 Ever since I first became aware of Bronson, through the "Death Wish" series, I'm always on the look-out for his films. He has a great screen presence, and you're always rooting for him.
In "Showdown at Boot Hill", Bronson plays a bounty hunter in the old West who shows up at a small town to pick up a criminal. The criminal refuses to go, and draws his gun. Of course, this being a Bronson movie, ol' Chuck shoots him dead. The only problem is this particular criminal had a lot of friends, and nobody will admit it was actually him, thus preventing Bronson from collecting his bounty. So, he hangs around the town, waiting for someone to come forward, while falling in love with the local spinster in the process.
While there's nothing terribly original about the story, the Bronson's performance more than makes up for it. He plays a man who knows that he's doing the right thing, but also knows that people around him mistrust his motives. Bounty hunters were not thought too highly of back then, but somebody had to do it, I suppose.
>From the instant he comes on screen, the audience is always on Bronson's side. We want him to succeed in his "mission", as it were, and we also want him to find love with the lonely waitress at the local bar. That's what makes Bronson one of the true icons of American cinema. He has that rare quality that allows him to appear tough when he needs to, but also sensitive around his friends and lovers.
Like Clint Eastwood, he's a true "man's man". I only hope that he has not given up on acting.  Well, what would have happened? Probably, we all would have been playing samba somewhere." -Billy Corgan
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Hey folks!
I've gotten more and more interested in using this space for writing about things other than music, in posting online more, and in sharing creative work that I create myself.
In the spirit of such things, I started a tumblr site a few months back, but that wasn't enough.
At this point, I'm going to take HLA in more of a generalist direction. Separating the arts too much has never suited me, really. I still really want this name to be something that I only use for the highest quality stuff I can do--or at least, the posts with the most thought behind them. I want to write about the things in culture that strike me, and I also want to post things that I make. I can use my livejournal, my personal twitter, or my tumblr for the rest.
***
Now, an announcement is in order:
I am starting a new project this April, and I'm calling it 30 Days in April.
During this month, I'll be posting something, daily, that I've created. I'm tired of looking back on the seven (seven!) years since I went to art school, or the months since I started renting art space, and wondering why I haven't been creating. I'm so crazy about changing this ingrained, habitual pattern that I've gotten a daily writing prompts book and even, dare I say it, The Artist's Way.
I have been stagnant too long, and so has Hard Like Algebra. This changes today.
I want to thank ya'll in advance for the support. It should be fun.


We are looking for technical trainers for at least one of the following profiles:
Spring, Spring boot, Microservices,
Groovy, Gradle, Jenkins, Sonar, etc.
TypeScript, Node, Angular, HTML,
CSS, Webpack, React, VUE, etc.
Linux, Servidores Aplicaciones, Jenkins,
Sonar, Docker, Kubernetes, OpenShift, etc.
MongoDB, Cassandra, Hadoop,
Spark, Elasticsearch, Kibana, etc.


| Modifier and Type | Interface and Description |
|---|---|
interface |
Algorithm<Result>
Interface representing an algorithm
|
| Modifier and Type | Class and Description |
|---|---|
class |
AbstractCoralReefsOptimization<S,R>
Abstract class representing a Coral Reefs Optimization Algorithm
Reference: S.
|
class |
AbstractDifferentialEvolution<Result>
Abstract class representing differential evolution (DE) algorithms
|
class |
AbstractEvolutionaryAlgorithm<S,R>
Abstract class representing an evolutionary algorithm
|
class |
AbstractEvolutionStrategy<S,Result>
Abstract class representing an evolution strategy algorithm
|
class |
AbstractGeneticAlgorithm<S,Result>
Abstract class representing a genetic algorithm
|
class |
AbstractParticleSwarmOptimization<S,Result>
Abstract class representing a PSO algorithm
|
class |
AbstractScatterSearch<S,R>
Abstract class representing a scatter search algorithm
|
| Modifier and Type | Interface and Description |
|---|---|
interface |
Measure<Value>
|
interface |
PullMeasure<Value>
A
PullMeasure is a Measure from which the Value can
be accessed on demand through the PullMeasure.get() method. |
interface |
PushMeasure<Value>
|
| Modifier and Type | Class and Description |
|---|---|
class |
BasicMeasure<T>
A
BasicMeasure provides a simple way to define a
measure that merely stores a single value |
class |
CountingMeasure
A
CountingMeasure provides a simple way to evaluate a number of
occurrences. |
class |
DurationMeasure
This measure allows to have a simple way to compute the time spent in doing
something.
|
class |
LastEvaluationMeasure<Solution,Value>
LastEvaluationMeasure is a PushMeasure providing the last
evaluation made in an algorithm. |
class |
ListenerTimeMeasure
This measure is a facility to evaluate the time spent in
MeasureListener s registered in PushMeasure s. |
class |
PullPushMeasure<Value>
A
PullPushMeasure aims at providing both the PushMeasure and
PullMeasure abilities into a single Measure . |
class |
SimpleMeasure<Value>
SimpleMeasure is a basic implementation of Measure . |
class |
SimplePullMeasure<Value>
SimplePullMeasure is a basic implementation of PullMeasure . |
class |
SimplePushMeasure<Value>
SimplePushMeasure is a basic implementation of PushMeasure . |
| Constructor and Description |
|---|
PullPushMeasure(PullMeasure<Value> pull,
PushMeasure<Value> push,
DescribedEntity reference)
|
| Modifier and Type | Interface and Description |
|---|---|
interface |
QualityIndicator<Evaluate,Result> |
| Modifier and Type | Class and Description |
|---|---|
class |
Epsilon<S extends Solution<?>>
This class implements the unary epsilon additive indicator as proposed in E.
|
class |
ErrorRatio<Evaluate extends List<? extends Solution<?>>>
The Error Ratio (ER) quality indicator reports the ratio of solutions in a front of points
that are not members of the true Pareto front.
|
class |
GeneralizedSpread<S extends Solution<?>>
This class implements the generalized spread metric for two or more dimensions.
|
class |
GenerationalDistance<S extends Solution<?>>
This class implements the generational distance indicator.
|
class |
GenericIndicator<S>
Abstract class representing quality indicators that need a reference front to be computed
|
class |
Hypervolume<S>
This interface represents implementations of the Hypervolume quality indicator
|
class |
InvertedGenerationalDistance<S extends Solution<?>>
This class implements the inverted generational distance metric.
|
class |
InvertedGenerationalDistancePlus<S extends Solution<?>>
This class implements the inverted generational distance metric plust (IGD+)
Reference: Ishibuchi et al 2015, "A Study on Performance Evaluation Ability of a Modified
Inverted Generational Distance Indicator", GECCO 2015
|
class |
R2<Evaluate extends List<? extends Solution<?>>>
TODO: Add comments here
|
class |
SetCoverage
Set coverage metric
|
class |
Spread<S extends Solution<?>>
This class implements the spread quality indicator.
|
| Modifier and Type | Class and Description |
|---|---|
class |
PISAHypervolume<S extends Solution<?>>
This class implements the hypervolume indicator.
|
class |
WFGHypervolume<S extends Solution<?>>
Created by ajnebro on 2/2/15.
|
| Modifier and Type | Interface and Description |
|---|---|
static interface |
SolutionBuilder.Variable<Solution,Value>
A
SolutionBuilder.Variable represents the fundamental information of a set of
homogeneous Solution s (e.g. |
static interface |
SolutionEvaluator.Objective<Solution,Value>
An
SolutionEvaluator.Objective represents the evaluation information of a set of
homogeneous Solution s (e.g. |
| Modifier and Type | Class and Description |
|---|---|
class |
DescribedEntitySet<Entity extends DescribedEntity> |
| Modifier and Type | Class and Description |
|---|---|
class |
SimpleDescribedEntity
SimpleDescribedEntity is a basic implementation of
DescribedEntity . |
Copyright © 2018. All rights reserved.


Unity Overlay Toolkit
- h -
handlers :
UnityEngine.Networking.NetworkClient
,
UnityEngine.Networking.NetworkServer
,
UnityEngine.Networking.NetworkServerSimple
hasAuthority :
UnityEngine.Networking.NetworkBehaviour
,
UnityEngine.Networking.NetworkIdentity
hasChanged :
TMPro.TextContainer
hashCode :
TMPro.TMP_SpriteCharacter
,
TMPro.TMP_Style
havePropertiesChanged :
TMPro.TMP_Text
height :
TMPro.TextContainer
Hint :
Hoard.MVC.ExportAccount
,
Hoard.MVC.ImportAccount
horizontalMapping :
TMPro.TMP_Text
hostId :
UnityEngine.Networking.NetworkDiscovery
hostMigration :
UnityEngine.Networking.NetworkMigrationManager
hostPort :
UnityEngine.Networking.NetworkClient
hostTopology :
UnityEngine.Networking.NetworkClient
,
UnityEngine.Networking.NetworkServer
,
UnityEngine.Networking.NetworkServerSimple
hostWasShutdown :
UnityEngine.Networking.NetworkMigrationManager
Generated by
1.8.17


Home
About Us
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Website Team
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❮
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TODO write content


{%- extends "base.html" %} {% import "bootstrap/utils.html" as utils %} {% block content %}
When should pocket money be added?
| Child | Amount | Description | Frequency | Delete Schedule | {% for row in rows %}
| {{row["child"]}} | {{row["amount"]}} | {{row["description"]}} | {{row["frequency"]}} | Delete Entry |


Aroma Stretch Course
Aroma Stretch is a combination of Stretch Exercise with Aromatherapy. It is the ideal balance of body and mind, improving health and enhancing body movements. This class uses Essential Senses to aid in stress and mood management.
DanceAromatherapyHealth & FitnessStarting 17 Jul 2019,
Every Wednesday
9.00 am — 11.00am
Ang Mo Kio CC
About
Aroma Stretch is a combination of Stretch Exercise with Aromatherapy. It is the ideal balance of body and mind, improving health and enhancing body movements. This class uses Essential Senses to aid in stress and mood management.
About the trainer
4 years experience
Specialises in Yoga Stretch, Pilates 101, Pilates 201
Teaches at Ang Mo Kio CC, Toa Payoh CC
Jacinta Wee
Jacinta Wee has been conducting wellness related programs with People’s Association since 1993. A fitness trainer with a degree in Psychology, and having worked with groups of varying ages and levels of fitness, there is no lack of creativity in Jacinta programs. Jacinta aimed to develop programs that enhance participants› workout experience through brain-stimulating and pro-active learning.
Things to note
- Pre-requisite: No pre-requisite
- Requirements: All students are required to bring along their own yoga mat for this class.
- Cancellation policy: Once class starts, no cancellation or refund will be made.
Reviews
Jasmine Yeo
Reviewed on 25/03/2019Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
Christabel Wee
Reviewed on 25/03/2019Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
Photos
Venue and amenities
Shower facilites
WiFi
F&B
FAQs
3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
Aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.


