◄ 31st IPHO 2000 ►
Country results • Individual results
| Contestant | Country | Rank | Award |
|---|---|---|---|
| Lu Ying | People's Republic of China | 1 | Gold Medal |
| Christoph Keller | Switzerland | 2 | Gold Medal |
| Xiao Jing | People's Republic of China | 3 | Gold Medal |
| Alexei Vakhov | Russia | 4 | Gold Medal |
| Chen Xiaosheng | People's Republic of China | 5 | Gold Medal |
| Ákos Hegedűs | Hungary | 6 | Gold Medal |
| M Arvind | India | 7 | Gold Medal |
| Navneet Loiwal | India | 8 | Gold Medal |
| Evgeni Panov | Russia | 9 | Gold Medal |
| Song Junliang | People's Republic of China | 10 | Gold Medal |
| Zhang Chi | People's Republic of China | 11 | Gold Medal |
| Balázs Pozsgay | Hungary | 12 | Gold Medal |
| Nikolay Pavlov | Bulgaria | 13 | Gold Medal |
| Gregory Price | United States of America | 14 | Silver Medal |
| Payam Seifi | Islamic Republic of Iran | 15 | Silver Medal |
| Youngsub Yoon | Republic of Korea | 16 | Silver Medal |
| Chan-Youn Park | Republic of Korea | 17 | Silver Medal |
| Ehsan Ardestanizadeh | Islamic Republic of Iran | 18 | Silver Medal |
| Jan Houštěk | Czech Republic | 19 | Silver Medal |
| Pouyan Ghaemi Mohammadi | Islamic Republic of Iran | 20 | Silver Medal |
| Sang-Geol Koh | Republic of Korea | 21 | Silver Medal |
| Mikhail Rotaev | Russia | 22 | Silver Medal |
| David Houseman | Australia | 23 | Silver Medal |
| Vitali Vavilov | Russia | 24 | Silver Medal |
| Halim Kusumaatmaja | Indonesia | 25 | Bronze Medal |
| Jiří Chaloupka | Czech Republic | 26 | Bronze Medal |
| Nipun Kwatra | India | 27 | Bronze Medal |
| Roman Bakulin | Ukraine | 28 | Bronze Medal |
| Anthony Miller | United States of America | 29 | Bronze Medal |
| Gerald Cooray | Sweden | 30 | Bronze Medal |
| Ismail Hasanov | Azerbaijan | 31 | Bronze Medal |
| Abhineet Sawa | India | 32 | Bronze Medal |
| Hsi-Chun Liu | Taiwan | 33 | Bronze Medal |
| Yevgen Kovalyshen | Ukraine | 34 | Bronze Medal |
| Jurgis Pasukonis | Lithuania | 35 | Bronze Medal |
| Tran Viet Bac | Vietnam | 36 | Bronze Medal |
| Michael Vrable | United States of America | 37 | Bronze Medal |
| Andrew Ferris | Australia | 38 | Bronze Medal |
| Jason Oh | United States of America | 39 | Bronze Medal |
| Stevan Nadj-Perge | Yugoslavia | 40 | Bronze Medal |
| András Mathé | Hungary | 41 | Bronze Medal |
| Mahdieh Bagher Shemirani | Islamic Republic of Iran | 42 | Bronze Medal |
| Kamiar Rahnama Rad | Islamic Republic of Iran | 43 | Bronze Medal |
| Yoga Dvipayana | Indonesia | 44 | Bronze Medal |
| Merse Előd Gáspár | Hungary | 45 | Bronze Medal |
| Serguei Jouk | Russia | 46 | Bronze Medal |
| Dao Anh Duc | Vietnam | 47 | Bronze Medal |
| Jouttenus Teppo | Finland | 48 | Bronze Medal |
| Edward Smith | United Kingdom | 49 | Bronze Medal |
| Yang-Ting Chien | Taiwan | 50 | Bronze Medal |
| Vu Ngoc Anh | Vietnam | 51 | Bronze Medal |
| Stefan Pauliuk | Germany | 52 | Bronze Medal |
| Vasyl Bilykh | Ukraine | 53 | Bronze Medal |
| Tobias Fritz | Germany | 54 | Bronze Medal |
| Bahar Riand Passa | Indonesia | 55 | Bronze Medal |
| Carlo Castellana | Italy | 56 | Bronze Medal |
| Henry Lockwood | United Kingdom | 57 | Bronze Medal |
| Gergely Patay | Hungary | 58 | Bronze Medal |
| Artyom Tonkikh | Israel | 59 | Bronze Medal |
| Joseph Yu | United States of America | 60 | Bronze Medal |
| Hoang Ngoc Thach | Vietnam | 61 | Bronze Medal |
| Andrés Aceña | Argentina | 62 | Bronze Medal |
| Stefan Salom | Yugoslavia | 63 | Bronze Medal |
| Bremana Adhi | Indonesia | 64 | Bronze Medal |
| Pim Altena | Netherlands | 65 | Bronze Medal |
| Ng Wee Hao | Singapore | 66 | Bronze Medal |
| Pavel Petrov | Estonia | 67 | Honourable Mention |
| Przemysław Piotr Broniek | Poland | 68 | Honourable Mention |
| Andrej Košmrlj | Slovenia | 69 | Honourable Mention |
| Fethi Mübin Ramazanoğlu | Turkey | 70 | Honourable Mention |
| Aliaksandr Mikhniuk | Belarus | 71 | Honourable Mention |
| Lemmetty Mikko | Finland | 72 | Honourable Mention |
| Yeong-Jyi Lei | Taiwan | 73 | Honourable Mention |
| Juraj Suchar | Slovakia | 74 | Honourable Mention |
| Igor Stamenov | Yugoslavia | 75 | Honourable Mention |
| Andrew Thomas | United Kingdom | 76 | Honourable Mention |
| Urmo Visk | Estonia | 77 | Honourable Mention |
| Kyung Min Lee | Republic of Korea | 78 | Honourable Mention |
| V Srikanth | India | 79 | Honourable Mention |
| Stefan Ingi Valdimarsson | Iceland | 80 | Honourable Mention |
| Eugen Gaburov | Moldova | 81 | Honourable Mention |
| Ştefan Ichim | Romania | 82 | Honourable Mention |
| Jonathan Tay Jianxiong | Singapore | 83 | Honourable Mention |
| Tivadar Mach | Italy | 84 | Honourable Mention |
| Toh Kai Yang | Singapore | 85 | Honourable Mention |
| Matej Kanduč | Slovenia | 86 | Honourable Mention |
| Duygu Kuzum | Turkey | 87 | Honourable Mention |
| Keve Kurucz | Slovakia | 88 | Honourable Mention |
| Danil Murtazin | Kazakhstan | 89 | Honourable Mention |
| Chris Pedder | United Kingdom | 90 | Honourable Mention |
| Plamen Bokov | Bulgaria | 91 | Honourable Mention |
| Sebastian Höppner | Germany | 92 | Honourable Mention |
| Maarten van der Schrieck | Netherlands | 93 | Honourable Mention |
| Nguyen Trung Dung | Vietnam | 94 | Honourable Mention |
| Dusko Kuzmanovski | North Macedonia | 95 | Honourable Mention |
| Peter Cendula | Slovakia | 96 | Honourable Mention |
| Iztok Pižorn | Slovenia | 97 | Honourable Mention |
| Jan Kapitán | Czech Republic | 98 | Honourable Mention |
| Anthony Phillips | Australia | 99 | Honourable Mention |
| Frédéric Dupuis | Canada | 100 | Honourable Mention |
| Denis Dmitriev | Canada | 101 | Honourable Mention |
| Ian Preston | Australia | 102 | Honourable Mention |
| Bakhtiyar Hadjiev | Azerbaijan | 103 | Honourable Mention |
| Ruza Markov | Yugoslavia | 104 | Honourable Mention |
| Ariel Lempel | Argentina | 105 | Honourable Mention |
| Adrian Sauerbrey | Germany | 106 | Honourable Mention |
| Iulian Sandu Popa | Romania | 107 | Honourable Mention |
| Selma de Mink | Netherlands | 108 | Honourable Mention |
| Nickolay Levkovich | Belarus | 109 | Honourable Mention |
| Olena Ryabinina | Ukraine | 110 | Honourable Mention |
| Raikhlin Vladimir | Israel | 111 | Honourable Mention |
| Reynier Bravo | Cuba | 112 | Honourable Mention |
| Victor Dedov | Belarus | 113 | Honourable Mention |
| Brian Lim Youliang | Singapore | 114 | Honourable Mention |
| Matthias Treier | Switzerland | 115 | Honourable Mention |
| Katarina Petrovic | Yugoslavia | 116 | Honourable Mention |
| Mikhail Yakutovich | Belarus | 117 | Honourable Mention |
| Zainul Abidin | Indonesia | 118 | Honourable Mention |
| Marco del Rey | Spain | 119 | Honourable Mention |
| Jakub Maksymilian Gac | Poland | 120 | Honourable Mention |
| Peter Molnar | Slovakia | 121 | Honourable Mention |
| Piti Ongmongkolkul | Thailand | 122 | Honourable Mention |
| Flyktman Jouni | Finland | 123 | Honourable Mention |
| Amitai Zernik | Israel | 124 | Honourable Mention |
| Adele Morrison | Australia | 125 | Honourable Mention |
| Nadine Grosse | Germany | 126 | Honourable Mention |
| Florin Ioniţă | Romania | 127 | Honourable Mention |
| Jonathan Barmak | Argentina | 128 | Honourable Mention |
| Nermin Alijagić | Bosnia and Herzegovina | ≥129 | |
| Belma Bosankić | Bosnia and Herzegovina | ≥129 | |
| Zoran Memić | Bosnia and Herzegovina | ≥129 | |
| Saša Stojanović | Bosnia and Herzegovina | ≥129 | |
| Zoran Popović | Bosnia and Herzegovina | ≥129 |
Results may be incomplete or incorrect.
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{% extends "mails/base_mail.html" %} {% block content %}
Hi {{user.first_name}},
I’ve seen you logged in on UniShared but didn’t created a collaborative document. You know it just takes seconds and allows you to invite your friends to take notes together in real-time?
It works both for classes, conferences, videos, group work or anything else so give it a try.
It enables you to:


Before Change
roots, their structure will be shared.
transitive_hydrated_targets = yield [Get(TransitiveHydratedTarget, Address, a)
for a in build_file_addresses.addresses]
closure = OrderedSet()
to_visit = deque(transitive_hydrated_targets)
while to_visit:
tht = to_visit.popleft()
if tht.root in closure:
continue
closure.add(tht.root)
to_visit.extend(tht.dependencies)
yield TransitiveHydratedTargets(tuple(tht.root for tht in transitive_hydrated_targets), closure)
@rule
def transitive_hydrated_target(root: HydratedTarget) -> TransitiveHydratedTarget:
After Change
roots, their structure will be shared.
transitive_hydrated_targets = await MultiGet(
Get(TransitiveHydratedTarget, Address, a) for a in build_file_addresses.addresses
)
closure = OrderedSet()
to_visit = deque(transitive_hydrated_targets)
while to_visit:
tht = to_visit.popleft()
if tht.root in closure:
continue
closure.add(tht.root)
to_visit.extend(tht.dependencies)
return TransitiveHydratedTargets(tuple(tht.root for tht in transitive_hydrated_targets), closure)
@rule
async def transitive_hydrated_target(root: HydratedTarget) -> TransitiveHydratedTarget:


{% extends 'common/base_main.html' %} {% block scripts %} {{ super() }} {% endblock %} {% block contenttitle %}
CONP pipelines can be easily installed and run on any computer with a container engine. For more information see our tutorial here. You can also add your own tool by following the instructions here.


