going to like me.” “Keep going.” “I’m scared something bad’s going to happen while I’m at school. And even if I make it through college, I know the economy sucks right now. What if I can’t find a job? I don’t know how to buy a house. What if I don’t have enough money for bills? What if something happens to my car? What is something happens to me!?” She began to get emotional and stopped.  I offered her a tissue from the box on the coffee table between us. “Thank you,” she said. “Take your time.” “I’m fine.” She blew her nose. “I’m just scared.” I nodded. “Scared of life.” She sniffled. “Yeah.” I sat back in the chair. “Do you want my personal opinion or my professional diagnosis?” “I don’t know. Professional.” I shook my head slightly. “You’re not crazy. You’re a high school senior. Would you like my personal opinion?” She nodded, obviously relieved that she was not a mental case. “Yeah.” “I think it’s good to feel these feelings. It means that you care about your life. I think that if you use these feelings to drive you, to make sure you do your very best on the court and in the classroom, you will be a better student and athlete. As far as your boyfriend goes, things will work themselves out, for better or worse. Who knows, you might even get married.” “I hope so. I love him.” “I know. Life after college is not something you need to worry about right now. Just take things one step at a time. You’ve already been accepted, just worry about getting there, getting to class on time, and trying out for the team. I’ve got a feeling that once you get there, you’ll learn that it’s not as terrible as you thought. They say it’s the best years of your life.” That brought a smile to Kathryn’s face. “Okay.” “Do you feel better?” “Yes.” Together, we rose from the comfortable couches in the middle of my office. She collected her flower backpack from the ground next to her seat and walked toward the closed door at the end of the hallway behind her chair. Before she reached the door, she turned and smiled at me. “Thanks Mom.” I smiled and winked. She opened the door, disappearing into the busy hallway of students walking to their next class. I sighed as I sat behind my desk, swelling with pride at the possibly life-changing mother-daughter heart-to-heart conversation. Being a high school counselor had its perks.


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Before Change
load_net (dict): Loaded network.
strict (bool): Whether strictly loaded. Default: True.
if isinstance(crt_net, nn.DataParallel) or isinstance(
crt_net, DistributedDataParallel):
crt_net = crt_net.module
crt_net = crt_net.state_dict()
crt_net_keys = set(crt_net.keys())
load_net_keys = set(load_net.keys())
After Change
load_net (dict): Loaded network.
strict (bool): Whether strictly loaded. Default: True.
crt_net = self.get_bare_model(crt_net)
crt_net = crt_net.state_dict()
crt_net_keys = set(crt_net.keys())
load_net_keys = set(load_net.keys())


[Erowid Warning: Our understanding of the literature is that there is no such thing as safe use of volatile solvents, aerosols and other street inhalants : their psychoactive effects are inseparable from nerve and organ damage. We have chosen to include these reports to help document the real world use of inhalants, but their inclusion is not intended to imply that they are anything but dangerous.]
Well this inhaling binge started because my friend used to live in this house with two adults that rarely came out of their room and a few other drug friendly young adults. This environment was very open for the use of drugs and alcohol. So one weekend my friend came back from a trip home to New York to visit his real parents. When he got back he found that in his room here in Seattle there were two bottles of white gas used for camping from another kid in the house. I spent the night at his house the first night he got back. We wanted to celebrate his return with some nice hearty weed, but we had no luck. He showed me the bottles and we both talked about huffing it. S
About twenty minutes latter we both had our noses buried in the bottles taking enormous inhales. We switched bottles every minute or so because we each felt that the red bottle was 'better'. This went on for about two hours of huffing, talking, and listening to 107.7 the End. Then I started to get really warm and wanted to go for a walk. I proceeded to stand but could hardly keep my limbs from wobbling. I sat back down.
A week later we tried it again but we brought a new member to the experience. He was hesitant at first but soon dived right into it after he saw how giddy Tommy and I got. We passed the bottles around for three hours. I was so deep into the high that when I stood up I had mild hallucinations. I thought I was floating and that my head was bumping the ceiling. Then I wanted to go use the bathroom but I couldn't because impassable black bars would pop up every time I made a motion to leave. Then T and M went to a party and I refused to go because I was a lot deeper in the high than they. I stay quivering on T's bed for hours. Then I took deep gulps from some cheap wine we had gotten a hold of from some other friends who picked them up for the party. I went to drink outside because my body temperature was extremely high. I was burning up. So I went outside and drank deeply.
In about thirty minutes I was running up and down a cobblestone hill outside the house. I tripped on a stone, fell and then lay there not able to get up. My body felt like warm sand paper and I couldn't get away from the black bars. I held onto the ground for fear of floating up and not being able to come back. Then a car came up the hill. I pretended to be asleep and figured that it would just drive around me. They got out and pulled me to the side of the road on some grass then left.
After about an hour of lying on the grass I started to think that my pants were going to get really dirty and I was afraid of that. So I started to mumble to myself plans of how to get the stains out. Two of the others that lived in the house came out for a smoke and saw me there. They told me I'd better get up or else I'd get something called an M.I.C. I knew what an M.I.P was so the only possible thing an M.I.C. could be was a Minor Is Crazy. So I promptly tried to stand up but it felt like I was a half full hot water bottle and when I stood all the body heat rushed from the back of my whole body to just my lower thighs, calves, and feet leaving my whole upper body in violent shivers. I smoked a cigarette with the two then ran inside to get warm.
The stairs to his bedroom might as well been a mountain because my head was so heavy and cold that I couldn't stand still. I was mumbling nonsense to myself and still trying to get by the black bars.  This struck me with deep fear of them not liking me.
I crawled into bed. I was afraid that I was going to drown in my own spit so I slept with my head hanging off the bed with my mouth open and down so the spit would just drip out. I started to come down off the high after I opened a window and took deep deep breaths of fresh air. Then I got incredibly cold again and bundled up in some blankets to which I fell asleep in.  This was the worst night I've ever had. After that night I realized that I had slight trouble reading out loud and articulating what I was reading. Worst ever.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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Contents
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Version 2.2.3
Java Documentation
Introduction
What is Akka?
Why Akka?
Getting Started
The Obligatory Hello World
Use-case and Deployment Scenarios
Examples of use-cases for Akka
General
Terminology, Concepts
Actor Systems
What is an Actor?
Supervision and Monitoring
Actor References, Paths and Addresses
Location Transparency
Akka and the Java Memory Model
Message Delivery Guarantees
Configuration
Actors
Actors
Typed Actors
Fault Tolerance
Dispatchers
Mailboxes
Routing
Building Finite State Machine Actors
Testing Actor Systems
Futures and Agents
Futures
Software Transactional Memory
Agents
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Networking
Cluster Specification
Cluster Usage
Remoting
Serialization
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Encoding and decoding binary data
Using TCP
Using UDP
ZeroMQ
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Utilities
Event Bus
Logging
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Duration
Circuit Breaker
Akka Extensions
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HowTo: Common Patterns
Scheduling Periodic Messages
Single-Use Actor Trees with High-Level Error Reporting
Template Pattern
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External Contributions
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Building Akka
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Here is a list of recipes for all things Akka
Other Language Bindings
Akka in OSGi
Incomplete List of HTTP Frameworks
Contents


ENTANGLED (1993) A Film Review Copyright Dragan Antulov 1999
In the series of the erotic thrillers that flooded the videoshelves in the early 1990s came this French-Canadian co-production by Max Fischer. The movie is set in Paris where its hero, struggling American author David Mirkine (Judd Nelson, at the time specialised in playing losers and people at the edge of sanity) suffers a terrible writers bloc. He manages to overcome crisis after beginning romantic relationship with beautiful model Anabelle (Laurence Treill). Unfortunately, she hangs out in jet set circles, which gradually makes Mirkine pathologically jealous. Her connection with powerful David Caravan (Pierce Brosnan) would make Mirkine step the line between reason and sanity and put in motion whole series of violent and tragic events.
Although few pseudoerotic scenes and some elements of the plot do indeed make this film an erotic thriller, drama would probably be more appropriate genre label. Pacing of the film is simply too slow to thrill the viewers, and those patient enough to sit through its entirety have to wait a long time between any interesting or significant developments. Low budget also becomes painfully visible, and physical attributes of Laurence Treill are the only thing worth watching in this film. Unfortunately, this film has too little of those supposedly erotic scenes, so those who wanted to watch erotic thriller have all the reasons to feel disappointed. Instead, they would have to settle with pointless, slow scenes involving Nelson, Brosnan and Laurence Treill's attempts of serious acting. All of those definitely not worth spending hour and half of someone's precious time.
RATING: 2/10 (-)
Review written on May 8th 1999
-- Dragan Antulov a.k.a. Drax Fido: 2:381/100 E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>The review above was posted to the
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