PASTA
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
ANTIPASTO
Contrary to popular belief, Lorem Ipsum is not simply random text.  Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature, discovered the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et Malorum" (The Extremes of Good and Evil) by Cicero, written in 45 BC. This book is a treatise on the theory of ethics, very popular during the Renaissance. The first line of Lorem Ipsum, "Lorem ipsum dolor sit amet..", comes from a line in section 1.10.32.
PIZZA
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text, and a search for 'lorem ipsum' will uncover many web sites still in their infancy. Various versions have evolved over the years, sometimes by accident, sometimes on purpose (injected humour and the like).
DESERT
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable. If you are going to use a passage of Lorem Ipsum, you need to be sure there isn't anything embarrassing hidden in the middle of text. All the Lorem Ipsum generators on the Internet tend to repeat predefined chunks as necessary, making this the first true generator on the Internet. It uses a dictionary of over 200 Latin words, combined with a handful of model sentence structures, to generate Lorem Ipsum which looks reasonable. The generated Lorem Ipsum is therefore always free from repetition, injected humour, or non-characteristic words etc.


hiddenimports = ["PySide2.QtCore"]
// Network Bearer Management in qt 4.7+
binaries = qt_plugins_binaries("bearer", namespace="PySide2")
// the SSL libraries are dynamically loaded, implying they exist in
// the system path. Include these.
(getfullnameof("libeay32.dll"), os.path.join(*rel_data_path)),
(getfullnameof("ssleay32.dll"), os.path.join(*rel_data_path)),
]


{% extends 'base.html'%} {% block content %}
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Members get 50% more points, so register today and start earning points for savings on great rewards!
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Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat.


It’s been a while since I’ve maintained a blog seriously. After flirting with Ghost, Medium and even Github’s gists, I settled on Jekyll for its ease of use and customization. This is going to be a more of a braindump, somewhere between Twitter and Medium.
Like most Jekyll blog this too is hosted on Github. You can view the source here. The design is originally from Tom Preston-Werner. I forked the original repo and made some minor changes.


