The Tin Woodman of Oz
by L. Frank Baum
Chapter 11: “Jinjur’s Ranch”
Additional Information
- Year Published: 1918
- Language: English
- Country of Origin: United States of America
- Source: Baum, L. F. (1918). The Tin Woodman of Oz. J. R. Neill (Ed.).
-
Readability:
- Flesch–Kincaid Level: 7.0
- Word Count: 1,892
- Genre: Fantasy
- Keywords: 20th century literature, american literature, books of oz, children's literature, fantasy, l. frank baum
- ✎ Cite This
Downloads
As they followed a path down the blue-grass hillside, the first house that met the view of the travelers was joyously recognized by the Scarecrow Bear as the one inhabited by his friend Jinjur, so they increased their speed and hurried toward it.
On reaching the place, however, they found the house deserted. The front door stood open, but no one was inside. In the garden surrounding the house were neat rows of bushes bearing cream-puffs and macaroons, some of which were still green, but others ripe and ready to eat. Farther back were fields of caramels, and all the land seemed well cultivated and carefully tended. They looked through the fields for the girl farmer, but she was nowhere to be seen.
“Well,” finally remarked the little Brown Bear, “let us go into the house and make ourselves at home. That will be sure to please my friend Jinjur, who happens to be away from home just now. When she returns, she will be greatly surprised.”
“Would she care if I ate some of those ripe cream-puffs?” asked the Green Monkey.
“No, indeed; Jinjur is very generous. Help yourself to all you want,” said the Scarecrow Bear.
So Woot gathered a lot of the cream-puffs that were golden yellow and filled with a sweet, creamy substance, and ate until his hunger was satisfied. Then he entered the house with his friends and sat in a rocking-chair—just as he was accustomed to do when a boy. The Canary perched herself upon the mantel and daintily plumed her feathers; the Tin Owl sat on the back of another chair; the Scarecrow squatted on his hairy haunches in the middle of the room.
“I believe I remember the girl Jinjur,” remarked the Canary, in her sweet voice. “She cannot help us very much, except to direct us on our way to Glinda’s castle, for she does not understand magic. But she’s a good girl, honest and sensible, and I’ll be glad to see her.”
“All our troubles,” said the Owl with a deep sigh, “arose from my foolish resolve to seek Nimmie Amee and make her Empress of the Winkies, and while I wish to reproach no one, I must say that it was Woot the Wanderer who put the notion into my head.”
“Well, for my part, I am glad he did,” responded the Canary. “Your journey resulted in saving me from the Giantess, and had you not traveled to the Yoop Valley, I would still be Mrs. Yoop’s prisoner. It is much nicer to be free, even though I still bear the enchanted form of a Canary-Bird.”
“Do you think we shall ever be able to get our proper forms back again?” asked the Green Monkey earnestly.
Polychrome did not make reply at once to this important question, but after a period of thoughtfulness she said:
“I have been taught to believe that there is an antidote for every magic charm, yet Mrs. Yoop insists that no power can alter her transformations. I realize that my own fairy magic cannot do it, although I have thought that we Sky Fairies have more power than is accorded to Earth Fairies. The Yookoohoo magic is admitted to be very strange in its workings and different from the magic usually practiced, but perhaps Glinda or Ozma may understand it better than I. In them lies our only hope. Unless they can help us, we must remain forever as we are.”
“A Canary-Bird on a Rainbow wouldn’t be so bad,” asserted the Tin Owl, winking and blinking with his round tin eyes, “so if you can manage to find your Rainbow again you need have little to worry about.”
“That’s nonsense, Friend Chopper,” exclaimed Woot. “I know just how Polychrome feels. A beautiful girl is much superior to a little yellow bird, and a boy—such as I was—far better than a Green Monkey. Neither of us can be happy again unless we recover our rightful forms.”
“I feel the same way,” announced the stuffed Bear. “What do you suppose my friend the Patchwork Girl would think of me, if she saw me wearing this beastly shape?”
“She’d laugh till she cried,” admitted the Tin Owl. “For my part, I’ll have to give up the notion of marrying Nimmie Amee, but I’ll try not to let that make me unhappy. If it’s my duty, I’d like to do my duty, but if magic prevents my getting married I’ll flutter along all by myself and be just as contented.”
Their serious misfortunes made them all silent for a time, and as their thoughts were busy in dwelling upon the evils with which fate had burdened them, none noticed that Jinjur had suddenly appeared in the doorway and was looking at them in astonishment. The next moment her astonishment changed to anger, for there, in her best rocking-chair, sat a Green Monkey. A great shiny Owl perched upon another chair and a Brown Bear squatted upon her parlor rug. Jinjur did not notice the Canary, but she caught up a broomstick and dashed into the room, shouting as she came:
“Get out of here, you wild creatures!
With a blow of her broom she knocked the Brown Bear over, and the Tin Owl tried to fly out of her reach and made a great clatter with his tin wings. The Green Monkey was so startled by the sudden attack that he sprang into the fireplace—where there was fortunately no fire—and tried to escape by climbing up the chimney. But he found the opening too small, and so was forced to drop down again. Then he crouched trembling in the fireplace, his pretty green hair all blackened with soot and covered with ashes. From this position Woot watched to see what would happen next.
“Stop, Jinjur—stop!” cried the Brown Bear, when the broom again threatened him. “Don’t you know me?
“That’s because I’m not properly stuffed,” he assured her. “When Mrs. Yoop transformed me, she didn’t realize I should have more stuffing.”
“Who is Mrs. Yoop?” inquired Jinjur, pausing with the broom still upraised.
“A Giantess in the Gillikin Country.”
“Oh; I begin to understand. And Mrs. Yoop transformed you? You are really the famous Scarecrow of Oz?”
“I was, Jinjur. Just now I’m as you see me—a miserable little Brown Bear with a poor quality of stuffing. That Tin Owl is none other than our dear Tin Woodman—Nick Chopper, the Emperor of the Winkies—while this Green Monkey is a nice little boy we recently became acquainted with, Woot the Wanderer.”
“And I,” said the Canary, flying close to Jinjur, “am Polychrome, the Daughter of the Rainbow, in the form of a bird.”
“Goodness me!” cried Jinjur, amazed; “that Giantess must be a powerful Sorceress, and as wicked as she is powerful.”
“She’s a Yookoohoo,” said Polychrome. “Fortunately, we managed to escape from her castle, and we are now on our way to Glinda the Good to see if she possesses the power to restore us to our former shapes.”
“Then I must beg your pardons; all of you must forgive me,” said Jinjur, putting away the broom. “I took you to be a lot of wild, unmannerly animals, as was quite natural. You are very welcome to my home and I’m sorry I haven’t the power to help you out of your troubles. Please use my house and all that I have, as if it were your own.”
At this declaration of peace, the Bear got upon his feet and the Owl resumed his perch upon the chair and the Monkey crept out of the fireplace. Jinjur looked at Woot critically, and scowled.
“For a Green Monkey,” said she, “you’re the blackest creature I ever saw.
“Well, you need renovating, and that’s what will happen to you, right away. Come with me!” she commanded.
“What are you going to do?” asked Woot.
“Give you a good scrubbing,” said Jinjur.
Now, neither boys nor monkeys relish being scrubbed, so Woot shrank away from the energetic girl, trembling fearfully. But Jinjur grabbed him by his paw and dragged him out to the back yard, where, in spite of his whines and struggles, she plunged him into a tub of cold water and began to scrub him with a stiff brush and a cake of yellow soap.
This was the hardest trial that Woot had endured since he became a monkey, but no protest had any influence with Jinjur, who lathered and scrubbed him in a business-like manner and afterward dried him with a coarse towel.
The Bear and the Owl gravely watched this operation and nodded approval when Woot’s silky green fur shone clear and bright in the afternoon sun. The Canary seemed much amused and laughed a silvery ripple of laughter as she said:
“Very well done, my good Jinjur; I admire your energy and judgment. But I had no idea a monkey could look so comical as this monkey did while he was being bathed.”
“I’m not a monkey!” declared Woot, resentfully; “I’m just a boy in a monkey’s shape, that’s all.”
“If you can explain to me the difference,” said Jinjur, “I’ll agree not to wash you again—that is, unless you foolishly get into the fireplace. All persons are usually judged by the shapes in which they appear to the eyes of others. Look at me, Woot; what am I?”
Woot looked at her.
“You’re as pretty a girl as I’ve ever seen,” he replied.
Jinjur frowned. That is, she tried hard to frown.
“Come out into the garden with me,” she said, “and I’ll give you some of the most delicious caramels you ever ate. They’re a new variety, that no one can grow but me, and they have a heliotrope flavor.”


Deprecation Notice: This endpoint route is deprecated and will be removed from the Teams API. We recommend migrating your existing code to use the new Remove team project
endpoint.
Removes an organization project from a team. An organization owner or a team maintainer can remove any project from the team. To remove a project from a team as an organization member, the authenticated user must have read
access to both the team and project, or admin
access to the team or project. Note: This endpoint removes the project from the team, but does not delete it.
DELETE /teams/:team_id/projects/:project_id
Status: 204 No Content


We are really sorry, but it seems that the page you were trying to reach does not exist anymore, or maybe it has been moved or renamed. We think that the best thing to do is to start again from the homepage of your documentation. Please contact us if the problems persists or if you definitely cannot find what you are looking for.


--- layout: apidoc title: Tile5 API Documentation ---
extends: T5.ViewLayer
The T5.MarkerLayer provides a T5.ViewLayer that can be used to display one or more T5.Annotation on a T5.View. Most commonly used with a T5.Map (which includes a marker layer by default).
This event is triggered when the markers have been updated (new markers added, markers cleared, etc)
layer.bind('markerUpdate', function(markers) { });
The markerTap event is triggered when markers have been tapped in the marker layer.
The T5.MarkerLayer listens for tap
events on itself and when triggered looks for
any markers within a tapExtent and if found fires the markerTap event.
layer.bind('markerTap', function(absXY, relXY, markers) { });
The add method of the marker layer can accept either a single T5.Annotation to add to the layer or alternatively an array of annotations to add.
// adding a single marker
layer.add(new T5.Marker({
xy: T5.GeoXY.init(markerPos) // markerPos is a T5.Geo.Position
}));
// adding multiple markers
var markers = [];
// you would populate the markers array here...
// add the markers to the layer
layer.add(markers);
The clear method is used to clear markers from the marker layer. The optional
testCallback
argument can be specified to determine whether a marker should be
removed or not.
layer.clear(function(marker) {
// check an arbitrary property of the annotation
// if Australia, then flag for removal
return (marker.country === 'Australia');
});
Iterate through each of the markers and fire the callback for each one
Find markers that match the requirements of the test callback. For an example
of test callback usage see the clear
method.