{% if error %}
Error:
{{ error }}
{% endif %}
Don't have an account? Sign up!
Create Username:
Your name must contain at least one character.
Create Password:
Your password must contain at least eight characters and
no spaces
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Re-Enter Password:
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Your user account has been successfully added. Please login to continue.
{% block content %}{% endblock %}


We've had another hiatus here at Hooting Yard. The chief reason for this is that I agreed to take part in an experiment and have spent the last two months living as an otter.
I towelled myself dry and traipsed home in a bit of a temper, because the good Prof did not see fit to tell me what it was that I had misheard. Was I meant to have been living as a hatter? As a nutter? Who knows? Anyway, I am home now, and have already started scribbling prose to provide my loyal readers with entertainment, instruction, and a diversion from autumn thoughts of knitwear and shove-ha'penny. Now read on…


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If you want to buy electronic products and real cool gadgets at an amazing price, visit.www.pickegg.com. They have a wide range of products like cell phone and accessories, security systems, cameras and peripherals, audio video products, DIY tools and parts, car electronics and accessories and so much more. You can also buy fun toys. www.pickegg.com is the place for all your electronic products and accessories, video games and loads of other stuff. Buy them at the cheapest possible price. Use our discount coupons to save money.
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Serializer/Deserializer objects for usage with SQLAlchemy query structures, allowing “contextual” deserialization.
Any SQLAlchemy query structure, either based on sqlalchemy.sql.* or sqlalchemy.orm.* can be used. The mappers, Tables, Columns, Session etc. which are referenced by the structure are not persisted in serialized form, but are instead re-associated with the query structure when it is deserialized.
Usage is nearly the same as that of the standard Python pickle module:
from sqlalchemy.ext.serializer import loads, dumps
metadata = MetaData(bind=some_engine)
Session = scoped_session(sessionmaker())
# ... define mappers
query = Session.query(MyClass).filter(MyClass.somedata=='foo').order_by(MyClass.sortkey)
# pickle the query
serialized = dumps(query)
# unpickle. Pass in metadata + scoped_session
query2 = loads(serialized, metadata, Session)
print query2.all()
Similar restrictions as when using raw pickle apply; mapped classes must be themselves be pickleable, meaning they are importable from a module-level namespace.
The serializer module is only appropriate for query structures. It is not needed for:


Home Documentation
Frizione has quite a lot of documentation for you to get your teeth into (each link opens a new page):
The Clutch / Frizione manual
The Clutch JavaScript library documentation
The Crash JavaScript library documentation
The Clutch / Frizione application documentation


| br.com.caelum.vraptor.core.InterceptorStack.addAsNext(Class extends Interceptor>) |
| br.com.caelum.vraptor.view.PageResult.forward()
As of 3.2, replaced by
#forwardTo()
|
| br.com.caelum.vraptor.view.PageResult.forward(String)
|
| br.com.caelum.vraptor.serialization.xstream.XStreamJSONSerialization.getHierarchicalStreamDriver()
Override this method on XStreamBuilderImpl instead. WARN: this method will be ignored!
|
| br.com.caelum.vraptor.deserialization.XStreamXMLDeserializer.getXStream()
prefer overriding XStreamBuilder
|
| br.com.caelum.vraptor.serialization.xstream.XStreamXMLSerialization.getXStream()
prefer overwriting XStreamBuilderImpl
|
| br.com.caelum.vraptor.serialization.xstream.XStreamJSONSerialization.getXStream()
prefer overwriting XStreamBuilder
|
| br.com.caelum.vraptor.view.HttpResult.movedPermanentlyTo(Class)
use result.use(status()).movedPermanentlyTo(ClientsController.class).list(); instead
|
| br.com.caelum.vraptor.view.HttpResult.movedPermanentlyTo(String)
use result.use(status()).movedPermanentlyTo(url) instead
|
| br.com.caelum.vraptor.view.PageResult.redirect(String)
|


| PostgreSQL 9.0.10 Documentation | ||||
|---|---|---|---|---|
| Prev | Up | Chapter 13. Concurrency Control | Next |
The SQL standard defines four levels of transaction isolation in terms of three phenomena that must be prevented between concurrent transactions. These undesirable phenomena are:
A transaction reads data written by a concurrent uncommitted transaction.
A transaction re-reads data it has previously read and finds that data has been modified by another transaction (that committed since the initial read).
A transaction re-executes a query returning a set of rows that satisfy a search condition and finds that the set of rows satisfying the condition has changed due to another recently-committed transaction.
The four transaction isolation levels and the corresponding behaviors are described in Table 13-1.
Table 13-1. SQL Transaction Isolation Levels
| Isolation Level | Dirty Read | Nonrepeatable Read | Phantom Read |
|---|---|---|---|
| Read uncommitted | Possible | Possible | Possible |
| Read committed | Not possible | Possible | Possible |
| Repeatable read | Not possible | Not possible | Possible |
| Serializable | Not possible | Not possible | Not possible |
In PostgreSQL, you can request any of the four standard transaction isolation levels. But internally, there are only two distinct isolation levels, which correspond to the levels Read Committed and Serializable. When you select the level Read Uncommitted you really get Read Committed, and when you select Repeatable Read you really get Serializable, so the actual isolation level might be stricter than what you select. This is permitted by the SQL standard: the four isolation levels only define which phenomena must not happen, they do not define which phenomena must happen. The reason that PostgreSQL only provides two isolation levels is that this is the only sensible way to map the standard isolation levels to the multiversion concurrency control architecture. The behavior of the available isolation levels is detailed in the following subsections.
To set the transaction isolation level of a transaction, use the command SET TRANSACTION.
Read Committed is the default isolation level in PostgreSQL. When a transaction uses this isolation level, a SELECT query (without a FOR UPDATE/SHARE clause) sees only data committed before the query began; it never sees either uncommitted data or changes committed during query execution by concurrent transactions. In effect, a SELECT query sees a snapshot of the database as of the instant the query begins to run. However, SELECT does see the effects of previous updates executed within its own transaction, even though they are not yet committed. Also note that two successive SELECT commands can see different data, even though they are within a single transaction, if other transactions commit changes during execution of the first SELECT.
UPDATE, DELETE, SELECT FOR UPDATE, and SELECT FOR SHARE commands behave the same as SELECT in terms of searching for target rows: they will only find target rows that were committed as of the command start time. However, such a target row might have already been updated (or deleted or locked) by another concurrent transaction by the time it is found. In this case, the would-be updater will wait for the first updating transaction to commit or roll back (if it is still in progress). If the first updater rolls back, then its effects are negated and the second updater can proceed with updating the originally found row. If the first updater commits, the second updater will ignore the row if the first updater deleted it, otherwise it will attempt to apply its operation to the updated version of the row. The search condition of the command (the WHERE clause) is re-evaluated to see if the updated version of the row still matches the search condition. If so, the second updater proceeds with its operation using the updated version of the row. In the case of SELECT FOR UPDATE and SELECT FOR SHARE, this means it is the updated version of the row that is locked and returned to the client.
Because of the above rule, it is possible for an updating command to see an inconsistent snapshot: it can see the effects of concurrent updating commands on the same rows it is trying to update, but it does not see effects of those commands on other rows in the database. This behavior makes Read Committed mode unsuitable for commands that involve complex search conditions; however, it is just right for simpler cases. For example, consider updating bank balances with transactions like:
BEGIN; UPDATE accounts SET balance = balance + 100.00 WHERE acctnum = 12345; UPDATE accounts SET balance = balance - 100.00 WHERE acctnum = 7534; COMMIT;
If two such transactions concurrently try to change the balance of account 12345, we clearly want the second transaction to start with the updated version of the account's row. Because each command is affecting only a predetermined row, letting it see the updated version of the row does not create any troublesome inconsistency.
More complex usage can produce undesirable results in Read Committed mode. For example, consider a DELETE command operating on data that is being both added and removed from its restriction criteria by another command, e.g., assume website is a two-row table with website.hits equaling 9 and 10:
BEGIN; UPDATE website SET hits = hits + 1; -- run from another session: DELETE FROM website WHERE hits = 10; COMMIT;
The DELETE will have no effect even though there is a website.hits = 10 row before and after the UPDATE. This occurs because the pre-update row value 9 is skipped, and when the UPDATE completes and DELETE obtains a lock, the new row value is no longer 10 but 11, which no longer matches the criteria.
Because Read Committed mode starts each command with a new snapshot that includes all transactions committed up to that instant, subsequent commands in the same transaction will see the effects of the committed concurrent transaction in any case. The point at issue above is whether or not a single command sees an absolutely consistent view of the database.
The partial transaction isolation provided by Read Committed mode is adequate for many applications, and this mode is fast and simple to use; however, it is not sufficient for all cases. Applications that do complex queries and updates might require a more rigorously consistent view of the database than Read Committed mode provides.
The Serializable isolation level provides the strictest transaction isolation. This level emulates serial transaction execution, as if transactions had been executed one after another, serially, rather than concurrently. However, applications using this level must be prepared to retry transactions due to serialization failures.
When a transaction is using the serializable level, a SELECT query only sees data committed before the transaction began; it never sees either uncommitted data or changes committed during transaction execution by concurrent transactions. (However, the query does see the effects of previous updates executed within its own transaction, even though they are not yet committed.) This is different from Read Committed in that a query in a serializable transaction sees a snapshot as of the start of the transaction, not as of the start of the current query within the transaction. Thus, successive SELECT commands within a single transaction see the same data, i.e., they do not see changes made by other transactions that committed after their own transaction started. (This behavior can be ideal for reporting applications.)
UPDATE, DELETE, SELECT FOR UPDATE, and SELECT FOR SHARE commands behave the same as SELECT in terms of searching for target rows: they will only find target rows that were committed as of the transaction start time. However, such a target row might have already been updated (or deleted or locked) by another concurrent transaction by the time it is found. In this case, the serializable transaction will wait for the first updating transaction to commit or roll back (if it is still in progress). If the first updater rolls back, then its effects are negated and the serializable transaction can proceed with updating the originally found row. But if the first updater commits (and actually updated or deleted the row, not just locked it) then the serializable transaction will be rolled back with the message
ERROR: could not serialize access due to concurrent update
because a serializable transaction cannot modify or lock rows changed by other transactions after the serializable transaction began.
When an application receives this error message, it should abort the current transaction and retry the whole transaction from the beginning. The second time through, the transaction will see the previously-committed change as part of its initial view of the database, so there is no logical conflict in using the new version of the row as the starting point for the new transaction's update.
Note that only updating transactions might need to be retried; read-only transactions will never have serialization conflicts.
The Serializable mode provides a rigorous guarantee that each transaction sees a wholly consistent view of the database. However, the application has to be prepared to retry transactions when concurrent updates make it impossible to sustain the illusion of serial execution. Since the cost of redoing complex transactions can be significant, serializable mode is recommended only when updating transactions contain logic sufficiently complex that they might give wrong answers in Read Committed mode. Most commonly, Serializable mode is necessary when a transaction executes several successive commands that must see identical views of the database.
The intuitive meaning (and mathematical definition) of "serializable" execution is that any two successfully committed concurrent transactions will appear to have executed strictly serially, one after the other — although which one appeared to occur first might not be predictable in advance. It is important to realize that forbidding the undesirable behaviors listed in Table 13-1 is not sufficient to guarantee true serializability, and in fact PostgreSQL's Serializable mode does not guarantee serializable execution in this sense. As an example, consider a table mytab, initially containing:
class | value -------+------- 1 | 10 1 | 20 2 | 100 2 | 200
Suppose that serializable transaction A computes:
SELECT SUM(value) FROM mytab WHERE class = 1;
and then inserts the result (30) as the value in a new row with class = 2. Concurrently, serializable transaction B computes:
SELECT SUM(value) FROM mytab WHERE class = 2;
and obtains the result 300, which it inserts in a new row with class = 1. Then both transactions commit. None of the listed undesirable behaviors have occurred, yet we have a result that could not have occurred in either order serially. If A had executed before B, B would have computed the sum 330, not 300, and similarly the other order would have resulted in a different sum computed by A.
To guarantee true mathematical serializability, it is necessary for a database system to enforce predicate locking, which means that a transaction cannot insert or modify a row that would have matched the WHERE condition of a query in another concurrent transaction. For example, once transaction A has executed the query SELECT ... WHERE class = 1, a predicate-locking system would forbid transaction B from inserting any new row with class 1 until A has committed. [1] Such a locking system is complex to implement and extremely expensive in execution, since every session must be aware of the details of every query executed by every concurrent transaction. And this large expense is mostly wasted, since in practice most applications do not do the sorts of things that could result in problems. (Certainly the example above is rather contrived and unlikely to represent real software.) For these reasons, PostgreSQL does not implement predicate locking.
In cases where the possibility of non-serializable execution is a real hazard, problems can be prevented by appropriate use of explicit locking. Further discussion appears in the following sections.
| [1] | Essentially, a predicate-locking system prevents phantom reads by restricting what is written, whereas MVCC prevents them by restricting what is read. |