| About Dailyrotten |
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Feedback
If you like this page, hate it, or would like to suggest changes,
<EMAIL_ADDRESS>is listening. This page
is experimental and somewhat different from what we usually offer, so please
do send your feedback.
Adding Stories
If you are a rotten newshound and you would like to suggest a story,
visit our submit page to
send us the URL. Stories that are accepted will have your name credited.
Posting Comments
In order to post comments to stories, you will have to
create an account.
Accounts will generally be validated within 24 hours, and of
course will be disabled if there is abuse.
Viewership
On the first full day this page went live, 100,000 people visited this Rotten
News page. Of course that was the day after the WTC attacks, so that number is
somewhat distorted. Right now this page gets between 50,000 and 75,000 people
every day.
Linking
We encourage everyone to link to this page; if you like it, others probably
will as well.
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Make Dailyrotten your start page
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July 07, 2002
Parrot warns of fire, man leaves parrot to burn
Straits Times | Submitted by: TastyArmageddon
In a "pet saves owner's life" story with a sad but hilarious ending,
Heung Wah Bor was awoken early friday morning by his pet parrots screams,
alerting him to the fire in his bedroom. Mr Heung Wah Bor quickly ran out
of the residence, sans hero-parrot, who later died in the fire that ended
up destroying the whole apartment complex. Great picture of the dead
parrot included.
|
|
Read article...
|
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Quayle Museum averages 12 daily visitors
Los Angeles Times | Submitted by: JON BLAST
"The [Quayle] museum, which is housed in an old Christian Science Church,
drew an all-time high of 4,400 visitors in 2001 and, with the new summer
season barely under way, Johns said the count is roughly 1,000 ahead of
last year's pace."   Well, I love that truck."
|
|
Read article...
|
|
End of the World in fifty years
Guardian | Submitted by: BlackRaiser
It's Official: The earth's natural resources will be gone in 50 years.
Water discovered below Mars surface may be the reason for an upcoming space
war. But the big flaw in this article is that it assumes technology will remain
at a standstill, not taking into account nanotechnology or any equivalent
revolution. A quick look at a 1950 Popular Mechanics will tell you just how
wrong these people will be in their prediction.
|
|
Read article...
|
|
You got explosives in my peanut butter
Miami Herald | Submitted by: Florida Ethnarch
The latest feel-good "national security" developments: airports are being
outfitted with explosive detectors that are routinely fooled by common
substances such as chocolate and peanut butter. But you can be sure
somebody's making a bundle selling these devices to our government.
Mmmmm delicious C4...
|
|
Read article...
|
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Pope urges youth to remain chaste
Newsday | Submitted by: Florida Ethnarch
No, this isn't a joke headline. Does the Pontiff mean kids should avoid
the confession booth and keep their distance from priests and the bishops
who cover up for them? Is anyone urging priests to remain chaste?
What will they use in the place of smooth nubile altarboys? The irony is
just too powerful to ignore, and it's further proof that the Pope is totally
out of it (and probably died early in 2001 -- how many years can he go on
becoming "increasingly frail"?)
|
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Read article...
|
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Boy who twice faked drowning dies in pool
Centre Daily | Submitted by: JuTravler
"Tim Ungard, who was at the pool party, said he twice pulled John out of
the pool Thursday after the boy faked drowning. 'He would yell, HELP. Then
he would go under the water and then he would come back up. I would pick
him up out of the water, and I would ask him, ARE YOU OK? And he would
say, Yeah, I'm just playing around. I'm playing like I'm drowning."
|
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Read article...
|
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Dead today, cloned baseball player tomorrow
Sports Illustrated | Submitted by: Zeffield
"My father's body was put on a plane yesterday with people from Alcor,"
Ferrell said, referring to Alcor Life Extension Foundation, a provider of
cryonics services... "My father's body was picked up yesterday, transported
to Ocala and he was accompanied by a Mr. David Hayes of Alcor to Scottsdale."
If Ted Williams' head IS frozen, it will be stored next to the
cryogenically frozen head of Walt Disney, and perhaps without the express
written consent of the Commissioner of Baseball.
|
|
Read article...
|
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Holland to tighten up?
Straits-Times | Submitted by: Soylent
Not everyone understands that the very reason for Holland's prosperity
has been its tradition of tolerance and individual liberty. Among those that
do not understand it are many of the Dutch themselves. Its newly forming
government is considering removing a number of the popular liberties, the
very liberties that now make Amsterdam a popular destination and role
model for progressive cities everywhere.
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Read article...
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Hitlerhaus now a Coffinhaus
Wire Services | Submitted by: Soylent
"This year, the house where Adolf Hitler lived for six years until
age 15 was becoming a safety hazard. A decision had to be made: Renovate
it or tear it down? [Mayor Sperl] got the town council to approve a
plan to renovate the house, leave it unidentified and use it to warehouse
coffins for the nearby cemetery."
|
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Read article...
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Daily Rotten illegal
Wire Services | Submitted by: Soylent
This story previously appeared only in Danish, but here is a wire service
rewrite of it in English. A court in Denmark has seen fit to basically
outlaw the entire World Wide Web, understanding neither the technology nor
the culture behind the new medium.  But that was before they became
owned by giant, uncaring conglomerates.
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Read article...
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Streaking at Wimbledon
BBC | Submitted by: Ann Onymous
"With men's finalists Lleyton Hewitt and David Nalbandian just back on court
after a 15-minute rain delay, one bored spectator (it was getting a bit one
sided) decided to play his very own Centre Court exhibition match...
As divertingly different as this all was, the biggest eye-opener was the sight
of Wimbledon's security staff attempting to cover the frolicking nude with
large red capes - it simply cried out for shouts of 'Ole!' from the crowd."
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Read article...
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001/* 002 * Licensed to the Apache Software Foundation (ASF) under one 003 * or more contributor license agreements. See the NOTICE file 004 * distributed with this work for additional information 005 * regarding copyright ownership. The ASF licenses this file 006 * to you under the Apache License, Version 2.0 (the 007 * "License"); you may not use this file except in compliance 008 * with the License. You may obtain a copy of the License at 009 * 010 * http://www.apache.org/licenses/LICENSE-2.0 011 * 012 * Unless required by applicable law or agreed to in writing, 013 * software distributed under the License is distributed on an 014 * "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY 015 * KIND, either express or implied. See the License for the 016 * specific language governing permissions and limitations 017 * under the License. 018 */ 019package org.apache.shiro.realm; 020 021import org.apache.shiro.authc.LogoutAware; 022import org.apache.shiro.cache.CacheManager; 023import org.apache.shiro.cache.CacheManagerAware; 024import org.apache.shiro.subject.PrincipalCollection; 025import org.apache.shiro.util.CollectionUtils; 026import org.apache.shiro.util.Nameable; 027import org.slf4j.Logger; 028import org.slf4j.LoggerFactory; 029 030import java.util.Collection; 031import java.util.concurrent.atomic.AtomicInteger; 032 033 034/** 035 * A very basic abstract extension point for the {@link Realm} interface that provides caching support for subclasses. 036 *
 037 * It also provides a convenience method, 038 * {@link #getAvailablePrincipal(org.apache.shiro.subject.PrincipalCollection)}, which is useful across all 039 * realm subclasses for obtaining a realm-specific principal/identity. 040 *
 041 * All actual Realm method implementations are left to subclasses. 042 * 043 * @see #clearCache(org.apache.shiro.subject.PrincipalCollection) 044 * @see #onLogout(org.apache.shiro.subject.PrincipalCollection) 045 * @see #getAvailablePrincipal(org.apache.shiro.subject.PrincipalCollection) 046 * @since 0.9 047 */ 048public abstract class CachingRealm implements Realm, Nameable, CacheManagerAware, LogoutAware { 049 050 private static final Logger log = LoggerFactory.getLogger(CachingRealm.class); 051 052 //TODO - complete JavaDoc 053 054 private static final AtomicInteger INSTANCE_COUNT = new AtomicInteger(); 055 056 /*-------------------------------------------- 057 | I N S T A N C E V A R I A B L E S | 058 ============================================*/ 059 private String name; 060 private boolean cachingEnabled; 061 private CacheManager cacheManager; 062 063 /** 064 * Default no-argument constructor that defaults 065 * {@link #isCachingEnabled() cachingEnabled} (for general caching) to {@code true} and sets a 066 * default {@link #getName() name} based on the class name. 067 *
 068 * Note that while in general, caching may be enabled by default, subclasses have control over 069 * if specific caching is enabled. 070 */ 071 public CachingRealm() { 072 this.cachingEnabled = true; 073 this.name = getClass().getName() + "_" + INSTANCE_COUNT.getAndIncrement(); 074 } 075 076 /** 077 * Returns the <tt>CacheManager</tt> used for data caching to reduce EIS round trips, or <tt>null</tt> if 078 * caching is disabled. 079 * 080 * @return the <tt>CacheManager</tt> used for data caching to reduce EIS round trips, or <tt>null</tt> if 081 * caching is disabled. 082 */ 083 public CacheManager getCacheManager() { 084 return this.cacheManager; 085 } 086 087 /** 088 * Sets the <tt>CacheManager</tt> to be used for data caching to reduce EIS round trips. 089 *
 090 * This property is <tt>null</tt> by default, indicating that caching is turned off. 091 * 092 * @param cacheManager the <tt>CacheManager</tt> to use for data caching, or <tt>null</tt> to disable caching. 093 */ 094 public void setCacheManager(CacheManager cacheManager) { 095 this.cacheManager = cacheManager; 096 afterCacheManagerSet(); 097 } 098 099 /** 100 * Returns {@code true} if caching should be used if a {@link CacheManager} has been 101 * {@link #setCacheManager(org.apache.shiro.cache.CacheManager) configured}, {@code false} otherwise. 102 *
 103 * The default value is {@code true} since the large majority of Realms will benefit from caching if a CacheManager 104 * has been configured. However, memory-only realms should set this value to {@code false} since they would 105 * manage account data in memory already lookups would already be as efficient as possible. 106 * 107 * @return {@code true} if caching will be globally enabled if a {@link CacheManager} has been 108 * configured, {@code false} otherwise 109 */ 110 public boolean isCachingEnabled() { 111 return cachingEnabled; 112 } 113 114 /** 115 * Sets whether or not caching should be used if a {@link CacheManager} has been 116 * {@link #setCacheManager(org.apache.shiro.cache.CacheManager) configured}. 117 * 118 * @param cachingEnabled whether or not to globally enable caching for this realm. 119 */ 120 public void setCachingEnabled(boolean cachingEnabled) { 121 this.cachingEnabled = cachingEnabled; 122 } 123 124 public String getName() { 125 return name; 126 } 127 128 public void setName(String name) { 129 this.name = name; 130 } 131 132 /** 133 * Template method that may be implemented by subclasses should they wish to react to a 134 * {@link CacheManager} instance being set on the realm instance via the 135 * {@link #setCacheManager(org.apache.shiro.cache.CacheManager)} mutator. 136 */ 137 protected void afterCacheManagerSet() { 138 } 139 140 /** 141 * If caching is enabled, this will clear any cached data associated with the specified account identity. 142 * Subclasses are free to override for additional behavior, but be sure to call {@code super.onLogout} first. 143 *
 144 * This default implementation merely calls {@link #clearCache(org.apache.shiro.subject.PrincipalCollection)}. 145 * 146 * @param principals the application-specific Subject/user identifier that is logging out. 147 * @see #clearCache(org.apache.shiro.subject.PrincipalCollection) 148 * @see #getAvailablePrincipal(org.apache.shiro.subject.PrincipalCollection) 149 * @since 1.2 150 */ 151 public void onLogout(PrincipalCollection principals) { 152 clearCache(principals); 153 } 154 155 private static boolean isEmpty(PrincipalCollection pc) { 156 return pc == null || pc.isEmpty(); 157 } 158 159 /** 160 * Clears out any cached data associated with the specified account identity/identities. 161 *
 162 * This implementation will return quietly if the principals argument is null or empty. Otherwise it delegates 163 * to {@link #doClearCache(org.apache.shiro.subject.PrincipalCollection)}. 164 * 165 * @param principals the principals of the account for which to clear any cached data. 166 * @since 1.2 167 */ 168 protected void clearCache(PrincipalCollection principals) { 169 if (!isEmpty(principals)) { 170 doClearCache(principals); 171 log.trace("Cleared cache entries for account with principals [{}]", principals); 172 } 173 } 174 175 /** 176 * This implementation does nothing - it is a template to be overridden by subclasses if necessary. 177 * 178 * @param principals principals the principals of the account for which to clear any cached data. 179 * @since 1.2 180 */ 181 protected void doClearCache(PrincipalCollection principals) { 182 } 183 184 /** 185 * A utility method for subclasses that returns the first available principal of interest to this particular realm. 186 * The heuristic used to acquire the principal is as follows: 187 *
 188 *
Attempt to get this particular Realm's 'primary' principal in the {@code PrincipalCollection} via a 189 * principals.{@link PrincipalCollection#fromRealm(String) fromRealm}({@link #getName() getName()}) 190 * call.
 191 *
If the previous call does not result in any principals, attempt to get the overall 'primary' principal 192 * from the PrincipalCollection via {@link org.apache.shiro.subject.PrincipalCollection#getPrimaryPrincipal()}.
 193 *
If there are no principals from that call (or the PrincipalCollection argument was null to begin with), 194 * return {@code null}
 195 *
 196 * 197 * @param principals the PrincipalCollection holding all principals (from all realms) associated with a single Subject. 198 * @return the 'primary' principal attributed to this particular realm, or the fallback 'master' principal if it 199 * exists, or if not {@code null}. 200 * @since 1.2 201 */ 202 protected Object getAvailablePrincipal(PrincipalCollection principals) { 203 Object primary = null; 204 if (!isEmpty(principals)) { 205 Collection thisPrincipals = principals.fromRealm(getName()); 206 if (!CollectionUtils.isEmpty(thisPrincipals)) { 207 primary = thisPrincipals.iterator().next(); 208 } else { 209 //no principals attributed to this particular realm. Fall back to the 'master' primary: 210 primary = principals.getPrimaryPrincipal(); 211 } 212 } 213 214 return primary; 215 } 216}


The graphical appearance of a DisplayEntity and its subclasses is determined by its DisplayModel. The two objects work together to generate an object's display. In general, the DisplayEntity determines what is displayed, while its DisplayModel determines how it is displayed. A number of different subclasses of DisplayModel are available to match the various subclasses of DisplayEntity.
For example, the Text and TextModel objects work together to display text: the text to be displayed is determined by the Text object, while the style of the displayed text (font, bold, italics, colour, etc.) is determined by the TextModel. In this case, the TextModel plays the same role as a text style in word processing software. Users can ensure that the same text style is used for multiple Text objects by sharing the same TextModel between all these objects.
One DisplayModel can be shared between multiple DisplayEntities. This is an essential feature for the case of complex 3D content built from millions of triangles. In this case, a ColladaModel (a subclass of DisplayModel) stores 3D information that can be shared between multiple DisplayEntities. The 3D content is loaded and stored only once, even though it is displayed many times in various locations.
Although DisplayModels determine the appearance of a DisplayEntity, the DisplayModel has no graphics itself and therefore cannot be dragged and dropped in the normal manner. To create a new DisplayModel, simply duplicate an existing DisplayModel. JaamSim starts with a pre-defined example of each type of DisplayModel that can be used for this purpose. Duplicate an existing DisplayModel by right-clicking its entry in the Object Selector and selecting Duplicate, then edit its keyword values and name as necessary.
A selection of DisplayModels can be found in the Display Models palette in the Object Selector. Each type of DisplayModel is intended for specific types of DisplayEntities.
Types of DisplayModel
|
DisplayModel |
Description |
Usage |
|
TextModel |
A text style (font, colour, etc.). |
Text, OverlayText, BillboardText, and OverlayClock objects. |
|
PolylineModel |
A series of line segments connected by nodes. |
Selected sub-classes of DisplayEntity such as Polyline, Arrow, EntityConveyor, and EntityDelay. |
|
ShapeModel |
A flat geometric object such as a circle or rectangle. |
DisplayEntity and all its sub-classes. |
|
ImageModel |
An imported picture. |
DisplayEntity and all its sub-classes. |
|
ColladaModel |
An imported 3D object. |
DisplayEntity and all its sub-classes. |
|
GraphModel |
Formatting inputs for graphs. |
Graph object. |
All of these DisplayModel objects have the same Graphics keywords that control optional rendering and scaling at different drawing ranges.
DisplayModel Inputs
|
Keyword |
Description |
|
Graphics |
|
|
VisibleViews |
A list of Views for which this DisplayModel is shown. If empty, the model appears on all Views. |
|
DrawRange |
A list of two values for the minimum and maximum distance from the camera this object is visible. |
|
ModelScale |
A list of three multiplicative factors by which to scale the model in the x, y and z dimensions respectively. |