Base Height on:
Electricity
Gas
Public Transport Facilities
Population Density
Base Color on:
Electricity
Gas
Public Transport Facilities
Population Density


Across: 3. Celebrity's private return... no idea of when they'll arrive or head to residence (3) 8. Avenge bombed city in neutral territory (6) 9. Country reinvented 28 rain dance (8) 10. Steps outside hotel in dress (7) 11,15dn. Musician is uniquely hip, having cheek to go with two girls (6 5) 12. A crime network accepting first of elections by an independent cell (6) 14. GGs with primary bits of every lad's instrumentation not included? (8) 16. see 25 18. see 7 down 21. Breathe in a polite opening during sitar playing, and save ending (8) 23. Discriminating sitar playing using classical introduction (6) 25,16. Musician Huey wasted ten cents not using harmonica in 'News' leads! (6 7) 27. Dearer and closer to group, or ultimately much colder? (7) 29. Obscure manic coteries (8) 30. Love variety in fruit (6) 31. Can sitar essentially marry with popular? (3) Down: 1,13,26. Work of 16 and 18 tastes sweet, mysteriously taking me in (4 5 4) 2,19. Musician playing with her organ is ogre (6 8) 3. Shiva ran a sitar course whence 18 hailed (8) 4. The way to get beyond your years? (7) 5. Push quiet execution device to one side (6) 6. Result of crashing if in tour (8) 7,18ac. Shiva ran ark building and he taught 2 19 sitar playing (4 7) 13. see 1 15. see 11 across 17. You finish by accepting my resignation, being all over the place (8) 19. see 2 20. Honour creeps off before time (7) 22. It may be a cuckoo house, yes, and 7 went mad in there! (6) 24. 150 inches initially highest peak (6) 26. see 1 28. Maybe a James Scott piece (24 for instance), and a piece by 7 18 perhaps (4)


|
| EQuote Status: Pending |
| EQuote Number: 197 |
| EQuote Date: Thursday, September 4, 2003 |
| |
| Salesperson:
Internet |
| Customer
Number: N/A |
|
60
Technology Drive
Irvine, CA 92618
(800) 729-6809 |
| SOLD
TO |
x x x<EMAIL_ADDRESS>(213) 5814217
Confirmed To: x x |
|
|
| |
|
| Customer
P.O |
Ship
Via |
Terms |
| N/A |
N/A |
Pre-Defined Terms |
|
|
| |
| |
| Requested EQuotes
System Configuration |
|
|
| |
| Net
EQuote |
1109.14 |
| Less
Discount |
0.00 |
| Freight |
0.00 |
| Sales
Tax |
0.00 |
|
| EQuote
Total |
$1109.14 |
|
|


Library Management CRUD Application using AngularJS
×
{{successMessage}}
Add
Username
Password
First Name
Last Name
Class
Department
Books Issued
Issue Date
Edit
Delete
{{name.username}}
{{name.password}}
{{name.firstname}}
{{name.lastname}}
{{name.class}}
{{name.department}}
{{name.books_issued}}
{{name.issue_date}}
Edit
Delete


{% extends 'base.html' %} {% load staticfiles %} {% load i18n %} {% load tml %} {% load tml_inline %} {% block content %}
{% trs "Tml for Django Python is a library that allows Django based applications to integrate with the Translation Exchange crowd-sourced translation platform." %} {% trs "This sample application demonstrates some of Tml's capabilities." %}
{% trs "Your multilngual users can sign up to help translate your site into over 270 different languages." %} {% trs "Their translations can then be viewed and voted on by other users." %}
{% trs "Translations from your site get synced to our servers and can then be shared with thousands of other websites." %}
{% trs "Regularly pull down new translations from not only your users but users of other websites as you sync your translations." %}
{% trs "All browser supported language are included. Just choose which languages you want to enabled on your app." %}
{% trs "Intuitive translation tools allow your users to easily translate your website." %}
{% trs "Keep track of all the translated text on your website, through an easy to use dashboard." %}
{% trs "Translators vote on translations and the best translations are used in your application." %}
{% trs "Translators are ranked based on the quality of the work they do. The higher the rank the more valuable they become." %}
{% trs "Stay up to date on the progress of your translations." %}
{% trs "TML syntax makes developers happy - it simplifies the code and allows to encode complex rules using simple structures." %}
{% trs "Tml supports all language rules to make translations very accurate." %}
{% trs "Language cases are supported across all languages to make translations sound as native as they can be." %}
{% trs "Create a glossary of the key terms of your application. Translators will see those terms and will be able to provide more accurate translations." %}
{% trs "Translators can discuss translations and terms in the message boards across all languages." %}
{% trs "Administration tools allow you to configure every aspect of your application." %}


{% extends "_includes/page.html" %} {% block title %}Projects{% endblock %} {% macro projects_list(projects) %} {% for batch in projects | batch(3) %}
It looks like you don't have any projects. (lazy!)
Click the button below to create your first project.
{% endif %} {% endblock %}


This will use the userMedia audio and or video to get a stream. It will then use mediaRecorder to "pipe" the data to StreamSaver (aka hard drive)
Note: This is only allowed in secure web context