Kevin Systrom
Kevin Systrom is an American entrepreneur best known as the co-founder and chief
executive of Instagram, the photo-sharing, social network application that even the
most social media allergic in the fashion industry are addicted
to.
From first-mover mega-brands like Burberry and pioneering image-makers like Nick Knight , to
models-of-the-moment Cara Delevingne and fast-scaling retailers like Nasty Gal , Instagram
has taken off significantly in the fashion
industry. “I think that Instagram as a visual
platform just fits very naturally with how the fashion community communicates its work,”
Systrom explained to BoF.
The app has proved to be a powerful marketing tool for
brands, providing relatable content, show
coverage and extensive brand exposure. Instagram was awarded the CFDA Eugenia
Sheppard Award in 2015. Its mobile platform also makes it highly convenient for on-the-go
fashion
professionals, enabling them to attend and share events with their virtual followers in
tow.
The rise of Instagram has even changed the way in which fashion shows are documented,
influencing the collections themselves. “The way that we shoot it, the way that we showcase it and
the way that we make the clothes and design
them changed.” Alexander Wang told The New
York Times, discussing Instagram’s impact on the industry.
Systrom was introduced to computer programming whilst attending school in Concord,
Massachusetts, having played computer games as a child. He graduated in 2006 from Stanford
University, and during his degree he was chosen
to participate in the highly prestigious
Mayfield Fellows Programme. This led to an internship at Odea, the company that gave rise
to Twitter.
After stints at Google and Nextstop (a location recommendation start-up) Systrom created Burbn
with the intention to combine location check-ins and social games. After pitching the idea at
a party he received $500,000
seed funding within 2 weeks. The creation of Burbn led to
Instagram. A month after launching, Instagram had grown to 1 million users, and within 18
months it had gone from nascent start-up to a $1 billion acquisition by Facebook.
Source: BOF.


info
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--- layout: page title: About header-img: "img/about-bg.png" ---
I am a QA Coordinator at Snyder's-Lance. I graduated from NC State University. My major was Food Science. This blog will be a home for my journey to become a web developer.


16
domestic | general | relaxations | 2007
regulation
mandatory
No direction may be given under section 3(2) of
the Act
in relation to
regulations 1 to 3, 5 and 7.
0.16.1
—
0.16.1


High needs funding allocations for the academic year 2015 to 2016
Information on the funding and contracting principles for post-16 high needs students in the academic year 2015 to 2016.
16 to 25 young people with high needs: Funding principles for 2015 to 2016
We have published our
16 to 25 young people with high needs: Funding principles for 2015 to 2016
. This guide describes how the high needs funding system will work for post-16 institutions for the academic year 2015 to 2016.
Dedicated schools grant
Information about the
dedicated schools grant (DSG)
and local authority allocations for school revenue funding for 2015 to 2016 is available on GOV.UK
High needs place numbers: 2015 to 2016
High needs place number allocations for the
2015 to 2016 academic year
, broken down by institution and local authority location inclusive of the outcomes of the exceptional case process are published. Institution status is correct as of the 1 September 2015.
Free school place numbers shown are those funded by the EFA.
High needs place funding allocated to institutions is not reserved for a specific student or local authority and we have published this breakdown in the interests of transparency and to promote collaboration between local authorities and institutions.
Exceptional case process
The data and supporting documents relating to the
High needs: 2015 to 2016 place number exceptional case process
are available for reference. Please note that the exceptional case process closed on the 28 February 2015.


--- layout: post title: 'Iowa Summer Writing Festival' date: 2016-07-26 15:24:07.000000000 -05:00 type: post published: true status: publish image: /img/iowa-summer-writing-festival-website.png excerpt_separator: categories: - Website tags: [] ---
I built the Iowa Summer Writing Festival website on Drupal 7. We needed to have data work in multiple ways on several different pages, so Drupal’s backend was the right fit. We also wanted a bold front page — full width, big hero image — so I used the base Adaptive Theme for mobility and designed up from there.


.:
fit2compare:.
Open First File
Open Second File
Clear Files
Adjust file
Adjust file
Clear Offset
Export Data
Map
Export Image
Power
Export Image
Heart Rate
Export Image
Cadence
Export Image
Elevation
Export Image
Resume
File1
Device:
Date:
Distance:
Elapsed Time:
Avg. Power:
Max. Power:
Avg. HR:
Max. HR
Avg. Cadence:
Max. Cadence:
Normalized Power:
Calories:


About
Red Hook Intramesh
Emergency neighborhood-wide intranet
Need sump pump +
Dave Brown
4:45PM
6/25/16
I'm over at 40 Conover and basement flooded, please help!
Julia Watz
5:25PM
6/25/16
Hey Dave, I'm at 226 Van Brunt; I'll be done with mine in an hour–come n geddit
Julia Watz
5:25PM
6/25/16
Hey Dave, I'm at 226 Van Brunt; I'll be done with mine in an hour–come n geddit
Julia Watz
5:25PM
6/25/16
Hey Dave, I'm at 226 Van Brunt; I'll be done with mine in an hour–come n geddit


local accounts
cat /etc/password
password hashes in /etc/shadow
password hashes in /etc/security/passwd
groups in /etc/group
groups in /etc/gshadow
All accounts
getent passwd
should dump local, LDAP, NIS, etc
same with getent group
Samba's own database
pdbedit -L -w
pdbedit -L -v
mail aliases
cat /etc/aliases
find /etc -name aliases, getent aliases
NIS accounts
ypcat passwd