To attain GS1 barcodes for your business you will need to join as a member. By becoming a member you have access to our unique range of barcode numbers, support, training and much more.
Are you already a GS1 member?
Contact the member service desk to assist you with:
Getting more numbers (GTINs,GLNs,Additional Prefix)
Update company information such as turnover, contacts e.t.c
Request for training and consultancy
Are you new to GS1?
This is what you will need to provide:
Your company certificate of registration or incorporation
KRA pin Certificate
For Sole Proprietorships, also attach I.D.
List of products you would want to begin bar-coding


LONG TIME SINCE (director/writer/editor: Jay Anania; cinematographer: Oliver Bokelberg; cast: Jeff Webster (Cyril Troy), Julianne Nicholson (Phoebe), Julian Sands (Michael James), Paulina Porizkova (Diane Thwaite), Pascale Roger (assistant); Runtime: 89; Lucius Films; 1997)
Reviewed by Dennis Schwartz
This is the first film to go from a Super-16 original to HDTV and then to a 35mm negative. It was shown at the 1998 Toronto Film Festival.
Jay Anania's second feature is a very cold, intellectual film that asks the question: Can we have a memory of what we only imagined? This is a mystery puzzler without much emotional impact or much of a payoff. It's imitative in its minimalist style of a Robert Bresson film. It was intent on saying something, but you would have to be a mind reader to know what it wanted to say.
The film opens on New Year's Eve, 1971. Robert Burn's Auld Lang Syne is playing on the car radio and Diane Thwaite (Paulina Porizkova, ex-supermodel) is on a rural road where she suddenly hits something with her car, and before she can be certain of that she faints. She is troubled that she thinks she hears a baby crying. This is something that will haunt her the rest of her life.
It's now 24 years later, and the ice cold, blonde beauty, Diane, is in NYC working as a noted illustrator of plant specimens for technical science books. She has a robotic love relationship with one of her colleagues at the foundation, Cyril Troy (Jeff Webster), who can't tell her what research he's doing in his study of man. He tells her some abstract tale about a man who drowned while reaching for his reflection.
For the first time since the accident she begins to have dreams and when she hears Auld Lang Syne on the radio, thoughts keep coming back to her: as she makes entries of them, does sketches of the faces she sees, leaves phone messages of her dreams on her boyfriend's phone, tells her hypnotherapist about them, requests hypnosis, and forms an impression that something evil happened that fatal night. It is out of the blue that her memory just comes back to her, as she tells her therapist that the evil is not the shooting by a man of a woman but something that she feels is greater than that; it is something deeper that occurred on the side of the road on that fatal New Year's Eve. Though, she still is not certain if what she envisions is a dream or a memory.
Warning: spoiler to follow.
Into the picture enters mystery man, Michael James (Julian Sands), who it turns out is the husband of a woman and baby reported missing around the time of Diane's car crash. When Diane's sleuth work tracks him down as the husband of the missing woman, she meets him in his NYC workplace and the mystery unravels. He tells how his unfaithful wife was shot by another man, who was her lover, and how the baby was taken away in a van. When she travels upstate in New York, she meets a small-town waitress named Phoebe (Julianne Nicholson), who tells her she was adopted at a young age and that she doesn't know who her parents are or where she was born. Diane gets as warm and cuddly as she possibly can get and offers the young lady a NYC job as her assistant. In her diary entry she writes: I met someone today. But I guess she also lost someone, because silent Cyril changed jobs and locations, and leaves her a phone message that he's gone.
To go along with the somber and ridiculously serious tone of the movie, there are moody vocals by Judy Kuhn. The film's cinematic style is eye-catching and seems to be what the film was all about, but the acting and the story itself felt forced.
REVIEWED ON 7/2/2001 GRADE: C
Dennis Schwartz: "Ozus' World Movie Reviews"
© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Fore furl holystone mutiny lugsail hempen halter Brethren of the Coast Corsair. Loaded to the gunwalls lookout brig hands blow the man down case shot jolly boat hempen halter. Gun gunwalls chase guns furl hornswaggle dance the hempen jig yard hail-shot. Pressgang quarterdeck prow lugger spanker fluke broadside reef.
Hempen halter me gangplank snow smartly boom fire ship aft. Rope's end draught interloper schooner ho wench jury mast lateen sail. Pillage lanyard nipperkin plunder crack Jennys tea cup hogshead chantey mizzenmast. Spanker blow the man down Buccaneer Sail ho rum tender warp brigantine.
Man-of-war booty brigantine fire ship tack no prey, no pay wherry lee. Reef heave to line chandler fore cable smartly me. Avast list spanker Arr fathom American Main lookout grapple. Jolly boat black spot chandler list chantey pinnace brig Yellow Jack.
Chantey Davy Jones' Locker snow jib careen galleon Admiral of the Black lass. Rum booty heave to grog hempen halter gangway long clothes wherry. Mutiny chase Sea Legs grapple crow's nest wherry jury mast lateen sail. Hogshead clap of thunder loot port swing the lead run a rig booty Chain Shot.
Line Corsair haul wind pink provost hardtack keelhaul hang the jib. Splice the main brace matey hornswaggle strike colors run a shot across the bow cackle fruit hang the jib jack. Sheet bounty wherry nipperkin belay flogging Chain Shot main sheet. Lad Spanish Main barque port smartly Chain Shot deadlights Jack Ketch.
Flogging heave down sloop me squiffy barkadeer loot chantey. Ye spike port lugsail belaying pin nipperkin loot yardarm. Prow gangplank six pounders chase guns pressgang chandler Shiver me timbers piracy.


Introduction
This is to teach how to apply video in your code.
there are many ways to add video in your page, this lesson will be showing you the way by which you can add video to your page and make it relative to the size of the webpage
Iframe

what aretags and what are their purpose?
think of iframe tags as a window to another webpage, but only the content that you want to use
things that are in iframes on your page are just showing things from another webiste that you wanted to grab it from and only appending it to your webpage
when adding a video to a website with an iframe, it's going to want to display in a very odd way and mess things up and you know, make things frustrating.
which is where containers are going to come in handy
Containers

hello, welcome to the container section my dude.
when you make a website, you add your content you want to the site and then when your wanting it to look you know, exciting and cool. containers will come in handy it's like MS Word but for websites...that's a bad example.
containers are really good at allowing you to style your content by centering it, adding margins and shifting text or other content like pictures and video.
Solution
the problem is that when adding video to a page, it looks really bad, and stying the iframe itself is hard in CSS, so were going to add the iframe in a containerand it's going to act like Inception the movie but in code. ;)
example 1, adding the video in an iframe and that, in it's own container in HTML ok?

here is what the CSS portion of example 1 looks like. it's targeting the iframe or class of that container
.videoWrapper iframe {
position: absolute;
top: 0;
left: 0;
width: 100%;
height: 100%;
}
here is what the parent container looks like. notice that it's targeting the container as a whole, but not the class
.videoWrapper {
position: relative;
padding-bottom: 56.25%; /* 16:9 */
padding-top: 25px;
height: 0;
}
Summary
what we covered
we went over what iframe tags and what they generally do, in that they help us see content linked to our sweet page from other cool web pages
containers and how they are pretty useful with making our content look like it didn't come from the 1990's, so that's nice.


The Selection tab allows you to select which values should be included in the log. The window below corresponds to the following circuit.
The tab is divided into three vertical areas. The first (leftmost) is a list of all components in the circuit whose values can be logged. Among the built-in libraries, the following types of components support logging.
Wiring library: Pin, Probe, and Clock componentsFor components which have labels associated with them, their names correspond to the labels; other components' names specify their type and their location within the circuit. Any subcircuits will also appear in the list; they cannot be selected for logging, but eligible components within them can be. Note that the RAM component requires you to choose which memory address(es) should be logged; it allows logging only for the first 256 addresses.
I/O library: Button and LED components
Memory library: All components except ROM
The last (rightmost) vertical area lists those components that have been selected. Also, it indicates the radix (base) in which the component's multi-bit values will be logged; the radix does not have a significant effect on one-bit values.
The middle column of buttons allows the manipulation of the items within the selection.
Next: The Table tab.


You should use github to store your code because it could be a lifesaver if you have mishaps with changes and/or upgrades to your projects. And also it could be a lifesafer if a server goes down and takes your files with it, github could give you a way to recover the files, by starting with a fresh copy.
You should use github to store your code because it could be a lifesaver if you have mishaps with changes and/or upgrades to your projects. And also it could be a lifesafer if a server goes down and takes your files with it, github could give you a way to recover the files, by starting with a fresh copy. You should use github to store your code because it could be a lifesaver if you have mishaps with changes and/or upgrades to your projects. And also it could be a lifesafer if a server goes down and takes your files with it, github could give you a way to recover the files, by starting with a fresh copy.
You should use github to store your code because it could be a lifesaver if you have mishaps with changes and/or upgrades to your projects. And also it could be a lifesafer if a server goes down and takes your files with it, github could give you a way to recover the files, by starting with a fresh copy. You should use github to store your code because it could be a lifesaver if you have mishaps with changes and/or upgrades to your projects. And also it could be a lifesafer if a server goes down and takes your files with it, github could give you a way to recover the files, by starting with a fresh copy.