GET /repos/:owner/:repo/git/trees/:tree_sha?recursive=1
If truncated
is true
, the number of items in the tree
array exceeded our maximum limit. If you need to fetch more items, use the non-recursive method of fetching trees, and fetch one sub-tree at a time.
Status: 200 OK
{
"sha": "fc6274d15fa3ae2ab983129fb037999f264ba9a7",
"url": "https://api.github.com/repos/octocat/Hello-World/trees/fc6274d15fa3ae2ab983129fb037999f264ba9a7",
"tree": [
{
"path": "subdir/file.txt",
"mode": "100644",
"type": "blob",
"size": 132,
"sha": "7c258a9869f33c1e1e1f74fbb32f07c86cb5a75b",
"url": "https://api.github.com/repos/octocat/Hello-World/git/7c258a9869f33c1e1e1f74fbb32f07c86cb5a75b"
}
],
"truncated": false
}


| boxcox {MASS} | R Documentation |
Computes and optionally plots profile log-likelihoods for the parameter of the Box-Cox power transformation.
boxcox(object, ...) ## Default S3 method: boxcox(object, lambda = seq(-2, 2, 1/10), plotit = TRUE, interp, eps = 1/50, xlab = expression(lambda), ylab = "log-Likelihood", ...) ## S3 method for class 'formula' boxcox(object, lambda = seq(-2, 2, 1/10), plotit = TRUE, interp, eps = 1/50, xlab = expression(lambda), ylab = "log-Likelihood", ...) ## S3 method for class 'lm' boxcox(object, lambda = seq(-2, 2, 1/10), plotit = TRUE, interp, eps = 1/50, xlab = expression(lambda), ylab = "log-Likelihood", ...)
object |
a formula or fitted model object. Currently only |
lambda |
vector of values of |
plotit |
logical which controls whether the result should be plotted. |
interp |
logical which controls whether spline interpolation is
used. Default to |
eps |
Tolerance for |
xlab |
defaults to |
ylab |
defaults to |
... |
additional parameters to be used in the model fitting. |
A list of the lambda
vector and the computed profile
log-likelihood vector, invisibly if the result is plotted.
If plotit = TRUE
plots log-likelihood vs lambda
and
indicates a 95% confidence interval about the maximum observed value
of lambda
. If interp = TRUE
, spline interpolation is
used to give a smoother plot.
Box, G. E. P. and Cox, D. R. (1964) An analysis of transformations (with discussion). Journal of the Royal Statistical Society B, 26, 211–252.
Venables, W. N. and Ripley, B. D. (2002) Modern Applied Statistics with S. Fourth edition. Springer.
boxcox(Volume ~ log(Height) + log(Girth), data = trees, lambda = seq(-0.25, 0.25, length = 10)) boxcox(Days+1 ~ Eth*Sex*Age*Lrn, data = quine, lambda = seq(-0.05, 0.45, len = 20))


| I l@ve RuBoard |
In this chapter, we have looked that the various techniques we can use in Python for working with files and processes. We discussed how Python's standard library has a number of modules for working with files and processes in a portable way, and a few of the problems you may encounter when using these modules.
We also discussed the native Windows API for dealing with these objects and the Python interface to this API. We saw how Python can be used to work with and exploit the Windows specific features of files and processes.
| I l@ve RuBoard |


{% include 'mood/mood_weight.html' %} {% include 'article/category_weight.html' %} {% include 'link/link_weight.html' %}


@RolesAllowed(value="ROLE_tavernauser") @Produces(value={"application/xml","application/json"}) @Consumes(value={"application/xml","application/json"}) public interface TavernaServerDirectoryREST
| Modifier and Type | Interface and Description |
|---|---|
static class |
TavernaServerDirectoryREST.NegotiationFailedException
Exception thrown to indicate a failure by the client to provide an
acceptable content type.
|
| Modifier and Type | Method and Description |
|---|---|
javax.ws.rs.core.Response |
destroyDirectoryEntry(List<javax.ws.rs.core.PathSegment> path)
Deletes a file or directory that is in or below the working directory of
a workflow run.
|
DirectoryContents |
getDescription(javax.ws.rs.core.UriInfo ui)
Get the working directory of the workflow run.
|
javax.ws.rs.core.Response |
getDirectoryOrFileContents(List<javax.ws.rs.core.PathSegment> path,
javax.ws.rs.core.UriInfo ui,
javax.ws.rs.core.HttpHeaders headers)
|
javax.ws.rs.core.Response |
makeDirectoryOrUpdateFile(List<javax.ws.rs.core.PathSegment> parent,
MakeOrUpdateDirEntry operation,
javax.ws.rs.core.UriInfo ui)
Creates a directory in the filesystem beneath the working directory of
the workflow run, or creates or updates a file's contents, where that
file is in or below the working directory of a workflow run.
|
javax.ws.rs.core.Response |
options(List<javax.ws.rs.core.PathSegment> path)
Get an outline of the operations supported.
|
javax.ws.rs.core.Response |
setFileContents(List<javax.ws.rs.core.PathSegment> file,
InputStream contents,
javax.ws.rs.core.UriInfo ui)
Creates or updates a file in a particular location beneath the working
directory of the workflow run.
|
javax.ws.rs.core.Response |
setFileContentsFromURL(List<javax.ws.rs.core.PathSegment> file,
List<URI> referenceList,
javax.ws.rs.core.UriInfo ui)
Creates or updates a file in a particular location beneath the working
directory of the workflow run.
|
@GET @Path(value="/") @Nonnull DirectoryContents getDescription(@Nonnull @Context javax.ws.rs.core.UriInfo ui) throws FilesystemAccessException
ui
- About how this method was called.FilesystemAccessException
@OPTIONS @Path(value="{path:.*}") javax.ws.rs.core.Response options(@PathParam(value="path") List<javax.ws.rs.core.PathSegment> path)
@GET @Path(value="{path:.+}") @Produces(value={"application/xml","application/json","application/octet-stream","application/zip","*/*"}) @Nonnull javax.ws.rs.core.Response getDirectoryOrFileContents(@Nonnull @PathParam(value="path") List<javax.ws.rs.core.PathSegment> path, @Nonnull @Context javax.ws.rs.core.UriInfo ui, @Nonnull @Context javax.ws.rs.core.HttpHeaders headers) throws NoDirectoryEntryException, FilesystemAccessException, TavernaServerDirectoryREST.NegotiationFailedException
Directory
or
a File
.path
- The path to the thing to describe.ui
- About how this method was called.headers
- About what the caller was looking for.NoDirectoryEntryException
- If the name of the file or directory can't be looked up.FilesystemAccessException
- If something went wrong during the filesystem operation.TavernaServerDirectoryREST.NegotiationFailedException
- If the content type being downloaded isn't one that this
method can support.@POST @Path(value="{path:.*}") @Nonnull javax.ws.rs.core.Response makeDirectoryOrUpdateFile(@Nonnull @PathParam(value="path") List<javax.ws.rs.core.PathSegment> parent, @Nonnull MakeOrUpdateDirEntry operation, @Nonnull @Context javax.ws.rs.core.UriInfo ui) throws NoUpdateException, FilesystemAccessException, NoDirectoryEntryException
parent
- The directory to create the directory in.operation
- What to call the directory to create.ui
- About how this method was called.NoDirectoryEntryException
- If the name of the containing directory can't be looked up.NoUpdateException
- If the user is not permitted to update the run.FilesystemAccessException
- If something went wrong during the filesystem operation.@POST @Path(value="{path:(.*)}") @Consumes(value="text/uri-list") @Nonnull javax.ws.rs.core.Response setFileContentsFromURL(@PathParam(value="path") List<javax.ws.rs.core.PathSegment> file, List<URI> referenceList, @Context javax.ws.rs.core.UriInfo ui) throws NoDirectoryEntryException, NoUpdateException, FilesystemAccessException
file
- The path to the file to create or update.referenceList
- Location to get the file's contents from. Must be
publicly readable.ui
- About how this method was called.NoDirectoryEntryException
- If the name of the containing directory can't be looked up.NoUpdateException
- If the user is not permitted to update the run.FilesystemAccessException
- If something went wrong during the filesystem operation.@PUT @Path(value="{path:(.*)}") @Consumes(value={"application/octet-stream","*/*"}) @Nonnull javax.ws.rs.core.Response setFileContents(@PathParam(value="path") List<javax.ws.rs.core.PathSegment> file, InputStream contents, @Context javax.ws.rs.core.UriInfo ui) throws NoDirectoryEntryException, NoUpdateException, FilesystemAccessException
file
- The path to the file to create or update.contents
- Stream of bytes to set the file's contents to.ui
- About how this method was called.NoDirectoryEntryException
- If the name of the containing directory can't be looked up.NoUpdateException
- If the user is not permitted to update the run.FilesystemAccessException
- If something went wrong during the filesystem operation.@DELETE @Path(value="{path:.*}") @Nonnull javax.ws.rs.core.Response destroyDirectoryEntry(@PathParam(value="path") List<javax.ws.rs.core.PathSegment> path) throws NoUpdateException, FilesystemAccessException, NoDirectoryEntryException
path
- The path to the file or directory.NoUpdateException
- If the user is not permitted to update the run.FilesystemAccessException
- If something went wrong during the filesystem operation.NoDirectoryEntryException
- If the name of the file or directory can't be looked up.Copyright © 2015–2018 The Apache Software Foundation. All rights reserved.