Your money claims account
Make a new money claim {% if claimant_table==true %}Claims you've made
| Claim number | Defendant name | Claim amount | Status | |||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Draft claim | - | - | Continue with claim | |||||||||||||||||||
| Status: Continue with claim | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | Your claim has been sent. | |||||||||||||||||||
| Status: Your claim has been sent. | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | The defendant has not responded to your claim. You can request a County Court Judgment against them. | |||||||||||||||||||
| The defendant has not responded to your claim. You can request a County Court Judgment against them. | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | You requested a County Court Judgment on 19 October. | |||||||||||||||||||
| Status: You requested a County Court Judgment on 19 October. We'll contact you within 5 days. | ||||||||||||||||||||||
| 352MC733 | {% elif data['dashboard'] == 1.51 %}352MC733 | {% elif data['dashboard'] == 1.52 %}352MC733 | {% elif data['dashboard'] == 1.6 %}352MC733 | {% elif data['dashboard'] == 1.7 %}352MC733 | {% elif data['dashboard'] == 1.8 %}352MC733 | {% elif data['dashboard'] == 1.9 %}352MC733 | {% elif data['dashboard'] == 110 %}352MC733 | {% elif data['dashboard'] == 1.11 %}352MC733 | {% elif data['dashboard'] == 1.111 %}352MC733 | {% elif data['dashboard'] == 1.112 %}352MC733 | {% elif data['dashboard'] == 1.113 %}352MC733 | {% elif data['dashboard'] == 1.114 %}352MC733 | {% elif data['dashboard'] == 1.115 %}352MC733 | {% elif data['dashboard'] == 1.116 %}352MC733 | {% elif data['dashboard'] == 1.117 %}352MC733 | {% elif data['dashboard'] == 1.118 %}352MC733 | {% elif data['dashboard'] == 1.119 %}352MC733 | {% elif data['dashboard'] == 1.1191 %}352MC733 | {% elif data['dashboard'] == 1.1192 %}352MC733 | {% endif %}Mary Richards | £1500 |
{% if data['dashboard'] == 1.5 %}
The defendant admits they owe all the money. They've said that they will pay immediately.
{% elif data['dashboard'] == 1.51 %}
The defendant admits they owe all the money. You need to accept or reject their offer.
{% elif data['dashboard'] == 1.52 %}
The defendant admits they owe all the money. You need to accept or reject their offer.
{% elif data['dashboard'] == 1.6 %}
The defendant believes they owe you £1,000. You can accept or reject that this is the amount owed.
{% elif data['dashboard'] == 1.7 %}
The defendant believes that they've paid the claim in full.
{% elif data['dashboard'] == 1.8 %}
The defendant believes that they've paid what they owe, £1000.
{% elif data['dashboard'] == 1.9 or data['dashboard'] == 110 %}
The defendant has rejected your claim.
{% elif data['dashboard'] == 1.11%}
The defendant has made an offer to settle out of court. Mary Richards has rejected your claim. {% elif data['dashboard'] == 1.111 %}You've signed a settlement agreement. {% elif data['dashboard'] == 1.112 %}You've both signed a settlement agreement. {% elif data['dashboard'] == 1.113 %}A County Court Judgment has been issued. {% elif data['dashboard'] == 1.114 %}You've both signed a settlement agreement. {% elif data['dashboard'] == 1.115 %}Awaiting judge's repayment plan. {% elif data['dashboard'] == 1.116 %}You've signed a settlement agreement. The defendant can choose to sign it or not. {% elif data['dashboard'] == 1.117 %}Awaiting judge's repayment plan. {% elif data['dashboard'] == 1.118 %}This claim is settled. {% elif data['dashboard'] == 1.119 %}This claim is settled. {% elif data['dashboard'] == 1.1191 %}This claim is settled. {% elif data['dashboard'] == 1.1192 %}This claim has been discontinued. {% endif %} |
| Status: Mary Richards has responded to your claim. | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | The defendant has made an offer to settle out of court. Mary Richards has rejected your claim. |
|||||||||||||||||||
| Status: The defendant has made an offer to settle out of court. | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | You've rejected an offer to settle out of court. Mary Richards has rejected your claim. |
|||||||||||||||||||
| Status: You've rejected an offer to settle out of court. | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | You've requested free mediation. We'll notify you once the defendant responds. | |||||||||||||||||||
| Status: You've requested free mediation. We'll notify you once the defendant responds. | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | The defendant has requested more time to respond. | |||||||||||||||||||
| Status: The defendant has requested more time to respond. | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | Mary Richards has rejected your claim. | |||||||||||||||||||
| Status: Mary Richards has rejected your claim. | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | You've signed the agreement. We've asked Mary Richards to sign the agreement. Mary Richards has rejected your claim. |
|||||||||||||||||||
| Status: You've signed the agreement. We've asked Mary Richards to sign the agreement | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | You've both signed a settlement agreement. The claim is now settled. | |||||||||||||||||||
| Status: You both signed an agreement to settle out of court. | ||||||||||||||||||||||
| 352MC733 Counterclaim |
Jan Clark | £3240.34 | Your counterclaim has been sent. Jan Clark has until to respond. | |||||||||||||||||||
| Status: Your counterclaim has been sent. Jan Clark has until to respond. | ||||||||||||||||||||||
| 352MC733 | Mary Richards | £1500 | Mary Richards has rejected the claim. They’ve suggested a mediation session to help resolve this dispute. | |||||||||||||||||||
| Status: Mary Richards has rejected the claim. But they’ve suggested a mediation session to help resolve this dispute.? |
Claims made against you
| Claim number | Claimant name | Claim amount | Status |
|---|---|---|---|
| 352MC733 | Jan Clark | £1500 | Respond to claim. (19 days from date of issue remaining) |
| Status: Respond to claim. (19 days from date of issue remaining) |
|||
| 352MC733 | Jan Clark | £1500 | You need to respond before 4pm on 16 April 2018. |
| Status: Your response is being processed. | |||
| 352MC733 | Jan Clark | £1500 | Jan Clark requested a County Court Judgment (CCJ) against you on . |
| Status: Jan Clark requested a County Court Judgment against you on 17 October. | |||
| 352MC733 | Jan Clark | £1500 | You've admitted all of the claim and said you'll pay the full amount immediately. |
| 352MC733 | Jan Clark | £1500 | You've admitted all of the claim and offered to pay the full amount by {% if data['set-month'] %} {{ ( data['set-month'] + ' ' + data['set-day'] + ' ' + data['set-year']) | date('D MMMM YYYY') }}{% else %}{{ now | date('add', 3, 'months') | date('D MMMM YYYY') }}{% endif %}. |
| 352MC733 | Jan Clark | £1500 | You've admitted all of the claim and offered to pay the full amount in instalments. |
| 352MC733 | Jan Clark | £1500 | You have a County Court Judgment (CCJ) against you. You must pay Jan Clark £1,500. |
| Status: You have a County Court Judgment (CCJ) against you. | |||
| 352MC733 | Jan Clark | £1500 | You've offered to pay £1,500 on 18 December. |
| Status: You have responded to the claim. We’ll contact you when they respond. | |||
| 352MC733 | Jan Clark | £1500 | We’ve emailed Jan Clark telling them when and how you said you paid the claim. |
| Status: We’ve emailed Jan Clark telling them when and how you said you paid the £1500. | |||
| 352MC733 | Jan Clark | £1500 | You've rejected the claim. |
| Status: You've rejected the claim. The case will be reviewed by a judge and might go to court.. | |||
| 352MC733 | Jan Clark | £1500 | You’ve rejected the claim and suggested mediation. We'll ask the claimant if they agree to take part in mediation. |
| Status: You’ve rejected the claim and suggested mediation. We'll ask the defendant if they are interested in mediation. | |||
| 352MC733 | Jan Clark | £1500 |
We've sent your offer to the claimant. You've rejected the claim. |
|
Status: You've rejected the claim. The case will be reviewed by a judge and might go to court. You made an offer to settle the claim out of court. Jan Clark can accept or reject your offer. |
|||
| 352MC733 | Jan Clark | £1500 | Your offer has been sent to the claimant. You've rejected the claim. |
| Status: Your offer has been sent to the claimant. | |||
| 352MC733 | Jan Clark | £1500 | The claimant has accepted your offer. You need to sign a legal agreement to settle out of court. You've rejected the claim. |
| Status: The claimant has accepted your offer. You need to sign a legal agreement to settle out of court. | |||
| 352MC733 | Jan Clark | £1500 | The claimant has rejected your offer. You've rejected the claim. |
| Status: The claimant has rejected your offer. | |||
| 352MC733 | Jan Clark | £1500 | You've accepted mediation. |
| Status: You've accepted mediation. | |||
| 352MC733 | Jan Clark | £1500 | You've rejected mediation. The claim may go to a hearing. |
| Status: You've accepted mediation. | |||
| 352MC733 | Jan Clark | £1500 | The claimant has accepted your offer. You need to sign a legal agreement to settle out of court. You've rejected the claim. |
| Status: The claimant has accepted your offer. You need to sign a legal agreement to settle out of court. | |||
| 352MC733 | Jan Clark | £1500 | You've both signed a settlement agreement. The claim is now settled. |
| Status: You have both signed a legal agreement. The claim is now settled. | |||
| 352MC733 | Jan Clark | £1500 | Your response is being processed. |
| Status: Your response is being processed. | |||
| 352MC733 | Jan Clark | £1500 | The claimant has accepted your repayment plan. |
| 352MC733 | Jan Clark | £1500 | Jan Clark has requested a County Court Judgment against you. |
| 352MC733 | Jan Clark | £1500 | You've both signed a settlement agreement. |
| 352MC733 | Jan Clark | £1500 | The claimant has accepted your repayment plan. |
| 352MC733 | Jan Clark | £1500 | Jan Clark has requested a County Court Judgment against you. |
| 352MC733 | Jan Clark | £1500 | You've both signed a settlement agreement. |
| 352MC733 | Jan Clark | £1500 | Jan Clark has rejected your repayment plan. |
| 352MC733 | Jan Clark | £1500 | Jan Clark has requested a County Court Judgment against you. |
| 352MC733 | Jan Clark | £1500 | Jan Clark has rejected your repayment plan. |
| 352MC733 | Jan Clark | £1500 | You've both signed a settlement agreement. |
| 352MC733 | Jan Clark | £1500 | The claimant has rejected your repayment plan. |
| 352MC733 | Jan Clark | £1500 | You've rejected the claimant's repayment plan. |
| 352MC733 | Jan Clark | £1500 | Jan Clark has confirmed you've paid. |
| 352MC733 | Jan Clark | £1500 | Jan Clark has confirmed you've paid. |
| 352MC733 | Jan Clark | £1500 | Jan Clark has confirmed you've paid. |
| 352MC733 | Jan Clark | £1500 | This claim is settled. |
| 352MC733 | Jan Clark | £1500 | This claim has been discontinued. |


I was thinking about the classic programming problem Fizz Buzz recently. If you haven't come across Fizz Buzz before it's a simple game of mathematics. Players take turns counting incrementally, but if the number they are required to speak is divisible by three instead they say the word "Fizz". If the number is divisible by five, they say the word "Buzz". If it's divisible by both three and five "FizzBuzz" is said.
When programming Fizz Buzz is usually implemented as a simple loop, incrementing an integer and checking for divisibility by three and five, but I thought it might be interesting to look at alternative implementations.
To start with we are going to need some HTML structure to output our FizzBuzz results too. This is the only part that's not in CSS, but it doesn't really form part of the code, merely the substrate onto which we will output our results.

Now the CSS. First we clear the visuals on the list and create a counter.
ul { list-style-type: none; counter-reset: number; }
Next we increment the counter at every list item.
ul li { counter-increment: number; }
We set the content of each list item's inner div to contain the counter value. This takes care of the sequential counting.
ul li div:before { content: counter(number) }
We then find all the items that are divisible by three or five and hide the inner divs so the number isn't shown.
ul li:nth-child(3n+3) div, ul li:nth-child(5n+5) div { display: none; }
Finally we set the content of the list item to be either fizz or buzz. By using the before and after pseudo elements we can allow both to be set at the same time to form the FizzBuzz text when the value is divisible by both.
ul li:nth-child(3n+3):before { content: "Fizz"; } ul li:nth-child(5n+5):after { content: "Buzz"; }
And there you go. Fizz Buzz implemented entirely in CSS.
Unless otherwise specified all code in this post is made available under the MIT license. Copyright 2013 Simon P Stevens.


Player
open class Player: Player.ViewController
▶ Player, simple way to play and stream media
-
Undocumented
Declaration
Swift
public typealias ViewController = NSViewController
-
Undocumented
Declaration
Swift
public typealias Image = NSImage
-
Undocumented
Declaration
Swift
public typealias Color = NSColor
-
Undocumented
Declaration
Swift
public typealias SnapshotResult = Image?
-
Undocumented
Declaration
Swift
public typealias NibName = NSNib.Name?