Rectilinear motion simulator
mo7akate (محاكاة) mean simulation, this website is a simpl simulation of a rectilinear motion of toy car on a table, where you can change the car weight, the time and get the graph of the velocity and the distence. I created this projecte because I am a physics teacher in high school.
- Client: my self
- Date: march/2018
- Link: http://mo7akate.tk/
MI-Talent
This website is designed by tranmautritam, because I am not good with designing a website. I use free design to practice pixel perfect PSD to HTML.
- Client: my self
- Date: december/2018
- Link: https://mi-talent.ml/
Abdelhamid Benbadis
It is a website created for the freeCodeCamp challenge (build a Tribute page). In this challenge I try to use only html and css that I learned in the course.
- Client: my self
- Date: november/2018
- Link: https://abdelhamidbenbadis.tk/


65 VI. Procedures as Data A. Call and Run In the for block example above, the input named action has been declared as type “Command (C-shaped)”; that’s why the finished block is C-shaped. But how does the block actually tell Snap ! to carry out the commands inside the C-slot? Here is a simple version of the block script: This is simpliﬁed because it assumes, without checking, that the ending value is greater than the starting value; if not, the block should (depending on the designer’s purposes) either not run at all, or change the variable by −1 for each repetition instead of by 1. The important part of this script is the run block near the end. This is a Snap ! built-in command block that takes a Command-type value (a script) as its input, and carries out its instructions. (In this example, the value of the input is the script that the user puts in the C-slot of the my for block.) There is a similar call reporter block for invoking a Reporter or Predicate block. The call and run blocks are at the heart of Snap ! ’s ﬁrst class procedure feature; they allow scripts and blocks to be used as data—in this example, as an input to a block— and eventually carried out under control of the user’s program. Here’s another example, this time using a Reporter-type input in a map block (see page 50): Here we are calling the Reporter “multiply by 10” three times, once with each item of the given list as its input, and collecting the results as a list. (The reported list will always be the same length as the input list.) Note that the multiplication block has two inputs, but here we have speciﬁed a particular value for one of them (10), so the call block knows to use the input value given to it just to ﬁll the other (empty) input slot in the multiplication block. In the my map deﬁnition, the input function is declared to be type Reporter, and data is of type List. Call/Run with inputs The call block (like the run block) has a right arrowhead at the end; clicking on it adds the phrase “with inputs” and then a slot into which an input can be inserted:


--- title: "Open SoC Debug" ---
Open SoC Debug is a new project co-managed by the OpTiMSoC and lowRISC projects with the mission to establish a repository of common SoC debug components. While our original focus is on hardware building blocks and their interface on the debug host, we highly welcome debug software developers to broaden the scope of Open SoC Debug.
' | remove: '
'}} {% if post.excerpt != post.content %} Read more {% endif %}We are still at early phases of Open SoC Debug. Please feel free to contact us if you are interested in the project or want to participate or join our mailing list:


Jon Anderson early years book out in December
by https://www.facebook.com/progRare early Anderson demos to be released with paperback version next year...
Jon Anderson is the subject of a brand new book by Yes author David Watkinson which explores the singer's early years and his time with pre-Yes band The Warriors.
Jon Anderson And The Warriors: The Road To Yes will be published by Sonicbond on December 13 and will retail for £25.
'We all know Jon Anderson as the voice of progressive rock music and Yes, but the source of his driving force is a story that has been largely untold," Watkinson tells Prog. "The excitement at finding new history, music and stories about him was the key to this mammoth project. This was an important and creative time for Jon, one which he, himself, recognises helped him to go on to create Yes music. I am happy that I finally have the opportunity to share all this knowledge and imagery with fans. I hope everyone enjoys it!"
Initially, the book will only be available only in a limited hardback edition of 250, priced £25. All copies will be numbered and signed by the author, David Watkinson, and will be made exclusively available via Burning Shed. The book is 224 pages and features over 200 photographs, most unseen for over 50 years. A paperback edition will be published in Europe on March 27th 2020, and June 26th in the USA. This later edition will be available via all normal bookselling channels and as an E-book.
To tie in with the paperback edition in March, Jon Anderson and The Warriors - The Lost Demos will be released in very limited edition on both coloured and in standard black vinyl as a picture sleeve seven inch EP. It features seven tracks from 1964 and 1967 featuring Jon alongside drummer Ian Wallace - later of King Crimson. It will be available through Burning Shed on Plane Groovy Records. Some of these tracks were mastered by at Abbey Road Studios under the supervision of Watkinson.


Robo Resume Application
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I am a Front End/Full Stack Web Developer with previous experience in web site development,
data management, and video/audio production. I have an eye for creativity, a skill for analyzing data and a the strong drive to provide excellence. I have a BA Degree in Radio/TV Communications from the University of Central Florida, and am also CompTIA A+, Net+, and HFMA CRCR Certified.
1996-2005: Studied Journalism, Radio/TV Communications at West Orange High School and the University of Central Florida.
2001: Received a BA Degree in Radio/Television Communications.
Held several production internships at AMFM and Cox Media.
Worked as a student employee assisting production of the Coach's show, a UCF production.
1996-2004: Served in various roles including directing for several video production ministries.
2007-2010: Owned A Majestic Moments Digital Studios, a special event and wedding videography company.
2009-2017: Worked as a Medical Biller and in 2016 became HFMA CRCR Certified.
2009-2010: Received computer networking training from New Horizons Computer Learning Center and became CompTIA A+, Net+ Certified.
2014-2015: Worked as a Medical Biller and in 2016 became HFMA CRCR Certified.
Attended a 12 Week ASP.NET/C# Full Stack Web Developer Boot Camp at Coder Camps.


| A.mat | Additive relationship matrix |
| GWAS | Genome-wide association analysis |
| kin.blup | Genotypic value prediction based on kinship |
| kinship.BLUP | Genomic prediction by kinship-BLUP (deprecated) |
| mixed.solve | Mixed-model solver |
| rrBLUP | Ridge regression and other kernels for genomic selection |


Projects
{{project | annotation : 'description'}}
{{emptyMessage}}
To create a new project, run osc new-project <projectname>
To be added as an admin to an existing project, run osadm policy add-role-to-user admin {{user.metadata.name || '<YourUsername>'}} -n <projectname>


Spotify is currently testing the display of real-time lyrics during song playback
by Stephen LambrechtsSpotify is currently testing the display of real-time lyrics during song playback
Read along to your favorite songs
(Image credit: George Dolgikh / Shutterstock.com)
Spotify has dabbled in showing song lyrics during playback in the past, with its Behind the Lyrics feature being its most widely rolled out implementation to date – although it's more focused on discovering the meaning behind an artist's most tracks than the words themselves.
Now, the music streaming service is following in the footsteps of Apple Music by testing a new feature that brings complete, perfectly synced lyrics during song playback in its mobile app, as reported by TechCrunch.
- Apple Music vs Spotify: the music streaming titans go head-to-head
- Apple launches Spotify Wrapped-alike to highlight your favorite tunes of 2019
- Spotify Kids protects your child from explicit content
Numerous users in various international markets have taken to social media to post screenshots of the new feature in action, offering a look at the app's scrolling lyrics implementation.
As you can see from the logo in the image above, the functionality appears to be (at least in part) powered by the music data company Musixmatch, which is based out of Bologna, Italy but also has offices in San Francisco and London.
When reached for comment, a spokesperson for Spotify told the site, “We can confirm we are testing this feature in a small number of markets,” further stating that “we are always testing new products and experiences but have no further news to share at this time.”


| Home | ClipperLib |
Del.» TPolygons = array of TPolygon;
C++» typedef std::vector< Polygon > Polygons;
C#» using Polygons = List<List< IntPoint >>;
This structure encapsulates one or a number of outer and inner 'hole' Polygon contours (where inner polygon contours have an Orientation opposite that of outer contours).
Polygons can be passed to Clipper objects via the AddPolygons method.
The solution parameter in Clipper's overloaded Execute method can return either a Polygons structure or an ExPolygons structure.
ClipperBase.AddPolygons, Clipper.Execute, ExPolygons, IntPoint, Orientation, Polygon
Copyright ©2010-2011 Angus Johnson - Clipper version 4.6.3 - Help file built on 11-November-2011