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MY INSIDER’S GUIDE TO BANGKOK ON A BUDGET
February 11, 2016/ ByNomadicMatt
It seems that everyone is going to Thailand right now. I have friends thinking about going, friends going, and friends there already. It must be all that snow and cold weather in the Northern hemisphere right now! At the end of last year, I spent a considerable amount of time in the city. It’s one of my favorite cities in the world.
Bangkok usually leaves travelers unimpressed, given its pollution, traffic, and lack of tourist attractions. I played tour guide to a few friends when I was in the city and, while they enjoyed the food and nightlife, they didn’t think there was much to do. And they’re right — there isn’t much to do here in the traditional tourist sense, and most people can’t wait to get out.
I used to feel that way until I lived here and saw that Bangkok actually has a lot to offer. It just reveals its secrets slowly to those with the time to explore the hidden gems of this megacity. It requires you to leave the tourist ghettos of Khao San and Silom and find a city full of things to do, places to eat, and bars, clubs, and sites to visit.
" Below are my favorite places to visit and things to see:"
The Grand Palace
Hours: 8:30am–3:30pm daily. Price: 400 baht
This is Thailand’s royal palace. It was built at the end of the 18th century by King Rama I and is the official residence of the current monarch (though he doesn’t actually live there anymore; now it’s just used for ceremonies). It’s a beautiful palace filled with numerous temples, including Wat Pra Kaeo, which houses the 15th-century Emerald Buddha statue, whose robes are rotated three times a year by the king himself.
|


Contact Name
City
Country
Is Promoted
Maria Andres
Berlin
Germany
Ana Trujiilo
Mexico D.F.
Mexico
Antonio Moreno
Mexico D.F.
Mexico
Thomas Hardly
London
UK


You can send cryptocurrency here.
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TL; DR
This was done in Chrome by adding a “page” bookmark, and pasted the following into the URL of the bookmark:
javascript:jQuery('.currency-options').toggle();
Whenever the end user would not be able to see the section, they simply click the new bookmark and the section would show up.
A little background
There was an error in one of our applications recently. The error involved a section in the DOM that was not displaying to the end user (but it was in the DOM).
I suspect that this error was the result of hot-fixing every day of our two week sprint. Let that sit.
We hot-fixed every day in our two week sprint.
The team’s morale was at an all-time low and we decided to bite the bullet and just take two days to prep an actual release. During the time we were preparing the release, a critical issue came in. Intranet users were unable to see a currency box that is critical.
Finding out the problem
The very first thing I did was I verified the issue for multiple users. Then I inspected the area of the front-end application where the content was missing.
What happened was that there was bad data parsing being done on the app, and a
callback was never being fired. The callback simply performed a
jQuery.toggle()
with the data that was being parsed.
jQuery specifies that the toggle()
method simply Use true to show the element
or false to hide it.
Therefore all we needed to do is somehow call toggle on
that element whenever a user tried to view it.
Sometimes you gotta patch
Since we were on track to make a release, we had to make a decision. Either involve a whole team and schedule a deploy to take place later in the evening, avoid fixing the issue (not really an option) or find a work around.
Rather than starting another multi-hour hot-fix that would involve coding a solution, updating integration tests to verify the solution, and have a QA team perform a regression test, I ended up coding a JavaScript function, saved it as a bookmark, and gave the bookmark to the main intranet users.
Why use the bookmark approach?
We were already breaking many rules in proper, ethical, and respectable development. Luckily, we only support the latest version of Google Chrome on Mac. Having only to worry about fixing this on one browser was a blessing.
The code I ended up writing was this:
javascript:jQuery('.currency-options').toggle();
We packaged that up into a bookmark for users to have in their Chrome bookmarks toolbar, and before you knew it, all of our users who did not have access to those fields were now pleased to be able to check out and edit their values.
Final notes
If you’re reading this blog, then you know that I try to follow standard procedures but often have to deviate from them in order to accomplish something.
Unfortunately, we were in a position where we didn’t want to modify production code, but wanted to get a temporary fix our as soon as possible. This work-around worked just fine and it gave us enough breathing room to make a (significant) release.


Cool adventure: Despite its flimsy plot, Frozen II largely delivers
Elsa the Snow Queen and her sister Anna embark on an dangerous but remarkable adventure far away from the kingdom of Arendelle. They are joined by friends, Kristoff, Olaf, and Sven, writes Damon Smith
ACCORDING to lovable snowman Olaf (voiced by Josh Gad), who is a permafrosted font of wisdom about the natural world, water has memory.
Considering that audiences who flocked to the original Frozen are largely made of water, it's safe to assume that their memories of Chris Buck and Jennifer Lee's Oscar-winning adventure will ebb and flow throughout this visually stunning sequel to the highest-grossing animated film of all time.
Water and the other classical elements – air, earth and fire – play pivotal roles in Frozen II.
The realistic movement of aqua has always been a chink in the armour of computer animators. Not so here.
Disney's platoons of digital wizards repeatedly quench our thirst with jaw-dropping set pieces including a thrilling gallop over crashing waves of an angry sea astride an untamed water horse.
We've had six years to commit to memory every note, key change and lyrical flip of Do You Want To Build A Snowman?, For The First Time In Forever, Love Is An Open Door and Let It Go.
It would be churlish to expect returning songwriters Kristen Anderson-Lopez and Robert Lopez to ride the crest of those sound waves again on a first listen.
In the sequel, Elsa's call to arms Into The Unknown soars to dizzying high notes and Kristoff's faux 1990s rock ballad Lost In The Woods is a hoot, replete with four-legged backing singers.
Anna's solo The Next Right Thing is a beautifully melancholic distillation of grief.
Three years have passed since Elsa (Idina Menzel) ascended the throne of Arendelle.
An ethereal voice from the enchanted forest beckons her to unlock the secret of a bedtime story told to Elsa and sister Anna (Kristen Bell) by their parents, King Agarr (Alfred Molina) and Queen Iduna (Evan Rachel Wood).
"The truth must be found. Without it, there is no future," confirms troll king Grand Pabbie (Ciaran Hinds).
Thus, Elsa, Anna and her goofy beau Kristoff (Jonathan Groff), reindeer Sven and Olaf journey to an ancient stone circle shrouded in swirling mist, which designates a hidden pathway to the supposedly lost Northuldra tribe.
Frozen II dilutes a conventional quest storyline to wring out the running time to 103 minutes.
Inveterate scene-stealer Olaf hysterically recaps the first film in the sequel's crowd-pleasing showpiece and finds a perfect match for his gosh-darn cuteness in a blue salamander sidekick.
While the first film encouraged characters to let go of things that hurt or hinder – fear, self-doubt, regret, the past – Buck and Lee's follow-up dives deeper into their tearful self-reflection.
Menzel and Bell gently tug heartstrings as sisterly bonds strain and their brave heroines make sacrifices to remedy a great injustice.
"I've had my adventure/I don't need something new," defiantly trills Elsa.
Legions of fans do, and, despite its flimsy plot, Frozen II largely delivers.
Rating: 7.5/10
FROZEN II (U, 103 mins) Animation/Adventure/Musical/Romance/Comedy. Featuring the voices of Idina Menzel, Kristen Bell, Jonathan Groff, Josh Gad, Alfred Molina, Evan Rachel Wood, Ciaran Hinds. Directors: Chris Buck, Jennifer Lee
Released: November 22


 Is The FDA About To Restrict It? (Apr 2019 podcast, 9:26) Guests: Dr. Jessica Allegretti, director of the FMT
Organizations are now mixing and matching on-premise and cloud-based big data-processing and data storage. In may cases, they are using multiple cloud vendors as well. Once again, data and intelligence from these various repositories must be blended together at some point, as the business requires.
IR Meeting for FY2018 Business Results
Vedanta Biosciences Closes Extended $45 Biosciences Closes Extended $45
Synthetic Biologics First Quarter 2019 Biologics First Quarter 2019
Microbiome may contribute to all may contribute to all may contribute
Human Feces Can Cure Some Infections. Is The FDA About To Restrict It? (Apr 2019 podcast, 9:26) Guests: Dr. Jessica Allegretti, director of the FMT
Researchers find, correct a cause of rhino infertility. Gut microbes in the female southern white rhino metabolize phytoestrogens…
 Is The FDA About To Restrict It? (Apr 2019 podcast, 9:26) Guests: Dr. Jessica Allegretti, director of the FMT
Human Feces Can Cure Some Infections. Is The FDA About To Restrict It?  Is The FDA About To Restrict It?  Is The FDA About To Restrict It? (Apr