Custom Components with TypeScript
To create a new component type, create a new TypeScript asset. In that asset document, click the toolbar button to edit the script with Visual Studio Code. This will not only open the text editor, but also ensure that the .ts
file exists and contains a basic template for your new component.
Base Class
Your component class must extend one of these base classes:
ez.TypescriptComponent
ez.TickedTypescriptComponent
If it extends ez.TypescriptComponent
, it can react to messages, startup/shutdown and activation/deactivation callbacks. However, it will not be updated regularly. Though this can be achieved through messages.
If it extends ez.TickedTypescriptComponent
, the member function Tick()
is executed regularly. The rate at which it shall be called can be modified using SetTickInterval()
.
Often game components need to do regular checks and update their own state. Use the ticked base class when this is necessary. Choose a tick interval that is as long as possible to reduce their performance cost. You can also dynamically change the tick rate, to e.g. do more updates when the player is close, than when they are far away.
Whenever possible, though, prefer to use the non-ticked base class and have no regular update, at all. Such components rely on other machnisms, such as triggers to detect when they need to react, and they can use delayed messages (sent by others or by themselves) to trigger follow up work.
Tick Function
When extending ez.TickedTypescriptComponent
, the component code must contain a function with this signature:
Tick(): void
{
}
It will be executed during the game update whenever enough time has passed. Use SetTickInterval()
to adjust the frequency.
Initialization
The template code contains examples for these functions:
Initialize()
Deinitialize()
OnActivated()
OnDeactivated()
OnSimulationStarted()
These functions are called in the same way as for C++ components. See Component Activation for details.
Message Handlers
TypeScript components can both send and receive messages. The article Messaging in TypeScript Code explains this in more detail.
To handle messages, message handler functions must be registered first. This is done on a per-type basis, rather than per instance. Therefore you have to register message handlers from within the static function RegisterMessageHandlers()
.
Auto Generated Code
The editor may insert auto generated code into the .ts
file. This is needed for example for variables that are supposed to show up as exposed parameters. Special code comments are used to tag the are where the editor can insert the generated code:
/* BEGIN AUTO-GENERATED: VARIABLES */
/* END AUTO-GENERATED: VARIABLES */
Important:
Don't remove these comments and don't put any of your code between these two lines.
Writing Your Component
To initialize things, use the OnSimulationStarted()
callback. For regular updates, put your code into the Tick()
function. Use messaging to communicate with unknown component types or when a delay is desired. For all known component types, you can call functions or read and write properties directly.
For an overview what functionality is available through TypeScript, check out the TypeScript API.


pymatgen.phonon.dos module
This module defines classes to represent the phonon density of states, etc.
- class CompletePhononDos(structure, total_dos, pdoss)[source]
Bases:
pymatgen.phonon.dos.PhononDos
This wrapper class defines a total dos, and also provides a list of PDos.
- Parameters
structure – Structure associated with this particular DOS.
total_dos – total Dos for structure
pdoss – The pdoss are supplied as an {Site: Densities}
- class PhononDos(frequencies, densities)[source]
Bases:
monty.json.MSONable
Basic DOS object. All other DOS objects are extended versions of this object.
- Parameters
frequencies – A sequences of frequencies in THz
densities – A list representing the density of states.
- cv(t, structure=None)[source]
Constant volume specific heat C_v at temperature T obtained from the integration of the DOS. Only positive frequencies will be used. Result in J/(K*mol-c). A mol-c is the abbreviation of a mole-cell, that is, the number of Avogadro times the atoms in a unit cell. To compare with experimental data the result should be divided by the number of unit formulas in the cell. If the structure is provided the division is performed internally and the result is in J/(K*mol)
- Parameters
t – a temperature in K
structure – the structure of the system. If not None it will be used to determine the number of formula units
- Returns
Constant volume specific heat C_v
- entropy(t, structure=None)[source]
Vibrational entropy at temperature T obtained from the integration of the DOS. Only positive frequencies will be used. Result in J/(K*mol-c). A mol-c is the abbreviation of a mole-cell, that is, the number of Avogadro times the atoms in a unit cell. To compare with experimental data the result should be divided by the number of unit formulas in the cell. If the structure is provided the division is performed internally and the result is in J/(K*mol)
- Parameters
t – a temperature in K
structure – the structure of the system. If not None it will be used to determine the number of formula units
- Returns
Vibrational entropy
- get_interpolated_value(frequency)[source]
Returns interpolated density for a particular frequency.
- Parameters
frequency – frequency to return the density for.
- get_smeared_densities(sigma)[source]
Returns the densities, but with a Gaussian smearing of std dev sigma applied.
- Parameters
sigma – Std dev of Gaussian smearing function.
- Returns
Gaussian-smeared densities.
- helmholtz_free_energy(t, structure=None)[source]
Phonon contribution to the Helmholtz free energy at temperature T obtained from the integration of the DOS. Only positive frequencies will be used. Result in J/mol-c. A mol-c is the abbreviation of a mole-cell, that is, the number of Avogadro times the atoms in a unit cell. To compare with experimental data the result should be divided by the number of unit formulas in the cell. If the structure is provided the division is performed internally and the result is in J/mol
- Parameters
t – a temperature in K
structure – the structure of the system. If not None it will be used to determine the number of formula units
- Returns
Phonon contribution to the Helmholtz free energy
- ind_zero_freq()[source]
Index of the first point for which the frequencies are equal or greater than zero.
- internal_energy(t, structure=None)[source]
Phonon contribution to the internal energy at temperature T obtained from the integration of the DOS. Only positive frequencies will be used. Result in J/mol-c. A mol-c is the abbreviation of a mole-cell, that is, the number of Avogadro times the atoms in a unit cell. To compare with experimental data the result should be divided by the number of unit formulas in the cell. If the structure is provided the division is performed internally and the result is in J/mol
- Parameters
t – a temperature in K
structure – the structure of the system. If not None it will be used to determine the number of formula units
- Returns
Phonon contribution to the internal energy
- zero_point_energy(structure=None)[source]
Zero point energy energy of the system. Only positive frequencies will be used. Result in J/mol-c. A mol-c is the abbreviation of a mole-cell, that is, the number of Avogadro times the atoms in a unit cell. To compare with experimental data the result should be divided by the number of unit formulas in the cell. If the structure is provided the division is performed internally and the result is in J/mol
- Parameters
structure – the structure of the system. If not None it will be used to determine the number of formula units
- Returns
Phonon contribution to the internal energy


uadmin.FieldType¶
type FieldType int
FieldType for field type in builder field
FieldType has 19 functions:
Boolean() - A field type that has one of two possible values (usually denoted true and false), intended to represent the two truth values of logic and Boolean algebra
Code() - A set of instructions that will be executed by a computer
DateTime() - Provides functionality for measuring and displaying time. It is equivalent to time.Time.
DateTimePtr() - Provides functionality for measuring and displaying time. It is equivalent to *time.Time.
Email() - Identifies an email box to which email messages are delivered
File() - Enables the user to upload files/attachments in the model
Float() - Used in various programming languages to define a variable with a fractional value
ForeignKey() - The key used to link two models together
HTML() - Allows the user to modify text in HTML format
Image() - Mark a field as an image
Int() - Used to represent a whole number that ranges from -2147483647 to<PHONE_NUMBER> for 9 or 10 digits of precision
Link() - Displays a button in the model containing the assigned hyperlink
M2M() - Allows you to select more than one element inside an input box field
Money() - Displays a numeric value with two decimal places in the list
Multilingual() - Allows the user to use more than two languages for input
Password() - A string of characters that hides the input data for security
ProgressBar() - A feature used to measure the progress of the activity
StaticList() - Retains the exact record IDs that matched your criteria at the time the list was saved 1
String() - Used to represent text rather than numbers
Reference¶
- 1
eTrigue Support. (n.d.). What is the difference between a dynamic and static list? Retrieved from https://support.etrigue.com/hc/en-us/articles/231552027-What-is-the-difference-between-a-dynamic-and-static-list-


SNAC is demonstrating the feasibility of separating the description of persons, families, and organizations—including their socio-historical contexts—from the description of the historical resources that are the primary evidence of their lives and work. A key objective is to provide researchers with convenient, integrated access to historical collections held by multiple private and public archives and libraries around the world while also setting the stage for a cooperative program for maintaining information about the people documented in the collections.
SNAC is pleased to announce the launch of the Social Networks and Archival Context Cooperative, hosted by the U.S. National Archives and Records Administration (NARA). The Cooperative will enable archivists, librarians, and scholars to jointly maintain information about the people documented in archival collections. It will also improve the economy and quality of archival processing and description, and address the challenge of discovering, locating, and using distributed historical records.
SNAC is addressing a longstanding research challenge: discovering, locating, and using distributed historical records. Scholars use these records as primary evidence for understanding the lives and work of historical persons and the events in which they participated. These records are held in archives and manuscript libraries, large and small, around the world. Scholars may need to search scores of different archives one by one, following clues, hunches, and leads to find the records relevant to their topic. Furthermore, descriptive practices may differ from one archive or library to another. The research is time consuming and inefficient: clues and leads may be easily overlooked and important resources undiscovered.
The data needed to address this research challenge already exists in the guides, catalogs, and finding aids that archivists and librarians create to document and provide access to the archival resourcess. It is buried in isolated guides and finding aids that are stored in different, isolated systems.
In 2010, with funding from the U.S. National Endowment for the Humanities, SNAC began to explore the feasibility of extracting the data in the record descriptions that describes the people who created or are documented in the records. This data was then assembled into a collection of descriptions of individuals, families, and organizations that are interrelated with one another and with the resources that document their lives. The collection of records was then used to build a prototype research tool that 1) integrates and simplifies access to the dispersed resources and 2) provides unprecedented access to the biographical-historical contexts of the people documented in the resources, including the social-professional-intellectual networks within which they lived.
It quickly became apparent to the SNAC team that, while it was quite feasible to extract the data and use it to build a research tool, computational techniques alone would not fully realize the potential power of the assembled data to both transform research and improve the economy and effectiveness of archival descriptive practices. To fully realize these complementary objectives, it would be necessary to develop an ongoing, sustainable international cooperative that would enable archivists, librarians, scholars, and, eventually, “citizen archivists” to maintain and add biographical-historical data and to extend the scope of the people and historical resources covered.
With additional funding from the U.S. Institute for Museum and Library Services and the Andrew W. Mellon Foundation, SNAC continues its research and development work, increasing the quantity and diversity of the sources data and improving the technical methods. The team is in the planning phase of transforming this research into an international cooperative hosted by the U.S. National Archives and Records Administration.


{% extends 'base.html' %} {% load static %} {% load i18n %} {% load hyphen_break %} {% block content %}
If you're the Admin begin through the Management module.
If you're a Lecturer or a Student proceed to the Timetable menu for views.
The HODs' can communicate to the admin through the talk to us menu.