Declaration
Swift
open weak var playerDelegate: PlayerDelegate?
-
Playback delegate.
Declaration
Swift
open weak var playbackDelegate: PlayerPlaybackDelegate?
-
Local or remote URL for the file asset to be played.
Declaration
Swift
open var url: URL?
Parameters
url
URL of the asset.
-
Determines if the video should autoplay when a url is set
Declaration
Swift
open var autoplay: Bool = true
Parameters
bool
defaults to true
-
For setting up with AVAsset instead of URL
Note: Resets URL (cannot set both)
Declaration
Swift
open var asset: AVAsset?
-
Mutes audio playback when true.
Declaration
Swift
open var muted: Bool
-
Volume for the player, ranging from 0.0 to 1.0 on a linear scale.
Declaration
Swift
open var volume: Float
-
Player view’s initial background color.
Declaration
Swift
open var layerBackgroundColor: Color?
-
The player view’s controls style.
The player view supports a number of different control styles that you can use to customize the player view’s appearance and behavior. See
AVPlayerViewControlsStyle
for the possible values. The default value of this property is.default
Important
Only available on the macOS platform.Declaration
Swift
open var controlsStyle: AVPlayerViewControlsStyle
-
A Boolean value that indicates whether the player shows playback controls. This property has a default value of
true
.Note
Only available on iOS/tvOS platforms. For macOS, see
controlsStyle
.Important
Set this property before calling
add(to:)
. Setting it after will have no effect. -
Pauses playback automatically when resigning active.
The default value of this property is
true
.Declaration
Swift
open var playbackPausesWhenResigningActive: Bool = true
-
Pauses playback automatically when backgrounded (on macOS, when hidden).
The default value of this property is
true
.Declaration
Swift
open var playbackPausesWhenBackgrounded: Bool = true
-
Resumes playback when became active.
The default value of this property is
true
.Declaration
Swift
open var playbackResumesWhenBecameActive: Bool = true
-
Resumes playback when entering foreground. (on macOS, when unhidden)
The default value of this property is
true
.Declaration
Swift
open var playbackResumesWhenEnteringForeground: Bool = true
-
Whether the player is currently playing. Returns
true
if theplaybackState
is.playing
.Declaration
Swift
open var isPlaying: Bool
-
Playback automatically loops continuously when true.
Declaration
Swift
open var playbackLoops: Bool
-
Playback freezes on last frame frame at end when true.
The default value of this property is
false
.Declaration
Swift
open var playbackFreezesAtEnd: Bool = false
-
Current playback state of the Player.
Declaration
Swift
open var playbackState: PlaybackState = .stopped
-
Current buffering state of the Player.
Declaration
Swift
open var bufferingState: BufferingState = .unknown
-
Playback buffering size in seconds.
Declaration
Swift
open var bufferSize: Double = 10
-
Playback is not automatically triggered from state changes when true.
Declaration
Swift
open var playbackEdgeTriggered: Bool = true
-
Maximum duration of playback.
Declaration
Swift
open var maximumDuration: TimeInterval
-
Media playback’s current time.
Declaration
Swift
open var currentTime: TimeInterval
-
The natural dimensions of the media.
Note
TheavPlayerItem
must exist and have had its tracks loaded.Declaration
Swift
open var naturalSize: CGSize?
-
Undocumented
Declaration
Swift
public var avPlayer: AVPlayer
-
Undocumented
Declaration
Swift
public var avPlayerItem: AVPlayerItem?
-
-
Undocumented
Declaration
Swift
public convenience init()
-
Undocumented
Declaration
Swift
public required init?(coder aDecoder: NSCoder)
-
Undocumented
Declaration
Swift
public override init(nibName nibNameOrNil: NibName, bundle nibBundleOrNil: Bundle?)
-
Adds a player to the given view controller. The player will be added to
viewController
‘schildViewControllers
array and its view hierarchy.Important
On iOS/tvOS platforms,
usesSystemPlaybackControls
must be set prior to calling this method.Declaration
Swift
open func add(to viewController: ViewController)
Parameters
viewController
The parent view controller that the player will be added to.
-
Removes the player from the given view controller. The player will be removed from
viewController
‘schildViewControllers
array and its view hierarchy.Declaration
Swift
open func remove(from viewController: ViewController)
Parameters
viewController
The parent view controller that the player will be removed from.
-
Undocumented
Declaration
Swift
open override func loadView()
-
Undocumented
Declaration
Swift
open override func viewDidLoad()
-
Undocumented
Declaration
Swift
open override func viewDidDisappear()
-
-
-
Begins playback of the media from the beginning.
Declaration
Swift
open func playFromBeginning()
-
Begins playback of the media from the current time.
Declaration
Swift
open func playFromCurrentTime()
-
Pauses playback of the media.
Declaration
Swift
open func pause()
-
Stops playback of the media.
Declaration
Swift
open func stop()
-
Updates playback to the specified time.
Declaration
Swift
open func seek(to time: CMTime, completionHandler: ((Bool) -> Swift.Void)? = nil)
Parameters
time
The time to switch to move the playback.
completionHandler
Call block handler after seeking/
-
Sets the current playback time to the specified second mark and executes the specified block when the seek operation completes or is interrupted.
Declaration
Swift
open func seek(toSecond second: Int, completionHandler: ((Bool) -> Swift.Void)? = nil)
Parameters
time
The time (in seconds) to seek to.
completionHandler
Call block handler after seeking.
-
Updates the playback time to the specified time bound.
Declaration
Swift
open func seekToTime(to time: CMTime, toleranceBefore: CMTime, toleranceAfter: CMTime, completionHandler: ((Bool) -> Swift.Void)? = nil)
Parameters
time
The time to switch to move the playback.
toleranceBefore
The tolerance allowed before time.
toleranceAfter
The tolerance allowed after time.
completionHandler
call block handler after seeking
-
Captures a snapshot of the current player view.
Declaration
Swift
open func takeSnapshot() -> SnapshotResult
Return Value
A image of the player view.
-
Return the
AVPlayerLayer
for consumption by things such as Picture in Picture.Note
Player must be loaded.Declaration
Swift
open func playerLayer() -> AVPlayerLayer?
-
Undocumented
Declaration
Swift
open override func observeValue(forKeyPath keyPath: String?, of object: Any?, change: [NSKeyValueChangeKey: Any]?, context: UnsafeMutableRawPointer?)
-
Undocumented
Declaration
Swift
public func executeClosureOnMainQueueIfNecessary(withClosure closure: @escaping () -> Void)


American Beauty (1999)
Cast: Kevin Spacey, Annette Bening, Thora Birch, Wes Bentley, Mena Suvari, Chris Cooper, Allison Janney Director: Sam Mendes Screenplay: Alan Ball 120 Min. Rated R
Review by Donlee Brussel
"American Beauty" is the impressive off the wall, jet-black magnum opus dramedy debut from writer Alan Ball and director Sam Mendes. It's the story about Lester (Kevin Spacey) and Carolyn Burnham (Annette Bening). They're an extremely happy couple like Mike and Carol Brady with their friends, neighbors & co-workers. They go to company events; they look the look, talk the talk and walk the walk. As the tagline says, "Look closer…'
The Burnhams are actually a dysfunctional couple deteriorating.  Lester on the other hand, is sedated. Spacey's character is a "colossal loser" hated by his wife and adolescent daughter.
Lester Burnham's life changes when he develops a crush on his daughter's best friend, a vixen cheerleader (Mena Suvari). It brings back his mojo that's been missing since college ended. Meanwhile, his daughter Jane (Thora Birch) develops a relationship with the enigmatic boy next door named Ricky (Wes Bentley).  Throughout the film, we will see all the characters go through numerous changes.
Kevin Spacey and Annette Benning seem to only get better with age. They give Oscar-worthy performances that remind us why they were so remarkable in the first place. They're so good in fact, that you'd think in a movie like this, only the leads would be impressive. Surprisingly, the supporting cast matches the main characters blow for blow.
At the beginning of the year, people were talking Oscar for Cooper because of his role as a controlling father in "October Sky." Now he'll have to get it for his truly stand out work in "American Beauty" that is far superior to anything else he's ever done. Then there are the three young adults in the film, all of which hold their own with these seasoned vets with highly respectable performances. It's safe to say that all the players here invigorate a lot of life into the already wonderfully three-dimensional characters that Alan Ball created for them.
"American Beauty" is that rare film, one with both crackling dialogue and intricate character development in addition to everything else. Though some think it is impossible in this day and age, Ball has done it. He's concocted one of the most gleaming scripts in a long time. Chances are, he'll be picking up an Oscar or at least a nomination for Best Original Screenplay. This scribe has dialogue up there with Kevin Smith, David Mamet and David Rabe. He's taken the old dysfunctional family plot and given it enough clever and adroit twists to make it a gem amongst all the wannabes.
Sam Mendes masterfully directs scenes here with beautiful imagery and style in stride. He is only complemented by Conrad L. Hall's superb brand of cinematography that includes close-ups of the actors and actresses at their most emotional. His distinctive touches contributed to the film make it all the more unique. "Beauty" also has another hauntingly effective score from the always refreshing Thomas Newman that is genuinely sublime.
There are many other admirable traits in "American Beauty." I'd like to list them all here. However, I'd rather just recommend that you all witness this thought-provoking tour de force yourselves.
- © 1999 by Donlee Brussel
Sent via Deja.com http://www.deja.com/ Before you buy.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends "symposion/speakers/base.html" %} {% load i18n %} {% load crispy_forms_tags %} {% block head_title %}Contact Us{% endblock head_title %} {% block page_title %}Contact Us{% endblock page_title %} {% block body %}
Thank you for contacting us. We will get back to you as soon as possible.