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--- layout: default ---
Additional course websites:
Welcome to a new approach to computational problems in the life sciences. This subject is not an encyclopedic summary of contemporary methods in systems biology and genomics. Rather, we will explore both conventional and deep learning approaches to key problems in the life sciences, comparing and contrasting their power and limits.
Our aim is to enable you to evaluate a wide variety of solutions to key problems you will face in this rapidly developing field, and enable you to execute on new enabling solutions that can have large impact.
As part of the subject you will become an expert in using modern cloud resources to implement your solutions to challenging problems, first in problem sets that span a carefully chosen set of tasks, and then in an independent project. You will be programming using Python 3 and TensorFlow 2 in Jupyter Notebooks on the Google Cloud, a nod to the importance of carefully documenting your work so it can be precisely reproduced by others.
| When | Where | Description | Course materials | Reference | |
|---|---|---|---|---|---|
| Lecture 1 | Feb 04 1pm | 32-155 | Scope of the subject, ML Intro |
|
|
| Lecture 2 | Feb 06 1pm | 32-155 | Learning MLPs |
|
|
| Recitation 1 | Feb 06 4pm Feb 07 4pm |
36-156 | ML and Google notebook overview |
|
|
| Lecture 3 | Feb 11 1pm | 32-155 | Model hypothesis space, convolutional neural networks |
|
|
| Lecture 4 | Feb 13 1pm | 32-155 | Recurrent neural networks |
|
|
| Recitation 2 | Feb 13 4pm Feb 14 4pm |
36-156 | Intro to ML and neural networks | ||
| No class | Feb 18 | President’s Day | |||
| Lecture 5 by Brandon Carter |
Feb 20 1pm | 32-155 | ML model interpretation I (SIS) |
|
|
| Deadline | Feb 21 11:59pm | PS1 due | |||
| Recitation 3 | Feb 20 4pm Feb 21 4pm |
36-156 | CNNs, RNNs, and interpreting ML models | ||
| Lecture 6 | Feb 25 1pm | 32-155 | Chromatin accessibility | ||
| Lecture 7 | Feb 27 1pm | 32-155 | Protein-DNA interactions and ChIP seq motif discovery | ||
| Recitation 4 | Feb 27 4pm Feb 28 4pm |
36-156 | Chromatin and gene regulation | ||
| Lecture 8 | Mar 03 1pm | 32-155 | Model uncertainty and experiment design | ||
| Lecture 9 | Mar 05 1pm | 32-155 | Generative models (gradients, VAEs, GANs) | ||
| Recitation 5 | Mar 05 4pm Mar 06 4pm |
36-156 | Model uncertainty and generative models | ||
| Lecture 10 | Mar 10 1pm | 32-155 | Chromatin marks and 3D genome interactions | ||
| Lecture 11 | March 12 1pm | 32-155 | Dimensionality reduction (PCA, t-SNE, autoencoders) | ||
| Recitation 6 | Mar 12 4pm Mar 13 4pm |
36-156 | 3D Chromatin Interactions; PCA and t SNE | Recitation slides (chalkboard examples will be provided in the Recitation 7 slides and video) | |
| Lecture 12 | Mar 17 | Cancelled | |||
| Lecture 13 | Mar 19 | Cancelled | |||
| No class | Mar 24 | Spring break | |||
| No class | Mar 26 | Spring break | |||
| Lecture 14 | Mar 31 1pm | Online | Deep Learning for gene expression and splicing prediction | ||
| Deadline | Mar 31 11:59pm | PS2 due | |||
| Lecture 15 | Apr 02 1pm | Online | scRNA-seq: technologies and computational methods | ||
| Recitation 7 | Apr 02 4pm Apr 03 4pm |
Online | RNA-seq, scRNA-seq, dimensionality reduction | ||
| Deadline | Apr 03 11:59pm | Project proposal due | |||
| Lecture 16 | Apr 07 1pm | Online | Deep learning in Disease Studies and Human Genetics |
|
|
| Lecture 17 | Apr 09 1pm | Online | eQTL prediction and variant prioritization | ||
| Recitation 8 | Apr 09 4pm Apr 10 4pm |
Online | Genetics | ||
| Quiz 1 | Apr 14 | Released | |||
| Lecture 18 | Apr 14 1pm | Online | STARR-seq and GWAS studies | ||
| Lecture 19 | Apr 16 1pm | Online | High-throughput experimentation | ||
| Recitation 9 | Apr 16 4pm Apr 17 4pm |
Online | Work on your take-home quiz - Q&A for clarification questions |
|
|
| Deadline | Apr 17 11:59pm | PS3 due | |||
| Lecture 20 | Apr 21 1pm | Online | Therapeutic design | ||
| Deadline | Apr 21 11:59pm | Quiz 1 | |||
| Lecture 21 by Adrian Dalca |
Apr 23 1pm | Online | Imaging and genotype to phenotype | ||
| Recitation 10 | Apr 23 4pm Apr 24 4pm |
Online | Protein structure prediction |
|
|
| Lecture 22 | Apr 28 1pm | Online | How to write, how to present | ||
| Apr 30 1pm | Online | Project Office Hours | |||
| May 05 | Project work | ||||
| Deadline | May 05 11:59pm | Project report due | |||
| Deadline | May 06 11:59pm | Presentation slides due | |||
| May 07 1pm | Online | Project presentations I | |||
| May 12 1pm | Online | Project presentations II |
We collected a series of pointers to tutorials on NumPy, TensorFlow, Google Cloud and Conda here. We also provide a Quickstart tutorial to set up essential environment and tools for you to work on problem set 1.
You should be comfortable with calculus, linear algebra, (Python) programming, probability, and introductory molecular biology. This will be a fast paced course, and it is targeted towards students that are both mathematically and computational capable. There are many other subjects at MIT that teach overviews of computational biology that are less demanding, we would be happy to recommend other options if you find this subject is not what you desire.
You should feel free to contact the lecturer and the TAs about any questions through<EMAIL_ADDRESS>The best way to get detailed questions answered is to attend TA office hours and recitation or post them on Piazza.
*Please follow the instructions here.
Grading will be based upon four programming-intensive problem sets (40%), two quizzes (30%), a final project (25%), and one day of lecture scribing (5%). Attendance in lecture is important as the class moves quickly and you will need to be present. For students enrolled in one of the graduate versions of this class (6.874, 20.490, and HST.506) there will be an extra section on some problem sets. You can use three late days for problem set deadlines (or email the course staff).
If you are enrolled in this course for credit, you are requiured to scribe for one lecture. Please sign-up for a slot here in this Google Sheet. Past lecture notes can be found by clicking the links in the rightmost column of this signup spreadsheet.
The requirements for lecture scribing are as follows:
This subject has a substantial deep learning project component. Projects will be completed either as a team of two or individually. You are free to choose a problem in the life sciences and develop a deep learning solution using the subject’s cloud resources. Ideas will be provided along with example data, and you can consult the teaching staff to get advice for other ideas or to refine your own ideas. Further details are available here.
We will be using the book “Deep Learning” by Goodfellow, Bengio, and Courville. You can find the book online here and here. You can purchase a hard copy at MIT Press or on Amazon.
Another useful book is the Matrix Cookbook, an extensive collection of facts about matrices.


Give yourself the motivation you might need in future or just write something you would like to tell yourself in future


Fireworks!
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Introduction • Installation • Usage • Roadmap • Contributing • Authors • License
Evolutionary computing is one of the main techniques nowadays for solving complex optimization problems. This library provides with the basic structure for implementing the most common evolutionary algorithms, such as genetic algorithms.
Evolutionary algorithms basic structure
Evolutionary algorithms are composed basically by four elements:
This framework is going to provide the most common techniques for each component.
Currently project is under development (no stable version released :warning:), but it is going to be installed through npm:
npm install genetics-js
No major versions have been released, so only Individuals creation is implemented:
import Genetics from 'genetics-js';
const { BinaryIndividual } = Genetics.individual;
let individual = new BinaryIndividual('001100');
individual.genotype // [false, false, true, true, false, false]
The roadmap is strictly determined by the operations that are going to be implemented:
v0.1.0
: Implementation of individuals.v0.2.0
: Implementation of mutation operators.v0.3.0
: Implementation of recombination operators.v0.4.0
: Implementation of parent selection methods.v0.5.0
: Implementation of survivor selection methods.v0.6.0
: Implementation of population and offspring management.v0.7.0
: Implementation of common evolutionary algorithms with fixed configurations.The library has been successfully used in the following projects:
You can report a bug, or request a feature with an issue:
Any help would be welcome :smile:.
This project is licensed under the MIT License
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What kind of password recovery method would you like to add?


Ultimate AbsBeginner
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It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout.
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout.
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout.
Best on 430 Comments