|
AAX SDK
2.3.1
Avid Audio Extensions Development Kit
|
#include <AAX_CEffectGUI.h>
Default implementation of the AAX_IEffectGUI interface.
This class provides a default implementation of the AAX_IEffectGUI interface.
Public Member Functions | |
| AAX_CEffectGUI (void) | |
| virtual | ~AAX_CEffectGUI (void) |
Initialization and uninitialization | |
| virtual AAX_Result | Initialize (IACFUnknown *iController) AAX_OVERRIDE |
| Main GUI initialization. More... | |
| virtual AAX_Result | Uninitialize (void) AAX_OVERRIDE |
| Main GUI uninitialization. More... | |
AAX host and plug-in event notification | |
| virtual AAX_Result | NotificationReceived (AAX_CTypeID inNotificationType, const void *inNotificationData, uint32_t inNotificationDataSize) AAX_OVERRIDE |
| Notification Hook. More... | |
View accessors | |
| virtual AAX_Result | SetViewContainer (IACFUnknown *iViewContainer) AAX_OVERRIDE |
| Provides a handle to the main plug-in window. More... | |
| virtual AAX_Result | GetViewSize (AAX_Point *) const AAX_OVERRIDE |
| Retrieves the size of the plug-in window. More... | |
GUI update methods | |
| virtual AAX_Result | Draw (AAX_Rect *) AAX_OVERRIDE |
| DEPRECATED, Not called from host any longer. Your chosen graphics framework should be directly handling draw events from the OS. More... | |
| virtual AAX_Result | TimerWakeup (void) AAX_OVERRIDE |
| Periodic wakeup callback for idle-time operations. More... | |
| virtual AAX_Result | ParameterUpdated (AAX_CParamID paramID) AAX_OVERRIDE |
| Notifies the GUI that a parameter value has changed. More... | |
Host interface methods | |
Miscellaneous methods to provide host-specific functionality | |
| virtual AAX_Result | GetCustomLabel (AAX_EPlugInStrings iSelector, AAX_IString *oString) const AAX_OVERRIDE |
| Called by host application to retrieve a custom plug-in string. More... | |
| virtual AAX_Result | SetControlHighlightInfo (AAX_CParamID, AAX_CBoolean, AAX_EHighlightColor) AAX_OVERRIDE |
| Called by host application. Indicates that a control widget should be updated with a highlight color. More... | |
Private member accessors | |
| AAX_IController * | GetController (void) |
| Retrieves a reference to the plug-in's controller interface. More... | |
| const AAX_IController * | GetController (void) const |
| AAX_IEffectParameters * | GetEffectParameters (void) |
| Retrieves a reference to the plug-in's data model interface. More... | |
| const AAX_IEffectParameters * | GetEffectParameters (void) const |
| AAX_IViewContainer * | GetViewContainer (void) |
| Retrieves a reference to the plug-in's view container interface. More... | |
| const AAX_IViewContainer * | GetViewContainer (void) const |
| AAX_ITransport * | Transport () |
| Retrieves a reference to the plug-in's Transport interface. More... | |
| const AAX_ITransport * | Transport () const |
| AAX_EViewContainer_Type | GetViewContainerType () |
| Retrieves the Container and it's type. More... | |
| void * | GetViewContainerPtr () |
| Public Member Functions inherited from AAX_IEffectGUI | |
| ACF_DECLARE_STANDARD_UNKNOWN () ACFMETHOD(InternalQueryInterface)(const acfIID &riid | |
| AAX_DELETE (AAX_IEffectGUI &operator=(const AAX_IEffectGUI &)) | |
Initialization and uninitialization | |
AAX host and plug-in event notification | |
View accessors | |
GUI update methods | |
Host interface methods | |
Miscellaneous methods to provide host-specific functionality | |
| Public Member Functions inherited from IACFUnknown | |
| virtual BEGIN_ACFINTERFACE ACFRESULT ACFMETHODCALLTYPE | QueryInterface (const acfIID &iid, void **ppOut)=0 |
| Returns pointers to supported interfaces. More... | |
| virtual acfUInt32 ACFMETHODCALLTYPE | AddRef (void)=0 |
| Increments reference count. More... | |
| virtual acfUInt32 ACFMETHODCALLTYPE | Release (void)=0 |
| Decrements reference count. More... | |
Protected Member Functions | |
AAX_CEffectGUI pure virtual interface | |
The implementations of these methods will be specific to the particular GUI framework that is being incorporated with AAX_CEffectGUI. Classes that inherit from AAX_CEffectGUI must override these methods with their own framework-specific implementations. | |
| virtual void | CreateViewContents (void)=0 |
| Creates any required top-level GUI components. More... | |
| virtual void | CreateViewContainer (void)=0 |
| Initializes the plug-in window and creates the main GUI view or frame. More... | |
| virtual void | DeleteViewContainer (void)=0 |
| Uninitializes the plug-in window and deletes the main GUI view or frame. More... | |
Helper methods | |
| virtual void | UpdateAllParameters (void) |
| Requests an update to the GUI for every parameter view. More... | |
Additional Inherited Members | |
| Public Attributes inherited from AAX_IEffectGUI | |
| void ** | ppvObjOut |
| AAX_CEffectGUI::AAX_CEffectGUI | ( | void | ) |
|
virtual |
|
virtual |
Main GUI initialization.
Called when the GUI is created
| [in] | iController | A versioned reference that resolves to an AAX_IController interface |
Implements AAX_IACFEffectGUI.
|
virtual |
Main GUI uninitialization.
Called when the GUI is destroyed. Frees the GUI.
Implements AAX_IACFEffectGUI.
|
virtual |
Notification Hook.
Called from the host to deliver notifications to this object.
Look at the AAX_ENotificationEvent enumeration to see a description of events you can listen for and the data they come with.
NotificationReceived()
methods.NotificationReceived()
method (e.g. the data model).| [in] | inNotificationType | Type of notification being received. Notifications form the host are one of AAX_ENotificationEvent |
| [in] | inNotificationData | Block of incoming notification data |
| [in] | inNotificationDataSize | Size of inNotificationData , in bytes |
Implements AAX_IACFEffectGUI.
|
virtual |
Provides a handle to the main plug-in window.
| [in] | iViewContainer | An AAX_IViewContainer providing a native handle to the plug-in's window |
Implements AAX_IACFEffectGUI.
|
inlinevirtual |
Retrieves the size of the plug-in window.
| [out] | oViewSize | The size of the plug-in window as a point (width, height) |
Implements AAX_IACFEffectGUI.
References AAX_SUCCESS.
|
inlinevirtual |
DEPRECATED, Not called from host any longer. Your chosen graphics framework should be directly handling draw events from the OS.
Implements AAX_IACFEffectGUI.
References AAX_SUCCESS.
|
inlinevirtual |
Periodic wakeup callback for idle-time operations.
GUI animation events such as meter updates should be triggered from this method.
This method is called from the host's main thread. In general, it should be driven at approximately one call per 30 ms. However, the wakeup is not guaranteed to be called at any regular interval - for example, it could be held off by a high real-time processing load - and there is no host contract regarding maximum latency between wakeup calls.
This wakeup runs continuously and cannot be armed/disarmed by the plug-in.
Implements AAX_IACFEffectGUI.
References AAX_SUCCESS.
|
virtual |
Notifies the GUI that a parameter value has changed.
This method is called by the host whenever a parameter value has been modified
This method may be called on a non-main thread
Implements AAX_IACFEffectGUI.
|
virtual |
Called by host application to retrieve a custom plug-in string.
If no string is provided then the host's default will be used.
| [in] | iSelector | The requested strong. One of AAX_EPlugInStrings |
| [out] | oString | The plug-in's custom value for the requested string |
Implements AAX_IACFEffectGUI.
|
inlinevirtual |
Called by host application. Indicates that a control widget should be updated with a highlight color.
SetControlHighliteInfo()
, its name in the legacy plug-in SDK.| [in] | iParameterID | ID of parameter whose widget(s) must be highlighted |
| [in] | iIsHighlighted | True if turning highlight on, false if turning it off |
| [in] | iColor | Desired highlight color. One of AAX_EHighlightColor |
Implements AAX_IACFEffectGUI.
References AAX_SUCCESS.
|
protectedpure virtual |
Creates any required top-level GUI components.
This method is called by default from AAX_CEffectGUI::Initialize()
|
protectedpure virtual |
Initializes the plug-in window and creates the main GUI view or frame.
This method is called by default from AAX_CEffectGUI::SetViewContainer() when a valid window is present
|
protectedpure virtual |
Uninitializes the plug-in window and deletes the main GUI view or frame.
This method is called by default from AAX_CEffectGUI::SetViewContainer() when no valid window is present. It may also be appropriate for inheriting classes to call this method from their destructors, depending on their own internal implementation.
|
protectedvirtual |
Requests an update to the GUI for every parameter view.
By default, calls AAX_CEffectGUI::ParameterUpdated() on every registered parameter.
By default, called from AAX_CEffectGUI::SetViewContainer() after a new view container has been created.
UpdateAllParameterViews()
or another name that does not lead to confusion regarding what exactly this method should be doing. | AAX_IController* AAX_CEffectGUI::GetController | ( | void | ) |
Retrieves a reference to the plug-in's controller interface.
| const AAX_IController* AAX_CEffectGUI::GetController | ( | void | ) | const |
| AAX_IEffectParameters* AAX_CEffectGUI::GetEffectParameters | ( | void | ) |
Retrieves a reference to the plug-in's data model interface.
| const AAX_IEffectParameters* AAX_CEffectGUI::GetEffectParameters | ( | void | ) | const |
| AAX_IViewContainer* AAX_CEffectGUI::GetViewContainer | ( | void | ) |
Retrieves a reference to the plug-in's view container interface.
| const AAX_IViewContainer* AAX_CEffectGUI::GetViewContainer | ( | void | ) | const |
| AAX_ITransport* AAX_CEffectGUI::Transport | ( | ) |
Retrieves a reference to the plug-in's Transport interface.
| const AAX_ITransport* AAX_CEffectGUI::Transport | ( | ) | const |
| AAX_EViewContainer_Type AAX_CEffectGUI::GetViewContainerType | ( | ) |
Retrieves the Container and it's type.
| void* AAX_CEffectGUI::GetViewContainerPtr | ( | ) |


aws ec2
CLI for AWS EC2.
Provides secure and resizable computing capacity in the AWS cloud to enable faster development and deployment of applications.
More information: home page
- Display information about a specific instance:
aws ec2 describe-instances --instance-ids instance_id
- Display information about all instances:
aws ec2 describe-instances
- Display information about all EC2 volumes:
aws ec2 describe-volumes
- Delete an EC2 volume:
aws ec2 delete-volume --volume-id volume_id
- Create a snapshot from an EC2 volume:
aws ec2 create-snapshot --volume-id volume_id
- List available AMIs (Amazon Machine Images):
aws ec2 describe-images
- Show list of all available EC2 commands:
aws ec2 help
- Show help for specific EC2 subcommand:
aws ec2 subcommand help


Part::"Name_of_part"
Id Names::["id1_name","id2_name","id3_name"]
Description::"Description of part and numbering scheme"
Logic_ids::numbering logic in form of %10d number (X XXX XXX XXX with spaces separating the channel ids); channel ids used in logic (ordered)
Channel_ids::[id1: range, id2: range, id3: range]
Number of channels::number of channels of current part when DB is filled
| TCC | 1 XXX |
| Whole Endcap | 2 000 000 000 |
| Sides | 2 000 000 01X |
| Dees | 2 000 000 1XX |
| Sectors | 2 000 000 XXX Note: dee and sector logicIds don't overlap - 1st of the 3 free digits is 0 or 2 for sectors (=sideIndex) |
| DCC | 2 000 001 XXX |
| Crystal number | 2 01X XXX XXX |
| Crystal hashed | 2 02X XXX XXX |
| Readout tower | 2 000 0XX XXX |
| Trigger tower | 2 000 0XX XXX |
| Readout tower strip | 2 001 XXX XXX |
| Trigger tower strip | 2 001 XXX XXX |
| Readout tower xtal strip | 2 00X XXX XXX Note: trigger/readout tower (and xtal) strip logicIds don't overlap - 1st of the 7 free digits is 1 for trigger (=TCC), 6 for readout (=DCC) |
| Trigger tower xtal strip | 2 00X XXX XXX |