| Interface | Description |
|---|---|
| ContentHandlerFactory |
This interface defines a factory for content handlers.
|
| CookiePolicy |
CookiePolicy implementations decide which cookies should be accepted
and which should be rejected.
|
| CookieStore |
A CookieStore object represents a storage for cookie.
|
| DatagramSocketImplFactory |
This interface defines a factory for datagram socket implementations.
|
| FileNameMap |
A simple interface which provides a mechanism to map
between a file name and a MIME type string.
|
| ProtocolFamily |
Represents a family of communication protocols.
|
| SocketImplFactory |
This interface defines a factory for socket implementations.
|
| SocketOption<T> |
A socket option associated with a socket.
|
| SocketOptions |
Interface of methods to get/set socket options.
|
| URLStreamHandlerFactory |
This interface defines a factory for
URL stream
protocol handlers. |
| Class | Description |
|---|---|
| Authenticator |
The class Authenticator represents an object that knows how to obtain
authentication for a network connection.
|
| CacheRequest |
Represents channels for storing resources in the
ResponseCache.
|
| CacheResponse |
Represent channels for retrieving resources from the
ResponseCache.
|
| ContentHandler |
The abstract class
ContentHandler is the superclass
of all classes that read an Object from a
URLConnection . |
| CookieHandler |
A CookieHandler object provides a callback mechanism to hook up a
HTTP state management policy implementation into the HTTP protocol
handler.
|
| CookieManager |
CookieManager provides a concrete implementation of
CookieHandler ,
which separates the storage of cookies from the policy surrounding accepting
and rejecting cookies. |
| DatagramPacket |
This class represents a datagram packet.
|
| DatagramSocket |
This class represents a socket for sending and receiving datagram packets.
|
| DatagramSocketImpl |
Abstract datagram and multicast socket implementation base class.
|
| HttpCookie |
An HttpCookie object represents an HTTP cookie, which carries state
information between server and user agent.
|
| HttpURLConnection |
A URLConnection with support for HTTP-specific features.
|
| IDN |
Provides methods to convert internationalized domain names (IDNs) between
a normal Unicode representation and an ASCII Compatible Encoding (ACE) representation.
|
| Inet4Address |
This class represents an Internet Protocol version 4 (IPv4) address.
|
| Inet6Address |
This class represents an Internet Protocol version 6 (IPv6) address.
|
| InetAddress |
This class represents an Internet Protocol (IP) address.
|
| InetSocketAddress |
This class implements an IP Socket Address (IP address + port number)
It can also be a pair (hostname + port number), in which case an attempt
will be made to resolve the hostname.
|
| InterfaceAddress |
This class represents a Network Interface address.
|
| JarURLConnection |
A URL Connection to a Java ARchive (JAR) file or an entry in a JAR
file.
|
| MulticastSocket |
The multicast datagram socket class is useful for sending
and receiving IP multicast packets.
|
| NetPermission |
This class is for various network permissions.
|
| NetworkInterface |
This class represents a Network Interface made up of a name,
and a list of IP addresses assigned to this interface.
|
| PasswordAuthentication |
The class PasswordAuthentication is a data holder that is used by
Authenticator.
|
| Proxy |
This class represents a proxy setting, typically a type (http, socks) and
a socket address.
|
| ProxySelector |
Selects the proxy server to use, if any, when connecting to the
network resource referenced by a URL.
|
| ResponseCache |
Represents implementations of URLConnection caches.
|
| SecureCacheResponse |
Represents a cache response originally retrieved through secure
means, such as TLS.
|
| ServerSocket |
This class implements server sockets.
|
| Socket |
This class implements client sockets (also called just
"sockets").
|
| SocketAddress |
This class represents a Socket Address with no protocol attachment.
|
| SocketImpl |
The abstract class
SocketImpl is a common superclass
of all classes that actually implement sockets. |
| SocketPermission |
This class represents access to a network via sockets.
|
| StandardSocketOptions |
Defines the standard socket options.
|
| URI |
Represents a Uniform Resource Identifier (URI) reference.
|
| URL |
Class
URL represents a Uniform Resource
Locator, a pointer to a "resource" on the World
Wide Web. |
| URLClassLoader |
This class loader is used to load classes and resources from a search
path of URLs referring to both JAR files and directories.
|
| URLConnection |
The abstract class
URLConnection is the superclass
of all classes that represent a communications link between the
application and a URL. |
| URLDecoder |
Utility class for HTML form decoding.
|
| URLEncoder |
Utility class for HTML form encoding.
|
| URLPermission |
Represents permission to access a resource or set of resources defined by a
given url, and for a given set of user-settable request methods
and request headers.
|
| URLStreamHandler |
The abstract class
URLStreamHandler is the common
superclass for all stream protocol handlers. |
| Enum | Description |
|---|---|
| Authenticator.RequestorType |
The type of the entity requesting authentication.
|
| Proxy.Type |
Represents the proxy type.
|
| StandardProtocolFamily |
Defines the standard families of communication protocols.
|
| Exception | Description |
|---|---|
| BindException |
Signals that an error occurred while attempting to bind a
socket to a local address and port.
|
| ConnectException |
Signals that an error occurred while attempting to connect a
socket to a remote address and port.
|
| HttpRetryException |
Thrown to indicate that a HTTP request needs to be retried
but cannot be retried automatically, due to streaming mode
being enabled.
|
| MalformedURLException |
Thrown to indicate that a malformed URL has occurred.
|
| NoRouteToHostException |
Signals that an error occurred while attempting to connect a
socket to a remote address and port.
|
| PortUnreachableException |
Signals that an ICMP Port Unreachable message has been
received on a connected datagram.
|
| ProtocolException |
Thrown to indicate that there is an error in the underlying
protocol, such as a TCP error.
|
| SocketException |
Thrown to indicate that there is an error creating or accessing a Socket.
|
| SocketTimeoutException |
Signals that a timeout has occurred on a socket read or accept.
|
| UnknownHostException |
Thrown to indicate that the IP address of a host could not be determined.
|
| UnknownServiceException |
Thrown to indicate that an unknown service exception has
occurred.
|
| URISyntaxException |
Checked exception thrown to indicate that a string could not be parsed as a
URI reference.
|
The java.net package can be roughly divided in two sections:
A Low Level API, which deals with the following abstractions:
Addresses, which are networking identifiers, like IP addresses.
Sockets, which are basic bidirectional data communication mechanisms.
Interfaces, which describe network interfaces.
A High Level API, which deals with the following abstractions:
URIs, which represent Universal Resource Identifiers.
URLs, which represent Universal Resource Locators.
Connections, which represents connections to the resource pointed to by URLs.
Addresses are used throughout the java.net APIs as either host identifiers, or socket endpoint identifiers.
The InetAddress
class is the abstraction representing an
IP (Internet Protocol) address. It has two subclasses:
Inet4Address
for IPv4 addresses.Inet6Address
for IPv6 addresses.But, in most cases, there is no need to deal directly with the subclasses, as the InetAddress abstraction should cover most of the needed functionality.
Not all systems have support for the IPv6 protocol, and while the Java
networking stack will attempt to detect it and use it transparently when
available, it is also possible to disable its use with a system property.
In the case where IPv6 is not available, or explicitly disabled,
Inet6Address are not valid arguments for most networking operations any
more. While methods like InetAddress.getByName(java.lang.String)
are
guaranteed not to return an Inet6Address when looking up host names, it
is possible, by passing literals, to create such an object. In which
case, most methods, when called with an Inet6Address will throw an
Exception.
Sockets are means to establish a communication link between machines over the network. The java.net package provides 4 kinds of Sockets:
Socket
is a TCP client API, and will typically
be used to connect to a remote host.ServerSocket
is a TCP server API, and will
typically accept
connections from client sockets.DatagramSocket
is a UDP endpoint API and is used
to send and
receive
datagram packets.MulticastSocket
is a subclass of
DatagramSocket
used when dealing with multicast
groups.Sending and receiving with TCP sockets is done through InputStreams and
OutputStreams which can be obtained via the
Socket.getInputStream()
and
Socket.getOutputStream()
methods.
The NetworkInterface
class provides APIs to browse and
query all the networking interfaces (e.g. ethernet connection or PPP
endpoint) of the local machine. It is through that class that you can
check if any of the local interfaces is configured to support IPv6.
Note, all conforming implementations must support at least one
NetworkInterface
object, which must either be connected to a
network, or be a "loopback" interface that can only communicate with
entities on the same machine.
A number of classes in the java.net package do provide for a much higher level of abstraction and allow for easy access to resources on the network. The classes are:
URI
is the class representing a
Universal Resource Identifier, as specified in RFC 2396.
As the name indicates, this is just an Identifier and doesn't
provide directly the means to access the resource.URL
is the class representing a
Universal Resource Locator, which is both an older concept for
URIs and a means to access the resources.URLConnection
is created from a URL and is the
communication link used to access the resource pointed by the
URL. This abstract class will delegate most of the work to the
underlying protocol handlers like http or https.HttpURLConnection
is a subclass of URLConnection
and provides some additional functionalities specific to the
HTTP protocol.The recommended usage is to use URI
to identify
resources, then convert it into a URL
when it is time to
access the resource. From that URL, you can either get the
URLConnection
for fine control, or get directly the
InputStream.
Here is an example:
URI uri = new URI("http://java.sun.com/"); URL url = uri.toURL(); InputStream in = url.openStream();
myproto://myhost.mydomain/resource/
),
a similar URL will try to instantiate the handler for the specified protocol;
if it doesn't exist an exception will be thrown.
By default the protocol handlers are loaded dynamically from the default
location. It is, however, possible to add to the search path by setting
the java.protocol.handler.pkgs
system property. For instance if
it is set to myapp.protocols
, then the URL code will try, in the
case of http, first to load myapp.protocols.http.Handler
, then,
if this fails, http.Handler
from the default location.
Note that the Handler class has to be a subclass of the abstract
class URLStreamHandler
.
Dracula Javadoc Sample, Made with Allan Im.


F = Full Control
CI = Container Inherit – This flag indicates that subordinate containers will inherit this ACE.
OI = Object Inherit – This flag indicates that subordinate files will inherit the ACE.


Persona
Bio
Name: Caro Mayer
Profession: Geriatric Nurses
Needs
Caro wants to be able to check her daily and weekly schedule on a mobile phone and update her task like when she is driving to a patient, with a patient, and finished caring for a patient. And she can add extra activities that were not listed on a particular patient which she performed.
Goals
- Log in to the app
-
Click check schedule
- Click Today Schedule to check the specific day schedule
- Click This Week to check the specific week schedule
- click Start Tour to begin the day schedule.
- Click Departure when going to the next patient on the queue
- Click Arrived when she is with patient
- Click Treatment when treating the patient
- Click Treatment Completed when through with a patient.
- And click Departure to indicate when leaving the current patient and going to the next patient on the queue
Photo source
www.unsplash.com


Jack Frost (1998) Michael Keaton, Kelly Preston, Mark Addy, Joseph Cross, Scott Kraft, Eli Marienthal, Henry Rollins, Dweezil Zappa. Written by Mark Steven Johnson and Steven Bloom & Jonathan Roberts and Jeff Cesario. Directed by Troy Miller. Rated PG, 2.5 stars (out of five stars)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo-online.com Archive reviews at http://us.imdb.com/M/reviews_by?Edward+Johnson-ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>I went into "Jack Frost" expecting the worst. The trailers for the fantasy, about a father who returns from the dead as a snowman, looked absolutely awful, promising a mawkish comedy with exceptionally cheesy special effects. The actual movie certainly lived up (or down, if you wish) to its ads, but I was moved anyway.  If you're willing to suffer through the bad stuff, the film actually offers some rewards.
Michael Keaton stars as Jack Frost, a musician in a small Colorado town who wants to be a good father and husband, but keeps screwing up, repeatedly missing important family events while trying to hit it big in show business. His wife Gabby (Kelly Preston) and son Charlie (Joseph Cross) recognize his good intentions, but are often hurt by his actions. While traveling towards a Christmas Day audition, he has an epiphany and turns around, heading for home to be with his loved ones. Then a snowstorm hits and Jack dies in a car wreck.
A year later, young Charlie is still a mess. He's quit the school hockey team and trudges through his days, sad and uncommunicative. Then it happens. Charlie wistfully blows on a harmonica that his father told him was magic ("No matter where I am, I'll hear it") and that night, the snowman in the front yard comes to life, inhabited by the soul of Jack Frost.
The results are predictable. Fear and disbelief, followed by wacky madcap adventures leading to a sentimental finale. The film is poorly executed, both visually and structurally. The machine-made snow throughout the town looks almost as phony as the instant mashed potato flakes often used as a snow substitute in movies. The snowman itself is unconvincing, resembling white felt more than snow, and the computer animation is very hokey.
The script is as bad as the special effects. Kelly Preston and Mark Addy (playing a former band-mate and family friend) are given passive, woefully underwritten characters with little to do. Henry Rollins oozes testosterone as Charlie's coach, who spots the snowman in action and becomes the laughing stock of the town when he tells what he saw. Rollins' blustery character seems bound for a major comic payoff, but the punchline never comes.
In fact, a lot of punchlines never come. For a comedy, there aren't nearly enough gags in "Jack Frost." The physical humor is more frenetic than funny, with poor camera angles undercutting the laughs. The jokes are standard-issue kid's stuff; one-liners about butts, a kid getting whacked in the testicles, etc.
On the sentimental side, the film strains mightily for a Frank Capra feel.  Every character is essentially a decent human being, a nice change from the parade of creeps who populate so many movies. Even the school bully eventually comes around, in one of the tale's most agreeable scenes.
While the tearjerker elements of "Jack Frost" sometimes become excessively gooey, particularly in one cloying scene that rips-off the climax of "Ghost," the film has moments that are honestly touching. Despite the ludicrous spectacle of a boy hugging a snowman, the relationship between Jack and Charlie feels genuine. I enjoyed the heartfelt father and son bonding, and thought the gentle lessons on dealing with the death of a loved one were poignant. To be fair, I should mention that I recently lost one of my parents, which may render me more susceptible to overt sentiment than usual.
"Jack Frost" is a sloppy, manipulative film, just another holiday trifle. But credit should be given to the filmmakers. Underneath the bells and whistles, and despite flubbing many opportunities, they have crafted a Christmas movie in the cynical late '90s that actually has a heart.
© 1998 Ed Johnson-Ott
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Note: a clamped value means that the selected color is not representable within the gamut of that particular colorspace.
If sRGB is clamped, the color bar on the right is only showing the nearest approximation and not the true color.
These attempt to measure the perceptual difference between two colors.
| CIE L*a*b* 1 | ||
| CIE L*a*b* 2 | ||