Come join us at Colorado's oldest hookah lounge for the best music and atmosphere in town. Habibi is open late and provides the most comfortable hookah lounge experience available.
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by Curtis Edmonds --<EMAIL_ADDRESS>She asked me what kind of movies I liked, and I couldn't answer. "All sorts of movies," would have been true, but it wouldn't have been an answer. Say "action movies" and she'll think you're just some typical guy who would drag her to Jean Claude Van Damme kickboxer movies.  Saying "Quentin Tarantino movies" or, God help you, "Jackie Chan movies" wouldn't help matters on that front, either. "Independent movies?" Please.
It's not any better to go the other way, either. Say "gushy romantic movies", and there's not telling what she'll think of that, probably not anything good. (I think I ended up saying something about how I didn't see a lot of foreign movies, and changing the conversation to how good Being John Malkovich was.)
Of course, at that time, I hadn't seen The Green Mile. I wish I had. That way, I'd have a ready-made answer: "I like movies like The Green Mile." And I liked The Green Mile for... oh, well, for several reasons.
* I like movies with Gary Sinise in them. Nitpickers will point out that Sinise is in The Green Mile for only a moment, and his performance is hardly the most stirring in the picture. Fine. I like Gary Sinise. I especially like it when he hooks up with Tom Hanks. The Green Mile isn't quite in the same neighborhood as Forrest Gump or Apollo 13, but the caliber of acting is just as high.
And, you know, when you think about it, there are a lot of actors in this movie who have the same high acting ethic as Sinise. Consider the work of David Morse and James Cromwell, two talented actors who have spent a lot of time lately playing heavies. They're both here in second-banana roles, as a prison guard and a prison warden, respectively. Fortunately, instead of playing the bad guy, both Morse and Cromwell get roles where their inner decency gets to shine through. It's fun to see tough-guy actors play vulnerable for a bit -- the same tough-but-vulnerable style that makes Sinise such a great actor. (Hanks, of course, has perfected tough-but-vulnerable, and gets another shot at playing Henry Fonda here. And the lumbering, humongous Michael Duncan has the archetypical tough-but-vulnerable role as inmate John Coffey.)
* I like movies with realistic Bad Guys in them. I'm sure you've noticed that, lately, every Bad Guy in the movies is some kind of supergenius. This trend reached its culmination not too long ago with Con Air, featuring an all-star cast of supersmart crooks. (Perhaps, given the recent advances in law enforcement, you have to be pretty smart to get away with crimes.)
But evil wears a thousand faces, and the supergenius villain is just one. One of the things I liked about The Green Mile is how we get to see a lot of those faces.
You'd expect to see a lot of facets of evil in a prison movie, anyway. Most of The Green Mile takes place in Cellblock E of the Louisiana State Penitentiary, known as the "green mile" partially because of the green linoleum floors and partially because it's the death row, the "last mile" before execution. It's not a homelike place, but it's not a brutal, evil place, either. (Morse's character is nicknamed "Brutal", but that's just irony.) The guards have the attitude that the death house is more of a long-term intensive care ward, and are treated well in return by the prisoners. Graham Greene plays a silent-but-proud inmate. Harry Dean Stanton shuffles through the movie as a prison trusty. Michael Jeter makes a strong impression as a pathetic, broken-down Cajun lifer. (Jeter usually annoys me a great deal, but it's nice to see him in a good role.)
The banality of evil is illustrated by Sam Rockwell as new prisoner "Wild Bill" So and So. Rockwell gets to chew up nearly as much scenery here as he did as the red-shirted crew member in Galaxy Quest. His antics liven up the soggy midpart of the movie -- especially when he gets into a pissing contest with the guards -- but one believes that, if he stays on the Green Mile long enough, that he'll get just as broken-down as the rest of the cellblock.
But the real evil inside the prison walls isn't in a cell. The real bad guy on the Green Mile is a guard, one Percy Wetmore (Doug Hutchison). Percy, you see, just happens to be the Governor's nephew, which means in Depression Louisiana that he can get away with about pretty much anything he pleases. He is vain, petulant, and casually cruel, both to the inmates and to his fellow guards. Not only does Percy have the best personality in the movie, it is he -- far more than Hanks's bland prison guard or the inarticulate John Coffey -- that keeps the motor of the movie humming along during its three-hour length. It's his character that shows the true subtle face of evil.
* I like smart storytelling. Finally, the best thing about The Green Mile is the story. Frank Darabont pulls off another bravura performance in his second adaptation of a Stephen King prison novel.
The Green Mile is nowhere near the movie that The Shawshank Redemption was, of course, and it would be unfair to make such comparisons anyway were they not inevitable. (My theory is that Shawshank is rooted much more strongly in the problems of the heart and the triumph of the spirit than The Green Mile, with its emphasis on the supernatural, can be.) What both films share, though, is a great story expertly told. Shawshank is a better story, but it depends on one shattering moment that changes our perception about the movie. The Green Mile is the lesser tale, but it is told more artistically, with the story threads carefully stacked up one by one.
My boss does these three-dimensional jigsaw puzzles, and she brought one into the office the other day that was a representation of Mount Rushmore. The puzzle is just some irregularly shaped pieces of cardboard, none of which look like much of anything. Instead of locking together, these pieces stack one on top of the other, and a shape forms around the contours of the edges. The Green Mile is built in much the same way. One piece stacks on top of another piece with artistic precision. And even if you think you know what piece is next, there are lots of other pieces that have to be put in place first -- with the final result looking quite different than what you might expect at first glance. Instead of one big surprise, The Green Mile has lots of little surprises that add up in time. (The original novel, as you may recollect, was published in serial form, which could account for the Dickensian structure of the screenplay.)
Of course, there are things I didn't like about The Green Mile (namely, the bookend structure of the beginning and ending which apes the structure of Saving Private Ryan) and things that I liked, but not well enough to include in the review (the Barry Pepper performance, let's say, as long as we're on the topic of Saving Private Ryan). There will be things about the movie that, should you see it, you will like more than the things I have enumerated here. And that, finally, is the best recommendation I can give for The Green Mile. If this is the kind of movie you like, you should go and discover its good points for yourself.
-- Curtis Edmonds<EMAIL_ADDRESS>Movie Reviews: http://www.hsbr.org/buzz/reviewer/reviews/bdreviews.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
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Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


GET https://apis.wso2.com/api/am/admin/v0.16/applications
This operation can be used to retrieve list of applications that is belonged to the given user, If no user is provided then the application for the user associated with the provided access token will be returned.
Not required
| Type | Name | Description | Schema | Default |
|---|---|---|---|---|
| Query |
user optional |
username of the application creator |
String | |
| Query |
limit optional |
Maximum size of resource array to return. |
Integer |
25 |
| Query |
offset optional |
Starting point within the complete list of items qualified. |
Integer |
0 |
| Header |
Accept optional |
Media types acceptable for the response. Default is application/json. |
String |
application/json |
| Header |
If-None-Match optional |
Validator for conditional requests; based on the ETag of the formerly retrieved variant of the resource (Will be supported in future). |
String | |
| Query |
tenantDomain optional |
Tenant domain of the applications to get. This has to be specified only if require to get applications of another tenant other than the requester's tenant. So, if not specified, the default will be set as the requester's tenant domain. This cross tenant Application access is allowed only for super tenant admin users only at a migration process. |
String |
| HTTP Code | Description | Schema |
|---|---|---|
200 |
OK. Application list returned. |
ApplicationList |
304 |
Not Modified. Empty body because the client has already the latest version of the requested resource (Will be supported in future). |
|
400 |
Bad Request. Invalid request or validation error. |
Error |
406 |
Not Acceptable. The requested media type is not supported. |
Error |


How to insert an Ellipse
To insert an ellipse, click on Item in the menu bar and click on
Insert Ellipse.


|
Walk
On
(U2) |
|
And
love
It's not the easy thing The only baggage That you can bring Not the easy thing The only baggage you can bring Is all that you can't leave behind And if the darkness is to keep us apart And if the daylight feels like it's a long way off And if your glass heart should crack Before the second you turn back Oh no, be strong Walk on Walk on What you got, they can't steal it No they can't even feel it Walk on Walk on Stay safe tonight You're packing a suitcase for a place None of us has been A place that has to be believed To be seen You could have flown away A singing bird In an open cage Who will only fly Only fly for freedom Walk on Walk on What you got You can't deny it Can't sell it or buy it Walk on Walk on You stay safe tonight And I know it aches How your heart it breaks You can only take so much Walk on Walk on Home Hard to know what it is If you never had one Home I can't say where it is But I know I'm going Home That's where the heart is And I know it aches And your heart it breaks You can only take so much Walk on Leave it behind You've got to leave it behind All that you fashion All that you make All that you build All that you break All that you measure All that you feel All this you can leave behind All that you reason All that you care It's only time And I'll never fill up all my mind(???)


Each important part of the GTA San Andreas ToolBox runs in an extra program.
These are CheatServer, GUI, ScriptParser and WebServer.


| Used protocol: | |
| Template argument #1: | |
| Template argument #1: | |
| Template argument #1: | |
| Open http links | |
| Rewrite other VoIP URLs: | |
| Reparse dynamic web pages: | |
| Text highlighting: | |
| Number of recent country codes: | |
| Replace '+' with | |
| Suppress own country code: | |
| Send anonymous usage statistics: | |