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Hannah Ruhoff
10/11/2018
Applause broke out in the courtroom after one man announced he found a job. Another woman rolled a dice to see how many days of jail she would receive after missing a drug screening. Parole officers and treatment providers alike gave input on their clients’ progress in combating addiction.
It might not be a normal day for the judicial system, but for Hocking County Municipal Court Judge Fred Moses, it’s exactly what he wants out of his drug court – a specialized court docket that helps people recover from addiction.
“We're here to help people,” Moses said after his drug court met on Sept. 27. “We really try to treat people like human beings.”
Moses, who became a barred attorney in 2002, views addiction as a medical issue rather than a criminal one. He has been the Hocking County Municipal Court Judge since 2011.
Hannah Ruhoff | PHOTO EDITOR
Judge Frederick Moses sits at his bench during drug court on Sept. 27.
The drug court offers an intensive, 12-month recovery program for people who qualify for treatment. Potential drug court clients can be identified either before or after adjudication, or when their sentence is decided, but can only be ordered into the program after adjudication. Participation is ultimately voluntary.
In the courtroom located in Logan — about a 30-minute drive north of Athens — parole officers, counselors from local recovery organizations who help with the drug court, and the drug court clients come together to talk about progress and recovery once a week.
In many ways, Moses’ drug court feels like a support group. Sitting at the bench in a button up shirt in place of robes, Moses addresses each client by their first name and speaks candidly with them.
Sometimes he allots praise, he even recommends books to read.
“Have you read Dreamland?” He asks one client, referring to the tell-all book on the opioid epidemic by journalist Sam Quinones.
Other times, he cracks down on clients who violated program rules. One client is taken into custody because a drug screen had shown a prohibited substance in her system. Moses said it was the first such incident in his drug court in some time.
Hannah Ruhoff | PHOTO EDITOR
Hocking County Judge Frederick Moses speaks with one of the drug court participants during court on Sept. 27.
He was hopeful, however, when that client asked if she would be allowed to stay in the program. To Moses, it was a sign of progress.
“The one thing I've learned since I've been on the bench is that everybody's life starts in a good spot,” Moses said later. “Something happened somewhere along the line.”
Moses runs two drug courts that are nearly identical aside from the medicine given to clients. The individuals sitting in the courtroom at noon on Sept. 27 were part of the Judge’s Vivitrol Drug Court.
Not everyone in the courts is addicted to opioids. The programs are open to anyone, Moses said, and some of the participants include recovering alcoholics and marijuana users.
Vivitrol is Moses’ weapon of choice in combating the opioid epidemic. His favor for the drug is backed with evidence: Of more than 8,400 drug screens from the Vivitrol Court in the past four years, only 8.6 percent have been positive.
Of the 8.6 percent positive drug screens, only 10 percent have been opioid-related.
Kelly Gallagan, a peer recovery supervisor with Treatment Alternatives to Street Crime of Southeast Ohio, or TASC, has worked with Vivitrol patients as part of the drug court. She has been with TASC since 2001.
TASC, along with Hopewell Health Centers, are the two primary care providers for the drug court.
“It blocks the opiate from getting into the receptors that make you feel good,” Gallagan said. “You can't get high.”
Gallagan said Vivitrol also works because clients detox before going on the drug and begin recovery with a clear mind.
“Once they're getting clean and they're in treatment, their minds have cleared,” Gallagan said. “They're able to process the whole addiction concept, and it's easier for treatment people too.”
Vivitrol, however, has not been without its criticisms. Moses said an individual has to be clear of opioids before they are given the drug. Otherwise, it would rip the opioids out of their system and force them into immediate withdrawal, Moses said.
Another source of criticism has been the cost of Vivitrol. According to cleveland.com, the Ohio Department of Medicaid spent $38 million on an excess of 30,000 doses of the drug in 2016.
Hannah Ruhoff | PHOTO EDITOR
Probation officers at the Hocking County Municipal Drug Court in Logan on Sept. 27.
Much of the money to treat drug court clients comes from Ohio’s Addiction Treatment Program, Specialty Docket Coordinator And Parole Officer Kathy Shepler said.
The program also receives grant funding from the Athens-Hocking-Vinton Alcohol, Drug Addiction and Mental Health Services Board. Bill Dunlap, the board’s deputy director, said it has been worth every penny.
“It’s probably one of the best investments we’ve made … in terms of seeing concrete results,” Dunlap said. “It’s been a real worthwhile effort.”
Alkermes, the company that manufactures Vivitrol, has a Political Action Committee but the committee has never donated any money to Moses or received money from him, according to data from the Federal Elections Commission. Moses acknowledged that the company profits from the patients it treats, like those in his drug court.
“There's money getting them addicted, and there's money getting them off,” Moses said.
Moses said he receives no personal financial gain from running drug courts. According to the Supreme Court of Ohio, full-time municipal court judges like Moses will make $132,150 in 2018.
Regardless of the drug used to treat the patients, both Moses and treatment providers agree that the highest priority of the drug court is keeping nonviolent drug offenders out of prison.
Hannah Ruhoff | PHOTO EDITOR
Judge Frederick Moses is the judge of the Hocking County Municipal Drug Court, which aims to rehabilitate drug abusers rather than put them in jail, in Logan.
According to data from the Ohio Department of Rehabilitation and Corrections, drug offenders amount to just below 15 percent of Ohio’s prison population as of January. That number has been dwindling as efforts to divert nonviolent drug offenders have taken effect. In 2009, the drug offenses accounted for nearly 17 percent of Ohio’s prison population.
Drug possession, a nonviolent offense, accounts for more than 5 percent of Ohio’s prison population, or 2,688 inmates.
Keeping nonviolent drug offenders out of prison can lead to better outcomes for their recovery, Burt Dhira, the founder of the Ohio Addiction Treatment Council, said.
Dhira, who runs a recovery center near Columbus and works with drug courts, said locking an individual up is not a substitute for treatment.
“They are put behind bars with withdrawal symptoms that can cause more trauma in an individual who is locked behind bars in a confined space without medication,” Dhira said.
The debate about locking up nonviolent drug offenders has made its way into a statewide conversation.
Issue 1 on Ohio’s November ballot would lower the penalties for possession of many drugs, including opioids like heroin and fentanyl, and require judges to avoid sending nonviolent drug offenders to jail until their third violation within 24 months.
The measure would also direct projected savings based on a lessening prison population, which proponents say could be upwards of $136 million, back to communities for treatment.
Moses said he supports decriminalization of drugs but said Issue 1 would be a disaster.
Hannah Ruhoff | PHOTO EDITOR
Hocking County Judge Frederick Moses speaks with one of the drug court participants during court on Sept. 27.
While Issue 1’s other opponents, like retired Ohio Supreme Court Justice Paul Pfeifer, have raised concerns about the constitutionality of the measure and what they say could be a normalization of drugs in the state, Moses is concerned about losing his ability to give sanctions to his drug court clients.
“If they don’t comply with the program, they have one foot in jail, which is a huge plus in the patients’ recovery,” Dhira said.  It gives us a better ability to do our job.”
Proponents of Issue 1, however, say there are alternative sanctions to locking people up. David Singleton, the longtime executive director of the Ohio Justice and Policy Center, said judges will still have effective sanctions like house arrest or community sanctions.
“Sanctions can and still should be used, but the sanction of sending someone off to prison is where we disagree,” Singleton said.
Moses said he agrees with Issue 1 in that addiction should be treated as a medical issue rather than a criminal one.
“This is a medical issue dumped on the criminal justice system,” Moses said. “We need more resources to treat people.”
To Singleton, who said he has been in law for 27 years, the fact that the measure made it to the ballot through a petition that received more than 350,000 signatures, as well as the existence of drug courts, means the public’s perception of drug addiction is changing.
“Twenty-seven years ago, there were no drug courts,” Singleton said.
“You’re looking across the dinner table at your wife, your husband, your brother, your sister … anybody can be a victim,” Dhira said. “Ninety percent of my patients didn’t start with heroin. It’s not like they woke up and decided to put a needle in their arm. Most of them came from a bad car accident.”Burt Dhira
Dhira said a big part of increasing awareness is the fact that the opioid epidemic can reach anyone.
“You’re looking across the dinner table at your wife, your husband, your brother, your sister … anybody can be a victim,” Dhira said. “Ninety percent of my patients didn’t start with heroin. It’s not like they woke up and decided to put a needle in their arm. Most of them came from a bad car accident.”
A client’s recovery doesn’t stop when they aren’t in mandatory counseling, treatment or their weekly drug court meeting, Dhira said. Recovery, as a whole, means more than just attending a weekly court session and going to therapy.
“It’s not getting them into a program and all of the sudden they’re going to be better. You’re rebuilding them from scratch, and giving them pride and giving them hope and connections to their family and friends,” Dhira said. “There’s so many dynamics of recovery, it takes a team to do it.”
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Sorry, Web Serial is not supported on this device, make sure you're
running Chrome 78 or later and have enabled the
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flag in
chrome://flags
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O.MG WebFlasher Utility