--- layout: post title: ! 'Ruby on Rails 1.2.6: Security and Maintenance Release' categories: [] author: michael published: true date: 2007-11-24 22:18:00.000000000 +00:00 ---
The rails core team has released ruby on rails 1.2.6 to address a bug in the fix for session fixation attacks (CVE-2007-5380). The CVE Identifier for this new issue is CVE-2007-6077.
You should upgrade to this new release if you do not take specific session-fixation counter measures in your application. 1.2.6 also fixes some regressions when working with has_many associations on unsaved ActiveRecord objects.
As with other 1.2.x releases, this is intended as a drop in upgrade for users of earlier versions in the 1.2 series.
To upgrade, `gem install rails`, set RAILS_GEM_VERSION to ‘1.2.6’ in config/environment.rb, and `rake rails:update:configs`.


{% extends "base.html" %} {% load static %} {% block main_content %}
fab clear_ta2_stored_requests
)(normally triggered when in no AppConfiguration entries exist--e.g. app doesn't know which domain to use)
(normally triggered when in D3M mode but no D3M configs are loaded)


Details Details Name UID Labels Annotations Created time Resource Info Resource Info Provider 삭제 수정 이전


The Macroinvertebrate Thermal Tolerance Index (MTTI) (Hubler et al.) was developed for freshwater wadeable streams in Oregon and Washington. The MTTI calculator generates Maximum Weekly Maximum Temperature (MWMT) values for each macroinvertebrate sample based on the relative abundances and MWMT weighted average optima values of the taxa in the sample (Stamp et al., in progress). MWMT is the metric that Oregon and Washington use for their numeric water temperature standard to protect salmonid habitat and is available from the NorWeST modeled stream temperature database..
The MTTI builds on earlier work by ODEQ (Huff et al. 2006) in which ODEQ developed a thermal tolerance index, but with many fewer samples (328 sites vs. 3658 sites). The MTTI value is not a direct measure of temperature. Rather it is a measure of the response of the macroinvertebrate assemblage to temperature, and can help detect deviation from natural thermal regimes. It may also provide important insights on resiliency. For example, if cold stenotherm taxa are persisting at a site with a NorWeST MWMT value greater than 16°C, investigating what factors make that site suitable for those taxa could inform tactics for restoring or protecting cold water refugia in other streams. Factors likely include habitat quality and complexity, groundwater, refugia, food quality and availability, and level of watershed disturbance.
For more information, contact Shannon Hubler (ODEQ) (Shannon.L.HUBLER@deq.oregon.gov).
There are three required fields:
If you named the required fields differently in your input file, it’s ok. Click on the drop-down menus. The list of fields in your input file will appear. Select the correct column headings.
All columns in the input file are carried over into the output file.
IMPORTANT
After uploading the input file, users can skip the File Builder step and go right to the MTTI calculator. Unlike the BCG calculators, users do not have to specify INDEX_NAME or INDEX_CLASS and the taxa translation and attribute addition steps are built into the MTTI R code.


Reports any Law of Demeter violations.
The Law of Demeter specifies a style guideline: never call a method on an object you got from another call.
Code following this style is said to be easier to maintain, adapt and refactor, with less coupling between methods, less duplication,
and better information hiding. On the other hand it may result in having to write many wrapper methods.


_Best_Laid_Plans_ (R) ** 1/2 (out of ****)
I have much to say about _Best_Laid_Plans_, but I'm afraid that I can't really say much of anything about it. To go into detail is to ruin the biggest pleasure the film has to offer--and if I did that, I'm afraid there's not too much else left to enjoy in director Mike Barker's interesting but ultimately underwhelming film.
The film opens with two old college buddies, Nick (Alessandro Nivola) and Bryce (Josh Brolin), talking over drinks at a bar in their small hometown of Tropico. With the entrance of a fetching young blonde (Reese Witherspoon), the film fades out, and when it fades back in, a few hours have passed, and Bryce finds himself in a predicament that he feels only Nick can bail him out of--Bryce had sex with the girl, who, as it turns out, is underage, and in a panic, he tied her up and is holding her hostage in the basement.
The rest of _Best_Laid_Plans_ should be left a mystery; needless to say, as the title implies, there are some plans involved, and, in turn, the implication that comes with calling them "best laid"--as in those of mice and men, and, consequently, as in them going awry. These plans, however, are not what one would expect, and the series of twists upon twists that writer Ted Griffin devises does keep one interested in what happens next.
The problem, however, is what appears to be the trademark of Griffin, whose only other effort was the satirical cannibalism movie _Ravenous_--that is, the blending of elements that aren't normally mixed. Grisly subject matter (with the bloody gore to match) and sometimes broad satire were paired fairly uneasily in _Ravenous_, and here the odd combo is that of a dark, mean-spirited thriller with straightforward romantic elements. It would take very skilled jugglers in the writing and directing departments to mix these opposite ends of the emotional spectrum without appearing to exhibit a split personality, which, I'm afraid, is how _Best_Laid_Plans_ comes off; the most telling moment is the film's resolution, which adds a lethally unnatural flavor of sugar to the film's black bile.
The actors, for the most part, fare well under the circumstances; Nivola is convincing (if unspectacular), and Witherspoon, who has never given a bad performance, doesn't break her streak here. The weakest link is Brolin's annoying Bryce, but in his defense, a lot of that is the fault of the writing; Bryce displays very few, if any, redeeming qualities, making one wonder why Nick would keep him as a friend--and thus removing any resonance from the whole "betrayal of friendship" theme.
Which brings us back to the title. Barker and Griffin had some interesting ingredients in place for this noirish thriller, and obviously had an intriguingly twisty course clearly mapped out for themselves. Alas, much like those mice and men...
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://welcome.to/mrbrown CompuServe Hollywood Hotline: http://www.HollywoodHotline.com on ICQ: #25289934 | on AOL Instant Messenger: MrBrown23
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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--- layout: post title: Perfect separator for Shoutcast 7.html file description: If you use the Shoutcast 7.html trick to get some quick stats about your stream broadcast but are getting some inconsistencies with parsing the comma-separated input you get, try this! date: 2012-04-08 12:00:00 headerImage: img/post-bg-05.jpg tags: ["tech", "php"] ---
To go along nicely with my previous Shoutcast tip, here is a trick to separate the data in the Shoutcast 7.html for displaying.
If you, like me, use the Shoutcast 7.html trick to get some quick stats about your stream broadcast but are getting some inconsistencies with parsing the comma-separated input you get, try this:
{{< highlight php >}}{{< /highlight >}}A possible outcome would be this:
{{< highlight php >}} 1 [1] => 1 [2] => 1 [3] => 1000 [4] => 1 [5] => 192 [6] => "Woe, Is Me - Hell, or High Water" ) ?> {{< /highlight >}}
If you were to explode()
this string, you'd get the artist in 2 nodes and with this song title you'd get that one in 2 nodes as well.
The preg_split
function has the nice ability to add a limit
parameter, thus saying "Split this string on commas, but only do it for the first 7"
and this will guarantee that your artist and song title are stuck together on the last index.


Stefan Hotels
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From your desktop, click People & user groups at the top of your left sidebar... Click New User Group in the top right From your desktop, click People & user groups at the top of your left sidebar.
Have a heart of Gold?. Ready to take on expenses of
medically restrained patients? Here’s how to take a
step
in making humanity smile.
Head over
to www.medicaid.com/medical_issues
Select from the cases listed on the page
on the website.
With your help, we could help make humanity smile again.
Fill in the necessary details.. and make
sponsorship.. Thanks for you Kind
Gesture towards
humanity!.
MedicAid helped secure sponsorship for my medical expenses when i
had
asthma. My inhaler and other medical care were to cost $40,000
which i
couldn’t afford basically. I am very grateful to Medic Aid.
Thank you anonymous!. Thank you MedicAid!.
The Platform
Sponsorship
Medical Assistance
You can get medical assistance by Clicking Medical
Assistance Here. Which would need you to register on
the platform
No. You do not get to pay for medical assistance. We help
source for sponsors that could help with your medical
Expenses.
Sponsors from far and wide volunteer to help with the
payment of your medical expense at 0 cost or returns
from you.
You could write a mail for us to deliver to them
<EMAIL_ADDRESS>Need more information about the
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Here is a list of tools you need
The files are in SVG format. This is an open source format supported by most of the vector drawing softwares. All you have to do is right click on the file and choose "Open with" and then open the file within your favorite installed software
Note: all layers are cut with the top face of the chair on the top of the laser cut plan. The layers are not really oriented but at least it is recommended to keep this orientation
The image below shows you what pieces of wood are wasted on this layer. All striped areas in red are the one that you actually can drop
Once all wasted wood parts are removed you can flip the parts and write the layer name on the back of them. Parts from different layers look the same and should not be swapped at mount time.
If you are printing a chair in split mode, please note to which part of the split the parts are belonging. Same as the different layers the parts from the same split look exactly the same be are not
Here is a naming convention : A_
This layer is quite simple, the worst is layer B ;)
For this layer you will need both the box and the elastics ;)
The image below shows you what pieces of wood are wasted on this layer. All striped areas in red are the one that you actually can drop
Once all wasted wood parts are removed you directly write (no need to flip) on the different parts of the layer. Keep in mind the naming convention of layer A
Put all the tiny parts of the hinge into the box and keep them secure (try not to loose them)
The image below shows you what pieces of wood are wasted on this layer. All striped areas in red are the one that you actually can drop
Once all wasted wood parts are removed you directly write (no need to flip) on the different parts of the layer. Keep in mind the naming convention of layer A
Here is a list of tools you need
You need to glue the tiny hinge crenel heads to the layer C. The hinge heads are parts of the B layer.
You need to glue them on both leg and seat and fasten them using the spins
The image below shows you what your chair in progress should look like
Wait at least 2 hours for a quick-setting glue
At the rear of the seat you have to glue the slider axle (provided by layer B) on the C part of the seat
The image below shows you where to glue this part
Wait at least 2 hours for a quick-setting glue
The chair frame can be mounted in one pass even if you chose to cut a splited version of your chair
Advice: The peg holes are really adjusted to make the mounting operation easily. But I really advice to you to put them on layer A parts from the external to the internal face. Internal face is the one on which the part layer are written.