| Namespaces |
|---|
| SmartFactory |
| SmartFactory\DatabaseWorkers |
| SmartFactory\Interfaces |
| Packages |
|---|
| Database |
| Factory |
| HTML Utils |
| System |
| Utility Functions |
| Functions | ||
|---|---|---|
| aes_256_decrypt() | SmartFactory |
Decrypts the text previously encrypted with the AES 256 using a password key. |
| aes_256_encrypt() | SmartFactory |
Encrypts the text with the AES 256 using a password key. |
| array_to_dom() | SmartFactory |
Converts an array to XML DOM structure. |
| array_to_json() | SmartFactory |
Converts the array to JSON string. |
| checkbox() | SmartFactory |
Function for rendering the checkbox field. |
| checkempty() | SmartFactory |
This is an auxiliary function that checks whether a variable exists. |
| common_prefix() | SmartFactory |
Defines the common prefix of two strings. |
| config_settings() | SmartFactory |
Short function for getting the instance of the ConfigSettingsManager. |
| dbshard() | SmartFactory |
Short function for requesting the dbworker connected to the specified shard. |
| dbworker() | SmartFactory |
The method dbworker provides the DBWorker object for working with the database. |
| debug_message() | SmartFactory |
Short function for writing debug messages to the log. |
| debugger() | SmartFactory |
Short function for getting the instance of the IDebugProfiler. |
| dom_to_array() | SmartFactory |
Converts a XML DOM structure to an array. |
| echo_html() | SmartFactory |
Echoes the text with escaping of HTML special characters. |
| echo_js() | SmartFactory |
Echoes the text with escaping of JavaScript special characters. |
| escape_html() | SmartFactory |
Escapes the HTML special characters in the text. |
| escape_html_array() | SmartFactory |
Escapes recursively the HTML special characters in the values of the array. |
| escape_js() | SmartFactory |
Escapes the JavaScript special characters in the text. |
| event() | SmartFactory |
Short function for getting the instance of the IEventManager. |
| format_number() | SmartFactory |
Formats the number due to the specified settings. |
| get_cookie() | SmartFactory |
Gets the cookie value by name. |
| get_header() | SmartFactory |
Gets the header by its name. |
| input_hidden() | SmartFactory |
Function for rendering the hidden input field. |
| input_password() | SmartFactory |
Function for rendering the password input field. |
| input_text() | SmartFactory |
Function for rendering the text input field. |
| instance() | SmartFactory |
The method instance creates an object that support the specified interface. |
| is_associative() | SmartFactory |
Checks whether the array $array is associative. |
| is_web() | SmartFactory |
Checks whether the session is cmd client or web. |
| json_to_array() | SmartFactory |
Converts the JSON string to an array. |
| messenger() | SmartFactory |
Short function for getting the instance of the IMessageManager. |
| preg_p_escape() | SmartFactory |
Escapes the special characters in the text used for the regular expression pattern. |
| preg_r_escape() | SmartFactory |
Escapes the special characters in the text used for the regular expression replacement. |
| radiobutton() | SmartFactory |
Function for rendering the radiobutton field. |
| randomDBShard() | SmartFactory |
Short function for requesting the dbworker connected to the specified shard, that is chosen randomly for load balancing reason. |
| reqvar_value() | SmartFactory |
Function for getting value of a request variable. |
| runtime_settings() | SmartFactory |
Short function for getting the instance of the RuntimeSettingsManager. |
| select() | SmartFactory |
Function for rendering the select field. |
| session() | SmartFactory |
Short function for getting the instance of the ISessionManager. |
| session_vars() | SmartFactory |
Short function for getting direct access to the session variables. |
| set_cookie() | SmartFactory |
Sets the cookie name=value. |
| singleton() | SmartFactory |
The method singleton creates an object that supports the specified interface and ensures that only one instance of this object exists. |
| table() | SmartFactory |
Function for rendering tables. |
| text() | SmartFactory |
Short function that provides the text translation for the text ID for the given langauge. |
| textarea() | SmartFactory |
Function for rendering the text area field. |
| timestamp() | SmartFactory |
Converts the string representing the date/time in the specified format to the timestap. |
| user_settings() | SmartFactory |
Short function for getting the instance of the UserSettingsManager. |
| Interfaces | ||
|---|---|---|
| IDebugProfiler | SmartFactory\Interfaces |
Interface for debugging, tracing and profiling. |
| IErrorHandler | SmartFactory\Interfaces |
Interface for error handling. |
| IEventManager | SmartFactory\Interfaces |
Interface for event management. |
| IInitable | SmartFactory\Interfaces |
Interface for universal standard way of the object initialization through the array of parameters. |
| ILanguageManager | SmartFactory\Interfaces |
Interface for localization support. |
| IMessageManager | SmartFactory\Interfaces |
Interface for working with messages. |
| IRecordsetManager | SmartFactory\Interfaces |
Interface for working with record sets. |
| IRequestHandler | SmartFactory\Interfaces |
Interface for handling the API requests. |
| ISessionManager | SmartFactory\Interfaces |
Interface for working with sessions. |
| ISettingsManager | SmartFactory\Interfaces |
Interface for working with settings. |
| ISettingsValidator | SmartFactory\Interfaces |
Interface for settings validation. |
| IShardManager | SmartFactory\Interfaces |
Interface for managing connections to the DB shards. |
| Classes | ||
|---|---|---|
| ConfigSettingsManager | SmartFactory |
Class for management of the config settings stored in a config JSON file. |
| DBWorker | SmartFactory\DatabaseWorkers |
This is the abstract base class for all dbworkers for different databases. |
| DBWorkerException | SmartFactory\DatabaseWorkers |
Class for DBWorkerException in the smarFactory library. |
| DebugProfiler | SmartFactory |
Class for debugging, tracing and profiling. |
| ErrorHandler | SmartFactory |
Class for error handling. |
| EventManager | SmartFactory |
Class for event management. |
| JsonRequestHandler | SmartFactory |
Class for handling the JSON API requests. |
| LanguageManager | SmartFactory |
Class for working with localization of texts. |
| MSSQL_DBWorker | SmartFactory\DatabaseWorkers |
This is the class for the MS SQL database using the extension sqlsrv. |
| MessageManager | SmartFactory |
Class for working with messages - errors, warnings etc. |
| MySQL_DBWorker | SmartFactory\DatabaseWorkers |
This is the class for the MySQL database using the extension mysqli. |
| ObjectFactory | SmartFactory |
Class for creation of the objects. |
| PostgreSQL_DBWorker | SmartFactory\DatabaseWorkers |
This is the class for the PostreSQL database using the extension pgsql. |
| RecordsetManager | SmartFactory |
Class for working with record sets. |
| RequestHandler | SmartFactory |
Abscract class for handling the JSON and XML requests. |
| RuntimeSettingsManager | SmartFactory |
Class for management of the application settings. |
| SessionManager | SmartFactory |
Class for session management. |
| SessionMessageManager | SmartFactory |
Class for working with messages - errors, warnings etc. with session persictence. |
| ShardManager | SmartFactory\DatabaseWorkers |
Class for managing connections to the DB shards. |
| SmartException | SmartFactory |
Class for extended exception used in the SmartFactory library. |
| UserSettingsManager | SmartFactory |
Class for management of the user settings. |
| XmlRequestHandler | SmartFactory |
Class for handling the XML API requests. |


Required to load the plot data from an XML file.
One plotting option must be selected.
An xpath expression is evaluated to select the points to plot.
The result type of the expression must be supplied due to limitations in the java.xml.xpath parsing
The result can be: nodeset, boolean, string, or number.
Strings and numbers will be converted to double
boolean will be converted to 1 for true, and 0 for false


W3C Resources
- None.
Non-W3C Resources
- Advanced Perceptual Contrast Algorithm (APCA) Visual Contrast Calculator. Takes a pair of CSS sRGB colors and predicts the perceived contrast, to be used with the APCA lookup table.
- APCA GitHub Repository. Source code for the APCA calculator.
- Color Vision Deficiency Simulator. Allows designers to preview how their designs may look like to individuals with color blindness. Includes an sRGB grayscale example, useful for visually assessing luminance contrast.