Attribute Iterators
Sometimes when writing a TPM expression, the target tree you are trying to match may not have a fixed structure. Attribute iterators introduce a way of optionally traversing nodes of a tree. The repeat iterator provides this functionality; related to it are the two forms of the int iterator, which are both much less common. The semantics are as follows:
• repeat(navigate-expression) stop-expression
r(navigate-expression) stop-expression
Start by evaluating stop-expression. If stop-expression succeeds, return success. Otherwise, evaluate navigate-expression. If navigate-expression fails, return failure. If navigate-expression succeeds, repeat.
• int(pattern)
Execute pattern exactly int times. Succeeds if pattern never fails.
• int..(pattern1) pattern2
Execute pattern1 int times. Then, while pattern2 does not match the current node, execute pattern1. Succeeds if pattern1 never fails and pattern2 succeeds once, thus terminating the loop.
Note: Unlike the repeat iterator, the int iterators do not introduce new capability to attribute expressions—they are merely abbreviations for longer expressions.
Consider looking for uses of string constants. Strings in C are of type char const [], which converts readily into char const *—the way strings are passed in function calls. When looking for use of these string constants in a particular context, you need a way to skip over these conversions.
The AST picks up this conversion as a convert_expr.


PropertyEditor support
Classes Modified
Compiler
- now uses ParserController which abstracts the selection of the
proper parser.
TagBeginGenerator
- pass the PropertyEditor class in the call to convertString()
- convertString() method
- now takes into account the PropertyEditor class
- bug fix: now handles short and Short
TagCache
- now caches the PropertyEditor classes associated with
the properties of a tag
JspRuntimeLibrary
- new methods: getValueFromBeanInfoPropertyEditor() and
getValueFromPropertyEditorManager
- introspecthelper()
- get the PropertyEditor class when doing bean introspection
- pass the PropertyEditor class in the call to convert() and createTypedArray()
- convert() and createTypedArray()
- now take into consideration the PropertyEditor class
Some Details and Issues
Subject: [JSP] Conversion of property value
Date: Mon, 25 Sep 2000 17:08:47 -0700
From: Pierre Delisle
To<EMAIL_ADDRESS>I'm currently working at implementing the new JSP1.2 feature for the
support of PropertyEditors in Tomcat-4.0.
The 'conversion' algorithm
(converts the property value so that it matches the setter
method of the bean property) has been implemented as
follows:
-----
This 'conversion' algorithm applies for
<jsp:setProperty> as well as for attribute values
of custom tags.
1. if 'value' is an 'rtexpr'
no conversion applied
2. else if a PropertyEditor class is defined for the property
conversion is performed via the combination of
'PropertyEditor.setAsText(value)' and
'PropertyEditor.getValue()'.
IllegalArgumentException may be thrown.
3. else if 'setterMethodParamType' is 'String'
No conversion performed
4. else if 'setterMethodParamType' is a primitive type,
Conversions specified in table 4-2 of the spec are
applied.
[*** please note that 'short/'Short' is missing
*** from table 4-2.
*** Also, java.lang.Character.valueOf(String)
*** does not exist]
5. else
At runtime, try to get a PropertyEditor from the
PropertyEditorManager.
5.1 if one exists, perform same conversion as in 2.
5.2 else throw an Exception
-----
One pending issue is what should happen if the
setterMethodParamType is 'Object'.
Should we change rule 3 so that it reads:
3. else if 'setterMethodParamType' is 'String' or
'setterMethodParamType' is Object:
No conversion
Since 'String' is an 'Object', it can be argued (as has been the case
on tomcat-dev) that it should be passed 'as is' to the setter method.
Should it?
-- Pierre


|
Army ant simulation
|
Public Member Functions | |
| Vterrain (b2World *world, sf::RenderWindow &window, config::sTerrain terrainParam, int WINDOW_X_PX, double bodyLength=1) | |
| void | create (b2World *world, sf::RenderWindow &window, config::sTerrain terrainParam, int WINDOW_X_PX, double bodyLength=1) |
| void | createBody (b2World *world) |
| void | drawBody (sf::RenderWindow &window) |
| e_terrain_type | getType () |
| b2Vec2 | getTopLeftCorner () |
| b2Vec2 | getTopRightCorner () |
| b2Vec2 | getBottom () |
| double | getVLength () |
| Public Member Functions inherited from Terrain | |
| Terrain (b2World *world, sf::RenderWindow &window, config::sTerrain terrainParam, int WINDOW_X_PX, double bodyLength=1) | |
| double | getVLength () |
| b2Body * | getBody () |
| const double | getScale () |
Additional Inherited Members | |
| Protected Attributes inherited from Terrain | |
| b2Body * | m_groundBody |
| double | m_bodyLength |
| double | m_M_TO_PX |
| double | m_width |
| double | m_height |
| double | m_runaway |
| double | m_angle |
| double | m_posY =2.5 |
| config::sTerrain | m_terrainParam |
Definition at line 17 of file Vterrain.h.
|
virtual |
The function create MUST be called if the terrain object has been created via the default constructor (ex when created dynamically with new), otherwise no need to use it
| world | is a pointer on the Box2D world object |
| window | is the SFML window |
| terrainParam | are the terrain parameters (cf Config.h) |
| WINDOW_X_PX | is the x-size of the window. it is used to calculate the scale to convert from meters to pixels |
| bodylength | is the size of a robot. it is used to convert the dimension from body length to m |
Reimplemented from Terrain.
Definition at line 25 of file Vterrain.cpp.
|
virtual |
Create the Box2D static body of the terrain
| world | is a pointer on the Box2D world |
Reimplemented from Terrain.
Definition at line 31 of file Vterrain.cpp.
|
virtual |
Draw the body on the window using the SFML library
| window | is the SFML window where the terrain will be drawn |
Reimplemented from Terrain.
Definition at line 89 of file Vterrain.cpp.
|
virtual |
Reimplemented from Terrain.
Definition at line 121 of file Vterrain.cpp.
|
virtual |
Reimplemented from Terrain.
Definition at line 113 of file Vterrain.cpp.
|
virtual |
Reimplemented from Terrain.
Definition at line 117 of file Vterrain.cpp.
|
virtual |
return the terrain type, from this class it returns V_TERRAIN
Reimplemented from Terrain.
Definition at line 131 of file Vterrain.cpp.


A ranking of spicy chai lattes around Humboldt
| Business name |
Location |
Ranking out of 10 |
Comments |
What genre of music would this chai latte be? |
| Because Coffee |
Eureka |
6.3 |
The chai itself we can give a 5.8. It's not super
spicy, and it kind of tastes like the back of
an envelope. Pleasant enough, but not amazing.
+0.5 points for ambience, and the barista
allowed us to add sugar to our own tastes. Your
editors wish all cafes allowed us to customize
to our tastes so precisely, and the coffee shop
itself was exceptionally cozy and welcoming.
|
acoustic guitar instrumentals |
| Cafe Brio |
Arcata |
7.5 |
Uses local, organic Planet Tea chai. Very spicy,
and we got to watch the barista make our chais.
This chai is spicier and less sweet than that of, say,
Ramone's Old Town, but it was very delicious
and not too caffeinated.
|
latin rock |
| Dutch Bros |
Eureka 5th St. |
7 |
It's not a spicy chai, but it's sweet and it tastes
just fine.
Anyone could drink this. It's a chai of the common
folk!
|
lounge |
| Gold Rush |
Eureka |
6.2 |
They used Planet Chai for their spicy chais. It was,
unfortunately, a watered-down spicy cuppa. The taste
reminded Alex of the smell of pizza dough that's been
rising for an hour. (One of the stops during Eureka Excursion
2019).
|
Top 40 pop |
| HSU Library Cafe |
Arcata |
6.5 |
Tastes fine overall, but can feel sticky and overly sweet.
Seems to vary depending on who's making it.
|
soft pop |
| Jitter Bean - Broadway |
Eureka |
8 |
I specifically requested a spicy chai at their drive-up window,
and everyone in the car immediately noticed how good it
smelled. As I drank it, I could definitely taste how warming
the spice was. A pleasurable chai experience from first to
last sip. Choosing a music genre was difficult; it was
somewhat genre-defying.
|
chill trap |
| Jitter Bean - Highway 101 |
Eureka |
7.7 |
Good spice. Perfect temperature-- very hot, but not hot
enough to burn our tongues. (Alex's favorite stop on
Eureka Excursion 2019.)
|
Christmas music |
| Kaleidoscope Coffee Co. |
Eureka |
4 |
As a drink, this merits a 7.8 ranking. However, as a chai, it
receives a low rating because it wasn't spicy at all. Smells like
graham crackers. Very sweet. Tastes like a cookie. Adrian says it
tastes commercialized. It came premade-- we watched the baristas
pour it out of a pitcher labelled "SPICY" and heat it up. (One of
the stops during Eureka Excursion 2019.)
|
kids songs (e.g. Baby Shark) |
| Kool Beanz Coffee and Ice Cream |
Eureka |
3.5 |
As a drink, this merits a 6.5 ranking. However, it receives a low
rating because it wasn't spicy at all, and it was too sweet.
The menu says they use Angie's Chai. Tastes like cookies and milk.
You can definitely taste the milk-- it's similar to Kaleidoscope's
spicy chai, but milkier. (One of the stops during Eureka Excursion
2019.)
|
country |
| Los Bagels |
Arcata |
6.5 |
It's good. Sometimes tastes too sticky/sugary, but I
still buy it on a semi-regular basis. |
indie pop-rock |
| Mosgo's Coffee |
Arcata |
7.1 |
This had a good amount of spice. It was aromatic and flavorful,
and I feel like it was a solid chai. I would buy it again. |
samba music |
| Northtown Coffee |
Arcata |
6.2 |
Caffeine content: HIGH. This is a challenging and mysterious
chai-- very spicy, very milky, not at all sweet. It's a drink
for advanced chai connoisseurs, not your usual chai latte.
|
hard bop jazz |
| Old Town Coffee and Chocolates - Old Town |
Eureka |
8.8 |
Perfect temperature. Very sweet cuppa. (Adrian's favorite stop
on Eureka Excursion 2019.)
|
slow, melodic combo jazz |
| Ramone's - Harrison |
Eureka |
4 |
They put some form of chili powder in my chai. I know
it's a spicy chai, but the extra heat was unusual. |
hard rock |
| Ramone's - Old Town |
Eureka |
7.3 |
Came without milk foam, which I liked because they
could fill my cup to the brim with liquid. I feel like
I got my money's worth, and it was pleasantly aromatic. |
classical cello music |
| Shotz Coffee |
Fortuna |
7 |
No milk foam, but I could taste the milk (in a good way).
They wrote "hi" on my cup's sleeve. I thought it was cute.
|
epic, cinematic soundtrack music |