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Assessment - Lecture Quiz
Lecture 5 - Insurance, the Archetypal Risk Managem
1
.
Which of the following situations are moral hazard problems that the insurance industry is prone to?
(More than one answer may apply.)

People, who know they have a terminal disease and are about to die, will sign up for a life insurance contract.
Considering n independent trials, where the probability that a specific event occurs during one trial equals p, the standard deviation of the fraction of events for which the event occurs decreases with the square root of n.
2
.
Which of the following people headed the company that was founded as American Asiatic Underwriters in 1919 and is today known as American International Group?
(More than one answer may apply.)
Points = 2.0
Eliot Spitzer.
Maurice "Hank" Greenberg.
Sun Yat-sen.
Cornelius Vander Starr.
3
.
How does the Dodd-Frank Act in the U.S. from 2010 change the regulation of the insurance industry?
Points = 2.0
It abolishes all state regulators for the insurance industry.
It terminates the federal regulation of the insurance industry and requires the creation of state regulatory agencies for the insurance industry that will coordinate with the Federal Reserve on systemic issues.
It creates the Federal Insurance Office, which can recommend to the Financial Stability Oversight Council that an insurance company is to be put under the regulation of the Federal Reserve Board, if this insurance company represents a systemic risk.
It mandates that the National Association of Insurance Commissioners must approve all insurance legislation.
4
.
What is the main content of the U.S. Emergency Medical Treatment and Active Labor Act from 1986?
Points = 2.0
Every company with 25 or more employees has to establish their own Health Maintenance Organization.
If you are not affiliated with any insurance plan, you have to pay a $700 penalty.
Anyone needing emergency treatment can go to any hospital with an emergency room and must be taken care of.
Health plans like the Yale Health Plan are ruled illegal.
5
.
Besides the fact that people in Haiti could not collect payments after the earthquake in 2010, what was one of the major problems of the lack of the insurance for Haitian buildings?
Points = 2.0
Only if more than 60% of the buildings in Haiti had been insured, the Caribbean Catastrophe Risk Insurance Facility would have provided re-insurance for Haitian insurance companies.
If there had been building insurance in place, the insurance companies would have imposed building codes and standards, ameliorating the structural consequences of the earthquake.
Only a person with building insurance could run for the Haitian parliament, leading to a lopsided representation of the Haitian people.
The Haitian government was forced to create the Terrorism Risk Insurance Act to support underfunded Haitian insurance companies.
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At the core of a CMS, a URL is entered into a browser and up comes an HTML page. OK, there are some things that go on behind the request, such as determining if the user has permission to see the page, does the page exist, selecting a presentation theme, etc. However, in the simplest form a URL translates to an HTML page.
Before designing the domain model of the CMS, it makes sense to fully understand the HTML page. A start to understanding can be found with the HTML 5 specification; however, the specification does not tell a story about industry best practices. For this, we can look at projects like HTML5 Boilerplate, which has four years of refinement of best practices with regards to HTML5, CSS3, and JavaScript. From here forward, when referring to HTML, I am referring to both the HTML 5 specification and HTML 5 best practices. I will reiterate to emphasize what our application does.
When a URL is entered in the browser, our CMS output is an HTML page, and that page follows both the HTML5 specification and best practices from HTML5 boilerplate.
The article Domain Driven Design discusses the importance of developing a model of the domain. To develop a domain model of our CMS a full understanding of the HTML 5 specification and best practices is required. Through this understanding, a language is developed. This language is known as Ubiquitous Language, which is structured around the domain model and used by all team members to connect all the activities of the team with the software. (see http://en.wikipedia.org/wiki/Domain-driven_design). In other words, if we are going to build a software program to help front-end developers build a website, the team needs to have a common language and understanding of domain.
In its most basic form, an html page consists of:
<!DOCTYPE HTML/>
The HTML page has a document type, and a root. The root has a head and a body. The head contains information about the page, its language, a brief description, files to load prior to loading the body content, and more. The body contains the document's content. The following are the definitions of the head and body tags from W3C.
This article discusses the need to create a ubiquitous language, which describes the domain. The domain in this context the specification and best practices of an HTML 5 page. In the next two articles the  and  elements are discussed in detail.


Analyses usages of 'array_search(..)' and 'in_array(...)'. If the 'strict' (third) parameter is missing,
refactoring will be proposed for security's sake.
Refactoring this might present a significant cost in terms of
additional development and legacy code reverse engineering, so
the cost-benefit should be weighed carefully.


This is a Market Tracking tool that tracks the average volume of stock and looks for certain events such as when a large trade is made
This is a free to use website but all information is not guranteed to be accurate and should be researched accoridingly. Do not take this as investment advice
Devloped By: David Rowan *This is a personal Project but please feel free to post issues to github below and I will try to get to them as fast as possible


By Aniket Pant
Seems like our Classification went wrong.


|
muSE
r716
|
Functions | |
| muse_cell | fn_int_p (muse_env *env, void *context, muse_cell args) |
| muse_cell | fn_float_p (muse_env *env, void *context, muse_cell args) |
| muse_cell | fn_number_p (muse_env *env, void *context, muse_cell args) |
| muse_cell | fn_cons_p (muse_env *env, void *context, muse_cell args) |
| muse_cell | fn_fn_p (muse_env *env, void *context, muse_cell args) |
| muse_cell | fn_lambda_p (muse_env *env, void *context, muse_cell args) |
| muse_cell | fn_symbol_p (muse_env *env, void *context, muse_cell args) |
| muse_cell | fn_string_p (muse_env *env, void *context, muse_cell args) |
| muse_cell | fn_whatis (muse_env *env, void *context, muse_cell args) |
Evaluates to x if x is an integer cell and to () if its not.
References MUSE_INT_CELL, and MUSE_NIL.
Evaluates to x if x is a float cell and to () if it is not.
References MUSE_FLOAT_CELL, and MUSE_NIL.
Evaluates to x if x is either an integer or a float cell. Otherwise evaluates to ().
References MUSE_FLOAT_CELL, MUSE_INT_CELL, and MUSE_NIL.
Evaluates to x if x is a cons cell - i.e. a portion of a list or a pair created by cons
. If not, it evaluates to ().
References MUSE_CONS_CELL, and MUSE_NIL.
Evaluates to x if x is a lambda function or a c-native function. Evaluates to () if it is not.
References MUSE_NIL.
Evaluates to x if x is a lambda function. Evaluates to () if it is not.
References MUSE_LAMBDA_CELL, and MUSE_NIL.
Evaluates to x if x is a symbol (named or anonymous) and evaluates to () if it isn't.
References MUSE_NIL, and MUSE_SYMBOL_CELL.
Evaluates to x if x is a text cell and to () if it isn't.
References MUSE_NIL, and MUSE_TEXT_CELL.
For level
0, returns a type checking function for the thing. For level
1, return an object containing properties that are extracted without looking into details like file contents. For level
2, returns an object containing deep properties of the thing.
References muse_mk_ctext(), and MUSE_NIL.


Artisan Commands
Naming
The names given to artisan commands should all be kebab-cased.
// 👎🏻
php artisan deleteOldRecords
// ✅
php artisan delete-old-records
Feedback
A command should always give some feedback on what the result is. Minimally you should let the handle method spit out a comment at the end indicating that all went well.
// ✅ Inside a Command
public function handle()
{
// do something
$this->comment('All ok!');
}
When the main function of a result is processing items, consider adding output inside of the loop, so progress can be tracked. Put the output before the actual process. If something goes wrong, this makes it easy to know which item caused the error.
At the end of the command, provide a summary on how much processing was done.
Add a progress bar if you want to
// ✅ Inside a Command
public function handle()
{
$this->comment("Start processing items...");
// do some work
$items->each(function(Item $item) {
$this->info("Processing item id `{$item-id}`...");
$this->processItem($item);
});
$this->comment("Processed {$item->count()} items.");
}


| Path: | README.txt |
| Last Update: | Thu Apr 24 03:05:16 +0300 2008 |
This GEM allows to call methods lazily. i.e. the actual work will not be performed until the result is used. There‘s no promise/force semantics. just a single call (or block) is stored and executed the first time the (lazy) result is accessed.
# simple lazy call user = User.lazy.find(:first) # will not access a db puts user.name # this will actually perform the find and then get the name from
# the result
# example for a lazy block user_name = User.lazy { |user| user.find(:first).user_name } # no db access puts user_name # db will be accessed here


Refactor of the tuyaSmartNodejs repository from express to nestjs for future implementations
The project born to create a http server for manage the home automation sockets compatible with the Tuya and Smart Life apps. Currently, single sockets and multiple sockets are managed and recently compatibility with Nooie bulbs and Lifx white bulb has also been implemented.
Just clone repository, run npm install
run npm run build
In order to work, you need both the id and the key of the device.
Turn On multiple socket
http://<IP_ADDRESS>:8081/tuya/multiple?id=<id_device>&key=<key_device>&use=accendi&subdevice=<id_sub_socket>
Turn On single socket
http://<IP_ADDRESS>:8081/tuya/single?id=<id_device>&key=<key_device>&use=accendi
Turn On nooie bulb
http://<IP_ADDRESS>:8081/nooie/bulb?id=<id_device>&key=<key_device>&use=accendi
Turn On lifx bulb
http://<IP_ADDRESS>:8081/lifx/bulb?light=<id_light>&state=ON
For each call, there are many options (especially for nooie bulbs).
The system exposes its api and all the options provided through the url http://<IP_ADDRESS>:8081/swagger
which is available after the project has been started.
You can find project documentation schema here: https://marcopollacci.github.io/tuyaSmartNodejs-2.0/
Use Pm2 with ecosystem.config.js file include in this project!
You can find Docker package here https://hub.docker.com/repository/docker/marcopollacci/tuya-smart-nodejs-2.0


Items in stockPrice{{selectedCurrency.symbol}} Default
Pricing
Price{{selectedCurrency.symbol}}
Same Price For
Variants
Availability
Active
Show quantity
Allow out of quantity
purchase
Items in stock
Organization
URLURL will auto populate from product name if left empty.Only lowercase letters dashes and underscores are allowed
Category
{{category.name}}
SaleNone
{{sale.name}}
Related products are populated automatically by selecting at
random from the same category. If however a specific list is provided
it will be used instead.