Below are a description of each of the files of this project.
/
- COPYRIGHT
- GNU copyright notice for
the project
- index.html
- Redirects to
docs/index.html
- README.txt
- text file which tells the
user to open index.html in a browser
- build.xml
- ant build file for the project
/src/com/hackingroomba/roombacomm
- FrameProcessor.java
- An class to handle visual
processing from a camera mounted on
the roomba.
- Used by:
com.hackingroomba.roombacomm.Bsquare
- JImagePanel.java
- It looks like nothing
references this in the project. Maybe it
was an early version/contriubutor to FrameProcessor.java ?
- Note.java
- Simple wrapper for musical
notes
- Used by:
com.hackingroomba.roombacomm.
- RoombaComm
- RTTTLPlay
- RoombaCommFrame
- RoombaCommPanel
- RoombaCommSerial
- RTTTLParser.java
- A simple class to allow a
"rttlstring" into an ArrayList of
notes. The array can later be passed to a connected Roomba to make it
sing a song. How to use this is deminstrated in
com.hackingroomba.roombacomm.RoombaCommFrame.playSong(RoombaComm
roombacomm, String rtttl)
- Used by:
com.hackingroomba.roombacomm.
- RTTTLPlay
- RoombaCommFrame
- RoombaCommPanel
- RoombaCommSerial
- A few sample rttlstrings
you could use are included here ( you
can find more via google. :) )
- (close encounters of the
third kind)
closeencounter:d=16,o=5,b=125:d,p,e,p,c,p.,c4,p,g4,1p.,d6,p,e6,p,c6,p.,c,p,g,1p.,
- Thunderstruck, ACDC)
thunderstr:d=16,o=5,b=160:c6,c,a#,c,a,c,a#,c,a,c,g,c,a,c,f,c,g,c,e,c,f,c,e,c,f,c,e,c,f,c,e,c
- RoombaComm.java
- This is the primary
implementation for this project. It is an
abstract class that acts as an abstraction layer from the iRobot API's
for the models of Roomba's that this project is attempting to support.
The class is designed to simplify users use of the iRobot API and to
provide as consistent as possible abstraction layer between versions of
the iRobot API versions. This interface is currently implemented based
on how the Roombacomm will connect to the Roomba device. There are two
main implementations of this interface: RoombaCommSerial.java
and RoombaCommTCPClient.java
.
- RoombaCommFrame.java
- This is a Java Swing User
Interface(UI). It is intended to
allow a user to manually control their roomba from their PC. GUI size
options may be available to support desktop and/or Netbook screen
resolutions in the future.
- RoombaCommGUI.java
- This is a class designed
to start a graphical interface (mainly
RoombaCommFrame.java, but others may be possible in the future) that
can be used to manually control the features of the RoombaComm library.
The main function of this class is to handle command line interfaces
(CLI) inputs and to provide an example of how other applications could
reuse RoombaCommFrame.java for their own use.
- RoombaCommSerial.java
- The serial-port based
implementation of RoombaComm. Designed
for physical RS-232 ports, USB adapter ports like Keyspan USA-19HS, and
Bluetooth serial port profiles.
- RoombaCommTCPClient.java
- This class is an extension
of the RoombaComm interface. This
implementation is designed to communicate with the Roomba device across
a TCP/IP network.
- images/
- This is a directory of
image files used in the the GUI's.
Classes designed for specific test(s)
- Bsquare.java
- Drive the Roomba forward,
back, or CW or CCW square
- BumpTurn.java
- Read sensors to detect
bumps and turn away from them while
driving
- Drive.java
- command line controls to
move a Roomba (RoombaCommSerial only)
- DriveRealTime.java
- GUI to allow user to use
arrow keys to drive a Roomba in real
time (RoombaCommSerial only)
- ListSerialPorts.java
- A simple command line
program to enumerate the Serial ports
that the application sees in the environment.
- LogoA.java
- Make a square with a
Roomba.
Leaves Roomba in same place it began (theoretically)
Older classes (Legacy?/Depreciated?) that may not be maintained by this
project going forward:
- RoombaCommPanel.java
- This
is an older graphical interface that can be used to manually control
some of the features of the project. This UI is the orginal work of Tod
E. Kurt, and is not being maintained so that any external to the
project references can be perserved. (However, the location of the
class has been changed to match the project ongoing source tree
structure.)
- RoombaCommTest.java
- A small GUI to test out
RoombaComm.
- This class is simlar in
concept to the RoombaCommGUI class.
However it uses the RoombaCommPanel for the UI that it starts for the
user.
- RoombaCommTestOld.java
- A small GUI to test out
RoombaComm. (an Even earlier version of
RoombacommTest.java)
- This class is simlar in
concept to the RoombaCommGUI class.
However it uses the RoombaCommPanel for the UI that it starts for the
user.
- RTTTLPlay.java
- Play RTTL formatted
ringtones on the Roomba.
This class only supports a serial connection to a Roomba to play a RTTL
string from a command line parameter.
- RoombaRecorder.java
- A simple wrapper for
multiple MacroRecorderPanels
- This UI allows the user
to record and play back movements for
a roomba.
- RoombaRecorderPanel.java
- GUI (tab) for
RoombaRecorder
A Panel containing controls for testing RoombaComm.
- SimpleTest.java
- A simple test of
RoombaCommSerial functionality.
- Spiral.java
- Make the Roomba drive in a
spiral. (RoombaCommSerial only)
- Spiro1.java
- A Spirograph-like example
(RoombaCommSerial only)
- Spiro2.java
- A Spirograph-like example with additional parameters and
behaviors
(RoombaCommSerial only)
- Spy.java
- Connect to a roomba
(RoombaCommSerial only) and watch sensor
data comming back from the device.
NEED to find the differences between Spy.java, SpyAuto.java,
and SpySimple.java
- SpyAuto.java
- Connect to a roomba
(RoombaCommSerial only) and watch sensor
data comming back from the device.
NEED to find the differences between Spy.java, SpyAuto.java,
and SpySimple.java
- SpySimple.java
- Connect to a roomba
(RoombaCommSerial only) and watch sensor
data comming back from the device.
NEED to find the differences between Spy.java, SpyAuto.java,
and SpySimple.java
- Test.java
- Connect to a roomba
(RoombaCommSerial only) and run through a
static set of operations to exercise the older RoombaComm Library.
- Tribble.java
- Connect to a roomba
(RoombaCommSerial only) and make it make
Tribble noises
- Waggle.java
- Connect to a roomba
(RoombaCommSerial only) Drive the Roomba in
a Waggle, like when it's searching for something
- net/
- DumpMethods
- use Java reflection to
output methods of the RoombaCommSerial
class.
Looks to be heavily based on a Simple Example from
http://java.sun.com/developer/technicalArticles/ALT/Reflection/
- RoombaCommTCPServer
- an early ServerSocket
based attempt to communicate with a
Roomba
- SimpleTest
- Connect to a roomba
(RoombaCommSerial only) and run through a
static set of operations to exercise the older RoombaComm Library.
AR: Paul look at
whether
this is really a duplicate of the file in roombacomm - if so, delete it
- TextHttpServer
- Appears to be a
crude(maybe a sample from somewhere?) class
to
implement an Http Server. It appears to have no direct links/references
to RoombaComm.
/src/scripts
- runit.bat and runit.sh:
Windows and Unix
scripts that set CLASSPATH & run the programs from the proper
places
- RoombaCommTest.bat,
RoombaCommTest.sh,
RoombaCommGUI.bat and RoombaCommGUI.sh:
/src/processing-examples
Directories intended to be copied into the users Processing work
directory
- roombaring/roombaring.pde:
Play a tune on Roomba (possibly the tron theme).
- roombatune/roombatune.pde:
Allow the user to use their PC keyboard as a a musical keyboard to play
notes in real time on the Roomba
- roombaview/roombaview.pde:
Provide a GUI to drive roomba which runs inside the
Processing environment. The GUI uses direction buttons to control
Roomba and moves it across a grid in the GUI as Roomba drives.
- roombaview/data/: Directory containing
images displayed by the GUI.
- roombaview/libraries/MyGUI/library: Directory
contains
MyGUI.jar, which provides button handling etc for the application.
Check the processing documentation for where to copy the MyGUI library.
/docs
- Index.html: Project
overview and lead-in to documentation.
How to use the project (for non-developers.) Contains much of the
content from README in the original project structure
- DevelopersGuide.html:
Instructions on recommended configuration,
packages & tools that should be installed to enable
development.
Refers to the book where appropriate.
- DirectoryStructure.html: a
listing of directories in the project
- both source and those built automatically, and their purpose
- FileDescriptions.html: This
file. A description of each source
file in the project. Q: is there
a need to describe generated files?
- ToDo.html: list of things to
do to the project
- SVN_Info.html: Subversion
policies for the project
- eclipseHowTo.html:
Instructions for configuring eclipse for this
project. Contents from removed README.eclipse.txt file
- windowsHowTo.html:
Instructions specific to running roombacomm
under windows
- wifiRouterHowTo.html:
Instructions for connecting a wifi router
and installing & configuring the necessary daemons to provide
wifi
access to Roomba. (Content needs to come from Jonathan.)
/lib
- jargs.jar: library which supports posix-style command-line
arguments (hyphen-argument style
/lib/rxtxlib
- librxtxSerial.jnilib: Java extension which lets serial I/O escape
from the virtual machine
- rxtxSerial.dll: Windows dll which provides COM access to
librxtxSerial.jnilib
- librxtxSerial.so: Mac OS-X library which provices serial driver
access to librxtxSerial.jnilib
- RXTXcomm.jar: ???
- macosx_setup.command:a script to fix permissions for loc files on
Mac OS X
- README.rxtx: the name says it all


Units Demos
Welcome to Units of Measurement Demos, a selection of demo projects and applications for JSR 385.
The project currently contains the following modules:
- Console Demos
- Desktop Demos
- Language Specific Demos
- Device Specific Demos
- Domain Specific Demos
- Web Demos
Launch Config for Eclipse based IDEs
If you use Spring Tools, JBoss Tools, Red Hat CodeReady Studio, Rational Application Developer, Intel® IoT Developer Kit (for C/C++) or another Eclipse based solution, there are some launch configurations for your convenience under src/etc.
Authors and ContributorsThis page was brought to you by Werner Keil (@keilw). Other major contributors are David Stibbe (@dstibbe) or Thodoris Bais (@thodorisbais)