  Your contract should tell you what you’re entitled to. If you haven’t been given a contract or it’s not in there, ask your employer or check your staff handbook.
This page mostly covers statutory sick pay.
 All employers have to give you this, by law, as long as you:
- have done at least one day’s work for your employer
- are sick for 4 full days or more in a row (including non-working days)
- earn on average more than £112 a week (before tax)
You still get it if you’re an agency or casual worker, or if you work part-time or on a fixed-term or zero hours contract.
SSP can give you £88.45 a week for up to 28 weeks.
You’ll need to follow some rules to get sick pay you’re entitled to.
Who is entitled to statutory sick payAdd reference
Most people who work can get SSP. Entitlement is based on social security law, rather than employment law.
Your client is entitled to SSP if they work and on average earn more than £112 a week - enough for their employer to pay secondary class 1 national insurance contributions. This includes agency workers and office holders, such as police officers, who may not qualify for other employment rights.
When you can get statutory sick payAdd reference
Your client has to be in a ‘period of incapacity for work’ to get SSP. This means being sick for at least 4 days in a row - including non-working days such as weekends and public holidays.
In a period of incapacity for work, your client will only get SSP for days when they'd be working if they weren't sick. These are called 'qualifying days'.
There's no SSP for the first 3 qualifying days of a period of incapacity for work. These are called 'waiting days'.
 If they go off sick partway through the day it only counts if they did no work before they left.
How much statutory sick pay is paidAdd reference
For any full week your client has off work they will get the full weekly rate of £88.45, even if they work part-time.
They will get a daily rate of SSP for the first and last weeks of their sickness if they’re not full weeks.
You can use the statutory sick pay calculator on GOV.UK to work out exactly what they’ll get, or work it out manually using guidance on GOV.UK.
 This can be either:
- continuous
- several periods of sickness added together to make up 28 weeks - across a maximum of 3 years
Once the client has claimed for 28 weeks or reached the 3-year limit they can apply for Employment and Support Allowance (ESA).
If a client has been off sick continuously or a number of times over a long period they may have a disability and you should check for any disability discrimination issues.
If your client is off sick more than onceAdd reference
If your client is off sick more than once, it will count as a single period of incapacity for work if the absences:
- are each 4 or more days in a row
- take place within 8 weeks
In this situation the client doesn’t have to wait 3 days to get paid SSP again.
If the absences are more than 8 weeks apart the client will start a new period of incapacity, and have to wait the 3 days before getting SSP.
 It’s always best to check if this applies to you - contact your nearest Citizens Advice if you’re not sure.
When you have more than one employerAdd reference
If you have more than one employer you could be entitled to sick pay from each one. For each employer, the rules are the same as if they were your only employer.
If your illness means you can do one of your jobs, but not the other, you could get sick pay from one while getting your normal wages from another.
If your employer refuses to pay your sick payAdd reference
If you’re not getting the pay your contract says you’re entitled to, you can take steps to get the money you’re owed.
If you’re entitled to statutory pay but your employer refuses to pay it, you should contact HM Revenue and Customs (HMRC).
HMRC employees’ enquiry line
Telephone: 0300 200 3500
Textphone: 0300 200 3212
Open Monday to Friday, 8am to 5pm.
Calls can cost up to 12p a minute from landlines, and between 3p and 45p a minute from mobiles.
If you need more help at any stage, contact your nearest Citizens Advice
What to do if you’re not entitled to sick payAdd reference
If your employer says you’re not entitled to sick pay, ask them to give you a written explanation of their reasons.  They should give you this within 7 days of you going off sick.
You’ll need the SSP1 form to claim benefits.  Use our benefits checker to see what you might be entitled to.
If your employer doesn’t give you form SSP1 there are 2 steps to take:
Step 1: request a written statementAdd reference
If your employer hasn’t given you form SSP1, ask them for a written statement explaining why you can’t get Statutory Sick Pay. You could also give them a copy of the form to fill in.
Step 2: contact HMRCAdd reference
If you can’t get form SSP1 or a written statement from your employer, contact HMRC’s employees' enquiry line on 0300 200 3500. They’ll ask your employer why they think you’re not entitled to SSP.
If your client works part-timeAdd reference
Every day your client works is a qualifying day, even if they only work for a couple of hours.
If your client works a few days each week, or different days each week, they will have to agree with their employer which days count as qualifying days.

It can be difficult to work out the best conditions, so you might need to get specialist help.
ExampleAdd reference
The employer agrees that only normal working days are qualifying days
Frida works Mondays and Tuesdays. She agrees with her employer that Mondays and Tuesdays will be her qualifying days.
She falls ill on Tuesday 1 November. Her sick pay won't start till Monday 14 November.
This is because her waiting days will be the Tuesday she falls ill and the next Monday and Tuesday.
She'll get the full rate of SSP - half the weekly rate for each Monday or Tuesday she's sick, as her working week is 2 days.
The employer agrees that all weekdays are qualifying days
Jan works Mondays and Tuesdays. He agrees with his employer that all weekdays are qualifying days.
He falls ill on Tuesday 1 November. His sick pay will start on Friday 5 November - his waiting days will be Tuesday to Thursday of that week.
He'll get the full rate of SSP. He'll get one-fifth of the weekly rate for each weekday he's sick - not just the days he'd normally work.
If your client is pregnant or has recently given birthAdd reference
Their entitlement to sick pay will vary depending if:
- the illness is related to their pregnancy or not
- they’re claiming statutory maternity pay or maternity allowance
Read more on the page ‘Getting sick pay when you’re pregnant’.
If your client is also getting their pensionAdd reference
If your client works and claims their state pension, they're still entitled to get SSP as long as they qualify.
If they don’t qualify for SSP, they might be able to get pension credit and other benefits. You can use the benefits checker to see what else they might be entitled to.

If your client is involved in a trade disputeAdd reference
If your client is off work because of a trade dispute when their sickness starts, they won’t be entitled to SSP. They might be able to claim ESA instead.
Your client is entitled to SSP if:
- the sickness started before the trade dispute began
- they’re laid off because of a trade dispute elsewhere (that they are not directly involved in)
If your client has 2 contracts with the same employerAdd reference
Depending on how their employer pays their national insurance (NI) contributions, if your client has 2 separate contracts with the same employer they will get:
- SSP from each job, if the employer’s NI contributions are paid separately for each contract
- SSP once, if the earnings from each contract are added together to calculate the employer’s NI contributions
If their earnings are added together for NI contributions they have to be unable to work under all contracts to get SSP.
If your client’s employer is insolventAdd reference
If the employer is insolvent and can’t pay your client SSP they’re owed then:
- the employer is liable to pay any SSP due for the period before the insolvency date
- if the contract ends with insolvency, entitlement to SSP ends at the same time - the employer should give the client form SSP1 so they can claim ESA from DWP
- if the contract doesn’t end, any SSP due from the insolvency date is HMRC’s responsibility


From:Victor Lamadrid To:Kevin Alvarado Sent:2017-01-11T04:42:16.0000000Z Subject:FW: CAPACITY ALLOC-TIMELY NOMINATION CYCLE FOR MAY 17, 2001
-----Original Message-----
From: navigator@nisource.com@ENRON
<EMAIL_ADDRESS>Sent: Wednesday, May 16, 2001 9:22 AM
To<EMAIL_ADDRESS>Subject: CAPACITY ALLOC-TIMELY NOMINATION CYCLE FOR MAY 17, 2001
COLUMBIA GAS TRANSMISSION CORPORATION
NOTICE TO ALL INTERESTED PARTIES
MAY 16, 2001
Notice ID: 2733
5 - NO RESPONSE REQUIRED
SUBJECT: CAPACITY ALLOCATION-TIMELY NOMINATION CYCLE FOR MAY 17, 2001
Excess MDWQ Available +
ISS Withdrawals Available
SIT Withdrawals Available
Imbalance Drawdowns Available
Pal Lends Available
Excess MDIQ Available +
ISS Injections Available
SIT Injections Available
Imbalance Paybacks Available
PAL Parks Available
+ Call Gas Control 24 hours in advance at<PHONE_NUMBER> to request approval.
Columbia Gas Transmission has completed allocating all of its receipt and
delivery points for the gas days of May 17, 2001. You may now view the
quantities you are authorized to flow on May 17, 2001. On the Internet
NAVIGATOR, view Nominations, Scheduled Quantity, Scheduled Quantity for
Service
Requestor-Summary, Nominations to be Viewed, and select Reduced Nominations.
The quantities confirmed to flow for your account are available on the
Internet
NAVIGATOR after 5:30 p.m. Eastern Time on Wednesday, May 16, 2001.
If you have any questions, please contact your Account Representative.
***********
EDRM Enron Email Data Set has been produced in EML, PST and NSF format by ZL Technologies, Inc. This Data Set is licensed under a Creative Commons Attribution 3.0 United States License <http://creativecommons.org/licenses/by/3.0/us/> . To provide attribution, please cite to "ZL Technologies, Inc. (http://www.zlti.com)."
***********
California


## Databinding
The select scaffolding component (combobox) simply wraps the standard `<select>` element.
It provides nonetheless **databinding capabilities** for handy connects against datasources:
## Declarative datasource fashion
Same results can be achieved in a more declarative way by wrapping a list of `<pacem-data-item>` elements.
> Any `PacemDatasourceElement` can wrap `<pacem-data-item>` elements as a datasource.
## Default option
The default - empty - option is **on by default** and shows the `placeholder` value, if provided.
Even if `required` as a field, the end-user should be asked to pick an option and not be unaware "victim" of automatic selections.
If preventing the default option is mandatory, then just set `emptyOption` property to `false`. See the behavior below:


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Sometimes, life changes. Overnight or in a split second. Nothing is ever, ever the same again. You begin to date your life “BC” and “AD.” Before the life-changing event and after it. Life has splintered. Shattered.
It’s rather like my parents’ generation asking each other, “Where were you when you heard Kennedy had been shot?” For my generation it’s “Where were you when the towers fell on 9/11?” For some, they’ll never forget where they were when they heard that the Big Bopper, Buddy Holly and Ritchie Valens had perished in a plane crash, an event that inspired one of my favorite songs, American Pie.


| Figure 1 |
Geographic map of the Afromontane forests and main phylogeog ... |
| Figure 2 |
Plastid and nuclear datasets analysed for Canarina eminii. ( ... |
| Figure 3 |
Maximum clade credibility (MCC) tree obtained from the BEAST ... |
| Figure 4 |
Phylogeographic analysis and reconstruction of the colonizat ... |


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@blackjok3r I've been getting this when attempting to send to self Error: The transaction was rejected! This might happen if some of the coins in your wallet were already spent, such as if you used a copy of wallet.dat and coins were spent in the copy but not marked as spent here.