Plugin Information |
|---|
View Image Gallery on the plugin site for more information. |
Older versions of this plugin may not be safe to use. Please review the following warnings before using an older version:
This plug-in reads a job workspace and collects images to produce an image gallery using colorbox lightbox Javascript library.
Description
This plug-in reads a job workspace and collects images to produce an image gallery using colorbox lightbox Javascript library.
This plug-in was created to mimic the behaviour of Bioportal (now Lifeportal) jobs that display images of submitted jobs. The development started in BioUno, a project that uses Jenkins for running bioinformatics tools and managing clusters.
Gallery Types
Archived images gallery
This gallery is created from archived images. It means that you have to use the post build step to archive artifacts and give the gallery a pattern that will match these files.
The images in the Screenshot section were taken from a gallery of this type.
In folder comparative archived images gallery
This gallery is created from archived images. It means that you have to use the post build step to archive artifacts and give the gallery a pattern that will match these files.
This gallery is useful when your build generates images in multiple folder, but with a common base root dir. It receives a base root dir as parameter, and it must be relative to the workspace. Then it will create a navigation tree with the images per folder. The screen shot below should help to clarify the explanation. In the example below the directories 3 and 4 both had images, and a common ancestor directory, used as base root dir.
Multiple folder comparative archived images gallery
This gallery is created from archived images. It means that you have to use the post build step to archive artifacts and give the gallery a pattern that will match these files.
It is similar to the previous gallery type, but each image will be an entry in the navigation tree. It means that if your directory has three pictures, each one will become an entry in the navigation tree. If you were using the in folder gallery, then you would have a gallery with three pictures. The screen shot below shows the difference between the multiple folder (top) and the in folder (bottom) galleries.
Note that by clicking structure01.png folder in the upper gallery, you would see the picture thumbnail. While, on the other hand, the other gallery displays the two pictures in a single category.
Using environment variables in your gallery title
Since 1.1 you can use Jenkins set environment variables and other variables in your build in your gallery title.
Screenshots
You can use the arrow keys of your keyboard to navigate in your gallery.
Issues
Sponsors
For commercial support, please get contact us via @tupilabs
Change Log
Release 1.4 (21/Jun/2016)
Release 1.3 (19/Mar/2016)
- JENKINS-32447: BUILD_NUMBER in include pattern
- JENKINS-31364: Image width is set to "0" in previous builds
Release 1.2 (16/Sep/2015)
- JENKINS-23772: Percent for image width attribute
- JENKINS-22888: Colorbox viewer does not appear to work
- JENKINS-22887: Initial graph horizontal layout does not fit browser width
- JENKINS-22625: Allow customization of gallery title with Build/Project Parameters
Release 1.1 (17/Apr/2014)
- JENKINS-22625: Allow customization of gallery title with Build/Project Parameters
Release 1.0 (21/Sep/2012)
- Two more types of galleries contributed by Richard Lavoie (darkrift)
Release 0.1 (07/Aug/2012)
- Initial release, with only one image-gallery type supported (Archived Images Gallery).
Roadmap
- Add more gallery types
- Add support to different mime-types
- Add ability to display non-flat galleries. i.e. if a image directory has sub directories, each directory becomes a gallery, displayed accordingly by the plug-in.
- a gallery where you can have multiple images with the same name but from different folders, useful to compare images with selenium coming from different browsers, where images would have the same name, but coming from a different folder, recursively of course (darkrift)
Attachments:
logo1.png (image/png)
Screenshot from 2012-08-02 17:21:04.png (image/png)
Screenshot from 2012-08-02 17:22:58.png (image/png)
Screenshot from 2012-08-02 17:23:54.png (image/png)
Screenshot from 2012-08-02 17:23:59.png (image/png)
screenshot1.png (image/png)
screenshot2.png (image/png)
screenshot3.png (image/png)
screenshot4.png (image/png)
bio1.png (image/png)
expand_variables.png (image/png)
expanded_variable.png (image/png)
expanded_variable.png (image/png)
in_folder_gallery.png (image/png)
multiple_gallery_01.png (image/png)
28-06-17 13-24-52.jpg (image/jpeg)


sql(sql, hdrs=None, typed=None)
Executes an SQL SELECT/INSERT/UPDATE/DELETE/SHOW/DESCRIBE statement.
sqlGet(sql, hdrs=None, typed=None)
Executes an SQL SELECT/SHOW/DESCRIBE statement.
sql(sql, hdrs=None, typed=None)
Executes an SQL SELECT/INSERT/UPDATE/DELETE/SHOW/DESCRIBE statement. Args: sql: string, An SQL SELECT/SHOW/DESCRIBE/INSERT/UPDATE/DELETE statement. (required) hdrs: boolean, Should column names be included (in the first row)?. Default is true. typed: boolean, Should typed values be returned in the (JSON) response -- numbers for numeric values and parsed geometries for KML values? Default is true. Returns: An object of the form: { # Represents a response to an sql statement. "kind": "fusiontables#sqlresponse", # Type name: a template for an individual table. "rows": [ # The rows in the table. For each cell we print out whatever cell value (e.g., numeric, string) exists. Thus it is important that each cell contains only one value. [ [ "", ], ], ], "columns": [ # Columns in the table. "A String", ], }
sqlGet(sql, hdrs=None, typed=None)
Executes an SQL SELECT/SHOW/DESCRIBE statement. Args: sql: string, An SQL SELECT/SHOW/DESCRIBE statement. (required) hdrs: boolean, Should column names be included (in the first row)?. Default is true. typed: boolean, Should typed values be returned in the (JSON) response -- numbers for numeric values and parsed geometries for KML values? Default is true. Returns: An object of the form: { # Represents a response to an sql statement. "kind": "fusiontables#sqlresponse", # Type name: a template for an individual table. "rows": [ # The rows in the table. For each cell we print out whatever cell value (e.g., numeric, string) exists. Thus it is important that each cell contains only one value. [ [ "", ], ], ], "columns": [ # Columns in the table. "A String", ], }


tab stop 1
Table summary
The table columns can be sorted by clicking the column header cells
Random Things
Animals
Cars
People
Dog
Mercedes
Bob Sagat
Cat
Porsche
Steve Wonder
Mouse
BMW
Ricky Gervais
tab stop 1


I am a Front End Web Engineer with full stack experience. Making awesome experiences and crafting quality code is in my DNA.
SUMMARY
SKILLS
Experienced with React, TypeScript, JavaScript, GraphQL, Redux, D3.js, AngularJS, Node, C#, ASP.NET, SQL, and SCSS
WORK EXPERIENCE
Senior Software Engineer, Frontend, Q-Free America, 2020 – 2021
- Built highly interactive industry-specific data visualizations using D3.js
- Successfully solved performance issues on rapidly updating map, allowing it to performantly scale to thousands of nodes
- Improved TypeScript usage across the codebase
- Technologies: TypeScript, React, GraphQL, Leaflet, D3.js, WebSocket, Material-UI
User Interface Engineer, Sr., Meteorcomm, 2019 – 2020
- Overhauled and refactored internal cross-product component library, with a focus on testing and reusability
- Worked with product owners to discover and define features and functionality of new product
- Architected, built, and delivered new configuration and monitoring product
- Provided technical architecture and leadership of UI team
- Technologies: Typescript, React, Apollo Client, GraphQL, Emotion, Styled Components, Create React App, Rollup
Software Engineer, Hyperfish, 2015 – 2019
- First employee, successfully acquired by LiveTiles in 2018
- Architected and built entire front end web application using self-selected stack of TypeScript, Webpack, and React
- Built internal admin portal using Auth0, ASP.NET Core, Entity Framework Core, Docker, and a React/Redux SPA
- Began functioning as Tech Lead in 2018, running sprint planning and product prioritization meetings
- Technologies: TypeScript, React, Redux, Styled Components, Webpack, Docker, Thrift, RabbitMQ, PostgreSQL, Redis
UX Developer, Applause, 2014 – 2015
- Fully rebuilt visualization heavy analytics application to implement new design
- Built many different kinds of custom interactive charts and graphs using D3.js
- Technologies: AngularJS, D3.js, SCSS, Gulp
Technical Specialist, Provoke Solutions, 2013 – 2014
- Worked on all layers of several public facing sites built on Orchard CMS (CSS, JavaScript, ASP.NET, C#)
- Technologies: HTML5, CSS3, JavaScript, C#, ASP.NET MVC, Razor, ASP.NET Web API, REST, OAuth, TypeScript
Consultant — Microsoft Platform Developer, Hitachi Consulting, 2012 – 2013
- SQL Server BI ETL Pipeline Development (SSIS, SSRS, SSAS)
- Full Stack Web Development (ASP.NET, ODATA, Azure)
- Technologies: C#, XAML(RT), JavaScript, jQuery, REST, Azure, SharePoint 2013, SQL Server 2012, SSIS, SSRS
EDUCATION
Bachelors of Arts in Business Administration, Seattle University 2012
E-Commerce & Information Systems