| DOSE: |
1 cig. |
smoked |
Various |
(plant material) |
I rolled a medium sized joint of good quality weed and a mull-mix I bought from a store. The mix had Salvia Divinorum, Mugwort and Lions Tail in it. It happens to taste nicer than tobacco, so I've been using it to spin. In any case, it was half past two in the morning. I was extremely tired, but couldn't really sleep. Even though I'd been avoiding it, I figured that I may as well have a mellow joint, just a small one, to perhaps send me off to sleep.
I sat outside and smoked it, lookin up at the clouds over a steel-refinery on the horizon. They were red, and stretched out like a wolfish version of the Xenomorphs head from 'Alien'. I was feeling fine. Not high, not mellow, not even buzzed. I went indoors, found a clean glass and began to pour myself a glass of orange juice. Here, something began to happen, I felt as if I had been gently separated into two beings. One was me - regular, everyday me. The other was something else.
Something like me, but lacking in restraints or values. The standard me was pouring the juice, going through the motions, and I suddenly thought: 'My body is holding back the drug until I get to my bedroom. Then its all go.' My bones felt heavy, and for some reason, brown. They seemed to be receding into my flesh.
In any case, taking the juice and a chocolate bar, I went to my room, closed the door and put on a CD (Tom Waits-Blood Money). Five minutes had passed since I had smoked the joint. I figured that, while I was still awake, I may as well do some writing (I'm working toward a creative writing course next year). I got very little out, before I noticed some strange occurences. This is what I wrote, exactly how I felt:-
'The shadows are red. I am seeing a world in low frame-rate. Strobe world. I feel my hearts every second beat. A beetle crawls over my pillow. It jerks as it walks. I feel my heart clicking sharp inside my chest. I am still, and yet I move'.
That was all I could get out, insofar as how I felt, before the whole act became too difficult to continue.
I will elaborate: The world had separated itself into frames, and the background was flickering in this order: black/red/normal/miss-a-scene/black/red/normale/miss-a-scene
I wrote with a pen, on a small notepad. My head was very close to the stereo. I felt as if I was on speed, but speed that came and went with the beating of my heart. Every two seconds I would speed up, and slow down. There was a distinct pulsating in my face, and arms. I sat up, relaxed, and ate the chocolate bar. I could not taste it, but instead could appreciate its texture and weight. It was nougat, caramel, chocolate and almonds. I remember being concerned about choking, but enjoying the action nonetheless.
My mind was constantly looking for something to do, so I kept forgetting I was eating a chocolate bar, and moving about with my mouth open, chocolate hanging out, to find something to do. Eventually I finished, and realised that I was, in fact, extremely stoned. I lay on the bed, turned the light off and decided to think. The music became my train of thought, the vocals became my inner-monologue.
If you have ever listened to Tom Waits, (especially this album, and Alice) there are a lot of percussive effects, a lot of layers, and a strange textures developed. I think this was contributing to the speed-y nature of the trip, as every click and beat made the scene reset itself, like an internet page refreshing. The voice drowned away (replaced, as I said, by my own) and all I could hear was a constant beat (which faded away to give way to my own heartbeat) and a dry clicking, like an insect.
And here strange things inside my mind began to happen.
The regular version of myself receeded. The new and strange version came out. It seemed that I was only truly myself when I moved, when I engaged in some motor-related action. This new and strange version was frightening, indeed. I tried to think about peaceful and surreal scenes, gentle or erotic, but it (my new mind) added violent and disgusting things to it. I could not focus, as every thought involved blood, violence or some other disturbing idea. I shifted my position, so I could look at the white curtains that glowed with the streetlight. As I moved, I became myself again. Yet, as I stopped, the other mind took over.
I tried to think of sexual things here, feeling that perhaps the strange mental process would lend itself to particularly vivid imaginations. But for a long time, the scenes I arranged were consistently made disgusting and violent by my second mind.  A lot of things that wouldn't have regularly been disturbing took on new faces. I saw many pixellated graphics, in the style of old video games. Old characters (like the monsters in 'Boopin'') moved into my brain and ruined my thoughts.
Here, I think I realised the nature of my own mind... I think I realised the uselessness of fighting the somewhat twisted and unkind nature of my thought pattern. Perhaps - I thought - I am essentially a disgusting and foul person, and this will all come out in the end. Therefore, fighting it is an act of futility. Understand, that I have been questioning my own weight as a good person, as a moral and kind person... and seem to be finding myself wanting.
But eventually, shifting my weight, I began to lucidly picture things. And, erotic-natured as they were, they were extremely life-like. I pictured these things for a while, finding it difficult to focus without wandering. But a strange sensation arose. I felt that these things were actually happening, and my body began to react accordingly.
When I looked down, my... appendage, was about as hard and big as I've ever seen it.  Insane. Needless to say, I was amazed and impressed. When I came, it was an extended and reasonable orgasm, though my skin was somewhat numb. Somewhere after this, I found sleep.
Now, midday the next day, I am writing this. I can safely say, that I only just came down. When I woke up I was mellow, and I was stoned-ish until about 11.30- as if I had just smoked the simple, small joint I originally intended. Strange to think that a small joint gave such a heavy effect.
In any case, I hope I have succeeded in conveying most of what happened. It is difficult to recall, and to put into words the strange things that happened.
Buddha could not say what happened in the second of his enlightenment. Perhaps he too was stoned. Indeed.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


From this list, select the JavaScript language version that represents the set of the language features to use in
your project. The available options are:
- ECMAScript 5.1
- ECMAScript 6+:
This version adds support for the features introduced in ECMAScript 2015-2017 as well as some current proposals
to the standard.
- React JSX:
This version adds support for the JSX syntax on top of ECMAScript 6
- Flow:
This version adds support for the Flow syntax.


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Pearson and Spearman correlation coefficients are commonly used to quantify the strength of bivariate associations of genomic variables. For example, correlations of gene-level DNA copy number and gene expression measurements may be used to assess the impact of DNA copy number changes on gene expression in tumor tissue. 'MVisAGe' enables users to quickly compute and visualize the correlations in order to assess the effect of regional genomic events such as changes in DNA copy number or DNA methylation level. Please see Walter V, Du Y, Danilova L, Hayward MC, Hayes DN, 2018. Cancer Research <doi:10.1158/0008-5472.CAN-17-3464>.
| Version: | 0.2.1 |
| Depends: | R (≥ 3.3.1) |
| Suggests: | R.rsp |
| Published: | 2018-05-10 |
| Author: | Vonn Walter [aut, cre] |
| Maintainer: | Vonn Walter <vwalter1 at pennstatehealth.psu.edu> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| CRAN checks: | MVisAGe results |
| Reference manual: | MVisAGe.pdf |
| Vignettes: |
R packages: Static PDF vignettes |
| Package source: | MVisAGe_0.2.1.tar.gz |
| Windows binaries: | r-devel: MVisAGe_0.2.1.zip, r-release: MVisAGe_0.2.1.zip, r-oldrel: MVisAGe_0.2.1.zip |
| OS X binaries: | r-release: MVisAGe_0.2.1.tgz, r-oldrel: MVisAGe_0.2.1.tgz |
| Old sources: | MVisAGe archive |
Please use the canonical form https://CRAN.R-project.org/package=MVisAGe to link to this page.


Conditional Probability
due by Sep 17, 2018
All problems are from Feller.
- Ten fair dice were thrown. Given that at least one of them produced one, what is the probability that two or more dice produced one.
- In a bolt factory machines A, B, C manufacture 25, 35 and 40 percent of the total, respectively. Of their output 5, 4 and 2 per cent (respectively) are defective bolts. A bolt is drawn at random from the produce and is found defective. What are the probabilities that it was manufactured by machines A, B and C?
- A (fair) die is thrown as long as necessary for one to turn up.
- Assuming that one does not turn up at the first throw, what is the probability that more than three throws will be necessary.
- Suppose that the number, $n$, of throws is even. What is the probability that $n=2$?
 A coin is flipped once. If it falls head, die A is chosen and if it falls tail die B is chosen. The chosen die is thrown repeatedly.
- Show that the probability of red at any throw is $1/2$.
- If the first two throws result in red, what is the probability of red in the third throw?
- If red turns up at the first $n$ throws, what is the probability that die A is being used?
- Let the probability that a family has exactly $n$ children be $p_n=\alpha p^n$ when $n\geq 1$ and $p_0 = 1 - \alpha p(1 + p + p^2 + \dots)$ for $n=0$.  Show that for $k\geq 1$ the probability that a family has exactly $k$ boys is $2\alpha p^k/(2 - p)^{k+1}$.


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• Address: jacortes@cpp.edu


1
two
save a random file test
This repository is home to some other random stuff;
here's the directory for that
.


Children's Intensive Care Unit (PICU), Neonatal Intensive Care (NICU/New born ICU), Pediatric Neurology, Pediatric Nephrology, Pediatric Gastroenterology, Pediatric Hematology & Oncology, Pediatric Surgery, Pediatric Nutrition, Pediatric Dentistry, Pediatric Cardiology, Pediatic Pulmonology, Pediatric Psychology & Psychiatry, Orthopedics, Genetics & Metabolic Medicine, Anesthesia & Pain Management, Pediatric Ophthalmology, Speech & Language Therapy, Physiotherapy & Rehabilitation, ENT, Radiology and Laboratory Services.
Know More
Children's Intensive Care Unit (PICU), Neonatal Intensive Care (NICU/New born ICU), Pediatric Neurology, Pediatric Nephrology, Pediatric Gastroenterology, Pediatric Hematology & Oncology, Pediatric Surgery, Pediatric Nutrition, Pediatric Dentistry, Pediatric Cardiology, Pediatic Pulmonology, Pediatric Psychology & Psychiatry, Orthopedics, Genetics & Metabolic Medicine, Anesthesia & Pain Management, Pediatric Ophthalmology, Speech & Language Therapy, Physiotherapy & Rehabilitation, ENT, Radiology and Laboratory Services.
Know More
Children's Intensive Care Unit (PICU), Neonatal Intensive Care (NICU/New born ICU), Pediatric Neurology, Pediatric Nephrology, Pediatric Gastroenterology, Pediatric Hematology & Oncology, Pediatric Surgery, Pediatric Nutrition, Pediatric Dentistry, Pediatric Cardiology, Pediatic Pulmonology, Pediatric Psychology & Psychiatry, Orthopedics, Genetics & Metabolic Medicine, Anesthesia & Pain Management, Pediatric Ophthalmology, Speech & Language Therapy, Physiotherapy & Rehabilitation, ENT, Radiology and Laboratory Services.
Know More


This EK is provided as is for anyone interested in it.
Some example levels have been provided for you.
This EK is intended for those somewhat knowledgeable of
programming/modding.
All values listed as 'byte' or 'bit' are in unsigned decimal format.
Which means a byte is a value from 0 to 255 and so on.
All zones should have a height of 16. This is a general style rule for
the game.
If you plan to try and make a map, please study the existing maps
carefully!