Lily Allen calls for ‘Rule Britannia’ to be banned
"Sorry what? Britannia rule the waves… I think we should not read this song anymore."
Lily Allen has faced a barrage of criticism after calling for ‘Rule Britannia’ to be banned.
The ‘Smile’ singer dissected the lyrics of the traditional anthem, which was first penned in 1740, in a series of posts on her Instagram stories.
Taking aim at the track, which originated from a poem by James Thomson, she singled out the lyrics: “Britons never, never, never shall be slaves. The nations, not so blest as thee, Must in their turn, to tyrants fall, While thous shalt flourish, shalt flourish great and free.”
Allen said: “Sorry what? Britannia rule the waves… I think we should not read this song anymore.”
While Allen’s criticism comes after the track was featured in last weekend’s Remembrance Day services, the idea soon faced widespread backlash.
One Instagram user wrote: “You should respect the fallen, who gave you the chance to sing and make a career. It’s a song going back hundreds of years. Britain shouldn’t be slaves nor should any country. It was created when Britain did rule the waves with the largest naval fleets.”

But others were more supportive. Defending Allen, one fan said: “Hear hear. Progress. Update. Be the country we ought to be, not the awful nation we once more.”
A second fan joked: “We could sing Vindaloo instead.”
Allen’s criticism of the anthem comes after critics likened it to a “Ukip rally” in 2016.
Lily Allen
In 2002, it was also removed from the repertoire at the Last Night Of The Proms in a break from tradition.
Leonard Slatkin, chief conductor of the BBC Symphony Orchestra, subsequently claimed the choice reflected the views of the public, describing the anthem as “militaristic.”
Allen is currently living in the US, having vowed not to permanently return to the UK until “Brexit is sorted”.
The latest controversy comes after she backed an open letter backing Extinction Rebellion, which signed by a string of celebrities who admitted they were “hypocrites” for demanding change.


Higher Council for the Rights of Persons with Disabilities (HCD)
Higher Council for the Rights of Persons with Disabilities The
Supreme Council for the Rights of Persons with Disabilities was
established under the Rights of Persons with Disabilities Law No. 31
of 2007 under the name (Higher Council for the Affairs of Persons
with Disabilities) as a public institution headed by His Highness
Prince Raad bin Zaid, and under the presidency of His Highness Prince
Mired bin Raad bin Zaid, the Rights of Persons with Disabilities Law
was issued No. 20 of 2017, according to which the name of the Council
was amended to become Higher Council for Rights.
website
Location: Shmeisani-Building No.26
Phone:+962 6 5538610
Fax:+962 6 5538243
Blind Academy
Blind Academy - Abdullah Ibn Umm Maktoum School The Academy of the
Blind was established in 2011 as a royal initiative, and it is the
only academy in Jordan that deals with students with visual impairment
from different regions of the Kingdom.
website
Location: Istiklal Street -next to the Ministry of Social Development.
Phone: +962 6 4656228 - +962 64615665
Emile Box: 7063 Amman 11118 Jordan
Saudi Center for Rehabilitation and Training of Blind Women in Jordan
Saudi Center for Rehabilitation and Training of Blind Women in Jordan
Rehabilitation and training of blind women from the Arab world to
Egypt Each training department produces, markets and sells the work of
its students. Training courses are:
1. Woolknitting
2. Handmade arts
3. Hand loom
website
Location: Amman Jordan.
Phone: +962 6 581 7904
Diaa Charitable Association for the upbringing and education of
visually impaired children
Foundation Year: 1996 Goals: Diagnose, educate, rehabilitate, train
and care for persons with disabilities (visually). And provide
physical therapy, speech training, and occupational therapy for them,
and provide transportation and assistance, and integrate them.
Email
Location: Umm Nawara-near Queen Rania Park.
Phone: +962 6 5821762
Fax: +962 6 5821762


Go through all steps for completing the process.
{{item.label}}
{{externalGlobComment}}
Tax paid for the 3 years immediately Preceeding the award of contract:
Signing Party Designation *
You can upload any number of documents here
Please confirm your payment by clicking below button.
Successfully Resubmitted your Request
{{invalidMessage}}


Vivaldi and the Quest for H264 Support
Some say that Antonio Lucio Vivaldi was a pretty bitching Italian Baroque-ian composer, violinist, teacher, and cleric. For the record that is not the Vivaldi we will be discussing today.
I will go into more details about the Vivaldi browser in a future post but what I want to touch on today is how to setup full media codec support for it. Out of the box when running vivaldi on linux depending on your distro of choice you won’t be able to watch h.264 based videos on YouTube.
Solus 3, which is the distro I am running as I write this article, happens to be on of the distros that does not have that codec support baked in. Below is a quick dirty hack to get this working for vivaldi-stable, which is available in the Solus 3 software center, and will get things working if you need this support immediately. Also just to clarify thanks to ruario over on github for putting this together and full credit to him on this script I am linking to below.
Okay enough talk let’s hack some stuff:
Navigate to ruario’s github page
Once there and you have reviewed the script click Download ZIP.
Extract the .zip wherever you like and open a new terminal.
Navigate from the new terminal to the directory you just extracted the zip to in the last step.
Now run sudo chmod +x latest-proprietary-media.sh.
Now that the script is executable run ./latest-proprietary-media.sh.
Once the script completes it will tell you to restart vivaldi if it was running and gives you a URL to follow to test that everything worked.
Bonus step: Here is a link to a JayzTwoCents video that I wanted to watch that wouldn’t play before I took the above steps. If this video plays than congratulations h.264 support is yours.
During my little adventure above I was corresponding on twitter with Josh Strobl who is a core member of the Solus Team, and happens to be their Communications Manager, and he shared some pretty timely and cool insights with me.
Josh mentioned that one of the Solus community members, Joe, is working on finishing chromium. Once that work is completed the Solus Team will break out it’s, chromium’s that is, ffmpeg into chromium-ffmpeg and make it a run dependency of both vivdaldi-stable and vivaldi-snapshot in Solus’s software center. At that point regardless of which version of vivaldi your running stable or snapshot you will get all of the h.264 codec support goodness automagically.
In short Solus and our awesome community is on the case and working towards fixing this problem properly and with style.


{% extends 'base.html' %} {% block content %}
Welcome to {{ player.username }}'s profile.
{{ player.username }} is in the team {{ team.name }}!


--- date: 2011-08-08T00:00:00Z published: true title: Belmont Club » The Turn of the Card url: /2011/08/08/belmont-club-the-turn-of-the-card/ ---
Meanwhile the markets continued to fall as investors fled to gold and ironically — Treasury Bonds. The Los Angeles Times notes that the Dow Jones average fell 600 points by midday on a Monday opening. “The appetite for Treasury bonds suggests that the Standard & Poor’s downgrade of the U.S. has not shaken the faith of investors in U.S. bonds.” It also suggested that the market’s skittishness was related to the general weakness of the economy rather than just being an outcome of the downgrade.


Paste your text below!
Go!
Number of words:
One word per line
Colours: get random palette
Download: SVG
Spiral: Archimedean Rectangular
Scale: log n √n n
Font:
orientations from ° to °
How the Word Cloud Generator Works.
Copyright © Jason Davies | Privacy Policy. The generated word clouds may be used for any purpose.


The CCC control is super special control.
- Which CSS style properties the class inherits
- Which style properties are colors, and therefore get special handling
- A list of strings that are aliases for color values
CCC
The CCC control is super special control.
See also: | controls.CCC, controls.CCC |


How Much Does A Website Cost?
It doesn’t really matter how much a website costs, because it’s value is so much more than its price
tag. Your website is the cheapest employee you’ll ever have. Can you afford not to have one?
No Matter What The Cost, Any Website is a Cheap Website
Why a Website Is A Bargain
As a web designer/developer, Working mainly for small business startups, I’m often asked “How much does a
website cost?”
It’s the next question that is more difficult to answer. “Why is it so expensive? It’s just a website!”
how much is a website?
Just a website. “I only want a website. A simple, cheap website”. I wonder if doctors get as annoyed when
someone says “It’s just an operation”, or if architects and builders get frustrated when people say “It’s
just a house. How hard can it be?”
I think the biggest problem we face as designers/developers is that even when completed a website isn’t
really a tangible object. You can’t hold it in your hands and feel it, or smell it, or hang it on the wall.
The details, the design skills and craftsmanship that makes a website what it is, these hide under the
surface. The things that make a website work are practically invisible to most people.
The cost of the website isn’t really important. It doesn’t matter if it’s £300, £600, £1000, £5000 or more.
Websites are cheap, no matter what the cost.
What matters is the value of the website. Here’s an analogy that might help to illustrate my meaning:
The perfect employee
Imagine you’ve decided to take on a new salesman for the company. His name is Jim, and he’s a nice guy.
This is what Jim does for you.
Jim works 24 hours a day, 7 days a week, 365 days a year. He never sleeps, he never takes holidays, he
never takes a break. All he does is talk to your clients and sing your praises to everyone he meets.
Jim knows everything there is to know about the company, and never forgets anything when he’s selling. He
talks to hundreds of people every day, he can talk to more than one person at once, and yet he still gives
one-to-one attention.
Jim travels. He can be anywhere in the world when he’s needed, and can somehow manage to be in different
places at the same time. He never files any expense claims for this.
Jim learns quickly. If you want to teach him something new, you only have to tell him once.
The best part of all this?
Jim is cheap. Ridiculously cheap. If you employ Jim for two years, lets say for £5000, which comes to a
paltry £2500 a year. In fact, the longer Jim works for you, the cheaper he gets. And Jim will never quit.
You pay Jim £0.28 per hour. He’s always
there for you, and he works tirelessly around the clock for one thing: for you.
Dont feel sorry for Jim. Jim isn’t real. He has no feelings to hurt, no ego to be crushed....... Jim is
your
website.
Imagine getting a salesman for minimum wage. or even £0.28 an hour!
If you would like your own version of Jim, get in touch!
.