RSDSampleRecorder
open class RSDSampleRecorder : NSObject, RSDAsyncActionController
A base-class implementation of a controller that is used to record samples.
-
Undocumented
See moreDeclaration
Swift
public enum RSDRecorderError : Error
-
Declaration
Swift
open weak var delegate: RSDAsyncActionControllerDelegate?
-
Declaration
Swift
public let configuration: RSDAsyncActionConfiguration
-
Declaration
Swift
public var result: RSDResult?
-
Undocumented
Declaration
Swift
public let isSimulator: Bool =
-
Declaration
Swift
@objc dynamic open var isRunning: Bool
-
Declaration
Swift
@objc dynamic open private(set) var isPaused: Bool = false
-
Declaration
Swift
@objc dynamic open private(set) var isCancelled: Bool = false
-
Undocumented
Declaration
Swift
public private(set) var collectionResult: RSDCollectionResultObject
-
Undocumented
Declaration
Swift
public private(set) var startUptime: TimeInterval = ProcessInfo.processInfo.systemUptime
-
Undocumented
Declaration
Swift
public private(set) var startDate: Date = Date()
-
Undocumented
Declaration
Swift
public private(set) var currentStepIdentifier: String = ""
-
Undocumented
Declaration
Swift
public private(set) var currentStepPath: String = ""
-
Undocumented
Declaration
Swift
public init(configuration: RSDAsyncActionConfiguration, outputDirectory: URL)
-
Declaration
Swift
public final func start(at taskPath: RSDTaskPath?, completion: RSDAsyncActionCompletionHandler?)
-
Undocumented
Declaration
Swift
public func callOnMainThread(_ result: RSDResult?, _ error: Error?, _ completion: RSDAsyncActionCompletionHandler?)
-
This method is called during startup after the logger is setup to start the recorder. The base class implementation will immediately call the completion handler. If an overriding class needs to do any initialization to start the recorder, then override this method. If the override calls the completion handler then DO NOT call super. This method is called on the main thread queue.
Declaration
Swift
open func startRecorder(_ completion: RSDAsyncActionCompletionHandler?)
-
Declaration
Swift
open func pause()
-
Declaration
Swift
open func resume()
-
Undocumented
Declaration
Swift
public final func stop()
-
Declaration
Swift
public final func stop(_ completion: RSDAsyncActionCompletionHandler?)
-
This method is called during finish after the logger is closed. The base class implementation will immediately call the completion handler. If an overriding class needs to do any actions to stop the recorder, then override this method. If the override calls the completion handler then DO NOT call super. Otherwise, super will call the completion with the logger error as the input to the completion handler. This method is called on the main thread queue.
Declaration
Swift
open func stopRecorder(loggerError: Error?, _ completion: RSDAsyncActionCompletionHandler?)
-
Undocumented
Declaration
Swift
open func didFail(with error: Error)
-
Declaration
Swift
open func cancel()
-
Declaration
Swift
open func moveTo(step: RSDStep, taskPath: RSDTaskPath)
-
Undocumented
Declaration
Swift
public func appendResults(_ result: RSDResult)
-
Undocumented
Declaration
Swift
public private(set) var logger: RSDRecordSampleLogger?
-
Undocumented
Declaration
Swift
public let outputDirectory: URL
-
Undocumented
Declaration
Swift
public let loggerQueue = DispatchQueue(label: "org.sagebase.ResearchSuite.Recorder.\(UUID())")
-
Undocumented
Declaration
Swift
open func instantiateMarker(uptime: TimeInterval, date: Date, stepPath: String) -> RSDSampleRecord
-
Undocumented
Declaration
Swift
open func updateMarker(step: RSDStep?, taskPath: RSDTaskPath?)
-
Undocumented
Declaration
Swift
public final func writeSample(_ sample: RSDSampleRecord)
-
Undocumented
Declaration
Swift
public final func writeSamples(_ samples: [RSDSampleRecord])
-
Undocumented
Declaration
Swift
open func createFileURL() throws -> URL
-
Undocumented
Declaration
Swift
open var usesRootDictionary: Bool


SuperCruisr
GeoDomes
Offline
List
Create GeoDome
Use code
Find GeoDome...
GeoDomes
Connect
Cancel
1
Code:
Link:
Disconnect
Camera tool
First person
Third person
Hud
Microphone
Screenshare
+ Add


Custom made rings
Description
Beautiful rings with glass gems hand crafted to fit your size.
Price
100 USD per ring
Pay
Payment completed


{% extends "base.html" %} {% block content %}
This page is protected by an app.yaml login required declaration. Visiting this page without logging on will show the application login page.


Motive Names
August 14, 2018 | Nick Mazuk
So now you have your motives written.
But how do you organize them?
Sure, you could just do trial and error to find out the best structure for your motives. But what if I told you that there is a form that is guaranteed to work?
What if I told you I could take all the guesswork out of writing a melody out of motives?
Well, that’s not a what if. I’m actually going to give that secret to you right now.
How do I distinguish between motives?
We are going to use a naming system. Motives are going to be named with lowercase letters (e.g. a, b, c, etc.).
That way, when we talk about motive a, we know exactly which motive we are referring to.
Furthermore, the letter names tell us the order that the motives are presented in. The first motive is a, the second is b, and so forth.
And the last thing you need to know is how variations work. A variation on a becomes a′. The prime symbol shows that it is a variation. A second variation would be a″.
What counts as a variation?
There are only two requirements for a variation:
- They sound similar (like the second was derived from the first)
- They are different (they are not the same)
Which of the following is not a way to create a variation?
Example
Here are some things to note:
- The first motive is a
- The second motive is not based on a, so it gets the label b
- The third motive is a variation on a (in rhythm and transposition), so it gets a′
- The fourth is not based on a or b, so it becomes c
Thus, the structure for Brahm’s Cradle Song is a b a′ c.
Try it Yourself!
What is the structure of this melody from Bohemian Rhapsody?
And that’s the basis for naming the different motives. To get more practice, make sure to get your free worksheet below. If you are already a subscriber, that worksheet is in your inbox.
Now that you know how to name each motive, next time I’ll give you the secret to organizing these motives.


GREY OWL **** (out of five stars) A review by Jamey Hughton
Starring-Pierce Brosnan, Annie Galipeau Director-Richard Attenborough Rated PG Largo
MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews
Few movies I have seen are as naturally majestic and wondrous as the true life story of Grey Owl. Perhaps it's the steady, artful direction of Richard Attenborough. Or maybe it's the dedicated presence of Pierce Brosnan in the title role. Whatever the reason, Grey Owl shows absolutely no sign of false storytelling or Hollywood fakery. The film glides gracefully from minute one, telling the passionate story of a strong-minded man who fought the complications of modern society during the 1930's. And, with both Grey Owl fanatics and those unfamiliar with the legend, this true story is sure to hit home.
Just one wonderful thing about Grey Owl is how quickly and efficiently Brosnan makes us forget about James Bond. As we all know, the actor is just the latest debonair stud-muffin to fill 007's shoes (he'll soon be appearing in his third Bond entry, The World is Not Enough). You never even expect Brosnan to crack a witty comeback like we have come to expect from his James Bond character. He looks dignified in long, braided hair and a feather headdress - as if he and the surrounding nature were always destined to interact.
Archie Grey Owl (full name - Archie Belaney) was really an Englishman living out a childhood fantasy: to be a red Indian and live in the wild. After traveling to Ontario to become a trapper and hunting guide, Belaney meets a Mohawk named Pony (Annie Galipeau), who is working as a waitress at a nearby lodge. With the help of a few adorable beaver kits, Pony helps Archie find his true bearings, allowing him to get in touch with his conservational side. Soon, Archie is the most famous red Indian in the world, delivering public speeches to make people aware of the nature that so many take for granted.
I'm unfamiliar with the story of Grey Owl, but after seeing the film, I'm inclined to learn more about this great man. I know, however, that the character of Belaney is not entirely explored in the film - but this represents only a minor problem. Brosnan delivers what could be his finest performance: he is reserved, naturally convincing and completely effective as he handles the morals that the real Grey Owl stood so strongly for. At first glance, the acting talents of Galipeau appear to be very doubtful. But the flow of the story helps accentuate her natural strengths, and gradually she begins lifting her share of the weight that had once been so one-sided.
Attenborough also brings the finest details to life in Archie and Pony's relationship. Grey Owl is no emotional powerhouse; it's success lies within the fact that the environmental issues are covered so efficiently without ever being thoughtlessly overblown. The wonderful cinematography (by Roger Pratt) helps engross the viewer even more, as does the sweeping photography of tranquil lakes and beautiful green forest. Any Canadian nature or history buff is going to love what they find here.
Attenborough tries nothing fancy or gimmicky to help bring the legend to life. Instead, he opts for the most natural presentation you could possibly imagine. This is why Grey Owl succeeds as it does. This proves that sometimes, even the most straightforward approach can be the most effective. And, in the case of Archie Grey Owl, no special Hollywood tampering is needed. Searching through my Thesaurus under the word ‘beautiful', I find these synonyms: alluring, artistic, attractive, captivating. All of them could be used to describe Richard Attenborough's Grey Owl.
(C) 1999, Jamey Hughton
* * * * * * * * * * * * * * * * * * *
MOVIE VIEWS by Jamey Hughton
http://Welcome.to/MovieViews
http://MovieThing.com/members/movies/MovieViews
Comments Appreciated<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


WITNESS LIST
Higher Education
May 17, 2013 8:00 AM
Registering, but not testifying:
FOR:
Baggett, Donnis Executive Vice President (Texas Press Association), Austin, TX
Chadwick, Ashley (Freedom of Information Foundation of Texas), Austin, TX
Schneider, Michael Director, Newsroom and Legal Services (Texas Association of
Broadcasters), Austin, TX
Yancy, Justin Executive Director (Texas Business Leadership Council), Austin, TX
ON:
Cary, Katherine Division Chief of General Counsel Division (Office of the Attorney
General), Austin, TX
Collins, Steven Assoc. Vice Chancellor and Special Counsel (University of Texas System),
Austin, TX
ON:
Wright, George President (PVAMU), TX
ON:
Banks, Yannis (Texas NAACP), Austin, TX
Ishop, Kendra Vice President and Director of Admissions (UT Austin), Austin, TX
Moreno, Celina Staff Attorney (MALDEF (Mexican American Legal Defense and
Educational Fund)), San Antonio, TX
Registering, but not testifying:
ON:
Powers, Jr., William President (UT Austin), Austin, TX
Registering, but not testifying:
FOR:
Willmann, James Director Governmental Affairs (Texas Nurses Association), Austin, TX
ON:
DeLeon, Sheila Analyst (Legislative Budget Board), Austin, TX
FOR:
Burns, Kevin Wise County Commissioner Pct. 2 (Wise County), Decatur, TX
Registering, but not testifying:
FOR:
Holland, Clay Attorney - Bickerstaff Health Delgado Acosta LLP (Wise County), Austin,
TX
ON:
Loredo, Judith Asst. Commissioner P-16 Initiatives (Texas Higher Education Coordinating
Board), Austin, TX


bool chroot ( string $directory )
Changes the root directory of the current process to directory, and changes the current working directory to "/". This function is only available to GNU and BSD systems, and only when using the CLI, CGI or Embed SAPI. Also, this function requires root privileges.
Returns TRUE on success or FALSE on failure.


Open
this receipt
in a new tab and enter the values in the field below
Who is the vendor (name of the company) on the receipt?
What is the date of the transaction?
What is the total amount of the transaction?
What was the method of payment for this transaction?
Amex ending in 1006
MC ending in 1726
Cash
Other/Unknown
What is the expense class? (This will be handwritten on the top of the reciept or highlighted.)
2013 E. Mallon
45 Acres
Fernan 20 Acres
Other/Unknown


You run programs on Linux. You know how to use a command line, and check
top
. But there's something missing! Sometimes a coworker will show you a
cool trick and you're like "WHAT?! YOU CAN DO THAT? WHAT ELSE DON'T I
KNOW?".
Understanding the fundamentals of how your operating system works can really level you up as a programmer -- it makes it dramatically easier to debug your programs and write efficient software. But who has time to read a 1500 page tome about operating systems? Not me! In this book, I'll teach you all the stuff I wish I knew about Linux 5 years ago, and tell you stories about how learning basic operating systems concepts has helped me solve real programming problems.
Chapters
-
{{ range .Data.Pages }}
- {{.Title}} {{ end }}


|
cocos2d-mac-extensions
0.2
Cocos2D Extensions API Reference (Mac OS X version) for Kobold2D developers
|
Protected Attributes | |
| CGFloat | _maxScale |
| CGFloat | _minScale |
| NSMutableArray * | _touches |
| CGRect | _panBoundsRect |
| CGFloat | _touchDistance |
| CGFloat | _maxTouchDistanceToClick |
| id< CCLayerPanZoomClickDelegate > | _delegate |
| CCLayerPanZoomMode | _mode |
| CGFloat | _minSpeed |
| CGFloat | _maxSpeed |
| CGFloat | _topFrameMargin |
| CGFloat | _bottomFrameMargin |
| CGFloat | _leftFrameMargin |
| CGFloat | _rightFrameMargin |
| CGPoint | _prevSingleTouchPositionInLayer |
| NSTimeInterval | _singleTouchTimestamp |
| BOOL | _touchMoveBegan |
| ccTime | _rubberEffectRecoveryTime |
| CGFloat | _rubberEffectRatio |
| BOOL | _rubberEffectRecovering |
| BOOL | _rubberEffectZooming |
Properties | |
| CGFloat | maxScale |
| CGFloat | minScale |
| CGRect | panBoundsRect |
| CGFloat | maxTouchDistanceToClick |
| id< CCLayerPanZoomClickDelegate > | delegate |
| CCLayerPanZoomMode | mode |
| CGFloat | maxSpeed |
| CGFloat | minSpeed |
| CGFloat | topFrameMargin |
| CGFloat | bottomFrameMargin |
| CGFloat | leftFrameMargin |
| CGFloat | rightFrameMargin |
| ccTime | rubberEffectRecoveryTime |
| CGFloat | rubberEffectRatio |
represents the layer that can be scrolled and zoomed with one or two fingers.
CGFloat CCLayerPanZoom::bottomFrameMargin [read, write, assign] |
Distance from bottom edge of panBoundsRect that defines bottom autoscrolling zone in frame mode. Default is 100.0f
id<CCLayerPanZoomClickDelegate> CCLayerPanZoom::delegate [read, write, assign] |
Delegate for callbacks.
CGFloat CCLayerPanZoom::leftFrameMargin [read, write, assign] |
Distance from left edge of panBoundsRect that defines left autoscrolling zone in frame mode. Default is 100.0f
CGFloat CCLayerPanZoom::maxScale [read, write, assign] |
The maximum scale level, will change scale if needed automatically. Default is 3.0f
CGFloat CCLayerPanZoom::maxSpeed [read, write, assign] |
Maximum speed for autosrolling in frame mode Default is 1000.0f
CGFloat CCLayerPanZoom::maxTouchDistanceToClick [read, write, assign] |
The max distance in points that touch can be dragged before click. If traveled distance is greater then click message will not be sent to the delegate. Default is 15.0f
CGFloat CCLayerPanZoom::minScale [read, write, assign] |
The minimum scale level, will change scale if needed automatically. Default is 0.5f
CGFloat CCLayerPanZoom::minSpeed [read, write, assign] |
Minimum speed for autosrolling in frame mode Default is 100.0f
CCLayerPanZoomMode CCLayerPanZoom::mode [read, write, assign] |
Describes layer's mode. Defult is kCCLayerPanZoomModeSheet
CGRect CCLayerPanZoom::panBoundsRect [read, write, assign] |
Rectangle that is used to determine bounds of scrolling area in parent coordinates. Set it to CGRectNull to enable infinite scrolling. Default is CGRectNull
CGFloat CCLayerPanZoom::rightFrameMargin [read, write, assign] |
Distance from right edge of panBoundsRect that defines right autoscrolling zone in frame mode. Default is 100.0f
CGFloat CCLayerPanZoom::rubberEffectRatio [read, write, assign] |
Ratio for rubber effect. Describes the proportion of the panBoundsRect size, that layer can be moved outside from panBoundsRect border. So 0.0f means that layer can't be moved outside from bounds (rubber effect is Off) and 1.0f means that layer can be moved panBoundsRect.size.width far from left/right borders & panBoundsRect.size.height from top/bottom borders. Default is 0.5f. Limitations: only sheet mode is supported.
ccTime CCLayerPanZoom::rubberEffectRecoveryTime [read, write, assign] |
Time (in seconds) to recover layer position and scale after moving out from panBoundsRect due to rubber effect. Default is 0.2f.
CGFloat CCLayerPanZoom::topFrameMargin [read, write, assign] |
Distance from top edge of panBoundsRect that defines top autoscrolling zone in frame mode. Default is 100.0f


I attend to the initiative developed by some Latin American Xamarin MVPs together the Microsoft team for Latin America (Xamarin Certified, Intermediate Level.). The goal is to get knowledge to implement a scheme of development, testing and monitoring of mobile applications created in classic Xamarin and Xamarin.Forms connected to services of the Microsoft Azure.
I attend to the initiative developed by some Latin American Xamarin MVPs together the Microsoft team for Brasil (Xamarin Certified, Preliminary Level.). The goal is to get knowledge to implement a scheme of development using the platform to develop multiplatform applications with Visual Studio for Android, iOS and UWP, using the C# programming language.
The Universidad Complutense de Madrid in partnership with Google's Activate initiative have provided basic insights for creating mobile apps. This course contains the essential principles that should inspire the creation of these applications, and thus focus their design and programming well from the beginning.
The Platzi User Experience course has provided concepts for designing with the user in mind. To create interaction flows, choose fonts, colors, storyboards, wireframes and decide the iconography and investigate my users.


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Announcing first ever... blog post!
29 Apr 2014What's this?
My very interesting post about:
- Nothing.
- Not much.
- Nada.
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Well, the way they make shows is, they make one show. That show's called a pilot. Then they show that show to the people who make shows, and on the strength of that one show they decide if they're going to make more shows. Some pilots get picked and become television programs. Some don't, become nothing. She starred in one of the ones that became nothing.
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Change Log
0.11 (2020-08-14) / macOS
- Support change notion account with system menu bar!
- Fix button label is not showed if using light mode
- Fix crash at macOS Bigsur Beta (Caused by ‘tarkit’ dependency)
- Removed ‘tarkit’ dependency
- Fix auto update is not working.
0.10 (2020-08-05) / macOS
- Notarizing App (from Apple)
- App Size Thin (83MB → 63MB)
- I’m trying to reduce the app’s capacity even more.
- Notion Account Switcher Level DB Server Updated.
- This component that is responsible for the core feature of the app.
0.9 (2020-08-03) / macOS
- First Release!!! (Only macOS)
- Support Multiple notion account
- Support touchbar


HAMLET A film review by Jerry Boyajian Copyright 1991 Jerry Boyajian
Zeffirelli's ROMEO AND JULIET was what sparked my interest in Shakespeare over 20 years ago, so I was looking forward to this very much. I thought this film version was more than good but less than great.
(For the record, it might be worth noting that I've never seen a production of HAMLET -- even the Olivier film version! -- though I have read the play a couple of times and studied it as part of a college course.)
The heart of the production is in the performances, and here the film gets generally high marks. Gibson was, on the whole, adequate. It comes as no surprise that his better moments in the film were those moments of action and passion (I mean strong emotion here, not romancing), but I found his quiet moments too dry and uninvolving. Most of his soliloquies came off relatively poorly (the most notable exception in my mind being the "conscience of the King" soliloquy). The worst aspect of his performance to my mind was the fact that he almost always came off as second banana to me whenever he was playing against someone else. Even the lesser parts, such as Horatio and Laertes, seemed better to me than Gibson's Hamlet. But as I said, in the scenes that required more "action" and emoting, he worked better, with his best scene being the aftermath of the play-within-a- play.
Glenn Close, however, was wonderful as Gertrude, playing her as a sincere and passionate woman who was, unfortunately, totally without a clue about anything (which is a nice switch from the usual interpretation of Gertrude as being co-conspirator with Claudius). I've never been a particularly big Close fan, but this is the best of her performances that I've seen.
My favorite of the cast was Ian Holm as Polonius. I'd never pictured Polonius as the "comic relief" character of the play, but Holm does a great job of playing it this way. Paul Scofield has, lamentably, too small a part (as the ghost of the dead king). Helena Bonham-Carter came alive as Ophelia descends into madness, but unfortunately played the character as so thoroughly dull as dishwater earlier in the film that I was almost (note: almost) unable to feel much for the character later. I think, though, that Zeffirelli purposely had her play it that way to contrast with the later madness.
Zeffirelli's direction was pretty straightforward for the most part, so much so that when he occasionally threw in a "trick," it seemed totally out of place. The more obvious examples were the circular tracking shot around Hamlet and Ophelia during their meeting in the hall when he "dumps" her, and the exterior shots of her leading up to her drowning made me feel like I was watching a Swedish "art film" (I was almost expecting the camera to pull back and reveal Death standing there in black cloak, right out of THE SEVENTH SEAL). Still, he did a good job of "opening up" the play from the confines of stage sets.
I'm not a purist, so a lot of the cuts didn't bother me overmuch, other than my occasionally reacting, "Waitaminute ... isn't there supposed to be a scene with so-and-so here?" And I was a bit thrown when the entire first scene of the play was missing (as contrasted to ROMEO AND JULIET, which starts out exactly as the play). The only part that really threw me was hearing Hamlet's "Get thee to a nunnery" speech during the play-within-a-play scene. I'd *thought* that it came in the scene where he "dumps" Ophelia, and flipping through the play after I got home, I saw that I was correct. But the cut-and-paste aspects of the screenplay will most likely affect only the purist.
Overall, HAMLET is worth seeing, but don't expect to be overawed.
--- jerry
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